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RIAA Trying to Copy-Protect Radio

doctorfaustus writes "The EFF is reporting that "the RIAA has been pushing the FCC to impose a copy-protection mandate on the makers of next-generation digital radio receiver/recorders (think TiVo-for-radio)." According to Mike Godwin, "Never mind that digital audio broadcasting is not significantly greater in quality than regular, analog radio. Never mind that its music quality is vastly less than than that of audio CDs. In spite of these inconvenient facts, the RIAA is hoping that the transition to "digital audio broadcasting" will provide enough confusion and panic that they can persuade Congress or the FCC to impose some kind of copy-protection scheme or regulation on digital radio broadcast." "

364 comments

  1. In other news... by k31bang · · Score: 5, Funny

    In other news, the RIAA is pushing the FCC for copy-protection on vocal cords.

    --
    -+-=-+-=-+-=-+-=-+-=-+ *** http://www.mountainfort.com *** +-=-+-=-+-=-+-=-+-=-+-
    1. Re:In other news... by servicemaster · · Score: 3, Funny

      RIAA's dream technology. Encrypted music that can be heard only once by the human ear, then after that you have to pay them.

    2. Re:In other news... by shredluc · · Score: 1

      I'm sorry, but your vocal-cord copy protection scheme has been denied. The constitutional right to free speech shal not be infringed.

      Now please report to your nearest ECPE Center(Eardrum Copy Protection Enhancement) for mandatory auditory modification. All violators shal be tried and sentenced at the RIAA RILA (Really idiotic litigating a$$clowns) court system - minimum fine: 24 hours of forced listening to Britney Spears singing "Baby One More Time".

    3. Re:In other news... by sedyn · · Score: 2, Funny

      I thought that the music industry gained that power over artists and their lyrics years ago...

      Would this mean that karaoke violates the DCMA?

      --
      Am I open minded towards open source, or closed minded towards closed source?
    4. Re:In other news... by interiot · · Score: 5, Insightful

      The RIAA is also pushing for a mandatory surcharge whenever vocal cords are created, since they can be used to violate RIAA's existing copyrights.

    5. Re:In other news... by rahlquist · · Score: 4, Funny

      Not quite more like.
      All of your ears are belong to us.

      --
      Sick of stupidity? http://www.patentlystupid.com
    6. Re:In other news... by Anonymous Coward · · Score: 0

      Parent wrote:
      > mandatory surcharge whenever vocal cords are created

      Perchance do you mean conception or birth?

      If you mean birth, then Happy birthday to you! Happy birthday to... <robotic voice> copyright infringement detected; please remain calm until the authorities arrive </robotic voice>.

      Oh no, not again. Everybody run! You can make it if <robotic voice> we heard that </robotic voice>. /me sobs uncontrollably

      At least I had my pants on this time. I'm glad I didn't assume you meant conception. *whew*

    7. Re:In other news... by Ucklak · · Score: 1

      They'll probably come up with a device that you plug into your head so your brain can hear(interpret) 5.1 surround then charge you based upon content passed through the device.

      Or better yet, they market a device that 'enhances' listening to audio that way they can filter digital signatures and charge you based upon content passed.

      God forbid someone sings a song protected by them.

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    8. Re:In other news... by interiot · · Score: 1

      It really wouldn't surprise me if the RIAA wanted to interject itself in other people's sex lives, by federal decree. /ewwww

    9. Re:In other news... by Anonymous Coward · · Score: 0
    10. Re:In other news... by Meagermanx · · Score: 1

      Nope. You guys aren't even close. They're going to figure out a way to charge people for hearing stuff. Then they're going to charge different amounts depending on the quality of the sound, where it comes from, and whether or not it's public domain.

    11. Re:In other news... by jimbolauski · · Score: 0

      karaoke does not violate the DMCA, the opperators have to pay for songs with the text, I wonder if they make them pay for the bouncy ball that bounces on each word.

      --
      Knowledge = Power
      P= W/t
      t=Money
      Money = Work/Knowledge so the less you know the more you make
    12. Re:In other news... by Ucklak · · Score: 1

      You know, they already have these outrageous licenses for public places to play copyrighted material called ASCAP and BMI and I'm sure others.
      Now it as if they want to charge people to hear the content too.

      I wonder if they might implement some crazy idea for music players for the manufacturer to pay a license fee to the RIAA to be allowed to play their content.

      1. Charge artist for recording session
      2. Charge broadcasting units for playing songs.
      3. Charge listener for listening to song.
      4. Profit

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    13. Re:In other news... by gstoddart · · Score: 1
      The RIAA is also pushing for a mandatory surcharge whenever vocal cords are created, since they can be used to violate RIAA's existing copyrights.

      So will we be able to apply for a rebate with proof of purchase of a packet of condoms?
      --
      Lost at C:>. Found at C.
    14. Re:In other news... by Anonymous Coward · · Score: 0

      I think a better analogy is book publishers lobbying for copy protection built into every scrap of paper, because, as we all know, new devices such as photocopiers enable people to rapidly and cheaply pirate copyrighted works. Clearly, like computers and music, the photocopier is a piracy-enabling technology! Never mind that people might use the same medium and copy devices for, oh, their own writing or business applications.

      Maybe they might settle for a special tax on all paper and photocopiers? Almost as stupid.

      When are these people going to get it through their heads that no matter how sympathetic people might be to protecting the legal rights of copyright holders, it makes no sense to cripple an entire delivery medium?

      For heaven's sake, the radio companies pay the RIAA for the broadcast of the music already! Do listeners need an additional license from the RIAA for the sound to flit through the neurons in their own brain?

    15. Re:In other news... by hazem · · Score: 1

      That's easy. We just go back to the way it used to be - before recorded music. You listen to the person perform it once. If you want to hear it again, you pay them to play it again.

      If you ban written forms of music, then only those with good ear-training might be able to reproduce/cover someone else's work. Those people, we can just kill, or cut out off their ears.

    16. Re:In other news... by E8086 · · Score: 1

      "minimum fine: 24 hours of forced listening to Britney Spears singing"

      don't you mean forced watching of a music video of her lip-synching?

      --
      F7 doesn't work, ignore spelling and grammar
    17. Re:In other news... by MightyMartian · · Score: 1

      I like to think of her singing as digitally-enhanced cow orgasms. Toxic indeed.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    18. Re:In other news... by sd_diamond · · Score: 1

      The RIAA is also pushing for a mandatory surcharge whenever vocal cords are created, since they can be used to violate RIAA's existing copyrights.

      Fortunately, existing laws will make such charges illegal, except in certain parts of Nevada.

    19. Re:In other news... by Anonymous Coward · · Score: 0
      RIAA president, Adolph Q. Hitler
      Sorry, but the president of the RIAA is a reprehensible Jew; which explains its totalitarian, micromanagerial ghost.
    20. Re:In other news... by poopdeville · · Score: 1

      We must protect our precious bodily fluids.

      --
      After all, I am strangely colored.
    21. Re:In other news... by Popcorn+Dave · · Score: 1
      Acutally they've been in contact with the PIAA (Plumbing Industry Association of America) and are working on installing waterproof microphones in showers. That way when you sing in the shower, they've got a whole new revenue source.

      However if you're doing something else in the shower, the adult film industry might just join the RIAA to collect royalties there too.

    22. Re:In other news... by worf_mo · · Score: 1

      Unfortunately not as far fetched as a mentally stable person would like to believe.

  2. Will someone please... by stox · · Score: 5, Funny

    shoot RIAA, and take them out of our misery.

    --
    "To those who are overly cautious, everything is impossible. "
    1. Re:Will someone please... by ackthpt · · Score: 2, Funny
      shoot RIAA, and take them out of our misery.

      Sorry, but the gangsta rappers are still shooting at each other. When they are done, assuming they have enough guns and bullets left, I'm certain they would be happy to oblige. (Unless bribed with sufficient Bling-Bling to rub you out instead.)

      --

      A feeling of having made the same mistake before: Deja Foobar
    2. Re:Will someone please... by Fantasio · · Score: 2, Funny

      So far, RIAA has only been shooting itself in the foot. They should aim higher !

    3. Re:Will someone please... by nurb432 · · Score: 1

      I agree, and i know you wernt making a joke.

      --
      ---- Booth was a patriot ----
  3. Breaking News by ackthpt · · Score: 5, Funny

    From Ronald Eagleye, our on the spot reporter, Fenwick Finster was apprehended while recording FM radio broadcasts on his digital video camera at the public swimming pool, after RIAA informers tipped off police. Finster claimed it was clearly a misunderstanding, though he refused to explain why he was in the women's locker room with the video camera under his trenchcoat.

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:Breaking News by Nuskrad · · Score: 1

      I know it's a joke, but under UK law at least (possibly US aswell, but I'm not sure) incidental recording of copyrighted material isn't classed as an infringement of copyright.

    2. Re:Breaking News by jabuzz · · Score: 1

      And which bit of the Copyright Designs and Patents Act 1998, and the numerious amending Acts and Statutory Instruments gives you this idea? As far as I can tell it all counts as unauthorised copies of a copyright work, and is illegal.

    3. Re:Breaking News by Nuskrad · · Score: 1

      I would have thought the section entitled 'Incidental inclusion of copyright material' would be a good place to start.

  4. Quality of bits over quantity of bits by Anonymous Coward · · Score: 0

    >>Never mind that digital audio broadcasting is not significantly greater in quality than regular, analog radio. Never mind that its music quality is vastly less than than that of audio CDs.

    Never mind that the huge majority of radio stations play absolute crap like "Lite 80s" or Top 40 for teenage girls.

  5. Band-Aid + Corpse = Still Dead by dada21 · · Score: 5, Insightful

    I ran tens of thousands of dollars of radio ads this year for my retail stores (focused on 10-22 year olds). Few people heard them.

    Why? Radio is dead or dying for most younger people. All my employees under 21 podcast or listen to playlists. The RIAA doesn't really have any idea what they're chasing. Putting a Band-Aid on a corpse is useless.

    I'm not fan of music piracy (I used to run a warez pirate BBS 15 years back) anymore. Why? There is nothing worth pirating. The radio doesn't appeal to the market that likes that music. People used to go to concerts, too, but my last concert was $95/ticket for an fairly-unknown electronica band -- the crowd was thin.

    Let them DRM everything valuable to them. I'm fine with it! I have no desire to bootleg what I can afford to buy if it pleases me enough. I'll continue to go to $8 Indie bar shows, buy the bands' $10 CDs and $10 T-shirts, and ignore my car radio. My house hasn't had a radio for 10 years.

    As it gets harder for consumers to consume, they switch to something easier. I feel bad for record shops and radio ad sales people. The end is coming, but they don't see it.

    As for quality, who cares? Radio-friendly music is already fidelity-free from excessive compression, gating, and over mastering. Even my MP3'd music is only 96k, my noise floor in the car and outside that I don't mind the loss of resolution.

    Don't hate the RIAA, they're already not a concern. It's like hating VHS Macrovision.

    1. Re:Band-Aid + Corpse = Still Dead by dlZ · · Score: 2, Interesting

      I ran some radio ads a while back and didn't get any hits off of them. Even my older client base doesn't really listen to the radio anymore.

      I also agree about music on the radio. I use a tape adapter for my iPod. If my batteries die, I have some old mix tapes stashed in my glove box. I haven't bought a major lab CD in years, and it's not because of anything to do with the RIAA. It's because of the crap that's released. I do the same thing, go to small shows, and buy the CD right off of the band. But then, I listen to mostly hardcore, Oi, and punk. Not stuff you're likely to hear on the radio.

      --
      rm -rf ./evidence @ punkcomp
    2. Re:Band-Aid + Corpse = Still Dead by smashin234 · · Score: 1

      "People used to go to concerts, too, but my last concert was $95/ticket for an fairly-unknown electronica band -- the crowd was thin."

      I have went to a few concerts in the last few years, and they were packed. Its probably the band(s) you chose. Although I may buy less CD's with ITunes, etc. out there, I still like to go to concerts just as much as I did before the MP3 revolution.

      And I still listen to the radio. When I get tired of my playlists on my MP3 player, I have to find new music I like somewhere. I just haven't springed for the old satellite radio yet.

      And yet, your statement here:

      "Don't hate the RIAA, they're already not a concern. It's like hating VHS Macrovision."

      Is so true. Copy protecting radio is worthless because I don't see why anyone would bother recording a song on the radio when its so easy to download it either for free or from ITunes.

      It is absolutly like putting a band-aid on a corpse.

    3. Re:Band-Aid + Corpse = Still Dead by Kaenneth · · Score: 3, Informative

      Somewhat off topic, but you should always have a radio (battery or hand crank charge...) in your home for emergency information.

    4. Re:Band-Aid + Corpse = Still Dead by n9uxu8 · · Score: 5, Informative

      WRONG!...not about the viability of radio...bad programming still equates to no listeners, but about "Let the DRM everything valuable to them."

      The law states that we can record radio/tv broadcasts. Quietly acquiescing to mandate DRM (even on a media that doesn't interest you personally) effective repeals fair use law and restricts your rights. This is a very bad precedent to allow.

      Dave

    5. Re:Band-Aid + Corpse = Still Dead by AvitarX · · Score: 4, Funny

      No punk on the radio?!

      what about Greenday, No Doubt, and Avril Lavigne?

      And hardcore?

      We got Korn, Linkon Park, and Limp Bizkit.

      There is plenty of punk and hardcore signed by major labels, just listen.

      </sarcasm>

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    6. Re:Band-Aid + Corpse = Still Dead by cpt+kangarooski · · Score: 1

      The law states that we can record radio/tv broadcasts.

      Oh? Mind citing that law?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    7. Re:Band-Aid + Corpse = Still Dead by dada21 · · Score: 1

      I'm into the same styles, but the emo bands seem to far outnumber my hardcore, oi, ska and punk. Chicago still has amazing scene, though, with $5-$9 shows 6 nights a week.

      No advertising works anymore. I get a better response on myspace, AIM messages, and word of mouth. Even e-mail is dead for advertising.

      Our future is going to be bizarre. Nothing makes sense if we t ink of the past. Lucky for me, I'm a free market lover, and the Internet enables the free market to destroy every destructive regulation our government enacts: sales tax, minimum wage, copyright, IP, income tax, even zoning laws lose strength.

      I, for one, welcome my free market as my overlord.

    8. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      I listen to mostly hardcore, Oi, and punk. Not stuff you're likely to hear on the radio.

      Wotya mean? You can hear Rancid, Green Day, and Blink 182 on the radio all the time. : p

    9. Re:Band-Aid + Corpse = Still Dead by uniqueCondition · · Score: 1, Offtopic

      PLEASE (deserving of caps) stop saying podcasting. Save format/DRM downloading music off the internet shouldn't be associated w/ the iPod. You don't need an iPod to make or listen to a "podcast". Why? Because it's marketing speak.

      'podcast' means recorded audio
      'podcasting' means streaming audio
      Come on /., fight it!

      --
      "The more you know, the less sure you are." - Voltaire
    10. Re:Band-Aid + Corpse = Still Dead by rahlquist · · Score: 2, Insightful

      Why? Radio is dead or dying for most younger people. All my employees under 21 podcast or listen to playlists. The RIAA doesn't really have any idea what they're chasing. Putting a Band-Aid on a corpse is useless.

      Not Quite. The death of radio is much like the death of newspapers, printed books, and the movie theater. Granted each meadium has suffered from shrinkage, but none has completely disappeared. Even libraries are still widely used despite being able to research nearly anything at the Speed of Google!

      Radio will suffer, but even now podcasts are gaining steam and picking up advertisers. It will be a slow transition but one that is inevitable. In the end the consumers will be satiated because they will get what they want, flexibility and choice.

      --
      Sick of stupidity? http://www.patentlystupid.com
    11. Re:Band-Aid + Corpse = Still Dead by dada21 · · Score: 1

      As an Anti-State Anti-Law free marketeer, I have to think out laws much harder to find the unintended consequences.

      I embrace the slippery slope now. As more laws criminalize what I consider an inherent right, more black market (read free market) provisions are created. You can never stop billions of individuals making billions of choices every minute.

      Copyright is ridiculous, but only technology saves us there. If something is worth so much to a producer, don't produce an easy to copy version.

      Play your music live only, on private property. Read your stories out loud rather than in book form. Even prescription drugs don't work anymore with the Internet -- IP laws + crazy regulations = no security.

      I'm an outcast on /. because I understand the unintended consequences. I also know we can't stop them, so we just need to embrace what we individually love, and if others embrace the same actions as moral, the free market will provide for us.

    12. Re:Band-Aid + Corpse = Still Dead by travail_jgd · · Score: 1

      'As it gets harder for consumers to consume, they switch to something easier.'

      That assumes there's an option to switch. Right now most MP3 players will accept files from "unverified sources" (ie, done yourself or pirated). If that changes (due to RIAA pressure or legislation), other options for music will be slim and none.

      I haven't listened to the radio in my home in about five years. My car radio only gets used while I'm waiting for my (aged) MP3 player to boot, or for trips too short to even bother.

    13. Re:Band-Aid + Corpse = Still Dead by ackthpt · · Score: 1
      My house hasn't had a radio for 10 years.

      Very few do, anymore and this is more to your point. What else do people listen to radio for? Usually travelling from point A to point B, like I often do, but I'm fed up with broadcast so I got satellite. Sirius is about to shuffle their channels again on the 29th so we'll see what I end up with. Just don't touch my Radio Classics (Jack Benny, Abbott and Costello, George & Gracie, Fibber McGee, Great Gildersleeve, etc.) and English Premier League football.

      Most people are either listening for traffic or talk radio.

      Where I live you can find live music every day in a dozen places, a far cry from Karoke and DJ's back in the midwest where I moved from. So what's the outlet for people to learn of new music anymore?

      Ahh, the hand that rocks the cradle of music will rock the world...

      --

      A feeling of having made the same mistake before: Deja Foobar
    14. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      Fools advertise on radio or broadcast.

      you should have put EVERY dime into cable adverts.

      1/10th the price of the broadcasters and a shitload more penetration.

      hell if you buy all tier 2 and 3 networks, at LEAST 1 spot a day on each network you will probably get 20-30 run a day or even more on the lower end networks because of something called "autofill"

      Every cable advertising system runs an ad insertion system that will pull from it's pool of ad's for that network on that day for filling of unsold spots. they prefer to put in customers spots than PSA's or "buy more cable" fill spots.

      One customer in the past I kew about was able to get 90,000.00 bucks in advertising free because she bought only 1 spot a day for a month on each of the cheapest networks the cable company had in the lineup. got great exposure, good turnout and everyone knew her spots (note: dont make your commercial look like crap or this will bite you.. and no you as the store owner do not know crap about making a commercial, let the shooting team do their job.)

      call up your local cable tv ad rep and have them give you a low down on what tiers and channels as well as pricing. and DO NOT buy anything from tier 1 unless you got lots of cash.

    15. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      I have went to a few concerts in the last few years

      Where did you went to school?

      I may buy less CD's

      FEWER not LESS!!!

    16. Re:Band-Aid + Corpse = Still Dead by m50d · · Score: 1, Troll
      I don't see why this is funny. The only reason punk fans deride the music on the radio as crap is it makes them seem more hardcore. The stuff they're calling awesome sounds much the same.

      (Not that punk fans are the only ones guilty of this)

      --
      I am trolling
    17. Re:Band-Aid + Corpse = Still Dead by InvalidError · · Score: 1

      I still have a radio alarm clock I use every morning... but I only pay attention to news, traffic reports and weather since most of the music that airs is not worth listening to.

      And with the likes of WiMax and municipal WiFi under way, radio's days as an information service are also nearing the end.

      Anyway, I see nothing wrong with the RIAA&all wasting money on technical dead-ends and non-issues... that's better than spending an equivalent amount on going after disabled people on wellfare and unemployed students.

    18. Re:Band-Aid + Corpse = Still Dead by mAineAc · · Score: 2, Interesting
      107. Limitations on exclusive rights: Fair use38 Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.

      Fair use says I can copy it for research. I think that listening to it hours on end and experiencing the nuances of the tones can be qualified as research :)

    19. Re:Band-Aid + Corpse = Still Dead by ghukov · · Score: 0

      dude... go XM. Fungus 53 is where it's at. And to the other responders... green day etc is punk, yes, but until Propaghandi, Rise Against, Anti Flag and their ilk are on free radio, I'm stickin to XM.

      --
      ...because Plutonians are teh suck
    20. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0
    21. Re:Band-Aid + Corpse = Still Dead by slashdotnickname · · Score: 2, Informative

      No punk on the radio?!
      what about Greenday, No Doubt, and Avril Lavigne?


      If your examples pass as proof for punk, metal is still on the radio thanks to artists like Pat Boone.

    22. Re:Band-Aid + Corpse = Still Dead by Arandir · · Score: 1

      People used to go to concerts, too, but my last concert was $95/ticket for an fairly-unknown electronica band -- the crowd was thin.

      My last concert was only $10 higher, and it was the Eagles doing a three hour set! The band was in great form. Freaking awesome! The enclosed stadium in a mid-sized city was completely filled.

      Of course, it's "old fart" music, so it probably doesn't even register in your tiny little world. We "old farts" are the ones still listening to radio. We "old farts" are the ones still buying music. We "old farts" are still packing stadiums.

      --
      A Government Is a Body of People, Usually Notably Ungoverned
    23. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 1, Insightful

      I used to hear all sorts of great stuff on the radio, but then John Peel died. Now I don't listen to the radio.

    24. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0
    25. Re:Band-Aid + Corpse = Still Dead by Captain+Splendid · · Score: 1

      What about Satellite radio? If your experiences are typical, that doesn't seem to have much of a future either.

      --
      Linux, you magnificent bastard, I read the fucking manual!
    26. Re:Band-Aid + Corpse = Still Dead by Secrity · · Score: 2, Interesting

      Sections 107 - 118 of the Copyright Act. See http://www.copyright.gov/title17/92chap1.html

      There have been court decisions upholding sections of sections 107 - 118 in the context of home recordings of broadcasted programs.

      There is also a Supreme Court decision that specifically says that the recording of tv broadcasts is legal for home use. Sony Corp. v. Universal City Studios 464 U.S. 417, 104 S. Ct. 774, 78 L. Ed. 2d 574 (1984)

    27. Re:Band-Aid + Corpse = Still Dead by Rude+Turnip · · Score: 1

      "'podcast' means recorded audio
      'podcasting' means streaming audio"

      A podcast is recorded audio that is kept up to date with an RSS or similar feed. Streaming audio is called streaming audio. Not using a word "because it's marketing speak" is just being silly. Moreover, Apple didn't invent podcasting nor coin the term, so the word "podcast" is a folk term at most.

    28. Re:Band-Aid + Corpse = Still Dead by dada21 · · Score: 1

      I addressed this in a previous comment.

      The free/black market fixes all rights destructions by the government and lobbying groups. Most /. commenters agree when they say "it'll only take a few days to crack" or something similar. They're "understanding" something I frequently get modded down for saying: people, a a group, inherently know their basic rights.

      The world makes billions of individual decisions every minute. No law or government can stop the whole planet from using their inherent rights. Limitations and regulations are worked around eventually.

    29. Re:Band-Aid + Corpse = Still Dead by kryonD · · Score: 1

      I wonder what's wrong with your local radio stations. We have pretty good stations here in Salt Lake and just about everyone I know listens to the radio when they drive or as background music for card games and BBQ's. Maybe it's just my demographic, but I'm just too busy to constantly keep refreshing my music in the car and I really can't think of a better source than radio to be exposed to new music.

      Plus I think that when all the students who "rip" music or download it illegally get into the real world and realize how wonderful all the free time you had being a student was, they rapidly switch back to just having the wife (or husband) pick it up at Walmart for $15. It's really not that expensive and it gives your significant other something to do.

      Of course, the other side of it is that commercials try so bleeding hard to be obnoxiously annoying that I often change the channel. What ever happened to the days of a 15 second commercial that said, "come down and mention you heard about us on KSUX and we'll give you $100 off"? Why do all the commercials have to sound like a bad spoof of a worse 90's pop tune, or a 3am scripted infomercial.

      --
      I've dirtied my hands writing poetry, for the sake of seduction; that is, for the sake of a useful cause. --Dostoevsky
    30. Re:Band-Aid + Corpse = Still Dead by chanda3199 · · Score: 1

      The law states that we can record radio/tv broadcasts.
      Oh? Mind citing that law?


      Well, I got to digging around and found this:

      The exclusive rights of the owner of copyright in a sound recording under clauses (1), (2), and (3) of section 106 [17 USCS Sect. 106(1)-(3)] do not apply to sound recordings included in educational television and radio programs (as defined in section 397 of title 47) [47 USCS Sect. 397] distributed or transmitted by or through public broadcasting entities (as defined by section 118(g) [17 USCS Sect. 118(g)]): Provided, That copies or phonorecords of said programs are not commercially distributed by or through public broadcasting entities to the general public.

      This can be found in section 114(b) of the Copyright Act of 1976. I looked my copy up here.

    31. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0
      Let's try that again...
      I have went to a few concerts in the last few years, and they were packed. Its probably the band(s) you chose. Although I may buy less CD's with ITunes, etc. out there, I still like to go to concerts just as much as I did before the MP3 revolution.
      I have gone to a few concerts...It's probably the bands...I may buy fewer CDs...
      I just haven't springed for the old satellite radio yet.
      I just haven't sprung for the old...
      It is absolutly like putting a band-aid on a corpse
      It is absolutely like putting...

      Yeesh!

    32. Re:Band-Aid + Corpse = Still Dead by travail_jgd · · Score: 2, Insightful

      I agree that everything can be cracked, eventually.

      But it doesn't matter if every Slashdot reader has access to the cracked players or systems. The general public as a whole rarely embraces such technologies. It's either too complex, too difficult, or there's the fear factor of doing something wrong.

      "Next generation" DVD players will have the ability to be remotely disabled if their code has been cracked. The **AA is trying to use fear and peer pressure to keep the sheep in line. Sure, the Slashdot crowd can get around such measures -- but Joe Sixpack and Jane Average can't.

    33. Re:Band-Aid + Corpse = Still Dead by a1englishman · · Score: 1
      If your examples pass as proof for punk, metal is still on the radio thanks to artists like Pat Boone.

      My thought exactly, but not nearly as funny. Too bad I didn't have any mod points. These bands aren't punk.

      The rock stations only play classic rock. You'd never think there was a recent album from ZZ Top, would ya? It's damn good too, but it sure doesn't get any air play.

    34. Re:Band-Aid + Corpse = Still Dead by secolactico · · Score: 1

      I don't see why this is funny. The only reason punk fans deride the music on the radio as crap is it makes them seem more hardcore. The stuff they're calling awesome sounds much the same.

      Pfft. Iconoclasticism is supposed to be cool. Isn't that how the whole "alternative" genre got started?

      --
      No sig
    35. Re:Band-Aid + Corpse = Still Dead by Richard_at_work · · Score: 2, Interesting

      What inherent rights would those be? Sorry, but *all* your rights are protected by human laws and not nature - you have no inherent right to life in nature, beyond you protecting yourself, you have no inherent right to property in nature, again beyond what you can protect yourself. All of your rights are created through use of law and those are just two examples. Theres no such thing as inherent rights, basic or not.

    36. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      This old fart (I'm 43) would prefer to live in the present and future rather than the past. I don't want to hear the same d*mn thing all the time. I listen to internet radio for new music. Most of what I listen to is less than 15 years old or it's more than 80 years old. I recently started Tivo'ing LinkTV's world music shows. They have some interesting stuff; innovation in music seems to be happening anywhere but the USA to a large extent.

      I see so many "old farts" who live like it's 1975 still. Hello, 1975 is dead and buried just like the heads of those who insist on living in the past. You've got one foot in the grave and you're acting like it. The 70s weren't all that. Good but not good enough to still live in today.

      I find these people pathetic. I went to my 25th HS reunion and it was pretty all just a bunch of losers still living in the 70s. All of them doing pretty much the same things they did every day in HS. Same interests, same priorities. I knew there was a reason I didn't keep in touch with most of them. F*cking losers then, f*cking losers now!

      Class of '80 but living like Class of '05, thank you very much.

    37. Re:Band-Aid + Corpse = Still Dead by Xarius · · Score: 1

      Wasn't the entire initial point of the Internet to create a more effective method of emergency communications in the event of a major disaster such as nuclear war?

      Surely radio is not that reliable... And isn't it the same fundamental technology as terrestrial television?

      I could be wrong, please correct me if I am.

      --
      C17H21NO4
    38. Re:Band-Aid + Corpse = Still Dead by pla · · Score: 1

      but my last concert was $95/ticket for an fairly-unknown electronica band -- the crowd was thin.

      Although concerts do indeed go that high, I find it difficult to believe that an "unknown electronica" band charged that much per ticket (although it would certainly explain the thin crowd!).

      I go to a decent number of concerts across the spectrum of musical styles (as an example, in two weeks I see the Dresden Dolls, while late next month I eagerly anticipate the start of the new season of the local symphony orchestra). And I have never paid more than $70 per ticket, and that only once, with a good number of ties for the second highest in the mid-$40 range. But even those fall into the minority, with over half of the shows I go to coming in at under $20.

      For starters, don't go to huge venues for aging superstars. You will pay more, and leave disappointed. Check out the local clubs (as in, live music clubs, not dance-n'-mate clubs), midweek and/or 21+, to avoid the kiddy crowd. It might amaze you the names that drop in for a $10-$15 cover. And best of all, you won't tend to see "productions" in that environment, you'll see (first hand, without binoculars or having to watch the giant video screen) a handful of people playing instruments and singing.

      As an example of what you can find, as opposed to taking what Clearchannel has told you to go consume, I recall a show at Lupos (or the Strand? Never could get those two straight in my head, though one no longer exists) in Providence, RI, to see Kristen Hersh. For seating, they had covered the main floor with couches and armchairs (and tables in the back, of course). She chatted with us and played music, doing basically all requests. IIRC, that had an whopping admission of $25 even (high for a local club). Not exactly a superstar, but not an unknown at the time, either (and I'd go see her over 99% of the superstars anyway)

    39. Re:Band-Aid + Corpse = Still Dead by dada21 · · Score: 2, Informative

      I disagree. My 'punk' roots came from music that triggered a feeling of understanding in the listener. I prefer a live sound over a meticulously mastered sound, and I have little attraction to the solid chord arrangements of pop music.

      My real love is the post-hardcore Indie sound. Hard edged guitars, lyrics that I connect with, intense dynamics from the drums and a bass line that mimics free vocals, not melodies.

      Radio punk has a huge audience and I'm fine with it. Subculture always attracts mainstream marketing departments and I'm fine with that, too.

      I just don't find myself in tune with Chicago and Milwaukee's radio schedules. I've burned my own comps since CD-R drives were nearly $500. My time has always been valuable but my comfort level in the car is worth much more.

      I don't hate major labels, radio stations and MTV; they appeal to the broadest audience and they should.

      When the RIAA makes life harder for the broad audience, that audience will go elsewhere.

      Sure, cracking DRM is initially difficult for non-tech masses, but the competition between various crackers to be #1 leads to better products that are easier to use for the masses.

      In the short run, life gets harder with laws and regulations. In the long run, the free market gives us everything back that we want, regardless of controls or rules.

      Information wants to be free, correct? Free as in market!

    40. Re:Band-Aid + Corpse = Still Dead by Detritus · · Score: 0
      Wasn't the entire initial point of the Internet to create a more effective method of emergency communications in the event of a major disaster such as nuclear war?

      No, it was originally funded to share resources among research institutions.

      --
      Mea navis aericumbens anguillis abundat
    41. Re:Band-Aid + Corpse = Still Dead by mockchoi · · Score: 1

      Man, I would rather listen to three hours of my colon gurgling that three hours of The Eagles.

    42. Re:Band-Aid + Corpse = Still Dead by fbjon · · Score: 1

      I don't think it matters as much if JaneAverage can't get around it. What matters is what people want. Imagine: You talk with your neighbour about this and that, neighbour complains about how she can't record this and that stuff, you say "that's easily fixed!". In a while, everyone on the block will have cracked players, and soon enough everyone in the city. Stringent restrictions that make no common sense will be broken.

      --
      True confidence comes not from realising you are as good as your peers, but that your peers are as bad as you are.
    43. Re:Band-Aid + Corpse = Still Dead by gl4ss · · Score: 1

      if it's on the radio and on mtv it's not "punk" anymore.. thus goes the definition some people go by with. same to hardcore. to be hardcore it would need to be more "hard" than what the big crowds listen to at the moment. once it's popular and accepted it's just "pop".

      you know, elvis used to be pretty wild stuff once..

      though. as to OP, people do listen to radio still(in offices, public places, cars etc - in a BIG way). if the guy had bad experiences with radio adverts.. that may be true, maybe his adverts sucked balls and he only asked from ipod wearing and podcast downloading people if they had listened to his adverts.

      --
      world was created 5 seconds before this post as it is.
    44. Re:Band-Aid + Corpse = Still Dead by Malc · · Score: 2, Insightful

      As far as I'm concerned, ads and lack of content already killed radio! I grew up with the BBC radio (no ads), and all I can stand to listen to where I live is CBC (no ads). And guess what? Here in Toronto, the most popular morning radio programme is CBC's Metro Morning. Why would anybody subject themselves to any of the commercial radio stations with their stream of annoying, instrusive and brain-dead ads, and the constant banal, puerile, mind-numbing and irritating drivel of the grade-7-drop-out own-voice-loving dickhead presenters? If commercial radio wants to succeed then it needs to actually put out something more compellying.

      And whilst we're on the subject - why is radio technology in N. America so far behind the rest of the world? In other countries I can tune in to a national radio station (or a station with national affiliates - read: Clear Channel has the same stations in every city across N. America with just the name and some voices changed), then drive across country and have the radio automatically re-tune itself as it needs to. The radio should always display what it's tuned in to (name, not frequency) and give the option to automatically switch to traffic reports, etc. Yes, some of these features are available, but the coverage is spotty and most stock car radios don't support the features. Don't get me started on digital radio that isn't common here unlike other places...

    45. Re:Band-Aid + Corpse = Still Dead by cpt+kangarooski · · Score: 2, Informative

      Fair use says I can copy it for research.

      Actually, it doesn't. It says that fair use is not an infringement of copyright. The purpose of the fair use is not especially important; the list provided is illustrative of what some fair uses might be, but nothing says that they're invariably fair. You see, you aren't parsing the statute closely enough. Looking at it selectively doesn't help either.

      In order to determine whether a use is fair or not you need to look at the four factor test in 107. It comes just after the bit you quoted.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    46. Re:Band-Aid + Corpse = Still Dead by cpt+kangarooski · · Score: 2, Informative

      There have been court decisions upholding sections of sections 107 - 118 in the context of home recordings of broadcasted programs.

      Really? I'd be impressed to see a 117 case, for example, that dealt with "home recordings of broadcasted programs." Got a cite for that one?

      Incidentally, the Sony case does not say what you think it does. Essentially, Sony says that it can be a fair use. It doesn't say that it is always fair. This is to be expected, as fair use is not a blanket proposition; what is a fair use for one person might not be for another, despite the use being the same.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    47. Re:Band-Aid + Corpse = Still Dead by lidocaineus · · Score: 1

      You're kidding right? The stuff on the radio is completely homogenized. While outside the dial there is always a lame band as well, there is a much better chance of finding a good, original one. If you're saying that most of the stuff sounds the same, you are obviously not listening to anything good.

    48. Re:Band-Aid + Corpse = Still Dead by connorbd · · Score: 1

      The thing about no ads is a major driving force for satellite radio -- they can have edgier content as well because they're listener-subsidized.

      Radio technology in North America -- well, it's not often that you have a need for automatic channel hopping in the US (don't know about Canada -- public broadcasting is very different down here). There's a few situations in more sparsely populated areas where it might be useful -- I know where I live there are at least two stations that operate on multiple frequencies -- but it isn't that common.

      Some radios down here do support RDS reception though -- mostly car radios mind you, but they do do it. And digital radio is ~= satellite radio for the most part, as there isn't really a lot of demand for terrestrial digital broadcasting. People don't want to spend the money for digital if there's no value added.

      I listen to BBC Radio (usually 6music) sometimes. The Beeb has a pretty good idea of how to take advantage of DAB -- they make it worthwhile by creating content that sits a little outside the mainstream, adding value and giving someone a reason to tune in. I don't think in Canada or the United States there is a single media operation with the clout to do that, and even if there is (Clear Channel and Viacom, as the biggest in the business, come to mind) there's no incentive to do it. The frequency allocations aren't there to begin with, and spending the money to create new services would affect their stock prices.

      So even if we did want it (which I don't consider all that likely) Big Media has no incentive to provide. I fully expect HD Radio to be a complete failure in the market for that reason. If you want diversity, that's what web radio is for.

    49. Re:Band-Aid + Corpse = Still Dead by ferat · · Score: 1

      I change the channel whenever ads come on, so not hearing your ad is not necessarily an indication that the medium is dead.

      If I could be assured that the ads wouldn't be so annoying as to make me want to swerve into oncoming traffic I'd not bother surfing channels, but I've had one too many HIGHLY irritating commercials to take that chance anymore.

    50. Re:Band-Aid + Corpse = Still Dead by cpt+kangarooski · · Score: 1

      This 1) doesn't apply to TV broadcasts as a whole, 2) doesn't apply to all radio broadcasts, 3) is virtually never used by people who are making the recordings.

      Perhaps you should educate yourself on just how limited the utility of the AHRA is.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    51. Re:Band-Aid + Corpse = Still Dead by Jesus_666 · · Score: 1

      The stuff on the radio is completely homogenized.

      Depends on the station. A while ago, we switched from cable TV to satellite (because via satellite we get more programs without reoccurring costs and we an use the savings). As a nice side effect I can now listen to radio stations via my TV and I discovered a nifty litte Bavarian station that plays nothing but rock, metal etc. Listening to that station has ntroduced me to bands I've never heard about.

      Of course with analog radio I wouldn't be able to listen to that station as I live on the other side of Germany. But there always are stations that play stuff besides pop... At least over here there are.
      (BTW, when driving into town, I sometines tune in to one of our local classical music stations, turn the volume up and drive by people at about 10 km/h, nodding to the "beat". You know, like those "cool" people who have to inform everyone about the latest hip hop trends.)

      --
      USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
    52. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      You have it backwards. Power-pop acts like those listed are trying to earn kewl-points off the cache of 'being punk'. Know-nothing fans of said bands get knickers twisted when called on it. Lincoln Biscuit and Limp Park may make the best or worst of all possible music, at neither end of the spectrum are they any more punk than Outkast. Like them for what they are if that's your taste, not for how labels market them or selfconcious concerns over what people who know better think.

    53. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      How would you suggest accessing the internet when all your power is out and whatever batteries you have have run dead. Meanwhile, you can crank on that ham radio all day and get the vitals.

    54. Re:Band-Aid + Corpse = Still Dead by DickBreath · · Score: 2, Interesting

      Wasn't the entire initial point of the Internet to create a more effective method of emergency communications in the event of a major disaster such as nuclear war?

      The net was not about communications to the general public. It was about communications between military organizations. The whole point was that the telephone switching system was vulnerable. A communication network where packets could dynamically be re-routed on the fly is a lot harder to knock out.

      --

      I'll see your senator, and I'll raise you two judges.
    55. Re:Band-Aid + Corpse = Still Dead by maird · · Score: 1
      No advertising works anymore

      Amen! Easy research (Google at al) makes it redundant if you want it to be. I just bought a new car and a new range for my kitchen. I never looked at a single ad and never considered anything I had seen or heard in ads. I went to consumer reports and a few other places and, from data and owner feedback, worked out what would suit my needs then went and bought it. For the smaller stuff, I go look in the store and buy what I like the price and taste of.

    56. Re:Band-Aid + Corpse = Still Dead by Arandir · · Score: 1

      They did throw in some Joe Walsh tunes.

      I know, I know, it's still not current enough. I bet if you look hard enough you'll find some pretentious band out of Prague with a recent album that consists of one hour of colon gurgling, with reviews proclaiming it "edgy" and "provoking."

      --
      A Government Is a Body of People, Usually Notably Ungoverned
    57. Re:Band-Aid + Corpse = Still Dead by smashin234 · · Score: 1

      I thank you for pointing out that springed ain't a word. I appreciate your diligence.

      I also misspelled a word, big deal. You misspelled yeeesh, so there you go.

      You missed a big one. In my original post, I started two sentences with "and". What would your English Teacher say about that?

    58. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      or, i could go sit in the car.

    59. Re:Band-Aid + Corpse = Still Dead by m50d · · Score: 1

      I've looked, asked my more punk-oriented friends, looked in appropriate audioscrobbler groups, etc. I really don't see any difference in the sound between those bands played on the radio and those which aren't. Recommend me someone better than what's on the radio?

      --
      I am trolling
    60. Re:Band-Aid + Corpse = Still Dead by m50d · · Score: 1

      I like just about everything, but I really don't see any clear difference between "real punk" and acts like those listed, the way there is between them and other genres.

      --
      I am trolling
    61. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      tag indeed! And they all sound like something that came out of a corpse with a band-aid on it.

    62. Re:Band-Aid + Corpse = Still Dead by n9uxu8 · · Score: 1

      Far be it from me to label you outcast. What you say is correct, but that doesn't make it right (oohh...talk about slippery slopes).

      I would rather fight against those trying to put us in cages rather than shrug and count on the fact that each time I am caged someone will come along and pick the lock.

      Dave

    63. Re:Band-Aid + Corpse = Still Dead by travail_jgd · · Score: 1

      "In a while, everyone on the block will have cracked players, and soon enough everyone in the city."

      By the same logic, everyone in the city should be using Firefox or Mozilla, since they're more secure and feature-packed than IE. Using that logic, Linux and Mac should be eviscerating Microsoft's desktop percentages. And we're talking free and legal software, that'll help secure their systems!

      The people I've talked to are neither lazy nor stupid; they don't understand everything about technology. They want something that "just works". Any hoops they have to jump through -- beneficial or not -- take time away from their busy lives. Time is more valuable to some folks than money: they're not going to browse websites for the "easily modded" players, download cracks or firmware patches, or do anything more than ask for help. (And they're certainly not going to be able to teach others what you did for them!)

      How many nights and weekends are you willing to give up to unlock the media players for the city's Jane and Joe Average? Even if you modded a half-dozen players a week*, it wouldn't make a dent in the problem. I guess that falls under the handwaving "soon enough everyone in the city" being technically astute.

      * Don't forget you need to redo the mod the next time a firmware or software update breaks the fix.

    64. Re:Band-Aid + Corpse = Still Dead by dada21 · · Score: 1

      When I was a libertarian I was anti-cages. I then realized that the cages eventually captured their builders because I always found ways to avoid the cages in the first place.

    65. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 1, Informative

      You don't see the difference between the Dead Kennedys and Blink 182? Black Flag and Avril Lavigne? Propagandhi and Sum 41?

      Are you deaf?

    66. Re:Band-Aid + Corpse = Still Dead by CProgrammer98 · · Score: 1

      You can get internet on a small wind up device can you? A clockwork radio should be in everyone's emergency kit

      --
      And the people shall be oppressed, every one by another, and every one by his neighbour Isaiah 3:5
    67. Re:Band-Aid + Corpse = Still Dead by toddestan · · Score: 1

      Won't do you a lot of good if said car is underwater, now will it?

    68. Re:Band-Aid + Corpse = Still Dead by HorsePunchKid · · Score: 1

      My local public radio is still invaluable to me. Granted, you're not going to get the top 40 hits and all that trash, but then... I guess that's not necessarily a bad thing, is it? For that alone, I find it worth having a radio.

      --
      Steven N. Severinghaus
    69. Re:Band-Aid + Corpse = Still Dead by VultureMN · · Score: 1

      Look for content, not just the 'sound'. DK's lyrics are relevant (even now, X years later) and meaningful. I haven't heard -any- punk that gets radio play that's had any meaningful content.

      Ya know why? Political music makes people uncomfortable, so radio stations don't play it, unless it's some guy singing about the US sticking a boot in someone's ass.

    70. Re:Band-Aid + Corpse = Still Dead by ncc74656 · · Score: 1
      And whilst we're on the subject - why is radio technology in N. America so far behind the rest of the world? In other countries I can tune in to a national radio station (or a station with national affiliates - read: Clear Channel has the same stations in every city across N. America with just the name and some voices changed), then drive across country and have the radio automatically re-tune itself as it needs to.

      It's not hard to cover an entire nation with one station when that nation is only as large as one of our mid-sized states. More recently, satellite radio has started gaining popularity; it allows nationwide coverage with a much smaller investment in infrastructure.

      There's also the consideration that (with the exception of NPR) radio here doesn't depend on the government for its funding. Just as the lack of a government monopoly on phone service means we have a half-dozen mutually-incompatible cell-phone standards that fight it out in the marketplace, the lack of a government radio monopoly means that as you drive down the road, you'll need to either seek out different radio stations (most car stereos anymore have a button or two to make that easy) or bring your own music (which is what I'd recommend).

      --
      20 January 2017: the End of an Error.
    71. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      There's nothing wrong with starting a sentence with "and". Just don't do it all the time. My English teacher was more up to date on the rules than yours.

    72. Re:Band-Aid + Corpse = Still Dead by Simon+Garlick · · Score: 1

      Some people just can't recognise sarcasm. Even when there's a big SARCASM tag in the post.

    73. Re:Band-Aid + Corpse = Still Dead by Simon+Garlick · · Score: 1

      You mean... the [i]backing track[/i] was in great form while the band performed its choreographed routine.

    74. Re:Band-Aid + Corpse = Still Dead by Arandir · · Score: 1

      Not in the least. This is something you can tell. If it was choreography it was the best damned choreography ever, because they managed to sync up the mistakes to the sound track. This was a *LIVE* concert, not a studio-perfect recording played back. What were the live violinist, trumpetist and saxophonists for, if everything was a recording? How did they manage to sync up Joe Walsh's reaction to the audience so well if it was Memorex?

      If you think that the Eagles lip synced to a recording, you obviously don't know the Eagles. Sheesh.

      --
      A Government Is a Body of People, Usually Notably Ungoverned
    75. Re:Band-Aid + Corpse = Still Dead by MysteriousPreacher · · Score: 1
      (BTW, when driving into town, I sometines tune in to one of our local classical music stations, turn the volume up and drive by people at about 10 km/h, nodding to the "beat". You know, like those "cool" people who have to inform everyone about the latest hip hop trends.)


      Well played sir. If I owned a car I'd surely do the same thing around here to try to counteract the annoyance of skinny white kids with their windows rolled down blaring out 50 cent and somehow believing that they're bad-ass ghetto brothers.
      --
      -- Using the preview button since 2005
    76. Re:Band-Aid + Corpse = Still Dead by m50d · · Score: 1

      Of course I see differences between individual pairs of bands, but I don't see a difference between the bands which are played on the radio, as a whole, and those that aren't, again considered as a group. I can't argue the specific examples you list because I'm not familiar with them.

      --
      I am trolling
    77. Re:Band-Aid + Corpse = Still Dead by Anonymous Coward · · Score: 0

      Aaaaaah, now it becomes clear. You've never heard any real punk.

    78. Re:Band-Aid + Corpse = Still Dead by AvitarX · · Score: 1

      yeah.

      The funny thing is, I thought it was such an absurd statement the tag wasn't even needed.

      --
      Wow, sent an e-mail as suggested when clicking on "use classic" banner, and got a fast response that addressed my msg
    79. Re:Band-Aid + Corpse = Still Dead by m50d · · Score: 1

      I've tried, really. I'll look out for the bands you mentioned now.

      --
      I am trolling
    80. Re:Band-Aid + Corpse = Still Dead by dlZ · · Score: 1

      Here's what I've been listening to lately:

      Pride Kills
      Choking Victim / Leftover Crack
      Agnostic Front (and Roger Miret's side project)
      NYC Darkside
      Toxic Narcotic
      The Bullys
      The 4skins
      The Ducky Boys
      Blood for Blood
      Ramallah
      Converge
      Madball
      All Out War
      Terror

      There's more, but that's just what flowed off the top of my head. Those are mostly easier to find bands (NYC Darkside may not be so easy.) On the other hand of my local stuff I've been listening to things like John Wayne's Severed Head and Plastic Jesus.

      --
      rm -rf ./evidence @ punkcomp
    81. Re:Band-Aid + Corpse = Still Dead by dlZ · · Score: 1

      Oh, and let me add Clenched Fist to that list. I recommend them highly, excellent hardcore.

      --
      rm -rf ./evidence @ punkcomp
    82. Re:Band-Aid + Corpse = Still Dead by mink · · Score: 1

      Bad example there with Boone.

      --
      Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  6. And what about DTT? by C0deJunkie · · Score: 1

    Mmmm... Digital Terrestrial Television will follow DAB in a few months. According to recent laws all trasmission will be digital before the end of 2006. I wonder if this will mean that some show or film won't be "recordable".

    1. Re:And what about DTT? by DarthStrydre · · Score: 1

      Are you talking about ATSC DTV and HDTV? If so, that has been broadcast for a few years already, free for all who have a tuner. The "broadcast flag", last I heard, was repealed, until it is again passed :-P

    2. Re:And what about DTT? by C0deJunkie · · Score: 1

      Hi Darth. I'm talking about DTT here in italy, that is available to a normal TV through a Set Top Box (a little more than a tuner), and has an optional return channel via modem and telephone line, but this is another part of the story.
      I'm wondering if there is a way for a broadcaster to send some sort of metainformation to the "player".

    3. Re:And what about DTT? by Anonymous Coward · · Score: 0

      Return channels are quite inconvenient to be sure, though it would make possible Pay per view over-the-air broadcasts. Offhand, might you know what compression scheme they are using in Italy?

    4. Re:And what about DTT? by Anonymous Coward · · Score: 0

      Move to the UK. You can have it all and more for a fraction of the price of N. America, and better content too.

    5. Re:And what about DTT? by Anonymous Coward · · Score: 0

      Compression scheme for video? Yes, I know for sure they are using MPEG2, if this is what you are looking for. Or should I say "we use", since Enterpise DA,my current employee, works in the DTT valuechain.

  7. So when . . by Anonymous Coward · · Score: 0

    So when are they going to attempt to ban people from listening from the music, so nobody can attempt to reproduce it by whistling?

    RIAA must be stopped, it shocks me that we've allowed them to get this far.

  8. Didn't We already with this fight? by Anonymous Coward · · Score: 0

    As I recall, Any broadcast media is allowed to be recorded for personal use. This goes against that very idea.

    1. Re:Didn't We already with this fight? by AllahsAvatar · · Score: 0

      They are not saying you can't record music, they want to:
      (1) prevent redistribution of recordings onto the Internet, removable media or to other devices
      (2) limit searching and automated copying such as by artist or song title so that individual recordings cannot be separated from surrounding content.

      Not that this is better. They want it to stay on whatever recorded it, and they want you to have to listen to or fast forward through all of it to hear the songs you want.

      --
      No sig for you! Come back, one year!
  9. Radio is dead by HolyCrapSCOsux · · Score: 1

    .. or if it isn't it should be. If I bother with internet at all, I will use internet radio. But I just pick a random station. It's all about gaining a new perspective. You simply can't do that on over the air radio.
    So. the RIAA can do whatever they want with radio. Preferably roll it up real tight and shove it up their .....
    btw I've heard some interesting music out of Iran lately.....

    --
    0xB315AA8D852DCD3F3DCA578FD2E0BF88
    1. Re:Radio is dead by mysqlrocks · · Score: 0

      Yep, they're just causing their own demise. Podcasting and other technologies will just replace radio (digital or otherwise) that much quicker as the RIAA continues to piss people off.

  10. Who really uses Tivo for radio by Mr+Guy · · Score: 2, Interesting

    I could see this in the form of an XM like device, with PPV radio on demand, but I'm not sure the concept of tivo for radio will really pay off. It's not worth the effort. That's what music on CDs is for. As far as programs go, most people are perfectly happy turning the radio on and playing whatever happens to be on at the time.

    I could tivo my radio now with the capture card in my computer and dump mp3 files of shows I like but never happen to catch such as Car Talk, to disk and play that in my car right now. The odds of me actually doing it are very, very small.

    1. Re:Who really uses Tivo for radio by MosesJones · · Score: 1


      I have done a little, but then I live in the UK and it became pointless when the BBC started releasing all of their shows via the internet anyway.

      It had value when considering some of the comedy programmes on Radio 4 that they didn't use to release.

      But then this is only a problem when the radio quality is as good as Radio 4.

      --
      An Eye for an Eye will make the whole world blind - Gandhi
    2. Re:Who really uses Tivo for radio by roye · · Score: 1

      Slightly OT, but I would love to have a short (~5 min) cache on my car stereo. I love to listen to NPR, but I tend to drift in my thoughts and will often miss something important, only to wish I could rewind the last 30 seconds. This would also be great for when you can't quite undestand something and would like to hear it again. Now I just try to find that segment online (if it's available), but it would be great to have at my fingertips.

    3. Re:Who really uses Tivo for radio by mikeydb · · Score: 1

      Well, if you like there's already digital devices available for recording radio here in the UK, especially digital radio. See http://www.thebug.com/ I use mine all of the time to record BBC radio 4, and bits of BBC radio 1 (blue room) and BBC radio 3 (mixing it) bearing in mind I'm often not near a radio when the good stuff is on, that or I'm asleep.

    4. Re:Who really uses Tivo for radio by ncc74656 · · Score: 1
      I could see this in the form of an XM like device, with PPV radio on demand, but I'm not sure the concept of tivo for radio will really pay off.

      For music (or what passes for music nowadays), it would indeed be pointless. For talk radio, though, it'd be nice to timeshift it, skip past ads, etc.

      --
      20 January 2017: the End of an Error.
  11. Video... by SlashDread · · Score: 4, Funny

    killed the radio star.
    But the RIAA is killing radio.

    1. Re:Video... by Anonymous Coward · · Score: 0

      MTV killed the video star?

      (do they even show videos, or have anything to do with music?)

    2. Re:Video... by Ailure · · Score: 1

      Internet killed the videostar. Old, but somehow fitting...

  12. What happened to fair use? by jeffs72 · · Score: 2, Interesting
    I don't mean to sound naive, but seriously, what happened to fair use? I thought part of the broadcasting agreement allowed for people who receive the signal to record it.

    Same as email received is the property of the owner, isn't signal received property of the receiver?

    --
    This article has recently been linked from Slashdot. Please keep an eye on the page history for errors or vandalism.
    1. Re:What happened to fair use? by amliebsch · · Score: 3, Informative

      Well, yes, but those fair use priveleges exist by statute. (And they are privileges, not "rights".) Hence, the RIAA wants the statutes changed.

      --
      If you don't know where you are going, you will wind up somewhere else.
    2. Re:What happened to fair use? by jeffs72 · · Score: 1
      Ah, I see now. That just bites.

      Sad thing is, I can see them pulling it off. But like others have said, who cares, I guess. I have Sirius in my car, so I haven't listed to a local station in almost 2 years now. Radio pretty much sucks at this point.

      Sad to see the art of music get so corrupt.

      --
      This article has recently been linked from Slashdot. Please keep an eye on the page history for errors or vandalism.
    3. Re:What happened to fair use? by kfg · · Score: 1

      Correspondence is the property of the owner, but the copyright on the correspondence is retained by the writer. This issue was settled in America way back upon the death of George Washington and the publication of his personal letters.

      Nonetheless the recipient retains fair use rights.

      This is an issue for writers of history/biography, especially now that copyright is generated automagically rather than by explicit registration.

      KFG

    4. Re:What happened to fair use? by TheBrakShow · · Score: 1

      Same as email received is the property of the owner, isn't signal received property of the receiver?

      Yeah, I would have thought so too. But this kind of property is "intellectual", so apparently it is no longer allowed to work that way. Gone will be the days of teenagers recording tracks off the radio to make mix tapes to pass along to their friends. Those crafty little thieves.

      It is so baffling. They want to somehow dictate how, when and where people can listen to the same music that they are trying to shove down our throats 24/7 when commercial music radio is really just one big advertisement anyway.

      It seems that the RIAA's ultimate goal it to completely banish the right of consumers to "own" recordings. That is, they seek to one day create a world where the only way to gain access to their music would be to pay a fee each time something is listened to. The evidence of this is all over the place in the way that DRM controls are currently being implemented.

    5. Re:What happened to fair use? by bersl2 · · Score: 1

      I wouldn't be so quick as to imply that copyright is a definite right either.

    6. Re:What happened to fair use? by kfg · · Score: 1

      No, you have it exactly backwards. You have a right to free speech. Copyright is a statutory limitation on that right, granting the copyright holder a priviledge. You have the right to speak freely. It isn't granted by the Bill of Rights, the Bill of Rights is there protect you against the government passing laws trying to take that away from you that which is innate.

      Copy"right" grants the priviledge of restricting speech by act of Congress. Jefferson had a lot to say about this. He was agin it.

      The doctrine of fair use is a recognition of the priviledge status of copyright and existence of your speech rights despite this priviledge. It did not come about by statute, but through the process of common law. As often happens that common law has since been integrated into the struture of the grant of priviledge.

      The fact that few people understand this, most notably the people currently writting copyright law, is now part of the problem.

      KFG

    7. Re:What happened to fair use? by Cranst0n · · Score: 1
      Ok, I keep wondering about the whole Fair Use statement and what it actualy says, so I give you the following secction right off the governmetns website holding the copyright laws http://www.copyright.gov/

      107. Limitations on exclusive rights: Fair use38

      Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include --

      (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;

      (2) the nature of the copyrighted work;

      (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

      (4) the effect of the use upon the potential market for or value of the copyrighted work.

      The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

      Unfortunately, There is no provision in there for PERSONAL use. Our rights for it seem to actually be a grey area, as far as the way the law is written. What are thinkof is precedence set by lawsuits etc, which can be changed as needed base on new information.

      In otherwords. We're Fucked

      --
      Just realise the reality of the situation..... There is no reality.
    8. Re:What happened to fair use? by urulokion · · Score: 1
      Well, yes, but those fair use priveleges exist by statute. (And they are privileges, not "rights".) Hence, the RIAA wants the statutes changed.

      Wrong!!! Fair use, First Sale Doctrine, et al. are rights. (Sorry if this comes on a bit strong. But I care very deeply about these things.)

      The Constitution gives a limited time monolopy to Inventions and Writings. The wording is very explicit. The Inventors and Creators have complete control over their work. Yet the US Constitution also gives the Right of Free Speech. "Congress shall pass no laws...". That wording is very explicit. Those two clauses of the US Constitution are at odds with each other. You cannot ignore one nor the other. So over time, the Courts have crafted and tweaked a number of legal doctrines. And in time Congress codified those doctrines into law.

      Fair use, First Sale Doctrine, et al are statutory embodiments of our Right to Free Speech. So Fair Use is very much a "right". So many people tend to forget the genesis of these things.

    9. Re:What happened to fair use? by amliebsch · · Score: 1

      That is one way of looking at it. But since the "privilege" of making the statute also comes from the constitution, it isn't simply a question of trying to shoehorn statutory copyright around First Amendment protections. There is a tension, of course, but that tension exists in the Constitution itself. Thus, Congress has pretty wide constitutional power to regulate copyrighted speech. Congress has in fact availed itself of that power and under the statutory law, all copying not specifically permitted is prohibited. The "fair use" privileges exist as specific permissions in statute. That's why I say that, as the law exists right now, fair use is a privilege. Subject, of course, to future reinterpretations of the Constitution.

      --
      If you don't know where you are going, you will wind up somewhere else.
    10. Re:What happened to fair use? by Anonymous Coward · · Score: 0

      Well, yes, but those fair use priveleges exist by statute. (And they are privileges, not "rights".)

      Er, no. You have the right to do whatever is not prohibited by law. Certain types of copying without the copyright holder's permission is prohibited by law; fair use is an exception to that prohibition and your right to copy is not affected.

  13. Already done. by Anonymous Coward · · Score: 5, Funny

    ClearChannel has the patent on this, by airing music not worth copying in the first place.

    "My ears! The earmuffs do nothing!"

    1. Re:Already done. by kianu7 · · Score: 0
      Yeah, it's such a bummer that ClearChannel doesn't play any of the good bands like White Snake, Warrant, Silent Riot, and Queensryche anymore.

      And what's with the haircuts that people have, these days? People think they're cool, but they weren't as cool as us when we had our mullets, hightops, and stonewashed jeans

      Things just aren't as cool as they used to be.

    2. Re:Already done. by Jambon · · Score: 1
      "My ears! The earmuffs do nothing!"

      That's because they're headphones, silly.

  14. yeah, right by Anonymous Coward · · Score: 0

    The RIAA might be bribing our Senators and Congressmen with hundreds of millions but now even many artists are turning against them. It seems like the RIAA is slowly beginning to falter because they can't take the heat and the intense criticism from all directions anymore.

  15. Somehow... by DaHat · · Score: 2, Insightful

    I don't care about this in the slightest.

    I gave up listening to radio regularly years ago when my favorite station in Minneapolis turned into a Dianna Ross style station for 3 whole days. And now in South Dakota, the stations aren't much better, 90% country! *shudder*

    These days if I remember I might listen to some Prairie Home Companion, Love Line, or Bob & Tom in the Morning.

    Other than that... I no longer care what goes on on the radio as I've got my iPod wired into my deck and am quite happy with commercial free, hi-fidelity commutes!

    1. Re:Somehow... by angaram · · Score: 1

      Even if you don't care about radio, I think there is a greater danger: this will establish legislative precedence, somewhat similar to what legal precedence does for court cases. At that point the media technologies that you do care about will be at further risk.

  16. In other words... by tktk · · Score: 2, Insightful
    ...RIAA is hoping that the transition to "digital audio broadcasting" will provide enough confusion and panic that they can persuade Congress or the FCC to impose some kind of copy-protection scheme or regulation on digital radio broadcast.

    Legislate a way for us to survive.

  17. Let them keep it by curtisk · · Score: 4, Interesting
    The solution

    The recording industry has proposed that the FCC (1) prevent redistribution of recordings onto the Internet, removable media or to other devices; and (2) limit searching and automated copying such as by artist or song title so that individual recordings cannot be separated from surrounding content.

    Good for them.

    Vague solution, so are they saying that they want the recording to somehow STAY on the recording device? They must have some magick or something that will accomplish that! And that you cannot just record a song, without,say, recording the lead-in from the DJ and the commercial afterwards (surrounding content)?

    They just don't get it. If people want your songs for free, they will get it. One way or another. Goddamnit, how long will it take them to realize this so I don't have to see the "**AA is trying to steal our rights again" versus "Our revenues (and even the hard working music store clerk too!!) are going to be devistated! Waaah!" get rehashed over and over and over.

    And the sad thing is most of whats out there on commercial radio I wouldn't care about even if it was truly FREE from the get go.

    Blah.

    --

    Sehr geehrter Toilettenbenutzer!

    1. Re:Let them keep it by interiot · · Score: 1
      The new 2005 telecom law is 72.4% magical. It's still in committee, but the whole concept that "Broadband Video" (loosely defined) should be regulated in a manner remotely similar to current cable operators [1] is a slightly absurd on its face.

      I think that most people in government don't fully realize how dramatically different digital networked things are from what they're used to legislating about.

    2. Re:Let them keep it by Anonymous Coward · · Score: 0

      Agreed.

      This whole issues becomes moot extremely fast since the majority of what is coming out of the Recording Industry is crap anyways.....

      While they continue to live in denial, this is just another attempt to strengthen an already failing business model.

      Nothing to see here, move along!!!!!!

    3. Re:Let them keep it by m50d · · Score: 0
      They just don't get it. If people want your songs for free, they will get it. One way or another. Goddamnit, how long will it take them to realize this

      They know it already. They don't want it to stop, they're cleverer than that, what they want is to get a revenue stream from it. More laws against copying means they have more things to sue people for and can get more damages.

      --
      I am trolling
  18. At least they're trying to be consistent by kianu7 · · Score: 0
    Hey, at least they're trying to be consistent. If it's okay for people to copy low-res media but not high-res media, then the line is blurred a bit.

    In my opinion, it is the existence of free radio that makes it so hard to feel guilty about downloading illegal music. You turn on the radio, and you can hear all kinds of music for free. When the commercials come on, you simply switch channels and continue listening to more free music.

    When people grow up listening to music for free...it's kinda hard to make the switch.

  19. It is CD quality by no_opinion · · Score: 2, Informative

    iBiquity is the company that created and licenses the HD Radio technology and they say that it is CD quality. I would not expect the broadcasters to be that interested in spending millions of dollars to roll out something that sounds equivalent to what they have now.

    1. Re:It is CD quality by Threni · · Score: 1

      > iBiquity is the company that created and licenses the HD Radio technology and
      > they say that it is CD quality. I would not expect the broadcasters to be that
      > interested in spending millions of dollars to roll out something that sounds
      > equivalent to what they have now.

      That's what they're doing in the UK. DAB is sort-of taking off, despite offering pretty low bitrates. 96kbps on a classical music station (BBC Radio 3)? I don't think so. Better to stick with a decent FM tuner/ariel. Perhaps iBiquity is different. It does indeed claim to offer `compact disk-like quality` but that could mean anything, from the same bitrate to simply being in a digital format. I'd like to see if it scales to provide competition for DAB in the UK, although perhaps it's too late and the frequencies they'd have used are already used by DAB. A similar thing is happening with TV in the UK - there's a system called Freeview which offers a load of free channels but pretty heavily compressed so background detail is blurry, and fast panning shots causes the picture to break up into little squares momentarily.

    2. Re:It is CD quality by the+eric+conspiracy · · Score: 1

      Well, the press release I found says 'sound similar to CD quality' whatever that means.

      I suspect that if it really was CD quality they would come out and say so.

    3. Re:It is CD quality by bleaknik · · Score: 1

      iTunes Music Store provides music that "rivals CD quality". Take it as you will.

      --
      Deja Vu
      n. 1. The sensation that you've read this very article before.
    4. Re:It is CD quality by Lumpy · · Score: 1

      dude it sounds worse than a 112Kbit mp3.

      it is "slightly better" than a properly set up FM analog broadcast station. and yes, most stations are NOT set up correctly. There is a station in Lansing, MI 106.1 that sounds at least 5 times better than any other station in the state has decent stereo seperation and is completely due to them not compressing the ever living hell out of the audio in irder to "sound louder than the other stations" your metal and rock stations set the audio compression so far up to sound "louder" they kill the quality and stereo seperation.

      HD radio will not sound any better becaus ethese same station manager nimrods will ruin the audio just like they do now with compression and other stupid managers tricks to "get an edge"

      the one HD station I have demoed sounded slightly clearer but still was lower quality than the local NPR station. hell many XM stations sound like crap and are full of compression twinkle in the sound. and that was supposed to be better than cd quality.

      --
      Do not look at laser with remaining good eye.
  20. this is... by xao+gypsie · · Score: 2, Interesting

    ...really disturbing. Whatever my bias may be, it is hard not to consider that the riaa is simply trying to control everything. What about college radio stations that play indipendent music, or when the radio plays artists that arent really concerned about piracy issues? It looks more and more like the riaa are becoming control freaks...

    --


    xao
    http://TheHillforum.hopto.org
    1. Re:this is... by justforaday · · Score: 2, Funny

      It looks more and more like the riaa are becoming control freaks...

      Becoming?

      --
      I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
    2. Re:this is... by xao+gypsie · · Score: 1

      good point. what was i thinking?

      --


      xao
      http://TheHillforum.hopto.org
  21. 64 megs of flash ram will hold 5000 hours of radio by Cerdic · · Score: 1

    Once you cut out the commercials and DJ blabber, that will leave approximately 1 hour of actual music that should fit nicely into that 64 megs.

    Seriously, does anyone bother with the radio? I swear that I can make a 5 mile trip without hearing a single song on most stations.

    --
    Advice for my fellow geeks: before seeking out that threesome you dream of, you might see what a TWOsome is like first.
  22. Hmm.. by Ikn · · Score: 3, Funny

    I just took a micro cassette recorder, and recorded myself farting onto a snare drum. I wonder how long it will be before the RIAA says that is copyright protected.

    --
    I know nothing
    1. Re:Hmm.. by Anonymous Coward · · Score: 0

      It is copyrighted... By US Law, you know own the copyright to the sound of your fart waves hitting those snares on the otherside of that drum.

      The question is, what are you going to do with that copyright? I'd put it on ccmixter.org.

    2. Re:Hmm.. by Anonymous Coward · · Score: 0

      That *is* copyrighted, to you. There's no need to register copyright, it's automatically assigned to the creator, although they can sell it. OTOH, feel free to DRM your farts ;)

      Microsoft: Smells for sure!

    3. Re:Hmm.. by Anonymous Coward · · Score: 0

      It's copyrighted, but not by the RIAA...it's copyrighted by the MPAA

    4. Re:Hmm.. by Surt · · Score: 1

      Well, since copyright it automatic, I'd say immediately. But if you want to defend your copyright, you probably ought to go ahead and register it formally.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    5. Re:Hmm.. by Dcnjoe60 · · Score: 2, Funny

      I don't know about the RIAA, but I believe that Microsoft has a patent on producing wind against a tightly stretched membrane while storing the effect on a magnetic media.

    6. Re:Hmm.. by thePfhitz · · Score: 1

      Farting on a snare drum, you say? John Wilkes Booth, is that you?

    7. Re:Hmm.. by Anonymous Coward · · Score: 0

      I'll go ahead and acknowledge the Airheads reference, because I don't think anyone else here will. Take it easy Pip.

  23. FM Radio by Zaulden · · Score: 0

    There were the same sort of claims when FM radio came out - the quality is so much better than FM that it will encourage people to record the content illegally. I'm not worrying too much about this; it's like saying you can't tape a TV show you missed because you were at work.

    --
    "Time is an illusion, lunchtime doubly so." - Ford Prefect
  24. There's only one way by Namronorman · · Score: 1

    to stop recording of their holy radio, and that's to stop broadcasting. If you can hear it, you can record it!

    Aside from that, I listen to public radio, no commercials and better quality.

    --
    $fortune
    Tomorrow has been canceled due to lack of interest.
  25. This just in by coolGuyZak · · Score: 1

    In a recent press release, an explanation for Finster's whereabouts has been given. "The women's locker room has the best reception," said Harold "The Grease" Lackmeyer, counsel for Finster.

  26. Way to go, RIAA... by Kreldon · · Score: 1, Insightful

    ...treat your customers as criminals and expect 'em to like it. And, as other posters noted, most of the manufactured, fake, top-40 pop shit on modern corporate radio isn't worth listening to (let alone pirating) in the first place.

    So, RIAA, I have four words to say: fuck off and die.

    Potential Ask Slashdot: how to get started with independent/non-RIAA artists, music, and online services -- particularly if your tastes run towards older music?

    1. Re:Way to go, RIAA... by AussieVamp2 · · Score: 1

      How old do you mean by old?

      www.irateradio.com
      www.indy.tv

      are a fun way to find some things

      apart from justing looking explicitly on CDBaby, magnatune, garageband, mp3.com.au etc.

  27. Do what the NFL does... by DigiWood · · Score: 1

    If the RIAA wants to make it illegal to record what is broadcast over the airwaves then they need to say: "The following may not be recorded on any medium for any purpose." before any content they do not want to have people record. I admit this will get tedious but it will ensure that they are protected and consumers know that they do not have the rights to record what they are listening to. Clear cut and simple to implement.

    I am not on their side. I am just trying to point out there are ways to accomplish what they want without making more stupid laws.

    --


    Nothing is impossible. It just hasn't been figured out yet.
    1. Re:Do what the NFL does... by Anonymous Coward · · Score: 0

      Uhm, I think it's still legal to record NFL games for your own use. They do have that disclaimer, but I thought that was for redistributing or using it for 'clips' or 'commentary.' I could be wrong, but otherwise all these commercials for tivos recording games would be 'promoting piracy!!!111'

      *cough*

    2. Re:Do what the NFL does... by DigiWood · · Score: 1

      I was simply stating that like the NFL they could place a disclaimer on the broadcast limiting the rights to reproduce it.

      --


      Nothing is impossible. It just hasn't been figured out yet.
  28. Our dear leaders... by loraksus · · Score: 3, Interesting

    The differences between analog and digital can seem numerous and great - especially if you get a couple thousand on the side from the people presenting these "facts" to you.

    I got to the point a little while ago where I'm not completely blaming the RIAA etc for pushing stupid legislation but for the politicians in accepting it. If stupid legislation gets passed, we really only have a small group of people to blame.

    --
    1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
    1. Re:Our dear leaders... by Arhat · · Score: 1

      If stupid legislation gets passed, we really only have a small group of people to blame.

      No, we have a large group of people to blame - Ourselves.

      For allowing this sham of a democracy to continue. For allowing legislation to be awarded to the highest bidder. For not being able to see past the imaginary line that is democrat and republican to see that the only line that really exists and really matters to these people we've elected into office is the bottom line. For tolerating the status quo for as long as we have, we are all partly responsible.

    2. Re:Our dear leaders... by vertinox · · Score: 1

      If stupid legislation gets passed, we really only have a small group of people to blame.

      You mean the handful of people who actually voted?

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
  29. They're smart by springbox · · Score: 1

    Since they stated that the quality is not excellent to begin with, I doubt anyone would have a problem with just sampling the analog output if they wanted to record it.

  30. I just don't see it... by Anonymous Coward · · Score: 0

    I can see where satellite radio is a win - things like sports or other "live" events. Given the ubiquity of mp3 players, why the ?%!(&# do people want to pay a monthly rent to get music (actually, limited-selection, slanted-towards-favorites music) when a few months rent pays for the mp3 player?

    They you could make/play your own stuff, including B-sides and all the other songs OTHER than those 40 classic rock dinosaurs floatin' about.

  31. territory by esterhasz · · Score: 1

    I really believe that some of management and the lawyers in the content industry don't really care about whether their absurd proposals have actual monetary benefits. It's really about territory. Pissing on the tree before any other dog does. Defending the hunting grounds, etc.

    The funny thing is that this behavoir in dogs is no longer adapted to their human living environment, just some atavistic reflex...

  32. Misleading summary, article by Red+Flayer · · Score: 1

    This is not an attempt to place blanket copy protection on radio broadcasts.

    This is an attempt to prevent TIVO-like devices from recording on any other basis than "as-broadcast." You want to record a song? No problem, according to the request. You want your DAR to record every song played by a certain artist? Not allowed.

    The broadcast industry wants to preserve their ability to send advertising to their audiences. The recording industry wants to preservce their ability to sell albums to the public.

    I don't see a problem with those goals.

    In the long run, though, I can't see radio music broadcasting being profitable, except for live performances. There are far too many competing access points to music.

    --
    "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
  33. Always ask for more than you want by Weaselmancer · · Score: 2, Insightful

    Even if it doesn't make sense. That way, when they whittle you down to something less, they feel like they've accomplished something. Meanwhile, you get what you want.

    We all know the tactic. It's like salary negotiations during an interview.

    --
    Weaselmancer
    rediculous.
  34. The RIAA can suck it by Anonymous Coward · · Score: 0

    Fuck it. Let em. The only people that record off the radio are 12 year olds making mix tapes for the "love of their life" at school. And that's only if they don't have internet access.

  35. When will they understand by 834r9394557r011 · · Score: 1

    When will the riaa get it through their skulls that this kind of campaing can be compared to the so called "war on terrorism". They will never be able to stop illigal downloading/copying of music until they realize they are no longer going to be able to charge $18(US) for a cd. People don't want to go to a store to by a cd anymore; they want to download the song they heard on the radio that they thought was sweet. I personally think record companies in general are heading out. Bands and musicians really don't need them anymore to promote their music, or to sell it for that matter. With the kinds of software available, and a huge marketing tool, a la internet, at the fingertips most musicians and bands are fully capable of getting their music out to the general public. I think it will be some time before this really picks up, but believe me, I think they realize they are on their way out the door(due in part the rediculouse amounts of money they charge bands and musicians to even create an album, not to mention the fact that they must take a huge percentage of the profits to fill their fat pockets). I recently visited a site,Taxi.com [taxi.com], that is the first step in getting to this point. (Albeit a small one)

    --
    w00t
  36. Distribution Channels by rlp · · Score: 2, Insightful

    I don't own an XM radio. I can't see buying one and then paying for a monthly subscription to listen to crappy music. If the RIAA succeeds it'll reduce the value proposition even further.

    1) Kill off all the distribution channels for your product.
    2) ????
    3) Profit!!

    --
    [Insert pithy quote here]
    1. Re:Distribution Channels by Torinir · · Score: 1

      Step 2 is Apply ky-jelly to rectal cavities of consumers.

    2. Re:Distribution Channels by Spy+der+Mann · · Score: 1

      I think you got the numbers wrong...

      what the RIAA is doing is:

      1) Profit!
      2) Kill off all the distribution channels for your product.
      3) ????
      Nelson) HAH HAH!

    3. Re:Distribution Channels by travail_jgd · · Score: 1

      Step 2: Whine to Congress that piracy (or terrorists, the internet, solar flares, etc) is destroying their industry (nevermind all those profits!) Put taxes on all devices capable of possibly recording or storing RIAA songs.

    4. Re:Distribution Channels by bjheu · · Score: 1

      2) Scare off more consumers by telling them their music is illegal to have 2.5) make the government pass more laws requiring people to buy music the RIAAs way. (kinda like car insurance, we all have to have it) 2.6)leverage their 'services' into every nook and cranny they can find so people don't have any idea they're paying for music they don't want.

    5. Re:Distribution Channels by MemeRot · · Score: 1

      An co-worker at my former job had one of those portable XM radios. We never listened to music on it. Just a non-stop stream of the different comedy channels on XM. I never saw the point of XM until then.

  37. Lets breathe life into Radio instead! by Foktip · · Score: 3, Interesting

    People who pay for digital radio arent the ones pirating material.

    In fact, this is probably just gonna piss people off - I've heard of people who record digital radio, then put it onto their ipods in batches, so they can listen to new music all the time, and its portable.

    The purpose of digital radio is to eliminate the need for owning so much music, and that means you dont need to pirate OR buy tons of music! The point of digital radio was to get decent quality, original material on an ongoing basis - its like Napster, only you dont have to do all the research (look for good bands) on your own - they do the work for you.

    What they really need is portable digital radios! And bundle it in with another service, like cell-phones or cable TV!

    1. Re:Lets breathe life into Radio instead! by ghukov · · Score: 0

      I have a Tao xm2go radio. Stores 5 hours of content, plus it has a built in antenna, so you can listen to the digital music wherever you can catch a signal. It came with car and home hookups too.

      --
      ...because Plutonians are teh suck
    2. Re:Lets breathe life into Radio instead! by wernercd · · Score: 1

      treo650/600 + ShoutCast + MobiTV (or whatever its called :)

      or similar. not quite XM or Siris (who's radios do come portable) or cable tv but MobileTV options are starting to emerge. and net radio has been around for awhile now.

      so there's your cell + radio + TV (+internet + calender + etc etc etc)

      Love my treo :) reply'in on it now.

      Chris

    3. Re:Lets breathe life into Radio instead! by ghukov · · Score: 0

      jeez man, that is cool... mobitv on treo 650? I too, love my treo 650... but I don't think I want to up my cell phone bill to $200 a month to watch tv on it. Ver!zon is teh suck when it comes to using minutes as well as bandwidth. They need to offer a package where internet usage does not use your airtime minutes before I start using it for that kind of content.

      --
      ...because Plutonians are teh suck
  38. RIAA= by beowulfy · · Score: 2, Interesting

    Really Incompetent Assholes of America

    --
    "When the going gets weird, the weird turn pro" -Hunter S. Thompson
  39. Time of Adoption? by bleaknik · · Score: 5, Insightful

    Ok, I have no motivation whatsoever right now to adopt any new form of radio, and this further demotivates me.

    These people keep thinking they can control everything that we think, do, or say. When the founders of the USA wrote the bill of rights and drafted our first laws, they had no intention whatsoever that they would be abused this way.

    Software patents? Now I cannot program an application that is an interface for presenting and displaying playback information on a portable device because microsoft owns the patent? Come on. Lame.

    Music? I'm sorry, but I have no realistic alternative to buying the CD if I want to listen to music. Radio sucks (ok, the commercials more than anything else), and I have no good reason to pay 99 cents for a song on iTunes. I, for one, like the pretty box.

    I have no doubt that HDTV might have been pushed forth a lot sooner if anyone settled on a standard. Instead, they've been debating the different ways to present the media, and most recently the biggest qualm is with the feared broadcast flag. If it weren't for things like broadcast flag, I'm sure I could have been watching Sonic SatAM in HD 12 years ago.

    Need another point? BluRay or HD-DVD? Nope. The biggest debate I've seen is piracy control. Encryption schemes, manufacturing processes, etc. The studios are leaning away from HD-DVD because they basically utilize the same technology as existing DVDs, but BluRay didn't have the must have CSS (Consumer Screwed Severely) version 2.0.

    Bloody hell. Instead of promoting innovation, this system promotes stagnation. I for one, am sick and tired of it. And anyone who questions that... I'd like to point out that, while aural recording techniques have dramatically improved over the past 20 years, we're still using the same basic late 70s/early 80s tech to record most of the world's CDs. I know there's nothing wrong with the proven tech, but why do CDs still run $16 a pop?

    --
    Deja Vu
    n. 1. The sensation that you've read this very article before.
    1. Re:Time of Adoption? by Agent+Green · · Score: 2, Interesting
      I know there's nothing wrong with the proven tech, but why do CDs still run $16 a pop?
      I remember $15 CDs from the end of the 80s when I bought my first real CD, remember those really long cardboard boxes they came in? Anyway...

      The fact that the prices are largely similar in 2005 is somewhat cool. Using an inflation calculator at http://www.westegg.com/inflation/ the cost of a $15 CD in 1988 would be equivalent to $24.34 today. If pricing pressures can keep the price around the same, it'll continue to gradually decrease.

      Nobody I know will spend more than $16 on a given disc...much less $24.
      --
      // Agent Green (Ian / IU7 / KB1JQO)
      // IEEE 802.3: All 10base Are Belong To Us
    2. Re:Time of Adoption? by Kaa · · Score: 1

      I'm sorry, but I have no realistic alternative to buying the CD if I want to listen to music.

      ROTFLMAO!!!

      I wish I had the points to mod this up as Funny.

      --

      Kaa
      Kaa's Law: In any sufficiently large group of people most are idiots.
    3. Re:Time of Adoption? by Anonymous Coward · · Score: 1, Informative

      If you go back a few more years, you will discover that at the dawn of CD's ($17), a Record (remember those) only cost around $7. The $17 CD was 'supposed' to come down as more plants went on line. They didn't. These extra dollars just went into record company pockets when more plants came online in the mid 80's. Let's see $7-$10 extra per CD, per billion per year, times almost 20 years... ...Yup. I understand why RIAA is protecting ecessive profits... ...errr music rights now.

    4. Re:Time of Adoption? by iminplaya · · Score: 1

      I know there's nothing wrong with the proven tech, but why do CDs still run $16 a pop?

      Because that's what people will pay. That's the nature of the beast. Charge what the market will bear. Don't think a boycott will help. These people sell a wide variety of different products from soap to chemical weapons to make up for it. If you want to have an influence on the economy, you're better off boycotting cocaine.

      --
      What?
    5. Re:Time of Adoption? by Jeff+DeMaagd · · Score: 1

      The studios are leaning away from HD-DVD because they basically utilize the same technology as existing DVDs, but BluRay didn't have the must have CSS (Consumer Screwed Severely) version 2.0.

      I really don't understand what you are saying here.
      Both HD-DVD and Blu-Ray are using the same AACS scheme as a base.

    6. Re:Time of Adoption? by Caldair · · Score: 1

      Here (Norway), the cheapest chain I can think of sells cds at $25. I can't say that I know that's really the cheapest one, though, because I kicked the habit sometime in the late nineties when cds reached ~$30 (there are still some chains selling them at that price, I think) and haven't bought a cd since. 'Hey,' I thought, 'this thing costs almost two hundred bucks, and I don't even know if it's any good. And I'm not a store listening person. So nah.'

  40. Sigh ... by bizitch · · Score: 1

    Will somebody please explain how the analog hole works to the RIAA .... oh never mind

    --
    ---- "Logoff! That cookie shit makes me nervous!" - A. Soprano
    1. Re:Sigh ... by klang · · Score: 1

      yeah, never mind, they woun't listen ..

    2. Re:Sigh ... by burnetd · · Score: 1

      If the RIAA ever understood the analogue hole everyone would need to have decryption chips implanted in their brains to listen to music.

  41. Remember by tie_guy_matt · · Score: 1

    When a couple of years ago they were talking about "plugging the analog hole." After all it doesn't matter what copy protection you put in as soon as it goes out to the speakers someone could then convert it back to digital and make a copy of the music. I guess they were going to force all makers of A/D converters to check to make sure they weren't reading in copyrighted material. Never mind that you could in theory be able to make your own A/D converter out of radio shack parts if you knew what you are doing, or that millions of older A/D converters and the sound cards that use them have already been sold, or that the cost of these copy right checkers would probably cost more than the a/d converters themselves. I can see it now: someone in some hospital plays music too loud. The A/D converters in the life saving monitors all shut down at once because they accidentally picked up copyrighted material. This kills dozens of people -- but at least no one used those A/D converters to pirate music!

  42. weird by panic911 · · Score: 1

    I wonder how much money they estimate is lost due to radio recordings. I used to record tapes when I was a little kid. If I recorded a tape it was because I didn't have money or didn't care enough to buy it - either way they wouldn't have received one dime from me for that song. The quality is so terrible, they censor the hell out of them, and usually the song is cut off or faded out early. I'm pretty sure radio recordings are one of the smallest threats to the recording industry.

    1. Re:weird by rahlquist · · Score: 1

      I wonder how much money they estimate is lost due to radio recordings.

      Probably far less per hour globally than one RIAA attourney makes locally. But hey, what do I know!

      --
      Sick of stupidity? http://www.patentlystupid.com
  43. DRM Commercials!!! by Daveznet · · Score: 1

    Why is the RIAA trying to copyright radio? Ive pretty much stopped listening to the Radio, there is too much talking by the DJs and too many commercials that and the fact they play the same music over and over. RIAA is alot like Microsoft but instead of pantents they try to put copyright protection on everything.

    --
    GL HF!
  44. possible misuse of broadcasts... by Tominva1045 · · Score: 2, Interesting



    One of the many possible misuses of these broadcasts, given the many audio editing software tools out there today, would be the recording and editing of these broadcasts to make broadcasters appear to take positions (political, ethical, or other) that are the exact opposite of what they actually represent.

    Listen to the Don and Mike radio show and sooner or later you will hear edited audio of Govenor Arnold S. of California espousing positions exactly opposite of his stated ones.

    Like him or not, copyright of digital broadcasts could give originators of content the legal protection they need to limit others from profiting from or generally smearing their reputation.

    With respect to not copying the music--- go buy the CD if it's that good. The owner of the product determines the license agreement.

    --
    Cogito Ergo Sum
    1. Re:possible misuse of broadcasts... by Steve+B · · Score: 2, Insightful
      Listen to the Don and Mike radio show and sooner or later you will hear edited audio of Govenor Arnold S. of California espousing positions exactly opposite of his stated ones.
      Like him or not, copyright of digital broadcasts could give originators of content the legal protection they need to limit others from
      engaging in constitutionally protected political satire.

      Fixed it for you.

      --
      /. If the government wants us to respect the law, it should set a better example.
    2. Re:possible misuse of broadcasts... by Tominva1045 · · Score: 1

      Not using his own (edited) voice in an attempt to make (stupid) people believe it is actually him speaking.

      --
      Cogito Ergo Sum
  45. Why I don't listen to radio? by nukeade · · Score: 1

    First they took off Howard Stern in the morning. I had no reason to listen to the radio on the way to work because I don't like any other morning talk program (it's surprisingly hard to find a station that plays music in the morning). Next they took the three rock stations I liked (very classic rock, classic rock, and modern rock) and transitioned them all over to playing the same songs (mostly modern) but in different frequencies to justify the distinctions. Now I have no reason to listen to the radio om the way home. A friend offered to fix my radio for free when it broke. I asked, "Why? What would I listen to?"

    So now you want to make DRM radio? Knock yourselves out! I don't care.

    ~Ben

    1. Re:Why I don't listen to radio? by MemeRot · · Score: 1

      Dude I know. They killed WHFS which was the modern rock station in DC for the last 20 years. One day, modern rock. The next day I turn it on and it's in Spanish. No prior announcement, nothing. And not even fun mariachi music, it's like crappy low-grade spanish hip-hop or something.

    2. Re:Why I don't listen to radio? by nukeade · · Score: 1

      That is sad! I used to hate driving through DC for the traffic, but look forward to it for the radio stations you had. Actually, I wondered what happened to some of my favorites last time I was down there.

      ~Ben

    3. Re:Why I don't listen to radio? by MemeRot · · Score: 2, Funny

      The only independent radio station still around DC (not counting college stations) is 103.1 WRNR out of Annapolis. Which is a great station, but I can only listen to it for about 15 minutes out of my hour drive due to location.

      So I listen to NPR mostly now. Crap, I'm my parents already.

  46. too late by Anonymous Coward · · Score: 0

    The Federal Court has already struck down the broadcast flag for TV and the same applies for radio. Ergo: The RIAA doesn't stand a chance.

    Besides, with the FCC playing an increasingly irrelevant role and its regulatory power being questioned, the FCC might soon not even have the regulatory powers anymore to mandate any of RIAA's dubious and controversial proposals.

  47. Some good radio. by LWATCDR · · Score: 5, Insightful

    My wife is a big country fan. She has gotten me hooked on one of our local radio stations. It is a small town station that is sometimes hard to pick up but it is well worth it.
    They actually like music at that station!
    Not only that but they are part of the community. They have a show called DialnDeal every morning where people call in to sell and buy stuff and they broadcast the local high school games football games.
    Even the ads are not annoying. They are for local stores and they also seem like part of the community. Clear Channel is what is killing radio. The small town stations that are still independent can still be gems.

    --
    See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    1. Re:Some good radio. by hobo+sapiens · · Score: 4, Insightful

      Man, I will agree with that.

      In St Louis, there is one independant rock station, which has been around for like 40 years, and it is great! But in the last two years, all of the formerly decent (decent imho) Jacor or Clear Channel or whatever stations have changed their format and now all sound the same (for example, we have four adult contemporary stations, and I kid you not, when you hear a song on one of them, you can flip to one of the others and probably hear the same song within fifteen minutes!). I mean, radio has become so homogenized that it is really no longer relevant except for the few notable standouts. I seriously have a hard time figuring out which stations to put on my six presets in my car because I cannot even find six decent stations. That's a sad commentary on the state of radio.

      --
      blah blah blah
    2. Re:Some good radio. by ashshy · · Score: 1
      I seriously have a hard time figuring out which stations to put on my six presets in my car because I cannot even find six decent stations. That's a sad commentary on the state of radio.

      I second that. 12 presets on my car radio, but I can only fill 5, and even then they all pretty much suck and I end up listening to home-burned mix CDs instead. My wife drives the car with the MP3-capable CD player, darnit. Tampa area, for reference.

      --
      #o#
      O Moo.
    3. Re:Some good radio. by LWATCDR · · Score: 1

      BTW the good country station is in Clewiston, Florida.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    4. Re:Some good radio. by Digital+Pizza · · Score: 1
      My wife is a big country fan.

      I'm sorry.
      (I kid, I kid!)

      If there's any hope for radio it's in independant stations like that which "add value". (Too bad that liking music is now an added value and not a given.) Dial-N-Deal sounds like a great idea, just the kind of thing that people could get hooked on, and which couldn't exist on Clearchannel clone stations whose content are pre-programmed and pre-recorded at a faraway studio somewhere and have no community involvement whatsoever.

      I agree 100% that Clearchannel is killing radio. Those stations replay the same crap at the same time, day after day.

      --
      We apologize for the inconvenience.
    5. Re:Some good radio. by LWATCDR · · Score: 2, Interesting

      That is the big problem with Clear Channel and Jacor. They are turning Radio into McDonalds and Walmart. They are trying to provide a universal experience.
      That can be good at times. If you are traveling and want to grab a quick burger or need to get some film a chain can provide you with known quantity. The problem is when you take too far you loose your sencse of place.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    6. Re:Some good radio. by LordSnooty · · Score: 1

      my six presets in my car because I cannot even find six decent stations. That's a sad commentary on the state of radio.

      The situation there sounds as dire as it is in the UK. Yet we have a hundredth of the number of stations! And at least we have Radio 4. One day, I thought of American radio as dynamic, fresh, exciting and different (not that I'd heard it, but that's the impression I garnered). Seems like I'll have to modify that view.

    7. Re:Some good radio. by Anonymous Coward · · Score: 0

      There's Internet access in Clewiston? I thought it was just sugar farming Mexicans.

    8. Re:Some good radio. by mdwstmusik · · Score: 1

      My wife is a big country fan.
      I'm sorry.
      (I kid, I kid!)

      That's not bad. When I first read "My wife is a big country fan.", I thought, 'Big Country?' I didn't even know that band was still together!

      "... I'm not expecting to grow flowers in the desert"... the rest of this comment has been removed at the request the copyright owners.
      --
      "Oh, what sad times these are when passing ruffians can say 'ni' to helpless old ladies."
    9. Re:Some good radio. by CProgrammer98 · · Score: 1

      Only one o in lose and no c in sense...

      --
      And the people shall be oppressed, every one by another, and every one by his neighbour Isaiah 3:5
    10. Re:Some good radio. by Da+Web+Guru · · Score: 1

      I have you beat. I can find 6 halfway-decent stations for my car radio. Granted, one of them is from Orlando (comes through in many areas of Tampa), and two of the others have been known to play the exact same (often overplayed) song at the exact same time...

      --

      --guru

    11. Re:Some good radio. by ashshy · · Score: 1

      When I do listen to radio, it's classic rock, 80's, morning talk shows or PBS :P Nothing on the top 40 stations appeals to me, not even new songs by old favorites like Green Day. Mmm, I guess I'm just getting old and picky. The Orlando one is Thunder 105?

      --
      #o#
      O Moo.
  48. All I want is micro-timeshifting by yotto · · Score: 1

    I don't care about recording, saving, or anything. Nothing broadcast on the radio is worth keeping.

    All I want is to timeshift the am broadcasts of baseball games by about 3 seconds so they mathc up with the (satellite) television broadcast I'm watching. Any simple way to do that one?

    1. Re:All I want is micro-timeshifting by Reziac · · Score: 1

      That was my thought too. There's no longer anything on the radio that I care enough to buy, record, keep, pirate, or otherwise inflict on my hapless ears. The only real problem here is that this legislation sets a bad precedent for all manner of "limiting flags" for just about anything that could be digitized then transmitted or archived.

      BTW, back when Al and Kemmer were the Angels' voice on the radio, I always listened to them while watching the game on TV. Fortunately, it was always in sync, but it wasn't going thru a satellite either.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  49. Idiots. by Spy+der+Mann · · Score: 1

    Surely we don't expect someone to start publishing instructions for "analog audio recording into your storage device"?

    Yeah, we lose a few bits of quality but hey, it's what people have been doing for decades. I just hope the RIAA don't start using DRM'ed brain implants so there's no analog audio at all... *rolls eyes*

  50. radio isn't dead by circletimessquare · · Score: 1

    here comes the usual "radio is dead" comments

    radio may be dead if you live in the middle of nowhere and get one pop station

    i live in midtown manhattan, so i get unbelievable listening choices over radio... everything from classical to jazz to country to bbc to classic rock to one station that plays reggaeton nonstop all day, would that ever appeal to me

    and for such a listener as me, i chose the iRiver IFP-180T simply because it has a radio tuner, and would never buy an iPod, because i can't believe apple wouldn't devote the 50 cents it would cost to put a radio tuner in there

    so please, comment in the idiocy that is the RIAA, but enough with the "radio is dead" refrain just because you can't get a good station in east bohunk arkansas

    it may be dead whereever you live in rural usa, but it's not dead in the cities

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:radio isn't dead by Secrity · · Score: 1

      You are indeed furtunate to live in a city that has such a wide selection of diverse radio programming. In most cities a great many of the radio stations are owned by companies such as Viacom and Clear Channel. Even the Mormons own fifteen radio stations in five US cities, including WTOP which is the major news station in Washington, DC.

  51. But congress can't raise the minimum wealth. by Anonymous Coward · · Score: 0

    Protecting the wealth of the already wealthy but not helping a poor working man to feed his family si what the current congress is all about. Maybe it's time to "score" getting the rich of George Bush and his buddies in Congress as "on topic".

    Seems like the Republicans forgot all about "big government interfering in the free markets to help special interests".

  52. Don't blame the format by mblase · · Score: 2, Interesting

    I ran tens of thousands of dollars of radio ads this year for my retail stores (focused on 10-22 year olds). Few people heard them. Why? Radio is dead or dying for most younger people.

    Wrong. Few people heard them because most radio stations run commercials for what seems like 5-10 minutes at a stretch, so that they can advertise "50-minute non-stop music". They don't realize that most people, when they hit that eon-long commercial break, just switch to a different station with a similar format.

    It's not like TV, where you'd end up missing half of a half-hour program--it's one self-contained four-minute song after another. (Talk radio and similar shows are the exception, natch, but you did specify 10-22 year olds.)

    There's a station here in Chicago called NineFM. Tagline: "We play anything" -- they're one of a growing number of what I think of as "iPod Shuffle stations". What really distinguishes them, though, is that they have more but shorter commercial breaks -- usually three or four ads max -- which the listener is more willing to wait through. It's a win-win situation, ad-wise. Honestly, it's half the reason I listen to them almost all the time.

    1. Re:Don't blame the format by Narcissus · · Score: 1

      Nova FM in Australia do the same thing: no more than two ads in a row. I actually read something, somewhere, about it once... as you said, more people are willing to sit through the ads and so advertisers are paying more for the commercials.

      On top of that, they actually get to run more commercials than most other stations (again, because people don't mind listening to them in short bursts).

    2. Re:Don't blame the format by antiMStroll · · Score: 1
      The reason for those commercial stretches is that ratings, the lifeblood of any commercial broadcaster, are based on 15 minute segments tuned. Stations are sacrificing 15 minutes an hour on the hope of keeping you for the remaning forty-five. Advertisers pay for contiguous segments tuned.

      Makes no sense? Welcome to broadcasting!

    3. Re:Don't blame the format by jandrese · · Score: 1

      Ugh, I know what you mean about those commercial breaks. One of the local stations here got bought out by Clear Channel and after a couple of months it changed into what I consider an all-ad format. Seriously, it takes me 30 minutes to drive to work, and during that time it can easily be nothing but ads interspersed with some lame DJ banter and a traffic update or two.

      That's why I switched to NPR. NPR runs ads too, but only occaisionally and they make them short. Their ads are just a shout-out to whatever big company gave them a donation, like ADM: Supermarket to the World (much better than their current slogan).

      Don't get me wrong though, if there were a music version of NPR I'd be all over it. News on the radio gets repetative on long trips, but I just can't stand getting 3 songs followed by 15 minutes of ads. Thankfully I have CDs I can play as well, but CDs are no good at introducing you to new music.

      --

      I read the internet for the articles.
    4. Re:Don't blame the format by assassinator42 · · Score: 1

      We have at least three ad-free Christian music stations here. Two run by a local university, not sure about the other. Although, I don't really like the music. They all play "worship music" (Third Day, etc) too much. I want some hard rock/metal.

    5. Re:Don't blame the format by Joel+from+Sydney · · Score: 1

      Not quite. Nova 969 (in Sydney anyway, not sure about other markets) has a community-based broadcasting license, which means they're *not allowed* to broadcast more than two advertisements in a row. It's a condition of their license. It definitely helps them though, I can stand sitting through one minute of commercials, rather than the 10 minute blocks you get on other stations.

      Your other point, however, about them being able to run more commercials than other stations simply isn't true. As with commercial television, there is a hard limit on the number of minutes that can be devoted to advertising per hour. And, just like every other station, Nova will aim as close to this mark as they can get. If you actually counted the amount of time spent on advertising, you'd find that Nova spend pretty much the same amount as any other station. Despite what they say on air.

  53. How the RIAA can make money by hobo+sapiens · · Score: 1

    I'll bet a lot of people feel like I do: if something is really worth it, I'll gladly pay for it. What the RIAA is up against is not mp3 or p2p or xyz. Their problem is their product.

    Most stuff out there is completely insulting. Seriously. How many talentless "pretty faces" get record deals? Britney Spears. Jesse McCartney. Hillary Duff. Destiny's Child. Need I say more? I remember seeing this interview with Prince (who IS a real artist), and he was trying to encourage some of these "musicians" to learn music (like how to read it, etc.) Are you serious? Some of the most popular acts that the RIAA is peddling don't even know music?!? That's like me holding a well paying job as a carpenter and not even knowing how to use a saw!

    When you couple that with the fact that they are just not smart enough to figure out how to utilize new technologies (which is evident by how hard they fight against said technologies) and it is easy to see why they are continually losing business (or so they claim).

    --
    blah blah blah
  54. I wish by hackstraw · · Score: 1


    I wish the RIAA had more gold and platinum albums to award, so they aren't so bored into doing crap like this.

    And for another topic?

    What other forms of business where the business model is to put your product over the freely available air waves and then require the government to lessen the freedom's of its people in order to protect that business?

    WTF?

    Did the government decide VHS or beta? What about the DVD format?

    Beef, its what's for dinner!

  55. Join the RIAA to Beat Them by Doc+Ruby · · Score: 1

    As long as people's response to RIAA depradations on our rights to use the content we own fairly are met with only defensive actions, they'll never stop. We need to put people representing fair copyright use on the RIAA board of directors. Like FSF people, or Archive.org people, or others from the "Creative Commons" community. People making digital recordings all day long, of content and apps, who want the widest possible use of our recordings. Where do I apply?

    --

    --
    make install -not war

  56. Degraded copies? by Midnight+Thunder · · Score: 1

    Since we keep on hearing the RIAA and MPAA wanting to apply these flags to prevent any sort of copying, I was wondering whether people would accept something else: degraded copies.

    The idea being that you can record anything off the air, but video quality is reduced to that of an average VHS and audio to that of an audio tape. This was you can at least have a local copy, but it isn't as good as the one you can get in the shops. This may sound like what Macrovision tries to do, except Macrovision varies the colour intensity, so you wouldn't want to watch the copy either way.

    --
    Jumpstart the tartan drive.
    1. Re:Degraded copies? by mhollis · · Score: 1

      The Macrovision system we have here in the US does not touch the color intensity; rather it affects the luminance, gradually increasing it to "illegal" specifications within the vertical blanking interval, causing all VCRs and DVRs that use an automatic gain circuit for video to lose their lock on the signal as the level increases, then decreases.

      This type of copy protection may be defeated through the use of a "proc amp" or a timebase corrector that replaces the blanking interval (with one of its own) or through the use of a professional VCR or DVR that does not use an AGC circuit on its input.

      There are other DRM systems that include the installation of a "trojan" program on one's pee cee that prevents the successful copying of the DVD or CD that may be defeated through other means (like using an operating system that cannot run the "trojan."

      Quite frankly, I don't think the RIAA can copyright a radio show. When I worked in radio, the station licenseholder owned the rights to the broadcast, unless they were shared with some sporting league, as is in the case of NFL football or Major League Baseball. Were I a disk jockey at a radio station, I'd resent the RIAA or MPAA trying to copyright my work. I certainly hold the copyright to anything I write and say on the air.

      --
      Gods don't kill people, people with gods kill people.
    2. Re:Degraded copies? by AntiCopyrightRadical · · Score: 1

      If you can hear it, you can copy it.
      Audioconsumer: Pristine digital copies from noisy analog sources.

      Similar methods could be used with video.

      --
      Abolish Copyright. Restore Freedom.
    3. Re:Degraded copies? by Midnight+Thunder · · Score: 1

      Audioconsumer: Pristine digital copies from noisy analog sources.

      As far as I can see from visiting the site, the software does not really exist.

      --
      Jumpstart the tartan drive.
    4. Re:Degraded copies? by AntiCopyrightRadical · · Score: 1

      As far as I can see from visiting the site, the software does not really exist.

      ...Yet.

      --
      Abolish Copyright. Restore Freedom.
  57. Depends - it's up to the broadcaster by wodelltech · · Score: 1

    (Disclaimer - I am a former iBiquity employee...)

    Broadcasters may choose to reduce the bit-rate of their primary (audio) program in order to make room for additional audio or potentially other services. (This information is readily available at ibiquity.com.) Thus, the audio quality is - as has historically been the case - largely dependent on the individual broadcaster.

    As well, the topic of 'audio quality/fidelity' is a highly subjective topic. There are plenty of audiophiles who don't like CD's...

    --
    Your monitor is staring at you.
    1. Re:Depends - it's up to the broadcaster by the+eric+conspiracy · · Score: 1

      As well, the topic of 'audio quality/fidelity' is a highly subjective topic.

      True enough, but to me 'CD quality' is not a subjective thing. CD's have a specified sampling rate and sample precision. If your recording is at that rate or better you qualify. If not, you don't have CD quality.

      Now you can say 'sound similar to CD-quality' etc. all you want. That opens the subjective loophole.

      But I've learned my lesson regarding that plenty. With an audiophile grade system the difference between CD quality and a typical MP3 is pretty stark. And yes, CD-quality has its limitations which is why I have a few SACDs and DVD-As kicking around. And I can definitely tell the difference between them and a CD.

  58. DMCMCIA by Foktip · · Score: 1

    Ever notice how nobody can ever spell DMCA properly?

    Im always calling it the "DCMA" or the "DCMCA" or the "DMCMCA" ... hehheh

    Its one of those vague meaningless acronyms that fail to register as "something valuable" in our minds. And the brain is very good at forgetting useless crap.

  59. RIAA Thought Process by Justifiable_Delusion · · Score: 1

    Their job right now is to protect themselves as much as possible. Though they have no real thing to worry about (or maybe they do, who knows) they need to protect as much as they can otherwise they will be seen as failures. The key for them is to get as much protection as possible...irrelevant of true need. Just get it...and if they keep trying over and over (BTW...HOW DOES A PRIVATE CORPROATION get to INTRODUCE legislation to MY Congress? WTF man?) eventually some stupid person will stick their bill on as a tagger to something significant and they will steal a little more of our freedom...sigh...i wish it were still 1899 in terms of legislation in this great nation of the USA...

    --
    Mad, adj : Affected with a high degree of intellectual independence. Ambrose Bierce - The Deveil's Dictionsary
  60. Radio is not dead. by xplenumx · · Score: 3, Insightful
    A lot of people here forget that the rest of the world (you know, the one outside of Slashdot) is not composed of technophiles. Sure, when I lived in Seattle and most of my friends were technogeeks, everyone listened to internet radio and many had XM. Since moving to Dallas two years ago, I've only encountered one individual with XM and most individuals listen to the airwaves instead of internet radio (which surprised me since the average income of the people I know in Dallas significantly exceeds those I knew in Seattle). Sure, iPods are huge, but the music I find people listening to tends is the same as what's popular on the radio!

    To those who say "No one listened to my ad" as proof that no one listens to the radio, I have to ask when was the last time you actually listened to an ad? Radio tends to be background noise; I certainly don't make an effort to listen to an ad. Shoot, in the car I'll often quickly switch the station for the duration of the ads in my primary station (I find radio in the car much easier than swapping out CDs, XM receivers, or hooking up an iPod - besides, sometimes I enjoy listening to NPR).

    Radio may have diminished since its heyday, but it's certainly far from dead.

    1. Re:Radio is not dead. by Malc · · Score: 1

      Hmmm, Texas. You've moved to King of the Hill country, the source of so much Country Music... and you think you can make fair comment's about people's tastes?! ;)

    2. Re:Radio is not dead. by iminplaya · · Score: 1

      Radio may be dying for music delivery, but talk and news radio are doing as well as ever. The three "T"s are pretty important for some, especially up in the frozen north where the climate changes by the hour. If anything kills radio, it will be the electric bill for the transmitter. I'm not sure how it compares to the price of leasing a satellite channel.

      I have to ask when was the last time you actually listened to an ad?

      Hardly ever, but I think I got "Gold Bond" on the brain.

      --
      What?
  61. Protection racket? by zappepcs · · Score: 1

    This seems to me to be related, at least in part, to the practice of having governments prop-up certain industries. I personally see no actual good coming from this. As an example, if the government would simply let one of the airlines fold and go under, it would bolster all the others, sooner or later, via increased business.

    I think the *AA are asking the government to protect their businesses, and doing so without thorough reasoning. If the *AA members cannot continue to make money with their current business models, and are not changing their business models, then LET THEM FAIL!

    Clearly, there are arguments on all sides of this topic, but I do not think that the government/FCC/any-other-bureau should prop them up so they don't fail. If you can't stay in business on your own, using the existing laws if necessary, then you don't need to be in business. There is no need for new laws. Adding DRM to digital recorders is a ploy to take away our rights, bolster the *AA member's businesses, and build a foundation for continued bullying of the justice system to take away even more rights in the future.

    I say, let them go bankrupt!!

    My 2 cents worth

  62. This will never stick by deviantphil · · Score: 1

    The FCC's Content-Flag for TV recently got struck down by the Federal Court System. In their decision the Court found that the FCC lacked the authority to regulate signal receivers.

    I fail to see how this case is any different.

    The FCC may only regulate the transmission of signals. To regulate the reception of signals the Congressional Act establishing the FCC would have to be modified to grant the FCC additional needed authority

    ....Thus sayeth the Courts

    1. Re:This will never stick by JustNiz · · Score: 1

      You are correct, but the RIAA (and the FCC?) are now attempting to get government to give the FCC authority to regulate content protection.

      Unfortunately the RIAA/FCC have only been slightly delayed, not stopped.

    2. Re:This will never stick by deviantphil · · Score: 1

      Not only does this pose legal problems it also poses technical problems.

      The devices that receive an audio signal often has transmission jacks to transmit the signal to another (external) device.

      The devices include:

      1. Headsets
      2. Amplifiers
      3. Remote speakers

      Someone could insert a recording device (tape recorder, CD Recorder, PC Sound card) to any of these attachments and thus render the content control being provided by the receiver useless! ....Unless of course they plan to outlaw headphones or require headphones be able to unencrypt some kind of encoded signal sent to them by the receiver...

      I stand by my original statement...it'll never fly.

  63. I wish we could copy protect human cells by Vengeance · · Score: 1

    Then I'd like to make sure that we make this wonderful technology available first to the RIAA.

    Mitosis error 432: Copy protected media found

    --
    It was a joke! When you give me that look it was a joke.
  64. Queen covered this... by cobrajs · · Score: 1

    "Let's hope you never leave old friend
    Like all good things on you we depend
    So stick around, cause we might miss you
    When we grow tired of all this visual.
    You had your time, you had the power,
    You've yet to have your finest hour,
    Radio."
    -- Radio Gaga - Queen

  65. When will you finally conclude... by Bingo+Foo · · Score: 1, Insightful

    When will you finally conclude that consumption of mass media is neither required, nor even beneficial for your lives?

    Let them cement themselves into their irrelevance.

    --
    taken! (by Davidleeroth) Thanks Bingo Foo!
  66. A solution by Malic · · Score: 1

    It's getting to the point where the best solution is to start making your own music - the RIAA is doing their best to make their member's products (music) undesirable ones.

    Time to dust off my trombone, get some more GarageBand loops, a decent mic...

    --
    I swear by MacOS X. Although I use to swear *at* MacOS 9...
    1. Re:A solution by getkashyap · · Score: 0

      Heh .. I think we are all heading back in time to the days when people wrote their wown songs and songs were handed on to others ... one to one. People singing in public, and learning by listening.

      Guess that way we can cut the RIAA and similar orgs out of the equation. :)

      Kashyap

      --
      Yeah, whatever!!!
    2. Re:A solution by Reziac · · Score: 1

      Speaking of Garageband... wtf is it with their site now? Last time I tried to fetch a tune offered by an artist I fancy, I was presented with this "you gotta install our flash-based music player first" thing, rather than an MP3 that I could download and actually listen to. (Streaming media is useless to me, since my only available connection maxes out at 26k -- anything over 24kbit skips.)

      --
      ~REZ~ #43301. Who'd fake being me anyway?
  67. Now I will no longer miss being in radio by unitron · · Score: 2, Interesting
    "(1) Request that Congress grant express authority to the Federal Communications Commission to protect digital broadcasts from illegal copying and redistribution;..."

    Notice it says digital broadcasts, not just the songs that might be part of the broadcasts, because it'll certainly be cheaper to make the whole bitstream uncopy-able than to add a circuit to the receiver to turn protection on and off at the beginning and end of each song.

    So, if I were still working as an announcer, I wouldn't even be able to record a digital aircheck of my own voice unless I took the post D/A converter analog audio and converted it back to digital, and we can all guess how easy that will be once the RIAA can dictate design and features to manufacturers.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

    1. Re:Now I will no longer miss being in radio by fishbowl · · Score: 1

      "I wouldn't even be able to record a digital aircheck of my own voice "

      And you should regard that as a copyright infringement agaisnt yourself, your own rights not being subordinate to those of some corporation.

      --
      -fb Everything not expressly forbidden is now mandatory.
  68. You're misunderstanding the goal by stlhawkeye · · Score: 2, Interesting
    The goal here is to establish a precedent that can be used in other media.

    "Well, we've got it for radio, why not for CD's? Or cable TV?"

    --
    "I have never won a debate with an ignorant person." -Ali ibn Abi Talib
  69. Will we get a refund on the Tape Tax from RIAA? by WillAffleckUW · · Score: 1

    After all, it was originally imposed on blank recording media - tape, CD-RW, DVD-RW, etc - to pay for the taping by music enthusiasts of album/song broadcasts on radio.

    So if they want to make radio music copy-protected, I want a $10,000 refund check. No, better make that in cash - small unmarked bills.

    --
    -- Tigger warning: This post may contain tiggers! --
  70. Go XM? by 9Nails · · Score: 1

    If I buy Sat. Radio I think I'm headed toward Sirius because of the lifetime subscription offer. That's slightly more appealing than a subscription. But, I want more flexibility in my radio equipment before I decide to buy.

  71. RIAA should end music distribution period by TheSkepticalOptimist · · Score: 2, Insightful

    I mean, honestly, they don't seem interested in distributing music, just denying people access to it.

    They have taken ANY modern form of music distribution and ignored any possiblity of adapting to a new industry of music NOT distributed in a physical state like tapes or disks.

    What I don't understand is why musicians don't just dump the RIAA period. There is no legal reason for the RIAA to exist and I really doubt they are a comittee acting in the best interests of the muscians, just suits looking out for their own bottom line.

    We have reached a point in time when ANYONE can set up a decent digital recording studio, I think musicians should simply start going independent, record and distribute their own stuff and bypass the whole corporate music world.

    You don't need to distribute music on CD any more, and even if you do, CD mass production is cheap and affordable, a few thousand to master a glass disk and produce copies. But you can still offer better quality digital files online (straight from the recording studio, unmolested by "CD Quality") and sell them like any other eCommerce product. Sure, your going to get those that simply rip you off and distribute the file for free, but if your a band that makes good music, you will develop a following of fans that will want to pay you to ensure you continue to make good music. How many independent artists out their are far better then the cookie cutter bands and fluff singers that the corporate world dumps on us. Who in their right mind would (or should) pay for another Britney spears disaster? Also, with a large fan base you will get them coming out to concerts and performances which cannot be pirated, you have to pay to watch them live.

    I think that the "artists" that support the RIAA are just in it for the money, happy to whore themselves to the music industry to make a quick buck. Any self respecting musician should start looking into indepenent labels and not care about music piracy. They would be happy to make enough money to earn a decent living ( more decent then I can earn ) and not worry about potentially losing millions through piracy, any artist that does is a corporate kiss ass sell out!

    --
    I haven't thought of anything clever to put here, but then again most of you haven't either.
    1. Re:RIAA should end music distribution period by fishbowl · · Score: 1


      "I mean, honestly, they don't seem interested in distributing music, just denying people access to it."

      Eventually they will be forced to realize that whatever power they take for themselves, is also granted to any other copyright holder - equal protection and all that. Let them create a totalitarian state ruled by artists and writers, please!

      --
      -fb Everything not expressly forbidden is now mandatory.
  72. Notice from the RIAA by doublem · · Score: 4, Funny

    Dear Sir / Madame,

    It has come to our attention that you have illegality produced and recorded a reproduction of track 5 on the 2005 release "Brittany Spears Favorite Outtakes"

    If you do not comply with the following within 48 hours, we will pursue legal action against you to seize all properly listed under your name and garnish your wages for damages.

    Send all recordings to us.

    Destroy the snare drum used in the creation of this track. Send us the remains.

    Send us the micro cassette recorder.

    Send us any and all hardware you possess capable of recording audio, video or still images in an analog or digital format.

    Pay $30,000 in damages for each copy of the recording produced.

    Pay an additional $90,000 in damages for each copy of the recording distributed by yourself or others.

    Have a nice day.

    The RIAA

    --
    "Live Free or Die." Don't like it? Then keep out of the USA
  73. Remember tapes? by NuclearRampage · · Score: 1

    What I don't get is how it is such a huge deal now when people don't record stuff off the radio. Where were they when people were recording stuff to cassettes?

  74. THEY should pay ME for listening to their content. by Anonymous Coward · · Score: 0

    That is the way capital should flow, if what they are pushing is an advertising medium.

    After all, it is MY time that they are consuming with commercials, so I should be reimbursed. At $49.95/hour.

    In the future, there is practically an infinite amount of content to consume, but the consumer has a finite amount of time in which to consume it.

    It will become more and more difficult to attract a sizable audience for anything, given the vast array of time-consuming media available.

    So why not simply pay the viewer to check out that one-time-only, copy-protected, commerical-ridden, formula-derived sitcom?

  75. stupidity reins by Anonymous Coward · · Score: 0

    If the RIAAA really wanted to make money, they should spend those millions helping to revive music programs in School. Where they will see the greatest gain is encouraging children to learn and perform music. The return on their investment should be better than giving it to some idiot lawyer.

  76. Hypnosis here we come by bananasfalklands · · Score: 1
    Perhaps there will be an RIAA hypnosis message played in the future before every record. Payola didnt work, so why not ? imagine....

    "Yes you really love Mariyln Manson, yes you REALLY DO. Because you go to church DOES not mean you hate Marilyn is cool, and there no devil worship on an RIAA label. Now we at the RIAA think that sales are down, so you are going to buy Marilyn's cd (insert name), then your going to another cd until we at the RIAA decide that our profit margins are mega. This hypnosis message ends"

    The riaa will own you. you may hate the music but hey who cares, you bought it. George Orwell should be proud.

    --
    Send Peter Clifford Francis Macrae comdoms to 23 Bedford St, St.Neots, PE19 1AX, England
    1. Re:Hypnosis here we come by Doctor+Memory · · Score: 1
      --
      Just junk food for thought...
  77. "Me To" post and some thoughts. by Monkelectric · · Score: 1, Interesting
    The Radio Sucks, end of story.

    Also, as a person in his late 20's, I can say with absolute authority that I have *NO* patience left at all. None whatsoever. My time is extremely valuable to me personally, and to the folks who pay for it, and I consider listening/watching advertisements and bad music, or even music I dont want to listen to at the moment a sin of the highest order.

    I think I am the worst case scenario in a group of people who sees *NO VALUE* in being entertained on someone elses schedule. The days of waiting for your favorite song on the radio, or your favorite episode of something are dead and gone. Between DVD purchases and internet downloads I have every episode of every show I like avaliable to me, all stored on cheap HDs. I carry the complete Aqua Teen Hunger Force DVDs ripped to my laptop, it doesn't even use much space! If I want to see a specific episode of something, I *WATCH THAT EPISODE*.

    My *REAL* challenge with media is finding new stuff I like as my free time is almost zero. A service which could reliably recommend good music would be very valuable to me. Right now I use Amazon, a network of like minded friends, and i download tons of albums and go buy the ones I like ... but this is very time consuming.

    --

    Religion is a gateway psychosis. -- Dave Foley

    1. Re:"Me To" post and some thoughts. by Anonymous Coward · · Score: 0

      "Also, as a person in his late 20's,

      I can...
      I have...
      My time...
      I consider...
      I dont...
      I think...
      I am...
      I have...
      I like...
      I carry...
      I want...
      I *WATCH*...
      My *REAL*...
      I like...
      I use...
      i download...
      I like... ...as my free time is almost zero"

      Your self-absorption is fascinating!

    2. Re:"Me To" post and some thoughts. by Anonymous Coward · · Score: 0

      Also, as a person in his late 20's, I can say with absolute authority that I have *NO* patience left at all. None whatsoever. My time is extremely valuable to me personally, and to the folks who pay for it,

      I carry the complete Aqua Teen Hunger Force DVDs ripped to my laptop, it doesn't even use much space! If I want to see a specific episode of something, I *WATCH THAT EPISODE*.

      Yep... uhuh... Aqua Teen Force... gotcha. Your time is *really* valuable... understood.

      Bye, you lying freak.

  78. Good Advice by Anonymous Coward · · Score: 1, Funny

    Yes, but then you listen and hear:

    "Hi, I'm Scott Stapp, of Creed, with an urgent message for all the citizens of hurricane-stricken New Orleans. I strongly urge you to evacuate immediately, and head to Baton Rouge, where you can find my new hit single, 'Lift me higher than the flood', in record stores now".

  79. What?? by dlhm · · Score: 0

    "Never mind that its music quality is vastly less than than that of audio CDs." What? My XM radio quality is equally as good as CD! Whoever wrote this must either be talking about Terrestrial Digital Broadcast, or they just have no clue...

    --
    Ad eundum quo nemo ante iit!
  80. **AA can FOAD by blcamp · · Score: 1


    I should take a picture of my finger (guess which one), place it in the public domain, and send it to all **AA organizations.

    This freely-distributable, public domain, royalty free image will present a far more powerful message than any of the current valueless pop-culture tripe that **AA is so adamant about protecting.

    --
    The problem with socialism is that they always run out of other people's money. - Margaret Thatcher
  81. Quality is objective by mangu · · Score: 1
    the topic of 'audio quality/fidelity' is a highly subjective topic. There are plenty of audiophiles who don't like CD's...


    Quality is objective and measurable. Tastes are not. Some people prefer vacuum tube sound, despite of its higher noise and distortion levels. They feel the noise and distortion make the sound "richer" or "smoother" or whatever is their favorite adjective. Good for them.


    However, that has nothing to do with quality/fidelity. If you define "fidelity" as being as close to the original sound as possible, CDs are definitely better than the very best analog sound recording and reproduction systems ever made. At least, I have never read about any analog sound recording technology that reaches the 96 dB signal/noise ratio at up to 22 kHz that is possible with CDs.

  82. Greed not copy protection... by Enrique1218 · · Score: 1

    is the real problem. Piracy as I see it seems to be the only thing controlling prices on the music. Steve Jobs has just stated that Apple will resist price changes at the iTunes store. He cites their greed as the only motivation to increase the price. I have seen many recording artist (some still in their teens) that wealthy that they will not have work again in their lives. That is true today as it was 50 years. So, what is piracy real impact? I am no advocate for piracy but stopping piracy completely will opened the door to price gouging. Ultimately, their greed is going to have a significant impact on American culture.

    --
    You don't have to be smart to use a Mac, you just have to be smart enough to buy one
    1. Re:Greed not copy protection... by klang · · Score: 2, Insightful

      First of all: how dare you suggest that the grand kids of the current teen idols should have to work?

      Second of all: greed is a significant part of our culture.

  83. I dunno... by beefypirate · · Score: 1

    Didn't one of Eminem's CDs sell like 20 million copies? Even if 10,000 people pirated the entire thing, that's not even a significant loss so I don't know what the RIAA is whining about... I feel that people should buy CDs to support the band that they like. I only download music that I would never consider buying in the first place. Also I think if, "Nobody listened to the radio" that there wouldn't be any money in it and then it wouldn't exist.

  84. All your bass are belong to us? by doublem · · Score: 4, Funny

    All your bass are belong to us?

    Had to be done.

    Come on, you laughed!

    --
    "Live Free or Die." Don't like it? Then keep out of the USA
  85. You know those annoying radio ads by Anonymous Coward · · Score: 1, Informative

    "You know those annoying radio ads where two people yabber back and forth...I made a shedload of those". Hey, maybe I made some of those ads for you. I worked in radio for a while at a VERY big
    station, and I even won a few Sony and RAP awards. I'll tell you the truth about Digital Radio. It's dead. It was stillborn in 2002. I know because I made the launch packages for some of the early big DAB stations, and every single one of them died within a few months. (ok maybe it was my production, but somehow I doubt it). The fact is there are no listeners. Penetration of DAB radios in the european market is less than 1 percent.
    Whatever the RIAA wants to do abut DAB in America I would ignore it, they are talking about dead technology.

  86. RIAA: Violating your rights. by Liam+Slider · · Score: 1

    So we have another case of RIAA (and their partners, like the MPAA) violating your rights. Copy protection and Digital Rights Management have absolutely nothing to do with copyright. While they do help maintain a copyright holder's control on what is released...they also violate your rights under copyright law, mainly to "fair use." RIAA and their push for all media to be put under DRM, are pushing for your rights to be violated. In my opinion, this makes them no better, and just as evil, as those who violate any other right.

    Once you obtain media, you have a right to use it yourself however you see fit, so long as you do not copy for distribution, particularly for profit. And I for one, don't know why so many people let the RIAA, MPAA, and others get away with violating this right.

  87. Name a few songs in each category. by hackwrench · · Score: 2, Insightful

    Name a song from those played on the radio that is "much the same" as those punk fans are calling awesome, and don't blame me if someone tells you that you have a tin ear.

  88. Two Words by foqn1bo · · Score: 2, Insightful

    Fuck Them.

    1. Re:Two Words by CRC'99 · · Score: 1

      "oh, that's really going to chaff my willy!"

      Extra geek points for naming the movie that it's from :)

      --
      Sendmail is like emacs: A nice operating system, but missing an editor and a MTA.
    2. Re:Two Words by famazza · · Score: 1
      • Fuck Them.

      This is the most straight, and representative, post about what most of us /.ers think about recent RIAA attitudes.

      --

      -=-=-=-=
      I know life isn't fair, but why can't it ever be un-fair in MY favor!?
    3. Re:Two Words by CoderBob · · Score: 1

      Robin Hood Men In Tights

      "Robin! You lost yer arms in battle! But you grew some nice boobs..."

  89. internet radio by jegan22280 · · Score: 0

    but how would some kind of copy-protection scheme or regulation on digital radio broadcast effect internet radio stations. i know that they arent very popular right now, but they ae gaining popularity

  90. New Technologies Dictate New Approach to IPRs by FlorianMueller · · Score: 1
    The RIAA's interest in this is understandable. Digital technologies allow for an unlimited number of copies to be produced without a loss of quality. It's more than obvious to me that this requires a different legislative framework in order to protect the interests of the music industry.

    There are really two extremist movements out there: Those who say that the digital era requires a maximum extent of intellectual property rights, even to the extent where those IPRs are against the interests of creative people; and those who oppose IPRs to the maximum extent because they believe that everything in the digital world should be free (or based on some flat fee for content).

    My own position is that technological change can affect IP policy either way, sometimes in favor of broader rights, sometimes in favor of more limited rights, always dependent upon the specific case. Patents on computer program logic are undesirable because the patent system doesn't work well in that field. However, strengthening the interests of copyright holders is IMO a necessity in this new era. I believe that such organizations as the FSF and EFF should show much more respect for the interests of those rights holders.

    The criterion should be: What is in the interest of those who make independent creations without totally unreasonably restricting the rights of consumers? Software patents limit the ability of people to make independent creations of their own, which is why I'm against them. However, all composers and performers of music potentially benefit from a legislative framework that is favorable to copyright holders, including such cases as this one in which the ability of people to produce copies without any loss of quality would be restricted.

  91. radio shark by Anonymous Coward · · Score: 0
  92. Tis just a flesh wound! by Detritus · · Score: 1

    Even if you find a station with a format that doesn't suck, there is a high probability that the station mangles the audio with very aggressive use of audio processing (Orban Optimod and similar devices).

    --
    Mea navis aericumbens anguillis abundat
  93. FM radio: 100% RIAA content by Anonymous Coward · · Score: 0

    Never mind how RIAA wants copy right protection for radio broadcasting.

    The question is: how radio broadcasting can get protection from RIAA members?

    The RIAA member recording industry is having a stonghold on FM radio and television broadcasting. RIAA members are virtually monopolizing public air waves for their own products, created by them.

    When was the last time when you heard a new song on FM radio or music tv, which was not soon or recently released by RIAA member companies? When was the last time when FM radio DJ discovered a brand new, unsigned or indie band?

    There should be a public FM radio playlist database maintained, FM radio and music television content should not have 100% RIAA content.

  94. the best radio today... by Anonymous Coward · · Score: 0

    ...is pirate and streams. Pretty much, if one person or a handful of poeple program/format the station as a labor of love, it really shows. Bagelradio.com, somafm.com, piratecatradio.com. these are all really great sources of music that aren't mainstream radio stations.

    So yeah, they can go ahead and make clear channel hobble their broadcast. You're right, nobody's listening. The people who actually do seek out and listen to a mix of tunes somebody else put together know where to get great content online or tune in to a pirate station.

    Personally, after a year of my iPod on shuffle I don't know if I could stand to listen to a commercial and a DJ along with my music.

    1. Re:the best radio today... by connorbd · · Score: 2, Interesting

      College radio is great listening too, and most college stations have online streams. I like WTBU out of Boston University -- amazingly eclectic programming schedule.

    2. Re:the best radio today... by Anonymous Coward · · Score: 0

      That, too, depends on what school is nearby and who's running the show.

      A friend and I hosted a show together a couple years back. Indeed it was alot of different music along with some comedic skits we worked up. Then we got a new manager and apparently some mandates on content, because it's been a mirror of commercial radio since. Way to go, a-holes.

      Needless to say, neither of us were very interested anymore.

    3. Re:the best radio today... by Anonymous Coward · · Score: 0

      "College Radio can best be summed up in five words: 'dead air...um...dead air'" - Strong Bad

    4. Re:the best radio today... by doom · · Score: 1
      College radio is great listening too, and most college stations have online streams. I like WTBU out of Boston University -- amazingly eclectic programming schedule.
      Exactly, I was wondering when someone was going to point this out. Of course, as someone else has pointed out, it depends on the DJ in the studio at the time -- college radio sticks to no particular format, usually -- so you have to watch the schedules, keep an eye out for favorite DJs who do things that you like, and so on... the web has made this a little easier with on-line schedules.

      There's a bunch of good stations out there... a quick list that I've got on hand:

      Also, there are other sorts of non-commercial radio out there... I don't often bother with NPR, but there's some good stuff on the Pacifica stations (KPFA, WBAI, etc). Today I just got word about a live perfromance of "MOE! STAIANO" (frenetic industrial percussion) tonight on KPFA: Midnight, Tuesday, September 20, 2005
      KPFA Pacifica Radio Berkeley, 94.1 FM Northern California

  95. Go ahead but. by Bruha · · Score: 1

    If you encrypt radio where I cant listen to it without some expensive receiver then you cannot broadcast your signals across my property.

    Maybe it's time for the RIAA to remember why satilite operators are able to broadcast over everyone's property without paying fees.

    1. Re:Go ahead but. by nsayer · · Score: 1
      Um... what?

      Go read the Communications Act of 1934 and all of the ammendments to date.

      The Communications Act is the enabling piece of legislation that created the FCC. It is what allows radio transmissions to occur legally at all and implicitely denies property owners any sort of tort of tresspass for wireless signals. It also states that you can listen ("monitor") any communication you wish, but had a "secrecy of communications" clause that forbids disclosure of the contents of any wireless communication to 3rd parties or use for gain of monitored communications unless they are directed specifically to you, or are transmitted by a broadcaster, a station in disstress (as later ammended, Amateurs and CB were also exempted from the secrecy section).

      In the 70s, HBO started up. As explained here, the courts have ruled that putting a pay TV signal on your TV so you can watch it amounts to "publishing" it. In addition, HBO got the secrecy of communications section (Section 705) ammended to forbid decrypting satellite downlink signals if those signals represent programming that is available for subscription.

      So in short, it is the Communications Act that allows broadcasters (and non-broadcasters as well, including your next door neighbor's garage door opener and cordless phone) to send signals over your property without paying you anything. And you aren't allowed to decrypt encrypted satellite-to-ground communications that are available for subscription without the authorization of the sender because of the ammendments to section 705.

      Oh, and the satellite broadcasters do pay fees. Pretty damn hefty ones. They're called license fees. The FCC collects them and they go into the US Treasury. More than anything else, that's what gives them the right to beam encrypted signals across your property without paying (specifically) you.

      The concept of digital broadcasting having strings attached is both morally repugnant and stupid, but you at least have to put forward a reasonable argument as to why rather than just making shit up, dude.

    2. Re:Go ahead but. by Reziac · · Score: 1

      I think the parent's point was along the lines of, "If they are broadcasting what is *supposed* to be publicly-available content, but are restricting it in some way that isn't in the public interest, why should I, as a member of said public, have to permit them to use my living space as a broadcast path?"

      IOW, adding a "copy protection" flag goes against the spirit of the Communications Act, and as such, ought to void the broadcasters' rights under said act (such as, their current right to pass their signal through my personal space).

      As to encrypted broadcasts, those are essentially private, since they are aimed at paying subscribers, and are not free broadcasts to the public at large. The root question is (and you seem to be familiar with the Act, so maybe you know if there's something in there about this): If a broadcast is restricted in some way, including by a "copy protection flag", is it still "public" (meaning freely available to anyone who cares to listen)?

      (Fuzzily expressed, but you get what I mean :)

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    3. Re:Go ahead but. by nsayer · · Score: 1
      If a broadcast is restricted in some way, including by a "copy protection flag", is it still "public" (meaning freely available to anyone who cares to listen)?

      It's a matter of semantics. If it is a broadcast, it is by definition public. The mere transmission of information encoded with RF is not itself broadcasting. It is broadcasting if it is intended to be received by the public (public implies a lack of contract or subscription or any other sort of pre-arrangement).

      In the past, the FCC has used type acceptance as a means to enforce its will on receiver manufacturers. In the 50s, they mandated that all TVs come equipped with UHF as well as VHF tuners to protect UHF broadcasters. More recently, they have added requirements for the V chip and closed captioning decoders.

      The only reason this failed (last time) with the broadcast flag was that once the receiving of the RF signal was done, the FCC no longer had any jurisdiction. That is, they could not force a recording and playback device to comply with broadcast flag requirements, only a receiving device. No tuner? No FCC control.

      The S/PDIF digital audio protocol does include serial copy management bits, so there could be a type acceptance mandate for digital radio receivers to enforce passing along SCM bits to any digital output. The AHRA (Audio Home Recording Act) provides the mandate for standalone components to respect SCM bits (it is also the reason that CD-Rs for your computer don't work in your standalone stereo's CD recorder - they don't have the "we paid the stupid copyright tax" bit set).

      The AHRA is the DMCA's grandfather. It's a shame there was not more screaming when it was passed. We could have nipped all of this nonsense in the bud.

  96. Stupid, stupid, stupid! by Anonymous Coward · · Score: 0

    It doesn't matter one whit. I'll record digital radio the same way I now record analog radio: a wire with one plug in the radio's headphone jack and a plug on the PC's AUX IN jack.

    All sound is analog. Digital "sound" isn't sound, it's only bits until it hits the d/a converter.

    I have several CDs that started life as a radio broadcast that I taped to cassette, and lately I have been moving my cassettes (and LPs) to CD, including ones from the radio. I'm also making copies of all my friends' CDs, and we all get copies. Take that, RIAA! Greedy bastards.

    Some CDs that I've made from pre-recorded record store cassettes are so good that when I burn them to CD, FreeDB knows what records they are and names all the tracks for me!

    So I doubt there will be enough degradation in the sound to matter much.

    I'm wondering how they are going to copy protect any radio broadcast.
    .
    .
    .
    .
    Slow Down Cowboy!
    It's been 31 minutes since you last successfully posted a comment

    How goddamned motherfucking long do I have to wait, asshats? Jesus H. Christ!

  97. Good job the rest of the world by Alioth · · Score: 1

    Good job the rest of the world already standardized on DAB for digital radio years before it was on the recording company's radar - it's now too late for them to cripple non-US radio.

  98. Quality is subjective by Phreakiture · · Score: 1

    At least, I have never read about any analog sound recording technology that reaches the 96 dB signal/noise ratio at up to 22 kHz that is possible with CDs.

    I know of two choices:

    • 2-track quarter inch reel-to-reel running at no less than 7.5 IPS with dbx (gets >100dB, 18kHz is easy and 22kHz is not unreasonable)
    • VHS Hi-Fi (uses FM, gets 96dB/22kHz)

    On the objective/subjective front, there are at least five axes I know of along which "quality" can be measured: distortion, dynamic range, signal-to-noise, wow and flutter, frequency response.

    That said, how do you compare, objectively, a system with a 15Hz-27kHz +/-3dB frequency response curve but only 48dB or so S/N ratio to a system with 96dB S/N but a 20Hz-15kHz frequency response? Neither one is perfect, and the only way to rank the two against each other is subjectively.

    --
    www.wavefront-av.com
    1. Re:Quality is subjective by mangu · · Score: 1
      dbx (gets >100dB ... VHS Hi-Fi (uses FM, gets 96dB/22kHz)


      Those are marketing figures, the truth is much lower. When using Dolby-like noise reduction systems, you get improved signal-to-noise at the expense of reduced dynamic range. Those systems work by doing a pre-emphasis on high frequencies when recording and filtering high frequencies when playing. They have some effect on improving the quality, but cannot reach CD quality.


      The proof is that you can always hear tape hiss when listening to "ADD" or "AAD" CDs. Those come from the best quality analog tapes, recorded at 15 ips and later processed digitally to reduce noise. No matter how well this is done, no matter how high quality the original recording was, there's always some tape hiss in some passages. This small noise may not be objectionable, actually I have some classic recordings which I prefer to newer fully-digital versions of the same music. But the noise is still there, both measurable by instruments and perceptible to the ear.


      how do you compare, objectively, a system with a 15Hz-27kHz +/-3dB frequency response curve but only 48dB or so S/N ratio to a system with 96dB S/N but a 20Hz-15kHz frequency response?


      The one with 96dB S/N, no doubt about that. There's practically no music content between 15 Hz and 20 Hz or between 15 kHz and 27 kHz. But I agree with you in principle, you cannot compare apples with oranges, subjective preference will always be the final judge. All other factors being equal, one can say for certain which equipment is better, but which parameter is more important may be a question of personal taste. Some people may prefer lower distortion at a cost of higher noise level, other people will prefer a flatter frequency response. But those are all objectively measurable and can be compared with the same parameter on different equipment..


      However, the problem with some audiophiles is that they disregard totally any sort of objective measure. They prefer systems that are inferior in every single measured parameter. That's bullshit.


      Take vinyl discs, for instance. John Lindsley Hood mentions some of the limitations in that technology in chapter 10 of his book "Valve and Transistor Audio Amplifiers". This is a book for electronic engineers where he dissects audio amplifier circuit details. In chapter 10, dedicated to preamplifiers, there's one section where he analyses the dynamic range needed for each type of input. Vinyl records are limited by so many factors that it's incredible that some people may prefer them. Some of these limitations are very subtle, for instance, at high frequencies the amplitude is limited, among other factors, by the cutting stylus having to fit inside the groove when making the record. The stylus is made of diamond, has a flat front face but cannot have zero thickness, it has a rounded back face. The sharpness of the sound peaks it can record are limited by that rounded back face fitting into the peak. And, of course, the playback stylus must also fit into the same groove. And so on, there are several other limitations mentioned in that book.


      Ask, however, an audiophile and he will say that vinyl discs are superior to CDs because they have "infinite" resolution compared to 16 bit CD sound. Bullshit. The true "resolution" of vinyl discs is defined by their signal to noise ratio, which is much lower that what's achievable in a 16 bits digital sound.

  99. doesn't matter by idlake · · Score: 1

    It doesn't matter much anymore what the RIAA or MPAA or radio stations or television stations or cable do anymore. Either, they make their content available easily, or they will be replaced by people and companies who do, as podcasts, live streams, and in other formats.

  100. Patience grasshoper... by MarkusQ · · Score: 1

    Patience. Let karma take its course. If present trends continue, they will find themselves locked for all eternity in an impenetrable vault with the most awful "music" you can imagine, and no one will care. I expect they will cackle with glee for almost twenty minutes when they pull the door closed and weld it shut--not that we will be able to hear them of course.

    In general, the grief you can inflict on others is nothing compared to what they will do to themselves if you just stand back.

    --MarkusQ

  101. Good radio by SeanDuggan · · Score: 1
    *shrug* I've found few good contemporary radio stations, not that I really go searching for them. *wry grin* In my opinion, it has more to do with contemporary music than the stations themselves. Contemporary music these days is more marketed than made, so for the most part, contemporary stations play the same 15 songs over and over again. Me, I listen to classics, both country and rock. Not only do I feel that the music back then had something which contemporary music lacks, but you've also had a few decades to weed out the crap. Lastly, I find that the people who DJ it and the people who listen to it care about it. If you're staying on the bleeding edge of music, bands come and go.

    That said, I have two radio presets in my car because I listen to either the classic rock station in our town or the classic country station. Both stations are good enough that I don't feel the idea to wander around unless both of them are broadcasting local sports games, or I'm out of town. ^_^ Admittedly, I've run into the situation where I flip from one station to the other and hear the same song, but that's because there was a fair amount of cross-over back then. Honestly, which way do you categorize Elvis? Or Jimmy Buffet? Heck, the Bellamy Brothers?

    --
    This sig has absolutely no significance and serves only to take up screen space and waste the time of the reader.
  102. RIAA Trying to Copy-Protect Word in song by sxmjmae · · Score: 1

    That right!
    It the RIAA wishes to copy-protect the order of two or more words found in one of their protected works!
    Also added to the list of word they with to have copy protect on are: "I", "dream", "of", "a", "Free", "future", "&", "World", "peace".

    --
    My Sig indicates the end of the comment I posted.
  103. Re: There is good on the radio by UCFFool · · Score: 1

    There is something still good on the radio: NPR. Now, they make a great example since they podcast some of their most popular shows (Science Friday, Living on Earth) and in iTunes they are all over the 'Top list'.
    I never thought I would spend every morning making a CD of podcasts to listen to when going to and from work, but I do, and I've never been happier and more awake on my daily commute. When the CD ends, I listen to NPR or put in a different CD.

    As Cruisebox puts it: The Revolution is on!

    --
    "The more pity, that fools may not speak wisely what wise men do foolishly" - Touchstone,Shakespeare's "As You Like It"
  104. gee by suezz · · Score: 1

    I just think we should just give total media control to the RIAA and MPAA and be done with it.

    I just sick of hearing about the greedy bastards.

    Pretty soon they are going to go after the written word.

    fsck off riaa and mpaa take that and copyright it where the sun doesn't shine.

  105. -1 offtopic by Anonymous Coward · · Score: 0

    Off topic, but I saw your sig and was certain it was a clever vim command. Imagine my disappointment...

    --Robert

  106. Not just for music, and nost just at your desk by Anonymous Coward · · Score: 0

    Radio is still nice for some things:

    a) it works "on the go" much easier than a laptop+cell phone or downloading audio to a portable player
    b) it is in real-time which is nice for news and sports, unlike downloading to a portable player
    c) some things like NPR are still high quality on radio (though you can get it off the Web too)

  107. Stupid RIAA, why not a complete boycott? by MrJerryNormandinSir · · Score: 1

    Why can't we... the people.. boycott all new music?
    Hit them where they live. Time to organize.
    They won't last 3 months.

  108. No more! by georgi55 · · Score: 2, Insightful

    What! I won't be able to record those 30 minute commercial special anymore? Dang, that sucks, I loved those!

  109. Can you say time shifting? by pgk2 · · Score: 1

    I thought the US Supreme court ruled on this already in the Sony VCR cases. They ruled that consumers could record their favorite television shows for viewing later. The term they used was time shifting. How is radio different? The RIAA is going to kill the artists. Like iTMS a new business model needs to be developed that will keep everyone happy.

  110. It's not about radio... by Anonymous Coward · · Score: 0

    ...it's about TV! Think about it. They haven't had success getting the FCC to regulate HDTV, but if they can be successful in allowing the FCC to do basically the same thing in the radio arena (regulate the devices that receive the content rather than the transmission medium), it suddenly makes their argument about TV regulation MUCH easier. "Hey, you let the FCC regulate radio in exactly the same way. If you say the FCC have the authority in the radio realm, then by extension they have the right in all broadcast media". We need to fight this one just as hard as we fought the broadcast flag!

  111. What about existing setups? by SeaFox · · Score: 1

    Digital Radio has already been rolled out in many areas. What are they going to do about the people who already have recievers? They paid a few hundred dollars for their equipment, and they might get a little peeved if they find they have to buy a new DRM-compliant reciever.

  112. RIAA is now completely irrelevant by Anonymous Coward · · Score: 0

    The RIAA is irrelevant to me. Haven't spent any money on anything from a major record label since the RIAA started attacking its customers. Never will again, until copy protection is dead, and the RIAA members each apologise publically for their abuses.
    Music is an art form, and hence should be subject to the excessive charges. There is little difference in the quality of music produced by most heavily marketed 'bands' and the real bands you find in the local pub. Why should there be such a difference in cost for their music?
    If the RIAA continues down its current path, it is sigining is own death warrant. I don't care. Does anyone else?

  113. vastly lower quality than CDs? by zbend · · Score: 1

    Hmmm why do I want to go out and buy a digital radio receiver exactly?

  114. Nah... by Anonymous Coward · · Score: 0

    They'd want their money *before* you got to hear how crappy the music was.

    Anyhow, can the FCC even *do* this? I could swear that they were unable to impose the broadcast flag because it overstepped their powers, so why would this be any different?

    I mean, if they couldn't do it for TV, why would they be able to do this for radio?

  115. People joke but... by suitepotato · · Score: 1

    Audio scrambling systems using acoustic couplers have been used for years on phones and with advanced technology it is only a matter of time before they create scrambled audio that requires an authorized headphone set that will allow it to be heard and for everyone else in the room, it will be garbage.

    Various methods of obfuscation for visual media also exist mostly based on polarization but some use color as well. As technology advances and RFID tech comes into its own, you will eventually have public video boards like billboards whose protected content can't be seen without the appropriate active glasses and every TV at the store will go seemingly blank or static when protected content is shown.

    It's coming and as long as the government rolls over for the *AA people, it is a done deal. And you thought the idiots at Kinkos refusing to make copies out of school books for your kid's schoolwork was moronic.

    --
    If my grammar and spelling are off, I am [distracted/tired/careless] (take your pick)
  116. Who the hell would want to record that crap anyway by CProgrammer98 · · Score: 1

    What a joke! There's nothing worth recording anyway

    --
    And the people shall be oppressed, every one by another, and every one by his neighbour Isaiah 3:5
  117. Copy protecting the radio is impossible by Anonymous Coward · · Score: 0

    The radio broadcasts can be copied by connecting the output of the radio to the microphone of a recording device. It is impossible to stop this from happening. Piracy will continue, resistance is futile. The MPAA and RIAA are idiots when it comes to copy protection.

  118. THANK YOU! by beernutz · · Score: 1

    For stating what I have always believed! The riaa is largely irrelevelent, or will be soon enough. They are suing themselves out of existence, and apparently don't understand the whole idea of treating your customers right.

    The customers in this case are supposed to be the artists! They are doing such a HUGE disservice to their customers, i am surprised they have not had lawsuits brought against them by the artists.

    Anyway, thank you for being a voice of reason in this ever-degenerating forum.

    --
    (stolen from DaBum) I am dyslexia of borg - your ass will be laminated.
    1. Re:THANK YOU! by dada21 · · Score: 1

      Haha, read my other posts over the past year, I'm not sure if I've ever been called the voice of reason, but I appreciate that :)

      The reality is that the laws of supply and demand are the only laws in a market. Government and big business can TRY to work around those laws, but it is always a temporary solution to hold back industry and consumers.

      As technology progresses to more and more people, we'll see fewer and fewer regulations, restrictions, and laws that actually work. As I repeat ad infinitum, the market is created by billions of decisions made every minute. No one can ever put a road block up against those decisions, as others will be working hard to get around the road blocks provided. Even men with big guns and tanks can't stop the flow of information, and the Internet makes that flow a torrent. No pun intended.

      The artists are partially customers of the RIAA, but they are also partially the problem. I have personally known a handful of successful artists (musicians, actors, etc) and all of them just wanted to get lazy -- that's what most of us dream about. The truth is, you can only build wealth by constantly working for it. Does Gates or Jobs sit back and enjoy all the fruits of their labor? NO, they constantly work to bear more fruit!

      When an artist, be it a book author, a singer, or a movie director, wants to succeed, the only way to do it in a free market is to constantly make your product evolve. Just making a movie, putting on DVD, and selling it shouldn't allow that movie to be worth jack crap in 6 months. Neither with a CD. Touring, promoting the music/book/movie, giving your fans reason to support your NEXT product, that requires time, and with time comes the money.

      The Internet is incredible as it dispels so many government instilled monopolies and gives everyone nearly equal ground to promote their product. TV, radio, newspapers, they're all dead until they can catch up with what the billions out there want.

  119. Hey... by Hurricane78 · · Score: 1

    ... i listen *only* to radio. But only net-streams of course. Like dnbradio, bassdrive, hhuk, turntables24 or radiomax. If you would do ads there i would certanly hear them and if i'm interested look at your page.

    Here nobody watches tv anymore. Tv is really really dead in the circles of poeple i have to do with.

    Another tip i could give you: Put ads on the google search results for the right words. These are teh *only* ads i like. They always match my interests very good, are not bothering with animated gif bling-bling or mad flash-sound-fullscreen and i see them often.

    BTW: RIAA is not a company. Correct. It's the *whole fuckin' industry*! Thuis means it's *all* teh companies together. So exponentialize you hate... ;)

    --
    Any sufficiently advanced intelligence is indistinguishable from stupidity.
  120. It is BS by Anonymous Coward · · Score: 0

    People also used to say that 128kb/s CBR MP3s were "CD quality" too, but that didn't make it true.

    Digital radio will not have as much information as CDs and can not be CD quality. You could argue that it sounds just as good as CDs, and it may be true, but to some people a cell phone call sounds perfectly fine.

  121. In other news... by MightyMartian · · Score: 1

    Dayton, OH - Researchers at the Auditory Sensory Systems Heuristic Oratory Laboratory Engineering have announced that, per instructions from RIAA president, Adolph Q. Hitler, they have developed the means for Congress to stop all unauthorized soundwaves.

    Mr. Hitler commented "It's high time we fucked over stupid consumers. Americans deserve only to be spoonfed Kelly Clarkeston and Metallica music. Our next move to ask that anyone with any trace of talent be immediately executed, and their guts used to create disposable CDs that melt if put in a Norwegian's computer."

    Congressional leaders are said to be in full agreement after each received several million dollars in bribes and a bunch of Malibu hoes. President Bush stated from the bathroom of his Texas ranch "Adolph Q. Hitler and RIAA are great Americans. They even gave me a squeaky toy!"

    --
    The world's burning. Moped Jesus spotted on I50. Details at 11.
  122. Too Late by zentec · · Score: 1

    The iBiquity standard is in use. Good luck getting everyone on-board to update transmitting software and hopefully make it compatible with receivers already in the marketplace.

    Of course, if Congress mandates copy protection and you can't do it without making everyone pitch their radios, you've just killed in-band digital radio. Well, at least for the 5 people that actually went out and bought new digital in-band radios.

  123. Dear Congress by DarkPixel · · Score: 2, Insightful

    Whereas the music on the radio is utterly horrible and repetitive enough.

    Whereas any kind of recording of radio broadcasted media utterly blows in relation to CD quality.

    Whereas you(Congress) know shit about technology.

    Proposal:
    Please stop listening to the people making money and start listening to the people paying money, for once.

  124. Broadcast Flag Redux? by diymedia · · Score: 1

    So what's to stop this from getting shot down in the courts as an FCC overstepping its bounds by mandating technologies, a la the HDTV broadcast flag fracas?

  125. so who owns the radio show by E8086 · · Score: 1

    Who owns a show/program/whatever broadcast by a station that includes live commentary and maybe a guest as well as prerecorded RIAA content? Is the RIAA trying to claim ownership of everything that makes use of it's content?
    And what are these "next-generation digital radio receiver/recorders" ? The only ones I've heard of are receivers for sattelite radio and I don't think the FCC has much control over that, isn't that why Howard Stern moved his show there?
    Trying to make legal things illegal because they don't match your obsolite business model, yes that's the RIAA for you.

    --
    F7 doesn't work, ignore spelling and grammar
  126. Obligatory by xigxag · · Score: 1

    The more you tighten your grip, RIAA, the more digital copies will slip through your fingers.

    --
    There are two kinds of people: 1) those who start arrays with one and 1) those who start them with zero.
  127. Four rights the RIAA/MPAA don't want you to know by SgtChaireBourne · · Score: 2
    There are four rights that Microsoft, the RIAA/MPAA, Disney, etc. want you to believe don't apply to electronic resources:
    • The Doctrine of First Sale - you bought it you can, sell it to some one else.
    • Fair Use - there is some leeway even for items with restricted distribution, e.g. citing excerpts or sampling
    • Freedom of Information - the US recently took a step away from this and towards the British secrecy-by-default model
    • Common Carriage - nondiscriminatory access to any customer willing to pay the standard tariff
    If these don't make any sense to you in an electronic context. Think what you can currently do with a paper book or land line telephone. Rules of commerce haven't changed and still apply to electronic resources and services just as they do to physical ones, even if there's a push by MPAA/RIAA/MS/DIsney to propagate a meme to the contrary.
    --
    Beta is broken and the link to classic doesn't work. Stop wasting our time or there won't be anybody left here.
  128. RIAA still wants blood from said corpse... by Anonymous Coward · · Score: 0

    Sure. "The broadcast you have chosen is unavailable due to DRM restrictions, and your current receiver does not qualify for reception. Because of this, you cannot receive (static burst) 'Emergency hurricane instructional broadcast' (static burst)."

    That will happen as the RIAA money-machine gets their way. They were grossly unprepared for the internet and electronic media. If it weren't for the vast amount of cash they've thieved from artists, they wouldn't have been able to BUY so many ears in political power. It's obvious they did this to get their dirty fingers on so many puppet strings.

    Radio is nearly dead. MTV's life in in its sunset. The RIAA is still unable to see the future, and can only continue to flail blindly, trying to grasp at their slipping dominance while severly damaging the world about them.

  129. The true reason to convert to digital by nurb432 · · Score: 2

    The only reason is to lock the broadcast. Any other excuse is just that. A marketing excuse to take control.

    And i grew up not trusting the government for these reasons, but they are amateurs compared to the 'media'.

    Sad state we have reached, really.

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    ---- Booth was a patriot ----
  130. Damn it, you got me... by TheJOsh!(tm) · · Score: 1
    I totally went off on a jihad-esque montage compairing Sk8er Boi with Black Flag, the Unseen, One Man Army...and then I noticed the "Funny" modifier and the sarcasm tag...

    ya done took the wind outta my sails, dammit. i had a good thing goin'.

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    Rise up in the cafeteria and STAB them with your plastic forks!
  131. If I had cancer... by Anonymous Coward · · Score: 0

    If I had cancer or aids or something and were going to die, I would murder as many employees of the RIAA as possible before spending the rest of my short life on the run.

  132. so are microphones now illegal? by Anonymous Coward · · Score: 0

    mic + mp3 player = digital FM radio recorder. Are microphones now illegal?

  133. Quality? by Jon+Peterson · · Score: 2, Informative
    Never mind that digital audio broadcasting is not significantly greater in quality than regular, analog radio



    Well, not in the UK. Digital Audio Broadcast (aka digital radio) has much better quality than FM - and that's assuming you can get good FM reception, which is rare here.

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  134. Why bother? by hcdejong · · Score: 1

    Radio is the one medium that isn't worth copying from. You always end up with songs that crossfade with the next, are cut off prematurely, and/or are yakked through by an inane DJ.
    What I want is a button on my radio that forwards the current song to a "things to buy" list in iTunes.

  135. Copy Protection and Radio by mtibbitts · · Score: 1

    This is a pretty ridiculous move in my opinion, and I hope the FCC can help the industry to not shoot themselves in the foot. Digital radio is not of a noticably higher quality than analog...except that the song title will march across some radio "screens". People are not ripping songs off Tivo'd radio any more than they might have in the 70s when standard tape recorders came out. The quality isn't worth the effort. People who would try to do this today are leeching these songs for free or paying a buck for them on itunes...both with significantly higher quality and no annoying DJ voiceovers. Martin Tibbitts

  136. For radio now? by xystren · · Score: 1

    The fact that I have been able to record off the radio to audio tapes, (or at fear of dating myself, on to 8-track, or even reel to reel tapes) for 30+ years now, don't they forfet their copyright? One of the things that needs to be done to maintain your copyright is to enforce it. For 30+ years they haven't. If I had a registered logo, and permitted everyone to use it for 30+ years, I would forefit the right to my copyright. Hasn't the RIAA done just this? -Xyst