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War of the Worlds Remake Already Shot Overseas

AlphaJoe writes "In regards to remaking War of the Worlds, Steven Spielberg has apparently been beaten to the punch by an English rival, director Timothy Hines, as being reported by SF Crowsnest. Principal photography has already been completed, and a Spring 2005 release date is anticipated. The English version is staying true to the original story, which was set in the late 1800's, where as Spielburg's version will be drastically modified to a more modern version. Hines feels there will be room for both films to exist, as they will be drastically different in story and scope."

472 comments

  1. sharalagoons! by Anonymous Coward · · Score: 0, Funny

    mooga chakka!

  2. Of course it will be drastically different/modern by Anonymous Coward · · Score: 3, Funny

    The English version is staying true to the original story, which was set in the late 1800's, where as Spielburg's version will be drastically modified to a more modern version.

    But will it have JarJar?

  3. But will they do the radio broadcast again? by Nos. · · Score: 5, Informative

    http://www.transparencynow.com/welles.htm is a good article talking about the broadcast that... upset a few people.

    1. Re:But will they do the radio broadcast again? by toastgoddess · · Score: 5, Informative

      And Fourmilab has the original novel by H. G. Wells online. It was first published in 1898 and it's still fun.

    2. Re:But will they do the radio broadcast again? by tyrani · · Score: 1

      Great article. Thank's for posting the link!

      --
      rejected (19) accepted (0)
      Is there a psychological term related to getting your stories rejected on slashdot?
    3. Re:But will they do the radio broadcast again? by robslimo · · Score: 2, Interesting

      Not sure about the 'original' radio broadcast, but every Halloween there's usually at least a few radio stations that play Jeff Wayne's Musical War of the Worlds

      Richard Burton narrates (great voice) and at least one member of the Moody Blues) Justin Hayward wrote and performed [some/all?] of the music.

      The music is great, the story is excellent... a timeless classic, in my book. Well worth the listen.

    4. Re:But will they do the radio broadcast again? by Anonymous Coward · · Score: 1, Funny

      The original radio broadcast wouldn't fool people today because it had the "old radio announcer" tone of voice. Currently, everything on the radio has the "talk radio host righteous indignation" tone of voice instead.

    5. Re:But will they do the radio broadcast again? by FlimFlamboyant · · Score: 5, Funny

      Currently, everything on the radio has the "talk radio host righteous indignation" tone of voice instead.

      "We are being invaded by a left-wing alien force from the planet Mars! I'm telling you people, I'm right about this!"

      --
      But God demonstrates his love for us, in that while we were yet sinners, Christ died for us - (Romans 5:8)
    6. Re:But will they do the radio broadcast again? by Anonymous Coward · · Score: 0

      It would be more accurate to say that it "upset a few Americans". It is misleading to suggest that "people" in general were upset. Americans, along with some of the other more isolated cultures of the world, are the only people who could ever have been fooled by this.

      Please be more accurate in the future. Inaccurate generalisations only confuse those newcomers to Slashdot who have yet to be exposed to the unfathomable depths of American stupidity.

    7. Re:But will they do the radio broadcast again? by Anonymous Coward · · Score: 0

      This is a real broadcast, of a real invasion.

      After the invasion was stopped, the FCC and FTC and FBI, made up the story about the 'hoax', to cover up the real invasion.

      As evidence I give you eggplant and beets, obviously highly distastful, poisonous to humans, Martian vegtables.

    8. Re:But will they do the radio broadcast again? by Long-EZ · · Score: 3, Interesting

      I concur.

      I recently bought a copy of Jeff Wayne's rock opera, War of the Worlds, on eBay (no $$$ to RIAA). I had heard it before on the radio, in bits and pieces, and always wanted to listen to it in its entirety. It's really good, and does a good job of following the original story. I wish there were more works like this, that blend a book-on-CD with a musical recording.

      The Americanized movie in the sixties was good for its time. With Hollywood creativity in a slump and remakes all the rage, I figured a War of the Worlds remake was coming soon. I hoped it wouldn't be a Spielberg movie. I liked some earlier Spielberg movies, but none lately. AI was a great topic for a movie. I think it's a fascinating subject, yet I was only barely able to sit through the entire movie. It totally missed the mark.

      So I'm glad there is a UK remake that stays true to the author's intent. That's the one I'll see. Unfortunately, the Schpeelberg crapola version will be the one making the money. It's the bane of engineers... marketing is much more important than the product.

      Oh well, at least it can't be as bad as what Hollywood did to Starship Troopers. Can it?

      --
      >> My ultraviolent Linux switch video.
    9. Re:But will they do the radio broadcast again? by mink · · Score: 1

      Thats nothing, just check into the background of everyone working ay Yoyodyne Propulsion Systems.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  4. Nothing for you to see here. Please move along. by Anonymous Coward · · Score: 0, Funny

    That's what I was thinking.

  5. Re:Of course it will be drastically different/mode by 72beetle · · Score: 3, Funny

    But will it have JarJar?

    Yes, and it'll be shooting a walkie-talkie.

    --
    -Those who dance are considered insane by those who can't hear the music.
  6. It's time for... by venicebeach · · Score: 5, Funny

    War of the War of the Worlds.

    1. Re:It's time for... by Anonymous Coward · · Score: 0

      In AD 2004, war of the War of the Worlds was beginning...

    2. Re:It's time for... by Anonymous Coward · · Score: 0

      to be followed by:

      Beneath the War of the Worlds
      Escape From the War of the Worlds
      Conquest of the War of the Worlds
      and, of course:

      Battle for the War of the Worlds

  7. LOL by webword · · Score: 4, Insightful

    "Hines feels there will be room for both films to exist, as they will be drastically different in story and scope."

    READ: Hines knows that he will be 0wn3d by Steven Spielberg and he is leaving himself wiggle room.

    1. Re:LOL by grasshoppa · · Score: 4, Insightful

      READ: Hines knows that he will be 0wn3d by Steven Spielberg and he is leaving himself wiggle room.

      Actually, it sounded smug. Like he just knows that Spielberg won't be able to leave a good thing alone until he ruins it, like most remakes come out to be.

      Take this line for example:

      where as Spielburg's version will be drastically modified to a more modern version

      I read this as: Spielburg's film will include every big name he can sign on, spend more on Special effects than the GP of most small countries, and get his plot from "Rent-a-plot", with a catch at the end for sequels. And let us not forget the merchandising rights. A cute fuzzy alien teddy bear will probably save the world in Spielburgs version.

      --
      Mod me down with all of your hatred and your journey towards the dark side will be complete!
    2. Re:LOL by Thud457 · · Score: 1

      "Coming Summer 2006: Wil Smith in Steven Spielberg's "WAR OF THE WORLDS -- PEPSI EXTREME"!!!

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    3. Re:LOL by Volmarias · · Score: 2, Funny

      The aliens aren't defeated by a cold, not this time around. No, they're much too smart for that. Now, it will be a talk dog sidekick that can fly!

    4. Re:LOL by gowen · · Score: 1
      Spielberg's film will include every big name he can sign on, spend more on Special effects than the GP of most small countries, and get his plot from "Rent-a-plot", with a catch at the end for sequels.
      Actually, that's really unfair to Spielberg. Notice how there's been no ET2, no Minority Report 2, no Schindler's List 2...

      As I can recall, only Raiders OTLA and Jurassic Park spawned sequels of all Spielberg's movies.
      --
      Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    5. Re:LOL by 88NoSoup4U88 · · Score: 1
      I am not too much a fan of Spielberg's movies (besides maybe the oldies ; Jaws, ET , Indiana Jones) but saying that his plots are generic , doesn't give credit where credit belongs.

      Movies like Saving Private Ryan, Schindler's List ; maybe even Minority Report ; leave food for thought ; while the movies you speak of, are forgotten once you exit the cinema.

    6. Re:LOL by serviscope_minor · · Score: 1

      Coming Summer 2006: Wil Smith in Steven Spielberg's "WAR OF THE WORLDS

      Already done -- Independence Day already has the same underlying plot as War of the Worlds, except the disease is human created, not natural bacteria.

      --
      SJW n. One who posts facts.
    7. Re:LOL by Anonymous Coward · · Score: 0

      Jaws as well

    8. Re:LOL by ksheff · · Score: 1

      No. His will be the one with a decent plot and dialog and Spielberg's will have great special effects but will suck at pretty much everything else.

      --
      the good ground has been paved over by suicidal maniacs
    9. Re:LOL by Anonymous Coward · · Score: 0

      Schindler's List 2 will be about his great grandson, now a Mossad agent, hunting down Hamas leaders. It will star Schwartzenegger after he's done being governor.

    10. Re:LOL by Anonymous Coward · · Score: 0

      ummm... Spielberg hasn't made a good movie since E.T. so the thought of him "owning" anything besides an overinflated ego, a team of laywers, and Dreamworks (read Nightmare Works or Disney whore) is but a distant nostaglic glimmer.

      Spielberg made good films, "Once upon a time...", but A.I.? Come on...

    11. Re:LOL by Anonymous Coward · · Score: 2, Funny

      Actually, kids will be the heroes. I heard that kids will stop the alien machines by getting suck in the air vents and suffocatting the aliens.

    12. Re:LOL by onegear · · Score: 0

      "Actually, it sounded smug. Like he just knows that Spielberg won't be able to leave a good thing alone until he ruins it, like most remakes come out to be." Exactly!

    13. Re:LOL by infinite9 · · Score: 1

      And let us not forget the merchandising rights.

      Like toy version of the flashlights the aliens will use to attack humans?

      --
      Disconnect your television. Do your own research. Draw your own conclusions. They're probably lying. Don't be a sheep.
    14. Re:LOL by AndroidCat · · Score: 1
      Notice how there's been no ET2

      Didn't need to be. Look at how many different versions of it have been released. (Even an extended version released in the theaters.)

      --
      One line blog. I hear that they're called Twitters now.
    15. Re:LOL by deinol · · Score: 1

      Spielburg's film will include every big name he can sign on, spend more on Special effects than the GP of most small countries,

      Wait, didn't we already do this? Remember that movie called Independance Day? About the only difference between this and a modern remake of war of the worlds is that they didn't bother to tell you it was war of the worlds.

      But wait, Will Smith beat the aliens with a computer virus. That's original, right? Computer virus is totally different than... wait, nevermind.

      --
      Got Apathy?
    16. Re:LOL by hachete · · Score: 1

      There'll be a role for Will Smith and some dancing robots, don't you worry. Old Spielberg will *ensure* that baby.

      --
      Patriotism is a virtue of the vicious
    17. Re:LOL by mabinogi · · Score: 1

      hmmm....you haven't just read Garth Nix's Old Kingdom series have you?

      --
      Advanced users are users too!
    18. Re:LOL by Volmarias · · Score: 1

      No, actually, I don't believe I've read that at all. I was just going for something demographically pleasing and yet absurdly dumb that we would expect out of Spielburg

    19. Re:LOL by 16K+Ram+Pack · · Score: 1
      That sounds well off where Spielberg is at.

      I'd say he's a director who whilst he has the budget for lots of big stars, rarely uses them. Minority Report had only 1 big star.

      He hasn't done that many sequels, and the merchandising of some films has been low-scale. Jurassic Park went very high, but Amistad, Schindlers List, Saving Private Ryan, AI. I don't recall any.

      Sure, he makes popular films, but just maybe that's because he also happens to be a great filmmaker. And whilst he's made some duff movies, I'd overall count him pretty high in the "sincerely trying to make good movies" camp.

      If he'd really wanted to just make money, he could have done it a lot easier than he did.

  8. Hines to Speilberg by HMA2000 · · Score: 3, Funny

    FIRST MOVIE!

    OWNED!

    1. Re:Hines to Speilberg by Anonymous Coward · · Score: 0

      Shouldn't that be:

      fr1st mv0ie??

    2. Re:Hines to Speilberg by Anonymous Coward · · Score: 3, Funny

      Wasn't there an earlier remake called "Independence Day"?

    3. Re:Hines to Speilberg by Thimble · · Score: 1

      Spielberg's movie having ten times the budget for special effects, making Hines movie look like a made-for-TV special = Hines pwn3d!

      Okay, maybe not. But it'll make an interesting contrast...

    4. Re:Hines to Speilberg by Anonymous Coward · · Score: 0

      And b.t.w. england isn't overseas

    5. Re:Hines to Speilberg by Anonymous Coward · · Score: 0

      This is like First Post^10.

  9. [note to editors] spelling mistake by defMan · · Score: 0, Redundant

    Spielburg => Spielberg

    1. Re:[note to editors] spelling mistake by drinkypoo · · Score: 1

      yeah, spielburg is where he lives, and his estate is known as schlock manor.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
  10. Hollywood is truly out of ideas by Anonymous Coward · · Score: 3, Interesting

    The original WotW was a classic film, beloved by many (including me). Why remake it? Why remake 2 versions? They're out of ideas, folks. This is why we get craptacular stuff. They must not have an original bone/idea left.

    1. Re:Hollywood is truly out of ideas by savagedome · · Score: 2, Insightful

      Why remake it? Why remake 2 versions?

      Remember the Rocky series. 1,2,3,4,5,6,7,8,9 and will keep going till Sly Stone is 95 years old and can't do it anymore.

      It's called milking a cash cow.

    2. Re:Hollywood is truly out of ideas by ideatrack · · Score: 2, Insightful

      I don't disagree that Hollywood is producing crap and that remakes is just barrel scraping, but there's more to it than that.

      The best films I've seen recently have all underperformed next to dross like 'The Day Before Yesterday' (or whatever it's called) and similar banal movies. Look at 'Eternal Sunshine of the Spotless Mind', it got fantastic reviews, was an incredible achievement but just didn't perform as well as some big explosions and pretty effects. Similarly 'Spirited Away'.

      Hollywood does what makes it money and lets it pay retarded sums of money to the actors. Until the audiences mature, and they probably never will, all we can do is get used to it. Guarenteed the Spielberg picture will make a lot of money on name recognition alone.

    3. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 0

      What do you mean? The original WotW movie was an adaptation of the book -- and really, more of an adaptation of the radio play.

      It wasn't like it sprung from the ether fully formed.

    4. Re:Hollywood is truly out of ideas by Flibz · · Score: 2, Insightful

      I dunno. I reckon that the Pendragon production with full on period setting could be awesome. The book ruled. The audio vesion (Jeff Wayne wasn't it?) was fantastic. It appears to be what I was hoping for from Speilberg, but maybe being an independent it'll have that extra integrity... and it will be set in England ;) The Speilberg version will probably be flimsy and nice looking.

    5. Re:Hollywood is truly out of ideas by R.Caley · · Score: 2, Funny
      Why remake it? Why remake 2 versions?

      Well, for one of the two versions, they actuall;y want to make a film of the book. That sounds like a reasonable thing to do to me. In addition, If they just make one without having to throw bones t the religious loons (which shouldbe possible with a British production) that will be one up on the older film.

      The Spielberg one will be just the usual mindless drivel with kids who make your skin crawl until you start screaming `eat them' to the monsters, so any connection with either the book or the old film will be just in the title.

      So long as they cast Mary Binglebat.

      --
      _O_
      .|<
      The named which can be named is not the true named
    6. Re:Hollywood is truly out of ideas by hattig · · Score: 3, Insightful

      Which "original" ... the awful American version with the floating aliens and the nuclear bomb? That really didn't deserve to have that title, it was nothing like the book.

      So we're going to have one film that is close to the original book, and thus be a film of the book. This will probably mean that there will be issues of course, maybe portray the actions as something that happened and was covered up or something ... or just as the Victorian fantasy it was.

      And another one which will be a horrible tacky American version with "American" heroes defeating the Alien "Terrorists" who will probably now be from a different star system. I expect the only similarity will be in how the aliens finally die.

    7. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 1, Informative

      The original WotW was a classic film, beloved by many (including me).

      No, it wasn't. It was an atrocity.

      Why remake it? Why remake 2 versions?

      Because the Pendragon one at least actually looks like it will be a good adaptation of the original story.
    8. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 1, Insightful

      If you mean the 1950s version set in the USA, it is more or less true to the concept, but isn't a straight filming of the book as the Hines version appears to be.

      An analogy might be that the Magnificent Seven to the Seven Samurai as the 1950s film is to the story of the book. Both good, but different. Hines film would be like the Seven Samurai in this analogy, whereas Spielberg's film would be another adaptation of the Seven Samurai concept.

    9. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 2, Insightful

      The original WotW was a classic film, beloved by many (including me). Why remake it? Why remake 2 versions? They're out of ideas, folks. This is why we get craptacular stuff. They must not have an original bone/idea left.

      The original Unix was a classic OS, beloved by many (including me). Why remake it? Why remake 234 versions? They're out of ideas, folks. This is why we get craptacular stuff. They must not have an original bone/idea left.

      The original pickup truck was a classic vehicle ....

      The original story of aliens invading the Earth was a classic ....

    10. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 0

      ...and I am sure you want Hans Solo to shoot first in the new DVD release of Star Wars! Get a life!

    11. Re:Hollywood is truly out of ideas by Scrameustache · · Score: 2, Interesting

      The original WotW was a classic film, beloved by many (including me). Why remake it?

      Because it was a bastardization of a book and he's making a true-to-the-original adaptation instead.

      As for Spielberg, he want money, and remakes of sci-fi with better SFX makes perfect sense to me. I keep hearing about a possible remake of Logan's Run and I would LOVE to see a version of that story that is filmed competantly.

      As for WotW, I just hope he mentions the number of observed launches on Mars and the number of ships that reaches earth.
      Can't say more without spoilers, but its one of the most fascinating aspect of the story to me and its completely ignored by all adaptations I've seen/heard.

      --

      You can't take the sky from me...

    12. Re:Hollywood is truly out of ideas by GeckoX · · Score: 1

      Nah, Sly's done with Rocky for good.

      He's got a wonderful new fresh idea he's working on though that's sure to be better than anything he's done before.

      Now he's The Contender.

      Good god what are they thinking?
      I'd have rathered they DID stick with tacking on to the Rocky series, it'd be easier to ignore.

      --
      No Comment.
    13. Re:Hollywood is truly out of ideas by FlimFlamboyant · · Score: 2, Insightful

      There are cases where modern Hollywood creates remakes that are VASTLY better movies (IMHO) than their predecessors. Oceans 11, for one; my appologies (ok maybe not) to all of you "rat pack" fans, but the original was just about the corniest thing I've ever seen. The Manchurian Candidate was also (again, IMO) a far better movie than the original.

      I can't comment on this one, because I've never seen the original WOTW. However, I've listened to the original radio broadcast, which, even by today's standards, was well produced and executed, proving that Orson Wells was a man well ahead of his time.

      --
      But God demonstrates his love for us, in that while we were yet sinners, Christ died for us - (Romans 5:8)
    14. Re:Hollywood is truly out of ideas by RyuuzakiTetsuya · · Score: 1

      Actually, I watched Rocky 4, and despite having a low brow subject matter, the dialogue didn't make me wretch. In fact, I can honestly say I enjoyed watching that movie.

      --
      Non impediti ratione cogitationus.
    15. Re:Hollywood is truly out of ideas by sharkey · · Score: 1
      will keep going till Sly Stone is 95 years old and can't do it anymore.

      At which point they'll use Hayden Christensen and the Olsen twins to remake the original movie.

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
    16. Re:Hollywood is truly out of ideas by Waffle+Iron · · Score: 1
      Why remake it? Why remake 2 versions?

      Probably the same reason symphonies have been replaying Beethoven for centuries.

    17. Re:Hollywood is truly out of ideas by BasilBrush · · Score: 1

      1) Because the 1950s WotW, though a good sci-fi movie, wasn't nearly as good as the book. 2) Because people will hopefully go and see them and they'll make a profit.

    18. Re:Hollywood is truly out of ideas by smooth+wombat · · Score: 1
      And for the obligatory Simposons quote:

      Bart: Roman numerals?! They never even tried to teach us that in school.... OK, think, Bart. Where have you seen Roman numerals before?

      I know: Rocky V. That was the fifth one! So, Rocky 5 [points to V], plus Rocky 2 [points to II], equals Rocky 7 [points to VII], Adrian's Revenge!

      --
      We will bankrupt ourselves in the vain search for absolute security. -- Dwight D. Eisenhower
    19. Re:Hollywood is truly out of ideas by HogynCymraeg · · Score: 0

      Because the first one had almost nothing to do with the original story? No Artillary man, no carrie, no english common, no fricking TRIPOD!!!! I guess this was the start of the American trend to bastardise English/UK culture/history through films.

    20. Re:Hollywood is truly out of ideas by fiannaFailMan · · Score: 1

      Indeed. Like The Italian Job. How dare they re-make The Italian Job! It was a timeless freaking classic!

      --
      Drill baby drill - on Mars
    21. Re:Hollywood is truly out of ideas by Lord+Apathy · · Score: 1

      The original WotW was not a classic film. It was garbage. The only thing it had in common with the book was alien invasion from Mars, the way they died at the end, and the title. Other than that nothing worth watching more than once.

      --

      Supporting World Peace Through Nuclear Pacification

    22. Re:Hollywood is truly out of ideas by shlong · · Score: 1

      [...] possible remake of Logan's Run and I would LOVE to see a version of that story that is filmed competantly.

      Thank you for making my day. That story had so much potential but the screenwriter and director seemed to get caught up in the need to cut in 60's psychedelic sequences that really make little sense (at least without chemical assistance, I guess). I still love to watch it, but it's tough explaining to my wife why the scenes with naked hippie chicks are a requirement for good sci-fi.

      --
      Cat, the other, tastier white meat.
    23. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 0


      despite having a low brow subject matter

      Please FOAD you SUV driving, birkenstock wearing yuppie scum. Low brow subject matter indeed. When the class war comes down you will be one of the first who we line up against the wall, motherfucker.

    24. Re:Hollywood is truly out of ideas by freqres · · Score: 1

      If you liked Rocky IV, go rent Rockey III. Any movie that has both Hulk Hogan and Mr. T just has to rock.

      Yo Adrienne, Mr. T ate my BALLS!!

      --
      Rampant Ninja related crimes these days...Whitehouse is not the exception
    25. Re:Hollywood is truly out of ideas by el-spectre · · Score: 1

      Careful... yuppies have the money for better guns...

      --
      "Faith: Belief without evidence in what is told by one who speaks without knowledge, of things without parallel." - A.B.
    26. Re:Hollywood is truly out of ideas by FurryFeet · · Score: 1

      They're out of ideas, folks. This is why we get craptacular stuff. They must not have an original bone/idea left.

      Yep. And there's nothing WE can do about it, right? Because obviously WE cannot have ideas. And even if we did, WE have no means of writing them down. Hell, WE are not living in an era when it's really cheap to make our own films, and even distribute them.
      Now, we are at THEIR mercy. Woe is us.

    27. Re:Hollywood is truly out of ideas by wing_comm · · Score: 1

      I must admit that i think that eaven the way the aliens die will be changed for the hollywood version, I mean what hollywood actor want's to have his role upstaged by a mere alien intolerance to the local environment (read microbes/virii not in the martian atmosphere)

    28. Re:Hollywood is truly out of ideas by RyuuzakiTetsuya · · Score: 1

      Damn right.

      =~

      --
      Non impediti ratione cogitationus.
    29. Re:Hollywood is truly out of ideas by RyuuzakiTetsuya · · Score: 1

      I don't even have the money for Nerf weapons.

      I'm broke.

      So what if I like a little class in my entertainment?

      --
      Non impediti ratione cogitationus.
    30. Re:Hollywood is truly out of ideas by el-spectre · · Score: 1

      No problem by me, I wasn't the AC going berzerk. You have the right to like whatever you want.

      --
      "Faith: Belief without evidence in what is told by one who speaks without knowledge, of things without parallel." - A.B.
    31. Re:Hollywood is truly out of ideas by mabinogi · · Score: 1

      Viruses.

      Whether or not you think that the plural of a computer virus is virii, there are thousands of doctors and chemists who will tell you in no uncertain terms that the plural of a biological virus is viruses.

      --
      Advanced users are users too!
    32. Re:Hollywood is truly out of ideas by 16K+Ram+Pack · · Score: 1
      Wait 5-10 years.

      I remember seeing Magnolia when it first came out in a large cinema with 5 people in. I went because it was directed by the guy who did Boogie Nights and was really blown away. Same story with Reservoir Dogs.

      Wild horses wouldn't get people to go see it. The typical question was "who's in it?" or statements like "never heard of it".

      Now, Magnolia is getting the recognition.

      History has a habit of recalling the good stuff. Forgettable by-the-numbers shit like Independence Day gets forgotten, because there will always be by-the-numbers shit to replace it.

      As for Hollywood making money, I'm sure that an economist would find it does all the wrong things. The movies that make huge returns on investment are films like The Full Monty, Four Weddings and a Funeral and the Blair Witch Project. Titanic cost $200,000,000 and had a worldwide gross of $2bn - ten times the investment. The Full Monty cost $3.5million and made back over $240million - nearly 80 times the investment.

    33. Re:Hollywood is truly out of ideas by wing_comm · · Score: 1

      thanks for the correction

    34. Re:Hollywood is truly out of ideas by Bombjack-Landy · · Score: 1

      As if the quality of ideas on offer has any bearing on what Hollywood makes.

    35. Re:Hollywood is truly out of ideas by Anonymous Coward · · Score: 0

      In any case the plural in latin would seem be viri, except that there ISN'T a plural for virus in latin - viri actually means men.

  11. Two to choose from... by voxlator · · Score: 5, Funny

    But does it really matter, as long as *one* of them has the Americans crapping in their pants again thinking it's real, just like the radio series (with Orson Wells) did way-back-when...

    :o)

    --#voxlator

    1. Re:Two to choose from... by dr_dank · · Score: 2, Interesting

      Interestingly enough, there was a made-for-TV movie about ten years ago that went that same route. They had real newscasters from various markets all reporting on meteor strikes within the US.

      Of course, despite dozens of disclaimers, panicked people still called the stations to ask if it was for real.

      --
      Where does the school board find them and why do they keep sending them to ME?
    2. Re:Two to choose from... by iabervon · · Score: 1

      I somehow doubt that anyone will think they're watching a news broadcast when they see a movie, at least in theaters. For that matter, I bet they wouldn't really be able to fool anyone longer than it takes to switch to CNN and see that there's no special report.

    3. Re:Two to choose from... by Anonymous Coward · · Score: 0

      I bet you're great fun at parties too!

    4. Re:Two to choose from... by Scrameustache · · Score: 1

      the radio series (with Orson Wells)

      It wasn't a series, it was a one-time thing.
      Which makes it even more remarkable that people actually bought it because weeks go by in the span of the broadcast (the character mentions the martians landed weeks ago at some point, the same guy who was covering the landing lives minutes before in the same show).

      --

      You can't take the sky from me...

    5. Re:Two to choose from... by chmod000 · · Score: 1
      Actually, they heard the announcement that the martians had landed (framed as if it were a "real" news broadcast), but they didn't hear the next segment which happens weeks later in fictional time, because they were already out grabbing the "guns and groceries". Of course, that also means they missed the numerous announcements that the broadcast was a work of fiction.


      Understandable, I guess.

      --
      Aptal soru yoktur; sadece merakli aptallar vardir.
    6. Re:Two to choose from... by Anonymous Coward · · Score: 0

      Just like many /.'s they read only the 'headlines' and then jumped to conclusions. I doubt, however, that any /.'s killed themselves because of their fears.

    7. Re:Two to choose from... by el-spectre · · Score: 1

      I just saw this again a few weeks ago on DVD. Still pretty good (altho, some of the actors are well enough known as to remind you that they're not real reporters). Also, on DVD it suffers another 'realism' gap. Actually having commercials and such on the original broadcast made it better.

      Nonetheless, the last 2 minutes of this is one of the better "Oh, Shit..." moments I've seen on film.

      --
      "Faith: Belief without evidence in what is told by one who speaks without knowledge, of things without parallel." - A.B.
    8. Re:Two to choose from... by ptbarnett · · Score: 1
      Apparently, you can do it very 10 years, and a new generation of suckers fall for it.

      20 years ago, in 1983, there was Special Bulletin

      From the trivia page:

      When this film was first broadcast, the network superimposed the word "dramatization" on the bottom of the screen every few minutes and ran disclaimers after every commercial break, to remind people it was only a movie. That didn't stop some people in Charleston, S.C. from panicking anyway.

      The trivia entry doesn't go into specifics, but I remember the movie (it was a bit overly dramatic in places, but actually wasn't a bad movie), and subsequently reading that local law enforcement got at least a few calls.

  12. the name by Tomahawk · · Score: 0, Redundant

    I would imaging, then, we'll be going to see

    "Steven Speilberg's War Of the Worlds"

    T.

    1. Re:the name by ChibiOne · · Score: 1

      Wouldn't that title imply that it's Steven Spielberg's story, stealing credit from Wells?

    2. Re:the name by Tomahawk · · Score: 1

      It would imply Steven's version of the film. I don't think it would take credit from Wells, as it would be mentioned that is it based on Wells's original story.

      It would just serve to diffrentiate this version of War of the Worlds from all the other version of War of the Worlds.

      T.

    3. Re:the name by JabberWokky · · Score: 1
      Why? There are dozens of different "Cinderellas", and there were a whole bunch of movies titled "Titanic" that came out at about the same time (I saw the one with Tim Curry, and didn't see the one with Leonardo DiCaprio). There are a couple movies titled "Shock Treatment"... plenty of movies have the same title.

      --
      Evan "AP: What movie knocked Titanic out of number one? Crim: Lost in Space"

      --
      "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
  13. I'd say That the fellows at Pendragon were beaten, by gwizah · · Score: 1

    but IMDB has no entry for they're film, so I'll just have to use The TV series for now.

    I loved that show, cheesy as it was.

    --

    There is no spork.
  14. lack of decent scenarii by mirko · · Score: 1
    Hines feels there will be room for both films to exist, as they will be drastically different in story and scope.


    They still are inspired by the same book, so, why wouldn't Spielbu^Herg switch to something else ?

    --
    Trolling using another account since 2005.
  15. In Spielburg's version... by fracai · · Score: 5, Funny

    The human race meets the Aliens in space and all shoot at the same time.

    --
    -- i am jack's amusing sig file
    1. Re:In Spielburg's version... by Stephen+Williams · · Score: 1

      (Spoiler for original story below)

      .
      .
      .

      In the director's edition, the bacteria that eventually kill the aliens will be replaced with walkie-talkies.

      -Stephen

    2. Re:In Spielburg's version... by phyruxus · · Score: 1

      INTERIOR: MOS EISLEY -- CANTINA.

      GREEDO: Going somewhere, Solo?

      HAN: Yes, Greedo. As a matter of fact, I was just going to Grovers Mill, New Jersey.

      --
      "A witty saying proves nothing." ~Voltaire
      "d'Oh!" ~Homer
    3. Re:In Spielburg's version... by Anonymous Coward · · Score: 0

      ... "To speak to a Mister John Bigboote"

      --
      M

    4. Re:In Spielburg's version... by Anonymous Coward · · Score: 0

      you know what i cant think of any movies or stories where humans meet or discover aliens in while in space .. that is first contact gets established in mid space. And also if we previously met a different alien species on their planet or ours or whatever it doesnt count.

    5. Re:In Spielburg's version... by FurryFeet · · Score: 1

      Yes. Because Spielberg is George Lucas.
      Oh, wait. He's not.
      Idiot.

    6. Re:In Spielburg's version... by Anonymous Coward · · Score: 0

      There is a sci fi short story that ran in the "Best Sci Fi of ______ (insert year, it was a yearly thing) years ago.

      While the meeting was friendly, both the aliens and humans were scared sh_tless to let the other know where their home planets were. In the end both species exchanged their ships and went home.

  16. i think there is a place for both movies by BigBadDude · · Score: 3, Insightful



    spielberg will probably make yet another blockbuster.

    and that other dude will do a great movie without the overused hollywood cliches...

    1. Re:i think there is a place for both movies by StevenHenderson · · Score: 1

      Are you kidding? Sure, Spielberg has had his share of successes, but look at why they succeeded. Jurassic Park: great FX, sure, but an equally compelling story to go along with it (thanks to Crichton), and great casting/characters. Minority Report: extremely well done. And on and on and on...

    2. Re:i think there is a place for both movies by dewright_ca · · Score: 1

      But you have to consider ET to be the crowning achievement, it had a good plot, and a good story and led Drew Barrymore to a future marriage with Tom Green. Well, two out of three isn't bad.

      --
      He who is always at the bottom of the distribution list, but needs the information first!
    3. Re:i think there is a place for both movies by freqres · · Score: 1

      And all those menacing government agents wielding deadly walkie-talkies.

      --
      Rampant Ninja related crimes these days...Whitehouse is not the exception
  17. Yay authenticity! by meganthom · · Score: 4, Interesting

    I think it's a huge relief that Hines is beating Spielburg to the punch. I don't understand why we even bother making movies from books if we are going to change the stories completely. There is a reason many of these books have become classics. I guess that movies "inspired" by books rather than adapted by them are good for reading (you see the movie; you like it; you read the book, and it's better), but I think it hurts our culture in general. Maybe with Hines's movie out first, people will be less likely to think Spielburg's interpretation is Oscar-worthy.

    --
    Live free or die
    1. Re:Yay authenticity! by Sevn · · Score: 1

      I remember feeling this way about the recent "Time Machine" remake. On the bright side, you can grab yourself a bunch of friends and beers and play a decent drinking game by drinking everytime the movie panders to some special interest group, political ideology, or minority that was not in the original story.

      --
      For every annoying gentoo user, are three even more annoying anti-gentoo crybabies. Take Yosh from #Gimp for example.
    2. Re:Yay authenticity! by Threni · · Score: 1

      > I don't understand why we even bother making movies from books if we are going
      > to change the stories completely.

      Given that film-makers, especially ones from Hollywood, make films to make money, rather than for artistic reasons, it follows that they've calculated that they'd make more money if they altered it a little.

    3. Re:Yay authenticity! by R.Caley · · Score: 1
      I don't understand why we even bother making movies from books if we are going to change the stories completely.

      The holywood production process relies on someone having an idea, lots of other people completely butcherring it and then the marketing department forcing more rewrites until it fits the campagn they already have planned.

      Starting with a book allows them to avoid paying someone with an imagination to do stage 1.

      Not that it always produces a bad movie. Consider Fobidden Planet and This Island Earth (if you ignore the mutoid bit) for classic SF examples.

      Star Wars is a parallel example, not starting from a book, but from standard parts. The difference in quality between that and the sequels where Lucas tried to be original shows what starting from a solid foundation can do.

      --
      _O_
      .|<
      The named which can be named is not the true named
    4. Re:Yay authenticity! by MenTaLguY · · Score: 4, Insightful

      I think such "remixes" are vital for culture.

      Culture isn't a static thing, it must grow and evolve to survive. You have to take the good with the bad. Sometimes changes can bear surprising improvements.

      Of course, the problem nowadays is that normally only a very small handful of people are allowed to participate in this, as our cultural works have ceased falling into the public domain.

      Peter Jackson was one of the lucky few permitted to license LotR, for example.

      There's quite a lot of debate over whether or not he did a good job (I think he did, on balance) -- but wouldn't it be great if the cultural field were open to competition there, as between Spielburg and Hines?

      That healthy competition of interpretations is only possible with WotW because it is in the public domain.

      For real cultural development, once a work has been established in the popular consciousness for a few decades, artists at large need to be able to build on it.

      That used to be how things worked throughout the entirety of human history, until the inhumanly long copyright regimes adopted in the 20th century.

      Now free cultural development on top of existing works (like LotR) is impossible until the release of those works (and in most cases the works themselves) has already passed from living memory. :/

      --

      DNA just wants to be free...
    5. Re:Yay authenticity! by Telex4 · · Score: 1

      You're essentially saying that we shouldn't embrace any kind of derived work that isn't almost identical to the original. Why?

      As far as I'm concerned, derived works that make significant modifications are a great thing. Have you never read any revisionings of great plays, or listened to any covers or remixes of great songs?

      If anything, we don't get enough of this sort of work. That's partly because of prohibitive financial and legal considerations (ever tried to license a remix?) and partly because people have this stupid idea that we should "stay true to the original".

      Granted with cultural works it's less likely that a derived work will be as good as the original, but getting around these issues is precisely what the free software, free culture movement is all about.

    6. Re:Yay authenticity! by TrueJim · · Score: 1

      Changing the story to "reinterpret" it makes sense, particularly when you're working with a classic story. "The Mists of Avalon" is the tread-worn King Arthur tale made fresh by telling from a different viewpoint (in this case, the viewpoint of the women in the story). "Rozencrantz & Guildenstern Are Dead" is a terrific retelling of Hamlet, again told from an alternative viewpoint. Showtime's old "Robin Hood" series turned a story about rich vs. poor into a story about Saxons vs. Normans (and, like Mists of Avalon, threw in a good bit of pagonism vs. Christianity to boot). Classic stories are refreshed through reinterpretation. That's why we make movies from books but change the stories.

      --
      I hope that after I die the one word people use to describe me is "resurrected."
    7. Re:Yay authenticity! by meganthom · · Score: 1

      I don't think that a movie loosely based on a book, and yet still calling itself the title of the book, is the same as a derived work. If Spielberg wanted to develop a derivative version of The War of the Worlds, I'd think that was great, as long as he gave it a slightly different title, etc. For example, one of Marcel Duchamps's most famous works is LHOOQ ("elle a chaud au cul"), in which he took a print of the Mona Lisa and gave her a goatee. I think that's a great derivative work that pushed the definition of art and introduced a sense of humor to a field where humor was sorely needed. So I don't have any dumb idea that we should "stay true to the original," rather, I think that if we are developing a derivative work, we should make that point clear and not mislead the public.

      --
      Live free or die
    8. Re:Yay authenticity! by MooseByte · · Score: 2, Funny

      "I think such "remixes" are vital for culture. [ ... ] Sometimes changes can bear surprising improvements."

      Yeah! Like Greedo shooting first! Oh... wait...

    9. Re:Yay authenticity! by mink · · Score: 1

      "Showtime's old "Robin Hood" series turned a story about rich vs. poor into a story about Saxons vs. Normans (and, like Mists of Avalon, threw in a good bit of pagonism vs. Christianity to boot)."

      I thouhgt that was a BBC series, or were there more then one?

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
    10. Re:Yay authenticity! by Perky_Goth · · Score: 1

      you know, that's one of the best arguments i've seen on limiting copyrights. i mean, everyone says that they wouldn't like to have their favorite work changed and someone else profiting, but i have a feeling that they would understand your point.

    11. Re:Yay authenticity! by mat.h · · Score: 1
      Movies inspired by books (as opposed to slavishly following the book) are not a bad thing in itself. Although I can't name a movie that proves the opposite, here are two computer games that IMHO pulled it off:
      • Sid Meier's Alpha Centauri. Inspired by Red Mars (spaceship crew on the way to a distant planet splits up into factions; some of the factions in the game do have similarities to those in the book) und Frank Herbert's Pandora books (of which I've read "The Jesus Incident" and "The Lazarus Effect": planet to be colonized turns out to have an extremely nasty biosphere and a planetwide consciousness that tries to communicate with the colonists via some sort of telepathy). The game doesn't follow the plot of these books, just lifted some cool ideas. And it is a nice turn-based strategy game on its own.
      • The two Gateway adventures (Legend entertainment, early 90s). Inspired by Fred Pohl's "Gateway". Yes, they licensed the book, but didn't just take the book and dropped some gratuitous puzzles into it (like the "Indiana Jones and the last crusade" movie to adventure conversion). What they took is the setting of the book, which is pretty cool: Orbiting the sun in some weird off-ecliptic orbit is an abandonded alien space station, and apparently has been for the last few hundred thousand years. Within that station are a few thousand faster-than-light spacecraft with preprogrammed courses. Riding one of these craft is a lottery: It could take you right into a star or to some place with interesting alien artifacts.
        This is basically where the plot in the book ends, as the hero spends most of the book in automated psychotherapy (think doctor.el with holographic output) coming to terms with what happened on his last trip out.
        The games turn this into a wild "save the galaxy from an evil cyborg race" affair, but do so tastefully. There are lots of little details that do have counterparts in the book. The VR gear that drives the book's automated psychotherapy plays a central role in some puzzles in the first game, where you have to crash the simulation (from within) by causing an "out of memory. too many objects in the world" type of error. At one point, you first have to realize that you are in a simulation -- definitely one of the great moments in adventure gaming.
      Both games are not straight conversions of the books, but inspired by them, and they do not suck. (And for "The Jesus Incident" and "Gateway", I cannot imagine a straight conversion that does not suck.)

      I do think that it is possible to do great movies inspired by books, and that there are some. But I'm pretty sure that Hollywood blockbusters having the same title as a book that's a classic (at least in some subculture) have a pretty slim chance of being among them.

  18. Comment removed by account_deleted · · Score: 0, Redundant

    Comment removed based on user account deletion

  19. Already done? by Epi-man · · Score: 4, Insightful

    Hasn't War of the Worlds already been remade about 50,000 times? Independence Day? Signs? Heck, even the old 'V' mini-series was basically the same story. I am sure I am forgetting another million movies that were basically the same plot line.

    1. Re:Already done? by fracai · · Score: 1

      I think Mars Attacks is the closest with the Aliens being killed by country music.

      --
      -- i am jack's amusing sig file
    2. Re:Already done? by Anonymous Coward · · Score: 0

      Yet strangely, I don't think anybody has made an accurate movie adaptation of the book.

    3. Re:Already done? by Jeff+DeMaagd · · Score: 1

      All of them being "aliens attack" isn't necessarily a remake of War Of the Worlds. Similar plots, yes, but remake? Not really. I'm not sure if it is possible to make a truly original plot and still be good, because most of the decent plots have already been done.

    4. Re:Already done? by HTH+NE1 · · Score: 2, Insightful

      Yes, from the original Wells, you have the radio play (and its regional adaptions), the musical version (and its remixes), a stage play, a movie, additional books and short stories, two TV series, an arcade game, at least two computer games, at least one board game, several comic book adaptions, and possibly a new animated series.

      Then there are movies with similar plot and resolution, and countless references (Buckaroo Banzai), homages, some direct like Pinky & The Brain's "Battle for the Plant" and more obscure like Krang in Teenage Mutant Ninja Turtles being similar to Wells' Martians.

      And don't forget how the radio play provided a case study for mass panic, setting world policy on how and if to release information that might produce panic, and ways to disrupt populaces by promulgating similar hoaxes for military purposes.

      Not so much a retread but that the story is such a classic that it can be told so many times, and a telling that follows the original so closely has never been done on film before.

      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    5. Re:Already done? by Scrameustache · · Score: 2, Insightful

      Independence Day? Signs? Heck, even the old 'V' mini-series was basically the same story. I am sure I am forgetting another million movies that were basically the same plot line.

      VERY basically.
      I take it you've never read the book, because aside from an alien invasion, there isn't much similar between these and WotW.

      Its more of an archetype comparison than a direct comparison. Like all love stories are "Boy meets girl", but they are not all basically the same story as Romeo and Juliet.

      And by the way, "V" and "Independance Day" both ripped off Arthur C. Clark's premise for "Childhood's End": Giant city sized spaceships suddenly show up and proceed to silently hover over every major metropolis on earth, omniously. As opposed to the premise of WotW: Astronomers observe repeated explosions on Mars, and later, objects that appear to be coming from Mars towards us, and then there are landings of small crafts in the country.

      Spoilerish:
      P.S. The Overseers do not care about humanity's hapiness...
      ;-)

      --

      You can't take the sky from me...

    6. Re:Already done? by fermion · · Score: 1
      I think good movies say something basically important about humans battles with each other, the planet, and the unknown, and how those battles will be won.

      WotW is about how there are many things that can destroy us, but the earth or god or whatever will protect us. V is a retelling of Nazi Germany, basically saying that there is evil in the universe, and it can only be beat by humans not succumbing to thier greed. Independence Day basically is about, like the lyrics in MIB says, how we really don't need to do anything because there are people smarted and braver than we are and they will take care of it all while we consume the advertised products. The closest example to WotW might be 28 days later or Day of the Triffids, both of which survival occurs in spite of ourselves.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    7. Re:Already done? by Anonymous Coward · · Score: 0

      Independence Day?

      No No No!In Independence Day, the Aliens were more like us, they even used Mac compatible computers, so the virus was spread using Apple(TM) notebook. In WoW, on the other hand, they were killed by terenstrial viruses because they had different secu - eh, imunity, so such stupid media like the air for dissemination had to be used.

    8. Re:Already done? by 91degrees · · Score: 1

      the Aliens were more like us, they even used Mac compatible computers

      So completely unlike most of us, surely?

    9. Re:Already done? by Anonymous Coward · · Score: 0

      You might have forgotten to mention this one:
      "War of the Worlds" [TV-Series 1988-1990]

      I can understand why... it's not like the title would give any clue that it's a related show.

    10. Re:Already done? by Epi-man · · Score: 1

      I take it you've never read the book, because aside from an alien invasion, there isn't much similar between these and WotW.

      Now that you mention it, no I don't think I ever read the book, but I remember fondly listening to tapes of the original broadcast as a kid. As others have pointed out on as basic a level as I was looking, there really isn't much room for a new plot. I remember watching Monsters Inc. and thinking it was a new idea...but if I viewed it as basically as I related the above, I am sure I could come up with other movies along the same lines.

    11. Re:Already done? by Dirtside · · Score: 0, Troll
      And by the way, "V" and "Independance Day" both ripped off Arthur C. Clark's premise for "Childhood's End": Giant city sized spaceships suddenly show up and proceed to silently hover over every major metropolis on earth, omniously.
      Yeah, except "Independence Day" followed up with the aliens blowing up all the major cities and trying to exterminate humanity, whereas "Childhood's End" is about the aliens trying to help humanity advance to transcendence.

      I would be surprised if CE was the first time anyone had written the idea of giant spaceships appearing over Earth cities.

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    12. Re:Already done? by Scrameustache · · Score: 1

      Yeah, except "Independence Day" followed up with [spoilers]

      See, I mentioned that I was only referring to the premise.
      You don't have to go into full blown spoiler territory (i.e. revealing the overseers goals when that is the question asked throughout most of the book) to tell me I was only referring to the premise.

      I would be surprised if CE was the first time anyone had written the idea of giant spaceships appearing over Earth cities.

      1958, try and find an earlier ieteration. And both V and ID4 had the exact same way for the aliens to show up: Surprise appearamce, giant saucers, hover silently over metropolises. V even had them shiny like CE. There's similar, and then there's exactly the same.

      --

      You can't take the sky from me...

    13. Re:Already done? by el-spectre · · Score: 1

      Nah, they had similar beginnings, but totally different plots:

      1) CE: mysterious but benign aliens manipulate the earth
      2) ID4: blatantly beligerent aliens attack
      3) V: "friendly" aliens turn out to be evil. Allegory for fascist governments.

      --
      "Faith: Belief without evidence in what is told by one who speaks without knowledge, of things without parallel." - A.B.
    14. Re:Already done? by Your+Pal+Dave · · Score: 1
      1958, try and find an earlier ieteration. And both V and ID4 had the exact same way for the aliens to show up: Surprise appearamce, giant saucers, hover silently over metropolises.


      This is too easy, from IMDB:
      Earth vs. the Flying Saucers (1956)

      Tagline: Warning! Take Cover! Flying Saucers Invade Our Planet! Washington, London, Paris, Moscow Fight Back!
    15. Re:Already done? by Dirtside · · Score: 1
      You don't have to go into full blown spoiler territory (i.e. revealing the overseers goals when that is the question asked throughout most of the book)
      Blah blah whiny spoiler-cakes deep in a Slashdot thread. Moving on.
      to tell me I was only referring to the premise.
      Yeah, but your point was that they "ripped off" Clarke by having the same premise. I don't agree that they ripped off Clarke any more than Chasing Amy rips off a Shakespeare comedy because it has the same basic premise of "boy meets girl."

      If they'd had the same premise and then used it to get to the same (or a similar) conclusion, that would be another story, but to call using a similar premise in order to go in a completely different direction "ripping off" is absurd.

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    16. Re:Already done? by mink · · Score: 1

      Considering that 28 days later took it's latter half from Day of the triffids (as I remember) isnt that kind of redundant.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
    17. Re:Already done? by Scrameustache · · Score: 1
      1958, try and find an earlier ieteration. And both V and ID4 had the exact same way for the aliens to show up: Surprise appearamce, giant saucers, hover silently over metropolises.

      This is too easy, from IMDB:
      Earth vs. the Flying Saucers (1956)

      Lets see...
      Suprise appearance? No (numerous previous sightings before the hostilities begin).
      Giant saucers? No (house sized, not city-sized. Giant compared to tea cup saucers of course).
      Hover silently? No.
      ...over metropolises? No.

      Relevance of your posted example to what I was talking about (The common premise of Idependance Day, V, and Childhood's End): Nil.
      No cookie for you!
      --

      You can't take the sky from me...

    18. Re:Already done? by ThomasFlip · · Score: 1

      I dont think 1 story can lay claim to "aliens attacking earth". I think thats a little too generic.

      --
      If the dollar is an "I owe you nothing", then the Euro is a "Who owes you nothing." - Doug Casey
    19. Re:Already done? by Scrameustache · · Score: 1

      Blah blah whiny spoiler-cakes

      There was no use of you telling me what the story is since its blindingly obvious I'm familiar with it.
      An intelligent, considerate person would have been able to discuss it without spelling out the ending of the story.

      your point was that they "ripped off" Clarke by having the same premise. I don't agree that they ripped off Clarke any more than Chasing Amy rips off a Shakespeare comedy because it has the same basic premise of "boy meets girl."

      They don't limit it to "aliens invade with flying saucers".
      They rip it off with "Aliens show up surprisingly on earth one day with giant city-sized spaceships, place them over major cities, let them hover silently for a while".

      To Chasing Amy, that wouldn't be "boy meets girl", that would be "boy meets lesbian and knowing her orientation insists and gets her to go out with him". Don't remember any Shakespear plays like that...

      to call using a similar premise in order to go in a completely different direction "ripping off" is absurd.

      Yeah, I'm gonna write a story about a highschool boy who's bitten by a radioactive spider that gives him spider powers, but then he becomes rich and famous by using his gifts to publically become a war hero who helps defeat a tyranny in the south pacific.

      That would not be ripping off anything by your retarded troll logic because I don't have the same developpement after the identical premise. To rational persons however, its a clear case of ripping off.

      --

      You can't take the sky from me...

    20. Re:Already done? by Dirtside · · Score: 1
      It makes me sad to share a love of Firefly with you. Alas.

      There was no use of you telling me what the story is since its blindingly obvious I'm familiar with it.

      I was pointing out the differences to illustrate why I thought you were wrong to call it "ripping off." Explicitly stating the nature of the endings was necessary because someone who was unfamiliar with "Childhood's End" would not necessarily understand why they were different (or at least might not be willing to accept my word on that fact, without knowing the nature of the endings). Too, someone who had once read Childhood's End, but had forgotten what happened, would certainly be happy for the reminder.

      I certainly could have put in a "spoiler" tag, but then I think that the number of people who A) read my post, B) didn't know the ending of "Childhood's End," and C) became or will become upset about my revealing it, can probably be counted on the knuckles of one finger. There's a legal doctrine called de minimis; I'm going to callously assume that not everyone knows what it means, and quote here from law.com:

      adj. (dee-minnie-miss) Latin for "of minimum importance" or "trifling." Essentially it refers to something or a difference that is so little, small, minuscule or tiny that the law does not refer to it and will not consider it. In a million dollar deal, a $10 mistake is de minimis.

      In essence, the amount of harm caused by my spoiler reveal is insignificant. Moving on.

      An intelligent, considerate person would have been able to discuss it without spelling out the ending of the story.

      Ah, a subtle (?) implication that I'm neither intelligent nor considerate! I wasn't aware that refusal to publicly reveal the ending to a forty-six-year old novel was a prerequisite for intelligence and consideration. I suppose that it's the most logical standard by which to measure intelligence. I mean, problem-solving ability, learning capacity, ability to think abstractly; what are these when compared to the ability to refrain from revealing plot details from half-century-old fiction? I am both chagrined and humbled.

      They don't limit it to "aliens invade with flying saucers". They rip it off with "Aliens show up surprisingly on earth one day with giant city-sized spaceships, place them over major cities, let them hover silently for a while".

      I'm curious if there is some objective standard by which one can determine if a premise is "ripped off," and not merely "similar." Is it due to the number of specific elements of the premise? What constitutes a discrete element? If they had not appeared suddenly, but had been hovering silently over metropolises in giant spaceships, would that be "ripped off"? What if the spaceships were the size of houses, but hovered silently over metropolises? You seem to identify four major elements of this "rip off" (1. giant spaceships, 2. appearing suddenly, then 3. hovering silently, 4. over metropolises), and I wonder whether if they had only used 2 or 3 of those elements, it would constitute a rip-off. What if they'd had one or two days' warning that the big ships were coming? And the ships were only suburb-sized? And made a weird buzzing noise instead of being silent? And only hovered over medium-sized cities?

      But this is just pedantry; my ultimate point is that it is not useful in any way to characterize their usage as a "rip off," and thus implicitly deserving of scorn and derision, when the resolution of the stories differs from the original. (Especially when it differs so drastically, viz. peaceful transcendence vs. planetary domination (or attempt at thereof).)

      Yeah, I'm gonna write a story about a highschool boy who's bitten by a radioactive spider that gives him spider powers, but then he becomes rich and famous by using his gifts to publically become a war hero who helps def

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    21. Re:Already done? by Anonymous Coward · · Score: 0

      3) V: "friendly" aliens turn out to be evil. Allegory for fascist governments.

      It's a cookbook!!!

    22. Re:Already done? by Scrameustache · · Score: 1
      a forty-six-year old novel

      There are 16 year old slashdotters who might like to read a good book without having its ending spelled out to them by inconsiderate people.
      Its common courtesy. You fail to use, that irritates me.

      its blindingly obvious I'm familiar with it.

      I was pointing out the differences to illustrate why I thought you were wrong to call it "ripping off." Explicitly stating the nature of the endings was necessary because someone who was unfamiliar with "Childhood's End" would not necessarily understand why they were different [...] I certainly could have put in a "spoiler" tag, but then I think that the number of people who A) read my post, B) didn't know the ending of "Childhood's End," and C) became or will become upset about my revealing it, can probably be counted on the knuckles of one finger.

      The fact that I need to point this out is why I think you are not intelligent:
      You felt the need of revealing the ending because you want to illustrate it to people unfamiliar with it.
      Your logic for not using the spoiler tag is that you don't think there is enough people who will read it that don't know the ending.

      Do you see how this is contradictory, or do you need it spelled out for you even more?

      I mean, problem-solving ability, learning capacity, ability to think abstractly; what are these when compared to the ability to refrain from revealing plot details from half-century-old fiction?

      Again, you don't get it. Possibly deliberatly, you might be a clever troll. Inteligent and evil, it happens.

      No, the considerate part refers to the revealing of plot details. And again, the age of the work in question is completely irrelevent to the possibility that someone might read your post before reading the book. The fact that you don't understand this is why I question your intelligence.

      In essence, the amount of harm caused by my spoiler reveal is insignificant.

      Tell me, what is the amount of harm that is your limit?

      (quite possibly) a child molester

      I do hope your willingness to casually inflict harm stops before that. Being a jackass that can't talk about a book or movie without stating the punch of the story is one thing, but raping innocents, that's an order of magnitude above the villany you have shown in this thread!

      it is not useful in any way to characterize their usage as a "rip off," and thus implicitly deserving of scorn and derision, when the resolution of the stories differs from the original. (Especially when it differs so drastically, viz. peaceful transcendence vs. planetary domination

      Well, in your rush to discuss the ending, you forget about the devellopment.

      They achieve transcendence via planetary domination!
      Furthermore, all 3 races feel the need to disguise their true appearance to humanity. the similarities are numerous and pervasive, the fact that you did not notice them does not make them irrelevant.

      Also, if what you disagree with is the label "rip off" then by all means, criticise the label, not the basis of my labelling.
      You attacked the validity of my observations of the similarities. You assumed that the similarities were limited to those I listed since you failed to notice them, and the many mores that are actually there.
      In this thread, and in another under the same article. You saw my comments modded up, and you trolled.

      I'm curious if there is some objective standard by which one can determine if a premise is "ripped off," and not merely "similar." Is it due to the number of specific elements

      Yes.

      That sounds like a cool story. Would you refuse to see it just because they used the same premise as Spider-Man, regardless of whether it was good or bad on its own merits

      I do not call things "rip offs" when they admit that they were inspired by the work in question. Then its an ho

      --

      You can't take the sky from me...

    23. Re:Already done? by el-spectre · · Score: 1

      oops, I've been served...

      --
      "Faith: Belief without evidence in what is told by one who speaks without knowledge, of things without parallel." - A.B.
    24. Re:Already done? by Dirtside · · Score: 1

      There are 16 year old slashdotters who might like to read a good book without having its ending spelled out to them by inconsiderate people. Its common courtesy. You fail to use, that irritates me.

      Your repeated typographical and grammatical mistakes annoy me. Good, now we both have reasons to find each other annoying. Moving on.

      I was pointing out the differences to illustrate why I thought you were wrong to call it "ripping off." Explicitly stating the nature of the endings was necessary because someone who was unfamiliar with "Childhood's End" would not necessarily understand why they were different [...] I certainly could have put in a "spoiler" tag, but then I think that the number of people who A) read my post, B) didn't know the ending of "Childhood's End," and C) became or will become upset about my revealing it, can probably be counted on the knuckles of one finger.

      The fact that I need to point this out is why I think you are not intelligent: You felt the need of revealing the ending because you want to illustrate it to people unfamiliar with it. Your logic for not using the spoiler tag is that you don't think there is enough people who will read it that don't know the ending. Do you see how this is contradictory, or do you need it spelled out for you even more?

      No, but apparently you do: I consider the number of people who meet A and B and C insignificant, but not the number of people who meet only criteria A and B. To rephrase, I think there are more people who would need to understand the ending than would be annoyed at having it spoiled for them. Maybe my estimate is wrong, but my logic isn't. Actually, my estimate can't be wrong, I don't think: The number of people who didn't know the ending (B) cannot be smaller than the number of people who would get upset that I spoiled it (C), because C is a strict subset of B. Although I suppose people who did know the ending could be upset that I spoiled it for other people.

      In that event, I misstated the conditions: C) consists of people who would be upset that I spoiled the ending for them only. I am ignoring those who get upset on other peoples' behalf because of plot spoilers.

      Again, you don't get it. Possibly deliberatly, you might be a clever troll. Inteligent and evil, it happens.

      No, the considerate part refers to the revealing of plot details. And again, the age of the work in question is completely irrelevent to the possibility that someone might read your post before reading the book. The fact that you don't understand this is why I question your intelligence.

      What I don't quite get is your insistence that, because someone made a logical error (which I did not, as explained just above), they can be characterized as "unintelligent." That is not remotely rational.

      Tell me, what is the amount of harm that is your limit?

      Much like the legal system, I have to look at it on the case by case basis. Spoiling the ending of a book for a couple of people, I consider insignificant.

      I do hope your willingness to casually inflict harm stops before that. Being a jackass that can't talk about a book or movie without stating the punch of the story is one thing

      Because, you know, because I spoiled something this one time, I'm completely incapable of preventing myself from spoiling any book or movie that I might discuss. Yeah. Why do you keep calling me unintelligent, and then make ridiculous generalizations like this?

      but raping innocents, that's an order of magnitude above the villany you have shown in this thread!

      Yes, because there's no way that I was making a sarcastic point about how you are exaggerating the harm caused by the spoiler reveal.

      Well, in your rush to d

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    25. Re:Already done? by Scrameustache · · Score: 1
      Your repeated typographical and grammatical mistakes

      W00T! You did it! You attacked the typos!
      Hahaha! That's rich, it had been a while since a troll pulled that one on me, the classics never die it seems. Wheee...mercy...

      and you also act offended that I "subtlely" call you on your uninteligent

      unintelligent.

      Hihihi!

      Calling it "ripping off" ONLY because of similar (or even identical) premises is incorrect.

      I said:

      And by the way, "V" and "Independance Day" both

      ripped off Arthur C. Clark's premise for "Childhood's End"

      Main Entry: rip-off
      Pronunciation: 'rip-"of
      Function: noun
      1 : an act or instance of stealing : THEFT; also : a financial exploitation
      2 : a usually cheap exploitive imitation

      Main Entry: rip off
      Function: transitive verb
      1 a : ROB; also : CHEAT, DEFRAUD b : STEAL
      2 : to copy or imitate blatantly or unscrupulously
      3 : to perform, achieve, or score quickly or easily

      Is ID4 an exploitative money-grabbing movie that stole its premise from Childhood's End (or indirectly from V, again cheap and explotative)? Why yes, yes it is.

      The specific argument I made there (rephrased) is: Calling it "ripping off" ONLY because of similar (or even identical) premises is incorrect. I never once disagreed that the similarities in premise existed.

      I specifically said they were ripping off the premise. You say its not ripping off because only the premise is the same. I give you more similiraties, you're still sticking to your original troll. Ah well...

      to call using a similar premise in order to go in a completely different direction "ripping off" is absurd.

      I said they ripped off the premise, you say its not ripping off because its the premise. You make wild, erroneous claims, buddy boy. Is that because you're trolling or because you're too stupid to know any better?

      There you claim explicitly that all rational persons will agree with you that it's a "clear case of ripping off." Therefore it would be impossible for someone to rationally disagree with you, since any rational person would agree with you. The subtle implication was that I am one of those people, and am therefore irrational and wrong.

      Yup. My claim: It ripped off the premise. Your idiotic response: "It can't be a ripoff because only the premise is similar".
      Why is the premise immune to theft or imitation?

      the intent is to edify

      Again, wild claim that goes contrary to the facts. Your behaviour was not edifying in the least. You attacked, insulted, and tried to destroy using insane troll logic from the get go. Nice attempt at claiming the high road, but pointless.

      You need to brush up your insulting skills. Use French whenever possible, it helps.

      D'accord: Tu es un sale crétin. Un minable troll qui n'a rien de mieux à faire de son temps que d'attaquer les gens qui participent paisiblement à une discussion de cinéma en utilisant un vocabulaire cinématographique pour paraître honête et de bonne foi. Mais ta nature de sale enculé coprophage n'est pas éclipsée par tes mots sophistiqués. Tu es, et reste, un trou de cul.

      I'm basing my logic on what you said

      No. And when I repeat it using different words, its an attempt at helping you understand. But that is wasted effort on a troll, I would stop biting, but the typo argument just made me laugh. Hehehe...

      'Course, you'll never believe that, because you're convinced I'm trying to troll/stalk you, but that's your problem. Believe it or don't.

      I actually believe you started as a karma whore, replying early to posts that were getting positive attention from the moderators and contradicting the parent, using bi

      --

      You can't take the sky from me...

  20. What? Just like... by ashitaka · · Score: 4, Insightful

    Deep Impact and Armageddon?
    Volcano and Dante's Peak?

    You know the battle is lost when multiple movie makers are RE-making the same movie at the same time.

    --
    If you don't want to repeat the past, stop living in it.
    1. Re:What? Just like... by YetAnotherName · · Score: 1

      But consider: Hines will bring elegance and a touch of class to the re-creation, despite special effects that may be reminiscent of Doctor Who, on a good day.

      Spielberg's special effects will certainly make it quite the blockbuster. Can Spielberg do "class"? Based on some of his recent efforts (Saving Private Ryan, Schindler's List), I think maybe he can!

    2. Re:What? Just like... by jedidiah · · Score: 1

      Dr. Who has very respectable special effects on a good day. It may take 15 years for BBC FX to catch up but it seems that they do so eventually.

      It is fortunate that the underlying technology is now so old... '-)

      --
      A Pirate and a Puritan look the same on a balance sheet.
    3. Re:What? Just like... by Rorschach1 · · Score: 1

      Mission to Mars and Red Planet.

      I still can't remember which movie was which.

    4. Re:What? Just like... by Scrameustache · · Score: 4, Interesting

      Deep Impact and Armageddon?
      Volcano and Dante's Peak?
      You know the battle is lost when multiple movie makers are RE-making the same movie at the same time.


      Look into it deeper, and you will find that every year the same basic plot is made into at least 3 major studio movies.

      There was the year of comets, the year of volcanos, the year of alien invasions (Independance Day, Mars Attacks), the year of virtual realities (Matrix, 13th Floor, Existanz), this year was Superheroes I believe, a couple years ago it was haunted houses.
      Its a definate pattern that has been repeating yearly for as long as I remember.

      Its as though one studio starts making a film, and the others rush into production with a basic description "comets will destroy the earth, a team with spaceships try to stop it", "haunted house", "alien invasion", "airplane crashes", "superhero", etc.

      --

      You can't take the sky from me...

    5. Re:What? Just like... by stubear · · Score: 1

      Yet another WWII movie, but don't forget Spielberg's part in Band of Brothers. In my opinion, this is a better movie than Saving Private Ryan. Tom Hanks, also involved with Saving Private Ryan, had a hand in the making of Band of Brothers. Perhaps Spielberg has found his niche? I wish he'd remake Pearl Harbor and get a better lead cast than Ben Affleck and Josh Hartnett.

    6. Re:What? Just like... by Thud457 · · Score: 1

      I can't believe nobody's put up a website to document how hollywood movies in fads like that. I bet you could find plenty of examples back to at least the 40's.

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    7. Re:What? Just like... by Craig+Davison · · Score: 1

      Ed TV and The Truman Show...

    8. Re:What? Just like... by Dirtside · · Score: 2, Interesting

      Not quite accurate. It's quite common that two movies get greenlighted around the same time that have the same basic premise or story; 3 movies at once is extremely rare.

      It has nothing to do with one studio finding out that another one has been greenlighted, then rushing to copy it; it's just a matter of probabilities. Of the thousands of screenplays and pitched ideas that studios buy each year, there's a significant change that there will be at least two that are on the same basic idea.

      The last thing a major studio's going to do is deliberately copy the same idea as another studio (and of course there are always exceptions, but this is the general rule). It doesn't make financial sense. Look at it like a timeline:

      - It begins with studio A buying a script about, let's say, a giant asteroid smashing into the Earth. Let's assume studio B finds out the very same day that this script was bought, and decides (that day) to make its own giant asteroid movie.
      - Studio A has a huge lead-time because the screenplay has already been written; Studio B is months behind (despite what you may think about the quality of the movies that come out, writing a good, original screenplay is really fucking hard). So if it wants to beat studio A's film to theaters, it needs to cut a lot of corners both on the script and on preproduction.
      - Studio B STILL has to hope that, even if they do cut those corners, they finish their movie first. The more they rush, the worse the movie is going to be; but taking longer means they risk coming out second with a movie that is still not going to be very good.
      - On the flipside, if B deliberately takes longer so that it comes out with its movie months after A, it has to hope that its movie ends up being better than A's, because otherwise it will just look like an also-ran. This is not trivial.

      There are little independent producers/studios that will make cheap rip-offs in order to glom onto the media frenzy accompanying a big movie (witness the numerous cheap asteroid strike direct-to-video movies that came out right around the same time as Armageddon), but that's a different story, because those movies have a tiny budget and the leftover hype from the Big Hollywood Version can easily turn them a profit. Paramount is not going to see Universal buy a script about a volcano exploding and rush its own into production.

      If they both happen to have bought the same story around the same time, and then one announces that it's going into production, the other might then rush its own into production -- but they've already got the script, so it's a more even race (and since they've already spent the money on buying the script, they don't want to waste that investment. Nevermind that 95% of the scripts they buy, they never make, but when there's suddenly a competitor to a particular script they bought, it makes them macho).

      The weirdest one that I remember is the two biopics about Steve Prefontaine, a fairly obscure distance runner.

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    9. Re:What? Just like... by geekboy2k · · Score: 1

      Hmm - I thought I was the only one who realized this. Oh, well, one more reason "I am a unique snowflake" applies less and less to me. 8*)

    10. Re:What? Just like... by AgentSmith · · Score: 1

      Twister (Movie) and Tornado (TV Movie)

      Robin Hood: Prince of Thieves
      (-ed stinky Kosner Movie remake!) and
      Robin Hood (TV Movie starring Patrick Bergin)

      Hollywood scraping from the same barrel? Could be.

      But the question is: Can you think of something that hasn't been done before?

    11. Re:What? Just like... by Scrameustache · · Score: 1

      It's quite common that two movies get greenlighted around the same time that have the same basic premise or story; 3 movies at once is extremely rare.

      I didn't say "greenlighted", I said "released the same year". 3 movies with the same basic plot released in a one-year time frame is very common.

      --

      You can't take the sky from me...

    12. Re:What? Just like... by Dirtside · · Score: 1
      I didn't say "greenlighted", I said "released the same year". 3 movies with the same basic plot released in a one-year time frame is very common.
      You didn't say "released the same year," you said:
      you will find that every year the same basic plot is made into at least 3 major studio movies.
      That is quite distinct from "released," is much closer to "greenlighted and put into production," and in any case still has nothing to do with your last point, which is the one I was actually refuting:
      Its as though one studio starts making a film, and the others rush into production with a basic description "comets will destroy the earth, a team with spaceships try to stop it", "haunted house", "alien invasion", "airplane crashes", "superhero", etc.
      I was refuting this statement, not the one that says that multiple movies with the same basic premise come out each year. I was explaining the reason for it (coincidence), and refuting your proposed reason (deliberate copying).

      Anyway, the ONLY example you gave of 3 movies with similar premises (and they aren't that similar) was the Matrix/Existenz/13th Floor one. All the others were pairs of movies. Can you name other groups of 3 movies that came out within a year of each other and all had the same premise? ("Same genre," like superhero movies or horror movies, does not mean the same premise.)

      Armageddon and Deep Impact had the same premise: A giant asteroid is going to hit Earth, and we have to stop it. Dante's Peak and Volcano don't really have the same premise, they just have the same primary element: a volcano. The premise of Dante's Peak is that a supposedly extinct volcano is going to erupt and destroy a peaceful mountain town. The premise of Volcano is that a previously unknown volcano erupts under Los Angeles, and the heroes have to figure out how to save as many lives as possible.

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    13. Re:What? Just like... by Scrameustache · · Score: 1
      Can you name other groups of 3 movies that came out within a year of each other and all had the same premise? [...] Dante's Peak and Volcano don't really have the same premise, they just have the same primary element: a volcano. The premise of Dante's Peak is that a supposedly extinct volcano is going to erupt and destroy a peaceful mountain town. The premise of Volcano is that a previously unknown volcano erupts under Los Angeles, and the heroes have to figure out how to save as many lives as possible.

      They both have the same premise: A dormant volcano will erupt and kill lots of people unless our heros do something about it.

      And here's the 3rd vocano movie of that year: TURBO: A POWER RANGERS MOVIE (1997)
      When Lerigot, a wise and gentle alien is kidnapped by Divatox for the special key he holds that can unleash Maligore, a fiery creature imprisoned inside a volcano.

      Again, dormant volcano, will kill many people, heroes must save the day. What? Doesn't count 'cause its got power rangers innit?

      1996: Alien invasions!
      • Indepedance Day
      • Mars Attacks
      • The Arrival
      • Star Trek: First Contact

      1997: Volcanos!

      1998: Comets/Meteors!

      1999: Haunted houses!
      • House on haunted hill
      • 6th sense
      • The Haunted

      Etc.
      --

      You can't take the sky from me...

    14. Re:What? Just like... by Dirtside · · Score: 1

      They both have the same premise: A dormant volcano will erupt and kill lots of people unless our heros do something about it.

      I noticed that your post said nothing about the other point (why these multiple movies happen), so I'm going to assume you concede that point.

      I just noticed that your original post in this thread said:

      Look into it deeper, and you will find that every year the same basic plot is made into at least 3 major studio movies.

      Plot. Not premise. You were talking about plots, not premises, and you yourself have said they're different (plot is the whole story, premise is where it begins). So which is it? Hollywood makes multiple movies with the same plot or same premise? We've already agreed that they DO make movies with a similar core element but I don't know if it's reasonable to characterize them as having the same story, just because they have a similar core element.

      Again, dormant volcano, will kill many people, heroes must save the day. What? Doesn't count 'cause its got power rangers innit?

      This one doesn't count because the danger comes from some kind of creature imprisoned inside the volcano, not from the volcano itself. The volcano is immaterial and incidental to the story; the creature could be imprisoned under a seabed or in a magic vault or inside a sandwich without changing the core of the story. In "Volcano" and "Dante's Peak," the volcanoes themselves are the threat. Replace the volcano in those stories with another threat (asteroid, earthquake, aliens) and the story fundamentally changes.

      Also, on the other thread we're arguing on, you seem to think that a premise can be really specific: 1) City-sized alien spaceships 2) appear suddenly, then 3) hover silently for a while over 4) large Earth metropolises. Yet here, a premise can contain as few as two elements: "1) A dormant volcano will erupt and kill lots of people 2) unless our heros do something about it." Of course, the second half of the premise is also part of the premise of every story ever, and so can be removed from the premise, meaning that it only contains one element: "A volcano threatens a city."

      Reducing a premise to one element does not mean two movies share a plot or premise.

      1996: Alien invasions!

      * Indepedance Day
      * Mars Attacks
      * The Arrival
      * Star Trek: First Contact

      This I agree with; ID4, MA, and The Arrival all share the same basic premise (although the plots diverge wildly): aliens are trying to take over Earth. I wouldn't quite put ST: FC in with the others, because it was part of a franchise, and it had certain other elements that radically alter the plot (the aliens actually succeed in conquering Earth; the heroes use time travel to go back in time and stop them).

      1997: Volcanos!

      1998: Comets/Meteors!

      Two movies each. Already explained why the Power Rangers movie should not be considered a "volcano" movie.

      1999: Haunted houses!

      * House on haunted hill
      * 6th sense
      * The Haunted

      The Sixth Sense is not a "haunted house" movie by any stretch--

      WARNING!!! SCRAMEUSTACHE IS EXTREMELY SENSITIVE ABOUT SPOILERS, AND YOU MIGHT BE TOO! IF YOU DON'T WANT TO KNOW WHAT HAPPENS IN "THE SIXTH SENSE," I RECOMMEND YOU NOT READ FURTHER!! THAT IS ALL!!

      --of the imagination. The ghost is the protagonist, rather than an adversary (or secondary character), he is not evil, there is no particular house that's haunted (Malcolm is free to go where he wants; he doesn't even know he's dead until the end).

      All you've demonstrated is that, since 1996, there has been at least one year where there were three movies distributed by one of the major Hollywood studios that all had a very similar

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    15. Re:What? Just like... by Scrameustache · · Score: 1

      I'll repeat MY points again, and I won't go down the road of your insane interpretations of these points:

      I have oberved that Hollywood release, within a one year lapse, the same basic movie repeatedly, under different names from different companies.

      My observation is that there is a definate pattern to this.

      I advanced a vague notion of why this might be happening.

      You attacked the observation by explaining in great detail why the vague explanation can't be it. That's stupid, arrogant and insulting.

      There, where were we?

      I noticed that your post said nothing about the other point (why these multiple movies happen), so I'm going to assume you concede that point.

      My obsevation is valid, the "why" is unknown to me.

      Plot. Not premise.

      Semantics. Unimportant.

      Like I said, call it plot, premise, whatever. I call it "basic idea". Like "Alien invasion", or "Haunted House", or "Object from the sky". The house might be an appartment, the invasion might be time travelling borgs or society-infiltrating inverse-legged grey aliens. Its the concept. The thing that can be expressed in a trailer. The essence.

      This one doesn't count because the danger comes from some kind of creature imprisoned inside the volcano, not from the volcano itself. The volcano is immaterial and incidental to the story; the creature could be imprisoned under a seabed or in a magic vault or inside a sandwich without changing the core of the story. In "Volcano" and "Dante's Peak," the volcanoes themselves are the threat. Replace the volcano in those stories with another threat (asteroid, earthquake, aliens) and the story fundamentally changes.

      But it was a volcano. You're obtuse about this.
      It wasn't any of those other things. They had the same fad.

      My point is about movie fads. Saying that they could have not followed the fad doesn't invalidate the fact that they did, it reinforces it. They took the fad and inserted it into their franchise movie (for which they had no concept initially besidse exploiting the franchise).

      I wouldn't quite put ST: FC in with the others, because it was part of a franchise, and it had certain other elements that radically alter the plot (the aliens actually succeed in conquering Earth; the heroes use time travel to go back in time and stop them)

      The fact that its a franchise doesn't mean their aren't using the same idea in the franchise. Its irrelevant to the point. They would have made the franchise movie anyway, they choose to go with the fad.

      And the Borg used time travel to conquer the earth, so time travel had to be used to stop them. Duh.
      In the end, they didn't suceed.

      The Sixth Sense is not a "haunted house" movie by any stretch--

      WARNING!!! SPOILERS! IF YOU DON'T WANT TO KNOW WHAT HAPPENS IN "THE SIXTH SENSE," I RECOMMEND YOU NOT READ FURTHER!! THAT IS ALL!!

      --of the imagination. The ghost is the protagonist, rather than an adversary (or secondary character), he is not evil, there is no particular house that's haunted


      Again, you fail to notice things, or you forget them, and then you say "what you noticed doesn't count because I, the Great Sayer Of What Counts, didn't notice it".

      It is a haunted house movie, they just showed it from the perspective of the haunter for a change. The house that is haunted is his. The person suffering from his haunting is his ex wife. There are noises, opened doors, she suffers from his presence. He is not evil, but he does evil, as the kid explains to him in the end.
      And if you still don't like it, call it "ghosts" instead of "hanted house", different label, same meaning.

      You've only demonstrated 2 movies each for three of the years you mentioned, and if you have noticed anything you will have noticed that almost five more years have elapsed since the last year you quote.

      No, I've shown 3 or more, and I don't have to keep s

      --

      You can't take the sky from me...

    16. Re:What? Just like... by Dirtside · · Score: 1

      I'll repeat MY points again, and I won't go down the road of your insane interpretations of these points:

      I have oberved that Hollywood release, within a one year lapse, the same basic movie repeatedly, under different names from different companies.

      This is changing some of the connotative and denotative elements of your original argument, but that's fine, it's still more or less the same point.

      My observation is that there is a definate pattern to this. I advanced a vague notion of why this might be happening. You attacked the observation by explaining in great detail why the vague explanation can't be it. That's stupid, arrogant and insulting.

      It's stupid to point out why someone is incorrect about something? It's arrogant, when you know more about why something happens than they do? It's insulting? Now I'm confused; should I just have let your original post stand, even though it advanced a theory that I know to be false? I assume that's not what you mean. Do you mean that you agree with my explanation, but think I was rude about presenting it?

      My obsevation is valid, the "why" is unknown to me.

      I explained the "why" in my original response. You have not yet given any arguments as to why my explanation is incorrect. Plot. Not premise.

      Semantics. Unimportant.

      *dirtside chokes on his water and coughs for a minute*

      Are you serious? Changing whether you're talking about the plot or premise makes your argument COMPLETELY DIFFERENT! They're DIFFERENT! Jesus. No wonder we're having so many problems communicating.

      Like I said, call it plot, premise, whatever. I call it "basic idea". Like "Alien invasion", or "Haunted House", or "Object from the sky". The house might be an appartment, the invasion might be time travelling borgs or society-infiltrating inverse-legged grey aliens. Its the concept. The thing that can be expressed in a trailer. The essence.

      The "thing that can be expressed in a trailer" is the premise. "Alien invasion" is the plot premise; "haunted house" is a setting (and more specifically, a subgenre of horror). They are not comparable; there is no element known as "the essence" of a movie. I think what you're grasping for is the idea that these movies share a common core element, but the category of what they share is not common. "Alien invasion" is a bunch of events; "Steve Prefontaine" is a protagonist (there were two biopics about Pre back in 1997/1998). These movies do not commonly share a premise, plot, or setting; what they share is some specific, highly identifiable element, and there's no specific name for that, like "premise" or "plot" or "protagonist" or "essence" or "thing that can be expressed in a trailer."

      Basically, you're using the wrong terminology.

      But it was a volcano. You're obtuse about this. It wasn't any of those other things. They had the same fad.

      Ah, here it begins: "They had the same fad." Thus implying that the reason that these core elements showed up in multiple movies is because one studio decided to make a movie on that topic, and then another studio decided to copy that core element. I already debunked this idea in my original response, and you have not yet addressed that topic at all -- and suddenly you're just claiming that this is the way it is, without a single shred of evidence.

      Do you have any particular evidence that the reason the Power Rangers' creature was in a volcano was because they knew about Dante's Peak and Volcano? Does the fact that "Turbo" came out between Dante's Peak and Volcano affect this at all? Surely if they were following the fad, it would have come out later.

      My point is about movie fads. Saying that they could have not followed the fad doesn't invalidate the fact that the

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    17. Re:What? Just like... by Scrameustache · · Score: 1

      Dude, I made an observation. I wonder what makes it happen like that.

      You stubornly proclaim that if I don't know why its happening, then its not happening.

      Also, you stupidly obsess about an unfortunate choice of word, and you go on and on about the fact that I used the word "premise" at some point to describe something that you admit "there's no specific name for that". Why don't you find a typo I made and go on claiming that it means I'm wrong while you're at it. Sheesh.

      Yet he leaves the house. Repeatedly. Haunted house movies feature demonic (or faux-demonic) villains who are NOT the protagonists

      Well, your thinking is very limited. There is aghost, there is a house, the ghost dwells in the house, does the classic manifestations of hauntings. So to you, the fact that he can leave the house means he's not haunting it. Great, you're an idiot. That solves it.

      Main Entry: 1haunt
      Pronunciation: 'hont, 'hänt
      Function: verb
      Etymology: Middle English, from Old French hanter, probably from Old Norse heimta to lead home, pull, claim, from heimr home
      transitive senses
      1 a : to visit often : FREQUENT b : to continually seek the company of
      2 a : to have a disquieting or harmful effect on : TROUBLE b : to recur constantly and spontaneously to c : to reappear continually in
      3 : to visit or inhabit as a ghost
      intransitive senses
      1 : to stay around or persist : LINGER
      2 : to appear habitually as a ghost

      He's haunting it, jackass. You're too close minded to understand that, your loss.

      It's stupid to point out why someone is incorrect about something?

      Its stupid if the "why" is so obviously wrong.
      Your logic of "the phenomenon you observed does not occur because I disagree with your attempt at explaining its origin" is idiotic, at best.

      You can regurgitate big words, I'm not impressed. You can support outrageous illogical reasonings, that is much more telling about the workings of your mind.

      --

      You can't take the sky from me...

  21. RUN! by travdaddy · · Score: 4, Funny

    War of the Worlds? There's already been a shot overseas? Don't RTFA, head for the hills!!!

    --
    Adidas To Bring Back Sneakernet
  22. Which one will Mel Brooks choose by samberdoo · · Score: 3, Funny

    For his next spoof. Will the Speilberg movie be title "Band of Martians"?

  23. Re:Eh? by Anonymous Coward · · Score: 0

    > Ignoring ACs since 2002.

    time for a new sig, bub.

  24. Everybody's happy by wcrowe · · Score: 2, Funny

    That's great. One movie for literate fans, and one for the NASCAR crowd (Hint: if you don't know which is which, you're in the NASCAR crowd).

    --
    Proverbs 21:19
    1. Re:Everybody's happy by Archangel+Michael · · Score: 3, Insightful

      That's great. One movie for the pretentious elitists, and one for normal people (Hint: if you know which is which, you are a pretentious elitist).

      I can't stand people who demean others, just because they aren't FREAKING pretentious. The Artsy Fartsy crowd is just as bad as the Nascar Crowd.

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    2. Re:Everybody's happy by (void*) · · Score: 1

      Preach it, brother.

    3. Re:Everybody's happy by Anonymous Coward · · Score: 1, Funny

      The Artsy Fartsy crowd may be just as bad, but if I had to choose I'd rather not piss off the Nascar crowd... they have guns...

    4. Re:Everybody's happy by Anonymous Coward · · Score: 0

      You realize the irony of calling someone a pretentious elitist, right?

    5. Re:Everybody's happy by PrimeNumber · · Score: 0, Flamebait

      I can't stand people who demean others, just because they aren't FREAKING pretentious.

      If being literate is your idea of being pretentious, then by all means please hang around all of your 'normal' NASCAR friends and dont associate with the likes of us snobby literati.

    6. Re:Everybody's happy by Anonymous Coward · · Score: 2, Funny

      I don't believe it. Glorification of mediocrity and the belittling of intellectual endeavour, right here on Slashdot.

    7. Re:Everybody's happy by Anonymous Coward · · Score: 0

      Speaking of literacy, you spelled "don't" wrong.

    8. Re:Everybody's happy by wcrowe · · Score: 2, Insightful

      Is is any wonder that the American education system is the laughingstock of the world when mere literacy is treated as elitism?

      --
      Proverbs 21:19
    9. Re:Everybody's happy by thenextpresident · · Score: 2, Interesting

      It's not that literacy is being treated as elitism, it's that the elitists are treating literacy as elitism. The original post stated one movie for the literates, one movie for the Nascar fans. Their is definetly implied elitism there.

      Next, being literate is not simply mere. Literate doesn't just mean being able to read and write. In fact, literate usually means well read, or well learned.

      The implication is that people who are educated will like one, while those who are not educated will like the other.

      Which is all very interesting, because the purpose of movies and books are basically to entertain. Therefore, a movie that entertains more people could be considered better than a movie that only entertains a select few (the elitists). After all, the movie that entertains more people has accomplished it's main goal more-so than the other movie.

      Note: Please do not take the above as me saying I like X type of movies. Assuming that from reading the above is very Nascar-like of you. =)

      --
      Jason Lotito
    10. Re:Everybody's happy by Anonymous Coward · · Score: 0
      That's great. One movie for the pretentious elitists, and one for normal people (Hint: if you know which is which, you are a pretentious elitist).

      I can't stand people who demean others, just because they aren't FREAKING pretentious. The Artsy Fartsy crowd is just as bad as the Nascar Crowd.
      Sure... except the "Artsy Fartsy" crowd doesn't think it's cool to torture and kill innocent civilians. Big difference.
    11. Re:Everybody's happy by Archangel+Michael · · Score: 1

      Your post proves my point. You think anyone not pretentious is illiterate. Could it be that they find that crap boring snobbery?

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    12. Re:Everybody's happy by Archangel+Michael · · Score: 2, Insightful

      It so happens that NASCAR requires a great deal of "literacy" to be successful. Physics, Chemistry, Engineering, all sorts of other technical skills.

      The drivers aren't some dumb guy sitting behind a stearing wheel either. That is mearly your OPINION. I think most of the Artsy Fartsy crowd is illiterate in math and sciences. Sure, they may know art, literature and all the pretty shinies (debatable looking at what they consider "art").

      The fact is, that they are pretentious, thinking that what they know is somehow more important than what the NASCAR crowd knows.

      Personally, I think BOTH crowds can learn from each other. The Artsy Fartsy crowd can learn how to race their gas / electric Hybrids, and the NASCAR crowd can learn how to paint their bodies better.

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    13. Re:Everybody's happy by Anonymous Coward · · Score: 0

      Except, the artsy fartsy crowd has all their teeth.

    14. Re:Everybody's happy by Anonymous Coward · · Score: 0

      And you think anyone literate is pretentious. You're even.

    15. Re:Everybody's happy by Archangel+Michael · · Score: 1

      No, I think anyone who thinks that their form of literacy is some how superior is pretentious. I prefer well rounded people to EITHER croud.

      Actually, I prefer unpretentious KIDS to most people. They don't think they are better than everyone else, they just are better, because they haven't been ruined by the rats yet.

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
    16. Re:Everybody's happy by AndroidCat · · Score: 1
      The Artsy Fartsy crowd is just as bad as the Nascar Crowd.

      An artsy-fartsy art critic deconstructing a NASCAR race would be interesting and fun for everyone--especially when the art critic gets his skull bashed in at the end when he's talking about the message the driver was trying to convey.

      --
      One line blog. I hear that they're called Twitters now.
    17. Re:Everybody's happy by Anonymous Coward · · Score: 0

      I agree. And until that happens, hopefully you can learn to use a spell checker. (Stearing? Mearly? Debatable?)

      Kind of relevant when talking about illiterates, no?

    18. Re:Everybody's happy by aWalrus · · Score: 1

      and you should check your dictionary. "Debatable" is a perfectly valid word (look it up).

      --
      Overcaffeinated. Angry geeks.
    19. Re:Everybody's happy by Anonymous Coward · · Score: 0

      unpretentious KIDS

      Hmmm. Would those be the children of NASCAR fans running around screaming in the restaurant while you're trying to enjoy a quiet dinner? Perhaps next time I'll ask to be seated in the "non-unpretentious children's" section.

    20. Re:Everybody's happy by wcrowe · · Score: 1

      Which is all very interesting, because the purpose of movies and books are basically to entertain.

      The purpose of some movies and books are to entertain. But that is not the reason many writers or directors do what they do. The books and movies which populate the canons of literature, those which are considered to be important contributions to civilization, were written to inform; to educate; to comment on social issues; etc.

      If it is "pretentious" to consider books and movies which are thought-provoking to be superior to those which are designed to elicit an orgasmic spasm of emotion, and fill the bank accounts of their creators, then I am pretentious; elitist; and proud of it.

      --
      Proverbs 21:19
    21. Re:Everybody's happy by Archangel+Michael · · Score: 1

      If you want a quiet dinner, why are you eating at Mc D's?

      --
      Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
  25. It's about time by Anonymous Coward · · Score: 2, Interesting

    You wait for a WotW film for decades, then 2 come along at once... seriously, though, the idea of doing a production of the original version, not the godawful american update (why must EVERYTHING be set in the US with US actors?) can only be a good thing. The original WotW was full of social commentary on the europeans in africa etc and colonialism. Cheesy spielberg remakes will be terrible.

    1. Re:It's about time by wcrowe · · Score: 1

      (why must EVERYTHING be set in the US with US actors?)

      Worse, are the movies set in England, with US actors (The Importance of Being Earnest, Vanity Fair, etc.)

      --
      Proverbs 21:19
    2. Re:It's about time by Detritus · · Score: 1

      Why didn't the Brits make their own version? Hammer made some great Sci-Fi movies, like Quatermass and the Pit.

      --
      Mea navis aericumbens anguillis abundat
    3. Re:It's about time by sedition · · Score: 1

      More like.. "Set" in the US but filmed in Canada by american actors living in Canada as a tax shelter.. Produced by Paramount using local (canadian) production houses.

      (Yes, I live in Vancouver.)

    4. Re:It's about time by Anonymous Coward · · Score: 0

      Because that's where the major movie studios are headquartered. If you want a movie set in Germany, France, or Italy with actors from those countries, go for it. I'm sure there are plenty.

  26. Very overblown by GuyMannDude · · Score: 4, Informative

    Actually, the commonly-believed story that there was mass panic was really a newspaper-fueled fantasy. The number of people who actually were scared enough to go ape-shit was quite small. You can read more about the overhyped-hysteria here -- go down halfway on the page until you get to "Book Excerpts, by Prof. David L. Miller".

    By the way, the rest of that page has a lot of interesting material on the War of the Worlds broadcast, if you are interested.

    GMD

    1. Re:Very overblown by Brandybuck · · Score: 1

      My dad recalls that the first he heard of the panic was the next morning's newspaper. It certainly didn't happen in his city. I guess the midwesterners were more sensible than those living in Grover's Mill.

      --
      Don't blame me, I didn't vote for either of them!
  27. I kind of liked the original version by Dark+Paladin · · Score: 4, Insightful

    I mean, the original movie version. When was that made - 1960's, 1970's or so?

    It is probably the quintessential sci-fi movie: the professor and the "cute girl" trying to survive a terrible horror, the place of faith and science, and then the classic ending - with a bit on the usefulness (or, uselessness) of atomic energy.

    I need to get the DVD of that and show it to my kids. I don't think this is nostalgia talking (I hate nostalgia the way some people hate liver), but some of the sci-fi movies of the 60's-70's had more style, or at least made more sense and prompted deeper questions.

    Look at "The Time Machine". The original left you wondering "You know, if I was going to rebuild civilization, what three books would you take?" I remember having discussions with people over this issue, the sheer philosophy and rational behind such a decision.

    The modern version? You wondered how the hell those guys grew brains out of their spines, and how Weena learned English. Yeah. Lots of thought put in there.

    1. Re:I kind of liked the original version by Anonymous Coward · · Score: 0

      Wasn't Weena in the Time Machine not WotW ?

    2. Re:I kind of liked the original version by spitzak · · Score: 3, Informative

      That was George Pal's War of the Worlds, made in 1953. George Pal also made the other movie you mentioned, The Time Machine in 1960.

      George Pal also made When Worlds Collide and several other big budget (for the time) science fiction films. He really was the Spielberg/Lucas of that time.

    3. Re:I kind of liked the original version by Anonymous Coward · · Score: 0

      I can see that you truly hate nostalgia like liver. You have one of both

    4. Re:I kind of liked the original version by Anonymous Coward · · Score: 2, Informative
      I'm glad you liked both those films, since they were both made by the same film producer: George Pal.

      He also made Destination Moon, one of the first "realistic" science fiction movies, as well as When Worlds Collide. His earlier work included Puppetoons, three dimensional animation using puppets with replacable parts.

      Here is a nice synopsis for you. Plus, he was apparently just a really nice guy.

    5. Re:I kind of liked the original version by lawpoop · · Score: 3, Funny
      "I need to get the DVD of that and show it to my kids."

      Yeah, they'll love that!

      Dad: "Kids, get in here! We're watching a movie."

      Bro: "Not again!"

      Dad: "This is a great Sci-Fi classic. I loved it when I was your age."

      Sis: "I hate these movies!"

      Mom: "Honey, just let them play on their own."

      --
      Computers are useless. They can only give you answers.
      -- Pablo Picasso
    6. Re:I kind of liked the original version by hachete · · Score: 1

      Ah yes. And only one of us can remember Pal's name...so I'm guessing Spielberg's future stock can't rate that highly.

      --
      Patriotism is a virtue of the vicious
  28. Independence Day by selfsealingstembolt · · Score: 5, Interesting

    ... where as Spielburg's version will be drastically modified to a more modern version ...

    Hasn't that been done by Emmerich already? If you take a look at the plot of ID4:
    - Aliens attack earth
    - Their weapons are far superior
    - Our weapons cannot hurt them really
    - A virus kills them

    It has a very close resemblence to the book War of the Worlds, the difference is that it is set in modern times.

    --
    Keep open minded - but not that open your brain falls out...
    1. Re:Independence Day by HaloZero · · Score: 1

      Actually, a nuke killed them, but I suppose the virus helped. ;)

      --
      Informatus Technologicus
    2. Re:Independence Day by Anonymous Coward · · Score: 2, Interesting

      Another similarity:

      The original movie had a B-49 Flying Wing deliver a nuclear weapon against the invaders, and ID4 had a B-2 stealth bomber (essentialy a flying wing) deliver one.

    3. Re:Independence Day by Anonymous Coward · · Score: 2, Insightful

      The difference is that in ID4, humans created the virus. It's an important point in the book, and central to the American movie that the Martians were killed by something that humans did not create.

    4. Re:Independence Day by Anonymous Coward · · Score: 0

      Regarding ID4:

      s/virus/nuclear weapons/

      The (computer) virus is just one stage in the heroic human counteroffensive. Of course, although it's international, the mighty Americans are the ones organizing it and saving the various ethnic stereotypes which volunteer to fly some jets.

      Nothing could be further from the WotW plot while still being about an alien invasion.

    5. Re:Independence Day by sharkey · · Score: 3, Funny

      Pretty close. Rumor has it that in Spielberg's WotW, the Martians turn out to be absolutely terrified of walkie-talkies, and provide flying bicycles to humanity as a concession in the peace treaty after they find out that every cop, FBI/CIA/DHS/RIAA agent and soldier/sailor/airman on Earth is armed with one.

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
    6. Re:Independence Day by Scrameustache · · Score: 1

      ID4:
      - Aliens attack earth
      - Their weapons are far superior
      - Our weapons cannot hurt them really
      - A virus kills them

      It has a very close resemblence to the book War of the World


      That last item is a big misdirection.

      In the book, its supposed that it was a natural bacteria.
      In ID4, what you call a virus I call exploiting the faults of the earth tech the aliens were using against earth, and then fighter planes. Its a technological solution by war-like humans against war-like aliens. Not a point about evolution and the need for quarantine when moving to an alien biosphere.

      But of course ID4 is very close to WotW, its inspired heavily by WotW (and Childhood's End). Its a commercial postmodern recycling of proven sucesses. It takes elements of previous works and mixes them together to create something "new". Its not a direct adaptation though.

      --

      You can't take the sky from me...

    7. Re:Independence Day by dewright_ca · · Score: 1

      It wasn't even a nuke, it was a F/A-18 caring a AMRAAM missle that detonated in the energy plume.

      --
      He who is always at the bottom of the distribution list, but needs the information first!
    8. Re:Independence Day by Anonymous Coward · · Score: 0

      That kind of reminds me of Timothy Zahn's Conqueror's trilogy (SPOILERS FOLLOW!), in which the aliens are actually hurt by radio. It was mostly a plot device to explain how a war could be started with both sides accurately declaring the other side fired first (we just tried to say "hello").

    9. Re:Independence Day by Anonymous Coward · · Score: 0
      And when they made ID4, there were probably a lot of people saying...

      "Hasn't this done by Wellese already?"

    10. Re:Independence Day by Kaki+Nix+Sain · · Score: 1
      How is ID4 like Childhood's End?

      --

      (C) Kaki Sain, 2011. By reading this, you have illegally copied my property to your brain.

    11. Re:Independence Day by sharkey · · Score: 1

      Kind of like "Mars Attacks!"?

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  29. Public Domain. by Anonymous Coward · · Score: 1, Informative

    This is why more art source need to be in the public domain. English copyright laws are much better than American. Disney raids the public domain : Cinderella, Pinnochio, Pocahontas, Sleeping Beauty, etc. etc. Then moans and groans that copyright laws to be extended forever and ever.

  30. Possible because WOTWorlds is in the public domain by thisissilly · · Score: 5, Informative
    War of the Worlds was original published in 1898. At the time, US copyright lasted for 28 years, and was renewable at that point for a second 28 year term, so copyright could have lasted until 1954. Now that it's public domain, no-one needs to ask permission to make a film out of it.

    In comparison, H.G. Wells died in 1946. If Wells had lived under current US copyright law (life+70), WotW would not be public domain until 2016.

  31. My first Mod Parent Up! posting by ashitaka · · Score: 3, Funny

    The article successfully compares how people can be easily deceived by simulations.

    1938 - War of the worlds (Fake news broadcast)
    1950's - Game shows (Fake game shows)
    1990's - Milli Vanilli (Fake singing)

    --
    If you don't want to repeat the past, stop living in it.
    1. Re:My first Mod Parent Up! posting by nemski · · Score: 0, Troll

      1938 - War of the worlds (Fake news broadcast) 1950's - Game shows (Fake game shows) 1990's - Milli Vanilli (Fake singing) 2000's - George W. Bush (Fake Presidency

      --
      Some people have a way with words, others not have way.
    2. Re:My first Mod Parent Up! posting by dylan_- · · Score: 3, Insightful


      2004 - Gulf War2 (Fill in your own) :-)

      --
      Igor Presnyakov stole my hat
    3. Re:My first Mod Parent Up! posting by zipfaust · · Score: 1

      And.....

      2000's Britney Spears(fake singing & boobies) ;)

    4. Re:My first Mod Parent Up! posting by DAldredge · · Score: 0

      2004 - John Kerry (Fake Man of the People(tm))

    5. Re:My first Mod Parent Up! posting by Anonymous Coward · · Score: 0

      Can we have one freaking story where some loser doesn't bring up the "Evil Bush" or the "Evil United States?" Focusing on only the "Evil Bush" and the "Evil United States" takes focus away from the true evil in this world: the "Evil Grimace."

    6. Re:My first Mod Parent Up! posting by Anonymous Coward · · Score: 0

      Evil Grimace ? Isn't that Barney ?
      I know, "Barney for President" ! I'm waiting to see the "Anybody but Bush" crowd jump on this opportunity.
      After all, he's non-white, frequently on public television, and possibly loves kids even more than Michael Jackson. (nevermind that he turns them into drooling zombies)
      He's a shoe-in for the D ticket !

    7. Re:My first Mod Parent Up! posting by Viceice · · Score: 5, Interesting

      A true story about the power of Radio

      Around the early 90's, Malaysia had about 3 radio stations that broadcasted in English. The more predominate one was the government owned Radio 4. It is an unformatted station and the DJs basically had the freedom to do whatever they wanted, as long as they were within the tolerances of censorship law.

      Radio 4's morning show (morning till about noon) was hosted by a DJ named Patrick Teoh, whose morning show usually consisted of a talk show where he would highlight social issues and current events. He brought up issues like the horrible traffic situation, dirty public toilets and as much as he could, criticism of the follies of those in power.

      So, about a week before April Fools day, Patrick was called upon by a friend of his, a Creative Director at an advertising agency. The agency wanted to do a little stunt for April Fools day and a plan was hatched.

      Rather a duck was hatched. It was agreed that on April Fools day, Patrick would start his show as normal, and as the topic of the day, he would highlight the (fictional) case of an advertising agency abusing ducks. The Story was that an advertising agency, in making an advertisement featuring dancing ducks, got the ducks to dance by placing them on hot plates and filming them as their feet were burned and jumped.

      As expected, the radio station's switch board lit up like a Christmas tree, with callers angrily criticising the Ad agency for their cruelty towards animals and along the way, angry words were said, along with demands for more details and the identity of the company.

      As was the plan, about halfway through the show, a (fictional) lady secretary form the Ad Agency was to call the station and she was to tell a (again fictional) sob story about how she felt so guilty that her company was doing this and how the Creative Director for whom she worked was a really cruel man and he was keeping teh ducks in a back room at the office. Along the way she let it slip that the Creative Director was a foreigner.

      After the call, again came a new torrent of callers. This time, instead about being about the ducks, the nature of the called suddenly turned nationalistic, with things like "How dare these foreigners come to our country and do this to our ducks?" being said and people were demanding that the Creative Director be sacked and booted out of the country.

      Next on the script was a call from a fictional animal rights group, it called itself GNAP, which if you said out loud sounds exactly like the word for 'duck' in a local dialect, the first clue that the whole thing was an April Fools joke. So the group voiced its objections and vowed action. (Satire on the many real life NGO's who are mainly talk and little action)

      A few more calls later was the finale, where the Managing Director of the Ad Agency was to call. In his call he would make a public apology on the company's behalf, explaining that the Creative Director acted on his own and the end of the call was a dramatic firing of the Creative Director, with "... wherever you are, if you are hearing this, consider this yourself fired and come over and pack up your things"

      Now, even though the Ad Agency was real, the Creative Director was indeed the person named, the story about the ducks, the secretary's admission, the animal rights group and the dramatic closing were pure fiction. It was to be announced later that the who thing was just a April Fools prank.

      Now, what wasn't expected that while all this was going on, the real life SPCA was listening in and alarm bells went off. In the heat of the moment, without proper investigation, a police report was lodged against the Ad Agency for cruelty to the ducks. Just after the drama ended on radio, a team of policemen along with the SPCA raided the premises of the Ad Agency.

      It was of course explained to the raiding party that the whole thing was a joke, but with all the outrage, the secretary's emotional admission and the dramatic firing of the Creati

      --
      Sometimes I wish I was a plumber, then I'd know how to deal with other people's shit.
    8. Re:My first Mod Parent Up! posting by Perky_Goth · · Score: 1

      shouldn't it be a wild duck chase? anyway, using a real company is basis for a lawsuit.
      cute story, though.

    9. Re:My first Mod Parent Up! posting by Viceice · · Score: 1

      Why a lawsuit? It was the company's idea in the 1st place.

      --
      Sometimes I wish I was a plumber, then I'd know how to deal with other people's shit.
  32. It's about stealing a brand-name by GuyMannDude · · Score: 3, Informative

    I don't understand why we even bother making movies from books if we are going to change the stories completely.

    Oh, come on! That's an easy one! Two words: name recognition. Making a movie is an expensive proposition and is always risky. By co-opting a well-known name and slapping it on their product, the studios already have a built-in market. They can save money on promotion and marketing as well. We saw this a few years ago when Tri-Star took the internationally-known brand-name of Godzilla and slapped it on the front of a movie in which the monster bore little to no resemblance to the real deal.

    Never underestimate the power of a brand-name. Remember when we were kids and you just *had* to have Pac-Man on your home console? The fact that the home versions really, really sucked didn't matter all that much? Remember how you were more happy to have a 3rd-rate version of Pac-Man rather than a 1st-rate version of, say, Mousetrap or some other Pac-Man-like maze game? That's what I'm talking about here. So it is with movies as well.

    GMD

    1. Re:It's about stealing a brand-name by Anonymous Coward · · Score: 0

      I preferred A-MAZE-ING on the ti99. It rocked!

    2. Re:It's about stealing a brand-name by kmak · · Score: 2, Insightful

      Cue I Robot..

      --

      I'm not the devil.. just his advocate.
    3. Re:It's about stealing a brand-name by Anonymous Coward · · Score: 0

      Pac-Man as kids? I'm only 18 years old you insensitive clod!

    4. Re:It's about stealing a brand-name by Dogtanian · · Score: 1

      According to one guy who posted on Slashdot a while back, the 2600 conversion of Pac-Man was one of the traumatic events of his childhood. (Wish I still had the link)

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
  33. Changing the story completely by dpilot · · Score: 1

    I usually agree with you. For that matter, I was disappointed when the original War of the Worlds came out, because they'd moved the setting into contemporary times. I was hoping to see the big mechanical tripods, but I like the retro look, so I'm also looking forward to seeing Sky Captain.

    But I have one counter example: Overdrawn at the Memory Bank.

    I first saw this as a low-budget PBS movie starring Raol Julia. Sometime later, I came across the short story by John Varley. It seemed to me that the short story had a bunch of excess crap, and the movie cut right to the core theme. I wonder if this is because I saw the movie first. I wonder if I had read the story first, I would have thought, "They cut out all the details!"

    --
    The living have better things to do than to continue hating the dead.
  34. Amazing no one posted the site... by AnswerIs42 · · Score: 4, Informative
    The official page for the movie is here.

    There are some stills. But only of the actors. Nothing on how the war machines look yet. Or the thunderchild.

    Should check out the Chrome trailer, pretty interesting.

    1. Re:Amazing no one posted the site... by guybrush876 · · Score: 1

      while you are at it check the other movies made by Timothy Hines.

      They are almost all low-budget sci-fi movies, so don't get to mutch hopes about this film. Altougth a low budget/home made could turn out to be some great cult movies (Peter Jackson) this film doesn't give much hope on that happening.

      So I think that Spielberg can handle the competition, and by he way his film was already rumored for a name change so it's probable that is version his very different from the book.

  35. The backstory to this would be a good 1984 by Afty0r · · Score: 3, Interesting

    In 2002 they had finished filming, and moved the release date from 2005 to 2004:
    http://www.pendragonpictures.com/CRMtrlr1.h tml

    Now, apparently, today in 2004, they are announcing a release date of 2005.

    Chrome - back then finished and ready to hit cinemas in 2003 still has not emerged yet - here in 2004.

    Apparently they searched high and wide for acting talent (wantint to cast unknowns) and auditioned over a thousand people, only to decide to carry on with a lead actor from Chrome.

    Is this some sort of joke? Anyone got an inside scoop?

    1. Re:The backstory to this would be a good 1984 by Anonymous Coward · · Score: 1, Insightful

      According to his website, Hines shot "Chrome" in Spring of 2002 in Tacoma, WA, but there is no indication anywhere that he has yet to get a legitimate distribution deal, for this or any of his other films. "Bug Wars" his last "feature" evidentally had some sort of a distribution deal with a company called Escape Entertainment, which I believe was some sort of an offshoot of Troma Films or run by former employees or something, and which by all indications has since gone belly up.

      According to some quick Googling, at the time he was shooting "Chrome" he was touting "WoTW" as a "$40 million feature", and hinted that he was "in negotiations" with Sir Michael Caine and several other notable film professionals to star in it. According to sources in the industry, what actually happened was that Hines merely sent unsolicited scripts to various agents, and then used this extremely tenuous contact (his inquiries were never acknowledged) to promote himself to any SF geek with a self-published website (the kind of people who actually aspire to be the next Harry Knowles).

      Again, according to a brief search, Hines has self-produced a number of films, most of the extremely low-budget "Grade Z" variety, and has been playing this "We'll beat Spielberg" angle with "WoTW" for several years now, even intimating along the way that he was open to some sort of "collaboration" between he and Spielberg (which is either hilariously naive, or sadly pathetic depending on how you look at it).

      As to this current round of PR hot air, you'll notice there's nothing in any of the published stills that shows any specific location or setting, which makes the "European locales" angle highly questionable (hey, that's what stock footage is for, right?) and obviously none of the cast is anyone anybody has ever heard of, so don't hold your breath that this thing will either a.) ever see the light of day or b.) even if it does, that it will be of anything approaching professional quality -- unless you're the sort of person who considers crude, Adobe Photoshopped CGI effects, horrible acting, and obsessively delusional self-promotion "professional".

      Truth is, all indications are this is a guy who personifies the definition of "huckster", and while self-promotion is fine so far at it goes, it's also pretty clear he has yet to produce a film that even remotely lives up to his own image of himself.

      In short, he's Ed Wood trapped in Orson Welles ego.

    2. Re:The backstory to this would be a good 1984 by Bruce · · Score: 1

      I'm friends with the lead actor Anthony "Pacino" Piana (although I'm not speaking for him here). My understanding is that this movie will be distributed to over a thousand Landmark theaters throughout the U.S. The movie is legitimate but obviously isn't big budget. I know Anthony did travel to London for at least some of the shooting.

      Anthony himself is an excellent fellow and based on my acting experience (not much but several years) he's a legitimately good actor with star potential. He got his training through NYU. He's coached my improv group several times and compared with many coaches with lots of experience including tv and movies, Anthony has just as much to offer.

  36. timing by ch-chuck · · Score: 1

    would be great timing for a new WOTW movie to be released at the same time that they decide the 'interesting' SETI signal actually was real ETI.

    Would be really interesting to get a series of ETI signals, and find out they're coming this way fast

    --
    try { do() || do_not(); } catch (JediException err) { yoda(err); }
  37. Welles by Detritus · · Score: 1

    The Orson Welles adaptation of H.G. Wells' work was a classic in its own right. I think both can coexist.

    --
    Mea navis aericumbens anguillis abundat
  38. You Insensitive Clod! by ChiefPilot · · Score: 1

    I like literature _and_ NASCAR !

    1. Re:You Insensitive Clod! by cakefool · · Score: 1
      I like literature _and_ NASCAR !

      yes - I just watch it to read the er, sponsors...

  39. No doubt... by JustNiz · · Score: 0, Flamebait

    Speilberg will again warp the original story for the US audience so that the plot will now incorrectly have American heroes instead of Brits, a la U571, or worse still, American actors trying to do British accents.

    1. Re:No doubt... by east+coast · · Score: 1

      Speilberg will again warp the original story for the US audience so that the plot will now incorrectly have American heroes instead of Brits, a la U571,

      This used to bother me a lot at one point but no longer. Well, the U571 would only for historical purposes but...

      What's the big deal? OK. As much as I think the film will suck in the face of the Well's story what's wron with it being Americanized? If Americans are the core audience than this is how it should be. If Brits (or whomever else) want to spit on the US for it than so be it. The real bottomline is addressing your audience. This isn't a problem by most standards. Supporting those who support you is perhaps the best policy.

      --
      Dedicated Cthulhu Cultist since 4523 BC.
    2. Re:No doubt... by Hassman · · Score: 2, Interesting

      How about Brits using Brit accents when they are suppose to be Russian?

      Also, when did he warp a story before? Your argument is much more effective when you give examples... Because he didn't do U571, as you implied...

      --
      -Mark
      Dovie'andi se tovya sagain.
    3. Re:No doubt... by Dogtanian · · Score: 1

      This used to bother me a lot at one point but no longer. Well, the U571 would only for historical purposes but...

      Well, yeah. That was the problem; it was a distortion of recent history. I'm not going to rant about this, but it's not the same as changing something that was fictitious to start with.

      The real bottomline is addressing your audience. This isn't a problem by most standards.

      Essentially, you're saying it doesn't really matter what you do with the source material, as long as the (intended) audience come and see it?

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    4. Re:No doubt... by east+coast · · Score: 1

      Essentially, you're saying it doesn't really matter what you do with the source material, as long as the (intended) audience come and see it?

      We already know that the source material is not going to be at the center of the American WotWs. If someone wanted to do an authentic HGW version sure, they should use the book-told time and place. But I wouldn't feel insulted if a German speaking version of The Grapes of Wrath was done using German actors and in the German language.

      --
      Dedicated Cthulhu Cultist since 4523 BC.
    5. Re:No doubt... by Dogtanian · · Score: 1

      My point was that you essentially said "it's okay to make a change to fit the intended audience" (correct me if this paraphrasing is inaccurate).

      That's more general than changing nationality or language; that pretty much says that it's okay to make *any* change to the source material.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    6. Re:No doubt... by oshy · · Score: 1

      I thought the link was going to be 'The Hunt for Red October'

  40. Not really... by GuyMannDude · · Score: 1

    Hasn't War of the Worlds already been remade about 50,000 times? Independence Day? Signs? Heck, even the old 'V' mini-series was basically the same story.

    I'm not sure what you mean by "basically the same story". You mean they all featured mankind trying to repel an alien invasion? Because that's where the similiarites stop. Indepedence Day follows the trials and tribulations of the heros who are going to stop the bad guys. Signs is a focused study on how one family reacts to the threat. "V" examined whether a group of rag-tag freedom fighters could actually win against a technologically-superior advesary. War of the Worlds, on the other hand, largely deals with how society as a whole deals with the invasion. Remember the encounter between the newspaper reporter and the artillary man? Or with the parson and his wife? I think any similiarities between War of the Worlds and the movies you list above is pretty superficial.

    GMD

    1. Re:Not really... by PCM2 · · Score: 1
      I'm not sure what you mean by "basically the same story". You mean they all featured mankind trying to repel an alien invasion? Because that's where the similiarites stop. Indepedence Day follows the trials and tribulations of the heros who are going to stop the bad guys. Signs is a focused study on how one family reacts to the threat. "V" examined whether a group of rag-tag freedom fighters could actually win against a technologically-superior advesary.
      Yeah? So how significant do you think the similarities will be between Steven Spielberg's movie and Welles' War of the Worlds? Let me guess ... there will be no heroes, no touching family moments, and no rag-tag freedom fighters. Right?
      --
      Breakfast served all day!
  41. Re:Of course it will be drastically different/mode by Shadow+Wrought · · Score: 2, Interesting
    JarJar will not be in the theatrical release. However, he will be inserted in the DVD edition because "that's we really wanted to do all along..."

    In all seriousness though, I find myself more excited about this version than the Hollywood version. I hope the Peter Jackson philosophy continues to trickle through movie making.

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  42. p0wn3r3d! by Anonymous Coward · · Score: 0
    HAH! EAT IT, Lucasberg!

    Sadly, I'm sure the British production will be a better rendition of the original source -- and relegated to distributino in the US only via NetFlix.

  43. Re:I'd say That the fellows at Pendragon were beat by mikael · · Score: 1

    I loved that show, cheesy as it was

    Here's another link with an episode guide

    Who can forget the greeting of the Advocacy: TO LIFE IMMORTAL!

    To keep the budget down they just created one video of the aliens in alien shaped spacesuits standing around in a circle and wobbling about a bit, and the script would be dubbed over at a later date.

    --
    Vintage computer adverts: http://www.vintageadbrowser.com/computers-and-software-ads
  44. Don't forget to see the original first... by Chuck+Bucket · · Score: 1

    As always, see the orig first for the 'full' story: War of the worlds (1953). Will be interesting/weird to see how they update it, special effects non-withstanding.

    CVB

    1. Re:Don't forget to see the original first... by Anonymous Coward · · Score: 0

      Or read the book, which is quite different from the movie. It's still a good movie, but it's not the same as the book.

    2. Re:Don't forget to see the original first... by MrBlackBand · · Score: 2, Interesting

      Wouldn't the original be the book? The 1953 movie was very different than the book. I liked the book much better, mainly due to the contrast between the 19th century Earth and the much more advanced Martians. The towering Martian war machines were much more frigtening in my mind than the hood-ornament saucers in the movie.

      --
      "It is difficult to get a man to understand something when his salary depends upon his not understanding it."
  45. Re:Of course it will be drastically different/mode by ackthpt · · Score: 1
    The English version is staying true to the original story, which was set in the late 1800's, where as Spielburg's version will be drastically modified to a more modern version.

    All I can say is thank goodness! Spielberg, Cruise, modern day setting -- it practically had all the makings of another Battlefield Earth.

    One of my little lottery fantasies, for years, was to do a War of the Worlds true to the original book, which I found utterly gripping while reading it in 6th grade (I still find it an excellent read!)

    --

    A feeling of having made the same mistake before: Deja Foobar
  46. Nah, they just club us with their walkie-talkies by Shivetya · · Score: 3, Funny

    Spielburg's aliens won't even have death rays, most likely they will just have a new improved orgasmatron :)

    The Earth ends up winning when we subject the aliens to 24 hour round the clock election coverage

    --
    * Winners compare their achievements to their goals, losers compare theirs to that of others.
  47. No Big Deal by kannibal_klown · · Score: 2, Insightful

    Spielberg used to be pretty dang good. However, his "updated" version of ET was laughable; I particularly like South Park's spoof about "Saving Private Ryan" with all guns replaced by walkie-talkies.

    Let's take "I, Robot" for example. It didn't really capture the complexities of Asimov's short stories, but for what it was, it was an alright flick. It was a summer action flick with some parallels to the themes in Asimov's book, particularly the end. Yeh, it was obvious, dumbed down, and action-packed; but what else would you expect from a Summer movie with Will Smith?

    Depending on how it looks, I might go see it, or at least wait until it's available "On-Demand." Will I expect the quality of story-telling from the original? No. Will I expect something visually stunning with perhaps some decent directing? Probably.

    I'll have to wait and see, but I'm not going to put it down simply because Spielberg cannot possibly live up to the expectations of movie-buffs everywhere. I'll give him the benefit of the doubt, for now.

    Hey, at least Lucas isn't involved.

    1. Re:No Big Deal by kannibal_klown · · Score: 1, Interesting

      Oops, I hit "Submit" by accident.

      Personally, I'll definately go see Hines's version, probably ebfore Spielbergs (assuming they came out at the same time, which the article suggests might not be the case).

      I think there's room for both. Sure, the Joe Sixpack will probably line up in front of Spielberg's simply because they know the name, but I have no problem seeing both.

  48. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  49. remakes by Fuzzums · · Score: 1

    If you saw 'aroung the world in 80 days' please don't believe the original story is anything close to the movie. Actually the movie is an insult once you understand the beauty of the book.

    I hope Spielberg doesn't ruin the story too much..

    --
    Privacy is terrorism.
    1. Re:remakes by Anonymous Coward · · Score: 0

      Actually, that depends on which movie. The 1956 version was pretty good.

  50. Re:But what about the Mexican version? by JustNiz · · Score: 0, Troll

    It probably got outsourced to India where it will be filmed in Hindi by Mr. Dalliwallispielbergi, then badly overdubbed into English.

  51. Translation by jridley · · Score: 1, Insightful

    Hines feels there will be room for both films to exist, as they will be drastically different in story and scope.

    Spielberg's hacked version will suck but will make millions. Hine's version will be sweet, but will make far less (if anything).

    Why does Hollywood think everything has to be brought into present day? Remember Godzilla 2K? (not if you're lucky).

    1. Re:Translation by Hassman · · Score: 1

      Yea, but that is only true if Spielberg was a bad director, which he isn't, so you're wrong...

      Hacking is bad? This is slashdot, how could you say such a thing. :)

      --
      -Mark
      Dovie'andi se tovya sagain.
    2. Re:Translation by jridley · · Score: 1

      You may be right. Thank God it isn't Lucas doing the maiming.

    3. Re:Translation by Hassman · · Score: 1

      Yousa mean yousa don't likie da George Lucas?

      Good god. I'd gouge out my eyes if he did.

      --
      -Mark
      Dovie'andi se tovya sagain.
  52. Will the modern version based on the TV series? by Anonymous Coward · · Score: 0

    After all, it was supposed to be a sequel to the 1954 series. Will this movie be a sequel of both sources? The aliens aren't going to end the invasion just because of bad TV rating.

  53. Sing it now: "The chances of..." by payndz · · Score: 1
    "...a remake being good / are a million to one, he said. The chances of a remake being good / are a million to one... BUT STILL THEY COME!"

    Bring on the animated Jeff Wayne version!

    --
    You must think in Russian.
    1. Re:Sing it now: "The chances of..." by Scrameustache · · Score: 1

      The chances of a remake being good / are a million to one... BUT STILL THEY COME!

      They're making them as fast as they can so that they can get the sucky million out of the way and finally make a good one ;-)

      --

      You can't take the sky from me...

    2. Re:Sing it now: "The chances of..." by Zate · · Score: 1

      Hell yea..i am with you.. i still listen to that double CD regularly..

      --
      IT is Dead. The industry is Shot Join Others Who Feel Your Pain http://www.internalstrife.com/
  54. Your sig. by missing000 · · Score: 1

    "history never repeats itself--but it does rhyme" -Twain

  55. And FURTHERMORE... by Thud457 · · Score: 1
    Remember, this was right on the eve of WWII.

    Most of the people that acutally went out looking to drive off the invaders with their shotguns assumed that the radio reports were incorrect and that the US was actually being invaded by the Germmans.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  56. I have always wanted to see by dmatos · · Score: 2, Interesting

    A classy on-screen rendition of the ironclad destroying the Martian walker. That was the most powerful scene in the book for me.

    --

    It may look like I'm doing nothing, but I'm actively waiting for my problems to go away.
    --Scott Adams
    1. Re:I have always wanted to see by Anonymous Coward · · Score: 0
      Well, you could always do it yourself, now that it's public domain.

      Get a hold of Blender for 3D animation and rendering. You can use Terragen to create photorealistic landscapes. You can grab a kick-ass free model of the martian tripod, or if you've got $65 to spare, you could buy a pre-made model of a martian tripod. I don't recall what type of ship the Thunderchild was supposed to be, so I can't provide a link to that, but there are lots of free models you can find for that, too. That should just about do it... all you need for a CGI recreation of the scene, on a budget of $0.

      If you don't like CGI, you could just make a paper model of the martian tripod and shoot it on video in your kitchen sink. The quality might suffer a bit, though.

      There's a really cool collection of various WotW artwork here that should help inspire you.

  57. Re:Possible because WOTWorlds is in the public dom by JustNiz · · Score: 1

    US Copyright has nothing to do with a British author or his books.

  58. Re:Possible because WOTWorlds is in the public dom by Anonymous Coward · · Score: 1, Informative
    In comparison, H.G. Wells died in 1946. If Wells had lived under current US copyright law (life+70), WotW would not be public domain until 2016.

    I think you're thinking of European copyright law..
    In the US, anything published before 1923 is out of copyright. Some stuff published after 1923 but before 1968 or so may be out of copyright if it wasn't renewed on the due date... Project Gutenberg has loads of books that are out of copyright under the pre-1923 rule, that are still copyright in Europe (including most of H.G. Wells's books)

  59. Re:Good by east+coast · · Score: 1

    I'm growing sick of the big-budget Spielberg/Lucas style of cinematography.

    For my part it's not as much the cinematography but their dickering with good stories. The original tale is a classic. Great things could be done with it using modern technology... by to revise it? To alter it? That's something we simply do not need.

    --
    Dedicated Cthulhu Cultist since 4523 BC.
  60. lots of faith by LuxFX · · Score: 2, Interesting

    Hines feels there will be room for both films to exist

    That's a very calm reaction to someone who's work will inevitably be compared to Spielburg's. It sounds like he has a lot of faith in his project, I hope it turns out as good as he seems to think it will be. I'd much rather see a remake that's faithful to the story than a hollywood bastardization.

    --
    Punctanym: alternate spelling of words using punctuation or numerals in place of some or all of its letters; see 'leet'
    1. Re:lots of faith by Kogase · · Score: 1

      What do you expect him to say? "Uhhh... Spielburg is making WotW too? Well schucks, that's it for me (shoots self through forehead)."

  61. Wasn't this called 'Independance Day'? by D3 · · Score: 1

    Honestly, how different is Independance Day? The original WotW had the Earth get lucky by having a germ take out the invading aliens. Independance Day, they have some lame-ass computer virus that magically works on both Mac and Alien Ship OS!

    --
    Do really dense people warp space more than others?
    1. Re:Wasn't this called 'Independance Day'? by l4m3z0r · · Score: 1
      some lame-ass computer virus that magically works on both Mac and Alien Ship OS!

      BLAST! I knew Steve Jobs was a telepathic alien whose sole purpose is to take over the world(only to be defeated by Will Smith and... that other guy.. you know the white one with the dark hair and the funny eyebrows..).

    2. Re:Wasn't this called 'Independance Day'? by gl4ss · · Score: 1

      it's just a setting.

      in the film you can focus on some people and how they cope with the situation or you can just whoop up some comic shit for a rollercoaster movie with action and punchlines.

      --
      world was created 5 seconds before this post as it is.
  62. Differences in the versions by 192939495969798999 · · Score: 2, Funny

    British version vs. Spielberg version... GO!

    1. lead actor: Someone that can act! vs. Ashton Kutcher
    2. lead actress: Someone that can act vs. Kelly Osbourne
    3. Special effects budget: 406 pounds vs. 406 million dollars
    4. Days in advance for ticket line: 1 vs. 45
    5. Amount of spinoff merchandise: 0.003 vs. 15 million tons (landfill volume to be occupied when the 10-year old boys turn 11 and have to have the next toy in line)
    6. Awards won at Cannes: 46 vs. 0
    7. People fooled by the broadcast: all in attendance (because it's that good) vs. only the way-too-young kids that parents continue to drag to movies (because what other reason would they have to scream through your $9.50?)

    --
    stuff |
    1. Re:Differences in the versions by Hassman · · Score: 1

      Aw man, you were so close to being funny, but I think you are confusing Spielberg (such films as Jaws, Always, Schinler's List, Close Encounters, Saving Private Ryan, etc...) with George Lucas.

      Spielberg makes good movies without inflated budgets and casts Tom Hanks, not Ashton Kutcher as the lead actor. :)

      If you has said Lucas, it would have been funny. Off-topic, but funny (and true).

      --
      -Mark
      Dovie'andi se tovya sagain.
    2. Re:Differences in the versions by Dogtanian · · Score: 1

      3. Special effects budget: 406 pounds vs. 406 million dollars

      Given the current exchange rate, you're saying that Spielberg's version will have twice the budget of the British version?

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
    3. Re:Differences in the versions by oshy · · Score: 1

      Would you like to buy my car. You can pay me in Dollars. Its worth a few thousand pounds.

    4. Re:Differences in the versions by Dogtanian · · Score: 1

      Would you like to buy my car. You can pay me in Dollars. Its worth a few thousand pounds.

      See... you kinda blew that opportunity. Even if what I said about the exchange rate was true, what would be in it for me to pay in dollars?

      Now, if you'd said "I'll give you 75% off if you pay in Dollars", it might have worked.

      Otherwise, why on earth would I want to buy an American car that has the steering wheel on the wrong side, and is on the other side of the planet? And I don't even know which model it is.

      --
      "Slashdot - News and Chat Sites Deviant". (Click "homepage" link above for details).
  63. lets see... by Anonymous Coward · · Score: 0, Funny

    english version:

    set in london. remains true to the war of the worlds story

    american version:

    set in new york. features U.S fighter planes zipping by and the main character defeats the "terrorist freedom-hating aliens" by hacking into their mainframe with a ibook and bits of string. apple pie all round and the salt-of-the-earth hero gets to shake the president's hand when its all over.

  64. Movies and Books are DIFFERENT mediums by Anonymous Coward · · Score: 1

    This is why the story is changed before it gets to the screen. You can't just port a book to the screen, you have to write a good screenplay for the movie first. Ever wonder why there is an entire category for this in the oscars? You know, the one for adapted Screenplay. It's there because the book has to be ADAPTED. IF you want to maintain the "culture", read the book instead. As for what the point is, its really just branding. And it all makes perfect sense. The question is wheather it is a good movie or not, not wheather it's accurate to the book. You're basically putting a movie down that not only you haven't seen, but it hasn't even been filmed yet.

    1. Re:Movies and Books are DIFFERENT mediums by javiercero · · Score: 1

      Not really, it is because some asshole screewriter thinks that he is better than the original author and can make an even better piece of literature. Which in most cases is bogus, since if the screenwriter was so "good" he would have been a real writer to begin with, not some sort of hired hand to butcher somebody else's work.

      There have been movies that have been followed the original book almost to a T, and came out alright, for example: Fear and loathing in Las Vegas, and Fight Club.

      In the other extreme you have Forrest Gump, if you read the book and watch the movie, they have nothing to do with each other. The sidekick Bubba is made black and killed right away in the movie, the lady Jenny in the book ends up as a soccer mum, whereas in the movie she gets AIDS and dies because she dared to be independent. And on, and on... that was not an adaptation but a total modification. Or butchery in most cases....

  65. Overseas first? by JustNiz · · Score: 2, Funny

    It has probably been outsourced to India where it will be filmed in Hindi by Mr. Dalliwallispielbergi, then badly overdubbed into English.

  66. I read a bit differently by ackthpt · · Score: 1
    I read this as: Spielburg's film will include every big name he can sign on, spend more on Special effects than the GP of most small countries, and get his plot from "Rent-a-plot", with a catch at the end for sequels. And let us not forget the merchandising rights. A cute fuzzy alien teddy bear will probably save the world in Spielburgs version.

    Whether Spielberg sticks to the original theme of the story or focuses on shock and awe remains to be seen. He is capable of doing a decent prestige film, but when you see Tom Cruise associated with the picture, well, you can kinda see down which sewer it's likely to go.

    Granted, we can't speak for everyone, some people actually like Independence Day (with Will Smith) which started as a remake of War or the Worlds, though I found it preposterous and only good for some decent artwork on the alien ships. Smith's acting, as with most of the other acting in the picture was tripe and far below the level required for Victorian Britain (then the world super power) being decimated -- the story is watching the humbling of an empire, not a bunch of flashy weapons and macho talk ('You did not fire that heat ray at me!')

    I honestly don't see room for both and expect Spielberg to abandon his plans, which didn't seem to be going anywhere anyway as he's got his hands full at the moment.

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:I read a bit differently by BasilBrush · · Score: 1
      Well Minority Report shows that a Speilberg/Cruise isn't destined for the sewer at all. I'd expect it to be a very good movie, if it goes ahead.

      Having said that, I'm far more interested in an accurate to the book, set in Victorian times version than I am in a Hollywood update.

      I'll be going to see them both - and the animated version of Jeff Wayne's album too, if that ever sees the light of day.

    2. Re:I read a bit differently by ackthpt · · Score: 1
      Minority Report was ok, but I think suffered because of Cruise in the role. Something Hines is doing right is tapping relatively unknown (at least as mega stars) talent, so the focus isn't on "See Tom, See Tom Run, Run Tom Run", but on "See character, See Character Run, Run Character Run".

      Check out Spielberg's schedule which doesn't seem to jive with this. Unless they're filming on secret location under a throw-off title, like Jurassic Park VII: The T-Rex vs Alien vs Predator

      --

      A feeling of having made the same mistake before: Deja Foobar
  67. hmmm by minus_273 · · Score: 2

    i dont know but i could have sworn there was a modern version done already and that is was a big summer block buster..

    --
    The war with islam is a war on the beast
    The war on terror is a war for peace
  68. Re:Yay authenticity! go independents by LaMuk · · Score: 2, Insightful

    I don't see any reason why a movie shouldn't be different from the book. As long as it it is a good movie. After all it is a different medium.

    The real problem, is that Hollywood seems to be out of ideas. Fortunately, making movies is getting so cheap that we have other choices. The best films last year were from independents. I even enjoy the $10 budget films that are made for our town's ameteur film festival. They are not all good, but they are quirky. And they are filled with local humor.

  69. bipedals by eegad · · Score: 1

    Bipedals?! We don't need no stinking bipedals!

  70. "Not-A-Word Police" make an arrest! by goldspider · · Score: 2, Insightful

    "Scenarii"?? I've seen some bad ones on Slashdot in my time, but some of you people aren't even trying to mimic the English language anymore.

    --
    "Ask not what your country can do for you." --John F. Kennedy
    1. Re:"Not-A-Word Police" make an arrest! by Anonymous Coward · · Score: 0

      Since when is scenario an English word ?

    2. Re:"Not-A-Word Police" make an arrest! by spoonyfork · · Score: 1

      Since when is scenario an English word ?

      The first clue is that the word scenario appears in English language dictionaries. The root is Latin like many of other English words that also appear in English language dictionaries. Are all Latin-rooted words that appear in English dictionaries not English words?

      Back to the topic, even if the Latin root were used, scenarii is still a non-word. Please don't encourage them.

      --
      Speak truth to power.
    3. Re:"Not-A-Word Police" make an arrest! by Anonymous Coward · · Score: 0

      It's been typed and you understood.
      Why is it bad ?
      Because most people do not know Latin ?
      At least this gives them a clue.

    4. Re:"Not-A-Word Police" make an arrest! by Dirtside · · Score: 1

      No; because it's fun to bitch at people who are ignorant about the language, or blindly apply certain language rules because they're stupid.

      Just because we know that he meant "scenarios" doesn't mean we think it's acceptable to try and pluralize it in an absurd way. It's painful and annoying to read, and I try to get people to stop it when they do painful, annoying things to me.

      Eye doo knot suh pose ewe wood mined if eye rote like dis, even though ewe kin figger owt wut I meen? Of course you would, it's hard to read and it's annoying. Just because he only misspelled one word doesn't mean we should ignore it; otherwise you have to arbitrarily decide that a certain number of errors per sentence are okay, but beyond that you can start complaining. I like to take a zero-tolerance policy when it comes to absurd shit like "scenarii," even though I'll ignore it when someone makes a simple typo. (And sometimes I don't have the particular desire or energy to point out annoying mistakes, such as putting an extra space between the last word in the sentence and the question mark which follows it.)

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    5. Re:"Not-A-Word Police" make an arrest! by spoonyfork · · Score: 1

      It's been typed and you understood.
      Why is it bad ?

      Your post is insightful beyond your cloak of anonymity. Language does indeed evolve with subtle usage changes over time. This is only possible if the reader/listener understands the changes. However most languages progress into new forms rather than digress back to old. Taking a plurality rule from a dead language and applying it to word with a tenuous link to the dead language circumventing the modern language's established plurality rule is digression -- unnecessary conflict. This form of decay is not beautiful or progressive. The writer did communicate their idea but the subtle change does not add any meaning, intended or otherwise, to the context.

      It is a grammatical hack ... told by an idiot, full of sound and fury, signifying nothing.

      --
      Speak truth to power.
    6. Re:"Not-A-Word Police" make an arrest! by mabinogi · · Score: 1

      The stupidest thing about it is that English hardly ever uses latin endings.

      English is a Germanic language that has adopted a lot of French words in to its language.
      Around Shakespeare's time a bunch of people who thought they were smarter than everyone else started making up words by importing Latin and Greek words. Those people were usualy ridiculed to a certain extent, and the words were called "Inkpot words". However, I believe quite a few of them remain. (Shakespeare himself made up thousands of words, but mostly by combining existing words in a logical or lyrical way)
      In any case, most of the time when a Latin word has made its way into English, either directly or most commonly - via French, it ends up getting English (Germanic) endings. Particularly pluralisations - es being an evolution of the Old English - en

      --
      Advanced users are users too!
    7. Re:"Not-A-Word Police" make an arrest! by mabinogi · · Score: 1

      Since when is it not?
      Are we talking about the same language here?...what language do you think it's from?

      Scenario is listed right along side scene, scenic, and scenery in my dictionary. It has no colloq identifier, so it's a real word, and they even provide the pluralisation - scenarios.
      This isn't some abiguity or point of preference, it's just plain wrong.

      --
      Advanced users are users too!
  71. obligatory slash comment by Archangel+Michael · · Score: 1

    8. Non profit vs PROFIT!!!!

    --
    Agent K: A *person* is smart. People are dumb, stupid, panicky animals, and you know it.
  72. If the Bono copyright extension act applied... by dameron · · Score: 2, Informative

    Someone would have to acquire the rights from the copyright holder, so there wouldn't be two films.

    Wells died in 1946 so "War of the Worlds", published in 1898 wouldn't enter the public domain until 2021. That's a whopping 123 years of copyright protection.

    And we could look forward to Sherlock Holmes finally entering the public domain sometime next year.

    -dameron

    -----
    DailyHaiku.com, saying more in 17 syllables than Big Media says all day.

  73. War of the Worlds, Star Wars... by lightspawn · · Score: 2, Funny

    Now we just need Battle of the Planets, and we're set.

    1. Re:War of the Worlds, Star Wars... by mink · · Score: 1

      7-zark-7 must die!

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  74. A rant about remakes and book based movies by hellfire · · Score: 2, Interesting

    Okay, I'm sick and tired of the hollywood crew basically turning out the same damn thing over and over. And instead of coming up with a new idea and story, they rehash the old ones. And if the old ones don't fit a demographic or specific plot, it's altered to match it. Movies like I-Robot and A Sound of Thunder were great as sci fi stories, but movies took the very concept of those stories and twisted it into another action thriller with special effects. The movies are practically the same damn thing, and the written stories are drastically different!

    Now, sometimes remakes or book based movies are okay. This is because the director puts his artistic interpretation on the books that's based on art, not money.

    The Thomas Crown affair was an interesting remake. It put a great spin on a classic movie, and that spin was based on good movie making, not making a movie for the masses that would turn a quick buck. Both the old and new version of the movie stand on their own as good movies in my opinion.

    Another example is Harry Potter. Many of you zealous slashdotters don't like HP, but I like it as nice escapist and imaginative reading. It's just fun. Now the movies turn a tidy profit so it's not to say that there isn't money involved, but the books practically read like a screenplay, so taking the book to the movies and showing everything off is not a bad thing, because a director's artistic interpretation is not going to alter the feel of plot dramatically or change it to anything drastically different than what J.K. initially created. It's further cool to see J.K.'s world visually as well as to read about it.

    Hollywood types create screenplays based off of kneejerk reactions of what will make money, not the quality of the work. "Hey, that Bradbury story was cool, but let's turn it into a thriller to attract more people. Who cares if it changes the theme, we need to make shitloads of money."

    I'm so sick of bad remakes and the like. I'd rather have Hines take the story and attempt to stay true to the story and flop miserably, than Spielberg make a copy and turn it into a blockbuster action ride that has no deeper meaning and makes a mockery of a great classic Sci-fi story.

    --

    "All great wisdom is contained in .signature files"

    1. Re:A rant about remakes and book based movies by east+coast · · Score: 2, Funny

      Many of you zealous slashdotters don't like HP, but I like it as nice escapist and imaginative reading.

      No no, I really get into the works of Lovecraft too.... Oh, that's not the HP you're talking about is it? My Bad.

      I guess I was much to far in the concept of great writers/stories that have fallen pray to bad adaptations.

      --
      Dedicated Cthulhu Cultist since 4523 BC.
    2. Re:A rant about remakes and book based movies by Dirtside · · Score: 1

      And instead of coming up with a new idea and story, they rehash the old ones. And if the old ones don't fit a demographic or specific plot, it's altered to match it.

      Do you have any idea how hard it is to come up with an original idea, not to mention write a great script based on it, and then make a good movie based on that script? This is not something trivial, no matter how easy you think it might be.

      Yes, certainly the studios could probably work a bit harder to reduce the crap level, but keep in mind that they are not motivated by the desire to create art -- they are, as businesses, motivated by money.

      Movies like I-Robot and A Sound of Thunder were great as sci fi stories, but movies took the very concept of those stories and twisted it into another action thriller with special effects. The movies are practically the same damn thing, and the written stories are drastically different!

      There's a lot of great science fiction literature which does not translate well to movie format. Mainstream audiences are not going to be all that enthralled with a lengthy description of the sociological structure of the spiders' planet in "A Deepness in the Sky," and since SF movies are expensive to produce, big studios are not going to spend big money making a movie for a tiny audience. The social-experimentation aspect of SF does not translate all that well, and that's often what makes a particular SF work great.

      If a studio can make more money by turning "I, Robot" into a crappy Will Smith action movie than it can by a literal translation, why would they do the latter and not the former? It would be stupid, from a business point of view. If you really want a more literal movie translation, then get off your ass and produce one.

      Now, sometimes remakes or book based movies are okay. This is because the director puts his artistic interpretation on the books that's based on art, not money.

      The majority of the time that adapted books make a good movie, it's because the material of the book is suited to a movie version. The Harry Potter books have lots of neat visual writing, which translates well; "Stranger in a Strange Land" would be really, really hard to translate literally, because a lot of it is about Valentine's reaction to human society.

      Remakes are an entirely different story than book adaptations. The best movies to remake are well-known but not great or beloved movies from 30 years ago, like The Thomas Crown Affair. (I haven't seen the original; I really liked the remake when I saw it (partly because I worship Rene Russo like a goddess), but when I saw it again a couple years later, I realized it was kind of misogynistic, and the ending was a little too pat, and blah blah blah complaint-cakes.) Remaking "classics" like Psycho is a terrible idea, although I have heard the theory that Gun Van Sant basically took a bullet for Hollywood by remaking Psycho, so that nobody else would have to do it (because it was one of those ideas that was hovering around, and sooner or later some asshat executive was going to say, "Hey, let's remake a great classic!" and so Van Sant said, "Let's head 'em off at the pass," and made a bland, pointless version, just to demonstrate that remaking a great movie is a terrible idea).

      Hollywood types create screenplays based off of kneejerk reactions of what will make money, not the quality of the work. "Hey, that Bradbury story was cool, but let's turn it into a thriller to attract more people. Who cares if it changes the theme, we need to make shitloads of money."

      That's because the "Hollywood types" you're referring to are movie executives, who are in it for the money. I don't like the crap they produce any more than you do, but to fault them for being money-grubbing is missing the point. Hollywood studios are businesses, not art schools. The fact that they occasionally

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    3. Re:A rant about remakes and book based movies by hachete · · Score: 1

      I use Hewlett Packard machines every day. They make quite good escapist reading. This is slashdot, news for nerds, right?

      h

      my other .sig is a BMW

      --
      Patriotism is a virtue of the vicious
  75. Old movies dont please new audiences all the time. by LordZardoz · · Score: 1

    Some old movies hold up better then others. I doubt there will be any need any time soon to remake Gone with the Wind.

    But Science Fiction fans are somewhat more demanding. And its easier to suspend your disbelief when the clothes and slang terms aren't 50 years out of date.

    And ultimately, if you dont think that a remake of such a movie is a good idea, then dont watch it.

    END COMMUNICATION

  76. Timothy Hines? by ElNotto · · Score: 1

    Doing a Google search bring up an interesting first search result. I'm sure glad a search for my name doesn't turn up similar results!

  77. Only (seven?) stories in the world though: help? by fantomas · · Score: 1
    Didn't somebody once say that there are only seven (five?six?eight?) stories in the world, anyway.
    Can anybody remember what they are?.. mmm....

    1. Unrequited love

    2. Tragic lovers (Romeo and Juliet)

    3. Hero's quest, through failure and self discovery to success

    4. World saved by hero's self-sacrifice

    5.... err...

    Anybody help me here with the list?

  78. A "drastically different version" has been done... by NotQuiteReal · · Score: 0, Redundant
    I thought it was call "Independence Day".

    1) Aliens invade
    2) Mass panic
    3) A virus saves the day.

    --
    This issue is a bit more complicated than you think.
  79. reinterpretation for current times by peter303 · · Score: 1

    Some movies e.g. Dracula, Superman, are re-made over and over. One reason is superior F/X technology. A second reason is current cute actors/esses. A third reason is to modernize a timeless story. WOTW is essentially a reflection of the brutality of war. The first movies reflected the horror of WWI. However we now have the mideast terrorism.

    1. Re:reinterpretation for current times by Anonymous Coward · · Score: 0

      The first movies reflected the horror of WWI.

      Did you mean WWII? The first film came out in 1953. Now, while I have to admit to never having seen it, would I be right in assuming it also covered Cold War themes?

  80. Looking on the positive side by CmdrGravy · · Score: 2, Interesting

    Maybe that would be a good thing, maybe the copyright holder would refuse the Lucas version and only allow good films to be made. Maybe, maybe, maybe.

  81. Is it shot on location? by serviscope_minor · · Score: 1

    In Horsell Park, near Woking? I've seen the sand pits there. They're pretty cool. Woking council have even put up a large model of a 3 legged Martian fighting machine in the town center.

    --
    SJW n. One who posts facts.
  82. Re:Good by Hassman · · Score: 1

    Why is everyone saying this? Why do people always throw Lucas and Speilberg into the same 'style'. They are nothing alike.

    Nothing could be further from the truth! Are you saying Saving Private Ryan and Schindler's List were bad? Or maybe you're thinking of Minority Report (who's budget wasn't that big). No? His earlier films like Always and Close Encounters? Maybe Jaws?

    I fail to see the connection.

    --
    -Mark
    Dovie'andi se tovya sagain.
  83. "shot overseas"? by DuncMan · · Score: 1

    From reading the article I get the impression it was shot here, in England, and the overseas version is still to come.

  84. Overseas...? by Dr.+Evil · · Score: 4, Informative

    In a global medium, "overseas" is a silly thing to say.

    1. Re:Overseas...? by StrawberryFrog · · Score: 1

      "overseas" is a silly thing to say.

      Indeed, this movie is not set overseas, but right here in England, like the book.

      Furthermore, the article says it was shot "on location in England and the Pacific Northwest." so that's not overseas for either of us. The heading is thus factually questionable.

      --

      My Karma: ran over your Dogma
      StrawberryFrog

    2. Re:Overseas...? by Anonymous Coward · · Score: 0

      On the Internet 'overseas' is everywhere that isn't America.

      This includes, of course, Canada.

    3. Re:Overseas...? by The+Grassy+Knoll · · Score: 1

      >The heading is thus factually questionable

      Mister Logic! I've found you!

      (such is my name, therefore one may infer that this strip is in some way about me)

      --
      They will never know the simple pleasure of a monkey knife fight
    4. Re:Overseas...? by Anonymous Coward · · Score: 0

      From what I've heard about this guy (I live in The Pacific NW & have some dealings with the indie film community here), Hines probably shot 99% of this in or around Seattle/Tacoma (where he lives -- he's NOT English as some here have assumed), and in all likelihood very little of it (most likely stock footage or 2nd unit shots) is "overseas".

      This is Hines usual M.O. - take a miniscule amount of "fact" (like shooting some brief footage of the London skyline) and blow it up out of all proportion to its basis in reality (INTERNATIONAL LOCATIONS!!!!).

  85. Berne Convention by MenTaLguY · · Score: 1

    Actually, thanks to the Berne Convention it does.

    --

    DNA just wants to be free...
    1. Re:Berne Convention by Anonymous Coward · · Score: 0

      No, it doesn't. US copyright law lasts longer then the Bern ( NOT Berne, I don't call Washington Washingtone ) convention specifies, thanks to Mickey Mouse

  86. Re:A "drastically different version" has been done by Crashless · · Score: 1

    This is very true, even down to the nuclear bomb not working, a virus finally being the alien's downfall, and the number of days the aliens needed to completely destroy humanity: "The same number of days it took God to create it" - General from the original WotW. (can I use that acronym?)

  87. Re:Possible because WOTWorlds is in the public dom by cei · · Score: 3, Interesting
    Actually, I've mentioned this before in a few places, but in 2002 the Manhattan Supreme Court upheld a contract that gave Paramount exclusive rights (even though the work was in the public domain...)

    From Yahoo! News:
    Paramount Wins The War of the World Rights
    Fri Apr 19, 7:41 PM ET

    NEW YORK (Reuters) - The grandchildren of author H.G. Wells lost their bid to control The War of the Worlds when Paramount Pictures was granted exclusive television rights to the science fiction novel in a ruling made public on Friday.

    Manhattan Supreme Court Judge Ira Gammerman, in a six-page decision, said the Wells grandchildren, who filed a suit against Paramount nearly 18 months ago, are unable to sell the right to produce and distribute a television motion picture/miniseries based on the novel to Hallmark Cards Entertainment Productions LLC.

    The novel earned a place in pop culture after actor Orson Welles set off a nationwide panic with his famed radio broadcast of War of the Worlds in 1938.

    When H.G. Wells died in 1946, he left all his rights and interests in the novel to his son, Frank. After his death, Frank Wells children, Martin and Robin Wells as trustees of their fathers estate, began negotiations with Hallmark to produce and distribute a TV miniseries based on the novel.

    When Paramount learned of the negotiations in 1988, it asserted exclusive ownership of the television rights, based on a 1951 contract signed by Frank Wells.

    The grandchildren and Hallmark as plaintiffs in the action had argued that while the 1951 contract gave Paramount extensive motion picture rights this was not television rights.

    But the judge ruled that any motion pictures that Paramount has the right to produce, it also has the right to televise.

    The grandchildren in their suit had attempted to draw a distinction between motion pictures and television miniseries.

    Such a distinction is untenable, the judge wrote.
    I emailed that to Lessig, and he was at a loss to explain it at the time.
    --
    This sig intentionally left justified.
  88. Oblig Simpsons Quote: by CrazyTalk · · Score: 1

    "Don't blame me, I voted for Kodos!"

  89. fluidity of time by spoonyfork · · Score: 2, Informative

    You might be interested in knowing that Gulf War2 started in 2003 and ended on May 1st, 2003. I don't know where you're getting 2004 from.

    --
    Speak truth to power.
    1. Re:fluidity of time by autopr0n · · Score: 4, Insightful

      Gulf War2 started in 2003 and ended on May 1st, 2003

      Wow. Someone really should have told the iraqis.

      --
      autopr0n is like, down and stuff.
    2. Re:fluidity of time by Anonymous Coward · · Score: 0

      I think that May 1, 2003 marks the fall of the Iraqi government and the end to all out war. After May 1 is the occupation.

    3. Re:fluidity of time by Anonymous Coward · · Score: 0

      They wern't invited to the aircraft carrier party.

    4. Re:fluidity of time by xSauronx · · Score: 1
      someone should have told me

      i was under the impression we still had troops there regularly battling "insurgents" or whatever theyre being called

      hell, someone could have at least said "mission acco-"

      ohhhhh

      nevermind

      --
      By and large, language is a tool for concealing the truth. -- George Carlin
    5. Re:fluidity of time by spoonyfork · · Score: 2, Insightful

      i was under the impression we still had troops there regularly battling "insurgents" or whatever theyre being called

      Correct. What the US called a war is over. The occupation is ongoing and what you are referring to is what other people outside the US call resistance, perhaps even a revolution since Iraq has an interim government. If they are indeed fighting themselves it could possibly be referred to as a civil conflict. Only when the entire history can be observed in whole from the future it will perhaps be described as a singular war... if it ever achieves something resembling an end.

      My crystal ball tells me that September 11th 2001 was the large step in the start of a global conflict over religious extremism and oil. Since the inappropriate word crusade is already taken, I can see the whole conflict labeled something romantically unoriginal like World War 4. Truthfully, I've been referring to it as the Arabic War because that's what it is.

      BTW, is this thread off topic if the original article is titled "War of the Worlds Remake Already Shot Overseas"? Chilling, isn't it?

      --
      Speak truth to power.
    6. Re:fluidity of time by kjj · · Score: 1

      And someone really ought to tell Cheney as well.

      "and we'll fall back into the pre-9/11 mind set, if you will, that in fact these terrorist attacks are just criminal acts, and that we're not really at WAR. I think that would be a terrible mistake for us."

      a recent quote from Dick Cheney

      Are we at war with everybody except Iraq?

    7. Re:fluidity of time by True+Grit · · Score: 1
      what other people outside the US call resistance


      Make that: "what other people outside the White House call resistance"

      :)
    8. Re:fluidity of time by Anonymous Coward · · Score: 0

      Gulf War one was between Iraq and Iran.

      What you call Gulf war is actually one of the USA- Iraq wars. Sure there were others involved but the USA was the major player.

    9. Re:fluidity of time by aggiefalcon01 · · Score: 1

      And Zarqawi. And Al-Sadr. I guess they didn't get that ... uh ... memo.

      --
      Global warming is neither science, nor politics. It is a religion.
    10. Re:fluidity of time by Hittite+Creosote · · Score: 1
      I can see the whole conflict labeled something romantically unoriginal like World War 4

      World War III happened and I missed it?

    11. Re:fluidity of time by spoonyfork · · Score: 1

      World War III happened and I missed it?

      It is commonly referred to the Cold War (1945-1991).

      --
      Speak truth to power.
  90. Re:Possible because WOTWorlds is in the public dom by thisissilly · · Score: 1

    Thanks. That's bizarre.

  91. IMDB by Anonymous Coward · · Score: 0

    Well. They do have Spielberg's version mentioned on imdb.com with Tom Cruise *shudder* as credited cast.

  92. FYI, the War of the Worlds has began by Anonymous Coward · · Score: 0

    a few years ago, by flying a couple of jets into American skyscrapers by legal and illegal aliens.

    When the American president at the time heard the play on the radio, he had to wait 7 minutes to get his pants dried up a bit, before he could even start thinking of how to escape.

  93. Re:Of course it will be drastically different/mode by the_maddman · · Score: 5, Informative

    But will it have JarJar?

    Ok people, repeat after me:
    Spielberg != Lucas
    Spielberg != Lucas
    Spielberg != Lucas

    ET phone home jokes are probably called for, but JarJar? WTF? We're supposed to be geeks, sticklers for trivial facts. I mean, Lucas and Spielberg don't even look alike.
    [insert relevant joke] Maybe the martians will be velocoraptors with Unix computers [insert relevant joke]

  94. Re:Old movies dont please new audiences all the ti by Thud457 · · Score: 1

    Strangely, the 1953 WotW is one of the 50's sci-fi movies that I feel has better withstood time. The effect still seem to work for me. The only problem is the 1950's society and technology they use, but then, I look at it as a period piece, so that doesn't detract from the movie.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  95. Waitasec. by Forge · · Score: 1

    Wasn't there already a remake staring Will Smith ?

    I.e. Independence Day?

    --
    --= Isn't it surprising how badly I spell ?
  96. Re:Good by CmdrGravy · · Score: 0, Troll

    Saving Private Ryan was an awful film, Schindlers List was OK but got a lot more credit for it's subject than the actual film. Minority Report was also a bad film as was Close Encounters. I haven't seen Always. Jaws wasn't great either.

    Other people may well like these films but I don't. And let this post be a warning to any budding film makers wanting to market films to me !

  97. Alan Moore wrote a great alternate version. by HarveyBirdman · · Score: 1
    I'd rather see the League Of Extraordinary Genetlmen Book 2 version of the invasion. They invade because Gullivar Jones and John Carter (and all the creatures and races from those literary universes united) kick their slimy asses off Mars. Edward Hyde singlehandedly downs a MArtian tripod. The Nautilus takes out another. Dr. Moreau creates the hybrid infection that saves the Earth. Good stuff.

    However, because Hollywood royally fucked the first book in the ass until it died of blood loss, that ain't gonna happen. God, I hate that fartsucking place.

    --
    --- Ban humanity.
    1. Re:Alan Moore wrote a great alternate version. by No+Such+Agency · · Score: 1

      However, because Hollywood royally fucked the first book in the ass until it died of blood loss...

      Well, I guess you definitely read LoEG #2... *shudder*

      --
      Freedom: "I won't!"
  98. Re:Possible because WOTWorlds is in the public dom by cei · · Score: 3, Interesting

    Indeed. IANAL, but I wasn't aware that contract law could trump copyright law. If someone sold a company the film rights in 1951, how long is that contract actually valid for? Perpetuity? I realize now days film rights are done with "options" that can expire, be resold, etc., but I'm guessing that the system wasn't that sophisticated (read, people weren't looking for loopholes so much) back in the 50's...

    --
    This sig intentionally left justified.
  99. You never know.... by HogynCymraeg · · Score: 0

    Heines version might have......English people in it!

  100. shooting movies by Exter-C · · Score: 1

    Another movie that has been shot off shore from the US. It appears as though many of the biggest movies in recent years have been shot off shore from the US. I talked about this with a person I know well and he was telling me about the spiraling costs of movies in the US. Is this going to be a similar begining to the IT industry moving many of thier technical jobs o/s

  101. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 0

    Yes, we do agree that Spielberg != Lucas, but let's be fair, the borgs are different from one another and they still do the same things...

  102. Well.... Not so correct. by SerpentMage · · Score: 1

    Take a look at his filmography http://www.imdb.com/name/nm0000229/. There is Shrek 2, Jurassic Park 4, Men in Black 2, etc. To the movies you mentioned it is kind of hard to make a second version. Ok, not impossible, but not easy.

    ET: Made before the Version x craze. Sort of hard as well since the alien, well did leave.

    Minority Report: Not easy, the main characters were split apart and the entire program destroyed. Part 2 would be an entirely new movie.

    Schindler's List: Not even possible. This was a factual movie and part two would seem REALLY tacky.

    --

    "You can't make a race horse of a pig"
    "No," said Samuel, "but you can make very fast pig"
  103. How is this even science fiction? by James+Turpin · · Score: 0
    Science fiction is supposed to be about the future (or at least a plausible, believable past). Since aliens never invaded in the 1800's, this is a non-plausible, non-believable story set in the past. If it was made in the 1800's, it would be sci-fi. But a remake true to the original can not be.

    This is just stupid. Get on with real sci-fi. Make a movie based on a Larry Niven novel. Farscape level make-up, with some computer animation for backgrounds, and just stay true to the novels, and you could have some good scifi

    --
    Mathematics is not a crime.
    1. Re:How is this even science fiction? by cruachan · · Score: 1

      Have you never heard of alternative history? There's a long tradition of SF stories which rewrite the past to some greater or lesser extent.

      One of my favourites, from the 60's, is Keith Laumer's "Worlds of the Imperium" which postulates an alliance between the British Empire, Imperial Germany and Sweden arising before the (aborted) First World War. Another more recent series worth a look is Mary Gentle's 'Ash, A Secret History' which is set in the middle ages and reads like an historical novel, except that it's not quite the middle ages we know.

    2. Re:How is this even science fiction? by Anonymous Coward · · Score: 0

      > Science fiction is supposed to be about the future

      A Long Time Ago, in a Galaxy Far, Far Away...

    3. Re:How is this even science fiction? by James+Turpin · · Score: 1

      Alternative history is another genre. Sure, you could combine the alternative genre with the scifi genre, and the result is OK because they are both sub-genres of the fictional fantasy novel. But why? There are much more interesting alternative history stories than aliens invading in the 1800's, IMO. There are even more interesting alternative history combined with scifi plots. For instance, what would have happened if Leonardo Devinci had been sent by the King of France as a diplomat to the Middle East to secure access to the Holy Land, and while there discovered fossil fuels and invented the internal combustion engine? Much cooler than painting the Mona Lise, I say.

      --
      Mathematics is not a crime.
    4. Re:How is this even science fiction? by cruachan · · Score: 1

      More blues-rock than rock-blues eh?

    5. Re:How is this even science fiction? by julesh · · Score: 1

      Star Wars was fantasy.

      As long as you ignore midichlorians, which every right thinking geek should do.

    6. Re:How is this even science fiction? by julesh · · Score: 1

      Alternative history is another genre. Sure, you could combine the alternative genre with the scifi genre, and the result is OK because they are both sub-genres of the fictional fantasy novel.

      I've heard a lot of things, but science fiction/alternative history a sub-genre of fantasy?

      Only a few days ago I was arguing with someone else that fantasy isn't a sub-genre of science fiction!

      The three may be closely related, but none are a sub-genre of another.

      Science fiction / alternative history crossovers often make very good stories, btw.

    7. Re:How is this even science fiction? by James+Turpin · · Score: 1

      You're right.

      --
      Mathematics is not a crime.
    8. Re:How is this even science fiction? by Anonymous Coward · · Score: 0

      Speilburg's is gonna suck

  104. Overseers by dpilot · · Score: 1

    But their bosses did care about humanity's heritage.

    If you liked "Childhood's End", try reading "The Harvest" by Robert Charles Wilson. After that, read "Blood Music" by Greg Bear.

    --
    The living have better things to do than to continue hating the dead.
  105. The League of Extraordinary Gentlemen, v. 2 by Grendel+Drago · · Score: 1

    "Officially, the Martians died of the common cold. Any Londoners died of Martians."

    Anyone else remember that? The secret Masonic society using Alphonse Moreau's anthrax-smallpox hybrid to poison the Martians?

    Anyone?

    --grendel drago

    --
    Laws do not persuade just because they threaten. --Seneca
    1. Re:The League of Extraordinary Gentlemen, v. 2 by Bob+of+Dole · · Score: 1

      Anthrax and Streptococcus, actually.

      Someone should make a League movie, wouldn't that be nice...

  106. Jet Li Should star in WoW!!!! by ambelamba · · Score: 1

    And Jet Li fights Martians with his high-flying Kung Fu action! A slam dunk hit!

  107. If you believe Alan Moore... by Grendel+Drago · · Score: 1

    If you believe Alan Moore, the disease used in War of the Worlds was human-created---a biowarfare hybrid weapon created by Dr. Moreau. The freemasons covered it all up, of course.

    --grendel drago

    --
    Laws do not persuade just because they threaten. --Seneca
    1. Re:If you believe Alan Moore... by freqres · · Score: 1

      Using Apple laptops of course.

      --
      Rampant Ninja related crimes these days...Whitehouse is not the exception
  108. Poor H.G. Wells by Levetron · · Score: 2, Informative

    H.G. Wells is a brilliant writer, and arguabley the greatest Sci-Fi writer. He is also my favorite author. Unfortunately, his stories have a long history of being butcherd by hollywood, although I haven't seen some of the early adaptations from the 30's (and an Invisible Man from the 60's)- which seem to rate fairly well. Please let him rest in peace. Here is a partial listing:

    The Food of the Gods - misses the point
    The Empire of the Ants - a disaster
    The Island of Dr. Moreau - 96 - aaaaagrh!
    The Island of Dr. Moreau - 77 - fair
    The Island of Dr. Moreau - 33 - haven't seen, might be good
    The War of the Worlds Tv Series - Why?
    The Time Machine - Fair
    The Invisible Man - too horrible to contemplate

    Oh, the pain...

    1. Re:Poor H.G. Wells by snarkasaurus · · Score: 2, Informative

      Gotta agree with you. He postulated no end of modern machines before they existed, the quintessential science fiction writer.

      Possibly the problem is that Hollywood is American, and has never understood the Victorians at all. Even at the time they didn't understand them, or like them. 1837 wasn't very long after 1812, let us not forget. Even in Well's time they remembered the War of 1812 the way we remember WWI.

    2. Re:Poor H.G. Wells by CaptainAvatar · · Score: 1

      I saw Things to Come just recently (Wells himself wrote the screenplay). It was pretty good (if you can get past the cheese factor). The first third, depicting an air raid on Everytown (ie London) and the world's descent into barbarism during a decades-long war was very effective. The middle part (where the airmen from Basra - of all places! - impose peace upon what's left of the world) - was less effectively dramatically, I felt, but has some very good performances, ideas, and sets. The last third was a bit silly, involving the preparations for a trip to the Moon via a massive cannon (Wells should have known better) and the attempts by a technophobic demagogue to stir up the masses to smash the cannon (ie to stop progress, as it makes noone happy). But the sets are fantastic, in that (now) retro-futuristic way, and there is some stirring over-the-top philosophizing at the end. Overall, definitely worth seeing.

      --
      The real Captain Avatar is a fictional character, so I suppose he doesn't mind if I impersonate him.
  109. I can't wait! by evilpenguin · · Score: 1

    A true-to-the-book period piece will be great! The original H.G.Wells novel is a great read, and great social comment. Think "Merchant/Ivory film, with Martians and death rays!"

    The George Pal movie from the early 60's was quite good, but it was a modernized version. A Victorian version, set in England, will be a treat.

    Who's in this version, anyways? I want to see Hugh Grant smoked to a cinder by the heat ray. (Early on in the film, please) ;-)

  110. Hangon a minute... by mahoobley · · Score: 1

    Film set in present day about aliens attacking earth, destroying everything, then finally being killed off by a virus... Haven't we already had this with Independence Day?

    1. Re:Hangon a minute... by Sigma+7 · · Score: 1
      Film set in present day about aliens attacking earth, destroying everything, then finally being killed off by a virus... Haven't we already had this with Independence Day?


      There's a few things different with Independence Day: (Spoilers, but who cared anyway)

      1. The alien mothership was only disabled by a virus - and it was a computer virus rather than a biological one.
      2. The alien mothership was destroyed by a nuclear attack. In War of the Worlds (movie), the Alien vessles survive a direct nuclear attack. In the video game, the aliens were held back momentarely by artillery fire. In the book, I'm not sure how it turned out, but the aliens probably took a little damage as they invaded.
      3. The aliens in Independance Day were attacking Earth for no known reason whatsoever. The aliens in War of the Worlds were attacking Earth because their home planet was dying, and they needed new ground (they choose to attack, since they thought Earth was a warmongering society).
      4. The loss of the aliens in Independance Day is really far-fetched - an advanced race having an invulnerability device should obviously have had a bit more knowledge in how they could be attacked. The loss of the aliens in War of th Worlds (excluding the movie), although somewhat far-fetched, is actually legitimate. It is reasonable, but unlikely, that the alien race did not have experience with microbes causing massive sickness.
  111. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 1, Insightful

    I find myself more excited about this version than the Hollywood version.

    Of course you do. This is Slashdot and groupthinking by shooting for the little guy always gets you free karma.

  112. Re:Translation -- you badmouth the wrong movie by Anonymous Coward · · Score: 0

    Hey now, nothing wrong with Godzilla 2000 - it was a prefectly decent godzilla movie made by the Japanese. The steaming piece of dung was Tristar's version with some kind of speed iguana. THAT sucked almost as much as Wild Wild West.

  113. To appease Steven Spielberg... by falken0905 · · Score: 0

    Pendragon Pictures has agreed to Remake E.T. the way it Really happened.

    Karma is more than just a number

  114. Wayne's War by 87C751 · · Score: 1

    'Forever Autumn' is Justin Hayward's contribution. One of my ex-bosses (who is also a fair guitar player) described the work as "a B musical with A players". I tend to agree.

    --
    Mail? Put "slashdot" in the subject to pass the spam filters.
  115. A faithful WotW movie adaptation would fail by Anonymous Coward · · Score: 1, Insightful

    The main character is witness to a Martian landing and the ensuing chaos of the attack, then wanders around a bit, seeing a lot of things happen but not really doing anything (heroic or otherwise). He encounters a succession of characters, most of whom are insane, then when all seems lost, we get to the film's finale and a chance for the hero to show his true colours... he wanders alone around London in a depressed funk, then discovers that the Martians have been defeated not by any human agent but by bacteria, in a deus ex machina ending unrelated to anything else in the movie.

    I'd watch it... but come on, it would tank at the box office. To Joe Public it would be the worst film ever.

  116. Dead Horses. by simetra · · Score: 1
    Add this to the list of Dead Horse Movies - those that have been made plenty of times so STOP IT ALREADY!!! We don't care if these sparked your imagination as a child, and we don't want to see your version!!!!!

    • King Kong
    • Dracula
    • Frankenstein
    • War Of The Worlds

    And probably a half dozen more I'll remember 1 minute after hitting the submit button below....


    --

    "Would it kill you to put down the toilet seat?" -- Maya Angelou
  117. Re:Only (seven?) stories in the world though: help by shawn(at)fsu · · Score: 1

    In my classical mythology/literature class we learned there are 7 stories. I am not going to go through my old books to find the reference, but yes, as far as I know you are right.

    --
    500 dollar reward for tip(s) leading to the arrest of the person(s) who stole my sig.
  118. english movies suck anyways.. who cares. by Anonymous Coward · · Score: 0

    english movies suck anyways.. who cares.

  119. Cash Cow? by ackthpt · · Score: 1
    Remember the Rocky series. 1,2,3,4,5,6,7,8,9 and will keep going till Sly Stone is 95 years old and can't do it anymore.

    It's called milking a cash cow.

    No, that's called beating a dead horse.

    Milking a cash cow would be Rocky 0: The Prequel! See Stallone, with considerable plastic work and makeup try to ape himself as a 15 year old getting beat up on the way to school for his lunch money and swear he could take the bully in a rematch.

    At least he's given up on trying to do comedies.

    --

    A feeling of having made the same mistake before: Deja Foobar
  120. Re:Of course it will be drastically different/mode by Lord+Apathy · · Score: 1

    Same here. This is one of my favorite books. I was really dissappointed when I heard that they would be "modernizing" the new one. I'm looking forward to this one more than Spelbergs now.

    --

    Supporting World Peace Through Nuclear Pacification

  121. Spielburgs Success. by valder · · Score: 1

    I'm sure both versions will be fine. Both good for their own merits. I'm not sure why one has to be 'better than the other' in order to have a conversation about them. This is my first post on slashdot.org after much hand wringing about not allowing myself to reply to the inane commentary often encountered here. I choose this topic not because it's more worthy than any others but because it's really a reflection of how little thought is given to replies. Spielburg has product dozens of brilliant films and several really poor creations. However, on the whole he's done a great job and doesn't overproduce. He isn't Lucas. Also the topic, Movie Made Overseas beats Spielburg. The world is "overseas" including the US. Many, most, modern films aren't even filmed on location in the US so this commentary has little to no bearing on the topic at hand. In fact, it's just a cynical bend to attack Spielburg. Which I do not understand. valder.

  122. X-COM by Anonymous Coward · · Score: 0

    Man, fuck War of the Worlds. Do a remake of X-COM.

    1. Re:X-COM by Anonymous Coward · · Score: 0

      hardest.game.ever

  123. Not Always by ackthpt · · Score: 1
    Oh, come on! That's an easy one! Two words: name recognition.

    Some of the largest grossing films of all time employed little know actors and played hardly at all on current popular themes of films. As examples Star Wars and E.T.

    We saw this a few years ago when Tri-Star took the internationally-known brand-name of Godzilla and slapped it on the front of a movie in which the monster bore little to no resemblance to the real deal.

    And it was gone from the local cinema in 2 weeks, by many accounts it was an expensive flop.

    Never underestimate the power of a brand-name. Remember when we were kids and you just *had* to have Pac-Man on your home console?

    It would surprise me if they did make a Pac-Man movied after Mario Brothers was a massive flop and awful too boot (like that rushed ending? "Hey! I'm king again!") Many flops have been built around stars or recognizable names. The public is fickle. The Cat in the Hat was horrendous and raked in the dough, even though it made the Bottom 100 on Imdb.

    --

    A feeling of having made the same mistake before: Deja Foobar
  124. Not overseas by Silver+Sloth · · Score: 1

    War of the worlds has not been shot 'overseas' - it was shot here in the UK. The Speilberg version will be shot overseas in the US. The word 'overseas' depends on your viewpoint and we're not all US citizens.

    --
    init 11 - for when you need that edge.
  125. Hmm, does he "include every big name"? by Anonymous Coward · · Score: 0

    I was under the impression he uses mostly unknowns. They only become big names after the movie's release.

  126. Re:Of course it will be drastically different/mode by geekboy2k · · Score: 1

    Yes, but when Spielberg changed ET (replaced guns with walkie-talkies) you could still watch the original. My brother has the ET special edition DVD set released a few years back and it has 2 full-length movies - one with the guns and one with the walkie-talkies.

    I doubt that Lucas will release the version of ANH with Han shooting first.

  127. On Spielberg by Anonymous Coward · · Score: 0
    I think you should look again at Mr. Spielberg's track record of Sci-Fi movies.

    Minority Report was awesome. There really is no denying that it is both a wonderful movie and an engaging story.

    A.I. was good. I can understand someone not being in love with this movie, but he tried. I think that if he had tried to mimic Kubrick's style, he would have fallen short.

    Jurassic Park was good in my opinion. He is responsible for the only dinosaur movie that I can say was decent.

    Hook is not so much Sci-Fi as it is fantasy, but it was highly entertaining.

    Even Close Encounters and E.T. were good given their target audiences.

    So personally I don't think it is right to attack Spielberg as a marketing sell-out, or whatever your post is trying to say.

    And besides that he has made films outside of the Sci-Fi realm that are awesome. He directed two of the best war films that I have ever seen.

    And what does it matter that he is able to cast high profile stars. If they are good in their roles, what does it matter if they are household names or not. Can you honestly say that Cruise wasn't good in Minority Report?

    And to address the fuzzy teddy bear comment: Minority Report, Schindler's List, Saving Private Ryan, Jurassic Park, The Color Purple....these are all pretty gritty movies.

    Or have you seen them?

  128. Re:Of course it will be drastically different/mode by CaptnMArk · · Score: 1

    It will only have "Jar" because both Jars will be said at the same time.

  129. Happens to Speilberg also by Tablizer · · Score: 1

    See, slashdot is not the only shop with dupe story problems.

  130. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 0

    Ugh are you serious? Jackson can't hold a candle to Spielberg. While some of Jackson's earlier movies were fun, his LoTR was obviously way too big a budget for him to handle; the trilogy wound up being a massive snorefest.

  131. Re:Of course it will be drastically different/mode by ColdGrits · · Score: 2, Insightful

    "I hope the Peter Jackson philosophy continues to trickle through movie making."

    Which philosophy is that?

    The one where the director makes large changes to the story and characters, creating plot holes and needlesly destorying the way in which key characters work? The one where the director fucks up the editing and pacing so much that they have to delete an important encounter from the film for timing reasons? The one where the editor re-writes the story in a major way because he feels like it?

    PJ's approach was already long-established within Hollywood. I'm just hoping his "philosophy" is not allowed to continue to spread and that instead we can have directors who can edit properly and who don't fuck about with characters for no reason and who do not drastically rewrite the story for their own purposes.

    --
    People should not be afraid of their governments - Governments should be afraid of their people.
  132. Re:Possible because WOTWorlds is in the public dom by Dirtside · · Score: 1

    The original text of the decision can be found here:

    http://www.nycourts.gov/comdiv/Law%20Report%20File s/May%202002/Hallmarkdec040202.wpd (no idea what format this is; WordPerfect document?) but if you search google for the terms:

    wells v paramount 2002 new york

    it's the second hit (don't put quotes around the search terms) and you can view it as HTML.

    I read the decision and I guess I don't understand it either; maybe the judgment is ignoring copyright law because the original agreement was made in 1951, before the copyright expired (in 1954), so the whole suit is from the point of view of a copyrighted work. So if you look at just this decision, it looks like the copyright is still in effect and this contract is still relevant; but if you take this decision in conjunction with the fact that the work is in the public domain (which is not at issue in this suit), THEN it becomes essentially pointless.

    It's possible that the decision means that, even though it's in the public domain, the Wellses signed a contract saying that they would not sell the rights to a television broadcast to anyone else, and they tried to do so anyway. But why they would try to do so if it was in the public domain already, I have no idea.

    IANAL.

    --
    "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  133. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 0

    Of course you do. This is Slashdot and groupthinking by shooting for the little guy always gets you free karma

    Slashdot is full of wankers and Fucktards. That is Fucktard with a capitol F. Talking about slashdot groupthink is like argueing with a retarded person.

  134. I still prefer the musical version by DarthBart · · Score: 1

    With Richard Burton playing a journalist and the music done by The Moody Blues.

    The chances of anything coming from Mars...are a million to one. But still, they come.

    1. Re:I still prefer the musical version by serbanp · · Score: 1
      Strange that you prefer the musical version and don't know that the score and playing are by Jeff Wayne.

      Serban

    2. Re:I still prefer the musical version by rossdee · · Score: 1

      But the lead singer of the Moody Blues (Justin Hayward) sung the best song on the album (Forever Autumn)

  135. I, for one, by Anonymous Coward · · Score: 0

    I, for one, welcome BOTH versions of our new alien overlords.

  136. Fifth remake by Animats · · Score: 1
    This will be the fifth version of War of the Worlds.

    Four versions in the last ten years is probably overexposure.

  137. +5 Funny by Anonymous Coward · · Score: 0

    Actually, kids will be the heroes. I heard that kids will stop the alien machines by getting suck in the air vents and suffocatting the aliens.

    I am surprised that this got modded up. What with all the retarted moderators and all.

  138. Re:Of course it will be drastically different/mode by Daemonik · · Score: 4, Insightful
    A good book can not always be shot page by page for a movie. Personally, I was willing to give up a few chapters of hobbits walking along a trail and singing about pipeweed if it meant a sensational battle at Helm's Deep or a kick ass Gollum.

    Peter Jackson may not have put together a 100% accurate tribute to LOTR but he treated it a lot gentler than any other Hollywood director would have. For God's sake man, what could a hack like Joel Schumacher have done to it!!! Imagine some Hollywood deal maker trying to get Chris Rock a bit part as a wisecracking Orc or something "So it will resonate better with the urban youth". Sweet jumping baby Christ, some people don't know when they got it good.

  139. Re:Eh? by Anonymous Coward · · Score: 0

    Anyway. Colour me confused, I thought war of the worlds was by Orson Wells in the 1940's?

    My god. How can people be so ignorant. I would expect this kind of idiocy in an AOL forum but on slashdot? Oh well. The % of real geeks on slashdot has been steadily declining for quite some time now. Where have all the true geeks gone?
    They certainly don't inhabit slashdot, that is for sure.

  140. I wonder if I'll see my house? by Anonymous Coward · · Score: 0

    If the film keeps true to the book and was filmed on location it should feature Chertsey (where I was born) and Shepperton (where I used to live) in Middlesex, UK.

    However, the house where I used to live, which is by Shepperton station, wasn't yet built in 1898. Although it was built only about 10 years later.

  141. Re:Of course it will be drastically different/mode by Shadow+Wrought · · Score: 4, Interesting
    Transferring a novel to the screen is not as easy a task as most people tend to believe. A book portrays what is going on within the character, a movie portrays the character's interactions with others. The Peter Jackson philosophy of which I am speaking is one of trying to remain true to the story. Since it is impossible to tell the exact story of the book, the idea is stay true to the overarching story, which is what he did. You obviously disagree with that, but I think he did an excellent job. When I saw the movie after having read the books I was disappointed that certain characters and events were not included, but I also remembered that this was a movie. It could not capture 100% of what I read. If it could, there would be little point to reading it, right?

    What hollywood has been about in the past is taking something with a built in audience, just like LoTR, and putting out something that was crap because it already had a built in audience. Rick "f'n" Berman is a prime example of this with his Trek offerings. Instead Peter Jackson kept a reverence for the books in his movies that I truly do think came through. Because of that, more people read the books than they otherwise would have, and the legacy of Tolkien was strengthened. That is the philosophy that I support.

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  142. Spielberg is not Lucas! by FurryFeet · · Score: 1

    I see a lot of antiLucas sentiment thrown around in this discussion.
    George Lucas is a hack. Steven Spielberg is a consumate director. The fact that he is commercially succesful does not mean he's not talented. Check out his filmography (no link, it's not that hard to find).

  143. well us pretentious elitists know one thing: by Savatte · · Score: 1

    neither version will be any good. Hines is a no-name foreign director who isn't French, Taiwanese or Iranian, so it can't be good, and Speilberg is disliked by the art house crowd (except for A.I.) for his inability to confront adult issues.

  144. Re:Good by Hassman · · Score: 1

    Wow. Those are a huge cross-section of films.

    Do you just not like the style of the film or the genres? The acting?

    I mean, SPR is probalby the most accurate war movie ever made.

    Schindler's List was your classic man vs. man struggle and also quite revered.

    Minority Report (granted the worst of the ones I listed) was a typical by fun action movie.

    Close Encounters ... one of the best science fiction movies out there in my opinion.

    Jaws...again, the classic man vs. beast film. One of the best in that category.

    What movies would you place above them (staying consistent with genre)?

    --
    -Mark
    Dovie'andi se tovya sagain.
  145. Only this time around by Prince+Vegeta+SSJ4 · · Score: 1

    In an effort to be more politically correct, and not to offend anyone from overseas - the Aliens did not shoot first

  146. Give us Jeff Wayne’s Version! by DumbSwede · · Score: 1
    No one would have believed, in the last years of the nineteenth century, that human affairs were being watched from the timeless worlds of space. No one could have dreamed that we were being scrutinized as someone with a microscope studies creatures that swarm and multiply in a drop of water. Few men even considered the possibility of life on other planets. And yet, across the gulf of space, minds immeasurably superior to ours regarded this earth with envious eyes, and slowly and surely, they drew their plans against us.

    Damn, I still get goose bumps thinking about Jeff Wayne's 1976 musical version of "War of the Worlds" with narration and acting by Richard Burtons. If you have never heard this version, get it!

  147. You insensitive clod by Prince+Vegeta+SSJ4 · · Score: 1

    my Dale Ernhardt Painting was done by Marc Chagall.

  148. sound track? by snarkasaurus · · Score: 1

    Alan Parsons' Project and the Moody Blues figure in there anywhere? ~:D

  149. yeah by geekoid · · Score: 1

    "The English version is staying true to the original story, which was set in the late 1800's, where as Spielburg's version will be drastically modified to a more modern version. "
    Yeah, the books is a great story, good sci-fi, and an interesting read just to get a glimpse of the era.

    lines like:
    "with a man ejaculating behind her"* had a whole different meaning 100+ years ago.

    I hope the do the naval scene right. When I read it in the book I was like "hell yeah, take that!"

    *yes, that is an actual line.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  150. Re:Of course it will be drastically different/mode by geekoid · · Score: 1

    true.
    My only gripe about his 'version' was the ending. Tolkien is making a ver good point with the destruction of the shire. Something the world needs to remember about war.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  151. Re:Of course it will be drastically different/mode by bubkus_jones · · Score: 1

    Maybe it's going to be part of the not-used parts of the film? The original cut was almost 5 hours, and they cut it down to just under three for the theatrical release.

  152. Okay, I'll bite. by MenTaLguY · · Score: 1

    As a counterexample, what about "The Phantom Edit"?

    --

    DNA just wants to be free...
    1. Re:Okay, I'll bite. by MooseByte · · Score: 1

      "As a counterexample, what about "The Phantom Edit"?"

      Once again proving that post-release edits come from both the Dark and the Light side.

  153. Re:Possible because WOTWorlds is in the public dom by Anonymous Coward · · Score: 0

    In the US, anything published before 1923 is out of copyright.

    Duh! He meant IF current copyright law had applied in 1920, THEN WoW would still be protected in 2015.

  154. Older version of the site - with concept art by XNormal · · Score: 1

    Thanks to archive.org an older version of the site with some concept art showing the martians and fighting machines.

    The gallery on the new site has no glimpse of anything non-human.

    --
    Stop worrying about the risks of nuclear power and start worrying about the risks of not using nuclear power.
  155. Advertising by MonkeyCookie · · Score: 1

    Even bad publicity can be good publicity. That advertising agency certainly succeeded in getting its name out there.

    It would be interesting to know if business has picked up or slowed down because of that joke.

  156. Re:What's the problem here? by CmdrGravy · · Score: 1

    Genre for genre I would rather watch any of the following films:

    War movies: Das Boot or Stalingrad
    Man Vs Man: City Of God, Once Were Warriors, Rabbit Proof Fence
    Fun Action Movie: Kellys Heros
    SCI-FI: City Of Lost Children is always amusing
    Man Vs Beast: Alien

    I'm not saying my selections are definitively better - different strokes for different folks but for me these are far better.

  157. Re:A "drastically different version" has been done by mink · · Score: 1

    Try reading the book where there is no atomic bomb.

    --
    Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  158. Re:Possible because WOTWorlds is in the public dom by psiphiorg · · Score: 1

    My thoughts on the matter...

    Judges are only supposed to rule on the evidence brought before them. If neither Paramount nor the Wellses introduced evidence that says TWOTW is in the public domain, then the judge is not supposed to consider that when rendering a decision.

    In fact, it would be in the interest of neither party to assert in the case that the book has fallen out of copyright protection, because arguing that would indicate that (for Paramount) there can be no exclusive rights, so Paramount can no longer claim them, or (for the Wellses) future filmmakers do not need to pay the family for any rights for the book, because those rights have expired.

    The case in question dealt only with the issue of how the contract should be interpreted.

    If the book is entirely in the public domain, then a filmmaker should be able to produce a series based on the book without consulting either Paramount or the Wellses.

    davidh

  159. Yeah, overseas... by megalomang · · Score: 1

    as in "overseas from Spielberg"

  160. Re:Of course it will be drastically different/mode by PapayaSF · · Score: 2, Interesting

    A good book can not always be shot page by page for a movie.

    Indeed, and you'd probably be safe to say "never." The Hollywood rule of thumb is that one page of screenplay equals one minute of screen time. (Oddly, this rule holds regardless of whether it's for dialog, action, or description.) Add this to the fact that screenplays have far fewer words on a page than the average novel, and it's easy to see that all but the shortest novels are too long for page-by-page adaptation. With Lord of the Rings, we're talking about roughly 1,200 pages, and even if those were less-dense screenplay pages, that translates to 20 hours of screen time!

    --
    Q: What does the "B." in Benoit B. Mandelbrot stand for? A: Benoit B. Mandelbrot
  161. Same name by slapout · · Score: 1

    "Hines feels there will be room for both films to exist, as they will be drastically different in story and scope"

    Normally this would be ok, but theses two movies have the same name. It's going to be very confusing at Blockbuster.

    --
    Coder's Stone: The programming language quick ref for iPad
  162. Remakes and author's names by slapout · · Score: 1

    Why do I get the feeling that the one that is least like the orginal will be called "H. G. Well's War of the Worlds"?

    Why is it that when a movie/book gets remade and changes a lot from the orginal, they prefix the author's name to it?

    You know, in 50 years, Star Wars will probably get remade. I wonder how that will turn out.

    --
    Coder's Stone: The programming language quick ref for iPad
  163. Taken by slapout · · Score: 1

    I don't know. After "Steven Spielberg presents Taken", I don't know if I want anymore scifi from him.

    --
    Coder's Stone: The programming language quick ref for iPad
  164. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 0

    The one where the director makes large changes to the story and characters, creating plot holes and needlesly destorying the way in which key characters work? The one where the director fucks up the editing and pacing so much that they have to delete an important encounter from the film for timing reasons? The one where the editor re-writes the story in a major way because he feels like it?

    You jump to the conclusion that PJ made changes just because "he feels like it" because your have no understanding about the differences between a good novel and a good movie.

    I will be eternally grateful that the movie LotR was not made by an individual or individuals of a mind at all like your own.

  165. Re:What's the problem here? by Hassman · · Score: 1

    No, those are all excellent too. You're more of a 'classics' kinda guy. :)

    Das Boot is excellent. As is Alien. Hell, everything you listed is good.

    You're officially "OK" in my book. :)

    --
    -Mark
    Dovie'andi se tovya sagain.
  166. Any number can play by rfc1394 · · Score: 1
    The name War of the Worlds was the name of a book written by H.G. Wells which is now in the public domain, and as such, anyone can make a movie - or TV show (or even a new book) - based upon that name because it has become generic with the original story.

    When it was originally made as a movie it is conceivably possible that if someone had at that time filed for trademark status there might (and maybe not even then) be other issues but not now. Thus it is possible for anyone to make a new book, movie or TV show on the ideas and can use the name for it because nobody can own the name.

    --
    The lessons of history teach us - if they teach us anything - that nobody learns the lessons that history teaches us.
  167. Re:Of course it will be drastically different/mode by Paradigm+Lost · · Score: 1

    Maybe it's going to be part of the not-used parts of the film? The original cut was almost 5 hours, and they cut it down to just under three for the theatrical release.

    No, it was 3 and a half hours long in the theater.

    Secondly, there was no Scouring shot. The closest they came to that was in the first film when Frodo looked into the mirror of Galadriel. After hearing people complain the ending was too long anyway, I think having another fight scene that only involved 100 troops and took another half hour would have gone over like a lead balloon.

    Personally, I was disappointed that Saruman wasn't in RotK, and I would rather see Samwise confront the Watchers than see Legolas take down an Oliphaunt singlehandedly, but there is no such thing as a perfect movie adaptation of a book. I recommend the movie Adaptation for those upset about the conversion from one form of art to another.

    --
    -Dead Lesbian Witches! Think about it!
  168. Re:Of course it will be drastically different/mode by CaptainAvatar · · Score: 1

    Ditto. I have often wondered why, out of all the versions of WotW that are out there, we couldn't have one, just ONE period version even remotely like the novel. (Oh, and hopefully it would be a good film, too!) Thankfully, the answer appears to be: there's no reason why not, and here's the film you requested :)

    --
    The real Captain Avatar is a fictional character, so I suppose he doesn't mind if I impersonate him.
  169. Re:lawsuit by Anonymous Coward · · Score: 0

    Read the article again.

  170. Re:Independence Day - OT by Anonymous Coward · · Score: 0

    Not really, since in Mars Attacks the aliens were hurt by yodeling. A live performance would've done them in just as well. In Zahn's story (more spoilers follow), radio waves actually cause the aliens pain and are capable of killing their children and destroying their "Elders," which are basically the spirits of dead aliens kept alive through the preservation of a special organ in the aliens' bodies. Because of this, the aliens did not develop radio communications of any kind, so when a human ship broadcasts a greeting, the aliens return fire.

    The books required several big suspensions of disbelief, but I enjoyed them. The information above isn't revealed until the second book, which is written entirely from the aliens' point of view (unlike the first, which is written entirely from the humans' point of view).

  171. Re:Well.... Not so correct. by BasilBrush · · Score: 1
    How unfair are you being? MIB II he was only producer for and Shrek 2 he wasn't involved in at all, he was just a producer for Shrek (1). His reputation is (or should be) based on the movies he has directed. There have been enough of them.

    You go on to give reasons why specific movies didn't get a sequel. But maybe that's just one of the ingredients of a good movie. It's not just a bunch of characters that you can resuse again and again in a number of adventures. It's a story with a definate end.

    To attack Speilberg for having sequel hooks on the end is unfair.

  172. "Message" behind HGW's book by Anonymous Coward · · Score: 0

    As is widely known, HGW was a Fabian. As such he was very much concerned about how the rich and powerful oppress the ordinary worker. "The Time Machine" was an indictment of Victorian social class divisions, extrapolating class distinctions into the far future. "War of the Worlds" was a criticism of British Imperialism: note that humans in the book regarded the Martian's technology with as much fear and apprehension as 3rd world natives would have feared british artillery in the late 1800's. That was the whole POINT of the book. There is NO WAY that Spielberg would be able to capture this message. I have my doubts the Brit would be able to do it, but I can only hope.

  173. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 0

    It's been done. See "Mars Attacks". Great flick! Hideously and deliciously over the top!

  174. Re:Of course it will be drastically different/mode by aggiefalcon01 · · Score: 1

    So you think Peter Jackson will go against the Hollywood grain and not come out with a "LoTR 2: The Revenge" offering in a few years?

    --
    Global warming is neither science, nor politics. It is a religion.
  175. terms by zogger · · Score: 1

    Some futurists have already termed the 21st century as the century of mankinds "resource wars". Wars not only over oil, but over water, arable land that gets adequate rainfall and doesn't need expensive irrigation, strategic minerals, etc. 6 billion and counting hoo-manz, and not enough "stuff" to go around.

    So what do we do? Simple! Devote the dwindling resources on the planet to develop masses of advanced weaponry so we can all fight each other over those resources so we can have weapons to go get more resources!

    yossarian would have loved it....

  176. Re:Of course it will be drastically different/mode by Anonymous Coward · · Score: 0

    Tarentino does a good job of 'inside the characters' in pulp fiction as does Scorsese in Taxi Driver. Then there's eraserhead which is nothing but insides also Texas chain saw massacre has lots of good innards but the best for innards is itchy and scratchi which would make a great full length film, especially if the characters are real cats and mice rather than animated. I can take or leave the mouse, but some splattered cat innards alwasy generate warm feelings.

  177. Re:Of course it will be drastically different/mode by Canberra+Bob · · Score: 1

    "Yes, and it'll be shooting a walkie-talkie."

    And Greebo will shoot first

  178. The wayback machine. by Scrameustache · · Score: 1

    Not quite accurate. It's quite common that two movies get greenlighted around the same time that have the same basic premise or story; 3 movies at once is extremely rare.

    I have demonstrated in another post that it is in fact quite common. You deny it based on your elusive definitions of "basic premise or story". That doesn't make it any less true.

    This started with someone pointing out a portion of what I too have observed: "movie makers are RE-making the same movie at the same time". I told him that not only had I noticed the two pairs of movies he mentioned, but that I saw that as part of a bigger pattern.

    buy each year, there's a significant change that

    Since you like to point out typos, reread that sentence. Feel free to reply to yourself with belittling comments about your own typing.
    That sentence didn't inspire confidence in me the first time I read it, but it cracks me up now that you've claimed the typist's high road. Teeheehee!

    It begins with studio A buying a script about, let's say, a giant asteroid smashing into the Earth. Let's assume studio B finds out the very same day that this script was bought, and decides (that day) to make its own giant asteroid movie.
    - Studio A has a huge lead-time because the screenplay has already been written;


    Studio A does not have any sizeable lead time because stubio B just buys an available script with the same basic premise or story or uses one they had already bought.

    So if it wants to beat studio A's film to theaters

    You assume they want to beat it to theatres. They could use that strategy, or make a lesser movie with a smaller budget and ride the wave of interrest generated by the previous movie's promotional efforts once its theatre presence has died down.

    Studio B STILL has to hope that, even if they do cut those corners, they finish their movie first.

    Not really, they only need to be close enough. Within one year, according to my observations. Sometimes, like with Armageddon/Deep Impact, they come out head to head (within 2 weeks for these 2, if memory serves), but usually there is a bigger gap.

    On the flipside, if B deliberately takes longer so that it comes out with its movie months after A, it has to hope that its movie ends up being better than A's, because otherwise it will just look like an also-ran. This is not trivial.

    It is trivial if all they hope for is a reasonable return on their investment. Who cares if they made an "also ran", they care for revenue and profit.

    Paramount is not going to see Universal buy a script about a volcano exploding and rush its own into production.

    Depends on the timeframe. I think they start at about the same time with about the same amount of preparation. There's plenty of scripts floating around. Finding one filled under action/catastrophe/natural/ that has a volcano in it is a matter of hours. The rest is business as usual.

    If they both happen to have bought the same story around the same time, and then one announces that it's going into production, the other might then rush its own into production -- but they've already got the script, so it's a more even race (and since they've already spent the money on buying the script, they don't want to waste that investment. Nevermind that 95% of the scripts they buy, they never make, but when there's suddenly a competitor to a particular script they bought, it makes them macho).

    Exactly.
    They buy them, they sit on 'em. They are sitting there, just waiting for someone to find a reason to use them. Like, say, your rival is making one, and you want to one up them, or leech of their investments in promotion, etc.

    That is part of the awnser to the question of "why is there a pattern of superficially similar movies repeating itself in subsequent fads".
    I saw the pattern, read around this post, others saw the pattern as well. Its there to those who look. You can deny it all you want, but to quote an Italian that died five hundred years ago "and yet, it turns".

    --

    You can't take the sky from me...

  179. Re:Possible because WOTWorlds is in the public dom by julesh · · Score: 1

    Since both parties clearly had vested interests in the work not being in the public domain, I suspect they neglected to mention the date of original publication. The judge therefore drew his conclusion (which seems to me, BTW, perfectly valid) based on the evidence presented to him (as he is required to do, I believe) without considering the possibility of the work being public domain.

  180. MP3 of 1938 version is available online by Smork · · Score: 0

    Anyone interested in the MP3 version of the 1938 broadcast can download it here (please be gentle on the server):

    http://hobbes.nmsu.edu/pub/multimedia/wave/mpeg/wa rworld.mp3

  181. Still in copyright in the UK by rpjs · · Score: 2, Informative

    However, the life+70 rule was adopted by the UK in 1988 and made retrospective, which resulted in some works that had fallen out of copyright because the previous life+50 rule had expired, re-entering it.

    So Wells' books are still in copyright in the UK, and have never left it. I wonder quite who Pendragon films got the rights from?

  182. Re: LoTR 2 by some+guy+I+know · · Score: 1

    More likely "LoTR 2: The Wrath of Sauron".

    --
    Those who sacrifice security to condemn liberty deserve to repeat history or something. - Benjamin Santayana
  183. Re:Possible because WOTWorlds is in the public dom by eraserewind · · Score: 1

    It sounds crazy. What's to stop someone selling the "book rights" to a book. Does that mean it is never in the public domain?

  184. Re: Schindler's List 2 by Anonymous Coward · · Score: 0

    "It will star Schwartzenegger [as] a Mossad agent"

    Funny, he doesn't look Jewish.

  185. Re:Of course it will be drastically different/mode by Shadow+Wrought · · Score: 1

    You should check out Chopping Block by Lee A. Herold. I have a feeling you and Butch would get a long well;-)

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  186. Re:Of course it will be drastically different/mode by Destoo · · Score: 1

    No. he's going to do a PREQUEL. LoTR 0.

    The whole movie in Sindarin and Quenya, subtitled.
    I wonder if he will keep the names of key characters similar just to confuse everyone, or subtly rename them to Bob, Chris, John, etc.

    --
    Nouvelles de jeux et technologies en français. TC