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More Copy Protected CDs?

Mahonrimoriancumer writes "There are a lot of CDs that have been released recently which can't be played on the computer or *laugh* ripped. Apparently only a few markets have the 'copy protected' CDs while the rest don't. Here is a list of some that are 'protected.' Does anyone know of other CDs with this problem?" I own at least one CD on that list and it ripped just fine, so perhaps that are different versions of the CDs on the market

406 comments

  1. n'sync by rdnzl · · Score: 1, Funny

    hes got the n'sync cd.

  2. I heard of Sting by Zeinfeld · · Score: 3, Insightful
    The rest of the bands might as well be enciphered for all I care. Probably just means that I am old.

    The 'anti-rip' technologies all work by exploiting bugs in the CDROM drivers that cause the ripping software to break. If the CDROM drivers start to break on large numbers of CDs then the manufacturers will be forced to fix them.

    I suspect that Amazon and the like will find these CDs unecconomic to sell as the number of returns is going to be high. The CDROM driver bugs are not going to be unique to CDROMs. Expect Amazon to start pro-actively warning customers that certain CDs have a very high rate of return.

    --
    Looking for an Information Security student project suggestion?
    Try http://dotcrimeManifesto.com/
    1. Re:I heard of Sting by Anonymous Coward · · Score: 1, Insightful

      Not only will the rate of return be high, but if folks are smart they'll use their credit card's guaranteed return policy - then, not only will Amazon (or a store you visit and return an item to in 3D) lose your business, they'll have to pay fairly large penalty fees and risk their relationship with the card issuer.

    2. Re:I heard of Sting by Pakaran2 · · Score: 1, Redundant

      (sorry, didn't mean this to be anonymous)

      Not only will the rate of return be high, but if folks are smart they'll use their credit card's guaranteed return policy - then, not only will Amazon (or a store you visit and return an item to in 3D) lose your business, they'll have to pay fairly large penalty fees and risk their relationship with the card issuer.

    3. Re:I heard of Sting by rosewood · · Score: 4, Interesting

      I dont think it really matters. The radio station I work at gets the CDs weeks (if not months) before the release date. We also receive a single of what we are forced to play, of course. The CDs we normally get (with some exceptions) are not the same you buy in the store. The ones we get to give away are, but not the first sample we get in. Since we may need to copy all of the tracks for an album show (every saturday at 1am we play through a new cd) to our system, if it was copy-protected, we couldn't do dick with it. That also means that I get a copy for myself, and then soon so does the world.

    4. Re:I heard of Sting by Anonymous Coward · · Score: 0

      guess we'll just have to switch to using mp3s when we want to listen to music on our computer. I know someone who's only cd-player is their cdrom. This could push anyone into pirating mp3s over the internet.

    5. Re:I heard of Sting by Anonymous Coward · · Score: 0

      Dude, are you that stupid, or are you just pretending to be?

    6. Re:I heard of Sting by Anonymous Coward · · Score: 0

      i'm not sure i'd call them "driver" bugs. some of the cds don't work in commercial DVD players and the cds will screw up the drives before the OS has even had a chance to do anything with it. i tried one on a specific version firmware (if you want to count firmware as drivers then yes) and it would lock up the drive in a way that the drive had to be set before any audio cd could actually produce output. it happened in multiple OS so is more a specific problem with the drives and firmware.

  3. CD rips by Anarchos · · Score: 3, Interesting

    The System of a Down cd ripped fine for me, although I have Jimmy Eat World: Bleed American and I can't rip it. Musicmatch Jukebox gives an error of "buffer too large, switch to analog mode" when using DAE and in analog mode it just crashes.

    --

    "A good conspiracy is an unprovable one." -Conspiracy Theory
    1. Re:CD rips by Anonymous Coward · · Score: 1, Interesting
      There are two versions of the System of a Down disc. There's a full-color cover version and a 'Limited-Edition' red cover version .

      I have the red cover version. I just ripped it with cdparanoia on a panasonic CW-7502. It sounds fine.

    2. Re:CD rips by Anarchos · · Score: 1

      Ah good call, I have the red cover version too.

      --

      "A good conspiracy is an unprovable one." -Conspiracy Theory
    3. Re:CD rips by mindriot · · Score: 1

      Jimmy Eat World? Absolutely no trouble with that one. cdda2wav worked perfectly on my TEAC CD-R58S.

    4. Re:CD rips by ibpooks · · Score: 1

      My System of a Down CD also ripped flawlessly on my Creative PC-DVD drive.

    5. Re:CD rips by EvlPenguin · · Score: 3, Insightful

      System of a Down worked fine for me too.

      Somehow, a SoaD CD with copy protection just seems a little oxymoronic. "They're trying to build a prison for you and me....."

      --

      --
      #nohup cat /dev/dsp > /dev/hda & killall -9 getty
    6. Re:CD rips by grepMeister · · Score: 1

      I don't have the case to see any details, but I burned (canadian) Jimmy Eat World/Bleed American without a hitch using cdparanoia on an LG (goldstar) CED-8120B. HTH...

    7. Re:CD rips by Evangelion · · Score: 1


      Strange Little Girls worked beautifully for me, using grip. Didn't even notice.

    8. Re:CD rips by Anonymous Coward · · Score: 0

      Non limited goldish cover burned and ripped fine. TDK 12/10/32 CDRW with nero and cdex respectively.

    9. Re:CD rips by SuSEMann · · Score: 1

      Both Crazy Town and DC Talk's CDs ripped fine (of course my copy of Supernatural was one of the first ones out a few years ago, maybe the new ones are rip "proof").

    10. Re:CD rips by FatChuck · · Score: 1
      Hi Anarchos,
      If you have a moment, please drop by the site or send me an e-mail concerning your Jimmy Eat World album and I'll let the other 15,000 visitors a day (and rising) to my site know about your experience. You can mail me at corruptcds@fatchucks.com or stop by http://www.fatchucks.com/corruptcds .

      Take care,
      Chuck

    11. Re:CD rips by deaddrunk · · Score: 1

      I bought the Crazy Town CD in Australia a few weeks ago and am now quite happily listening to it on my PC.

      --
      Does a Christian soccer team even need a goalkeeper?
    12. Re:CD rips by nil_null · · Score: 1

      I'm very surprised to see System of a Down/Toxicity on the list. I was planning to buy it after hearing some mp3s of it (which I found before the album was out). But if works, I'll still get it. This kind of copy-protection is just going to hurt sales and I'm wondering if the bands have any say in it.

  4. Interesting article by Burritos · · Score: 4, Interesting
    Here is an interesting article about Copy Protected CDs..

    I remember reading somewhere that there was a copy protected cd released, that you could play on your computer, it had propeitary software and 128 kbps mp3s.

    1. Re:Interesting article by Anonymous Coward · · Score: 0

      There was a /. article about that, I believe it was WMA files though, not MP3s.

    2. Re:Interesting article by InShadows · · Score: 2, Interesting

      It might have been this article on theregister about Natlie Imbruglia's cd.

      The cd contains a Windows only application that will allow the user to listen to all the songs on their computer in an mp3 format without them able to rip the cd. Therefore computers with anything but Windows will not be able to run the program.

      How's that for being able to choose the medium you wish to listen to music?

      InShadows

    3. Re:Interesting article by Anonymous Coward · · Score: 0

      My work is kinda related to CD/MP3 and players.
      I saw a couple of chineese discs with the same trick. They have an illegal ISO filesystem:
      While the root directory structure doesn't have
      any of the many directories there are on the disc,
      additional search table has them. Thus, only their software is able to find the MP3/WMA/whatever files.

  5. Unbreakable copy protection! by tonyc.com · · Score: 5, Funny

    I got a CD the other day with the only truly unbreakable copy protection I've seen. They did it by leaving out the metal layer and, apparrently, the pits which seem so easily copyable. The result is a disc which is almost completely transparent.

    Sadly, the disc is unplayable on any of my equipment. Perhaps the publisher anticipated that kind of problem, and that's why they didn't label it, and included it for free on the top of a spindle of CD-R's I bought.

    Hopefully, someday all copy-protected CD's will be distributed that way.

    1. Re:Unbreakable copy protection! by Anonymous Coward · · Score: 0

      h4r h4r h4r :-)

    2. Re:Unbreakable copy protection! by NMerriam · · Score: 1, Offtopic

      Seriously, though -- how many of us have had to show up and "fix" a CD-R drive because the user put in that stupid plastic disc?

      I'm beginning to think they should label it with "this is not a blank CD -- it is a useless piece of plastic. Just throw it away" (like the books that have "this page intentionally left blank")...

      --
      Recursive: Adj. See Recursive.
    3. Re:Unbreakable copy protection! by neema · · Score: 3, Funny

      ""this page intentionally left blank"

      Isn't it impossible for that to be written on a blank page?

    4. Re:Unbreakable copy protection! by Mike+Schiraldi · · Score: 2

      Actually, i've written a script that will let you copy it.

      #! /bin/sh

      if [ x$1 = x ]; then
      echo usage: $0 \<destination\> &gt&2
      exit 1
      fi

      dd -if=/dev/zero -of=$1

    5. Re:Unbreakable copy protection! by Marcus+Brody · · Score: 4, Funny

      Now if we could only convince the record companies to release Michael Jackson, Natalie Imbruglia & N'Sync on these "transparant" disks, the world would be a much, much better place...

    6. Re:Unbreakable copy protection! by Anonymous Coward · · Score: 0

      It could be on a Post-It stuck to a blank page.

    7. Re:Unbreakable copy protection! by Anonymous Coward · · Score: 0

      You learned DOS batch programming before shell script, didn't you? Someone who learned shell first would have used

      if [ "$1" = "" ]

    8. Re:Unbreakable copy protection! by hconnellan · · Score: 1

      Actually you are sould be using:

      [ $# -ne 1 ] && echo "Usage: $0 " >&2 && exit 1

  6. Civilization III copy-protected? by Helevius · · Score: 1, Interesting
    This doesn't involve music, but it's related. Has anyone successfully made a backup copy of Civilization III?

    What sort of anti-backup protection exists for CD-ROMs? Are corrupted sectors used, as was the case with magentic media?

    Helevius

    1. Re:Civilization III copy-protected? by Anonymous Coward · · Score: 0

      It's Macrovision's SafeDisc2 protection. Just scout around on the web a bit. There's ways to dupe it if you have the right CD-RW drive, or replace the executable with an unprotected version.

    2. Re:Civilization III copy-protected? by X-Dopple · · Score: 1

      There are a number of anti-backup technologies available for the content producers to use. The most common ones, according to gamecopyworld.com, are:

      - SafeDisc
      - SecuROM
      - LaserLock
      - CopyLock

    3. Re:Civilization III copy-protected? by Anonymous Coward · · Score: 0

      And do they work?

      How are they different?

    4. Re:Civilization III copy-protected? by Anonymous Coward · · Score: 1, Interesting

      There are various copy-protection attempts made to software, but the vast majority of them can by completely bypassed with software like CloneCD. You can read about what specific copy protections exist in this game here, as well as get patches that break cd-rom checks when starting up the game.

      Its funny that we have to resort to these hacks even when we OWN the games.

    5. Re:Civilization III copy-protected? by Anonymous Coward · · Score: 0

      Maybe we should consider the games that are pirated as fines, on behalf of the gaming companies, because they made the life so much harder for ppl that actually buys them?

    6. Re:Civilization III copy-protected? by JM_the_Great · · Score: 1

      Well, I did copy it, but not for backup purposes :)

      --

      --Justin Mitchell
      "2nd Place is a fancy word for losing" --Bender (Futurama)
    7. Re:Civilization III copy-protected? by Baltie · · Score: 1

      Ah, did you like the game? If the interface bugs you, it isn't as bad as it seems. The manual has a few interesting sections on the matter. In fact, both you and Firaxis would be better off if you went and bought the game. :)

  7. sooner or later.. by jeffy124 · · Score: 1, Funny

    sooner o^&%$r later )(^the p@#$%rogrammer@$#%s of the w#$%#$orld wi@$#%ll find@#$% a wa%^&@#y past (*&^:the ju"%@#$nk data~!$ in tho>umans %*^%will fin":?+d our w#@%!%^ay throug_){"h this (fi%$#rst?) po#$st

    --
    The One Rule Of Chess You'll Ever Need: Don't play someone who carries a kit in their bookbag.
    1. Re:sooner or later.. by jeffy124 · · Score: 5, Funny

      ah shit, that worked well. I put in some angle brackets that got misinterpreted as html

      what I meant to say was:
      sooner o^&%$r later )(^the p@#$%rogrammer@$#%s of the w#$%#$orld wi@$#%ll find@#$% a wa%^&@#y past (*&^:the ju"%@#$nk data~!$ in thos^$@e CD's, mu}_(ch how hu:_^mans %*%will fin":?+d our w#@%!%^ay throug_){"h this (fi%$#rst?) po#$st

      --
      The One Rule Of Chess You'll Ever Need: Don't play someone who carries a kit in their bookbag.
    2. Re:sooner or later.. by CTho9305 · · Score: 1

      sorry you got modded down - I think that is funny / insightful.

      If you can get a raw read of the CD, you can always use software to pull out the valid stuff. The easy way to read your post would be a simple perl script to strip all non-[A-Z][a-z] chars ;)

    3. Re:sooner or later.. by ascii-kekkonen · · Score: 0

      Man, at first glance I thought that was some short Perl script!

    4. Re:sooner or later.. by Anonymous Coward · · Score: 0

      Here's a translation for stupid humans unable to seperate the wheat from the chaff.

      -----
      what I meant to say was:
      sooner or later the programmers of the world will find a way past the junk data in those CD's, much how humans will find our way through this first post

    5. Re:sooner or later.. by 0vi_king · · Score: 0

      Man....

      It's ALREADY been ripped!

      These damn h4x0rs!!

      --
      - Life is what keeps you occupied while you are waiting to die
    6. Re:sooner or later.. by Anonymous Coward · · Score: 0
      Viva La Resistance!!!

      lamefilter::avoidance

    7. Re:sooner or later.. by jstockdale · · Score: 1

      yeah on that note, correct me if i'm wrong, but i think i already know a perfect way around this new 'corrupt' cd problem. all that need be accessed for a digital rip of the original bitstream is a digital stream of the music after a non-cdrom device has processed it. now alot of the newer devices don't give u access to the digital links but interestingly my 10 year old technics system (which definitely doesn not use cdrom technology) has a nice little optical out of the cd to the dsp unit, which could just as easily be plugged into a dat tape unit. so basically the riaa has made it 20% harder for me to rip a cd, and forced me to invest another $200 that i would have had as descretionary income to buy stuff, very possibly cds i like. and simutaneously, they managed to alienate thousands of people that use newer cd players ... haha ... i love their 'logic'
      i'm still waiting for the mpaa to catch on to the riaa's reasoning ... i just can't wait to pay 7 bucks to stare at a black screen in silence for 2 hours :)

      --
      **AA: a bunch of mindless jerks who'll be the first against the wall when the revolution comes
  8. A new era of copyright protection: by ajuda · · Score: 1, Funny

    In a brilliant new move by a consortium backed by Sony and Microsoft, companies are now beginning to use copy protection that prevents the playing of the CDs in any device whatsoever.

    The companies are convinced that this move will keep sales up while thwarting evil hackers.

  9. How does that help? by hatchet · · Score: 5, Funny

    The funniest thing is, that most cds are being ripped months before offical release... probably from a source that does not have such protection. And I bet all those albums on protected list are already ripped and availbile on internet.
    As far as i'm concerned... such protection just lowers overall quality of CD.

    1. Re:How does that help? by Marcus+Brody · · Score: 1

      I think your right. It is probably journalist pre-release review copies which make it out there. I have recently got hold of a number of albums before release, without much hassle at all (Aphex twin, radiohead, pulp...).
      Therefore the record companies would probably be more wise to somehow digitally fingerprint each cd handed out to journo's, so they could then figure out which journalists were loading it up on kazaa or whatever.

  10. Stop using the phrase Copy Protection... by Kiro · · Score: 5, Insightful

    I would like to request that people stop using the phrase "copy protection" and instead use the term "copy prevention"

    This has a number of advantages:
    - copy protection implies that copying is bad (which it is not)

    - copy prevention implies that the music industry is preventing me from making a legitimate copy. (which it is)

    - copy prevention (somewhat) signifies that it is futile to prevent people to make copies. They can try and they might stop 90% of the people but it just takes 1 person to get this on MP3 and upload it to the net for the cat to be out of the bag

    .

    1. Re:Stop using the phrase Copy Protection... by Dr.+Awktagon · · Score: 4, Insightful

      Amen, amen to that, try also "copy interference". Because they're not preventing any copying, they just make you do it differently.

      Or heck just "intentionally damaged" or whatever, anything to get away from their terminology.

    2. Re:Stop using the phrase Copy Protection... by Anonymous Coward · · Score: 0

      The phrase Copy Protection has probably been around longer than you have. It fits the situation, so why change it?

      The changes made to the disc help "protect" it from unauthorized copies, much like a safe protects your valuables.

    3. Re:Stop using the phrase Copy Protection... by Webmonger · · Score: 4, Insightful

      I think better terms are "copy control" or "usage restriction". The point is that they want to control how you use what you buy.

    4. Re:Stop using the phrase Copy Protection... by Mike+Schiraldi · · Score: 1

      Actually, i think you should call it "GNU/copy prevention".

    5. Re:Stop using the phrase Copy Protection... by ichimunki · · Score: 2, Interesting

      I don't like the idea of leaving the word "copy" in there. The public is already used to hearing that word in the context of "piracy" and "theft". Why don't we call it what it is, "fucking up the CD to prevent ethical reuse?".

      RIAA, you can kiss my behind, I have started my boycott of your CDs. Total loss so far? $20. Since I have purchased, on average, 75-100 musical releases a year for the past several years, consider your potential annual "loss" to be anywhere from $1000-$2000. To the artists: this also means I won't be going to your shows, since I probably won't have heard your latest album enough to care.

      --
      I do not have a signature
    6. Re:Stop using the phrase Copy Protection... by Anonymous Coward · · Score: 1, Insightful

      Although so many in the Slashdot crowd love to make fun of RMS for his use of better terminology, (and yet simultaneously you use GNU software and the GNU GPL), GNU has you beat here. Check out these words to avoid and you'll find some nicely worded reasons to avoid propaganda terminology like "copy protection".

    7. Re:Stop using the phrase Copy Protection... by Your+Anus · · Score: 0

      No no no! You must call it GNU/Copy Prevention.

      Thank you. Please drive through.

      --

      In the USA, we like stuff watered down, like beer, television, and freedom.
    8. Re:Stop using the phrase Copy Protection... by Anonymous Coward · · Score: 0

      Are the copy prevention methods GPL'ed? No, therefore its M$/copy prevention

    9. Re:Stop using the phrase Copy Protection... by Anonymous Coward · · Score: 0

      Hey Mr. Pedant,

      You're fighting a losing battle. Hacker means cracker. Get over it, the same way you recovered from the millennium switch actually happening in 2001, when no-one gave a fuck any longer.

    10. Re:Stop using the phrase Copy Protection... by Anonymous Coward · · Score: 0

      Except, it's not really Copy Protection, because it doesn't protect against people with access to CD stamping plants, the people who actually make money from pirating music...

    11. Re:Stop using the phrase Copy Protection... by fawlty · · Score: 0

      If I remember correctly, "copy protection" was a feature on floppy disks and video tapes so you couldn't write over your precious data. So, in that sense, all of my CD's are already "copy protected". And I'm glad about it.

      "copy interference" on the other hand... ;)

  11. Hooray for classical by Faust7 · · Score: 1

    Good thing my musical tastes are almost entirely classical--I hardly saw any on that list. Brahms forever! :)

  12. Another one to the list by Cheesy_Poof_Man · · Score: 2, Interesting

    I can't get Bush's new cd "Golden State" to play in Winamp. It only works when i press play on my cd-rom drive. Hum, wierd.

    1. Re:Another one to the list by TomK32 · · Score: 1

      I doubt that Golden State is cdopy-protected, why should I allready found it in the net?

      I love Audiogalaxy!

      --
      -- just a geek - trying to change the world
    2. Re:Another one to the list by Pakaran2 · · Score: 1

      Yeah... I think a good start would be getting the latest version of WinAmp, and I doubt even the RIAA would be STUPID enough to use a protection strategy that only blocks playing in WinAmp, not other programs or whatever.

    3. Re:Another one to the list by TomK32 · · Score: 0, Troll

      WinAMP?
      never heard of, hell that's /. and you should be a *nix-User!

      --
      -- just a geek - trying to change the world
    4. Re:Another one to the list by Anonymous Coward · · Score: 0

      You know, there is Winamp for Linux too.

    5. Re:Another one to the list by DeadMeat+(TM) · · Score: 4, Informative
      That's because Golden State is an Enhanced CD. Normally Windows shows audio tracks as .CDA files; Winamp registers itself to open these files. Since Enhanced CDs have actual data files in addition to audio tracks, the .CDA virtual files don't show up, and so you can't tell Winamp to open them. It's a problem with Winamp and all Enhanced CDs. Most CD players get around this by not relying on the .CDA filetype and instead reading the table-of-contents directly from the start of the disc, but Winamp unfortunately doesn't. If you manually start the Windows CD player (*shudder*) it should play fine; try it.

      Copy-protection shouldn't affect Winamp anyhow since it only affects digital playback, and Winamp uses analog playback (unless you swap out the CD player plugin with one that uses digital ripping).

    6. Re:Another one to the list by mini+me · · Score: 2, Informative

      In Winamp, in the CD properties, uncheck the "Sample input from soundcard". This feature on some sound cards makes the CD not play any sound.

      Since the CD will play in CD drive it likely isn't protected.

    7. Re:Another one to the list by ibpooks · · Score: 1

      Believe it or not, there is a Linux version of WinAMP. It's version 3.0 alpha on the download page at WinAMP.

    8. Re:Another one to the list by yawble · · Score: 3, Informative

      You can usually get around this by going into the Winamp "Options" by clicking in the top left, and going to Play: then "Audio CD $CDROM" where $CDROM is the correct drive letter. This lets me play 99% of the Enhanced cds i have.

  13. running list by characterZer0 · · Score: 0, Redundant

    Is there a running list of 'protected' CDs someplace? Someone should just get protectedcds.com, keep a text list, and throw a banner ad at the top. Then /. could make a slashbox for it, thus eliminating the need for these flame-bait stories.

    --
    Go green: turn off your refrigerator.
    1. Re:running list by jeffy124 · · Score: 2, Insightful
      Take your pick of acronym:
      • FTFL (follow the f____ link)
      • RTFA (read the f____ article)
      --
      The One Rule Of Chess You'll Ever Need: Don't play someone who carries a kit in their bookbag.
  14. get a mac! by Anonymous Coward · · Score: 3, Informative

    They can rip these CDs. They don't use the CD drive's analog playback function. Their drivers were designed to play CDs digitally all the way drom disc to speaker, and are not vulnerable to this copy protection thru intentional corruption scheme.

    Now I wonder how long it'll be until someone sues Apple for making too good a CD player. Or forces them to downgrade their drivers.

    1. Re:get a mac! by Incongruity · · Score: 4, Informative

      This might be one of those times where being a smaller fish in the big computing pond will actually help...apparently the AC who posted the previous comment is right, Macintosh and Linux machines are in fact immune to these problems. Follow this link, read more, and love your non-MS OS.

    2. Re:get a mac! by Anonymous Coward · · Score: 0

      That's not really a Mac-only thing since Apple likely doesn't manufacture those drives. Chances are that Apple didn't make the drive in the first place.

      Most atapi drives be it for PCs or for consumer electronics allow 2 modes of audio playback. One using the analog/digital output and one being ripping in which a certain amount of subcodes can also be ripped and partially error-corrected in software. This is entirely up to the individual drive manufacturer and thus some drives will fall vulnerable to these problems and some won't.

      Not all PC drives are vulnerable to the forms of copyright and with any decently written software it's easily rippable. The catch is that some of these discs suffer slighly because they rely on error correction and interpolation to reproduce the sound. If in fact the entire thing were "entirely" digital, you'd likely hear pops and clicks because the software isn't making up for frames that appear to be bad as a normal cd player would (and according to the Red Book Audio standard). Good firmware from a decent manufacturer (likely a CDRW drive) is the key to playing in a PC.

  15. This doesn't look like a troll to me... by Anonymous Coward · · Score: 0

    I think this makes a good point! Lately, companies have been preventing users from doing things by preventing fair use: DVDs, E-Books and CDs. This is the future, face it.

  16. Music industry wants to have its cake and eat it. by Anton+Anatopopov · · Score: 2, Redundant
    They want to sell you a 'license' to listen to the music, but then when you try and make a legitimate copy to protect your investment, they get all legalistic and accuse you of a crime.

    The music industry needs to take a look at its model of doing business. The current model is fundamentally flawed.

  17. funny thing is... by Johnny5000 · · Score: 1

    I've seen mp3s of some of these "copy protected" songs floating around Kazaa.

    So apparantly it's not stopping anyone.

    -J5K

    --
    The libertarian solution to the failures of capitalism is to apply more capitalism til the failures are fixed.
    1. Re:funny thing is... by Anonymous Coward · · Score: 0

      Oh, Kazaa. That's the proggy with 6% of the files shared are viruses due to crappy filtering...

    2. Re:funny thing is... by Anonymous Coward · · Score: 0

      Yeah. I found all of "Toxicity" by System of a Down floating around in P2P land. And the system worked. I downloaded the tunes, I listened, they sucked, they got deleted. Band doesn't get a piece of my entertainment dollar. Tough nuts.

      Cheers,

      JHVH

      `The shapes of things are dumb.'
      -L. Wittgenstein

  18. Re:what is wrong with copy protection? by Anonymous Coward · · Score: 0

    You like Micro$oft's activation as well don't you?

  19. CloneCD? by Anonymous Coward · · Score: 0

    Many of the CDs on that list can be copied with CloneCD with most of the newer burners. Only some burners, however, can clone a SafeDisc2 CD.

    1. Re:CloneCD? by funky+womble · · Score: 1
      They're probably much more concerned about file-sharing than copying. Copies are automatically limited to some extent by media costs.

      If only the dumb media companies would realise that mp3 is good advertising, and just slightly increase the value of the CD as a whole -- spend time on producing interesting packaging (take a look at The G-Stone Book compilation for example, and while you're at it if you like Kruder+Dorfmeister etc buy a copy too because it's damn good ;), or include a mail-back card for a free poster or something, plenty of people would be quite willing to pay rather than copy...

  20. Yeah, I have that one too by Anonymous Coward · · Score: 0

    I own at least one CD on that list and it ripped just fine...

    Yeah, N'Sync: Celebrity (USA, BMG/RCA) right?
    I have that one too! I ripped it fine, and played it at my friends brithday party! Great stuff! Gotta love track 7!

    -N'Sync Fan Boy

  21. What about digital out? by rant-mode-on · · Score: 1

    Presumably the digital out on my CD player is unaffected? If I have a digital in on my PC, could I rip all CDs then?

    1. Re:What about digital out? by tempfile · · Score: 2, Interesting

      Yes, unless you got a CD player that sets a copy protection bit in the stream and a sound card that won't record if that bit is set.

    2. Re:What about digital out? by Anonymous Coward · · Score: 3, Informative

      That's just the problem. Your digital out IS affected. I personally own one of the CDs on that list, and when you play it and for example let a Minidisc unit record it through a digital out, it totally fails. Every single bit missing is interpreted as a stream interruption and causes a track mark, thereby flooding the disc with 254 tracks in the first few minutes.

      Now this may seem MD-only, but the fact remains that these are errors deliberatly put on that disc, and nothing less, which are propagated through a digital out as well, thereby providing you with what is, in essence, a faulty low-quality product.

      The hilarious part is that the solution to the MD problem is ripping the track to your computer using cdparanoia (works fine) or a similar ripper, and play back the WAVs through a digital out on your soundcard. Resulting in uninterrupted WAV data (the ripper fills in the blanks) which can be played back perfectly. In essence, in order to make a perfectly legal recording on MD for yourself, they are in fact forcing you to rip it to your computer, which is what I s'pose they are trying to prevent.

      Another thing that bothers me is that when I put that particular disc in a drive on a Win box, it fires up a proprietary binary cd player which plays back the disc. I do suspect it doesn't play back the data but some highly-compressed version of the music stored in a relatively large data file on the data part of the disc (haven't checked the quality, was too pissed at that moment). So they are also forcing you to use Windows if you want to hear it play. Forget Macs, forget other OSes.

      And for those interested, the disc in question (Natalie Imbruglia's White Lilies Island) was proteced with the Cactus Data Shield 200, which is noted in small print on the booklet.

  22. Re:what is wrong with copy protection? by Anonymous Coward · · Score: 0
    yea, but if a company makes it hard or near imposssible to copy it, there's nothing illegal or wrong with that.

    How come nobody makes a big deal about the copy protection almost every big computer game?

  23. How to copy a MediaCloq protected CD by unformed · · Score: 5, Interesting

    [This is directly copied from: http://cdprot.cjb.net/ ... I'm copying it here so it doesn't get /.'ed]

    Let me start off by saying that I don't even know for sure if the protection I am talking about is indeed MediaCloQ(TM)....... The symptoms look like it, but I read that MediaCloQ(TM) protected CD's would transfer you to the MediaCloQ(TM) website automatically (as soon as you insert the CD into a CD-ROM drive) where you can download music files.

    I recently wanted to make a personal backup of my own CD called "The Loveparade Compilation 2001". CD2 copied fine, but CD1 could not be read by any CD-ROM player or CD burner. It would however play in any normal audio CD player. Now as a decent reverser you must understand my frustration ;-) A friend tried copying this CD with a custom audio CD copier (Philips CDR 765) which actually worked. But if you haven't patched yours to be able to write low-cost non-copyrighted CD-R's with it this is quite expensive. This copy will be able to be grabbed on a normal way.

    So, next evenings I spend trying to understand what was going on here. I found out that after insertion the laser first goes to the center of the CD (the TOC or Table Of Contents where the index of the CD is stored). After this the laser went to somewhere on the outer side of the disc and started to try to read there. This is where the reader would never stop doing this and some players will hang forever in this phase.....

    So what idea could be easier than to prevent the reader from reading this outer part? I made 3 paper stickers of about 25 x 20 mm and placed them on the outer side of the CD. Now the reader would read the inner TOC, then go to the outside again and after not being able to read anything there because of the stickers, the reader would be 'smart' enough to decide to stick with the inner TOC, go back to the center and read this TOC as the one and only TOC :-)

    I am certainly not an expert on CD readers but I think this is what is going on here. If anyone has better ideas, let me know. This protected CD has a so called Multi Session TOC. This is the same when you burn a CD-R and set it to MODE2 / Multi Session when you burn an empty CD-R for the first time. After this a MODE2 CD-R can have multi sessions appended afterwards. For every new session a new TOC is written (with the old data about the files already on the CD-R included). My theory is that this protected CD has also a MODE2 / Multi Session TOC which makes a CD-ROM player and burner decide to search for the latest TOC from the outside to the inner side. With the placed stickers it will not be able to and most CD-ROM players will decide to stick with the center TOC.

    So now the CD-ROM player will read the CD but unfortunately it will not be able to read the last tracks because my stickers are placed there. So now a second trick is needed. I used a paperclip to push into the little hole on the front of my CD-ROM player to open the door manually. The reader has no idea at all I was doing this so it came out spinning :-) Then I removed the stickers and pushed the CD back in. The last part I had to push a bit harder to make sure the CD would be totally inserted and fit on the spindle again.

    Guess what? I could now play and grab all tracks as I would do with any non-protected CD! I must say that on one CD-ROM player (TEAC) I had to skip the first block (or 0.01 seconds) in Easy CD-DA Extractor for the first track only (still have no clue why). My Plextor 16/10/40A burner and another CD-ROM player had no problem with this first track.

    I did try to move the stickers to the outside of the CD until my audio CD player would just be able to play the last track until the last second but the CD-ROM player would not read it anymore. In fact, I would have to move the stickers a whole lot more to the center of the CD before it would be able to read it again. It might be possible that there is no TOC at all on the outside; the inner TOC just points to some music track which will of course not be understood by the CD-ROM player as a valid MODE2 TOC...... The reason why this CD does not automatically transfer you to the MediaCloQ(TM) website like a MediaCloQ(TM) protected CD would do could be that the protection I discuss here isn't MediaCloQ(TM) at all. But it could also be due to the fact that this CD was almost full and that there was simply no space left for a real TOC and a valid data section where an autorun.inf file could be stored which transfers you to their website.

    Now to summarize this little trick:

    Place 3 (or maybe more on better CD-ROM players / burners) non-transparent stickers of about 25 x 20 mm on the outside of your CD along the edge. Make sure that they wont stick outside of the CD and press them well, otherwise your CD-ROM player will start making funny noises ;-)

    Insert the CD into your CD-ROM player and see if the CD-ROM player accepts it (you can see the tracks in your Explorer). If not you can try to move the stickers a bit to the center or place more stickers. Note that my laptop CD-ROM player and one burner I've seen would not be able to read it at all so no guarantees are given here......

    Now we have to wait until we are sure that the CD is not spinning anymore. After the CD-ROM player accepted the CD it can still be spinning for a few minutes (my TEAC stopped after more than 3 minutes). I guess to be sure, wait about 5 minutes. If you are impatient here you risk to eject it while it is still spinning and this could damage your CD and who knows the laser of your CD-ROM player, so be warned!

    Now using a fine screw driver or a paper clip push into the little hole in the door of your CD-ROM player. The trays of some CD-ROM players can be opened totally without the CD-ROM player noticing but I saw one that would re-read the CD after closing the tray again so I would have to open it until halfway, until I was just able to get the CD out. Push your paper clip into the hole until the tray opens. Then pull it out manually (be careful and do it slowly!).

    Now remove the CD, remove the stickers and place it back.

    Now push the tray to close it again. Do it carefully. At the end you have to push a little faster to make sure the CD will be inserted entirely. If not, take it out again and try again.

    Now you can play it and grab it like you would normally do :-) If the first track will play but not grab skip the first 0.01 seconds or the first block. I use Easy CD-DA Extractor which offers this option (at the bottom of the extract window).

    Enjoy and be happy !

    1. Re:How to copy a MediaCloq protected CD by FredGray · · Score: 5, Funny

      Congratulations: sticker stock and paperclips
      just became "circumvention devices" under the
      Digital Millenium Copyright Act. Expect the
      management of your local Office Depot to be hauled in by the FBI next week....

    2. Re:How to copy a MediaCloq protected CD by Lumpy · · Score: 3, Insightful

      I'm probably going to be marked troll for this but it is an idea that might work and solve this nonsense.

      It is imperative now to rip and place on the internet EVERY track from EVERY protected CD. I dont care if it's crapola music, it has to be done. The only statment that these morons that run the record companies can understand is a marketing trick (and that is all that this is) is a miserable and complete failure.

      The ripping ratio of these "protected" CD's must massively exceed that of normal CD's. It needs to get the attention of major media, and needs to make the idea of audio CD protection look like a really really stupid idea to the general brain dead american. (97.6% of the population)

      --
      Do not look at laser with remaining good eye.
    3. Re:How to copy a MediaCloq protected CD by GISboy · · Score: 2, Funny

      ... paperclips just became "circumvention devices"...

      Does this mean that that we can finally get rid of "Clippy" and end the Microsoft trial for good?

      --
      If it is not on fire, it is a software problem.
    4. Re:How to copy a MediaCloq protected CD by Sentry21 · · Score: 2

      So what you suggest is that to allow us to excercise our 'fair use' rights, we should break the law on a massive scale as yet unseen by this generation, and illegally share this music with everyone?

      Look, I agree that we should be able to fairly use music we pay for, but putting music on the internet IS illegal, by any stretch of the law, DCMA or no.

      What you suggest is akin to bars having rules against shouting (because that often leads to fighting), and fighting that by starting brawls in every bar that has that kind of rule.

      What you suggest will not show 'this is stupid', it will show 'this is necessary'. Think about things beforehand. You cannot fight a stupid law by breaking a good one.

      --Dan

    5. Re:How to copy a MediaCloq protected CD by commodoresloat · · Score: 1
      sticker stock and paperclips
      just became "circumvention devices"


      Does that mean we can turn in Microsoft's paperclip?

    6. Re:How to copy a MediaCloq protected CD by wakebrdr · · Score: 2, Interesting

      Right, and those crazy blokes who threw all that tea into Boston Harbor were way out of line as well!!!

      --
      Slashdot: Liberal News for Nerds. Liberal Stuff that Matters.
    7. Re:How to copy a MediaCloq protected CD by Anonymous Coward · · Score: 0

      Dose this mean we can get rid of the M$ paperclip? HAR HAR HAR!!

    8. Re:How to copy a MediaCloq protected CD by Sentry21 · · Score: 2

      Right, and those crazy blokes who threw all that tea into Boston Harbor were way out of line as well!!!

      Someone dumps my tea into the harbour, I'd kick their ass personally, but that's just me.

      As for your tea party, I do think it's incredibly silly, but that's just me.

      You yankees have the oddest ways of rebelling against your governments. Didn't seem to do very well the first time, better luck on the second run. =;>

      --Dan

    9. Re:How to copy a MediaCloq protected CD by Lumpy · · Score: 2

      Well then what do you prepose be done to make protected CD's and the record companies look foolish or downright stupid? Something needs to be done that is basically a nationwide full-on smear campain. Something that makes CEO's scared to go to that shareholders meeting, scared to take any calls from those that can fire him/her.

      Public embarassment is the only solution to this. and the only solution I can see so far is what I suggested, Yes it's wrong, yes it's not the best idea, but we need to start thinking of solutions like this.

      WE need to attack the CEO's directly, smear the name of the companies hard, They need to be labeled as un-american (espically in today's "patriotic atmosphere") and an enemy of what the "american freedom" stands for.

      I know this is a bit silly, but the average american is blindly waving the flag in a patriotic way, if we take advantage of that and label these record companies and CEO's directly as as anti-american as our current enemy it might get som attention..

      Yes it's using the propaganda machinre, but if we dont use their weapons in this war then we will all become casualties.

      so anyone have any better ideas?

      --
      Do not look at laser with remaining good eye.
    10. Re:How to copy a MediaCloq protected CD by Sentry21 · · Score: 2

      You believe that this is a violation of your rights. I believe that it's a violation of copyright law, or at least, a violation of the principles behind copyright law, which are fair and just principles.

      What you need to do is challenge this in court. Get rid of the DCMA, and the problem is over. Treat the disease, not the symptoms.

      The problem is not CDs that can't be played/copied properly, the problem is laws that remove people's fair use rights, and the result is CDs that can't be played/copied properly.

      Yes it's using the propaganda machinre, but if we dont use their weapons in this war then we will all become casualties.

      That's not true. You don't fight fire with fire, you fight fire with water. You don't right injustice with injustice, or terror with terror, or lies with lies. You fight injustice with justice, terror with reassurance, and lies with truth.

      --Dan

    11. Re:How to copy a MediaCloq protected CD by Lumpy · · Score: 2

      So how exactly do we level thie playingfield then? you suggest fight it in courts, How? when the RIAA can come in with thousands of lawyers and grease the judicial system while the grass-roots citizens cannot compete with money or resources?

      the DCMA is a purchased law, nobody in their right mind can honestly say that it is for the protection of the United States Citizens. Noone can say that it is a law that helps all the US citizens... the way it was lobbied and passed is a great example that it was purchased, just like most laws are purchased. Nothing has been passed in the past 20 years that is in the best interests of the people. So how do you fight a corrupt law on the corrupt playground? It's not possible without generating public outcry or tarnishing an opponent (tarnishing them with the truth is great, but using creative marketing as they do is fair game.)

      The "proper" way is not working.. and it will never work. Until you get a think tank and thousands of lawyers to eork for it pro-bono you cant play by their rules.

      --
      Do not look at laser with remaining good eye.
    12. Re:How to copy a MediaCloq protected CD by Sentry21 · · Score: 1

      Alright, let's take it one step further.

      The problem of a corrupt playground is almost directly (as I understand your ailing and failing political system) a result of politicians not having any limits or regulations on campaign contributions, and things like that.

      How does one solve this problem? I don't know. It seems like the government is decending into anarchy, with corporations controlling the country more and more. Solution? Fix the government.

      It seems ironic - not to gloat, but for a country whose government was designed to protect the people from the government, that doesn't seem to be happening. I suppose in such a pure example of capitalism, what the people need is protection from corporations.

      Either way, best of luck in your country's struggle.

      --Dan

  24. one more thing to do by Dr.+Awktagon · · Score: 2, Informative

    That page offers a list of things you can do, like not supporting the labels or buying and returning the CDs, etc. If you're the amoral type, here's something else you can do with a "factory-damaged" CD:

    Rip the CD, analog style or with a Mac or whatever, and put some or all of the tracks on your web site. Blatantly label them and submit the page to search engines. Put a note there saying something like "these tracks came from a copy-prevention enabled CD, so if you see any MP3's here, you're imagining things!"

    Then when the lawyerbots come by, take it down, and reply to them apologizing profusely and saying how important you think copyright is and all that jazz. I think if the labels see all these tracks traded on the internet exactly the same as all the other CDs, they'll start knocking on the door of the CD-protection company asking, what the hell did we just pay you 50million$ for??

    Of course, I prefer just avoiding the labels and their music completely. Here's my rule of thumb: if you think you could send an email to both the head of the label and the artist, and get a personal reply within a few days, that CD is probably not going to be crippled. In fact after getting the CD be sure to email both with your compliments. And some of the bigger indie labels have also taken a anti-anti-copying stand too, like Projekt.

    1. Re:one more thing to do by MAXOMENOS · · Score: 3, Informative

      Then when the lawyerbots come by, take it down, and reply to them apologizing profusely and saying how important you think copyright is and all that jazz. I think if the labels see all these tracks traded on the internet exactly the same as all the other CDs, they'll start knocking on the door of the CD-protection company asking, what the hell did we just pay you 50million$ for??

      More likely, the lawyerbots will work as hard as they can to prevent the sale of "circumvention devices" such as software that can circumvent copy protetion. Look for them to go after open source projects such as cdparanoia in the near future.

    2. Re:one more thing to do by uchian · · Score: 5, Insightful

      Hmmm....

      Household CD Player +
      pair of phono to quarter inch jack +
      Decent soundcard +
      Computer +
      WAV Recorder +
      WAV -> MP3 converter

      = circumvention device.

      How about :

      Radio + Cassette tape + a bit of patience = circumvention device.

      How about :

      Sky Satellite dish + Digital box + The Box (music channel) + Decent TV Card + computer

      = circumvention device letting you get music videos as a bonus

      Think that the computer is the common denominator? How about:

      Home CD PLayer +
      Phono leads +
      mp3 recorder

      = circumvention device

      Hmm... maybe ban phono -> jack leads?

      finally:

      Home CD player +
      Speakers +
      Microphone +
      Computer +
      WAV Recorder +
      WAV -> MP3 convertor

      So it looks like the only way to get rid of all circumvention devices is, in fact, to ban computers, leads, speakers, microphones, mp3's, wavs, and, just to be on the safe side, let's lock up anyone who happens to hum whilst walking down the street, just in case they are humming copy-protected material.

    3. Re:one more thing to do by Doug+Neal · · Score: 0
      Sky Satellite dish + Digital box + The Box (music channel) + Decent TV Card + computer

      Even better... satellite dish connected to DVB card - lets you record the MPEG2 directly, no analog stage :)
    4. Re:one more thing to do by Anonymous Coward · · Score: 0

      I know you are being a wiseass, but the DMCA defines "circumvention device", and you might want to look it up.

    5. Re:one more thing to do by Anonymous+DWord · · Score: 2

      ...and, just to be on the safe side, let's lock up anyone who happens to hum whilst walking down the street, just in case they are humming copy-protected material.

      I know that's humour and all, but it's actually illegal to drive down the street with your windows open and your stereo playing if people can here it. Likewise, it's also illegal to bring your ghettoblaster into the back yard and play music loud enough that your neighbours can hear it. Copyright law is pretty messed up.

      --
      "If he thinks he can hide and run from the United States and our allies, he's sorely mistaken." Bush on bin Laden
    6. Re:one more thing to do by mashy · · Score: 1

      Even better... satellite dish connected to DVB card - lets you record the MPEG2 directly, no analog stage :)

      There may not be an analog stage at your end, but chances are they don't pipe raw digital output from their CD player into their broadcasting equipment, so I'd bet it's analog for a short bit when they play it.

    7. Re:one more thing to do by Anonymous Coward · · Score: 0

      No, the only thing to do is to require every device capable of circumvention to be crippled in such a manner that it can no longer be used for circumvention - like a recent bill the wonderful music industry tried to push through. They have money - they can write whatever damn law they please. Remember - this isn't the USA, this is the American Capitalist Republic (TM) where only corporations have rights. The USA was sold many years ago.

      Damn, I guess I'm a terrorist now since I said something bad about the goverment.

    8. Re:one more thing to do by dun0s · · Score: 1

      we could just ban music. that appears to be the common denominator here.

    9. Re:one more thing to do by Anonymous Coward · · Score: 0

      You're joking. Please tell me you're joking...

    10. Re:one more thing to do by Anonymous Coward · · Score: 0
      So it looks like the only way to get rid of all circumvention devices is, in fact, to ban computers, leads, speakers, microphones, mp3's, wavs...


      A succint description of the SSSCA.

    11. Re:one more thing to do by Anonymous+DWord · · Score: 1

      Nope. Public Broadcasting, they call it.

      --
      "If he thinks he can hide and run from the United States and our allies, he's sorely mistaken." Bush on bin Laden
  25. Class Action Suit by CMiYC · · Score: 5, Interesting

    So I am starting to wonder. If it hasn't begun to occur already, what has to be done to bring a class action suit to the offending record companies? There are three things I see as a defense on our side.

    1. It seems to me that someone would be able to find equipment that the CDs actually sound worse in.

    2. Prove the lost ability to make a backup copy.

    3. Show how you are suddenly limited to where you can play the $20 cd at.

    Without a warning, I just can't believe its possible for them to do this. However, at the same time, I'm uncertain what law says "this cd must play in all cd players." I understand it isn't our right to play the cd anywhere, but at the same time, it is also our consumer right to know what we are buying can and can not do.

    1. Re:Class Action Suit by garett_spencley · · Score: 5, Insightful

      I understand it isn't our right to play the cd anywhere

      Wha??!!!?? One of the reasons that I am completely against closed source software, cd copy "protection" , and the whole anti-DeCSS thing is because I believe that when I shell out my hard earned cash for something that means that I have the right to do whatever the hell I want with it because IT'S MINE!!!!!!

      That's why whenever I am presented with a EULA I respectfully click "I do not agree". I will not enter into any "user agreement" with any company. If I buy something I reserve the right to do whatever the hell I want with it plain and simple...

      With one minor exception: taking credit for the work.

      I can not copy a book and say I wrote it. That's playgarism and is not fair to the author. But I can give that book to a friend when I'm done reading it because it's mine, I payed for it and I can do whatever I want with it.

      --
      Garett

    2. Re:Class Action Suit by chromatic · · Score: 5, Funny
      I understand it isn't our right to play the cd anywhere.

      Nuts to that. Apologies to Dr. Seuss.

      RIAA guy

      RIAA guy
      Guy RIAA

      That RIAA guy
      That RIAA guy!
      I do not like that RIAA guy.

      Can you play CDs you buy?

      I cannot play them,
      RIAA guy.
      I cannot play CDs I buy.

      Can you play them
      Here or there?

      I cannot play them here or there.
      I cannot play them anywhere.
      I cannot play CDs I buy.
      I cannot play them,
      RIAA guy.

      Can you play them in a house?
      Can you play them with a mouse?

      I cannot play them in a house.
      I cannot play them with a mouse.
      I cannot play them here or there.
      I cannot play them anywhere.
      I cannot play CDs I buy.
      I cannot play them, RIAA guy.

      Can you play them in a box?
      Can you play them with a fox?

      Not in a box.
      Not with a fox.
      Not in a house.
      Not with a mouse.
      I cannot play them here or there.
      I cannot play them anywhere.
      I cannot play CDs I buy.
      I cannot play them, RIAA guy.

      Would you? Could you?
      in a car?
      Rent them! Lease them!
      Here they are.

      I would not, could not,
      in a car.

      You may rent them.
      You will see.
      You may lease them week by week.

      I would not lease them week by week.
      Nor year by year! Please let me be.

      I cannot play them in a box.
      I cannot play them with a fox.
      I cannot play them in a house.
      I cannot play them with a mouse.
      I cannot play them here or there.
      I cannot play them anywhere.
      I cannot play CDs I buy.
      I cannot play them, RIAA guy.

      A train! A train!
      A train! A train!
      Could you, would you on a train?

      Not on a train! Not week by week!
      Not year by year! RIAA! Let me be!
      I should not, could not, in a box.
      I could not, should not, with a fox.
      I cannot play them with a mouse.
      I cannot play them in a house.
      I cannot play them here or there.
      I cannot play them anywhere.
      I cannot play them, RIAA guy.

      Say!
      In the dark?
      Here in the dark!
      Should I keep you in the dark?

      You should not keep me in the dark.

      Would you, could you, in the rain?

      I would not, could not, in the rain.
      Not in the dark. Not on a train,
      Not in a car, Not in a tree.
      I cannot play them, RIAA, you see.
      Not in a house. Not in a box.
      Not with a mouse. Not with a fox.
      I cannot play them here or there.
      I cannot play them anywhere!

      You cannot play CDs you buy?

      I cannot play them, RIAA guy.

      Could you, would you, with a goat?

      I would not, could not with Hilary Rosen!

      Would you, could you, on a boat?

      I could not, would not, on a boat.
      I will not, will not, with that goat.
      I cannot play them in the rain.
      I cannot play them on a train.
      Not in the dark! Not week by week!
      Not in a car! You let me be!
      I cannot play them in a box.
      I cannot play them with a fox. I cannot play them in a house.
      I cannot play them with a mouse.
      I cannot play them here or there.
      I cannot play them ANYWHERE!

      I cannot play CDs I buy!

      I cannot play them, RIAA guy.

      You cannot play them.

      SO you say.
      Rent them! Lease them!
      And you may.
      Pay up and you may I say.
      RIAA!
      If you will let me be,
      I will rip them.
      You will see.

      Say!
      I like CDs I buy!
      I do!! I OWN them, RIAA guy!
      And I would play them in a boat!
      And I would play them despite your goat...
      And I will play them in the rain.
      And in the dark. And on a train.
      And in a car. And in a tree.
      Fair use is good so good you see!

      So I will play them in a box.
      And I will play them with a fox.
      And I will play them in a house.
      And I will play them with a mouse.
      And I will play them here and there.
      Say! I will play them ANYWHERE!

      I do so like CDs I buy!
      Screw you!
      Screw you, RIAA guy!

      (feel free to spread that around... just link back to my website, if you do)

    3. Re:Class Action Suit by wadetemp · · Score: 1

      *Sigh*

      Evidentally everyone on Slashdot makes "hard earned cash" without creating anything they value. A sad state of affairs. I love this quote, and at first I thought you were just joking... but no, you're serious.

      ...I have the right to do whatever the hell I want with it because IT'S MINE!!!!!!

      Did you write the story in that book? Unless you did, that story is NOT yours. No matter how much hard earned cash you paid for the paper container that transports the story, you don't own the words. That's still in the direct ownership of the author. Consider your abilities of transferal of the story within the container a fair use "loan." Fair use is a set of rules added to manage these niggling things like transferal of ownership that are aggreed upon between authors and consumers. So yes, you can give the story to someone else using this container. And no, you can't copy it. And yes, if you are writing a book review, you can use excerpts. These are part of your loan. But the creators of content still own that content, don't forget. In the case of the intellectual property of others, this is NOT true:

      I payed for it and I can do whatever I want with it.

    4. Re:Class Action Suit by IronChef · · Score: 2

      2. Prove the lost ability to make a backup copy.

      But this doesn't matter anymore, right? The DMCA allows the publisher to interfere with this right. That's why it was passed. Their rights trump ours now, that's the whole point of the law.

      The DMCA will need to be attacked directly, and I am not sure how since 'backup copies' may not even be a Constitutional issue. Of course, IANAL.

    5. Re:Class Action Suit by cpt+kangarooski · · Score: 3, Insightful

      While you are correct in that the story is not owned by the posessor of a copy of a work, that's very nearly about all that you're correct about.

      No one owns creative works. Their very nature causes them to be intrinsically unownable. Hence the need for a special set of doctrines and laws collectively known as copyright, when notions of property date back to time immemorable.

      Like a lot of people you're confusing the copyright -- which is an optional, owned, temporary, limited, grant of monopoly to an author by the government if it desires to so make a grant -- and the work -- which is the actual story, or whatnot -- and the fixation -- which is the medium within which a work is carried, and which is ordinary property.

      It's really a bad idea to even imagine for a moment that artists (I'm an artist, btw) are entitled to squat. Copyrights are gifts. They are in fact, very, very conditional gifts, and the practice of giving them really is in order to satisfy interests that don't necessarily coincide with our own at all.

      For example, you mention Fair Use, (but not very accurately -- what's this "loan" B.S.?) but wrongly think that it is an agreement between authors and readers. In fact, it is a condition of the gift imposed by the government. Authors can rant and rail against fair use and be squarely opposed to it all they like -- but they have no say in the matter. (aside from ordinary democratic processes, natch) Copyright is simply limited from the get go, and it is the government, not any private parties, that makes the rules, and even decides whether or not copyright will exist, and if so, whether or not it will exist for certain things. (e.g. go back to ~1950 and discover that software is uncopyrightable; go back to ~1800 and discover that paintings and songs are uncopyrightable)

      Simply buying a copy of a work doesn't necessarily mean that you can do whatever you want with it, provided that it is still copyrighted (public domain works are wide open of course) BUT it is not the author's place to make that decision, unless it was required prior, and as a condition of receiving, the copy of the work.

      (e.g. publishers cannot require that used books be sold for a particular price, or not sold at all, unless that was a condition of getting the books in the first place.)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    6. Re:Class Action Suit by lazytiger · · Score: 2, Interesting

      As I understand it, these CDs potentially won't play on CD-ROM equipment, whether it's in a computer or ultra-expensive stereo gear. Who owns ultra-expensive stereo gear? People with money. People with sufficient amounts of money typically have power. What can people with power do? Influence others - like record company execs. This whole thing seems so stupid. If George Lucas goes home with his new Michael Jackson CD and can't play the damn thing on his $100,000 THX Ultra-certified home theater system, you think he's gonna say "Oh well." Hell no! He's gonna be making some calls over to Sony music (or whoever) asking "Why the hell can't I play your stupid CD on the best equipment money can buy?!"

      Nevermind computers... this scenario is why I cannot comprehend why record companies would risk implementing such a stupid and inferior copy prevention scheme.

    7. Re:Class Action Suit by wadetemp · · Score: 1

      BUT it is not the author's place to make that decision, unless it was required prior, and as a condition of receiving, the copy of the work.

      And that is EXACTLY what I am saying. It is totally up to the author what may be done with his/her intellectual property. Not to copyright law or anything else. "Copyright law" that the Slashdot crowd whines about only defines a small subset of things that can be done, by proxy on behalf of the author, without being explicitly stated... this is fair use, etc. BUT: If the author so chooses ever copy of his/her work can have stringent restrictions that restrict usage further. That is the the creator's right under the basic copyright law that is the foundation of all copyright. Look it up.

      Consider use of copyrighted work to be a "loan" of that work on behalf of the creator. The creator, in the stating of the contitions of that loan, makes the choices. The user of the material has to abide by those conditions if they choose to acquire any type of copy of the property, or they are in violation of law. If the conditions are not explicitly stated, there is still a copyright. The rules are then defaulted. It is these defaults that seem to be the focus of what the Slashdot crowd (including yourself) sees copyright law as. There is much more too it than that in the base law, that give the creator ALL control of the work, if they so choose. And alot of authors do so chose.

    8. Re:Class Action Suit by wadetemp · · Score: 1

      I forgot to mention: while there are limits to the exclusivity of ownership (as in fair use,) none of these exexmptions TRANSFER ownership. They only allow users of material to be exempt from normal copyright restrictions.

    9. Re:Class Action Suit by Scooby+Snacks · · Score: 1
      Actually, the combination of US copyright law and fair use doctrine (until recently) basically meant that you could distribute or copy, but not both.

      Suppose I buy a book, or a CD, or a piece of software (legally-questionable EULAs notwithstanding). I can distribute the item to anyone I wish: sell it, give it away, whatever. Or I can choose to copy it. I can make as many copies as I wish. What I'm not permitted to do is copy and redistribute.

      Otherwise, I can do with it whatever I wish -- burn it, shred it, smash it, you name it.

      --

      --
      Runnin' around, robbin' banks all whacked on the Scooby Snacks...
    10. Re:Class Action Suit by ca1v1n · · Score: 2

      If it says "Compact Disc Digital Audio" on it, then it must conform to the standard, and thus play in my CD-ROM drive. If they make copy-impaired CDs and label them as regular ones, they are committing fraud.

    11. Re:Class Action Suit by cpt+kangarooski · · Score: 2, Informative

      Sigh.

      Okay --
      Let us imagine that there is an author, Alice. She writes a book, and holds the copyright to it.

      Let us further imagine that there is a reader, Bob. He wants to get a copy of Alice's book.

      If Bob goes to the store and buys Alice's book, this is an ordinary commercial transaction. Bob must comply with copyright law, and so cannot, for example, copy the entire book and resell it, while a) the copyright is in force, b) copyright law as set forth by the government prohibits it, and c) if prohibited by copyright law, is also prohibited by Alice. If any one of these elements is missing, Bob _can_ copy the book and resell it.

      In fact, if, for example, Congress modified copyright law (b) so that authors did not have the exclusive right to copy their works while they wished to and the copyright was in effect, Alice's wishes would be entirely moot. Her abilities to exert control over Bob are limited by Congress. She can only choose to exercise or refrain from exercising the powers she's granted.

      If Bob, under the normal copyright scheme, wants to quote part of Alice's book in a book review without Alice's permission, assuming that the book satisfies a, b, and c, he may. This is because b, the law, which grants Alice certain powers also limits those powers in certain respects. Among these limitations, are that Alice has no authority to refuse to allow her book to be quoted in such a case, even if she wanted to.

      Similarly, if Alice wrote a computer program, and sold it to Bob, Bob can use it and back it up, regardless of what Alice wants. Alice cannot tell him not to back up his software -- she has no legal authority to do so.

      Now see, here's the thing you're not getting:
      When Alice sells Bob the copy of the book, Alice is NOT GRANTING HIM A LICENSE THAT RESTRICTS BOB'S USAGE OF THE BOOK.

      That _is not_ happening. There is no "loan" of copyright, you're speaking out of your ass.

      When Alice sells that book, the BOOK is Bob's. He owns it. He cannot exercise certain natural rights that are precluded by copyright, and no one owns the work itself, but he _really_ owns that book. If Alice sold him the book, and then told him after the transaction, that he was not allowed to read it, Bob can not only read it, he can tell her to go to Hell. Unless the government tells Bob he cannot do something, Bob _CAN_.

      You are laboring under the misconception that copyright law is the same as contract law. It is not.

      Now, had Alice said "No, you cannot buy this book until you sign this contract" you might have a point. Oddly enough, this doesn't seem to be happening in most music stores I've been to.

      Perhaps you think that psudolegal notices have weight? Or EULAs? Well, the last time I checked, IANAL, the weight of opinion was against you. Some EULAs may be enforcable, but there's a good argument to be made as well -- one that has been more successful -- that they are not, as a rule.

      Nor are they common anywhere but software.

      Now of course, if Alice wants to sit her butt down at the store, and require people to sign contracts before she'll sell them a copy of her book, she's free to do so. But this is by far the exception rather than the rule. (and the power to do this has nothing to do with copyright, once again, but in that Alice can set the terms under which she'll sell anything, with some restrictions)

      Does this perhaps clear up some of your misconceptions?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    12. Re:Class Action Suit by wadetemp · · Score: 1

      OK, so you've explained that fine. Thanks. And that IS how I understand it. What my explicit and final point is is that copyright law does not exclude contract law. As part of a copyright statement, adding, "if you choose to read past this line, you explicitly agree to abide by copyright contract X," a signed contract is not required, and the creator of the content can at that point assume full control of the use of that content. Legally.

    13. Re:Class Action Suit by garett_spencley · · Score: 3, Insightful

      Evidentally everyone on Slashdot makes "hard earned cash" without creating anything they value.

      I'm actually a musician. And a free software developer. I would like to think that what I create is "of value".

      I agree with you that the words of the author are the property of the author. But the book as a whole that I payed for is mine and no one is going to tell me what I can and can not do with that book.

      Similarly, the same applies to a cd. If I want to rip a cd that I own I have every right to do so. I may not have the right to re-distribute the songs that I ripped since I don't own the songs themselves - just the cd. But I can do whatever I want with the cd. I can give it to a friend; I can make copies of it; I can play it in my computer, car sterio, dvd player, mp3 player, toilet, microwave, vacuum or whatever else I may want to try and play a cd in etc. No one will take that right away from me because I payed for the damn thing.

      ...They will try though. I just hope for everyone's sake that they stop before they run out of money.

      --
      Garett

    14. Re:Class Action Suit by rking · · Score: 1

      As part of a copyright statement, adding, "if you choose to read past this line, you explicitly agree to abide by copyright contract X," a signed contract is not required, and the creator of the content can at that point assume full control of the use of that content. Legally.

      You're wrong. If you walk into the shop and ask to buy the book and the shopkeeper says "no, I won't sell you this book but I wil let you read it subject to the following conditions..." and you agree to the conditions then that is binding. Equally he could give you a written contract to read and/or sign at that point. There doesn't have to be a signed contract.

      But taht's only binding if you do agree to the terms before you buy the book, or more accurately as part of the process of buying the book. If you walk home with the book you purchased and then find written inside "ha ha, fooled you, you haven't bought this at all and you're bound by the following conditions if you want to read it..." then you can safely ignore that. It's your book, you bought it, you can read it, lend it to a friend, tear out pages, annotate it etc. You can't copy it and redistribute the copy, but that's about the only limit.

      Once you've bought the book, without explicitly agreeing to any conditions, it's yours to read, you don't have to agree to any conditions to read it so your reading it can't be taken as agreement to the conditions. You can just ignore anything written inside that says you're not allowed to read it or can only read it on certain conditions. Even if you were to explicitly agree to any conditions at that point this would not create a binfing contract because there would be no consideration.

    15. Re:Class Action Suit by TypoDaemon · · Score: 1

      you have the right to do whatever you want with the cd. you have the right, in fact, to put the cd onto a turntable. however, the publisher has no compulsion to make that cd play on the turntable.

      the publisher has the right to make their cd's however they want.

      so, stick your cd in your turntable, in your computer, in your car stereo, or even in a cake, and demand, with your "rights" as a consumer, that the industry must make the cake play your music. it doesn't matter, because they are free to do what they want.

    16. Re:Class Action Suit by ebyrob · · Score: 1
      it doesn't matter, because they are free to do what they want.

      So, if the CD blows up when I open the box, or I contract Anthrax from white powder in the case, that's all part of them being free to "do what they want"?

      Gee, and I thought that "compact disc" label on my cd-drive, and on the CD's I buy actually meant something. Silly me.

    17. Re:Class Action Suit by Anonymous Coward · · Score: 0

      Was it ever a right? I'm under the impression that "fair use" sets aside certain reasonable uses you have a "right not to be prosecuted for" rather than a "right to be able to do".

      But there have to be certain other laws and requirements that could come into play here. Do these CDs abuse the CD mark by not conforming to appropriate standards? Is preventing playback on certain devices an abuse of a 'monopoly power' on a given set of content, or an act of unfair trade? Does restricting playback devices (CSS keys) imply an unfair collusion between DVD manufacturers and playback equipment manufacturers? Is region coding a case of unfair trade restrictions on individual import rights? Price fixing? Artificial market restriction/price inflation? Does selling crippled products represent a trade practices violation? If the product does not act as expected (even if due to copyright protection or region coding), I'm pretty sure trade practices require stores to accept reasonable returns, in which case they can't stop a campaign of rejection of such products at the point of sale.

      It's probably well worth encouraging the Consumer Affairs groups getting stuck onto these kinds of practices; when the companies start to unfairly dictate what you can and can't do, it falls under their purview; and particularly the government branches dealing with this CAN have a significant power over even the largest corporations.

    18. Re:Class Action Suit by cpt+kangarooski · · Score: 1

      Well, that is more or less the argument... though which side will triumph is in fact, up in the air.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    19. Re:Class Action Suit by Trekologer · · Score: 2

      I think that the point that the author was trying to make is this:

      If the CD says "Compact Disc Digital Audio" (in that little logo thing), there is a certain expectation of the product (called "fitness") that it will play *correctly* in a device that also has that little logo.

    20. Re:Class Action Suit by hearingaid · · Score: 2

      That's true, but most RIAA discs no longer include that little logo.

      --

      my old sig used to be funny, but then slashcode ate it and now it's not funny anymore

    21. Re:Class Action Suit by porges · · Score: 1

      If you insist that you can do anything you want with anything you own, it's hard to see where the prohibition (which you agree with) against redistribution can come from. You rip the CD, which you own, to your hard drive, which you own; then you take a blank CD-R, which you own, put it in your CD burner, which you own, and end up with a copy, which you own -- so you should be able to give that copy away.

      Alternatively, if you think -- as you say you do -- that you can't resistribute because you only own the objects, not the music, that lets in a possibility that maybe they can tell you that you can't rip the CD either.

    22. Re:Class Action Suit by cduffy · · Score: 2

      Because giving away the new CD (which he owns) also implies giving a second person a copy of the music (which he does not own), thus violating copyright.

      However, so long as he does not violate copyright law by distributing the content without license, he may (or, at least, could prior to the DMCA) do whatever he damn well wants with that which he owns (ie, the CD).

      The rub, thus, is that the only thing the author should be able to prevent the user from doing by force of law is unauthorized distribution, which is what copyright covers. In anything other than distribution, copyright {used to,should} have no force.

    23. Re:Class Action Suit by cduffy · · Score: 2

      If the seller gives the buyer reason to believe that an item is fit for an individual purpose (ie. playing in a CD player), then the seller is indeed liable if the item doesn't do that. It's called an implied warranty. Go look it up.

    24. Re:Class Action Suit by Anonymous Coward · · Score: 0

      It's not a law, but I wonder if there are any requirements that the 'compact disk digital audio' logo is only used on products compatible to the standards?

    25. Re:Class Action Suit by cduffy · · Score: 2

      Not if the buyer already purchased the content. If the transaction already occured, and the "you agree to X" clause wasn't explicitly a condition of it, the extra terms are moot.

      Why? Because of the concept of "consideration". A contract isn't binding unless there's something in it for both parties that they didn't have before. This hypothetical contract inside the cover of the book implies new responsabilities on the buyer, supposedly in return for their ability to read the rest of the text. But wait! The buyer already got the ability to read the rest of the text (or do *anything* with it except for redistributing copies) when they bought the book, so they're given nothing by this contract. Hence, any judge would throw it out in a heartbeat.

      If the contract offered the buyer something they didn't already have (ie. the right to print their own copy of the book if they pay the author $50 each), *then* it might be binding.

  26. Copy Protectoin only affect windows? by Tachys · · Score: 2

    I own at least one CD on that list and it ripped just fine, so perhaps that are different versions of the CDs on the market

    Hmmm, what OS did you copy the CD under? In the link they mention that "Copy Protection" doesn't affect Macs and Linux.

    1. Re:Copy Protectoin only affect windows? by DeadMeat+(TM) · · Score: 3, Informative
      If that's what the link says, they're mistaken. The copy protection is embedded on the CD itself (it involved screwing with the audio and expecting the CD player to fix it using the error correction data, but that digital rips won't), so it's OS-independent.

      I am told however that cdparanoia (which is *nix-only and very popular on Linux) can properly rip copy-protected CDs (I assume by using the error-correction data) so it's very possible that CmdrTaco had a copy protected CD but cdparanoia took care of it for him. It's much more likely though that whoever reported the CD as copy protected just didn't know what they were doing -- cheap CD-ROM drives in tandem with MusicMatch or RealJukebox will barf on some CDs that good CD/DVD-ROM drives coupled with cdparanoia or Exact Audio Copy will happily rip.

    2. Re:Copy Protectoin only affect windows? by wadetemp · · Score: 1

      so it's OS-independent.

      That's not true at all. It's hardware *dependant.* If you have a CDROM drive that is capable of functioning as a "normal" CD player then you will have no problem extracting the audio (albeit in a non digital format.) There was a rumor recently that Macs had no problem playing copy-protected CDs but what people were really seeing is the difference between digital audio extraction and standard CD audio modes on drives. Alot of windows machines are set to digital extraction mode by default, and therefore can't play these CDs. Macs, on the other hand, evidentally default to audio. And this is hearsay, but I believe iTunes can rip audio directly from the audio subsystem rather than having to do DAE... so users with defaults set see no problems ripping CDs.

    3. Re:Copy Protectoin only affect windows? by stripes · · Score: 2
      The copy protection is embedded on the CD itself (it involved screwing with the audio and expecting the CD player to fix it using the error correction data, but that digital rips won't), so it's OS-independent

      That depends on the type of factory damage (er, copy "protection"), and how the reading is done. An OS may have a driver that causes samples with damaged ECC to be interprloated, or just repeat previous samples. That would fix one kind of factory damage. Some CD reading code may ignore damaged parts of a TOC if it finds them...

    4. Re:Copy Protectoin only affect windows? by TWR · · Score: 2
      No, you're wrong. The problem is how does the CD-ROM's device drivers respond to the errors put on the disc by the "copy protection." Mac and Linux device drivers seem to handle these errors without a problem. Windows drivers don't.

      -jon

      --

      Remember Amalek.

    5. Re:Copy Protectoin only affect windows? by PMan88 · · Score: 1

      the discontinued, but great soundjam mp (which itunes is based on) had an option to enable "CD Digital Audio Playback". if you unchecked that option in the preferences, it should rip

    6. Re:Copy Protectoin only affect windows? by Witchblade · · Score: 1

      Dunno about the tech involved, but for reference I ripped Tori Amos' "Strange Little Girls" the day it came out so I could listen to it on my Rio. No problems whatsoever. I didn't do anything fancy, but it was done with iTunes on a Mac. All tracks were encoded at 192kbps and the tags were generated automatically. There wasn't even the hint of any errors.

      If there is copy interference on that cd then it's either OS dependent or only on copies sold in certain markets

    7. Re:Copy Protectoin only affect windows? by slittle · · Score: 1

      Er, what error-correction data? IIRC, CDs have 2352 (or something weird like that) bytes per sector. CD-Audio uses the full sector for audio, but Data tracks use 2048 bytes for the data, and the leftovers for error correction.

      As for Windows' DA mode:

      Control Panel > System > Hardware > Device Manager > Rightclick/Properties on your CDROM drive > Properties (tab) > Enable digital CD audio for this CD-ROM device.

      It's disabled on mine.. I don't remember if that's the default or not though.

      --
      Opportunity knocks. Karma hunts you down.
    8. Re:Copy Protectoin only affect windows? by heartstab · · Score: 0

      How is that album, anyway? I'm probably gonna buy it either way, but I'd like to know.

  27. This is the way to go.. by O2n · · Score: 3, Insightful

    Quote from the aricle:
    2. Don't buy the music. Remember, while we may be able to vote in elections every 2-4 years, we vote daily with our money. If they don't have your money, the labels will (probably) be smart enough to stop pulling this kind of stunt.

    This is the way to go. This is "speaking the right language". Don't whine about this - do something about it.
    Don't buy Sony electronics for example; it's wrong to think "what difference can I make" - you really make the difference.

    1. Re:This is the way to go.. by Anonymous Coward · · Score: 1, Insightful
      Actually, please DO buy the CDs and then please DO return the CDs to the store with complains.

      Also, make sure you make your purchases with your _credit card_ which universally offers return protection. The store _has to_ accept your return.

      With enough slashdoters and supporters doing this, the RIAA/music studios will feel a hard punch in the stomach.

      The is the perfect way to vote: with your credit card, which has a louder voice than cash . :-)

      MoeJoe
      can't.remember.the.darn.passwd.for.now

    2. Re:This is the way to go.. by funky+womble · · Score: 1

      Not universal. In UK it's usually on purchases >£100 (I think a few card issuers extend this but nowhere near all).

  28. All Universal CDs? by Tim+Macinta · · Score: 2
    I'm curious about the statement that on that page that all Universal CDs will have copy protection as of this month. Are they not bothering to list individual Universal CDs because of this blanket statement? Does this include CDs produced under another label and distributed by Universal?

    I ask because I don't see the new Garbage on the list and this CD is distributed by Universal even though the label it's produced under is something different. I walked into the store last week with the intention to buy it until I saw "Universal" on the back, which lost them a sale. I'd still like to buy it if the CD isn't actually corrupted, so does anybody out there have this CD? Does it have the intentional corruption on it?

    1. Re:All Universal CDs? by Anonymous Coward · · Score: 0

      I ripped/mp3'd it fine with cdparanoia/lame under linux. It isn't protected.

    2. Re:All Universal CDs? by Anonymous Coward · · Score: 0

      Ditto, I ripped Beautifulgarbage myself, (to ogg) :) Albeit under linux with cd paranoia. There are some rumors that cd paranoia can rip these copy prevented cd's anyway due to its error correction. Who knows... :/

      -- gid

    3. Re:All Universal CDs? by corellen · · Score: 1

      I have the new garbage cd and i can't play it on my computers. i was able to rip it but i t won't play on a computer. tried on 4 differnet systems. the disc has a data track which is all my computers seem to be able to read. i looked at the disc and there is a visible gap between the audio tracks and the data track.

    4. Re:All Universal CDs? by stripes · · Score: 3, Insightful

      That CD was released last month, not this month. My Mac (iTunes) read it just fine, and CD Paranoia on Linux also read it.

      However I'll warn you it isn't much like the other Garbage disks. You may not like it a whole lot.

      Plus I think the best thing to do with factory damaged disks is to buy and return them. It may work better if you have a laptop so you can take it to the store and show it not playing. Even better if they only want to swap you for another of the same disk, play the next one before you leave the store. Insist they refund your money or change it for the next one. It might be worth $20 to run through their whole stock. Definitely worth it if you can run through the whole stock and get the money back.

    5. Re:All Universal CDs? by mike_g · · Score: 1

      I had a problem with this CD at first. I could not play it under windows without pressing the play button on the CD-ROM. I did a little searching around and found some alternate ASPI drivers for Windows. After installing these the CD worked great. I could play it under winamp and my ripping program didn't even hesitate to rip it. This makes me wonder if the CD is really copy protected or if it is just the enhanced CD portion causing problems.

      I looked at my CD case and I did not find Universal anywhere on it, I only found Interscope and Almo. Also I noticed that nowhere on the CD or in the print was the CD Audio logo found. There was a logo stamped on the inside of the jewel case, but there is the same logo on the inside of my Half-Life jewel case and on my blank jewel cases, so I think that it is added at the factory without any regard to what CD is going to be placed in the jewel case. The lack of the CD Audio logo anywhere else on Beautiful Garbage may indicate that it is not compliant with the Redbook standard, and therefore imply that it is copy protected. But then again this could also be as a result of the enhanced CD portion. I don't have any other audio CD jewel cases around to check this against.

      Google will find the ASPI drivers for you. They work for me under 98, but I don't know about NT/2000/XP. On another note this new CD is quite a departure from their first two, so I definitely recommend download mp3's from it first to decide if you really like it.

    6. Re:All Universal CDs? by rabidcow · · Score: 1

      Yeah right, how many discs before they claim your laptop is defective and tell you to get lost? Oh sure, bring in another CD that plays fine, if they can whip out a player that works with the "defective" CD you've lost. (sorta, you'll probly be able to go through a few CDs)

    7. Re:All Universal CDs? by imevil · · Score: 1

      I have a rip of the latest Garbage CD. I had it loooong before the release date of the cd. This also proves Copy Prevention is not working. And I owe each member of Garbage a pizza because I'd like to pay them for the music they give me but I cannot becuse I am afraid their CDs may be defective and not work in my PC thus be useless for me.

      Those defective CDs are making me feel less guilty of not paying for music. They make me evil.

    8. Re:All Universal CDs? by stripes · · Score: 2
      Oh sure, bring in another CD that plays fine, if they can whip out a player that works with the "defective" CD you've lost. (sorta, you'll probly be able to go through a few CDs)

      Well, probbably. Depends on the mood of the sales critter, after all most folks working at Walmart, or Tower don't care that much....

      Plus good chance you can get the money back if you feel up to arguing that the UCC demands that you be able to test the item before final purchase (which means any sealed item buy isn't binding until after you have a reasonable time to check the item, no matter what the store policy says). Better of corse if you happen to put a copy on the laptop and point out the relivent sections...

      Still that requires a lot of arguing...

    9. Re:All Universal CDs? by Sodium+Attack · · Score: 2

      I'll add my voice to those who are suggesting beautifulgarbage isn't copy-protected at all, it's just the Enhanced CD that's causing problems.

      I had no problems either ripping or playing the CD under Win98. However, I've changed my Windows settings so it does not automatically run whatever software is on a CD as soon as you insert the CD. (I don't recall where that setting is at the moment, or else I'd describe it.)

      --

      Never take moderation advice from sigs, including this one.

  29. "Slomotion" is OK by R2P2 · · Score: 1

    My copy of Slomotion doesn't have any protection on either CD, but the Watchmen are Canadian, so maybe they're just doing it to you American jerks :P

  30. Why Would you buy cds? by coleman · · Score: 1

    I have not purchased a cd (unless it was blank) in the last 3 years. Record companies are no longer need to *tell* us what is *good* and take a fee for this *service*.

    If you really want to support the music you love, then goto that concert. Concerts are where most of the money is made (% wise anyway) for muscians.

    1. Re:Why Would you buy cds? by simetra · · Score: 1

      Ok... when's the next Led Zep concert? When's the next Doors concert? Heh? Heh?
      Also, mp3's are really nifty, until your harddrive dies. It's nice to have actual cds.

      --

      "Would it kill you to put down the toilet seat?" -- Maya Angelou
    2. Re:Why Would you buy cds? by Robber+Baron · · Score: 2
      Also, mp3's are really nifty, until your harddrive dies. It's nice to have actual cds.


      That's why I've got lots of songs on CDs. Yep...several CD-R's that are chock-full of MP3's just in case!

      --

      You're using her as bait, Master!

    3. Re:Why Would you buy cds? by drsquare · · Score: 1

      It's nice to have actual cds.

      Until the CDs get run over or scraped.

  31. I ripped Slomotion by kypper · · Score: 2
    The new Watchmen CD... ripped it the day I got it home... anyone want an mp3? :op


    This copy protection is bullshit.

  32. In two words: low quality by mangu · · Score: 1

    Read the above posts: copy prevention lowers the quality of the CDs. They become more difficult to play, even if no copying is intended. They may be (and often are) unusable even in CD players without CD-copying capability.

    1. Re:In two words: low quality by compuserf · · Score: 1

      SO true.

      I have (temporarily) the Gregorian II CD. This plays badly in my portable player, skips a lot. In a Linux box it could not mount, same in a DVD drive on Win2000. In a slow burner I can hear it repeatedly trying to read before it gives up.

      There is a very visible silver band 5mm in from the outside edge of the disk, so it's clearly been messed with.

      The printed stuff does not have the CD Digital audio logo, but the jewel case does. Maybe they forgot that?

      This is going back to the (major chain) store today for a refund.

    2. Re:In two words: low quality by sminra · · Score: 0
      There is a very visible silver band 5mm in from the outside edge of the disk, so it's clearly been messed with.

      I think this is an erroneous conclusion. IIRC,standard audio CD-players read a CD from inside to outside in a continuous spiral. They don't read the outside edge until they get to the end of the CD, so this wouldn't be a good place to put copy-prevention.


      Pressing problems can cause a CD to play poorly in some devices. If your player/s is/are robust (no problems skipping with other CDs) you should be within your rights to return it.

  33. Hmm... by Greyfox · · Score: 3, Interesting
    Lets see... when was the last time I bought a CD... can't recall...

    I seem to be getting less and less tolerant to commercials too. The radio in my car is tuned to NPR, which is commercial free 50 weeks out of the year. Even if it is the all Afghanistan all the time network these days. I'm about 99% RIAA free these days, I think. They'll probably get that declared an act of treason soon... feh... bastards.

    Speaking of which, how much did they give your guys this year? We should get a petition going for a constitutional ammendment forbiding any incorporated entity from giving money to any politician.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    1. Re:Hmm... by jandrese · · Score: 2, Funny

      This post brought to you by ADM, Supermaket to the World.

      --

      I read the internet for the articles.
    2. Re:Hmm... by Anonymous Coward · · Score: 0

      Why a right to lobby?

      Man, these elections 'Down Under' are so much easier when the politicians are worried about real issues instead of who's paying them the most.

      Mind you, you still end up with two crap choices for the leader of the country. But they don't get rich until after they go into politics. And we get a bit of a looker in charge of the 'balance of power' party.

      Which has nothing to do with the system, probably. But giving too many rights starts to mess around with that. My problem with the right not to have to vote, is that it gives voters (and groups representing many voters) that extra bit of punch to their power. "Our members will vote against you" isn't much of a threat when a decision will turn much of the country to your side. But nobody will take on the NRA when it's unenthusiastic support for taking a stand versus a large group of folk definitely putting in a vote against you.

    3. Re:Hmm... by daveking · · Score: 1

      Why do we need a law/amendment?

      The US Constitution implies that that Congress represents natural people who are citizens. We need an amendment to make this explicit and some laws to enforce it. Lately, Congress has come to represent corporations more than people.

      They have the right to lobby

      Not really. Only natural entities have natural rights. Artificial entities only have those privileges granted them by their creators (We the People).

      America would be stronger if we had created a branch of government to represent corporations, but it is too late to change that now. We didn't give them a seat at the table, so they took yours. Who needs it most? Corporations have no right to complain about taxation without representation, but you do.

      now that your "guys" are whores for money, dont vote for them. Pretty simple.

      I wish. There is so much money controlling the system that withholding votes can't fix the problem. The only solution is to criminalize interference in government affairs on behalf of non-citizens. That will require wise voting, logic, debate, and money. Pretty difficult.

      --
      ------DO NOT WRITE BELOW THIS LINE------
    4. Re:Hmm... by fishbowl · · Score: 2

      >Why do we need a law/amendment? They have the
      >right to lobby, and now that your "guys" are
      >whores for money, dont vote for them. Pretty
      >simple.

      They already don't vote. They also don't
      actually foster relationships with their
      representatives at State or Federal levels, much
      less actively participate in the political parties.

      --
      -fb Everything not expressly forbidden is now mandatory.
  34. hmmm... guess by Ender+Ryan · · Score: 2
    Well, I guess I'll be "pirating" System of Down's new CD since I won't be able to listen to it. My stereo at home is actually a Linux box connected to my TV and stereo receiver that I use for playing music, video and old arcade games.

    Unfortuneately that makes it impossible for me to "legally" listen to their new CD and being a fan I'll have to download it from somewhere.

    I'd even be perfectly happy to buy a "copy protected" CD and just through hoops to convert it to MP3, but sadly that's a federal offense because of the DMCA.

    I don't understand why the music industry is so hostil towards their good customers...

    --
    Sticking feathers up your butt does not make you a chicken - Tyler Durden
    1. Re:hmmm... guess by Cow4263 · · Score: 1

      It would be legal for you to download an mp3 version of the System of Down album, because you own a legal hardcopy verison of it. Some RIAA freak might try and take that right away from you, but its covered under fair use... The same way roms are legal provided you own the original game.

    2. Re:hmmm... guess by cpt+kangarooski · · Score: 1

      IANAL, but didn't the MP3.com case say precisely the opposite?

      That regardless of whether or not the user owned the CD, a rip was only legal if the user made the rip himself? And that it was infringement to give him a rip someone else had made?

      (incidentally, ripping is NOT covered in fair use; sampling might be)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    3. Re:hmmm... guess by Phexro · · Score: 2

      don't believe the hype. i bought toxicity (ltd edition w/ the bonus disc) a few days after it was released, and i was able to rip it just fine. i also made a copy for my car.

      i think the person who reported it as uncopyable just had no clue or was using crappy software.

  35. Re:what is wrong with copy protection? by fmaxwell · · Score: 5, Insightful

    yea, but if a company makes it hard or near imposssible to copy it, there's nothing illegal or wrong with that.

    They are selling the items as "Compact Discs." My computers, JVC MP3/CD car stereo, and Riovolt portable MP3/CD player all play Compact Discs. So if I buy a disc and it does not play in them, it is not a Compact Disc. The companies producing the disc in question will have wasted my time -- with is worth far more than the $19 price of the CD.

    There is a standard for audio CDs and it is well documented. If these companies are going to sell something that does not meet the standard, then they should not be advertising them as being "Compact Discs."

  36. What we need to do by dapcook · · Score: 2, Interesting

    Is go out to kazaa and to Morpheous and download all the music we want, then write a check and mail it directly to the artist themselves! This RIAA and DCMA stuff is getting so out of line it's not funny! How can a industry get away with isolating millions and millions of their customers??? I say go out and buy everything from 2nd hand music stores! Isn't it our legal rights to use a CD as we want? I can make copies for my use, I should be allowed to play this music on any CD player I have? So how about a class action lawsuit for depriving us of our rights??

  37. widespread? by archen · · Score: 2

    is this "protection" going to become mainstream? I don't even own a CD player, but I use my computer all the time. Truthfully, I could care less about the stuff on that list since I mainly listen to metal (the more obscure stuff). But if this becomes standard practice I think they'll probably lose my business entirely. Get a CD player? I don't think so. If they adopt this scheme, how long will it be before they say "oh, looks like they figured out how to bypass the last scheme, so lets make a new one that isn't playable on the newer CD players". Like I want to be stuck on a perpetual hardware upgrade cycle just to play a freaking CD. If most of the smaller labels don't adopt this, I actually think it will help. These big corporations will only shoot themselves in the foot since people will HAVE to get the ripped version to listen to it on their computer.

  38. I wish I was a fly on the wall... by NoMoreNicksLeft · · Score: 3, Funny

    ... of the Software Publisher's Association meeting room. How many times do you think some marketing guy has asked why they can't do the same thing for CD-ROM's?

    If it's happened less than 3 dozen times, I'm utterly shocked.

    1. Re:I wish I was a fly on the wall... by arkanes · · Score: 1

      SafeDisc copy protection works more or less the same way - theres huge, unreadable chunks of garbage data, that for techical and very clever reasons won't copy correctly. I read the technical data, but I'm not an engineer and have forgotten most of it :P But apparently it abuses CD error correction much the same way that these copy protected CDs to.

  39. beautifulGarbage seems OK by InfiniterX · · Score: 1

    I picked up beautifulGarbage and my roommate managed to rip it to MP3's just fine.

    Sadly, the album itself wasn't nearly as good as Garbage's first two, which left me fairly disappointed.

  40. what a waste of bandwidth... by gTsiros · · Score: 0

    ...if i can listen to it, i can copy it.
    EOF

    --
    Looking for people to chat about multicopters, coding, music. skype: gtsiros
  41. Those CD's are crap anyway. by bdevlin · · Score: 2, Funny

    I wouldn't download a rip of those CD's anyway. Let alone buy them.

    1. Re:Those CD's are crap anyway. by simetra · · Score: 1

      That's part of their plan... target people who are too dumb to be burning cds as their test market. After they perfect it, they'll use it on good music.

      --

      "Would it kill you to put down the toilet seat?" -- Maya Angelou
    2. Re:Those CD's are crap anyway. by JWhiton · · Score: 2, Insightful

      The problem is, one of these labels probably have some band signed that you actually do like. If there isn't much of a public outcry about this whole copy prevention scheme, the labels will happily stick the technology on every CD they release. If you check out the list at Fat Chuck's, Universal is doing this already.

      Don't have any favorite bands on big labels? This may not even matter after a while, either, because (as I understand it) there are a lot of smaller labels that are members of the RIAA as well. They might get bullied into copy preventing their CDs too.

      I sure hope this doesn't happen. It would render my Nomad near useless. :(

  42. flawed list by rlwhite · · Score: 2, Interesting

    I don't think the list is very trust-worthy. DCTalk's Supernatural has been out for 3 years, and I have copies, both legally bought and ripped. Maybe they added protection on a recent production run, but that seems unlikely because any "piracy" damage is already done. Not to mention DCTalk is a Christian band; they want their message spread as wide as possible, even if it means losing some money.

    I think some people are just reporting any disc they have trouble with, without investigating things like bad hardware or scratched discs. Just spreading paranoia.

    1. Re:flawed list by FatChuck · · Score: 1
      Hi, I'll reply to each of your points.

      While "some people are just reporting any disc they have trouble with, without investigating things like bad hardware or scratched discs," the overwhelming number of people who have submitted to my site are techies, not Joe Consumer. They have tested most of these discs quite thoroughly, as the notes linked to each incident will attest. I believe this list is *very* trustworthy.

      As you point out, "Maybe they added protection on a recent production run, but that seems unlikely because any "piracy" damage is already done" Very possible. Remember, labels don't just make -one- pressing of a CD and hope for the best. They make repeated pressings if the album in question continues to sell enough to justify it. That's why I'm concerned (and maybe you might be too) that many in-catalog albums that predate 2001 will be re-relased with these corrupted features. Think Pink Floyd, BB King, Led Zeppelin, -any- label act. Also, do not forget that just because a hacker can rip them does not mean the other 95-98 people out of 100 can. The labels are doing this to stop Joe Public from exercising his Fair Use rights, not Joe Hacker.

      A word about labels. As you said "DCTalk is a Christian band; they want their message spread as wide as possible, even if it means losing some money" Bzzzz! You're right and wrong. DC Talk's music, lyrics and other creative output are owned lock, stock and barrel by their label - Virgin. It is up to Virgin to spread their message, and it is up to Virgin whether they want to corrupt a re-release of Supernatural. DC Talk has -0- input into Virgin's decision. This applies to 99% of the artists and their labels.

      Last, do not forget that in all likelihood, these corrupt CDs are being released in batches within the main press run. For example, if Label X has 500,000 albums made, perhaps there are anywhere from 10-100,000 corrupt CDs in there. That would explain a great deal about why some people have normal CDs, and others don't.

      Hope this helps. Chuck

    2. Re:flawed list by mike_g · · Score: 1

      Not to mention DCTalk is a Christian band; they want their message spread as wide as possible, even if it means losing some money.

      This statement is pretty funny. Do you actually think that the artists have any input in the decision to copy protect the CDs? It does not matter that the band would be willing to loose some money if the result is that their message is spread further, the record label certainly does not share this viewpoint. The record label wants to make as much money as possible from an album, and from their point of view copy protection is the best way of accomplishing this goal.

    3. Re:flawed list by rlwhite · · Score: 1

      My statement was not really that off-base. Most Christian bands use Christian music labels- not your typical secular labels that readily screw the artists. As a market niche, Christian music has different characteristics that labels must be sensitive to. Most Christian music is sold through Christian bookstores, and the Christian sections in most regular music stores are very small. Many Christian concerts are done for donations only. In my hometown, the Christian radio station is run completely on donations with no commercial advertisements. In other words, the Christian music industry is not about money, and most don't want it to be.

      As far as labels go, some are subsidiaries of mainstream labels, and others are independent jobs.

      The one thing I didn't think about in my original post is that DCTalk signed with a mainstream label to get larger distribution. But that is the exception, not the rule. In the past 20 years, perhaps 10 or less Christian bands have turned to mainstream labels. (DCTalk, Jars of Clay, U2, Michael W. Smith, and Amy Grant are the ones that come to mind.)

    4. Re:flawed list by rlwhite · · Score: 1
      While "some people are just reporting any disc they have trouble with, without investigating things like bad hardware or scratched discs," the overwhelming number of people who have submitted to my site are techies, not Joe Consumer. They have tested most of these discs quite thoroughly, as the notes linked to each incident will attest. I believe this list is *very* trustworthy.

      Maybe it's just me and the ones I've looked at, but most of the ones I have looked at used only one CD or at most 2. This is too small of a sample size to draw any valid conclusion from, no matter how many drives they fail on. If you can show me 20 or 30 out of 100 copies failing regularly, I'll buy it. Anything much less than that can be explained by a combination of small sample sizes, normal quality problems, scratched CDs, and paranoia.

      As for the label owning the music, I forgot earlier that DCTalk is using a secular label. I would really be suspicious if this were a Christian label, as they have more of a tendency to share the artists' values towards money and distribution.

    5. Re:flawed list by mike_g · · Score: 1

      Well, I stand corrected then. But I do believe that the Christian labels that are either publically owned (I don't know if there are any) or a subsidiary of a publically owned company have money as a major if not the most significant factor in their business decisions. And this isn't necessarily a bad thing, money must be made to stay in operation.

      On a similiar note how many Christian bands allow for their music to be downloaded from their web sites? I would think that a donation based system would be a perfect fit for this market(for lack of a better word). Also what are the licensing rights like? Most CDs have strict restrictions (that nobody follows) such as no public performances without proper licensing and fees. I do find it refreshing that the Christian music market is able to keep the message at such a high priority. But again this segment is different from mainstream music where the primary goal is to entertain(not that Christian music isn't entertaining).

    6. Re:flawed list by rlwhite · · Score: 1

      Yes, most or all have money as a major factor in decisions.

      I don't know how many have their music available on their sites, but I know it happens with some of the smaller bands. I've never checked into licensing rights. As you say, nobody follows them.

      The more popular bands, particularly younger bands, are less likely to be donation-based and more commercial, although concerts even still are almost always cheaper than mainstream. I typically pay $10-25 to see the most popular bands, and it's all general admission normally. None of the $50 tickets you see in the mainstream.

      CD prices have gone steadily up the last few years along with the mainstream and are generally in the same ballpark unless you find a band and label that are unusually generous.

    7. Re:flawed list by Anonymous Coward · · Score: 0

      I'd have to wonder if they're really in it to 'spread the word', or if they're just trying to fill a niche market.

  43. werked for me... by chemguru · · Score: 1

    I got the Live - V, System of a Down, Aerosmith, and the Tori Amos cd to rip without problems.

    Wow... I must be a 1337 h4x0r.

    --
    --Chemguru
    1. Re:werked for me... by Wyatt+Earp · · Score: 1

      Tori Amos ripped fine for me on my OS 9.1 Mac with an older version of N2MP3.

      On and dear RIAA - I own the freakin' CD and it's for home use, so you can blow it out your ass if you're taking down names from Slashdot.

    2. Re:werked for me... by Anonymous Coward · · Score: 0

      Agreed. The Tori Amos CD ripped just fine.

      Even though it's probably the worst album of her career. :(

      This webpage seems to be based off quite a bit of paranoia. It didn't work for one person, so let's throw it up on the page. I've had some CDs that worked fine in one computer, but not another.

  44. This will only mobilize people by YouAreFatMan · · Score: 5, Interesting
    This seems like a foolish move to do. It seems safe to say that it has been established that it is legal to rip CDs. Also, MP3s are more widespread than, say, DVDs ripped to DivX. Therefore it will be much harder to demonize people who break the copy prevention measures (or make tools to do so) on these CDs. With DVDs, it requires that I assert a new right never granted me by the MPAA (not that I really need them to grant me that right). However, with CDs, the RIAA is taking away a right I have been enjoying. A much harder thing to do.

    I have a feeling this will backfire in one of two ways: 1) they will drop the copy prevention after a public outcry, or 2) there will be new drivers or tools published that make it possible to rip/play these CDs, and they become common enough to make the copy prevention irrelevant. This will mean that the only people truly affected will be innocent people with limited technical expertise (mom goes and buys a PC, puts her new CD in the tray, and it doesn't play; mom gets mad and calls you). This will only further giving a black eye to the RIAA.

    A third possibility is the nightmare of DeCSS -- that someone publishes a method to defeat this copy prevention, gets sued, goes to court, etc. But as we've seen with DeCSS, it's pretty hard to stop it once it's out.

    --
    Robotiq.com is heavily tested on animals
    1. Re:This will only mobilize people by Cow4263 · · Score: 2, Interesting

      I whole heartly agree. You could argue that the mp3 rage these days is all because of the media attention Napster was getting during its trial. Every night on the evening news, Napster was the main story, so some guy says "that sounds cool" and downloads the client and leeches the night away. And now that napster is all but completely useless, most people have moved onto other p2p communities (probably Morpheus \KaZaA).

      Even in a post napster world, the media likes publicizing(sp?) alternate ways of getting stuff. For example, I was watching CNBC of all channels and they were discussing napster, and one anchor said "nah, napster is dead. Mourpeus is the good one now."

      Once you educate the masses, its impossible to unlearn them.

    2. Re:This will only mobilize people by Anonymous Coward · · Score: 0
      This will mean that the only people truly affected will be innocent people with limited technical expertise (mom goes and buys a PC, puts her new CD in the tray, and it doesn't play; mom gets mad and calls you).


      And I say, "Hey mom, return that crappy CD, then install Morpheus or Limewire and get it from there." Mom is happy now.

  45. *yawn* by huphtur · · Score: 2, Funny

    2Pac-Until_The_End_Of_Time-2CD-2001-RNS
    Aerosmith-Just_Push_Play-2001-KSi
    Tori_Amos-Strange_Little_Girls-2001-EGO
    Dc_Talk-Supernatural-RNS
    Nsync-Celebrity(Real_CD_Retail)-2001-RNS
    System_Of_A_Down-Toxicity-Retail-2001-STA
    The_Watchmen-Slomotion-2001-EGO

  46. question by Anonymous Coward · · Score: 0

    I don't care, because I'm a reckless youth, but does it bother anyone that we are so blatently stealing?

  47. Correction by Anonymous Coward · · Score: 1, Funny

    The changes made to the disc help "protect" it from unauthorized copies, much like encasing your stereo in cement protects it from being stolen.

    1. Re:Correction by Anonymous Coward · · Score: 0

      Heh, in this case, that's pretty much correct...

    2. Re:Correction by matrix29 · · Score: 1

      Then a better solution would be laser activated aroma molecules which cause the CD to smell like rotting meat.

      Most appropriate for those Brittney CDs.

      WINDOWS XP CDs could feature the crisp smell of onions and garlic.

      --
      "Face it, a nation that maintains a 72% approval rating on George W. Bush is a nation with a very loose grip on reality.
  48. playing and ripping copy protected cds by Anonymous Coward · · Score: 0

    Here in Europe I've gotten a copy of Heather Nova's "South" which is copy protected and has the warning on the back. However in a Plextor 16/10/40A I can more often than not play the CD in the computer and with a simple program I wrote using the ReadCD command.

    There are data sessions after the audio so most Windows98 programs and such believe that it's a data cd and won't let you rip it, however if you just write some simple read cd commands to this particular drive it is in fact rippable. However, at least with firmware 1.03 sometimes in windows you could insert this audiocd and attempt to play it in CD Player about 2 out of 3 tries. When it didn't work to play any further audio cds a reboot was required.

    The catch: It takes quite some time as the drive error corrects the "bad" sectors so it can take you maybe 5 minutes to rip a single track. At least this was the case with this particular cd.

    I have a copy of Strange Little Girls here (although not the American one) and it's not protected.

  49. It's not flawed if people keep buying CDs by Anonymous Coward · · Score: 1, Insightful

    Corporations are supposed to do whatever they can to make money, and their current strategy seems to be working pretty well.

    1. Re:It's not flawed if people keep buying CDs by dakoda · · Score: 1

      silly capitalist =) the only reason it worked was because almost no one had burners, and 486's didnt play mp3's well. with modern (even 4+ years old) hardware, copying is completely possible. thus, one can go and download a song, and burn it on cd, or they can buy the real deal. hmm, what a choice.

      now, as you say, the model works. if it does, why are they now looking more and more into these copy prevention measures that were rarely seen in earlier times? so, because people are making their own rather than lining the pockets of record makers, they lose money, and have to protect their investment. ergo: copy protection (which usually doesnt work, but if it makes one more perosn buy a cd, they're happy i guess)

  50. A question by famazza · · Score: 5, Interesting

    I question follows me everytime I hear anything about copy protected CDs.:

    • Are these CDs compatible with Compact Disc Digital Audio? (that small trade marked logo that must appear in all CD players and Audio CDs

    Does the owner of this technology (AFAIK Philips owns the patent) have any kind of official opinion about this? Is it allowed to modify the technology and keep using the compatible logo?

    Can anybody help me with this question? (thanks in advance)

    --

    -=-=-=-=
    I know life isn't fair, but why can't it ever be un-fair in MY favor!?
    1. Re:A question by FiendBeast · · Score: 1

      The spec for CDDA (red Book or IEC-908) is Here, and there is some more stuff here.

    2. Re:A question by Biedermann · · Score: 3, Interesting

      According to this recent comment (by me), the answer is no. The logo is owned by Sony and Philips (inventors/promotors of CD audio). According to a recent article in German c't magazine, Philips is looking into the violation of the Red Book / IEC 908 standard.

    3. Re:A question by gordguide · · Score: 1

      Sony and Philips developed the Compact Disk(R) and own the marks, etc. In order to display the trademarks/labels/etc., the disk must meet "RedBook" standard. As I understand it, the copy protection employed falls within the standard, which defines certain criteria mostly of interest to someone mastering a CD (creating the data master used to create disks from which CDs can be stamped).

    4. Re:A question by funky+womble · · Score: 1

      So, if a large-scale pirate duplicates the CDs using a stamping machine, and distributes the copies in cases which do include the logo, they're breaking trademark law too! Nasty... ;)

  51. One more that you might care about: by Mr.+Piccolo · · Score: 1

    I have heard that Aphex Twin's "drukqs" is copy-protected or whatever, but I'm not paying $20 to find out. So what if it's 2 CDs.

    --
    Glückwünsche, haben Sie Slashdot ermordet, indem Sie zum korporativen Druck beugten und Subskriptionen einlei
    1. Re:One more that you might care about: by funky+womble · · Score: 1

      Ahh, finally. That pricing must be so that 'merkins realise how much people in Europe have to pay for their music...

  52. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  53. Re:what is wrong with copy protection? by Anonymous Coward · · Score: 0

    Except, the requirement to use the little CD icon is paying money, not meeting the standard. They never claim to meet the standard anywhere.

  54. I'm surprised that retailers... by borkus · · Score: 3, Insightful

    ... aren't complaining about this.

    A lot of the big retailers for music - Best Buy and the Wiz come to mind - are also electronics retailers. Besides selling conventional CD players that may not be able to handle the "protected" CD's, they sell PC's with CDR's, CDRW upgrade drives and digital music players. In fact, with conventional CD players having become a commodity, digital music is probably an important source of profits for retailers and manufacturers. If enough of these "protected" CD's get out there, it's going to start spooking consumers; how can a retailer convince customer to buy a CDRW drive or a dashboard CD player that will read CDR's if half of that customer's music collection won't work on one of those. No customer wants to get "betamaxed" again. Instead of being able to profit by selling both the software (the music) and the hardware (playback devices), retailers are going to find out that spooked customers aren't buying either.

    Worse still, a lot of digital music hardware may become the target for false advertising lawsuits. While retailers may not lobby the record companies on behalf of consumers, I'll bet you they will on behalf of their own profits.

    1. Re:I'm surprised that retailers... by ByTor-2112 · · Score: 1

      Actually I have been told that Best Buy barely makes anything (or even loses) money on the CDs. They make their cash selling major appliances, electronics, etc.

    2. Re:I'm surprised that retailers... by kindbud · · Score: 2

      ...how can a retailer convince customer to buy a CDRW drive or a dashboard CD player that will read CDR's if half of that customer's music collection won't work on one of those.

      Not sure how best to respond to this, except to say Well, DUH!. Sowing confusion among enemy is in that Art of War book by that Hung Sue guy, or whatever. Get with the program.

      --
      Edith Keeler Must Die
    3. Re:I'm surprised that retailers... by funky+womble · · Score: 1

      So, return the electronics rather than the CDs... :)

  55. A working system? by rockwood · · Score: 2, Interesting

    I have thought about this and believe that this would allow for both sides to get want they want. No distribution of music while allowing the consumer to play anywhere and back up as much as they wish.

    The recording companies will sell high capacity memory cards @ the cost of manufacturing them. Each card has a random identification number embedded in it which will also be 'salt' for the encryption.

    Any location re/selling music will be equipped with a digital recorder. When you purchase music you take your high capacity card with you. (You don't actually purchase tangible media). You give them your memory card and they load your purchased music on it, whish is also being encrypted while being stored (using the embedded ID#). The music store then stores your ID# and the music selection to their database.

    You take your memory card home to your home stereo system and upload the music from the card to the radio's internal drives. You can also upload the music to your computer, car radio (also equipped with an internal drive) etc... And in order to play the music stored on ANY of these items, all you need to do is pop in your memory card.. the id number on the memory card is used to decode the stored music and then played if it decodes correctly.

    Optionally if you want to play music on a system that does not have your music in it, simple copy the music selection(s) you wish to here to you memory card before leaving your home and play it anywhere right from the memory card. If you copy the music from the card to someone elses drives... their card won't decode your music because the ID that is read from their card is different from the the code used to encrypt the your music.

    In the event of a total loss of music, you can go back to the store where you purchased the music from and tell them you need the selections again.. and give them your card.. (Remember earlier I mentioned they stored your ID number and music selection) and then they could give you back ALL of your music at not cost to you - Providing the card you give them has the same ID number that they have in their system.

    I am not saying this is fool proof, as nothing is! But I believe this would satisfy everyone and put music distribution back to what it was in the days of cassettes.

    This concept could also be used for dvd and game purchases also.

    Any thoughts?

    Oh and btw.. IF this would be used.. I hereby announce this MY idea on this day 11/11/2001 ;)
    Hey! - You never know!

    --
    Never try to beat a professional at his own game!
    1. Re:A working system? by Anonymous Coward · · Score: 0

      Wouldn't the recording companies lose money by not selling the tangible media.. ie: no high mark up?

    2. Re:A working system? by Reality+Master+101 · · Score: 3, Insightful

      The biggest problem is that it would require mandatory registration, which the paranoids would never go for (what if I lose my card? To get a replacement, I would have to identify myself).

      There are also other problems: everthing would have to have a card reader, suddenly making all your stereo equipment obsolete. You can't sell your music media like you can with CDs. You can't mail-order music.

      The biggest problem, though, is who wants to carry around a freaking key? If I leave it at home when I go to work, I can't listen. If my wife wants to listen to music while I'm at work, we have to buy two different copies? I don't think that's going to fly.

      --
      Sometimes it's best to just let stupid people be stupid.
    3. Re:A working system? by rockwood · · Score: 1

      No they wouldn't. With no media they would save on shipping cost. They could do one of three things.
      1 - Ship one of each song title to each of the stores and allow the store to upload the song into their own database
      2 - Allow the store to do early morning updates via a high speed connection
      3 - Have no music at the store at all. All music when purchased would be pulled directly from the reocrding companies music database.

      In any of those examples the the shipping costs, volume shipped and cost for store floor footage would be greatly reduced (no media.. no need for large store floors).

      You also wouldn't need to worry about items becoming 'out dated' and no longer available. All items will always remain available at the sotres systems. No need to wait on order-only items or older 'no longer in production' items.

      --
      Never try to beat a professional at his own game!
    4. Re:A working system? by rockwood · · Score: 1

      Carrying a key to work would be no different then carrying the cd.. except now the key itself may have 5 cd's on it.. or 100 songs of your choice.

      Equipment becoming obsolete? Like the VHS's in Blockbuster that are disappearing and being replaced by DVD's? Or the boom box in my bedroom that has dusty cassette decks with umm... *cough* Hi-Fi Hi-Speed dubbing :)

      To identify yourself would not require a DL # OR ss #. Heck.. at your first purchase you could choose a use name and password of your choice and then choose ANY defining third option you wish. Using the CC puirchasing method, confirmation of address, or whatever.. As I said it's not perfect and is in no means a final thought. But I still believe it is a strong (if not the strongest) feasible solution thus far.

      --
      Never try to beat a professional at his own game!
    5. Re:A working system? by issachar · · Score: 2, Insightful
      Equipment becoming obsolete? Like the VHS's in Blockbuster that are disappearing and being replaced by DVD's?


      That's different. People don't object to that because they're getting a higher quality product. You're not going to get people to ditch their old equipment simply to prevent something that most people don't want to prevent. The only purpose of which is to enrich the RIAA.


      If anyone actually believed that the RIAA would lower the price of CD's if piracy was eliminated, they might go for it. But no one believes it.


      Pricing of CD's and DVD's has almost nothing to do with cost, and almost everything to do with what the market will bear. In other words, we'll charge as much as we can get away with. That's not evil, it's standard economics when competition is removed from the equation. And there isn't competition. If you want a particular song, there's only one company to get it from.


      Also, look at the price of DVD's vs. the price of tapes. Tapes cost more to manufacture, and yet DVD's cost more. Why? Because people are willing to pay more.

      --
      . --- If you're looking for free e-mail you won't find it here! http://www.noemailhere.com
    6. Re:A working system? by kinaole · · Score: 1

      you are really sick and twisted ... i'll just keep to ghetto ripping ... hell vinyl might come back some day if this crap keeps up

    7. Re:A working system? by kinaole · · Score: 1

      ohh ... and the cover artwork?

      too bad your dick is too short to fit into by cd burner

    8. Re:A working system? by Anonymous Coward · · Score: 0

      If you can hear the music, you can copy the data!

  56. dont be afraid by Anonymous Coward · · Score: 0

    its the N'sync cd that you own, now isnt it? :)

  57. hehe by CompuBOb · · Score: 1

    dont worry I estimate within ohh 5 minutes thousands of people have already found a way around this.. if there is a way to protect it there must be a way to reverse engineer it.

    --
    Daddy would you like some sausage?
  58. Aphex Twin's Drukqs by niklaus · · Score: 2, Informative

    I could read CD 1 on my computer, although the whole CD appears as one 51 minute track. CD 2 it can't read at all. cdparanoia says "Unable to open disc". My portable CD player and even my very cheap stereo sometimes have trouble reading the discs, though stopping and restarting them fixes the problem.
    I would never have thought that Aphex Twin would do such a thing, even though he says the only reason he releases his music is to make money (he only releases what he thinks his fans expect from him and he keeps the really innovative stuff for himself, because he doesn't want to be copied by everybody.

    1. Re:Aphex Twin's Drukqs by tregoweth · · Score: 1

      Aw, dang -- I didn't know he had a new album out.

      Remember the "Windowlicker" single? The U.S. version included an edited version of the video, but clunkily "protected" with HyperCD. I believe the European versions just had it as a QuickTime file. And the video was also released on VHS, so what's the point?

      Anyway, this might be something that the American distributor's doing, not Mr. James.

    2. Re:Aphex Twin's Drukqs by Anonymous Coward · · Score: 0

      Thanks for the warning. I was surprised to see his new album at a local record store. I would have gotten it on the spot except for the fact that it had an explicit lyrics label. Wtf, was he turning into Trent Reznor? Turns out that the suspicion was unwarranted. Oh well, at least I didn't buy a CD I couldn't play. My only (working) CD player is a CD-ROM drive.

    3. Re:Aphex Twin's Drukqs by snorb · · Score: 1
      I would have gotten it on the spot except for the fact that it had an explicit lyrics label. Wtf, was he turning into Trent Reznor?


      The explicit lyrics thing is a joke. There are hardly any discernible vocals throughout the album. I think there's one distorted sample with one four letter word on the whole album. The only real song is Richard's parents singing him happy birthday. His mom may have a weird, even disturbing laugh, but it doesn't exactly warrant a parental advisory.


      Oh, and I can play my copy in a CDRom drive. Haven't tried ripping it though.

  59. There are two versions to collect statistics by jeffmock · · Score: 5, Informative

    It's pretty clear to me why records companies are distributing both clean and copy protected versions of the same CD. They are collecting statistics on consumer acceptance for the copy protection scheme. They release two versions and then look at the return rates for the two versions to figure out how many people have CD players that reject the copy protection scheme.

    jeff

    1. Re:There are two versions to collect statistics by FiendBeast · · Score: 1

      Another reason, taken from www.fatchucks.com:

      "I believe this is being caused by the record industry. When they manufacture, say 500,000 records, I believe they are creating batches of corrupted CDs within these press runs (10,000? 50,000? 100,000? who knows?). Why? Because they may have known somebody would create a site like this to warn the public. With their method, they have people saying "Yes, this CD is corrupt," and others just as surely saying "No, this CD is normal."

      The result? Public confusion and your hope that the CD YOU'RE buying is OK and not corrupt. Well, stop playing Russian Roulette and let the labels or big music store chains know how you feel while they fuck around with your music."

    2. Re:There are two versions to collect statistics by Anonymous Coward · · Score: 1, Interesting

      Yeah, it's a sneaky trick by spiking only some of the CDs. This might be to track returns by market or to target specific areas (college towns) or some other nefarious reason.

      Although the whole thing just has 'backfire' written all over it. Can't make a legal rip and most will fire up the filesharing client and search for it. Filesharing then gets more popular.

  60. "Your Rights Online" by FFFish · · Score: 1, Flamebait

    Why is this article titled "Your Rights Online"?

    It's got nothing to do with online, and everything to do with copy prevention that disallows one from playing one's music on the equipment of one's own choosing.

    It's not necessarily online. In fact, it's better if it isn't. RIAA's really pissed about the MP3 trading. It's not nearly so pissed about the Rio and other personal music players.

    --

    --
    Don't like it? Respond with words, not karma.
    1. Re:"Your Rights Online" by Anonymous Coward · · Score: 0

      Maybe it means (your rights) online. That is, an online site about your rights.

  61. Not so fast... by pvera · · Score: 1

    That site lists System of a Down: Toxicity as encrypted. I have that CD and I ripped it to both my home and work PCs and both sound fine.

    The site comments pretty much show one guy complaining that he can't copy it to a CD, another guy complaining of weird noises and probably 10 people saying "nope, mine works fine."

    I rip my CDs to encrypted windows media to avoid any trouble from some idiot trying to pin me for pirating music. The IT folks have burned people in the past for running Napster servers with 10GB+ of MP3s (all pirated), so the workaround was to let employees have music files as long as they rip them from their own CDs and they use encrypted windows media. So far all my CDs have worked fine.

    A bit OT on that site:

    As it is right now the site is not very usable. Also look at the "banned books" list that does not explain who banned them and why.

    --
    Pedro
    ----
    The Insomniac Coder
  62. Case in point... by dreamquick · · Score: 1

    from the register :

    "Aussie pop star (and former Neighbours actress) Natalie Imbruglia has won the race to produce the first copyright-protected CD on general release to the UK public.

    White Lillies Island, which includes current anti-melody hit single That Day, features Cactus Data Shield protection. This is designed to prevent MP3-ripping by corrupting the table of contents so it won't play on a PC, NTK.net reports today.

    Needless to say, it's been ripped and copies are already up on file-swap sites (in fact they were there before the album was officially launched)."

    I have to say if i'd paided to have my album "copy protected" like this i would be calling a lawyer right now...

    NTK.net:
    http://www.ntk.net/

    The register:
    http://www.theregister.co.uk/content/6/22759.htm l

    1. Re:Case in point... by Anonymous Coward · · Score: 0
      More on Natalie Imbruglia's "White Lilies Island" (savagedly reviewed in a Channel 4 teletext review this week, whilst BBC teletext gave it a good review - neither review mentioned the copy protection though !) - I have a copy of this and it has the Digital Rights Management bit set so that I can't put it onto Mini Disc digitally for use in my portable MD player.

      However, it was trivial to switch my input to analogue and record it to Mini Disc, but why should I have to when all my other CDs can be recorded to MD digitally ? cdparanoia/cdda2wav won't touch it - what I'm interested to see if there's going to be tools (particularly for Linux) that will be able to copy these protected CDs - if they came out, the record company would soon back out of the copy protection scheme !

      Because of the ludicrous DMCA in the US, I suspect it will be up to a non-US coder to come up with the goods...

  63. Re:what is wrong with copy protection? by fmaxwell · · Score: 5, Informative

    Except, the requirement to use the little CD icon is paying money, not meeting the standard. They never claim to meet the standard anywhere.

    If you sell something as a Compact Disc, you are advertising that it meets the standards for a Compact Disc. Philips/Sony licenses the logo, but they do not verify conformity with specs for each item that bears that logo. It is the responsibility of the manufacturers using the logo to assure that the products that they sell meet the specification for audio Compact Discs.

    Licensing issues have nothing to do with false advertisement claims. Suppose I license the USB logo and then produce a "USB mouse" that doesn't work with the USB ports on most computers. I would still be guilty of false advertisement even though I licensed the USB logo.

  64. Limited Run Batches by Krimsen · · Score: 2

    I own at least one CD on that list and it ripped just fine, so perhaps that are different versions of the CDs on the market

    Yes correct. There are limited batches

  65. For what it's worth... by Scooby+Snacks · · Score: 1

    I have Tim McGraw's Greatest Hits CD which is on the list. (The only CD I've bought in the last 2-3 years.) It ripped just fine.

    --

    --
    Runnin' around, robbin' banks all whacked on the Scooby Snacks...
  66. My DVD *is* my Hi-fi by Macka · · Score: 1


    Oh dear, if this is the way all CDs go then I'm screwed. When setting up my home Cinema system I got a DVD player with dual lasers so that I'd get good quality CD play. This is then hooked up to a Yamaha Radio+Amp and Boss Accustimas speaker system. Then I ditched my old Hi-Fi because I no longer need it.

    The only place I listen to CD's is in the Car, on my PC in the Office and on my DVD player in the lounge. So I'm going to be relegated to only listening to new music in the car! Even this might be compromised. With car crime being what it is, I don't often want to leave expensive original CD's in the car, so sometimes burn a copy for car use only. I'm within my personal copy rights to do that aren't I?

    So basicly I could be really screwed over by this :-(

  67. definetely by psychalgia · · Score: 1

    i just got a copy in the mail, everytime i try to PLAY it my computer locks up. Im running windows 2000, and this is the ONLY thing that ever has locked it up to the point that i had to hard boot my computer. I thought it was just a fluke...how strange.

    --

    ________________________________________________

    1. Re:definetely by kinaole · · Score: 0, Troll

      why on god's good earth would you run a microsloth OS? the problem is not the CD, it is that you are STUPID

    2. Re:definetely by Anonymous Coward · · Score: 0

      Just nabbed it via AudioGalaxy and it wasn't worth the bandwidth. They've gone WAY past the gutter- next stop the drain.
      But anyway, if it was "protected", it sure is available anyway.
      And yes, my Bugzapper (firewall) prevents AG's obnoxious addons from phoning home until I get around to dismembering them.

    3. Re:definetely by Anonymous Coward · · Score: 0

      what are you, 12?

    4. Re:definetely by kinaole · · Score: 0

      ... no, i am 45

  68. Look for MP3 versions of songs before buying by Anonymous+Bullard · · Score: 1

    Before laying down cash for CDs, always check in advance if anyone has managed to rip it. Perhaps the central CD databases should also start providing blacklist information on possible "protective" restrictions.

    If the one you buy still happens to be "protected", return it as faulty for a refund. Unless you're intent on supporting the gr***y labels that are pushing this down our unsuspecting throats. Do they really want customers to stop impulse purchasing due to the fear of restricted goods? Or do they expect the passive masses to give the expected response - and do nothing.

    We should pay for the music we really like and "use", but unless I'm clearly offered "rental terms" I expect to have the right of fair personal use.

    --

    Should invading one's peaceful neighbours be opposed, or rewarded with trade deals?

  69. As a side note related to this by trilucid · · Score: 2


    I've heard a lot of folks complaining on other boards about downloading MP3s that are "bad rips" from "protected" CDs.

    Now, my personal opinion is simple here. I don't believe the protection method is AT ALL fair, since it has the potential to prevent paying customers from making fair use of their media. However, I can't stand hearing people complain about "wasting time downloading useless MP3s", since that's not fair use in my book.

    Some people say sharing files with others is fair use. Legally, this may actually be so, but it doesn't sound fair ethically to me (with respect to the artist and the people behind the album production). On the other hand, the ability to copy my CD for my own personal use, or to rip it to a series of MP3 files is critical to me. It's also nice to know my PC CD player won't barf on a CD (since I almost never use "standalone" audio equipment anymore, all linked into my PC).

    Any thoughts on that? Anyone heard of similar complaints or "issues" with bad MP3 rips to due this?

    1. Re:As a side note related to this by stripes · · Score: 2
      Some people say sharing files with others is fair use. Legally, this may actually be so, but it doesn't sound fair ethically to me (with respect to the artist and the people behind the album production).

      If you are sharing the files with someone you know will buy the disc if they like it and delete it if they don't then it seems fair, but that may or may not be legal.

    2. Re:As a side note related to this by Anonymous Coward · · Score: 0

      IMHO, legality is hardly the question. When you decide to drive a few miles over the posted speed limit, are you breaking the law? Clearly, yes!
      Do you have a moral issue with doing so? Ah, there is the real issue!

      One must be able to justify their own actions within their heart and mind. Otherwise, what sort of life are you living?

      Every day, we make value judgements about whether or not something we'd like to do is right or wrong. I view sharing of music much like I view dodging sales tax on an item by mail ordering it out of state, or speeding (as in my example above). It may never be legal, but the reaons why it's illegal aren't good enough to make me think twice about reaping the benefits of sharing the music.

      As many musicians have pointed out themselves, downloading an MP3 and listening to it isn't much different than turning on your radio and listening to a song. Either way, you enjoyed the music without personally paying a dime for it. Even if you tape the music off the radio so you can listen to it again and again at will, who would really find fault with that action?

      Once an artist puts his/her work out in the open, I feel it becomes fair game for people to copy and redistribute. You can either choose to pay to get one that's distributed by the official record company and be guaranteed it's of a certain quality with nice liner notes, album cover art, etc. etc. -- or you can grab a free or counterfeit copy and take your chances.

      The fact remains that the work is still a creation of the original artist, no matter how many copies get passed around on the Internet. That's what can't ever be taken away from them.

    3. Re:As a side note related to this by fishbowl · · Score: 2

      >If you are sharing the files with someone you
      >know will buy the disc if they like it and
      >delete it if they don't then it seems fair, but
      >that may or may not be legal.

      If you are sharing the files with someone you know who already OWNS the disc but does not
      have the resources to encode an MP3 themselves,
      are you obeying or violating the law?

      If I defeat the SCMS copy protection on my minidisc or my DAT recorder, in order to make copies of my own music that I compose and perform,
      should I go to prison under the DMCA? (This is not a rhetorical question, mind you, I'm actually trying to understand the approximate $10,000 barrier between an amateur and professional recording capability).

      --
      -fb Everything not expressly forbidden is now mandatory.
    4. Re:As a side note related to this by trilucid · · Score: 2


      First and foremost, everyone please observe: someone has posted a very thoughtful reply as Anonymous Coward. To all the trolls out there, please observe and attempt to act in the same manner.

      Here's my take on the opinions expressed:

      "One must be able to justify their own actions within their heart and mind. Otherwise, what sort of life are you living?"

      Here I've got to wholeheartedly agree with you. We all have to choose our own path.

      "As many musicians have pointed out themselves, downloading an MP3 and listening to it isn't much different than turning on your radio and listening to a song. Either way, you enjoyed the music without personally paying a dime for it. Even if you tape the music off the radio so you can listen to it again and again at will, who would really find fault with that action?"

      I can't agree with this. Even in the case of radio distribution of music, mechanisms are in place to channel money back to those who are entitled to it. With the sharing of copyrighted MP3s, no such mechanism is inherently in place. Now, I for one would love to see this change. If the music industry would just pull its head out of its ass, it might see the enourmous potential for giving consumers what they want: convenience at a fair price point.

      "Once an artist puts his/her work out in the open, I feel it becomes fair game for people to copy and redistribute. You can either choose to pay to get one that's distributed by the official record company and be guaranteed it's of a certain quality with nice liner notes, album cover art, etc. etc. -- or you can grab a free or counterfeit copy and take your chances."

      YOU don't have the right to tell anyone (artist) how they can and can't define the rules governing use of their material. Only they can do that. To give you an analogy, let's say I write a piece of software (likely, these days). I have the option of choosing any license I like to define how people may use my code and/or binaries. Why? The material is, plainly, owned by me. The same condition exists for music, period, just as with any other copyrighted works. Now, I don't like the fact that the majority of the money for music goes to the fat cats at the recording companies, but the way to fight the status quo is rarely by patently breaking the law.

      "The fact remains that the work is still a creation of the original artist, no matter how many copies get passed around on the Internet. That's what can't ever be taken away from them."

      I agree that this can't ever be taken away from them, but why should their right to fair compensation be taken as well? As a matter of fact, under the law, it isn't taken if they don't want to allow it to be. If an artist wants to allow people to trade their files to anyone who asks, fine. However, if they want to be more restrictive, that IS their right as well.

      I don't have any issue whatsoever with true fair use. If you want to make a copy of a CD (or a few copies for that matter) for you own use in the car (or wherever) go right ahead. If you want to rip your entire collection to MP3 or OGG and stream it over 802.11b througout your house, be my guest. But don't try to justify tossing it into your Shared Files directory in LimeWire. That boat don't float.

      Again, thank you for the thoughtful reply. People should use your post as an example of HOW NOT TO ABUSE AC POSTING. Replies are welcome!

    5. Re:As a side note related to this by stripes · · Score: 2
      If you are sharing the files with someone you know who already OWNS the disc but does not have the resources to encode an MP3 themselves, are you obeying or violating the law?

      Depends on the court. One upheld this right (using the term space shifting), I think during a Rio lawsuit. One didn't (MP3.com lawsuit), or maybe that was a plea, but I thought it was a judge.

      If I defeat the SCMS copy protection on my minidisc or my DAT recorder, in order to make copies of my own music that I compose and perform, should I go to prison under the DMCA? (This is not a rhetorical question, mind you, I'm actually trying to understand the approximate $10,000 barrier between an amateur and professional recording capability).

      Should? Morally? Hell no. Legally? I have no idea.

    6. Re:As a side note related to this by funky+womble · · Score: 1

      Your own composed/performed music won't have the 'no digital copy' flag set on the data stream, so SCMS won't kick in.

  70. some cds won't play on NT by discogravy · · Score: 1

    i've just recently picked Godflesh's "Hymns" cd and while it plays fine on win98/Me/2k machines in winamp and cdplayer and windows' media player (v.7), everytime i put it in an NT machine the damn thing skips like i'm kicking the machine or something. is this an NT specific problem? at first i thought the disc was 'protected' because of this, but as soon as i got it home i ripped a copy for work (which won't play at the NT machines at work either).

    1. Re:some cds won't play on NT by alyandon · · Score: 1

      It isn't NT specific... I've never had problems (that weren't related to bad hardware) playing CD's under many different NT 4.0 systems.

      If these are all the same type of system (ie: Dell, Compaq, etc) then I would see if the system manufacturer has any updates for the cdrom firmware.

      The other route is to try and figure out who made the cdrom drive itself and see if they have any firmware updates for the drive.

    2. Re:some cds won't play on NT by Anonymous Coward · · Score: 0

      I ran NT4.0 for many years and never had any problems playing/ripping/copying CDs.

      I have SCSI drives tho -- NT4 seems to hate ATA.

  71. This is unconstitutional!!!! by Anonymous Coward · · Score: 0

    In all seriousness this should be fought and does not constitute fair use. if the record companies were not such crooks they would not face the current situation. I just dropped a few hundred bucks on an MP3 player and need mp3's. Also people have the right to listen to music on their computers. I mean it is more convenient to have playlists and track titles so we can listen to our music for hours without switching cds. The truth is that if a consumer with minimal equipment can copy a cd for less than a dollar in less than 5 minutes just shows the ridiculousness of cd prices. i understand needing to make a profit and protecting their investment. but in all seriousness do record companies think consumers are retarded. $20 for a cd that cost the record company, with all of it's overhead and costs, less than $5 is insanity. Instead of wasting money on anticopying protection, they should do the right thing and sell cd's for $7-$12. Most people who pirate would not normally buy if they cost $20 the cds anyway so what is the point, no sales have been lost. With lower prices and added value cds would sell better while keeping the customer happy. What the labels are doing now alienates consumers and really makes life difficult for the technically astute.

  72. List is bogus by Tony+Hoyle · · Score: 1

    Just because a couple of people used cheap CDRs and produced a couple of coffee mats they put the CD on the list... The DC Talk album mentioned is something like two years old - it predates the invention of this protection! (And I've played it on my computer dozens of times).

  73. Taco's choice? by jpostel · · Score: 1

    "I own at least one CD on that list and it ripped just fine"

    My guess is N'Sync!

    :-b

    --
    Ummm, Jon, aren't you supposed to be dead...? - Otter(3800)
  74. RIGHT ON! by Anonymous Coward · · Score: 0

    (I'm an avid reader and infrequent poster, I don't even have an account)

    *Most* Christian bands are in a flux about this. They do want the message out there as far as possible, but then they have to examine their own income, their purpose and mission with making the music. Is it to spread the gospel? Is it to fulfill a label contract? Is it artistic expression? They know mainstream record labels will screw them over completely, but they (i mean most) aren't totally consumed by the thought of being rich and famous. It's interesting to see who exactly will speak out and who will wait until copy prevention (if it does) becomes so prevalent that no one discusses it.

    The only opinions I've heard are from Jennifer Knapp who says she's doesn't really care, but she'd like to be supported too, and from Sonicflood who had their full length 128kbps mp3s on their site for awhile until they were mysteriously removed. Most other Christian artists distribute samples from their websites in windows media, realplayer, or some other proprietary streaming format -- sidestepping the issue of what rights listeners have to copy music.

  75. What about a canary trap? by issachar · · Score: 5, Interesting
    Interesting thought, but what would stop the RIAA from putting some sort of canary trap in place on randomly selected discs?

    If you don't know, the paper version of the canary trap is the idea of altering the punctuation, but not the text of a document in a certain way uniquely for each copy of the document you give out, and keeping track of who gets what. Then, if a copy of your document is leaked to the media, and they show text from the document, you can find the snitch in your organisation.

    Couldn't something similar be done with music? Not that it wouldn't be possible to undo, but if you don't know exactly what's been done, it's difficult to be 100% sure that you've undone the trap. Then the RIAA couldn't threaten very serious penalties. First off, you'd be certain to lose your job, but they couldn't also conceivably go after you for lost revenue for every copy of the song derived from the copy you originally made. And they'd have a method to prove that they came from your copy too. That'd be enough to bankrupt anyone.

    --
    . --- If you're looking for free e-mail you won't find it here! http://www.noemailhere.com
    1. Re:What about a canary trap? by karnal · · Score: 1

      Of course, you're talking about security through obscurity -- what I'd bet would happen is a few people would get a LOT of press over distributing these "tagged" pieces of music, and that would jump-start someone, somewhere to begin the tedious search of the "how are they doing it?"

      Of course, someone will be burned along the way, to set an example, but just because there's a law (DCMA?) doesn't mean people won't do it. Heck, look at the speed limit. Granted, not a good analogy (can't think of anything right now) but everyone breaks that law.

      :) Laws are to keep honest people honest, at best.

      --
      Karnal
    2. Re:What about a canary trap? by rosewood · · Score: 3, Informative

      Its possible they could do that, say change the intro ever so slightly. However, I am a pretty lowly possistion at this station and I have access to it. Even the janitor could make a copy. We are in a Level 4 market, but lets say the RIAA uses one of those watermarks we have heard so much about and then goes onto audiognome and picks up the latest Britney Spears song and it happens to be one someone here ripped and encoded. Then they go back and match it to us, etc. Well, at that point the RIAA comes to us and we just say oh, it must of been (someone we just fired). Sorry, but hey, which artist do you want us to put in heavy rotation?

      Yes they could do it ... but do I worry? Nah. After reading your post I gave a friend of mine a call up at a different radio station here in town and he brought me over their copy of an issued cd (both of our stations are owned by the same local company and we have a slight programing overlap). I slapped them in the machine and ran through a dupe check. Sure enough his CD matched ours bit for bit (acording to this program). So, at least for this cd in this one instance, no such thing I can see is in use.

      Also - to get to your first question, what would stop them? We have a contract that says basically we get these 'raw' coppies so we can air and play them. For example, they would be in violation if they sent us a remix of a song that edits something out when we requested it w/o. If they watermarked our music and then tried to bust our station, they too would be in breech of contract. Thus, it would turn to be a bunch of lawcrap where in the end nothing happens and both groups end up jerking eachother off...

      Welcome to radio

    3. Re:What about a canary trap? by innocent_white_lamb · · Score: 5, Interesting

      the paper version of the canary trap is the idea of altering the punctuation, but not the text of a document in a certain way uniquely for each copy of the document you give out, and keeping track of who gets what. Then, if a copy of your document is leaked to the media, and they show text from the document, you can find the snitch in your organisation.

      As a point of interest, it is my understanding that film studios already do this with movies. Each theatrical print (35mm film) has an individual serial number and each print is somehow slightly different than any of the others. Therefore, when a print gets hijacked and pirated, the studio can tell which print serial number it is, and can then trace that print back through all of the theatres where it has been played, theoretically being able to isolate the "culprit" who leaked that print.

      On the other hand, prints have been flat-out STOLEN from theatres or from shipping depots (bus stations, airports, warehouses) on occasion. Some prints of high-profile movies are even deliberately mis-labelled on the outside of the shipping cans. For example, Godzilla was "The Big One" according to the sticker on the can as I recall.

      --
      If you're a zombie and you know it, bite your friend!
    4. Re:What about a canary trap? by Sentry21 · · Score: 3, Interesting

      Interesting thought, but what would stop the RIAA from putting some sort of canary trap in place on randomly selected discs?

      It's an interesting idea, but the problem lies thusly:

      CDs are pressed, not burned. The manufacturing plants get a master, press x thousand discs, and ship them all. Each unique copy of a disc would need a separate master, which would be a pain in the ass (I would imagine), considering how many copies they sell.

      If they did two masters and sold 80,000 copies, then they would be able to limit the search to 40,000 of those users.

      Now, if they, say, did this in two ways - one for radio stations, music videos (with the advent of MTV being broadcast digitally in Canada, we can record CD-quality audio from MTV now), etc, and one for 'the rest of us', they'd be able to find out if it was ripped by end-listeners or radio stations.

      Of course, lots of people rip CDs as soon as they get home - I know I do, iTunes makes my life easier, since I have one playlist with all Garbage songs (even the B-Sides! mwaha!) - and the majority of people who use napter/aimster/gnutella/wangshare/whatever share the dir they rip their MP3s to, so the point becomes moot as the signal-to-noise ratio goes all to hell as soon as the CD is released.

      Oh well. Still, a neat idea.

      --Dan

    5. Re:What about a canary trap? by he-sk · · Score: 1

      Sounds a lot like watermarking the music. While this is possible, it is also possible to dispose of the watermark, as the Felten case has shown.

      --
      Free Manning, jail Obama.
    6. Re:What about a canary trap? by Cramer · · Score: 2

      First, watermarks don't work. They are worse than worthless. The theory goes you're not supposed to be able to hear it. But for it to work and not be simple to remove, it has to make significant changes -- either insert "noise" blocks or scatter bit flips throughout the track. Noise is easy to find and remove (and audible.) An embeding carrier can be completely destroyed with simple format changes (mp3 encoding, resampling, etc.)

      Of course, to place a "serial number" in all the audio sent to radio stations would require every station to get a completely different CD. How long would it take to burn one CD for each radio station in a given area? It's far too much hassle. Plus, there's a chance the watermark would survive FM transmission (which is perfectly legal to record.)

      Watermarked CDs are useless and infeasable.

    7. Re:What about a canary trap? by swb · · Score: 2

      It's a mixed bag, but the folks over at AFU claim that this is an old mapmaker's trick. Put nonexistant roads or other geographical features into the map so that if it gets duplicated you know its your map.

      I've never found anything like this specifically, although I've gotten plenty lost before (specifically in Louisiana) when the map's idea of the road and the road's idea of the road differed.

      I always presumed that this was something of an unintentional trap -- in order to make the map more quickly and easily, Big Name Map Company used a government provided map as a basis for their map and the government map was either wrong or woefully outdated. It usually hapens with county roads or other more rural throughfares.

    8. Re:What about a canary trap? by Anonymous Coward · · Score: 0

      You know this
      I know this

      I didnt know if HE knew this

    9. Re:What about a canary trap? by 3.1415926535 · · Score: 1

      First of all, as others have pointed out, this approach is economically infeasable because of the way CD's are manufactured. Also, this type of watermark is vulnerable to a collusion attack: You and a group of buddies each get a copy, average the copies together, and then release that. The process of averaging together the copies will almost certainly dillute out the watermark.

    10. Re:What about a canary trap? by Anonymous Coward · · Score: 0
      Some prints of high-profile movies are even deliberately mis-labelled on the outside of the shipping cans.

      I can attest that this is true. I attend the Seattle International Film Festival's Secret Festival, where you must swear in writing to never tell what you see before they will sell you the tickets. More than once I've seen a movie they said they "borrowed" from a distributor, as in "We went down to pick up [insert film title here] for next Tuesday's screening, and we saw [secret title] laying on the shelf and had to borrow it to show you." Then they start the flim and lo-and-behold, it's not what they thought it was -- the label lied. Happens I'd say about once every other year. Fortunately the film in the mis-labelled cans is usually pretty good...

    11. Re:What about a canary trap? by innocent_white_lamb · · Score: 1

      Sorry, I simply can't believe this.

      ALL FILMS HAVE THEIR REAL TITLE LISTED ON THEIR LEADERS! I've seen numerous films in "mis-lablelled" cans. I've seen one film with "mis-labelled" reel wrappers (Star Wars Episode One). I've NEVER seen a film with "mis-labelled" leaders. And no projectionist worth his rate-of-pay would put a movie together without reading the leader (and tail) on each and every reel.

      Sorry, once again.

      I'm a projectionist and deal with this stuff every day of the week.

      --
      If you're a zombie and you know it, bite your friend!
    12. Re:What about a canary trap? by issachar · · Score: 1
      I wasn't actually talking about watermarks per se...

      They could actually just alter the music in a way that isn't obvious and still sounds nice. They do that right now anyway. I've heard a few bands playing live on Leno that can't even sing on key all of the time. It seems clear that someone digitally cleans up their music in the recording studio. The same thing could be done here.

      It's not perfect, but it doesn't have to be.

      As for the contract with a particular station, contracts can be changed, and I don't see any reason why the station would object to this. (Particularly if the studio started offering incentives).

      Obviously I don't work in radio. Just a thought though...

      --
      . --- If you're looking for free e-mail you won't find it here! http://www.noemailhere.com
    13. Re:What about a canary trap? by Zeinfeld · · Score: 2
      I've NEVER seen a film with "mis-labelled" leaders. And no projectionist worth his rate-of-pay would put a movie together without reading the leader (and tail) on each and every reel

      You obviously haven't shown many re-run films then. First thing I would do as a projectionist is to cut off the leaders and trailers of every reel (except perhaps the last). Then I would spool them all onto a couple of 6000's and put the whole film onto the cake stand.

      Almost all modern projection equipment is continuous loop these days. Where on earth would you be using a twin projector set up (especially when projectors and lenses cost more than a cake stand)?

      It is far from unusual to get a film where the last projectionist switched the leaders on a couple of reels. On occasion you get a film with the headers from an entirely different film altogether.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
    14. Re:What about a canary trap? by innocent_white_lamb · · Score: 1

      You obviously haven't shown many re-run films then.

      All the time; every day of the week.

      Then I would spool them all onto a couple of 6000's and put the whole film onto the cake stand.

      Why not save a step and put the whole thing onto a PLATTER! That's the way that almost everyone does it these days. The old carbon-arc dual-projector setup is indeed passee. In fact, the (very) few guys that I know who still use that old stuff tell me that carbons are getting harder and harder to find these days.

      It is far from unusual to get a film where the last projectionist switched the leaders on a couple of reels.

      In that case it's easy to discover and fix because the last guy who had the film supposedly left a frame on the head and the tail for the specific purpose of matching it up to the reel when that happens, right?

      On occasion you get a film with the headers from an entirely different film altogether.

      The remaining frame on the head/tail mentioned above won't match, so it's obvious that the titles on the leaders are not the movie that you have in hand. The next step then would be to scroll through the head of the first reel and read the title off of the actual movie credits.

      I stand by my original statement. It is IMPOSSIBLE for any projectionist worth his rate of pay to show a movie where he doesn't know the film title before the picture is on the screen if he has set up the movie himself.

      --
      If you're a zombie and you know it, bite your friend!
    15. Re:What about a canary trap? by Zeinfeld · · Score: 2
      Why not save a step and put the whole thing onto a PLATTER!

      Because I don't want the audience to hear every pop crackle and whiz on the soundtrack when a bad splice goes through the projector.

      Unless you are showing an absolutely new print the chances are that there will be splices that should be repaired. If you just dump the thing on a platter you are hoping that the last projectionist was competent.

      In that case it's easy to discover and fix because the last guy who had the film supposedly left a frame on the head and the tail for the specific purpose of matching it up to the reel when that happens, right?

      If the film still has its original headers...

      I stand by my original statement. It is IMPOSSIBLE for any projectionist worth his rate of pay to show a movie where he doesn't know the film title before the picture is on the screen if he has set up the movie himself.

      I don't think that that anyone was suggesting that. They were saying that the cans were sometimes mislabelled.

      --
      Looking for an Information Security student project suggestion?
      Try http://dotcrimeManifesto.com/
  76. Want to stop this? Here is what to do by Brijam · · Score: 2, Informative

    The best suggestion is on fatchuck's site:
    Every time you go to a CD store, buy one of those broken CDs. Take it home, open it, play it, return it as defective and demand your money back. Just be sure you go to a large outlet, not an indie shop.

    No lawsuit is needed, just simple economics.

    -B

  77. No music CD is copy protected! by Anonymous Coward · · Score: 0

    It is times like these that I move to good old fashion getto ripping. I have a cd player which outputs to my soundcard and then I record the tracks by hand. Whenever I come across a CD that won't play on my computer I simply do this. Then I rip unprotected copys and trade them on the street for sex.

    1. Re:No music CD is copy protected! by Anonymous Coward · · Score: 0

      I thought getto ripping was where you "rip" the CD from the car? Or is that ghetto ripping?

  78. Re:.sig by rnturn · · Score: 1, Offtopic
    ``Greatest single guitar chord in music history: First chord, Time, Pink Floyd, Dark Side of the Moon.''

    Not a bad choice, but I think the title is really held by the first chord of ``Hard Day's Night''.

    Now let's see just how far off-topic we can get here. :-)

    --
    CUR ALLOC 20195.....5804M
  79. Copying the old-fashioned way by kilogram · · Score: 1

    When I was first introduced to the concept of MP3s, years back, the only way that I knew of ripping them was using a stereo-jack cable from the headphone-connector on my CD-ROM drive, and connecting it to the line-in on my sound card. It took a lot of work making it sound OK, but many of the MP3s I created that way had OK quality. How could 'copy protection' possibly prevent people from taking their stereo equipment, that is able to play the 'copy-protected' CD, connect it to their computer, using their stereo-jack-cable. Then they could simply record the songs they wanted, and *whoops*, you have a MP3 of the 'copy-protected' songs. When this MP3 reaches the net, it spreads extremely quickly.

    My point has to be that there is no such thing as copy-protection, and it amazes me that none of the bigger labels are able to comprehend that simple fact.

    1. Re:Copying the old-fashioned way by fishbowl · · Score: 2

      >many of the MP3s I created that way had OK >quality.

      That is a matter of opinion. Your analog copies sound like crap compared to the digital originals.
      Getting anything decent out of the consumer analog circuits is impossible, compared to the
      digital quality you get from DAE or from a clocked sp/dif copy. Just because it's better than nothing, doesn't mean it's a solution.

      --
      -fb Everything not expressly forbidden is now mandatory.
  80. Re:NT's HAL sucks, get over it by Anonymous Coward · · Score: 0

    Your problem is that the NT HAL (hardware abstraction layer) and drivers don't like the cdrom drive. In windows 9x, the ripper/player can directly access the hardware, and in linux, there are syscalls to do basically the same thing.

  81. Natalie Imbruglia's new cd by gagravarr · · Score: 1

    A friend of mine has just bought a copy of this cd in the UK, and when he tried to make a copy of it onto minidisc so he could take it into work, the copy failed. He couldn't make it work in his laptop either, except for using the low quality digital versions in the data section on the disc

    So, he brought it round for me to prod and poke it. Turned out that in my drive, it ripped fine. I've written it back out to cd, and now he can make minidiscs, and listen to it in his computer.

    All seems a little pointless to me, but aparently its progress.... thank god for the RIAA and similar bodies, where else would we be otherwise? ;)

    --
    This post will enter the public domain 70 years after my death, unless Disney buys another extension.
  82. It's already on Morpheus... by Robber+Baron · · Score: 2

    So my answer would have to be: Yes, it can be copied.

    --

    You're using her as bait, Master!

  83. CD corruption by neurojab · · Score: 2, Interesting

    The article uses the phrase CD corruption. I'd rather see THAT come into common use than "copy prevention". It's more meaningful to consumers who might not realize that "copy prevention" is bad or what it might mean to them. Do you think they're going to knowingly buy a "corrupted" CD? No way. When the answer as to why it won't play on their equipment is "the CD is corrupted", they're not going to stand for it. No one cares WHY it's corrupted. If the term "corrupted tape" had come into common usage during the height of the VHS Macrovision fiasco, it's quite possible that your DVD player today might send a proper signal to your TV instead of a corrupted Macrovision signal. Then you'd see the same clear, steady picture I do with my hacked Apex 600A ;)

  84. From Zero by Virtex · · Score: 1

    Does anyone know of other CDs with this problem?

    I bought From Zero's One Nation Under CD back in July and noticed I couldn't play it in my CDROM drive (though it played fine in my "normal" CD player). I was able to rip it with CD Paranoia, though it went very slow. I just assumed the disc was warped or something, which I didn't mind so much since I was able to rip it to MP3s (which I always do with the music I buy).

    --
    For every post, there is an equal and opposite re-post.
  85. More importantly... by TheMCP · · Score: 5, Insightful

    More importantly, return the darned unrippable CD's ! I was horrified to see people on here saying "yeah, I have this CD and I can't rip it..."

    If you can't rip it, it's defective and you should have the store replace it. If the repalcement can't be ripped there's something wrong with the production run and you should demand a refund.

    If every slashdot user stopped buying CD's today, the industry would note a certain percentage downturn in sales and mark it up to the economy.

    However, if every slashdot user returned every unrippable CD we get to the store/vendor, the stores would start wondering why the hell certain CDs are getting returned all the time and start complaining to the labels. Then the labels would have their sales channel angry with them and would be more likely to have to do something about it. A returned CD is an expense to the store: they have to store it until they have a batch to go back, and then return it to the label and wait for a refund or credit. If they start getting a lot of returns on one album they'll pull it from the shelves. (Hasn't that already happened once with Tower Records?) The stores will put up with much less nonsense than the labels are willing to either deal with or create.

    And, of course, we could have the correctly mastered CDs which give us no problems, which really we have no gripe with in the first place.

    I do, however, also recommend learning about your local musicians and independent musicians who may pass through your area. In the last year I've bought maybe a dozen CDs, just about all of which were purchased directly from independent musicians, and I must say I'm much happier with that music than with any of the commercially produced garbage they play on the radio these days.

    1. Re:More importantly... by O2n · · Score: 1

      I agree this is the best thing to do, but it's not always an option: sometimes you need to show the receipt in order to get a replacement (and almost always in order to get a refund) - I don't keep the receipts. :) Also, it may not be convenient to go back to the shop etc. What I'm trying to say is "plan in advance" is always better than "get your money back".

    2. Re:More importantly... by Lysander+Luddite · · Score: 3, Interesting

      So what do you do when the only option is to receive another copy of the CD in question? That's the return policy in 99% of the stores I have bought CDs from.

    3. Re:More importantly... by eclectro · · Score: 3, Insightful

      If every slashdot user stopped buying CD's today, the industry would note a certain percentage downturn in sales and mark it up to the economy.

      No, they won't. They're too arrogant for an admission like this. Instead, they will hang a downturn in sales on so called pirates and say it's because the cds were copied illegally, thus affecting sales. Then they can justify more copy prevention schemes.

      --
      Take the cheese to sickbay, the doctor should see it as soon as possible - B'Elanna Torres, "Learning Curve"
    4. Re:More importantly... by shepd · · Score: 1, Insightful

      >So what do you do when the only option is to receive another copy of the CD in question? That's the return policy in 99% of the stores I have bought CDs from.

      Buy from a store that's on your way to work. Return the CD daily until the store figures out that they either shouldn't sell to you, or should sell you better product.

      Cost to you: Minimal.
      Cost to the store: $20 a day.

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
    5. Re:More importantly... by kscd · · Score: 2, Insightful

      Pay with a credit card. If they don't want to give you a refund, call the card company up and let them know to stop payment. This will cost the merchant about $20. Which means that for the most part, just saying that you will do this will cause them to give you the refund (and dirty looks).

    6. Re:More importantly... by TheMCP · · Score: 2

      Well, I should say that I deeply respect your ideas in this matter, and if we could get *everyone* to just stop buying CDs for a while that would be the thing to do. The truth is, I just don't see the number of people we're going to get enthused about the idea of a boycott as being very big. As some of the other responses on this thread indicate, even slashdotters seem to be unable to resist buying RIAA-endorsed (for lack of a better description) CDs.

      And I'll admit to buying DVDs... but only after I got a player with selectable regions and no Macrovision (I hate Macrovision because my engineer tells me it could make my TV wear out quicker) and got a copy of DeCSS so I can do a format conversion on the data should I ever need to.

      I think, however, the idea of "If it doesn't work, return it" is one that most Americans can live with.

      I know what you mean about keeping receipts though: I used to toss the bag, plastic wrap, and receipt in the trash barrel outside Tower Records. Not any more, I had to exchange a defective disk once and ended up only getting it because the cashier who sold it to me was still there and remembered me. (It was like an hour later.) These days I keep the bag, receipt, and plastic wrap until I get it home and try it in my Mac.

    7. Re:More importantly... by Lysander+Luddite · · Score: 2

      I don' tsee this as a realistic option.

      1. I don't have a CD shop anywhere near my work path. (I tend to buy imports and specialty indie stuff)
      2. If I go into Best Buy or someplace similiar chances are I could go in every day for a year and they would never know I was returning the CD in the fashion you state.

      The other reply about the credit card sounds like the best option. But again, I would have to do that really quickly (payment is usually PDQ) and still return the CD, which in all likelihood would mean get the same CD again.

    8. Re:More importantly... by Sodium+Attack · · Score: 2
      They might not know it was you, depending on how much information they store in their computers. But I'd bet you dollars to donuts they do track returns, so they'd record 365 (OK, minus days they were closed) returns of that CD in a year.


      And if you think about it, it's even better if they don't know it's you. One person returning 365 copies of a CD could be dismissed as just a nut. If they think it's 365 people returning the same CD, they'll pay more attention.

      --

      Never take moderation advice from sigs, including this one.

    9. Re:More importantly... by ellboy · · Score: 1

      no, if you pay with a real credit card (not an ATM/debit card) then you can always call your credit company, tell them "I returned that product it was defective" and challenge the credit on your account, they must give you your money back. It's the law. At least until the dispute is resolved.

    10. Re:More importantly... by kadehje · · Score: 1
      I don' t see this as a realistic option.

      1. I don't have a CD shop anywhere near my work path. (I tend to buy imports and specialty indie stuff)
      I think you've hit upon an alternative solution to the problem. If at least a significant portion of your music purchases are from non-RIAA labels and relatively obscure import titles, then you probably won't run into this problem often in the first place. No indie label whose biggest albums struggle to sell 10,000 copies would dare risk their small profits (compared to the Big 5) and possibly their existence on copy protection technology that will probably upset many of its customers. In fact, I'm sure at least some of those labels and their clients wouldn't even mind some piracy of their artist's music, since the exposure created by the "pirated" copies would more than likely result in increased sales of the albums and increased popularity of the bands involved.

      Similarly, the import stuff you buy is probably either (a) from bands with no connection to RIAA labels or (b) music that RIAA labels aren't even releasing for sale in the U.S., meaning that copies of these albums won't affect profits since the labels weren't even selling them in the first place. So this music would either be out of RIAA control in the first case or flying below Hilary Rosen's radar in the second case and thus would not be subject to copy protection technologies now included on some copies of big artists' albums.

      If more people started dropping the Backstreet Boys' trash like a hot potato and started buying the music of indie artists and those outside the U.S. like you do, then I'm sure the RIAA would see what's up and stop this sort of nonsense, even if they're down to their last brain cell.
  86. If it is devised... by SquierStrat · · Score: 1

    If it can be devised, it has a demise.

    The labels will eventually find out that their lovely little method has backfired on them, when one or all of the following happen: the encryption is cracked, people stop buying the music, or people start copy and selling the copies of the cds with cracked encryption.

    No matter what happens though, the results will not be good for the labels-which is good fo rus as consumers usually-however on the interim, it will bite consumers in the rear, because we'll have to deal with these "corrupted" cds.

    I can already see one way to copy them: go out of a device with an S/PDIF output, into the S/PDIF input on your Sound Blaster Live. The recording should (this is in theory and assuming the encryption doesn't pass through on the digital output whihc I don't see how it could) be flawless. You have a working rip then, which you can record to a CD-R and play on your computer or other similar devices.

    --
    Derek Greene
    1. Re:If it is devised... by fishbowl · · Score: 2

      >go out of a device with an S/PDIF output, into
      >the S/PDIF input on your Sound Blaster Live.

      You're getting there with this suggestion, but not quite; the EMU10K1 on the SBLive is locked at 48Khz, which will give you dithering error copying
      a 44.1Khz signal. However, if you substitute something like a MOTU, Layla/Darla/Gina, or an
      M-Audio card, you've got it.

      The challenge of course, is to find a CD Player that has SP/DIF output which hasn't been crippled by Sony's SCMS protocol. Let me know when you find such a device (DVD, CD, Minidisc, or DAT).

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:If it is devised... by Anonymous Coward · · Score: 0

      Why bother buying special audio equipment when you can buy a little black box that will strip out/alter the SCMS bits from the audio stream.

  87. Ripped tracks already available. by ErfC · · Score: 2
    I see that The Tea Party's new CD is listed among the broken ones. I've seen tracks from it available on filesharing networks for a couple of weeks, at least. Obviously it isn't terribly effective.

    On the other hand, spotting those tracks is the reason I know they've got a new disk out. Because somebody ripped the tracks and distributed them, The Tea Party has made a new sale. :)

    --

    -Erf C.
    Cthulu always calls collect...

    1. Re:Ripped tracks already available. by MKalus · · Score: 1

      I ripped it for my own use directly. Worked without a hinch and now it's part of my MP3 Jukebox.

      --
      If you want to e-mail me, use my PGP Key.
  88. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  89. CD "Protection" possibly a felony in Germany by parabyte · · Score: 5, Interesting
    According to the german magazine telepolis a music fan charged Bertelsmann with fraud and intentationally causing malfunction of a data processing device, which is a felony under German law.

    From the artical (my Translation:)

    "Possibly soon German judges will have to deal with the question whether intentional violation of the Red Book Standard by manipulating the TOC is a criminal use of 'incorrect or incomplete data'. It will be also important wether digitally reading an Audio CD into computer memory is considered as data processing."

    The German Criminal Law has in the section "fraud" a the special Paragraph 263a about "computer fraud", which I translate as follows(IANAL, but I am married to one):

    263a StGB Computer fraud

    (1) Who damages the assets of another person with the intention of providing himself or a third person an illegal pecuniary advantage by the fact that he affects the result of a data processing procedure by incorrect design of the program, by use of incorrect or incomplete data, by unauthorized use of data or otherwise by unauthorized interference with the process is punished with imprisonment up to five years or with fine.

    This paragraph is usually used against people tampering with ATMs or a company's computer systems, but I see no reason why my personal computer should not be protected by this law, and for me it is unquestionable that all these CD copy prevention systems are feeding incomplete an incorrect data to my computer, and reading a CD into the memory of my computer is definitely a data processing procedure.

    As I know the courts, proving damage is often the crucial point. I think that a clear label stating "This CD is intentionally damaged so that it does not play on most computers and some CD players." would probably save the publisher, but anything short of this IMO constitutes fraud.

    In this case there was no warning sign on the CD, so when I buy such a CD I do not get what I pay for. If I bought the CD just to listen to it on my MP3 Player or use a duplicate in my car stereo (my CDs do not last very long when using them in the car), then the value of the CD is zero. And even if I get a refund, it probably takes more than an hour to manage it all, which is a significant amount that easily surmounts the value of the CD: I am tricked, my assets are damaged. This is even simple fraud under 263 StGB, and even a particularly serious case under subsection 3 (repeatedly defrauding a large number of people), which is punished with imprisonement up to ten years.

    I am very curious about the outcome of this case, but I would be happy if courts would stop greedy corporations trying to screw me with intentionally damaged products.

    If not, I will react like many people: I will stop to buy any music at all; I will fill up a terabyte disk with enough music for the rest of my life in one afternoon, and those record companies can fuck themself.

    p.

    --
    Without order, nothing can exist. Without chaos, nothing can be created.
    1. Re:CD "Protection" possibly a felony in Germany by The+Milky+Bar+Kid · · Score: 1

      IANAL, but in Oz the consumer law states that every consumer product has an implied warranty of 'fitness for purpose', i.e. it does what it's meant to do.

      Cds that don't play on a common type of CD player could certainly be in breach of this warranty, and thus the cost could be recovered. Unfortunately, we can't sue 'em for fraud, though :)

      --
      -- This post is about truth, beauty, freedom, and above all things, Karma
  90. In related news... by kindbud · · Score: 4, Funny

    The RIAA and MPAA announced today that a deal has been reached with manufacturers of consumer audio and video equipment. Beginning next year, new CD and DVD players will drop the letter "L" from the Play button, which will be linked to the consumer's credit card at the time of purchase.

    --
    Edith Keeler Must Die
  91. Re:thank you officer... by Anonymous Coward · · Score: 0

    ok, what happens if you lose your card or it gets damaged or stolen? why do you think they want a cashless society? your record of purchase can and will follow you. but, again you have the same problem of the card being lost, stolen, damaged or pirated. solution? chip implant id`s!!!!! hell just brand`em, opps! my bad, hitler already tried that...

  92. CDROMREADRAW by neurojab · · Score: 1

    Given that the corrupt CDs just have a multisession TOC that points to a bad TOC at the end of the disc, we ought to be able to make a ripper for linux using the CDROMREADRAW ioctl. Basically you'd bypass the hardware TOC read, completely to rip the disc, then parse the resulting stream of raw bytes for track starts and stops, in a smarter way than the hardware would. They have to be there if a normal CD player can read it, right? Then WAV-ify the raw byte streams (tracks), send them to LAME, and into my Rio500!

    Is this possible, or am I off the wall on this?

  93. Re:.sig by Reality+Master+101 · · Score: 1

    Not a bad choice, but I think the title is really held by the first chord of ``Hard Day's Night''.

    A solid choice, but that first chord on Time on DSotM never fails to send chills up and down my spine. Sitting back, eyes closed with your headphones, the subtle ticking of the clock, followed by the cacophonous ringing of the alarm bells -- fading into that huge, perfect, dramatic chord. I should also mention that that intro has the best dramatic drumming in R&R history.

    I'm not sure how Pink Floyd compressed a philosophical study of life, death and the nature of time into one guitar chord, but they did it. :)

    Can you tell I'm a fan of that album? :)

    It's amazing to me how good that album is, from the guitar work to the drumming to the tape effects to the amazing Roger Waters lyrics.

    "Then one day you find, ten years have got behind you, no one told you when to run -- you missed the starting gun."

    "Far away, across the field, the tolling of the iron bell, calls the faithful to their knees, to hear the softly spoken magic spells"

    "So you run and you run to catch up with the sun but it's sinking, racing around to come up behind you again." (has there ever been a better mental image of futility?)

    "The paper holds their folded faces to the floor, and every day the paper boy brings more."

    The thing about DSotM is not that the philosophy is hugely deep or original, but it's the poetic representation that is so awesome. Everything just comes together so well.

    Well, all except the song "Money". Maybe it's just been overplayed, but it never seem to fit all that well. :)

    Sorry to go on and on, but I've been listening to Pink Floyd a lot lately. Heh.

    --
    Sometimes it's best to just let stupid people be stupid.
  94. It is NOT legal to rip CDs, but not illegal... by rebelcool · · Score: 2
    There are only certain instances where making a copy of a CD is legal (such as if the original one was about to bite the dust) and a few others explicitly given in the copyright laws. What most people fail to understand about copyright law is that if the legal right is not expressly given, then its illegal. Nowhere has CD ripping been legalized.

    It is a gray area, however as factors like "affecting the market" come into play. Ripping a CD for distribution as MP3s 'affects the market' but ripping a CD to put it in your car probably wouldnt.

    --

    -

    1. Re:It is NOT legal to rip CDs, but not illegal... by IntlHarvester · · Score: 1

      Actually the Audio Home Recording act gives you the right to copy CDs for personal use, so long as you are using RIAA-taxed equipment and media. Seen those consumer CD copiers?

      --
      Business. Numbers. Money. People. Computer World.
    2. Re:It is NOT legal to rip CDs, but not illegal... by YouAreFatMan · · Score: 4, Insightful
      What you are saying is contrary to the nature of a free society and to the constitutional intent of copyright law (but is consistent with the current view of copyright as a form of property). The way freedom works is this: you have the right to do anything not expressly prohibited by law. This goes especially with copyright law, where transfer of information can be considered protected speech. The police cannot say to you, "the law doesn't say you can do that, so it is illegal." That is why America has so many laws -- everything illegal must be explicity stated as illegal. Everything else is implicitly legal.

      Your argument runs along the opposite line, that if copyright law doesn't say you can, then you cannot. Again, if you believe the rhetoric of the "intellectual property" cartels, sure. But if you believe the people who founded this nation and the ideals embodied in the U.S. Constitution, then that view is clearly incompatible with freedom.

      This is the insidious nature of the re-education effort being undertaken by media publishers, the BSA, etc.. The criminalization of copyright infringement (before it was a civil matter), the outlandish extension of copyrights, the aggressive litigation, the shift from sale of a product to a license, and the broad use of terms such as "stealing", "piracy", "protection" are all part of this effort. And people have integrated these ideas into their worldview. People are shifting to a "it's only legal if the shrink-wrap license says it's legal" mindset.

      --
      Robotiq.com is heavily tested on animals
    3. Re:It is NOT legal to rip CDs, but not illegal... by cpt+kangarooski · · Score: 1

      Really?

      I think that you don't grant the courts enough recognition. The RIAA v. Diamond case a few years back made ripping CDDA to MP3 legal even regardless of the AHRA. (which wouldn't apply)

      Besides -- you're backwards. The default state of a work is to be freely copyable. Congress must explicitly infringe on that right for everyone but authors in order to restrict copying, and they can create further exceptions within those restricted bounds.

      So if Congress said that copyright applies to only sufficiently creative books and maps, music would be left out in the cold.

      Presently it is something like 'sufficiently creative works' which is incredibly broad, but still requires positive action on the part of Congress to establish.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    4. Re:It is NOT legal to rip CDs, but not illegal... by rebelcool · · Score: 2
      I'll need to look up that case. I've been doing alot of research on this subject for a paper... its a nightmare trying to track down whats legal and whats not given that much of it is defined in court decisions and as amendments to unrelated bills.

      And the law is fairly explicit..only the artist has the rights to distribute (or give permission to) as well as other things. Effectively, its blanketed enough to outlaw everything else, except that which is granted in future legislation (or court decisions...)

      It is vague and subjective, yet in legalize of course, that means it covers everything thats not explicitly defined...

      --

      -

  95. Very telling by kindbud · · Score: 2

    [Aphex Twin] only releases what he thinks his fans expect from him and he keeps the really innovative stuff for himself, because he doesn't want to be copied by everybody.

    Well the solution is obvious. Aphex Twin needs to patent his innovations. Why, I bet the USPTO would be happy to open up a new market of intellectual property customers. Just think how much money you could make if you've got a patent on Salsa, or Grunge.

    --
    Edith Keeler Must Die
  96. Re:.sig by mgkimsal2 · · Score: 2

    Gotta agree on AHDN. Leave all the philosophy and all that behind (other post re: DSOTM). That first AHDN chord is just so FULL of anticipation/life/energy/whatever!

  97. But... you're wrong by kindbud · · Score: 2

    Fair use is the boundary that a copyright holder may not cross when spelling out the restrictions on how copies of his work may be used. Regardless of whether or not he explicitly grants you the right to make copies for personal use, you have that right. Fair use assures it. Or rather, fair use is supposed to assure it.

    --
    Edith Keeler Must Die
  98. If you are not coding or promoting an Open source by Anonymous Coward · · Score: 0

    alternative Digital Rights Management Scheme that
    allows legitamate fair use ( which does not include peer to peer file sharing of tunes you
    have not already purchased, but does include making compilation cd's of tunes you have)
    then you are just wasting valuable time.
    I think it should be called !Kafka.

  99. ripping these cds on macintosh computers by Anonymous Coward · · Score: 0

    I have some of these cds, all have ripped fine in OS 10.1 with iTunes. And they have also ripped fine in OS 9.2 with iTunes. I don't know if they are considering the multi-media on the cd's copy protection, because if they are thats quite riduclus.

  100. Organize a one-day boycott/protest? by mgkimsal2 · · Score: 2

    Would it useful to try to organize a one-day protest/boycott of the major stores selling this stuff? Or perhaps of one label?

    If enough people could purposefully NOT buy any Sony music for one day in even just one geographic region (midwest, for example) would that not send enough of a message? I worked in a medium-sized music store in a mall years ago - we'd take $5000 on busy days (xmas season, etc). That was just one location - there would easily be 100 or so medium to large music shops in just SE michigan (where I'm located). If you took away $500/store x 100 stores just in Detroit area, that's $50k in 'lost' sales. Would that impact be big enough to get a point across?

    Just wonderin'...

  101. Re:.sig by pyramid+termite · · Score: 1

    The greatest single guitar note/chord in rock and roll history? It's the first one Hendrix plays after the second verse of "Machine Gun". Utterly awesome. The rest of the solo is, too.

    Second place goes to Jefferson Airplane, "The Ballad of You and Me and Poohneil".

  102. Look out Apple! by GISboy · · Score: 1

    Several posters pointed out that the Mac/iTunes will rip these CD's just fine.

    The Mac is now a circumvention device under the DMCA...uh oh!

    Oh, wait a minute, maybe that is why the iTunes installer wiped out MP3 collections, so it would not run afowl of the DMCA...

    I get it...

    --
    If it is not on fire, it is a software problem.
  103. Re:.sig by rnturn · · Score: 2

    Oddly enough, Dark Side of the Moon is one of their LPs that I like the least. (Go figure, eh?) As far as Floyd chords, I'll take the first one from Fearless over Time. Takes all kinds I guess.

    ``...except the song "Money". Maybe it's just been overplayed...''

    Yah, you got that right. Maybe that's why I don't like the rest of the LP as much. Damned radio stations...

    --
    CUR ALLOC 20195.....5804M
  104. I'm Soooooo glad that i like old music by boowax · · Score: 1

    I'm Soooooo glad that i like old music so i don't have to worry about the latest release being copy protected. hell, the latest release was something like 20 years ago. then again thats when at least some music was artistic and not just a money-making scheme. Its nice to see that no-talent hacks that make what passes for music today are showing their true colors. unfortunately the recording industry is still sapping billions of dollars a year from the public for providing a disservice to them. Just what we need, more restriction on what we can do with the things we have payed to own; Thanks RIAA, as your profits rise and your quality plummets, you charge us more and expect us to go along happily for the ride. Stop the world, I wanna get off.

    --

    You report, Slashdot decides
    Prevueing you're poast ownly hellps iff ewe no how two spel inn teh furst plase
  105. Re:.sig by Reality+Master+101 · · Score: 1

    Oddly enough, Dark Side of the Moon is one of their LPs that I like the least. (Go figure, eh?)

    What's also oddly enough is that I didn't think DSotM was all that great the first time I heard it. I was like, "Yeah, that was okay, but I'm not seeing what all the hype was about". It was one of those albums that the more I played it, the more it all started fitting together and growing on me. In fact, I think I put in on the shelf for a few years before I pulled it off again.

    --
    Sometimes it's best to just let stupid people be stupid.
  106. not a bad thing by laslo2 · · Score: 1

    making n'sync cd's that cannot reproduce is a *good* thing.

    --
    Karma only matters to me now and zen.
  107. that wont stop me by Fembot · · Score: 0

    that doesnt stop me from using that nice shiny cd player hifi sepearte with digitial out and a nice fiber "cable" to my nice digigtal in on my nice sound card does it. If anything people that cant rip it will be less likely to buy it and more likely to download it. I personaly see cds like that as a challange ;-)

  108. 2-Pac? by RESPAWN · · Score: 2

    The Americas
    2-Pac: Until the End of Time (USA, Universal/Interscope)


    I think the fact that they are still coming out with 2-Pac CD's is ever scarier than the fact that they are coming out with Copy Protected CD's. Hey guys, HE'S DEAD. Stop putting out the albums already.

    --

    If Murphy's Law can go wrong, it will.

  109. Fair use, anybody? by kd5biv · · Score: 1

    Or is that just a buzzword nowadays?

    My question -- has anyone asked the American Library Association what they think of this, or has the ALA been keeping a low profile ever since the DMCA was passed? This would seem to step right dead center on their largest and most painful toes .. I know of a university library that has a collection of 20K+ CD's available for checkout, is why I ask ..

    --


    73 de N5VB (ex-KD5BIV) AR SK
  110. Sony by Pengo · · Score: 2


    Hehe,

    I am very disapointed that the Sony MP3 players are protected. The player locks the MP3 on your machine so you can't use it until the music is checked back in to the computer from the player.

    I had bought one, 1 day later I took it back to Dixons (Uk) and demanded a refund which they gave me, one of the sales clerks said that he had many people do the same thing.

    The sad thing is, I bought it because I like Sony equipment. I have a Sony stereo, a VIAO laptop, etc. They have lost me as customer for any portable stereo electronics until I am sure that this won't happen again. Even their stupid memory sticks are now having the secure music as a feature.

    I just bought a Intel Pocket Concert and love it. Sounds great, easy, sexy and no hassle. Didn't look as nice as Sony's, but at least intel isn't jerking me around as a customer.

    Just from talking with the retailer I bought it from, it sounds like sony's mp3 player sales are not very exciting at all.

  111. it's great someone maintains the list by porky_pig_jr · · Score: 1

    It's great someone maintains the list of copy-protected CDs.


    Personally, I consider it as an insult. I have a moderate collection of CDs (close to a 1000). I habitually play them on my computer and want to keep it this way.


    In addition, I am thinking of getting the professional CD recorder/player (such as Yamaha CDR1000 or Sony CDR W66, or HBB) to use as a high-end transport, and to feed digital output into DAC. All these devices is professional equipment, never intended to deal with non-red book compliant CDs. Incidently there is lots of high-end equipment on a market also no capable to deal with non-compliant CDs.


    I'm not sure how to deal with those CDs. One possible scenario is to simply let the vendor know that you are not going to buy it and the reason why. Another is to do what the article recommend. Purchase it, and then return. Which is probably better. An active resistance is always better than passive resistance.

  112. random text by patco15 · · Score: 0, Offtopic

    here.

  113. What about MP3 players? by gotw · · Score: 1

    I don't know what's so different about cd-rom drives compared to CD players, I guess there's some sort of idea behind it (I'll bet they invested enough in it). I havn't encountered any of the CDs on that list, I'm particularly unlikely to purchase the album of gregorian charts. But if I decide to purchase a CD, and find that it's copy protected what am I going to do about my £250 mp3 player (or infact, IC audio player as it has sonys dubious SDMI/OpenMG thing). Actually hang on a second, I appear to see at least 5 sony music publications on that list! So, if I can't rip my CD as described in my sony branded "OpenMG Jukebox" manual will sony send me the music in a format that I *can* use on my sony NW-E3? Perhaps I should phone them up and ask them? I may get back to you on that one, shouldn't they have warned me that they would have deliberately have rendered their own software unusable?

  114. Aphex Twin by DanBrusca · · Score: 1

    Just by way of related information, the new Aphex Twin album 'drukqs' contains copy protection on it's European continental distribution through Zomba.

    The UK and US releases are unaffected.

  115. That's not all by TACD · · Score: 1
    How about:

    CD Player + Person + Memory = circumvention device...

    Or:

    CD Player + Person + Lending to another person = circumvention device...

    My advice? Sit back and laugh; these enormous dolts of corporations are so insanely desperate to stop this free tade of music, and they can't. In any way at all. HAHAHA! :-)

    --
    Security through promiscuity is no better than security through obscurity.
  116. Sorrow by andy@petdance.com · · Score: 3, Funny

    Words cannot effectively express the sorrow I feel at not being able to rip my new Right Said Fred album.

  117. I got your copy protection right here.... by trifster · · Score: 1

    CD to CD player. RCA to stero microplug. Insert to line in. Record. Duh. :-)

    1. Re:I got your copy protection right here.... by fishbowl · · Score: 2

      >RCA to stero microplug.

      Your solution is to go back to the sound quality of the 1970's then?

      The difference between analog and digital sound is far too significant to dismiss that way.

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:I got your copy protection right here.... by funky+womble · · Score: 1

      Not if you use a reasonably decent CD player and an external ADC (either a *good* USB soundcard or a standalone ADC into a soundcard with digital inputs). Analogue sound can be pretty d*mn good, but the inside of a computer is a *really* bad place for analogue signals to survive intact.

  118. Been doing it.. by einTier · · Score: 2
    You act like this is hard. I haven't bought a CD in over year, but in the past, I averaged over 60 purchases a year. I figure that's about $1200/year right back into my own pocket, or about $100/month. Better yet, it's money NOT going to the RIAA.


    Is it hard? Yeah, at first. It's real hard knowing you're not going to be buying the latest CD by your favorite artist, and you won't be the first on your street to have it - but really, what is it worth? I still listen to music, I still listen to all my old CDs, and my vast collection of MP3s, which I might add, grows larger every day. I'm not buying the CD, so I'm downloading mp3s wherever I can find them. If I enjoy the music enough, I'll start looking for it at the local used CD store. If I find it, I'll buy it, if not, I'll do without. If I can't find the CD in a reasonable amount of time, I'll send a couple of dollars to the artist or delete the mp3s completely.


    It's just a different way of looking at things. Speaking of, if the MPAA keeps insisting on following the "progress" of the RIAA, they'll be next on my shitlist. All I need is one more arrogant action or a decent distribution system for movies.

    --
    -------------------------------------------------- $665.95 -- retail price of the beast.
  119. Aphex Twin and General Rant by r3v0ltn · · Score: 1

    A number of people have commented on the "Drukqs" cds, so I thought I'd join the fray. My edition comes from a New York internet company, so it may be unusual. But it is definitely American made, not European. Here's the skinny: there does appear to be some form of (very weak/experimental) copy protection on disc 2. None of my many music players (winamp et al.) were able to launch disc 2 from my (audio-enabled) DVD player. They were, however, able to play any cda track individually. My no-audio cdwriter did not experience this problem. As to the general topic, copy-prevention is yet another reason to actively oppose the music industry. Though two wrongs don't make a right, this initiative makes me want to grab a parrot and put on an eye patch. Mix-cds are the greatest musical advance since the LP and I'll fight to keep pumpin' out my custom cds.

  120. One example of ripped at the source by xixax · · Score: 3, Interesting
    A concrete example of ths, where the artist doesn't even have a CD yet (let alone Joe Public) and you can download it.

    Xix.

    --
    "Everything is adjustable, provided you have the right tools"
  121. Mod up to +5 by Compact+Dick · · Score: 0

    An excellent summary of what's wrong with the current copyright scenario.

  122. CT: Did you read the submission you put up? by bigfatlamer · · Score: 2, Informative
    For fuck's sake Taco, read the submission before you spout off...
    Apparently only a few markets have the 'copy protected' CDs while the rest don't. Here is a list of some that are 'protected.' Does anyone know of other CDs with this problem?" I own at least one CD on that list and it ripped just fine, so perhaps that are different versions of the CDs on the market
    It's right there...in the original post. There are different versions in different markets. You guys aren't that busy, pay attention.
    --
    --
    There's one thing computing teaches you, and that's that there's no point to remembering everything.
    --Doug Copland
  123. Gee... by Anonymous Coward · · Score: 0

    You do know you can do a custom install and not install spyware, do you?

  124. It's not being small, it's MS software shortcoming by moogla · · Score: 1

    It works in Linux because of cdparanoia; the code of which is very careful and will read a sector over and over until it gets it right, even if the ECC bits are mangled. Also, this means *BSD, Solaris, etc. are also unaffected. I don't know what the Mac software does, but it's probably a lot more robust than CD Jukebox or whatever Windows users use. So, my question is, does WinDAC work? As I recall, it has it's own code for doing CDDA reads from a variety of drives.

    --
    Black holes are where the Matrix raised SIGFPE
  125. Re:what is wrong with copy protection? by Mixmaster+Waffles · · Score: 1

    ...worth far more than the $19 price of the CD.


    I don't know which is worse, not being able to copy cds, a relatively new problem, and the fact that people are willing to pay 19 dollars or more for any cd. SUPPORT YOUR HOME GROWN STORES!!! There's a place down the road from campus here with just about anything you want for cheap, and if they don't have it, they'll actually offer to order it for you instead of going over to where you just looked and saying "Nope, we don't have it." If not a local store, at least go for best buy or target, where most cds are are around 13 bucks.

    --

    "I gotz mad tuba skillz."

  126. Make The Public Campaign Contributors by Self+Bias+Resistor · · Score: 2

    After checking the website, I found that the largest contributor was the National Association of Broadcasters with total lobbying expenditures of $5,200,000 and $657,892 in campagin contributions. Now, as far as I know (which isn't that much since I'm not actually a US citizen) there are about 300 million people in the US. If just one person in three hundred decided to give their relevant congressman or woman just five dollars, you'd easily match if not exceed the contributions of these corporations. So instead of complaining about evil, multinational corporations with seemingly bottomless pockets, why don't you dig deep and contribute something yourself? If more people did this, chances are your congressmen and women would not so readily accept money from people like the National Assoication of Broadcasters because they wouldn't need to. True, the big corporations could easily up the contributions more, but there's one thing the big multinationals don't have that we do - numbers. And if enough people contribute to campaigns, return defective CDs (which violate the Red Book standard and hence cannot carrry the Compact Disc Digital Audio logo) and write letters to the RIAA and politicians and anyone who'll listen then something just might be done about it. Hey, it's a better option sitting on your ass and complaining about it.

    --

    ----------
    When the pin is pulled, Mr. Grenade is no longer our friend.

  127. Just gimme FIVE MINUTES! by Anonymous Coward · · Score: 0

    I live up the road from him, shall I go around and kick his head in for not keeping it real??? ;)

    1. Re:Just gimme FIVE MINUTES! by 32xts · · Score: 1

      Yeah, go on. And you can tell him he lost at least one sale for this stupid trick. I'll be downloading it from elsewhere.

  128. Protected CDs should be cheaper? by mosschops · · Score: 1

    If companies are so confident these new protection schemes are worth using to prevent a certain amount casual copying, perhaps they should reduce the prices. Isn't one of the reasons they're so expensive (particularly here in the UK) due to music piracy?

    And if they're not willing to drop the prices, they obviously don't believe it's going to work in the long run anyway.

  129. Partially OS Independant by Anonymous Coward · · Score: 0

    These cds have multiple forms of copy protection on them. Well at least the CDs I've seen. However, some of it is embedded within the music data itself. In some cases, the table of contents can't even be read on some drives that i've attempted to play it on. The drives themself, even in Linux, will continue to spin trying to read the table of contents which doesn't work. It seems to fuck with the firmware of the drive itself at least in one case as I have had to reboot after trying to play one of the CDs in Linux and Windows. The CDRW drive i was using couldn't correctly play any CD on that drive after the copy-protected one was attempted to play (in the few times that the drive could actually read the contents).

  130. System of a Down should be OK by Anonymous Coward · · Score: 0

    I own a burnt copy of Toxicity. I think it was a straight burn, with no mp3-wav conversions. It plays great. Though I've only tried it my car 'Discman', I doubt copy protection would get transferred to a copy (how ironic), though I don't know the details of this type works.

  131. Re:what is wrong with copy protection? by herbierobinson · · Score: 1

    I believe there are requirements to stick to the spec in the licenses, but I think a more fruitful approach would be the various product labeling laws. Using the CD logo and the spelling "compact disc" probably makes one legally obligated to stick to the Red Book Standard.

    --
    An engineer who ran for Congress. http://herbrobinson.us
  132. Toxicity by ziggy_zero · · Score: 0, Troll

    I have Toxicity by System of a Down and it plays fine. Oh yeah, it's the vinyl LP - suck it biotch.

    --
    I belong to the ______ generation.
  133. where can you find good protection? by ChaoticWorks · · Score: 1

    in my pants! Toxicity burned just fine for me.

  134. don't buy the music? by mach-5 · · Score: 2
    Don't buy the music. Remember, while we may be able to vote in elections every 2-4 years, we vote daily with our money. If they don't have your money, the labels will (probably) be smart enough to stop pulling this kind of stunt.
    I love this quote from the page that lists the broken CD's. If everyone would just stop purchasing RIAA backed music, then the RIAA would blame their loss of revenues on mp3's and the internet, giving them a bigger reason to create "better" encryption schemes and create a larger MONOPOLY on the music business.
    1. Re:don't buy the music? by kindbud · · Score: 2

      But I bet we can do without buying music longer than they can do without the revenue.

      No revenue, no lobbying, no special laws.

      --
      Edith Keeler Must Die
  135. Re:what is wrong with copy protection? by fmaxwell · · Score: 2

    I don't know which is worse, not being able to copy cds, a relatively new problem, and the fact that people are willing to pay 19 dollars or more for any cd.

    That's a great philosophy if you want the latest Backstreet Boys, Goo Goo Dolls, or Mariah Carey CD, but purchasing rare import CDs, doubles, etc. means that you aren't going to find them for $13.

    There's a place down the road from campus here with just about anything you want for cheap, and if they don't have it, they'll actually offer to order it for you

    I often buy CDs at lunch and whatever store is the closest to my work is the cheapest. As the old adage goes, time is money and if I spend an extra 15 minutes buying a CD for $6 off, I'll have lost a lot more in billable time than I could possibly save on the CD. I don't mean to sound like a snob and I remember when I used to have to save up to buy LPs that I wanted (yes, I'm probably a bit older than you). Back then, I'd drive all over town looking for the best prices. Now I pay for convenience. I go to the mall or shopping center near my work, grab lunch, drop by the CD store, and go back to work. Boy oh boy, my life sounds boring!

  136. CD rips - Incubus by TonyZahn · · Score: 1

    The new Incubus CD burned just fine, and I've been playing it on my PC since day 1 (the only place I play my CDs). I don't see what they're talking about, are only some CDs within a certain set "copy-protected"?

    Anyway, Incubus' "Morning View" is highly recommended, good stuff.

    --
    - sig? who is this sig of which you speak?
    1. Re:CD rips - Incubus by Mysticalfruit · · Score: 1

      I've ripped the Incubus cd with both MusicMatch and grip (using Bladeenc) and I've had no problems.

      --
      Yes Francis, the world has gone crazy.
  137. late comment by Coniine · · Score: 1

    I know I'm a bit out of date respondin sooooo late but if a CD will play in an audio system can't you connect the spdif to your sound card and get the data that way? I know it's slow but it lets the audio player do the TOC and Reed-Soloman stuff.

  138. Re:.sig by Anonymous Coward · · Score: 0

    My nomination:
    Opening chord on The Beatles: "She's a Woman"

    Would someone be so kind as to mod me out of AC wasteland? I've left my password in my other jacket.

    DrMutex

  139. Its such a shame by Anonymous Coward · · Score: 0

    This form of protection will never stop those whom it is targeted at, namely those 'scum sucking napster users', macs are it seems immune and so are linux machines. Now i wonder how many users of music distribution software fit that category. :)
    All it will take for the hordes of windows users to do the same is for one person to create a hack.
    It will however stop me using my Hi-fi system in which i use a dvd player as a cd player. Though even if i did have a dedicated cd player it wouldnt even work on that because they all of the high quality ones use cd-rom technology because it is more reliable and can compensate for damaged cds better.
    So in summary they have failed entierly to stop ''illegal'' users and have made it impossible for dedicated music fans to even listen to their own cds.
    Why? I mean whose GREAT idea was that? Did they not see this happening?

  140. Re:what is wrong with copy protection? by sminra · · Score: 0
    As the old adage goes, time is money and if I spend an extra 15 minutes buying a CD for $6 off, I'll have lost a lot more in billable time than I could possibly save on the CD. [snip] I don't mean to sound like a snob...

    User Info for fmaxwell: fmaxwell has posted 561 comments.

    Hahaha! That's rich. Do I have to explain it? Ok, if fmaxwells' time is so valuable, what's he doing pissing it-away on Slashdot? Pressed for time? try www.gemm.com

  141. Re:what is wrong with copy protection? by fmaxwell · · Score: 2

    Ok, if fmaxwells' time is so valuable, what's he doing pissing it-away on Slashdot?

    I participate on Slashdot for relaxation and entertainment. Trudging all over town to buy a CD is neither relaxing nor entertaining. Any decent contract software engineer -- even those just out of school -- make enough that saving $6 on a CD is not worth 15 minutes of their time.

    Do you think that Steve Case's and Bill Gates' time is worthless because they occasionally go to a movie or take a vacation? Your lack of logic makes me think that the computer industry may not be the ideal career path for you.

  142. Correct. by rebelcool · · Score: 2
    The copies by Phillips meet the AHRA specs. They pay royalties, market it for musical copying ONLY and implement a type of copy protection in it to not allow copies from a copy. I believe the protection may only work on other copiers of the same nature however...

    Your average CDROM, burner and computer however, do not meet any of these.

    --

    -

  143. Not my argument... by rebelcool · · Score: 2
    I'm am simply stating thats the way the current copyright law works. And yes, I think it runs contrary to democratic means.

    However, look at it from an artists perspective as well. One can somewhat see why the law is that way... if you own something, and someone else wants to do something with it, there shouldnt be new laws to make it illegal to do something with it if its use is generic. Follow?

    --

    -

  144. What will they accomplish? by altan · · Score: 1

    WTH does the RIAA think it's going to get by stopping play on computers and ripping??
    1. Companies WILL make RIAA-enabled drive models.
    2. Clever people will find ways. A quick way I figured is to hook up a discman or another cd player to the Line In on your sound card, and Rec away! What, is the RIAA gonna disable headphone communication and make people stick their fingers into the headphone output and feel the tiny shocklets??

  145. Sony Portable CD-RW? by altan · · Score: 1

    + Sony has a portable CD-RW as you probably know. It also has Discman features besides that. So could it play them? Perhaps. If it could, that means it can copy them as well!

  146. A New Tactic: Complain to Philips by MullerMn · · Score: 1

    Hey,
    It occurs to me that the best way to get copy-prevented CDs such as these eradicated is to complain to the owners of CD technology, namely Philips.

    If lots of people write to Philips and complain about these low quality (ie. They don't work) CDs then Philips will be encouraged to take the appropriate actions to protect the identity of their product.

    Let Philips know that this is damaging the public's opinion of CDs - that's something they should care about.
    --
    Andy

  147. this is a test by jeffy124 · · Score: 1

    testing my posting abilities

    --
    The One Rule Of Chess You'll Ever Need: Don't play someone who carries a kit in their bookbag.