Wired's LOTR III Tech Breakdown
rjjm writes "Interesting little logistics piece in Wired about the technology WETA used for for The Return of the King." Ya know, now that the Matrix hype vanished into nowhere, I'm glad the LotR hype is gearing up. I think this one will earn it.
Hmm...must be one of those LOTR words
Ya know, now that the Matrix hype vanished into nowhere,
I don't think that it just vanished... it turned into something.
Life is the leading cause of death in America.
Could it possibly be the same technology they used in LOTR I & II ?
Looking at the specs for the rendering cluster... The coolest thing is the fact that power like that will be at anyone's disposal in the forseeable future.
Then all I need is an AI to make up for my lack of skill...
.: Max Romantschuk
Most likely ROTK will not live up to the hype until the extended edition comes out.
And I speak from the experience of two extended editions of the other two films that are both superior to the theatrical releases
With their hardware, from the article:
"Average time to render one frame: 2 hours"
I guess that means slashdot nerds won't be able to make LOTR quality CG for sometime?
I wonder if Return of the King will truly earn it, as it looks like it will deviate from the book even more than The Two Towers, having cut out Saruman and all. I fear I will be seeing more Hollywood-style action scenes that take away from the severity of the original story.
Is that like Pascal Length?
Ya know, now that the Matrix hype vanished into nowhere, I'm glad the LotR hype is gearing up. I think this one will earn it.
I hate to rain on your parade but if anything the indications of the Return Of The King have been disappointing. Firstly there is no sign of the Rangers of the North in the trailer even though there is a scene that obviously shows them entering the pass of the dead. Secondly it has been announced they have cut out the scenes with Sauruman, which is certainly going to make things interesting in terms of the seeing stones (I think they are called plantirs).
aus.music.scrapbook
I was hoping it was an article on certain effects and how they were accomplished.
:(
Not a tiny list of vital stats. (that didn't seem to impress me somehow)
Blogzine.net
Fortress of Insanity
clifgriffin > blog
Temperature of equipment rooms: 76 degrees
... 76C, 76F or 76K? :)
...
Well that's specific
If it's farenhite, then that's quite cool. If it's celcius then holy crap that's hot.
If it's kelvin then I think we've found the new overclocking kings
You could assume that they render multiple frames at a time. With all the frames they have to render, at 12 frames a day that requires a few decades to render.
clifgriffin > blog
1,600 Servers............. $640,000
10GB network.............. $378,000
35 IT staffers............ $140/hr
420 Visual f/x staffers... $9,800,000.28
Seeing Gollum bite Frodo's finger off with "Photorealism"... Priceless!
Any technology distinguishable from magic is not sufficiently advanced.
Any technology distinguishable from magic is insufficiently advanced. - Geek's corollary to Clarke's law
This movie will be eye candy. Look at the way it's being pitched -- not by the supreme acting ability of it's characters, but by the specs of the render farm used to generate the computer graphics. Even Matrix didn't go that far -- they at least attempted to pass M3 off as a "movie" with a "plot". I definitely enjoyed M3, don't get me wrong, but it was no "usual suspects".
stuff |
yeah - 'cos LOR is a bit on the short side and lacking in narrative delvelopment. They should only have done one film really instead of padding it out for three.
That sounds like a call for distributed computing and an LOTR rendering client on each PC. One million slashdot readers willing, we *will* render the Scouring of the Shire...
Tom Bombadil and the Witch-king of Angmar are the same person.
1. We never hear of Tom at all during the whole of the First Age. The Nine Rings aren't forged until the Second Age. QED.
2. You never see the two of them together.
3. In the first part of Fellowship of the Ring, the Nazgul are sent to the Shire to look for the wandering Baggins. Interestingly, Tom says to Frodo at the dinner-table: "...I was waiting for you. We heard news of you, and learned that you were wandering... But Tom had an errand there, that he dared not hinder" (Fellowship p.137 hardback, note the fear Tom has of his master, Sauron!).
4. In Tom's questioning of the Hobbits, JRRT notes that "there was a glint in his eyes when he heard of the Riders." (Fellowship p. 144) I think he was concerned that his double-life might have been noticed. Interestingly, Tom immediately changes the subject of conversation! Furthermore, the One Ring had no effect on Tom - which seems consistent with Tolkien's observations about how the Nazgul would have handled the same priceless object (Letters of J.R.R. Tolkien, #246): "They were... in no way deceived as to the real lordship of the Ring."
5. It's also interesting to note that Tom could see Frodo clearly while Frodo was wearing the Ring (Fellowship p. 144 hardback) - just as the Witch-king could see Frodo clearly while he was wearing the Ring at Weathertop! (Fellowship p. 208 hardback)
6. Perhaps most damning, however, is the incident with the Barrow-wights (Fellowship pp. 151-155), where Tom - with nothing more than a few simple words (p. 154) - commands the Barrow-wight to leave. And it does, without argument. Why would the Wight be so completely under Tom's control? Because in his alternate guise as the Witch-king of Angmar, Tom ordered the Wight to inhabit the barrow in the first place! Turning to Return of the King, Appendix A, p. 321, "evil spirits out of Angmar... entered into the deserted mounds and dwelt there." Obviously the Witch-king was reponsible for sending the wights there; just as obviously, the Witch-king (disguised as Tom) would be capable of ordering them to leave! (This is related to another passage, which has since been brought to my attention. On Fellowship page 158 hardback, Tom is guiding the Hobbits back towards the Road when he gazes towards the borders of Cardolan. "Tom said that it had once been the boundary of a kingdom, but a very long time ago. He seemed to remember something sad about it, and would not say much." Since Tom, as the Witch-king, was the one who destroyed the kingdom of Cardolan, it's little wonder that he wouldn't say much about his involvement. Perhaps his remembering "something sad" reveals some remorse at being the instrument of Cardolan's destruction...?)
...Yep: I think we have an airtight case here. :)
...It's worth noting that, after the Witch-king was dead, Gandalf said he was "going to have a long talk with Bombadil" (Return of the King, p. 275). Curiously, he never tells anyone about the meeting later... and he's right there at the Grey Havens at the end of the book, undelayed it seems by long conversation. I think we can therefore theorize that Gandalf made it to the Old Forest, but that Tom (once the so-called "Witch-king" had died) was nowhere to be found!
...Of course, all this brings up the curiosity of motive. What would make the Witch-King of Angmar sport such a double identity? I suppose that the Witch-king, once of proud Numenorean ancestry, felt trapped by the guise of evil which Sauron had tricked him into, and in the fullness of time forged this alternate identity for himself so that he could occasionally feel happy, helpful, noble, and more at one with himself and his lineage. The situation is perhaps analagous to a crossdresser who, feeling trapped in a man's body, would occasionally assume the identity of a woman. It therefore makes sense that the Witch-king's other identity would be so peculiarly enigmatic, and perhaps sheds light on JRRT's observation
Thats fuckin cool
except of course, he doesn't. the books have been out for 50 years, maybe you should try reading them.
Quidquid latine dictum sit, altum sonatur.
There's a series of books that were out years ago that were packed full of spoilers for all three films. They even had most of the stuff that's in the special edition DVDs and some of the stuff that didn't even get filmed. Now that's a spoiler.
That Tolkien dude sure had some sweet movie biz contacts. Harry Knowles eat your heart out.
"Accept that some days you are the pigeon, and some days you are the statue." - David Brent, Wernham Hogg
For those people who think that ROTK is only about F/X.
/Soren
I can't remember the amounts but around the time #1 came out they talked about the fact that in a normal picture they shoot about twice or three times more material and then cut it down to what you see.
I LOTR they shot about ten times as much. That is for every minute of finished movie they've shot 10 minutes of film.
So sure there is a lot of CGI going on, but there is still plenty of old fashioned moviemaking involved.
But off course with gollum and a giant orc army (what 100.000 orcs?) they have to rely on CGI.
Great so the movie is done, what will they do with all that power? I'm sure they can stomp out some SKG competition.
This SIG pulled due to lack of funding. (This damn war is costing too much!)
there was a /. article where weta pledged to open source its maya to renderman gate called "liquid".
it's been quite a while ago, and i still don't find it anywhere. did they lie?
...anyone that didn't see plot in Matrix 3 didn't see the movie(s). And there were vital story points made in the final movie that led to the ending that occured. The only problem I had at all with the movie is that the final cut needed to have the epic multi-tier battle much like Jedi had and it didn't. It would have been more impressive if the humans were about to be swarmed for the last time and Neo then finished off Smith right then and the machines stopped. The 'end' just occured over too many parts in a scattered fashion, there needed to be one great finish and it WAS there, just cut badly. I can't wait for the DVD to cut my own finish.
And one other thing is you cannot watch it as a single movie, which is why it's part of a trilogy. At least the first part felt like a stand alone movie. Hell LotR can't live up to that, you need to see the other two movies to get a sense of conclusion. At that you need to sit through 3 3-hour long movies to get to that end.
As for 'Usual Suspects', anyone that paid attention knew what was going to happen by the end, just like 'M3'
The hype surronding the LOTR: ROTK is a different Hype than that of the Matrix. Everyone has read LOTR many times over and everyone knows that Peter Jackson just has to follow the storyline of the book and people will be generally happy. Your comparison to the Matrix hype was not a good one.
The Hype surrounding The Matrix was that of unknowing. The story was in a form that this was a first time for everyone. I have to admit I was one of the few that thourghly enjoyed all three episodes and admired them for there story and cinematics. For lord of the rings I already know the story is good, I am just here for the cinematics.
My new title at the office is "Vice-President of Everything Else"
Average time to render one frame: 2 hours
That's quite a bit of time for 1600 separate computers, isn't it? Anyone know what resolution it is all rendered to?
A blog like any other.
When drafting your headlines, please consider that some of the older residents around here have high blood pressure and a low tolerance for extreme panic.
When I read the headline "Wired's LOTR III Tech Breakdown", my first thought was "Aw, crap! ROTK has been delayed because their servers crashed! ARRRRRRRRGH!"
Now I have to go to the restroom to clean up.
A better, LESS INFLAMMATORY headline would have been something like "Wired Breaks Down the Tech Behind ROTK".
My underwears (and my cardiologist) thank you for your consideration.
"Lawyers are for sucks."
- Doug McKenzie
Nazgul: Describe Sauron for me. ...and he's tall...
Saruman: Well, he's dark...
Nazgul: And?
Saruman:
Nazgul: Does he look like a bitch?
Saruman: What?
*thud* *scream*
Nazgul: DOES HE LOOK LIKE A BITCH!?
Saruman: No!
Nazgul: Then why'd ya try to fuck him like a bitch?
Can you please stop handing out Karma to that unfortunately large body of people who don't yet realize that books and movies are not the same media, and that you can't expect the same story to work equally well on both.
I don't know how it's possible that they haven't yet learned this basic fact, as it's been discussed to complete death by everyone and their grandmother for the past 10-20 years.
Tolkein was not a holy saint. His work is not the Bible. In some places his story telling is actually subpar. Peter Jackson has(for the most part) done a truly excellent job of culling the important elements into a theatrical release that the public can enjoy. His idea of releasing a very different version on DVD for the book fans is sheer genius. He recognizes that you can't please everyone with one version. Why can't you? It's not a hard concept to grasp really.
And if you really have issues with the job Jackson has done, suggest someone else who would have done better. Peter is the perfect choice IMO, as he doesn't have the ego that big producers do, an ego that would have turned LOTR in "Spielberg's LOTR".
... I wonder how they came up with the numbers here.
A blade chassis full of dual PIII's similar to what they showed in the "render wall" photo will, in my experience, pull 300 to 600 watts of power depending on CPU load and configuration - the maximum power use is 850 W. At least a third of that is turned into heat.
This puts the minimum heat load at around ((1600 servers / 6 servers per chassis) * 150 watts average heat output) = approx. 40,000 watts.
While I've never heard of "farenheit weight" before, "tons refrigeration" is pretty common in the air conditioning world - 40,000 watts heat load = 136,500 BTU/hr = 10 tons of refrigeration (in UK units, 11 in US). It's amazing how well that 1/2 ton air conditioner is operating!
Pavlov's Dog ate the bell, and now he's barking at Schroedinger's cat all the time... -Me
ah, but you're missing part of the point!
Legolas is pretty. We LIKE seeing Legolas doing cool stuff on the screen (jumping on horses, shooting watercreatures, sliding down stairs).
The LOTR films are great chick flicks:
- Aragorn: the strong, silent, hunky one
- Legolas: the pretty one
- Eomer, Faramir, Boromor: the dishy ones...
yummy!
.sig? No.
> IT staff: 35 & Visual f/x staff: 420
:-)
Are these people temps or do they have full-time jobs? Must be a real challenge to find that many people with experience in this sort of thing. I imagine they do alot of training? Anyone know?
> Servers in renderwall: 1,600 Processors (total): 3,200
Anyone know what these are? Dual Xeons? Do they take advantage of fast graphics hardware to speed up the rendering?
> Processors added 10 weeks before movie wrapped: 1,000
Making for a total of 4,200? About 30% more capacity 10 weeks before the end. So they added 1000 processors just to save about 3 weeks!
> Temperature of equipment rooms: 76 degrees
Assuming farenheit, that actually seems high.
> Fahrenheit Weight of air conditioners needed to maintain that temperature: 1/2 ton
This seems low...
> STORAGE Near online: 72 terabytes
What would this be? Robot DVD archive or something?
> Digital backup tape: 0.5 petabyte (equal to 50,000 DVDs)
What kind of tapes are these? Last I checked, IDE-RAID was a better bargain than tapes and DVD archives.
> Number of f/x shots: 1,400
> Minimum number of frames per shot: 240
This is confusing -- so a minimum of 1,400x240 frames = 224 minutes of shots but the screen time of F/X shots is quoted as 120 minutes...
> Average time to render one frame: 2 hours
Is this on the whole farm? If so, that's 76 years. If that's on a single processor, then the farm should be able to render the whole movie in 160 hours -- and you hardly need such a big farm. Must be rendering a frame uses several processors?
In all, very confusing...!
-Bill
I don't remember what I thought Tom Bombadil was before I read the Simarillion and knew the "back story".
After I read the Simarillion, I always thought he was Illuvutar (sp?): i.e., Eru, the main god. Since he was supposedly there before *everythng*, including the Valar and morgoth.
Now that I'm older I like the more clever theory that Tom Bombadil is THE READER. I.e., only the reader can have read the Simarillion, and be "present" throughout the whole history of time.
I don't like the theories that he's some supernatural Green party activist. I hate politics.
In every single LOTR article, someone makes the "I hear there are books out that contain all the spoilers!" joke as if it's funny, original, and clever. And every time, people mod them up!
Everyone--this joke is old and been done countless times before. It's like copying and pasting a +5 post from before and sticking it here just to trick you.
Does anyone else smell a Wired shill on slashdot? This must be the fourth or fifth "I saw a really neat story in Wired" article in the last two weeks...
Alot will be used for King Kong I guess.
I also heard SETI mentioned once, but I'm not sure if it was only a joke.
You make a good point, and I'm sure one which it seems "impossible" for readers here on /. to comprehend. For those who have never read the books, never even heard of the story line or the characters the movie is amazing. My best friend falls into that category and enjoys the standard versions moreso than the extended cuts, the story line flows better, and the movie itself has great continuity. He didn't care when I tried to explain to him about Saruman. It wasn't even that critical of a part of the movie for him.
Hell, try explaining the significance of Saruman, without revealing the seeing stone and without including the destruction of the shire, which we know is cut. Place yourself within the mindset of these blissfully ignorant few and you'll see why LOTR has such great appeal. We're just the precious few that have enjoyed the rich world so much that anything missing is a travesty.
I still want Bombadill.
Actually, the complete opposite is happening. New Line is pushing this as an actors' movie so they can win Academy Awards.
My wife and I just got a subscription to Wired a few months ago. I finally got my hands on it first and read the whole thing last week. It's amusing watching each story trickle in to /.
/. ...
1. Subscribe to Wired
2. Submit each story to
3.
4. (Karma) Profit!
Although I am not possessed of yellow boots or a yellow cap resplendant with blue feather I do like that second theory. I think it is at least as enjoyable as the Iluvitar theory. I'm currently re-reading FOTR, and I just stopped at the beginning of chatper 7 (In the House of Tom Bombadil. I think this will present an interesting point of view from which I can re-read.
;) Thanks for a new spin on an old favorite!
;))
There are some indicators that Tom is not the reader, of course, but I'm willing to overlook these.
(As an aside, I'd never seen the original copy of what our AC friend posted, it was ridiculous enough to be funny, but on Slashdot one can't assume that something ridiculous enough to be funny isn't being posted seriously. Forgive me, father, for I Have Been Trolled.
you can take the road that takes you to the stars...
The article does not mention which OS was used for the same? Anyone knows which? Hopefully Linux?
If you look at the print edition of that WIRED tidbit, you can look closely at the picture to see that it's actually shelves of DLT or more likely SuperDLT tapes with bar codes on them, part of their reported .5 petabytes of tape backup.
The article says "Meet the real star of Lord of the Rings - a 1,600-box server farm." but they dont' have a single picture of the actual boxes. If you want to see a brief glimpse at some of the renderfarm, you can see it at the beginning of the VFX section on disc 4 of the Two Towers extended edition.
I'm really curious if Wired thinks they actually rendered the movies using shelves of DLT tapes. Do they have 10 Gigabit Ethernet ports on them???
On that subject the stats seem to imply also that they have 10gigabit ethernet everywhere, which is a retarded waste of money if that were in fact the case. I imagine that interconnects between their core switches would be 10 gigabit ethernet, but anything beyond gig-E to each node would have a hard time being utilized.
-K
"...the maximum power use is 850 W. At least a third of that is turned into heat."
Um, if we assume that the energy spent in actually flipping bits on the hard drive is negligible, wouldn't nominally *all* of the energy used in the computer be turned into heat?
tricksee trolls
Better yet, each of the movies could've been 2x as long. Six movies, and we'd get to have lots more of what is missing!
Have you even read the book? Condensing that into one movie (and I bet you'd prefer it to be only 90mins long) would be futile.
Blade Runner largely gets people cranked with its production values. The whole "Why am I here? Why is Rutger Hauer such a tragic figure?" philosophizing side of it fell flat for me even back then in the almost empty theater. We didn't exactly leave the movie talking about the original issues it brought up, and I was, what, young enough not to drive yet... For Harrison Ford it's nowhere near as complete and convincing a performance as Mosquito Coast. The lame narration it was released with, the happy ending thing... It's a cool movie to look at, I guess, but muddled by studio interference and not high on my list of movies to watch again sometime.
Minority Report was maybe the biggest mess I've seen in ten years. The entire Warner Brothers "factory fight" sequence just made me wince, again and again. (One kept hearing that WB music, even -- dump dump dump dump DUMP dump dump dump...) Max von Sydow was no surprise at all, the plotline involving how he avoided detection in the original murder made precisely zero sense (he knows where "the camera" will be for these psychics?), and so on. The movie was maybe a half-hour long, partly owing to the tooo looooong homage to Blade Runner involving the whole eye transplant thing. We left that theater saying Spielberg had overproduced his material in a big way but never answered "What if he kills people inadvertently while he's running away this way?" Pretty basic plot question, you know? It deserved awards for production design and nothing else.
And you're right, the whole "shield surfing" thing and especially the Dwarf jokes got very old in Two Towers... almost as old as the incredibly tedious Tolkienesque declarative language. ("And so.... it begins...") The "Gollum debates himself" scene produced unintentional laughter in both theaters I saw it in. But, you know, I get bashed as a movie snob -- The Third Man, Citizen Kane, the Big Sleep -- and I could bring myself to see Towers a second time, despite all the screaming orcs and so on. The first movie was better, but Towers was okay by me. Not great, but pretty good for what it was.
"Fundamentalism" isn't about divine morality. It's about human authority.
Er, I think you will find that I was taking the piss
There's the old saying, "Power corrupts. Absolute power corrupts absolutely."
I once heard an interesting tweak on that, and perhaps more true than the original. "Power attracts the corruptible."
Perhaps Faramir really IS as pure as all that. Perhaps he never sought any greatness or position, only to do his best for his people. In that case, any station he has would be purely as a result of people under him pushing him up. Perhaps those of higher station yet were either born to it, or sought it, the latter implying that they are likely corruptible.
The living have better things to do than to continue hating the dead.
Fahrenheit missed the carriage return/line feed. Read it as:
Temperature of equipment rooms: 76 degrees Fahrenheit
Weight of air conditioners needed to maintain that temperature: 1/2 ton
Sierra Tango Foxtrot Uniform
The soundtrack titles have already been released and "The Grey Havens" is the last instrumental piece before the credit music. So we can exect the bittersweet sadness of the books ending. I do kind of hope they preserve the last scene of the book though:
[Sam] drew a deep breath. 'Well, I'm back,' he said.
SGI/IBM? Which OS?
Gather round, for the true reason parts were cut from the book to the movie. You see, I read each book to my son before the movie comes out. At approximately 30 minutes a night, it takes a month plus to read *one* of the three books. That's 15 hours per book. Now I grant that a few pages of "majestic mountain description" can be cut down to a flight over some real ones in the movie, but on the other hand, some of the action takes longer on screen than in text (especially describing the inner state of a character, which in film must be *shown* not spoken).
Personally, I don't have the bladder control for a fifteen hour movie. Yes, now you know the real reason for cutting the film to three hours (four for those in the comfort on their own homes). Bladder control. Simple really.
Sig under construction since 1998.
-- ac at work
At least quote the real source of the things you say.
:/
Those kids... they think their internet is better then mine
Why, that article reads just like the sort of technology-worshipping PR stuff that used to be churned out by big industrial corporations in the U. S. (and, of course, by the Soviet Union).
Only back then it used to be dams and steel mills and such.
This mighty dam holds mumble godzillion acre-cubits of water from the Colorado-Dnieper river. Its sixty-nine turbines turn at over 3000 therbligs, generating twenty-two thousand, six jillion and seventeen point six five myriads of power, coursing through twenty thousand leagues of wire--enough to serve the needs of sixteen-and-a-quarter cities the size of East Buffington. These complex control panels, with a combined mendacity of six hundred and fifty-eight knobs, buttons, and levers, are constantly monitored by eighty-six point three five highly trained technicians. Yes, when in full operation, this project will harness the vast forces of nature and offer the promise of a better life for the six million, two hundred and seventy-six-thousand, seven hundred and eighty-four people served by the North-by-Northwest Winnemac Regional Development Authority!
"How to Do Nothing," kids activities, back in print!
I, for one, welcome our new acceptable postings overlord.
Worn out jokes are the mainstay of this community. Haven't you figured that out, yet?
It's not so much the importance of the digit in question, rather what Golom bites off with the digit that is important.
No need for it now. IIRC, the plot device it served in the books was to (inadvertently) misdirect Sauron into believing the ring was headed to Minas Tirith. A happy accident for the Fellowship's sake.
In any event, the whole Osgiliath distraction in the second movie seems to serve the same point--Nazgul spots Frodo with ring in Osgiliath, Sauron gets mistaken assumption that ring is going to Minas Tirith, etc., etc. Which is probably why Jackson made the "addition" in the first place--accomplishes the same plot device without having to return to Isengard in the third movie. Time economy, I guess.
So no need for the palantir at this point. Sorry.
I'm interested in why people make these claims as you do, about how Jackson made and ass of himself. In what way? How did he trash this?
But of course, these books being what they are they can't please all the fans all the time. I'm a long time Ring fan...reading it for the first time in 1975. I've read it now a total of 13 times (all the way through that is, I sometimes pick it up now and then to breeze through it). And I thought Jackson did and excellent job of the movies. In fact, these movies now rank as my all time favorite. I knew he would have to change things, to leave out things. They're movies...movies are always different. I know some people who wanted the books verbatum. 2 people I know wanted 3 movies for the first book alone...so everything, including the singing and Tom B. could be included!
Then again, I know other people that never read the books that loved it...and some that said it was so so. But what amazes me are people like you that just make wild statements like "he trashed it" yet give no reason.
"Music is everybody's possession. It's only publishers who think that people own it." - John Lennon.
Then you read the Bill Joy article, and actually what he says is Linux doesn't interest him, it's not groundbreaking, but it's great for people who want to learn - a decidedly moderate and non-inflammatory statement. Later in the same article there's a reference to a meditation wall he's building, using Linux of all things.
Then there was this LOTR article, where Linux is never really mentioned, but you suspect they (WETA) were using it, and the parent post confirms it.
I'm not saying Wired is out to get Linux, actually they did a nice Linus cover recently. Just pointing out a stupid magazine publishing trick, I suppose.
To all those bitching about PJ not being a good director (for having left out this or that element in the books):
The director's role is in bringing a book to life. I say PJ has done it exceedingly well.
I read the books before I saw the movies, and I had this mental picture of Legolas - you know, being an elf and all, especially in the Misty Mountains, where he was the only one who could run atop the snow and such.
Orlando Bloom has more than delivered. The way he runs lithely across the mountains (in the beginning part of TTT) is amazing. No-one could have done it better. His dexterity with the bow (remember the rapid fire arrows in FotR where he kills the Uruk-Hai?) is also fantastic (of course, thanks to excellent editing too).
Usually, I am prepared to be disappointed that actors don't do my mental pictures justice. LotR has been a pleasant exception.
By the time he returns up the river with the ships, flag of Gondor flying, he is the king. (goosebumps)
Stupid sexy Flanders.
Just because the extended editions are superior, doesn't mean that the theatrical releases aren't excellent as well. one thing you have to keep in mind, the theatricals have to work together, they can't rely on extended edition footage to work. with no more saruman the average viewer who's unaware of the books will assume that it was resolved at the end of the two towers. for the die-hard fans of the series, they will know that there's more in the extended edition. as always I reserve judgement on the movie until Dec 16th. however I believe it will be good, and the extended edition will continue to excel. average viewers won't really care what happens to saruman, he's an important villain, but at the end of the two towers (theatrical), it appears he's routed... he is defeated...
yes removing the scouring of the shire removes a lot of saruman's character, but then a few short cuts they made in two towers really changed Faramir's character...
Actually, essentially all of it is turned into heat in the room (except for the microscopic amount of power that gets sent out of the room as Ethernet pulses). Yep, technically 1 is "at least 1/3", but the second law of thermodynamics is too oft forgotten.
When I moved into my dorm room at Stanford, nearly 15 years ago, I was shocked to discover that the university imposed a surcharge per quarter for the power used by certain appliances -- e.g. if you brought a mini-fridge or a microwave, you were were supposed to pay an extra $10/month or something to account for the power you used. The catch? The dorms were heated with ELECTRICAL HEATERS. Hence it was practically impossible to waste electricity in the cool half of the year -- using your fridge or microwave would just reduce the duty cycle of the elctric heater...
- Cups of coffee: 2,398,394
- Abandoned shots: 82
- grammes of cocaine: 1982
- nervous breakdowns: 4
- sceaming matches between (someone I'd never heard of and someone else I'd never heard of): 12
... You get the idea. Surely someone here has a copy of this and would post anonymously... c'mon you know it makes sense...Everything I needed to know about life, I learnt from Blake's Seven
ROTK can't possibly leave you more disappointed than EP1, Attack of the Clones, Matrix Reloaded or Matrix Revolution. And be thankful that Peter Jackson puts out mind blowing extended editions. No extended edition could possibly save the previously mentioned flicks.
And after all... you're my renderwa-ah-all.
Shouldn't great movies allow the general public to build a buzz about the movie instead of forcing it down our throats? I thought LOTR2 was a great movie, but watching the special features on the dvd it's kind of nauseating listening to actors profess their blind religious zeal over the greatest director, greatest performance, greatest whatever. Ultimately the public will decide if it's great, not the crew. I guess I have a problem with the way it is marketed.
Hello Cruel World
The Greatest Trilogy out to date, and you say it "vanished"?
There is no
first forget that you know about the book, forget that you've read the book. forget everything from the book, this isn't a 1-1 translation of the book to film, its an adaptation of the book to film. now forget about the book the book doesn't exist. take the movies for what they are. you don't know that Saruman is an Istari, you don't know that he's actually a spirit. all you know is he's some big wizard who turned evil. The Ents go and attack him, the movie ends with him panicing in his tower. He is, by the appearance of the movie, routed, no longer a threat. while having a bit more, is a "nice to have" to me its not a requirement for a good movie, there is a lot going on in return of the king, and pre-maturely ending the story of saruman, won't affect the flow. You say you can assume all sorts of things that happen off screen, but aren't supposed to in a good flowing film. frankly, a good sequel is the same way. you don't bring a character in just to kill him off... you can omit him and by rights the plot will show he's no threat anymore. what happened to him? who knows, there's enough going on that it isn't important. thats why it got cut. it would actually detract from the film. it would make the flow not as smooth. and its a crappy way to end a movie so they couldn't put it in Two towers.
and yes the extended editions work better together, I never argued against that. But the ending of Two towers indicated that saruman was no longer a threat, i'm not reading more into that, I'm reading what happened at the end of the two towers. He is still a powerful wizard yes, i won't argue, but his army is gone. and since he's no longer doing anything its safe to assume he's not a threat... because he's not in the movie... therefore he's not an important character in return of the king. which if he has those 7 minutes, it'll just re-inforce that. that same sentiment that will be quite evident.
It's gotta be a typo - it's gotta be 12 tons, not a 1/2 ton unit.
What a strange bird is the pelican, his beak can hold more than his belly can.
Pixar mentioned that number for a few of their movies.
A little sarcasm-deficient I see.
5 years from now, the "extended" DVDs will be all that counts in anyone's book.
So far i think the cinematic cut of FotR works better than the extended DVD, and for TTT it's the other way around (for me).
Sure I love the extras on the first extended edition, but in a lot of cases I thought the essential story still shined through in the leaner cut.
The extra length of the extended editions is a big problem. Balanced against all the extras is the issue of attention span and logistics - for example even at home I tend to not watch the entire extended version of either film in one sitting or even in one day.
CmdrTaco says "Ya know, now that the Matrix hype vanished into nowhere, I'm glad the LotR hype is gearing up."
Sounds like your additicted to the hype, buddy.
A friend of mine was really mad because her father told her that Aragorn dies at the end of the book...
:)
He neglected to mention that he dies about 100 years after the war of the ring
"Faith: Belief without evidence in what is told by one who speaks without knowledge, of things without parallel." - A.B.
Tolkien himself nixed the Eru/Iluvatar theory. I do like the ones claiming him to represent either the reader, or the creator. (Not Eru... Tolkien himself.)
But I think my favorite (and the one that makes the most sense to me) is the one that claims he is Aule. There's an excellent writeup on that, but don't know where it is at the moment. I think the link someone else gives below probably will have it, though.
Fear not! "The Grey Havens" and "Into The West" are the titles of the last two tracks on the soundtrack. I don't see how anyone who listens to "Into the West" (as you can do at the official site) can imagine that this is a "happy Hollywood ending."
Do not speak unless you can improve on the silence.
Actually, 7:1 raw footage to finished product is considered the holy grail for indie/low budget films.
Remember that the raw footage starts at tape roll, slate, waiting for everyone settle (waiting for the car to pass, airplane noise, annoying office worker on the phone, clumsy PA, etc), then "Action" through "Cut" and then a 3 or 5 second count before you stop the camera.
Most bigger budget films are in the 20 or 30:1 range. Action sequences can chew up a lot of film simply because of the number of 1 or 2 second shots used, with all of their above overhead. Also, directors in general are running more camera angles and more takes than they have in the past.
On the two indie shorts projects I've directed, I'm running about 10:1. I also ended up with between 100 and 120 camera setups for a 22 minute film. That's a bit more than most amateurs and a bit less than a lot of pros. I actually called for 182 camera setups on my last project, but had to scale down because we simply didn't have the time to get that many shots. In retrospect, I know I could have used our second camera more effectively to get those additional shots at the expense of more footage. Thank god I'm a digital boy, or this filmmaking stuff would be damn expensive!
Try this experiment one of these days: Pay attention to the commercials you see on TV. Count the number of cuts they make in 30 seconds. The resulting number will suprise you.
Now, Peter Jackson shot over 5 million feet of film for the three movies. That translates to approximately 1200 hours of footage. Or, a bit less than 100:1.
Do I consider that excessive? Well, um... no, not really. Oh, okay it was a bit excessive in some places, like the Arwen/Nazgul horse chase scene, but that was actually one of the second unit directors.
Moekandu
Mediocrity knows nothing higher than itself; but talent instantly recognizes genius. -- Sir Arthur Conan Doyle
Usually film frames is rendered to 2048x1556, as a 10-bit log cineon file (about 12.1MB per frame).
-K
Lord of the Rings is not like other books. The greatness of the book cannot be distilled into a simple plot of ring is found, ring journeys, ring is destroyed.
If you think this description somehow characterizes The Lord of the Rings as something unique, then you apparently don't read much. The greatness of ANY great work cannot be reduced to a simplistic list of plot elements. It isn't the individual elements, it's the execution that makes something great (or not).
The book is an epic tale with multiple plot lines, and MUST be taken in as an overall story.
Again, that hardly makes it unique. Name one -- just one -- epic tale without multiple plotlines.
Perhaps what you mean to say is that the various published books that comprise The Lord of the Rings (even though JRRT wrote it as one story) must be considered as a complete and overall story when making a three part adaptation? In that case, you simply don't understand the needs and requirements of dramatic structure.
The object of the story is the destruction of the ring. The thing that makes it great is the fact that Tolkien doesn't treat the object of the story as the entire point of the story. He spends time commenting on the "human" condition, on the nature of duty, honor, and friendship, and the destruction of a rural, pastoral way of life in favor of an age of industry. And, it being a book, he has all the space in the world to do just that. If you want all of those things, read the book. If you want a distillation of as many of the things that Tolkien addressed as can be included in a thorough and respectful adaptation to another medium, then you'd be hard pressed to find a better shepherd of original material than Peter Jackson and company. You will note that I said thorough not slavish . Slavish adaptation -- meaning that which doesn't take into account the inherent strengths and weaknesses of the target medium -- will doom a project just as readily as if you entirely abandoned the original work.
This book is the progenitor of the fantasy genre, and those of us who loved the book long before the movies were even on the drawing board recognize the overall importance of it in its entirety.
The Lord of the Rings may be the progenitor of modern D&D-type quest fantasy, but it is most definitely NOT the point of origin for the whole genre. Frankly, Tolkien would be embarrassed by the legions of crap that has been spawned in his image (Terry Goodkind, David Eddings, anyone?), but then you could probably say that about any pioneering author who's been endlessly knocked off.
Just take the specs with a pinch of salt.
AEnertia
Witty, tag line goes here
Actually, that appears to be 1000lbs-mass worth of cooling hardware. That's 31 slugs, give or take, for those considering non-terrestrial applications and are American or are thinking of designing with 19th century units just for fun.
While I'm suspicious that a 1000lb-m unit can pump 10T-30T of heat, if you discount the heat exchanger it's entirely possible. A 25T roof mounted heat exchanger, for example, may run from 2000-10000 pounds in weight, but the fan-coil unit rarely weights more than a few hundred pounds.
Is it just my observation, or are there way too many stupid people in the world?
... is the one I found more fascinating than any other in the books.
Faramir is kind and selfless whereas Boromir is brave but shortsighted, with an ego that overshadows even Dubya's.
Boromir is favoured by their father and has all the glory, but in the end, he puts his people and, indeed, the whole of Middle Earth at risk, whereas Faramir helps save them.
In life you can choose to help yourself or help others. Sometimes you can do both, but most of the time you have to make choices.
Tolkien also shows that neither choice is inherently more difficult - Faramir is born that way as much as Boromir is.
Most of you know who fares better in the end and I wonder how realistic that is.
I'd like to see the gang at South Park do another Lord of the Rings episode. This time, the kids get Big Gay Al to play Tom Bombadil. He would wear Tom's exact outfit and say all of Tom's lines. This is the only practical way to portray Tom Bombadil ;-)
BTW, Tom was kinda smooshed into treebeard in Two Towers: EE. Old Man Willow also makes a cameo (transplanted to Fangorn). And Frodo and Pippin talk about the Old Forest bordering the shire and living trees.
In this way, Treebeard effectively does everything that Bombadil does expect give swords to hobbits. Treebeard saves Merry and Pippin twice (Tom saves the Hobbits twice). He saves them from a hungry Orc and from Old Man Willow. Bombadil and Treebeard have virtually identical roles. They are elder spirits in Middle Earth. They are among those who are first awakened. Treebeard is a gaurdian of the forest, same for Tom.
-------- -------- Support Wesley Clark for president!!!
One possibility (as put forth here: What is Tom Bombadil? ) is that Tom Bombadil was the spirit of Middle Earth. Note that there are Nature spirits- Goldberry is basically a river spirit. She stays near her river and that's all well and good.
Tom, then, is the Nature spirit of all of middle earth. Thus was he first- he awake when the world was made, before the Ainur entered into it, before any of the Firstborn awoke.
It's as compelling as any other theory- I don't think he fits as a Maia, and too frivolous to be Eru.
Condensing that into one movie (and I bet you'd prefer it to be only 90mins long) would be futile.
It's been done, Ralph Bakshi has already taught us what futility looks like.
I don't know about you, but after reading the books (even after the nth time nowadays), this scene was/is very striking and powerful. The fact that Saruman had been finally been cornered, the revealing of Gandalf as white to him, the shattering of his staff, the realization of the evils of the palantir, and even the slinking away of Wormtounge... I mean, those images (in my mind at least) are very powerful. I realize that putting the Istari plotline would be far too time consuming (you'd start having to deal with Silmarillion history) It's just that after thousands of years of existance, the order of the wizards was finally changed with Gandalf taking the head of the group. This can be potentially used as a 'building up' piece, to let people know how unbelevably powerful Sauron is, rather than just showing us the angry cat's eye and some huge giant armored thing swatting soldiers around (FOTR). Showing the audiences how powerful these characters are can help to just accentuate the disparity of power between Sauron and a weak Frodo. That greater appreciation (and depth in story) makes things more powerful to the audience.
It's too bad that we just have time to hint at the second age... It would have been great if there was time to cover the light of the trees; Melkor; the powerful ancient elves. I for one would be more interested in seeing a history that covered the Second age... but that will probably not happen for a long time :( Someone should really make a short miniseries on it. I mean, they had all those primetime live action fatasy tales on NBC a few years ago, why not take the best parts of the Silmarillion and the lost tales?
In any case, Tom Bombadil was an interesting sidenote that was skipped but made sense (Tom always stayed independent of the rest of the world, therefore skipping him was not a problem).
0- Eamonman Proud member of DNRC
It's been open source for over a year now.
Source and binaries available here: http://sourceforge.net/projects/liquidmaya/
I recommend the feature on Gollum in TTT EE DVD.
There are a couple of outtakes, where the rendering software went astray. In one, he has long purple spikes radiating out of his head while he is talking. In the other, his eyeballs would pop out of his head and hover in front of his face, then pop back in.
Pretty funny stuff.
Even if it does suck, people here will still proudly proclaim that it's the greatest movie and movie series of all time.
In the real world, The Matrix was a better film than Fellowship of the Ring, the sequels to each film sucked equally, and I'm about 97% sure that Matrix: Revolutions is a better movie than RotK will be. (RotK will certainly have better acting, though)
Perhaps I can see reality because I don't base my perceptions on what "karma" I'll get for them.
it's pretty funny that there's so much cool shit in wired magazine that whenever a new issue comes out, slashdot has to space their coverage of the stories out over a couple of weeks so the site doesn't look like the wired fanboard for a little while. it seems kind of silly, as a subscriber to the magazine, to see yet another new reference to something in wired that wired published at least ten days ago. i'm sure that quite a few slashdot readers, and at least a few of the people that run it, are subscribers and perhaps feel the same way.
really, since the interests of slashdot readers and wired readers are so similar, slashdot should just have a single post when a new issue comes out that mentions some of the coolest highlights highlights that month. (i realize that some of the content of wired's website isn't in their magazine, but generally all of the best stuff gets printed, and, coincidentally, it also happens to be what is mentioned most on slashdot.)
OK, which asshole modded me down? You're the same guy who spelled Saruman's name as Sauruman, aren't you?
...is from Frank Herbert (Chapterhouse: Dune) "All governments suffer a recurring problem: Power attracts pathological personalities. It is not that power corrupts but that power is a magnet to the corruptible. Such people have a tendency to become drunk on violence, a condition to which they are quickly addicted."
----- And all that the Lorax left here in this mess was a small pile of rocks, with one word...UNLESS.