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The Grateful Dead vs. Archive.org

An anonymous reader writes "E! Online has an article about friction between archive.org and the surviving members of the Grateful Dead. They have come to an amicable understanding after some confusion involving online bootlegs." From the article: "A week after some of the surviving members of the Grateful Dead ordered a nonprofit site to remove free downloads of the seminal jam band's concerts--sparking massive online backlash and a Deadhead petition calling for a boycott of all band-related merchandise--the band has reversed its position. 'The Grateful Dead remains as it always has--in favor of tape trading,' spokesman Dennis McNally tells the Associated Press. "

395 comments

  1. WWJD by Anonymous Coward · · Score: 4, Funny

    What Would Jerry Do?

    1. Re:WWJD by /ASCII · · Score: 5, Interesting

      This kind of reminds me of the "This land is your land"-debacle. Woody Guthrie, who originally wrote the song, used the following copyright:

      This song is Copyrighted in U.S., under Seal of Copyright # 154085, for a period of 28 years, and anybody caught singin' it without our permission, will be mighty good friends of ourn, cause we don't give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that's all we wanted to do.

      Still, somehow the above copyright notice was revoked, and after Guthries death, the song passed into ownership of a record label, that claims ownership to it.

      I am a strong beliver in the capitalist system and right to own property, but that right _must_ include the right to give property away.

      --
      Try out fish, the friendly interactive shell.
    2. Re:WWJD by backdoorman · · Score: 1

      Jerry would RTFM, of course!

    3. Re:WWJD by Benanov · · Score: 1

      Eventually that was overturned, thankfully. I think Guthrie originally formed the copyright so that no one else would try to take it. A sort of "I copyright this so that I exclusively can give it away to everyone." A sort of creative commons approach.

    4. Re:WWJD by BodhiCat · · Score: 5, Insightful

      Jerry and the rest of the band were part of the idealized Haight Asbury community. Although it later collapsed into hard drugs and violence the community was visualized as one where everything was shared in common. This is expressed in their song Box of Rain, "What can I do for you to see you through ..."

      The Grateful Dead like most of the others of the 60's counter culture eventually became part of the main stream, signed a record deal (for which they were chastised at the time by many Haight-Asburians as sell outs) and went to work, making money from touring, record sales and merchandise sales. The taping of the shows was a carryover from the ideal days of the late 60's. "Hey we are just here making music, if you want to sit in front with a tape recorder that's cool with us."

      The tape network grew over the year as tapers traded recordings of shows. However, this was a network which required a "buy in" of having some tapes that you made your self or that you scored from a friend.

      The internet and digital media changed all that. It was now easy for someone to put their recordings on a web site where any one could download them. There was no re-precocity involved. This has led to many who have never attend a show to build up a sizable collection of recordings. (Including, admittedly, Bodhicat himself)

      I don't really have any conclusion to this. Should the 60's ideals be carried over into the internet? Should the "surviving members" be willing to give up profits from CD sales to preserve these ideas? Who owns music? "Its just sounds in the air, man." In the sixties there was an idea that everything should be free, can these ideals be carried over into the digital age?

    5. Re:WWJD by 91degrees · · Score: 4, Informative

      Yes. It turned out Copyright hadn't been renewed (and that was a requirement at the time), so it had been public domain since the 1970's.

    6. Re:WWJD by dsgitl · · Score: 2, Interesting
      Wow, excellent observation. You have encapsulated my feelings and concerns about the whole issue very well, and I think your question is at the exact heart of the matter. I'm 24, and there are many people my age that had no contemporary appreciation for the Dead that are probably up in arms over the whole thing.

      To extend the debate, I have been downloading and burning Dave Matthews shows like crazy. They are widely available, easy to find, and for the most part, are very high quality. I've seen one of the band's shows live and own exactly one Dave Matthews DVD, that I bought with a gift certificate, no less.

      So what do I own the band? Technically, I'm breaking no laws and am not selling these shows for profit. If Dave Matthews gets tired of my free-loading and decides taping at DMB shows is no longer allowed, do I have the right to be upset? It would appear not. But having something taken away that I enjoyed would probably hurt.

      The answer? Do what Pearl Jam did a few years ago. Sell a bunch of "bootlegs" in the stores for $15 apiece, and watch as the rabid fan base eats it up. Sigh.

    7. Re:WWJD by Shakes268 · · Score: 1

      Go on a "trip" I suppose.

    8. Re:WWJD by BiggerBoat · · Score: 2, Interesting

      And yet the JibJab guys still got threatened with a lawsuit last year, even though a), their Flash was satire/parody and should fall under fair use, and b), the song has been public domain since the 70s?

      So was the publisher that claimed ownership and threatened the lawsuit just clueless?

    9. Re:WWJD by Anonymous Coward · · Score: 1, Informative

      I am a strong beliver in the capitalist system and right to own property

      But that strongly depends on what is considered property. I'm totally in favour of property rights over scarce, rivalrous physical things, just not intangible "things" defined by lawyers. An (evil, lawyery) faction of society have lately taken to using the jargon of real property about copyrights, patents, etc. But that doesn't make them anything like real property in reality. You just can't logically argue that information should be property by just assuming it is property and then saying it's bad to violate property rights, yet that is an argument I hear again and again dressed up in more and more flowery legalese to disguise the illogic.

    10. Re:WWJD by Anonymous Coward · · Score: 0

      It's pretty sad seeing what the band is coming to without Jerry!

    11. Re:WWJD by Anonymous Coward · · Score: 1, Insightful

      I know that anyone >60 is gonna tear me a new a-hole for saying this...but I think a lot of that "everything should be free" bullshit...and it was bullshit...was espoused primarily by young males to entice young females into "free sex".

      Then when they all "grew up" and got married, started families, they indeed, turned into their parents: career climbing, house in the suburbs, church on sundays, hell, most of them don't even puff a joint now and then anymore.

      Speaking of puffing; the hippie generation has spent the last forty years puffing up their cultural impact and acheivements, but in the long run, like every generation before them...they basically turned out to be hypocrites and their lasting impact on culture is basically music, but even then, you don't really hear much of it anymore, except on the "oldies" radio stations.

      Truth hurts. Bitches.

    12. Re:WWJD by purplewolfhound · · Score: 1

      sorry, box of rain was written by Phil Lesh on the passing of hif father.

    13. Re:WWJD by Hatta · · Score: 3, Informative

      The taping of the shows was a carryover from the ideal days of the late 60's. "Hey we are just here making music, if you want to sit in front with a tape recorder that's cool with us."

      The taping of concerts is a tradition Jerry picked up from his days as a bluegrass musician. You may not know it, but Jerry started out on the banjo, and was rather good at it too. What the internet did for the grateful dead's boots, it also did for these old bluegrass tapes. Check out Bluegrassbox and The Steam Powered Preservation Society.

      --
      Give me Classic Slashdot or give me death!
    14. Re:WWJD by Anonymous Coward · · Score: 1, Insightful

      OMG you are such a dumb ass. It's obvious that you've never been to a Dead show. "Idealized?" Maybe some people who were never involved in the original movement. Haight Ashbury was a small community of people in San Francisco that consisted of Jerry Garcia and others, but branched from Beat culture and movement of the '50s, where Jerry Garcia received much of his social and musical influence (and LSD).

      If you think this is a huge legal debacle involving the Dead, you should have been around when they didn't know what to do with Jerry's guitars. This was a misunderstanding. "The Dead" (the name that they have taken since they were known as "The Other Ones" and "The Grateful Dead" was Jerry's band) is now a touring act (I saw Warren Haynes take Jerry's place on tour last time), and still allows their shows to be freely taped and even tansferred online to some degree. The Dead long-ago announced that the Internet Archive would have permission to have all shows from the Grateful Dead available online, but only the audience recordings and not the soundboard recordings (which are much higher quality and are used for the "Dick's Picks" series of retail releases.) The problem comes in when people start to make a matrix of recordings (taking sources from both an audience recording and a soundboard to enhance the audio with natural crowd noise, etc), making some recordings of shows "quasi-legal."

      There was obviously some confusion here, and things are being straightened out. This isn't some socio-economic question that our generation has to explore and discover. '60s ideals don't mean that everything should be free and you make it clear that you're ignorant of this fact as you've never been to a show. Any Dead show is going to consist of capitalist grilled-cheese dealers, hemp clothing manufacturers and distributors, art dealers, and often the finest nugs in the country. There have always been items available for purchase at Dead shows. Quit trying to undercut the power of the '60s by insinuating the entire generation consisted only of idealist hippie burn-out slackers that never had a job.

    15. Re:WWJD by Shelled · · Score: 3, Insightful

      It's a reasonable suggestion the Grateful Dead wouldn't be more than an interesting 'Hits of the Sixties' or 'Where are They Now' trivia question if it weren't for those Haight Asbury ideals of community and sharing. The Dead invited the audience to be part of the group and gave freely, getting a liftime of adoration, appreciation and financial benefit in return. Given the long-unpopular style of music the Dead played they'd could have been just another Quicksilver Messenger Service otherwise. The Dead are one of the best counter-arguments against DRM. Real artists, as opposed to what media companies today term 'product', can survive and flourish, give to society freely and get a lifetime of riches in return, under the notion of copyright as first intended - a limited license on commercial distribution instead of property, or 'music ownership'.

    16. Re:WWJD by BodhiCat · · Score: 1

      sorry, box of rain was written by Phil Lesh on the passing of his father.

      Well, to be absolutely correct, the lyrics to Box of Rain were written by Robert Hunter on the passing of Phil's father, although Phil did write the music. I said "their song" meaning a song the band played, not one that Jerry wrote.

      Anyway, I think the line I quoted ("What can I do for you to see you through.") can be generalized to encompass the concept of a culture of sharing which many in the 60's talked about, even if it wasn't always practiced.

      If that sharing extends over to file sharing, well ... I don't know who put it there, download it if you need it, or browse on if you dare.

    17. Re:WWJD by Anonym1ty · · Score: 3, Insightful

      I find it hard to believe that fans of the Grateful Dead could boycott any band related paraphernalia for any length of time.

    18. Re:WWJD by blincoln · · Score: 1

      Clearly the record label was assuming it was the version I still remember from grade school:

      This land is my land
      It isn't your land
      I've got a shotgun*
      And you ain't got none
      This land was made for only me

      * Or, in this case, lawyers.

      --
      "...always new atoms but always doing the same dance, remembering what the dance was yesterday." -Richard Feynman
    19. Re:WWJD by Anonymous Coward · · Score: 0

      This message brought to you by:

      Red Bull - Feel the POWER of the 60's!

    20. Re:WWJD by venicebeach · · Score: 1

      I think purplewolfhound has a point though. I was kind of surprised you used that quote in the way you did; it's not really appropriate. The quote is about being helped through a time of grief by a friend, which is not specifically a "60s ideal" as far as I can tell.

      While I'm responding, I'd also like to say that the sharing of music is not something that first appeared in the 1960's. Music has been shared within communities since its origin. The ownership of music is a much newer concept than the sharing of music.

    21. Re:WWJD by DerekLyons · · Score: 1
      I am a strong beliver in the capitalist system and right to own property, but that right _must_ include the right to give property away.
      That right does exist in the copyright system, it's called "putting a work in the public domain" - which Guthrie did not do. What he did was give blanket permission to perform the song, which is a different kettle of fish.
    22. Re:WWJD by iocat · · Score: 1, Troll
      What Would Jerry Do?

      Heroin?

      --

      Dude, I think I can see my house from here.

    23. Re:WWJD by P3NIS_CLEAVER · · Score: 0

      It's a moot point really. People would pay for released professional recordings of concerts wether these homemade versions are traded or not. Greed is all I see. GD was one of the highest-paid touring bands around for decades.

      --
      Please sign petition to restore sanity to our banking system!!!

      http://financialpetition.org/
    24. Re:WWJD by purplewolfhound · · Score: 1

      Yes, I understood your intent, just avoiding confusion. And yes Hunter cowrote the song. I was in Chicago at the last show. Double Encore Black Muddy River Box of Rain It was as if they knew it was the end. I miss the guy.

    25. Re:WWJD by fmaxwell · · Score: 2, Insightful

      I said "their song" meaning a song the band played, not one that Jerry wrote.

      Anyway, I think the line I quoted ("What can I do for you to see you through.") can be generalized to encompass the concept of a culture of sharing which many in the 60's talked about, even if it wasn't always practiced.


      Reading that, I can't help but quote a scene from "This Is Spinal Tap":

      MARTY: You play to predominantly, uh predominantly a white audience, you feel your music is racist in any way?
      DAVID: No!
      NIGEL: No, no, of course not....
      DAVID: We pro...we say, we say "love your brother", we don't say it, really, but..
      NIGEL: We don't literally say it.
      DAVID: No, we don't say it ...at all.
      NIGEL: No, we don't literally mean it, but we're not racists.
      DAVID: No, we don't believe it either, but...that message should be clear anyway.

    26. Re:WWJD by BodhiCat · · Score: 1

      Well, then maybe the lyric "Reach out your hand if your cup be empty, If your cup is full may it be again" from Ripple would be more appropriate. I remember listening to the crowd sing along with it as an encore from a hill overlooking the stage at the Suwannee Music Park in Florida when the Other Ones played there. I also enjoy the few shows that I went to while Jerry was still around. A wierd scene, but I always felt accepted, even though I knew no one there.

      Anyway, my main point was to describe the 60's as a time when altruism and giving and sharing were often discussed as an alternative to the main stream American materialist culture. I am not saying that this was an ideal that only 60's hippies had, but I want to dispell the notion that many have (including some here) that the 60's were just a time to get high, listen to rock music and make out.

      .

    27. Re:WWJD by Broken+Bottle · · Score: 1

      Well, if he were alive, this wouldn't have happened, not because he was massively in favor of "tapers rights" but because the band would still be on tour and the $$$ would still be flowing in. They probably never would have considered it because, under those circumstances, everyone was getting what they wanted: music to enjoy and a very good paycheck for the band. The Dead have never really fought hard to protect their intellectual properties as long as they were making a good living. In the post Jerry, less lucrative solo touring world, $$$ is trickling not flowing. I'm not calling them greedy. I can completely understand and sympathize with the desire to profit from their hard work for all those years. I think the "trade the audience tapes, hands off the sound board tapes" is a very good compromise. Phish have / had that policy for YEARS and it worked well for them, but they established it a long time ago. Honestly, the audience tapes sound better to my ears anyway. Tapes straight from the sound board sound wonky because the mix is setup for the hall they played not for consumption under head phones or on the home stereo.

      Chris

    28. Re:WWJD by DeputySpade · · Score: 1

      The answer? Do what Pearl Jam did a few years ago. Sell a bunch of "bootlegs" in the stores for $15 apiece, and watch as the rabid fan base eats it up. Sigh.

      The dead has been doing that for years. That's what the whole "Dick's Picks" series is all about.

      --


      This space intentionally left blank
    29. Re:WWJD by Iago515 · · Score: 1
      You have to quote it correctly:

      This land is my land,
      This land aint your land,
      I've got a shot gun,
      and you don't got one,
      If you don't get off,
      I'll blow your head off,
      This land belongs to me, not you!

      But I'll agree with the lawyers thing.

      --
      Take note, take note, O world,

      To be direct and honest is not safe.

    30. Re:WWJD by Anonymous Coward · · Score: 0

      Wow, who pissed in your cornflakes this morning?! I don't think you know what you're talking about.

      The "everything should be free" ideas came out of utopian style dreaming about community, common property, etc. Then communism showed the true horrible potential of that system, and the dream fell apart.

      It was the drugs that were used to get sex. And sex wasn't an uncommon payment method for many things. You've never heard "Gas, grass, or ass" for hitchhikers?

      And... if you go on to the dating boards today and take a look at many of the women looking for men, there are quite a few where the female says '420 required'. In other words, sex (pot anyway) for drugs. For some reason, I haven't seen any of the male postings say that... I guess they're usually the dealers, but I really don't know why.

      Your comments about domestication are certainly true, but then if they weren't there would have been a whole generation of deadbeats who couldn't be bothered to provide for a family. A little hypocrisy seems preferable.

      As for 'cultural achievements', that's just what we call what happened during the course of an identifiable generation. The folks who supposedly achieved anything didn't call it that, some E! channel shmuck did. Jimmy Hendrix couldn't have cared less about his "achievements", he was just having fun.

      So, there's your new hole. Oh, and by the way, I'm not even close to 60.

      AC cause this thread sucks..

    31. Re:WWJD by cloudmaster · · Score: 1

      For some reason I read that post with Grandpa Simpson's vioce in my head, as in "So I tied an onion to my belt, which was the style at the time..."

    32. Re:WWJD by Musc · · Score: 1

      funny how you should point out that it needs to be quoted properly, and then proceed to quote
      it wrongly!!
      Here is how it really goes.

      This land is my land,
      It isn't your land,
      I've got a shot gun,
      and you don't have one,
      If you don't get off,
      I'll blow your head off,
      This land is private property!

      --
      Hamsters are at least as feathery as penguins. HamLix
    33. Re:WWJD by hobo+sapiens · · Score: 1

      wonky, that's one of the best descriptions for sound I've heard. My wonk may not be the same as your wonk, but the funny part is I know exactly what you are talking about.

      --
      blah blah blah
    34. Re:WWJD by Iago515 · · Score: 1
      Of course I had to look it up, seeing as the '70s was a long time ago. According to Wikipedia (and no, I'm not going to provide the hyperlink because I'm a bit drunk and lazy and you can damn well look it up youself (and no, I don't think Wikipedia is the be all to end all)), we are both wrong:

      This land is my land, it isn't your land
      I got a shotgun, and you ain't got one
      If you don't get off, I'll blow your head off

      Another version is

      This land is my land, this land ain't your land
      I got a shotgun, and you ain't got one
      I'll blow your head off, if you don't get off
      This land is private property

      Saying that, I'm sure there are many variations out there, but I still like mine the best....

      Damn my druken stupor, it took my about 20 previews to get thi right.

      --
      Take note, take note, O world,

      To be direct and honest is not safe.

    35. Re:WWJD by Iago515 · · Score: 1

      "this", that is.

      --
      Take note, take note, O world,

      To be direct and honest is not safe.

    36. Re:WWJD by Anonymous Coward · · Score: 0

      Is it that pot smoking women are sluts who whore for weed or does weed turn women into slut whores who prostitute for pot? If it's the latter...we need to LEGALIZE POT NOW!

    37. Re:WWJD by Anonymous Coward · · Score: 0

      Gas, grass or ass? What ever happened to "free love"? Was that just a myth too?

      I'm so confused...what generation am I supposed to idolize now? Does this mean I need to take a shower, cut my hair, get an education and work for the man?

      Ok...right after I flip the Iron Butterfly record over and take this bong hit.

    38. Re:WWJD by Anonymous Coward · · Score: 0

      Yeah, they will all be so stoned that they will forget what they were boycotting.

    39. Re:WWJD by Anonymous Coward · · Score: 0
      I can completely understand and sympathize with the desire to profit from their hard work for all those years.
      Wouldn't everyone? Why should musicans be more entitled to money for work they did 20 years ago then carpenters and buregerflipers?
    40. Re:WWJD by lupinstel · · Score: 1

      "you don't really hear much of it anymore, except on the "oldies" radio stations" And in commercials for products they would have rejected back in their day. ex. Led Zeppelin and the Cadillac commercials.

      --
      Don't blame me, I voted for Cthulhu.
    41. Re:WWJD by Anonymous Coward · · Score: 0

      The "everything should be free" ideas came out of utopian style dreaming about community, common property, etc. Then communism showed the true horrible potential of that system, and the dream fell apart.

      Jane Fonda didn't think so.

      I guess the Hippies looked the the USSR and said, "Hey, we should be like that!"

      So you're giving Communism credit for killing the Hippie movement? I guess that let's the Manson Family off the hook.

    42. Re:WWJD by Jim+Narem · · Score: 2, Informative

      The song "Box of Rain" is actually about a son (Phil Lesh) dealing with the slow death of his father. The
      lyric "What can I do for you to see you through ..."(sic) is a lot more personal that just a bunch of hippies
      sharing dope in Haight-Ashbury.

      See http://arts.ucsc.edu/gdead/agdl/box.html for a discussion of the song.

    43. Re:WWJD by sal_paradise42 · · Score: 1

      I don't think they ever cared about this site.
      http://gdlive.com/

    44. Re:WWJD by Anonymous Coward · · Score: 0

      dave mathews eats it.

    45. Re:WWJD by Anonymous Coward · · Score: 0

      yeah he loves the cock.

    46. Re:WWJD by ccp · · Score: 1


      Excellent post!

      Cheers,

  2. Surprisingly large protest by PurifyYourMind · · Score: 5, Informative

    Fans pissed off at the merchanise type people put up a petition at http://www.petitiononline.com/. Theirs is one of the largest petitions on the site.

    1. Re:Surprisingly large protest by Blakey+Rat · · Score: 1

      And you know people really pay attention to online petitions. You see articles all the time: "Online petition ends war in Iraq!" "Online petition lowers gas prices!" "Lindsay Lohan credits internet petition with ending her midguided hunger strike!"

      Sarcasm aside, the only one who benefits from those petitions is PetitionOnline, who gets basically free ad revenue for providing little to nothing in return.

    2. Re:Surprisingly large protest by MicroBerto · · Score: 1

      If you're surprised by this (and with you living in Portland, THAT surprises me), then you obviously don't understand the Dead's fan base. They dominated for years, and made history with how well they succeeded in their "open" live music marketing tactics. The following is absolutely rabid. Don't you remember how crazy things were when Jerry died?

      --
      Berto
    3. Re:Surprisingly large protest by PurifyYourMind · · Score: 1

      I guess I worded that wrong. I was surprised that an *online* protest was so large for people that I wouldn't typically associate with technology.

      I lived in Eugene, Oregon at the time of Garcia's death. There was a huge mural of him painted on the wall of even a local mini mart. So, yeah, I understand that the fans were die-hard.

  3. Forgetting the most basic right: property by dada21 · · Score: 4, Interesting

    The Grateful Dead has been one (big) example of a band that succeeded without the need for coercive copyright protections. One could argue that they did still use trademark, but they are closer to the anarchocapitalist goal than most popular bands.

    The Dead made their money the right way -- by performing a service for their customers worthy of continual profits. No job requires copyyright.

    I don't believe in copyright as I don't see how anyone can use Congress and the courts to enforce income on non-continuing work. It is ridiculous.

    The Dead's backtrack on their standards shows how corrupting law can be. How a band that has made millions over decades could turn is beyond me. The law is culpable -- the temptation to forcibly control what isn't in your possession is that strong.

    I think this could be a huge blow to that scene (as well as the aging of the fanbase and the unconstitutional drug laws). I've been supporting (financially) only bands who don't support copyright, and I'm meeting and convincing more bands to forgo the protections in order to command a higher ticket price. Give away 1000 CDs ($215), include your next 4 months concert schedule and ask for $1 more per ticket. If the music is good, you'll profit with no use of force.

    The strict anarchocapitalist view hoods that property rights are what sets all other rights. Property is physical, not ethereal. Once the physical item is bartered, you lose control of that particular item. Copyright started as a 7 year protective mechanism solely for the creator. We can see that all legal coercion is bad as there are no checks on the extension of power.

    (note I blogged about this today)

    1. Re:Forgetting the most basic right: property by lbrandy · · Score: 1

      I don't believe in copyright as I don't see how anyone can use Congress and the courts to enforce income on non-continuing work. It is ridiculous.

      Your model doesn't bother me for music... but it's completely not possible for other forms of copyrights. How exactly is an author going to make any money if not from selling his non-continuing work? Make people subscribe and send them monthly chapters? I don't want to read a book that badly that I'm going to go through all the trouble. I just want something to pass time on the plane....

    2. Re:Forgetting the most basic right: property by dada21 · · Score: 5, Insightful

      How exactly is an author going to make any money if not from selling his non-continuing work?

      I am an author and I have always offered my writing (books, newsletters, e-mails) for free. As the Internet progresses, more and more books and writings will be available illegally (freely), so authors need to now adjust before they miss out as the music industry did.

      Authors have many ways to make money on their books. First, authors can co-op (not in the forceway way that the MPAA and the RIAA have) to go to book sellers and agree to not provide their stores if the book sellers sell third party copies of the books. Books can be freely copied, yet MANY readers will want to buy the official author's book, as long as it is reasonably priced. When I see $2 bootleg CDs, I know the original band isn't making jack. When I see $15 official CDs, I know the original band isn't making jack. I won't purchase either copy. Yet when an indie band is offering CDs for $10, I know I am helping the author.

      This viewpoint is something we need to work on as a society, yet we won't because the current system (protected by copyright) puts the power of media in the **AA companies, not the bands. The distributors control the radio, MTV and even the rock trades. The Internet is changing all this. Copyright isn't useful for authors, anyway. Most "bestsellers" net their authors very little. You can write a best seller and make less than $30,000.

      How do I, as an author, make money? Public speaking engagements. Consulting. Distribution of new text to those who want it first. It is very lucrative, moreso than the actual book sale.

    3. Re:Forgetting the most basic right: property by raddan · · Score: 3, Insightful
      We also see that the term "intellectual property" has skewed the original intent of copyright. Works are not analogous to property, but when you call them property it becomes easy to mistakenly think that the same crimes apply too, i.e., theft and vandalism. Copyright crime is copyright infringement.

      Copyright is a privilege that is extended to the creator of a work as an incentive to release those works into the public. The holder of the copyright is granted an exclusive monopoly on distribution for a time. This is a fair incentive, IMHO, so long as the work eventually reverts to the public domain. The current term of copyright is absurd, but unfortunately it is within the law (even if it doesn't adhere to the spirit of the law).

      I'm not so sure that anarchocapitalism applies here, since we're not talking about a physical object. But I agree on your main point-- copyright doesn't need to be the main vehicle for profit. Obviously, this is something that people in IT a realizing about now; look at all the people out there making money on permissive copyrights! Amazing.

      As a side note, someone came to me yesterday asking how to move raw PCM data recorded on VHS tape (44.03 kHz) to a computer. Apparently, he has amassed a large collection ("hundreds") of Grateful Dead bootlegs in digital format. He was wondering if he could transfer them digitally to his hard disk-- I really had no idea. Anyone ever heard of this before? He said that bootleggers used to show up with all kinds of crazy recording equipment.

    4. Re:Forgetting the most basic right: property by rizzo420 · · Score: 1

      your argument doesn't make much sense... you're saying that people only buy books for a short period of time after they're written. if the book isn't good enough, they, honestly, don't deserve much money from it. if they don't continue writing multiple books, then that's their problem. it's like a band that releases one album and disbands.

      the problem with books is they remain in copyright for longer than 7 years because you're allowed to renew it. copyrights should end with no chance for renewal after an initial period (5 years is good enough for most) and then the work should go into the public domain.

      --
      please me, have no regrets.
    5. Re:Forgetting the most basic right: property by flyingsquid · · Score: 3, Insightful
      No job requires copyyright.

      Writer? To be fair, my understanding is that many authors make a lot of their money from book signings. But if you write books on, say, "Home septic installation made easy" I somehow doubt the local independent bookstore is going to arrange a signing. Likewise, it's going to be difficult getting an advance on your work if the publisher can't be granted exclusive rights to it, and you can't sell the rights to Hollywood if there is no law against simply stealing the story.

      I'm not saying that means that Stephen King's great-great grandchildren need to be collecting royalty checks on "The Shining" at 117 years old, but it's hard to see how writing would work if there was nothing to prevent someone from taking your work without compensation.

    6. Re:Forgetting the most basic right: property by dada21 · · Score: 3, Informative

      Physical objects are all that property is about: your body, your car, your land, your house. I don't see how anything non-physical can be considered property. The short term monopoly encourages manipulation of the power that forces that monopoly, it does not encourage creation.

      As for the PCM data recorder on VHS, the hardware to extract it will not be cheap. I messed with these devices in the 80s as a cheap data backup for the PC:

      http://www.merlineng.com/ME-981_991.html

      http://www.gracey.com/descriptions/teac-5000-d1.ht m

    7. Re:Forgetting the most basic right: property by flyinwhitey · · Score: 2, Insightful

      "The Dead's backtrack on their standards shows how corrupting law can be."

      Don't blame the law. Humans have been hypocrites since before laws existed.

      --
      How pathetic are you that you follow me from topic to topic and waste all your mod points at once modding me down?
    8. Re:Forgetting the most basic right: property by goldspider · · Score: 2, Insightful

      "First, authors can co-op to go to book sellers and agree to not provide their stores if the book sellers sell third party copies of the books."

      And as a book retailer, I would...

      1. Tell the author to go pound sand.
      2. Produce and sell exact duplicates of the author's "official" book.
      3. PROFIT!!

      Without copyright laws, what would stop a book seller from doing that? How exactly does the author benefit from having no legal protection whatsoever?

      I think your idealism clouds your logic.

      "How do I, as an author, make money? Public speaking engagements. Consulting."

      If the majority of your income comes from consulting and speaking engagements, you are not an author by trade.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    9. Re:Forgetting the most basic right: property by deanjones · · Score: 1

      The Grateful Dead has been one (big) example of a band that succeeded without the need for coercive copyright protections. One could argue that they did still use trademark, but they are closer to the anarchocapitalist goal than most popular bands.

      Could that be because the vast majority of their most popular time as a band was before personal computers and the internet and P2P was in everyone's home?

      Remember, the music industry wasn't complaining about copyright nearly as much before P2P became so big by Napster and such. If musicians want to make a profit, they deserve to. They can charge for their product like any person would charge for a product they made! If you don't like it, don't buy it! If you want it so bad, spend some cash on it. Why is this such a hard concept for people?

    10. Re:Forgetting the most basic right: property by dada21 · · Score: 2, Insightful

      And as a book retailer, I would...

      1. Tell the author to go pound sand.
      2. Produce and sell exact duplicates of the author's "official" book.
      3. PROFIT!!


      No you wouldn't. Retailers who work like this would lose authors. That is a reality. When I submit my writing to a publishing house, I can't copyright it. In fact, if you say "(C) 2005" on your "book" they'll put it in the circular file (trash).

      Publishing houses don't steal works, they NEED the works. Retail stores need the authors as well. In fact, if a retail store steals the work, they're accepting way more work than if they just accepted a book and sold it. Can you imagine knocking off 500,000 different books a year? Maybe the top 50 would be stolen, but if they DID get stolen by Borders, that popular author would never offer Borders the first right to sell future best sellers.

      The market doesn't work the way you think it does. It works through voluntary exchanges of products and services -- until government comes in and forces unvoluntary exchanges.

    11. Re:Forgetting the most basic right: property by raddan · · Score: 1
      Awesome. Thanks for the info on PCM VHS stuff. I'll forward it on. This guy says that money is no object. Apparently I'm not getting paid enough around here!

      I agree, property is all about physical objects. But we're not talking about property, we're talking about copyright. Are you saying that a monopoly on distribution can only apply to physical objects? Even if that's a tenet of anarchocapitalism (which I'm admittedly not familiar with), it seems to be wrong: we currently allow a monopoly on distribution of copyrighted works in a completely non-physical domain. iTMS is a good example of this.

      I don't understand what you mean when you say that a "monopoly encourages manipulation of the power that forces that monopoly". Let me try to paraphrase-- you're saying that a monopoly is equivalent to economic/political power, and that those who have accumulated that power will try to manipulate the law to make it more favorable to those who have already accumulated power. Is this correct? If so, I think this is true, but not limited to monopolies. I believe that the power-hungry will always try to change the law to make it more favorable to themselves. Whether this makes monopolies bad unto themselves... I haven't formed an opinion yet...

    12. Re:Forgetting the most basic right: property by jrboatright · · Score: 1

      You write: "I don't believe in copyright as I don't see how anyone can use Congress and the courts to enforce income on non-continuing work. It is ridiculous."

      Are you insane, or merely oblivious? A writer works hard to complete a story or a novel or a picture. A pubisher takes that and produces a book. The publisher sells the physical object for whatever price they can for years and years and years. If there were no copyright, what obligation would the publisher have to pay the writer or the artist any income at all from the on-going sale of the object they were responsible for?

      A writer produces an article for a magazein, the magazine publishes it, and pays the writer for "first north american rights." -- fine and good. Then, at the end of the year they produce a book of the "best articles this year" - which makes money. Do not the authors deserve income? Is not the legislation of this copyright?

      Without copyright, artists and writers would be reduced to patronage. You would not like that.

      Rick

    13. Re:Forgetting the most basic right: property by jsgates · · Score: 1

      Wow, so uninformed. The copyright symbol means nothing except to inform others. As soon as you create a work, it's copyrighted. You choose not to enforce your copyright.

    14. Re:Forgetting the most basic right: property by mumblestheclown · · Score: 3, Insightful
      No job requires copyyright.

      Only on slashdot will you find posts so naive and ignorant, and yet so brazen about it.

    15. Re:Forgetting the most basic right: property by dada21 · · Score: 2, Interesting

      Awesome. Thanks for the info on PCM VHS stuff. I'll forward it on. This guy says that money is no object. Apparently I'm not getting paid enough around here!

      You can have him e-mail me and I can probably find him a service that will retrieve the data. I'm sure he can pay per linear foot or megabyte.

      I agree, property is all about physical objects. But we're not talking about property, we're talking about copyright. Are you saying that a monopoly on distribution can only apply to physical objects?

      No, I am saying that a barter or exchange can only be performed on physical objects and physical actions. IAFM (in a free market), when you go to a concert "for the music" you're actually paying someone to play the music. IAFM, when you buy a CD "for the music" you're actually paying someone for the physical CD.

      Even if that's a tenet of anarchocapitalism (which I'm admittedly not familiar with), it seems to be wrong: we currently allow a monopoly on distribution of copyrighted works in a completely non-physical domain. iTMS is a good example of this.

      Correct. With iTMS, IAFM, you'd be paying for the bandwidth, processing and search capabilities of the service. The actual content is "non existant ethereal" and really has no value as it is infinitely available. Demand/Supply = Price. X/infinite = 0.

      If so, I think this is true, but not limited to monopolies. I believe that the power-hungry will always try to change the law to make it more favorable to themselves.

      Which is why I am against public laws and public courts in the first place. The market and society would be far better off with private laws and mutual agreements.

      I believe the law WAS needed for thousands of years, but now we have the Internet and we have instant communication. I think the law is no longer valuable or worthy. Horses were replaced by cars, bulbs replaced gaslamps, the Internet replaced morse code. Freedom should replace the law.

    16. Re:Forgetting the most basic right: property by rizzo420 · · Score: 2, Insightful

      before P2P, people would request songs on the radio and then tape them. people have been recording music off the radio long before P2P existed. don't blame the internet. music has wanted to be free for much longer...

      and let's not forget about bootleg recordings of bands that never allowed it...

      --
      please me, have no regrets.
    17. Re:Forgetting the most basic right: property by Spacejock · · Score: 5, Interesting

      It's well known that the average book signing is attended by 4 people. At $1 - $2 per copy royalty the author can just about buy themselves a cup of coffee and a muffin with the proceeds.

      Authors make money by taking a small percentage from the cover price of each book sold. They can't make money from live performances (authors are usually a pretty boring bunch) and the money they DO make from selling their books isn't enough to live on in 99% of cases. Therefore they teach or lecture or work as writers-in-residence or have part- or full- time jobs, all of which means they write less than they would if they were full time writers.

      Yes, I'm a published author and no, I can't see how any system other than what we have now is going to work better - or even come close. Forget about six-figure advances and 'richer than the queen' - only 2 percent of books released each year sell more than 1000 copies. 1000 copies == peanuts in royalties == don't give up the day job. The occasional mega-best-seller skews public perception so that published author equals mega wealthy. As if, and if only.

      The first book in my Hal Spacejock SF/Humour series is selling well (Reached #3 on the Dymocks SF/Fantasy bestseller list), although I'm still a complete unknown and my books are only available in Australia so far. On the bright side, anything better than 1000 copies puts me in the top 2% of all published authors ;-)

    18. Re:Forgetting the most basic right: property by Pofy · · Score: 1

      Or a publisher can do like in many other areas in society, hire the author and pay salary, that is how most people in the world make their money. Just one of many possible solutions.

      And why should a writer automatically be payed by how well and much something sells? Most people working does not get payed more based on how many cars was sold of the type the manufacture and so on.

    19. Re:Forgetting the most basic right: property by goldspider · · Score: 3, Insightful

      "No you wouldn't. Retailers who work like this would lose authors."

      Without copyright laws, why would retailers need any kind of business relationships with authors to begin with? If The author distributes his/her works freely, as you suggested they should ("Books can be freely copied"), what would stop the retailers (or anybody for that matter) from simply downloading, printing, and selling it from their stores?

      If you are going to advocate anarchocapitalism, you'd better be willing to accept that freeloaders have a lot to gain from such an unregulated system.

      --
      "Ask not what your country can do for you." --John F. Kennedy
    20. Re:Forgetting the most basic right: property by dada21 · · Score: 2, Insightful

      A writer works hard to complete a story or a novel or a picture. A pubisher takes that and produces a book. The publisher sells the physical object for whatever price they can for years and years and years. If there were no copyright, what obligation would the publisher have to pay the writer or the artist any income at all from the on-going sale of the object they were responsible for?

      This is completely untrue. Publishers that steal stories from authors would not have authors negotiating with them. Publishers are good at distributing, authors are good at writing. They both need each other, even in a copyright-free world.

      There have been publishers who printed more books than the author knew about and the publishers didn't last long.

      In a non-law world, we'd still have ways to moderate the actions of people and companies. In fact, in a non-law world the business of action-moderating would be a decent career. You'd pick a company to moderate your transactions, a publisher would do the same. You do a job, you tell your customer "hey, go and moderate me!" Others can see how you handle yourself.

      We're seeing moderating systems come into existance already. MySpace has changed the dating life of teenagers (instead of hiding your cheating, it is now considered OK as long as you're honest, which is a good thing). Slashdot has changed the commentary system on the web. Ebay changed the way items are bought and sold. Moderation by private companies for transactions is the future -- why worry about credit checks and the like?

      Of course, if you were person had bad moderation, they could theoretically dump their old moderation company and pay for a new one. Now you come across Mr. George Jones, who is 29 years old and has zero moderation. What do you do? Trust him? You come across Mr. John Michaels who is 29 years old and has 910 positives and 14 negatives.

      That is how a free market would work. Publishers that cheat get negative moderation. Authors who cheat get negative moderation.

    21. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0

      Could that be because the vast majority of their most popular time as a band was before personal computers and the internet and P2P was in everyone's home?

      Probably not, seeing as the Dead always encouraged their fans to trade ("distribute") bootleg tapes of their live shows. There are still plenty of bands that do this. Bands like Wilco, Phish and Ween have increased their fanbase and proffitted immensly by embracing p2p and tape trading.

    22. Re:Forgetting the most basic right: property by ScentCone · · Score: 2, Insightful

      by performing a service for their customers worthy of continual profits. No job requires copyyright.

      How do you define "continual?" Say I publish a book and sell it today. Why, my work might even interest people for the whole rest of the week, selling copies for days on end. So, I worked for the last 3 years to produce the material, and then - whoa! - I'm making "continual" profit for several days following! You must be horrified by my greed and the "monopoly" on my own work. Just continuing, Monday, Tuesday, Wednesday - all week!- to make money on years of work that I'm no longer doing. Shameful.

      The strict anarchocapitalist view hoods that property rights are what sets all other rights

      And you say that as if it matters. Why, the strict slave-holding view holds that if I point a gun at you, I can make you clean my toilet, too. You're my property then, aren't you? Frankly, I don't care how benignly you try to use the word "anarcho" as a prefix for anything. Actually practice it for real, and all bets are off. May the best armed win.

      we see that all legal coercion is bad

      But we don't see that at all. You don't make that case, and the very concept is irrational. If your neighbor wakes up each morning and shoots one of your cattle for fun, any sensible legal framework must include the ability for the rule of law to coerce different behavior on the part of your neighbor. If no body/institution is invested with those constitutionally structured powers, then we're back to The Best Armed Guy Wins. And while I am the best armed guy in my neighborhood, I prefer to reserve that for coercing venison and pheasant meat into my freezer.

      (note I blogged about this today)

      Whew! That's good news. I'd hate to think of the dreadful loss to intelligent, reasoned discourse if you hadn't. And to think that I was going to spend my day writing so that, during some distant week when I wasn't going to be providing a service in real-time, I could realize some income as a return on my investment. But now I see that I should become a wandering lecturer/trubador, working for room and board as those opportunities present themselves, and spend today reading your blog instead.

      --
      Don't disappoint your bird dog. Go to the range.
    23. Re:Forgetting the most basic right: property by Lord+Ender · · Score: 1

      It is ridiculous to make income off of non-continuing work? I hope you don't have a 401k. Or any other type of investment. Geeze, get in touch.

      --
      A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
    24. Re:Forgetting the most basic right: property by geminidomino · · Score: 1

      It's well known that the average book signing is attended by 4 people.

      Funny story.

      At his signing in Dayton last month, GRRM said his lowest was -4 (When he started reading the passage, the 4 people in the store having coffee left).

      Of course, last month, there were almost 200 people there. Bummer, cause it would have been cool to have the time to sit and rap with the guy.

    25. Re:Forgetting the most basic right: property by Slack3r78 · · Score: 1

      Go rent the movie the Girl from Monday. It's a low budget indie flick, but does a great job of exploring just why such a system is a terrible idea.

    26. Re:Forgetting the most basic right: property by Spacejock · · Score: 1

      :-) My average so far is 50 (excluding school visits where attendance is compulsory) Two events, with 100 people at the first and none at the second. The first had loads of publicity, word of mouth and excitement and the second ... didn't.

    27. Re:Forgetting the most basic right: property by squiggleslash · · Score: 1

      Am I reading this correctly: do you consider the Slashdot moderation system to be the key to making an anarcho-capitalist society a practical reality?

      --
      You are not alone. This is not normal. None of this is normal.
    28. Re:Forgetting the most basic right: property by shutdown+-p+now · · Score: 1
      There's one more thing to it. Just give me a way to buy your books, music, whatever it is you make online, from your website, with a few clicks of the mouse. I've found that quite often I get stuff from allofmp3.com not because I care that much about the price difference, but simply because it's the only way I can buy it and start listening ten minutes later without moving my lazy ass off the chair, whereas with CDs, even if you buy it online, shipping takes days. Whenever books I was interested were available for purchase online (both technical for study, and fiction for an interesting read), I've purchased them legally (and for technical literature, eventually got a Safari subscription, which I believe is well worth the money).

      Oh, and one more thing. There has to be a sample available for download. Even if what you make is really outstanding, there's so much different stuff out there that there has to be a definite way of filtering things. Reviews really don't cut it, since most interesting things are bound to be not understood by many, and will get their share of negative reviews.

    29. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0

      Books can be freely copied, yet MANY readers will want to buy the official author's book, as long as it is reasonably priced.

      Books can be freely copied in the same way that CDs can be freely copied. Technically yes, legally no (whether or not you believe that this should be the case does not change the fact that it is, so please hold your flames). The library or copyshop or whoever copied the book bought a license allowing them to copy the work (with the license fees going to the author and/or publisher (usually through a collective like the ccc)). Of course just like with music and software, not everyone who does the copying has the legal right to do so.

    30. Re:Forgetting the most basic right: property by Pope · · Score: 1

      That's because working in a factory is not a creative endeavour, dummy. Not all labour is equal.

      If said workers were smart, they'd own stock in the company they work for, therefore they WOULD get paid in the form of stock prices rises and/or dividends if the company did well.

      --
      It doesn't mean much now, it's built for the future.
    31. Re:Forgetting the most basic right: property by Politburo · · Score: 1

      Most people working does not get payed more based on how many cars was sold of the type the manufacture and so on.

      A lot of people do get paid like this. They're called salesmen. Some salesmen think they're special and call themselves real estate agents. Others are called insurance representatives, stock brokers, etc.

    32. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0

      Hey, look at JK Rowling... There's a lady who gets it. Who cares how long your individual books sell? If people buy them, write more, goddamnit! If she would have stopped after Harry Potter #1 or even #3, she would have barely been noticed. Thus, you see, she's providing continual service to her fans--an incredibly diverse fanbase--by providing them more material, including movies that won over people who weren't even fans of the books! As a result, she is now one of the most popular writers ever. Her books could be exclusively in libraries, and she would still win, because libraries around the wold would have to buy buttloads of the books to keep everyone happy--and she'd still make millions just from that!

      Now, I don't believe that copyrights should be abolished. That's inane... And I have material of my own that I enjoy protection on :P The current state of copyright, though, it's just as innane as having none to begin with. Information rights should not outlive the author, his children, and maybe even his grand children!

    33. Re:Forgetting the most basic right: property by jaypaulw · · Score: 1

      So this model supposedly "worked" in this case -- If by working you mean a bunch of wealthy wasters and filfthy freeloaders put money into a sub par band's pocket.

      Plenty of artists of all types (particularly those who actually rely on their work as their means to live) do not agree with your lame ass "Property is physical, not ethereal." statement.

      The bottom line is that if a band wishes to charge for their recordings they should be allowed to do it.

      You don't have to buy copies of their work, but millions of other people (including me!) are certainly willing to.

      If you'll deny yourself of buying the reigning sound's "too much guitar"
      http://www.intheredrecords.com/pages/order-us.html then the only person losing out is you anyway.

    34. Re:Forgetting the most basic right: property by bentcd · · Score: 1

      Retailers will want to have the book on the shelf on launch day. It is unacceptable to have it 1-2 weeks later when the copy mill has managed to crank out its clones. If you want launch day books, the only way to get this is to work with the authors.
      You will still get retailers that sell the clones, but they won't be getting the first day sales, they won't be getting the preorders and they won't be getting promotional deals with the authors (book-signing, etc.). They will still make money, of course, but so will the "proper" retailers.

      --
      sigs are hazardous to your health
    35. Re:Forgetting the most basic right: property by soliptic · · Score: 1
      Give away 1000 CDs ($215)

      LOL... You're not in a band, are you?

      My band finances, records, produces, designs, and distributes our CDs ourselves. For our last CD, I engineered/produced three of the tracks, did all the artwork, and I project-managed the overall manufacture of it.

      I can tell you that our initial run of 1000 CDs cost us about £1300 - I'm too lazy to look up the current conversion but I'm guessing this is more like $2000, not $200.

      I'm with you in a purely idealistic sense. We've given away lots of our CDs. We've met hundreds of people at gigs who say "I don't want to buy your CD, I copied it off my mate" - and we don't berate them. We're just happy they've got a copy of our music. We encourage p2p trading of our stuff and, in iD software style, release our last-but-one CD as a free MP3/JPG download.

      On the other hand, we don't break even on gigging alone. (That's break even in terms of "petrol for the van", never mind luxuries like accomodation - we always just crash on friends' floors, no hotels for us - or food - we always just have to buy our own from our own pocket.) Promoters pay a pittance for an unsigned act, and since there's 10 of us, transport costs are high, etc... Over the years we've subsidised the band by hundreds or thousands of pounds each as it is. If we didn't sell CDs at gigs, we'd be even deeper in debt, to the point that we probably wouldn't be able to continue at all.

      So, nice idealism, but your figures are still way off :)

    36. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 1, Interesting

      Physical objects are all that property is about: your body, your car, your land, your house. I don't see how anything non-physical can be considered property. The short term monopoly encourages manipulation of the power that forces that monopoly, it does not encourage creation.

      Property is about what property is about. There is no intrinsic property of concept, object, or concept worked into an object that requires something to be treated as personal property.

      I don't see how anything physical can be considered property. The matter existed long before you were born, and will continue to exist long after you have died. Who is to say that you have a greater claim to that matter than someone else, especially if that person needs the object more. The time that you invested in creating something that you want to label as property is the same whether that "property" is physical or intellectual, so who are you to privilege physical objects as property?

      Now that I've presented an argument that is at least as well supported as your argument against intellectual property, perhaps you will ditch the rhetoric and present something that resembles a rational argument.

    37. Re:Forgetting the most basic right: property by iabervon · · Score: 1

      It actually sounds like the band never wanted the fan recordings removed, and only wanted the soundboard recordings removed. This is in keeping with their traditional policy, where fans were encouraged to record shows and distribute tapes, but the fans had to do the recordings themselves, not just copy the soundboard recording after the show. It seems like the archive site didn't quite understand the request to remove some but not all of someone's material, and also removed the bootlegs, generating a huge backlash before the band got around to correcting things.

      But the Dead used to exercise copyright control on their albums and official recordings. It's hard to say what Jerry Garcia would have said about filesharing on the internet with respect to those, but you can bet that he wouldn't have been happy if Sony had started selling copies of Infrared Roses. Copyright isn't about keeping people from making copies. Copyright is about having your policy, whatever it is, matter. That policy can be anything from "give tapes to everybody who will take one" to "give copies to three of your friends" (Magnatune.com) to "don't give it to anybody" (music industry) to "destroy all traces" (private correspondence, often). Having a lenient policy is very different from disavowing copyright; if you disavow copyright on something, probably Sony will take your name off of it, put it on a CD with stuff they own, and make a million times as many CDs of it than you ever will, making sure that nobody who hears it will connect it with you, and anyone who hears you will think that you're covering somebody else. That's what copyright is originally about, and it still somewhat serves that purpose (i.e., they have to get you to give up your rights before they can crush you).

    38. Re:Forgetting the most basic right: property by Shelled · · Score: 1
      If no one's heard of an author, their works very likely won't ever be freely available for download. The assumption here is that of the original intent of copyright, to prevent distribution of another's works for commercial gain, the latter once again in the original sense of being paid for a copy, deriving an income from distribution, and not today's attempt to twist individual savings into commercial gain. Unauthorized scanning of books for online sale would still be in contravention. If on the other hand an author has achieved a level of popularity where the works become commonly available on line, it's a good bet they're already doing quite well financially. By that measure, using the figures provided, in its strong DRM-form copyright is of arguable value to less than 2% of all published authors.

      "..only 2 percent of books released each year sell more than 1000 copies. 1000 copies == peanuts in royalties == don't give up the day job"

      I know you meant that as a simple statement of fact, but so what? All that tells me is there are too many people trying to be authors, as would a walk through any Chapters. Write if that's your itch to scratch, and if you're in the top 2% of the 2% being marginally read you can give up that day job whether copyright is understood in the 18th or 21st century manner. There's no reason for everyone in society to undergo federally mandated rights management on all data to expand the percentage of day-job-quitters in an extremely tiny subset of its membership.

    39. Re:Forgetting the most basic right: property by blincoln · · Score: 1

      Retailers will want to have the book on the shelf on launch day. It is unacceptable to have it 1-2 weeks later when the copy mill has managed to crank out its clones. If you want launch day books, the only way to get this is to work with the authors.

      While I'm sure there are vast hordes camping out at Barnes and Noble until the release of the next Stephen King novel, I don't know how you can seriously claim that most or all of them would be unwilling to wait 1-2 weeks to get a copy for a significant discount.

      --
      "...always new atoms but always doing the same dance, remembering what the dance was yesterday." -Richard Feynman
    40. Re:Forgetting the most basic right: property by android32 · · Score: 1

      this has nothing to do with the article, but, um, anarcho-capitalism is an oxymoron. anarchism is against all authority: goverment, capitalist, property, religious, etc. whereas capitalism places authority in the owner of the private property. The corporate heirarchy is much like a totalitarian government. I don't mean to be an ass, but I find the term "anarchocapitalist" to be oxymoronic. The term "libertarian right" or just "libertarian" seems to be more fitting.

    41. Re:Forgetting the most basic right: property by DerekLyons · · Score: 1
      The Grateful Dead has been one (big) example of a band that succeeded without the need for coercive copyright protections.
      The Grateful Dead encouraged taping and tape trading for one reason - and that reason has nothing to do with 'sticking it to the man', or 'anti capitalist philosophies, or any of the other things so beloved of Slashdot.

      The reason? Enlightened self interest. The Dead were a jam band, no concert was quite like the previous or the next. Fan tapes emerged in the early days as the only way to preseve those unique performances. (You'll note that the soundboard recordings (which emerged later when the band had money and a soundboard) are still protected by copyright.)

      The Dead made their money the right way -- by performing a service for their customers worthy of continual profits. No job requires copyyright.
      Completely wrong - you'll note that each and every album and each item of merchandise is protected by copyright - and they sure as hell didn't let people into their concerts for free, or play for free.

      The Dead made, and make, their money by selling copyright protected albums and merchandise - and the marketing for the same was accomplished at decidely unfree concerts. The same as any other band.

    42. Re:Forgetting the most basic right: property by 6OOOOO · · Score: 1

      Designing cars is a creative endeavor, dummy.

    43. Re:Forgetting the most basic right: property by Syberghost · · Score: 1

      I don't believe in copyright as I don't see how anyone can use Congress and the courts to enforce income on non-continuing work.

      So, you violate the GPL, too? It's an implementation of, and enforced by, copyright law.

    44. Re:Forgetting the most basic right: property by Omestes · · Score: 1

      And only on Slashdot will you find refutation so vague, to claims so vague.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
    45. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0

      Straw man. The GPL uses the existing framework of copyright law to go in the other direction - instead of restricting your right to copy, it ensures your right to copy - without copyright you'd still have the right to copy GPL software.

    46. Re:Forgetting the most basic right: property by MindStalker · · Score: 1

      To be perfectly fair, many things require copyright. But as you mentioned it started out at a 7 year protection, and I have yet to see an example where 7 years wouldn't be enough.

    47. Re:Forgetting the most basic right: property by jred · · Score: 1

      (note I blogged about this today)

      Really? All I could find on the blog linked under your nick is a bunch of info about gold.

      Admittedly, it was boring so I just skimmed, the "real" info might have been buried...

      --

      jred
      I'm not a mechanic but I play one in my garage...
    48. Re:Forgetting the most basic right: property by Blakey+Rat · · Score: 1

      This viewpoint is something we need to work on as a society, yet we won't because the current system (protected by copyright) puts the power of media in the **AA companies, not the bands.

      Only true as long as the bands continue to sign contracts with the RIAA companies. They have the *true* power in this equation, after all, what would the RIAA sell with no bands? But so far, they have simply signed it away without a lot of consideration.

    49. Re:Forgetting the most basic right: property by jred · · Score: 1

      Nevermind, I had to search for it, but I finally found it.

      I just wanted to see if it was worth sending to a couple of musician friends..

      --

      jred
      I'm not a mechanic but I play one in my garage...
    50. Re:Forgetting the most basic right: property by Broken+Bottle · · Score: 1

      "The Dead's backtrack on their standards shows how corrupting law can be. How a band that has made millions over decades could turn is beyond me. The law is culpable -- the temptation to forcibly control what isn't in your possession is that strong." The Dead always supported audience tapes and have said repeatedly that the soundboard tapes that got out were never really officially sanctioned. They're not really back tracking on this compromise. They've always let the agreement stand as a gentlmen's agreement with their fans. Some bands, like Phish, have had this same policy, been very vocal to make sure that it was understood, and been careful about not letting unsanctioned soundboards get out. If the Dead are guilty of anything it's that they didn't really care what happened when the money was flowing in steadily from touring. Chris

    51. Re:Forgetting the most basic right: property by Elwood+P+Dowd · · Score: 1
      Yes, I'm a published author and no, I can't see how any system other than what we have now is going to work better - or even come close.
      You say that as if it gives you a better perspective, but that is not evident. You can't imagine a system that would work better for you and your book, which I grant are important and worth preserving. However, the whole of society are not budding SF/Humour authors. The rest of us would be better served by a brief copyright term, well under 20 years. While you may (although I doubt you do) expect to profit from your first Hal Spacejock book for over 20 years, this does not mean that you deserve to.
      --

      There are no trails. There are no trees out here.
    52. Re:Forgetting the most basic right: property by Skim123 · · Score: 1
      my understanding is that many authors make a lot of their money from book signings

      I've authored a half-dozen computer trade books and have only been to one author signing (at a tech conference) and signed two books.

      Authors make their money from royalties. I get a percentage of every sale the publisher makes to the distributor.

      Example: A book of mine sells at Amazon.com/B&N/Borders for $39.95. That means that my publisher sold the book to Amazon.com et al for roughly $19.95. If I am on, say, 10% royalty, I get , then, $1.95 for that copy sold. Of course, the publisher holds onto a percentage (maybe 20-30%) of every dollar coming in because more likely than not the distributor won't sell all the copies and will want a refund (these are called 'returns').

      So 99.999999% of all money I make writing books is from royalties on copies sold, as I imagine is the case for all but the most famous authors (Stephen King, Dan Brown, etc.), who have movies, name recognition, etc., etc.

      If you are interested in learning more about the economics of writing a computer trade book, check out a blog entry of mine, aptly titled, The economics of writing a computer trade book...

      --

      I could not justify my existence if I were a turkey farmer. Would I terminate myself? Undoubtably, yes.

    53. Re:Forgetting the most basic right: property by Darth · · Score: 1

      how are you going to offer a significant discount? You need to pay the production costs of generating a print run of the books for you to sell. That print run is going to be a lot more expensive than the "official" print run because you are only printing the number of books you expect to sell in your local store.

      Alternatively, you could outsource that printing job to a printer who provides copies for different stores and can thus reduce the cost per unit to produce...but at that point you might as well just buy from the official distributor.

      --
      Darth --
      Nil Mortifi, Sine Lucre
    54. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0

      Did you forget the "reasonable price?" How significant of a discount would you be able to offer without the original having artificialy inflated prices. Also trademarks still would hold you from making exact duplicates. That said I'm personaly would be quite content with a copyright term up to 30 years, applied retroactively like the extensions of course. No copyright on copy protected works and source deposition for software would be nice as well.

    55. Re:Forgetting the most basic right: property by Pofy · · Score: 1

      >A lot of people do get paid like this. They're called salesmen.

      That is why I said "most". Last I checked, most people in the world are not made up by salesmen.....

      But sure, if writers like to work as salesmen, fine. The post I replied to was about something else though.

    56. Re:Forgetting the most basic right: property by bumptehjambox · · Score: 1
      I think your idealism clouds your logic.

      Your moral elitism is commendable, thank you for a new light on this argument. A view that has never been expressed concerning copyright matters. My eyes are open now...

      The BOTTOM line is, we have to make some exceptions...just as the Grateful Dead did here.
      Wanna just stick to your guns and enforce copyright laws like a Nazi? then what happens?
      No one listens to you, and you get to take a few suburbanites to court. MMmmmmm and justice is serv-ed!!!

      Once you release to the public, it is their property to listen to however they see fit. REGARDLESS OF PAYMENT!!! However, It is not for anyone besides the artist/label/affiliates to make money off. That is what copyright laws are mainly for, and THAT can be enforced! Not enforcing the law on kids file sharing is not a new concept, we do it with nearly every other law. (aka: fuck it im turning on red, everyone else is at 80mph, etc.) It is true no one is above the law, but those who don't break it hard enough, shouldn't be arrested. Its amazing people have this strict southern judge's mentality when it comes to file sharing... This is America, if it really bothers you that bad that people can get away with petty 'theft', move to Saudi Arabia you twat. I'll help pay your fucking ticket, you freedom-hating, terrorist-loving, scumbag.

      Honestly, it makes me sick to have to share my country with people like that, the 'war on sharing' is the same as the 'war on terror', both are a waste of time/power! Copyright effectively means, no one shall profit off an artists idea's...If you feel otherwise, you're not an artist, plain and simple. STFU. Listen to this popular music that's out anyway, IT SUCKS! ALL OF IT! The good stuff, you fucking pay for, always will... I say, if it even is possible, put the damn industry out of business so everyone's on a level field. It is then, the true artists are always out playing shows. When those artists place the CD/Merch money I hand them straight in their pocket, then I'll know the world is as it should be.

      The "oh but the law says" as sole ammo for argument is absurd, doesn't work in the real world, never did, and myself along with many others will retort with a life-sized "Fuck off"

      I SAID GOOD DAY!

    57. Re:Forgetting the most basic right: property by bumptehjambox · · Score: 1
      Maintaining illegality of PROFITING off of anothers idea, but not pursuing strict control over sharing is NOT advocating your little "anarchocapitalism" buzzword. You're going to give me the same crap over and over, "oh but if one persons share, we'll all start IT'LL BE ANARCHY" look, its not possible for the structure of the entertainment industry to crumble over Mp3, or for all literature to implode because of sharing a book.

      If you are going to advocate anarchocapitalism, you'd better be willing to accept that freeloaders have a lot to gain from such an unregulated system.

      If you're gonna advocate czar-like pseudo-intellectualist moral elitism, expect to get served.

    58. Re:Forgetting the most basic right: property by syousef · · Score: 0

      Only on slashdot will you find posts so naive and ignorant, and yet so brazen about it.

      Wrong on all counts.

      1. slashdot is not the only place you find posts "so naive and arrogant" yet "brazen". There's the rest of the net to consider. An analogy to your statement is saying that your local burger joint is the only place you'll find burgers.

      2. As unpopular a view as it is I agree that IP law is so badly broken it should be modified beyond recognition. These laws were made at a time when copying something required effort. It cost a lot to make the copy and you passed that on to the consumer. Today entire encyclopedias can be copied in seconds.

      --
      These posts express my own personal views, not those of my employer
    59. Re:Forgetting the most basic right: property by raoul666 · · Score: 1

      music has wanted to be free for much longer...

      People have wanted music to be free for much longer. Music itself doesn't want a damn thing, since it's not sentient. Look, you want music to be free, fair enough. Just don't go spouting this crap that "music" wants anything.

      I know I'm ranting, but this pisses me off. Don't give something inanimate feelings, opinions, and desires. People have those. Would you take me seriously if I said "guns want to kill", "matches want to set fires", "food wants to get eaten", or "cars want to drive"? No? Then don't say music (or information) wants to be free.

      --
      When cryptography is outlawed, bayl bhgynjf jvyy unir cevinpl
    60. Re:Forgetting the most basic right: property by agraupe · · Score: 1

      Could you clarify what you're saying? After reading your comment, I looked at some of my books, and all appear to have the copyright held by the authors, not the publishing house. Are you meaning to say that the publishing houses will only print the copyright notices in the book at such time as it is published, or that they actually hold the copyright itself?

    61. Re:Forgetting the most basic right: property by cdrguru · · Score: 1
      Sorry, but other people profiting off the author's (or creator's) work isn't the point. It is preventing the author or creator from profiting that is the point.

      How are we supposed to bring about the collapse of capitalism and the elimination of profit-hungry media companies without eliminating the profit from all digital media? That means they get to sell one copy ... or maybe ten ... but that's all! After the 10th copy is sold the digitial pipeline is primed and anyone can just download it from their friends for free. No more sales. Period.

      If you don't understand this, then you need to think about where "sharing" ends up. Why buy when you can share?

    62. Re:Forgetting the most basic right: property by Spacejock · · Score: 1

      First, I think copyright of life + 75 or + 90 or whatever is madness. The default should be something much lower, and they should just grant extensions to those who demand them... For a fee, to dissuade money-grabbing relatives of the author locking his/her words up indefinitely just in case they become valuable.

      Second, there should be a distinction between free usage and profiting. If copyright expired 20 years after publication, what happens if six publishers all bring out editions of Tom Clancy's Hunt for Red October? I think that's just on 20 years old now. If it were possible to share as an e-text but not profit commercially that would be fair. Otherwise you're just saying to the author that everyone bar him/her can now make money off their older work. And wouldn't that make 20-year-old books 10% more profitable to publishers than new ones? After all, they wouldn't have to pay the author. It's already hard enough for a newbie to get published.

    63. Re:Forgetting the most basic right: property by xoboots · · Score: 3, Funny
      Only on slashdot will you find posts so naive and ignorant, and yet so brazen about it.


      Which ironically explains YOUR comment.

    64. Re:Forgetting the most basic right: property by bumptehjambox · · Score: 1
      Sorry, but other people profiting off the author's (or creator's) work isn't the point.

      Well, considering the example that was given was:
      What would stop the retailers (or anybody for that matter) from simply downloading, printing, and selling it from their stores?

      Sounds to me like that WAS the point there Chief, so apology NOT accepted. Hmm... I guess... copyright laws! yeah that'll do it. No one should profit off other's work. BAM. Done.
      Looks like I just wrote The Point of Copyright Laws for Dummies.

      Why buy when you can share?

      Now, that is YOUR point. Itd be really sad if thats how everyone really thought.
      Ever think there was a vague law that you felt wasn't a big deal to break, and the rest of the free world pretty much agreed? If you're a douchebag, I bet you haven't.
      I don't wanna hear your, "oh well then we should let killers and rapists free" bullshit. That is the cry of a desperate soul. Look at Texas, the 1000 execution wasn't a pirate.
      Audio compression is what keeps me from 'sharing' exclusively. When I listen to something that I really like, I'm listening to CDs. Hell, I've purchased many box sets of CD, only the good stuff.
      Its real hard to find good music being shared. When it is, who really wants to listen to that compressed trash?

      No one could ever make the argument, 'you should not share music' valid. Just listen to that? How can you agree with that bullshit? Its just not a valid argument brother, it never will be. No one should be making a living off of art if they want to be heard only by 'CUSTOMERS'. WTF. How can it be that a music listener = forced customer? That's BS. If you want a CD, buy it, if you just wanna hear some Mp3s, download them. Done. I doubt MUCH faster internet will ever happen on a large scale in America, so you can rest easy at night that uncompressed music will not be shared.

      DVDs and pumped up home theatre hype have saved the movie industry, and the music industry is ALWAYS making good money off the hired hands some people mistaken for musicians. Continue to speculate, move to hypothesize, skip theorize, and call it fact. I guarantee you have no experience in media, believe me, everyone is doing fine. I've watched screeners that were obtained 100% legally, technically they shouldn't let me watch with them, but WTF does he care? should he lose his job and his family go on welfare? should I be jailed? NO! If he thinks it OK, why not you??? Your stubborn stance requires you to mindlessly view the issue solely as black&white, and never case-by-case, however by nature it is a grey matter. In this world there are things right, wrong, and 'understandishable.' Growing up and dealing with basic social situations teaches you that.

      Those who relentlessly oppose sharing have no respect for art, and should try to spend one day with your head out of your ass; the fresh air is captivating, and the view is great!!!

    65. Re:Forgetting the most basic right: property by NoMaster · · Score: 1
      As a side note, someone came to me yesterday asking how to move raw PCM data recorded on VHS tape (44.03 kHz) to a computer.
      VCR with SPDIF out? There used to be a couple of PAL models (JVC? Sony? I forget...) available, but I haven't seen one in ages. Google may help.

      --
      What part of "a well regulated militia" do you not understand?
    66. Re:Forgetting the most basic right: property by Elwood+P+Dowd · · Score: 1
      If copyright expired 20 years after publication, what happens if six publishers all bring out editions of Tom Clancy's Hunt for Red October?
      That's exactly what I'm saying. I do not recognize any moral imperative that Tom Clancy (or anyone else) should still have a monopoly on The Hunt for Red October.
      Otherwise you're just saying to the author that everyone bar him/her can now make money off their older work.
      You aren't thinking this through. Obviously the author would have the same ability as everyone else to profit off their older work, which, admittedly, is very little.
      And wouldn't that make 20-year-old books 10% more profitable to publishers than new ones? After all, they wouldn't have to pay the author.
      No, it would make 20 year old books 100% cheaper for customers. Whether that means that publishers would focus on old content, because it was free, or new content, because they'd be the only supplier, is debatable. Dunno. The important part, though, is that the material would also be 100% cheaper for other authors or artists who might be able to create something from it. The main harm caused by copyright is that so much productive activity is effectively illegalized because it is too expensive to acquire rights to all the source material. Some mash-ups (in books, music, movies, and photography) are more culturally valuable than the originals, and too many of them are killed for no reason.
      It's already hard enough for a newbie to get published.
      So you're concerned that people won't want to read your book because all the old books will be cheap/free and unencumbered. That's a legitimate concern.
      --

      There are no trails. There are no trees out here.
    67. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0

      Trademark doesn't hold you from making exact duplicates, that's what copyright does.

    68. Re:Forgetting the most basic right: property by Anonymous Coward · · Score: 0
      This is completely untrue. Publishers that steal stories from authors would not have authors negotiating with them. Publishers are good at distributing, authors are good at writing. They both need each other, even in a copyright-free world.

      Why would publishers need to negotiate at all? Once one publisher prints a book another could just grab a copy and start selling it themselves, without the overhead of having to pay the author.

    69. Re:Forgetting the most basic right: property by SuperJames_74 · · Score: 1
      You sure it's *really* a VHS tape? I'd guess that it's an ADAT tape, which pretty much looks just like a VHS tape, but is a popular media for pro/semipro digital audio recording. If so, your best bet is to talk to some local small studios and have it transferred by them to a CD or something.

      Wikipedia [no image]
      Store selling ADATs [has images]

      --

      @sshatrack

    70. Re:Forgetting the most basic right: property by bill_mcgonigle · · Score: 1

      . IAFM (in a free market), when you go to a concert "for the music" you're actually paying someone to play the music.

      When you're going to a Dead concert you're paying for the composition and the performance.

      Otherwise the Dead would just be covering Scott Joplin rags and they wouldn't be as interesting.

      They have a great model, but without the slightest protection, it's likely for the Dead impersonators to take a new song upon release and do a Dead concert for half the price of the Dead. Because they haven't been holed up for two years composing (for example) so they have lower overhead. This provides a disincentive to compose, only rewarding the performance. The first-mover advantage in this circumstance lasts about 2 days.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    71. Re:Forgetting the most basic right: property by Spacejock · · Score: 1

      So you're concerned that people won't want to read your book because all the old books will be cheap/free and unencumbered. That's a legitimate concern.

      The Gutenberg archive has 13,000 books or more available as free downloadable ebooks, and it has zip effect on new book sales. People want shiny new discoveries, not something plucked from the pages of history. Word of mouth spreads when a pivotal number of readers 'discover' the same book at the same time. Then that author's backlist starts to sell. To do that they have to be in the shops, which is a whole other story.

      There's no simple solution: Currently, books are given a few weeks, a few months tops, to make their mark on the book-buying public. If they fail - and 98% do - they're sold off cheap or pulped to make room for more new books. The only authors who would object to a 20 year copyright are those who are still making decent money from their old works. That's what I meant in an earlier comment - why not allow rights holders to extend the copyright for a price? Disney, Dan Brown, JK Rowling and so on can afford the price, while most couldn't. That's actually a good thing, because it automatically forces unsuccessful books out of copyright. And if an older book becomes successful because three publishers all bring out editions, then the author might suddenly find their newer works are in demand. (Reverse backlist, if you will.)

      The problem is the human mentality to hoard stuff just in case it becomes valuable 'one day'. Authors, despite rumours to the contrary, are human too.

    72. Re:Forgetting the most basic right: property by Syberghost · · Score: 1

      without copyright you'd still have the right to copy GPL software.

      No, actually, without copyright you've have basic contract law, and wouldn't be able to install any software on your PC that wasn't provided by the manufacturer or his licensees. The fact that copyright law has undergone some bad changes in the last 30 years doesn't negate the fact that the basic concept was a darn good one.

  4. "surviving members of the Grateful Dead" by product+byproduct · · Score: 1, Funny

    Oxymoron?

    1. Re:"surviving members of the Grateful Dead" by Anonymous Coward · · Score: 0

      Possibly, not quite as good as "Microsoft Works" though

    2. Re:"surviving members of the Grateful Dead" by Anonymous Coward · · Score: 0

      Antithesis.

  5. Re:I would have thought by dbmasters · · Score: 0, Troll

    oh boy, that is both clever AND original...for a 3 year old...

    --
    dB Masters
  6. hmmm by BushCheney08 · · Score: 0

    Zombies vs Petabytes? Hard to decide who should win this one...

    --
    Be a real patriot: Question authority. Think for yourself. Formulate your own conclusions.
  7. Not quite reversed by LiquidCoooled · · Score: 5, Informative

    From boingboing (where I saw this initially) comes the following:

    He said the band consented to making audience recordings available for download again, although live recordings made directly from concert soundboards, which are the legal property of the Grateful Dead, should only be made available for listening from now on.

    They are not reopening it back up fully. They are removing something which was granted to them earlier.

    --
    liqbase :: faster than paper
    1. Re:Not quite reversed by Anonymous Coward · · Score: 0

      Of course, it's easy to save streams for future listening if you know what you're doing. It just adds a little bit of work, but it's far from impossible or even hard.

    2. Re:Not quite reversed by rizzo420 · · Score: 1

      yes, but the standard for most taper-friendly bands is to allow audience recordings and not soundboards. after they were big, the dead didn't really allow soundboards, so you can download aud's of the shows from the 60's-70's, but not the audience recorded soundboards (they used to let tapers tap into the board). recordings from that era that were not soundboards are not necessarily terrible quality, in fact some are pretty good. there are a lot of fans who prefer audience copies to soundboard because a lot of times you get a closer experience to the concert itself.

      when phish got into selling sbd quality recordings, they disallowed trading of any sbd recordings of shows they officially released (although they allowed the continued trading of any shows they hadn't yet released). it sounds like the dead is planning on releasing all their shows at some point (which will, no doubt, make their catalog of officially release music HUGE).

      --
      please me, have no regrets.
    3. Re:Not quite reversed by just_another_sean · · Score: 2, Insightful

      I don't have a problem with this. Yes they took it away. But if you already have it you can still trade it/give it away. The audience tapes turned downloadable files were the real issue for me. They were made by someone besides the band with the band's blessing. People spent a lot of time taping them, converting them and then putting them up on archive. Let us keep them.

      Their vault from the sbd is theirs to do with what they will and although I feel I may need to wait a while before I'll be able to buy many of them "from the vault" I will do so as much as I can.

      In the meantime however, there are plenty of folks who have copies, the Dead don't DRM their stuff and we are all still free to trade what we have. All in all I think it is a perfectly acceptable compromise.

      --
      Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
    4. Re:Not quite reversed by dogbowl · · Score: 1

      except that he GD routinely allowed tapers to tap into the soundboards. As I understand it, thats where the majority of these soundboards came from

      --

      These pretzels are making me thirsty.
    5. Re:Not quite reversed by rizzo420 · · Score: 1

      you must've missed that part of my post... that practice stopped eventually.

      but yes, that's where those sbd copies came from, however, those aren't even the quality that an official sbd is.

      --
      please me, have no regrets.
    6. Re:Not quite reversed by Curunir_wolf · · Score: 1
      after they were big, the dead didn't really allow soundboards, so you can download aud's of the shows from the 60's-70's, but not the audience recorded soundboards (they used to let tapers tap into the board).

      I'm not really sure what you were trying to say, here, but the Dead *never* stopped fans from recording from the soundboard (that is, there were plenty of people doing it). This was well into the 80's, and went on long past then, as far as I know.

      --
      "Somebody has to do something. It's just incredibly pathetic it has to be us."
      --- Jerry Garcia
    7. Re:Not quite reversed by Hatta · · Score: 1

      Phish stopped allowing soundboards long before they started selling live material. Back in 1994 I think. This was mostly because one too many stoned wookie pulled the wrong patch from the board. There are a few sbds around from 1995 and after, but those have mostly been leaked.

      --
      Give me Classic Slashdot or give me death!
    8. Re:Not quite reversed by Broken+Bottle · · Score: 1

      This is a reasonable compromise that has worked with other taper friendly bands (Phish leaps to mind) in the past. It's tough for the Dead to put the genie back in the bottle but I think their relationship with the fans is pretty remarkable. You'll see voluntary compliance with this request except in a few rare cases. The quality of the Dead's audience tapes are very good because they went out of their way to try and play halls with good acoustics and they set aside a space behind the sound board (the sound quality sweet spot) for tapers to setup their equipment. People that don't want to spend the money on a given show can get a nice sounding audience recording OR they can buy the tweaked / remastered version from the Dead, who usually sell their concert CDs for a very low price.

      Chris

    9. Re:Not quite reversed by JThundley · · Score: 1

      The funny thing is that if you can listen to it, you can dump it.

  8. Quotes from the band by rsidd · · Score: 4, Informative
    Phil Lesh (bassist) was not consulted about the takedown.

    John Perry Barlow (lyricist, but he has other claims to fame outside the Dead) was not happy. In this story he blames it on the drummers (Mickey Hart and Bill Kreutzmann). The NYT quoted him as having had a "pretty heated discussion" with Weir, guitarist and his songwriting partner. Robert Hunter (Jerry Garcia's lyricist) was reportedly not happy either but is silent.

    I'm just disappointed, that's all.

    1. Re:Quotes from the band by scheming+daemons · · Score: 1
      Maybe in some bands. But in others, the drummer is more than significant.

      Think Rush, and Neil Peart. He write 99% of the lyrics and is generally regarded as one of the 2 or 3 greatest (and most skilled) drummers in Rock history.

      --
      "I have as much authority as the pope, I just
      don't have as many people who believe it" - George Carlin

    2. Re:Quotes from the band by JabberWokky · · Score: 4, Informative
      The drummer is the least significant component of any rock band. How these guys managed to call the tune is beyfond me. Just sit at the back and bash the pads, would you

      You are clearly not a Grateful Dead fan... or at least have not listened to the long jam sessions in their live shows. The reason they have two drummers is because they are real percussionists -- rather than being in the band because they were "Nick's friend who owns a kit". The two of them work together and do some very spacey and complex stuff.

      Unlike in most bands, the bassist doesn't simply repeat six notes and the drummers not only actually work hard, they use more than just the one drum kit in one song (another reason for two drummers -- so one can keep the beat while the other is running to a new instrument). Much of the quality that people like about the Dead is the fact that the underlying music is complex and slowly rotates across a long jam.

      --
      Evan

      --
      "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
    3. Re:Quotes from the band by freshman_a · · Score: 2, Informative


      The drummer is the least significant component of any rock band.

      Uh...

      Tommy Lee?
      Lars Ulrich?
      Mick Fleetwood?
      John Bonham?
      Alex Van Halen?

      Better let those guys know they weren't/aren't significant. So, how much rock music do you listen to?

    4. Re:Quotes from the band by captain_dope_pants · · Score: 3, Funny

      Obligatory drummer jokes:
      "Mom, when I grow up, I want to be a drummer."
      His mother scoffs and replies... "Well, you can't do both."

      What do you call someone who hangs around with musicians?
      A drummer.

      What's the difference between a drummer and a drum machine?
      You only have to punch the information into the drum machine once.

      Why are orchestra intermissions limited to 20 minutes?
      So they don't have to retrain the drummers.

      How do you get a drummer to play an accelerando?
      Ask him to play in 4/4 at a steady 120 bpm.

      --
      while (true != false) process_more_stupid_code();
    5. Re:Quotes from the band by ConceptJunkie · · Score: 1

      I think MrSnooty has listened to any real music, or he wouldn't have made such a silly comment.

      --
      You are in a maze of twisty little passages, all alike.
    6. Re:Quotes from the band by jdepons · · Score: 1


        "John Perry Barlow (lyricist, but he has other claims to fame outside the Dead) was not happy"

      Other claims to fame like co-founder of the EFF

    7. Re:Quotes from the band by Anonymous Coward · · Score: 1, Funny

      Neal Peart?

      RUSH?!?!?!?!?!


      Excuse me, I have to clean the milk out of my nose now.

    8. Re:Quotes from the band by Colonel+Angus · · Score: 1

      Tommy Lee and Lars Ulrich are hardly significant in their bands. Any reasonably competent drummer could do what they do. They're barely average drummers.

      Some names I'd add to the list of significant drummers in place of Lee and Ulrich: Neil Peart, Mike Portnoy, Danny Carey, Matt Cameron, Tim Alexander... all of which I would say are above average drummers.

    9. Re:Quotes from the band by karnal · · Score: 1

      Quote: Neal Peart?

      RUSH?!?!?!?!?!

      Excuse me, I have to clean the milk out of my nose now.
      :Endquote

      You've obviously never seen him do his work.

      In short, he rocks. IMHO, he and Mike Portnoy are worth going to the shows for (Mike's in Dream Theater) even if you don't like the bands overall.

      --
      Karnal
    10. Re:Quotes from the band by rizzo420 · · Score: 1

      keith moon!!

      --
      please me, have no regrets.
    11. Re:Quotes from the band by freshman_a · · Score: 1


      Tommy Lee and Lars Ulrich are hardly significant in their bands.

      I say they are significant, not because of their drumming abilities, but because of their impact on the band.

      Lars is the one who started Metallica in the first place. I'd say that's pretty important to the band. Same with Tommy Lee, as he co-founded Motley Crue. And both were involved with writing the bands' songs. I'd hardly call Ringo Starr an outstanding drummer (and he wasn't even that involved with the song writting, IIRC) but most people wouldn't consider The Beatles to be The Beatles w/o him.

    12. Re:Quotes from the band by Braino420 · · Score: 1

      Hell ya he rocks, I dont know what that kids problem is. Anyone that can play the drums and sing earns my respect.

      --
      They call me the wookie man, I guess that's what I am
    13. Re:Quotes from the band by Braino420 · · Score: 1

      Well, you can't blame him. He obviously listens to modern pop music, he doesn't know what he's missing. It makes me sad, people would pay so much for shitty music when the real musicians who love their work want everyone to hear their music and are very willing to share that music. Read sig.

      --
      They call me the wookie man, I guess that's what I am
    14. Re:Quotes from the band by Skjellifetti · · Score: 1

      Mickey Hart is the only drummer I've seen who used a chain saw as a percussion instrument.

    15. Re:Quotes from the band by MattBurke · · Score: 2, Interesting

      When Metallica played at Download Festival in the UK earlier this year, Lars Ulrich wasn't there so they recruited Joey Jordison (Slipknot) and Dave Lombardo (Slayer) to play in his place. After alledgedly only an hour of practice, they did a flawless set easily matching Lars's playing.

      Incidentally, Hetfield's guitar was cringingly flat and his voice was all over the place. Funny how those problems disappeared on official "recordings" and when I watched it on TV...

    16. Re:Quotes from the band by Anonymous Coward · · Score: 1, Funny
      ...the underlying music is complex and slowly rotates across a long jam.

      Nah, that's just the acid kicking in. :-)

    17. Re:Quotes from the band by BandwidthHog · · Score: 1

      My personal favorite...

      How do you know if your stage is level?
      The drummer drools from both sides of his mouth.

      --

      Quantum materiae materietur marmota monax si marmota monax materiam possit materiari?
  9. Let them eat Stream by warmcat · · Score: 5, Insightful

    ''Grateful Dead "reversal" on fan-recordings is a smokescreen

    Yesterday, I blogged stories about various Grateful Dead spokespeople and band-alumni making promises to reverse their attack on fan-recordings that are hosted at the the Internet Archive (these recordings were made by dedicated fans with the band's explicit blessing, and have been the core of an decades-old evangelical unpaid promotional campaign by Deadheads that has returned a gigantic fortune for the band).

    However, it appears that all the talk about "communications SNAFUs" was a smokescreen for a half-assed compromise that leaves the highest-quality recordings available only as streams, meaning that they can no longer be simply downloaded from the Archive and traded on. ...''

    Whole article

    1. Re:Let them eat Stream by cortana · · Score: 1

      I don't understand the difference between the recordings being available only as streams, and for downloading.

    2. Re:Let them eat Stream by goober · · Score: 3, Informative
      I don't understand the difference between the recordings being available only as streams, and for downloading.

      The recordings that are no longer available were lossless. The streams are lossy.

    3. Re:Let them eat Stream by garcia · · Score: 1

      However, it appears that all the talk about "communications SNAFUs" was a smokescreen for a half-assed compromise that leaves the highest-quality recordings available only as streams, meaning that they can no longer be simply downloaded from the Archive and traded on. ...''

      Exactly, while there are some high quality AUDs out there they just aren't the same as the SBDs. The Dead made millions on tour and they likely didn't need any more money to be coming in from the sale of their music so they never cared about charging for it.

      Now, with people trying to make a living off what others did (and no longer do), they need to turn profits on what they have in their archive. Do I agree? ABSOLUTELY NOT. Unfortunately it's too late for them to do anything. The stuff is already out there and it's not like they are going to win the battle.

      Thanks for dragging the GREAT name of Jerry and the rest of the Band down the fucking drain you morons. *THAT* makes me want to buy merchandise from you, really, it does...

    4. Re:Let them eat Stream by Just+Some+Guy · · Score: 1
      ''Grateful Dead "reversal" on fan-recordings is a smokescreen

      Erm, aren't smokescreens what their concerts are famous for?

      --
      Dewey, what part of this looks like authorities should be involved?
    5. Re:Let them eat Stream by Broken+Bottle · · Score: 1

      Who labeled this post "insightful"? The Dead have always been a disorganized when it comes to making business decisions and they've only been more so in the post Garcia era. Communication SNAFUs are the norm from those guys. Also, if you think that the sound board streams are the "highest quality" recordings that the Dead have, you have likely not heard many of their tapes. Sound board tapes are mixed to meet the demands of the acoustics of the venue so, while they might be clear of audience sounds, they usually don't sound that good because the levels of the individual voices and instruments are all over the place. A well recorded audience tape is crisp, clean, has wonderful atmosphere, and records the music with a mix that was intended to be presented to the audience. Those sound boards don't start sounding really good until the mix is retouched and mastered. Regardless, most fans will, if given the choice, take a remastered CD of a Dead show over a soundboard tape that happens to have a naturally good mix because they're looking for the best sounding representation of the show that they can find.

      Chris

  10. SUMMARY by GreyPoopon · · Score: 4, Informative
    In summary:

    Bob Weir, Mickey Hart and Bill Kreutzmann were greedy because they felt the 50,000,000 per year that the band earned while Jerry Garcia was alive just wasn't enough to retire on. They threw a tantrum. Archive.org attempted to do what they though the Dead wanted and removed all the music.

    John Perry Barlow, Phil Lesh and others disagreed, holding true to Garcia's attitude about trading. Live-recorded music (by fans) is restored to Archive.org; studio recordings are not.

    Deadheads are freaking out and suffering from disillusionment. The question of whether the more pristine studio recordings should be allowed is not yet answered.

    --

    GreyPoopon
    --
    Why is it I can write insightful comments but can't come up with a clever signature?

    1. Re:SUMMARY by BushCheney08 · · Score: 4, Informative

      Close. My understanding is that it's the soundboard recordings of concerts that are still being disallowed. Obviously, studio recordings wouldn't be allowed anyway under copyright law.

      --
      Be a real patriot: Question authority. Think for yourself. Formulate your own conclusions.
    2. Re:SUMMARY by GreyPoopon · · Score: 1
      Close. My understanding is that it's the soundboard recordings of concerts that are still being disallowed.

      Good point. I wish I could edit my posting to correct this.

      --

      GreyPoopon
      --
      Why is it I can write insightful comments but can't come up with a clever signature?

    3. Re:SUMMARY by LiquidCoooled · · Score: 3, Informative

      Even closer, soundboard recordings are to be available, but in streaming format only.

      --
      liqbase :: faster than paper
    4. Re:SUMMARY by Phreakiture · · Score: 1

      Let's face it: The spirit of this band died with its leader. The Grateful Dead have turned into a bunch of ingrates.

      Barlow and Lesh need to be very vocal about this if they truly disagree. It is the only thing that can hold them together at this point.

      --
      www.wavefront-av.com
    5. Re:SUMMARY by Anonymous Coward · · Score: 1, Funny

      Deadheads are freaking out and suffering from disillusionment.

      Can't be from the years of doing acid and spinning.

    6. Re:SUMMARY by keyslammer · · Score: 1

      AFAIK, Weir was never implicated in this. Everything I've read has been very fuzzy about specifically which members of the band were involved - can you cite something more authoritative?

    7. Re:SUMMARY by bungley · · Score: 1

      Could someone mod the parent up? There are a hell of a lot of soundboard recordings of gigs (like, 2000 of them) which the archive had have taken down. The quality of most AUD recordings just pales in comparison. That said, 71-08-06 is an AUD possibly my favorite set.

    8. Re:SUMMARY by GreyPoopon · · Score: 1
      AFAIK, Weir was never implicated in this. Everything I've read has been very fuzzy about specifically which members of the band were involved - can you cite something more authoritative?

      I can't find anything more authoritative, but from the article in the original posting...

      Despite Live Music Archive's mea culpa, there were members of the band who wanted the free downloads pulled. According to onetime Dead lyricist John Perry Barlow, the move was initiated by singer-guitarist Bob Weir and drummers Mickey Hart and Bill Kreutzmann.
      --

      GreyPoopon
      --
      Why is it I can write insightful comments but can't come up with a clever signature?

    9. Re:SUMMARY by durdur · · Score: 1

      I wouldn't say they are just greedy.

      I read Phil's book about his years with the Dead recently
      and one point he made was that the band kept touring far
      longer and more intensively than maybe they wanted to,
      for the reason that they had a large crew and staff they
      treated as a kind of extended family - Phil said it cost
      them $500K a month just to keep the Dead organization
      together. Clearly it's a much diminished org now but still,
      what they earn is not just for the band.

      Personally I am disappointed with the lack of soundboard
      downloads mainly because the Dead org has had a kind of
      random approach to releasing shows on CD. There are lots
      of highly prized concerts that haven't made it into
      official releases or the Dick's Picks series (which are
      mostly 2-channel soundboards), while quite a number of
      (IMO) inferior shows have gone through this process. If they
      made their stuff available on CD or through paid download
      I would buy it. But a lot of what was on archive.org was
      not distributed otherwise except through a much more
      underground disk and tape trading network.

  11. They have every right by dbmasters · · Score: 3, Interesting

    Much like Metallica and any other band that stuck their nose into this whole issue, they have every right to try to control their music any way they want to. It's their intellectual property.

    That saidm as the Grateful Dead has always stood in favor of tape trading, going so far as to set up special areas at shows for "tapers", they really should have seen the backlash and shut their mouths. I am a life long deadhead, with many tapes of shows...the unique thing that set them apart from the pack is the fact they were not a studio band, they were a live band. No recording, audio or video, will ever capture the moment of a show. I have seen many, the vibe in the room, among the people and the band, the long shows, long free for all jams inspired by the moment can be replayed and replayed again, but those same notes, same chords, same jams on tape will never match standing there, beer (or whatever) in hand, watching it unfold live.

    It's not the music with the Grateful Dead, it's the experience.

    --
    dB Masters
    1. Re:They have every right by Anonymous Coward · · Score: 0

      This is total flamebait, and I welcome it as such because I believe the parent is flamebait. FUCK THE GRATEFUL DEAD! They are a bunch of stoned/tripping hippies who only "jam" because they're too fucking stoned to remember how to play their songs... and most people who like the "Dead" I wouldn't even employ to clean my cats litterbox.... whatever go buy some land start a commune and fuck off....damned hippies.

    2. Re:They have every right by rizzo420 · · Score: 1

      you're not a true deadhead if you can really say that it was more the experience than the music...

      --
      please me, have no regrets.
    3. Re:They have every right by Anonymous Coward · · Score: 0

      Actually, they don't have the right to control a lot of their musical IP, because they had an official policy of not attempting to protect
      that IP over many years; they officially made statements that it was OK to copy the music, so long as people didn't attempt to make a profit off it it.

      If you establish a precedent for that many years of not protecting your IP, you lose the ability to change your mind later.

    4. Re:They have every right by crabpeople · · Score: 1

      "Much like Metallica and any other band that stuck their nose into this whole issue, they have every right to try to control their music any way they want to. It's their intellectual property"

      1) Dead people shouldnt be allowed to own things.
      2) Music is an artists gift to society. Egotistical musicians in this day and age have forgotten that.

      If you dont want people to hear your music, what the point of making it?

      "It's not the music with the Grateful Dead, it's the experience."
      So you only went to their concerts to buy drugs? poseur

      --
      I'll just use my special getting high powers one more time...
    5. Re:They have every right by Lumpy · · Score: 1

      You want an answer??

      It's very simple... no matter who you are and what you stood for in your life.

      If you allow Greed to seep into your life then it will eventually consume you.

      The one band that everyone was sure was immune to greed in spite of their immense fortunes that gathered has proven that greed is more powerful than any ideal and consumed them.

      This is 100% unadultured pure greed kids. You dont get to see it this pure very often.

      BTW: taping at a show correctly will CERTIANLY capture the show in near perfection. I use a set of binaural microphones placed either in a foam head or in my own ears and then record to high quality DAT. when played back in headphones it is surreal how accurate it reproduces the event when you close your eyes... all the way down to the moment that the drunk guy 3 rows ahead and to the left falls over and almost kills himself....

      Most tapings are done really poorly. but some of us create better than studio in the croud.

      --
      Do not look at laser with remaining good eye.
    6. Re:They have every right by Krater76 · · Score: 1

      Cut your hair, hippie!

      j/k :)

      --
      "Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery?" - Patrick Henry
    7. Re:They have every right by Mr2001 · · Score: 1

      Much like Metallica and any other band that stuck their nose into this whole issue, they have every right to try to control their music any way they want to. It's their intellectual property.

      "Intellectual property" is not property, it's a euphemism for a set of limited monopolies granted by the government. No one has an inherent right to suppress anyone else's speech just to make a buck.

      --
      Visual IRC: Fast. Powerful. Free.
    8. Re:They have every right by iphayd · · Score: 1

      You do realize that "Vibe" in the room could get you six months to a year, right?

  12. Nice transition by GroeFaZ · · Score: 5, Funny

    From Grateful over Ungrateful back to Grateful. The REAL news, however, would be if that transition happened with the other part of their name.

    --
    The grass is always greener on the other side of the light cone.
    1. Re:Nice transition by sharkey · · Score: 1

      The Grateful Undead? Jerry Bear has the munchies for brains.....BRAINS!!!!

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  13. Re:Forgetting the most basic right: property[OT] by dada21 · · Score: 3, Informative

    Many of our federal drug laws were founded on discrimination and collusion with the medical boards and prescription narcotic companies. I've researched the enumerated federal powers and nowhere in the Constitution do I see any allotment for the Congress to control, regulate, criminalize or even define drug use. The 9th and 10th Amendments are very clear that the right to use drugs is protected and within the individual States or the People to control.

    Illinois could criminalize drugs, but the federal government absolutely cannot. The use of force by the feds to criminalize non-violent drug use is treason and worthy of the ultimate penalty for those enforcing these unconstitutional laws.

    I do not use drugs of any kind, FWIW.

  14. Not reversed at all by Anonymous Coward · · Score: 0

    You are correct sir. They only allowed bootlegs of fan recordings, with all the noise that comes with recording a dead show from the crowd via a tape recorder.

    Basically you get shit quality.

    They still don't want mixer board recording because those are the same quality as say a commercial live CD would be.

    Thank god Jerry is dead to. Those old hippes always bugged me.

    1. Re:Not reversed at all by Anonymous Coward · · Score: 0
      Those old hippes always bugged me.

      Yeah, you never get used to the smell, do you?

    2. Re:Not reversed at all by Anonymous Coward · · Score: 0

      When I was going to Dead shows, rainbow gathering and, after Jerry died, Phish shown for a while I usually went for the drugs and the hippie chicks. The music never really did much for me, I was a closet metal head. (I remember blaring Slayer at top volume driving through on e show.

      It really wasn't the smell, (I smelled just as bad) it wasn't the dumpster diving (Dunking Donuts are just as good from the trash as the counter) What it was, was the Lice.

      I had to cut my hair 8 times in 2 years because of Lice.

      I fucking hate Lice. My head itches just thinking about it.

      Once, my buddies and I freaked out after too much X and LSD and poured kerosene over the head of the dude who gave us lice and then shaved his head with some portable dog clippers.

      I doubt we did any good but man it felt good to shave that fucker head forcibly.

    3. Re:Not reversed at all by GeckoX · · Score: 1

      You're both still slightly wrong.

      There are many MANY legitimate fan-recorded board tapes out there.

      The ones that gd doesn't want traded are 'official' board tapes of shows.

      Granted, there can still be a big quality difference, as usually fan recorded board tapes come off a straight stereo mix, often off of monitor lines, so is not typically levelled correctly for recording.

      This is a very important distinction: Board levels for a live show are obviously set for optimal live sound, NOT the same at all as for a recording. When professionally recording a live show, there is actually an entirely separate board to mix the recording on. THESE are the recordings they do not want traded, as these require extra work, and result in a polished saleable product.

      Live mix line out board tapes are VERY common for gd shows. These are what traders are looking for.

      To note, there is absolutely NOTHING new about this. Gd fans have been doing this for decades now. Sure, they trade digitally now, and were amongst the first people trading music online, but it really hasn't changed at all.

      The gd's stance on this hasn't changed either. They've NEVER liked having their live mix recordings leaked. This happened in the past well before it happened digitally.

      Gd fans would say 'nothing new here, please move along'.

      --
      No Comment.
    4. Re:Not reversed at all by Anonymous Coward · · Score: 0


      No we both knew exactly what we were talking about.

      The article mentioned sounds boards in the context of 'official board' recordings.

      We simply figured that people who have read the article (a couple days ago) would continue on with that context.

      Thank you for the useless clarification though.

    5. Re:Not reversed at all by Hatta · · Score: 1

      Live mix line out board tapes are VERY common for gd shows. These are what traders are looking for.

      Right, and these are what will be streaming only on archive.org

      --
      Give me Classic Slashdot or give me death!
    6. Re:Not reversed at all by Anonymous Coward · · Score: 0

      It sounds like you need to seek psychiatric help immediately.

    7. Re:Not reversed at all by P3NIS_CLEAVER · · Score: 0

      It was also a good place to get TB. We made a point of never eating any of the crap they were selling.

      --
      Please sign petition to restore sanity to our banking system!!!

      http://financialpetition.org/
  15. It's just a matter of time... by SlashAmpersand · · Score: 5, Funny

    The RIAA announced lawsuits against 1244 Deadheads today. Although the Deadheads are downloading the music legally, the RIAA is going after them anyway. "These Deadheads, they're sitting there with their tie-dye t-shirts, their sunglasses and bandannas, and their downloading music! We're confident that we'll prevail, because downloading music is wrong in the strict Biblical sense. Have you ever heard of Jesus downloading music? Did Moses use Limewire? No. Let's face it, we're on the right side here." The latest set of hearings were delayed when the RIAA representative noticed that the courtroom stenographer was wearing a set of earphones, and accused her of downloading music, leading to an attack by the RIAA lawyers. The courtroom was cleared, but not before the stenographer's wallet was picked bare and she'd been served with two separate lawsuits.

    1. Re:It's just a matter of time... by Pantero+Blanco · · Score: 1

      Then why is there a copy of the "Song of Solomon" in each Bible the Gideons give away? :)

    2. Re:It's just a matter of time... by mikelieman · · Score: 1

      That's OK. I *OWN* the Master Tapes of the shows I've gone to, so as long as it's for Non-Commercial, Home Use Only, the party continues uninterrupted.

      --
      Technology -- No Place For Wimps! Grateful Dead and Jerry Garcia Chatroom -- http://www.wemissjerry.org
  16. Jerry wanted the music to be free... by digitaldc · · Score: 5, Informative

    "once we're done with [the music], you can have it." - Jerry Garcia
    Bassist Phil Lesh echoed that sentiment--quoting Garcia in an interview with Charlie Rose on CBS's 60 Minutes in 2004: "Jerry put it the best, as he frequently did, 'Let 'em have it. When we play it, we're done with it."

    from: http://www.archive.org/iathreads/post-view.php?id= 49496

    The Dead also released a disclaimer about their live music:
    MP3 STATEMENT TO MP3 SITE OPERATORS
    The Grateful Dead and our managing organizations have long encouraged the purely non-commercial exchange of music taped at our concerts and those of our individual members. That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard.
    Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follows:
    No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.
    All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music.
    This notice should be clearly posted on all sites engaged in this activity.
    We reserve the ability to withdraw our sanction of non-commercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work.

    Jerry Garcia did not care about people taping or downloading their music, he thought any live show could be shared and traded by anyone for their personal use, but not to copy and sell for profit. I would think the rest of the band would respect his wishes. Long live Jerry.
    http://www.people4peace.net/pix/people4peace/jerry -garcia.jpg

    --
    He who knows best knows how little he knows. - Thomas Jefferson
    1. Re:Jerry wanted the music to be free... by rizzo420 · · Score: 2, Interesting

      i believe jerry's widow was part of the decision making process considering she's probably not making that much money off his estate. regardless, it was a dick move by those who decided... phil wasn't included because phil would've been completely against the decision (and he's the one making the most money from other projects now).

      --
      please me, have no regrets.
    2. Re:Jerry wanted the music to be free... by Anonymous Coward · · Score: 0

      Actually Bobby has been making more $$ with Ratdog than Phil with Phil and Friends. Although Phil gets more per show than Bobby, Bobby plays many more shows than Phil. Although I like Ratdog, Phil & Friends shows feel much more like a Grateful Dead show.

    3. Re:Jerry wanted the music to be free... by digitaldc · · Score: 3, Informative

      Phil and Jerry tend to think alike, I am not so sure about the rest of the band.

      It's a shame it only took 10 years for the rest of the band to start squabbling about downloading their music. They are all very wealthy and probably get many things for free from their beloved fans, so why not return the favour?

      On a side note, I have many Dead bootlegs, but I have actually purchased Dick's Picks in order to help support the band, and to get an undoubtedly clean copy direct from the master tapes.
      If anyone is curious: http://stores.musictoday.com/store/dept.asp?band_i d=171&dept_id=1541&sfid=7

      --
      He who knows best knows how little he knows. - Thomas Jefferson
    4. Re:Jerry wanted the music to be free... by rizzo420 · · Score: 1

      bobby grew up loaded... it was only a matter of time before he started seeing $$$ again.

      --
      please me, have no regrets.
    5. Re:Jerry wanted the music to be free... by digitaldc · · Score: 1

      I would honestly like to know what Bob has to say about all of this, he seems to be a pretty fair person, loaded or not. I actually met Bob once backstage and he was a very pleasant and friendly guy, he answered all of my stupid deadhead questions - with no hesitation at all. After that conversation, it made me like the Dead even more.

      --
      He who knows best knows how little he knows. - Thomas Jefferson
    6. Re:Jerry wanted the music to be free... by rizzo420 · · Score: 1

      i'm curious too... although barlow did say that he had a heated discussion with bobble over the issue. i'm willing to be that he wanted the music taken down.

      --
      please me, have no regrets.
    7. Re:Jerry wanted the music to be free... by digitaldc · · Score: 1

      I am willing to be someone was downloading the music and selling it and they got pissed. Who knows? Only the family knows, but its too bad that they just didn't leave it alone. Once artists get older, they change. Youthful idealism goes out the window and making money becomes the modus operandi.

      ---Driftin' & dreamin'....maybe going on a dream. Sure don't know what I'm going for, but I'm gonna go for it for sure. --Remember those lines?

      --
      He who knows best knows how little he knows. - Thomas Jefferson
    8. Re:Jerry wanted the music to be free... by rizzo420 · · Score: 1

      someone's always selling bootlegs. walk into almost any independent record store. they sell them. they look like actual albums, but don't have the record label on them and usually have the date of the show on them.

      the way to combat this is to go after the record store (which sucks because some of these are the best record stores).

      --
      please me, have no regrets.
    9. Re:Jerry wanted the music to be free... by digitaldc · · Score: 1

      I remember seeing 5/8/77 Cornell on a bootleg disc in a record store, that made me laugh.

      The PT Barnum quote would apply here, since they can just as easily download the music. But some people just have no idea.

      --
      He who knows best knows how little he knows. - Thomas Jefferson
    10. Re:Jerry wanted the music to be free... by just_another_sean · · Score: 1

      "Jerry Garcia did not care about people taping or downloading their music"

      I don't mean to be pedantic here but Jerry didn't care about people taping their live music. Downloading en masse was not really going on in 1995 when Jerry died and although it's nice to think that Jerry still wouldn't have cared don't put words in his mouth. Although I don't completely agree there is something to what some folks are saying in defense of the recent policy. Taping was a low volume, personal experience for fans. Tapes were traded by people who shared a community and actively engaged each other.

      Perhaps Jerry wouldn't have appreciated the impersonal nature of mass hordes of scattered heads downloading their music from a single, all encompassing archive.

      The point is, he's not here now to say one way or the other so it's hard to say how he would feel...

      --
      Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
    11. Re:Jerry wanted the music to be free... by HolyMoto · · Score: 1

      I think there is a lot more to this story than what we are letting on here. On Furthurnet they pulled the Live phish shows because they were soundboard recordings specifically released for purchase. The band has no problemo with bootlegging, but the released archival material is their's to protect. It's getting blown out of proportion. I like fan boots better than released stuff because you hear individuals, freaks you out with headphones on in public. also, some are quality and some sound like the mic was in their pocket. It's a little game you can play, makes you appreciate a band that can play live...

    12. Re:Jerry wanted the music to be free... by von_kaiser · · Score: 1
      It's a shame it only took 10 years for the rest of the band to start squabbling about downloading their music. They are all very wealthy and probably get many things for free from their beloved fans, so why not return the favour?

      As we reach our lives' twilight, many of us will lose our sense of pride, and desperately claw in vain up the slippery slope (by way of greed, renewed faith in the gods, etc.) before the pit finally claims us.

      They're old--give 'em a break!

  17. Only one way to describe this farce... by gowen · · Score: 3, Interesting

    What a long, strange trip it's been...

    --
    Athletic Scholarships to universities make as much sense as academic scholarships to sports teams.
    1. Re:Only one way to describe this farce... by jpiggot · · Score: 2, Funny

      Don't you mean "What a long, strange "rip" it's been..." ?

  18. Proof by colin8651 · · Score: 0

    Proof You see in the end no matter what you preach all your life the almighty dollar is the most powerful thing in the world.

  19. Be Like Mojo by Bullfish · · Score: 2, Interesting

    Too bad more bands aren't like Mojo Nixon. This kerfuffle never would happen. He actively encourages you to download his music and share it. Mind you, he doesn't have to wrassle other members of the band.

    1. Re:Be Like Mojo by dbmasters · · Score: 1

      Hell, the Grateful Dead were one of the originals with that attitude...it's not until Jerry died that a couple members, who had little-to-nothing to due with the actual songwriting, decided to get greedy...

      Pisses me off as a long time fan that they would drag Jerry's name and vision under the bus like that. They should be ashamed.

      --
      dB Masters
    2. Re:Be Like Mojo by Bullfish · · Score: 1

      Yeah, it is sad, like kid's squabbling over their parents possessions after they've passed on. Some of the worst sides of people come out. It just goes to show what influence Garcia had on the band.

    3. Re:Be Like Mojo by HerrGoober · · Score: 1

      "...wrassle other members of the band."

      Bizarre images of band members wrestling with small fish spring to mind... Caffiene does odd things to a man.

    4. Re:Be Like Mojo by Braino420 · · Score: 1

      There are many more. No Mojo Nixon though, maybe you should email him about this outlet for his music.

      --
      They call me the wookie man, I guess that's what I am
    5. Re:Be Like Mojo by Bullfish · · Score: 1

      I've just googled for mp3's of his songs and hit them no problem. I guess dropping him a line wouldn't hurt.

  20. Back from the great beyond by PacketScan · · Score: 1

    Jerry came back and Smacked the shit outa the rest of the band.
    Sanity has returned

  21. NO, goddamnit! by Anonymous Coward · · Score: 0

    live recordings made directly from concert soundboards, which are the legal property of the Grateful Dead

    How many times? Copyright is not property. It's a limited, temporary privilege to restrict others from copying and broadcasting in certain ways.

  22. Ahh dammit by dsgitl · · Score: 1

    Whiny Grateful Dead fans have complaining about this since last week, but it was great, since downloads of any of the other numerous bands hosted on the Archive went much, much faster. Then this whole story broke mainstream yesterday, crippling traffic. And today? It's on Slashdot. Awesome. Way to go, Grateful Dead fans. Ruin everything for everybody.

    1. Re:Ahh dammit by dbmasters · · Score: 1

      yeah, you're right, it has nothing to do with a couple of members of the band stepping on Jerry's vision and attitude, it's the FANS fault...let me guess...democrat?

      --
      dB Masters
    2. Re:Ahh dammit by c4seyj0nes · · Score: 1

      Being a little selfish are we? Sure my downloads are slower, but downloading a 1G+ show isn't exactly quick anyway. I just hope the new visitors download some music while they're there. Maybe they'll find something new they like and expand their horizons a little. I remember finding a site when I was in high school called sugarmegs.org. I downloaded a Dead show from there and my musical tastes haven't been the same since.

      --
      "In wine there is wisdom. In beer there is strength. In water there is bacteria." --Old German Proverb
    3. Re:Ahh dammit by dsgitl · · Score: 2, Informative
      Oh whatever. I can't think of a band's music that is easier to collect over the Internet than the Grateful Dead. Any torrent site is teeming with GD shows (just look at bt.etree.org), and there are GD-specific sites, and every other trader on a site like etree.org has hundreds of GD shows.

      I find the GD complaints to be a bit much. The Internet Archive was probably not meant to be a Grateful Dead repository, but over the past week or so, it's been good for little else.

      I could care less about Jerry's vision. Pardon me for wanting what I want and being annoyed by the crybabys getting in the way. I would think that a member of Slashdot would more than understand that attitude.

    4. Re:Ahh dammit by geminidomino · · Score: 2, Informative

      Oh whatever. I can't think of a band's music that is easier to collect over the Internet than the Grateful Dead. Any torrent site is teeming with GD shows (just look at bt.etree.org), and there are GD-specific sites, and every other trader on a site like etree.org has hundreds of GD shows.

      Yeah, that couldn't be because that's what the Dead WANTED to happen or anything.

    5. Re:Ahh dammit by dsgitl · · Score: 1

      I think we have the same point. I'm annoyed by the complaining of Grateful Dead fans because one avenue of show collecting was partially cut off. There are many more readily available. Go Grateful Dead. Boo whiny GD fans.

    6. Re:Ahh dammit by geminidomino · · Score: 1

      I think the actual complaint wasn't the loss of that one avenue, but the change in the ATTITUDE. If it was just some asshat lawyer doing this, I don't think the outcry would have been nearly as shrill. This was members of the band themselves saying "Fuck you, we're rich now and you don't matter anymore" to the fans.

    7. Re:Ahh dammit by dsgitl · · Score: 1

      Appreciated. I don't like the Grateful Dead and don't really get the idolatry of Garcia and the band. But I guess it makes sense, disappoinment and whatnot.

  23. Re:Forgetting the most basic right: property[OT] by Anonymous Coward · · Score: 1, Interesting

    "Illinois could criminalize drugs, but the federal government absolutely cannot. The use of force by the feds to criminalize non-violent drug use is treason and worthy of the ultimate penalty for those enforcing these unconstitutional laws."

    The federal gov't can if it can rationalize that drugs are an interstate concern.

    This was one of the arguements for San Francisco's medical marijuna laws -- that this was grown in state and used in state (the other arguement was We're A Bunch Of Hippies And We Just Don't Care...personally, I respect that more than I do technicalities...even if I hate hippies :-) The federal gov't's position is that regardless of how this is intended to be instate only, there is nothing stopping these drugs from eventually ending up out of the state and thus invoking the interstate commerce clause.

    To be honest, I don't know what side of this I belong on...I hate drugs and I think that even the harmless ones end up being a gateway -- especially when there is no roadblock from trying more. At the same time, I think people should be given the chance to kill themselves if they want to and its of no concern to me as long as they aren't taking up too much of my gov't's (local or federal) time or resources...and getting into the emergency room when stupid people have done stupid things that could have been avoidable while I'm trying to get in for something entirely unavoidable is a concern for me (and given my current health -- f'd up genetic disease -- this isn't entirely theoretical...I've had to wait once because of someone OD'ing in the emergency room...his was a choice, mine was something imposed by causes outside of my control).

    But back to the point, drug use does become an interstate problem at many levels and as such is in the realm of the federal. Nothing unconstitutional about that. Thats the whole idea of the interstate commerce clause...

    Way off topic...and posted anonymously because of my current employer (I work for state gov't and occasionally consult with federal)...

  24. If it wasn't the music, then what was it? by ShineyMcShine · · Score: 1

    >>It's not the music with the Grateful Dead, it's the experience. I always experienced the music at dead shows. I also eperienced many other experiences at dead shows. It was mostly the music, mostly.

    1. Re:If it wasn't the music, then what was it? by goldspider · · Score: 1

      "It's not the music with the Grateful Dead..."

      It was mostly the music, mostly.


      I'm used to reading self-contradicting posts on Slashdot, but you sir must be posting live from Dead concert!

      --
      "Ask not what your country can do for you." --John F. Kennedy
    2. Re:If it wasn't the music, then what was it? by Anonymous Coward · · Score: 0

      D'ya think he was quoting TFA and somehow the linebreaks disappeared? Nah... "Wait, I'll make a cheap joke!"

    3. Re:If it wasn't the music, then what was it? by ShineyMcShine · · Score: 1

      stupid line breaks,
      they always take a break when i'm looking for one...

    4. Re:If it wasn't the music, then what was it? by ShineyMcShine · · Score: 1

      >>It's not the music with the Grateful Dead, it's the experience.



      I always experienced the music at dead shows. I also experienced many other experiences at dead shows. It was mostly the music, mostly.

    5. Re:If it wasn't the music, then what was it? by eheldreth · · Score: 1

      If it wasn't the music, then what was it?
      It was the acid man, don't you pay attention.

      --
      The perversity of the Universe tends towards a maximum. - O'Toole's Corollary
  25. What? by Anonymous Coward · · Score: 2, Insightful

    "The Grateful Dead remains as it always has--in favor of tape trading,"

    Except for last week, when we were against it.

    It's a dead giveaway (no pun intended) when someone claims they're not about money, that they're most likely about money.

    No amount of backtracking will change that now, you've shown your true colors guys.

    1. Re:What? by li99sh79 · · Score: 3, Informative

      Not true, the Dead never said anything about trading recordings of their shows, that was still kosher. What they yanked was the ability to go to a single resource, archive.org, and download a copy. bt's were still viable, as were regular old snail-mail trades/B&P's. Now, to the best of my knowledge, you can still trade the sbd's, you just can't download from archive.

      It's not really that big a deal since there are plenty of bands that allow taping but don't allow their shows to be hosted on archive.org (phish, DMB, ABB to name a few).

      -sam
      --
      I was just here, where did I go?
    2. Re:What? by rizzo420 · · Score: 1

      the allmans don't allow any sort of digital trading, only snail mail or in person, no FTP, no BT, no HTTP...

      --
      please me, have no regrets.
    3. Re:What? by fishbowl · · Score: 1

      One thing that surprised me was the way the Archive.org material tended to supersede other sources of the same shows, leading to an unfortunate monoculture. It's maybe subjective, for the most part, but if a show was found on Archive.org, it tended to be the only version of that show, even though 200 different masters are out there.

      This is a dimension that collectors understand, and the reason hand-to-hand trading is still an important part of the scene. For those who don't understand being a Deadhead, it's like trying to understand why someone is a baseball fan if they don't understand being a baseball fan. And trading Grateful Dead concert tapes is like trading baseball cards. Also, very difficult to understand the specific motivations, without being into it yourself.

      Archive.org did a good thing by making it easy to get some of the material, but it also did a disservice to the community by diluting the pool, and steering it toward monoculture.

      --
      -fb Everything not expressly forbidden is now mandatory.
    4. Re:What? by Braino420 · · Score: 1

      I wouldn't listen to DMB for free! and rizzo is right, Allman Brothers are strongly against giving their shows away.

      --
      They call me the wookie man, I guess that's what I am
    5. Re:What? by li99sh79 · · Score: 1

      It's not that the Allmans are against giving their shows away, it's that they are for establishing a sense of community through the distribution of their shows, and they feel that electronic methods like archive, bt, ftp are too impersonal. DMD used a similar justification when they had their shows removed from archive.org

      -sam
      --
      I was just here, where did I go?
  26. Donna the Buffalo by Anonymous Coward · · Score: 0

    Luckily, we have Donna the Buffalo which is a band with an enlightened policy.

  27. Thank you Grateful Dead by just_another_sean · · Score: 1

    As an old head from way back whose love of computers is only exceeded by the love of my family and my love of good ol' Grateful Dead all I have to say is thanks!

    I want to see these guys continue to reap the rewards for all they have accomplished in life and I will continue to buy as much of their material as they release. I love the digital re-mastering, the artwork, the liner notes and just holding something I know was created with love by their engineers.

    But, until it's released I want a copy that I can have in the meantime. I know from talking with fellow heads and reading up on forums and blogs that I am not alone here.

    This is a great move by the band and the merchandising/production folks.

    To Phil, Bob, Bill, Mickey and the rest thanks! Many worlds they've know since they first left home and I am glad I could and will continue be a small part of it.

    --
    Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
    1. Re:Thank you Grateful Dead by brewsterkahle · · Score: 1

      Exactly the thoughts of the volunteers and staff at the Internet Archive: Thank you Grateful Dead and its communities. Through a tough week I believe that everyone learned alot about community in the age of the Internet. We are all on some new ground here even though it still seems like the old tape trading. We can keep learning and growning through experiments like this if we dont descend into realm of lawyers or screaming matches. Please download or stream a show, post a review. They shows are pretty good! -brewster Digital Librarian, Founder Internet Archive

    2. Re:Thank you Grateful Dead by Braino420 · · Score: 1

      omg, your site rocks!

      --
      They call me the wookie man, I guess that's what I am
  28. Re:Forgetting the most basic right: property[OT] by LocalH · · Score: 0, Offtopic

    Fascist.

    --
    FC Closer
  29. is there any reason... by JimmyJava · · Score: 2, Insightful

    that they call them the "surviving" members? it's not like the're lynyrd skynyrd.

    1. Re:is there any reason... by NFNNMIDATA · · Score: 1

      survive
      v.tr.
      1. To live longer than; outlive: She survived her husband by five years.

    2. Re:is there any reason... by OctoberSky · · Score: 2, Informative

      Jerry Garcia (guitar/vocals): Dead
      Ron "Pigpen" McKernan (keyboard/vocals): Dead
      Keith Godchaux (piano/keyboard): Dead
      Brent Mydland (keyboard): Dead
      I am sure I missed someone.

      Note to self: Don't play Keyboards for the Grateful Dead

    3. Re:is there any reason... by fishbowl · · Score: 1



      >Note to self: Don't play Keyboards for the Grateful Dead

      Tom Constanten and Ned Lagin both are alive and well.
      TC answered mail from me, even apologized for taking so long since he'd had the flu.

      --
      -fb Everything not expressly forbidden is now mandatory.
  30. Re:Forgetting the most basic right: property[OT] by dada21 · · Score: 4, Insightful

    The federal gov't can if it can rationalize that drugs are an interstate concern.

    The Interstate Commerce clause is the most widely abused clause in the Constitution. It was originally provisioned so that the Federal government had a check on States abusing commerce between them. There was to be no taxation, tariff or other regulations in trade between States.

    The clause now extends the federal government numerous powers (DUI laws, speed limits, drug use, porn, Internet controls, telecommunications controls, etc).

    Reading up what the founding fathers intended isn't needed if you just read the text of the interstate commerce clause. It is also one clause I'd dump completely if I had a hand in Constitution version 3.0.

  31. Re:Forgetting the most basic right: property[OT] by drsmithy · · Score: 0, Offtopic
    I do not use drugs of any kind, FWIW.

    You don't even drink coffee ?

  32. Non continuing work... by BlabberMouth · · Score: 1

    so how should writers be compesated for the books they write? By performing readings of their works around the country?

    1. Re:Non continuing work... by dada21 · · Score: 1

      so how should writers be compesated for the books they write? By performing readings of their works around the country?

      Book signings and question-and-answer session are very lucrative. I just met with one of my favorite authors at a $50 a plate dinner and he did very well with only about 200 people showing up. He said he's going to do more of them as he makes more money than his book selling in borders (all 7 of his books have sold in Borders).

      Also, copyright-free books will STILL SELL. The average consumer likes the knowledge that the product they are buying is free of errors, bound in a high quality format, and returnable if there are problems. This is what the retailer does -- they are the middle man between a chaos of producers and a chaos of consumers. Producers don't want to go direct and consumers don't either. The middle man (retailer) does a great job making sure the content quality and form quality is high and makes sure the customer is happy. Nothing would change.

      Maybe bootleggers would appear all over Chinatown? Oh wait, they already do.

      Maybe works would be available freely for download? Oh wait, they already are.

  33. Long live bt.etree.org! by just_another_sean · · Score: 2, Informative

    If they don't have it archive try bt.etree.org, The Traders Den or FurthurNET. You may even get to talk to some cool chicks or hoopy froods... :-)

    --
    Creationist Textbook Stickers Declared Unconstitutional by CowboyNeal
  34. Don't let it hurt the memory of Jerry by dbmasters · · Score: 1

    Jerry was a gifted person with a great musical vision. Don't let his spoiled band members screw-ups wreck that memory, don't dis the band, dis the members that did it...

    --
    dB Masters
    1. Re:Don't let it hurt the memory of Jerry by cryfreedomlove · · Score: 1

      Perhaps Jerry would still be with us if he had not been hooked on heroin for so many years. Imagine what he could have accomplished if some of his best energies were not devoted to getting high. He was an admirable and talented man but he had his flaws.

    2. Re:Don't let it hurt the memory of Jerry by bhsurfer · · Score: 1
      True, but the same statement could be made substituting the names of Lenny Bruce, John Coltrane, Janis Joplin, Charlie Parker, Sarah Vaughn, Stevie Ray Vaughn, Ray Charles, James Brown, John Belushi, just about every English punk band ever, and all the countless other entertainers who were/are regular drug (ab)users.

      I don't think seeing them how the really were/are and accepting the good that they gave does them as large of a disservice as saying something to the effect that they "could have done better if they hadn't been stoned." Who knows, without getting high maybe none of them would have wanted to do anything at all...

      You're right about having flaws, but that's what makes them human. Tapping into that humanity is what makes them artists.

      --
      Those are my principles, and if you don't like them... well, I have others.
      Groucho Marx
  35. anarchocapitalism? wtf? by fantomas · · Score: 1

    anarchocapitalism? wtf? care to point me at some references? It sounds really scary - no authority, physical ownership is all. Does that mean the biggest scariest most violent thugs with the biggest guns rule and everybody else gets to be their slaves? who looks after the non-violent and physically weak? What would be the closest modern example? Somalia?

    1. Re:anarchocapitalism? wtf? by Eli+Gottlieb · · Score: 1
    2. Re:anarchocapitalism? wtf? by mitherial · · Score: 1

      "Does that mean the biggest scariest most violent thugs with the biggest guns rule and everybody else gets to be their slaves?" Yes

      --
      Foo?
  36. What's Happening by Anonymous Coward · · Score: 0

    In a related story, the Grateful Dead where arrested when they physically assaulted Freddy "Rerun" Stubbs after a 1960 Panasonic mono recorder that was concealed under his jacket fell on the ground during the concert when he got too excited. Says his friend Dwayne Nelson, "I said 'Hey' and they didn't stop, so I said 'Hey' again but they kept going. Finally on my third 'Hey' they got off of him." Rerun's friend Rodger Thomas was heard saying "This is Bullshit" to which his little sister Dee ran and told his Mama. Mama was arrested after beating the crap out of Rodger with a belt. Said Mama, "I was just enforcing the devils copyright over profanities!" After a 5 minute conversation between the police, the RIAA and a guy with Red horns, both Mama and the Grateful Dead were released.

  37. Re:Forgetting the most basic right: property[OT] by Anonymous Coward · · Score: 1, Insightful
    We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain inalienable rights, that among these are life, liberty and the pursuit of happiness. -- Some rich white guy.

    The "War on Drugs" is an abuse of Federal power (not authority as they have none in this area) as are nearly all the other things justified by controlling interstate commerce. Prior to the "discovery" of that ability it took a Constitutional Amendment to control what people ingest, and that was proven to be a bad idea that had to be repealed.

    Drugs are freely available throughout this country in that, anyone who wants drugs can get them. Therefore, the harm the drugs themselves cause is already with us. The additional harm we are suffering (gangs, drive by shootings, corrupt law enforcement and politicians, etc.) are a result of those drugs being illegal.

    This country existed with legal drugs of all sorts for several hundred years. Yet, somehow we not only survived, we flourished. Only with 18th Amendment did we get the organized crime we still suffer from today.

    You can get any drug you want, even in prison. As a result, it can be seen that in order to "win" Prohibition II we are going to have to ramp up law enforcement to the point where we are all behind bars and, even then, there will still be drugs circulating so total "victory" is impossible.

    The harm from Prohibition II far outweighs the obvious damage too. Suppose you are 19 year old from a low income area with some entrepreneurial spirit. You are trying to get ahead but you have no money, no job, no prospect of a job, and no credit. So you deal some drugs to get started.

    Unfortunately, you get caught so you have a felony drug conviction on your record. You are now officially unemployable at many places because you are an felon. You are unofficially unemployable at places that will not hire someone with a drug conviction. What are your options? Every path except professional criminal has been closed to you.

    So you embark on a life of crime and, since one crime is much like another, you no longer hold back from murdering the competition in drug wars. You're human so you have a kid but you get caught by the cops and go back to prison.

    Now your child grows up with the same disadvantages you had (the courts took all your ill-gotten gain) plus not having a father. And so the cycle repeats except this time more easily since the infrastructure for dealing drugs has grown thanks to your efforts.

    In the meantime, the rich and powerful buy their kids out of the court system with favors and the excuse "he's a good kid, he just made one mistake.

    I could go on and on with more examples of how the whole thing is wrong but I'll stop here. The drug laws in this country are so completely and utterly wrong and bad for us, I am always amazed when people support them.

  38. Re:Forgetting the most basic right: property[OT] by Reziac · · Score: 1, Insightful

    While the pharmaceuticals had most of the initial influence regarding which drugs are criminalized, in today's world, I've become convinced that the drug lords themselves are the primary motivators behind the 'war on drugs' -- after all, so long as drugs that are in high demand are also illegal, this keeps their street prices artificially high, and profits maximized. Legalize (and regulate and tax) these same drugs, their street prices plummet to market reality, and the drug lords' economy falls apart overnight.

    This is actually a pretty good parallel to filesharing vs the RIAA. If filesharing of these copyright-restricted materials was legal, the RIAA's distribution monopoly would lose much of its profitability.

    Naturally, those currently in monopoly/cartel control of profit channels wish to maintain maximum money flow in their direction, without competition from every yahoo with a patch of weed in his back yard or a broadband connection. But why spend your own manpower to crush competition when you can get the gov't to do it for you, at taxpayer expense?!

    [I also don't use drugs, but if you want to curdle your brain in the privacy of your own home, it's no skin off my ass. -- Interesting constitutional points you make.]

    --
    ~REZ~ #43301. Who'd fake being me anyway?
  39. Right to REPUBLICATION FOR PROFIT, not copyright by Morgaine · · Score: 2, Interesting

    so how should writers be compesated for the books they write?

    How about, by being the only ones allowed to publish their material for profit?

    It's not the act of private copying or private downloading that is inherently unfair for authors --- after all, each copy taken makes them better known, which is what all upcoming authors want. It's the act of taking their material and then selling it for your own personal gain without having done the work that the authors did that is inherently unfair. This applies to all media.

    The problem is REPUBLICATION FOR PROFIT, not copying.

    --
    "The question of whether machines can think is no more interesting than [] whether submarines can swim" - Dijkstra
  40. Lithuania remains grateful no matter what by Anonymous Coward · · Score: 0

    Eternal respect for Grateful Dead. The cause is http://sunpup.com/products/nfa_image.php?id=NF191A A.

  41. Re:Forgetting the most basic right: property[OT] by Curunir_wolf · · Score: 1
    The federal gov't's position is that regardless of how this is intended to be instate only, there is nothing stopping these drugs from eventually ending up out of the state and thus invoking the interstate commerce clause.

    To be honest, I don't know what side of this I belong on...

    Well, look at it this way: In the decision you are referring to, Justice Souter stated that federal regulation of the growing of a plant within single community, and given away (at no cost) to people in that community for private use within that community was justified as interstate commerce and a "legitimate excercise of federal power".

    Now, I ask you: given that definition, what activity could possibly be considered as NOT a "legitimate exercise of federal power"? Hmm? Does this mean that there are NO bounds at all?

    --
    "Somebody has to do something. It's just incredibly pathetic it has to be us."
    --- Jerry Garcia
  42. Boycott! by CharAznable · · Score: 1

    Simple solution. Don't go to any more Grateful Dead concerts! er...

    --
    The perfect sig is a lot like silence, only louder
    1. Re:Boycott! by Braino420 · · Score: 1

      You do know that 'The Dead' are still touring, right? So if you want to boycott those responsible you still can. But then you'd be missing out on Warren Haynes!

      --
      They call me the wookie man, I guess that's what I am
  43. Too much hash? by ||Plazm|| · · Score: 1

    Perhaps after all those years smoking, they had forgotten what their position was. All they needed was a reminder from the fans ;)

  44. Re:Forgetting the most basic right: property[OT] by Anonymous Coward · · Score: 0

    No -- I don't.

    Next question?

    I will say in the past I had...I also didn't believe in what I do today then. This is not hypocritical because it was a gradual change in which I decided these were not appropriate with my value set.

    Also as I have said, I believe folks should have the right to do as they please -- so long as it doesn't interfere with me. And this is where I'm conflicted...how much interference is a right to do whatever and how much is interfering with my own rights of not having someone elses habits effect me. I have admitted the conflict and I really don't know what to do about it...

  45. Wrong Wrong Wrong by CamelTrader · · Score: 1


    This article is out of date, and is just the sort of BS the GD PR men are trying to get dispersed. They have not reversed their position, rather, they've made allowances for a small portion of the songs hosted at at archive.org to be downloadable and the rest to be streamable. Now maybe you and I can rip a stream to mp3 but it's not in the regular joes vocabulary.

    This is bullshit, all of that music was made available by the band for the fans, and now the greedy bastards are trying to renege on the deal. Don't buy into this line of simple miscommunication, raise a fit until they allow it all back up.

    I don't even like the GD, but this is bullcraptic.

    --
    Your .sig is important to us. Please hold.
  46. Re:Forgetting the most basic right: property[OT] by publius_jr · · Score: 1, Insightful
    "...from someone who actually knows what he's talking about?"

    I.e., ...from someone who agrees with you.

    The logic which extends the commerce clause to home-grown, home-consumed marijuana would equally extend it to anything, even, as the late Rehnquist wrote in his recent dissent regarding CA-marijuana, quilts made as a hobby by little old ladies. And if the commerce clause is unbounded in its scope, why would its authors have included it in its present form. Would it not have been simpler, and certainly less ambiguous, to grant authority over everything to the Federal gov't? Or perhaps, that "someone who actually knows what he's talking about" doesn't really know what he's talking about, but is just a reciter of facts. Sure anyone can say, "The current interpretation of the commerce clause is that it extends to everything," just as their teachers taught them, and be deemed "right" by his conforming peers. But there was once a time when the commerce clause was limiting of the Federal gov't. Unfortunately, if we abide by the generally accepted principle of stare decisis, we will be stuck with this unconstitutional garbage forever.

    I agree with the grandparent. Action taken in line with current generally-accepted interpretation of the commerce clause is a violation of our constitution, & violation of our constitution is treason.

  47. there goes the illusion by ehrichweiss · · Score: 2, Interesting
    I should be used to this by now, having my ideals shattered but this is ridiculous. If it weren't for Phil in all this, I'd be selling all my Grateful Dead merchandise right now. As it stands I think I have some Mickey Hart CD's that I want to give away. Really.

    Bob, Bill, Mickey, I had great respect for you but now I think it's time you guys move on as it's gone now and there's really no way to get it back. Don't expect any sales of your collaborative works as I refuse to support you should you decide to try this again.

    Phil, be prepared for a rise in merchandise sales. You sir, show great integrity both in your music and in your belief system and for that you will be rewarded.

    --
    0x09F911029D74E35BD84156C5635688C0
    1. Re:there goes the illusion by dsgitl · · Score: 2, Insightful
      I don't get it. Your fandom is so fickle, that one week of bad news for you, and suddenly you hate the band? I can't believe the reaction I'm seeing from GD fans. For a long time, the Internet Archive and the Grateful Dead were freely GIVING away high quality show downloads. There were hundreds and hundreds of shows available for your collection and you had ample time to save each and every one. To this day, every single show is still available for your listening whenever you want.

      Morals established in the 1970s are, for the most part, being carried today. If the band really wanted to be pricks, they would find every single GD torrent site and shut those down too. It would be really easy to police GD downloads, and they choose not to. In fact, they are STILL encouraging the trading of GD shows. This isn't good enough for you? A lifetime of on-demand free material, and you still aren't happy? Give me a break.

    2. Re:there goes the illusion by ehrichweiss · · Score: 1
      Think of it as if you had video showing Mother Teresa beating starving children with a broomstick. No matter how much good you think she did, you have that image stuck in your mind. Would you still want to give her money or would you give to her friend, who you saw stop the beatings and who also has an organization to help children?

      Now, is it really fickle fandom or are 3 members of the band being fickle? Deciding to support someone who continues to share your vision isn't being "fickle"; deciding to remove recordings and then deciding to restore some of them after receiving backlash IS fickle.

      All of the shows are available for download but not all of the pristine recordings of those shows. So it's not quite the same. Listen to your CD's with earplugs on shitty speakers. Same thing to me.

      Morals of the 70's!?!? Give ME a break. You mean the same morals that taught that "free love" really means free sex? Or maybe the morals that turned the yippies into yuppies? Or sold rock and roll not to the devil but to corporate America? Yeah, we need more of those to make sure we have no more depth to us than a piece of paper.

      --
      0x09F911029D74E35BD84156C5635688C0
    3. Re:there goes the illusion by dsgitl · · Score: 1
      Eh...Mother Theresa locked up the infirmed so they could suffer without doctors' attention or medicine. She encouraged suffering as a way to be closer to God. She provided a place for people to die with pain. Phil Lesh might actually be a better person.

      The Grateful Dead played music for a while until itsfounder fried his brain. They have rabid fans who are completely over-the-top in their devotion. Their music is widely and easily available for even the most casual of fans, last week's events nonwithstanding.

      In any event, I think you may be overreacting.

    4. Re:there goes the illusion by DreadfulGrape · · Score: 1

      Illusion indeed!

      The portion of the Dead's fanbase who are obsessed over this issue may believe they speak for all deadheads. They do not. Most fans of the group are perfectly willing to pay plenty of $$ for reliable, well-packaged vault product (downloadable or otherwise).

      Witness: Earlier this year, the band offered for pre-sale a massive boxed set of four consecutive 1969 Fillmore West concerts, considered by deadheads to be among the "best ever" run of shows. Even though the band, at that time, barely had enough repertoire to cover two nights, let alone four, the limited-edition run of 10,000 boxes was an immediate sellout.

      A couple of weeks ago, when the packages finally started shipping, the resale value on eBay QUADRUPLED the orig. list price (from $100 to $400, approx.)

      Precisely what to do with the vault material has long been a bone of contention between Bobby and Phil, but clearly, the vault is the goldmine, and to the extent that the massive concert soundboard library on archive.org was diluting that product, well, it makes sense to me.

      I'm a deadhead (as if you couldn't tell by my /. username) but I'm also a capitalist. It's naive to think the Dead somehow are not, or should not be. Phil can continue to release his Phil Lesh 'n' Friends shows for free (which we love!), but he's gonna lose this battle.

      --
      sig has been sent away for a few small repairs...
    5. Re:there goes the illusion by ehrichweiss · · Score: 1
      I have no clue what relevance the first part of your message is supposed to bear but..ooookaaaaaay... I also never said once that I spoke for all of the fans of the Dead. I hope it wasn't your intention to make me look as though I am. However 5,500+ signatures collected on an online petition means I'm not remotely alone and I can imagine that since this only took a week, you'll likely find your numbers are gonna be way off.

      How can Phil lose a battle that the Dead had been winning all this time? Who is more powerful in this situation, the Grateful Dead, or their fans? They'd be Nowheresville without their fans. Piss them, even just SOME of them, and you lose.

      --
      0x09F911029D74E35BD84156C5635688C0
    6. Re:there goes the illusion by Skjellifetti · · Score: 1

      I've seen 50 or 60 shows since the mid-70s and bought every piece of vinyl they released. And I've stopped buying their stuff. Not because of this little kerfluffle, but because I've got a wife and kid to support and now I'm faced with buying Harry Potter tickets at $18-21 for the family or another Dead CD/DVD at $18-21. The other day I was at Best Buy and found a Pink Floyd movie (the Roman amphitheater flick) and a couple of Monty Python movies for $7 ea. The Dead have simply priced themselves out of the market.

      But I also sympathise with the Dead on the merchandise copyright issues. Years ago I sold bumper stickers on tour ("Jerryatrics Ward - Visiting Hours: From when they come to call on you 'til we all fall down"). I did a high quality production run with really good ink and vinyl and sold out pretty quick. A year later I ran into some kid selling an identical sticker except that he'd used the cheapest ink and paper he could find. This is one of the reasons for maintaining copyright on logos and such. It allows the holder to keep some control over quality.

    7. Re:there goes the illusion by DreadfulGrape · · Score: 1

      Easy there, magical dude... I was not refering to you in particular. Sorry if my point eluded you, but it can be boiled down to two bullets:

      1- there is a significant market demand for the Dead's vault material, and

      2- to the extent that archive.org became basically a giant Grateful Dead music store where everything was free, this reduces the value of the vault music GDM is selling now, and will sell in the future.

      I don't see what's so hard to understand about that.

      p.s. your website appears to be broken.

      --
      sig has been sent away for a few small repairs...
    8. Re:there goes the illusion by ehrichweiss · · Score: 1

      "p.s. your website appears to be broken." Yeah, rebuilding the server software right now. Migrated to my SGI and voila, my scripting software breaks.

      --
      0x09F911029D74E35BD84156C5635688C0
  48. Re:Forgetting the most basic right: property[OT] by Scrameustache · · Score: 1
    I do not use drugs of any kind, FWIW.

    No cofee no beer no cough syrup, tea, aspirin or skin creams?

    Or did you mean "drugs" as in "prohibited substances"? And not as in drugs?

    /pet peeve

    --

    You can't take the sky from me...

  49. Re:Forgetting the most basic right: property[OT] by tdemark · · Score: 2, Funny

    I hate drugs and I think that even the harmless ones end up being a gateway

    For some reason, any time someone says something similar to this, I always envision them with a cigarette hanging from their lips and a cup of coffee in their hand.

  50. nerdy christian joke by cbreeze34 · · Score: 1

    i used to be in a band called "the quick". always thought it would be funny to open for the dead, if only because of the flyers we could print.

    --
    using anti-bacterial hand soap is like drying your feet in the middle of a shower.
    1. Re:nerdy christian joke by Anonymous Coward · · Score: 0

      Quicksilver Lightning used to open quite frequently for the Dead back in the day (mainly their early shows in late 60's San Fran). And yup, the posters would say, "The Quick and The Dead".

  51. Glad it's back - for music education! by pbooktebo · · Score: 3, Interesting

    I have used this archive on archive.org of Dead music with my students. I'm interested in teaching students not only that downloading music can be illegal, but that much content is completely legal (as well as free and open source/Creative Commons, etc.).

    The Dead music has one of the clearest statements that non-commercial sharing of their live recordings (save a few dates that were listed in the agreement) is legal, and I like to have my students make a mix CD of great tunes, with liner notes, etc. Fun, legal, and the music is also interesting to talk about.

    I was truly disappointed in the news initially, and think that this is an acceptable compromise.

  52. The best of both worlds! by borawjm · · Score: 1

    I for one welcome slashdot.xxx! Porn and slashdot on one site.. I'd be set!

    1. Re:The best of both worlds! by borawjm · · Score: 1

      err how'd this get here... I must still be drunk ;)

  53. Re:Forgetting the most basic right: property[OT] by publius_jr · · Score: 0
    'Given that definition, what activity could possibly be considered as NOT a "legitimate exercise of federal power"?'

    None, as you suggest. The late Rehnquist wrote, in his dissent of the CA-marijuana case, that even quilts made as a hobby by little old ladies would be, by the majority's opinion, regulate-able. Certainly one of those quilts could be given to one of the ladies's grandsons, who would then be out of the market for commercial quilts, diminishing overall demand, & hence affecting the interstate-commerce of quilts. It is not even necessary for the grandson to be out of state, or even for the lady to give it away. By merely increasing the supply of quilts in the world, and as long as quilts are sold legally or illegally across state lines, the little old lady's hobby is federally regulate-able. If this is not reductio ad absurdum, I know not what is.

  54. Re:Forgetting the most basic right: property[OT] by amarrero · · Score: 2, Informative

    The Commerce clause is also the reason why states and private business cannot discriminate because of gender and race. The Commerce clause is also one of the main reason for the economic development of the United States. A study of the history of the Commerce clause is a study of the history of economic development in the United States. Therefore, I would leave the Commerce clause in Constitution 3.0 unless you want to go back to having separate facilities for persons of difference races.

    Certainly, Congress has overextended itself in using said clause in its legislation (like regulating guns around schools, which was revoked by the Supreme Court), and the Supreme Court has historically given Congress lots of leeway in this regard.

    However, in the past decade, the Supreme court has changed it's stance on the reach of the Commerce clause. No longer can Congress simply said "Commerce clause," it now has to demonstrate a more direct link (mere numbers are insufficient). The Rehnquist-led US Supreme Court was certainly pro-States and I don't believe that will change now that Roberts is the Cheif Justice and with another conversative judge likely to succeed Justice O'Connor. See http://en.wikipedia.org/wiki/United_States_v._Lope z and http://en.wikipedia.org/wiki/United_States_v._Morr ison as evidence of said reversal.

  55. Re:Forgetting the most basic right: property[OT] by wytcld · · Score: 1

    You're using "commerce" in the modern, commercial sense. It's like using "intercourse" just to mean sex. Both "commerce" and "intercourse" meant all sorts of human interactions, not just those that we today would call strictly commercial or strictly sexual. If you look into the research into what "commerce" meant at the time of the Constitution -- both to the general public and specifically in the Founding Fathers' other uses of it -- you'll see that it wasn't at all limited to what we call commercial trade. They meant it quite broadly. You may disagree with them, but playing on the modern use of a word rather than its contemporary one is not a legitimate way to discern the original intent.

    BTW, I agree that drug laws abridge inalienable rights, specifically to privacy and freedom from unreasonable search and seizure. Nor does the privacy right have to be "in" the Constitution; it was assumed as a background truth by the founders, as something so obvious as to not need enumeration. Without the right to be privately about your life, no other right means much anyway.

    --
    "with their freedom lost all virtue lose" - Milton
  56. bt.etree.org by ackdesha · · Score: 1

    Many taper friendly bands choose to not allow their shows to be posted to the live music archive.
    See the list of those that have opted out here (after the accepted and pending list):
    http://www.archive.org/audio/etree-band-showall.ph p
    Phish is a good example. They do allow fans to trade their recordings on bt.etree.org as well as other places. You can buy soundboards from their website. I don't think that makes them greedy or in the same class as metallica and others.
    That said...the dead archive on etree is just amazing and I hope it stays. I encourage anyone that hasn't ever got the dead to download some of the higher rated shows and give them a chance. Great music to code to.

  57. Japan news by owlnation · · Score: 1

    At a tangent to this story but related to Recording Industry Ass. of America issues.

    CNET is reporting that plans for an iPod tax have fallen through in Japan.

    http://news.com.com/Plan+for+iPod+tax+in+Japan+unr avels/2100-1041_3-5980004.html?part=rss&tag=598000 4&subj=news

    This seems to be pushed through by "industry insiders who work for corporate interests at the expense of consumers" I think we may all guess which corporate interests are being alluded at.

    Strangely, I don't recall this tax being suggested when the $Sony$ Walkman first came out...

  58. To protect you against imposters, etc. by charnov · · Score: 4, Interesting

    Copyright helps protect the owner from several bad things including: keeping someone else from modifying your work in a way you do not want it to be and then attributing it to you (What if someone changed Schindlers List to be favourable to the Nazi's and then stamped Speilbergs name on it? It's copyright law, among others, that protects against this. In most of Europe, the original copyright owner cannot give up his right of "creative control" although in the US you can sell that right and it is usually demanded), knockoffs and forgeries (I am all for sampling, etc. and so are some copyright holders, but full fledged forgeries are out and out stealing. It takes a lot of work and money to make a brand or name, etc. and when someone co-ops that for financial gain, it is theft of real value.)

    If you want to go after someone about how screwed up copyright laws are (especially in the US but it is having a viral effect accross the pond), then go after Congressmen and the lawyers egging them on. I like the idea put forth by a Judge in Canada (sorry, can't remember my source to cite) where he proposed limiting the length applied (it used to be 28 years max here) and change copyright to fall under tort rules. Meaning that you could never really criminalize it. Tort law litigation would mean that a plaintiff would actually have to prove they were legally "wronged" and further prove real damages. The only results would either be an order to stop the injurous activity and/or monetary damages. None of this "you will go to jail if you copy that CD" BS. I think that makes a whole lot more sense than the pseudo-criminalization we have now.

    --
    [RIAA] says its concern is artists. That's true, in just the sense that a cattle rancher is concerned about its cattle.
    1. Re:To protect you against imposters, etc. by Anonymous Coward · · Score: 0
      What if someone changed Schindlers List to be favourable to the Nazi's and then stamped Speilbergs name on it?
      Thomas Keneally would possibly find it very very funny, and a more than a little ironic?

  59. Re:Forgetting the most basic right: property[OT] by Politburo · · Score: 1

    The clause now extends the federal government numerous powers (DUI laws, speed limits, drug use, porn, Internet controls, telecommunications controls, etc).

    DUI and speeding is not governed by interstate commerce. The transportation funding bills contain provisions that restrict funding to states who do not set DUI/speeding guidelines that the feds agree with. This is called "The Power of the Purse". No speed limit? No federal dollars. Ouch!

  60. The Dead == The Man by Doc+Ruby · · Score: 2, Interesting

    "The site will restore fan-made recordings; however, the more pristine soundboard recordings will remain off-limits for now."

    That article is full of PR - known to Deadheads as "BS". The band has not reversed its decision: they are keeping the soundboards off Archive.org, just like they originally did. Obviously their lawyers told them it would be much harder to control audience mic recordings that they sanctioned, which they authorized people to make, and which people likely own their own copyrights on.

    Phil Lesh, the best musician (bass) in the band after Garcia, and long the innovator in their archives, said " "I was not part of this decision-making process and was not notified that the shows were to be pulled". This is the guy who instigated Grefolded, probably the best production of GD recordings, and also the only post-GD performer consistently worth seeing (if you're into that kind of thing). Not only did the band change their policy against his own, but they didn't even ask or even notify him that his "legacy" was now interrupted.

    David Gans, professional Deadhead (selling "official" Deadhead books and ads on his Deadhead radio show), spewed doubletalk:

    '"First of all, when Jerry said that...tape trading was an important aspect of life in the Deadhead community. It was a one-to-one affair, for the most part...largely a manifestation of our love for the music and our desire to enlighten the world and turn our friends on.

    "That is a far cry from what is happening now. The Internet Archive and all the other online distribution sources are high-speed, mass-distribution systems that make the best quality recording available to all who know where to look for them. That is a good thing, of course, culturally--but there is an economic element to this that must be taken into account."
    '

    Even as he admits the Archive.org soundboards are "good culturally", he introduces his own vested interest opposing that culture: the "economic element" that appears nowhere in Garcia's original policy, or anywhere in the love for music or desire to enlighten the world or turn friends on. FWIW, Gans never respected archives except when he could profit from them. The archivist of Bill Graham Presents (long their show producer in the SF area, NYC and beyond) was shocked to find that Gans, after being left alone with the BGP archive of GD material (photos, posters, letters, etc), had cut them up and stolen a lot of irreplaceable material, to make his 1980s book. This guy doesn't care about the legacy, the archives, the music, or anyone else's access to it, except after he has taken his cut, regardless of the damage he does.

    The fact is that the Grateful Dead lasted a lot longer than anyone expected: 30 years. Along the way, lots of people got a ride on the gravy train. The Dead's commercial recording releases were never that good, never made them as much money as their neverending tours. They mismanaged most of their careers, paying for a huge, fun extended family that required 200 performances a year for decades, rather than creating a self-perpetuating system to profit off the vast audience that has outlived the band (and several of its members). Free distribution among fans kept the dream going, promoting music that the music industry, including the band, never could promote commercially. Deadhead traders have always been at the forefront of field recording, reproduction/remastering, the Internet itself, as well as psychedelic frontiers for which they're better known. But now that the drummers and some hangers-on can't sell tickets to their shows, haven't invested their totally unexpectedly profitable youth in sustainable champagne and caviar for their old age, they're grabbing at any profits they see dancing away. They have become just like the rest of the poser hippies-turned-yuppies who lied about seeing them at Woodstock. Too bad they're trying to fight the Internet they helped create: just another gang of Baby Boomers who won't even be noticed as the Net drives over their carcass, roadkill on the Info Superhighway.

    --

    --
    make install -not war

    1. Re:The Dead == The Man by digitaldc · · Score: 1

      Yeah 'the man' in some respects, but if Jerry were alive today, I doubt he would mind anyone sharing his music. The Dead made millions after 1987...this seems to be the tipping point. The youthful idealism of the 60s and 70s is gone. Once artists grow older and have kids, their views on the world start to change, including views about money and their music as a business, not a hobby.

      I would like to know what the band members think, why they are so torn up about this? Is it them, their lawyers, or both? Do they feel they are being cheated? Did they care about profits in 1975? Was the song 'Money Money' really necessary? Okay, that last question was just my own curiousity.
      --It's only bucks, you don't need no jack.
      --So won't you please relax and lay way back.

      --
      He who knows best knows how little he knows. - Thomas Jefferson
    2. Re:The Dead == The Man by Doc+Ruby · · Score: 1

      Jerry apparently was pretty sick of the old gang by the time he "got tired of living" - see the "candid camera" scenes in "Grateful Dog". And with these revealing looks at Hart and Kreutzmann, grabbing back recordings preserved and traded in the community with their (at least tacit) approval for decades, it's not hard to see why. Hart has been stone deaf for years, and Kreutzmann has been a sourpuss for longer - phoning it in even longer than that. Lesh's true colors obviously haven't faded. I wish Jerry had mustered the "harshness" to get off the bus along with Phil after they flogged all their old songs in 1990-3. They'd still be making fresh music, judging from Lesh's performance I saw last week. And the dream could have kept busy being born, instead of working hard at dying.

      "Please don't dominate the rap Jack
      If you got nothing new to say
      If you please don't back up the track
      This train got to run today

      Spent a little time on the mountain
      Spent a little time on the hill
      Heard some say better run away
      Others say you better stand still

      Now I don't know but I been told
      It's hard to run with the weight of gold
      Other hand I heard it said
      it's just as hard with the weight of lead

      Who can deny? Who can deny?
      It's not just a change in style
      One step done and another begun
      In I wonder how many miles?

      Spent a little time on the mountain
      Spent a little time on the hill
      Things went down we don't understand
      But I think in time we will

      Now I don't know but I been told
      In the heat of the sun a man died of cold
      Do we keep on coming or stand and wait
      With the sun so dark and the hour so late?

      You can't overlook the lack Jack
      Of any other highway to ride
      It's got no signs or dividing lines
      And very few rules to guide

      Spent a little time on the mountain
      Spent a little time on the hill
      I saw things getting out of hand
      I guess they always will

      I don't know but I been told
      If the horse don't pull you got to carry the load
      I don't know whose back's that strong
      Maybe find out before too long

      One way or another
      One way or another
      One way or another
      This darkness got to give
      One way or another
      One way or another
      One way or another
      This darkness got to give"

      - "New Speedway Boogie", The Grateful Dead

      --

      --
      make install -not war

    3. Re:The Dead == The Man by davidgans · · Score: 1
      First of all, this -
      The archivist of Bill Graham Presents . . . was shocked to find that Gans, after being left alone with the BGP archive of GD material (photos, posters, letters, etc), had cut them up and stolen a lot of irreplaceable material, to make his 1980s book.
      - is false. I never went to the Bill Graham archives in search of material for my book. You've got me confused with somebody else.

      As for the rest of your screed, I've got a lot more to say on the subject at http://playback.trufun.com/

      Nothing like a little anonymous character assassination to liven up yer weekend.

      (P.S. if you like Grey Folded, you might be amused to learn that I helped John Oswald to make the deal for that project and consulted with him extensively as he created it. I agree that it's a fine piece of work. You might even want to ask Oswald to vouch for my character.)

    4. Re:The Dead == The Man by Doc+Ruby · · Score: 1

      Well, you deny it, but Jim Olness told it to me directly in those archives when I visited him, as we were casual friends in the late 1980s and early 1990s. I mentioned your name innocuously, and Jim told me that little story. Since you deny it, I'll refrain from repeating it until I ask Jim sometime to corroborate or revise his story. If Jim made it up, or I somehow got facts wrong after 15 years, I apologize - because I probably won't get a chance to do so knowing that I repeated something false about you, if in fact it was.

      As for Grey Folded, I do indeed like it - I'm glad an outsider had access to such complete, high quality archives to produce such remix. I note that closing those archives to the public makes such further work less likely. I also like John Oswald's other work, which I've seen him perform on saxophone and heard in recordings. If I get a chance to talk to him again, I'll ask him what he thinks of Jim's story.

      But what have you got to say about the subject at hand? I mentioned that story because it seemed to resonate with the context of your own proprietary attitude towards archive contents. I understand your defense of the "economic element" which favors your inside career by restricting access to the soundboards. But how can you tack that on to the "good [..] culturally" value of the love of music, global enlightenment and turning on friends you mention? Sure, there are ways to make money from the music, as the band did when they performed it, sell various recordings, and all the other commerce supported by the live show traders throughout the years. But nothing in the value of those Deadhead exchanges is supported by the "economic element" that equates to the careers you and the members of the Dead have had, enabled by exactly that enlightened policy on recordings. Now that only Phil is making money off making music, it's an interesting coincidence that the lines of apparent greed break down in exactly that way. It's also interesting that Phil's book describes how poorly the band organization managed their success and large money intake. Essentially generating a large group of people dependent on the income of a small group of talented hard workers, unreasonable to expect to last for even the 30 years of actual musicmaking. Now that the money is thinning, just as a music is becoming as part of the American folk heritage as was the music the band rightfully appropriated when they started, the greed and desperation is becoming evident.

      In your blog you complain about the "entitlement" crowd - which sounds a lot like you, who never made any of the music we're exchanging, who has made a career from a fun radio show and some books. Maybe Deadheads think we're "entitled" to the recordings that the Dead either sanctioned or allowed for decades, the exchange of which they relied on for the promotion that neither they nor the rest of the music business could muster.

      I do appreciate the spotlight of irony I've somehow earned, when I get to point out to a member of the GD family that the soundboards are already in circulation - too late to close the barn door. That this move only creates a profit motive for commercial distributors of the soundboards, who actually do compete with GDP for finite dollars available for GD products. That the blow to the GD image, especially in such a central part of the GD actual existence now, will hurt the market, and make other music more attractive to the buying public. The genius insight into the mutually supporting relationship between band and fans in Jerry's famous pronouncement "after we're done with making it, people can do whatever they want with it" (paraphrase) was good enough to inspire generations to love the Dead's music, as well as buy lots of it. Thanks for the chance to explain that wisdom to an established member of the last generation with the insights of a free younger person. I feel like I just dosed Kesey.

      BTW, who stole the "hammer and tong" comment in your blog from whom: you or Barlow? Or is it just serendipity, or some kind of lateral flashback?

      --

      --
      make install -not war

    5. Re:The Dead == The Man by davidgans · · Score: 1

      I know James Olness very well - I have served on a nonprofit board with him for many years, for one thing - and I seriously doubt he would have told you this story ABOUT ME because I am pretty sure he knows I have never been into the BG archives. He worked there for many years, although I don't think he was there n the time fframe of your accusation. There are two other authors who I know did spend time in that archive in the early '80s, but it's not my place to name names here. But I assure you I have never been in the BGP archive - that's NEVER; shall I say it again? - so I couldn't possibly have done the damage you refer to. You write: I note that closing those archives to the public makes such further work less likely. But the GD archive has never been "open to the public." It was a major thing indeed that John was allowed to do what he did in there, and you can be sure there was grumbling among the usual suspects even as he did his copying in there. And there was more than grumbling when I was going in there to get music for the radio show, for which I had a written contract with the Grateful Dead (not that the crew and studio staff gave a shit). As for the rest, I've been typing and typing and typing on this subject for a week now, and I'm sick of thinking about it. I'm also sick in bed at the moment, which makes me even less interested in spending any more energy on it at the moment. And as for the rest of your surmises and speculation about my character, I've written extensively about that on my blog and I'm not going to repeat it all here. I know it's the American Disease to operate with no regard for anything but one's own self-interest, so it's safe assumption - and in Deadland, there are tons of peple who pursue their own interests and pretend they're doing the bigging of the collective - but my perspective, neither "insider" not "outsider," but a little of both - is unique and not as purely self-serving as you appear to believe. I've paid dearly for my access, and I've also put a ridiculous amount of music from that vault into public hands - and not just on the radio, either. I tend not to make a big deal about it, because I spent enough time dodging the Yard Dogs of Front Street that I had and have no interest in enraging them further. I continue to marvel at the ability of various people to impute foul motives to people they've never met. And I still can't figure out how I get to be a bad guy for having written well-regarded books about this music and turned unknown numbers of people on to the Grateful Dead. At this late date, I've seen and smelled and eaten more shit in this weird little universe than you could heap on me with a hundred shovels, so it really doesn't matter to me wither you believe me or not.

    6. Re:The Dead == The Man by davidgans · · Score: 1

      Sorry about the formatting. I'm new to this place; I'll make it more readable the next time I post, if there is a next time.

    7. Re:The Dead == The Man by Doc+Ruby · · Score: 1

      Well, as I said, Jim told me that himself. You can scramble to dispute even the simple facts of Jim's tenure during that timeframe, then accuse me of speculation and shoveling shit on you. I have made the responsible decision to accept your denial until I can challenge Jim with it, which is an indefinite timeframe. Likewise for Oswald - what else can I tell you? Chant your denial as much as you like; I already told you I would exercise appropriate discretion now that you've taken the time to address it.

      But I'm much more interested in your defense of (some of) the Dead's new policy: "they now want to remove all Dead music from the Web" (Barlow). Sure, you had a contract for commercial radio broadcasts of the Dead's music. And I've only complimented you on what the public has gotten from your lucrative, fun and chosen career, especially considering how much total bullshit comes with any job in the music business. I haven't called your motives "foul", though they do seem selfserving - both at first, and now with your defense, which doesn't address the central issue which I'll repeat again. You can wave around the "American Disease" of unmitigated selfinterest, with its cute "I'm in the collective" accessory, but you have stood up to defend the monetizing of noncommercial recordings to which of course you will continue to get your customary access. I'm sorry to hear you're sick, that you've sacrificed so much to get on and off the bus whenever you like, but you have to defend the obviously selfserving comments you've made that strike at the heart of the community which is most of "the Grateful Dead" at this point. Invent whining about someone calling you a bad guy for your books and publicizing the music all you want, but of course that does nothing but undermine the credibility you've done nothing to service, though you've had such ample opportunity - including this thread.

      The GD archive as you apparently think about it hasn't been open to the public, but the "archive" to which I refer is Archive.org. Which is now forced underground - where the actual profiteering bootleggers will exploit Deadheads where that was not possible before. You can ignore that simple dynamic, which I'm sure you understand - it underlies the entire success of the entire business that is your career, if not your life. But you ignore it at your peril.

      You might not care, but I do care to understand how you could rationalize your stance. It's clear that you can't. All you've got is a load of distractions, guilt-tripping, and gloating - the doubletalk I first referred to. In the report we're discussing, in this thread and on your blog. Thanks for the memories, and no thanks for your part in the tainting of one of the Dead's greatest contributions to the culture they helped create. You might be sick of it, but you're going to have to live with it, and your rationalizations, for the rest of your life. Maybe Lesh can explain it to you, since you ignore my words: I'm just a Deadhead, just about a hundred shows to my credit, just a few dozen people whose lives I "turned on" by pointing them at Archive.org. I miss Jerry.

      "Let there be songs to fill the air."
      - Ripple, The Grateful Dead

      --

      --
      make install -not war

    8. Re:The Dead == The Man by lennyb · · Score: 1

      "...which sounds a lot like you, who never made any of the music we're exchanging."

      Actually, as far as I'm concerned, David _has_ made some of it. For one thing, if it weren't for his coaxing the individual members of the band to get up and play together after Jerry died, I'm not sure that "The Dead," would exist as it now does (or how long it would otherwise have taken them to reunite). Before there was Phil Lesh and Friends, there was "David Gans and Friends," featuring special guest Phil Lesh. That was where Phil was first teased into singing "St. Stephen."

    9. Re:The Dead == The Man by davidgans · · Score: 1
      but you have stood up to defend the monetizing of noncommercial recordings
      I have done no such thing.
    10. Re:The Dead == The Man by Doc+Ruby · · Score: 1

      "The Internet Archive and all the other online distribution sources are high-speed, mass-distribution systems that make the best quality recording available to all who know where to look for them. That is a good thing, of course, culturally--but there is an economic element to this that must be taken into account."

      --

      --
      make install -not war

    11. Re:The Dead == The Man by Doc+Ruby · · Score: 1

      You might be swapping "David Gans and Friends" soundboards. But I'm not, like practically all of us. So none of the music we're exchanging was made by Gans. FWIW, the soundboards of Gans' bands are still up on Archive.org . Because there's no market for them. Without the free distribution, Gans wouldn't have the marketing, the same audience, make the same money off the stuff he can charge for.

      --

      --
      make install -not war

  61. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    Actually, no, it is not why business "can't" discriminate. The Civil Rights Act, passed in the 1960's, says that we *must* discriminate, to give additional privilege to groups that are decided to be disadvantaged. That act might have been possible due to the Commerce clause, but the clause was not what requires it. There was also that whole amendment to the Constitution that guarantees voting to everyone, and makes any form of poll tax illegal.

    There is no reason to prevent a business from refusing to hire based on race. They would be shaken down in the market, since they would not be hiring the best people. What we've had since passing the Civil Rights Act is that people use their race to get privilege over others. Look at how ridiculous school aid is, or the quotas for different races and genders. Look at how hard it is to fire something if they are female or black, etc. This is not a good thing.

    The people pushing for the Civil Rights Act wanted government to be barred from making any law giving favor to a race over another. Instead, they got a law that required it.

    Realistically, you would not have segregation in the US today. People by and large don't care. You may have private individuals exercising their right to freedom of association in some cases, but that's all. It is disadvantageous to business to hire based on race or gender; that includes "giving a change to disadvantaged groups".

  62. Obligatory by shutdown+-p+now · · Score: 1

    I, for one, do not welcome our Ungrateful Undead overlords.

  63. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    It does not really make sense for them to have giving the Federal the ability for such broad powers. They were trying to keep the Federal small, and this is contradictory to doing so.

    For other examples of that which we've destroyed in the last hundred years, we used to have State representation in Congress (removed via 17th amendment), and we limited the taxation of the Federal to excise and tariff (removed via 16th amendment).

    The intent was to keep the Federal small so that it could not exert more than minimal force over the States and citizens.

  64. Monetizing your goodwill by Eadwacer · · Score: 1

    So the Dead built up a huge amount of goodwill with their policies. Goodwill can be converted into money, just like anything else. Some of those with a financial interest in the remains of the Dead have decided that this is the way to turn that goodwill into money. Greed, or good business sense? You decide.

  65. Hippies by ThurstonMoore · · Score: 0, Troll

    Hippies suck.

  66. Re:Forgetting the most basic right: property[OT] by stinerman · · Score: 1

    nowhere in the Constitution do I see any allotment for the Congress to control, regulate, criminalize or even define drug use

    In fact, an amendment was needed to prohibit the production of alcohol. Somehow an amendment was not needed to prohibit marijuana, cocaine, heroin, or even caffeine.

  67. Music lineage at question (Public License)? by westyvw · · Score: 1

    All of the shows put on Archive.org were put there by the fans. Many of the shows had gone through several lineages such as a a cassette tape made from a patch at the soundboard then transferred to another cassette then edited using an audience patch for dropouts then to a lossless format. Thousands of hours had gone into preserving and restoring and deducing lineage of these shows. Many times, the dead themselves did not have a copy at all, having lost/broken/misplaced/ never recorded in the first place.

    So: How do you decide WHO owns that multigeneration, edited, fanbase cataloged (yes the Deadheads have a system that keeps track of all the lineages, the tapers, the recording equipment used, the show dates, diginoise intriduced. etc. etc.), hand passed around long before the internet, show?

    More importantly, if you upload that to a website with the intent to share it with others following a policy by the band and by the website, does this band have the right to take that away, claim its thiers, and then sell that back to you?

  68. A 300 show veteran. by purplewolfhound · · Score: 1

    As a veteran of 300 real dead shows (all with garcia) all i can say is that my heart is aching. I don't listen too much anymore, and i don't download. Those years were amzing, confusing, scary and sometimes depressing, but always the best. Its just sad that the dream is nothing left but shattered remnants. If you get confused, Listen to the music play. Garcia-Hunter

  69. Debra is NOT a "surviving member" by fishbowl · · Score: 2, Interesting

    The "surviving member" is nobody but the woman who inherited control of the trademark and partial interest in the songwriting and performance rights.
    Nobody in the band can stand her. She's why they started performing as "The Dead", so separate themselves profesionally from what was left of the management organization that found itself under control of Garcia's widow.

    Archive.org got threats and responded to them, but Phil didn't know this was going on. See, Phil actually has the right to permit this material to be distributed, and he's not too happy about someing going over his head, essentially, abridging his own rights as one of the artists involved. I predict this incident will have the effect of reducing Debra Koons' influence again, and also, another resource for this material will manifest, better than Archive.org was, perhaps under control of someone like the Rex foundation, or someone like that who won't be disposed to cave in the first time they get a letter from a lawyer.

    Personally I think Archive.org should have insisted on a court order, since they have powerful enough allies who have equal claim to the distribution rights of this material.

    --
    -fb Everything not expressly forbidden is now mandatory.
  70. John Perry Barlow also co-founded the EFF by guanxi · · Score: 1

    An important bit of context: John Perry Barlow co-founded the Electronic Frontier Foundation.

    His position on the issue shouldn't be surprising.

  71. Re:Forgetting the most basic right: property[OT] by Anonymous Coward · · Score: 0

    Thats because usually folks like this understand what a gateway drug is -- and its hard enough to give these up without even going for the harder stuff.

    As the original poster to which you are responding -- Coffee? Gave it and all other caffeen drinks a long time ago...and then came back to them -- not because of the caffeen, but because of the flavor. I go long stretches with just water as well. I've never heard anyone that smoked claim without a laugh they only started smoking because of how it tasted and smelled -- or they wish they could get all the flavor without the nicoteen. Never smoked, obviously. Filthy habit. I don't like the taste of coffee -- its pretty much solely a vehicle for go juice. I like tea...had a white tea the other day -- almost naturally decafinated. Same with the red (roboos) teas...drinking a coke right now, but if they had decafinated, I would have grabbed that. Point is, I don't drink to get anything other than taste.

    But why is it so hard for folks to realize someone can hold a belief without being a hypocrite. Is it because you live in the US where 99% of all people are hypocrites? Christians that think the death penalty is a fine institution and gun ownership is what the lawrd wants? Leftists that hate the death penalty as barbaric, but have no qualms about hacking up a third trimester child and sucking its brains out of a womans wombs? We get upset about politicians that go against what they believe and do the will of those that elect them calling them flipfloppers or 'slick', yet when someone has personal views that they decide to live by, we scream that only 33% of there electorate support them?

    Is it really that hard to believe some of us think on our own and don't just parrot what others tell us to and dispense with the talking point?

    No, I have a hard time not envisioning sarcastists like yourself as being anything but overeducated trailer trash trying against all might to delay the eventual return to the doublewide. But thats wrong of me, and I apologize in advance for my failings...

  72. Funny As Hell by Anonymous Coward · · Score: 0
    "A week after some of the surviving members of the Grateful Dead ordered a nonprofit site to remove free downloads of the seminal jam band's concerts--sparking massive online backlash and a Deadhead petition calling for a boycott of all band-related merchandise--the band has reversed its position.

    Well, the Dead certainly ran with people who embraced any number of communal and Marxian based ideals over the years. Watching the Dead-Heads engage in a little Marxian revolt against their leaders is funny as hell. I guess what goes around comes around.

  73. Re:Forgetting the most basic right: property[OT] by Anonymous Coward · · Score: 0

    I do not use drugs of any kind, FWIW.

    You pussy

  74. Re:Forgetting the most basic right: property[OT] by dkleinsc · · Score: 1

    When you put the Commerce Clause in historical context, it actually makes perfect sense. One of the reasons Federalists such as James Madison wanted a constitution in the first place was because of the confusion of interstate trade under the Articles of Confederation. There were separate currencies in the various states, and regulations by each state regarding what could and couldn't be transported over state lines.

    Yes, it's abused. For instance, I'd say that a drug dealer could legitimately claim that his case could not be tried under federal law if his products did not cross state lines when the drugs were in his posession, because his activities did not qualify as interstate commerce, and thus could not be legitimately regulated by the federal government. I don't think that argument has ever won a case, but IANAL or Paralegal, so I don't have the case law either way on that one.

    The better arguments against drug laws include:
        1. They're overly invasive (notice the curbing of Fourth Amendment rights in the name of fighting drugs)
        2. The choice of which drugs are illegal is racist (opiates were illegal in part because they were used by Chinese-Americans, marijuana because it was used by immigrants from the carribean, while tobacco and alcohol were fine because they were used by rich white guys)
        3. Enforcement is arbitrary and racist (rich and/or white gets rehab, poor and/or non-white gets jail time, see also the difference in treatment of cocaine and crack).

    --
    I am officially gone from /. Long live http://www.soylentnews.com/
  75. Re:Forgetting the most basic right: property[OT] by dryeo · · Score: 2, Interesting

    The illeagalization of hemp was protested by the AMA, at that the only ones who showed up at congress to argue the illegalization of hemp were doctors.
    The main reasons for making hemp illegal was that it threatened industry. Hearst was bringing pulp wood paper out and hemp threatened the pulpwood paper industry by producing more paper per acre and also higher quality paper.
    Dupont was branching out from being mostly a pure military supplier and hemp fiber threatened their new product called nylon (also rayon).
    Hemp seed oil competed with the oil industry.
    Also there was a lot of unemployed G-men after prohibition ended who needed a new job.

    --
    https://en.wikipedia.org/wiki/Inverted_totalitarianism
  76. Some auds are very good quality by georgeha · · Score: 1

    and I like hearing the crowd roar and such, it puts you more in the place than a board.

  77. The Deadhead headache for the Internet Archive by Animats · · Score: 1
    From what I hear from some Internet Archive people, the Deadheads have become a headache. The Grateful Dead stuff is a tiny percentage of the Internet Archive, which has petabytes of data, including multiple copies of the whole World Wide Web. But the Deadheads are hogging the bandwidth, and because they hit the same stuff over and over, the Archive bogs down. The Archive was designed as a library, without a big cacheing front end to handle high traffic to a few files. So concentrated traffic in one area slows it down.

    The Archive now offers files for streaming, which is a bandwidth hog for music files. People keep playing them again and again. (Especially Deadheads, who are notorous for listening to the same content repeatedly. Possibly due to drug-induced memory degradation.) This is interfering with other queries.

  78. Re:Forgetting the most basic right: property[OT] by hackstraw · · Score: 1

    While the pharmaceuticals had most of the initial influence regarding which drugs are criminalized, in today's world, I've become convinced that the drug lords themselves are the primary motivators behind the 'war on drugs' -- after all, so long as drugs that are in high demand are also illegal, this keeps their street prices artificially high, and profits maximized.

    I've heard that drug lords do have lobby groups to keep drugs illegal.

    However, I do not believe that drugs are that expensive and I doubt they would change significantly in price if they were to become legal. The only thing that I think might go down in price is high quality marijuana. To put it in comparison to legal drugs like alcohol, illegal ones are about the same price. Now, habitual use of any drug, including alcohol, is going to hurt you in the pocket book, but so will an addiction to pocket books or shoes.

  79. Re:Forgetting the most basic right: property[OT] by eheldreth · · Score: 1

    Oh, and here I thought it was called black mail.

    --
    The perversity of the Universe tends towards a maximum. - O'Toole's Corollary
  80. Centralized Distribution vs. personalized trading by Anonymous Coward · · Score: 0

    Well, before we get all huffy about The Dead cracking down on trading, let's look at the facts (as near as I can tell).
    Archive.org is a centralized clearinghouse for distributing live music. The Dead asked them to stop distributing(since converted to stop distributing digital copies of soundboard recordings). As near as I can tell, they did NOT ask ANYONE to stop trading these recordings on a personal level. They did not take anything away from the fans, just made it a little less convienant to get some shows. As a long-time fan of the dead & tape-trader, I sometimes miss the good ol' days before archive.org & highspeed downloads when I actually had to communicate with other human beings to get copies of shows.
    Just my $0.02 worth

  81. Hippies by Hrothgar+The+Great · · Score: 1

    Have you ever met a hippie with a profit motive? This whole thing makes me sad - it is a story about people growing old and losing all of their youthful ideals. It happens to most people, and sometimes it is for the better, but these guys are the fucking Greatful Dead, and they symbolized an entire era that was fundamentally opposed to this sort of thing.

    I mean seriously, it doesn't matter that the Internet exists now - these guys are wiping their asses with their own band's history.

  82. Re:Forgetting the most basic right: property[OT] by AK+Marc · · Score: 1

    No cofee no beer no cough syrup, tea, aspirin or skin creams?

    For me, I'll occassionally use green tea, but that is caffeine free. Yes, that means no sodas for me as well. And I'll only take drugs on the advice or prescription of a doctor. If it's not bad enough for me to see one, it's not bad enough for me to drug up. Oh, and I would love for all drugs to be legal, though I'd not take them even if they were. You don't have to be an addict to realize that prohibition is as dismal a failure as Prohibition was.

  83. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    Exactly why the Federal was never supposed to have the ability to levy direct tax! They took away from the ability of States to levy tax, and because of that, the Federal exerts control over the States. This is the direct result of the 16th amendment. The check that kept the Federal from doing much with it was then removed by the 17th amendment.

    They do worse than what you mention by far, too. The Federal ends up with direct control over all aspects of State and local government operation because of the threat of revoking Federal monies. That means that every level of government is forced to operate the way the Federal wants.

  84. No way out? by Penguinoflight · · Score: 1

    Sure, to get rid of copywrite completely would be a great way to go, and as you point out it doesn't seem possible. That doesn't mean you can't fix the problem though. Why not just limit copywrites to the original 4 years? Books are driven by popularity, so doing so wouldn't hurt new sales.

    --
    "And we have seen and do testify that the Father sent the Son to be the Savior of the World"
    1 John 4:14
    1. Re:No way out? by Skim123 · · Score: 1
      Books are driven by popularity, so doing so wouldn't hurt new sales.

      But due to the long tail effect, the popularity might bubble up for years, or decades. Personally, I think copyright should survive for the lifetime of the creator(s), and once he/she/they die, the works enter the public domain. If I author a song, book, poem, etc., I believe I should own the rights to it. But why should those rights survive my death?

      One could argue the same thing for physical property...

      --

      I could not justify my existence if I were a turkey farmer. Would I terminate myself? Undoubtably, yes.

    2. Re:No way out? by Elwood+P+Dowd · · Score: 1

      Because all of the rights you describe are immediately sold to publishers if they are of any value.

      Why should the work of a young author be worth less than the work of an old author?

      There is no reason. Oversimplified moral rights are not going to get us the solutions we need.

      --

      There are no trails. There are no trees out here.
    3. Re:No way out? by Skim123 · · Score: 1

      I'm afraid I'm not following you here.

      --

      I could not justify my existence if I were a turkey farmer. Would I terminate myself? Undoubtably, yes.

    4. Re:No way out? by Elwood+P+Dowd · · Score: 1

      Copyright can be bought and sold. So if copyright only lasts until the death of the author, then a 20 year old author's work will be worth more on the market than a 80 year old author's work, because the purchaser will get a monopoly for a longer period of time.

      --

      There are no trails. There are no trees out here.
    5. Re:No way out? by Skim123 · · Score: 1
      Good point. So the problem, perhaps, is that copyrights shouldn't be for sale. Maybe they can be licensed, but not bought and sold. And, sure, that makes an 80 year old's stuff worth less than a young guy's, but so it goes. I still think that the price would be based more on popularity of the work rather than the age of the creator. That is, a publisher would be more willing to roll the dice licensing the rights to the latest Stephen King novel when he's 80 than they would be on paying some unknown 20 year old.

      Content distributors would basically become very familiar with actuary tables.

      --

      I could not justify my existence if I were a turkey farmer. Would I terminate myself? Undoubtably, yes.

    6. Re:No way out? by Elwood+P+Dowd · · Score: 1

      Obviously the latest Stephen King novel is worth lots of money in its first year. I don't really care what the impact of copyright law is on Stephen King novels, so long as he is rather well paid.

      Almost all copyrighted material is only valuable to its creator in its first few years. This is why everyone who has paid any attention to the subject (and is neither competing with the public domain nor sitting on millions in IP) advocates eliminating automatic copyright and reducing copyright to a very few years, fewer if the copyright is of no use to the owner (an optional renewal). This is the simplest, easiest, most productive change we could possibly make to our intellectual property system.

      And it'll never happen, so whatever.

      Saying "copyrights shouldn't be for sale" is a widespread belief which I will never understand. Some nations have "moral rights" for authors that are not transferable. It was inane in kindergarten when one kid would yell at another "you can't draw a pony; it was my idea to draw a pony". Dream that someday people will grow up.

      --

      There are no trails. There are no trees out here.
    7. Re:No way out? by Skim123 · · Score: 1
      Saying "copyrights shouldn't be for sale" is a widespread belief which I will never understand. Some nations have "moral rights" for authors that are not transferable. It was inane in kindergarten when one kid would yell at another "you can't draw a pony; it was my idea to draw a pony".

      So you're ok with the equally inane dialog:

      KID 1: You can't draw a pony; it was my idea to draw a pony
      KID 2: But look, you drew a house.
      KID 1: Ah, yes, but I sold my idea to draw a pony to Billy over there.

      ???

      Or did you mean to have a paragraph break between the first and second sentences?

      --

      I could not justify my existence if I were a turkey farmer. Would I terminate myself? Undoubtably, yes.

    8. Re:No way out? by Elwood+P+Dowd · · Score: 1

      No, no paragraph break intended. The thing I don't get about moral rights isn't that they aren't transferable; it's that people think there's some intrinsic right over your authored work. I can see that wasn't clear.

      --

      There are no trails. There are no trees out here.
  85. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    I'd say the biggest reason that drug laws are ridiculous is that they destroy the most important property right of all: your ownership of yourself. As much as people do things that many don't like, we shouldn't be legislating what you can do to yoursel Drugs are a social problem, and the law has always done a horrid job at dealing with such things. We didn't learn from Prohibition, and now we have something much worse.

  86. Ob. Joke by Anonymous Coward · · Score: 0

    How many drummers does it take to change a light bulb?

    20 - One to change the bulb, and 19 to say the Neil Peart could have done it better.

    :)

    --
    Those who know what's best for us must rise and save us from ourselves

  87. Re:Forgetting the most basic right: property[OT] by Omestes · · Score: 1

    y of the Commerce clause is a study of the history of economic development in the United States. Therefore, I would leave the Commerce clause in Constitution 3.0 unless you want to go back to having separate facilities for persons of difference races.

    Gross exaggeration, and fallacy of the excluded middle.

    --
    A patriot must always be ready to defend his country against his government. -edward abbey
  88. Re:Forgetting the most basic right: property[OT] by amarrero · · Score: 1

    Actually, no, it is not why business "can't" discriminate. The Civil Rights Act, passed in the 1960's, says that we *must* discriminate, to give additional privilege to groups that are decided to be disadvantaged. That act might have been possible due to the Commerce clause, but the clause was not what requires it.

    Actually, yes it is. In the Civil Rights Cases, 109 US 3 (1883), the US Supreme court held that the Civil Rights Act of 1875 was unconstitutional because while the 14th amendment prohibited the denial of equal protections by the states, it did not give Congress the power to regulate private acts. In other words, the 14th amendment applies to the states; it does not applies to individuals (and hence businesses).

    It wasn't until the Passing of the Civil Rights Act of 1964, where Congress used the Commerce clause as the basis of its legislative powers (hard to believe given the amount of legislation passed every year, Congress has limited powers delegated to it by the Constitutions. Henceforth, and similar to federal courts, jurisdiction is not assumed and must be stated in order for Congress to enact its laws), that private parties were prohibiting from discriminating based on race. So not only the Act would not have been possible if it wasn't for the Commerce clause, but it would not passed judicial review becuase of the Commerce clause as well. See Heart of Atlanta Motel v. United States, 379 U.S. 241 (1964).

  89. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    The Federal can control them under the current arrangement by use of the FDA. The legality of the FDA is certianly questionable, but if the FDA says "no", then the drug isn't legal.

    The Federal frequently oversteps it's boundaries by various devious methods. We just have little way of forcing them back in line with all the changes that have been made over the last 100 years. It's possible, but a long and arduous process.

    Having a political leaning like yours is difficult. I feel similar, but you have to be consistent. My stance is that my body is my property, and the only say the government has over it is through arrest and trial. By making doing something to my body a crime, they have removed property that is guaranteed to me as an innate right. I don't like these drugs, and I wish people wouldn't use them, but it is their choice.

    I feel that the law shouldn't come to bear until you have harm to another involved. If you drive a car into your own house, that should not be illegal. To cross your neighbor's property to do so should be illegal. Going out to the road and punching someone for yelling should be illegal, but someone asking you to hit them and getting such should not be.

    In the case of your hospital example, though unfortunate, that's the right way. An injury is an injury even if it is your actions that caused it. If you don't want to wait for the addict with the OD, spend the extra money to get better care. I know that you almost certainly can't afford it, but you probably see what I'm getting at. Your example would get worse the more you turn health care into a government thing, and that seems to be the way people are pushing it.

    It's a shame that people are so short-sighted, but we are, as a whole, just that. You can't legislate morality and expect something functional and proper. The only way we're going to get rid of drug addicts is to convince people to not do drugs. Making it illegal doesn't work, and is never going to work. It doesn't fix the actual social problem, but it does make things worse for everyone.

  90. copyright vs. bootlegging vs. terrorists by Anonymous Coward · · Score: 0

    listening to the radio today i heard about a show called sleeper cells, a group of terrorists, they were describing how they would take capital made in one country, the U.S., I believe and use it to demonstrate chaos on the same country, how did they make their money, well, by selling bootlegs of cd's and dvd's brought over the mexican border is this abuse of the recording industry and hollywood influence on citizens and turning this one issue, copyright infringement, into an issue of terror or making use of the culture of fear, you are more of a criminal than you think, i guess is the point, anyways i just sat there lauhing for a bit, am i wrong in my viewpoint.

  91. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    Yes, that's what I said. :) The Commerce clause doesn't stipulate civil rights, but it allowed a law to be passed that did. I don't mind having the exact case references, of course, they end up being very useful!

    Seriously, the Federal should not be passing laws that govern individuals or businesses anyway. That should be for the States to decide independantly. Legislating to the individual is how we ended up with the inoperative, unmanagemable, and overbearing Federal that we have today.

    Also, remember that the Civil Rights Act does not prohibit discrimination, exactly. The wording was such that it allowed programs, such as Affirmative Action, to come into existence. The wording also made it trivial for someone to sue an employer or business until Title VII, with often no evidence of discrimination. The Act is the cause of a great deal of discrimination, and it is used to often mandate discrimination.

  92. DMCA by Anonymous Coward · · Score: 0

    It's easy to volunteer someone else... a non-profit at that... for a lawsuit. But a takedown notice is serious and can cause great harm in court if it is ignored. It would be like disregarding a cease and desist, only it would affect both you _and_ your network service provider, in this case the university which provides Archive.org's bandwidth. It's not nice to drag someone providing you with free bandwidth into court.

    1. Re:DMCA by fishbowl · · Score: 1

      The difference between a cease and desist letter from a lawyer, and a not nice letter from some random asshole, is... nothing. There is no difference. A C&D "order" carries absolutely no special weight as evidence. To even be admitted as evidence, the claim of the order must be determined to have some merit on its face.

      You're right though, it's only the affected individual's choice to make. I hope I didn't come across as implying what the A.org people should have done.

      Their real problem lies in the fact that the whole open trading policy has always been implicit, with few explicit grants ever having been issued. So they are in a copyright gray area.

      I suspect that the outcome of this, will be an angry Phil Lesh, maybe together with John Barlow and Robert Hunter, pulling some strings and making trouble in an amusing way for the Debra people.

      The article suggests that all this has been at the hand of Weir, Hart, and Kreutzmann, but I don't think I buy that. I think it's much more likely that those guys have a minority stake on the board of the corporation that controls Garcia's interests, which has been controlled by Debra Koons Garcia since Jerry's will was executed. Because they are execs on the board, they can be construed to have been part of a consensus decision, but notice that none of them are quoted here. It's much more likely that the band members deferred, but then, I'll believe it more if I see direct quotes from them, Hart especially, since he's historically been one of the main proponents of open distribution of the material.

      Barlow, Hunter, and Lesh, together, reserve enough rights on enough of the matierial to make it impossible for the vestigial "Grateful Dead Productions, Inc." to distribute anything that doesn't already have contracts with Warner, etc. Lesh and Hunter, if they were serious, could say "no publications of any of the songs we wrote after we got smart enough to reserve the rights" -- which they did, getting wise much earlier than most bands of the era. So Debra could end up with nothing of value.

      I think the whole thing is funny, since the cat's out of the bag -- there's no possible way she could control or stop the trading of this material, archive.org or no archive.org.

      On a positive note, the shows they play as "The Dead" are really great. I saw one night at St. Helens and the venue, the crowd, and the vibe were all very much like a mid-1970s show would have been. It was really a nice experience after living through the insanity that was the 90s. Casual vibe, open air, without all the security people, with no shortage of tickets, it really was fun.

      Keep in mind, one of the big reasons they changed the name of the band was so that they could play without being under the umbrella of the corporation that was being controlled by the angry and litigious Debra Koons Garcia. This is hardly the first offensive legal stunt she's pulled. The guys in the band know the score. This will end with Debra owning a trademark and no product.

      --
      -fb Everything not expressly forbidden is now mandatory.
  93. Re:Forgetting the most basic right: property[OT] by Scrameustache · · Score: 1

    I'll only take drugs on the advice or prescription of a doctor.

    Allright, I can see how that would mean that the doctor uses the drug on you, not that you use drugs. Semantics. Well, good on you.

    --

    You can't take the sky from me...

  94. I think you missed the subtle point by Anonymous Coward · · Score: 0

    Which is that they support trading, but not downloads.

    At least that's how I read the statement.

  95. Sad Sad, Jerry would cry. by tetrahedrassface · · Score: 1

    I think this whole thing is sad.

    I consider Garcia my biggest influence, and I think that wherever his soul is out there -->

    He is crying.
    This is a bad decision, because from my limited experiance, setting things free tends to build interest and community, and they have set themselves back a taste.
    Its a sad day here.. a cold winter rain falls.
    Ponder a moment will you, how things change.

    My my, how things change.

    Come on guys (The Dead) don't go down like this.

    Just one little mans plea, what you set free, let be.
    DB

  96. OCRS and sound board recordings. by MacGyver · · Score: 1

    Myself, my best friend, and a colleague spent most of 2003 working with the Grateful Dead (however they are now known simply as The Dead for legal/business reasons).

    We pitched an idea to them in early 2003 that eventually came to be known as the 'Official Concert Recording Series' (OCRS) and allowed folks to buy any concert during that 2003 tour for about $25 -- not a bad deal for 3 hours of music.

    There was some community backlash at the time to what we were trying to do -- the Dead weren't trying to stop tape traders at the shows, but they were trying to offer folks who are not in the uber-connected 'tape trader world' an opportunity to buy high-quality recordings of their shows that were official and sanctioned, as well as profiting from their music.

    Tapers were still allowed, but those that wanted to show their support for the band, or wanted to buy a keepsake of their favorite concert that year could do it. All in all, we ended up being far more successful than any of us thought we would and it was a great experience for all involved...though I'll probably never do something like that again. :) I'm not even a Dead fan and (before that experience) I couldn't name you two songs by the Dead...I just thought it'd make a good story to tell my kids some day.

    The moral of the story is that I don't believe at the end of the day that the online "free music" community that people tap into for some of the Dead's music takes away from people who want to buy music from the Dead -- in my experience, people wanted to buy concert CDs as keepsakes of their first show with their girlfriend or child, or as gifts for fellow Dead Heads.

  97. Actually that's not true by Anonymous Coward · · Score: 0

    It's true "they" (there are a lot of people involved here) own the lyics, sheet music, and performance copyrights, but there are also copyrights in recordings and those are owned by the person making the recording. Unfortunately "they" don't all agree about what terms should be given, and not all of them have even weighed in on the issue. What we're seeing is the public surface of this private disagreement.

    Also, they have given a blanket license to trade these and for sites to offer them for MP3 download. They can't retract that permission. They can prevent trading of new recordings since they made those statements, but not ones before.

    Unless you were not speaking of legal rights, in which case I kind of agree. People should respect the artist's wishes, even if they are assinine.

  98. Re:Right to REPUBLICATION FOR PROFIT, not copyrigh by zippthorne · · Score: 1

    BS. It doesn't matter how popular they are if no one actually buys their books.

    --
    Can you be Even More Awesome?!
  99. ded hed boycott... by IamSaved · · Score: 0, Flamebait
    I find it hard to believe that fans of the Grateful Dead could boycott any band related paraphernalia for any length of time.

    agreed. but, it seems that some who have been on the road following the Dead from town to town have no problem boycotting personal hygene

  100. I can't help it by Lord+Kano · · Score: 1

    Netcraft confirms it, The Grateful Dead are Dying.

    LK

    --
    "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
    1. Re:I can't help it by NeuroManson · · Score: 1

      I dunno, for me, the Grateful Dead died when Jerry Garcia did the same.

      --
      Just because you can mod me down, doesn't mean you're right. Shoes for industry!
  101. Copyright Isn't The Same As Intellectual Property by Inhibit · · Score: 1

    Admittedly most people get it wrong in the opposite way from you. But yes, if I create a story and someone copies it they're still violating a few laws. Even if I gave them a copy.

    As a matter of fact, copies of books are given out all the time. You still can't make a movie based on them without obtaining the rights from the author.

    --
    You're reading Slashdot. Of course you like Linux and pc hardware
  102. Re:Right to REPUBLICATION FOR PROFIT, not copyrigh by HalliS · · Score: 1

    So how should we define "for profit". For an example, if a teacher copies 50 pages from a book, and gives it to his students, would that count as "for profit"? The students perhaps get a better education, and that might be defined as profit for the students, the teacher and the school.

    While I agree with your logic, I'm wondering where we should draw the line here.

    Would it be publishing for profit if I were to insert the text of a book in this reply, for better /.karma? How about publishing a book on my website for better google pagerank? Or publishing copyrighted pictures on my blog, so that more people will visit it. Or showing a movie about the harmful destruction of the rainforests, for free in a theatre, in order to raise people's awareness about the issue?

    Are we just speaking about financial gain, or should the author also have the exclusive rights to other qualities of life that could be derived from publishing?

    --


    My other UID is 1337
  103. confusion by Anonymous Coward · · Score: 0

    "They have come to an amicable understanding after some confusion involving online bootlegs."

    It seems the confusion occured after members of the band ate some brownies and began negotiating with the invisible pink ballerina in the corner rather than archive.org.

  104. And after all is said and done by Tahir+Azhar · · Score: 1

    Jimmy the bootlegger is back selling SBDs on eBay..
    Whistling his favourite tune..

    RIAA caught a mp3 in his player
    Come get more, all right here
    Get back online where you belong
    and don't you think no more

    Don't hang your head let the tape roll
    eBay closed account lets make more
    Ask the price? Baby I don't know
    Come back later, we'll let it show

    And I say go, Jimmy go
    Gonna get rich?
    I don't know
    Seems the easy way to go
    Get online, go, go, go
    go, go

  105. CD costs and Small Bands that sell them directly by billstewart · · Score: 1
    He didn't say that the $200/1000 CDs was covering the upfront costs of developing the CD - it appeared that he was talking about marginal costs for making more copies to give away. Sure, the costs of making the original CD can be a lot higher, especially if you're not doing it yourself or at least not funding it yourself.

    But yeah, a number of my friends are in small bands that perform lots of gigs, sometimes paid, sometimes just for tips, and selling the CDs at the gigs is often what makes the money, and they're often the format that your friends use to tip you. If you're a medium-sized band that can get 500 people to get $10-20 concert tickets, cool, but if you're playing in bars and weddings or DJing at dances or playing at local music festivals with lots of other bands, the economics are a lot different.

    The Grateful Dead (and similar bands like Jefferson Airplane) had a few early albums that went through the learning curve process on "what happens if you give a bunch of creative hippies artistic control, relatively unlimited budget, cool recording equipment to do creative things with, no clear deadlines, and access to lots of psychedelics". ("What do you mean, you're trying to record 'the sound of thick air'?") The record label folks had to learn how to get the bands to finish projects so they'd have something to ship, and the bands had to learn how the economics of record labels ripping off bands work, and in their cases they mostly figured out how to put out enough shippable product fast enough that there was something to sell to make up for the costs of the earlier work.

    These days, equipment is so much better and cheaper, and bands can do stuff on a Mac in their garage that previously required highly expensive equipment which came with a bunch of record company engineers. Of course, that doesn't mean that the average band necessarily knows enough about engineering or music production to do it themselves, so they may want to hire specialists, but of course record companies have more expertise in making music that they think is commercially sellable than in music that expresses some artistic vision.

    --

    Bill Stewart
    New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
  106. Re:Forgetting the most basic right: property[OT] by winwar · · Score: 1

    "Seriously, the Federal should not be passing laws that govern individuals or businesses anyway. That should be for the States to decide independantly."

    Which is exactly why, in your opinion we have

    "the inoperative, unmanagemable, and overbearing Federal that we have today."

    Congress doesn't just sit around and decide "Hey, let's pass a law today" (for the most part). They do it in response to their constituents. If the states had done a good job, there would be much less incentive for the federal government to step in. One could suggest many ways to fix this, but probably not any GOOD ways on balance.

    I think it roughly sums to this-you get the representation that the general electorate deserves, which is the problem.....

  107. Re:SUMMARY (almost) by dkalley · · Score: 1


    Studio recordings were never an issue, nobody trades those and most are pretty lame anyways. It is soundboard recordings, some of which are made at concerts via patches supplied by the band to those in the taper's section. Others being released through the "band" or given out to friends who sent them out in the wild. The obvious evolution was putting recordings up on TLA, no longer do you get a muddy audio tape or hissy soundboard back in the mail, you sample them first which is very nice. The problem is, there was never a problem with audience or soundboard recordings, they just don't want them all in one categorized place. They obviously want to open their vault up a la iTunes and there was a problem with the "band" doing this in the past with an outside entity, Microsoft being one making an offer.

    Sure, this will not stop downloading, since the trading policy is in effect. However the lamest part is not being able to sample the sound quality. Some peoples version of great quality is not too accurate and makes replacing old tapes difficult when finding a better source.

    The lack of foresight of the band is amusing, because their tapes would be much better than some of the crappy soundboards floating around with cuts, dropouts, spliced with audience sources, bad pitch, etc. They could even have started by filling in gaps that have not been circulated, poeple would have bought those! They also better be loseless shows because nobody in their right mind would pay for them, and that is a lot of work for a company not sustaining itself on tour revenue anymore.

    --
    Do deadheads really need Dick's Pick #538 anyways?

  108. You don't need copyright for that by Mr2001 · · Score: 1

    Copyright helps protect the owner from several bad things including: keeping someone else from modifying your work in a way you do not want it to be and then attributing it to you (What if someone changed Schindlers List to be favourable to the Nazi's and then stamped Speilbergs name on it?

    That's an important issue, but addressing it with copyright law is overkill. All you need is a law against fraud: if you claim that your modified version of the movie is Steven Spielberg's work, you're lying to the public, just as if you pieced together a crappy car in your back yard and tried to sell it as a Toyota.

    OTOH, if you want to change Schindler's List to be favorable to the Nazis, and then put your own name on it (while noting that it's based on Spielberg's original work and that you're unaffiliated with him), I say go ahead. You're presenting your product as exactly what it is, a remix of someone else's work.

    --
    Visual IRC: Fast. Powerful. Free.
  109. The Dead are RIAA members, yet you're surprised... by MacDork · · Score: 1
    The Dead's backtrack on their standards shows how corrupting law can be. How a band that has made millions over decades could turn is beyond me. The law is culpable -- the temptation to forcibly control what isn't in your possession is that strong.

    Check the RIAA members list. See who's on there? Allow me to abbreviate it for you...

    • Grateful Dead Production
    • Grateful Dead Records

    Why is anyone here still listening to them? You all read slashdot. Surely you know what the RIAA has been doing for the past few years...

    Boycott the RIAA. ALL OF THEM.

  110. Re:Forgetting the most basic right: property[OT] by aaronl · · Score: 1

    I agree with you, I would just add that this is exactly why we used to have the Senate to represent States right's. Before the 17th amendment, you had a check against the Federal taking power away from the States. Between the 16th and the 17th, it's nearly impossible for the States to be able to do what they need. We *did* have balance, and then we screwed it all up.

  111. Makes sense to me. by /dev/trash · · Score: 1

    Since Jerry sang all the songs, Wrote all teh songs and played all the songs too.

  112. 1000 copies? by Anonymous Coward · · Score: 0

    Where did you get your statistics from? I think you are very wrong.

    The Greek Book Centre says the average print run for a Greek book in the Greek publishing industry is 3000 copies.

    "THE TRADE MARKET

    "Trade publishers in Greece have to contend not just with a small population, but one that has very little tradition of reading for pleasure. Despite this, there is a reasonable and well-published market for literary as well as mass market fiction. In Greece, literature means paperback, as hardbacks do not exist beyond some childrens titles and imports. Trade publishers are heavily reliant on translations, which account for nearly 60 per cent of literature titles and bring in big names. A successful trade title sells over 6,000 copies a year, and a bestseller sells more than 10,000 copies a year." (source a Doc file on my hd I found somewhere)

    You seem to be dead wrong on your statistic of 1,000 copies since I have a bunch of docs and pdfs from the Greek Book Centre(some of which are in English) saying that in the Greek market alone that 3,000 copies is considered the average print run and 2 print runs or more(over 6,000) is considered a success. On top of that the Greek book market per capita is smaller than other EU-15 members.

  113. DOS-style wildcards? by adamgolding · · Score: 1

    shouldn't that be ??AA ?

  114. Tragedy of the Latest New Commons by 4of12 · · Score: 1
    Physical objects are all that property is about: your body, your car, your land, your house. I don't see how anything non-physical can be considered property.

    Those categories of personally-owned property have developed over time. Indeed, past concepts have included that many of those physical objects belong to God, to your feudal lord, or to no one in particular or to everyone.

    Nomadic hunter-gatherer cultures generally don't have so precise definitions of land ownership as agrarian economies, for example. The Native Americans probably though it was ridiculous to be so anal about property rights that the new immigrants were so concerned about.

    As for non-physical objects, there are still areas where we have implicit rights that we expect but which we haven't found the need to claim yet. These could give rise to "property" rights, potentially.

    For example, suppose I invent a device to make the thoughts in a particular head conform to my wishes (say, in order to sell a product). We regard our thoughts as our own, but there's not much legal precedent protecting our rights to our thoughts inasmuch as there haven't been sufficiently intrusive technical measures available for exploiting the thoughts of others.

    We might think that "rights to thoughts" are ridiculous, but it's not ridiculous - only an artifact of how our society is structured based on supply, demand, and what technology makes possible.

    --
    "Provided by the management for your protection."
    1. Re:Tragedy of the Latest New Commons by Anonymous Coward · · Score: 0

      Interesting that your username is 4of12. There was just a Star Trek:Enterprise episode (mirroring some characters from an episode of TOS) with aliens that had to ask permission to probe other people's thoughts. The aliens did plant thoughts in the captain's mind when he tried to leave early. But there are always exceptions... or subtleties of agreement.

  115. Re: sbds don't belong to the public by Paul+Freedman · · Score: 1

    I don't understand the concept that soundboard recordings that were made by GD personnel or permitted by GD personnel (by making direct to sbd patches available) somehow "belong" by moral or legal right to anyone except the authorized copyright-holders of the music--even if they permitted some form of limited distribution through trading of soundboards (either made by fans or "ripped off" from the GD organization) back in the day. It doesn't seem to have sunk in at GD management until recently that they had high-quality product available for nothing on the archive that competed with their own commercially released products. I am sincerely amazed that anybody would think that those who have legal rights to the music, including those who were performers of it, should have to think twice before restricting distribution of their livelihood. It really IS "their" music. Fans have the right to pay for it and to listen to it. Under appropriate conditions, to perform it.