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AudioGalaxy Reaches Settlement With the RIAA

blanu writes: "Today AudioGalaxy reached an out-of-court settlement with the RIAA. To sum up the settlement, AudioGalaxy will pay the RIAA a lot of money and from now only provide songs for which the copyright holder has specifically given permission."

391 comments

  1. Well, there goes another good service by zaren · · Score: 2

    Even they didn't support Macs, they were a good system when I was able to access them.

    -----
    Apple hardware still too expensive for you? How about a raffle ticket?

    --
    Come to the University of Mars! Classes starting soon!
    1. Re:Well, there goes another good service by Anonymous Coward · · Score: 0

      OpenAG was a really good client for OS X.

      This is a sad day for music lovers.

      Martin

    2. Re:Well, there goes another good service by owlicks58 · · Score: 4, Informative

      Dude, Macsatellite has been around for a long time for classic, works fine. For OS X you can use Sputnix which is the best audiogalaxy client out there IMO, it's awsome

      --
      -Alex
    3. Re:Well, there goes another good service by pussycat · · Score: 4, Interesting

      Author of Sputnix here -- thanks for your kind comment.

      Audiogalaxy is/was an excellent service, underrated by many because of the obnoxious spyware they unfortunately propagated. No other p2p music sharing comes close, especially when it comes to finding older or rarer recordings.

      We are a culturally poorer country for the damage the RIAA has inflicted on our rights to fair use. This is a sad day -- it's not O.K. to say, "well just use Kazaa/Gnutella."

      Support the EFF.

    4. Re:Well, there goes another good service by Japanese+Fuckslut · · Score: 0

      I also loved Sputnix. Doubt I'll be using it any longer, however.

      I understand the RIAA's desire to protect their bottom line. They have a legitimate legal beef, inspired by greed as it may be. All this open warfare between music pirates and business moguls isn't doing much for either side. Hopefully someone will come up with a viable solution which works both for us as consumers and for the music cartel (and let's not forget the artists... many of whom side with the RIAA as long as they get a payday). But a viable and fair mixture of music-sharing technology and commerce still seems decades away...

      --

      Two cock in my pussy! It feel so good!
    5. Re:Well, there goes another good service by rhizome · · Score: 2

      Underrated? "Unfortunate"?

      Please, they got exactly what they were asking for.

      They may have garnered a little publicity steam if they hadn't abused the goodwill of their userbase. Good riddance, what comes around goes around, and all that. Good thing they're sitting pretty on their profits from licensing out those slots in the installer, they can laugh at the RIAA all the way to the bank.

      We out on the streets will go on with our lives, their death means nothing to anybody and is in no way consequential except to the RIAA's dying discourse.

      --
      When I was a kid, we only had one Darth.
    6. Re:Well, there goes another good service by Moox · · Score: 1
      Audiogalaxy is/was an excellent service..

      Yes, it was an excellent service. But - as you may know best - it was such a good service only due to it's huge, centralized database of songs, so that it was possible to search it independent from whether the song was currently online or not. Since the day Napster was smashed, it was not really difficult to see that it will be the fate of Audiogalaxy as well as of other "centralized" p2p filesharing to get smashed the same way.

      We are a culturally poorer country for the damage the RIAA has inflicted on our rights to fair use

      In a democracy it shouldn't be possible for a commercial entity (the RIAA) to damage any rights (if you think of a right as defined by law). So either there is no such right as the right of fair use or you have to think about the state of your democracy. Oh, I see, the EFF link is already there.

      As a sidenote:
      ...underrated by many because of the obnoxious spyware they unfortunately propagated.
      I'm clearly aware 1.any service has - at least - to cover it's expenses and 2.that it's stupid to install software without reading the EULA.
      But it's a hard penalty for not following number 2 if s.o. has to reinstall her Windooze box because an application called Webhancer that came bundled with Audiogalaxy has smashed "winsock", which actually means "my internet doesn't work anymore"..

    7. Re:Well, there goes another good service by themexican · · Score: 1

      Amen. (and many thanks for sputnix)... the irony of this decision (at least for me) is that much of what i was looking for on audiogalaxy were rare out of print recordings many taken from vinyl. This decision has woken me up... I joined the EFF today. If you are angry as I am about this, you should too.

    8. Re:Well, there goes another good service by harlows_monkeys · · Score: 0, Flamebait
      We are a culturally poorer country for the damage the RIAA has inflicted on our rights to fair use


      Sharing complete songs in order to avoid having to buy a copy yourself is a fair use right????

    9. Re:Well, there goes another good service by owlicks58 · · Score: 1

      On a side note, seeing as how you seem to know how to design good software, have you looked into creating a Kazaa client for mac yet? I know FastTrack is closed source, but so was Audiogalaxy as far as I know. I have Neo, and while I admire the author's effort and time, it just isn't cutting it to try to index random addresses that "might" be kazaa servers. Are you waiting for the OpenFT project?

      --
      -Alex
    10. Re:Well, there goes another good service by colmore · · Score: 3, Insightful

      frankly i think the RIAA is a price fixing monopoly gouging the customers and the artists left and right. when you pay $18 for a new CD (and $18 CDs won't just be for Sam Goody any more - look out) your favorite band gets about 50 cents. Most of which goes off to pay their debt to their record company, which owns the copyrights to their songs for like 40 years. Download the music, see them play live, and buy a T-Shirt, you get more, the band gets more, nobody loses but the criminals.

      The RIAA only has the power it does because they have used their massive weight to insure that you can *only* gain popularity through them. The large CD distributors and retailers have exclusive deals with the big record Co.s MTV will never play a minor label artist, and neither will Clearchannel (who owns over half of all radio stations in America)

      to think that popular music was once a medium of freedom and rebellion, or at least made a passable effort of pretending to be. these days it's just another hollywood, only far far worse.

      hey kids, want to be rad, want to be a star? forget the damn guitar, start writing novels, or maybe learn to paint, it's more respectable, and your ass won't be so sore after dealing with the suits.

      --
      In Capitalist America, bank robs you!
    11. Re:Well, there goes another good service by Anonymous Coward · · Score: 0

      Huh? I download from AudioGalaxy on my Mac all the time. Like I tell my ISP, Macs don't need the support of anybody - they do alright by themselves.

    12. Re:Well, there goes another good service by 8databits · · Score: 0

      There is still one unstoppable force in the P2P world. It seems that, in the past, its primary use was for trading porn and wave files, but mp3 sharing has become quite the popular thing. Know what I'm talking about yet? NO, sorry...it's not that shitty service called Morpheus. If you can't figure it out, too bad. I will not mention its name to anyone, ever in fear that it too will be destroyed by those evil sons of bitches called the RIAA. For those who can figure the 3 letter network out, help build it up, but keep it a secret from all the yuppies! It's good now, but could be much better. I'm serious though, and its been proven twice, fame brings death to these services. Share the information with only those who are true music lovers, collectors, and see things the way we do!

    13. Re:Well, there goes another good service by 8databits · · Score: 0

      and I forgot one other thing. This is a very sad day. My heart has dropped to the floor. It feels kinda like 9-11. You know that feeling of whoa I just can't believe it and it doesn't really hit you until the next day that it actually happened. To AudioGalaxy--you were the best, you will be missed. RIP

    14. Re:Well, there goes another good service by Anonymous Coward · · Score: 0

      I have been looking for blues songs recorded on acetate in the 20s, and finding them! No more.

    15. Re:Well, there goes another good service by Anonymous Coward · · Score: 0

      Yeah that's exact, nothing else can even come close to the quality and availability of AG. I wanted to pay for gold service but now it'll probably die. Being mostly into electronica, metal and classical all other file sharing apps are pretty weak, since I don't care about anything under 192 kbps too. I keep wondering, why in hell is there people collecting 128k mp3s? Quality is pretty bad, anyone should be able to see the difference, except when using crappy hardware like button heaphones or cheap pc speakers. Anyway, gnutella kazaa and morpheus suck so I'm stuck :(

    16. Re:Well, there goes another good service by schmoe0681 · · Score: 1

      i agree with you there. i just went to the site to download songs and nothing was up and then i had to search for the news cause i knew something was going on and it just pissed me off. the RIAA says it is in the name of music, but that is crap to me. i agree to some degrees that an artist's music and creation needs to be protected but that is the point it is protected. No one can steal these band's music and call it their own. All these music sites do is distribute it. We have the technology to grab music from all over the world and spread it to everyone and now with these money grubbing recording labels they hinder that process to which technology made it possible for us. Audiogalaxy in my opinion was the BEST music service. I liked Naptster, but Audiogalaxy you could have found any song you wanted. Now this crap about the RIAA trying to save the name of music is nonsense to me cause their trying to save the fire in their wallets and frindge in on our own right to use the internet to find songs and music we love.

    17. Re:Well, there goes another good service by harlows_monkeys · · Score: 2

      Flamebait? How the hell was my comment flamebait?

    18. Re:Well, there goes another good service by Anonymous Coward · · Score: 0

      Mac users can try iSwipe. Supports OpenNapster, Gnutella, Hotline, Web and FTP.

      www.hillmanminx.com

  2. Meanwhile... by Anonymous Coward · · Score: 3, Informative

    WinMX has just released v3.2! Get it while it's still not illegal and lame!

    1. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Uh, how's this a Troll? It's Informative if anything.

    2. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Agreed. I would think alternatives would be part of the conversation. *sigh*

    3. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Or, better yet, get 2.6 instead. Most of the results you get in 3.2 are from people with ginormous queues (some with upwards of 60 people waiting).

    4. Re:Meanwhile... by dytin · · Score: 1

      If you are only getting results that are from people with huge queues, then you probably tried to do a primary connection to the network. Make sure that you make a secondary connection to the network, then WinMX 3.2 is just plain awesome. It's got all of the good features of the old WinMX (plenty of songs and varying bitrates, decentralized server, anonymity, no spyware) as well as all of benefits of Kazaa (download resuming and multiple source downloads).

    5. Re:Meanwhile... by Anonymous Coward · · Score: 0
      If you are only getting results that are from people with huge queues, then you probably tried to do a primary connection to the network. Make sure that you make a secondary connection to the network, then WinMX 3.2 is just plain awesome.

      I am on a secondary connection, WinMX 3.2. To give you an idea of how things are, I've done a search for "Star Wars". Out of the top 22 results by bitrate, only 4 of which are not in queue. The average queue depth is 17. Scrolling down, the right side of my screen is a sea of red, with queued results sometimes filling the entire window. I see one person with a queue of 193, and two idiots who think their connections (cable modem and DSL, respectively) can handle 100 simultaneous downloads.

      Now, we'll do the same thing in WinMX 2.6. Out of the top 22 results by bitrate, only 3 are in queue, at depths of 11, 0, and 5, respectively. Scrolling down, the queued results don't really start to dominate until I get down to the bottom (where all the people sharing DivXs are). The longest queue I see is 28.

      Pray, how is 3.2 better again?

    6. Re:Meanwhile... by epsalon · · Score: 2

      It's not an ELF binary.

    7. Re:Meanwhile... by Anonymous Coward · · Score: 0

      Stop whining and start WINE(ing). =P

  3. So, now it's all legal? by mangu · · Score: 1

    Does this mean that all those songs that were downloaded from AudioGalaxy are legal now?

    1. Re:So, now it's all legal? by Anonymous Coward · · Score: 0

      Hmmm, that's a good point. After all, Audio Galaxy has now paid for them, right?

    2. Re:So, now it's all legal? by Anonymous Coward · · Score: 0

      "Offficer, all of those mp3s are legal!"

      "Legal you say, eh?"

      "Yeah, I got them all off of AudioGalaxy. All 30GB! Not a single one from anywhere else!"

      "Oh, ok. Goodbye, then."

  4. Re:fucking idiots by Anonymous Coward · · Score: 0

    I'd mod the parent up, out of spite but I'm out of points

  5. I liked AG. by domninus.DDR · · Score: 2, Interesting

    Using a non-spyware client version, it was the only place I could find the live sets from internet radio stations like Tag and Digitaly Imported. Now I guess Ill have to leave streamripper on 24/7 >.

    1. Re:I liked AG. by mrseigen · · Score: 1

      It's Satellite program was cross-platform too, and that's part of the reason why it I liked it so much. I could run it on my Macs, my Windows machine and Linux.
      Everything else these days that is aspiring to be cross-platform is either written in uncompiled (read: slow) Java or doesn't have any files to speak of.

  6. So...what's it gonna be? by gTsiros · · Score: 1

    In typical "reply-before-even-reading-article" /. style, i ask... what's it gonna be?

    someone please write a single-paragraph resume of the posted article...not a google cache, not anything fancy, just what will this mean for those who use AudioGalaxy to find obscure releases, which are impossible to find at the local cd store.

    Audiogalaxy has been really a great resource in that aspect, possibly better than napster ever has been. Maybe this coincides with my own personal preferences tho... anyway!

    that's about it...

    --
    Looking for people to chat about multicopters, coding, music. skype: gtsiros
    1. Re:So...what's it gonna be? by spoonboy42 · · Score: 2

      Opt in, essentially. Everything is blocked unless the record label goes out of its way to allow sharing. Those obscure releases... well, some small labels might actually opt-in. Then again, rare, out-of-print recordings from defunct labels will never be shared again. It's a sad story...

      --
      Anonymous Luddite: "What do you think of the dehumanizing effects of the Internet?"
      Andy Grove: "Not Much."
    2. Re:So...what's it gonna be? by KoshClassic · · Score: 5, Insightful
      AG is effectively dead even at this moment (EVERY song has the infamous "X" logo next to it instead of the satellite dish.


      But the crux of the settlement is that in order for AG to let you download a song, they supposedly have to be given explicit permission by the copyright owner to allow the song to be traded through AG - whereas before, they had a model where it was up to the copyright holder to instruct them to block the song.


      Bottom line then is that AG may once again become a good resource for well known material from popular bands (as someone might bother to let them trade this stuff for some type of fee), it will never again be a good resource for obscure stuff - old songs from less popular band's back catalogs, live radio appearances etc. - the copyright holders will never bother to give AG permission to allow that stuff to be swapped. In the end the Big Brother that is the RIAA and their DMCA cronies have dealt yet another serious blow to the rest of us todayt.

      --
      Understanding is a three edged sword. - Ambassador Kosh Naranek, Babylon 5
    3. Re:So...what's it gonna be? by colmore · · Score: 2

      clearly my evil hoarding of live fugazi recordings had to be stopped.

      --
      In Capitalist America, bank robs you!
  7. RIP audiogalaxy by Mr.+X · · Score: 1

    we'll all miss you :-(

    1. Re:RIP audiogalaxy by Anonymous Coward · · Score: 0

      Theres no need to stop using audiogalaxy.

      There are no blocking songs if your in groups. All you have to do is join a group and take the songs from the people in the groups.

      I dont know why this is okay but they allow this with no blocking laws.

      Or just create a group and get lots of people to join and take songs off of them.

      I say we use this to our advantage.

    2. Re:RIP audiogalaxy by goldspider · · Score: 2, Insightful

      Call me what you will (a troll, probably), but am I the only one here noticing how people are equating the legitimacy of AudioGalaxy with the end of its usefulness?

      I'm not saying that getting pushed around by the xxAA's is a good thing, and sure, AG will now probably go the way of Napster. But really, folks, if the OSS community is going to gain standing (and a measure of its own legetimacy, I suppose) in the public eye, it really should stop blindly backing causes rooted primarily in software and music piracy, and start working on projects that are legally bullet-proof. That way, we can have software that is both useful And legal!

      If you consider these terms to be mutually exclusive, your efforts will be an exercise in futility.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    3. Re:RIP audiogalaxy by Lemmy+Caution · · Score: 2

      Because many people who look for files look for obscure music. They already have the Top 40 pap and Classic Rock cliches if they want them - and you know that that's exactly what the RIAA is going to release. Will they explicitly share, say, a Louis Andriessen composition? Nurse with Wound? Almost forgotten German pop-punk 70's group Trio? The brilliant Art Bears? The Ruins? Melt Banana? No, they won't. Those are just a tip of the iceburg of things I found on Napster in its heyday - now, these sorts of things get traded in relatively fugitive communities (Gnutella has been a disappointment for me.)

    4. Re:RIP audiogalaxy by Anonymous Coward · · Score: 0

      But music and software piracy is doubleplus good! Piracy will crush the proprietary closed source commercial monopolies!! YEAH!!!

    5. Re:RIP audiogalaxy by goldspider · · Score: 2, Interesting

      All great points, but you have to recognize that in the majority of cases, it isn't the "obscure" music that people are downloading with these tools. I hate to start this argument again, but we all know that most of the music traded using these programs is mainstream, copyrighted material that users download because they don't want to pay for it.

      I'm all about freely trading music by artists without ties to the RIAA, because in most cases, that works to the advantage of the artists. However it's when you cross over to the material owned by the RIAA that you ask for trouble.

      Perhaps artists would be better off without these labels (a discussion for another day) but if they want to give up their rights (and their material) to the labels who don't care for anything but the bottom line and restrict the exposure of their music, ultimately it's their choice to do so.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    6. Re:RIP audiogalaxy by Lemmy+Caution · · Score: 3, Insightful

      Maybe people who want to download put mainstream, copyrighted material online, but those of us who would like to share usually share music we're excited about to get people interested in them. The leeches who just want to download the lastest Tool or Britney Spears or what have you are already well served by Usenet and IRC and have little to fear. But the group of people left out of the equation are the sharers - they are the ones who brought a dynamism to music listening and P2P, and they are the ones that the music industry is really frightened of - not (only) because of possible threats to their revenue model, but because it's a way of creating channels of listenership that threaten the top-forty-money-machine that they know and manipulate.

    7. Re:RIP audiogalaxy by trezor · · Score: 1

      Now you state that the the songwriter on the recording company have illegally infringed a melody.
      Can you sing a few bars of this song, that you claim is your own,
      here in the musicians court of law.

      From Musical Infringement (by Amon Tobin @ Ninjatune)

      All material is copyright.
      *laughter*

      From Wall Crawling Giant Insect Breaks (by The Herbaliser @ Ninjatune)

      --
      Not Buzzword 2.0 compliant. Please speak english.
    8. Re:RIP audiogalaxy by colmore · · Score: 2

      Yes, but shutting down AG will only stop the obscure music. 99% of the users will move to Kazaa or Gnutella or WinMX or Grokster and they will have the exact same files available, except for the obscure ones.

      Bottom line: everyone else gets their Nikelback (does that lead singer have any concept of what a douchebag he looks like?) and I don't get my Jeff Mangum basement recordings. How's that for fair?

      --
      In Capitalist America, bank robs you!
    9. Re:RIP audiogalaxy by Weh · · Score: 1
      Call me what you will (a troll, probably), but am I the only one here noticing how people are equating the legitimacy of AudioGalaxy with the end of its usefulness?


      This has nothing to do with legitimacy, it was never determined in a court of law that AG was illegal. It has everything to do with RIAA throwing money around to get it's way. Don't make the mistake of thinking that RIAA's view are the view of the law (although you could argue that money is the law etc. etc.).

    10. Re:RIP audiogalaxy by Eugene+O'Neil · · Score: 1

      Call me what you will (a troll, probably), but am I the only one here noticing how people are equating the legitimacy of AudioGalaxy with the end of its usefulness?

      You are putting the cart before the horse: The end of AudioGalaxy's usefulness is evident to anyone who tries to actually use it. Those of you who equate the end of AudioGalaxy with the beginning of it's "legitimacy" are the ones who suffer from some kind of delusion. If legitimacy means obeying obsolete laws that don't make sense anymore (assuming they ever did) so that corporate fat cats can screw both the artists and the customers, I choose to be illegitimate. Obeying stupid laws only perpetuates injustice: defying them is the first step towards getting them repealed. Would you have told Rosa Parks to sit in the back of the bus? After all, that would have been the legal, "legitimate" thing for her to do...

  8. Re:fucking idiots (I WON) by Anonymous Coward · · Score: 0

    I won, I controlled you and you modded me down because I told you to. I fucking win. FUCK YOU! I OWN YOU in the most LITERAL sense.

  9. one problem solved, how about another? by I+Want+GNU! · · Score: 4, Insightful

    Now that a copyright infringement suit has been settled, maybe the RIAA could agree to stop its illegal actions of price gouging and acting as a trust? And maybe they could stop bribing politicians as well?

    1. Re:one problem solved, how about another? by Anonymous Coward · · Score: 0

      No. They must keep profits up, so Hillary Rosen can continue to roll naked in her pile of money.

    2. Re:one problem solved, how about another? by linzeal · · Score: 1

      Shudder, I think you just gave me a stroke, irk.

    3. Re:one problem solved, how about another? by Anonymous Coward · · Score: 0

      Dunno... do you feel like you've got the evidence to take them to court over it?

      Now political bribery's another matter, how do you get the system changed when the people in charge of the system are the ones getting all the cash?

      I think maybe a few more critical current affairs shows, revealing how much the politicians are getting paid off and hence how little they represent the voters... plus some work so that instead of people voting for the one with the most expensive campaign, they pick the one who doesn't owe their career to bigger interests...

  10. Eh, oh well. by Anonymous Coward · · Score: 0

    I don't think there will ever be a P2P client that will even compare to what Napster was. You could find anything on that thing.

    1. Re:Eh, oh well. by hessian · · Score: 1

      Because there were so many people using it. It's not the client, but centralizing on one that can work on a broad range of platforms and get the most broadband users online. Audiogalaxy was great because you could find anything, and you could find anything because the people were there. These clients don't pick the songs, users do. And users is the determining factor in a powerful p2p network. Steaming sheepdom, I know.

  11. Use something else? by Anonymous Coward · · Score: 0

    WinMX? Or one of the many gnutella clients (ie BearShare, there's lots!) or KazaaLite. Many many options...

    1. Re:Use something else? by DouglasA · · Score: 2

      None are as good, frankly. I've used WinMX and KaazaLight, but they seem to have trouble doing simple downloads of scarce mp3s (which is what I'm almost always grabbing). AudioGalaxy was excellent at locating the most obscure tracks, and providing a stable connection for you to grab the file from someone else.

      The search was aslo much, much faster than anything I've seen, including Napster, and just seemed to be less of a pain. (Mind you, I was a Gold member - $15/6 months, no ads, faster site, well worth it. Or at least it was.)

    2. Re:Use something else? by Anonymous Coward · · Score: 0

      None of those networks have the number of mp3 Audiogalaxy had, and when it gets to underground music, they simply suck. In Audiogalaxy I was able to find ANYTHING, regardless of how little known it was. I'm not interested in mainstream crap, I'm interested in knowing new artists and finding REALLY alternative music. In Audiogalaxy you had everything, from the most underground avantgarde to all kinds of folk, classical music, jazz...

      I've lost count of all the times I heard about some obscure band and headed to Audiogalaxy to find some tracks.. About 90% of the CDs I've bought (yes, BOUGHT) in the last 2 years are from artists I discovered this way.

      A great loss for real music lovers anywhere... :(

    3. Re:Use something else? by Anonymous Coward · · Score: 0

      Think about this... AudioGalaxy users will go somewhere correct? They aren't just going to disappear from the face of the Earth. Many will switch to one of those alternatives, so it's a good place to start.

    4. Re:Use something else? by chuckgrosvenor · · Score: 1

      I agree.. I've been trying to hunt down a lot of rare tracks lately, and aside from the copyright blocked entries, AudioGalaxy was great.. although I seemed to be picking up a lot of crappy sounding tracks lately, but usually those weren't even available on other networks...

      I just uninstalled Audio Galaxy though, because it's clear it's no longer useful for much..

      what I wish I could find, is a network for trading mpgs.. I have a huge list of stuff, and I'm still unable to find a hundred or so mpegs of 80s stuff that is hard to find even in record store bins, let alone online..

      that's what upsets me the most.. the stuff the record companies don't want to publish because they won't sell many units, they also don't to allow people to download for free off the internet..

    5. Re:Use something else? by meta-monkey · · Score: 5, Informative

      I gotta say, the best file sharing program I have found for large files (like mpegs) is eDonkey2000. The linux client works really well, too. If you check out ShareReactor, they post up big lists of all kinds of files you can get off donkey, but of course there are many, many things on donkey that aren't listed on Sharereactor.

      Donkey uses MFTP (I think Morpheus does too, now, actually...) where it takes a file, and hashes it to generate a unique ID across the network. Then, when you search for the file, you'll find many users with the same file, so it'll get different parts of the file from different users, speeding up the whole process. Also, people are forced to share any partial files they have, so the availability is usually pretty high.

      I find it can be a touch slower for getting small files (like .mp3s) than gnutella, but for big files (like mpegs), nothing beats it.

      --
      We don't have a state-run media we have a media-run state.
    6. Re:Use something else? by Anonymous Coward · · Score: 0

      Why don't you update your tastes then and listen to more modern music? Turn your radio to KISS FM (come on, every city has a KISS FM right? It's like the Clear Channel equivalent of an NBC affiliate). Or maybe you are into more Xtreme radio so you should find the EXTREME station in your area. Clear Channel communications has all your favorite music from the 80's, 90's, 70's, and TODAY!!! It's AWESOME! Radio is kickass isn't it? NOT.

  12. Notice this is an RIAA PR by Real+World+Stuff · · Score: 1

    The link is the RIAA site PR.

    Audiogalaxysite shows:
    "Message board : General Discussion

    06/17/02 ape2man71 - AG is completely over!
    All the songs on AG are now blocked. It means
    the most fast,stable and reliable file share
    program finally came to an end. What shall we do from now on?"


    That is a question only the folks at AG can answer.

    --
    If we don't fight for ourselves no one will.
    1. Re:Notice this is an RIAA PR by Anonymous Coward · · Score: 0

      How about you start joining the groups on AG.

      For AG does not block songs if your getting from someone in a group.

      Ding Ding* Audiogalaxy is not dead.

      Make some groups, join some groups, everyone is happy, we all get the songs we want.

      Problem solved...

    2. Re:Notice this is an RIAA PR by Anonymous Coward · · Score: 0

      There are lots of great things on AG that aren't illegal files... Obscure live sets for example. I liked AG because it had an amazing selection of early 80s punk rock that is all out of print, was only available on vinyl in the first place and is impossible to get now. Oh well.

    3. Re:Notice this is an RIAA PR by Mopana · · Score: 1

      oh, yes! Now Kadri Gopalnath will benefit from me not having access to his music anymore! Artists don't want me to listen to them, they want me to give them money.

    4. Re:Notice this is an RIAA PR by trapvector · · Score: 1

      That's funny...

      I've never seen Fatboy Slim's KROQ full mix or the Breezeblock radio mix in a record store. Or Hybrid's Channel One radio mix. Or fifteen other of my favorite albums, each a copy of a broadcast or live show. I sure did find them on AG, though. And my happiness was elevated by great degrees with each treasured find.

      Who owns the copyrights to these? Will the appropriate parties ever "opt-in?" I haven't the gumption to look now, but I suspect these gems will be much more difficult to find in the future... and that greatly saddens me.

      Forget stealing albums via the Internet; I'd much rather burn a copy from a friend... less hassle, better quality rips, ... all the things that AG/Morpheus/Napster/the next Big Thing don't give me. ... hey, wait. Does this mean the RIAA is gonna outlaw friends?

    5. Re:Notice this is an RIAA PR by RebelTycoon · · Score: 0
      Yes they do... The world is locked down.

    6. Re:Notice this is an RIAA PR by Stonehand · · Score: 2

      If you believe that Kadri Gopalnath would benefit from his music being distributed online for free, you are free to communicate your wishes to him barring extreme circumstances such as his being held incommunicado. Even if he is under contract, contracts are finite -- and if your case is SO CONVINCING that he would benefit, then surely you will be able to sway tens, no, hundreds of musicians from signing contracts with the EVIL RIAA and moving voluntarily to online distribution. All they need to do is grant permission instead of signing away their rights to somebody else, and they're into the WONDERFUL world of having their work distributed at large.

      It's really their choice. Now, we have an interesting experiment -- how many artists will, in fact, move away from the RIAA model of massive marketing, and instead onto the P2P online distribution model? Or do they still seem to believe that the marketing and production actually *helps* them? Really, if the AudioGalaxy service fails to take off, there aren't that many possible conclusions other than that artists believe that the RIAA is offering a service of sufficient value as to outweigh these benefits of you listening to their music.

      --
      Only the dead have seen the end of war.
    7. Re:Notice this is an RIAA PR by Anonymous Coward · · Score: 0

      Your friends are now outlawed!

      If you wish to see/hear them you must give us lots of money. Oh, we may throw some pennies their way too, whatever.

      ----RIAA

    8. Re:Notice this is an RIAA PR by Anonymous Coward · · Score: 0

      I remember there's this thing called the radio.
      wonderful invention that sends music mixed with minimal ammounts of advertising magically through the air for all to listen to at their lesure for free, as long as they want. Nifty idea huh?

      ~DA

    9. Re:Notice this is an RIAA PR by colmore · · Score: 3, Insightful

      yeah then this company called Clearchannel bought all of my local radio stations, and I only hear the 10 songs that are also on MTV (which I hear in the distant past played music as well)

      I'm leaving this fucking country.

      --
      In Capitalist America, bank robs you!
    10. Re:Notice this is an RIAA PR by colmore · · Score: 2

      they can't leave their RIAA contracts, they are locked in to them for usually over a decade and for more releases than most bands ever record.

      the artists can't allow Audiogalaxy to share their music because ***they don't own their own copyrights***

      they sign the contracts because they aren't lawyers and don't know what they're getting themselves into. that and the RIAA's deals with MTV, Ticketmaster, Clearchannel, and retail stores insure that not signing with the RIAA = wallowing in obscurity. Phish is probably the only modern band to make it without massive RIAA support, and their marketing scheme really only works for trad rock.

      and Kadri Gopalnath isn't an RIAA artist, which was the parent's point to begin with.

      --
      In Capitalist America, bank robs you!
  13. Oh, the pain by DouglasA · · Score: 1

    Everything is already blocked. While I made a point to check out the artists who had official relationships with AG, I certainly raided a lot of non-kosher material. Oh well, I guess I'll cool my heels for a few months until the next "next big thing."

  14. Does This Change Anything? by Trillian_1138 · · Score: 1
    I'm not entirely sure it does. As of now, AudioGalaxy has some (moderate) copy protection. There are lots of songs that say they're undownloadable right now, but you just have to search for a slightly different title or spell the singer/band incorrectly.

    This will probably make searching for music more difficult, but just search in AudioGalaxy a little deeper, or use KaZaA Lite as reported on Slashdot. I use KaZaAlite and, if you alert Ad-Aware to the fake DLL it uses to fool KaZaA, it works wonderfully. (And I still haven't seen KaZaA shut down, in spite of rumors to that effect...)

    ***

    1. Re:Does This Change Anything? by Anonymous Coward · · Score: 1, Interesting
      I had a band back in the late '70s, I make the stuff available via AG. I just tried a search for it, the stuff was found, but downloading is blocked: "You cannot request this song due to copyright restrictions. "

      Well, I sure as shit never told anybody to block requests for Chinese Forehead, so this appears to be either "artist opts in" or 'Somebody else is claiming copyright on my stuff'

    2. Re:Does This Change Anything? by Anonymous Coward · · Score: 0

      yeah, right. kazaa. hahahah. the worst program of them all!

      r.i.p. audiogalaxy.

      and btw: the protection mechanism works by BLOCK ALL and ALLOW only those who are authorized by AG. so renaming the files is useless.

  15. Great, what about MY songs? by Jon+Howard · · Score: 5, Insightful

    What about the MP3's I'm sharing of my music?

    I suspect it's going to be a bit of a pain in the ass to convince Audiogalaxy to allow me to share my band's music over their service. How can I satisfy them that I'm truly the copyright holder? If it's easy enough to make it painless, what's to keep others from attempting to get their favourite artist's music unprotected using the same technique?

    1. Re:Great, what about MY songs? by son_of_rotten · · Score: 1

      Uh... you could have them call you in Pleasant Hill? Of course even _you_ don't make your music easy to find. The "We want to trade unknown bands' music!" argument is hooey. WE want free-beer.

    2. Re:Great, what about MY songs? by rhizome · · Score: 5, Funny

      I suspect it's going to be a bit of a pain in the ass to convince Audiogalaxy to allow me to share my band's music over their service. How can I satisfy them that I'm truly the copyright holder? If it's easy enough to make it painless, what's to keep others from attempting to get their favourite artist's music unprotected using the same technique?

      As an independent artist, you're obviously illegitimate and not worthy of any exposure at all. Undoubtedly the only way around this little dilemma is to assign your copyrights to an RIAA affiliate for every means of distribution that they control.

      --
      When I was a kid, we only had one Darth.
    3. Re:Great, what about MY songs? by crimoid · · Score: 2

      Satire aside. Email them and find out

      http://audiogalaxy.com/info/help_about.php3?#conta ct

      Contacts

      How do I contact someone about:

      Adding my band or label to the site?

      music@audiogalaxy.com

    4. Re:Great, what about MY songs? by Midnight+Thunder · · Score: 1

      There is always MP3.com

      --
      Jumpstart the tartan drive.
    5. Re:Great, what about MY songs? by Anonymous Coward · · Score: 0
      The "We want to trade unknown bands' music!" argument is hooey. WE want free-beer.

      It is NOT "hooey". I also am in a band and we would like our music to proliferate online as widely as possible. Believe it or not, music doesn't just come from the music industry cartel.

    6. Re:Great, what about MY songs? by sulli · · Score: 4, Insightful
      Are you the copyright holder? Well then:

      The settlement reached would allow Audiogalaxy to operate a "filter-in" system, which requires that for any music available, the songwriter, music publisher, and/or recording company must first consent to the use and sharing of the work.

      If you are the copyright holder, which you are unless you have signed your rights away to a RIAA member, then you should inform AudioGalaxy that you would like to allow your music to be shared that way. AG will be within its rights to distribute it, since you will have given permission.

      IANAL but I suspect that a letter signed by you claiming that you are the copyright holder should be sufficient. Or you could check to see what MP3.com does. Now AG may take a while to handle such things, but then again they are now actually in the world of all indie music rather than the world of claiming that it's all about indie music as a PR fig leaf, so if they don't they will be 100% instead of just 99% toast.

      --

      sulli
      RTFJ.
    7. Re:Great, what about MY songs? by Anonymous Coward · · Score: 0

      It is hooey. Who wants to listen to your damn band? We want zero day Eminem rips!

    8. Re:Great, what about MY songs? by Anonymous Coward · · Score: 2, Funny

      What about the MP3's I'm sharing of my music?

      I suspect it's going to be a bit of a pain in the ass to convince Audiogalaxy to allow me to share my band's music over their service. How can I satisfy them that I'm truly the copyright holder? If it's easy enough to make it painless, what's to keep others from attempting to get their favourite artist's music unprotected using the same technique?


      No problem, just get published by a major label that's a member of the RIAA and your music can be shared too.

    9. Re:Great, what about MY songs? by Anonymous Coward · · Score: 0

      True is that.

    10. Re:Great, what about MY songs? by Anonymous Coward · · Score: 0

      what I want to know is why they 1-have to settle and 2-have to pay.

      If you're only going to distribute songs for which the copyright owner gives permission for you to distribute, then you aren't breaking any law and there's no need to "settle" or "pay for" anything.

    11. Re:Great, what about MY songs? by Jon+Howard · · Score: 1

      Uh... you could have them call you in Pleasant Hill? Of course even _you_ don't make your music easy to find.

      I don't have the bandwidth to put my stuff up in mp3 on any of my servers, that's one reason why P2P sharing is cool, the more people listen to it, the more people offer it up for download.

      As far as calling me goes, how likely is it that anyone would accept a claim of ownership over the telephone? (Bravo for the whois usage, by the way, some folks don't even realize that it's there.)

      The "We want to trade unknown bands' music!" argument is hooey.

      I'm sorry, but I disagree with this. I exclusively listen to music that I doubt I would have heard of before P2P networks spread like wildfire.

      Before the massive networked P2P systems, I learned of new music through occasional trial and error (it gets pricey if you do it more than occasionally), and old-fashioned peer-to-peer networking: borrowing music from friends and letting them borrow mine. Of course, the Internet hasn't usurped this, it's only made it so that my group of friends have tons of music they can sift through to find really unique stuff to recommend, and I to them.

      I don't want free music if it's music I like, I'm a grateful guy and I enjoy compensating folks who make me happy.

    12. Re:Great, what about MY songs? by Anonymous Coward · · Score: 0

      Probably, with a little bit of basic checking (i.e. the song doesn't match a list provided by the RIAA, isn't an obvious misspelling of an RIAA song, etc), the system would be as easy as possible.

      I'd guess the best way to do it would be have you submit the title, artist, copyright holder details & contact info, maybe the original file for more complicated checking (so people can't share commercial music by renaming the file - not that this would be at all useful as it would screw up the searching). Then if the RIAA finds that an individual song is owned by them, AG can direct them to the person who originally took responsibility for listing it.

    13. Re:Great, what about MY songs? by Anonymous Coward · · Score: 0

      How many times do you think people will download some large mp3 from a band they`ve never heard of before they get bored of it all. Its really not the best way to promote music

    14. Re:Great, what about MY songs? by TMB · · Score: 3, Informative

      I did that earlier today. Here's the response I just got:

      Thank you for your interest in sharing your music on the Audiogalaxy website. Unfortunately we do not have the resources at this time to verify copyright ownership of song files with 100% certainty. We hope to have a system in place in the near future.

      [TMB]

  16. So much for independent musicians... by emarkp · · Score: 1

    The settlement reached would allow Audiogalaxy to operate a "filter-in" system, which requires that for any music available, the songwriter, music publisher, and/or recording company must first consent to the use and sharing of the work.
    Note how they state that the recording company must always be the one to authorize the song. The musician and publisher never has the right without consend of the "recording company". What if there is no recording company?
    1. Re:So much for independent musicians... by Stonehand · · Score: 1

      You're conveniently ignoring the or part of the and/or that you bolded.

      --
      Only the dead have seen the end of war.
  17. Audiogalaxy is dead by mochan_s · · Score: 1

    Everything now has a X button and says "You cannot request this song due to copyright restrictions. Please try a different search."

  18. Another p2p service down the drain by fire-eyes · · Score: 1

    Goodbye.

    The only way to prevent this shit is to:

    1) strongly encrypt everything
    2) random src/dest ports
    3) no centralized servers

    There is actually something like this in development. Cheers.

    --
    -- Note: If you don't agree with me, don't bother replying. I won't read it.
    1. Re:Another p2p service down the drain by homer_ca · · Score: 2

      You can add src IP spoofing to that feature wishlist. It could be done with UDP transfers and an intermediary server for sending back retransmission requests.

    2. Re:Another p2p service down the drain by Anonymous Coward · · Score: 0

      Great, so I guess I won't be using this through my firewall anytime soon. Being able to freely steal copyrighted music isn't worth opening up a shitload of vulnerable ports to the Internet IMHO. I'll just stick to gnutella.

  19. Too bad by ciryon · · Score: 2

    Audiogalaxy has been a good source for music online. I will now have much greater difficulty finding and trying out new bands. This will of course result in fewer purchased CDs. Again, too bad.

    Ciryon

    1. Re:Too bad by Anonymous Coward · · Score: 0

      Almost all the CD's I've bought this year, I bought because I found the music on Audiogalaxy... I DJ with CD players and my laptop and buy mostly imported psy/goa trance CD's from stores in hong kong and Germany... I'll probably discover less music and buy less CD's because of the shutdown...

      I canceled my gold membership today ...sad day :(

      I have Mac running OSX , are there any other alternatives?

    2. Re:Too bad by Japanese+Fuckslut · · Score: 0

      I have Mac running OSX , are there any other alternatives?

      There are alternatives (eDonkey and Kaaza have crude OS X clients), but no substitutes. AudioGalaxy was simply the best place to find MP3s . I used the service to discover a lot of new music I would have otherwise never heard. And while I don't doubt that the MP3 craze hurts CD sales (especially for major labels), AG led directly to almost all of my recent purchases. As a consumer, I'm not sure where to go from here. There's no answer out there that would please everyone.

      --

      Two cock in my pussy! It feel so good!
    3. Re:Too bad by miguelitof · · Score: 2
      Audiogalaxy has been a good source for music online. I will now have much greater difficulty finding and trying out new bands. This will of course result in fewer purchased CDs. Again, too bad.

      This was the last straw for me. The RIAA wants to shut down Audio Galaxy to force people to buy CDs? It's going to have the OPPOSITE effect on me. As of today, I am boycotting the RIAA completely. I won't buy another RIAA CD (or any other product) again.

      I am going to start getting very familiar with independent artists. I have a feeling I am going to start enjoying music much more than I have in the past, too.

      --
      --- Biffster.org
      "Bite my shiny metal ass."
  20. Sad, but... by Gwyn_232 · · Score: 1

    It's just natural selection. I don't like to see the recording industry score another point, but this will help stimulate peer-to-peer development.

  21. NNTP by m0rph3us0 · · Score: 5, Funny

    Wait until the RIAA discovers NNTP, or IRC. Soon we won't be able to chat or recieve news in the name of copy protection.

    I wonder what the RIAA would do if they found out that you could copy a CD and use a car to transport it.

    DOWN WITH CARS!!!

    m0rph

    1. Re:NNTP by Anonymous Coward · · Score: 2, Funny

      I've started using the postal service for my music swapping. For a few cents, I'm able to mail CD-RW's to people almost anywhere, and for a few cents, they're able to do the same back. It's great!

      I figure eventually the RIAA will find out, and try to battle the USPO. It should be an entertaining fight.

    2. Re:NNTP by SN74S181 · · Score: 1

      Being as I am a Usenet enthusiast, I hope binary attachments aren't used as an excuse to take down NNTP.

      In actuality, they are, though, because the sheer volume of people trading warez and pirated content on Usenet is flooding out people using it for actual news and discussion.

      Perhaps no-binary servers are the answer.

    3. Re:NNTP by idontneedanickname · · Score: 1

      wht happens when RIAA finds out the root of piracy is actually the ARTISTS that make the music in the first place...

      DOWN WITH THE ARTISTS!!!

    4. Re:NNTP by dattaway · · Score: 2

      Better make wireless networks illegal too. No centralized control. People aim their antennas to help improve peering. Communication among small communities pooling their resources is increasing. These wireless networks don't require a internet gateway as they can be a truely local resource out of the Recording Industry's reach. Just like local bands that play at the city's bars and faraway country barns near you, these networks are virtually free from political control.

    5. Re:NNTP by xee · · Score: 2

      Fortunately the DMCA protects Usenet servers. If the messages are not routed to your server specifically, and are not necessarily intended to be downloaded specifically by users, then the data can not be considered infringing. Basically you're a repeater, or a cache server. Like a web cache server running squid. The content is merely there because it is in transit to someone.

      --
      Oh shit! I forgot to click "Post Anonymously"...
    6. Re:NNTP by jx100 · · Score: 2, Funny

      Yeah, but think of the ping times.

  22. Opt-in vs. Opt-out by Anonymous Coward · · Score: 0

    Before, the artists could get their stuff pulled from listings (opt-out), but now they explicitly allow it (opt-in).

  23. The more things change... by sandidge · · Score: 2

    So... they settled to do just what it seems they were doing before the lawsuit. Only now, they are less the settlement money.

    Isn't is "wonderful" how the world works?

    1. Re:The more things change... by Anonymous Coward · · Score: 0

      No, before they were blocking songs when asked. Now they're blocking all songs until they're allowed.

  24. chown -R riaa * ; chmod -R -r * by hymie3 · · Score: 4, Interesting

    Wow. Is it just me, or has every single song on audiogalaxy just been yanked? Other than featured artists, everything seems to be "permission denied".

    I *know* that there's indie stuff being shared that *was* okay to be posted (all of the SXSW demos, for example) but are now "permission denied" even though the artist in question has made the MP3s freely available.

    Soooo, at a whim, the RIAA can chmod -r all songs offered through audiogalaxy, even those that they have no control over?

    1. Re:chown -R riaa * ; chmod -R -r * by Requiem · · Score: 1

      yes.

    2. Re:chown -R riaa * ; chmod -R -r * by Manitcor · · Score: 4, Insightful

      One wonders if that might be one of the hidden motivations of RIAA other than simple pirating.

      If an artist can easily get worlwide distrubution and play without them. What happens to RIAA. Granted it would take many years. I could see a world where bands are all distrubuted on the net and the only thing we pay for is a live preformance.

      Of course this has been discussed to death in the past.

      --
      "Don't mess with him, he taunts the happy fun ball."
    3. Re:chown -R riaa * ; chmod -R -r * by K8Fan · · Score: 2
      One wonders if that might be one of the hidden motivations of RIAA other than simple pirating.

      Yes.

      I just did some searches for indie artists that I know personally. Every single one of their songs is no longer downloadable.

      This is not about "saving" RIAA artists. This is about trying to cripple those outside of their member companies.

      This is utterly insane. There is music produced by people who are no longer alive and is out of copyright. Who is going to write to Audiogalaxy authorize their music?

      "Shut up kid, and buy what we want to sell you!

      --
      "How perfectly Goddamn delightful it all is, to be sure" Charles Crumb
    4. Re:chown -R riaa * ; chmod -R -r * by xenocidex · · Score: 1

      I am a music fan, specifically a major Electronica freak/trance head. I've read the forums on AG, and some websites like tranceaddict.com and have downloaded quite alot of trance and other electronica. My cd collection has also changed dramatically. Since most electronica artists are small scale, and dont release on major record labels, the RIAA has recieved absolutely ZERO from me, yet, I have a much larger music collection than I did two years ago. So what does this mean? Perhaps the reason the RIAA is losing money is because the record sells are actually going to smaller scale, newly discovered aritsts, instead of britney spears and n'sync. So yes, it is quite feasable this was an attempt by the RIAA to prevent people from discovering lesser known artists.

      --
      There are two major products that come out of Berkeley: LSD and UNIX. We don't believe this to be a coincidence.
    5. Re:chown -R riaa * ; chmod -R -r * by Anonymous Coward · · Score: 0

      They probably have to get the opt-in stuff working first, and start from scratch with all the info they need to justify that someone with authority gave permission for its distribution.

      I'm sure AG don't have time or the knowledge to go through every song they've ever listed and figure out whether it was posted by the artist or a friend with permission or not. They're erring completely on the side of caution for the moment.

  25. Opposite Effect Achieved by SirKodiak · · Score: 5, Insightful
    From article:
    "The message is clear - there is no place on the Internet for services that exploit creators' work without fair compensation," added Edward P. Murphy, President and CEO, NMPA.
    And thus, this sad chapter of history has ended. No longer can rufians download music on the internet, making the delivery channels of CD, tape, and vinyl the only channels, ensuring that the copyright holders recieve their fair compensation. The brief period of anarchy is at last over, likely forever.

    Or, possibly, just possibly, decentralized services with no way to be shut down are still around, and will always be around, and the RIAA is trying to close the cell doors after the inmates have already taken over the prison.

    Well, good luck to them. As they kill those services that have any sort of control mechanism in place, all that will remain is those services that they can't control, which are precisely those services which can't be used to make money for the publishing industry. What may have taken a decade of evolution from central-controlled P2P to fully-distributed P2P is being encouraged to take place in a couple of years. The dinosaurs aren't just being replaced by mammals, they're encouraging them to do it as quickly as possible.

    1. Re:Opposite Effect Achieved by RAMMS+EIN · · Score: 2, Insightful

      ``decentralized services with no way to be shut down are still around, and will always be around''
      Conclusion: the RIAA is continues to fool those who really think they're protecting artists and whatnot, while in the meantime filling its pockets with what they win in the courtrooms. I have to admit the courage they have to do this kind of thing right under everyone's nose...

      --
      Please correct me if I got my facts wrong.
    2. Re:Opposite Effect Achieved by Moox · · Score: 1
      As they kill those services that have any sort of control mechanism in place, all that will remain is those services that they can't control...

      Yes, maybe. And thaaan?

      Most Slashdot readers probably live in that special country (point with the finger at it) where laws named "CBDTPA" and some other with lots of "S" are seriously considered, while the Gonvernment of that country at the same time claims "Freedom" as one of the highest (the highest?) values.

      But - from the misinformed outside - it seems that only the possibility of minor turnover decreases of some mega-corporations counts way more than individual freedom over there.

      I mean, do you really think that an organisation like the RIAA (or next time the MPAA) is incapable to cut off true peer2peer filesharing? Can't they hire some homeless CS students to monitor who (which ip) does what (which song/movie) and place a call to the ISP to cancel a cable/dsl/whatever subscription due to copyright infringement (the ISP probably would be happy to get rid of those bandwith hogs)? If that would be the case, who would risk to download anything from anywhere when she has to face being kicked by her ISP?

      Please don't tell me about encrypted filesharing, it's not usable for at least the next five years (IMO). (Isn't strong encryption illegal anyway? Terrorists could use it..)

      Please correct any spelling and grammar errors and mod me troll - thank you

    3. Re:Opposite Effect Achieved by SirKodiak · · Score: 1
      Most Slashdot readers probably live in that special country (point with the finger at it) where laws named "CBDTPA" and some other with lots of "S" are seriously considered, while the Gonvernment of that country at the same time claims "Freedom" as one of the highest (the highest?) values.
      Those potential laws are very scary, yes. Of course, they would take many years to take effect. First, the technology would need to be designed and implemented. Even after that, everyone would have to replace every computer they own. That's a lengthy process, as you hardly need your newest, fastest computer to do file sharing.
      I mean, do you really think that an organisation like the RIAA (or next time the MPAA) is incapable to cut off true peer2peer filesharing? Can't they hire some homeless CS students to monitor who (which ip) does what (which song/movie) and place a call to the ISP to cancel a cable/dsl/whatever subscription due to copyright infringement (the ISP probably would be happy to get rid of those bandwith hogs)? If that would be the case, who would risk to download anything from anywhere when she has to face being kicked by her ISP?

      Please don't tell me about encrypted filesharing, it's not usable for at least the next five years (IMO). (Isn't strong encryption illegal anyway? Terrorists could use it..)

      Well, you wouldn't want to use a CS student, you'd want to automate the process. But I get your point. Yes, it could be done, though, with no push being done in that direction, it should be some time before that is a reality. Potentially long enough for encrypted file transfer to become a reality. BTW, strong encryption is not illegal. The exportation of strong encryption is illegal (in the United States).

      Just to clarify, I am not supporting piracy or theft of copyrighted material. My comment was more to the point that the RIAA is using a poor strategy when it comes to attempting to maintain its business. I would love a legal way to get music in a high quality format online for a reasonable price. I also think that the RIAA is damaging their ability to bring the popular file transfer programs into line with this, and are encouraging the creation of file transfer programs that will never be brought in line with it.

    4. Re:Opposite Effect Achieved by EvanED · · Score: 1

      >>The exportation of strong encryption is illegal (in the United States).

      Are you sure about this? I thought it was made legal in the late 90's...

    5. Re:Opposite Effect Achieved by Anonymous Coward · · Score: 0

      It's only illegal to export to countries that are on the restricted list from the Department of Commerce. Try downloading a wireless NIC driver with 128-bit encryption. Some vendors use IP location to verify the country. Most, including 3Com (who I work for) also use a check against the Prohibited Parties List of known felons, terrorists, other types of hoodlums, etc. The countries include Iran, Iraq, N. Korea, Libya, Sudan (I think), Syria, and Taliban-controlled areas of Afghanistan. There may be a couple more, but I don't recall them right now.

    6. Re:Opposite Effect Achieved by K8Fan · · Score: 3, Insightful
      As they kill those services that have any sort of control mechanism in place, all that will remain is those services that they can't control, which are precisely those services which can't be used to make money for the publishing industry. What may have taken a decade of evolution from central-controlled P2P to fully-distributed P2P is being encouraged to take place in a couple of years.

      Hilarious, isn't it? This is exactly like those Soccer Moms who wipe every surface with low-grade antibiotics and insist the doctor give their rugrat antibiotics for their every cold. It's utterly useless, and the only result is to produce stronger and tougher viri.

      They killed Napster, which allowed them to see what music millions of people collected. They just killed AudioGalaxy which gave them the same information. Any businessman with a fractional clue could have figured out how to use that information to build a profitable business. Now, they've lost the potential for getting any information at all.

      Stupid, stupid, stupid.

      --
      "How perfectly Goddamn delightful it all is, to be sure" Charles Crumb
    7. Re:Opposite Effect Achieved by NBarnes · · Score: 1


      Moox wrote:

      > Can't they hire some homeless CS students to monitor who (which ip) does what (which
      > song/movie)

      *snip*

      > Please don't tell me about encrypted filesharing, it's not usable for at least the next five
      > years (IMO). (Isn't strong encryption illegal anyway? Terrorists could use it..)

      A) I think you _vastly_ underestimate the difficulty, legal and otherwise, involved in the RIAA setting up file peer to peer file transferring monitering by IP. It's not just not easy, and not just difficult, but, in fact, for to a variety of legal and technical reasons, very nearly impossible.

      B) I'm sure that the net-folks of the world are _really_ losing sleep over the US fed gov's opinion of strong encryption. The only reason that we're looking at encrypted filesharing in the next four years or so instead of the next four months or so is that it's just not needed for security right now. If it becomes needed, expect that timeframe to shorten in a remarkable hurry (well, remarkable to anybody that's failed to notice how quickly the 'net responds to attempts to impede information flow).

    8. Re:Opposite Effect Achieved by JKR · · Score: 1
      This is exactly like those Soccer Moms who wipe every surface with low-grade antibiotics and insist the doctor give their rugrat antibiotics for their every cold. It's utterly useless, and the only result is to produce stronger and tougher viri.

      Please explain how antibiotics affect virus particles in any way at all. For bonus points, attach an annotated diagram of a bacteriophage. Write on both sides of the paper. Either way up boy, I'm not bothered.

      Any businessman with a fractional clue could have figured out how to use that information to build a profitable business.

      Oh really? Collecting marketing data isn't much use when you can't actually sell a product to anyone because they've already downloaded bootleg copies of the studio master tapes.

      Jon.

    9. Re:Opposite Effect Achieved by perler · · Score: 1
      "The message is clear - there is no place on the Internet for services that exploit creators' work without fair compensation," added Edward P. Murphy, President and CEO, NMPA.
      this should be the end to most musiclabel websites on the net ;)) PAT
    10. Re:Opposite Effect Achieved by pdh11 · · Score: 1
      Collecting marketing data isn't much use when you can't actually sell a product to anyone because they've already downloaded bootleg copies of the studio master tapes.

      Bits are not a product. Atoms are a product. Such people could be sold merchandising, or gig tickets. Those are the saleable products of the music industry. Music is not.

      Peter

    11. Re:Opposite Effect Achieved by Anonymous Coward · · Score: 0

      Before the industry freaked out, I was buying more cd's. Now I don't want to give them any money. As for the marketing data not being useful, one obvious use is targeted advertising (say for a pristine copy of the album you can only find 1/2 the songs for, or maybe concerts in your area, or band related merchandise)

      Instead of stifling new technologies, the music industry should focus on adapting to the changes in their market. Perhaps by creating more enticing incentives to purchase the cd (aka cool cover art, booklets & info, maybe discounts to their concert, discounts on similar artists, etc). After all, a free market doesn't guarantee you profitability; you have to make you product desirable. And, for what it matters; I think perpetual copyrights really suck.

      meddle

    12. Re:Opposite Effect Achieved by Reziac · · Score: 2

      That's a good point -- the RIAA should have taken note of which songs are in demand, then done something to fulfill that demand. Talk about having your marketing research done *for* you, at no charge!!

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    13. Re:Opposite Effect Achieved by Dirtside · · Score: 2

      Not a flame, just FYI:

      1) Antibiotics don't affect viruses; they only affect bacteria.

      2) The only acceptable plural of "virus" is "viruses". "Viri" (or even worse, "virii") are not valid plurals of "virus". The unfortunately-extended example is that "radius" becomes "radii", but there are numerous Latin words that end in "-us" that do not have "-i" as a plural. Reference:

      http://www.perl.com/language/misc/virus.html

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    14. Re:Opposite Effect Achieved by cameldrv · · Score: 1

      Please explain how antibiotics affect virus particles in any way at all. For bonus points, attach an annotated diagram of a bacteriophage. Write on both sides of the paper. Either way up boy, I'm not bothered.

      For extra bonus points, draw a diagram of missing the point.

  26. Re:ALL SONGS *ARE* UN-DLable by Trillian_1138 · · Score: 1

    Replying to myself:

    I just checked AudioGalaxy and it WOULD indeed apear that, as of right now, not a single song is downloadable. Since that is the case, I'd suggest switching to KaZaAlite (www.kazaalite.com) or some such.

    Or just wait for the next file-sharer. Napster's dead. Maybe AudioGalaxy is now too. That doesn't mean another software system won't pop up shortly. (And I repeat my recomendation of Kazaalite!! It's adware and spyware FREE!!!)

  27. So what? by PhysicsGenius · · Score: 0

    Great, AudioGalaxy is legal now. So what? If you consider their peering model, wherein clients act like sub-servers in an availability matrix you'll find that their network capacity and bandwidth redudancy weren't all that great to begin with. Now, with reduced storage load and increased end-user demand it will only get worse. Good bye, AudioGalaxy.

  28. AG was about as good as possible.. by 7seasjim · · Score: 2, Insightful

    Audiogalaxy, as proficient user, was lightyears ahead of Napster and way way beyond Kazaa & the crowd. When you had it working for you, it would provide the most amazing music sent TO you by groups of people with similar interests, guaranteed to be good. Their biggest liability was that they didnt have the money to compete with the RIAA. They're not in violation of anything besides listing whats on your hard drive; but legally, it would take millions to prove a simple point. All they ever sold was AG t-shirts. God bless them for trying; music will be as free as language (look at us reading without paying $$ for it) some day. No executive deserves 500k/yr for making children behave like Britney Spears. Fuck 'em for being soulless, immoral and soon to be dead.

  29. I will miss them by Anonymous Coward · · Score: 0

    Better than Napster, very much oriented to the music fan. I found out more interesting obscure and old stuff there. Where else could I find stuff by "Sex With Lurch" and Red Prysock in the same session?

    Tried Limewire recently in anticipation of this. Not the same.

  30. and hopefully, in the near future by Chardish · · Score: 4, Funny

    I'd like to see this:

    Today AudioGalaxy reached an out-of-court settlement with representatives of a class-action spyware suit. To sum up the settlement, AudioGalaxy will pay the spyware victims a lot of money and from now only provide programs for which the user has specifically given permission for the program to install"

  31. IIRC by loucura! · · Score: 3, Funny

    Didn't they only provide songs that the copyright holder gave them permission for? From what I've heard and seen, Audiogalaxy removed songs that were copyright violations quite quickly, and had filtering software that blocked them from coming back.

    Basically the settlement should read: AudioGalaxy settles with RIAA, buys protection, and avoids cement boots, and Guido.

    --
    Black and grey are both shades of white.
    1. Re:IIRC by SN74S181 · · Score: 1

      Speaking as a latecomer to P2P music 'trading' I can state categorically that I only ever used Audio Galaxy to download music that I explicitly know was copyrighted and they almost certainly had no permission to be spreading around for free. Mostly tracks from Psychic TV. Genesis P-Orrige, one of the PTV leaders, is notorious for defending his 'IP' rights.

    2. Re:IIRC by trezor · · Score: 1

      Yeah. So did I. And then I deleted the crap. Deleted the good ones, and bought have a record shop, and am now quite broke. But at least I get to have those nice CDs.

      MP3s are pure preview. And I wouldnt have a bought a single of those CDs without Audiogalaxy. Now I guess I'll just have to copy my friends CDs instead. Bigtime money not going to the RIAA for this one.

      --
      Not Buzzword 2.0 compliant. Please speak english.
  32. In further news... by shut_up_man · · Score: 3, Funny

    In compliance with the RIAA's wishes, Audiogalaxy.com has made its service almost totally useless, paid out most of its funding in fines, and ensured that the great percentage of its users have fled to another, as-yet-unknown, music sharing system.

    Film at eleven.

  33. And so, as another one dies.. by CBNobi · · Score: 2

    When Napster was bombarded by suits and started to slowly die, many of the users moved to Morpheus (known as MusicCity at the time and running their own OpenNap network, IIRC). So who did the RIAA attack? Kazaa/Morpheus, of course.

    AudioGalaxy is yet another of those sued by the industry, and yet another source of music is destroyed. What will this mean for users of the service?

    They'll move to another service, such as BearShare, iMesh, or WinMX. Very few of them will bother finding true alternative sources, such as IRC channels or FTP servers. And what does RIAA do best? Look for popular services and nuke them.

    This is in no way a flame towards those who decide to move to other services - however, it just seems to be becoming a trend for the RIAA to hurt larger services first.

    1. Re:And so, as another one dies.. by sheetsda · · Score: 2

      They'll move to another service, such as BearShare, iMesh, or WinMX. Very few of them will bother finding true alternative sources, such as IRC channels or FTP servers. And what does RIAA do best? Look for popular services and nuke them.

      Just curious, has anyone heard of any attempts by services such as these to buy copyrights from artists and challenge the RIAA as a legitimate (competing, rather than RIAA-owned) distributor on legally even ground? If not, would anyone care to speculate as to why not? At first glance I would guess revenue would be a problem, but surely there would be some artists out there willing to trade a few songs for shares of the company. This type of business also could prove once and for all whether MP3 downloaders are being freeloaders or just loath the middle-man. After a little more thought I think the biggest obstacle would be the difficulty in acquiring enough copyrights to pose a threat to the RIAA. Any thoughts?

    2. Re:And so, as another one dies.. by schnell · · Score: 3, Insightful

      Just curious, has anyone heard of any attempts by services such as these to buy copyrights from artists and challenge the RIAA as a legitimate (competing, rather than RIAA-owned) distributor on legally even ground?

      It's a nice idea, but it doesn't work like that. I'm sure that artists may be amenable to the idea, but major artists simply aren't going to be able to do that. For albums released by major labels (smaller labels as well, IIRC), the artist/songwriter owns the song, but NOT the actual recording of it that appeared on the album. So all those tracks that came off an album are owned by the publisher, not the artist - and there's a snowball's chance in Hell that you'll get them to sell that (or license it, either - they can't even agree on fairly doing that between themselves for their lame online music services, let alone fairly licensing it to some young startup whippersnappers).

      "Okay," you say, "so the artists don't own the actual recordings (that particular performance that's on the album) ... so why don't they re-record it (since they own the song itself) and sell or license that to someone else?" Unfortunately, most major artists are under contract to large record labels - so if they record a new version, their label gets first dibs. That also includes "official" live recordings, too. BTW, live bootlegs, even if the band turns a blind eye to their existence, are theoretically just as illegal as pirated album tracks, since the label the band is under contract to should get a chance to make money off the band is going to release it (and the band to get some royalties from it).

      Lastly, don't blame the bands for making these "deals with the devil" - yes, it handcuffs them to have the rights to their next X albums' worth of songs locked into a big nasty music label - but when you're struggling to make it, the offer of financing to make albums, distribution networks to get you on the radio and in Tower Records is nothing to sneeze at. They're just trying to make it when they sign these deals - nobody else right now can offer them the same things that the major labels can.

      Maybe the real hope lies in bands that use the big labels to get popular, then after their contracts expire use the 'net intelligently to reach their fans. But unless rock stars start reading Slashdot daily (or someone can convince them that there's a really solid plan for not losing their fiscal shorts in the effort), we may be waiting a while.

      --
      "95% of all Slashdot .sig quotes are incorrect or completely fabricated." -Benjamin Franklin
    3. Re:And so, as another one dies.. by Anonymous Coward · · Score: 0

      > it just seems to be becoming a trend for the RIAA to hurt larger services first

      Actually, I think the RIAA is targeting services based on the strength of their legal case.

      Centralized servers provide the RIAA with a stronger case because they can argue that the servers are a plausible choke-point for copyright enforcement.

      The centralized servers also require money to run, which provides a clearer target for the lawyers.

      The RIAA can only attack the decentralized networks indirectly (via ISPs, etc.), which will be more difficult.

      The RIAA has wisely chosen to attack the easier targets first.

    4. Re:And so, as another one dies.. by Anonymous Coward · · Score: 0

      The biggest obstacles would be:
      - finding out-of-contract artists, especially new artists, with the talent to be commercially successful. Or older artists, out-of-contract or not exclusively contracted, who you can afford.
      - funding quite incredible production costs for the music they produce. Or balancing cost and quality with what users will expect.
      - getting enough artists on the system, and enough users, to make the business profitable and start making it look attractive as an RIAA alternative.

      At this point you're pretty much operating as an independent label anyway, and may as well sell to the more profitable CD rather than online markets.

  34. Just a thought by oPless · · Score: 3, Interesting



    RIAA ... Monopoly ?

    They certainly think they are, because they seem to be "representing" bands that are unsigned

    So are they going to stump up the cash to these indie bands? ho ho ho.

    Can some of these indie band file a class action lawsuit against the RIAA for anti-trust ?

    Just a thought... IANAL

    1. Re:Just a thought by Anonymous Coward · · Score: 0

      It's actually an oligopoly, not a monopoly (mono = one).

    2. Re:Just a thought by Trinn · · Score: 1

      An "it" cannot be an oligopoly. The RIAA is to its member organizations as the US Federal Government is to the states, for the most part, except that the RIAA cannot prohibit organizations from seceeding (though they are trying very hard to prohibit any competition). The RIAA (and its sister the MPAA) are both controlled by a central ruling body, which passes down orders to member organizations, who can either take it or leave, but leaving generally means going out of buisiness.

  35. Settlement Question by Aknaton · · Score: 1

    If the RIAA was indeed ripped off, so were the artists. So will the artists receive any money from this?

  36. This is only the beginning. by vkg · · Score: 5, Insightful

    In case you haven't been paying attention

    THESE MOFOS ARE GOING TO TRY AND DO THIS TO THE ENTIRE INTERNET

    Filtering of all content, on the backbone, to remove anything without DRM flags indicating it's OK to transmit is both technically feasible and completely coherent with increasing government demands to be back in control of the internet.

    Welcome to the future of the internet: we call it television, and we'll tell you what you can see!

    1. Re:This is only the beginning. by joshki · · Score: 1

      Technically feasible is a stretch -- But you're probably correct in your insight into what they want to do. Unfortunately for them, I think before that happens there will be a consumer revolt. I guess I can hope, anyway.

      --
      I do not read or respond to AC's. If you want a discussion, log in. Otherwise, don't waste your time.
    2. Re:This is only the beginning. by javilon · · Score: 2

      As long as traffic is encripted (a la freenet) they won't be able to tell what is what.

      So no, this won't work.

      --


      When his defense asked, "Which computer has Jon Johansen trespassed upon?" the answer was: "His own."
    3. Re:This is only the beginning. by RickHunter · · Score: 2

      Default-deny, remember? If its encrypted, it won't have the DRM bits set, won't be part of an Industry-Approved Connection, and so won't be let out. And if it does have the DRM bits set, you'll get thrown in jail for violating the DMCA, SSSCA (or whatever they call it next week), and Europe's inevitable alphabet-soup "we just gave control over your life to the media industry, enjoy!" law.

    4. Re:This is only the beginning. by sgtrock · · Score: 1

      One of my favorite proverbs is still applicable:

      "The Internet sees censorship as damage, and routes around it."

      Filter all content without a DRM flag? Umm, there's FAR too much legitimate traffic on all kinds of ports with no need for a DRM flag for this to be feasible. Therefore, what you propose would only be possible in the narrowest sense for specific applications. So, as has already been pointed out, new applications doing the same job without DRM will inevitably pop up.

  37. Can I choose who is next? by peterdaly · · Score: 1, Troll

    If I ruled the RIAA, I'd go after Morphius and Kazaa next. Not because of the music problem, but because of all the crap, buth known an unbeknownst to the users of their software.

    Please, shut them down!

    -Pete

  38. The Curse of Napster by E-Rock-23 · · Score: 1

    Once again, another "son of Napster" goes down due to an insanely high public profile. Makes you wonder if the RIAA will ever realize where the REAL damage is being done. IMHO, the RIAA won't be able to pinpoint the problem and will ultimately fall as more and more artists realize what power they actually have thanks to MP3/OGG/etc.

    Meanwhile, elsewhere on the net, millions upon millions of files are being swapped every day, right under the RIAA's nose. Looks like the "All-Knowing, All-Seeing, Hand-Of-God-Laying-The-Smackdown" is a little blind, deaf and dumb yet. And to think they're being undercut by three little letters...

    --
    Blog Prophyts - Right On, Man
    1. Re:The Curse of Napster by Anonymous Coward · · Score: 0

      i think you'll find the the first two letter are not M or P, and the third letter in fact C

  39. Access Forbidden by Roy+Ward · · Score: 4, Funny

    I got this when trying to look at the press release on RIAA's web site:

    >HTTP Error 403
    >
    >403.9 Access Forbidden: Too many users are connected

    Sums up their whole approach really.

    1. Re:Access Forbidden by Anonymous Coward · · Score: 0

      C'mon! Mod this up! Geez!

  40. I've always loved Tom's by pornaholic · · Score: 1

    I had quite a giggle when I could name all the CD's based on the parts of them that showed around the post-it. I hope it was done not only to avoid entanglements, but also in humor. Kinda like a scrambled pr0n, you can get the whole picture from a little piece of it. I just have to worry about having broken Tom's encryption scheme by figuring it out.

    Maybe if you listened to the scrambled music these CDs play you can appreciate the entire sound. Well, no, that's just stupid. So it's not like scrambled pr0n cause I don't enjoy it - more like a girl's phone number that you wrote on your hand and accidentally rubbed off the last 2 numbers.

    A bit wandering, but hopefully stimulating in some non-nauseating way.

  41. And another one bends over to take it.... by Anonymous Coward · · Score: 0

    ...up the ass.

  42. Dear Audiogalaxy... by HowlinMad · · Score: 0

    I give you permission to share our songs.

    Love,

    Metallica

  43. oh great... by joeldg · · Score: 1

    Now, the last service that was usable, fast and didn't want to know your mothers maiden name (and probably the rights to it too) is being screwed offline. I have been using this service since it started and the linux client works wonders and it is fast and doesn't want you to share your whole hard drive (read: morpheus).. Oh, this makes my heart sink... grr.. now I'm mad...

    1. Re:oh great... by dytin · · Score: 1

      Use WinMX 3.2, it is an awesome filesharing program. Just make sure that you make a secondary connection to the network, not a primary connection (you'll know what I mean if you download it), then WinMX 3.2 is just plain awesome. It's got all of the good features of the old WinMX (plenty of songs and varying bitrates, decentralized server, anonymity, no spyware) as well as all of benefits of Kazaa (download resuming and multiple source downloads).

  44. those wonderful press releases... by muel · · Score: 2, Insightful

    "The message is clear - there is no place on the Internet for services that exploit creators' work without fair compensation." --Edward Murphy, NMPA

    Of course. The recording industry would much rather let the record labels, executives, managers and lawyers do the exploiting of musicians, as always.

    "This is a victory for everyone who cares about protecting the value of music," said Hilary Rosen, Chairman and CEO of the RIAA.

    And by value, she means dollars, not musical or technical merit. But she doesn't mean the dollars spent in "payola" fashion to radio directors who decide which songs are put into rotation in key markets (and you thought your phone calls and emails picked which songs got played)... nor does she mean the dollars spent on flawed copy-protection schemes. She means .001% of the dollars on an executive's quarterly report. That's the value of music, kids.

    I'm left to wonder; where's the AG press release?

  45. OMG - My wife out teched me! by joel8x · · Score: 1

    My wife was trying to download a Strokes song using Kazaa Lite and it was slow going (as usual), so I bet her I could DL it on Audiogalaxy in less than 2 minutes. So I search for it and find it quick enough, with a message saying that I'm not allowed to search for this file due to copyright infringement!

    I thought it was my third party Mac client (Sputnix) being blocked, so I hopped over to my PC and tried it there, only to find the same results. OK, my 2 minutes were almost up... A quick look at the message boards finds the press statement from earlier today. DAMN - I'm not pissed that they pulled Audiogalaxy, 'cause there's a million of these services popping up every time one goes down (I found a great network - DirectConnect - from looking at the AG Message board), but what pissed me off is that I lost my bet to my non-technical WIFE. Those M'er F'ers!!!!

    Needless to say I installed the program DirectConnect (http://www.neo-modus.com) and had the song Dl'ed in less than 15 minutes from the start of my bet, but that was 13 minutes too late!

    --
    Sound waves should be free!
    1. Re:OMG - My wife out teched me! by Anonymous Coward · · Score: 0

      asswipe

    2. Re:OMG - My wife out teched me! by IgwanaRob · · Score: 1

      Bwaaahahahahaaaa!

      --

      ~~Iggy~~
      The gene pool needs a lifeguard....
    3. Re:OMG - My wife out teched me! by rworne · · Score: 1
      Do what I do to my wife in such situations. Telnet over to her machine and command a remote shutdown (she uses OS X) and get it from Kazaa via my OS X box or via VirtualPC.

      Family squabbles always lead to lots of "downtime" on the ADSL line when hubby is sysadmin.

      --
      I tried every decent and legal way I could think of to resolve the issue w/the business before I rented the chicken suit
    4. Re:OMG - My wife out teched me! by Anonymous Coward · · Score: 0

      Direct Connect is the new Audiogalaxy for me. As soon as you find the right hub, it is the best. I have downloaded gigs and gigs of incredibly obscure music using DC.

  46. Refund? by dbrummer · · Score: 1

    What is AG going to do now that all the gold members paid. My coworker paid $15 for the gold membership 3months ago, and he still has 3months left. I smell a large refund of many users coming on. AG is skrewd.

    1. Re:Refund? by Anonymous Coward · · Score: 0

      They get to use the new legal AudioGalaxy!

      Who's going to publicly admit they are upset because they paid to use something illegal and now they can't? "But your honor, I paid the hitman, it's not fair I don't get my kill!"

    2. Re:Refund? by Buran · · Score: 2

      If you paid with a credit card, you can contest it with the card issuer -- service rendered was made nearly useless unexpectedly. Still, this sort of thing is why I don't pay for web "services." Don't want to be left screwed.

  47. who cares timothy by Anonymous Coward · · Score: 0

    you're the worst slashdot editor.. along with hypocrite michael

  48. just an idea... by InsaneCreator · · Score: 2

    I believe that now is the right time to unleash a file-sharing IIS worm! What are they going to do? Drag Microsoft and thousands of NT server owners to court for providing software for file sharing?

  49. New Business model for the RIAA? by smoondog · · Score: 2

    Is this the beginning of a new business model for the RIAA? The steps:

    1. Someone starts a p2p service.
    2. Users of said service trade copyrighted material.
    3. RIAA sues said service to prevent copyright infringement along the service's (virtual) pipes.
    4. Service pays RIAA, files bankruptcy slightly later.
    5. Goto step 1

    Hmm, is it just me or is this a *really* big waste of venture capital and angel investing? You are paying the RIAA for the ability to trade priviledged material. The thing is, your copy is still illegal and someone is picking up your tab.

    -Sean

  50. join groups by Anonymous Coward · · Score: 1, Interesting

    no fret, audiogalaxy is still worth using... The copywright laws dont work for groups. All you have to do is join a bunch of groups and just take the songs from the people there. Theres no song blocking in the groups. I would suggest to use this to our advantage.

    1. Re:join groups by spoonboy42 · · Score: 2

      Yes, there is song blocking in groups. For a couple of weeks now, file sends have been filtered for copyright, too. This also ended a hack I punched up that used two user accounts to dupe the system into sending copyrighted tracks.

      --
      Anonymous Luddite: "What do you think of the dehumanizing effects of the Internet?"
      Andy Grove: "Not Much."
    2. Re:join groups by netsharc · · Score: 1

      What would happen if we ROT13 all our music filenames and share them? AG shouldn't be able to recognize the filenames but people with brains can still look them up. Of course this means the ROT13 feature has to be built into the program, because browsing (local) directories of ROT13'ed files wouldn't be fun..

      I better start this movement.. :)

      --
      What time is it/will be over there? Check with my iPhone app!
    3. Re:join groups by netsharc · · Score: 1

      To continue.. wow I did find one ROT-13'ed file name, search for "ZRgNYYVPN" in Audiogalaxy.

      --
      What time is it/will be over there? Check with my iPhone app!
    4. Re:join groups by tlhf · · Score: 1

      This has changed AudioGalaxy to 'opt-in', not 'opt-out'. All songs are blocked until they are given the green light. Even songs which having nothing to do with the major labels.

  51. Yea... by mlknowle · · Score: 2

    ...cause the same thing worked *so* well for Napster!

    AudioGalaxy is dead.

  52. I don't like this stupid RIAA. by rice_burners_suck · · Score: 4, Insightful

    I strongly believe this is an unacceptable settlement. An acceptable settlement is one where a business arrangement is reached whereby both parties benefit from the agreement. For example, a deal whereby some small fee is paid to the RIAA for each copy of a song downloaded or sold, in exchange for RIAA marketing muscle supporting the scheme. This would most likely bring more benefits to both parties than the current scheme, which will screw over AudioGalaxy and give no extra profit to the RIAA.

    Conclusion? The boring, gray-haired old men in charge of the RIAA have absolutely no imagination whatsoever. Only a lot of greed. And greed is their downfall. Case in point: If music (and indeed, other "content" such as movies) was sold for much cheaper, I believe the RIAA would increase volumes tremendously and make more profit than under the current scheme, where laws are passed left and right to protect the alleged right of the RIAA to eternal profit. Suppose an album you wanted cost $8.00 to $10.00 (USD), rather than the outrageous $18.00 that many albums cost nowadays. I believe that most people would find it so much more convenient to buy an album than to download 300 copies of a song in search of a good quality rip. Further, I think that music should be sold online, for extremely low prices. An album that sells for $8.00 in the store might go for $2.00 if downloaded, as the buyer doesn't get a nice shiny CD, case, booklet, and all kinds of other stuff. The copy available at the store would include all sorts of cool stuff (including coupons to direct customers to other music they might like), giving people a good reason to actually buy the music.

    Finally, I think everyone should fight for their fair use rights. If you buy a CD, you should be allowed to make as many copies as you want for your own use. For example, I never take my original CDs into my car, as they could get jacked or lost or melted in the heat or something. It would be even more convenient if my stereo played MP3 CDs, so I could put all my albums on a few discs and not have to endanger myself and others while driving to change CDs around.

    But like I said, those idiot gray-haired old geezers in control of the RIAA have no style or imagination. They're a bunch of boring old men with no goal in life other than to make themselves appear elevated by crushing others.

    1. Re:I don't like this stupid RIAA. by Stonehand · · Score: 4, Insightful

      And it would be convenient, to, for Mercedes-Benz to only sell cars at cost, but they are under absolutely no obligation to you to do so.

      If AudioGalaxy weren't profiteering off copyright infringement, perhaps they wouldn't have gotten into this mess in the first place, any more than a thug or any other criminal deserves an "acceptable settlement".

      The RIAA is entitled to charge whatever the market can bear -- and whether or not the market is truly involved (as in -- is it a price-fixing cartel?) is an actual, but completely separate, issue that does not justify willful infringement on their property except by judicial action if and when they are found to be being anticompetitive.

      In any fair transaction (*), neither party can impose terms on the other -- there is always the option to walk away. You, as a customer, may choose not to buy a CD -- but you are not then entitled to the music in any form if you reach no agreement. The copyright holder may choose not to sell at a price or in a form that you desire -- but it is then not entitled to seize your money. Both sides may negotiate, but the main principle of reasonable theories of entitlement is an informed consent -- both sides should properly disclose their terms, and no transaction takes place unless agreed upon.

      (*) Determining the ethics of state transactions is often hairy. So, for that matter, are nigh-automatic transactions such as pollution; in that case, determining compensation becomes a problem.

      --
      Only the dead have seen the end of war.
    2. Re:I don't like this stupid RIAA. by dboyles · · Score: 2

      I agree. Musicians are under no obligation to license their works to major labels, they choose to do so. Yes, I think said labels use and abuse their artists. If the artist's work isn't profitable, the label will drop them in a heartbeat. It sucks, but it happens because there is a market for it. The artist and the musician sign a contract because they both feel that it is to their benefit. Sometimes both are wrong. Sometimes one of them is wrong. And very rarely, both of them are right.

      Likewise, the price of these copyrighted works is set by demand. The fact that someone may feel that the price is too high, or that the RIAA is evil absolutely does not entitle that person to violate the IP rights of the owner. We are not a captive group; it's not like the RIAA has a monopoly on clean water.

      Thoughtful discussion on this topic is welcome.

      --
      -- "Complacency is a far more dangerous attitude than outrage." -Naomi Littlebear
    3. Re:I don't like this stupid RIAA. by Anenga · · Score: 1
      Further, I think that music should be sold online, for extremely low prices.

      Here is my idea:

      MP3 players, such as the Apple iPod, will evolve. They should include wireless Internet connection Within the iPod, for example, you could search or browse using a list (similar to it's current UI) for a song. You hit "Buy" and it downloads onto your iPod in seconds. You have the song stored on your iPod. If you delete it, or it gets misplaced, you could buy it again. It would be so cheap that you wouldn't think twice about it. (The price would be around 60 cents USD.) The cost of production (bandwidth, server costs) would be very minimal. I bet alot of people would be downloading alot of MP3's daily. Perhaps people would spend around $10 a month on it. Perhaps pay a monthly fee of $19.99 and download at an endless unlimited amount. If you don't see profits in that, your blind. Bandwidth prices are going down, and so are computers/servers.

      Is that hard to do? Not really. The reason they probably aren't doing something like that yet is because of the RIAA. Who the hell wants to jump in that shark invested waters?

      Man, maybe I shouldn't be telling you this. I could of nabbed a job at Apple =)
    4. Re:I don't like this stupid RIAA. by Anonymous Coward · · Score: 0

      "You, as a customer, may choose not to buy a CD -- but you are not then entitled to the music in any form if you reach no agreement."

      I'm not sure what you mean by entitled. I want the music and I download it. I don't hurt anyone, and I don't get caught. What else is there to it?

    5. Re:I don't like this stupid RIAA. by the+saltydog · · Score: 1

      Sheesh, your nick should be Stonehead instead.

      Honestly, of the 700 or so tracks in my mp3 collection, I own a legitimate copy (RIAA approved media) of at least 650 of them. Many others are audio recordings of television programs, which I've time- and format-shifted to the media of my choice. Of those media types, NONE of them require me to pay-per-listen. Shit, I bought "Frampton Comes Alive" on vinyl...twice! and once each on cassette and CD. Why? I wore them out. I don't have to worry about this anymore. Unless the RIAA copy-prevents each new silvery-thingy that looks a lot like a CD, but isn't. I'm not buying MY music over again. I own it, and I AM entitled to listen to it in any way I see fit. Period. Hilary Rosen, please fuck off.
      .
      .
      .

    6. Re:I don't like this stupid RIAA. by cinderful · · Score: 1

      note:

      Fair Use is not a right.
      It's a law.
      Laws can be repealed, overruled. Rights cannot.

      (unless you're a p2p sharing software service, that is)

    7. Re:I don't like this stupid RIAA. by Anonymous Coward · · Score: 0

      Downfall? You seem to be suggesting that they're actually having a problem of some sort. The reason they're not changing their strategy..get this..is because the one they're using works! That's right. They demolish companies, stomp out useful innovations, and they get paid for it. Then they use that same money for campaign contributions/bribes, providing them with the political clout they need to have laws like the DMCA put into practice. Why bother having imagination when they can have your money instead?

    8. Re:I don't like this stupid RIAA. by rice_burners_suck · · Score: 2
      Perhaps pay a monthly fee of $19.99 and download at an endless unlimited amount.

      Oh man, I just LOVE statements like that. It'll be just like "pay 40 dollars a month for UNLIMITED broadband internet access!" And then, when people actually start using the bandwidth they're PAYING FOR under the agreement, the provider freaks out (because of course, the provider is run by a bunch of boring gray-haired old geezers) and starts figuring out ways to weasel out of the agreement. Like charging extra after exceeding a certain amount of bandwidth. So if you download like 3 bytes, the 3rd and every subsequent bytes will cost you an arm and a leg. Of course, since this will be in fine print so small that you'd need to put six telescopes and a scanning electron microscope in series to read it, a lot of people will be fooled.

      So where was I? Oh yeah, "Perhaps pay a monthly fee of $19.99 and download at an endless unlimited amount." That'll last about 6 months. And then, they'll say, "Ok, 19.99 for unlimited use, except if you download more than, say, ten songs (a 6 dollar value under your pricing scheme), we'll charge you extra. And then, the IDIOT consumers, who think they have no choice, will fall for it. And the price will quietly rise from 60 cents to something like 6 dollars per song, and once again, piracy will become a problem.

      The way I see it, you can be as morally correct as you want... Say that the RIAA will price crap at whatever the market will bear. Well, obviously, the market ISN'T bearing their outrageous prices, because if it did, piracy would be a fringe thing, and nobody would think twice about it, because it'd be a waste of time and money to muck around trying to fight it.

      Oh well. Nobody understands. I'll just have another Negra Modelo or ten and go back to sleep.

    9. Re:I don't like this stupid RIAA. by rice_burners_suck · · Score: 2

      I've got a better idea. How 'bout the stupid American people WAKE UP, realize their rights (and to make the rest of you happy, all LAWS in favor of the individual) are being eroded away for the convenience and eternal profit of huge corporation?!? Eh? Isn't that an innovative solution? I'm not talking about CDs or music or MP3s or stupid shit like that. I'm talking about wait 30 years and you'll see how you have to prove your innocence every time you draw breath.

    10. Re:I don't like this stupid RIAA. by Tackhead · · Score: 2
      > Honestly, of the 700 or so tracks in my mp3 collection, I own a legitimate copy (RIAA approved media) of at least 650 of them. Many others are audio recordings of television programs, which I've time- and format-shifted to the media of my choice. Of those media types, NONE of them require me to pay-per-listen. Shit, I bought "Frampton Comes Alive" on vinyl...twice! and once each on cassette and CD. Why? I wore them out. I don't have to worry about this anymore. Unless the RIAA copy-prevents each new silvery-thingy that looks a lot like a CD, but isn't. I'm not buying MY music over again. I own it, and I AM entitled to listen to it in any way I see fit. Period. Hilary Rosen, please fuck off. [emphasis mine, not poster's]

      "Please" fuck off? What's this "please" shit?

      Respect is earned, dude.

      The correct response is (borrowing heavily from an all-time classic flame/rant I saw to a joe-jobbing spammer in news.admin.net-abuse.email)...

      Hilary Rosen - Fuck off, fuck right off, and stay fucked off. Have a fuck-off and a smile. Fuck off, and expedite. Achieve total light fuckoffosity. The english language is incapable of expressing the full scope of the total fuckedoffitude with with you need to fuck off. You need to attend the fuckoff university and do postgraduate studies in fuckoffology, work at an apprenticeship to a master fuckoff until you are awarded a union card from the fuckoff local 151, and then work in a small local fuckoff business for a few years unti you feel able to achieve the perfect fuckoff. You should then make a pilgramage to the Fuckoff Lama and spend a few years in Fuckoffindental meditation until you have achieved a perfect state of inner fuckoff.

      You may be operating under the impression that you are dealing with a few geeks who post negative comments on Slashdot about your fraudulent sham organization, but you're not; you're dealing with the advocates for the owners of the internet that you seek to pollute and defraud, and we (tinw) are music lovers, and legion, and have server rooms full of multiply-redundant Fuck Off servers producing an OC-192's bandwidth of high-speed digital Fuck Offs just for you. And any time you care to unfuck off, we (tinw) will provide you with as many fuck offs as you can handle and then some.

      Simply put: continue to fuck with us, and we will continue to crush your obsolete business model's nuts.

    11. Re:I don't like this stupid RIAA. by zsazsa · · Score: 2

      The RIAA is entitled to charge whatever the market can bear

      Evidenced by the rash of P2P music "sharing," the market doesn't seem to be bearing too well. Instead of adjusting their prices to match the market, they're trying to adjust the market to match their prices.

      Ian

    12. Re:I don't like this stupid RIAA. by Anonymous Coward · · Score: 0

      I have noticed a new phenomenon, I have enough of an mp3 collection on my home computer to actually swap with friends in the real world. I just pull my extra hard drive and pass it around, kind of lo-tech but it is the fastest 40gig transfer around. My friends pull off all of my MP3's and put theirs MP3's on my machine making the archive even bigger, we also have duplicate back ups in case my drives go down, 10x redundancy. We just update archives every now and then from each person. As storage becomes easier all I have to do is swap a cheap disk. A kind of book club with MP3's. As for ownership, I really don't care what people say. I feel like the record companies are trying to get the rights to my soul, they are trying their hardest to shut down any and all ways for me to find the things I like and am interested in. They are an impediment to my way of life, so I do what I can to chip away at their empires. Ha ha.

    13. Re:I don't like this stupid RIAA. by Anonymous Coward · · Score: 0

      P2P "sharing" is not part of the market.

      It _may_ indicate some pissed off consumers (but the RIAA argument would be that there's always going to be some who can't afford/don't want to pay for the content).

      The RIAA is entitled to charge what the market will bear, and to protect what is legally theirs. The RIAA's charges will not be affected by illegal activities, except maybe going up even more to compensate for their 'losses'. Only if someone comes up with legitimately cheaper or better competition, or if people stop buying CDs (independent of an 'I can download them instead' option) will they drop their prices.

  53. work by Anonymous Coward · · Score: 0

    How am I supposed to look busy at work now?

  54. what should I use? by bigsexyjoe · · Score: 1

    Please forgive my ingorance. What do you recommend for downloading stuff. Most people Kazza, but I understand that has "spyware." (I'm not sure what that does.) Any feedback would be appreciated.

    1. Re:what should I use? by kaustik · · Score: 1

      Kazaalite.com Kazaa with spyware removed. Just make sure to install a good virus program and scan each download before opening. I've had great success with downloading full albums, cracked games, movies, etc.

    2. Re:what should I use? by pigeon · · Score: 1

      Great. So where's the linux version? Kazaa is great for divx, but it's choice of non mainstream music was i nferior to that of Audiogalaxy. And I liked the client server setup: I was running the sattelite on my server, and selected songs via a webbrowser on my laptop. I then mounted my mp3 directory via NFS via wireless lan and I could listen to my mp3's wireless..

    3. Re:what should I use? by SomeOtherGuy · · Score: 2

      Amen. Me to. This is a baaaad thing. Most of the artists I downloaded from AG have been working at BK since the Internet has been big, and the only chance of finding catalog music of them in the record stores is about like finding clean water in Mexico.

      RIAA is like Mack Bolan -- they are now fighting there private wars with a War Chest of dollars garnished from their enemies.

      --
      (+1 Funny) only if I laugh out loud.
    4. Re: what should I use? by bigsexyjoe · · Score: 1

      Thanks, I appericate the advice. Feel free to e-mail me at bigsexyjoe@riaa.org

  55. FUCK!!! by Groucho · · Score: 4, Interesting

    God damn those dickshitting chancre-eating mongo fuckers!

    Last night I heard a great new artist on a shoutcast station (another non-approved media outlet that they're trying to shut down) and today when I go to sample a couple more tracks, I find everything is locked up.

    Audiogalaxy was truly the best. It had just about every non-mainstream artist I'd ever heard of and then some. I've been buying CDs for the past two years exclusively based on stuff I've been able to sample from them.

    Compared to Audiogalaxy, Gnutella, Limewire and Kazaa users have nothing but crap. You might as well try and shop for interesting music at Walmart.

    Mainstream media can go BUTTFUCK ITSELF IN THE MOUTH. I'm still going to try and find stuff that gooses my juices but it's going to be harder to find and I won't therefore be buying as much. Not that the RIAA gives a bearded hag's ass--they only notice when someone buys the ten godzillionth unit of some spastic fucking living dead Franken-pop they sewed together out of Elvis Presley's anal warts and scraps from the dumpster out back Michael Jackson's plastic surgery disaster clinic.

    Fuck. I reiterate, FUCKKK.

    G

    1. Re:FUCK!!! by JetScootr · · Score: 1

      Seldom has anyone ever expressed an opinion so foully that I actually agreed with. I'm normally a laid back guy, but this time I gotta say "What he sed!"
      But on the upside: They can't spoon back the tide forever. P2P will destroy the RIAA, or they will change their business model in order to survive.
      So friend, patience...we will overcome.

      --
      Pavlov wouldn't be so famous if he'd used a can opener instead of a bell.
    2. Re:FUCK!!! by GafTheHorseInTears · · Score: 0

      Umm... how exactly can it "buttfuck itself in the mouth"?

      --
      "You're just scared like a little white pussy. I'll fuck you till you love me, you faggot!"
    3. Re:FUCK!!! by Anonymous Coward · · Score: 0

      "You're just scared like a little white pussy. I'll fuck you till you love me, you faggot!"

      Isn't that a Mike Tyson quote?

    4. Re:FUCK!!! by GafTheHorseInTears · · Score: 0

      Yes.

      --
      "You're just scared like a little white pussy. I'll fuck you till you love me, you faggot!"
    5. Re:FUCK!!! by Anonymous Coward · · Score: 0

      hey groucho all of the people on audiogalaxy that were sharing good, non-mainstream music have migrated to soulseek. try to keep it under your hat so that riaa doesn't find out *wink* *wink*

    6. Re:FUCK!!! by netsharc · · Score: 1
      Mainstream media can go BUTTFUCK ITSELF IN THE MOUTH. I'm still going to try and find stuff that gooses my juices but it's going to be harder to find and I won't therefore be buying as much.
      How true it is, and when CD sales drop yet again next year, the RIAA will still blame it on "digital piracy". Fuck them, let's go to their headquarters and firebomb it.
      --
      What time is it/will be over there? Check with my iPhone app!
    7. Re:FUCK!!! by Seekerofknowledge · · Score: 1

      I agree whole-heartedly with this fine poster! Audiogalaxy was the best way to get new techno/trance/etc tracks that I have ever found. I love this type of music but lord knows no person is able to attend every dance club/rave to hear and listen and find out about good djs. As such, this decision is a serious blow in my opinion, to anybody wanting to find about new and interesting music, especially in the techno/trance genre.

    8. Re:FUCK!!! by Anonymous Coward · · Score: 0

      Not only techno/trance but also the breakbeat universe (from triphop to drum n bass) has lost an important platform. Judging by the contacts I ve had and by comments on several pages discussing this item my impression is that far most users were just lovers of electronic music in the first place. Music distributed in most cases on vinyl, on small independent labels, not on majors. The search index also contained references to what else other ppl listened, so u find out about yet unknown artists too. Or just think about the DJ live sets which weren't ripped from any CD anyway because it wouldn't fit on it. Another benefit the queuing feature which would grab rarely shared mp3s whenever they appeared again somewhere. So as a summary there was hardly anything the big majors were actually losing. But try to explain this to a stubborn selfish greedy industry which has completely lost contact to its costumers. How braindead must one become to frighten off the people on which money one depends?
      just my 2

      -Ken

    9. Re:FUCK!!! by Anonymous Coward · · Score: 0

      Just for a solution, try going to some record stores downtown. The ones near me will let you grab as many records as you like and go hog-wild on the 1200s. Spend the day, and pick up the tracks you like (They're usually $8-15 Can, so I'm assuming even less American). If you're looking for electronic music, this is usually more fun than tooling around on the net (plus you feel like you're actually making a find). Plus the RIAA can't do anything about it.

  56. Re:ALL SONGS *ARE* UN-DLable by Grahf666 · · Score: 1

    There are a number of p2p systems out there that are gaining in popularity fast, however, I'll leave you to do your own research. 'Tis better to keep such things relatively unknown for as long as possible. In the filesharing world, popularity = death, it seems.

  57. Goodbye AG by Winterblink · · Score: 1

    Well, another mainstream MP3 search util is about to suck. Between this and the RIAA trying to get a share of every used CD sale, I'm wondering why the US government hasn't stepped in and smacked their peepee. They'll stomp all over Microsoft for having a monopolistic control of computers, doesn't this fall under the same, or similar, category?

    --
    "I'm a leaf on the wind. Watch how I soar."
    -Hoban Washburn
  58. Sounds bad but by sulli · · Score: 2

    if they're non mainstream and therefore non RIAA, would they not have the ability to give AG permission to distribute? "Opt in" is a phrase that comes to mind.

    --

    sulli
    RTFJ.
  59. R*AA can burn in hell! by Anonymous Coward · · Score: 0

    AG doesnt block groups with all that bullshit. Join the group R*AA can burn in hell and there wont be any copywright bullshit laws.

    we can all be happy and everyone will get the songs they want.

    Audiogalaxy is not dead. Problem Solved.

    R*AA can burn in hell

  60. Purchase CDs? by Wakko+Warner · · Score: 5, Funny

    I know it's a novel concept around these parts...

    - A.P.

    --
    "Remember when the U.S. had a drug problem, and then we declared a War On Drugs, and now you can't buy drugs anymore?"
    1. Re:Purchase CDs? by panaceaa · · Score: 3, Informative

      You can say this all you want, but there is so much music out there that you can't buy anywhere in the US. Look at the BBC dance charts for instance. You can't buy any of those singles on CD. You can't buy more than 10 of them on vinyl easily because by the time they get on the charts, their first releases are sold out. And a good half of them will never be exported to the US anyway.

      You could download most of them on Audiogalaxy, though. And if they get rereleased and exported to the US, people will know about them and they'll sell at record stores. Otherwise the only way to hear these songs is to buy dj compilations (usually with a 3-month delay to the charts) or go spend $40 covers going to dance clubs.

    2. Re:Purchase CDs? by SomeOtherGuy · · Score: 2

      How do I purchase CD's that have been OOP for years Mr.Smart Ass? I never minded buying a CD that is on the shelf or even buying a CD that can be ordered out of the big yellow (or blue) book. But how about a CD that is OOP or even worse an LP that never even made the journey to CD. (And paying $100.00 on ebay is a little tooooo expensive)

      --
      (+1 Funny) only if I laugh out loud.
    3. Re:Purchase CDs? by CmdrPinkTaco · · Score: 1

      I know that one of my sources for music was (yeah yeah, don't laugh) the Essential Mix on R1. Here in the states there isn't a lot of publicity for dance music (and no, Im not talking Brittney Spears here). Sure you can go to the clubs, but you are going to get dizzy trying to follow the turntables as they're spinning :)

      It really is unfortunate, because the only way that I heard the E-mixes was by downloading the sets when I could find them. A lot of great music is getting lost to the people here in the states because of the RIAA and their selfishness. And I don't even want to hear that crap that people say "oh, but the American DJs and producers are just as good." BOLLOCKS to that, I say - bollocks. Best dance music in the world is coming out of Europe right now (ok, Mr Hawtin is Canadian) and the US can't even touch it.

      I need to submit this before I really start working myself up over the RIAA...

      --
      Please give your mod points to others, Im at the cap. They will appreciate it more
    4. Re:Purchase CDs? by JamesOfTheDesert · · Score: 1
      Which CD's? I've bought more CD's since using AG than in the year before. Radio out by me sucks. I never get to hear enough new odd stuff. AG let me try out all sorts of bands I would enver have heard otehrwise. (Actually, epitonic.com also turned ne on to many good groups).

      There are some groups whose albums I can't find. File sharing is the only way I'd gotten to listen to this music.

      --

      Java is the blue pill
      Choose the red pill
    5. Re:Purchase CDs? by NanoGator · · Score: 2

      I'm not paying $10 for one song.

      --
      "Derp de derp."
    6. Re:Purchase CDs? by mackstann · · Score: 1

      I'm sorry, but fuck the RIAA. they are rich, i am not. they make money off of shady business practices like marketing lude material to children, i dont. i can't buy alot of the stuff i listen to on cd, and of the things i can, a fraction of the $$ goes to the artist. the RIAA is EVIL, pure and simple. if you like large companies screwing you in the ass, thats fine, i dont. let me guess, you think MS isn't that bad? i mean, they wouldnt be so wided used if they werent doing something right! taking a shit on you is what they're doing. i bet it feels nice.

    7. Re:Purchase CDs? by Anonymous Coward · · Score: 0

      When the RIAA stops fixing the price of CDs I will stop pirating music.

    8. Re:Purchase CDs? by thelexx · · Score: 2

      Oh ok, we'll all settle for an inferior and overpriced distribution medium and just give up now on finding a means to allow all interested parties a fair deal using the new tech. Makes sense to me. Gotta run, I need to go and sharpen my chisels so I can write something tomorrow when they bring the days supply of stone slabs into the office via horse-drawn wagon...

      LEXX

      --
      "Gold still represents the ultimate form of payment in the world." - Alan Greenspan, 1999
    9. Re:Purchase CDs? by jsse · · Score: 1

      I know it's a novel concept around these parts...

      I wish someday music industry would change, so that I can buy the songs I want to buy. I have way too many plastics in the drawers.

    10. Re:Purchase CDs? by Aphelion · · Score: 2

      My music doesn't come on CD's. It gets released on Vinyl, which gets ripped to MP3. Now, amassing a record collection can cost a small fortune nowadays. This was swell since only DJ's would ever need records, but not anymore... that the RIAA has the power to cut off a public service is disgusting.

    11. Re:Purchase CDs? by LordBodak · · Score: 1

      Personally, I think it's a ripoff when we have to pay $12-$18 for a CD that only has one good song on it. I usually use AG (or used to) to pick up songs that aren't out on CD yet, or to check out the rest of an album to see if there's anything good on it.

      My personal policy: if I have 4 MP3s from an album, I go out and buy the CD.

      --
      LordBodak's journal.
    12. Re:Purchase CDs? by adewolf · · Score: 0

      As soon as Roger Powell's Cosmic Furnace and Scope II are available on CD I will consider it. Alex DeWolf

      --
      "The Brady Bunch is back...working homicide"
    13. Re:Purchase CDs? by panaceaa · · Score: 1

      Essential mixes are pretty good when they first come out, and are probably less cheesy than the Radio 1 dance charts :). They do get old fast though. You can still listen to a lot of them, and other mixes, on Shoutcast servers though. The better Shoutcast servers also tend to delete older mixes as they reach 2 months old. You can also find mixes from Digweed's Kiss 100 weekly and a number of Manchester radio mixes. You can't save them though.

      You're mostly right about UK owning the dance scene right now, as well as Germany and The Netherlands with van Dyk and Tiesto. But I think the US does have a fighting chance in the growing house scene, with Mark Farina and other SF/NY natives. Domestic house vinyl has been getting pretty good too, but still 3 out of 4 good house tracks are european.

    14. Re:Purchase CDs? by Technician · · Score: 3, Funny

      I know it's a novel concept around these parts...

      Are you kidding? I just bought 2 spindles of 100.

      --
      The truth shall set you free!
    15. Re:Purchase CDs? by Seekerofknowledge · · Score: 1

      Are you serious? *looks around* Is he serious??
      You expect me to believe that I can go out and buy cd's of the music I am looking for? FUCKING-SHIT I would if I could. Audio galaxy was simply the only way to find obscure and new music that will NEVER be sold on cd's, or available in my (seemingly)hillbillie home state of kentucky. It is bullshit to think that downloading that kind of music is hurting the copyright owner, but there is simply no way that I could help that copyright owner if I wanted to.

    16. Re:Purchase CDs? by mosch · · Score: 1
      good house track? there's no such thing.

      nn-tss nn-tss nn-tss nn-tss THWAP!

    17. Re:Purchase CDs? by mosch · · Score: 2

      Nice policy. As a musician, my policy is 'if you like one track of my cd, then buy it fucker.' Oddly enough, that's also what the law says.

    18. Re:Purchase CDs? by Anonymous Coward · · Score: 0

      *laughs* CDs? With my nonexistant money that I get from my nonexistant job? I'm a cheap college student, I can't AFFORD CDs. The ones I have are YEARS old. Granted, I still buy them occasionally, but mostly from local bands and bands I know personally. Don't get me wrong, maybe once a month, if I've found a band that I really love and support, I'll go get their CD. In fact, usually ALL of their CDs that they've ever made. But since there's no more AG, I can no longer find new bands, so there's no point in buying CDs, and I don't listen to the radio.

    19. Re:Purchase CDs? by LordBodak · · Score: 1

      As a musician, is it your policy to let the RIAA take away your money? If you want to sell me your CD at a reasonable price, without artificially adjusting the price to give money to people who don't deserve it, I'll gladly buy it from you. Or, if you release a single of the one worthwhile song, I'll gladly buy that.

      --
      LordBodak's journal.
    20. Re:Purchase CDs? by Anonymous Coward · · Score: 0

      Of course, by the time the money filters back to you, dear artist, you'll get just enough to cover that one good track....

  61. just in time by m.e.l.l.e.n.t.i.n.e · · Score: 1

    looks like i got my jewel bootleg from woodstock just in time. ;)

    --

    Producer: NEXT!!
    Ralph Wiggum: Chicken necks
  62. Gnutella needs to get better.. by pigeon · · Score: 1

    Ik really hope that gnutella will get better so that everyone will use it, since it is probably impossible to stop since it works without central server. I really loved audiogalaxy, expecially for obscure music, exotic remixes and lesser known classical music. Hate to see it die. But that's the napster way I guess..

    1. Re:Gnutella needs to get better.. by Anonymous Coward · · Score: 0

      The problem with Gnutella, right now, is that it has scores of developers working on dozens of projects, all of them too afraid to do anything really new for fear of breaking compatibility with the others. What Gnutella really needs is to ditch the old protocol, get all those designers together, and come up a totally new system with all the best features of today's networks, and plenty of room to add tomorrow's.

    2. Re:Gnutella needs to get better.. by fault0 · · Score: 2

      Too bad that Gnutella CAN be blocked by ISP's. My local DSL provider decided to block the common gnutella ports. I have not been able to access it for the last 6 months.

      Gnutella really needs random ports.

      Curiously, Audiogalaxy was never blocked. R.I.P AG.

    3. Re:Gnutella needs to get better.. by Hoser+McMoose · · Score: 2, Informative

      Fortunately Gnutella HAS become much better in the past few months. Two very important features have been added to at least three common Gnutella servants (Bearshare, Limewire and Gnucleus), Ultrapeers and swarming. Ultrapeers means that now a significantly lower percentage of the traffic on the Gnutella net is made up of pinging and ponging overhead, while swarming means that you can often download stuff FAST.

      If you haven't tried a Gnutella client in the past four or five months (or tried an outdated one the last time), I'd recommend checking them out again. I personally use Gnucleus and find it to be the best of the three, though a lot of that is personal preference (though the lack of ad-ware/spyware helps, plus it's open source, which I like). Ohh, and if you want ultrapeers with Bearshare, you need to use the 3.0 betas, but I understand that those are starting to get reasonably stable now.

      There's still a little ways to go, and it would really help if Morpheus used a halfway up-to-date client (they're still usingly mostly Gnucleus 1.6.0 code to the best of my knowledge, which isn't bad, but is missing many important features of the current Gnucleus 1.8.x code). I think that Bearshare also made the right choice by not allowing connections from any of the REALLY outdated clients, and if others did the same I suspect that the network would perform even better.

      So, long story short, all those complaining about Gnutella should really give it another shot.

      As for the legal aspects of Gnutella, really the RIAA can't stop it, but what's more important, they SHOULDN'T be allowed to stop it. Developers of Gnutella servants really and truly have no more liability to the software distributed on their network then Microsoft has for software transfered using IIS and Internet Explorer. We all know that the RIAA wouldn't THINK of going after Microsoft because MS has the money and legal might to stand up to them, and legally the Gnutella people shouldn't be any different. That being said, I HIGHLY expect the RIAA to sue many Gnutella developers in the near future expressly to put them out of business through legal costs (the fact that the RIAA doesn't have a valid case is of little consequence in the current American legal system.. long live the land of the free).

    4. Re:Gnutella needs to get better.. by havaloc · · Score: 1

      Gnucleus, an open source windows client has supported random ports for quite some time.

    5. Re:Gnutella needs to get better.. by Anonymous Coward · · Score: 0

      I was under the impression that AG used FTP for its file sharing. I doubt ISP's would block that port. :)

  63. wow, you'[re clever, with that title! by Anonymous Coward · · Score: 0

    way to work that dorky unix shit in there, Erwin!

    1. Re:wow, you'[re clever, with that title! by Anonymous Coward · · Score: 0

      Got a +1 interesting, didn't he? Karma whoring at its finest.

  64. The RIAA shot themselves in the foot... by NanoGator · · Score: 3, Insightful

    The RIAA is making matters worse. If they truely think that the internet is responsible for them losing money, the worst thing they did was sue companies involved out of business.

    If the RIAA had figured out a way of turning Napster/Audio Galaxy into a business, then the majority of music downloaders would be there using the service legitimately.

    What has happened instead, is they shut down the popular way of getting music. The result is that the people hooked on this service are going to go underground and acquire music through alternative means. If they can't get music from Kazaa, then they'll head to IRC or other de-centralized sources.

    They basically blew up the central location for music swapping, forcing everybody into smaller cells. Now, if the RIAA does ever provide a service, few people will head towards it.

    Oops. Songs will still get traded, but now the RIAA has little to no hope of ever getting money for it. I'd feel sorry for them if they didn't call me a thief because I own a CDR-drive.

    --
    "Derp de derp."
  65. Try limewire by oliverthered · · Score: 2

    Evry other Gnutella client i've tried has been crap, the searhes turn up nothing, and you can never down-load. that was until I found lime wire, I think it runs on the gnutella network, but it dosn't perform like it does,

    --
    thank God the internet isn't a human right.
  66. My email to the RIAA (which will be ignored) by joebp · · Score: 1
    I am extremely unpleased with the RIAA persuance of Audiogalaxy.com and the following destruction of the service as we have seen today. As a punishment for the RIAA and associated labels, I will not be buying any music from any RIAA affiliated labels for the next 6 months. I hope this kind of positive action will encourage you to act in the interest of your labels' lawful customers who look for live and deleted recordings via such services.
    Well, I guess I just had to get that off my chest :)
    1. Re:My email to the RIAA (which will be ignored) by Anonymous Coward · · Score: 0

      To what email address did you send this email? Does anyone have decent contact info for the RIAA?

    2. Re:My email to the RIAA (which will be ignored) by Metalhead01 · · Score: 1

      RIAA 1330 Connecticut Avenue N.W., Suite 300 Washington, D.C. 20036 (202) 775-0101 phone (202) 775-7253 fax While they don't have a seperate e-mail address listed, they do have a WWW form at http://www.riaa.com/Contact.cfm have fun

      --
      The only reason I keep my Windows partition is so I can mount it like the bitch that it is.
  67. Great by Anonymous Coward · · Score: 0

    ...AudioGalaxy will pay the RIAA a lot of money...

    Great. As we all know, the RIAA could always use more of that.

  68. Live recordings by Triv · · Score: 2

    When I used Audiogalaxy it was specifically to get live recordings, mostly of artists with a pro-trading stance (Bruce Hornsby, lots of indie artists, etc). Since the settlement is opt-in not opt-out for the copyright holders, am I going to lose that access unless the 'copyright holders' (meaning the record companies 'acting on behalf of their artists, yes?) specifically say it's ok?

    That's a pain.

    Triv

  69. Parent is Funny by Anonymous Coward · · Score: 0

    MOD it UP!

  70. Re:ALL SONGS *ARE* UN-DLable by telstar · · Score: 2

    Doesn't Kazzaa still rely on a centralized server which can be shut down? That's the basical weakness of these systems.

    If distributed systems like BearShare and LimeWire could provide the same experience that centralized-server based systems could provide, the RIAA would be toast. But that has yet to happen.

  71. A funny situation in my University (LOL) by quamer · · Score: 1

    In my university, we have a computer room with sun workstations. Well, today we compiled 'fags' (an audiogalaxy client) and it worked fine.

    It's ironic how the same day that we can finally work with audiogalaxy, we just can't download the songs that we want.

    I think that it's our curse (LOL).

    Well that is all.

    --
    ----------------------------
    Quamer, The Lonely Lion.
    ----------------------------
  72. third party clients & servers by mcc · · Score: 5, Interesting

    On the contrary, in my opinion, AudioGalaxy was the absolute best such service for the mac because AG didn't support it. AG was shit for windows becuase of the cruddy client, but for the mac it was great because you just used one of the non-supported third-party clients, all of which were excellent.

    This brings up my question, though: third party clients. Is there any reason the extant 3rdparty clients out there could not just be set to, instead of talking to the now-crippled audiogalaxy server, talk to some independent audiogalaxy workalike? How difficult would it be to create an open-source implementation of an AudioGalaxy server, given we already have many open-source third-party implementations of clients? OpenNAP meets OpenAG? Cut loose, the way GiFT has cut loose from kazaa.

    I am just curious.

    In the meantime, may i assume it would maybe be possible to take the idea behind audiogalaxy (everyone publicly queues stuff they'd like to download someday, and transactions are negotiated automatically as bandwidth becomes available on all sides) and someday recreate it as a wholly-decentralized gnutella-style network? Or do you need that central authority doing the negotiations for you to keep everything from falling apart? I would have to think about the idea some more. You could maybe do it. If you tried, how would the web page frontend thing be handled? Would we just have to throw that idea out?

    I always thought that was the most disappointing thing about AG-- their "featured artists" were pretty good compared to (say) napster's, but i always thought it would be really neat if AG fufilled its potential as a site with a message board for every song in existence. This would be a godsend for those of us who like to collect really obscure music, especially bootlegs and such-- it would be convenient if, upon running across a track labelled (say) "Nine Inch Nails - eraser (Utter Desolation Remix -- Unreleased)" i could type that into a website, and even if i couldn't download the mp3 from there i could see some discussion and find out "this is fake" or "this is from X bootlegs & rarities compilation" or "this is a b-side from the japanese single of Y, only they renamed it". Allmusic.com meets everything2.com, or something :) Could a community-run version of such a website somehow tie into a decentralized community-run version of the AudioGalaxy idea? How would the client and the website communicate? A browser plugin, maybe? It would have to be something sufficiently disconnected to stave off the Out of Court Settlement Smackdown.. perhaps each webpage on the website could have an ID number / checksum, and you'd just cut&paste that ID number into your OpenGalaxy Client? Perhaps the "download this song" thingy could be inserted via some kind of variation on thirdvoice, and the people who run the website could just insist, honestly officer, we can't help it if the mp3 pirate people choose to use our database as a base for checksumming and such. We just run a message board. We aren't connected to those people. These aren't the bots you're looking for.

    Ah well, idle wondering. In the meanwhile, i guess now i gotta go hit AudioGalaxy's site to find out how to inform them i give them permission to redistribute the music i own the rights to.. (Not that anyone *wants* to listen to my music.. just that it's the principle of the thing :) )

  73. Thanks AG by Japanese+Fuckslut · · Score: 0

    Thanks for all the music, AG. Time to move on to the next service.

    --

    Two cock in my pussy! It feel so good!
  74. Deja vu by i_want_you_to_throw_ · · Score: 1


    Another service settles, now has a crappy selection, people stop using it, flock to Gnutella.

    What a shame.

  75. kazaa lite DL by Patrick13 · · Score: 1



    http://www.kazaalite.nl/

    DL's for Kazaa and AG with spyware DLs removed...

    --
    ::.. check out some Cell Phone Reviews
  76. No more "try-before-you-buy" by hublan · · Score: 1

    This has been my shopping habit until now:
    1. AMG Music Guide for finding out bands that I might like.
    2. AudioGalaxy to see if I actually do like them.
    3. HMV online to buy it.
    4. Repeat, lather, rinse.

    Now that these blood-suckers have taken out no.2 I have no way of actually test driving music before I buy it. Using this method I've bought over 100 CDs in the last 6 months alone. And they dare accuse me of being a pirate.

    Until they offer a similar service, for free, I guess I'll just have to stop buying music.

    I hope that other people will now also vote with their dollars.

    --
    My spoon is too big.
    1. Re:No more "try-before-you-buy" by Anonymous Coward · · Score: 0

      yeah, won't the RIAA be shitting bricks when they find out that YOU are no longer buying CDs because THEY shut down AG and Napster. At that point, they'll have to put up a giant server that provides every song every recorded for free download... just so everyone will start buying CDs again.

      As far as try-before-you-buy goes, how come no one ever complains that we don't get to preview entire movies before we decide to shell out for the tickets?

  77. 1 down... by URoRRuRRR · · Score: 0

    10 up?

    One of the things that stuck with me is that Fred... something.. from MTV networks said this about Napster a few years ago "It doesn't matter if they kill Napster, 10 more networks will pop up and take all of it's users". He was right after napster, how many new "services" are going to pop up now? All of AG's user base is moving on. It's time to capitalize.

    This is going to be a good move for somebody.

    --
    "Oh no, 3 horny women and only 2 condoms...Thank god I read slashdot"
  78. Morons by Anonymous Coward · · Score: 0

    The RIAA is a bunch of fucking morons. They're wasting their time. Audiogalaxy had central servers, so it was only a matter of time. They won't be able to shut down distributed networks, especially international ones.

    We're in the era of free distribution. It may not be legal, but everyone wants it (which still doesn't make it right), but it's going to happen anyway. It can't be stopped.

  79. Don't click! by Faust7 · · Score: 1

    Way to give the RIAA's site lots of hits, folks. Ah well.

  80. painting an even sadder picture by Kidentropy · · Score: 1

    There were a whole lot of us... reaching for stuff that was extremely hard to get a hold of in public even that popped up on AG effortlessly. Some of this same stuff had been forgotten by the music industry eons ago... sentenced to a scrap yard somewhere from some storeroom shelf or cut out bin... I learned a great deal about the history of music especially Jazz, extremely underground 80's hip hop, Egyptian traditional music, lounge, noise, you name it... alot of it I found impossible to track down at local record stores... when I liked something I went out and bought it... but this was akin to the listening stations at your favorite big budget slaughterhouse... like Virgin Megastore, Tower, or Borders even...most of which... when you scanned a cd in their "listening preview system... no one cared enough to add it... if it was even in the store to begin with... When I could track down these rare bits... I was more than likely buying an out of print record... because the people who initially mass produced it... deemed it unfit to produce more of... and then I was forced to pay some collector 10 TIMES what it originally cost... sometimes 20 TIMES... Sometimes the collector HADN'T EVEN LISTENED to the work in question... I hate to paint it out as this extremely epic thing... but Audiogalaxy changed my life... educated me on what good music really is... by allowing me to listen to WHAT I WANT... The radio sure as hell isn't a good teacher... I discovered stuff that had been buried because it wasn't valid currency... because it couldn't buy someone suffering from extreme penis envy a jaguar that month... Stuff like Edwin Birdsong, Guitar Wolf, Abdel Halim Hafez, Krown Rulers, Lakim Shabazz, etc, etc, etc... the bent list goes on... its an education that while it lasted had a deep effect on me... yeah there will be other services... where you can download the latest MTV jingle... but thats not what I'm into... but I don't like to be spoon fed... I liked using it as a Library... checking out works that had serious amounts of dust on them... and learning about the world of good music... not good currency. the RIAA isn't interested in good music in the slightest... they want money... If I farted into a microphone, recorded it and put it on the internet, they'd probably want a cut of that too... and to that... they get the gas face. thanks for the memories AG :) entro

    1. Re:painting an even sadder picture by British · · Score: 2

      I'm with you 100%. I'm a person always on the hunt for obsure early '80s music. Some examples are Martha and the Muffins(no hope of getting anything from them), Missing Persons(bought a greatest hits cd, but there's more I want), Toni Basil(she had more than just "mickey"), and so on.

      I found out that the more obscure the music, the better chances it had of flying under AG's copyright radar. Or, just switch the artist name and song, and you'd find it.

      Darn. I'm really sad to see it go. Whether it's tracks from the Blue Thunder soundtrack, Pointed Sticks' "The Real Thing"(some obscure Canadian band), I was in '80s music heaven with tunes that commercial radio stations woulnd't even touch.

      Darn.

    2. Re:painting an even sadder picture by Kidentropy · · Score: 1

      It definately leaves you scratching your head as to why AG catered to people like us... and what services will continue to pick up that torch in the future... for right now its a sad day... I'm sure people like us will find an alternative... (I Hope) For now, I'll just sulk to the five different versions of Freddie Hubbard's "Red Clay" I copped from AG...

    3. Re:painting an even sadder picture by Eccles · · Score: 1

      because it couldn't buy someone suffering from extreme penis envy a jaguar that month

      Ok, I guess I'm officially an old fogie.

      What the HELL does that mean?

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    4. Re:painting an even sadder picture by Anonymous Coward · · Score: 0

      It's all about SkyDive.

  81. Re:scrolling errors by Brian+Goldman · · Score: 0

    AG is effectively dead even at this moment (EVERY song has the infamous "X" logo next to it instead of the satellite dish.

    Not quite. The musicians who already have agreements with AG still have songs up for download. The most famous example I can find is Jimmy Eat World. All of their music is downloadable.

  82. NO! by UnknownQ · · Score: 1

    NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!
    *"Another One Bites the Dust" is playing softly in the background*

    --
    Wherever you go, there you are!
  83. You know.... by twiztidlojik · · Score: 1

    In resonse to this, I'd like to see the RIAA's lobby get "Slashdotted" with sign-toting protesters, specifically geek protesters. Wouldn't that be so much fun!

    Looters and Vandals and Riots, oh my!

    --
    I will now redundantly add my name to the end of my post. You know, in case you forgot me or something.
  84. you had to expect this.. by NeoCode · · Score: 1

    another one bites the dust..

  85. Time to enlightenten the masses... by peterdaly · · Score: 2

    Do you know a user how is, or just has lost access to this? Start looking.

    Image how much of a difference we can make if each geek that wants to stick it to the RIAA helps 2 people get hooked up to real P2P networks, that aren't controlled by companies like that.

    I use LimeWire myself, although I think it attaches adware to IE. While your at it, switch them to mozilla so they don't see that crap. They will love you.

    Help a friend, and stick it to the RIAA an Microsoft at the same time. :-)

    -Pete

  86. Direct Connect by Anonymous Coward · · Score: 0

    I've used Direct Connect and its great if you have a high speed connection. The best servers won't let you in if you don't share a lot of files though :(

    1. Re:Direct Connect by IgwanaRob · · Score: 1

      I went to install it until I found out it's spyware.... Gotta love http://www.spychecker.com/

      --

      ~~Iggy~~
      The gene pool needs a lifeguard....
  87. Gnucleus by Anonymous Coward · · Score: 0

    No adware and GPL to boot.

  88. NO SPYWARE IN AUDIOGALAXY by berck · · Score: 1

    Dolt. Audiogalaxy has no spyware you don't give it permision to install. It comes with the "gator" crap, but you just click "don't install this" or run ad-aware afterwards and it's gone.

    The day the music died... I for one will miss Audiogalaxy. It was the most hassle-free method of mp3 sharing there was. I transmitted 18 gigs and recieved 8 before the demise. Deffinitely well liked by me. Sigh.

    1. Re:NO SPYWARE IN AUDIOGALAXY by Anonymous Coward · · Score: 0

      nope... thats how it was on the OLDER ag install.. i had it... then they forced me to download and install the newer version... giving me no room to choose if i wanted to install it or not...

      eitherway its gone its sad... i like the service..

    2. Re:NO SPYWARE IN AUDIOGALAXY by neuroking · · Score: 1

      Good job Dilbert. Haven't used it in a couple months have you? The latest version REQUIRES gator installation to even install. On top of that it over-writes yer winsocks, so even ad-aware cannot remove it. Go check the Lavasoft discussion boards.

      Oh, and you HAVE to use the new version (609W). 608, the last of teh optional gatorware versions is no longer allowed to connect.

    3. Re:NO SPYWARE IN AUDIOGALAXY by epsalon · · Score: 2

      Right. There is no spyware, unless you install the Windows version for some unknown reason.

  89. So the macs are set... by Knoxvill3 · · Score: 1

    But what about us PC Users? GNUTella is of course a good place still, but most of it's clients are either packed with spyware, or just un-user-friendly. There's Direct-Connect (www.neo-modus.com), but due to some of the restrictions a lot of the hubs are placing, not everyone can participate on it in general (some of the hubs require such minmums as 50gb's minimum share [meaning they have to have 50gb+ of files shared or they're not getting in the hub.], others descriminate you based on your connection [some hubs will only allow 10mbit's+ only. tough luck for us Cable and DSL customers.]). And don't go to DC thinking it's another Music fueled p2p, it is more-so a porn and other file type's kind of place to hang out, you will find mp3's and other formats of music, but 1st you need to figure out the GUI as well. So, officially, unless you don't mind sitting down for a couple of hours or days figuring out how to work a piece of software, I don't suggest moving to Neo-Modus's offering.

    So what else is there? I've seen WinMX, but the new version has a new type of way to connect, which I have yet to determine if it's my ISP and their unrightful port blockings again, or if a piece of my network isn't setup right.

    --
    ======
    Talk sense to a fool and he calls you foolish. - Euripides
  90. is there a bounty on her head yet? by Anonymous Coward · · Score: 0

    "This is a victory for everyone who cares about protecting the value of music," said Hilary Rosen, Chairman and CEO of the RIAA. "This should serve as a wake-up call to the other networks that facilitate unauthorized copying. The responsibility for implementing systems that allow for the authorized use of copyrighted works rests squarely on the shoulders of the peer-to-peer network."

    judas tap-dancing priest! where are the gunmen in the bushes, already?!! someone snipe this bitch!

  91. RIAA's 'Contact Us' page by AntiNorm · · Score: 2

    http://www.riaa.org/Contact.cfm

    Instead of -- or perhaps in addition to, depending on how pissed off they are -- perhaps someone should start an open letter to the RIAA. Have enough community knowledge of and input on it, and it could easily get tens of thousands of (virtual) signatures. Then, maybe, just maybe they would start to give a shit.

    --

    I pledge allegiance to the flag...
    of the Corporate States of America...
  92. Licensing the underlying musical work by yerricde · · Score: 3, Informative

    If you are the copyright holder, which you are unless you have signed your rights away to a RIAA member

    WRONG. If your recording is a cover of a published musical work, or even if it borrows a (surprisingly small) number of notes from a published work (see Handel v. Silver), you are not the copyright holder, and distributing a recording of such a musical work infringes the copyright of the songwriter. You need to license the "mechanical rights" to the song from the music publisher, and AFAIK, that's both a pain in the ass and expensive unless you are affiliated with a major label.

    --
    Will I retire or break 10K?
  93. Somebody else claiming � on your stuff by yerricde · · Score: 1

    so this appears to be either "artist opts in"

    Yes. Just like Vivendi's MP3.com.

    or 'Somebody else is claiming copyright on my stuff'

    That's very possible. See my other comment about cover bands.

    --
    Will I retire or break 10K?
  94. NMPA != RIAA by yerricde · · Score: 1

    The RIAA cares only about the copyrights on its member labels' recordings. If you cover a song, you create a new recording.

    NMPA/Harry Fox, on the other hand, cares about the copyrights on underlying musical works. (Musical works, commonly called "songs," are distinct from recordings of such works.) If you cover a song, you are creating a "derivative work" of the original song, and it's a pain in the neck (see my other comment) to license it.

    --
    Will I retire or break 10K?
  95. Re:what are youse, sleeping? by Anonymous Coward · · Score: 0

    giFT.sourceforge.net
    decentralized, no ads, 1.8TB of music movies and pr0n *Right Now*, as I write this..

  96. what are youse, sleeping? by Anonymous Coward · · Score: 0

    giFT.sourceforge.net
    decentralized, no ads, 1.8TB of music, movies and pr0n *Right Now*, as I write this..
    lotsa foreign stuff too, as diverse as the linux users that use it!

  97. Lag time... by Pollux · · Score: 5, Informative

    Don't worry about it. Here's my personal history with MP3s:

    First discovered them in 1997, when I heard someone in my high school computer club playing "Walk Like an Egyptian" on a computer at school. I thought he was playing a CD, but instead, he told me about "MP3s." Three months later, I was looking for the same stuff online with my own computer. They were everywhere.

    Music Industry's Response: "What are you talking about?"

    Had a small collection of my favorite music (couldn't build up a whole library, thanks to my whoppin' 850MB hard drive) by 1998. Many of the sites appeared and disappeared quite fast, so I started searching for search engines. I soon stumbled upon (and stuck with) Audiogalaxy in 1999.

    Music Industry's Response: "You mean people are getting our music for free? Where? Napster? Shut it down!"

    I enjoyed Audiogalaxy, because there was no security threat of using P2P software (aka Napster / Gnutella), plus there were a lot of nice leech sites posted all over on their FTP search list. Sure, it wasn't as quick and as easy as Napster, but Audiogalaxy was flying under the radar, while Napster wasn't. There have been other websites, but none as direct. That is, until the industry finally found them.

    Music Industry's Response: Hey, there are places out there besides Napster that hand out MP3s. Let's get everyone while we still can!

    My point: It took the music industry four years to realize that there CDs were being transformed into MP3s. It took them four years to find Audiogalaxy and shut them down.

    Whatever you find, I'd say it has a staying power of 4 years, unless they're quite public about it like Napster.

    1. Re:Lag time... by xenocidex · · Score: 1

      The thing is, It the four year staying period is just a fluke. If i created my own personal file p2p file transfer program, and only had a tiny following, it would stay under the RIAA's radar, but now that the RIAA is looking for it, they will go after ANYONE who appears to have even a medium sized following. Kazaa will fall shortly as well, especially since all the old AG people are going to be flocking to it. giFT and gnutella are great simply because they are decentralized, however, if the RIAA percieves it as a threat, even the head developers, and SF as well, minght find cease and dissest letter on thier doorsteps.

      Of course, very soon another alternative will show up, with terrabytes of music again, and shortly after it will sued, shut down, and the cycle will repeat itself. But anything that has anything resembling a threat will go down the hole shortly after.

      --
      There are two major products that come out of Berkeley: LSD and UNIX. We don't believe this to be a coincidence.
  98. HAHAHAHAHA!!! by jrwillis · · Score: 1

    OMFG! That's the funniest damned thing I've heard all day. As long as they are still selling millions of the latest Eminim (sp?), N'Sync, or whatever the latest popular cd is, the RIAA will not give a flying fuck what it's customers think. It may not be right, but that's just how it is. It's no different than saying "Maybe if we all got together and asked Microsoft to release all their source code they'd be really nice and do it!" Welcome to the real world amigo, no one cares because they don't have to.

    --
    Keep Austin Weird!
    1. Re:HAHAHAHAHA!!! by jrwillis · · Score: 1

      Yeah, that's pretty much what I meant, but it just didn't come out right. Oh well.

      --
      Keep Austin Weird!
  99. Contact the artist by yerricde · · Score: 2

    When I used Audiogalaxy it was specifically to get live recordings, mostly of artists with a pro-trading stance

    If you want to restore access to works by recording artists who 1. write their own songs (click here to see why) and 2. authorize public trading of live recordings and/or studio recordings, then by all means, contact the artists and ask them to put their songs on New Napster and AG. If you can't find them, put up a web site listing the names of the artists you can't track down, and then ask Slashdot if anybody else knows how to contact them.

    --
    Will I retire or break 10K?
  100. Re:giFT.sourceforge.net by Anonymous Coward · · Score: 0

    1.8TB of music movies and pr0n *Right Now*, as I write this..giFT.sourceforge.net
    decentralized, no ads,

  101. Re:RIAA's 'Contact Us' page (my response) by Anonymous Coward · · Score: 0

    please feel free to copy all or part of this in any correspondence you might send to the riaa.

    Current Issues

    Trust me on this: your latest attempts to "thwart online piracy" are alienating a VERY LARGE portion of your fan base. In the end, this will end up costing you far more than online "piracy" ever could.

    Let me be very clear about this:

    You cannot go around treating your customers like criminals and then expect them to keep patronizing you. It doesn't work that way.

    What am I referring to? First, closing down Napster (hear me out on this, please). Then, all but purchasing the Digital Millennium Copyright Act with your campaign contributions. The list goes on, but what did it for me -- and probably literally thousands of others -- was the closing of Audiogalaxy. Audiogalaxy was a good source for rare, *non-copyrighted* music, and you have now taken away my ability to find any of that type of music. You have also taken away the ability of many small, non-affiliated bands to easily distribute and advertise their music. You have bullied the little guy; I sure hope that makes you feel happy.

    I will acknowledge that online copyright infringement of musical works is a major problem. Yes, it does occur. But you, the RIAA, are making a fatal mistake by treating your entire fan base like criminals. Even though I am not a business major*, I know that one of the most basic principles of business is that your customers will treat you the same way you treat them. If you treat them well, they will treat you well. If you treat them as criminals, well, don't expect them to like you either.

    Wake up before it is too late, RIAA. Stop alienating your customers. Work with them instead of against them. I sincerely believe that with your current ways, you will eventually collapse because you will have made too many enemies (having the general public as an enemy isn't the smartest of ideas). At this point, I would strongly suggest that you start an open dialogue with the tech community. Slashdot (www.slashdot.org) would be an ideal place for this, or perhaps you could come up with another method. But this business of each side making moves against the other has got to stop.

    * I do have a college education and consider myself to be very technically knowledgeable. Trust me when I say that you are alienating thousands, if not *millions* of people, and that this is the worst mistake you could possibly make. I do not condone online copyright infringement, but you are shooting yourself in the foot here.

  102. network effect by bigsexyjoe · · Score: 1
    Hopefully the riaa will force everyone onto one service (with no central server to shut down). That way it will be more useful because of the network effect.


    Glossary:


    Network effect: The usefulness of a network is proportunate to the square of the number of users.

  103. Sad by Bnonn · · Score: 1

    Another person confusing "legal" with "right".

  104. AG are/were a bunch of SCREAMING ASSHOLES by Anonymous Coward · · Score: 0

    Seriously. I interviewd with them on a lark back in late '99 at the Austin office. It seems everyone there was one or more of: Arrogant, Under the Age of Legal Drinking, Smelly (I mean really, take a fucking shower at the gym already), Technically Incompetent, or just Fucking Retarded in general. Good fucking riddence, AssholeGalaxy!

    1. Re:AG are/were a bunch of SCREAMING ASSHOLES by Anonymous Coward · · Score: 0

      We are sorry you feel this way. On the bright side though it's a good thing we didn't hire someone like you who can't express his/here thoughts without using vulgar language.

  105. Stop Listening To Music by Anonymous Coward · · Score: 0

    The RIAA does not want you to listen to music, that can be the only conclusion from all this nonsense. So stop listening to music. I stopped years ago, no big loss.

  106. two in the bush are better than one in the hand by Anonymous Coward · · Score: 0

    What a suprise, that somebody whose username includes the word Fuckslut is concerned about bottom lines. OH LA LA, BAY-BEEEEE!!!!

  107. Did they really agree to ... by jc42 · · Score: 2

    > ... from now only provide songs for which the copyright holder has specifically given permission.

    Have they really agreed to not broadcast any songs that are out of copyright? If so, the RIAA has really won something significant.

    --
    Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  108. marketing "lude material" to children? by Wakko+Warner · · Score: 2

    Man, and I thought the stuff I sold on the playground was a little shady.

    - A.p.

    --
    "Remember when the U.S. had a drug problem, and then we declared a War On Drugs, and now you can't buy drugs anymore?"
  109. Interesting... by hendridm · · Score: 1

    So why does cleanclients.tk offer a spyware-free version?

    Clean AudioGalaxy

  110. Only "the beginning"? by hendridm · · Score: 1

    Seems like this has been going on for quite some time now.

    *cough* Napster *cough*

  111. Say goodbye to AG for good by GuNgA-DiN · · Score: 1

    I was just over there now... everything comes up nothing but "X" 's now. No matter how bad you mispell the title or the artist.... nothing. nada. zilch. Oh, well.... off to KaZaa and Gnutella. It's a shame really. AudioGalaxy was actually a service that I liked. So, place your bets now: How long until AudioGalaxy ends up on fuckedcompany.com ? I say 6 months.

  112. Um, hello? by Anonymous Coward · · Score: 0

    Ever hear of. . .USENET? I can get most every mp3 I want from the newsgroups! Bwahahahahaha! Suck me, RIAA!!

  113. And yet ... by Heisenbug · · Score: 1

    OK, I'm not saying that the whack-a-mole approach to artists' rights makes sense, but ... isn't this the way an ethical file sharing service *ought* to work? I've always felt that, while it would be in the artists' interests to share their music, it really is a violation of their rights to download their stuff when they don't want me to. In a perfect world, artists would release work under a license that allowed sharing, and then it would be added to the sharing services. Work under a license that didn't allow sharing, however misguided, would also be respected.
    Of course, in a perfect world the labels would let the artists make that decision on their own, and that obviously isn't going to happen any time soon.

    I realize that setting up a system like this would be technologically and politically dificult -- but I'll be interested to see what happens to AudioGalaxy. If they really become a source of licensed, artist-approved music, that will be a Good Thing, sez I.

    At the same time, I have to admit I'm pissed off. AudioGalaxy was where I 'pirated' all my music ;-)

  114. yes, it's a setback but... by hajmola · · Score: 1

    the RIAA won't be able to sue the whole goddamn planet and maintain a lucrative business model. don't be apathetic! go out there! start your own filesharing service! direct action is really the only way. writing letters and posting insightful remarks will not change anything. i urge the folks at audiogalaxy to release all source-code (server and generic client) and one by one individuals can run the software on their servers. liability is channeled by starting mini-corporations (negligible fees and depending on state, lots of tax benefits) so the RIAA could at most take away your server (no criminal charges, only civil). start a cascade effect! take 'em down!

  115. Same boat by twilight30 · · Score: 1

    Used to live in the UK, and AG was the best way for me to find that fix of E-Mixes from R1. Doubly unfortunate that AG decided to pull its services today.

    Of course, to people who don't care about their media, the following will not apply, but...

    Just think of how much farther down the hole like-minded people will go without proper sources of music. Guess the only solution is to leave North America again.

    --
    ========================================
    Death will come, and will have your eyes
    -- Pavese
  116. kazaa and winmx work in wine by yerricde · · Score: 2

    So where's the linux version [of KaZaA]?

    Does KaZaA or WinMX work in Wine or ReWind? I looked for "Kazaa" in the Wine application database, and I found that kazaalite runs quite well if you use MS DLLs. So does WinMX.

    --
    Will I retire or break 10K?
  117. Translation by Anonymous Coward · · Score: 0

    Penis envy is (in most psychological circles) a condition where women wish they had one for various reasons, but do not necc wish they were men. I think he is trying to say that it went down due to Hillary Rosen (a woman who has been most vocal for the RIAA) not getting enough money (ie: a Jaguar, you know, those cars that always leave you standing at the light). Since it's /., you have to sorta turn your IQ down for some posters. Thankfully, a lifelong use of drugs makes this easy ;)> .

  118. Albums vs. movies by yerricde · · Score: 2

    As far as try-before-you-buy goes, how come no one ever complains that we don't get to preview entire movies before we decide to shell out for the tickets?

    A movie is one coherent audiovisual work that tells a single story. Reviews dissecting every part of a movie are available in almost every imaginable news medium. On the other hand, a typical album is a recording comprising twelve musical works, unrelated except for having been recorded (and possibly written) by a single team of performers called a "band". (Themed albums are the exception to this rule, but they are also the exception in the pop marketplace.) It's hard to judge whether or not critics like a whole album because 1. the music reviews don't get as much publicity as the movie reviews, and 2. music listeners have much more diverse tastes than movie viewers.

    It's about time media companies realized that if they want customers' money, they must work with their customers, not against them. To let listeners preview a whole album, I'd suggest that the label publicly release an MP3 file containing a representative 20 second snippet of each song for free promotional redistribution.

    In addition, if the RIAA labels put up a site where I could download high-quality singles (MP3 encoded with LAME 3.92, preset r3mix) for $1.00 each, and the site showed exactly how much of my buck went to the songwriters and performers, I would sign up in a heartbeat. The most popular legit major-label MP3 site (eMusic, $15 per month for unmetered downloads) offers only 128 kbps MP3, and 128 kbps MP3 sounds like crap on my speakers because it throws away so much information.

    --
    Will I retire or break 10K?
    1. Re:Albums vs. movies by trezor · · Score: 1

      I will not, for once, pay for MP3s. Bottomline. MP3s are for preview purposes only. If I was able to download a high-quality (192 kbps minimum) album and then preview it, I would have bought the actual CD if I thought it was worth listening to. And deleted those mp3s. Which I woulda done in any case. I dont keep music I dont listen to.

      But I guess this is incomprihensible trolling and rubbish in the RIAAs eye's.

      --
      Not Buzzword 2.0 compliant. Please speak english.
  119. Spyware? by gmanske · · Score: 1
    Is there any evidence that eDonkey2000 contains spyware? (Or apps packaged with it...)

    This hints at no, but this seems to suggest it's packaged.

    Anyone with evidence?

    Gmanske.

    1. Re:Spyware? by jth1234567 · · Score: 1

      It has Cydoor. But at least for now, they also offer a Cydoor-free version, which is the same client, no limitations or cost.

  120. Counterproductive by themexican · · Score: 1

    God this is horrible news. Since I started using audiogalaxy (via a non-spyware OS X client), I have discovered tons of odd and rare recordings I would have never found otherwise. Also in the last six months since I started using AG, I've bought more music than I have in the last six years. In my case at least the RIAA has put a bandaid on it's finger but has chopped off it's arm.

    I don't know of any other place on the web that offered the ability to intuitively browse and play rare music. This is a sad sad day.

  121. I posted this on the AG bbs by Rinisari · · Score: 1

    Right now there is quite a discussion going on. I posted this in response to the topic at http://www.audiogalaxy.com/pages/thread.php?&t=211 83323

    ====

    Do you people not understand? The RIAA is a collective of almost all (if not all) of the major record labels. A lot of the money spent on CDs goes to the RIAA, not the artists. The artists are lucky if the see more than 30% of their actual sales. The rest goes to the Labels and the RIAA. There are very few truely greedy artists. Metallica comes to mind, but I have since come to respect them because they attempted to go at Napster /THEMSELVES/, not with the support of the RIAA (at first). The RIAA is like the IRS, it sucks in cash, keeps a portion for itself and gives the rest to its members and in turn the members give the remaining pennies to the artists. If the RIAA would wake up and start to give more money to the artists instead of gobbling it up themselves, then artists themselves would be after peer-to-peer, and /that/ would be respectable.

    So who do I think is to blame for Audiogalaxy's probable demise? Not Geoff et al. I met Geoff last summer, and he was a good guy. Albeit a little too early on the surrender, he and the Audiogalaxy staff were smart to settle out of court so they could have some money left over. If they wouldn't have done this, by the time the court ordered them to do what they have done now, they would have no money left. Pro bono lawyers are like DeLorean Automobiles. Those who know about them wish they had one, but they are so hard to find that one may never even see one in his entire life.

    So what's in store for Audiogalaxy from my point of view? First, massive amounts of users will leave, probabaly migrating to Kazaa, which has provisions in its ToS that can /really/ screw one over, not to mention its spyware-laden installer and codebase. Morpheus is too caught up in its wrapper technology to realize what's going on. Gnutella: beware, it's going to have lots of users because of its true decentralization. I have been an AudioGalaxy user since its first public release. I remember when I would have to hop on Napster every now and then because I couldn't find something that hadn't hit AudioGalaxy yet.

    Absolute-Logic: I can see from where you're coming. However the RIAA does not realize that they are attacking an invisible monster. If they would stop spending money on attempting to regain money, they would have a lot of money to be firing at legislation rather than lawsuits that may yield a few thousand dollars. Peer-to-peer technology cannot die as long as it is legal to have a computer, have Internet access, and have the ability to write and compile programs. If the RIAA /really/ wanted to stop filesharing, they would need to *sue every single person who owns a computer that has been on the Internet*. Good luck, and perhaps if you were to donate another $100,000 to the RIAA, they may be able to hire enough lawyers to sue a classroom full of college students. At least it's a start...

  122. it was the database that made it great by Anonymous Coward · · Score: 0
    Let's fact it AG's 'satellite' software wasn't all that anyway. What was really nice about the their system was the website itself, or more specifically the huge database of songs they had - basically every song that had ever been set up for sharing by any and every user. If you were like me and looking for obscure shit this was a great thing - you could find pretty much anything that was out there and set it up to d/l whenever it became available. This database in and of itself isn't a legal problem AFAIK (IANAL). The problem was the fact that they were a centralized server orchestrating the transfers, a la Napster...

    So, what about creating a master database in the same vein but on a volunteer basis, that holds every song that its users had to share. You wouldn't even have to store who has such and such a song, just store the filename (i.e. the fact that this files exists) and maybe other relevent information like ID3 info, bitrate, etc. As long as it is purely informational and doesn't actually do anything at all I don't see how such a system could be liable - it's really only the sum of everybody's playlists, and certainly lots of people post their playlists on the web right now.

    Of course the beauty of such a thing is that you could use it to find out if something exists, and if it was implemented in a web-services type fashion, intrepid developers of sharing software like gnutella could use such a site to build in functionality along the lines of "find the song information first and then periodically send out a query to locate an actual instance of that song".

    Ah, but how do you expect volunteers to pay for the massive bandwidth such a site would get hit with, let alone disk space for such a huge database? The answer is: don't have a single site- give the code out (GPL'd of course) and let people set up their own versions, tailored of course to their preferences - I personally would have no problem hosting the entire catalog of every MP3 (and Ogg) that contains pre-1960's bluegrass recordings...

  123. How Much? by Artagel · · Score: 2

    The header indicates that a substantial sum was paid. How much was that? I have my doubts that it really was substantial. In this kind of dispute, 100k is chump change, although quite a real sum to me personally.

    Anyone know?

  124. Re:what? by Anonymous Coward · · Score: 0

    drink my cum

  125. eDonkey by Partisan01 · · Score: 1

    does anyone know anything about eDonkey it has a linux client, but has anyone had any success in finding files and getting them to transfer quickly?

    --
    ahh, the egg in the basket..
    1. Re:eDonkey by Anonymous Coward · · Score: 0

      eDonkey is not in any way comparable to audiogalaxy, average users will not find anything usefull. This does not mean that it is bad, the strength is that links to shared files can be hyperlinked on the web which makes it great for movies, warez, games releases

  126. Maybe someone should set up an Audiogalaxy in Iran by grrrrrrrrrr13 · · Score: 1

    it seems to me like somebody could set up a similiar functioning program in one of the Axis Of Evil countries that don't recognize US copyrights. Film88.com went down because they were hosting the files in the Netherlands, but as far as I could tell, Audiogalaxy didn't host anything (Except for the audiogalaxy "Hosted" bands) therefore the only real uh, "pirate" of the internet was me sending out my bands songs to people who wanted them and downloading cheesey 1980 one hit wonder singles.

  127. Too bad by quantaman · · Score: 2

    There are several CDs I own that have several of the tracks scratched resulting them being nearly unintelligeble. I've been planning for a while to go to audiogalaxy to download the damaged tracks and burn a new working CD, guess that's out now :(

    --
    I stole this Sig
  128. Now that Audiogalaxy is dead by Cinematique · · Score: 2


    The next logical step is to kill kaaza...but then what? Gnutella? How does the RIAA expect to kill it? ISP-side measures here we come.

    The thing that pisses me off the most about this is that I was paying for Audiogalaxy's gold membership. The RIAA could have asked Audiogalaxy to charge $6 instead of $3 a month and ask for half to cover royalties and such.

    The idoicy in all of this astonishes me.

    1. Re:Now that Audiogalaxy is dead by yukster · · Score: 1

      Send a message to the RIAA: DON'T BUY ANY NEW CDs! BOYCOTT THE MAJOR LABELS NOW! PASS IT ON!!

  129. Audio Galaxy is dead! by Anonymous Coward · · Score: 0


    R.I.P

    Rest In Peace

    2002

    But who cares ? 1 dead, 10 born! MOUHAHA, RRAA and the music industry, you seen nothing yet! The worst is yet to come for you, hahaha

  130. Its time to be heared by urbieta · · Score: 1



    I will contact my favourite bands and ask them to allow audiogalaxy carry all of their songs

    It is also time to check the overall sales reports from the big media companies, I wonder what will happen if this really affects the bottom line $$$$$$$$$$$$$$$$ ;D

  131. fags (the program) by Anonymous Coward · · Score: 0

    fags is an excellent program. Perhaps it could spawn a new, ag-like network?

  132. Copy(right) protection by octogen · · Score: 1

    If people can't get music from audiogalaxy, they will probably rather try to get an illegal copy of the whole album - in even better quality than the mp3 files on AG.

    If then they can't copy the CD, they will hardly buy it just because they can't copy it.

    Doesn't look like the RIAA is solving any problems!?

    1. Re:Copy(right) protection by yukster · · Score: 1

      Send a message to the RIAA: STOP BUYING CDs! BOYCOTT THE MUSIC INDUSTRY NOW!

  133. Thats messed up by kweg · · Score: 1

    Now if you search for "riaa" on ag all the flame/spoof/etc songs about the riaa are unavailable due to "copywrite restrictions". Blocking real copywrite restrictions are sort of ok but blocking free speach...

    1. Re:Thats messed up by Red_Scharlach · · Score: 1

      Well, according to the ruling, songs must be specifically granted permission to be shared, so this isn't really censorship at all. All songs but those have been blocked. If the author of "RIAA Sucks" or whatever wishes to grant AG permission, I am sure they would be removed from the banned list.

  134. Yes. by Anonymous Coward · · Score: 0

    As an indie musician, I will be sharing my music through Audiogalaxy and will encourage other musicians to do the same,

    though

    once the public's faith in it has been shaken, noone will even touch the app again!
    I doubt that, after today, AG will get even 5% of their regular number of hits..
    Again, the same as Napster.

    On another note, does anyone know if songs can still be sent to groups? Thanks for any insight.

    Last but not least, cheers to the maker of Sputnix. A great little app that always had good updates and stability going for it, you did a wicked job. Thanks again.

    Paul

    my music (free full mp3s)

  135. AudioGalaxy 2? by Erik+K.+Veland · · Score: 1

    How long before somebody will set up a similar service someplace outside the claws of the RIAA.... like outside the US? Wouldn't it just be a matter of moving their servers to an off-shore location? Like in Sealand?

    --
    "I tend to think of OS X as Linux with QA and Taste", James Gosling, creator of Java
    1. Re:AudioGalaxy 2? by Anonymous Coward · · Score: 0

      time for audiogalaxy.ru ?

  136. HELP PLEASE by chewedtoothpick · · Score: 1

    Hey...
    I am a frequent /. er who used Audiogalaxy to share some music with my family in Florida and New York.

    This is by no means any form of illegal and infact is a constitutionaly protected act under the clause, "where a family can be seen as one unit under the law in matters referring to the joint use of prefectly owned property."
    I am thinking of persuing a constitutional infringement suit against RIAA as well as an antitrust suit against them for using "brute tactics to eliminate the competition" (right out of the Microsoft Antitrust.)

    I DO NOT NEED ANY FUNDS AND THAT IS NOT WHY I AM POSTING!!
    I need to know where I can bone up on laws that would help my case as well as find a good set of lawyers. Could any of you fellow /. ers please help me here?


    -- A man who truly loathes organizations like the RIAA who are pushing for a comercially-run America, not our former grand republic/democracy.

    --
    Erutangis ym si siht.
    1. Re:HELP PLEASE by Anonymous Coward · · Score: 0

      You could try the EFF but I think even they'd let that one go. A good set of lawyers would probably cost you quite a bit for one fairly short and painful meeting. A bad set of lawyers would cost you quite a bit as they strung you along as long as possible before losing.

      You could just as well say "I'm a person who regularly enjoys using thermonuclear devices to pick my teeth which is a perfectly legal activity", if the tool itself is considered of questionable legality then your use of it is hardly protected. Even if they considered that your sharing of music was remotely legal (and I'm sure the RIAA wouldn't), they would simply point out that you can do the same via e-mail, a private website or streaming server, etc. - and that would also mean that you weren't offering it to anyone else who wanted it at the same time.

      Now an antitrust suit would have a better chance, also raising certain issues with consumer affairs. However the result they've given audiogalaxy (hosting content with permission) does NOT prevent audiogalaxy from offering the competition's wares. That's the music side of the competition. It might not be commercially viable but AG can still market independent artists and music - opt-in is about the only way a p2p music sharing service can cover themselves.

      The other element of competition - the idea that AG is an alternative distribution chain - requires AG to first be operating as a legit company based on selling stuff they own. So they'd have trouble fighting on this until opt-in begins, and after that the RIAA should have much more difficulty finding things to whinge about. AG and most of the other p2p music services are too obviously on the wrong side of the law to be launching any strong legal counterattacks yet.

  137. Very sad. by crucini · · Score: 2

    I'd only started using Audio Galaxy a week ago, via OpenAG. I was amazed at the depth, speed and reliability. I found pretty much everything I looked for. It was like the heyday of Napster.

    It was good while it lasted. Thanks, Audio Galaxy people - you made one of the truly worthwhile things on the internet.

  138. giFT is the future by shermozle · · Score: 1

    Right folks, we need an alternative that works on our platforms of choice. Go to gift.sf.net now, download and compile it and start hacking!

  139. Linux alternative? by Mr_Silver · · Score: 2
    Since I can't run anything from my work computer I need to resort to installing something in my Linux account and ssh'ing to there and using that.

    Since I used to run the audiogalaxy satellite on my Linux box and control it via the website - it worked rather well.

    As I can't do that any more, can anyone suggest an alternative? Note that it needs to be runnable from a Linux terminal - so no graphical display (unless you control it via the website) and I absolutely positivily cannot install anything on my work PC.

    --
    Avantslash - View Slashdot cleanly on your mobile phone.
  140. Hypocrites by Quila · · Score: 2

    Wait a minute, wasn't the RIAA not too long ago trying to get a ruling allowing them to not have to bother getting permission from the copyright holder songwriters on the songs they want to broadcast online? Now they want others to run around getting that individual permission.

  141. What if they restricted quality ?? by tobe · · Score: 1

    Serious point this and a pity I'm so late into the conversation but what about this for an idea..

    Do you think the RIAA etc would toletate AG like services if the server only allowed MP3s etc *below* a certain quality to be shared. In my view this would have to be 128 kbps to be acceptable.

    Restricting quality in this way allows the recording artists to have another great marketing tool at their disposal whilst still providing the incentive for the end consumer to go out and purchase the original media.

  142. This is all the DMCAs fault by evilmonkey_666 · · Score: 1

    Why doesn't someone NOT in the USA set up an AG like service? Then the RIAA, DMCA and all the corrupt politicians can't so much as touch it... Different country - different legislation.

    --


    - PS. This is what part of the alphabet would look like if Q and R where eliminated.
    1. Re:This is all the DMCAs fault by colmore · · Score: 2

      that would make sense, but i'm afraid you are wrong. you underestimate the creativity and money at their lawyers' disposal.

      --
      In Capitalist America, bank robs you!
  143. short sighted by Smallest · · Score: 2

    i bought 8 CDs last week. five of them based on MP3s i downloaded. there's no way i'll ever hear any of those bands on the radio, since Clear Channel only plays 6 songs. and i won't hear them on college radio, since all *they* play is nu-metal and rap-metal. so, after reading good things about a bunch of bands, i went to AG, grabbed a couple of songs each and ordered CDs (from Parasol) of the bands that I liked.

    so, the RIAA has just hurt Parasol, a fine independent label/CD store. this shouldn't surprise anyone, because Parasol doesn't carry many RIAA label acts, mostly just carry indies. of course it's in the RIAA's best interest to wipe out this kind of competition.

    -c

    --
    I have discovered a truly remarkable proof which this margin is too small to contain.
  144. now you do not have any excuse left... by loudici · · Score: 1

    ...not to put your napster, then morpheus, then Audiogalaxy harvested mp3 directory on the gnutella network....

    ... show off your DSL connections and your mp3 collections. stop whining.

    --
    Dev elpizw tipota, dev phoboumai tipota eimai lephteros http://euclidian.org
  145. Re:ALL SONGS *ARE* UN-DLable by Anonymous Coward · · Score: 0

    so what will be the next killer file-sharer?

    I would not recommend kazaa, gnutella, morpheus.
    they do not scale to millions of users. for example, on gnutella you manage to download 10% of what you're trying to.

    the new generation of p2p filesharing systems will be based on distributed hashtables.
    I recommend The Circle :

    http://www.csse.monash.edu.au/~pfh/circle/

    give it a try... and you'll never quit.

  146. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  147. Well, it was Good While it Lasted... by X!0mbarg · · Score: 1

    One thing I'd like to see is a way to search (what's left of) their available songs for *Gasp* What's Actually Available!!!

    There seems to be *Absolutely Nothing* left to download.

    Needless to say, I know of Nobody willing to pay for a Gold Membership to an Empty Directory.

    Gonzo from My system, it is.

    Maybe in a few months, I'll pop by and see if it's actually got anything of interest to me. Until then, I'll be seeking out an "alternative" P2P.

    Not Kazaa, though. I'd ask for suggestions, but that just opens the dorr for the Next source to be attacked ;)

  148. Welcome to the NEW "American Way" by Anonymous Coward · · Score: 0

    Learn from the RIAA, future business leaders of America. Capitalism is dead. You no longer have to have a superior product prove its worthiness in the marketplace, simply sue your competitors and pay Congress to legislate in your favor.

    Ah, the beauty of a market-driven economy in action. A prehistoric monopoly like the RIAA, with no insight into the current market and no regard whatsoever for its customers or its clients, gets to determine how things will be done, and everyone rolls over and allows them. Hopefully they're just trying to store up as many nuts as they can for the long long long winter ahead. The RIAA's clock is ticking, and eventually all the the idiotic lawsuits in the world won't stop it. There's an old saying that I just made up: "The dinosaurs couldn't sue the asteroid away."

  149. Only One little Flaw in that by X!0mbarg · · Score: 1

    The RIAA has juristiction over any company Owned and/or Incorporated in the US. Simply Hosting it elsewhere is not enough. The Company would have to actually MOVE out of the US.

    Not a lot of P2P nerds would want to leave their comfy basements for the hassle of another country, someone elses' basement, learning the locaiton of the nearest edible fodd dispensation establishment, getting use to the new currency... Not to mention those pesky New Local Laws that govern everything ;)

    Oh, did I mention getting a VISA? Getting Into the country in question? Finding a Job? No?

    Oh well. Must just be my imagination.

    1. Re:Only One little Flaw in that by Erik+K.+Veland · · Score: 1

      Tsk... You only have to incorporate the company in some foreign country. Set up a PO Box front and your all set. Lot's of grey-market companies have done this ages ago...

      --
      "I tend to think of OS X as Linux with QA and Taste", James Gosling, creator of Java
  150. Under the radar.......... by hanakj · · Score: 0

    Why is it in all these discussions of file-sharing, we only hear of Morpheus, Kazaa, AudioGalaxy, and the late Napster? In the popular media we never hear of WinMX. It's been there for me since Napster shut down, I've never had problems, my son and I can get the files I want(quite different tastes, he's 15 and I'm 46), and quite a lot of people download songs from me. Maybe I should just keep my mouth shut and enjoy?

  151. Re:Purchase CDs? In some cases, WHAT CDs? by Interrobang · · Score: 2

    Ever heard of Hadiqa Kiani? No? Dare you to try to get her stuff on CD -- since it's only available on cassette, and it's damn hard to even find in North America...except online.

    Mind, she's only Pakistan's most popular female recording artist, and her first album sold hundreds of thousands of copies, and she's only the second female artist ever to get a promotional contract with Pepsi (the first was Gloria Estefan), but that's not important.

    The point is, there IS stuff you just...can't...get any other way, and that's the stuff that most of us (here) get online. Frankly, I would actually rather have a real CD, because I like the liner notes and the album art and all that stuff.

  152. Copyright protection just an excuse by bodland · · Score: 1

    Copyright protection and compensation of the copyright holder is justified. (wait for the big but...) BUT! As a recording and performing musician I find that RIAA is not really working for the artists but the media companies. They are using their vast resources to make sure that no new companies emerge to challenge them in the market place. There is no doubt collusion exists between the media giants in respect to music. They are attacking any alternative to the media distribution already inplace until they can contol it. Using the copyright laws is just a "legal" manuver to to crush sites like AudioGalaxy....look back to a couple years ago to what happened to mp3.com.

    The end result is big media wins, independant artists lose....again.....the listening public get less choice and less quality.

    Back in the 90's when "alternative" hit into mainstream (I used to call it hardcore back in the mid 80's) the media companies saw that is was really profitable but risky. The music media scene was diverse and growing. New independants poping up and making money. They saw that though there was a large amount diversity in the music scene the problem they saw was the pie was getting sliced up too thinly. So what they did was regroup and start marketing canned pop to pre-teens. They abandoned the x-gens, lost generation (myself) and boomers to preteens. they marketed to a very impressionable, vulnerab le market. One that the tobacco industry marketed to for years before people caught wind of it. Those little kids are cash cows for the fat white pigs. Look at the guy who created N'Synch and tell me he's not the typical example of a crooked, sleazy producer.

    The big media folks can afford to search, choose and train cookie cutter pop stars for years. they found a willing market in the 9-13 year olds whose parent fork over hundreds of dollars per year to them to buy this crappy music.

    it all comes down to the change in America after the 2000 elections. The Bush administration has worked hard to alter policies and reward corporations to do what ever it takes consolidate wealth. You may scoff. But when you start to look at it big media's unethical behavior it just relefct on a growing trend across all industries. Mergers, CEO's pay, accounting practices, tax cuts for the rich, etc, etc...

    It is up to us as music fans to take back the music industry by boycotting ALL MAINSTREAM MEDIA DISCS. Only buy local music from local artists that really need the support. Music that is self produced or from a locally owned record company.

    Listen local, buy local.....go see a live band tonight, start a band. Anything but continue to encourage the media giants.

    YOu won't buy any Microsoft products, why not add Sony to your list....??

    Peace.

    1. Re:Copyright protection just an excuse by yukster · · Score: 1

      Right on! Send a message to the RIAA: STOP BUYING CDs! BOYCOTT THE MUSIC INDUSTRY NOW!

    2. Re:Copyright protection just an excuse by EdSykes · · Score: 1

      AT LAST!

      Someone else who understands what is going on with the collusion between the RIAA and the major record labels!

      What you have to understand is that the amount of money floating round in the record industry from people buying music will remain pretty much constant despite the state of any file sharing apps. Some people will always try and spend as little as possible on music - some people will always be searching for new music and willing to spend money on that rare 12" promo.

      BUT!

      What the Major Record labels know (i'm still not sure whether the RIAA knows this or not) is that their position as controllers of music channels (i.e. the radio, the featured artists of record stores etc) is under threat from these file sharing apps. Not only this but it isn't a rival that is wrestling control away but the consumers themselves - the very same people who they starve of music and subject to manufactured bands / pop acts.

      This means that people will be able to sample all kinda of music and will find that they like music not on the major labels rosta. Hence money that would be spent on the major labels artists now goes to an artist on an independent label.

      THERE WILL BE A REDISTRIBUTION OF WEALTH WITHIN THE RECORD INDUSTRY AWAY FROM THE EXECUTIVES AND SHAREHOLDERS OF MAJOR RECORD LABELS TO THE ARTISTS WHO ARE ON INDEPENDENT LABELS.

      this is what the major labels fear.

      The ironic thing is all they would need to do to prevent themselves from becoming extent in this new market is to STOP BEING PROFIT CENTRIC AND TO BECOME ARTIST CENTRIC!!

      And the executives who run these companies can't even see this!!!!!

      I too sent the following email to the RIAA:

      >>>>>>>>>>>>&g t;>>>>>>>>>>>> >>>>>>>>>>>>&g t;>>>>>>.

      As an recording artist myself I respect copyright. However - I also have to say that your effective desctruction of the audiogalaxy service is yet another blow to artists everywhere.

      When i began using napster as a means of learning about new artists the amount of money i spent on music purchases doubled. When i subsequently found audiogalaxy and its unique groups feature my spending on music doubled again. The reason for this is that i was being exposed to exciting new music that was being sent to me by people who had themselves discovered that exciting new music.

      Once again you failed to see the artists point of view and have succeeded in preserving the exploitative and profit centric attitude of the major record labels.

      Thankyou very much.

  153. try Circle by Anonymous Coward · · Score: 0

    http://www.csse.monash.edu.au/~pfh/circle/

  154. Like an oasis in the desert.. by ncstockguy · · Score: 1

    A new file sharing program will surface. The music industry is now in full whack-a-mole mode.
    But there are way too many moles. Fresh water keeps bubbling up at new locations in the desert from time to time. And a new oasis is created.
    Then keepers of the status quo who sell water, try to pave it with concrete. But then...somewhere in the desert, a new font of fresh water begins to bubble up.

  155. When will companies realise that the net is... by Vincman · · Score: 1

    UNSTOPPABLE? IS RIAA so ignorant to think that stopping one or two file-sharing programs will stop the illegal distribution of music? Millions of sites exist on the net, and at least 50 working P-to-P programms (and the nr. is growing). They should start seeing the net as a business-model and embrace the concept. Distribution over the net, lowers prices and increases the customer-base! Rather than spending money and time on closing down illegal sites, they should provide us with a good alternative to them! They are the source of music (ignoring self-made musicians for the moment) and should act as such, instead of using indirect distributors who raise prices. The next logical step is for musicians themselves to forego agents, and start distribution themselves (e.g. David Bowie).

  156. Filtering with $$$ by DaveWood · · Score: 2

    People will say this isn't technically feasible. It's certainly complicated. Who generates the DRM flag? Windows XP 2006? Maybe. Who stops them from hacking the system to forge it? No one, necessarily...

    But you're right in principle, and I'll tell you why.

    Since deregulation is now just a codeword for laissez faire ;), the cable trust already has, and the baby bells are about to get, 100% freedom from competition, guaranteed by the FCC. In some cases the media companies already own the cable themselves. But in any case it's pretty easy to get all the relevant parties in a room and work out a deal.

    P2P software is kind of a drain on bandwidth. And how hard will it be to get the broadband ISP monopolists to raise their rates, to start charging per K? They were planning on doing it anyway, once they eliminated the competition!

    This, my friends, is much better than censorship. It's cen$or$hip. Cheap internet data delivery hurting your real-world data delivery (i.e. RIAA) business? Don't compete! Just make the internet expensive!

    The baby bells and cable companies will even whine that without the price hikes, they'd go out of business, and they'll talk about northpoint, or qwest. Pay attention, because that's going to be some high-art corporate cheese. Those are the TA-1996 "client-competitors" the baby bells just murdered with their own bare hands.

    Here's a hint. When a big stinking monopoly tells you they need to raise their rates, they're lying, unless they're willing to open their books.

    Watch the FCC. Oh yes, and if you have ISP service through a DLEC, get ready to switch.

    1. Re:Filtering with $$$ by vkg · · Score: 2

      Actually, VeriSign generates your DRM flag.

      Uhhuh... your PKI (public key infrastructure) comes back to bite you in the ass: you need to sign up for a certificate to create content ($$$ big bucks) for distribution, then sign everything, specifying that you're a valid copyright holder for this work.

      You put warez up, they cancel your key.

      Oh, and did I mention probable per-issued-file fees?

      Wait and see, but I think it's a matter of time if we don't act to prevent this.

    2. Re:Filtering with $$$ by DaveWood · · Score: 2

      That's very interesting. Thank you for replying. I find this very thought provoking. Please allow me to continue playing devil's advocate.

      I'm just thinking "out loud" here. There are two ways to do this. One is that you trust the client (Windows DRM), in which case the client processes the keys against high-level activities and just sets a flag on packets or not.

      This would be trivial to forge. Of course, maybe the government would develop a massive enforcement regime to bust DRM forgers. But then they could already develop a massive enforcement regime against the existing software. So why wait?

      The other way is that you don't trust the client, and all packets are themselves signed (!), allowing for more robust external verification - until someone cracks the key, that is. But barring that, at least I can shut you off quickly if you break the rules.

      But in addition to the already mentioned enforcement dillemma, all that real-time cryptography (signature verification for every packet on the internet?) is impossible without a significant new investment in infrastructure (billions of dollars?) - and even in the worst scenario I can envision, where the bad guys have carte blance, you're still looking at an orders-of-magnitude reduction in routing capacity if you want to use any reasonably strong math.

  157. Remember what Obi Wan told Han Solo: by AZPhysics · · Score: 1
    "...There are alternatives to fighting."

    Check out your local library. Right now I am listening to a Kenny G CD I checked out (probably not your idea of good music, but I like instrumentals for studying.) Last night I listened to a copy of Roger McGuinn's (Byrds lead) Folk Den collection I checked out. These are freely available songs, and he does a new one each month. Check it out at

    http://www.ibiblio.org/jimmy/folkden/

    Also, later on today I will listen to talented violinist Anne-Sophie Mutter on her Recital 2000 CD, once again checked out from the library. Remember, you pay for your local libraries, so use them. All that classical stuff you've been looking for? It's all there (except for some reason my Library doesn't have Dvorak's New World Symphony -- GRRR!) Since my taxes have paid for it, I have no problems making a back-up copy so I can use it when someone else has it checked out.

    Indie artist websites are another option. I was looking around for a guy my brother had recommended yesterday. A search on Google turned up some testimony he gave before the Senate Judiciary Committee. I will share some interesting quotes from it:

    So far, my music has been a sort of cottage industry. I paid for the CDs to be made, found people to distribute them, designed the covers, booked the concerts halls, took out ads in the paper. It's a lot of work, but I like doing it. Not only that, but I think I understand my audience ....

    As a result of doing it on my own, I get about $7 for every CD that sells in a store. And about $10 per CD sold at concerts. In contrast, I've got a friend who is also a performer/songwriter who opted to sign with a local label. He recorded a CD that cost about $18,000 to make, which the label paid for. Now, when one of his CDs sells at a store or at a concert, he makes about $1. The rest of that $7-10 which I make on my CD sales goes to his label. On top of that, he has to pay back the $18,000 it cost to make the CD out of his $1-per-CD cut. In other words, he won't make a dime until he has sold 18,000 CDs. And then, he still won't own the CD, the label will. They maintain the copyright. It's kind of like paying off your mortgage, but then having the bank still own your house.


    So I've stayed independent. That's not to say I'm anti-label. I'm not by any means. There's a lot a label could do to make my music available to more people. And if a fair deal came along, I might do it. I've just never seen a deal that would be fair to both parties.



    See the full article at http://judiciary.senate.gov/oldsite/1092000_pb.htm

    One final note. Sunday night I attended a concert by the "Tucson Pops Orchestra." Be sure to support the real musicians out there, such as your local orchestra. Quite frankly, live performances are just so much better than listening to CD's. I don't care what the specs are, it will just never be the same.

  158. People! by IamTheRealMike · · Score: 2
    Come on guys, we need to start thinking about a real way forward. All this trash I'm seeing about "use another network", it's just hiding from the real issue.

    So you don't like the RIAA? Then try thinking about an alternative. There are a lot of smart people here, we can make a new system that works better than the old one. It's surely worth a try!

  159. The end of an era, the dawn of next... by spammeister · · Score: 1

    Well it was a good couple of years, 80GB later off AG (is that a lot?). Just as I got my 300th MP3 CD as well.

    They (RIAA) decide they wanna play hardball, well I'm pretty sure that biting the hand that feeds you is not a very good business pratice.

    --insert every other argument told before--

    I don't like paying for stuff, I don't pay for music, I don't pay for movies, I don't pay for TV. No matter what happens I will not buy music, I will not pay for TV and I will not pay for movies. This will not change until the current hierarchy basically does a 180 and the poeple who make the music/TV/movies are in control of their own destiny.

    I WILL NOT BE DICTATED TO ON WHAT I SHOULD WATCH OR LISTEN, AND I WILL GET THE MEDIA IN WHICHEVER WAY I SEE FIT.

    --
    I tried to think of a good sig, and this wasn't it.
  160. Spywareless version by Snover · · Score: 1
    --

    [insert witty comment here]
  161. it's not just audiogalaxy, it's precedent. by zylinder4 · · Score: 1

    I think that we need to look at this decision more closely. This radically alters the nature of IP in America.

    The point here is not that they shut down audiogalaxy, it's that the precedent set is quite simple...If you do not have specific permission to touch this IP, you cannot. This hereby executes the concept of public domain anything. It can't be public domain if I have to specifically allow each bit of IP I own to be shared, I now have to actively promote it's trade. Items which have no copyright owner, or none that can be found, are simply dead. What happens when the copyrights expire?

    This isn't about controlling copyrighted works. This is about killing off buzz engines that aren't under the knee of RIAA. RIAA's CD sales are down, but the indy scene is more alive and vibrant than ever. Every indy listener I know lives on AG (this town has country stations, public radio, and, surprise! Clear Channel Communications.)

    RIAA would like to drown out the entire world of independant music. Laws like this serve only to restrict any scene without a corporate mother to clear each track as it goes up. Combined with artificial cost increases in the Internet Radio business, and what you have is simply corporate domination through elimination of any inexspensive way for artists and fans to have a real international scene, idea machine, and society.

    WTF is this...I have to opt-out to have privacy and peace, but opt-in to b e heard. Who's your daddy?

    --
    Debian - It's an open source community, why are you still in your closet hacking on that slack-box, kid? Come out and
  162. Yes. by snoozebutton · · Score: 0

    As an indie musician, I will be sharing my music through Audiogalaxy and will encourage other musicians to do the same,

    though

    once the public's faith in it has been shaken, noone will even touch the app again!

    I doubt that, after today, AG will get even 5% of their regular number of hits..

    Again, the same as Napster.


    On another note, does anyone know if your own shared songs can still be sent to groups? Thanks for any insight.


    Last but not least, cheers to the maker of Sputnix. A great little app that always had good updates and stability going for it, you did a wicked job. Thanks again.

    We can win.

    my music (free full mp3s)

  163. OPEN AUDIO GALEXY by DanThe1Man · · Score: 2

    Will someone with more 1337 programing skills then I please make an open audio glaxey server? There is already an open clinet, and IIRC the user interface is already open, could someone please just start up a non-centeralized server that dosn't block songs?

    That would be sooo damn cool.

  164. MP3 CDs Through Snail Mail by Istealmymusic · · Score: 1
    I've started using the postal service for my music swapping.

    I can't tell if you're joking, but for the moderators: on Audiogalaxy there is in fact a very active group, CD'S THROUGH THE MAIL. In case they take their group description down, here it is for reference:

    A group for trading data cds full of MP3 albums (NOT audio cds!) through snail- mail! Well, it looks like the time has come, AG has settled out of court with the RIAA & has disabled file-sharing here for now. Please bookmark our group website (listed on CDMail's profile) & check in there if AG closes down completely. I am looking into other forums for this group & will make any announcements there. *IF* we have to change to a different forum, only members in good standing (lists turned in, good trading record, knows how to follow directions, etc.) will be invited to rejoin the group. I hope you all understand why I need to do this, it will be for the benefit of all of us. :-)
    --
    "The lesson to be learned is not to take the comments on slashdot too literally." --Vinnie Falco, BearShare
  165. Welcome to capitalism by Freija+Crescent · · Score: 2

    All i can do is send a big FUCK YOU out to mainstream media, and the RIAA.

    Most of us know that mainstream media sucks. Most of us hate almost everything on the radio, because there is no variety. For those of us who have tasted the music from foreign artists can attest, the pop-crap stations with their pathetic-repeat-every-45-minute playlists can just burn in hell.

    But then again there are [people] out there that actually like this CRAP because it's been spoon-fed to them since their conception. It's all about control. Media conglomerates want you to eat what THEY want to feed you. It's absolute lunacy.

    Most of the stuff I listen to comes from artists who have ABSOLUTELY nothing to do with the RIAA, groups that never 'sold out' to this satanic cult. Where's the justice for these groups? These groups who come over from Europe every year, and find that their followers are growing faster than they could ever had imagined? These groups who were discovered on the likes of Audiogalaxy by all these new fans. These groups who actually DON'T CARE that people share their music?

    I buy a lot of CDs, or at least I used to. Back when I was brainwashed and thought that paying for the CD helped out the artists. I know better now. I'm upset that I helped pump dollar after dollar into some fat-ass RIAA exec's wallet.

    I'm going to go out on a limb here and state that MOST of /. readers were getting music from AG, and that is why there is so much hostility in this thread. I think that THIS should be the last straw.. I think that we all need to make an INTENTIONAL decision to NOT buy CDs.. ever again.

    Trade music, copy mp3s to CD and distribute them in public places. Do whatever it takes to spread the word about non-mainstream artists, and don't buy CD's for the crap-40 bands that are playing on the radio. Not only will this put the RIAA in serious financial harm, it will also promote the artists that you like to listen to.

    If you want to support the artists, go out of your way to attend concerts... offer them cash in person.. buy them a drink or two.. offer to take them out after the show. These things aren't that crazy, I've done all of these things. Ask them if they have any merchandise to sell, and if not make suggestions. These are sources of income that sidestep the Nazi-istic ways of the RIAA.

    Sorry for the rant. It's just funny that so many of you bitch about the RIAA, when in fact you are perpetuating it's existance.

    Maybe we should offer counter-intelligence to the Al-qaeda forces, and tell them that the RIAA's headquarters is the new whitehouse. Maybe we will all get lucky.

    -fc

    --
    . echo -e \\04 > /dev/hand1
  166. I stand corrected. by the+saltydog · · Score: 1

    >>>Simply put: continue to fuck with us, and we will continue to crush your obsolete business model's nuts.

    I concur!
    .
    .
    .

  167. Adaptive filtering. by vkg · · Score: 2

    Ok, here's the scoop:

    You can't produce a copy for "general use" without a certificate issued by a CA like VeriSign. This required an arbitrarily large amount of cash, and strong identification when you obtain the cert.

    The filtering would be done by the backbone providers. First time you see a new file, check it's certificate. Store the ID of the cert and a simple, fast (i.e. could-be-done-in-hardware) checksum. Now, when you see files on the wire, look up the checksum vs. your tables, and make sure it's OK.

    Ugly? Sure.

    But doable?

    Certainly.

    Unfortunately, the implications for civil liberties and freedom of speech are **extreme**.

    I don't think that this is inevitable, by the way, but I do think that unless we're very capable and fast, there is no doubt we are going to end up with a solution like this or even worse.

    1. Re:Adaptive filtering. by vkg · · Score: 2

      Oh, just re-read: for packet-level stuff, you probably need a new file transfer trick: files divided up into packets **BEFORE** signing, so the packets are signed.

      Hard, I agree.

  168. Audiogalaxy still has a pulse by yukster · · Score: 1

    I didn't sleep a wink last night, I was so upset about the death of my beloved AG. With time, though, the emotions have given way to more rational thought. The potential significance of this agreement for the concepts of public domain and the intellectual commons are indeed chilling, as was eleoquently described by zylinder4: All ideas are off limit until you ascertain whether it is owned or not. Goodbye public domain.

    And there's an interesting side effect of this that the RIAA undoubtedly didn't consider. I do freelance writing for regional newspapers, doing mostly short show previews. I try to stay aware of what's coming down the pike so I can track down promo materials. Inevitably, however, there are shows on the weekly list that I didn't know about and would like to write about but I have about 48 hours to track down materials. Audiogalaxy was my lifeline to finding a few songs by an act so that I could write about them...SO THAT I COULD GIVE THE BAND (AND THEREFORE THEIR RECORD LABEL) FREE PUBLICITY!! Now, I will likely blow off a lot of previews that I would have done in the days of AG.

    Finally, I did want to point out, for all fans of Audiogalaxy out there that there is still a slight pulse at our beloved pages of blue. If you go to the page of any of the "hosted artists" and click on the little black mp3 logo, it will still download the song from their server. And it's http, so it's way faster than with the satellite. I know that pales in comparison to reading about a band and popping over to AG to download a few songs, but at least there's still some new acts to check out. (epitonic.com is a similar resource).

    And remember, friends don't let friends buy new CD's (not by major labels anyway).

    good night.

  169. RIAA : who is it that's being ripped off? by the-lamb · · Score: 1

    Just a thought...For 1 CD an artist gets maybe $1 to 3 bucks? It's just a wild guess, but those are generally the figures I've heard they get. Now add the costs for the CD/case/cover-booklet, promotional costs, distribution etc. I just wonder how that sums up to a total of the $20 bucks we get to pay for CDs here in NL.

    It's still the same old song, one big muppet show... over and over again and I'm not breaking the news here when I say that the RIAA fights not for the cause of the artist/music, but for the record companies wallet. As long that that doesn't change, nothing will change. Artists will get screwed over and over and so will we each time we buy a CD.

    Don't get me wrong - I do buy CDs... but only after I've listened to them online and know that I like to hear what's on them. The purchase I then make is only out of respect towards the artist... nothing less, nothing more.

    Napster, Kazzaa/Morpheus, Mx, Audiogalaxy... how long will it take before RIAA gets the message that they should spend their money NOT on lawsuits, but on research on how to provide in a more quick, more flexible and cheaper distribution of music.

    Anyway - time to wake up for me as well.


    the-lamb

    ps. read this article quite good.

    --
    stepan