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Napster, Gnutella, Bans, Lawsuits And More

It's been a busy week for Napster and Gnutella... mbell sent us an MSNBC story on Gnutella which gets a lot of stuff right, but spends more time proclaiming that it's all about kiddie porn to really give the point fair time. the geek noted a wired bit about a San Diego ISP banning Napster from their clients: this is because it's a "Server", not because it's controversial software tho, but it's at least nice to know your ISP is watching what you do. The thing that bothers me most is that accounts were threatened even tho they weren't exceeding bandwidth quotas. Seems harsh. And finally NeoMage pointed out that the once amazing (face it, Kill 'm All and Master of Puppets are amazing albums) Metallica has become the first 'big name' band to sue Napster for copyright violations against the artists' music.

413 comments

  1. Hmmm by CigarBuff · · Score: 1

    Metallica suing, Twisted Sister getting moral (re: John Rocker). What is this world coming to?

    CigarBuff.

    1. Re:Hmmm by dougman · · Score: 2

      Dee Snider (lead singer of Twisted Sister) has demonstrated just how far his career has falled by recently signing on as the wacky morning man for a Hartford, CT pop-rock station, WMRQ. It's kinda sad to see, actually. And time has NOT been kind to Mr. Snider in the looks department, either.

      Strangeland 2 is gonna have to be pretty extreme to get my respect.

    2. Re:Hmmm by AppyPappy · · Score: 1

      Not to mention that Dee Snider has endorsed Al and Tipper Gore.

      What a drag it is getting old.

      --

      If you aren't part of the solution, there is good money to be made prolonging the problem

    3. Re:Hmmm by AppyPappy · · Score: 1

      Yeah, I'm holding out as long as I can.

      BTW my first music purchase was an 8-track of Alice Cooper's new abum "Love it to Death". When I was in college, we didn't even have Pong. We had Po. You hit the ball and it went off the screen...game over.

      But you can't tell young people that today.

      --

      If you aren't part of the solution, there is good money to be made prolonging the problem

    4. Re:Hmmm by all4Tish · · Score: 1

      the problem is, though, that they used to be really cool about being 'for the fan'. they even used to support and condone bootlegs of their concerts, if they were of decent quality.

      the sad thing, though, is that they're not just suing napster. according to the article, they're also suing "several colleges, claiming, among other things, that they violated copyright law by allowing illegal swapping of its music."

    5. Re:Hmmm by plague3106 · · Score: 2

      Metallica has become the biggest bunch of sellouts ever. Anyone notice something funny about Lars Ulrich comments; "[it is] sickening to know that our art is being traded like a commodity rather than the art that it is." Sorry Lars, i wasn't aware that making millions of copyies of your cds and selling them at $20 a pop wasn't trading you're art like a commodity. Also, i belive the article is wrong; i think its illegel to circumvent copyright PROTECTION SCHEMES. Otherwise wouldn't VCRs, tape records and the like now be illegal as well? They can be used to circumvent copyright as well. Fuck metallica, may they now go the way of Semisonic...another band know one knows exists anymore.

    6. Re:Hmmm by Ominous+Coward · · Score: 1
      From what I gathered from the article, the quote by Lars destroys the whole thing:

      "sickening to know that our art is being traded like a commodity rather than the art that it is."

      Basically I gather that Lars, if not all of Metallica support the free distribution of their music as art, and that he does not like it being traded like a commodity, sold. Maybe we're forgetting that the people 'representing' Metallica are managers and sales people from the record company trying to make money. Metallica just wants to be popular and kick ass.

      --
      Ceci n'est pas une sig.
    7. Re:Hmmm by Rantage · · Score: 1
      Not to mention that Dee Snider has endorsed Al and Tipper Gore.

      How soon we forget......


      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.

      --
      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.
    8. Re:Hmmm by Frizzle+Fry · · Score: 1

      Actually, that quote baffled me. How does being traded online commoditize their music, while being sold in stores doesn't? It seems to be that their albums being mass-produced and sold for profit in giant record stores alongside the albums of countless other bands and then being bought by people who listen to them a few times and then never again is what turns music into a commodity. Allowing people to share songs they like with each other because they like them respects the art of the musicians much more.

      The bus came by and I got on
      That's when it all began
      There was cowboy Neal
      At the wheel
      Of a bus to never-ever land

      --
      I'd rather be lucky than good.
    9. Re:Hmmm by K2CrO4 · · Score: 1

      This is the message I sent to www.metallica.com. I resume nicely of what I think of that band now :

      ::Begin
      First of all, to make fan pay to access your is in my opinion very low. Metallica already got the money, don't tell me they can't afford metallica.com ! I just think of other metal bands such as Emperor, Dimmu Borgir and even Iron Maiden don't make their fans pay for a couple of pictures. They have far less money than Metallica (especially Emperor and Dimmu Borgir), what does that tell you ? They know the value of such strategy, it sells. So please, tell the truth to the fans and say you charge them 'cause you're greedy.

      Second of all, that needless lawsuit. In case you wonder how black - death metal bands are able to survive in this silicon-saturated and ganster-wannabes industry, it's because of MP3s. Being VERY unmainstream, these bands rely heavily on MP3 trading to get their art to the fans. The very fact that this kind of music isn't mainstream cause the prices of black metal album to be insanely high, especialy here in north-america since we can only get them by imports.

      Something funny about real fans, they ALWAYS buy their albums, but often they do so after listening it on badly recorded tapes. Today, the quality of MP3 is better, this is very true, but it lacks the real thing, the lyrics, the photos, even the f'cking thank you list. It's part of the whole, it's the thing that fans of metal, ususaly not very rich by definition has bleed to buy since the beginning of metal. Metallica probably wouldn't be what it is today if it wasn't for the tape trading of the 80's. In the 90's, many bands rely on this technology to reach new fan base.

      Fans will always buy original recordings but they won't do so blindly. It's not easy for someone with 20 buck to spare a week to buy a 19.99 $ CD, and that's when the CD IS 19.99$. As I said, it is not rare for me to pay between 30 and 40$ (CAN but still...) to buy a f'king CD, but I do it anyway, because the band's worth it and the album excite my senses. I suggest you go read a good piece about the necessity of MP3 in certain circle at http://www.burzum.com/flash/news2.htm#moonfog

      In final words, you guys should have remained true to your original sayings back in the 80's, (the not selling-out thing), millions of kids were inspired by that and are now feeling let down. It wouldn't be so bad if Metallica changed its name.

      But hey, if Metallica wants to be mainstream a la Britney Spears and wear the latest Clairol eyeliner, who am I to argue ?

      I'm just the guy who bought their f'cking albums
      ::End
  2. Metallica suing for copyright infringement? by pallex · · Score: 1

    In what way were they original themselves? I smell the bitter stench of hypocrisy!

    Rock and ROLLLLLLLL dood!

    1. Re:Metallica suing for copyright infringement? by pallex · · Score: 1

      Bzzt - wrong answer, as they say on slashdot...

      from www.theregister.co.uk, story `Metallica sues Napster` :

      ---
      Metallica and the companies that publish its music and are assigned its copyrights, Creeping Death Music and the decidedly un-rock'n'roll sounding E/M Ventures, base their claims on the way Napster's software allows users to trade in illegal copies of the band's music across the Net.

      That, said the band's drummer, Lars Ulrich, is "in effect, trafficking in stolen goods.

      "We take our craft - whether it be the music, the lyrics, or the photos and artwork - very seriously, as do most artists. It is therefore sickening to know that our art is being traded like a commodity rather than the art that it is,"

      "From a business standpoint, this is about piracy - aka taking something that doesn't belong to you; and that is morally and legally wrong,"
      ---

    2. Re:Metallica suing for copyright infringement? by jo44 · · Score: 1

      "sickening to know that our art is being traded like a commodity rather than the art that it is."

      So selling it like a commodity seems to be okay, but he draws the line at trading.

      Fuck you Lars Ulrich, and your band's new alt-look! You egotistical asshole!

    3. Re:Metallica suing for copyright infringement? by anonymous+cowerd · · Score: 2

      > "It is therefore sickening to know that our art is being
      > traded like a commodity rather than the art that it is."

      Of course this is perfectly backwards. With Napster there is no "trading," one gives away copies of the files absolutely for free. In every other transaction concerning Metallica's products that I can think of, including legitimate sales of CDs in stores, one does trade for the music.

      One does not ussualy conduct commerce in mundane goods, like yams and corn and tires and TVs, without there being an element of trade, without a profit to be made. In distinction there is a venerable tradition of giving away art works to all comers for free, from the public plays of ancient Athens, through the cathedrals of the Renaissance and the museums of the Enlightenment, to the Free Software movement of today. Given the choice, Metallica place their products in the category of yams and corn, that's all.

      Yours WDK - WKiernan@concentric.net

    4. Re:Metallica suing for copyright infringement? by DocM · · Score: 1
      Apparently he doesn't see a problem with charging kids US$65 a year for full membership to his band's official website either.

      It'd be nice to see just how he defines 'commodity' because it's already pretty clear where his definition of 'art' is at.

      Side note: Anyone else think it was interesting that they're claiming napster violates the RICO act?

    5. Re:Metallica suing for copyright infringement? by billybob+jr · · Score: 1

      Ohh is Metallica looking out for all the starving artists? From Lars comments it sure doesn't seem that way.

  3. @home restrictions by radja · · Score: 1

    I don't agree with the policy itself, but to be fair.. the ISP in question, cox@home, did have a clause in their policy about servers not being allowed. @home in the Netherlands has this policy too...

    //rdj

    --

    No one can understand the truth until he drinks of coffee's frothy goodness.
    --Sheikh Abd-Al-Kadir, 1587
    1. Re:@home restrictions by mikpos · · Score: 1

      I think all @home ISP's have this clause. I think a good 99.9% of all @home subscribers run at least 2 servers, too. It just seems odd that they would all of a sudden follow through with their idle threats (not that there's anything wrong with it).

    2. Re:@home restrictions by Eil · · Score: 1

      That's all fine and dandy, but the Napster program that people install on their computers is not a server. It is a client. A Napster server acts only as a live database for all of the clients currently connected. From there on, everyone acts pretty much as a peer-to-peer client.

  4. Avoiding napster bans by twl · · Score: 5

    this has worked for me everywhere:
    ssh to unix host in napster friendly network
    tunnel socks thru ssh
    tell napster you have socks5 on localhost
    you might need to use a DNS server other than your ISP's too.
    voila! instant policy subversion.

    1. Re:Avoiding napster bans by Anonymous Coward · · Score: 1

      Simply tell napster it's behind a firewall with no incoming ports open, and the server feature will be turned off. Gee ... I wonder when they're gonna ban ICQ. Technically it's sitting there listening on a TCP port, waiting for chat and file transfer requests, which I believe qualifies it as a being a server.

  5. San Diago? by Anonymous Coward · · Score: 1

    You mean "San Diago, Culifarnia, SUA", right? I hate it when the slashdot authors post the cities but not the state or country.

    It's like you fools think everyone just automagically knows where "San Diago" is.

    1. Re:San Diago? by MeYatch · · Score: 1

      Well, you did didn't you? I am sure that there is a very low percentage of people who do not know what they mean when they say San Diego.

    2. Re:San Diago? by Kimble · · Score: 1
      Selfoss is in Iceland. As in, "Iceland has 10% of the population of metro San Diego." San Diego is the 112th largest city in the world, according to http://www.citypopulation.de/.

      Obligatory on-topic comment: Maybe I should change my signature. Of course, that would imply I didn't agree with what Metallica said...
      --

      --
      ..!!in an intastella burst i am back to save the universe!!
  6. Metallica irony by smileyy · · Score: 3

    Metallica suing over (illegal) distribution of their music via the internet is...somewhat ironic. After all, Metallica first became known on the heavy metal scene due to the passing around and duplication of their tapes at concerts, clubs, etc.

    --
    pooptruck
    1. Re:Metallica irony by Sloppy · · Score: 1

      Yes, but that was a different band. That Metallica played heavy metal, appeared to have integrity, and respected their fans. "We'll never make a video."

      Now they're just Yet Another alternative rock band competing for radio play.

      There's nothing ironic about it, since they're not the same people. I just wish the aliens would return the real Metallica, along with Elvis too.


      ---
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    2. Re:Metallica irony by jocknerd · · Score: 1

      I guess selling 50 million albums changes your perspective on things. This is off of Metallica's official website:

      Says Metallica drummer Lars Ulrich, "With each project, we go through a grueling
      creative process to achieve music that we feel is representative of Metallica at that
      very moment in our lives. We take our craft - whether it be the music, the lyrics, or the
      photos and artwork - very seriously, as do most artists. It is therefore sickening to
      know that our art is being traded like a commodity rather than the art that it is. From a
      business standpoint, this is about piracy - a/k/a taking something that doesn't belong to
      you; and that is morally and legally wrong. The trading of such information - whether
      it's music, videos, photos, or whatever - is, in effect, trafficking in stolen goods."

  7. My favorite quote: by DrEldarion · · Score: 3

    The anonymity Gnutella provides may unfortunately promote such behavior, but the good outweighs the bad, he said: "The whole decentralized aspect of it ... There's no censorship at all. [emphasis added]

    Hm, I wonder what the government and big businesses think about *that*. They can no longer keep us from viewing the things that they don't think we should look at... and they can't really track us down very easily if they find us viewing such "contraband"...

    -- Dr. Eldarion --

  8. Metallica, Say It Ain;'t So. by dougman · · Score: 2

    I felt the need to express my outrage at the whole sad Metallica situation myself. Sad, really.

  9. EULA? by cvincent · · Score: 2

    Is it just me or does Napster have a EULA that states that you can not download or distribute ilegaly obtained mp3s? So, how is Metalica et all able to sue Napster?

    1. Re:EULA? by Gleef · · Score: 3

      Not only that, they've actively enforced it. At the time of the RIAA lawsuit they've actually banned I think fifty people from the network for copyright violations, at the request of various copyright holders.

      ----

      --

      ----
      Open mind, insert foot.
  10. Imagine my surprise.. by thetron · · Score: 1

    .. when I read about Metallica suing Napster on that screen in the elevator before I read about it on Slashdot. /. beaten to the punch by an elevator. What's the world coming to? OT- anybody else have these advertising^H^H^H^H^H^H^H^H^H^H^Hnews screens in the elevators in your building? Ours is run by some firm called Captive. That's too cute.

  11. Conflict of Interest by Detritus · · Score: 3

    How long before the cable ISP part of AOL/Time-Warner decides that napster, and any other file transfer software, is an illegal server. How convenient for the rest of AOL/Time-Warner, such as Warner Records.

    --
    Mea navis aericumbens anguillis abundat
  12. Metallica and payback. by CodeRed · · Score: 1

    I bought every Metallica cd, the box set ($90!), the DVD's, etc.

    I will *NEVER* buy another Metallica item ever again. This is my protest against a band that are a bunch of sell outs :~(

    Fuck Metallica, Fuck RIAA, Fuck DMCA, Fuck MPAA, etc etc.

    We must all join together in this if we are to get the benefits.

    --

    --
    CodeRed, the lower user #. No relation to SirCam.
    1. Re:Metallica and payback. by jargoone · · Score: 1
      I bought every Metallica cd, the box set ($90!), the DVD's, etc.

      Sounds kind of like me. I don't have the box set, though, or the DVDs. You must be a big fan.

      I will *NEVER* buy another Metallica item ever again. This is my protest against a band that are a bunch of sell outs :~(

      Sorry to hear that. I'm sure the band wouldn't be, though, because a "fan" who isn't interested in the band's rights really isn't interested in the band at all.

      We must all join together in this if we are to get the benefits.

      And what exactly are these great "benefits" you speak of? Free music? Okay...

      It seems really hard for people to understand this. Musicians make music as their career. It's how they are able to feed their families. It's also how they are able to make more great music. It's how they are able go out and tour and let their fans hear how great the music is live.

      I know everyone thinks that music should be just like Linux, but it doesn't, and can't, work this way. Unlike writing software, making music and having it heard takes money. Lots and lots of it. You take away the money, you take away the music. It's that simple.

    2. Re:Metallica and payback. by kmcardle · · Score: 1

      This is my protest against a band that are a bunch of sell outs :~(
      I keep hearing that Metallica are sellouts. Could someone please prove this to me?

      Having personal integrity and playing the music that they want to play is selling out?

      I would think they would be sellouts if they stayed in the same musical style. Metallica is the only metal band that I still listen to from my younger years. They are the only band that has matured with the years.

      --

      --
      then it comes to be that the soothing light at the end of your tunnel is just a freight train coming your way
    3. Re:Metallica and payback. by jargoone · · Score: 1
      Holy crap. Little hint: either use tags to quote, or post in plain text. Trying to pick out what you said gave me a headache.

      A little math/economic for you: If any individual can get a hold of 2 million dollars[after taxes], they can live comfortably and 'feed their families' for the rest of their lives withut ever lifting a finger again.

      Thanks for the financial analysis. I now know how I can best handle my money. Here's a little math for you: A strict minority of professional musicians make that kind of money. This issue goes much further than highly-successful acts such as Metallica. There are infinitely many more musicians that struggle to "feed their families" on what they are able to earn.

      Maybe Metallica is being greedy. You could also say that they're standing up for other artists who don't have the power, forum, or capital to do so themselves. If they're so greedy, do you think they'd be filing suit, a process which can cost hundreds of thousands of dollars? I'm sure they'd much rather be in the studio.

      Yes, it can after one or two big albums, and any good band will produce that many at least [...]

      Any good band? Correction: any band who has whatever it takes to impress executives enough to get a record deal and airplay. For some executives, that's talent. For others, it's whatever the BackDoor Boys (tm) have.

      And, I don't know about you, but I don't buy albums to support a idiot's drug habbit or other stupid spending.

      You couldn't possibly, because you don't buy albums at all. You probably use Napster to steal artists' work and deprive them of their livelihood.

      Look, people. If you want to do something that's both illegal and immoral, be my guest. But don't try to rationalize it by stating some noble cause of music "freedom". Just shut up and steal.

    4. Re:Metallica and payback. by jargoone · · Score: 1
      It's hard to take seriously someone who doesn't even have the balls to be identified.

      You're missing the point entirely. This isn't about Metallica. This is about musicians in general being stolen from. Enough of the shit about hypocrisy and evil money.

      I will waste no more of my time on someone with tunnelvision.

    5. Re:Metallica and payback. by CurtisLeeFulton · · Score: 1

      Thanks for the financial analysis. I now know how I can best handle my money. Here's a little math for you: A strict minority of professional musicians make that kind of money. This issue goes much further than highly-successful acts such as Metallica. There are infinitely many more musicians that struggle to "feed their families" on what they are able to earn. Maybe Metallica is being greedy. You could also say that they're standing up for other artists who don't have the power, forum, or capital to do so themselves.

      Napster has no music from artists "strugling to feed their families." Napster is full of mainstream pop artists. All the strugling artists are on mp3.com, offering their tunes for free legally.

      Look, I'm a musician too and I would someday like to make a living from my art. The environment for artists today can't really get more hostile then what the MPAA and other corporate media thugs have created. Napster is helping forge a whole new distribution channel.

      Standing up for Metallica is not standing up for strugling artists. If you want to support unsigned artists, you can start by listening to the thousands of legal mp3s on the web instead of using Napster.

      I have yet to hear from ONE musician that is making *less* then $100,000 a year that feels they're getting ripped off by Napster or mp3s in general. But I know many artists who can only dream of having their music downloaded thousands of times a day. I agree that musicians should be payed more and that their skills are undervalued in todays society. but don't blame it on Napster and don't expect people to tolerate paying over $6 for a CD from artists who never go on tour more then two months a year.

    6. Re:Metallica and payback. by homer_ca · · Score: 1

      >I keep hearing that Metallica are sellouts. Could someone please prove this to me?

      What more proof do you need than all the music they've put out in the last 10 years? It sucks big goat nads.

      Yes, your music has to mature. You can't keep putting out the same-sounding music year after year, but the evolution of metal has nothing to evolution of Metallica (there's still good metal out there with a fresh sound that's not stuck in the 80's- try Static-X or Coal Chamber or POD).

      I still listen to the 80's Metallica (and the black album) because it was powerful music that sounds as good today as the day you first heard it. 90's Metallica is forgettable alterative pop that you download and delete because it's a waste of disk space.

    7. Re:Metallica and payback. by New+Luser · · Score: 1

      "This is about musicians in general being stolen from"

      How easy it is to forget the lessons of history.
      In the 1950's record companies would literally pay radio stations to play their artists music.
      This was called payola, becaus often times DJ's would be bribed to play a record labels music.
      The question is why would a record label do this?
      The answer - exposure and ultimately sales. Now as far as I see it being a musician and an avid collector of music ( I own over 5,000 thousand pieces of store bought music)and I have made records that were distributed and sold. Napster and other pieces of software similar to it, simply allow for an artist to get exposure. Now I know that Metallica is fairly well exposed as artists but it does not harm them in the least bit to get additional exposure , which ultimately translates into sales.
      Besides, the sound quality of an mp3 is not that great compared to the nice bass of a good chunk of vinyl or the crisp sound of a new cd. Mp3's are a way for artists at all levels in the business to be heard. Record labels use to actually pay for this kind of exposure and now Metallica is suing Universities and Napster, what better way to make enemies but to attack the agents who are attempting to expose your music? I personally like to hear a piece of music before I buy it. If that means hearing it on the radio or through a downloaded mp3 that my buddy shared with me makes very little difference , if I like the music enough I will go out and buy it! Sharing mp3's is not thievery just anthor means by which music is exposed and therefore sold.

  13. When exactly did piracy by jackmama · · Score: 2

    change from something people did furtively on IRC, to an absolute right of the people to have whatever they want, whenever they want? I guess when programs like Napster make it possible for any clueless newbie on cable or University ethernet to serve up mp3s to the masses, it becomes acceptable?

    Seriously, just because it's easy to steal, doesn't make it right--at least have the decency to hide what you're doing, people. The quote from Lars comparing these people to looters was quite appropriate.

    1. Re:When exactly did piracy by arcade · · Score: 2

      You are forgetting an important fact.

      Just because napster provides the tools, doesn't mean that they are responsible for the piracy. They've created a tool for sharing music. Unfortunately its impossible to distinguish (for computer programs) commercial and non-commercial music.


      --
      "Rune Kristian Viken" - arcade@kvine-nospam.sdal.com - arcade@efnet

      --
      "Rune Kristian Viken" - http://www.nwo.no - arca
    2. Re:When exactly did piracy by mengmeng · · Score: 1

      But the key issue here is that Napster and Gnutella are not specifically designed to trade pirated material. There's no check to make sure the material isn't copyrighted because it's impossible to do so. It's not like Napster is a huge repository of copyrighted mp3s. It's just a server. I think this case is just like the cases of ISP's being help responsible for their user's actions... ridiculous.

    3. Re:When exactly did piracy by gilroy · · Score: 2
      Quoth the poster:
      [When did piracy] change from something people did furtively on IRC, to an absolute right of the people to have whatever they want, whenever they want?
      obLostCause: Illicit reproduction of copyrighted material is infringement. It's not "piracy". Piracy is what you do with poofy shirts, sailing ships, a ring in your ear and a knife in your mouth. I would bet that almost none of the people illegally distributing MP3s actually say, "Gar! Avast!" At least, not too often.

      Now, allowing the woefully-loaded term "piracy", that remains a crime. It is still wrong to infringe copyright and to reproduce for profit materials with permission of the copyright holder. So each and every person shown to be using Napster to transmit illegal copies should be prosecuted to the full extent of the copious and adequate laws that exist regarding copyright infringement.

      But Napster is a tool and ownership or use of a tool in a legal manner is legal. Yes, it can be used to trade illegal MP3s. It can also be used to trade valid ones. A car can be used to get away in a bank heist. It can also be used for grocery shopping. Should we ban cars?

      There is a lot of heat and lot of smoke about the "piracy" that Napster encourages. (Apparently all these moral people are hypnotically forced by Napster to break copyright laws or something...) I have yet to see even one validated, meaningful study of how many illegal MP3s are actually being traded using Naptser. I haven't even seen an analysis of the bandwidth monster it has apparently become. Until someone credible starts doing that research, all reasoning about it is happening in vacuum or worse in anecdotes. This is not a good mechanism for making rational, just decision.

    4. Re:When exactly did piracy by Pig+Hogger · · Score: 2

      change from something people did furtively on IRC, to an absolute right of the people to have whatever they want, whenever they want?

      Next time you're busted for "possession", tell the DA you have the "absolute right" to "have whatever you want"...


      --

    5. Re:When exactly did piracy by mastagee · · Score: 1

      this lawsuit is not completly about piracy -- its about responsibility as well. Why are the universities being held accountable? ignorance.

      Back in the days of BBSes if i transfered an illegal file over the phone and was caught, was the phone company sued? i dont think so. . .
      Its been said before: Napster and ISPes (Universities in this case) are just providing services, the users are abusing the services.

      But this misconception is understandable, given that the majority of people are ignorant to the copyright laws, and ignorant to something as "complicated" as Napster. All they know is Napster lets them get free music and they dont care if its illegal or not. I doesnt make it "right" as in regard to copyright laws, but pretty much socially accepted in college enviornments.

      Realize though that the pirating which is taking place, would NOT be being replaced by increased CD sales if there was no Napster (ha and certainly not metallica CD sales). If anything Napster increases CD sales (as shown in recent CD sales trends even though they still cost $18.99 each).

    6. Re:When exactly did piracy by Cygnus+v1 · · Score: 1

      I think one fact this is bringing out is that for all the time & money spent by the artist and their label on the packaging and distribution of CDs and cassettes, what some listeners want is just the content. Until there's a legitimate effort by the recording industry to introduce a reasonably priced, easy-to-use, secured digital music format that has just enough value-add to make MP3s seem like crap, the usage of MP3s to listen to and share copyrighted audio will not disappear. Simply wrapping encryption around a CD-quality audio stream and calling that the new digital music format won't fly with current MP3 users; the format must be high-quality audio upwardly compatible with multi-channel systems, probably including other media information such as liner notes, artwork, pictures, etc.

      The problem is not only how to determine the performance and security features of this new format, but how to show users the value added to their listening/viewing enjoyment. Perhaps some of the savings incurred by electronic distribution of works created in the new format could be passed along to the consumer, unlike the fact that CDs cost more than cassettes.

      Whom in the recording industry really wants to do this? I don't know. Until then, I'll continue to use MP3's as a way to capture and enjoy the music I've bought on CD under the right of fair use.

      --
      ---- Politics: Kissing ass and pointing blames.
    7. Re:When exactly did piracy by Cid+Highwind · · Score: 2

      Illicit reproduction of copyrighted material is infringement. It's not "piracy".
      Bah! piracy has been in common use for copyright infringment (on software anyway) since the days of the Apple][. It's not going away now...

      But Napster is a tool and ownership or use of a tool in a legal manner is legal And so is an RPG launcher, but I can't just go down to Wal-Mart and buy one.(honest, officer, I just use it for target shooting) The question is does the potential harm from illegal use outweigh the rights of the people who use it legitimately. For a rocket-propelled grenade launcher, yes. For Napster, maybe.

      I have yet to see even one validated, meaningful study of how many illegal MP3s are actually being traded using Naptser
      Most likely because Napster won't let you look at it's database. That's a "trade secret" (see the /. article a few days ago about napster using the DMCA in its own defense)
      I haven't even seen an analysis of the bandwidth monster it has apparently become.
      It's difficult to measure, because napster doesn't use one standard port, and traffic goes to many different places. There are a few .edus that posted graphs of internet traffic before and after banning napster. Look for the first (or second) /. article about banning napster, it had a link.

      --
      0 1 - just my two bits
    8. Re:When exactly did piracy by funkman · · Score: 1
      We are starting to see manufacturers are being held responsible for products they create even if they are used out of the scope of their original design. Look at the gun movement.

      Manufacturers do have some (but not complete) responsiblity for what they create. If you create a product which is designed to do X, but with no effort can also do illegal activity Y. Then the company should be held responsible for being a part in criminal activity. Gun cases are iffy, but lets look a more realistic ficticious (and outrangeous)example.

      Lets say you own multiple cars but hate carrying multiple car keys. A company will sell you a master key which will allow you to open and start any car. The intention is for you to only use that key on your car, but it can start any car. A criminal buys the key and starts stealing cars with no effot. Should the company be held liable?

    9. Re:When exactly did piracy by Peter+La+Casse · · Score: 1
      When exactly did piracy change from rape and murder on the high seas to using an infinite resource?

      I really like that phrase, infinite resource.

    10. Re:When exactly did piracy by WotanKhan · · Score: 1

      But Napster is a tool and ownership or use of a tool in a legal manner is legal. Yes, it can be used to trade illegal MP3s. It can also be used to trade valid ones. A car can be used to get away in a bank heist. It can also be used for grocery shopping. Should we ban cars? When is the last time you, or anyone else, used Napster to trade legal MP3's? How would you go about doing it? Sure, you can make your own music available for download, but I would despair of finding a legal MP3 from among the 99.99998% illegal distributed MP3s (Journal of Self-Serving Statistics, May 2000) available through Napster. Maybe someone should make a tool for freely sharing legal MP3s. But then, who would bother? I want Marcy Playground...

    11. Re:When exactly did piracy by gilroy · · Score: 1
      Quoth the poster (quoting, in fact, me):
      Illicit reproduction of copyrighted material is infringement. It's not "piracy". Bah! piracy has been in common use for copyright infringment (on software anyway) since the days of the Apple][. It's not going away now...
      Oh, I know that. I don't really expect the world and the courts to come to their senses and abandon a word they use so often, even if it is a linguisitic travesty. I an quite sure that people will continue to mis-use the word -- hence, the "obLostCause" prefacing my remark.

      That doesn't make them correct, by the way.

      Further quoth the poster:

      I have yet to see even one validated, meaningful study of how many illegal MP3s are actually being traded using Naptser Most likely because Napster won't let you look at it's database. That's a "trade secret" (see the /. article a few days ago about napster using the DMCA in its own defense)
      Oh, I'm sure. That doesn't matter. Without some objective, verifiable study of the issue, all we have anectdotes. Making public policy based on anectdotes -- especially public policy shifting the boundaries of intellectual property -- should done for rational reasons (is that redundant?). Rule by unsubstantiated anectdote is anathema to a truly democratic society.

      The fact of the matter is, the burden of proof is on the accuser here. If the RIAA is convinced that Napster is merely a den of thieves with (essentially) no legitimate usage, they should have to prove that assertion. It's not enough to say, "Obviously, ...". If they can prove, they should. If they can't, then sorry, they lose. If they can't prove it, we as citizenry can demand to know (a) why they believe it and (b) why on Earth we should believe them.

      I think that's a pretty fundamental test for justice, especially in the States.

      And once more,

      I haven't even seen an analysis of the bandwidth monster it has apparently become. It's difficult to measure, because napster doesn't use one standard port, and traffic goes to many different places.
      Again, if it can't be measured, how can you be sure it's happening? A coincidence between the availability of Napster and a surge in usage could be just that, a coincidence. If it happens at one school, it's a fluke. Two is a coincidence. Hey, if it happens at 100 schools, it begins to look pretty suspicious ... but that's the sort of data that has simply not been offered.

      I am not saying that there is no causal connection. I am saying that no one has made a convincing case yet. One could be made, perhaps, but it hasn't. In the absence of such a case -- an objective, detailed survey -- I think any policy judgments are woefully premature.

    12. Re:When exactly did piracy by gilroy · · Score: 2
      Asketh the poster:
      When is the last time you, or anyone else, used Napster to trade legal MP3's? How would you go about doing it?
      I can't speak for anyone else. (Does this make me a Slashdot heretic? :) ) For myself, the number is 0. Of course, I don't happen to use MP3s .. I have a couple of legal ones (from mp3.com, plus one I took from my own Jackson Browne CD just to try our the tech) but I'm not into it.

      Since I've never visited napster.com nor used napster, I have no idea how to find legal MP3s. I have no idea how to find illegal ones, either. I don't see the relevance... although I have to admit that an earlier poster's RPG analogy has given me pause. I haven't worked out that part yet, and I might have to change my stance.

    13. Re:When exactly did piracy by B-B · · Score: 1

      Correction: "Ultimately, Metallica's case will come to nought". Nought = zero = nothing.

      --
      Reality does not happen until you analyze the dots. -Don DeLillo (Underworld)
    14. Re:When exactly did piracy by Valdrax · · Score: 2

      Who honestly thinks that the developers of Napster didn't go into this with eyes wide open? They'd have to be absolutely clueless to think that only legit MP3s would be traded, and people that clueless about the nature of MP3 trade would've never had the interest in making the software in the first place.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    15. Re:When exactly did piracy by Super_Frosty · · Score: 1

      I know that you're being sarcastic, but you DO have a 9th Amendment right to be in "posession" of any drug you please.

      wait while you go check the constitution

      "What?!?" you say. No the amendment doesn't explicitly say that you can smoke pot, but that's what it means.

      I'm too tired to explain, but, suffice to say, you're wrong.

      --
      No comment at this time
    16. Re:When exactly did piracy by Jeremi · · Score: 1
      (When exactly did piracy) change from something people did furtively on IRC, to an absolute right of the people to have whatever they want, whenever they want? I guess when programs like Napster make it possible for any clueless newbie on cable or University ethernet to serve up mp3s to the masses, it becomes acceptable?


      I'm afraid that's exactly right. If it becomes easy enough to break the law without getting caught, and no immediate harm is noted, then it becomes socially acceptable to do so.


      Look at all the people driving 75 miles an hour on the freeway when the speed limited is 65.


      Look at all the people surfing the Web on company time.


      Watch the kids refilling their "water glasses" from the soda fountain at Taco Bell.


      Whine all you want, but for little things like this, it's not a matter of right and wrong, it's a matter of can or can't.

      --


      I don't care if it's 90,000 hectares. That lake was not my doing.
    17. Re:When exactly did piracy by gilroy · · Score: 2
      Quoth the poster (first quoting me):
      although I have to admit that an earlier poster's RPG analogy has given me pause. I haven't worked out that part yet, and I might have to change my stance.
      Unnecessary. His analogy was idiotic. Unless you equate the right to life to the absolute right to become rich off a particular business model.
      I'm not sure how I've ended up defending someone who was trying to demolish my argument, but.. :)

      I don't think you raise a fair criticism. When discussing ethics, morals, etc., it is customary to pick an extreme example, often involving death. This sharpens the debate a bit. Of course we could decide that the very extremeness of the example moves it to a different realm -- and for now, that is how I feel -- but that doesn't per se invaliadate the analogy.

      Anyway, I don't know if anyone will take him seriously but (as I said) I'm going to spend some thought integrating this analogy into my worldview, and I'd like to think I am open-minded enough that there's a chance I might be persuaded. Otherwise, this isn't a discussion board, it's a bunch of semi-evolved monkeys shouting at each with bullhorns.

      Granted, on some days on some threads... :)

  14. my thoughts by DGregory · · Score: 2

    I haven't used Napster myself, but everyone I know who uses Napster uses it to trade illegal mp3s. I imagine the reason the San Diego ISP banned Napster users is not just the bandwidth issue, but that they don't want to be held liable for the illegal activity that takes place. Also, the users may not have been going over their bandwidth limit, but think of all the bandwidth they would save if they weren't shuffling mp3s back and forth over the network. The one thing I see happening is the unhappy people switching ISPs to one that will allow them to use Napster, which will affect this ISP's bottom line.

    I figured it only would be a short amount of time before a band (that has money) came out and sued Napster. After all, the trading mp3s is affecting how much in royalties they get. The no-name bands don't really mind so much because it gets their name out there so they can sell concert tickets and band paraphenelia, but the bands that already have a name don't need the publicity.

    I know one of my friends said that he can definitely tell the difference between the sound that mp3s and CDs, and he only listens to mp3s on his crappy computer speakers (I have a computer hooked up to my stereo), and buys the CDs to listen with his Bose speakers. I mostly just rip my CDs into mp3s so I have a tracklist of 800+ songs and don't have to switch CDs. I like having the CD on hand to listen to in the car.

    1. Re:my thoughts by DrEldarion · · Score: 1

      I imagine the reason the San Diego ISP banned Napster users is not just the bandwidth issue, but that they don't want to be held liable for the illegal activity that takes place.

      If I'm not mistaken, there's a clause in some law that says service providers aren't liable for things done on their servers. However, with all the lawsuits recently, I'm starting to wonder if having the law there even matters.

      -- Dr. Eldarion --

    2. Re:my thoughts by funkman · · Score: 1
      If I'm not mistaken, there's a clause in some law that says service providers aren't liable for things done on their servers.

      I'm curious to see how long such a clause could last. Why? Because the ISP should be doing some monitoring of their network, some of the monitoring would include running(or stumbling) across illegal activity. Which raises the question, if a sysadmin runs across illegal activity on a network, what should the sysadmin do? Does the sysadmin report it? If the sysadmin does not report, and allows the illegal activity to continue, could the sysadmin be held liable to laws similar to good samaritan laws, which state that if one witnesses a crime and does not help or try to help, that person may also be held liable for a crime.

      Or does a sysadmin have the rights similar to a priest or lawyer, the right to confidentiality?

      Answers to these questions would set precendent on an ISP's liablity for issues like this.

    3. Re:my thoughts by sphere · · Score: 1
      I figured it only would be a short amount of time before a band (that has money) came out and sued Napster. After all, the trading mp3s is affecting how much in royalties they get. The no-name bands don't really mind so much because it gets their name out there so they can sell concert tickets and band paraphenelia, but the bands that already have a name don't need the publicity.

      As far as Metallica is concerned, I'd bet cash that their most recent CD with the San Francisco Philharmonic isn't getting much play on Napster....


      --
      "Deep in the ocean are treasures beyond compare,

      --
      Deep in the ocean are treasures beyond compare; but if you seek safety, it is on the shore.
    4. Re:my thoughts by cpt+kangarooski · · Score: 1

      Naw. IANAL, but I think that the situation is like this:

      If the ISP, on it's own inititive looks for or takes action against illegal material on their net, they're liable for *all* illegal material on their net. This is because they are willing to hunt it down themselves. But god help them if they're not thorough enough, because it's their fault if they miss something.

      OTOH, if they don't touch the traffic on the net (aside from at the request of courts, etc.) they're not liable because they haven't done anything that shifts responsibility to them.

      So the only way that ISPs (or telcos, or couriers, etc., where these rules originated) can avoid ultimately getting sued is to not take any action on their own accord. Wait for a judge to issue an order.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  15. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  16. Metallica, huh? by Carnage4Life · · Score: 1

    Considering that Metallica is the only artist/group for whom I have found every song from any album I have searched for on Napster, this isn't that surprising.
    At least most other artists' songs that are on there are singles/MTV hits so there is still incentive to go get the CD.

    With all the strange laws and weird judgements getting passed (ISPs being liable for content in Germany & Britain) I hope Metallica doesn't win this case due to some fancy lawyer work and a sympathetic judge.

    Also, does anyone know how Napster pays for all their lawyers? I still cannot figure out exactly what the company's revenue stream is, if you do, please satisfy my curiousity.

    1. Re:Metallica, huh? by HalloFlippy · · Score: 1
      At least most other artists' songs that are on there are singles/MTV hits so there is still incentive to go get the CD.

      This could work the other way, too. Often people want *just* the Top40 songs, so napster, etc, makes it easy for them to get those without paying for an album with 1 good song and 14 pieces of crap.

      --

      I am a man of const int sorrows
  17. Killing Censorship is good by YIAAL · · Score: 1

    It seems pretty clear that censorship has done much more harm over the hears than porn. Killing censorship at the cost of enabling porn -- which never goes away anyhow -- is a good tradeoff. As for Metallica: ha! Who are they kidding? This will alienate whatever fan base they have left. Prediction: they'll be off the map within 6 months.

    1. Re:Killing Censorship is good by Vermifax · · Score: 1

      Speaking as one of their fans, I can only point out that, after observing the general population of the people who go to metallica concerts, they are less concerned with computers then you might other wise believe.

      Vermifax

      --

      Vermifax

      Logout
    2. Re:Killing Censorship is good by exaptation · · Score: 1

      Hear! Hear!

      I wouldn't personally mind at all if all the unauthorized copying (piracy is a word for hijacking ships) would drive all the big entertainment corporations to bankrupcy and stop them from polluting the world with their pretentious crap. True art would survive.

      I dont't mind artist making a living with their work, but the present copyright system is there to make some selected few into millionares. I mean look at Metallica. They could retire now, never play a chord and they would still have more money in their hands than they could possibly spend in their lifetime.

      Why do people give money to street musicians anyway? It's not because they would get sued if they didn't but they still do. Strange.

      ---------------
      Fire Your Boss!

    3. Re:Killing Censorship is good by Kupek · · Score: 1
      I have every one of their albums (and two of the newer videos to boot), and I found this news very disheartening.

      I love Metallica's music, and because of that, I wanted to hear their newest song, I Disapear, which is on the soon to be released Mission Impossible 2 soundtrack, and is playing on the radio. So I used Napster to get the mp3. I have no intention of buying the MI2 soundtrack, but frankly, that doens't bother me, because Metallica would get such a small cut of that sale anyway, and I'm not buying a soundtrack for one song from one band.

      On the other hand, a while back, I had no intentiontion of buy Garage Inc.--it's all covers, I said, I have no interest.

      Then a friend sent me the mp3 of Turn The Page. I bought Garage Inc. three days later. I would not have bought that album if it wasn't for the mp3 I heard, and I'm was (and still am) very satisfied with the purchase.

      This is still a very disturbing turn of events.

  18. what a generalization... by DrEldarion · · Score: 5

    The suit says students who use Napster "exhibit the moral fiber of common looters."

    How much more of a generalization could you make? This is like saying "everyone who owns a crowbar is breaking into someones house every night". There *ARE* people who use Napster for legit reasons. There *IS* a lot of stuff on Napster that you can't FIND anywhere else, because Napster is the only place it's distributed. There are plenty of uses for Napster, trading copyrighted songs is just one of them.

    (and before all you yell at me, I *KNOW* the majority of people on Napster use it for "illegit" purposes, but there *ARE* people who don't)

    -- Dr. Eldarion --

    1. Re:what a generalization... by Blue+Monger · · Score: 1
      Why doesn't Metallica just sue Al Gore, for creating the Internet? Seems to me that the Internet is much more guilty of promoting the illegal distribution of Mp3s/Warez/etc than apps that run over it.

      BM

      Age and treachery will beat youth and skill every time.

    2. Re:what a generalization... by FigWig · · Score: 2

      I have used Napster to download songs that I don't own. I have also used Napster to download songs that I own, but am too lazy to rip or don't have the CD with me at school. This year alone I have purchased 5 CDs that I probably wouldn't have bought if I hadn't have gotten a few tracks from napster. There are also a number of albums that I didn't buy because I heard a couple of tracks and realized they are crap. For me the best use of napster is finding obscure remixes that I wouldn't even know where to begin to look for otherwise. ie only distributed on B sides given out to DJs in southern monaco.

      The quality of 128kbps mp3 doesn't make napster a good way to 'pirate' (yes, I actually rape and pillage songs) whole albums.

      --
      Scuttlemonkey is a troll
  19. Metallica owns record label by jargoone · · Score: 1
    One interesting note to point out: the reason Metallica is the first act to file suit against Napster is because they can. They are the owners of the music publishing company, Creeping Death Music. They are also one of the few bands that actually owns their coveted master recordings.

    If all the Napster freaks that cry, "but... but... I only use Napster for music from artists that allow this" actually so what they say, I'd expect to see a positive response to Metallica's suit.

    Look everybody, finally it's not "the man" going after music pirates. At last, a group with the power -- and the balls -- to do stand up and something about this. Kudos to Metallica.

    1. Re:Metallica owns record label by sutekh137 · · Score: 1

      (saw your correction...yes, they just own the master tapes and the music publishing, not the label AFAIK).

      I would agree that Metallica has the interesting stance of having complete control (read: ownership) over their musical content, but I would see this as a power that could be used for so much more than simply suing Napster.

      If Metallica owns their own content, they can choose a direction. They could embrace Internet distribution, etc. Now, I know they shouldn't embrace piracy, but surely they can do better than simply suing a tool that is being used inappropriately. Is Metallica pushing for more secure digital standards? Alternative means of secure downloads? If so, then great. If not, then they are just as bad as the entire recording industry trying to quell any new-and-improved means of music distribution. I guess maybe they want to hold on to charging 16 bucks a CD just like the rest of the industry? Sad.

      JoeK

    2. Re:Metallica owns record label by jargoone · · Score: 1
      You make a good point, but your blame is misplaced.

      This suit is not an effort to stop new means of distributing music. It's an effort to stop a means of easily distributing illegally-copied music. They're going after the "illegal" part, not the "means" part. People with CD burners are probably a significant threat, too. It's just that they can't go after those people nearly as easily.

      However, you are correct in that Metallica does have the chance to do something significant here -- "embrace Internet distribution", as you put it. Being able to download a couple songs for a few dollars rather than buying an entire album would rock, and I'm sure many people who buy CDs would use this as an alternative.

      But let's face it: the majority of people who download using Napster aren't even remotely interested in a more convenient form of distributing music or just getting the songs they want for a fair price. They're interested in saving money and ripping artists off in the process. Period.

    3. Re:Metallica owns record label by sutekh137 · · Score: 1

      I would have to say I mostly agree. I tend to be more optimistic and think that if people could get fair value (picking songs for cheaper prices, cheaper albums in general), piracy would plummet. Sure, there are always going to be true free-loaders, but those folks will _always_ find a way to steal what they want. Yes, these folks should be punished when it is possible (hence, I see your point that this is a good spot for Metallica to strike back). But if Metallica truly wants to fight piracy, setting the example of cheaper, secure, online distribution would possibly be a more powerful step.

      Actually, they might be pursuing that for all I know, so I suppose I shouldn't be so quick to blame them before doing a bit more research.

      JoeK

    4. Re:Metallica owns record label by commodoresloat · · Score: 1
      Look everybody, finally it's not "the man" going after music pirates. At last, a group with the power -- and the balls -- to do stand up and something about this. Kudos to Metallica.

      Yeah, right; it takes real courage for a group of millionaires to sue napster and some colleges in order to protect their intellectual property rights. Give me a break. This is about extortion, pure and simple, because Metallica's lawyers know they can get away with it. I'm hoping they're wrong.

  20. So what defines "Server"? by Ron+Harwood · · Score: 4

    When you think about it, anything that opens a port for receiving on your PC is a server, right?

    So, things like ICQ and Instant Messanger are servers - they should be banned by ISPs. Oh wait, that's different isn't it?

    While we're at it, let's ban windows, because people might have file sharing turned on by accident - thus being a server - oh wait, they tend to turn a blind eye to that.

    Well, they definitely shouldn't be playing internet playable games that open a port - oh hold on, they'll lose a bunch of customers that way. Can't do that.

    I know, why don't we just pick and choose what defines the term server, as we see fit, when we see fit. That'll suit the ISPs just fine.

    1. Re:So what defines "Server"? by Anonymous Coward · · Score: 2

      What, are you stupid? "Anything that opens a port for receiving"? Sounds more like a client. Maybe you should have said "Anything that opens a port for receiving requests" A server services requests, be it for files, for applications, for whatever. ICQ is a client. There are ICQ servers. Napster is a client. There are Napster servers. However, the Napster client "serves" up files. In a respect, that makes it a server.

      Sure, you can probably twist most any action around and make it look like a server. But, you and I both know that is pure bullshit.

      While we're at it, let's ban windows, because people might have file sharing turned on by accident - thus being a server - oh wait, they tend to turn a blind eye to that.

      Well, most ISPs block the NetBIOS ports, thus ending those servers. The broadband ISPs generally block FTP, HTTP, Telnet, DNS, SMTP, POP and other common servers as well.

      Anyway, the moderators should not have moderated up your post. It is pure bullshit. Geeks are making themselves look stupid trying to justify Napster. Face it, just because you don't pay for software doesn't give you the right to start pirating music. Part of the reason you chose Linux was because it was free (among other more important reasons). If you refuse to pay for music, maybe you should start listening to free music instead of just stealing it. What makes you any better than Microsoft whom you see as an evil money driven empire? They are ripping off the public. You are ripping off companies and artists.

    2. Re:So what defines "Server"? by codemonkey_uk · · Score: 1
      I know, why don't we just pick and choose what defines the term server, as we see fit, when we see fit. That'll suit the ISPs just fine.

      Sorry in advance, this has become a rant...

      And whats wrong with that? Its their business, its their choice. They can let you do as much, or as little as you like with their systems. As the old saying goes, You pays your money you makes your choice. You don't like that they ban napster? Change your ISP, or set up your own, then see how much freedom you want to manage your bandwidth. Access to the net isn't your birth right, its provided by a business who are free to make their own rules (limited by law, obviosly).
      Thad

      --

      Thad

  21. The Real Problem is... by Domini · · Score: 2

    ... that ISP's are geared for users who download, with all the caching and all, and not upload.

    Napster and GNUtella really use up ALL the bandwidth, and the ISP is suddenly faced with a overload in bandwidth. Suddenly they are forced to make good on their bandwidth promoises.

    Just a thought.

    1. Re:The Real Problem is... by Danse · · Score: 2

      This is exactly what I figured was happening when the ISPs banned users from using Napster even though they weren't going over their bandwidth limit. If they aren't going over their limit, then what's the problem? The ISP wasn't even threatened as far as I can tell, so why ban the servers unless they were just using up more bandwidth than the ISP wanted them to use even though the users were promised more than they were using.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    2. Re:The Real Problem is... by Velox_SwiftFox · · Score: 1

      Caching doesn't even come into the picture. In fact, where modern, dynamically-generated content is involved, caching is useless.

      For "ISPs" substitute "cable networks", which have just become obsolete because their unique infrastructure _does_ depend on much higher download volumes. DSL _supports_ higher download volumes, but the upstream limit is only a problem for the end user. The ISPs themselves generally have bidirectional backbone connections that are symmetric, as much outgoing available as incoming.

      Ironically, this technology will end up benefitting the smart ISPs who will use it to maximize interconnections within their _own_ network rather than in from the expensive backbone connections.

    3. Re:The Real Problem is... by ariux · · Score: 1

      Well? So this indicates demand for upload bandwidth. Should not the provider respond to this demand?

    4. Re:The Real Problem is... by KnobDicker · · Score: 1

      yes...the provider *should* respond to the demand....with a price plan for heavy users. Pricing by the byte is the only long term model that is economically rewarding to the ISP/Cableco and assures the customer quality-of-service.

  22. Can you really blame them? by Tam-Lin · · Score: 2

    I really don't understand why everyone is so upset about this. My opinion of MP3s aside, Metallica is being stolen from, thanks to Napster. And while I do think they're going after the wrong people, the carrier instead of the people doing the sharing, they have every right to do what they are doing. The money they make playing music, and selling recordings of that music, is their livelihood. And while they, and some other big name bands, could probably make a living just touring and selling merchandise, a lot of smaller bands can't.

    The way I see it, there are two extremes here: the MP3 fanatics, who seem to want all music freely available, damn the artists, and the record labels, who want to be able to charge a fee every time you listen to something. In the first scenario, the artist gets screwed, in the second, the consumer does. There has to be a happy middle someplace.

    --

    Silly signature limit . . .
    1. Re:Can you really blame them? by Cool+Hand+Luke · · Score: 1

      There has to be a happy middle someplace

      Here's your "happy" medium, where everyone eventually loses, because this situation can become circular. Customers use MP3s because they can't afford/don't want to buy CDs. The industry raises CD prices (fairly or not) to cover the lost business. Those customers who can't afford the higher CD costs use MP3s if they can, otherwise they bite the bullet.

      Continue until no one is buying CDs, the industry collapses, and the amount of recordable music made drops through the floor.

      George Lee

    2. Re:Can you really blame them? by coolgeek · · Score: 1
      Napster is not to thank for the theft. The users are.

      Gun manufacturer != murderer as Napster != thief

      --

      cat /dev/null >sig
    3. Re:Can you really blame them? by nido · · Score: 1
      I really don't understand why everyone is so upset about this. My opinion of MP3s aside, Metallica is being stolen from, thanks to Napster.

      It's funny that you say Metallica is being stolen from because of Napster. From looking at the list prices on Metallica's albumns, I would think that the consumer is the one whose really being stolen from:

      Garage, Inc. list price: $24.97
      Master of Puppets list price: $17.97 Kill 'Em ALl list price: $17.97
      Ride the Lightning list price: $17.97
      S&M list price: $24.97
      ReLoad list price: $17.97
      Black Albumn list price: $17.97
      Load list price: $17.97
      Live Shit - Binge & Purge list price: $89.97

      True, the producers charge what the consumers will pay, but I'd be a lot more willing to buy a copy of Master of Puppets if they weren't charging $2.25/song (price gouging is also stealing). In one of these Napster/RIAA/MP3 stories someone reminded us that when cds were first released, record companies said prices would eventually drop to about the same level as prices for tapes. It never happened. I do believe in supporting artists (bought a copy of S&M), but the burned copy a friend offered me sounds rather attractive...

      --
      Learn the rules so you know how to break them properly.
      www.teslabox.com
    4. Re:Can you really blame them? by Kupek · · Score: 1

      Wrong. That's the records stores raping you. I bought Garage Inc. and S&M for $18 (both are two CDs, over two hours of music), and all of the others for $12-13. Metallica does not control how high stores price their CDs.

    5. Re:Can you really blame them? by Rantage · · Score: 1
      From looking at the list prices on Metallica's albumns, I would think that the consumer is the one whose really being stolen from

      Well, aside from the obvious glaring fact that the production houses and record chains set those prices and earn most of the profit....how exactly is the consumer "stolen from"?

      I don't seem to recall being in a music store and suddenly finding my wallet missing after passing through the Rock section.

      I've never found a Waxie Maxie employee holding a gun to my head, screaming "BUY THIS N'SYNC ALBUM! NOW!" (and thank God for that)

      BOTTOM LINE: The CDs cost what the public is willing to pay. You said this yourself. If the price is outrageous, then they won't sell and the distributor loses money.

      If you're pissed because the price of music CDs are too steep for your pocketbook, blame your friends, your coworkers, your family and yourself for purchasing them.

      Artists make most of they money off of their concert tours, not their albums, anyway.


      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.

      --
      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.
    6. Re:Can you really blame them? by nido · · Score: 1

      hey, I only gave the list price (what record companies say people should pay) for those albumns, not what stores actually charge. The point is that record companies sell you a $.50 plastic disc (even less if you produce a lot), put a case and a booklet around it and sell it to you for $12-$18. How much of that money does the store you buy from get? By selling below the list price stores are seriously cutting into their profit margins. How much does the band get? Metallica probably gets more than the average band, having sold few albumns in the past, but most bands get just a small fraction of that $12 you're paying for the cd. The point I was making was that CDs cost a lot, and that I'd be more willing to buy more if I didn't feel I was being raped every time I buy one.

      --
      Learn the rules so you know how to break them properly.
      www.teslabox.com
    7. Re:Can you really blame them? by Kupek · · Score: 1
      It's called labor costs.

      No, not the labor of the people to manufacture the CDs, but the labor of the band to produce the music.

      Some things are worth more than the sum of their parts.

  23. I can't share files?!? by deander2 · · Score: 2

    "Many users are unaware that Napster is a server," said Cox Cable representative Art Reynolds in an email. "It enables users to share files between computers directly which is in direct violation of the @Home acceptable use policy."

    I can't share files? Does this mean I can't share data?!? Isn't that exactly the service they're trying to sell here? Hello?!?

    1. Re:I can't share files?!? by Detritus · · Score: 5
      I can't share files? Does this mean I can't share data?!? Isn't that exactly the service they're trying to sell here? Hello?!?

      You are supposed to be a consumer, a black hole for goods, advertising and content. They only want to allocate enough upstream bandwidth for 10,000,000 buy buttons. Producing or sharing information is a subversive act and will not be tolerated.

      --
      Mea navis aericumbens anguillis abundat
    2. Re:I can't share files?!? by deander2 · · Score: 1

      They don't claim I can't spare copyrighted files, they say that the "usage policy" states I can't share files at all.

    3. Re:I can't share files?!? by zorgon · · Score: 2

      Ka--CHINNNNGG! Excellent comment. 5 is not high enough moderators -- this comment concisely sums up the main goal of the commercial operators (from pr0nmongers to Microsoft) who have successfully hijacked the Internet.

      --

      I am quite civilized, and I should be brought a beer immediately. -- Bruce Sterling

  24. Re:Huh. by JWRose · · Score: 1
    forget about Instant Messenger, think about Linux/*BSD. With telnet, ftp, and all the other services available.

    Are ISPs going to ban the use of a users OS choice?

    Nothing exists except atoms and empty space; everything else is opinion.

    --

    blah blah blah....
  25. OOPS! Correction... by jargoone · · Score: 1

    Metallica doesn't own the record label. Fingers move faster than brain. My bad.

  26. Yes, Right! by Domini · · Score: 1

    Suuuure it's because they are servers, yea right!

    Does this mean FTP has to be passive mode too?

    And what about X servers? (Which is used as a client?) And how about ident daemons? Those ISP's have no problem accessing OUR ident.d servers!

    -Laugh-

    This is all just an excuse to prevent 'future possible lawsuits' from happening.

    Chew on this...

  27. San Diego Cox@Home by Anonymous Coward · · Score: 2

    I rarely post, but I feel the need to do so now. I am a user of Cox@Home. They have really bad standards, as you can see. They don't let you run servers, which I understand, but technically if you follow their rules: You can't get on EFNet irc! Take a look at this motd on irc.home.com (yes, I realize there are other servers... but this is their own):
    "**** We will be banning non-identd users effective 11/11/99 ****"
    Is identd not a server? I know thats kinda stretching it, but they have all these weird rules. I am a user, who had read the agreement when I signed up, and I didn't learn until today that I had a 500mb upload a day limit! I Knew I had a 256kbit/s upload limit, but nothing like that. It's very odd, but I wish we had multiple cable companies here. *sigh* Pretty soon I'll wish I was back on my old 28.8 because freedom is very important.
    @Home, the internet Gestapo...
    Anonymous Coward
    Oh, and if you are a Cox@Home user and want to block their scans. Download BlackIce Defender, and then block these 2 IP addresses:
    24.0.94.130 (authorized-scan.security.home.net)
    24.0.16.94 (lump.eos.home.net)

    1. Re:San Diego Cox@Home by LiNT_ · · Score: 1

      They don't let you run servers, which I understand, but technically if you follow their rules: You can't get on EFNet irc! Take a look at this motd on irc.home.com (yes, I realize there are other servers... but this is their own): "**** We will be banning non-identd users effective 11/11/99 ****" Is identd not a server? I know thats kinda stretching it, but they have all these weird rules.

      I agree it's quite ironic and it pisses me off quiet a bit. What it eventually it comes down to the fact that if you want the speed, you gotta live with the rules. I'm sure excite@home is raking in the money but you also have to realize that there are a few users who are routinely pushing and pulling gig's of bandwidth a day. Even though most people aren't, these few ruin it for the rest of us. Rather than solve the problem by kicking the larger users they impose mandatory caps on all thier users cause they don't want to spend the money to police the few bad apples.

      I am a user, who had read the agreement when I signed up, and I didn't learn until today that I had a 500mb upload a day limit!

      If I'm correct, this is for just the news servers. I read something similar on usenet the other day and as I understood it, your only limited to uploading 500MB per day per @home newsserver. And some of the newsservers still don't have the cap, so it's not difficult to get around at all.

      Oh, and if you are a Cox@Home user and want to block their scans. Download BlackIce Defender, and then block these 2 IP addresses: 24.0.94.130 (authorized-scan.security.home.net) 24.0.16.94 (lump.eos.home.net)

      The first one is @home scanning for users running news servers. They started implementing this after the dreaded blacklist threat. Again, I'm fine with this one. If an home user wants to run a news server which is sucking gigs a day, let them pay for a T1 rather than stealing all my bandwidth.

      I hate bieng policed just as much as anyone. But I've also realized that the few bad apples will always be ruining it for the rest of us. If @home is going to police us I'd rather that they do it right and kick the users that are running 0-day iso sites than start instituting mandatory upload caps.


      LiNT
  28. This quote is rich... by mr · · Score: 5

    In a press release announcing the suit, publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    Ahhh, yes the only way to enjoy art is to pay for it. Guess the idea of public art, street preformers, public art houses, and art accessability projects are bunk. Thanks for pointing this out Lars, otherwise I would have never have known that art is to be bought, and not enjoyed.

    (mind you: I don't consider Metallica art, and I don't think the piracy of music is right. But making assine statements like Lars did deserive EVERYONES mocking laughter)

    --
    If it was said on slashdot, it MUST be true!
    1. Re:This quote is rich... by briancarnell · · Score: 1

      The commodity quote had me laughing out loud. If Metallica's music isn't a commodity how come it's on sale at every record store in the country? Of course their music's a commodity.

    2. Re:This quote is rich... by Vermifax · · Score: 1

      I laughed and laughed when I read that (and I like Metallica). Traded like a commodity.....rather than sold as their commodity is what the quote should have said :)

      Vermifax

      --

      Vermifax

      Logout
    3. Re:This quote is rich... by grumpy_geek · · Score: 1

      Since you are picking out a single word out of an entire statement, I thought I would notify you of your assanine statement.

      The statement is "our art" note the word OUR, note the absence of the phrases public art, street performers, accessablility projects. Do you have a regex conversion routine in your head so that s/our/public/. It's interesting to note, your assanine statement assuming that all art it PUBLIC. Ever gone to a movie, broadway theater performance, opera, etc. that you had to pay to get in... a hint, that's most likely not public.

      Notice the MOCKING LAUGHTER behind you?

      Spelling & grammar checking off because I don't care.

    4. Re:This quote is rich... by mr · · Score: 1

      No laughter that I see.

      I took it that Lars feels art is not to be treated as a commodity, and by extension, accessable to the public. Perhaps you are right...he just doesn't want *HIS* are to be a commodity!

      Wait, no...that can't be! If Lars didn't want *HIS* art to be a commodity:
      1) You would not be able to obtain it via CD at k-mart.
      2) You would not hear it on the radio.

      Oh, and grumpy: as you enjoy de-constructing text, please feel free to show where I made a statement that ALL ART is public as stated by your comment "your assanine statement assuming that all art it PUBLIC"

      --
      If it was said on slashdot, it MUST be true!
    5. Re:This quote is rich... by gad_zuki! · · Score: 2

      After giving this quote Lars was later seen breaking up a flea market in Decatuar, Illinois because someone was about to trade a beaten cassette of Master of Puppets for 2 pieces of string and a travel iron.

      The sad part is after(if?) Napster is banned I won't be able to get some great live and unreleased stuff that anyone who loves music just craves.

      Poor Lars, this week's Metallica downloads cost the band about 14 bottles of black nailpolish and 100 throwaway picks that say "Hammet" on them. Will the madness ever end?!

  29. Definition of Censorship by AppyPappy · · Score: 2

    Censorship is when the government(the only real censor) denies you the opportunity to hear or see something. You are free to listen to Metallica without government intervention.

    It's strange to see the music industry, long known for its "liberalism" when it comes to social issues, trying to stand in the gap when people try to end run them. It becomes surreal when the music industry applauds groups like "Rage Against the Machine" who may end up raging against the music machine. I guess anarchy is fine until they kick in YOUR window.

    It is fun to watch. I wonder how many kids go to Confession and say "Forgive me Father, I downloaded a bunch of DCTalk MP3s".

    --

    If you aren't part of the solution, there is good money to be made prolonging the problem

  30. NOT irony by jargoone · · Score: 1
    Metallica suing over (illegal) distribution of their music via the internet is...somewhat ironic. After all, Metallica first became known on the heavy metal scene due to the passing around and duplication of their tapes at concerts, clubs, etc.

    This is in no way, shape, or form "ironic". A no-name band passing around copies of their own work to try to get some publicity is not the same as other people passing around a band's music without their permission. Give me a break.

    1. Re:NOT irony by Jerom · · Score: 1

      I agree with you,

      but you must admit that for a band,
      that is "anti-establishment" in most
      of its song-text, this does tend
      to look a lot like hypocrisy.

      J.

    2. Re:NOT irony by Dredd13 · · Score: 2
      No actually, the tapes in question were their (copyrighted) demo tapes which a couple people had .. not quite legally .. gotten their hands on. They were certainly selling tapes at their shows (I imagine), but the bottom line is that they've always credited their success to the bootleggers who were copying their demo tape and giving it everywhere.

      Now that they're rich, they don't NEED the bootleggers any more, in fact, they are a hindrance to their profitability. (Like the decline of their music wasn't a bigger hindrance).

    3. Re:NOT irony by Aqualung · · Score: 2

      Now that they're rich, they don't NEED the bootleggers any more, in fact, they are a hindrance to their profitability. (Like the decline of their music wasn't a bigger hindrance).

      Hee! Now that would be a verdict I'd like to see... "We find the defendant innocent of all charges. The claimants reported loss of revenue was due not to the development of software, but rather because everything they've put out since ...And Justice for All blows donkey balls".


      ----
      Dave
      Purity Of Essence

      --

      - Dave
    4. Re:NOT irony by b4dg3r · · Score: 1

      This was the first message of yours I saw but consider it a reply to all of your sanctimonious posts on this subject. For a reality check on just how ridiculous this philosophy of your can get, check here:

      http://news.bbc.co.uk/hi/english/uk/newsid_711000/ 711782.stm

      This shows how to take down a british web site in three easy steps. How can this be possible? Because in Britain, the ISP is responsible for the content of their users web pages. Brilliant idea, huh?

      FYI, they didn't pass out those tapes, the fans passed out boot leg ones on their own. Oh my god! We better sue 3M!!

      Give ME a break.

      --
      "Government big enough to supply everything you need is big enough to take everything you have" - Thomas Jeffeson
  31. You Forogt the New Gnutella Portal by try67 · · Score: 1

    http://gnutella.wego.com/
    - Warning NOT to use v0.56 (due to "major problem which is causing the network to slow down massively"
    - Promises to new Win32 and Unix versions soon.
    - Source-Code is coming up RSN!
    It's all there!

    --

    To the fool, he who speaks wisdom will sound foolish. ---Euripides
  32. Guitar Tabs. by Anonymous Coward · · Score: 4
    Metallica also forced various sites to take down Guitar Tabliture. Namely Encyclopedia Metallica.

    The guy wrote every tab himself from listening to the music.

    Its not like writing tabs hurts cd sales, or even Music Book sales, as i have bought them all just for the proper music notation. (Tabs cannot properly express the music in its fullest).
  33. Re:Huh. by jackmama · · Score: 1

    Ok, this is offtopic now, but....

    Anyone running Linux/*BSD on cable, and still has telnet and ftp (etc.) still running AND on standard ports, needs to have his/her head examined.

  34. Re:Good tools, but bad usage (with a few problems) by LegoB · · Score: 1
    Well, it is cool since everything is distributed, but there are a few problems with it. Both are bandwidth hogs, and if I understand the GNUtella protocol correctly, it is still hogs bandwidth like napster since you have no way of limiting your search to local hosts, it only protects against centralized servers. The ISP community is naturally going to hate both if for no other reason that it will hog the WAN connection.

    As a project for my unix systems programming class, my partner and I are developing a system like GNUtella, but a litte more complicated and much more powerful. It is very difficult to block (eventually client/sever firewalling will not be enough) and promotes local sharing over remote sharing. It makes extensive use of local network broadcasts and rather than connecting hosts, it connects networks. The only real problem is that it can't do automatic network discovery (because that will open a can of spoofing worms WAY more than already exists). The specs (as much as I have written) are available on my website.

    As a few of you very astute /.'ers might have noticed, I posted this a few times before, I'm hoping that someone slightly more knowledgable than I will come along and offer me some feedback! :)

  35. Re:Fuck Metallica by DukeOfHaphazard · · Score: 1
    I can say with mathematical certainty that the artists formerly known as Metallica do indeed suck. Nice makeup, stage costumes and defense of thier alt-rock garbage as "art".

    How pompous, and what a reversal to what they used to be all about.

  36. Re:The thing that should not be by DukeOfHaphazard · · Score: 1
    >> Hopefully, this isn't so much the band members themselves and more their publicists/lawyers/etc.

    Read the article. Little Larsypoo talks about how his music is being traded like a commodity rather than being respected as *cough* art.

  37. Re:Metallica by KaRll · · Score: 1

    what? Metallica died after ...And justice for all 'nuff said

  38. Re:Good tools, but bad usage by marx · · Score: 2

    People have a right to make money off of their work

    I see this statement a lot on Slashdot, and it's incorrect! People may feel they have a right to make money off of their work, but there exists no inherent right which should be upheld. There is a difference if someone asks you to do work, and you agree, or if you spontaneously produce something. There is nothing that says that people should suddenly pay for what you have produced. If this was not true, then unemployment would not exist, because people could make up some interesting assignments for themselves, and then force other people to pay them for it.

  39. i'm sick of @home by xianzombie · · Score: 1

    I personally have been using cox@home for about 5 or 6 months. They impose a limit of 3 ip's per household (maybe i'm crazy, but i sure as hell have 6 full systems set up that all want their network time). They will not offer us anymore IPs unless we switch to cox@work ....hmm...$900 install fee and about 300 a month...NO. I could however then setup my firewall (they discouraged it when i spoke to them over the phone and saw no use for it, but some tracing proved otherwise IMHO).
    Ok, so they don't want us using napster or gnutella any longer, the isp almost got banned from Usenet, and thanks to all the spammers on @home, its next to impossible to find an IRC server that will let you on.
    Soon we'll not be allowed to use AIM or ICQ due to network restrictions since we can't share files.
    Anyone know a good cable ISP in the VA area that WILL let me use server software and such?

  40. Re:Find out. by jonnythan · · Score: 1

    I'm gonna get moderated down for being harsh, but oh well.

    It's a program that sends files over a network to any computer who simply sends a request. ICQ doesn't work like that. Apache and Napster do. The user doesn't have control (any more than a web server) over what gets sent - if it's in the directory that's available, Napster will send it when it is requested to do so. Period.

    And the banning windows thing...hm. Not only does the ISP have nothing to do with that (Network Neighborhood doesn't exactly do anything with a 56k modem), but any method of file sharing is only available from the local network, not anyone with a net connection, as Napster and any web server are.

    Not to flame or anything, but your sarcasm and completely reactionary outcry were totally unncessary. Before crying that the ISP is using arbitrary rules for what defines a server, why don't you try to find out what actually defines a server? I'm not claiming to know much about what a server is, but the definition I just kinda made up makes a lot more sense than anything you said.

    I think the ISP has every right to ban Napster on the basis that it's a server. And there are no arbitrary definitions for differentiation.

    Don't ask a question (illustrating your ignorance of the answer) then answer it in an arbitrary way.

  41. Re:Good tools, but bad usage by JWRose · · Score: 1
    I see a time when they will be used to distribute material that should not be allowed to propagate due to its dangerous nature - instructions on how to buy/make drugs, race hate manifestos, terrorist propaganda and anti-Christian diatribes. When this is the case, these tools will be harmful for the Internet in a way we haven't seen yet, and harmful for society as a whole as everything becomes more dependent on the net.
    ~~~~~~~
    I was with you on most of what you said, until this part. I just can't agree with on this statement. Let's take your list one at a time..

    1) instructions on how to buy/make drugs
    This information is already widely available on the internet as well as in libraries.

    2) race hate manifestos
    Again, this information is already widely available on the internet, libraries, flyers hanging in the supermarkets or on light posts or just about anywhere else.

    3) terrorist propaganda
    Yet Again, this information is already widely available.

    4) anti-Christian diatribes
    This one, I'm not sure I understand. Not everyone on the internet is Christian. In fact, not everyone on the internet believes in any sort of religion. So this argument is just not valid.

    None of these things will cause any more damage then they have in the past. It's time people wake and up and realize that not everyone in the world believes the same thing as everyone else. The sooner people realize this, the sooner we can all get on with living our lives.

    Nothing exists except atoms and empty space; everything else is opinion.

    --

    blah blah blah....
  42. Re:Fuck Metallica by AppyPappy · · Score: 1

    You have to think these guys are looking at Axel Rose now and thinking that could be them one day. Even Ozzie is starting to look like Grandpa Munster. I heard David Cassidy was going to cover "Sandman". It's over guys. Take what you can get at this point.

    --

    If you aren't part of the solution, there is good money to be made prolonging the problem

  43. The buzzing sound you hear . . . by XLawyer · · Score: 1

    The buzzing sound you hear is the sound of thousands of pedophiles worldwide saying to themselves, "Hey, I gotta get this Gnutella thing! Thanks, MSNBC!"

  44. What if ... by aav · · Score: 1

    I confess : i haven't played with either Napster or Gnutella. Mostly because of lack of time, still I haven't used them
    So what am I doing here in the first you might ask.
    I'm not going to try to explain why the companies are so pissed about it. It's pretty much obvious and I think that one way ore another they won't succeed. It also happens that I think they are stupidly unsatiable. And this is what is going to bring them down.
    I won't even comment what Metallica did : after all they aren't what they used to be (I liked them, I still do but not that much) - no flames please.
    So, if I ignore all these things, my post will be offtopic, right ?
    Well, perhaps : but I have something else to say that could be somewhat related. What is Gnutella anyway, but a distributed filesystem ? Ok, with some restrictions (you are not allowed to modify the file on the remote computer). Right now, it is very difficult to implement robust filesystems (and the existing ones have their flaws).
    What if we could use the code of gnutella, napster etc. to create a robust NFS, that could insure data persistency in the same way gnutella does (quote from their site : f, say, New York was hit by Dr. Evil, GnutellaNet probably wouldn't even notice. So you lose your "Gnutella friends" in New York. Big deal. It's unlikely that New York is the only place where people share the recipe for strawberry-rhubarb pie. )
    Think about it. A toy could become something really important.

  45. Amazing Metallica albums? by Tet · · Score: 1

    Am I the only one that thinks Kill 'Em All isn't such a great album? With a few exceptions (e.g., Whiplash), it's really not up to much. Now Ride The Lightning, on the other hand, is an entirely different matter...

    --
    "The invisible and the non-existent look very much alike." -- Delos B. McKown
    1. Re:Amazing Metallica albums? by Lewie · · Score: 1

      Amen, Brother. Ride The Lightning was definitely better than Kill em All or Puppets. I liked Anasthesia, Jump in the Fire, and of course, Am I Evil (added to later versions, then removed again) on Kill 'em All, but the only bum song on Ride the Lightning is Trapped under Ice, which is still better than Phantom Lord (1st track on Kill em All, I think). I would be pissed, too, if I wrote Fade to Black, or For Whom the Bell Tolls, or even Sanitarium, and people were giving it away. I can't see myself getting so worked up for King Nothing, though... In fact, they should give away Load and Reload. I see them at gas stations already. Jason Lewis

      --
      This sig washed every five years whether it needs it or not!
  46. They're sueing colleges too by MarkKomus · · Score: 1

    What surprised me is they're going to sue a couple colleges too, which means sueing ISPs can't be far behind, because in this case that is all the college is providing to the students.

  47. Gnotella by jschauma · · Score: 2

    And if you want a Unix-clone and can't find it on gnutella.wego.com, then you download gnotella as a tar.gz from here, or search on this php-form.

    --

    -- "Tradition is the illusion of permanence."
    1. Re:Gnotella by jschauma · · Score: 1

      yeah - I fooled around with gnut for a while. it's not bad. But in this case I do like having a gui, but I gotta check again, if you say that they have a gtk-interface...
      Thanks for the update.

      --

      -- "Tradition is the illusion of permanence."
  48. Pirated Copyrighted Material? by Phil+Gregory · · Score: 1
    According to the MSNBC article,
    The program [Gnutella] is at its core a simple way of trading files, including pirated copyrighted material, without requiring participants to connect with any central computer.

    But they left out the fact that casette tapes are, at their core, a simple way of trading songs, including pirated copyrighted material, without requiring traders to communicate with any central location. Oh, and VCR tapes are, at their core, a simple way of trading TV shows and movies, including pirated copyrighted material, without requiring people to communicate with any central authority. And let's not forget floppy disks and CDs, which are, at their core, a simple way of trading files and programs, including pirated copyrighted material, without requiring any communication with a central location.

    Am I being clear enough?


    --Phil (And only recently did I finally see an actual jar of Nutella.)
    --
    355/113 -- Not the famous irrational number PI, but an incredible simulation!
    1. Re:Pirated Copyrighted Material? by JacksonG · · Score: 1
      No, you're not being clear, you're deliberately confusing the issue by comparing unlike items. Comparing the MP3 file format to a floppy disk or an audio cassette is far more accurate. Napster is far more like a gathering where people swap the mediums they have [say for example a group of people meeting in a hall to swap computer games]. If the owner of the hall is aware of the activity taking place then they become an accessory to the crime, so Napster - by being fully aware of all the illegal trading that goes on - becomes an accessory. I would imagine that people would go after the users as well if they could identify the users.

      J

      --
      I am not a Frog. I am a Free Womble!
  49. Gnutella is not all it is cracked up to be. by FallLine · · Score: 4

    Has anyone here actually used it regularly? I've tried. You're lucky to see ~2000 hosts (which breaks often if someone leaves), and even when it lists that many hosts, searches are painfully slow and frequently broken. It doesn't hold a candle to napster as is. This recursive method may sound very interesting, in that you can theoretically put hundreds of thousands hosts together without centralization, but this also creates major problems with message propogation. Assuming you could even hold together a network of 20k users, and each of those users creates only creates 10 bytes a second (e.g., searches, etc), that means that in order for all of those users to have access to the rest of the network, each user would average about 200kilobytes/second, easily more than most users can afford. Even the original developer of gnutella didn't think it would scale past, what was it, 100 users (i forget exactly, but it wasn't terribly impressive). Add to this DoS programs and jerks, and you can kiss a smoothly working "network" goodbye.

    Furthermore, I think the anonymity argument is sort of laughable. It is no more anonymous than napster if we assume that napster.com does not leak information, the file transfers are still host to host. RIAA, MPAA, etc. can still come after you. Nor will this thing, as a smoothly working network, manage to avoid network admins (assuming it doesn't fall under its own weight before then) forever. They might not be able to merely firewall a port or a host, but there is more than one way to skin a cat...

    I have some respect for the author, but this thing is hardly going to change the world. I don't believe decentralization like this will ever become smooth enough and easy enough to use that most users (as opposed to "geeks", and those who make a point out of trying to pirate) will find it economical to pirate their stuff off the net. RIAA, MPAA, and all the interests they represent are here to stay, gnutella and its cousins won't even cause them to stumble.

    1. Re:Gnutella is not all it is cracked up to be. by Velox_SwiftFox · · Score: 1

      Hey, we're talking new technology here. Perhaps Gnutella is not perfect, but that doesn't mean the concept is invalid. Add some caching on each local server, and yes, perhaps some pure servers to pass the metadata around, and the tech problems go away.

      As for network admins, their job is to enable communications, not stifle it. Yeah, all they have to do is pull the ethernet connection to the backbone, duh. Unlikely when the tools become as valuable for passing around useful URLs - or for scientists to pass genome information and other data around among themselves - as for MP3 collectors to collect songs. Unlike MP3 collectors, most users of consumer-to-consumer connections will not have to download such huge data files.

      As for the RIAA, MPAA, et cetra, I agree the audio and movie industries are as unlikely to be harmed in the long run by these technologies as the movie industry was by the VCR. The business model of the media producers will change though.

    2. Re:Gnutella is not all it is cracked up to be. by indiigo · · Score: 1

      I've downloaded over 2 Gig's on Gnutella so far, works great for me. I leave it on all day and after I go to sleep for the night, I estimate I've given 28.8 to T-1's about 10-20 Gig's worth of Data.

      What it needs is ping searchable close hosts, a chat client, and some speed variables, and we're all set. It's less than a month old, give it some tweaking time and it'll be up there with napster...

      mmmm chocolate... rrrrrrrrgurgle!

      --
      fslg503-985-8686503-985-8686503-985-8686503-985-86 8650 3-985-fdsg8686503-985-8686503-985-8686503-9
    3. Re:Gnutella is not all it is cracked up to be. by FallLine · · Score: 3
      Hey, we're talking new technology here. Perhaps Gnutella is not perfect, but that doesn't mean the concept is invalid. Add some caching on each local server, and yes, perhaps some pure servers to pass the metadata around, and the tech problems go away.

      The technology is new, and I'm sure some bugs will be worked out, but I think there are fundamental problems with decentralization. I don't think the fix is so trivial at all. I really doubt its viability, no matter what the hackers do. As for pure servers, if you depend on them, you might as well be napster.

      As for network admins, their job is to enable communications, not stifle it. Yeah, all they have to do is pull the ethernet connection to the backbone, duh. Unlikely when the tools become as valuable for passing around useful URLs - or for scientists to pass genome information and other data around among themselves - as for MP3 collectors to collect songs. Unlike MP3 collectors, most users of consumer-to-consumer connections will not have to download such huge data files.

      Ok well first off, a great deal of these napster and Gnutella users are on college campuses. Those network admins are only expected to facilitate legimate uses--providing for free pirated music simply isn't in their job descriptions. When illegimate uses crowd out the legimate users (e.g., well past full capacity bandwidth) the admins will simply push that much harder to eliminate it. People seem to think that because gnutella uses http protocol to transfer files (and because there is no one single server or port it uses), the users can't be locked out. This is simply untrue. Their usage patterns are unique, as you point out, they use far more bandwidth than anyone else (amongst other things). Furthermore, I firmly believe that RIAA or someone like me could write a program for these institutions to log onto the gnutella network and pretend to be a client (just like any student), then harvest all the clients' IP addresses, find out which ones match your subnet, and disconnect them from the network. I believe this will always be possible too.

      As for the RIAA, MPAA, et cetra, I agree the audio and movie industries are as unlikely to be harmed in the long run by these technologies as the movie industry was by the VCR. The business model of the media producers will change though.

      I'm not so sure if they'll even need to adapt much. The physical distribution costs of the media itself is only a small fraction of their costs. If they do decide to turn to the internet, they can shave whatever their shipping and material costs are, while enjoying the same profit margins. I, for one, do not believe the internet will "liberate" everyone from pricey music. Put simply, the music companies add substantial value for the artist other than just their physical distribution. They have editing, promoters, fashion people, sound technicians, contacts, you name it. In other words, I don't see self-promotion on the internet as being a realistic alternative for any mainstream artists any time soon; they are better off getting "gouged" by the companies and only making 1% of their sales(but a million times over), than selling 1000 copies (in all probability) and making 99% (or what have you). In any case, time will tell.

      Nice talking to you.

    4. Re:Gnutella is not all it is cracked up to be. by Fourthstring · · Score: 1

      Ok well first off, a great deal of these napster and Gnutella users are on college campuses. Those network admins are only expected to facilitate legimate uses--providing for free pirated music simply isn't in their job descriptions.

      The nice thing is that you're not the one to define what "legitimate uses" means. If napster/gnutella promotes computer learning and entertainment, then its the admins' jobs to serve the students who largely subsidize their jobs.

      With all due respect, you're locked into the conservative models too much. People like you don't adapt well when change occurs.

  50. What is really ironic by veldrane · · Score: 1

    Here is what I thought was the real kicker:

    from Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    Personally, I view 'commodity' as a type of goods exchanged for money. People on Napster are getting it free, right?
    I cannot imagine that people would download the music for its value as a commodity. If I were to download it (no point, I have the CDs) it would be solely because I consider their music very moving pieces of art. Its the closest I can come to that feeling of seeing them live, in concert.

    As far as I can guess, the only people making money (significant $$$) are Metallica, their label, and Ticketmaster. Unless someone can point to me that someone unauthorized is making a lot of money off of this (reducing "potential sales" doesn't count).

    To Lars, James, Kirk, & Jason:
    These "looters" are not commodity dealers...they're fans. Fans view your music as art. Some of the best sh*t out there! It won't ever be a commodity unless you sell out. When the line gets drawn in the sand, like it is now, we expect you to stand with us because you claim to be "just lucky fans who go up on stage and perform."
    The day you alienate yourselves from your fans is the day Metallica dies. Simple as that.

    Ok, sorry about the ranting...just not something I like see so early in the morning. Having your favorite band annouce to the whole world, "Hey! We've truly sold out and we support Da Man!" is not something that puts you in a good mood.

    -Vel the Darkelord

    1. Re:What is really ironic by Valdrax · · Score: 2

      Don't give us that "alienating your fans" business. That's pretty much the same as telling auto manufacturers to not condemn car theives. Metallica makes their living off of making music that kicks ass. Just because we are fans doesn't mean we have the right to take their music and not pay for them.

      For crying out loud. If they're truly you're favorite band, then PAY them for their service. People who bitch at bands who want to be paid for their job are truly disgusting to me. These people may be fans, but they are "looters" none the less. If someone picks my pocket, they'd better not have the termerity to be surprised and upset when I get angry at them for it.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    2. Re:What is really ironic by Valdrax · · Score: 2

      Hey, Metallica's already made it big.

      Napster is a huge barrier to anyone else making it big. I'll bet you that in 3 years or less, record sales begin dropping for new artists. Who needs to buy No Doubt's "Return to Saturn" album? I've already got the whole thing off Napster and it isn't even out yet. It's good to see the big boys wading in and trying to stop this threat to their entire industry's source of income.

      If you're such a big fan, then why do even care about them going after Napster? You've already bought all their albums, right? Oh, well, I guess that you should shut up then.

      By the way, I love your beautiful way of communicating your viewpoint through 4 letter words. I'll bet your one those "hot grits" trolls, aren't you? Next time try taking a stand with a logged in name like a real man. Coward is right.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    3. Re:What is really ironic by MadAhab · · Score: 1
      That's pretty much the same as telling auto manufacturers to not condemn car theives.

      Well, the funny thing about car manufacturers is that they don't generally run around screaming about car thieves ruining their business. For one thing, it makes people buy more cars, duh.

      See, when you steal my car, I can't drive it. When you "steal" a copy of my record by taping it, I can still listen to it, and so can anyone else. Please go and read any number of intelligent posts on intellectual property issues before talking like an asshole.

      For the record, I use Napster for getting copies of music I own onto my computer while I'm at work. Which is actually legal. I buy music directly from bands at shows whenever possible. See, they get more money that way.

      Read a few of the posts here; no one is pissed at Metallica for being successful. They are in fact the people who own multiple Metallica albums from all eras; FANS, stupid. They are pissed at Metallica for being hypocrites. Bootleg taping is what made Metallica famous without having to sell their souls and their left nut to the record industry. We're pissed because they did anyway, and as their music gets more pretentious, they are turning into boring old farts defending the very institutions that they ignored and which ignored them on their way to stardom. It makes us wonder how many of their years of complaining about metal bands not winning grammys and shit were just a big whining lie. We should have known (most of us probably did) what the game was when they covered that stupid Bob Seger song whining about the hard life of a rock band on tour (and Metallica has more right to bitch about that than most). "We're doin this for the kids, man." Yeah, sure they are.

      --
      Expanding a vast wasteland since 1996.
  51. Re:Metallica - black album shit.. by CptnHarlock · · Score: 1
    The black album was the greatest!
    Only use I had of that freakin album was when I once run out of toilet paper..

    Thank you.
    //Frisco

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  52. ���DUH??? by Pig+Hogger · · Score: 2

    Alta-Vista quoteth:

    In a press release announcing the suit, publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    DUH??? Hello? Anybody home?

    What is that dope complaining about? People PIRATING their music, or record companies TRADING his "ART"????

    Hey, dumbo, why don't you go to Wall-Marde, I hear they have a special on clues until Friday!!!!


    --

    1. Re:���DUH??? by HarryCaul · · Score: 1


      Yeah, that was my favorite part too. Like the record companies don't call their art "product' and ship faceless "units". I can pretty much assure you the shareholders of whoever puts out Metallica records (WB?) thinks of them as a commodity.

  53. Re:Hmmm.. 'bout Dee Snider by CptnHarlock · · Score: 1
    Dee Snider was at least one of the few to stand up against the stupid morons who were suing .. hmm.. was it Judas Priest?.. for having "subliminally affected through their music" a youngster who blew his head of with a gun... He gets my respect for that... Anyone remember this?? Happened some years ago..

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  54. When the hair got short, so did the talent. by Anonymous Coward · · Score: 1

    Of course, the early Megadeth (esp. Peace Sells) was the best.

  55. Digital Media--tap or bottle? by Stiletto · · Score: 4

    I just returned from the supermarket with a few bottles of Evian spring water. Taking a long, cool chug of this refreshing beverage reminded me of the ongoing controversy about Napster and the spread of MP3 music online.

    Back before the internet, music was a scarce commodity. Sure, you could walk over to your friend's house and tape his Floyd album, but for the most part, the supply of music was limited by the number of records, cassettes, and CD's a distributor could produce and send out to the world. The law of supply and demand ensured that each piece of music in existance would have some quantifiable worth.

    Along comes the PC and the Internet. All of a sudden, humanity has a tool capable of making exact duplicates of artwork, documents and computer programs, and another tool capable of transmitting this informaton to anyone in the world. Limited only by the speed of light and the sophistication of their storage equipment, anyone could take a piece of scientific or artistic work and generate an infinite supply of it. Elementary economics, where the worth of a good is inversely proportional to its supply, still applies in the digital world. As a result of a near infinite supply, digital media now has close to zero worth, and record and film companies are slowly beginning to realize this. "The music and movie industry is doomed!" these huge corporate conglomerates shout, "With all these pirates stealing our music, artists no longer have incentive to produce!"

    Why do I buy bottled water? Water is a resource of infinite supply in most of the industrialized world--it comes out of the tap in my kitchen! Yet, I don't predict the bottlers will go out of business any time soon. The water I get for free from my kitchen sink is so full of chemicals and impurities that I am willing to pay for the luxury of clean water. But by offering water that is fresh and clean, the companies that produce bottled water give extra value to an inherently worthless product.

    To put to rest another tired argument, think about this: Am I stealing from bottling companies if I decide to use tap water to wash my dishes? Am I a water pirate? Of course not! The suggestion that I am stealing by making use of an infinite resource, whether it be tap water or the digital version of the Backstreet Boys' latest single, is absurd.

    To all you starving artists out there, I am sorry to say it but the digital cat is out of the bag--you're going to have to learn to live with it. Give your customers some motivation to pay for your product, or find a new job--that is, after all, how business works. You need to first decide whether your art is Evian or tap water, before you decide whether or not it's worth selling.
    ________________________________

    1. Re:Digital Media--tap or bottle? by Camelot · · Score: 1
      Why do I buy bottled water? Water is a resource of infinite supply in most of the industrialized world--it comes out of the tap in my kitchen! Yet, I don't predict the bottlers will go out of business any time soon. The water I get for free from my kitchen sink is so full of chemicals and impurities that I am willing to pay for the luxury of clean water. But by offering water that is fresh and clean, the companies that produce bottled water give extra value to an inherently worthless product.

      Just because something is free (as in beer), does it make it worthless ? Think Linux. And remember, this isn't just any water, this is Evian, full of minerals.

      You can get the spring water for free from the fountains spread around the city of Evian-les-Bains, but this method of gathering is rather cumbersome (although it doesn't prevent some people from taking trips to Evian and taking bottling dozens of liters of Evian water for themselves, for free), industrial bottling does add value.

      But, it really does taste like water (not any different from any tap water, if your source is good), even if you drink it directly from the fountain. Hope you weren't expecting a magic potion.

    2. Re:Digital Media--tap or bottle? by IntlHarvester · · Score: 1

      Back before the internet, music was a scarce commodity.

      When I was in High School way back in the 1980s, quite a few people I knew had hundreds of illegally copied cassette tapes. In those days, a decent 90 min cassette ran about $1 (which meant about 45 hours of recording for the cost of a cable modem connection.)

      Not as easy as MP3s, but hardly "scarce".
      --

      --
      Business. Numbers. Money. People. Computer World.
    3. Re:Digital Media--tap or bottle? by Anonymous Coward · · Score: 2
      A few quick points:
      1. The water I get for free from my kitchen sink is so full of chemicals and impurities that I am willing to pay for the luxury of clean water.
        Bottled water is frequently just as full of chemicals and bacteria as tap; sometimes worse.
      2. Am I stealing from bottling companies if I decide to use tap water to wash my dishes?
        Are you suggesting that your downloaded copy of "Master of Puppets" came from a separate source than the one on the CD? Since I'm ignorant of some of the finer points of copyright law, I'll stipulate that Metallica may have little recourse if another band covers their songs, which is what your analogy points toward. The reality you're trying to defend, though, is more like going to Evian's bottling plant, drawing some water from a bottle on the line, and claiming it isn't theft.
      3. You need to first decide whether your art is Evian or tap water,...
        All of your points hinge upon the fallacy that a song recorded on a CD is somehow different than the same song in digital (non-corporeal) format. You repeatedly allude to "quality" as the differentiating factor, but digital copies are (except for MP3s) exact copies.
      Remember: "Evian" spelled backward is "naive."
    4. Re:Digital Media--tap or bottle? by Wah · · Score: 2

      Not as easy as MP3s, but hardly "scarce".

      Actually compared to MP3s, it is infinitely scarce. You're missing a big point. The difference between abundant supply and infinite supply is a significant one (IHMO, THE significant one when trying to understand New Media). Could you trade tapes with anyone in the world? Did they get perfect copies? That's the difference, infinite perfect copies. The RIAA was able to leverage and control the old scarcity for profit. If they were smart they could leverage an infinite product for profit, but they aren't smart, they're scared and panicking. Panic is poison to rational thought.
      (BTW, I loved the water example)
      --

      --
      +&x
    5. Re:Digital Media--tap or bottle? by AArthur · · Score: 1

      "Could you trade tapes with anyone in the world?"

      Not everybody, but certianly with friends -- who most likely share the same music interest of you.

      "Did they get perfect copies?"

      Modern tape recorders have very good felidicity. With technologies like dolby-b/c/s/hx, you can reproduction that is quite close to the orginal record (and relatively close to the CD). And Mp3s degrade with copying! Mp3s that have been decoded and recoded more then once sound crappy, and even first time encoded Mp3s have their sound quality problems (especially with Folk and some classical music with lots of Strings). Heck, some tape copies I have made sound much better then the same 192-bits Mp3 files.

      "That's the difference, infinite perfect copies. The RIAA was able to leverage and control the old scarcity for profit. If they were smart they could leverage an infinite product for profit, but they aren't smart, they're scared and panicking."

      And have been doing it for 30 years or so (ever since the first consumer tape recorders of the 1960s).

    6. Re:Digital Media--tap or bottle? by Another+MacHack · · Score: 1
      And Mp3s degrade with copying! Mp3s that have been decoded and recoded more then once sound crappy, and even first time encoded Mp3s have their sound quality problems (especially with Folk and some classical music with lots of Strings).

      Sure, if you do something stupid like decode and re-encode the mp3 every time you copy it, it will degrade, but why would you DO that?

      192kb/s is good enough for me; I guess I've just been blessed with crappy hearing. Means MP3 is good enough for me, and I don't have to go out and buy $500 tungsten-kryptonite-rubidium speaker wire to make sure everything is "perfectly balanced" either.

    7. Re:Digital Media--tap or bottle? by Another+MacHack · · Score: 2
      The reality you're trying to defend, though, is more like going to Evian's bottling plant, drawing some water from a bottle on the line, and claiming it isn't theft.

      You don't have to be trying to rationalize copyright infringement to point out the fundamental difference between copying music (or anything else) and taking something from someone: if you copy music, the person from whom you copied still has it! If I draw some water from Evian's plant, they're out 8 or 12 oz of water. Sure, it's not much, but their total amount of water available has decreased slightly. Clearly theft. If you copy something, the total number of copies has -increased- by one, rather than staying the same.

      Here's my tired refrain: "It may be just as illegal, it may be just as immoral, it may even kill your dog, but copying is not the same thing as theft."

    8. Re:Digital Media--tap or bottle? by IntlHarvester · · Score: 1

      My experiences with the sound quality of MP3 has been pretty miserable except for the high bandwidth stuff.

      At least the 4th Gen cassette dub from your friend degrades into a nice sludge of hiss and noise. MP3 seems to get these digital artifacts which are (to me) much more jaring. Maybe it's just what you are used to, however.

      As for your comment about $500 speaker wire, I think what you are trying to say is that "For free, I don't care what it sounds like".

      I'm pretty tone deaf, but difference between CDs and MP3s are pretty clear on my stereo system ($100 Sony Discman, $20 1970 Garage Sale Onkyo amplifier, $200 Bose bookshelf speakers). On my computer, its about the same (Integrated Crystal Audio SoundBlaster clone, generic CD-ROM drive, and $20 Sony computer speakers). The question really is how much good sound is worth to you, and how much space you are trying to fill with music.
      --

      --
      Business. Numbers. Money. People. Computer World.
    9. Re:Digital Media--tap or bottle? by ibodog · · Score: 1

      >"With all these pirates stealing our music, artists no longer have incentive to produce!"

      Actually, artists will produce art whether or not there is a "market" for it. That's why the music companies have always gotten away with giving the shaft to new artists. The incentive to spend thousands of dollars in the studio, thousands more to duplicate media, and even more thousands on marketing to sell the media will be gone for the record company. The act of creating is the main incentive for the artist. Otherwise it's just another fucking job.

      -Joel

    10. Re:Digital Media--tap or bottle? by ErikZ · · Score: 1

      >Bottled water is frequently just as full of chemicals and bacteria as tap; sometimes worse.

      This is a pretty strong claim. Care to back it up?

      Later
      Erik Z

      --
      Democrats or Republicans. They are both taking us to the same place and they are not afraid of us anymore.
    11. Re:Digital Media--tap or bottle? by Another+MacHack · · Score: 1

      I'm not trying to say "for free, I don't care what it sounds like," what I'm saying is that whatever artifacts are present as a result of cheap cabling, 128-160kbps MP3s and sub-$1000 speakers honestly don't bother me, whether I'm listening to rock or classical.

  56. That's not what I said by Anonymous Coward · · Score: 1

    People may feel they have a right to make money off of their work, but there exists no inherent right which should be upheld.

    No, we live in a capitalist society and this is one of the basic premises of this system. To work without the guarantee of being rewarded for it is functionally equivalent to slavery, no matter how it is dressed up. As such, by taking away the livelihoods of artists with such tools as Napster et al. you are doing the equivalent of forcing these artists into slavery.

    If this was not true, then unemployment would not exist, because people could make up some interesting assignments for themselves, and then force other people to pay them for it.

    Did I say that? No, what I said is that when someone produces something for which they have entered into a voluntary agreement with the consumer (i.e. you "agree" to buy album and pay the artist in return) then they have the right to make money from that. You can't just make up this agreement - it must be between two consenting parties.

    1. Re:That's not what I said by marx · · Score: 1

      The problem with your arguments is that they assume that intellectual property laws are right. If we assume that, I agree with you. If we don't assume that, you implicitly have a circular argument. In your first post you (implicitly) were arguing that intellectual property is right, because people have a right to be paid for their work. Now you are arguing that people have a right to be paid for their work because of intellectual property laws.

      Your second paragraph here is a bit contrived, because when you pay for a record, you are not paying the authors to write the songs on the record, they've already done that. You're just paying for a copy of the intellectual property. This was the distinction I wanted to make, that paying someone to actually produce something feels very natural, but paying for something which amounts to no work for the artists doesn't feel very good. You could argue that the intellectual property system we have now is a way to retroactively pay artists for the work they did while writing, but there's no proof it's the best solution, or even a good solution. The actual medium for carrying intellectual property, and the means for reproduction have changed so much since the copyright laws were originally written, so there is no reason why the original arguments should still apply.

  57. How many times to I need to pony up for art? by brennan73 · · Score: 2
    I don't know exactly how to feel about some of this. I bought every Metallica album when I was in high school and early college, up to and including the Black Album. But, I bought them on tape, and I don't even own a cassette player anymore. So when I found out about mp3s, I found some of the great old Metallica stuff I still own but don't/can't play. I dunno, does this make me a bad person? Or even a thief? Does only buying their music once mean that, as the suit alleges, I "exhibit the moral fiber of common looters."

    I feel for the artists in many cases, I really do; I mean, I'm a musician too. And I understand that the crux of their argument is that if people appreciate their art, musicians should rightfully be compensated for their efforts. But in my own situation, Metallica isn't asking me to pay for the art, they're asking me to pay for the *media*. Does this change things? Hmm. All I know is that I don't feel so bad; I used to have a closet full of Metallica t-shirts, and I even bought two copies of "Puppets" back in the day because my tape player ate the first one. I think they've gotten enough money from me.

    -brennan

  58. What about XFree86? by Jeremy+Erwin · · Score: 1

    Perhaps Cox@home would like to be extra nasty to all these Linux users, and ban the use of X servers...

  59. Re:Good tools, but bad usage by JWRose · · Score: 1
    What you don't understand though, is that censorship does not give the results you think it does. You sensor your kids from drugs, alcohol, violence, sex, etc.. Which means your kids grow up being naive to the dangers/benefits of whatever. Exposing these things to your kids, they grow up educated about it and no longer curious as to what all the hoopla is all about. I'm sorry, censorship, while I suppose noble, is the absolute wrong way to go about achieving your end goals.

    Nothing exists except atoms and empty space; everything else is opinion.

    --

    blah blah blah....
  60. Re:F*ck Metallica by Munky_v2 · · Score: 1
    I second that motion. Metallica is a sellout band. They keep changing who and what they are to stay popular. Why can't they accpet fate and go away. They used to be my favorite band, now when they come on the radio, I change the station.

    BTW. A note to Metallica: Leave Napster alone, I have better things to do with my bandwidth.


    Munky_v2
    "Warning: You are logged into reality as root..."

    --
    Jay
  61. Re:Good tools, but bad usage (with a few problems) by streetlawyer · · Score: 2
    It is very difficult to block (eventually client/sever firewalling will not be enough)

    Oh wonderful, now you're even trying to subvert the legitimate desire of an employer that his time and bandwidth be used for business purposes rather than trading child porn and mp3z? I think you might want to rethink this: what possible legitimate application could there be for a program that subverts firewalls. Ex hypothesi, if you're being blocked by a firewall, you're working on someone else's computer, and doing something with it that they don't want you to do.

  62. Re:Good tools, but bad usage by Nicolas+MONNET · · Score: 1

    I see a time when they will be used to distribute material that should not be allowed to propagate due to its dangerous nature (...) anti-Christian diatribes

    Coming from Voltaire's country, I can just laugh at you. Sad little god fearing censor-happy monkey. Get a life. Jesus is a fraud.

  63. Re:Hmmm.. 'bout Dee Snider by Sloppy · · Score: 1

    I think he was also one of the heroes who stood alongside the great genious Frank Zappa, and testified before congress, when the Mothers Against The Arts (MATA a.k.a. PMRC) were trying to regulate music content.


    ---
    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
  64. Reverse Class-Action Lawsuit?/Circumventing Bans by superdan2k · · Score: 2

    Someone mentioned that the lawsuit filed by Metallica would be going after Napster, and anyone who downloaded any of their music (time for me to microwave some CD-Rs). Does this seem like scare tactics to anyone? How in the name of God is Metallica going to:

    Prove that the users that initiated downloads of their music are still in possesion of the files? Are they going to seize every computer that has downloaded a Metallica song via Napster? Not friggin' likely.

    And on the assumption that Metallica did somehow manage to win this lawsuit, how are they going to collect damages/punish people? Dock my tax return? Round us up and stick us in "re-education camps"? Again, not friggin' likely.

    What this is going to boil down to, in all likelihood, is that either Metallica will win, and everyone will be slapped lightly on the wrist, and Napster will be shut down. Or, what's more likely, is that Metallica will lose the lawsuit, and start pressuring the ISPs, which will ban Napster for fear of having the crap sued out of them.

    All in all, what is likely, is a mass-migration to Gnutella. Why? There are certain ports that ISPs are unlikely to ban -- FTP, Telnet, POP, WWW, Quake 2, Starcraft, etc. -- which would cripple their services. My understanding of Gnutella is that it uses the same protocol as WWW, and can be configured to run on any port. (I should code up a Mac port of it, now that I think about it.) How the hell can you stop that? If you're running a Gnutella servient (hybrid server-client), on the WWW port, it's going to look just like web traffic. No web = no Internet, at least as far as the everyday consumer is concerned.

    Furthermore, with all the various methods for tunnelling through firewalls, etc., it begins to look more and more likely that distributed storage and distribution is going to continue unabated.

    The corporatocracy under the guise of the "law" can metaphorically blow up as many bridges as it wants to -- we can keep building new ones.

    --
    blog |
  65. Doesn't ICQ have a server too? by |DaBuzz| · · Score: 2

    Doesn't ICQ have a mini-web server that allows you to serve minimal HTML and graphics? Imagine if someone pulled this stunt on all the ICQ users on their network, you can just hear them screaming class-action from here.

    As far as napster/gnutella, I think people are kidding themselves if they think these tools are not primarily delivery tools for illegal software and copyrighted audio. Sure, there are people using these tools in a legit way, but the majority of the people using them are not.

    Should they be banned? I'm not sure, but I do know that burying our heads in the sand in regards to what people are REALLY using these tools for is ridiculous.

    Think of it this way, sure, Back Orifice can be used as a great admin tool, but for the most part it's being used by people who want to commit illegal acts (i.e. 0wn1ng j00r b4wx). Will people piss and moan when their ISP blocks port 37337? Doubt it because it's not stopping their ability to pirate software and music.

  66. Re:Good tools, but bad usage by Nicolas+MONNET · · Score: 1

    I try to raise my son in a decent, God-fearing way

    Moronic parenting. So you teach your child to fear God? Why not instead teach him to trust God, or love God? Even though I'm Atheist, that sounds so much better. And then, taking a next step, what's bothering you so much about your child being exposed to alternative views? And what kind of books are you going to disallow him to read? Voltaires'? Sades'? Nietsches'? What else?

  67. Piracy is W*R*O*N*G by jedrek · · Score: 1

    change from something people did furtively on IRC, to an absolute right of the people to have whatever they want, whenever they want? I guess when programs like Napster make it possible for any clueless newbie on cable or University ethernet to serve up mp3s to the masses, it becomes acceptable?

    I think that the biggest problem with piracy a tthe moment is that it's stopped being this thing that only a few select people do to a massive social occurance. Piracy groups have been around for at least two decades (probably longer) but never before have more than a handful of people even known of their existence. C'mon, did anyone here, before they used a computer, know that there were organized international groups who's main activity was the release distribution of software as soon as it comes out?

    The internet has definately increased tenfold (if not more) the ammount of piracy in America and Western Europe. Before, people were restricted to copying a cassette or video from a friend, or a friend of a friend - it was usually no more than 2 degrees of separation. Now, with our incredibly far reaching distributed network bootleggers from Tiwan are finding clients in the USA. Professionally produced pirated CDs and movies are finding their way into smalltown America, not just the big cities (where they've been for years).

    People's greed coupled with the internet is causing artist to lose control of their work. Just look at how a bootleg copy of Nas' album in '99 was stolen and distributed online. The artist was forced to re-record an entire album (which was worse than the bootleg) causing paying fans to lose out because of the delay.

    The truth is this. Most people still get their music by buying CDs or MCs just as most people watch movies by renting DVDs or video tapes. Internet piracy is hurting those people and the artist they support by causing the people who buy legaly to pay more and the artist to get less. I'm all for changing the system, using the internet for distribution, bla bla bla but right now hard working artist are losing out because of piracy and that's the bottom line.

    Jay


    -- polish ccs mirror

    1. Re:Piracy is W*R*O*N*G by rcw-work · · Score: 2
      The artist was forced to re-record an entire album

      Eh? I don't see copyright infringers taking guns to artist's heads.

    2. Re:Piracy is W*R*O*N*G by mastagee · · Score: 1

      jesus christ, seems like the RIAA brainwashing got thru to somebody.

      btw you are definatly missing some info about a bootleg release of Nas's CD because the statement you made makes absolutly no sense. There would be no reason to rerecord a cd because it was released on the internet before it actually came out. and i really doubt that if they did rerecord it the cd would be worse than the one that was available on the internet.

  68. Re:Find out. by Danse · · Score: 2

    Doesn't ICQ respond to file requests if you let it?

    --
    It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
  69. Re:Free press == Free society. You're confused. by JWRose · · Score: 1
    As for your Free press rant, I'm not sure of the relevance so I will leave that alone. Mostly because I agree with what you said, just not how you said it.

    It is a fact that people in this world believe different things than you or I. We can all sit on our high horses and scream how wrong they are and they will suffer from their beliefs. Yet, I am afraid that is not a wise choice. What I suggest is believe what you want to and let believe what I want to. I may disagree with you and you with me, but so what? I'm not out their to try and change everybody to my way of thinking. Even if I could do that, I wouldn't, for the simple fact that the world become boring. There would no room for discussion on anything. No new view points would come about. You may be happy with this sort of thing, but not I.

    Nothing exists except atoms and empty space; everything else is opinion.

    --

    blah blah blah....
  70. Re:Find out. by Booker · · Score: 3
    The user doesn't have control (any more than a web server) over what gets sent - if it's in the directory that's available, Napster will send it when it is requested to do so. Period.

    Sorta like when you share a drive in Windows?

    And the banning windows thing...hm. Not only does the ISP have nothing to do with that (Network Neighborhood doesn't exactly do anything with a 56k modem)

    Oh, but Napster does? I fail to see the difference...

    but any method of file sharing is only available from the local network, not anyone with a net connection, as Napster and any web server are.

    Depends on your ISP - if they don't block the ports, your drive sure as hell is available to anyone with a net connection. Remember the whole Quake coder / GPL violator thing? Some guy just walked right onto his desktop, got the code, then trashed his system.

    I think the ISP has every right to ban Napster on the basis that it's a server.

    I agree with you there - if you knew up front that your ISP banned servers, well - there you go. Of course you could still use it in client mode, and not share any files...

    And there are no arbitrary definitions for differentiation.

    Ah, but I think there are. ISPs should not be able to say "no servers" and then pick and choose which programs to crack down on. They need better definitions if they're gonna write this stuff into contracts. "Server" to me means a program which sends information to a remote host that requests it. By that definition, ping is illegal, and so is mIRC (identd), and file and printer sharing under windows sure as hell is...

    Well, anyway... whatever. I'm just glad I have a real ISP that trusts me with an IP, charges me for the bandwidth that I use, and stays out of my way.

    ---

  71. Hetfield - sellout p*ssy... by CptnHarlock · · Score: 1
    When I started listening to MetallicA the band I never thought that I one day would see: A shorthaired, styled, sideburnswearing James Hetfield play a solo acoustic version of whatthehell-that-country-ballad-was-called on swedish TV in the pause of the Miss Sweden Contest!.. I wasn't watching but my brother phoned and told me and was laughing hes head off.. I was not... I was more like in a shock... They were my top band but now... SCREW them!.. :-) ..

    Thank You.
    //Frisco

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  72. Cox@Home Cable Modem User Policy Change by BoLean · · Score: 1
    Customer shall not use the Equipment or the Service directly or indirectly to:

    l. operate a Web, http, FTP, email, chat, nntp, game, Gateway or proxy server from home;
    m. use a VPN (virtual private network) or VPN tunneling protocol;

    This means Napster and Gnutella folks!If you fall for their high-speeed access schtick and sign up, does that make you a COX-sucker?

    1. Re:Cox@Home Cable Modem User Policy Change by Velox_SwiftFox · · Score: 1

      The "cable modem" distribution model simply will not support upstream data in a volume anywhere near the downstream volume.

      The newest and most viable method of accessing the Internet - the new consumer-to-consumer model, of which Gnutella and Napster are the first examples - requires this.

      Ergo; the @Home and similar cable modem networks (and their business models) are obsolete and no longer viable.

    2. Re:Cox@Home Cable Modem User Policy Change by BoLean · · Score: 1
      The next questions is what model will support a customer-to-customer model. The restrictions on upload bandwith is self imposed.

      I consider myself lucky in that I can choose either DSL or Cable but the truth is that they both limit upload bandwidth. As far as pricing goes Cable beats DSL offering twice the bandwidth for half the price. This certainly meets the definition of viable.

      Even considering a customer to customer model, getting 256K upload still beats 50K at the most commonly used model (traditional ISPs). Moreover, since COX has already made the capital investment in fiberoptic technology ,they are more adaptable to future technology improvements since the fiber has already been lain. Not to mention that they are also competing with satellite dish TV by providing Digital TV on the same lines.

      Phone companies on the other hand must spend much more to upgrade while also having to survive in an extremely competitive market for regular phone services. Around here at least, COX has the monopoly on cable.

      Satellite internet has proven unworkable because it requires the user to pay for both the satellite service and a local ISP (for upstream). As yet, I still don't see any viable alternative to cable internet. DSL certainly isn't it. DSL could possibly compete if quality and service could be improved and the price chopped in half.

      Yet another downside to both cable and DSL is the current cost of hardware. Roughly $250 for the modems alone at a time when $250 PCs are just around the corner.

    3. Re:Cox@Home Cable Modem User Policy Change by Velox_SwiftFox · · Score: 1

      If Cox is going to upgrade their system to the point where they stop complaining about customers using "precious upstream bandwidth", more power to them. The reason they have a problem with uploads and need to restrict servers is because the cable infrastructure shares a narrow upstream channel among a large number of users.

      This isn't as much of a problem with DSL, where the limit exists only in the unshared telephone line to the central office, and impacts only the end user involved (and only if ADSL is used instead of SDSL). I personally get 1.04Mbps bidirectional using Northpoint SDSL. Yeah, it costs more - TANSTAFFL.

      The result is less upstream bandwidth anxiety exhibited by the ISP involved. Unless they are truly greedy and depend on selling their outgoing backbone bandwidth for commercial web hosting.

  73. Re:Hmmm.. 'bout Dee Snider by CptnHarlock · · Score: 1
    Thank you!.. That was exactly what I was thinking about.. Just had lost some of the facts.. Now it all came back to me..

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  74. Re:Free press == Free society. You're confused. by exaptation · · Score: 1

    "We can establish laws forcing the media to be unbiased, with stiff fines for every act of leftist propaganda they commit."

    What about rightist propaganda? You did say 'unbiased'.

    ---------------
    Fire Your Boss!

  75. Un be-friggin-leiveable by Cid+Highwind · · Score: 2

    I can't believe you people! When did music piracy go from something done late at night on IRC and ICQ or by passing CD-Rs around at an underground party, to a god-given constitutional right?!??

    This is not censorship, this is not about how Metallica has sold out to The Man, it's about a bunch of annoying little \/\/4R3Z d00dZ and their inablility to either stay within the law or stay out of sight. The sooner Napster dies, the better; all napster does is make theft accessable to the terminally lame, and give the government(s) more reason to monitor and control the internet.

    If you want to fight the good fight for rights online, try to pick a fight that doesn't involve somebody's right to be a thief. (the DMCA, openDVD, and UTICTA spring to mind)

    --
    0 1 - just my two bits
    1. Re:Un be-friggin-leiveable by ftobin · · Score: 1

      This is not censorship, this is not about how Metallica has sold out to The Man, it's about a bunch of annoying little \/\/4R3Z d00dZ and their inablility to either stay within the law or stay out of sight. The sooner Napster dies, the better; all napster does is make theft accessable to the terminally lame, and give the government(s) more reason to monitor and control the internet.

      If you want to fight the good fight for rights online, try to pick a fight that doesn't involve somebody's right to be a thief. (the DMCA, openDVD, and UTICTA spring to mind)

      I agree it's not about censorship, but it is about changing the way we view information. Anyone can tell that we are moving towards an age where information spread without restriction will be the norm, rather than the exception it is today. Certainly, currently many of are breaking the laws, but we do so in order to change society's perception of what the norms should be. Ten years from now, I believe we will all look back at strides taken such as Gnutella and Napster and say "Of course they were justified!"

      Look at all the people that exported strong cryptographic software from the US while the stringent regulations were still in effect. They were breaking the law, but now it's clear to pretty much anyone that what they were doing was not immoral by any stretch of the imagination.

      The times are changing, and fast. It is now that you have to become educated, and fight the good fights. I am confident I am.

    2. Re:Un be-friggin-leiveable by ToLu+the+Happy+Furby · · Score: 4

      I can't believe you people! When did music piracy go from something done late at night on IRC and ICQ or by passing CD-Rs around at an underground party, to a god-given constitutional right?!??

      ...The sooner Napster dies, the better; all napster does is make theft accessable to the terminally lame...
      (emphasis mine)

      Translation: "I can't believe you people! When did freely sharing digital information go from something which took above-average computer skills and was thus Ok, to something which non-nerds could do?!??

      "...The sooner Napster dies, the better; all napster does is make the power of the digital revolution available to everyone."

      How pathetic.

      Look, I'm not going to rehash the reasons why duplicating something is not a theft but a gift, and why the music distribution industry is so obviously antiquated by the existence of the Internet as to make propping them not just futile but actually against the interests of society.

      Instead I'm going to relate a little anecdote. After I saw this ridiculous story posted to news.com early this morning, I went to www.metallica.com, which I correctly guessed was the official Metallica website, to see what the reaction there was--whether Metallica fans would be swayed more by their allegiance to the band or by their allegiance to common sense. (Well, mostly to see whether there were actually still Metallica fans...)

      Unfortunately, when I got there I found that www.metallica.com's message boards are only available to "members". Ok, registration required, fair enough. Only one problem: to become a member, you need to pay them $25!!! Just to post in their message boards!!!!

      And I thought to myself, wow--how could they possibly not get it any more??

      See, Cid, ask yourself this: do you think that $25 message board is worth it? Of course not; indeed, it's almost guaranteed to be one of the worst message boards on the face of the Internet, because it will only consist of people who just paid $25 to post in a message board.

      The point is this: elitism doesn't work anymore. On the Internet, everyone is equal, but everyone's power is additive. That's why Napster is so powerful--not because it does anything that hasn't been done before; like you said, it's pretty much just IRC and ftp tied together, automated, and made easy. But by virtue of being so easy, it gains critical mass, and it gains its own power; when the history of the end of the commodification of ideas is written, Napster will have no small part.

      Meanwhile, you and Metallica and everyone else stuck with your outdated elitist worldview will sit on the side of the road and watch the world pass you by.

    3. Re:Un be-friggin-leiveable by redhog · · Score: 2

      A thief is someone that does something illegal. You get sued if you are one. The question is not if it is right or wrong to be one, but if you are one if you are copying music.

      Music, like computer programs, have a zero production cost. All of the cost is for "R&D".

      Music should be free. As should software. It is just strange that the scene of free music is not as big as the one for free programs. Bu the reason may be it's easier to become really rich on music. For computer programs, you have to create your own company and work hard... And no one is promizing new hackers large contracts...

      We shouldn't break the law. We should change it to reflect our beliefs of right and wrong.
      --The knowledge that you are an idiot, is what distinguishes you from one.

      --
      --The knowledge that you are an idiot, is what distinguishes you from one.
    4. Re:Un be-friggin-leiveable by brennan73 · · Score: 1
      Hmm. "Music should be free," eh? "All the cost is for R&D," eh?

      I'm sure this will blow up into some free-software-thus-free-music thing, but I'll tell you what: You're wrong. Music and software are inherently different. It's easier to become rich off of music? I think not; a friend of mine was lucky enough to join an established band: the first year, they sold over 500,000 albums and he made around $50,000. If it's just a matter of getting rich, working for Microsoft is a hell of a better bet than picking up a guitar.

      First, there is no phenomenon within software that is analogous to a concert. Concerts are spontaneous and energetic, and staged for the benefit of spectators. While software may be beautiful, unforseen things happening is generally a bad thing, and people don't install software to watch someone else use it for two hours and then go home.

      Also, concerts are generally money-losers. As has been noted countless times by countless people, concerts these days exist, for the most part, to promote the record. Yes, a few bands make money at it. But the U.S. (and the world) CANNOT support an industry that relies on concert income to keep going. My personal favorite concert I've seen was Nine Inch Nails on the Downward Spiral tour; without CD sales, I'll never see a spectacle like that again, or I'll be charged $200 for it.

      Second, even recorded music costs thousands of dollars to produce, if you want it to sound decent; this is on top of the cost of a computer and internet connection. You're expecting musicians to foot the bill for your benefit. I suggest that it's not unreasonable for you to help out.

      Finally, most music is crap (possibly mine included). If music becomes "free", and mp3.com is the new paradigm for distribution, I'll personally probably just retire to my home with my current CDs. I don't have the time it would take to sort out the few gems from the pile of ickiness. At least record companies serve as a sort of crap-filter, so the worst musicians don't get as much play as the best. Majors tend to serve this purpose badly (hence Britny, Christina, Mariah, etc.), but a great many indies server this purpose very well (4AD, Sub Pop, etc.). I WANT a crap-filter between bad bands and my computer; I just wish people would support a million indie labels rather than five majors.

      With all due respect, IMO your post typifies the free-as-in-beer attitude some people within open-source take. That's not a compliment. You want music to be free-as-in-beer? Make it yourself.

      -brennan

    5. Re:Un be-friggin-leiveable by wakebrdr · · Score: 1

      I really believe you're holding onto some traditional, outdated view of how musicians are supposed to get paid without considering what kind of REALLY GREAT THINGS may come out of all this. Consider:

      --I envision a day when concerts ARE money-makers for artists, and aren't big stupid excuses for 2 tons of pyrotechnics, 100-foot tall inflatable animals, and the associated overstaffed road crews and 10 million dollar insurance policies. In short, tours that are run with efficiency. If you believe that Metallica can't make money charging 20,000 people $30 a piece 200 days a year, you're on crack.

      --I envision a day when all music is freely available for personal use, and cheaply licensed by commercial entities for use as "background" music.

      --I envision a day when artists don't come into a windfall of $$$, blow their brains out on every drug ever produced, and hang around and suck for 20 years.

      --I envision a day when all these buttwipe record executives and their lawyers lose their jobs programming/controlling my local airwaves and MTV, and instead re-educate themselves to do some real work, like teaching children or writing code.

      --I envision a day when I don't need to wade through every MP3 available because I'll log into one of the thousands of internet DJ websites, each with a particular genre of music available.

      Freedom. Efficiency. Less BS. I can't wait.

      --
      Slashdot: Liberal News for Nerds. Liberal Stuff that Matters.
    6. Re:Un be-friggin-leiveable by Caine · · Score: 1

      Err. I read your comment and thought it sounded REALLY odd for being Metallica. After just 1 minute on the site, I quickly learned that the forums was for members in the Metallica Fan club. That is the 25$ was for becoming a full member of the Metallica fan-club during a year, getting access to special tickets, newsletters, etc etc. It wasn't 25$ for just posting and reading to a forum. Check your facts before you speak. (And yes, I'm kinda fond of Metallica, but no extreme fan. I don't even have all CDs).

    7. Re:Un be-friggin-leiveable by Trejus · · Score: 1

      ummmmm and where does the money to do the R&D come from? I mean people have to eat, and that goes for musicians and software developers. The money's gotta come from somewhere

      --
      "To save the planet, I had to go to the worst spot on Earth, and that was Philadelphia." -- Sun Ra
    8. Re:Un be-friggin-leiveable by Valdrax · · Score: 4

      Digital revolution? Freely sharing digital information?? Just whose "information" do you think it is to share? This isn't mathematical equations or obvious development techniques. This is an artform not everyone can perform. They deserve to get paid for it.

      Who died and made you Karl Marx? Just what makes digital media so special that it no longer is beholden to ownership by its originator. Since when did putting something in a digital format make it community property? Copying of digital media that is not yours to distribute IS theft. This isn't about common sense or freedom. This is about greed -- and not the band's greed. This is about the greed of music listeners who want, as always, something for nothing. It's about people who think it's their God-given right to enjoy the hard labor of others at no compensation and who rail against those who did the work for having the the "outright gaul" to expect that they be given something in exchange.

      Music piracy is just flat out wrong. It's explotation of other people's hard effort. You think all information should be free? Well here's a piece of wisdom worth remembering: "You get what you pay for." Just try looking for good music on MP3.com sometime. I swear, I've only liked less than 10% of what I've listened to. These people have talent and want to be recognized for it. What the heck is so wrong about that?

      Allegance or common sense? What rhetorical nonsense. Who's coming off as the elitist here? What Cid was saying was that back in the days before Napster, people had the conscience to realize that whay they were doing was wrong and illegal and made efforts to hide themselves. Nowdays with Napster and the growing predominance of piracy, people like you come out and say that it's their right to steal and that those who are trying to "protect their rights" to the music they own and made are they greedy ones.

      I make my counterpoint thusly: who is the greedy one, the one who works hard and asks for compensation or the one who does nothing and demands the fruits of the first's labor?

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    9. Re:Un be-friggin-leiveable by Jason+W · · Score: 2
      Good point.

      But where does 'compensation' stop? Metallica has to rake in the dough BIG time. Every friend I have has at least 3 Metallica shirts, Metallica posters, all of the Metallica CDs (including the total rip offs like Garage Inc. which is basically selling their old stuff over again).

      Don't get me wrong. I'm a huge Metallica fan (or was). But I think what the other posters were trying to say is that the information should be free. Give away the music, and make money from the real stuff (shirts, posters, concerts).

      If what all of the artists say is true, they don't make jack after the record company, their agent, publicist, ect take their cuts from the price of a CD. If so, they will still be fabulously rich, and we will all get to enjoy their music. For free.

    10. Re:Un be-friggin-leiveable by Cid+Highwind · · Score: 1

      What's UTICTA???
      A typo, is that why that "preview" button is there?

      --
      0 1 - just my two bits
    11. Re:Un be-friggin-leiveable by ktakki · · Score: 1

      Concerts ARE money losers. The only exceptions are mega-hyper-stuporstars (Stones, Spears, N'Sync, etc.). For every band that makes money on a live show, 10 break even and 100 lose money. It's a common practice to form a corporation at the beginning of a tour and file for bankruptcy at the end, just to sheild the artist and management from creditors.

      Insurance has become a HUGE expense since that Who concert in Cleveland back in the '80s.

      That PA rig costs a buttload to lease. Roadies get very hungry. And thirsty.

      Two words: duct tape.

      Sleep in the van? Not recommended for anyone over 20. Wanna see a singer who spent the last month sleeping on a bass cabinet?

      Oh, and those $35 t-shirts? The t-shirt guy keeps the profit from those. The artist is lucky to see 5 cents per shirt in licensing.

      Anyway, live shows suck. It never sounds as good as the studio and people throw up on your shoes.

      See you at the Enormodome.

      k.

      --
      "In spite of everything, I still believe that people are really good at heart." - Anne Frank
    12. Re:Un be-friggin-leiveable by ftobin · · Score: 1
      Well here's a piece of wisdom worth remembering: "You get what you pay for."

      Jeezus f*** C**** this is a lame argument. Slashdot is free, the software that runs Slashdot is free, Linux is free, Perl is free, *BSD is free, Apache is free. Need I go on?

    13. Re:Un be-friggin-leiveable by ftobin · · Score: 1

      Looking at beautiful buildings? Freely sharing pictures of beautiful buildings?? Just whose "architecture" do you think it is to share? This isn't mathematical equations or obvious development techniques. This is an artform not everyone can create. They deserve to get paid for it.

      Sharing photographs of beautiful buidings is just flat out wrong. It's explotation of other people's hard effort. You think all information should be free? Well here's a piece of wisdom worth remembering: "You get what you pay for." Just try looking for good pictures on buildings.com sometime. I swear, I've only liked less than 10% of what I've seen. These people have talent and want to be recognized for it. What the heck is so wrong about that?

      What is wrong is that you aren't abstracting what information is enough. You're still stuck in the mud thinking that information-sharing is a discrete, finite, even traceable event, where copying it is not the norm. It's not. A new awareness is needed. Karl Marx may be dead, but we all have the right and civic duty to challenge the system we are presented with to make sure it is rational.

  76. Re:Good tools, but bad usage by Stonehand · · Score: 2

    Interesting nick, but an imprecise argument. Since it is THEIR creative work, they are not obligated to release it for free. They may, if they choose, release it under completely insane terms ranging from the wildly generous (artists pay "customers" to distribute CDs at no purchase cost) to extreme (to buy one of their CDs, you basically have to take out a second mortgage). Metallica chose to sell their music. That's their decision. There is no "right" for them to profit, because their is no obligation for anybody else to receive the music and pay for it. However, there is no right for anybody else to accept the music *without* paying, except under terms that Metallica has agreed do. You are only obligated to pay if you obtain the recording, so if nobody wants it, they aren't entitled to a profit.

    --
    Only the dead have seen the end of war.
  77. Re:Sorry, but you're wrong by JWRose · · Score: 1
    Sorry, I shouldn't even reply this, but reading your comment just made me laugh! I'm truely hoping your just trying to be funny here, otherwise that is really sad!

    Nothing exists except atoms and empty space; everything else is opinion.

    --

    blah blah blah....
  78. Re:This quote is rich... :-] by CptnHarlock · · Score: 1
    Hey hey... Dont take it that hard.. Of course Ulrich (as a true artist!) would never say such a thing about art!.. Thay just made a typo when quoting him: They missed the "f" infron of "art"... ;-P

    Thank you.
    //Frisco

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  79. Metallica speaks only for themselves now by squarooticus · · Score: 1

    Metallica's response doesn't surprise me in the least. They sold out a _long_ time ago. Honestly, just about everything they've done in the past 8 years sickens me to no end, especially considering they were once the poster boys of the underground, anti-establishment movement.

    Fuck it all and fucking no regrets. Long live Napster and Gnutella.


    --
    Kyle R. Rose, MIT LCS

    --
    [ home ]
  80. @Home - can you be selective and still be a CC? by SuperKendall · · Score: 2

    I had thought that most ISP's were safe against being sued for things sent over thier network because they were considered a common carrier.

    But if you ban one thing (like hosts), and even worse, ban only particular subsets of possible hosts, doesn't that mean you are no longer a common carrier, and therefore liable for network content? I always wondered about this for ISP's that have a no server rule.

    It seems like you either monitor nothing, or everything...

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  81. face it, "face it" is no argument by orabidoo · · Score: 2
    face it, Kill 'm All and Master of Puppets are amazing albums
    I'm sick and tired of seeing "face it, {sweeping statement goes here}" in what is supposed to be rational discourse. "face it" means exactly "it's true because I say so and if you don't agree it's because you're lying to yourself". that is exactly what "face it" means. it doesn't even allow the possibility of an intelligent disagreement. in my book, anyone who uses "face it" has immediately lost the argument.

    not that I know or care in this particular case if these 2 albums were amazing or not. it's about the way of saying it that I'm complaining.

  82. Re:When exactly did piracy.... by dash2 · · Score: 3

    'Been caught stealing...
    once, when I was five....
    I enjoy stealing. It's as simple as that. It's just a simple fact.'

    A better band than Metallica will ever be.

  83. Tape swapping vs. Napster by CptnHarlock · · Score: 2
    I'd like to ask Ulrich in what way Napster is different than swapping tapes which was such a popular thing among 80's rock/metal-dudes (I think I had 2 Lp's 2 CD's and abot 50 tapes)... If he convinces me he was never involved in that I want to see the bridge he's selling too...

    Thank you.
    //Frisco

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  84. moderate this up! by levl289 · · Score: 1

    [christ, I never have points when I need 'em]

    you're right on...the poster above doesn't seem to realize that different groups can distribute their are in different ways. if you're going against the wishes of a group that's against piracy...well, that's that.

    -lev

    --

    Q: What do you think about American Culture?
    A: I think it's a good idea.
    (adapted from Gandhi)

  85. Enter Napster by DerMarlboro · · Score: 5

    Enter Napster -

    Snag a file little one
    don't forget, my son
    to download every one

    Download sin, download Fins
    Download just for grins
    Till the lawsuit comes

    Browse with one eye open
    Gripping your lawyer tight

    Exit light
    Enter night
    Take my hand
    Off to Napster lawsuit land

    Something's wrong, I just might
    Lose some moolah tonight
    'Cause you're downloading sound bites

    Dreams of power, dreams of ire
    Dreams of songs on a wire
    And of our Grammies past

    Sleep with one eye open
    Gripping your 'rm *' tight

    Exit light
    Enter night
    Take my hand
    Off to Napster lawsuit land

    Now I lay me down to sleep
    Pray the Lord my songs to keep
    If they're downloaded before I wake
    Pray the Lord my cut to take

    Hush little Napster, don't send a byte
    And don't issue a disk write
    If you can kill with a hand saw
    Then shouldn't they be against the law

    Exit light
    Enter night
    Old hair-band

    Exit light
    Enter night
    Freedom banned
    We're off to Napster lawsuit land

    1. Re:Enter Napster by compwizrd · · Score: 1

      You sir, rock =)

  86. Re:Good tools, but bad usage by Nicolas+MONNET · · Score: 1

    Well lemme tell me one thing, it's lacking in Europe as well, and even more so. Get a clue. As for blaspheming, I do it all the time. And I reserve my right to do it.

  87. Re:Find out. by Fishstick · · Score: 1

    Yeah, but that's more of a peer-to-peer connection that is negotiated on the fly, isn't it? I would think a server is a service that listens to a known port and allows anonymous connections from clients and sends requested data. I know there may be problems with this 'definition' but it makes sense in my mind.

    servers:

    http - listens on 80 and responds to requests for html pages and related content
    ftp - listens on 21 and responds for requests for files
    quake dedicated - listens on port 27960 and permits connections for multiplayer games hosted on a dedicated server.

    clients:

    navigator - connets to http servers
    CuteFTP - connects to ftp servers
    quake game - connects to dedicated game servers
    ICQ - connects to other ICQ clients for direct communication

    and then which is napster? It listens to a known port and responds to client requests for .mp3, right? I have MediaoneExpress and I'm subject to the server ban. I've never been hassled about http, ftp or quake services I've run over my connection. I don't have gigs of pr0n, warez or .mp3 that I'm making available, but I have a 10 Mb limit on my personal web space, so I use http and ftp to supplement when I have video clips or other non-sense that I want to link from my pages at prople.ce.mediaone.net I fire up a dedicated Q3A server once in a while when the regulars I play with can't find a decent server on the net. We play on my box for a while than I shut it off (yes, I have a tremendous advantage so I play with machinegun only and drop to 25% handicap).

    I've never heard a peep out of Mediaone about this. We don't have a upstream cap, either. M1 seems to have adequately planned for bandwidth. The server clause in the subscription agreement seems to be there to fall back on if someone really creates a problem.

    --

    There is much cruelty in the universe, John.
    Yeah, we seem to have the tour map.

  88. Re:Good tools, but bad usage by JacksonG · · Score: 1
    The whole concept of "intellectual property" wasn't designed to prevent people from having their creations taken away from them.

    I disagree. What part of a musical composition is not a creation ? The original purpose of IP was to protect the rights of someone to control property that has no physical component. Music is an obvious example in that the artist has, usually, put a lot of effort into developing the sequence of notes, chords, sounds and lyrics that come together in a pleasing fashion. I would say that if someone has put that effort into it then they have a right to sell it to people just as if they had built a house. They don't, however, have a right to force someone to buy it just as that person doesn;t have a right to simply take it away from them.

    If someone managed to duplicate the exact same arangement of notes, chords etc without any reference to the original work then they should also have a right to it but I fail to see why anyone should have a right to it simpl because it is easily copyable and has no physical component - thats like saying that everyone has the talent to generate every piece of music ever created ..

    Anyway, I'm beginning to ramble - I forget if I had a point

    J

    --
    I am not a Frog. I am a Free Womble!
  89. Rage Against The Machine by DonkPunch · · Score: 4

    The music industry applauds "Rage Against The Machine" because they improve their profits. The band's social message is simply a tool to brand and market them -- just like Britney Spears' bellybutton, Shania Twain's cleavage, or N'Synch's pretty-boy looks.

    Rage Against The Machine is a calculated effort to appeal to a particular demographic -- frustrated, aggressive adolescent males. Despite their Marxist message, their CDs, concerts, and T-shirts cost at least as much as everyone else's. They measure CD sales just as much as everyone else. If you set up a website to give away MP3s of their music, their record company would sue you like everyone else.

    It's marketing. Don't believe the hype.

    --

    Save the whales. Feed the hungry. Free the mallocs.
    1. Re:Rage Against The Machine by the+coose · · Score: 1

      I have a friend who has connections in the music industry; he informed me that when a CD is sold, the "artists" who recorded it only see "pennies" - a small percentage of the actual proceeds. If I were going to start a band, I would avoid the music industry and go directly to the consumer via the internet. You could sell your music for a couple of bucks - much less than US$14 or US$15 you pay at your local CD store - and, if done right, still make a nice profit. But, then again, I can't play an instrument, cant' sing, and I'm terrible at business. So I'd probably go broke...nevermind.

    2. Re:Rage Against The Machine by Tarnar · · Score: 1

      Well, there's one thing the music industry does.. It makes stars. It makes sensations, in and out of the spotlight. They control what the radios play more or less. They make songs popular. When a new sensation hits, be it the Boy Band or the Latin Stud, they're on top of it. Do you ever see them 'catching up' to a new music fad? No, they create these music fads.

      This is why MP3 scares them. They didn't create it. They didn't engineer it. They don't know what to do with it. They will join the digital dancefloor, but when they know they have the same control as they do today. Until then, lititagtion is the name of the game.

    3. Re:Rage Against The Machine by rodgerd · · Score: 1

      just like Britney Spears' bellybutton, Shania Twain's cleavage,

      Surely some mistake. Isn't it the other way around?

    4. Re:Rage Against The Machine by gad_zuki! · · Score: 2

      This post is just too cynical and uninformed for me to let it go. I can't say I'm a big RATM fan, but I am aware of their obvious donations, in both time and money, to certain social causes that reflect their writing/philosophy.

      They seemingly don't have much to stand on when they preach anti-big business while signed to a megaconglomerate like Sony. Whether you care to believe their reply on that often asked question is up to you, but it usually goes like this: Rage could have gone the route of starting their indepedent label and splitting their time running their own business and pushing their message/music, but they chose to put all their effort on the music/message and let Sony worry about promotion and making sure the Tower records in Amsterdam is getting enough copies of Evil Empire.

      Its a lot like Abbey Hoffman's 'use the system to decry it' philosophy. In the long wrong exposure from a big label like Sony will turn a lot more heads than a independant start-up ever could. There's a lot of anti-governemnt anti-business bands out there, how many can you name? Have you even ever heard of Negativland, has your average Rage fan? So far, I'd say going with Sony has made them a household name and the alternative would probably have left them no bigger than Negativland.

      I'm sure Sony's marketing guys have the same attitude as you do, the anti-marketing market is big etc, but I've found the band to be consistant and not focuses on just the money.

  90. me me me by um...+Lucas · · Score: 1

    It's all about the various "me"'s around here, apparently. Why don't you all just let the musicians decide how to distribute their music? Ooooh, I know. Because they won't do it for free. Yes, musicians get screwed by labels. But the general mentality around here is that since labels are screwing the artists, so should the consumers. What great fans you are.

    Who's it going to take to stand up and say Napster isn't all that good for the artists for anyone to listen? First the Labels stood up and said it. Then the RIAA said it. Now the artists are coming forward and saying it. No one's listening. However small amount it is, the artists do get paid by the labels for each CD they sell. Napster fans would rather believe that they make no money and instead that money comes from touring and t-shirt sales... No. Once a band is reasonably large, but not huge, tours are loss leaders to generate more record sales... Small bands make money on shows, as do huge ones, but for the ones stuck firmly in the middle, it's just not the case.

    I really don't think that Napster helps unknown bands get coverage... How? One can't do a search for a band they haven't heard of. Nor can one search for a song they haven't heard of. They can only search for things they already know exist.

    Let me be straight here. I think MP3's are a great way for consumers to do things like store their music collection on their own, personal, hard drives at work and other places. But I think they're aweful from the standpoint of the musician... They've already decided how they want to distribute their music. They also decided they'ed like to try to make some money from it. That's why they signed up with a label in the first place.

    I'm glad metallica's doing this... I only wish that more and more bands would stand up for THEIR RIGHTS, which Napster fans are currently trampelling on.

    1. Re:me me me by smack.addict · · Score: 1
      The problem is not Napster or the univerisities that Metallica is suing; the problem is retards who pirate music. While all the points in your post are valid, they do not support Metallica's actions... they simply support the premise that one should not pirate music.

      Metallica is way out in left field on this action. They might as well also sue the W3C, Microsoft, the inventors of ftp, etc. because those can be used in exactly the same manner.

      The real problem is an industry that wants to be immune to the way the Internet has changed the business landscape. Every other business in every other industry has had to fundamentally alter the way they do business in order to account for the Internet. The entertainment industry, however, is using the law to attempt to avoid that change in business.

      I sure bet travel agents wish they could use the courts the way the entertainment industry has!

    2. Re:me me me by um...+Lucas · · Score: 1

      I agree that going after the universities is a bit out of line. Universities can not and should not have to monitor all the traffic on their network or be expected to lock certain ports.

      Napster is a completely different story in my eyes. Yes, there are some people legitamately using napster. But I'd wager that 95% of people using their service are using it to pirate music. If that's the case, then Napster should be completely revamped to try to stop people from pirating music using their servers as intermediaries. They should do something Beam-It-esque, like keep a central database of which users have access to which songs, and then filter search results based on that criteria. That'd at least make it appear that they were TRYING to combat piracy. Instead they just shrug their shoulders.

      Guess what. Landlords can lose their properties if it's found that people are trafficing in drugs with their knowledge. You can go to jail if i kill someone in your house and you don't report it. You can also go to jail if you let someone use heroin in your house. In none of those cases did you do anything wrong, you just looked the other way. Just like napster is doing.

      The music industry IS trying to figure out a way to distribute music via the internet. They just haven't figured out a way to do it that makes everyone happy. Right now, fans (or rather, psuedo fans) are happy, because they don't have to pay a dime to access most of the music out there. That doesn't take into account the artists, managers, producers, engineers, artists, etc, who are all trying to eke out a living in the music industry.

    3. Re:me me me by Chiasmus_ · · Score: 1

      > The real problem is an industry that wants to be immune to the way the Internet has changed the business landscape.

      See, this is the point that everyone overlooks. Yes, of course, it's illegal to trade copywrited songs, and probably wrong, to steal music, but record companies can't just prevent the public from using a new technology. We're smarter than them, and we have more manpower.

      The only question is whether this is going to be more like alcohol prohibition (where the powers that be realized that they couldn't win the fight and figured out there was a lot of money to be made) or marijuana prohibition (where one in a thousand smokers is slapped with a token arrest and the rest of them live in fear and bitterness of the government)

      --
      "Beware he who would deny you access to information, for in his heart he deems himself your master."
    4. Re:me me me by smack.addict · · Score: 1
      Napster is a completely different story in my eyes. Yes, there are some people legitamately using napster. But I'd wager that 95% of people using their service are using it to pirate music. If that's the case, then Napster should be completely revamped to try to stop people from pirating music using their servers as intermediaries. They should do something Beam-It-esque, like keep a central database of which users have access to which songs, and then filter search results based on that criteria. That'd at least make it appear that they were TRYING to combat piracy. Instead they just shrug their shoulders.

      Guess what. Landlords can lose their properties if it's found that people are trafficing in drugs with their knowledge. You can go to jail if i kill someone in your house and you don't report it. You can also go to jail if you let someone use heroin in your house. In none of those cases did you do anything wrong, you just looked the other way. Just like napster is doing. No, no, no, no. The landlord example is very poor because it is using a bad law as an example of what is right. It is not right for a landlord to be charged for illegal activity occurring in apartments they lease. Similarly, the murder example is bad because the crime is knowing of a very specific murder and failing to report that very specific murder. Napster does not know of any specific piracy going on.

      Why can't America hold people responsible for their own actions rather than try to pin the blame on someone easier to sue?

    5. Re:me me me by revnight · · Score: 2

      metallica suing napster is perhaps the most egregrious hypocracy i've seen come out of the music industry. lars ulrich, no less than three months ago, was still waxing poetic about the 'good old days' when everyone used to trade tapes around.

      i can understand if the band got tired of playing whiplash every day for 20 years...i dealt with the bubble gum wrapper that miserable SOB Bob Rock put on their music, i sighed and moved on when Hammet started obsessing about silk shirts and expensive clothes...but bloody hell if this doesn't make me want to take an axe to every metallica album, tape, cd, and video that i own.

      I'm starting to wonder where the pods are....

      Oh well, they are free to suck at the corporate teat as long as they want. They don't need my money any more anyway.

      --
      "The things we wizards have to put up with."--Jethro Bodine
  91. It is not a commodity. by GoofyBoy · · Score: 1

    >Of course their music's a commodity.

    No it isn't. Gold is a commodity. Water is a commodity. RAM is a commodity.

    A commodity means that it is INTERCHANGEABLE no matter where it originates from (company or location).

    So Gold/Water/RAM is effectivly the same and interchangeable if it originates from Russia, the USA or Japan.

    A group's music is not a commodity because it is not interchangeable. Metallica's music is different from the BackStreets Boys.

    The fact that you can buy it from alot of places means nothing. Microsoft's software is not a commodity but I can buy it in any software store.

    --
    The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    1. Re:It is not a commodity. by GoofyBoy · · Score: 1

      >Tell that to Evian, Aqua, or Peirrier. None of these vendors feel they are interchangeable with the other.

      These are BRANDED water. Different category of goods.

      And these are interchangeable, IMNSHO.

      --
      The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
  92. Why? by Bill Gates · · Score: 1
    Why do Slashdotters, including the Slashdot editors, continue to pretend that Napster is some sort of free speech issue?

    Have you actually ever logged into Napster?

    If yes, can you now tell me with a straight face that it is NOT used primarily (like 99.9999%) for the purpose of illegally trading copyright material? Are you the same people that would then have a shit-fit if any company stepped outside of the boundaries of using GPL software? Yeah, I thought so.

    Sheesh

    1. Re:Why? by slim · · Score: 2

      If yes, can you now tell me with a straight face that it is NOT used primarily (like 99.9999%) for the purpose of illegally trading copyright material? Are you the same people that would then have a shit-fit if any company stepped outside of the boundaries of using GPL software? Yeah, I thought so.

      Thanks for that, Bill.

      The point is that Napster are not responsible for what people use it for. What if every person currently illegally trading copyright material using Napster were to shift over to using FTP? Would it then be OK for the RIAA to go and sue the IETF? Berkley University?

      Of course not. I'm not suggesting that violating the license on these materials is a "right" -- what I'm saying is that Napster have no control over what MP3s people transfer using it, and they are under no obligation to have the software make checks.

      I don't actually agree with the statement "Guns don't kill people, people kill people" -- but I would heartily agree with "Napster doesn't violate copyright laws, people violate copyright laws". You don't restrict the sales of plastic bags just because they can be used to transport drugs.

      I can't provide a solution to the problem of music piracy (in fact I would argue that, morally wrong or not, it is too difficult to combat, and the best answer is "live with it"), but Napster is too far removed from the crime to be fairly held responsible.

      --

  93. Metallica Album Burn Off by Detroit · · Score: 1

    Until a couple of years ago I loved these guys. I still hang on to their albums, and get all warm and fuzzy when someone bothers to play them on the radio, but this is really sad. Ulrich must be having trouble on the down payment for his fourth Spanish Villa. Market woes drag him down. So he goes for his fans to get the cash flowing back in. Fuck him. Fuck them all. I've had the black album from the day it came out, but now, I want to watch it burn. I want all of these albums to roast. I want a whole bonfire of metallica albums, big enough to see from L.A.
    Metallica can't possible suffer from this kind of attention. They can only get stronger. The only ones Metallica screws are its fans, if there are any left. Screw you, you glam rock alternative pansies. There's fifty bands lined up to take your spot, and it's about time they do.




    ... . . .

    --
    ... .. . . . http://group227.com
    1. Re:Metallica Album Burn Off by Valdrax · · Score: 2

      And are you going to buy their CDs? Heck, no. You've been stealing music from a well-known, talented band. Why buy a whole album from a no-name when you can try it out for free? Then, why buy their album when you already have their music free?

      The RIAA has a good point. I, and many of my friends, have access to music that we would have never spent the money on ourselves. Heck, we really like these bands, but instead of buying their CDs, we'll just buy another hard drive to hold their music and the music of hundreds more artists. It's not like they wouldn't have gotten our money anyway. We just spend it on other things now that we can get their works for free.

      I once bought a Japanese import of "...And Justice for All" for $40 dollars because it had an extra track, "The Prince," on it. You think I'd do that again when I can get the MP3 for free? Yeah right -- and I actually support going after pirates like myself. Just look at the rest of you whiners. I personally hope Metallica wins the lawsuit. Despite what the developers say, Napster is nothing more than a tool for delivering pirated MP3s. I'd like to see a good conservative guess at how much of Napster's traffic is illegal. 95%? 99%? More?

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
  94. If Napster lose this suit... by slim · · Score: 2

    ... it'll set a fascinating precedent:

    Napster is as much responsible for music piracy as Memorex are (for selling magnetic media).

    Perhaps we'll see Metallica suing Sony for selling blank minidiscs next?
    --

    1. Re:If Napster lose this suit... by Flerg · · Score: 1

      If history is any indication, yes. I scanned this off the sleeve of Thin Lizzy's 1976 album Jail Break. Once the music companies figure out how to make money off MP3, they'll be the biggest defenders of the format, just watch. It's just like the movie industry and VHS.

      -Flerg

  95. Metallica and Lawsuits by Lazy+Jones · · Score: 1

    Why are bands and artists who have only produced junk in the last few years always the first to sue? Paul McCartney and Metallica both haven't released anything worthwhile in years, yet they call for bans. They should hope that someone still listens to their stuff, not try to prohibit it. Desperate old fools.

    --
    "I love my job, but I hate talking to people like you" (Freddie Mercury)
  96. No links. Hmmm... by Colbey · · Score: 1
    As long as I didn't miss anything, I find the conspicuous absence of links to either Napster's or Gnutella's web sites in any of these articles rather interesting.

    --Colbey

  97. How to scare - say the words "Child Porn" by tigereye · · Score: 1

    I've just been reading through that msnbc news article - this piece of journalalism is crap. Its only designed to do one thing and that is to scare the reader into thinking that this program is evil.

    All it takes is to try and associate the words "child porn" and is designed to live of your fears. From reading this article I would think that this tool is going to be used to distibute child pornography and other such stuff - what bollocks. I bet less than 0.001% of material tranferred using this program will be of this sort of material.

    I am getting really tired of bad scare tactics journalism. It only encourgages ignorance and unfounded fear, two trates that we could highly do without.

    And anyway the technology to copy material from one place to another without having to go through a central server has long existed before this came out.

  98. Buggy Whips by Anonymous Coward · · Score: 1
    The buggy whip manufacturers are at it again.

    The music industry became possible because of technology, and now technology is bringing about its end.

    I'm not crying. Music will continue. It may go back to being performed by people who love their art, so you may end up having a whole lot more variety. Some agents and ad execs may have to find other work. Live concerts may flourish.

    I'm not crying for their industry.

    Imagine if pub and coffee house owners had forced the record and radio industries to never develop in the first place. . .

    1. Re:Buggy Whips by axo · · Score: 1
      Touche. Music is music. It will always find a way to emerge from human souls. As for the music industry ... all I can say is, thanks guys for helping spread the word but it seems to me that you're just becoming far more trouble than you're worth.

      I need a Rolls Royce - cause it's good for my voice. (T-REX)

      --
      "Energy fools the Magician."
  99. Re:me me me... Him him him (Chuck D) by CptnHarlock · · Score: 2
    Not all artists are Anti-Napsterists.. You maybe missed the article about Chuck D the other day? Here's what the man had to say.

    Thank you.
    //Frisco

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  100. There's an easy answer for the ISPs... by Anonymous Coward · · Score: 1

    Another problem ISPs face is the fact that all of their bandwidth is oversold. For each X bandwidth they have, they have sold out 6X bandwidth to customers. The ratio of 6x is generally accepted as the safe amount. Some go higher, some go lower. But, they couldn't make any money if they had to get a full T1 coming in for every one that they sold. Basically, not everyone is using the full amount all the time. People just browsing use very little bandwidth, and that bandwidth is only when they hit a new page.

    So, when something like Napster comes along and suddenly the clients are using incredible amounts of bandwidth, they have to do something to stop it. Otherwise, they'd have to provide 1:1 bandwidth, and there would be no profit in that.

    A more reasonable way to stop this is to prevent incoming traffic from initiating communication on the Napster port. This is very simple. On Cisco, you can use the 'established' flag on access lists. I don't know about other platforms. Basically, the ISP customers would be allowed to initiate Napster communication, but incoming traffic cannot initiate. This works by not allowing incoming 'SYN' packets.

    Now, I'm not sure whether Napster works over TCP or UDP. With UDP, it becomes more tricky. I'd assume you'd have to use bandwidth quotas for that type of traffic. This can be controlled directionally and on a per port basis. Give the client enough bandwidth to send out 'ACK's, but not enough to actually send out MP3s.

  101. Re:No, fuck you by Nerds · · Score: 1

    How is this flamebait? Metallica still is a good band. S&M kicks ass and James Hetfield has the best voice in hard rock/metal. Someone mark this as underrated please.

    --
    My other .sig is 'The Art of Computer Programming'
  102. Response to the MSNBC fantasy by greydmiyu · · Score: 2

    Yeah, I did it, finally replied to the idiots who write. The piece about gnutella was just so wrong I couldn't stand it. Here it is for your review. I don't recommend anyone respond in kind. I was pissed.

    I read all of two paragraphs of your disgusting story before wanting to run to the nearest latrine and puke. It is a DISGRAGE to the industry of reporting that your story (as in fantasy) got any consideration for print at all! Kiddie porn trading, oh that will get the readers. But let's not let the facts get in the way. In less than 24 hours it was posted on a web site and "reverse engineered." Glaring flaw #1. It was distributed under the GPL which means the source was included. No need for reverse engineering at all.

    Let's continue the read, shall we?

    Ooo, here's a good one. A 15-minute session with a "security expert" named... Redone! Red 1, get it? You know, most respectable security experts I know don't hide behind some pseudonym. That's only in Hollywood.

    Wow, no way to censor it. This from someone in an industry that is given protection by the First Amendment. You /DO/ know what that is, right? I doubt it since you're so ready to point out that something cannot be censored. I'd suggest hopping onto gnutella and doing a search on "constitution". If that doesn't work, try some of the search engines. However, I'm sure the big, bad internet scares you so go to the Library and look it up!

    Continuing on we see a claim that the strings "groupsex", "porn movies", "young naked", "pre teen" and "teen sex" are "almost as common as searches for pirated music."

    What, was that because you got onto a private network with your "expert" and he typed them in and then logged off? The times I've been on gnutella I've not seen those strings. EVER. Not once. Not once in 15 minutes. Not once in 150 minutes. NOT EVER. If it were, as you claimed, so rife with people looking for kiddie porn then clearly a casual glance, much less the broader scrutiny of a curious geek, would see something that was "almost as common as searches for pirated music."

    Only near the end, after more hype, fear, uncertainty and doubt is planted firmly in the reader's mind do you even come CLOSE to giving a balanced story. Only after you have gotten all of the copy-selling evil out of the way do you tack on, as an afterthought, the good points of the technology.

    You call yourself a journalist? Disgusting.

    --
    -- Grey d'Miyu, not just another pretty color.
    1. Re:Response to the MSNBC fantasy by mdillon · · Score: 1
      i thought there was a Delphi hacker who reverse engineered the protocol within a few days and produced a clone.

      i found it. the hacker is CapnBry, and here's the URL.

      please confirm your rants before you submit them angrily to major news organizations.

    2. Re:Response to the MSNBC fantasy by LiNT_ · · Score: 1

      Well I do applaud you for voicing your opinion.

      You know, most respectable security experts I know don't hide behind some pseudonym. That's only in Hollywood.

      Mudge, Route, Dildog, RainForestPuppy, etc, etc

      The times I've been on gnutella I've not seen those strings. EVER. Not once. Not once in 15 minutes. Not once in 150 minutes. NOT EVER.

      You must be looking at the wrong times. I've seen teen, mpg, avi, young and others many times. I've only seen *pre or preteen a couple of times, but it's still there.

      I'm not trying to troll here, I just wanted to correct you on a few parts I felt were wrong

      LiNT
    3. Re:Response to the MSNBC fantasy by greydmiyu · · Score: 1

      He said the program was reverse engineered, not the protocol. The source was distributed. Doesn't take a rocket scientist to know the difference between reverse engineer and port or reading the source.

      --
      -- Grey d'Miyu, not just another pretty color.
    4. Re:Response to the MSNBC fantasy by greydmiyu · · Score: 1

      You must be looking at the wrong times. I've seen teen, mpg, avi, young and others many times. I've only seen *pre or preteen a couple of times, but it's still there.

      Those, though, don't constitute the strings he sent out. Teen? EightTEEN and nineTEEN are legal ages for porn. YOUNG women to a man of, say, 40 would include early 20s. MPG and AVI are just file formats.

      --
      -- Grey d'Miyu, not just another pretty color.
    5. Re:Response to the MSNBC fantasy by greydmiyu · · Score: 1


      DOH!

      ....

      OK, so where do I do my repentence? Redmond cleaning out Bill's locker or something?

      --
      -- Grey d'Miyu, not just another pretty color.
    6. Re:Response to the MSNBC fantasy by mdillon · · Score: 1

      AFAIK, no Gnutella source code has been distributed. all available source is provided by third parties who based their code on CapnBry's (or someone else's) reverse-engineering efforts, not on the original Gnutella source.

      the Gnutella source is due to be released once the "official" client reaches version 1.0.

  103. Re:"Rightist propaganda": Myth, oxymoron. by exaptation · · Score: 1

    "The Bible is Truth, because it says so in the Bible"

    Now how's that for an oxymoron?

    ---------------
    Fire Your Boss!

  104. metallica! by mdillon · · Score: 1

    oh dear me! i knew after the black album that metallica was on the way down, and by the time "Load" came around, i could no longer call myself a metallica fan, but this!

    FUCKING SELLOUTS!!!!!! FUCK BOB ROCK, CAUSE IT'S ALL HIS FAULT!!!!!!

    i pine and weep for the carefree, riley days of Cliff Burton, RIP.

  105. Because you BOUGHT the water. by GoofyBoy · · Score: 2

    >To put to rest another tired argument, think about this: Am I stealing from bottling companies if I decide to use tap water to wash my dishes?

    Nope, because you have a legal right to the water. Either you have paid for the water in the pipes through taxes or paid at the store for the bottled water.

    >Am I a water pirate? Of course not!

    Thats because you have paid for both of them. You would be a water pirate if you illegally hooked up a pipe to the cities water supply or walked out of the store with the bottled water.

    >The suggestion that I am stealing by making use of an infinite resource,

    Its not that you are using a resource, its that its illegal. There are a large number of stores which have lax security, shouldn't I make use of this infinite resource?

    > whether it be tap water or the digital version of the Backstreet Boys' latest single, is absurd.

    When did you pay for the single? If you asked the record companies and anyone who worked on the single if you were stealing, what would the say?

    This is NOT a strong argument and I have no idea why this was moderated up. Crappy moderaters, don't just count the number of lines in an article, read it!

    --
    The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    1. Re:Because you BOUGHT the water. by Wah · · Score: 1

      There are a large number of stores which have lax security, shouldn't I make use of this infinite resource?

      Wow, and these stores have products that you can take home AND leave on the shelf at the same time, amaazing.

      Your arguments are all based on the Law. The Law is based on prodcuts with finite supply. MP3s are not affected by scarcity. The Law is wrong. Your argument is wrong.

      --

      --
      +&x
    2. Re:Because you BOUGHT the water. by Stiletto · · Score: 2


      Your argument is essentially, "It's stealing because it's illegal, and it's illegal because it's stealing." I don't see anything strong about that.

      Once something becomes available for all, it immediately becomes worth $0, regardless of whether doing it is illegal. Sure, you can still pay for it if you want, and many people do. But anything you pay would be above market price.

      And as to your "stealing from a store" argument, another poster already pointed out the difference between abundant supply and infinite supply. Until we get some kind of material replicators which can duplicate physical objects, anything you find in a store will be "abundant" instead of "infinite" and thus have worth, so yes you'd be stealing if you walked in and took one.
      ________________________________

    3. Re:Because you BOUGHT the water. by AArthur · · Score: 1

      "Nope, because you have a legal right to the water. Either you have paid for the water in the pipes through taxes or paid at the store for the bottled water."

      Of course if you have your own well, that really doesn't apply. -grin- Although you still pay for the electricty (or whatever fuel) to run it.

      And when I go camping in the adirondack park, you can go camping back in the woods for free -- and get your water from one of the many water sources out there (last summer, that's all I drank for about a week and a half).

      At any rate, water is free -- but getting it often requires a service to make it pratical to get it (such as a pump, hiking to a water source, buying city water, buying bottled water, etc.)

      Basically similar to Linux, which most people buy CD's, for the same reason as water.

    4. Re:Because you BOUGHT the water. by GoofyBoy · · Score: 1

      >Your argument is essentially, "It's stealing because it's illegal, and it's illegal because it's stealing." I don't see anything strong about that.

      I'm not saying that it is strong. I'm saying that his is weak and I can rebutt it with an weak and obvious arguement.

      >the difference between abundant supply and infinite supply.

      The amount of supply has NOTHING to do if you are stealing or not. If this was so then laws would have the clause "...unless its is in infinite supply." Its just another weak arguement, trying to avoid the real issue.

      --
      The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    5. Re:Because you BOUGHT the water. by Kintanon · · Score: 2

      Nope, because you have a legal right to the water. Either you have paid for the water in the pipes through taxes or paid at the store for the bottled water.

      Look city boy, we don't all pay for our water. My family has a 75 foot deep hole in the front yard with a pump on it. We get our water from that. It's called a WELL. We didn't pay for that water in any way, shape, or form.

      However, the difference between music and water is that someone had to CREATE the music, the water is just THERE.
      Don't think of it as paying for a copy of the music, think of it as paying for the amount of TIME that the person took out of their life in order to create that. I think 6 months of Metallica's life for 10 songs is worth 15$.

      Kintanon

      --
      Check out JoshJitsu.info for Brazilian Ji
    6. Re:Because you BOUGHT the water. by GoofyBoy · · Score: 1

      >Look city boy, we don't all pay for our water.

      Thanks for the laugh.

      :) :) :)

      --
      The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
    7. Re:Because you BOUGHT the water. by Rantage · · Score: 1
      Look city boy, we don't all pay for our water. My family has a 75 foot deep hole in the front yard with a pump on it. We get our water from that. It's called a WELL. We didn't pay for that water in any way, shape, or form.

      Soooooo.....who did you steal the pump from?

      Oh, and by the way...please let me know who's going around surveying and drilling wells for free. I'm sure a lot of refined country folks like yourself would love to make use of such a service.


      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.

      --
      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.
    8. Re:Because you BOUGHT the water. by Stiletto · · Score: 2

      Your arguments are all based on the Law. The Law is based on prodcuts with finite supply. MP3s are not affected by scarcity. The Law is wrong. Your argument is wrong.

      Partially correct. Traditional larceny laws are based on products with a finite supply. Once so-called "Intellectual property" came along, companies started whining that they couldn't hoard their information, so they convinced the government to enact absurd copyright and patent laws, all under the guise of "furthering the arts and sciences".

      I have yet to see any example where a copyright or patent furthered anything but the bank account of the person who was given rights to the idea or information.
      ________________________________

    9. Re:Because you BOUGHT the water. by Rantage · · Score: 1
      *sigh*

      • Buying a bottle of water: You pay X amount of dollars for Y amount of water.
      • Getting water out of the tap (municipal water system): You are billed X amount of dollars for Y gallons of water you use.
      • Getting water out of a well: You pay W dollars for drilling, X dollars for the pump and Z amount of dollars for filration/treatment for Y amount of water....and let's not forget E amount of dollars for the power required to operate the pump....or the possibility that the well may either a) run dry or b) require multiple holes to be drilled before a good "tap" is found.
      It doesn't matter whether you pay at the time of usage (bottle), after a set period of time for usage (municipal water system), or up front (well)....you are still paying.

      And that, my Anonymous friend, was my point.


      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.

      --
      Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.
    10. Re:Because you BOUGHT the water. by Brian+Knotts · · Score: 2
      Nope, because you have a legal right to the water. Either you have paid for the water in the pipes through taxes or paid at the store for the bottled water.

      Not true. I do not pay anything for my water, which comes from a nearby spring.

      I think the guy had kind of a point. Just like Evian is taking from the commons, refining and bottling, so is Metallica, drawing on various influences, repackaging what they've heard, performing it, and selling the product.

      Of course, the difference is that copying their songs is not quite the same as drawing water from a different source. If we had replicators, then we'd have a similar situation...

      On the other hand, many people here go to the other extreme, and suggest that copying==stealing, which is not quite true, either.

      New XFMail home page

      /bin/tcsh: Try it; you'll like it.

    11. Re:Because you BOUGHT the water. by Pont · · Score: 1

      Getting water out of a well...

      You pay W dollars for drilling...

      You pay W dollars for your computer and internet connection too. You risk your computer crashing, time searching, and your hardware has this nasty habit of becoming obsolete.

      If I walk up to a mountain stream in a place that's not a national park nor private property and take a drink, am I stealing?

    12. Re:Because you BOUGHT the water. by Kintanon · · Score: 2

      Getting water out of a well: You pay W dollars for drilling, X dollars for the pump and Z amount of dollars for filration/treatment for Y amount of water....and let's not forget E amount of dollars for the power required to operate the pump....or the possibility that the well may either a) run dry or b) require multiple holes to be drilled before a good "tap" is found.


      Ahh, but you see, we aren't paying for the water, we're paying for the DISTRIBUTION METHOD.
      That's they key difference. In none of these is the water really the commodity being traded. It's the distribution of that water.
      In the case of music and movies the creation IS the product being paid for as well as the distribution. If the distribution costs nothing, then the price of the product should go down, but you should still pay for the product. Because it took TIME to create that product. And time is the be all, end all of currency. The only thing on earth which is TRULY finite.

      Kintanon

      --
      Check out JoshJitsu.info for Brazilian Ji
    13. Re:Because you BOUGHT the water. by Kintanon · · Score: 2

      Soooooo.....who did you steal the pump from?

      Oh, and by the way...please let me know who's going around surveying and drilling wells for free. I'm sure a lot of refined country folks like yourself would love to make use of such a service.



      Hmmm... Let me see, we paid for a pump, we paid for a surveyor, we paid for a drill. Now we have water. I don't notice anywhere actually paying for the water itself. You see, we paid for the labor involved in creating access to the water.
      See my other post a bit further down for some more on that concept.

      Kintanon

      --
      Check out JoshJitsu.info for Brazilian Ji
  106. The Symphony Orchestra Effect by double_h · · Score: 1

    The Metallica item only provides further evidence for my theory that any time a rock band releases an album featuring accompaniment by a symphony orchestra, it is a sure sign that they have run out of actual ideas and vitality and are just in it to prod the cash cow along for another couple of years.

    To me, Metallica's actions only demonstrate exactly how boring and corporate they have become. We need more outspoken musicians like Chuck D to come forward and say that Napster is GOOD because it provides free PR and exposure, and makes life difficult for has-beens and no-talent musicians who would rather grow fat on royalties than work (and create) for a living like the rest of us.

    I'd like to see artists start putting stickers on CD covers reading "Yes! It Works With Napster!"

    (For what it's worth, I was a Metallica fan from way back -- I have most everything up until "And Justice For All" on vinyl. I started to lose interest when they entered their adult contemporary metal phase, and it's all been downhill since then as far as I'm concerned).

  107. Crack Smoking Moderator! by CptnHarlock · · Score: 2
    In what way is this a troll???

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
    1. Re:Crack Smoking Moderator! by GargoyleMT · · Score: 1
      Perhaps we should abolish the label "troll" and replace it with multiple labels like:

      grits
      naked/petrified
      namecalling (the french fag references fit here)
      firstpost (or attempt)

      It's not really worth it though, as there will just be more categories to add to. However, I think the "troll" comments are usually pretty funny, and often much better than the posts with scores of 2-3.

  108. Re:Good tools, but bad usage (with a few problems) by LegoB · · Score: 1
    Very good point, here is a hypothetical example. Some ISP (or local network provider) not wanting to deal with the legal headache of a Big Company suing them (or under some mandate) decides to install software that blocks all 'illicit' web sites. But this blocking software is also made by a Big Company that, say, uses it to block web sites it doesn't like (not like this ever happens). So rather than let someone at the top of a big corportion whose actions have massive personal financial (and other) incenives decide what you can use the internet for. By allowing others to restrict the information you can access (or broadcast) you trusting that they won't use that to thier own advantage.

    Now tell me, do you trust Big Company X to do what is best for you? Do you trust that the government is benevolent? The old adage, "Knowledge is power," is likely even more true now. If we don't set up a system guaranteeing our ability to communicate without hinderance or control, we will end up intellectually bound by others. I personally am not willing to quietly allow someone else control what I know, what I can know, and what I can say.

    A brief look at history will show that when someone is given power over others without some kind of accountability, it is only a matter of time before they abuse that power. It may be premature, but at this point I am willing to put my foot down now and say, "No, you will not get that power over me."

    I have no doubt that GNUtella, FreeNet, and Antioch will be used to carry some of the most disgusting and heinous media known to man, and there is nothing I'd like more than to find the person responsible for such data and break every bone in his body, but I am not willing to sacrifice my own freedoms for that cause.

    Look at the way that governments and corporations have raped the populus when given the chance. From the monarchies and churches of the middle ages to the massive industrial giants today, they have all had power over the commoners, and abused it countless times. I believe it is better for a few individuals to abuse their rights rather than have thousands of individuals be abused by their lack of.

    You can make the choice for yourself, but I've made mine.

  109. Re:me me me... Him him him (Chuck D) by um...+Lucas · · Score: 2

    Like I said in there, let the musicians decide how they their music is distributed. Support the ones who have values you like. Chuck D's that way. Quite a few other artists release their music on the internet.

    But when someone steps forward and says they don't want something done to their work, abide by their wishes. Otherwise, why can't I just go over your house and take whatever I'd like? I mean, i want it, so isn't my right to have what i want? No, it isn't, when what i want is someone else's. Then you have to ask permission to borrow it, or buy whatever they're interested in selling to you.

    It's all about people retaining control over their works... Kinda like the oh-so valuable GPL which is talked about all around here... Yes, it equates to free software... But the developers make a consciounscious decision to GPL their work... I don't see any GPL advocates distributing Photoshop, Windows 2000, or any other copyrighted software under the guise that "software should be free", unless they're just warez kids. Imagine the backlash that would happen here if companies started distributing Linux w/o source? That backlash has happened somewhere else, because in this case it's many of the Napster users that are ignoring the artists rights

  110. Re:Find out. (was "Whatis a server?") by Artie+FM · · Score: 1

    Sorry, the above post is not correct.

    The simplest definition for a server is:
    "A server is something that responds to a client's requests." Calling something a server only makes sense when you are using something like a "client/server" metaphor. A "file server" is a specific kind of server which might behave in the way you describe.

    In any case, it is certainly correct to say that any computer on the internet is a server of some fashion. The TCP/IP uses a peer to peer metaphor in which each peer could be described as a server and a client at the same time.

    Saying a server is a something that will send a file to any computer that simply requests it does not capture what a server is.

    The previous definition does not work because it is possible to make a server which does not send files but sends something else.. it could be messages, it could be signals, it could be absolutely anything.

    Saying something is a server because it makes no distinction between "anyone" and a limited a set of computers also makes no sense. It is a simple matter to construct a server which only sends messages to a limited set of locations.

    --
    Be insightful. If you can't be insightful, be informative.
    If you can't be informative, use my name

    --
    Be insightful. If you can't be insightful, be informative.
    If you can't be informative, use my name
  111. Even more Un be-friggin-leiveable by unicorn · · Score: 1

    You really expect us to equate infringing on the rights of IP creators, to protesting against the governments limitations on the use of crypto?

    --
    "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
    1. Re:Even more Un be-friggin-leiveable by ftobin · · Score: 1
      Do you really expect us to equate infringing on the rights of IP creators, to protesting against the governments limitations on the use of crypto?

      Infringing on the rights of IP creators is an extremely vague statement. I believe in copyright, but I don't believe in copyrights which go directly against the nature of technology. Case in point: I believe strongly in the rights of open-source software creators of BSD'd or GPL'd to demand that their software be used in accordance with the copyleft/right license, as there is no strong technological pressure to break these. However, I do not support the overly-restrictive copyrights of closed-source applications which demand no copying whatsoever, as the the technology makes this to apparent.

      My stance is not permanent; it changes with technology. Our views of 'justice' and 'right' concerning information have changed with time in accordance with current technology. I guess you could say that I favor a 'natural law' stance concerning technological issues. The 'nature' of technology is continually being discovered, and we need to adapt to new-found truths.

    2. Re:Even more Un be-friggin-leiveable by unicorn · · Score: 1

      So it's perfectly legitimate, and acceptable, and desired, if an artist wants to give away his work. And he has every right to limit what people do with it commecially. But if an artist chooses to sell his work, he's doing a bad thing. And so any limits s/he might want to impose on his work, is completely unforgivable, and unallowable?

      --
      "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
    3. Re:Even more Un be-friggin-leiveable by ftobin · · Score: 1
      And so any limits s/he might want to impose on his work, is completely unforgivable, and unallowable?

      I'm not saying any limits; just those that go strongly against the nature of information flow.

      Let me try this example on you. Suppose I were to write something in a newspaper article, but said "You can't read any of this article out loud, because I own this information, and you would be reproducing this information and other people might here it!" Hopefully, these restrictions seem pretty silly. However, if all I said was that you coldn't copy my information in print for others to see, my restrictions don't seem that silly. So what's going on here?

      The key difference is the notions we have about information permanence, and the ability to reproduce it. With previous technologies, information was either naturally hindered from flowing, such as with speech, or laws could be enacted to restrict its flow, such as with print, because the act of copying was such a noticeable event.

      However, now that reproducing information is so much less of a noticeable task, there are no longer reasonable means to restrict information copying. The reason that we don't seem that adverse to saying people can't reproduce our information in print is because we are still clinging to old notions of information existing in discrete elements, and hence 'copying' still is a notion that many of us still have. Since we don't have a strong concept of owning 'copies' of speech restricting it borders on ludicrous.

  112. is this for REAL? by xkevin · · Score: 1

    Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    uhmm.. HELLO? have you been to sam goody lately? your albums are 17$! people get mp3s because they LIKE LISTENING TO MUSIC. there is no other reason. it's the music industry who treats your art like a commodity.

    --

    <3x, kevin
  113. Cleaner water - or just a perception? by DG · · Score: 1

    I agree with your major points, but I find your example of "bottled water" an interesting one.

    Are you _really_ paying for "cleaner" water, or are you paying for the _perception_ that the water is cleaner? Most municipal water supplies are treated before they are piped out, and I'd bet dollars to doughnuts that your tap water and your Evian are equally clean.

    I know when I buy bottled water, it's usually for convience - it's already cold, it's portable, it doesn't spill, I'm thirsty NOW, dammit, and I can't find a public water fountain - not because I think it's somehow superior in quality.

    Which indeed serves only to strengthen your argument and analogy. Water bottlers sell conveniance, not product. Same with record companies.

    --
    Want to learn about race cars? Read my Book
  114. Re:Good tools, but bad usage by Nicolas+MONNET · · Score: 1

    I guess the only country you'd be happy in would be a place like Afghanistan. They are true god fearers. Also, FYI, there is nothing new to this phenomenon in Europe. During the French revolution for instance, churches were transformed into "Temple of Reason", and the churches' belongings seized and given back to the state.

    And BTW it's interesting to notice how courageous you are by posting as an AC.

  115. finding ways to get free music and pay artists? by blackmilk · · Score: 1

    ok this is maybe an utopia but I 've been thinking about a way to pay artists and keep nusic free in the last few weeks.There must be a legal way to make this happen... for instance, if there were a web site with commercial mp3s to download, it could live with advertising and give the ads money to the most downloaded artists? so artists would be paid, users would download all day for free and most of all, music companies would be useless. the problem is that it would maybe be difficult for a web site to survive while giving all (or part of) the money earned with advertising, but if that kind of thing happened I would be pleased to be part of it and help it for free. (sorry for my english)

  116. Nutty by revelation0 · · Score: 1

    This topic of napster is driving me up a wall. What napster provides is esentially a search of links to files on other individuals computers, which in and of itself is completely legal. They do primarily the same thing that mp3.lycos.com or a quick multimedia search for MP3's at AltaVista would do as well. Now it may provide an easier way of doing this by making much of the process transparent, but it is in no way different. Why not sue these other companies for providing links to the information? Because linking is LEGAL . And once Napster proves to the courts that they are not hosting any copywritten material on their servers, they have simply a database that is similar to the ones above, the RIAA and the other ignorant bands may get it through their thick skulls that they can't get companies like napster for this.

  117. Re:me me me... Him him him (Chuck D) (redundant) by CptnHarlock · · Score: 1
    Well.. Hmm.. I gotta say you raise a few good points in there.. :)

    Thank you.
    //Frisco

    "At the end of the journey, all men think that their youth was Arcadia..." -Goethe

    "Pick an A.C. sailor!.. We're cheaper than Karma Wh*res!" - A.C.

    --
    $HOME is where the .*shrc is
    -- silver_p
  118. Look what *I* learned!!! by Om · · Score: 1

    begin sarcasm() {


    Well, I heard about this new Gnutella and just HAD to try it out. Afterall, I read this in the article on MSNBC and ZDNET. Here is what I read.


    1)According to the article, Gnutella is this incredible tool that you can download at wego.gnutella.com. They talk about how its virtually ANONYMOUS and cannot be stopped. They ALSO said that it was FREE. Man, I gotta try this out. I followed the link and VOILA, there it was and it ran just by d-clicking on it! (talk about 'User Friendly'. I barely even know how to turn a computer ON!)


    2) I read on ZDNET that the 'Mighty Met' (Metallica) is SUING this program called Napster because you can get their songs w/o paying them. Since Gnutella is supposed to be better than Napster (ie. according to the article, its anonymous and unstoppable), I will try it out. I searched for 'Metallica' and voila (again), I see about 5000 Metallica songs. HEY! METALLICA IS RIGHT! I WOULD SUE TOO!! (tee hee)


    Subpoint a) btw.. as a side note, Southwestern Bell (www.swbell.com) is offering FREE DSL installation and equipment for only 40 dollars a month! They said that it will get 'audio' and 'video' 100 times faster. Boy I could use that!

    anyway...

    3) I click on 'Metallica - Fade to Black.mp3' and I got it at 50K/Sec! That rocks!

    So, now I am sitting back, listening to Metallica as I ponder this whole situation...

    I wonder if Madonna should sue also! Lets find out....


    end sarcasm(); }

    Mutliply the crap above by 1,000,000. You sure can learn a lot from the media.


    ++Om


    P.S. Save the programming corrections and suggestions for this post. Please.. in the name of all that is Holy.

  119. Accept that Napster is used for stealing, and deal by sdelk · · Score: 1

    I use Napster to download songs that I don't own. It's stealing. Do I care? Not really. Record companies make enough money that I don't feel guilty about it.

    Does that make it right? No, not at all.

    If the record companies want to prevent piracy, it's up to them to make it harder. As long as it's easy, I'm gonna do it.

    HOWEVER, if piracy ever got bad enough that artists could no longer afford to produce music, I would stop. I don't think that's gonna happen, though. As someone said in an earlier post, way more people have the equipment to copy a CD to a casssette tape than have the equipment to make/listen to MP3s, and yet, more CDs were sold last year than ever. If cassette tapes haven't killed the music industry, MP3s never will, either.

    My point is, steal while you can, because one way or the other, Napster is gonna go away. Something else will pick up the slack, but it will never be as easy to download MP3s as it is right now.

  120. Metallica the Hypocrite by Wah · · Score: 2

    a couple things

    San Mateo, Calif.-based Napster already is the target of a suit by the Recording Industry Association of America, which claims that Napster violates the Digital Millennium Copyright Act, a new law that bars devices that could be used to circumvent copyrights.

    Don't you love laws that place ridiculous limits on what the market wants. Or tell it what it wants. The DMCA (at least major parts of it) is baad, baad I tell you.

    And then our friend Lars. (who I mean no personal affront to, and am basing this opinion on the story.) Sorry man, you can't have it both ways. (and actually reading it again he may have been taken out of context, it says "publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich."[possibly while stoned, I'm looking at you Cypress Hill])

    the quote

    Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    and then followed it up with.

    "From a business standpoint, this is about piracy -- aka taking something that doesn't belong to you -- and that is morally and legally wrong."

    From an art standpoint, this is about art, using and appreciating something that someone created to reflect an interesting aspect of life, sharing an infinite resource with your fellow travelers.

    You're either a businessman or an artist, but never the 'twain shall meet. (in a purely definitive senses)


    --

    --
    +&x
  121. Re:Free press == Free society. You're confused. by LegoB · · Score: 1
    I don't know what I fear more, the fact that you say such things in public or the fact that you might actually believe them.

    But since you seem unwilling to stake your name to your claims, you are discounted in my impressionable, leftist dominated mind. But that porn site I stumbled across earlier, that is etched in my mind forever...

  122. sidenote by twl · · Score: 1

    sometimes napster doesn't like some free socks servers; in this case, use the socks5 wrapper you can get at nec or something similar.

  123. Napster by Walob · · Score: 1

    Rip[ing off the loyalties of these so-called artists is obviously illegal, but what this highlights is something very different, if Napster can do this for free, why should you pay over the odds for the same product, has metallica or any other band thought of giving Mp3 versions of their album for a much lesser price, let them sue, do i really wanna pay $10 or whatever so that some dumb-ass can buy himself another merc, get high on cocaine or whatever, what they need is a **reality-check**, just remember when people had to pay for browsers, yet people who want to are quite happy to pay for the goods, it's illegal so what, were ripping off artists of their hard earned royalties, yet right, most of them haven't done a hard day labour in their life, the market is changing, the problem is they rather throw money at it than face it, but believe me it won't be that long before the whole music industry changes, and if they take napster down, another one will crop up.

    --
    -I can only program my video,ahh, I am not a gook, but a joook -The World is a theatre of the absurd
  124. Censorship mantra. by DrJAKing · · Score: 1

    These systems are not anonymous havens for paedophiles. The data packets are unencrypted, and the protocol is (for Gnutella) HTTP. A request for a file is sent in plain text with the name of that file. Anyone serving/receiving child pornography using these tools is not anonymous, their packets can be sniffed anywhere along the line. But those who want to control the flow of information always bring child porn into the euation. They know it elicits near-universal horror, on the back of which they can get more power than they would otherwise have got. One day we'll have strong encryption on all IP. It would have been nice if it weren't that way, but it's the control freaks, the censors and the capitalists who have made it happen, not a few sad old pervs.

  125. Re:Free press == Free society. You're confused. by Kupek · · Score: 1
    Gov't [to media]: Be free or we'll punish you!

    Please. What a load of crap. Free press means letting the press be free, i.e., not forcing it to do anything. That means allowing anyone to publish anything, regardles of who they are, or what they are saying.

    You don't really seem to understand the word "free" in this context. It means free as in uninhibited.

  126. Listen to me, Lars: by Blackheart2 · · Score: 1
    In a press release announcing the suit, publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    Lars, aren't music sales and promotion already commoditizing your art?

    --

    BH
    Fools! They laughed at me at the Sorbonne...!

  127. Re:Good tools, but bad usage by Kupek · · Score: 1

    I'm a god-fearing Atheist. I don't belive in the Judeo-Christian god, but I'm scared he does in fact exist.

  128. Re:AC because of /. intolerance by Nicolas+MONNET · · Score: 1

    And a paranoid luddite? You seem to have a lot going on for you. I pity your children. BTW, ever read Voltaire? Or even just heard about him? That'd be a good start for you if you're really interested in seeing the truth.

  129. Moderate this up! by goliard · · Score: 2

    Oh, hell, where is the "+1 Ironic" choice for moderators?


    ----------------------------------------------
    --
    -*- Any technology indistinguishable from magic is insufficiently advanced -*-
  130. What's so great about Gnutella? by joeytsai · · Score: 1

    This is like, the seventh article mentioning Gnutella specifically in the last two months.

    Can somebody please explain to me why this product is so different and so much more important than all the other napster clients available, especially considering its the source code isn't very accessible?

    --
    http://www.talknerdy.org
  131. Selling out by veldrane · · Score: 1

    The phrase "sell out" as used in the context you're not familiar with is to migrate from a music format that is considered 'hardcore' (aka: non-mainstream) to a format that appeals to the more general populace.
    Jason once said, "Yeah, we're sellouts. Every night, at every concert."

    The difference is mixture of the crowd that shows up now. The concert I went to in Minneapolis just recently was not what I'd consider up to par with their previous gigs. Sure, it was sold out and they really catered to the crowd which are good things. But I partly went to the concert knowing that I'd feel, for one night, that I'd fit in. Be amongst kindred spirits. I was shocked to find out that I was actually a minority and felt slightly uncomfortable in the midst of the '90210' crowd.

    Its kind of like having CT & Hemos announce that they have the personal integrity and desire to run /. off of a Win2K box. After all, they're running on the platform they want to run it on, how could that be construed as selling out?

    -Vel

    1. Re:Selling out by kmcardle · · Score: 1

      I don't think selling out is the term to use. I think the term is "You're not doing what I want you to do, so I'm going to piss and moan about it." If Metallica did what I wanted them to do, they wouldn't be Metallica, and I wouldn't listen to them. How many groups put out CD after CD of the same music just rehashed?

      Sure, the crowds at Metallica shows are changing. That's fine. Anyone is allowed to buy a ticket and see the show. I've been to my share of shows, and I've seen 10 year olds and 60+ year olds. It doesn't bother me. I'm there to see the band. If the crowd bothers you, don't go. You'll be missing the one of the best live bands though. But, at the Metallica show, you are among kindred spirits. Everyone is there to see Metallica. (And on the last tour, Kid Rock.) That's the common thread. Have fun with the newbies next to you. Teach them to headbang. Instruct them when to start the 'DIE' chant during Creeping Death. Inform them that Metallica has been putting out records since 82. Encourage them to buy them.

      If CT&H want to run /. on a W2K box, let them. I'm here for the discussion (like this one, which I'm enjoying. Thanks. ). I don't care what hardware /. runs on. I care about the content.
      --

      --
      then it comes to be that the soothing light at the end of your tunnel is just a freight train coming your way
  132. you are using the wrong version by mikemulvaney · · Score: 1
    Searching has slowed down considerably in the last few weeks. There is a bug in the newer versions that is messing things up.


    Check out gnutella.wego.com for details.


    (I've haven't tried the old version yet, so I don't know if it will help or not.)

    Mike

  133. BOOTLEG TAPES/VIDEO'S by dEaTh_ChUrCh · · Score: 2

    Just goes to show that when you have lots of money, live in nice houses and drive nice cars, you forget all about your roots. One of the main reasons Metallica became big, was through the distribution of bootleg tapes and videos, they seem to have forgetten about all this. Anyway Fuck Em' All, maybe this is all hype for their next album Re-Re-Load with The Unforgiven III.

  134. Re:me me me... Him him him (Chuck D) by b4dg3r · · Score: 1

    Oh, come down out of your ivory tower. Metallica has as much right to sue Napster for copyright infringement as the guy who's suing the english ISP for a less than flattering posting. None. Zilch. Zip. Napster isn't doing anything except allowing people to share files. By your logic, Metallica should also be suing MS because, hey I could setup a global share and share all my mp3's, right? But that isn't MS's fault is it? It's my fault. Let me say that again. MY fault. A philosophy of personal responsibility that escapes most people these days. It's always someone elses fault. Maybe their record sales suck because the band sucks. But no, it must be Napster's fault. What a freakin' joke. I hope they lose badly, loudly, publicly and in complete humiliation.

    --
    "Government big enough to supply everything you need is big enough to take everything you have" - Thomas Jeffeson
  135. Getting arround napster blocks by dbs6183 · · Score: 1

    I just thought I'd post a link to a neat little article I wrote on how to set up an Offsite Napster Gateway... Pretty simple technique (yes I know there are other ways to do this)
    Check it out here.
    Dave

  136. Barndoors, Cats, Stuff Like That by jhage · · Score: 1

    I think one of the great things about Napster is that it has spawned a new (or at least underexploited) way of thinking about networking and a whole new set of tools that deemphasize centralization. The cat's out of the bag. Gnutella, which should be far and away more resistant to lawsuits since it lacks a central authority/server/choke point, is, I think, going to end up being an absolute nightmare for authorities trying to keep track of who's giving what to whom and when and how (gotta track those taxes!) since it can be easily set up and taken down without anyone being the wiser. Works for me.

  137. Re:Find out. by Chandon+Seldon · · Score: 1

    A server is a program that sits and waits for requests.

    This could be something like Apache, where the request looks like

    Hey, send me /index.html
    Or something like ICQ where the request looks like
    Hey, I've got a message for you
    Or even something like the X Window System where the request looks like
    Output the text "Hello World" in that there window.

    A restriction on "servers" by an ISP is a restriction on what programs you can run on your computer. Agreeing to such a thing is just moronic.

    --
    -- The act of censorship is always worse than whatever is being censored. Always.
  138. Re:me me me... Him him him (Chuck D) by um...+Lucas · · Score: 1

    If Napster wanted to reduce it's accountability for it's users actions, it should go through more verification steps to be sure that users are who they say they are. After their ID has been trully verified, they could then make up whatever handle they'ed like to use. If for some reason or another, a user is suspected of trading in pirated songs, then that user could be physically tracked down and forced to show that they have the right to possess said songs.

    Much as i don't like BeamIt, mainly because it does tend to grind my network to a halt, at least it attempts to verify which songs users should have access to.

    Since Napsters network is based entirely on trading MP3's (at least until Wrapster gets integrated into the Napster clients), Napster should either be more forceful in stating and enforcing copyright laws, or simply cease and desist the running of their servers. Mp3.com figured out a way to verify user's rights to given songs... Napster should too. Otherwise they should stop. It's just not fair to the artists.

  139. Re:Good tools, but bad usage (with a few problems) by Jay+Carlson · · Score: 1
    what possible legitimate application could there be for a program that subverts firewalls.

    That's a great question! We should go ask AOL why they have a button in AOL Instant Messenger that essentially says

    Click here to autoprobe and defeat your firewall
  140. How to stop (or cripple) Napster by MetalHead · · Score: 1


    If the record companies really wanted to try to
    put a dent into napster, et al, I wonder why they don't just start polluting the datastream?

    You download a file ostensibly containing Metallica's "Seek and Destroy", and you get instead a lecture on the evils of piracy.

    Put enough noise out there and it will be too annoying for most people to use. Why hasn't this happened already, is what I'm wondering.

    --
    Bang the head that doesn't bang!
  141. Press Release: Metallica Sucks the Corporate Dick by revscat · · Score: 1

    FLASH: Once legendary heavy-metal band Metallica officially announced yesterday that they were discontinuing their focus on music and will instead focus exclusively on being shills to the almighty dollar. "This really started when we did that Bob Segar cover," band member Lars Ulrich said. "But we figured that for us to continue to rake in the dough, we really need to focus. I mean, that song sucked, didn't it? But those idiots bought it, and the stations played it, and we still made a shitload of money. But making original music is just too difficult for the band these days. So the music is out."

    Executives at Columbia House were ecstatic over the news, proclaliming that, according to their official press release, "this is a validation of all we have been doing to the consumers over the past thirty-odd years. Money, not music, is what this business is about. BUSINESS. Repeat: BUSINESS. Money over music, yes sir, that's what rock and roll is all about." The press release went on to explain how exactly their corporate strategy would lead to the eventual domination of the world, in preparation for the aliens.

    Legendary songwriter and former Beatles front-man John Lennon came down from heaven to personally vent his frustration. "Y'know, there was a time when music was meant to spread a message of love and skepticism of prevailing views. Now, with these so-called rock bands like Metallica tossing lawsuits around I rue the future of our musical heritage. Oh, and I miss you Yoko! Hurry up and die!"

    Some random pundit exclaimed in reaction to the situation: "This is just another example of the breakdown of the moral fiber of America. What about the children?" When asked to elaborate he burst into flames.

    (C) 2000 The Associated Press

    - Rev

  142. Let's sue the makers of audio recorders too!!! by thrillbert · · Score: 1

    All these lawsuit geared toward software manufacturers really makes me wonder if audio cassette manufacturers were ever sued. I mean, they basically do the same exact thing that napster does. It allowed people to take sound from their radio and record it onto tape.

    Sure, the method was prehistoric in comparison with today's technology, but isn't the concept just the same?

    How about the dual cassette player? What was it's ONLY purpose? To listen to dual tapes simultaneously? I think not..

    Get a clue people and catch up to technology or else you'll get left behind.

  143. Retailers suing Sony over online distribution by dsplat · · Score: 3

    NPR's All Things Considered show ran a story yesterday concerning a lawsuit by some retailers over Sony selling their artist's CD's directly via the Web. The interesting part for this discussion was the mention that Sony and BMG have plans to begin offering an online service to pay for downloads of music. The audio feeds for the story are here: 14.4, or 28.8 and up.

    --
    The net will not be what we demand, but what we make it. Build it well.
  144. When are teh "Artist" gonna pull their head outta by daSpaZZ · · Score: 1

    When are teh "Artist" gonna pull their head outta their collective asses and realize that they are loosing millons to the companys that are trying to "protect" them. I can not believe in this time of technological capacity that most of them don't just tell the Recording Industry to FU*# OFF!!!!!

    If I was writing music for the masses, I would do just that. If it became a commodity, that would be sweet. That would mean I was popular. I could make a ton of money from playing live and selling my "junk" to my fans. And people that really wanted to Get my songs could pay me directly instead of going through this idiotic middleman system we have now. Were an artisit gets a miniscule amount of what the actual product costs.

    The real victems here are the artist, but the perpitrator is not the consumer, but the Record
    Industry, and it's death grip on all things loaud and musical.

    --
    Woooaaaaaa! I thought you said you were a female?!?!?! Sorry I ain't into that!!!!
  145. Re:Censorship discourages sin by GargoyleMT · · Score: 1
    It depends on how you educate. I think the original poster meant that you should think about these subjects and how and when to best bring them up to your child, letting him or her understand why you object to them, and why you think that they're dangerous. It sounds like you're advocating not telling your children because they're dangerous, and not even explaining your own position to him or her.

    In the end, they're your children, and nobody is going to raid your house and steal them away because of how you propose to deal with this issue. Most likely, this conflict will not be resolved through talking like this. If you explain yourself and the other person is not swayed, get on with your life.

    Except, of course, for the trolls, for whom resolution isn't even a goal.

  146. Excellent point by SurfsUp · · Score: 5

    Ahhh, yes the only way to enjoy art is to pay for it. Guess the idea of public art, street preformers, public art houses, and art accessability projects are bunk. Thanks for pointing this out Lars, otherwise I would have never have known that art is to be bought, and not enjoyed

    Excellent point. Till now, performing art has enjoyed the special distinction of being an unending source of revenue for the artist, or at least, the artist's contract-holders. While non-performing artists have generally been rewarded with lump-sum payments for their work from collectors, museums, etc, deriving only a small part of their income from licensing of prints, photographic reproductions and so on.

    I don't see that the fine arts world is any the worse for this, and we certainly don't seem to be short of artists. Should we now admit that what is happening is a fundamental, unstoppable, change in the way the business of music is done?

    As a musician myself, I don't see that these changes are bad. What is really being torn down is the system of manufacturing stars - entirely a creation of the music industry. If there is an endless supply of bands just as talented as metallica, and believe me, there is, then what you'll see is the recording industry no longer being able to control the vast bulk of the supply of music by limiting the number of newly minted stars. What's going to happen? Obviously, once the chokehold on supply is broken, prices will fall. That's exactly what's happening, although in all the confusion, it's sometimes hard to see that.

    What we're really seeing here is the beginning of a real flowering of art for art's sake, in much the same way as the current exponential growth of code hacking for code hacking's sake. It's not necessary to drive a Benz to be a functioning member of society as a musician. There are still many ways to be paid for the work, and to be paid well for great work, but one of them - the one that supports the recording industry's monopoly on talent and supply - is coming to an end.
    --

    --
    Life's a bitch but somebody's gotta do it.
    1. Re:Excellent point by jtosburn · · Score: 1

      I'd expand upon this with a bit of semi-dramatic hyperbole: I used to work for an architect who would regularly contend (jokingly) that we (architects) should get royalties for the use of the buildings we design. Think of it! A portion of one's rent/mortgage going to the architect! Now granted, most buildings can't stretch to be considered Art, but many can. And payment is, as a non-performing art, a negotiated sum up front, with no consideration to future revenue based on the success of the design.
      As the above poster noted, the art of architects isn't necessarily any the worse for the situation, but note how few buildings are interesting much less artistic. So much squandered potential!
      One of the ideas in jeapardy is the get-rich-quick American dream (which is total bs). If an artist taps into that collective unconcious of the mainstream, and hits it BIG, should they then live forever off of that moment? Is this any different than athletes (performing not art but sport...) who demand contracts that allow them to live forever in luxury in the event of injury?
      To end my ramble, I'd just say that shit happens and so do changes. Everything changes, and we just do what we can to help it change for the better. The power of the internet is the decentralized nature (until AOL co-opts it all) of access and opinions. Its ALL out there and demand, even as expressed by pure capitalists, is evident in whole new ways that the capitalists have yet to grasp. The RIAA is just one of the first to pucker their sphincters and try denial on for size. When that doesn't work, they'll actually look at how to make money another way.
      Performance art vs. non-performance art may yet equalize....

  147. Thank you. by Evro · · Score: 1
    This was my exact sentiment. "...sickening to know that our art is being traded like a commodity rather than the art that it is." So art cannot be traded? What if I trade your art, which I own, for, say, some Jimi Hendrix art that somebody else owns?

    But the most glaring point for me was the idea that art can only be obtained with money. Rather stupid.

    __________________________________________________ ___

    --
    rooooar
  148. Re:Hmmm.. 'bout Dee Snider by Chiasmus_ · · Score: 1

    Yeah, I actually know the lawyer who sued Judas Priest on a first-name basis.

    Supposedly there were "subliminal messages" on the album that our brains could decode despite the fact that they were backwards.

    For example, one of the court exhibits was a five-second clip of music played backwards: it sounded like "goggit gooooogy" which, according to the prosecution, was clearly "commit suicide"

    This kind of lawsuit, though, doesn't really have anything to do with Napster or copyrights. In fact, it doesn't really have anything to do with anything.

    --
    "Beware he who would deny you access to information, for in his heart he deems himself your master."
  149. Why Creed is so cool by Evro · · Score: 2
    I am sick of this shit. I mean really. It was bad enough when the Harry Fox Agency shut down the OLGA, but now I see that my once-beloved Eric Clapton Lyric Archive has been shut down by Warner. THIS WAS A SITE WITH LYRICS!! AND ONLY LYRICS! People are no longer permitted to write down the lyrics to songs so that others may know them???


    Anyway, the reason Creed is so cool is that you can actually download some of their tabs from their site. Check it out here. Of course, that's not the only reason they're so cool, but it's definitely a start. I don't know their stance on MP3, but they've got Liquid Audio up on their site so perhaps they'd be more open to it than Metallica (who, at this point, are so uncool it hurts).

    __________________________________________________ ___

    --
    rooooar
    1. Re:Why Creed is so cool by gilroy · · Score: 2
      Quoth the poster:
      THIS WAS A SITE WITH LYRICS!! AND ONLY LYRICS! People are no longer permitted to write down the lyrics to songs so that others may know them???
      Not to burst your bubble, but this has never been legal. The writer of a song gets copyright to the arrangement of the song. This copyright is distinct from the one held by, say, the recorder of a song.
    2. Re:Why Creed is so cool by The+Dakota+Kidd · · Score: 1
      Well, there was an article on Salon where the lead singer for Creed claimed that Napster was "robbing him blind". Since they use Liquid Audio, I would assume this attitude would extend to mp3's in general.

      In a way, he's right because I downloaded several of their songs from Napster and realized that Creed had only one song that I enjoyed. So I didn't buy the album, thus depriving whomever of the $17.99 I would have had to shell out for it.

    3. Re:Why Creed is so cool by whovian · · Score: 1

      OK, now I think I get it. As others probably have already pointed out:

      The AOL merger with Time-Warner will bring on a witch hunt for illegal servers. When those are snuffed, then AOL/TW can sell you their notion of multimedia content.

      Hold on to your seats.

      --
      To-do List: Receive telemarketing call during a tornado warning. Check.
  150. how bout DVD quality by SimSimon · · Score: 1

    I think part of the frustration of the cd purchasers is that they are paying for something that is now easily distributed but still costs $20. I support the legal angle of listen to what you own, but couldn't the issue be sidestepped by upgrading the quality platform from cd to dvd, that way the customer has a product whose value is not equivelent to say 60 megs of mp3 space on their computer. There would be a much higher motivation to purchace better sounding products and the value would be retained. I realize that at that point we'd all have to buy new music players, but we didn't complain when tapes went out of style.

  151. Bravo. by drwiii · · Score: 1

    That just made my day. (:

  152. Sue Napster, and while we're at it... by ChipX86 · · Score: 1

    Let's sue the inventors of the HTTP protocol! There are tons of mp3s and warez and porn being accessed through it. Let's also get the inventors of the FTP protocol. What the heck, let's also get the inventors of the Internet! And VCR and tape recorder manufacturers! People can pirate videos and record conversations without permission! And what about those people who will check out a book from the library and write down the info from it? They never bought the book, and are stealing the information! We should get all those paper and pencil manufacturers. That'll put a stop to that!

    Don't they see that's what they are doing? Napster is simply a protocol and a network. The users of Napster are the ones carrying the mp3s. I'd be willing to bet that any mp3 you can find on Napster would also be on a website or FTP server somewhere.

    Because of mp3s and Napster, I have bought 7 CDs that I previously would not have considered even looking at. One example is Portal Theory. I still can't find them in any stores, just Amazon.com. Had they not given out 2 mp3s to listen to, I would never have heard of them.

    I think these people just need to relax. The bands are getting more fans and many more potential buyers. Sure there are a few who will never buy CDs again. However, there are many of us who decide we want to listen to their music in the car or while we're walking some place. Sure there are Diamond Rios, but CDs are just easier at times.

  153. So why don't they take a two tier approach? by cr0sh · · Score: 2

    Charge a low flat rate, capped at so many meg in a day (say, $20.00 for 100 Mb), anything over that charge $0.25/Mb - so we (as responsible adults - although in today's society, that might be an oxymoronic phrase) can pay for the bandwidth we use (gee, just like the ISP's - what a concept!).

    I would be willing to do this if it would let me run a server in my home.

    --
    Reason is the Path to God - Anon
  154. The Record Companies brought this on themselves. by Lord+Kano · · Score: 3

    I remember back when I was in high school (about 10 years ago) that somewhere in asia someone had developed a music vending machine. You pay your $10 and pick out a certain number of songs. 20 Minutes later your CD pops out. With JUST THE SONGS THAT YOU WANT.

    The record companies didn't like this idea. If you want 10 songs from 5 different artists, you have to buy 5 CDs to get them all. They wanted to get the ($15*5) instead of the ($2*5) from you.

    If the record companies hadn't fought sensible and fair music distribution models then, they wouldn't have to deal with Napster, Gnutella and Hotline now.

    They killed DAT. They'd love to have killed CD-R. They're quaking in their boots over Gnutella because it can't be stopped.

    LK

    --
    "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
  155. Really? Ftp is always anon? by A+nonymous+Coward · · Score: 2

    Gee, I thought you could actually log in with a real account name. That would be, uh, non-anonymous, wouldn't it?

    How about telnet -- is that a server by your definition? Of course not -- it's not anonymous.

    Ii think you had better rethink your redefinition.

    --

    1. Re:Really? Ftp is always anon? by Fishstick · · Score: 1

      Well, of course you are right. Thank you for being such a jerk about it.

      --

      There is much cruelty in the universe, John.
      Yeah, we seem to have the tour map.

  156. Napster & Hypocrisy by thack · · Score: 1
    It's funny that Napster, on their webpage has the nerve to even post usage rules. As if anybody is supposed to abide by their terms when the sole purpose of their product is to rip off musicians.

    Alot of you are complaining about Metallica's greed, when all you want is a handout. Where I live, I hear allot of people complaining about not getting what they want for free. And, of course, anybody that has 2 cents in their pocket better fork it over...

    One guy I overheard was especially pleased with his state of financial affairs:

    "...I'b work for de gubbmint!"

    Guess who pays his way...

    Long live communism, Huh?

    1. Re:Napster & Hypocrisy by kowpie · · Score: 1

      NAPSTER SUX IT CHEETS OUT ALL THE COMPANIES AND EMPLOYEES THAT WORK SO HARD ON CREATING AND PRODUCING MUSIC AND CDS

  157. Restricting use by Screemer · · Score: 1

    I have no problem with ISPs limiting bandwidth. If you incur actual costs to the ISP for extremely high usage, then (assuming it's in the EULA or they've warned you) it's reasonable for them to pass those charges along to you.

    I also have no problem with ISPs saying that I can't transmit illegal content. This is an obvious and redundant rule anyway.

    I DO have a problem with ISPs saying that I can't put up a server. ISP's use this in an attempt to limit upstream bandwidth. If they put a limit on total upstream bandwidth usage, then why should they dictate that I can't serve? There is no good reason.

    The problem is that ISPs are enforcing BOTH bandwidth usage limits and server bans at the same time. There is a good reason to use one or the other. They both are intended to serve the same purpose (limit bandwidth) but target different user profiles. One method may seem more restrictive than the other to a user. It depends on the profile of the user as to which one seems more restrictive.

    What I see is a trend to enforce BOTH rules. When I signed up for DSL service 26 months ago, the usage policy stated that they have the rights to impose extra bandwidth charges to a user if the user is notified and given 30 days to either accept the new charges or discontinue service. Serving was not mentioned at all in the agreement. I asked the company representative that was signing me up over the phone, and she explicitly said that no, there were no serving restrictions.

    Now the posted usage policy states specific upstream/downstream bandwidth limits per month, and it states that NO servers are allowed. This seems to be the norm now, at least in my neck of the woods. The local cable company (the only real competition) has a similarly restrictive policy.

    I still serve. I run an low-usage FTP server that I use to transfer files between the office and home, and to a small circle of friends. I also serve a specific set of 12 mp3s from my favorite band via my FTP server and Napster. The mp3s I serve are completely legal. The band has given permission to distribute these specific 12 mp3s. Rather enlightened of them, isn't it? Here's my shameless plug for them--a wonderful fan page: www.screeming.com

    Fortunately for me, my ISP hasn't done anything about my serving..yet. But whether they choose to enforce it or not is not the point. The point is that they should not be allowed to dictate how I use the system. If all ISPs have the same policy in place, then we have no recourse. It won't do any good to switch providers because they all have the same policy. Sure, I can subscribe to a third party web server or FTP server, but what if the server I want to run doesn't fall within this category?

    Tell your ISP that usage restrictions are unacceptable. If you're signing up for service, ask about serving restrictions. Tell them you don't like it. The people who sign you up for service DO often pass along comments. If you're switching ISPs, always let your old ISP know why you're canceling.

    Chris Marta

  158. Re:Huh. by Ares · · Score: 1

    I would have written that more like:

    Anyone running Linux/*BSD on cable, and still has telnet and ftp (etc.) still running ESPECIALLY if on the standard ports, without some kind of filtering needs to have his/her head examined.

    Even those who have them turned on but on different ports without some protection should have their head examined; they're practicing security through obscurity, which we all know is an oxymoron.

    Other than that, you pretty much hit the nail on the head. Then we have the entire debate about the cranio-rectal inversion of people who run "The Other OS (TM)" on a Cable line.

  159. Hmm... by cr0sh · · Score: 2

    Your points on everything are well taken - it seems like every day I hear something bad about the @home service. Unfortunately, where I live, it is the only thing I can get (and I am holding out on it unless it is the ONLY thing). As far as your IP number issue, can't you set up some form of an IPMasq system (add a firewall on top of it, as added protection). If they discourage this kind of thing, tell them you have sensitive information on your system, like tax returns, credit info, etc - that you would prefer that the world didn't see (whether you actually do or don't isn't the point). If they still discourage you, set it up anyway. If they cancel the service, tell them to screw themselves - you have a right to protect your own machines and information (they claim that right for their network - why shouldn't you be able to claim that right for yours?).

    I see the whole issue of not being able to run servers and having multiple machines in a home network only becoming a bigger issue with @home - the problem is their flat rate - if they would allow you to do whatever the hell you wanted to with the connection, and just be a common carrier, and charge you for bandwith - this wouldn't be an issue.

    --
    Reason is the Path to God - Anon
  160. Re:Metallica -- who cares? by LordEq · · Score: 1

    > In fact, I think most Slashdotters listen to
    > pretty shitty music... Except for Cowboy Neal,
    > who likes the Grateful Dead.

    I'm sorry, but I just don't get it. I always hear people worshipping the Dead, talking about how awesome Jerry Garcia was, etc. I've listened to their stuff. I don't see what's so impressive about it. Help me out here.

    (No offense meant to the people who like their music... I'm just wondering what the attraction is.)

    --LordEq

  161. Pay artists, sure...but.... by HarryCaul · · Score: 1


    I'm all for giving artists money for their work. But I'm at a complete loss as to why I should pay some bloated corporation money to distribute product when I simply don't need their distribution services anymore. It was hard enough to justify when there were physical pieces to move around, but with MP3, etc. I really don't need a record company to get the music from the artists to me. Keep in mind that only a buck or two at most from each CD actually goes to the artists- the rest ends up in the pockets of retailers and record labels. Who needs 'em?

    1. Re:Pay artists, sure...but.... by Chris+Johnson · · Score: 2
      A buck? That's wildly overestimated.

      I think somebody needs to ask Metallica to review their contract. Do the words "work for hire" appear in it? Read this: http://www.livedaily.com/archive/2000/2k01/wk3/Ame ndmentToCopyrightActCo.html

      Basically, it is possible that Metallica does not own its own songs- making their pleas for respect for their artistic work kind of ironic. I realise it might come as a bit of a shock to consider that record industry contracts are being changed to alter them so that, rather than the company owning your artistic creations for thirty-five years outright, the company owns your artistic creations FOREVER. That's exclusive ownership, you don't get a say. Did you know of this? Does Metallica know of this? Does Metallica have a provision in their contract stating their albums are work for hire due to the involvement of engineers and producers and such? If so, and this law-change would appear to be retroactive and apply to existing 'work-for-hire' contracts, Metallica does not own any of their music- they'd own nothing and are also probably barred from producing work other than for the company that will wholly own anything they produce. If anyone can check on this it would be very interesting...

      I own my mp3.com stuff. Their contract gives them nonexclusive rights, so they also get carte blanche to do what they wish with the stuff I give them, which I'm happy with, but it does not sign over ownership of the music or the mechanical recordings to the company- which I am still more happy about. Try that with a record company contract. There is a very good chance that Metallica are goddamn slaves and don't even realise it. Ask them about their contract! But don't be too hard on them as they had damn-all chance to negotiate even a word of it, with 20 million other bands clamoring to be exploited.

      I'm not at all sure there is morality to be had in defending the record companies the way things are going. The concept of civil disobedience seems more and more relevant...

  162. Let Metallica Know by frantzdb · · Score: 1
    I'm sure plenty of people here are Metallica fans to some extent. I know I would have never baught any of their albums earlier than the Black Album had it not been for MP3s. Let them know that. The best e-mail address I could find is this: metclub@aol.com
    (yuck, AOL)

    --Ben

  163. Didn't Metallica get sued for copyright violations by TheMayor · · Score: 1

    Didn't Dave Mustaine sue Metallica for stealing his music. Not to mention Garage Days was a huge legal battle for Metallica, as every artist that they covered on that album sued them. Hmmm... hypocrites.

  164. The Dumbest Quote I've Seen by GeekLife.com · · Score: 1

    From the Wired article:
    Metallica is no stranger to referring to legal issues in its work -- the band's album "And Justice For All" was nominated for a Grammy in 1995.

    You've got to be kidding me. I can't believe they said that.

  165. Re:Good tools, but bad usage by Rantage · · Score: 1
    People may feel they have a right to make money off of their work, but there exists no inherent right which should be upheld.

    Feel free to remind your employer of this on Monday.


    Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.

    --
    Online gaming for motivated, sportsmanlike players: www.steelmaelstrom.org.
  166. Re:This sucks bad. by |deity| · · Score: 1

    I love all the old metallica stuff but most of their new shit sucks. Metallica got it's start as an underground band and word got spread about them by people that copied tapes and gave them away. That's a quote from an MTV special on metallica the quote is also by Lars Ulrich. They got their start from people trading bootleg songs.

    I'm hoping this is a moved urged by RIAA lawers. I still like a few of metallica's new songs, not many but a few. I hope that they drop the lawsuite because If they don't I'll quit buying their new albums completely and I won't feel guilty about pirating the one or two good songs that show up on a 2 cd album. This from a band that said that they would not change their music to become popular because they believed in what they did.

    I'm going to send several emails explaining my position on this lawsuite, I hope everyone else does as well.

    I might expect this from some pop band but not metallica.

    --
    Environmentalists are their own worst enemy. ~tricklenews.com
  167. I got wrongly accused of running Napster by John+Jorsett · · Score: 2

    I got one of the Cox @Home snotty emails about running a server and told to knock it off under the threat of losing my account. What makes this interesting is that I had installed a hardware firewall to block all connection attempts from the WAN. Their nebulous email also muttered something about exceeding a 500 mb (per month)upload cap. I wrote to them and said, "what the hell?". Well, I came to discover that their incompetent staff had coded their server probe software to assume Napster was running if they couldn't get a connection! So anyone running a firewall like me got one of these "you are in violation ..." messages. Their email inbox must have melted under the flames they got, since a short time later, a veeerry apologetic email was sent saying in effect, "Oops. We didn't mean it. Stop hitting us. Have a nice day." What's even more ironic is that Napster was once of the featured download offerings from Cox @Home the week prior to all this. Talk about the left hand not knowing what the right is doing. By the way, Napster works just dandy inside a firewall. If you tell the install that a firewall is in place, it does something differently. I presume that its configured so that the Napster server tells your machine to initiate the transfer instead of waiting for an outside connection to do so, but I haven't confirmed this.

  168. Re:AC because of /. intolerance by Nicolas+MONNET · · Score: 1

    Who is Voltaire?

    Nevermind. I'll fire up emacs and talk with the shrink, he's smarter than you.

  169. Re:Good tools, but bad usage (with a few problems) by Ares · · Score: 1

    Ah, but if I'm paying for my Internet Service, and its my ISP's firewall that's blocking me, I'm not working on their computer. Using their routers, and bandwith, yes, but I'm also paying for the use of it.

    SSH gives the ability to subvert firewalls, quite well, I might add. If I have a shell account on a machine outside the firewall, I can use ssh to set up a connection from inside the firewall, and have it redirect a port or 4. If I use the right redirections, I can use ssh back in across that connection to gain access to my email, or even to do real work from outside the company. I did this quite a bit while in school with my former employer (and no, its not the reason they're my former employer either). ssh subverts firewalls, does that mean it has no legitimate purpose? Of course not. How many of you use ssh instead of rsh or telnet to remotely log in to another system. I use it almost exclusively.

    I do believe you're 100% correct about employer's time/bandwidth. We have jobs to do while at work, and I'm sure that very few people here have a job description that includes scouring the Internet for kiddie pr0n, unless of course that is your job because you're an enforcer of some sort.

    But if I pay my ISP for bandwidth, that bandwidth is mine for the duration of my connection. Any filtering whatsoever (via blocking access to "unapproved" sites), and the ISP should lose their Service Provider status, and be relegated to the realms of Content Providers.

  170. So Sad... by Pinball+Wizard · · Score: 1
    I know this is somewhat of a "me too" post but its really disappointing when a band(Metallica) that used to have so much integrity in their music and personal lives has sold out like they have.

    (for slightly younger geeks than I) That said, my fav hard rock band has long been Rush. They put out most of their best stuff in the late 70's/early 80's, but they still consistently rock. They are the ultimate geek band in my opinion - there is no other hard rock band that can compare in terms of musicianship and intelligent lyrics. They've been around for 27 years, and I can tell you with confidence that they will never become a corporate sellout. If you've never experienced them, try Hemispheres. Music that will put just about any new hard rock to shame.

    --

    No, Thursday's out. How about never - is never good for you?

  171. Re:"Rightist propaganda": Myth, oxymoron. by Ares · · Score: 1

    I'm not su sure this would be considered an oxymoron. More like a proof by self-reference.

  172. Re:Fuck Metallica by commodoresloat · · Score: 1
    I wrote the lead story last night on nofuncharlie.com about this; the comments from the drummer are particularly ironic. Check it out at http://nofuncharlie.com or go directly to the threaded discussion at http://nofuncha rlie.com/HyperNews/nfc/get/news/metal.14-Apr-00.ht ml

    Commodore Sloat

  173. "Leave Napster alone" - Metallica site cracked by vaxer · · Score: 1

    See for yourself -- looks like someone decided to counterattack.

    1. Re:"Leave Napster alone" - Metallica site cracked by Cybersonic · · Score: 1

      hehehe cool :)

      --
      Cybie! aka Ralph Bonnell
  174. Explain the anti-Metallica sentiment by Ronin75 · · Score: 1

    I'm not sure if suing Napster is valid for what they want, but I don't understand the anti-Metallica sentiment in a lot of these posts.

    My (or your) feelings concerning the record industry are irrelevent. This is an issue of how an artist views their work. You can't make decisions for others, or their work. Right now, the law supports this:

    1) If you want to give your art away, and say "Freely distribute my creation", that's fine.
    2) You can convince someone that they're better off giving their art away, that's fine.
    3) If you want to force someone else to give their art away (Napster), that's wrong.

    These add up to respect for every individual in the process... and allows changing the system by communication and example, and not forcing your practices on others.

    That is what Napster community is: forcing artists to follow the free distribution view, not their own. And that's wrong.

    I'm not against the model of artists giving their art away, and I don't love the music industry companies, but I'm against the concept that it's ok to do it regardless of what they want.

    What's the problem?

    1. Re:Explain the anti-Metallica sentiment by NaughtyEddie · · Score: 1
      The problem as I see it is that Napster is not the ones trafficking in musical warez. Individuals are, and Metallica should be suing them.

      Napster is a product with a bona-fide purpose (heh heh) so shouldn't be held accountable for what people do with their software.

      I agree wholeheartedly with everything you say, I just don't think Napster should be made the scapegoats.

      Ed xxx

      --

      --
      It's a .88 magnum -- it goes through schools.
      -- Danny Vermin
  175. Yes! It Works With Napster! by Chris+Johnson · · Score: 2
    FWIW, I don't have that nice fat corporate support, but for Metallica fans being upset, I do have a Metal song which I mp3ed and put on the web. It's off an album of animal themes which covers amazingly different genres, and the Metal song is the theme for "Wolf". It includes some gabba hardcore elements but mostly just brutal drumming, bass and guitar playing, and a solo that is viciously atonal and makes no concessions to human notions of harmony :)

    "Wolf" www.mp3.com/ChrisJ

    Please PUT this on Napster, if possible with a name or metadata like "Wolf (on napster by personal request of the artist Chris Johnson!)". I'm on a Mac so I can't make spammy filenames like that :) and napster doesn't actually help me at all because people downloading stuff off mp3.com directly helps me- but that doesn't matter because I want to help _Napster_. If someone could do that, or could do that with all my stuff both there and at mp3.com/RFW, that's over 170 megs of mp3s that are specifically on Napster by personal request of the artist. It may hurt my chart rankings over at mp3.com if nobody ever has to go there again ( ;) ) but I don't care. I _really_ would like to personally ask that stuff of mine be put on Napster so that I can say "Hey- I am a musician and I _want_ Napster! I _asked_ for my stuff to be there. Are you trying to cut off my avenue of distribution?" and have that be a SERIOUS ARGUMENT. Nobody has a right to cut off my avenues of LEGAL distribution just because the medium is being used for other purposes.

    So _please_ would someone grab all my stuff and put it on Napster? Hell, if it helps I'll ask somebody in writing. Does anybody know if it might help for me to ask someone in writing, just to authoritatively establish that at least one working artist legally and legitimately WANTS their stuff on Napster and requested that it be there? It seems to me that could help blow a hole in the "It's just plain illegal!" concept. It's just a tool...

  176. Honor Lars---Juarez His music all Weekend by tomwhore · · Score: 1

    I call for every one to juarez as many copies of metalica mp3 as possible this weekend.

    Burn them on cds, hand them out to strangers. Put them up on ftp sites. Open a web site, Run a Gnutella server and offer nothing BUT Metallica.

    Yes folks, lets use this medium and show Lars, the many times victim of Hoof-In-Mouth syndrome, just what we think of him tossing about the ire and angst at the fanbase.

    If you do pass around meatllica Juarez, pleasse, be nice, only pass around the good albums. Passing around loaded or the symphonic craps is just plain rude.

    --
    Poor little clams! Snap! Snap! Snap! Poor little clams! Snap! Snap! Snap! Poor little clams! Snap! Snap! Snap!
  177. Re:How pathetically self-contradictory you are . . by Ares · · Score: 1

    Gawd I hate quoting movies, but this one seems appropriate.

    "You want to call America the land of the free. Lets see you acknowledge a man center-stage advocating at the top of his lungs that which you would spend a lifetime opposing at the top of yours."
    -- Michael Douglas -- The American President

    Of course, I'm sure that the movie was too leftist for you, but the point is there. Free speech means all speech, not just what happens to agree with your point of view. Unfortunately, this is quite rapidly becoming SOP in the US. I'm quite certain that there are people in this country who would go to a KKK rally, be offended by what they hear, and try to sue over it. Is it offensive, I think so, but no one forced you to listen. Thankfully, the right to speak does not include the right to be heard, or there'd be a lot of door-to-door religion sales folk who had their right to speak summarily terminated.

    I'm not sure which one of our colonial patriots said it, but:

    "I do not agree with what you say, sir, but I will defend to the death your right to say it"

    Call me Leftist, Liberal, or whatever else you want, but if you don't like the way something is being done, I see you having two choices: get out, but don't let the door hit your ass when you go, or get off your ass and do something about it. Just don't expect a Constitutional amendment to end "the radical leftists who inhibit the free operation of the media" to come easily. Sadly, we have people such as yourself who would rather bitch about what you perceive to be a problem (granted, I think that morals are missing from our society, as well, but it is not the place of the government to mandate them); there is nothing stopping you from printing your own flyers, newspaper, or whatever (getting a news program on TV or radio is admittedly somewhat difficult). See, I'd acknowledge you advocating at the top of your lungs. Why can't things work the other way?

    As for your statement about the Constitution, I'm not sure what Constitution you're reading, but mine says nothing about accurate Christian information. Quite the opposite, mine says that "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof...". Your day may come, not in my lifetime, but it may come.

    Going slightly off-topic, for a moment, I am a Christian. Do I support school prayer? Not if we mandate it as some people would lead us to believe. But if, when I were in high school, a teacher or administrator told me I couldn't pray before lunch, or before a sports game, because its not allowed in school, they'd have their ass in court so fast it'd make their head spin, not only on the grounds that they're violating my right to the free exercise of my religion, but also that they would be effectively establishing Atheism (with any necessary apologies to the Atheists out there who may disagree with me)

  178. Lyric sites are illegal? by kallisti · · Score: 1
    Did the site have advertising banners? IIRC, the Lyrics Archive (www.lyrics.ch) was shut down because the banners meant they were using the lyrics to earn money. The fact that the banner sites were just to offset the cost doesn't matter.

    The once mighty fair-use could apply to fan sites, could it not? Or have we lost it entirely? There exist many fan sites with annotated and commented lyrics, I won't list any here (the RIAA can do it's own damn searches). Are these legal? Seveeral sites also seem to have endorsement of the musicians, who check in every once in a while. Who holds the copyright: the writer, singer, band, ASCAP/BMI company (e.g. "Creeping Death Music"), recording company or Harry Fox?

    I don't think the legality of lyric sites is quite so black-and-white.

  179. Perhaps you should yell at the users who steal. by FallLine · · Score: 4
    There *ARE* people who use Napster for legit reasons.

    Yeah, just like there might be legimate reasons for walking around in KKK garb (e.g., hood and mask). But don't expect me to attack the guy who gets his house burnt down for verbally assaulting the dress. Metallica _is_ getting looted of their IP, they have a right to be pissed off. If you want to yell at someone, perhaps you should yell at 99.999999% of Napster, who uses it illegally. Furthermore, if you can use a service which is used almost exclusively by "looters", I think you should be able to stomach just verbal assaults.
  180. Re:Because I MADE the software. by Wah · · Score: 1

    Thus, the creator has the right to control their own work.

    Well, my .sig kinda explains my viewpoint on the whole control issue. The Law can say we have a right to fly, but that doesn't make my bones any lighter. We, now, are faced with the problem of what exactly control is. My solution is to protect the right to profit from protected works, seeing as how distrubution and reproduction have become zero (direct) value operations (at least for digital media). I think our IP/copyright laws need a serious reworking or we're going to run into even more serious problems.

    And no I don't think anyone should be forced to share their code, or their music, but if everyone takes on the attitude that closed code (or music) is bad, we'd get there eventually. I must admit here that code and music are different, the GPL as it stands would NOT work for music.
    --

    --
    +&x
  181. Re: song text by cheese_wallet · · Score: 1

    Hmmm... you state that most of their song-text is anti-establishment... and you might have a case if their only album was ...and justice for all.

    But they do have other albums out, and I don't think that anti-establishment is a prevelant theme on any of them.

    However, I agree. The quote is awful, and I hope it is severely out of context. I am not even sure what the quote is referring too, when it was spoken, and who it was spoken too. It looks like elektra is using the quote, and it isn't something that lars spoke to the press.

    It has been years since I have been to a concert of theirs, but the one I saw in 91 they actually had a bootleggers section

    Also, I'd like to mention that recording music in a studio generally isn't free.

    --Scott

  182. Re:Good tools, but bad usage by marx · · Score: 1

    But your entire argument relies on that intellectual property laws are right, I'm not so sure they are. This was what I was arguing about, that paying them for writing songs for me is right, but paying them to make a copy (or to let me make a copy) non-exclusively of work they have already done doesn't feel so right.

  183. Metallica has every right... by NightStriker · · Score: 1

    Given the fact that those trafficking the MP3s and recipients of the MP3s are most likely not owners of the Metallica albums, Metallica has every right to sue. Their copyright has been infringed, and it is almost certain that if brought to trial they would win.

    That being said, Metallica is suing the wrong people. The universities are not, per se, doing the trading, and I doubt they would allow it if they could stop it, since it eats so much bandwidth. Metallica should sue the traders of MP3s, who are the ones infringing the copyright, and Napster, since they could probably be found guilty of creating a program with the direct intent to break the (US Copyright) Law.

    Rather than sue the universities, who are probably strapped for cash anyway, they should sue those who are actually breaking the law.

    The problem with MP3s is that people think that since they are files on their computer, and they're being used for personal use, that trading them is legal. Title 17 of the US Code contradicts this belief. It says that the creator of the copyrighted material owns the copyright, unless they give it to someone else. IIRC, there was a court case that showed that copying copyrighted material was legal, if done for personal use AND NOT redistributed.

    Therefore, if I own a Metallica (or any other band) cd, I can rip it, but not redistribute it.

    Now, I know there are those of you shouting "Hey hipocrite! Get that log out of your eye before you call me a crook!". Well, I have ONLY MP3s ripped from my own CDs or obtained from artists who have explicitly put their work on the net. The only possible MP3s I have that could be questionable are the Budweiser Frogs, but if someone shows me those are illegal, then I will either buy the CD or get rid of them.

    1. Re:Metallica has every right... by New+Luser · · Score: 1

      Exposure = Sales
      Trading MP3's with my buddies = Exposure
      Do you get the point?
      I own 5,000 pieces of store bought music, most of which I bought after hearing the music. Very rarely will I buy something without hearing it first, I may be an insane collector of music but I don't like to waste my hard earned cash. So if I hear an MP3 I like I WILL GO OUT AND BUY the CD or record of the artist represented by the MP3.
      It's to bad Metallica is doing this. I was once an avid fan of Lars and company, in fact I was such a die hard fan that I broke open my piggy bank as a teenager to buy a Metallica t-shirt w (15 dollars in pennies) at one of their concerts years ago. I will never buy another piece of merchandise from them again. I will also encourage others to stop buying their music and merchandise.

    2. Re:Metallica has every right... by NightStriker · · Score: 1
      Exposure = Sales
      Trading MP3's with my buddies = Exposure
      Do you get the point?

      Your point is irrelevant. The fact that they get exposure does not excuse people from breaking the law.

      As for listening to music before buying it, I have no problem with this, as long as the artist approves of the means of pre-sale distribution. Granted, IANAL, but it does seem fairly clear to me that the artist's rights of distribution take precedence over any claimed by individuals, especially given Title 17 USC.

      Consider, if you will, the implications of boycotting Metallica, simply because they choose to exercise their legal rights. If Metallica fails, then there will be precedent for the rights of others to be ignored in the realm of copyright. I remind you that the GNU GPL is indeed a copyright, despite what RMS claims. If copyright is turned over, consider what could be turned over next.

  184. Re:Good tools, but bad usage by marx · · Score: 1

    But physical and intellectual property are fundamentally different, why should they be treated as exactly the same? When you pay for a house, you have paid for raw materials, and several months of labor from a team of workers. When you pay for a copy of a piece of music, you pay for the insignificant amount of labor from a CD press, or if you buy an mp3, the bandwidth from the server. It would be interesting to see how much money the architect, and his managers, of a mass-produced house design receive for each such house produced, and then compare that to the money an artist, and his managers, receive for a CD.

  185. "art" vs. "commodity" by _vapor · · Score: 1

    In a press release announcing the suit, publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is."

    Pardon me, but WTF?! I've always known that Lars Ulrich is kind of a dolt, but this is got to be one of the dumbest things I've heard in a long time. I'll ignore the fact that blowing your own horn about your music being "art" is a little pretentious, even though I would probably agree that it is art. But if Lars Ulrich is "sickened" by his "art" being treated as a commodity, why are they even selling their albums in the first place? It would be hard to argue that a Metallica CD is not a commodity.

    An artist, if you take money out of the equation (which I know is a BIG "if"), produces art for others' and/or his own enjoyment -- the business aspect is secondary. The fact is that Metallica are artists at some level, but when all is said and done, they are making a product first and foremost. As long as they are selling their "art," they are pushing a product, not an art.

    Your total: $0.02


    --
    www.poak.net
  186. Re:Sorry, but you're wrong by B-B · · Score: 1

    Sorry. This is a troll. Christian != good.

    Me = Atheist
    Never committed adultery

    (Swaggart, Reed = xtian and = adulterers)

    Me = Atheist
    Never stole

    (Baker, Robertson = xtian = theif)

    Me = Atheist
    Never killed

    (Crusaders/Inquisitors = xitans = murderers)

    Me = Atheist
    Never dishonored mother or father ever

    (how 'bout GW = xtian = called his mother "stupid" and he is xtian)

    Shall I go on. Wonderful morals, these xtians. Hope my son or daughter does a damned sight better than these closed-minded ignorant cracker hypoctires.

    thanks.
    /rant

    --
    Reality does not happen until you analyze the dots. -Don DeLillo (Underworld)
  187. Silencers and Radar Detectors by Valdrax · · Score: 2

    There is no question what Napster was designed for. It's a tool for trading around MP3s, the vast majority of which have always been of the illegal sort. Saying that they shouldn't be held responsible for the content on their service is like saying that silencers and radar detectors shouldn't be illegal (in the states where they are). There is no question that it is a tool designed and used for copyright infringement. Just because there is a slight chance that it could potentially be being used for good doesn't invalidate the fact that it widely encourages and seems designed for piracy.

    Oh, and by the way, welcome to the mutability of the English language. You won't see most people griping about the use of "artificial" in negative connotations despite the fact that 300 years ago it was a term of high praise.

    --
    If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
    1. Re:Silencers and Radar Detectors by Kallon · · Score: 1

      Heck, you could carry all of this on even further and say that cellular/pager (and regular phone I suppose) companies should be held liable for all of the illegal activities they allow to be conducted. A cell phone is a drug dealer's tool, it's also a legit businessman's. The same can be said of Napster, it all depends on how it is used; you can't really blame the company that makes it.

    2. Re:Silencers and Radar Detectors by Valdrax · · Score: 1

      Yeah, and you can try to make the same excuses for silencers, which are used to mute the sound of gunfire -- which are not terribly useful in legitimate uses of firearms like self-defense and hunting -- and for radar detectors, which are used for no other purpose than to see when the police are looking for speeders to avoid getting caught. The point I am making is that Napster is a tool designed primarily to assist in the commisson of a crime, namely piracy. It's the first use that comes to most people's minds when they hear about the product, unlike a cell phone which usually used in a legit fashion for business and personal communication. As a tool designed primarily for piracy, they can't just claim that they provide a neutral service which a few rouge elements are abusing. People are using the service for what it was intended for -- the trading of MP3s without regard to ownership.

      --
      If it's for-profit but free, you're not the customer -- you're the product (e.g., the Slashdot Beta's "audience").
  188. Ob Fact-Check-Nit by fizbin · · Score: 1

    The quote from Lars comparing these people to looters was quite appropriate.


    Lars didn't make that quote - it was taken from the text of the lawsuit. The quote Lars gave was the either incredibly stupid or brilliantly subversive line about treating art as a commodity.


  189. Not that ludicrous by unicorn · · Score: 1

    Basically your reasoning seems to boil down the same way that others have gone around here. Might makes right.

    Because technology has empowered you with the ability to copy freely whatever you don't feel like paying for, you seem to think there is a natural law that says you must use that power with no restrictions.

    It just ain't so. Just because you can steal my IP doesn't mean that you have the right and the responsibility to do so.

    --
    "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
    1. Re:Not that ludicrous by ftobin · · Score: 1
      Just because you can steal my IP doesn't mean that you have the right and the responsibility to do so.

      That's because stealing IP addresses isn't the norm. I'm not talking about might that makes right, I'm talking about entire shifts due to society adapting to new technologies. New technologies show what is and what is not ridculous to try to prevent.

  190. Fer crying out loud... by unicorn · · Score: 1

    IP, as in Intellectual Property.

    Nuclear Bombs are a technolgy, that is an alternative to other forms of combat. But it's not socially acceptable.

    Just because a new technology exists, doesn't mean that it's moral that you use it.

    --
    "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
    1. Re:Fer crying out loud... by ftobin · · Score: 1
      IP, as in Intellectual Property.

      Hmm, too many acronyms in too many concepts :) Just because I can take your intellectional property doesn't mean I have a right to. In fact, I'm not even talking about rights. I'm talking about what society accepts as normal practice. Note that you can do X != X is a norm.

    2. Re:Fer crying out loud... by unicorn · · Score: 1

      From several back --- "However, now that reproducing information is so much less of a noticeable task, there are no longer reasonable means to restrict information copying. The reason that we don't seem that adverse to saying people can't reproduce our information in print is because we are still clinging to old notions of information existing in discrete elements, and hence 'copying' still is a notion that many of us still have. Since we don't have a strong concept of owning 'copies' of speech restricting it borders on ludicrous."

      Sure sounds like you are advocating allowing people no rights to limit in any way their own creations. Or at least significantly reducing what rights they will have in the future.

      --
      "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
    3. Re:Fer crying out loud... by ftobin · · Score: 1
      Sure sounds like you are advocating allowing people no rights to limit in any way their own creations. Or at least significantly reducing what rights they will have in the future.

      I'm advocating minimizing people's rights to limit the natural process of information flow. You do not have a 'right' to limit information, any more than you have a 'right' to limit who can see an architectural work (from public premises, at least, such as a sidewalk), becuase you you 'own' the work of architecture art. It's a natural process that people see the building.

    4. Re:Fer crying out loud... by unicorn · · Score: 1

      How is it a natural process for people to have the right to copy your intellectual property? That's not a happenstance. It's a concious act that they are taking. By what natural right does someone take whatever IP you have created, and do whatever they want freely?

      --
      "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
  191. Re:AC because of /. intolerance by anonymous+cowerd · · Score: 2

    > I'll fire up emacs and talk with the shrink, he's smarter than you.

    Now I have practically unlimited respect for Richard Stallman, but there's no way emacs is smarter than my G 80md. (I held back for a while, G, so you'd have a clear stage from which to lay down yo rap.) Not only is he a philosopher but he's also an artist and you being French it ought to come natural for you to respect an artist. A troll artist that is!

    Yours WDK - WKiernan@concentric.net

  192. ISP monitoring by andyring · · Score: 1

    I just think all the stuff about ISP monitoring and strict regulations on DSL is crazy! I use a local ISP for my DSL service here in Lincoln, Nebraska, (Internet Nebraska), and they don't have any regulations on what you do with the service. The only potential issue is data transfer, with a limit of 1 gig up and 1 gig down each month (and a very modest fee if you go over). Running servers? Heck, I'm on a static IP plan and they'll do DNS entries for me the same day! They don't care what you do! And, talk about customer service! When I was having difficulty setting up my Linux box initially, I posted a question on a newsgroup, and one of their guys who happened to be reading the post called me at home to help! Just like the old mom-n-pop stores of yesteryear, only in the information world! If we could get more like them.....

  193. maybe take your own advice? by bgue · · Score: 1

    I've already got the whole thing off Napster and it isn't even out yet. It's good to see the big boys wading in and trying to stop this threat to their entire industry's source of income.

    If you're such a big fan, then why do even care about them going after Napster? You've already bought all their albums, right? Oh, well, I guess that you should shut up then.


    If you see such a problem with Napster, why are you using it to grab entire albums? Oh well, I guess you should shut up then.

    More rationally: the recording industry made similar claims about the threat to their its survival when AM radio became popular in the 30s. But it soon became their biggest marketing tool. Maybe something similar is happening with Napster: I know that I've bought more CDs as a result of downloading MP3s. Whtether this is true for everybody or even most people, I wouldn't even guess, but (back to the parallel) there were always some people taping songs off the radio anyway.

    In any case, I suspect most people who listen to a lot of music would willingly pay the artist royalties. The problem is that that amounts to around a dollar an album. The rest goes into marketing, manufacturing, and record company profits. With a more direct form of distribution (a la Napster), those should all be gone (well, I can only hope that I won't have to see anymore bloody Jessica Simpson ads...)

    \Brian

  194. commodities by bgue · · Score: 1

    I like Lars' quote in the article that Metallica doesn't want their music "traded like a commodity, instead of the art that it is." LOL...I guess that doesn't apply to their record company, eh? I can just see Warner only making a single press of one of their albums available. "We aren't in it for the money, we're in it for the art."

  195. Die die my darling x( by Slayer_X · · Score: 1

    fuck!! Metallica fuck'em all in 80's now is sad to see the actual stuff and actual vision of "money". Anyway, Metallica was gods and never die!!! METAL UP YOUR ASS!!!!!

    --
    - Slayer_X
    http://www.slayerx.org/
    Lima
  196. It's about time by mindstrm · · Score: 2

    It's about time that the consumer started questioning the 'no servers' rules that @home puts in it's contract.

    Saying 'stay within bandwidth constraints' is fine, it's impartial, but saying 'no servers' means that, technically, everyone running mirc + identd is breaking the rules.
    Inf act, anyone running windows 2000 with telnet server on is breaking the rules.
    Anyone running a quake or tribes or UT server is breaking the rules.
    Foo.

    1. Re:It's about time by MikeBabcock · · Score: 2

      A big part of this is of course the business model inside the ISP -- if the ISP is pricing things low on the expectation that people won't always be using their bandwidth (the standard model) and then everyone starts using server software, they can't afford to run things normally anymore and have to either raise prices or say 'no server software'.

      --
      - Michael T. Babcock (Yes, I blog)
  197. ROFL! Metallica (once great) now totally suck by NaughtyEddie · · Score: 1
    From the article on Altavista about Metallica, quote from Lars Ulrich (drummer): "It's sickening to know that our art is being traded as a commodity rather than the art that it is." Art?! Metallica once made art for thousands of fans, now they churn out utter dross to their millions. Jesus, as if Load wasn't bad enough, they named the sequel Reload, containing the track "The Unforgiven II" (after a track on the black album). Ooh, Metallica, you are so original and cool ... not! I think the limit was the pseudo-country-and-western song on Load. That did it for me. Metallica officially suck.

    I'll stick with Cradle of Filth now, at least they still have an anti-establishment attitude, instead of running into court at the first opportunity.

    James Hetfield, suck my dick.

    Love, an ex-Metallica fan

    --

    --
    It's a .88 magnum -- it goes through schools.
    -- Danny Vermin
  198. Napster lawsuit excuse for lame music ? by termite666 · · Score: 1

    In a press release announcing the suit, publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich, who said it is "sickening to know that our art is being traded like a commodity rather than the art that it is." In my opinion Mettalica is to Art what Ripple is to fine wine .Hey Lars your an idiot, people tape songs off the raido all the time you going to sue them next .Metallica is now nothing more than lame corperate rock band that uses lawsuits to to make up for there lack of talent . Metallica's lawsuit aganst Napster is lame . But then again Metallica is lame. Do the world a favor retire !!!!

  199. Re:Good tools, but bad usage by ariux · · Score: 1

    I see a time when they will be used to distribute material that should not be allowed to propagate due to its dangerous nature - instructions on how to buy/make drugs, race hate manifestos, terrorist propaganda and anti-Christian diatribes.

    Let them be so used. The way to fight lies is with the truth, not with a muzzle. Why? Because the truth is a surgical weapon. A muzzle can be used indiscriminately against truth and lies, with the sole effect of destroying debate entirely. But truth can be used against only lies.

  200. Re:How pathetically self-contradictory you are . . by Kupek · · Score: 1
    It wasn't an American, it was Voiltare, who was French.

    "I may not agree with what you say, but I will defend to the death your right to say it."

  201. Lars' Ironic Comment by Cheshire+Cat · · Score: 1
    Lars, the drummer of Metallica, is quoted by MSNBC as saying:

    "It is therefore sickening to know that our art is being traded like a commodity rather than the art that it is."

    But aren't Metallica the ones who began treating their music like a commodity by SELLING their CDs for a sizeable profit and doing the same with concert tickets. Not only are Metallica on very questionable legal ground with this, but they are extremely hypocritical.

    I always thought Metallica was over-rated-Judas-Priest-wannabes, but now I know it!!

    --

    Last night I shot an elephant in my pajamas. How he got in my pajamas I'll never know.
  202. Let Metallica eat dirt by Morgaine · · Score: 2

    I don't think I ever read a quote from musicians before that made me feel like siding utterly against them.

    What a self-centred money-grabbing bigot. Art is the last thing on his mind.

    Roll on MP3, Napster, and sons-of-Napster, and may the artists eat dirt if that's typical of the way they feel about their relationship with their audience.

    --
    "The question of whether machines can think is no more interesting than [] whether submarines can swim" - Dijkstra
  203. How far is this gonna go by P.D. · · Score: 1

    Lets see who can we sue ISP's for letting people transmit Harddrive Manufacturers for creating a tool to store mp3's Processor Chip makers for creating a means to copy mp3's Software Writers, MPEG ppls, who? They have all contributed in some way to the proliferation of illegal mp3's. It should be all or nothing for the RIAA. They are a stupid bunch of capitialist pigs who don't even realise what they are trying to sue. Don't get me started on DVD's sueing someone in another country using the DMCA law. C'Mon work with technology not against it.

  204. The same Metallica... by mati · · Score: 1

    The same Metallica that subtitled their Garage Days album (a pretty cool collection of cover songs) "The 9.98 EP", so the kids wouldn't get ripped off by the record store? My, how allegiences change with success... although given Lars' quote, I doubt that the actual members of Metallica have the slightest clue what Napster is. Ah well, it brings me much sorrow to add Metallica to the 'ol boycott list. -mati

  205. Rock stars can use computers?� by M��k��D · · Score: 1

    First of all, what is Napster? It is a way to TRADE a file format called MP3, or Mpeg layer 3. And what is an MP3 exactly? It's not a pirated file by default, its just a regular file format like txt or jpeg. Metallica suing Napster is like me suing the creators of the Internet, ARPANET. Napster has this big bad reputation of being leaders of legal piracy, but all they want to do is distribute a form of media. Lastly, Metallica seems to think that being the leader of the heavy metal music industry means taking peoples' money as opposed to having people listening to their music. On a side note, I personally know several local bands in my area that would be more than thrilled to have their music distributed on Napster.

    --
    -Múñk¥D-
  206. They ARE banning ICQ!!! by Stephen+VanDahm · · Score: 1

    Gee ... I wonder when they're gonna ban ICQ. Technically it's sitting there listening on a TCP port, waiting for chat and file transfer requests, which I believe qualifies it as a being a server.

    The college I go to has banned ICQ, along with just about everything else. When I go back in the fall, I'm going to have to dream up some sort of work-around.


    ========
    Stephen C. VanDahm
    1. Re:They ARE banning ICQ!!! by prizog · · Score: 1

      If you do dream something up, let me know. The best I've thought of is to tunnel through IRC - assuming that's not blocked :)

  207. Re:How pathetically self-contradictory you are . . by Ares · · Score: 1

    Thanks for the correction. Nonetheless, regardless of who said it, it is (or at least at one time was) codified by the First Amendment to the US Constitution.

  208. A dog by any other name... by FallLine · · Score: 2
    The nice thing is that you're not the one to define what "legitimate uses" means.

    Yes, I personally am not the one who defines it. However, 99.99% of the content on both "networks" is illegal. With both "networks" the users who use it have a tendency to take more than their share of bandwidth--there simply isn't enough to go around, even with today's relatively moderate usage. Thus, many universities have already taken steps to shut down those "networks." It is not as if I've just arbitrarily pulled this out of my ass and declared that because I don't think napster is a legimimate use, all universities will act on this. They have. They will. They have every incentive to continue.

    If napster/gnutella promotes computer learning and entertainment, then its the admins' jobs to serve the students who largely subsidize their jobs.

    First, neither promote learning, you know it as well as I do. The most you can argue is that they entertain, but do not forget that they do so illegally. Second, The admins jobs is whatever the powers that be say it is. They are not obligated to entertain you--certainly on everyone else's dollar. Third, the students don't subsidize their jobs. The admins work for the school, not for the students. Damn few students even pay, it is their parents', the state, or some other organization 9 times out of 10. Which is a very important distinction, because if every student were to be allowed unrestricted access to napster (and the like), the uplinks would have to scale as well, the costs would increase, and the bandwidth bill per student could easily be 50+ bucks a month for every student. The people who are actually footing the bill (e.g., parents) may not accept this...

    With all due respect, you're locked into the conservative models too much. People like you don't adapt well when change occurs.

    With all due respect, people like you are always running around with their head in their hands screaming the world is about to ____end______! People, like me, just fundamentally understand that things are generally the way they are for a reason, real change is pretty damn rare. I've listened to all the arguments. Hell, I've even been using mp3s longer than 99.99% of the users and advocates (being one of the original founders of #mp3) And you know what? I do not see any compelling argument for thinking this "prediction" is going to be any different. RIAA, MPAA, and company will survive. They may adapt a little (e.g., target digital downloadable music), but the labels will still provide value for the mainstream artists (almost by definition). Artists will continue to sign almost exclusively with the major labels (with similar contracts). The labels will continue to set the prices. Thus, the companies that makeup RIAA will continue to profit like they always have.

    In any case, time will prove me right. By that time, maybe you will have come a bit more center after your Xth failed prediction of impending doom or cataclysmic change. No offense, and good night.

    1. Re:A dog by any other name... by Fourthstring · · Score: 1

      Whoops, I didn't notice you replied. Let me take on your points, since you wrote more than I did.

      First, neither promote learning, you know it as well as I do. The most you can argue is that they entertain, but do not forget that they do so illegally

      The lack of your imagination doesn't imply that that there are limits on what I can argue. Most of the best programmers I've known (Carmack, perhaps Stallman) have thrived in an environment of utterly ILLEGAL piracy. Why? Because being enriched and entertained is the whole point of learning anything -- and when people see they can use their computers for more interesting things than writing term papers, they will USE, not futz around with, their computers.

      They are not obligated to entertain you--certainly on everyone else's dollar.

      I know university admins. You don't. Their jobs aren't 'harder.' If you knew any admins, you'd know about the one cubicle everyone frequents because it has the sweet cd-rw setup that can copy anything they want. Guess who were the earliest adopters of Napster/Gnutella at univ's -- the admins!

      With all due respect, people like you are always running around with their head in their hands screaming the world is about to ____end______!

      No, I was just pointing out that you "don't adapt well when change occurs." My world is just getting more interesting, while yours is spent dealing with unpleasant (for you) mindsets. Every major change requires a bit of upheaval on those who are shocked at the change. Always people are inconvenienced at the change. Always people adapt.

      In any case, time will prove me right. By that time, maybe you will have come a bit more center after your Xth failed prediction of impending doom or cataclysmic change. No offense, and good night.

      No, you do intend offense, which shows you are a better and subtler writer than a thinker. I have no worry about doom; you are more worried than I am. But we shall see, won't we? I enjoy the wait; I hope you will sit with me and enjoy the view.

  209. Gnutella still in infancy by My+Third+Account · · Score: 1

    I agree, gnutella right now is full of flaws. And it won't change the world. But decentralized networking is such a cool idea it makes EE students in networking like me drool.

    Supposing the clients will be able to figure out who has fast connections and who has slow ones, the faster ones can become "central" with slower clients clustered concentrically around them, with decreasing speed.

    Along the same lines, faster servers might recieve a file index from slower machines, and would cache this to prevent more message propogration. Essentially, faster machines would take on the responsibility of handling search queries.

    Further, if they add good support for private networks you can really see how powerful it could be. If you have a couple hundred people in a group forming a private, key or password protected network, there are no problems with spammers, flooders, etc; no abuse in general.

    All this makes me which I were a better programmer so I could do it myself.

  210. Congrats Metallica. You just lost a big spender! by loomis · · Score: 1

    Man. Can you believe it? Metallica sued Napster:

    ("From a business standpoint, this is about piracy -- aka taking something that doesn't belong to you -- and that is morally and legally wrong.")

    Well Mr Lars, I've got news for you. I bought Killem All. I bought Ride the Lightning. I bought Master of Puppets, and I bought the rest too. AND, I bought the albums, the tapes, the import 12"s, the picture disks, the concert tickets, the T-shirts, and the CD's. Hell I saw Cliff Burton before he died even, in an age when most "Metallica fans" would say "who?". Well guess what. No more buddy. You can kiss my ass Lars-sell out- Ulrich.

    You can't burn the fans like the this and expect to go unscathed. Ya, know, I may have some mp3's, but I buy the CD's if I like the music. And I buy concert tickets and vinyl and...aww you get the point. ANd I use napster for a hell of a lot of legal file distrubution as well. You gonna shut down Xerox for someone making illegal photocopies of a book? If so you stifle technology my friend. Lars Ulrich- sell out to the record executives and a threat to technology. Fire up the encoders and let those MP3's fly!

    Loomis

    --
    "The television is the retina of the mind's eye" - Videodrome
  211. Re:me me me... Him him him (Chuck D) by pim · · Score: 1

    This is not the responsibility of napster. The IP address of the person who illegally offers copyrighted material is known. The path that should be followed from there is to go to the ISP for closure on the identity behind that IP address. With a court order, ISPs should and will disclose this information to the authorities. It has been like this for every situation where illegal activities took place, be it warez, cracking or MP3.

    The biggest problem in this case are hungry ISPs who will hapilly accept people on their servers within five minutes after filling in a false ID. But that is really their problem at that point. Napster is nothing more than an IRC network with bells and whistles: It's a transit system. To make it even more interesting, the actual transfers of the illegal material is direct IP-to-IP, not going through napster's systems, like DCC on irc. This makes their service akin to offering links to possibly illegal material. Are you going to sue roadbuilders if you get hit by a drunk driver?


    Pi
  212. Re:Do They Ever Target Users??? by alecto · · Score: 1

    Another possibility is the ugly nasty bad PR they'd get from dragging a 19 year old college student into court.

  213. I mostly agree... by FallLine · · Score: 2

    I, too, certainly do find this recursive networking model interesting, just as I find the notion of various DoS attacks and its possible (or impossible) defense to it. Assuming gnutella is overhauled, it would be quite apppropriate for a relatively small group (e.g., 200 users) warez or mp3 group. As for stopping abuse and ramping up privacy (e.g., keeping RIAA from logging ips), the larger the "network" gets, and the less well they know each other, the harder it will be to keep it together. For those who think "well then everyone can just form small networks", one caveat: In order for these networks to survive they need to maintain strict privacy and use a relatively complex protocol. I do not believe that even 95% of music listeners have the requisite computers skills or the intelligence necessary for efficiently keeping themselves connected to a "network" which offers what they need. Thus, I still am quite confident of RIAA's ability to endure Gnutella and all its cousins. Not that you said anything to the contrary, but I'm sure some one will.... :)

  214. yeah but... by bobalu · · Score: 1

    I can dig all that, but the only sticking point to me is they need to figure the number of people who are downloading music that would actually BUY it if it wasn't available online. THAT's the number of real sales they're losing, and I'm sure it's a smaller number than they think. It's like pirating 3D Studio - if the program costs $3k and a student pirates it, is AutoDesk really losing money? Well no - it just wouldn't be bought.

    I think a lot of people will grab stuff to check out because it's free, but wouldn't actually get to the point of buying a CD in the store. For those people Metallica isn't losing anything.

    And personally I never much liked 'em, so I wouldn't take their stuff free or not.

    --
    The revolution will NOT be televised.
  215. Re:How pathetically self-contradictory you are . . by Kupek · · Score: 1

    I think what caused the confusion was that one of the early American founders was known to quote it. Samuel Johnson, James Madison, Benjamin Franklin, one of them, I think.

  216. Music isn't worth anything anyway... by KlomDark · · Score: 1
    If these people actually think they should make money from their weak work, whatever. A bunch of skinny loud dorks make a bunch of sounds with their gee-tarz and think they have contributed?

    What the fuck ever, how does that contribute to ending disease, ending tyranny, ending hunger?

    They don't contribute. They are parasites on the hard workers - the construction workers, the sewer system fixers, the welders and carpenters. Feed all the hard working ones the message that essentially their lives are lame and insignificant compared to the esteemed glory of those who make noise with a gee-tar.

    Mattel-ica, Mutt-licka, Modalkuh:
    Fuck 'em all (all four of them) and fuck'n no regrets.

    Anybody want to buy some metallica CDs, cheap? I don't want them anymore. They were so cool with all their intensity, hunger, and look on life, back in the day. Now they are a bunch of whining shit-boys. I don't want anything to do with such hypocritical weenies. Dick-sucking butt-bandits, all of them!

  217. IP and copyrights are not unalienable rights. by Northern+Hunter · · Score: 1
    > By what natural right does someone take whatever IP you have created, and do whatever they want freely?

    My poor little brain is still trying to sort out 'natural rights', logic, and self-interest.

    But there is one incontrovertible fact that I can point out: Copyrights are not forever.

    Copyrights used to only last for 56 years, and that was only if you remembered to renew it on the 28th year. But the media industry has managed to get law after law passed, extending copyrights all the way out to 90 years. It's even worse for stuff made since 1978, which will be copyrighted for the life of the creator PLUS 70/95/120 years. See this.

    Now for the logic: WHY? Why aren't copyrights forever? They must have had a reason? What were those reasons? What ARE the 'natural rights' that apply to IP?

    The only reason most people consider 'copyrights' to be unalienable is that, well, how often do you seen one expire? And so we've become used to the idea that IP is a God given right that an individual can posess.

    Notice I'm not arguing one way or the other. I haven't researched this, I don't think many of us have. We're all familiar with the results of the development of human thought on a myriad of things over a few thousand years of human history, but we've never taken part in the development of one! How long ago have we had something so fundamental to re-consider? Our ideas and opinions are going to be warped by the status-quo of recent history, by what we're used to, and by self interest...

    I'd like to find out, what *are* all of the historical thoughts on the subject of the posession of IP. Why were the first copyright laws set up the way they were, with such short terms.

    Yes, we're almost getting into the area of philosophy. We're going to be considering *utility*, what is best for mankind, the rights of society, etc...

    This could be kind of interesting. Unfortunately, it took hundreds of years for all our other 'fundamental' ideas to gel, and I doubt our society is so advanced as to do any better with this one. We'd better get used to the idea that it might take a while before things get 'officially' straightened out... Especially with all the powerful corporations running around, and all the average shmoe's making the decisions in the legislative bodies. You know, maybe 50, 100 years.

    Of course this time it might be a little different. This time, we, the people, have the net. And we can route it around 'damage' as we see fit.

    Of course, who are we to think we have all the philisophical issues sorted out?

    -NH
    PS: Don't whine at me for my spelling of unalienable/inalienable - do you know how long it took me to track down the right spelling? I was stuck on inalieable and unalleable for ages :) Eventually went to the Declaration of Independence where I found the former version, but the latter is given more weight in some dictionaries.

    PPS: Gosh it's such a shame a good post like this will be buried in a day old article.



    ---

  218. Sue media manufacturers! by Miskatonic · · Score: 1
    FYI, they didn't pass out those tapes, the fans passed out boot leg ones on their own. Oh my god! We better sue 3M!!

    That's exactly what I was thinking when I heard about this. Music bootlegging is nothing new, people dub tapes all the time, CD-R burners have even given people the ability to totally duplicate compact discs should they so decide to violate copyright law. I've never heard of anyone suggesting something so ridiculous as to sue audio cassette manufacturers, despite that the majority of tapes sold are probably used for unauthorized music reproduction. (But then, this may have something to do with media manufacturers being owned by or sleeping with record companies...)

    Of course, I'm sure record companies, in hindsight, wish they could have prevented recordable media solutions from emerging. I suspect the playback-only nature of compact disc technology may have been more appealing to record company execs than the quality benefits; even now CD audio burning equipment is still expensive compared to players.

    Napster does of course, pose a somewhat new twist to this, since you no longer have to rely on a buddy to get a bootleg, you can get your musicz (hey! I coined a new l33t-speak word! w00t!) from thousands of strangers on the internet. This obviously scares the hell out of the record industry, so they're going to try to kill it dead before it becomes a mainstream phenomenon.

    Of course, siccing the lawyers on one small company is going to be worthless in the long run. We all know that any of dozens of similars programs like Gnutella can replace Napster with startling speed. Maybe if the industry spent time innovating a GOOD on-demand commercial digital content distribution system (buzzwords are as much fun as Legos, you can link them together and build amusing toys!) and less time trying to bully such threats, they could actually enjoy the benefits of technology. But then, that might actually force them to make any such music very affordable, (to be able to compete with illegal systems) meaning they might not be able to pocket as large a share of their artists' money.

    (Thank you for reading, I'm sure there's no way this got mod'ed up this far down.)

  219. The pot calling the kettle black? by FallLine · · Score: 3
    The lack of your imagination doesn't imply that that there are limits on what I can argue. Most of the best programmers I've known (Carmack, perhaps Stallman) have thrived in an environment of utterly ILLEGAL piracy. Why? Because being enriched and entertained is the whole point of learning anything -- and when people see they can use their computers for more interesting things than writing term papers, they will USE, not futz around with, their computers.

    My problem is not one of lack of imagination; I've been using mp3's longer than most anyone (4+ years ago). However, I do not, I can not, fool myself into thinking that these theoretical 'learning benefits' are sufficient reason to effectively make intellectual property null and void. I, unlike you (as long as you wish to make blanket statements), know what it takes to create new and innovative things. Having seen, and been behind, many hi-tech startups, I understand risk and reward quite well. The principles behind protecting music are much the same. The artists need to get paid for their work. The people who bring their work to the masses need to get paid. To make a long story short, IP is necessary. Although I do not lose anything when when the artists get robbed of their IP, I am too intellectually honest to make up some bullshit excuse that I am 'learning'. Nor do I think most college kids can make such a claim. Damn few are incapable of rubbing together the money to buy an extensive CD collection if they are truely motivated. If they're not motivated, they'll probably never make anything of themselves anyways.

    Furthermore, it is ironic that you are saying that these kids need expensive IP based music, while advocating its destruction for all intents and purposes. Why can't these kids just go to mp3.com, or what have you, and get 'free' music? What? I didn't hear you! There isn't enough good free music? Has mp3.com, or any other organization which distributes free music, truely improved this in the past few years? Interesting view point you have there. You basically want to have your cake and eat it too. You purport IP protected music to be necessary to learn, but IP is not necessary? How are these would-be artists going to learn in the future in a world with no effective IP protection?

    This position is even more futile when you take into account the fact that we are not even talking about 'ideas' here. We are talking about byte-for-byte copies of a singer's performance (e.g., song, voice(s), instruments, etc.). It is hard to argue they are obstructing anyone by not allowing you to get an exact copy of their work. In other words, if their music did not exist (read: No IP, no music) you would have nothing to copy at all, and if their music does exist (read: IP, music) you just can't pirate an exact digital copy. You can, however, still: buy it, listen to it on the radio, take notes on its composition, emulate its sound, etc., etc., etc.

    You may enjoy not paying for music. Although, I lose nothing when the artists lose, I am just too intellectually honest to try to justify this behavior with absurd excuses. In any case, the issue here was the school's take on this. The fact of the matter is that a great many schools have already taken steps against it.

    I know university admins. You don't. Their jobs aren't 'harder.' If you knew any admins, you'd know about the one cubicle everyone frequents because it has the sweet cd-rw setup that can copy anything they want. Guess who were the earliest adopters of Napster/Gnutella at univ's -- the admins!

    Ahem, no. I've know many admin's too, in both corporate and educational institutions. The mere fact that some of them may participate in piracy does not mean they're willing to risk their necks over it. Very few institutions have the excess capacity to accomodate every student regularly trading mp3s. Perhaps you should talk to some of your admin friends again, and ask them how much their network slowed down when even a small fraction of students were using napster, et.al.

    No, I was just pointing out that you "don't adapt well when change occurs." My world is just getting more interesting, while yours is spent dealing with unpleasant (for you) mindsets. Every major change requires a bit of upheaval on those who are shocked at the change. Always people are inconvenienced at the change. Always people adapt.

    Umm, you don't understand. I have no direct stake in this other than my intellectual honesty. You, on the other hand, have committed yourself to a dream. A dream which you believe will profit you. I'm being pragmatic here...

    No, you do intend offense, which shows you are a better and subtler writer than a thinker. I have no worry about doom; you are more worried than I am. But we shall see, won't we? I enjoy the wait; I hope you will sit with me and enjoy the view.

    And my statements are categorically different from yours, how? You say I am too committed to the status quo. I say you're too committed to committed to unrealistic change. They're flip sides of the coin. I'm not saying you're "scared", I'm saying you're eagerly anticipating change without thinking it through. Deal with it.

    I, for one, am not worried. To reiterate, I: a) Realize the need for Intellectual property b) know RIAA is not so easily toppled. Does this concern me any more than it should you? No.

  220. my new favorite quote by dirtygremlin · · Score: 1

    In a press release announcing the suit, publicists for the band and music companies even threw in a statement from Metallica drummer Lars Ulrich, who said it is... "sickening to know that our art is being traded like a commodity rather than the art that it is." I sure would hate to think anyone was getting to appreciate it without the band's consent. Chump.

  221. Re:The Record Companies brought this on themselves by andreww · · Score: 1

    Another part of the problem is that the "single" is effectively dead in the US. Sure, bands release singles - but only to radio stations. In many (most?) cases, if I hear a single on the radio that I want to buy, I'm forced to buy the entire album. Again, the record companies would prefer you to spend $15 rather than $4, but the average consumer (especially teenagers, who a great deal of the record industry marketing is aimed at) can't afford to keep spending money like that to get a load of tracks they don't want.

  222. Napster = server? Don't let that stop you... by baelmix · · Score: 1

    They don't want Napster running because it's a server? So just turn sharing off or use a Napster clone that doesn't have the server functions built in. And anyway, how are they supposed to know if you're running it anyway? Set it on a different port and don't let a ton of people download from you.

    --
    --Baelmix
  223. Re:Good tools, but bad usage (with a few problems) by Ares · · Score: 1

    My immediate supervisors knew I did this. The guy who ran the firewall, however, didn't; he definitely would not have approved. In fact, I had planned to do my own VPN over ssh, but left that company for one with less concern about remote access to the network, and got a PPTP account (and stock options [publicly traded so they were worth something] and more money). I never did get VPN-over-ssh set up and thoroughly documented, which was what the original "experiment" was intended for, anyway.

  224. Re:The Record Companies brought this on themselves by Lord+Kano · · Score: 2

    I couldn't agree more. How about when the radio/album version of a song is different than the single? So you buy the single, expecting the same song that you saw on MTV or heard on the radio, only to find out that you NOW must buy the complete album to get the song that you want.

    LK

    --
    "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
  225. Censorship encourages ignorance... by ArtGrrrl · · Score: 1

    ...which is, as they say, bliss. I don't think that by hiding something from a child until they are grown, leaving it for them to figure out without having had any reference to it in their formative years, is really helping them. It's more like keeping them in the dark and leaving large swaths of their "map" of reality undrawn. So when they encounter the things you've hidden from them they will have no basis whatsoever to understand them.

  226. METAL UP THEIR ASS!! by usafvol1 · · Score: 1

    I was sold on Metallica from the start. Bought all their shit. Loved them, 'cos they were different. But what I don't get is WHY THE HELL IS EVERYONE CONFUSED ABOUT METALLICA SELLING OUT, or becoming posers?? Remember WAAAY back then, when they said they would NEVER MAKE A VIDEO?? Then what did they do? ONE. The video. Then they made a bunch of videos, and even looong videos that were like documentaries. And let's face it, with the exception of a couple songs, their black album was NOT true metallica. And then out comes Load and Reload, what the hell is that shit? And what is up with the short hair? The cool headbanging was a big part of the fun. SO, as far as suing Napster, Metallica can fuck themselves. Remember when stereos came out with DUAL CASSETTE DECKS>>?? Why was that? So you could fuckin record someone else's tape for about $1. It was illegal to sell the copy, but don't stereos STILL have DUAL DECKS>>?? And I remember that most the time, I ended up buying the real tape anyway. Why? It sounded better, and looked a whole lot cooler. Same thing. And they might do away with Napster, but then they'd have to do away with the Internet. What is going to stop the MP3 transfers via ICQ, email, etc., you name it?? Plus, I think they can make more than enough money from magazines, posters, collectibles, concert tix, promotions, ANYTHING. So here's to you Metallica: METAL UP YOUR OWN ASS!!!