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Return of the King Leads Oscar Nominations

PurdueGraphicsMan writes "Lord of the Rings: Return of the King, the final chapter in Peter Jackson's directoral masterpeice is leading the 76 Annual Academy Awards with 11 nominations including Best Picture and Best Director. Next in line with 10 nominations including Best Picture and Best director is Master and Commander: The Far Side of the World. Here is a full list of the nominees in all categories."

412 comments

  1. Finally! by sbjordal · · Score: 1

    Could Return of the King be the first fantacy movie to win an Oscar?

    1. Re:Finally! by mirko · · Score: 1

      Well, if, with 12 nominations, this one doesn't get one, then it's doomed :)

      BTW, I really enjoyed the Triplettes de BElleville and I hope they'll get one : it was wonderful storytelling and realisation.

      BTW, is the topic "oscars", "lotr", or "movies" ?

      --
      Trolling using another account since 2005.
    2. Re:Finally! by Anonymous Coward · · Score: 0

      Definitely. As far as I know there has never been such a thing as a "fantacy" movie ever before. How could one have won then?

    3. Re:Finally! by firstadopter.com · · Score: 1

      Hail to the King. The best movie of 2003 bar-none!

    4. Re:Finally! by Anonymous Coward · · Score: 0

      I nearly pissed myself laughing when I read that. Other people in the office were wondering what the hell was going on :-)

    5. Re:Finally! by Anonymous Coward · · Score: 0
      Could Return of the King be the first fantacy movie to win an Oscar?

      No.

      Not even the second.

    6. Re:Finally! by b0neman · · Score: 1

      Hell NO. What'll happen is Peter Jackson will get royally snubbed this year. Then take a prat-fall with KingKong. The studio realizing that he's only capable of directing good Tolkien material will greenlight The Hobbit. Then, only then will the Academy realize the error of their ways and award him a pity best Director for The Hobbit(which will be a pale shadow of what the LOTR was) to atone for denying him credit for these superior movies. Just the way the Academy works...

    7. Re:Finally! by 3terrabyte · · Score: 1

      Nice try. The setting was not fantasy in either of your two movies. Your definition of fantasy seems to be anything that's not a documentary!! Ben-Hur: Genre: Action / Adventure / Drama / Romance Gladiator: Genre: Drama / Action

      --

      Why are there only 19 people folding@home for slashdot?

  2. How many seconds... by Anonymous Coward · · Score: 0

    ...until the outrage over the exclusion of Andy Serkis will be heard in here?

    1. Re:How many seconds... by wickedj · · Score: 1

      I wholeheartedly agree that Serkis should get an award of some type. But the problem is what category would he belong too? Best Supporting Actor? The problem is that the Gollum character isn't just him but a team of artists, animators, etc. Then it becomes more of a Best Visual Effects award which LOTR is nominated for.

    2. Re:How many seconds... by Chess_the_cat · · Score: 1

      It is just him doing the acting. It's not like he did the voice and that's it. That's him jumping around, wrestling, lurking. If he were wearing a costume then you wouldn't say it's not just him, it's the costumers and make up men. The animators are just putting a digital costume over top him instead of one made of foam rubber. He could easily be up for best actor.

      --
      Support the First Amendment. Read at -1
    3. Re:How many seconds... by CreatureComfort · · Score: 1

      After watching the Gollum Special on the Two Towers special edition DVD, I would have no problem with Serkis getting the Best Supporting Actor nomination. What's more, I don't think anyone on the LotR cast or production crew would dispute it either.

      --
      "Unheard of means only it's undreamed of yet,
      Impossible means not yet done." ~~ Julia Ecklar
    4. Re:How many seconds... by cybergrue · · Score: 1

      I wholeheartedly agree that Serkis should get an award of some type.
      There is precedence for the Academy to give special one time awards for extraordinary achievement, sort of like the special Oscar that Disney got for Snow White (One big Oscar, and 12 small Oscars on the same base, presented by Shirley Temple iirc) The Academy probably should have done this last year, and given it to the team that created Gollum (PJ, AS and the sxf team) but we can always hope they will do it this year.

  3. Roger Ebert's Preliminary Picks by sielwolf · · Score: 5, Interesting

    You can compare the actual nominations to Roger Ebert's predictions. He was pretty on point for Best Picture, Actor, and Supporting Actress. Its surprising to see the well liked but little seen roles getting nods. Alec Baldwin in The Cooler for one. Likewise it's interesting to see Keisha Castle-Hughes for her work in Whale Rider. Many were predicitng Charlize Theron would run away with her work in Monster but Castle-Hughes could pull an Anna Panquin upset. That role was powerful AND beloved. Something that might worka gainst Theron.

    Jude Law's nod is interesting since I don't remember anyone really talking about his performance (as compared to what Sean Penn, Bill Murray and Johnny Depp did this year). Ebert picked Russell Crowe's in Master and Commander which, likewise, didn't seem to have a big impact.

    Strangest one is that City of God got three nominations... although it had its NY/LA debut in December 2003 (Ebert made specific mention of it in his Top of 2004 to explain its absence). But here its getting nods for Cinematography, Direction and Writing. It probably only has a chance in Cinematography where RotK is (strangely) absent.

    RotK will probably run away with Makeup, Music(Song), Sound, Writing (Adapted), and Costume Design. Of course those are the second tier ones that end up as consolation prizes for a lot of folks. The interesting thing will see how it does in the big categories (which I guess Adapted Screenplay is one).

    --
    What is music when you despise all sound?
    1. Re:Roger Ebert's Preliminary Picks by fireduck · · Score: 4, Interesting

      the fact that ROTK took the top 2 golden globes probably gives it momentum heading into the Oscars. Sure there's the history of SciFi/Fantasy never winning the big prizes, but this movie is unique among movies. Jackson directed three movies simultaneously, all of which have won critical, popular and financial praise. That achievement alone has to count for something to the voters. Combine that with seriously state of the art special effects, insane costume/prop department, more than adequate acting, and really this movie is the achievement of the past three years.

    2. Re:Roger Ebert's Preliminary Picks by mbbac · · Score: 3, Insightful

      I'd wager those aren't considered "consolation prizes" by the makeup artists, composers, sound designers, writers, or costume designers.

      --

      mbbac

    3. Re:Roger Ebert's Preliminary Picks by sielwolf · · Score: 1

      Most definitely. But I was talking about those out here in /. land keeping score, though.

      --
      What is music when you despise all sound?
    4. Re:Roger Ebert's Preliminary Picks by Tellarin · · Score: 1


      actually City of God got 4 nominations,

      Directing
      Film Editing
      Writing (Adapted Screenplay)
      and Cinematography

    5. Re:Roger Ebert's Preliminary Picks by hcduvall · · Score: 1

      I don't think they'll give it to Castle-Hughes at all. Beyond not wanting to curse her too early, I'd say her performance is stronger because of the sentimental influence of the movie, than her actual role. So much so I was surprised it got nominated. I mean, why not Raising Victor vargas then?

      Besides, Theron just won the Golden Globes, at least against Whale Rider, that should cinch it.

    6. Re:Roger Ebert's Preliminary Picks by Ricardo+Lima · · Score: 1

      Actually, City of God had 4 nominations:

      Cinematography, Direction, Writing and Film Editing.

      --
      Ricardo da Silva Lima
    7. Re:Roger Ebert's Preliminary Picks by bitrott · · Score: 1

      The Cooler was a horrible movie... still Alec Baldwin was the most entertaining character in the film. I love William H. Macy, but the dialog and the story was soooo weak. I think Bladwin's acting was right on, although he had some of the most cringe-worthy lines.

    8. Re:Roger Ebert's Preliminary Picks by Golias · · Score: 1
      Its surprising to see the well liked but little seen roles getting nods.

      No, it's not. Ebert has been grinding that particular axe for decades. The two things which matter most to him in the world are: 1. Calling attention to obscure movies he considers noteworthy. 2. Opposition to the trend of digital projection.

      Cancer, war, third-world poverty, etc... all that takes a back seat to what really matters, that some Iranian subtitled childrens' movie is not being shown in nearly as many cities as he wishes it was.

      --

      Information wants to be anthropomorphized.

    9. Re:Roger Ebert's Preliminary Picks by sielwolf · · Score: 2

      I meant it was interesting not that Ebert brought them up (since he picked neither Baldwin or Castle-Hughes) but that the Academy gave them nominations. Maybe I was expecting to see Sardis up there.

      --
      What is music when you despise all sound?
    10. Re:Roger Ebert's Preliminary Picks by Anonymous Coward · · Score: 0
      The two things which matter most to him in the world are: 1. Calling attention to obscure movies he considers noteworthy. 2. Opposition to the trend of digital projection.
      3. Petitioning for another superfluous MPAA rating "for adults." (Although that one's been on the back burner for a few years.)
    11. Re:Roger Ebert's Preliminary Picks by Golias · · Score: 1

      Good catch, AC. People like you are the reason I still read at 0.

      --

      Information wants to be anthropomorphized.

    12. Re:Roger Ebert's Preliminary Picks by NaCl · · Score: 1

      Strangest one is that City of God got three nominations... although it had its NY/LA debut in December 2003

      But according to Yahoo! News:
      "CITY OF GOD": This brutally violent, documentary-style look at drug gang wars in Rio de Janeiro's slums received four nominations, including best director for Fernando Meirelles. The subtitled film was released last January -- traditionally when the weakest films are released.

      Although this is a cool movie, I must say that it is a nice piece of fantasy, as not even the wildest slums in Rio are close to what is portraited in this picture.

      --
      I shot the sheriff
    13. Re:Roger Ebert's Preliminary Picks by Smork · · Score: 0

      Strangest one is that City of God got three nominations... although it had its NY/LA debut in December 2003

      Even stranger is that I saw the movie last summer (end of June) in New York. So the December debut quite surprises me :)

  4. No suprise by TheRealMindChild · · Score: 1

    There is no suprise that this movie gets this kind of attention. I know I dreaded seeing it, just because I didn't find the other two movies very facinating. But in the end, I walked out of that theater with a smile on my face, happy with the fact, I didnt feel ripped off.

    I know I am not the only person that got caught up in the same kind of situation. It was just good.

    --

    "When life gives you lemons, don't make lemonade. Make life take the lemons back!" -- Cave Johnson
  5. all I've got to say by icebones · · Score: 1

    Is it's about DAMN time.

    --
    Life is pain. Anyone who says differently is selling something.
    1. Re:all I've got to say by Schnapple · · Score: 2, Insightful
      about damn time for what? I think FOTR had more nominations that ROTK, and all three have been up for best picture. Perhaps you're confusing getting nominated for winning?

      But yeah - with no "Chicago" style frontrunner, ROTK has a better than average chance.

  6. Is it just me... by Anonymous Coward · · Score: 2, Interesting

    ... or did "Big Fish" just get screwed?

    1. Re:Is it just me... by Anonymous Coward · · Score: 0

      While we're talking about Big Fish I'd just like to point out that as a mere English peon who has to wait an extra five months for the studio to uh...ship the films (Yeah, thats it!), we've just started to see trailers for Big Fish

      So I would just like to get to the point of this post by saying

      What
      the
      fuck?

      I thought the point of a trailer was that it is supposed to tell you what the film is about and give you the mood for the movie. Big Fish looks like a bad acid trip and I have no idea what it is supposed to be about. What a load of crap.

    2. Re:Is it just me... by Lev13than · · Score: 1

      Is it just me... or did "Big Fish" just get screwed?

      Dunno - did Troy McLure star in that movie?

      --
      When you have nothing left to burn you must set yourself on fire
    3. Re:Is it just me... by Anonymous Coward · · Score: 0

      Sorry for the studio's bullshit distribution practices, but don't let the mysterious trailer put you off. The vaguery is deliberate and plays to the message of the film. BF most definitely is about something, and it's something considerably more challenging and interesting than the usual Hollywood pablum.

    4. Re:Is it just me... by ill_mango · · Score: 1

      Yeah, Big Fish was an amazing movie, but unfortuneately I dont think it was very Oscar-y

    5. Re:Is it just me... by shelleymonster · · Score: 1

      I think it was completely Oscar-y. Unfortunately, I don't think the Oscars have room for more than one little, quirky movie, and Lost In Translation totally nailed it. Yes, In America is an independent film too, but it's more a look-at-the-human-condition type movie, and doesn't really fall into the same category. I'm definitely pulling for Big Fish in the adapted screenplay category, and I think it has a shot at that, mostly because the story itself is so good and compelling.

      --

      got biv?
    6. Re:Is it just me... by real_smiff · · Score: 1
      {half serious} don't worry, failing totally at the Oscars is a sure sign that it will be a classic in ten years time :D {/half serious}

      OK, Big Fish could have been up for Cinematrograpy, Art Direction, Direction, Adapted Screenplay just off the top of my head, having seen it last weekend, IMHO.

      --

      This is my Sig, this is my Gun. One is for Slashdot and one is for Fun.

    7. Re:Is it just me... by Golias · · Score: 1

      According to this Bif Fish only had a small, limited release in the US prior to Jan 9, 2004. Isn't it possible that this means it was considered a 2004 movie by the academy, and not in the running for a 2003 Oscar?

      --

      Information wants to be anthropomorphized.

    8. Re:Is it just me... by shelleymonster · · Score: 2, Informative

      According to Academy rules, to qualify for consideration a feature-length motion picture must have a running length of more than 40 minutes and have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format. The films must open in a commercial theater, for paid admission, in Los Angeles County between January 1, 2003, and midnight December 31, 2003, and run for seven consecutive days. Since Big Fish opened in New York and LA on December 7, it's set for this year's Oscars.

      --

      got biv?
    9. Re:Is it just me... by Anonymous Coward · · Score: 0

      You may have seen him in that film, yes.

    10. Re:Is it just me... by Frizzle+Fry · · Score: 1

      No. The whole reason to have a small limited release before releasing something everywhere in January is so that you make yourself eligible for the oscars that year while you're still fresh in people's minds.

      --
      I'd rather be lucky than good.
    11. Re:Is it just me... by Wolfrider · · Score: 1

      --Between the two, Big Fish would actually DESERVE the award - that movie made me cry.

      --Lost in translation however, lived up to it's title -- HORRIBLY overrated. I'd see Big Fish again, but not LIT.

      --
      .
      == WolfriderV6 == I'm willing to admit that *I just might* be wrong... Are you??
  7. nomiated for ...... by pauly_thumbs · · Score: 1, Flamebait

    most wooden delivery of lines.

    kind of sad when the best actors in the movie are a cgi and the asthma kid from goonies.

    *insert Krusty the clown quote about the academy being out of touch here.

    feel free to mod me as a troll or a big meaney or whatever -- I still love you unconditionally

    1. Re:nomiated for ...... by Anonymous Coward · · Score: 0

      Star Wars 3 hasn't been released yet.

  8. yay by Anonymous Coward · · Score: 0

    hopefully it will win best picture. But since the other two parts didn't win i guess it wont this time either

    1. Re:yay by 3terrabyte · · Score: 1

      It's been pretty much an unspoken suggestion that they were waiting till the last movie to come out to give them the awards.

      --

      Why are there only 19 people folding@home for slashdot?

  9. Smells like fish by Anonymous Coward · · Score: 0

    Every other Tim Burton movie stinks. This was not his year for a good one.

    1. Re:Smells like fish by Anonymous Coward · · Score: 0
      Every other Tim Burton movie stinks


      You're one of those unimaginative louts that preferred King to Atwood, aren't you?

    2. Re:Smells like fish by tiled_rainbows · · Score: 1

      No, he's probably one of those people, such as myself, who don't like Burton movies.

      Even if you love everything else he's ever done, surely you must agree that he ought to be publicly spanked for Planet of the Apes

    3. Re:Smells like fish by Frizzle+Fry · · Score: 1

      This is what's wrong with the academy awards. All of the focus on people's past work rather than just judging the movies that came out this year. Who cares how bad Planet of the Apes was? It didn't come out this year. Big Fish was a good movie and deserved at least some nominations, regardless of what movies he's made in the past.

      --
      I'd rather be lucky than good.
  10. Simple vs. Epic by addie · · Score: 5, Interesting

    I think it's very interesting to see that (IMHO) the two best movies to be nominated for best director are ROTK and Lost in Translation. One is a huge epic with a billion setpieces, thousands of extras, and a weaving storyline; this is an extreme challenge to direct. On the other hand, Lost in Translation features very few actors, very few locations, and some of the best low-key directing I've ever seen.

    I'm glad that the Oscars are nominating directors who are working from such completely different directions, but both achieving such brilliant results.

    1. Re:Simple vs. Epic by addie · · Score: 1

      Actually Peter Jackson is a kiwi from New Zealand. But nice try.

    2. Re:Simple vs. Epic by Dragonmaster+Lou · · Score: 1

      Isn't Peter Jackson from New Zealand?

    3. Re:Simple vs. Epic by Anonymous Coward · · Score: 0

      moron

    4. Re:Simple vs. Epic by Anonymous Coward · · Score: 0

      dumbass

    5. Re:Simple vs. Epic by Anonymous Coward · · Score: 0

      No. Him and his twin brother Richard Stallman were born in Cuba.

    6. Re:Simple vs. Epic by Anonymous Coward · · Score: 0

      > dumbass

      Fuck off, AppleBoy

    7. Re:Simple vs. Epic by Anonymous Coward · · Score: 0

      lol, trolls are getting truly pathetic these days :-)

    8. Re:Simple vs. Epic by mcdesign · · Score: 1

      One is a huge epic with a billion setpieces, thousands of extras, and a weaving storyline

      Thats hundreds of extras. Most of the '"extras" are digitally generated.

    9. Re:Simple vs. Epic by Anonymous Coward · · Score: 0
      Thats hundreds of extras. Most of the '"extras" are digitally generated.
      You'll take him to task for that, but you'll let "a billion setpieces" slide right by?

      For that matter, shouldn't "a billion setpieces" have clued you in to the possibility that he was using hyperbole?

  11. MOD PARENT UP! by Anonymous Coward · · Score: 0

    This is immensely funny, please mod up accordingly.

    1. Re:MOD PARENT UP! by Anonymous Coward · · Score: 0

      Made me laugh. More seriously, Bowling for Columbine was best documentary, but was more fiction than fact.

    2. Re:MOD PARENT UP! by Snaller · · Score: 1

      but was more fiction than fact.


      Only if you are an idiot.

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
  12. yeah, great, nominations for the movie... by garcia · · Score: 4, Interesting

    What about nominations from the cast? ZERO.

    Granted it's probably because the characters are actually co-dependant and everyone was fantastic but still...

    I saw Lost in Translation at a pre-screening and while I thought it was "entertaining" I certainly don't believe Bill Murray was any better in that one than any other movie he has been in.

    Depp's character was fantastic and he really led the movie and he probably deserves the award out of the list IMHO.

    But why not at least NOMINATE an actor for best supporting from LOTR?

    1. Re:yeah, great, nominations for the movie... by Psiren · · Score: 2, Interesting

      Depp's character was fantastic and he really led the movie and he probably deserves the award out of the list IMHO.

      Got to agree. The film was very entertaining and Depp really made that character his own. You could see he was really enjoying it too, which makes all the difference. The special effects were excellent too, without being over the top as a lot of films are. For example, the parts where Depp is running in and out of the moonlight and changing from flesh and blood to skeleton are really good, but a lot of it is shot from afar so it's not right in your face. Definately one of my favourite films in recent years.

    2. Re:yeah, great, nominations for the movie... by DarkEdgeX · · Score: 3, Interesting
      But why not at least NOMINATE an actor for best supporting from LOTR?

      Agreed, I was incredibly disappointed to hear Sean Astin didn't get a nod for his performance as Sam. Easily the most moving performance I've seen in a long time, and he pulled it off perfectly.

      --
      All I know about Bush is I had a good job when Clinton was president.
    3. Re:yeah, great, nominations for the movie... by CreatureComfort · · Score: 2, Interesting

      Yeah, Andy Serkis got gypped again.

      I know Hollywood isn't ready to award a digital representation an oscar, but for all the work and effort Andy put in (watch the Gollum documentary in the Special Edition "Two Towers" DVD) he deserved at least a nomination.

      --
      "Unheard of means only it's undreamed of yet,
      Impossible means not yet done." ~~ Julia Ecklar
    4. Re:yeah, great, nominations for the movie... by wickedj · · Score: 1

      "But why not at least NOMINATE an actor for best supporting from LOTR?
      Bill"

      You message and sig ran together. I thought you wanted to nominate Bill the pony from LOTR: FOTR.

    5. Re:yeah, great, nominations for the movie... by AceCaseOR · · Score: 1
      Well, IIRC, you can't get actor nominations for a role you're reprising in a sequel (though I could be wrong).

      Frankly, I was disappointed to see that The Last Samurai didn't get a best picture nomination.

      --
      Zagreus sits inside your head, Zagreus lives among the dead, Zagreus sees you in your bed and eats you in your sleep.
    6. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 1

      Yes, Depp made the film, but really that is only because the rest of the film didn't have much going for it beyond his character. Depp was the only breath of fresh air in it. (ok, the girl was hot, but aside from that...)

      And even then a lot of the quarkiness of his pirate character was already exhibited by his Raoul character in Fear and Loathing in Las Vegas. Pirates was a decent popcorn flick, but it doesn't deserve consideration in terms of awards based on performances... then again, after seeing Russell Crowe win for that roman movie, I guess I am out of touch.

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
    7. Re:yeah, great, nominations for the movie... by mike_mgo · · Score: 1

      It may have changed since then but Al Pacino received a nomination for his performance in the Godfather II, though he didn't win.

    8. Re:yeah, great, nominations for the movie... by fenix+down · · Score: 1

      Johnny Depp's always good, but you have to admit that all he really did with the pirate was Raul Duke with an accent and more "savvy"s. With Bill Murray, this is the first time he's actually gotten arround to playing somebody other than Bill Murray. You have to give him points for effort.

      I still want Johnny to win though, if only because finally somebody figured out that 1700s sea captains did not have perfect bleached white teeth! It's like that Val Kilmer movie where he's killing crazy zombie-lions in India or Africa or whatever. He's supposed to be an 1800s British construction worker and his teeth are actually fluorescing a little bit of a blue haze they're so white. They do a long shot from a mile off and you can still pick him out from the lens flare coming off his teeth.

    9. Re:yeah, great, nominations for the movie... by AceCaseOR · · Score: 1

      True, but, Al Pacino didn't play Vito in The Godfather. However, Sean Astin, since he was in the first 2 and didn't get a nomination, and Andy Serkis didn't get a nomination for TTT, I don't think they're elgible.

      --
      Zagreus sits inside your head, Zagreus lives among the dead, Zagreus sees you in your bed and eats you in your sleep.
    10. Re:yeah, great, nominations for the movie... by MuParadigm · · Score: 1


      There's a general consensus that Crowe's award for Gladiator was to make up for not winning anything for L.A. Confidential and The Insider.

    11. Re:yeah, great, nominations for the movie... by Keely · · Score: 2, Insightful

      >But why not at least NOMINATE an actor for best supporting from LOTR?

      Because they can't/won't nominate Gollum - there'd be too much uproar if a (even partially) CGI character won an award.

    12. Re:yeah, great, nominations for the movie... by mike_mgo · · Score: 1
      For the Godfather II:

      Pacino was nominated for playing Michael Corleone, the same role he played in the original. He was nominated for best supporting acot in the first and best actor for the second, winning neither time.

      Robert Deniro won best supporting actor for playing Vito Corleone (Marlon Brando's role from the original).

      So I think Pacino's case would be the same as Astin's.

    13. Re:yeah, great, nominations for the movie... by orac2 · · Score: 1

      The film was very entertaining and Depp really made that character his own. You could see he was really enjoying it too...

      My favorite moment in that movie is when Orlando Bloom parodies Depp's character. To let that go into the movie, the crew must have been a) willing to have fun and b) very confident about the character at the same time.

      --
      "Just once, I'd like to meet an alien menace that wasn't immune to bullets." -- The Brigadier, Dr. Who
    14. Re:yeah, great, nominations for the movie... by Chess_the_cat · · Score: 1

      You're probably right but this business of awarding Oscars to make up for ones not received or holding Oscars for a sequel so that you can reward the entire series is nonsense. Just give them out according to merit. I remember people saying long before ROTK came out that it would be nominated Best Picture and win to 'make up' for the fact that FOTR and TTT didn't win Best Picture. Well, that's a pretty risk strategy if it's true because what if ROTK stunk? What if it ruined the franchise and it couldn't possible win Best Picture? Do they give it to ROTK anyway for FOTR and TTT? Dumb.

      --
      Support the First Amendment. Read at -1
    15. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 1

      There's a general consensus that Crowe's award for Gladiator was to make up for not winning anything for L.A. Confidential and The Insider.

      Well, in that case maybe I was wrong... maybe Depp should get the nod because, I don't know... he gives a lot to charity, or something. ;)

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
    16. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 1

      I agree with you on the Raul Duke comparison... but as for the teeth - don't confuse "performance" with "costume design."

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
    17. Re:yeah, great, nominations for the movie... by tiled_rainbows · · Score: 1

      Which is exactly why all your best historical films coming out of hollywood are full of English actors.

      It's not the acting ability, it's that we have historically accurate teeth.

      Yes, I am English, and yes, it is true, our teeth, compared to yours, are all wiggly and stained. Man, I swear I can spot an American tourist over here as soon as they open thier mouth. From a mile off, on a sunny day.

      Ka-CHING!!!!
      "Arrgh! My eyes! Burning!"

    18. Re:yeah, great, nominations for the movie... by LeoDV · · Score: 1

      ...and Johnny Depp was the one who designed his costume. He actually built the character, coming up with the beaded hair, the makeup, the 'walk', the clothes, and (I assume) the teeth.

    19. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 1

      ...and Johnny Depp was the one who designed his costume ... and (I assume) the teeth.

      Great - then nominate him for costume design. Fake teeth shouldn't contribute to a "best performance" category, nor should dieting (Tom Hanks, Cast Away) or a fake nose (Nicole Kidman, The Hours).

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
    20. Re:yeah, great, nominations for the movie... by Artifakt · · Score: 1

      That's "The Ghost and the Darkness". The original pair of what you call "crazy zombie lions" are stuffed and exibited in a museum in Britain still. They really did kill all those people, at least according to the guys that finally bagged them. (Yes, here's another film based on a true story).

      --
      Who is John Cabal?
    21. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 2, Informative

      That's "The Ghost and the Darkness". The original pair of what you call "crazy zombie lions" are stuffed and exibited in a museum in Britain still.

      Thought it was the Field Museum in Chicago, no?

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
    22. Re:yeah, great, nominations for the movie... by LeoDV · · Score: 1

      It is if the actor builds the character. The fake nose and diet thing were just add-ons required by the part. It's not the same as Johnny Depp creating and taking for his own his character. It was Marlon Brando who had the idea to stuff his cheeks with kleenex and use that hoarse voice when he was hired to play in The Godfather. Tell me that doesn't contribute to his acting performance and to how deserving of an award he is. It's what we remember from the character!

    23. Re:yeah, great, nominations for the movie... by rascal1182 · · Score: 1

      "Yes, I am English, and yes, it is true, our teeth, compared to yours, are all wiggly and stained. Man, I swear I can spot an American tourist over here as soon as they open thier mouth. From a mile off, on a sunny day."

      Not me! My teeth are as yellow and nasty as any Englishman. Plus, I can put on a nice, generic British accent to fit right in.

      However, it seems you can tell a Slashdotter by how much of their life revolves around Lord of the Rings.

      --

      "Yarrgh! I be just a paintin' of a head..."
    24. Re:yeah, great, nominations for the movie... by Artifakt · · Score: 1

      Right you are. I think I got momentarily confused by the reference to a British guy shooting them. I was too busy trying to picture Val Kilmer with lousy teeth. Now you've got me wondering if this is another 'stuffed animals in the US in "defiance" of British rights' case - Winnie the Poo. I wonder if the British ever asked for 'their' lions back? People should see these, if only to understand that endangered species or no, some of that lion hunting looked like a vital necessity at the time.

      --
      Who is John Cabal?
    25. Re:yeah, great, nominations for the movie... by schlyne · · Score: 1

      Depp did do the teeth, or at least the one that's gold. He went and had a bunch of teeth capped with gold since he really wanted that to go into his role in the movie. After having it done, it was agreed that it should go into the movie and a few teeth were changed, but at least one gold tooth was left in.

      --
      I love deadlines. I like the "whoosh" sound they make as they fly by. -- Douglas Adams
    26. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 1

      Where I disagree is that I feel the bulk of this character was created not for Pirates, but for another of his films, Fear and Loathing in Las Vegas. For that film I have no doubt that Depp contributed greatly to the creation of the character - and after having seen a behind the scenes DVD on the film, I can still stand by that. Contrastly, with his Pirates film, I'll agree with the parent poster and say that all Depp "really did with the pirate was Raul Duke with an accent and more 'savvy's." Depp's pirate was a fun character and like Brando, I will remember him - I just don't think that makes its a "great" or award worthy performance.

      I think a much better gauge to determine the worthiness of a performance is to ask yourself, "How difficult was it to accomplish?" In the case of Depp's pirate, I don't think it was all that difficult. The quirky walk, the speech pattern, the "fidgetiness" - he's done this before, and in a far better film to boot. So what is left? He added some sexual-orientation questions into his pirate character, which I admit was hilarious... oh, and he had fake teeth...

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
    27. Re:yeah, great, nominations for the movie... by schlyne · · Score: 1

      I don't know how many other people who read Slashdot really went to see the last samurai.

      Before I get totally flamed here, I want to say that I have seen all 3 LOTR movies more than once in the movie theater, I have read the books and I own the extended version DVD's. I can see it getting best picture, sound, and directing (possibly a few others, but those are the ones I remember and can really see it getting).

      I also want to state that I'm sticking to the nominations for Best Supporting Actor that were listed.

      Admittedly, in the last samurai it's rather hard to let go of the fact that the samurai are doomed, but Ken Watanabe who plays the leader of the samurai village gives a truly convincing role.

      As an actor in this role, what he brings to this role comes across better to me, than Sean Austin as Sam. Sean Austin does a great performance of Sam, but Ken Watanabe's role (some of which could simply be good writing) gives a better sense of why his character is the way that he is and why he does these things.

      I also feel that sound should definitely go to LOTR:RoK rather than the last samurai since I felt that the music in the last samurai was a little overdone in places, but it was done well.

      I think that the last samurai should win something. Out of the movies I saw on the lists, I saw 4 of them, all of which are nominated for several categories.

      --
      I love deadlines. I like the "whoosh" sound they make as they fly by. -- Douglas Adams
    28. Re:yeah, great, nominations for the movie... by Snaller · · Score: 1

      But why not at least NOMINATE an actor for best supporting from LOTR?


      Because once people fall out of love with the film, they will realise that the acting in ROTK wasn't particularly fantastic.

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    29. Re:yeah, great, nominations for the movie... by Anonymous Coward · · Score: 0
      Granted it's probably because the characters are actually co-dependant
      You keep using that word. I do not think it means what you think it means.

      (Or that it is spelled the way that you think it is spelled...)

    30. Re:yeah, great, nominations for the movie... by Elfan · · Score: 1

      "Well, that's a pretty risk strategy if it's true because what if ROTK stunk?"

      Ya that is going to be a problem for ROTK, not that Oscars correlate very well to how good the movie actaully was.

    31. Re:yeah, great, nominations for the movie... by BigKato · · Score: 1

      Enough of the Sean Astin praises. Sir Ian McKellan deserves an Oscar for playing Gandalf. His facial expressions are incredible and add a level of depth many actors cannot reach. Little nods and winks and smiles make his peformance in the movies so enjoyable. He should have won for FOTR and at least been nominated for ROTK.

      And why aren't more people still going to see ROTK? This is it guys. Support it while you can. I had hopes that it could reach 'Titanic' levels but it won't even come close. You should check out Titanic's box office run over at boxofficemojo.com . It is amazing to see how long it sustained itself. I think it was making somewhere in the neighborhood of $25 million per weekend two months after it came out!

      Now turn off your computer, blow off work or school, and go see ROTK one more time. Let's get it back to #1 at the box office.

      --
      So we beat on, boats against the current, borne back ceaselessly into the past.
    32. Re:yeah, great, nominations for the movie... by holt · · Score: 1

      Those seem like stupid rules, to tell you my opinion. But maybe because he was nominated for best Supporting actor for the first one and simply best actor for the second (that is, two different awards) he was eligible? But if he had been in a supporting role in the second, he wouldn't have been eligible for that since he didn't win for the first?

    33. Re:yeah, great, nominations for the movie... by Anonymous Coward · · Score: 0
      Enough of the Sean Astin praises.
      No, just one more, please!

      When the casting was announced, I was pretty much on board with everyone EXCEPT Sean Astin. All I could think was Encino Man.

      Ian McKellen? Sure, he did a great job. But he's Ian McKellen; I expected nothing less. Sean Astin, though, really surprised me. I had no idea he had it in him.

      Now turn off your computer, blow off work or school, and go see ROTK one more time.
      That's the best advice I've heard in a long time...
    34. Re:yeah, great, nominations for the movie... by the+gnat · · Score: 1

      Johnny Depp's always good, but you have to admit that all he really did with the pirate was Raul Duke with an accent and more "savvy"s.

      I may have been a little too high when I watched Fear and Loathing, but I don't think this comparison is valid at all. If you've ever read the book, the movie character is exactly right, someone who has lost almost all touch with society and reality. The pirate is merely somewhat addled. The entire speech patterns are different, their body language is different. . . both are, however, so over the top that I guess this leads people to confuse the two.

    35. Re:yeah, great, nominations for the movie... by LSD-25 · · Score: 1

      Another example is Paul Newman. He was nominated for Best Actor for playing "Eddie Felson" in The Hustler, then twenty-five years later he won for playing the same character in The Color of Money.

    36. Re:yeah, great, nominations for the movie... by DarkEdgeX · · Score: 1
      And why aren't more people still going to see ROTK? This is it guys. Support it while you can. I had hopes that it could reach 'Titanic' levels but it won't even come close. You should check out Titanic's box office run over at boxofficemojo.com . It is amazing to see how long it sustained itself. I think it was making somewhere in the neighborhood of $25 million per weekend two months after it came out!

      IMNSHO, Titanic was rigged. Go to boxofficemojo.com and look up the weekly returns on Titanic-- be sure to note how many theatres it played in each week. Then go look at Return of the King's returns so far. Observe how they basically spoon-fed Titanic to the public, while ROTK (only in it's 5th week now I believe) has lost 1/4 of the theatres it started in. I wonder, if ROTK had been forced into those theatres that wanted to drop it if it wouldn't be doing as well if not better?

      I mean, looking and comparing the week by week results of Titanic to Return of the King, it looks to me like studios manufacture "hits" by forcing people who go to the movies to watch them.

      --
      All I know about Bush is I had a good job when Clinton was president.
    37. Re:yeah, great, nominations for the movie... by LeoDV · · Score: 1

      Yes, the character of Jack Sparrow is very similar to his character in Fear and Loathing. However, it's also very similar to his character in, say, Once Upon a Time in Mexico, and, well the way he behaves in real life. Every actor has 'trademarks'. You can't accuse him of ripping himself off, because, in the end, you'll find that most actors often end up playing similar roles in similar ways (*cough*Pacino*cough*), and it doesn't make their performances any less worthy.

      And as far as whether Depp's work on Sparrow was 'difficult', first of all I think you're underestimating the difficulty of it. Sure it sounds easy to walk that walk, and say why don't I wear beads in my hair and strange pirate clothes, but you have to come up with all the ideas and elements that make up the character (even if you're gonna recycle them three times), but most importantly you have to consider how difficult it is to do it right. There are a billion of tiny elements and factors which come into breathing life into a character, some we can't even imagine. That's what the actor's job is, and Johnny Depp did his impeccably. If it wasn't 'difficult', why are there so few who can pull it off right?

      But ultimately, I would say that whether it was difficult simply doesn't matter. What matters is that when the credits started rolling Johnny Depp's performance left me thoroughly impressed. He helped create, and breathed life into one of the year's most charismatic characters, and did it fantastically. It doesn't matter whether it was difficult or not. What matters when giving out awards is how good the end product is, not how much work came into it.

      Every actor has a different work process. Some work their asses off, research everything about the character/period/etc that they'll play, some just learn their lines, get in front of the camera and say them. Humphrey Bogart was quite famous for that. He would just walk in the set, smoking because he felt like it, hands in his pockets, and carelessly recite his lines, but there was such charisma oozing out of every pore of this guy that he simply came out amazing. Is that unfair? Maybe. But did his performances merit the awards he earned? Definitely. You hand out awards looking at how good the end product is, not rating how much work came into doing it. That's how you give awards to gradeschoolers.

    38. Re:yeah, great, nominations for the movie... by TheWickedKingJeremy · · Score: 1

      I didn't see any similarity between Sparrow and the guy from Once Upon a Time in Mexico (aside from both Depp, of course). What I am talking about is certainly not "trademarks" -- I'm talking about a rehashing of a previous character of his to the degree that it made me lose respect for the role to some extent. These are the only two roles of his that I thought crossed too many lines with each other - I certainly do not feel this way about all of Depp's films. Yes, nowadays Pacino plays the same part over and over again and, of course, doesn't deserve awards for them (nor does he receive them).

      And when I say "How difficult was the role to pull off?" I don't mean necessarily mean for the particular actor chosen for the role... If playing a part comes easier for a Bogart than it does for one of the guys in Friends - more power to Bogart. What I mean is, how far seperated is the act of playing this part successfully from the rank and file, poor actors in the world... better yet, how far away is this performance from *me* being able to play it? Is it the type of role that just about any actor could play? Or did this one actor pull something from someplace special and really show us something?

      The first and main strike against Sparrow is not even Depp's fault per se, and that is the film's script. Sparrow quite simply did not have to show us anything complex. Ive always heard that what seperates good actors from bad ones is that good ones can "feel" (and therefore, show to the audience) two or more emotions at once... they show us the confliction. Conversely, bad actors tend to give polorized performances - when they are mad, they are clearly mad -- and then they turn clearly sad, etc... While I certainly think Depp belongs to the former (he is the only reason I saw Pirates in the first place, and the only reason I somewhat enjoyed it) I don't think this performance in particular is a showcase for his ability. The role was just too simple. Contrast this performance with Billy Bob's in Sling Blade, or Nick Cage's in Adaptation, or Sean Penn's in Mystic River. *Those* performances showed us something. In comparison, playing Sparrow was relative cakewalk. I'll be first in line behind Depp for an award when he shows me something other than being good-looking and rehashing old characters - I know he is capable of it. In the meantime, I'll just keep going to, and enjoying, his movies.

      --

      my religion lies somewhere between buddhism and super monkey ball - pamphlet?
  13. But the New York Times... by Bingo+Foo · · Score: 4, Funny

    The NYT website front page, arbiter of all that is good and important, is touting the splendor and Oscar success of "Lost in Translation," so I can't imagine that any film could have done better than that one. You'd better check your facts.

    --
    taken! (by Davidleeroth) Thanks Bingo Foo!
    1. Re:But the New York Times... by Derkec · · Score: 1

      NYT website front page has been in a state of flux all morning. The initial story was heavily centered on ROTK. We'll have to wait for evening or tomorrow to see what story(s) they decide on.

      - side note: When you have a word like "story" how do you properly signal that it might be multiple. "story(s)" or "story(ies)". I know as tempted as it is to all of you, please avoid diving into RegEx.

    2. Re:But the New York Times... by Anonymous Coward · · Score: 0

      Well, if you were to use proper grammar, it should probably read, "...which story or stories they decide to use."

      The word(s) notation is shorthand anyways, so I wouldn't imagine that you'd have to acknowledge the ie for y substitution, so your original usage should be fine. The use of 'what' and 'on', among other errors, are pretty good indicators that you're not using proper grammar and are merely trying to write down a sentence as you would have said it.

      As to you aversion to regexes, so long as you're not trying to be formal and everyone involved understands the notation, what's the problem with using a more efficient way of clearly expressing yourself?

    3. Re:But the New York Times... by Derkec · · Score: 1

      True. Had I been more careful, I would have used which and upon. I'm not regex adverse. I was simply curious if there was a common notation for that situation. Regex would not be common. It would only be understood by the Slashdot crowd - and probably only half of them thereby making it less effecient for daily use.

  14. Oscars are all that matters when judging movies... by gpinzone · · Score: 4, Funny

    That's why Titanic must be the greatest movie of all time. *cough*

  15. Best director? Hmmm... by Sebastopol · · Score: 4, Insightful

    Go see "City of God" and see if you still think Peter Jackson should get best director. I definitely think TRotK deserves an oscar for Adaptation and Art Direction, but City of God was really powerful, and it was mostly kid actors.

    --
    https://www.accountkiller.com/removal-requested
    1. Re:Best director? Hmmm... by Savatte · · Score: 1, Insightful

      A directing oscar for City Of God? Are you serious? A film which showcases kids killing kids for our entertainment, without questioning why we should be entertained by this, or the social ramifications behind it. If this movie were in English, the critics would be denouncing it as an amoral piece of trash, but since its in a foreign country and "gritty" but in an artistic sense, it gets heaps of praise. It's director, Fernando Meireilles is a product of the all style/no substance school. Just because its in a foreign language doesn't make it good.

    2. Re:Best director? Hmmm... by hcduvall · · Score: 1

      Not only was it mainly young actors, all but a couple weren't actors before they were picked to appear in the film.

      That said, City of God is a movie from a long time ago that suffered from bad support. Ah, the vagaries of the near meaningless oscars...

      Anyway, I think it was visually stunning and strong, but City of God wasn't as impressive a feat of as RotK, let alone the trilogy (which is what they would be rewarding Jackson for with an oscar, rather than just this one film). If you thought City of God was something, check out Bus 174. Everything short of the biggest moments in City of God, is a cakewalk compared to that.

    3. Re:Best director? Hmmm... by Hektor_Troy · · Score: 2, Interesting

      I saw the movie, and I still think PJ did better. Yes, City of God is mostly kid actors, but that doesn't change the facts (IMHO), that

      1) PJ did something on a scale FAR FAR larger than City of God accomplished
      2) PJ did it better, even if there are a few blunders in the script
      3) That the acting in City of God is not that good

      Yes, they are mostly kids, but they aren't that good. Better than me, certainly. A lot better. Not better than say Elijah Wood, who was ALSO a kid when production of LotR started. Not by a long shot.

      Also, while City of God tells a powerful story, so does RotK, and RotK is (again IMHO) a much more powerful story, and it is done better. Maybe this is because of the money they could throw at it, but that doesn't change the fact, that PJ has been able to keep more balls in the air than any other director - and that he didn't drop any of them, even if one of them was an at times bad script.

      Put that in your hat and smoke it :-)

      --
      We do not live in the 21st century. We live in the 20 second century.
    4. Re:Best director? Hmmm... by debian4life · · Score: 2, Insightful

      Whether the content of the films was better or not, or the actors involved or any other factors for that matter was better on one or the other (long intro)......I think Peter Jackson should get the nod when you factor in all the tangible things. 1. The amount of time filming. 2. Doing them all at the same time. 3. Relying on CGI that in some cases did not even exist during initial filming. 4. Logistics. 5. And just the overall grand scale of the thing. The time and effort they put into every little detail was a monumental effort. I think he should be rewarded for directing the biggest and best trilogy (IMHO) ever. I compare it to sports (sorry if I can't talk about that around here). They always want to pick the coach of the year for taking a not so great team and getting the most out of them. What about the coach who has the most talent and the most resources at his disposal and takes them to the top. Is he less of a coach? Of course that is just my opinion, I could be wrong.

    5. Re:Best director? Hmmm... by Anonymous Coward · · Score: 0
      Not better than say Elijah Wood
      Oh, yeah, Elijah Wood managed to make both of his facial expressions work really well.
    6. Re:Best director? Hmmm... by jagripino · · Score: 1
      Not only was it mainly young actors, all but a couple weren't actors before they were picked to appear in the film.

      On the commentary track the director states that he only used professional actors for white characters over 30 yo. I don't remember the exact reason for that though.

      I'm really surprised with all the buzz on such an old movie (it was released in 2002 in Brazil), but AFAIK nothing better came out here since it. I'll check out Carandiru someday to compare.

    7. Re:Best director? Hmmm... by arty3 · · Score: 1

      Maybe you should think about the fact that not every movie is made to entertain you. If you're one of those people that goes to see a movie like this and at the end says "Man that was fucked up" without ever thinking of it again then meybe the problem is you. Maybe you should instead think that what's fucked up is the fact that there are conditions in this world in that lead to this type of behavior. But hey, what do you care, you just want your popcorn, coke, and some good entertainment right?

    8. Re:Best director? Hmmm... by Hektor_Troy · · Score: 1

      As opposed to Russel "Gladiator" Crowe, who won an Oscar for one and a half facial expression:

      Angry/Sad
      Sad/Annoyed

      --
      We do not live in the 21st century. We live in the 20 second century.
    9. Re:Best director? Hmmm... by Ricardo+Lima · · Score: 1

      Well,

      Though Elijah Wood was a kid when LotR started, he was also a veteran. He was in "Back to The Future 2". In City of God, all the main roles were played by kids who had never acted before, kids who lived in City of God when the movie was shot.

      --
      Ricardo da Silva Lima
    10. Re:Best director? Hmmm... by hcduvall · · Score: 1

      Ah, well, Miramax will probably be delaying the dvd release and releasing the movie here in the US on the back of the oscar nominations.

      Here it was mainly a festival circuit release (and therefore very small). It didn't get much ad support at all, though it did come out in 2002 I think. Even in New York, where I live, its only been supported by one theater, though for a long time. I suppose its critical reception was also a bit mixed.

    11. Re:Best director? Hmmm... by Savatte · · Score: 1

      Actually, I normally don't go to movies to be entertained. I much prefer "art" movies to "entertainment" movies. The closest to an entertainment movie on my personal top ten list is Kill Bill, and that comes in around #5.

      I'm sure the conditions in Brazil are awful, although depicted in the movie, they seem like a swell place to live where gangsters take care of the local residents. And I never said "man, that is fucked up" at all while watching the movie, nor afterward, because of all the gloss applied to the killings. I became morally offended at the director attempting to pass off children killing children as entertainment.

    12. Re:Best director? Hmmm... by jorlando · · Score: 1

      I think that you misendurstood the point of the movie. It is a story of somebody that had all the right things to go wrong (poor, living surround by violence, the chance to take a revenge) and could overcome this.

      The killings, drug dealing, poverty are part of the scene in City of God, but without this you can't understand the life and choices of the main character (Buscape/Rocket).

    13. Re:Best director? Hmmm... by Savatte · · Score: 1

      I got the point of the movie. It's a standard "guy overcomes life's hardships to make it" and so forth. Poverty, drugs, crime may indeed be part of the city of God, but the director's attempt to pass off poverty, drugs, and killings as uplifting entertainment is offensive.

    14. Re:Best director? Hmmm... by filmsmith · · Score: 1

      Age was the wrong card to play here. Elija Wood's 30th movie was Lord of the Rings. For almost all of those kids, Cidade de Deus was their first or second film. Balancing that much young tallent, weaving a beautiful story that twists through time, juggling a tapestry of storylines AND doing it all with the visual prowess of the greats like Scorscese and Kubrick at breakneck pace says a hell of a lot!

      I think you sorely underestimate just what it takes to direct a film. There's a lot to think about and a lot of work involved and Fernando Meirelles did a phenominal job! His understanding of Mise en Scene takes Jackson to the cleaners. I enjoyed the LotR trilogy, but that man had so many damn Zoom-to-Closeup for dramatic purposes, I'd swear it was the only character closeup he knew how to do!

      My advice is to watch a lot more cinema, THEN come back to these two films and make a judgement. Not that you aren't entitled to your own opinion, I just think you're not taking the whole scope into consideration.

      fs

    15. Re:Best director? Hmmm... by filmsmith · · Score: 1

      Oh, for the points to mod that 'funny'

    16. Re:Best director? Hmmm... by Sebastopol · · Score: 1

      well put. those are my thoughts exactly, but i always feel like a 'tard for saying "mise en scene". ;-)

      --
      https://www.accountkiller.com/removal-requested
    17. Re:Best director? Hmmm... by Sebastopol · · Score: 1

      Gloss??!?!?

      I became morally offended at the director attempting to pass off children killing children as entertainment.

      You're like the Religious Right Zealot who looks at an add for Diapers and shouts KIDDIE P*RN!!!

      It was killing children killing passed off as horror. If the conditions of the kids in that movie didn't make you wretch, then you're a pervert who loves violence.

      --
      https://www.accountkiller.com/removal-requested
    18. Re:Best director? Hmmm... by Anonymous Coward · · Score: 0

      Yes, gloss. According to City of God, kids in the slums play soccer all day, maybe occasionally robbing a truck and distributing the wares to the residents. We never see starving kids, the effects of drugs, or unclean living situations, all results of the extreme poverty.

      There was no horror in the movie because the killings are never given any time to resonate. Someone dies, and thats it, its on to the next killing. We are never gven time to ponder why this killing matters. The flashy style, like the split screen in the party scene, and the pointless fracturing of the chronology certainly don't make this movie horrific. They make it seem like a fun time. It's all MTV aesthetics.

      It's like Goodfellas, but with a director who doesn't fully understand the material, he just wants to make it and make it "cool."

    19. Re:Best director? Hmmm... by Sebastopol · · Score: 1

      wow. i completely disagree.

      i thought the shots of the endless slums/suburbs and half-completed underfunded grandiose wasteland pretty much illustrated the poverty.

      i also thought shooting the kids in the foot resonated significantly.

      not at all MTV aesthetic in my book.

      --
      https://www.accountkiller.com/removal-requested
    20. Re:Best director? Hmmm... by Savatte · · Score: 1

      i thought the shots of the endless slums/suburbs and half-completed underfunded grandiose wasteland pretty much illustrated the poverty

      I would have thought so too, had we actually seen some horrific living conditions. No garbage on the street, no bums sleeping in doorways, just houses that look like the beginning of a development.

      The only scene that resonated with me was the scene where they corner the group of even younger kids and kill them(if I remember correctly). Was that the scene with the kid shot in the foot?

    21. Re:Best director? Hmmm... by jagripino · · Score: 1

      That should explain it :-)

      I believe this movie opened in more theaters here in Brazil than RoTK, and was seen by more people. It was a huge hit here in 2002 I was stupid enough to wait until it was released in DVD to see it.

      The movie really deserves a big screen, IMHO.

    22. Re:Best director? Hmmm... by Anonymous Coward · · Score: 0
      It's like Goodfellas, but with a director who doesn't fully understand the material, he just wants to make it and make it "cool."
      In other words, it's like Goodfellas. You can leave it at that.
    23. Re:Best director? Hmmm... by Anonymous Coward · · Score: 0

      Sorry, not sure where you got your numbers.

      City of God (in Brazil):
      Sep 2 2002 (covers 7 days)

      Rank:
      2

      Gross:
      $0.645 (million)

      Number of theaters:
      124

      source:
      http://www.leesmovieinfo.net/wbotitle.p hp?t=594&se ction=3&country_id=2

      Total Overseas Gross: $15.8 million
      source:
      http://www.boxofficemojo.com/mov ies/?id=cityofgod. htm

      RoTK (in Brazil):

      Gross-to-Date:
      $8,284,052

      Opening Weekend:
      $2,640,272

      Screens:
      456

      source:
      http://www.boxofficemojo.com/franchises /vs-lotr-ww .htm

    24. Re:Best director? Hmmm... by Hektor_Troy · · Score: 1

      Well, in an average month I watch about four movies in the cinema and four on dvd. Not that that makes me an expert or anything.

      And other than that - do you speak Portugeese? I don't, so I can't say wether or not the actors sounded like they were reading aloud or if it's just how Portugese is spoken, and personally I don't like that kind of "acting". It gives me about as much pleasure as eating cardboard pizza.

      So I don't know all the fancy cinematic words. Sue me. I know what I like, I know what I don't like. I didn't like Dogville for a week or two, then it grew on me the more I thought about it. I didn't like Breaking the Waves for a week or to, then it grew on me, just like Dogville, for exactly the same reasons. I liked City of God, I liked RotK, but RotK has grown on me, City of God hasn't. To me City of God is a good movie, excelent entertainment and a good way to spend a few hours debating afterwards. RotK, maybe due to its connection with FotR and TTT is all that and more. To me it provides material for debate for far longer than City of God. That, to me, is the mark of a good movie. And both Dogville and Breaking the Waves provide more than the other two movies.

      In my humble oppinion anyway.

      --
      We do not live in the 21st century. We live in the 20 second century.
    25. Re:Best director? Hmmm... by filmsmith · · Score: 1

      See, that should have been your first post. You put it much better and while you weren't able to vocalize exactly why you liked something, you stated quite simply that it just grew on you and gave you something to think about. The first time, you made the mistake of talking about art from the wrong perspective, a technical one and that's what I latched onto and fired back with. I do respect your opinions and retract my comment of you needing to watch more cinema (though, honestly, I still think EVERYONE (myself included) should watch more cinema).

      No, I can't understand Portugese, but I felt like I understood the plight and the anger and fear of those young boys. To me, to be able to convey emotion despite not knowing the language, is to know your character and to truly fill a roll.

      At any rate, thank you for replying in a truly insightful (for me, that is) way.

      Enjoy your films!

      fs

    26. Re:Best director? Hmmm... by protomala · · Score: 1

      Well, it's very like a Scorsece movie, and I don't see much people saying he just use violence as entertainment without moral lessons (sorry, but this is tipically a american thing: wanting a movie where good wins, etc and all).

      You must understand this is not a movie for american market! This is a movie for brazilian market (I'm one of those lucky bastards, heheheheh), and this isn't much different than listening to TV news at night.
      The thing is that there is a lot of violence in Brazil and Rio de Janeiro (please don't take it as a whoule, it isn't violence everywhere), and everthing shown in movie is actually less than things that really happen.
      Yes, there are people who enjoy killing, this is a sad and bad thing, but what should be do? close our eyes and see elves everwhere to make us happy?

      Don't take me wrong, I love Peter Jackson't Lord of the Rings, but I belive complaining about the violence of a movie because it's not justified is just one of those things that make hollywood movies crap a lot of times, it makes me das that people blame movies violence for violence and want to cut them.

      THIS MOVIE IS NOT FOR KIDIES!

      Anyway, you know, you think this movie is violent? Go find about Fernandinho Beira-mar.... :P

  16. Big deal by Anonymous Coward · · Score: 0, Flamebait

    No-one with a half a brain gives a shit about the 'Oscars'.

    Oh wait, you're all American aren't you?

  17. Master and Commander by sakshale · · Score: 1

    Master and Commander is a sleeper of a movie. My son and I went to see it on a lark and were blown away by it... I have always loved sailing ship books and movies -- and have not seen one done as well as this one. RotK is definately number one on my list, but Master and Commander is a close number two.

    [Of Note: There was NO love interest at all! Doesn't that break some unwritten rule of Hollywood?]

    --
    For every problem there is a solution that is simple, obvious and wrong.
    1. Re:Master and Commander by Joey7F · · Score: 1

      Other than the Ecuadorian girls which I think were whores...

      Yeah it is a sleeper, I saw this movie on New Year's Eve (never watched a movie transitioning between years) and loved it. I think it is coming on DVD March 16.

      I don't understand people that said it was boring. If you liked Gladiator, you should like this (not just the Russell Crowe connection, but it is similar in that there are 2 major fights in each movie with little skirmishes along the way, and when the action pauses it is to develop the relationships between the cast)

      Great movie, if you like seafaring adventures this is (among?) the best I have EVER seen.

      --Joey

    2. Re:Master and Commander by Anonymous Coward · · Score: 0
      [Of Note: There was NO love interest at all! Doesn't that break some unwritten rule of Hollywood?

      You must have missed the scene were the crew gang-banged kathleen fent.

    3. Re:Master and Commander by MuParadigm · · Score: 1


      No love interest? What about Maturin?

    4. Re:Master and Commander by brulman · · Score: 1

      "It's like the premise behind Moby Dick. Have you read it? Incredible details, no plot. "

      Such nonsense. Of course Moby Dick has a plot; it even has several. Most superficially; Ahab, maimed in body and spiritually scarred, seeks to find in the vast expanse of ocean the great beast that took his leg and his pride and kill it. But it is about much more than that to a carefull reader. Do you think movies and books have to feature battling aliens, monsters and machine guns to have plot?

      --
      "the best safety of the frontier...will be secured by total annihilation of the few remaining indians" L Frank Baum 1890
    5. Re:Master and Commander by jdbo · · Score: 3, Insightful

      You need arc.

      Arc is not soley provided by plot; Someone missed the interplay of the 2 main characters in the film (played by Crowe and Bettany), which is central to both the books and the film.

      As for the actual plot summary, it's a painfully simple excercise to cut down most any movie in this way.

      For example, ROTK's plot can be summed up as "bunch of people try to get rid of an item that makes people turn bad. whoops, someone almost turned bad! whoops, someone did turn bad! whoops, someone almost turned bad! [repeat]."

    6. Re:Master and Commander by Anonymous Coward · · Score: 0

      You know, people who force the use of fancy words usually don't come off well. Except around here, that is...

    7. Re:Master and Commander by Alan · · Score: 1

      Yea, that's how I felt when I left M&C. Great details, really made me not want to be a sailor, but not enough plot to compete with LOTR. Some may say that PJ just took a great story and put it on film, but it was still a huge undertaking.

    8. Re:Master and Commander by Anonymous Coward · · Score: 0

      Dude, there's no way I'd be as nice as you about it: Master and Commander SUCKED. It getting the Oscar nod is the same as Titanic getting one - If Huge Studio X pays a massive amount to produce what they consider to be their oscar candidate for the year, it doesn't matter HOW terrible the movie is, it will still garner nominations, and most likely a win.

      The movie was horrible - almost zero story worth telling, and even from a popcorn-flick standpoint it was totally unentertaining. I get 15 minutes of (poorly directed, but cool effects) sea battles, interspersed with 40 minutes of the story of a whiney doctor who spends the whole movie moping around acting like an asshole.

      With Master and Commander you have a movie that has such potential for strong interesting characters against a background of tension and huge obstacles to overcome. You've got all the ingredients of an engrosing story. And all of them horribly mishandled by a writer/director who doesn't seem to know anything about delivering a story worth telling.

      Contrast that Lost in Translation. It's about two characters who basically hang around their hotel for a few days. And yet, this movie has 10,000 times the character development, emotional involvement, and ENTERTAINMENT VALUE of Master and Commander.

      There's some justice in the world though, since RoTK got the most nominations. For Master and Commander to even be recognized in the same class though, let alone nominated for nearly as many awards, just goes to show you how much of a farce the Oscars are (in case what happened with Titanic didn't tip you off ;-).)

    9. Re:Master and Commander by Anonymous Coward · · Score: 0

      You consider those words fancy?

    10. Re:Master and Commander by tommck · · Score: 1

      I have always loved sailing ship books and movies

      That could explain why you liked it so much, n'est-ce pas?

      --
      ---- It puts the lotion on its skin or else it gets the hose again. It does this whenever it's told.
    11. Re:Master and Commander by euxneks · · Score: 1

      OK... let me get this straight, you don't think Master and Commander should get a nomination and then you compare it to Moby Dick?

      Isn't Mody Dick considered one of the greatest works of fiction of all time? Heck, it invented the opening, "It was a dark and stormy night..." =D

      --
      in girum imus nocte et consumimur igni
    12. Re:Master and Commander by Anonymous Coward · · Score: 0

      WTF is Kathleen Fent?

    13. Re:Master and Commander by tiled_rainbows · · Score: 3, Funny

      Ahab, maimed in body and spiritually scarred, seeks to find in the vast expanse of ocean the great beast that took his leg and his pride and kill it.

      Okay, if we take out all the unneccessary blah, that's "man seeks revenge on whale"?

      That's not a plot. It's an interesting idea, but it's not a plot. A plot would be something like:

      1. Man seeks revenge on whale.
      2. So he assembles an elite team of whalers to help him.
      3. One of this elite team is an old rival of his, to whom he has not spoken since they fell out over a girl or something.
      4. Meanwhile, a bunch of evil English guys is also after this big whale.
      5. The girl whom the two main characters fell out over turns up in a tavern the day before the ship is about to leave and tells them about the dastardly English plot.
      6. She agrees to infiltrate the English bad guys by dressing up as a man and joining the crew.
      7. She can then communicate with her ex boyfriends whilst at sea, by carrier pigeon, giving them the edge in finding the elusive white whale.
      8. Unfortunately, she is found out, and the two heroes have to abandon their hunt to go rescue her. In doing so, they realise that revenge is not as important as friendship or whatever, and everyone lives happily ever after.

      Now THAT'S a plot. Unfortunately, I don't think Moby Dick went like that.

    14. Re:Master and Commander by jocknerd · · Score: 1

      I don't know if I'd call it a sleeper. The critics have been saying its the greatest movie of its kind ever made. Even Robin Williams on the Golden Globes said its the best of its kind and ranks right up there with Popeye!

    15. Re:Master and Commander by Artifakt · · Score: 1

      "Of course Moby Dick has a plot; it even has several. Most superficially; Ahab, maimed in body and spiritually scarred, seeks to find in the vast expanse of ocean the great beast that took his leg and his pride and kill it."

      Erm... Hollywood calls that plot: Boy meets whale, boy loses whale, boy gets whale (whale gets boy?).

      --
      Who is John Cabal?
    16. Re:Master and Commander by NonSequor · · Score: 1
      Isn't Mody Dick considered one of the greatest works of fiction of all time? Heck, it invented the opening, "It was a dark and stormy night..." =D


      No it didn't.

      "Call me Ishmael."
      --
      My only political goal is to see to it that no political party achieves its goals.
    17. Re:Master and Commander by moviepig.com · · Score: 1
      Books give you details; movies give you ambience (i.e., being there).

      I'm no history buff, but a two-hour tour of nearly any centuries-old culture is easily worth my movie ticket and time. Rather than TIMELINE (Michael Crichton's sci-fi adventure), MASTER & COMMANDER was the time-travel movie of last year, raising the bar for movies' intelligent, credible reconstruction of historical milieu.

      Its shipboard ambience was M&C's essence. Its plot, though engaging and often exciting, was merely a towrope.

      --
      Seeing bad movies only encourages them. Watch responsibly
    18. Re:Master and Commander by Anonymous Coward · · Score: 0

      The important part is not the plot so much as the beautiful interplay between the Captain and his Doctor. I think one of the most touching scenes in recent years is the scene where the two are playing their chamber music together despite being pissed at each other.
      And shit, the use of Ralph Vaughn Williams' fantasia was very evocative.

    19. Re:Master and Commander by Mr_Huber · · Score: 1

      The problem with Moby Dick is editing. Sure it had a plot - Ahab and his quest for the White Whale. It even had a few subplots involving the relationships between Starbuck and Ahab, Ishmail and Queequig.

      The problem was this took all of about six chapters to cover. The remainder and bulk of the book was an in depth description of the art and process of whaling. The middle of the book read like a ninteenth century Tom Clancy techie lovefest for whaling.

      At the time, this was an important part of literature. One couldn't just flip on a Discovery Channel documentary on life at sea, you had to read about it. So novels had strong travelog feels to them (compare - 20,000 Leagues Under the Sea). To a modern eye, all this feels like so much filler material between the plot related chapters.

      Overall, I was very disappointed with the book. I expected a story about a tortured sould hell bent on a doomed and futile quest for meaningless revenge. What I got was a technical manual on hunting and buchering whales followed by a novella about doomed and futile quest for meaningless revenge.

    20. Re:Master and Commander by Anonymous Coward · · Score: 0

      Are you on CRACK?

      Er wait, were you being sarcastic?

      The interplay between the surley Captain who's idea of acting is to look constipated, and the whining Doctor who spent the whole movie moping around and generally acting like a sniveling jerk?

      Yah, that was real touching.

    21. Re:Master and Commander by good+soldier+svejk · · Score: 1

      While I gave high marks to Master and Commander for their coverage of the tiniest technical details of period naval warfare

      Actually, I had a couple of problems with the historicity of the movie.

      For one thing, the ship they used, the HMS Rose, is clearly frigate. But they repeatedly referred to her as a "Ship of the Line." Frigates are not ships of the line. They were not placed in the line of battle for naval engagements. Depending on the era, ship of the line had either more than 50, or more than 64 guns. Frigates like Rose were used as couriers, scouts, and for blockading and harassing shipping.

      In addition, I don't think there ever existed a privateer which could compete in displacement and armament with Royal Navy frigate. British frigates were on the light side by American standards, but they were still quite a bit more powerful and expensive than even the best financed privateer.

      Not having read the books, I was a bit put off. But I have since seen the paperback jacket, which makes it clear that the ship in question was not a frigate, but a brig. That would put solidly in the class of your average privateer.

      So they got those two bits all wrong in the movie. But it was worth it to see Rose put through her paces on film. My dad took me aboard her when I was a kid. My she's yar!

      --
      It is cowardly, and a betrayal of whatever it means to be a Jew, to act as a white man

      -James Baldwin
    22. Re:Master and Commander by euxneks · · Score: 1

      Well, you can tell I didn't read it =P..

      --
      in girum imus nocte et consumimur igni
  18. now WHAT in the HELL!! by gbd · · Score: 5, Funny

    hi all (george here)

    i have NO idea what the academy is SMOKING here!! god!! return of the king was about the WORST movie i saw all year!! for starters we got to the movie about ten minutes LATE because it took my god damn wife so LONG to shovel the snow out of the driveway and then when we FINALLY got there the idiot at the ticket booth did not accept the tickets i printed out from fan dango because he said that the effing NUMBER was INVALID!! god!!

    so then we get to the concession stand and this MORON puts too much butter on my popcorn which gives me gas, but that didn't matter because then my wife spilled the WHOLE god damn BAG as she was carrying it into the theater, also she spilled our sodas, god!! how can i sit for THREE HOURS without soda!! and then during the whole movie this slut in front of us was talking on her CELL PHONE about how her next door neighbor's shit zoo had just given birth to puppies, now what in the hell, PUPPIES, who effing cares!! turn off your god damn phone you hippy

    then there was this baby next to us that kept CRYING, now if you have a loud baby take some advice from me (george) and leave the god damn thing at HOME now do you got that!! have a little bit of courtesy for your fellow man now do you got that, all in all it was the worst moviegoing experience of the year and i cannot understand these nominations

    your buddy

    --
    -gbd
    1. Re:now WHAT in the HELL!! by debian4life · · Score: 1, Funny

      So what about THE actual movie made IT the worst. It sounds MORE like this IS the worst movie you DID NOT see!!!!!!!!!!!!!!!!! Sorry about the random capitalizations, just following suit. However, I am right there with you on the cell phone thing. If you lead such a dynamic life that you can't spare any of your time without getting on the phone then go hang out somewhere else where people like you can all be together. Go hang out at the airport, or Starbucks, or anywhere else where the laptoppers, Wi-Fiers, Blackberry, and other PDA people hang out. I had some guy in front of my as well on the phone. I think the 3 or 4 calls he got were from the same person. When will that person figure out or when will the cell phone guy tell them, I AM IN THE FREAKING MOVIE THEATER. Even if I wanted to talk, I CAN'T FREAKING HEAR YOU. But that is too much too ask, because apparently everyone in society has to cut million dollar deals and consult on surgery or something 24/7/365 now. Either that or talk about Shit Zoo's. Man I got off on a tangent. Anyway, my point is. ROTK was awesome.

    2. Re:now WHAT in the HELL!! by Anonymous Coward · · Score: 2, Insightful

      Swooosh!

    3. Re:now WHAT in the HELL!! by halo8 · · Score: 1

      im lost.. someone please explain how this rant got mod points?

      --
      The More Knowledge you have the Luckier you Get- J.R. Ewing
    4. Re:now WHAT in the HELL!! by Anonymous Coward · · Score: 0

      You hit it right on the nose... I sat next to "you" the second time I went to see ROTK.

      The biggest problem in the movie (aside from Jackson transposing it as an eighth grader versus a english lit major, which was necessary to maintain audience attention) is simply that the general masses that go to see it, can't sit still and just watch a movie.

      When the lines were epic... people were quiet in the theatre, but now that the general public has come... it is really unpleasant to sit in a theatre with humans who have normal attention spans.

      Who here hasn't wished they had a taser during rotk to deal with the idiot in the seat next to them or the people going with you that don't realize there this horrendous line so your horribly late?

      Jackson should get some recognition for creating a vehicle to demonstrate how much TV/mall culture has change the attention span of the average moviegoer.

      Great post, made me laugh.

      (BTW: there actually was a girl sending stills on her camera phone the second time I went to see it)

    5. Re:now WHAT in the HELL!! by Anonymous Coward · · Score: 0

      hahaha, monitor, meet drink.

    6. Re:now WHAT in the HELL!! by Anonymous Coward · · Score: 0

      because it's freakin sarcasm, jackass.

      I swear, some people have no ability to discern sarcasm in text. How do you people read books?

    7. Re:now WHAT in the HELL!! by J3M · · Score: 1

      Because, um, it was funny. god! You hippy.

      --
      Aych tea tea pea colon slash slash slash dot dot org slash
    8. Re:now WHAT in the HELL!! by Anonymous Coward · · Score: 0

      shoulda clobbered her over the head and dragger her off to the nearest mpaa rep

  19. Good to see by 10101001011 · · Score: 1

    While most here will likely be commenting on Return of the King I would liek to say I am extremely pleased to see that Master and COmmander is getting praise.

    I loved the effects and story line. I actually haven't seen Return of the King but just by the prevews I have seen it looks like it deserves all the praise it has received.

    1. Re:Good to see by Anonymous Coward · · Score: 0

      All I've seen from Master & Commander is a trailer featuring Russel Crow in tight pants. I decided to quit right there...

  20. Re:nominated for ...... by Rhubarb+Crumble · · Score: 4, Funny
    most wooden delivery of lines.

    shurely the matrix reloaded wins that one hands down?

  21. Master & Commander? by telbij · · Score: 1, Interesting

    Anyone else surprised that Master and Commander got so many nominations? I mean, the costumes and effects were great, and even the acting was decent, but all the characters felt like stereotypes. By the midpoint of the movie I was bored stiff and just waiting for more stuff to blow up (thank god he made us guys easily amused).

    1. Re:Master & Commander? by robot+captain · · Score: 1

      My main problem with Msster & Commander was how inconsistently paced it was. Long drawn out ship chases which accomplished very little in story, character development, and most of all action! The two major action scenes were muddled and confusing, especially the final fight. It was plagued by the "quick shots with a fast moving blurry camera to simulate action" direction that hurts so many action scenes these days. It was an interesting concept, no doubt. It really gave you a good feel for life on a ship in those times. But it felt so drawn out and poorly paced that I was waiting for the movie to end after the first 45 minutes. I was quite surprised it recieved so many nominations as well.

    2. Re:Master & Commander? by xTown · · Score: 1

      About 45 minutes into it, I asked my wife if there was going to be any story. Her response was, "This is the story." I'm with you, it was just a horrible, boring, pointless movie.

      However, I think it does deserve the editing award, because it was well put-together.

    3. Re:Master & Commander? by Anonymous Coward · · Score: 0

      I thought exactly the same thing when watching the Matrix sequels. What boring, pointless films.

    4. Re:Master & Commander? by aurelian · · Score: 1

      nope - it was the best movie I saw last year. About a hundred times better than the badly-directed, overblown, unimaginative, tedious computer-generated Return of the King.

  22. Curse of the Black Pearl by osullish · · Score: 2, Interesting

    Who would have thought a Jerry Bruckheimer produced Film based on a Disney Ride would have produced a nomination for best actor - but it was a brilliant Keith Richards-esque performance by Depp - well deserved - However I think Bill Murray will win the Oscar he sould have got for Rushmore

    --
    It's hard enough to remember my opinions, never mind the reasons for them..
    1. Re:Curse of the Black Pearl by smoondog · · Score: 1

      I agree, I thought he might have an outside shot at a nomination. I watched the movie again on DVD, and I still find his performance baffling, in that he pulled off being really wierd without really coming off as too silly ...

      That said, Bill Murray will probably win, also well deserved. If Depp had gotten the supporting actor nom, he might have won.

      -Sean

  23. Lord of the Rings? by MountainMan101 · · Score: 1

    Has someone made a film of the Tolkien book? Amazing! I must try and get hold of a copy. What a challenge to have taken on. Just the mere thought of how to represent a character such as Tom Bombadil on screen would scare me off.

  24. Master and Commander by Speare · · Score: 4, Insightful

    While I gave high marks to Master and Commander for their coverage of the tiniest technical details of period naval warfare, and while I thought the foley work of the battle scenes was truly visceral, and while I enjoyed the basic setting and premise in which the characters found themselves, I was really let down by the movie.

    It's a thirty minute plot, at most. It can be summed up as "whups, I guess we fucked THAT up, but let's not let that happen again..." about five times in a row. That's it. We blundered, let's move on. Oops, again. Ouch, let's try to avoid that. And oops, we didn't think of that.

    It's like the premise behind Moby Dick. Have you read it? Incredible details, no plot. But a movie can't capture these details to a tenth of the degree that print can. You need story. You need arc. You need something to advance and change.

    --
    [ .sig file not found ]
  25. What, no Matrix? by JayJay.br · · Score: 1

    I really don't think any of the two Matrix movies deserved anything, but someone had to say it.

    Let the 5,000 posts comparing trilogies begin!

    1. Re:What, no Matrix? by Blic · · Score: 1

      The ultimate in backlash and overhype. I was as disappointed as everyone else, especially with the third, but you would have thought there might be a token nod for visual effects, especially since only three movies are nominated there, and most categories have five nominations? Ouch...

    2. Re:What, no Matrix? by Anonymous Coward · · Score: 0

      Or not!

    3. Re:What, no Matrix? by lowe0 · · Score: 1

      Problem is, RotK had better visual effects and was a better film overall than either Reloaded or Revolutions.

      I ignored all the hype, saw the Matrix sequels, and was blown away by both. Perhaps there was more they could have done with it, but seen as a single unit, they made a fitting and thoroughly enjoyable follow-up to The Matrix.

      And I'll bet that there wouldn't have been nearly as many complaints (and probably better box-office numbers) had Revolutions been released in June. People would have been more likely to see it for what it was - a film released in two parts - instead of as two separate films. (I suspect Kill Bill would have had this problem, if part 1 weren't so damned good.)

    4. Re:What, no Matrix? by Anonymous Coward · · Score: 0

      Problem is, RotK had better visual effects and was a better film overall than either Reloaded or Revolutions.

      Surely you are smoking the finest crack sir, as RotK is the worst movie ever made.

      Simply put, The Matrix: Revolutions was better than RotK (by a long shot).

      Where Peter Jackson gets off making such trash, I haven't a clue, but I will not be fooled into spending any more money on the LotR franchise if this is the best that they're capable of delivering.

      RotK never wanted to end. Peter had such a hard time saying goodbye, that he took a full half-hour of my life to do it! And there I was, thinking that tTT was the most boring movie I had ever watched. Watching an egg fry on a cement sidewalk offers more entertainment, and costs infinitely less.

  26. Upset by FortKnox · · Score: 2, Insightful

    I'm a bit upset that Sean Astin didn't get nominated for best supporting role (I didn't care if he won or not, but he should have been at least nominated).

    On the bright side, RoTK got the Golden Globe for best picture, so maybe the oscars will take not and follow suit?

    --
    Good quote, too many chars. Seriously, the slashdot 120 char limit sucks!
    1. Re:Upset by Savatte · · Score: 1

      If anyone for ROTK deserves an acting nom, it's Ian McKellan. He brought true pathos and heart to the story. Those huge battles scenes can't match the hurt in his eyes.

    2. Re:Upset by Rallion · · Score: 1

      As much of a McKellan fan as I am, I still absolutely think that for the last two movies, Andy Serkis stole the show. He's also undoubtedly the most underappreciated member of the cast--he put in far more hours than everybody else, and he himself gets maybe a minute of screen time in the entire epic?

  27. You don't have half a brain by Anonymous Coward · · Score: 0

    Why did you even bother to read this Oscar item if you don't care?

    1. Re:You don't have half a brain by Anonymous Coward · · Score: 0

      I felt the need to denigrate you and your peon ilk.

  28. Irony is... by Cutriss · · Score: 4, Funny

    Irony is Disney getting nominated for Best Original Screenplay for Finding Nemo...

    And truthfully, while it was another exceptional movie for Pixar, I didn't find it all that entertaining. Give me Monsters Inc. or a Miyazaki movie any day.

    --
    "Mod, mod, mod...and another troll bites the dust."
    1. Re:Irony is... by fireduck · · Score: 1

      I don't find it ironic at all. Considering that the film was finished by the time book came out and that time spent in pre- and post-production had to total several years, I think this is just a coincidence. Not unlike other coincindences (armageddon and deep impact, thin red line and saving private ryan, da vinci code and the other book that's just like it). The biggest point the guy makes is that the clown fish has a parent killed at the beginning of the story. Isn't that the driving point for almost every Disney movie?

    2. Re:Irony is... by Obiwan+Kenobi · · Score: 1

      And truthfully, while it was another exceptional movie for Pixar, I didn't find it all that entertaining. Give me Monsters Inc. or a Miyazaki movie any day.

      Whoa, whoa, whoa. Did you just put Monsters Inc and Miyazaki in the same sentence?

      Castles in the Sky and the brilliant Spirited Away are so far above Monster's Inc. it's hard to even compare the two.

      Monster's Inc. is one of the worst Pixar films (and by worst, I mean better than anything Disney's put out in the last decade, but probably one of the lowest ranking in the Pixar catalogue). Here's the entire plot of Monster's Inc: get the girl, lose the girl, get the girl, lose the girl, get the girl...

      You get the idea. It was cute. It had a few funny lines. It benefited from its star power and voice work. But really, when you try to compare the magic of something like Miyazaki's work to a Pixar film, bring out the big guns. Finding Nemo is on par, so are the Toy Story films. I always thought A Bug's Life was underrated, but might not reach the same level of excellence.

    3. Re:Irony is... by Anonymous Coward · · Score: 0

      I loved Nemo, but that's mainly because I'm an ex-pat Sydneysider living in south america and it made me homesick.

      Still.. bought the DVD to show to my kids.

    4. Re:Irony is... by bitrott · · Score: 1

      I understand that discussions like this are a grab bag of personal opinions, but you really didn't add anything to the conversation other than "Finding Nemo IMHO Isn't all that great". And yet you get modded to 5. That's only because it's still 'cool' to hate Disney. Truth be told Fiding Nemo was the wittiest, most entertaining animated film in a very long time. You're just another Miyazaki uber-fan that feels the need to wedge him into discussion any chance you get. Another fact: there are many kinds of stories that can be told well with animation. Miyazaki's got his place. So too does pixar's genious story telling.

    5. Re:Irony is... by Anonymous Coward · · Score: 0
      The biggest point the guy makes is that the clown fish has a parent killed at the beginning of the story. Isn't that the driving point for almost every Disney movie?
      No. No clown fish lost his parent at the beginning of Bambi.
  29. Didn't suck, but still... by chowdmouse · · Score: 1

    Honestly, I'm not trolling, but I thought LOTR:RoTK was by far the worst of the three. My feelings were that they would get the nominations and have the best chance of getting awards this year because the awards organizations knew they could put off throwing Jackson et al a bone due to the way they made/released the three films.

    1. Re:Didn't suck, but still... by hcduvall · · Score: 1

      Fellowship was my personal favorite. Boromir's storyline, well, jsut the arc of the first one in general managed to keep the scope of the movie grand and personal at the same time. By the third one, I was being swept along, but it felt more big than grand.

      Still, its the way of he Oscars, they often like to reward people after they've missed their best chance.

  30. Crap! by sielwolf · · Score: 1

    although it had its NY/LA debut in December 2003

    That should be 2002 as taken from this: "So true that City of God was No. 2 on my list for last year. The film played in every major festival in 2002 and was a candidate for year-end awards, and although it did not open in Chicago until January, I didn't see the point in waiting 12 months to put it on a best 10 list when putting it on the timelier list might do it some good."

    --
    What is music when you despise all sound?
  31. Creative Writing Award by Walrus99 · · Score: 1

    I hope Jackson gets an award for creative writing for the changes he made to the story line. All the movies were entertaining, but they should have a tag: loosly based on "The Lord of the Rings Trilogy." When did Legolos ever kill an elephant in the books?

    Will Tolkein get any credit or award from the Academy?

    1. Re:Creative Writing Award by Baron_Yam · · Score: 1

      Legolos didn't kill an elephant in the movies, either... Legolas killed an oliphant. :)

      And may Bob have mercy on my soul if I've made any grammatical or spelling errors in this post!

    2. Re:Creative Writing Award by HishamMuhammad · · Score: 1


      Bob does not appreciate when you call Legolas "Legolos", but he's willing to cut you some slack this time...

    3. Re:Creative Writing Award by Baron_Yam · · Score: 1

      Actually, I didn't get that wrong... I was pointing out that the parent article had used "Legolos" and "elephant" instead of "Legolas" and "oliphant". It was a double silly-spelling-flame-thingy.

    4. Re:Creative Writing Award by Rallion · · Score: 1

      Well, if these movies had a tag, so would every other movie-based-on-a-book I've ever seen. Honestly, if you take every scene, every quote from the movie, and compare them to the book, you'll get a far closer comparison than with just about any other movie...

      And despite the factthat text and films are different mediums and (sometimes heavy) modifications are asolutely required, much (most) of the time it doesn't go so well. At all.

      The Lost World was a great book, you know.

  32. No cinematography? by Patik · · Score: 4, Insightful

    Of all categories, I expected to seem them nominated (and win) in this one. The cinematography was easily the best I've seen in years. Without that ROTK wouldn't be nearly as good -- it added to the tone tremendously.

    1. Re:No cinematography? by DarkFencer · · Score: 1

      I think according to the rules set down by the American Cinematographers Association, since all three films were filmed as once, and since Fellowship of the Ring got nominated, it didn't qualify for another nomination (same with The Two Towers).

  33. Considering the competition, they have a shot by cryptochrome · · Score: 5, Insightful

    Actually the only other movie I saw on the list was Lost in Translation. The closer you look at the film itself the more flaws you see. The script is full of cliches (particularly when you think who the director is) but thankfully spends most of the time observing the characters being themselves - and Bill Murray put in what is without a doubt the finest and most honest performance in his career. He totally deserves best actor.

    --

    ---If you can't trust a nerd, who can you trust?

    1. Re:Considering the competition, they have a shot by real_smiff · · Score: 3, Informative
      Agree with you about LiT, but have you seen Rushmore (Wes Anderson, 1998)? Many people (such as myself :) would say that was his finest performance to date! Of course, we're only talking about performances this year, and then he certaily has a chance :)

      Trivia: did you know Sofia Coppola would not have made Lost in Translation without Bill Murray? Take that as a tribute to Murray, or a sign of weakness in the script. I can't believe it won best screenplay at the Golden Globes :/ I think the judges have difficulty seeing the difference between a great idea and a great final draft. I see LiT is also up for WRITING (ORIGINAL SCREENPLAY) (why all the block capitals guys?) Oscar. Please God no lol. But we all know the Oscars are not to be taken as the final word on artistic merit.

      --

      This is my Sig, this is my Gun. One is for Slashdot and one is for Fun.

    2. Re:Considering the competition, they have a shot by fjordboy · · Score: 1

      Since most people haven't seen most of the movies on the list, I made a handy-dandy cheat sheet w/ imdb links and so forth. So you can at least sound knowledgable at the office tomorrow when discussing "The Barbarian Invasions" or "Capturing the Friedmans."

    3. Re:Considering the competition, they have a shot by Anonymous Coward · · Score: 0

      Cliches? wtf? fantasy is a genre entirely built on cliches. so saying that lost in translation wont win because of them in no way illustrates how ROTK could win. even peter jackson is quoted as saying that he doesnt have a chance.

  34. Announcing the Eddies! by larry+bagina · · Score: 2, Funny
    Who cares about rich movie stars and their MPAA-sanctioned award show? What slashdot needs in an award for those overpaid, underappreciated editors.


    I propose: The Eddies!


    Which editor is most in need of a spell checker? Which one obviously doesn't read the front page? Whom would you most like sent to federal pound-me-in-the-ass prison?


    Post your nominations here!

    --
    Do you even lift?

    These aren't the 'roids you're looking for.

  35. No ROtK nomination for Cinematography? by clausiam · · Score: 3, Insightful

    That was one area where I was sure ROtK (or in fact the whole trilogy) was going to win.

  36. No Acting? by TachyonAT · · Score: 1

    I can't believe Andy Serkis wasn't nominated for best actor as Gollum... after seeing the TTT extended edition it amazes me just how much work he put into that character... i think he deserves some credit for that. Oh well, once again the Academy doesnt agree with me

  37. Top 10 ROTK Nominations by AtariAmarok · · Score: 5, Funny

    10. Biggest scifi/fantasy genre movie WITHOUT a character that looks like the Oscar statue (Bye, C-3PO!)
    9. Best performance by mountain beacons
    8. Biggest elephants
    7. Best Evil Lighthouse in any movie in all of 2003.
    6. The National Cherry Tomato Board would like to make sure that John Noble is nominated for best actor for his work as Denethor.
    5. "Most Costumed Geeks in Theatre since Star Trek 6"
    4. Best use of recycled pointed ears left over from collapsed "Star Trek" franchise.
    3 rings for the elven kings
    2. Best title ripped off from that of 3rd "Star Wars" film.
    1. Those cheesy green ghosts didn't get nominated for "Eddie Murphy Haunted Mansion". Let's nominate them for their ROTK cameo instead.

    --
    Don't blame Durga. I voted for Centauri.
    1. Re:Top 10 ROTK Nominations by lordwow · · Score: 1

      "2. Best title ripped off from that of 3rd "Star Wars" film." Definatly since Peter Jackson renamed it from the original 1940s version... *rolls eyes*

  38. Re:Oscars are all that matters when judging movies by warpSpeed · · Score: 3, Funny
    Hey, Kate Winslet, nude, reclining on a sofa, thats gotta count for something...

  39. Re:Oscars are all that matters when judging movies by savagedome · · Score: 1

    Totally agree. The 1998 Best Picture category was definitely a tough one. IMHO, LA Confidential is probably one of the best movies of all time. How Titanic beat it is still beyond me.

  40. i agree by circletimessquare · · Score: 1

    master & commander was overrated

    the cinematography was gorgeous, the cat and mouse game had potential, but the plot was flaccid... in the theatre i was in, people were sleeping through it on the opening weekend

    that's not good

    no matter what you thought of the rest of the movie, they really could have spruced up the plot, a lot

    hollywood should pay screenwriters tens of millions of dollars and spend hundreds of thousands on special effects

    unfortunately it is the reverse, and it shows in so many movies

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:i agree by Joey7F · · Score: 1

      I saw some people dosing off in ROTK too! Some people can't sit still through anything. Master and Commander is a fantastic movie. The plot is simple, but it has tons of subplots which make the story pop.

      I will be adding ROTK and MC to my DVD collection :)

      --Joey

  41. why the big deal? by Anonymous Coward · · Score: 0

    If you were somehow involved with the making of the Lord of the Rings, then this is something to be excited about? But why should fans of the movie give one damn whether or not it's nominated, or especially wins? I mean, if you like something, then enjoy it. You shouldn't have to have your beliefs somehow validated by a panel of judges. Have confidence in what you like, you shouldn't need anyone to confirm that what you like is somehow 'good' enough.

  42. Samwise by fr0dicus · · Score: 3, Insightful

    Very disappointed that Sean Astin (sp?) didn't get a nomination for best support. I haven't seen anyone play a role as well as that for a long time - certainly better than some of the lead actor nominations!

  43. Re:nominated for ...... by 10101001011 · · Score: 1

    Let's run down them, shall we:
    Neo: "Whoa!"
    Neo: "I love you too damned much!"
    Neo: "I need you..."
    Trinity: "I need you too..."
    The Architect: Your life is the sum of a remainder of an unbalanced equation inherent to the programming of the matrix. You are the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision. While it remains a burden assiduously avoided, it is not unexpected, and thus not beyond a measure of control. Which has led you, inexorably, here.

    Truly a masterpiece of unparalleled proportions!

    At least it was a fun "beat 'em up!" movie ;)

  44. Hell will freeze over first by DesScorp · · Score: 0

    Lucifer will catch a cold before a movie like LOTR wins any of the "serious" oscars. Before any of you people get your hopes up, you might as well accept it RIGHT NOW: fantasy movies aren't serious enough for "real" Oscars in the eyes of the voters. We'll always get the token costume and special effects awards, but that's it. Fantasy, sci-fi, that's Kid Stuff. Not worthy of adult accolades. I haven't watched the Oscars in years, and don't plan to again this year. It's a forgone conclusion that the movies I give a damn about will be largely ignored or given consolation oscars (which is what FX, etc really is).

    Unless you have "adult" themes and/or biting social commentary, forget it. If Gandalf had invited a cross dressing Hillary Swank along for the ride, and maybe brought Toby Maguire to do abortions on the trip, well, maybe we'd stand half a chance in hell.

    --
    Life is hard, and the world is cruel
    1. Re:Hell will freeze over first by debian4life · · Score: 1

      I hope this is the year, but you could be right. Especially since it is going against the 21st century Oscar lovechild Russel Crowe. Not saying he is not a good actor, but I think he could play Shaggy in Scooby Doo and they would give him an Oscar. As Tom Hanks was in the 90's, although it is hard to dispute how good his performances were.

    2. Re:Hell will freeze over first by cmpalmer · · Score: 1

      Maybe I'm an incurable optimist, but I fully expect oscars for Best Director and/or Best Film for ROTK. Between the lines, I expect that it will receive this recognition for all three films combined, not merely for the third film.

      If Fellowship or the Two Towers had won, it would have set a precedent that the films following would have been hard to live up to and I think that a lot of academy members had a "wait and see" attitude.

      Note that I don't feel that the films were perfect or that they were the best movies ever made (although I probably enjoyed them the most of what I've seen for the last three years -- I'm a geek), but when you look at the level of attention to detail, dedication of cast and crew, wise spending of money, popularity, money earned, and groundbreaking technical achievements, they deserve the recognition.

      If you think about it, these were the most successful and the most expensive low-budget independent films ever made. Comparing dollars to screen time, many films spend more money on star salaries and huge physical sets and stunts.

      --
      -- stream of did I lock the front door consciousness
    3. Re:Hell will freeze over first by BayAreaRefugee · · Score: 1

      If Russell Crowe is the Oscar's love child, then where's his nomination this year. Would have also had M&C match ROTK in number of nominations too had he got one.

  45. The greatest crime here... by Robotech_Master · · Score: 3, Insightful

    ...is that Sean Astin was passed over for Best Supporting Actor. After his turn in RotK--particularly the scenes on the slope of Mt. Doom--he really deserved at least the nomination. I can't believe they left him out.

    --
    Editor Emeritus and Senior Writer, TeleRead.org
  46. Re:I LIKED "MICHAEL FELLATES A DONKEY" FOR WORST P by Anonymous Coward · · Score: 0

    That was a fantastic first post. I applaud you, sir.

  47. The best film? It's ... by Anonymous Coward · · Score: 0
    It's so bored, yes, it's spectacular, but nothing more.

    If the oscars goes to ROTK it will be only to compensate the money it cost. It isn't a good movie, not even a good adventures movie.

    Sadly Clint Eastwood will remain without the oscar.

  48. Not a single worthy performance? by 386spart · · Score: 1

    Is there no performance of any kind, male, female, supporting or main in ROTK that is worthy even a nomination? Once you accept that it is fantasy, I think the actors did fine jobs. Hard to pick any single outstanding "oscar moment" though. The best "acting" scenes are in the other movies IMHO.

    Can't really think of anyone in LOTR that would deserve a nod before Depp though, so I guess it doesn't matter.

    Even stranger is the lack of a nomination for Cinematography. I must have misunderstood something, how can ROTK not get one for that?

    1. Re:Not a single worthy performance? by adrianbaugh · · Score: 1

      > Hard to pick any single outstanding "oscar moment" though.

      That's a good thing. Films that get awards for one particular scene often have little more to them than that one particular scene.

      In general I'd much rather see something like RotK where all the acting is consistently good than something (no names!) where the one excellent performance just illustrates how badly the others suck. If I'm noticing that there's acting going on at all I'm not immersed in the director's world anymore.
      It's the other side of the coin to why I was glad that, by and large, PJ picked less well known actors for LOTR. Most of the time the really big stars just make it harder to immerse yourself properly in the film as you keep noticing the actor, not the character.

      --
      "'I pass the test,' she said. 'I will diminish, and go into the West, and remain Galadriel.'"
      - JRR Tolkien.
  49. For all three by rm007 · · Score: 4, Informative
    There is an interesting article in the Guardian which discusses the RotK nominations in light of the lack of attention for the major Oscars for the first two. Here is a short excerpt:

    Undeniably the success of Jackson's epic has left Hollywood with a slight case of egg-on-face. This was a trilogy shot right outside the establishment orbit; filmed in Jackson's native New Zealand and funded by the independent New Line Cinema after original backers Miramax demanded that the entire story be condensed into a single two-hour movie.

    In the view of many experts, The Lord of the Rings was shaping up to be the biggest disaster in cinema history. Now it has gone down as one of its greatest triumphs. Evidence suggests that February 29 will be the date of Hollywood's official mea culpa. Assuming that Return of the King wins best picture (and you'd be a fool to bet against it), it will in effect be an award for all three films. The same goes for Jackson's probable nod as best director.

    --


    I've finally got around to changing my sig
    1. Re:For all three by Dirtside · · Score: 1
      This was a trilogy shot right outside the establishment orbit; filmed in Jackson's native New Zealand and funded by the independent New Line Cinema
      New Line is owned by AOL Time Warner, according to New Line's About Us page. Which, oddly, also calls itself "independent" on that same page; maybe that title loses its meaning when a studio owned by one of the major studios (Warner) titles itself that way.
      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    2. Re:For all three by Anonymous Coward · · Score: 0
      New Line is owned by AOL Time Warner

      That's Time Warner to you.

    3. Re:For all three by GarfBond · · Score: 1

      I wonder how they can claim that New Line Cinema is independent, unless they mean independent of Miramax. It's a part of AOL Time Warner for frick's sake, it's about as far away from independent as you can get.

    4. Re:For all three by li99sh79 · · Score: 1
      In the view of many experts, The Lord of the Rings was shaping up to be the biggest disaster in cinema history. Now it has gone down as one of its greatest triumphs. Evidence suggests that February 29 will be the date of Hollywood's official mea culpa. Assuming that Return of the King wins best picture (and you'd be a fool to bet against it), it will in effect be an award for all three films. The same goes for Jackson's probable nod as best director.

      Well yeah, I've always felt that the people who vote for the Oscars were uncomfortable with the thought of a "three-peat" by the LotR films and hat this was precisely what they were going to do -- award the third film and consider that honoring the trilogy as a whole. After all it's really just one big movie that's been cut into three pieces.

      At the bare minimum they need to give Peter Jackson some kind of special award for being able to pull of the production of the movies.

      -sam

      --
      I was just here, where did I go?
  50. Note by cubicledrone · · Score: 4, Interesting

    No anime in the best animated picture category. Nemo will win, allowing Disney another "me too" moment at the Oscars.

    Meanwhile, anime yawns and breaks the $4 billion mark.

    Disney's response? Brother Bear.

    That about wraps it up.

    --
    Business isn't willing to pay for products, innovation and careers, so we get brands, mortgage commercials and layoffs.
    1. Re:Note by AceCaseOR · · Score: 1

      Unfortunatly, there wasn't any particularly extrodinary anime getting a theatrical release during 2003-2004. There was Cowboy Bebop: The Movie and I think that was about it. Though, you think they would have given it a nomination anyway, just to give them an even 4 nominations for Best Animated Feature.

      --
      Zagreus sits inside your head, Zagreus lives among the dead, Zagreus sees you in your bed and eats you in your sleep.
    2. Re:Note by ivars · · Score: 1

      I wouldn't be so quick with that assumption.

      I take it that you have not seen "Les Triplettes de Belleville". Probably the most imaginative, fun, original animated movie in years! I saw it at the Toronto Int'l Film Fest, and the crowd totally loved it there.

      Definitely the best of the three.

      Anime's are great - Sprited Away winning last year was great! But there is more to animated films than anime, disney and pixar.

    3. Re:Note by __aaklfb6460 · · Score: 1

      Waiting for 'Ghost in the Shell' sequel. That should OWN!!

    4. Re:Note by Anonymous Coward · · Score: 0

      Just FYI the Ghost in the Shell 'sequel' has already completed play in Japan on TV. 26 episodes IIRC, quite good from what I saw of the first one... but it isn't a movie, television series.

    5. Re:Note by May+Kasahara · · Score: 1
      I agree. The Triplets of Belleville definately trumps the other nominees in this category. I was delighted to see that this film got a "Best Song" nomination too (which it also totally deserves).

      Provided that Sony promotes Triplets in the trade mags the way Disney promoted Spirited Away last year, an Oscar's definately in the bag.

    6. Re:Note by May+Kasahara · · Score: 1
      True, true. However, Millenium Actress was up for Oscar consideration. Haven't seen it (and the reviews I read were pretty mixed), but it was probably the most noteworthy anime entry this year.

      Otherwise, I agree with you. It's been a lackluster year for anime. All the best animation I've seen this year has been from places other than Japan (like the French/Canadian/Belgian The Triplets of Belleville). Not necessarily a bad thing, mind you ;)

    7. Re:Note by taeric · · Score: 1

      That isn't a sequel, actually. Instead, it takes place in an "alternate" timeline where there was no puppet master. (So I've been told.)

      The sequel, Innocence, is due to come out sometime soon. The art looks amazing, from what I've seen. And it is a movie.

    8. Re:Note by Cyno01 · · Score: 1

      The CB movie was pretty good, but it doesn't compare to a really good anime film. I love the show and really liked the movie, but to me it seemed like it just ran like a 5x long episode.

      --
      "Sic Semper Tyrannosaurus Rex."
    9. Re:Note by 16K+Ram+Pack · · Score: 1
      The BBC showed it on Xmas day here. It's probably the weirdest film I've seen since Requiem for a Dream.

      I thought it was visually very inventive and really interesting, but I didn't really enjoy it. Some moments were very good, but it didn't do it for me.

      Still, I'm glad it's made because it adds diversity. Even if I didn't like it, someone else will, and hopefully it will inspire more people to do animation.

      Personally, it looks like I'll be backing Nemo, which was a very good film.

    10. Re:Note by nutshell42 · · Score: 1

      CB: The Movie was released in August 2001. AFAIK the relevant date for an Oscar nomination is the time it was first shown publicly not the year of the US release. Therefore Knockin on Heaven's Door wouldn't have been a possible choice for the Oscars.

      --
      Don't think of it as a flame---it's more like an argument that does 3d6 fire damage
    11. Re:Note by AceCaseOR · · Score: 1

      Hm... when was Spirited Away released in Japan?

      --
      Zagreus sits inside your head, Zagreus lives among the dead, Zagreus sees you in your bed and eats you in your sleep.
  51. Re:Peter Jackson by Anonymous Coward · · Score: 0

    Then become an open source developer. He'd fit the part perfectly!

  52. nominations no one is talking about by Savatte · · Score: 2, Interesting

    Johnny Depp!! A Keith Richards-inspired glam rocking pirate, going purposefully over the top for every line reading. And he gets the nomination. This is much more monumental than the 13 noms for ROTK.

    And where is the love for Peter Sarsgaard for Shattered Glass? Easily the best performance (lead or supporting) of the year.

    1. Re:nominations no one is talking about by MuParadigm · · Score: 1


      Yeah, I was kind of surprised Saarsgard didn't get a Supporting Actor nomination, too. Especially since he won the Village Voice Critics Poll by a long shot.

      FYI, for those who don't know, the Village Voice is a New York weekly, founded by Norman Mailer back in the 60's. It's one of the largest critic's polls around, and is mostly composed of critics from alternative/indie newpapers and magazines.

    2. Re:nominations no one is talking about by bat2k · · Score: 0

      Johnny Depp is more or less using the same acting style he used in Fear and Loathing in Las Vegas.
      Oh well, if he didn't get it then, maybe he'll get it now.

      --
      My other sig is a Porsche.
  53. Re:The Worst Movie I Have Ever Seen by Anonymous Coward · · Score: 0

    Man, you must be the most unpopular guy in the universe. A slashdot reader who hates nerds. I mean, wow. What peer group does someone like you belong to? Did you like, not make the chess team or something, and now you're out for revenge?

  54. No CINEMATOGRAPHY Nom? by Anonymous Coward · · Score: 1, Interesting

    How could ROTK get 11 nominations and then be passed over for cinematography? You're telling me City of God had better cinematography then ROTK? Maybe I'm just biased, caused I loved the movie, but that seems a little odd?

    1. Re:No CINEMATOGRAPHY Nom? by cmpalmer · · Score: 1

      If I had my guess, I would think that movies like ROTK have blurred the line between special FX, art direction, and general digital touchups to the point that cinematography is going to be harder and harder to define.

      When you have movies where every single frame has been touched up for color, composition, effects, backgrounds, cosmetic facial touchups, glints in the eye, etc., how do you judge what was actually captured by the camera?

      --
      -- stream of did I lock the front door consciousness
    2. Re:No CINEMATOGRAPHY Nom? by MuParadigm · · Score: 1


      Yep, plus Jackson digitally graded every frame of it, with the result that cinematographers, who choose the nominees, probably felt it was more computation than photography.

  55. RotK vs. Lost in Translation by MuParadigm · · Score: 5, Insightful


    It's possible that RotK could win Best Film and Best Director. Best Director seem almost obvious, until you consider that no woman has ever won the Best Director award before. In fact, only two women have previously been nominated, Lina Wertmuller and Jane Campion.

    This raise the question of whether women in the Academy will vote for Coppola, to see a woman get the award for once and set a precedent. It's not as if Coppola doesn't deserve it either, she made a delightful and semi-profiund film on a 3 million dollar budget.

    Of course, Jackson's achievement with The Lord Of The Rings is amazing and probably the largest single project a director has ever taken on, so he deserves it too.

    All I'm saying is don't be too surprised if there's an surprise upset, for Coppola, in these two categories. Coppola has a strong chance, especially since RotK may be considered a "boy" film by female members of the Academy.

    1. Re:RotK vs. Lost in Translation by gfxguy · · Score: 1

      If we are playing politics (and the academy usually is), then you are absolutely right - Copolla will win. Sean Penn will win best actor - but not for his role on the big screen.

      --
      Stupid sexy Flanders.
    2. Re:RotK vs. Lost in Translation by shelleymonster · · Score: 4, Insightful

      Even though this has been dubbed "the year of the female director," i don't think she'll get best director. Coppola will get Best Screenplay, and Best Director will either go to Peter Jackson or Clint Eastwood. As good as Lost in Translation is, its strength lies more in the script and in the performances.

      --

      got biv?
    3. Re:RotK vs. Lost in Translation by mooredav · · Score: 4, Insightful

      "It's possible that RotK could win Best Film and Best Director. Best Director seem almost obvious..."

      I think Peter Jackson's effort was a mixed bag of good and bad.

      Technically, it was a huge achievement. This is obvious if you look at the trilogy as a series of still images: Hobbits in the Shire. The Ents gathering in the forest. Armies of orcs marching. Shelob's lair. That's great fantasy.

      The battle scenes had a powerful setup, but when they actually got rolling, it was boring. It was well rendered, but the fights were blunt and obvious. Any decent martial arts film has more entertaining fights, with crazy footwork, interesting character interaction, etc.

      Jackson's work is like a huge industrial skyscraper. It's a big accomplishment, but it's not pretty like a cathedral.

      Lord of the Rings didn't develop relationships between characters properly. Where is the romance between Aragorn and his elf bride? Where is the friendship between Sam and Frodo? Jackson needed some better dialog to establish that friendship, and he did not deliver. Consequently, you see comments about those two hobbits being "gay". Jackson needed to give people a reason to believe that they were friends. Without that reason, they are just "gay".

      What Jackson did is standard movie fare: the characters give dramatic looks, but all they say is: "Sam!" or "Gandalf!"

      Contrast that to Lost in Translation or In America, two movies with dialog and human interaction that is actually worth remembering. They were emotional and enjoyable in ways that Peter Jackson was insensitive to.

    4. Re:RotK vs. Lost in Translation by HFXPro · · Score: 1

      Fight scenes? What you don't like realistic fight scenes? Well they weren't exactly reaslistic, but they were far more realistic then any martial arts movie I've ever seen. Not to mention they showed how a battle isn't fought with 1 man on just 20, but instead thousands upon thousands on each side.

      --
      Reserved Word.
    5. Re:RotK vs. Lost in Translation by ceenvee703 · · Score: 2, Interesting

      The other thing to keep in mind is that the Academy usually likes people to pay their dues before winning their Oscars. I mean, Spielberg had to wait until Schindler's List before he won: no Jaws, no CE3K, no E.T., no 1942 :).

      Coppola isn't likely to win until she makes her next great movie. IMO.

      --
      "This? I can make a hat, I can make a brooch, I can make a pterodactyl..."
    6. Re:RotK vs. Lost in Translation by jsac · · Score: 1

      Coppola's young and has obvious talent. She's almost guaranteed to do something spectacular in the future. So perhaps they'll hold off on awarding her this time, because Jackson will never make another LoTR.

      --
      "The urge to fly from modern systems, instead of moving through them to even greater, fairer things is, I think, an indi
    7. Re:RotK vs. Lost in Translation by 3terrabyte · · Score: 1

      I always thought the 'politics' worked against Sean Penn.

      --

      Why are there only 19 people folding@home for slashdot?

    8. Re:RotK vs. Lost in Translation by Anonymous Coward · · Score: 0

      Ok, first of all the love story was all pretty much made up in the movie. Sure Arwen and Aragorn had a thing going in the books but it was barely mentioned as a whole. As for the relationship between Frodo and Sam, I think that was excellently done and stuck to the book very closely.

    9. Re:RotK vs. Lost in Translation by Anonymous Coward · · Score: 0
      The other thing to keep in mind is that the Academy usually likes people to pay their dues before winning their Oscars.
      Unless their dad directed The Godfather.

      That's my prediction, anyway.

    10. Re:RotK vs. Lost in Translation by kiwimate · · Score: 1

      The answer to this seems, to me, to be rather simple. Forget giving PJ Best Director. Instead, why not give him a special award for the overall achievement? Everyone seems to agree that, whatever your opinion on the individual films, he deserves some form of recognition for what he did in getting all three shot simultaneously and for making a huge success out of translating a much-loved epic to the screen. But not everyone agrees on a best director award being deserved for RotK.

      So why not something analogous to a lifetime achievement award, but call it something else? The prevailing opinion seems to be that, should he win Best Director, it'll really be in recognition of all three films. So just make up some special one-off award and call it something appropriate, recognizing that PJ has achieved something never done before and unlikely to be repeated.

    11. Re:RotK vs. Lost in Translation by Wesley+Willis,+RIP · · Score: 2, Insightful

      Medieval battles WERE blunt and obvious. You want to see some guy in plate mail doing martial arts with "crazy footwork"?

    12. Re:RotK vs. Lost in Translation by Anonymous Coward · · Score: 0

      That's because Jackson tried to work with the material GIVEN to him. If you bothered to read the books, it was Tolkien's fault for not developing relationships between characters properly. There WAS no romance in the books! Nor was there much explanation as to Sam's devotion to Frodo. We get more romance in the first FotR film than all three books + appendices combined. But if Jackson had created too much beyond the books, undoubtedly all the hardcore critics would be more on his case. On the other hand, Jackson did skip out on the entire Gimli/Legolas friendship (which I thought was the best in the books anyway). At least he didn't leave in the chapter upon chapter of "oh look, we're still walking. Stiiiiill walking. Now we're running. Go lembas!" It's such a delicate balance...

      I suppose the fundamental issue is just how to bring a flawed trilogy (it might have defined the genre, but I'm certainly not the first to suggest that Tolkien wrote the books to merely encapsulate his linguistical bent) to popular film. It would seem the majority of folks think Jackson did a fine job with what Tolkien wrote.

  56. Benchmark by Anonymous Coward · · Score: 1

    Could somebody tell me why the Oscars need to be the benchmark of what's "best" in movies the past year?

    -C

  57. Now George, give your wife a little credit by Adam+Rightmann · · Score: 0, Offtopic
    Though, with all the snow we've been having lately, she should have started shoveling half an hour earlier than she did, which would have given her plenty of time to warm up the car.

    Also, I find I can save a lot of money if I have the wife bring drinks and snacks into the theater under her skirt or dress.

    You certainly would have been within your rights to ask the ushers to eject the rude patron with the cell phone, as well as the baby daddy and mommy.

    --
    A. Rightmann
    1. Re:Now George, give your wife a little credit by Anonymous Coward · · Score: 0

      Uh, how does your having a bad day have ANYTHING WHATSOEVER to do with whether Return of the King is a good movie or not?

      I *really* hope you were joking..

  58. Lost in translation, WKW redone by hcduvall · · Score: 2, Interesting

    Hmmm....I thought it was really well made, and Bill Murray's performance was great, just pipped by Sean Penn.

    But I noticed Lost in Translation got nominated for screenplay as well, and so I expect it to win it. Every year a movie I respect for craft, but who's screenplay I think is manipulative cheap toys (yes yes, all movies are manipulative, but I'm not supposed to see the strings DURING the movie...) wins.

    But if you liked Lost in Translation, I suggest you all go out and rent a Wong Kar-Wai movie, start with Chungking Express. Very similar, with a greater sense of fun- a different kind of cool though. More leather jackets and sunglasses, than NY east village a la Lost in translation.

  59. No actor/supporting actor nomination... by rokzy · · Score: 1

    ...for Sean Astin? :-(

    oh well, the Oscars are full of sh*t anyway.

  60. Attention RotK fans... by GoofyBoy · · Score: 4, Funny

    ... Annie Hall will win best picture. Get over it.

    --
    The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    1. Re:Attention RotK fans... by gowen · · Score: 1

      Well without prejudice to this year (and I think `Lost In Translation' stank, so roll on RotK)... I love Star Wars (have a Star Wars t-shirt on right now) but Annie Hall IS a better movie. Better acted, better plot, better script, better direction, funnier jokes.

      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
  61. The Far Side of the World by AndroidCat · · Score: 4, Funny

    I was disappointed that this movie had nothing to do with Gary Larson.

    --
    One line blog. I hear that they're called Twitters now.
  62. Cold Mountain by 3Suns · · Score: 4, Insightful

    It's interesting that they basically ignored Cold Mountain... when it came out everyone was crying "Oscar bait!" I mean, if a decent Civil War epic love story, featuring a host of Academy Award winners and nominees, directed by the same man as a previous Best Picture, and released by Miramax can't even get nominated, what does that say about the Academy? Maybe they aren't so shallow after all...

    --

    -3Suns

    ~~~~
    The Revolution will be Slashdotted
    1. Re:Cold Mountain by SuiteSisterMary · · Score: 1

      No shit, eh? I half expected the voice over on the commercials to say something like 'and expected to receive no less than four Academy Award nominations, including Best Picture....'

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  63. Bill Murray by MuParadigm · · Score: 1


    "With Bill Murray, this is the first time he's actually gotten arround to playing somebody other than Bill Murray."

    You obviously didn't see Rushmore. It was a great film, and Murray was wonderul in a supporting actor role.

    1. Re:Bill Murray by junkgrep · · Score: 1

      How about the Royal Tenanbaums? He was great in that too, and again, while still Bill Murray, a distinctly different quirky character.

  64. Re:Best animated film by BlackFoliage · · Score: 2, Funny

    They should really rename that sucker the "Until Miyazaki makes another film, let's just hand it to Pixar" award.

  65. Not **MY** Buddy by Anonymous Coward · · Score: 0

    What an objectionable person you are...
    so lets see now..
    "movie about ten minutes LATE"
    That would be your fault then

    "because it took my god damn wife so LONG to shovel the snow out of the driveway"
    Oh and you are sexist to boot
    "concession stand and this MORON puts too much butter on my popcorn which gives me gas"
    Clearly rude to the people serving you
    "but that didn't matter because then my wife spilled the WHOLE god damn BAG as she was carrying it into the theater, also she spilled our sodas, god!"
    Selfish and sexist again....maybe she was exhausted from all that snow shovelling - I expect she washes, cleans cooks and wipes your arse for you 'cos your too lazy to do it yourself...
    "how can i sit for THREE HOURS without soda"
    Dunno and dont care...
    "movie this slut in front of us"
    Life as sad single old man coming your way IMHO
    "was talking on her CELL PHONE about how her next door neighbor's shit zoo had just given birth to puppies"
    What was that Gandalf said about pity staying Bilbo's hand...I guess pity is what I feel for you..
    Nah on second thought lets take your head fling it into Minas Tirith....
    "little bit of courtesy for your fellow man"
    Some dead white guy said "manners maketh man".. something you could clearly learn George...

  66. Non-Traditional Split Expected by MissMarvel · · Score: 4, Insightful

    For the first 20 years of Oscar's history it was traditional for the Best Director and Best Picture Oscars to be awarded to the same film.

    Then in 1948, they split for the first time with the Best Director Oscar going to John Huston for "Treasure of the Sierra Madre" and Best Picture going to "Hamlet".

    Since 1948 the two Oscars have split only 11 more times in the 75 years of Oscar's history. The past 20 years have seen only 4 splits.

    This year I suspect there will again be a split with Peter Jackson being awarded the Best Director Oscar and "Lost in Translation" getting Best Picture. There's no way they will allow Jackson's achievement on his 3 fabulous LOTR movies to go unrecognized, but I think it's generally thought that "Lost in Translation" is the better film. So it would seem reasonable they'll split the awards in an effort to recognize both films.

    Only time will tell.

    1. Re:Non-Traditional Split Expected by filmsmith · · Score: 1

      You're probably right, but, damn, does Fernando Meirelles deserve it for City of God.

      fs

  67. Re:Oscars are all that matters when judging movies by __aaklfb6460 · · Score: 1

    Imho, the WORSE best picture winner and the crappiest movie i've seen.I'd give credit to Winslet for that nudie scene though. :P

  68. Give your wife a little credit by MuParadigm · · Score: 1


    "I find I can save a lot of money if I have the wife bring drinks and snacks into the theater under her skirt or dress."

    Maybe I don't want to know, or maybe it's a personal question, given that we're talking about your wife, but, if this stuff is under her skirt, umm, what's holding it up?

  69. Best movie of the next 4 years by zerocool^ · · Score: 0

    Yeah, I know it's really long, but check out this review from Ain'tItCool News:

    ----snip----

    HOBBIT-MAN: THE KING RETURNS
    Whenever cool movie series get to the third movie they suck dicks like they're trying to become Emperor of Dicksuck-ylvania. George Lucas had Star Wars, and then Empire Kicks Ass, and then all of a sudden it's Planet of Furry Faggoty Fuckheads. Then he had to make two more to feed the Suck Demon that was holding his children hostage, and those movies went beyond gay to where they're paying old people to take a dump on them.

    Even this summer, with MATRIX: SUDDENLY GAY and TERMINATOR: I LOVE COCK, the Rule of the Suck-y Third Movie got re-proven. If the third X-Men movie had come out this summer it probably would have been some crippled crock of crap where Wheelchair Charlie traps Fuck Yeah Wolverine in an illusion mind-trap where Wolverine thinks he's a time traveler from a hundred years ago romancing Meg Ryan in right-now New York. Of course, the X-Men movie would try to redeem itself in the third act by having Wolverine realize it's a mind-illusion and cut Meg's head off and play dodgeball with it, but it would be too late and here comes my extra large Sprite at the screen.

    But guess what? One movie series turned that rule on its head. One 3-movie series said, "Wait a minute, we're going to make the 3rd movie SO tits it will make the FIRST two movies look gay."

    I just saw HOBBIT-MAN: THE KING RETURNS and that's the movie I was talking about in the last paragraph. This movie will make you forget that if you stick a knife in your belly you'll bleed to death so do not bring a knife to this movie.

    It's also, thank fucking God, LOUD. Even if you bring an iPod so you can listen to VH during the Elf parts you'll take it off because I swear to fucking Roth you do NOT know where the next big bang is going to come from, or when something big is going to crunch someone's skull while you picture that person getting their skull crushed is really your neighbor upstairs that plays Dido all day or that dude at the Starbucks who's always reading and looking all smart.

    Oh yeah, the movie is also 3 hours and 20 minutes, and I think it's almost four hours if you sit through all the credits (it was all pencil sketches of the characters, which I think means they ran out of money). So if you bring some chick who's all like, "I have a spinning class tomorrow" or "I'm thirsty" tell her to go home and watch Gay Dudes and the Straight Guy because this movie takes fucking commitment. I saw the one dude in front of me who was with this girl, and the President of Warner Brothers came out and said, "This movie is three hours and twenty minutes," and before I could say, "So what, gaylord" the chick says to the dude she's with that she has to GO. And he LET her go because this movie kicks so much ass you can SENSE it even before it starts. And this chick was a stone fox, and he probably could have made out with her, but he was like, "I'm going make out with this movie," that's how good it is. See ya, hottie.

    This movie starts with the origin of Golem - that creepy guy who looks like Iggy Pop and wears Tarzan pants and wants the invisible-ring. He's still on a quest with the two hobbits - Rudy from the film RUDY and Fredo - to throw the ring into a volcano (this is like a serious version of JOE VERSUS THE VOLCANO). The ring is also evil but you keep thinking, while you watch it, that someone should put it on and check out some boobs. I have a feeling those scenes will be in the DVDs.

    At the same time, the two other midget-men and the giant hippies have seriously fucked up that one evil guy's tower (he was Count Duke in Star Wars: Every Cock in the Universe Up My Ass Part II), and they hook back up with Magneto, and also that chick with the bow and arrows and finally the Giant Midget with the Axe. Oh, and also that I Don't Want to be the King/I Am Destined to Be the King Dude is with them, and he has this whole other story where he pretty much decides to be the

    --
    sig?
    1. Re:Best movie of the next 4 years by adrianbaugh · · Score: 1

      Thanks for that, that's a cool review. But the bit that really got me thinking: the last line. It's absolutely spot-on! Peter Jackson making an A-Team movie, how cool would that be?

      --
      "'I pass the test,' she said. 'I will diminish, and go into the West, and remain Galadriel.'"
      - JRR Tolkien.
    2. Re:Best movie of the next 4 years by Zardoz44 · · Score: 1
      Thanks for reminding me why I don't go to Ain'tItCool. Someone needs to take this guy's keyboard and beat him into a gooey pulp.

      Where's the Filthy Critic when you need him?

  70. All that nodding... by Dan+East · · Score: 1

    is making me dizzy.

    Com'on mods, give this post some nods.

    Dan East

    --
    Better known as 318230.
  71. Survival strategies for street games? by fastenrath · · Score: 0, Offtopic
    I was wondering if anybody could recommend suitable survival strategies for street games? I'm not talking about games for children but about the very expensive type of game where whole cities start acting around a single person (the player) and newspaper articles, TV news and hollywood movies are made with bits and pieces taken from that person's diary or even his brain ..

    (Yes, telepathy is possible, just very expensive - read last year's news if you don't believe it.)

    While it can be very entertaining to have the whole world revolve around you (including politicians and hollywood stars) the ultimate goal of this kind of game is to kill the player.

    My interest is not purly academical: I'm trapped in a street game right now and you might see why I very much want to break out of this one.

    If you're wondering what a street game is like: It's like being trapped in The Matrix and The Game, with a bit of The Truman Show and Being John Malkovich thrown in.

    The game is wasting a lot of money around me to annoy me and surprise me, but it's more like a cat playing with a mouse it intends to kill sooner or later.

    If you want to help me break ouf of this game you can make 25.000 Euro, which is my offer for anybody who explains to me what this matrix is, I'm trapped in.

    I'm not sure I can be reached by internet or by phone and even if you reach somebody it might be somebody pretending to be me (so don't waste your time on that). The only way I recommend (without really knowing what's going on, of course) is to get close enough to me that the game has to pay your for your cooperation. Since my offer is 25.000 Euro you should be able to get this money from the game if they need you to cooperate.

    Please make them pay this amount as I really would like to see them run out of money!

    You can find me in the following places. (please have a look at my homepage and/or my journal for updates to this travel plan):

    Addis Ababa: just getting thrown out by the police.
    Addis Ababa: just getting thrown out by the police...
    Berlin, Potsdamer Platz, 28-29 January 2004.
    New York, Central Park, 01-03 February 2004.
    Chicao, ?, 04-06 February 2004.
    Los Angeles, 07-12 February 2004.
    Sydney, 13-15 February 2004.
    Tokyo, 16-18 Feburary 2004.
    Bombay, 19-21 Feburary 2004.

    --
    THIS ACCOUNT IS NO LONGER IN USE, PLEASE DELETE.
  72. spellbound?! by iamjoel · · Score: 2, Interesting

    usually I could care less about award shows like this, but I am sincerely outraged that a masterpiece of a documentary like Spellbound doesn't even get NOMINATED for an award. I found that movie to be the most dramatic, suspenseful, and real movie I saw in ALL of 2003 - and it didn't get a nod for best documentary.

    absolutely ridiculous.

    1. Re:spellbound?! by Anonymous Coward · · Score: 0

      why do you care? just enjoy it. would you somehow like it even more if it was nominated? just be glad you've found it.

    2. Re:spellbound?! by joldc · · Score: 1

      Possibly because it was released in 2002 and nominated last year?

  73. Re:nominated for ...... by John+Harrison · · Score: 2, Insightful
    shurely the matrix reloaded wins that one hands down?

    Hey, you have to be nominated to win. No Matrix nominations at all. Not even for effects.

  74. Theoden by MuParadigm · · Score: 1


    Actually, I thought the best performance in RotK was Bernard What's-His-Name, the guy who played Theoden. That scene where the Rohirrim line up pat the edge of the battlefield, and you just know it's gonna be brutal and deadly, and he gives his pre-battle speech...

    Damn, I'm getting teary-eyed just thinking about it.

    1. Re:Theoden by Slashamatic · · Score: 1

      Theodin was played by a British actor, Bernard Hill. He seemed to play essentially a Lear at the beginning then build on to that. Like many British actors, Hill has done a lot of stage work. It shows, he is good at it (you see the same with Sir Ian McKellan).

    2. Re:Theoden by pogle · · Score: 1

      Yeah, I have to agree with you there. That scene was just amazing. Part of it was seeing one of my favorite moments of the book made real, but the rest was all him.

      --
      http://thechubbyferret.net - Ferret pictures and informative links.
  75. No Kill Bill Pt1 whatsoever? by LPetrazickis · · Score: 1

    Why are there no nominations for Kill Bill Pt1? Are they waiting for this year's Pt2? It was my fav of 2003 and its cinematography, music, and even acting are top notch.:)

    --
    Is this a sigs-optional kind of place? 'Cause I am totally down with that if you know what I mean.
    1. Re:No Kill Bill Pt1 whatsoever? by Anonymous Coward · · Score: 0
      Why are there no nominations for Kill Bill Pt1?
      Because the Oscars don't have a fucking clue!

      It's a bunch of old guys who wouldn't know a real movie if it came and bit them on the arse (or chopped off their head with a samurai sword). Simple :) Or maybe they are waiting for part 2.

    2. Re:No Kill Bill Pt1 whatsoever? by mrmcwn · · Score: 1

      Even Tarantino admitted that there wasn't one original shot in that movie - it was all borrowed from Asian martial arts flicks. Still a great movie though. Carradine for best supporting for KB2?

  76. Yeah, and the Power-Pro-Wrestling guy from Rohan by geekpuppySEA · · Score: 1

    I thought that that beefcake Rohan guy - you know, Miranda Otto's cousin - deserves some nod. He floored me with his "furrowed eyebrows" method of acting (much like Anna Paquin.)

    Bah, Sean Astin? Please. Performance not powerful enough to merit a glance from Oscar.

    --
    Intelligent Design: because MATH is HARD.
  77. fair use: just for us, not for you. by millia · · Score: 2, Interesting

    if i recall, songs nominated for best song have to be created specifically for a film.

    'triplets of belleville' is stretching that. i love the song, but it's a really heavy rip of an old Django Reinhardt song. it's plainly obvious.

    so in other words, if you're making a song for a film, we'll reward you if you 'borrow' a tune cleverly. (and i would think his song was still under copyright, too.) but if you want to paint disney figures on a nursery wall, forget it.

    i realize i'm comparing apples and oranges, but hopefully, you see the point. hypocrisy lives, here as elsewhere...

    --
    stored on computers from birth to the grave
  78. Big Fish is far and above a better film than ROTK. by bad+enema · · Score: 2, Insightful

    What blatant screwage - the biggest flaw of this film was that it opened so close to when ROTK opened.

    ROTK has perhaps no more than two or three memorable scenes while Big Fish is a beautifully shot, extremely imaginative piece of art.

    Perhaps it will indeed take the route of Fight Club and become a cult classic in the years to come.

  79. Samblows v. Smeagol by geekpuppySEA · · Score: 1

    ...And that's because you've been watching nothing but DVDs of Star Trek and of Episodes 1-2?

    Points for being Loyal Friend on Long Journey, and for being kinda cute, sure. Points for acting? Andy Serkis beats Patty Duke's son, hands down.

    --
    Intelligent Design: because MATH is HARD.
  80. I disagree .... by Anonymous Coward · · Score: 0

    I would have to disagree. While I will admit that "Big Fish" was technically excellent, and it had some nice scenes, I found it difficult to make it through the movie -- it was boring. I found myself sympathizing with the son, frankly tired of all the hot air his father was spewing.

    If they had done a better job of motivating why the father felt compelled to tell such tall tales and focused less on the tales themselves, I think it would have been a much better movie.

    As it is, in my book, ROTK beats Big Fish hands down

    1. Re:I disagree .... by real_smiff · · Score: 1

      I agree ROTK is a better movie, i was just saying Fish should have been nominated in some of the categories i mentioned.

      --

      This is my Sig, this is my Gun. One is for Slashdot and one is for Fun.

    2. Re:I disagree .... by Anonymous Coward · · Score: 0

      Was the father's motivation really that opaque? Not everyone needs every last detail of a film narrated to them / beaten over their head.

      Did you also prefer the redux of Apocalypse now? ;-)

  81. Boundin' - the next Pixar short. by millia · · Score: 2, Interesting

    I almost submitted this the other day, when the preview trailer showed up at Pixar.

    Obviously, it's showed up on screen sometime in LA before the end of last year- but does anybody have any information on where/when it's going to be used next?

    Hopefully, we don't have to wait until the Incredibles to see it.

    --
    stored on computers from birth to the grave
    1. Re:Boundin' - the next Pixar short. by Anonymous Coward · · Score: 0
      Hopefully, we don't have to wait until the Incredibles to see it.

      It will not be paired with the Incredibles. It has a completely different tone. It might be a short that's not even paired with a movie. A standalone!

  82. Sean Astin? by tommck · · Score: 2, Insightful

    What I want to know, is how can Sean Astin (Sam) NOT be up for Best Supporting Actor!? He did a phenomenal job in that film. Heck... Sean's also a member of the Academy... figured he might be able to pull some strings...

    --
    ---- It puts the lotion on its skin or else it gets the hose again. It does this whenever it's told.
    1. Re:Sean Astin? by tommck · · Score: 1
      Crap...everybody posted the damned articles all at once, now I'm going to get modded Redundant! Oh the Humanity!!

      --
      ---- It puts the lotion on its skin or else it gets the hose again. It does this whenever it's told.
    2. Re:Sean Astin? by Hawkxor · · Score: 1

      LOTR didn't win any supporting actor/ess stuff at the Golden Globes either. My hunch is that there were so many awesome supporting actors in RotK: Sam/Gandalf and many others - that they simply split the vote.

  83. OT: No Scarlett Johansson nominations? by real_smiff · · Score: 1

    OK, I speak for every red-blooded male when i say she's f***ing amazing. Everyone seen Girl with a Pearl Earring and Lost in Translation? No? Go see them :) Seriously though, she was by far my actress of the year... this one will go far.

    --

    This is my Sig, this is my Gun. One is for Slashdot and one is for Fun.

  84. it was nominated- last year. by millia · · Score: 1

    it lost out to 'bowling for columbine'

    --
    stored on computers from birth to the grave
    1. Re:it was nominated- last year. by iamjoel · · Score: 1

      my bad - I just found that out and came back here to nominate my parent post for "uninformed rant of the day". woops.

  85. Re:Oscars are all that matters when judging movies by Patik · · Score: 1
    That's why Titanic must be the greatest movie of all time. *cough*
    I know it's cool to poke fun at Titanic because it was a love story, but you have to appreciate the special effects and directing. The movie did not seem like the 3.5 hours that it was, and the special effects were great (ie, you hardly noticed them). That was an epic movie. It's not in my top ten, but you have to admit it was quite an accomplishment as a film.
  86. Foreing nominations by JBv · · Score: 1

    These are always a sure bet regarding best of the year films.

  87. City of God is really worth viewing by davi_slashdot · · Score: 3, Informative

    City of God is the greatest movie of the recent fiction-as-documentary brazilian productions. Other good title are Central do Brasil (Brazilian Central) and Bicho de Sete Cabecas.
    It tries to show the life in the favelas in the 70's and 80's. Although it is a fiction story, historical facts are mixed with the narrative, and, well, it could be true. Everyone who knows about the brazilian reality up the favelas, would ever doubt about its veracity (if it was true).
    It is amazing to know that all actors (except for one) were amateurs, and most lived in the favelas. The tape has a lot of action and pleases the action-inclined types and also the deep-thinking ones.

    You can get out of the cinema excited at the first moment, but soon will get sad because you know that is the reality for many people. And that was 20 years ago. And problems are still here (and maybe worse). About 3 months ago one of the actors of the movies (the one that is shot in foot by Dadinho) was arrested stealing a purse in a bus, to buy food.
    City of God is only a movie. A really good one. The real world is not so cool.

  88. nerds = pathetic by ziggles · · Score: 0, Troll

    I know this may come as a shock to you guys, but your favorite little nerdy thing will never win a huge award. There's a reason it's considered a nerd thing, only nerds seem to enjoy it a great deal.

    This doesn't make the Academy wrong or stupid or ignorant for leaving out your little niche thing. It just means your favorite thing has limited appeal. The only reason the mainstream like LOTR are the action scenes. There are no interesting characters or great acting. Just well filmed action scenes (supported by CG of course). Everything else will only be appreciated by tolkien-lovers who already know the background for all the characters and can inject their own knowledge into the movie, making the movie seem better than it is in aspects in which it fails.

    This is just one example (LOTR), but it applies to just about any complaint you guys have. (anime? please, get real.)

    (no, I'm not trying to say all slashdot posters have the same opinion, this rant is only aimed at the ones who obviously suffer from such delusions)

    1. Re:nerds = pathetic by mooredav · · Score: 1

      "Everything else will only be appreciated by tolkien-lovers who already know the background for all the characters and can inject their own knowledge into the movie, making the movie seem better than it is in aspects in which it fails."

      I agree with this particular remark, even though your post got flagged as -1 Troll.

      Lord of the Rings sometimes falters as a stand-alone movie for those of us without the book knowledge.

      Remember in The Two Towers, there is a pointless battle with some furry hogs, after which Aragorn gets thrown off a cliff? Aragorn is resurrected moments later, and he carries on like nothing ever happened. It's not dramatic when you "kill" the star whom you know will come back to finish the movie. Instead, it's annoying when the other characters pretend to be stunned at his return.

      In Return of the King, there is an evil warlord who cannot be killed by any man. Later, Eowyn sticks him with her sword: "but I am a woman!". Was this supposed to be comedy? I saw the punchline coming, and it didn't work.

      How do these dead ends make the movie a better adaptation of the book?

    2. Re:nerds = pathetic by PSandusky · · Score: 1

      >>
      In Return of the King, there is an evil warlord who cannot be killed by any man. Later, Eowyn sticks him with her sword: "but I am a woman!". Was this supposed to be comedy? I saw the punchline coming, and it didn't work.

      Did I understand your post correctly to mean that you have not read the book? I would suggest you develop some familiarity with it. IIRC, that particular bit was not intended solely as an element of "adaptation."

      Makes a case for knowing your sources, n'est-ce pas?

      --
      "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
    3. Re:nerds = pathetic by mooredav · · Score: 1

      I didn't sincerely believe that the "I am woman" thing was meant to be a joke, but what was it? Are women magical? Or was it just a play on words? From the movie, it looks like they won the fight by playing word games. It was really jarring and unbelievable.

      You suggested that I read the book. But you missed my point. Let me restate it: "Lord of the Rings sometimes falters as a stand-alone movie for those of us without the book knowledge."

      I think Jackson could have adapted the movie to suit both audiences: those who have read the trilogy and those who haven't. In the preceding example, the movie didn't work on its own.

      It's easy for you to recommend reading the trilogy. However, I also saw Seabiscuit and Master and Commander. Both of those movies are based on books. When they are considered for the Best Picture award, I bet only a handful of voters will have read them. Those movies had to stand by themselves. So should the Lord of the Rings movies.

    4. Re:nerds = pathetic by PSandusky · · Score: 1

      I didn't sincerely believe that the "I am woman" thing was meant to be a joke, but what was it? Are women magical? Or was it just a play on words? From the movie, it looks like they won the fight by playing word games. It was really jarring and unbelievable.

      Honestly, given the nature of the film, I'm not 100% sure what you would have considered believable. My point, and apparently I needed to sledgehammer it a bit, is that this is a gripe you would have to take up with Tolkien -- he originally wrote the scene. It was, I'm given to understand, a fairly popular sequence among those who read the book (including the adapting team) -- hence its inclusion.

      I expect that Tolkien meant something of a play on words on the surface, but note that the deed is eventually done by both woman and hobbit. Eowyn's problem, as illustrated in both book and film, is that she is relegated to the background while she would rather be demonstrating her mettle. Merry suffers from the same frustration. Ultimately, woman and hobbit forge ahead for themselves into battle despite urgings to the contrary from those above them (who, incidentally, just happen to be Men -- both by sex and race), and in so doing they end up bringing down what was (by that point, at least) the most feared agent of Mordor on the battlefield.

      This subplot does, I imagine, make some modicum of sense.

      I would indicate to you that the synopsis I detail above could have been gleaned simply by watching the films and paying attention. There is nothing to suggest "a joke" or that "women are magical." Each of those items appears somewhere in Return of the King or Two Towers as it showed in the theater -- there is, of course, more, but the Academy people who are concerned with how well movies "stand by themselves" would not be watching Extended Editions to make their determinations. In terms of dry exposition with regards to Eowyn and the WitchKing, RotK did indeed work on its own. (Sorry.)

      This is not necessarily a spoon-feeding movie. Something like X-Men might only need a surface interpretation, but something like Lord of the Rings is much more complex -- as much so on film as in text. You do yourself a great disservice if you feel that your opinions on the film are eminently valid -- apparently above and beyond others' -- primarily because it did not pass your initial gloss analysis. As far as the film is concerned, you apparently "missed the point" -- which is lamentable, considering that the point, in this case, was in plain view. There is only so much watering-down that can be done for an audience member with something of this scale.

      If, however, you expected this film to fit the status quo -- with a plot presented in blinking neon lights for one and all to follow without having to think too much about it, much less remember information from an hour previous (let alone another film) -- well then, I'm sorry. Genuinely. I can tell you that I, for one, would have resented LotR as some sort of "mainstream" rendering that saps it of its innate intelligence. The source deserves more respect.

      I think Jackson could have adapted the movie to suit both audiences: those who have read the trilogy and those who haven't.

      This is an incredibly easy suggestion to make -- moreso, perhaps, than mine that you read the book. Anyone with a vague dissatisfaction with the movie could have said that. Still, please elaborate. What do you have in mind? Just how would you plan on adapting this as you describe? (Know that, among the people who have read the book, much is said of it being overly adapted for those who had not read the text. Not clear cut in the slightest, is it?)

      Consider that, at least in the case of the edition I have handy, the whole book, from "This book is largely concerned with Hobbits," to "'Well, I'm back,' he said," runs about 1008 pages, and the type is small. With the inclusion of the Appendices, which make various appear

      --
      "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
    5. Re:nerds = pathetic by mooredav · · Score: 1

      "In terms of dry exposition with regards to Eowyn and the WitchKing, RotK did indeed work on its own."

      Well, I could see that Eowyn and the hobbit made a vital contribution to winning the battle. That significance was not lost on me.

      What I didn't understand was: how did it physically happen? At Helm's Deep, we hear that the WitchKing "cannot be killed by any man". Later, the WitchKing himself reminds us of that again. Traditionally, the word "man" has been used to refer to all of mankind, women included. For example: "There will be no dawn for man." (a quote from the movie, if I remember correctly). So the movie deliberately stresses the fact that "men" (mankind) cannot slay the WitchKing, but then it happens. The movie breaks its own physics in a way that is hard for casual moviegoers to figure.

      You could say that the WitchKing's invulnerability was just a legend. It could be beaten once a warrior is not afraid of it, even if that warrior is a woman or a hobbit.

      However, there are many rules about the LotR world that appear to be literally true. For example, the ring can only be destroyed in Mount Doom. Except for the narrative at the beginning of The Fellowship, we count on the characters' own dialog to let us know about their world. Even for a sophisticated viewer, it's hard to know what the rules are in this fantasy -- especially in the WitchKing battle.

      The movie could have been made to work independently of the novel (much like Master and Commander did). There are many moments that us uninitiated heathens can appreciate. For example, the chain of signal fires across the mountain range. That was beautiful both visually and in spirit. There is a another moment in which the steward of the throne sends his son into a suicidal battle, then entertains himself with songs and fruit. Brilliant.

      However, some of the other sub plots in the movie are just dead end diversions when taken out of the context of the book. I'm sure that the adaptation could've been improved, at least for us unwashed peons. One approach is to simply cut the bastard scenes from the movie, then glue in something that makes the rest of it more consistent. I bet that there are lots of possibilities.

      Let's return to the WitchKing example. After Eowyn slays it, she emphasizes that she is a "woman" (and therefore not a "man"?). I think that's goofy. Instead, her victory speech should've been something to the effect of: "I am not intimidated by your legend" -- a statement that is believable, and not just an apparent play on words. We've already seen that she had to sneak into the battle, hidden in armor, because men believed that she couldn't contribute. The significance of her accomplishment won't be lost simply because it wasn't explicitly pointed out.

      The revised dialog may be different than the book, but who gives a damn? Adapt. The movie should be an adaptation, not a blunt recreation of the book.

      "Jackson's answer ... was to present an act of love to the fans"

      Okay, you could say that Jackson's top priority was to recreate the books faithfully for the benefit of the Tolkien heads. The rest of the moviegoing public is second priority. That's fine. But that doesn't help his case for Best Picture or Best Director at the academy awards. Why should the rest of the world give special consideration to a movie that wasn't optimized for them? Because everyone has a duty to spend 30 hours reading the books? I don't think so, despite your fanboy rave. I think it's very reasonable to judge the movie independently of the book, because that's how many people will see it. They're not ignorant and stupid. They just have other plans besides memorizing the entire Tolkien universe.

    6. Re:nerds = pathetic by PSandusky · · Score: 1

      What I didn't understand was: how did it physically happen? At Helm's Deep, we hear that the WitchKing "cannot be killed by any man". Later, the WitchKing himself reminds us of that again. Traditionally, the word "man" has been used to refer to all of mankind, women included. For example: "There will be no dawn for man." (a quote from the movie, if I remember correctly). So the movie deliberately stresses the fact that "men" (mankind) cannot slay the WitchKing, but then it happens. The movie breaks its own physics in a way that is hard for casual moviegoers to figure.

      Its own physics...? There was some mention of a clear-cut overarching who-can-kill-whom physics in this to begin with? Okay, let's go with this example.

      I don't remember the WitchKing being mentioned at Helm's Deep. He is mentioned at Minas Tirith, and I do think Gandalf says it to Pippin. OK. The word 'man' is used.

      You mention that traditionally, "man" is used to refer to men and women. That works with Saruman's dictum before Helm's Deep -- but step back and look at the other statements. "No man may kill me," and "He can be killed by no man," aren't necessarily statements referring to race. Nothing precludes either statement from referring to the dominant sex in warfare at that time -- the fact that the term used in reference to each shouldn't be all that jarring, considering that we use "man" to refer to an adult male human or to the human race in general. This is a judgment call made in communication on a daily basis. What abstracts it so when it's onscreen?

      I would be wondering what the statement meant, if it weren't for the clarification from a certain duo ramming swords into the WitchKing's carcass. Ah, so that's what he meant...

      My main problem with those kinds of analyses of "physics" is that they put a filter on what's happening that need not necessarily be there. I remember hearing PJ say somewhere along the line that the approach was to produce the film as a history -- not a historical documentary but a demonstration of culture within Middle-Earth and an illustration of one period in its history as it occurred. That said, it never fails to get my hackles up when someone responds to the film as though it were something happening down the street, within the boundaries of their mores. Quite obviously, the world on that screen isn't playing by our rules.

      Interpretation based on experience is valuable, true, but it doesn't always prove fruitful when that which to be interpreted does not fit into its own niche within modern human experience. Adapting the story based upon modern human mores might work to a point, but it would not do so kindly to a source that is as imbued with its own mores as this one is. That's part of the problem with working up a generally accepted adaptation of this story.

      However, there are many rules about the LotR world that appear to be literally true. For example, the ring can only be destroyed in Mount Doom. Except for the narrative at the beginning of The Fellowship, we count on the characters' own dialog to let us know about their world. Even for a sophisticated viewer, it's hard to know what the rules are in this fantasy -- especially in the WitchKing battle.

      The movie could have been made to work independently of the novel (much like Master and Commander did).


      It's hard to know what the rules are in fantasy in general. Much of it entails watching what happens and analyzing it as specifically as possible -- not much unlike being dumped into that world as if by magic and having to make a living within it. Fantasy having its own "physics," as you say, is not a failing or a handicap, but rather a difference best dealt with by the viewer and the filmmaker. This genre simply comes with another nuance.

      This is where the analogy to Master and Commander fails. True, there are probably a number of historians that would be quick to say that a ship during that era was its own world, and that it would h

      --
      "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
    7. Re:nerds = pathetic by mooredav · · Score: 1

      Let me recreate part of Return of the King.

      Men are preparing for battle. One of them says that the WitchKing cannot be killed any mortal man.

      At this point, I'm thinking: "man"? Is that a poetic synonym for "human", like in Star Trek ("to boldy go where no man has gone before")? So perhaps the WitchKing won't go away until the ring is destroyed. Or... maybe he'll be beaten by one of the various undead things in the movie. That seems reasonable.

      Alternatively, "man" might just mean someone who isn't a woman. But why could a woman cut down the WitchKing whereas a man could not? Women are special? The WitchKing's magic is conditional? That would be a wierd rule; how could that possibly be the case? So the first interpretation ("man" == "human") must be the correct one, right?

      ... unless RotK intends to suprise us if we made the wrong assumption.

      Back to the movie. We see Eowyn suiting up and sneaking off to battle.

      Now I'm thinking: "Is she the answer to the WitchKing? If that's it, then I will be disappointed!"

      The movie continues and we finally meet the WitchKing. He reminds us again that he cannot be killed by any mortal man.

      But Eowyn is there. I see her and I'm going: "oh no, here it comes. RotK is going to teach a lesson that we shouldn't assume that work can only be done by men."

      She slays it. Me: "ARRRRRRRRRGH!" I didn't need this lesson. I needed to believe in the legend, for drama's sake.

      That's my story, and I'm sticking to it.

  89. But where are the good movies? by GweeDo · · Score: 1

    I mean come on! Where are the Matrix movies? I mean...Trinity...dying...that performance alone deserves a nomination. Or what about the costumes...dirty torn good will shirts in a cave! AMAZING! I mean I could keep going on this, but I am just to mad at the academy...those fools!

    1. Re:But where are the good movies? by Rallion · · Score: 1

      Yeah, me and my girlfriend burst out laughing when Trinity was dying. In a theater full of people that somehow went in convinced they were in for something great.

      But that just made it funnier.

  90. Hmm, let's see... by mumblestheclown · · Score: 1, Flamebait
    • Hackneyed "good vs evil" plot
    • overlong, sappy, soap-opera of middle earth
    • paint-by-numbers acting
    • every cliche in the book (they actually "sailed into the sunset" people! and don't get my started on "'no man can kill me' -- 'i'm no man.. i'm a woman!'")
    • but great special effects!
    =
    • Best picture?
    I sure as heck hope not. It was a fine movie if you like that sort of pap, but hardly best picture material.

    There are good comparisons to be made to "Gladiator", arguably the last questionable best picture - but gladiator benefitted immensely from a strong performance by the lead wheras LOTR just had typecasting. Oh yes, and Gladiator had a plot.

    That said, finding a substitute is not easy. Lost In Translation won't win though just to shut the fanboys up I'd be thrilled if it did :)

    1. Re:Hmm, let's see... by Anonymous Coward · · Score: 0

      > every cliche in the book (they actually "sailed
      > into the sunset" people! and don't get my
      > started on "'no man can kill me' -- 'i'm no man.
      > . i'm a woman!'")

      Um.. it is in the book. To be specific, its on Page 127 of my paperback edition of RoTK.

      Jackson is just using the source material

  91. Thank god by Anonymous Coward · · Score: 0

    Anime is just plain awful. No wonder it never wins any awards. To do that it would need actual facial expressions, decent motion animation (or any at all, really -- having a flashing background behind a stiff character is NOT motion), and far less annoying voices. Strongbad was right.

  92. So... by WIAKywbfatw · · Score: 1

    ...I guess Tuesday isn't the official MPAA Hate Day any more. Anyone know what day of the week it moved to?

    I thought it was:

    Monday: SCO
    Tuesday: MPAA
    Wednesday: HP
    Thursday: Microsoft
    Friday: ATi/nVidia (pick one)
    Saturday: DirecTV
    Sunday: big business in general

    Of course, on Slashdot, it's always a good day to hate RIAA.

    --

    "Accept that some days you are the pigeon, and some days you are the statue." - David Brent, Wernham Hogg
  93. Re:Oscars are all that matters when judging movies by Anonymous Coward · · Score: 0

    Yeah, it seemed to be about 15 minutes, cuz I passed out watching the thing. Certainly wasnt 3.5 hours or anything. My ass fell asleep for an entirely different reason I'm sure.

  94. Too long by Tiroth · · Score: 1

    Enough said.

  95. What about FX? by jcsehak · · Score: 2, Interesting

    Gollum was the first CG character I've ever been convinced of. RotK would deserve the best FX award even if the whole movie was of him.

    And I really think Andy Serkis should get nominated for something. I saw a split-screen of him acting as the body model of Gollum, and the performance just about exactly matched the final CG shot; it almost would've been believable if they'd just used that!

    --

    c-hack.com |
    1. Re:What about FX? by Rallion · · Score: 3, Interesting

      That's absolutely true. IMO Serkis put on the best performance of the entire cast, in both TT and RotK. Not just for the actual physical acting,either--the voice of Gollum could have broken the whole thing, if it wasn't right, but it was perfect. Funny, at times, and when he accused Sam of eating the bread, that was brilliant. I couldn't have hated Gollum more than I did at that instant. My younger sister got a talking Gollum figure for XMas, I think it's great. "Cold be heart and bone and cold be travellers far from home; they do not see what lies ahead, when sun has faded and moon is dead!"

      For anybody who hasn't seen the Gollum featurette of the TT Extended DVD, I suggest you rent it or whatever to check it out. It's amazing to see how...inadequate all the pre-Serkis Gollum stuff was, but once they basically redesigned his face to actually look like Serkis, it worked much better. Plus it's kinda funny to note that the one true piece of pure Serkis in TT is the spit that flies from Gollum's mouth when he 's talking about Sam's cooking.

  96. Re: A STUPID PLOT by Anonymous Coward · · Score: 0

    That was the stupidest plot I have ever seen! I bet you thought Gigli had an excellent plot and should have been best picture. May carrions feast on your large intestine.

  97. anime by Anonymous Coward · · Score: 0

    FYI--There were in fact two anime films that were potential candidates-- Millenium Actress (Dreamworks) and Tokyo Godfathers (Sony).

  98. MOD UP, me brothers! by filmsmith · · Score: 2, Insightful

    Mod parent up! I don't think I've EVER seen a Wong Kar-Wai recommendation on this site and you deserve Karma until your dying day for that! Everyone should have the honor to experince such fine filmmaking and you deserve to go up to a +5 underrated just for your last paragraph.

    Alright, enough asskissing. I have work to do ...and now I want to go buy another WKW movie! Thanks!

    fs

    1. Re:MOD UP, me brothers! by Anonymous Coward · · Score: 0

      You mean you don't have them all already?!

      and you call yourself a fan... ;) /me looks forward to 2046

  99. Oscar is a joke by melted · · Score: 1

    The movie was so crappy and drawn out, I'd fucking flush the film down the toilet if it were up to me. Forty minutes of looking at each other, hugging, kissing and smiling in the end - that was just a disaster. I thought my head would fucking explode - that's how drawn out the ending was.

  100. Puhleaze. by gosand · · Score: 4, Interesting
    Agreed, I was incredibly disappointed to hear Sean Astin didn't get a nod for his performance as Sam. Easily the most moving performance I've seen in a long time, and he pulled it off perfectly.

    I don't get it. Really, I don't. I don't understand all the hubub around this movie. It was good. That's it. The acting wasn't all that great folks. Take off your fanboi glasses and look at it for what it really was.

    I have never read the books, nor should I to fully appreciate a movie - after all, movies are never as good as books. That being said, here are a few observations about ROTK that you probably haven't heard...

    The outcome was pre-determined. I knew what was going to happen, I could tell how it was going to end. It was predictable. Remember, I didn't know the story.

    The whole thing where you think that Gollum was killed, then he comes back right at the climax - cheesy.

    I found the Hobbits to be very annoying, especially Sam. They were just too corny for me.

    Battle scenes - ugh. Sure, they were fantastic, but bordered on cheesy. Oh no, we are about to be defeated AGAIN. Whee, here come some eagles to save us. It just got a little tired.

    I know a lot of people hold this story very dear and may take offense at my comments (I am sure I'll be modded appropriately), but I am looking at the MOVIE with no pre-conceptions. If anything, I watched the trilogy to see what all the hype was about. I still really don't know.

    --

    My beliefs do not require that you agree with them.

    1. Re:Puhleaze. by PainKilleR-CE · · Score: 1

      The outcome was pre-determined. I knew what was going to happen, I could tell how it was going to end. It was predictable. Remember, I didn't know the story.

      The whole thing where you think that Gollum was killed, then he comes back right at the climax - cheesy.

      I found the Hobbits to be very annoying, especially Sam. They were just too corny for me.

      Battle scenes - ugh. Sure, they were fantastic, but bordered on cheesy. Oh no, we are about to be defeated AGAIN. Whee, here come some eagles to save us. It just got a little tired.

      I know a lot of people hold this story very dear and may take offense at my comments (I am sure I'll be modded appropriately), but I am looking at the MOVIE with no pre-conceptions. If anything, I watched the trilogy to see what all the hype was about. I still really don't know.


      Most of your problems with the movie come from (more than likely) misconceptions of what the Lord of the Rings is. The story was written primarily for children. This alone tends to lead to it being predictable, at least in my opinion.

      Gollum's return had some purpose, and although there's some cheese involved in that, I think most people seem to have missed it completely.

      The hobbits lost quite a bit in the movie, but again the books were written for children, and some of the cheese shines through in everything the hobbits really are. Then again, Tolkein seems to have really believed that the hobbits were everything good in humanity.

      Realistically, I don't think many people really come away from the books with a good impression unless they can get through them at a young age, and it's not surprising to see some people come from the movies the same way (but the movies have the effects to pull it off with those that spend less time analyzing a movie, and work well with those that read the books and tend to fill in the rest in their own heads). In the end, though, what really contributes to some of the problems with the whole thing is that almost everyone that's done anything in fantasy since the 1950s has ripped something from LotR.

      --
      -PainKilleR-[CE]
    2. Re:Puhleaze. by Anonymous Coward · · Score: 0

      so what if the end was predictable for you. Knowing the end of the story doesn't matter, it is the journey towards that end that is the tale to tell.

    3. Re:Puhleaze. by DunbarTheInept · · Score: 1


      The whole thing where you think that Gollum was killed, then he comes back right at the climax - cheesy.

      That would have been cheesy. Good thing then that it never happened in this movie. Where were we supposed to think Gollum was killed?

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    4. Re:Puhleaze. by Anonymous Coward · · Score: 0

      Uh, no, "The Lord of the Rings" was most assuredely NOT written for children. "The Hobbit" was, but not its successor.

    5. Re:Puhleaze. by DarkEdgeX · · Score: 1
      You'd think that given the big rant by Sam towards the end of The Two Towers that gosand would have maybe realized that the story wasn't about the ending so much as the journey itself (as you said). To quote from The Two Towers--
      Frodo:
      I can't do this, Sam.

      Sam:
      I know.
      It's all wrong.
      By right we shouldn't even be here.
      It's like in the great stories, Mr. Frodo.
      The ones that really mattered.
      Full of darkness and danger they were.
      And sometimes you didn't want to know the end, because how could the end be happy?
      How could the world go back to the way it was when so much bad had happened?
      But in the end, it's only a passing thing, this shadow.
      Even darkness must pass.
      A new day will come. And when the sun shines, it will shine out the clearer.
      Those were the stories that stayed with you that meant something.
      Even if you were too small to understand why.
      But I think Mr. Frodo, I do understand.
      I know now.
      Folk in those stories had lots of chances of turning back, only they didn't.
      They kept going because they were holding on to something.

      Frodo:
      What are we holding on to, Sam?

      Sam:
      That there's some good in this world, Mr. Frodo.
      And it's worth fighting for.
      --
      All I know about Bush is I had a good job when Clinton was president.
    6. Re:Puhleaze. by holt · · Score: 1

      Just after Shelob's lair, Frodo and Gollum get into that tussle and Gollum ends up getting knocked off the cliff. I assumed that he had died then, since I haven't read the books.

    7. Re:Puhleaze. by junkgrep · · Score: 1

      I think the real cause here is a weak, uneven script. The movie's production, direction, cast, costumes, effects, etc. were fantastic. The script was objectively amauter. It featured double digits of lines that have been uttered in movies a million times before. It often shied away from the best of Tolkien's dialouge for tired cliches and the weakest of his dialouge. It featured plot elements right out of the Jerry Bruckheimer school of filling out screen time. A cliffhanger/take my hand! scene. Like we've never seen that one before. Hell, ELIJAH WOOD has been in a better and less pointless cliffhanger scene in that film with that kid from Home Alone.

    8. Re:Puhleaze. by gosand · · Score: 1
      You'd think that given the big rant by Sam towards the end of The Two Towers that gosand would have maybe realized that the story wasn't about the ending so much as the journey itself (as you said). To quote from The Two Towers--

      You act like there is something there to get. It is an extremely shallow story - Good vs Evil. Whooptie-doo. I have a friend that is REALLY into LOTR, and over some beers one night he told me some things that they just couldn't really convey in the movie - like the living trees. From what he said, the movie just couldn't do them justice (and sorry for not remembering exactly what they are called). But for the average movie-goer, they might have seemed kind of corny because a movie couldn't do them justice. And we are talking about JUST the movie here, not the books. So you have to step back and look at JUST the movies. I think they were good, probably in the top10 of the year, but not close to the best of the year. (and certainly not best of all time, as I have heard some people suggest)

      P.S. The fanboi moderators can suck my sack for modding me down as a Troll, when all I did was offer a different opinion than most people here on a discussion about the movie.

      --

      My beliefs do not require that you agree with them.

    9. Re:Puhleaze. by DunbarTheInept · · Score: 1

      It was well established by that point that gollum had an amazing, inhuman climbing ability. And you didn't actually see him fall. The camera didn't follow him to the bottom. That's well-established cinema-speak for "He's out of this scene, but he survived."

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    10. Re:Puhleaze. by DarkEdgeX · · Score: 1

      If all you believe is that it's a "shallow story" of "Good vs Evil", then you didn't "get" it.

      --
      All I know about Bush is I had a good job when Clinton was president.
  101. For your consideration... by Slashamatic · · Score: 2, Insightful
    I really don't understand the nominations. Master and Commander was 'ok' but it hardly showed cinematic brilliance. As for Lost in Translation, well it was a "cute" film, but that was all. I agree with you about Depp, that was an excellent performance and one that made the film.

    Personally I thought that Sean Astin, Sir Ian McKellen, Bernard Hill and Andy Serkis all did excellent jobs. One problem is that a studio can only put one person from a film forward in each category for consideration.

    Serkis got to really act in this one (so no arguments about it being only CGI). I guess McKellen wouldn't be bothered about more awards, and that Sean Astin and Andy Serkis are too early in their careers. Bernard Hill (Theoden) would have been a good nominee, he essentially played a Lear, but did so extremely well, however he is British and that is always a small minus.

    Others have recognised the cast and recognised them as an esemble, which is probably the best. I don't think the time that any of the cast spent on the LOTR would be wasted career-wise.

    1. Re:For your consideration... by the+gnat · · Score: 1

      Personally I thought that Sean Astin, Sir Ian McKellen, Bernard Hill and Andy Serkis all did excellent jobs.

      Well, McKellen at least got a nod for the first movie. Bernard Hill rocked my world - he was close to being my favorite in the entire series.

  102. HERE! HERE! by filmsmith · · Score: 1

    Boy, was that the shocker of Oscar season! Technically, it should have been party to last years Oscars having debuted in LA and NY in 2002, but since it was 'forgotten' last year, I was very happy to see it pick up the Director nod. I was horribly dissapointed it didn't get the actors a couple of nods and am now torn for Cinematography and Directing.

    I'd like to see LiT win the Big Four, but City of God and Fernando Meirelles deserves a LOT of recognition for the Visual Vibratio (a phrase I coined explicitly for this movie). After just 15 minutes of this movie, you'll understand exactly what I mean. For those interested in a take on the drug world 'Gangland' movie, go get this film!

    fs

  103. steve jobs on stage again ??!! by peter303 · · Score: 1

    Only three animated feature nominations this year- a modest Brother Bear, a cute French cartoon, and of course, Finding Nemo, pretty much a shoe-in. No Anime.
    The 2005 feature animation Oscar should be more competitive with Pixar and Dreamworks contenders.

  104. Re:Oscars are all that matters when judging movies by enjo13 · · Score: 1

    The fact that Titanic remains the highest grossing film in history would seem to corroborate that.

    Just because YOU don't like a movie (and hell, I don't like it either) doesn't mean it's not a great movie.. There are a LOT of people that rank Titanic as the best movie they've ever seen after all.

    --
    Turn s60 photos into awesome videos with mScrapbook for all S60 3rd edition phones!
  105. Re:nominated for ...... by Artifakt · · Score: 1

    Admit it. If Neo had rip-foo'ed the Architect's liver out through his nostrils right after the word "assiduous" you would have forgiven the rest of the film. If he'd followed with 50,000 monitors flying off the walls and imploding the archetect's dead, mangled body, you might have even voted Keanu a special Oscar for best "Woah!"

    --
    Who is John Cabal?
  106. Re:Oscars are all that matters when judging movies by Anonymous Coward · · Score: 0

    Mod me down as a troll but personally, I think LOTR sucked big time. Exactly what is it about LOTR that makes people go goo goo ga ga is impossible for me to judge. Is it those paper orcs who lose each and every battle to 3 foot nothing elves. Is it those countless slow motion close ups of Frodo ? Is it the lame plot? Have to sink a ring. Fight many battles and Frodo sinks the ring on the sly. Theres nothing more to the plot than the above two lines. And all the characters seem to be carved out of plastic (except Gollum maybe - and he was actually plastic !!!). At least in the Titanic there were far fewer cardboard characters and the ship sinking did convey the atmosphere and effect of impending doom. No such thing with the LOTR. The orcs just keep losing left right and centre. An army of penguins would have been more ferocious. Mod me down as a troll if u wish but can some one please explain to me what was so special about LOTR except special effects (which was also tacky at times). Why does LOTR receive so much slashdot attention but a sea-biscuit or Memento doesn't.

  107. I can beat that! by filmsmith · · Score: 1

    I can sum the whole Trilogy in less time:

    9 hour story about a MacGuffin to showcase grand battle sequences, vast landscapes and pretty clothes. ...that's not to say I didn't enjoy myself.

    fs

  108. I'm a geek so... by Anonymous Coward · · Score: 0

    I demand that ROTK wins all eleven oscar it was nominated for. Or else, the academy will be punished in appropiates, painfuls and very Middle Earth way, which doesn't come to mind right now.

  109. Re:Oscars are all that matters when judging movies by sessamoid · · Score: 1
    I know it's cool to poke fun at Titanic because it was a love story, but you have to appreciate the special effects and directing

    The special effects were decent but the CGI was horribly obvious in parts, and often over-sensationalized most of the time. The directing was typical James Cameron, i.e. all action and special effects, no emotion. The man's an overbearing ****, and it shows in his direction.

    My opinion of Titanic has nothing to do with it being a love story. I really like love stories in movies. I found myself laughing at all the supposedly "romantic" parts of Titanic though. Just pitiful.

    --
    "No, no, no. Don't tug on that. You never know what it might be attached to."
  110. Re:Oscars are all that matters when judging movies by Anonymous Coward · · Score: 0

    Giving a movie a good review because of a quick titty flash by an over-rated actress? Is it that hard to find porn? No wonder the women are beating the men on "The Associate." There's so many guys like you that turn into mush when presented with just a little flesh.

  111. Re:Bill Murray as Bill Murray by Anonymous Coward · · Score: 0

    Well, there was the time he played Hunter Thompson aka Raoul Duke... (Where The Buffalo Roam)

  112. RotK: Best Adapted Screenplay? by Anonymous Coward · · Score: 0
    What's up with that? Maybe they're rewarding Peter, Fran, and Philippa for sparing us any more "dwarf tossing" jokes. I thought the screenplay for the first film was a pretty good adaptation, but this one has more than its share of cheese. Too many lines of (unnecessary) exposition; too much dialog that was right on the nose. Examples:
    • (0:30) "Tumor", Orc General: "The time of men is over. The age of Orcs is at hand."
    • (1:15) Tumor: "Take the city, leave no one alive." OK...
    • (1:30) Tumor: "What about the White Wizard?"
      Witch King: "I will break him." Thanks, Dolf Lundgren!
    • (1:45) Witch King: "Take the city, then kill them all." Yes, we've figured out that's your strategy!
    • (2:00) Gandalf: "The trolls, shoot the trolls!"
    • (2:30) Theodon (fighting oliphaunts): "Bring him down, bring him down!" I see the West matches Mordor in terms of tactical sophistication.
    • (2:45) Tumor: "Leave no one alive." Alright already! Storm the city, and instead of bringing in the UN to hold elections, kill everyone inside. We get it already!
    And there's lots of other stuff too. Jackson & Company seem to really have it in for the "Stewart" family, because the character assasination Denethor undergoes in this film makes what happened to Faramir in "Two Towers" look trivial. In the book Tolkien says that Denethor is of much nobler lineage than most men who are kings, and that Theoden looks like a simple, kindly old man by comparison. Yet the encounters in the film between Gandalf and Denethor look like something out the Three Stooges...
  113. Filthy is back? by faqmaster · · Score: 1

    Filthy? Is that you?

    --
    Are you...Are you some kind of genius?
    No, ma'am, I'm just a regular Slashdot reader.
  114. Here's an interesting review of the trilogy... by unother · · Score: 2

    Found this review which presents an interesting counterpoint in perspective to those enjoined by most of the press. Read it and... weep?

  115. Insightful?! by filmsmith · · Score: 1

    You forgot the most important element of directing...STORYTELLING! Amount of time filming be damned! (Traffic: 53 Days vs Gangs of New York: Technically 23 years to make yet both are INCREDIBLE works of art)

    Doing them all at the same time?! THIS is your judgement for Oscarworthy?! Jesus Christ, I'm glad you're not voting. By your jugement, the Trois Colour trilogy deserve SHIT because they were filmed at seperate times!

    Relying on CGI who wasn't there? This is qualification for a Best Director? Well, it may not have been CGI, technically, but Rober Zemeckis got robbed! HAH!

    Logistics? Elaborate. Please!

    Overall Grand Scale?! So Lawrence of Arabia is an Oscar worthy film and Casablanca isn't?! Your logic seems to dictate that. Ye Gods, man, I cannot BELIEVE you got modded up!

    No, he's not less of a coach, but we're talking SPORTS vs ART! Hardly a valid analogy. If I spend 20 years turning a trashcan into a very beautiful piece of machinery that can haul 10 people around, do I deserve to win ...whatever award goes to cars over a Porsche?! Hell, maybe that's not even a valid analogy. Anyone less disgusted by the parent care to come up with something more clever?

    fs

    1. Re:Insightful?! by debian4life · · Score: 1

      I am talking about this year's Oscars, not every year in the history of filmmaking. My point is all things being equal for all films THIS YEAR, I would give the Oscar to Jackson for the things I mentioned. And no, I will elaborate no further for you. Go watch some behind the scenes stuff and see what these people did to make these films.

    2. Re:Insightful?! by filmsmith · · Score: 1

      I did watch the 'behind the scenes' stuff. As an aspiring director, I find it all very interesting, though the logistics you alluded to aren't Jackson's achievements ...unless hiring people is an achievement. The stuff you mentioned are SOME reasons a film might win Best Picture, NOT Director.

      And the fact that you are refering to this year's Oscars does not excuse you from glazing over all the artistic elements that make a Director a Director.

      Go watch some more cinema and take a few film appreciation classes and see what THOSE people did to make film.

      fs

    3. Re:Insightful?! by Anonymous Coward · · Score: 0

      poopsmith.. i mean filmsmith.. where are you from? we don't use the word cinema from where I come from (USA). also, are you gay?

    4. Re:Insightful?! by filmsmith · · Score: 1

      cute

  116. Bah by robson · · Score: 1

    If the Academy'd had any balls or vision, they'd have nominated Andy Serkis and the Weta Digital Animation Department for Best Supporting Actor. (What?!? A performance is by a single heroic actor, not a team!)

    Some day we'll see that, but it won't be until many great performances have been passed over.

  117. No, the Academy are STILL a bunch of elitist idiot by Moryath · · Score: 2, Interesting

    Look again at what ROTK got nominated for:

    Art Direction - THROWAWAY #1
    Costume Design - THROWAWAY #2
    Directing
    Film Editing
    Makeup - THROWAWAY #3
    Music (Score) >
    Music (Song) > Between them, ONE counts as THROWAWAY #4
    Best Picture
    Sound - THROWAWAY #5
    Visual Effects - THROWAWAY #7
    Writing (Adapted Screenplay) - THROWAWAY #8

    Of the list of 11 nominations, only THREE are not in throwaway categories - that is to say, the crap categories the Academy came up with after the Star Wars debacle so that in the future, much-beloved films could be pointed to with a "but it won an Oscar for visual effects, we're being nice by letting you have that".

    COMPLETELY FUCKING IGNORING THAT WITHOUT THE ACTORS, ROTK AND LOTR IN GENERAL WOULD HAVE SUCKED.

    Come on. Sean Astin's Samwise Gamgee was BRILLIANT. Ian McKellen's portrayal of Gandalf, an incredibly difficult role to hold up to the scrutiny of those who have read the books inside and out and KNOW Gandalf, and yet he pulled it off.

    Andy Serkis's Smeagol/Gollum. Three times now they have dissed him.

    I would like to FUCK the ACADEMY, for being COMPLETELY FUCKING WORTHLESS AND IRRELEVANT.

    Congratulations to the "winners" in the actor categories. Your "award" is only worth the chocolate that's wrapped up inside that gold foil.

  118. Re:Oscars are all that matters when judging movies by Anonymous Coward · · Score: 0

    Titanic is the highest grossing movie of all time because teenage girls went to see it over and over again. How that qualifies it to be the best movie ever, I cannot imagine.

    To be the best movie ever it has to be compared to the great films of all time...Kurosawa made several masterpieces better than Titanic. Lawrence of Arabia, Citizen Kane, Casablanca, Godfather [1|2], among others were all better. Very few of the millions who made Titanic the highest grossing film ever have seen these films and therefore cannot be qualified to determine what is the best film ever.

    Titanic was a good film (I might even say I liked it), but best ever??? Please. Besides, if you were to account for the difference in ticket prices between the releases of the two movies, Gone with the Wind would have out-grossed Titanic.

  119. Oscars finally see the BIGGER picture! by xot · · Score: 1

    Its high time they saw the bigger picture(haw haw) and nominated something that really deserves an Oscar.And not some weeping tom movie that people will only see after its won an oscar.WTG Oscar team and now do us proud by making ROTK win!

    --
    Lord of the Binges.
  120. And of course by Snaller · · Score: 1

    .. a lot of people in the tolkien newsgroups seem to think that Return of the King was lost in translation..

    --
    If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
  121. Small edit by Moryath · · Score: 1

    Reconsidered; in this context, BOTH musics are throwaways. that's why the lack of a #6; I forgot to fix the numbering above.

    1. Re:Small edit by Blondie-Wan · · Score: 1

      Actually, for some of us, the music awards are among the most important.

  122. Penn is politically correct by Anonymous Coward · · Score: 0

    Sean Penn is politically correct in that he hates the United States and loves Saddam Hussein.

  123. Winnie the Poo? by AtariAmarok · · Score: 1

    ....of British rights' case - Winnie the Poo. I wonder if the British ever....

    I must have missed this episode of South Park. Is he supposed to be the sister of Mr. Hankey?

    --
    Don't blame Durga. I voted for Centauri.
  124. Too many plot holes for Best Picture by Anonymous Coward · · Score: 0

    Come on, there are so many holes and ridiculous situations, it makes The Phantom Menace look well written.

    All Gandalf had to do was tell the eagles to fly Frodo to Mount Doom and the movie would be over in a couple of minutes. If the eagles were willing to fly by an erupting volcano to recuse Frodo, they would have been willing to help destroy the Ring in the first place.

    1. Re:Too many plot holes for Best Picture by Anonymous Coward · · Score: 0
      All Gandalf had to do was tell the eagles to fly Frodo to Mount Doom
      Well, it's easy enough to fly to the volcano AFTER the ring is destroyed. But it's probably a bit trickier when Mordor is under the constant surveillance of the unblinking eye, and being patrolled by flying Nazgul.

      The only "hole" is the one in your head, I think.

    2. Re:Too many plot holes for Best Picture by Anonymous Coward · · Score: 0
      All Gandalf had to do was tell the eagles to fly Frodo to Mount Doom and the movie would be over in a couple of minutes. If the eagles were willing to fly by an erupting volcano to recuse Frodo, they would have been willing to help destroy the Ring in the first place.
      All Rita had to do was to take Betty in through the locked front door and the movie would be over in a couple of minutes. If Rita was willing to enter through the front door after Betty had climbed through the window and unlocked it, she would have been willing to walk through the front door in the first place.
  125. NOMINATE LA BLUE GIRL! by Anonymous Coward · · Score: 0

    Yeah, it's disheartening how so much of Japanese anime gets overlooked Oscar time. Take La Blue Girl, for example. Miko Mido definitely deserves an oscar for her portrayal of a young woman struggling with the issues of getting good grades in college, leading the Miroku ninja clan to greatness, and keeping tentacles away from her privates!

    Yaku deserves a nod for her realistic portrayal when she was getting screwed by that monsterous toad demon in Episode 3. She really looked like she was going crazy with all those slimy appendanges working their way inside her!

    And Nin-Nin adds much comic relief to an otherwise serious story of overly-endowed girl sex ninjas fighting off monsters. Definitely Oscar-worthy.

  126. The Eagle Conumdrum by AtariAmarok · · Score: 1

    It's not so cut and dried with the Eagles.

    Let's say they flew Frodo to the Mountain. They would have faced attack by those fell-beast things, not to mention the full unpleasant stare of the Eye. There's too high of a chance they would have failed, leaving the Ring to Sauron.

    Also, the eagles, as servants of one of the old Middle Earth gods, were not given to major intervention in matters. This would have been a major intervention.

    Rescuing Frodo and Sam AFTER the mission was over, as they did, had no impact on the affairs of Middle-Earth.

    --
    Don't blame Durga. I voted for Centauri.
  127. As he stated it, it would have failed by AtariAmarok · · Score: 1

    What the parent desired would have failed anyway in the context of the story.

    If the eagles had flown Frodo, and only Frodo, to the Cracks of Doom, there is no reason to believe that he would have not still "pulled an Isildur" and taken full control of the Ring while on the brink.

    The eagles would have had to have flown Gollum there (and maybe even Sam) along with Frodo for the destruction events to occur. And just imagine them at Rivendell saying "OK, Frodo, Gandalf's pet taxibirds are going to take you to Mordor. Guess what, Gollum's going too!"

    --
    Don't blame Durga. I voted for Centauri.
  128. BEST EDITING????? by Darth23 · · Score: 1

    I love all the LOTR movies, and they all look great, but if ROTK wins an Oscar for Best Editing the Academy needs to be lined up and shot. My one and only reason for saying this is the HORRENDOUS editing during some of the fight sequences. The Action sequences overall in all the movies look great, HOWEVER, whenever someone pulls out a sword and starts fighting in close the movie changes to Attack ofthe Shaky-Cam. Quick cuts, shaking cameras, and allowing the viewers to absolutely not be able to see anything that's actually happening. This annoyed me in FOTR, didn't seem as bad in TTT but it came back with a vengence in ROTK. If this 'technique' was used sparingly, I'd concede that the shaky-cam crap was done intentionally to 'simulate the confusion of battle' or something. But since it happens so often in these movies, I can only conclude that the close-in sword fights were all shot by the fifth-unit 2nd assistant director, or something, and when it came time to put the movie together Jackson and the editors just did the best they could with what they had, I think the movie should have at least received a nom for Cinematography, but Best Editing? No Way.

    --

    -------- In Soviet Russia, "Soviet Russia" sigs hate Slashdot.

  129. Re:Oscars are all that matters when judging movies by kubrick · · Score: 1

    Have you seen "Heavenly Creatures"? Peter Jackson directing, Kate Winslet starring? Very good film, and a real departure from the shlock horror he'd started with. :)

    --
    deus does not exist but if he does
  130. See Monster to get a taste of what LotR is lacking by rufusdufus · · Score: 1

    I love fantasy and sci-fi movies, but even as a huge fan I have to admit that they are generally lacking a certain type of humanity that makes them relevenant.
    Contrast LoTR with Monster. One is epic with magic and elves and dark lords. The other is all cheap hotels and prostitutes.
    LoTR gives little insight into its characters and their motivations. The characters play flat cartoon characters who suffer from faux anxiety they always overcome for no apparent reason to go onto victory.
    Monster's characters on the other hand are real. Like people you really know. Then movie provides insights into the mind of a serial murderer and leave you with a deep understanding not of a monster, but of a human being.
    Leaving monster gave me a deeper feeling of having done something worthwhile than all 3 rings combined. I think mainly because the characters are so well done you feel like you really go to know someone, rather than just watch them on stage waving swords about.

  131. 11: Best documentary by GQuon · · Score: 1

    11: Best documentary

    I'm pissed off that RoTK didn't get nominated for Best Documentary.
    I mean, some of the scenes are re-enacted, but warning the audience about it would sort destroy the flow of it, wouldn't it?
    Maybe some of the stuff didn't really happen exactly like they portray it, but that's how documentaries are supposed to be. What, don't you think some of what they say on Faux News is made up too?
    The most important thing to realize about media is IT IS ALWAYS A FABRICATION OF REALITY. Everything short of actually witnessing an event in person is the act of viewing someone's interpretation of it.

    Consider the fishing scene. You're arguing that Deagol cannot simply dive in and pick up the Ring. But does that change the fact that getting a ring is possible? Who cares if it's not the specific ring or whether he had to wait 4 weeks? The truth is that the ring is enticing people to serve by providing powers. Let's not throw out the baby with the bathwater here!

    --
    Irene KHAAAAAAN!
  132. more reasons why LiT shouldn't win by real_smiff · · Score: 1
    heh, while looking on the imdb trivia pages, i also found out (Lost in Translation):

    Many parts were improvised, including Bill Murray's lines in the photo shoot and his conversation with Scarlett Johansson abut his Shiatsu massage.

    ...which goes even further to increase my respect for Murray/Johansson & reduce my respect for S. Coppola (with her screenplay awards)!

    --

    This is my Sig, this is my Gun. One is for Slashdot and one is for Fun.

  133. Fox is factual by Anonymous Coward · · Score: 0

    What, don't you think some of what they say on [Fox News Channel] is made up too?

    No, it's a lot more accurate. It is much more centrist and balanced than the left-wing US networks like CNN, ABC, etc. The left wing was comfortable having a media monopoly for years. When something like Fox, which is centrist and shows diverse opinions as well shows up, they want to censor it.

  134. It's funny: Laugh by Anonymous Coward · · Score: 0

    It's funny: Laugh!
    Compare with the email from Robbin Ward here.

    If Bowling for Columbine is a contemporary documentary, then RoTK is a historical documentary.

  135. Another great plot summary by Xtifr · · Score: 1

    "A young girl kills a woman, then kills her sister" -- The Wizard of Oz

  136. Its a shame by Frogbert · · Score: 1

    Its a shame that Evan Rachel Wood wasnt nominated for her role in Thirteen. Her acting was truely superb as was the movie. I highly recommend it to everyone, especialy those of us with teenage (or soon to be teenage) daughters. It could be educational for both you and your daughter.

  137. Know Thy Source -- and Know Thy Film! by PSandusky · · Score: 1

    I've just finished slogging through this battery of responses, and I can't help but feel a little bit disturbed by some of the remarks made in vague attempts to pass oneself off as knowledgeable, or to demonstrate that [insert name of movie here] was better than RotK 'just because.'

    Folks, I realize that I may be offensive to some of you when I say this, but it looks like an astounding number of you are forgetting that RotK was, first and foremost, a book. Much (admittedly not all) of that book was conserved in the transition to film, within the context of one person's vision rooted in the text. How's abouts cracking open that illustrious tome every now and again to see if that which you disparage as horrible screenwriting or acting did or did not, in fact, originate in Tolkien's text -- itself the famous source much of the audience hopes the film will respect in its adaptation? Just how is it that so many people feel adequately prepared to comment on the validity of the construction of the film (itself an adaptation) without demonstrating a proper familiarity with the source? There's more here to consider than only what's in the textbooks to "Introduction to Film" and its ilk.

    A woeful demonstration of this would be the people who have problems with the adaptation, yet have not read the book. Listen, people, I have some bad news for you -- Lord of the Rings, in general, is not meant to be a Cliff's Notes film or book. You do have to set up more than a few postsynaptic potentials to catch all that is going on. There are details in the films, true, that people who have read the books will pick up, while a general viewer who hasn't read the books will not. The solution to this seemingly widespread dilemma is either to view the films as someone putting together a puzzle and trying to discern what might be justifying what's happening on screen within the context of the story, or to haul thy carcass to the nearest library or bookstore, get the book, and read it. Contrary to popular belief, PJ and company didn't make this film simply to pander to the James Cameron/I-can't-believe-the-ship-sank generation -- take a look at the structure of Two Towers (particularly its opening) if you need evidence. Silly as it might seem to any stuffed shirts in the crowd, much of the intention behind a lot of this film was to get the audience to think, or short of that, to read. Can't stand the idea of being sent after a book by some movie at the multiplex? Aww. Poor baby. Perhaps Return of the King wasn't meant for you in the first place -- might I suggest a riveting Will Farrell tale instead?

    I saw one post concerning a comparison between RotK and Monster that left me wondering. Point one this author made in his argument that Monster consisted of "what RotK lacked" was something to the order of the difference between one movie centering about elves and magic (not quoting directly, admittedly) vs. another revolving around prostitution -- ostensibly itself a film centered on 'reality,' at least in the modern history sense.

    Uh, OK.

    Let's, for one moment, forget the whole "apples and oranges" thing. Maybe I misunderstood, but is that 'modern angst' element of Monster supposed to be an essential component that RotK "lacks" to its loss? Listen, if poor souls dealing with prostitution in whatever context is important in your preferred kinds of films, fine. Have at it. Enjoy. Please, however, don't point to the absence of a gritty prostitution/drug/crime/name-yer-poison element in Lord of the Rings as some manner of general shortcoming. We are, after all, talking fantasy here -- even in the germane sense of Wizards'n'Elves fantasy. If I wanted a story that looked like something out of City Confidential or Cops, I'd be watching that. Lord of the Rings, either on the bookshelf or at the theater, was not meant to be anything of the sort. Nature of content alone,

    --
    "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
    1. Re:Know Thy Source -- and Know Thy Film! by Anonymous Coward · · Score: 0
      Sorry, I love Peter Jackson's films, but you're way off base. You can't blame the audience for what they do or do not know going into the film. No one should have to read the books in order to appreciate the films. And not having read them does not disqualify a person from disparaging the movie. On the contrary, if anything, the opposite is true. The films should be judged first and foremost on their own merit, irrespective of the source material.

      "It's in the book" is not a valid defense for a flaw in the film. Peter Jackson had the opportunity -- if not the responsibility -- to overcome the book's flaws. In most cases, I think he did. In some others, he didn't. In a few places, he exacerbated them, or introduced flaws of his own. All of this, good and bad, is Peter Jackson's fault. For instance, he didn't have to include the "no living man" mythology in his film. God knows he made much more drastic changes elsewhere. Personally, I liked it, but if someone else didn't, that's their opinion, and they're entitled to it whether they've read the books or not.

    2. Re:Know Thy Source -- and Know Thy Film! by PSandusky · · Score: 1

      Sorry, I love Peter Jackson's films, but you're way off base. You can't blame the audience for what they do or do not know going into the film. No one should have to read the books in order to appreciate the films. And not having read them does not disqualify a person from disparaging the movie. On the contrary, if anything, the opposite is true. The films should be judged first and foremost on their own merit, irrespective of the source material.

      I think that the fact that the film derives from a literary source should not be discounted at all -- since the movie is, by definition, dependent on a literary work, then its consideration (in any sort of depth, anyway) should take into account its treatment of said work. The film is, after all, even before an audience gets to decide its quality as a standalone film, meant to be Lord of the Rings. If the film is absolutely expected to stand alone, it may in those things that do not have a dependence on the book as a source, but ignoring the source for dependent cases is a little bit like expecting someone to stand while one leg gets cut off at the knee.

      My gripe regarding people not having read the book but disparaging the movie stems largely from the fact that when I read those disparagements, they sound as though the person doesn't necessarily know their case. Some sound like a person disparaging for the sake of disparagement. Just saying they didn't like something is one thing... saying that they didn't like it because XYZ that could be remedied by considering the source (that is, the book and the genre, not PJ) is something else.

      An example of this would be a friend of mine who insists upon never seeing Lord of the Rings simply because it's popular. He doesn't have any problem with the story at all, at least not that he's voiced, but he refuses to see it because, according to him, it's a bad movie. It has too much "hype" associated with it -- it must be bad. It's not worth his attention. I would have a much easier time accepting Brian's valid (??) opinion if he knew what he was talking about. A lot of the complaints I see here about Lord of the Rings fit that same bracket -- someone doesn't like LotR because it isn't their kind of movie, therefore it's not a good movie, and therefore a movie of their preferred type is worthy of more adulation. Uh, no. I can't accept that.

      I will readily concede that someone who has a problem with the way the film is presented and expresses that has an entirely valid opinion -- but when that person takes their disparagement and makes it an indication of a "flaw" to be recognized by all, I tend to get a bit irked. Oh, just a notch.

      My idea of a flaw is something that can be demonstrated unilaterally, which, generally speaking, opinions cannot. An example is the continuing discussion about Eowyn vs. the Witchking (somewhere upstairs in this topic...). One person expresses a problem with a scene. Another person expresses that they had no problem with that scene. Is that scene then flawed? Is that perception of flaw binding?

      "It's in the book" is not a valid defense for a flaw in the film. Peter Jackson had the opportunity -- if not the responsibility -- to overcome the book's flaws. In most cases, I think he did. In some others, he didn't. In a few places, he exacerbated them, or introduced flaws of his own. All of this, good and bad, is Peter Jackson's fault. For instance, he didn't have to include the "no living man" mythology in his film. God knows he made much more drastic changes elsewhere. Personally, I liked it, but if someone else didn't, that's their opinion, and they're entitled to it whether they've read the books or not.

      I can't remember saying anywhere that people needed to like the movie, but rather that they should at least give the source some consideration when weighing the film's quality. Some of the gripes are regarding things inherent to the genre and the story meant to be told. There's a difference between those and

      --
      "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
  138. thats all well and good by marinebane · · Score: 1

    ...but when do we get the nomination screener?... not that i would want it... ha ha

  139. Oh how cute! by Anonymous Coward · · Score: 0

    Liberalist geek watches a copy of BfC that he downloaded through a Torrent! Thinks he's intelligent for his thievery! Thinks that deception is a good way to gain populist opinion! Thinks he understands Constitutional law in its entirety! You've got it all figured out, my college-dwelling ivory tower friend! I applaud you for having such an open mind to those who pander almost exclusively to emotion! Bravo for your man, Mike Moore, who endorses a baby killer for president. We all could learn a thing or two from you! *smooch*

  140. cock by Anonymous Coward · · Score: 0

    when will you cocks ever learn the real definition of the verb "to troll"? Ape.