Orson Scott Card Reviews Everything
H_Fisher writes "Orson Scott Card, author of sci-fi classic Ender's Game and many other novels and stories, has posted his review of the much-discussed Joss Whedon film Serenity (which opened at #2 in the US box office this past weekend). Among other things, Card has this to say about Serenity: 'Those of you who know my work at all know about Ender's Game. I jealously protected the movie rights to Ender's Game so that it would not be filmed until it could be done right ... I'll tell you this right now: If Ender's Game can't be this kind of movie, and this good a movie, then I want it never to be made.'" With praise for Full House, Friends, Being John Malkovich, and Lost to boot.
like I was. Here is the count of mentions from the body.
Serenity: 7
Ender's Game: 6
So it really is more about Serenity.
It's hard to believe that's how Micronians are made. Why don't we see it right now by having you both kiss one another?
Pity he's batshit insane.
i like the movie, with the exception of the reevers... how did these beings operate space ships, propagate, follow a chain of command... ???
OTFC = Olsen Twins Fan Club
Card had me at hello but lost me when he threw in the plug for 'Full House'.
Of course, I'm kidding. Great review written by someone who got the movie just like I did.
Let me ask again. Can we pleeeeeeeaaaaeeeaaaze take the serenity poll down and replace it with something else?
As a person I don't have alot of respect for OSC.
:(
However as a writer I have alot of respect for his work and his ability to tell an interesting and complex story. Enders Game and The Tales of Alvin Maker are great stories and series in and of themselves and I think it's nice to see someone who sticks to their guns for a change and won't let their movie be utterly butchered... like ULG's Wizard of Earthsea, that was so sad.
That is about the absolute best review I've ever seen for any movie and it's enough to make me go see the movie several days sooner than I had planned... I'm really looking forward to seeing this movie now.
Hopefully OSC can get someone to make Ender's Game the right way, hell I'd even settle for the Tales of Alvin Maker... (speaking of which there is an MMORPG coming out based on that-- same people who did A Tale in the Desert.)
Shadus
Personally, I just pretend that Card died in a car crash mere seconds after finishing the final draft of Ender's Game and he never wrote anything else.
...until Full House...WTF?
Biography at Wikipedia
Personality critique at Kuro Five Hin
If you "get" pointers add me as a friend (116)!
i believe the ender saga to be among the best series i have ever read in the sci fi genre.
enders game is directed to teenagers like myself but the books that follow such as xenocide and children of the mind are definitely not something (most) people my age (14) can comprehend and enjoy. nonetheless they are still my favorite books
How does a TV show go from being cancelled to being made into a top notch movie without somebody at the Network being fired?
I read Ender's Game about 10 years ago and thought it was brilliant and very dark. The political side of the story is the real meat and potatoes, but that's usually the first thing that gets cut when making a movie, as producers are more interested in what Ender Wiggin is doing, not why.
A feeling of having made the same mistake before: Deja Foobar
But it wasn't the greatest movie ever, like some folks seem to think.
The camera work, for instance, left a lot on the table. I think Joss Whedon does a pretty good job directing TV, giving it a somewhat cinematic feel, but those same techniques applied to the big screen seem to leave it with a TV feel.
Plus, all the backstory required to cover 12 episodes of a TV show is very tough to do in a movie, and impossible if you want to leave any room at all to tell a story with the rest of the movie. The movie suffers some from this.
It's still easily the best movie I've seen this year, but if the next two happen ($10 million at the box office doesn't make that look likely...) I hope they grab a different director, and fortunately the backstory won't be an issue.
-F
Has Slashdot become Digg.com? Has anyone else noticed that 2/3s of Slashdot appears on Digg the day before?
Other than that, OSC is a nut. Is Serenity good? Yeah, it was good. In fact, I think it was great. But someone, please buy OSC a clue! This movie was not so complex that people wouldn't get it, it was rather straight forward. The political satire was clear as a baseball bat rushing to bust your head open. The "deep" parts of the story are there, yes, but let's not pretend they're so brilliantly interwoven into the "action" that it will be missed by those who aren't "in on the deal", so to speak.
I wouldn't take the review all that seriously, but as they say, "some press is better than no press".
I think I may know the answer but why do film houses insist on making poor to average movies out of great books?
I'm happy with the books, no need for films, comics, plastic toys, etc.
In my opinion it's selling out, and those of you paying $8 to see these average movies aren't helping matters.
If you "get" pointers add me as a friend (116)!
I have heard many good things about Enders Game. It is actually on my short-stack of books to read. Then /. killed any respect that i might have ever had for this guy, and well now his book looks like it might goto the bottom of the pile.
...poof....
"...With praise for Full House, Friends...."
All respect..
gone
"The price good men pay for indifference to public affairs is to be ruled by evil men." ~Plato (427-347 BC)
Then why doesn't he just get Weaton to direct it. I'm sure among the two of them they can scrape up enough money.
I honestly couldn't tell whether or not the last paragraph in his review was meant sarcastically.
I know OSC is a bit of a, well, Mormon and all, which would lead me to believe he meant it sincerely, but its tone and context within the review are way snarky. So which is it?
I don't think I've heard more mixed reviews by my friends/acquaintances about this movie: the scifi crowd (who loved the TV show) thinks it's one of the best movies ever, the "other" crowd (gfs, etc.) says it's a total bomb; whom should I believe? My instinct is to go with the "other" crowd and think that this is a really lame movie that appeals only to folks who were totally into the TV show (not one of them, I saw half an episode and thought it was lame) but I'm kinda wondering...
OTOH most people were pretty unanimous in saying that "a history of violence" was quite good, I might check that out soon myself.
-- the cake is a lie
FOX.
OSC says in that review he didn't like Scifi much until Charlie Kaufman wrote "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind", I didn't see ESotSM, but BJM was about a group of people who found a door into a Hollywood actors brain. Was there some scientific explanation of that which I missed? What's even more confusing is in the same article he says the Matrix is some kind of "magic scifi".
I have long respected him as a writer and as a reviewer, my taste and his seem to line up alot, I guess thats why I like his books. Not my choice of religion, but then nobody's is...
I loved Serenity, it was a great movie, its about the story, take it for what its the story and what the story is saying. Is it high cinema, NO it not goona win any awards for its camera work. Thats what card is saying too, its about the story and the characters in the story. I also agress if Ender's game can't be made at least this good, then its not worth making.
I am sure that one of the many K5 cross overs will undoubtedly meantion the "Card is an Asshat" Story overthere...Personally I like the guy who wrote it for is fiction, but take is review of Card with a pound of Salt if you like over there and read it....
Power Corrupts,Absolute Power Corrupts Absolutely, leaving one person(group)in charge is absolutely corrupt.
I think you overestimate the comprehension skills of a significant portion of the movie-going public.
Ender's Game was real decent science fiction.
But then he got into FTL.
And an artificially intelligent (and emotional) Internet.
And living images of people only sustained by the thoughts of their creator.
Let's toss in some obsessive compulsive references.
And now we have instantanious travel.
Taken as itself, Ender's Game was a really good book.
Taken as a whole, the series is a good example of bad "Sci-Fi".
To each his own, remeber that despite his sci-fi/fantasy leanings at heart Card is a very religious Family man. His opinions on many things are based on that...
Power Corrupts,Absolute Power Corrupts Absolutely, leaving one person(group)in charge is absolutely corrupt.
Yes, the author of sci-fi classic Ender's Game, and the painfully boring, never ending flood of terrible preachy sequels that made me wish I had coated my copy of Ender's Game with lighter fluid, lit my eyeballs and genitals on fire, and used my flaming agony-ridden body to destroy the source of my pain -- the god forsaken book and the slow tedious hours of boredom that it put me through.
You suck, Card! You are the George Lucas of books.
I never saw Firefly, but Ender's Game is one of my all-time favorite books. The trailers for Serenity haven't done much to get me interested in seeing it, nor has the marketing blitz they've tried to shove down my Tivo. Either the marketroids who put together the trailers are totally incompetent (quite likely), or else I might just end up disagreeing with OSC on this one (also likely.)
Either way, now I'm interested enough to find out more.
What I should have said was nothing.
From the blurb/article: If Ender's Game can't be this kind of movie, and this good a movie, then I want it never to be made.
That's a fairly good outlook. As a fan of a lot of various fiction that I see get butchered in film I cringe everytime something comes around that I truely love only to find that it's either watered down or that the director/writers seem to have lost the original vision of the writing.
Take Lovecraft for example. Being very fond of the old gents work (obviously), I hate the crap that has his name associated with that is rarely more than a slasher film. I can appreciate the humor of Yanza's Re-Animator but the number of people who I encounter who think that somehow HPLs original work is anywhere on the same level of this film makes me fear for the future of Lovecraft's standing in the horror community. The Resurrected (based on the case of charles dexter ward), on the other hand, is a fine adaptation but still the original work is vastly superior. I still think (hope?) the film retains enough of Lovecraft's original vision to spur interested viewers into the works of HPL without being disappointed.
With the adaptation of American McGee's Alice I am fearful of what will happen. I love the game, I love McGee's vision but I really do not see how this is going to translate into a film.
I swear to God I will have a stroke on the day that Niven's Dream Park (or any other Niven work really) gets turned into a film. There is far too much going on there to make it a workable movie.
Dedicated Cthulhu Cultist since 4523 BC.
What? No reviews for Will and Grace or Queer as Folk...?
I saw the movie but not the show. The movie is just OK. It feels very TV, meaning you have to already really love these characters to be interested. It just doesn't stand alone as its own movie. Looks like it would have made a decent episode of a regular TV show, though.
He may write sci-fi well, but he's a vocal homophobe in his non-fiction rants.
I read the book years ago. I read it before I ever read Slashdot - and 33728 is a fairly low Slashdot ID. It is an amazing book. Regardless of what you think about his politics, lifestyle or whatever, you should read the book.
This is a boring sig
If you want to see some of his best writing (and most
/. complainer), then you can learn a lot
diverse) get his short story anthology Maps in a Mirror.
It's also annotated, so it gives you a great peek into
his mind and how/why he writes certain stories. That
really shows off the brilliance of OSC as a writer.
Also, if you are or want to be a writer yourself (rather
than a typical
from OSC. His book on how to write SciFi is the best
on that topic. He also provides a lot of help for
writers on his website.
Really, what makes OSC great is perhaps not any particular
work, but rather his grasp of people, and that great
stories must be about the characters. Otherwise all you
have is a literary carchase and explosions, just special
effects with no meat.
Oh, and if the Full House thing at the end of the review
puzzles you, then you just haven't read enough of his
reviews to understand his sense of humor, or that he
is a devoted parent and thus sometimes cares about things
that may seem quite corny to adults.
Yes, Card is a nut, and a lot of his personal values don't mesh well with those of the majority of the geek community.
However, a good portion of his work is exceptional. Ender's Game really is a must read, even if the man enjoyed Friends, or thinks the gays will destroy society, or whatever it is he's going on about now.
(which opened at #2 in the US box office this past weekend)
Just a warning but it only did $10.1 million of business against no real competition in a Hollywood dead period. So folks better fill the seats and get the word out or this franchise will pull a Hindenburg. The two major Hollywood seasons are Memorial Day to Labor Day (the Summer Blockbuster months) and Thanksgiving to the Oscars (where Academy Award winners and big holiday films are given a big push. Before Jaws this was the only money period in cinema). September just up to Thanksgiving is a dead period: Hollywood release B features, also rans and things that have been rotting on the shelves. Of course this lack of competition has lead to a surprise breakout every few years and if Serenity can get a good word of mouth campaign to keep up interest then it'll stay solvent.
What is music when you despise all sound?
No matter how you feel about the review, I can highly recomend you to put the book back on the top.
Enders game is one of the best sci-fi books ever written. Most sci-fi is based on some fancy piece of tech, and rarely on a good story. This is not the case with Enders Game, here you have a really good story, that actually puts the sci-fi and tech parts into the background.
Of cause this is my opinion, but I have recomended this book to all my friends. And I do read a lot of sci-fi.
-:) Oh no - not again.
www.rednebula.com
Well, I've thought about this entirely too much, and this is what I came up with.
Reavers probably don't reproduce well or take care of their children. Remember it's only been about a decade since their planet was poisoned. I imagine they would die off in 50 years or so.
How do they organize? They don't!
Why don't they eat each other? They probably do... But killing regular humans has got to be easier than killing other reavers which is probably why they bothered to get ships working to go on raids (after killing all the folks made docile on their home planet).
How can these savages operate advanced technology? They were normal people until their planet was poisoned. They still have all those memories and skills.
All in all though, I was VERY disappointed in the movie. I don't think it had the heart of the TV series at all.
Sounds like he really likes FireFly and Serenity. And that is high praise from the writter of Ender's Game. I always ask people who hate Sci-Fi to read Ender's Game, and no one who has read it has been disappointed!
Think Deeply.
I have to say this about Card, I don't get bad info from him. While I won't agree with everything he says (he of course is a mormon, and I'm a catholic, he likes Full house, I can't stand that show now ) he does at least apply thought and information to most things, political, entertainment or what ever, where others just ignore it.
He's also one of the few people who's opinion I trust pretty much emphatically, if he says something is "quality" I'm willing to try it out (of course factoring in his critism), most of the time reviewers just make me go "so what?"
Overall a good review by him, definatly makes me interested in a movie (the last three movies I saw? Hitchhiker's guide, Lord of the Ring, and Harry Potter) which is quite a feat in it's own rights.
or a calculated risk. That's what this movie was. Personally, I thought the movie was great and have since watched the Firefly DVD series (equally great, sometimes beter).
But this movie didn't really have any marketing, it was depending mostly on word of mouth from fans for people to see it. The movie was a gift to the diehard fans from Joss, made possible by the movie studio on the hope that open a new type of moviemaking (AKA a new revenue stream). Having is do great in movie theaters would be an acknowledgement that it is accepted by a mainstream audience. Not likely, as much as is saddens me to say that. Too many people just don't like the trailer, or something in it shocks their Sci Fi expectations, or aren't willing to go just because of all the other economic pressures that people face when deciding on where their entertainment dollars will go.
Direct to DVD movies have historically been badly done. This story has a chance to change all that. Perhaps the story can be told in that medium? I'm faily positive the fan base will purchase said DVDs in droves on the release date and it will attract the curious to rent and eventually purchase.
Like most, the first book of his I read was Ender's Game. It isn't a bad book. But it isn't great, either. Everything in it has been done before, by better writers. Its popularity is due mostly to the "heroic geeky kid beats the adults and saves the world" theme, much like Harry Potter. The other couple books of his I've read seem pretty much the same.
Like I said, it's not really bad. I've got dozens of science fiction books on my shelves churned out by various writers that may not be great literature, but are still a fun afternoon read. Ender's Game should be one of them.
However, in the introduction to Ender's Game, he pretty much claimed to have invented the idea of wargames in the future. This "review" is pretty much just an excuse to talk about how great his book could be if made into a movie. This kind of nonsense leaves me with something of a bad taste in my mouth.
How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
I think it's a perfectly great movie, even if you haven't seen the series if you LISTEN. Often the backstory is explained by a single line of dialogue. If you talk during the movie (especially the first 10 minutes or so) or if you're simply waiting for the next action sequence, then you're going to miss things and you're going to be lost.
Whedon doesn't like to beat you over the head with things. Pay attention, employ a few brain cells, and you'll have a blast.
Okay I liked Ender's Game, Speaker for the Dead and Ender's Shadow as much as the next SF geek, and I admit Card is a very gifted writer, but I'm sorry...... Being John Malkovich was not only the most overrated piece of garbage, it's NOT EVEN SCIENCE FICTION in my book.
Card apparently values moral decisions and human emotional drama over everything else. These are factors that go in a good movie, but so are special effects and kick-butt action. But most important is a good, believable, engaging plot. And for SF, some COOLNESS is essential.
As moviegoers go, Card is at one extreme, and the Star Wars prequel worshipping fools are at the other end. They are both nutty, imo.
The captain had cheesy one liners instead of believable dialog. The acting was stale, especially the anti-protagonist. Characters sacrificed substance by catering themselves to geek culture: engineering girl who likes sex, teenage girl who kicks ass with swords. The romance in the movie came at awkward times in fight scenes. Alien costumes were derived from old Star Trek or low budget sci fi films. The Reavers play a major part of the plot yet are hardly described and only mentioned in the beginning and end of the movie. In the absence of Star Wars and Star Trek movies I had hopes for Serenity but the reality is they took a cancelled low budget tv-show and made a two hour episode. To read Orson Scott say he wants Enders Game to live up to Serenety's billing is proof the man is batsh*t crazy.
Ender's Game is slated for 2007, directed by Wolfgang Peterson and with a screenplay by Michael Dougherty. The IMDB report on the movie provides very little information, except that it was certainly in the works before the Serenity movie was publicized.
Dougherty doesn't have any high-quality screenplays under his belt (just X2, which was a fun movie, but not the greatest screenplay, and I would think Card agrees) ... does Card retain enough control to carry through with the above claim?
Use my userscript to add story images to Slashdot. There's no going back.
Why do so many people apparently think he's actually being serious in the last paragraph? This is Orscon Scott Card, people. That last statement is fully dipped in his usual dry sarcasm.
The movie rights for a book are by far the biggest source of money for any book that can sell them. Authors give up "creative control" and those rights get moved around quite a bit, usually, before anything is made. Meanwhile it's a nice source of income, and as the rights bounce from spot to spot they get sold and re-sold, and the author's intentions drift further from the minds of whoever owns the rights.
I believe my relation's book (and a sequel) have done the Hollywood circle once and are coming around for a second lap. He's made well more than half a million USD on the deal -- I don't ask -- while nothing's happening except for "rumored interest" from people like Eastwood and so on.
"Selling out" maybe, but it does pay the rent.
"Fundamentalism" isn't about divine morality. It's about human authority.
Wow, I was thinking that you were nuts for thinking 33728 was a fairly low slashdot id. Then I looked around. Within a few posts, I found id's over 900,000. I hadn't been paying attention, I guess.
You are not a beautiful or unique snowflake -- but you could be if you got off your ass.
Card knows his stuff. Here is what he said about MP3s 2 years ago:
Sep 7, 2003 MP3s Are Not the Devil - Orson Scott Card
Cornface, I understand your sentiment completely. You are not alone, brother... you are not alone.
Card had reached a new level of pedantic rambling I've never seen before. Preachy, over-the-top impossibilities of his "let's just wish for corporeal travel and we're there" concepts. Uggh, the pain, even now, has me reaching for the lighter fluid...
First of all. I haven't seen the movie yet. Have to wait until it comes to town. (Copenhagen/Denmark...)
But I have seen all of firefly and read all the Ender books (including the second set of books). What I noted as important in the interview is that the focus is not on the sci-fi, but on the characters/community.
When I first read Enders Game, many years ago, I really liked it because the sci-fi parts was just background to a really good plot encircling the character Ender. There are a lot of good sci-fi books out there with good and fancy tech in them. But not many that is based on the characters and their dilemmas in life. The Ender series gets a little soft and blurry in the later books, but the first I really good. (The second series is also highly recomended).
It's the same in the firefly series. I have to admit that when I had seen the first episode I really didn't know what to think. Gunslingers in space? It was almost a joke. Half western and half sci-fi. Really weird. But the characters made the series believable. Many details, like the language, were making the universe around firefly real. After a few episodes I was hooked and couldn't really wait to see the next... and then it was all over. No more.
So now I cant wait to see Serenity. I really like the review, because if the focus in the movie is on the characters rather than the effects and actions, it will be good.
And I'll sign up to see Enders Game any time if it comes up... hope I won't be disappointed.
-:) Oh no - not again.
www.rednebula.com
I agree, I wish there was no backstory (everything else was awesome, including camerawork)
Who's going to sit down to watch, say, Star Trek III, knowing nothing about the series, characters or any of their relationships, and expect to enjoy the movie anywhere NEAR as much as someone who is a fan of the series? Nobody.
I think Joss did a great job of balancing the two, and had to sacrifice very little of the movie's awesomeness to get enough backstory in to make it make sense, but I wish that sacrifice didn't need to be made at all.
Personally, I wish they'd cut all the backstory out (although Simon dressed up like an SS officer was kind of cool) and just leave it to people to watch the DVDs before they see the movie. Of corse, no one will do that because it would hurt the bottom line, but it would have been a better movie to those already familiar with the series.
Maybe by the time "Serenity III - The Search Badger's Nutsack" comes out, people will know enough that it can make Star Trek's casual assumtion of familarity.
With the first link, the chain is forged.
It's ironic because in the 70's, Fox was giving Lucas a chance to film Star Wars, when no other studios had a clue.
I read the FA, and all I learned was that Serenity is a SciFi movie about people. It would be nice if he had elaborated a bit more on the plot.
-- Cheers!
The reavers being sane enough to operate ships was one hole I saw as well.
However if it has only been 12 years since the accident at Miranda, why does no one know the planet existed. There had to be some very serious brainwashing on a solar system wide scale to make almost everyone forget that Miranda even existed.
View it as a theorical view of the future (Brainwashing child soldiers? Total control/censorship of the freedom of press? Earth suddenly turning into a giant militaristic society? Strictly controlled birth rate?) and you could put Ender's Game down right next to George Orwell's 1984.
Course the fact that Orson Scott Card published TWO series of books that had little to do with the original, besides being in the same universe, tends to cloud the judgement of most fans of the original.
...stop posting as a pussy AC...If you have a true strong Opinion at least have the decency to put your name to it...
Power Corrupts,Absolute Power Corrupts Absolutely, leaving one person(group)in charge is absolutely corrupt.
OSC says he likes Sci-Fi, but what he really likes is drama with some edgy technology. As much as he puts down makers of bubble-gum-space-ship sci-fi for not being true to the genre, his own favourites such as Eternal Sunshine of the Spotless Mind are no more true to the genre.
The problem with sci-fi movies may be the lack of real drama and relationships, but that doesn't make movies which excel on those two points any more sci-fi.
The global economy is a great thing until you feel it locally.
Personally I think Serenity has one fatal flaw -- the characters receive no development and there is no emotional connection to them. I haven't seen Firefly and have no background at all. I went to see it because of all the buzz, and I was disappointed. Who is River? I don't really understand. It's obvious she's psychic and she kicks ass, but why should I care for her? Should I care? Should I dislike her? I have no idea. I feel nothing whatsoever for River character. I can say the same for all the other characters. Who is the assassin? Why is he that way? Why is he going around killing things with a katana? Yes, I know all the obvious answers that are provided by the movie, but those answers were not enough to get me to feel anything whatsoever about that character.
I feel that some ideas were interesting, like the idea of "what happens if people are made ultra-docile?" and so on. However, this interesting idea took all of about 10-20 mins in the movie. The fights with the reavers (or whatever they're called) took 90% of the time, but content having to do with reaver's background took about 10% of the movie time. As a result, reavers are like stupid zombies that mindlessly attack things and I feel nothing, neither for them nor for the people they slay, simply because the situation is so absurd and nonsensical to me.
In short, Serenity may be a good movie-length feature for those who have seen Firefly, but it sucks badly as a stand-alone movie.
Localroger is a shitty writer with delusions of grandeur. Noone worth a damn pays any attention to his juvenile whining.
Sticking feathers up your butt does not make you a chicken - Tyler Durden
Card hasn't even seen The Matrix.
c ard/index.html
http://edition.cnn.com/books/dialogue/9908/orson.
Question: What do you think of the movie The Matrix?
Orson Card: Haven't seen The Matrix.
Alrighty then.
Never saw the show. LOVED the movie. It was character driven, had a plot, character development, a couple of great villans, tension and humor among the heroes, and a good zing at the end.
There were moments that I thought "Huh. I bet that's really a big deal if you're a fan of the series," but they didn't slow the movie down. You sympathized with characters in the movie because of their actions in the movie, not because of the series (which I haven't seen).
I will admit I walked out and put Firefly on my Netflix Queue as soon as I got home.
the major advances in civilization are processes which all but wreck the societies in which they occur - A.N. White
nobody watched the show.
I did, but I happened to have a few friday nights loose where I could leave the TV on ALL NIGHT waiting for it to come on... at 12:05 (more or less), or 12:15 (not sure, I missed the beginning and only caught it around 12:22). That is, if it played at all. Sometimes it didn't, and then sometimes I go out on friday and some of those were on nights that it did play.
So, it's not that nobody watched it, it's that it was humanly impossible to watch it.
You can't take the sky from me...
Orson Scott Card is a mediocre writer with an ego that is completely out of proportion to his talent.
I've never met the man, so I can't address that specifically. However, any author whose first novel wins both the Hugo and Nebula awards -- and then goes on to do that again the very next year with the sequel (Speaker for the Dead), certainly has a right to at least some of that ego.
-- Alastair
By anti-protagonist did you, maybe, mean antagonist?
Serenity had zero aliens. Not a one.
Perhaps next time you hsould write something constructive about a movie you've actually seen? Or, more likely, you're an adolescent troll.
Yes, OSC is a batshit fascist asshat.
...just pretend that Card died in a car crash mere seconds after finishing the final draft of Ender's Game and he never wrote anything else.
Yes, Ender's Game is still worth a read.
Just do like the AC earlier in this thread suggested and:
because he's a fascist.
I don't know about you.
But. Writing sentences like these.
Makes reading the review. Like.
Riding a really, really bumpy vehicle. You know, car.
It's so sad.
I have a caveat. I thought Ender's Game is boring.
I mean, really boring. The ending was so blatantly obvious.
I knew what was going to happen half way through the book.
Chill dude. Go see the moview anyway.
Mode (3) smart-aleck mode. Press * to return to main menu.
I think you saw a different cut than I did. I'd never seen a Firefly episode and the movie had plenty of character development.
Why should you care for River? Well, I'm not sure you really should until later in the film. That uncertainty about whether she's a sympathetic person or an impersonal weapon carries the tension for the first part of the movie. The Reivers I thought were a great "force of nature" villain - impersonal, mysterious, and scary as hell.
I think most sci-fi fans will enjoy this movie. I loved it.
the major advances in civilization are processes which all but wreck the societies in which they occur - A.N. White
He has since seen all 3...I forget what his opinion was, and I'm not in the mood to research it...
Power Corrupts,Absolute Power Corrupts Absolutely, leaving one person(group)in charge is absolutely corrupt.
For whatever reason I've had five or six personal run-ins with mid-tier science fiction and fantasy authors. They've all fit your description: okay writers with colossal egos.
One example sent in a bombastic resume for a position we were hiring for. He asked for roughly twice the going market rate on the long-term contract, and his cover letter was two-plus pages of wildly arrogant justification for that. We all sat around reading it aloud and laughing, which was kind of low-class, but it was that unintentionally funny. Perhaps as a consequence of the unvarnished ego represented, he had also failed to edit it with any especial care.
That same guy shows up around the city I work in giving flambuoyant courses on the handling of concealed weapons.
Maybe the trials of getting published just select for people with more-than-healthy egos... But you know, I worked in book stores for a while, and then in a small publishing house, and other genres of book did not seem to be exclusively written by maladjusted ego cases. (Other genres didn't seem to be written almost exclusively by far-right-wing types, either.)
"Fundamentalism" isn't about divine morality. It's about human authority.
Personally, I was disappointed with Serenity. Expectations where set high with all the glowing preview reviews. Visually, it was too dark. Camera work left much to be desired. Special effects shots where too short - let us enjoy the visuals for fsck sakes! Dialog was hokey. Acting was hokey. Soundtrack couldn't decide what genre it was. Bottom line, amateurish move making effort.
My mistake.
I think I have to take issue with the claim that it was all done before, though. I can't remember an earlier story with the "kid directs a successful war without knowing it" gimmick. And it was a great gimmick, at least based on my initial reaction to it. Of course, I haven't read every science fiction story published prior to 1975, but I did read several metric assloads of them.
No coherent point, i.e., troll
Mork calling Orson ... come in, Orson ...
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Ender's Game is a bad Harry Potter book, with far worse sequels.
I was worried that it might actually show up on film.
Now, I can sleep better.
I read some book of his that I guess came out after Xenocide. It sucked, sort of like 1980's Robert Heinlein. Self-indulgent and plotless, it was.
As for Serenity/Firefly--look, Ma, it's a space Western! Talk about your one trick ponies. And guess what, they have a tortured Messiah figure cum prophet. And a preacher! Gosh diggety darn, it's a space jamboree! YEEEHAAAWWWWWWW!!!!
Troll?
How why was this modded as troll?
Is somebody having a case of the Mondays?
*Hint THAT WAS FUNNY!
"The price good men pay for indifference to public affairs is to be ruled by evil men." ~Plato (427-347 BC)
Fox wanted not to just broadcast Firefly, they wanted to manipulate it to pander to their low perception of their audiences' values. Fox failed to appreciate what they really had and they canned it. So if something this good is unavailable on television, especially if it is not available on Fox; well, they have no one to blame but themselves.
Fans of the show assembled an absolutely unprecedented response, one greater than all of their predecessors, to raise the funds, take the ads out in Variety and they rook it to the web. Why did they do it? It's just like OSC said; they cared about the characters.
And who was the one person in all of Hollywood who didn't snooze through it? Chalk that one up to Mary Parent.
Now failure for this kind of project is always an option, don't get me wrong, but after all, this was and is a risky business.
So what actually did happen? Well they re-assembled cast & crew and conceived a fine, hand crafted and heart felt movie.
The decision to share the movie with friends and fans was also a huge risk. But the word of mouth was good and there were no spoilers. Because the fans 'Believed.' Belief's a funny thing. Maybe Hollywood should take a lesson from that one single point, as it alone will be responsible for the success of Serenity.
"Can there be a Klein bottle that is an efficient and effective beer pitcher?"
Since it influences so many of your own writings, how about reviewing the Book of Mormon? I'm especially interested in your take on the ten lost tribes of Israel becoming legendary sailors, moving to America to become the Amerindians, and the part about black people being the damned sons of Cain. But feel free to talk about the disappearing golden plates, special underwear, or polygamy, if you prefer.
Orson Scott Card was found dead today in a pile of flaming wreckage on the 405. Even if people don't agree with his political message regarding procreation policies, his impact upon the science fiction genre is undeniable. Truly an American icon.
From TFA: "Watch reruns of Full House. That was a really funny, heartwarming TV series"
I was thinking the guy's opinion was credible until I read that. But then, maybe he was just being sarcastic...
Retired from software... maybe. Sort of.
And while we're on the subject, why does the 'empire' not simply go exterminate them?
To keep the populace in fear. Stick close to the Alliance and they'll protect you from the big bad Reavers who may strike at any moment. It's only those rebel outlying planets that get snatched after all. Sure, you'll have to give up a few freedoms in exchange but it's worth it right?
This sounds familiar for some reason...
Not to mention, IIRC, that the average weekly viewership for Firefly was in the 3-4 million range.
Frankly, I think it's a testament to how good the series was that so many people held in there to watch it DESPITE Fox playing the episodes out of order (when they played them at all) in the most abysmal time slot possible. (Late Friday evening. Even geeks have social lives sometimes)
It's a miracle ANYONE knew it even existed.
I just want to take over the world...Why does that automatically make me EVIL?
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Read the introduction. He expanded it into a book to prepare for "Speaker for the Dead" -- to write about a child hero who has grown up. I like both the short story and the full book (of course, I read the book when I was younger and didn't expect the ending--later I read the short story).
Read his political page here.
I think this is more of a difference in taste and what constitutes quailty.
Literary fiction (i.e. not "pulp" or "pop") attempts to tell a story by being character driven, not plot/event driven. A character has an arc, or a personality trait that drives the story. Sometimes a story is a collection of characters and their interactions. Literary fiction does not always have to be as obviously literary as Salinger or some of Vonnegut. But if you walk into a bookstore and peruse the sci-fi section, only 10% of those books could be classified as literary versus pure genre pulp. Besides not being plot driven, literary works (I know this sounds incongruent) use the standard "show don't tell". I.e. a pulpy/genre story will just say "This made me mad" or "he was a troubled soul"... because those are revelations that are not convincing (not earned) in and of themselves. But describing thoughts (first person) or scene paint a more detailed picture, and make a story a piece of art.
What makes science fiction, "science" is the attempt to ask the reader to believe something unbelievable, that may not or not yet be scientifically possible. Some argue that Slaughterhouse Five (while literary) is certainly Sci-Fi (time traveling, aliens, etc). But it is considered to be "literary fiction" as well, but often a literary author will dismiss it as "magic realism".
That is not to say that "pulp" books can't be fun to read, but they are not very stimulating and some people are bored by that style of writing. The same is true for the medium of movies. The difference is that in a movie, the visual aspect is as much as part of the art as is the story telling. But a movie that is pure visuals does not appeal to the artist or it appeals only to the visual artist. Take much of Kubrick's later works: while visually inspiring, the story behind "A Clockwork Orange" is muddled as it makes a hero out of Alex (yes I know it is from a book of the same name). But the movie is pure visual/cinematic delight.
Other movies rely heavily on action and events to move the story forward. Some (like myself) find movies like this to be largely a waste of time, while it is clear that there are those that like action and such. The Matrix, at its heart, is not a good story, from a literary perspective. Card points this out. Star Wars (especially the later movies) are horrible muddles of plot point jumping. Card argues that Kaufman is writing Sci-Fi, and in a way he is. Not every sci fi story is "spaceships" and "explosions".
Take Bradbury, for example. Farenheit 451 is not about spaceships. Even Stephenson and Gibson don't write about spaceships (not always). Yet, some of Gibson's work is literary ("Pattern Recognition"), and you will find it in the sci fi section. Heinlein is a good example as well. Reading "The Moon is a Harsh Mistress" and "Stranger in a Strangeland" gives you the literary Heinlein. Reading "Starship Troopers" gives you the political Heinlein (but the opposite conclusion as the movie). But he still wrote alot of pulp, too ("Have Spacesuit Will Travel", "Glory Road", etc).
Card has his moments as a writer. Ender's Game is fairly literary, character driven. And alot of the derivative works are as well (of course as Ender changes, his character changes, i.e. "Speaker for the Dead"). Although I am tired of the whole saga.
FWIW, I liked Serenity much more than any other sci-fi movie (save Equillibrium, but for other reasons) in the last ten years. Really. I didn't even expect to. I was not a huge fan of the series, but I was suprised. And I know that a "literary" story does not sell, people like sex, drugs, and explosions. Othewise we would see Lethem's work in film (wouldn't that be nice?). So I agree with Card, for the most part, but i am not a huge Kaufman fan. Adaptation was horrible.
Surely this movie is not the Star Trek / Star Wars killer that so many fans said it could be.
Why is this even an issue? Firefly/Serenity isn't Star Trek nor Star Wars, and it isn't trying to be. All three are good, entertaining SciFi, and they're all different. There's no need for competition and argument over which is "better".
Which is better, apples, oranges, or roast beef? Discuss.
sudo eat my shorts
Always good to start off with a bit of character smearing...
In my opinion, that about.com piece was written by a heterophobe. Hetero-, as other, or different. -phobe as a person having a fear of a specific thing.
The later Ender Wiggins books, as well has his whole Alvin Maker series have serious credibility problems due to the proselytizing. He found Jesus, I found other authors.
As for this "review" of Serenity, OSC writes:
Ah, so it's a chick flick then. Great -- I almost wasted ten bucks there.
Regards,
--
*Art
I've not heard people speak ill of it, but then I really haven't been polling everyone I meet. My girlfriend liked the movie a lot, and she hadn't been that excited about the few episodes she had seen. Another friend of mine had never seen the TV series, and really liked the movie, to the point where he really wants to see the series now.
I was a minor fanboy when this first aired, and liked the world and characters created fairly well. I didn't bother seeing any episodes re-aired, nor do I own the DVD collection, but I really liked the movie. I agree, the focus is on River (finally) and Mal (the best option for another key character). It'd be nice to see more episodes to fill in more backstory (as this was rather an end-piece, or an end of one phase, with the possibility for a second pphase/ season of Firefly).
I've heard a number of people from odd sides say they want all their friends to see this movie. Some people I would never take for being fanatics about this movie, which goes to prove it's pretty good, if nothing else. But if you're really questioning things, you can wait until a friend buys the DVD, and mooch off of their good graces.
We all know that OSC is not only a mormon, but also batshit insane even given that. However, his writing is excellent, you really should check it out despite the author.
The Braying and Neighing of Barnyard Animals Follows.
It's become fashionable in the last few years for geeks to bash on Orson Scott Card, especially those who disagree with his worldview. My theory is that it gives them geek cred to say "I'm so morally pure that I'm not afraid to tear down one of my past idols when he disagrees with me." It's quite cliche by now to read the three following statements in any online O.S.C. discussion:
/. discussions about the man to say "Harlan Ellison is a horse's ass! He's never been that good of a writer, and you should all dismiss everything he writes without thinking about it critically." It's not germane to the discussion, and worse, it's not even intelligent.
1.) "Orson Scott Card is a great writer. Too bad he's such a nut."
2.) "I used to love Orson Scott Card until I read some of his political essays. Now I refuse to read anything he writes."
3.) "Orson Scott Card is overrated. I've never thought he was any good. No, really!"
Frankly, it's tiresome, and it's rare to find anyone who will take on his point of view with a real argument before dismissing him outright. The essay about "Innocent Genocide" that's floating around this discussion is an unusually intelligent exception, and even that spends its time trying to prove that Card is saying something specific without refuting it in any meaningful way. It's taken as a given that once Card's "true" meaning is known, the reader will automatically reject that meaning as false or dangerous.
Personally, I think Harlan Ellison is a horse's ass, but I don't pop up in
I wish that my inferiority complex were as good as yours.
-RenderHead
It's actually incredibly shallow. It's something I might recommend to kids as "my first SF novel" but that's about it.
ender's game might make an okay movie, but then modern movies - especially SF - are not particularly known for being cerebral masterpieces.
There's much better SF out there than enders game. For instance, any of the known space stuff by Niven. Greg Bear. Asimov. Herbert. Clarke. Those are great SF writers. OSC is a novice hack by comparison. He can write decently enough, but his stories are shallow, he telegraphs events light-years off, and story development is as subtle as being clubbed over the head with a baseball bat.
i'd really much rather see a larry niven or greg bear movie than an osc one.
The first time I read it, I was in middle school or early high school, and thought it was the best damn thing I ever read. I reread it late in college, and couldn't shake the feeling that something about it was very, very wrong---but I didn't really know what it was until I read that article, along with "Sympathy for the Superman". It's an astonishingly well-constructed fanwank, playing to the infantile fantasies that people like us eventually grow out of. (Taking over the world by talking smack on Slashdot? Saving the world through gaming prowess? Killing endless waves of slavering bullies jealous of his ubermenschen nature because he's just that superior?)
Laws do not persuade just because they threaten. --Seneca
My wife is taking a popular fiction class right now that is taught by Orson Scott Card (he teaches at Southern Virginia University). He has said in class that Ender's Game isn't that great of a book--someone told him that it would be a cash cow if he made a book out of the short story. The person said that if you give the short story a history and a future, with the short story as the meat, you end up with a book. He did that, and then he got the liberty to do whatever he wants in his writing.
There was a comment in one of the links on a post about how Card writes stories similar to ones already written (like the Mormons' Book of Mormon)--Asimov's Foundation series is based on The Decline and Fall of the Roman Empire. This is the stuff writers do to educate people about things important to the writer that the reader wouldn't read otherwise. (Asimov's passion--above that of theoretical chemistry even--was history, and Card's is his religion)
Which has nothing to do with his review. If it did, he'd have been ranting about the fact that Serenity has a bi-sexual prostitute on board for half the film. Instead, he gives a thoughtful analysis of why this movie is better than other "sci-fi" movies in his opinion. At no point does he mention his religion, or yours. Frankly, he's a bigot. But he's also an intelligent, well-spoken, and well-respected author. Which is why he's occasionaly worth listening to. Nobody's perfect.
Do not confuse duty with what other people expect of you; they are utterly different.Duty is a debt you owe to yourself.
I 100% agree with you.
my summary of why ender's game is ok but not great can be summed up here.
i can think of a lot better sf that deserves the big screen treatment a lot more than ender's game.
I suffered through the entire Homecoming series, and I've got to say it was some of the most boring sci-fi I've ever read. It had a ton of promise at the beginning, but it REALLY went downhill quickly. By the time you get to the hyper-intelligent bats and mole rats, well, it's too late.
That being said, I did enjoy Ender's Game and all related books, but David Brin (especially the Uplift books) and Arthur C. Clarke are much better authors.
No special underpants required.
With the first link, the chain is forged.
I didn't either until people with 600,000+ started saying like "such a low number". I don't have my original sign-up email anymore, but it clocks in somewhere around the summer of 1997.
This is a boring sig
I am too busy to look now, but I think this allegation was previously made on Slashdot, and we had a fun flame war then. Having read the allegations, and Ender's Game, I continue to remain unconvinced that Ender is Hitler, or any other way you want to put. It just didn't pass the logic test for most of it.
I have also read the article in question listed above (also on Slashdot previously, if I remember right), and I understand the point Orson Card is making, and it is not that the media should be censored. One of his points is the media have large amount of unchecked power in telling stories, and that that power is often used ways that is unhelpful to the country and in specific instances dangerous to country as we face Islamic facisim and terrorism. The country is at war, although many still refuse to believe. Unless you believe the media/press is perfect and has no agenda, his essay is strong in delivery, but not a call for censorship.
He speaks very highly of Serenity. Maybe it was his intention to talk about his book (I doubt it), but if people are reading his reviews, they probably have already read it anyways. The reason why I like Ender's Game and other OSC books so much is that he actually writes interesting characters with interesting interaction. Most sci fi is more about the science than developing interesting characters. OSC puts the characters first (in my mind) and that's what make his books moving.
The movie is already being made, so it's not some pitch to do that. Anyways, everyone has their opinion but it seems like you have some personal bias based on who he is. Just read the books...you don't have to love the person to love the books.
Support a great indie game: http://www.abaddon360.com
Book's background--not a discontinuity, simply not explained. I actually LIKED that it remained mysterious. We know quite a bit about Book from his actions, is that not enough? Vagueness happens in reality too.
Simon--Yeah, serious discontinuity with the series. Simon the commando worked within the context of the movie though, for what it's worth.
Book and Kaylee looking different--people's appearances change (within reason) over time. I imagine Book got sick. Maybe Kaylee did too. It's not a discontinuity.
Reaver creation--There can be more than one way, and in the series it was pretty clear that "watching" was the exception, not the rule--as survivors were extremely rare.
Alliance ships--yeah possible discontinuity. However, the "cruisers" like the Dortmunder seemed to operate much like an aircraft carrier--a station for smaller, faster, more dangerous military vessels. If a battle/chase was going to happen, the aircraft carriers would be nearby, but not in the middle of the action (maybe in orbit but not in atmo like the other ships)
Several earthlike planets--and moons. One gas giant in the habitable zone could yield scores of habitable moons, assuming some other things like terraforming and maybe also gravity control work. Having it be a single star system allows travel between planets without FTL in a human timeframe--I think that's a good thing.
No FTL, but artificial gravity--FTL is a good thing to avoid having to explain, so they don't have it. Artificial gravity is a hard thing to shoot a relatively low-budget TV series without, so they have it. Yes, artificial gravity is problematic, but it makes filming much much easier. It's a pretty much universal kludge, no worse on Firefly than elsewhere.
Poor planets are terraformed--Getting a usable atmosphere seems the logical first step on any planet that can support it. Getting an Earth-like hydrocycle, ecosystem, etc, may take longer on some planets than others, based on what the planet was like to begin with. It's possible the core planets didn't need to be terraformed at all. Rim planets might still not be "done" yet. In the meantime, they are cheap real estate for those who want to live there. Once they get done, the value will go up and the poor dwellers will need to move on.
Dates & Times--From one of River's rants about the word "year" being an anachronism on the series, it's reasonable to assume that they are still using Earth years uniformly everywhere. This measurement is obviously long divorced from its original meaning of a trip around the sun, thus it's anachronistic--as River points out.
Yes, yes, certainly some things are left unexplained (artificial gravity being the big one in my book). Certainly the realism of the world did not have priority over the realism of the characters, ability to write and shoot the story in a reasonable timeframe/budget, etc. But Firefly the series was great. The movie is only pretty good, but that's better than a lot of movies these days.
Humm...I have never found him to be a bigot. Infact he often speaks out against just that sort of thing. But again that has nothing to do with his review.
Now personally I am seeing Bigot in the racial sense. If however you are applying it to his point of view on sexuality, then perhaps...However I can't actually remember anypoint in the movie where the fact that she is a high class call girl is actually referenced. The go the the Training house, however I don't think the movie actually mentions what the training is for. Cards point of view in many things is colored by his sense of Morality. His morality says that certain things are immoral. He however at least from what I have seen does not hate others for running counter to his moral compass. I'm not sure that makes him a bigot...just my $.02 however...YMMV
Power Corrupts,Absolute Power Corrupts Absolutely, leaving one person(group)in charge is absolutely corrupt.
Fascist is the most overused insult this decade. Let me know how that works when you read Lincoln's and FDR's biography. Or are your heroes DeGaulle and Clinton?
Lawrence Block, a prolific and award-winning writer of mysteries and science fiction, has a character (who is a renowned author) say this about people who try to analyze his (the mythical author's) work: "I have enough trouble with getting the words down to tell the story I want, let alone trying to hide any meaning in them".
Fiction writers, first of all, have to tell a good story. If that means coming up with a story whose characters or background bear absolutely no resemblence to what the author believes, then that's what takes precedence. That may not always be the case, but it's worth considering before one bases his beliefs about what an author thinks solely on the fiction that author has written.
Truth to tell, I haven't liked much of Card's fiction beyond Ender's Game and Speaker for the Dead, but that hasn't stopped me from recommending Ender's Game to my daughter.
-- Alastair
Oh, but you haven't seen any old-school Westerns, have you? All that talk about the girl kidnapped by the Injuns "going native"? Yeah, that's code for having sex with one of them, and thus, I dunno, being tainted or something.
Firefly is indeed a Western. It's got the confederacy, the frontier and the savages. But just like the Independents weren't fighting to preserve a way of life that intimately depended on slavery, the Reavers aren't the hapless natives decimated by those wacky "trick" smallpox blankets.
So, no, the Reavers don't resemble actual Apaches. But then again, neither did those dreadful Hollywood Injuns.
Laws do not persuade just because they threaten. --Seneca
It's a decent enough book, and held my attention up until the last few pages (with Ender nursing a bugger from his super-child teat). Unlike most first-time readers, I had the benefit of being older than 20 when first picking it up. Like many other things from childhood (Star Wars, anyone?), the book picks up a gilded nostalgia that prevents an objective look later on. I'm no literary critic, but it's interesting to see other people reach the same conclusion.
The ending is a zinger, but most of the stuff that precedes it, especially the dialog is rather average. In fact the dialogue is extremely clunky. I hear people say "well these kids are geniuses so they'd speak like adults", but that is more like someone making excuses for the poor dialogue. Kids, even precocious kids don't talk like the ones in Ender's Game.
the wizard
"i love ender's game. it's so bad "
As Edward J. Epstein explained more fully in Slate back in May:
http://www.slate.com/id/2118819
In 2003, box office receipts accounted for less than 20% of a movie's revenues. Home entertainment provides more than 80%. Since then, the shift from theater to home has only accelerated. Last year, Walmart alone accounted for more than a third of studio revenues in video and DVD.
Home sales account for an even greater percentage of profits for the studios, given the high costs of theater promotion.
In fact, most studios expect to *lose* money as long as a film is in the theaters. The purpose of theater release is to build recognition and audience awareness, NOT to make money - not any more.
So, using your number of $10 million for Serenity's opening weekend, the movie can expect to make around $55-$65 million, if not more (given the strong cult fan base for the series and a lot of initial hesitation, given precedent of lousy films based on TV series).
Epstein uses the example of Eternal Sunshine of the Spotless Mind, which made only $8.1 mil in its opening weekend in the theaters--but sold over 1.5 million DVDs during its first week in the stores.
Flout 'em and scout 'em,
and scout 'em and flout 'em;
Thought is free. - Shakespeare [The Tempest]
(the only things sci-fi in it are the formacs/buggers, FTL travel and the ansible. Everything else is pretty much ~50 years into the future technology.)
Huh? What is it if it's not more than fifty years in the future? So Vernor Vinge's upcoming Rainbows End isn't SF? Explain this fascinating new system of classification, please.
Laws do not persuade just because they threaten. --Seneca
ok, so he won hugo and nebula awards. must have been dry years.
Serenity grossed $10.1 million opening weekend. It cost around $40 million to make. I read somewhere that Whedon was promised two more features if Serenity tops $80 million. It's going to be a stretch
What does literary mean?
No, seriously. There's a lot of people looking down their noses at SF readers, claiming it's not literary, and I just don't have a good idea of what literary means. Is Shakespeare literary? It was popular in its day. Is Watchmen or Cerebus literary? They both have extraordinary depth, complex self-reference and cultural reference.
Is it that "eternal human verities" crap that literary people seem to love so much, where people are doomed to make the same sort of stupid mistakes over and over again? 'Cause that's pretty much anti-SF, but in that case, who wants to be literary?
Laws do not persuade just because they threaten. --Seneca
The trick to all of this Reaver Talk is considering the initial "creation" of the Reavers.
They were "made" by the PAX (long name i can't remember), a drug that induced chemical changes in the host.
My Points:
1. As one of the previous posts said, there's the "Shark-to-Shark Attack" case where they won't attack because they're not stupid enough to take on equals, but what about the fact that the only time we see Reavers become crazy/insane is when they're in the general proximity of LIVING HUMANS. Perhaps the PAX is inducing these in-human rage-filled instincts to feed/rape/kill. Perhaps it's the "Untainted Human" that causes these traits to come out - which would explain how they're coherent enough to pilot ships and plan attacks - no Untainted Humans around. Obviously, they can't be *that* coherent because they wouldn't be crazy enough to continue.
2. How exactly does a Reaver tell another Reaver from a Untainted Human? Perhaps the blood - The PAX could have changed a Reaver's blood - some chemical properties that would make it inherently different from normal blood. Good old fashioned "blood in the water" scenario.
3. Also, The "Recruit" vs. "Made" argument is this - the "Recruiting" is making a human "unstable" - in truth, the "recruited" Reavers are simply humans-gone-mad, emulating their captors/torturers. In "Bushwacked", the "Recruit" killed and ran - But obviously he didn't try to feed! No blood on his lips/face! He just tried to get back to familiar ground - and attempted to take out invaders (Mal, Alliance Commander et. al.)
4. Reavers aren't more than 10-12 Years old (meaning there haven't been Reavers for more than 10-12 years - not that their ages are 10-12). They haven't had time to reproduce to the point that their offspring would be old enough to continue. Perhaps they will, though - this could be a future plot line. So "raping" women may actually just be the above mentions rage/insanity (the primal urge to have a go at everything in site) and not for procreation reasons at any step of reasoning.
And, Off that subject, The "One Star System with ~12 planets and hundreds of moons" Scenario makes more sense than multiple star systems or even a bi/tri-nary system. During the series, one of the most confusing aspects of the "space travel" was that they never seemed to move fast enough to warrent traveling between different star systems, and they never really explained the positional/relational locations of the planets/moons that they visited - all very much left up in the air. When the movie came out, and explicity explained that it was one solar system - it makes much more sense that it would take "2 weeks" to get to another planet or "a couple of days at a hard burn". Planetary positioning and all that.
Just my $0.02.
I aim to misbehave.
Is this Slashdot or Fark?
MadOgre.com
One thing not addressed in the review is whether it would still make a good movie if you haven't seen the Firefly. He makes it clear you'll love it if you have seen Firefly, but never truly indicates if it's good for us Firefly-virgins.
I think it looks like a great movie, but have yet to see the original series (and please, spare me all the banal "turn in your geek card" jokes, I don't own a TV and haven't gotten around to renting the DVDs to watch on my computer). But if it will be much better for having seen the TV series, I will hold off on the movie until Have done so.
So, for those that have already seen Serenity, please weigh in and let me know your thoughts.
"Reality is merely an illusion, albeit a very persistent one " -Albert Einstein
Several earthlike planets--and moons
;) )
Dozens of earthlike planets, as well as many moons, if I recall the movie intro correctly. Also, scores of habitable planets and *moons with earthlike gravity*? That's my main problem with the "moons" hypothesis.. not to mention the lack of a monstrous gas giant looming in anyone's sky at any point. Planetwide gravity control? Even Star Trek doesn't propose anything like that (to the best of my knowlegde... I'm not the world's biggest trekkie
It's possible the core planets didn't need to be terraformed at all
I don't see how. Humans breathe O2, which doesn't exist in quantity in nature, because it's too reactive. It would seem to require life, and we all know there is no alien life in Firefly. Also, the odds of getting acceptable pressure and no gasses toxic to us (barring alien life) are pretty slim - comparing Venus to Mercury shows how extremely pressures vary on even solid planets (Venus = ~90(?)x, Mercury = (~1/10000?)x)
Rim planets might still not be done yet
They've got the pressure, rough temperature, and oxygen to live outside - close enough to "done" to have done 95% of the work. Where's the teratonne (best case, for Mars-like planets; worse for others) gas-producing industry?
Earth years uniformly everywhere
That's a problem, though: time changes based on velocity. Even the difference between the outer and inner planet velocities will distort time. Their trip to the planets will heavily distort it (and if they moved at different speeds or left at different times, relative to each other), and if it's based on Earth's orbit at all, that will change as the new solar system moves as a whole relative to the sun. River's anachronistic rant on Simon's birthday ("Day is a vestigal mode of time measurement based on solar cycles. It's not applicable." (beat) "I didn't get you anything.") is about yet another point, that a year is irrelevant even if you ignore stretching because years are different on different bodies and irrelevant on a spacecraft.
So, apart from that, how was the play, Mrs. Lincoln?
...yet he's a practicing, believing Mormon. Maybe he focuses on the relationships in the Book of Mormon rather than the science fiction (e.g. Kolob).
Very few spoilers here. No Serenity spoilers.
So, Reavers are viciously insane humans. They rape, eat, and kill pretty indiscriminately. Usually the same target for all three, in that order.
Most of the time, they're depicted as being hyper-aggressive zombie-like creatures. There is nothing, however, to suggest that there couldn't be an intelligent Reaver. Even a supergenius reaver. Similar to Farscape's Scorpius in some ways, but more vicious. The Reaver that wants to play with it's food. "The line between madness and genius is very thin."
If such Reavers exist, they're probably the ones who control the ships and coordinate raids.
Happiness is relative, Based upon the way we live.
My husband and I went with two complete Firefly newbies. They had a blast.
I haven't seen the TV show, but I loved the movie. The characters were great... the captain reminded me of the best of Han Solo. A scoundrel but also a hero. The tech also wasn't neat and polished like Star Trek. The ship was a mess. It had a very real feel to it. So did the people. After seeing the previews I was afraid the humor would be cheesy, but it was just refreshing. I was afraid the girl River would be a bad actor and ruin the movie like so many other movies with children in them, but she did great. I thought the idea of a solar system with a bunch of planets in it was a wonderful idea... forget about trying to invent hyperspace or some other scifi solution to interstellar travel.
I haven't seen the series, but I've set my DVR to record it, and I'm looking forward to it.
I should say that I was a huge fan of Buffy the Vampire Slayer, so I may be naturally inclined to like Joss' work. I just didn't have time to watch the series when it originally aired.
Either they take themselves too seriously or they take fiction too seriously. In both cases, they are annoying lot and should stuff their beliefs where sun doesn't shine.
"Creating the Innocent Killer"..riight. Card "created" a book. Not a killer.
Given OSC's political views, I think it can pretty safely be said that the guy is basically a fascist sympathesizer or something else equally distasteful.
Could you people please just fuck off already with your fascist-this and nazi-that? That subject got old and tired years ago and one might believe that Godwin's Law was sufficient hint to drop it. It's boring history and I'm starting to hate people who still whine about it as much as I hate neo-nazis.
Preserve old classics: copy your collection onto all hard drives.
Its popularity is due mostly to the "heroic geeky kid beats the adults and saves the world" theme, much like Harry Potter.
Damnit!
What am I going to do with all these "Wesley Crusher Must Die" t-shirts???
>i>"Kaylee, what the hell's going on in the engine room? Were there monkeys? Some terrifying space monkeys maybe got loose? "
Did he really say it was the greatest science fiction film of all time, beating those great ones that I don't even have to mention on slashdot, but do anyway because we're such geeks. 2001, Bladerunner, Metropolis, Alien!ENDERS GAME may be a classic science fiction novel (I haven't read it, so I always reserve judgement) but one things for sure, OSC has certainly lost his marbles since then.
Why don't they eat each other? They probably do... But killing regular humans has got to be easier than killing other reavers which is probably why they bothered to get ships working to go on raids (after killing all the folks made docile on their home planet).
If they "killed all the folks" then why were their many, many bodies on the ground, and pretty much everywhere else?
Answer - They didn't. If you read my post waaaaay up there in the ancestory, you'll see what I mean. Probably the thing that created the Reavers (which was the same thing that made everyone else unresponsive/mentally-docile) prevented them from eating the people - hence, you see lots of dead and decaying people on Miranda.
As for why they bothered to get the ships working - also see above post.
http://slashdot.org/comments.pl?sid=164244&thresho ld=0&commentsort=0&tid=214&mode=nested&cid=1371609 4
I aim to misbehave.
I just wanted to point out that OSC was the guy that wrote the classic Monkey Island swordfighting insults. Gotta love him just for that!
Your ignorance of literature is no reason to call for an end to discussion of this book. Educate yourself. Interpretation is the most important aspect of a text-Shakespeare is nothing without interpretation. Card is nothing with interpretation, nothing but what is indicated in his work. You may dislike it, but discussion of literature is complex. Card's book does depict a character who after being described as suffering extensively is forgiven for the extermination of an entire species, because he regrets it. This acceptance is exactly that required to forgive Hitler, if he had lived and displayed regret for his genocidal acts against the Jews of Europe. Nothing is "just a," everything is complex as it is written that way-shallow interpretation, childish interpretation, refusal of interpretation does not and can not remove the material that the interpretation is based on. Interpretation is the key to any sort of actual understanding of the material in a text. This, one commented on by many here, is an interpretation. It may have been a children's book, it may have been his manifesto, it does not matter-all is open to and can only be understood by interpretation.
What can I say? Suck my dick, or just fuck off?
Like I care...
On that ship we had an interlocking community with a history, rather like what has been a-building with Lost and what was developed over the years with Friends (but what never existed in Seinfeld because the main writer, Larry David, doesn't seem to believe in anything, and you can't build a powerful community on a sneer).
Anyone else think it was kind of out of the blue for OSC to throw in this dig at Larry David? I know I personally was a lot more upset over the ending of Seinfeld than the ending of Friends (ok, so I hadn't watched Friends in years at that point..), and it wasn't just a sadness at the ending of a great show, but also because the characters and their relationships did resonate with me.
Computers don't make mistakes. What they do, they do on purpose.
Ive seen the show but not the movie.
Got through about 8 episodes that were on the scifi channel then deleted the rest off my replaytv, couldnt stomach the characters, the situations or the dialouge. I really liked Angel, and was hoping for similiar direction, but firefly just never felt right.
Personally I prefer the new BSG for newer scifi TV. Much harder, much more serious.
Bring back the old version of slashdot.
I first read Ender's Game when I was 9 years old or so. It had tremendous emotional power for me; I reread it at least 10 times over the years and knew it practically by heart.
Now looking back on it, the book fucked me up a little. The book's heroes are geniuses of world-shattering historical importance, and the reader's meant to identify with them. As I grew up I had this vague vision of myself as having similar importance in the future. When I eventually was forced to accept that actually, I was pretty much an ordinary guy and would live an ordinary life (actually even Churchill or Shakespeare or whoever are ordinary guys compared to Ender and his siblings), it was a wrenching transition. My life seemed worthless if I couldn't do anything as important and meaningful in the world as Ender. I didn't actually compare myself with Ender explicitly, but the worldview implanted by Ender's Game was floating in the back of my mind, influencing my attitudes.
Books contain ideas and worldviews and if they're false or misleading, real harm is done. In the case of novels it's if anything especially dangerous, because they pack an emotional punch that can strongly influence readers.
Re: relativistic "year" measurements:
Try explaining that in a movie and keeping 99.99999% of your audience...
I have something in common with Stephen Hawking...
Alien costumes were
One of your crack-induced hallucinations.
You can't take the sky from me...
1. Write movie review.
2. Put on secret magic underpants.
3. ????
4. Profit!
That is all.
> Also, scores of habitable planets and *moons with earthlike
> gravity*? That's my main problem with the "moons" hypothesis..
There's nothing about being a moon that prohibits high gravity. Dense material = smaller radius per unit of mass = higher gravity. Similarly, there's noting about being a huge planet that mandates high gravity. If one were able to stand on the "surface" of a gas giant, its gravity wouldn't be all that different from what we experience. It's all about density.
No gods, no demons, and no masters. Secular Humanism!
Hey now, if it weren't for Glen Larson being Mormon, then we wouldn't have Battlestar Galactica and no Kobol which means no remaked series with sexy human cylons...I mean...I think I had a point...
Moons with appropriate mass for Earthlike gravity can and probably do exist. The existence of a large number of them was probably a criterion for choosing this star system over any others (it WAS chosen on some criteria after all). Or, alternately, planet-wide artificial gravity, which I find no more implausible than spaceship-wide artificial gravity. Incidentally, at least one world visited in the series was definitely referred to as a moon, and there was no gas giant in the sky--so if it's an oversight, it's a consistent oversight.
Fair point about Oxygen. The point still remains that either some planets may take longer to terrform than others or the process itself could take 80 years or so, and the core planets just started earlier.
A "done" terraformed planet is in the eye of the beholder, I suppose. A planet with adequate gravity, pressure, oxygen, and temperature is not "done" by my definition. A planet where even a tiny human population will die of thirst within days is not my idea of "done". A planet entirely dependent on outside sources for food and water is little more than a space station with an unenviable gravity well. If breathable air was all people were shooting for, they wouldn't have bothered with planets.
Relativistic time contraction happens in the Firefly universe and they use Earth years. Relativistic time contraction happens in the REAL universe and we use Earth years. I suppose they use the same kludges we do (resync the shuttle clock when it lands), possibly more frequently, as they have spaceships that regularly go an order of magnitude or so faster than the shuttle, but still nowhere near the speed of light--so we're talking about losing a few seconds here and there, tops. Not the big deal that it would be if FTL travel or near-light-speed travel existed, but luckily they don't so they (and we) don't have to worry about it.
As much as he puts down makers of bubble-gum-space-ship sci-fi for not being true to the genre, his own favourites such as Eternal Sunshine of the Spotless Mind are no more true to the genre.
What makes you say that "Eternal etc etc etc" is not science fiction? What demented, overly restrictive, private little definition of "sci-fi" are you using to get you to that apparently illogical conclusion?
For those who haven't seen it, "Sunshine" is a movie about the effects of a possible, but as-of-yet non-existant technology on people/society. I didn't know it was sci-fi when my friend rented it, but I was pleasently surprised.
You can't take the sky from me...
Personally I think Serenity has one fatal flaw -- the characters receive no development
Aside from the ones who die, have a loved one die, have their entire belief system shatered, gain a lover, loose a lover? Yeah, aside from those, they get NO development at all!
You can't take the sky from me...
I've always read the 5 as a hard break plus an S sound, thus "cure-oh shin," and I just assumed it meant something in Japanese.
Of course I also thought ICQ was "icy queue" instead of "I seek you."
There's nothing about being a moon that prohibits high gravity
There is something fundamentally preventing significant numbers of high-gravity bodies around a single gas giant (and really, within a given planetary system at all). If they get too close, they disrupt each other's orbits. You can't shove large amounts of mass into a small area and expect it to be stable. Now, you can keep expanding further away from the gas giant, but then the star starts to distort their orbits, requiring an even bigger gas giant, which displaces further other potential spots for planet formation. Also, gas giants don't expand infinitely - they become brown dwarfs at about 8x jupiters' mass.
Our solar system is about as densely packed as you can get it while being relatively stable. You could tweak things - for example, you could probably have less large moons of Jupiter and have them be bigger (same with Saturn) - but you can't just keep jamming planets in there.
If one were able to stand on the "surface" of a gas giant, it's gravity wouldn't be all that different
The heck it wouldn't. Lets use Jupiter here, and assume that you mean "the tops of the clouds at the equator" by "surface" (as opposed to the theoretical metallic hydrogen layer) (lets also assume Jupiter is a point mass - the numbers should work out pretty similarly to integrating across the whole planet):
F=G*(m1m2/r^2)
F=6.6742e-11 * 1kg * 1.9e27kg / 7.14e7m^2
F=24.9N - 2.5Gs - almost as much as Space Shuttle peak acceleration.
So, apart from that, how was the play, Mrs. Lincoln?
2.5g's would be no fun to (try to) walk around in, true. But try it for Saturn, or Neptune, etc. You get a different picture.
Saturn: ~10.4g
Neptune: ~11.1g
Uranus: ~8.9g
No gods, no demons, and no masters. Secular Humanism!
Duh. off by a decimal with those. Sry.
No gods, no demons, and no masters. Secular Humanism!
You can't have a large number of heavy moons - they interfere with each other's orbits.
Our solar system is about as densely packed as you can get it and still have it be stable (there is some rearranging that you could do to fit more in, and you could change masses - i.e., give Jupiter less moons, but heavier ones).
A planet with adequate gravity, pressure, oxygen, and temperature is not "done" by my definition.
Compared to the total work required, it essentially is. That atmosphere is no laughing matter. Earth's atmosphere is 5,100,000,000,000,000,000 kg in mass (and you know how sparse gasses are, mass-wise). Yes, they want more, and they have good means to want more - but compared to getting that atmosphere on them, getting them water is a nothing task (and in most cases, would happen on its own, unless the planet has been baked-dry by the star).
and they use Earth years
You're not getting the point: There is no standard "earth years", because the speed that time passes on Earth depends on what planet you're on at the time.
Relativistic time contraction happens in the real universe and we use Earth years
That's because we're on earth - we're in the same frame of reference as what we're comparing to.
Resync the shuttle clock when it lands
You're not getting the problem: if you use Earth time in another star system, a second is not constant because your speed compared to earth varies on relativistic scales. Nowhere in their entire star system would a second be constant, and that's disastrous as far as performing any sort of detailed calculations are concerned. Variable seconds might be fine for washing your clothes, but they're simply intolerable for precision spaceflight (or many other scientific tasks)
A real time system for such a system would be to have an *independent* localtime for each body, be it a planet, spaceship, or whatnot (the shuttle has its own localtime). The localtime has constant seconds. Just like having a watch that tells you the time in London, New York, and Rome, your ship could also tell you the localtime on Ariel, Miranda, and whatnot; one second of their time wouldn't tick up as one second on your time, of course - but it'd be darn close. Trying to tie these localtimes together indefinitely would not work. You could have them start out at the same time, but they'll drift; you could resync with things like leap seconds. Linking to another planet in the same solar system may take a sixth of a second on average per year (although it will vary). Linking to a body in another solar system (like Earth's) will vary by several seconds per year. Linking from a ship travelling at the speed of Serenity, and much of the rest of their solar system, will vary from several seconds per hour to several seconds per day (rough estimate based on how long it takes them to travel) (this also applies to the ships that got them to the star system).
So, apart from that, how was the play, Mrs. Lincoln?
Here's a review from someone who purposefully avoided the TV show. He's a great independent reviewer. He gave it three stars out of four.
I suggest you recheck your numbers. I get 0.22Gs for Neptune, using the data on Wikipedia. I.e., too little gravity.
So, apart from that, how was the play, Mrs. Lincoln?
I might take the car,
I might take the train,
But baby I'm coming and
Using my chains!
Gonna tie you up. Gonna tie you up.
--
"Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
Most of the visuals were just fine. Hold them too long, and I tend to burst into laughter at the sight of that overweight "duck" of a spaceship.
Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
If I came to you and said "Hey Pilkul! I just had this great adventure that turned my life around!" Then proceed to tell you about my adventure, would you turn yourself into me, or picture yourself in a similar situation? Enders game was a Novel, not a comparison meant for you to make for your life. Card wanted to create a world in the future, where a an ordinary boy, who just happend to be very smart, was put in a situation where his intellegence is abused by his government and he is eventually lead into commiting Xenocide. It may have ruined your Childhood, but that probably wasn't the intention. Enders Game was just a story meant to entertain. It may have had some political, maybe even philosophical views. But I doubt it was meant to say "Reader, imagine you were a genius that is tricked into Xenocide." I think it was really meant to say "Isn't this boys life interesting?".
Indoctrinate : to instruct especially in fundamentals or rudiments Educate : to develop mentally, morally, or aestheti
What's the number of Earth-mass moons you can have before they start interfering with each others' orbits? Well, the Firefly universe has one less Earth-mass moon than that. That's not actually as flippant as it sounds--it means that if, as I suggested, they were going for maximum possible Earth-mass moon density, X-1 is the very best they could ever hope for. Maybe they got X-2. Doesn't matter. They got the maximum possible density. The fact that there's a limit isn't relevant.
I never said putting breathable atmosphere on a planet wasn't hard work. But creating a self-sustaining ecosystem/hydrosystem from nothing? That's a totally different league. So maybe it's more like 80 years for atmosphere, 250 for the rest. Whatever the values or difficulty, my point is the same--some planets may not be "done" yet and are therefore less desireable to live on.
I get your point about time. Really I do. I took Physics in college and everything. And one thing I learned is that we use Earth as our arbiter of what's a "real" year for answering the question "What year is it?", even for our space shuttle. Even for Voyager (the probe, not the TV series). It doesn't matter what their localtimes are--Earth is all that matters when it comes to what date we put on the news articles about these speedy objects.
Let's say the Firefly universe uses Sinon (the planet) as its ultimate arbiter of time measurement. Let's say it's January 1st, 2650 on Sinon. Let's say spaceship X takes off that day at such a speed that its time is continuously happening at exactly half the rate of Sinon (no acceleration/deceleration to make things easier). It lands one year later according to its clocks. It lands two years later according to Sinon's clocks. What date is put into the ship's log? January 1st, 2652!--because Sinon's clock is the "official" timekeeper. Does the ship even need to resync its clocks? No, because it's aware of what speed it's travelling, it could alter all human-visible clocks to be automatically Sinon-correct, while using internal spaceship X seconds for various internal trajectory calculations.
Is the year on Sinon the same as a year on Earth? By some measurements, probably. We already have defined time units as the amount of time it takes [predictable particle X] to decay. Obviously, this is at the speed Earth is travelling. Well, that same particle decaying on Sinon gives them a time measurement, which they use from that point forward. Is it the same amount of time? That's not even relevant, as all Earth time is historical anyway. For all intents and purposes, it's the same. It doesn't align with a solar cycle, but that doesn't make sense in a multi-planet system anyway, so it's doubtful they'd go through the trouble of making years match solar cycles on one planet but not on others.
Your original point was "What good is assigning a specific date to Firefly"? Well, I'll tell you. Beaurocracy likes to track dates and times. A single arbiter for all time measurements (Sinon) is not only possible FOR THIS PURPOSE, we already do it on Earth with our own spacecraft. Yes, navigation systems will need to internally track relativistic time distortion, possibly without people even knowing it. Doesn't mean you can't write a date in a log file and have it mean something.
You hit the nail on the head.
This started a few james bond films back with a fight scene which was so quickly edited to make it exciting that we couldn't tell
a) who was fighting
b) who was winning
c) whether it was an arm or a leg sailing by to inflict the blow.
It's gotten worse since. Combined with EXTREMELY LOUD VOLUME (Had to wear earplugs AND noise dampening headset and it was -still loud- and the manager didnt' see any reason to turn the volume down), and commercials (only TWO before Serenity-now that is some kind of new record- last film I saw had 17 commercials) I just don't have much interest in seeing movies any more.
Saw this in Serenity in the theatre. Thought it was a good solid film- but it had less "intensity" than expected. Was disappointed with Reavers being explained - sometimes better to just leave things a mystery. OTH, reavers made more sense as an SF villian than a fantasy villian after the explaination. Not sure the evil bad guy would have changed his belief based on only one mere planet full of people being sacrificed if it meant "peace" would result for the rest of mankind.
She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
Or maybe, just possibly, it could be that some people actually think that Card is not a good writer. Nah, it *couldn't* be that.
Oooh... look at the brave AC outting the nasty homophobe!
:-/
You are my hero
"Creativity is allowing ones self to make mistakes. Art is knowing which ones to keep" - Scott Adams
This is kind of off-topic, but does anybody else think Harry potter is a blatant Ender's Game ripoff.
Hogwarts - Battle School
Quidich - Battle Room
The schools separated by teams in competition
Teachers play same role
Brilliant/Magical kid taken away from his family to fulfill his potential at Battle/Wizard school
Harry's friends and Ender's friends have some parallels
(Please excuse my spelling on the Harry Potter items)
one less moon than that
:) You can't align it with a solar cycle - at least, not for very long - and the rate that time passes relative to a second on Earth varies. Certainly timekeeping is needed. Timekeeping relative to Earth is not, and is problematic.
It's not that simple: There are a lot of stated worlds in the firefly 'verse. Ariel (the world with the hospital), Bellerophon (where they stole the laser), Londinium (a world with a king - according to Whedon, one of the two main core planets with Sihnon), Osiris (where the Tams grew up), Greenleaf (a civilized planet with good med facilities that Wash mentions), Sihnon (the jewel of the core worlds - Inara loves it), Boros (a civilized planet with a strong alliance presence), Beaumonde (where Serenity was headed before YoSaffBridge hijacked them), Bernadette (where the Bushwhacked settlers came from), Beylix (mentioned in Trash), Dust Planet (where we see Monty and YoSaffBridge), Dyton Colony (where Badger is from), Ezra (Planet where Mal and Wash were captured by Niska), Hera (where Serenity Valley is), Jiangyin (Planet with the hill folk), Newhall (Where the bushwhacked settlers were going), Paquin (mentioned by Kaylee in Out of Gas; Serenity had work there), Persephone (scene of start of ep. Serenity and of Shindig), Santo (where Mal robs a slaver), Shadow (where Mal was born), Silverhold Colonies ("Eight solar systems (???) from St. Albans"), St. Albans (Tracey's home), Triumph (mentioned in Our Mrs. Reynolds), Verbena (mentioned in the unproduced episode "Dead or Alive"), and Miranda (where the Reavers are from). That's just the stated worlds. And we don't see a planet overhead on a one of them.
80 for the first, 250 for the rest
Rain works on its own, as long as you have the water.
It doesn't align with a solar cycle
Exactly my point
So, apart from that, how was the play, Mrs. Lincoln?
"Book's background--not a discontinuity, simply not explained. I actually LIKED that it remained mysterious. We know quite a bit about Book from his actions, is that not enough? Vagueness happens in reality too."
book was an operative like Chiwetel Ejiofor was an operative....duh
Maybe Orson made his review more about him than Serenity, and maybe he didn't.
But Slashdotters have definitely made this thread more about him than Serenity!
How can you compare Card's religion to Hubbard's.
Hubbard repeatedly publicly stated that starting your own religion was the easiest way to make money. Then he went out and did it WITH GUSTO. Come on, the souls of masacred aliens are inhabiting my body and cause all my problems? Hubbard started talking about starting his own religion in the late 1940s. If somebody in 1940s America had told me that he could make millions by inventing a religion with this as its central premise, I would have (correctly) assumed he was on drugs. Hell, I would have a difficult time believing this in 2005 if it weren't for the fact that Hubbard has already proven his point by demonstration.
I think that for accomplishing this, Hubbard deserves a vast amount of geek cred. It is unreasonable to compare such a monumental feat, with the mundane act of simultaneously being a true mormon believer and obnoxious.
Ok, since you find 1) 2) and 3) "tiresome", I'll give you a fresh new angle you will find interesting.
"I thought ender's game was a pile of doggie poo and osc was a mediocre hack, many many many years before I ever found out any single thing about osc's ego or political or sociological or economic opinions or anything else about osc personally. i stopped reading osc after ender's game because osc fans promoted ender's game as the pinnacle of his work. if thats the best he can do then quite frankly everything else by him is a complete waste of my time. there are many great SF writers and SF stories, osc and ender's game are neither."
there. a completely brand new fresh approach for you to enjoy.
ahh. The funny thing is that you probably ARE right. And wrong. Enders game, as a book, sci-fi, etc, really is ... entertaining, interesting, but NOT particulary special.
;)
but the rest of the saga... Speaker for the Dead, Xenocide. Well, this is a very good literature by all measurements you could come up with.
So, yes, Enders game isn't a particulary good sci-fi, but everyone has his weak days
It seems you still haven't got away from your delusions since you seem to think that you were emotionally strong enough to notice its evil influence whereas others might be weaker.. And you now think it's dangerous, wait, especially dangerous, because they pack an emotional punch that can strongly influence readers. Whoa, lucky us a superman like yourself got to read it first and warn us weaklings of its powerful mind influencing powers.
..take themselves too seriously.
Preserve old classics: copy your collection onto all hard drives.
Oh, thank you for the fresh new perspective. The unsolicited and completely subjective review of a complete stranger is always enlightening, especially in the context of a discussion that isn't really about whether or not anyone liked Ender's Game.
So kudos and congratulations for being so fashionable. I'm glad to know that you were cool enough to disrespect a popular author before everyone else was. Let me guess... you also listened to the Shins before they sold out, right?
I wish that my inferiority complex were as good as yours.
-RenderHead
X2 lacked character development and the plot was shallow; given how this was simply an adaptation of pre-written works (the comics), there is no excuse for a weak plot - there is tons of material to draw from. What did X2's writers do? They drew from these sources making sure to focus on every mutant from the last movie, bumped up two students, and handed out as many cameo mutant appearances as they could. Too many main characters, too sloppy; the audience can't so easily associate with so broad a lineup, since there are too many to develop.
Wolverine was the focus of the movie, but they didn't make the other X-men supporting characters; they were main characters. The end of the movie was far too blatantly a bridge for an obvious third movie focused around another of the main mutants ... it weakened the movie. Noting the billed cast for X3, Wolverine is there ... he should not be; his interest is resolved, and being the wanderer that he is, he would leave. Sure, there's reason for him to stay (a fault in X2's writing - his relationship with Jean should be more peripheral), but there are already too many main characters.
The X-Men are a vibrant group with vast amounts of complexity and history; their movies should have been of the caliber of Serenity - illustrate a problematic world (mutant racism), key players who are neither good nor bad, simply on different sides (Xavier, Magneto, Stryker), and very interesting group dynamics (Logan/women/Scott, Logan/Beast, even the movie-exclusive Bobby/Rogue). Contrast: Serenity has a problematic world (solar system with Alliance vs outlands), key players neither good nor bad (Serenity crew, Inara, the operative), and very interesting group dynamics (Mal/Inara, crew/Tams, Simon/Kaylee, Shepherd/Mal, Jayne/people).
X-Men have something going for them that Serenity doesn't, but it isn't well delivered in X2 - politics. Xavier is at the front of the debate. Mutantism is huge; it defines the comics, correlating directly to the Red Scare and the Cold War politics of the 60s ... the same politics we see today in the form of fear-driven anti-terrorism. The X-Men movies could easily draw on that as an amazingly colorful backdrop. X2 utterly fails in this regard, instead delving into a history that does no justice to the "early days" of mutantism and butchering a simplification of the whole Deathstrike storyline.
I must correct my parent post; Dougherty was one of three writing the screenplay to a story written by another three. Only David Hayter contributed to both. He was one of the few writers not exclusively tied to movie adaptations of comic series, but he hasn't written much else, either. So who knows what Dougherty will bring to Ender's Game... (Orsen, are you wasting your time reading this? Care to comment?)
Use my userscript to add story images to Slashdot. There's no going back.
(On the outside chance you read this even though it was an AC post -- yes.)
"Fundamentalism" isn't about divine morality. It's about human authority.
A lot of media made for children, and especially teens, fits under the meta-genre "adolescent power fantasy." The fact that a lot of geek media also fits this description could be read to mean that there's an element of arrested development to geek culture.
The best propagandists have always understood that the best way to sell your bogus message is to wrap it in a glorified, emotionally powerful tale of heroism and tragedy. And Card understands perfectly well that he's doing this --- go read his quote at the beginning of the Kessel article again.
His politics, for those who care about such things, are those of a fool.
Hopefully some of you know better than to respect Card's opinions about the world in general.
Wow, that list of worlds was EXACTLY X-3. What a coincidence! Also, we already talked about "no planets overhead". It's a proven oversight in the series, I'm just saying it could be a consistent oversight.
Rain works on its own, eh? How about aquifers? Do they just spring up out of solid rock? Where do you get limestone deposits without ancient seabeds and plate tectonics? Rain accomplishes very little for terrestrial life if it turns into 100% runoff. A hydrocycle isn't just "it rains". Soil is more than just dust with plants growing in it.
Ah. I misunderstood your point then. I thought you were saying there was either no point or no capacity to assign a year to Firefly and be consistent about it. Clearly if you throw solar cycles to the wind and standardize years on some other factor, you can. It then becomes a "vestigial" unit of measurement (thanks for the actual quotes, although I think "anachronistic" is a better term)
EXACTLY X-3
:)
You seem not to be understanding things here. You cannot shove an arbitrary number of planets or moons into a star's habitable zone. Even with an artificially broadened habitable zone (greenhouse gasses, albedo changes, etc), it simply doesn't work. With a black surface and heavy greenhouse gasses at 1atm, around Sol, you could probably get Earthlike temperatures as far as Jupiter's moons, and with a greenhouse-free reflective body, as far in as Venus, or perhaps a bit closer. A larger star? That extends the outer range, but it also extends the inner range, and since the closest stable orbits planets can have to each other are harmonic, the distance between planets scales equally. If you fit a couple extra Earth-sized bodies in by having them be moons of gas giants, you reduce the number of star-orbitting bodies you can have in the habitable zone (gas giants tend to sweep everything else out of their path), and each gas giant could only support a small number of them before the orbits become unstable due to either being clustered too closely or being far enough away that it orbits slowly enough the sun's gravity disturbs it.
In short, you simply cannot fit enough large bodies with stable orbits in this range. I'm not sure what's hard about this for you to understand. You can have, at max, about four or five Earth-sized bodies orbitting in the habitable zone of your star (and that's with the above-described tweaks to the planets). There's just not enough room for many large bodies with stable orbits.
Here - lets try and come up with some alternatives, to try and give Whedon an excuse
You *could* get more planets with warmth further away from the star by upgrading the gas giants to brown dwarfs, but there are two problems with that. One, it wouldn't be a single-star system anymore (although we could perhaps allow excusing away of brown dwarfs as "not being stars", since they only have dt-dt fusion, no main-sequence fusion). Two, for much if not all of a brown dwarf's life, it would be a very dangerous high radiation environment at distances that it warms sufficiently.
You could have internal planetary heat. I'm not sure what (if anything) could cause a planet to be formed unusually enriched in uranium and thorium, but if you had a high enough amount, you could heat the planet. Background radiation and gasses like radon would be a problem.
Planets could be tidally heated if they had a relatively new, very large moon, or was in a (potentially unstable, but newly so) harmonic orbit, especially around a gas giant or brown dwarf. The planet would be a mess, and naturally, any oceans would experience monstrous tides, but the stretching of the crust and mantle would heat the planet.
You could have a newly formed star system. Residual heat of accretion could still exist in the planets. The planets would be a complete mess, of course (very unstable), and meteor impacts devastatingly common (and even if you could deflect them all, a chokingly high dust influx).
You could have a new, but not as new, star system, in which solid planets have radiated excess heat, but large gas giants are still getting significant amounts of energy from heavier elements settling inwards, and thus radiating energy that heats their moons without being as radioactive as brown dwarfs. Still has the "planetary formation" problems as above, but not as bad.
You could have the star be a multiple star system, but with all of the settled planets around one of the stars, thus still qualifying as a single solar system; you would then have to have the other stars giving off as much energy as possible without messing up the orbits of the settled planets. Perhaps if the other stars in the system were either being just born (unlikely; clusters tend to be born at once), or dying (possible), it might work - they'd give off excess energy compared to their mass. It'd still be very tricky, though, to get enough light to make a difference wi
So, apart from that, how was the play, Mrs. Lincoln?
There have been a slew of movies that think fast editing is exciting. Being a fan of ultimate fighting and a decent fight scene, I can't stand it. Bourne did this, and it sucked. Gladiator's fast cuts sucked, but they still had a couple good scenes. Serenity gave me some of the best fight scenes I've seen in years.
Commercials -- my theater showed 5 commercials, so that had little to do with Serenity. But then I like trailers, so I was fine with it.
[SPOILER]
Regarding the bad guy at the end...he was willing to kill dozens of people to preserve the peace for millions. But when he realized the people he works for were both incompetent and evil, it destroyed his entire world view. His bosses killed 30 million just conducting an experiment, not counting the thousands killed afterwards by the Reavers. Also, the Operative may have been repulsed by the mind control gas itself...it destroys free will, which a warrior would find ugly.
Personally, I liked the idea of Reavers being caused by a psychological collapse, but I was ok with the explanation. It's a two hour movie, not a twenty hour tv series, so you have to go with the short quick plot.
[/SPOILER]
Scrameustache is always doing stuff like that. Get him on a topic where Mormons are discussed, and his true colors really come out. He's really disgusting.
6 &cid=12409229d =12026023
References to his anti-mormon posts:
http://science.slashdot.org/comments.pl?sid=14804
http://yro.slashdot.org/comments.pl?sid=143423&ci
My beef with Scrameustache is that he attacked me for no reason, then refused to apologise. He's arrogant in the extreme, and considers an apology to me to be beneath him. For him, apologies are only due to those people who are better than you, and he'd never apologise to anyone he considers to be "low".
He could get rid of me forever by simply responding to one of my posts with the two words "I'm sorry". He won't do that, because his ego won't let him.
Fascism trolls keeping me up every night. When I starts a preachin', he HITS ME WITH HIS REICH!
Or the evil Alliance teacher could be lying.
The truth is, when the ships left Earth-That-Was, once they got more than about a light-year out they discovered that Earth was actually in a region of extremely high-density space. Once outside this unusual region, it turned out that stars were not very far apart after all, and gravity worked much differently than had been thought. This neatly explained various problems in astrophysics like dark matter and the Pioneer anomaly.
So in the Firefly system, there are planets and stars sort of scattered around, but not really in orbit, just stationary and in balance. Gravity is simply not strong enough to pull them all together. The Alliance doesn't explain this to schoolchildren, and in fact existence the high-density space is a carefully guarded secret. If the Independents knew, they could look for a way to increase spatial density, and make their planets too far apart from the Alliance for central control. If you're heard using the word "orbit" in public, you'll soon hear some blue knocks on your door.
I have seen the future, and it is inconvenient.
I saw that previous too when I saw Serenity last week.
What can I say? Wow. I'm impressed. Yet another 'let's show the whole movie in under three minutes'.
This preview showed the story plot setup, action sequences, one of the turning points (kiss on the glass the girl made) and the main star 'solving' the issue (blowing stuff up, using her knowledge of the plane to her advantage). The only thing we don't know is the ending. Having seen most of the movie already - I don't care. It's not worth paying to now see that last 20 minutes.
Let's try this again: The Island.
Remember this one? Once again: The preview shows the plot setup (earth has been destroyed, humanity is rebuilding inside advanced shelters) and the main characters. The preview then went on to show the entire movie in split seconds: even the ending!
However.. at this point I thought that too many negative thoughts had been brought forward on this topic: I went to see the movie.
What happened was a real shock. I was drawn in for the entire movie. It was GOOD. No, really. Even though I spent the entire movie waiting for scenes from the preview to appear it was captivating (for me anyway).
After I left the cinema I was extremely annoyed. I would have far preferred to have not seen the preview and just seen the movie. It was then that I figure out the movie exec strategy: show most of the movie in the preview and bet on people needing to see the ending.
Let's add to this list: Hellboy.
Once again the preview showed most of the movie. No, I didn't see it at the cinema. I saw it later on TV. I'm dissapointed: It would have been far better on the big screen.
Go another one: Fantastic Four
Was it absolutely required for them to show all the good bits in the preview? Yes, I went to the flicks to see it.. I figure that it wouldn't be as good on the small screen.
Yet again: Sky High
Nope, not seeing it. It's all in the preview.
Why don't cinemas allow people to vote on a 'spare' cinema and show previously released movies? I'd love to see The Fifth Element on the big screen.
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What about Stargate then?
And it's split into two seperate shows now.
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Insightful.
Sell them to Clever Nickname.
Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
Once I noticed that it was Danny DeVito who made Gattaca, and that he is genetically handicapped in his chosen profession, I realised that it's reality masquerading as science fiction. Brilliant work.