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iTunes DRM-Free Files Contain Personal Info

r2k writes "Apple's iTunes Plus files are DRM-free, but sharing the files on P2P networks may be an extremely bad idea. A report published by CNet highlights the fact that the account information and email address of the iTunes account holder is hidden inside each and every DRM-free download. I checked, and I found I couldn't access the information using an ID3 tag editor, but using Notepad I found my email address stored inside the audio file itself."

693 comments

  1. Seriously... by fyngyrz · · Score: 5, Insightful

    I don't see the problem. I didn't want them to remove DRM so I could ignore the copyright on the music, I wanted them to remove it so I could use it on any device I wanted to listen to it on. They did that; now I can, as far as I'm concerned, we're all good now.

    If you interpret the lack of DRM as permission to ignore copyright, and you end up in trouble because you did so...

    Nope, don't see the problem.

    ....sharing the files on P2P networks may be an extremely bad idea

    Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea. If you ever had any fraction of an excuse for doing it (and frankly, I don't really think you did, but...) it is gone now, at least as far as iTunes purchases go. What has changed is it is now reasonable to purchase music, because you'll actually get to own it, use it on *all* your gear, back it up, etc.

    The only thing I can think of that is really affected by this is your ability to legitimately resell recording of a tune you own, because you bought it. And for that issue, I give it.... maybe an hour before someone comes up with a tool to ZOT that name and email address right out of there. Maybe it'll even put the new one in. Pride of ownership and all that.

    --
    I've fallen off your lawn, and I can't get up.
    1. Re:Seriously... by Tubal-Cain · · Score: 4, Insightful

      Agreed. This is a fairly reasonable compromise on Apple's part.

    2. Re:Seriously... by Anonymous Coward · · Score: 0, Informative

      > Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea.

      Not if you own the copyright or if you have permission to share it (e.g. permissive licensing). I hate it when people think that there is no _free_ music when there is plenty of it.

    3. Re:Seriously... by Tubal-Cain · · Score: 2, Insightful

      If it was your own music, you obviously have (or had) a non-watermarked (for lack of a better term at the moment) version of the file. If it has permissive copying, surely you can find it somewhere other than iTunes?

    4. Re:Seriously... by dynamo52 · · Score: 0, Flamebait

      I wanted them to remove it so I could use it on any device I wanted to listen to it on. They did that; now I can, as far as I'm concerned, we're all good now.

      While I agree with you that removing the DRM is a good thing and inserting this information in the file is perfectly reasonable, as long as the music is in a proprietary format it can't be migrated easily. can the files be read by other applications?

      --
      Like this comment? I accept Bitcoin! - 153sc8UUBXyp12ofQqfAWDmJrzyiKCYC1x
    5. Re:Seriously... by quarrel · · Score: 4, Insightful

      Oh please, if you're the copyright holder are you really paying Apple and downloading it off itunes?

      No. You're not.

      GP is correct.

      --Q

    6. Re:Seriously... by Thanshin · · Score: 3, Insightful

      So if tomorrow a file with your personal information is shared on the web and you simply don't know how is it possible, so you're fined a couple thousand bucks, I guess you won't mind?

      Or you're so sure of the infalibility of Apple's system that you're willing to bet a couple thousand bucks, in exchange for... Nothing?

      Great odds.

      P.S.: Avoid casinos.

    7. Re:Seriously... by Anonymous Coward · · Score: 0

      this is old news.
      its that way for unprotected itunes music since it exists.
      but they are standard aac files, playable by a multitude of apps

    8. Re:Seriously... by erroneus · · Score: 4, Insightful

      While I agree with you, here is the problem I have with it:

      Person A is the target
      Person B is the attacker
      RIAA is the litigious groups of assholes

      Person B decides to harm Person A. Person B knows Person A's email address. Person B modifies a bunch of MP3s to contain Person A's email address and then posts them to every torrent site imaginable. RIAA is famous for ignoring what "reasonable doubt" might suggest or imply and immediate goes into litigation. Even if it is later revealed that Person A was a victim in this scenario and is completely innocent of wrong doing, Person A just spend a LOT of money in the process. (It can be reasonably assumed that Person A spent a lot of money because without having spent money, a defendant most likely will lose.)

    9. Re:Seriously... by NNKK · · Score: 4, Informative

      AAC ( http://en.wikipedia.org/wiki/Advanced_Audio_Coding ) is an industry standard, and even if it weren't, iTunes helpfully provides a "Convert to MP3" item in the context menu of non-DRM'd AAC files that does exactly what it says.

    10. Re:Seriously... by Anonymous Coward · · Score: 4, Informative

      AAC in a a run-of-the-mill MPEG-4 container, with ID3-formatted tags stored in a separate atom (permissible in the MPEG-4 standard).

      Anything that uses libavcodec/libavformat as a base (ffmpeg, VLC, mplayer, etc) can read these files. They may not have the code to extract the ID3 tags from the atom and feed the data blob to something like libid3... but as long as the player software can read standard MPEG-4 files with basic AAC... it can play these suckers.

      The format just isn't as prevalent as MP3, but that doesn't automatically make it proprietary.

    11. Re:Seriously... by dynamo52 · · Score: 2, Interesting

      Fair enough so long as there is no additional lossiness in the conversion.

      --
      Like this comment? I accept Bitcoin! - 153sc8UUBXyp12ofQqfAWDmJrzyiKCYC1x
    12. Re:Seriously... by ani23 · · Score: 2, Insightful

      i seriously doubt that an email which can be easily changed in a file can be used as the sole grounds for pressing charges. It ma however bolster a case where a user has been tracked by IP and the files have his email too.

    13. Re:Seriously... by Anonymous Coward · · Score: 2, Informative

      I am from Spain and here we have something called "private copy right" that allows people to have copies of copyrighted stuff, and to share it, by P2P or by whatever.
      P2P in Spain is not illegal, it's not regulated.
      Why Apple has to ignore the privacy of their customers in such way?

      P.S.: Excuse me if there is any mistake on my English

    14. Re:Seriously... by beelsebob · · Score: 2, Insightful

      Well that's good then, because it's not in a proprietry format! AAC is not Apple Audio Codec â" it's Advanced Audio Codec â" to go with Advanced Video Codec, aka MPEG 4's high quality audio and video codecs.

    15. Re:Seriously... by tibman · · Score: 1

      If you created your own music... sold it through the itunes store.. bought it from itunes then republished the downloaded song as a torrent i could see your point. This private info thing only affects songs you downloaded from itunes.

      --
      http://soylentnews.org/~tibman
    16. Re:Seriously... by amake · · Score: 5, Informative

      Converting from AAC to MP3 is lossy.

    17. Re:Seriously... by zachdms · · Score: 4, Insightful

      Couldn't you correlate your purchase record, or lack thereof, to validate or disprove the claims against you in that scenario?

      It seems like a quick comparative analysis there would pretty quickly mitigate *most* of that concern.

    18. Re:Seriously... by magnus.ahlberg · · Score: 1

      Wow, you managed to get first post and be insightful! And what's more, I felt no need to even read any additional comments, well done.

    19. Re:Seriously... by biocute · · Score: 1

      What a brilliant idea!

      I've lost countless sleeps because I'm worried that my DRM-free songs might wander away, or get kidnapped by bad guys.

      Now there's a way to identify the rightful owner, and I'm sure honest TPB users will email me songs that I accidentally lost in the torrent sea.

    20. Re:Seriously... by Anonymous Coward · · Score: 0

      And unless Person B has an exact list of the purchases Person A made, a number of the files B posts will be proveably false, as they aren't part of A's iTunes purchase history which Apple tracks, thereby making all of the false A posts suspect.

    21. Re:Seriously... by ResidntGeek · · Score: 1

      I could see it being the opposite, actually - if "making available" isn't accepted as a legal argument, which seems to be more likely lately if I recall correctly, then having the file shared from your computer with your email address would serve to verify that "making available" is all that's happened. Sharing a file with someone else's email address would provide evidence (though unreliable) that some distribution had actually taken place.

      --
      ResidntGeek
    22. Re:Seriously... by DA-MAN · · Score: 5, Insightful

      i seriously doubt that an email which can be easily changed in a file can be used as the sole grounds for pressing charges. It ma however bolster a case where a user has been tracked by IP and the files have his email too.

      As we're talking about purchased music, all Apple would have to do is lookup the record of the credit card used to purchase the song.

      So unless you always use iTunes redeemable gift cards, it's probably fairly easy to track a user definitively.

      --
      Can I get an eye poke?
      Dog House Forum
    23. Re:Seriously... by smenor · · Score: 1

      Just adding another "me too".

    24. Re:Seriously... by Anonymous Coward · · Score: 0

      Agreed ...

    25. Re:Seriously... by lisaparratt · · Score: 5, Insightful

      Of course there's loss, but to imply a lack of transcoding loss is a prerequisite before anyone can use it anywhere is absolute madness.

      No one who lives outside of their mum's basement cares. Really. Your average MP3 player is not hifi, and your average consumer doesn't give two shits about the quality loss.

      Also, last I checked, Steve Jobs didn't repeatedly smash your face into a MacBook keyboard whilst pointing a shotgun at your head with his free hand until you bought music from iTunes. If you don't want it, don't buy it.

    26. Re:Seriously... by myxiplx · · Score: 4, Interesting

      Exactly. My first thought on reading this was "sweet, somebody's finally gone about it the sensible way".

      I mean seriously, I've been waiting for somebody to implement this for nearly 10 years now. It's an obvious way to combat piracy since you can identify the source of the leak, and it's a massive benefit that digital distribution offers the record labels. Users get cheaper tracks and can download them instantly from the comfort of their own home. Record labels get to discourage piracy and have an easy way to track down the source when it happens.

      Honestly, it's such a simple solution I thought there must have been something I was missing for the record companies to not implement this. It's win win as far as I can see.

    27. Re:Seriously... by Aqua+OS+X · · Score: 1

      I'll be happy once Apple allows me to strip the DRM off of my 128kps files locally. I'm a music junkie, and I really don't feel like paying $200 to "upgrade" and re-download hundreds of songs. It would be nice if I could (legally) do it locally for free.

      I guess someone is trying to make a quick buck.

      --
      "Things are more moderner than before- bigger, and yet smaller- it's computers-- San Dimas High School football RULES!"
    28. Re:Seriously... by SethJohnson · · Score: 1

      The safety feature here is that a subpoena will get Apple to provide Person A's order history, and if it doesn't include the files that Person B posted online, then the case will collapse.

      Seth

    29. Re:Seriously... by ani23 · · Score: 1

      my point was that the email in the file can be modified pretty easily. not really the most concrete evidence.

    30. Re:Seriously... by asc99c · · Score: 5, Informative

      The English is fine, just not the information!

      Like many places, Spanish law has exemptions for private use, which probably makes removing DRM completely legal. However the owners are allowed to make copies only for private usage, with collective and lucrative uses not allowed. Sharing on P2P would definitely constitute a collective use.

      Although as with almost everywhere else, P2P itself is not illegal.

    31. Re:Seriously... by gsmalleus · · Score: 1

      I also agree. The DRM in the iTunes store made me switch to Amazon's mp3 store. When I purchase music, I want to be able to put it on whatever media device I see fit. I applaud Apple for dropping the DRM. So what if they put the name of who purchased the song in the file. I have more freedom with my media. This also entices me to start using the iTunes store for my media purchases again.

    32. Re:Seriously... by mosschops · · Score: 5, Informative

      Converting to MP3 is lossy, regardless of the source format.

    33. Re:Seriously... by gsmalleus · · Score: 1

      But person B would need to know which songs person A has purchased and the date they were purchased. If a bunch of songs show up on a p2p site with my email in, I think it would be relatively easy to prove that they weren't mine by comparing it with the database of purchases that Apple keeps.

    34. Re:Seriously... by rundgren · · Score: 2, Insightful

      I don't see the problem.

      Seriously, you don't? Largely because of the music industry's reluctance to use distribution methods and pricing that makes buying music "legally" attractive, we now have a situation where everything may end up on p2p. If you are happy living with the risk that one of your purchased iTunes Plus files will end up on a file sharing network and you getting sued for it, then you must be on Valium.,.

    35. Re:Seriously... by horatiocain · · Score: 1

      How about the fact that information isn't property, and cannot be owned? That's a good reason to share.

    36. Re:Seriously... by Gandalf_Greyhame · · Score: 1

      While I agree with you, here is the problem I have with it:

      Person A is the target
      Person B is the attacker
      RIAA is the litigious groups of assholes

      Person B decides to harm Person A. Person B knows Person A's email address. Person B modifies a bunch of MP3s to contain Person A's email address and then posts them to every torrent site imaginable. RIAA is famous for ignoring what "reasonable doubt" might suggest or imply and immediate goes into litigation. Even if it is later revealed that Person A was a victim in this scenario and is completely innocent of wrong doing, Person A just spend a LOT of money in the process. (It can be reasonably assumed that Person A spent a lot of money because without having spent money, a defendant most likely will lose.)

      That scenario still comes under "making available," and we all know that that argument has been thrown out of court, and there are now precedents set in place.

      Now, if Person B had access to Person A's computer and changed the email addresses of all/some of his music to that of other people, it can now be reasonably assumed that Person A has been illegally downloading music.

      Essentially think of the watermark as a receipt. It is proof of purchase, and is tied to a person's email address. If the email address is not yours, you don't have a receipt and therefore cannot prove that you have purchased the said item.

      --
      I am not stubborn. I am right!
    37. Re:Seriously... by lisaparratt · · Score: 1

      No one converts it ten times. They convert it either 0 or 1 times - they leave it in AAC, or they convert it to MP3 to stick on their player.

      Hence: They don't care.

    38. Re:Seriously... by Anonymous Coward · · Score: 1, Informative

      I can state for an absolute, personally experienced fact, that a purchased ITunes Plus AAC file can be played as-is by current versions of Winamp, with no processing or extra add ins.

      Yes, they have some extra tag indicating who purchased it (visible doing a get info in iTunes, so it has to be somewhere - so it's somewhat obivious that it will be in there) - but Winamp just ignores it.

      AAC is to MP3 what Divx/MP4 is to MPEG-2 video.

    39. Re:Seriously... by whitehatnetizen · · Score: 1

      this tool you refer to: it's called a hex editor.

    40. Re:Seriously... by redhog · · Score: 1

      Solution: Force apple to cryptographically sign the file, including your name/email within and publish their public key. Now no one can forge a file that just looks like you bought it. But they can still steal it off of a USB stick you forgot somewhere...

      --
      --The knowledge that you are an idiot, is what distinguishes you from one.
    41. Re:Seriously... by Anonymous Coward · · Score: 0

      If person b has a fair idea which tunes person a has bought then I can see the attack working and person a being hosed.

    42. Re:Seriously... by Anonymous Coward · · Score: 0

      Just explain it to the awarage user that if he does "convert to *" 10 times he won't have any music left

      Ok, who would do that? Why?

      Suppose you convert because mp3 is superseded by a new format. This is not a new problem; how many people have vinyl collections which they can't play because they don't have the right equipment? It will be much easier to get specialist software which will convert from arbitrary, outdated formats than it will to get hardware, for obvious reasons.

      It's not like this will be a problem for the music industry only; this problem will apply to odf and ogg in time!

      So please take your paranoid hate-mongering elsewhere.

      (Posted AC as I've moderated this thread)

    43. Re:Seriously... by Anonymous Coward · · Score: 0

      So apparently you're ok with it when the RIAA are suing you because they found an AAC file on that had your email address in it? So what if I happened to know your email address, and replaced the address in my shared AAC files with yours.. You would be sued for doing something you didn't do. Would you be ok with that?

      Seriously, if _any_ judge accepts an email address in an _editable_ file acceptable as proof, I will promptly lose all faith in humanity ;-)

    44. Re:Seriously... by Wovel · · Score: 1

      You do know that Apples and Amazons catalog of DRM free music have been fairly similar. Amazon got a little ahead about 6 months ago and is now behind again.

    45. Re:Seriously... by Anonymous Coward · · Score: 0

      Wrong.

      I have never lost the MORAL right to SHARE something which is mine.

      Eat shit and die horribly, hopefully with your RIAA paycheck stub in hand? Please?

    46. Re:Seriously... by amRadioHed · · Score: 1

      Or they keep the original AAC and convert that file to as many different formats as they want as many times as they want with no cumulative loss of data.

      So yeah, they don't care.

      --
      We hope your rules and wisdom choke you / Now we are one in everlasting peace
    47. Re:Seriously... by Ahhrg · · Score: 1

      Agree totally. I've been happily buying PDF:s from Pragmatic Bookshelf, where your copy of the book has your name written at the bottom of each page. Works for me.

    48. Re:Seriously... by Anonymous Coward · · Score: 0

      this seems to be a really useful case for stenography. Watermark the song with the account info, preserve it across format changes... WAY better than DRM

    49. Re:Seriously... by DSmith1974 · · Score: 1

      What if somebody inserts your email address into their AAC files before sharing them with the world?

      --
      It is not immoral to create the human species - with or without ceremony, Samuel Clemens.
    50. Re:Seriously... by Anonymous Coward · · Score: 0

      I agree and always thought that this would be the sensible thing to do from the point of view of the music companies.

      However, what what I have my car stolen? I'd rather not give the thieves information about me as well.

    51. Re:Seriously... by 1u3hr · · Score: 1, Insightful
      my point was that the email in the file can be modified pretty easily. not really the most concrete evidence.

      Yes, apparently the email address is there in plain text, easily zeroed out, but who knows what else is encoded there less obviously? But if I did plan to "share" such a file, I'd transcode it to MP3, which would lose all that metadata, unless they have done some sneaky audio watermarking. I mention that as a possibility, but I think it very unlikely.

    52. Re:Seriously... by teg · · Score: 1

      No one who lives outside of their mum's basement cares. Really. Your average MP3 player is not hifi, and your average consumer doesn't

      Many people play audio files on their hifi as well - either via the receiver, or via devices that decode it and provide the sound in analog or digital format to the receiver/amplifier. AppleTV, Sonos, Squeezebox are just some examples of devices that do this.... and then you do want good quality files.

    53. Re:Seriously... by Wovel · · Score: 1

      Of course if you take away the ability of creative people to earn a living with their talent, than there will not be any "information" worth sharing. Your argument is childish and uninformed.

    54. Re:Seriously... by Anonymous Coward · · Score: 0, Interesting
      I'm not against the identifying information being put in the audio files but just to respond to one point,

      i seriously doubt that an email which can be easily changed in a file can be used as the sole grounds for pressing charges. It ma however bolster a case where a user has been tracked by IP and the files have his email too.

      In New Zealand there are Guilt Upon Accusation laws that punish before any trial, and now in the UK they are pushing for Guilt Upon Accusation laws.

      So this isn't a major point really, I just mean to respond to the idea that it will get to the stage of pressing charges before punishment.

    55. Re:Seriously... by infolation · · Score: 1

      People can and do swipe your mp3 collection without you reaslising though - like when you plug your ipod into someone else's computer to charge. Watermarking the files is fine, but at least tell the consumer so they know they have to be careful who they expose their mp3s to.

    56. Re:Seriously... by lisaparratt · · Score: 1

      If you think the amplifier-plus-two-speakers most people have in their front rooms is hifi, you're sorely mistaken.

    57. Re:Seriously... by ardin,mcallister · · Score: 1

      This is !news. Itunes+ music has always had your info in it, and they've even TOLD you they have it in there.

      --
      "Some men just want to watch the world burn..."
    58. Re:Seriously... by Yvanhoe · · Score: 3, Insightful

      And this is doubly great : now if someone shares a file by putting myxiplx@slashdot.org instead of their own address, they will immediately be able to track the pirate.

      I mean, seriously, if you want to implement digital right protection, you either do it completely (hint : you can't) or not at all. Partial implementation like this one are completely useless.

      --
      The Wise adapts himself to the world. The Fool adapts the world to himself. Therefore, all progress depends on the Fool.
    59. Re:Seriously... by geordie_loz · · Score: 1

      the gp meant hi-fi in the original sense of Hi Fidelity, not the electronic equiptment. In that sense, hi-fi isn't a lossy format like MP3, because fidelity is lost in the compression, so thus, *not* hi-fi.

    60. Re:Seriously... by OhMickey · · Score: 1

      so... how long until edits the tags to = and unleashes the files to the torrents?

    61. Re:Seriously... by listen · · Score: 1

      I'd love to know your definition of a non editable file...

      The only thing that *should* be legally permissable is something signed with your private key. Now, who on earth is going to sign mp3s with their private key before sticking them on a p2p network, or give their private key to Apple so they can do it... oh wait.

    62. Re:Seriously... by FridgeFreezer · · Score: 4, Informative

      Well up the bitrate and reduce the loss - people talk a lot of shit about hi-fi but in reality a decent MP3 will be indistinguishable from anything else on 99% of gear in 99% of listening situations.

      --
      There is no music - home taping killed it.
    63. Re:Seriously... by Silas+is+back · · Score: 4, Informative

      Just to note, the email address has always been part of iTunes Plus files. This in nothing new.

      --
      this sig is useless
    64. Re:Seriously... by fuzzix · · Score: 1

      AAC is to MP3 what Divx/MP4 is to MPEG-2 video.

      The quality of the encoder makes a massive difference too, though.

      Compare faac and lame.

    65. Re:Seriously... by paul248 · · Score: 4, Insightful

      Well, Apple could sign the file with their private key after adding your user ID. It wouldn't stop people from blanking it out, but it would securely prevent impersonation.

    66. Re:Seriously... by oever · · Score: 1

      And even better: if you lose the file, the person that finds it can mail it back to you!

      --
      DNA is the ultimate spaghetti code.
    67. Re:Seriously... by Anonymous Coward · · Score: 0

      and how will defining 'non editable' add anything useful to the discussion? The point is that the email address can be easily changed, making it useless as an identification method.

    68. Re:Seriously... by martinX · · Score: 5, Funny

      I'd whip you with my Pear Anjou cables, but I've just finished burning them in and aligning the natural resonance using my interocitor.

      --
      When they came for the communists, I said "He's next door. Take him away. Goddam commies."
    69. Re:Seriously... by sumdumass · · Score: 2, Informative

      Why would you think that you would get fined just because your name is in something?

      Nothing is going to happen until it goes to court. The guberment can't give you a fine for this like a speeding ticket or anything. They would have to collect enough evidence and present it and then either hope that the government picks it up or sue you directly. Even then, your lawyer will probably get you off before it costs any money because you won't be the first person it happened to. All it will take is one Virus going around that does something with these files and it would be completely pointless and worthless as evidence.

      About the most that can happen is Apple decides not to sell more music to you under that account.

    70. Re:Seriously... by Richard+W.M.+Jones · · Score: 1

      I tend to agree with the sentiment, but this does open me to some unnecessary legal liability. What happens if my mate uses my computer and copies some of my music onto his portable music player, then later decides to share that music with the world? What happens if I discard a hard drive or catch a worm and my watermarked music ends up getting leaked that way?

      None of those things are likely to happen to me personally (least of all because I prefer to buy CDs), but they could happen to Joe Random computer user quite easily.

      Rich.

    71. Re:Seriously... by mstroeck · · Score: 5, Insightful

      Please... We've done blind tests with orchestra and studio musicians, and the detection rate of MP3 vs. CD on $500 studio headphones was not statistically significant. Get over it already.

    72. Re:Seriously... by sumdumass · · Score: 1

      Until person A says I was infected with the Rootkit.a worm and someone accessed all of my files. My friend, the rocket scientist that works on computers cleared it just last week from what he termed as Spyware and Viruses and something about a root.

      As soon as someone creates a Virus that looks for these Apple DRM free songs, the jig is up anyways. The file itself probably wouldn't be enough to do anything other then contact apple to find your IP address and then scan your system to see if your running a P2P server of some sort. Then they can prove it came from you other then by accident unless a Virus does something automagically.

    73. Re:Seriously... by Anonymous Coward · · Score: 2, Informative

      I wanted them to remove it so I could use it on any device I wanted to listen to it on. They did that; now I can, as far as I'm concerned, we're all good now.

      While I agree with you that removing the DRM is a good thing and inserting this information in the file is perfectly reasonable, as long as the music is in a proprietary format it can't be migrated easily. can the files be read by other applications?

      I really can't understand why so many people think that AAC is an Apple format... Is it the "A"s in it that makes everyone seem to assume it has something to do with Apple? It's a (patent encumbered) standard, just like MP3. Practically everything made these days supports AAC - it's actually cheaper to license per unit than MP3.

    74. Re:Seriously... by halcyon1234 · · Score: 5, Interesting

      Let me throw you a hypothetical here.

      Suppose I hated you. I see you have a link to your homepage-- many users do. That page, being an expression of personal taste, might have information about music you like. Yours does. Now, yours is a "CD collection", but it could just as easily be a list of songs you bought of iTunes (as many other users do, in a list, in their blog, etc). So I pick something from your list, say A Perfect Circle - Emotive (good choice, BTW). Google tells me your real name is Zach Robinson. One of your email addresses is zachd at microsoft dot com (obfuscated for your benefit). So I whip up a batch of itunes encoded A Perfect Circle with your name and mail address in it. I throw them on all the P2P sites I can find, wait a couple weeks, then drop a dime to the RIAA. It's trivial moments of effort for me.

      Now you have copyrighted music with a label that says "owned by Zach Robinson" floating around, and a group of lawyers looking to extort a couple grand out of you. Sure you could make up a fake name and a fake email address that you use exclusively for purchasing from iTunes-- but why should the onus of not being sued be on you? Or, why couldn't Apple instead have taken a secret internal customer id number, hashed it using the date/time of purchase as a salt, run it through a secret algorithm, and slapped that into the "owned by" field so that I couldn't reproduce it? (Until their method is cracked and we're back to square one, that is)

      Really, it all comes down to normalization. What describes a song? The artist, the album, the year of release, the genre-- all that fun stuff. Does YOUR name and email address describe the song? No. Then it doesn't belong in a song file. It belongs in your iTunes account, along with a list of songs you "own".

      So it only serves to harm the innocent, is a poor method of tracking ownership, and introduces unrelated data to a set. There is NO reason for it to be there.

    75. Re:Seriously... by Kangburra · · Score: 0, Troll

      If you think $500 headphones are high quality, you're sorely mistaken. http://www.stax.co.jp/

      --
      Common sense is not so common
    76. Re:Seriously... by sumdumass · · Score: 1

      Probably nothing. This was most likley put there to tell them where to look. Apple will have a record of your IP. If your songs are on the net, your running a P2P server or some other type of server, and they can attach or connect to it, and find the songs in question, there is little chance of you getting off. But as you said, there are tons of ways the Name could have gotten in there.

      Riaa and the MPAA isn't going after people that they didn't connect to and examine the files being distributed. This just makes it easier to say John Doe is distributing the file at this IP address one this date and we not only saw it but downloaded it and here inside the file is the proof that the original legal distributor placed in there for us detailing that it belonged to John Doe.

    77. Re:Seriously... by Bert64 · · Score: 1

      MP3 is a lossy format, it also happens to be an older more lossy (read: inferior) format than AAC... If you have devices which support AAC then you have no reason to use MP3, tho you still have that option if you really want to.
      You can also concert CDs to mp3 or aac, and doing so is lossy... That's just the way these compressed formats work. You could even convert them to gsm compressed files (very tiny filesize) but they would sound hideous.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    78. Re:Seriously... by zuki · · Score: 1, Insightful

      Totally agreed as far as headphones go, it's hard to distinguish any change.

      But the bigger the playback system, the more the differences become apparent.

      Just the same way if you took this web site's logo and blew it up to actual billboard size it would look
      quite ugly, pixelated and distorted, the more sound is amplified, the more these artifacts become not
      only noticeable, but downright annoying and irritating to the human ear.

      ..which is to say that yes, there is a difference, although most people are never in a position to hear it

      Lossy compressed audio is so 1995...

      Z.

    79. Re:Seriously... by zachdms · · Score: 3, Insightful

      Right, we both saw those possibilities. And then I point out that there's no record of me purchasing those tracks and it's kind of game over and I'm sad that that's an effective use of your time.

      As long as there's an actual correlation between those embedded email addresses and the purchase logs at Apple, it should be child's play to disprove "plants" like that.

      Granted you have a window of malice here, but I believe it's a lot smaller than is being suggested. Those plants could be checked by Apple without me ever having to know. Your narrow window of malice (hoping to hit a subset and NOT a superset of whatI've purchased) would be even further mitigated by them simply setting "Bar For Kicking In Your Door" to some non-tiny number. So you don't even necessarily get to waste my time. Just your own. ;)

      You might with your project succeed with redistributing music files around the net ... but that's kind of where things are now.

    80. Re:Seriously... by xouumalperxe · · Score: 1

      Lossiness in the conversion is a function of the destination, rather than source, format. If you have any sense, you'll at most have one lossy conversion step: First you convert your AAC files to a lossless format of some sort (including the lossless version of aac if it suits you). Then, all further conversions are made from that file rather than from lossy transcodings. Is your lossless format going out of fashion? Batch convert your collection to a newer lossless format. Then you can go back to converting to the new lossy standard for your everyday needs.

    81. Re:Seriously... by myxiplx · · Score: 1

      Easily changed. You're sure about that?

      You're absolutely, 100% positive that there's no watermark buried in there, digitally signed by apple and stating the e-mail address the music was sold to? I'll take back my comment if Apple have done this half heartedly, but I actually think the music industry would have wanted them to do a decent job of it, and that means changing the address is not going to be easy.

      No, it might not stop a determined hacker, but it's going to stop the average joe which is the main point of measures like this.

      And until these can be hacked, they are pretty useful as an identification method. I'd also expect Apple to have procedures in place for updating the standard should anybody work out how to hack the information in the files.

    82. Re:Seriously... by Almahtar · · Score: 2, Funny

      Also, last I checked, Steve Jobs didn't repeatedly smash your face into a MacBook keyboard whilst pointing a shotgun at your head with his free hand until you bought music from iTunes. If you don't want it, don't buy it.

      Actually, Steve Jobs did repeatedly smash my face into a MacBook keyboard whilst pointing a shotgun at my head with his free hand until I bought music from iTunes, you insensitive clod.

      Poor MacBook.

    83. Re:Seriously... by dargaud · · Score: 2, Interesting

      There is certainly more than one place where the owner's info is inserted: once in plain text, once watermarked through the music stream, once using steganography inside the music stream, once encrypted in precise spot that in itself gives info about the source, etc... And only Apple and selected **AA will know about those. Still, it's a progress.

      --
      Non-Linux Penguins ?
    84. Re:Seriously... by Bert64 · · Score: 1

      It's far less likely to happen to MP3...
      While Vinyl requires completely different physical equipment to play than a CD or audio cassette does, MP3 is usually decoded in software these days. Whatever replaces it, is also likely to be decoded in software, and will likely require more processing power to decode.

      So putting an mp3 decoder on a device alongside whatever replaces it is a very small burden, the mp3 decoder will be tiny compared to the newer decoder and the capabilities of the hardware it's running on.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    85. Re:Seriously... by Almahtar · · Score: 1

      Yep. Simple, right? So simple that now every file that circulates P2P networks can have myxiplx@myxiplx.com as their identifying e-mail address despite the fact that you didn't buy or distribute any of them because it's so simple to just modify the e-mail address.

      This is not a reliable system.

    86. Re:Seriously... by Anonymous Coward · · Score: 0

      I have a lock on my bike. Not because It'll stop anyone from stealing it, but because it will stop _some_ from stealing it.

      And it just so happens that it makes it to hard for most who pass by it to even attempt it.

      Are you honestly saying that I should trow away my lock because it doesn't stop someone with a wirecutter from stealing it?

      That's moronic.

      Sure a nametag on a song won't stop piracy, but it will mean that when 2 billion people are fined a cuple of dollars each for sharing their songs, that the common man/woman won't be "just sharing" their songs, just like the common man won't be "just borrowing" my bike when they feel like it.

    87. Re:Seriously... by Anonymous Coward · · Score: 0

      Mod parent up. Seriously well informed.

    88. Re:Seriously... by Kindaian · · Score: 1

      Not an issue...

      You just need to make a property transfer paper stating that you are the owner of that precise file and that you transfer ownership to someone, named below.

    89. Re:Seriously... by Bert64 · · Score: 1

      Apple could conceivably create a private key per user account... It would prevent impersonation, but it would still be possible to remove the tracking information.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    90. Re:Seriously... by couchslug · · Score: 3, Funny

      "Also, last I checked, Steve Jobs didn't repeatedly smash your face into a MacBook keyboard whilst pointing a shotgun at your head with his free hand until you bought music from iTunes."

      After THAT sort of treatment, did you really think we'd tell you anything?

      The first rule of the Steve Jobs Beat Down is "don't talk about the beat down".

      ]

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    91. Re:Seriously... by Bert64 · · Score: 1

      If you take away the ability of people, including many non creative middle men (riaa) to make obscene levels of profit based on a work produced years ago you will only benefit the talent pool...

      If the profits are lower or non existent, only people who love music will make it... You will lose all the trash produced by people who have zero interest in music and are only in it for the money...
      You will get rid of all the people who have one hit, and then sit around doing drugs and generally setting a bad example while not producing any worthwhile new content.

      What's so wrong with a world where artists have to actually continue creating and performing in order to continue making money?

      Recordable media is no substitute for a live performance, recordings should really be treated as promotional freebies, with live shows and potentially product endorsements etc as ways to make money.

      You can't produce a copy of a live show, the original artist has a monopoly on their own performances, and such a system is fair because it means artists have to keep working just like everyone else.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    92. Re:Seriously... by Bert64 · · Score: 1

      And this could clearly be removed by someone with a reasonable level of technical skill, just like DRM can be removed...
      All these measures are just to target casual copiers...

      However, unlike DRM, tagging the file with your details doesn't hurt legitimate users.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    93. Re:Seriously... by Anonymous Coward · · Score: 0

      I have to disagree.

      Apart from copies allowed for private use, you can actually make a copy of something (as long as it is not software) and give it to a friend. That's why there is a special tax on blank media.

      Collective use is to play that song on the street, not to give a copy of it to as many people as you like (even in the middle of the street).

      P.S.: In spain you pay 12E for each new hard drive just for this...

    94. Re:Seriously... by dimeglio · · Score: 1

      maybe an hour before someone comes up with a tool to ZOT that name and email address right out of there. Maybe it'll even put the new one in. Pride of ownership and all that.

      Yeah, and if you were not paranoid enough, please note that this is only a honeypot, the real personal information is stored encrypted using applecrypt® and hidden elsewhere in the file. It includes your medical record and any past convictions for copyright infringement. Any new MP3 player, including the ipod, will check that the encrypted email address is the same as the non encrypted one and play a message from the RIAA if they are not.

      --
      Views expressed do not necessarily reflect those of the author.
    95. Re:Seriously... by chuckymonkey · · Score: 1

      The hard part is proving that person is the one tha uploaded the file. How do you know it wasn't a sibling, friend, or other family member. Are you sure the computer isn't rooted and someone else uploaded the files? This really doesn't prove anything other than you're the person that bought the file.

      --
      "Some books contain the machinery required to create and sustain universes."-Tycho
    96. Re:Seriously... by Tony+Hoyle · · Score: 1

      What? Did you even read those articles?

      All they're saying is that illegal downloaders should be given at least two warnings before the ISP takes action. This is better than the current situation where the ISP will terminate the account immediately.

    97. Re:Seriously... by z0idberg · · Score: 1

      Now all you have to do is make sure your Mp3 player, computer or anything containing your purchased mp3s gets stolen, or compromised.

      And make sure no-one uses your computer or mp3 player and copies the songs without you knowing.

      Thats the problem.

    98. Re:Seriously... by yttrstein · · Score: 2, Insightful

      It's not a nefarious move. It's how iTunes (and therefore Apple) recognize purchased music. This is necessary for a number of benevolent reasons, including a strong layer of insurance against selling you the same track twice.

      If you really don't like it, write the two-liner (one line if you know sed and awk) that blows your personal info out of every purchased track automatically.

      I fail to see the issue.

    99. Re:Seriously... by Anonymous Coward · · Score: 0

      dam, my iPod classic 160G full of MP3s just got stolen!
      shall I expect RIAA/iTunes attorney at my door?

    100. Re:Seriously... by DMalic · · Score: 1

      Do you have any sort of professional background in the audio industry, or have you tested this yourself? Everything I've seen on the subject claimed transcoding from a badly compressed source would pretty much wreck audio quality. It's not something I want to mess with ATM, but my experiences with video agree. In that vein, what does the quality of the mp3 player matter? In my experience, the headphones you've got plugged into an mp3 player define the audio quality (given a functional mp3 player with a decent standard of amplification and source.) You can get really decent headphones for $15, so it's not a stretch to think this could matter.

    101. Re:Seriously... by pdbaby · · Score: 3, Informative

      I diff'd 2 non-DRM iTunes songs a while ago... they just list your e-mail address and purchase date in the metadata. And I suspect that's done client-side to simplify their cache system.

      --
      Global symbol "$deity" requires explicit package name at line 2. - If only $scripture started "use strict;"
    102. Re:Seriously... by Jane_Dozey · · Score: 1

      I care that my personal info is being used in order to watermark it. As someone posted above, they could use a private key to hide personal info and keep the watermark instead of potentially allowing a third party to get my info (in the case of someone nicking my ipod or a friend taking liberties with my music collection). I'm not in the habit of uploading copyrighted content but there are ways in which it could happen without my consent and as such I want my privacy should it happen. Any legal repercussions of that happening should be the only headache I get and not having to worry about where my personal info has gone to.

      All that said I'm happy to see Apple ditching the DRM, I just think they need to modify their watermarking strategy.

      --
      Silly rabbit
    103. Re:Seriously... by DMalic · · Score: 1

      I've blind tested myself mp3 vs CD. I agree, though certain instruments (cymbals) are pretty obvious at 128k. What does that have to do with transcoding, though? A 1 gig x264 rip looks perfect, but try to turn it back into DVD-size mpeg-2 and it's an unwatchable mess of blocks.

    104. Re:Seriously... by Ihmhi · · Score: 2, Insightful

      And noticeable to whom? Audiophiles, and not the average user.

      I'd rather have a 160 kbps MP3 that I could put on anything than a restricted AAC with better sound quality.

    105. Re:Seriously... by pdbaby · · Score: 5, Interesting

      I've mentioned it elsewhere but songs are also encoded with the purchase timestamp. So if you've no access to someone's files then you've essentially zero chance of getting the purchase timestamp right, even if you get the songs they own right.

      --
      Global symbol "$deity" requires explicit package name at line 2. - If only $scripture started "use strict;"
    106. Re:Seriously... by Weedlekin · · Score: 3, Interesting

      "The owners are allowed to make copies only for private usage, with collective and lucrative uses not allowed."

      It would be more correct to say that collective use is technically illegal, because it's most definitely allowed. A Spanish legal precedent was established for this at the end of 1996 by a judgement that exonerated an accused Internet file sharer on the grounds that non-commercial copying not only isn't a crime, but that it's a common social practice that should not therefore to be criminalised. This stance on the part of the Spanish legal authorities was underlined at the end of 1997 when what amounts to their chief copyright cop said that not everything which is technically illegal is a crime, including non-commercial copying via the Internet or any other means, so they have no intention of pursuing anyone who isn't involved in commercial piracy.

      The effect of the above has been to leave civil litigation as the only route open to representative bodies of copyright owners, but their efforts are severely hampered by the fact that ISPs refuse to disclose the identities of the people behind specific IP addresses on the grounds that Spanish law (which is based on EU data protection directives) only requires them to do so as part of a criminal investigation or where matters of public safety or national security are concerned. This eventually ended up at the European Court Of Justice subsequent to a request for a definitive ruling from the Spanish courts, and the ECJ found in favour of the ISP (Telefonica), thereby effectively making civil litigation against Internet file sharers almost impossible.

      --
      I'm not going to change your sheets again, Mr. Hastings.
    107. Re:Seriously... by Anonymous Coward · · Score: 0

      While I agree with your sentimentâ"as a lawyer I feel compelled to point out, "reasonable doubt" is a criminal standard. As much as I loathe the RIAA and their ridiculous tactics and their abuses of the litigation process, civil litigants are simply not (and should not be) held to a reasonable doubt standard.

    108. Re:Seriously... by Caetel · · Score: 1

      The e-mail address has been part of every file sold by iTunes, it's just it obviously can't be seen in clear text when FairPlay has been applied.

    109. Re:Seriously... by lisaparratt · · Score: 2, Insightful

      The average person does not have aspergers syndrome, unlike the average slashdotter, and thus isn't anal about SNR ratios, codecs, et al. As long as they can screech along to Britney's latest banshee wailing, they're happy - they just don't care about audio quality.

    110. Re:Seriously... by Carewolf · · Score: 1

      Well, they could, but they don't.

    111. Re:Seriously... by dwandy · · Score: 1

      Couldn't you correlate your purchase record, or lack thereof, to validate or disprove the claims against you in that scenario?

      yes ... in court, with your multi-thousand-dollar lawyer beside you. It can easily cost $100k to win in court.
      Therefore, the attacker has already achieved their goal when the lawsuit is issued.

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    112. Re:Seriously... by marcansoft · · Score: 1

      Converting AAC to a lossless format is a waste of space and time. You might as well do the AAC decoding every time you want to transcode them into anything new. The result isn't going to change, unless they fix a subtle bug in the decoder, in which case you're actually better off.

    113. Re:Seriously... by ff1324 · · Score: 1

      mouse...mousetrap...mouse...mousetrap...mouse...sign telling mouse there's a mousetrap...mouse...mousetrap...ad nauseam

    114. Re:Seriously... by fedcb22 · · Score: 1

      You're doing it wrong.

    115. Re:Seriously... by Anonymous Coward · · Score: 1, Interesting

      Actually, you could convert a sound consisting of a simple sine wave to MP3 in a lossless fashion.

      It's a pointless boundary case, but an interesting by-product of the way mp3 works.

    116. Re:Seriously... by DMalic · · Score: 1

      Whether transcoding is relatively insignificant is the whole question. If it makes a noticeable difference in the sound, a vast number of music listeners are going to notice. Yes, normal, everyday people. They do have ears, though their response to shitty sound usually comes in the form of "doesn't this sound odd to you?" or "what's wrong with the music?" rather than a technical dissertation. If it doesn't make that difference, you win, I lose. However, I'm pretty sure you're just looking to prove a point without regard for its accuracy. All in all, you seem pretty good at diagnosing yourself as the "average slashdotter" - Aspergers *does* seem to fit your inability to emphasize with or socially connect to others. I do believe you're welcome to find yourself a more suitable community with "your type of people", whoever they may be.

    117. Re:Seriously... by powerspike · · Score: 1

      If they raid someones computer, and a music file with your name and email address is on their machine, then your not mkaing avaible, your are trafficing / etc. If they start taking computers they might have some solid cases on their hands..

    118. Re:Seriously... by Anonymous Coward · · Score: 0

      In Canada we pay a premium on every CD-R we buy for the RIGHT to ignore copyright.

      So now I'm supposed to risk my iTunes account to do something I pay special taxes for?

      WTF? That's not right at all. Furthermore, this is a violation of privacy rights in Canada.

      Hopefully us Canadians fight this (You know we won't, we'll just be tread on by American corporations that think^H^H^H^H^Hknow they own us.)

    119. Re:Seriously... by powerspike · · Score: 1

      Just remember there is a price for this, if you want to buy something recent and popular, the price is going UP, if it's a recent song song that nobody likes, well the price will stay the same, and if the song is something nobody has brought in a year, you'll get it a little cheaper...

    120. Re:Seriously... by powerspike · · Score: 1

      Yes they could, but that would DRM, which means apple would be bent over a table with a seriously large class action suite...

    121. Re:Seriously... by uglyduckling · · Score: 1

      That's a little bit silly: it's not "infinite fidelity" but "high fidelity" so it's possible to lose a finite amount of fidelity and it still be "high". One could argue by the same reasoning that the 20kHz low-pass filter used with CDs has lost some fidelity therefore CDs aren't "hi-fi".

    122. Re:Seriously... by dunkelfalke · · Score: 2, Informative

      Actually, there are no hifi mp3 players because mp3 players aren't defined in DIN 45500 at all.

      --
      "It's such a fine line between stupid and clever" -- David St. Hubbins, Spinal Tap
    123. Re:Seriously... by tsa · · Score: 1

      Wow, 7000 dollars for 4 m of cable! I think I will start my own Super Super HiFi equipment company!

      --

      -- Cheers!

    124. Re:Seriously... by h4rm0ny · · Score: 1


      What is wrong with someone making a huge amount of money from their work? If Britney releases a song that that is purchased by literally millions, played in clubs and on radio stations around the world, why shouldn't she get a large sum of money for that. She's produced something that millions of people want.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    125. Re:Seriously... by dontmakemethink · · Score: 1, Insightful

      Agreed. This is a fairly reasonable compromise on Apple's part.

      It is neither compromise nor reasonable.

      1) Apple's DRM policy is entirely mandated by the RIAA, who do not know the meaning of the word 'compromise'. No RIAA OK, no iTunes licensing.

      2) Consider how many iPods get lost or stolen. Is it reasonable to bury personal info into music files unbeknownst to the user when those files are *known* to end up in the wrong hands? According to Dell, over 12,000 laptops are lost in US airports every week. At least there is the opportunity to secure the information on a laptop. I'm guessing there isn't a single utility to encrypt music files on iPods, much less the personal information embedded within.

      3) Imagine how many iPods are lost at schools. How many scams can you think of that take advantage of the owner's desire to get their iPod back. Worst of all, show me a pedophile that wouldn't love to pretend to be some kid's classmate wanting to return their beloved iPod in order to lure them somewhere private. Lost iPod + email address of owner = "Meet me by the white van with tinted windows"

      --

      War as we knew it was obsolete
      Nothing could beat complete denial
      - Emily Haines
    126. Re:Seriously... by TyFoN · · Score: 2, Interesting

      And still, some people like me can't hear the diffrence on FLAC or 128 kbps MP3 ;)
      But I don't have audiophile golden ears that's for sure...
      Still I got maximum score in the military when they tested my hearing.

    127. Re:Seriously... by xouumalperxe · · Score: 1

      True, but the point was that if I were to specifically dislike AAC for some reason, and wanted to format shift ASAP, that's what I'd do to ensure minimal lossiness going forward.

    128. Re:Seriously... by Baki · · Score: 1

      What happens if someone would steal my laptop full of itunes files, and the one who stole it would send these all around and share them on p2p networks?

      Maybe I should report a theft of a computer just in case, as a defense in advance against accidents.

    129. Re:Seriously... by dontmakemethink · · Score: 1

      4) The RIAA spends way too much on legal to not have forseen this. Forgot to mention that.

      --

      War as we knew it was obsolete
      Nothing could beat complete denial
      - Emily Haines
    130. Re:Seriously... by Anonymous Coward · · Score: 0

      My PC was stolen last week, and my music along with it.

      I hope I don't get a knock on the door asking why I've been sharing music illegally. Given the track record of the industry so far, I wouldn't put it past them to ignore the Police report and crine number and just sue me anyway.

    131. Re:Seriously... by FireFury03 · · Score: 1

      inserting this information in the file is perfectly reasonable

      What happens when I want to sell my old music into the second hand market? I don't want my personal data going to random other people...

      What's that? I can't re-sell the music I legitimately purchased? I guess I'll stick with CDs then thanks...

    132. Re:Seriously... by paanta · · Score: 5, Insightful

      I don't think you really addressed the compromise or reasonableness aspect of this.

      Apple wants DRM free stuff and RIAA doesn't. Apple stuffs personal info in there so there will be some accountability should the file get P2P'd. Sounds like compromise to me.

      As far as reasonableness? Your scenarios sound pretty darn unlikely. Almost as unlikely as someone stealing my iPod with my contact info in it, then deliberately leaving it at the scene of a murder in order to frame me. Or maybe space aliens will steal the music on my iPod and accidentally broadcast it back to Earth. NASA will pick it up, magically determine the email address associated with it, send spooks to pick me and perform experiments on me for the rest of my life.

    133. Re:Seriously... by u38cg · · Score: 1

      Transients. Classical music has very few transients and I wouldn't expect a blind test between MP3 and raw bitstream to show much difference. Try listening to a steel-string guitar with lots of pick noise.

      --
      [FUCK BETA]
    134. Re:Seriously... by Arancaytar · · Score: 1

      Person A just spend a LOT of money in the process

      Which they countersue for from the RIAA...

    135. Re:Seriously... by zachdms · · Score: 1

      You don't have a valid purchase timestamp, you can't guarantee prosecution, and it's in Apple's interests to validate the subset/superset purchase test I already proffered.

      You would seemingly have a better chance of accomplishing anything useful by buying a used lottery ticket.

      Given the data set in question - email + purchase timestamp - this just isn't feasible given that Apple could easily validate that those were actually purchased by XXX. Spoofed data won't match the Apple purchase logs, which is where your house of cards comes crashing down.

      If you're suggesting that Apple is going to sue you based upon the spoofed information that doesn't match the purchase logs that they have, I've got a bailout to sell you.

    136. Re:Seriously... by sglewis100 · · Score: 1

      1) Apple's DRM policy is entirely mandated by the RIAA, who do not know the meaning of the word 'compromise'. No RIAA OK, no iTunes licensing.

      What DRM policy? We're referring to non-DRM protected files.

    137. Re:Seriously... by nmg196 · · Score: 1

      > as long as the music is in a proprietary format it can't be migrated easily

      It's not in a proprietrary format, it's a bog standard AAC file, which is just as much of a standard as MP3.

    138. Re:Seriously... by Schadrach · · Score: 5, Insightful

      How is a digital signature verifying that the file is the original provided by Apple iTunes DRM in any meaningful sense? It places no restrictions on the file in any form, doesn't prevent or limit it's usage, simply acts as verification: "My checksum matches the checksum that this signature says it should, therefore the file has not been changed since purchased from iTunes".

    139. Re:Seriously... by nmg196 · · Score: 4, Insightful

      Listening to music on headphones while on the train is lossy but people still do it. We can't all sit in silent rooms with reference quality speakers 6 ft in front of us and £1000 amplifiers. The quality loss is totally irrelevant as it cannot be heard under normal listening conditions by the vast majority of people.

    140. Re:Seriously... by sglewis100 · · Score: 4, Insightful

      Fair enough so long as there is no additional lossiness in the conversion.

      Why? Who cares? AAC is a valid format. They should use MP3 because more non-iPods support MP3 then AAC? Maybe they should support Ogg because it's "better" or sell music in a lossless format so that you are closer to the original.

      I kind of understood the complaint when it was DRM protected AAC "wahhh... I can't play it on my non-iPod even though that device supports AAC". Now you can. But there's no reason Apple should have to support MP3. To many, these high bitrate AAC files are superior to MP3. Have a non-AAC compatible player? Go to Amazon.com, they have a similar selection.

      There will always be a complainer until Apple releases every song ever, including bootlegs, in Ogg, MP3, AAC, Flac, and ten other formats, and change the iPod to support all of the same, and make the iPod a 3G wireless device that has a built in BitTorrent client to grab the files quicker, and they cook you dinner and do your laundry too. Maybe some of the readers here just aren't the iPod's intended audience?

    141. Re:Seriously... by sglewis100 · · Score: 5, Insightful

      If you think $500 headphones are high quality, you're sorely mistaken.

      If you think the intended audience for things like iTunes and the Amazon MP3 store DON'T think $500 are high quality, you might be the mistaken one.

    142. Re:Seriously... by tepples · · Score: 1

      We've done blind tests with orchestra and studio musicians, and the detection rate of MP3 vs. CD on $500 studio headphones was not statistically significant.

      I'm intrigued. What bitrate? What encoder?

    143. Re:Seriously... by AusIV · · Score: 2, Insightful
      Ripping from an original source to a lossy format is noticeable only to the most trained ears. Converting from one lossy format to another starts producing artifacts that the average user can hear on run of the mill equipment.

      AAC will play on most portable devices these days. If you have something specific you want to play it on that can't handle an AAC, I'd make an mp3 copy just for that device, and keep the higher quality version for your computer and other devices.

    144. Re:Seriously... by modestgeek · · Score: 1

      OR, Person B decides to harm Person A. Person B knows how to get access to the data on Person A's machine either through physical or remote access. Person B uploads using tor or some other type of hard to trace proxy chain. Now the email address to itunes account will match up.

    145. Re:Seriously... by Anonymous Coward · · Score: 0

      To balance that widespread availability, there is a tax on each storage medium you buy, whether blank CDs, blank DVDs, phones, SD cards, harddisks... that goes into the SGAE (the Spanish RIAA/MPAA).

    146. Re:Seriously... by sacrilicious · · Score: 1

      Nope, don't see the problem.

      Here's the problem: someone else takes an itunes file, overwrites its email address with *your* email address, and then publishes it on the internet. The presumption that you must therefor have something to do with the file is the problem.

      --
      - First they ignore you, then they laugh at you, then ???, then profit.
    147. Re:Seriously... by myxiplx · · Score: 1

      Competition will soon help with that though. And besides, I like all the old stuff :-D

    148. Re:Seriously... by Shakrai · · Score: 4, Funny

      If you think $500 headphones are high quality, you're sorely mistaken. http://www.stax.co.jp/ [stax.co.jp]

      I only have one question regarding those $5,000 headphones: Can I get them with a white wire? ;)

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
    149. Re:Seriously... by Mr+Z · · Score: 2, Informative

      True. I would imagine there are ways, though, of minimizing the loss going from AAC to MP3. A naive conversion would convert AAC back to uncompressed PCM samples, and then run that through a standard MP3 converter. That strategy would work (and is likely the one employed), but it seems like it would cause the maximum damage.

      Another technique transcodes one format to the other. AAC is also a lossy format, and its psychoacoustic model has already decided to discard some information. Transcoding from AAC to MP3 could convert the sound data in the frequency domain (i.e. the MDCT coefficients--the representation that AAC and MP3 use to code the sound once it's been shaped by the psychoacoustic model), throwing away only the sound bands that MP3 doesn't support. You may have to do some additional work to handle the smaller ranges of frame sizes that MP3 supports, but it's tractable.

      The main point is that you don't have to apply the full psychoacoustic model again to decide on more things to discard. Since MP3 represents a narrower band of sound than AAC does, most of the conversion can focus on removing the stuff MP3 can't represent, and then just recoding what remains with the greatest fidelity possible.

      Something tells me, though, that they're not bothering to do it that way, but I'd be interested to know if they do.

      (Note: I'm not an audio format expert, and I have simplified the description above. For example, AAC uses a modified DCT, so it's not as pure a frequency domain representation as, say, an FFT. MP3 apparently uses a hybrid approach that isn't pure MDCT. And so on. Still, capturing the audio data nearer to its encoded form and transcoding it, rather than going all the way back out to audio samples should retain higher fidelity.)

    150. Re:Seriously... by noc007 · · Score: 2, Insightful

      I guess I'll stick with CDs then thanks...

      I think that's partially the idea.

    151. Re:Seriously... by Anonymous Coward · · Score: 0

      Of course there's loss, but to imply a lack of transcoding loss is a prerequisite before anyone can use it anywhere is absolute madness.

      Madness? THIS IS APPLE!!!!!

    152. Re:Seriously... by erroneus · · Score: 1

      RIAA doesn't care to hire properly licensed investigators. Why would they care to find out if person A licensed the music properly or not? We already know they shoot first and ask questions later. Are you somehow predicting that their behavior would change for some reason in this case?

    153. Re:Seriously... by outZider · · Score: 2, Insightful

      Think of the children!

      You know, you're going to give yourself a heart attack far too early if you worry about crap like this. Seriously, an email address is not a piece of personal information that you can hold close to your chest.

      --
      - oZ
      // i am here.
    154. Re:Seriously... by Khuffie · · Score: 1

      I seriously wonder if people here would have the same reaction if it was Microsoft instead of Apple doing this. My guess is not, and people would be up in flames

      Mind you, I don't really see a problem with it either.

    155. Re:Seriously... by lupis42 · · Score: 1

      Sure it can. Pops, hisses, and clicks can all show up when transcoding, and that's a loss of quality that will annoy any listener who isn't used to cranking the volume on blown out speakers.

      (Disclaimer: I don't know about AAC specifically, but I've tried transcoding a couple things between lossy formats, and it was a complete no-go)

    156. Re:Seriously... by v1 · · Score: 1

      tho that does depend on the amount of quality lost. There have been several cases where I ran into a song I wanted and found it donwloadable somewhere, and later bought the whole album and ripped it in, and was stunned by the difference in quality.

      I'm by no definition an audiophile, but some of the transcodes out there just butcher the music, in a way that anyone, on any player, with any speakers/buds, can tell the difference.

      --
      I work for the Department of Redundancy Department.
    157. Re:Seriously... by Anonymous Coward · · Score: 0

      Look at the quote: "Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea." and read it in the context of the original post. That person is making the assertion that copyrighted music should never be shared on a P2P network; that point has nothing to do with iTunes. The original poster is making a false statement that no copyrighted music should ever be shared on a P2P network.

    158. Re:Seriously... by ExtremePhobia · · Score: 1

      I agree too. The point wasn't to take it off to share it... At the same time I do find it atleast moderately interesting.

    159. Re:Seriously... by ExtremePhobia · · Score: 1

      Madness? this - is - SLASHDOT!

    160. Re:Seriously... by mxs · · Score: 1

      Exhibit A : iTunes Plus DRM-Free files, "purchased" by mxs.
      Exhibit B : Through a cunning feat of social engineering, mxs has obtained myxiplx's eMail address and real name.
      Exhibit C : Hex editor.
      Exhibit D : BitTorrent, LimeWire, Kazaa, and Usenet.

      What is to prevent me from changing the information contained in my purchased files to information pretty easily available from you ? (eMail address + real name is not really something that people would think of being secret; the only part a tad more intricate is figuring out when you bought what kind of music on iTunes -- but even that should not prove too hard for a dedicated attacker).

      Should you be required to prove that you were not the person distributing these files ? Indeed, do you honestly believe that the RIAA will care about this scenario while bankrupting you and making your lawyer really, really happy ?

      Though to be honest, I have not checked whether Apple cryptographically signs this information in their files, so this attack might actually be infeasible. Plenty of other attacks remain, of course (ever had your Laptop stolen ? How prevalent, do you think, are worms and viruses amongst the people using iTunes on Windows ? It should prove easy to pilfer the requisite records from their AAC-files, if one were to wreak some havoc ...)

      Remember when you lent a CD to your friend ? Yeah, don't do that with files. It's bad for you. Sharing is bad.

    161. Re:Seriously... by h4rm0ny · · Score: 1

      What happens if someone would steal my laptop full of itunes files, and the one who stole it would send these all around and share them on p2p networks?

      Well then you can trace the IP address the files were shared from and as they are yours, you have a handy clue for locating the thief with. Bonus! :D

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    162. Re:Seriously... by Wheely · · Score: 1

      Excellent work missing the point.

      Well done.

    163. Re:Seriously... by neomunk · · Score: 1

      I honestly think you're right, but it does seem to be an awful lot of relying on other people having common sense, and that's not always a good bet.

    164. Re:Seriously... by Cowmonaut · · Score: 4, Insightful
      Note: My numbered rebuttals correspond to your numbered statements.

      1) Apple does negotiate with the RIAA about the terms of the DRM service that Apple has to maintain and run. I'm far from an Apple fanboy, but there have been stories over the years going off on how the DRM wasn't Apple's idea and so forth. There are even quotes of Steve Jobs saying that DRM is bad, and that guy sure as hell isn't the type to just take it. I seem to remember a Slashdot story telling of how they were forcing the RIAA to accept their terms, but over the years the opposite I admit has been more likely.

      Of course, the actual music execs have been saying for years that DRM is bad but the lawyers at the RIAA seem to be running their companies into the ground for them.

      2)The private info consists of the email address related to the account that purchased it. I do not believe it actually contains a lot of 'personal information' such as your name, or social security number, or bank account numbers. I don't personally buy DRM'd music (which means I've yet to buy an iTunes track) so I can't be 100% positive, but I'm fairly sure there would of been an article on Slashdot before given this is nothing new to iTunes.

      By the way, how is it any different than leaving a card or sticker with your name and phone number on an item in case you lose it so a good Samaritan (in the unlikely event your stuff is found by one) can return it to you? Honestly I think this is a non-argument.

      3)You're the kind of person that would put a kid in a bubble to keep him from getting hurt, but not thing of how to feed him aren't you? The 'private info' consists of an e-mail address. Your pedophile argument is no better than the morons who scream "think of the children" in politics, equally pointless and used as an exaggeration of a problem to prove your point.

      A pedophile isn't going to go track down someone by their bloody email address when they can just watch the school and pick their target in person. They wouldn't even know its a kids iPod until they found out who owned the email address, it could be a teacher's. Never mind the difficulties in actually associating a face to an email address when all you have to go by is the address itself and the fact they have an iPod.

      The scams are equally as bad. Worst case, you have someone use the email address on a few porn sites so they get some XXX spam mail. If you are a mature parent, you can deal with that easy enough and if you are a tech savvy parent it shouldn't be a problem anyways unless you don't supervise your kids online experience (which means ALL online aspects, not just browsing and IRC).

      So tell me. What would you do with my email address? How will you track me down with mine if I don't use it on Myspace? What if its only used on iTunes?

      I think people are knee-jerking a bit much.

    165. Re:Seriously... by h4rm0ny · · Score: 1

      Excellent work posting a comment with zero information in it. Nice.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    166. Re:Seriously... by Anonymous Coward · · Score: 0

      Use only Genuine Interocitor(tm) parts!

    167. Re:Seriously... by Anonymous Coward · · Score: 0

      P2P is perfectly legal, you troll i download my linux distros with it. Hell, ppl even get their valve games thru p2p (valve goes to great lengths to hide that it uses YOUR badwidth to make a profit but still...)

      i think you mean music sharing. And last time i checked, there was still ftp http and such on the web

    168. Re:Seriously... by Poltras · · Score: 1

      If you think my mom or my bro (the "common" people in those kind of statistics) would spend more than 300$ on headphones, you're sorely mistaken. To those it matters, go buy some FLAC and don't bother spending your money on iTunes.

    169. Re:Seriously... by ericartman · · Score: 1

      So if you do share music just claim you lost an Ipod along the way and charges dismissed?

      Cart

    170. Re:Seriously... by zachdms · · Score: 1

      Wait, so what's the argument? That someone could put spoof data in files and spread them and you would be sued? How is this different than where we are now?

      The interesting part of this situation is that the actual files would have a one to one correlation with a purchase log. That's what different. It's in Apple's best interests to let you validate those. It's in Apple's best interests to see that that is validated before allowing anyone to sue you. Having a pretty print-out of your non-correlated purchase logs to take to the judge seems like a nice way escape of this pretty pathetic "threat". Which assumes that somehow these spoofed files came to the attention of lawyers who decided to sue you. Again, buy lottery tickets at this point.

      If we're going to believe in a super litigious world, nothing has changed from where we were. In fact, you can go out and create these spoof files today without regards to Apple's plans here.

      The true "threat" to the user should be stolen hardware or files, not spoofing.

    171. Re:Seriously... by bestalexguy · · Score: 1

      It is as simple and even less effective than writing the name of the owner on a bicycle to prevent stealing it.

      To solve this problem you need what is already in place for cars, houses, planes and ships: a government-run public Registration Board. And a legislation which forces the owner to report theft to authorities. And we all know how effective is the police on solving car-theft cases. Can one reasonably propose this for a real estate of 1/4 of a square millimeter on a hard disk? (just guessing on the math).

      As unpleasant as it might be, some problems have just no satisfactory solution.

    172. Re:Seriously... by JoeMerchant · · Score: 1

      Couldn't you correlate your purchase record, or lack thereof, to validate or disprove the claims against you in that scenario?

      It seems like a quick comparative analysis there would pretty quickly mitigate *most* of that concern.

      Yes, you _could_ file this information with the court, move for dismissal, etc. etc. etc.

      Personally, I'd rather have my arm broken - it will be healed quicker than the court process will resolve itself, it will be cheaper to deal with, take less of my personal time to handle, and there's not the uncertainty hanging for months and months while waiting for it to be over with.

      Has anyone ever recovered damages from RIAA for wrongful prosecution?

    173. Re:Seriously... by YouWantFriesWithThat · · Score: 1

      if you think that the price tag of an item determines the quality of it, you're sorely mistaken. some of the best headphones can be bought for less than $100. (see Grado Labs)

    174. Re:Seriously... by JoeMerchant · · Score: 1

      This is the form of copy protection I have put into my professional (medical device) software for the last decade - software won't work without a key, key is blatantly imprinted with the owner's identity.

    175. Re:Seriously... by zachdms · · Score: 1

      Yeah, I think the illicit acquisition of other's files is where this data set falls down as trustable or critical data. However, Apple still could send you a sad note saying that your files were found on the Internet and that you probably need to de-rootkit since it certainly wasn't your fault. And if a file purchased after that point is found online, they can then can your account.

      I would agree that this embedded data doesn't seem to be particularly useful at first glance. I just thought the data spoofing idea was a huge tin-foil stretch.

    176. Re:Seriously... by morgauo · · Score: 1

      Yes He Did!!

      Why did you have to say that!

      You brought back all the memories. I'm going to have to see my therapist now. Ahhhhhhhh!!!!!!

    177. Re:Seriously... by riegel · · Score: 1

      yep. Win. Win.

      And for those that post their elaborate what if someone wants to frame you theories. Huh?

      There are a lot of ways someone could be framed.... but P2P??

      I don't get it. Thats like saying I am not going to drive a car because it has a serial number on it that can be traced back to me the owner of the car and someone could sneak into my garage and take my car out and do crazy things with it and then take pictures and send them to the police, and then they could and then and .......

      Good Grief

      --
      http://p8ste.com - Web based Clipboard
    178. Re:Seriously... by steveo777 · · Score: 1

      I doubt it. People are always angry for one reason or another. I can't see anyone getting angry at Sony or MS for similar reasons. And, if they did, level-headed people would hopefully be around to point out that it's actually a fair compromise.

      Personally I wouldn't even care if there was some user-specific serial number in there in stead of an email address so Apple could track people intentionally distributing music. I like owning my music, and I don't like people taking advantage of that (EVERYONE at the office thinks I'll make copies of my music, which I refuse to do). I don't tend to buy anything with DRM, so this makes me happy. I don't download a lot of music either, but I do find it on P2P sites on occasion if I can't find it through other means. Like when I can only find a CD in a bad mp3 format, I'll see if the waves are out there some where and snag those and buy the mp3s. But more likely I'll just try to order the CD from eBay or another distributor. Import it, whatever.

      --
      This sig isn't original enough, it's time to come up with something witty...
    179. Re:Seriously... by XenoPhage · · Score: 1

      I don't see the problem. I didn't want them to remove DRM so I could ignore the copyright on the music, I wanted them to remove it so I could use it on any device I wanted to listen to it on. They did that; now I can, as far as I'm concerned, we're all good now.

      I completely agree. Since the announcement of this change, I have seriously considered purchasing digital music via itunes rather than buying CDs. The way I see it, if I can choose the songs I want rather than getting stuck with an entire CD, I'm more likely to buy more music. It's definitely a win for the music industry this way.

      Presumably, without the DRM, I can convert these files to the format of my choice? Though I don't think I'll have to as I'm pretty sure rockbox plays AAC...

      --
      XenoPhage
      Technological Musings
    180. Re:Seriously... by maxume · · Score: 1

      You are describing the equivalent of using a single layer of saran wrap to reinforce a door.

      --
      Nerd rage is the funniest rage.
    181. Re:Seriously... by Jerry+Beasters · · Score: 1

      The problem is you have every legal right to share music you legally purchased. Show me the law that says otherwise. It doesn't exist.

    182. Re:Seriously... by JoeMerchant · · Score: 1

      It's always possible to remove a watermark - if you know it's there. I doubt Apple is making public all the ways they have identified the purchaser in the file.

      If they're determined, the e-mail address could be encoded into the music as sub-sonic events, making it recoverable even if copied to audio tape.

      They probably put the plaintext copy in there as a warning, or a sham for h4k0rz to find and _think_ they've cleaned the file.

    183. Re:Seriously... by Anonymous Coward · · Score: 0

      Man, you people _love_ apple. What is it about that company that gets you all wet?

      These "DRM-free" files are, in the strictest sense, _not_ drm free. They contain features that would prevent you from sharing them online for fear of being identified. This is "managing" your "digital rights", one of which is _not_ to go uploading it to a file server. Fine, do that, but don't call it DRM-free. And don't act like you aren't a company that distrusts its users from the get go and sets traps for the bad-eggs to get busted.

      Hmmm, that paragraph was probably deleted by the slashdot apple obsession filter.

    184. Re:Seriously... by Svartalf · · Score: 1

      Considering that they're going to do it ANYWAY if they think you're sharing, no matter how they come upon that twisted notion...

      The hypothetical arguments everyone keeps flipping around keep missing the point- RIAA is suing people on tenuous information, no matter what the source of that tenuous information.

      Reducing the sources for having them bark up the wrong tree helps but does NOTHING to keep you from getting sued at one point over false allegations.

      Removing the problem altogether is a better answer- they shouldn't be off doing this crap in the first place. (To be sure, neither should the sharers, but that's a different discussion...)

      --
      I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
    185. Re:Seriously... by riegel · · Score: 1

      So if I create this really elaborate scenario whereby I can show that the system can be rigged I am modded as insightful?

      --
      http://p8ste.com - Web based Clipboard
    186. Re:Seriously... by mpe · · Score: 1

      As far as reasonableness? Your scenarios sound pretty darn unlikely. Almost as unlikely as someone stealing my iPod with my contact info in it, then deliberately leaving it at the scene of a murder in order to frame me.

      They wouldn't need to steal your iPod they could just leave one with your details on it. They could also steal your iPod and upload your files. Which the likes if the RIAA probably regard as worst that murder,

    187. Re:Seriously... by funkyjunkman · · Score: 1

      By your logic cell phones, with their built in address books, pose the greatest risk to child abduction ever. Not only is there personal information about the owner, but a complete database of their friends and family, as well as text messages to and from the owner to further profile the victim.

    188. Re:Seriously... by Jerry+Beasters · · Score: 1

      It doesn't have to be your own music. You simply must own the file legally i.e: have purchased it. I can't believe I keep having to repeat this. THERE IS NO US LAW THAT MAKES SHARING LEGALLY PURCHASED MUSIC ILLEGAL THERE IS NO US LAW THAT MAKES SHARING LEGALLY PURCHASED MUSIC ILLEGAL

    189. Re:Seriously... by MyDixieWrecked · · Score: 1

      Your average MP3 player is not hifi, and your average consumer doesn't give two shits about the quality loss.

      But you can hear the difference between a 128kbps MP3 and a 192kbps MP3 when listening through headphones... being able to dell the difference between the 192 and something that was lossless takes a good ear and even then it depends on what you're listening to.

      I've been able to tell the difference between my CD and a 192kbps mp3 of many Aphex Twin tracks. the encoding to MP3 throws out a lot of the nuances in the music and some of the chirps become flat. Because of that, I started encoding all of his stuff at 256kbps.

      I used to encode all my old music at 192kbps, but when I put one of my CDs (Mastodon - Leviathan) on my laptop with headphones, I noticed that it contained much more punch and had a much deeper sound than the MP3. Since harddrive space is cheap now, I'm just encoding everything at 256kbps.

      I would go lossless, but it's hard to find an audio format that's as widely supported as MP3. ALAC doesn't work on many devices/platforms and FLAC isn't compatible with my ipod. AIFF is out of the question because although harddrive space is cheap, I don't want to purchase enough drives to support ripping over 800 CDs as straight AIFF.

      --



      ...spike
      Ewwwwww, coconut...
    190. Re:Seriously... by Anonymous Coward · · Score: 0

      I don't see the problem.

      Apart from the problem you indicated (resale), there is another serious problem with this. Thousands of music players must be stolen every day; inevitably some of the music on these stolen players will end up on P2P networks. How much time and money would you have to spend proving your innocence? (Which is what you will have to do - assume a civil case so the standard is 'balance of probabilities' but the appearance of these files puts the balance against you so you have to provide convincing balancing evidence).
      Looking at it from the other end, you could put all your tracks on P2P services and then claim when challenged that you had lost your music player. No way to prove you didn't...
      So this 'feature'
      a) Provides an alibi for copyright infringers
      while
      b) Potentially getting non-infringers in trouble.
      Brilliant.

      Oh, and if you *can* easily change the information and are of a malicious mind, just change it to the email address etc. of someone you don't like and get them in trouble.
      Doubly brilliant.

    191. Re:Seriously... by JoeMerchant · · Score: 1

      Partial implementation like this one are completely useless.

      Much fuss is made about how useless secret encryption algorithms are - but they do take time to figure out. A big target like DVD or BluRay doesn't take long, but something like iTunes user identity - especially when the media itself is not disabled by the scheme, greatly reduces the incentive to break the secret, and thus increases the time it remains effective. I wouldn't be surprised if Apple can ride this scheme for 10 years before it's publicly broken. If they never launch any litigation based on information from the scheme, it might stay secret forever.

    192. Re:Seriously... by Locklin · · Score: 2, Informative

      Which is exactly what the GP seems to have been going for. If they find a pirated track, it has your email address in it, and the signature validates (the file is unmodified), they can delete your account or whatever without having to worry about impersonation.

      --
      "Knowledge is the only instrument of production that is not subject to diminishing returns" -Journal of Political Econom
    193. Re:Seriously... by nicolas.kassis · · Score: 1

      or person X steals iPod, gets files, p2p them, riaa finds them, comes to your house and rape you childrens. Likely scenario.

    194. Re:Seriously... by JoeMerchant · · Score: 1

      If information is coded into the audio itself, it can be recovered even in an analog copy.

    195. Re:Seriously... by nicolas.kassis · · Score: 1

      not in RIAA fancy land of everyone is guilty before innocent.

    196. Re:Seriously... by Jason1729 · · Score: 1

      It does seem reasonable, since it gives you the ability to do whatever you want with your music.

      But, what happens if your iPod is stolen, your music retrieved from it by making the iPod act as a hard drive and your files shared?

      And what is your liability if you give your friend a copy of your song (yes, I know you're not supposed to), and they put it on a p2p network?

    197. Re:Seriously... by Locklin · · Score: 1

      Who has? I'm curious because I would like to have that reference for future use... unless, of course you are just making that up on the spot.

      --
      "Knowledge is the only instrument of production that is not subject to diminishing returns" -Journal of Political Econom
    198. Re:Seriously... by myxiplx · · Score: 1

      Hahaha, great analogy. I'd mod you up, but I seem to have lost that ability ;-)

    199. Re:Seriously... by Broodje · · Score: 1

      DELL also sells 'Asset Protection' $72/3yr, in case you lose your laptop. Oh here is a paper with wild numbers in it. Hrm..

    200. Re:Seriously... by forand · · Score: 1

      This scenario could just as easily happen WITHOUT Apple stamping it on the files. Anyone could just put someone else information into a file format that allowed such meta-data and upload it to the web. If you are worried about getting sued over such a oversight that is reasonable but NOT the fault of the seller but the fault of our legal system which allows such lawsuits to proceed with such useless evidence.

    201. Re:Seriously... by Iphtashu+Fitz · · Score: 1

      Nope, don't see the problem.

      How's this for one problem: Your iPod, laptop, etc. is lost or stolen. Whoever ends up with it starts sharing those songs with YOUR personal information in them. The RIAA finds songs with your e-mail address & other personal details being shared over the internet. They sue you. How do you prove to both the RIAA and the judge with reasonable certainty that you're not responsible for the file sharing? Even if you provide a police report detailing the theft they'd simply argue that you must have shared these songs BEFORE it was lost/stolen.

      Another scenario: You have these songs on an iPod, PC, etc. at school/work and somebody copies songs off without your knowledge, or a friend does the same from your PC at home (or even a hacker gains access to your PC and copies some songs). How do you prove to the RIAA when they come knocking that you're not responsible for those files getting distributed?

    202. Re:Seriously... by bestalexguy · · Score: 1

      You inadvertently touched the sore spot. You're going to drive your car because its proof of property is safely kept in a public Registration board, and because you're promptly gonna report if your car is stolen.

      People often DO get in trouble with their cars if they leave them unattended for long periods of time. And when you sell your car I'm sure you're not so easy-going, and hurry to notify the authorities that starting on day X you're no longer responsible for that car, don't you?

      Should we put all this in place for songs in electronic format, too?

    203. Re:Seriously... by Anonymous Coward · · Score: 0

      I have a mid range system - NAD amp, good quality cd, B&W speakers; certainly better quality than most setups, carefully selected when I had more time for such things. Years ago I did a quick test between my Apex DVD player with a disc of 128kbps MP3s (encoded by me with EAC) & my CD player with the original discs. Neither my wife nor I could reliably tell the difference. Now I rip at 192kbps, just because, but after that I ceased to worry about quality issues on properly ripped mp3s. I'm not sitting there trying to find problems, I'm trying to enjoy my music.

    204. Re:Seriously... by Anonymous Coward · · Score: 1, Informative

      AAC will play on most portable devices these days.

      Why do people keep repeating this when it is demonstrably untrue? E.g. go to www.argos.co.uk.
      They have 86 non-apple music players. I looked at a random sample of about 20-30 and only *two* of the more expensive ones had AAC support. *None* of the cheaper players have it (WAV/MP3/WMA only typically).
      This is not a freak result. I've looked at maybe 100 player specs over the last year or two for sub £50 (UK) devices and I've *never* seen AAC support in this price range.
      Now, given that Apple is fully switching to non-DRM AAC, maybe most new cheap players will start to include support. Maybe not. But *they do not include it now*.

    205. Re:Seriously... by samkass · · Score: 5, Insightful

      I think the concern is the following scenario: 1. Download from iTunes onto an iPod, 2. The iPod is stolen, 3. The tunes on the iPod are uploaded to file sharing networks, 4. I get sued by the RIAA. Of course, I think the CYA thing to do is just make sure you file a report whenever your iPod is stolen, and that should make short work of any lawsuit defense.

      --
      E pluribus unum
    206. Re:Seriously... by Anonymous Coward · · Score: 1, Insightful

      Can you point to a single case of prosecution or even legal harassment from a stolen iPod?

      It's theoretically possible, but most stolen products are quickly blanked and sold on ebay or at a pawn shop.

      Watermarking, just seems responsible to me, if there is large scale piracy going on, shouldn't it be investigated responsibly? The whole stolen library argument is really just a stretch to provide some rationalization for piracy. Believe me, when they catch you pirating and prosecute you, they'll have a lot more than your name in some songs. The itunes plus songs can be played on Linux, Windows, your iPod, any AAC supporting device, there is no limit to the CDs you can burn or the number of computers you might own that can play them. The argument against this is the possibility that a pedophile is going to use the email from a song on a stolen ipod to lure a kid? What if they got the email address from a stolen notebook? or phone? Maybe we should just prohibit email addresses for kids.

    207. Re:Seriously... by canajin56 · · Score: 1

      It might have a hash in there...but it also has the plain text purchase time to the second. A determined attacker with lots of computing resources could eventually break the hash (depending on what kind), but there's no way to not only guess what song a person owns, which alone isn't hard, but also guess the exact second they purchased it from iTMS.

      --
      ASCII stupid question, get a stupid ANSI
    208. Re:Seriously... by Anonymous Coward · · Score: 0

      Yeah, but it's trivial to change the information. I think his point was that the information stored in those atoms wouldn't be admissible as proof in a court of law.

    209. Re:Seriously... by Anonymous Coward · · Score: 0

      Well your "personal info" is your email address and name, it's not your home address or your method of payment. Arguably, that's not terribly personal information. You could correlate the kinds of music you like to you and that could be embarrassing.

      When you let friend take liberties with your library, why should this be any different? They could put your tax information online if they wanted to. If you don't want to worry about that, then don't let them have access to that stuff. It's still not legal to just share songs with your friends.

    210. Re:Seriously... by jedidiah · · Score: 1

      You've got it backwards. Once the RIAA has demonstrated that
      your personal iTunes file is out there in the wild is will be up
      to YOU to try and prove that you weren't the one that uploaded it.
      If it's a civil case then the RIAA has a very weak burden to prove.

                Once that global "kick me" sign has been uploaded to the net
      and is seen by the RIAA you will have an expensive legal battle on
      your hands.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    211. Re:Seriously... by Bert64 · · Score: 1

      If it's stored in the audio at a frequency humans cannot hear, then re-encoding it would probably get rid of it, since music compression schemes like mp3 work by removing inaudible sounds...

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    212. Re:Seriously... by BVis · · Score: 1

      And spend an even greater amount of money in a suit that is doomed to be resolved in favor of the defendant (RIAA, who has much better/more expensive lawyers than you have access to) and/or bankrupt you further? Good luck getting an attorney to even take your case, much less affording the up-front legal fees.

      What people are forgetting is that the RIAA doesn't need to win the lawsuit in order to accomplish their goals. It's enough for the RIAA that you've been forced to pay large legal fees in your defense. Winning is irrelevant to them. Sure, they might get an admonishment from the trial judge in a small number of cases (or, in an even smaller number of cases, lose outright) but most torts of this kind will never see the inside of a courtroom.

      --
      Never underestimate the power of stupid people in large groups.
    213. Re:Seriously... by multisync · · Score: 1

      I purchased an "ebook" online a couple of months back. The PDF is password protected with the Gmail address I used to deal with the publisher, and my name and mailing address appear at the top of every page. Entering the password is a bit of a pain - mostly because I need to remember it - but I don't have a problem with them doing it. Having my name and address appear on the pages is fine with me - it's my book.

      This is really no different, in fact it's less restrictive as I don't believe you need to enter a password to play the iTunes files.

      --
      I don't care why you're posting AC
    214. Re:Seriously... by JoeMerchant · · Score: 1

      This discussion went round and round on mp3.com years ago - yes, if it's inaudible, .mp3 should get rid of it, but... what's inaudible? etc. etc. etc.

      If you're only trying to encode an e-mail address (5 bits per character, 60 characters max) that's only 300 bits to fit into 150 seconds or more of music. You can scheme forever about ways of cramming a digital bit onto 1/2 second of audible audio in a way that a listener will not notice.

    215. Re:Seriously... by Anonymous Coward · · Score: 0

      If you are happy living with the risk that one of your purchased iTunes Plus files will end up on a file sharing network and you getting sued for it, then you must be on Valium.,.

      How big is that risk? It's not any larger than your password wallet in your browser or all your emails, you pgp key ring, or tax data ending up on a p2p network is it? If you're worried about that happening to your media then treat it the same way.

      You also have to understand that there is still a process if you are to be sued. There has to be a preponderance of evidence that you pirated the music. Now if your library is filled with pirated stuff and you're seeding a dozen torrent at any given time, you might be concerned about your legal tunes showing up somewhere.. Should your laptop or ipod get stolen, then report it! The justice system is blind but don't confuse that with stupid.

      If you're really paranoid, then don't buy media.

    216. Re:Seriously... by Andy+Dodd · · Score: 1

      So, the bulk of your complaint is, "If my laptop is lost, someone will know my identity."

      Dude - if your laptop gets stolen and the thief gets busted by the police, wouldn't you WANT identifying information on your laptop? People actually PAY to have identifying information hidden in their laptop for the purposes of theft recovery.

      Most portable devices allow the owner to enter identifying information into the device - "Andy's iPod" for the purposes of recovery if a lost item is recovered by someone honest. (Actually not sure about iPods specifically, but every PDA I've owned supports this.)

      --
      retrorocket.o not found, launch anyway?
    217. Re:Seriously... by Anonymous Coward · · Score: 0

      I agree. I've had a few iPods stolen while in travel. When the Feds come to my door asking me why I posted my music online I may just have to say that I have no fucking idea. Do you think they'll buy that excuse or waterboard me to get the 'real' info out of me...like I planned the whole thing.

    218. Re:Seriously... by al3 · · Score: 1

      Don't worry. Next week we'll see a story like "Embedded personal information in iTunes songs returns lost iPod to rightful owner"

    219. Re:Seriously... by geminidomino · · Score: 1

      Jesus Christ on a pogo stick.. I thought you were being snarky! $7000?! Holy FUCK are people stupid.

    220. Re:Seriously... by lisaparratt · · Score: 1

      I'm hardly average here. I'm female, for one thing.

    221. Re:Seriously... by lisaparratt · · Score: 1

      I didn't say they couldn't tell - though I'm sure they wouldn't unless someone pointed it out to them - I said they didn't care.

    222. Re:Seriously... by Cornelius+the+Great · · Score: 1

      While LAME encoded mp3s are of comparable quality to AAC encoders (today anyway), the mp3 encoder in iTunes is terrible.

      --
      Sigs are for losers
    223. Re:Seriously... by Theaetetus · · Score: 1

      Right, we both saw those possibilities. And then I point out that there's no record of me purchasing those tracks and it's kind of game over and I'm sad that that's an effective use of your time.

      I think you missed this in the parent:

      Now, yours is a "CD collection", but it could just as easily be a list of songs you bought of iTunes (as many other users do, in a list, in their blog, etc). So I pick something from your list

      (emphasis mine)
      Given those details, there would be a record of you purchasing the song at the iTMS. It's just that the one that was uploaded wasn't your copy, but modified to appear to be your copy.

    224. Re:Seriously... by jkerman · · Score: 3, Insightful

      actually.. we are living in the world of ~12th generation mp3 players. I bet a $4 mp3 decoder chip from china sounds better than anything called "hi-fi" when the term was invented

    225. Re:Seriously... by aonaran · · Score: 1

      At least there is the opportunity to secure the information on a laptop. I'm guessing there isn't a single utility to encrypt music files on iPods, much less the personal information embedded within.

      Sure there is, it was called Fairplay.

    226. Re:Seriously... by fel0niousmonk · · Score: 0

      Except that personally, after listening to music through headphones and crappy earbuds and the like, with music that is/was predominantly 128kbps rips ... my ears are tired of the lack of quality. After awhile it's like there has been a CPU fan whirring right next to my ear for hours.

      Frankly, the push of the industry for louder, not wider sound is a bigger issue, but not one for this discussion.

      But I liken this same experience to MP3/AAC formats. The psychoacoustic sounds of an AAC really bother me after awhile. Just that fake sound is like a shortcut to a headache.

      I'll almost take the warble in a bad MP3 convert than high-pitch sound compression pops and squeeks that are intended to make me feel like there is more to the music than i'm actually hearing.

      But you're right -- maybe this is because I've been raised to appreciate real-life music and sound quality, as well as audiophile equipment that makes you feel like that musician is sitting right there.

      BTW, you've got to check out the new Martin Logan CLX series .. http://www.us.martinlogan.com/gallery/clx

    227. Re:Seriously... by shark72 · · Score: 5, Insightful

      "3) Imagine how many iPods are lost at schools. How many scams can you think of that take advantage of the owner's desire to get their iPod back. Worst of all, show me a pedophile that wouldn't love to pretend to be some kid's classmate wanting to return their beloved iPod in order to lure them somewhere private. Lost iPod + email address of owner = "Meet me by the white van with tinted windows""

      Yes, won't somebody please think of the children?

      Pirates: "No good music is available onine! I'll stop pirating when the record labels wake up and embrace online distribution."

      Record industry: "Okay, our entire catalogs are online now."

      Pirates: "But now it's too expensive! Good god, do you think we're rich? I'll stop pirating when music is less than a buck a track. That's a fortune!"

      Record industry: "Okay, you win. Now by shopping around, you can find lots of music for $0.80 a track or less."

      Pirates: "But you still have that DRM which impedes my fair use rights! I'll stop pirating when DRM is dead. Until then, it's off to TPB for me."

      Record industry: "Hey, you know, you were right all along. It took us a while to realize it, but you're right. We've removed the DRM."

      Pirates: "PEDOPHILES! PEDOPHILES! YOU'RE ENCOURAGING AND ASSISTING THE KIDNAPPING OF CHILDREN! Because of this despicable act, I'm going to pirate TWICE as much music now!"

      --
      Sitting in my day care, the art is decopainted.
    228. Re:Seriously... by shark72 · · Score: 4, Insightful

      This sort of thing has been a risk for a while. For instance, your car might be stolen, then used as a getaway car for an armed bank robbery. Witnesses make note of the license plate, and the police come to your door.

      This doesn't make license plates a bad idea.

      --
      Sitting in my day care, the art is decopainted.
    229. Re:Seriously... by north.coaster · · Score: 1

      2) Consider how many iPods get lost or stolen. Is it reasonable to bury personal info into music files unbeknownst to the user when those files are *known* to end up in the wrong hands?

      Should we demand that personal information be removed from drivers licenses because someone might steal your wallet?

      I don't think so.

      If someone steals my iPod, I'm going to report it to the police. Then if someone shares the music, I will already have an alibi.

      /Don

    230. Re:Seriously... by shark72 · · Score: 1
      --
      Sitting in my day care, the art is decopainted.
    231. Re:Seriously... by zachdms · · Score: 1

      No, really didn't miss that. It assumes that the target user publishes in some fashion a list containing only iTunes tracks (one spoof hit outside of 'purchased' bounds forms the aforementioned superset which gives away the game) where you match enough tracks to warrant legal action on XXX's part, even though the files have spoofed metadata that doesn't match that on your actual purchased files.

      We seem to quickly run into the Cochran defense of "If the metadata doesn't match, you must ... acquit!" here. That (and stolen files) seem a far more interesting idea than this pretty bogus magical spoofing of YYY's track lists and purchase times so reliably that the XXX (Apple-assisted RIAA?) takes action against a user.

      I get what you're saying, but as far as malicious threats go: go buy a lottery ticket.

    232. Re:Seriously... by aonaran · · Score: 1

      I seriously wonder if people here would have the same reaction if it was Microsoft instead of Apple doing this. My guess is not, and people would be up in flames

      MS is ruthless, but I don't think they have a track record of setting people on fire.

    233. Re:Seriously... by It+doesn't+come+easy · · Score: 1

      Yes, no problem. And of course I can always edit the information with my AAC information editor. Now, what did you say your email address was again?

      --
      The NSA: The only part of the US government that actually listens.
    234. Re:Seriously... by mcgrew · · Score: 1

      Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea.

      Not if you're sharing copyrighted music files the copyright holder WANTS shared, as all sane copyright holders do. Read Lawrence Lessig's Free Culture and the forward to Cory Doctorow's Little Brother for a better explanation than I can give you of why this is.

      RIAA music is a different beast. They have the radio, so they don't need P2P. Their competetion NEEDS P2P so the RIAA is doing their damndest to kill P2P.

      Don't stop using P2P, stop listening to music that makes evil people rich. Stop doing business with people who might sue for sharing files even if you have not only never shared files, but don't even have a computer.

      The only thing I can think of that is really affected by this is your ability to legitimately resell recording of a tune you own

      You don't own the tunes. When you had analog media you didn't own the tunes on them, either. What you could resell is the media that contains the tunes. Since "buying" (it's really renting, people) online has no media, there is no media for you to own, and you own nothing. Since you don't own anything you can't resell anything. If you want to own it and loan it or give it or sell it, buy the CD.

      But buy an indie CD. Stop subsidizing evil.

    235. Re:Seriously... by gsslay · · Score: 1

      All very interesting, except the scenario of someone being prosecuted for having their email address on a shared file;

      A/ Has never happened

      B/ Exists only in the fevered imagination of some slathdotters

      C/ Would never get within a million miles of being proof alone of illegal file sharing.

      So really, the idea that it is "not reasonable" is only valid if you wish to invent reasons based on events that will never happen.

      Apart from that, the rest of your iPod scenarios are classic "think of the children" FUD and would apply just as equally if you lost your laptop, briefcase, school-bag or diary. The only solution to your panic would be to own nothing, place your name on nothing, just in case it gets lost/stolen and subsequently re-appears at the scene of a crime.

    236. Re:Seriously... by pressman · · Score: 1

      You're almost there with this argument. The middle men do make a disproportionate amount of money off of the music created by the artist.

      And yes, musicians should create more and more often. Perform more. However, claiming that albums should be relegated to the level of "promotional freebies" is off the mark. Not only does it have an impact on the musicians, but also on recording engineers and producers who play an important role in the creation of music. You're essentially asking professional audio technicians to give up their line of work.

      And why do musicians "have to work like everyone else"? If a musicians creates something that resonates with a large section of the populace, why should that just be given away? Especially if said musician/band doesn't have the financial wherewithal to tour to every single podunk town on the world map? Why should the people who choose to live where it's not feasible for a band to play live be allowed to consume the music of said band for free? The band has to spend time and money to produce and distribute these "promotional freebies" and they're going to try to get the highest possible quality recording with the funds they have at hand. They try to create as high quality musical experience as possible within the studio for those people that will NEVER have an opportunity to see them live.

      Basically, you're saying that music that cost money to produce, whether recorded or live, should be available to anyone whether or not there is a chance of the band recouping their investment. You're saying that people are ENTITLED to the recordings, which is just wrong on a very fundamental level.

      The system is busted. We're all suffering from the old industry having to adapt to new technologies and new thinking about how music is consumed and distributed. I still can't get over this perception that people are entitled to free music that artists have spent time and money on. Sure, the big names feel very little pinch from file sharing as their fortunes are subsidized by the industry of fame, but friends like mine in Kultur Shock are paying top dollar out of their own pocket to record a high quality album that you can listen to in the comfort of your own abode. Given American concert going habits, they do not play in the US much and spend most of their time in Europe when they do play because people and governments there value the role of music in society and actually reward artists financially and make it worth their time to record and play over there.

      I know and work with a lot of working musicians and bands (I'm a video editor and director) and most of them simply don't bother playing in the US anymore because Americans are largely only willing to go out and see bands with name recognition that has been propped up by record labels, even on the indie level. An indie label is still a label and forks out cash to create name and genre recognition.

      The big problem is that Americans feel entitled to music for low to no cost and will enjoy it in the comfort of their home rather than go out and actually see a live performance. Concert attendance has been on a steady decline since the 1990's, even at the club level. For most aspiring musicians and non-pop veterans, it's just not worth their time and money to actually tour the US other than the summer festival circuits, so they rely on people buying their recorded music to have any level of relevance in this culture... and the /. crowd just doesn't view recorded music as worthy of their cash. In saying that recorded music is not worth their cash, they are saying that the music is not worth being produced in the first place.

      Artists like Adrian Belew, Trey Gunn, Tony Levin (Yes, I'm a King Crimson fan) are all wondering how they're going to be making a living in the future. Most likely it will be doing studio work, performing as touring musicians, writing jingles for television and scoring movies over writing original material because p

      --
      Pooty tweet
    237. Re:Seriously... by kithrup · · Score: 4, Insightful

      The email addresses have always been in clear-text. Even in the encrypted song files.

      Seriously, am I the only person in the entire world who runs strings or emacs on binary files just to see what might be in them?

    238. Re:Seriously... by aonaran · · Score: 1

      Sharing as in playing it for you? or lending you my CD/iPod for the day?
      No, absolutely not. There is no law against that.

      "Sharing" as in allowing someone to make a copy? Iffy, I'm not 100% on US law, but certainly I know that making the copy for them would definitely be out. Since copyright laws are kind of lagging behind technology it's kind of up to interpretation by courts I think, but it seems to me that putting files on a server to be copied is seen by most judges more as making photocopies and handing them out than as running a copy shop and not paying attention to what people are making copies of.

      It boils down to intent. If you put all your files out there in the open on a P2P network the assumption is that you expect others to be copying them, as that is the point of P2P file sharing.

    239. Re:Seriously... by kithrup · · Score: 1

      For most people, if their iPod is stolen, they've got much bigger problems than having someone look at an email address.

      Personal photos and contact lists, for example, are a much bigger issue.

    240. Re:Seriously... by jvkjvk · · Score: 1

      I like owning my music, and I don't like people taking advantage of that (EVERYONE at the office thinks I'll make copies of my music, which I refuse to do).

      This is sad and I wonder why. I wonder if you have been subtly brainwashed by the RIAA's campaign.

      Why do you think people are taking advantage of you? Is that why you refuse to share your music? I don't quite get your thought process here. Do you feel that since you paid for the music your co-workers should also? Is that how they are taking advantage of you?

      We used to have a culture where a lot of music was distributed hand to hand, and it was okay to do so. I don't understand where so many people lost that sense, except in the RIAA's demonization of distributed music sharing. Certainly a person you've never met 1000 miles away can't really be considered your friend, but the person in the next cube... why shouldn't I give them some songs I really like to check out, or even my entire catalog of an artist I like?

    241. Re:Seriously... by pressman · · Score: 1

      I know I'm feeding a troll, but here goes.

      A sandwich is something that is yours. Your shoes are something that are yours. Your spare time is something that is yours.

      The MP3 file is yours in the sense that you are allowed to play it on equipment that you own... on stuff that is yours.

      The music itself is not yours. You can share the music on playback devices you own and even on others' playback devices, but you cannot transfer binary file itself to any device other than your own.

      This is not a moral issue. Murder is a moral issue. Rape is a moral issue. File sharing is a LEGAL issue and if you can't see that distinction, well, no wonder the music industry is so litigious. They're engaged in a holy war against zealots and their only weapons are subpoenas.

      --
      Pooty tweet
    242. Re:Seriously... by Anonymous Coward · · Score: 0

      CDs aren't hi-fi... Only disc I know that may be considered high fidelity is SACD or even records.

    243. Re:Seriously... by penguinbrat · · Score: 2, Interesting

      You normally will report the given vehicle stolen or what not, and that likewise will give you the out. The local PD will give a rats ass if you lost your $100 IPod, I'm sure they will either hangup on you out right, or follow up with "What do you want us to about it?" - I wouldn't be surprised if they would feel the same about the $100 toy being supposedly stolen either.

      Now that the RIAA/Apple has allowed this to happen, they need to also setup some kind of system where you can report a loss and or theft of the golden nugget(s). My concern is that now the RIAA lawyers don't have to contend with the IP address mysteries and all - they have your email address buried in the illegal song file, proving with out a doubt that it was yours and it has now been distributed in the wild. If you have a brain at all, your first defence will be that you lost it, or it was stolen whether legit or not...

    244. Re:Seriously... by gbarules2999 · · Score: 0

      It depends on the formats. WMA to MP3 (which is far too common) is crap, but OGG or AAC to MP3 isn't so bad. As long as the bitrate isn't too low, you're okay. Most people can't tell the difference between 128kbps and the original source anyway, and that's terrible sound quality.

    245. Re:Seriously... by Sancho · · Score: 1

      I'll probably get modded down for this, but I happened to glance at his username when he used the argumet about protecting children. It's very appropriate.

    246. Re:Seriously... by gbarules2999 · · Score: 0

      If you want hi-fi files, then don't buy iTunes music. It's not that difficult.

    247. Re:Seriously... by Anonymous Coward · · Score: 0

      Except the lawyers will be going after the IP address that was sharing the music.

      And how do you plan on whipping up an mp3 with his info without apple's keys to sign it?

    248. Re:Seriously... by penguinbrat · · Score: 1

      It would be a great defence by far - all though, the problem being is that to give that said defence, you will have to still spend thousands of $$$ to do so in front of a given judge. From what I recall, the RIAA isn't to prone to dropping cases solely because of an air tight defence...

      Whether your innocent or not, I really don't think is any of their concern.

    249. Re:Seriously... by RulerOf · · Score: 1

      A 1 gig x264 rip looks perfect,

      Depends entirely on whether or not it was encoded for quality, or to get the rip out as fast as possible after original air date.

      Try watching a 1 gig x264 rip on a 60" or larger HDTV. I guarantee you, it looks almost as shitty as your DVD transcode.

      1 gig BD rips, on the other hand, tend to look quite good, because the video isn't full of artifacts (cable and OTA can be down-right ugly on large enough TV's) and the ripper has less pressure on his release schedule.

      --
      Boot Windows, Linux, and ESX over the network for free.
    250. Re:Seriously... by gaurwath · · Score: 1

      Sharing files by P2P it is perfectly legal in Spain unless there is any lucrative purpose. Some months ago the Chief Officer of the Logical Security Group of Spanish National Police said this after a lecture on a webmaster meeting: "You can download whatever you want from eMule. But don't sell it." You can see him here http://es.youtube.com/watch?v=wk7j_Pe1itg&feature=PlayList&p=6334500B65DB71AB&index=5 at 2:20

    251. Re:Seriously... by Anonymous Coward · · Score: 0

      this was on /. a year ago

    252. Re:Seriously... by ArcCoyote · · Score: 1

      This again?
      $70 Grado SR-60 FTW

    253. Re:Seriously... by gfxguy · · Score: 1

      I think a police report about your stolen equipment would be enough.

      I'd think that, but this is the RIAA, so reason doesn't always work, but if push came to shove, it'd probably be enough to avoid any conviction.

      --
      Stupid sexy Flanders.
    254. Re:Seriously... by tpz · · Score: 1

      The part you still seem to be missing, though, is that for any of your arguments to hold any value in the real world you would first have to be able to afford to defend yourself against an onslaught of RIAA lawyers.

      It is all well and good that you, Apple, your credit card company, etc. could all get together and defend your name, but you forgot to think about the cost of even having to do so in the first place. How much time and money would it take to get Apple, your credit card company, etc. to help out? (Ignoring for the moment the distinct possibility that they _won't_.) How much time and money would it cost to defend yourself in court?

      I'm not saying that Apple was wrong to make this compromise with the powers that be. That said, it doesn't make it any more _right_ that the compromise has the kind of gaping holes in it that lead to false accusation and costly defense. By the way, that compromise (and its holes) still meet the RIAA's true goal: to scare the crap out of you.

    255. Re:Seriously... by db32 · · Score: 1

      Wow...I just had a horrible image of a Jobs at their little Mac shindig running around all nasty, sweaty, clapping, and screaming...

      The downloaders, the downloaders, the downloaders...

      --
      The only change I can believe in is what I find in my couch cushions.
    256. Re:Seriously... by gfxguy · · Score: 1

      The police will take a report on anything that was stolen, even if it was $100 iPod.

      When I rented an apartment, someone cut out a section of screen from my porch (why? I don't know...), and the manager refused to fix it until I filed a police report.

      They come, they right it down and give you a report number. It's no big deal, it's a waste of time and taxpayer money (it probably costs them more than $100 for the officer to come to you, fill out the form, get you to sign it, go back to the station and enter in their computer), but it's their job and it's specifically for things like this.

      --
      Stupid sexy Flanders.
    257. Re:Seriously... by HardCase · · Score: 1

      Wait...people on /. actually buy music from iTunes? Ick.

    258. Re:Seriously... by Reziac · · Score: 1

      Yonder is the hex editor, what more do you need??

      But I've been saying for years, the best thing they can do for their business is 1) make content available *cheaply* and *easily*, and 2) if they're worried about piracy, watermark it.

      But rather than prosecute -- it would make a lot more sense to use this watermark, in conjunction with filesharing networks, to set up a system of micropayments AND commissions, so the content owners get paid AND there is incentive to distribute thru these affiliated FS networks -- because you'd get a commission every time someone downloads AND pays for the file from you. Even a couple cents apiece would add up fast, and would attract the very cash-strapped kids who are the bulk of "pirates" today.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    259. Re:Seriously... by Reziac · · Score: 1

      Or under my scenario above, where the watermark is used for micropayments and commissions on "resold" (shared via associated FS networks) tracks -- person A is an idiot and person B has money falling from heaven.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    260. Re:Seriously... by adolf · · Score: 1

      Pardon me for playing Captain Obvious here, but:

      If the file is signed and verified and whatnot, and I want to post it to The Pirate Bay, why in the fuck would I send personally-identifiable cryptographic information along with it?

      Security envelopes like that only work if everyone plays the game, and that's just not going to happen. I'd strip the MP3s (or AACs, here, as in iTunes) down to their musical data and send them on their way.

      For that matter, I'd strip everything identifiable even if I didn't plan on redistributing the files: It's supposed to be music, not a fucking paper trail.

    261. Re:Seriously... by dhuff · · Score: 1

      I like my Grado SR-60 cans 95% as much as my older Stax electrostatic ones. They really are that good.

    262. Re:Seriously... by nyctopterus · · Score: 4, Funny

      Yes. Yes you are.

    263. Re:Seriously... by NiteShaed · · Score: 1

      I think a police report about your stolen equipment would be enough.

      Actually, I think he may be on the right track. I used to copy mp3's to CD to play in my car all the time. It doesn't seem that much of a stretch that I might put one of them down at work or something and just forget it, considering that it's not particularly valuable to me (I used to burn different mixes pretty regularly and I rarely went back to old discs). I could see one of these finding it's way into a filesharing network unintentionally (on my part, not the person doing the sharing). In the end, I can't think of how I'd prove this happened, as I certainly wouldn't think to call the police because I can't find a CD-R that I lost somewhere...

      --
      Some bring out the best in others, some the worst. Some bring out far more.
    264. Re:Seriously... by mcvos · · Score: 1

      What has changed is it is now reasonable to purchase music, because you'll actually get to own it, use it on *all* your gear, back it up, etc.

      It even has your name on it. What more could you possibly hope for in owning a product?

    265. Re:Seriously... by MrMr · · Score: 1

      Hm.
      So you prove to the RIAA that the music that they claim you were sharing wasn't legally bought by you.
      Smart defense.

    266. Re:Seriously... by Cajun+Hell · · Score: 1

      At least there is the opportunity to secure the information on a laptop. I'm guessing there isn't a single utility to encrypt music files on iPods, much less the personal information embedded within.

      That's an iPod problem, not a music file problem. And it's not like the "personal information" is the birth date, ssno, and (since you've invoked the pedophile bogeyman) a list of turn-ons.

      Lost iPod + email address of owner = "Meet me by the white van with tinted windows"

      You don't need to lose your iPod for someone to do that. A new iPod, someone else's iPod, or an ice cream cone will do.

      --
      "Believe me!" -- Donald Trump
    267. Re:Seriously... by skeeto · · Score: 1

      Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea.

      What a wild, stupid, ignorant claim. It's the same thinking as the *AA propaganda "BitTorrent is an illegal filesharing program", which is a bold-faced lie.

      First of all, music under free distribution licenses, like all of the Creative Commons licenses, is still under copyright, but the license grants permission for anyone to share the music with anyone they like. Websites like Jamendo use BitTorrent to distribute CC music -- all legally. Sharing these is in no way a "bad idea", especially since the author is encouraging it. This fact alone makes this statement dead wrong.

      Second, why can't I share music that was written, oh, 40 years ago? Copyright is supposed to serve me the reader/listener/viewer, not some artists or authors, and especially not some middle-men record labels! It is supposed to provide incentive for artists and authors to paint/sing/record/write works so that the public domain, our cultures realm of free works, will grow. They get absolute control of their work for a short period and we get to access it as public domain thereafter. That's how the deal is supposed to work.

      Sharing our culture is our natural right. We, as a society, decide to temporarily grant exclusive copying rights, hence "copyright", to artists and authors to encourage them, which temporarily waives our copying right. That's right: it is granted to them by us. Many people get confused and think it is the other way around, that authors naturally have these exclusive rights. Don't make this mistake. They don't.

      It's ridiculous that music from 20, 30, 40 years ago, and more, would not be in the public domain. This is a breach of that copying contract between the public and the artist. The artists, or really the distributors of the works, are not holding up their part of the bargain here by allowing works into the public domain, and therefore we don't have to uphold our end (i.e. not sharing/copying).

      Also, just because something is against the law doesn't make it wrong or a bad idea. 20 years ago, most forms of sex were illegal in half of the United States. And these weren't invalidated until just 6 years ago. There are all kinds of stupid laws like this everywhere. In my state a person can't legally sit on a jury, among other things, unless he believes in an invisible sky wizard (no jury duty for me, woo!!!).

      So, was engaging in oral sex with your spouse in the 2002 in the state of Virginia -- literally a crime -- an "extremely bad idea"? I think not. I don't think sharing decades old music that belongs in the public domain is either.

    268. Re:Seriously... by gfxguy · · Score: 1

      Although the RIAA would like to do otherwise, you're still innocent until PROVEN guilty. So unless they can track back the IP address of the person sharing the files to you, I don't think they'd have a case.

      --
      Stupid sexy Flanders.
    269. Re:Seriously... by Cajun+Hell · · Score: 1

      What happens when I want to sell my old music into the second hand market? I don't want my personal data going to random other people...

      Then remove the info. You would blank out your address book if you sold your phone, wouldn't you? Or would you complain about the extra work?

      What Apple has done here is both useless and harmless. Doing business with Apple has real problems, and this just isn't one of them.

      --
      "Believe me!" -- Donald Trump
    270. Re:Seriously... by ArsonSmith · · Score: 1

      Well, unless it's your co-worker that just helps himself to download your songs with his USB cable while you step away from your desk. Then replaces your iPod before you are ever the wiser. That is until the RIAA is knocking on your door with proof that you've shared your songs.

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    271. Re:Seriously... by Reziac · · Score: 1

      The real question is the point at which the lossiness in a particular kind of music bothers you the listener, and that's going to vary on both counts, and may be affected by personal tastes in music as well.

      Frex, I (who to varying degrees like almost everything but rap) can enjoy fairly lossy rock or country, provided the bass and any unusual effects aren't munged. But I find even "CD quality" orchestral music unlistenable, because so much is *missing* (and I was once accustomed to studio tape versions, which are vastly richer in sound).

      Oddly enough, most of the people I know who listen ONLY to classical music, and who hate rock and/or country, cannot hear the difference between tape/LP and CD quality.

      So -- to rephrase what you're saying, the loss is relevant only in context. Sometimes it matters; other times it doesn't. Sometimes it annoys; other times it doesn't. Ain't all one single solution for everyone's tastes and every listening situation!

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    272. Re:Seriously... by IndustrialComplex · · Score: 1

      The problem is you have every legal right to share music you legally purchased. Show me the law that says otherwise. It doesn't exist.

      Well, umm. There is this:

      The Congress shall have Power [. . .] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries

      Which leads to this:

        501. Infringement of copyright
      (a) Anyone who violates any of the exclusive rights of the copyright owner as provided by sections 106 through 122 or of the author as provided in section 106A (a), or who imports copies or phonorecords into the United States in violation of section 602, is an infringer of the copyright or right of the author, as the case may be.

      And what is it in sections 106 to 122?

      Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:
      (1) to reproduce the copyrighted work in copies or phonorecords;
      (2) to prepare derivative works based upon the copyrighted work;
      (3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending; ...

      I'm not sure what you meant by there is no law. But the concept of sharing in terms of P2P networks and making copies for your friends doesn't fall into the exceptions covered under US law.

      --
      Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
    273. Re:Seriously... by adolf · · Score: 1

      Oh. You and your vagina are excused, m'lady. Apologies for any interruption in your rant.

    274. Re:Seriously... by Anonymous Coward · · Score: 0

      And then I point out that there's no record of me purchasing those tracks and it's kind of game over and I'm sad that that's an effective use of your time.

      I'm not sure you followed halcyon1234's hypothetical fully. I think halcyon is absolutely suggesting there would be a record of your purchasing those tunes. Basically, he's framing you for distributing copyrighted content. That's why he setup his hypothetical with your online music collection.

      The RIAA grabs one of the songs on Kazaa, sees your e-mail address, confirms you've purchased the song with Apple, and then hits you up for distribution.

      He doesn't even have to "whip up the batch of itunes [sic] encoded" files. He can just purchase the exact song through iTunes himself, change the e-mail address to match yours, and send it off to the P2P network. The copy you purchased and the copy the RIAA obtained would be identical. The evidence you'd have offered as part of your defense is exactly the evidence they'd have used to file charges!

    275. Re:Seriously... by Anonymous Coward · · Score: 0

      No, a pedophile won't track you down by your email address. He'll just send you an email - "Hey, I have your iPod. Come meet me in a dark alley."

    276. Re:Seriously... by jbezorg · · Score: 1

      Extend the original line of logic to your cell phone and all the contact information you keep in it. Now, if you advocate removal of email addresses from the file, then you should wipe the contact info contained in your cell for the same reason.

      --
      I've lost all my marbles except one & It's fun to test angular & centripetal acceleration in my skull
    277. Re:Seriously... by Anonymous Coward · · Score: 0

      Seriously, am I the only person in the entire world who runs strings or emacs on binary files just to see what might be in them?

      I use vi, you insensitive clod!

    278. Re:Seriously... by steveo777 · · Score: 1

      Ever have some one you barely know overhear the music from your office/cube and think that you owe it to them to give them a copy? I do. And I tell them to go buy their own.

      I've never had a problem emailing an mp3 to a friend if I thought he/she would enjoy the band. It's always in hopes that if they like it, they too will go buy a CD or whatever. Why? Because I want to support the artists. If my friend can't afford a CD, and really likes it? I'll just buy a new copy and give it to them. I want to hear MORE from these artists. Not drive them into the ground like some nameless mass that owes it to me to make more music so I can continue to screw them over.

      As far as the RIAA, labels or any other entity, screw them. If I could find a way to just flip a band, even one as rich as U2 or any other mega-star whatever, ten bucks for a CD and not have the label or the MPAA see a penny, I'd do it in a heart beat and I'd do it every time. Which is why I like to try to get to their shows and buy merch there (which, as I understand it supports the band better than buying a CD from Best Buy or Walmart).

      a lot of music was distributed hand to hand, and it was okay to do so

      This was never true. It happened because there was no way to control copyrights like there is today. At the same time you couldn't illegally distribute copyrighted materials as quickly or widely as today. It's just escalation and we have to deal with it because of self-righteous people who think that everyone owes them everything. So, go ahead and steal music all you want. If it eventually brings down DRM and/or the MPAA then great. As long as we still have musicians that feel it's still worth making music.

      And before you respond, please remember that people have different tastes. I tend to listen to independent bands on independent labels when I can, and support them more often, but the super-bands are that way for a reason.

      --
      This sig isn't original enough, it's time to come up with something witty...
    279. Re:Seriously... by sribe · · Score: 1

      Yeah, well, I have (older) Stax headphones. And I've compared codecs & CDs with them. And I can tell you that although I heard differences, they were small enough that I realize it would require an actual blinded test for me to say for sure whether they were real or just my expectations prejudicing my perceptions. If the test is not blind (or the difference hugely obvious), then the observation is essentially worthless.

    280. Re:Seriously... by Lars+T. · · Score: 1

      Consider how many iPods get lost or stolen. Is it reasonable to bury personal info into music files unbeknownst to the user when those files are *known* to end up in the wrong hands?

      You are assuming that nobody with an iPod uses the build in address book.

      --

      Lars T.

      To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

    281. Re:Seriously... by Anonymous Coward · · Score: 0

      Don't really see an issue here. I'm sure this could be circumvented by converting the mp3 to a wav and back to an mp3 again.

    282. Re:Seriously... by Americano · · Score: 1

      Yes, because the first thing I do when I find a lost iPod somewhere is download all the shitty Ashlee Simpson & Beyonce songs on it to my own computer so that I can share them out over Limewire...

      Possible? Sure. Likely? Not so much.

      Here's a though: Nobody hates you enough to want to frame you for sharing music so you go to jail. If they hate you that much, they can do a lot worse things to you than that, so the RIAA is really the least of your problems.

    283. Re:Seriously... by Anonymous Coward · · Score: 0

      His point was IF your playlist was your purchased-from-iTunes list.

      Or say you're blackmailing that geek 3 cubicles down, and you know every song he's got on his ipod came from iTunes.

      It doesn't matter how you get the information, and being hung up on the how instead of the results is a common but serious bureaucratic error .

      The fact is if you give people a way to persecute you, you're opening up yourself to eventual persecution. Just because you feel there are currently safeguards protecting you is no security in the current digital/technological/legal evolutionary situation. These files could still be around years from now. You have no idea what the legal environment is going to be tomorrow, much less in twenty years.

      What if tomorrow it turns out that THEM TERRORISTS are using encoded information inside googledocs/widgets/firefox extensions to coordinate their attacks? What if p2p tunes contain bomb info in their md5 hash?

      Oh yeah, CNN isn't reporting it yet, so it'll never happen, right? I got my tin foil hat on, right?

      That's what people thought about 9/11 on 9/10. Things change. Quick.

      Even if that's all just wild speculation, I still don't want my information on any file the MPAA/RIAA is interested in. Why would anyone? Saying it's OK, they'll only prosecute the bad guys is ridiculous; this is the first site that should know better.

      I'm shocked at how many slashdotters talk about how you can't trust anyone or anything with your information these days but since Apple is the white knight holding the line against evil I guess it's OK for just this one thing, and it'll go back to being not OK in the next thread?

      C'mon /.

      Posted anon because I value at least the appearance of freedom.

    284. Re:Seriously... by Anonymous Coward · · Score: 0

      First they came for the illegal file sharers, and I said nothing, because I wasn't an illegal file sharer....

    285. Re:Seriously... by tool462 · · Score: 1

      If it has less space than a Nomad, though, it'll be useless.

    286. Re:Seriously... by dwandy · · Score: 1

      But there's no reason Apple should have to support MP3. ...
      There will always be a complainer until Apple releases every song ever, including bootlegs, in Ogg, MP3, AAC, Flac...

      Well ... it seems to me that "MP3" is the consumer standard for music today, and it seems to me that most consumers even call them "mp3-players" so (and I could be wrong here..>) but it seems to me that the consumer wants mp3 format music.

      coupl'a points:
      When allofmp3 was up, I read a lot of people used it because you could select your format.
      Transcoding generally introduces artifacts, so it's not (always) the same thing to transcode yourself as it is for the original to be encoded into two different formats.
      If there was actual competition in the recorded music business I guarantee (see allofmp3) that someone would be offering up all the different formats.

      Your kind of "the customer should be happy just to get to deal with us" attitude is what's killing plenty of companies. Not listening to what the customer wants is a quick way to close your shop.

      Maybe some of the readers here just aren't the iPod's intended audience?

      again, no stats to back it up so I could be wrong, but I bet almost everyone who buys from iTunes has an iPod, and since the iPod is the majority of the market, it hasn't really been noticed.
      As has happened before, and will happen again, Apple's market share will drop over time, and when it does mp3/wmv only player owners won't be shopping at iTunes - they'll got to walmart or amazon or any of the other mp3-format online music retailers...

      --
      If you think imaginary property and real property are the same, when does your house become public domain?
    287. Re:Seriously... by Anonymous Coward · · Score: 0

      He did to me... then he touched me in the bad place. /me runs away crying.

    288. Re:Seriously... by zachdms · · Score: 1

      That whole bit in the WSJ about the RIAA stopping suing individuals might be related to why I'm "missing" why they're using provably spoofed data to sue me so they can lose another court case.

      Based upon the court record so far, I stupidly would think that they would try for cases they would win. Assuming "N" pool of illegaly shared files and "X" matching purchase records from Apple that match identically - I don't know how the RIAA lawyer sharks everybody is afraid of decided to go after these spoofed files when they would have so much better fodder with the actual set of non-spoofed files if they chose to go down this route again.

      I will now put on my tin foil hat and agree with everything everybody says. The RIAA is out to get spoofing victims now after their already great success in this legal field. Lock your women, hide your doors!

    289. Re:Seriously... by Anonymous Coward · · Score: 0

      Most the most part, I agree with you. This isn't anything new. Apple has been doing this since they first launch iTunes Plus on May 30, 2007.

      However, the one situation where it could pose a problem is if your laptop or iPod gets stolen and your iTunes Plus files make their way into the wild and the recording industry comes at you with a lawsuit. However, it has been over a year since iTunes Plus has been around and I haven't heard of this happening once, so I suppose it isn't much of a problem to be concerned about.

    290. Re:Seriously... by Anonymous Coward · · Score: 0

      It doesn't matter. The case of Rod Blagojovich has proven to the world that the majority of the population believes you're guilty upon accusation, and even if you prove your innocence later, you're already tainted.

    291. Re:Seriously... by Refrag · · Score: 1

      I agree with you for the most part. This isn't anything new. Apple has embedded identifying information about the purchaser since iTunes Plus was launched on May 30, 2007.

      The only situation where I could see this being a problem is if your equipment is stolen (MacBook, iPod, etc.) and it resulted in your iTunes Plus files being loosed into the wild. There is the potential for the recording industry to come at you with a lawsuit stating that you willfully infringed copyright. However, it has been over a year since iTunes Plus has been around and I haven't heard of any problems like this, so I suppose it isn't really something one should worry about.

      By the way, AtomicParsley can already remove the identifying information from the files.

      --
      I have a website. It's about Macs.
    292. Re:Seriously... by cthellis · · Score: 1

      You're not at fault of someone steals your car and runs down a few pedestrians with it, even though that has your personal information ALL OVER it. They most this would really do is cement an RIAA lawsuit if YOU are sharing it. (It's harder to claim unknown stuff going on with your computer or outside of your knowledge if files you are sharing are the same ones that you purchased last week.) But the RIAA has been gradually dropping those anyway...

      You might pick up an initial letter, but that could be slapped aside with any "my iPod was stolen" explanation and go nowhere. I think it might actually be most useful for them to be able to track such files' proliferation in the wild and note what sharing networks to go after, or hope to find one to go after a larger sharing source with more ammo.

      Basically, though, it's nothing new. And nothing particularly worrisome.

    293. Re:Seriously... by Anonymous Coward · · Score: 1, Insightful

      Keep in mind as well that it's not actually the *email address* that's stored in the file, but the iTunes Store *account ID*

      It appears to be your e-mail address simply because many people (particularly .Mac/MobileMe members) use their e-mail address *as* their iTunes Store account ID.

      However, most of my purchased iTunes tracks do not contain anything that even remotely resembles my e-mail address.

    294. Re:Seriously... by Snaller · · Score: 1

      "Good grief. "Sharing" copyrighted music files on a P2P network was always an extremely bad idea. If you ever had any fraction of an excuse for doing it"

      No excuses are needed, one *reason* for doing it to be combat the evil copyright system.

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    295. Re:Seriously... by neonfrog · · Score: 1


      There will always be a complainer until Apple releases every song ever, including bootlegs, in Ogg, MP3, AAC, Flac, and ten other formats, and change the iPod to support all of the same, and make the iPod a 3G wireless device that has a built in BitTorrent client to grab the files quicker, and they cook you dinner and do your laundry too.

      ...everything is free.

      --

      I'm thinking about it, therefore I might be.

    296. Re:Seriously... by Refrag · · Score: 1

      The identification tags are applied on the client-side.

      http://en.wikipedia.org/wiki/PyMusique

      --
      I have a website. It's about Macs.
    297. Re:Seriously... by Binkleyz · · Score: 1
      This can go back and forth forever, since we're all at some level making assertions about what "people" will pay for headphones.

      "People" includes a pretty wide range of people... I personally use a pair of Shure SE420 headphones, which cost me roughly the $300 figure you mention. While I do enjoy their sound quite a bit, I know in my heart (and head) that the sound coming from them is NOT twice as "good" as what would come out of a pair of $150 (Say some Shure SE210's) headphones.

      The same argument seems like it would work for codecs. I'd imagine that "people" that consider themselves "audiophiles" would almost certainly sniff at using something as "lo-fi" as an Ipod in their setups.. More likely, they are one of the approximately 9 people that bought dedicated SACD players, which they hooked up to their $10K tube amp and their $300K speakers. And "they" would NEVER hook up an ipod, even with tracks that are left in PCM format, to this.

      Unless my assertions about "people" are just as unfounded as the rest of what I'm reading here.

    298. Re:Seriously... by Anonymous Coward · · Score: 0

      Exactly. Apple might also just include their customers' credit card numbers, bank account details, and home addresses into the downloaded content, because HONEST people do NOT distribute copyrighted content. In fact, why not put a person's complete DNA sequence into every file downloaded when the technology is available (say, 2020)? HONEST people should not care about such things!

    299. Re:Seriously... by Refrag · · Score: 1

      I have the same concern as you. However, Apple includes the Apple ID of the purchaser. Whatever e-mail address you find for your hypothetical enemy probably doesn't match their Apple ID. But, it might.

      Secondly, Apple has included this information in iTunes Plus files since May 30, 2007. It's been over a year since then and I haven't heard of any cases of the RIAA bringing a lawsuit to anyone with similar circumstances. As time goes by, my concern around this becomes less and less.

      --
      I have a website. It's about Macs.
    300. Re:Seriously... by Refrag · · Score: 1

      This is a good point. And it really does fully discount what was a somewhat silly hypothetical instance of trying to frame someone. But, there is still the possibility of this coming back on the purchaser in cases where the original iTunes Plus music was actually stolen.

      But, as I have said in other posts I haven't heard of any cases of this since May 20, 2007 when iTunes Plus was rolled out. So, it doesn't appear to be a practical concern.

      --
      I have a website. It's about Macs.
    301. Re:Seriously... by 2ms · · Score: 1

      This is an amazingly common misconception. Degradations in sound quality add up. If you take a lossy mp3, play it with a noisy mp3 player with uneven frequency response, use crappy headphones with it, and then listen to it on the train, the sound is still worse than it would have been had started with a better sound file.

      It's not as if only the worst single degrader of sound determines what the sound quality will be. Rather, the sound quality is determined by the total degradation.

      The way I see it is that the least we can do is at least start with a file that represents the music the artist intended.

    302. Re:Seriously... by thePowerOfGrayskull · · Score: 1

      But is it not more lossy to go from WAV->AAC->MP3 than to go from WAV->MP3? I think that was GP's point.

    303. Re:Seriously... by LearnToSpell · · Score: 1
      I really can't understand why so many people think that AAC is an Apple format... Is it the "A"s in it that makes everyone seem to assume it has something to do with Apple?

      For me, yes, that's exactly what it was. I just assumed it was for "A"pple for three reasons:
      1. I never cared enough to find out the real meaning (and never saw it written in full)
      2. I only ever saw it in the context of Apple or iTunes (which is still the case, regardless of the "everything made these days" claims), and
      3. ALAC
    304. Re:Seriously... by thePowerOfGrayskull · · Score: 1

      Or you're so sure of the infalibility of Apple's system that you're willing to bet a couple thousand bucks, in exchange for... Nothing?

      Because an email address is considered proof of identity?

    305. Re:Seriously... by Anonymous Coward · · Score: 0

      2)The private info consists of the email address related to the account that purchased it. I do not believe it actually contains a lot of 'personal information' such as your name, or social security number, or bank account numbers.

      Maybe you should try opening one of these files with a text editor instead of guessing at the info it contains. From what I see, both my full name and email are available in plain text.

    306. Re:Seriously... by thePowerOfGrayskull · · Score: 1

      Fortunately, date and time of purchase are also stored. So unless this malicious person knew /exactly/ the hour, minute, second of purchase, he's out of luck...

    307. Re:Seriously... by NiteShaed · · Score: 1

      True enough, although why bother tying files to a specific person in the first place then? If they have your IP from a file-sharing network, then they know *you* are the person sharing them and they come after you. If they don't intend to somehow go after the person who originally bought them as well though, why the identifier? If they just want to know how the files are spreading it'd probably be easier to just use a unique serial number instead.

      As to them having a case, well I guess we won't know 'till they try. You can sue for anything, the question is will a judge or jury agree with them. I'd personally rather not go through the expense of defending myself in court to try it out, even if I was willing to bet that I'd win.

      Then again, maybe their idea is that if they find files being traded they blacklist the person listed in the file-id from making further purchases. I don't know, but I do know that if they're putting the data in there they probably have some reason for it in mind. Whether the idea is actually practical or not is beside the point.

      --
      Some bring out the best in others, some the worst. Some bring out far more.
    308. Re:Seriously... by Anonymous Coward · · Score: 0

      And even without a lawyer I could explain this to a judge and be reasonably exonerated. There has to be proof that you committed the crime and I can show by purchase records that I never purchased those tracks. Doesn't take a genius or a lawyer to get out of this pickle. Even in a civil trial there has to be a preponderance of evidence.

      This is a non issue people. Get over it.

    309. Re:Seriously... by sglewis100 · · Score: 1

      Well ... it seems to me that "MP3" is the consumer standard for music today, and it seems to me that most consumers even call them "mp3-players" so (and I could be wrong here..>) but it seems to me that the consumer wants mp3 format music.

      It may seem that way to you, but I've noticed many, many non-techies seem to call them iPods not MP3 players. In any event, I don't really think MP3 is "the" standard for music today. iPods are the majority of the players out there and iTunes is the majority of the online music sales, which tells me that AAC while not as sexy a term is actually "the" standard if there is just "one".

      When allofmp3 was up, I read a lot of people used it because you could select your format.

      I doubt that. SOME people used it, but when it was up, most online sales went through iTunes. Just like today.

      Your kind of "the customer should be happy just to get to deal with us" attitude is what's killing plenty of companies. Not listening to what the customer wants is a quick way to close your shop.

      I don't believe that's my attitude at all. My opinion is that I have an iPod and an iPhone and iTunes is by far the easiest way to legitimately purchase music, and I would continue to do it even if retailers fired back and made CDs CHEAPER, since it's just more convenient. I would imagine that other vendors that don't currently support AAC might think about releasing updates to do just that, since now that the DRM is removed that pretty much removes any hope that Amazon is going to swoop in and steal back all the marketshare. AAC via iTunes works.

    310. Re:Seriously... by Anonymous Coward · · Score: 0

      Well it sounds like you're up for the challenge so let the games begin!

    311. Re:Seriously... by cthellis · · Score: 1

      Everyone pays FAR less attention to their cell phone than they do their PMPs, too. (Unless it's a particularly expensive one.)

    312. Re:Seriously... by Doctor_Jest · · Score: 1

      And it appears Amazon MP3's do the same thing, but they're in the ID3 tags... it's some sort of associated # with I am guessing your purchase. It can be cross-referenced, I suspect. But, I also find this a tempest in a teapot. It's a MUCH nicer deal than DRM any day.

      --
      It's the Stay-Puft Marshmallow Man.
    313. Re:Seriously... by Anonymous Coward · · Score: 0

      I guess that would depend on how you define decent. My 256 kbps AAC files sound significantly inferior to the CD they were ripped from. But I'm a musician and amateur recording engineer, so my reality may be different than others. Still, I recommend everyone do a "taste test" to hear the difference. If you're someone who listens to music rather than someone who plays music in the background while doing something else, I'm confident you'll hear a difference.

    314. Re:Seriously... by thefekete · · Score: 1

      If you ever had any fraction of an excuse for doing it (and frankly, I don't really think you did, but...)

      "Real Men don't make backups. They upload it via [Bittorrent] and let the world mirror it."

      --
      The cool things is to have windows that bounce up and down like a good tits.
    315. Re:Seriously... by mstroeck · · Score: 1

      128 BIT AAC encoded in iTunes. Detection rate there was about 10% in SOME of pieces music, but mostly it was a roll of dice.

      At 256 kbps (tracks bought through iTunes plus vs. the CD) - forget it.

      The headphones were in-ear Etymotics ER 6. Unfortunately, I can't back this up with an article published in Nature or anything :-) It was just me and a few friends who attend the local conservatory. Convinced me, though.

      Try it for yourself at home with some friends, it's not that hard to set up. A laptop, good headphones and a few CDs are all you need.

    316. Re:Seriously... by Locklin · · Score: 1

      Just like DRM, it won't stop the ``pros'' (they use CDs anyway). It is there to make people think before handing that external hard drive to their roommate, and it will add a little bit of fear to the mix when people see limewire or whatever on their kid's computer.

      --
      "Knowledge is the only instrument of production that is not subject to diminishing returns" -Journal of Political Econom
    317. Re:Seriously... by mstroeck · · Score: 1

      I have, but I didn't publish it or anything. Read this though:

      http://www.geocities.com/altbinariessoundsmusicclassical/mp3test.html

    318. Re:Seriously... by NiteShaed · · Score: 1

      Nothing is going to happen until it goes to court.

      Getting dragged into court isn't much fun to begin with....

      They would have to collect enough evidence and present it and then either hope that the government picks it up or sue you directly.

      The RIAA has already demonstrated plenty of willingness to do this.

      Even then, your lawyer will probably get you off before it costs any money ....

      Whoa there cowboy, if you're talking to a lawyer, it's already cost you money. They don't work for free. Matter of fact, most of 'em are pretty damned expensive.

      because you won't be the first person it happened to

      Somebody has to be first, and since lawsuits take time, it won't just be the first, it could be the first few hundred before it's sorted out, depending on how many suits are filed and how quickly.

      All it will take is one Virus going around that does something with these files and it would be completely pointless and worthless as evidence.

      And until such a virus actually does this, and is proven to be in the wild, that's irrelevant. You can't base a legal argument on a hypothetical virus that hasn't actually been written yet.

      About the most that can happen is Apple decides not to sell more music to you under that account.

      I suspect this is the most likely outcome, but I wouldn't want to bet the farm on it. Personally, I think that Apple made some kind of agreement to blacklist users that share the files to make the record companies happy, but I'm just speculating. I have nothing solid to back this up.

      --
      Some bring out the best in others, some the worst. Some bring out far more.
    319. Re:Seriously... by dontmakemethink · · Score: 1

      1) Apple does negotiate with the RIAA about the terms of the DRM service

      The RIAA does not let anyone tell them what to do with their catalog, period. Some labels have decided to go DRM-free, and iTunes has offered music on that basis. Jobs has no doubt encouraged them to go DRM-free, but that is not what I call negotiating. I am a sound tech that works with many signed bands. Trust me on this.

      2) By the way, how is it any different than leaving a card or sticker with your name and phone number on an item

      If I do so, I am aware that the information is there and it is also in plain sight. My problem is the combination that the iPod info is hidden from the user and only available to someone who knows the user probably doesn't know it's there, so they don't know to secure it. It's a great set-up for a scam. Sure it's plenty unlikely, but there have got to be literally over 10,000 iPods lost or stolen daily.

      3) A pedophile isn't going to go track down someone by their bloody email address when they can just watch the school and pick their target in person.

      Who said the iPod acquisition comes before selecting a target? Maybe they pick the target's pocket, then send email saying "I found your iPod, meet me at the white van with tinted windows." Again, this is an even more unlikely scenario, but the sheer number of iPods in the hands of kids is also pretty staggering. 0.0001% of 10 million is 10. Would it be acceptable to you that 10 children were assaulted so the RIAA has its underhanded means of tracking file ownership? Ironically the tracking method is also rendered useless due to the number of lost/stolen iPods.

      So tell me. What would you do with my email address?

      Nothing, of course. I am not a scammer, and chances are you know a fraudulent email when you see one anyway. But if it's ok to spread your email address around, how come your Slashdot account is set to keep yours private? What if your email was embeded in the RSS file of every post you've made without your knowledge?

      --

      War as we knew it was obsolete
      Nothing could beat complete denial
      - Emily Haines
    320. Re:Seriously... by Anonymous Coward · · Score: 0

      Of course if you share music on P2P networks, you can preemptively report your iPod Stolen. Just in case.

    321. Re:Seriously... by macintard · · Score: 1

      I hope the quality of their headphones is better than their website.

    322. Re:Seriously... by Anonymous Coward · · Score: 0

      AKG K701s, Sennheiser HD650s and Shure SE530s all qualify as high quality headphones by any reasonably sane person, and they're all available under $500.

      That said, you could drop $2k on some Sony MDR-R10s, or Stax SR-007Mk2s, if you wanted to stimulate the economy. But it doesn't change the fact that $500 buys a lot of headphone.

    323. Re:Seriously... by raal · · Score: 1

      Yea but how many people actually would report a lost IPOD or even a stolen one if that is all that is stolen.

    324. Re:Seriously... by mosschops · · Score: 1

      Each pass will reduce the quality to some extent, so two lossy conversions will always be worse than one. The capabilities of each format differ, so the order of conversions will make a difference too.

      That said, the average person probably won't lose sleep over the extra step in your example!

    325. Re:Seriously... by LunarCrisis · · Score: 1

      Wow, 7000 dollars for 4 m of cable! I think I will start my own Super Super HiFi equipment company!

      Looking at the picture, I think you're paying for the pear.

      --
      Mr. Period: Nine is the one that's right by ten!
      Nine: One day I will kill him. Then, I will be Ten.
    326. Re:Seriously... by tehcrazybob · · Score: 1

      If you think "High Quality" and "Most Expensive in World" are synonymous, then perhaps it is you who are mistaken.

      In all reality, extremely high-quality headphones can be had for a few hundred US dollars. Beyerdynamic DT 880s are very well-regarded, and cost only $275. Perhaps you can construct a better-sounding stereo system for a hundred times as much, and hopefully your $5,000 headphones sound slightly better. However, listening to something on $500 headphones is closer to a perfect listening experience than most people will get in their entire lives.

      Double-blind testing is a magnificent thing. A shame so many audio nuts don't quite understand the practice.

      --
      Computers need to explode more often.
    327. Re:Seriously... by tele · · Score: 1

      Your email address is in the AAC file you buy from the iTunes Store. It is NOT in the MP3 file you converted the track into in order to put it on CD.

    328. Re:Seriously... by Anonymous Coward · · Score: 0

      I guess you've never been in a computer repair shop, for instance? :>

      Remember there are lots of times when not so honest people might get into contact with your data, and not everyone get the opportunity / are paranoid enough to clean out / encrypt (which might land you in trouble itself) anything sensitive before their stuff leaves their hands. And finding out who did what and prove it... Also remember this isn't about "beyond reasonable doubt", the bar is much, much lower.

    329. Re:Seriously... by asc99c · · Score: 1

      Very interesting video, although I'm not convinced he means it is legal, just perhaps that they will not bother prosecuting people for non-commercial filesharing. Sort of like how it's illegal to ride a motorbike without a helmet, but I've seen people riding down the autopistes wearing a business suit and no helmet, straight past the police, without getting pulled over.

    330. Re:Seriously... by Anonymous Coward · · Score: 0

      Converting to mp3 from aac is more lossy than from wav to mp3 (if it's that difficult to comprehend).

    331. Re:Seriously... by Spykk · · Score: 1

      Be that as it may, consider a different situation. Let's say my neighbor was up all night doing bad karaoke and I am not happy about it. I simply use aircrack to penetrate his WEP encrypted wireless, help myself to the music he has on a shared drive and then upload it all using his internet connection. Now the files will pass any sort of screening as they are in fact the files that he purchased. It could be argued that he should have used WPA, but should you really be liable for thousands of dollars in damages because you wanted to use your Nintendo DS on your wireless network?

    332. Re:Seriously... by Anonymous Coward · · Score: 0

      Converting to MP3 is lossy, regardless of the source format.

      ...but note that converting from AAC to MP3 is more lossy than MP3 to MP3 or AAC to AAC, assuming typical bitrates.

      Because every codec has a different set of data/audio frequencies it decides is not important enough to keep, transcoding between different formats loses more significant data than sticking to one.

    333. Re:Seriously... by Anonymous Coward · · Score: 0

      Anything that uses libavcodec/libavformat as a base (ffmpeg, VLC, mplayer, etc) can read these files.

      Not legally.

      http://www.vialicensing.com/Licensing/AAC_fees.cfm

    334. Re:Seriously... by NiteShaed · · Score: 1

      I should have been more specific. The stereo in my car played MP3, AAC and WMA. As long as it's not an encrypted AAC, I probably wouldn't have bothered converting it...so yes, I could still see the same scenario happening to someone.

      --
      Some bring out the best in others, some the worst. Some bring out far more.
    335. Re:Seriously... by audunr · · Score: 1

      What? No flux capacitor?

    336. Re:Seriously... by daybot · · Score: 1

      Wrong. It's just that your old Stax really are that bad. I've tried most of them, and the only Stax headphones worth having are the SR-007 Omega 2s. I have the Alessandro version of the SR-60... somewhere. In fact, their sound is so memorable I'd I forgot I had them until I saw your post.

    337. Re:Seriously... by Wolfier · · Score: 1

      > Seriously, you don't? Largely because of the music industry's reluctance to use distribution methods and pricing that makes buying music "legally"
      > attractive

      For a lot of people, the only attractive pricing is called "free". Only in a fantasy world people are aware/civilised enough not to p2p no-string-attached DRM-free music they buy. In THIS world, it won't work - so pick the lesser evil between DRM or traceable files.

      Plus, if a file you purchased ended up on p2p, I'm not sure whether you'll get sued - actually, it's rather stupid to sue someone with the only evidence being a name attached on a file.

      However, the non-zero potential of getting sued should act as a good deterrence to the non technicals - which, while not perfect, makes it a good compromise.

    338. Re:Seriously... by Fluffeh · · Score: 1

      That's cute.

      I had to sign up for iTunes when I bought my iPhone. I could have given them any email address in the world I liked. But here is the catch:

      When you sign up with any old email address, you also pop in your credit card details.

      So, you have an email linked to an account, which is linked to banking information. Sure, that email in itself might not mean anything, but it's linked to your account, which is indeed quite identifying.

      Having said that, again, it's perfectly reasonable to me to have your name on something you buy.

      --
      Moved to http://soylentnews.org/. You are invited to join us too!
    339. Re:Seriously... by daybot · · Score: 1

      We've done blind tests with orchestra and studio musicians, and the detection rate of MP3 vs. CD

      What bitrate?

    340. Re:Seriously... by outZider · · Score: 2, Insightful

      I'm... speechless.

      I fail to see the issue, again. So do you ever email anyone? I mean, anyone you send an email to could potentially log into your iTunes account and buy all sorts of tracks with your account. Maybe even a movie or a whole album.

      --
      - oZ
      // i am here.
    341. Re:Seriously... by daybot · · Score: 1

      Wow - that was beautiful.

    342. Re:Seriously... by Wheely · · Score: 1

      Actually it contains the information that you missed the point thus encouraging those who similarly missed the point to go back and re-read the post.

      Thus it wasn`t completely devoid of information albeit, perhaps more your subliminal kind of information.

      cheers

    343. Re:Seriously... by Anonymous Coward · · Score: 0

      The average person does not have aspergers syndrome, unlike the average slashdotter, and thus isn't anal about SNR ratios

      Well, you're still posting on Slashdot, so I'm going to point out that the phrase "SNR ratio" is redundant :)

    344. Re:Seriously... by Culture20 · · Score: 1

      Worse scenario: You go to sleep at night after some heavy drinking, punk kid goes on a joyride with your car, hits a pedestrian, _returns_ your car before you wake up. Cops wake you up. It sounds unlikely, but...

      You go to sleep at night, punk kid uses the latest SMB vulnerability to get into your 'doze box that you use for itunes. He copies all your music, and shares it with his 1,000,000 myspace friends. Oops, your name is attached. Okay, so maybe your machine is secure...

      You go to sleep at night, punk kid replaces his email address in his itunes song file with your email address before he shares it with his 1,000,000 myspace friends. It happens to be a song you own from itunes, so the RIAA are certain you're guilty.

    345. Re:Seriously... by Sparr0 · · Score: 1

      Yes, but now when I *GIVE* the file (which is to say I hand them the physical medium on which it is stored, not make a copy) to a friend, and that person distributes copies illegally, my name is on those copies.

    346. Re:Seriously... by Trogre · · Score: 1

      Call me naive, but wouldn't us tech-savvy geeks pass their music through a simple id-remover script upon downloading anything from iTunes and certainly before uploading to a portable device?

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    347. Re:Seriously... by Anonymous Coward · · Score: 0

      That's still not a valid argument, here's why. Music will end up on p2p from a few sources:

      1. Upload by the purchaser.
      2. Upload after being stolen by thief/virus.
      3. Upload by someone who doesn't know better (like kids).

      1. If the purchaser uploads it, then it's their own fault their info is out there, too bad.

      2. Anyone who steals the music will either:
        a) remove or alter the email, making the issue moot.
        b) leave the email intact, providing more of an evidence trail for the cops to find them.
        c) alter the email to someone they want to frame.

      3. This is the only situation that I see where the info would get out through no real fault of the purchaser. Other than kids or roommates, this isn't really much of an issue, the solution is to pay more attention to the computer.

      Personally, I don't like the fact they use real info in the file. A better solution would be to create a unique user ID & imbed that, and the iTunes people could just keep track of what user had which ID.
      This would also prevent people from gaming the system by buying music, then changing their email several times so the original gets purged from the iTunes system.

    348. Re:Seriously... by earlymon · · Score: 1

      Fair enough so long as there is no additional lossiness in the conversion.

      What are you talking about, "fair enough?" Your original question was whether or not the format is proprietary. It is not. The idea that AAC is proprietary is FUD - unadulterated FUD.

      And now you find it "fair enough" to accept that one non-proprietary format will convert to another provided that it's lossless?

      You were ignorant of AAC and were educated.

      Now you have additional terms and conditions and you'll decide what's fair, in a tour de force display of further technological ignorance?

      Who died and made you in charge? Better yet, who are you supposed to be shilling for?

      --
      Pathological kinda promises Path + Logical - but instead, you get stuck with pathetic.
    349. Re:Seriously... by Anonymous Coward · · Score: 0

      Honestly, it's such a simple solution I thought there must have been something I was missing for the record companies to not implement this. It's win win as far as I can see.

      The only failure is that they are using personal information instead of just creating a digital fingerprint.

      But if they pushed an ad campaign saying "Hey, your music has personal info, if you upload it the whole world gets your email" I'd bet we'd see about a 70% drop in p2p activity overnight.

    350. Re:Seriously... by HermMunster · · Score: 1

      The RIAA would love to try you for murder and execute you for uploading music to the net.

      --
      You can lead a man with reason but you can't make him think.
    351. Re:Seriously... by HermMunster · · Score: 1

      This is true. Nothing to stop a someone from creating a batch edit on their music library to change the email (AND OTHER IDENTIFYING INFORMATION HIDDEN IN THE MUSIC FILE) and to have them uploaded to the net.

      One thing Apple said about DRM was it made no sense to have DRM on iTunes when there's no DRM on the CDs that one can buy, rip, and upload.

      So, it makes no sense to put the email in the file as there's no email stored on the CDs.

      As well, it makes no sense to put the email in there as it can be altered. One would never need to add a matching or CRC'd email address to keep the files from being corrupt instead they'd just need to blank it out or add anything that would pass the CRC check.

      Putting this information in is totally pointless.

      WHAT I WOULD QUESTION WOULD BE THEM DOING IT TO MUSIC YOU PLAY THROUGH ITUNES THAT YOU DIDN'T BUY FROM THEIR STORE.

      When/if that happens iTunes will suffer a dramatic decline in use and sales.

      --
      You can lead a man with reason but you can't make him think.
    352. Re:Seriously... by HermMunster · · Score: 1

      Unless Apple puts your email in when you played it through iTunes. Say you purchase a CD, you rip it to their format. You wouldn't have to show that you didn't purchase it through iTunes. The ASSHOLES at the RIAA would find every way and accuse you of everything including murder to place blame and collect 200 dollars and pass go.

      They don't give one flying fuck about whether you say you didn't. They only know they are happy that you can't show you didn't.

      --
      You can lead a man with reason but you can't make him think.
    353. Re:Seriously... by HermMunster · · Score: 1

      Timestamps can be changed. So, you are saying that one could distribute and get away with it because, though they left their email address in the file, they were able to alter the date/time stamp?

      I think you think these people are simpletons. They don't care about no stinking time stamps.

      --
      You can lead a man with reason but you can't make him think.
    354. Re:Seriously... by sumdumass · · Score: 1

      Getting dragged into court isn't much fun to begin with....

      It's not even going to go that far. All a file with your name on it is going to do is say that you had it at one time. It's not like they will arrest you for the Qwik-E mart robbery because they found your wallet in the parking lot. They will need something else before it gets to court.

      The RIAA has already demonstrated plenty of willingness to do this. No, the RIAA has had some pretty good evidence that says quite a bit. Their main problems have been attaching the evidence to the right people because of third part information and their lack of follow up.

      Whoa there cowboy, if you're talking to a lawyer, it's already cost you money. They don't work for free. Matter of fact, most of 'em are pretty damned expensive.

      Actually, many lawyers do work for free. It all depends on how much you make. Almost every state has a legal aid for the poor who can handle discovery and challenging the weight of the evidence without problem. There are also legal remedies for Frivolous lawsuits in which lawyers won't bring things to trial that they don't have a competent standing on. Look at Jack Thompson who was disbarred for his shenanigans.

      Somebody has to be first, and since lawsuits take time, it won't just be the first, it could be the first few hundred before it's sorted out, depending on how many suits are filed and how quickly.

      You will have all of 10 lawsuits, 8 or 9 will be dropped before completion if your name and email address in a music file is the only evidence. It is more likely that the file will be used to demand people clean their computers of viruses and so on. The only real people who will suffer any unrecoverable damage from this file are the people who are actually sharing them. The name and information is probably only going to be used to cross reference P2P and Torrent servers when the file is discovered. Instead of making a University disclose the names of people at a series of IP's and having to fight a legal battle, they can cross check their detection and Cease and Desist letters. Apple will probably have an IP loged to the person who purchased the songs and instead of doing John doe supeana's they can do actually investigations.

      And until such a virus actually does this, and is proven to be in the wild, that's irrelevant. You can't base a legal argument on a hypothetical virus that hasn't actually been written yet.

      There already are virus's and trojans that target media files. It's just a matter of time.

      I suspect this is the most likely outcome, but I wouldn't want to bet the farm on it. Personally, I think that Apple made some kind of agreement to blacklist users that share the files to make the record companies happy, but I'm just speculating. I have nothing solid to back this up.

      I'm thinking it is a little more about validation. The file shows who someone was when the file was purchased. They then look through their IP logs and ask apple if you IP matches something close. Then they concentrate on the IP blocks of file sharers in their John Doe subpoena but this time, they have your name so even less resistance will be made. Then they put 2 and 2 together for an almost air tight case. Of course this would probably mean that the person was actually sharing the files they got from apple and their presence on the interweb combined with your running the P2P app pretty much takes doubt from the question. What would be really interesting is if Apple's TOS or EULA has been changed to reflect permision to share this information.

    355. Re:Seriously... by Thinboy00 · · Score: 1

      The format just isn't as prevalent as MP3, but that doesn't automatically make it proprietary.

      Except that MPEG-4 is proprietary (at least, it is in the U.S.), and AAC, which is based on MPEG-4, is therefore also proprietary. OGG, on the other hand, isn't.

      --
      $ make available
    356. Re:Seriously... by TheoMurpse · · Score: 1

      Beyond that, the submitter is sort-of uninformed about MP3 tags:

      I checked, and I found I couldn't access the information using an ID3 tag editor, but using Notepad I found my email address stored inside the audio file itself.

      There are a ton of defined tags out there that ID3 tag editors don't deal with at all.

      Additionally, there's a whole namespace of possible "custom" ID3 tags any vendor may define. Apple might do this for your iTunes account info. An ID3v2.4 frame may be called "TXXX," where the "X"s are any alphabetical character. Apple could use TUSR to denote the iTunes username (i.e., email address). http://www.id3.org/id3v2.4.0-frames

    357. Re:Seriously... by NiteShaed · · Score: 1

      First of all, IANAL. Nothing in this post is intended to be taken as legal advice nor is there any implication of legal expertise on my part.

      It's not even going to go that far. All a file with your name on it is going to do is say that you had it at one time. It's not like they will arrest you for the Qwik-E mart robbery because they found your wallet in the parking lot. They will need something else before it gets to court.

      Who said anything about getting arrested? It's trivially easy for a company to start a civil action against you, and that's what this would be. There are no warrants or police involved, just their lawyers, who are more than happy to sue whomever they're told to sue.

      No, the RIAA has had some pretty good evidence that says quite a bit. Their main problems have been attaching the evidence to the right people because of third part information and their lack of follow up.

      No, you're confusing bringing the case with the outcome. The lawsuits happened, and in a good number of them they lost. That doesn't mean that the people named in the suits didn't have to defend against them. That's why quite a few people settled, especially early on in the campaign. They felt they would pay less to do that than to defend themselves in a suit with the possibility that they could lose.

      Actually, many lawyers do work for free. It all depends on how much you make. Almost every state has a legal aid for the poor who can handle discovery and challenging the weight of the evidence without problem. There are also legal remedies for Frivolous lawsuits in which lawyers won't bring things to trial that they don't have a competent standing on. Look at Jack Thompson who was disbarred for his shenanigans.

      No, not necessarily. While you *may* find an attorney that will work pro-bono, or who believes that they may be able to file for (and win) a countersuit for legal fees, I would *not* count on this. Legal Aid is typically for criminal cases, not civil. You are not generally presumed to have the *right* to an attorney in a civil action, and that is what an RIAA lawsuit is.
      As for Jack Tompson, he went to great and extraordinary lengths to get himself into the situation he found himself in. A standard RIAA lawsuit is highly unlikely to get an attorney disbarred.

      You will have all of 10 lawsuits, 8 or 9 will be dropped before completion if your name and email address in a music file is the only evidence. It is more likely that the file will be used to demand people clean their computers of viruses and so on. The only real people who will suffer any unrecoverable damage from this file are the people who are actually sharing them. The name and information is probably only going to be used to cross reference P2P and Torrent servers when the file is discovered. Instead of making a University disclose the names of people at a series of IP's and having to fight a legal battle, they can cross check their detection and Cease and Desist letters. Apple will probably have an IP loged to the person who purchased the songs and instead of doing John doe supeana's they can do actually investigations.

      I sincerely hope that nobody actually takes this as any kind of good advice. You have absolutely no reason to believe that these cases would be dropped at the ratio you mention, nor do you have any reason to believe there would be only 8 or 9 cases at all. In short, you're making up numbers, and guessing at what people will do, apparently due to a badly flawed understanding of civil litigation and a serious underestimation of what the record companies are capable of.

      There already are virus's and trojans that target media files. It's just a matter of time.

      And until that time actually comes, it's still a hypothetical and useless in defending against a lawsuit. Even if this hypothetical virus were to

      --
      Some bring out the best in others, some the worst. Some bring out far more.
    358. Re:Seriously... by jc42 · · Score: 3, Interesting

      Seriously, am I the only person in the entire world who runs strings or emacs on binary files just to see what might be in them?

      Yes. Yes you are.

      No, he (she) isn't. The first thing I did after reading the summary was to pick up my Mac Powerbook, cd into my Music/Itunes directory, find a couple of .m4p files, and run the strings command on them. Adding a few greps to filter out the printable binary junk, I quickly found my name and email address.

      As for someone writing a tool to replace them, I found that I already had one. Years ago, I wrote a little command-line app that just does a simple string substitution and writes the result to stdout. It's quite handy, and I use it all the time. I told it to copy one of the .m4p files, with my email address replaced by a fake email address of the same length. I then told iTunes to load that file - and it played fine.

      Then, of course, I did the same trick, replacing my name with a different name of the same length. As I expected, iTunes popped up a little window saying that it needed to check the tune's registration, showing me the name, and asking for a password. Presumably when DRM goes away, that little window will also go away, and I'll bet that the tunes will play.

      I don't think I'll bother posting the program. Any semi-competent beginning C programmer should be able to type it in under a minute. Probably most perl and python programmers can do the same, a bit faster, as could any moderately experienced emacs user. 25 years ago, when I first picked up the C bible, I wouldn't have found it a challenge after my second day with the language.

      Just make sure the replacement strings have the same byte count as the old name.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    359. Re:Seriously... by mysidia · · Score: 1

      Not really.. the ends don't justify the means, as far as the privacy information leak is concerned.

      A reasonable compromise would have been to include a header block containing personal information but ENCRYPT that header block with a subscriber-specific key, so noone but Apple can read it.

      This way if someone steals an AAC file from you and posts it online, you don't get lots of phishers, spammers, and id thieves finding your e-mail address and other info.

      Also, it eliminates the possibility of people forging their worst enemy's e-mail address, replacing the account info stored in the message headers with a "victim to be sued"

    360. Re:Seriously... by mjwx · · Score: 1

      While I agree with you, here is the problem I have with it:

      Person A is the target
      Person B is the attacker
      RIAA is the litigious groups of assholes

      Person B decides to harm Person A. Person B knows Person A's email address. Person B modifies a bunch of MP3s to contain Person A's email address and then posts them to every torrent site imaginable. RIAA is famous for ignoring what "reasonable doubt" might suggest or imply and immediate goes into litigation. Even if it is later revealed that Person A was a victim in this scenario and is completely innocent of wrong doing, Person A just spend a LOT of money in the process. (It can be reasonably assumed that Person A spent a lot of money because without having spent money, a defendant most likely will lose.)

      Couldn't you correlate your purchase record, or lack thereof, to validate or disprove the claims against you in that scenario?

      It seems like a quick comparative analysis there would pretty quickly mitigate *most* of that concern.

      From the previous senario but add

      Organisation C (Org C) as the RIAA.
      Organisation D (Org D) as Apple.

      Person A is being sued by Organisation C (RIAA) who do not know that it was Person B had altered the file (not that it matters much I suspect). Org C has all the evidence it needs for a solid case in a civil court, Person A disputes the case but has no evidence to the contrary. Org D (Apple) has no involvement in the case. Person A makes a petition to Org D but is ignored by Org D as they have no involvement in the case. Org C has no interest in petitioning Org D as it already has all the evidence it needs. As this is a civil case Org D cannot be forced to make any records available by the court and Person A has not got the power to become part of Org D's attention.

      The result ends up being: Org C wins, Person A becomes destitute, Person B gets away scot free. This system is rife for abuse if the RIAA gets sue-happy over this. Same is a stolen MP3 player is not reported to the police.

      --
      Calling someone a "hater" only means you can not rationally rebut their argument.
    361. Re:Seriously... by Anonymous Coward · · Score: 0

      why couldn't Apple instead have taken a secret internal customer id number, hashed it using the date/time of purchase as a salt, run it through a secret algorithm, and slapped that into the "owned by" field so that I couldn't reproduce it?

      How do you know they haven't?

    362. Re:Seriously... by Anonymous Coward · · Score: 0

      i guess my pmp (cowon d2) is hifi then.

    363. Re:Seriously... by DMalic · · Score: 1

      60" TV? Wish I could. They look fine on a 42", though. I rip most of them closer to 2000 kbits (~gig and a half per movie), just because I can afford the space. These are off my own DVDs with handbrake. Looking forward to bluray, but need a couple terabytes of HD space first.

    364. Re:Seriously... by Anonymous Coward · · Score: 0

      interocitor :)

    365. Re:Seriously... by FireFury03 · · Score: 1

      Then remove the info. You would blank out your address book if you sold your phone, wouldn't you? Or would you complain about the extra work?

      Do they provide an easy method of removing the data? Last time I checked, my phone didn't require me to hack it with a hex editor to purge my address book.

    366. Re:Seriously... by Bert64 · · Score: 1

      For every artist like the ones you mention, who won't make new content because they can't afford to... There are several more who won't make new content or perform because they're already making enough from something they produced years ago. So they can just sit on their lazy asses doing drugs...
      While much of what you say is true, the current model is also deeply flawed. Something needs to change, what it changes to i don't know...

      It doesn't necessarily cost money to tour... You start small and play in a few local bars as many small bands do, people who work for radio stations and larger venues will hear you, and if you're any good book you to play.

      While it may cost money to make an album, virtually all other forms of advertising cost money too. Why should music be any different from any other business?
      And once you have produced recordings, distributing them doesn't need to cost anything. And unlike most other forms of advertising, you don't need to force/trick people into seeing it, if your music is good people will actively seek it out and spread it among themselves, all it takes is for a few people to download it from a "fresh uploads" list and like what they hear to start you off.

      On the other hand, if your music is garbage people won't like it, wont spread it around and wont tell their friends to download it, music which noone likes will fail as it should.

      The current system, which as you pointed out rewards labels, ensures that it's hard for people to enter the market, no matter how talented or dedicated they are... Do you think this is fair? There are thousands of hard working talented bands out there, playing in clubs and bars for pitiful appearance fees, while the majority of money in the industry goes to fat cat middlemen and big name artists who haven't produced new material or performed live (ie done any actual work) in years.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    367. Re:Seriously... by Anonymous Coward · · Score: 0

      £1000? You low-end hillbilly!

    368. Re:Seriously... by Firrenzi · · Score: 1

      Fuck it. I steal music. I can live with it. I wish others would admit to it aswell

      --
      The Tao that can be named is not the Tao
    369. Re:Seriously... by nmg196 · · Score: 1

      > But is it not more lossy to go from WAV->AAC->MP3 than to go from WAV->MP3

      Yes it is. You have two totally different lossy algorithms being applied to the original WAV with the former.

    370. Re:Seriously... by pressman · · Score: 1

      It doesn't necessarily cost money to tour... You start small and play in a few local bars as many small bands do, people who work for radio stations and larger venues will hear you, and if you're any good book you to play.
      It definitely costs money to tour, Gas, auto insurance, food, hotels, guitar strings, etc. If you're not making your living off your music, you have to take time off your job which means it might not be there when you get back. Playing in local bars and clubs is absolutely crucial when you're starting out. I can't agree with you more.

      Take a band like Primus. They played 3-4 times a week when I started seeing them. They played constantly and promoted the crap out of themselves by playing with whoever would have them. Despite their amazing work ethic, they also benefited from being in the right place at the right time. Metallica was huge (and Les was friends with Kirk Hammet) and Faith No More was about to blow up big time. Couple that with the rising popularity of the Red Hot Chili Peppers, Fishbone and Jane's Addiction.... bang! Primus was primed to explode as well. Combine work ethic with luck and it's a formula for success!

      I'm with you that music should require the artist to work. I disagree with you in that I think your take on it is a little simplistic. Honestly, I have no problem with, say, Metallica making money still off of music they recorded almost 20 years ago (despite my distaste for the Black Album). The 5 years it took for them to make Load was ridiculous though especially since it was an awful album. But again, they did tour almost constantly throughout the 1990's and were the top grossing touring act of that decade. They worked their asses off. Hell, The Grateful Dead, a band I can't stand, toured CONSTANTLY for almost 30 years, but again they benefited as much from luck and environment as they did their hard work.

      But making an album and playing some local shows is not enough. Especially now when people are less likely to go out and see bands live. The "album" is more important than ever and resources like YouTube, MySpace and iTunes are insanely important for a musician to get heard so the word can spread and allow them the luxury to tour to places very far away from their city of origin.

      Right now, Kultur Shock is recording a new album. They're self-financing and going about it without any label backing whatsoever. To show you how important the album is to them, they are spending a big chunk of change just to get some hours in with Jack Endino to get the guitars to sound "just so". They could just record the guitar tracks in their personal "studio", but Val, the guitarist and an accomplished audio engineer in his own right, doesn't have the same level of experience recording guitars, so they pay a premium to have an expert do it.

      Composing and recording an album is an art unto itself. The Wall, Dark Side of the Moon, Caca Volante, California, Delerium Cordia, etc. It's not JUST advertising.

      I'm going on a tangent now, so I'll try to get back on point. My point is this:
      Basically, I agree with you that more musicians should have a better work ethic. However, I do not agree that music should or even could be perceived as "a job" just like any other. Creating original artistic content comes in fits and spurts, not on a 9-5 schedule. Music, design, video can be created in that time frame, but only in the most commercial sense. I worked as a designer for a long time and even though I'm proud of a lot of the work I did, I would never deign to call the brochures for banks or websites for Starbucks art. I merely used my talents to meet the needs of a client for a specified amount of cash.

      Art is a reflection of a person or group and their relationship to society. To create something of cultural significance in that framework cannot be forced, either by consumers or by the artists. Once they create something of enough relevance to reach

      --
      Pooty tweet
    371. Re:Seriously... by PDubNYC · · Score: 1

      How is this remotely insightful? This is REALLY a stretch that someone would go through all of this effort. Not to mention they would have to somehow pick songs that the target had actually purchased from iTunes, or else there would be a clear record that those songs do not belong to them. This is just silly. This whole thread seems to be filled with people trying to come up with obscure circumstances where this could cause someone trouble without doing anything illegal.

    372. Re:Seriously... by Anonymous Coward · · Score: 0

      Sorry but my email address and name are identifying information about me. What if my email address is my work email address? What if I have my own domain and someone uses it to run a whois? They have my name as well so they can now be sure that the person listed in the whois is in fact me. Great, now they potentially have my name, home address/work address and phone number.

      Sure, I can take steps to obfuscate this information and not use an email address with information linking to me but will Joe public know to do this? No, they'll end up with someone being able to get enough information to possibly commit ID theft. All because using a simple private key to keep the information private was too much.

      I don't lock my friends out of my computer or MP3 player when they come around as they're my friends. They're not a technical lot though and won't even be aware of the watermarking. To them a file is a file and copying it onto their phone so they can have it as a ring tone doesn't seem like a terrible thing to do. It's not difficult to think of ways in which this file now gets spread around and ends up on a P2P network. My tax information would kind of be the type of thing they'd know wasn't OK to copy and hand out so stop comparing apples to oranges.

      And what's to stop Apple from deciding they want to watermark with more information in the future? After all, the files aren't supposed to end up free for download so what's the harm! Of course, it wouldn't matter if, you know, it was encrypted in some way...

    373. Re:Seriously... by mrsquid0 · · Score: 1

      >I don't see the problem. I didn't want them to remove DRM so I
      >could ignore the copyright on the music, I wanted them to
      >remove it so I could use it on any device I wanted to listen to it
      >on. They did that; now I can, as far as I'm concerned, we're all
      >good now.

                The problem is what happens when someone else get hold of
      your music file and decides to place them on a p2p network. If the files contain information that ties them to you then you may be held liable. This is not likely to happen often, but it will happen at times, and it could lead to RIAA lawsuits against you.

                A second problem is that a person who get hold of your
      files may be able to use the information in them to access your
      iTunes account. Depending on what information is in the files
      they may even be able to get your credit card number.

      --
      Just because you are paranoid does not mean that no-one is out to get you.
    374. Re:Seriously... by Anonymous Coward · · Score: 0

      Your analogy is faulty.

      If your car is stolen, the armed robbers speed, and they get pulled over, it's easy for the cops to match the vehicle and owner and realize you are not the one driving your stolen car.

      On the other hand, if someone steals your laptop and your songs get traded on a file sharing network, there is NO way to determine if you uploaded them or the person who stole your laptop did.

      Furthermore, let us continue your analogy. Say that your car gets stolen, does all sorts of bad things, and the cops can't pull the car over before it gets dumped. They don't immediately slap *you* with a lawsuit backed by millions of dollars worth of trial lawyers without gaining a modicum of evidence. Unfortunately, the RIAA has proven itself to do just that - go after people in what oftentimes amounts to extortion.

    375. Re:Seriously... by Anonymous Coward · · Score: 0

      Serious props for calling it a PowerBook, though I hope you're not still using a PowerBook. I thought I was the last one to have his pulled out of his cold dead hands.

    376. Re:Seriously... by h4rm0ny · · Score: 1


      Ah, but more likely you have simply failed to understand how my post addresses the point very well.

      I wont, of course, explain how. I'll just encourage people to go back and re-read both posts seeing as it's pretty obvious.

      --

      Aide-toi, le Ciel t'aidera - Jeanne D'Arc.
    377. Re:Seriously... by pdbaby · · Score: 1

      Timestamps can be changed. So, you are saying that one could distribute and get away with it because, though they left their email address in the file, they were able to alter the date/time stamp?

      Moot point, of course, because if you were distributing your purchased music and wanted to get away with it (and had the knowedge of how to change the timestamp) then you'd just blank the details out and never even be a suspect in the first place

      IANAL, obviously, but I suspect since it's not verifiable it'd be virtually worthless in court - anyone could have edited the tags at any point to say anything (or copied it from your machine without your knowledge/permission)

      --
      Global symbol "$deity" requires explicit package name at line 2. - If only $scripture started "use strict;"
    378. Re:Seriously... by JesseMcDonald · · Score: 1

      So all you have to do to "prove" it wasn't you is change the embedded timestamp?

      Somehow I don't think they plan to make things quite that easy.

      Anyway, removing the information should be trivial, provided it's limited to actual strings embedded in the headers and not steganography. Since the files are lossless you can extract the raw audio and move it to another container (e.g. FLAC) without worrying about quality degradation or an increase in size.

      --
      "The state is that great fiction by which everyone tries to live at the expense of everyone else." - Bastiat
    379. Re:Seriously... by adolf · · Score: 1

      Oh. I see. It's not a protection mechanism, it's just a way to make people enlightened about the fact that their name is attached to their music.

      So why in the fuck would these people, having been so enlightened, continue to buy music from vendors which behave this way?

    380. Re:Seriously... by KBKarma · · Score: 1

      I've commented on this a fair amount of times. The fact that pirates complain about the cost, then, when the price is dropped, either complain about the DRM, or complain about the fact that it's so cheap, it can't be any good (seriously, a friend posited that as the reason he wouldn't buy PEGGLE) has always annoyed me. And I don't think anyone else has seen it. I thought I was the only one.

      You, sir, win.

      --
      Rolling a d20 is not grounds for investment.
    381. Re:Seriously... by pdbaby · · Score: 1

      Indeed - if you strip the metadata stream of identical songs purchased by 2 different people then you get identical bitstreams. Removing the information is even more trivial - you can hex edit the e-mail address and timestamp.
      Unfortunately the files aren't lossless, though, they're high quality (256kbit) AAC.

      --
      Global symbol "$deity" requires explicit package name at line 2. - If only $scripture started "use strict;"
    382. Re:Seriously... by jc42 · · Score: 1

      Actually, I am still using an old Powerbook. We had two of them here; one died and one still lives (but is getting a bit feeble). I'll probably order a new Mac laptop of some sort within the month.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    383. Re:Seriously... by dhuff · · Score: 1

      Heh, heh...well, for $4K (in 2001) they damn well better sound good :) I'll certainly admit that my Stax 'phones cost an order of magnitude less than that.

      But in the realm of Reality®-based budgets, the Grados still provide great "bang for the buck."

    384. Re:Seriously... by daybot · · Score: 1

      But in the realm of Reality®-based budgets, the Grados still provide great "bang for the buck."

      Sure - and practical too as they will work without an amp if needed. My best bang/buck headphones are the HD600, which I bought used for $110 and hammered for thousands of hours. They don't work without an amp, though :(

    385. Re:Seriously... by Wolfrider · · Score: 1

      --Yes, but that costs a little extra...
      :b

      --
      .
      == WolfriderV6 == I'm willing to admit that *I just might* be wrong... Are you??
    386. Re:Seriously... by Locklin · · Score: 1

      So why in the fuck would these people, having been so enlightened, continue to buy music from vendors which behave this way?

      I really wish people would ask themselves that. IBM, Microsoft, Apple, Sony & other RIAA and MPAA have been proving for decades that people don't ask that question. Heck, this is pretty mundane compared to some of the consumer-controlling actions these companies have done in the past (rootkits, lawsuits, region codes, lies, locked down file formats, etc).

      --
      "Knowledge is the only instrument of production that is not subject to diminishing returns" -Journal of Political Econom
    387. Re:Seriously... by AusIV · · Score: 1
      I made the comment based on my (admittedly limited) personal experience. My iPod is my main music player, but my (relatively cheap) phone plays AAC, and the mp3 player my mom paid $50 for (on sale) plays AAC. I have friends with Zunes, and they can play AAC. I haven't been searching for a player, but it's been a while since I've seen one that didn't play AAC files. I assumed this was a common trend, but perhaps I was incorrect.

      In any case, the point of my comment still stands. Converting from one lossy format to another introduces noticeable artifacts. If you have an AAC file, leave it as AAC where you can, and convert it to mp3 only for devices that can't play AAC.

    388. Re:Seriously... by DaveHowe · · Score: 1

      Seconded. The purpose of this is not to hinder your use of the files, but to make them traceable back to the original purchaser if they are shared online. as you don't have a licence to share online, that's fine - nobody but you should be in a position to care what data is in those files.

      --
      -=DaveHowe=-
  2. hmmm by JimboFBX · · Score: 4, Insightful

    so what happens when you send it to someone else in a "hey check out this song" kind of way, then that person is stupid and sticks it in their lime wire folder?

    1. Re:hmmm by Tubal-Cain · · Score: 1

      The idea is to discourage such exchanges in the first place. At the very least, since it is DRM-free you can strip out the personal data re-encoding it to another format.

    2. Re:hmmm by Anonymous Coward · · Score: 0

      so what happens when you send it to someone else in a "hey check out this song" kind of way, then that person is stupid and sticks it in their lime wire folder?

      Damn, I hadn't thought of that. Your email address available to the world... SPAM mountain. Still it's no worse than if your idiot friend had put your email address in a a cc to the world.

      (Seriously, you're not expecting the iTunes police to come crashing through the window with guns blazing are you?)

    3. Re:hmmm by Alchemist253 · · Score: 0

      I don't think that "hey check out this song" obviates copyright considerations.

      One is typically permitted to share/post small excerpts for critical commentary. IANAL, but I highly doubt that sending an entire song to a friend is within the letter of the law.

      (As an aside, I don't think this is all that unreasonable. Either send an excerpt - which would be OK - or have your friend buy it on iTunes, Amazon, whatever.)

      Infringing a copyright is infringement, whether it is a single act or mass distribution for commercial gain. The difference is in severity (and degree of punishment/restitution if caught).

    4. Re:hmmm by ani23 · · Score: 2, Interesting

      I agree. instead of storing the users name or email why couldn't they store an encrypted string which they can map back to if needed. it the least they can do in protecting the users identity from strangers.

    5. Re:hmmm by ozphx · · Score: 5, Funny

      Seriously, you're not expecting the iTunes police to come crashing through the window with guns blazing are you?

      As a member of the iTunes Police, I take strong exception to this. Firearms safety has always been a core tenet of iTP training. An iTP officer will only open fire if a copyright violation is in progress, or the officer has reasonable belief that lethal force is the only way to prevent a copyright violation.

      iTunes Police would never "come crashing through a window with guns blazing". The very thought of it!

      --
      3laws: No freebies, no backsies, GTFO.
    6. Re:hmmm by afidel · · Score: 1

      Hmm, it's a grey area, under the AHRA " Section 1008. Prohibition on certain infringement actions

      No action may be brought under this title alleging infringement of copyright based on the manufacture, importation, or distribution of a digital audio recording device, a digital audio recording medium, an analog recording device, or an analog recording medium, or based on the noncommercial use by a consumer of such a device or medium for making digital musical recordings or analog musical recordings.


      So you should be ok as long as the transfer happens via a covered device, email probably wouldn't cut it but a CDR probably would. You would also need to make sure you made less than 10 copies of any given work since that automatically makes the copying commercial.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    7. Re:hmmm by IBBoard · · Score: 1

      But if you're not sharing it on P2P then what does it matter whether it is "purchaser details" that includes your email address or some ID string that maps back to an email address - it's still tied to your account whichever method you use. By not sharing your songs on P2P it won't be seen by strangers.

      That would be an interesting new source of spam, though - trawl P2P for iTunes songs and pull the purchaser information out of it!

    8. Re:hmmm by Anonymous Coward · · Score: 0

      That's a pretty clear violation of copyright laws, and certainly not covered by any fair use clauses. Don't do it! IANAL but would suggest you either edit the song to produce a low quality brief sample to give you friend or (much better idea!) suggest the song to them by name and point them towards an authorised seller who offers samples.

    9. Re:hmmm by ani23 · · Score: 1

      what if I lost an external hard disk with music only. now all my mp3's have my email in them. Not that it will have far reaching impacts but hey if a small thing like encrypting can keep a persons identity hidden why not do it.

    10. Re:hmmm by IBBoard · · Score: 3, Insightful

      What if the disk also contained word processed documents? Or a backup of your emails? Or you lost your MP3 player and it had your calendar and address book on? Or even your mobile phone with its list of phone numbers? We put lots of personal data on devices that can be lost, some of which is worse from an identity standpoint than an email address.

      Besides, I'd expect most people who pick up a disk and don't hand it in to the police are likely to either a) nuke it and use it or b) look for bank details and other things they can sell, rather than music that they need to use their own bandwidth to share for no profit.

    11. Re:hmmm by HungryHobo · · Score: 1

      Harder to forge a digital signature, harder to spot than a plaintext email address.
      If there had just been a random string where the email was then this might have gone unnoticed for much longer.

    12. Re:hmmm by Anonymous Coward · · Score: 0

      No - The idea is not to discourage. If it was, Apple would have made clear that this personal information exists in the files you are downloading. It doesn't. This is not about discouraging piracy, it's about tracking down those who are 'responsible' for it.

      What about cases where a laptop or iPod is stolen and the music is put on a file sharing network? I agree that this form of tracking is not useful as it is not possible to measure intent with a watermark.

    13. Re:hmmm by Pofy · · Score: 1

      >One is typically permitted to share/post small excerpts for
      >critical commentary. IANAL, but I highly doubt that sending
      >an entire song to a friend is within the letter of the law.

      That might be perfectly true in your country, but completely different in other countries (including those were Apple sell songs through iTunes). For example in Sweden it is perfectly legal to make (a few) copies for private use which includes giving them to relatives and friends.

    14. Re:hmmm by Alchemist253 · · Score: 1

      Yes, I apologize for my US-centric view; I should have been more careful with language.

    15. Re:hmmm by Bert64 · · Score: 1

      Ipods, phones, portable hard drives, laptops...
      All these devices commonly carry music, and all of these devices commonly get stolen.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    16. Re:hmmm by IBBoard · · Score: 1

      But it would still be there, at which point people would get even more paranoid because when it was found then not only was the song tied to their account but it was secretly tied to their account.

    17. Re:hmmm by Caetel · · Score: 1

      Because you're still going to have paranoid people (who most likely were never going to buy from iTunes anyway) up in arms about a unique, secret string hidden in every purchased song.

    18. Re:hmmm by mariushm · · Score: 1

      Just make your own shoutcast server and set the url to your friend.

      Since it's streaming MP3 it's harder for the other guy to save it and it also won't send personal information to the people listening to it (except the case where Apple would watermark the sound somehow)

    19. Re:hmmm by JoeMerchant · · Score: 1

      so what happens when you send it to someone else in a "hey check out this song" kind of way, then that person is stupid and sticks it in their lime wire folder?

      Then, you are the source of the leak. If you do this with the entire Beatles catalog, you might have a problem coming your way.

    20. Re:hmmm by JoeMerchant · · Score: 1

      The idea is to discourage such exchanges in the first place. At the very least, since it is DRM-free you can strip out the personal data re-encoding it to another format.

      Don't be so sure, there are analog encoding schemes too... if you know what they are using, you could filter it out, but at this point nobody (outside Apple) knows...

    21. Re:hmmm by IBBoard · · Score: 1

      And all of those devices get stolen for the hardware (the iPods, phones and laptops at least - hard disks are probably stolen as "picking up something left behind" or "getting important documents"), not for the content.

      Muggers and thieves want money. There is money to be made in selling off hardware, especially if it's new and shiny, but there isn't money to be made in putting MP3s on P2P. If they want to sell MP3s from one of those devices then they're probably already doing it on a bigger scale as it needs a different infrastructure to fencing physical goods.

    22. Re:hmmm by shark72 · · Score: 1

      It's a bit like playing poker with pennies. Technically it's illegal, but it's under the legal radar -- nobody's going to care.

      Same with piracy: nobody's been sued for sharing one song. This fact, by itself, does not make the act of sharing one song definitely legal, but it's a non-issue.

      --
      Sitting in my day care, the art is decopainted.
    23. Re:hmmm by Anonymous Coward · · Score: 0

      "iTunes Police would never "come crashing through a window with guns blazing". The very thought of it!"

      Indeed. Can you imagine the glass cuts they would receive? Never crash through a window when kicking down a door will do.

    24. Re:hmmm by CODiNE · · Score: 1

      The same thing that happens when you loan your Harry Potter book to Mark. Then Mark scans it and uploads to the Pirate Bay, including the front page that says "If found please return to JimboFBX A113 5th St."

      In other words, it may get you in court but it proves nothing.

      --
      Cwm, fjord-bank glyphs vext quiz
    25. Re:hmmm by Ohmaar · · Score: 1

      so what happens when you send it to someone else in a "hey check out this song" kind of way, then that person is stupid and sticks it in their lime wire folder?

      That sounds like file sharing to me. Why wouldn't you just send them a link to the song on lala.com where they can listen once for free?

    26. Re:hmmm by Anonymous Coward · · Score: 0

      Maybe they do that too.

  3. No worries by Thanshin · · Score: 5, Insightful

    Never again buy anything related to music and you'll be safe.

    Alternatively, you can buy music in small stores, in cash. In that case, it's better to wear sunglasses and a hat. You wouldn't want anyone to discover you're one of those people who actually are paying clients of the music industry.

    1. Re:No worries by Harold+Halloway · · Score: 1

      If only there were a way to buy high-quality, DRM-free music. Even better, what if that music came on some sort of 'disk' (it could be a fairly compact disk) which meant that you had a backup?

    2. Re:No worries by Thanshin · · Score: 1

      If only there were a way to buy high-quality, DRM-free music. Even better, what if that music came on some sort of 'disk' (it could be a fairly compact disk) which meant that you had a backup?

      Great idea!

      I suppose I could buy that disc you speak about in the internet and it would arrive free of shipping charges to my home, right?

      Also, as that fairly compact disk you speak about may eventally break or be scratched, I suppose I could legally copy it to another of those disks or to my computer, right?

      Oh, and the files in the disk would be made in such a way that I need absolutely no knowledge of computers to be able to copy them to my portable music player. Right?

    3. Re:No worries by Harold+Halloway · · Score: 1

      Certainly HMV.com and Play.com don't charge for shipping. Amazon only charges for orders =£5 (in the UK at any rate.)

      Yes you can easily copy CDs using a computer.

      Does iTunes require no knowledge of computers? I would say that the number of help and support requests on Apple's forums and elsewhere would suggest otherwise.

    4. Re:No worries by Thanshin · · Score: 1

      Yes you can easily copy CDs using a computer.

      I said legally, not easily. But anyway, I suppose by easily you mean I can put the disk in my computer, go to the folder, copy, go to my portable player's folder and ctrl+v?

      Does iTunes require no knowledge of computers? I would say that the number of help and support requests on Apple's forums and elsewhere would suggest otherwise.

      I know many people incapable of getting music from a CD to a mp3 player but able to transfer from the web to the player.

    5. Re:No worries by rts008 · · Score: 1

      "Oh, and the files in the disk would be made in such a way that I need absolutely no knowledge of computers to be able to copy them to my portable music player. Right?v"

      Wrong. Get a fscking clue, dumbass.

      --
      Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
    6. Re:No worries by BasilBrush · · Score: 3, Informative

      I know many people incapable of getting music from a CD to a mp3 player but able to transfer from the web to the player.

      They must be pretty dumb then. Provided iTunes is running, it starts ripping a CD into the library as soon as a CD is inserted. And as soon as the iPod is connected, the files will get transfered to it. No keyboard or mouse interaction needed.

      (These two actions can be disabled with preferences, but I believe that is the default behaviour.)

    7. Re:No worries by xtracto · · Score: 1

      Alternatively, you can buy music in small stores, in cash. In that case, it's better to wear sunglasses and a hat

      Hey!, I do that everytime I buy a new Britney Spears CD... ...for my girlfriend that is... of course.

      --
      Ubuntu is an African word meaning 'I can't configure Debian'
    8. Re:No worries by JoeMerchant · · Score: 1

      Never again buy anything related to music and you'll be safe.

      Alternatively, you can buy music in small stores, in cash. In that case, it's better to wear sunglasses and a hat. You wouldn't want anyone to discover you're one of those people who actually are paying clients of the music industry.

      Seriously, in a very real way, this could potentially harm the paying customer far more than the (somewhat) anonymous file sharer. If they have any sense, they'll use this information to study file sharing and not to press litigation against their paying customers.

    9. Re:No worries by Just+Some+Guy · · Score: 1

      Alternatively, you can buy music in small stores, in cash. In that case, it's better to wear sunglasses and a hat. You wouldn't want anyone to discover you're one of those people who actually are paying clients of the music industry.

      I do that all the time (minus sunglasses and a hat), but I'm a paying client of the "used music" section of the store. The RIAA doesn't see a penny from me.

      --
      Dewey, what part of this looks like authorities should be involved?
    10. Re:No worries by Triv · · Score: 1

      Provided iTunes is running, it starts ripping a CD into the library as soon as a CD is inserted.

      iTunes asks you first, with the option of making your decision to rip the CD (or not) your default behavior. It doesn't assume.

      And as soon as the iPod is connected, the files will get transferred to it.

      iTunes asks you first, with the option of making your decision to automatically transfers songs to the iPod the CD (or not) your default behavior. It doesn't assume.

  4. here is comes... by Arrakis+Dv8r · · Score: 1

    -insert anti-trust suits-

  5. Done it before by Anonymous Coward · · Score: 0

    I completely agree. Having bought CD's from Artsists where my name is "in" the CD (for this reason of tracking) I can happily say I have no problem with it.

    It's not DRM, it's just saying "this CD was bought by x" for when it hits the internets.

    (the artist was classic aussie electronic band Severed Heads, btw, for those interested. Another internet audio pioneer)

  6. Seems reasonable enough by barius · · Score: 2, Insightful

    Just so long as the music industry doesn't come back in 10 years with new lawsuits targeting little-old-lady-X because 10 mil. people somehow ended up with 'pirated' copies of music with her name in it.

    Since this watermark must be fairly easy to modify, I can't really see how useful it would be in tracking piracy. It could probably have some uses for marketing research. Though, honestly, I can't think of any myself...

    1. Re:Seems reasonable enough by Tubal-Cain · · Score: 1

      Since this watermark must be fairly easy to modify, I can't really see how useful it would be in tracking piracy.

      It'll slow it down for a while. Much easier to insert a user's name in the data than to write a program removing it.

    2. Re:Seems reasonable enough by Anonymous Coward · · Score: 0

      If buy "a while" you mean "no time at all", then I completely agree.

    3. Re:Seems reasonable enough by ubernostrum · · Score: 1

      Since this watermark must be fairly easy to modify

      It's not a watermark. People need to learn the difference between a piece of actual media (e.g., a track of music) and the container it comes in; the actual music is not carrying any of this metadata, but the container (which is designed to hold arbitrary bits of whatever in addition to the media bits) is. There's also plenty of freely-available software for editing the contents of MPEG-4 containers (which are what iTunes uses -- the file you get is an AAC audio track and some metadata bundled together inside an MPEG-4 container).

  7. You can see the info in iTunes by Anonymous Coward · · Score: 5, Informative

    You can see the info within iTunes.

    Get Info on the Song/Video/Etc

    Then go to the Summary Tab, Second column.

  8. m4a only? by JimboFBX · · Score: 1

    I've bought a few songs and checked them. My personal information is only on the itunes files. I converted the m4a files to mp3's using itune's built in file converter and I do not see any of my personal information in them, at least in plain text.

  9. Old news by AmaranthineNight · · Score: 5, Informative

    This has been the case for AGES

    http://business.timesonline.co.uk/tol/business/industry_sectors/media/article1871173.ece

    Or at least for about a year and a half, I think slashdot reported on it then, too.

    1. Re:Old news by IBBoard · · Score: 1

      I think someone is digging this out again because Apple recently announced that all of their music is DRM free. As some other say this is a reasonable enough compromise.

      My songs aren't going anywhere beyond me and the wife, so why should I care if it has information about who bought it and when? No-one is going to see it except me, and I can finally play the music in Linux without having to re-encode it.

    2. Re:Old news by halcyon1234 · · Score: 3, Insightful

      That'd be

      Note to editors: even if it's nearly two years old, it's still a dupe

    3. Re:Old news by Anonymous Coward · · Score: 0

      Even if someone's email got out by blatant infringement, the chance of being held responsible in any way is nil. I'd only be worried about being spammed a lot more.

    4. Re:Old news by Anonymous Coward · · Score: 0

      So, going to a store and stealing a physical product is a reasonable alternative for somebody who (obviously) wants to pay for a download?

    5. Re:Old News by JoeMerchant · · Score: 1

      http://yro.slashdot.org/article.pl?sid=07/05/30/2014222

      I think it's OK. Even if I really buy from iTunes to burn a cd as gift, at that point the account info will be gone, so what's the matter?

      Again I'll say, don't be so sure. Just because iTunes doesn't show your account info anymore, doesn't mean it hasn't been imprinted into the audio - even if you use an analog copy, your information can be encoded in the audio.

    6. Re:Old news by JoeMerchant · · Score: 1

      Or, if you don't like finding an editor that can delete the info, just go to a record store and steal the CD.

      Awesome! Would mod-up if I didn't have a bunch of comments in this thread already. There is one small distinction though, stealing from the record store causes the store to lose something. Making an unlicensed copy causes the artwork to gain wider exposure, which should be considered valuable to the artist by any rational society.

    7. Re:Old News by secretcurse · · Score: 1

      But do you honestly think that Apple is encoding that specific information into each track sold through the iTunes store, making essentially every single track sold unique? Do you realize how much more expensive it would be to "imprint" that information into the audio? I think it's infinitely more likely that the information is slapped onto the mp3 client side when the song is downloaded. Also, encoding information like an email address/purchase date into the actual sound produced by the mp3 would sound like a burst of static. It would be really obvious if they were doing that. For an example, look at the viral marketing Nine Inch Nails did for the Year Zero album. On one of the tracks they leaked, they encoded an image of a hand that was a big part of the story from the album's concept. It sounds like a bunch of static, but when you look at the waveform, you see the hand.

      --
      I'm using all of my mod points to mod ancient memes down. Please join me.
    8. Re:Old News by Anonymous Coward · · Score: 0

      am I glad I didn't get you as my secret santa this year.

      "wow...a burned CD...thanks..."

    9. Re:Old news by Anonymous Coward · · Score: 0

      they did. im just too lazy to find the link to the original /. report. also, too lazy to login.

    10. Re:Old news by IndustrialComplex · · Score: 1

      Making an unlicensed copy causes the artwork to gain wider exposure, which should be considered valuable to the artist by any rational society.

      What I think we can both agree on, is that the copyright law as it is now is broken and far too protective of the copyright owner.

      I can't agree with you on your last point. If the copyright owner agreed with you, then it wouldn't be an unlicensed copy. Sometimes, you don't want or need wider exposure. It isn't your decision. It is the decision of the artist or copyright holder, and I believe that is a good thing.

      --
      Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
    11. Re:Old News by Star_Gazer · · Score: 1

      But do you honestly think that Apple is encoding that specific information into each track sold through the iTunes store, making essentially every single track sold unique? Do you realize how much more expensive it would be to "imprint" that information into the audio?

      Why, it's easy - instead of watermarking a DRM'ed m4p with the account information, which they are doing since the 1st day of iTMS, they add the same information to the unproteced m4a. I am pretty much sure it's just one call to a specific library function in the store code, called just before uploading the file to the user.

      And for putting it onto the CD: I guess it might be possible to add coded informations to the CDA that are inaudible as essentially MP3/AAC works by cutting stuff from the audio stream that you won't hear anyway, so why not reverse this. It's only a few bytes of information, easy to hide and would be done by the AAC decoder in an Apple product (iTunes). Also, audio steganography is not a new concept at all.

      But in this case, it would be easy to detect: Find a friend who buys the same track, burn both tracks to CD's, rip them back as uncompressed CDA files and run a binary diff on them - any difference is an indication for this theory.

      Nevertheless, I still don't care, as I won't do filesharing.

    12. Re:Old news by JoeMerchant · · Score: 1

      I can't agree with you on your last point. If the copyright owner agreed with you, then it wouldn't be an unlicensed copy. Sometimes, you don't want or need wider exposure. It isn't your decision. It is the decision of the artist or copyright holder, and I believe that is a good thing.

      I actually agree with you there, too... it would be nice to have a certain degree of "creative control" such as Bruce Springsteen's session out-takes that he didn't want released, but they ended up "out there" anyway - that's not right, and he _should_ be able to make that call.

      Unfortunately, in a world where it takes more time and effort to say the word "copy" than it does to make a copy of an image, or song, or movie, and transport that copy around the world across any and all borders, I think the only realistic form of creative control is to keep the things you don't want released worldwide 100% in your control. If you leave a copy in anyone else's control, you can assume that it will leak to the world eventually, if the world is interested.

      There are too many ways to copy things today, and expecting the population at large to exercise "reasonable care" against copies being made is an unreasonable burden on people's lives.

    13. Re:Old news by mdielmann · · Score: 1

      Or, if you don't like finding an editor that can delete the info, just go to a record store and steal the CD.

      The irony is, the penalties would be lower if you did this than if you downloaded the music.

      --
      Sure I'm paranoid, but am I paranoid enough?
    14. Re:Old news by Anonymous Coward · · Score: 0

      just go to a record store and steal the CD.

      Daddy, what's a record store?

  10. Vengance by gevreet · · Score: 1, Redundant

    1. Open mp3 with text editor 2. Find and replace your email with 3. Upload.

  11. Hidden? by 1729 · · Score: 5, Informative

    the account information and email address of the iTunes account holder is hidden inside each and every DRM-free download

    How is this "hidden"? If you select an audio file purchased from the iTunes Store (with or without DRM), and go to File->Get Info, you'll see the following fields in the summary:

    Purchased by:
    Account Name:
    Purchase Date:

    Apple's not trying to hide anything here.

    1. Re:Hidden? by JimboFBX · · Score: 1

      I was going to say, I don't think this is a watermark as it is just part of the file format.

    2. Re:Hidden? by Facegarden · · Score: 1

      Well, I'm not really against the situation, but still, i would say it is kind of hidden. At the very least, they don't make any effort to tell you, aside from maybe burying it in some EULA.

      I mean, good call on finding that, but i feel like they should be more explicit.
      -Taylor

      --
      Worldwide Military budgets: $2100 billion. Worldwide Space Exploration budgets: $38 billion. Really, world? Really?
    3. Re:Hidden? by Anonymous Coward · · Score: 0

      Why?

      Seriously, why?

    4. Re:Hidden? by Anonymous Coward · · Score: 0

      More to the point, isn't this information /necessary/? How else are you going to prove you paid for the music you have when your computer is shanghai'd by the police for related or unrealed charges?

    5. Re:Hidden? by martin-boundary · · Score: 1

      More to the point, isn't this information /necessary/? How else are you going to prove you paid for the music you have when your computer is shanghai'd by the police for related or unrealed charges?

      Ever heard of innocent until proven guilty? You should not have to prove a single thing. It's up to the police to prove that those files aren't legitimately yours.

    6. Re:Hidden? by zwei2stein · · Score: 1

      Those files are never supposed to leave your property and oversight. No amount of secret tracking embedded info should concern you because it is pointless if you act responsibly and "play nice". If you let em spread to P2P in any way then you should face consequences.

      "Gee, that guys ipod and computer contains music bought by that guy. Also, someone in his household was able to listen to it. Lets sue him. Not."

      --
      -- Technology for the sake of technology is as pathetic as eschewing technology because it's technology.
    7. Re:Hidden? by pizzach · · Score: 1

      The thing is, it's not only not really hidden, it has been that way ever since iTunes started using aac files. I don't even think this is the first time this article has hit Slashdot. *shug*

      --
      Once you start despising the jerks, you become one.
    8. Re:Hidden? by Gandalf_Greyhame · · Score: 1

      So, just to do the typical car analogy.

      You are driving a car.
      You are randomly stopped by a police officer (you were speeding, tail light is out, you slept with his wife... who knows why you were stopped)
      He asks you for your license and registration.

      Now, stop for a second. WHY does he ask for license and registration? Oh, that's right! It is to determine whether the car does actually belong to you (or whether it has been reported as stolen)

      It is a proof of purchase. Was there an innocent until proven guilty in that situation? No. You had to prove your ownership of the vehicle.

      It probably helps a lot if you think of this "watermarking" as a proof of purchase. It exonerates you as the lawful owner of the music, in much the same way that the receipt from a retailer is proof that you have purchased the coffee maker you are carrying out their front door.

      Also, you are innocent until proven guilty there... I dare you to go and purchase (or steal, it's your call) a Bluray player (or anything else for that matter) throw away the receipt (if you actually bought it that is) and try to walk out the front door passed their security. You may be innocent, but without proof of purchase you are going to have a very tough time convincing the police when they come.

      --
      I am not stubborn. I am right!
    9. Re:Hidden? by martin-boundary · · Score: 1
      The car analogy doesn't work with mp3s. Police officers don't routinely (ie without a warrant) enter people's houses and ask them to prove that they own what's in it, which is where most of the typical person's mp3 collection resides.

      The Blu-ray analogy doesn't work either. The shop is a private premise, and the shop owners can ask police to detain you by accusing you of theft, but even then it is not up to you to prove that you are innocent, it is up to them to prove that you are guilty (which they can do easily by pointing to the Blu-ray player in your hands and the empty box etc, so there's usually no problem)

    10. Re:Hidden? by Anachragnome · · Score: 1

      There are now signs at airports(at least SeaTac) informing passengers that electronic devices may be searched for copyright violating material.

      Granted, it appeared to be for foreign passengers, but it is still a step in the wrong direction.

    11. Re:Hidden? by Pofy · · Score: 1

      You are aware that many countries allow for example copying for private use which includes giving the songs to friends or family. Those in turn might do the same and someone might eventually put it out to the public and so on. Even if you "play nice" and follw the law, you may not want that info about you in those files and it can indeed concern you.

    12. Re:Hidden? by Gandalf_Greyhame · · Score: 1

      they don't need to routinely enter houses to check for illegal music. Think about it for a minute.
      Seriously.
      RIAA's goons track offender down who is "making available." Which is not illegal (this is where they will start their investigation)
      However, during the course of their investigations, they uncover music that does not belong to you. Music that you cannot prove is yours. And while you can go on about "innocent until proven guilty" there is proof, right there, that they have (by the watermark clearly stating that someone else is the rightful owner) that you have infringed on the copyright. They can prove GUILT. Not of "making available" but of downloading music illegally.

      To try to make it easier for you to understand, because I can see that it is just not getting through to you, I will run through two very simple scenarios, side by side.

      1. I shoot you. (I download music from someone)
      2. I stand there holding the gun. (I then make the music available for others to download from me)
      3. There are witnesses who saw me do it. (There is a watermark in the file saying that I am not the owner of the music)

      Now what we have here is quite simple and clear cut.
      1 - we have the infraction
      2 - we have the witnesses/discovery of the identity of the perpetrator
      3 - we have the evidence

      NOTE: I am NOT saying that murder is the same as copyright infringement people. I am just using it as a simple demonstration of how guilt is proven.

      --
      I am not stubborn. I am right!
    13. Re:Hidden? by Bert64 · · Score: 1

      In the case of a stop by police you were guilty of something (eg speeding, missing tail light)... I don't think they can stop you without a valid reason.

      Only time i ever got stopped was for driving at night without headlights, it was the middle of a city with street lights everywhere, it was a rental car and the dash lights up by default in that car for some reason, and my own car has automatic headlights... The cops was quite good about it, just made me turn the lights on... I'm sure they checked the car's license plates out on their computers but didn't find anything wrong.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    14. Re:Hidden? by martin-boundary · · Score: 1
      I think you're mixing up your examples. It's not up to me to prove that the music is mine, it's up to the RIAA (ie the accuser) to prove that it was copied from somebody else illegally, always.

      You're assuming that my music contains somebody else's watermark, and that the RIAA has some evidence of it: that's pretty much begging the question. If the RIAA has proof, of course it's easy for it to prove its accusation.

      Take the same example, but my music doesn't contain somebody else's watermark (I encoded the files myself, or if you like I changed the watermark details, recompressed, whatever) It's (still) up to the RIAA to prove that it's not mine, which is pretty hard without proof. It's not up to me to show a receipt for the files, or to show a watermark coded to my credit card number or whatever, embedded in the file.

      Think again of the receipt analogy in the shop. You keep the receipt when you leave the shop, but once you're in the street (reasonably far from the shop etc) you don't need the receipt any more. You can destroy it. If somebody comes up to you and claims you stole their Blu-ray, it's up to *them* to show proof.

    15. Re:Hidden? by Gandalf_Greyhame · · Score: 1

      In that case you are right... what I am trying to explain (unsuccessfully I see) is that IF a watermark exists, that has someone elses details, then that is evidence that you have committed a crime. Yes the evidence can be destroyed (by re-encoding or removing the watermark) but until you do destroy the said evidence you are at risk.

      Its not so much that the evidence says that you didn't pay for it... it says that someone else, a third party, paid for it and that you have, most likely, obtained it through illegal channels. (Note: 1 file on its own would unlikely be a cause of concern, but 20-30GB of music, each with different watermarks... yeah, there's your reasonable doubt)

      Of course the simple solution would be to just remove the watermark from all of the music in your library, thus destroying all evidence.

      Think again of the receipt analogy in the shop. You keep the receipt
      when you leave the shop, but once you're in the street (reasonably far
      from the shop etc) you don't need the receipt any more. You can destroy it.
      If somebody comes up to you and claims you stole their Blu-ray, it's up
      to *them* to show proof.

      Now with the exact same analogy, there would be an RFID installed in the Blu-ray player (just the same as the watermark, you don't even know its there until someone points it out) which they can use to prove that the player was in their shop, and has not been paid for (serial numbers, tricky things them)

      But back to what I am trying to tell you. The watermark, if it exists, tells you who purchased the music and therefore can be used as evidence in a piracy case, especially if it was purchased by someone other than yourself. The obvious solution to this is just to remove the watermarks when you purchase/download/whatever music from the internet. Therefore there is no proof of piracy.

      --
      I am not stubborn. I am right!
    16. Re:Hidden? by Paradigm_Complex · · Score: 1

      It's perfectly reasonable for someone to expect the information was recorded in an index file of sorts on the computer, and not in the audio files themselves.

      Joe sixpack has no idea his iTunes purchased audio is watermarked and identifiable. Apple could do more to make it clear this is going on.

      --
      "A witty saying proves nothing." - Voltaire
    17. Re:Hidden? by Gandalf_Greyhame · · Score: 1

      Just so you know, I don't disagree with your stance. I am just trying to get across that the watermark can be used as evidence.

      The watermark is evidence in this case that the music is not yours. It is the proof that you are guilty.

      --
      I am not stubborn. I am right!
    18. Re:Hidden? by Gandalf_Greyhame · · Score: 1

      Actually I think I now know where we have gotten our wires crossed. We are seeing this from two slightly different angles (I think)

      You are thinking: No watermark, no proof

      Whereas

      I am thinking: Someone elses watermark, you're screwed

      --
      I am not stubborn. I am right!
    19. Re:Hidden? by Anonymous Coward · · Score: 0

      If you let em spread to P2P in any way then you should face consequences.

      What consequences do you suggest for someone who 'lets' their tracks spread to P2P by having their music player stolen or losing it? This probably happens thousands of times every day.

    20. Re:Hidden? by mabhatter654 · · Score: 1

      Don't use your "fair use" with people that will break the law! Simple.

    21. Re:Hidden? by MightyYar · · Score: 1

      Ever had anything stolen?

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    22. Re:Hidden? by martin-boundary · · Score: 1

      I agree. Sorry for the late reply. I had to login with firefox just now. Normally I use w3m, but since yesterday I can't log into slashdot with it, for some unknown reason. I thought the server was down :(

  12. would be interesting by ani23 · · Score: 1, Redundant

    to see if they actually did used to for enforcement how would they track someone down and on what basis would they press charges? Yeah your email was in that file. hell anyone could change the email using some tool and upload stuff. The whole thing seems pointless.

  13. Old News by Star_Gazer · · Score: 5, Insightful

    http://yro.slashdot.org/article.pl?sid=07/05/30/2014222

    I think it's OK. Even if I really buy from iTunes to burn a cd as gift, at that point the account info will be gone, so what's the matter?

  14. Simple... by maharg · · Score: 0, Redundant

    1) Download DRM-free song from iTunes
    2) Open in Notepad, Find and replace email address, Save
    3) Share on p2p network of choice
    4) ???
    5) Profit !!!

    --

    $ strings FTP.EXE | grep Copyright
    @(#) Copyright (c) 1983 The Regents of the University of California.
    1. Re:Simple... by Stuart+Gibson · · Score: 2, Insightful

      How long before someone comes out with a little program that does exactly this, replacing all email addresses with sjobs@apple.com?

      --
      It's all fun and games until a 200' robot dinosaur shows up and trashes Neo-Tokyo... Again
    2. Re:Simple... by Anonymous Coward · · Score: 0

      Yeah, go ahead and open the file in Notepad, change, save and then expect the file to be playable. People are getting dumber and dumber every day on Slashdot. Nice to see maharg in front, will remember your name to see future idiotic postings from you.

    3. Re:Simple... by jollup · · Score: 0

      Even more simple..... 1. Download Track 2. Burn Track to CD (this removes DRM and converts to AIF) 3. Insert CD into computer and copy back to iTunes 4. Voila, DRM free music with no info attached

    4. Re:Simple... by Paradigm_Complex · · Score: 2, Insightful

      1) Download DRM-free song from iTunes
      2) Open in Notepad, Find and replace with RIAA rep's email address, Save
      3) Share on p2p network of choice
      4) ???
      5) Profit !!!

      Buwahahah

      --
      "A witty saying proves nothing." - Voltaire
    5. Re:Simple... by JoeMerchant · · Score: 1

      It will be playable, but there's no guarantee that the e-mail information is not encoded in other ways.

    6. Re:Simple... by Anonymous Coward · · Score: 0

      Notepad is binary-safe?

    7. Re:Simple... by wherrera · · Score: 1

      Yes, there is plenty of other customer information in the file. This should not normally be a problem. If it is, the following is not simple, but generally works:

      ---------
      #!/usr/bin/perl

      use Tk;
      use Cwd;
      use strict;
      use warnings;
      use Audio::M4P::QuickTime;

      my $backup_requested = "yes";

      my $win = new MainWindow;
      my $frm = $win->Frame()->pack;
      $frm->Label(
      -text => "Anonymize Apple iTunes Plus .m4a Files",
      -font => "Garamond 20 bold",
      )->pack;

      my $do_backup_choice = $frm->Radiobutton(
      -text=> "Back Up (append .old.m4a to old files)",
      -value => 'yes',
      -variable => \$backup_requested,
      -font => "Garamond 14 bold",
      )->pack;

      my $do_no_backup_choice = $frm->Radiobutton(
      -text => "Do Not Back Up (files will be over-written!)",
      -value=> 'no',
      -variable => \$backup_requested,
      -font => "Garamond 14 bold",
      )->pack;

      my $convert_button = $win->Button(
      -text=> "Convert Files",
      -command => \&push_button,
      -font => "Garamond 17 bold",
      )->pack;

      my $exit_button = $win->Button(
      -text=> "Exit",
      -command => sub { exit 0 },
      -font => "Garamond 17 bold",
      )->pack;

      MainLoop;

      sub push_button {
      my $write_extension = $backup_requested eq 'no' ? '' : '.old.m4a';
      my @file_list = $win->getOpenFile(
      -defaultextension => ".pl",
      -filetypes=> [ [ 'MP4a files', '.m4a', ], [ 'All Files', '*', ], ],
      -initialdir => Cwd::cwd(),
      -initialfile=> "getopenfile",
      -title=> "Choose Purchased Apple iTunes Plus Files to Anonymize",
      -multiple => 1,
      );

      foreach my $filename (@file_list) {
      my $qt = Audio::M4P::QuickTime->new( file => $filename );
      if ( $qt->FindAtom("mp4a") ) {
      $qt->CleanAppleM4aPersonalData();
      rename( $filename, $filename . $write_extension );
      $qt->WriteFile($filename);
      }
      else {
      $win->messageBox(
      -message => "Error: $filename is not a valid m4a file.",
      -type=> 'ok',
      -icon=> 'error'
      );
      }
      }
      }

    8. Re:Simple... by Anonymous Coward · · Score: 0

      sed s/[A-Z0-9._%+-]+@[A-Z0-9.-]+\.[A-Z]{2,4}/sjobs@apple.com $MUSICFILE

  15. I see a problem. by Jane+Q.+Public · · Score: 1

    If some form of steganography is used to alter a file, then somewhere and in some way the quality of that file will be compromised. Bitmaps lose sharpness, audio files lose certain audio data.

    A big part of the problem is that you are not getting the product you ordered. You are getting a product that has been altered in a significant way.

    There are people who were pissed enough at Microsoft for embedding personal information in their .doc and .xl and other files, that they were willing to hack the software to disable that feature. No doubt there will be people equally pissed off at iTunes for doing a similar thing.

    I do feel there is room for bitching here. If I order a product, don't make significant alterations to it, especially by putting my personal information in it without my permission! I do not have to have criminal intent to feel that this is an invasion!!!

    1. Re:I see a problem. by Anonymous Coward · · Score: 0

      this is not steganography. it's info that's in the tag of the aac file. the audio is not altered in any way. besides, if the bitrate is twice what it was, 20-80 bytes for an email address is not a "significant alteration"

    2. Re:I see a problem. by Tyrion+Moath · · Score: 1

      They only altered the ID3 tags as far as I know... Which all your MP3s have anyway. You can alter the hell out of ID3 tags and it won't touch the actual music. MP3 files have space at the beginning/end (depending on v2 or v1) of them for all that tagging data so the music isn't fiddled with.

      http://en.wikipedia.org/wiki/Id3

    3. Re:I see a problem. by ubernostrum · · Score: 1

      If some form of steganography is used to alter a file, then somewhere and in some way the quality of that file will be compromised. Bitmaps lose sharpness, audio files lose certain audio data.

      Except this isn't "steganography" and doesn't degrade the file. The actual "file" you get from iTunes is an AAC audio track inside an MPEG-4 container, and the MPEG-4 container format, in turn, provides a way to embed both standard metadata (e.g., things like artist/genre/running time, etc.) and to create and use custom metadata fields (IIRC, the spec calls them "boxes"). The iTunes purchase info is an example of the latter.

    4. Re:I see a problem. by ubernostrum · · Score: 1

      (and in case anyone wants to get pedantic on me: yes, I know that the difference between "standard" and "custom" metadata fields is a bit muddled when it comes to Apple, since much of the MPEG-4 container format was lifted straight from QuickTime, and so things Apple was already doing became part of the "standard". AFAIK, though, the purchase-ID stuff falls on what would normally be called the "custom" side)

    5. Re:I see a problem. by AlecLyons · · Score: 1

      I don't think the information is hidden inside the file using steganography - you can see all the information right from iTunes. Whatever a persons grievance with having personally identifiable information inside songs they purchase, I think it's a bit tenuous to suggest that this is an inappropriate thing for Apple to do because it adversely effects the quality of what you are paying for.

    6. Re:I see a problem. by Anonymous Coward · · Score: 0

      Actually, you are a little bit wrong on this part.

      The official MPEG-4 container format was indeed derived from the Quicktime Atom concept.

      That inclusion into the MPEG-4 specification family however, was by a formal majority vote in the ISO process (in the pre 2000 timeframe).

      The MP4 file format was standardized long before Apple offered Quicktime with MPEG-4 audio/video codecs.

      Apple didn't force a non-standard container for MP4 files on anyone. Apart from the now obsolete "Fairplay" DRM scheme, the audio files from the iTunes store are fully standards compliant.

    7. Re:I see a problem. by SeaFox · · Score: 2, Interesting

      A big part of the problem is that you are not getting the product you ordered. You are getting a product that has been altered in a significant way.

      What you ordered was a music file at higher quality than Apple's standard fare without any DRM, paying a premium for it. That's exactly what Apple gave you. Having you name on the file does not degrade the quality or prevent it from playing on your Zune or HTPC.

      By the way, I'm pretty sure this name tagging is covered somewhere in the iTMS terms of usage. So yeah, when you clicked "I Agree", you did give them permission.

    8. Re:I see a problem. by falcon5768 · · Score: 1

      Thats good for you, guess what, no one cares. Its about as significant a alteration as getting your grubby hands on a CD or Tape and the cops using it to find your DNA. It does nothing to change the sound quality and merely exists so your dumb ass wont think "huh huh now let go fire up that limewire." Transcode it to MP3 or use ANY of the free editors that where made OVER A YEAR AGO to remove the data and guess what, no more data in your AAC file.

      Nothing I hate more that geek hippies.

      --

      "Slashdot, where telling the truth is overrated but lying is insightful."

    9. Re:I see a problem. by ubernostrum · · Score: 1

      Apple didn't force a non-standard container for MP4 files on anyone.

      And I never said they did. It's just that if you're looking at an MP4 container coming out of the iTunes store, figuring out why a given bit is in it can be an interesting trip into historical Apple stuff (IIRC the iTunes metadata boxes actually live in a sub-branch of a hierarchy from the pre-MP4 QuickTime days, for example).

    10. Re:I see a problem. by Jane+Q.+Public · · Score: 1

      Well, that's fine then... except I don't want an MPEG-4 file. I want an unaltered, high-quality, MP3. Or FLAC, or OGG...

    11. Re:I see a problem. by Jane+Q.+Public · · Score: 1

      If what others have said here is true then that's fine... but after browsing the article briefly I was left with the impression that the data was embedded in the music itself.

      On the other hand, as I stated elsewhere, I don't want an MPEG-4 file, with or without metadata. If I am paying for it, what I want is an unaltered, high-quality MP3, or FLAC, or OGG.

    12. Re:I see a problem. by Jane+Q.+Public · · Score: 1

      I am not about to spend $5 worth of my time on it, after I have already paid 0.99 for the song!

    13. Re:I see a problem. by falcon5768 · · Score: 1

      Well hope your not using Amazon either, because they and emusic and the rest of the DRM free ones put your data or a code linked to you into the song you bought as well.

      --

      "Slashdot, where telling the truth is overrated but lying is insightful."

    14. Re:I see a problem. by Jane+Q.+Public · · Score: 1

      They'd better not, if I buy it as an MP3. I have no problem with ID3 tags... but if they are actually embedding it in the music data part of my MP3, then it is likely that I have an actionable cause.

      But according to other people in this thread, that is not what they are doing, so I am not worried about it. And why should I anyway? I don't use my real name or other information for such transactions. Do you?

    15. Re:I see a problem. by ubernostrum · · Score: 1

      I want an unaltered, high-quality, MP3.

      Amazon and other places will sell them to you. iTunes only sells AAC-in-MP4.

  16. Not everywhere in the world has the same laws by Rix · · Score: 4, Informative

    In many places, it's perfectly legal to share you music collection. Here in Canada we pay a tax on recordable media for that right.

    1. Re:Not everywhere in the world has the same laws by davester666 · · Score: 1

      Actually, I believe the legal ruling only covered 'half' of public sharing. My understanding of the case in Ontario was that the Judge ruled that downloading music for personal use was legal, and covered by the media copying tax. I forget if he just stated that his ruling didn't cover uploading, or if uploading WAS NOT covered by the media copying tax.

      And the tax only applies to music (which is was this thread is about). Other things covered by copyright law (like video files or software) are also not 'legal' in Canada.

      --
      Sleep your way to a whiter smile...date a dentist!
    2. Re:Not everywhere in the world has the same laws by NeverNow · · Score: 0

      Go figure. Here in Italy we pay that tax and it's still illegal to share. Nice deal, eh?

    3. Re:Not everywhere in the world has the same laws by Anonymous Coward · · Score: 0

      Here in Europe we pay that tax, and DO NOT have that right.

    4. Re:Not everywhere in the world has the same laws by Jerry+Beasters · · Score: 1

      It's legal in the US too, no matter how many people say otherwise. The law is relatively clear.

    5. Re:Not everywhere in the world has the same laws by Anonymous Coward · · Score: 0

      omw

      LF canadian IT job pst

    6. Re:Not everywhere in the world has the same laws by Synchis · · Score: 2, Informative

      I'm going to raise a red light on this...

      1. We pay a *levy*, not a tax, on recordable media.

      2. This levy does not allow you to distribute your collection online. Distributing copyrighted works online is still infringing activity.

      3. The levy *does* cover you borrowing a CD from the library and making a *personal* copy of it to blank media. But, if you are recording the copyrighted work to a media that the levy is not applied to, it is still infringing activity.

      4. The Canadian gov't has repeatedly made promises to reform copyright laws and eliminate the private copying levy, so don't get too comfortable with it.

      --
      Thomas A. Knight
      Author of The Time Weaver
    7. Re:Not everywhere in the world has the same laws by Anonymous Coward · · Score: 0

      In many places, it's perfectly legal to share you music collection. Here in Canada we pay a tax on recordable media for that right.

      wow... you pay a tax for a right??? i have news for you... this is NOT a right... there is a very real difference between a right, and a privilege. Rights are not paid for, and indeed, they cannot be taken away from the government, because it isn't bestowed by the government. That would be a privilege.

      this isn't exactly on topic except to say we should first understand if when buying music or art, the sale should be untrackable (as is the case with every other good that can be purchased with cash... in fact, that is the entire purpose of cash). If we think that is a right, then this is an issue. If it is just a privilege that apple is letting us have with their property, then they can do whatever they want as long as they are open about it.

      all too often, the words "right" and "privilege" are used interchangeably when they should not be.

    8. Re:Not everywhere in the world has the same laws by Anonymous Coward · · Score: 0

      It's is absolutely *not* legal to share your music collection.

      Canada's tax on recordable media is to compensate artists for "private copying", i.e, you take your CD collection and burn a mix for your own personal use. Or to burn a copy for the car.

      http://en.wikipedia.org/wiki/Private_copying_levy

    9. Re:Not everywhere in the world has the same laws by Fluffeh · · Score: 1
      Silly muffin!

      repeatedly made promises to reform copyright laws and eliminate the private copying levy

      Just because someone says they will do something many times doesn't mean they will. The chances of them doing it are in fact smaller. Seriously, if they really wanted to do it, they would have done it, not said many times how they WILL do it.

      --
      Moved to http://soylentnews.org/. You are invited to join us too!
    10. Re:Not everywhere in the world has the same laws by Mista2 · · Score: 1

      The company from California has no problems applying US laws and deals to every country inthe world. If they didn't, The US would be the only ones unble to teather their iPhonesfor use as modems.

  17. Seems like a fair compromise a by Roy+Hobbs · · Score: 0

    I doubt it will take that long for a utility to come out to remove the info though.

  18. What could possibly go wrong? by rzei · · Score: 1, Insightful

    How hard would it be for someone start spreading mp3's with someone elses information in it, and then make RIAA sue them when they find the first one?

    Granted that the situation might be solved when Apple checks whether or not this person ("purchased by", "account name", "purchase date") actually bought the song but still it might cause a lot of trouble for someone.

    I think this is not a good idea. iTunes should store these separately in some meta-files...

    1. Re:What could possibly go wrong? by Tyrion+Moath · · Score: 1

      If you look at the ID3 tags in another program, like winamp or foobar2000, all you see is jibberish. It's encoded. I'm sure you could figure it out and do what you suggest if you really wanted to, but that's more work than it's worth really. I'm pretty sure you can just delete the jibberish and there goes any record of who bought it etc, too. But I don't have iTunes so I can't check.

    2. Re:What could possibly go wrong? by calmofthestorm · · Score: 1

      Identd can be configured to send out the username (or UID, forget which) of the current user whenever they initiate a connection from their account on a UNIX system. That hash can then be supplied to the sysadmins who can decrypt it to see which user did something.

      I don't see why a similar principle couldn't be used here, especially since Apple isn't limited to a very small size for the ID (I believe 64 bits, could be wrong). Just have a bunch of keys, encrypt it with strong symmetric encryption, and put it in. You ever want to trace it back, quick and easy.

      --
      93rd rule of Slashdot: No matter how obvious my sarcasm is, my comment will be taken seriously by someone.
    3. Re:What could possibly go wrong? by Anonymous Coward · · Score: 1, Informative

      ID3 tags? Hello? These are not MP3s and don't use ID3 tags. They store metadata in MPEG4 "atoms".

      One might be able to view and edit them with Atomic Parsley:

      http://atomicparsley.sourceforge.net/

      However, its tag parsing isn't as good as it might be.

       

  19. Jesus christ guys, we already know this. by Facegarden · · Score: 2, Informative

    I suppose it's pertinent again and all, but seriously, I already know this guys, why are we pretending like this is new?

    On some level, I'm not sure why i care if it's repeat news. I mean really, repeat it all you want i guess, my life still goes on, but i dunno, journalistic integrity and all that, i feel like we should at least mention that this is a complete copy of an older story....
    -Taylor

    --
    Worldwide Military budgets: $2100 billion. Worldwide Space Exploration budgets: $38 billion. Really, world? Really?
    1. Re:Jesus christ guys, we already know this. by powerspike · · Score: 1

      yes but this story is drm free!

    2. Re:Jesus christ guys, we already know this. by Paradigm_Complex · · Score: 1

      It's perfectly reasonable for /.'ers to have expected this to go away with the announcement of the rest of the DRM going away. Things have changed significantly since any previous discussion about this to justify another one.

      --
      "A witty saying proves nothing." - Voltaire
    3. Re:Jesus christ guys, we already know this. by Facegarden · · Score: 1

      It's perfectly reasonable for /.'ers to have expected this to go away with the announcement of the rest of the DRM going away. Things have changed significantly since any previous discussion about this to justify another one.

      Yeah, but the story should say something along the lines of "files STILL contain info", to indicate that we already knew this, and the story is that it hasn't changed.
      -Taylor

      --
      Worldwide Military budgets: $2100 billion. Worldwide Space Exploration budgets: $38 billion. Really, world? Really?
  20. Fair, unobtrusive, and fully in the open by calmofthestorm · · Score: 1

    Only thing more we could ask for is a warning hwen you download it, but that's not important.

    It'll play on anything I put it on, I can share a copy with a friend or burn a few mix CDs.

    I'm usually a big Apple critic and I hate DRM, but this is fine by me.

    --
    93rd rule of Slashdot: No matter how obvious my sarcasm is, my comment will be taken seriously by someone.
  21. non-repudiation by rapiddescent · · Score: 0, Redundant

    how can they prove that the email address in the file wasn't placed there by someone else?

    I don't think that would last long as evidence in court, especially if some bright spark changes the email in the tag to steve.jobs@apple.com

    1. Re:non-repudiation by IBBoard · · Score: 1

      It's not difficult to put a checksum in as well. Even just a string length counter that invalidates the file if it doesn't match would defeat a lot of your more basic "I can open it in Notepad and see my email address, so lets delete it" 'hackers'.

    2. Re:non-repudiation by gnasher719 · · Score: 1

      It's not difficult to put a checksum in as well. Even just a string length counter that invalidates the file if it doesn't match would defeat a lot of your more basic "I can open it in Notepad and see my email address, so lets delete it" 'hackers'.

      Except that Apple doesn't do this do deter evil hackers, but so that iTunes can display a playlist "purchased music" and can display your purchase history when you select a file and click on "Info". Should you be taken to court on claims that music with your email address has turned up on the Internet, just post here, and someone will write a tool that allows you to enter the judges name and email address, and which then changes all your purchased music to his name and email address.

    3. Re:non-repudiation by IBBoard · · Score: 1

      Well, yes, but that's not the part that people get worked up about. I don't have a problem with it storing that data because it can be useful for purchase information (such as which account and when), but everyone seems to be jumping on the "arrrgghhh, now I can be tracked if I share it on BitTorrent" paranoia. I wouldn't be surprised if it had been put in to track people sharing songs to keep the music industry happy, even if it does have a more benign use.

    4. Re:non-repudiation by Paradigm_Complex · · Score: 1

      Editing an email address from inside an audio file is dark magic to Joe Sixpack. This won't stop all restricted-music-sharing, but - so long as Joe Sixpack knows - it should still hamper it somewhat without getting in the way of legitimate uses of the music. As a legitimate consumer this is win-win for me.

      Now considering that Joe Sixpack will most likely have no bloody idea, this does seem to be RIAA-sue-bait of sorts. At least the RIAA'll have *some* evidence now rather than some magically acquired IP address.

      --
      "A witty saying proves nothing." - Voltaire
    5. Re:non-repudiation by IndustrialComplex · · Score: 1

      Now considering that Joe Sixpack will most likely have no bloody idea, this does seem to be RIAA-sue-bait of sorts. At least the RIAA'll have *some* evidence now rather than some magically acquired IP address.

      The email address, coupled with the IP address, will be much more convincing in court. Of course, either can be manipulated or unreliable, but when combined, it will hold water better than the old method of just the IP address.

      I don't have a problem with this. There is so much personal information on my phone or laptop that should it get stolen or lost, having files wind up on a p2p network is the least of my worries.

      --
      Out of modpoints but really liked a post? 1BDkF6TtmmeZ3yqXbz9yhdYVqRYnwFoXDj
  22. Deal with music industry by oneofthose · · Score: 2, Insightful

    I can imagine that this is part of the deal with the music industry. They might have said: ok, you may drop the DRM but if we find one of those DRM free files on a file sharing network we want to know who did it. Or maybe Steve offered this as compromise to the industry. Maybe he even exploited the industries apparent lack of understanding new technologies and told them it's a watermark. Well, probably not. But imagining the background stories that might have lead to things like "personal info in DRM-ree files" is fun!

  23. Re:Seriously... (really?) by peas_n_carrots · · Score: 1

    What if someone copies your music without your permission, then those files get onto the net. Let's not get into a tangent on how likely that is, just accept that it can and will happen (friends (or non-friends) borrow songs, hackers get into your computer, etc). Having seen RIAA's questionable legal practices, this could cause alot of grief for the person who legally purchased the songs.

  24. Bully move by anti-pop-frustration · · Score: 1

    Some independent online stores (like Junodownloads) also say they watermark tracks, but I haven't been able to verify it so far. I don't know what kind of watermarking these stores use (if any) but embedding customers email in the files is clearly a bully move from Apple.

    "Wanna leak our files on p2p? How about we leak your personal info? It would be too bad if some spammer found a way to harvest all those valid email addresses from itunes files.... too bad really..."

    Guess what? If I buy music, I also want to be able to share it with my friends (friends!=p2p) without being traced on ending up sued.

    Buying cds/vinyls and ripping them might still be the way to go in the end... Or are we going to have to pay an ever bigger premium for non-watermarked digital files?

    1. Re:Bully move by Anonymous Coward · · Score: 0

      Hey, here's an idea: don't do illegal things and there won't be any negative repercussions.

    2. Re:Bully move by Wovel · · Score: 1

      "Guess what? If I buy music, I also want to be able to share it with my friends (friends!=p2p) without being traced on ending up sued." So click convert to MP3 in itunes and share the MP3 with your friends. The info is not there, the loss is insignificant. I know the loss is insignificant to you because 90% of the people who can tell the difference work in the Music industry and would not be making your argument.

    3. Re:Bully move by Paradigm_Complex · · Score: 1

      Guess what? If I buy music, I also want to be able to share it with my friends (friends!=p2p) without being traced on ending up sued.

      (1) Well you'll have to get a special license do that [good luck], or make suer it's creative commons music, or break the law.

      (2) So long as your friends are your peers (I guess some technical argument could be made if you're friends with a professor of yours or some such), friends==p2p.

      Yes, it's illegal to share with everyone in the world. It's also illegal to share in arbitrarily smaller-than-everyone circles. If you don't like it, either make an effort to get the laws changed [lololol], or just edit out the email address as it seems quite easy from the other posts here.

      --
      "A witty saying proves nothing." - Voltaire
  25. Old story by rduke15 · · Score: 5, Insightful

    This is an almost 2 year old story: Apple's DRM Whack-a-Mole (Posted by CmdrTaco on 10.06.2007 17:08)

    If it bothers you to have an identifying tag in your music files, well remove it or overwrite it.
    As far as I understand, it's stored in a standard MP4 atom.

    And if you don't know how to do it, ask Google, or try this suggestion which explains how to use AtomicParsley for windows or mac.

    1. Re:Old story by Tokerat · · Score: 1

      Apple Hides Account Info in DRM-Free Music Posted by ScuttleMonkey on 04:17 PM -- Wednesday May 30 2007

      --
      CAn'T CompreHend SARcaSm?
    2. Re:Old story by Anonymous Coward · · Score: 0

      Just for clarification: The site you link to for the Atomic Parsley utility indicates that the process actually *doesn't* strip the information out of the file. There is a secondary field with the same info that can only be got at with a hex editor.

  26. Re:MAY I HAVE YOUR ATTENTION PLEASE - DO NOT MOD D by Anonymous Coward · · Score: 0, Funny

    This post is clickable. But I'm scared to do it.

  27. Re:MAY I HAVE YOUR ATTENTION PLEASE - DO NOT MOD D by Anonymous Coward · · Score: 0, Offtopic

    I'd believe you, but Iraq is over. Nobody is afraid to go there anymore. Most troops consider it a vacation from the hassle filled life they live in the US.

    To put in in easy to understand terms, bombs are easier to live with than inspections and training. That's how much of a failure the insurgency is.

  28. !ID3 by Anonymous Coward · · Score: 0

    It's not an MP3 file, so metadata isn't stored by cobbling ID3 on to the audio data. It's an MP4 file, so this information is stored in (and can be removed as, using AtomicParsely or similar) MP4 atoms.

  29. Old news by phooka.de · · Score: 5, Informative

    This came up when they introduced iTunes plus ages ago. It's been discussed back then. Yes, the info is there. You can simply look it up, no problem. Your ID3-Tag-Editor might not be able to chanxge it since we're not talking MP3 here. That's it.

    Just use a different editor, clean out the information and start the copyrightinfringement-frenzy you seem to have been waiting for for so long. Oh no, you already do that, I guess.

    Or, if you don't like finding an editor that can delete the info, just go to a record store and steal the CD.

  30. DRM Done (Relatively) Right by Anonymous Coward · · Score: 0

    This is the only example I can think of where the rights of the copyright holder are protected without causing any inconvenience to the legitimate user.

    As others have pointed out though, the files need to be water-marked in a way that cannot be forged (for the sake of the customer) or easily removed (for the sake of the copyright holder). The removability part is the problem of course, since steganography is easily overcome by simply using steganography on the file again.

    Then again, its probably as effective as any other form of DRM (Fairplay can be removed by the original purchaser) and at least it doesn't affect the user.

  31. Respect. by Anonymous Coward · · Score: 0

    As others have said, this is not a bad thing if you respect the property of copyright holders. Nevertheless it won't take long before some 31337 h4x0rz figure out exactly where the information is stored and zero it out. Copy protection technology is like the lock on your front door. It keeps honest people honest. To the 31337 h4x0rz it's just another challenge. I'll tell you why you SHOULD respect copyright and copyright holders. You like free software? Doubtless you use free software? The free software licenses that guarantee the freeness of those programs are based on copyright law. Without copyright, that software would be in the public domain, many features added to distributed copies would never show up in source form, and you'd be stuck with jack diddly squat. So if you respect free software, then you should respect copyright.

  32. Mod Parent up by Anonymous Coward · · Score: 0

    Sharing is legal in Canada (unless Bill C-61 ever passes, which looks doubtful thankfully).

  33. Go Figure... by PirateBlis · · Score: 0

    Oh sure. They can properly store your email and IP Address in an audio file, but yet every time I press "See What Other Bands Match Your Criteria" while listening to Metallica, I still get Ace of Base and Yanni as suggestions

    >=(

  34. Keep your private stuff private: keep your privacy by HumanEmulator · · Score: 4, Insightful

    So... if I keep the music I purchased for private use private, I have no privacy violation? Right?

    Also, despite the summary's between the lines implication that Apple is hiding the info from ID3 tag editors, the audio files are MPEG4. This means they don't contain ID3 tags. Since MPEG4 is based on QuickTime, a QuickTime atom editor will happily show you the tags and let you remove them.

    You could also have guessed the purchaser info was in these files based on the fact that iTunes shows it to you if you get info on a song.

  35. Re:Keep your private stuff private: keep your priv by antifoidulus · · Score: 1

    Hush, this is slashdot, truth and reason have NO place here! Where is your sensationalism, where is your "Oh noes, the whole world is out to get me!" type statements. You and your rational arguments should just go and find another home!

  36. What?...?!?;WTF? by rts008 · · Score: 0, Offtopic

    Is this an issue from your past?
    What are you talking about?

    "RIAA is the litigious groups of assholes"
    Yes...I agree...as for the remainder, WTF?

    Really, I don't understand...explain, please?!?

    Persons A&B both seem to have symmetrical access...Am I missing something?

    (mod's==stay away-I am really wanting to know what's going on here)

    --
    Down With Slashdot BETA!!! I've been around the corner and seen the oliphant; you can only abuse me from your perspecti
    1. Re:What?...?!?;WTF? by troll8901 · · Score: 1

      Nothing to do with encryption. Actually:

      A is the person being framed
      B is the person doing the framing

      B puts false evidence on file sharing sites.
      RIAA sees them and thinks A is responsible.
      RIAA sues A.

    2. Re:What?...?!?;WTF? by onecheapgeek · · Score: 1

      And A gets the case dismissed at the first hearing when they produce subpoenaed records from Apple showing they never purchased the songs. End of story.

    3. Re:What?...?!?;WTF? by erroneus · · Score: 1

      Person A has been irreversibly damaged by having to pay a lawyer. It doesn't matter whether or not Person A actually wins in the end or not... Person A *always* loses.

  37. There's even a Perl module to deal with it. by rduke15 · · Score: 1

    Not only is this old, as many have pointed out, but there is even a Perl module (Audio::M4P::QuickTime) which has a dedicated function for that: CleanAppleM4aPersonalData.

  38. Well.... Be more protective of your tunes then! by Dieppe · · Score: 2, Interesting

    I don't see a problem with this. Apple is providing a file without DRM, and you can then load it on any of your personal devices. Heck, you could even share it with a friend.

    But, it might make you a little more careful NOT to put music files you purchase from Apple on a P2P network. Sheesh. It might add a little value to those files you downloaded at a buck a piece. It'll be worth it to you to keep those files safe.

    And why not? People should be safeguarding their personal data.

    And think about it.. if your iPod were stolen, and all of your files had an email address on it. It could help with the recovery of stolen property, hm?

  39. Reasonable compromise... by Joce640k · · Score: 4, Insightful

    Sure, so long as they make it abundantly clear that this is what they're up to.

    Is this the case? I assume it isn't, because Slashdot and others are acting all surprised about it.

    --
    No sig today...
    1. Re:Reasonable compromise... by Naturalis+Philosopho · · Score: 5, Informative

      It's clear. A certain percentage of slashdotters act all surprised every time it's repeated though. Of course, most /.'ers also act all surprised every time some wack-job blames video games for violence too. At least some people are pointing out that the account information has been part of iTunes files for forever and isn't news to most people who know how to do a Google search.

    2. Re:Reasonable compromise... by peragrin · · Score: 4, Informative

      this is the second or third article about apple putting said info into their music files over the years. It isn't surprising. Apple even states it somewhere in the fine print of the EULA's.

      Slashdot suffers from ADD and forgets what it duped yesterday.

      --
      i thought once I was found, but it was only a dream.
    3. Re:Reasonable compromise... by jcr · · Score: 5, Informative

      Sure, so long as they make it abundantly clear that this is what they're up to.

      Choose any iTunes plus song, and select "get info" from the main menu. On the left side of the "Summary" pane, you'll see "Purchased By", "Account Name", and "Purchase Date". IIRC, those were there on the DRM versions too.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    4. Re:Reasonable compromise... by Poltras · · Score: 1

      Woah man. Yesterday? That's like so loooong ago... I can't even remember what's not on the first page...

    5. Re:Reasonable compromise... by CrackerJackz · · Score: 2, Informative

      in iTunes: right click the song, select properties, tada! "Account Name: "

      (its in the same place as the DRM'd copies)

      I find it a little odd that so many people simply expected to get files with no account information, since all that was promised was FairPlay being removed. I'm still a little peeved about having to pay 0.30$ a tune to unlock my current library however.

       

    6. Re:Reasonable compromise... by Anonymous Coward · · Score: 0

      Yesterday? Heh... Try in only 10 minutes sometimes... ;-)

    7. Re:Reasonable compromise... by nicolas.kassis · · Score: 2, Insightful

      Yeah, this is definitively stupid. Apple could just convert all the songs free and be able to disable the fairplay infrastructure which would eliminate useless CO2

    8. Re:Reasonable compromise... by Xaoswolf · · Score: 1

      How many pots of tea does DRM waste?

    9. Re:Reasonable compromise... by Yvan256 · · Score: 1

      That's "cups of tea". But yeah, I guess that's the new CO2 joke now.

      Let's say that adding DRM to a file costs Apple 0.059 cup of tea.

    10. Re:Reasonable compromise... by cayenne8 · · Score: 4, Interesting
      I'm guessing this is one reason they aren't going to DRM lossless (CD quality at least) versions.

      If it were in AAC Lossless...then it would be easy I guess to convert it to FLAC with no degradation of signal...and in doing so, delete the identifying information?

      Darn...if they'd just sell me CD or better quality, non-DRM music, I'd be in line with the rest of them to buy online.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    11. Re:Reasonable compromise... by Anonymous Coward · · Score: 2, Informative

      At least some people are pointing out that the account information has been part of iTunes files for forever and isn't news to most people who know how to do a Google search.

      You don't even need to do a search. Just select the file in iTunes and press control-i in windows or command-i in Mac OSX. The information on the file is then displayed in all its relative glory.

    12. Re:Reasonable compromise... by mmeister · · Score: 1

      I seem to recall a recent change in terms of service. My guess is that if you actually read the whole thing, it would have told you that personal info is attached to files you download.

      I'm betting 99.9999% of the folks just clicked accept without reading the new terms.

      My only gripe on these sorts of changes in terms of service is that I think they should highlight what has recently changed.

    13. Re:Reasonable compromise... by TheRaven64 · · Score: 1

      Not only that, but when you inspect the song in iTunes it shows you the date of purchase and email fields. They're just standard MP4 atoms, so other apps can see and remove them.

      --
      I am TheRaven on Soylent News
    14. Re:Reasonable compromise... by ArsonSmith · · Score: 1

      I suggest everyone go into it and edit it to say something more creative like billg@microsoft.com

      --
      Paying taxes to buy civilization is like paying a hooker to buy love.
    15. Re:Reasonable compromise... by tlhIngan · · Score: 4, Informative

      I seem to recall a recent change in terms of service. My guess is that if you actually read the whole thing, it would have told you that personal info is attached to files you download.

      I'm betting 99.9999% of the folks just clicked accept without reading the new terms.

      My only gripe on these sorts of changes in terms of service is that I think they should highlight what has recently changed.

      This has always been the case since the iTunes store opened! It's not news, it's several years old. Heck, when Hymn was available (removed FairPlay from purchased music, and this was 5+ years ago), it kept the personal information to prevent people from P2P'ing the newly unlocked music.

      So the very first time you used the iTunes store years ago, personal information was attached - it wouldn't have shown up with change bars because that part has not changed. You can probably find the news articles about it from years ago, and again from a couple of years ago when iTunesPlus was started about how the AppleID of the purchaser was embedded in the file.

      People are acting like this is completely new, when it's been happening for years now.

    16. Re:Reasonable compromise... by Warhawke · · Score: 0, Offtopic

      So you're saying it's completely obvious for people who already knew about it or knew to look for it? Wow, you're a genius!

      I guarantee you the average iTunes user has no idea their account information is imbedded in the tracks they listen to. I also guarantee you that a significant contingent of those who may or may not have known about those tags would have (reasonably) suspected that DRM-Free music would not contain such restrictions, since there's no need for account authentication by Apple. In my pretty extensive use of iTunes and in my brief read of the EULA, nowhere did I see any admission that account information was linked to my music.

      And /.ers are rarely surprised that some whack-job out there is blaming video games for violence; our surprise has more to do with how seemingly credible these whack-jobs are in the eyes of the masses.

    17. Re:Reasonable compromise... by diqmay · · Score: 1

      how is that a restriction? You can still use the file on any compatible player, cross-code it for non-compatible ones, and you can still share you're file over p2p.

    18. Re:Reasonable compromise... by cyphercell · · Score: 1

      how about darl.mcbride@sco.com?

      --
      Under the influence of Post-Cyberpunk Gonzo Journalism
    19. Re:Reasonable compromise... by pxuongl · · Score: 2, Insightful

      no you won't. if they did offer that, then you'd come up with another reason why not to buy it. stop lying and just say you don't like paying for music. it's ok.

    20. Re:Reasonable compromise... by Bloke+down+the+pub · · Score: 1

      [paranoid mode] I wonder if that's all they put there? [/]

      --
      It's true I tell you, feller at work's next door neighbour read it in the paper.
    21. Re:Reasonable compromise... by LKM · · Score: 1

      This has always been the case. I'm sure I've already seen this on /. a long time ago. There's nothing new or hidden or surprising about this whole thing.

    22. Re:Reasonable compromise... by cayenne8 · · Score: 2, Insightful
      "no you won't. if they did offer that, then you'd come up with another reason why not to buy it. stop lying and just say you don't like paying for music. it's ok."

      Nope, that's my last complaint that I can think of...promise.

      No, I buy my music....on CD, or SACD. I use that to listen to on my good home sound system...I rip it to lesser formats for lower quality listening conditions, like the gym or the car. I own pretty much all the music I grew up with, and many of them were album oriented, and the whole album was good...often meant to be listed to as a whole (DSOTM).

      I'd prefer to buy today's music song by song tho..as there is a LOT of filler on albums today...

      Not that it didn't happen in the past...but, these days, it seem MUCH more prevalent and abused by the 'artists'.

      But no..I pay, I'm willing to pay..I want to buy online, but, ONLY when it is of the same quality as I can get at a B&M store.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    23. Re:Reasonable compromise... by number11 · · Score: 1

      when you inspect the song in iTunes it shows you the date of purchase and email fields. They're just standard MP4 atoms, so other apps can see and remove them.

      The article referred to "not visible as ID3", so I'm guessing the OP has the files in mp3 format.

      Tidymp3 is a (Win, command-line) utility that will strip everything out of an mp3 except the sound frames. It rebuilds the file, so it may even correct some errors, though it comes with warnings that occasionally it may destroy a file trying.

      MP3 Tag Tools will remove all non-ID3 tags.

      I don't do iTunes, so I haven't actually tried it with one of those files, though.

    24. Re:Reasonable compromise... by Anonymous Coward · · Score: 0

      I guarantee you the average iTunes user has no idea their account information is imbedded in the tracks they listen to

      And I guarantee you the average iTunes user couldn't care less that it is.

    25. Re:Reasonable compromise... by Wildfire+Darkstar · · Score: 4, Interesting

      iTunes doesn't sell MP3s, though. They sell lossy AAC files in an MP4 container. So it's unlikely that they'd have ID3 frames in the first place.

      I haven't purchased any DRM-free songs from iTunes, but I'd suspect that the information is stored as standard MP4 atoms, and that the iTunes editing interface just doesn't give you the ability to modify them. In which case you could presumably use a standard MP4 tool to remove the information, if you were so inclined.

      That's just a guess, of course. It's obviously not clear from TFA.

      --
      Sean Daugherty "I have walked in Eternity -- and Eternity weeps."
    26. Re:Reasonable compromise... by yanos · · Score: 1

      I doubt it's very hard to build a small app that simply replace your personal info with blanks (or fake info like joe.smith@hotmail.com). It's just metadata, right?

    27. Re:Reasonable compromise... by againjj · · Score: 2, Informative
    28. Re:Reasonable compromise... by atraintocry · · Score: 1

      You may be right about "the average iTunes user" not having any clue, but in my mind that's hardly an excuse.

      So you're saying it's completely obvious for people who already knew about it or knew to look for it? Wow, you're a genius!

      The fact is, it's in a very discoverable part of the interface. None of us were born with knowledge of how to navigate a particular computer prorgram, but where they've put it is more than enough notice to fend off any accusation of secrecy.

      In my pretty extensive use of iTunes and in my brief read of the EULA, nowhere did I see any admission that account information was linked to my music.

      I think it's pretty obvious that they keep track of your purchase history. I'll admit that I didn't know they stored your username in the file, but if I'd had an occasion to guess, I would have said yes. The iTunes Plus files are structured the same as the regular ones, and now essentially everything is Plus.

      I guess where we differ is that I don't think it's reasonable to assume that the files are "clean" in that sense. They never were before. And the fact that it shows up alongside all of the other metadata tells me that in this case they've done enough (which is not to say that they couldn't do more, as an extra-mile courtesy to their paying customers).

    29. Re:Reasonable compromise... by Fluffeh · · Score: 2, Insightful

      This is high quality non-DRM music. It's just like buying a CD with your name on it - If you are really buying it for yourself, what do you care that it's got a name sticker on it?

      --
      Moved to http://soylentnews.org/. You are invited to join us too!
    30. Re:Reasonable compromise... by peragrin · · Score: 1

      18 months between dupes not bad for slashdot

      --
      i thought once I was found, but it was only a dream.
    31. Re:Reasonable compromise... by binarybum · · Score: 1

      It's not a restriction, it's an unnecessary security hazard. Let's say I bring a thumb drive with my music on it and load it on a public terminal - I'm being security conscious by not loading any personal data onto the terminal, I just want to listen to my music. Now if that system is shared by default and I just have a collection of my mp3s, so what. But the common user is victimized not knowing that he is actually sharing personal info.
          Not to mention this is an exploit just waiting for some adware to take advantage of for harvesting email addresses.

      --
      ôó
    32. Re:Reasonable compromise... by arminw · · Score: 1

      ...ONLY when it is of the same quality as I can get at a B&M store...

      Wow, you must have golden ears and a $5000 sound system to be able to tell the difference between a 256Kb/s AAC file and the equivalent CD or even SACD. You need ultra high quality master recordings at $50 or more per song.

      --
      All theory is gray
    33. Re:Reasonable compromise... by cayenne8 · · Score: 1
      I'm actually NOT complaining about info in the file.

      I just want them to OFFER it.

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    34. Re:Reasonable compromise... by cayenne8 · · Score: 1
      Wow, you must have golden ears and a $5000 sound system to be able to tell the difference between a 256Kb/s AAC file and the equivalent CD or even SACD. You need ultra high quality master recordings at $50 or more per song."

      Well, I have Klipshorns...50th anniversary edition (these are the 60th anniversary ones. These pair of speakers run you about $7000 EACH. I didn't pay that much...I got the pair for bout $1400 on an insurance settlement, etc. But, they have about 105db sensitivity..etc. I have a decent amp...etc....

      But, regardless of the stereo I have...why does everyone get up in arms when just trying to want to buy online what we have bought for YEARS on a CD at the store? It isn't like bandwidth is a problem, nor hard drive storage....

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    35. Re:Reasonable compromise... by arminw · · Score: 2, Insightful

      ...why does everyone get up in arms when just trying to want to buy online what we have bought for YEARS on a CD....

      If you are male and of an age where you can afford equipment like that, I suspect that your ears may not be as golden as they used to be when you were poorer, but young, agile and strong and your hearing extended to 20,000Hz.

      Most music on CD's even, is unnaturally processed, such as compression to make it sound louder. Often, also equalization is also added which distorts the original performance. This is almost universally true of all the popular music. The one area where this is usually not done nowadays is in classical music involving a full symphony orchestra. So, if you like classical music, your Klipsch speakers will definitely give you a reproduction close to actually being in the second or third row of a concert hall.

      I used to do master recordings back in the analog 15 inches-per-second tape recording days for radio broadcasting and live shows on FM Radio. They had some Klipsch and Altec speaker system along with 200lb heavy tube amplifiers in the studio. That was impressive sound that I could back then still actually HEAR. These systems reproduced the sound of that 12 foot Boesendorfer Concert Grand they had amazingly well.

      I still have some of the very first stereo LPs ever made in my music collection. There are also still a number of direct to disc LPs, because vinyl CAN have lower noise and less distortion than analog tape.

      Unfortunately, music these days is not produced for audiophiles, but the mass market. For that the iTunes sound quality is far better than 90% or more of the reproducing equipment out there. I think you'll be stuck with buying CDs and perhaps even LPs as long as they are still made.

      --
      All theory is gray
    36. Re:Reasonable compromise... by TheoMurpse · · Score: 1

      If it were in AAC Lossless...then it would be easy I guess to convert it to FLAC with no degradation of signal...and in doing so, delete the identifying information?

      And that is different from the current situation in what way? I can currently convert iTunes DRM-free music into FLAC with no degradation of signal and in doing so delete the identifying information.

    37. Re:Reasonable compromise... by mysidia · · Score: 1

      An ad-hominem attack against the argument that video games incite violence is not really a valid counter-argument, and does nothing to invalidate the perfectly legitimate claim that violent video games probably serve to incite real-world violence.

    38. Re:Reasonable compromise... by LWATCDR · · Score: 1

      If they where going to sneaky about it they would have encrypted it. Heck a simple shift substitution would have been good enough to hide it for a very long time.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    39. Re:Reasonable compromise... by iocat · · Score: 1

      Wait... so attacking the notion that video games incite violance is not a counter-argument to a claim that they do? Um, actually, it is. Especially since despite lots of research looking for a connection, there is no evidence to support the latter conclusion.

      --

      Dude, I think I can see my house from here.

    40. Re:Reasonable compromise... by mysidia · · Score: 1

      Wait... so attacking the notion that video games incite violance is not a counter-argument

      Nothing is a valid counterargument except for proper argumentation.

      some wack-job blames video games for violence

      You state that your opposition is comprised of whack-jobs, and your alleged fact they are wack-jobs somehow makes their position incorrect.

      This is invalid argumentation, so it doesn't form a valid counterargument to the proposition that video game violence incites violent behavior.

      By the way, are you suggesting the APA is comprised of mostly whack-jobs?

      "They are whack-jobs" does not demonstrate a solid basis for throwing out or failing to consider the numerous studies that have strongly shown a solid link between playing violent video games and violent behavior.

      This has nothing to do with the level of surprise about DRM.

    41. Re:Reasonable compromise... by RockDoctor · · Score: 1

      if they did offer that, then you'd come up with another reason why not to buy it. stop lying and just say you don't like paying for music. it's ok.

      OK - I'll admit it. I don't like paying for music, so I don't. then again, I don't like not paying for music, so I don't do that either.
      Actually, I don't like listening to music at all, either music that I've chosen, or that someone else has chosen against my wishes. But people seem to keep on forcing me to listen to the damned stuff on the bus, in the shopping centre, in the bar, in the office (when I go there), in the canteen at work. Everywhere I go, there's this audible pollution being hammered into my ears by people who don't even have the non-excuse of acceptable taste.

      Could someone please invent a form of DRM for my ears, so that I could charge the music's owner a fee for the use of my ears?

      (by the way, this isn't a joke ; I threw my music collection into two carrier bags in 1994 and gave it to a friend, because it got in the way of having a conversation. Seriously, if I could make people pay me for the use (abuse) of my ears as I walk down the street, I'd be very interested. Let those people who want to damage their hearing put little "buds" in their ears and groove on to the commands of the CyberLord ; me, I want to hear what's going on around me.

      Does that make me a heretic?

      --
      Birds are not dinosaur descendants;birds are dinosaurs, for all useful meanings of "birds", "are" and "dinosaurs"
    42. Re:Reasonable compromise... by cayenne8 · · Score: 1

      But, that DRM free music you got from iTunes is already LESS than CD quality. It is lossy when you get it....

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    43. Re:Reasonable compromise... by Anonymous Coward · · Score: 0

      Modded off-topic for pointing out a security flaw and potential misconception about the traceability of Apple's DRM-free music as not being a "reasonable compromise"? I'd assume an "average reader" would be able to infer the importance.

    44. Re:Reasonable compromise... by Anonymous Coward · · Score: 0

      The product you're looking for is called an iCepick.

  40. but but but by emj · · Score: 1

    But the privacy to say;
    Me: Hey! I have no idea where that ABBA album comes from!

    is gone sine the can say:
    friend: Hahaha! but it says right her you bought it last summer.

    "Waterloo, finally facing my privacyooo!"

  41. Re:Keep your private stuff private: keep your priv by 4D6963 · · Score: 1

    Yeah, those sort of reasonable and balanced statements are disturbing. Where am I going to find my daily dose of "OMG all these evil corporate/government bastards are out to take away all my privacy and sue me to bankrupcy and persecute me for doing innocent stuff what sort of dystopian future is this world coming toooooo" now?

    --
    You just got troll'd!
  42. How can you be sure who was it? by ceka · · Score: 1

    Some people may share files that say:

    Purchased by 'Steve Jobs sjobs@apple.com' :)

  43. Re:Keep your private stuff private: keep your priv by jabuzz · · Score: 1

    Hope you never have your iPod/iTouch/iPhone/computer stolen then...

  44. Re:Seriously... (really?) by jabuzz · · Score: 2, Interesting

    Or someone steals your iPod. How many iPod's get stolen every year? You can get your bottom dollar that this is a none zero number. Someone willing to steal a iPod is likely to have no compunctions about sharing the songs they find on them with others.

  45. Don't see a problem here. by Renderer+of+Evil · · Score: 3, Informative

    Way to sensationalize something which has been known for years. Everything that is purchased on iTunes is stamped with user account and a unique transaction ID. Apps, videos, movies, rentals, etc.

    It doesn't bother me because I don't share my music on p2p networks and I'm not paranoid like some people. I dislike DRM because I want to easily play my music on whatever device I want, not because of some ideological drive to stick it to THE MAN.

    This is a non-issue.

    1. Re:Don't see a problem here. by unleashedgamers · · Score: 1

      Totally agree here, I've bought roughly 500 songs from Itunes before and I'd say it was one of the worst things I've done in my life, I was only able to play on certain computers of mine using certain programs.

      Now, I'm honestly tempted to look into what Itunes is offering again, now that its not DRM'd I'm able to play the music I payed for and that's all I'm looking for hell, my name? my email address? I wouldn't even call that a price to pay to be able to use what I call "my" music.

  46. Hasn't this always been the case with iTunes? by drunkenoafoffofb3ta · · Score: 1

    i.e., when the first batch of DRM-free 'choons' came out, the purchaser's info was in there; ditto the DRM'd stuff-- the tools to strip the DRM out of the file still left the personal information in the file (as of course, you were stripping the DRM for freedom to play on any device, not for piracy. Of course).

  47. News? Care? by AlasdairLumsden · · Score: 1

    Is this even news? I'm sure I heard this a year ago. And I don't really care. It gives me the freedom I deserve and I don't care about the metadata. Although, being more open about it would have been better.

    1. Re:News? Care? by _Shad0w_ · · Score: 1

      Music bought from iTMS has always been water marked with the account details for the user who bought the track. I've never really considered it a problem, to be perfectly honest. If you're going to share music files then it's your own problem.

      If it bothers people that much, Hymn has an option to strip the meta data out of the file. I'm sure someone must have made a standalone scrubber.

      --

      Yeah, I had a sig once; I got bored of it.

  48. Why is this a problem? by Little_Professor · · Score: 1

    Of course, since you won't be sharing the files with anyone, it doesn't matter that they contain personal information, does it? Watermarking has always been a far better way of discouraging file-sharing than encumbering files with unwieldy and crippling DRM that restricts your ability to play the files when and where you choose.

  49. Standard Defense by Anonymous Coward · · Score: 0

    So if anyone comes asking you just tell them you lost your iPod.

    If they ask about your computer tell them you have (had) a trojan, and/or that you keep your wireless open for guests.

    In any case I'm happy as I can use my files as I want now, and never intended to share them anyway.

  50. Burden of Proof by Anonymous Coward · · Score: 0

    I contemplated a similar scheme for software. A kind of "social DRM" if you like. But it's not water proof either: if you find your application (or song, in this case) on a torrent site and see that it was purchased by John Doe, what would you do? Go after him? There would still be the burden of proof that he actually put it there. If he says "well somebody somehow got the application off my computer" then I'm sure you'd have a hard time proving malicious intent.

  51. You missed something by Mathinker · · Score: 1

    Your second attack scenario is interesting but you missed something in your dismissal of the first.

    > That scenario still comes under "making available,"

    As mentioned above, if RIAA download these files from Person C's computer (C having downloaded it via P2P) and find out during discovery that Person C is not Person A, they might well think they have a case against Person A for distributing to Person C.

    1. Re:You missed something by Gandalf_Greyhame · · Score: 1

      I don't think so. They would have a solid case against Person C however, because there is proof of not only making available (by both persons A and C) but of copying by person C.

      Basically the only person I see getting royally screwed in that situation is person C, who is not the legal owner of the file.

      To summarize:

      Making available != Illegal
      Copying == Illegal

      Person A is fine, Person C is screwed

      --
      I am not stubborn. I am right!
    2. Re:You missed something by neomunk · · Score: 1

      You're forgetting that copying isn't always illegal. Fair Use can be claimed in nearly any instance of copying for strictly strictly personal use. If you try to SELL the copies, you're toast, but educating yourself on modern cultural trends is Fair Use AFAIK.

  52. It's unclear by Rix · · Score: 1

    It may or may not be illegal, but it's practically impossible to do anything about it even if it is.

    Regardless, it'd be perfectly legal for me to let you have a copy of my iTunes library, and what you do with it then is out of my control.

  53. Take some, its free by Slashdotgirl · · Score: 2, Interesting
    When will anybody learn on this forum that:
    1. You do not need Itunes.
    2. You do not need ' Music Stores ' per se.

    and you can get rid of:

    1. DRM
    2. RIAA
    3. MPAA
    4. Watermarks

    Simply by saying; "We made some music, would you like some? take it, it's free" Eben Moglen

    Oh Brother, "When will they ever learn? When will they ever learn?" (Song)

    Regards Slasdotgirl

    --
    The more I know, the less I know
  54. So, remove DRM? by Anonymous Coward · · Score: 0

    Seriously, how hard is it? Can't you just record the audio while it plays, then, save it as an mp3 with a 192kb sample rate? Perfect!

    1. Re:So, remove DRM? by Skapare · · Score: 1

      But does it play on Linux with a player such as mplayer ?

      --
      now we need to go OSS in diesel cars
  55. What I wanna know is.... by macraig · · Score: 1

    I'm fine with the basic concept here. I can accept that music isn't generally open source or FOSM. What I wanna know is: if I pay a dollar to buy a digital song, how much of that dollar actually finds its way into the wallet of the artist? If most of that dollar is going into the overly fat wallet of a middleman, I am NOT fine with that.

  56. Fucking whiners by arikol · · Score: 2, Funny

    Whining, bitching and moaning. Another /. day... I don't usually troll (or try not to) but what kind of numbnuts is surprised or offended by this. And the hypotheticals (what if I lost a HDD with only music, I'd be recognizable) are so moronic that I had to catch my breath before ranting. What imbeciles. We have the choice of buying non crippled music with our monogram on super conveniently, buy crippled music conveniently or buy (usually) non-crippled music inconveniently (CDs, mail order or brick and mortar store). Buy the music in the form that suits you. I'll keep using iTMS because it's convenient and because it's relatively fair. But then I have this funny feeling that the people bitching the most over this are probably not buying music that much. But may have large music libraries anyway. Just fucking buy the stuff you really like, ok. Support the artists you feel truly excel.And not another goddamned whine about your purchase having your name printed on it. Fucking whiners.

  57. LOL by Shivetya · · Score: 1

    Sorry but he would be better going to Las Vegas or perhaps standing under trees on hills in thunderstorms than subscribing to your fear mongering. Get real, first Apple has an inherent desire to ensure they don't do it wrong because as a business if it can be proven in court they did screw up; lets be real here, if they do screw up it won't be one person and it won't be very hush hush on the net; they will be out some money.

    Otherwise, if that file you purchased ends on the net and you don't know why then you have to ask yourself, what are your kids, so, roommates, etc, doing with your stuff while your not home? Let me guess, that would not be your responsibility.

    I don't care how many stupid never likely to happen scare scenarios you can come up with, it never excuses you. You come across like the type who wants an note handed to them "yes Timmy, you can pirate music because it is a scary world out there and someone might use super secret squirrel technology and upload files from your computer to the interweb without your knowing, while you sleep"

    LOL.

    Insightful? Damn it makes me worry when I see tripe like yours rated such. (flame on I have the karma to burn)

    --
    * Winners compare their achievements to their goals, losers compare theirs to that of others.
  58. At the cost of a lossless CD or more by Anonymous Coward · · Score: 0

    And you're supposed to be HAPPY????

    Tell you what, I'll pay in canadian dollars rather than US. It's currency and it's called "dollar" so it's a high quality legal tender. Just not worth as much as the US dollar (currently).

    What? You're not happy? OK, I'll use the Australian dollar.

    What???

    Huh, you're never satisfied.

    1. Re:At the cost of a lossless CD or more by SeaFox · · Score: 1

      And you're supposed to be HAPPY????

      Nobody's forcing you to use the iTMS, go back to Amazon if you don't like it.

      Tell you what, I'll pay in canadian dollars rather than US. It's currency and it's called "dollar" so it's a high quality legal tender. Just not worth as much as the US dollar (currently).

      Um, Canadian Dollars are not legal tender in the U.S., just as U.S. dollars are not legal tender in Australia.

      Was there a point to that? Or where you just throwing a tantrum with your keyboard?

  59. And if it's visible... by Kindaian · · Score: 1

    That doesn't mean that there are loads of other instances inside crypted... ;)

  60. If I lose my car by Anonymous Coward · · Score: 0

    I report it and if it is found later being used in a getaway, I am not at fault.

    But when it comes to a music file, if I lose it, I am at fault.

    Nice.

    Wanker.

  61. Re:Seriously... (really?) by Bert64 · · Score: 1

    And people sell old devices without erasing the drives first, how many used ipods or hard drives are on ebay full of mp3 files?

    --
    http://spamdecoy.net - free throwaway anonymous email - avoid spam!
  62. A shocking technical fumble! by SwabTheDeck · · Score: 2, Informative
    FTA:

    I checked, and I found I couldn't access the information using an ID3 tag editor

    All iTunes songs are AAC or Apple Lossless. ID3 is used almost exclusively for MP3 and certainly not for any iTunes song.

  63. steganography? by Anonymous Coward · · Score: 0

    I'm not at all surprised by this. What surprises me is that they have used a plain text encoding to store the details.

    I would have expected a more sophisticated steganography technique so the user details were embedded directly into the music itself. This would effectively be impossible to detect and remove, and would only be visible to Apple.

    Wait...perhaps they already have? The plain text could just be a decoy.

  64. Re:Seriously... (really?) by Caetel · · Score: 1

    How many people who steal iPods then upload the music on said iPod to a P2P network? How many people who steal iPods know how to get the music off the iPod in the first place?

    I'm guessing that number is pretty damn close to zero.

    Besides, if you've filed a police report, in the very unlikely event of this sequence of events occuring, and you ending up at the barrel of a lawsuit for it, you can show that the iPod (presumably containing said songs) was stolen.

  65. And who didn't know this? by argent · · Score: 1

    iTunes Plus is, what, a year and a half old? And this was never any kind of secret. And I'm sure that's not the only tracking info in the file... when you download iTunes Plus it does a heck of a lot of computation on the file after it's downloaded.

    You think Amazon's downloader doesn't do the same thing, easily visible or not?

  66. Re:MAY I HAVE YOUR ATTENTION PLEASE - DO NOT MOD D by Hal_Porter · · Score: 0, Redundant

    It's a picture of a cute doggy.

    --
    echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
  67. What about First Sale Doctrine? by sdo1 · · Score: 1, Interesting

    The reason I don't like this is because of First Sale Doctrine. I should be able to sell these files the same way I'd sell a CD (ie, not keeping a copy). So if I sell them, and delete them, and the person I sell them to decides it's a good idea to Pirate Bay them, now what? My email address is all over the place and I did nothing illegal. Great.

    So while I support Apple for going DRM free, for the time being I'll continue to buy from Amazon because they do none of this nonsense. See http://blog.wired.com/music/2007/09/some-of-amazons.html "there is no information on the tracks that identifies the customer".

    So until I have a very quick and easy way of removing that info from the iTunes tracks, I won't be buying from there.

    -S

    --
    --- What parts of "shall make no law", "shall not be infringed", and "shall not be violated" don't you understand?
    1. Re:What about First Sale Doctrine? by Intron · · Score: 1

      Pretty easy to check. Compare the same song purchased by two different Amazon accounts. If they're the same - no identifying information.

      Almost as easy for iTunes. Compare the songs again and note where the differences are. Should be simple to figure out what bits to blast. A little perl code could do it in a few minutes.

      --
      Intron: the portion of DNA which expresses nothing useful.
    2. Re:What about First Sale Doctrine? by cdrguru · · Score: 0, Flamebait

      I guess I don't understand this at all.

      First sale? Sale of what? Sale of some bits that are available for free? Who exactly would you sell recorded music files to?

      iTunes was set up for clueless idiots that don't understand the Internet. It provides an extremely valuable service to these clueless folks because otherwise they would have nothing on their iPod, thus rendering the device useless to them. It operates pretty much at a loss, but it doesn't matter because without it said clueless idiots wouldn't buy iPods.

      Assuming that most of the people that know enough to post comments on Slashdot aren't clueless idiots, I don't understand. The value of recorded music is zero. ZERO. Nada. Zilch. It is available through probably 100 sources and that is just counting programs that assist in the downloading. If you are seriously in need to an education in how to obtain this music for free I'd suggest visiting any Junior High School - just about any 7th grader can help you.

      So, with the value of recorded music being zero, how do you really expect to sell your music to anyone else? By taking advantage of the poor clueless idiots out there that don't have broadband? Don't you have any concience at all?

      The reality of the price of music has to filter down to the masses sooner or later. The sooner it happens the better so we can get some intelligent discussion on the matter of creative works. Today, it is "I want, so I take" and we are training an entire generation that this is both appropriate and how things are supposed to be. I don't agree but it is a teacup against a tidal wave.

  68. oh, noes! my laptop has just been stolen... by Anonymous Coward · · Score: 0

    Oh noes! my laptop with all my itunes music on it just got stolen. Now, my email address will be all over the internets.....

  69. Almost 2 year old news by JaySSSS · · Score: 1
    1. Re:Almost 2 year old news by Paradigm_Complex · · Score: 1

      Almost 2 years ago Apple didn't just make an announcement about dropping DRM. It's perfectly reasonable for /.'ers to expect this to go with it, and it's worthwhile to make note that this part of the DRM remains.

      --
      "A witty saying proves nothing." - Voltaire
    2. Re:Almost 2 year old news by shoptroll · · Score: 1

      I knew I had read this before. Thanks for digging that up.

      --
      Insert Sig Here
  70. Believe DI.FM's store has done it for years by smchris · · Score: 1

    With the apparent difference that they are up-front about it.

    There is that nightmare scenario of getting your player stolen. Just try to get the cops to stay awake long enough to write out a report, make sure you have a full and complete list, and when the RIAA comes calling for their million dollars, make sure you say, "But my player was stolen!".

  71. This is news? by Anonymous Coward · · Score: 0

    They covered this when the DRM-Free stuff came out.

  72. Uh.... by MistrBlank · · Score: 1

    We saw this before. I'm pretty sure it's the same thing that happened when they released $2 drm free versions of some of their music.

  73. email of purchaser? by professorguy · · Score: 1

    If you find the iPod of a young student, won't the email address be the "purchaser," i.e., the holder of the credit card used to purchase the songs? Wouldn't that luring email likely go to the parents of the student (and likely get you in trouble)?

  74. dup by Trailer+Trash · · Score: 1

    This came to light when they first started itunes plus, and was a /. story then.

  75. Y'all are just figuring this out now? by realinvalidname · · Score: 1

    Seriously? When you upgrade 400 tracks to iTunes Plus and you half to wait a half-hour for the e-mail saying your songs are ready, what do you think it's doing? Duh, watermarking the files with your info before letting you download them.

    And if you think the only cases where your info is encoded are the ones you can see with hexdump, I've got a Zune Phone to sell you.

    FWIW, I also write books for the Pragmatic Programmers, and this is exactly how their PDF program operates: when there's an updated PDF, you have to have your personal copy generated at their website, with a prominent "Prepared Exclusively for Joe Developer" at the bottom of every page.

    It's a perfectly reasonable system that enables all kinds of appropriate uses (using your tunes in personal Final Cut / iMovie projects, for example), and it's not evil just because Apple does it (sorry, Slashtards).

    1. Re:Y'all are just figuring this out now? by Anonymous Coward · · Score: 0

      Seriously? When you upgrade 400 tracks to iTunes Plus and you half to wait a half-hour for the e-mail saying your songs are ready, what do you think it's doing? Duh, watermarking the files with your info before letting you download them.

      Actually, what it is doing during that half-hour is burning all of your songs to a CD and then re-ripping them.

    2. Re:Y'all are just figuring this out now? by Anonymous Coward · · Score: 0

      No water marking is taking place..... lets deal in facts please.

  76. No this was debunked by professorguy · · Score: 1
    A song downloaded by 2 different accounts, modified in a text editor to have the same email address are IDENTICAL byte-for-byte. Therefore, no personal info watermarking is done.

    .

    So the scenario where a fake address is inserted is a very real possibility.

  77. Now you can buy all your music all over again. by flyingfsck · · Score: 0

    Now you can buy all your music all over again. Only this time, you can get a 75% discount! Woohoo! I am so going to rush out and do that. Fortunately, all my music is on a server encoded in Ogg Vorbis.

    --
    Excuse me, but please get off my Pennisetum Clandestinum, eh!
  78. What if your email address changes by Skapare · · Score: 1

    ... because maybe your ISP was partially bought out, and the old owner doesn't allow the new owner to use the domain name?

    --
    now we need to go OSS in diesel cars
  79. Problem with ID'd files by mgiuca · · Score: 0, Redundant

    I'd be pretty scared about owning any watermarked or otherwise personally-identifiable files. Even if I stay totally within the law and never give it to anybody, it means I have a file sitting on my computer which I must make sure nobody ever gets.

    As in, if someone, possibly a hacker, were to steal a confidential Word document from my PC, that might be bad.

    If someone were to steal a watermarked MP3 file from my PC (or, say, a whole album of such files), and it then finds its way out onto the Internet, I could potentially be fucked over. From what we see all the time here, I could lose my house if the RIAA really wanted me to.

    It means once I have purchased these files, I have to be eternally vigilant. The security of those MP3 files is potentially one of the more important things on my PC. This really isn't something the average consumer is thinking about when they purchase music.

    Combine that with an OS like Windows, on which it is the norm for rogue programs to run wild opening backdoors everywhere, and you have an unfortunate situation for consumers.

  80. batch cleaner by Anonymous Coward · · Score: 0

    It shouldn't be too hard to create a batch mp3 file cleaner that can wipe all of this info from batches of mp3 files. No?

  81. Do this by Anonymous Coward · · Score: 0

    Change the email address and information to the names of people in the RIAA and then put it up on the p2p networks. Could make a utility that does it for your whole library.

  82. New Idea for a practical Joke by Requiem18th · · Score: 0, Redundant

    1. Replace your personal info with that of some friend.
    2. Share a metric ton of these mp3 on pirate bay.
    3. Enjoy as your friend burns in flames and their life is ruined.
    4. There isn't a step number 4.

    --
    But... the future refused to change.
    1. Re:New Idea for a practical Joke by careysb · · Score: 1
      "Replace your personal info with that of some friend."

      ... say, Steve Jobs.

  83. iTunes is not the only game in town by Anonymous Coward · · Score: 0

    So...what about Amazon MP3 downloads for example?? Do they have similar info embedded?

    Everyone acts like iTunes is the only place to get DRM free music...

    It IS the "800 lb. gorilla", but there are a few 80 lb. chimpanzees out there you could try.

    Doug

  84. Random Person by Anonymous Coward · · Score: 0

    I suppose if you buy your stuff from Apple, you deserve the pitfalls associated with being a consumer guinea pig.

  85. Sharing is a bad idea? by nurb432 · · Score: 1

    Hey, someone must have 'stole' the files from my PC. I didn't share anything, oh, and prove i did.

    I know, its not technically theft if the originals are left intact, but since people cant seem to figure out the difference its the word i used.

    --
    ---- Booth was a patriot ----
  86. Trivial workaround by Anonymous Coward · · Score: 0

    On a trusted machine, use some Free Software to convert the song to an open format that either doesnt support the storing of 'extra' information (or at the very least, exposes all such information and allows for editing same), then re-encode the file to the desired format, again using Free Software on a trusted machine.

  87. HEX by potpie · · Score: 1

    Why, hello there embedded infomation. I'd like to introduce you to my friend the hex editor. You two should get on swimmingly!

    --
    Esoteric reference.
    1. Re:HEX by Nabeel_co · · Score: 1

      I like your style!

    2. Re:HEX by montjoy0 · · Score: 1

      mod up please. this should be an extreme duh for anyone concerned about this.

  88. "Good Enough" security by mcrbids · · Score: 1

    I mean, seriously, if you want to implement digital right protection, you either do it completely (hint : you can't) or not at all. Partial implementation like this one are completely useless.

    I see this mentality all the time, the mentality that "if it isn't perfect, it might as well not be there". This mentality is just wrong.

    The idea that writing your name on a piece of paper is a security device is just stupidly silly, yet this concepts is the very foundation of our legal and financial systems. The idea that policing the population with less than 1 active cop for every 10,000 citizens will dramatically reduce crime is just dumb, yet it really works.

    I could go on all day with other examples like security checks at airports, but I don't need to - security isn't a situation where you are either secure or not secure, it's a relativistic situation where things are more secure or less secure.

    Yes, DRM has always been crackable, there has always been the "security hole" at the speakers and screen, etc. but the truth is that many people don't have the skills to change/remove their email address, wouldn't bother with registering a fake name, and so wouldn't circumvent the security built into the itunes files.

    And we have no way of knowing whether or not the obvious email address embedded in the file is all there is, either - there could be any number of ways that this information could be embedded in other, less obvious ways, much like the obscured vehicle ID number that's tapped into your car's frame that protects you right this very second from having your car stolen.

    Security doesn't have to be perfect. It just has to be good enough to be effective.

    --
    I have no problem with your religion until you decide it's reason to deprive others of the truth.
  89. Social DRM by Dragoness+Eclectic · · Score: 2, Interesting

    Cool! Apple is using Social DRM on their music files.

    --
    ---dragoness
  90. Really old news? by Nabeel_co · · Score: 3, Informative

    Correct me if I'm wrong, but didn't this issue come up back when Apple first released DRM-Free songs?

    To add to that, the post is misleading, it's not actually hidden unless you are a complete and utter tool. In the info window of iTunes, it clearly shows the information they have "hidden" in the file...

  91. Re:Keep your private stuff private: keep your priv by jvkjvk · · Score: 1

    So... if I keep the music I purchased for private use private, I have no privacy violation? Right?

    Well, no. You seem to have fallen hook line and sinker for the RIAA's line and don't seem to even know it.

    I suspect much of slashdot is similar, given the responses to this dupe. I guess I am still stuck in the "old days" when I could share my music with my friends. [note: someone you have never met 1200 miles away does not count as your "friend"]. Be it a mix tape, a compilation CD, a usb key, an external hard drive or a darknet, private use is still private use. Somewhere we lost this in the onslaught.

    So, yes, possible privacy violation, but that begs the question as to what should truly be considered private use. I believe I should have the ability to hand my friend a compliation and tell them "Hey - check these guys out!"

    So I don't believe it is simply a matter of "Don't Share!" (or as your said keep private stuff private) which is the party line of the RIAA and that you are defending.

  92. So if your mp3 player is stolen and the songs are by Maxo-Texas · · Score: 1

    put on p2p... what happens?

    You still have your songs (on your computer).

    But they are also out in the wild.

    I've lost/had stolen a couple cheap mp3 players over the last 7 years.

    --
    She was like chocolate when she drank... semi-sweet at first and then increasingly bitter.
  93. Sometime in June 2009 by Anonymous Coward · · Score: 0

    RIAA: Hey, I just found Dr. Dre's Fuck You on the torrents. In AAC format, too!

    Lawyer: Ok, I've got the suit generator fired up. Give me the contact info.

    RIAA: Lets see... The email is obama@whitehouse.gov, purchased 5 days ago.

    Lawyer: We really need to get a life.

  94. How long to circumvent this? by Anonymous Coward · · Score: 0

    Are there any takers for a bet as to how long it will be before someone has a tool to remove this cruft from the files? I give it two weeks, now that the word is out... I BUY a lot of music, but I refuse to purchase anything that has personally identifiable information embedded in it, like iTunes. The right to privacy should still mean something. I don't think they are even encrypting this stuff in any meaningful way.

  95. They met my demands; I'm happy. by NagyCarl · · Score: 2, Insightful

    At first we complained that CDs were overpriced and it was too inconvenient to find good music, that's why we were pirating it online. Companies put it online more cheaply and half the people went legit. The rest of us had to fall back on other excuses.

    Next we complained that the DRM on these new digital files restricted our legal rights to play the music in the ways we saw fit. "It's not that we want to pirate it," we clamored, "it's just that we don't want to be treated like criminals!" So Amazon and iTunes (eventually) removed the DRM and we could play our music whenever, wherever, and however they wished. Half of the remaining holdouts rejoiced and went legit; the rest have to find new excuses.

    Allow me to offer my suggestions for your remaining options:

    "I want the ability to temporarily share or permanently sell my music to other people and I don't trust them not to upload the files."

    "The identifying information on the files could be used maliciously by a third party to get me in trouble."

    "Amazon/iTunes/RIAA is evil and giving them money is supporting evil. I do, however, support independent labels and bands by buying their products. (not just talking about it on slashdot.)"

    "The formats provided are too lossy. I only keep files in [favorite format] at [obscene bitrate/lossless]"

    "I fundamentally believe that I shouldn't have to pay for music and my other arguments are just rationalizations to lend an air of credibility to my position."

    In conclusion, it's been a fun ride but this is my stop. I'm happy: my demands have been met. You guys will have to go the rest of the way on your own and I wish you the best of luck. But I don't hold out much hope. At a certain point it's not worth it for Amazon/iTunes/RIAA to bend over backwards trying to convince the last holdouts. On the positive side, that means you can cling to whatever rationalization you want for as long as you want!

  96. Useless by Anonymous Coward · · Score: 0

    While I do not have a big problem with this as I only wanted the right to use these files they way I wanted to, this information is truly useless and may be dangerous. For one thing the lack of DRM means that one would only need to convert it to another format to remove it so it has no impact only pirates with a brain. Second and perhaps more disturbing, a malicious person could change this information to incriminate someone with ease. This last issue relates to the third, the existence of files with your e-mail is so flimsy of evidence that you committed a crime that it may be possible to squash it in court and a person may sue if they lose access because of it.

  97. Using Notepad? Wow! Neato! by chainLynx · · Score: 0, Flamebait

    The submitter is a real 1337 Hax0r. Ever hear of strings? Vi? I know the Apple apologists are out on full force on this thread (as usual -- 'omg Steve Jobs is personalizing my tracks for me, how thoughtful!'), but I have to disagree with them -- http://bulletinthehead-wakeup.blogspot.com/2007/05/apple-turning-into-law-enforcement-one.html And yes, this is an old story.

  98. Simple solution by EvilIntelligence · · Score: 1

    There is a very simple solution to this. Never, ever, ever, buy music from iTunes. Acquire them from other places and load them into iTunes for syncing. That's it.

  99. Re:Seriously... (really?) by Lars+T. · · Score: 1

    Besides, if you've filed a police report, in the very unlikely event of this sequence of events occuring, and you ending up at the barrel of a lawsuit for it, you can show that the iPod (presumably containing said songs) was stolen.

    And if they do find your files on the net somewhere, they'll know the IP address of the guy who stole your iPod.

    --

    Lars T.

    To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

  100. Only one issue I see by huzur79 · · Score: 2, Interesting

    I only see one issue in this. First its not new, its always been that way. With music that is DRM'ed even if it was shared on a P2P network it couldn't be played with out the password. The issue I see coming up one day, soon perhaps is a lost ipod of a older generation (like the one I own) that has its songs ripped off of it using one of the many tools out there to do so. The person finding the ipod, and ripping the songs off of it could share it out and the original owner would look like he shared it out. This is a valid issue because now the songs can be played by who ever downloads it. Recently about 6 months ago I found a iPod Nano and the library was pretty good so I picked a few songs off of it with a utility. Those songs are now in my library and none of them where ever bought in iTunes, I suspect they where all downloaded songs to begin with but had they been from itunes the users info would be in the songs to and any one I shared it with would have the songs with the info and sooner or later it might have ended up on a P2P. That said I posted a note outside my door saying lost ipod found, email me if its yours. Please include a few songs on it and the color and type of ipod it is so I know its yours. I never got any emails with that up for a week. The good thing about having the info in the songs is if an honest person finds a lost ipod it will make it easier to contact the person to give it back. Because I already have 4 ipods I had no need for a extra ipod and would have been glad to give it back to the poor kid who lost it. So the RIAA will still need to prove in the future a person intestinally made there songs available to the online community in order to get any conviction. Just because a song has a email address or other info does not automatically mean a crime was committed by that person as there has to be intent or proof they did it. Other methods of losing songs - MP3/AAC CD stolen from car, or lost - Unauthorized access and coping from computer hard drive. A pesky brother could do that and share with friends. - Replaced hard drive with the old one not being erased right - Sold used computer and a recovery program used to restore files (ive done this too) - Stolen computer that didn't have a password on it

  101. So What? by awyeah · · Score: 1

    First, it's old news, they've always done this on DRMed and DRM-Free tracks.

    Second... what's wrong with putting your name on things you own? Remember when your mom made wrote your name on the tags of all your clothes? :)

    --
    Why, no, I haven't meta-moderated lately. Thanks for asking!
  102. Dupe of a dupe by Lars+T. · · Score: 1
    Apple's DRM Whack-a-Mole
    Posted by CmdrTaco on 10.06.2007 17:08

    "Gulf News has a nice piece exposing the last couple generations of Apple's DRM strategy (you didn't really think they were abandoning DRM, did you?). Article focuses on how quickly the tactics are worked around, and how nasty the latest one is: purchased iTunes now have your personal data in them. Author suspects that this is to prevent you uploading them to a network."

    Apple Hides Account Info in DRM-Free Music
    Posted by ScuttleMonkey on 30.05.2007 22:17

    "Apple launched iTunes Plus earlier today, the fruit of its agreement with EMI to sell DRM-free music. What they didn't say is that all DRM-free tracks have the user's full name and account e-mail embedded in them. Is this to discourage people from throwing the tracks up on their favorite P2P platform? 'It would be trivial for iTunes to report back to Apple, indicating that "Joe User" has M4As on this hard drive belonging to "Jane Userette," or even "two other users." This is not to say that Apple is going to get into the copyright enforcement business. What Apple and indeed the record labels want to watch closely is, will one user buy music for his five close friends?'"

    The discussions brought up the same predictions of doom (by the same people sometimes) - and nothing of the kind has happened yet.

    --

    Lars T.

    To the guy who modded me down from perfect to terrible Karma - Apple haters still suck

  103. Re:Keep your private stuff private: keep your priv by Anonymous Coward · · Score: 0

    Then copy the song to another PC and see if the same info still appears, in order to check whether the info is embedded in the file itself, or retrieved by iTunes from a separate database.

  104. Nothing new here by hanchan07 · · Score: 1

    iTunes always has contained your personal info, even if you rip your own mp3 from a CD, it puts all your account info in the mp3. Which is just plain stupid.

  105. Agree, it's a good solution. Where's my Ogg?!? by dwheeler · · Score: 1

    This is a GOOD thing. DRM is a hideous disaster for end-users. When I buy music, I expect it to STAY bought, and to be able to use it on any device I have. DRM just guarantees that someone can take away my music with no judge and no jury.

    But recording this information in the music file is a reasonable compromise. I can still play the music on any device I have. Yes, it's a bad idea to copy it to the world, but I never had the legal right to do that anyway. And yes, it'd be good if it were made clearer that this was happening... but this is NOT a big secret.

    This isn't a perfect solution, of course. Even if someone has a copy of music originally bought by someone else, that does NOT mean the original buyer did anything illegal. Computers and networks get broken into all the time. Files can be modified to remove markings, or create bogus markings. Also, I believe people should continue to have the right to resell music, just like they can resell books (the "first sale" doctrine)... regardless of any nonsense spouted by the seller. But in the DRM system, a company operated as judge, jury, and executioner, and the company tended to act capriciously. At least with markings (or non-markings) in the file, a court can examine the evidence. It's not perfect, but it's better, and I can live with it better than the "everything's DRM'ed" world.

    Now - where's my Ogg support in iTunes/iPods/iPhones? I'm not demanding that they only use Ogg, but they should be able to support Ogg formats (specifically Ogg Vorbis, Ogg FLAC, Ogg Speex, and Ogg Theora). Neither MP3 nor AAC (.m4a) files are open standards. Wikipedia, for example, provides audio files in Ogg and not in MP3 or AAC.

    Please tell Apple to add support for Ogg; here's more info about why Apple should support Ogg.

    --
    - David A. Wheeler (see my Secure Programming HOWTO)
  106. Wrong by Rix · · Score: 1

    It *may* be illegal to distribute music online (other copyrighted works are a different story), but it hasn't been tested and it's all but impossible to bring a case to court.

    Further, it's perfectly for me to allow people to make copies of my iTunes library. I'm pretty sure you're wrong about the media requirement, but that's not the original owners responsibility in any case.

    Once someone else has a copy of my iTunes library, what they do with it is not my responsibility.

    Copyright reform in Canada isn't going to happen. It's politically radioactive.

  107. Physical object vs. digital media in reverse by GameboyRMH · · Score: 1

    The difference is that you can't make infinite copies of stolen cars and you can potentially prove you weren't driving the car at the time, while it would be very difficult to prove that you didn't share a file.

    --
    "When information is power, privacy is freedom" - Jah-Wren Ryel
  108. 10% for 128kbps with ER-6? by Anonymous Coward · · Score: 0

    are you all deaf? not sure if you have noticed this, but listening requires... listening. which, oddly enough, takes practice. those er-6 will put transient problems out front on display with a giant sign saying "bad mp3 encoding".

  109. ffrank by ffrrank · · Score: 1

    it's too bad apple doesn't seem to care as much about stolen hardware.... if it did then it might have a way to shut down stolen i-pods when they were re attached to i tunes

  110. So, privatize your private stuff by Anonymous Coward · · Score: 0

    Grab a copy of HexFiend (or whatever crap you Windows people use), open your purchased DRM-free file in it, search for your name and email address, and edit it out.

    The file still plays just fine.

    Don't steal music. :)

  111. Correction regarding legal-aid by NiteShaed · · Score: 1

    Looks like I was mistaken about legal aid being mainly for criminal cases. It does still seem though that the chances of the average person getting any assistance from them is pretty slim in the case of an RIAA lawsuit though. More info available here

    --
    Some bring out the best in others, some the worst. Some bring out far more.
  112. This is unacceptable by MJMBox · · Score: 1

    If I purchased an LP, 8-track, cassette, CD (I'm older), I could give the media away or even sell it (not retaining a copy for myself). Any investment that I made, I could later sell it to recoup it. Can you give or sell what you purchased from iTunes? Or how about transfer the license to someone else? I could with any other form of media and not have it be traceable back to me. Under the current model, you better make sure that you want it in your collection forever because your going to be stuck with it (Traceable back to you).

  113. Pledge a year without DRM by Rinisari · · Score: 1

    Can you go a year without DRM?

    http://www.yearwithoutdrm.com/