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Former Apple Exec Speaks Against DRM

Wysz writes "Mike Evangelist, former Director of Product Marketing for Apple's "Pro" applications, has blogged his thoughts about DRM. Like many of us, he is offended by the fact that the record labels and movie studios treat their customers like criminals. While he notes in the comments section that iTunes is the best of the worst, he admits to using third-party tools to remove the DRM from iTunes tracks."

408 comments

  1. Good luck! by sg3000 · · Score: 3, Insightful
    I've been a big buyer of prerecorded 'media' for over 35 years. I have two or three hundred vinyl LPs, several dozen 45's, a hundred or so audio cassettes, and roughly 60 prerecorded reel-to-reel tapes. They are jammed in my closet with a couple hundred VHS tapes, 450 CDs, and 500-odd DVDs.
    From this day forward I will never spend a another dime on content that I can't use the way I please.

    Easy for you to say; you've already bought everything!

    Just kidding.

    Seriously, good luck with that. I'm sure, like when Homer Simpson told Moe that he wouldn't buy any more "Flaming Moe's", Apple and others will be able to hear your "You just lost yourself a customer!" declaration over their excited, yelling customers and ringing cash registers.

    ...with every day that passes it becomes more and more obvious that the greedy bastards who run these media companies prefer to treat me (and all their customers) like criminals

    You know how just about every department store puts a don't-steal-me tag on the clothes that has to be removed before you can wear it? They're treating you like a potential criminal, too. Just something to think about before you boycott an industry that takes irritating measures to keep their stuff from getting stolen.

    For what it's worth, although I avoid buying CDs that aren't real red book Compact Disc (I want to rip my music with no limits), I have no problems with Apple's DRM.
    --
    Insert simplistic political, ideological, or personal proselytization here.
    1. Re:Good luck! by BridgeBum · · Score: 5, Insightful

      At least the department store removes the tag after you buy it.

      --
      My UID is the product of 2 primes.
    2. Re:Good luck! by Buddy_DoQ · · Score: 4, Insightful

      Yeah, but when you pay for a shirt at the store, they take that protection off before you take it home. DRM big music style on your shirt would be like saying you can only wash it in our coin machines, and you can't pass it down to your kid brother years on down the road. Nor could you legally rip out the collar tags that keep sticking up, adding unnecessarily to your geek factor. It's one thing to prevent theft, it's another to treat consumers like slime.

      --
      -Buddy of DoQ
    3. Re:Good luck! by borawjm · · Score: 5, Funny

      not if you steal it.

    4. Re:Good luck! by Anonymous Coward · · Score: 5, Funny

      Having trouble with your reading comprehension?

    5. Re:Good luck! by Alpha_Traveller · · Score: 2, Funny

      Sometimes they even give you a hanger.

      --
      "Love is like pi - natural, irrational, and very important." (Lisa Hoffman)
    6. Re:Good luck! by schwaang · · Score: 2, Insightful
      At least the department store removes the tag after you buy it.


      Not in the RFID future.
    7. Re:Good luck! by doofusclam · · Score: 0, Flamebait

      Ah, another page from the Big Book Of Apple Can't Do No Wrong (tm)

      You're an idiot, right?

    8. Re:Good luck! by IAmTheDave · · Score: 2, Insightful
      You know how just about every department store puts a don't-steal-me tag on the clothes that has to be removed before you can wear it? They're treating you like a potential criminal, too. Just something to think about before you boycott an industry that takes irritating measures to keep their stuff from getting stolen.

      Yeah, but once I buy the clothes, the tag is taken off, and that article of clothing is mine to do with as I please - including changing it, cutting it up and mixing it with other cut up clothing, or even buying material and duplicating it. Heck, entire clothing industries exist around copying expensive clothing.

      So you see, they try to prevent me from stealing it while in the store, but I don't have to agree to some license when I get home to wear the clothing, nor does the clothing give me some virus that makes my whole body itch if I wear the clothing in some fashion that is not approved of by the clothing manufacturer.

      So there is a difference there...

      --
      Excuse my speling.
      Making The Bar Project
    9. Re:Good luck! by HTH+NE1 · · Score: 1
      ...the greedy bastards who run these media companies...
      I can honestly say without tongue in cheek that I misread "media" as "mafia" on the first read.

      Maybe if these companies wouldn't be so evil they'd improve their image. And I don't mean trying to do some high-profile good to spin-balance their must-profit-evil acts.
      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    10. Re:Good luck! by Wildcat+J · · Score: 2, Informative
      This doesn't really contradict you, and not that it's a major hassle, but some stores (Banana Republic, J. Crew to name two) actually have the security sensor sewn into a tag on the clothing. They deactivate it at the register, but you're left to cut it out yourself when you get it home. A little interesting factoid; your point still stands.

      -J

    11. Re:Good luck! by hackstraw · · Score: 1

      At least the department store removes the tag after you buy it.

      They are also apologetic and understanding if they forget and the alarm goes off. Many times they don't care. Also, everybody knows that employees are the biggest shoplifters.

      Oh, and these stores take stuff back. That is difficult to impossible to do with DRMed media, even if they sold you something different than what you thought you were buying.

      Now, take Pro Tools for example. This requires 2 hardware dongles. One is a USB key, the other is a firewire I/O box. And then the USB key has to be activated online with a serial number or something. It is next to impossible for me to easily put the software on another computer (my laptop) to do remote work (Its too easy to forget or loose the small USB key). It is impossible to do any work with the program on another computer or the one I have if the I/O box is not attached and powered on to the computer. I felt like a criminal for buying the software. Honestly, I wish I could take it back and get something else.

    12. Re:Good luck! by Scudsucker · · Score: 1

      I have a wallet with such a sewn in sensor...not (easily) removable. It periodically likes to reactivate itself, which gets very annoying when I go into B&N or Target.

    13. Re:Good luck! by wpiman · · Score: 1

      Admit it- you have been sneaking books into Barnes and Noble and putting them on the shelf.

    14. Re:Good luck! by Anonymous Coward · · Score: 0

      "It is next to impossible for me to easily put the software on another computer (my laptop) to do remote work (Its too easy to forget or loose the small USB key)."

      So, you are absent-minded and/or apt to lose stuff and this is somehow the fault of a software maker?

    15. Re:Good luck! by nospmiS+remoH · · Score: 2, Insightful

      But, like another poster said, if you buy the pants they remove the tag. If you steal the pants you are stuck with the tag. That makes sense.

      In the case of the CD content, if you buy it you have to deal with the DRM problems. If you steal it you actually get a better product that you can use as you please. They actually only treat paying customers like criminals. And they don't see that. Very sad indeed.

      --
      !hoD
    16. Re:Good luck! by Gulthek · · Score: 0, Troll

      Also, everybody knows that employees are the biggest shoplifters.

      Oh really. Everybody knows that you say?

    17. Re:Good luck! by Moofie · · Score: 1

      Is everybody who disagrees with you an idiot?

      --
      Why yes, I AM a rocket scientist!
    18. Re:Good luck! by PunkOfLinux · · Score: 1

      Actually, he's right. One of kids in my chem class said "I just go out back, take the packaging (or whatever) off, and when I'm done, I just go and get it." He's stolen ps2's for christ's sake.

    19. Re:Good luck! by Bezben · · Score: 1

      It's more like a tag in a shirt that stops it being worn with different brand trousers.

    20. Re:Good luck! by hackstraw · · Score: 5, Informative
      Oh really. Everybody knows that you say?

      In a retail store that enables tags like the GP mentioned? Yup.

      Employee Theft 48.5% $15.1 billion
      Shoplifting 31.7% $9.7 billion
      Administrative Error 15.3% $4.8 billion
      Vendor Fraud 5.4% $1.7 billion

      From another source:
      According to the University of Florida 2002 National Retail Security Survey, employee theft was estimated to be responsible for 48% of store inventory shrinkage. That represents an estimated employee theft price tag of about 15-billion dollars per year. This astounding figure makes employee dishonesty the greatest single threat to profitability at the store level.

      The study found the average dollar loss per employee theft case to be $1,341.02 compared to $207.18 for the average shoplifting incident.
      Or another
      Employee theft made up 42.7 percent of the total losses, shoplifting 34.4 percent, administrative error 17.6 percent and vendor fraud 6.3 percent.
      I have never heard of any data to the contrary, but _everybody_ might not know that as you implied.
    21. Re:Good luck! by Cordath · · Score: 1

      Those don't-steal-me tags, were you to take some home, wouldn't jump up in the middle of the night, unlock all your windows and doors, and then sit around waiting for criminals to rob you blind or even worse. That's about what those Sony rootkits are doing to your computer if you're dumb enough to actually buy the CD and let it have a crack at your computer. The only difference is you don't have to break the law to fall victim to the CD rootkits.

      You know what the real problem is here? With Sony's latest antic's, it is now *safer* to pirate some music than it is to purchase it legitimately. To heck with annoyance and the perceived greed of RIAA. If customers have to worry about legitimate purchases messing up their windows boxes then the case for piracy is pretty damned clear. It's a sad state of affairs when dealing with pirates is safer than dealing with legitimate buisnessmen!

    22. Re:Good luck! by bigpat · · Score: 2, Insightful

      That boils down the Music industry's position pretty well. They don't want you to "steal" the music after you buy it.

    23. Re:Good luck! by CokeBear · · Score: 2, Interesting
      You know how just about every department store puts a don't-steal-me tag on the clothes that has to be removed before you can wear it? They're treating you like a potential criminal, too.

      Fortunately those tags are removed at the time of purchase. I would have no problem with DRM if it was removed by the seller at the time of purchase.

      --
      Reality has a liberal bias
    24. Re:Good luck! by Anonymous Coward · · Score: 0

      It's possible that a lot of the people who agree with him are idiots. :-)

    25. Re:Good luck! by Captain+Splendid · · Score: 1

      Thanks for the laugh - best post I've read on /. today!

      --
      Linux, you magnificent bastard, I read the fucking manual!
    26. Re:Good luck! by Paladin128 · · Score: 1

      Reminds me of the days with the C-64... the copy-protected discs eventually destroyed your floppy drive, by causing it to thrash uncontrollably, trying to read bad sectors. Many people, like myself, perfered to get cracked copies of games because they had this problem removed, and thus didn't make my expensive SCSI floppy drive die...

      --
      Lex orandi, lex credendi.
    27. Re:Good luck! by Anonymous Coward · · Score: 0

      nothing a small rotary tool couldn't fix!

    28. Re:Good luck! by Anonymous Coward · · Score: 1, Interesting

      The key is the title being "former" Apple exec. Current Apple execs have raging hard-ons for DRM, and are busy readying to force Trusted Computing down the throats of the consumer with their new x86-based Macs.

    29. Re:Good luck! by Anonymous Coward · · Score: 0

      This statement doesn't even make sense as an English language sentence. Not to mention legally. If I buy something I own it. If I own it, I can't steal it, or if I steal it, I steal it from myself. Obviously, that's not the case with music: what you buy is the license to listen to it on a certain format. You don't buy the music you buy permission to experience it. Problem is, experience, unlike ownership, is shareable, and is not a zero-sum game. What they don't want you to do is share the experience, but sharing isn't the same as stealing, I would say it's quite the opposite: stealing appropriates something for your use; sharing ...makes it available to others. That's why it really strikes me as strange that RIAA would consider the sharing of music the crime, rather than the obtaining of it. (That's who they sued at first, so that's who they're after, the sharers.) After all, the person who shared could make the case he or she bought (the right to experience the) music. In a format he or she, unfortunately lost during the storm that hit last year. Or that the dog ate. The act of simply sharing the music really is just like the tree in the forest: if no one is there to hear it... what happens to the air vibrations we call sound? If no one is there to download it... is it a crime to share? I know they had a good reason to proceed this way, but I have a feeling that reason hasn't much to do either with legality or ethics.

    30. Re:Good luck! by Anonymous Coward · · Score: 0, Troll

      WOW! So if one kid in your chemistry class says it, it must be true for every case in all locations! Let's make empirical generalizations based on one case!

      Dumbass.

    31. Re:Good luck! by ichigo+2.0 · · Score: 1

      That sounds like the complete opposite of the way the music business operates.

    32. Re:Good luck! by Khaed · · Score: 3, Interesting

      I've worked in retail. The stores say that employees steal more than anything. I've worked a place where a manager had to walk employees out to be sure they didn't snag something. So I'd just like to add evidence, from experience, that "everyone" does know that. At least everyone even remotely involved.

    33. Re:Good luck! by corrosive_nf · · Score: 0

      Yeah the stores call it shrinkage. When my brother in-law worked for office max, they had more cameras pointed at employee areas (loading dock, store rooms, lockers, etc...) than at customer areas.

    34. Re:Good luck! by admactanium · · Score: 1
      At least the department store removes the tag after you buy it.
      yeah, but let's see if the department store would remove the mag-tag if doing so allowed you to make exact duplicates of that garment and give it away free to anyone who wants it. i bet you'd have to get used to having that tag's imprint on your ass.
    35. Re:Good luck! by BlogPope · · Score: 1
      Also note where the cameras are pointed. 9 times out of 10 the first cameras to go in are pointed at the registers to watch employee theft. Shockingly even when they are aware of the cameras they still steal sometimes.

      Personally, I think most employee theft is a result of employee dissatisfaction, if folks like their jobs they don't steal from you, but there's always a few bad apples. Keep them from stealing from teh store and they steal from their co-workers.

      --
      My other car is a Popemobile
    36. Re:Good luck! by Anonymous Coward · · Score: 0

      Scudsucker is dumb enough to do something like that. I didn't notice who it was until he admitted he's unable to remove a tag from his wallet, and then I looked at the user name. Yup, that's him, alright.

    37. Re:Good luck! by epee1221 · · Score: 1

      And even if they didn't remove the tag, it wouldn't keep you from lending the article of clothing to a friend.

      --
      "The use-mention distinction" is not "enforced here."
    38. Re:Good luck! by pyro_peter_911 · · Score: 1

      BridgeBum (11413) wrote:
      At least the department store removes the tag after you buy it.
      --
      My UID is the product of 2 primes.


      How much of a geek do you have to be to know that your UID consists of two primes. You freak!

      Peter

    39. Re:Good luck! by Anonymous Coward · · Score: 1, Informative

      He wasn't disputing that employees are the leading shoplifters.

      He was disputing whether or not everyone knows that fact. But then again most reasonable people know that saying "everybody knows that employees are the biggest shoplifters" is merely hyperbole. Yes, it is a logical fallacy to belittle someone for not knowing a fact that the speaker considers to be common knowledge, but it's a widely used technique anyways.

    40. Re:Good luck! by Catbeller · · Score: 5, Informative

      "You don't buy the music you buy permission to experience it."

      No. I bought the music, the media it was recorded on, and the right to copy and remix it any way I like. What I don't have is the right to copy and redistribute without permission from the *copyright* owner, which is NOT the same as the owner of the music. Music is not property, and it cannot be owned any more than an idea can be owned. The idea of illegal redistribution was envisioned to be illegal CD manufactories and suchlike, NOT Joe Suburban copying records onto tape.

      I have fair use rights to copy the music for personal use, which by common law for over thirty years meant, among other rights, the right to make copies and share it with friends. Music companies have tried to outlaw this, but legislatures and courts had skillfully ducked around finding such copying "unlawful". Up until recently, the infraction was a civil one, not criminal, which meant the infringer was liable for civil damages limited to actual monetary damages caused to the copyright holder -- less than a few bucks per album copied. Record companies didn't bother suing people for dozens of dollars, so massive copists like Metallica's band members, who copied thousands of other people's albums from vinyl to tape when they were young and poor, got away clean.

      Now, with skillful placement of bribes to congressmen and a 30+ campaign to put Federalist Society judges on the bench, it's criminal to copy music, and the "damages" per individual copist is judged in the hundreds of thousands or millions of dollars -- obvious horseshit.

      I don't mean to drown out your other points, as they are worthy. But we can't let them own this "license to experience on the correct media" meme. To win a semantic war, you can't let the enemy redefine the terms of the argument.

    41. Re:Good luck! by Total_Wimp · · Score: 5, Interesting

      At least the department store removes the tag after you buy it.

      Lets take this a little bit further.

      A department store decides to leaves the anti-theft tag on it's clothes permanently to prevent people from copying it's designs. You go to the store and buy a baseball cap. You take the cap home and your wife thinks it's cool too, but the tag jumps in the way and refused to let her put it on her head. Your daughter finds a hack to let her wear the cap, but the damn thing is watermarked so the store can tell it's "stolen". The store sees her wearing the cap and sues you.

      You deal with the lawsuit and throw away the hacked cap, but you liked the cap so much you buy a second copy. You wear it regularly for a while then put it in a drawer and only wear it occasionally. When you decide to buy a new house and move, the cap refuses to let the movers take it out of the old house. It also refuses to let the new owners of the old house use it. It sits in the garage and is useless to anyone.

      You still are pretty charmed by the cap so you buy a third copy. Since you've been going bald for a few years, it's nice to have your head covered up on summer days. After watching infomercials late at night, you decide the Hair Club for Men is the thing for you. You're really happy with your new "hair" but you still want some cover so you go to put on the cap. It refuses to go on your head.

      You are PISSED! You've bought three copies of that F**KING cap and now you can't even use it, just cause you have new "hair". You swear to never buy another cap from that GOD D**NED company. But the cap really has a lot of sentimental value so you end up buying a fourth copy anyway.

      Yep, DRM is just like those little tags

      TW

    42. Re:Good luck! by jjeff · · Score: 1
      let's see if the department store would remove the mag-tag if doing so allowed you to make exact duplicates of that garment

      Anyone can make an duplicate of any garment or anything they want. Granted you have to pay for the material - but compare that to the fact you have paid for the piece of hardware you use to play the copied music on. Yeah you can argue that the hardware allows for an unlimited supply of music to be copied and re-distributed, but so does the material you buy to make your garment - you can unstitch it and make something completely different, or you buy truckloads of material in the first place anticipating that you will copy many garments.

      the only real difference here is that copying music is easier to do (and cheaper in the long run - maybe).

      --
      when everything is working perfectly.. BREAK SOMETHING before something else FUCKS up!
    43. Re:Good luck! by Dun+Malg · · Score: 2, Interesting
      Now, with... a 30+ [year] campaign to put Federalist Society judges on the bench

      Totally in agreement with you on the general argument, but I'm not sure what the above means. The Federalist Society has only been around for 20 years, and it's mostly an organization of libertarians and "Eisenhower conservatives" who dislike the over-reaching of the federal government. I certainly wouldn't say that the expansion of federal copyright law is in any way something they'd condone.

      --
      If a job's not worth doing, it's not worth doing right.
    44. Re:Good luck! by admactanium · · Score: 1
      Anyone can make an duplicate of any garment or anything they want. Granted you have to pay for the material - but compare that to the fact you have paid for the piece of hardware you use to play the copied music on. Yeah you can argue that the hardware allows for an unlimited supply of music to be copied and re-distributed, but so does the material you buy to make your garment - you can unstitch it and make something completely different, or you buy truckloads of material in the first place anticipating that you will copy many garments.
      well, it's not an exact duplicate then. what you're describing would be known better as a "knock off". that would be more akin to me buying a cd, and then re-recording all the music while trying my hardest to make it sound exactly the same. then distributing my recording in place of the original. that, by the way, is also illegal (in both the music and garment cases).
    45. Re:Good luck! by Lochin+Rabbar · · Score: 1

      What? You didn't recognise 11413 as the product of 101 and 113? Hang your head in shame and hang in your geek badge at the door.

    46. Re:Good luck! by Dun+Malg · · Score: 1
      Reminds me of the days with the C-64... the copy-protected discs eventually destroyed your floppy drive, by causing it to thrash uncontrollably, trying to read bad sectors. Many people, like myself, perfered to get cracked copies of games because they had this problem removed,

      Nothing was worse than Electronic Arts games. Their crazy trick of cramming the data BETWEEN tracks on the diskette required the drive to rattle and chatter constantly as it was thrown again and again into the particular error condition that briefly caused the head to read at the "half track" position. Not only did their games bugger drives, they took forever to load-- and this is "forever" compared to other games using the full awesome serial throughput of 300bps.

      You youngsters out there don't realize how good you have it nowadays.

      --
      If a job's not worth doing, it's not worth doing right.
    47. Re:Good luck! by QuantumFTL · · Score: 1

      At least the department store removes the tag after you buy it.

      Not always, a J.C. Penny's forgot to remove a tag from a suede shirt I bought, and I didn't notice till I had gone back to my apartment in a different state. Luckily a few sheets of paper stuck carefully between the tag and the clothing can prevent contamination.

    48. Re:Good luck! by pyro_peter_911 · · Score: 1

      What? You didn't recognise 11413 as the product of 101 and 113? Hang your head in shame and hang in your geek badge at the door.

      Ah ha! I've caught you out! You didn't notice that 447333 is the product of 3 and 149,111.

      *crickets chirping*

      149,111 is prime too! Give me my geek badge back!

      Peter

    49. Re:Good luck! by Lochin+Rabbar · · Score: 1

      No I'm in the huff, and muttering nasty things about you under my breath.

    50. Re:Good luck! by vsprintf · · Score: 1

      Maybe if these companies wouldn't be so evil they'd improve their image. And I don't mean trying to do some high-profile good to spin-balance their must-profit-evil acts.

      Image? These companies don't have an image, they have a shadowy visage that cannot be seen in a mirror. A mallet, a wooden stake, and a shaft of daylight would help. Caution: more than a few US Representatives and Senators might be subjected to spontaneous combustion if the above suggestion were implemented.

    51. Re:Good luck! by name773 · · Score: 1

      i like to remove other tags. they typically have some company's name on them.

    52. Re:Good luck! by evoltap · · Score: 1

      brilliant analogy

    53. Re:Good luck! by rtb61 · · Score: 2, Interesting

      Get a hanky, tie and tie a knot in each corner and pull that on your head ;-). Welcome to the creative commons, set yourself and others free, share to be fair :).

      --
      Chaos - everything, everywhere, everywhen
    54. Re:Good luck! by utnow · · Score: 1

      If I buy something I own it. If I own it, I can't steal it, or if I steal it, I steal it from myself.

      So then why is Sony installing software on my computer?

    55. Re:Good luck! by cjsm · · Score: 1

      I know how your feel, sort of. I have thousands of $s invested in soft synths and samplers, (Gigastudio, Kontakt, and a bunch of expensive libraries). Sometimes I wish I had just bought a Korg, Yamaha or Roland workstation instead. None of the software has a dongle, but the internet registration is bad enough. I'm the kind of person that's always upgrading and rebuilding my computer, and this makes it a pain in the ass. And what about 5 or ten years down the road? Will my thousands invested still be usable? The thing I hate about all these copy protection schemes is they are screwing over the honest user that is paying for the product, not the pirates. And if they are going to put these restrictive schemes on their software, they should offer refunds like every other product in the world. They no longer have the excuse that you can keep a copy, since it won't work without the internet registration. This is another way software developers screw us over. I don't know how many thousands of dollars I've wasted on software over the years I wasn't happy with but of course couldn't return, unlike every other product in the world, except of course music CDs and Movie DVDs.

      --
      This ad space for rent.
    56. Re:Good luck! by bentcd · · Score: 1

      Admit it- you have been sneaking books into Barnes and Noble and putting them on the shelf.
      While an amusing comment, it occurs to me that this might actually be an excellent example of guerrilla marketing. Wrote a good book but can't find a publisher, or don't accept the standard contract and want some leverage? Or has your publisher failed to get a distribution deal with B&N? Smuggle books into several B&Ns, put them on the shelves and get the store manager wondering about your book when people try to buy it :-)
      (I should probably get myself a business method patent on this . . .)

      --
      sigs are hazardous to your health
    57. Re:Good luck! by aug24 · · Score: 1
      But the cap really has a lot of sentimental value so you end up buying a fourth copy anyway.

      Or, your daughter, who sews, downloads the pattern from a P2P net and creates one that looks just like it. Then you get sued.

      J.

      --
      You're only jealous cos the little penguins are talking to me.
    58. Re:Good luck! by Anonymous Coward · · Score: 1, Interesting

      >No. I bought the music, the media it was recorded on, and the right to copy and >remix it any way I like.

      Not exactly. These rights are held exclusively by the copyright owner (not the owner of a copy).

      (1) to reproduce the copyrighted work in copies or phonorecords;

      (2) to prepare derivative works based upon the copyrighted work;

      (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending;

      This means that you can't remix or share coppies with friends under federal copyright law. You purchased the right to use the copy that you bought under right of first sale, and to make one archival copy. you can't lend it, you can't remix it with out a specific liscence from the copyright owner saying that you can.

      That being said, I'm listening to a mix CD right now. The laws simply haven't been able to catch up with technology, and the consumers are getting the short end of the stick because their generally complacent and willing to let the record labels do what they want, and they don't have a lobby in congress to express their views.

    59. Re:Good luck! by Gulthek · · Score: 1

      I've worked in retail for most of my life. The only time I've ever seen or heard of employees stealing is when a cashier took $40 from the register. But I guess my experience is the exception.

    60. Re:Good luck! by bursch-X · · Score: 1

      Not, if the piece you're nocking off is old enough. Or who's going to sue you for knocking-off Bach and Händel CDs?

      --
      There are two rules for success:
      1. Never tell everything you know.
    61. Re:Good luck! by Anonymous Coward · · Score: 0

      ok so following your analogy, files shouldn't be DRMed because

      I can buy a shirt
      wear it,
      loan it to friends and
      even sell it second-hand
      hell, I can even take it back if there is something wrong with it, or I end up not liking it.

      try that with a music cd. *pause for laughter

      the point is I want do these things with my *digital property
      without some restricting artificial limitation on what is supposed to be my fair rights for usage.

      *dont give me that shit about how I dont own the music on the CD .. its in my hands I own the cd.

  2. more difficult to abide by today by yagu · · Score: 4, Interesting

    From his blog:

    From this day forward I will never spend a another dime on content that I cant use the way I please. If I cant copy it to my hard drive and play it using the devices I want, when and where I want, I wont be buying it. Period.

    I agree. This has been my philosophy for a long time. Unfortunately, you can only find out after the fact you've bought something with crap built in. If there is any disclaimer at all on the packaging, it's microscopic (look at the recent Beastie Boys CD). The first thing I do with a new CD is rip it, verify it plays on all of my PC's, and all of my CD and DVD players. If it doesn't, I return it. (And, yes, I even erase the ripped music.)

    1. Re:more difficult to abide by today by Lumpy · · Score: 2, Interesting

      I have no problem avoiding that crap. But then I only buy CD's from second hand used CD stores to support a small local business and stick it to the RIAA. He let's me test and look over carefully every CD I buy right there at the counter. but then I learn about a crappy DRM'd CD way before I'm going to buy it.

      The store owner also keeps up on it and put's warning stickers on CD's that have that crap with an "WARNING THIS IS AS/IS because the Record company crippled it with anti-copy" he also only gives 1/5th the purchase value when you bring in a DRM'd disc.

      I'm betting that right now he would not touch any of the Discs in the sony rookit list.

      you dont have to have that new release right-fricking-now. Wait about a month and it will be in the used shops for much less.

      --
      Do not look at laser with remaining good eye.
    2. Re:more difficult to abide by today by afaik_ianal · · Score: 2, Informative

      Where in the hell can you return an opened CD these days?

      I've done it a few times at various stores in Australia. I just take it back and politely explain that it doesn't play in my CD player (I normally don't bother mentioning that my CD player is PC based), and they normally just give me store credit.

      Only once have they argued that "you can't return CDs", at which point I explained that nowhere on the product is it referred to as a CD (they can't for licensing reasons, right?), and that I bought it in good faith, thinking it was a CD. They got the manager, who gave me a store credit.

    3. Re:more difficult to abide by today by Rudeboy777 · · Score: 1

      If it doesn't, I return it. (And, yes, I even erase the ripped music.)

      If you can't rip it, why the need for erasing the ripped music?

      --

      From hell's heart I fstab at /dev/hdc

    4. Re:more difficult to abide by today by Chris+Burke · · Score: 4, Funny

      See how many employees laugh at you!

      It's a game! My record is fourteen. By the way, it is cheating to not wear pants, which I wish I had known beforehand.

      --

      The enemies of Democracy are
    5. Re:more difficult to abide by today by Anonymous Coward · · Score: 0

      Unfortunately, you can only find out after the fact you've bought something with crap built in. If there is any disclaimer at all on the packaging, it's microscopic (look at the recent Beastie Boys CD)

      I would guess the disclaimer that it's crap is in big, prominent letters.

      Or does it not say "Beastie Boys" on it?

    6. Re:more difficult to abide by today by CowboyBob500 · · Score: 1

      Where in the hell can you return an opened CD these days?

      Anywhere with decent consumer protection laws.

      You don't know if it's defective until you open it and try and play it. In the UK it would be illegal to not refund the purchase of defective goods. You'd just claim it wouldn't play in your car's CD player and they have to give you the money back.

      Bob

    7. Re:more difficult to abide by today by holy_robot · · Score: 1

      A few months ago I bought a CD from Best Buy only to find nothing inside the case when I opened it. I had the the open, empty case exchanged for a new copy without any hassle.

      --
      Just cause you feel it doesn't mean it's there.
    8. Re:more difficult to abide by today by KinkoBlast · · Score: 1

      Of course. What are you going to do, take it home and steal the CD, repeat 50 times, then sell them? Not a bad idea, but I digress. The problem is, they won't let you return it for SOMETHING ELSE. You /might/ have ripped it and it /could/ be an attempt to scam them! Yet another way we are treated as criminals.

  3. It's all DRM.. by grub · · Score: 5, Funny


    iTunes is the best of the worst

    That's like commending Syphilis for not being AIDS.

    --
    Trolling is a art,
    1. Re:It's all DRM.. by VATechTigger · · Score: 2, Funny

      at least I could easily remove syphilis from my "system". Plus, it usually has a bigger disclaimer, like warts, on the box. Although I really hate to see warts on any Box i plan to use and enjoy, at least I can pass it up.

    2. Re:It's all DRM.. by Anonymous Coward · · Score: 0

      Personally I'd rather have syphilis. You can cure it with penicillin. Just like you can "cure" the DRM on ITunes. I'd much prefer to purchase ITunes than the compteitors for that reason alone.

      Hey, I didn't buy an XBOX until the softmod was available. Same deal.

    3. Re:It's all DRM.. by ozydingo · · Score: 1

      That's gotta be the closest I've come to bursting out into laughter at the office...

    4. Re:It's all DRM.. by Prophet+of+Nixon · · Score: 1

      I think you're my hero for the rest of the day.

    5. Re:It's all DRM.. by mblase · · Score: 4, Funny

      That's like commending Syphilis for not being AIDS.

      Bad analogy. STDs want to be shared with other people.

    6. Re:It's all DRM.. by Scrameustache · · Score: 1
      That's like commending Syphilis for not being AIDS.

      I'd much rather get syphilis than AIDS:
      • It can be cured (that's big plus).
      • It's more exotic.
      • It's 19th century chic!
      • And whenever I want to act crazy, I can claim it was the syphilis : )

      --

      You can't take the sky from me...

    7. Re:It's all DRM.. by DECS · · Score: 1

      Syphilis is easily curable and doesn't require a lifetime of noxious drugs to maintain non-death, making it more of an annoyance than a crippling problem, so your analogy is fairly accurate.

    8. Re:It's all DRM.. by Hinhule · · Score: 1

      Reminds me of a comment from a week or 2 ago.

      "Infected with DRM"

    9. Re:It's all DRM.. by Jeremy+Erwin · · Score: 1

      Bad analogy. STDs want to be shared with other people.

      Bad analogies deserve to be embraced and extended into absurdity.

      It is not particularly evolutionarily advantageous for an virus to produce angy red sores-- even though this may increase shedding. Eventually, someone's going to look down there. And perhaps they'll tell all their friends that so and so has lesions. Although the chance of transmission may be slightly reduced, a STD may be more effective if the symptoms are not so obvious.

      Take Sony's thing, for instance...

    10. Re:It's all DRM.. by Pendersempai · · Score: 1

      Still, if I had to pick between syphilis and AIDS, I'd pick syphilis. There is something to be said for being the lesser of two evils: less evil is better than more evil.

    11. Re:It's all DRM.. by traveyes · · Score: 1

      Score 6:Funny

  4. What's in a name? by dada21 · · Score: 0, Flamebait

    I bet the mic evangelists are pissed!

  5. He removes it... by gregbains · · Score: 3, Insightful

    Yet I bet it comes with more protection next release.

    Let us use OUR downloads as WE want. That means any player, any time, as long as I own it. Until then I will download for free or rip from CD.

    1. Re:He removes it... by (startx) · · Score: 3, Informative

      Yet I bet it comes with more protection next release.


      It already has. Hymn and JHymn are unable remove the FairPlay "protection" from videos and music purchased from iTunes 6. Videos can only be downloaded in iTunes 6. Want to downgrade to iTunes 5 to buy your music? Too bad, once you buy something from the iTMS with 6, you can no longer use 4.x or 5 to make purchases. Hello DRM!


    2. Re:He removes it... by Tsiangkun · · Score: 1
      Friends don't let friends buy CDs that leave their computers infected with DRM and spyware.

      If I want to run the risk of getting my machine rooted from music files, I won't pay for the priviledge, I will download them for free.

    3. Re:He removes it... by Anonymous Coward · · Score: 0

      Want to downgrade to iTunes 5 to buy your music? Too bad, once you buy something from the iTMS with 6, you can no longer use 4.x or 5 to make purchases.

      Or you can, you know, NOT STEAL MUSIC.

      Do you lock your car? Do you lock your house?

      Stop getting pissed when out people lock their stuff.

    4. Re:He removes it... by Kiaser+Wilhelm+II · · Score: 1

      Copying != Stealing.

      --
      Lord High Crapflooder The Right Honourable Vlad Craig Esther McDavenpherson III
      Destroyer of Mercatur.Net
    5. Re:He removes it... by Travelsonic · · Score: 1
      Or you can, you know, NOT STEAL MUSIC.

      Sorry, I don't shiplift... oh, you mean copying music illegally? There is a factual difference, and putting what you call it in bold doesb't make it any more true. ^_^


      Do you lock your car? Do you lock your house?

      That is a bad point on certain grounds, the biggest being that locking your car or posessions in the house from being stolen, which means that you don't have that car, or those posessions anymore... hence hwy you file a report when robbed. ^_^ Digital media OTOH, well, you reall can't lock it away from being "stolen" since it can't be stolen, it can be copied an infinite number of times... DRM might try to impede this, but that really isn't a "lock" since unlike the conventional idea, this doesn't prevent total access to the thing in question, just restricts the way it is used. Kind of more like automatic no-speeding devices in cars.


      --
      If you believe in privacy, and believe you have "nothing to hide" at the same time, you're a goddammed idiot
    6. Re:He removes it... by (startx) · · Score: 3, Insightful

      Or you could, you know, not be a duchebag and read the post.

      I don't steal music. In this case, I'm refering specifically about buying it, and then being able to play it on something other than my laptop. Jhymn is the only way to play music I have paid for on my Slackware desktop, or my mythtv box in the living room. Your analogy is terminally flawed. It isn't akin to breaking into someone elses locked car. It's closer to if you buy a car, and then the manufacturer controls the door locks remotely so that you can only drive it at certain times, on certain roads, that only they approve, so you change the locks.

      Ass.

    7. Re:He removes it... by CharonIDRONES · · Score: 1

      Do you lock your car? Do you lock your house?

      Yes, but the difference with DRM is, I don't lock myself out of my car or house.

      -Brandon

  6. Amen by nearlygod · · Score: 1

    Preach it, brother!

    --
    The Tools Of Ignorance wanna be a tool?
  7. In other news... by Private+Taco · · Score: 5, Funny

    ...former Apple Exec sued by the RIAA...

    --
    If I could, I'd destroy you all.
  8. Resistance is futile by phpm0nkey · · Score: 4, Insightful

    The fight against DRM cannot be won. Visions of a future where media companies and other copyright holders kowtow to consumer demand and release all of their content in an unprotected format to be infinitely copied are ludicrous. The only reason this occurs now is due to the consumer technology gap. If I buy a Britney Spears CD, it has to work in the CD player I bought in 1990. Companies can't implement any real DRM without breaking backwards compatibility.

    Expect this to change, soon. Your content will be encrypted at the source and will only be decrypted by the hardware, at the last possible phase, using your personal key and with proper authorization from the license server. As long as we put copyright law on the books, technology will be developed to allow it to be enforced. Live with it.

    1. Re:Resistance is futile by mrchaotica · · Score: 1
      As long as we put copyright law on the books, technology will be developed to allow it to be enforced. Live with it.
      ...Or, work to destroy (or, at least, greatly weaken) copyright law, which is my preferred option.
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    2. Re:Resistance is futile by Bullfish · · Score: 1

      Oh, I don't know, my view is that for every underpaid, overworked programmer they have creating DRM schemes there are a thousand people goofing around trying to break it. Even by accident somebody will. As for hardware - cay you say mod-chip. Don't tell me that's illegal, when has that ever stopped anything that the determined wanted to circumvent.

    3. Re:Resistance is futile by Hatta · · Score: 5, Insightful

      The fight against DRM cannot be won.

      The fight for DRM cannot be won. Anything that can be listened to can be copied, and it only takes one technically savvy person to circumvenct it once, and the whole world can get it.

      If things continue the way they have been, you can expect a full fledged War on Copyright Infringement just like our current War on Drug Users. It will be accompanied by a similar loss of personal freedoms, and be just as effective (i.e. not all).

      --
      Give me Classic Slashdot or give me death!
    4. Re:Resistance is futile by openfrog · · Score: 1

      So what exactly is your advice to this forum? Do nothing?

      With a view like this, you miss most of the action: that this blog entry by a former Mac exec is most timely, at a time when the worst predictions by DRM opponents come true, as some DRM implementations lead to serious security breaches and when SONY is being sued in California and New York for this.

      Expect DRM to take a new colour when this shit hit the fan of general media and consumers advocates get a wonderful occasion to turn the table of media conglomerates to portray everyone and his mother as a pirate.

      Of course, I can't predict the outcome of the war, but this battle, contrary to the defeatist tone of your post, is most interesting.

    5. Re:Resistance is futile by Anonymous Coward · · Score: 0

      If I buy a Britney Spears CD, it has to work in the CD player I bought in 1990.

      If I buy.. - OK can't happen; if my wive buys a Britney Spears CD, I do not want it to work in any CD player around me.
      I, for one wellcome our DRM overlords!

    6. Re:Resistance is futile by miskatonic+alumnus · · Score: 1

      I don't have to live with it. I can live without it. If and when this goes down, I'll throw the computer in the trash, smash my TV with a sledgehammer, and swear off of media for the remainder of my years. I'll entertain myself the way humans have for millenia --- climb into bed with someone you love. DRM THAT motherfuckers!!!

    7. Re:Resistance is futile by hackstraw · · Score: 1

      it has to work in the CD player I bought in 1990

      Does your 1990 CD player play DVDs? Does it play 8-tracks? Does it play LPs or 45s? Does it play SACDs? DTS audio disks (sometimes called CDs)?

      Technology marches on. Look how quickly and easily DVDs were adopted. Look how quickly and easily CDs were adopted. MP3s too.

      The CD came out in what? 1982 or so. MP3s have been around for how long? Almost 10 years now. Its almost a crime to get an MP3. A 40-50 minute CD with 6-12 minutes of good music is expensive compared to all the other crap we buy now that we didn't buy in 1990 or 1982 (cell phones, answering machines, internet, cable was new, satellite almost nonexistant, cars were easily 1/2 to 1/4 the cost they are today. Blah blah.

      So again record people, keep doing what you are doing. It will last forever, or at least your working lifetime, right?

    8. Re:Resistance is futile by Florian+Weimer · · Score: 2, Insightful

      The fight against DRM cannot be won.

      There is a solution: create a pool of free content.

      Of course, right now, this mostly works for texts. Wikipedia, for example, evokes fears in publishers that only free content is passed on. More and more, their allegedly superior products are simply not relevant in public discussion because nobody is willing to pay the price for professional editorial review, DRM or not.

      Sure, decent recording equipment is not actually cheap, and audio files need more bandwidth for transmission, but these costs continue to decrease. There is an answer to this, of course: playing devices which only play encrypted content, and not unencrypted, free content. But I doubt it will get as far as that because it is a very significant restriction on free speech.

    9. Re:Resistance is futile by harley_frog · · Score: 1
      Or, work to destroy (or, at least, greatly weaken) copyright law, which is my preferred option.

      Nice thought, but according to Lawrence Lessing practically everything that is published these days is automatically copyrighted. There are alternative copyrights out there (GPL, Creative Commons) that give the end-user certain rights, but the original author/publisher/creator still retains the copyright. However, GPL and Creative Commons have yet to be tested as being "legal" copyrights. So until GPL and/or Creative Commons are tested, the copyright laws will stay on the books. The only other way is to get the copyright laws changed to strengthen the Fair Use clause. Personally, I give that a snowball's chance in Hell of happening given the power of the entertainment lobby groups.

      --
      It's all fun and games until someone loses the key to the handcuffs.
    10. Re:Resistance is futile by just_another_sean · · Score: 1

      you can expect a full fledged War on Copyright Infringement just like our current War on Drug Users. It will be accompanied by a similar loss of personal freedoms, and be just as effective (i.e. not all).

      Agreed. And I would add it will be fought against the tax payers at the tax payers' expense. ( just like the war on drugs )

      --
      Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
    11. Re:Resistance is futile by Kaa · · Score: 1

      The fight against DRM cannot be won.

      LOL. "Resistance is futile.." yeah, right.

      Your content will be encrypted at the source and will only be decrypted by the hardware, at the last possible phase, using your personal key and with proper authorization from the license server.

      No, no. You misunderstand. Not "my" content. "Their" content. I am not going to buy that shit with personal keys and license authorizations. I am guessing a lot of people won't, too. They -- the content industry -- can keep *their* songs and movies -- I am not buying.

      See, the content industry now believes that it is in the business of protecting their content -- that is, making it harder to access. They are failing miserably, but that's really besides the point. They forgot that their business should be SELLING what they have and that really is hard to do without willing customers (but not impossible -- see e.g. levies on CD-Rs in Canada, etc.)

      You also forgot about such obvious things as the analog hole and the fact that one -- a single one -- un-DRMed copy of a song or a movie is all it takes for people to bypass all that key/authorization crap.

      I do not foresee having problems with getting un-DRMed content, legally or not, at least throughout my lifetime...

      --

      Kaa
      Kaa's Law: In any sufficiently large group of people most are idiots.
    12. Re:Resistance is futile by dirk · · Score: 1

      You don't undersrtand the purpose of DRM. DRM is not meant to make sure there is anever a copy made. It is there to raise the bar so that most people can't make copies. If they can keep 95% of the people from copying the music, they have accomplished their goal. There will always be some people who can work around DRM, but as long as most people can't do it and have to buy the music, the DRM has accomplished it goal.

      --

      "Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
    13. Re:Resistance is futile by bersl2 · · Score: 1



      Stop spewing this fatalist shit. Now get back in there and fight!

    14. Re:Resistance is futile by xaque · · Score: 1

      Be careful what you wish for.

    15. Re:Resistance is futile by miceyman · · Score: 1

      Why do people even assume the record labels are going to be around forever anyways? The ONLY thing the record labels have is a distribution channel. Clearly, file sharing has proven that the digital distribution model is a force to be reckoned with. We all know artists don't make any money from the labels, so why would they need them?

      In the new age of viral marketing and independent labels, why do people just believe the RIAA's going to be stronger than ever? I think they're shaking in their boots.

    16. Re:Resistance is futile by Anonymous Coward · · Score: 0

      You completely missed his point which is that ONE technically savvy person needs to circumvent the DRM. Then he posts the unencumbered file on the Internet and the masses distribute it. Think Joe User doesn't know how to use file sharing? If that were true then the RIAA/MPAA wouldn't be filing thousands of lawsuits against children and their grandmothers.

    17. Re:Resistance is futile by Anonymous Coward · · Score: 0

      That seems a long shot still. I mean, you would need everything, including the speakers, to use that specific DRM, with only the waves hitting my ears not being encrypted. Otherwise I will have a spot to plug into to do the ripping, no matter the encryption used. Or am I missing an obvious fact here?

    18. Re:Resistance is futile by dk.r*nger · · Score: 1

      Anything that can be listened to can be copied, and it only takes one technically savvy person to circumvenct it once, and the whole world can get it.

      You clearly don't understand technology behind DRM. DRM that actually works is based on cryptographic chains of trust, all the way from the media to the OS kernel, the driver and the hardware. Each has to be signed by an entity that the media-provider trusts for the media to be shown.
      These chains are very secure, and it's pretty easy to derive a mathematical proof that you can't break this, unless you break the encryption-scheme behind it. And that, while not prooveable, is most likely impossible (as is 30 years of the best brains trying very hard).

      DRM is not bad as such. The way the music- and movie industries are using it is bad, and this is because no open industrywide standard is available. iTunes is great, beacuse between your PC and iPod and burning a CD, everything Just Works(tm). Why send a file to your friend? He can just download it from iTunes himself.
      It's just not great for those of us not running Windows or MacOS.

      The DRM schemes that has been broken were, well already broken by design. That just goes to prove that security through obscurity is not really security. The latest versions of the Windows Media format hasn't been broken - it has just been captured at the display driver level. And that's just because Microsoft can't suddently demand all display drivers to be signed.

    19. Re:Resistance is futile by Skye16 · · Score: 1

      So, the purpose of DRM is to make sure I, and most others, can't copy music, so, instead, we get our copies from the people who can?

      If the DRM is broken once, and people get access to the DRM-less copy, the purpose of DRM becomes moot. And since it is true that anything listened to can be copied, and it is true that once copied, that copy can be copied by anyone, without restriction, it then logically follows that DRM is, in practice, useless.

    20. Re:Resistance is futile by macslut · · Score: 1

      "You don't undersrtand the purpose of DRM. DRM is not meant to make sure there is anever a copy made."

      No offense, but you don't understand the purpose of a copy. It's not meant to be used once for the original owner, but propagated freely on the net.

      "It is there to raise the bar so that most people can't make copies."

      And the copy is created and shared so people can make copies of it rather than the DRM infected version.

      "If they can keep 95% of the people from copying the music, they have accomplished their goal."

      Low standards. If 5% of the people buy, copy and post the music online we'd be talking about a HUGE increase in P2P availability of music.

      More importantly, if 95% of the people are given the choice between buying content that they perceive will not be able to be transfered to personal players, used in DVD players or some high end CD players and car stereos versus downloading a free version off the internet that is not DRM infected, then we'll see a HUGE increase in demand for P2P content...and remember in the P2P world, 1 unit satisfies infinite demand.

    21. Re:Resistance is futile by Skye16 · · Score: 1

      (To be fair, it doesn't logically follow that it is useless - I never defined what usefulness or uselessness entailed. Useful: stop the unauthorized reproduction of copyrighted works. Useless: unable to stop the unauthorized reproduction of copyrighted works. Since one copy is made, and copies can be made of that copy, DRM fails to be "useful".)

      Note that I said "stop" and not "slow" or "make difficult". DRM isn't there just to be a pain in the ass. DRM is a pain in the ass BECAUSE it is there to stop all unauthorized copying of copyrighted works. If DRM fails to stop this, in entirety, then it fails utterly. All it takes is one copy.

    22. Re:Resistance is futile by Baki · · Score: 1

      Why? If the people really revolt, the criminals can be decapitated just like in the french and russian revolutions. In the end, the people are the strongest.

      Any proponent of DRM, patents and copyrights must be tought a lesson, one day they'll be sorry and all their millions of cash won't help them.

    23. Re:Resistance is futile by Digital+Vomit · · Score: 1
      The fight against DRM cannot be won. Visions of a future where media companies and other copyright holders kowtow to consumer demand and release all of their content in an unprotected format to be infinitely copied are ludicrous

      Correct me if I'm wrong, but that sounds very much like a vision of the past. Oddly enough, it's that past that made the media companies and copyright holders as rich as they are today.

      Stereo manufacturers freakin' built stereos with double cassette decks for the sole purpose of tape duplication, yet the music industry grew. Friends swapped and copied tapes all the time, yet the music industry grew. People have been swapping high quality mp3s over the internet and BBSes for over a decade, yet the music industry grew.

      DRM is 100% pointless. Hunting down copyright infringers and calling them thieves and murders is pointless. The music industry has thrived incredibly well in this environment for the decades. DRM and other anti-infringement tactics only serves to alienate customers.

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    24. Re:Resistance is futile by edraven · · Score: 2, Insightful

      Here's the thing about cryptography. It's designed to allow A and B to communicate without C being able to understand what's being said. The flaw with DRM is that B and C are the same person. You don't have to worry about all the cryptographic chains of trust, because the desired end result is still that the user should have access to the data. Data you have access to, you can copy. It's just that simple. DRM is an attempt to have one's cake and eat it, too. It's a perpetual motion machine.

    25. Re:Resistance is futile by Anonymous Coward · · Score: 1, Insightful

      Silly poster...

      You seem to be under the mistaken belief that we need the entertainment industry as much as they need us.

      Without them we lose some easily replaceable entertainment. big deal...

      Without us, they have no jobs,no money, no business...

      Who has more to lose?

      Media companies better tread carefully, consumers won't stay sheep forever. Something will push them over the end and the media industry will come crashing down...

    26. Re:Resistance is futile by edraven · · Score: 1

      Of course. And I'll buy this new hardware because it lets me do so much less than my 15 year old CD player lets me do now. And I'll keep it next to my DIVX player.

      Nice troll, though.

    27. Re:Resistance is futile by Anonymous Coward · · Score: 0

      If you can listen to it you can record it. Shit as it is all you would have to do is put a mic up to your speaker and fucking record it..

      you could easily have it play directly into a recording device and you're done with it.

      no kind of water mark in the song is going to help either. it's all pretty easy to get around.

    28. Re:Resistance is futile by Anonymous Coward · · Score: 0

      The fight for DRM cannot be won. Anything that can be listened to can be copied, and it only takes one technically savvy person to circumvenct it once, and the whole world can get it.

      I thought that technically savvy people only wanted to strip DRM for "Fair Use"? If you're stripping DRM just so you can give files to the whole world, you're committing copyright infringement anyway, regardless of the DRM.

      "The fight for DRM", at least in the more reasonable cases, is about making it just hard enough to make illegal copies that most people won't do it. I would go so far as to say that it has already been won in the case of iTunes. They've sold millions of DRMed tracks, and yet you don't hear about P2P networks being flooded with stripped tracks.

    29. Re:Resistance is futile by dk.r*nger · · Score: 1

      No. A and B are media provider and your hardware, respectively. C is you. This is about A trusting B to provide you with the media in a way that you can't copy digitally.

    30. Re:Resistance is futile by mike518 · · Score: 0

      true. and then you turn on the little 200k program that records what is playing through your sound card and release the song as a torrent... the RIAA still fails, and they look like even bigger and more hated bastards in the process. What part of downloads increase CD sales dont they understand? Just give up Riaa, or encourage a tax on cd-rs like in Canada.

      --
      Mike
      I heart the RIAA & MPAA, im sure its mutual...
    31. Re:Resistance is futile by mrchaotica · · Score: 2, Insightful
      There are alternative copyrights out there (GPL, Creative Commons) that give the end-user certain rights, but the original author/publisher/creator still retains the copyright. However, GPL and Creative Commons have yet to be tested as being "legal" copyrights.
      Those aren't "copyrights", those are "licenses." Also, the GPL at least (I don't know about CC) does not give the end user any rights, nor does it take them away (which is why calling the GPL an "EULA" is inaccurate). The GPL only gives additional rights to people who distribute the program, and/or make derivative works. Those two classes of people aren't end users.

      The end user is free to completely ignore the GPL. But that doesn't mean they can give the program to their friends; at that point the GPL applies because they're not an end user anymore.
      So until GPL and/or Creative Commons are tested, the copyright laws will stay on the books.
      No, whether the GPL and CC licenses are valid licenses or not, copyright law won't change. All that would happen is that we'd see if the GPL is allowed to grant those extra rights.

      Here's the funny thing, though: all these people who talk about "testing the GPL" somehow seem to think that if it's invalid, people will suddenly be allowed to distribute GPL'd programs without also distributing the source. This is false. If the GPL is invalid, people won't be able to distribute the program at all. Ironically, if someone is sued for "violating the GPL," challenging the license won't help them!
      The only other way is to get the copyright laws changed to strengthen the Fair Use clause. Personally, I give that a snowball's chance in Hell of happening given the power of the entertainment lobby groups.
      Or you could submit a bill to eliminate copyright entirely (the Constitution only says that Congress may make copyright laws, not that it must, I think), but that would only have a snowball's chance in the sun itself* of passing.

      Nevertheless, that kind of thing is exactly what I hope for. Maybe we'll have a chance once the "piracy" (i.e. civil disobedience) destroys the power of the companies that make up the entertainment industry, so that they can't afford to pay lobbyists anymore.

      *According to Dante, Hell isn't actually all that hot, depending on which circle you're talking about, so a snowball in the sun has even less of a chance than one in Hell.
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    32. Re:Resistance is futile by Anonymous Coward · · Score: 0

      Nobody in their right mind has disputed the validity of the GPL, they all settle if it comes that far. If somone would be foolish enough to try he would be at the bad end of copyright either way. Also the validity of the GPL does not change copyright law either way, it stays as it is. The idea is that we gather critical mass via copyleft licenses so that working in that framework is a more attractive option then working on your own, as you can see that process is already well on it's way with software, pictures and books should be next, then music and video. This is of course a long term goal: it took the free software movement more then 20 years to reach the current level of acceptance (and will propably take another 20 to become the dominant philosophy).

    33. Re:Resistance is futile by edraven · · Score: 1

      If what you say were accurate, then the purpose of DRM would be to allow a media provider to let my hardware listen to a piece of music that I am not allowed to hear. Although a ridiculous example, this would be a perfectly viable use of cryptography. A is the sender. B is the intended recipient. C is the outsider. When a media provider provides media, however, the listener is the intended recipient. Hardware is just a transmission method.

    34. Re:Resistance is futile by makomk · · Score: 1

      There is a solution: create a pool of free content.

      Not necessarily for long. For example, as I understand it one (or both) of the proposed next-generation DVD replacements is designed to only have encrypted, copy-protected media. So you can only create content to play on the devices subject to the goodwill of the person holding the keys. (Obviously, any DVD compatibility will probably play unprotected DVDs, but backwards-compatibility will probably only go back one generation, so the next time...)

    35. Re:Resistance is futile by ChaosDiscord · · Score: 1
      The fight against DRM cannot be won.

      In the long wrong, DRM cannot win. As Bruce Schneier said, "Trying to make bits uncopyable is like trying to make water not wet." DRM is fighting a losing battle, the best they can do is delay things. Ultimately they want to sell me the media player (my CD player, my DVD player), and media to play (CD and DVDs). Once I get them home I have the media and a device that knows how to play the media. It's just a matter of modifying the device to remove blocks. Instead of playing the movie for my eyes, I'd like it to play it for my VCR. Or if I'm desperate enough, my camcorder. But I won't generally have to resort to a camcorder, the hardware can and will be hacked. Making the hardware harder to hack will slow me down, but there are entire industries dedicated to reverse engineering hardware. Maybe I personally won't figure out how to reverse engineer it, but an enterprising black market hacker in Taiwan will. All it takes is a single break to make the original copy and copies will flow. Places like the AllofMP3 have incentive to break the protections so they can sell copies of questionable legality.

      The only world in which you can practically DRM everything is one where the government puts cameras in all of your room so they can watch what you're doing. Then they can watch me setting up my camcorder to tape my television. I'm pretty cynical about the state of the world and even I see that as unlikely.

    36. Re:Resistance is futile by topical_surfactant · · Score: 1
      I see your point, and if DRM is implemented to the degree you describe, copying would become very, very hard, and the DRM scheme would not be the weak point. However...

      If I can see it or hear it, I can record it. And I don't care about "low grade" analog copies. With decent equipment, they are good enough for me to use and enjoy. And unless basic electronic parts become illegal, analog recording equipment will always be achievable. DRM will ALWAYS fail at this level, because in even a moderately free society, DRM cannot exist at this level.

      Perhaps, with your scenario, making near exact digital copies will become prohibitively difficult, to the point where it may only be possible by tapping into the output data stream intended for the speaker diaphram or monitor/television display, or even tapping into the output stream just after it is played and displayed (near exact copies are possible here with the right equipment). I suspect that if this is the case, then the media piracy industry will really take off (as in: you ain't seen nothin' yet), because they will be able to offer cheap, unrestricted high-quality media. A new industry may even be spawned, offering specialized equipment to make highly-protected media copying easy.

      The only 100% uncopyable media is media that cannot be listened to or watched.

    37. Re:Resistance is futile by Original+Replica · · Score: 1

      audio output into A/D Converter = copied

      --
      We are all just people.
    38. Re:Resistance is futile by Hatta · · Score: 1

      I thought that technically savvy people only wanted to strip DRM for "Fair Use"? If you're stripping DRM just so you can give files to the whole world, you're committing copyright infringement anyway, regardless of the DRM.

      You're committing civil disobedience to protect our fair use rights.

      --
      Give me Classic Slashdot or give me death!
    39. Re:Resistance is futile by Anonymous Coward · · Score: 0

      You are only right if the people go along with it.

      This is why we need to inform people about DRM and why we don't want someone else to control our computer / media. What are you paying for anyways? When you buy music, you don't even own the media or the music that is contained on it, if you are to believe the EULAs and insane laws being put into effect..

      I prefer to go down fighting..

    40. Re:Resistance is futile by Coniptor · · Score: 1

      Really? You mean my hardware I currently own will be magicaly bestowed with the ability to read encrypted media? No? OH I have to *BUY* their new hardware/media. That's EASY. DON'T buy it. I'm not. However I think it would be great fun to talk like I'm going to around all the no nothing idiots and make up fake features it's supposed to support cause *they* ALL love gossip right? Then they'll all go out and buy it and try those new crazy "fair use" features only to find they're non-existent. HAH HAH HAH What great fun. That'll put a sour taste in their mouth. Maybe then they'll wake up?

      They don't need any more money. They have gotten enough through meritless lawsuits against innocent people. Of those that couldn't be labeled innocent they should be brought into civil court and made to pay the media price, nothing approaching the high end of double digits let alone leaving them.

      I know this is where the music/movie industry wants to go but if you believe it is the right way to go and believe what your writing up above then I'd love to meet you and kick you in the nuts. I'll live *with* **NON** of it. Don't like it? Eat shit and die. Please pass that on to your ??aa friendly fellow shills.

  9. Disturbance in the Matrix by mysqlrocks · · Score: 5, Funny

    he is offended by the fact that the fact that the record labels...

    Did anybody else notice the disturbance in the Matrix?

    1. Re:Disturbance in the Matrix by Anonymous Coward · · Score: 1, Funny

      Yes, it was the first thing I noticed the first thing I noticed.

    2. Re:Disturbance in the Matrix by The+Lynxpro · · Score: 0

      "Did anybody else notice the disturbance in the Matrix?"

      Which Matrix are you speaking of? The one that is the repository of all knowledge of the Time Lords of the planet Gallifrey or that Matrix featured in that deriviative and underperforming trilogy of films from Warner Bros. Pictures & Village Roadshow? :)

      --
      "Right now, somewhere in this world, Scott Baio is plowing a woman he doesn't love," - Peter Griffin, *Family Guy*
    3. Re:Disturbance in the Matrix by Scrameustache · · Score: 3, Informative

      disturbance in the Matrix?

      Glitch.

      Glitch in the Matrix; disturbance in the Force.

      --

      You can't take the sky from me...

    4. Re:Disturbance in the Matrix by Viper+Daimao · · Score: 1

      as long as we're including different matrixes, what if he meant this one?

      --
      "In the game of life, someone always has to lose. To me, if life were fair, that someone would always be Oklahoma." -DKR
    5. Re:Disturbance in the Matrix by edraven · · Score: 1

      While we're picking nits, the plural of matrix is matrices.

    6. Re:Disturbance in the Matrix by Viper+Daimao · · Score: 1
      Thats what I though, but dictionary.com said
      n. pl. matrices (mtr-sz, mtr-) or matrixes
      --
      "In the game of life, someone always has to lose. To me, if life were fair, that someone would always be Oklahoma." -DKR
    7. Re:Disturbance in the Matrix by edraven · · Score: 1

      Just goes to show, if enough people use a word incorrectly, the usage becomes correct.

    8. Re:Disturbance in the Matrix by Viper+Daimao · · Score: 1

      I ain't got a problem with it; seems alright to me.

      --
      "In the game of life, someone always has to lose. To me, if life were fair, that someone would always be Oklahoma." -DKR
    9. Re:Disturbance in the Matrix by edraven · · Score: 1

      I like him. He's silly.

    10. Re:Disturbance in the Matrix by Anonymous Coward · · Score: 0

      I don't remember captian picard saying either of those quotes though. Which season and episode is it from?

  10. in Canada... by m0rph3us0 · · Score: 2, Interesting

    Personal music copying is legit, and bought and paid for through media levies. Why would I ever buy from Apple/other DRM music provider for an extra 99 cents what I've already bought from my friends on BitTorrent. Faster, better selection, and a more flexible format.

    1. Re:in Canada... by Hefty+Hefty+Hefty · · Score: 1

      This attitude is what Canadians have heard but is not what was said. Sharing music is not illegal - the analogy of a library with photocopiers was used .. just because you provide the means for copyright to be infringed, does not mean you are liable. Downloading or possessing music that you do not own the rights to is still illegal, and no amount of 'I pay my levies' will stand up in a Canadian court. This being said, Canada is working right now as we speak, to change the copyright laws to fix all of its problems. Of the changes, it will provide provisions that to actively be engaged in a copyright violation ring (such as sharing or downloading) that you will be liable (being involved could be as little as keeping Shareaza open). I seem to remember they are also making the entire copyright law non-applicable to public schools and universities. Looks to me like many birds may die from this one thrown stone.

    2. Re:in Canada... by Dav3K · · Score: 1

      With the passing of Bill C-60, this is not quite so cut and dry. We lost a lot of our rights that day. I suggest you read Michael Geist's website to keep abreast of these and other changes. Please see http://www.michaelgeist.ca/

    3. Re:in Canada... by naarok · · Score: 2, Informative

      Actually what I think you are describing is not legal in Canada.

      You can only make copies of the original and those copies can only be for your personal use.

      If you borrow a CD from a library, you are allowed to make a copy of it to use. You could then lend the original to a friend and they could make a copy and return the original to you. You then return the original to the library. You, your friend and the library now all have legal copies of the music. You could also buy a CD and lend it to a friend for them to copy.

      You can not borrow a CD from the library, make a copy, and then give that copy to a friend to copy, because that would not be copying from the original, but from a copy.

      It sounds stupid by I'm pretty sure that is how it works. The requirement to copy off the original constrains the possibility of mass distribution.

      Now, back to the above post. In the case of BitTorrent, you are effectively copying from a copy, not from the original, and thus it is not legal.

    4. Re:in Canada... by Dixie_Flatline · · Score: 2, Informative

      No! NO!

      It is NOT legal because you've paid for it through levies. It's legal because IT'S LEGAL.

      Those levies are a red herring. It would be legal even without the levies. It has been for years. Don't bring those into this. They're just a money grab.

      Don't use the levies as an excuse, either. Not only have they stopped collecting levies on things like iPods, but paying for things beforehand like this aren't an excuse for bad behaviour. If you buy bullets with a levy on them to compensate families of shootings, you aren't allowed to go out and shoot people.

      The only thing that you have to say when talking about downloading files in Canada is that it's legal. End of story. Any other justifications just weaken your position.

    5. Re:in Canada... by DeeKayWon · · Score: 1
      The Copyright Act says nothing about where the copy is required to come from. If I'm wrong, and you can point to a place in the Act where it does say otherwise, then by all means tell us where. Be sure to let the Copyright Board know as well, because they couldn't find anything either.

      There is no requirement in Part VIII that the source copy be a non-infringing copy. Hence, it is not relevant whether the source of the track is a pre-owned recording, a borrowed CD, or a track downloaded from the Internet.

  11. Blogs Strike Again by komodo9 · · Score: 1

    With all the discussion of blogs recently in the news, this is just another example of it. The past month's issue of Fortune featured "Attack of the Blogs" as the cover story.

  12. Burn Him! by Shadow+Wrought · · Score: 3, Funny
    he admits to using third-party tools to remove the DRM from iTunes tracks.

    Where art thou RIAA? He voluntary admits it and all! Sue! Sue! Sue! I hear there's an attorney named THompsons whose case just went away. Maybe he can help you out...

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  13. Only Apple... by Anonymous Coward · · Score: 2, Funny

    Would hire "Mike Evangelist" as Director of Product Marketing.

    I hear their CEO really gets the 'Jobs' done...

    1. Re:Only Apple... by grimJester · · Score: 1

      I hear Mike Hunt applied for the job but wasn't taken seriously.

  14. Department store tags vs. DRM by Senes · · Score: 2, Insightful

    When you buy clothes from a department store, the tag is removed and you are free to wear alter, and lend out the clothing however you see fit.

    When you buy media with DRM, you take the tag home with you so it can tell you how to use the product you bought and try to get you in jail for shutting it up.

    1. Re:Department store tags vs. DRM by Golias · · Score: 3, Insightful

      When you buy clothes from a department store, the tag is removed and you are free to wear alter, and lend out the clothing however you see fit.

      That's because their shirt can't instantly become six billion more shirts, which you can give away for free (or sell for next to nothing, like AllofMP3.com does) and take away any reason for anybody else to buy one from them.

      Selling recorded music is a multi-million dollar industry, the owners of which surely don't want to just give up, just because technology has made it fantastically easy to rip them off.

      If you don't like DRM, suggest another way for them to sell music. (And no bullshit answers about giving it away and making their money off concerts and t-shirt sales. Suggest a solution which doesn't involve simply giving up all that sales revenue.) If you can't come up with anything better than what's out there now, why would you be surprised that they can't either, and are desperately experimenting with so many bad ideas?

      --

      Information wants to be anthropomorphized.

    2. Re:Department store tags vs. DRM by Anonymous Coward · · Score: 0

      That's because their shirt can't instantly become six billion more shirts, which you can give away for free

      Sure it can, the requirements and expenses aren't that high.

        - Brain (check)
        - Material (Fabric store in your city? Check)
        - Thread (check)
        - Buttons (check)
        - Scissors (check)
        - Needles (check)

      I can't imagine spending more than $50 to copy many items, a shirt might be less than a few dollars. On the other hand, copying a CD costs about $500 ($450 for the PC, $40 for the CD-R drive, $10 for the pack of CDs).

      It's just the shirt manufacturers often don't *care* when someone makes inferior knockoffs. People know they're buying junk if it's labelled with another company's name. Just like people know they're buying junk when they buy a handwritten DVD-R of a screener from their local flea market.

      (Don't give me bullshit that it's easier to copy a CD. It would take my mother at least 2 or 3 years to be at the point of computer intelligence to copy a CD. She could, however, copy a shirt within a day.)

    3. Re:Department store tags vs. DRM by Anonymous Coward · · Score: 1, Funny

      What is this "CD" of which you speak? Is that the name for the clay tablets upon which cuneiform was once carved?

      The rest of us were talking about music downloads, but what you are talking about sounds interesting too, for the historical perspective anyway.

    4. Re:Department store tags vs. DRM by Golias · · Score: 2, Insightful

      I can't imagine spending more than $50 to copy many items, a shirt might be less than a few dollars. On the other hand, copying a CD costs about $500 ($450 for the PC, $40 for the CD-R drive, $10 for the pack of CDs).

      That's got to be just about the most stupid analysis I've ever seen in my life.

      Cost of producing six billion shirts at $50 a pop: $300,000,000.00

      Cost of producing six billion music tracks via torrents: $450.99

      ($450.00 for the PC plus $0.99 for the track download from the iTunes Music store. If you can find a server to start the torrents from, your bandwidth cost can be $0, because you can just use the free Wi-Fi at a library or coffee shop.)

      --

      Information wants to be anthropomorphized.

    5. Re:Department store tags vs. DRM by theStorminMormon · · Score: 4, Insightful

      If you don't like DRM, suggest another way for them to sell music. (And no bullshit answers about giving it away and making their money off concerts and t-shirt sales. Suggest a solution which doesn't involve simply giving up all that sales revenue.) If you can't come up with anything better than what's out there now, why would you be surprised that they can't either, and are desperately experimenting with so many bad ideas?



      This seems a little over-the-top to me. Consider this example. Ford has just "invented" the assembly line. It's now possible to build cars extremely cheaply. In other words, the cost or reproduction has gone down by an order of magnitude. Let's say there had been car-makers before that, but they made custom cars to order, one at a time. They would see this sudden new method of production as a threat, and try to artificially maintain inflated prices. Would they be justified in shutting Ford down?



      I'm well aware this analogy doesn't really work, but there are elements of it that are important. Firstly, the real change here is in production. Music distributors DO NOT MAKE MUSIC. That's what bands do. So when you buy a CD from a Warner or whatever, you're not paying Warner for the music, you're paying Warner for the CD. Of course, you're also paying Warner to market the CD, you're paying them to possible promote the band. And part of your money is actually going to fund the band itself.



      So essentially the music industry has become a big middle man. They don't make music, they promote and distribute it. But now they are no longer needed for distribution. The method of production has gotten cheaper and anyone with a PC can do it. They arguably don't need to promote it either - with the internet it's possible to disseminate information for free - or almost.



      So before you, or anyone gets all high and mighty about "they make a living selling music, blah blah blah" you have to ask yourself - are they really needed any more? And if not, then why should we keep them around? We don't keep blacksmiths around either. Of course the industy has a vested interest in keeping itself alive, but that doesn't mean we have to roll over and let them extort money from us when they no longer really have much to offer us.



      So what should replace this business model? Clearly bands need to get paid or we won't have full-time artists anymore. So money needs to change hands. That is clear. I'd recommend dropping the price on physical CDs considerably - like $5 bucks a pop. If the good is sufficiently elastic you'll make the m oney back in increased revenue. Shift to an online model. There are plenty of sites that want to sell music cheap. Reduce the price for an mp3 to 10 cents or something. Share the profits more equitably between distributor and band. There you go. Let fan sites handle promoting.



      That may or may not be the perfect solution, but here's the key point. It's not the consumer's job to come up with a new business model. And if the currrent business model has become irrelevant, we don't have an obligation to develop a new one before pointing out that the current one is irrelevant.



      Let's be realistic. Change is inevitable. The industry can fight it, and be crushed eventually, or they can downsize and reinvent themselves. Painful, yes, but nothing like the alternative.



      stormin

      --
      The Southern Baptist Convention has creationism. On Slashdot, we have porn.
    6. Re:Department store tags vs. DRM by Anonymous Coward · · Score: 0

      Slashdot math rules!

      50 * 6 billion = 300 million
      qed

    7. Re:Department store tags vs. DRM by Golias · · Score: 1

      Slashdot math rules!

      50 * 6 billion = 300 million


      A foolish typo, yet your correction makes my point 1000 times as emphatic, so I don't feel so bad.

      --

      Information wants to be anthropomorphized.

    8. Re:Department store tags vs. DRM by Digital+Vomit · · Score: 4, Insightful
      Selling recorded music is a multi-million dollar industry, the owners of which surely don't want to just give up, just because technology has made them completely unnecessary.

      There. Fixed that for you. ;-)

      --
      Modern copyright is theft of culture from everyone and it retards the progress of the useful arts and sciences.
    9. Re:Department store tags vs. DRM by rograndom · · Score: 1

      When you buy clothes from a department store, the tag is removed and you are free to wear alter, and lend out the clothing however you see fit.

      That's because their shirt can't instantly become six billion more shirts, which you can give away for free (or sell for next to nothing, like AllofMP3.com does) and take away any reason for anybody else to buy one from them.

      Selling recorded music is a multi-million dollar industry, the owners of which surely don't want to just give up, just because technology has made it fantastically easy to rip them off.


      If someone discovered a way to effortless create / duplicate food, I bet half the world would starve to death in a year.

      "Selling food is a multi-million dollar industry, the owners of which surely don't want to just give up, just because technology has made it fantastically easy to rip them off."

    10. Re:Department store tags vs. DRM by ShimmyShimmy · · Score: 1

      Selling recorded music is a multi-million dollar industry,
      I think you have a good point here, but might wanna add a couple zeros to that figure.

      --
      Partial Credit: The Engineer's Best friend
      "Well, the bridge didn't fall all the way down!"
    11. Re:Department store tags vs. DRM by Golias · · Score: 1

      Consider this example. Ford has just "invented" the assembly line. It's now possible to build cars extremely cheaply. In other words, the cost or reproduction has gone down by an order of magnitude. Let's say there had been car-makers before that, but they made custom cars to order, one at a time. They would see this sudden new method of production as a threat, and try to artificially maintain inflated prices. Would they be justified in shutting Ford down?

      If Henry Ford was making duplicates of their car designs before the patents ran out, then yes. They would be justified in shutting him down.

      Now, you are welcome to make the case that copyright on all things (including music) is too long. I would be 100% in favor of cutting it in half or even more.

      But the problem with all business models that rely on copyright today is that no no longer need a professional production company to make duplicates of somebody else's piano rolls. Technology has made it so easy to copy and distribute all media, that the single biggest barrier to duplicating works you don't own right to has pretty much vanished entirely. This has provoked media industries to look for ways to erect other barriers.

      Let's put it another way. Imagine you've been made the V.P. in charge of the Sony Music division. People are copying your music all over the place, which may or may not be related to the fact that sales are lackluster at best. If you can't improve profits from music sales, you're fired. What are you going to do about AllofMP3.com practically giving away your entire catalog without paying you one cent? What are you going to to about all the P2P swapping going on? What are your ideas?

      Oh... and if you are thinking of simply taking the division in a whole other direction from trying to make money off the sale of pre-recorded music, you're also fired. Sales may be trending down, but it's still a multi-million dollar cash cow which you are not permitted to slaughter.

      So there's your parameters. Now, come up with a strategy that's better than trying to lock down the music with DRM. (And I don't mean better from the consumer's perspective. How happy people are is irrelevant. I mean better from the revenue-generation perspective, because that's the only one the board cares about. It's the only one the board even has a right to care about.)

      --

      Information wants to be anthropomorphized.

    12. Re:Department store tags vs. DRM by Golias · · Score: 0, Flamebait

      So... they should just tell their shareholders that they've decided to give up on all that money, because "Digital Vomit" on Slashdot says he doesn't need them anymore?

      --

      Information wants to be anthropomorphized.

    13. Re:Department store tags vs. DRM by killjoe · · Score: 2, Interesting

      "That's because their shirt can't instantly become six billion more shirts, which you can give away for free (or sell for next to nothing, like AllofMP3.com does) and take away any reason for anybody else to buy one from them."

      By the same token you can not produce a shirt and then replicate for pennies while selling each one at $20.00.

      What this points out is that music has been overpriced for years. The cost of production has kept going down without corresponding reduction in price.

      the so called "piracy" is simply the market nomalizing itself.

      --
      evil is as evil does
    14. Re:Department store tags vs. DRM by Golias · · Score: 2, Interesting

      If someone discovered a way to effortless create / duplicate food,

      Already exists.

      Step 1. Bury seed corn in the ground.

      Step 2. Wait a few months.

      It doesn't yield as much food as if you tend to it all year, but it works.

      More to the point, food producers don't have any claim of intellectual property over the food they sell. If you can find a cheaper way to produce it, they must either adopt your method or go bankrupt. Even if there ever was a patent on soybeans, it ran out about 6,000 years ago.

      --

      Information wants to be anthropomorphized.

    15. Re:Department store tags vs. DRM by QuestorTapes · · Score: 1

      > ...their shirt can't instantly become six billion more shirts, which you can
      > give away for free (or sell for next to nothing, like AllofMP3.com does) and
      > take away any reason for anybody else to buy one from them.

      Correct. Not "instantly."

      But designer clothing does in fact get copied, and very quickly. Instead of trying more and more complicated ways to prevent copying, they've altered the business model to maintain their profits, and depend on the law to reign in the worst abusers.

      They don't ignore the illegal duplications, anymore than retailers ignore theft. But like retailers, they recognize that a certain amount of theft is a cost of doing business. They don't antagonize all their customers in an ill-conceived plan to reduce shrinkage to $0 (at least most of them don't, yet).

      > Selling recorded music is a multi-million dollar industry, the owners of
      > which surely don't want to just give up, just because technology has made it
      > fantastically easy to rip them off.

      Well, part of the problem is that it is a multi-million dollar rip-off, and they don't want to reduce their own excessive profits. I'm not just talking about ripping off the consumer; I'm talking about ripping off the artists, as well.

      The recording and motion-picture industries are notorious for "creative accounting" being used to rip off their artists, distributors, partners, -and- consumers. A search for "fraudulent accounting" and "recording industry" turns up a fair list.

      One of the key alternative suggestions is based on the idea, "don't try to rip people off." Cut fair deals with artists, distributors, partners, and consumers. There is evidence that this works, on the rare occasions it has been tried.

      I don't illegally copy music. But I also don't buy very much. The truth of the matter is that most of it isn't very good, and almost all of it is ridiculously overpriced.

    16. Re:Department store tags vs. DRM by ozydingo · · Score: 1

      This is probably the most logical perspective on it I've seen. It seems everyone rushing to defend these means of keeping the music marketing/distribution business alive are forgetting/ignoring that there is no reason we need to do so, insofar as I can see.

      With digital copying gone amuck, it is arguable that it would create a world that is more profitable for artists. It is also arguable that it would create a world that is less profitable for arists. Either way, that's the market, and if you wanna get in that market then know the risks and deal with it. If it's more profitable, great, hooray, everyone (except the former distributors/marketers) is happy. If it's less profitable, then only the artists who are truly in it for the music and not the money will stay. And don't try to say that it will stifle the art of music due to those that would get invovled but can't afford to risk their income source, because the only artists making money off of the current big-distributor scheme are doing so by passing off formulaically rehashed music as creativity. (Hmm, verse, verse, chorus, verse, chorus, bridge, chorus. I, III, VI, IV anyone? Spice it up with a VI, IV, V, I! If you don't know what I'm talking about, then just move along...)

      Parent post is right. Money needs to change hands, the huge marketers/distributors aren't needed anymore. I am interested in reading counter-arguments to that.

    17. Re:Department store tags vs. DRM by Anonymous Coward · · Score: 0

      You're just the person who would do racketeering if it was legal, same argument works.

    18. Re:Department store tags vs. DRM by ozydingo · · Score: 1

      Valid point, as far as seeing it from the company's perspective. Still doesn't mean that we as a society should accept it.

    19. Re:Department store tags vs. DRM by Golias · · Score: 1

      So essentially the music industry has become a big middle man. They don't make music, they promote and distribute it. But now they are no longer needed for distribution. The method of production has gotten cheaper and anyone with a PC can do it. They arguably don't need to promote it either - with the internet it's possible to disseminate information for free - or almost.

      This comes down to the greed and short-sightedness of the musican's in every major record label's stable.

      Of all the bands out there, only a tiny fraction of the very most easy-to-sell acts get offered record deals. Of those, only a small fraction actually make money, for either the label or the artist.

      But every once in a while, some blonde bimbo and her producer just happen to tap into the pop zeitgeist of their moment, and make billions, so everybody wants to try to repeat that feat.

      The attempt to generate a superstar act costs lots and lots of money; far more money than any young musical performer would ever be able to spend on their own, so the only way to chase "the dream" is to work with the record labels, who have both the resources and connections that the new artist lacks.

      The reason the labels feel they have a right to all those profits is because they paid for it, by bankrolling failed acts by the dozens all year long. The hits subsidize the misses.

      As a new, unknown artist, can you make it on your own without these labels? Maybe... if there's something special enough about your act to generate word-of-mouth hype, and if you happen to be very lucky, and if your fifteen minutes of fame doesn't get drowned out by the hype of the new season of American Idol... but there are not many examples of people making much of a living off their art that way.

      So the artists who are good enough to sign with labels do so, and the labels remain the most likely source of music with the potential of mass appeal, because the only performers not signed with them are the ones who were either judged to be not good enough, or the ones who have already established a fan base through previous big-label contracts.

      --

      Information wants to be anthropomorphized.

    20. Re:Department store tags vs. DRM by Jherek+Carnelian · · Score: 3, Interesting

      If you don't like DRM, suggest another way for them to sell music.

      Easy.

      Q: How has the internet changed things?
      A: The cost of distribution is now effectively zero.

      No smart business will even try to charge for something that is free. Even if they have a 300% markup, 3 * 0 is still ZERO.

      Q: What's left to charge a markup on?
      A: Labor costs.

      The cost to create the album, book, movie or video game is where there is still opportunity to charge a mark-up. So, forget all about copyright which is (primarily) about controlling distribution. There is no value in distribution any more.

      Instead, sell all the creations as work-for-hire to the public domain. Yes, let the public pay for the cost of creation plus whatever premium you can milk from them. If it costs $500K to produce an album, then ask for $1M up front from the public at large. Let the people pay whatever they think such an album will be worth to them. Take all those payments, put them into an escrow account and when it hits $1M you get to work. When you are done, release the finished album to the public domain and collect your $1M in payment.

      This can work for the same reason that the cost of distribution is now zero - the Internet. The cost of collecting payments from millions of people is approaching zero too. We still need the right financial infrastructure to do it efficiently, but technically all the pieces are already available.

      Q: How does "work-for-hire to the public domain" benefit the content creators?
      A: It substantially reduces their risks by guaranting the return on their investment up front.

      Q: How does "work-for-hire to the public domain" benefit the consumers?
      A1: They will actually own the results - no worries about breaking the law to share with friends.
      A2: They have much more of a say into what kinds of entertainment get created - not advertisers, not studio execs, but the actual consumer gets to vote with his dollar before production which is far more effective than "voting" after the production is already finished.

      Q: What if not enough money is collected to reach $1M?
      A: Lower the asking price, or give up and return all the escrowed money or spend some money on hype to encourage more buyers. This is the epitomy of a free market, no government involvement required at all.

    21. Re:Department store tags vs. DRM by shawb · · Score: 2, Insightful

      It's not a valid point. One of the most common test for a logical construction is to replace another conclusion but follow the same logical construct.

      The argument that he is putting forth is:
      It's okay to do whatever you need to do to keep a job.
      The music execs need to put DRM in music to keep their job.
      Therefore it's okay for the music execs to put DRM in music.

      Now, you change the argument, but keep the same construction.
      It's okay to do whatever you need to do to keep a job.
      Guards in Nazi concentration camps had to kill thousands of people to keep their jobs.
      Therefore it's okay for guards in Nazi concentration camps to kill thosands of people.

      Note that I'm not equating the use of DRM to the atrocities commited in World War II, I'm just using it to disprove the logical construction used. And I personally don't really care if music companies want to include DRM, so long as it is disclosed to the consumer prior to purchase, or the consumer can return the merchandise once they find out about the DRM. DRM in and of itself isn't evil; it could be mitigated to allow for fair trade, even though I don't know of any CDs that put the DRM info right on the packaging and I know for a fact that you can no longer return a CD except for defect in manufacturing.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    22. Re:Department store tags vs. DRM by shawb · · Score: 2, Informative

      The record companies don't subsidize musicians anymore. Generally all of the costs associated with recording, promoting etc are a loan to the musician. If the record company doesn't get that money... the musician is screwed out of anything coming to them, and are in financial debt to the record company, with interest.

      Maybe some musicians are able to get a good enough contract where this isn't the case, but they generally can't argue for that kind of contract unless the record company is sure that it'll be a hit. Not to mention, large record companies are signing fewer and fewer new acts sticking with proven cash cows.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    23. Re:Department store tags vs. DRM by theStorminMormon · · Score: 3, Insightful

      All you've succeeded in doing is creating a boo-hoo story for the VP in charge of the Sony Music dvision. And it's legitimate. But it doesn't change the fact that when the market changes in fundamental ways some business models do not survive. Period. You have this HUGE industry that was essentially created to solve a problem: distribute music to consumers. At the time of creation the only method of distribution was physical. It was expensive and time-consuming to create phonographs, 8-tracks, cassettes, etc. So now you have this huge corporation that was built up around the fundamental problem: create physical media to distribute music.

      Then along come computers and the internet. Now you can make endless copies of the music (digital files) and you have a method to distribute them without significant additional overhead (peer-to-peer over the internet). These are the facts of life. And it means that the entire music distribution infrastucture has become an out-dated dinosaur.

      You seem to want us to understand the plight of the Sony VP. But that's not really relevant. The problem isn't that people are stealing music. That's a symptom of the greater problem: there's no longer a need for giant distributors with extensive physical capital to fulfill. And that is not anybody's fault. That doesn't make stealing OK. But everybody not stealing is not going to suddenly eliminate the market inequities.

      The problem is that we're going through another economic revolution. Just as tremendous social upheavel accompanied the Industrial Revolution, this economic revolution from physical media to digital media is going to cause huge waves (maybe not AS huge, that remains to be seen). And just as some labor groups fought the onset of the Industrial Revolution, the physical media conglomerations are going to fight this revolution. But they have just much chance of winning as the Luddites did of banning machinery and factories.

      We're completely wasting our time, efforts and money if we try to either prop up a failing and antiquated system or try to divert attention from the underlying flaws. The world has changed - and the only prudent thing we can do is try to change with it. That goes for you, me, and Sony VPs everywhere.

      -stormin

      --
      The Southern Baptist Convention has creationism. On Slashdot, we have porn.
    24. Re:Department store tags vs. DRM by Dun+Malg · · Score: 1
      Selling recorded music is a multi-million dollar industry, the owners of which surely don't want to just give up, just because technology has made them completely unnecessary.

      There. Fixed that for you. ;-)

      (applause)
      Best. Edit. Ever.

      --
      If a job's not worth doing, it's not worth doing right.
    25. Re:Department store tags vs. DRM by shawb · · Score: 1

      You know most clothing manufacturors do the same thing. I really doubt the cost of producing a pair of shoes in indonesia now is much more than the cost of producing a pair of shoes in the United States was in 1990. The cost of a comparable pair of shoes has more than doubled in that time. I recall being able to regularilly find Canvas Converse Chuck Taylor's (triple stitched, american made) for less than $20 at any shoe store. Now, Canvas Converse Chuck Taylor's (double stitched, Chinese or Indonesian) run about $40 or more. And they honestly do not last as long as they used to.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    26. Re:Department store tags vs. DRM by Dun+Malg · · Score: 1
      More to the point, food producers don't have any claim of intellectual property over the food they sell. If you can find a cheaper way to produce it, they must either adopt your method or go bankrupt. Even if there ever was a patent on soybeans, it ran out about 6,000 years ago.

      Hah! Have you seen Monsanto's patent portfolio? They have patented variations of wheat, corn, soy, canola.... you name it.

      --
      If a job's not worth doing, it's not worth doing right.
    27. Re:Department store tags vs. DRM by vsprintf · · Score: 1

      That's because their shirt can't instantly become six billion more shirts, which you can give away for free (or sell for next to nothing, like AllofMP3.com does) and take away any reason for anybody else to buy one from them.

      Selling recorded music is a multi-million dollar industry, the owners of which surely don't want to just give up, just because technology has made it fantastically easy to rip them off.

      Every time the subject of IT employment and job loss comes up, there is a Slashdot contingent chanting that nobody is entitled to a job, and people will have to deal with the new reality. So why is it that individuals have to deal with it, but companies have a right to continue making a profit despite their growing irrelevance just because they made millions in the past?

      At one time, the recording companies provided a service: they provided recorded media for far less than an individual could produce it, and people willingly paid for it. That is a typical business case. That is no longer the case. Now, they produce a product that is more expensive than an individual could produce on her own, but the industry believes she should still be forced to buy from them.

      If you don't like DRM, suggest another way for them to sell music.

      That's a red herring. How did they get a God-given right to control and sell all the music? It really is the buggy-whip analogy: the so-called music industry has outlived its usefulness as distributors, but now they have so much money that they can buy legislation to enforce their artificial middle-man position. DRM removes the few and limited rights that buyers still have under the law, so it is an abomination. If you're serious about how the industry could sell music, they should become VARs. The cost of a stamped CD, jewel case, insert, and shrink wrap is about twenty cents or less. Their product (which includes 30-year-old music that should be public domain) should reflect their costs. If you can get an album for $2, there is little incentive to download and burn it. The only P2P I do is downloading Linux distros - to me this argument is strictly about what's right and wrong, and obscene profits, purchased legislation, suing 12-year-old kids, and crippled products are wrong.

    28. Re:Department store tags vs. DRM by killjoe · · Score: 1

      Since sneakers are hard goods it takes a lot of money to make them, distribute them and then to stock them on the shelves. So even though the cost of making them has stayed the same or gone down the cost of shipping them has gone up.

      Also consider that one of the foibles of the market is that items are priced according not only the cost to produce them but the percieved worth to the consumer. In other words what the consumers are willing to pay.

      In your example the cost to produce the sneakers may have stayed the same but the consumers are willing to pay more for it.

      In the case of music people are not willing to pay more. In a true free market this would mean the cost of music should be much lower because not only does it cost less to produce and distribute but also the consumer is thinking that it's not all that great.

      --
      evil is as evil does
    29. Re:Department store tags vs. DRM by Mistshadow2k4 · · Score: 1

      Media and software are mediums that are inherently vulnerable to "stealing" by copying. And that's their problem, not mine. I'm not allowing them to make it mine either.

      --
      I dream of a better world... one in which chickens can cross roads without their motives being questioned.
    30. Re:Department store tags vs. DRM by ozydingo · · Score: 1

      Valid != acceptable. It was valid in that it explains why some people do it, even if that reason to most of us is morally reprehensible. But maybe i'm giving the GGP a little too much credit when I assume (s)he acknowldges that.

    31. Re:Department store tags vs. DRM by Anonymous Coward · · Score: 0

      You may be interested in reading this.

    32. Re:Department store tags vs. DRM by AdmiralWeirdbeard · · Score: 1

      "If you don't like DRM, suggest another way for them to sell music. (And no bullshit answers about giving it away and making their money off concerts and t-shirt sales. Suggest a solution which doesn't involve simply giving up all that sales revenue.) If you can't come up with anything better than what's out there now, why would you be surprised that they can't either, and are desperately experimenting with so many bad ideas?"

      Ok
      They do this amazing, ground-breaking thing, where they sell their music, be it on CD's or online, for a reasonable price. I would consider a reasonable price to be a little less than what IMS charges, and possibly a little less than that for older music, like music where the artist/composer is dead, for example...
      Then, they fire their lawyers, and stop the financial drain on their profit margin from prosecuting people for having downloaded a few songs.
      then, we make it a misdemeanor to have illicitly downloaded music, punishable like a traffic ticket. the RIAA keeps its watchdog services up and running, and forewards ip addresses of downloaders to the appropriate state, county, or municipal government, who issues a ticket. there is no criminality at issue, a simple traffic-style ticket, people just pay it and stop downloading, or dont and get caught and pay again. the ticket revenue goes to pay for the watchdog services, and the administrative overhead of issuing tickets. if there's any left over, then it gets donated to the NEA.

      now, you will no doubt notice that there is no talk of restitution to the bereaved record labels for the vile thieves who are robbing them blind. Well, if they arent paying their lawyers MILLIONS of dollars a year, then they've got a pretty fucking sweet racket going. eliminate the need for their services (see the ticketing scheme mentioned above) and you eliminate that massive red mark on their ledger sheets, and by golly, you just might see a profit once and a while,
      oh, wait, they're already seeing massive profits anyways...
      well, on second thought, scratch my well reasoned and fair plan, and they can, in the words of our esteemed VP go fuck themselves.

      --
      Come read my stupid blagablog. Rants and Giggles
    33. Re:Department store tags vs. DRM by rograndom · · Score: 1

      Step 2. Wait a few months.

      Too much work. I'm looking for six billion ears of corn right now.

      More to the point, food producers don't have any claim of intellectual property over the food they sell. If you can find a cheaper way to produce it, they must either adopt your method or go bankrupt. Even if there ever was a patent on soybeans, it ran out about 6,000 years ago.

      More to the point, music producers don't have any claim of intellectual property over the music they sell. If you can find a cheaper way to reproduce it, they must either adopt your method or go bankrupt. Even if there ever was a patent on the twelve notes musical instruments make, it ran out about 6,000 years ago.

    34. Re:Department store tags vs. DRM by Golias · · Score: 1

      The record companies don't subsidize musicians anymore. Generally all of the costs associated with recording, promoting etc are a loan to the musician

      That "loan" is money they will never see again if the band fails, because it's a loan that isn't secured by anything other than the recording contract, which becomes pretty much worthless if the band does not do well enough for a second album to be worthwhile.

      --

      Information wants to be anthropomorphized.

    35. Re:Department store tags vs. DRM by Golias · · Score: 1

      Thank you for being the first person to reply to my query with anything more interesting then groupthink pissing and moaning about how evil the record labels are.

      I'm not sure you idea would work, but it's an interesting proposed solution to a problem that most people have clearly not put much thought into.

      --

      Information wants to be anthropomorphized.

    36. Re:Department store tags vs. DRM by diamondsw · · Score: 1

      Okay, here's a question. Say all of the music companies die tomorrow, and bands are able to promote themselves over the internet, deliver with P2P, etc. Now, how are those musicians supposed to make money themselves, if their music can be freely copied? Don't you think that they'll suddenly be in favor of DRM as well?

      --
      I don't know what kind of crack I was on, but I suspect it was decaf.
    37. Re:Department store tags vs. DRM by theStorminMormon · · Score: 2, Interesting

      If you're asking questions like this, you're not understanding what's going on. That's likes saying at the dawn of the textile industry, "OK, so all the home-weavers just quit and the guild folds. Now all the factories with buggy prototype machines and no trained work force just have to somehow make a profit. Bet you're in favor of artificially high prices now!"

      I'll explain the analogy. The current record labels are dinosaurs, and their time has come. The market can no longer support them. But this is a PROCESS. It's not like you can just hit a switch and say "OK industry, change" and expect an instant turn over. The record labels have the resources to stick around for a while, and the new business model that will replace them is not ready yet. This doesn't change the fact that the old business model won't work anymore.

      And the artificially high prices, in this case, are going to be the result of DRM (if it succeeds). Consider diamonds. Until the 19th century they were very rare - and thus valuable. In the 19th century, however, vast diamond deposits were found - mostly in Africa. The DeBiers family realized that if diamonds were no longer rare, they would no longer be valuable as jewelry - and thus they bought up the vast majority of the diamonds and mines available and then released only a controlled amount to the public. So even though diamonds, as raw material, are relatively common they are rare on the marketplace. They have succeeded in maintaining this artificial scarcity for over a century. It only worked becuase they paired it with an equally successful marketing campaign.

      Whenever a new diamond mine of sufficient size to threaten their contol is opened they can flood the market - temporarily dropping the prices and financially ruining their competitor - then buy up the mine once the owner is crippled. Then they restore prices to previous levels by drying up the supply lines.

      DRM does effectively the same thing. I'm ignoring the issue about who a song belongs to for now. The question of price is related to scarcity. If music is scarce - meaning you have to go to a store and buy a CD to get one then the price stays high. It's like diamonds vs. cubic zirconium. The knock-off isn't as good. So as long as there is a difference in quality between the "real" thing (CDs) and copies (tapes of CDs) then the prices can remain high. (Plus tapes are not free either.)

      But if suddenly there are EXACT copies (MP3s, CD burning with CDs getting really cheap) then the supply shoots through the roof. But if you managed to clamp down on that excess supply - via DRM - then you can drag it down to the original level and continue to charge the same price. So as far as the record labels are concerned DRM has ABSOLUTELY NOTHING to do with "rights". It's about supply - as in supply and demand.

      But of course DRM also has to do with "rights" and we can't ignore that side of it. Artists do create the songs, and thus they should have some ownership and control rights. At the very least, they should have a way to make money off of their music.

      There are two approaches to this dileman. If you're a hard-core capitalist you say "tough luck. either the market's there, or it's not". I think that this is laregely true. If musicians suddenly couldn't make money or control their art and we had a mass exodus of musicians then people would realize they're going to have to pay more just to support the artists.

      The thing is, we don't have to let the market work that way. We don't have to wait for musicians to all starve to death to realize that if we want good music we have to support musicians.

      But the only reason to think that supporting musicians means supporting record labels is if we buy into the record label PR machine. Just like the diamond industry managed, in the space of a few short decades, to introduce a foreign tradition to Japan (diamond engagement rings after WWII) so successfully that the landscape of a culture was changed (the tradi

      --
      The Southern Baptist Convention has creationism. On Slashdot, we have porn.
    38. Re:Department store tags vs. DRM by diamondsw · · Score: 1

      I honestly can't tell if we're in disagreement on anything or not. :)

      All I'm saying is that ultimately whoever has the music (whether it's dinosaur music companies or the artists themselves) will want to control the supply. In a digital age, that means DRM. How do we avoid DRM (from whoever) and still have an incentive for musicians to produce their works, if they can't actually make a living at it? Are we back to the age of patrons of the arts (and will even that work in today's world)?

      --
      I don't know what kind of crack I was on, but I suspect it was decaf.
    39. Re:Department store tags vs. DRM by pbf · · Score: 1

      They don't really have to change their model. Only get rid of the DRM and set the proper price. Really I am sure that most illegal downloads of music that happen on P2P networks is because the CDs/DVDs are just too expansive.

      As far as I am concerned, I am not willing to pay 20 for a CD, it is at least 2x too much for my budget. Consider the Laffer Curve http://en.wikipedia.org/wiki/Laffer_curve/... Too summarize: "too much taxes kills the taxes": if some state tries to collect taxes at a too high rate, the people will have an insentive to develop a parallel economy and avoid tax, so the state revenue will actually decrease. Now replace state by music/movie industry and see for yourself. Just ask yourself at what price you'd rather buy a CD or DVD and not go through the trouble of downloading it via some illegal means ?

      The trouble is, the music/movie industry should really be asking themselves these question rather than claiming that piracy is the cause of the reduced revenues when they hike the prices of CD's from 10 to 20 for new releases... duh!

      Another interesting article on the subject is how walmart pressured the music labels to drop the price of CD below 10$ to be carried at walmart. Guess what the music industry is following... in that article there is a break down of the cost of a 15.99$ CD:

      $0.17 Musicians' unions
      $0.80 Packaging/manufacturing
      $0.82 Publishing royalties
      $0.80 Retail profit
      $0.90 Distribution
      $1.60 Artists' royalties
      $1.70 Label profit
      $2.40 Marketing/promotion
      $2.91 Label overhead
      $3.89 Retail overhead

      Here is what you should cut with an legal online distribution:
      - 3.89 => retail overhead
      - 0.90 => distribution
      - 0.80 => packaging/manufacturing
      - 2.91 => label overhead

      total 8.50$, this means that there is no excuse to sell a full album on-line for more than 7$ whatsoever. And I am ready to bet that at this price you really don't need any DRM, and most people will just buy the music without considering for a second that a p2p tool is worth the trouble.

      --
      et les Shadoks pompaient...
    40. Re:Department store tags vs. DRM by pbf · · Score: 1
      --
      et les Shadoks pompaient...
  15. criminals? by heatdeath · · Score: 2, Insightful

    Like many of us, he is offended by the fact that the fact that the record labels and movie studios treat their customers like criminals.

    Well, I'm not sure why he would be offended, since most of their customers *do* display a propensity to steal their music.

    It's like being offended that walmart has stolen goods detectors at the exits.

    --
    I'm sorry. The number you have reached is imaginary. Please rotate your phone 90 degrees and try again.
    1. Re:criminals? by SoCalChris · · Score: 1

      most of their customers *do* display a propensity to steal their music.

      If they're customers, doesn't that mean that they're not stealing music?

    2. Re:criminals? by finkployd · · Score: 1

      Most? Do you really think that? Maybe "most of the people you know" but really now, I doubt most of the music buying public steal (or infringe copyright, to be accurate).

      Finkployd

    3. Re:criminals? by egypt_jimbob · · Score: 2, Insightful

      But Wal-Mart doesn't put stolen goods detectors in your house.

      --
      I am a leaf on the wind. Watch how I soar.
    4. Re:criminals? by Anonymous Coward · · Score: 1, Insightful

      With all due respect, I think you're missing the point. We all agree that copyright infringement, like stealing, is bad.

      The question is how far groups should be allowed to go to prevent it. The U.S. constitution imposes many limits on police powers, searches and seizures, rights of the accused, and so forth. This is because if one only focuses on the original crime, it's easy to overlook crimes committed in the name of preventing it. Without such protections, one gets witch trials, McCarthyism, and so on. (Lucky we're past all of that now, eh?)

      How far should companies be reasonably allowed to go to prevent theft of their services? Wal-mart-style carry-out detectors? Sure. Impose random audits on customers, where they have to spend weeks and a great deal of money verifying compliance, under the threat of exorbitant legal action? Surely not. Impose a special system, crafted in the name of preventing infringement, which locks the customer in to further purchases from this supplier (and locks out competitors), or the original product will cease to function? And coincidentally keep raising prices for said purchases? Because that's exactly where they've been going with this. Preventing piracy is a red herring.

    5. Re:criminals? by MKalus · · Score: 1
      Well, I'm not sure why he would be offended, since most of their customers *do* display a propensity to steal their music.


      Sure, I buy a DVD, CD etc. and then I am the one who steals????

      What kind of logic is that?

      I mean seriously.

      When I go to the library and copy a CD I am also totally correct in doing this because I pay a levy on my blank media. Same goes if I borrow the CD from a friend and do the same thing.
      --
      If you want to e-mail me, use my PGP Key.
    6. Re:criminals? by gmurray · · Score: 1

      Actually I was offended in Best Buy the other day.
      I went in there to buy a piece of software, found the empty box within 3 minutes. Waited 35 minutes for one of the roaming attendants to attend to me, and bumble around "in the back" for a while doing who the hell knows what. And then when I finally recieved the actual box. I wasn't allowed to take it to the register myself. Instead, it was held for me, and I had to ask about it once I got the end of the register line. I'm actually surprised they let me have it after I paid for it. I was half expecting them to call up American express and inquire as to whether my credit was good enough. Anyway... this is all remarkably similar to how DRM makes me feel, so I don't think the analogy is all that laughable.

    7. Re:criminals? by Prophet+of+Nixon · · Score: 1

      Hey, quit giving them ideas!

    8. Re:criminals? by Reducer2001 · · Score: 1

      They will when you leave their store with that brand-spanking new copy of Windows Vista in 2007.

      --
      When you get to hell -- tell 'em Itchy sent ya!
    9. Re:criminals? by shmlco · · Score: 1

      And you think they WANT to waste their resources and employees time that way? Don't blame them. Blame all the jerks that walked out the front (or back) door with non-empty boxes they didn't pay for...

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    10. Re:criminals? by vertinox · · Score: 1

      Blame all the jerks that walked out the front (or back) door with non-empty boxes they didn't pay for...

      I used to work at a retail Media Play Chain back in the late 90's and one of the managers speculated with me that employees steal more than the customers, but loss is attributed to the customers.

      After all, employees don't get barely paid above min wage and have access to the tools to remove the security devices which makes it easier.

      Most of the time the employees will have a customer in cahoots who will go up to the register but they will ring the item up as a different price and everything will look legit and then the item is walked out of the store. When inventory time comes the item is counted as a loss due to customer shoplifting.

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
    11. Re:criminals? by gmurray · · Score: 1

      This kind of excessive security only alienates customers. I don't feel like shopping there anymore. And the benefits that it gains them are probably mostly psychological. Its rather like the TSA and airport security. I would be willing to bet that behaviour like this loses them much more sales than thefts it prevents.

    12. Re:criminals? by daivdg · · Score: 1
      "their customers *do* display a propensity to steal their music."

      IANAL but are we actually talking about theft here? I thought theft was the act of permanently depriving the owner of use. Illegal downloading and reproduction of music is a breach of copyright. Still wrong, still illegal, but not theft.

      If I steal a book from a store, that's theft.; if I print my own copy, that's breach of copyright.

      I think it is important to distinguish between the two, because theft places it on the same level as breaking into someone's house and taking their TV. It may be that the legal implications of the two acts are similar, but the moral one's aren't. Not all sins are equally bad.

      A 14 year old downloading a song that they might not have bought if they couldn't download it, is hardly on the same level as a 14 year old stealing a CD from a store. If they steal a CD, the owner of the store still has to pay for the physical item. That is not the case with the downloaded file.

      That said, breaching copyright is illegal, and it should not happen. I heard Lawrence Lessig say recently that we should vehemently oppose copyright infringement, because not to do so is to undermine the law.

      I personally don't download music illegally because I think it is wrong. I have no qualms about ripping CDs or DVDs to my hard disk. I think if I have paid the full price for a service (and a CD or DVD is just a service delivery mechanism) then I have the right to enjoy that service how I choose.

      The film and music industry are entering turbulent times. Like most of us, they dislike change. Instead of finding new ways to make money with the technology, they are trying to cling on to old certainties. But unlike most of us, they have financial muscle to hire the lawyers to stretch it out into a slow painful death.

      But I don't think they'll win. DRM is too much of a restriction of freedom, and freedom always wins out in the end.

    13. Re:criminals? by shmlco · · Score: 1
      "I would be willing to bet that behaviour like this loses them much more sales than thefts it prevents."

      And doing nothing loses dollars in inventory and sales, as it's hard to sell something that isn't there.

      Fundamentally, it's a no-win scenario. I'm sure, however, they'd be interested if you could prove your thesis.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    14. Re:criminals? by slavemowgli · · Score: 1

      Rubbish. Copyright infringement is not theft, so stop labelling it that way. Yes, both activities are illegal, but they're not the *same*, and blurring the meaning of words isn't gonna do any good. You don't run around and proclaim that (real) theft is murder, either, do you? So please keep the following in mind:

      copyright infringement = violation of a copyright owner's rights when your actions weren't covered by fair use.
      theft = taking away of a physical, tangible object from another person.
      piracy = sailing the seven seas, stopping other ships, boarding them, stealing the cargo (see "theft" above), and quite possibly killing the crew.

      That being said, who says that "most" of the customers commit copyright infringement, anyway? Do you have any actual numbers to back up that claim, or did you just pull some figures out of your ass after reading too much Slashdot?

      --
      quidquid latine dictum sit altum videtur.
    15. Re:criminals? by Anonymous Coward · · Score: 0

      The security detectors are fairly non invasive so there's nothing to be offended over. If however the "Welcome to Walmart" guy frisked everyone on their way out of the store... I have a feeling that their profits would make a resounding thud as they hit the floor. I also have a feeling that they wouldn't be dumb enough to blame it on shoplifting.

  16. What I dislike... by Psionicist · · Score: 4, Interesting

    What I really dislike about DRM is the general consensus that everything actually will have DRM in the future. Even many hardcore geeks at Slashdot seem to reason DRM is here to stay and, if anything, we should try to use the lesser of all the evils. Well, I don't agree (and I didn't vote for Bush either, *shrug*) and the sooner the consumers unite somehow and nicely tell the record- and movie industry we don't want their freaking DRM the better.

    Microsoft, being a maker of software based DRM-solutions, plays along nicely by reinforcing the record/movie industry's "threat" that they are "forced" to use DRM if future content should be playable at all in the future. This is _untrue!_ Even if many content industries want DRM, it's not needed, and we shouldn't give up and let them have it that way. Think about it, if a CD can be played in a stereo, even if the stereo has some kind of DRM, any competent taiwanese manufacutrer should be able to create a player for the computer, regardless if RIAA, MPAA or Microsoft likes that or not. That's the way it should be.

    I am worried someday, somewhere, some freaking moron political figures will rule the computer is an "entertainment device" and must be managed with DRM (think Vista, Trusted Computing etc). That's the day we are all fucked, even if don't actually listen to music or watch TV.

    1. Re:What I dislike... by diamondsw · · Score: 1

      consumers unite somehow

      Get back to us when you figure out that prereq.

      --
      I don't know what kind of crack I was on, but I suspect it was decaf.
    2. Re:What I dislike... by jacksonj04 · · Score: 2, Insightful

      To be honest I wouldn't care about DRM if there was a universal standard for everything. If I buy a CD track over iTunes I have no problem with it being DRMed on the condition that I can also play it on anything else, be it a 'Windows Media' device or my TV or my phone.

      Saying you want new music to always be backwards compatible is like saying you want all new music to play on an old vinyl deck. With DRM at least there is a record of "this person has already bought this, so in fact we *can* authorise this download without charging them again".

      If I buy a video with this 'universal DRM' why can I not for example go to my friend's house, plug in my username and password and it appears in my 'media list'. Steam does it for games, why can't the same be done for media? And whilst they're at it I would appreciate a way to add all my old media and games to the list as well.

      --
      How many people can read hex if only you and dead people can read hex?
    3. Re:What I dislike... by shmlco · · Score: 1
      "...plug in my username and password and it appears in my 'media list'."

      I like the idea of part of the download encryption technology using the credit card number used to make the purchase. Any player can play it, IF it also has the credit number. You can loan it to friends, but they'd better be trustworthy...

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    4. Re:What I dislike... by Anonymous Coward · · Score: 0

      Even many hardcore geeks at Slashdot seem to reason DRM is here to stay and, if anything, we should try to use the lesser of all the evils. Well, I don't agree (and I didn't vote for Bush either, *shrug*)...

      That would have been voting for the greatest of all evils.

    5. Re:What I dislike... by Moofie · · Score: 1

      "With DRM at least there is a record of "this person has already bought this, so in fact we *can* authorise this download without charging them again"."

      In theory, you're right. In practice, you're wrong.

      Try to get a second download out of iTMS. Let me know when you succeed.

      --
      Why yes, I AM a rocket scientist!
    6. Re:What I dislike... by mopslik · · Score: 1

      Saying you want new music to always be backwards compatible is like saying you want all new music to play on an old vinyl deck.

      As it stands right now, I can't be sure that a compact disc will play in my compact disc player until after I have purchased, opened, and tested it. This, of course, invalidates my return option.

    7. Re:What I dislike... by jacksonj04 · · Score: 1

      I'm aware of this, and think it's a bit of a retarded thing to do because I *know* iTMS has my purchase record. What I was more aiming at was the idea that all your purchases are stored centrally so that you can access them from any location, thus not even need to bring a copy of a film with you to watch it on a friend's system. Just plug in your username/password and auth it to play. I could put up with "only allow 24 hours of playing per auth on a non-'home' machine".

      --
      How many people can read hex if only you and dead people can read hex?
    8. Re:What I dislike... by Trepalium · · Score: 2, Interesting

      I see you mised these very nice bits of legislation that were recently discussed.. They want to force all computer devices that deal with analog to digital (or vice versa) conversions to implement CGMS-A and VEIL. It's not the first time, either. Every few years, they whine to their bought and paid-for lawmakers (such as Senator Fritz Hollings) and get them to put up a bill that would force the electronics industry to do what the MPAA/RIAA wants, and that spawns lobbying from these industries to get the law shot down.

      --
      I used up all my sick days, so I'm calling in dead.
    9. Re:What I dislike... by radish · · Score: 1

      If you buy something and it's defective (won't play) they have to exchange it. Period. Of course, they'll just give you another one. So take it home, try it out, still doesn't work - return it. Repeat until they get bored and give you a credit.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

    10. Re:What I dislike... by cogg · · Score: 1
      Repeat until they get bored and give you a credit.
      Hopefully the sort that can be used in any store in the country.....
      --
      "Never 'clear the air'. Instead, investigate all the subtle nuances of the word 'fester'." - R. Candappa
    11. Re:What I dislike... by KinkoBlast · · Score: 1

      Try to get a second download out of Magnatune. They have a link to it right from the home page, and all you need is your email address. Then again, MT lets you make 3 copys for friends and doesn't use DRM... but still.

    12. Re:What I dislike... by Moofie · · Score: 1

      Magnatune is great, but their selection of stuff I like is a little thin.

      I've gotten some tracks I really like a lot, but their selection is, shall we say, not huge.

      --
      Why yes, I AM a rocket scientist!
    13. Re: What I dislike... by gidds · · Score: 1
      To be honest I wouldn't care about DRM if there was a universal standard for everything. [...] Saying you want new music to always be backwards compatible [...]

      It's not just about being backwards compatible; it's also about being forwards compatible. Here's a comment I posted in Another Place explaining why:

      One of the common rationales for some forms of DRM is that they're 'reasonable': they let you do most of the things you'd want to. But IMO that's just an illusion: no form of DRM is reasonable, and no form can ever be completely reasonable.

      And yes, I do have a rational reason for thinking that, even though at present it seems to be an extreme position: the 'default' access to any copy-protected material will always be to prevent copying. And ultimately, it's that 'default' access which matters.

      There are lots of ways you could try to access DRM-protected material: you could present it in a variety of applications on your desktop computer (media players, book readers, or whatever depending on the type of material); you could copy it to another machine; you could copy it to a handheld machine and try to present it there; you could convert it to a different format; and so on. And these access methods will always increase: people will always be coming up with new applications, devices, formats, ways of accessing the material. Therefore, any DRM scheme must not only address the current access methods, but also future ones too. So there are basically two possible types of DRM: those which allow access in specific ways and prevent everything else (the no-access default), and those which prevent access in specific ways and allow everything else (the full-access default).

      Now, that second type is in practice unworkable, because it would then be possible to come up with a new access method, and use that to convert the material into another DRM-free form, effectively removing the DRM and rendering it useless. So, any practical DRM scheme must prevent all access other than that it specifically allows.

      And that's what makes DRM so harmful. It's future-unproofed, blocking any cool new technologies which come along. It's inaccessible, blocking many (or all) existing technologies used by people with disabilities. It relies upon the company providing the right software and/or access codes. It's non-portable, blocking most other hardware platforms, operating systems, or devices. And it always will be so, because that's the nature of DRM: to block 'everything else'.

      Take, for example, a form of DRM that's actually fairly reasonable and non-restrictive: Apple's FairPlay system, which is used for tracks bought from the iTunes Music Store. It lets you authorise up to 5 computers to play those tracks, along with all iPods synced to them. You can even burn copies to CD. Sounds pretty fair.

      But it still has a no-access default (while it's working as designed, anyway). You can't use any other software to edit the tags. You can't split or join tracks. You can't play them on any other MP3 (or AAC) player. You can't convert them to lower-bitrate versions. You can't convert them to whatever cool new format comes along and offers the same sound quality at a fraction of the filesize. You can't do anything other than the few things they specifically allow, even though those other things might be completely legal and moral for you to do, or might become so at some point in the future!

      This is why I think there can never be a completely 'reasonable' form of DRM. There will always be new forms of access that the creators didn't think of. And DRM will always block them. And we will all suffer. Sooner or later, people will learn this. I hope it's sooner.

      --

      Ceterum censeo subscriptionem esse delendam.

  17. Evangelist? by booch · · Score: 5, Funny

    Come on. Are we really supposed to believe that they had a Director of Product Marketing named Mike Evangelist? And I suppose they've got an engineer named Dave Engineer too. And users named Joe Sixpack. And an HR guy named Steve Jobs.

    --
    Software sucks. Open Source sucks less.
    1. Re:Evangelist? by Billosaur · · Score: 0

      No, the engineer's name is actually Dave Codemonkey.

      --
      GetOuttaMySpace - The Anti-Social Network
    2. Re:Evangelist? by Lemmy+Caution · · Score: 1

      Nice to meet you, Tom Commenter. I'm Sam Replies.

    3. Re:Evangelist? by bhima · · Score: 1

      Well... that's his name.

      --
      Nothing in the world is more dangerous than sincere ignorance and conscientious stupidity.
    4. Re:Evangelist? by PhineusJWhoopee · · Score: 1, Funny

      I think you meant, "users named 'Joe Bordeaux' or 'Joe Cognac'.

      ed

    5. Re:Evangelist? by Anonymous Coward · · Score: 0

      Hey fellas, I'm Johnny-Come-Lately.

    6. Re:Evangelist? by Anonymous Coward · · Score: 0

      No, Steve is employed elsewhere. Their HR guy is Steve's brother...Joe Jobs.

    7. Re:Evangelist? by Lemmy+Caution · · Score: 1

      You might want to talk to a urologist about that. I know one: his name is Doctor Peters.

    8. Re:Evangelist? by servognome · · Score: 1

      Come on. Are we really supposed to believe that they had a Director of Product Marketing named Mike Evangelist?

      Wayne: Worst Name. CNN Pentagon Correspondent, Wolf Blitzer? Shyeah, right!
      Garth: It's so obvious the guy made it up for the war!
      Wayne: Yeah! I know, it's like, "Hi, we now take you to our War Correspondent, Howitzer Explosion Guy."

      --
      D6 63 0D 70 89 81 BB 8E 7B 7C 5F 5D 54 EA AB 73
    9. Re:Evangelist? by jafac · · Score: 1

      My company has a programmer named "Hack".

      (First name withheld to protect his true identity, but also highly ironic).

      And he's a damn good one too.

      --

      These are my friends, See how they glisten. See this one shine, how he smiles in the light.
    10. Re:Evangelist? by bgspence · · Score: 1

      Wait a minute. I saw a car pass me ywsterday in San Leandro, CA with the licence plate 'joesix', so I know he does exist...

    11. Re:Evangelist? by The+Cydonian · · Score: 1

      So says Bhima Pandava!

    12. Re:Evangelist? by The+Cydonian · · Score: 1

      Lemmy Caution you that you could be charged with impersonation.

    13. Re:Evangelist? by AstarteGuy · · Score: 1

      You think my name is hard to believe? While I was at Apple, there was actually a guy working there named Macintosh.

  18. "Evangelist"? by Anonymous Coward · · Score: 0

    Mike Evangelist, former Director of Product Marketing for Apple...

    You're shitting me.

  19. Keep Buying Music, Avoid the RIAA by tyler083 · · Score: 3, Informative
  20. Evangelist by ShaneThePain · · Score: 1

    With a last name like "Evangelist" I wouldnt trust him. The religious fanatics are plotting...

    --
    Fascism is the greatest political ideology ever conceived. Sorry.
  21. 3rd party tools? by CFrankBernard · · Score: 2, Informative

    I only know of one tool: hymn (Hear Your Music aNywhere) (formerly called PlayFair) http://hymn-project.org/

    1. Re:3rd party tools? by tradiuz · · Score: 1

      A tool named Hymn, used by a man named Evangalist... That speaks of ID if nothing else!

  22. Re:That's why he's FORMER by Anonymous Coward · · Score: 0

    if you want to use a link as a reference, make sure it's not more than 5 years old.
    Published: August 6, 1997, 3:05 PM PDT

  23. Good quote... by danielk1982 · · Score: 0


    They want to pretend to 'sell' us their product, but they don't want us to actually have it.


    I like the way he put that.

    I'm usually very 'liberal' with respect to the way companies protect their IP but as a customer I deffinately feel alienated by some of their tactics. I've been harping for a while that I wouldn't mind DRM as much if I didn't notice it. That is, if I bought a song off iTunes and I could transfer it to any device capable of mp3 playback (iRiver, PDA, whatever) everything would be fine. As is the case now, its iPod, iTunes, CD or nothing.

    So I choose nothing.

  24. true, but... by xikzantric · · Score: 1

    Yes, it's true that the RIAA, MPAA, and related labels and studios are a bit excessive with the DRM stuff, but I don't think he should complain that they are treating their customers like criminals. Truth be told, many of their customers *are* criminals and are either downloading or distributing content illegaly.

    1. Re:true, but... by JofCoRe · · Score: 1

      many of their customers *are* criminals and are either downloading or distributing content illegaly.

      Depends on your interpretation of copyright law. The way I've read it, it says that copies are only prohibited when there's commercial gain. Therefore, personal, not-for-profit sharing is ok.

      But IANAL, and I don't know how well that particular defense would hold up in court, considering the way the courts have been ruling lately on the **AA crap...

      --

      Place sig here.
    2. Re:true, but... by Anonymous Coward · · Score: 0
      Truth be told, many of their customers *are* criminals


      The **AA _are_ just modern-day mafia, after all.
    3. Re:true, but... by shmlco · · Score: 1
      You're right. You're not a lawyer.

      "Infringement without profit motive is far more common in cases of Internet- based copyright infringement than it is in the physical world. Until recently, the prosecution was required to prove that copyright infringement was done willfully and for commercial advantage or private financial gain. Now the law provides for prosecution in the absence of these monetary considerations. Specifically, the current statute, as codified at 17 U.S.C. 506(a)(2), allows for prosecution in cases involving large scale illegal reproduction or distribution of copyrighted works where the infringers act willfully, but without a discernible profit motive. Congress specifically made this change as part of the No Electronic Theft (NET) Act of 1997, Pub. L. No. 105-147, 111 Stat. 2678."

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    4. Re:true, but... by Proteus · · Score: 1

      Depends on your interpretation of copyright law. The way I've read it, it says that copies are only prohibited when there's commercial gain. Therefore, personal, not-for-profit sharing is ok.

      Hm, not exactly. Copying a copyright-protected work in its entirety without license, and distributing that work to anyone else, even for free, is still copyright infringement.

      However, making copies for strictly personal use, when you already have a legally-obtained copy of a work, is fair use (and therefore legal).

      Much of the body of precedent that suggests some forms of personal sharing are acceptible have to do with volume: courts have commonly (though not always) held that such actions as ripping a CD and sharing it with a friend, while technically illegal, do not damage copyright-holders. Therefore, it is very hard to win a lawsuit on such small-scale sharing; and, it's not often pursued because it makes the plaintiff look like a real prick.

      Most of the debate about music sharing and DRM-stripping doesn't center around legal issues, as copyright law is fairly well-tested, but around ethical and occasionally Constitutional issues.

      For instance, is it ethical to share reduced-quality recordings with friends? Some anecdotal evidence suggests that such sharing increases sales of shared music; if true, no one is being harmed, so an argument of ethics may be possible. It's only short-sighted people who think that disobeying a law is always unethical.

      As for Constitutional arguments, most center around the idea that Copyright law has been perverted much to far from the Constitutional grant that supports it. It's an interesting debate, and not nearly as clear-cut as most of the vocal arguers would suggest.

      --
      We may not imagine how our lives could be more frustrating and complex—but Congress can. – Cullen Hightower
    5. Re:true, but... by JofCoRe · · Score: 1

      Yes, you said it much better than I did :)

      My reply was supposed to be an over-simplified view of it, and you and the other poster above you have done a nice job filling in the blanks I missed. I'm very bad with actually finding the laws and stuff once I've read them, so I paraphrase a lot... and forget a lot too :)

      Thanx for the extra info, and thanx to shmlco for posting that other section which I seem to have neglected. In response to the section that shmlco posted, I would contend that when an individual downloads a song or movie off a p2p network, they are not neccessarily engaging in "large scale" distribution. However, that is an arguable point too, considering that uploading is required by some clients, and on others sharing is set up by default. Therefore by them leaving it available to be downloaded, that may be considered "large scale" distribution. But in the case where someone just logs on every now and then to get a song or movie... is that "large scale" distribution? If they're only grabbing a copy for personal use? Or if instead of going to their friend's house and burning a copy of the CD, they just get it off a p2p network...?

      fun stuff, this copyright law... :P

      --

      Place sig here.
    6. Re:true, but... by idsofmarch · · Score: 1
      Yeah, your opinion and two quarters still won't buy a cup of coffee. What evidence do you have that "many" of the RIAA/MPAA customers are criminals? Is this based on your own behavior or maybe some anecdotal evidence backed by hersay? Furthermore, please define what "criminal" and "illegal" mean with respect to copyright infringment versus fair-use.

      I buy all my content, I spend lots of money on CDs, movies, and digital downloads from iTunes, why should I suffer because of a Chinese pirate who burns Revenge of the Sith from a copy that came from an internal studio source? Nothing I could possibly do, save either downloading the same copy or going to Bejing, makes me part of this situation and yet I have to deal with DRM. DRM doesn't protect media from an intent hacker or media from another internal source, instead it makes me jump through hoops to do things I used to be able to do. No one will win with DRM, content will still be stolen, but now customers will lose rights they once had. Chinese pirates will, of course, make mountains of money.

      You should check out this speech by Cory Doctorow about why this is so.

      --
      Anyone who whines about being modded down should be.
    7. Re:true, but... by DrDribble · · Score: 1

      Well, the people that actually are bothered by DRM are their customers. These customers obviosly bought the product. The "criminals" you are talking about didn't buy the product, they downloaded it. They are NOT affected by DRM. So even though many people are described as criminals, these are NOT THE SAME PEOPLE as the customers.

      But of course, if you want to re-sell the same product over and over again, hold the power to "recall" products at will (with no reinbursement) and control the player market, DRM is what you're looking for. However, it will probably make the "customer" group smaller and the "criminals" group biggger.

      Just my 2 cents.

      --
      A clever person solves a problem. A wise person avoids it. -- Einstein
  25. But, they *are* criminals by ch-chuck · · Score: 1, Interesting

    If people *can* steal something, they will. The honor system doesn't work. In the old days of vinyl and open reel tapes, sure people could still copy the media, but the distribution network did not exist. Then, if you started selling and advertising pirated media, you ran a big risk of being discovered and shut down. Today, it's nearly trivial to rip a cd or dvd and post a torrent and let anybody with access to google find and download it. They just can't allow that to happen and still expect to recover the costs of producing content worth recording, let along make big bucks doing it.

    Mod me troll but that what I really think. DRM will be a fact of life someday, and customers will either go along or listen to scratchy old albums of "Uriah Heep" while everybody else is enjoying "Sexcapades: 2010!".

    --
    try { do() || do_not(); } catch (JediException err) { yoda(err); }
    1. Re:But, they *are* criminals by Anonymous Coward · · Score: 0
      If people *can* steal something, they will.
      You are speaking just about yourself right? You sure as hell aren't talking about me.
    2. Re:But, they *are* criminals by Scrameustache · · Score: 1

      They just can't allow that to happen and still expect to recover the costs of producing content worth recording

      You haven't turned on a radio in a loooooong time, huh?

      --

      You can't take the sky from me...

    3. Re:But, they *are* criminals by Anonymous Coward · · Score: 0

      Copying music isn't stealing. Its called copyright infringement.

    4. Re:But, they *are* criminals by Anonymous Coward · · Score: 0

      Believe it or not, people (with the means to buy something) do not steal because the opportunity is there they actually steal because the value of the product (to them) is far less than the sales price of the product. What the RIAA never understood is that Napster greatly increased the desire of many people to own a much larger quantity of music without increasing their means to purchase it; thus people want a lot more music for the same cost.

      From what I have seen, most people are completely willing to purchase MP3 files from various websites but only a small portion of them are really willing to spend $1 per song(look at allofmp3.com). By charging $1 a song many reasonably honest people are suddenly willing to take the time to search for torrents / usnet / or P2P services to find the music they desire; at $0.25 or lower I suspect that P2P would not be worth anyone's time.

    5. Re:But, they *are* criminals by freeweed · · Score: 1

      If people *can* steal something, they will.

      Then why are people still buying CDs? Why are they still buying DVDs? Why is iTunes selling millions of tracks?

      All of the above are very easily downloaded or copied by anyone with the slightest idea how to use a computer. Hell, my 60-something year old boss used to use Napster, and he didn't know the difference between single and double clicking. Yet, he mostly bought CDs.

      Fact of the matter is, most things are trivially easy to "steal", and yet most people don't do it. Those that do are certainly not going to be affected by DRM.

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    6. Re:But, they *are* criminals by m50d · · Score: 1
      If people *can* steal something, they will. The honor system doesn't work.

      The fact that people are still buying CDs proves otherwise. None of this DRM stuff actually stops anyone copying it. If you want to download the music, hop on any P2P network around and grab a copy, these days you can usually even find a flac version so it will be just as good as the CD. But people do still buy the CD.

      --
      I am trolling
  26. Huh. by AltGrendel · · Score: 1

    Someone better tell DVD Jon about that. As long as he (and folks like him) are around, something will be done to counteract this.

    --
    The simple truth is that interstellar distances will not fit into the human imagination

    - Douglas Adams

  27. Will the real Steve Jobs please stand up?! by Anonymous Coward · · Score: 0

    Why yes, Steve Jobs does work in HR. He's real good at blowing up balloons at company birthday parties. Everyone at Apple calls him Steve Blow Jobs...

  28. Summary nearly as long as the article by jfengel · · Score: 2, Interesting

    And I refuse to buy any CDs that won't fit in my tape deck!

    I suppose it's interesting that a former Apple guy should be taking a stance against Apple's current policy, but this isn't a particularly well-reasoned article. He's basically fed up with format change, and he's ticked off that there are things he thinks he ought to be able to do with the new format (copy it freely to every digital device) that he can't do.

    There's nothing new in this article. He's trotting out the usual complaints about DRM without addressing the usual responses. The usual responses may or may not be adequate, but the article is less "Here's a new argument against DRM from a guy who knows" and more "Yet another guy is pissed off."

    1. Re:Summary nearly as long as the article by jmorris42 · · Score: 4, Insightful

      > He's basically fed up with format change, and he's ticked off that there are things he
      > thinks he ought to be able to do with the new format (copy it freely to every digital
      > device) that he can't do.

      No, it isn't the format change. We all know that is unavoidable. This is different. This is THEM assuming total control. In the past, all media was essentially free. You could loan it to a friend, make a working copy (dump an LP to tape for the road, etc) make mix tapes, etc. You couldn't make and sell copies, not because of a technoligical restriction but simply because, well it is illegal. Not anymore. They want the right to dictate where and how you will play it, how long you can play it and eventually will insist on the right to charge you by the play. Unless we say NO, right now.

      --
      Democrat delenda est
    2. Re:Summary nearly as long as the article by griffjon · · Score: 1

      I, too, am pissed off, and would like my server to turn into a steaming pile of melty plastic. Please link to my complaints about DRM on my blog pls/thx.

      --
      Returned Peace Corps IT Volunteer
    3. Re:Summary nearly as long as the article by radish · · Score: 2, Insightful

      There are a few differences between this and a regular format change.

      1) A format change has an upside. Typically - better quality, or more features. Vinyl sounded better than wax drums, tape allowed recording, CD sounded better than vinyl, etc. A CD with "copy protection" offers me nothing more than a regular CD, in fact - it offers me less. Unless you count a rootkit as a bonus.

      2) A format change requires repurchase of equipment and media for technical reasons, not political ones. I had to rebuy my LPs on CD because my record player doesn't have an appropriate laser pickup. The only reason I can't play my girlfriend's iTunes downloads on our living room hifi (with networked audio player) is that someone at Apple decided I shouldn't be allowed to. There is no technical reason whatsoever, just policy.

      3) A format change is voluntary. I still have records, I still buy records. I'd like to still buy regular CDs, as would (I think) most people. That's becoming increasingly difficult. NO ONE IS ASKING for this format change. It's not voluntary.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

    4. Re:Summary nearly as long as the article by Whatchamacallit · · Score: 1

      Analog Media was free until it went digital and you can make unlimited exact duplicate copies and distribute them online where the copying continues into the millions.

      1. Digital media was born.
      2. MP3 Audio Compression changed a 300MB Lossless WAV file into a 4MB file.
      3. Broadband came along and now you can download 4MB in under 4 seconds.
      4. BitTorrent made it possible to download huge files such as Movies.
      5. Why go to the movie theater when you can have a better experience at home? Why even go to the video store when there is NetFlix? You can even copy the DVD's you rent, just like people did with VHS tapes.

      RIAA & MPAA are dealing with 50 year old concepts that have just been rendered obsolete. The entire music and movie industry have just had it's revenue models completely toasted. Of course they are in a panic. They have no idea what to do but to try to slow down the changes and rake in as much dough as they can. The mere thought of exact duplicate copies floating around the Internet just scares the heck out of them. It also makes them think they are losing revenue when they really are not. In fact, their revenue keeps increasing; trouble is they think of it as a loss. Most people who pirate stuff probably would not have bought it in the first place.

      Apple has proven that if you build it they will come. Make it easy to find what you are looking for. Make it easy to pay for it and keep the price cheap and people will buy. Breaking the albums into individual songs was brilliant, they sell more music that way then with albums. Now if they did the same with television shows and movies but distributed a higher quality file with the ability to burn it to DVD I would dump Netflix and probably my cable TV in a heartbeat. Of course more of my time is spent on a computer and in reading those old things called books then watching mind numbing television.

  29. My DVD thinks I am a criminal by Datagod · · Score: 3, Insightful

    What I really like is that how you go out and fork over $20 for a new DVD, then as soon as you put it in the player you are forced to watch a short video telling you such crap as "You wouldn't steal toys, you wouldn't steal shoes, why would you steal a movie?" I own the stupid thing, and they make me so mad I rip a copy just to get rid of their garbage. And by the way, "Own it now!" is their line...so I guess if we own it, we can do what we want with it...

    1. Re:My DVD thinks I am a criminal by Rude+Turnip · · Score: 1

      Almost as insulting is when they play that stupid PSA on the TV screens in Blockbuster Video. Way to go to insult your paying customers! What's next, a reminder to not shoplift when you're in the check-out line in the grocery store?

  30. DRM = Big Brother by TheZorch · · Score: 5, Interesting

    Does the name George Orwell mean anything to you people. Wake up and smell the coffee! Big Brother is coming, and we need to stop it now before its too late. I'm serious...stop laughing dammit...ok now I'm ticked! Seriously though, we as Americans and citizens of other Free Nations need to stand up and say that "we will not allow corporations to take away our rights and freedom no matter what". Send a clear message to the RIAA, boycott their products, and spread the word that you can boycotting them and why. All that's needed to start a landslide is a single pebble. Are YOU that pebble? Think about it.

    --
    Michael "TheZorch" Haney
    thezorch@gmail.com
    http://thezorch.googlepages.com/home
    1. Re:DRM = Big Brother by Anonymous Coward · · Score: 0

      What are you talking about?

      I love Big Brother.

    2. Re:DRM = Big Brother by Darth+Maul · · Score: 2, Insightful


      Sorry, but the cynic in me just realizes the fact that people are too stupid to know what's going on, so before we know it all media and computers will be DRMed. Say goodbye to using media as you wish (portable players, computers, etc) and also hobby coding on your computer. Only "approved" software will run. But it will creep in as "protection" from virus, malware, etc.

      People are idiots, and won't know what's going on until way after it's too late.

      Sure, the few of us that get it can boycott all we want, but everyone else is still buying rap "music" and britney spears albums. They don't care what rights they have to give away in return.

      --
      --- witty signature
  31. just to get this out of the way by bLindmOnkey · · Score: 1

    "While he notes in the comments section that iTunes is the best of the worst, he admits to using third-party tools to remove the DRM from iTunes tracks."

    oh, the Irony!

    1. Re:just to get this out of the way by oaklybonn · · Score: 1

      Thats "iRony". Hope this helps.

    2. Re:just to get this out of the way by SheeEttin · · Score: 1

      Don't you mean iRony? This is Apple.

    3. Re:just to get this out of the way by Anonymous Coward · · Score: 0

      Shouldn't that be iRony?

  32. Why is it... by flyinwhitey · · Score: 2, Insightful

    Why is it that someone hasn't proposed a reasonable alternative to DRM.

    The record companies want to make money, people want to control their stuff. So instead of bitching about it, then bending over and taking it, why doesn't someone come up with an alternative.

    It seems like the extremes of this discussion are all I ever hear anymore. What is being proposed by people who see a business opportunity in a good compromise that satisfies everybody? Is there such a thing?

    --
    How pathetic are you that you follow me from topic to topic and waste all your mod points at once modding me down?
    1. Re:Why is it... by realmolo · · Score: 1

      There is no compromise. That's the problem. The record companies (and really, ALL media companies) really REALLY want you to be giving them money every time you view/listen/play their stuff. At the very least, they want you to be paying for a subscription.

      It's not even really a matter of preventing privacy. They finally can implement "Pay-Per-View" everything, and it's their wet-dream. They aren't going to abandon it.

    2. Re:Why is it... by Anonymous Coward · · Score: 0
      Why is it that someone hasn't proposed a reasonable alternative to DRM.
      The reasonable alternative to DRM was proposed when records music was invented. It's called "lack of DRM." Without DRM, the customers get what they want, and the media companies get shitloads of money. (There's a reason you have heard of the major RIAA and MPAA companies, rather than their being obscure.)

      DRM == Nobody wants it, nobody can play it, no sales, no money, stockholders divest because they would prefer to own stock in a business that has the intent to make profit, Sony CEO eats shoplifted dogfood in the alley.

      No DRM == Everybody wants it, lots of people buy it. Shitloads of money for the media companies, stockholders don't sue them, and Sony CEO fucks a different beautiful woman every night on top of a bed of hundred dollar bills.

    3. Re:Why is it... by Anonymous Coward · · Score: 0

      Why hasn't someone proposed a reasonable alternative to DRM? In the consumer's view (mine included), a reasonable alternative to DRM is to not have DRM. If that makes the record companies uncomfortable, then the onus is on them to come up with something that doesn't make the consumer's asshole pucker. They haven't done so, and as a result they are losing customers. The customers don't care though, because there are plenty of alternatives (legal and not) available to the customer to get non-DRM music.

      As an example, one way for consumers to get non-DRM music legally is through allofmp3.com. That's our solution, if the record companies come up with something that is not distasteful, I'm sure more consumers would be willing to buy their products. But until that happens (the probability is low, considering that record execs actually need insight and/or morality in order for that to happen), the consumers will find their own way, whether the labels like it or not.

    4. Re:Why is it... by Hina+Matsuri · · Score: 1

      It's not even really a matter of preventing privacy. They finally can implement "Pay-Per-View" everything, and it's their wet-dream. They aren't going to abandon it.

      That is EXACTLY right. It's not about being pissed off at all the filesharers out there cutting into (already astronomical) profits, its about squeezing more money out of the gullible, legit consumers. Making filesharing harder and forcing more legit consumers is just a side benefit. Hell, *I'd* try to do it if I was in their shoes, but that doesn't make it right.

    5. Re:Why is it... by Moofie · · Score: 1

      "The record companies want to make money, people want to control their stuff."

      Uh huh. And I want a pony. So what?

      "So instead of bitching about it, then bending over and taking it, why doesn't someone come up with an alternative."

      People have. It's called file sharing, and I hear it's going to be the next big thing.

      --
      Why yes, I AM a rocket scientist!
    6. Re:Why is it... by kebes · · Score: 1

      Read this PDF. It's an MIT analysis of how the content industry could move away from a licensing model to a "service" model. Instead of charging people for each CD (or each DRM download), the idea would be to charge people a monthly fee to have access to a huge database of all the music (or other content) that there is. Even though this content would not be restricted or DRM'ed in any way, people would still pay for the service. Why? Because the convenience of the service would make it much more valuable than filesharing networks (where copies may be low quality, not have their meta-tags done properly, etc.). As long as it was priced low enough, had a massive amount of content, and wasn't encumbered (i.e.: as long as it's just as convenient as filesharing networks), people will want to use it, and will be willing to pay for the power and convenience.

      Anyways, that's the proposal, and you can read their analysis and see if you agree. It seems quite logical and robust to me. I suspec the recording industry could make as much money as they now do, if not more. They just have to evolve to meet customer demands.

    7. Re:Why is it... by freeweed · · Score: 1

      The record companies want to make money, people want to control their stuff.

      We have the answer today. It's called mp3, or Ogg if you want to be idealistic. It allows full control for the user, and history has shown that people will still buy goods and services, even if there's a free alternative, so long as their money gets them convenience, choice, extra perks, or what have you.

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    8. Re:Why is it... by Anonymous Coward · · Score: 0

      People have been proposing a reasonable alternative for years and years: record companies should lower their prices. The markup on CDs is incredible; there's plenty of room to lower it. Most pirates buy at least some music, and would buy more if prices were lower.

      The record companies are fully aware of this alternative and know exactly what they're doing. Lowering their prices would result in losses for them, even with the increased purchases, and they calculate that the losses from DRM development, negative publicity, etc., will be smaller.

    9. Re:Why is it... by Coniptor · · Score: 1

      There is no reasonable replacement and can not be as DRM was NOT resonable to begin with! The end goal would be NO different than a Tyrant sitting on his ill gotten thrown pondering and pontificating about how to prevent or make impossible a uprising. With them and their mentality there can be NO peace or mutual (bi-directional) respect.

    10. Re:Why is it... by Anonymous Coward · · Score: 0

      Do you think there is some other alternative to DRM than no-DRM? How about half-DRM or partly-DRM? Why do I think those would not work?

  33. JHymn vs. iTunes 6 by Anonymous Coward · · Score: 0

    And currently if you buy stuff with iTunes 6 from the ITMS store, JHymn can't obtain the key(s) required to remove the DRM, and so is limited in use.

  34. Slightly trollish, but I can't resist... by ctnp · · Score: 1, Funny


      Does anyone else find it slightly ironic that the last name of a Directory of Marketing is 'Evangelist'?

    1. Re:Slightly trollish, but I can't resist... by ctnp · · Score: 1

      Ooops I mean 'Director' and not 'Directory.' Muscle-memory, ya dig?

    2. Re:Slightly trollish, but I can't resist... by Anonymous Coward · · Score: 0

      It's only ironic if you don't know what the definition of irony is

    3. Re:Slightly trollish, but I can't resist... by ratpack91 · · Score: 1

      That is not ironic, it is fitting! It might be ironic if he was the director of secrecy, i.e. contrary to what his name suggests.

  35. DRM not always bad by Anonymous Coward · · Score: 2, Insightful

    I'm a developer who contributes both to closed and open-source projects and I don't see the use of DRM is necessarily a bad thing. There are an awful lot of people who are being hurt by content/software piracy these days and the mac platform is http://www.macserialjunkie.com/>no exception. Apple (and nearly every other developer I know of) is aware of this forum and the thiefs that hang out there. Moreover, everyone expects the problem will only get worse as the market share increases.

    I agree that DRM isn't the whole solution to this problem, but I don't think it should be dismissed outright. What is wrong with wanting money for working?

    1. Re:DRM not always bad by Anonymous Coward · · Score: 0

      Yes it is. If you don't respect me I won't respect you and won't spend any money. Fuck DRM and people like you who try to paint it with bright colors. And if DRM isn't the whole solution then it is no solution at all because only one uncripled copy is needed, you might be better of skipping right to the other solutions you have.

    2. Re:DRM not always bad by Moofie · · Score: 1

      "thiefs"

      Wow. Not only did you spell it wrong, you used it incorrectly. Your English teacher is crying right now.

      --
      Why yes, I AM a rocket scientist!
    3. Re:DRM not always bad by Guysmiley777 · · Score: 1

      In related news: rootkits aren't ALWAYS bad.

      --
      Coding with assembly is like playing with Legos. Coding an application in assembly is like building a car with Legos.
    4. Re:DRM not always bad by Travelsonic · · Score: 1
      I agree that DRM isn't the whole solution to this problem, but I don't think it should be dismissed outright. What is wrong with wanting money for working?

      Irrelivent, how does DRM = profits for sure, and/or how does "hating DRM" == "they shouldn't make profits"? People make money for work not locked by DRM.. somehow the argument seems to be that of an illogical folly that no drm means that people will not make profit from their works when it has in fact been proven otherwise countless times. I can provide proof if challenged on this.

      --
      If you believe in privacy, and believe you have "nothing to hide" at the same time, you're a goddammed idiot
    5. Re:DRM not always bad by Anonymous Coward · · Score: 0

      The problem is that the people who steal are generally not customers anyway. In a store there has to be anti-theft devices to deter theft because every item stolen means one less item available to real customers. The customers have to put up with anti-theft devices because it prevents them from having to pay higher prices.

      For music and software, that is not the case. The people who "steal" are still not customers, but each "theft" does not incur an actual cost to the manufacturer. So now customers are inconvenienced by anti-theft devices not only in the store (which is understandable), but when they are home too!

      dom

    6. Re:DRM not always bad by Anonymous Coward · · Score: 0

      I find it interesting that Magnatune does not claim they lose money like, as the big four claims is happening, or that Linux projects thrive although they are being copied and shared freely and not paid for. I find it strange that people make such claims while there exists evidence of the contrary. So how is it possible someone is losing money while someone else is not, while the mechanics of sharing content differ not. I find it alarming that some people still think DRM is good while it has been proved from time and time again it is evil.

  36. "criminal" != "wrong" by mrchaotica · · Score: 1

    Yeah, the people who bought alcohol during Prohibition were "criminals" too. But they beat the teetotalers, just as we can beat the greedy bastards.

    If an act ISN'T WRONG, then yeah, people will do it. Does society consider filesharing wrong? The vast numbers of people doing it should clue you in.

    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    1. Re:"criminal" != "wrong" by ozydingo · · Score: 1

      As simplistic as that was put, a second thought made me realize that it just makes so much sense.

      I saw let the pirates pirate. Obviously it's on a much wider scale now than ever before due to technology--to a point where the RIAA would have you believe that it's threatening their business. Well guess what, that's what happens. Changes in technology destroys some markets and creates others. And if pirating does indeed reach such a large scale that it puts the RIAA out of business, well, personally I'd say all the better. Why do most artists sign up with the RIAA ni the first place? Publicity, no? Because a)they don't beleive they'll be able to get their music out any other way since they can't afford marketing/distributino/etc, or b)they're looking^H^H^H^H^H^H^Hdreaming for the fastest way to get rich by playing music (we should all be so lucky^H^H^H^H^Hlazy). Well, and here i guess is my main point, if piracy has reached that level, then distribution / publicity shouldn't be a problem. Better music will spread its way around the world via word-of-mouth (or the internet equivalent, since the term's origins don't seem to really apply in this sense), and crappy music will get lost to the obscure pockets of the population that enjoy it.

      Sure, there's a possiblity that no / few arist(s) will reach global recgnition as some do today, but I see nothing wrong with that. IMHO art is for expression, not profit / fame. Anyone in it for the latter two reasons doesn't deserve to make it big. And if there is less globalization of endorsed artists, it will sure open up more opportunities for each person to discover unique music for themselves instead of buying into top-40 crap. Besides, even without the RIAA shoving said crap down our throats and up our assholes (at the same time, mind you), the mass-media system we've got goin on I think is still pretty well-geared towards creating said types of trendy, short-lived fame. So I guess my point there is that there are many possible outcomes, with regard to the effect on the music industry, that destroying the business model of the RIAA currently pracitses could have, but whatever happens it should be interesting. Enjoy the show!

      Too bad I don't actually believe that mere pirating, even if left unchecked, would destroy the RIAA as it currently exists. But a man can dream...

    2. Re:"criminal" != "wrong" by mrchaotica · · Score: 1

      Exactly. The bottom line is that the RIAA is not entitled to government support of their business model, especially when it detracts from the rights of the Citizens (e.g. destroys the Public Domain).

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  37. Can't handle the truth, eh Apple fanboys? by Anonymous Coward · · Score: 0

    Jobs was sleeping with the enemy?
    You mean Gates and Jobs ganged up to thwart the Linux desktop in it's infancy?
    Tried to kill the baby in the crib?

    Say it ain't so !!!!

  38. "Customer?" Hah! by mrchaotica · · Score: 3, Funny
    ...but as a customer...
    But you're NOT a "customer." You are a consumer. Calling you a "customer" would imply that you actually deserve respect, and we can't have that!

    Now shut the fuck up and go join the rest of the sheeple at the mall.

    Sincerely,

    The RIAA
    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  39. Re:(Resistance is futile) is futile by WinkingChicken · · Score: 1

    If the geniuses that write operating systems haven't figured out a foolproof way to keep unwanted parties from hacking in, how will the bufoons at the big record companies figure out how to lock there content without creating such a horrible product that they will give up their markets?

    If I have to enter a key to play a song, I won't play that song. DRM creates more headaches for consumers than problems it solves for media companies. And now that companies can see what a marketing disaster it can be for them (Sony rootkit anyone?), I predict they will flee from it.

    The biggest problem with all DRM is that it is mereley a speedbump for the professional pirates. They have incentive to break it, and someone always finds a way. For the typical media consumer aka The Customer, it is an inconvenience at best. If iPods stunk, then iTunes Music Store would's sell diddly. Why? Because you could only play what you bought on your computer.

    We sell unlocked downloads at our site and we don't see a big piracy problem at all. Unlike the big media companies, we value our customers and give them the best service we can. Our customers absolutely love our product.

  40. Calling all editors! by NelsonM · · Score: 1

    "Like many of us, he is offended by the fact that the fact that the record labels and movie studios treat their customers like criminals."

    That sentence may be technically correct, but the double "fact" in that sentence is throwing me off. Fix it!

    - Pedantic Slashdotter

    1. Re:Calling all editors! by NelsonM · · Score: 1

      Obviously the most influential (redundant) post ever, because it was fixed as soon as I hit "Submit."

      *sigh*

    2. Re:Calling all editors! by Quiet_Desperation · · Score: 2, Funny
      That sentence may be technically correct, but the double "fact" in that sentence is throwing me off. Fix it!

      Hang in there, trooper. It's like one of those bucking bronco rides. It takes practice. Eventually you'll be able to handle a triple or even a quadrupled phrase smoothly and cleanly.

    3. Re:Calling all editors! by Anonymous Coward · · Score: 0

      Get a life.

    4. Re:Calling all editors! by NelsonM · · Score: 1

      You must be new. Welcome to Slashdot! ;)

  41. Here's a "reasonable alternative" for ya! by mrchaotica · · Score: 1

    There's millions of filesharers, versus a few hundred record company execs. Let's get the torches and pitchforks, and then we'll see who wins!

    In other words, no, there probably isn't a compromise that'll work for the RIAA, because they're a bunch of insane, greedy fuckwads. What they'd better do is sit down, shut the fuck up, and leave us alone before somebody starts bombing their headquarters.

    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    1. Re:Here's a "reasonable alternative" for ya! by shmlco · · Score: 1
      "There's millions [survey???] of filesharers, versus a few hundred record company execs."

      How about the hundreds of thousands of musicians, singers, and songwriters this also impacts.

      There's also millions of auto drivers. Let's all get togther and go bomb Ford and GM...

      "...greedy fuckwads..."

      You mean all those people who expect to get something for nothing?

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    2. Re:Here's a "reasonable alternative" for ya! by mrchaotica · · Score: 1
      How about the hundreds of thousands of musicians, singers, and songwriters this also impacts.
      Yeah, doesn't it suck when an entire group gets punished for the unethical acts of a few? Unfortunately, that's how the world works sometimes.

      Get it straight: some copyright holders -- some particularly powerful ones, who claim to represent just about the entire group -- have abused their privilage, so I, as a Citizen of the United States, feel justified in taking that privilage away. Apparently there are many others like me (for example, the ones who say "I download stuff because the record labels want too much money for it"), although they may have a more simplistic rationale than I do for it (in other words, they know they're right, but they either don't care or haven't thought about it enough to realize why).
      There's also millions of auto drivers. Let's all get togther and go bomb Ford and GM...
      I'd call that a strawman, if it weren't a completely nonsensical statement. Since when did Ford and GM have a problem with people driving cars?
      You mean all those people who expect to get something for nothing?
      According to copyright law in the United States, it's already ours to begin with. Note the US Constitution, Section 8, Clause 8:
      "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."
      There are two key parts of that clause. The first, "to promote the Progress of Science and useful Arts" establishes that copyright law does not exist for the purpose of compensating the artist, but for the purpose of enhancing the Public Domain and the Common Good. The second, "for limited Times," establishes that the artist does not own the art he creates. He only has the "exclusive Right" to it temporarily, and only by the grace of the Citizens of the United States.

      Believe me, the Framers of the Constitution very much believed in the Right to Property -- heck, that's why it's in the Constitution too! If they thought copyright meant depriving artist of their property, there's no way in Hell they'd put that clause in the document! Copyrights, patents, and trademarks are NOT property, despite the fact that some people call it that for their own nefarious purposes.

      In other words, it's not an issue of "getting something for nothing," it's an issue of the fact that we have a Right to experience our own culture!
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    3. Re:Here's a "reasonable alternative" for ya! by jban4US · · Score: 1

      amen! haha, seriously, that is the first time i have ever heard reasonable support agains drm besides "ahhh it sucks cause corporations are taking away my rights" mod parent up.

    4. Re:Here's a "reasonable alternative" for ya! by shmlco · · Score: 1
      And "Enhancing the Public Domain and the Common Good" is done by providing incentives and protections to artists and authors so that they can afford to create new works.

      And you have the "limited times" clause exactly backwards. It's not yours. It's theirs. Exclusively. Then, after a limited time has passed, and only then, does it pass from their control into the public domain and become "yours".

      And intellectual property has been confirmed as property, be it of a special type. Even the often misquoted Dowling case agrees as such.

      And, "we have a Right to experience our own culture"? Sorry, but that's not a "right". Try walking past the ticket taker at a theater, playhouse, or concert hall with that line. And I'm sure it will work equally well with the security guard at Best Buy.

      All in all, I'd have to say that your overall tone illustrates my major disagreement with the Declaration and Constitution, in that we've become a society focused on "rights", but care little or not at all for the responsibilities, duties, and obligations--to ourselves and others--upon which those rights are based.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    5. Re:Here's a "reasonable alternative" for ya! by Anonymous Coward · · Score: 0

      How about the hundreds of thousands of musicians, singers, and songwriters this also impacts.

      No reason for them to make more money than scientists, engineers, and chemists. Musicians are overrated, under-educated people, and even worse, they're usually liberals. There's no reason ANY art should be anyone's main source of income. Society can live without the humanities, but it can't go on without the sciences. I say to them, put down the microphone and learn some mathematics.

  42. substance by doyoulikegoatseeee · · Score: 1

    i think a lot of people miss the point. DRM doesn't really scare me much because of what it is designed to protect. utter garbage. it's funny that measures are being taken to protect (the profits) "music", movies, etc. that are becoming increasingly trite and just downright mind-numbing and nauseating.

    if an artist is dumb enough to do business with a major label (or distributer)that makes use of DRM they probably aren't worth listening to in the first place because they don't make music--they make a neatly packaged commodity. don't try to plead ignorant you know when you are selling out. only in the absurd realm of capitalism do you get people expending large amounts of resources to protect something of little REAL value. it is no wonder that the kinds of artists that are on labels that make use of DRM also hold large, impersonal, and vacuous life performances.

    1. Re:substance by geekoid · · Score: 1

      good point, becasue no one is actually buying music and movies...
      you fail on three areas:
      1) You assume averyone has the same taste as you.

      2) That it won't be applied to things you do like.

      3) That ignoring what impacts a large section of society has no impact on you.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:substance by doyoulikegoatseeee · · Score: 1

      1. it's not about taste per se as it is a commitment to an art as opposed to a commitment to the dollar/fame. 2. this is possible in the realm of computing for me, but doubtful in music. notify me when they start implementing DRM in vinyl :) 3. i agree it will affect me as DRM has implications beyond "entertainment." i am vehemently opposed to DRM. i think we are on the same team, i just already have a critical view of the "entertainment" (yuck) products that have DRM. DRM is only going to intensify the problem with music in my original post.

  43. Comment removed by account_deleted · · Score: 1, Insightful

    Comment removed based on user account deletion

  44. Slashdotted text by Stephen+Samuel · · Score: 2, Informative
    I got a DB failure, so I'm putting up the body text from the site.

    if you want to read the 75 or so responses posted to his blog, you're out of luck here...
    ________

    The latest episode in the war between music companies and their paying customers (the one where Sony decides it's OK to surreptitiously take over your PC so you can't make a copy of the music you thought you bought from them) has finally pushed me over the edge.

    I've been a big buyer of prerecorded 'media' for over 35 years. I have two or three hundred vinyl LPs, several dozen 45's, a hundred or so audio cassettes, and roughly 60 prerecorded reel-to-reel tapes. They are jammed in my closet with a couple hundred VHS tapes, 450 CDs, and 500-odd DVDs. (Mercifully, I skipped the 8-track, Betamax and laserdisc formats.)

    < image > media closet
    Part of my media collection

    I have to believe the record companies and movie studios would consider me a good customer. But with every day that passes it becomes more and more obvious that the greedy bastards who run these media companies prefer to treat me (and all their customers) like criminals. They continually expect us to pay more for less, and even then they are not satisfied. They want to pretend to 'sell' us their product, but they don't want us to actually have it. Well I've had enough.

    From this day forward I will never spend a another dime on content that I can't use the way I please. If I can't copy it to my hard drive and play it using the devices I want, when and where I want, I won't be buying it. Period.

    They can all take their DRM, and their broadcast flags, and their rootkits, and their Compact Discs that aren't really compact discs and shove them up their bottom-lines.

    --
    Free Software: Like love, it grows best when given away.
  45. boycott is probably the *ONLY* way to stop them by Stephen+Samuel · · Score: 2, Insightful
    This happened before with games and other software in the '80s They tried some seriously intrusive copy protection and found that it just angered their good customers and cut into sales, so now copy protection on games is pretty pedestrian and generally kept minimal.

    If people walk away from DRM media, and tell their friends to do the same thing, then they'll go away. Period. If people blindly let themselves get suckered into this process and put up with it, then they'll continue to get shafted.

    You get what you put up with. it was true when workers struck against nasty employer tactics in the '20s and '30s and it's true now with DRM. When people stopped putting up with the nasty stuff, the laws finally got changed to something that recognized the source of the unrest.

    --
    Free Software: Like love, it grows best when given away.
    1. Re:boycott is probably the *ONLY* way to stop them by jhantin · · Score: 1
      This happened before with games and other software in the '80s They tried some seriously intrusive copy protection and found that it just angered their good customers and cut into sales, so now copy protection on games is pretty pedestrian and generally kept minimal.
      Copy protection has been on the rise since around 1999-2000 or so. If you're referring to stuff like documentation checks, I think the only reason it hasn't come back into fashion is that paper manuals drive up the cost of producing the game package. Key discs, server-bound activation, and now bizarre bits like custom drivers and rootkits are turning up in game DRM; if and when publishers can count on TCPA support being available, such as on x86 Macs, I'd expect to start seeing DRM schemes that require them.
      --
      ...when you're writing a game...tweak the difficulty of "Easy" to something [your mother] can cope with. -- onion2k
    2. Re:boycott is probably the *ONLY* way to stop them by Ahnteis · · Score: 2, Interesting

      Actually, game copy protections are once again getting seriously intrusive.

      I've purchased several games that have refused to run without a NOCD patch due to who-knows-why.

      Yeah, way to treat your paying customers.

      Sadly, all I can do is send a complaint to the company because copy protections aren't exactly printed on the packaging, and stores don't take returns.

    3. Re:boycott is probably the *ONLY* way to stop them by Anonymous Coward · · Score: 0

      Ok, you try and convince all of those 16 year olds who lie awake at night just waiting for the next GTA to come out to not buy any more media. I think you will learn first hand what the other alternative we have is (hope you have lots of medical insurance).

    4. Re:boycott is probably the *ONLY* way to stop them by Ph33r+th3+g(O)at · · Score: 1
      Sadly, all I can do is send a complaint to the company because copy protections aren't exactly printed on the packaging, and stores don't take returns.

      You do have an alternative (assuming you're in the U.S. buying a game from a B&M merchant within 50 miles of your home).

      Pay with a credit card. If you have a game that won't run acceptably due to intrusive protection, take it to the store and ask them to take it back. Sure, they'll refuse. But now you have "tried in good faith to settle the problem with the merchant."

      Now send a letter to your credit card company stating the problem, and that you have tried unsuccessfully to solve it with the merchant, and that in accordance with the Fair Credit Billing Act, you dispute the charge. You will very likely get a refund. Even if you don't, you've cost that merchant a fee and another hit against his merchant account's reputation that's going to make him think twice before refusing such a return or stocking that manufacturer's wares in the future.

      --
      I too have felt the cold finger of injustice.
  46. geek by simontek2 · · Score: 1

    As Much of a geek I am, I actually do not rip music, Well not in the past 4 years. I listen to my cd's in the car, and listen to xmradio in the house. (one day I will buy XM for the car.)

    --
    SimonTek
    1. Re:geek by Anonymous Coward · · Score: 0

      Me too. Bad thing is, I haven't bought a CD or DVD in ages, not because its readily available on the internet.... I don't download either, its because there is absolutey nothing that I find worth buying/downloading.

      Movies are not remarkable anymore. Watch them once on cable, and I can happily forget about them. Music is even worse. I turn on the radio, and I still hear the same garbage songs from 10 years ago. RIAA/MPAA isn't losing money from pirates/downloads, they are losing money because the products suck.

  47. Re:Keep Buying Music? by leonbev · · Score: 1

    If you take a look at their top 100 list at:

    http://www.magnetbox.com/riaa/zeitgeist_topamazon. asp

    You'll quickly notice that 95 of the 100 selling records are associated with the RIAA. Hell, the first "RIAA free" album is ranked 34.

  48. Re:Arrrgh Analogies! by vertinox · · Score: 2, Interesting

    It's like being offended that walmart has stolen goods detectors at the exits.

    No. It would be more like if Walmart put a goods detector in your house to check to make sure you weren't bringing in competitor goods or in fact making use of your goods in ways they did not want in order for you to pay twice for them.

    Oh noes! It looks like you just used the plunger to clean the bathroom upstairs and it clearly states in the EULA that the plunger you purchased at Walmart must be used only for the licensed bathroom downstairs!

    In that scenario, I would be very offended.

    --
    "I am the king of the Romans, and am superior to rules of grammar!"
    -Sigismund, Holy Roman Emperor (1368-1437)
  49. He should become a producer by cryfreedomlove · · Score: 3, Insightful

    I understand that this guy wants to live in a world where entertainment data (audio CD, DVD, downloaded audio, etc) is released without DRM. He can create that world today. All he has to do is produce content that everyone wants and release that content with no DRM at all.

    The best way to win over the hearts and minds of the people is to live your life as a shining example of the good behavior that you want emulated. That's going to be much more effective world change for DRM than whining in a blog.

  50. War on Drug Users.. by Spleen · · Score: 1

    The war on drugs is so Ronald Reagan. It's the War on Terror now! Personal Freedoms still lost.

    1. Re:War on Drug Users.. by Slashdiddly · · Score: 1

      You misspelled "Richard Nixon"

  51. Copyright 2005 by fahrbot-bot · · Score: 1
    From the BLOG...
    Copyright 2005 - Mike Evangelist - all rights reserved

    And the graphic shows a passage that begins, "It was the best of times," with no attribution to Dickens!

    DRM and plagiarism! -- I... said "Good Day" sir!

    --
    It must have been something you assimilated. . . .
    1. Re:Copyright 2005 by /dev/trash · · Score: 1

      ever hear of Public Domain?

    2. Re:Copyright 2005 by fahrbot-bot · · Score: 1
      Hmm... To which charge (made in jest) do you refer? To the copyright notice, which specifically excludes his blog from the Public Domain, or the plagiarism comment, which has nothing to do with the Public Domain.

      My comments were about the irony of the blog author's use of a Copyright notice and a display of un-attributed work in an article about his personal distaste for DRM. But your reply, and the fact that it was modded up, means that someone needs some learnin'. I submit the following definitions and commentary:

      The public domain comprises the body of knowledge and innovation (especially creative works such as writing, art, music, and inventions) in relation to which no person or other legal entity can establish or maintain proprietary interests. ... If an item is not in the public domain, this may be the result of a proprietary interest as represented by a copyright or patent. (Public Domain)

      As the author has specified a copyright, and it's not presently 70 years after his death, the work is not in the Public Domain.

      Plagiarism refers to the use of another's information, language, or writing, when done without proper acknowledgment of the original source. (Plagiarism)

      As the author is clearly not Charles Dickens, and no mention of Dickens is mentioned, and the graphic is probably not an actual picture of Dickens writing A Tale of Two Cities, then the scribbling in the graphic is technically plagiarism.

      The fact that I have to explain this on /. simply extends the irony. :-)

      --
      It must have been something you assimilated. . . .
  52. And then... by zeketp · · Score: 1

    Steve flies into a rage, and in a whirlwind of black turtlenecks, fires him!

    Oh wait, you said former exec...

    How many more Apple related taboos can I violate?

    --
    Last Post!
  53. Music and record companies aren't the only ones by Shotgun · · Score: 0, Troll

    My orange juice container had another seal hidden under the lid. The orange juice maker claims that this is to keep out people who haven't paid for the juice. But it just causes a lot of extra headaches for me.

    (Just playing devil's advocate *hopefully* with a fresh perspective >8*)

    --
    Aah, change is good. -- Rafiki
    Yeah, but it ain't easy. -- Simba
    1. Re:Music and record companies aren't the only ones by Shotgun · · Score: 1

      Danit!! Should have taken the time to read the replies before I replied. So much for my fresh perspective.

      --
      Aah, change is good. -- Rafiki
      Yeah, but it ain't easy. -- Simba
    2. Re:Music and record companies aren't the only ones by AndyG314 · · Score: 1

      Actually, the second seal under the lid is to ensure freshness, giving the unopened OJ a longer shelf life...

      --
      If it's dead, you killed it.
  54. I have a solution by freeweed · · Score: 4, Insightful

    If you don't like DRM, suggest another way for them to sell music.

    Ok, here's one: sell music without DRM. CDs, mp3s, DVDs, whatever floats your boat.

    CD burners have been available for nearly a decade now. Mass copying of digital music has been feasible, and known to your average Joe, for years now. Broadband is pretty standard in most countries. Yet people still buy CDs by the millions.

    Why?

    Because the vast majority of people are honest. They'd LIKE to pay for things. I know it's easy to assume everyone is out to steal from everyone else, but the numbers simply don't reflect this. Mass copying of free digital music has been available and easy to use for years now, and yet people still buy CDs by the truckload.

    You're always going to lose some sales due to piracy, sure. Maybe even a decent percentage (10-20%). But overall, most people are quite willing to give up some money for a quality product. Don't believe me? Here in Canada, copying CDs for personal use is 100% legal. Most interpretations of the law say that sharing/downloading mp3s is also 100% legal. Yet CDs still sell, and sell well. Record stores aren't going out of business in droves, people still have a collection of CDs in their cars, and the music industry is still making a profit.

    Should copying be illegal? Maybe. That'll stop the casual users. DRM will never stop the dedicated. They're just not interested in buying your music. Short of not releasing it, you'll never stop these people. But the masses will happily pay for unencumbered mp3s.

    It's kind of like bottled water. Water is free, right? Then why is bottled water a multi-million dollar industry?

    Convenience. Imagine a music store with everything, and no DRM. I'd be paying thousands every year for music at the rate I chew through it, even though I could easily get it for free. DRM doesn't stop music from getting onto P2P networks, and it never will. All it does is stop me from buying music from iTunes, etc.

    --
    Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    1. Re:I have a solution by Golias · · Score: 1

      I so very much would like for you to be right about what you just said. What a beautiful world that would be to live in...

      My observations of human behavior in my short time on this Earth has me very skeptical about your faith in the goodness and honesty of humanity.

      In any case, it would be an uphill battle to convince any corporate boardroom that the best way to greater profits is to open the floodgates of digital piracy as wide as possible, and rely upon the kindness of strangers to actually ever get paid for anything.

      --

      Information wants to be anthropomorphized.

    2. Re:I have a solution by freeweed · · Score: 1

      That's the beauty of it! We already DO live in a world like this.

      Look at the facts:

      Anyone (well, anyone who's likely to be listening to digital music, anyway) can RIGHT NOW go and never buy another CD again. They can get all the free music they want. Easily, forever, without hassles. This has been the case for several years now.

      Now look at music sales for 2005.

      The hitch here is whether or not the recording industry would be happy with (numbers out of my ass here) 80-90% of their sales. Unquestionably they're losing some money because some people have stopped buying music. I personally know many people who fall into this category (mostly university students, but irrelevant).

      DRM is not being introduced to keep the recording industry profitable. They already are, even with free music being available to anyone. It's being introduced to capture that 10-20% (remember, out of my ass, but most certainly NOT the majority) of the market that would otherwise not pay.

      Music, and people who will pay for it, are not going away. Period. There will always be a market very similar to what we saw 20 years ago, which is very similar to what we see today. It might just have slightly smaller profit margins.

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    3. Re:I have a solution by Total_Wimp · · Score: 3, Informative

      I'm one of those generally honest people you speak of. I buy CDs regularly and I avoid "file sharing." I have hundreds of albums worth of MP3s that came straight from the CDs I bought.

      I'd like to buy music online, but I'm faced with some problems. I prefer higher quality music than iTunes offers. They don't have a choice of spending a bit more for better quality; it's just one size fits all. Then there's the fact that I have to use their media players to play my music. My cell phone and PSP will all of a sudden become useless as music players unless I go through the cumbersome burn/re-rip process that will give me even lower quality than I started with.

      Even though I'd love the convenience of downloading, I still have good ol' CDs. I can get universally playable MP3s at any quality I want. I'm happy. Except now they're putting DRM on those too. I can no longer assume that the CDs I buy will ever be playable on my PSP without jumping through a whole grab-bag of hoops. I have to explain to my teen-age daughter that the reason daddy's computer is chock full of hacking software is just so I can listen to the music I legally bought in the store.

      And the worst part is that if I really was a "file sharer" the music companies have not stopped me from sharing their music with my favorite P2P client. All they've done is made an honest guy's music listening experience an exercise in frustration.

      Thanks.

      TW

    4. Re:I have a solution by lostboy2 · · Score: 1

      I mostly agree with this --

      Awhile ago, my brother-in-law and I once discussed the idea of a 'sweet spot' in pricing. I suggested that there is a price that I would consider fair for a CD or DVD (etc.) that I'd be willing to pay, even if I could download the contents for free. Also, I listen to a lot of indie/small/local bands (such as Diamond Fist Werny), and I try to support them by buying their music. So, ultimately, I'm not opposed to paying for these things.

      I think part of the download-for-free movement was spurred by the inflated prices of CDs in the last decade, when music companies "conspired to illegally raise the prices" of certain products. So, if the music companies aren't going to play fair, why should we?

      Another way to encourage people to buy CDs and DVDs, I think, is to include little bonuses in the packaging, like the inserts you get with CDs that include band information, lyrics, etc. I notice that movie DVDs have been pretty sparse on the inserts lately (except for special editions and so forth) and some are pretty lacking in "extras". As a result, I can see why people download them instead: there's little (if any) value gained by buying the real thing.

      btw, bottled water is a big industry I think because there's a lot of places in the world where drinking the tap water will make you ill. There's probably a parallel with the music/movie industry there somewhere... :-)

    5. Re:I have a solution by yeremein · · Score: 1

      I've stopped buying music for the same reason. If the music industry wants to sell more music, they could start by making their wares at least as desirable as those that are illicitly traded. But instead, they'll sell you music that is shackled to one computer, artificially incompatible with your MP3 player, and likely to disappear entirely when you upgrade your computer. For old-school people like me who prefer to have a physical backup in the form of a plastic disc, they'll try to sneak spyware onto your PC. Faced with this nonsense, is it any wonder people are pirating music? Why does the music industry think they can improve sales by selling an inferior product?

    6. Re:I have a solution by Khyber · · Score: 1

      Sadly water is not free, or at least, not in Memphis thanks to Memphis Light, Gas, and Water. You pay for the water, which I think is BS since it's essential to life. Next thing you know it'll be called Memphis Light, Gas, water, and Air (Oxygen?)

      --
      Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
    7. Re:I have a solution by Immercenary_2000 · · Score: 0

      You could argue that financially the record companies would be better off without the DRM. How you ask? Think about it, Sony's DRM rootkit certainly cost them some money to buy from first4internet or whatever the company's name is. Was it effective? I'm sure someone has managed to get around it by now. In fact I wouldn't be surprised to find out I could fire up any P2P app and find the album for download this very second. So in the end, the record company is out the cash from having to pay to develop the DRM, said DRM doesn't actually stop anyone from pirating the album, and Sony has probably managed to piss off a few customers to boot.

    8. Re:I have a solution by Tim+C · · Score: 1

      Just a nit - in a lot of places water is not free; you pay a charge to have water and sewage service. Mine amounts to around 25GBP a month, or about 40USD.

      And yes, I do still buy bottled water from time to time, as I can't take my house taps with me on the way to work. (Sure, I could bottle some at home and take that, but often I don't realise I'm thirsty until I'm passing the shop...)

    9. Re:I have a solution by jred · · Score: 1

      Get a grip. If your monthly water bill is noticeable at all, you have a bad leak somewhere. You still don't have to pay for it. Put collectors out in your backyard & collect rainwater. Hell, go downtown & dip your cup in the freaking Mississippi!

      No, wait. Don't do that. If you're ignorant enough to complain about $10/mo for potable water, you may be ignorant enough to drink the filthy water flowing past the bluffs.

      You're paying for the processing and delivery of the water. Memphis has the best damn tap water I've ever tasted. Equal to or better than most bottled water.

      My dad lives in MS, and has his own well. He still pays for his water, in the form of electricity to run the pump, and his water is barely drinkable. Add in the cost of a few Brita filters. He easily pays as much as I pay to MLGW, and he doesn't have another person and two dogs to hydrate.

      Bitch about the price of electricity or NG if you want, but the quality of water Memphis gets for those prices is amazing.

      --

      jred
      I'm not a mechanic but I play one in my garage...
    10. Re:I have a solution by Khyber · · Score: 1

      You're out of your mind. In a 3 person household that takes a shower every other day, and maybe cooks their own food (dishes included, etc for water usage) twice a week, and laundry twice a month, our bill is $60+, and it's brand-new plumbing I installed myself. I guarantee no leaks with the teflon tape on the threads and the epoxy layer around joints, with epoxy covered with silicone, covering the entire joint in one large mass. Pipes are brand new and pressure-tested. No way. We're paying for how much gets used, no matter how shit's cut. Guess you haven't been paying attention to the recent bouts with the government MLG&W has had about prices concerning water USAGE. Yes, they're charging us by how much is used, and I see it in the bills of everyone I know, because I'm a nosy bastard like that.

      --
      Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
  55. Criminals by Crouty · · Score: 1
    the record labels and movie studios treat their customers like criminals.
    He means convicted criminals performing unconsensual anal sex.
    --
    On se Internetz nobody noes your German.
  56. Focus of the problem by exi1ed0ne · · Score: 1

    I think the "focus" of the problem is the real issue with DRM. Technology just made the old distribution channels obsolete, like it has always done. DRM is the attempt to shore up a business model that has gone the way of the buggy whip. They are trying to artifically create a gatekeeper need in the digital age.

    At the risk of sounding simplistic (this is slashdot after all. . .) you are seeing another "death of the middleman". This is aparant in the movie industry, TV, newspapers, etc. Basically all industries that act as gatekeepers on information. The information bottle neck has shifted, just as it did with the printing press. (more people literate, knowledge more widely available than just select persons, etc.)

    What is the solution? Those formerly highly porfitable companies will go the way of lard factories. The artists will make their scratch from live performances, where the majority of their $$ comes from now anyway. Music files will trade as advertising goodies to create demand for live shows.

    All DRM constitutes the death throes of a dying business.

    --
    Pessimists.net - as if life wasn't depressing enough.
  57. MOD PARENT DOWN - flamebait by TheStonepedo · · Score: 0, Troll

    MOD PARENT DOWN for the "rap 'music'" part of his comment. At best this is offtopic as this is not a musical tastes forum. At the worst, the guy is being offensive and making me want to go hop in my Escalade on 22" rims and drive through his neighborhood playing hip hop beats with violent, obscene rapping on my beatsystem with 1000 watts of subwoofers from dusk to dawn every night.

    --
    I'll be your candy shop of infinite deliciousity if you'll be my discotheque of endless rump-shaking.
  58. the REAL problem with DRM... by argent · · Score: 1

    The problem with DRM, for me, is that it's impossible to have both strong software-based DRM and an open operating system *. The whole point to DRM is to give someone a copy of an encrypted message, AND the key to decrypt it, and to enforce a policy on when and how they can decrypt it.

    The only way to make this happen is to:

    1. Deny them access to the key except through your software, and
    2. Deny them access to the output of your software except through controlled hardware.

    The only ways to implement 1 are to obfuscate the mechanism by which the key is extracted from their software (which has proven to be unworkable), or to put the key in a physically secure repository in their computer AND deny them access to any parts of the operating system that mediate the communication between your software and the repository (which is incompatible with an open operating system).

    The only way to implement 2 is to deny them access to any parts of the operating system that mediate the communication between your software and the controlled hardware. This is incompatible with an open operating system.

    * By this I mean an operating system for which source code is available and this source code can be used to modify the behaviour of the OS, or one for which source code is unavailable but full documentation of all internal APIs is available in a form compatible with modifying the behaviour of the OS.

  59. Re:Arrrgh Analogies! by Mike+Peel · · Score: 1

    Using analogies to compare the Internet with real life is like trying to rationalize the universe with a bag of marbles.

    It's all a load of balls?

  60. Re:Keep Buying Music? by tyler083 · · Score: 1

    that isn't their top 100, that is Amazon's top 100. It's a tool to verify which artists/albums are associated with the RIAA. This way, you can avoid the RIAA if you'd like. Even type in an artist you like who is with the RIAA and it will make non-RIAA recomendations for you.

  61. Re:I have no problems with Apple's DRM. by Rickler · · Score: 1

    I have no problems with Apple's DRM.

    Until you decide not to purchase a proprietary hardware mp3 player from apple. Then you can realize the media you purchased is worthless for itunes will not allow you to put your music on any device other then their ipods.

    Go die apple bigot.

    --

    The human race is artificial intelligence created using object orientated programming.
  62. Tipping Point by rlp · · Score: 2, Insightful

    I reached the same conclusion about three years ago. I've not bought any CD's since. I did try out iTunes and bought a few tracks on-line. The trouble with iTunes, is that it was a hassle to move the music to my MP3 player or to create mix CD's for my car. Possible yes - but ultimately too much trouble. So, I cancelled my iTunes account.

    I think with the Sony Rootkit and the publicity it's been getting, that we're reaching a tipping point. Music sales are down. People are already frustrated that they can't use music that they paid for, in devices that they paid for. Now they have to wonder - is this going to damage my PC? Expose it to malware and possible attack? The industry shot themselves in the foot years ago. They are continuing to do so, and have switched to heavy caliber weapons. It will be interesting to see how well music sells this holiday season.

    --
    [Insert pithy quote here]
  63. They have to ban electronic parts as well by zap0d · · Score: 1
    A resonable experienced electronic engineer can design recording devices from scratch using standard components. Maybe not at the quality of a HD-DVD but at current technology level resonable enough. I guess if the DRM enforcment like this goes on we might get Open Source Consumer electronics very soon. Do they want to shut down trading of electronic components as well?

    An what about independent media producers using semi-pro to pro equiment for recording. Will digital content production only tied to mega corps?

    They cant stop individual use of media from personal use or have to ban digicams and every other personl recording device as well.

    'Farwell for your wedding video not approved by MPAA'

    1. Re:They have to ban electronic parts as well by Anonymous Coward · · Score: 0

      An what about independent media producers using semi-pro to pro equiment for recording. Will digital content production only tied to mega corps?


      That's the plan.

      1. Ban independent producers from actually producing anything and/or deny them access to the market
      2. PROFIT!!

      No "?????" step necessary...
  64. Have you not *bought* any games lately? by Anonymous Coward · · Score: 1, Informative

    Have you not bought any games lately? "so now copy protection on games is pretty pedestrian and generally kept minimal" is just not true. For example, buy Splinter Cell: Chaos Theory and watch in sadness as it installs a kernel-mode driver and disables all your CD burning software (regardless of what you intended to use it for).

    I returned my copy to Walmart and yelled at a manager there until he gave me a refund, but it was a close call between that and taking the thing out in the back yard and setting the fucking box on fire. I'm now boycotting Ubisoft games after that experience.

  65. MOD THIS UP by Anubis350 · · Score: 1

    I just died, that's the funniest thing I've read in a while.

    --
    "goodbye and hello, as always" ~Prince Corwin, from Zelazny's Amber series
  66. Where is the antithesis of metallica here? by jmhoule314 · · Score: 1

    Have any recording artists come out against this whole business yet? Recording artists are always forcing their opinions about issues that are none of their business down our throat, why not form an opinion about something that actually matters?

    1. Re:Where is the antithesis of metallica here? by Jeng · · Score: 1, Informative

      I honestly haven't been keeping up on top of it, but the media always talks about Phish when talking about the other side of the coin.

      http://www.phish.com/

      I just listen to internet based radio stations myself.

      I wonder if Metallica has ever figured out that Load didn't sell well cause it was a Load of Shit, not that people were actually downloading that crap?

      --
      Don't know something? Look it up. Still don't know? Then ask.
  67. unintended strawman by Anonymous Coward · · Score: 0

    Where in the entry does he claim that it is intended as a force for social change? Blogs are mostly just a medium for self-expression. While it is possible that he is trying to contribute to the anti-DRM movement by speaking out, your assumption is unfair on him, especially since he isn't a musician.

  68. Having does not mean using by SuperKendall · · Score: 2, Insightful

    What I really dislike about DRM is the general consensus that everything actually will have DRM in the future.

    While I think most devices will have some form of DRM, I am not as worried about devices having DRM as having to use it.

    I don't care if Blu-Ray has the most ass-backward DRM the universe has yet devised - as long as I can burn my own content on a Blu-Ray disc and play it using that player, and give it to other people to play. Similarily while the iPod supports DRM it also supports ways to use the iPod that involve no DRM whatsoever. The DRM does increase device cost but that is an up-front and one-time cost I can roll my eyes over, and watch as at times that cost becomes too great and prevents adoption of what would otherwise be a good device.

    As long as there is a path for free content to flow through a system I am not as worried about DRM because it lets media producers willing to relinquish controls compete on the basis of freedom to use media. If mainstream media becomes locked down too tightly, new avenues of media will spring up that are more open. You can see that today with online movie sites, even with news video fed from various bloggers. Not all producers of media are interested in a total lockdown of thier work, and those people will have the benefit of a wider natural distribution rather than having to pay people to take something.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  69. The problem is... by MattyDK23 · · Score: 1

    ...that circumvention of DRM techniques is trivial for pirates, while it restricts the usability of the product for people who've honestly purchased the intellectual property.

    A better technique would be to attach the people pirating the IP while loosening up on DRM restrictions. (Is the RI/MPAA the lesser of the two evils here?)

  70. Boycots DO NOT WORK for DRM by SuperKendall · · Score: 1

    For a boycott to work, there needs to be extremley high awareness of a problem by the populace and a large takeup in the boycott program.

    DRM is something that users will NEVER understand to the level that gets you enough people to make a boycott effective. Sorry, that's just how it is. What is more effective is a Buycott, where you take a product that is moving the direction you like best and help promote the hell out of that thing. Since nowadays word of mouth is work quite a bit of marketing, a small number of users can exert quite a bit of leverage to move people to buy one product over another.

    The other problems boycots of DRM have is that you are not sending a clear message about what you want. The person on the other side of a DRM boycott does not think of a DRM-free world as a valid solution at all, and so a boycott will just leave them to try another stab using the same techniques and get you nowhere in a vicious cycle.

    So promote and buy open media when possible. For mainstream media nudge them towards the weakest form of DRM possible (which is why I like buying from ITMS). We need to lead media producers to understand that opening up media can still be profitiable, you cannot just expect them to understand this overnight.

    Fight a battle you can win!

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Boycots DO NOT WORK for DRM by Stephen+Samuel · · Score: 1
      DRM is something that users will NEVER understand to the level that gets you enough people to make a boycott effective.

      If it breaks functionality, people will start to notice. It's up to us geeks to get the meme out there that things are breaking because the manufacturers are delivering hostile software. IF we can get them to understand this, they will start screaming. If there's enough screaming, the manufacturers will start to back off.

      And don't go for 'the weakest form of DRM possible' -- Make it all-or-nothing. Like the one poster said.. Choosing your preferred DRM is like choosing your preferred venereal disease.

      --
      Free Software: Like love, it grows best when given away.
  71. Resistance is fertile by JulesLt · · Score: 1

    There are fairly successful artists - White Stripes, Franz Ferdinand - whose music is already available for legitimate (paid) download on good old MP3. That pretty much proves that you can become at least a millionaire without having to embrace restrictive DRM. (Yes, I know it's mostly from physical sales, but those are also on good old CD).

    Simply put, it will eventually become a sales point - look, we are on the side of the young and free against The Man.

    --
    'Capitalists of the world, unite! Oh ... you have' (League Against Tedium)
  72. Who needs new music anyway? by dxminxs · · Score: 1

    In my middle 30's I rarely find new music that I actually like. If I never am able to add a single song to my 80 gigs, I can still die a happy man......74 days of music, with no dupes. /. can't go a couple days without em....

  73. Re:"Customer?" Hah! by atrimtab · · Score: 1

    Yup. And "consumer" basically means cattle. And how much respect does the cattle owner have for his cattle? Just enough so that they all get slaughtered. You are a resource. Not a person and certainly not a customer who has anything close to equality with the all powerful owner of those sounds/visuals and data bits. You are their cattle.

    Enjoy.

    --
    Facebook is billions of individual "Skinner Boxes." And if you use it you are the pigeon!
  74. "Piracy==lost sales" and other myths by c0d3h4x0r · · Score: 2, Interesting

    First of all, piracy does not equate to lost sales. The vast majority of people who consume pirated software/music/movies are people who couldn't/wouldn't pay the retail price in the first place. There's a simple reason that piracy is mostly rampant on college campuses: students are poor.

    Secondly, since when did the purchase of a CD change from "owning a copy" to "being licensed to experience the content"? I haven't seen a licensing agreement printed in any of the CDs I've bought. When I buy a DRM-unencumbered CD, I am owning that copy of the content. I can (and will) do whatever I want with it. Just because iTunes comes along and starts "licensing" the content in DRM-encumbered form, that doesn't mean that the nature of purchasing a raw CD has suddenly changed.

    Thirdly, the entire public debate about copyright law, DRM, the DMCA, piracy, etc, all really boils down to one simple thing: what is ethical is not the same as what is legal, and vice-versa. The government is supposed to serve the people by refining the law until it accurately reflects what is ethical. Unfortunately what we have right now is a body of law that is radically divergent from what is ethical. Throughout history, whenever the government and the law have gone against what is ethical, civil unrest has resulted and has in fact been the only way to set things right. Digital piracy is just the latest form of civil unrest. Since the government is clearly in the pockets of rich special interests, piracy is the only form of civil unrest and demonstration the public has left at its disposal. So from an ethical stance, piracy is a good thing because it is the only counter-force fighting to swing the law and government back toward what is ethical.

    --
    Moderator hint: a comment is neither "Flamebait" nor "Troll" if it is true.
  75. Good DRM vs. Evil DRM by Anonymous Coward · · Score: 0

    I think part of the problem these days is that "DRM" has come to be viewed as the root of all evil, something that's 100% bad. The reality is, there's a few different arguments and concerns that are all being jumbled into one term, causing a debate-that-never-ends. Here's my attempt to make some sense of things:

    First of all, you have to look at the original intent of copyright law. And, while we're at it, remember that laws are, in theory, "rules" that _the people_, in majority, agree upon and believe are to the benefit of everyone.

    So, let's say you're out with a bunch of friends, and one of them comes up with this hilarious joke about a talking horse. The next night, you and him and a different group of friends are out at the bar. You remember that great joke about the horse, and, excitedly, you tell the joke to everyone, as if you had just come up with it. Needless to say, this is pretty disrespectful to your friend. But okay, let's say you tell the joke but give him credit for coming up with it. This is arguably still a rather disrespectful thing to do. Maybe your friend was planning to tell the joke himself. Maybe your delivery of the joke sucked and you've now totally ruined _his_ joke. Might you have been in the clear if it's a few months or years after your friend first told the joke? Maybe. But in this case, he just told the joke last night. Maybe the next time he has a good joke he'll be careful not to tell it to someone as disrespectful as you.

    These are two of several rationales that make up the ideas of copyright law. Society recognizes that the creative contributions individuals make should be respected, and those individuals should be rewarded. That means it's not in society's interest to condone plagiarism of creative materials, and that society considers it "fair" to give the original author "dibs" on his own material, to a certain degree and for a reasonable period of time.

    And then of course, there's the profit side of things. Some people make a living from the crazy and creative ideas they come up with, from the music, artwork, games, etc, that they lovingly create. For the same reasons as above, society recognizes that in order to encourage such creativity, it's only fair that, in the short term, the author have "dibs" on benefitting from his work. Let the author benefit first, then, eventually, let everyone else benefit from his work, both directly and indirectly.

    I don't know of many people who disagree with the above premises. These are all concepts that we accept as fair in our own small social circles, and they are no less fair on a broad scale. Copyright laws encourage authors to share their ideas with the world (by granting them a temporary monopoly on those ideas), but then, eventually, those ideas must literally be "shared with the world" by becoming public domain. This is a fair balance in theory.

    Fast forward to the present (skipping over copyright law's mirky history...)

    Using DRM to prevent things like Napster from happening, is an understandable intent. If you share the music you bought with hundreds of other people, that's quite unfair to the music's author, assuming the author's desire was to profit from his music.

    Where DRM is taking a lot of heat today, is in a realm where its application to copyright law seems more a mere technicality rather than in keeping with the spirit of the law.

    If you buy a song on iTunes, you've now paid the author for the privilege of listening, as many times as you like, to his song. The author set his price at $0.99, and you paid him. Now you want to listen to the song on this new MP3 player you bought, so you use a third-party tool to strip the DRM from the file and put it on your MP3 player.

    Is this unfair? On one hand, this doesn't change the spirit of your original terms of purchase: you're going to listen to the song as many times as you want. You're not giving it to anyone else.

    On the other hand, there are plenty of analogies to what you're doing where it might not look

  76. Clear this one up for me. by Original+Replica · · Score: 1

    "So the artists who are good enough to sign with labels do so, and the labels remain the most likely source of music with the potential of mass appeal, because the only performers not signed with them are the ones who were either judged to be not good enough" -Good enough meaning marketable enough? (Ashley Simpson) or talented enough?(but not young and pretty enough)

    --
    We are all just people.
    1. Re:Clear this one up for me. by Golias · · Score: 1

      -Good enough meaning marketable enough? (Ashley Simpson) or talented enough?(but not young and pretty enough)

      Meaning marketable enough. I thought I made that fairly clear in my post.

      --

      Information wants to be anthropomorphized.

  77. Maybe is it time considering netlabels ? by Soundshake · · Score: 2, Informative
    1. Re:Maybe is it time considering netlabels ? by Anonymous Coward · · Score: 0

      Hey, I may be posting as anonymous but Thank You for these great resources. I appreciate the post my friend :)

  78. Change Soon? by 16K+Ram+Pack · · Score: 1
    I'd be interested to know how soon you think.

    The CD is going nowhere. They are still the dominant format for music, something that the record companies can do nothing about. It's going to be hard to push a new format, because CDs provide a more-than-adequate format for mass music (the more advanced DVD Audio is the reserve of people with high-end equipment). In terms of audio quality, it's reached the peak.

    Of course, the music industry might like to have dial-home media, but I don't seriously expect customers to like that idea - it gives no benefit to the customer and is most likely to disrupt their listening.

  79. Strained Metaohors! by Anonymous Coward · · Score: 0

    It's like being offended that walmart has stolen goods detectors at the exits. Except I don't have a Star Trek replicator, so I can't very well make an exact duplicate of the good. And the stolen good detector doesn't follow me home. And the stolen good protector won't prevent me from using my shirt, as say, toilet paper. You get the point by now.

  80. Or perhaps a more efficient solution... by Carnage+Pants · · Score: 1
    While he notes in the comments section that iTunes is the best of the worst, he admits to using third-party tools to remove the DRM from iTunes tracks.
    Or, you know, you could just burn it to a CD, unless you don't plan on listening to it in a car or backing it up.
  81. Media sales down, lets blame the Pirates. Arrrrr! by deek · · Score: 1

    The unfortunate result of all this DRM mania, is that many people will not buy media anymore. Not everyone of course, but lets assume 10%. Sales will go down by the same percentage, or even more (some people buy more than others). Media companies point the finger at piracy. Government issues more stringent laws. More people abandon media sales, because it's just not entertaining having police conduct spot searches in your home.

      Let's go back to standing around the piano with the family, singing the old (copyright free, public domain) songs. That's the sort of entertainment the RIAAs of the world cannot control.

  82. Third-party tools?! by reiggin · · Score: 1
    "...he admits to using third-party tools to remove the DRM from iTunes tracks."
    Third-party tools?!? Stick to Apple's own free software for DRM removal: iMovie. Works like a charm.
    1. Re:Third-party tools?! by mh101 · · Score: 1

      How did you do it? I assumed you'd have brought in a track from iTunes to the audio track, and that there was an "Export audio track" option, but I couldn't find it (maybe there was one, and they removed it in iMovie HD?) And I couldn't drag the audio track directly back into iTunes either. I also just tried a similar thing with GarageBand but that didn't work either. I can drag an un-DRMed file in, but it doesn't let me drag in a DRMed one.

      In any case, the problem with doing it this way is it involves decompressing the file, then recompressing it again. And since you'd have to do it on a per-track basis, it likely would be quicker to burn an audio CD full of tracks and rip them all back in.

      --
      Duct tape is like the Force. It has a light side, a dark side, and it holds the universe together.
    2. Re:Third-party tools?! by reiggin · · Score: 1
      Well, crap. I just checked in iMovie HD and it is now "disabled." I haven't used iMovieHD for this purpose as I've only upgraded to it recently. I say "disabled" in quotes because it can still be done. You just have to have video in the timeline as well. I would keep a saved iMovie Project around with an already-imported video track included. You can turn the audio down to 0% on the video track. Now, proceed to the actual music itself...

      Click "Audio" in the lower right hand corner tabs in the main window. This will bring up your iTunes Library. Chose your song and drag it into the timeline. Once it is finished importing, select "Share..." from the File menu. Then select "QuickTime" in the tabs and chose "Expert Settings" from the drop down menu. Click "Share" and another window with options will pop up. Chose "Audio to AIFF" and "Stereo 16 bit" from the two drop down menus. Change the filename to whatever you would like. You're now ready to click "Okay" and allow iMovie to do the rest. You'll be left with an AIFF file that you can now drop into iTunes and easily convert to MP3 or AAC (unprotected).

      I'm sure someone could write an Automator or AppleScript to do this in batches.

      While this does not preserve ID3 tags, it's a quick and dirty means to an end without having to burn and then re-import. Some may argue that burning and re-importing is easier and I wouldn't argue with them. But if you don't have a blank CD laying around, knowing how to do this may come in handy. Just an FYI.

  83. NO, DAMMIT by Anonymous Coward · · Score: 0

    Thank you for being the 35th person to point this out. I also love that fact that you are still modded funny by someone.

    Good hell...

  84. Poor reasoning by Anonymous Coward · · Score: 0

    "They've sold millions of DRMed tracks, and yet you don't hear about P2P networks being flooded with stripped tracks."

    Because nobody wants them.

    Think about it...if I can take a 128kb/s DRM'd file from ITMS, or a .flac from P2P, which would you rather? Songs are so tiny, that with broadband, the difference between a 4M or 16M file is a few seconds, so its not the download. And hard drives are approaching a terrabyte of storage, so the more "complete" file is always preferred. And music from iTMS is pretty much bottom of the barrel when it comes to quality. And before you start whinging let me give you the hierarchy of music formats in terms of most desirable to least desirable

            CD / Full Quality .wav file .flac/.ape
            320kb/s .mp3
            224kb/s VBR .mp3
            192kb/s .aac (.m4a)
            192kb/s .mp3
            160kb/s .mp3
            128kb/s .m4p
            poking sharp stick in ear
            anything from Real Media

  85. No one seems offended by the criminals by geekee · · Score: 1

    "Like many of us, he is offended by the fact that the record labels and movie studios treat their customers like criminals."

    This type of comment irritates me to no end. People have proven they are criminals through using the old Napster, Gnutella, etc., so why are you surprised by DRM?

    --
    Vote for Pedro
  86. Re:Piracy==lost sales by Anonymous Coward · · Score: 0

    I work at a university where most of the students own more expensive cars than the faculty and staff. These kids are from well off families and no doubt can purchase cds and dvds whenever they want. Why is it then that file sharing is still such a big problem at our university? Are you suggesting that only the "poor college students" are the ones who partake in this?

    I'm no better myself, despite being a musician trying to sell music. The fact is, it's often more convenient to get my hands on music online through illegal channels than it is to go to a store and get a cd/dvd. And while I do buy things from iTunes like exclusives and things I can't find elsewhere, I never buy from iTunes if I can get it anywhere else. Why pay money for lower quality?

    This equates to lower sales. File sharing is not limited to those who wouldn't or couldn't buy it anyway, and you know it. jd

  87. Technology has made it by Anonymous Coward · · Score: 0

    Technology has made it fantastically easy for the entertainment business to rip off the people because despite the fact of drastically reduced manufacturing costs for pre recorded media, they hold the same pricing models for years and years after they should have dropped. This is something one can see or remain in denial of. It is much cheaper to manufacture media now. I understand production costs, so I require no lectures on that front, what they don't seem to be able to grasp is volume pricing and sales and human nature.

        They want all the possible profit potential of better tech, but don't want you to have any benefits, either directly or indirectly by dropping prices. The reason they do this is because they can, they are and act as an onerous cartel, with massive price fixing, payola, market manipulation, bribes to officials, and etc. This has been going on for decades, they get busted periodically, but for some reason, the "penalities" they are struck with never seen to *stop* their cartel actions or practices. This is called the "slap on the wrist" then back to crooked business as usual.

        They insist that only the industry should be allowed to have modern technology, and they would legislate that you as a consumer be only authorised to have crippled hardware and over priced product, now with new and improved trojans and various other malwares, in effect, a sort of protectionism for their old standard business model, perpetuating buggywhip sales. I wold say most people can readily see this now. Some can't or are in denial, but most people can see it.

      They could have easily avoided most file sharing "piracy" several years ago if they had consistently dropped prices as technology made that possible, and made the same or more net profits merely by increasing volume sales, thereby having more and happier customers. That is the business model they need to adopt. So there is your answer.

        Instead,pompous coke addled greedy and drunken idiots that they are,(I have worked in the industry before, so again, no lectures needed, this is more true than not, research it anecdotally yourself) they see it as an adversarial condition, with the results that are in the news now. The anecdotal in the article is *typical* of most media consumers,at least in my circle of adult friends with some money to spend, people by and large were quite content to purchase pre recorded, as long as it was not a severe ripoff gouging experience and as long as they were free to use the media normally. Now, well, people are annoyed, jst like they are with the oil gougers. I am in a very similar situation, I *used* to buy quite a bit of pre recorded, starting in the late 1950s with records until the late 90s, until it became just so completely obvious that it had turned into a pure gouging business that I was forced to "say no" from personal ethics. I honestly don't want them rewarded as honest bsinessmen, because they aren't honest bsinessmen. Exactly the same way I feel about MS now, although originally I didn't feel that way, they changed my mind about them merely by their actions. Crooks. No other words or phrases for it other than they suck the big one and are jerkoff thieves. That industry-back to music and movies- is apparently made up of mostly *thieves* at the production and distribution levels. I see no other credible explanation for their actions. Now I purchase very little over the year, whereas ten years ago and previous I purchased something weekly, now it is 2 or 3 times a year maybe, and then only from the drastic mark down bins, where the prices are at least closer to something more credible. And it is mostly inertia, I have movies I purchased last year I haven't viewed yet. Music CDs I completely stopped, those are just way over priced. Just not worth it any longer. 2 or 3 bucks maybe, 15-20$?? Excuse me?? They can bite me. I have almost completely stopped caring. I don't download nor share, but I won't purchase their products in near the volume I used to, either, and it wouldn't bother me any to just completely stop either.

  88. So, no DRM for OS/X x86 then? by Marbleless · · Score: 1

    What's sauce for the goose is sauce for the gander. If Apple object to the music companies using DRM to their customers detriment, then surely Apple won't treat their own customers that way and use DRM in OS/X x86! Or will them? ;)

    --
    --I thought I was wrong once, but I was mistaken.
  89. not just means of distribution by AdmiralWeirdbeard · · Score: 1

    while I agree with your sentiment, I would allow for the fact that the record labels are now no longer simply there to distribute music. they play a very pivotal (not necessarily a positive, but central) role in the creative process by making it standard to have spent millions of dollars producing a noteworthy album. Even thought that does mean that we end up with jessica simpson and endless reams of pop-punk, it would be incorrect to deny their place in the process. While they continue to spend millions of dollars to produce each big hit, artists not playing their game cannot hope to compete on a large scale, becuase they lack means of distribution.

    The recording industry uses its monopoly on distribution to determine what we listen to and they are trying very hard to use it to determine how we listen to it. Any threats to that monopoly will naturally be threatening. hence the attempts to legislate their business model into perpetuity.
    and hence me saying they can go fuck themselves.

    for business to defend market-based solutions to lifes problems by touting the adaptability of the market, how will naturally simply react to situations in the most effecient manner possible because of the wonderful mediating properties of currnecy, and then turn around and display such a remarkable lack of adaptability as to legislate the past into the future rather than innovating new ways to make money is just rather sickening. If big business had once, ever, in the history of modern capitalism, actually walked the talk about "letting the market decide," well, I'd be one surprised individual.

    --
    Come read my stupid blagablog. Rants and Giggles
    1. Re:not just means of distribution by theStorminMormon · · Score: 1

      I agree completely. I'm just rather long-winded and didn't have a chance to get that all in there. The industry started to create and distribute music on physical media. But since then it has grown and taken over more and more of the process, from finding talent to actually producing the music that it distributes.

      There are two problems. The first is that they have huge physical capital devoted to a process (finding talent, producing music, creating the physical media, distributing the physical media, promoting the music) and they are about to lose out on two of those 5 aspects. Those 2 are where the revenue actually comes in, so it's going to be very difficult to support the whole thing. I'm not saying that there's nothing left for them to do, I'm saying that you can't support this entity that used to do 5 major tasks if suddely 2 of those tasks are irrelevent. They have to downsize, become more efficient, and generate new revenue streams (new business models) or they are going to collapse from their own weight.

      The second problem is that a lot of people don't like the fact that the record labels went from making and distributing physical media to influencing the music itself. There are a lot of people - all those who listen to non-top 40 music - who have no interest in seeing the major record labels survive even in a reduced state. When record labels found and groomed talent and practically shoved it down the publics throat it could be argued that they weren't doing a genuine service, they were simply capitalizing on their oligarchical status as distributors of music to also control that music.

      Now that we don't need them to distribute we who never wanted them to find the talent, produce the music and promote it (because they were more intersted in profits (homogeneity) than artistry) have just as much motivation as we always have to try and bring them down, and a lot more opportunity. We don't want to let them find new revenue streams that will allow them to maintain their status as the gateways to public msuic.

      I see the same thing happening with movies and TV shows, by the way. The cost to produce block-busters has skyrocketed, but the actual computer and video equipment necessary to make professional-grade movies/TV shows is increasingly publicly accessible. I mean, the Matrix movies (as well as who knows how many more) were edited in Final Cut Pro. Which I've used when I was in school.

      Sometimes good shows get cancelled because they don't have mass appeal. So the TV/movie industry puts profits ahead of taste. Thus as soon as the opportunity arises, the revolution will overthrow them just as it is in the process of overthrowing the major record labels.

      We can expect the same DRM crap from them as from the record labels, but in the end the market simply won't support the old business models.

      And that's good news.

      -stormin

      --
      The Southern Baptist Convention has creationism. On Slashdot, we have porn.
  90. Why give up so easy? by Steeltoe · · Score: 1

    So.. Instead of being useful to the world, you just don't care.
    As someone who claims to know better, and do nothing, you have an even worse excuse than those who are ignorant.

    If you remember Spider-Man: With great power comes great responsibility. This also applies to Knowledge. It helps nobody to roll over and be beaten, or watch someone else get beaten while shrugging that it would happen anyways.

    The whole point of this life is that you are here. Don't let it all go to waste.

  91. As long as we're using analogies... by Anonymous Coward · · Score: 0

    The answer is "Its a just a joke, and its not worth getting upset over a joke"

    Which translates pretty nicely to:

      "Its a nothing little pop song and its not worth the government throwing people in jail over it"

  92. Re:Piracy==lost sales by c0d3h4x0r · · Score: 1

    Just because you do not follow the trend, that doesn't make my statement any less true. I said "the vast majority". You're just not part of the majority.

    --
    Moderator hint: a comment is neither "Flamebait" nor "Troll" if it is true.
  93. That's what I mean, meme is not reality by SuperKendall · · Score: 1

    If it breaks functionality, people will start to notice. It's up to us geeks to get the meme out there that things are breaking because the manufacturers are delivering hostile software.

    There is a schism in what you are saying - people will notice, but we need to spread the meme. If people are noticing there is no need to spread the meme!

    I agree that IF people notice they will take action. But I am saying that an attempt to spread this meme is very difficult exactly because not enough people are noticing, or will notice in the near future with DRM that has been proposed on mass-market systems. A meme needs a base experience to stick on.

    I think people are noticing the DRM issues with "Plays for Sure" music stores and that's one reason they stay away. The DRM Apple places on music are in effect invisible to most users, which is why they are comfortable with it and continue to reward Apple. Interestingly I think that the new Apple video store might have some difficultly with traction since it does not allow burning of DVD's from the media you bought.

    On Blu-Ray, it will be accpeted and no meme will hurt it because the DRM will be invisible to people. They will buy discs, they will buy players that will play the discs. Just like DVD today.

    Now note that overseas where they generally did not get discs in a timley fashion, the consumer En Masse rejected region controls because they could not watch more current US releases on them. So even large department stores abroad sell region-free players. The people noticed because it did effect them, yet the same consumers in the US had no reason to care whcih it why it's hard to get a region free player here.

    You can't get people to understand anything they are not experiencing already. You can reinforce frustrations but that's about it. Since most DRM is not generally frustrating ENOUGH a boycott or meme will generally fall flat.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:That's what I mean, meme is not reality by Stephen+Samuel · · Score: 1
      People are noticing, but too many of them are pretending/ believing that they can't do anything about it. The point to get out is that returning the defective goods and refusing to buy any more really will have an impact on the companies doing this.

      (also that there are some very interesting (and often more cost-effective) alternatives to the big-media entertainment sources)

      --
      Free Software: Like love, it grows best when given away.
  94. All The Analogies (I Read) Are Total Bunk by settsu · · Score: 1

    All the analogies I read in this forum, and have read elsewhere/elsewhen, fail to reach their goal on this topic.

    Many appear in the same post with a statement alluding to the "new world" of distribution via the internet.

    So these analogies, despite some of them being quite good in their attempt, fail us in the same way the media companies have failed us: none has yet captured the essence of the internet.

    More specifically to this issue: none have discovered (or at least "deployed") the killer app for electronic (perhaps "mediumless"?) distribution of intellectual property.

    To stimulate conversation:

    I work for a church (graphic designer/webmaster NOT pastor/theologian, so...). As a registered nonprofit organization, when someone gives us money and does not receive a tangible "thing" in return, or gives more than the market value for a "thing", the amount is tax-deductible, or the "overage" is in the case of a "thing" (physical item or not, such as a conference or camp).

    However, should not a business (simple definition being: intent to profit) have the power to place what ever controls/limits/etc. on their "widget", physical or not?

    Obviously, I haven't taken much of the current laws into consideration simply because my knowledge is limited to my understanding of layman's interpretations of those laws.

    Thoughts???