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When Copy Protection Fails

StArSkY writes "The Age in Australia has an article today explaining the experiences of a Melbourne guy who purchased the Norah Jones CD tht is 'copy protected.' Unfortunately the only way he could listen to the CD on Apple computers or Intel computers running XP was to copy the CD. This sort of defeats the purpose of the copy protection in the first place. Serious yet amusing at the same time."

416 comments

  1. He copied a cd? by craenor · · Score: 3, Funny

    When does he get out of jail?

    1. Re:He copied a cd? by confused+philosopher · · Score: 4, Informative

      In Canada you can copy a CD legally for "personal use". Australia has a similar legal system, based on British common law. Their copyright law is likely similar in this regard too.

      I'd be interested in hearing from an Aussie on this though.

      --
      Why slashdot? Why not?
    2. Re:He copied a cd? by arvindn · · Score: 5, Funny

      As an apology for the inconvenience caused by being unable to play the CD, he'll be getting a Norah Jones T-shirt and DVD. However, for making an unauthorized copy of the CD, he'll be sued for $97 trillion.

    3. Re:He copied a cd? by chriskenrick · · Score: 3, Informative

      When does he get out of jail?

      That's not as funny as you think in the light of this. Copying CD's without the copyright holder's permission is illegal in Australia.

    4. Re:He copied a cd? by fact0r · · Score: 5, Informative
      In Australia there is a specific legal right to make a backup copy of software.

      Other than that the copyright owner can license their intellectual property however they want (which will ordinarily prevent a copy being made).

      That is - the guy who did this has likely committed a civil offence (but not a criminal offence).

    5. Re:He copied a cd? by Fulkkari · · Score: 5, Interesting

      AFAIK in Finland you are even allowed to share your own legal music with your friends/family. As you can imagine, because of the p2p networks there have been serious discussion in who really is your friend (eg. the guy living in the States that you have never seen, but you know him by IRC, is he your friend?). It will be interesting to see how things will end up.

      --
      I demand the Cone of Silence!
    6. Re:He copied a cd? by serps · · Score: 5, Informative

      The Oz Copyright Council says otherwise. When it comes to fair use, we are teh suck.

      choice quotes:

      Using a CD burner to make a copy of material will "reproduce the work" for the purposes of copyright, as will making a tape from a CD, or copying a tape or copying vinyl records onto tape or CD.

      and:

      There is no exception in the Copyright Act that allows copyright material to be reproduced for private purposes without permission from the copyright owner.

      There was at one stage an attempt to bring in a "blank tape levy" scheme in Australia, under which private taping of recorded music would have been made legal, with copyright owners receiving compensation through a small additional charge on blank tapes. The way the government at the time attempted to implement the scheme was, however, found to be unconstitutional by the High Court, and Australian governments have not made any further attempts to introduce a scheme which avoids the problems of the earlier attempt. Blank tape levy schemes operate successfully in a number of other countries, particularly in Europe.

      (emphasis mine)

      FAQ

      Is it legal to copy albums onto CD if you own the albums?
      Owning an album is not the same as owning copyright in the music, lyrics and sound recordings that are embedded in the album. If you are not the owner of copyright you will need permission to copy music from an album to CD even if you have bought the album you want to copy.

      Am I allowed to make a copy or compilation of music on a CD for private use?
      There is no special exception which allows copying of CDs or cassettes for private use. In most cases you will need permission from the owners of copyright in the music & lyrics (usually the music publisher) and the owners of copyright in the sound recording (usually the record company).

      Can I download music from the Internet and copy it onto CD?
      The fact that material is made available on the Internet (for example, as an MP3 file) does not mean that it may be used freely. Material on the Internet may still be protected by copyright. If this is the case, and the copyright owners have not given permission to download and record their work, you will infringe copyright by reproducing the music, lyrics and sound recording onto CD. Sometimes, copyright owners grant express permission to use their work. You should look for such permissions on the site from which you are downloading.

      Can I make backup copies of my music CDs?
      Making a backup copy of a CD will involve making a reproduction of the music, lyrics and sound recordings on that CD. The right to reproduce the work is one of the exclusive rights of the owners of copyright in those items. You may not legally make a back up copy of a CD when the CD contains material that is protected by copyright unless you have permission from the owner of copyright or a special exception applies to your use.

      --
      "Einstein argued that [...] God is not capricious or arbitrary. No such faith comforts the software engineer." ~ Brooks
    7. Re:He copied a cd? by Gumshoe · · Score: 4, Interesting
      Australia has a similar legal system, based on British common law. Their copyright law is likely similar in this regard too.


      You can't copy CDs for personal use in Britain as it's not one of activities listed in the fair use laws -- an activity has to be explicitely exempted for it to be free from the restrictions imposed by the copyright laws. See The UK Campaign For Digital Rights for more info, particularly the FAQ
    8. Re:He copied a cd? by fact0r · · Score: 3, Interesting
      I'm not really sure The Oz Copyright Council is the most balanced source of information given the organisations affiliated with it - consisting of such delightful organisations as The Australian Record Industry Association (the Australian equivalent of RIAA).

      They very much fail to make clear that breach of copyright is only a criminal offence when the breacher makes money out of it (or breaches "to an extent that affects prejudicially the owner of the copyright" - quote from the law). Any other breaches are simply civil offences (in general much less rewarding in Australia when compared to the US). [how large a breach needs to be before affecting the owner prejudicially has never been tested in the courts here to the best of my knowledge]

      They also don't make mention of the right to back up software - a right which has been supported by the Australian Competition and Consumer comission when they supported the right to sell Playstation modchips.

    9. Re:He copied a cd? by hplasm · · Score: 1

      Why should he go to jail for copying a cd that is copy protected- ie, can't be copied... we will all go to jail for doing things that can't be done in that case......er..hmmm.

      --
      ...and he grinned, like a fox eating shit out of a wire brush.
    10. Re:He copied a cd? by okeby235 · · Score: 1

      It is interesting to note that the Commonwealth copyright act allows you to make backups of software explicity. This is not the case for other works, ie. music cd's. What gives?

    11. Re:He copied a cd? by Anonymous Coward · · Score: 0

      Because it is made very clear you are buying a license to the software, so the media is irrelevant.

      However with the audio CD you are buying a copy of the recording not a license, so the media becomes important.

    12. Re:He copied a cd? by Levien · · Score: 2, Interesting

      You mentioned the blank tape levy, and it made me wonder... In that case, won't forcing customers to copy the CD mean the record companies make even more money (from the levy) ?

      --
      -- Levien de Braal
    13. Re:He copied a cd? by Anonymous Coward · · Score: 0

      Australian law uses a much narrower view of "fair use", and introduces another term "fair dealing" of which the sum makes up what would commonly be thought of as fair use.

      Fair use: the use of a limited amount of a work to be used in another work. Eg: quotes from a book used in an essay.

      Fair Dealing: The ability of the user of a copy of a work to take active measures to protect or use their copy of the work. Eg: backup software media.

      AFAIK Fair Dealing does not apply to music, probably due to interference by ARIA.

      We do however have the "50 year rule" on copyright length. Not like the infinite copyright length, on the installment plan, the US has atm.

      On another note, I was not able to pull up much background on the Copyright Council of Australia to determine potential bias. So you are better off reading the act, or search for relevant law school discussions on the subject.

    14. Re:He copied a cd? by Anonymous Coward · · Score: 2, Interesting

      There is no exception in the Copyright Act that allows copyright material to be reproduced for private purposes without permission from the copyright owner.

      The very act of playing a CD is a reproduction of the original (copyrighted) sounds made by the musician at the time of the recording. Therefore, under a strict interpretation of this law, a CD cannot legally be played at all without explicit permission from the copyright owner.

      Than again, that's exactly what the music industry wants - pay per play.

    15. Re:He copied a cd? by Anonymous Coward · · Score: 0

      Obviously, nearly anyone CAN copy a CD. Whether one MAY do so is another matter. Speke gud Inglish, plees!

    16. Re:He copied a cd? by Anonymous Coward · · Score: 0

      In Australia there is a specific legal right to make a backup copy of software

      I didn't know Aussies were advocates of slavery.

    17. Re:He copied a cd? by DylanSchell · · Score: 3, Interesting

      Doesn't this mean it's illegal to actually play a CD since the CD player has to stream the CD into a buffer while playing?

    18. Re:He copied a cd? by JoeJob · · Score: 1
      There was at one stage an attempt to bring in a "blank tape levy" scheme in Australia, under which private taping of recorded music would have been made legal, with copyright owners receiving compensation through a small additional charge on blank tapes.

      Curious; I thought that legislation was actually in place, but that it didn't grant the right to make copies. I'm probably mistaken on that account. But can you tell me why we have the two kinds of CD-R: the regular variety, and the "for audio use" variety, with technological locks on the consumer audio-only CD-burners such that they will only accept the more expensive audio-only disks? Isn't this a case of a levy on the discs to cover supposed copyright infringment? This pisses me off, personally, since I use one such domestic audio-only CD-burner for recording live presentations (for the presenter, who owns the copyright on the presentation). I've heard I can "apply for a refund", to which I say, "well, thanks a frickin million for giving me a tedious, red-tape-ridden method of reclaiming what you should never have taken from me in the first place."

    19. Re:He copied a cd? by Gumshoe · · Score: 1
      Obviously, nearly anyone CAN copy a CD. Whether one MAY do so is another matter.


      I appreciate your pedantry. However, as I was clearly discussing the legality of copying CDs, "can" obviously refers to whether one "can legally" copy a CD.

      Moreover, a quick look in my Oxford dictionary reveals that "can" has a secondary meaning, "have the right to" and a colloquial meaning, "be permitted to". Webster's offers a similar definition; "Although there is a formal distinction made between can to express the ability to do something and may to express permission, in informal usage can is generally acceptable to express permission, esp. in questions or negative statements".
    20. Re:He copied a cd? by Anonymous Coward · · Score: 0

      Have you ever been advised to "lighten up"?

    21. Re:He copied a cd? by Anonymous Coward · · Score: 0

      "Blank tape levy schemes operate successfully in a number of other countries, particularly in Europe."

      The sale of CD recordables have plummeted to almost nil in Denmark after introducing a levy (people buy by mail order in Sweden or Germany where the levy is much less - it is 70 cents in Denmark). So here absolutely nothing was achieved by putting this tax on CD's.

      The minister of culture has promised to work on removing the blank media levy schemes as copy protection systems proliferate. This is a direct consequence of infosoc making it illegal to copy CD's (European version of DCMA). In Denmark it is illegal to compensate for illegal activities through taxation.

      So in fact I hope to get rid of the tax (I don't like to pay 3-4$ in tax to artists for burning the lastest Debian distribution).

    22. Re:He copied a cd? by King+of+the+World · · Score: 1

      In the same way Window's DLLs are copied to RAM, yes.

    23. Re:He copied a cd? by cyril3 · · Score: 1
      A backup is of course a copy. The law is not referring directly to a copy of the CD you purchased but to operational backups of a hard disk which would contain copies of programs. Technically this is a copy and to avoid problems with securing permission for an essential operational issue as well as to avoid evil software licences that required fees for each backup, the law ensures that you can copy copyright material as part of a backup.

      It has come to be accepted that a copy of a CD used instead of the original one to avoid damage in use can be considered a backup (though I don't know if it has been decided by a Court).

      Music CD's aren't subject to this type of use as a general rule. But I understand Radio Stations actually do pay a royalty for burning tracks to the CD's that are put together for DJ's to use on air. Most don't use the retail CD's for regular airplay to avoid damage.

    24. Re:He copied a cd? by cyril3 · · Score: 1
      Give me a break. What do you think the licence you have is for- to look at the frigging CD. The CD in Australia says in reasonably readable type "Unauthorized public performance, broadcasting and copying of this recording prohibited"

      Also AFAIK you don't copyright a sound but the recording.

    25. Re:He copied a cd? by cyril3 · · Score: 1
      Yes it's illegal to play a CD in Australia unless it plays directly to the speaker with no buffering. This is why there are only 5 CD players in Australia and they are owned by rich and powerful radio stations and one by a government department. Fortunately they are so inefficient that they manage to buy more than 45 million CDs a year to play on the 5 players. This keeps many musicians and record company employees in work.

      Either that or you are easily confused by long words and complex ideas.

    26. Re:He copied a cd? by cyril3 · · Score: 1
      That's because the information sheet being quoted from deals specifically with music cds and doesn't deal with penalties or remedies, merely what constitutes breach of copyright. The stuff on penalties and software is on other sheets.

      As for balanced, why would you expect balanced. They are an industry group. You don't expect balanced on /.

      The modchip case was lost by SONY for reasons other than the right to backup software.

    27. Re:He copied a cd? by BrokenHalo · · Score: 2, Informative
      In Australia there is a specific legal right to make a backup copy of software...

      which the recording industry here is trying to get revoked. Given the Australian Federal Government's record for rolling over to industry demands, I'm not taking bets as to how long this right will last.

    28. Re:He copied a cd? by ReelOddeeo · · Score: 1

      there have been serious discussion in who really is your friend (eg. the guy living in the States that you have never seen, but you know him by IRC, is he your friend?)

      Anyone who sends an IP packet to my computer, in a friendly way, is my friend. Silly.

      --

      Those who would give up liberty in exchange for security and DRM should switch to Microsoft Palladium!
    29. Re:He copied a cd? by pod · · Score: 1

      Well, that's just nitpicking, and the first person sued for abusing this system will spoil it for everyone basically. Obviously, the spirit of the law, when crafted, allowed for sharing of tapes and CDs between family members and close friends you could physically give the media to. Since it was happening anyways, rather than making criminals out of everyone, including most politicians no doubt, the practice was formally legalized.

      --
      "Hot lesbian witches! It's fucking genius!"
    30. Re:He copied a cd? by Anonymous Coward · · Score: 0

      I beleive the US has similar laws, but the people with the money don't like them so it doesn't really matter.

    31. Re:He copied a cd? by Amazing+Quantum+Man · · Score: 1

      who really is your friend

      It's obvious. The enemy of my enemy is my friend!

      --
      Fascism starts when the efficiency of the government becomes more important than the rights of the people.
    32. Re:He copied a cd? by DaemonGem · · Score: 1

      But this isn't software, this is music. Does that fall under the same category?
      -Dae

      --
      "Alle reden vom wetter. Wir nicht." - SDS Sozialistischer Deutscher Studentenbund.
      j00 4r3 3n73r1ng l337 w0r1d.
    33. Re:He copied a cd? by c13v3rm0nk3y · · Score: 1
      In Canada you can copy a CD legally for "personal use"

      Correct. The Copyright Act 1985 states flatly that you can make a copy (on any medium) of any musical recording for personal use. You do not even need to own the recording. In fact, it specifically legalizes personal recordings of someone else's copy of a musical work (according to the Copyright Board).

      Here's the legal reference. Check out this interpretation of the current law.

      For example, it is illegal to grab a song from a P2P network and save it to my harddrive or a CD, as you cannot make a copy for yourself and a "friend".

      However, simply ripping or making a verbatim copy of a CD for your own personal use is a right for all Canadian citizens.

      --
      -- clvrmnky
    34. Re:He copied a cd? by Lazaru5 · · Score: 1

      The music industry cannot have it two ways. You can buy a CD and listen to it, but you don't own it really, you're just licensed to listen to the music. But you can't copy it to a tape to play in your car, but you _can_ rip it to MP3s and put it on your iPod? Either the media matters, or it doesn't. If you have a license to listen to the music, then it doesn't matter what the media is.

      Yet if the music industry insists that you have to buy the music in each variety of media that exists (vinyl, tape, CD), then it ceases being an issue of license and music. It becomes an issue of media and how many times they can charge you for listening to it.

      If I've bought a license to listen to the music then by golly I'm going to listen to it in any form I choose. If that means that if I buy a Dylan CD that I should be able to (at the very least and within the scope of my argument):

      1. Download the songs from a P2P service.
      2. Download the songs from an online music service for free (choose which, but let's say the iTunes Music Store.)
      2. Rip my own MP3s from the CD I bought.
      3. Copy the CD to tape.
      4. Record the song from radio to tape.
      5. Audio Hijack (or a similar application) the song from streaming radio to my choice of digital audio file (WAV, MP3, etc).
      6. Copy the song from a friend's vinyl album to a tape.

      All in all, the industry's actions differs from their claims.

      Lastly, you can't tell me that if I snuck a microphone into a recording studio that I wouldn't be considered a sound thief. (course, it would be of little use unless I had music production and audio mixing experience, etc, but it's the thought that counts.)

      --

      --
      My comments and opinions completely reflect those of anyone and anything I am remotely associated with.
    35. Re:He copied a cd? by macdaddy357 · · Score: 1

      A "copy protected" CD will copy, but won't play in a computer. Since many of us use computers as our CD players, we should all tell the recording industry what we think of this crap by boycotting them.

      --
      How ya like dat?
    36. Re:He copied a cd? by Bombcar · · Score: 1

      As long as the evil bit is not set, I assume......

    37. Re:He copied a cd? by Jeremi · · Score: 1
      Since it was happening anyways, rather than making criminals out of everyone, including most politicians no doubt, the practice was formally legalized.


      I suspect that the same thing will happen for p2p sharing in time.

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
    38. Re:He copied a cd? by norite · · Score: 1
      I recently came across one of these so-called "copy protected" CD's (or, rather, a crippled CD). They will play in both macintosh and Windows computers (I never got around to trying it in my linux box - yet), but you can't rip them. BUT you can get round it so laughably easily, by simply recording the digital output from the CD using an ordinary wave recorder, duh.

      No, no, no; instead of just boycotting the CD's, buy them, copy them, and send the copy right back to the record company, along with a cheeky, sarcastic letter!!! :) Once the record comanies start receiving truckloads of copies of their so-called "copy-protected" CD's through the post, they'll soon wise up & realise that it's impossible to "copy-protoect" a CD ;)

      --
      -- Fuck Beta
    39. Re:He copied a cd? by cyril3 · · Score: 1
      you can't tell me that if I snuck a microphone into a recording studio that I wouldn't be considered a sound thief.

      The Copyright Act (at least in Australia) gives the Artist a copyright over recording or broadcasting of a live performance. In other words , you can't make a recording of a performance without permission.

      If you have a license to listen to the music, then it doesn't matter what the media is.

      Did you miss the point of copyright altogether. A recording of X exists so a copyright holder is initially the only one with a right to make a copy of that recording. They or their licencee can make 1 mill copies on CD and sell the CDs. You can buy one of the CDs and you own it and it's your CD and you can do anything you like with it except broadcast it, publicly perform it, or make a copy of the recording.

      Whatever you think might be fair, none of the 7 things you mentioned are in fact allowed under the Copyright Act without the copyright holders consent. A copyright holder might not be too upset if everyone who did those things also owned a copy of the track.

      The plain fact is that most who do, don't.

      So the uncomfortable fact remains that even if you do own it and you do any of those things without permission you are breaching the copyright act.

    40. Re:He copied a cd? by Anonymous Coward · · Score: 0

      "When it comes to fair use, we are teh suck."

      Can you clarify that statement?

    41. Re:He copied a cd? by Anonymous Coward · · Score: 0

      then I think most of /.er here are reading this right now from their cells.

    42. Re:He copied a cd? by fact0r · · Score: 1
      Sorry I didn't make that clear: software is the special category music/movies/anything else do not fall in this category.

      Music (and everything else) has no legal restrictions on what the owner of the copyright can license or not license you to do. You will find that most music is licensed ("sold") to you such that you can listen to that intelletual property and not much else (ie not make any copies). Such a license carrys weight in Australia and a breach of the license is a civil offence (unless you profit out of the breach then it is criminal).

      In Australia there happen to be some other funny copyright thingys to do with software - eg the right to copy the software to allow creation of interoperable products, and the right to copy the software to allow the reproduction and fixing of bugs in that software. Read more about that in the Copyright Act at AustLII. (software stuff in around section 47 - it isn't really all that heavy)

    43. Re:He copied a cd? by deke_2503 · · Score: 1
      This is something I've always wondered. When I buy a CD, it doesn't come with a license agreement. It doesn't say, "You are only licensed to listen to this on your CD player and not make copies." It says unauthorized copies are violations of applicable laws or something to that effect, but how does that count as a license. It appears to be sold, not licensed.

      Of course, if music is licensed implicitly, which is obviously must be, why can't we license everything? I'll license this chair to you: you can sit in it but you may not stand on it. Standing on it is a violation of applicable laws and may result in a $250,000 fine and/or imprisonment.

    44. Re:He copied a cd? by JAKJ · · Score: 1

      Except that sound cards/devices (and maybe the outputs of the CD itself) deliberately induce subtle interference and/or distortion to defeat this. One pass through and a human might not even be able to notice it, but in some situations it can ruin the audio, especially if you depend on a faithful transmission (like if you're a recording studio or if you're remixing something).

    45. Re:He copied a cd? by Lazaru5 · · Score: 1
      >>If you have a license to listen to the music, then it doesn't matter what the media is.

      >Did you miss the point of copyright altogether.

      I didn't. My comment was meant to be an illustration of how the Industry can't have it both ways. Either you're purchasing a license to listen to the material (their claim, and in which case the media shouldn't matter) or you're only purchasing the media (their actions) and if you want the material in another form you have to buy that too.

      I'ts obvious by now that it's really the latter that's the issue, but they'll never say "yeah, we don't care about artists right or any License To Listen, we just want to charge you 4 times for the same things."

      >A copyright holder might not be too upset if everyone who did those things also owned a copy of the track.

      (I realize this thread is regarding Australian law but) AFAIK, in the U.S. you're allowed to have an MP3 of a song from a CD that you personally own, whether you ripped it yourself or downloaded it from a P2P network (or HTTP, or FTP, or Sneaker Net) This reinforces the notion of License To Listen that is in such contradiction with the Industry's behavior.

      --

      --
      My comments and opinions completely reflect those of anyone and anything I am remotely associated with.
    46. Re:He copied a cd? by a5cii · · Score: 0

      Hi just like to point out that "British" law on copyright is different in different countries

      The penalty in Scotland is virtually non existant I know people in the local police force who openly distribute copied music and software amongst colleagues

      In England you can get sacked for doing this in most areas although i have heard that it goes on in liverpool so im not entirely surw

      Wales shares the same law as england

      Northern ireland i have no idea about

    47. Re:He copied a cd? by gfim · · Score: 1

      I won't argue as to whether it is a civil or criminal offence, however he can do 5 years in jail for it.

      Graham

      --
      Graham
  2. How did he copy it? by coday · · Score: 5, Interesting

    If all the machines he tried the CD on did not recognize, load or play it how did he manage to make a copy?

    1. Re:How did he copy it? by WegianWarrior · · Score: 1

      I assume that the mediaplayers he tried to use (which, judging by the way the article is worded, is the default player on each system) failed to 'pick it up' when he inserted the disc. Most, if not all, CD-burning software I am aware of is able to make a copy of a CD even if the format isn't recogniced - usefull when I copy a CD with a linux-distro on it on a Win9x box.

      --
      Everything in the world is controlled by a small, evil group to which, unfortunately, no one you know belongs.
    2. Re:How did he copy it? by neurostar · · Score: 4, Funny

      how did he manage to make a copy?

      Bah, that's easy...
      tweezers, a really small magnet, and lots of time are all you need...

    3. Re:How did he copy it? by CowboyBob500 · · Score: 4, Interesting

      My girlfriend (yes I have one!!) got a copy protected CD that she couldn't play on her Windows laptop. I found that ripping it with gRip (cdparanoia) in Linux and then reburning the resulting wave files did the trick.

      Bob

    4. Re:How did he copy it? by Anonymous Coward · · Score: 0

      I'll have to try the re-burn of the rip that other fellow mentioned in another reply.

      But if you've looked at one of these CDs, as I have, being that I was foolish enough to buy a CD recently, with a similarly pathetic method of copy protection.

      After looking at it all, and whacking the CD into my 5+ year old Sony CD player, and having it play fine, I've come to the conclusion that they've just offset the audio data with some crap that most PC CD-ROMs won't like terribly much.

      The wav is all still there, nothing is missing, nothing is encrypted, so it should be trivial to write some code to find and extract it. And not all that much more difficult to patch the firmware of a CD-ROM to recognise and read over it (comments, that's my guess, I do know jack all about CD-ROM firmware admittedly).

      Also, I've been told that some CD-ROMs (I was specifically told Lite-On CD-ROMs), can ignore this sort of "copy protection" fresh out of the box ? Anyone know if that's true ?

      It's really quite amusing that these media companies can't understand the inevitable outcome here, just as the Palestinians are eventually going to win, so will consumers eventually win out against fat greedy pricks in suits!

      (And no, I care not for the Palestinians, nor the Israelis, they should both just hurry the hell up and kill each other, and stop bloody pissing me off with their stupid stupid stupid argument)

    5. Re:How did he copy it? by SoupIsGoodFood_42 · · Score: 2, Interesting
      Well, I had a "Copy protected" CD, and it wouldn't even mount in my iBook. So I took it to a friends place an coppied the CD using Nero (WinXP box), I made sure that I unchecked the "Ignore illegal TOC" box, but I'm not sure if it made the difference.
      The coppied CD ripped just fine.

      The irony of having to copy a CD to get around copy protection is just hilarious. What's even funnier is that I will probably give the copy away to someone since I now have no use for it.

    6. Re:How did he copy it? by Anonymous Coward · · Score: 0

      a magnet? to write to an optical medium? I think "lots of time" is a conservative estimate...

    7. Re:How did he copy it? by EpsCylonB · · Score: 4, Funny

      My girlfriend (yes I have one!!)

      No one likes a gloater.

    8. Re:How did he copy it? by EpsCylonB · · Score: 1

      Thing is whenever you copy a cd tiny errors are introduced, this is why cd's and dvd's have error protection. So if you copy a cd you have a less than perfect source, and if your ripping to mp3 or other lossy audio format then you could potentially be losing out in terms of audio quality.

      May seem like a very small thing to get upset about but if you are actually willing to spend the $20 to legally listen to a cd then shouldn't you get the best possible sound quality ?

    9. Re:How did he copy it? by arvindn · · Score: 1
      It would be the ultimate irony if playing crippled CDs turns out to be the "killer app" for linux on the desktop

      MWAHAHAHAHA

    10. Re:How did he copy it? by mlyle · · Score: 3, Interesting

      CD's are a completely digital encoding of the audio, with error correction codes (Reed-Solomon). Unless the original is scratched so badly that playback is affected, copies that you make will be perfect. (If it is badly damaged, you'll probably get error messages when you try and rip)

      CD audio is just 16 bit PCM, like most WAV files. When you copy WAV files around, quality isn't lost. Why would it be on a CD? I can rip a CD to AIFF or WAV, burn it to CD, and compare and get the same audio data back, bit for bit.

      Now, if the CD is stored in a lossy format (MP3), before reburning it, you might have a point. But CD copying software tends not to do that (except jukebox apps like ITunes).

    11. Re:How did he copy it? by Pow.R+Toc.H · · Score: 1

      Ditto. EMI is issuing some remasters of really great brazilian music albums on discs that feature copy "protection". The quotes refer to the fact that CDParanoia and my CD-RW drive (LG 8081B) could read the discs without any kind of hassles. All their tracks are already .WAV files inside my Hard Disk.

      However, my other CD-ROM/DVD-ROM drive DRD8160 couldn't read the CD's at all, so it's a matter of hardware/software combination.

      --

      --------
      Fighting the herd since 1985.
    12. Re:How did he copy it? by Anonymous Coward · · Score: 0

      My girlfriend (yes I have one!!)

      Inflatables do not count as "girlfriends".

    13. Re:How did he copy it? by gid · · Score: 1

      Hrm, well theoretically you could use a really large magnet, and hopefully you'd eventually attract a magnifying glass with it that you could use to read the cd... but a small magnet? That's right out.

    14. Re:How did he copy it? by Anonymous Coward · · Score: 0

      My girlfriend (yes I have one!!)

      Do you have any extras? May I have one please?

    15. Re:How did he copy it? by Peale · · Score: 1

      No one like a whiner, either.

    16. Re:How did he copy it? by Anonymous Coward · · Score: 0

      No one likes people that whine about whiners, either.

    17. Re:How did he copy it? by Anonymous Coward · · Score: 0

      My girlfriend (yes I have one!!) got a copy protected CD that she couldn't play on her

      *Best Southern accent (failing that, best Dr. Phil imitation)* Son, you're gonna look damn funny at the dance with your hand wearin' a dress.

    18. Re:How did he copy it? by redcane · · Score: 1

      ad infinitum I suppose.

  3. Simple solution. by grolschie · · Score: 5, Insightful

    Return the defective CD under his country's consumer rights law. If enough people do this, then the companies might rethink the whole idea. Many people use DVD players as a CD for their stereo systems. Why should a CD not work in them?

    1. Re:Simple solution. by excessive · · Score: 2
      The irony of one copy protected disc is that it plays happily in my portable CD player, it plays happily in my PS2, it almost plays happily in one of my PCs, (It reads audio but screws up the index positions of the last 5 tracks - combining them into one) it doesn't on my other PC, it doesn't play in my brothers car CD changer and it freaks out his DVD player to such an extent it refuses to read other discs for a while...

      So thats 2 non-PCs can play it, 2 non-PCs can't play it, 1 PC can play it, 1 PC can't play it. 50/50 both sides!

    2. Re:Simple solution. by Anonymous Coward · · Score: 0

      >> Return the defective CD under his country's consumer rights law.

      No, actually I like the Aussie's idea better. A nice sarcastic mail does the trick every time AND gets you mentioned on Slashdot ;)

    3. Re:Simple solution. by Anonymous Coward · · Score: 0

      They don't work in my car's cd player either.

      That's flagrantly breaking "fitness for purpose".

      The ACCC has already taken them to task for not clearly labeling "protected" dics, because they weren't fit for their purpose.

      But even with the labels, you have a 50/50 chance they won't like your equipment. It's probably about time the ACCC got off it's arse again.

    4. Re:Simple solution. by Blue+Stone · · Score: 1
      " Return the defective CD under his country's consumer rights law. If enough people do this, then the companies might rethink the whole idea."

      Better yet, sue!

      Take the record store to the small claims court, and sue for fraud, and hassle, and costs, and anything else you can think up.

      Also/or: lodge a formal complaint to a trades standards body (in the UK it's the Office of Fair Trading.)

      Tell them how you bought a CD from the CD rack of the store, but it's not a CD (it doesn't work with your Red Book/Orange Book, whatever, legitimately branded CD player.)

      If you bought the CD from a store and were forced to return it, ask them for your transportation costs, if they refuse, keep the CD, and sue in the small claims court, in the UK (IANAL) if an item is faulty, you are entitled to compensation for 6 years from the date of purchase, to cover costs of repairs of the faults and incurred costs.)

      Consider talking to a Citizen's Advice Bureau, or equivalent ofering free legal/consumer/citizen advice, rather than taking your advice only from /.

      Stick it to them.

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
    5. Re:Simple solution. by CausticWindow · · Score: 1

      Here's what I do, when I buy a cd and it doesn't play on my dvd player due to copyprotection;

      Rip it (cdparanoia works, if not, an analouge copy is ok), then return it. Not only do they lose out on the sale, but you get the music. Win win.

      --
      How small a thought it takes to fill a whole life
  4. IFPI by Mattygfunk1 · · Score: 4, Funny
    International Federation of the Phonographic Industry

    I had to do a double-take on reading the name of that organisation. Needless to say I was greatly disappointed when I reread it. That h just looks so similiar to an r.

    I had my credit card out to join and everything.

    cheap web site hosting from 3 rocks a month.

    1. Re:IFPI by arvindn · · Score: 3, Funny

      Uhh... you really want to buy pics that you're allowed to jack off to only once?

    2. Re:IFPI by cei · · Score: 1

      So you're saying you'd join the International Federation of the Pronograpric Industry?

      --
      This sig intentionally left justified.
    3. Re:IFPI by Textbook+Error · · Score: 1

      No, the International Federation of the Pronographic Industry - what do you think he is, some kind of weirdo?

      --

      Nae bother
    4. Re:IFPI by jmkaza · · Score: 1

      You know you spend too much time on Slashdot when you start to think Pr0n really does spell porn.

    5. Re:IFPI by Lxy · · Score: 1

      Uhh... you really want to buy pics that you're allowed to jack off to only once?

      If you have somehow come up with a scheme of determining how many times someone has jacked off over something, I REALLY don't want to know about it.

      --

      There is no reasonable defense against an idiot with an agenda
      :wq
  5. I�ve said it before, and I�ll say it again by minghe · · Score: 5, Insightful

    Those music disks are not 'copy protected', they are 'playback crippled'.

    The best (or worst, depending of if you are an exec of a user) the record companies can do is to make their products a little bit more inconvenient to make copies of. They do this by making it more difficult (but never ever impossible) or time consuming to make copies. That is all.

    To call it 'protection' is like wrapping your wiener in toilet paper and calling it a condom. It's stupid, it doesn't get yhe job done and it's only uncomfy. (I think, haven't tried it.)

    --
    ...um...like...a sig...
    1. Re:I�ve said it before, and I�ll say it again by Jusii · · Score: 5, Funny

      Those music disks are not 'copy protected', they are 'playback crippled'

      I call them 'listening protected'

    2. Re:I�ve said it before, and I�ll say it again by muzzmac · · Score: 1

      Not to mention the fact the creating the protection involves fudging the CRC protection which makes your CD less resistant to scratches and production errors.

    3. Re:I�ve said it before, and I�ll say it again by spiny · · Score: 1

      nah, 'crypographically gifted'
      :)

      --

      Fry: heh, Yakov Smirnoff said it
      Leela: No he didn't.
    4. Re:I�ve said it before, and I�ll say it again by mpe · · Score: 1

      The best (or worst, depending of if you are an exec of a user) the record companies can do is to make their products a little bit more inconvenient to make copies of. They do this by making it more difficult (but never ever impossible) or time consuming to make copies. That is all.

      It's possible that it may well make no difference at all to professional pirates. If you've got the money what is less hassle, messing around burning writable CDs or bribing a factory to produce a few (thousand) extra copies?

    5. Re:I�ve said it before, and I�ll say it again by bilbobuggins · · Score: 1

      now if we could just put some listening protection on all the backstreet boys cd's, the world would be a much happier place...

    6. Re:I�ve said it before, and I�ll say it again by ColeNielsen · · Score: 1

      Well the players must be open source and include all needed libraries for EVEY platform or what the hell am I to do on my Linux box?? What about my SunSystem? I refuse to run an emulator to listen to a DAMN CD

    7. Re:I�ve said it before, and I�ll say it again by CPgrower · · Score: 1


      Hearing impaired.

  6. Same with software by Ryu2 · · Score: 5, Interesting

    My Warcraft III EULA (and I'm sure others -- that was just a random selection from my game collection) explicitly states that I have the right to make one backup copy.

    Well, guess what -- that disc is copy protected. So, in order to excercise my authorized right under the EULA, I have to defeat the copy protection...

    --
    There's 10 types of people in this world, those who understand binary and those who don't.
    1. Re: Same with software by Black+Parrot · · Score: 2, Funny


      > My Warcraft III EULA (and I'm sure others -- that was just a random selection from my game collection) explicitly states that I have the right to make one backup copy.

      Does it say how many copies you can make of the backup copy?

      --
      Sheesh, evil *and* a jerk. -- Jade
    2. Re: Same with software by Anonymous Coward · · Score: 0

      If not explicitly mentioned in the EULA, then you would be authorised to make 0 copies.

    3. Re: Same with software by Zirnike · · Score: 1
      Well, your backup copy is a copy, with it's own EULA. Install from there, and agree to the EULA, and you're authorized to make one backup copy of your CD... which happens to be a backup copy.

      Check to see if they thought of that.

      Oh! IANAL.

      --
      I'm not shy, I'm stalking my prey
    4. Re:Same with software by Anonymous Coward · · Score: 0

      Odd .. On my mac my War III CD copied just fine. I just mount the disk image to play it on my laptop - no original required.

    5. Re: Same with software by Dyolf+Knip · · Score: 1
      Ah, but you only agreed to the EULA for the original, right? You can't agree to a shrink-wrap license if there's no shrink-wrap.

      So, duplicate the first copy as much as you like.

      --
      Dyolf Knip
    6. Re: Same with software by Zirnike · · Score: 1
      That's what I'm saying, though... If you agree to the EULAo (o=original), you can make a backup copy.

      Take your backup copy, install from there. Agree to the EULAc. EULAc gives you the right to make a backup copy... It's not a shrink-wrap licence, it's an 'agree on install' licence (just easier to say the other way).

      Of course, you could also realize the whole thing was a joke. :)

      --
      I'm not shy, I'm stalking my prey
    7. Re:Same with software by tuxedobob · · Score: 1

      It is? Mine copied just fine. Of course, I have to put the CD-R in a CD-ROM drive (which doesn't know it's an -R) in order for War3 to accept it.

  7. News? by cascino · · Score: 1, Interesting

    How is this "news"? The protected CDs are designed not to work in computer CD drives.

    1. Re:News? by nate+nice · · Score: 1

      It's total fraud then. They are decieving consumers into believing that they can play this CD (as it is sold in the store) on their CD player, regardless of CD player it is. If anything, their should be a HUGE (full cover) sticker in blaze orange telling people they can buy this CD but it will not work. Else, they should require all stores selling their music to read you a contract upon purchase. I'm sure this would go over well during Christmas time.

      --
      "If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer ..."
    2. Re:News? by Anonymous Coward · · Score: 0

      It's news you fool, because the general public awareness on this issue needs to be raised. Most people have no idea about the issue and will go blindly along until it's "normal" to not be able to play a CD you own, except with the express permission of the person who made it.

      The more media stories that real people read the better. You might be surprised that 99.9% of the world don't read slashdot and if they knew it even existed, would scoff at the stupid geeks who do read it.

  8. Before long... by lalonso · · Score: 5, Funny

    Eventually they'll resort to shipping blank CDs to thwart copying, and expect you to just stare at the pretty CD jacket while pretending you're listening to it...

    1. Re:Before long... by RTPMatt · · Score: 1

      Eventually they'll resort to shipping blank CDs to thwart copying, and expect you to just stare at the pretty CD jacket while pretending you're listening to it...

      I dont think so buddy! 'pretending you're listening to it' would require you to 'reproduce' the music in your mind, and we all know that buying the CD gives you no right to reproduce it! say, what about when your stereo reproduces the sound on it? i guess those things a criminals as well.

  9. Been there, done that by Jusii · · Score: 5, Funny

    Bought a copy protected CD, which was from EMI. Couldn't listen to it so I made a copy for myself. Then I mailed the original CD back to EMI with note saying what I had to do just to listen the CD and here's the original back, I won't need it, my 20 euros for fighting piracy.

    1. Re:Been there, done that by Trogre · · Score: 1

      I hope you didn't include your return address on the envelope...

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
  10. That's nothing by Anonymous Coward · · Score: 1, Funny

    Just wait until DRM gets widely established. Nothing new will work in old hardware.

    You'll have to buy everything all over again.

  11. So, What I want to know by Cmdr.+Taco+SuxDix · · Score: 0, Redundant

    Is if he couldn't get any computer to recognize the disk then how did he manage to copy it?

    --
    O> ( \ X 8===D
    1. Re:So, What I want to know by mirko · · Score: 1

      Maybe he used a salon cdda writer or a standalone cd-copier...

      --
      Trolling using another account since 2005.
    2. Re:So, What I want to know by Cmdr.+Taco+SuxDix · · Score: 1

      That's what I thought, but keep this in mind. So it probably wouldn't work.

      --
      O> ( \ X 8===D
    3. Re:So, What I want to know by Cmdr.+Taco+SuxDix · · Score: 1

      Oops, it dropped my HTML formatted link, let's try again without the HREF tags See this: http://yro.slashdot.org/comments.pl?sid=64137&cid= 5952570

      --
      O> ( \ X 8===D
    4. Re:So, What I want to know by Anonymous Coward · · Score: 0

      Wow, you're taking after your namesake already!

  12. I suppose... by darkitecture · · Score: 1


    I suppose he put it into a computer that wasn't an apple, nor was it an Intel PC running XP. Maybe a computer running Win2k? Or Win98? Or something? Just maybe?

  13. CD-RW Drives are the Problem by Anonymous Coward · · Score: 5, Informative

    The CD(s) concerned are protected by EMI's favourite copy protection system "Copy Control". You can tell by the little C.D.A.T.A logo on the data-side inside rim. We've been getting these CDs regularly at the radio atation I work for, and for computer previewing they're a real pain.

    The way the protection works is by adding tracks (containing corrupt CD-R data) after Track 1 (containing the audio data). This is fine for AudioCD players because they only read Track 1. Standard CD-ROM drives also have no problem, because they ignore the data they can't understand (I think it's a form of corrupt extra session data).

    CD-R/CD-RW/Combo drives however attempt to find these extra sessions/writeable areas and when they fail, assume the CD is corrupted and eject it.

    What a fantastic copy control scheme, huh? Can't read the disk with a burner, but you can certainly copy it by doing a CD-ROM -> CD-RW copy. And then you can play the burnt copy. Ingenious.

    I also wrote to EMI and to News Limited (in response to an earlier story they ran) about my troubles, but neither cared (possibly because I hadn't purchased the CDs in question, they were radio use only).

    1. Re:CD-RW Drives are the Problem by TripleA · · Score: 2, Informative

      No way dude, you are all wrong.
      Regular CD-ROM drives can't read the copy protected CDs, whilst CDRW drives can. Why? They are a) newer (When did you upgrade your CDROM drive the last time? Do you even have one?) b) smarter. A regular CDRW drive has much more control of it's reading mechanism. Pop your copy protected CDs into a new Plextor drive, and voila!

    2. Re:CD-RW Drives are the Problem by TAZ6416 · · Score: 1

      I have a Siemens SL45 phone/MP3 Player and first thing I do is make a copy of a CD so I can listen to it on my phone. I bought Robbie William's last album and like Norah's it has Copy Control protection. Except that I noticed this about a month later when I spotted a small sticker on the case and I had been listening to the MP3's for a month :)

      When I tried to copy it again in my CD-Rom, I noticed that it did a lot of seeking and took about 40 minutes to do a perfect copy (under XP) instead of about 10 that it should have. I never noticed it at the time, I must have walked away and left the computer while it was copying.

      So... Copy Control sucks and is easy to bypass... if you're patient.

      Jonathan

    3. Re:CD-RW Drives are the Problem by shione · · Score: 1

      After reading your post I went to check the last EMI cd I bought, its Zwan and has the logo you mentioned. anyway I put it into my dvd drive and it plays fine in winamp.

      my specs:
      pioneer 116s
      Win xp + dodgy sp1

      The 116s is a really popular model here in Australia so I don't know if thats a case of the cd protectiion not being on the cd or that particular drive is able to read it. Seems like a few others can read these supposedly uncopyable cds using their cdrom drives too.

    4. Re:CD-RW Drives are the Problem by inquisitor · · Score: 1

      I sure could.

      However, I'm not sure about other people. Looks like you need a good-quality (Tosh/Plextor/Pioneer) type CD drive to work around this BS copy protection. Fantastic.

      AFAIK, EMI UK aren't using the Cactus "protection" yet (the official UK 100th Window wasn't), so there is still some hope. I am therefore no longer buying CDs from copy-protected labels using online importers; it's causing me an extra expense, but for less hassle in the end. Of course, my rip was entirely for "fair use" reasons (playing the CD on my computer), and we don't have a DMCA in Britain (yet), so there is still hope.

    5. Re:CD-RW Drives are the Problem by Tony+Hoyle · · Score: 1

      AFAIK, EMI UK aren't using the Cactus "protection" yet (the official UK 100th Window wasn't)

      Their first attempt was a disaster - many returns and the record stores nearly got sued, so they took the easy way out and cleared the shelves of the offending CD (Celine Dion IIRC).

      They have been trying to dump small numbers of these broken CDs in the stores - if you look carefully at some of the cases you'll see 'protected by catus data shield' in small writing at the back (or occasionally buried in the inlay).
      Sometimes it doesn't even say that - there'll just be a millimetre square cactus logo in the corner, with no other indication. Often if you look around you'll find they've released both copy protected and non copy protected versions in the same rack.

    6. Re:CD-RW Drives are the Problem by rifter · · Score: 1

      I also wrote to EMI and to News Limited (in response to an earlier story they ran) about my troubles, but neither cared (possibly because I hadn't purchased the CDs in question, they were radio use only)

      So EMI does not care if radio stations can't play their songs? Excellent! :)

  14. Damn, they just lost another sale... by TrentC · · Score: 3, Insightful

    ...I was waiting for that CD to come back in at work before I could buy it again. But since I lsiten to all of my music on my Mac, I guess I won't be buying it. Or, worst case, I'll just download the tracks off of iTunes Music Store and make my own CD.

    Yay, copy-protection technology; costing you more business than it will "save" you.

    Jay

    1. Re:Damn, they just lost another sale... by Anonymous Coward · · Score: 0

      hah, that must've been a total pain...

  15. We could tell you.. by Kwil · · Score: 1

    ..but then we'd have to sue ourselves.

    - Your friendly neighborhood RIAA rep.

    --

    That Jesus Christ guy is getting some terrible lag... it took him 3 days to respawn! -NJ CoolBreeze

  16. I had the same problem with EMI by stewartj · · Score: 2, Informative

    I'm also in Australia, and I bought the Norah Jones CD. It wouldn't play on my Windows2000 box at work, nor my Mandrake9.1 machine at home. I tried to copy the CD, but I couldn't get the data off it digitally without getting a whole bunch of clicks and pops. Luckily a friend of mine had a US copy of it, so I copied that, and all is well. I vowed never to buy another CD from EMI ever again.

    The next day my girlfriend went out and bought Ben Harper's "Diamonds on the Inside", which was released by EMI and featured a big copy protection symbol on the front. Strangely, this one was recognised immediately by every machine I put it in, no problems. I used grip to make copies I can carry around on my Zaurus, and it worked first time, no problems, no clicks or pops. Same company, same copy protection mechanism, what gives?

    (Not that I'm complaining!)

  17. Norah Jones copy protected? by Fefe · · Score: 1

    That is strange because in Europe the Norah Jones CD is one of the few titles that is not copy protected.

    I wouldn't have bought it otherwise. I will not have my money be used to fund consumer crippling technology.

    1. Re:Norah Jones copy protected? by YetAnotherDave · · Score: 1

      Same here in Canada, and I'd like to thank StArSkY for reminding me to make mp3s to take to work... :)

  18. Boycott, with a twist by Looke · · Score: 5, Interesting

    Of course, we should boycott artists and record companies that use copy protection (playback protection?). But we should do it in a way that causes the most inconvenience for the stores and record companies:

    • Buy the record as usual. Keep the receipt.
    • Return the record the next day, claiming that it doesn't work. Get a second disc, "just to see if that works".
    • Return the second one as well, and claim a refund. Say that you've found out that the copy protection interferes with your CD players. You don't have to mention computers or copying, just say that it doesn't work.
    • Make sure the record store notifies the record company instead of just putting the record back on the shelf.

    The store is obliged to pay the refund when the product doesn't work. A "copy protected" disc is not a CD, even if it's (misleadingly) sold as one.

    I heard that the latest, copy protected, Robin Williams album was sold in more than 100.000 copies in my country. No more than 10 discs were returned. Let's make that number higher!

    1. Re:Boycott, with a twist by Loosewire · · Score: 1

      dont you mean robbie williams? there is a copy of it sitting on my desk. - its not mine really. Ill get the "Purchasee" to return it :-)

      --
      Slashdot - The one stop shop for procrastination
    2. Re:Boycott, with a twist by Looke · · Score: 1

      Ah, yes, it's "Robbie". The album I bought was from Bertine Zetlitz. Fell free to fill her guestbook with angry comments ;-)

    3. Re:Boycott, with a twist by Anonymous Coward · · Score: 2, Interesting

      The retailers begin to understand the concept of "non-audio-CD" CDs. Many crippled CDs are not marked as "CD-Audio" anymore. Technically, they don't have to play in any CD player at all, because they explicitly deny compliance with the Red Book (Audio-CD) standard. The question is: What is "misleading the customer to believe that the product will be compatible with a certain player"? AFAIK the courts haven't decided on that yet. Stores soon won't hand out a replacements for crippled discs anymore; most stores have probably already stopped doing that. Some may even refuse to refund in case a disc is clearly labelled as "not compatible with all players". If there's only a note saying that the disc won't work in computers, you're in luck, but the warnings are going to reflect reality more precisely if the number of returns increases. And how do you expect to "make sure the record store notifies the record company"? The best you could hope for is that they promise it just to get rid of you. If you really want to annoy them, pick a stack of crippled CDs whenever you need to buy something else and when you get to the checkout, go through them one-by-one, sorting out non-standard CDs, and explain that "damn, these don't play in my CD player". Leave the CDs and buy only whatever you really came for.

    4. Re:Boycott, with a twist by Blue+Stone · · Score: 1
      "A "copy protected" disc is not a CD, even if it's (misleadingly) sold as one."

      I agree. If people complained to their local trading standards body, we could force the record stored to sell these defective CDs in seperate sections, and label them as a new format (which they are, of course.)

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
    5. Re:Boycott, with a twist by Anonymous Coward · · Score: 0

      Indeed, no store should be allowed to sell these plastic things and call them CDs if they are not "CD"s, as in Compact Discs. All we need is some class action lawsuits against people like Best Buy, and Wal-Mart to get things rolling...

    6. Re:Boycott, with a twist by Rude+Turnip · · Score: 1

      And don't forget to PUT IT ON YOUR CREDIT CARD. When they refuse to give you a refund, whip out your cell phone on the spot and tell the credit card company you want to DISPUTE THE CHARGE because they won't take back defective merchandise. Make sure the other customers in line can hear you.

    7. Re:Boycott, with a twist by sootman · · Score: 1

      Another way this can work: stores make a certain profit off of each disc. Some of that profit goes to pay for all the counter employees' time. Waste enough of that, the stores start seeing their profits decrease, then they start segregating copy-protected music on their own.

      --
      Dear Slashdot: next time you want to mess with the site, add a rich-text editor for comments.
  19. Really simple solution. by comet_11 · · Score: 1

    Just stop buying CDs. It's only made me happier and richer. Until refusing to buy their music becomes a violation of the DMCA, I think I'm safe.

    --
    By reading this comment, you immediately waive any and all rights regarding it.
    1. Re:Really simple solution. by comet_11 · · Score: 1

      It might be worth noting that downloading music is not illegal, only downloading copyrighted music is illegal. There's a million and one forms of free and legal music on the internet. Try independent music, webcasts, mp3.com, perhaps you should think a little before accusing others of being the "stupid fuck".

      --
      By reading this comment, you immediately waive any and all rights regarding it.
  20. Australian Copyright Law by Talez · · Score: 4, Informative

    Incorrect.

    Our copyright law is rather anal. Contrary to popular belieft you can't copy something for personal use at all. No exceptions.

    For you to copy ANY music requires permission from the songwriter, the musicians and the distributor as they each hold a copyright for a seperate part of the article (music, lyrics and the sound recording itself).

    That being said, if someone infringes someone's copyright it's a civil action rather than a criminal action (except when its a for-profit). We also have something similar to the DMCA except it only enables civil suits (ie, if I remove DeCSS from a DVD the DVD company come sue me if they feel I'm doing anything nasty).

    For more information see the Copyright Council's web page and also their fact sheet on music and copyright.

    1. Re:Australian Copyright Law by Large+Green+Mallard · · Score: 4, Interesting

      Yeah, but remember in Australia we do specialise in making laws and then not enforcing them ;)

      Look at the internet censorship one.. or our "dmca".. or traffic, drug, petty theft laws.. hell, you pretty much need to kill someone here to do more than 3 months jail time :)

    2. Re:Australian Copyright Law by Luguber123 · · Score: 1

      This sounds strange. If you can't make copies for personal use, then what do you do if the CD breaks? Don't you own the right to listen to the content of the now broken media? Do you just send the CD back and get a new one? Then the guy in the article should have done this until it worked on his computers.

      Besides, artists that agree to make broken CD's doesn't deserve any of my CD budget, as these CDs also make poor garbage and take along time for the nature to break down.

    3. Re:Australian Copyright Law by more+fool+you · · Score: 1
    4. Re:Australian Copyright Law by gboronat · · Score: 5, Funny

      Didn't most of the population of Australia end up there becuase of doing more than 3 months jail time?

    5. Re:Australian Copyright Law by Large+Green+Mallard · · Score: 5, Interesting

      Surprisingly few australians can trace their heritage back to original convicts. I know the closest I got was some Irish relatives who came here in 1830.

      Living in a country founded by criminals is a lot more fun that one founded by puritans ;)

    6. Re:Australian Copyright Law by Anonymous Coward · · Score: 0

      Well I could say the same thing about America, where convicts were also sent, but that would make me a completely ignorant troll too.

    7. Re:Australian Copyright Law by Anonymous Coward · · Score: 0

      Have the laws become retrospective?.

      The bulk of my collection is >10 years old, and when I bought them I had fair and personal duplication rights before certain legal perversions over plain common sense were printed into L.A.W. I also paid a premium for them back them for such rights.

      Have I lost something?, and if my 'property' was confiscated, where do I apply for 'fair compensation' from the aquisition of my property per the constitution.

      Same go If I buy my CD's in Germany or France, and bring it back home. So if someone is charged with 256 violations, and I prove 9 were not, would the whole case be dismissed on a technicality.

      Thanks to Australia's healthy parallel import market, careless and unquantified prosecutions should go in the bin., especially if they have the hide to falsely claim it is a 'CD' . Time to dust off the law of evidence books, and have Mr Phillips testify.

    8. Re:Australian Copyright Law by sunya · · Score: 2, Informative

      Unless you are an aborigine, and mandatory sentencing kicks in for the smallest thing... or have things changed?

      --
      MLT - simple and robust open source multimedia framework for Linux
    9. Re:Australian Copyright Law by BrokenHalo · · Score: 1
      Didn't most of the population of Australia end up there becuase of doing more than 3 months jail time?

      No. No more than the population of America. (And yes, prisoners were transported to America).

      As an example, "transportation" was not carried out to any real extent to South Australia, and even less to Western Australia. Most of the population is now made up of voluntary immigrants (like me) or their descendents.

    10. Re:Australian Copyright Law by Theaetetus · · Score: 4, Funny
      Living in a country founded by criminals is a lot more fun that one founded by puritans ;)

      Rephrase... "Living in a country founded by criminals is a lot more fun than one run by criminals" ;)

      -T, from Enronimerica

    11. Re:Australian Copyright Law by gmhowell · · Score: 1

      Since Australia is a penal colony, isn't everyone doing life already anyway?

      What do you have to do to get a booting?

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    12. Re:Australian Copyright Law by aridhol · · Score: 1
      What do you have to do to get a booting?
      Charge long-distance or disparage the boot.
      --
      I can't say that I don't give a fuck. I've just run out of fuck to give.
    13. Re:Australian Copyright Law by poot_rootbeer · · Score: 1, Insightful

      For you to copy ANY music requires permission from the songwriter, the musicians and the distributor

      Almost all CD players copy data off the CD into a solid-state buffer before piping it into the DAC, to minimize the audible effects of skipping.

      Under an extremely literal interpretation of copyright law, the simple act of playing a CD in a CD player could be in violation.

    14. Re:Australian Copyright Law by svirre · · Score: 1

      Our copyright law is rather anal. Contrary to popular belieft you can't copy something for personal use at all. No exceptions.

      If there are indeed no exceptions, then 'copying' must be defined rather carefully. After all to play back a CD you must make a temporary copy to the players buffer memory.

    15. Re:Australian Copyright Law by rabiteman · · Score: 1
      Living in a country founded by criminals is a lot more fun that one founded by puritans

      Hey, give us some credit... some of the founding was done by puritans, but the rest was smugglers all the way.

      --
      Oh cruel fate, to be thusly boned! Ask not for whom the bone bones; it bones for thee. -Bender

    16. Re:Australian Copyright Law by ncc74656 · · Score: 1
      Didn't most of the population of Australia end up there becuase of doing more than 3 months jail time?

      No. No more than the population of America. (And yes, prisoners were transported to America).

      ...which explains why Georgia is so fscked up.

      --
      20 January 2017: the End of an Error.
    17. Re:Australian Copyright Law by jazman_777 · · Score: 2, Informative
      Living in a country founded by criminals is a lot more fun that one founded by puritans ;)

      Correction: many of the USA's founders were anything but Puritan. Moral, giving lip service to morality, but certainly not Puritan. Washington, Jefferson, they were Virginians. And Virginians certainly were (and are) not Puritans, but Cavaliers.

      --
      Slashdot: Failed Car Analogies. Amateur Lawyering. Anecdote Battles.
    18. Re:Australian Copyright Law by Anonymous Coward · · Score: 0

      >>hell, you pretty much need to kill someone here to do more than 3 months jail time :)

      I am there! How much time can you get for protecting your network with a firewall? Here (in my state anyway) it is up to 2 years in jail.

      Almost every US citizen is technically a criminal, whether they realize it or not. I firmly believe that Orwell's 1984 is finally happening and soon we will have thought police.

      You can already be thrown in jail as a terrorist for simply making the wrong political statement, if it is recorded (email, tape, etc).

      I am considering Australia as a possibility for my new home. Finland and Holland are also a possibility. I will take the one where I can find a job, if this is even possible.

      ac
      US
      Land of the free, Home of the 100% criminal population

    19. Re:Australian Copyright Law by Thud457 · · Score: 1

      errr... howzabout: "Living in a country founded by criminals is a lot more fun than living in a country founded by religious zealots."

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    20. Re:Australian Copyright Law by harangutan · · Score: 1

      Our copyright law is rather anal. Contrary to popular belieft you can't copy something for personal use at all. No exceptions.


      In other words, you can't perform a digital to analog conversion and copy it in a real-time stream in sonic wave form to an atmospheric medium... meaning, of course, that you can't actually play it?

    21. Re:Australian Copyright Law by Large+Green+Mallard · · Score: 1

      Right, but what made people settle in what became the US in the first place? Who was on the Mayflower? Puritans annoyed at the immorality of England in their day, if I recall. And yes, the founding fathers[tm] weren't puritans :)

      Likewise by the time Australia got around to democracy (~1830) prisoners weren't being transported here :)

    22. Re:Australian Copyright Law by Large+Green+Mallard · · Score: 1

      I think the percentage of people in jail in Australia is like 0.3% .. in the US it's about 1%. Where now is the penal colony? :) and if we're talking about capital punishment, we stopped doing that in the late 1960s.

      To get a-booting, set your BIOS to boot A,CDROM,C and put your favourite linux distro in the CD drive or debian rescue floppy into A drive ;p

    23. Re:Australian Copyright Law by Large+Green+Mallard · · Score: 1

      Yes, well mandatory sentancing was introduced by politicians to try to get around the situation we're currently in, but much hell was raised and I think it's been scrapped.

      Meanwhile, our friends in the US still send people to jail for 25-to-life for three "felonies", which heck, probably includes DMCA violations. Cool eh? :)

    24. Re:Australian Copyright Law by Anonymous Coward · · Score: 0
      Surprisingly few australians can trace their heritage back to original convicts. I know the closest I got was some Irish relatives who came here in 1830.

      Thats because surprisingly few australians have attained the power of literacy.

    25. Re:Australian Copyright Law by jazman_777 · · Score: 1
      Right, but what made people settle in what became the US in the first place?

      The prospect of wealth. Jamestown, VA: first permanent settlement. Yankee puritanism was not the norm for the US until after the (un)civil war.

      --
      Slashdot: Failed Car Analogies. Amateur Lawyering. Anecdote Battles.
    26. Re:Australian Copyright Law by redcane · · Score: 1

      AFAIK we *still* have capital punishment for the offence of High Treason.

    27. Re:Australian Copyright Law by Large+Green+Mallard · · Score: 1
    28. Re:Australian Copyright Law by Theaetetus · · Score: 1
      "Living in a country founded by criminals is a lot more fun than living in a country founded by religious zealots."
      (Followed shortly by your .sig)
      Of all the gods & goddesses, Eris loves us most, because she sends us the most prophets.

      And who's the zealot? ;)

      -T

    29. Re:Australian Copyright Law by nyseal · · Score: 1

      Now THAT was funny...!

      --
      [SIG] Remember Mattel handheld games?
    30. Re:Australian Copyright Law by gfim · · Score: 1

      In Australian copyright law, this temporary copy is explicitly allowed.

      Graham

      --
      Graham
  21. And the provided software sucks by spoco2 · · Score: 2, Interesting

    A friend just bought the latest Massive Attack CD. When he got back from the store I asked if I could have a listen to it on my PC at work (NT4 *shudder*)... when I did it did not load my default Winamp, but instead automatically, with no prompting, installed its own player which proceded to crash... leaving me with no way of listening to the CD.

    I've also come across this with some other CDs I own (Although not Norah Jones funnily enough).

    Every time I buy a CD I rip it and store the CD away. This is so I can listen to the music I PAYED FOR while I'm at work without having to lug all my CDs around.

    Also, I make copies of my CDs for use in the car. This is after having a company car broken into twice, where approx 100 CDs were stolen (My wife had the original CDs in those slip-case things in the glovebox)... so now we have a pile of original CD cases with no CDs in them.

    I copy CDs so that I can listen to them without having the original that I paid for stolen or broken. Software that tries to stop me doing that... just kinda... PISSES ME OFF!

    Right... I'm going home.

    1. Re:And the provided software sucks by dpp · · Score: 1

      So could you get around this for the Massive Attack CD? Did you manage to rip the tracks in the end? I'm trying to decide whether to buy the album, but I also listen to my music on a computer at work.

      --
      This post is strictly my own opinion and not necessarily that of my employer.
    2. Re:And the provided software sucks by NeuroKoan · · Score: 1

      so now we have a pile of original CD cases with no CDs in them.

      Why don't you throw them away? The CD's are not going to magically reappear if you keep the cases lying around.

      --

      "However," replied the universe, "The fact has not created in me A sense of obligation."
    3. Re:And the provided software sucks by Anonymous Coward · · Score: 0
      Throw 'em out? You crazy? They're perfect cases to put the CD-R in.

      Download the mp3 or FLAC/SHN/APE/WAV album, and burn. Good as new.

    4. Re:And the provided software sucks by minghe · · Score: 1

      A PlexWriter cd-rw and Exact Audio Copy v0.9 did the trick for me. Pop in the disc, and when it flunks, choose Detect TOC Manually. Rip and live happily ever after.

      You'll get a short clip (1/10 of a sec) of silence 10 seconds into the beginning of each song though, But personally I can live with that.

      --
      ...um...like...a sig...
    5. Re:And the provided software sucks by Anonymous Coward · · Score: 0

      So you were logged in to the box as an Administrator? Not good. It also seems like you're box hasn't had many security enhancments. You have turned off autoplay and Auto-insert notifications?

      Sounds like to box somewhat badly setup.

      I certainly hope it's not connected to a network in any way.

      Back to somewhere vaguely on topic:

      I'll keep making backups of my CD's and I'll keep ripping my CD's to play on my Nex-II mp3 player. Quite frankly, I don't give a shit if it's illegal or not. I've paid for a license to listen to the music, and I'll do it MY way.

      One playback crippled CD I've paid for as a present. That will be the last CD i'll buy off that company. And I've told them why (by snail mail).

    6. Re:And the provided software sucks by Anonymous Coward · · Score: 0

      I ripped 100th window with cdparanoia, no extra settings.

      The Irony was that it did not play in my portable CD player, put it played ok in the CD drive of my computer.

    7. Re:And the provided software sucks by pod · · Score: 1

      It's easy. Disable data autoplay, use your favourite ripper. Or do it under Linux with cdparanoia.

      --
      "Hot lesbian witches! It's fucking genius!"
    8. Re:And the provided software sucks by rifter · · Score: 1

      Feel lucky the software did not break your computer. The worst problem with all copy protection is it is not very well thought out, ever. Maybe because only idiots want to work on it.

    9. Re:And the provided software sucks by spoco2 · · Score: 1

      That's my thinking to a degree... While CDs from MP3 are never going to be as good quality, and most albums aren't available in the lossless compression formats... but I live in hope. :)

  22. Wouldn't a more interesting title be... by hype7 · · Score: 1, Insightful

    "When Copy Protection Works"?

    I mean, come on... it only worked if he copied it! Hello?

    -- james

    1. Re:Wouldn't a more interesting title be... by Zakabog · · Score: 2, Insightful

      I don't exactly know what you mean by that. The copy protection is obviously failing since he COPIED the CD, not only did he copy it, but the copied CD was the only version that worked.

  23. Copy protection is currently impossible. by Photar · · Score: 5, Insightful

    And this it why:

    Copy protection only works in systems that have been designed from the ground up to be copy protected.

    Any video or audio that is decodeable on a PC can be hijacked from that same PC.

    The only way to protect your data is to control the hardware. The only reason DVDs are hard to copy is because you can't get a DVD-r that has the same capacity.

    the MPIAA is in a much better situation compared to the RIAA considering cd audio is already good enough, that consumers don't really feel the need to switch to a higher quality version of the CD. Where on the other hand, DVDs are much better than VHS tapes, and have the added benefit of being harder to copy.

    --
    He who knows not and knows he knows not is a wise man. He who knows not and knows not he knows not is a fool.
    1. Re:Copy protection is currently impossible. by ottffssent · · Score: 1

      Harder to copy? Harder than what? You stick it in the drive and hit "copy all files" and presto (10 minutes later), there it is. With all the .ifo files and everything intact. PowerDVD and WinDVD happily play DVD file structures from a hard drive, and should that fail the .vob files are playable by themselves.

      An average DVD is around 5-6GB, which at current disk prices costs about $5. Add to that a $2 rental fee, and you've got yourself a half-price DVD (or third, depending). With a bit more effort and a lot more CPU time you can mpeg4 (Divx, Xvid, etc.) encode the main video and cut that $7 in half again, or you can buy a VHS tape and record it to that (but why would you want to?).

      Copying DVDs (at least, for personal use) is just as easy as copying CDs: insert, click, wait, eject.

      Distribution of movies is harder though because of the size, I'll grant you that. There are 9.4G recordable DVDs, but the lack of a single standard has dramatically slowed adoption of the technology, and with prices what they are, it's cheaper to put things on hard drives and trade them that way.

    2. Re:Copy protection is currently impossible. by Andy+Dodd · · Score: 1

      "The only reason DVDs are hard to copy is because you can't get a DVD-r that has the same capacity."

      "An average DVD is around 5-6GB"

      See. The average DVD is 5-6 GB. DVD-R discs hold only 4.7 GB. It's as simple as that.

      And DVD-R discs aren't $5 unless you buy Pioneer name-brand media. Even Sony RW discs are only $4 each, and decent generic -R discs (Ritek G03) are just a shade over $1. 4x -Rs are $1.80 each.

      --
      retrorocket.o not found, launch anyway?
    3. Re:Copy protection is currently impossible. by jcronen · · Score: 1
      I'm convinced that end users will go to great lengths and withstand great sacrifices to get something for "free".

      If it ends up being the case that in five or ten years no CD is rippable/burnable, someone in the world will play the CD and put a microphone up to the speaker. Quality will be horrid, but copies of the tunes will be available, and they'll be "good enough" for a music-hungry populace.

      Filesharing will happen as long as the Internet is around. I hate to say this to the RIAA/MPAA, but it's a losing battle. Better to continue to churn out better content to encourage buying of CDs.

  24. lucky for consumers... by MoFoYa · · Score: 4, Insightful

    they can't yet put copy "protection" on an analog signal; which everything that makes sound must eventually send to an output. then we have a beautiful little thing called an analog input that makes ALL copy protection pointless.

    if the primary purpose for the copy "speedbump" is to keep the MP3's off file sharing networks i.e. Kazaa, then it's not going to work. there is someone out there patient enough to encode in real time while listening to the cd.

    the problem thw RIAA and Co. face is: the file sharing networks - not the consumer that wants to listen to his/her new cd on the computer or make a backup copy because the originals always get all scratched up on the floorboard of the car.

    1. Re:lucky for consumers... by tbirdsaw · · Score: 2, Insightful

      True... As far as I know, there isn't any analog protection for analog audio (except making it sound really crappy... but who'd listen to it then?)

      There is analog video protection (MacroVision), but there are boxes that allow you to circumvent it (*ahem*... "to clean up the video" ;) )

      In my book, it's the classic NSA security problem: how you do make a code that is strong enough that most people can't decrypt it, but weak enough that they can? (I hope that's somewhat relevent...)

      Just my 2 cents....

    2. Re:lucky for consumers... by shippo · · Score: 1

      There was a analogue audio copy-protection mechanism in development around 1987 called something like "Copycode" which I recall reading about at the time. It worked by cutting a notch into the audio spectrum somewhere. One of the audio magazines at the time referred to it as the "A Flat" remover. It didn't catch on.

      This is not to be confused with the digital Copycode mechanism shipped in audio DAT players to prevent DAT to DAT copies of commercial material.

    3. Re:lucky for consumers... by Anonymous Coward · · Score: 0

      they can't yet put copy "protection" on an analog signal
      I keep hearing this point made, and it seems to be our "last line of defence" when it comes to being able to exercise our fair use rights ("they can protect the CD, they can DRM-cripple the hardware, but.. at least they can't block the analog hole").
      However. What's the current state of play of watermarking systems?
      Theoretically, the way to kill the analog hole would be via watermarking, combined with digital delivery of music. For example: Joe Consumer downloads a track from www.universalmusicandbuggywhips.com, and pays for it with his credit card. The downloaded tune is in a secure^H^H^H^Hcrippled format. Joe samples it via the soundcard analog output to another, non-crippled PC, and uploads it to [insert evil P2P-terrorist-tool-of-choice].
      Unbeknownst to Joe, his credit card number is steganographically embedded in the data.
      Now, in that situation, you might be able to crack the watermarking scheme and remove the watermark. But you'd have to be 100% certain you really HAD removed it. Otherwise, that's YOUR credit card number you're spreading via P2P for the benefit of everyone else..

      Paranoid? Someone, please tell me that this isn't already being used somewhere..

    4. Re:lucky for consumers... by mpe · · Score: 1

      In my book, it's the classic NSA security problem: how you do make a code that is strong enough that most people can't decrypt it, but weak enough that they can? (I hope that's somewhat relevent...)

      Actually the way DRM works is more along the lines of attempting to distribute the work as a "cypher text". Which people then put into a "black box" which will control how they are able to access the "plain text".
      Which will just never actually "work". Once people have the plain text they can do with it what they like.

    5. Re:lucky for consumers... by EpsCylonB · · Score: 1

      they can't yet put copy "protection" on an analog signal; which everything that makes sound must eventually send to an output. then we have a beautiful little thing called an analog input that makes ALL copy protection pointless.

      Anyone who uses an analogue input is a terrorist.

      Seriously though, I can see it coming to the point where content producers lean on hardware manafacturers to not include inputs. It certainly would solve a lot of problems.

    6. Re:lucky for consumers... by PoisonousPhat · · Score: 1
      I can see it coming to the point where content producers lean on hardware manafacturers to not include inputs. It certainly would solve a lot of problems.

      Perhaps that could happen in the tiwsted minds of some mass-marketed sound cards or those sad little on-board integrated audio motherboards. Products with analog inputs will continue to exist as long as there are people recording their own music, whether they be the tapers at the Phish concert, composers in their basements trying to be the next Moby, semi-pros making a disc for the family of a 6-year-old's first piano recital or full-blown studio pros with their big old 24/96 rigs.

      Remember, until the day comes when a data stream can be downloaded directly into our brains ("I know Kung Fu"), all music has to be analog some time or another.

      --
      Losers choose to abuse the use of "loose".
    7. Re:lucky for consumers... by fanpoe · · Score: 1

      True... As far as I know, there isn't any analog protection for analog audio (except making it sound really crappy... but who'd listen to it then?)

      The studios seem to be finding plenty of people to listen to it!

  25. Not a civil case by serps · · Score: 1

    And it's even less funny when you consider that Australian police just instigated the world's first criminal proceedings against 3 students charged with music piracy.

    Not civil proceedings; this is federal pound-me-in-the-arse prison we're talking about.

    --
    "Einstein argued that [...] God is not capricious or arbitrary. No such faith comforts the software engineer." ~ Brooks
  26. Re: More and more of this ... by BrainStop · · Score: 4, Insightful
    Unfortunately, we are seeing more and more of this attitude by the record companies.

    I listen to most of my music at work using my PC and my headphones. So my wife recently got me the new Phil Collins CD ... for me to find out that I can't listen to it on a PC.

    All that this achieves is that I'm being pushed towards downloading the tracks so that I can listen to them. At that point, what stops me from not being the CD since it won't work for me? The record companies will end up shooting their own foot off ...

    I have nothing against buying reasonably priced CD's. However, I do not think that 20 euros is reasonable (although Switzerland is fortunately quite a bit cheaper than that).

    Maybe I should write to Phil himself .. what do artists think about it?

    Cheers.

  27. Why oh why by nate+nice · · Score: 5, Insightful

    are they (record companies) so scared? No one wants to rip them off. Most people are going to buy their albums, regardless of format. Sure, some people will steal their stuff, and I have grabed some albums from friends that I never bought, but that;s how it works. I buy most of my music, but I have bought bad music and I can't get a refund.

    I guess my point is, they should really stop alienating their customers. I have never seen a business model that treats their customers so badly. People are still going to buy your albums! We made copies of cassette tapes, we're going to make copies of CD's and were giong to make copies of MP3's. Get over it, it's how it works. You're still going to make so much money! Get over it, ok?

    They're probably spending more money fighting this stupid war on whatever than they are going to save. All they are doing is making people resent them and want to steal from to the point where smart people are going to keep cracking their stuff and become passionate about distributing it all. Another day, another enemy for the RIAA. Because of their actions, I would wadger that they have made many people angry to the point where they don't want to buy their albums, where they want to steal their albums and frankly, it's a war they will not win. You cannot go to war with your consumers. They are your friends!

    Think about it, what other business would do this? If you walked into a store and they started accusing you of stealing and would only sell you things in such a way where you were oblivious to most of what it contained and treated you like shit all around, who would come back? I'm getting to the point where I'm going to want to steal all their music, just to spite them.

    In short, they need to settle down and just accept the market as it is. They choose a digital format because it is VERY cheap to make, thus increasing profits one billion fold and yet cannot cope with the fact that this cheap medium will also allow people to send a "free" album out to someone from time to time.

    And lets face it, I would bet most albums people download etc are albums they probably would not buy in the first place. How many play lists of people have you seen that have tons of songs you know they would never buy anyways?

    Anyways, the main point is that the customer just BOUGHT the album, WTF are you doing? They B-O-U-G-H-T it!

    AHHHH!!

    --
    "If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer ..."
    1. Re:Why oh why by Vengie · · Score: 4, Interesting

      The RIAA screwed up bigtime. You just towed the party line "Most people actually want to PAY for their music. They steal it out of convenience." The RIAA's response? "No, they steal it because they're cheap bastards." Oh, wait...except for the APPLE MUSIC STORE, which beat their one _month_ expectations in one _week_.

      Oh, poo, it appears that the guilty-until-proven-innocent idea the RIAA was operating under was just demonstrated to be wrong, at least among macintosh users. (Granted its a population subset, but the RIAA has 0 data to the contrary....) But the apple music store makes those nice record labels obsolete minus their functions "discovering" (pronounced: "manufacturing" c.f. avril lavigne) artists and "producing" songs. (long live daniel beddingfield....)

      Go buy a mac. Apple _is_ fighting for your digital rights.

      --
      When in doubt, parenthesize. At the very least it will let some poor schmuck bounce on the % key in vi. (Larry Wall)
    2. Re:Why oh why by nate+nice · · Score: 1

      "Go buy a mac. Apple _is_ fighting for your digital rights."

      My post was typed on a new iBook :)

      As far as the Apple Music store goes, I cannot wait until they get some indie music. I don't really listen to the radio, except for college radio and like mainly things not played on commercial formats. I also enjoy a lot of older music...bands like Wire, The Clean, The Chills and a lot of mod type things.

      I hope the Apple music store works out, I see it as a more revolutionary concept than most. Sure, others have done it, but once again Apple has done it right where others missed thew point. It's so easy to use, you can sample ALL the music, buy the music a' la carte' and buy the whole album for a fair $9.99 Sounds like a plan to me. Also, it has the ability to allow poor muscians to have a GLOBAL store to sell their music on, if Apple is cool enough to see this. Apple also has the benefit that a good chunk of it's user base are nuts and throw money at them at every oppurtunity. My theroy on this is that we aren't stupid, but feal we as Apple consumers get tons of great things if we all chip in a bit. They have such a trust form their customers, it's amazing...it really is almost a cult, but more of a community. It's fun to be a part of.

      As far as Apple fighting for me, sort of...they have the power and the balls to try someting new and get people moving. But, they won't do it because they care so much about civil liberties, so long as it is profitable to "fight" for us.

      Anyways, my point about paying for music is true for anythng. We Americans, and probably most of the consumer world just LOVE to spend money on things. It's funny really.

      --
      "If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer ..."
    3. Re:Why oh why by nathanh · · Score: 1
      Think about it, what other business would do this?

      Airlines.

    4. Re:Why oh why by nate+nice · · Score: 1

      I'm sure you have a point and I would be interested in your argument. I don't fly much so I don't know.

      --
      "If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer ..."
    5. Re:Why oh why by ottffssent · · Score: 1

      I have never seen a business model that treats their customers so badly.

      Been to an airport recently?

    6. Re:Why oh why by nathanh · · Score: 1

      If you've flown in USA recently, international or domestic, then you might have had your property seized *and not returned*, body search on multiple occasions before *and after* the flight, and strip searches aren't unheard of.

      Airlines have been treating their customers very much like criminals. I daresay the RIAA is looking to them for guidance.

    7. Re:Why oh why by Anonymous Coward · · Score: 0

      Airlines search all of their customers for fear that some of them might perhaps, possibly, be a terrorist. Every time you buy an airline ticket, your name and other personal data goes to the FBI for a terrorism risk analysis. The FBI has flagged millions of flyers as needing further investigation. They have been wrong over 99.999% of the time.

    8. Re:Why oh why by Anonymous Coward · · Score: 0

      Sure, some people will steal their stuff

      Shoplifting is a big problem, but it's a problem for the stores. As far as the record company is concerned, a stolen record is as good as a sold record.

    9. Re:Why oh why by Anonymous Coward · · Score: 0

      Lets also not forget the questionable practice of routinely over booking a flight, which causes paying customers to be bumped.

    10. Re:Why oh why by EpsCylonB · · Score: 1

      (long live daniel beddingfield....)

      I'm no fan of his but he does actually write all his own stuff.

    11. Re:Why oh why by EpsCylonB · · Score: 1

      Every one knows that terrorists listen to mp3's.

    12. Re:Why oh why by Joe+the+Lesser · · Score: 1

      Go buy a mac. Apple _is_ fighting for your digital rights.

      lol, I think Apple is profiting off our lack of digital rights.

      --
      "I only speak the truth"
      Karma: null(Mostly affected by an unassigned variable)
    13. Re:Why oh why by junkgoof · · Score: 1

      They already price with the expectation that you will copy the album for four friends. If you don't copy it you are just messing up their accountants.

      --
      You got me into this! You were the ideologue! I'm only a poor assassin! - Twenty evocations, Bruce Sterling
    14. Re:Why oh why by rifter · · Score: 1

      Lets also not forget the questionable practice of routinely over booking a flight, which causes paying customers to be bumped.

      They have been doing that forever. Ditto the previous posters' complaint about seizing property and never returning it. In fact they have auction houses which auction off "lost" luggage. A recent expose' of the practice revealed some pretty choice items for sale (*very* expensive jewelry, electronics, designer clothes, etc)...

    15. Re:Why oh why by protogeek · · Score: 1
      Think about it, what other business would do this? If you walked into a store and they started accusing you of stealing [...] and treated you like shit all around, who would come back?

      Unfortunately, lots of businesses do this. Ever walked into a store and been told to leave your backpack at the desk? The store is effectively saying you're a shoplifter. Bought gas at a station that makes you pre-pay? They're assuming you'll drive off without paying otherwise.

      It's a fairly common practice for businesses to assume you're a thief. Not only are you guilty until proven innocent in their eyes, but they generally work it so you don't even get the chance to prove it. You'd think this would offend enough of their customers that they'd have to stop it, but in fact, these businesses are doing just fine.

      and would only sell you things in such a way where you were oblivious to most of what it contained

      It's a rare store that will let you open a package and inspect the contents before you buy. It's a rare package that lets you get a good look at the contents without opening it.

      Don't get me wrong -- I agree with your main point, as do most here, that the RIAA & co. are treating their customers like garbage instead of gold. For what it's worth, they've lost my business. But the average person not only eats this kind of shit on a regular basis, they keep coming back for more. And if you confront them about it, they'll probably tell you they like the taste.

    16. Re:Why oh why by nate+nice · · Score: 1

      Yeah, I guess you're right. I for one don't buy their albums. Perhaps, a band like Sonic Youth is on Geffen, thus an RIAA band, but I try my best. Mostly everything I buy is at shows anyways..Indie bands...and a lot of older post punk stuff, etc. I tend to view music as art and the stuff on the radio for the most part is not art.

      Seriously though, what to they care if some one copies a Ricky Martin song, no one is even buying it.

      Also, Much of the stuff I have downloaded are things that are out of print, thus I feel if it is not for sale in the first place, I have a right to get it for free, ya know.

      --
      "If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer ..."
    17. Re:Why oh why by Trogre · · Score: 1

      They're scared because sooner or later people are going to take notice that most of the money they pay for a CD goes to a few at the top of the company, and not the artists and engineers who actually made the album. And not put up with it.

      They're scared because the distribution channel they control (CD) is becoming less relevant with new standards such as Ogg Vorbis, Flac and mp3.

      They're scared because much of their mega-expensive equipment (that ensures artists must use their resources) is becoming obsolete, next to a commodity computer with a 24-bit sound card, a bit of external hardware, and decent mixing software.

      They're scared because soon no one will need them. An artist will be able to hire a sound engineer with a sub-$10,000 studio (complete with Linux PC), and immediately distribute/market their own music.
      Whether this means charge per download or rely on 'suggested donations' per copy is up to the artist/manager.

      Yes, they are scared, and with good reason.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    18. Re:Why oh why by lskovlund · · Score: 1

      It has to be said... 'I Don't Know Why'. :)

  28. Worked for me by Anonymous Coward · · Score: 1, Interesting

    I bought the Norah Jones disc (is it a redbook CD or just a disc?) here in Australia, and it worked fine for me.

    My machine is a Mac G4 (Aug'99) with a new-ish LG CD-RW/DVD-ROM combo drive I put in recently.

    Not only did the disc play from iTunes (without fault), it ripped to mp3 with no problems at all. The disc even includes a little stand-alone app to play it in Windows, Mac OS 9 and Mac OS X. That worked too (from OS X).

    Same with the Ben Harper disc.

    It seems as though this copy protection is patchy at best. Not the sort of thing the industry should stake their reputation on.

  29. Evil Empire. by Anonymous Coward · · Score: 0

    See why I do not buy music?

    Hell, I just bought three Blind Guardian CDs, a band that 99 percent of stupid Americans have probably never heard of, and I feel like a traitor.

    I then uploaded the mp3s I ripped to my share folder to repent for my sins, to help people on k-lite find this admittedly hard-to-find band.

    I had a dream last night where I killed Hilary Rosen. When I played SOF II today, I wondered to myself, "does Jack Valenti live in a mansion like this?" as I shot off the limbs of drug dealers and cartel members. Meanwhile, Kazaa was running in the BG, downloading Spider Man ;)

    The RIAA and MPAA have nobody but themselves to blame for their fucking image. They made themselves out to be the evil empire, and nobody likes an evil empire.

    1. Re:Evil Empire. by Adam9 · · Score: 1

      BG is pretty cool. I only have 2 of their songs that a friend gave to me, but I like them.

    2. Re:Evil Empire. by DoorFrame · · Score: 1

      You know, just because someone hasn't heard of your obscure band, doesn't make them "stupid."

  30. I had to do the same by clare-ents · · Score: 3, Informative

    See also

    http://www.ex-parrot.com/~pete/copycontrol.html

    How I patched cdparanoia to copy Avril Lavigne in order to play it under linux.

    --
    Only two things are infinite, the universe and human stupidity, and I'm not sure about the former. (Einstein)
    1. Re:I had to do the same by Anonymous Coward · · Score: 0

      I would think someone using Linux wouldn't have the slightest interest in listening to that fake bitch ;)

  31. Copy Protection will NEVER be possible by ajs318 · · Score: 1

    As long as it's possible to hold a mic up to a speaker. Or to hook up a 2 x audio - 3.5 stereo lead between a standalone player and a PC sound card {but notice how line-in jacks seem to be an endangered species these days..... coincidence?}

    Of course that way you won't get bit-perfect digital copies, but there'll be a hard core of audiophiles {Note to News of the World readers: an audiophile is a hi-fi bore, not some kind of pervert} who will be fastidious about the quality of the copies they're making, and these copies will be copiable digitally, so the whole exercise will have been futile from the point of view of the record companies.

    Incidentally, I copied a copy of the Norah Jones disc, using the usual method of cdparanoia -B; for i in *wav; do lame -h $i && rm $i; done and it worked. Don't know how the original was protected, but the owner of the disc is a serious hacker. Jennifer Lopez's "J to tha L-O" [Sony/EPIC] didn't copy on that same {read-only} drive - in fact, it actually crashed the drive's firmware requiring a plug-pull {but the kernel and even the X-server survived unscathed}. On a Windoze box, Winamp started but no sound. I remember similar issues with Shakira's "Laundry Service" [Sony/EPIC; same protection], but I've got a drive {Sony, would you adam and eve!} on one of my machines that read it OK with cdparanoia. In the process, though, I learned more than anyone ever needs to know about IDE-SCSI emulation .....

    --
    Je fume. Tu fumes. Nous fûmes!
  32. Radio use ONLY?? by Anonymous Coward · · Score: 0

    Shite man! Who actually SELLS their product? They should be giving you more respect than that. Play Local Indie stuff for a week and see how long it takes them to return your calls! :-D

  33. Ironic by Talez · · Score: 1

    You just infringed on the copyright council's copyright byt posting that.

  34. That is a different situation by Chuck+Chunder · · Score: 1

    Generally, infringements of copyright which involve commercial dealings are criminal offences (with trading as is the case you point to counting as commercial dealing).

    Copying for your own use would almost certainly be a civil case and as such the amount you can get stuffed for would be related to the damages incurred by the wronged party. Those damages would be demonstrably zero and you wouldn't have much to worry about.

    Of course, IANAL.

    --
    Boffoonery - downloadable Comedy Benefit for Bletchley Park
  35. A Roman Emperor once said by Travoltus · · Score: 4, Interesting

    If the public has their food and drinks and gladiator games, they are easily controlled.

    Analogically speaking, EMI just messed up the gladiator games.

    Unrest will ensue.

    (Gee, I wish I knew the EXACT quote and which Roman Emperor said it....)

    --
    --- Grow a pair, liberals... stop letting the Republicans bully you!
    1. Re:A Roman Emperor once said by Anonymous Coward · · Score: 1, Informative

      "Panem et circenses" is the term you're looking for I think.. literally, "bread and circuses".

    2. Re:A Roman Emperor once said by Anonymous Coward · · Score: 0

      I think that emperor was Nero.

    3. Re:A Roman Emperor once said by Anonymous Coward · · Score: 0

      First of all, that was directly from the movie called Galdiator. It was not from the emperor, it was from a senator talking about the emperor in disgust of how the emperor was controlling the people with the games.

      What is more of a bitch is that almost all writing from the time was overglorified and later glorified even further by hollywood. I'd be willing to assume that what was said is "Ceasar's sister has a nice butt, if we give her a glass of wine too much and feed her some aphrodesiacs, I'm sure she'll provide for us in the back during the games".

      Never trust the writings of a poet, never trust the interpretations from hollywood of what the poet said.

    4. Re:A Roman Emperor once said by Anonymous Coward · · Score: 0

      The exact quote is :
      [populus Romanus] qui dabat olim imperium, fasces, legiones, omnia, nunc se continet atque duas tantum res anxius optat, PANEM ET CIRCENSES

      It was made by Juvenal in Satires

    5. Re:A Roman Emperor once said by davebert · · Score: 1
      It was the poet Juvenal in "Satires":


      The people that one bestowed commands, consulships, legions, and all else, now concerns itself no more, and longs eagerly for just two things - bread and circuses!


      Thanks to Quotations Page

    6. Re:A Roman Emperor once said by Anonymous Coward · · Score: 0

      forgot to include the translation :
      The people who had once bestowed commands, consulships, legions, and all else now longs eagerly for just two things,bread and circus games.

      Oh and Juvenal was a poet and satirist not an emperor

    7. Re:A Roman Emperor once said by BrokenHalo · · Score: 1
      and which Roman Emperor said it...

      well, never mind, what the RIAA is saying is "in culum ponem".

    8. Re:A Roman Emperor once said by Anonymous Coward · · Score: 0

      that's BREAD AND CIRCUSES you ignorant fuck.

      PS you fail it.

  36. Red Sheriff Alert by Anonymous Coward · · Score: 0

    For those of you who have not disabled your java support in your browsers, be forewarned that the provided link will result in that idiotic 'Red Sheriff' spyware crap being started on your machine.

    Then again, if you keep java enabled while browsing arbitrary sites, you get what you ask for...

  37. The true reason CD sales have crashed by NewtonsLaw · · Score: 1

    The recording industry claims that CD sales have plummeted in recent times...

    Of course they have -- but it's not because people are pirating CDs.

    It's because the recording industry no longer makes CDs -- only these "enhanced" disks which no longer qualify for the name CD nor the Compact Disk logo.

    So you see -- they're not lying, just being very deceptive!

    --
    News: Computer crash traps politician in BMW.

  38. MPAA is better off because of lack of DivX players by Kjella · · Score: 1

    the MPIAA is in a much better situation compared to the RIAA considering cd audio is already good enough, that consumers don't really feel the need to switch to a higher quality version of the CD. Where on the other hand, DVDs are much better than VHS tapes, and have the added benefit of being harder to copy.

    OTOH, most people seem to think MPEG4/DivX is just fine quality, just as they do with MP3. However, the problem is that there is not any mainstream DivX-capable players on the market, though I know Kiss has two (DP-450 & 500) and others are working on it. I know of people that download SVCDs instead of DivX, simply because it plays on their DVD player. And for the same size (700mb), the loss in quality is obvious. However, 700mb is an "acceptable" size for people with cable/dsl, while downloading full DVDs is out of the question for the time being.

    Kjella

    --
    Live today, because you never know what tomorrow brings
  39. Slammin' Vinyl by Vollernurd · · Score: 3, Funny

    Probably said already, but I don't have time to read all the comments:

    Get with it guys, dust off the old record player and buy your new stuff on vinyl! Works for me, except I need a clean-room to store my music collection. Oh yeah, and it weighs about a ton.

    --
    Smokey, this is not 'Nam, this is bowling. There are rules.
    1. Re:Slammin' Vinyl by Anonymous Coward · · Score: 0

      Amen brother. Vinyl is where it is at. If given the choice between a CD and a record, I'll always take the record. Why?

      1. Always cheaper. Anywhere from 10% to 50% cheaper.

      2. Big covers. Cool art and lyrics. It's hard to fit free posters inside of those miserable little CD cases.

      3. No stupid stickers that you have to fight with for hours to get the damn thing open.

      4. Sound quality. CDs sound dry and mean on typical equipment. Breathe some life into your music.. buy a turntable and learn to care for you equipment and your collection.

      5. Girls dig it.

      6. Impossible to attempt to copy protect.

    2. Re:Slammin' Vinyl by Vollernurd · · Score: 1

      There's also something about buying an original recording that is about 40 years old and having it play back flawlessly on your own player. Only happened to me once (as I can rarely afford a mint original) but it sounded good.

      --
      Smokey, this is not 'Nam, this is bowling. There are rules.
  40. Digital death... by Anonymous Coward · · Score: 0

    ...will take all the bad music away. :)

  41. Software backup is allowed as "fair dealing" by Chuck+Chunder · · Score: 4, Interesting

    It's specifically mentioned in our (AU) copyright law.

    It's actually quite interesting if you read it. The law makes exemptions for "fair dealing" and then goes on to specifically mention some things that are included in "fair dealing". However the wording (to me at least) doesn't indicate that the list is an exclusive.

    I think you'd have every chance to stand up in court and argue that making a backup copy of a CD you own is "fair dealing".

    The reason that hasn't happened is because in the real world the record companies have no interest in stopping you doing that anyway. There is no money to be gained and they don't want to cause a weakening of the copyright law by creating a precedent that expands "fair dealing".

    --
    Boffoonery - downloadable Comedy Benefit for Bletchley Park
    1. Re:Software backup is allowed as "fair dealing" by Anonymous Coward · · Score: 0

      I wonder what would be the feasibility of an organization, or group, or just a couple of guys out drinking (you get the point) intentionally infringing on one another's copyright in order to set a case precedent. I can see for example if I make a CD, publish it myself, sell it for a fee, and my one customer (who also happens to be my like-minded drinking buddy) makes a copy of my CD, and I take him to court for infringement (or whatever would be appropriate). Wouldn't that then set a case precedent which would/could strengthen user's rights?

    2. Re:Software backup is allowed as "fair dealing" by zakezuke · · Score: 1

      I think you'd have every chance to stand up in court and argue that making a backup copy of a CD you own is "fair dealing".

      Agreed.... I see no copyright violation as the physical media is intended to be listened to. You physicaly own an album, cassette, 8-track, CD, or some other form of physical media. While a backup isn't in the best interest of the sellers of pre-recorded media, so long as the end user only permits one copy owned at one time.

      The *concept* is basicly similar to what the SPA [http://www.siaa.net] says on the subject:

      "A good rule of thumb to follow is one software package per computer, unless the terms of the license agreement allow for multiple use of the program."

      "A "backup copy" can be used for "archival purposes only." This copy cannot be sold or distributed to another party without the consent of the copyright owner." --http://www.siia.net/piracy/faq/default.asp

      While the SIAA / SPA primarly deals with computer software, the concept is pretty sound as far as protecting the rights of the copyright holder. This is a sound concept and shows some common sence. While not law... I can not see any reasons why copyright holders are harmed, provided I bought their material on any form of physical media, and provided that I do not lend out my copy *and* listen to it at the same time.

      While store bought music doesn't have a EULA *yet*, it's intended use is to be listened to. An intresting way to protest this form of, "fair use" would be for everyone who makes a backup of their audio media to actually go via proper channels and ask for authorization.

      In order to actually accept or reject requests of a planet of roughtly 6 billion people would require a massive staff. Assuming you don't count the header information nor the keystrokes required to respond to this level of requests, we're talking 11gigs of NO assuming everyone on the planet needed to make a copy of one album for whatever reason. This doesn't even take into account phone call requests, paper, and the time to actually contact each respective copyright holder and ask if it's OK. This would only serve to increase the cost of published media at NO benifit of artists, peformers, songwriters, etc...etc....

      --
      There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    3. Re:Software backup is allowed as "fair dealing" by gfim · · Score: 1

      I'm not arguing with any of what you say. However, you should note that the Copyright Act explicitly allows backing up of computer software. There is no similar provision for backing up music/video.

      Graham

      --
      Graham
  42. I've just been forced to download the Blur CD too. by buro9 · · Score: 5, Insightful

    Dead serious... not impressed.

    I purchase the CD and try to play it at work on Windows 2000 and it just isn't recognised... WinAmp insisting that no audio CD was in the drive.

    So to listen to the album on my PC I just downloaded the bloody thing from alt.binaries.sound.mp3.complete_cd

    Not illegal in any way since I now own the original... but bloody stupid and makes me realise that the only way I may now enjoy EMI releases at work will be to download a copy... which really defeats everything their system is trying to stop.

    'Tis a mad, mad world.

  43. Re:MPAA is better off because of lack of DivX play by irc.goatse.cx+troll · · Score: 1

    I know of people that download SVCDs instead of DivX, simply because it plays on their DVD player. And for the same size (700mb), the loss in quality is obvious. However, 700mb is an "acceptable" size for people with cable/dsl, while downloading full DVDs is out of the question for the time being.

    Few little nitpicks:

    in VCD or SVCD, its 700mb per CD, two per movie usually. Exceptions being 3cd movies like Lord Of The Rings. So its about 1.2 to 1.4 gigs per movie, Really not that bad for anyone with access to VCD/SVCD's. Also, For some downloading full DVDs arnt out of the question- Theyre called DVD-R rips. Sometimes the videoquality is downsampled to make it fit on a dvd-r, but usually its entirely intact - menus and extras and all.

    "However, the problem is that there is not any mainstream DivX-capable players on the market, "
    I'll give that to you, Though those really interested can use a dreamcast, xbox, or a computer with tvout. ..not that I'd know anything about movie piracy.

    --
    Pain lasts, kid. Its how you know you're alive. Sometimes I think this growing up thing is just pain management-TheMaxx
  44. uhg by E1v!$ · · Score: 0, Redundant

    I'm really going to have to move to linux aren't I?

  45. I'm not so worried by Inflatable+Hippo · · Score: 1

    > Just wait until DRM gets widely established.
    > Nothing new will work in old hardware.
    > You'll have to buy everything all over again.

    I really don't think this will ever happen. There are enough H/W manufacturers with no finger in the content pie to ensure a perpetual supply "old fashioned" compliant players.

    Hell, Sony can't even stop itself selling DRM defeating equipment!

    Personally I think that any attempt to go mainstream with DRM technology will backfire bigtime. Joe User out on the street, who just wants CDs that work, will stop buying and/or just get illegal copies from geek friends that play on anything.

    The whole scheme will lose the music industry billions and the world will be a better place as a result.

  46. Answer : This is when copy protection fails by Anonymous Coward · · Score: 0

    What is "always"?

  47. Re: More and more of this ... by Anonymous Coward · · Score: 2, Funny
    At that point, what stops me from not being the CD since it won't work for me? The record companies will end up shooting their own foot off ...

    Damn right! How dare they stop you from being a CD??? Insensitive clods! But they need never find out - all you need to do is kinda curl up into a circle and sandwich yourself in plastic ... all in the privacy of your own home ...

    ... or did you mean "buying"?? ;)

  48. Was it labelled a CD? by mustrum_ridcully · · Score: 3, Interesting

    I wonder whether this "CD" bore the Compact Disc logo we all know and love. If it did then perhaps he should email Philips and let them know - Philips don't (or at least didn't) take too kindly copy-proctected cd's using the compact disc logo. This is because by baring the logo it claims to be a proper "Red Book" cd, but isn't because it has copy protection.

    Does anyone actually know who (if anyone) in Philips to bother about this? As I've just discovered that a supposed "cd" (it bears the logo) that I own is copy protected and I'm in a record label bashing mood.

    1. Re:Was it labelled a CD? by Tetrad69 · · Score: 1

      I don't think any of the dozens of CDs I've bought in the last few months bear the Compact Disc logo (and none of them were copy protected). Take a gander at your local music store and check the new releases, chances are very few of them have the logo anymore.

    2. Re:Was it labelled a CD? by SmashPDX · · Score: 1

      Yes, it has the Compact Disc logo we all know and love-- and it also happens to lack any disclosure whatsoever of the fact that it is playback-hampered. I wound up magic-markering the CD just to get it to play in my home theater system, which is centered around an Apex CD/DVD player (with no burn capabilities, so there's no copy risk). So, in short, EMI is fraudulently using the Compact Disc logo for this particular CD. Fun huh?

  49. Don't these guys understand?? by marcushnk · · Score: 1

    What can be made, can be unmade. =(very matrix sort of line)

    If they create CD protection.. someone will find a way around it.. they should stop wasting their time and money and try a solution that fits our requirements as customers and fills their requirements as suppliers..

    --
    "Consider how lucky you are that life has been good to you so far. Alternatively, if life hasn't been good to you so far
  50. Would I be too paranoid.. by Large+Green+Mallard · · Score: 1

    .. if I thought that they're doing this, in part at least, to increase their revenue from CD-R levies? :)

  51. Courtesy of Nero and Yamaha? by RMH101 · · Score: 1
    I copied this CD (repeatedly! ha! so sue me!*) with zero problems using Nero 5 CD Copy and a Yamaha F1 burner. Didn't try reading individual tracks, though.

    * Just kidding

  52. Massive Attack - 100th Window by Some+Guy · · Score: 1

    I just bought 'Massive Attack - 100th Window' not even thinking it would have this 'copy protection' stuff. I own > 500 CDs and I'm used to just seeing a title I want and buying it. I don't read the 'fine print'.

    It's the first time I've encountered this 'copy protection' and I must say, I'm kinda pissed off. I think non-CDs like this should be displayed seperately - otherwise it's deceiving the customer.

    Yes I could figure out a way to play it on my Linux box, but I shouldn't have to fuck around in order to play the music I just bought.

    Oh well. Off I go to return it.

    1. Re:Massive Attack - 100th Window by ajs318 · · Score: 1

      Try cdparanoia -B; for i in *wav; do lame -h $i && rm $i; done same as usual. I got many - and some +, but (IMMSMC) none of the dreaded V. This was the same drive that crashed with a Sony/EPIC disc. Your results may vary.

      Anyway, CD prices are a rip-off. CDs cost less to manufacture than the seriously-inferior cassettes, yet they are sold at a higher price. I guess people wouldn't want to pay more £££ just to get a poorer sound quality, but why sell cassettes at all in that case? CD players are cheap enough now ..... and it's not like it's difficult to record a CD onto a cassette or anything.

      --
      Je fume. Tu fumes. Nous fûmes!
    2. Re:Massive Attack - 100th Window by galaxy300 · · Score: 1

      Just curious -- do you live in the States, or somewhere else? I live in the US and so far haven't seen any copy protected CD's. (I buy mostly indie label music, tho). Just wondering if I should start to worry, because Massive Attack and Blur are CD's that I might actually buy sometime.....

    3. Re:Massive Attack - 100th Window by Some+Guy · · Score: 1

      I live in Europe. Like you I wouldn't have expected the type of CDs that I buy to have this kind of thing - that's why I didn't check. I thought this kind of things was limited to crap like Britney Spears and other 'top 40'-type stuff.

      I guess I will have to check from now on though.

    4. Re:Massive Attack - 100th Window by gordguide · · Score: 1

      It's kind of irrelevant as to where you live (ie which company/division is making your retail music CDs). Although it may well change, so far the record companies' most common practise with copy protection schemes (there are a bunch of them) has been to CP on a batch-by-batch basis.

      So, there may well be (for example) many copies of Norah Jones' latest disk for sale in Australia with no copy protection while other retail copies of the very same title do employ it.

      For the best information on exactly which titles may have copy protection employed on at least some retail CDs, go to Fat Chuck's.

  53. Re: More and more of this ... by Anonymous Coward · · Score: 2, Informative

    Yeah, unreadable CDs suck.

    I've HAD to copy CDs with multimedia content and/or copy protection to listen to them.
    That leaves me a copy (or two) that i can actually listen to in ANY player - PC, workstation or my not-so-thrusty old CD player....

    Fortunately this is perfectly LEGAL in Denmark - I can even borrow a CD from at friend and copy it. Only one rule; NEVER copy a copy.
    I can do that :)

    -B

  54. RIAA announces new DRM measures. by goldcd · · Score: 4, Funny

    Before being allowed to purchase a CD you will have to have your house RIAA DRM certified. RIAA operatives will removed from your house any equipment that could possibly be used to infringe upon their artists copyrights. Illegal items include, CD duplicators, PCs, Tape recorders, Video Recorders, wax disks, loudspeakers (you NOT your neighbours have bought the right to enjoy our music). Music shall be listened to through a single (approved) mono-earpiece (some listeners with stereo ear-pieces have abused the priviliedge and let others 'sample' the music using the spare ear bud).
    After your music purchase an RIAA representative (probably a student trying to pay off $97 trillion) will sit with you at all times to ensure your compliance with our terms and conditions.
    "We hope you enjoy your music purchase and continue to support your record industry"
    p.s. Squeal little piggy!

  55. it's like what you said... but different... by gasgesgos · · Score: 1

    I did the same thing... just backwards...

    I downloaded the whole album from bittorrent a few weeks ago, and enjoyed it so much I actually *gasp* bought the CD...

    Almost my entire music collection has been assembled in this manner... It's very similar to borrowing a CD first to see if it's worth listening to. The RIAA's problem is that not much music is worth buying anymore...

  56. An on-going problem with "copy" protection by Anonymous Coward · · Score: 2, Interesting

    I ran into the same problem with Archon published by Electronic Arts. The copy protection was incompatible with the Epson Equity I BIOS. Electronic Arts "support" suggested getting another computer to play the game (which wasn't realistic for me at the time). Instead, I found a cracked version of the game where the copy protection was skipped and the game played fine on my existing computer.

    More recently, I have found that I need to crack any games that use SafeDisc v1 to play them on my DVD-ROM drive. For whatever reason, it treats using the original CD as if it's a copy but the crack version will use the DVD-ROM drive for playing just fine. Neither Macrovision or the game publishers provide any useful help in getting these older games working with DVD-ROM drives.

    The question becomes, if the long term solution is to get a cracked version then why pay for the original version in the first place?

    1. Re:An on-going problem with "copy" protection by Anonymous Coward · · Score: 0

      Umm... Archon is, like, a 15 year old game. I played it on my Commodore 64.

    2. Re:An on-going problem with "copy" protection by Anonymous Coward · · Score: 0

      I have two "copy protected" CDs which I cannot play on my DVD player [pioneer] (which is also used as my CD player in my entertainment system), but I had no problem ripping the CDs on my PC.... Now I have to buy another CD player just to play them on my entertainment system!

      I'd like to return them, but I want the CDs...

  57. We are all criminals by djtripp · · Score: 1

    I recon we are all criminals to some point. Yesterday I "rolled" through a stop sign. Sunday I thought naughty things in church. Yet, neither of thoes instances invoked the wrath of the police department nor God. True, the vast majority of people will not be affected by such copyright protection. But thoes with the means, but not the intentions are being treated unjustly, and therefore, it's the preminition by the artist or distributor that people are going to steal their music.
    The Register has an article on how to listen to such tracks.
    This is circumventing copyprotection, but if you are not going to copy the cd, then is it wrong?

    --
    "This is you left and that's your left. This is your right and that's your right. You're gonna die!
    1. Re:We are all criminals by Anonymous Coward · · Score: 0
      Sunday I thought naughty things in church

      Mmmm.... yes, Reverend's wife has just an amazing ass and don't get me started on those perky breasts.

    2. Re:We are all criminals by Anonymous Coward · · Score: 0

      Sunday I thought naughty things in church. Yet, neither of those instances invoked the wrath of the police department nor God.

      That's what you think, but right now there are a LOAD of red guys with forked tails, sharpening their pitchforks, saying "you'll never guess what we're going to do to YOU, pal"..

  58. More dodgy fodder by Tsuzuki · · Score: 2, Interesting

    A friend said he bought the Norah Jones CD and went to make a copy at work, then realised halfway through the burning process that it was copy-protected. Not a peep from the burner, Windows or anything. The copy worked just fine, too...

  59. Shameful! by $$$exy+Gwen+Araujo · · Score: 5, Funny
    1. You didn't realise that cdparanoia takes a parameter telling it which tracks to rip (e.g. "cdparanoia 2-" for track 2 to last track). This is explained in the first few lines of the manual. So you rummaged around the raw source code of cdparanoia and changed it before you looked at its manual.
    2. You used diff without the -U option, and didn't even tell us which file you commented out the exit() in. Which file is it? What's the context?
    3. You used a C++/C99 comment delimiter in what is a C89 source code. Hope you have have a lax compiler that defaults to C99 or ignores standards, because it'll choke on that.
    4. You made a web-page about it and posted it on Slashdot, no doubt causing much wailing and gnashing of teeth from people even less experienced at editing source code than you, when all they needed to do was run the cdparanoia command differently.

      But far, far worse than any of those crimes....

    5. You bought an Avril Lavigne CD! Dude, how could you?
    --

    I'm a girl too! See naked chicks in my journal!
    1. Re:Shameful! by clare-ents · · Score: 2, Informative

      "
      You didn't realise that cdparanoia takes a parameter telling it which tracks to rip (e.g. "cdparanoia 2-" for track 2 to last track). This is explained in the first few lines of the manual. So you rummaged around the raw source code of cdparanoia and changed it before you looked at its manual.
      "

      No, track 1 is marked as a data track but contains audio - if you rip cdparanoia 2- you will miss off the first track, and cdparanoia 1- fails because it refuses to rip a data track. I've read the cdparanoia manual reasonably thoroughly although I really wanted a --force option.

      "
      You used diff without the -U option, and didn't even tell us which file you commented out the exit() in. Which file is it? What's the context?
      "

      fair point - fixed

      "
      You used a C++/C99 comment delimiter in what is a C89 source code. Hope you have have a lax compiler that defaults to C99 or ignores standards, because it'll choke on that.
      "

      I know, I was aiming for the shortest patch I could. // is two bytes, /* */ is four.

      [alternate reply - it's a my fork and I'll use it how I like]

      "
      You made a web-page about it and posted it on Slashdot, no doubt causing much wailing and gnashing of teeth from people even less experienced at editing source code than you, when all they needed to do was run the cdparanoia command differently.
      "

      Er - this is a rehash of point 1 but more insulting isn't it?

      "
      You bought an Avril Lavigne CD! Dude, how could you?
      "

      Guess I shouldn't mention the Britney collection then :-)

      --
      Only two things are infinite, the universe and human stupidity, and I'm not sure about the former. (Einstein)
    2. Re:Shameful! by Anonymous Coward · · Score: 0

      No, track 1 is marked as a data track but contains audio - if you rip cdparanoia 2- you will miss off the first track, and cdparanoia 1- fails because it refuses to rip a data track.

      Surely the correct solution is to patch cdparanois with the --force option, and then simply rip track 1 with --force, and then tracks 2-? No doubt the patch would be accepted into the main branch, too.

      Veering off on a tangent here, your quotation style is awful. Please stop doing that, it makes my eyes hurt even more than the Slashdot Gaming section.

    3. Re:Shameful! by clare-ents · · Score: 1

      "
      Surely the correct solution is to patch cdparanois with the --force option, and then simply rip track 1 with --force, and then tracks 2-? No doubt the patch would be accepted into the main branch, too.
      "

      Correct as in of most use to the open source community. Yes.
      Correct as in the shortest possible patch to demonstrate the futility of the protection. No

      --
      Only two things are infinite, the universe and human stupidity, and I'm not sure about the former. (Einstein)
    4. Re:Shameful! by Anonymous Coward · · Score: 0

      [ You used diff without the -U option, and didn't even tell us which file you commented out the exit() in. Which file is it? What's the context? ]

      Uh, main.c line 1013 maybe? Are you that blind?

      But yeah, the dude's a klutz for not reading the man page!

    5. Re:Shameful! by Anonymous Coward · · Score: 0

      "
      "
      Surely the correct solution is to patch cdparanois with the --force option, and then simply rip track 1 with --force, and then tracks 2-? No doubt the patch would be accepted into the main branch, too.
      "

      Correct as in of most use to the open source community. Yes.
      Correct as in the shortest possible patch to demonstrate the futility of the protection. No
      "

      You need help.

  60. Don't Know Why It Didn't Copy by Anonymous Coward · · Score: 0

    I bought a cd at the store,
    paid for it walked out the door.
    I went to listen to it at my jobby,
    don't know why it didn't copy.

  61. Another precedent by Pflipp · · Score: 1

    This is EXACTLY the reason why I have a Racoon mp3 collection instead of the CD's; I won't buy any CD's that are copy protected (and "Here we go, Stereo" even has it advertised on its cover -- I first thought it was a joke, given the name of the record), even though friends have reported having no problem copying the thing.

    It's a real shame, especially since Racoon doesn't make the numbers off that particular record (IIRC) that Sony was expecting them to do, but with or without Sony, I wouldn't really mind sponsoring the better local bands.

    That is, if they had normal albums for sale :-)

    --
    "We can confirm that Debian does *not* ship the version with the trojan horse. Our version predates it." [CA-2002-28]
  62. EMI doesn't care if radio stations can play... by alizard · · Score: 1
    Suggestion. If you get a copy-fubared CD, DON'T make any special effort to play it. Just play CDs from any competing label that cooperates in your effort to get it on the air in any timeslot an EMI track was going to go into.

    And if you're from a USA radio station and had an "independent promoter" collect money to get the thing added, complain to him that EMI is shipping crap to your station that can't be played back on the air... and that he should keep the money EMI paid him, since it was their fault that they sent crap CDs.

    Alternately, give them the "add" they paid for, at 3 AM... in the form of a voice track with the name of the track and artist and an announcement that you can't play back the music and if any listener gives a fuck, he should call:name and phone number at the label.

    I wonder how long the owners of the major labels are going to accept "PIRACY!!!" as an excuse for bad sales with incompetent promotion of the sort you're describing going on.

    1. Re:EMI doesn't care if radio stations can play... by Anonymous Coward · · Score: 0

      You are so "stupid" AND naive.

  63. Serious? by kauttapiste · · Score: 0, Redundant

    Serious yet amusing at the same time

    No, not serious, just amusing. F***ing hilarious actually.

    Could there be something wrong in the system?

  64. Who would come back? by smiff · · Score: 1
    Think about it, what other business would do this? If you walked into a store and they started accusing you of stealing and would only sell you things in such a way where you were oblivious to most of what it contained and treated you like shit all around, who would come back?

    Apparently, the Slashdot crowd. Notice all the posts here of people who bought CDs only to find them copy-protected? Most Slashdotters are well aware of the RIAA's business tactics, but they can't help pulling out their wallets and paying the RIAA to continue their sleezy business practices.

    The same is true of just about any other business. People get ripped off. They complain about it. They see a shiney new advertisement and forget all their past experiences. Suddently it's spend, spend, spend! That's why corporate America cares nothing about consumers.

  65. (offtopic) This itself is worth a discussion. by anubi · · Score: 1
    AC, What you just posted is what I have been fussing and fuming about for years. As far as I am concerned, this kinda stuff should be illegal as hell, but yet I see it pushed, not as illegal tampering but "the latest technology".

    It pisses me off to no end to go to business sites and have them force this on me. God knows how many business sites I hit on and after waiting God only knows how long, I get a blank page, yet my indicators show I downloaded several hundred KB. I view "document source" and find out its a bunch of java laden crap, with no idea what some of the executables would do if I launched them.

    It seems the business sites are thumbing their noses at me as if to tell me that they are so big and powerful. They have hundreds of thousands of dollars to spend on executive salaries, webmasters that use the very latest technologies, and the budget for stuff I do not have and take risks I do not want to take. Like they are telling me that they are big business, and I have to kowtow to them and be compatible with them and their latest standards if I want to do business with them. Maybe I don't have the millions of dollars a year to support a technical staff to keep the virii out of my system, so I use a firewall to block all executables. A lot of big businesses have made it clear to me that they could care less if others can hear what they say. If I don't run my system in such a way as to leave myself open to all sorts of net vermin, they figure I am beneath them.

    I have no idea how to communicate to these behemoths. They insist on running all this "entertainment" shit on their end when all I wanted was to look up a product. I tried a major book vendor, could not connect. Same with a major lead-acid battery manufacturer - could not get past their front page. Even the company in England who made my digitizers force this on me. They used to leave the subdirectories accessible so I could go directly to where I had to go to get the updates to my digitizers, but they got clever and closed it off so now I have to go through their java redirection shit to get there. I had to go to an insecure system with a throwaway OS ( ghosted WIN95 ) to access their site, knowing I may have to reload the OS image if the site downloaded anything nasty to my end. With the new "state of the art" OS being so cantankerous on reloading and moving around from machine to machine and techniques such as ghosting, time is running out for these options and these companies will be almost impossible to reach on a secure system.

    HTML ( like the CD's ) was designed to be adherent to standards. When people take it on themselves to generate their own deviants, then only those compatible with their deviant can view the content, and often incompatibility with even a minor deviant renders the entire site inacessable.

    I guess the executives in these companies just weigh off how many customers will not be able to view the site versus how much they can dazzle the CEO with their new snazzy website on a compatible system, and keep the CEO unaware of how much customer frustration thats resulting from this. I know I can rant here, and the CEO will never see it, as he would probably prefer to get his feedback from someone well paid to do so so the feedback presents his leadership in a positive light. If I were a CEO, I would definitely be reading sites like slashdot to get unfiltered rants over what direction things were headed. I wonder if the CEO of that battery company even cared if people were having trouble accessing the corporate site, even though he had the money and technical expertise to afford his corporate terminal linked directly into his server? What is it going to take to get them to hire people who know what they are doing and make web pages that work. Amazon makes pages that work. So does Google. I expect porn sites to give a lot of shit because by their nature they wanna probe your machine for marketing info. But this kinda shit is highly resented when found on corporate sites.

    --
    "Prove all things; hold fast that which is good." [KJV: I Thessalonians 5:21]

  66. That's nothing yet by Anonymous Coward · · Score: 0

    Some copy protected CDs don't work on my standalone DVD/CD player. However ripping audio under Linux works fine.

  67. The solution for RIAA and others is simple by jonr · · Score: 4, Insightful

    Lower the price of CD's!
    Ok, it costs a lot to make a CD. You need to spend a time in the studio. (expensive) You need to make sure it souds right. (not so expensive, I guess) And you need to promote it (expensive).
    Then why in the name of all holy cows does the anniversary Dark Side of the Moon cost the same as the newest girl/boy band CD?
    You don't need to record it, you don't need to promote it. (Have you seen much Pink Floyd on MTV lately?) You just remix it and press it. Voila! You have a great CD that people will buy, even though they have at least 2 versions already of that album!
    I don't give a rat ass anymore about RIAA...

    1. Re:The solution for RIAA and others is simple by EpsCylonB · · Score: 1

      Your right to a certain extent. But the underlying problem is the that the record inustry has a very strange a complicated bussiness model.

      Their argument is that the mass produced n*sync/britney type music actually subsidizes the development of the more highbrow artists.

    2. Re:The solution for RIAA and others is simple by Anonymous Coward · · Score: 0

      Then why in the name of all holy cows does the anniversary Dark Side of the Moon cost the same as the newest girl/boy band CD?

      What kind of a retarded question is this? We both know the answer.

    3. Re:The solution for RIAA and others is simple by esarjeant · · Score: 1

      The new Floyd Dark Side is actually CD+SACD, so you're paying to obtain a DSD encoded recording. This is expensive because it is not as easily fabricated as a traditional audio CD, and IMHO it sounds much better.

      I think I'm done buying CD's with so many of these anti-pirate copy protection techniques in play. From now on I plan on buying SACD and LP. While I may be unable to digitally copy my SACD's, at least I am aware of this and will be able to play them back on my SACD players. The cloddishness of the record industry in these matters of protecting CD data is sickening, and they will continue to lose customers in this new "format" war.

      --

      Eric Sarjeant
      eric[@]sarjeant.com

    4. Re:The solution for RIAA and others is simple by grondu · · Score: 1

      But the underlying problem is the that the record inustry has a very strange a complicated bussiness model.

      It's called "bend over, customer".

      --

      I'm the urban spaceman babe, but here comes the twist... I don't exist

    5. Re:The solution for RIAA and others is simple by Anonymous Coward · · Score: 0

      Yeah ok, that makes sense..

      Step 1: Put copy protection on CDs making them unusable

      Step 2: Create new format with inherent copy-protection and higher price.

      Step 3: Create special hardware that will play new formats without problems.

      Step 4: Advertise new format as higher quality with fancy new multichannel sound features .......

      Step ?: Profit!!

      Seems like you fell for that tactic. The RIAA needs to constantly sell albums to stay in business. If people are happy with the albums they currenly own and new music isn't making them buy new CDs, then there's a problem. The solution to this problem is to somehow get them to repurchase their old albums. There are two ways to do this. Either release a new enhanced, specially remastered, (insert exagerated marketing claims here), or introduce a new format and convince people they need to upgrade. It happened with cassettes, it happened with CDs, and now they are trying to do it again with SACD and DVD-Audio. Yeah, multichannel is great, but big deal.

      Fact is, most people don't own systems to take advantage of multichannel and fidelity of the new formats. Hell, most people probably couldn't even hear the difference, let alone care. You're simply proof that this scheme actually works.

    6. Re:The solution for RIAA and others is simple by korgull · · Score: 1

      Than you better hope that SACD is not doomed to a short life.
      I really wonder how many people will actually buy SACD as it requires much more from your installation than existing CD or AC3/DTS. AFAIK SACD requires all speakers to be full-range to experience it best.

    7. Re:The solution for RIAA and others is simple by kennylives · · Score: 1
      This line of argument assumes that the new formats (SACD and DVD-Audio) don't live up to the "exagerated (sic) marketing claims". That's not the case here. SACD and (to a lesser extent) DVD-A do sound much better than CD's, to say nothing of MP3/AAC. Multichannel, in it simplest implementation, allows for the entire sound stage to be faithfully reproduced. In short, it does work, and it is a big deal.

      For the entire history of the modern music industry, producing and distributing music has worked this way. Nearly early every format upgrade has offered benefits that a fair majority of the listening audience has found worth paying for. It happened with LP's vs 78's, HiFi Stereo vs. Mono, Cassette vs 8-track, CD vs. Vinyl, etc.

      Even where audio quality is not a central benefit, form-factor, features, and convenience weigh heavily in the adoption of a new format. I doubt anyone would argue that the adoption of cassettes vs. open-reel was prompted by the audio quality of cassettes. Likewise, MiniDisc enjoys a qualified success despite the fact that it is noticably lower quality than CD. And of course, there's MP3/AAC/OGG that continue to reinforce the idea that convenience can trump quality as an incentive to adoption.

      The point is, the music industry periodically re-releases titles on formats that either sound better or offer benefits that previous formats do not, in an attempt to generate profits. (Admittedly, it doesn't always work. Anyone remember ELCassette?) Show me an industry that doesn't do something similar - cars, computers, even soap for goodness sakes - all of them attempt to do some kind of upgrade/value-add to get people to buy the new one. Welcome to capitalism. Or would you try and tell me that you still listen to music on LP's and post to Slashdot with a VIC-20?

      Fact is, most people don't own systems to take advantage of multichannel and fidelity of the new formats. Hell, most people probably couldn't even hear the difference, let alone care.

      No. This is the same argument that went around when CD's first made the scene. For a time (before I heard CD for the first time), I was even a proponent of this notion, and believed that there was no point in replacing my LP's with CD's. It seems a bit silly now, looking back on it.

      --

      Where the value of X-Mailer: is the true measure of a man...

    8. Re:The solution for RIAA and others is simple by plierhead · · Score: 1
      Then why in the name of all holy cows does the anniversary Dark Side of the Moon cost the same as the newest girl/boy band CD? You don't need to record it, you don't need to promote it. (Have you seen much Pink Floyd on MTV lately?) You just remix it and press it. Voila!

      I'm not an apologist for these monopolists but what you're saying cuts both ways. Most CDs cost more or less the same amount right now. If they did what you say, and introduced a "cost plus" pricing model, then sure some CDs would be cheaper - but then also some others would become more expensive. Because presumably the industry would demand the same profits at the end of the day.

      There's nothing wrong with the "one size fits all" pricing model, and it may even be a more efficient model overall (lower administrative costs than running a shop where every unit has a different price).

      The problem is simply that the price is too damn high.

      --

      [x] auto-moderate all posts by this user as insightful

    9. Re:The solution for RIAA and others is simple by turpie · · Score: 1

      You seem to have misinterpreted the post you replied to.

      jonr's point was that why do old recordings cost the same amount as new recordings. Surely by now the cost of the original recording has been well and truly paid off so that shouldn't factor into the current price, also shouldn't the lower demand for most CD's over 2 years old mean lower prices.

  68. What about Safedisc? by Froobly · · Score: 1

    Any video or audio that is decodeable on a PC can be hijacked from that same PC

    You sure about that? Because that seems to be exactly what Safedisc does. Somehow a key is pressed onto the CD in the mastering process, and although that key can be verified by the software, it can't actually be burned onto another CD by a standard CD burner.

    I don't know how it works, and it seems like it ought to be impossible, but the proof is on every CD that EA has pressed in the last year or so. For more information, visit their web site.

    1. Re:What about Safedisc? by Anonymous Coward · · Score: 0

      ul

    2. Re:What about Safedisc? by jridley · · Score: 1

      I don't think he meant "could be copied exactly" when he said it could be hijacked.

      On a windows box, install Total Recorder, play with whatever software they provided. TR will intercept the data on its way to the sound card and store it to your hard drive as a WAV file (or optionally compress using the OGG/MP3/codec/quality of your choice). I use this method to record Real Audio radio programs as MP3s.

      There are software solutions for Linux as well but it's been a few years since I used them. "vsound" I think.

    3. Re:What about Safedisc? by gl4ss · · Score: 1

      theres ways to emulate that safediscing.. so it's in practice defeate. it's more convinient to use disc images anyways.. the whirr of the cd reader drives me nuts.

      afaik some newer(like, not from 1998) burners can even burn that subdata with some programs.

      --
      world was created 5 seconds before this post as it is.
  69. Not correct, on a lot of counts by MickLinux · · Score: 1

    * No one wants to rip them off*... probably, very few people primarily want to rip them off, but a lot of people their music for free, and are *willing* to rip them off.

    * I have never seen a business model that treats their customers do badly *. How about Stalin's business model, or Lenin's? How about the IRS? Or for non-governmental groups, how about universities? Airlines? Drug lords? Africa's AIDS-infected prostitutes? The Russian mafia's "Work in America" program for young East European and Russian women? Casinos? Believe me, there are plenty of business models that treat their customers badly.

    --
    Correct Horse Battery Staple: 72 bits of entropy. Enter "Correct H" into google. When it generates the phrase, that's
  70. Listen to something else... by cruachan · · Score: 4, Insightful

    Copy protection licencing is sufficiently expensive and a hassle to the producers that's it's only used on 'popular' artists. So take that as a hint and listen to 'unpopular' ones.

    Spend your CD money on world, jazz, classical, flamenco, folk, blues, celtic, indie or anything else outside the mainstream - but just stay away from the popular artists. There's a vast world of great music out there to be discovered - help out the artists, broaden your horizons, and give the big music companies a kick in the pants. Furthermore if they see their cd sales drop, but cd sales in general rise they're not stupid enough that they won't draw conclusions.

    1. Re:Listen to something else... by Anonymous Coward · · Score: 0

      Why don't you fuck off and stop trying to dictate people's tastes to them?

    2. Re:Listen to something else... by jpetts · · Score: 1

      Copy protection licencing is sufficiently expensive and a hassle to the producers that's it's only used on 'popular' artists.

      No, it's filtering down. The latest Calxico CD, Feast of Wire, was playback-crippled too.

      One interesting thing, though, is that the Netherlands version I got had a "Copy Controlled" sticker, while my friend's US version did not. The RIAA seem to be happy with forcing their victims^H^H^H^H^H^H^Hcustomers to grab their ankles, but European distributors are more circumspect...

      --
      Call me old fashioned, but I like a dump to be as memorable as it is devastating - Bender
    3. Re:Listen to something else... by Alphtoo · · Score: 1

      "... they're not stupid enough that they won't draw conclusions." Hmmm... if they haven't figured this out by now, they're more stupid than you think. They are going through a self-destruct mode now, and haven't figured that out yet. But yes, I agree, by all means listen to something else. There is much better (and much less expensive) music to be had than the crap on the "Top 40".

    4. Re:Listen to something else... by tuxedobob · · Score: 1

      Oh, they'll draw conclusions all right. Something like, "See? It's piracy! Our CD's are being pirated because they're so popular! No one can pirate the other CDs because they don't know where to find them!"

      What's the saying? Never underestimate the power of stupid people in large numbers?

      More like, never underestimate the stupidity of powerful people in large numbers.

  71. Actually, it is... by Kjella · · Score: 1

    So to listen to the album on my PC I just downloaded the bloody thing from alt.binaries.sound.mp3.complete_cd

    Not illegal in any way since I now own the original


    If you look at copyright law, it gives you the right to do that with your own copy *only*. Hypothetical situation: You own a CD, but you forgot to make mp3s of it to put on your Ipod before you went to visit your cousin. However, your cousin also owns the CD, and you make mp3s from his CD. That would be illegal. Why? Because it is not your CD. It doesn't matter if the source (CD) and result (MP3) would be exactly the same if you had done it at home, or that you own it at all. Of course, you're more likely to win the lottery every week for the rest of your life than to get in trouble over it, but it's still the law. Stupid as it might be.

    Kjella

    --
    Live today, because you never know what tomorrow brings
  72. Same problem... by SJ · · Score: 1

    I had exactly the same problem as a friend of mine bought that same Norah Jones album. It wouldn't play on my newer Macs, but I have discovered a wonderful thing... A few years ago, Apple released optical drives that supported DVD's and CD's. These drives didn't have any burning capability, but they can do one really cool feature. They are completely blind to EMI's copy protection. I put the CD in, iTunes recognised it and I ripped the CD to AIFF.

    I was then able to burn those raw uncompressed files to a new uncontaminated red-book audio CD. I was going to sell that Cube, but now I think I will keep it just for playing crippled CD's.

  73. I want discs that work forever not just current hw by Chuck+Chunder · · Score: 3, Insightful

    One issue that people don't see with these discs is that even if they work on whatever hardware you have now that doesn't mean it will work in what you buy later.

    With a CD you know it will work in anything with a CD logo on it. With these things you could find in five years time that you don't have any hardware that will play it.

    When my bog standard CD player dies I'm unlikely to replace it. I already have two PCs, an xBox and a DVD player that should be perfectly capable of playing my music but won't these discs don't work (or at least the one disc I tried).

    If particular versions of copy protection are only employed for a short period time then future hardware manufacters aren't going to worry too much about compatibility with every single different type.

    That's why I took 100th Window back and why I haven't bought one of these discs since. And I used to buy 3-4 CDs a month.

    --
    Boffoonery - downloadable Comedy Benefit for Bletchley Park
  74. I purchased my listening license... by jdvuyk · · Score: 3, Interesting
    so why the hell not copy?!

    The thing that seems to be missed most in these discussions is loosing and regaining your purchased material. When I buy my music I buy a LICENSE to listen to that music. Lets face it, the cd cost a couple of bucks, where does the rest of the money go. The pysical media cost next to nothing.

    I was unlucky enough to have almost my entire cd collection stolen (yeah no insurance but there u go) and I'll put it straight: There is no way in hell that im going to fork out the hundreds of dollars to get them back again. I have already paid for my license to listen to the material I purchased a long time earlier. I am merely regaining the physical media to execute that license.

    But that makes me a criminal? Well, bring it on!

    1. Re:I purchased my listening license... by Anonymous Coward · · Score: 0

      I would say that the unless you have a seperate piece of paper for a licence (like with some software) then your licence was stolen along with your disks.
      Now if your disc broke, you should be able to get a replacement for whatever it costs to manufacture it because you still have the licence but your physical media is broken.

  75. Re:I've just been forced to download the Blur CD t by Anonymous Coward · · Score: 0

    Thanks for the tip off. I was considering buying that album, now I'll not bother. At the very least I could always try some cdparanoia ripping tricks and return the CD as unplayable..

  76. Re:I want discs that work forever not just current by EpsCylonB · · Score: 1

    That's why I took 100th Window back and why I haven't bought one of these discs since. And I used to buy 3-4 CDs a month.

    Just D/L it like everybody else.

  77. I didn't think people bought CD's anymore! by dan+dan+the+dna+man · · Score: 1

    Isn't that what Kazaa is for? ;)

    --
    I don't read your sig, why do you read mine?
  78. I did it too.... by Anonymous Coward · · Score: 0

    ..and got the money back from my disc shop, after!
    that "copy protection" seems to protect you from listenin to the cd, indeed.
    I copied it almost for joke, just before returning the CD, and it worked. yes yes yes.
    you cannot use the cd, but you can copy it!! :-DDD

  79. DON'T BUY IT! by Jeppe+Salvesen · · Score: 2, Interesting

    Christ. Get the mp3s. If there are no mp3s og oggs, borrow the CD from someone and make mp3s and oggs and publish them. If we can make sure rapid dispertion of high-quality copies of copy-protected works - plus we don't buy the crippled hardware they offer us, then the effect of crippling the discs will be negative. All it takes is a high quality cd/dvd-player with digital output paired with a pc that accepts digital input. Then, you'll have a pretty good quality copy of any crippled cd even if they made it _impossible_ to play back on a computer.

    Or, buy the disc, make a copy as described, and return it claiming it didn't work on your computer at work and that you primarily listen to music at work.

    Maybe I should try that approach with the new Ed Harcourt CD? I used to convince myself that a simple boycott is enough. However, a bit of piracy of the supposedly "safe" format will make the business case for "copy protection" even worse..

    --

    Stop the brainwash

  80. Its all pointless. by atari3232 · · Score: 2, Insightful

    There are two groups of people that buy a CD. Those that can copy it and those that can't.
    The copy protection is obviously supposed to stop group 1 from copying the disks but this is the group that probably knows how to get round the protection anyway.
    All that is happening is the record company is inconveniencing group 1 and annoying group 2. Its a lose/lose situation.
    If its possible to listen to a cd then its possible to copy it, so why are the record companies determined to p1ss off 100% of their customers with these half-baked schemes.

  81. vinyl! when copy protection is impossible! by Anonymous Coward · · Score: 0

    I've got a simple solution to this sort of thing..

    BUY VINYL.

    It's pretty tricky to get copy protection pressed into a record.

    Records preserve my freedom and ensure my fair use rights. The CD-Rs I can produce from a legally purchased LP generally sound as good, or better than the new CD. (Yes, I know this shocks all you young grasshoppers, but the fact is, records sound far better than CDs when you've got good equipment).

    CD's on the other hand, are the TOOL OF THE MAN as is well evidenced by this story.

    Now I know alot of you are probably thinking "hmm. records.. what an idiot... they don't make those anymore." Wrong! You'd be surprised at how many records are still pressed. Further, If it isn't released on vinyl, it isn't worth listening to anyway.

    Not only do CD's make you a slave, they are completely lame. Guys, girls dig records. Don't be fools.

    1. Re:vinyl! when copy protection is impossible! by ajs318 · · Score: 2, Interesting

      The problem with your argument is, you're ignoring something pretty huge.

      Yes, in theory, LP has a high-end rolloff limited only by the equipment used - up to 40kHz is readily acheivable with a decent magnetic pick-up. CD, by contrast, has a high-end rolloff limited by the quantisation process - the Nyquist Limit of 0.5x the sampling rate. Basically, to know what the frequency of a signal is, you need at least one sample somewhere in the crest and another sample somewhere in the trough. This is a fundamental limitation that no technology will get around.

      Changing the sampling rate of a digital signal is non-trivial (except for integer multiples). So the entire mastering process is performed at 44100 samples / second, the ISO9660 red book CD sampling rate, and gives a Nyquist limit of 22.05kHz - above the limit of a child's hearing. In practice no filter can be made with a sharp enough "knee" to fit the limit, so the response typically begins to tail off around 18kHz, in line with an adult's hearing.

      So your analogue vinyl LP was recorded and mixed digitally at 44100Ss-1, and therefore contains nothing that wouldn't be on the CD of the same work. Except Vinyl Warmth, of course.

      Apple Records tried to copy-protect The Beatles' Sergeant Pepper LP by including a frequency too high to hear, that was meant to beat with the ultrasonic bias of a tape recorder and cause the volume to modulate up and down on playback. One resistor and one capacitor would have got around it. It worked fine in the labs, but most home equipment of the day couldn't reproduce the copy protection signal at all and the album was easily ripped off .....

      --
      Je fume. Tu fumes. Nous fûmes!
    2. Re:vinyl! when copy protection is impossible! by Anonymous Coward · · Score: 2, Informative
      Apple Records tried to copy-protect The Beatles' Sergeant Pepper LP by including a frequency too high to hear, that was meant to beat with the ultrasonic bias of a tape recorder and cause the volume to modulate up and down on playback. One resistor and one capacitor would have got around it. It worked fine in the labs, but most home equipment of the day couldn't reproduce the copy protection signal at all and the album was easily ripped off .....

      Not even close to reality.

      In the first place, the high-frequency tone on Sgt Pepper was ONLY put in the runout groove that takes the playback stylus into the locked concentric groove. Nobody records that part, and if they did it would not affect the rest of the recording. It wasn't even included in US pressings.

      In the second place, Apple Records did not yet exist. Sgt Pepper came out in 1967; Apple's first release was "The Beatles" (The White Album) in 1968.

      In the third place, copying a record at home in 1967 was cumbersome because it meant using a reel-to-reel machine. Philips had JUST introduced the cassette as a dictation medium of low fidelity - nobody had made a cassette or cassette machine capable of coming even remotely close to the sound of the original LP.

    3. Re:vinyl! when copy protection is impossible! by ajs318 · · Score: 1

      Alright ..... I was quoting a half-remembered Radio Times article from c.1987 ..... but I'm sure it did refer to some kind of ultrasonic modulation scheme being tested in the late 60s and I'm sure a Beatles LP was involved.

      And I know all about connecting a record player to a reel-to-reel tape recorder for a HIGHLY intimate and personal reason! :-)

      --
      Je fume. Tu fumes. Nous fûmes!
    4. Re:vinyl! when copy protection is impossible! by svirre · · Score: 1

      Yes, in theory, LP has a high-end rolloff limited only by the equipment used - up to 40kHz is readily acheivable with a decent magnetic pick-up.

      Yes you can achieve 40KHz with a lousy s/n ratio. The needle will hovever wear out and dampen HF components in the signal so after a few uses the LP will have a cutoff closer to 14-16 KHz.

      Changing the sampling rate of a digital signal is non-trivial

      It's not exactly hard either. It's just a matter of proper filtering.

      In practice no filter can be made with a sharp enough "knee" to fit the limit, so the response typically begins to tail off around 18kHz, in line with an adult's hearing.

      While this is selectable by the mastering house, there are no technical reason not to select a far steeper cutoff than that. Hell, i've designed a decimator that had flat response up to 7KHz with 16 bit resolution and 16KHz sample rate. (That is just 1KHz between passband and nyquist limit. And this was for a ultra low power, low latency application. Those are not constraints you need to take into regard in a studio environment.

      (The decimator in question filtered a 2MHz/1bit DS output using a cascade of two filters with one 7th order IIR followed by a decimation by 32 followed again by a 11th order IIR and a decimation by 4. It all fit in less than 1mm^2 in 0.18um and worked on 0.9V)

  82. Maybe not by Anonymous Coward · · Score: 0

    Depends if you want to view it under copyright law or from the perspective that buying the disc is infact a license to listen. Music Industry seems to be aiming for the latter, so in some ways, that works out ok.

  83. Oldf joke by A+nonymous+Coward · · Score: 4, Funny

    How if you want to have fun when entering Australian customs, if they ask if you are a convicted felon, asnwer "Oh, is that still a requirement?". But be ready for no sense of humor and a quick return flight.

    Remember, it's an ollllld joke.

  84. The Real Problem by CastrTroy · · Score: 1

    The real problem here is that The MPA is worried people might actually read the lyrics, figure out that most of the new music is really bad, because all the lyrics are centrallized around maybe 5 main themes, and stop buying the music, once they figure out how unoriginal it is.

    --

    Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
  85. No that's NOT what Kazaa is for... by Anonymous Coward · · Score: 1, Funny

    Kazaa is for spying on you, ripping off personal details about you and your system and stealing your computer cycles and Internet bandwidth.

    Do some reasearch on the web and get the hell off of Kazaa!

    1. Re:No that's NOT what Kazaa is for... by dan+dan+the+dna+man · · Score: 1

      When I'm not using Bittorrent I use Kazaa-Lite anyway ;)

      --
      I don't read your sig, why do you read mine?
    2. Re:No that's NOT what Kazaa is for... by bhtooefr · · Score: 1

      Internet Explorer is for spying on you, ripping off personal details about you and your system and stealing your computer cycles and Internet bandwidth.

      Do some reasearch on the web and get the hell off of Internet Explorer!

      Oh, wait - that's true!

  86. copyprotection by xWastedMindx · · Score: 1

    This has happened to me as well. I purchased the new rock band album, Trapt, and it has the copyprotection on it. I could not play it in on my home PC, without ripping it to Mp3 first.

    It's really sad that it has to come to this, but it's our fault in the first place I guess.

  87. Similar Story by Badaro · · Score: 1

    I'm a Warcraft III fanatic, have been playing is ever since it came out, without any issues at all... until patch 1.05.

    Among other things, this patch contains an "upgrade" to the copy-protection software the game uses, and after installing it every single time I try to play the game it shows a message asking me to insert the CD. I have to hit retry 5-10 times before the game runs. If I don't install the patch everything runs fine, but then I'm not allowed to connect to Battle.net and play online.

    Blizzard's support was pretty much useless on this issue, but I found a solution: I made an image of the CD in my HD and now am running the game using Alcohol 120%'s CD emulator. :)

    Badaro

    --
    My sig became obsolete, and I lack the imagination to create a new one. :(
  88. Exactly by Andy+Dodd · · Score: 1

    The way CD copy protection works is by introducing errors, BUT:

    All errors are designed so that "normal" CD players can correct them. This includes software designed to perform EC as well as a "normal" CD player, such as cdparanoia.

    Just make sure the disc is clean and scratchless, since at least Cactus Data Shield reduces the amount of real errors the EC system can correct for by introducing intentional ones.

    --
    retrorocket.o not found, launch anyway?
  89. fuck boycotting anything by Anonymous Coward · · Score: 0

    Support the online music community that releases music for free.

    This copy-protection bullshit has to end.

    There is PLENTY of free music available. Just check out mp3.com to find some excellent artists. Or listen to music from non-RIAA record labels, which release CD's without copy-protection. (since they can't afford it)

    Shoutcast.com is especially good for some high-quality audio streams, which, if you really want, could just rip the whole stream from them. (eg. using StreamRipper - divides it nicely into little mp3 tracks, which are labeled)

    Plus, if you wish to donate some funds, most of these online bands/streams accept PayPal donations. (too bad I hate PayPal)

    Enough is enough! Fuck the RIAA.

  90. Hmmm by yoey · · Score: 1

    I wonder what Norah Jones has to say about this.

  91. penetration by dmszero · · Score: 1
    its getting to the point now where even people like my parents and their friends have asked me about copy protection on music cd's.

    the longer the music industry does this (especially with high penetration artists like placebo and ben harper) the more of the general population will be effected by "cd's that dont work"

    customer backlash is inevitable, hell EMI cd's wont play on my stero (and its old) .. the more cd's they put out that are crippled, the more people they are going to piss off, the more pissed off the populace gets , the more backlash there will be. people dont like paying 30$au for something that wont work when they want it too

    your customers are your market, fuck with your customers, and your market evaporates. but hey, it hasnt seemed to stop any other global conglomerates has it.

    dms0

    --
    -= world leaders choose world leaders not us, not a democracy, not a revolution! =-
  92. subpoena time for /. by DuctTape · · Score: 1
    I'm just waiting for RIAA to subpoena Slashdot for all the user info for the folks that published circumvention information.

    Nope, I'm just through buying CDs for the time being. But I can only listen to Bo Donaldson and the Heywoods so many times.

    DT

    --
    Is this thing on? Hello?
  93. Good point by Andy+Dodd · · Score: 1

    Avril and DB certainly not the best out there, but they're far better than a lot of what the RIAA likes to peddle. (Spears and Timberlake... Need I say more?)

    And some of DB's more recent works are a lot less "drivel-ish" than his debut of "Gotta Get Through This". Interestingly enough, I heard somewhere that most of the work on that track (and possibly the initial recording of it) was done in his bedroom... I'm sure that it was later rerecorded in a proper studio. :)

    And Avril is the anti-Britney... Or at least used to be. At least some of her music has some sort of meaning, rather than "oops I did it again".

    --
    retrorocket.o not found, launch anyway?
  94. It ripped just fine for me by N4m0r · · Score: 1

    I used Grip (cdparanoia and oggencode) and everything worked just fine. Either the Norah Jones CD I have is not copy protected or the scheme they are using is too good.

  95. Protected CD vs MP3 by RadioactivePorpoise · · Score: 4, Insightful

    I can't believe that the recording industry believes that locking down CDs, making them less versitile, and restricting where you can play them is going to make them a more attactive product than a free MP3. Please, at least give me some reason to feel guilty. I suppose the dinosaurs trapped in the La Brea tar pits thrashed around a bit before they went under as well.....

  96. EMI says 1 + 1 = 3 by RembrandtX · · Score: 4, Insightful

    from the report:

    "Once there, he tried to listen to his new acquisition, using his Titanium laptop which runs version 10.2 of Apple's operating system. There was no response, with the disc not being recognised.

    One can't blame Marovitch for not trying - he tried to listen to the disc on a workstation which runs Windows 2000 and then on one which runs Windows XP.

    In both cases, he got no joy. The disc was not picked up by the system. "

    from EMI :

    "As the technology was created to be played through its own embedded player on the CD itself and not any other player that is currently available to the PC/Apple, it will cause anomalies if played in any other manner."

    Now .. could someone explain to EMI how hard it is to use an embedded player on the CD itself when your computer system cant even see the CD ?

    --

    --Ne auderis delere orbem rigidum meum, non erravi pernicose!
  97. I did this and mailed Sen. Hatch about it. by Mr.+Competence · · Score: 3, Interesting

    I had to do this with a CD last year because of some old CD players we have at home. I e-mailed Sen. Hatch about it and explained in detail what I had to do and why I had to do it. I then pointed out that the music industry was 'forcing' me to make copies of their CDs in order to be able to use what I had paid for.
    I also told him that I copy every single computer CD that I get and only use the copies so that my originals won't get ruined. I would do the same with DVDs if I could. I don't steal software, but I copy everything I have. Luckily, I pointed out, I am knowledgeable enough to get around all of these copy protection schemes; but most people aren't and it is illegal for me to help them.

    Everyone should write their congresscritters and legislators about their experiences like this so that they will be more aware of the problem. Be a squeaky wheel.

    --
    Those who open their minds too far often let their brains fall out.
    1. Re:I did this and mailed Sen. Hatch about it. by Black_Logic · · Score: 1

      Just out of curiousity(sp?), did you get a reply other than a form letter? (No sarcasm intended)

      --
      Ansi's and stupid tricks!
  98. nice analogy by Ender+Ryan · · Score: 1
    best. analogy. ever.

    --
    Sticking feathers up your butt does not make you a chicken - Tyler Durden
  99. RETURN defective crap. It will work. by medscaper · · Score: 4, Insightful
    I bought a re-released DVD the other day from Walmart made by MGM. It was an 80's movie, but re-released under some new profit scam, I'm sure, in 2003.

    I took it home, and...you guessed it. It wouldn't play with WMP 8, Real, or WinDVD in any of 4 drives I tried on two machines. I did find some old shareware player that would play it, but it was a crap player, and I couldn't stand the jumpiness, digital blocking, and other fine artifacts whilst I watched.

    So, I trotted it's little shiny ass right back to Walmart, stood in line for 20 minutes, and, after reading the "no refunds on opened CDs, DVDs or Software" about 412 times, I got to the front of the line. I handed the 17 year old girl my DVD, which she inspected closely.

    "Yeah, it's been opened," I said. "It's ok. I just need a refund." "Uhhhh, sir? We don't really...ummm...do refunds...on...ummm...opened...uhhh...stuff like this."

    I grinned, and said, "That's ok. Just need my money back, thanks. It doesn't work." I was thinking to myself, how do I explain DVD copy protection to this girl without making her head explode or having her gnaw her arm off to escape?

    "Well, I can't really...ummm...give a refund on this. Would you like to exchange it for another one?" "Nope," I said with a smile. "Just my money back. Thanks."

    She pointed to the tiny sign about no refunds on DVDs and said "Well, we have a policy..." I interrupted her with my best Fargo-esque Minnesota accent, "Hey, you betcha. Y'know...Yeah, I see your big sign right there...yeah, that one. Hey, that's great. 'Satisfaction Guaranteed' Wow. That sign's gotta be 12 feet tall, huh? Dontcha figure that sorta makes this little one here not really all that important?" She stared at me blankly (We're in Portland, not Minnesota, and I don't think she got it.)

    "Yeah, ummm...I'm gonna have to call my manager." "Not a problem," says I, with a chorus of groans from the people in line behind me...So, the manager shows up, and she's gotta be at LEAST 19, with a cool ring of keys around her wrist. GOTTA be important stuff, huh? The clerk hands her the DVD with a conspiratorial look at me..."it's been opened..." she whispers quietly to the manager.

    So, after a 5 minute diatribe about the horrors of this copy protection crap, she just shook her head, "We can't return this." At which point I pulled out my cell phone (which was off), punched 911 so she could see me, and said, "Are you suure? I've got nothing else to do tonight."

    So, I got my money back.

    Return your DEFECTIVE DVDs and CDs. If we don't, all we're doing is encouraging them!

    --
    Any sufficiently well-organized Government is indistinguishable from bullshit.
    1. Re:RETURN defective crap. It will work. by Theaetetus · · Score: 3, Interesting
      If you have a laptop (I don't, otherwise I'd do this) - do it in front of 'em... Take the unopened CD/DVD to the service desk - open it in front of the clerk, have it not work in your machine, insist that it's broken and get another one. Repeat until they run out of copies. THEN insist on getting your refund. The 'we don't take opened returns' is theoretically to prevent you taking them home and copying them and then returning them. Opening the disc in front of the manger, though, should make it obvious you're not burning copies.

      -T

    2. Re:RETURN defective crap. It will work. by Monkeyman334 · · Score: 1

      Just a quick question. It was just a bluff I understand, but what would tell a dispatcher with a 911 call? For own my knowledge, what rights do we have as consumers to return defective DVDs and CDs? I understand the laws may be different in Portland (Oregon) because of their political stance, but can you give a general idea? Thanks.

    3. Re:RETURN defective crap. It will work. by Trixter · · Score: 1

      Something's not right about this one. For example, if you could play it AT ALL then I wouldn't consider it "defective". There is no such thing as copy-protection (other than CSS) for DVDs (yet). Did you actually try it on a set-top player?

    4. Re:RETURN defective crap. It will work. by Trogre · · Score: 1

      Great call.

      But you know, I'd be very surprised if the disc didn't play in Ogle, mplayer or Xine.

      Perhpas we should start 'returning' crap DVD software too.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    5. Re:RETURN defective crap. It will work. by medscaper · · Score: 1

      No, I don't have a set top player anymore since my 5-year-old one died a miserable death. In fact, the errors I got in each were something like "Due to a problem with Digital Rights, this media cannot be played at this time". So, it could have been my own damn fault for something, but seeing as I have a 100+ DVDs that play fine (haven't purchsed one in a year or two, though) that SOMEthing has to be wrong with it... It could sincerely have been a bad DVD, but the copyright data of 2003 and the Digital Rights warning were enough for me.

      --
      Any sufficiently well-organized Government is indistinguishable from bullshit.
    6. Re:RETURN defective crap. It will work. by medscaper · · Score: 1
      In fact, that tactic was something I think I read here on /. - something about a guy calling the cops for fraud or something.

      Yes, though, it was a complete bluff, and I wouldn't really bother a 911 dispatcher with something pissy like this. If I caused even one person in pain or injury a second more of suffering, I would regret it. Besides, I think I would have sauntered away from the counter pretending to talk to them if she'd called my bluff, but I saw the look on her face as I was dialing. Not a chance she would have called me on it.

      :)

      But as far as real rights, I would guess that fraud would be the only thing I'd have a leg to stand on, legally. It says DVD but won't play on my DVD player. How do I know my DVD player isn't out of spec? Or broken? I guess it wouldn't even be something I'd pursue, except maybe to small claims court for my money back. And in that case, a letter of filing would probably be enough for Walmart to drop the whole thing.

      --
      Any sufficiently well-organized Government is indistinguishable from bullshit.
    7. Re:RETURN defective crap. It will work. by Anonymous Coward · · Score: 0

      Don't stop there, sue them for an additional $1000 for stress, if anyone won a case like that then the whole industry would clean up their act...

  100. Re:I want discs that work forever not just current by napir · · Score: 1

    Hmm... iTunes ripped my copy of 100th Window without a hiccup. Is it just certain regions that got the copy protected version? (I'm USA)

  101. What the band "Cold" had to say about MP3s by telstar · · Score: 3, Interesting

    The long-time stance of the Slashdot crowd has been that if digital music distribution were made available to bands, they'd see more of the revenue from music sales. I was listening to the radio last night and heard the band "Cold" talking about MP3s. Their stance seemed to be that the money earned from CD sales is owed to the record labels for the work they do promoting the music, pushing the concerts (something that apparently generates a lot of revenue for the band), and making sure their songs get played on the radio.

    This seemed completely backwards to me. Cold has basically bought into the line that they need the RIAA for promotion, and they're willing to give up their revenue from CD sales in exchange. It was the first time I'd heard a band actually come out and say this.

    I think the digital music battle has a long way to go if artists fail to understand that what digital distribution offers is a way to break free from the record labels. I can't believe that so many artists are willing to give up their CD revenue in exchange for promotion and production costs as long as they still get their take of the concert sales.

  102. EMI Austrailia Copy Protection by Anonymous Coward · · Score: 0

    EMI went through all the pain of implementing their new "Copy Control", pissing off all their customers for nothing. They claim to have a player on the cd which will work on any windows 95/233 mhz computer but of the dozen EMI copy protected CD's I have only had it come up once. One the other hand, I have yet to find a CD distributed by them that I haven't been able to copy in 15 minutes or less. The bonus - the copied copy loses the copy control. I won't give specific instructions so EMI doesn't come after me, but to make a copy you can play on any computer you simply need to "dummy down" the burner, removing the error checking in the read process, or simply pull out one of our old 4x burners.

  103. Re:I want discs that work forever not just current by Unkle · · Score: 1
    One issue that people don't see with these discs is that even if they work on whatever hardware you have now that doesn't mean it will work in what you buy later

    True, and I have heard that many DVD players actually use PC drives to read the DVD. I'm sure my Toshiba DVD player and the Toshiba DVD drive in my PC were not seperately developed. That would be stupid. They probably based one off the other and I would suppose the differences are minor (speed being the biggest). The DVD player is even capable of reading regular disks with MP3s stored on them, and it does, even though the playback sucks. If these disks are designed so that CDROM drives (and, most likely, combo DVD/CDROM drives) cannot read them, they will seem broken in DVD players as well.

    --
    Against stupidity, the gods themselves contend in vain.
  104. CDEx & CloneCD by Anonymous Coward · · Score: 4, Informative
    Last week I sat down to work and wanted to listen to "The Very Best of Fleetwood Mac". It sounded terrible in Windows Media... Grumble, "Crappy Program."

    Tried Real Jukebox that came with my Yamaha CD-F1, wouldn't recognize the disc in the drive. "Hmm..."

    Look at the back of the CD case and in 4 pt font there is something about "Made with Macromedia." Now I'm mad.

    First I used Clone CD to make a virtual CD image on the hard disk. This program is great, for making backup copies of CDs or allowing you to play a game with "Please insert original CD in drive D:". It is $40 well spent.(I'm in no way affiliated with elby.)

    Now I had a readable image. Next I used CDEx to remove the copy protection from the image and create a Redbook compliant CD. CDEx is free from SourceForge. Hat's off to an impressive program.

    Ahhh... Now I can listen to my new CD while I work. I wasn't copying to CD to copy it (it would have been more cost effective to buy another, as this process took an hour and I get paid more than $15/hr...) I space-shifted the CD so I could listen to it in the device of my choice.

    I've never downloaded an MP3 from P2P, and have no intention to do so. It is very frustrating not to be able to sit down and listen to a CD that I just bought. (Actually, it was a gift from my sister.) Also, I typically make one copy to use in my car and keep the original in my home CD changer. Car CD's tend to get damaged easily.

    1. Re:CDEx & CloneCD by Anonymous Coward · · Score: 0

      "Made with Macromedia" means there's a visual Macromedia Flash presentation on a data track on the disc. It doesn't mean copy protection.

  105. Misread of "simon richards" by sacrilicious · · Score: 2, Funny
    creative director of the Simon Richards Group

    I first read this as "creative director of the Richard Simmons group". Oh my.

    --
    - First they ignore you, then they laugh at you, then ???, then profit.
  106. Broken merchandise and returns? by Theaetetus · · Score: 4, Interesting
    I listen to most of my music at work using my PC and my headphones. So my wife recently got me the new Phil Collins CD ... for me to find out that I can't listen to it on a PC.

    I don't have a laptop, unfortunately, or I'd try this... Go to a big music store with your laptop (some time when you've got a lot of free time). Bring along a printout of the Redbook standard (the one that they have to comply with if they want to put that little Phillips 'Compact Disc' logo on the disc).

    Buy a Phil Collins CD that you know is copy protected. Bring it over to the service desk. Open the CD in front of them, stick it in your laptop, have it fail to play, and insist that it's broken and you want another one.
    Go get another one, open it, and do the same thing.

    Repeat until you've opened the shrinkwrap on every copy of the CD, forcing the store to either re-wrap them or (more likely) send them back to the manufacturer as defective (at the manfacturer's cost).

    Then go on to Norah Jones. ;)

    -T

    1. Re:Broken merchandise and returns? by nyseal · · Score: 1

      Now that's a good idea....but I think they'd probably cave in by the time you got to Celion Dion!

      --
      [SIG] Remember Mattel handheld games?
  107. One thing that bothers me here... by BrokenHalo · · Score: 2, Insightful
    is that nobody seems to be objecting to the fact that the publisher is making the decision for you as to what program you use to play his pseudo-CD. I, personlly would be pretty shat off if I was forced to use stinkyfinger_1.0.1.exe as opposed to my preferred fucking_great_cd_player.exe.

    Not that my computer has any programs ending with .exe, but still...

    1. Re:One thing that bothers me here... by buck_wild · · Score: 1

      Unlike the host of other linux apps that are on release .10 at best, right?

      --
      If all you have is a hammer, everything looks like a nail.
  108. The best way to lower the price of a CD by zakezuke · · Score: 1

    Don't bother making the CD.

    We have a distrobution network already setup. P2P and server based like apple's itunes. Rather then selling the media, sell the license to use it. A jewel case, CD label, and perhaps a bumpersticker saying *I bought this music*. Typicaly CD-Rs don't come with jewel cases, and jewel cases *ARE* a product that consumers are willing to buy.

    --
    There is no sanctuary. There is no sanctuary. SHUT UP! There is no shut up. There is no shut up.
    1. Re:The best way to lower the price of a CD by Anonymous Coward · · Score: 0

      By not making and distributing discs, they'll save all of $0.50. That is not the major cost of music production -- it is salaries, marketing, and promotion.

  109. A blip on the radar by chameleon_skin · · Score: 3, Insightful
    While there are a lot of things going on in Copywriteland that I'm worried about, this isn't one of them. While it's true that consumers often adopt technologies that only serve to benefit the manufacturer of the particular technology, they only do so through laziness. Most people don't have the time or energy to boycott a product that they are 90% happy with because of one or two usage-limiting "features" that they will never see even if in theory they don't like them.

    In this case, however, laziness plays the exact opposite role. While pirates are going to step up to the plate and see this as a challenge (perhaps even a welcome one), your average consumer simply won't buy a product that doesn't work in the way they believe it should (in this case, CDs that, well, actually play). It might take a while since public knowledge of this scheme is still very low, but all it's going to take for your average person is one such incident as cited in the article, and you can bet they'll stop buying cd's with those new-fangled operating instructions on the artwork.

    In a couple years these ridiculous, half-assed protection schemes are going to be chalked up as a lesson in business failure in some MBA textbook, and beyond that will only be history. In Soviet Russia, the KGB makes unauthorized copies of you.

  110. Wired Magazine Article on Why DRM is Wrong... by Anonymous Coward · · Score: 0

    on why DRM is wrong...

    Copy Protection is a Crime

  111. News? by RAMMS+EIN · · Score: 1

    Entertainment industry cracks down on free advertisement. Film at 11!

    ---
    School: first you do your best to get in, then you do your best to get out.
    -- Inglorion

    --
    Please correct me if I got my facts wrong.
  112. Music at work by sn0wcrsh · · Score: 1

    I have the same problem when I try to listen to music at work. My CDs won't play on the newer machines with this wonderful copy protection enabled. Consequently, I've been forced to go through and rip my ENTIRE collection so that I can actually listen to it. My music collection used to be on audio CDs, and if not for the copy protection I would never have bothered to convert it to mp3. IS IT POSSIBLE THAT THE MUSIC INDUSTRY WANTS ME TO SWITCH TO MP3?

  113. Even simpler... by MsGeek · · Score: 4, Informative

    I don't know if any of you are old enough to remember the "look for the Union label" jingle. However, what you need to do as far as CDs go is "look for the CD-DA logo."

    From what I understand, Royal Dutch Philips is actively looking for CDs labeled as proper Red Book compliant, non-broken CD-DA CDs but which are copy-limited, and therefore broken. If that Phil Collins and/or Norah Jones CD has the logo, but does not conform to the Red Book standard, Philips needs to be let know so they can SUE. And they have specifically said they WILL sue if cases like that are brought to their attention.

    If the CD DOES NOT bear the CD-DA logo, you can't do this. But if it does...you can put a world of hurt on the music industry strictly by bringing this to their attention.

    --
    Knowledge is power. Knowledge shared is power multiplied.
    1. Re:Even simpler... by buck_wild · · Score: 1

      While that is certainly true it doesn't bring the other, more powerful advocate into the fight...the businesses. So far, I don't believe I've heard of any case where they based their stock on what copy protection scheme the CDs had.

      To go to an extreme: if EVERYone did this, they'd (music store) likely not carry the Phill Collins CD in question, causing the label to rethink it's policy.

      --
      If all you have is a hammer, everything looks like a nail.
  114. Not Perfect by CharlieO · · Score: 1

    Actually the data you get back from a cd drive in audio extract mode is NOT the same as that on the disk.

    If you CRC the data you get back and compare with the same rip you get from another brand of drive or ripper it will probably be different.

    One of the main reasons is that audio CDs have no positioning information on them. In a data CD part of each data block is an index that allows the drive to know EXACTLY where on the disk it is reading, on an audio CD the whole data block is used to encode the music data. The TOC tells the CD drive where to find the start of the track, and the head starts reading from there. The differences are small enough you don't hear them normally - but in DAE you need to get the head exactly positioned and different drives and rippers combinations will have different accurracies and offsets will achieve this to varying degrees of success.

    1. Re:Not Perfect by recursiv · · Score: 1

      Actually the data you get back from a cd drive in audio extract mode is NOT the same as that on the disk.


      But the only difference between the two is the one you point out. Tiny differences in where the track starts and ends. In the part that matters, (the actual content) there shouldn't be one bit (pun intended) of difference.

      --
      I used to bulls-eye womp-rats in my pants
    2. Re:Not Perfect by CharlieO · · Score: 1

      Nope - you will still get minor bit corruption from jitter correction and error correction, some from the drive, some from the extract tool.

      Not much - and hopefully none - but probably still there.

  115. Here's a really off-the-wall idea by mwood · · Score: 2, Funny

    Buy a CD player.

    1. Re:Here's a really off-the-wall idea by PhxBlue · · Score: 1

      Not a bad idea! But give us your credit card number and expiration date, because I'm not going to pay for another CD player when I already have a CD-Rom, a CD-RW, and a Playstation 2.

      --
      !#@%*)anks for hanging up the phone, dear.
  116. Don't bet on it... by Svartalf · · Score: 1

    They're still blaming piracy for the current drop in sales- even though other groups have fingered what is actually wrong.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    1. Re:Don't bet on it... by tuxedobob · · Score: 1

      Fingered? Is that a typo or a joke?

  117. Common sense needs to apply... by gilesjuk · · Score: 1

    By copying a CD for personal use and making no financial gain you're hardly committing a crime that is as serious as GBH, major fraud or using a firearm illegally. Yet it seems the RIAA and others seem to see it as a comparable crime, probably because their penthouse suite, swimming pool, Lexus and "happy-meal ass" lifestyle is under threat.

  118. I've seen worse.... by JFMulder · · Score: 1

    Somehow, the Nirvana compilation CD that came out a few months ago works perfectly in my computer CD player, but doesn't work in my portable Sanyo CD player. I had to burn a copy of the CD in order to have it work in my portable CD player. And I'm not talking about fancy settings here : I just popped the Nirvana CD in my DVD drive, put a blank CD in the burner, started Nero, choose "Copy a CD" from the CD Burning Wizard, and 8 minutes after I had a "exact" copy which now worked in my Sanyo portable CD player.

    Now that's odd

  119. I give it a 7 out of 10 by AlexMax2742 · · Score: 1
    Its a funny alternate scenerio, and it's somewhat well written, but the whole thing looks kinda jumbled together. Maybe some paragraph seperators...

    I'll give this 'future where the corperations win' story a respectable 7 out of 10. Tune in next /. story involving corperations of any sort, when doubtless we'll see another one of these.

    --
    I'm the guy with the unpopular opinion
  120. if only... by ColeNielsen · · Score: 1

    Doesn't it seem stupid to provide *COPY PROTECTION* on a CD when I can still rip the tracks with *NO* effort whatsoever.

    Doesn't it also seem stupid that all I have to do is *ISO* the CD and viola... a backup of the *COPY PROTECTED* CD.

    And I just remembered that I'm out of CD's so I'm going to head to Wal-Mart because my legitimately purchased INCUBUS CD won't work in my car anymore... good thing I archived it to my computer.

    That's another thing... does the *COPY PROTECTION* really protect anything as I can *ARCHIVE* the *COPY PROTECTED* CD anyway?

    1. Re:if only... by ajs318 · · Score: 2, Interesting

      That is exactly the point. It only takes one illicit copy to ruin the whole effort.

      It wouldn't be too hard to take a feed of the zeros and ones as picked up by the laser in a standalone CD player (even if there wasn't a digital out) and decode that. The process is published in the Red Book :) The track breaks &c. can be got either from the embedded timecode or (for real diehard hackers with points to prove) the LCD drive signals.

      Or, you could build a card that sat on a computer's bus, and emulated a well-documented sound card well enough to fool Windows - and grabbed the resulting data in onboard RAM, or possibly a dedicated separate HDD. All in all, copy protection is a fallacy. The only workable scheme would be one that could truthfully detect whether or not the listener is doing anything dishonest.

      Anyway, even if the record companies do succeed in implementing such a scheme (I for one believe it's impossible) we can always make our own music! Unless/until the record companies find a way to regulate the manufacture and sale of instruments [excuse me chummy, that there guitar looks as if it might be going to be used to play a copyrighted song - you're nicked], anyway .....

      --
      Je fume. Tu fumes. Nous fûmes!
  121. My short story... by Anonymous Coward · · Score: 0

    1. bought R$ 35 (U$ 12) disc to wife as a gift;
    2. wife mostly listens to her music in the car;
    3. (copy protected) disc did not play in the car;
    4. went downtown; bought R$ 1,50 (U$ 0,30) pirate copy of the cd;
    5. wife.setMood(Mood::HAPPY);
    6. Profit!!! :-)

  122. What ? by Anonymous Coward · · Score: 0

    I'm actually listening to that album on my computer right now!? Did only some of the copies of this album get copy protection ? Non-US maybe ?

  123. This Proves a Few Things... by oaf357 · · Score: 1
    1) The obvious, no matter what... copyright protection will be thwarted in some way, shape, or form.

    2) The music industry has no clue what they're doing. How can you create something and then not test it, find the qwirks, and fix them? That is just a bad product. Too bad the bad product is preventing people from using the product that they thought they were purchasing.

    3) If Apple PCs aren't supported, then obvious every CD player isn't supported either.

  124. First of all ... by aldousd666 · · Score: 1

    Nora Who? I know there are probably millions of people out there chomping at the bit to copy a half-jazzy artist's cd... Not only can you not Listen to these CD's (celine dion cd comes to mind here too, a post from a long time ago) but it actually crashes the iMacs if you try to even put it in the drive. I know a guy who was so upset that his iMac was hobbled by a damned celine dion cd that he took it back to the store, and bought an Intel. (I'm not a celine dion fan, but to each his own... Interestingly enough, you can fix the problem (and circumvent the protection) by drawing a nice black ring around the outside of the disk (the unwritten part) with a Sharpie. Cheers kids.

    --
    Speak for yourself.
  125. And if you don't have the right attitude... by debest · · Score: 1

    .. make sure you bring along someone who does!

    In my case, it's my wife. If you get her pissed at you, look out! She is a customer service agent's worst nightmare. She will only get MORE indignant and demanding if she gets the runaround, usually to a bunch of people who "can't authorize that". She is completely unafraid of creating a scene and making sure everyone in earshot knows that the company she's dealing with is screwing her over.

    In some ways, I hate it. The looks I get as the "poor husband" (or, perhaps, "asshole husband of the bitch") are quite humorous when looked at in hindsight, but very uncomfortable at the time.

    But in other ways, its great. Our cable connection was down for maintenance for a couple of hours one day, and she couldn't bid on an auction she had been watching for days. You wouldn't think that a couple of hours of downtime would be worth a month's free high-speed access, but apparently she convinced them that it was, and took up a couple of hours techie and admin peoples' time to boot.

    I don't even want to think about what she'd do if she were to (shudder) put a Celine Dion "CD" into an iMac, and watch the machine lock up.

    The key seems to be the ability to be utterly uninterested in giving the poor schmuck who you are addressing a break. I can't really do that. Yes, I want the company to get its just desserts, but I feel for the kid I'd have to deal with (whose job depends on making my task difficult). My wife, on the other hand, really couldn't care less if she's ruined the day of someone earning minimum wage. "If some store shits on me, I'm shitting right back on whoever they send out to talk to me."

    In other words, I'll just make sure that if I come across a defective CD or DVD, I'll be making sure that my wife get riled up about too. The media industry won't know what hit them!

    --
    Look at the tomato! Isn't it sad? He can't dance! Poor tomato!
  126. hee hee hee !!! by Anonymous Coward · · Score: 0

    This story just shows up RIAA and their Nazi friends SO BEAUTIFULLY. After 10 minutes, I am still trying to scrape myself off the floor and stop bursting out in giggles.

  127. Interesting findings... by leeet · · Score: 2, Interesting

    More and more people (like me?) just DON'T have any CD players at all!

    I have a DVD player in my living room, which I doubt will be able to play those disks (heck it can't do CDRs/CDRWs).
    I usually play my CD's on my computer and then redirect the audio to my home theater system.
    Will I have to become a pirate to listen to my future CDs?

    I guess this also raises the question whether or not you own the media or the songs on the media? What do you pay for? The right to listen to the songs (if so, can other people around you listen too?) or the right to listen to *that* media only? (then you can't make MP3s for your walkman/car player?)

    It seems like the fact that you can't play that CD on some hardware is some sort of discrimination. You can't fully enjoy your CD. Will record companies refund you a part of the price since you can't play it on all your players? If you own the right to listen to the song, would making a copy be legal in that case?

    --
    -- Leeeter than leet
  128. Just send EMI an e-mail by SoupIsGoodFood_42 · · Score: 1
    I couldn't find any address--or even a feedback form--on their site. I guess they get a lot of "unwanted" feedback (don't you hate companies who just shut you out completely?).

    I sent it to sales@emigroup.com, but I got an error. So if anyone knows of a working e-mail at EMI, let me know.

  129. This could happen to you! by Anonymous Coward · · Score: 0

    This is a personal account, don't draw any conclusions from it.

    My favourite artist (a Finnish one) published a new record. I knew the album was copy-protected, but I bought it anyway. Not being able to make ogg.'s of it, I haven't really listened to the CD after the initial first days, since the procedure (with the accompanied player), is just that much unwieldy.

    As a non-direct result my fandom for her has cooled off, which is something I don't like. I'm now less inclined to buy her next album or attend her concerts. This isn't right. 8-(

  130. Poor Bastards by clonebarkins · · Score: 1

    So how many poor unpaid interns do you think the RIAA has monitoring /. every day, logging all the various complaints and attacks?

    I'm surprised they haven't sued /. yet. Of course, they would have no grounds, but that hasn't stopped them in any of their other pursuits.

    Poor bastards.....

    --

    "The evil of the world is made possible by nothing but the sanction you give it." -- Ayn Rand

  131. Actually, they're right by Trixter · · Score: 2, Informative

    You must remember that, up until VERY recently, all CDROM drives have a little "play" button on them that will blindly seek to track 1 and start playing redbook audio through it's analog and/or digital output ports (you know, the little thin cable that you can never find when you're trying to hook up your CDROM drive to "AUX" on your sound card). You don't even need to have an OS booted -- just supply power to the CDROM drive and press the little button and it will play.

    While the above is sarcastic, I'm actually somewhat serious -- what EMI said was perfectly and technicaly valid. Incredibly insulting to the computer user community, but valid.

    1. Re:Actually, they're right by ShawnD · · Score: 1

      My fairly new DVD-ROM drive has this. I never use it since the first thing I do is rip all new albums to MP3.

      If anyone is interested the drive is a Pine 16x DVD-ROM. It was the cheapest on the shelf... The Creative 52x CDROM it replaced also had a play button.

  132. Yep, AU eand some european countries (nt) by Chuck+Chunder · · Score: 1

    no text

    --
    Boffoonery - downloadable Comedy Benefit for Bletchley Park
  133. you come in too late sir by themusicgod1 · · Score: 1

    thats whats allready happenned... and no they havnt noticed
    destroy the riaa

    --
    GENERATION 26: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
  134. Re:I want discs that work forever not just current by Parrot · · Score: 1

    Actually, I had no problem ripping my copy of 100th Window here in Australia. It seems for some reason that one of the ways to circumvent the Cactus Shield stuff is to use your PCs DVD-ROM drive and it reads it perfectly. Not sure why (and not sure why it seems to be broken on some stereo component DVD players), but it worked for me. I guess YMMV though.

  135. ACK! IT all makes sense now! by gerardrj · · Score: 1

    Okay, okay...

    The record companies (claim they) are loosing billions of dollars to piracy/sharing. They attempt to solve this problem by copy protecting the CDs and forcing you (ineffectually) to use embedded players when the CD is played in a computer

    Am I the only one that sees the next step: advertisements on the CD. Most audio CDs only fill 80% of a standard 640MB CD, never mind the extra storage you can get on a 700MB CD. I don't think they'll do video, but I certainly see audio only, or Flash based animation type ads.
    Your listening to your new CD lawfully through the embeded player on your PC, a track ends. Your are trated to a 30 second "radio" spot for some detergent, new running shoe, or a car. This happens three or four times during the length of the CD.

    The record company is happy now because even if your pirate the CD, they will have made money from selling the advertising time to some big sponsor.

    Of course, the embeded player will not allow you to skip the ad, or fast forward past it.

    Damn I'm happy I can already use the iTMS.

    --
    Article X: The powers not delegated... by the Constitution...are reserved...to the people
  136. c't CD Register by BranchingLichen · · Score: 1
    Check out the c't CD Register. It is a database of which CD works in which drive. German only, but the query page should be easy enough to understand for English speakers.

    For Norah Jones it has only one entry: Come Away With Me. I'm not sure if that's the album the guy from the article tried to play.

    Translation help:
    • Abspielen = play
    • Auslesen = rip
    • ja = yes
    • nein = no
  137. When Copy Protection Fails by damiena · · Score: 1

    WARNING: Condition is always true in function slashdot.readStory(64137);

  138. The limited edition version isn't copy protected. by Chuck+Chunder · · Score: 1

    Which made me happy as it's a kick ass album but I'm not buying something I can't use. So for a few extra bucks I got one with a nice red cover and a t-shirt. And I can actually listen to it too.

    --
    Boffoonery - downloadable Comedy Benefit for Bletchley Park
  139. Check your local laws by bluGill · · Score: 1

    IANAL, so I won't offer legal advice. However in many states it is illegal for stores to refuse refunds for defective merchendise. They don't want to take DVDs and CDs back, but legally they have to. Thus they will try to say they can't.

    I suspect record companies require the fuss, but I'm not sure.

    Remember though, you need to check your local laws.

  140. Re: More and more of this ... by redcane · · Score: 1

    Aren't you copying the copy the Cd store gave you? Or you mean you can't personally make a copy of your copy, so you have to get your friend to come around and make it for you?

  141. Please Reconsider by bdkives1 · · Score: 1

    Please Reconsider.

    First off, It's a good album. A little over hyped, but good.

    Second, I still haven't seen a copy protected version. It must be an Australian thing.

    And most importantly, Norah Jones is cool. She released a lot of live songs as MP3. You can download the right off of her web site.
    http://www.norahjones.com/av/default.htm
    a nd scroll to the bottom. And we are talking better quality live recordings encoded at 160 kbps.

    Just don't punish Norah Jones for her record company's mistakes.

  142. Norah Jones? by iamhassi · · Score: 1

    Well that's what he deserves for buying a Norah Jones CD.

    --
    my karma will be here long after I'm gone
  143. Submit your comments at the EFF. by Irvu · · Score: 1

    There is a proposal on the table (in the U.S.) to mandate that rights-restricted products such as these cd's be labelled. This will make is possible for consumers to choose whether or nor they take rights-restrictions or not. You can register your support over at the EFF

  144. Do I see a pattern here ? by CaptainZapp · · Score: 1
    You could have spoken for me; literally.

    The last cd I bought was Mezzanine; I wanted to get 100th window but absolutely, positively and most definitely refrain from buying overcharged, corrupted consumer goods (Mezzanine is not (yet) copy protected).

    Yeah, great shit! The music industry just lost another paying customer. Don't worry: I won't go and rip of your shit from the net. There's anyway no more that much to rip off nowadays and I'm quite happy with the back catalog, my own cd collection and with the ones you force me to borrow from friends.

    You management type geezers of the major entertainment companies, you who couldn't care less if you push Pepsi, hawk razorblades or deal in cigarettes, but accidentally wound up at a record company should be aware of that. Quite possibly your dwindling sales are not primarily related to kiddies downloading Britneys crap, but to people like my mate Chuck or myself who absolutely refrain from being extorted in exchange for a corrupted product and who are sick and tired of being treated as crooks by you. Y'know it's people like us who ultimately sign your paychecks. But you'd proabably have to first get your heads out of your asses in order to understand that. In the meantime; and in good old Metallica fashion my I suggest that you:

    GO BANGE YER HEADS...

    --
    ich bin der musikant

    mit taschenrechner in der hand

    kraftwerk

  145. Re: 100th Window solution by iainl · · Score: 1

    Of course, you could just do it the hard way, and record the vinyl to CD like I did when I discovered that the CD release I imported had protection on.

    Its a gorgeous triple-gatefold as well, which is nice.

    --
    "I Know You Are But What Am I?"