Please No, Not a Blade Runner Sequel
bowman9991 submitted a story that ought to make even the most stone-hearted amongst you cry. He says "Travis Wright, one of the writers behind Eagle Eye, has been working on a sequel to Ridley Scott's Sci-Fi classic Blade Runner. Script proposals have explored the nature of the off-world colonies, what happens to the Tyrell Corporation in the wake of its founder's death, and what would become of Rachel. Travis said he intends to write a script 'with or without anyone's blessings.' Director Ridley Scott appears interested in a sequel too. At Comic-Con in 2007 Ridley said, 'If you have any scripts, you know where to send them.' It's doubtful he'll have time anytime soon though. He's already stated his next two science fiction films will be an adaptation of Aldous Huxley's Brave New Word with Leonardo DiCaprio and an adaptation of Joe Haldeman's The Forever War."
How about you devote all the energy, time, and effort that you would have put into doing yet another ill-advised sequel or remake into writing something ORIGINAL? Who knows, you may actually produce the next Memento, Reservoir Dogs, or Slumdog Millionaire. At the very least, you'll be able to sleep at night. Do you really want to die being best known as the "asshole who wrote that god-awful sequel to Blade Runner"?
And, on a related note, if you're a filmmaker and have ever thought to yourself "Hey, I bet a remake of 'It's a Wonderful Life' starring Ice Cube and some sassy kids would be great!" please, dear God, stay out of Hollywood.
SJW: Someone who has run out of real oppression, and has to fake it.
If you don't blink as you read this, you just might be a replicant.
Go ahead. I write fanfics, too.
psmylie's dictionary: Godzillion (noun) Any number large enough to destroy Tokyo
Please don't spoil original !
Leonardo Dicaprio in Brave New World? Great. I can't wait to see him running around on screen yelling "I'm the king of the world! Shit! Shit! Where's my soma?!?"
Without a Phillip K. Dick story to bastardize, this script could go into turbo-shitty land really fast.
I don't understand...are they fighting in an arena? Are they fishing for sequels? I'm confused. Unless Taco didn't have the 20 seconds to double check the headline for a typo.
import system.cool.Sig;
Please take a lesson from Highlander: there can be only one.
Since Scott has a track record of putting out decent science fiction cinema, could we PLEASE get him to do some Heinlein? Or, if that's not "percussive" enough, some Niven-Pournelle? A shortened version of A Mote in God's Eye should have enough bang-bang to keep the kiddies happy, and cool aliens that turn from "advanced peaceful society" to "Freakish monster hoards" by the end.
"As God is my witness, I thought turkeys could fly." A. Carlson
I don't get the whole "this sequel is terrible, it shouldn't have been made!" thing. You don't have to watch it. The fact it's been made doesn't affect the original in any way whatsoever. Chill out.
Besides, there's an outside chance it could be really good. The Bladerunner idea is a great starting point.
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I guess we can thank GW for starting the forever war.
But seriously, I hope they don't fuck it up. One of my favorites!
"He's lost in a 'floyd hole"
... let's just go big and get Uwe Boll in on it.
We figured out a long time ago that it's easier to elect seven judges than to elect 132 legislators.
I think this is a terrible idea. The original story didn't really lend itself to a sequel, and given that the whole "electric sheep" aspect of the book wasn't really dealt with in the movie (at least not in any sort of enlightening detail) I'd much prefer to see a prequel that examined the society from the story.
I was very dissapointed that the movie didn't even touch on Mercerism, which is a central theme in the novel, and I think would make for an engaging angle in a screenplay. Deckard's desire for a live animal, the Owls at Tyrell, the electric sheep he bought and kept on the roof of his building, trying to convince his neighbour that it was real.... There's so much more that could have been explored that got cut from the first movie (not that I didn't like it). I think a prequel that dealt with the world surrounding the events in the original Blade Runner would be a much more entertaining story than having some hack gin up a 'sequel' for no other reason than putting bums in seats.
I for one would love to see a big screen adaptation of Revolt in 2100 or Methuselah's Children. I think that Revolt would have special significance for all the Alex Jones followers!
Please No, Net a Blade Runner Sequel
Who cares at this point, really?
Disclaimers: I'm not an economist, I love Philip K. Dick & I could care less for Blade Runner the movie.
I see it as there being finite number of movies Hollywood has the money to make each year. I'd rather see a Blade Runner Sequel than the fourth or fifth Austin Powers movie (can you believe that Myers is on contract to make two more?) so why not? I mean, like the article says, the novel is out there, it's not like if they transform that story into a movie or make their own script it's going to affect my perception of the original Blade Runner or Philip K. Dick novel. What the article fails to mention is there are actually four Blade Runner novels ( Blade Runner 3: Replicant Night (1996), Blade Runner 4: Eye and Talon (2000)). Go ahead, turn them all into movies, you know the fans will reward you for it with piles of cash. It's better than Legally Blonde: Supreme Court Captain!
I think there have been other movies based on this novel--what of Spielberg's AI? Was that not a butchered version of Do Androids Dream of Electric Sheep? also? I don't see this as quite cut and dried as CmdrTaco ("don't-ruin-perfect?"--I would hardly call any of this material perfect). I mean, I bitch and moan about movies like Snakes on a Plane & The Transporter 8 as I read great novels by great sci-fi writers like Philip K. Dick's The Man in the High Castle (which, although controversial, I opine would make a fine movie)--why not use these great stories that are already out there to allow good directors to create (potentially) great films?
I like to watch original movies from Warner Independent Pictures and Fox Searchlight Pictures but the public and I seem to disagree about where the money in Hollywood should be spent so why do I care that they rehash old crap and dilute brand names when that's how the market rewards them? Can you be critical of them making money? Is that not why they're in that business? Whore yourselves out for all I care, I'm not going to watch it unless there's a Rifftrax for it.
And let's not forget that there are good examples of this actually working out there like The Shining, The Shawshank Redemption, The Lord of the Rings, even Batman Begins & The Dark Knight grossly overshadow Batman Forever & Batman & Robin.
So I ask you, why do you care? You aren't forced to see the movie and if you do, it's going to give you something you love and cherish the most: something to bitch vindictively about.
My work here is dung.
Remember, there were no nuclear weapons before women were allowed to vote.
Blade Runner was a great movie. It's reputation and storyline ought to be left alone. If you want to write a story, it shouldn't be dependent on the world that it's set in. Fundamentally, if the story is sound it will function in whatever world you set it in. You don't need to put it in the world of Blade Runner.
To those people who have tagged this "typoinheadline" you are wrong. Obviously, the Slashdot editors know that the name of this sequel is called "Net" and in that context, the headline makes perfect sense.
Or maybe, because "Please no" was right before... maybe they meant the Russian word for "no".... "Nyet"?
Net a Blade Runner Sequel? huh? Is "Net" the name of the proposed movie? Odd, if so.
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I think there is only one man who can handle the delicate balance of the needs of a sequel for the science fiction classic that is Blade Runner, he is the man with no name....uhh...
Paul W. S. Anderson..!
- Life is what keeps you occupied while you are waiting to die
We've already tried it - ethyl, methane, sulfinate as an alkalating agent and potent script treatment; it created a plothole so lethal the script was dead before it even left the table.
Calm down, everybody. There's no evidence that George Lucas will be involved.
Confucius say, "Find worm in apple - bad. Find half a worm - worse."
I've always been interested in the Gaff character.
Like .. how does he make those wonderful origami? oy!
Also he has one of the best quotes from the movie, from any movie.
*DrugCheese rants*
And I'm a huge Scott fan. When I saw Alien in its theatrical release, it changed my life--I was stunned by its greatness.
But I have to say that "Blade Runner" needs the Voice Over. The director's cut requires help--the heavy editing and VO were desperation moves, but correct ones.
I consider myself a cinema buff, not a member of the great unwashed with no sci-fi exposure for context. So save your flames. Regardless if you agree or not, I prefer the original version. So how do I get the version with VO on DVD?
Comment removed based on user account deletion
http://en.wikipedia.org/wiki/Blade_Runner_2:_The_Edge_of_Human
They say this like it's a positive recommendation or something. It's not.
'The tyrant will always find pretext for his tyranny.' - Aesop's Fables
In fact, lets go the whole hog and make a Prequel.
We can have an early prototype replicant, maybe with big ears and a lisp; a hot chick - playing the original Sean Young; an evil corporate manager who subverts the original scientists and managers, betraying them to turn a humanitarian Tyrell company into a defence contractor-corporation with a production line consisting solely of pleasure units and soldiers; and it wouldn't be complete without a ton of modern, glossy CGI effects - no dark shadows and definitely no smoking!
It'd be a huge box-office hit.
What could possibly go wrong?!?!!?
To disperse some wisdom.
You see, grasshopper, story is like tea leaves. When you have good tea leaves, you will have good tea. You take tea leaves, you take hot water, and you have good tea. You have wonderful tea. You savour tea, and you like tea so much that you think, you want more tea. So you take the leaves out of the water and save them, then you bring hot water again and you pour it over the tea leaves. But alas, no good tea. It tastes stale and bland. The flavor all gone.
If you want another cup of tea, you have to find new tea leaves. Using the old one will only give you bland, tasteless and generally worthless tea.
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
The universe of Blade Runner is ripe for a short stories sequel... ;)
Can we have the MPAA and the RIAA do some product placement please?
Having run motion picture film for 20 years, I have to say that the film Bladerunner is untouchable. There should never be a sequel made or a remake. The fact that there was even "The Final Cut" smacks of herecy. Not to mention the removal of Deckard's internal monologue in "The Director's Cut". The books written by K.W. Jeter are a shining example of why fan authors or fan directors should not be given the chance to taint the mythos created by the movie. If there is to be a sequel, let Rigley Scott kill his own creation. Just leave the Holly of Hollies alone.
I'm sorry hollywood, but the tanking economy and your new-low in cowardice do not excuse you going on an all out rampage against scifi classics.
Sequel = BAD,
VLC FOR MAC IS DYING! IF YOU DEVELOP, PLEASE SAVE IT!!
I have written screenplays for a trilogy of Blade Runner sequels based on the novels by K W Jetter. I made a few changes though, Deckard has a wise cracking CGI robot sheep sidekick to lighten the mood.
If you all PayPal me a total of $1million dollars I won't send them to Uwe Boll.
echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
The only necessary continuation to Blade Runner is BGC
I don't know you guys but I have just knew about this Bladerunner sequel and Leo "I'm the king of the world" DiCaprio doing Brave New World in the same post.
Too much for me to handle in a single day... I'm going offline until tomorrow.
The phrase "without flaw" comes to mind when I think of BLADE RUNNER. But, people are not movies.
...that *could* actually make a great movie, but more importantly would get more people to read the book (which is my introductory Sci-Fi text I kept waving a fantasy types who dismiss Sci-Fi as "not their thing").
At Comic-Con in 2007 Ridley said, "If you have any scripts, you know where to send them...
I do not support "The Man". I also do not support your irrational stupidity
I read that and it's rubbish. Wouldn't touch it again. You'll beg for it to end.
Ridley Scott has rejected the idea in the past. If he is now willing to make a Blade Runner sequel IMO that is good news. It would be too much, I guess, to hope seeing Harrison Ford or Sean Young play in the sequel but I keep my fingers crossed. Blade Runner was and is my favorite movie.
... as long as by the end of the movie he is a pale blue icicle, slowly sinking down into the deep blue sea, then I'll watch it with a smile on my face
I don't believe he is capable of making proper sci-fi movie. OK, Alien was great but then again Aliens and Alien: Resurrection are far better Alien movies.
Also, I never liked Blade Runner. It's dull.
James Cameron is the right man for this kind of job.
The movie Soldier is an amazing movie. Not that it is perfect, by any means, but Kurt Russel has about 12 spoken lines, but carries the whole movie by body language and facial expressions.
I am a closet Kurt Russel fan, and wish, in a better world, he got better parts. His acting is cartoonish because he gets cartoonish parts.
Similarly, I was joking with my son a few weeks ago about the movie "Tropic Thunder" and Robert Downey Jr. It is a awesome that Robert Downey has such a screwed up personal life, it means his talent and ability are relegated to "fun" movies like "Iron Man" and "Tropic Thunder" as opposed to boring movies like "Chocolat," "Cider House Rules," or "The Ice Storm." :-)
... only space bound, or at least so Ridley Scott himself suggests in the DVD commentary.
Too bad Hollywood so loves respinning the old yarn instead of doing another bold movie altogether.
Let's turn it into a tv series instead, cos everyone knows tv spin-offs from films always work...
To do something right, you often have to roll up your sleeves and get busy.
I have given up hope to see any worthwhile SF movie, in this century. After the 70's, they have been progressively dumbed down. One of my favourite SF movies was "The Andromeda strain", from 1970 (IIRC, won't bother checking with IMDB). It was good, hard-ish SF without unnecessary drama and NO brainfarts. Then they decided to remake it as a two-part mini series last year, and obviously, they HAD TO dumb it down. Because we all know that people today are dumber than they were 30+ years ago... right? I don't hope to see such underrated gems as was "Logan's run", "Demon seed", "2001: A space odyssey" etc.
I blame the "Star Wars" saga for this. Oh, I can hear a rumble, as if a billion slashdotters rose up in horror (I have some karma to burn), but that's what I believe: "Star Wars" had little to do with SF - it should be called a costume western - and it didn't make your neurons work. But it was grand, it had interesting special effects. In brief, it was entertaining without taxing your brain. Just like any James Bond movie does. And the producers of Star Wars made gobs of money, and so, that became the blueprint for future SF movies - make them dumb and entertaining.
So today we only have pseudo-SF movies, like "Minority Report", "Battlestar Galactica" and so forth (boy, am I going to be modded down today!) but whenever someone tries to make a movie even slightly intellectually challenging, like "A.I." he/she gets vilified and suffers dismal box-office failure.
So, fuck the movie industry and fuck the dumb audience. I have no hope for a good SF movie anymore. I'll stick to books - Stephen Baxter and others are still churning good, brain-stimulating hard-SF worth my time.
"The agriculture ministry is not in charge of Gundam" - Japanese ministry official.
If it was done soon after the first, it might have been good, even great. But the magic that made BR what it was is long gone. It needs to be left alone.
Please, don't ruin another classic.
---- Booth was a patriot ----
Assuming the writer's definition of better is the same as the fans'. I can disprove that fallacy in three words.
Confucius say, "Find worm in apple - bad. Find half a worm - worse."
... and don't go to watch it.
*shrug*
If you open yourself to the foo, You and foo become one.
So I ask you, why do you care? You aren't forced to see the movie and if you do, it's going to give you something you love and cherish the most: something to bitch vindictively about.
You say this now.
May I introduce you to director Jospeh Kahn, and his impressive achievements, including a number of Britney Spears video clips and the movie "Torque".
Now watch closely what his latest project is.
I'd be much more concerned about a "Brave New Word with Leonardo DiCaprio" than a sequel to Blade Runner. Gag!
I've actually always thought a sequel to Blade Runner IF DONE RIGHT could be really cool. I suppose it is just because I watched the director's cut again last week.
They don't have to taint a classic just because they ran out of ideas, they could just base it off the premise, change names and release it as something else.
I hate this, and I wish that it would die. Bladerunner is epic to me - I remember being totally blown away seeing the opening sequence on a big screen at a local art museum for the first time. Follow that up by an actual science fiction story with only the merest tinges of the space adventure genre - it's an amazing movie that is best encapsulated without a sequel. That's the whole freakin' point! Is he 'human' or isn't he? and why? The questions don't need answered because they can't be answered directly. stupid hollywood.
Shia LaBeouf as Rick Deckard
Mylie Cyrus as Rachael
Steve Carrell as Roy Batty
Michael Myers as Bryant
Shot by Jason Friedberg and Aaron Seltzer. Soundtrack by The Jonas Brothers.
At least now with our current abilities on special effects we can see things we might not believe. Like: Attack ships on fire off the shoulder of Orion. Or watch C-beams glitter in the dark near the Tannhauser gate.
So does Chow Yung fat, do a little macbre dance to "clowns to the left, jokers to the right"? That would be interesting.
Some drink at the fountain of knowledge. Others just gargle.
At this point they've sucked dry and destroyed every other movie I came to love growing up, what difference will one more make? Really, what is one more giant, steaming turd on the pile?
Blade Runner meets the unibomber. Shudder.
...is in the voiceover at the end. Which Ridley dropped.
"...Rachel was special. No termination date. We didn't know how long we'd have together. Who does?"
This guy is doing Neuromancer.
NOT a wretched sequel to the "Blade Runner" abortion of Philip K. Dick's best book.
The Hollywoodization of "Do Androids Dream of Electric Sheep" excised all but one concept in the book: the protagonist hunts androids (oh no! let's call them "replicants"!). A depopulated Earth devastated by radiation... nah, let's make it OVERpopulated! Psychopathic androids with a parallel police department... nah, let's make the android leader a witness for antiwar sentiment! Mercer... Mercer? WTF, we can't make sense out of a Dickian "fake fake" Messiah! Write that suckah outa tha script!
And of course, Deckard CAN'T be married... he has to fly off into the sunset with the (android) girl!
Wow, I disliked that book. Maybe some modern treatment in a film will improve the story. The interminable gay sex ought to be interesting, at least.
the theater version to not be the best version how can we say this new movie would somehow affect the original when we don't agree which that is?
I actually liked the follow on novel exploring the involvement of the real Rachel and the end of the Tyrol corporation.
* Winners compare their achievements to their goals, losers compare theirs to that of others.
I've been wanting someone to do Forever War, well, forever. I'd rather someone *else* do it, but hey, I'll take it.
Terminator II was 100 times better than Terminator I, but Terminator III was 100 times worse.
What does this mean? It's all about the script, not the material.
"I only speak the truth"
Karma: null(Mostly affected by an unassigned variable)
It was 40 years when they wrote the screenplay.
Not bad guesses for some things.
Nightmare on Elm Street
Karate Kid
Candyman
GI Joe
Pink Panther
Street Fighter (not that there was much of a franchise to begin with)
Tron (this project has waffled between reboot and sequel, but is now being called Tr2n)
Terminator Salvation (technically a sequel, but one that isn't recognizing T3 as canon, and recast everyone to start a new franchise)
Land of the Lost
Fame
The Stepfather
Astro Boy
Sherlock Holmes
Hellraiser
Superman
Catwoman (a failed reboot, but a reboot none the less)
Sadly, I'm probably forgetting more reboots.
http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
What I wrote 2 days ago still holds true today.
http://slashdot.org/comments.pl?sid=1104643&cid=26611749
Since Rachel should in not age, I think it would be interesting if they used a CGI version based on the original actress.
Respect the Constitution
I keep hearing how a studio won't sign off on a movie that involves so many young actors, involves kids killing kids, involves arguably no adult leads, and in many ways is unfilmable. Try getting little kids to do the Battle School stunts.
However, the solution is so simple. Hire Robert Zemekis, who has done dark, mature material (see Beowulf) and family material (see Back to the Future, Polar Express, Roger Rabitt). He could find the right tone.
Even better, he is a special effects genius who has been perfecting mo-cap. In many scenes in watching Beowulf I forgot it was animated because it look so realistic, which was a big jump from Polar Express, and I imagine he will only get better with the technique.
With mo-cap, he can use older, better actors to play all the kid parts, but animate them to be age appropriate for the roles, do the Battle School stunts properly, etc. Also animated violence on kids is different from filmed violence on kids.
Not to mention the Fantasy Game sequences, the buggers, the space battles, etc.
This movie is crying out for mo-cap and animation.
Instead I read that Orson Scott Card rewrote the script to focus on Mazer Rackham as an adult lead, which is fucking stupid.
Card and Zemeckis need to do mo-cap Ender's Game, yesterday.
It would be Harry Potter meets Star Wars and do 400 mil domestic. Count on it.
http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
The concept of Ender and the Battle School was a short story. The concept for Speaker of the Dead, and what became books 2-3-4 in the Ender Saga were a much deeper concept, however he couldn't make it work. An editor suggested taking the character from the short story and using it for his Speaker concept. To do so, he then rewrote Ender's Game as a novel to serve as a prequel to set up Speaker, Xenocide and eventually Children of the Mind (though things were supposed to be wrapped up in Xenocide, but spilled over due to length).
To that extent, Ender's Game is to the rest of the series what the Hobbit is to Lord of the Rings.
And as much as I love Ender's Game every time I reread it, I think Speaker for the Dead is even better.
http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
Could you please write a sequel to Battlefield Earth first.
heh.
My guess is that what he meant was "Please don't send them to me."
Am I part of the core demographic for Swedish Fish?
If a sequal gets made and no one goes to watch it, did it ever exist?
Om...om...
It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
And that's why business sucks. Everything: including science, law, medicine, art, politics, education, takes a back seat to money-making.
Except, of course, for super disco breakin'.
Bow-ties are cool.
Ain't nothing wrong with doing a sequel. "The Good, the Bad, and the Ugly" was the third movie in a trilogy, and was by far the best. It often takes several passes through a creative landscape before all the elements find their place and the whole thing jells.
Sequels don't have to have the same characters or plot. It can be enough to just take the basic idea and feel of the first movie, and run with it in a new direction.
For example, I'd love to see someone explore the idea of replication much deeper. What if Replicants weren't time-limited, but made perpetual instead? What if memory could be captured and re-implanted in one generation of Replicant after another, so that consciousness would span several lifetimes/bodies? What if anyone could make a copy of themselves, on demand? Say you want to try what it feels like to jump out of an airplane -- without a parachute. Do you make a replica, and then toss yourself?
A sequel doesn't have to be bad....
"We receive as friendly that which agrees with, we resist with dislike that which opposes us" - Faraday
and an older model than Rachel. So, IIRC, he shouldn't have survived much beyond his job taking out Roy and his crew.
Shoes for Industry. Shoes for the Dead.
I like the idea, and believe it can be done well. A whole universe was created here, yet only a single story ever told in it. I feel it's a bit bigger place than that. I've made an investment in learning about how this universe works and a few more dividends on that investment would be well worthwhile.
What I WOULDN'T want to see ever is just a Blade Runner remake. I have yet to see a remake that I consider better than the original movie.
"It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
The first question that comes to mind, is what would the film be about? I know they're thinking of storylines about Tyrell Corp, etc, but what would the story ultimately be trying to communicate? Blade Runner is kind of a landmark film (and novel) because it examines what makes us human, and it looks at transhumanism from the perspective of the self-aware "androids". What more can you say on the subject without reiterating what was covered in the first film, is the question they should be asking themselves, not "gee, what would Tyrell Corp do if Tyrell was killed?" Exploring those other areas may be interesting, but more from the perspective of a backdrop of a larger story that you're trying to tell. Oh well, the world is (sometimes) fucked and we're in it. Nuff said.
thread for is I now have that beautiful Sax music from the closing title rattling about in my head :)
Build a Man a Fire, and He'll Be Warm for a Day. Set a Man on Fire, and He'll Be Warm for the Rest of His Life.
A prequel.
I seen it before, works pretty good...
deleting the extra space after periods so i can stay relevant, yeah.
I'm really looking forward to The Forever War. I've never watched a novel-based movie that matches the experience of actually reading the novel, but I read it several years ago and will probably be able to watch it without constantly making the comparison. Ironically I found the book in an airman barracks on Prince Sultan Air Base back in early 2001.
I thought we killed the million-monkey concept years ago.
It seems to all hinge on whether there's a handful of artists who really care about the quality of their work, within that mob of video-bloggers, whiny bitches, and folks who post just any old thing - and whether people manage to find that quality work out of that giant pile of output...
Bow-ties are cool.
These endless idiotic sequels are an indication that Hollywood is in a creative slump, not unlike the one in the late 1960's. The creative types have run dry and are grasping at straws.
Do them a favor. Ignore them. Refuse to take them seriously. If you want the next Memento, Reservoir Dogs, or Slumdog Millionaire, do it yourself with ultra-cheap equipment. Do a five minute key scene from your favorite sci-fi book, and post it on YouTube.
if you're a filmmaker and have ever thought to yourself "Hey, I bet a remake of 'It's a Wonderful Life' starring Ice Cube and some sassy kids would be great!" please, dear God, stay out of Hollywood.
This is wrong thinking because it assumes that Hollywood still has validity. Of course hacks with vile ideas are going to go to Hollywood. And yes, they will get $100 million to make another truly stupid movie. And yes of course the so-called critics will proclaim it 'edgy, bordering on greatness... an exciting new approach to a well-loved story'.
Ignore them. Use all your intellect and energy to pretend that they don't exist. Don't even bother to put them down. Hollywood is a state of mind, put it out of your mind and it will cease to exist.
I was a total movie addict. I used to go see everything. It took about ten years for me, but I have reached the point where I wouldn't even imagine going to a first-run movie anymore from Hollywood. I've already seen whatever movie that Hollywood makes, even the ones that they haven't made yet.
Go to the library and get some free DVDs of older movies. Older can mean anything from the 1980s to the 1930s. The Hollywood stars of today are second-rate reincarnations of the stars of the past. The same faces and character types keep reappearing every 40-50 years. Discover Cary Grant, Glenn Ford, Bogart, Errol Flynn, Edward G. Robinson, Leslie Howard, William Powell. Today's actresses are precocious children compared to Rita Hayworth, Marlene Dietrich, Kate Hepburn, Myra Loy, Louise Brooks, Ingrid Bergman, and hundreds of forgotten other women stars.
I second Moon is a Harsh Mistress, although it could very easily be done poorly. Poul Anderson's The Longest Voyage might make for an interesting movie. For some lighter fare, how about some Berserker movies? Or some Dragonriders of Pern? Or
When our name is on the back of your car, we're behind you all the way!
Come on, who can wait? lolol
"Malo periculosam, libertatem quam quietam servitutem." -- Jefferson
The one cool thing about Kevin Costner; refuses to ever do a sequel. Wish others in Hwoodland did that.
And thus, despite huge demand, we are spared from sequels to Waterworld, The Postman, or The Bodyguard...
Bow-ties are cool.
I hope the don't fuck the "Forever War" like they did Starship Troopers. I swear, they turned the moral/political stuff in that book 180 degrees...
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Check out David Brin's "Kiln People" http://en.wikipedia.org/wiki/Kiln_People Can't say I liked the ending much, but the story and the questions it raises were definitely worth the time spent reading.
There is no right to feel safe thru security vaudeville at the expense of everyone's freedom, privacy and tax money.
I mean the poor man has just had to absolutely prostitute himself to get a good project!
"Malo periculosam, libertatem quam quietam servitutem." -- Jefferson
how much credence do i give to the information on this (sffmedia) site?
I don't even know what the name for that kind of sentence is. Apart from "stupid".
The second infusion is the best!
"Malo periculosam, libertatem quam quietam servitutem." -- Jefferson
Brave New World has been done. Give it a rest.
The Forever War sounds promising. Now I need to go read it...
Shameless plug: The LASFS Library has this and other good SF books. If your in LA, stop by and take a look. Meetings are on Thursday starting at 8:10 PM.
Just my $0.02 worth.
Yep, a Heinlein movie would be great! They should make Stranger in a Strange Land. The orgies would be epic!
In a world alien to man...
"We've lost contact with the Envoy!"
The child of human explorers...
(voice distorted by radio)"Repeat, we have found a survivor!"
Is an alien.
"Damnit, man, you don't understand! He - is - a - Martian!"
(cue wild drum beat, footage of Mike jumping around on Martian rocks like an ape through the trees - hovercars diving through clouds - Jill punching out a guard in Bethesda)
Douglas: That young man's claim to Mars will be MINE!
Jubal: THAT YOUNG MAN IS UNDER MY PROTECTION!
(beat... black screen, fade in)
Berquist: You're coming with me...
(beat... black screen, fade in)
Mike (snarling): I... GROK... WRONGNESS!
Stranger In A Strange Land... Rated R.
Bow-ties are cool.
People must be warned.
/...
In your opinion... (of course).
I loved T1, thought T2 was a bunch of overblown tiresome crap, and really enjoyed T3.
For me, it was T2 that stunk up the place.
T3 wasn't a terrible movie. But what it DID to that was terrible was ruin the rather excellent and thought-provoking ending that T2 gave the movies.
At the end of T2, you had "the Terminator future happened because in a future where the terminators were created, they went back in time and left enough to ensure the terminators could be created". A causal loop.
And a causal loop is one of the ways that time travel in "hard" science fiction is dealt with.
Nice, gives a real-life reason for how that could *really* have happened (one reason why LotR was such a good book was it had a lot that seemed it *really* could have happened, rather than the story itself). And that ending also allows you to speculate on what if... with that ending.
T3 then made it "Look it WILL happen and there's FUCK ALL you can do to stop it".
Killing the rather neat, interesting and thought-provoking ending of T2 just so they could get another effing sequel.
Great. Thanks.
If they wanted one, they could have just done what a lot of graphic novels do with alternate timeline stories: put the story in a future where it really DID happen, and leave the future of the "real world" unsaid.
It also allows you to make the movie somewhat timeless, especially if you put in real-life alternate future pasts (e.g. a future where Iraq did have nukes and fired them off in GW2). That then tells everyone "this isn't *our* future, just one possible one. See also Steam Punk novels for the idea. Helps an awful lot with setting your story in a universe where that story is believable.
can you believe that Myers is on contract to make two more?
YEAH, Baby, YEAH!
Umm, correct me if I'm wrong, isn't K.W. Jeter the officially authorized writer by P.K.D. and his daughter Isa, to continue the Blade Runner franchise? Since he's written several sequels, why doesn't this screenwriter collaborate with K.W. Jeter, and PKD's daughter, Isa, to come up with something consistent? Then again, that much forethought may have slipped past all of the enthusiasm and good intentions - doh!
Under most circumstances I'm no fan of unnecessary sequels and I'd love to see Hollywood actually come up with an original movie. That said, I hope they do make Blade Runner 2, just so I can screw with people who think BR is the OMG BEST FILM EVER. I can't wait to go up to some pretentious English major and say "Bladerunner was a pretty good movie, but I thought Bladerunner 2: Electric Sheep Boogaloo was way better." It'll be a riot!
I'm surprised with all this hating on the very idea of a sequel, without even mentioning that the writer wrote Eagle Eye - the biggest horse shit of a sci-fi movie made in the last decade.
Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
Hey guys, I have this great Idea for a different sequel while on the subject.
Think "It's a Wonderful Life" Except with Ice Cube and a bunch of sassy brats for the kids.
I'll call it
It's a Wonderful Life In the Hood
How about "Protector". There's a story with teeth... Please No more bad remakes \ sequels..
... I'll have a Pan Galactic Gargle Blaster with a side of Plutonium Nyborg
Caddyshack 2, the sci-fi version!
The sequel you're talking about was the horrible Schwarzenegger film, The 6th Day. And that movie is crap in comparison to Blade Runner
I think 'Sequel' my be the wrong way to think about this. Generally it refers to the continuing of a story.
Think of it as a different story, just set in the same universe.
The Dekker story is done, but there is a lot of potential in the universe they created.
Just like I would like to see some movies set in the 'Star Wars' universe.
I mean, there is an opportunity there to retell the Yojimbo and Zatoichi stories.
The Kruger Dunning explains most post on
Depends on how many million I made off that movie.
Uwe? is that you?
Can we get a "-1 Wrong" moderation option?
The GBU was not a sequel. It was the third in a series of Westerns made by Leoni. They share none of the same characters or events. The only things that all three have in common are Eastwood and Leoni. "The man-with-no-name" moniker was invented to promote the movies in the US.
What if memory could be captured and re-implanted in one generation of Replicant after another, so that consciousness would span several lifetimes/bodies?
Have you read the Frank Herbert Dune books? Bene Tleilaxu and the axlotl tanks; Gholas with preserved memories. It's used as a plot device through the "God Emperor of Dune", and really comes together as you're supposing in "Dune: Chapterhouse". http://en.wikipedia.org/wiki/Bene_Tleilax
You do realize that there are sequels to Blade Runner already, right? The books "The Edge of Human" and "Replicant Night" were pretty good I thought. I wouldn't mind seeing a movie based off the 2nd book.
He could be making a sequel to WhoS Your Caddy....
You can't take the sky from me.
So you want a movie version of Kiln People?
I, for one, wouldn't at all mind a new story set in the Blade Runner universe, so long as it's not an actual sequel to the events of the film.
I was a big fan of 'Total Recall 2070', a short-run TV series that was based on a mishmash of Philip K. Dick's works, and was one of the best invocations of the cyberpunk aesthetic that I've seen on screen. What was amusing was that people who didn't know Blade Runner was itself inspired by Dick's 'Do Androids Dream of Electric Sheep?' were calling the show a Blade Runner ripoff at the time. If the show had been called 'Blade Runner', it wouldn't have tainted the original movie in any way because the plot was unrelated (and people wouldn't have been calling it a ripoff). The show was about a detective investigating android-related cases and misappropriation of memory-altering technology by megacorporations. A perpetual twilight, giant monolithic skyscrapers, and a multicultural high-tech low-life was the aesthetic it shared with Blade Runner and that's one I wouldn't mind seeing revisited.
In the thread your title got cut off to
"Reservoir Dogs is a remake of http://en.wikipedia.org/"
Now *that would be an awesome movie.
My turnips listen for the soft cry of your love
"Slumdog Billionaire"
Starring Daniel Radcliffe as Bill Gates
My turnips listen for the soft cry of your love
...they use product placement as a threat.
-- That which does not kill us has made its last mistake.
...They attract the crappy writers and keep them busy so they cannot pollute good original works when the Hollywood suits want to do a quick rewrite of a good screenplay.
They are a 'crappy writer' flypaper...
HA! I just wasted some of your bandwidth with a frivolous sig!
Would it be immoral if we nuked Hollywood in an effort to prevent this movie from being made?
What brave new word was that? Soma? Whatever, I hope they shoot the film in Lego animatronics, like Star Wars.
``Tension, apprehension & dissension have begun!'' - Duffy Wyg&, in Alfred Bester's _The Demolished Man_
Brave New World has been done. Give it a rest.
A Brave New World movie? Did it have the scene with a bunch of children being taught how to play erotic games like 'hunt the zipper'?
Now that would be radical in this day and age...
In the free world the media isn't government run; the government is media run.
You list three good original movies but I counter that there is so much more to them than just needed money to make. Look at the directors/writers: Christopher Nolan, Quentin Tarantino & Danny Boyle respectively. Now look at those three directors/writers names and notice how they rarely--if ever--attach themselves to bad projects."
You mean like The Beach, or Four Rooms?
I've stopped seeing sequels to movies I like. After the terrible experience with the Star Wars "prequels", the second and third Matrix movies, the Highlander sequels, and any Alien movie after Aliens, I decided that the small possibility that I'll actually enjoy the sequel is far outweighed by the considerable likelihood that I'll hate the sequel so much that I'll no longer be able to enjoy the original(s).
there can be only one
"There can only be one" is quite literally the second-to-last sentence which Kant ever wrote, in his so-called "Opus Postumum" [Kant was insistent that polytheism is impossible, and that there can only possibly be one God].
Anyway, I read that comment at Slashdot today just an hour or two before I got to the end of Opus Postumum.
Weird.
The brush with which you're painting the picture is too broad. Prepare to see lists of films that people consider good and brain-stimulating. I'll start this off with "Children of Men" from 2006.
What would it take to make a good (or even great) Blade Runner sequel?
The original became a cult hit mainly because (a) it had an interesting, well textured setting (b) it projected a very clear style or mood that fit well with (c) an interesting moral question about what makes one "human" that is ultimately left up to the viewer, (d) while including enough action directly related to the question to keep it interesting on first viewing.
I think a good sequel would need to (a) replicate and build on the setting (b) choose a DIFFERENT question, or perhaps deeper examination of the original moral question to examine; and (c) fit the style/mood to that examination - and of course (d) driving it all with some cool action scenes.
Forget the off-world colonies - it's far more interesting to look at how alien Earth would have become, to our eyes. The original looked at an organic mix of decaying remnants of today's cities threaded and overshadowed by ultra-tech future stuff, and invaded by "foreigners" (apparently many natives having moved on to the off-world colonies?) OK, what is happening elsewhere? We saw a city apparently sapped by climate turned hot and wet - global warming has run amuk.
How's that affecting the rest of the country/world? Drought-ruined farm lands? Chicago by an empty Great Lakes basin (water mostly diverted to the new agricultural band across Canada, just a few big pipelines running to the city), surrounded by dusty desert, maybe growing food in towers? Ice age in Europe? London flooded? Expanding seas flooded the Mediterranean and turned lots of cities into Venice equivalents (and sunk Venice itself)? But now a dam is built across the Straits of Gibraltar - generating power as water is let in to replace evaporation, but not letting the sea fall to it's old levels? Has there been a mini-nuke-war in the middle east or maybe Pakistan-India? Those sorts of things would be interesting to look at. (And the nuke war assumption, shown in a few quick scenes, might serve as a warning to today's bickering countries with nukes or ambitions.) Instead of sitting in one city, the sequel should get out and around the world.
What interesting moral question might be examined? How about a serious re-examination of Hollywood's constant droning "it's good to age and die" formula? Perhaps the hero is struggling to put together enough money to replace his failing synth-organs, even as he moves through the richest and poorest levels of society? How about effectively immortal wealthy parents who keep their kids "young and innocent" - a 43 year old kid that looks 7 leading a secret life while playing a role to keep the parents happily self-deceived? Hmm - that edges on "What is adulthood? What is perversion? Is it more perverse to "force" someone to be a child forever, or for that "child" to behave as the adult they mentally are? [It doesn't have to turn the movie into child-porn - create a scenario in which a "straight-adult" hero is tempted but resists out of old-fashioned moral scruples he's not sure really apply any more - controversial enough.]
Maybe have the hero be someone arriving back from the off-world colonies, so we see this strange new world through his eyes - the tech is mostly not strange to him, but the culture would appear involuted and perverted, coming from a more straight-forward off-world culture where kids grow up fast because they're needed.
LOTR was the proverbial Good fantasy film.
I'm excited by the possibility that we may see, out of holywood, an actual Proverbial Good Sci-Fi Film -- as was the original Blade Runner and films like 2001: A Space Oddessy.
It may happen.
After logging in slashdot still does not take you back to the page you were on. It's been that way for 20 years.
Lack of originality never stopped Hollywood (i.e. any corporation) from doing a project. I suspect this derivative will be as good as the financial package type.
you're right. If this is the 1960s. It also helps to be Sergio Leone, and to be making movies in spain, not hollywood. I mean, the same actors are playing different roles in all three of the Dollars trilogy, that would never fly in today's industry. Take, for instance, this Neuromancer movie that is in pre-production. IF, it makes money, and they decide they want to make a sequel, the first thing the studio execs will say is "What do you mean "Count Zero" doesn't have Case in it? Excuse us while we hire some screenwriters to fix that."
A Fourth Kind?
Oops - it's been done more or less:
Kiln People by David Brin
http://www.amazon.com/Kiln-People-Books-David-Brin/dp/0765342618
Stranger in a Strage Land
Scientia est Potentia
Sorry, for some reason my post was totally messed.
Instead of messing around with well established classics like Blade Runner, why not to try and create another one? Stranger in a Strange Land would be good bet IMHO.
Scientia est Potentia
There are 3 decent books that were written by KW Jeter that are a good way to extend the movie.
I'd get links to them if I werent busy/distrated by other things.
See my art -> http://herbevore.deviantart.com
Is there NOTHING original left in Hollywood? It is bad enough 2008 was The Year of Remakes and Sequels...
To quickly summarise why this proposal so far entirely misses the point of Bladerunner:
the nature of the off-world colonies
Totally irrelevant
what happens to the Tyrell Corporation in the wake of its founder's death
Mostly irrelevant, and not interesting
and what would become of Rachel.
We already know this, in fact, this is explained in one of the most famous lines of BR.
I think Blade Runner made some very interesting suggestions to the origins of Harrison Ford's character
No kidding. This is only, you know, the entire point of the movie.
addressing the idea of immortality
What? No. Simply wrong. This is actually contrary to the point of Bladerunner.
So in conclusion, none of the ideas are very interesting, most are pointless, and some would actually damage the original ideas. Another genius move from Hollywood. The fact is seems to be the personal project of a relatively new screenwriter is a little bizarre, like me deciding to write a sequel to War and Peace.
For every expert, there is an equal and opposite expert. - Arthur C. Clarke
"Why didn't they invest more of the effects budget on the three breasted woman?"
Boffoonery - downloadable Comedy Benefit for Bletchley Park
"What if Replicants weren't time-limited, but made perpetual instead?"
Gee, I seem to remember a TV show with something similar. It's on the SciFi channel. I think it has a race called the Cylons....
I really liked the blade runner sequel novel- it tried to bridge the phillip k dick, strange drug induced story with the movie and did a decent job at that, they should use it if they are going to make another movie rather than make up some silly story
Blade Runner is the most amazing movie ever. That being said Alien was really good, Legend you can take it as it is and judge it for yourself. Other than that there is no reason to trust Ridley Scotts judgment. Don't let him ruin what he managed to do well at one point in time...or at least make it made for TV so nobody knows about it
So, like, having never been a sci-fi geek or terribly fond of movies in general, I haven't seem Blade Runner or, most likely, any other movie you'd name off the top of your head. But I'm trying to go back and educate myself a bit. I figure this is as good a place as any to ask what good, intelligent sci-fi films I should see.
To give you some idea what I'm looking for, I just watched "The Day the Earth Stood Still" (which was rather courageous in its subtle criticism of the Cold War) and thought it was great. I liked the concept behind the first Terminator movie but was left wondering why the sequel was so popular. I certainly think 2001 is great. Oh, and Metropolis!
So yeah, if you could recommend just a few (since I almost never watch movies), which would you choose?
Property is theft.
It's certainly not a remake, unless we're using an extremely loose definition. There are prominent scenes which are influenced by (and some say lifted from) the Ringo Lam film, but it'd certainly be a stretch to call Reservoir Dogs a remake of City on Fire -- no more so than it is a remake of Kubrick's The Killing. Have you actually seen City on Fire?
In fact, according to your Wikipedia source, Reservoir Dogs "borrows several key plot elements and scenes" from City on Fire. That alone does not define a film remake.
If we're using Wikipedia as a prime source for information these days, this is how a remake is defined there: "The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source."
Goodfather 2
Enough said.
IANAL but write like a drunk one.
... as long as Keanu Reeves is not in the movie (ok, maybe as "android with face paralysis #2")...
One bad sci-fi movie is better than No sci-fi movie at all or Another Rocky sequel.
Truly End Of Times type stuff. :-\
I actually started reading the first sequel but it was so horrible I couldn't finish it. It was a sequel to both the PK Dick book and the Blade Runner movie, and it included plot points that are also being discussed in this article for a movie sequel. In the book sequel Decker has Rachel in hibernation/turned off for long periods of time to preserve her batteries/lifespan and if I remember correctly Roy Batty is back and teams up with him. Like I said, horrible.
which was optioned by the same company. They never liked the story but liked the title so they used it for the film as it was more marketable than "Do androids Dream of Electric Sheep?"
I'd love to see a Blade Runner sequel based on the detective-replicant plot, but instead of replicants i would like to see genetic-modified humans (only rich people could have access to that). Genetic-modified humans would be stronger and nearly inmortal. The problem is one of them is a bad guy. Then Deckard has to find him and fight him. Sorry for my english. I hope you understood what i meant.