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Lawsuit Challenges Copy-protected CDs

acer123 writes "An article states that 'The five major record companies have been hit with a class-action lawsuit charging that new CDs designed to thwart Napster-style piracy are defective and should either be barred from sale or carry warning labels.'"

340 comments

  1. hehe by TweeKinDaBahx · · Score: 1, Funny

    ALERT!!

    Now included with the purchase of any CD, a tube of KY. It'll make it less painless when the RIAA rapes you.

  2. Excellent by trefoil · · Score: 1

    mmmmmmmmmm excellent..

    Now I will hopefully soon have the right to rightfully play my mp3 backups in my own Rio.

  3. NOT digital quality by Alizarin+Erythrosin · · Score: 5, Interesting

    They should be required to remove that little CD-quality logo from packaging and say that it is a copy-protected CD. That way, people will know the quality may suck, and they can't listen to it in a computer.

    Also, wasn't something like this reported a few days ago?

    --
    There are only 10 kinds of people in this world... those who understand binary and those who don't
    1. Re:NOT digital quality by TweeKinDaBahx · · Score: 4, Funny

      Or how about a nice "To copy this CD, you must purchase a felt-tipped marker" sticker or a "Must purchase a CD-Burner which is supported by CloneCD and has a RAW read capabilty" sticker.

      I just want to see the "Can also be downloaded as 128Kbit MP3s from #mp3l4m0rz on dalnet"

    2. Re:NOT digital quality by uncoveror · · Score: 1

      Don't mark up that copy protected disc. That would be naughty! For detailed instructions on what you better not get caught doing, read
      http://www.uncoveror.com/sayno.htm
      Thought you would like to know.

      --
      The Uncoveror: It's the real news.
    3. Re:NOT digital quality by Anonymous Coward · · Score: 0

      I just want to see the "Can also be downloaded as 128Kbit MP3s from #mp3l4m0rz on dalnet"

      I don't then. 128Kbit sucks. MP3 sucks. Dalnet sucks.

      If it said "This CD also includes the High Quality VBR Vorbis files for your listening pleasure" then sure! Thats a different matter though.

    4. Re:NOT digital quality by TweeKinDaBahx · · Score: 1

      go back to playing with nmap and you 2" penis.

    5. Re:NOT digital quality by Anonymous Coward · · Score: 0

      Don't mark up that copy-protected CD.
      Don't buy it.

    6. Re:NOT digital quality by Anonymous Coward · · Score: 0

      You do realize that absolutely nobody but fringe open sores geeks uses Ogg Vorbis right? It's the same demographic who stopped using Red Hat or Debian GNU/Linux because they are too "mainstream" and moved to shithead distros like Gentoo or even worse, NetBSD. Quit trying to be so uber-31337, nobody cares!

    7. Re:NOT digital quality by SlowMovingTarget · · Score: 1

      Right, we all know how effective parental warning labels are on music, or how effective the Surgeon General's warnings are on cigarettes.

      You're right that they shouldn't be allowed to use the CD-quality label, but they should also pay damages to consumers who bought damaged goods. Don't accept a simple hand-slap and a promise from them that they'll be good from now on. These organizations are all about their bottom line. Affect it, and they'll listen.

    8. Re:NOT digital quality by Anonymous Coward · · Score: 0

      Lick my open sore ass, bitch. You can put jelly on it if you want.

    9. Re:NOT digital quality by Mr.Ned · · Score: 1

      My girlfriend recently bought the new Eminem CD. Being the geek I am, while she was looking at the DVD it included, I looked over the CD - no official compact disc logo on it. I then check the box - no logo. I told her to not put it in her computer to play or else the computer might die like the other iMacs (maybe a bit of a strech...) - she didn't notice or even know that any harm could come to her computer by simply playing it.

      Moral of the story: the graphic was small, and no one payed attention to it anyhow.

    10. Re:NOT digital quality by Anonymous Coward · · Score: 0

      The CDs won't do any harm to your computer (even if it is an iMac). The only thing is that it may not play...

    11. Re:NOT digital quality by CTho9305 · · Score: 1

      Thats because smoking doesn't give you the instant gratification of cancer/death. Buying a broken CD has the instant gratification of not being able to listen to it. People would react.

    12. Re:NOT digital quality by brianber · · Score: 1

      I have several CD's that don't have said offial label anywhere, however, they still work in my PC. I was even able to rip them with no problem. Although, one of them does use the acronym CD on the package. When you say the graphic was small, are you refering to the official Compact Disc Digital Audio logo?

  4. It's a start by URoRRuRRR · · Score: 0

    But the victory comes only from a win, and with the publicity napster and other file sharing programs had, it may be incredibly hard to get. Let's just hope that the lawyers managing this lawsuit know what they're doing.

    --
    "Oh no, 3 horny women and only 2 condoms...Thank god I read slashdot"
  5. How to join? by InterruptDescriptorT · · Score: 5, Interesting

    I purchased a CD for my mother for Mother's day that was one of the widely-reported copy-protected albums (Celine Dion, BTW). It wouldn't play on my parents' computer, which is the only player they have in the house. Is there any information on whom to contact to become part of the class action? Does one just contact the legal firm suing the record companies and inquire there? Thanks.

    ---
    I'm tired of waltzing for pancakes. - Gwen Mezzrow

    --
    Karma: Excellent Birds (mostly as a result of listening to Laurie Anderson)
    1. Re:How to join? by frankske · · Score: 2, Informative

      have you tried the Marker pen tool? Hmm, damn, guess I can be sued now?!

    2. Re:How to join? by TweeKinDaBahx · · Score: 1

      It's too late, their brain must be taken in for reprogramming. And their reproductive organs must be removed so they cannot unwittingly infect the gene pool before said reprogramming occurs.

      Or maybe they should just be incinerated to make sure no unauthorized cloning occurs.

    3. Re:How to join? by Anonymous Coward · · Score: 0

      I purchased a CD for my mother for Mother's day that was one of the widely-reported copy-protected albums (Celine Dion, BTW). It wouldn't play on my parents' computer, which is the only player they have in the house.

      Why did you purchase her a copy-protected CD if you knew she couldn't play it in her computer? Why not buy her an authorized CD player and stereo system to listen to her RIAA Approved copy-protected CDs? :-)

    4. Re:How to join? by uncoveror · · Score: 1

      The suit is in California, So if you aren't, you may have to sue in your state. If it hosed up their computer, and they had to have it fixed, a copy of the receipt for computer repair is proof that you suffered harm. If that is not the case, then their fair use and personal property rights have been violated. I don't know if that is culpable in your state. You would have to ask a lawyer. Short of suing or joining a class action, you can join an ever growing group of consumers boycotting the recording industry. http://www.dontbuycds.org

      --
      The Uncoveror: It's the real news.
    5. Re:How to join? by thesolo · · Score: 5, Informative

      Is there any information on whom to contact to become part of the class action? Does one just contact the legal firm suing the record companies and inquire there? Thanks.

      Well, I'm not sure about this lawsuit in particular, but I do know that other firms are planning class action suits as well.

      If you would like to join an upcoming class-action, here is some useful information for you (from Check Heffner).

      "Larry Feldman of the law firm Feldman & Rifkin (www.leflaw.net) is in the process of filing a class-action lawsuit against the major 5 record labels - Sony, BMG, Universal, EMI and Warner Brothers. Please write Larry directly at leflaw@leflaw.com .

      Larry is looking for the problems you have had with a suspected corrupt CD. Please include this information if you write him:

      1. Your name and contact e-mail address

      2. Your city and state

      3. The CD artist and album name

      4. Where you bought the CD (store name, city and state)

      5. Your CD experience. Were you able to copy your CD to MP3 or another CD? What software did you use? The more details you can share about your corrupt CD, the better.

      Larry will contact you about your report."

    6. Re:How to join? by DJbeta_masta · · Score: 1

      maybe the manufacturer was just doing you a favor by trying to protect you and your mom from celine dion.

    7. Re:How to join? by purpledinoz · · Score: 1

      All Celine Dion's work should be copy protected, to protect consumers from listening to that crap.

    8. Re:How to join? by Anonymous Coward · · Score: 0

      For your mother, sure.
      Just admit it, you love Celine Dion's
      music and you're pissed off that you can't listen to it.

      Why is a fish when it spins?

  6. Now where have we seen this before? by night_flyer · · Score: 4, Informative
    --


    Thanks to file sharing, I purchase more CDs
    Thanks to the RIAA, I buy them used...
    1. Re:Now where have we seen this before? by L1nUx+h4x0r · · Score: 0

      I don't see how it's very funny, per say. It's more like that the article should be modded down as redundant or something.

      --
      The GPL makes software more like your mom. Free and open to all.
    2. Re:Now where have we seen this before? by Anonymous Coward · · Score: 0

      That was me. hahahahahahahaa!!!! Too bad I can't hit you again and see if you cry louder the second time! :)

      Evil moderator strikes again!

  7. What will this accomplish? by Marx_Mrvelous · · Score: 4, Interesting

    I suppose that putting pressure on companies to not copy protect CDs is a Very Good thing. If the warning label is actually a warning label (no truth-ish "This CD comes equipped with Super Happy Fun Consumer Protection Technology!!!"), then sles will naturally be lower, and hopefully they'll stop.

    The pessimist in me though, says this is only a delay tactic. LEt's hope it's not economically feasible for them to make this a new standard.

    --

    Moderation: Put your hand inside the puppet head!
  8. Hopefully this'll work... by MarvinMouse · · Score: 4, Interesting

    I know that they are going to say that they do mark the CDs (the really small print on the back) which are copyprotected, but I am getting really annoyed with having to look through a pile of CDs' small prints just to find the one that will work on my only CD player, my laptop.

    Here's hoping that at the very least it'll become obvious which CDs are copy protected (maybe a sticker like the "Warning: Mature Content") sticker. Then I will be able to at least be guaranteed a functioning product that does what it claims to do.

    --
    ~ kjrose
    1. Re:Hopefully this'll work... by Anonymous Coward · · Score: 0

      >the really small print on the back

      Perhaps the result of this lawsuit will be that they have to have HUGE BOLDED TEXT on the front of the disc warning the consumer?

      I mean, you can't get away with saying there's no warranty on an item by writing "AS-IS" in 2 pt. type on the back now, can you?

      I think the law will require this to be conspicous, and its about time!

    2. Re:Hopefully this'll work... by bucklesl · · Score: 2, Insightful

      Those Mature Content stickers are everywhere... who notices those anymore?

      They should be forced to print something like "This CD WILL NOT PLAY in a computer" all over that plastic wrap and associated sticker. So while they are trying like mad to open the CD, they'll at least read what's all over it.

      --
      help fill in hidden movie endings @ End of the Credits
    3. Re:Hopefully this'll work... by Anonymous Coward · · Score: 0

      Well, what they probably assume is that most people have a normal CD player. Your ONLY CD player is your laptop? That's gotta suck. Why not just go out and get a $50 Discman? I mean come on guys, it's not like we didn't bring this upon ourselves by pirating all their music. What else can they do? This is yet another case where the actions of a few ruin it for the masses. Another is the insane copy protection schemes some software companies come up with that make using the software a pain in the ass. For example, why am I required to put a CD in to play some games even though it copied everything it needs to run to the hard drive? I have an 80GB hard drive with TONS of free space. I specifically bought it so I wouldn't need to run shit from the CD anymore. I want to just put them away so they don't get broken yet I need to use them to play the games. I have to go out of my way to download cracks so I can play my lawfully purchased game without having the CD in the drive. stupid.

    4. Re:Hopefully this'll work... by GutBomb · · Score: 2

      yes because everybody knows that everyone considers the ability to play the cd in thier computer. 99% percent of people buying those cd's couldn't give a rats ass that the cd doesn't play in thier computer. and to the people pissed off that it doesn't, the label on the back clearly states "this disc is not intended for use in computer cd-rom drives"

    5. Re:Hopefully this'll work... by Anonymous Coward · · Score: 0

      even worse, you won't be able to see the warning because of the dumb "don't leave the store with this CD or else the alarm will go off" sticker is covering the label, just like EA Sport's Motor City On-Line's warning "You must pay a monthly service charge to play this game online" was covered by when I bought that.

      b/s
      .kb

    6. Re:Hopefully this'll work... by Huogo · · Score: 1

      Get a virutal CDrom drive. I used one all the time when my cdrom was broken and I was swapping one out of my other computer.

    7. Re:Hopefully this'll work... by phoenix123 · · Score: 0

      hahaha

      man: there are two things that guarantees, that copyprotected cds won't play: prebuffering via anti-shock memory (needs error-correction-codes from subchannels) and ability to read a cd's filesystem (cannot recognize bogus TOC of copyprotected cd)

      so EVERY good discman has shock-protection buffer memory ("ESP", "ASP" etc etc) and EVERY player with this shock-protection prebuffering DOES NOT play a copyrighted cd. car stereos do not, same with mp3-cd players and DVD-players -

      and even if your poor little discman reads and plays that damn silver-disc-resembling-a-cd, it will probably suck trying to correct all those intentional read-errors... thereby emptying its batteries much much quicker than normal when listening to real audio-cds.

      german hi-fi magazine "stereoplay" (the final judgement for all the hi-fi "i can hear the difference between 320kbit mp3 and CD-quality"-folk here in germany) tested copyprotected celine dion-crap with hitech lab equipment and found significant decrease in sound quality, enormous increase in bit errors and the total lack of resistance of said cds to even minor scratches and neglible physical defects.
      said magazine recommended for all hifi-folk to not use any copyprotected cds at all. it also showed the ways to circumvent the protections and to create cd-r copies of the fragile scratch-sensitive cds: that old pencil or post-it trick we all knew plus a list of urls for cd-burners that can raw-read and even a list of burning programs that can defeat the protection. they said, those techniques cannot restore the audio quality but it can ensure you can play those cds in car and hi end stereos(3-beam pickup laser or greater is sufficent for total silence when cd has copyprotection) and it is at least a bit more resistant to scratches. todays cd-r's can stand more abuse than copyrighted original ones ;) think about it...

      oh and btw, they showed that on a broadcast in the main "official" channel, at primetime in a very well-respected and competent technical advisory show... YES and they even showed the pencil and paper trick before approx. 10 mio. viewers at prime time. poor DMCA-ridden USA, we in germany have the benefit of state-owned tv-channels informing us germans about the issue of crap-cds and the ways of overcoming their protections ;) - first time - and probably last time :( - i am proud of europe ;)

    8. Re:Hopefully this'll work... by evilviper · · Score: 2

      Don't look for anything that makes sense in the RIAA. I happen to remeber an INSTRUMENTAL album release by Frank Zappa, which the RIAA forced to bare the label "Warning, Explicit LYRICS"

      --
      Slashdot gets worse every day... Pipedot: News for nerds, without the corporate slant
  9. Hm... by Wakko+Warner · · Score: 1, Redundant

    This looks vaguely familiar.

    - A.P.

    --
    "Remember when the U.S. had a drug problem, and then we declared a War On Drugs, and now you can't buy drugs anymore?"
  10. What if they win? by L.+VeGas · · Score: 5, Funny

    The record companies will be required to distribute rebate coupons for free Sharpies.

    1. Re:What if they win? by Sherloch+Hemloch · · Score: 1

      Perhaps Sony has stock in Sanford, makers of the fine line of Sharpie anti-copy-protection and markers.

      --
      Never trust a bald barber; he has no respect for your hair
    2. Re:What if they win? by anonymous_wombat · · Score: 1

      Actually, I believe that Sharpies are in violation of the RIAA law.

  11. Maybe... by URoRRuRRR · · Score: 0

    Maybe we can start another class-action lawsuit to make it so that they can't sell a lot of the crap they're putting out... THAT really offenders me, and it isn't playable anywhere.

    --
    "Oh no, 3 horny women and only 2 condoms...Thank god I read slashdot"
  12. Big Hairy Deal by hyphz · · Score: 4, Insightful

    In the best case: they spin out the suit, cost the people in the class action a load of money, then put a dinky little label on the back of the CD case in one corner. Joe Average, who owns a regular CD player, doesn't care or even notice, so the money keeps coming in. Fair Use is still dead on the format.

    A better one was the business that they were getting sued for Trade Descriptions for describing the product as an audio CD when it did not follow Audio CD formatting rules - anyone know what happened with that? (That could have some interesting consequences for PC CD games with mangled volume tables)

    1. Re:Big Hairy Deal by liquidsin · · Score: 2

      A better one was the business that they were getting sued for Trade Descriptions for describing the product as an audio CD when it did not follow Audio CD formatting rules - anyone know what happened with that? (That could have some interesting consequences for PC CD games with mangled volume tables)

      PC CD games don't claim to be CDDA.

      --
      do not read this line twice.
    2. Re:Big Hairy Deal by hyphz · · Score: 2

      No, but they claim to be PC CD; there are fixed formats for data disks as well. Some Safedisk variants won't work on all PC CD drives.

  13. Less painless? by Anonymous Coward · · Score: 2, Funny

    I'd imagine that since KY is a lubricant, it would make it less painFULL.

    Regardless, you're using a double negative.

    - The Grammar Nazi

    1. Re:Less painless? by F34nor · · Score: 1

      Make sure you trademark the stokes per minute of the raping first so you can sue them for ass-rape harmonic infringement.

    2. Re:Less painless? by TweeKinDaBahx · · Score: 1

      seems the mods agree with you.

      Better buy more ky, they must be getting raw by now.

    3. Re:Less painless? by macdaddy357 · · Score: 1

      I had some of that Kentucky Jelly on crackers. It was just awful!

      --
      How ya like dat?
    4. Re:Less painless? by Anonymous Coward · · Score: 0

      You're supposed to put it on Toast. It's much better that way. Of course, I would suggest that the Grammar Nazi get an extra batch for those extra tight anal tendencies.

    5. Re:Less painless? by Anonymous Coward · · Score: 0

      I like the taste. It tastes good when I'm sucking off my bf after he finished banging me. Sweet tasting stuff, try it!

    6. Re:Less painless? by blur00 · · Score: 1

      ...it would make it less painFULL

      Well, I would think that The Grammar Nazi would know the word to be painful.

    7. Re:Less painless? by Anonymous Coward · · Score: 0

      Nah. That's the Spelling Nazi's job.

  14. (-1, Redundant) anyone? by forged · · Score: 0, Redundant
    I vote Taco !

    For the URL-impaired; this is the link to the original story, posted by Michael on Saturday.

  15. About time by skurth · · Score: 1

    It's about time that someone smacked them a little and said, "That's a not what we've come to expect out of the discs labeled CDs."

  16. Think Philips, think EFF! by Cirrocco · · Score: 1
    The EFF warned about this some months ago and urged a letter-writing campaign to Philips. I see it worked, or, at least, Philips saw it, too, and agreed with the EFF.


    Think Philips when you buy electronics, think EFF when donating, folks!

  17. Oh no by Launch · · Score: 0, Flamebait

    I thought the war was over... Didn't Napster file chapter 11? They were obviously the heart of the problem... the only justifible means of bankrupting two kids who mainstreamed file sharing. So now they are out on the streets, mission acomplished... no need for CD-protection schems...

    --
    Your mammas flamebait.
    1. Re:Oh no by Anonymous Coward · · Score: 0

      Napster was only the one who caught the public's eye. Pirated music is still everywhere, it soaks the internet to the bone.

    2. Re:Oh no by Launch · · Score: 1

      Sorry I forgot to include those tags.

      --
      Your mammas flamebait.
    3. Re:Oh no by TweeKinDaBahx · · Score: 1

      No, Napster may have taken a blow, but it isn't dead yet, check out their homepage for now...

    4. Re:Oh no by Anonymous Coward · · Score: 0
      there are different types of bankruptcy protection...

      • Chapter 11: business reorganizes and will try to continue operating, pay off their debts, etc.
      • Chapter 7: business closes shop with a big stack of debt.
  18. The maths of copy-protected CDs by BabyDave · · Score: 0, Offtopic
    Mansfield said the direct release of copy-protected CDs began in the United States about six months ago on a limited basis and is believed to represent a fraction of the overall CD market.
    Right, I'm off to buy sqrt(2) CDs. That'll screw their statistics up!
  19. I say they have a strong legal case by Anonymous Coward · · Score: 0

    But then I know very little about the law. However, I don't see how someone could market something as being an Audio CD when it does not comply to the standards that define that definition. Obviously, if it doesn't fit the definition then you should not be able to call it an audio CD and sell it comercialy. It's fradulent advertising. It's like a blind man buying an orange and getting a lemon, when you are allergic to lemons. I'd say that that person would win their case if it came up in court, the same should apply here. The buyers of cds are blind in their lack of knowledge of the Audio CD specification.

    However, I bet the companies will win out. In our land of the free, the big money wins out in it's interests in the end.

  20. i think that.. by paradesign · · Score: 2, Insightful

    the CD manufacturers are afrade that people will not but the CDs if they know they are fscked with. the only way this works without a large scale backlash is if people dont know whats going on untill its too late(or they cant eject their coaster) when was the last time you checked your CDs for their logo? this method capitolizes on the ingnorance and apathy of the average Us consumer.

    --
    I want 2D games back.
    1. Re:i think that.. by Anonymous Coward · · Score: 0

      Anything that fucks up a Macintosh can't be an all-bad thing.

      I can close my eyes and see the festering Melvins all lined up at the service counter at the local Apple repair depot. None of them know how to make a Macintool (basically a bent-straight paper clip) so they have 'qualified personel' do it for them. For about fifty bucks, which a Mac customer is HAPPY to pay (they know they're computing with a Cadillac, it's worth the extra!)

  21. my own way around it by Jacer · · Score: 3, Interesting

    i put the copy protected cd in a regular cd player, i have my headphone jack outputing into my computers microphone jack, save as *.wav or whatever, then encode into Mp3.....it works very well but that's besides the point....it's obvious that a person who buys the cd isn't a pirate, they're just burning bridges with the people left who are willing to buy cds, and that's no small number, piracy does cost them a fair amount of money, but a bunch of pissed off customers will cost them even more!

    --
    --fetch daddy's blue fright wig, i must be handsome when i release my rage
    1. Re:my own way around it by entrager · · Score: 1

      I think the idea behind the copy-protection isn't to prevent copying completely, but rather to make it more difficult. After all, the technique you describe works fine, but many people aren't patient enough to go through a long process like that. The industry is relying on that.

    2. Re:my own way around it by F34nor · · Score: 1

      Ok... you have no missed the point.

      DIGITAL COPY. AnAlOuGe copy.

    3. Re:my own way around it by Anonymous Coward · · Score: 0

      thats retarded!!! the WHOLE reason it is important to be able to play a cd in your computer to make mp3s is for a DIGITAL and EXACT copy, which tends not to have the quality loss that one experiances with analog copies. otherwise, why wouldnt more people just copy music off the radio, or the tv?

    4. Re:my own way around it by rhombic · · Score: 1

      But for many people, DIGITAL COPY -> DGTL CPY, so what's the diff anyway? Unless you store uncompressed wav's?

      --
      1984 was supposed to be a warning, not an instruction manual.
    5. Re:my own way around it by Jacer · · Score: 1

      well, i was misleading, it's not my mic jack, it's an input jack, on my sound blaster live, with live drive, it's an optical in

      --
      --fetch daddy's blue fright wig, i must be handsome when i release my rage
    6. Re:my own way around it by Darth+RadaR · · Score: 2

      Jacer writes:it's obvious that a person who buys the cd isn't a pirate, they're just burning bridges with the people left who are willing to buy cds, and that's no small number, piracy does cost them a fair amount of money, but a bunch of pissed off customers will cost them even more!

      Quite true. Why would a company treat a paying customer like a thief? Besides, the second that they come up with a new protection scheme, it'll be broke by someone, then back to the drawing board (where your music buying money is spent) with more useless protection schemes that will most likey make playing music more of a hassle than it's worth. ad infinitum

      I dunno, maybe it'll get to the point where the RIAA will find some way to make possesion of mp3s illegal with a jail term and fines. Film at 11.

      OTOH, this might be a good thing for the smaller indy labels that just want their artists music heard.

      --
      /*drunk.. fix later*/
    7. Re:my own way around it by silicon_synapse · · Score: 1

      I think the idea behind the copy-protection isn't to prevent copying completely, but rather to make it more difficult. After all, the technique you describe works fine, but many people aren't patient enough to go through a long process like that. The industry is relying on that.

      The thing is, only one person needs to put forth that effort then post the file all over the web and watch it spread. Of all the MP3s you have, how many of them did you rip?

    8. Re:my own way around it by shotfeel · · Score: 1

      "I think the idea behind the copy-protection isn't to prevent copying completely, but rather to make it more difficult."

      That's right. Trivial for the pirates, makes life more difficult for the paying users.

    9. Re:my own way around it by SavingPrivateNawak · · Score: 3, Informative

      MP3 is not EXACT digital copy! You agree to lose quality when you use MP3!!!

      16 bits stereo PCM (often refered as WAV but that's inaccurate) is a digital copy! You can add "exact copy" if the ECC on the disk worked well.

      Now, ripping from your stereo's CD may be a good idea if you can get the fiber output and plug it into your soundcard (many soundcards have fiber output, some must have fiber input too). If you copy from the jack output then you'll have a SNR of ~60-70dB (check the noise level with Soundforge!) whereas CD players give >90dB!!
      (Difference will be noticeable at high volume, maybe not that important for your car or for a portable player)

      Ripping from FM radio is a very BAD idea: the sampling rate is limited to 19kHz (the carrier that separates the Right+Left and the Right-Left (that's 'plus' and 'minus') channels is located 19kHz above the tuning frequency IIRC)
      (You can add a crappy SNR on top of that)

      Same idea for TV, don't do it

    10. Re:my own way around it by lpevey · · Score: 1

      All 3,011 of them.

    11. Re:my own way around it by aronc · · Score: 1

      Which means they are all legal and you shouldn't be forced to jump through hoops to have them. This makes it harder for legit users to play their media and will slow the pirates down by about 8.3 seconds.

      --

      jello.
      aka aron.
    12. Re:my own way around it by lpevey · · Score: 1

      Agreed. I am against copy-protected CDs because once I buy one, I want the right to listen to it on an MP3 player, rip it to my computer to add to my library, or whatever...

      But we (Slashdotters) don't make our point well if we're talking about the right to download music other people ripped. That is stealing. I don't want to argue for that right. I want to protect my right to rip music from a CD to another medium (such as my hard disk).

    13. Re:my own way around it by Anonymous Coward · · Score: 0

      Headphone jack to Microphone jack? No no no! That's just insane to do, and you'd probably end up with a very bad sounding copy. What you want to do is use the Line Out jack on your CD player to the Line In jack on your soundcard. That way you'll get much better sound quality than you would through the mic port, and besides, you won't be pumping electricity into the headphone jack's right channel that way.

  22. insulting by SirSlud · · Score: 5, Insightful

    This is insulting to a musician like me. To hear what constitutes 'right to protect my property' (nevermind it should only be mine for 14 years, not 70 years after the death of me .. oh wait, forgot I had to sell that copyright to a company in order to get it heard, anyways!) from the mouth of suits is just plain insulting.

    Interesting note: It was pre-copyright times in which publishers owned the works. Now, with the big 5, you have to sign your copyright to them for them to publish. And the copyright law is now 70 years after the death of me. Its kind of ironic .. the biggest battle in the history of copyrights, and really, they are arguing in favour of nothing other than technologically enforcing pre-copyright law, where publishers held the copyrights, ad infinitum (well, 70 years past my death, same thing.)

    I really wish people understood how 'copyrights' that labels are arguing they must be able to protect are not copyrights at all, but more akin to the Licensing act of 1722 where publishers held a monopoly in the distribution of cultural works. (Also worth noting that the Licencing Act was also the first law that allowed government, and subsequently printing houses to censor works deemed against the Church or State.)

    At any rate, I sure dont need to screw up your CDROM to make a living ... although I wont argue that N'Sync and Nickleback or whatever already-well-off artist you love will make more money in the short term because of it!

    --
    "Old man yells at systemd"
    1. Re:insulting by Elbereth · · Score: 2

      This is insulting to a musician like me. To hear what constitutes 'right to protect my property' (nevermind it should only be mine for 14 years, not 70 years after the death of me .. oh wait, forgot I had to sell that copyright to a company in order to get it heard, anyways!) from the mouth of suits is just plain insulting.

      Umm, you didn't have to do anything. You wanted to do it. I tried to explain this concept to my ex-girlfriend many, many times, but she never really understood that she wanted a diamond ring, not that she needed a diamond ring.

      If you want your music to be heard, you have many options at your disposal. I have no sympathy for people too stupid to look at their options before singing the first contract thrust in front of them.

      That'd be like me complaining about how it was necessary for me to sign up with AT&T's worst long distance plan, because it was the only way to use my telephone.
    2. Re:insulting by DunbarTheInept · · Score: 2
      So when the only way to get your music heard nationally is radio airplay, and the only way to get radio ariplay is to be on one of the big labels, what exactly is this alleged "other" alternative available? All the ones I know of are too localized to be effective.
      That'd be like me complaining about how it was necessary for me to sign up with AT&T's worst long distance plan, because it was the only way to use my telephone.
      Which, once upon a time, it was, much like the music industry is today.
      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    3. Re:insulting by SirSlud · · Score: 2

      > That'd be like me complaining about how it was necessary for me to sign up with AT&T's worst long distance plan, because it was the only way to use my telephone.

      Ah right, I shouldn't complain, because I have a choice (to compare to AT&T and using your phone, I suppose the alternative would be walkietalkies or tin-cans?) in avoiding a monopoly.

      You get +1 for insulting for suggesting that I only _want_ a career in doing what I love, and that its no more of a frivulous want than a diamond ring .. I dont really need it! I mean, whats 70 years of knowing it would have been considerably simpler (and on the merit of my music, not my ability to network, negotiate, and get lucky) to make a living off of what I truely love ..

      Are you an artist? What's next, I only _want_ clothes, I dont really need them?

      --
      "Old man yells at systemd"
    4. Re:insulting by TWR · · Score: 2
      (Also worth noting that the Licencing Act was also the first law that allowed government, and subsequently printing houses to censor works deemed against the Church or State.)

      Right, because before 1722, people had nothing to fear from Church or State if they said or wrote something critical of them...it was just evil copyright law!

      Anyone care to sing a rousing chorus of Mel Brooks' "The Inquisition"?

      -jon

      --

      Remember Amalek.

    5. Re:insulting by Anonymous Coward · · Score: 1, Interesting

      oh wait, forgot I had to sell that copyright to a company in order to get it heard, anyways!) from the mouth of suits is just plain insulting.

      Then maybe it's time for a second class action lawsuit, against publishers that extort (copy-)rights out of artists.

      Now that "monopoly" is starting to lose some of its glamour because everybody hears the word way too often, "cartel" could become a new fashion word.

      I don't know about the US, but over here cartels (as in "combinations of independent commercial or industrial enterprises designed to limit competition or fix prices") are as illegal as monopolies.

      And what other purpose does the RIAA serve?

    6. Re:insulting by SirSlud · · Score: 2

      Well, I"m canadian, but the real problem in the US is this:

      >as illegal as monopolies.

      Monopolies arn't illegal in the states. Thats the big problem that hopefully some day they will fix. :)

      --
      "Old man yells at systemd"
    7. Re:insulting by Anonymous Coward · · Score: 0

      ... Licensing act of 1722 ...

      Anybody care to explain to me how such an act can still be active being that it was written before the birth of the nation?

      -FC

    8. Re:insulting by Anonymous Coward · · Score: 0

      You're entitled to nothing for merely making the claim that you're an artist?

      If you're really an artist, that is. I don't decide, a bunch of punks in a bar don't decide either. Society does, over time.

    9. Re:insulting by SirSlud · · Score: 2

      It's not. I only meant to illustrate that history has already been through this. The first true copyright with the wellfare of the authors in mind was a response to the Licensing Act, which had the effect of creating a publishing monopoly where a disproportionate amount of the works being published were by a very small amount of parties (if you dont like my use of the word monopoly, the Big 5 are in court this very minute for anti-competative practices .. but they are successfully keeping that below the public radar.) .. so, in effect, the first copyright law was a response to the very same system we have now. Its a good way of illustrating that the laws of today do not really have the artists in mind .. todays copyright law is much more of a law designed to protect the publisher rather than the creator.

      --
      "Old man yells at systemd"
    10. Re:insulting by Anonymous Coward · · Score: 0

      But NOBODY expects the Spanish Inquisition!

    11. Re:insulting by TheTrunkDr. · · Score: 1
      Ah right, I shouldn't complain, because I have a choice (to compare to AT&T and using your phone, I suppose the alternative would be walkietalkies or tin-cans?) in avoiding a monopoly.

      some people just don't read do they... he didn't say anything about avoiding the monopoly geez, he said you don't have to take the first offer!!!! you don't have to take the most expensive plan, you can take the cheaper one or go to the competition to see if there's a better option. god! besides if people truly want to share their music, they don't need a record contract at all! that's only necessary if you want to be a 'rock star.' Which is a WANT! you don't have to be a rock star, you can do tons of other crap to make a living! If you CHOOSE!! to be a rock star and the only way to do that is to sign away your rights well TS it's your CHOICE to do that to be a rock star!!

      Now I don't agree with what happens to the artists, It's not fair, it should be different, they should have control over their creations, but that's not how it is! and for the life of me I can't feel bad for them, they make far more money than I ever will, get to travel around, have fame and popularity. would they have this if they didn't sign their contracts?

      --

      Good things never end "eum" they end in "MANIA" or "teria"

    12. Re:insulting by hyphz · · Score: 2

      > Then maybe it's time for a second class action
      > lawsuit, against publishers that extort (copy-)
      > rights out of artists.

      The only problem is that nobody has the right to get their music published. So they are doing nothing wrong.
      A right of equal market access would be a wonderful thing, but also far too dangerous for anyone to consider.

    13. Re:insulting by arkanes · · Score: 2
      Some people may not read, but man, other people just don't THINK. The whole issue is that you SHOULD be able to become a "rock star" on your own merits or at least have some room for negotiation in your contracts. Since they have all the bargaining power, you DO have to either a) accept that contract or b) face not being able to widely distribute your music, at least not over normal channels. Now, this may be fine to you, but that's because you aren't capable of seeing things from another perspective and don't care if something doesn't directly affect you.

      The only things you NEED are a minimum of food, shelter, and water. Anything else is a want. Being a human is based around the ability to go in search of your wants. something that's a really important want is the ability to enjoy what you do for a living - I rather suspect that you're either a manic depressive gothboy or someone who has yet to leave home/school (or both!) because you seem to think that people shouldn't mind having boring jobs that don't satisfy them - they may be forced into that, but having the option to do something interesting and exciting with thier life. The (raw) amount of money an artist makes isn't really the issue, although the percentage of the money that they make that they actually recieve is.

    14. Re:insulting by Anonymous Coward · · Score: 0

      What aren't you getting? He was bitching about how copyright protections have been extended from 14yr years to 70yr, and you launch in to this anal-retentive semantic nit-picking rant about how you're too fucking cheap to buy your girlfriend a ring. "Needing" to sign w/ a major isn't the point, it's that copyrights have been extended to make sure that Mickey Mouse never falls into the PD.

    15. Re:insulting by TheTrunkDr. · · Score: 1

      and I SHOULD be able to have a billion dollars tax free just for scratching my own ass!! well I haven't been diagnosed with manic depression, nor am I gothboy, and I've been out on my own for years. Fact is I have a great job that I love, I'm a programmer for a great game company, and I've made copromises to get here. I've had horrible jobs where I was exploited to no end, but needed for experience and such, and where I am now, I've sacrificed my own time (I work crazy long hours and weekends) but it's what I love to do, and TS for me cause I can't go in just 8 hours a day, and have weekends to myself, I'm expected to work long hours. You can't have your cake and eat it too, that's a fact of life. I said I don't agree with what happens to artists (funny it comes back to that reading thing), but that's the way the system works. I don't always like that a ton of my own time is spent at work. Yes their hard work lines the pockets of fat execs. (fact is just about everyone's does) but that is the nature of capitalism! it will change, it just takes time, till the next big system comes in to exploit the people. If you love doing something, or want it bad enough you make the compromises and the hard decisions to get it, don't start bitching when you knew the costs going in. Yes the system sucks, but it's what you're stuck with till enough people care enough to change it. I do care, I'd like to change, but it'll take time.

      --

      Good things never end "eum" they end in "MANIA" or "teria"

  23. This, of course, means... by Anonymous Coward · · Score: 0

    ...that we hate the RIAA and MPAA.

    Today, anyways.

  24. The real truth by Wrexen · · Score: 5, Insightful

    CDs designed to thwart Napster-style piracy...

    These CD's aren't about stopping Napster/Morpheus/Kazaa/etc, they're about taking away our right to time shift and give the record companies the ability to charge us over and over again for the same music.

    1. Re:The real truth by Cirrocco · · Score: 1
      These CD's aren't about stopping Napster/Morpheus/Kazaa/etc, they're about taking away our right to time shift and give the record companies the ability to charge us over and over again for the same music.

      I'm not condoning the copyrighted non-CDs here, but the same thing could be said about movies: they charge me again and again to come see a movie, then charge me again if I want to own it on VHS or DVD. These companies have a right to charge as they will for their product and make (or fail to make) a profit doing it. The issue here isn't charging us for "the same music" over and over again. The issue here is companies releasing a product that may not work in your hardware.

    2. Re:The real truth by (trb001) · · Score: 1

      These CD's aren't about stopping Napster/Morpheus/Kazaa/etc

      Actually, yeah, they are. They're just not going to DO that. Someone out there thinks that if they make it harder to put a CD in the computer, it will stop the online file sharing. Apparently that person missed the day they taught "Digital media 101" when they went over that it only takes 1 copy of something in digital form to spawn 10^x copies of it.

      They seem to be treating CDs like cars. A car has proprietary pieces that you can't find anywhere and you would need special tools to take it apart and put it back together. If one person did this, no harm...other people WON'T do this and they can't directly benefit from that person's example. Digital media is not like this at all...one person gets a CD to work in their drive, makes a digital copy and suddenly it's like the record companies shouldn't have even bothered.

      --trb

    3. Re:The real truth by freeweed · · Score: 2

      These CD's aren't about stopping Napster/Morpheus/Kazaa/etc, they're about taking away our right to time shift

      Small point, but what exactly does time shifting have to do with CD's? You can play a CD whenever you want, it's not a broadcast.

      Methinks you're just trying to score on /. Buzzword Bingo :)

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    4. Re:The real truth by discstickers · · Score: 1

      There is a slight difference there. You can take that DVD and record it to VHS or rip it to your hard drive without paying for it again. Also, the movie is in a different format. You've always had to pay for different formats for music. If I buy a CD, I'm not entitled to the same recording on tape. I can, however, legally copy the CD to the tape myself for free.

      --
      I have a shitty sig!
    5. Re:The real truth by SN74S181 · · Score: 1

      Your right to time shift?

      You're saying the original Audio CD can only be played at 5:30 on Tuesday morning, and since you're not up that early you need to make a copy you can listen to later?

    6. Re:The real truth by lpevey · · Score: 2, Interesting

      I think the movie example is a bit different. You get charged again and again if you want to see the movie in a theatre several times. You pay to view the showing of the movie in much the same way you would pay to see a play or a concert. However, if you purchase a copy of the movie, you have the right to view it again and again at no additional cost. This is the current scheme: fixed pricing for unlimited viewings. This is as opposed to the new idea of "micropayments."

      But I digress. My point is this: I agree that the Big 5 are trying to move toward copy-protection in an attempt to prevent time-shifting. Everyone has probably seen the commercials playing on VH1 or MTV (i dont remember which) about favorite records. "You bought it on vinyl, you bought it on tape, you bought it when it came out on CD, you ripped it to an MP#, and you downloaded it to an MP3 player."

      The industry has so far been able to make us purchase several copies of a single album that we love in order to keep up with the latest audio technology. What is after digital? If we can make digital copies on our computers, and then transfer that copy to any new un-copy-protected media, there will never be a need for us to purchase another copy of an album we've already paid for at least once.

    7. Re:The real truth by Anonymous Coward · · Score: 0

      Modded down -1 SlashBotting.

      If you can't do anything other than regurgitate the group-think drivel that's pounded into your head every day by this site, you have no business being called insightful.

    8. Re:The real truth by Woody77 · · Score: 1

      The movie analogy also breaks down in a different way. One of the reason's that you pay for each viewing is that you are paying to use the equipment at the theater.

      One question that I do have is if theaters have to pay royalties per showing, or just pay X to get the reels in the first place?

      What's after digital (meaning Redbook CD Audio)? DVD-Audio. Higher sampling rates and greater precision for each sample (96Khz and 24 or 48-bit, IIRC).

      I've heard DAT tapes at those resolutions. There was a difference I could hear, although the $20K worth of audio equipment in between helped a bit, too.

      You purchase the newer formats for the higher quality. Some CDs were initially released after cleaning up the original analog recording with filters, or were based of digital masters that had originally been released on tape. Hence you are paying for the "cleaned-up" version, as compared to just playing the tape into your aux-in, and writing the WAV file to CD.

  25. YUO FAGORTS by TweeKinDaBahx · · Score: 1

    It really looks like the RIAA and CD-press people need to pull their heads out of their asses on this one. It's about time they realized that with the advent of the internet age, there is really no way they can prevent piracy and all they are doing with copy-protection schemes such as the most recent ones are annoying customers. It has been proven time and time again that protection schemes such as these do NOT prevent or discourage piracy and only serve to promote it. I know that I won't be buying a CD anytime soon...

  26. Well isn't that special. by InnereNacht · · Score: 3, Interesting

    "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    Uhm. Hello? Is this thing on?

    DVD movies and PC games don't crash other platforms when you put them in last I checked. DVD movies work on DVD PLAYERS. PC games work on PC's. Music CD's should work on ALL CD PLAYERS.

    What do they expect? If I pop'd a music CD in my PC and it locked my box I'd be awfully pissed off too.

    1. Re:Well isn't that special. by Grax · · Score: 1

      Actually I do claim that legally mandating Macrovision (as the DMCA does) is inappropriate and unlawful. I have experienced movies that will not display properly with my equipment due to the Macrovision "protection". Requiring consumer VCRs to support Macrovision is silly. (If Macrovision can have a law that makes them rich then I want a law that makes me rich too.)

      I also contend that requiring DVD players to respect region codes is inappropriate and unlawful. There is no reason a DVD player manufacturer should be required to cripple their device just so that the motion picture producer can control his movie watching.

      I also don't get how the movie industry, who has depicted so many crimes including murders, terrorism, scams of all kinds, etc can try to censor a piece of software code (DeCSS) that merely depicts how to copy a DVD. Why are their created works protected pieces of art while computer software creations are evil creations to be stifled and suppressed? Is it only creative if created in the proper medium?

    2. Re:Well isn't that special. by SN74S181 · · Score: 1

      The fact that these CDs 'crash' some platforms is more a statement about the reliability (or lack theof) of said platforms. A copy protected Cd should generate an error message that can be handled by the machine. If it doesn't, it sounds like a bug in the software of the machine, not a fault of the CD manufacturer.

      I mean, let's get real here.

  27. Software Developers by jcast · · Score: 2, Insightful
    From the article, quoting Cary Sherman:

    Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful.

    I suppose that's why every single real copy protection for software has been abandoned, right? Anyway, the Jargon File defines copy protection as:

    copy protection n.

    A class of methods for preventing incompetent pirates from stealing software and legitimate customers from using it. Considered silly.

    I think Sherman's claim is pretty specious.
    --
    There are reasons why democracy does not work nearly as well as capitalism.
    -- David D. Friedman
  28. hmm... by gyratedotorg · · Score: 1

    this makes me wonder why no lawsuits have been brought against video game companies for not allowing consumers to play cdr backups of the games that they've purchased (eg: playstation).

    aren't the major record companies being sued for, more or less, the same thing?

    --
    Gyrate Dot Org - "Where high-tech meets low-life"
    1. Re:hmm... by YrWrstNtmr · · Score: 1

      this makes me wonder why no lawsuits have been brought against video game companies for not allowing consumers to play cdr backups of the games that they've purchased (eg: playstation).

      Different thing. Playstation games can be played ONLY on a playstation. CD (music) can be used on a variety of platforms. PC, CD player, home stereo, portable, copy to mp3 player, etc, etc.
      They are preventing the use of CD (and the music on them) in platforms other than a base CD player.

    2. Re:hmm... by TweeKinDaBahx · · Score: 1

      Not quite...

      These CDs will actually crash a computer. They will not play in many CD-ROM drives. A playstation game (without some warranty-voiding manipulation of the hardware) will play the original but not a backup.

      So the issue here is the ability to use hardware for it's designed purpose and not have to buy more equipment to listen to a CD you've paid for. This rant will not cover the issue of legal abckups because someone else should do it.

      I'm lazy.

    3. Re:hmm... by Wolfier · · Score: 2

      Different. Video game companies don't allow consumers to play *CDR BACKUPS*. An original PlayStation CD can still be played in all PlayStations.

      The record companies don't allow consumers to play *THE ORIGINAL CD* on some players.

    4. Re:hmm... by brandorf · · Score: 1

      From what I understand, Playstation CDs (at least the original Playstation) do not contain any form of copy protection per se. Rather, there is a special ring of data around the hub of the discs, that contain region codes, etc, that only CD stamping machines can create. This is not really any different that region coded DVD.

      --


      Bork Bork Bork!!
  29. How are they defective? by HowlinMad · · Score: 0

    I know what they are saying, but if thats is not what you want as a consumer, try this...... DON'T BUY IT!!! I know this sounds mean and like I support the RIAA, but I do not. To me, its just common sense, as a comsumer, if I want to buys something, I look at ALL of the specifications, and if there are any I do not like, I might decide not to buy it. This might mean I do not get the product at all, which sucks, but hey, that's life. You have weigh out the pros and the cons... and decide if it is still worth it to you to buy the product.

    Enough pissed off rambling for now.

  30. If the RIAA wins... by st0rmshad0w · · Score: 5, Insightful

    and "protected CD's" become more common, will they be giving up the recording media tax? The original assumption behind it was that blank media would be used to copy copyrighted works, but if the works in question are "protected" from copying, then they no longer have a case for the media tax, correct?

    I wanna see how this plays out and I hope someone finds an angry grandmother type who doesn't take any guff to be the posterchild for this.

    1. Re:If the RIAA wins... by Anonymous Coward · · Score: 1, Interesting

      You kidding? They still charge artists a fee to make up for broken schellac records, which haven't been used in decades (when was the last time you saw a 78 rpm record?), they sure as Hell won't give up on the recording media tax.

    2. Re:If the RIAA wins... by TweeKinDaBahx · · Score: 1

      Considering that the acronym DVD stands for "digital verisitle disk" [sic?], then yes, PC hardware manufacturers would have quite the case against the MPAA because the DVD format is supposed to be just that, versitle.

      Undoubtably the MPAA will try something like tis in the future, but it may be a lot more subtle...

    3. Re:If the RIAA wins... by Launch · · Score: 1

      I don't know if the naming would be the reason they would have a case.. I mean that's kinda like saying that there is a problem with the music industry calling CDs "CD" is inapporiat because their size is no longer compact.

      --
      Your mammas flamebait.
    4. Re:If the RIAA wins... by Anonymous Coward · · Score: 0

      ...then the terrorists have already won

    5. Re:If the RIAA wins... by Anonymous Coward · · Score: 0

      If they win the lawsuit they can still lose the war, just stop buying copy protected products!

    6. Re:If the RIAA wins... by kemster · · Score: 1
      and "protected CD's" become more common, will they be giving up the recording media tax? The original assumption behind it was that blank media would be used to copy copyrighted works, but if the works in question are "protected" from copying, then they no longer have a case for the media tax, correct?

      I never understood this "recording media tax." Doesn't it go against the whole "innocent until proven guilty" ?? Seems like I'm paying a fee for damages rendered (i.e. the media tax) up front as I'm buying the CD's. So before I even have a chance to commit the crime, I'm already paying for it? Gotta love a system where might buys right. I hate lobbyists and campaign contributions.

  31. From the article.... by Kierthos · · Score: 1

    "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman (President of the RIAA) said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    Yeah, Sherman, old boy, but when the video game and movie industries do it, the games or movies don't show significantly less quality, fail to work, or break the machine they are used on. (Okay, generally speaking. I still can't get Diablo II installed correctly for my father...)

    When will the RIAA learn that there is a vast difference between copyright protection and cripple-right protection? The RIAA may have a point about piracy, but that does not give them the right to push a "protection scheme" that is so inherently flawed as to be worthless (in more ways then one.)

    Kierthos

    --
    Mr. Hu is not a ninja.
    1. Re:From the article.... by SirSlud · · Score: 2, Interesting

      > Music creators have the right to protect their property from theft, just like owners of any other property

      > The RIAA may have a point about piracy

      No, they dont! "just like owners of any other property"???! Thats why Copyright law exists! Because owners of cultural and artistic work is not like owners of other property.

      The Great Big Lie has everybody forgetting this. Everybody get it through thy skulls! Copyright, and intellectual property is and never will be physical property! So you dont get to distribute it, or protect it like physical property. End of story.

      Incidentally, copyright law 2002 is much more like the Licensing Act of 1722, which the first true copyright law of the 1760s was supposed to fix. The Statue of Anne, the firtst true copyright law meant to protect the creators of the work, not the publishers/distributors was meant to wrestle control of cultural distribution and publication from the companies to the arists. Nowadays, look in those 'big label' contracts. Guess who ends up owning the copyright when you sign (the only real way to get big time distribution these days?) .. the company! Really, this is all a joke .. the labels are no better than the monopolistic printing houses of the 1622s, and everybody has bought it hook line and sinker that its all for the arists! ('Wont somebody think about the arists!' .. dont believe them!) As a musician, programmer, and dude who decided that something smelled fishy, I have not a shred of doubt in my mind that 'copyright law' is currently a misnomer - how about 'monopoly law'? It's time for another true copyright law, one where the people making the actual music have a say and where economic leverage doesn't allow companies to nullify the 'creator is the owner' statute by forcing signees to sign their copyright over to the label. Thats how this trouble all got started ....

      --
      "Old man yells at systemd"
    2. Re:From the article.... by Kierthos · · Score: 1

      Before you get your knickers all in a twist, consider something... if I buy a CD, burn a back up copy, I am not pirating it. I never argued that I wasn't.

      However, if I take that same CD, burn hundreds of copies, and sell them on the street, then I am pirating the music. The file-sharing programs are just the latest incarnation of those guys on the streets selling the latest albums for half-price.

      The reason the RIAA is so up in the wind about it is because with those street vendors, there was still a limit on how many they sold, overall quality of the product, etc. With file-sharing, technically, one copy could end up on thousands of computers.

      I don't blame them for being upset about it. If I was in a similar circumstance, I would probably be upset too. I do,however, blame them for handling it the way they are. Trying to hit all the customers for the actions of a few is no way to run a business, and I am happy this class-action suit has been filed.

      Kierthos

      --
      Mr. Hu is not a ninja.
    3. Re:From the article.... by Anonymous Coward · · Score: 0

      they might have the right to protect their works, however, since they are protecting stolen works, i have no sympathy for them. the artists deserve compensation, yes, the monopolies do not. the system is flawed & their stranglehold attempts to keep us from our constitutionally protected rights to space & time shift copyrighted materials for our own use is wrong.

    4. Re:From the article.... by SirSlud · · Score: 2

      >with those street vendors, there was still a limit on how many they sold, overall quality of the product

      How? No limit, they can just burn more.

      No quality issue, because they just keep their 'gold' copy. Doesn't even cost that much to ship your CDs all over the US to dozens of street corners.

      The joke is, this has never been a threat to the big-label artists (the small label artists, sure, but do you think those are the ones getting copy protected CDs or high priced lawyers to deal with it?) .. in fact, I can safely say I've never seen one single 'pirate seller' in my entire concert going life, although I know bootleggers exist to some degree (tho they seem to concetrate on live performances, most of which never get turned into commercial releases anyhow, so theres only a tiny bit of value dillution).

      Incidentally, most of those street vendors could afford to pay the artist (directly) the royalties from the CDs and still sell the CD for less than the Big 5 do. So you're justifying RIAA protecting what it owns because it has a monopoly upon which can demand higher prices (mostly because there's the ever-accelerating race for higher production value and advertising budgets needed because .. lol, of how much other labels spend on this stuff). Which is why I have no sympathy for labels. Artists that need sympathy, sure, labels, no. The game is far to big and expensive than it needs to be, and thats the only reason the RIAA has to be so piracy-nazi about it. History is full of times where the true power shifted to the producers .. no one company/publishing house has a monopoly, but they've successfully made the game too expensive for anybody else to play.

      Smaller labels are starting to make inroads with online sales and distribution, which is encouraging, but there is still a long way to go. Artists need the ability to protect their works for awhile with tolerable levels of piracy (some limited time span in their life, maybe 20 years), but thats all, folks. Sure, during that time frame the work should be treated somewhat like a physical commodity, but at some point, it should go ... *poof*

      --
      "Old man yells at systemd"
    5. Re:From the article.... by Manwich · · Score: 1

      > The Great Big Lie has everybody forgetting this. Everybody get it through thy skulls! Copyright, and intellectual property is and never will be physical property! So you dont get to distribute it, or protect it like physical property. End of story. Of course it isn't like physical property, it is called intellectual property. However, to prevent someone from owning these ideas means that nobody will come up with ideas. If artists and publishers never got any money, there would be a lot less art. If researchers couldn't patent their ideas we would not have a lot of what we have today. >The Great Big Lie has everybody forgetting this. Everybody get it through thy skulls! Copyright, and intellectual property is and never will be physical property! So you dont get to distribute it, or protect it like physical property. End of story. So what? All companies do this, you sign away all rights you have on a patentable idea when you enter research industries. You have to go independent to retain those rights.

  32. one would think by red_five_standing_by · · Score: 1

    That there would be at least one multi-millionare artist that wouldn't want copy protection on their CD's. They've already got bucks galore - you'd think they'd want to get their music to the people.

    1. Re:one would think by xiaix · · Score: 1

      In many cases, the artist has no say in the matter. Distribution is handled by their label, and that includes the decision to copy protect or not. Unless the artist either 1) has their own label or 2) provided for this type of control in their contract, it is very unlikely.

      --

      Have you read the Moderator Guidelines yet?

    2. Re:one would think by red_five_standing_by · · Score: 1

      Understood - but I would think that an artist making the $$ on the same scale as Celine Dion, Aerosmith, etc... would have some sort of leverage over their label. If it were me, I would just refuse to make any more records (money) for the company. Then we can send lawyers to court to argue over it, until the label gives in and lets me (the band) do whatever I feel like - as long as I keep churning out the hits. In a perfect world, that is.

    3. Re:one would think by Anonymous Coward · · Score: 0
      In fact, several artists have tried to distribute some of their work for free over the internet, and they got slapped down by their record companies for doing so. I guess the record company interpretation of "exclusive rights" means you can't even give a song away without going through them -- I shudder to think what happens if they catch you humming in public.


      So how did Wilco manage to get away with giving away Yankee Hotel Foxtrot over the web, anyway?

  33. Sue the copy protection companies instead. by Thag · · Score: 5, Insightful

    Granted, the record companies have the big bucks if you want a cash settlement, but if you want to stamp this kind of thing out, I'd think you'd be better off putting the Macrovision-level companies out of business instead.

    Once a few of those companies have been sued into smoking holes in the ground, their surviving ilk should be hesitant to repeat the same mistake.

    Jon Acheson

    --
    All opinions expressed herein are my own, and not those of my employers, who are appalled.
    1. Re:Sue the copy protection companies instead. by magicsquid · · Score: 1

      Granted, the record companies have the big bucks if you want a cash settlement, but if you want to stamp this kind of thing out, I'd think you'd be better off putting the Macrovision-level companies out of business instead.

      Once a few of those companies have been sued into smoking holes in the ground, their surviving ilk should be hesitant to repeat the same mistake.


      The problem with this logic is that it should be able to be applied to P2P networks. Napster was sued out of existence, yet there are plenty more networks popping up all the time. Wherever there is a demand for a product, there will be a supply of the product. Therefore, no matter how many copy protection companies disappear, the music industry will continue to demand copy protection, so new companies will fill that void.

      --


      "Chances of RHIC-induced Armageddon are exceedingly rare, but... you never know." - MIT Physicist Bob Jaffe
    2. Re:Sue the copy protection companies instead. by BitHive · · Score: 1

      Except, in my opinion, (and I don't think I'm alone here) the current state of P2P sucks butt. There was nothing cooler than firing up Napster on my cablemodem and finding everything I was looking for. Now, you've got these decentralized P2P networks to contend with, which are generally slow and unwieldy. Sure, there are client-server apps like eDonkey and Direct Connect, but that model existed before Napster (Hotline, anyone?) and is not going to fill the hole anytime soon.

    3. Re:Sue the copy protection companies instead. by Gaccm · · Score: 3, Funny

      the only problem with that logic is that these componies have done nothing wrong. They created a product that can be used fairly, but is used by the record componies illegally. It's not like congress will make a law saying a product that can be used illegally is illegal...

      Something tells me what i said above is too subtle for most of slashdot :/

      --

      Only dead fish swim with the stream...
    4. Re:Sue the copy protection companies instead. by Manitcor · · Score: 2

      ROFL, thanks for making me soak my screen with soda.

      It may be too subtle for most of /. but not for me.

      --
      "Don't mess with him, he taunts the happy fun ball."
    5. Re:Sue the copy protection companies instead. by Manitcor · · Score: 2

      Gee...how quickly our minds change when the tech works against us and not for us.

      Think about this, its that mindset that has caused the problems we have today with things such as DeCSS and Adobe Encryption breaker (good ol Dimitri).

      We may not like the tech but we have to support its right to use less we erode our own stance on right to use.

      What we can fight is how its used.

      phrased something like this:

      A publishing company may not use copy protection on a medium without proper labeling as to what it entails and what equipment it can be played on (IE can only be played on RIAA approved listening device).

      Ridiculous I know, but we can't legislate the tech away, that's dangerous for or own position.

      --
      "Don't mess with him, he taunts the happy fun ball."
  34. Amusing how often they prove their stupidity... by pogle · · Score: 5, Interesting

    From article:
    "...software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    This is just wrong on so many levels. One, as anyone in Usenet knows, there are a lot of trolls out there who claim its wrong, not that we listen to them.

    But seriously, how many CD copy protections prevent the CD from being used on a majority of players?? I know of one game thats been almost endemic in its lack of functionality, and thats MS' Dungeon Siege. I've got 3 cd drives (32x, DVD-ROM, and CD-RW) and dungeon siege only worked with my CDRW. Thats the worst case instance I can think of for software lack of functionality due to media changes (MS has some lovely copy protection nonsense on the CDs). And there are legitimate complaints all over the place about that problem.

    The majority of software is protected via regkeys and other software based methods, *not* by scratching the CD so only some players can read it. Someone want to come with me to smack this guy with an EUL printout or two? It'd be fun...

    --
    http://thechubbyferret.net - Ferret pictures and informative links.
    1. Re:Amusing how often they prove their stupidity... by kstumpf · · Score: 2

      Its fairly common to buy computer software that is unusable due to bugs or copy-protection or miscellaneous conflicts or a number of other reasons. I think the reason people are making a stand against this CD protection is that this is the start of it, and now is the best time to curtail it before it becomes the de facto way to publish a CD. It will be alot harder (ie, impossible) to stop this once its commonplace.

  35. Crappy reporting by epepke · · Score: 2

    Besides being deliberately designed to prevent the copying of music on personal computers, the anti-piracy technology often prevents playback altogether on PCs, and even on some CD players, Mansfield said.

    If it prevents copying on personal computers, it always prevents playback on those computers.

    1. Re:Crappy reporting by Brad+Wilson · · Score: 1

      If it prevents copying on personal computers, it always prevents playback on those computers.

      Sorry, that's not true. You can play it on PCs that are equipped with analog playback functionality. It just needs to be enabled as such (and the requisite cable run from the CD drive to the sound card).

  36. Won't this protection hurt the record industry? by bsharitt · · Score: 5, Insightful

    A recent trend seems to be having the PC as the center on a digital entertainment system. If the PC can't play the CD, and it's the primary CD player, wouldn't people possibly buy from other labels? I know my parent's only CD player is the one in their computer, and I use the one in my computer quite often in stead of my music only CD player because it is more convenient.

    1. Re:Won't this protection hurt the record industry? by Anonymous Coward · · Score: 0

      You're talking about a 'recent trend' in high school aged kids.

      Their mom told them they couldn't have so much junk in their 'room' so they ditched the stereo, kept the PC.

      Anybody serious about listening to music doesn't want a hard drive droning away in the background.

    2. Re:Won't this protection hurt the record industry? by Quimo · · Score: 1

      Actually for most of the 40+ people I know the only CD player they have is there computer. And they certainly are not (for the most part) tech savvy people. I think if we looked closely we would find that the largest percentage of people without a dedicated CD player would be in this group.

  37. Re:Would the founding fathers agree? by SirSlud · · Score: 2

    Far more telling is that while copyrights are initially the artists', you cannot get any respectable level of distribution without signing your copyright over to a corperation.

    In that respect, the impedus of how to 'protect' those works is all in the hands of companies now, with far too much power, nearsightedness, and complete lack of understanding of technology. The 'artists', the exploited posterchildren of all of this, are really powerless to have a say, and they are being tugged around in a battle that concerns their very nature, living and wellfare, in which they really have no voice.

    Labels already have what they need in the form of insane copyright terms (nevermind that none of them are signing multi-album deals anymore like they did 20 years ago .. they drop millions on one-hit-wonders, and have shrugged off any concept of a 'career' for musicians), and ownership most of the time of said copyright. This is just a prime example of how those in power are destined to spend the rest of their existance attempting to strengthen it rather than focusing on what got them into that position in the first place.

    --
    "Old man yells at systemd"
  38. Re:Would the founding fathers agree? by Anonymous Coward · · Score: 0

    Gee this sounds familiar.
    Do you have any skillz other than Copy and Paste?
    I know you wrote it the first time as well, but I think its just karma whoring on your part.
    Oh wait whats that?? You didn't? thats just pathetic.

  39. I'm No Lawer, But... by Anonymous Coward · · Score: 3, Insightful

    It seems to me that Phillips who owns the patent on CDDA had said that the record companies cannot use the official CDDA logo on these copy protected CD's since they technically break the standard. So a case could be make that no matter what the label (warning or otherwise) that they shouldn't be able to make and try to sell an audio CD that's not actually an audio CD by the Phillips definition of what an audio CD is.

    1. Re:I'm No Lawer, But... by Anonymous Coward · · Score: 0

      Or more accurately Phillips should sue them for counterfeiting CDs with a cheap imitation, whose low quality and inherent flaws do prejudice to the CDDA trademark.

    2. Re:I'm No Lawer, But... by Anonymous Coward · · Score: 0

      The problem is that Philips works together too closely with Sony to go this far.
      The CD isn't even a Philips-only development, it's a Philips-Sony joint development.

      And with Sony being one of tha bad guyz...

  40. heres a suggestion by paradesign · · Score: 5, Insightful

    since these are technicle not Phillips (red-book) compliant CDs, retailers technicly should not be able to sell them in the CD section. it is false advertising. so maybe the suit should fall on Best Buy or Wall Mart, to force them to separate the two disks (CDs and Copy Protected Optical Audio Discs) on the sales floor.

    --
    I want 2D games back.
    1. Re:heres a suggestion by vslashg · · Score: 1

      But then, wouldn't they just relabel their music section so that "CD" doesn't appear anywhere?

      Doesn't seem like it would accomplish much.

    2. Re:heres a suggestion by SirKodiak · · Score: 1

      Most CD stores I've been to don't have a CD section, they have sections labeled with different genres of music and all they have there is CDs. There are rarely signs indicating that the products are CDs, as that is assumed. Best Buy and Wal Mart could follow this trend by simply labelling it as the "music" section.

    3. Re:heres a suggestion by Anonymous Coward · · Score: 1, Funny

      Rather than "Copy Protected Optical Audio Disk", why not refer to them as "Copy Restricted Audio Publishings". That way we have a nice descriptive acronym.

    4. Re:heres a suggestion by Anonymous Coward · · Score: 0

      Like, Celine Dion shouldn't even hit the music shelves anyway.

  41. Wrong People? by Devil's+BSD · · Score: 1

    Why sue the record companies when we know REALLY who's behind this all? It's the little guy in your stereo system called Ryan. Ermmm that would be RIAA, I think...

    --
    I'm the Devil the Windows users warned you about.
  42. The Offspring by entrager · · Score: 1

    They are all for freely distributing their music, but contracts prevent them from doing it.

  43. Re:Would the founding fathers agree? by Anonymous Coward · · Score: 0

    You sir, are a dumbass.

    Thomas Jefferson had absolutely zero part in writing the United States Constitution. While he certaintly drafted up the first document our country holds dear, the Declaration of Independence, he was in FRANCE when the Constitution was being written.

    Get your facts straight. He was whoring it up as a ambassador when the federalists got together and wrote the constitution, which he would never have agreed with -- way more federal power than he would ever have allowed.

    In short, get your facts when you cut and paste.

  44. Woohoo by Anonymous Coward · · Score: 0

    Nice to see a JeffK fan!

  45. Bring the CD back and DEMAND a refund. by crovira · · Score: 2

    If they start seeing that this crap COSTS them, THEN they'll get rid of it.

    Until then, you're just suckin wind.

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
    1. Re:Bring the CD back and DEMAND a refund. by TweeKinDaBahx · · Score: 1

      Better yet, don't buy the CD at all.

    2. Re:Bring the CD back and DEMAND a refund. by Dimensio · · Score: 2

      Unfortunately, the RIAA can point to low CD sales and claim that it is a direct result of music piracy, thus obviously more stringent copy-protection schemes are needed -- in addition to nasty anti-consumer laws.

    3. Re:Bring the CD back and DEMAND a refund. by brianber · · Score: 1

      The problem with that is, once it's opened, most stores will NOT give you a refund. The most you can hope for is a never ending cycle of returning and exchanging defective discs.

      "This disc is defective, it won't play on my CD player. Can I get a refund?"
      "Sorry, store policy, you can't get a refund, all you can do is exchange it for the same title."
      "OK."

      One hour later...
      "This one's defective too."
      "Ok.."

      One hour later...
      "This one's defective too."
      "Ok.."

      One hour later...
      "This one's defective too."
      "Ok.."

      One hour later...
      "This one's defective too."
      "Ok.."

      You get the picture. Of course eventually, the store will run out of said title. And not to mention get real tired of hearing "This one's defective too."

  46. Also on C/net by Anonymous Coward · · Score: 0

    This was said about a guy busted copying movies.

    "Assistant U.S. Attorney Mark Krotoski, who is prosecuting the case, said Mynaf faces a maximum penalty of five years and a fine of up to $500,000 for the DMCA violation. He also faces a maximum penalty of 60 years and a fine of up to $3 million for copyright infringement and trafficking. A sentencing hearing is set for July 11 before U.S. District Court Judge David Levi."

    It's sad when a guy copying movies can get 60 years and a 3.5 million dollar fine. But killers routinly get 25yrs to life, Often getting out with FAR more life to lead on the streets.

    A.C.

    1. Re:Also on C/net by idamaybrown · · Score: 1

      You are comparing a MAXIMUM sentence to an average sentence.

  47. Was this in the U.S.? by dpbsmith · · Score: 2

    I ask, since some news stories have asserted that the protected version of Celine Dion's "A New Day Has Come" have NOT been released in the U.S.... It would be nice to have a data point on this. Also, did the disk bear any warning... AND (this could be significant) did it, or did it not bear the CD logo--the little gizmo that says "Compact Disc Digital Audio" on it? Supposedly Philips has insisted that since copy-protected disks do not comply with the CD standard they are not allowed to use the CD logo on it.

    1. Re:Was this in the U.S.? by pmc · · Score: 2

      I saw one case here (in the UK) when the came out, and they did not have the CD logo on it that I could see. On the otherhand the warning label was not what you could describe as prominent, and the casual shopper would not spot it.

    2. Re:Was this in the U.S.? by Kibo · · Score: 1

      I think they carry the enhanced CD logo.

      --
      --Jimmy has fancy plans; and pants to match.
  48. Packaging Laws by amokk · · Score: 2, Interesting

    In my opinion, copy-protected CDs should be packaged much like cigarettes in Canada. In other words, the government should mandate that not less than 50% of the package should be devoted to a warning similar to "This is not a conventional CD that may not play in a conventional CD player and may cause damage to hi-fi stereo equipment".

    Of course, this warning label should be in big, bold, black text on a white background.

    At the very least, this would make these CDs a very unattractive proposition.

    But of course that is probably not likely to happen.

    --
    I think, therefore I am an Atheist.
    1. Re:Packaging Laws by Anonymous Coward · · Score: 0

      Or print your own large warning stickers, go into the Music shops and carefully attach a sticker to each offending jewel case.

  49. F-in Slashdot hypocrisy by Anonymous Coward · · Score: 0

    The subject says it all.

  50. If the RIAA wins... by Launch · · Score: 1

    ... would moption picture industry follow? DVD protection schemes to disable their discs from playing in computers... do you think that hardware manufactors of DVD for PCs would have a case against them?

    --
    Your mammas flamebait.
  51. FWTFCATWCP by Anonymous Coward · · Score: 0

    FIRST WHO THE FUCK CARES ABOUT THE WORLD CUP POST

    It's called "soccer." And it is teh sux.

    Yeah, OK, so Team USA sucks. Well, I hate to bring it to you, but SOCCER (not "football") sucks.

    Football is something that, like all other good things in life, was invented by Americans: the same people who gave you electricity, light bulbs, methamphetamines, the internet, airplanes, the telephone, movie cameras, basketball, baseball, rollerblading, skateboarding, surfing, snowboarding, half-life, quake, deus ex, unreal, motorcycles, rock music, television, automobiles, computers, nuclear power, tobacco, marijuana, Windows (the greatest OS ever) and Bud Light.

    So regardless of who wins the World Cup, you'll be watching it/checking the scores/actually be there because of America, the greatest country on earth.

    1. Re:FWTFCATWCP by Anonymous Coward · · Score: 0

      No way! Team USA World Cup Champions 2001!!!

  52. Hmmm by Anonymous Coward · · Score: 0

    "CDs designed to thward Napster-style piracy..."

    I tend to disagree. It seems to me it will increase Napster style piracy in a way. Say you bought XYZ which is one of these protected CD's and you are on lets say an Apple PC. The safe way to listen to the CD you bought is to find the songs in a Napster like enviornment and download them and play them that way. Why take the risk of a mismarked 'CD' damaging your computer by locking up your CD drive.

  53. Re:Would the founding fathers agree? by dthable · · Score: 1

    The 'artists', the exploited posterchildren of all of this, are really powerless to have a say, and they are being tugged around in a battle that concerns their very nature, living and wellfare, in which they really have no voice.

    This isn't really true. Recently, a fair number of artists have been speaking out on the current music distribution system. Plus, a lot of bands have been moving towards independent labels. Side One Dummy is a prime example of a record label that is listening to the consumers. In fact, they have releases a lot of MP3s to emusic.com. The established record companies should worry. These new, smaller labels are pleasing their customers and their clients.

  54. Re:Would the founding fathers agree? by dada21 · · Score: 2

    The founding fathers would not agree at all. They debated long enough about this issue, and eventually the 7+7 years maximum limitation seemed consistent with both sides.

    What would they say to an issue like this? Easy. If someone wants to distribute copyrighted materials all over the country to millions of people, without thinking how they will ENFORCE the ALREADY EXISTING copyright laws, these people are idiots and shouldn't be distributing such materials to such a widespread audience.

    What the record labels should do is pay for their own internal policing force to go and find copyright law breakers. They can then go to the police, and say "arrest John Peterson because he copied one of our CDs."

    Or, they can lobby their LOCAL police forces (not the FBI, not the state troopers) to go and find copyright infrindgers.

    The government should NEVER pass laws "requiring" certain hardware, that's for the free market to decide on. The government should merely reinforce the original constitutional limitations, and then let the record labels work at finding those who are infringing on those laws.

  55. Finally.. by cisco_rob · · Score: 1

    I knew that someone would finally get the sack to do this. The DMCA is in direct violation of space-shifting and fair use (anyone remember the Betamax case??), which have both been declared constitutional by the supreme court. Why can't people see that you can't (or at least shouldn't be able to) pass laws that are in direct opposition with existing laws without strinking the earlier ones down?

    It's like passing a law saying that you can't kill people, then passing one that says you can 20 years down the road!

    Then, we've got to have class action lawsuits like the one in court now to clear it up..

    Why is this allowed to happen?

    --
    "I do not fear computers. I fear lack of them." -Isaac Asimov
    1. Re:Finally.. by Anonymous Coward · · Score: 0

      Unfortunately, the Betamax case resolved that it is *not illegal* for people to time-shift television programming. It did *not* state that we have the *right* to do so.

    2. Re:Finally.. by phoenix123 · · Score: 0

      (!(!(legal))) resolves to (legal)

      ... BUMMER. and, hey: that saying is "whats not forbidden is allowed" (could never be the other way around except for north korea)

  56. Their copy protection is fundamentally flawed... by FwOOm · · Score: 1

    ....I don't know about everybody else, but this type of underhanded protection just makes me want to boycott cd's altogether and get ALL my music from p2p networks. Isn't this the exact type piracy they are trying to stop with their defec^N^N^N^N^Nprotected cd's?

  57. COULD YOU STEAL FROM A BETTER SOURCE NEXT TIME by Anonymous Coward · · Score: 0

    oh that again.
    I feel the rage boiling within me as madness such as this is seen as respectable.
    I just read Watchmen, thats gonna frel up this post.
    YOU HAVE STOLEN THIS ARTICLE TWICE NOW!!!!!!
    BOTH TIMES YOU WERE MODDED UP TO 3 AS INSIGHTFUL!!!
    http://www.kuro5hin.org/story/2002/3/8/1465/50261
    http://slashdot.org/comments.pl?sid=34240&threshol d=0&commentsort=0&tid=141&mode=thread&cid=3705379
    WTF IS THIS? THIS IS A FLAME.

    You are an idiot because as its already been pointed out in previous articles your facts are wrong, Jefferson had nothing to do with your Constitution, I mean if you going to steal at least steal from a credible source FFS.
    Oh yes, your sig, Its a spring then that guy from Goatse.cx ass springs out from nowhere, bravo you sophisticated ass raper.

  58. frivolous lawsuits by shaldannon · · Score: 3, Funny

    Cary Sherman, president of the Recording Industry Association of America, issued a statement calling the lawsuit "frivolous" and defending the labels' recent efforts to deter digital piracy.

    It must be a frivolous lawsuit. Has to be. The RIAA has filed so many, it has to know one when it sees one :)

    --


    What is your Slash Rating?
    1. Re:frivolous lawsuits by TweeKinDaBahx · · Score: 1

      If the RIAA spent as much money on a Copy-Protection technology as they do lawsuits, we'd all be screwed.

  59. HYBTT? by Anonymous Coward · · Score: 0

    YYH. HAND.

  60. RIAA Pres did make one valid point by Kombat · · Score: 5, Interesting
    "Music creators have the right to protect their property from theft, just like owners of any other property," [RIAA president Cary] Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    I'm curious to hear the Slashdot community's response to Sherman's point. We cannot copy movies, even under "fair use" provisions, thanks to Macrovision (VHS) and CSS + Macrovision (DVD). While we can make backups of our software, it is harder to pirate them due to the use of software keys. This is a relatively effective, and unobtrusive protection mechanism.

    But when it comes to music, it's no-holds-barred. There is absolutely zero protection on a CD to prevent unauthorized copying. Don't you agree that it is hypocritical to cry foul regarding CD copy-protection, but not the guards built into VHS and DVD works?

    Why the double-standard? Why do we just accept that any VHS tape we buy will be uncopyable thanks to Macrovision (barring any specialized hardware to bypass it that's beyond the reach of the lay consumer), but we so vigorously oppose those similar protections on CDs? I can't copy my VHS tapes, even if I own them and want to make a copy to take on the road in my van, or to preserve the slowly-degrading quality inherent in repeated playing of such media. But we don't cry about it - we just accept it. Why?

    --
    Like woodworking? Build your own picture frames.
    1. Re:RIAA Pres did make one valid point by Anonymous Coward · · Score: 0

      The main reason for ripping CDs is for making your own mixes of your favorite music, there is no reason to do this for DVDs.

    2. Re:RIAA Pres did make one valid point by Junta · · Score: 5, Interesting

      I personally think CSS is a badly done copy protection, I complain about it. But to differentiate the three:

      DVD CSS/region coded: sucks, yes, but at least part of the standard from inception. Anything designed to play DVDs *should* play even CSS/region coded discs (provided the region matches, etc...). Copy protection does not interfere with playback for commercial systems. The peeve here is that non-sanctioned players (i.e. ogle) cannot legally read CSS discs in the US (though many ignore the law, it is still illegal). And backup is not an option for the average consumer, and backup is important.

      Macrovision, unlike DVD, was a modification of Tape encoding methods. It sucks for backup purposes, but has minimal effect on playback. The technology kept confined to the relatively small world of VCRs, so the technology pretty much works as intended. Backups are made possible by 'signal enhancers' available from anywhere that remove macrovision spikes. Backups are suddenly possible and the slight video degradation is taken care of. Again, the law-abiding person suffers most from the slight picture degradation, while copiers continue, but the impact is minor.

      Now CD protection is different, the worst of both worlds. CD technology has gotten to the point where many people use computers/computer based cd players to play back music and ditch the far more limited dedicated low end cd players. This is fine for the standard, but now the RIAA screws the standard so that very high end and computers no longer play back this music, and the chunk of listeners cut out by that is quite significant. Meanwhile, the ones who are determined break out sharpies, post it notes, and analog lines to copy to their hearts content. In the long run only the legit customers really get screwed, and get screwed quite significantly by this bastardized format...

      --
      XML is like violence. If it doesn't solve the problem, use more.
    3. Re:RIAA Pres did make one valid point by cpt+kangarooski · · Score: 1

      Who's saying that it's tolerated elsewhere?

      I really loathe attempts to impair fair use, post-term no-holds barred copying, various types of shifting, etc.

      If something is inherent in the medium, e.g. the way that you need a CD player for a CD, or that VCR tapes degrade over time, that's acceptable. Deliberately designing something like that in is merely an attempt to cheat the public.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:RIAA Pres did make one valid point by cpt+kangarooski · · Score: 1

      Video collages are a reason. Sampling the audio. Capturing excerpts for review, etc. Playing on different players (which is basically an application of space shifting). Parody, e.g. by redubbing the video with different audio as in 'What's Up Tiger Lily.'

      There's a wealth of reasons to do so.

      Of course the best is that when the copyright expires -- and it already has for some, if there was a copyright at all -- we can do literally anything we like with it.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:RIAA Pres did make one valid point by rabidcow · · Score: 2
      There are a number of significant differences between the two:
      • Coherency - If you chop out and watch that one good scene from a movie, it doesn't work as well. If you chop out and listen to that one good track from a CD, no loss.
      • Bandwidth - Editting or otherwise modifying a movie for your own personal taste is much more difficult than with audio.
      • Scope of Use - When you sit down to watch a movie, usually you aren't doing anything else. People listen to music while doing all sorts of other things, so there's more incentive to customize the mix.
      Basically, there's a lot less reason to want to copy movies than music.
    6. Re:RIAA Pres did make one valid point by _xeno_ · · Score: 3, Informative
      But we don't cry about it [copyprotected movies] - we just accept it.

      Huh? Excuse me? What Slashdot have you been reading? People bitch all the time about CSS and Macrovision. Or did you miss all the fun stuff happening about DeCSS? Or maybe the story about how the Harry Potter DVD won't be Macrovision protected? The resulting discussion talked about loads of ways to get around Macrovision, as well as many people complaining about how Macrovision lowers the quality of the video.

      I'll complain about video games using copy protection too - I could barely play my copy of Black and White since for whatever reason the copy protection would take a full five minutes to finally get around to deciding my legally purchased CD-ROM was valid. And then, since this is in the pre-patched days, it would start up, and then crash as soon as I tried to actually play the game.

      I'd really much prefer video game manufactorer's don't use CD-based copy protection schemes. I'd like to be able to make backup copies of their CDs without shelling out money for CloneCD. I don't mind registration keys; they work fairly well and they allow people to just play the game without worrying about their hardware being unable to play the game due to some bogus copy protection.

      I hate having to root around for the CD to a game that allows all the data to be stored on the harddrive just so it verifies I'm not using a stolen copy. It's a waste of my time and it suggests that they expect me to be a thief - not good customer relations, really.

      Being a mostly-Windows 2000 user (although I do run Linux on my server and have my desktop set up to dual boot into Debian Linux), I really don't mind CSS since it doesn't effect my ability to watch movies on my computer. Since I'm an American and region encoding usually works out so that people in Region 1 get the DVD first and imported DVDs are usually more exprensive, I don't really care personally about the region issue - but I can understand why others might hate region encoding with a passion.

      In other words, yes, people bitch about movies and computer games being copy protected.

      --
      You are in a maze of twisty little relative jumps, all alike.
    7. Re:RIAA Pres did make one valid point by gotroot801 · · Score: 2, Interesting

      Why the double-standard? Why do we just accept that any VHS tape we buy will be uncopyable thanks to Macrovision (barring any specialized hardware to bypass it that's beyond the reach of the lay consumer), but we so vigorously oppose those similar protections on CDs? I can't copy my VHS tapes, even if I own them and want to make a copy to take on the road in my van, or to preserve the slowly-degrading quality inherent in repeated playing of such media. But we don't cry about it - we just accept it. Why?

      Because the copy protection on VHS tapes doesn't render my VCR useless for simple playing. That's the crux of the argument - legally purchased copy-protected CDs cannot be played on my home PC, whereas copy-protected DVDs can. The record labels are knowingly selling goods that could potentially damage my computer equipment through no fault of my own.

    8. Re:RIAA Pres did make one valid point by kindbud · · Score: 2

      . Don't you agree that it is hypocritical to cry foul regarding CD copy-protection, but not the guards built into VHS and DVD works?

      Yes I agree. But I don't fail to cry foul on the VHS and DVD copy interference methods. So there is no hypocrisy.

      Why the double-standard? Why do we just accept that any VHS tape we buy will be uncopyable thanks to Macrovision (barring any specialized hardware to bypass it that's beyond the reach of the lay consumer), but we so vigorously oppose those similar protections on CDs? I can't copy my VHS tapes, even if I own them and want to make a copy to take on the road in my van, or to preserve the slowly-degrading quality inherent in repeated playing of such media. But we don't cry about it - we just accept it. Why?

      Stop projecting your own state of acquiescence on the rest of the world, it's quite annoying. I haven't bought a pre-recorded VHS in years, partly because without the ability to copy it, I am not interested in owning one. That, and the fact that DVDs have better pitcture and sound quality and are more durable, even though movies still suck by and large, and the movie makers suck even more. I stopped buying DVDs in the past couple years, too. So I don't buy them, and there is no double-standard, either.

      --
      Edith Keeler Must Die
    9. Re:RIAA Pres did make one valid point by ryepup · · Score: 1

      I don't think the uproar is due to the existence of copy protection on CDs. The problem is when the copy protection renders it unplayable. When I buy a CD, it should work like a CD, meaning, it should be playable in any CDDA compatible player, including my PC.

      If the Macrovision VHS protected required you to buy special hardware to play it, we'd be pissed about that, too. Also, there is more common desire to listen to your music at work and home, without lugging around a ton of CDs. The desire to watch your movies at home and work isn't in much demand.

      Correct me if I'm wrong folks, but I think the bad part is excluding hardware that should be compatible, thereby excluding legitimate consumers. A lot of us probably have issues with DVD regioning as well, but you can go and buy any DVD from Best Buy, and it will play in your DVD player or DVD drive. The same cannot be said for this new copy protection that protects consumers from listening to what they paid for.

    10. Re:RIAA Pres did make one valid point by Malicious · · Score: 1

      "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful." I've never heard of this form of VHS which won't play in my VCR because it's been copyrighted. They never made a form of Movie reel, which couldn't be seen, while watching contact lenses, or thru any other form of glass, to ensure that people weren't video taping it. People think that there is a large outcry because copying has been thwarted, but most of the outcry comes from people like me, who are angry, because their primary stereo [Computer/Playstation/Etc] will no longer play any CD they buy. Thus the new found desire to simply download/burn, in order to listen to the music i want to hear. Copyright infringement hasn't ceased, nor been thwarted, it's simply gotten harder to want to buy CD's

      --
      01101001001000000110000101101101001000000110001001 10000101110100011011010110000101101110
    11. Re:RIAA Pres did make one valid point by Anonymous Coward · · Score: 0

      I completely agree with him. How can most of you not see that mp3 trading and such is a huge problem? It has become so easy to download mp3s instead of buying CDs that anyone with a computer can do it. You guys have to realize that *somewhere* down the line somebody is going to have to pay for the people who are downloading mp3s for free instead of buying them; it can either be everyone or, if they find a decent way to protect the CDs, the people who aren't paying up.

    12. Re:RIAA Pres did make one valid point by Arandir · · Score: 2

      The difference is that I can take a copy protected VHS tape with Macrovision and play it on any VCR. I can take any DVD protected with CSS and play it on any DVD player (1). But with a copy protected CD, I can only play it on certain players. It won't work on my computer CD player. Thus, VHS and DVD protection restricts my copying but not my usage, but CD protection restricts my copying AND my usage.

      Another, perhaps minor, difference is that the vast majority VHS and DVD videos are rented, while the vast majority of CDs will be purchased. People don't put up with as much shit if it's their own property.

      (1) DVD region restrictions are an exception. But if you notice, the "hypocritical folks are crying foul about it just as loudly as with CD protection.

      --
      A Government Is a Body of People, Usually Notably Ungoverned
    13. Re:RIAA Pres did make one valid point by aronc · · Score: 1

      I'm TRYING to pay for it! My only CD players are my computer and my X-box. The stupid RIAA shits are preventing me from giving them money. The people who want to pirate it can still hop onto Kazaa and download it, no problem. How does this help?

      --

      jello.
      aka aron.
    14. Re:RIAA Pres did make one valid point by Hard_Code · · Score: 2

      "Don't you agree that it is hypocritical to cry foul regarding CD copy-protection, but not the guards built into VHS and DVD works?"

      Where have you been? We've been crying foul the whole damn time. Or at least I have. If media companies really think that their content is so precious and valuable, why don't they just raise the price, instead of colluding with distributors and presenters to retroactively destroy the worth of a product you have purchased? The answer is it is NOT worth as much as they are making it out to be and they are introducing artificial barriers to keep profit margins high. There is no technical reason why the data on a VHS should become worthless just because there is a new storage medium, or presentation technology. But because of copy-restrictions, and presentation-restrictions these companies get to retroactively decide how and when and where you can use content you previously purchased.

      Likewise, EULAs are now becoming really despicable. They are telling you that not only don't you own what you purchased, but that you can only use it in certain circumstances circumscribed by the EULA which comes with an implicit time limit (until the next version of software or operating system or machine you have to purchase, etc. etc.), and in some cases, your actions with the product you purchased can be tracked, and your rights to your own creations appropriated!

      Yet exercising rights you'd otherwise have with physical items does not "steal" anything material from them in any way. The whole effort is an effort to cement in the minds of people (the government particular) that speculative potential profits are an asset OWNED a priori by these companies and that anything anybody does to perturb the predictions of their staff of actuarians should be illegal, because God knows they are OWED these profits.

      --

      It's 10 PM. Do you know if you're un-American?
    15. Re:RIAA Pres did make one valid point by ratboy666 · · Score: 1

      Well... there is a potential class action
      suite available for Macrovision.

      Try this line: create a DVD, low volume production run, that enables Macrovision protection. Don't pay Macrovision the $0.05 per DVD. Advertise the DVD *and* the fact that it's copy protected with Macrovision (tm). Wait for Macrovision to sue. Now, claim that Macrovision hardware was supplied by the DVD manufacturer under license from Macrovision, and you just allowed the end user to turn on this standard feature. The end user certainly doesn't have a contract with Macrovision. Now, all DVDs that are Macrovision encoded have had $.05 added (or more) as Macrovision per media fees. Countersue with a restraint of trade (class action), to recoup that nickle from each media (Macrovision certainly made money, or should have, licensing hardware).

      With that as a start, attack the VHS Macrovision market the same way (its probably easier to START with DVDs, because the Macrovision GENERATOR is everywhere).

      Ratboy.

      --
      Just another "Cubible(sic) Joe" 2 17 3061
    16. Re:RIAA Pres did make one valid point by robhancock · · Score: 1

      Well, if you did that, they'd sue you for using the Macrovision trademark without a license, and they'd have a case there. So you couldn't use the Macrovision name..

    17. Re:RIAA Pres did make one valid point by AntiNorm · · Score: 2

      If media companies really think that their content is so precious and valuable, why don't they just raise the price

      Past what they already have the price set at?

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
    18. Re:RIAA Pres did make one valid point by ratboy666 · · Score: 1

      Of course Macrovision would sue. That's the point.

      --
      Just another "Cubible(sic) Joe" 2 17 3061
  61. Just a question... by SavingPrivateNawak · · Score: 1

    What IS a "class-action lawsuit"??

    Is this because the lawsuit talks about "copy constructor"??? (Nero is the best!)

    1. Re:Just a question... by Anonymous Coward · · Score: 0

      Under normal circumstances a lawsuit is a single entity(person, business,etc) sueing another single entity.

      This works OK until you get times when large amounts of entities are sueing a single entity. In that case judges will allow all thoses entities to join together into a single class(they all have something similar, in this cause the suit).

      The reason the lawyers like to bring them is that they can do the do the work of one case and get paid as if they had thousands of cases.

  62. Unlawful? by Kiaser+Zohsay · · Score: 5, Insightful
    Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    Never mind the fact that the software industry has pretty much given up on copy protection in favor of hardware keys and activation code methods. No it was never unlawful, just a PITA for users who paid good money for software.

    The music industry however is trying to forget the Home Recording Act of 1992, where they promised not to copy-protect CDs in exchange for a "royalty" on blank CD media. As far as I know, they are still get the royalties.

    --
    I am not your blowing wind, I am the lightning.
    1. Re:Unlawful? by Dimensio · · Score: 1

      Perhaps someone should bring up the Home Recording Act of 1992 at trial...

    2. Re:Unlawful? by Kamel+Jockey · · Score: 3, Informative

      they promised not to copy-protect CDs in exchange for a "royalty" on blank CD media.

      This is not entirely correct. The royalty applies only to blank audio and video tapes. It does not apply to blank CD-Rs sold in the USA. Canada, however, does impose a tax on CD-R media.

      --
      In case of fire, do not use elevator. Use water!
    3. Re:Unlawful? by Kiaser+Zohsay · · Score: 2

      It does not apply to blank CD-Rs sold in the USA.

      See the following (search each page for "royalty" for the relavent parts):

      http://www.technocopia.com/ht-20000806-audiocdrs .h tml

      http://www.pctechguide.com/09cdr-rw.htm

      There are CD-Rs designated as "data" discs, and as "audio" disks. The manufacturers pay royalties on the audio disks, but not the data disks. "SCMS" compliant recorders will not record audio on data disks. However, general-purpose CD-R drives in PCs are not required to be compliant by the AHRA.

      --
      I am not your blowing wind, I am the lightning.
  63. Music Industry Unveils New Piracy-Proof Format by dajjer · · Score: 3, Funny

    ... A Black, Plastic Disc With Grooves On It

    Music bosses have unveiled a revolutionary new recording format that they hope will help win the war on illegal file sharing which is thought to be costing the industry millions of dollars in lost revenue.

    Nicknamed the 'Record', the new format takes the form of a black, vinyl disc measuring 12 inches in diameter, which must be played on a specially designed 'turntable'.

    (Rumours at large say that a Japanese company, named the very mysterious name 'Sony', has been secretly developing a 12 inch wide, needle-based, firewire drive remain unconfirmed, turntable. It would appear that the music industry may, at last, have found the pirate-proof format it has long been searching for.)

    --
    my dvd discs won't fit in a:
    1. Re:Music Industry Unveils New Piracy-Proof Format by Anonymous Coward · · Score: 0

      Ha, I have a old Silvertone record recorder! Sure it can only make 78s and the quality is horrible. But anyway Muhaaaaaaaa!

  64. Re:US challenges Mexico QWZX by Anonymous Coward · · Score: 0

    Yeah, whoop-de-doo. We beat Mexico in soccer. Boy, that makes me proud to be an American.

    Not.

    Call me when the real sports are on.

  65. It's the abuse of language I hate by dunstan · · Score: 5, Insightful

    From the article: "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said.

    Where do I start?
    a) It's not the music creators who have put "copy protection" on, it's the music publishers
    b) Whether it's the creator or the publisher, the creation is not "property". If it were there would be no patent or copyright law
    c) Illegal copying isn't theft, it's illegal copying
    d) What they're doing isn't like any other property, and asserting the opposite doesn't change the facts

    If the context for this sentence related to the theft of a truck full of CD's then it would be correct. But I somehow don't think that's what he means.

    Dunstan

    --
    The last scintilla of doubt just rode out of town
    1. Re:It's the abuse of language I hate by shotfeel · · Score: 2, Insightful

      You forgot to mention that most of us aren't allowed to "protect" our property in a manner that can cause damage to thief and non-thief alike. For example, the city won't allow me to run a high-power electrical fence around my yard, even if I do have a warning sign. Of course any real thief would have some insulated wire cutters. Its only the neighbors' kids that have to worry.

    2. Re:It's the abuse of language I hate by Hard_Code · · Score: 2
      Mod parent up. Oh hell, I'll just quote it http://slashdot.org/comments.pl?sid=34332&cid=3716 604 here:

      You forgot to mention that most of us aren't allowed to "protect" our property in a manner that can cause damage to thief and non-thief alike. For example, the city won't allow me to run a high-power electrical fence around my yard, even if I do have a warning sign. Of course any real thief would have some insulated wire cutters. Its only the neighbors' kids that have to worry.
      We also don't get the choice to sabotage our personal information with copy-protection which will destroy the computers of companies that take our personal information, and sell it to partners, and spammers, and god knows who.
      --

      It's 10 PM. Do you know if you're un-American?
  66. It's a an old troll by guanxi · · Score: 2

    ... but apparantly an effective one. Since the moderators apparantly are missing the AC comments, I'll restate:

    This troll was copied and pasted from kiro5hin:
    http://www.kuro5hin.org/story/2002/3/8/ 1465/50261

    It was used on Slashdot before:
    http://slashdot.org/comments.pl?sid=34240 &threshol d=0&commentsort=0&tid=141&mode=thread&cid=3705379

  67. Sorta by shaldannon · · Score: 2

    I think you forgot about region encoding ;)

    --


    What is your Slash Rating?
    1. Re:Sorta by InnereNacht · · Score: 1

      Well, I've watched a lot of DVD movies and I have to admit I've not once run into a problem with region encoding. Maybe if I was importing a bunch of Japanese anime or something I'd have issues, but nothing yet.

      For the average user I don't think region encoding really causes *too* much of a problem. I don't think the same could be said of CD copy protection.

      What if other digital devices come out (car MP3 players for example) that don't allow you to listen to those CD's there, either? It's a stretch, but it's the truth.

      I do agree with you though, region encoding seems very unnecessary.

    2. Re:Sorta by Manwich · · Score: 1

      If this thing becomes the standard any new hardware will be able to play it. Just like nobody wants to buy CDs they can't play, nobody would be willing to spend even more on hardware that can't play all they want to play.

  68. A paradox by demigod · · Score: 1
    If there was no protection to intellectual property, people would not be encouraged to share knowledge with others. Writers would not write, inventors would not invent, artists would not...

    Strange but true, before the US Constitution was written, there was absolutly no writing in the US.

    --
    "The last thing I want to do is deal with a bunch of people who want something."
    Major Major
  69. Warning by AlgUSF · · Score: 1

    I for one think that all Celine Dion CD's should come with a warning kinda like cigs. I can just see it now!


    SURGEON GENERAL'S WARNING: Use of this product may cause severe ear damage.

    --


    I want my rights back. I was actually using them when our government stole them after 9/11.
  70. Who is this Sherman fella? by Enry · · Score: 2

    What happened to Hillary Rosen? Isn't the the head of the RIAA?

    1. Re:Who is this Sherman fella? by Fantanicity · · Score: 2, Informative

      Hillary is still President. Cary Sherman is a vice-pres.

  71. Circumventing the whole fight by Anonymous Coward · · Score: 1, Interesting
    I work for a major record label (a sub company of BMG) and I feel compelled to say that some of our CDs are being released copy protected now as well.

    Perhaps more importantly, we will be, along with other record companies, releasing future music on a format called Dataplay along with the usual vinyl/CD releases. Dataplay cartridges are very similar to mini-discs in appearance but are made in the mindset of Dvds. This includes copy protection, video and image galleries, the potential for higher audio quality, etc. My main gripe is that, as far as I know, the ability to rip mp3's off this new format is non-existent. For more info, go to www.dataplay.com

    -Reggie Bannister

    1. Re:Circumventing the whole fight by Exp0 · · Score: 1

      You know, regardless of the fair use arguments for & against making home copies, this is the solution I would prefer to see. I don't buy CDs. I don't even listen to the radio that much. But the music copying issue will potentially affect my computers & operating systems, much less set a terrible legal precedent.

      I would rather that the RIAA & major labels adopt their own technological solution such as Dataplay than force nonsense like CBDTPA on us.

      If they really wanted to, they could encrypt the music on a chip, patent the interface, and make sure that the only players available with the patented interface required speakers with a decryption unit in them. No unencrypted digital (or analog) output from the main unit itself. Then instead of buying a CD, you buy Britney's latest 'cartridge' (think Nintendo).

      Sure, someone will eventually stick a microphone in front of the speakers & record away, but the analog hole can't be covered up anyway and at least this way only the REALLY SERIOUS "music pirates" will start hacking hardware to get to the digital information and decrypt it.

      Their problem is solved, and they can leave my computer alone.

      --SARCASM ON--
      (What's even better for the labels, when the new system is inevitably cracked they can just come out with an incompatible Version 2 standard! Then everyone has to buy NEW cartridges to play if they upgrade their sterio. Since they're under no obligation to continue to produce Version 1 cartridges for new music, many people will upgrade to hear Britney's latest. The interface license fees are a whole new cash cow. Of course, if you like to buy pop music on a regular basis this sucks...)
      --SARCASM OFF--

    2. Re:Circumventing the whole fight by NBarnes · · Score: 1


      I'm going to assume that you mean 'the ability to rip mp3's off this new format is non-existent without using an analog cable to connect the RCAA-approved analog out jack to the audio in jack on your sound card'. Frankly, since at some point in the playback process, the signal _has_ to be an unencoded audio signal, it is _trivially_ easy for a bright boy or girl with a soldering iron to rip MP3s off any audio playback device.

      The fact is that audio copy protection is dead, dead, dead. Dedicated pirates won't even miss a beat because of this.

  72. it'd be alot easier if... by synshyne · · Score: 1

    people just didnt give so much of a shit about copying cd's when no matter if the over priced CD is bought from the store or if its copied for personal use from a friend or the internet. Either way its advertising the band(s) and its getting the music out into the social masses (so to say). Now instead of crying over -boohoo- they copied our music and we want money, it should be set up that companies that work in the music industry just put their music online for people to download..gee what a unique concept *cough cough*...instead of whining that people who created Napster or Audiogalaxy took the perfect idea to "share" music instead of ripping of people's wallets making them purchase a CD where theres only one or two good or well known songs on it! its a waste of time and money...why cant these dumb entertainment companies just get the clue, they cant control the consumer..one way or another we arent going to pay for an over priced CD unless we absolutely desire to... i leave it at that.... just one persons opinion...after all... alicia

    --
    -Alicia
  73. Frivilous? by shawnmelliott · · Score: 5, Insightful

    "Cary Sherman, president of the Recording Industry Association of America, issued a statement calling the lawsuit "frivolous" ..."

    Suing a toy company for not putting labels that a teddy bear is not edible is "Frivilous"

    Suing McDonalds for not warning you that coffee is hot is "Frivilous"

    Suing somebody because you broke your leg while attempting to break into their home is "Frivilous"

    I hardly see suing somebody because they sell a product with no warning that it is defective ( and yes, they are defective by definition of the CD format ) and that it won't work in your PC, MAC, DVD etc. In fact, these things have been know to kill Macs ( Celine Dion anyone? )

    So no, I don't see this as being any more frivilous than the class action lawsuit againsts Firestone for their tires being defective.

    1. Re:Frivilous? by Hard_Code · · Score: 2

      Well, nobody is *forcing* people to put non-CDs in their CDROMS and expecting them to play. I mean, I don't stick bagels into my CDROM and expect something to happen, and then sue bagel manufacturers. That said, of course this is deceitful, because the RIAA wants to slip this by the public and not tell them that "these shiny discs that look identical to CDs are actually not CDs, but instead Cdrom Destroyers". In cases like these I'm sure there is grounds for a case. Just like if gas stations just suddenly started putting maple syrup in their pumps without any warning.

      --

      It's 10 PM. Do you know if you're un-American?
    2. Re:Frivilous? by Anonymous Coward · · Score: 0

      Actually, CDs protected by this scheme are NOT defective by Red Book (Audio) standards. As Red Book compliant CDs do not have a direcory, and Red Book compliant players don't look for a directory, adding a corrupt directory sector should (and does) have no effect on these players whatsoever.

      Just because your Orange/Green/Blue/Pink With Lilac Spots Book player can't handle them doesn't mean they are defective "by definition of the CD format". It just means that they should be labelled "RED BOOK PLAYERS ONLY".

    3. Re:Frivilous? by Any+Web+Loco · · Score: 1

      I agree with you, but you should pick better examples. The examples you have used are urban myths. See overlawyered.com for the truth behind these tales.

    4. Re:Frivilous? by Eythian · · Score: 2, Funny

      In fact, these things have been know to kill Macs ( Celine Dion anyone? )

      Actually, this is believed to not be a fault in the CD itself after all. With Apples recent attempts to make the Mac look tasteful, it has inadvertantly aquired taste itself, and thus is simply unable to stomach having a Celine Dion CD put inside it. Its kind of a defense mechanism.

  74. I would like to know ... by halftrack · · Score: 3, Interesting

    ... Philips take on anti piracy and copyright protection since they insists that the Compact Disk Digital Audio label shouldn't be used on copy protected CD's?

    --
    Look a monkey!
    1. Re:I would like to know ... by MImeKillEr · · Score: 2, Informative

      Last I read, Philips wanted the "CD" monikor removed, as these CDs don't follow Redbook standard..

      I seem to recall seeing this issue (from Philips' standpoint) on ./ at one point.

      --
      Cruising the internet on my TI-99/4A @ a whopping 300 baud!
    2. Re:I would like to know ... by MImeKillEr · · Score: 2, Informative

      And here's the link: Philips Stance

      --
      Cruising the internet on my TI-99/4A @ a whopping 300 baud!
  75. Let's define the terms by Anonymous Coward · · Score: 0

    Football: a sport played by muscular athletic black men.

    Soccer: a kid's game played by pansy-assed euro trash.

  76. Backfit logic... by aardwulf · · Score: 1

    All this whole mess is doing is fanning the fire of piracy/sharing. If they think that this will stop the copying of music, they aren't thinking straight. And if the music is MORE difficult to play, and lower quality, then people are going to be looking for alternate sources to get it, and the easiest source is, indeed, the Internet. Just because something is copy protected, doesn't mean it is copy proof. It might be more difficult to copy, but not impossible. Just like copying videos that are copy protected is fairly simple, so will this process. All there needs to be is ONE person who takes the time to copy a protected CD, and it is available to all...

  77. Didn't Diamond win? by r_barchetta · · Score: 1


    That's funny. I would have sworn that Diamond won that lawsuit making it perfectly legitimate for you to make mp3s from the CDs you own and listen to them on your personal mp3 player.

    -r

    --
    Just because something is free does not mean you have to take it.
  78. Maybe I'm naive, by cbensinger · · Score: 1

    but if seems to me that if the labels would invest the time/energy/money/etc into making the music available online at a reasonable price (with reasonable usage) as well as making CD's themselves more reasonably priced they'd be a lot better off.

    The technology is out there to "pirate" DVD's; but I've purchased almost 500 of them because they (for the most part) are reasonably priced (often less than a CD) or they are special editions that have enough content that justifies the higher cost (to me).

    Everybody wants large margins; but a lot of companies have made a lot of money over the years on smaller margins with larger quantities sold.........

    1. Re:Maybe I'm naive, by Anonymous Coward · · Score: 1, Interesting

      Yes, you are. Don't confuse business models because they share a similar looking product.

      From my accounting records, it costs about US$16300 to record, package, distribute and promote a print run of 1000 CDs. On that, you can expect a return of $14 per CD (the rest goes to the retailer & tax).

      Return:$14000
      Cost:$16300
      Net profit:-$2300

      And that's IF you sell 1000 CDs (which you won't do without serious promotion power; you think radio stations line up to interview Joe Bloggs just because he owns a guitar?). On top of that, about 80% of acts don't get past that first pressing. It falls to the remaining 20% of acts to cover those losses.

      By comparison, a DVD will have had a cinema run, with healthy ticket revenues; ever notice that the better a movie does in the cinema, the longer it takes to get to DVD/video? Thats no coincidence. There is no equivalent pre-relase profit take for music CDs.

      Bear in mind that the record company and the act are usually separate corporate entities. The most common arrangement is for the act to license their works to a company for a period of time; however long that is, six months is generally considered the product's life cycle. If it isn't selling (read:made back it's costs) by then, it probably never will.

      Established record companies with formulaic promotion schemes & pre-packaged acts can make vast amounts of money, and, surprisingly, do spend some of that developing acts which will never turn a profit. The rule is: for every Brittney Spears, there are 4 acts you never hear about, who may produce better music, but don't easily conform with some marketing type's preconceived ideas about what sells, or the radio stations formats, or don't posess J-Lo's arse (& are thus of no interest to males 14-21).

    2. Re:Maybe I'm naive, by Anonymous Coward · · Score: 0


      And that's IF you sell 1000 CDs...



      Actually the only guys I know who have released a CD have sold around 1000 of them. The only promo they have are their live performances (they are not making a living from it). The point is, there isn't much trouble selling a thousand CDs. Try 10 000, then there are some problem.



      By comparison, a DVD will have had a cinema run, with healthy ticket revenues; ever notice that the better a movie does in the cinema, the longer it takes to get to DVD/video? Thats no coincidence. There is no equivalent pre-relase profit take for music CDs



      Really!? Think of concerts, radio, MTV... A new song is quite often on the radio or tv before the CD is released. You know what: radio and tv stations pay royalties for this. Also, sometimes bands play live, do you know how much they charge for those tickets? Although not the same as showing a movie on the cinema, there is still quite a lot of revenue before the CD is released.



      The rule is: for every Brittney Spears, there are 4 acts you never hear about, who may produce better music...



      No shit, I'd say there are at least 4 000 000 acts unheard of that produce better music than Britney.

    3. Re:Maybe I'm naive, by cbensinger · · Score: 1

      Using your math then explain to me how a casette is still quite often priced cheaper than a CD? Doesn't a casette cost more than a CD to produce? Doesn't a CD sell more copies than a casette?

      And as far as the 80% who are "money losing" then it seems to me it should be survival of the fittest. It seems to me that the onus should be on the recording companies to be a better judge of who is going to sell and make less mistakes. Inflating the prices of CD's to make up for that is obviously good business sense on their part; but it doesn't make it a good idea from the customers perspective. And going back to my original point, a lot of business have made a lot of money with lower margins and higher sales. It's my *opinion* that if they reduced their margins on CD's they'd sell more -- obviously not in every case -- but in general and would end up making more money in the first place.

      If these companies are only batting .200 (1 in 5 as you say) then perhaps they should start looking at themselves and try and improve that average.......

  79. Re:Software Developers - market share by Anonymous Coward · · Score: 0

    you will note that incompetent pirates & legitimate customers compose the vast majority of our population. what they're doing is keeping the legitimate customers from becoming incompetent pirates & promoting incompetent pirates to level up.

  80. er by Anonymous Coward · · Score: 0

    "I really wish people understood how 'copyrights' that labels are arguing they must be able to protect are not copyrights at all, but more akin to the Licensing act of 1722 where publishers held a monopoly in the distribution of cultural works."

    The whole point of the contract you signed with the label is that you are giving them a monopoly of distribution. Thats the *whole* point of the contract. The labels dont enjoy the act of distributing music - they enjoy the money they get out of it - money they will not receive if you could also flog it to other labels, or yourself.

    Take a look at the career of Frank Zappa (in particular his battles with Warner, EMI etc) before you come whinging in here about how you "had to" do something. You chose to do it, and if you made a mistake, then too bad - learn for next time.

    1. Re:er by SirSlud · · Score: 2

      > in particular his battles with Warner, EMI etc

      I think the point, dear boy, is that I shouldn't have to battle for it, and that there were times when artists didn't (pre-big-label, for instance!). And he was Frank Zappa. I'm no Frank Zappa .. there are plenty of the fish in the sea like me, and we can all swim in it together. Except its more in the interest of publishers and distributors of today to cut me loose at the first sign of wishing to enter a 'battle' and pick up another me, instead of me coving my neighbourhood, and the other me covering another neighbourhood, etc, etc. Thats like me complaining that all musicians have to lift a 200 pound cinder-block to attain a certain level of distribution, and you saying former-wieghtlifter-turned-musician X didn't seem to have a problem with it.

      This has been flogged to death, this 'choice' issue. When you have an example of somebody that made a choice, and hundreds of non-choicers, you have to start looking at the system instead of just working around it. I am not the brilliant musician who can risk spending his life fighting legal battles. It's hard becoming a musician in the first place. This isn't just for me, I'm altruistic in the sense that I wish it was simpler and more fair for all artists. Kinda leaves us more time to work on our art instead of having to play davids to goliaths.

      --
      "Old man yells at systemd"
    2. Re:er by Anonymous Coward · · Score: 0

      "and you saying former-wieghtlifter-turned-musician X didn't seem to have a problem with it."

      Frank Zappa was never really rich. The fact he had to fight to get control of his master tapes (some of which were stored really badly and were severly damaged) shows that the fact he was Frank Zappa meant nothing. It was uphill all the way. It cost him a fortune, and loads of time - time which would have been better spent making music.

      I agree, I wish it were easier for musicians to make money.

      And stop putting yourself down so much! :)

  81. Clarification by InterruptDescriptorT · · Score: 2

    I learned after the fact that it was a copy-protected CD. To be honest, I wasn't really following the whole copy-protection brouhaha very closely. When my mom called and told me the CD wouldn't play, I diagnosed it from the point of a faulty player software or CD-ROM drive rather than a copy-protected CD. It only struck me a few days later that it might be the CD's fault.

    ---
    I'm tired of waltzing for pancakes. -- Gwen Mezzrow

    --
    Karma: Excellent Birds (mostly as a result of listening to Laurie Anderson)
  82. Monty Python Did It First.... by LittleGuy · · Score: 3, Funny

    Just replace "CD" with "Crunchy Frog" and --

    Inspector: Nevertheless, I advise you in future to replace the words 'Compact Disks' with the legend, 'Technically Flawed Compact Disks that could impinge on consumers' rights to copy music for their own use' if you wish to avoid prosecution!

    --
    Mod Karma -1: I sed bad wurds. If I cep my mouf shut, I wud be at riyses.
  83. Wouldn't be a problem if properly labelled by DunbarTheInept · · Score: 3, Insightful
    The less-functional CD's wouldn't be a big problem if they were actually *advertised* as such. Hiding the product in the trappings of an ordinary CD, without any external indication that it isn't, is false advertising, plain and simple.

    Now, IF they had made a new name for their not-quite a CD, instead of trying to lie to customers and call it a CD, that wouldn't have been a problem - it would have been a case where the buyer has to decide if having the music is worth having it in a less useful format that might not even work at all on his machine.

    --

    Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    1. Re:Wouldn't be a problem if properly labelled by GothChip · · Score: 1

      In the UK many of the protected CDs (like the Attack of the Clones soundtrack) have little stickers on the front saying that they won't play in PC's or Macs.

      I just want to know where I can write to asking if I can buy a copy to play on my PC at work, or should I just download it of the internet?

  84. RIAA needs to understand that... by ce110ut · · Score: 0


    a quote from the article:
    "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    the RIAA needs to understand that the suit is about the flaw in the security measure itself, not the artist(s) right to protect property.

    a highschool teacher of mine once told me that "one's right ends when it impedes on another". the CD's security measure impedes on consumer's right to back up and fair use. hence the legitimacy of the lawsuit.

  85. A flawed argument by AtariKee · · Score: 1

    "Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful."

    This argument is flawed. The difference is that software is used on a specific medium, i.e. a game console or PC. Music CDs are designed to be used on various forms of compact disc players, i.e. hi-fi systems, portables, and PCs. In other words, an 'authorized' piece of hardware is not needed to play a CD (although I'm sure they'd love to be able to implement that) as opposed to software.

    One more thing to mention- certain forms of software were built with copy-protection in mind, i.e. DVDs, when CDs were not. That alone proves their argument invalid.

    --
    "You're getting brutal, Sark. Brutal and needlessly sadistic."
    "Thank you, Master Control"
    -Sark and the MCP
  86. This news just in.... by eyegor · · Score: 2, Funny

    (Los Angeles)
    The RIAA has issued a statement today that many consumers of Music Products are engaging in copyright infringing acts by singing along with or tapping ones foot in time with copyrighted music. The RIAA's spokesman, Bob Dobbs, has announced that the RIAA and other industry groups are working with congressional members to draft legislation banning these activities. Proposed penalties would be doubled if the violators of these new statutes are found to be engaging in illegal performances while listening to music downloaded from the Internet.

    In related news, Sen. Hollings (D - Disney) has announced sponsership of a bill titled "The bladder relief act of 2002". This bill bans unauthorized lavatory breaks during commercial breaks.

    --

    Don't anthropomorphize computers, they don't like it.
  87. Dungeon Siege is copy protected? by Pius+II. · · Score: 2, Interesting

    I have 5 cd drives (24x, DVD, 48x, 32x, CD-RW), and both the original (I _bought_ a Microsoft product. The shame!) and the copy work in all drives. I didn't even find the slightest bit of protection. But, perhaps, that's because it's the german version. BTW, here in Germany, a CD that doesn't play in a CD-ROM drive is considered broken; rightfully, because it doesn't follow the standard and has no right to call itself CD. You can simply take it back to your dealer (after ripping it :-).

    1. Re:Dungeon Siege is copy protected? by pogle · · Score: 3, Insightful

      Indeed, if you take a look around planetdungeonsiege.com's forums, you'll see a wealth of people have had installation problems in the past. I'm at work and can't go browsing game sites, or I'd link a few threads.

      This is the US version I'm referring to, so I believe there is probably a difference. Copying was near impossible for a while, until someone released a cracked ds.exe file. Even then it was hard to find (not that I was looking, it was a friend at work, honest).

      3 of us purchased the game, one person's worked fine in his computer, the other two of us actually exchanged the game because it did not work on a total of 6 cdrom drives between us. After the exchange, there were still problems, but after a long fight I got it installed. On my computer at work it installed fine. It just depends on the CD drive, but there are an awful lot of non-compatible drives out there for this game. Its disturbing that my newish Sony DVD-ROM wouldnt install this, and my 6 year old Ricoh CDRW would. Of course, since the CDRW is a 6x read, it took an hour for a full install.

      As it is, I'm afraid to try and install it again...dont feel like dealing with the PitA that it is, despite it being a fun game. Fortunately, I got it for $20 at Best Buy, when it was still retailing for $50 on average, so I'm not worried about letting it gather dust.

      --
      http://thechubbyferret.net - Ferret pictures and informative links.
  88. Keep your Copyright by jackjumper · · Score: 2, Informative

    Robert Fripp, of King Crimson fame, has started a record label, Discipline Global that lets artists keep their copyrights. Check out this pagefor some general philosophy of their business. Unfortunately it doesn't say there explicitly that they do this, but it does say it on the back of one my Crimson CDs.

    However the page discusses 'ethical' businesses and makes some interesting points.

    Oh yes, if you're not familiar with King Crimson, go out and buy some right now!

  89. very flawed argument... by night_flyer · · Score: 2

    with a CD (or cassette, or 8 track, etc...) there are tracks, each of these tracks can be listened to individually apart from the rest of the album. fair use allows someone to pick and choose which track they want to listen too, and allows the copying to another medium to compile your own collection.

    you dont rip apart movies or games to get the best songs/scenes out of them (unless they are porn)

    --


    Thanks to file sharing, I purchase more CDs
    Thanks to the RIAA, I buy them used...
    1. Re:very flawed argument... by radja · · Score: 2

      ever seen cool screenshots from games made by players? that's fair use. So is blowing up a still from a movie to poster-size, and hanging it on your wall.

      //rdj

      --

      No one can understand the truth until he drinks of coffee's frothy goodness.
      --Sheikh Abd-Al-Kadir, 1587
  90. True; I agree by shaldannon · · Score: 2

    I don't have a non-US region disc need, so it isn't like it affects me. However, it is still a crippling feat^h^h^h^hbug.

    I guess I understand why they put in region encoding (create an artificial market so they can inflate the prices), but I think that just underscores the greed of MPAA-affiliated companies.

    --


    What is your Slash Rating?
  91. "Founding Fathers" fuck you in the arse... by Anonymous Coward · · Score: 0
    But you're all too fucking ignorant to realise that! I can only be arsed to give one example:

    "I know no safe depositary of the ultimate powers of society but the people themselves; and if we think them not enlightened enough to exercise their control with a wholesome discretion, the remedy is not to take it from them, but to inform their discretion by education." - Jefferson, Sep. 28, 1820

    So there you have it... Now, who is dumb enough to need an explanation? OK here goes: Who is doing the informing of your discretion? The guvverment, who are as good as owned by the big corporations, who are all huddled together with share deals, gentlemans agreements, and whatnot. ALL the mainstream media is owned by The Big Six. you cant think about what you dont know about.

    Freedom of the press is guaranteed only to those who own one. (well, not anymore, we're at war! Oh and where the fuck are the POW's? All we get are these pesky "Illegal Combatants")

    "If the only reality you have is an illusion, then that illusion is reality." Yeah, so why did they bother breaking out of the Matrix?

    Think before moderating.

    www.smirkingchimp.com (Guvverment /.) www.disinfo.com (The books rule!) www.whitehouse.org (Funny!) www.stand.org.uk (Looks promising) www.theyrule.net (Donation database, cool shockwave interface)

    www.ultrafree.com (In case you don't want your happy little world spoilt)

  92. CDRW-capable cd players by ThrasherTT · · Score: 1

    Do these copy protected CDs work on CDRW-capable non-PC players? If not, that's a potential point you can use against the bad guys.

    "This device has no immediate usage as a pirating aid, yet I still can't listen to this piece of sh*t CD!!!"

    --

    All Your Memory Are Belong To Java
  93. Who are the "Music creators" again? by B1ackDragon · · Score: 1

    "Music creators have the right to protect their property from theft, just like owners of any other property"

    I find it interesting that they are referring to the major labels as "Music creators." I wonder how many artists are actaully supporting the idea of having their cd's protected, or if they are stuck with it because they already signed with the label. Seems to me an artist ought to be able to opt out of this, has anyone heard of any major groups doing this?

    --
    The snow doesn't give a soft white damn whom it touches. -- ee cummings
  94. Calling Clara Peller... by GuyMannDude · · Score: 2

    I wanna see how this plays out and I hope someone finds an angry grandmother type who doesn't take any guff to be the posterchild for this.

    Oh PLEASE let it be that "Where's the beef?" lady!!!

    GMD

    1. Re:Calling Clara Peller... by Anonymous Coward · · Score: 0

      Sorry, she passed away several years ago...

      You're right though; she'd be perfect for this.

  95. Re:This so-called "right" of fair use by Anonymous Coward · · Score: 0

    http://www4.law.cornell.edu/uscode/17/1008.html

    and again

  96. I have the perfect solution. by rice_burners_suck · · Score: 1

    See, there shouldn't be a law against making copy-protected CDs, because then you'd have to make specific statutes for and against every format out there, and the next thing you know, the government has some 100,000 pages of law describing what is allowed and what isn't on a shiny disk with a hole in the center.

    Most tech-savvy users know what to do with various CD formats anyway.

    On the other hand, since most people who buy CDs don't know jack about technology (and probably don't know what a molecule is either), CDs sold as audio CDs should carry PROMINENT warning labels on the front and back of the case. It should cover about 1/4 of the surface of the cover, and read in large letters: "WARNING! This CD is crippled by copy protection. Nearly all CD players in the world cannot play this CD."

    Actually, the law should state that if someone picks up one of these defective CDs not knowing of its crippleware, and discovers it doesn't work in a CD player of some type or other, the music industry is required to refund their money plus a penalty to cover inconvenience, supply a free, uncrippled copy, and an unlimited, nonexclusive, transferable license to do anything with that free copy, including but not limited to reproduction, sale, loan, rental, etc., without compensating the recording industry in any way. Furthermore, the recording industry would send that person a bottle of Negra Modelo for each copy that person sells without compensating the recording industry. (The recording industry would be required to pay twice the price for each bottle of Negra Modelo it buys.) The government would require the recording industry to spend 99% of their profits advertising this law, so that everybody would know and take advantage of the recording industry. (The other 1% would be paid to a government committee whose sole purpose is figuring out new and innovative ways to screw over the recording industry.) I believe that would be a reasonable and prudent solution to the problems posed by the evil recording industry. Those bastards.

  97. I didn't know VHS *had* copy protection by Ashurbanipal · · Score: 1
    Why the double-standard? Why do we just accept that any VHS tape we buy will be uncopyable thanks to Macrovision (barring any specialized hardware to bypass it that's beyond the reach of the lay consumer), but we so vigorously oppose those similar protections on CDs? I can't copy my VHS tapes, even if I own them and want to make a copy to take on the road in my van, or to preserve the slowly-degrading quality inherent in repeated playing of such media. But we don't cry about it - we just accept it. Why?
    I've never had a problem copying VHS tapes. I don't generally copy commercial tapes - the last time was a couple of years ago (and yes it was fair use, shut up RIAA) but it worked fine then on "The Last Valley" and "Fantastic Planet".
  98. BAD IDEA -- Here is why by Anonymous Coward · · Score: 0

    You shouldn't sue over *technology.* You are talking about suing the inventor when he isn't the one making the nasty CD's. It is akin to suing, say, Napster for making software to distribute illegal music instead of stopping people from doing it. Oh, wait ... bad example.

    How about it is akin to suing the authors of message board software for creating an encrypted message board that can be used to protect terrorism communications instead of going after the actual perpetrators.

    DO NOT STIFLE INNOVATION, no matter how "good" it is. Do you want people to stop looking for "acceptable" copy protection because they are afraid they will be sued if/when someone licenses their technology, and then it is found to be imperfect?

    Knees are jerking out of socket. Jeeeez.

  99. McDonald's Lawsuit NOT Frivilous by TTop · · Score: 2

    This case gets perpetuated over and over as a "frivilous" lawsuit, when in fact it was not frivilous at all. People hear the headline "millions for spilled hot coffee" and don't look further than that. According to the Wall Street journal, McDonald's callousness was the issue and even jurors who thought the case was just a tempest in a coffee pot were overwhelmed by the evidence against the Corporation. Here's a great link telling the facts in the hot coffee case...

    1. Re:McDonald's Lawsuit NOT Frivilous by nexthec · · Score: 1

      those are nice facts and all but:

      she ordered boilding hot water pored over coffee grounds. Water boils at 212 degrees, the coffee was at 185 degrees. yes that can burn you. tough shit, she placed the container (styrofoam at the time) between her legs, then proceded to remove the top, causing the container to colapse. yes, I feel very badly for the lady, however I think it was her resposibility to relize that her behavior might have painfull conciqunces.

    2. Re:McDonald's Lawsuit NOT Frivilous by TTop · · Score: 2

      That's why the jury found her 20% responsible and lowered the damages accordingly. The fact is that a jury heard all the evidence (more than just the bullet points listed) before making up their minds and then found McD's guilty egregrious behavior and awarded punative damages (punishment, not compensation for injuries) equal to 2 days worth of coffee profits. The point is that the lawsuit was not frivilous. Before the lawsuit the lady just wanted her medical bills covered. When they refused, that's when the lawsuit was filed.

  100. Law suit by rlp · · Score: 2

    Milberg, Weiss, Bershad, Hynes & Lerach versus the record labels. Guess, Milberg, et al ran out of high-tech companies to sue. Tough call - any way they can both lose?

    --
    [Insert pithy quote here]
  101. Law.com article by Anonymous Coward · · Score: 0

    (Taken from here.)

    Milberg Weiss Files Suit Over CDs With No-Copy Technology

    Brenda Sandburg
    The Recorder
    06-17-2002

    Milberg Weiss Bershad Hynes & Lerach has jumped into the legal brawl over how much access consumers should have to copyrighted digital music.

    Best known as a leader in shareholder class actions, New York-based Milberg Weiss filed a California consumer class action against five record labels Wednesday claiming that the audio discs they are selling with no-copy technology are misleading and defective.

    In Dickey v. Universal Music Group, 275602, filed in Los Angeles Superior Court, Milberg Weiss requests that the defendants be enjoined from selling the compact discs and ordered to refund or replace them and/or label the products as inferior to standard CDs.

    The record labels "conspired and agreed among themselves to sell defective audio discs which were rendered unreproducible [sic] or unstable for use in many personal computers," the complaint states. "By selling these inferior quality audio discs, defendants are attempting to curb the public's exercise of their right to play, backup, space-shift and time-shift their own music to other playback mediums."

    Milberg Weiss' William Lerach and Darren Robbins did not return calls Friday. Nicholas Koluncich III, a solo practitioner in Albuquerque, N.M., who is working with Milberg Weiss on the case, said the record companies also are misleading consumers. "These non-record discs are misrepresented as compact discs, which they are not," he said. "They have poorer sound and quality" and built-in errors that cause computer problems.

    Koluncich said he learned about the defective discs from his sister, Elizabeth Koluncich, who is one of the plaintiffs in the case.

    The Recording Industry Association of America countered that record labels have the right to protect their property from theft.

    "With this frivolous action, the plaintiffs' bar has sunk to a new low, filing a lawsuit over practices that most U.S. companies have not even engaged in so that they can stake out their claim to class action attorneys fees," RIAA president Cary Sherman said in a statement.

    Koluncich said no one knows how many of the altered discs are on the market. According to the complaint, Midbar Technology -- an Israeli company that provides copy-protection technology -- has said more than 10 million discs with no-copy technology have been sold.

    The RIAA said it is aware of only three CDs that have been commercially released in the United States that use copy-protection technology: "More Fast and Furious," the soundtrack to "The Fast and the Furious;" "A Tribute to Jim Reeves" by Charley Pride; and "Serenatas" by Los Toros Band.

    Consumers apparently have figured out ways to get around Sony Music's protection technology. News publications recently reported that by tracing the rim of a disc with a felt tip marker consumers were able to copy the music.

    Fred von Lohmann, senior IP attorney at the Electronic Frontier Foundation, said the advent of copy-protection technology would lead to further legal battles with respect to the Digital Millennium Copyright Act. The 1998 law prohibits the use of technology to circumvent copy-protection devices.

    "Magic marker manufacturers aren't worried," von Lohmann said. "But people who distribute CD copying software and CD burners are probably getting expensive legal advice regarding the DMCA."

    The battle over copyright protection in the Internet era is far from over. The entertainment industries, electronics and computer companies, consumer groups and Congress are fighting over how much protection is adequate.

    Sen. Ernest Hollings, D-S.C., introduced a bill in March that would require the manufacturers of computers, television sets, cable boxes and other digital media devices to incorporate technology in their products to prevent illegal copying or redistribution.

    The Consumer Broadband and Digital Television Promotion Act calls on manufacturers to work with content industries to develop standards and technologies to protect digital content.

    Earlier this month the motion picture studios proposed implementation of a "broadcast flag" that would mark digital TV broadcasts and prevent them from being copied and retransmitted. Consumer electronics groups and others rejected the proposal.

    Milberg Weiss is familiar with the debate over copyright and digital music. It had a brief role in litigation against Napster Inc., coming in as co-counsel in a class action brought on behalf of independent artists. The plaintiffs, who claimed their music was being traded through Napster's file-swapping service without their consent, failed to obtain class certification.

  102. An Analogy by kstumpf · · Score: 2

    If I rent a car, the car comes with locks and possibly a security system that deters theft and vandalism. This system does not inhibit the functionality of the car. The car doesn't go any slower, the car doesn't malfunction on certain highways.

    This CD protection changes the CD in a way that makes it perform differently than the specification intends and differently than consumers would expect. It seems, then, that these CDs should not be labeled as CDs, but as a derivative, the way CDR, CDRW, and all those other similar formats are labeled. Call it CDP (CD Protected) or whatever, as long as its labeled. Then, I know when I see this symbol that I require a player that supports this format, the same way I know not to expect my eleven year old CD player (Well, I don't use it much, ok?!) to recognize a CDRW.

  103. It was a stupid idea in the first place. by EzInKy · · Score: 1

    ...which Einstein got the bright idea that the way to prevent people from using their intellectual "property" illegally is to take away a legal way to use it?

    I mean really, people are going to listen to music on their computers one way or the other. If they can't use their legally paid for CD to do this, the only option they are left with is to find a pirated copy.

    --
    Time is what keeps everything from happening all at once.
  104. You know the RIAA is right.. by Anonymous Coward · · Score: 0
    Just to be an asshole:

    Technically they are correct that if you destroy someones computer you'll not beable to steal the music from the CD

    hence they can make all that oh so great music you sheep like to listen to, and buy and listen to then wine when they decide to keep you from stealing their shit you bitch wine an moan

    so stop buying their fucking music and email the arts and research division to stop making shity music.

    On the same note email MS to encourage them to follow up with the highly rumoured threat of purchassing the RIAA, and name by name all the people you want to be Microsofts bitch

    The idea of calling Metaligod's lable MSNothing
    Is funy as hell

    Oh and I'll no longer own a Sony Music black CDR/RW stack but a MSownsonyEnterTanement black cdr/rw disk

    Go ahead and rate me as your Troll god fuckers

    You all laughed at these jokes..so when idite me i'll name you as an acessory to theft and we'll walk to club fed hand in mother fucking hand.

  105. If We Can Legislate A Warning... by Anonymous Coward · · Score: 0

    ..this problem will solve itself.

    WARNING: This CD contains copy-protection that prevents you from transferring the data onto another storage medium. Furthermore, this CD may not play in your PC and may damage the hardware of your Macintosh. Copy-protection schemes may also cause deterioration in quality of the music contained on this disk. But the price is the same so you're ultimately footing the bill to fund efforts to make the products you buy less useful.

    Make them put that warning on all CPCD's and I think the problem will solve itself.

  106. Repeat something enough times... by Thenomain · · Score: 2, Insightful

    The old adage came to mind, today, when reading through all the Slashdot comments about how the words this man is using are lies, damned lies and misinformation.

    "Repeat something enough times and it becomes true."

    The RIAA is quite obviously using this tactic. If they repeat how something is "theft" and "copyright infringment", then more and more people (both Joe Public and Mr. Congresman) will think of this not as "something that I don't know very much about" but as "truth". After all, thinks the uneducated public, these smart people who are in charge of this industry is calling it theft then, well, it must be so! (I'm not implying that the public is stupid, just ignorant; there is a difference.)

    Nevermind this is complete and utter bunk, but repetition of a lie to make it truth is the Orwellian reality.

    I just hope everyone who sees lies where they are don't just come here and preach to the choir.

    --
    This now concludes our broadcast day.
  107. Not to mention... by EzInKy · · Score: 1

    that by making it so CD's won't play on a computer they are practically forcing people to get it illegally elsewhere.

    --
    Time is what keeps everything from happening all at once.
  108. AFAIK by Kibo · · Score: 3, Interesting

    They follow the blue book enhanced CD standard. At least a corruption of it. It might not even be something philips can do anything about.

    I would intuitively think that this is a more dangerous tactic for the record companies, as it pretty clearly shows for thought and planning in their bid to actually disable peoples computers causing them a not insignificant expense in both time and money. The crippling of the computers wasn't a side effect of the 'copy protection' (such as it is) it was actually the plan. I personally can't see a difference between that and any other malicious act which damages someones computer.

    But I do think going after the stores would be the way to go, with their thinner margins, it would hurt them a lot more. And they, in turn, would use their market muscle for ends that are more inline with their customers wishes. The last thing Best Buy, Sam Goodie, or any chain wants to do is end up in a court battling a former customer.

    --
    --Jimmy has fancy plans; and pants to match.
    1. Re:AFAIK by Manwich · · Score: 1

      I gotta think about those thin margins. It still seems to me that CDs are marked up even more in the stores. If you look hard enough you can find CDs for less than $10. For stores like Sam Goody and Virgin to continually sell CDs above $20 is outrageous. These guys want copy protection as much as the rest of them. Thinner margins would also imply they would be the ones pushing hardest for everybody to buy CDs. I think all participants are partly to blame for this.

    2. Re:AFAIK by Anonymous Coward · · Score: 0

      Corruption..
      So it IS a defective product, and does NOT conform to standards - well there is my money back, and they can forget about this in Europe and Japan - just a tiny market.

      As for the store selling it, if the reciept has 'CD' on it , bingo, false and misleading. The cost of modifying stock/accounting point of sale receipt machines will be BIG. Right down to the buy and SKU lists given to distributors, and websites purporting that it is a CD.

      As for Philps., well some one is passing / cheating on thier good name. Its like a bad car tyre manufacturer, mass recalls, bad publicity, and just wait for the insurance and liability 'tail'.
      People expect a tyre to work, and a 'CD' to play, and not a tirade of lawyer generated bullshit. They have crossed a line.

      The Bible has a few choice sayings on product adultation. / false weights and measurements.

    3. Re:AFAIK by Thing+1 · · Score: 2
      But I do think going after the stores would be the way to go, with their thinner margins, it would hurt them a lot more.

      I like this line of thinking. It ties in with the recent WalMart story as well -- in order to make a change in the world, you need to leverage your position.

      We're solitary consumers. Citizens. But how do we change the system, without the system breaking us? Ally yourself with bigger guns. If OEM/VARs won't sell PCs without Microsoft software, petition a large retailer who isn't beholden to Microsoft to do just that.

      In this case, I would imagine if enough people (through petition, or legal means) bother retailers who sell broken materials, the retailers will decide it's not economically viable to continue to sell broken merchandise.

      Note that nowhere in there do I say it's "wrong" to purchase or sell Microsoft software or broken CDs. The decisions will be made based on economics; so spin the choices such that "the right thing to do" also turns out to be the economical thing to do.

      Finally, I agree that initiating a lawsuit is one of the fastest ways to get a company to pay you attention. In this case, it's also preferable. I'm going out to buy a Celine Dion CD tonight, and I'll make sure that the receipt says "CD" somewhere on it. Expect a class-action to follow.

      --
      I feel fantastic, and I'm still alive.
  109. A Response by psypete · · Score: 1

    Two quotes from the article:
    " It also follows criticism from some members of Congress and from Dutch consumer electronics maker Philips, co-creator of the compact disc, that the anti-piracy CDs are technically flawed and could impinge on consumers' rights to copy music for their own use. "

    ""Music creators have the right to protect their property from theft, just like owners of any other property," Sherman said. "Motion picture studios and software and video game publishers have protected their works for years, and no one has even (thought) to claim that doing so was inappropriate, let alone unlawful.""

    It's no longer the musicians property if they SELL IT TO US YOU DUMB BASTARDS! Plus if we as consumers have the right to copy music for our own use, the record companies should find a different way to stop the piracy which allegedly makes their lives so tough. My advice? Stop treating your musicians like pawns or they'll turn on you and play gigs for FREE. HOW WOULD YOU LIKE THAT YOU KENNY G PLAYIN MOTHER FUCKERS?

    1. Re:A Response by Anonymous Coward · · Score: 0

      You buy the CD, paying for it's packaging and distribution costs, but you only rent the contents for the life of the media (thats why there's a royalty percentage that goes straight to the songwriter). The consumer does not own the song, just the product it's packaged on.

      As most musicians make the bulk of their money from live preformances, they are NOT going to play gigs for free, especially if they can't make money from recordings.

      How do you like that, YOU KENNY G LISTENING MOTHER FUCKER?

    2. Re:A Response by psypete · · Score: 2, Funny

      if the consumer owns the packaging/media, why can't we control what kind of packaging/media we get? and uh, are you so sure that royalty goes to the songwriter? even if that happens 90% of the time, what does tha artist get? i don't know if you're aware but songs don't sell, music and shiny things sell. so when the pop icon who buys songs from 11 year olds sells a gazillion records, the 11 year old gets the royalty? fat chance. most likely they'll claim she's underage in order to keep it for themselves. the recording industry is not just an industry. it's a mafia of wealthy assholes who think they can cheat us out of not only our music but our way of life (that being our cyber life). i swear to the holy being that brings pain to the world, if any group tries to attack my liberty to use my computer, i will answer back 100 fold in a way no walking money stick could ever imagine. oops i got all doomy on ya. just forget that part about seeking revenge against evil.

  110. I don't mind by CanadaDave · · Score: 2

    Hey, if they keep copy-protecting artists like Celine Dion and Phil Collins, that's fine by me. Just don't shut down FastTrack.

  111. Should have warnings by blueworm · · Score: 1

    I don't care if copy protected CDs are sold, but I believe they should have a very obvious warning label just like the explicit lyrics sticker.

    Why does it seem that most of the slash comments are totally stupid and non-constructive?
    Take a look at this one for example:

    http://slashdot.org/comments.pl?sid=34332&cid=37 15 854

    and why does the thing display with a space between the 3715 and the 854 in the url? I can't figure that one out.

  112. redundant by Anonymous Coward · · Score: 0

    The record companies will be required to distribute rebate coupons for free Sharpies.

    See this comment.

  113. Drop copyrights dawn it ! :) by Anonymous Coward · · Score: 0

    I'm a programmer my self and I don't really care about people using my code to do whatever they want. That's just code, a couple of lines created bymy brain. It's the same thing for music and movies !

    copyrights is an stupid concept, If nobody was able to make money out of it they'll be no need for copyrights, I guess money is a stupid concept in a sense too... :)

    Their is a lot of solutions but music companies just want to take a lot of your Georges Washinton collection away ;)

    Anyway Peoples out there think about it ! and don't buy any Celine Dion CDS (we are tired to hear about her here in Quebec :P and of course his last CD is copyprotected via Sony Music)

  114. The royalty applies to "music CD-R's." by dpbsmith · · Score: 2

    In the U.S: there IS a built-in royalty payment, but only in the blank media that are designated "music" or "audio" CD-Rs and CD-RWs.

    These the kind of media that must be used in "home audio CD recorders." Technologically, the media are the same as ordinary CD-R's, but they contain an encoding that the recorder looks for. The recorder contains technology that enforces recording only to "music CD-R" media, and "serial copy control" protection (it will copy a commercial CD, but will NOT make a digital copy of a copy made in a home audio recorders.)

    Interestingly enough, the first copy of "The Fast and the Furious" that I bought was encoded in such a way that it would NOT copy in my CD recorder. It gave a false SCCS error.

    I believe that making personal copies, backups, RIPping for download into MP3 players, etc. is fair use.

    However, the ability to make copies on a home audio CD recorder is more than just fair use. Under the 1992 AHRA act. We PAY for every copy that we make, in exchange for the RIGHT to make those copies.

  115. Re:A flawed argument...WRONG!!! by Anonymous Coward · · Score: 0

    Absolutely wrong. Red book compliant CDs are designed to be played in Red Book compliant players ONLY. So your CD player recognizes bastardized versions of those standards as well? Lucky you.

    It is fair to say that audio CDs were never designed to be played on modern CD ROMs with their multitude of standards. If your CD ROM drive doesn't have a "dumb" mode where it ignores all directory data, then it can't in reality be called a Red Book compliant drive. The fact that PCs, Playstations, what have you can play audio CDs is due to a desire for reverse compatibility. Since when does reverse compatibility ensure 100% compliance with old standards? Fact is, these disks play perfectly in RED BOOK ONLY players. That, technically, is all that is required.

    Twenty or more years ago, when the Red Book standard was finalised, CD copying was virtually impossible. There were no ripping programs, so nobody saw a need to include copy protection.

    To paraphrase your argument: "If they hadn't left the window open for the last 20 years, I wouldn't have been able to climb in and steal their laptop & credit cards"

    Of course, that doesn't mean I think that this particular copy protection method is the right way to go.

  116. Re:MODERATOR ABUSE by Wakko+Warner · · Score: 2

    Once that LNUX stock dips low enough, I'm sure he will be...

    - A.P.

    --
    "Remember when the U.S. had a drug problem, and then we declared a War On Drugs, and now you can't buy drugs anymore?"
  117. No notice on Celine Dion by frostycellnex · · Score: 1

    When /. posted the story about Best Buy's announcement that they would be carrying the CDs, I went in to investigate the claims--I didn't intend on supporting Best Buy if it was true. I found the new Celine Dion CD prominently featured in a New Releases endcap, and unless they manufacture both disabled and fully CD-standards-compliant versions, there was nothing on the CD which indicated it was not a CD. I don't recall there being the standard Compact Disc icon from Phillips either. In any case, there wasn't anything to suggest to me that the Celine Dion disc was any different than any other standard CD.

  118. Try other remedies first! by derPlau · · Score: 1

    I know it's very tempting to join the fray and sue their asses off. But did you try a simpler remedy first -- like, for instance, trying to return the CD for a refund? I doubt you really have a course of action unless you experienced real harm (e.g., a broken computer or lost money because you couldn't (as opposed to didn't) return the disc.

  119. McDonald's "hot coffee" case was NOT frivolous by AlexxKay · · Score: 1
    McDonald's managed to successfully convine the media and general public that this case was "frivolous" -- but they didn't convine the judge or the jury, nor anyone else in possession of all the facts.

    McFacts abut the McDonalds Coffee Lawsuit is a good summary, but any google search will find you plenty more citations.

    "McFact No. 1: For years, McDonald's had known they had a problem with the way they make their coffee - that their coffee was served much hotter (at least 20 degrees more so) than at other restaurants.

    McFact No. 2: McDonald's knew its coffee sometimes caused serious injuries - more than 700 incidents of scalding coffee burns in the past decade have been settled by the Corporation - and yet they never so much as consulted a burn expert regarding the issue."
    Big Evil Corporations *love* the idea of "frivolous lawsuits" -- because lawsuits are one of the only ways we can keep them in line.
    1. Re:McDonald's "hot coffee" case was NOT frivolous by Anonymous Coward · · Score: 0

      One fact you are missing is that in the same decade as those 700 burns, McDonalds sold 10 billon cups of coffee. 700 incidents isn't really that bad when you think about it.

  120. Why This is a potentially bad thing by hillct · · Score: 2

    It's important to remember that this case has been taken ob by 'class action specialists' at a large well known law firm. Aturneys in class action suits usually take them on to line their own pockets, rather than for the greater good, so I fully expect they will be looking for a financial settlement, rather than amy more meaningful remedy. We're not talking about EFF or ACLU lawyers here. This case is esentially being brought by high class ambulence chasers. I wouldn't be suprised if we are extremely dissatisfied with the resolution to this case, regardless of who wins.

    --CTH

    --

    --Got Lists? | Top 95 Star Wars Line
    1. Re:Why This is a potentially bad thing by Scratch-O-Matic · · Score: 2

      I will neither agree nor disagree with your statement here, but I would like to point out the resolution of a class action lawsuit here in Maryland, against a cell phone company for unfair pricing practices. Since the company "lost," members of the claimant class were entitled to $10 off the purchase of new services from that company. WTF? How does that differ from what we laymen call a "sale?"

      --


      Evil is the money of root.
  121. (Friggin' 'ell) Circumventing the whole fight by Anonymous Coward · · Score: 0

    Friggin' 'ell...yet another format!
    How about bring back 8 track cartridges while were at it...better still 78's on shellac.
    Oh please! I have Vinyl 33/45's, CD's, SACD's, DVD's,DVD"A"'s, Mini Disc, DAT, 1/4" Analogue reel2reel,Casette already.
    So the music world comes up with another compressed format. As a format it's going to fail...anybody for DCC, 8 Trax, Minidisc, DAT.
    ALL TRIED AND FAILED.
    That's my 2 penny's worth....

  122. Law firm involved isn't just any old law firm by Anonymous Coward · · Score: 1, Funny

    The law firm involved, (I only remember Lerach's name) is famous in law and consumer circles for filing class action lawsuits, many with large awards or out of court settlements. I wouldn't call them the good guys, but they are self motivated (read money) attack dogs, so in this case it might be nices to see the RIAA get mauled for a change.

  123. (OT) To get MP3, use WinMX by yerricde · · Score: 1

    Now, you've got these decentralized P2P networks to contend with, which are generally slow and unwieldy.

    WinMX 3.1 is fast even on my dial-up connection. It should be even faster on cable because it supports downloading from multiple sources based on the MD5 hash of the file.

    --
    Will I retire or break 10K?
  124. Copy protection? by duren686 · · Score: 2, Funny

    This seems to be their most effective method at the moment.

    --
    Y2K Compliant since the late 1890s
  125. Americans invented what? by Anonymous Coward · · Score: 0

    Actually many (more than half)of those "inventions" where not soley american..

    meth for instance was brought to u by the nazi's.. to keep them awake while bombing england.

    movie cameras: Auguste and Louis Lumière on 28 December 1895 in the Grand Café on the Boulevard des Capucines in Paris

    telephone: German, Philipp Reis did alot of work on it also. telephone had many inventors.

    the internet: Al Gore Invented the Internet

    Electricity: Volta, Alessandro, Count, Italian physicist / Volta, Alessandro, Count, Italian physicist

    Light Bulb: Sir Joseph Wilson Swan, produced his first experimental light bulb using carbonized paper as a filament

    etc.. etc..

    ... silly american... always trying to take all teh credit..

  126. What is the matter with you people? by duck_prime · · Score: 1

    I suppose that putting pressure on companies to not copy protect CDs is a Very Good thing.

    I'm sure there are some people for whom this copy protection is a nuisance; people who only listen to music off the computer, etc.

    However, I get the impression here (slashdot) that the main motivation is to make illegal eleet copies to trade on file-sharing networks.

    Sure, you have the right to make a copy for your own archives or whatnot, but guess what:
    The record company is under no obligation at all to make it easy or convenient for you.

    Imagine a book printed with blue ink... this will be hard to photocopy, but that's not Del Rey's problem.

    I do concede that it is rude and inappropriate to seize up your iMac.

  127. An acceptable outcome by dh003i · · Score: 2

    What really needs to happen is that the court needs to rule that any "technology" which could infringe upon fair use, restrict it, or make it inordinantly difficult to excercise fair-use rights, should be illegal. Fair use rights should be gauranteed.

    Failing that, however, here's the only acceptable outcome for this case:

    1. Anyone who bought these defective CD's should get their money back, damages in time lost, and damages in terms of equipment damage (i.e., these CD's lock up some CD-drive).

    2. A warning must be placed on the "CD" case, saying exactly what limitations are imposed, what quality problems exist, and what hardware incompatabilities exist.

    3. Anyone who buys one of these defective CD's should be able to return it for a refund.

  128. That's Copy Restricted And Protected Discs by coyote-san · · Score: 2
    Hey, that's

    C opy
    R estricted
    A nd
    P rotected
    discs

    not CPOA discs.

    --
    For every complex problem there is an answer that is clear, simple, and wrong. -- H L Mencken
  129. Warning Label? by SquireCD · · Score: 0

    Hell yeah there should be a warning label. The gore family already decided that if there is "unacceptable" lanauage on an album then it should have a warning label. I think anyone who buys a copy-protected CD, when they find out it's protected will scream "SHIT!!" and that is worthy of a label of it's own.

  130. “Life Annuity” by Erotomek · · Score: 1

    Now, with the big 5, you have to sign your copyright to them for them to publish. And the copyright law is now 70 years after the death of me.

    So, in other words, they will profit on your work for 70 years after your death — the longer you live, the more profit for them, ergo they should be your guardian angels!

    It reminds me a magnificent play of Aleksander Fredro — Doywocie (Life Annuity). If you're interested in theatre, you should have seen or read this play and exactly know what I mean. If you don't know the Life Annuity, I won't tell you anything — instead I urge you to see this play in the theatre by yourself, it's one of the most splendid and funniest plays I have ever seen.

    Aleksander Fredro wrote Doywocie in 1835 and it was translated into English by Segel Harold Bernard, as far as I know. For more informations, see Fredro on Google: all results, only in English.

    So, everyone who wants to see how absurdal is the situation when someone else gets more money if you live longer (the exact situation as with the record industry giants as the copyright holders), ask for Life Annuity by Aleksander Fredro in your local theatre. (Please do not moderate this post as off-topic, unles you have seen this play — thanks.)

    I have somewhere a VHS tape with Teatr Telewizji (a Polish Public TV theatre) version of Doywocie with Wojtek Pszoniak, one of my favourite actors, I think I'll watch it today.

    --

    Krótko: kady Erotomek
    W pimiennictwie ma swój domek.

  131. Harming legal use of the CDs is wrong. by Thag · · Score: 2

    Several of the copy protection companies have acted in a way that harms legal use of the CDs.

    At least one of these companies has produced a product that can lock up a Mac while being used legally. It is apparently a PITA to get the CD out, and I doubt that my parents could do it. That IS malicious. There are going to be people screwing up their computers with these things for years.

    Frankly, I think as a consumer you have a reasonable right to assume that a commercially purchased CD isn't going to break your computer. If someone put out a Cd that contained a virus, you'd expect them to be responsible for the damages. I see no difference between this kind of "copy protection" and a virus.

    Jon Acheson

    --
    All opinions expressed herein are my own, and not those of my employers, who are appalled.
    1. Re:Harming legal use of the CDs is wrong. by Manitcor · · Score: 2

      It is the record companies that are at fault, not the compaines that made the protection. No one forced RIAA to use a form of protection that would harm computer systems, they did that on on thier own.

      --
      "Don't mess with him, he taunts the happy fun ball."
  132. Re:A flawed argument...WRONG!!! by AtariKee · · Score: 1

    Tomato, tomato...

    You're looking way too far into what I posted. Your first sentence killed your argument, as you totally missed the point of what I said.

    Have a nice day.

    --
    "You're getting brutal, Sark. Brutal and needlessly sadistic."
    "Thank you, Master Control"
    -Sark and the MCP
  133. HOLD THE BOAT! by Anonymous Coward · · Score: 0

    Whoa Cowboys! You're all missing a prime opportunity to fight the good fight. The only way a multi-media monopolist will ever buckle is the bottom line. Admit it, every one of us is a closet Don Quixote - we all want to fight the giants. This fight is the best of both. Step 1. Buy CD (or purported CD). Step 2 make a scene when it wont work, I mean a really choice scene, that Don Quixote would be proud of, the Wal Mart manager is going to humbly beg you to quit yelling that Wal Fart is ripping off your Mother! Ditto for Burst Buy, etc. You're fighting the good fight, and the big box stores will take it to the bad guys for us. I used to work in Supply Chain. Let me tell you it is not designed to work in reverse. If enough of the stuff is returned it WILL logjam. Anyone for a slashdot effect live and in person?

  134. Easily a lawsut here... by Anonymous Coward · · Score: 0

    The knowingly willful destruction of private property is indeed a crime, as well as conspiracy with oterhs to do so. This is shaping up to fall into a lawyer's wet dream: a full-fledged case of documented organized crime committed by the top five money holding organizations in the music industry. Can anyone say deep pockets. I love America! Once again capitalism will right itself (sorry for the politics)

  135. McDonald's Lawsuit _IS_ Frivilous by kyletinsley · · Score: 1

    This case gets perpetuated over and over as a "frivilous" lawsuit, when in fact it was not frivilous at all. People hear the headline "millions for spilled hot coffee" and don't look further than that. According to the Wall Street journal, McDonald's callousness was the issue and even jurors who thought the case was just a tempest in a coffee pot were overwhelmed by the evidence against the Corporation. Here's a great link telling the facts in the hot coffee case...

    Well I _have_ read many facts about this case (and the others that have been spawned in its tradition since then), and I think it's absolutely frivolous! Lawyers are paid to be masters of using bullshit facts to win an argument. Let's look at some of these tidbits of "overwhelming evidence" from the link you posted:

    • No. 1: For years, McDonald's had known they had a problem with the way they make their coffee - that their coffee was served much hotter (at least 20 degrees more so) than at other restaurants.

      McDonald's has known for years that they way they serve their coffee is overwhelmingly popular with the consuming public. That's right, they've done consumer research and found that most of their customers prefer their coffee at that temperature. And they HAVE KNOWN that in a BILLION instances a year, someone buys a cup of their coffee, handles it properly, and enjoys its taste -- without incident. And then of course there are will be a couple schmucks who can't keep themselves from pouring it over their heads, or down their pants, or drinking the whole thing in one big gulp and burning their throats. But honestly, if every manufacturer insisted on pandering to the safety needs of the lowest common denominator, nothing would ever be made. Because with anything more dangerous than a plastic bottle of water, some idiot is going to figure out a way to hurt themselves with it.

    • No. 2: McDonald's knew its coffee sometimes caused serious injuries - more than 700 incidents of scalding coffee burns in the past decade have been settled by the Corporation - and yet they never so much as consulted a burn expert regarding the issue.

      This is just the same shit over again. Once a week (every 5.2 days) some marginally functional moron spills hot coffee on themselves, suffers burns, and tries to get some money out of McDonald's. During that same week, McDonald's sells nearly 20 MILLION cups of coffee to people who have no such problems. Now clearly, McDonald's is knowingly endangering the public with their reckless behavior, and should be made to alter their business practices to accommodate that one-dipshit-out-of-20-million. Come on, you have better odds of winning the lottery in some states than you do of accidentally spilling McD's coffee on yourself and going to the hospital for it. And the payoff for hitting the lotto is a lot better too...

      And why the hell should they have to go around consulting experts about the possible negative side effects of not using Coffee for its intended purpose?? Hot Coffee is supposed to be drank slowly. Hot Coffee is not supposed to be poured on your crotch. There are an infinite number of MIS-uses of a product that can cause harm to people or damage to property, and it's ridiculous to claim that manufacturers should launch investigations into all of them. That's like saying "I manufacture ballpoint pens. We should hire an expert in anal probing to find out what negative effects might occur if our customers shove our product up their asses. And some eye doctor experts too, to see how much damage could be caused if they stick them in their eyes. And some physicists and doctors to see what would happen if they climbed up a utility pole and stuck their pen into one of the high-voltage power lines. Etc..."

      McDonald's Coffee will always be hot. No amount of whining pussies and their FRIVOLOUS lawsuits are going to change that. As the great Seanbaby put it: "Let me tell you why McDonald's coffee is so hot. Because you have oily children simmering fluid in glass containers for hours at a time. If you lowered the temperature down a few degrees, that's not making coffee -- that's bacteria farming. Something tells me I'd rather wait for my drink to cool down than buy a cup of coffee-flavored cholera."

    • No. 3: The woman involved in this infamous case suffered very serious injuries - third degree burns on her groin, thighs and buttocks that required skin grafts and a seven-day hospital stay.

      Yeah, that's what happens when you pour very hot matter onto your skin. It reacts, violently. Try pouring the hot grease out of the frying pan onto your crotch next you're cooking. You'll get those same 3rd degree burns. There's a small leap of logic that has to be comprehended in order to understand this phenomenon. It goes like this:

      • 1. Coffee is ALWAYS served hot.
      • 2. Hot liquids poured/spilled on your skin will cause BURNS.

      Now I know not everybody went to college, but even preschoolers are able to learn fairly quickly which things are fun to play with and which things will hurt like hell if you rub them over your body. Anyone who can't grasp this simple two-step logic train, and take appropriate action to avoid spilling said liquid on themselves, deserves to have the gonads-set-on-fire that results. The evolution of species does not occur by forcing the stupidest monkeys to stop sticking their genitals into a lava pit.

      Let's see if I can put this another way for people who don't respond well to complicated logical theories... IT'S COFFEE! IT'S HOT! DON'T PUT IT BETWEEN YOUR LEGS! Do you need to be told to not put lit firecrackers between your legs? Do you need to be told not stick sharp knives in your lap 'just to hold them there'? Would you stick a rattlesnake in a fragile container between your legs to hold it there while you drive it to... wherever you might be taking a snake? So why would you need to be told to not put boiling water between your legs?

    • No. 4: The woman, an 81-year old former department store clerk who had never before filed suit against anyone, said she wouldn't have brought the lawsuit against McDonald's had the Corporation not dismissed her request for compensation for medical bills.

      Hey guess what, I've never filed a lawsuit either. And neither have 99% of all the people I've ever met. It's good that she's not a career lawsuit filer, but if she had been, that would have been pointed out early on, and you wouldn't have seen much jury sympathy. And the fact that she only filed the lawsuit after McDonald's didn't roll over and ask how much to write the check for doesn't mean they were being unreasonable. OF COURSE they didn't agree to compensate her, that's the whole point of filing a lawsuit! To force action on another party when you can't come to an agreement. Exactly how long do you think it would take for a line a mile long to form outside McDonald's headquarters once word got out that they will hand out money to any schmuck he says he spilled his coffee on himself? They HAVE to say no to that on principle, lest they turn into a workers comp clearinghouse.

    • No. 5: A McDonald's quality assurance manager testified in the case that the Corporation was aware of the risk of serving dangerously hot coffee and had no plans to either turn down the heat or to post warning about the possibility of severe burns, even though most customers wouldn't think it was possible.

      This sentence doesn't even make grammatical sense. Most customers wouldn't think WHAT is possible?? Not possible to turn down the heat? Not possible to post warnings about burns? Not possible for McDonald's to consider doing these things? Not possible for you to burn yourself with boiling water? WTF are you saying??

      I'm sure this is probably a badly paraphrased version of something that originally sounded like a good argument, but it still sounds stupid. Of course they have no plans to change anything they're doing. They've done the analysis (similar to what I've already said above) and found that it's well worth the risks (of removing the ability to breed from retarded people) to keep serving their delicious coffee at the temperature that their customers most enjoy. Another non-point shot down. Keep 'em comin!

    • No. 6: After careful deliberation, the jury found McDonald's was liable because the facts were overwhelmingly against the company. When it came to the punitive damages, the jury found that McDonald's had engaged in willful, reckless, malicious, or wanton conduct, and rendered a punitive damage award of 2.7 million dollars. (The equivalent of just two days of coffee sales, McDonalds Corporation generates revenues in excess of 1.3 million dollars daily from the sale of its coffee, selling 1 billion cups each year.)

      I've sat on a civil lawsuit jury before. There are always mounds of documents that they throw at you, knowing full well that you, the jury members, are not going to sift through all of it for your $15 a day jury pay, when you should be at work or taking care of your kids, etc. They know that you will only remember and consider the carefully worded emotionally charged words that they plant in your head specifically to persuade you to buy their argument instead of looking at the situation completely objectively. Is it possible that they could find 12 people who could be convinced that McDonald's is "willfully" serving flaming death in a cup to MILLIONS of people and "maliciously" trying to harm them? Absolutely. There's 700 such candidates that McDonald's has on file already. And out of 12 random people, you're going to have at least 2 people who will side with the "innocent victim" in any situation. And probably at least 1 person who will side against any large corporations because they're "evil". People like that can keep the rest of the group from making a quick dismissal based on the fact that the plaintiff is a fucking imbecile. And the longer the deliberation drags out, the more likely the "rational" people are to just side with the "sympathy" people at whatever dollar amount just to get the damn thing over with. I've seen it happen, and I'm sure it happens quite regularly, even maybe in this case.

    • No. 7: On appeal, a judge lowered the award to $480,000, a fact not widely publicized in the media.

      That's fine and all. But it doesn't change the fact that this old woman should have been learning how to safely carry dangerous materials instead of feeding the lawyers with this FRIVOLOUS lawsuit.

    • No. 8: A report in Liability Week, September 29, 1997, indicated that Kathleen Gilliam, 73, suffered first degree burns when a cup of coffee spilled onto her lap. Reports also indicate that McDonald's consistently keeps its coffee at 185 degrees, still approximately 20 degrees hotter than at other restaurants. Third degree burns occur at this temperature in just two to seven seconds, requiring skin grafting, debridement and whirlpool treatments that cost tens of thousands of dollars and result in permanent disfigurement, extreme pain and disability to the victims for many months, and in some cases, years.

      I agree that pouring hot liquids on your skin WILL harm you. That's why humans have developed an automated muscular reaction when our skin touches something hot. The nerve signal doesn't even travel all the way to your brain and wait for your brain to make a decision about what to do. It gets intercepted half way and your arm (or leg or whatever) automatically jerks away from the source of heat. This reflex movement normally pulls your arm out of the fire, or splashes the coffee you spilled on it all around the room, in less than half a second. For someone to sit there with the hot coffee on themselves for up to SEVEN seconds means either they sat there, watching the coffee burn their bodies and couldn't figure out what to do, or they managed to spill it on themselves in such a way or place that they couldn't get it off of themselves for a (relatively long time). In either case, at best, they showed an extreme lack of planning, and at worst it's only a matter of time before the mental police find them and take them back to their padded rooms and jackets that let them hug themselves ALLLLL DAAAAAAY.

    I don't drink coffee anymore, but when I did (and mostly McDonald's coffee at that), I never poured it on my crotch without at least sipping it first to make sure it wasn't too hot. But if some day I did start drinking coffee again, or some other "dangerously hot" beverage, and I do happen to destroy my genitals because of own ignorance, I sure as hell wouldn't publicize the event and record it on public record with a lawsuit. That's just shouting "Hey, I may be physically deformed now, but I'm also admittedly STUPID too!"

  136. A flawed tomato by Anonymous Coward · · Score: 0

    "Tomato,tomato"...very intelligent argument, I don't think. Lets go through your comments sentence by sentence.

    You state "Music CDs are designed to be used on various forms of compact disc players, i.e. hi-fi systems, portables, and PCs"-No, they aren't. They WERE designed to be used in Red Book players, and Red Book players only. Modern drive manufacturers have included that backwards compatibility as a convenience (see my point about a "dumb" mode).

    "In other words, an 'authorized' piece of hardware is not needed to play a CD"-actually, the piece of hardware required is a Red Book compliant CD player. For many years it was impossible to play them on anything else, hence the lack of need (at the time) for copy protection. So you are quite correct saying that they were never designed with copy protection in mind, but they also weren't designed for use in the modern CD ROM drive with its multitude of formats. Audio CDs are a legacy technology.

    "Your first sentence killed your argument"-it did? How? Explain in words that aren't "tomato". I clearly stated "these disks play perfectly in RED BOOK ONLY players"; their failure in other drives is due to the differences between Red Book and other standards. If a CD ROM looks for a directory sector, it isn't really a Red Book compliant player.

    What point did I miss? I fully agree that these CDs are not Red Book compliant, but MY point (which you missed) is that they DO play perfectly in Red Book players. Thats all the record companies are interested in. They are in the business of making Audio CDs (mostly), not CD ROMs. In fact, this form of copy protection is incompatible with hybrid formats. Which one do you think the RIAA cares about more: the few who want to make MP3s of the millons who have bought audio CD players over the last 20-odd years? Its the same reason that 96kHz DVD audio hasn't been adopted as a standard for audio, despite being mooted around the industry for some time.

    "You're looking way too far into what I posted." Well, if you don't want people analyzing what you say, don't say anything. Simple.

    "Have a nice day"-patronizing git. Explain the flaws in my argument clearly, and I won't think you're an ignorant wanker.

  137. I'm not buying it by idesignit36 · · Score: 1

    The "controversy" over copy prtoection is really a mute point. When it all boils down to it the music industry isn't producing products that I am willing to purchase. I cringe at the thought of spending $20 to purchase the crap that is being passed off as music recently.

    I went to a local fair in my home town last Wednesday and went up to one of the vendors who was selling CD's. None of the CD's had pretty printed booklets in the jewel cases and all the printed sides of the CD's had plain text names of the artists printed on them with the lists of songs. And, none of the CD's were burned copies. They were all silver discs. Oh yeah, any CD was $5, or you could buy 5 CD's for $20. I wonder how much this plays in the reduced number of CD sells??? I wonder which is more damaging, MP3's or bootleg CD's? And BTW, they had the most popular booth at the fair by far.

    Personally, if the major lables sold there new CD's for a similarly priced deal then A:) They would sell a tremendesly higher number of CD's B:)It would become cost prohibitive for people to bootleg and make a money thus lowering substantialy the loss due to bootlegging and C:)Customers would more than likely purchase more CD's rather than download MP3's if not simply for not having to try to hunt down MP3's wait for them to download, have to buy blank media, then witing for them to burn to the disc.

    Personally if new RIAA approved CD's cost $5 i would just go to the store and buy it before i would burn it. But at the current price point I wont. Especially not for the crap that is on the shelves today.

  138. Re:hehe - the media is at it again . . . by Anonymous Coward · · Score: 0

    -You can register your displeasure with the recording industry by contacting Milberg Wiess Bershad Hynes and Lerach. Their address is: http://www.milberg.com/mil-cgi-bin/mil?templ=featu red/audiocds.html -These guys specialize in class actions and have the resources to keep up with the recording industry.