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Listening To The Radio At Work? Prepare To Be Sued

MLCT writes "The Performing Rights Society, one of the UK's royalties collecting societies, has taken a Scottish car servicing company to court because the employees are alleged to have been listening to the radio at work, allowing the music to be 'heard by colleagues and customers'. The PRS is seeking £200,000 in damages for the 'performances of the music' which they claim equates to copyright infringement. The judge, Lord Emslie, has ruled that the case can continue to hearing evidence, commenting that the key point to note was that music was 'audibly blaring from employee's radios'. Where do the extents of a 'public performance' end? Radios on in cabs?"

486 comments

  1. Somebody please, stop the madness by j0e_average · · Score: 5, Insightful

    It is completely unreasonable to expect compensation for second-hand radio.

    1. Re:Somebody please, stop the madness by cindysthongs · · Score: 1

      In other news, I'll sue you for copyright infringement for when you quote me on slashdot Or, if you repeat something said on the simpsons Or, if you whistle at work

    2. Re:Somebody please, stop the madness by BZWingZero · · Score: 1

      Don't give the RIAA any ideas. Even though this is occurring in another country, this may give them some sort of precedent (in their eyes) to try and pull it off here.

    3. Re:Somebody please, stop the madness by Taco+Meat · · Score: 0

      These guys are the UK's equivalent of the RIAA. Is anyone surprised?

      These guys can take the meat suppository. Really.

      --
      It's not narcissicism if it's true!
    4. Re:Somebody please, stop the madness by Duhavid · · Score: 5, Funny

      What about second hand smoke?

      I think the tobacco companies should sue
      everyone for enjoying their products at
      second ( or even third ) hand.

      --
      emt 377 emt 4
    5. Re:Somebody please, stop the madness by empaler · · Score: 1

      You mean the same RIAA that has sued car manufacturers for installing radios in cars and not paying license fees for passengers? I think they're already there.

    6. Re:Somebody please, stop the madness by f2x · · Score: 2, Funny

      And lo- the absurdities continue. How much more of this legalism must we endure before their system implodes? It seems that the implementation of the myriad of laws is shifting around faster than the rules in a game of "Calvin Ball". You would expect that at sooner or later, these smirking litigators will eventually take a bite of their own poison, but time after time it seems they get away with their asinine behavior, and move on to plot another ludicrous litigation against people who just don't want to have anything to do with them.

      --
      Blessed with all the brains that God gave a duck's ass, and twice the charisma.
    7. Re:Somebody please, stop the madness by xjimhb · · Score: 5, Funny

      What's next? Perhaps the newspaper will sue you if you hold a copy so somebody can read over your shoulder?

    8. Re:Somebody please, stop the madness by Capsaicin · · Score: 2, Informative

      Even though this is occurring in another country, this may give them some sort of precedent ...

      Here in Australia, this is already long the established (APRA v Tolbush [1986]), I'm surprised that it is not already so in the UK. In Tolbush an agent from the Australasian Performing Rights Association (APRA) asked for a car radio to be demonstrated in a shop, and when the shop keeper turned the radio on he got sued for making an infringing public performance (how that was not authorisation I don't know).

      It's seems a little odd that the RIAA hasn't set this up in the US yet. Maybe they are waiting to get one of their congressmen/senators to enact it legislatively rather throwing the dice in court?

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    9. Re:Somebody please, stop the madness by tepples · · Score: 1

      It's seems a little odd that the RIAA hasn't set this up in the US yet. I know why: musical performance rights that do not involve transmitting the work digitally are licensed through ASCAP/SESAC/BMI, not RIAA or its member labels.
    10. Re:Somebody please, stop the madness by Capsaicin · · Score: 1, Flamebait

      I think the tobacco companies should sue everyone for enjoying their products at second ( or even third ) hand.

      They don't own the smoke. There is no IP issue here, the sale of cigarettes is a simple assignment of chattel. The smoke belongs to the people who burn the cigarettes but since they are (facially) comitting a tresspass to the person, they aren't in a position to complain either.

      In other words, your analogy sucks!

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    11. Re:Somebody please, stop the madness by Foobar+of+Borg · · Score: 5, Funny

      In other news, I'll sue you for copyright infringement for when you quote me on slashdot Or, if you repeat something said on the simpsons
      In Soviet Russia, Yakov Smirnoff sues YOU!
    12. Re:Somebody please, stop the madness by ediron2 · · Score: 5, Insightful

      Heh... second-hand got me to thinking: imagine a second-hand-smoke victim receiving a countersuit by tobacco companies because they were able to inhale cigarette smoke they hadn't paid for.

      This is about that absurd.

      Theatrical broadcast implies a desire for an audience to hear the performance leading them to the venue. Charging admission shows enrichment. Venue must reimburse the artists in such a case. Sensible so far.

      Muzak (or elevator music or bland background music, for those that don't know the slang) creates mood for a particular commercial location (restaurant, store, elevator, or even music-on-hold). This mood is carefully cultivated for whatever commercial goal by the vendor, so the vendor should be reimbursing artists for their help in making the store/restaurant mood.

      But music played by workers at a construction site or a repair shop... that's for the benefit of the employees and usually at the expense of the customer. I'd no sooner wander down to the mechanic's to listen to his boom box than I'd want to eavesdrop off most strangers' ipods. Hell, I thought that was the greatest part of ipods: boomboxes became anachronistic jokes.

      Charging royalties for unwanted intrusions of music is the most absurd damn thing I've ever heard of, and tries to claim economic value where none exists. It'd be like demanding royalties from the owners of all those noisy damn cars driving around with mega stereos in their trunks rattling my windows...

      Hmm... on the other hand, maybe I'm in *favor* of this, if another wave of unwanted noiseboxes are silenced. Dumbass argument, desirable side effect.

    13. Re:Somebody please, stop the madness by Your+Pal+Dave · · Score: 5, Funny

      Somebody should compensate me for having to listen to the idiotic station that the jerk in the next cubicle listens to!

    14. Re:Somebody please, stop the madness by Capsaicin · · Score: 1

      I know why: musical performance rights that do not involve transmitting the work digitally are licensed through ASCAP/SESAC/BMI, not RIAA or its member labels.

      Really? So before digital transmission the RIAA didn't have any rights over recorded music? Given the name I had assumed that the RIAA dealt with the rights (including perfomance) rights to sound recordings, as opposed to say the right related to published music (eg. the right to perform a cover).

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    15. Re:Somebody please, stop the madness by MichaelSmith · · Score: 1

      So jam it. A nice, dirty, square wave oscillator should do the trick.

    16. Re:Somebody please, stop the madness by Epsillon · · Score: 4, Informative

      Actually, the BPI is the UK equivalent of the RIAA. The PRS should really be called the Public Performance Rights Society as they deal with things like taxing live groups doing cover songs for money in pubs, jukeboxes and anything entertainment related being used in a publicly accessible place. Yes, they're bastards, but these are not the bastards you're looking for.

      --
      Resistance is futile. Reactance buggers it up.
    17. Re:Somebody please, stop the madness by Seumas · · Score: 5, Insightful

      I don't understand the point here.

      Radio is supported by advertising. What does it matter if 500 people are listening to 500 radios or 500 are listening to a single radio? I understand that the idea is that "those are 500 people who will not be counted toward royalty payments", but since royalties are entirely calculated by the size of the listening audience -- how does it matter unless some of those 500 people are also part of some "Nielson" family? If they're all listening to separate radios, is some sort of magic going to occur where they can tell that 500 radios are turned on and to a specific station?

    18. Re:Somebody please, stop the madness by Knight+of+Shadows · · Score: 1

      Are they kidding? Listening to the radio is copyright infringement? Whatever they're on. . .cut the dosage. This is but another indication of just how far down the evolutionary toilet the human race has been flushed. Here's an idea: How about if we, as a RACE, decide never to buy the music in the first place? How about if we all put an embargo on their pathetic asses, and let the music executives and copyright lawyers learn to say 'would you like fries with that?'. How about if we all decide not listen to radio at all; I'm sure the advertising scumbags would all love it if we all decided to shut them, and their consumerist b.s., out of our lives entirely. How much you want to bet they would fund the defense against such charges if we, as a species, united in our message? If I've said it once, I've said it a thousand times: We need to stop peeing in the gene pool. End of story.

    19. Re:Somebody please, stop the madness by digitalunity · · Score: 1

      The answer is simple. When their actions become so brash that the generally uninformed public becomes annoyed with them, people will simply stop buying their products and the **AA mafia will go broke. At that point, we will have crappy B movies and better music.

      I plan to simply pirate music as I see fit. I have no moral justification except to screw the absurdly greedy, which in and of itself is reason enough. When the RIAA gose out of business, I will be happy.

      When the MPAA goes out of business, I will be sad that they chose not to adapt.

      --
      You can't legislate goodness. Let each to his own destiny, by will of his freely made choices.
    20. Re:Somebody please, stop the madness by jcr · · Score: 2, Interesting

      The RIAA started out as a technical standards committee. How they ended up in the copyright vigilante business is something I'd like to know.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    21. Re:Somebody please, stop the madness by Rodyland · · Score: 3, Insightful

      I'd no sooner wander down to the mechanic's to listen to his boom box than I'd want to eavesdrop off most strangers' ipods. Hell, I thought that was the greatest part of ipods: boomboxes became anachronistic jokes.

      Not sure where you travel, but on public transport here in Melbourne, the music coming out of some people's iPods could easily be called a public performance.

    22. Re:Somebody please, stop the madness by Architect_sasyr · · Score: 1

      Link provided by another friendly Australian bastard: AfroTech Mods

      --
      Me failed English...
      FreeBSD over Linux. If my comments seem odd, this may explain...
    23. Re:Somebody please, stop the madness by ibentmywookie · · Score: 5, Funny

      Somebody should compensate me for having to listen to the idiotic station that the jerk in the next cubicle listens to! I was told that I could listen to the radio at a reasonable volume from nine to eleven, I told Bill that if Sandra is going to listen to her headphones while she's filing then I should be able to listen to the radio while I'm collating so I don't see why I should have to turn down the radio because I enjoy listening at a reasonable volume from nine to eleven...
      --
      -- The doctor said I wouldn't get so many nose bleeds if I just kept my finger out of there!
    24. Re:Somebody please, stop the madness by M.+Baranczak · · Score: 5, Interesting

      This is about that absurd. A parable:

      Nasrudin was walking down the street one day, and came upon a man arguing with a merchant who was selling stew out of a street stall. According to the merchant, the man spent all day hanging around next to the stall, inhaling the aroma of the stew, but not buying anything; the merchant was demanding compensation for the service that he provided.

      Nasrudin, hearing this, took the man's money purse, held it near the merchant's head, and shook it gently for a few moments. Then he said: "Now you're even. He's smelled your food, and you've heard his money jingle."

    25. Re:Somebody please, stop the madness by Duhavid · · Score: 1

      Certainly they own the smoke!

      Read the fine print! Like with software, you
      have not purchased the software, only leased
      the right to use.

      Capsaicin, stop reading now.

      Ok, the rest of you guys. How long can I keep
      the joke running?

      --
      emt 377 emt 4
    26. Re:Somebody please, stop the madness by mfnickster · · Score: 2

      I was told that I could listen to the radio at a reasonable volume from nine to eleven, I told Bill that if Sandra is going to listen to her headphones while she's filing then I should be able to listen to the radio while I'm collating so I don't see why I should have to turn down the radio because I enjoy listening at a reasonable volume from nine to eleven...

      [with infuriating calmness]
      Yeahhhh. Milton, I'm just going to have to ... go ahead and take that radio. Okay? Good.

      --
      "Slow down, Cowboy! It has been 3 years, 7 months and 26 days since you last successfully posted a comment."
    27. Re:Somebody please, stop the madness by timmarhy · · Score: 1

      hold on. since when are you able to tax people on doing covers?

      --
      If you mod me down, I will become more powerful than you can imagine....
    28. Re:Somebody please, stop the madness by kd5ujz · · Score: 1

      They are the UK's equivalent to the USA's ASCAP.

      --
      -William
      God is everything science has yet to explain.
    29. Re:Somebody please, stop the madness by kd5ujz · · Score: 1
      --
      -William
      God is everything science has yet to explain.
    30. Re:Somebody please, stop the madness by delong · · Score: 4, Informative

      You still missed the point. The point is that it doesn't matter how many are listening to a single radio because the broadcaster pays the royalty, full stop.

    31. Re:Somebody please, stop the madness by mabhatter654 · · Score: 1

      In the USA, it's ASCAP/BMI you have to worry about.. the songwriters guild, they already do exactly this same thing. Because they started out on the lawsuit train much sooner they beat the recording publishers to the easy money. That's why in the USA the royalties radio pays are to ASCAP/BMI. The recent Soundforge was created under law to server the RIAA and they are trying to get recording royalties established starting with Web radio.

    32. Re:Somebody please, stop the madness by Propaganda13 · · Score: 2, Funny

      (facially) comitting a tresspass to the person This is my new phrase for the moneyshot.
    33. Re:Somebody please, stop the madness by Belacgod · · Score: 1

      Link? Not that I don't believe you, but I'm writing a paper about the RIAA at the moment and this would make a great example.

    34. Re:Somebody please, stop the madness by Vancorps · · Score: 2, Interesting

      Out of curiosity, is there an example in history where a corporation's behavior was changed using this sort of strategy? I don't know of any. I would love to be educated and my thoughts proven wrong but I don't see that ever working much like embargo's don't work either. Too much collateral damage.

    35. Re:Somebody please, stop the madness by cashman73 · · Score: 5, Funny

      I'll ... I'll ... I'll ... set the building on fire! I'll ... I'll ... put strychnine in the guacamole!

    36. Re:Somebody please, stop the madness by Seumas · · Score: 3, Interesting

      Of course it matters. In fact, that is the apparent entirety of the matter, correct?

      The reason a royalties board cares is that they charge fees based on the estimated size of the listening audience. That is why when you submit a request to play music in a commercial or in a store, you have to establish what use it will serve and approximately how many people will hear the music in a certain period of time. Likewise, you have to gauge a radio station's audience to guesstimate how much to charge them.

      My point is that -- unless a ton of these people who are listening second-hand are Nielson families (where their listening is actually recorded much like television) -- then what does it matter? The people listening to a single radio would not be counted as individual listeners *ANYWAY*.

      Let me put it another way. If ten Nielson Families all watch the same television show on a single television together -- it counts as a single viewer. If ten Nielson Families each watch ten separate televisions, it counts as ten viewers. If ten NON-Nielson Families watch one or ten televisions at a time, it doesn't matter -- because the fact that they are watching is not trackable either way.

      So these people listening in an office could not be tracked whether they each had their own radio or not. It would not affect the reported numbers, the estimated audience, the reports to the royalties board or the royalties that would be collected. Not in any way on earth whatso-freaking-ever.

    37. Re:Somebody please, stop the madness by dwater · · Score: 0, Offtopic

      "another country"?

      Is that "another" as in "in addition to", or as in "different"?

      If the former, then which country is it also happening in?

      If the latter, then it's not a 'different country' if you happen to live in Scotland (or UK, depending on the/your definition of 'country').

      --
      Max.
    38. Re:Somebody please, stop the madness by dwater · · Score: 0

      > Ok, the rest of you guys. How long can I keep
      the joke running?

      Until it stops being funny?

      Oops, too late.

      --
      Max.
    39. Re:Somebody please, stop the madness by kevinx · · Score: 1

      Been to parties that have been busted up because the music was too loud. Never been to a party that was busted up for copyright infringement.

      Come to think of it, I better read the license agreement for my sirirus radio. Maybe they specify the number of people who are allowed to be listening to the radio along with me in my car.

    40. Re:Somebody please, stop the madness by dwater · · Score: 1

      > I was told that I could listen to the radio at a reasonable volume from nine to eleven

      Most volume controls only go to 10.

      The SGI IRIX audio control panel used to go to 11 but I don't think it was the original - that was some cult thing or other.

      --
      Max.
    41. Re:Somebody please, stop the madness by omeomi · · Score: 1

      The venue is generally supposed to be paying a blanket fee to (I think) BMI, ASCAP, and SESAC for royalties. Some do, some don't. And, obviously, since it isn't a government agency collecting the fees, it isn't a tax.

    42. Re:Somebody please, stop the madness by Ticklemonster · · Score: 1

      So if I am reading a newspaper (yes, I can read) and someone else can see the words on it, am I sharing second hand news (okay, I look at the pictures, so sue me) illegally and can I be sued for that, too?

      --
      Karma: Bad is the liberal way of saying this guy won't drink the kool aid here on slash dot. I wear my Karma with pride
    43. Re:Somebody please, stop the madness by ScrewMaster · · Score: 1

      So these people listening in an office could not be tracked whether they each had their own radio or not. It would not affect the reported numbers, the estimated audience, the reports to the royalties board or the royalties that would be collected. Not in any way on earth whatso-freaking-ever.

      Yes but keep in mind that we're talking lawyers here (or is it barristers?) Either way, if anyone can find a legally palatable rationalization for patently irrational behavior these guys can do it. I'm not trying to knock all attorneys here, but let's face it ... some of the stuff they come up with just moggles the bind.

      Just look at the RIAA's lawsuit mill. If that's not an example if institutionalized sociopathy I don't know what is.

      --
      The higher the technology, the sharper that two-edged sword.
    44. Re:Somebody please, stop the madness by unlametheweak · · Score: 4, Informative
      digitalunity:

      The answer is simple. When their actions become so brash that the generally uninformed public becomes annoyed with them, people will simply stop buying their products and the **AA mafia will go broke. Vancorps:

      is there an example in history where a corporation's behavior was changed using this sort of strategy? Something similar to this happened in India when Indians where forced to buy salt from the British. Mahatma Gandhi went to the ocean and picked up a handful of salt and told people to take it for free.

      Reference:
      http://www.thenagain.info/WebChron/India/SaltMarch.html
    45. Re:Somebody please, stop the madness by Capsaicin · · Score: 1

      Capsaicin, stop reading now.

      Not only that, but I got modded flamebait as well. That'll teach me for trying a pun (without pointing it out) at slashdot.

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    46. Re:Somebody please, stop the madness by Pseudonym · · Score: 1

      Most volume controls only go to 10.

      These go to 11.

      --
      sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
    47. Re:Somebody please, stop the madness by Capsaicin · · Score: 3, Funny

      So jam it. A nice, dirty, square wave oscillator should do the trick.

      Why would you bother doing that when you can just call APRA and inform them that of an ongoing copyright violation? ;)

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    48. Re:Somebody please, stop the madness by dwater · · Score: 1

      Ha. OK. Fair enough. However, it's the first time I've heard of one that starts at 9?

      --
      Max.
    49. Re:Somebody please, stop the madness by Duhavid · · Score: 1

      There are many amoung the humour impaired here.

      I shouldn't worry about it. :-)

      I would quit smoking though. If too much comes out,
      you might stop working. :-)

      --
      emt 377 emt 4
    50. Re:Somebody please, stop the madness by tsa · · Score: 1

      Here in the Netherlands you also have to pay outrageous amounts of money if you play music in your shop, or your cafe.

      --

      -- Cheers!

    51. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 1, Informative

      [i]Where do the extents of a 'public performance' end? Radios on in cabs?"[/i]

      Actually in Finland it's already coming that you have to pay royalties in cabs.

    52. Re:Somebody please, stop the madness by rammer · · Score: 1

      And interestingly the only thing to raise a discussion in our parliament about the latest copyright debacle was should churches be exempt of copyright charges when it comes to hymns....
      Separation of church and state. HAH!
      Talk about the failure of democracy....

    53. Re:Somebody please, stop the madness by Techogeek · · Score: 1

      Next you will be getting sued for listening to the radio in your own car with the windows down.. Geez.. This is really getting crazy!

    54. Re:Somebody please, stop the madness by Capsaicin · · Score: 4, Insightful

      Here in the Netherlands you also have to pay outrageous amounts of money if you play music in your shop, or your cafe.

      Really, you have to admire these guys for the amazing scam they've set up. First they get a copyright payment when the recording is sold (times the number of people who buy the recording). Next they get another payment when a radio station wants to license the right to 'perform' it (times the number of radio stations). Finally (?) they get yet another payment when anyone wants to play (the radio or the recording) in a public place (times the number of cafes, shops, etc etc).

      Then the have the audacity to call this stuff intellectual property! What other species of property can you lease so many times simultaneously, without ever having to surrender your own use of it? Wicked!

      --
      Better to be despised for too anxious apprehensions, than ruined by too confident a security. --Edmund Burke
    55. Re:Somebody please, stop the madness by jhol13 · · Score: 2, Interesting

      Unreasonable - yes.

      But it is the law in Finland.

      Taxi drivers and barber shops (etc.) must pay (a little) to Gramex (RIAA equivalent in this sense) for "public performance".

    56. Re:Somebody please, stop the madness by Alexx+K · · Score: 0, Flamebait

      The general public will never get annoyed. I'm sure the average American would sacrifice their firstborn child to hear Justin Timberlake's new hit, or buy a CD with Paris hilton on the cover. Who cares if some guy in the UK got sued for playing the radio in public? Walmart's out of Paris Hilton albums!

      --
      Don't mind the extra X. Alex
    57. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      "Nine to eleven," in this context, refer to hours of the morning, not volume settings.

    58. Re:Somebody please, stop the madness by ockegheim · · Score: 1

      Yes, unless I actually want to listen to it, it's more akin to pollution. If I could link to the Canadian farmer being sued by Monsanto because his crops were contaminated by their GM varieties (against his will), I would.

      --
      I’m old enough to remember 16K of memory being described as “whopping”
    59. Re:Somebody please, stop the madness by mh101 · · Score: 1

      Heh... second-hand got me to thinking: imagine a second-hand-smoke victim receiving a countersuit by tobacco companies because they were able to inhale cigarette smoke they hadn't paid for. Actually, a better example for this case would be if the tobacco companies were to sue the smoker (rather than the second-hand smoke victims), because others were able to *cough*"enjoy"*cough* their product without paying for it.

      Actually, that might be a great way to get rid of those people smoking out in public places. I should suggest that to the tobacco guys.

      --
      Duct tape is like the Force. It has a light side, a dark side, and it holds the universe together.
    60. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Man, why'd you say that? It was hilarious watching him fumble around like a drunken retard.

    61. Re:Somebody please, stop the madness by lindseyp · · Score: 1

      > Charging royalties for unwanted intrusions of music is the most absurd damn thing I've ever heard of, and tries to claim economic value where none exists.

      Worse. This is publically available radio that incurs no fees except by advertising, so by getting more customers to listen to it the company is creating economic value. They ought to get some of the advertising revenues.

      --
      j'ai découvert une démonstration vraiment admirable (de ce théorème général) que cette si
    62. Re:Somebody please, stop the madness by Orethrius · · Score: 1
      In: Office Space
      Out: Spinal Tap

      I think I'm getting the hang of this!

      --
      Now back to my regular pseudo-scientific reading.
    63. Re:Somebody please, stop the madness by InvalidError · · Score: 1

      It would be nice if the real world worked a little like The Twelve Kingdom's: leaders who lose their way or abuse their power and fail to correct themselves before it is too late die. No half-ass trials, no appeals, no goofing around... a sort of "fail-safe" for when people fail to take matters in their own hands or when power is so tightly controlled by authorities that people are practically powerless.

    64. Re:Somebody please, stop the madness by SageMusings · · Score: 5, Funny

      As long as there are un-purchased Bentleys out there, lawyers are forced to explore these legal issues. Seriously, their backs are against the wall on this.

      --
      -- Posted from my parent's basement
    65. Re:Somebody please, stop the madness by Monsterdog · · Score: 1

      It becomes more absurd when you consider that this is the UK, and it's entirely possible the station being listened to at the time was one of the BBC stations, such as Radio One, or one of the BBC locals. The BBC is supported by a mandatory license fee (it's called a TV license usually, but it covers radio as well, and may be broadened to include computers.) Thus, no advertising involved. It becomes ever crazier. This isn't the first time this sort of thing has been pulled, in the USA or elsewhere. This kind of thing is absolutely perfect for destroying any desire anybody has to have anything to do with commercial music.

    66. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Regardless of where you live, any country outside the US is "another country" from the perspective of slashdot, an American site.

    67. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Grasping goddamned fucking bastards -- grind them into the lowest pit of hell using white-hot icepicks.

    68. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      everyone for enjoying their products at second ( or even third ) hand ENJOY second hand smoke?
    69. Re:Somebody please, stop the madness by rtb61 · · Score: 4, Insightful
      But the real problem here is not the music but the radio. Consider the application of the law, if everybody walked into work or any other public space carrying and using their own radio, no one is infringing, the public broadcasting is being done in an electro magnetic spectrum which the radio is receiving and retransmitting. So the courts or the judge are being visibly corrupt in their interpretation of infrgingement.

      It is already a licensed public transmission, only the number of devices used to alter the unencrypted signal to a human audible range is in question.

      So it is a flagrant and complete corruption of the principles of copyright, which corrupt politicians in collusion with drunken drugged up minstrals have implemented to rip of and steal from the general public.

      The only possible infringement would be a long since passed patent infringement on the process of converting the signal. So either the corrupt government stick to the law and administer justice and ban all personal listening devices in those locations and at those times or they accept the proper interpretation of the law and the number of devices used to play a publicly broadcast signal should not affect copyright.

      By the current clearly dishonest interpretation, if I use more than one device at a time, so two radios at once, am I and the broadcaster entitled to a discount and pay half price, just like where two people listening to the same device should pay double.

      A flagrant and glaring example of corporate and government corruption.

      --
      Chaos - everything, everywhere, everywhen
    70. Re:Somebody please, stop the madness by Bert64 · · Score: 4, Insightful

      The listeners don't pay for content played on the radio directly, the radio station pays for the right to broadcast the music.
      The radio station then makes money from advertisers, who advertise because they consider the listener base a large enough for their commercials.
      The music being played on the radio is ALREADY LICENSED for people within range of the station to listen to it, and it's in the stations interest for more people to listen.
      Those people who are close enough to the garage to hear the radio, are obviously within range of the radio station and could use their own radio to listen to it if they wanted. The fact that they're not using their own radio is helping the environment in a small way by saving power. I would imagine that virtually all of the customers of this car servicing company own their own radio too, because it's a really long time since i saw any kind of car which didn't have a radio fitted as standard.
      Hopefully this ridiculous case will be thrown out with the servicing company being awarded compensation for the legal costs incurred defending against such a pointless suit.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    71. Re:Somebody please, stop the madness by Bert64 · · Score: 1, Funny

      They are technically committing an act of terrorism...
      They are willfully subjecting other people to an airborne chemical agent known to cause harm.

      --
      http://spamdecoy.net - free throwaway anonymous email - avoid spam!
    72. Re:Somebody please, stop the madness by init100 · · Score: 2, Insightful

      The answer is simple. When their actions become so brash that the generally uninformed public becomes annoyed with them

      That won't happen. People use the mainstream media as their sole information source about what's happening around the world, but surprise surprise, the news media companies are often the same companies running these lawsuits. And since they understand that this would sully their reputation, the simply keep the information out of the unwashed masses.

      This works pretty good already. Few articles about copyrights, patents, etc, are ever published in mainstream media no matter how outrageous, while unimportant matters like Paris Hilton's last prison sentence or the latest reality TV star having a breast enlargement always make it to the front page.

    73. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Besides - in addition to the fact (mentioned elsewhere) that the radio stations pay already, so do we. In the TV licence fee. It also covers the right to receive radio!

    74. Re:Somebody please, stop the madness by davester666 · · Score: 3, Interesting

      What's next? Perhaps the newspaper will sue you if you hold a copy so somebody can read over your shoulder?

      Um, I recall maybe 10 years ago, some Canadian Newspapers started suing local fast food joints for permitting patrons to leave their newspapers behind for other people to read.

      They are licensed for use by just one person, don't you know! No sharing, even at home!

      Or I could be drunk and saw this on some old Dr. Who episode...

      --
      Sleep your way to a whiter smile...date a dentist!
    75. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      I think the equivalent would be like telling people to make their own music and distribute it for free.

      Which noone of them can be arsed to do.

    76. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      The madness is not in any way limited to the UK (as in this case) or the USA (as in many other cases).

      A couple of years ago in Sweden, STIM* started a discussion whether or not they should be payed for the singing that goes on in churches.

      * I am a little unsure which organization it was, but I think it was STIM. STIM is the Swedish equivalent of ASCAP (http://sv.wikipedia.org/wiki/ASCAP).

    77. Re:Somebody please, stop the madness by Wylfing · · Score: 4, Insightful

      Those people who are close enough to the garage to hear the radio, are obviously within range of the radio station and could use their own radio to listen to it if they wanted.

      That's really it. If there are 20 people in a room, and each of them has a radio, all tuned to the same station, this is apparently fine. The absurdity of this claim is that if they all listen to exactly the same content but from one radio instead of 20 radios, that's copyright infringement.

      --
      Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
    78. Re:Somebody please, stop the madness by ultranova · · Score: 1

      It is completely unreasonable to expect compensation for second-hand radio.

      Here in Finland, the cab drivers must pay the local MAFIAA, Teosto, if they want to listen to radio while driving. The justification is that the passengers can also hear the radio, so it counts as "extra service" - which, of course, is complete nonsense and indeed unreasonable, and thus perfectly in line with the new finnish copyright law, Lex Karpela, and the usual MAFIAA/Teosto mode of operation.

      The faster all copyright law is abolished, the better off we'll all be. It has been proven beyond any shadow of doubt that you can't have a middle ground, since the copyright cartels simply won't settle for it. Either no copyright, or copyright trumping all common sense and decency. Those are the options, and I'd rather choose "no copyright".

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    79. Re:Somebody please, stop the madness by 7-Vodka · · Score: 0

      Actually, this is almost impossible to do because your lungs completely filter the air and absorb just about everything the smoke you just inhaled contains. Yes, it is as bad as it looks.

      --

      Liberty.

    80. Re:Somebody please, stop the madness by digitig · · Score: 1

      Here in Australia, this is already long the established (APRA v Tolbush [1986]), I'm surprised that it is not already so in the UK. It is long established in the UK, too, which is probably why the company already has a policy of no radios at work. This is a new instance of an old story. See http://news.bbc.co.uk/1/hi/england/beds/bucks/herts/4712008.stm for a similar story from February 2006, for example. According to the thread at http://www.startups.co.uk/6678842911226889168/performing-rights-society.html it's been an issue in Chinese food takeaways for at least 30 years.
      --
      Quidnam Latine loqui modo coepi?
    81. Re:Somebody please, stop the madness by roguetrick · · Score: 1

      Quick, blow up the cars!

      --
      -The world would be a better place if everyone had a hoverboard
    82. Re:Somebody please, stop the madness by smurfsurf · · Score: 1

      > Next you will be getting sued for listening to the radio in your own car with the windows down

      No, not for listening but for performing for the pedestrians waiting at the traffic light without paying for performance rights. Obviously.

    83. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      You can't stick a flag in cyberspace.

    84. Re:Somebody please, stop the madness by honeybuttertoast · · Score: 1

      Found this - Just a satirical article however. Not aware that they've actually gone ahead with this, unless it gave them ideas.

    85. Re:Somebody please, stop the madness by meringuoid · · Score: 1
      I think the equivalent would be like telling people to make their own music and distribute it for free.

      But we are making our own music and distributing it for free. I create an mp3 file on a hard disk, I have made some music, in the sense that where none existed before music now exists. It happens to be identical to music also made by record companies, and traces back to the same original recording as theirs. But theirs is legal, and mine illegal, because the government says so.

      How is this different from Gandhi's salt, which was identical to the British salt, but was illegal because the government said so?

      --
      Real Daleks don't climb stairs - they level the building.
    86. Re:Somebody please, stop the madness by mux2000 · · Score: 1

      Dear Dave,

      Please cease and dessist from consuming our unlicensed content. You're welcome to settle before we sue - That would be $9k per song pirated over the cubicle wall. Our attorny will contact you for payment arrangements.

      Thank you,
      The RIAA

    87. Re:Somebody please, stop the madness by empaler · · Score: 1

      My apologies. I've ardently tried to find an article on the above-mentioned situation, but I have failed. I'm pretty sure I've seen the article on /. a while back (ca. 9-15 months), but I've had no luck tracking it down at all. Sorry I couldn't help.

    88. Re:Somebody please, stop the madness by tolan-b · · Score: 1

      Although I agree that in general the music industry is being massively out of order in its attempts to find new revenue to cover their failing business model, I think this story doesn't really apply.

      The summary in this story is a bit misleading to be honest. PRS fees are nothing new in the UK, most big businesses have been paying them for years without incident.

      Basically if you play music whether on a PA or an office radio in 'public' then you have to pay performance rights. The cost is a fixed yearly fee. Big chains that play music for their staff or customers pay a fixed yearly fee per place (store, office) that music is played.

      The reason this case is going to court is that Quickfit, the firm in question, have a no radios policy for their staff. However they haven't enforced it, so many of their garages have radios in them against company policy. Quickfit argue that because their company policy is to not allow radios, they shouldn't be responsible for PRS fees if their employees break the rules. They haven't really got a leg to stand on though because they're responsible for what happens in their garages and should b enforcing the ban on radios if they don't want to pay the fees.

    89. Re:Somebody please, stop the madness by bint · · Score: 1

      If you want a parallel they should sue *the smokers* for letting the public "enjoy" their smoke without authorization. Not a bad idea... :)

    90. Re:Somebody please, stop the madness by caluml · · Score: 1

      How is this different from Gandhi's salt Well - one is a chemical, commonly used to flavour food...
    91. Re:Somebody please, stop the madness by MindStalker · · Score: 1

      Actually this has been the situation for a while. If a business is playing the radio loud enough to be heard by customers they have to pay a license fee. I know of quite a few business that have been harrassed about this, most just agree to pay the license or turn off the radio. I'm guessing this cab company either fought or the someone wants to make an example out of them. This could end up being a good thing actually if the court finds for the cab company.

    92. Re:Somebody please, stop the madness by mpe · · Score: 1

      Yes, unless I actually want to listen to it, it's more akin to pollution.

      Specifically noise pollution...

      If I could link to the Canadian farmer being sued by Monsanto because his crops were contaminated by their GM varieties (against his will), I would.

      This is probably far more serious since these weeds destroyed his crop and quite possibly his ability to farm the same plant species. Noise pollution from unwanted music typically does not prevent you from listening to music you may want to listen to. Even when you have noise pollution impinging on your own property the law will tend to protect you...

    93. Re:Somebody please, stop the madness by cammoblammo · · Score: 1

      Copyrighted hymns are, believe it or not, a big problem for some churches. Many countries, including a few in northern Europe have a separate royalty collection agency to represent rights-holders of songs likely to be sung in churches. As far as I understand the license covers the printing of words in hymn sheets, OHP or whatever, but not the act of singing itself (which is apparently presumed to be okay --- hymnals and the like are generally published with the understanding that they're going to be used for public singing), and obviously doesn't cover works that are in the public domain (or for which rights have otherwise been acquired).

      In Australia, APRA (our equivalent of the RIAA) allows churches a general exemption from paying royalties on performing recorded music during worship services. This means that you can play Britney for your congregational prayer time without worrying about the stormtroopers busting in the windows.

      Of course, if my church started to play Britney I'd be praying for the stormtroopers to bust in the windows, but that's another discussion.

      --

      Cogito, ergo sig.

    94. Re:Somebody please, stop the madness by mpe · · Score: 1

      Been to parties that have been busted up because the music was too loud. Never been to a party that was busted up for copyright infringement.

      Doubt that whoever complained about the noise would be sued for "copyright infringement", either.

      Come to think of it, I better read the license agreement for my sirirus radio. Maybe they specify the number of people who are allowed to be listening to the radio along with me in my car.

      As well as your Hi-Fi, TV, etc, etc.

    95. Re:Somebody please, stop the madness by mpe · · Score: 1

      And lo- the absurdities continue. How much more of this legalism must we endure before their system implodes?

      Maybe the judge is continuing the case in the hope that the plaintiffs will give themselves enough rope to hang themselves, thus he won't be bothered by such cases ever again.

    96. Re:Somebody please, stop the madness by zotz · · Score: 1

      "Charging royalties for unwanted intrusions of music is the most absurd damn thing I've ever heard of, and tries to claim economic value where none exists."

      Here is an angle to push:

      Putting copyrighted, non-Free licensed music in public spaces should be considered pollution. Keep performances of your copyrighted works out of public spaces or license them under Free licenses. Anything else pollutes creators' minds causing them to run the risk of unconscious copyright infringement.

      Let's clean up the public spaces. STOP THE POLLUTION NOW!

      ~;-)

      all the best,

      drew

      http://rukiddinmez.blogspot.com/
      RUKiddinMe?

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    97. Re:Somebody please, stop the madness by zotz · · Score: 1

      I think you are missing the point that it is actually about double dipping. (Or at least not mentioning it directly.)

      all the best,

      drew

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    98. Re:Somebody please, stop the madness by hey! · · Score: 1

      Oh, the madness will stop. Once the industry makes it impossible for people to be exposed to their product, their new customers will dry up. Their old customers will also dry up as they get out of the habit because it's just too inconvenient.

      It's already happening.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    99. Re:Somebody please, stop the madness by necro81 · · Score: 1

      It is completely unreasonable to expect compensation for second-hand radio.
      I've been hoping to be compensated for having to hear all kinds of crap on the radio second-hand, but I haven't seen one cent yet.
    100. Re:Somebody please, stop the madness by mdwh2 · · Score: 1

      It's worse than that - it's as if a free newspaper company sued you, since they're being sued over the radio, which anyone could listen to. If this involved playing CDs, whilst it'd still be mad, at least there would be some plausible logic.

      The appropriate licencing fees have already been paid by the radio. If they don't want people listening to it, they shouldn't be broadcasting it on the radio for all to hear.

    101. Re:Somebody please, stop the madness by Hyperspite · · Score: 1

      ...because they might sue HIM for pirating music.

    102. Re:Somebody please, stop the madness by srussia · · Score: 1

      Then the have the audacity to call this stuff intellectual property! What other species of property can you lease so many times simultaneously, without ever having to surrender your own use of it? Wicked!

      Money (see:Fractional Reserve System)
      --
      Set your phasers on "funky"!
    103. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Was there ever a period in history when pluralizing with an apostrophe worked?

    104. Re:Somebody please, stop the madness by Fred_A · · Score: 1

      Well - one is a chemical, commonly used to flavour food... Ah, I can tell that you've never tasted food with MP<sub>3</sub> added ;)
      --

      May contain traces of nut.
      Made from the freshest electrons.
    105. Re:Somebody please, stop the madness by EdelFactor19 · · Score: 1

      especially when its a free medium to begin with.. what if the person in the back has a radio to either in cab, or a walkman type thing and they are listening to the same station.

      does this mean you can also target anyone cited for a noise violation do to loud music? and what about high school dances? or gyms that play the radio

      --
      "Jazz isn't dead, it just smells funny" ~Frank Zappa
      EdelFactor
    106. Re:Somebody please, stop the madness by Hoi+Polloi · · Score: 1

      Well I just got a letter from Taco Bell demanding money for letting other's enjoy my meal without permission when I fart.

      --
      It is by the juice of the coffee bean that thoughts acquire speed, the teeth acquire stains. The stains become a warning
    107. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      I stopped buying CDs a long time ago when artists started to sue for sharing music online. Musicians should make their money by performing concerts. Everyone else makes money by "going to work". Why should musicians be any different.. work, perform, and you shall make money. Sit home on your ass and you wont make money. CDs should be looked at as marketing tools for their upcoming concerts.. PERIOD. CDs, digital recordings, and the Internet are inexpensive marketing tools to provoke interest in their upcoming concerts.

      The Internet is the best tool for marketing anyone can ask for... just stop being so damn selfish. When I was a kid, we would buy one cassette and make copies to play in the car, at a friends house, etc.. nobody cared when you copied a cassette tape, why is a cd such a big deal? Now they want you to be careful as to whose listening to your radio? I hope the music industry indeed crumbles over all this.. If artists weren't so selfish and they were willing to roll with the times like all of us other folks do, they would be able to find new avenues for profit and revolutionize their industry. If you are stuborn and unwilling to accept change, you will not make it very far. Suing people for listening to your music only alienates you.. As soon as I hear of a band suing people for trying to enjoy their music, I boycott their work forever. Take the Grateful Dead as an example. They promoted the sharing, distributing and copying of their work. They went on to be the most profitable band in history while they made most of their money touring. Share your music and people will want to see you perform. Act like a selfish ass and you should find another line of work.

    108. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      And the other is that, as you said yourself, your mp3 wouldn't exist without the source, whereas Ghandi's salt would have existed with or without the existence of the British salt.

    109. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Similar case in Canada, a few weeks ago, the SOCAN http://www.socan.ca/ (Society of Composers, Authors and Music Publishers of Canada) started to distribute warnings to hair salons, generally businises with low profit and hard time to stay profitable. They can only play the Radio, if they play CD music they have to pay a fee based on the sqwuare footing of the business, just like bars or dance clubs.
      http://www.theglobeandmail.com/servlet/story/RTGAM.20070720.whair0720/BNStory/National/home

      All this backed up by musicians, including "Daniel Boucher" that I now boycott, as he was unable to answer small hair salon owner barely making it each month, anything else than "Butt, butt, it's our money they should pay, if their business is that bad, they will close soon anyway". How about, if you cannot make it selling shows and t-shirt YOU should go under?

      This is really getting out of hand. We need a new global health distribution system in the music industry to still make fitly rich the stars (easily done), and help out the starting artists.

    110. Re:Somebody please, stop the madness by frostband · · Score: 1

      My mother runs a small business (lodging) in Texas. I was telling her one day about the RIAA's latest legal tactics and she told me about some letters and phone calls that she had received asking if she played music in the front lobby. She thinks it was ASCAP but isn't sure, but also said that other businesses (targeting the hotel industry) in the area had also been hassled. If she was playing the music in the front lobby (can't remember if it was any music or certain music), she was supposed to pay licensing fees to their organization.

      This was long, long ago--perhaps 25-30 years ago.

    111. Re:Somebody please, stop the madness by Duhavid · · Score: 1

      A cease and desist?

      I get those from my family, too.

      --
      emt 377 emt 4
    112. Re:Somebody please, stop the madness by M.+Baranczak · · Score: 1

      It was probably ASCAP. And yes, they're still at it.

    113. Re:Somebody please, stop the madness by JBdH · · Score: 1

      It is even worse than that in the Netherlands : you also have to pay outrageous amounts of money if you play music AT WORK. And you can forget going to court to fight that. The best part is that the money is claimed by company that is called The foundation for accompanying rights. Theý are not state owned, but have some kind of license to go about and go after your money.

      They actually visit offices and count the number of physical radios and - more recently - checking computers for bookmarks to internetradio stations or iTunes installations and that kind of stuff.

    114. Re:Somebody please, stop the madness by mikael · · Score: 1
      --
      Vintage computer adverts: http://www.vintageadbrowser.com/computers-and-software-ads
    115. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      "long, long ago"

      in a galaxy far, far, far away

    116. Re:Somebody please, stop the madness by torkus · · Score: 1

      Is it me or is this double dipping?

      The MAFIAA get paid by the radio stations to broadcast the songs (which, in turn is paid by advertizing) based on whatever magical contract they sign. If every person in that shop had a radio with earphones it's fine. If one is playing through a PA you have the same audience (for both hearing the song and hearing the commercials). I fail to see how the MAFIAA is losing anything here. Well anything other than additional royalties that i think are scandelous.

      --
      You can get rich if you own a politician, but you have to be rich to buy one in the first place.
    117. Re:Somebody please, stop the madness by vanyel · · Score: 1

      Apparently all those years on drugs are taking their toll on the brains of the music industry...

    118. Re:Somebody please, stop the madness by mikiN · · Score: 1

      Perhaps if you had phrased it as: "Your analogy blows," it wouldn't have been modded flamebait, at the rist of even fewer people getting the joke.

      It is not the sucking (consuming) but the eventual blowing (sharing) of smoke that is the alleged offence here.

      --
      The Hacker's Guide To The Kernel: Don't panic()!
    119. Re:Somebody please, stop the madness by Skadet · · Score: 1

      For what it's worth, it's actually Arbitron that calculates the estimated size of the listening audience. There are no -- so far as I know -- recording devices that track what people listen to on the radio.

      The Portable People Meter is being rolled out now (top 50 markets by 2010, so they say) which will do something close to what you are talking about.

      I saw a reply to you that said you missed the point, but I think he misunderstood yours. I don't think it's as big of a problem as you make it out to be though. Radio markets are gross approximations by nature. The station pays royalties based on its *market size*, not actual listenership (If I ran a station that could theoretically reach 500,000 people, but in actuality it only reaches 10, I still pay the 500k rate).

      Yes, I used to work in radio. It's a racket.

    120. Re:Somebody please, stop the madness by Elbowgeek · · Score: 1

      Indeed, in a way the record companies are biting the hand that feeds them. The radio station has licensed the music and wants the most number of listeners so that they can charge as much as possible for advertising time. If the companies supplying music are discouraging listening in this way, then radio station profits go down and the music gets less air time when the stations can't afford to license the music. And artists that record companies want to manufacture and promote get less listers.

      Cheers

      --
      Who is this delectable creature with an insatiable love of the dead?
    121. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      Microsoft can answer that one for you.

    122. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      If I could link to the Canadian farmer being sued by Monsanto because his crops were contaminated by their GM varieties (against his will), I would.

      Would people stop spreading this lie. It was not against his will. He wanted GM crops and even selected for them.

    123. Re:Somebody please, stop the madness by tsa · · Score: 1

      I looked around on the website of BUMA/STEMRA (the Dutch RIAA). There is some very interesting info there, but what is even more interesting is that nowhere on the website could I find how much the artists get of all the money BUMA/STEMRA collects.

      --

      -- Cheers!

    124. Re:Somebody please, stop the madness by Myopic · · Score: 1

      please someone explain the reference

    125. Re:Somebody please, stop the madness by ConceptJunkie · · Score: 1

      Excellent parable. I wish Nasrudin was an IP-rights lawyer. I think only an unshakable Zen master could deal with the absurdity of today's IP-rights environment without going insane.

      Client: "Do I have a right to sue for second-hand radio enjoyment?"
      Nasrudin: "Only if the painter can sue the customer of his portrait over those who view his masterpiece."

      In other words, you cannot own a person's perception of something, so the question doesn't even make sense.

      It's kind of a lame analogy, but it's coming down to IP meaning "wning whether or not someone can perceive something" and the perception of something being the thing of value. The ultimate conclusion of which, the way things are right now, is that the copyright owner has the right to install wetware to interrupt and/or filter the nerve impulses of unlicensed consumers of their product.

      - ConceptJunkie (likes concepts, but lousy at Zen)

      --
      You are in a maze of twisty little passages, all alike.
    126. Re:Somebody please, stop the madness by RickRussellTX · · Score: 1

      Already publishers & retailers of print products routinely try to put people out of business. For example, for buying your books from a discounter:

      http://www.thecrimson.com/article.aspx?ref=519564

    127. Re:Somebody please, stop the madness by Pie-rate · · Score: 0

      You can also target almost all radio stations. They go out in their vans and set up those tent canopy things and speakers somewhere randomly in town. I've seen almost every radio station where I live do this.

    128. Re:Somebody please, stop the madness by davidsyes · · Score: 1

      It could descend to lower, muddier depths when people sue for breach of merchantability/fit for purpose for over-clocked use of toilet paper.

      With names like these, we should sue (or could be sued for making fun of):

      Encore (give a hand, bravo, bravo)
      Windsoft (windy day in Arizona?)
      White Cloud (certainly not heavenly)
      Scotch (don't wipe too fast)

      I wonder if there is one called "Ogive", Octave, Harmony, Spiral Graph, Heap...

      There's a camouflaged paper design (or pun)

      http://www.productdose.com/article.php?article_id=6567

      --
      Previously: "Linux... Toward the Sunrise..." Now: "Linux... Toward the-- No, now, part of Every Sunrise"
    129. Re:Somebody please, stop the madness by that+IT+girl · · Score: 1

      Heh... second-hand got me to thinking: imagine a second-hand-smoke victim receiving a countersuit by tobacco companies because they were able to inhale cigarette smoke they hadn't paid for. It's even worse. It's as if the cigarette companies sued a guy who smokes because someone inhaled his second-hand smoke.
      --
      10 FILL MUG WITH COFFEE
      20 DRINK COFFEE
      30 GOTO 10
    130. Re:Somebody please, stop the madness by davidsyes · · Score: 1

      http://www.toilettissue.us/

      Is probably where the RIAA should go. Well, once musicians once and for all stop being co-opted by the RIAA, PRS and the other soupy names can go...

      --
      Previously: "Linux... Toward the Sunrise..." Now: "Linux... Toward the-- No, now, part of Every Sunrise"
    131. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      I have made some music, in the sense that where none existed before music now exists This has been said by sibling, but-- don't be thick. You didn't create that mp3, you copied it. Loading something onto your hard drive does not mean you created it in any sense. Otherwise I just created the linux kernel and several clones of Jenna Jameson.

    132. Re:Somebody please, stop the madness by ca111a · · Score: 1

      I think you got it all wrong. Tobacco companies will sue the "first hand" smokers, because they are letting the others use that smoke without paying for it. All smoker should collect the exhaled smoke...

    133. Re:Somebody please, stop the madness by meringuoid · · Score: 1
      Otherwise I just created the linux kernel and several clones of Jenna Jameson.

      Several pictures of Jenna Jameson, I think you'll find, though if I'm wrong I'd like to get hold of your technology. But the Linux kernel you created is very similar to a current derivative form of one Linus Torvalds created, and according to the government you can't copy it except under the terms he demands (in this case, the GPL). Nonetheless, you did create the kernel on your hard disk. Linus didn't, unless he came around and set up your computer for you. The Linux kernel on your hard disk is a distinct physical entity, separate from the one on the kernel.org FTP server, and you created it.

      It's only that government edict about 'copyright' that (at least theoretically) prevents us creating and sharing all the music we like. Sure, all the music we create is a copy of music someone else once recorded, but that's a separate issue.

      --
      Real Daleks don't climb stairs - they level the building.
    134. Re:Somebody please, stop the madness by myth_of_sisyphus · · Score: 1

      This reminds me of something I read.

      The orchestra leader for Muzak said the only song he couldn't translate to Muzak was "Another One Bites the Dust." (Although he tried. Seriously.)

    135. Re:Somebody please, stop the madness by Anonymous Coward · · Score: 0

      boston tea party

    136. Re:Somebody please, stop the madness by dwater · · Score: 1

      It wasn't /. that was making the comment, so it depends completely on where the person making the comment lives, which wasn't mentioned.

      On the other hand, since the comment was 'another country', we can assume the posted isn't in Scotland, which is the only relevant point.

      So, I apologise and withdraw my post (though it might have been nice to know where 'here' is).

      --
      Max.
    137. Re:Somebody please, stop the madness by humanifesto · · Score: 1

      IANAL but seriously, this is ridiculous. If someone plays their CD/cassette/iPod through a stereo system in a public place, yes, that would violate broadcast copyright laws. But radio stations pay the royalties required to send their signal to anyone and everyone within the broadcast radius of their radio tower. Whether I am listening on my personal radio, the radio in my friend's car, or a radio blasting to a field of 10,000 people, if we are inside the broadcast radius, the royalties have been paid for me to hear that song.

      --
      My account is a prime number.
      1337 is not a prime number.
    138. Re:Somebody please, stop the madness by tinkertim · · Score: 1

      Certainly they own the smoke!

      Read the fine print! Like with software, you
      have not purchased the software, only leased
      the right to use.

      Capsaicin, stop reading now.

      Ok, the rest of you guys. How long can I keep
      the joke running?


      Well, I just patented creating rings with exhaled smoke, don't any of you dare infringe upon my intellectual property!
    139. Re:Somebody please, stop the madness by Meski · · Score: 1

      SCO

    140. Re:Somebody please, stop the madness by tolan-b · · Score: 1

      Well it's in the UK for a start so it's not the RIAA doing this. This is a UK specific body that was set up long before the current industry associations. The fact that's it's radio is incidental though, it's the playing of music to an audience, the same fees would be applicable if it were CDs they're playing.

      Yes though, there are two sets of payments involved.

      More info n mechanical and performance royalties in the UK are available here:

      http://www.mcps-prs-alliance.co.uk/

    141. Re:Somebody please, stop the madness by MZoom · · Score: 1

      I was told that I could listen to the radio at a reasonable volume from nine to eleven, I told Bill that if Sandra is going to listen to her headphones while she's filing then I should be able to listen to the radio while I'm collating so I don't see why I should have to turn down the radio because I enjoy listening at a reasonable volume from nine to eleven...
      I was instructed to do the same thing so I brought in an old 'boom box' and set the volume up to nine (mine doesn't have an eleven on the volume knob). I have found the 'nine' setting to be loud enough to drown out most filing noise and collating/copier noises. Sure would be nice to have a radio that turns up to eleven though.
      --
      Integrity is what you are when nobody is looking.
    142. Re:Somebody please, stop the madness by bandmassa · · Score: 1

      > drunken drugged up minstrals
      Actually, don't blame ALL the musos. Yeh, the wankers in Metallica thought it was a great idea to sue their fans, but Trent Resnor has explicitly said, "Steel my music!" in protest against the REAL culprits of the "intellectual property" scam: the labels and distributors.

      The vast majority of musicians, while wanting to get paid, value their fans enough to not want them ripped off, either.

      --
      "I hope you like Guinness, Sir. I find it a refreshing substitute for, er... food." Col. Jack O'Neil, SG-1
  2. They sure are greedy by slashqwerty · · Score: 5, Interesting

    Don't the radio stations already pay royalties? Why should the artists collect twice?

    1. Re:They sure are greedy by adona1 · · Score: 2, Insightful

      I would be surprised if the artists collected anything from a lawsuit like this, except maybe a tarnished reputation.

      --
      Between the falling angel and the rising ape
    2. Re:They sure are greedy by Dunbal · · Score: 4, Insightful

      Why should the artists collect twice?

            This has nothing to do with the artists. In fact, the artists will never see a penny of this.

      --
      Seven puppies were harmed during the making of this post.
    3. Re:They sure are greedy by Anonymous Coward · · Score: 1, Insightful

      The artists collect twice??? What world do you live in? The artists get pocket change, everyone else involved with getting the music from the mouth/instrument of the artist to the ears of the audience gets most of it. It's the RIAA/ASCAP/BMI that wants you to pay, pay again, and then to change things up a bit, pay some more.

    4. Re:They sure are greedy by Anonymous Coward · · Score: 0

      The artists collect? Very funny.

    5. Re:They sure are greedy by Rohan427 · · Score: 1

      The artists are lucky if they ever collect at all. It's the labels that are collecting and stealing from the artists.

      Yes, the stations do pay the labels for the music, so as far as I'm concerned, there's no case.

      It's crap like this that promotes music piracy. This is far from a deterrent, it's incentive, but the labels are too stupid to figure out the obvious.

      PGA

    6. Re:They sure are greedy by mabhatter654 · · Score: 1

      i never understood why BROADCAST radio regulated by the FCC was not considered 'public performance' by the FCC as the stations already pay per listener. Isn't it double-dipping to charge players of public radio? More than that the radio station buys the rights to air songs to the public already. It's expected that they can sell their performance to gain advertising dollars for broadcasting, last I checked I don't have any kind of FCC license to listen to the public radio (and in the UK don't they already pay radio tax) and wouldn't suing people for listing to the radio performance be some kind of "slander of title" against the rights to broadcast and royalties paid by commercial radio stations?

    7. Re:They sure are greedy by clickclickdrone · · Score: 2, Funny

      >This has nothing to do with the artists. In fact, the artists will never see a penny of this.
      Not my understanding. PRS log every track and when/where it was played - they wouldn't bother if it didn't get to the artist. In fact I knew someone who used to make a fair living starting a multitude of 'bands' with similar names and relying on typos when keying in data for picking up a few quid here and there e.g. calling himself U3 and self publishing a single called 'New Years Eve' then picking up a % of U2/New Years Day income.

      --
      I want a list of atrocities done in your name - Recoil
    8. Re:They sure are greedy by maccallr · · Score: 1

      Now That's What I Call Thinking Outside The Box! (Volume 1 in shops now.)

    9. Re:They sure are greedy by Myopic · · Score: 1

      songwriters are artists, and songwriters receive 'mechanical royalties' on public performances such as radio play. afaik, singers to not receive mechanical royalties.

  3. Good thing I hate listening to radio! by Anonymous Coward · · Score: 0

    Although it's hard to boycott what you don't use.

    1. Re:Good thing I hate listening to radio! by tepples · · Score: 2, Interesting

      Although it's hard to boycott what you don't use. You use proprietary music every time you walk into a grocery store that plays music.
  4. sigh by wizardforce · · Score: 4, Interesting

    you know what is next, it'll become illegal for anyone to have only one copy of a cd because other people can hear it.

    --
    Sigs are too short to say anything truly profound so read the above post instead.
    1. Re:sigh by CompuGeek · · Score: 3, Funny

      Or have to pay because a person can smell baking bread at the bakery.

    2. Re:sigh by Anonymous Coward · · Score: 5, Funny

      This is already illegal.

      I buy at least 4 copies of each CD, with a separate player and headphones for each. When friends come over, we synchronize playback with the familiar 3-2-1 countdown. Are you saying you don't follow the procedure?

    3. Re:sigh by Dunbal · · Score: 2, Insightful

      Nah, I just download my music from some torrent site and burn my friends a copy. Are you saying you don't follow the procedure?

      --
      Seven puppies were harmed during the making of this post.
    4. Re:sigh by Ashlocke · · Score: 3, Interesting

      Perhaps they should put a warning on the portable radio box:

      "Using the radio/CD/Casset player for anyone other than the owner is AGAINST THE LAW, AND MAY LEAD TO HARSH FINES."

      Disturbing.

    5. Re:sigh by Anonymous Coward · · Score: 0

      yep, a family of 4 would be "stealing" if they didn't buy 4 copies of each and every one of their music. never mind that it is the stupidest, unenforcable law with no grounding in reality, THEY WANT THEIR MONEY NOW

    6. Re:sigh by RandomPrecision · · Score: 1

      Only with Zaireeka, but that's usually with speakers, not headphones.

    7. Re:sigh by Anonymous Coward · · Score: 0

      Why was this moderated as "Informative"? "Funny," yes. "Informative," not really.

    8. Re:sigh by grahamd0 · · Score: 1

      I'm waiting for the "one CD for each player" policy, where you need one CD for the stereo in your house, another for your car, and another for work, etc.

    9. Re:sigh by shutdown+-p+now · · Score: 4, Funny

      Well, if we are to learn anything from that old story, then we should keep paying them with the modern analogue of the sound of coins in a shaked purse. Emailed images of scanned dollar bills for the appropriate amount should do the trick!

    10. Re:sigh by innerweb · · Score: 1

      AC, put down the drugs. Step away from the computer. Your rights to post are being revoked.

      I can't believe someone missed that, even on slashdot.

      InnerWeb

      --
      Freud might say that Intelligent Design is religion's ID.
    11. Re:sigh by Mishotaki · · Score: 1

      And that's the reason we make copies! So that people around us can listen to the music we like.

    12. Re:sigh by Palshife · · Score: 1

      You listen in the same room? You've either got a ridiculously loose mortgage agreement or you just like flirting with disaster.

      --
      Attention deficit disorder is a complicated issue, spanning several major... HEY LET'S GO RIDE BIKES!
    13. Re:sigh by fmobus · · Score: 1

      I was lazier: I just mixed all Zaireeka CDs together.

    14. Re:sigh by Blue+Stone · · Score: 1
      This all appears similar to the midset of the movie execs who were first shown the new video tape techinology.

      They were horrified by the prospect of someone walking into the room where the video was playing to persons who had rented the tape, and sitting down and watching it without paying up.

      Their mindset was still in the movie theatre and hadn't shifted to the new, perhaps counter-intuitive model of entertainment dissemination. It seem like this collecting agency still thinks we all listen to music at ticketed venues.

      Is there some sort of propensity that copyright agencies have for emulating organised crime and shaking people down for moneys any which way they can? Perhaps it's part of the nature of the monopoly situation that is copyright.

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
    15. Re:sigh by Anonymous Coward · · Score: 0

      No, what's next is, we'll have mandatory surgical eardrum removal at birth. There, now nobody can listen to music without paying for it.

    16. Re:sigh by steveo777 · · Score: 1

      That's why I'm a big fan of Jimmy John's. They give out free smells. No need to worry if your sandwich's scent reaches the nostrils of a coworker. I think JJ's knows that they'll make more money with a good reputation than suing everyone who catches a whiff of a #9 on wheat.

      --
      This sig isn't original enough, it's time to come up with something witty...
    17. Re:sigh by Anonymous Coward · · Score: 0

      Unfortunately that is illegal too. The act of synchronization transforms your 4 independent listening sessions into one "public performance," for which you now owe (quite considerable) royalties.

      You only have yourselves to blame. Music was never meant to be a social experience. Or enjoyed, for that matter,

  5. seriously??? by WwWonka · · Score: 5, Funny

    seriously?...um...seriously? SERIOUSLY? hold on, let me think about this one a little more...............seriously????

    1. Re:seriously??? by LWATCDR · · Score: 5, Funny

      It could only happen in America. The Us has a broken legal system. Thank goodness nothing that stupid could ever happen in the EU...
      Oh never mind.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    2. Re:seriously??? by mabhatter654 · · Score: 1

      you were meaning to say that some of out lawyers in the USA got out.. not what we meet to export... sorry about that.

    3. Re:seriously??? by aeschenkarnos · · Score: 1
      Actually it's much more likely to happen in the UK than in the rest of Europe. The US legal system, like that of most former British Imperial nations, is derived from the English Common Law, which is adversarial, ie, each side, normally through lawyers, presents a case and the judge acts as impartial referee. Judges are greatly constrained from actual participation in the trial, and under most conditions cannot themselves bring up any matter that neither party to the trial sees fit to bring up.

      Most Continental European nations derive their legal system from Roman Civil Law, where the judge is an active participant whose brief includes pursuing the actual truth of the matter. A European judge is free to call witnesses, and can make judgements for and against (and lay charges against) third parties if they become relevant to the case at hand.

    4. Re:seriously??? by akasch · · Score: 0

      yeah - now I was worried about playing solitaire or online poker when the boss walks by - but now I see the deeper threat, having a radio station on! that could ruin the company - guess I'll stick to online poker (maybe I'll stick to programming a poker bot on my own time though)

      --
      Mo
    5. Re:seriously??? by Anonymous Coward · · Score: 0

      It did...Finland

    6. Re:seriously??? by gl4ss · · Score: 1

      it happens everywhere "western" enough, includes usa and most of europe I'd suppose(at least nordics).

      it happens because there's a body that gets money and wants more money.. so.. they'll go for double or triple charging, whatever they can get, because they employ people to only think of ways to extract more money from royalties, basically so that they could employ even more people to think how to extract more money from royalties. the more "mature" the music biz in a country the more probable that this happens.

      first the radio dj buys the record, then the radio station pays for transmitting it.. and then the barbershop pays.

      beautiful thing about the public radio playing rights is that no matter what channel is on or whatever, the money is still the same and gets distributed "fairly" by the body that collects the royalties.

      --
      world was created 5 seconds before this post as it is.
    7. Re:seriously??? by Anonymous Coward · · Score: 0

      Except that the case is in Scotland, which uses Scots law, which is derived from Roman Civil Law with influences from english common law.

    8. Re:seriously??? by LWATCDR · · Score: 2, Insightful

      Actually it was more of a comment to all the EU is great the US sucks bashers that I see here on Slashdot. I just hope that the EU doesn't get as carried away with personal injury lawsuits as the US has. There is a place by my office that has cups with this warning label. "Warning Hot Drinks served Hot..."

      Many years ago I was in Ireland and went to visit some cliffs. There was a wall on meter tall well back from the cliffs. On that wall as a warning sign to not cross go past that wall. Everybody was just stepping over the wall and walking right up to the cliffs. I did the same and the view was great. I asked one of the locals why the wall was so easy to climb over. I mentioned that in the US if they did that and fell they would sue the daylight out of somebody.
      The man looked at me and said, "In Ireland we figure that if you step over the wall and fall it is your own bloody fault."
      Smart people the Irish.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    9. Re:seriously??? by tehcyder · · Score: 1

      seriously?...um...seriously? SERIOUSLY? hold on, let me think about this one a little more...............seriously????
      Yes, here in the UK businesses who play music in public have to have a performing rights licence, what's so hard to understand?
      --
      To have a right to do a thing is not at all the same as to be right in doing it
  6. Must be quite a performance.... by btavshan · · Score: 2, Funny

    I never knew watching the guys wash your car counted as a performance. I suppose I'm more of a performing arts snob than I thought....

    1. Re:Must be quite a performance.... by Doctor+Faustus · · Score: 2, Funny

      I never knew watching the guys wash your car counted as a performance.
      All the carwash fundraisers cheerleading squads like to do are pretty clearly performances, even if they wouldn't like to admit it.

  7. This isn't *all* bad... by EvanED · · Score: 5, Funny

    If they lose, sanity prevails.

    But if they win, it provides precedent to sue anyone driving by with their car stereo too loud, so at least we get something out of the mess.

    1. Re:This isn't *all* bad... by syd02 · · Score: 1
    2. Re:This isn't *all* bad... by dskoll · · Score: 2, Funny

      Now if only we could sue idiots who listen to portable music players on the bus and turn the volume up just loud enough to (a) liquefy their brains and (b) annoy the hell out of fellow passengers...

    3. Re:This isn't *all* bad... by Anonymous Coward · · Score: 0

      I didn't see the section on UK law in that article. Am I missing something?

  8. That really is stupid by Reality+Master+201 · · Score: 4, Funny

    I mean, holy shit, that's possibly the stupidest thing I ever heard.

    1. Re:That really is stupid by Puff+of+Logic · · Score: 1

      I'm really quite flabbergasted by stories such as these. It increasingly seems that being bat-shit insane is a prerequisite to do business in the entertainment industry. I can accept this for artists, but such a characteristic in the paper-pushers has become rather annoying of late. I can only wish that they are soon visited by the ghosts of Music -Past, -Present, and -Future respectively, and instructed on the error of their ways.

      --
      P.P.S. I'm doing Science and I'm still alive.
    2. Re:That really is stupid by empaler · · Score: 1

      I mean, holy shit, that's possibly the stupidest thing I ever heard. You must be new here. Let me show you the cafeteria.
    3. Re:That really is stupid by lord_nimula · · Score: 1

      You obviously haven't heard what the mechanics were listening to.

      --Lord Nimula

    4. Re:That really is stupid by Anonymous Coward · · Score: 0

      It's almost as stupid as the time...

      My partner (ex, now) used to live very near a large stadium venue. In fact, she was so near to said venue and up a hill a little that she could sit on her back porch and watch the show for free. Sure, it was really more like watching a bootleg show on TV anyway, but that's not the point.

      Her house had been there since before the venue was built, yet someone claiming to be the music industry (possibly the venue) actually came around to her door and had the tenacity to ask her and her neighbours to please not be home for the duration of performances or they'd have to charge her for a ticket because she was enjoying their work for free.

      We promptly demanded to be paid for our loss of sleep and the headache/earache/stress caused by having to actually listen to all of the shit artists blasting in her back window! Nobody ever said anything again.

      Absurd!

  9. Thumpmobiles by anagama · · Score: 5, Funny

    When the hell is someone going to sue the idiots with the car stereos I can hear a mile away?!!!

    Damn right -- get the hell off my lawn.

    --
    What changed under Obama? Nothing Good
    1. Re:Thumpmobiles by Anonymous Coward · · Score: 0

      At first I thougt the subject was 'thumpophile'..

    2. Re:Thumpmobiles by MichaelSmith · · Score: 1

      When the hell is someone going to sue the idiots with the car stereos I can hear a mile away?!!!

      I wear industrial strength ear muffs in my van because the white noise in there kills my hearing and one day I stopped at a red light behind a car like that and the noise was uncomfortable even from where I was.

      But I couldn't really understand it, so I suppose I am not liable.

    3. Re:Thumpmobiles by oddaddresstrap · · Score: 2, Funny

      Never. For them to be sued, you'd have to prove that they were playing a copyrighted tune, which is impossible given the volume level and the fact that everything within the said mile is resonating.

    4. Re:Thumpmobiles by Lunzo · · Score: 1

      In Australia there are laws about that sort of thing. And it's not handled by suing (seriously why get lawyers for this?), rather the police just hand out a fine or tell you to turn it down and be on your way.

    5. Re:Thumpmobiles by fmobus · · Score: 1

      OMG, so all those people resonating are infringing copyright too!

      Does it ever stop?

    6. Re:Thumpmobiles by Anonymous Coward · · Score: 0

      There are laws for this in most areas of the USA too, but the police are too busy tazing crazy people in wheelchairs/libraries/auditoriums to enforce them.

    7. Re:Thumpmobiles by ShadowsHawk · · Score: 1

      Many towns have noise ordinances, but there are only so many police (thankfully).

  10. End to elevator music? by ShadowHywind · · Score: 1

    Will this put an end to bad elevator music??
            But seriously are people crazy?! its a radio..

    1. Re:End to elevator music? by TheDugong · · Score: 3, Insightful

      Nope. Worse, it will perpetuate it.

      Elevator music exists because royalties exist. Basically, someone/an organization puts together a CD (or whatever) of crappy/cheasy compositions (what we know as "elevator music") and sells it with a license allowing it to be played in public. This is much cheaper (and easier) than negotiating with individual record companies and artists.

      Elevator music aptly demonstrates how copyrights promote the arts.

    2. Re:End to elevator music? by NoMaster · · Score: 1

      Worse than that - it's not that they put out CDs of it, it's that there's a whole distribution mechanism set up to distribute it!

      It used to be done over the 'phone lines, fed from a central point with distribution amps and splitters at every telephone exchange, feeding out to premises to hook into their telephone hold systems and background music PAs and elevators. Muzac (owned by Muzac, natch) and Better Music (owned by one of the local radio networks, if memory serves) were the big two here.

      Nowadays it's all done via satellite or FM radio subcarrier distribution.

      --
      What part of "a well regulated militia" do you not understand?
  11. uh oh by Anonymous Coward · · Score: 0

    I wonder if lawyers for Karen Carpenter's estate are busy preparing nastygrams for the American Dental Association.

    1. Re:uh oh by Anonymous Coward · · Score: 0

      Actually, the administrators of Karen Carpenter's estate have been actively trying to squash this.. They stopped legal distribution, but they haven't stopped the bootleggers.

      The irony is that it is one of the most touching films which I have ever seen. I'm a a cynic, and I attended a screening of this film so that I could hoot and jeer Karen Carpenter and her untimely death. However, this movie will whack you like a 2 by 4. It is what might be termed an "art house" movie. It lures you in, thinking that it is going to dish up some wicked satire. But after you are lured in, it gobsmacks you.

      I left the theater practically in tears, and ashamed of myself for my lack of charity. Now when I hear a Karen Carpenter song I actually hear and appreciate the melancholy in her lovely, crystalline voice. This film caused me to do a full 180 in the way I viewed this fated girl.

      How ironic that her estate is on a jihad against the producers of perhaps the only honest and charitable portrayal of the late Miss Carpenter.

    2. Re:uh oh by Anonymous Coward · · Score: 0

      Now when I hear a Karen Carpenter song I actually hear and appreciate the melancholy in her lovely, crystalline voice.
      Don't forget, though: it's overwhelmingly likely you're listening to the 30th take, and she and the sound engineers spent the first 29 tweaking her voice and the recording to make it sound suitably melancholy for the listener. It could still be genuine, though. Anything's possible.
  12. It's the law by JustShootMe · · Score: 4, Insightful

    Oddly enough, it is the law. This law may make no sense, but if you want it changed, you have to contect your elected representatives and convince them to change it.

    On the flip side, this is what happens when record companies get desperate. That is a good thing, it means they're losing.

    I'm all for people getting compensated for their hard work, but by any standard, this is ridiculous.

    (Are the headphone makers sponsoring this?)

    --
    For linux tips: http://www.linuxtipsblog.com
    1. Re:It's the law by Dunbal · · Score: 1, Funny

      you have to contect your elected representatives

            I have no idea how to contect them, but hopefully it's a process that involves a lot of pain on their part.

      --
      Seven puppies were harmed during the making of this post.
    2. Re:It's the law by JustShootMe · · Score: 1

      contact, smart-aleck. :)

      I guess spelling nazis do have their place, besides, that was kinda funny.

      --
      For linux tips: http://www.linuxtipsblog.com
    3. Re:It's the law by GaryPatterson · · Score: 3, Funny

      First the ignored us.
      Then they laughed at us.
      Then then fought us (costing many of us fines of several thousand, and some people were fined everything and live in squalid bankrupcy to this day)
      Then we win (except for everyone sued or taken to court and/or the cleaners by the system that supported the big companies)

      Um... Yay?

    4. Re:It's the law by JustShootMe · · Score: 2, Informative

      That's why laws like that don't make sense. But they do exist in some forms and in some jurisdictions.

      --
      For linux tips: http://www.linuxtipsblog.com
    5. Re:It's the law by cindysthongs · · Score: 1

      You can also motivate people as a call to action through such sites that inspire your rights online! Let's all hope that desperate monopolies don't get any more stupid.

    6. Re:It's the law by slothman32 · · Score: 1

      I'm all for people getting compensated for their hard work. I disagree with that.
      I am for people attempting to get compensated for their hard work.
      It is hard work for me to play a game without getting killed.
      I should get paid for that, i.e. just for playing.
      In most cases like that people would have to pay to watch.
      The player gets money to have spectators, not to play.

      Another way of getting it changed, depending on the country, in the US it works, is to commit it and have a jury not convict you.
      Fortunately that works in areas where it is only nominally representative.
      --
      Why don't you guys have friends or journals?
    7. Re:It's the law by miskatonic+alumnus · · Score: 1

      This law may make no sense, but if you want it changed, you have to contect your elected representatives and bribe them to change it.

      There. Fixed that for you.

    8. Re:It's the law by JustShootMe · · Score: 1

      Convince, bribe, all the same.

      --
      For linux tips: http://www.linuxtipsblog.com
    9. Re:It's the law by Frosty+Piss · · Score: 1

      Radio is typically a non-paid-for commodity. It's paid for by ads, but the users do not support it, they listen in for free.
      Listeners do not listen for free. They may not pay in cash, but they compensate the radio station in a real and valuable way by listening to the ads. People's time has value, and many people are compensated for it in non-monetary ways.
      --
      If you want news from today, you have to come back tomorrow.
    10. Re:It's the law by bm_luethke · · Score: 1

      The law, as intended, makes some amount of sense.

      It was *supposed* to apply to commercial applications of the broadcast - that is, the broadcast is part of your business/what you are selling. For instance, lets say CBS broadcast a football game and you want to have "Football Night" - it makes some sense for you to pay CBS for it. Same thing goes for bands making a living copying others songs or playing their music at a dance or bar. That has always been the intent of Copyright and there needs to be some level of it.

      In this case it is stupid, for one thing the restaurant patrons would probably rather not be bothered with the noise anyway. It is not part of the businesses but someone playing their music too loud. I doubt the original intent of the law was to deal with this and that includes the original intent of the recording industry when they lobbied for it.

      This is just their current over zealous idiocy trying to "protect" their stuff. Before too long their "protection" is going to be equivalent to going to hide in a large cave and prattling on and on about their "precious" in fear that others will get a hold of it.

      --
      ------- Sorry about the spelling, I suffer from two problems. Dyslexia makes it difficult to spell well, lazy makes it
    11. Re:It's the law by Professr3 · · Score: 1

      Oh... Oh wait, I turned the radio off when the ads came on. What are you gonna do? Do I... Do I have to turn myself in or something?

    12. Re:It's the law by Anonymous Coward · · Score: 0

      You're being an ass. You know exactly what the parent is talking about and that MOST people do not turn the fucking ads down. Get a grip.

    13. Re:It's the law by kailoran · · Score: 1

      It makes little sesnse to me. They're *broadcasting* it, and the football night at the bar already gives them and their advertisers the thing they want most - viewers. I'd have some doubts if it was a paid, cable channel, but in case of a broadcast I see no reason why the bar should pay.

      Then again, the law probably disagrees with me, at least where I live. Here the sucky thing is that when a goddamn hairdresser plays some radio in his shop, he has to pay a monthly fee. Not to the radio or the actual performers, but to a "copyright holders association". The money then disappears, as most artists have repeatedly said that the "association" never ever paid them anything. (and I'm refering to the reasonably popular ones that you can actually hear on the radio from time to time)

    14. Re:It's the law by purple_cobra · · Score: 1

      For instance, lets say CBS broadcast a football game and you want to have "Football Night" - it makes some sense for you to pay CBS for it.
      Assuming you already pay for the channel then no, it doesn't make sense; not unless you're charging an entry fee, in which case they'd be third-party customers not guests.
      I understand that it would be ridiculous to expect every cover band to deal individually with every songwriter they cover so there *should* be a higher-level organisation - an abstraction layer - responsible for handling those royalties, but the current setup has buggerall to do with ensuring the artists get a fair deal and *everything* to do with middle-men extorting vast amounts of cash to line their own troughs.
      Incidentally, after David Cameron (aka Tory Boy) made that ridiculous speech on 'fair' copyright terms I dropped his office a mail to explain why this was a bad idea. What I received in reply was, of course, typical MP-speak, basically saying I had no idea what I was talking about, that filthy pirates are ruining the ability of a group of bastards to get more money for drugs, etc. No addressing of the points I raised, end of discussion. I don't have vast wads of cash to give his party so my opinion doesn't matter. Western democracy at work.

    15. Re:It's the law by Anonymous Coward · · Score: 0

      This law may make no sense, but if you want it changed...

      If an illogical law can be imposed in the first place, then what makes you think that logic will strike it down?

      Next, are you implying that I have some kind of duty to dedicate my life to fighting off those who continuously try to oppress my natural human right (god-given if you prefer) to freedom with more and more government? What about their duty to mind their own damn business and interact voluntarily with others, and not through coercion? You've got it backwards there, son.

      Sorry, but life is way, way too short for any of it. This "fix the law yourself, even though you're the victim" rant is beyond old and tired. There's something incredibly ridiculous about charging me with fixing the law myself: I wasn't the one who broke it in the first place.

      Fix it yourself? Sure I will: by preparing myself to move to a country whose ruling government isn't quite as far along down the path to totalitarianism. THAT is what I call duty -- duty to family, not duty to people I've never met who try to shout me into joining their team.

    16. Re:It's the law by Anonymous Coward · · Score: 0

      Oddly enough, it is the law. This law may make no sense, but if you want it changed, you have to contect your elected representatives and convince them to change it.

      Although it is popular to bash the French, they are to be commended for inventing a perfect solution to this problem.

      THWAK!

      And yes, boys and girls, it WILL come to that.

    17. Re:It's the law by Trogre · · Score: 1

      Given that it hasn't come to that after seven years of Bush Jr, don't you think you're leaving it a *little* late?

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
  13. Not Surprising by mashade · · Score: 5, Informative

    As a former restaurant manager, this isn't news to me - though the setting is different.

    I was once approached by a BMI agent about the music playing in the kitchen for this same reason. ASCAP and BMI will go after restaurants for royalties from jukeboxes, or bands playing cover songs -- and even your kitchen crew playing their favorite tunes while they work, if it's audible to the customers. That was the stipulation, it had to be quiet enough not to beard from the dining room. Of course, we wanted it that way anyway so as not to interfere with the house music, but on lulls sometimes sound travels.

    I thought it had gone too far at that point, without the madness from the RIAA and their relatively recent infringement suits. They've been out of line for a while, folks!

    --
    Technology tips and tricks.
    1. Re:Not Surprising by Joe+The+Dragon · · Score: 1

      As for the jukeboxes can you just say what other places with pinball and video games say "They are not our games" you have to talk with the people who own the games.

    2. Re:Not Surprising by Anonymous Coward · · Score: 0

      Of course, we wanted it that way anyway so as not to interfere with the house music, but on lulls sometimes sound travels.

      You guys played house music in a restaurant? Thumping bass is the last thing I want to hear when I eat. And it's good to know that sound only travels sometimes.

    3. Re:Not Surprising by ibentmywookie · · Score: 1

      Isn't it public f--ing radio?!?!?!?!?!! It has ads! The station has paid money to broadcast the music! It's available for free to anyone with a f--ing radio!!!! This is just pure and utter greedy madness.

      --
      -- The doctor said I wouldn't get so many nose bleeds if I just kept my finger out of there!
    4. Re:Not Surprising by fermion · · Score: 2, Interesting
      I know this is nothing new, but I have never understood it. A radio station licenses and pays for music that can be heard all over it's market by anyone who has a radio. The music is paid for. Anyone in that market may listen to it. Now, I understand that piping the music over phones is a grey area, as the music may then leave the market, and therefore have no problem with having to pay extra for hold music, but music from the radio at a business. It makes no sense. Most businesses would not use it anyway because of the ads, and those that do are not providing anything that customers would not have access to anyway.

      There are very good reasons why no one takes the entertainment industry seriously, and why the entertainment industry has so much trouble stopping "piracy'. The industry has cried wolf for so long, that no sane person cares.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    5. Re:Not Surprising by Kohath · · Score: 2, Insightful

      Yeah. This has been the rule for how many decades now?

      It seems like every week, Slashdot will get outraged about some extremely old news. Outraged!

      "What's next?", they ask. Well, it's been 20 or 50 years, so what was next?

    6. Re:Not Surprising by Omegium · · Score: 1

      I am involved in a small foundation whose goal it is to support student activities at our university. It has one employee for just one afternoon in the week. We once got a letter from Brein (the Dutch RIAA/MPAA), that since we were a foundation, we *probably* had employees who *probably* listened to a radio. And we should pay royalties for that radio. The invoice was already included. We never paid, which was fine, but it is striking that they send out invoices to organisations who might just own a radio.

    7. Re:Not Surprising by Jay+L · · Score: 1

      but on lulls sometimes sound travels.

      This is why many establishments vacuum during lulls in traffic. Sound can't travel in a vacuum.

    8. Re:Not Surprising by Kohath · · Score: 1

      I know this is nothing new, but I have never understood it.

      I think you clearly do understand it.

      The folks who have control over the situation want what they want. And the rules say what they should get. And that's the end of it.

      If the store has to turn off the radio and buy Muzak, which pays the fee, then the fee gets paid. If they don't, then the fee doesn't get paid. That's the motive. Courts are the mechanism.

      You just don't agree.

      A lot of folks seemingly overestimate the importance of their own opinion. Lots of stuff happens without people checking with you for your approval first. That's not likely to change.

      (I don't necessarily agree either, but there's no point in arguing with reality. Arguments don't change rules. Power does.)

  14. On hold by MichaelSmith · · Score: 5, Insightful

    Back when I worked for the state government road authority we ran a small call centre for breakdowns, etc. The audio switcher had an input for an on hold message and for a long time we fed in a signal from a commercial radio station.

    The theory is that they are broadcasting N copies of their signal anyway, and a few extra listeners are also going to be hearing the advertisements which pay for the broadcast. It scales, so what is the problem?

    More to the point, if I listen alone in my car and an advert comes on then I will change to a different station. If I am listening to somebody else's radio then I have to listen to the advert, so by that argument they should be encouraging people to share radios.

    1. Re:On hold by brunes69 · · Score: 1

      The record companies don't get paid extra when you listen tom advertisements.

      Trust me, the desires of the radio stations and the desires of the record companies DO NOT agree in this area. If it were up to the radio stations they would happily have you blaring their tunes (and ads) to high heaven.

    2. Re:On hold by mabhatter654 · · Score: 1

      but that's the point, the Radio stations pay big bucks for royalties to blast their ads to lots of people. This behavior should reduce some of their payments because they are reducing the number of legal people that could be listing to ads during the day time peak time while office people work. Not to mention Small businesses that play the radio as a show of community support and buy advertisements from the stations.

  15. Missing the point of the social contract by Endymion · · Score: 5, Insightful

    They can collect on "public performances" of the radio when they start paying me for trespassing on my property with all that RF.

    This is not a copyright violation as it's "publicly performing" things that were already sent out over public airways. Really, it's almost equivalent to the idiots suing because people used the "hacking technology" of HTTP to get the files they publicly offered.

    --
    Ce n'est pas une signature automatique.
    1. Re:Missing the point of the social contract by cindysthongs · · Score: 1

      I would like to tax all roaming electromagnetic signals going through my property, HOW DARE THEY!

    2. Re:Missing the point of the social contract by Anonymous Coward · · Score: 0

      Please stop posting, every single post you've made is garbage.

      And stop with the stupid spamming of your fucking underwear website, shameless whores like you disgust me.

  16. It has been like this for a long time.. by Boap · · Score: 4, Informative

    That is why most stores use Muzak so they do not get sued for royalties. I worked for a store in 1986 that had to move in this direction as they were sued by the recording industry and they went to Muzak.

    1. Re:It has been like this for a long time.. by Anonymous Coward · · Score: 0

      That is why most stores use Muzak so they do not get sued for royalties. I worked for a store in 1986 that had to move in this direction as they were sued by the recording industry and they went to Muzak.

      And what makes you think that Muzak doesn't have an author & copyright holder? Probably harder to figure out who though, since Muzak is so indistinguishable, but someone wrote that crap, and they are looking to get paid like all the others.

    2. Re:It has been like this for a long time.. by JustShootMe · · Score: 1

      I think the difference is that muzak is explicitly licensed for that kind of use.

      --
      For linux tips: http://www.linuxtipsblog.com
    3. Re:It has been like this for a long time.. by Dun+Malg · · Score: 1

      And what makes you think that Muzak doesn't have an author & copyright holder? Cripes, man, educate yourself a little. Muzak is a subscription service. That's why it starts with a capital 'M' and is a bastardized spelling of "music". No one said it doesn't have a copyright holder or author. The reason such issues are not relevant is that the very purpose of the Muzak service is to provide retail establishments with licensed material that they are allowed to play for their customers.
      --
      If a job's not worth doing, it's not worth doing right.
    4. Re:It has been like this for a long time.. by yakumo.unr · · Score: 1

      So basically it's a recording industry trying to con establishments into buying Muzak, so they get additional monies & royalty payments, because otherwise they're listening to the FREE PUBLIC RADIO for which everyone within the range of the transmitter may listen to at no cost, because the broadcaster is wholly responsible for the payment of all royalties, in an agreement that gives them full permission to broadcast.

      Personally I believe it should be completely up to the establishment if they wish to pay for the privilege of choosing their own customer targeted content with no advertising, or merely tapping into a free broadcast and be at the mercy of the DJ, and any advertising.

      They won't really be happy until speaker-less earphones that wire direct to the brain are all that's legal, the broadcasting license exists entirely because they can't chase every individual on the street up for royalties for any snippet of music that might have leaked out of a speaker.

      They've probably been pushing this threat for decades, just this is the first time it's fallen into court, hopefully it will be treated with the non-respect it deserves.

      I guess they're hoping they'll win, so they can go on to sue every other mechanic in the country, and all the hairdressers too.

    5. Re:It has been like this for a long time.. by Attila+Dimedici · · Score: 1

      In the US, if I run a retail establishment and play music that my customers can hear, I must pay a "performance" fee. It doesn't matter if I play the radio or some other source of music. The exception to this is if I sell the music. If I sell CD's or Audio tapes and play those, I don't have to pay the fee. I worked for two stores(one a national chain) that carried CD's for just this purpose. The sales volume of the CD's wasn't high enough to justify carrying them, but because we had them for sale, we could play them in the store and not have to pay the fee. I don't know if the fees were actually high enough that we saved any money, but it saved a lot of hassle in keeping track of the info that was needed to properly keep track of the info that you were supposed to report to the fee collection board.

      --
      The truth is that all men having power ought to be mistrusted. James Madison
    6. Re:It has been like this for a long time.. by Anonymous Coward · · Score: 0

      Yes,

      It has been like this a long time.

      I had a friend who ran a record store in the early 1980s (San Antonio, TX). He played the local rock station on his radio in the store. The Muzak folks walked into his store one day and explained to him that this was an illegal public performance and that he had to stop the practice. Oh, and by the way, pay us X dollars a month and we will provide your music.

      This was unbelievably absurd. This guy was selling records! This guy was putting money into the record company's pockets. They should pay him to play music in his stores! It was basically free advertising for the record companies right at the point of sale.

      In the end, the music business got so stupid my friend closed his shop.

      The phrase 'Winning the battle and losing the war' comes to mind here.

      Sad

  17. Advertising? by deniable · · Score: 4, Insightful

    Isn't the point of radio to be listened to by as many people as possible. If your song gets airplay then people might buy your album. Wasn't that the whole point of payola? Plus, they get royalties each time the song is played.

    This way they can cannibalize the radio audience for a few bucks and keep charging the same royalties. I think I should patent a business model.

    I bet their next action is to sue people selling CDs. They'll go after a big offender like Virgin.

    1. Re:Advertising? by cindysthongs · · Score: 1

      I think I should patent a business model. I cite prior art on /.! What about ringtones that people listen to, that's pratically distributing music - and what if you're in a closed elevator with a lot of people, that's pratically like a performance

    2. Re:Advertising? by Anonymous Coward · · Score: 0

      No one is buying music just pirating obviously from the RIAA pov, so they might as well make money where you can.

    3. Re:Advertising? by Anonymous Coward · · Score: 0

      But if they screw Virgin it wont be Virgin anymore.

    4. Re:Advertising? by Damarkus13 · · Score: 1

      That's why you pay 2-3 bucks for half a song as a ringtone, when you can but the hole damn thing on iTunes for $.99.

  18. Unfuckingbelievable. by Anonymous Coward · · Score: 0

    At first it sounded like Slashdot put its usual spin on this article, but then I read it: the situation is exactly as the submission describes it. These people are unfuckingbelievable.

    1. Re:Unfuckingbelievable. by JustShootMe · · Score: 1

      You are witnessing a practical application of reducto ad absurdum.

      The problem is, that kind of exercise is not supposed to have a practical application - it's supposed to be fleshed out before the bill is signed into law.

      That's really where the system is breaking down - strong lobbies and stupid lawmakers.

      --
      For linux tips: http://www.linuxtipsblog.com
    2. Re:Unfuckingbelievable. by trukai · · Score: 1

      I used to work on a dairy farm.. When milking the cows we always had the radio playing, as it relaxed them (They preferred middle-of-the-road, light rock or C&W). We milked about 120 cows twice a day. Does this qualify as a public performance? It certainly was a moosical performance, udderwise....

    3. Re:Unfuckingbelievable. by JustShootMe · · Score: 1

      Probably. You know the RIAA will milk it for all it's worth.

      --
      For linux tips: http://www.linuxtipsblog.com
    4. Re:Unfuckingbelievable. by AgentPaper · · Score: 1
      And of course, once they've churned this issue into a froth of absurdity and skimmed every last bit of cream off the top, all that will be left is a lot of sour, spilled milk. Nothing worth crying over in any case.

      Personally, I find the whole enterprise rather cheesy, but that's just me.

      --
      First rule of trauma: Bleeding always stops.
    5. Re:Unfuckingbelievable. by e9th · · Score: 1

      Udder folly, IMO.

    6. Re:Unfuckingbelievable. by Anonymous Coward · · Score: 0

      I WILL MURDER YOU ALL IN YOUR SLEEP

      Lameness filter encountered. Post aborted!
      Reason: Don't use so many caps. It's like YELLING.

    7. Re:Unfuckingbelievable. by e9th · · Score: 1

      You're part of an anonymous cow herd? No whey.

  19. Wow by olddotter · · Score: 3, Interesting

    As an American I am both saddened and happy to see this case is in the UK. It is sad that the stupidity is everywhere. It is nice to see our society isn't the only one about to implode under the weight of insane lawsuits.

    IANAL -- My understanding in the US, is that it would be ok to listen to the RADIO in this setting, but not to bring in your own CDs and blast them out. The difference being that the Radio station is paying the royalties for a public performance. Any lawyers want to comment?

    1. Re:Wow by JustShootMe · · Score: 1

      As another poster remarked, try doing that in a restaurant and watch the bills come in.

      It's no better here.

      --
      For linux tips: http://www.linuxtipsblog.com
    2. Re:Wow by wizardforce · · Score: 1

      It is nice to see our society isn't the only one about to implode under the weight of insane lawsuits.
      personally I'd rather this insanity stay isolated and die out on its own. no need to bring the rest of the world into this.
      --
      Sigs are too short to say anything truly profound so read the above post instead.
    3. Re: Wow by gpw213 · · Score: 2, Insightful
      IANAL, but a bit of googling found references to section 110(5) of the Music Licensing Act of 1998. The best summary of the legalese I found was:

      Now the Music Licensing Act draws the line between private and public in terms of the type of public establishment, the size, and the stereo equipment used. Restaurants and bars under 3,750 square feet or retail establishments under 2,000 square feet are exempt from paying fees for playing radio or TV broadcasts for their customers. Public places of any size that play radio or TV broadcasts are exempt from paying fees if they use no more than six external speakers (not more than four speakers in each room) for playing music. Public places that play CDs or hire live musicians (that play cover songs or copy songs) are still subject to being licensed for fees.

      You can lose the private home exemption and be subject to a license if you charge anyone admission fees to listen to music.

      Also, I have often heard that a favorite tactic of the Muzak salesmen is to completely ignore this, and try to convince shop owners they find playing the radio that they are violating copyright, and try to get them to sign up to avoid liability. Apparently, this constitutes fraud, but they are rarely called on it. I don't know if the BMI/ASCAP people do the same sorts of things or not.

      I hope this case gets slapped down hard by the UK court system, this is pretty ridiculous.

      --
      However beautiful the strategy, you should occasionally look at the results. -- Winston Churchill
  20. that is the point of radio by socsoc · · Score: 1

    The point of radio is to share the music. The artists have already been compensated and the stations want as many listeners as possible, if you have the station playing in a business, that's even more people whom the advertisers reach. This seems like such a basic function of radio (the only other time people listen is while in the car) that I can't believe they don't see the light. If you can't play commercial radio at work, businesses will end up playing freely available music and everyone will think they are are either on hold or in an elevator...

  21. HEY! Performing Rights Society.. by YrWrstNtmr · · Score: 3, Funny

    Kiss
    My
    Ass

    Seriously. WTF do you want? Payment for each and every set of ears that might be in close proximity to a set of speakers that is playing stuff you've already been paid for.

    Let me reiterate...
    Kiss. My. Ass.

    1. Re:HEY! Performing Rights Society.. by JustShootMe · · Score: 1

      Hey, it ain't anything new. You know they already get a tax on all of your blank media, yet you're still not allowed to copy stuff to it.

      The recording industry is simply a racket with the full support of lawmakers.

      --
      For linux tips: http://www.linuxtipsblog.com
    2. Re:HEY! Performing Rights Society.. by I+don't+want+to+spen · · Score: 1

      I've heard of Kiss, but not the other two groups ...

      --
      Don't go to a brothel if you want to buy broth
    3. Re:HEY! Performing Rights Society.. by Anonymous Coward · · Score: 0

      Kiss
      My
      Ass

      Now listen here sonny, you're on a story about England now. It's:

      Kiss
      My
      Arse

      Move along.

    4. Re:HEY! Performing Rights Society.. by Anonymous Coward · · Score: 0

      In Russia we have great answer to RIAA. They interfere in order of society and slow down work. They lead to employee unhappiness and destroy quality of work. Therrrfore RIAA is economic saboteur. Now we catch each and every one of RIAA executive, lackey, and running dogs of their imperialism like blood sucking lawyers and sentence them to life in Gulag. Then business happy, then customer happy, stupidity and sabotage ended. When new agents of RIAA imperialists arrive at Venukovo Air Station, we arrest them and put them to Gulag too. Maybe we new 'black hole' for imperialist RIAA lackeys.

    5. Re:HEY! Performing Rights Society.. by Anonymous Coward · · Score: 0
      Seriously. WTF do you want? Payment for each and every set of ears that might be in close proximity to a set of speakers that is playing stuff you've already been paid for.

      This is EXACTLY what the TV recta (plural of rectum, so don't bitch at me) wanted when TV first started. They whined and burbled that some family might invite TV-LESS NEIGHBORS over to watch Disney shows. The shame of it. Next government program -- ORPD -- One Radio Per Dishwasher. They can pay for it by ending the bullshit OCPC program.

  22. Speaker Manufacturers? by mauthbaux · · Score: 1

    Perhaps they're attempting to set a precedent that will allow them to sue virtually everyone (though I'm honestly unsure if the UK law works that way).

    Why not use the old RIAA trick and just sue speaker manufacturers for "making available" the copyrighted material? Deeper pockets there anyhow.

    --
    "Operating systems suck: you're better off using only the BIOS" --trainsaw.com
  23. British obstinacy by lysse · · Score: 1

    Remember, there's a fine tradition in the UK of enforcing ridiculous laws to the letter in order to demonstrate how offensive they truly are... and also that at the moment all the judge in question has said is that there is a case to be heard - he explicitly stated that this didn't necessarily mean the PRS was sure to prevail.

    And looking at it, that might be quite a good thing. Kwik-Fit's position is that they have a decade-long ban on playing radios in the workplace. In insisting that management must have tacitly permitted playing the radio in the workplace, Lord Emslie would seem to have forced the issue of whether playing a radio is in fact copyright infringement to be tried. If that means a jury trial, it's not inconceivable that the jury could dig their heels in and find for the defendant regardless of the law - the publicity surrounding which would make future trials on such grounds somewhat difficult to win, even if it wouldn't set a precedent.

  24. Internet Radio by deniable · · Score: 1

    What are these tools going to do when they find out that people can get radio over the Internet? Open branch offices in other countries?

  25. What?! by morari · · Score: 2, Funny

    I've called the police several times because I could hear the music of the tenant in the downstairs apartment! Nothing ever happens. I was hoping for a noise violation, but this seems much sweeter...

    --
    "He who can destroy a thing, controls a thing." --Paul Atreides, Dune
    1. Re:What?! by JustShootMe · · Score: 1

      Did you call them during the day, or in the middle of the night? If you called during the day, they probably just figured *you* are being the agitator. Frankly, I'd probably agree with that. (as long as it wasn't rattling your windows, etc.)

      But that does call to mind a good strategy. Rat them out to the RIAA. :P

      --
      For linux tips: http://www.linuxtipsblog.com
    2. Re:What?! by sc0ob5 · · Score: 1
      I'd be careful, you might get sued for listening to music you haven't paid for.

      Call the cops and they send the SWAT team to your house instead. You dirty pirate!

  26. Not new ... by damn_registrars · · Score: 1

    I knew of this problem at my own work years ago.

    I worked at a newspaper back in 2000-2002. We wanted to just use local radio music for our hold music, but our attorney informed us that we couldn't do that with "just any station". I, of course, am not a lawyer, so I don't know how the decision was made from that point. But in the end, it turned out that a local station owned by clear channel was OK to use for hold music. We didn't have to pay them for it, AFAIK.

    What was ironic was that this was a "progressive rock" station. Granted, they never played anything explicit, but still, I'm sure there are some people who might be bothered by listening to it while on hold. We would have expected it would be kinder to the customers to chose an easy listening station or something, but that station wasn't allowed legally.

    So in the end, there's nothing special about this case, just that for some reason it happens to be getting attention right now. Without reading the article I'd guess that someone just wasn't familiar with how the copyright laws work for this.

    --
    Damn_registrars has no butt-hole. Damn_registrars has no use for a butt-hole.
    1. Re:Not new ... by cdrguru · · Score: 1

      In the US you cannot use a radio station for "music on hold". You can find lots of stuff about this all over. You either need to pay ASCAP fees or find something else to put on your phone system.

      Every once in a while ASCAP goes and calls folks using radio stations to tell them to stop or get sued. I've not been called but I have briefly used a radio for this purpose until hearing about this.

    2. Re:Not new ... by damn_registrars · · Score: 1

      In the US you cannot use a radio station for "music on hold". You can find lots of stuff about this all over. You either need to pay ASCAP fees or find something else to put on your phone system.

      As I already said, I am not a lawyer. I don't remember why we were allowed to use that one particular station and no others. Perhaps that station was paying the fees out of the kindness of their own hearts? It may also be worthwhile to point out I was working for a non-profit newspaper...

      --
      Damn_registrars has no butt-hole. Damn_registrars has no use for a butt-hole.
  27. Jurisdiction - no worries by Anonymous Coward · · Score: 0

    >Oddly enough, it is the law. This law may make no sense, but if you want it changed, you have to
    > contect your elected representatives and convince them to change it.

    UK case, has no precedential value in the US or Canada. So it is interesting to watch for many of us, but not relevant. If you are on the other side of the pond: HA--ha!

    1. Re:Jurisdiction - no worries by JustShootMe · · Score: 1

      It's the law in the US too. It may not be precedential here, but it's still a concern.

      --
      For linux tips: http://www.linuxtipsblog.com
  28. Tesco by hack++slash · · Score: 1

    My local 24hour Tesco plays local radio over the tannoy system during the middle of the night, the music makes shopping a bit more pleasant (that and no crowds of absent minded shoppers getting in the way), so does that mean Tesco have paid royalties or are they due for a big sue?

    --
    To do something right, you often have to roll up your sleeves and get busy.
    1. Re:Tesco by Psychor · · Score: 1

      It means Tesco can afford good lawyers and would almost certainly win.

  29. I'm all for it! by Cleon · · Score: 3, Insightful

    Between this and the RIAA's campaign of suing grandmothers and 12-year-olds, I say--more power to 'em!

    The more the recording industry engages in these batshit-crazy pursuits of extra money, the more people will come to realize that the entire "intellectual property" legal system needs to be completely rethought. The EFF can only dream of being able to this kind of support; these bozos manage to do the job well enough on their own.

    --
    Gifts for Geeks - Stuff that really matters!
    1. Re:I'm all for it! by handelaar · · Score: 1

      It doesn't have anything at all to do with the recording industry.

      PRS represents the composer, not the recording artist or the label.

  30. How about a counter suit, just for fun? by Anonymous Coward · · Score: 4, Interesting

    After reading about the lawsuit against target.com, under the ADA, for the web site not being friendly to the blind, I was thinking - about a lawsuit against the RIAA for not making music accessible to the deaf? Make them publish all the lyrics or something.

  31. Any attractive nuisance laws in the UK? by Mabonus · · Score: 1

    I just want to point out, that they are BROADCASTING it on the RADIO. They are 'making available' as the phrase goes. In the US I'd be tempted to call it an attractive nuisance except I think that applies to things that cause injuries, but hey, I'm not a lawyer. Still counts as distribution though.

  32. Comment removed by account_deleted · · Score: 2, Insightful

    Comment removed based on user account deletion

  33. Simple by OrangeTide · · Score: 2, Insightful

    A radio with a tape or CD in it does violate the rules on public performances. A radio pulling broadcast off an antenna does not, because the royalties are already paid by the radio station. And are being played on public airwaves for anyone to receive.

    There are no damages when a radio is played in public, the advertising gets sent out to even more people, and the radio station makes money and the recording company makes money. There can be no damages due to loss, only the Chinese company that makes the radios can claim there was some sort of damage, and that is outside the scope of copyright laws.

    I am not a lawyer, nor am I familiar with UK case precedence, so like most people on Slashdot, my opinion counts for diddlysquat.

    --
    “Common sense is not so common.” — Voltaire
  34. Copyright Infringement by Nom+du+Keyboard · · Score: 1
    Copyright Infringement this! Copyright Infringement that! Making Available == Copyright Infringement. Letting someone overhear your radio == Public Performance == Copyright Infringement. Copyrights that run until the heat death of the Universe!

    ENOUGH FUCKING ALREADY!!!

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  35. dear slashdot posters by circletimessquare · · Score: 1

    over the last few months, while reading slashdot at work, my fellow employees have been walking by my cubicle, perhaps seeing your comments without me first asking your permission

    please don't sue me

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  36. The king is dying... by maird · · Score: 1

    Until now I had suspected the music industry was just run by stupid people. This just makes it look like those running it are deliberately trying to destroy the "music industry". Guy Hands (EMI boss) admitted today that artists don't need the labels for distribution so what are they good for then...

    I can only hope that the defense representatives in this case take the court out for a walk around the block to count the number of radios that can be overheard. Someone mentioned suing speaker manufacturers and others mentioned overhearing the radio playing in someone else's car. Anyone with a 200W sub-woofer in their car has a primary goal of "public performance". Someone repairing a car has a radio on to help pass the time and they have it loud because some of the equipment used is loud. So, god help someone that is hard of hearing and turns their radio up to be able to hear it.

    Don't you just wish you could go kick these guys in the nuts and tell them to get a life... In the interests of full disclosure I wouldn't be here if I had a life or knew what one was like.

  37. I run a service by popo · · Score: 1

    I run a "music listening service". I will, for a fee of $100 per song, agree to listen and form opinions of any track of any CD. Playing a song for me constitutes acceptance of this agreement.

    As I see it, I am owed almost a billion dollars.

    --
    ------ The best brain training is now totally free : )
  38. Re:Wow -ACTUALLY, NOT EXACTLY by Nom+du+Keyboard · · Score: 2, Interesting

    The difference being that the Radio station is paying the royalties for a public performance.

    Actually, not exactly. While radio does pay royalties to the song writer, it is the only major country that DOESN'T pay royalties to the record company and/or performers. Why? Because it's considered free advertising for the sale of that song and the concert performances for the artists.

    In fact, to borrow the In The Soviet Union line...

    In the United States, Payola goes to the radio station.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  39. Here's Listening to You, Kid by Doc+Ruby · · Score: 1

    Where do the extents of a 'public performance' end?

    They end wherever the "market" ceases to bear the charges.

    I expect that sometime soon, the copyright industry will convince courts to let them silently activate (or tap) your mobile phone randomly for several seconds, to tell whether you're hearing (or, eventually, seeing) some autoidentified copyrighted content that your database lookup shows you're not licensed to consume at that time (because you haven't paid for that content for that timeslot). And then automatically charge you damages, or cut off your phone or have you arrested (or just sued and subpoenaed).

    The tech will allow it: only the autoidentify is still waiting, and they'll start using that on us well before it's reliable. And then of course they'll do it; rights or other impediments to consumer abuse will never stand in their way. Killing the culture by stifling the free exchange of popular content which underwrites all cultural activity, doing most of the work perpetuating it, won't matter to them until it's well too late.
    --

    --
    make install -not war

    1. Re:Here's Listening to You, Kid by RincewindTVD · · Score: 1

      The autoidentify is already taken care of, in NZ there is a service from Telecom where you can ring a certain number, and hold your phone up and they will tell you what the name of the song you are listening to is.

      It can't do live or classical music though.
      http://www.geekzone.co.nz/content.asp?contentid=4562
      google "telcom NZ song id" fore more info.

    2. Re:Here's Listening to You, Kid by Doc+Ruby · · Score: 1

      How good is it? Is there any actual data showing how accurate it is? Can it distinguish among different cover versions? Find short samples in a larger mix?

      Probably not. Like I said, false positives won't stop them from using it against us. So I expect that they're already doing it, just waiting to accumulate case history in all these RIAA suits. Maybe already even "testing" the random, silent tapping of people's phones.

      --

      --
      make install -not war

  40. Major Unanswered Question Here by Nom+du+Keyboard · · Score: 1
    The major unanswered question here is: How are two people standing next to each other listening to the same radio different than two people standing next to each other each listening to their own radio?

    Unless it's a question of paying a radio tax like the British now pay a television tax, there should be no difference at all. It's not like the performing society is getting a cut of every radio sale because it's used to infringe their copyrights or anything.

    These people are all just asstunnels!

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  41. Now, it's even more true.... by Trelane · · Score: 1

    I was told that I could listen to the radio at a reasonable volume from nine to eleven, I told Bill that if Sandra is going to listen to her headphones while she's filing then I should be able to listen to the radio while I'm collating so I don't see why I should have to turn down the radio because I enjoy listening at a reasonable volume from nine to eleven.

    blatantly ripped from the IMDB

    --

    --
    Given enough personal experience, all stereotypes are shallow.
  42. Solution by Anonymous Coward · · Score: 1, Interesting
    I think it's time we just cut all the pretense of outrage and give the big business (hereafter the Companies) what we all know in our hearts they need and deserve, which is our total dollar value. Here's my simple four step plan for restoring justice:
    1. Liquidate all of our assets and give the Companies the money.
    2. Building and moving into sleeping/feeding farms.
    3. Arranging that, upon death, our bodies are disassembled and recycled as efficiently as possible (in terms of gross profit).
    4. Depending on which yields the most profit, either continue working, with our earnings being forward directly to the Companies, or submitting to a Matrix-like bio-energy extraction sac.


    If anyone can suggest any improvements to my scheme, please reply ASAP. The Companies are losing every millisecond you hesitate.
  43. How can they prove that customers were listening? by yog · · Score: 1

    Bottom line, it's not the "broadcasting" of the music but the "reception" of the music by the auditory nerves of customers.

    It seems to me it's the burden of proof of the copyright claimant that the customers were taking in this music and deriving substantial enjoyment from it. Suppose that 99% of customers either did not hear the music or heard it but disliked it. Then 99% of the claim should be thrown out, i.e. reduce the claim to L2000.

    --
    it's = "it is"; its = possessive. E.g., it's flapping its wings.
  44. Scum sucking leeches! by oddaddresstrap · · Score: 1

    Clearly, this means that I am going to be required to demand periodic payments from the people in my office who are leeching off the sounds emitted by my radio. Either that, or I'm going to have to install plugs in their sonic receptors.

  45. The first week in October is nominated as... by xednieht · · Score: 1

    Stupid judges week.

    --

    Hope is the currency of fools
    1. Re:The first week in October is nominated as... by dbIII · · Score: 1

      Unfortunately the Judge is probably not the stupid one but is left with a really stupid law to enforce or possibly comment on enough that it may get changed. It's the sort of law that usually requires bribery of elected officials to implement but I'm not ruling out simple stupidity - there really should NOT be a law for this sort of thing.

    2. Re:The first week in October is nominated as... by xednieht · · Score: 1

      Bullshit!!! There's no law that says playing a radio, which was designed to broadcast sound, by the owner of said radio, constitutes any copying of the sound. What is the owner of the radio supposed to do? Cut off the ears of passers-by?

      The jackass in black with the funny wig had a decision to make:

      a). Tell the plaintiff to not waste the time of the court with delusions founded on avarice. b). Listen to the case.

      Jackass chose poorly. The only consolation is that he is not be the first to hide his corruption under a black robe, it happens quite often.

      Personally I don't give a damn either way, I'm just venting.

      --

      Hope is the currency of fools
    3. Re:The first week in October is nominated as... by dbIII · · Score: 1

      There's no law that says playing a radio, which was designed to broadcast sound ...

      Unfortunatly there are some and there shouldn't be. Judges don't go around and randomly pick on people for no reason - there is a lot of stuff that happens before the Judge gets presented with the case. Blame the stupid guys that got voted in and the greedy mongrels that are either feeding them bribes, telling them some lie about job creation or conning them in some other way. It's fashionable in the USA to make fun of the Judicial branch and generally reduce their influence so they have far less political power and general influence than the Executive branch but you have to remember some of the stuff has been pure PR manufactured outrage. You can only blame them for poor judgements and not really stupid laws.

      I first came across one of these stupid laws 19 years ago at a non-profit radio station. It hit the station really hard and the indy artists they played did not see an extra cent - the money got swallowed up in "administrative costs". Similar stupid laws allow them to charge money for on hold music even when you have it tuned to a radio station that has already paid the protection money.

  46. There is one legitimate case. by edwardpickman · · Score: 1

    It's illegal to rebroadcast the music so if some one was talking on their cell phone and the person at the other end could hear the music then sue the ass off the person with the cell phone. You get the added benefit of penalizing some one for yakking on a cell phone and annoying everyone in the place.

  47. Haha by rbarreira · · Score: 1

    It made my day. This is the stuff comedy is made of!

    --

    The AACS key is NOT 0xF606EEFD628B1CA427BEA93A9CA9773F
  48. Jean-Marie Le Pen by TooTechy · · Score: 1

    I hope that the judge is doing what the French did when they voted for Le Penn.

    I hope he is going to hear this case because there is reason to. It may set precedent.

    I hope that after he has heard it, he will say "Folks, this is a public broadcast. Anyone can listen to it. For free!"

    I hope he will then write it up and throw it out, for good. And that will be an end of it.

  49. Thou Shalt No Speak Or Listen by salesrep · · Score: 1

    The Holy Scriptures say, "Limit your communications to Yes or No" It looks like England is in the full spirit of oppression of its citizens, time to move to Burma.

  50. I hope this by JustNiz · · Score: 1

    gets thrown out of court with the prosecution being charged all costs and damages for timewasting.

  51. You do realize that businesses that play by Anonymous Coward · · Score: 1, Informative

    music in the US, must pay licensing fees to ASCAP and BMI.

  52. This is the norm in Germany by adnonsense · · Score: 2, Interesting

    There's an organisation called "GEMA" who actively look out for their customers' interests, which includes scouting round for shops, restaurants etc. who commit the heinous crime of playing music from CDs, radios etc. they already own.

    1. Re:This is the norm in Germany by upside · · Score: 1

      Yup, paying for playing broadcast music is standard EU practice. In Finland taxi drivers have to turn off the radio when a client enters the vehicle, unless they're paying the local copyright agency. Same goes for shops and other public venues.

      --
      I'm sorry if I haven't offended anyone
    2. Re:This is the norm in Germany by tacet · · Score: 1

      in Latvia sometimes this is done by police.

    3. Re:This is the norm in Germany by Pecisk · · Score: 1

      It is different. Public broadcast in shops and restaurants and requiring a fee would make a sense - maybe a little, but still sense. But about work it's plainly stupid.

      --
      user@ubuntubox:~$ stfu This server is going down for shutdown NOW!
  53. One Radio, one person. by Irvu · · Score: 2, Interesting
    So the claim will probably be something along the lines of this:
    1. License fees per radio station are assessed on a per-listener basis.
    2. Listener counts are assessed based on the number of radios and the assumption of one listener per radio.
    3. OMFG! Sound travels and unless you use those headphone things other people could hear it ergo all assumptions are off.


    Note that the basic logic is not entirely off. In that, snarkiness aside, each premise does follow from the others. The hard part for them to claim is that this magic property of sound to travel from speakers to more than one pair of ears is novel and, in some way, something that they were not previously aware of.
    1. Re:One Radio, one person. by Anonymous Coward · · Score: 0

      2. is more than slightly questionable, it would also apply to family members listening to the radio together at home, in the car etc.

      Note that the way it normally works in most countries is that if hearing the radio is incidental (a customer visiting an office), license fees aren't required. If it can reasonably be considered part of the environment created for customers by the business (e.g. a bar or restaurant - although they usually provide their own licensed music), licensing is required. A gray area where the interpretation has been subject to debate is in a taxi.

    2. Re:One Radio, one person. by fmoliveira · · Score: 1

      There is no way to measure the number of radios are tuned in a station. So, 2 is false.

    3. Re:One Radio, one person. by Irvu · · Score: 1

      That's where listener data gathered through focus groups and radio surveys comes in.

  54. Look up ASCAP, BMI and SESAC by Anonymous Coward · · Score: 0

    They already collect royalties/licensing from Businesses who play music, or who have live performers in their establishments, and have for around 90 years (ASCAP - 1914, SESAC - 1930, BMI - 1939).

  55. Entrapment? It's a trap! by roman_mir · · Score: 1

    It sounds like a case of entrapment to me: radio lures you in, broadcasts over the public airwaves for everyone to listen, and when people start listening, it sues. *Ok, so it's not radio that is suing, but a UK version of RIAA, but it doesn't change the way I feel about it.

  56. Not so fast by Leuf · · Score: 1

    Contacting your elected representative is covered under patent. Please acquire the appropriate licenses before attempting this. Furthermore, usage of Microsoft software to write a letter to a government address is expressly forbidden somewhere in those 80 pages of crap you said "I agree" to. If you get any ideas about using paper and pen, the lawyers from Bic would like to have a word with you, as well as Greenpeace for wasting a piece of paper on a non-environmental issue. In short, please quietly go back to watching tv and forget you heard anything about this before anything bad happens to you. Oh, but be sure to close the blinds and mute it or we'll take your house. Thank you.

  57. Muzak by Nick+Driver · · Score: 2, Interesting

    ...muzak is explicitly licensed for that kind of use.

    Precisely.

    BTW, you haven't lived until you've heard the Muzak instrumental version of Pink Floyd's "Run Like Hell" followed back-to-back by the Muzak version of Tom Petty's "Refugee". Absolutely breathtaking.

  58. farce by kcokane · · Score: 1

    since many people claim to be sensitive to radio
    waves, hence the popularity of aluminum foil
    hats, is it true that radio itself, those evil
    fluctuations in the aether, is a violation of
    copyright?

    it is indeed a happy thought to think that, at
    long last, modern music will be banished from the
    air. give me non-copyrighted music, please.
    nothing more recent than G. Mahler.

    --
    Kevin O'Kane http://www.cs.uni.edu/~okane/
  59. OMG.. by SilverBlade2k · · Score: 0

    Seriously...WTF....you can't control how sound travels beyond the speakers. This is laughable, and if the people are found liable for infringement, then we damn well know that the judges pockets are being lined by the record companies.

  60. what the fuck by luther349 · · Score: 0

    relly these guys need to burn in hell. brodcasting your cd over the radio is not a volation. this will never hold up in court. maybe if it was a ipod full of stolen mp3s and a big maybe sence none has relly won a case hear or there. hell if it was a ipod full of itunes mp3s it would still be legil. its called fair use well they do a good job to stamping that right out the window these days. if he was offering up cds of what he was listing to then yea they would have something. this shit needs to come to a end i myself have voted with my wallet and dont buy any cds or even download any mp3s. the only way to stop this bs is to make cd sales and pricey both go to 0. then watch them kick and stream a nice bloddy slow death. whont happon thow.

  61. Trapping Mozart in a soundproof cage by Spy+der+Mann · · Score: 1

    I wrote a small composition in my journal regarding this situation. Does it depict the things that will happen, or only the things that COULD happen? You decide.

  62. Mod parent up by DaveAtFraud · · Score: 1

    I was going to post the same point but (in toitally un-/. manner) checked for someone else having previously made the point. We may not agree with the way copyrights restrict our ability to listen to music but the parent post is spot on as to what the legalities are. I learned about this when complaining about "Musac" (commercial elevator music) back in the 1970s. Things have gotten worse, not better, since then.

    Cheers,
    Dave

    --
    They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.
    Ben
  63. So show me. by Anonymous Coward · · Score: 0

    So, instead of puff'n out your chest(s) - show me the links to royalty free "noise" to put in public spaces (or private bars/resteraunts/shopping) so the RIAA can be told to pound sand

  64. Seriously? by log0n · · Score: 4, Interesting

    If they are going to be this petty.. why not take it one step further.. start suing people for singing to/around another person.. start suing people for quoting/tattooing/anything meaningful stanzas to get their fair share.. start suing people for tattooing band names as those are copyrighted and/or trademarked.

    Jesus.. I mean.. seriously.. do they even care about their perception with their customers anymore?

    I've been taking it one step further than everyone who refuses to buy RIAA/CRIA/UKIA(?) recordings. I make my living in music and I'm doing everything I can to achieve and maintain my measure of "success" while not succumbing to these measures. Just a few weeks ago, I truthfully walked away from a potential career "discovery" because of the terms and games that would have been required to accept - I wasn't willing to sacrifice who I am, what I believe and what my art means to me. I don't know what I may have missed out on.. I can imagine certainly, but I do know exactly how much I wouldn't respect myself and that's far more important to me.

    The whole entertainment industry is disgusting. I hope they keep blacking and withering their essence, they are their own cancer that's going to kill them slowly from the inside out.

    1. Re:Seriously? by Anonymous Coward · · Score: 0
      > start suing people for singing to/around another person

      Don't you know there's a reason why they don't sing "Happy Birthday to You" in restaurants? They can be sued if they do, so instead they come up with some dippy refrain of their own.

    2. Re:Seriously? by slashflood · · Score: 1

      I wasn't willing to sacrifice who I am, what I believe and what my art means to me. I don't know what I may have missed out on.. I can imagine certainly, but I do know exactly how much I wouldn't respect myself and that's far more important to me.
      Put your band website url in your signature. Might be better than the marketing a major label offers.
    3. Re:Seriously? by MrNonchalant · · Score: 1

      If they are going to be this petty.. why not take it one step further.. start suing people for singing to/around another person.. start suing people for quoting/tattooing/anything meaningful stanzas to get their fair share.. start suing people for tattooing band names as those are copyrighted and/or trademarked.
      Shhhh. You're giving them ideas.
    4. Re:Seriously? by Lumpy · · Score: 1

      why not take it one step further.. start suing people for singing to/around another person..

      Girl scouts of america were sued for singing "happy birthday" on a birthday.

      It's already happening, the stupidity of IP has been escalating for decades now.

      --
      Do not look at laser with remaining good eye.
    5. Re:Seriously? by ContractualObligatio · · Score: 1

      "Jesus.. I mean.. seriously.. do they even care about their perception with their customers anymore?"

      Erm - are you aware that the PRS's "customers" are the artists which comprise its membership? That the PRS does not represent the music industry, that its job is to pay out royalties to its members? That the PRS never sues people, because it only collects money from businesses? That it is a completely different organisation to the RIAA's UK equivalent, which is the BPI (British Phonographic Industry)? That many artists quite like royalty payments because that's how they make a living?

      What you've missed out on is that once you get past an RIAA member company's cut of marketing, kickbacks, payola, distribution etc, there's precious little left for royalties. Artists need organisations like the PRS to look after their money. There's a lot of other arguments about how well they do this job, but I think it's fair that they should ask a multi-million dollar corporation to pay £100 or so per garage for the music they are benefiting from.

      Kwik-Fit's slogan is "You can't get quicker than a Kwik-Fit fitter". It is however known to me and many fellow Scots as "You can't get shitter than a Kwik-Fit fitter", and for good reason. They knew the law, hence the official policy of no radios. They also valued the benefit of the music, hence turning a blind eye (blind ear?) to the use of radios. Basically - they're too fucking cheap pay a fraction of a percent of the day's takings for an essential part of their workplace environment. And yet you support the corporation. That's kind of fucked up.

  65. There may be an upside... by DaveAtFraud · · Score: 3, Funny

    Does this mean I can sick the RIAA on the guy in the car in the next lane for blaring his bad taste in music at everyone within a thousand yards of his car? Could be a useful precedent.

    Cheers,
    Dave

    --
    They that can give up essential liberty to obtain a little temporary safety deserve neither safety nor liberty.
    Ben
    1. Re:There may be an upside... by Anonymous Coward · · Score: 0

      Technically, yes, you can sick the RIAA on him. Regardless of the outcome of this particular case, the guy blaring his car stereo for all to hear would almost certainly qualify as a public performance.

  66. So Anyway... by florescent_beige · · Score: 1

    The other day I was costing out some midrange systems and I got some interesting AMD vs Intel results when I factored in the cost, power consumptions, AND chipset features...

    Oh crap. Sorry, I thought this was slashdot. My mistake...I wonder where it went...

    --
    Equine Mammals Are Considerably Smaller
    1. Re:So Anyway... by Fantastic+Lad · · Score: 1
      Oh crap. Sorry, I thought this was slashdot. My mistake...I wonder where it went...

      Gee, I'm a nerd and this stuff matters to me, and nobody is discussing it in a nerdy way in the mainstream. Seriously. Do the popular kids in the lunch room discuss this stuff to your satisfaction?

      I'm getting tired of the tunnel-vision context trolls. While computers are interesting, they do not comprise the whole universe of things which matter.


      -FL

    2. Re:So Anyway... by florescent_beige · · Score: 1

      This is just another in a long line of hot button issues with sexed up titles designed to rouse the rabble. Playing the radio in a commercial establishment has been against the rules as long as I've been alive, which is a long time.

      Also, who's to say the popular kids aren't us? Yes, it's a bit fun to play the nerd outcast sometimes, there is something I've noticed about life: you are what you label yourself.

      --
      Equine Mammals Are Considerably Smaller
  67. that's it. by Anonymous Coward · · Score: 0

    i quit the internet.

  68. US by mrjackson2000 · · Score: 1

    It's the same in the US, goes for both radio and tv, there is a license for each to allow "public" viewing/listening

  69. Just stupid by jonfr · · Score: 1

    This is just a case of stupid lawsuits by greedy IP holder (they started multiplying not long ago). The radio broadcast has already been paid for, so there claim of copyright breach (or whatever) doesn't hold a closer look. I am also pretty sure that this type of things falls under fair right use. This lawsuit is brought on by greedy stupid people, I hope that the court throws them and there case out.

  70. [IANAL] Maybe the case has merit? by Anonymous Coward · · Score: 0

    [IANAL] My first reaction is typical (shock, laughter), but... eh... the more I think about it... the more I'm willing to hear both sides. If a store owner is playing the music loud enough and actually intends for it to be heard by customers, for example, then yeah... he should have to pay. Much like a bar owner having to pay for the music he plays at his STD vector... er... bar.

    Yeah, yeah, yeah. Fuck the RIAA, MPAA, and all that jazz... but, seriously, sometimes groups such as those actually have a valid point. No, I'm not a lawyer and I don't work in the entertainment industry.

  71. Oblig. Milton by r_jensen11 · · Score: 1

    I was told that I could listen to the radio at a reasonable volume from nine to eleven, I told Bill that if Sandra is going to listen to her headphones while she's filing then I should be able to listen to the radio while I'm collating so I don't see why I should have to turn down the radio because I enjoy listening at a reasonable volume from nine to eleven.

  72. Time to put things in perspective by VeteranNoob · · Score: 1

    Alright, I'm just going to say it.

    MUSIC SHOULD BE FREE

    This is getting ridiculous. That a crime could take place by the mere proliferation of an artist's work is absolutely ridiculous!

    Music is a form of art, and I believe that the artists should expect no more from their hobby than personal enjoyment. If they're doing it for any other reason, then they are hacks. Sure they should be able to accept money for what they do; But if they get on the stage or in the recording studio with something other than fun on their minds, they aren't being true to themselves. Having a special talent and an adoring fanbase is all that anybody could ask for.

    Obviously some grandmothers and children don't see a moral problem in downloading music from the Internet. Other than it being illegal, do you really have an issue with it? To put it into the context of the article: Do you feel like you owe the artist something when you listen to his song on your friend's CD? Why not? What's the difference? You benefited from his work, but you didn't compensate him.

    To me, availability of music is akin to the Right to Read. Mod me down if you like. I'm just saying what everybody has been feeling but have been too reluctant to say.

    Artist to consumer: "I want to express myself with music, but only if you're willing to pay."

    Again, I'm not suggesting that an artist shouldn't receive compensation. I would just like to see music-related copyright-infringement de-criminalized (or the civil-equivalent).

    --
    Adapt, adopt, or get out of the way!
    1. Re:Time to put things in perspective by Lazy+Jones · · Score: 0, Troll
      MUSIC SHOULD BE FREE

      Music will never be free as long as greedy artists, even those without any talent or success, continue to support the RIAA and all the loyalty collecting institutions (GEMA in Germany etc.) in the vain hope that they, some day, will be chosen by the music industry to become rich.

      Talk to any amateur artist, see how completely out of their mind they are in this regard.

      --
      "I love my job, but I hate talking to people like you" (Freddie Mercury)
  73. Re:How can they prove that customers were listenin by click2005 · · Score: 1

    Easy solution...

    Provide every customer/employee with their own personal radio while they're on the premises. Make it tunable only by the staff so they're all fixed to the same station.

    --
    I am a free slashdotter. I will not be modded, blogged, DRM'd, patented, podcasted or RFID'd. My life is my own.
  74. Wow. by pclminion · · Score: 1

    This goes beyond stupid and asinine and directly into batshit insane territory. I really don't know what else to say. I guess they figure all those people should listen to the free broadcast on their OWN radios? That must be it. These guys are shills for the boombox industry.

  75. This is not new or outrageous! Calm down. by stev_mccrev · · Score: 1

    Watch me get flamed...

    Keeping in mind I don't know specific UK law, but as an Australian here is my take on it.

    This is NOT new! Public Performance rights belong to the copyright owner (the songwriter) and always have!

    This is one of your basic rights as an artist.
    This is NOT some new RIAA tactic.

    ANY venue that plays artist's work publicly requires a license - be it a cafe with the radio on, a bar with a TV on or a jukebox, and all the way up to a nightclub with a DJ or a live music venue otherwise they are violating the artist's rights and breaking copyright law!

    Under Australian copyright law, if you are a songwriter, you are the exclusive owner of your music and lyrics. If people wish to use it they must get permission, and if necessary, pay a royalty. Any public performance of your work requires permission (a license) and royalty payment - this is totally separate from the broadcast or transmission licenses required by radio/TV stations.

    APRA (Australasian Performing Right Association) is the non-profit org that manages all these licenses for Australian songwriters and collects royalties on their behalf. Businesses pay APRA a fee to get permission to play music publicly. For a cafe who want to play the radio its like $70 a year (19c a day).
    This pool of money is distributed to the songwriters as public performance royalties.

    These guys didn't pay their license. So they broke the law.
    The only thing that makes this story in anyway newsworthy is that 200,000 pounds is an absurd damages claim.

    1. Re:This is not new or outrageous! Calm down. by Fantastic+Lad · · Score: 1
      This is not a flame, but come on!

      Just because a law is on the books doesn't make it worth obeying. It's a stupid law.

      The reason radio stations pay royalties is because the public will be listening to the broadcast. Honestly. The broadcast is made public the instant it's on the publicly owned radio waves.

      The music is already paid for, the law is insane, and several greedy somebodies need a smacking and a sacking. Or perhaps we should all give in to ridiculousness and have the advertisers shell out to the auto company in question for playing their messages which are included with the music. And while we're at it, let's have everybody in the public pay a yearly sum if they own a radio.


      -FL

    2. Re:This is not new or outrageous! Calm down. by russ1337 · · Score: 1

      ANY venue that plays artist's work publicly requires a license - be it a cafe with the radio on, a bar with a TV on or a jukebox, and all the way up to a nightclub with a DJ or a live music venue otherwise they are violating the artist's rights and breaking copyright law!
      The only difference with the case from the article, which falls into the first example you gave (cafe with the radio on) - is that the radio station has already paid a license fee to broadcast the music to the public.
    3. Re:This is not new or outrageous! Calm down. by stev_mccrev · · Score: 1

      True, but an artist has several rights in regards to their work.

      They have the right to authorise the communication (broadcast, transmission, diffusion) of their music - and, quite separately, the right to control the public performance of their work.

      Businesses that play music via a radio, TV or other means are giving a public performance of the music and therefore require permission.

  76. Why is this on slashdot? by Anonymous Coward · · Score: 0

    I know we all have a deep hatred for RIAA type agencies but how this is at all relevant for slashdot is beyond me, maybe someone would care to explain?

  77. ORLY? by bmo · · Score: 1

    http://www.opsi.gov.uk/acts/acts1988/ukpga_19880048_en_4

    Chapter III
    Acts Permitted in relation to Copyright Works

    72 Free public showing or playing of broadcast or cable programme

    (1) The showing or playing in public of a broadcast or cable programme to an audience who have not paid for admission to the place where the broadcast or programme is to be seen or heard does not infringe any copyright in

    (a) the broadcast or cable programme, or

    (b) any sound recording or film included in it.

    (2) The audience shall be treated as having paid for admission to a place

    (a) if they have paid for admission to a place of which that place forms part; or

    (b) if goods or services are supplied at that place (or a place of which it forms part)

    (i) at prices which are substantially attributable to the facilities afforded for seeing or hearing the broadcast or programme, or

    (ii) at prices exceeding those usually charged there and which are partly attributable to those facilities.

    (3) The following shall not be regarded as having paid for admission to a place

    (a) persons admitted as residents or inmates of the place;

    (b) persons admitted as members of a club or society where the payment is only for membership of the club or society and the provision of facilities for seeing or hearing broadcasts or programmes is only incidental to the main purposes of the club or society.

    (4) Where the making of the broadcast or inclusion of the programme in a cable programme service was an infringement of the copyright in a sound recording or film, the fact that it was heard or seen in public by the reception of the broadcast or programme shall be taken into account in assessing the damages for that infringement.

    ---------

    The customers have not paid to hear it. They have not paid extra, and they have not paid admission. It is a "free public performance" and therefore not infringement.

    This is similar to the case in the States where you need a license to play music through speakers *installed in the building* but not over portable radios/players owned by the employees. The former constitutes public performance and the latter does not, as playing through permanent overhead speakers and such is a part of the business and portable radios are not.

    --
    BMO

  78. I hate that! by dwater · · Score: 1

    > annoy the hell out of fellow passengers...

    Yeah, because either :

    1) it's only just loud enough that you can't quite make it out but it's 'oh so familiar' that it keeps you guessing the song all day. I hate that!

    2) it's loud enough that you *can* make it out, but it's something crap, but catchy, and you embarrass yourself by singing it all day at inappropriate times. I *really* hate that!

    Closed back headphones should be mandatory on public transport. These are my favourites :

    http://www.sennheiser.com/sennheiser/icm_eng.nsf/root/502188

    and these aren't half bad either :

    http://www.sennheiserusa.com/newsite/productdetail.asp?transid=502103 ..but for sound isolation, I haven't found better than these :

    http://www.shure.com/ProAudio/Products/PersonalMonitorSystems/us_pro_SCL3_content

    fitted with these :

    http://www.shure.com/ProAudio/Products/Accessories/us_pro_PA750_content

    I find them very comfortable too.

    --
    Max.
  79. Party time by flyingfsck · · Score: 1

    So, the next time your neighbours have a noisy party, don't call the police, call the PRS!

    --
    Excuse me, but please get off my Pennisetum Clandestinum, eh!
  80. Extremely simple plan that benefits everyone: by Nicky+G · · Score: 1
    I should be hired as a consultant for record companies, because I have an idea that I think solves all this idiocy. I can't claim all the credit -- Apple seems to have already begun this model.

    - Apple negotiates with partner labels to allow public performance of iTunes-downloaded tracks at business establishments

    - Apple sells or leases an iTunes jukebox system similar to what they are putting into Starbucks, which publicly identifies tracks that are playing/have played over the jukebox to the iPhones/iPod Touchs of people in the vicinity

    - If someone buys one of these tracks through the iTunes WiFi music store, the shop-owners get a few cents on the sale

    There, that's it. Done. Apple wins, obviously. The shop-owners win. And the music industry wins, because now they have a great, grassroots way for EVERYONE to participate in the distribution of their product. Better yet, make it so anyone with iTunes is allowed this public-play license, and can get in on the few-cents-per-track sales model. Expand it to the iPods/iPhones themselves, even, sort of like Microsoft's Zune sharing features -- but make it automatic, if a user chooses to turn it on (you could even know what people on headphones are listening to.)

    I'm sure there are holes in the above idea, but it strikes me that something akin to the above is really the only hope the music industry has to actually grow in the 21st century. The fact that they themselves are not going CRAZY to implement systems like the above tells me that most of their decisions are probably being made by dinosaurs who are likely only vaguely acquainted with technology and the internet, and should be fired by their boards of directors immediately (they can hire me, and I will only ask for a $250,000/year salary.)

  81. Are you from the US of A? by SmallFurryCreature · · Score: 5, Interesting

    I am not, but even I heard of a small case that happened on your shores when a company went to far. Ever heard of the British East India Company? It had to do with some added tax/levy or something being added to tea. I think it caused a bit of a riot in boston, local affair, easy to miss but some people were upset about it.

    Offcourse, this involved goverments but since back then the lines between goverment and business was often very blurred (unlike today when we see absolutly no blurring of any kind *cough*) this might be considered a case of a very succesfull (if you are an american) embargo against a company that pushed its customers too far.

    Does it work in other cases? Well, note the difference in genetically engineered products in the US of A and europe, the europeans have long since been against any such crap and so companies make it very clear that they don't put it in their products.

    More or less any normal business listens to its customers, the problems start to occur when a business becomes more then just trying to sell you a product and becomes a power. Your local supermarket is a business, Walmart is close to being a Power, the RIAA is a power. What do I mean by that? You can easily shop somewhere else then your local supermarket, it has no control over you, if the local manager does something you don't like, it is easy to boycot him. It is far harder to get around Walmart. Or for the dutch, AH. If AH does something bad, you are soon faced with the problem that they own many other chain of supermarkets as well.

    The RIAA is even worse, in many cases they ARE music. The have become almost a legal power like the tax offices, they can collect their music tax for any music they like even if the original owner doesn't want them too. This would be roughly the same as the police ticketing people for driving to fast on private property (they can't and don't do this, this is why racetracks can operate).

    It is very hard to get around the various music copyright groups because no matter what music you listen too, they have been given control over it.

    But succesfull embargo's are legion, blacks boycotting businesses in america, the India rebellion against british rule etc etc.

    On a much small scale, there were temporary success against the fur trade. Against whaling and sealing.

    Embargo's work, even against semi-goverment organisations, but the "people" need a lot of will power to pull it off. Often the answer is that somebody equally powerfull takes up the fight, in recent years that have been popstars, who through their fame could pull the people into a single group to raise a voice. Bit of a pity that popstars and the RIAA are in the same bed eh?

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

    1. Re:Are you from the US of A? by symbolic · · Score: 1

      I completely agree with the "embargo" concept, and this is what I've advocated all along to deal with the RIAA. They need to be reminded of who their customers are - not by illegally copying material, showing the RIAA what it means to have them - or not. Making them aware of this will surely take some effort, and the inherent laziness of most Americans would most likely turn this into a daunting task.

    2. Re:Are you from the US of A? by init100 · · Score: 2, Funny

      I heard of a small case that happened on your shores when a company went to far. Ever heard of the British East India Company? It had to do with some added tax/levy or something being added to tea. I think it caused a bit of a riot in boston, local affair, easy to miss but some people were upset about it.

      Are you joking? I would have modded you +1 Funny just for this. Surely you must have heard the name Boston Tea Party? And a local affair? According to many historians it helped spark the American Revolution.

    3. Re:Are you from the US of A? by Anonymous Coward · · Score: 0

      That part was quite obviously tongue in cheek, if not out and out sarcasm.

    4. Re:Are you from the US of A? by Tephlon_74 · · Score: 1

      *wooooooosh*

    5. Re:Are you from the US of A? by Karthikkito · · Score: 5, Funny

      What about "+1 Whoosh"?

    6. Re:Are you from the US of A? by Anonymous Coward · · Score: 0

      More like "-1, Whoosh!"

      No sense in up-modding brain-dead posts.

    7. Re:Are you from the US of A? by Anonymous Coward · · Score: 0

      Someone's sarcasm detector was off at the time, I see.

    8. Re:Are you from the US of A? by Lunarsight · · Score: 1

      In order for this to work, somebody needs to educate the fanboys into why they shouldn't be purchasing CDs from major record label artists. Is this still an issue? You bet. If you want proof of that, go here: http://www.youtube.com/user/universalmusicgroup WARNING: It's the Universal Music Group official Youtube channel. It may leave you feeling a little bit nauseated. If you read over some of the comments on the individual UMG videos, you'll realize that for all the people who are convinced the major record labels are scum, there are plenty of people who still follow them around like obedient puppy dogs. Actually, while you're there, why not give these UMG videos the lowest rating possible? It feels really good when you do it. =)

    9. Re:Are you from the US of A? by zotz · · Score: 0, Redundant

      "Are you joking?"

      Of course they were joking.

      "And a local affair?"

      The humour is in the understatement...

      Just in case YOU weren't joking... If you were:

      "Surely you must have heard the name Boston Tea Party?"

      Isn't that the one that Alice went to in that oddball Greek Tragedy by some greek fellow by the last name of Louis?

      all the best,

      drew

      http://openphoto.net/gallery/index.html?user_id=178

      --
      FreeMusicPush If you want to see more Free Music made, listen to Free
    10. Re:Are you from the US of A? by thrillseeker · · Score: 0, Redundant

      Surely you must have heard the name Boston Tea Party?

      That's a big 10-whoosh, good buddy ...

    11. Re:Are you from the US of A? by Vancorps · · Score: 1

      I don't believe you're associating the tea party with this topic given that it wasn't a boycott at all. It was the destruction of goods. The taxes were not overbearing for Americans at the time, the whole concept was that we were getting taxed without benefitting from it and without the ability to debate it. Taxation without representation became a polarizing concept throughout the colonies. I'll agree there are similarities but Americans didn't stop buying tea in the hope that the tax would get lifted. Further, that is a government entity applying the tax. Much like a government entity applying copyright.

      As for the fur trade, the owner of the company I work for wears them so I don't think that was very successful at all. The whole north east never had a problem with it on a whole. It was never hard to find a bear rug, my roommate even has one. It is common in a number of places both in the south, and north east. I even hear its not uncommon in the north west.

      Do you have a specific case where blacks boycotting worked to overturn an individual business practice? More often than not it was a stopgap measure while legislation was in progress.

      I agree that noise needed to be made about all these issues but I question how successful boycotting is in general and especially for large organizations like the RIAA and the companies it represents. For smaller local businesses this can be very effective but I don't see anyone organizing enough to make an actual dent. In my own life I don't buy Sony and I won't purchase any music from RIAA sponsored labels. I don't delude myself into thinking that I'm making an impact though. I even speak about the evils with my friends and families but in the end, if the song they like is sponsored by an RIAA company then they will go out and buy it since that is the only source to get it.

    12. Re:Are you from the US of A? by hador_nyc · · Score: 1

      The RIAA is even worse, in many cases they ARE music. The have become almost a legal power like the tax offices, they can collect their music tax for any music they like even if the original owner doesn't want them too. This would be roughly the same as the police ticketing people for driving to fast on private property (they can't and don't do this, this is why racetracks can operate).
      That is an outstanding point that I haven't heard before. Technically, they are a monopoly; granted it's not like Big Oil or Big Sugar was when good ol' TR (President Teddy Roosevelt) busted up those monopolies, but I think it's close enough. The record companies, via the RIAA, are a cartel, and by controlling the whole market, they are a monopoly of sorts. Perhaps it's time for another breakup; it's been a while since they broke up the last one(1980); MA Bell (aka AT&T). I think we're due.

      Embargo's work, even against semi-goverment organisations, but the "people" need a lot of will power to pull it off. Often the answer is that somebody equally powerfull takes up the fight, in recent years that have been popstars, who through their fame could pull the people into a single group to raise a voice. Bit of a pity that popstars and the RIAA are in the same bed eh?
      The first and best example we had over here was TR, and he was a rich man with a desire to help those less fortunate; and make himself famous in the process.
      --
      - Mike
      Once you've lost your temper, you've lost the argument - Me
    13. Re:Are you from the US of A? by Anonymous Coward · · Score: 0

      Of course he's joking. Don't be so dense.

    14. Re:Are you from the US of A? by Elbowgeek · · Score: 1

      It is very hard to get around the various music copyright groups because no matter what music you listen too, they have been given control over it.

      It may be that eventually artists start signing up under different "collection agencies" than the RIAA when it becomes clear that they do more to hurt potential sales than help.

      It is true that the RIAA has the short and curlies of the radio, major Internet and other distribution networks and means. But, just as in nature when a group of animals over-grazes their ground their numbers downsize, we'll see the **AA guys rightsize.

      --
      Who is this delectable creature with an insatiable love of the dead?
    15. Re:Are you from the US of A? by Myopic · · Score: 2, Funny

      Ever heard of the British East India Company? It had to do with some added tax/levy or something being added to tea. I think it caused a bit of a riot in boston, local affair, easy to miss but some people were upset about it.

      Yes, I am from the US of A, and I can tell you all about your little event there. That was Custer's Last Stand, which was a legendary battle between Texans and Mexicans during the Civil War. The whole dirty affair was caused by yellow journalism. It was a sad battle, napalm was used all over the place. Eventually we had to end the war by dropping a nuclear bomb. We commemorate that day every year on September 11. Most Americans don't know much about it, thought, since it happened almost seventy years ago now.

    16. Re:Are you from the US of A? by Brad+Eleven · · Score: 1

      It was a local affair, *and* it sparked the Revolution. There are several analogous local affairs in the matter at hand, namely the suits filed against those accused of file sharing.

      The Boston tea merchants were affected by a combination of at least two of the British Crown's foolish acts, namely the outrageously high tariff on tea imported from India by the colonists, and the subsequent allowing of the East India Tea Company to circumvent this tariff. The latter's goods were roughly half the price, and were driving the colonial merchants out of business.

      The Crown had bankrupted itself fighting the French and Indian War. Like most present-day governments, it had issued Bonds which were presumed to be very safe investments based on the presumption that they were backed by the power of taxation. It was the excessive taxation enacted upon the booming colonial economy which resulted in Samuel Adams' (and others') rallying against taxation without representation.

      The analogy is very, very apt: Both the RIAA and the MPAA are taxpayer-funded entities, but they are not accountable to taxpayers. Further, the RIAA collects (and sues for the collection of) royalties for artists who are giving their music away.

      That is, they are making uninformed decisions on how to spend taxpayer monies. OTOH, they are not interfering with anyone's livelihoods--that would foment revolution. The response thus far seems to be increased violation of ridiculous and largely unenforceable law, with a modicum of derision and righteous indignation over the manipulation of tort law to reap unreasonable damages from individual citizens with very little proof.

      At a very high level, the analogy is sound: Both cases involve wealthy and powerful entities acting in desperation because each wants to remain rigid in the midst of changing times. Further, both the British Crown and the American Recording Industry caused the change: The British colonized North America, and the Recording Industry introduced digital media. The common belief is one of entitlement based on investment.

      Funny how that doesn't work for individuals. When things change, you and I must adapt or fail. Some of us have certainly wasted a fortune or two trying to reign in a changing situation beyond our control. How marvelous and surprising it would be to see successful adaptation. There is hope, you know: Rick Rubin is now the president of Columbia Records. And that link is free for everyone: The New York Times is now 100% free.

      --
      "Press to test."
      (click)
      "Release to detonate."
    17. Re:Are you from the US of A? by symbolic · · Score: 1

      I actually have no doubt this is true. These are the same people that are hooked on their favorite "artists" like a bad crack habit. It will be a cold day in hell before they'll be able to apply some rational bases for their spending habits when it comes to RIAA music.

  82. Beam me up Scotty by Anonymous Coward · · Score: 0

    No intellegent Life here.

  83. Screw 'em. Ignore their music completely. by Anonymous+Drunkard · · Score: 1

    They want to come after employees in the workspace for audible radio playing?

    Play their game the "backfire" way. Turn the radio off for good and IGNORE their music.

    If you can't hear it, you won't buy it. Simple as that.

    Listen to talk, listen to sport, listen to 50+ year old music that is out of copyright (in the UK, at least), but let their music wither and die. Find other musical entertainment that doesn't involve their organization.

    Get enough people to vote with their pocketbooks, they'll either change their tune (ha, so funny) or they'll sink to the bottom of the sea, blaming file sharing all the while for their loss of revenue.

  84. I know one person who won't object by rucs_hack · · Score: 3, Interesting

    I have a friend who works in a factory where they blare out music constantly.

    He is forced to use an mp3 player with other stuff on just to drown out the endless stream of drivel that is pumped out in the name of pop music. Ok its not all that bad, but I am told that when you hear the same 'hit' several times an hour for weeks on end it does not please. I sort of know what he means, I worked in a factory for a time while at university, and they did the same. I couldn't escape to an mp3 player though.

    Stopping this playing of music to an entire factory floor without regard to the people actually working (who cares about the royalties collection people) would not be a bad thing in all cases.

    1. Re:I know one person who won't object by mstahl · · Score: 1

      After high school but before college, I worked as a printing press operator in a local print shop. The head pressman would play this one top-40 station all day long and I can honestly say that your friend is absolutely right. It's like musical torture! Unfortunately for press operators (and probably mechanics, too, for exactly the same reason) headphones are a big no-no at the press because there's too many moving parts of a printing press for the cables to get tied up in. I never even wore a wristwatch when working on the press and my boss left his wedding ring on the shelf while running. So there was literally no escape!

      No matter how you want to look at it though this lawsuit is ridiculous. The prohibition on public performance without royalties is more like if you played a CD in front of a crowd of people and somehow charged them money for this (has this ever happened in the history of recorded music?). You pay royalties for radio by listening to advertisements, in a way, and the radio station pays them by selling advertisements. The very notion that playing a radio loud enough for others to hear it counts as a public performance is so ludicrous it doesn't even bear hearing in a court of law. It's a waste of time and a waste of money.

      What I'd really like to know is ... who thought this was a good idea?

    2. Re:I know one person who won't object by teh+kurisu · · Score: 1

      Where I worked during university, my boss had the radio on all the time on the shop floor. She didn't mind what station we picked, but around here there's not much choice. We weren't allowed to play our own CDs, because a previous employee had abused that privilege before and done nothing but play with the CD player all day. Thing was, the boss was rarely actually on the shop floor, and just kept an eye on us using CCTV.

      My solution? An iPod and an iTrip. She could never claim it wasn't the radio!

    3. Re:I know one person who won't object by Tephlon_74 · · Score: 1

      The prohibition on public performance without royalties is more like if you played a CD in front of a crowd of people and somehow charged them money for this (has this ever happened in the history of recorded music?). I think it's called DJ'ing...
    4. Re:I know one person who won't object by digitig · · Score: 3, Insightful

      The prohibition on public performance without royalties is more like if you played a CD in front of a crowd of people and somehow charged them money for this (has this ever happened in the history of recorded music?). DJs do it all the time.
      --
      Quidnam Latine loqui modo coepi?
    5. Re:I know one person who won't object by mstahl · · Score: 1

      When I was a deejay ('cept when I was a radio deejay, and even then it was public radio so not as big of a deal there), I didn't pay any royalties for my performance....

      Suing people and advocating the notion that people somehow owe the recording industry money for this sort of thing is going to only result in a completely music-less world. As a lot of people have brought up the quiet would be nice, but I don't know if it's really something we should be working towards actively.

    6. Re:I know one person who won't object by Dragonslicer · · Score: 1

      When I was a deejay ('cept when I was a radio deejay, and even then it was public radio so not as big of a deal there), I didn't pay any royalties for my performance.... If you didn't pay royalties, the company you worked for did. If you were self-employed, consider yourself lucky that you weren't caught. Getting sued because customers might be able to hear the radio that the employees have in a back room in your store is a pretty borderline case, but if you're a DJ, where your only reason for being around is to play other people's music for a crowd, I can pretty much guarantee that you'd lose a court case.
    7. Re:I know one person who won't object by illectro · · Score: 1

      yes because that would be too complicated, instead the venue that hosts you pays a flat fee for being able to play music.

    8. Re:I know one person who won't object by halber_mensch · · Score: 1

      Stopping this playing of music to an entire factory floor without regard to the people actually working (who cares about the royalties collection people) would not be a bad thing in all cases.

      Except that it sets the precedent for the music industry to be able to arbitrarily sue consumers for "sharing" music with others when passengers in our cars, guests or family members in our homes, or passersby in the street happen to be able to hear your stereo - which is completely unreasonable. Plus, if this precedent is set, it's only a matter of time before their collective legal genius realizes that they can take this to the level that each playing of an audio sample constitutes a "copy" of audio that you are not entitled to after the first playing, ushering in the dawn of the pay-per-play music era, abolishing all personal media players and ultimately any device that can record or mimic audio.

      So maybe not that far, but that would be their wet dream come true

      --
      perl -e "eval pack(q{H*},join q{},qw{70 72696e74207061636b28717b482a7d2c717b343 637323635363534323533343430617d293b})"
    9. Re:I know one person who won't object by nevillethedevil · · Score: 1

      We had a similar problem in a factory I used to work at as a test engineer. Luckily I had access to a signal generator on my work bench so each time they would play the same song more than once in an hour (or sometimes a day deppending on the song), I would just hit my preset and send out a cancellation wave. Blocked out all the radios in the building MWAHAHAHA.

      --
      Be gone from my sight or prepare to feel my flaming wraith!
    10. Re:I know one person who won't object by PitaBred · · Score: 1

      Well, as long as you didn't spend the day dicking with your playlists, I can't see the problem. Most boss' don't make it a point to just follow random rules, especially if they made them. They just want work done.

    11. Re:I know one person who won't object by ebbomega · · Score: 1

      Fuck that. In the ghettos of new york, DJs started making mixtapes of their records and began to play them on ghetto blasters while their friends rapped about what was going on in the hood, and it was a means of communication, of comraderie and of gathering. Eventually this was called "Hip Hop" and if it weren't for unlicensed public performance of the music, the style of music would have never happened.

      Sample culture is a huge part of the recording industry, and if they started cracking down on the sample culture like that, keeping DJs from playing the records to the crowds, they would very simply be out of business. It's partially the DJs playing the tracks in the clubs that cause people to go out and buy the albums, and the recording industry knows this.

      And I would check where you got your information about clubs and raves paying royalties to recording companies. I've never heard of this practice before.

      --
      Karma: Non-Heinous
    12. Re:I know one person who won't object by Meski · · Score: 1

      An end to subliminal Christmas Carols! Damn, I'm going to miss that. :)

  85. This is why. . . by kimvette · · Score: 1

    We need to collectively tell the RIAA "No. Die and go to Hell, spawn of satan" by:

      - Not buying their tripe
      - Not downloading their tripe
      - Not trading mix CDs or tapes of their tripe
      - Not listening to their tripe for free on the radio

    Eventually RIAA members will either embrace a reasonable view of fair use, or they will simply go out of business. At this point in the game I don't think there is any alternative between those two.

    The problem is not enough target customers actually follow through on this. You complain whine and bitch and moan about music's being overpriced and the low quality of the vast majority of crap making its way to the market, and yet you keep buying and you keep downloading. Also, you need to educate yourself on Fair Use and realize that when they advertise on CD that you can "own"
      a work on CD or DVD, you actually OWN that copy of that work, just like you do a book or a calendar. You are not LICENSED it, you OWN it. You are simply disallowed from copying and distributing it outside the bounds of Fair Use.

    --
    The Christian Right is Neither (Christian nor right). See: Matthew 23, Matthew 25, Ezekiel 16:48-50
  86. Give everyone a radio by FranTaylor · · Score: 1

    What if the restaurant management handed a pocket radio to each person coming through the door.

    If everyone has their own radio, nobody is listening to anybody else's music.

    Hos is that different from multiple people listening to the same radio?

    I'm still trying to figure out how this makes any sense.

    1. Re:Give everyone a radio by gedhrel · · Score: 1

      Restaurant? It's a kwik-fit. Anyway, the difference is that if the establishment is doing anything to supply the music or radios, they need to get a license. Personal radios don't (usually) count, although that's what this case will determine, I guess.

  87. When radios are outlawed, only outlaws will listen by Stephen+Maturin · · Score: 1

    The next step, to follow this to the point of absurdity, would be for this organization to sue radio manufacturers, for manufacturing and selling devices which allow these copyright infringements to take place. Under this logic, only radios equipped with ear-buds would be allowed.

    --
    Non tam praeclarum est scire Latine, quam turpe nescire
    -- Cicero
  88. Already in Finland. by Anonymous Coward · · Score: 0

    In Finland cabs have to pay royalties already if they have a radio. Also kindergartens have to pay royalties if kids sing copyrighted songs there (sic). Some time ago there was discussion in finnish parlament if churches has to pay royalties for hymns sung there, but it was decided that they don't have to to do that.

  89. Radios on in cabs? by Anonymous Coward · · Score: 0

    Radios on in cabs?


    I believe this is already the case over here, in Finland. AFAIK, taxi companies do pay some amount to the local copyright agency thingie for the right to have the radio on. As do restaurants etc.
    1. Re:Radios on in cabs? by henrikba · · Score: 1

      This is depressingly the case in Norway as well.

  90. don't watch tv with the curtains open by Anonymous Coward · · Score: 0

    This is seriously the most retarded thing ever. What next? Sueing people for watching TV with the curtains open? I don't see how this is any form of copyright infringement since the 3rd party listening in could do so if they have their own radios anyway since it /already is/ a public broadcast. Seriously, RETARDED.

  91. Logical conclusion by ShagratTheTitleless · · Score: 1

    Make sure to charge the radio station with 'distribution'. Better yet, just outlaw radios and radio stations.

    --
    Sometimes at night I imagine the darkness is filled with horrible things with too many teeth, like Julia Roberts.
  92. Re:...stop the madness... French answer to Ghandi by Anonymous Coward · · Score: 2, Interesting

    The following is extracted from the Wikipedia artile http://en.wikipedia.org/wiki/Gabelle

    France, in the peroid 1286 to 1790 had its own hated salt tax , the "Gabelle"... ...Repressive as a state monopoly, it was made doubly so from the fact that the government obliged every individual above the age of eight years to purchase weekly a minimum amount of salt at a fixed price....

    (italics added )
    END Wikipedia extraction

    1. Artificially overprice a commodity
    2. Make use of ( actually "payment for") that commodity mandatory
    3. PROFIT!

  93. Like this you mean... by Chrisq · · Score: 1

    Haverford Student Sued for Music Copyright Infringement http://www.biconews.com/article/view/36

    1. Re:Like this you mean... by jeti · · Score: 1

      I'm losing my ability to distinguish between satire and reality.

  94. Re: They have already done that 20 years ago by AtomicBomb · · Score: 1

    >>Where do the extents of a 'public performance' end? Radios on in cabs?"
    That royalty collecting agent has already done that in Hong Kong (it was a British colony) 20 years ago. It may just politically too incorrect to carry out the same extortion campaign back in Britain at that time. They sent undercover agents around to ride taxis, visiting small mom-and-pa shops. Then they show their ID and the recording industry style letter to extort thousand dollars of money. They are greedy bastards.

  95. It's legal obligation in Slovenia... by jernejk · · Score: 1

    I don't know for the rest of EU, but in Slovenia, every company that provides means to play broadcasted music to employees or customers (read: has at least one radio in the office) MUST pay a fee to SAZAS (www.sazas.org), a member of cisac (www.cisac.org).

    Regarding all music industry bashing here on slashdot:
      - why is it OK to download music regardless of a "license", even if legitimate authors haven't decide that it should be available for free and
      - why is it evil to ignore GPL - say by include a part of GPLed code in a proprietary software?

  96. 'Worker's playtime' over the Tannoy... by Richard+Kirk · · Score: 1

    For non-UK citizens and our younger readers...

    UK factories often had a public address system - often called the 'Tannoy' - from the maker's name on the speaker grilles. These systems were often used to broadcast the Light Programme (National Radio) and later Radio 1 (ditto). This was in the days before private radio stations in the UK. Nor being widespread does not necessarily make something legal in the K (viz. the Speed Limit), but the fact that the BBC made programmes for re-broadcast within factories for years since WWII without this fuss ought to count for something.

    Pip-pip!

  97. Whaddaya mean, ends at cabs? by Puh · · Score: 1

    It certainly won't end at the cabs, as around here in Finland they already pay the local MAFIA, sorry, Teosto, for the privilege of listening to the radio. The royalties are currently set at 32 euros/year, 42 if you also have a tv or other visual playback system.
    see http://www.teosto.fi/fi/taksit.html (in Finnish, sorry)
    They also have price lists for music in elderly homes, schools etc. Playing music in workplaces is covered, as is singing in the kindergarten and schools. You name it, we've got it. Not forgetting the spiritual side, churches are paying up also.

    I'm anxiously waiting for the "whistling in shower" royalty payments.

    1. Re:Whaddaya mean, ends at cabs? by zootm · · Score: 1

      I'm pretty sure that here in Scotland — where the article is set — taxis already pay PRS royalties for the radio as well. I'm pretty sure I've seen a logo up in a taxi anyway.

    2. Re:Whaddaya mean, ends at cabs? by augustw · · Score: 1

      They do, and you have!

  98. Second hand. by jon287 · · Score: 1

    I am nearly certain that I have been harmed by second hand Jessica Simpson.

    I demand compensation.

    --
    To boldly use to and too two times and get it right too! They're not gonna believe their eyes when they see it there!
  99. Muzak is not a slangword by CaptainZapp · · Score: 2, Informative

    Muzak (or elevator music or bland background music, for those that don't know the slang)

    Actually Muzak (http://muzak.com) is a corporation, which exists for decades. Their mission is to grace humanity with this fine music you can hear in elevators and shopping malls throughout the world.

    "Music" that is filtered and frequency optimized so it doesn't disturb your lift riding -, or shopping experience.

    So no, even if a lot of people think so, Muzak is not a slang word for rotten music. Then again: The general public has hardly any dealings with Muzak LLC (apart from being forced to listen to this shit).

    --
    ich bin der musikant

    mit taschenrechner in der hand

    kraftwerk

    1. Re:Muzak is not a slangword by A+coward+on+a+mouse · · Score: 2, Informative

      So no, even if a lot of people think so, Muzak is not a slang word for rotten music.
      Muzak *is* a slang word for rotten music to precisely the degree that people think it is. It is horrifying to contemplate for some (myself included), but the rules of language are whatever people believe they are. People break the rules all the time; if a large enough number of people start breaking a given rule the same way, their way of doing things becomes a new rule, at least within whatever group(s) those people have sufficient influence.

      Short version: languages change in ways that cannot be controlled. Methinks that he that dost not realize the truth of this will be considered a pedant anon.
      --
      If you mod me down, I will become more powerful than you can possibly imagine.
    2. Re:Muzak is not a slangword by gstoddart · · Score: 1

      So no, even if a lot of people think so, Muzak is not a slang word for rotten music.

      OK. So it's not slang for rotten music -- it's a brand name for rotten music.

      Even knowing Muzak is a company who specializes in selling canned music, it's still dreck. I suspect most people here knew Muzak was a company; it just doesn't make their particularly candied and annoying music any more palletable.

      At this point, it's become a cultural code word for syrupy, annoying, instrumental renditions of songs we hated in the first place. It's like "McJob" or "Kleenex" -- to most of us, it's become a generic word.

      Unfortunately for Muzak LLC, their brand has developed a lot of negative connotations -- you could know exactly who Muzak is, and it still wouldn't be a good thing. The associations we have with the brand are entirely accurate in terms of summing up what the company is selling; it's just that for many of us, we're not interested in what they're selling.

      In this case, both the intended and negative connotations which are associated with Muzak are the exact same thing. If you want canned elevator music, you wan't Muzak. If you're being forced to listen to canned elevator music, you're listening to Muzak. Whether or not it's a positive association depends on your perspective -- the brand and the slang mean the same damned thing. It has now entered the zeitgeist as a brand name with negative connotations, and gets used in a generic sense in slang.

      Quite frankly, most of us don't really care what the opinion of Muzak LLC is on this score. Like it or not, "Muzak" is now an all encompassing term for stuff of the kind they provide.

      Cheers
      --
      Lost at C:>. Found at C.
    3. Re:Muzak is not a slangword by hawk · · Score: 1

      >At this point, it's become a cultural code word for syrupy, annoying,
      >instrumental renditions of songs we hated in the first place.

      I hate to break this to you, but one of those tragic days that we all must face is the first time we here the obnoxious music of our high school days turned to muzak . . .

      hawk, surely not old enough to have first-hand experience. Yeah, that's it.

    4. Re:Muzak is not a slangword by CaptainZapp · · Score: 1

      OK. So it's not slang for rotten music -- it's a brand name for rotten music.

      Dude, I really like your definition for Muzak. Else then that I agree completely.

      --
      ich bin der musikant

      mit taschenrechner in der hand

      kraftwerk

  100. I give up. by Anonymous Coward · · Score: 0

    Fuck it. I'm swearing off music. (Instead of swearing AT it.)
    These bastards can go bankrupt for all I care.

  101. This is nothing.. by LingNoi · · Score: 1

    There was a case in England a few years back of a middle class women raising money for cancer. She put on a party and had a live band playing.

    She raised £300 ($600) for a cancer charity, but the government heard about it and charged her the standard tax fee for public performances which happened to be £300. It was a coincidence that it happened to be the amount she raised but this whole public performance nonsense is out of hand. England is already boring enough, now we can't even enjoy some friendly music.

    Oh the great injustice of the world if someone doesn't get paid for vibrating my ear drums!

    1. Re:This is nothing.. by augustw · · Score: 1

      Not the government; this is a CIVIL matter; it is NOT a tax.
      If this story is true, it would be the the PRS who charged the fee.

  102. PLEASE BILL MY NEIGHBOR by Anonymous Coward · · Score: 0

    This appartment comoplex is a business, his sterio blasts the local rap station into at least 3 other units...$200000 should end that once and for all

    Thanks record jerks, for once you are useful

  103. This is UK law by AndyTayl0r · · Score: 2, Interesting

    In the UK, the public broadcast of any music requires a licence from the Performing Rights Society. This law covers shops, offices, restaurants and other places of business and the licence costs depend on the type of organisation and the size of the public area. Shops usually have a small sticker in the window to show they have paid.
    For this particular case the cost per annum should be £59.36 + VAT
    The money collected is distributed to its members - the rights holders. This includes the big record companies but also independent musicians.
    Everything you need to know is here: http://www.prs.co.uk?

  104. businesses fault by abigsmurf · · Score: 1

    It's fairly well known by most businesses that they don't have permission to play radio stations to hundreds of staff/public by default. This is why most UK supermarkets either have their own radio station they pump out to every store or they play a special CD of music licence to be publically played. It may seem a stupid law but you've got to look at it this way: radios pay licence fees based on estimated listening. If a small local station get aired at a concert of 20,000 people without their knowledge when their typical listener base is a couple thousand at a time, the BMI would come up to them and demand 10 times the licence fee which wouldn't be covered by the advertising which assumed only a couple of thousand. This would mean the that broadcast cost them a fortune. It's an extreme example but that's the reason Radio broadcasts are meant for individual listeners, not to be piped over a PA system.

  105. Sue the radio stations by Dan541 · · Score: 1

    Shouldent they sue the radio station who distribute it for anyone in range to receive.

    --
    An SQL query goes to a bar, walks up to a table and asks, "Mind if I join you?"
  106. Re:...stop the madness... French answer to Ghandi by arivanov · · Score: 1

    First of all, this sounds like Gordon Brown and his Petrol taxes to me. While you are not literally obliged to buy it, you end up having to. Even if you do not have a car you pay for it in every item you buy as its delivery is calculated in the price (after adding VAT on it). While we all grumble, I do not quite see all of us growing sunflower (or something similar) in the backyard and pressing our own diesel fuel out of it.

    As far as the MAFIAA is concerned, 99% percent of the population are brainwashed into brand awareness and consumerism before they are potty trained. They are conditioned to react appropriately to stimuli like the Mouse, the SpiderTwat, neon lamps being waved and the like. In fact, if your child is not correctly brainwashed he is considered weird and bullied in school. The likelihood of overriding decades of deep conditioning is very very slim. I do not see that happening. Joe Average consumer will still pay whatever the MAFIAA and its imitators tell him. Just look at the iPhony as a prime example.

    --
    Baker's Law: Misery no longer loves company. Nowadays it insists on it
    http://www.sigsegv.cx/
  107. Sue the radio station! by clambake · · Score: 1

    It isn't the employees that are giving the "performance", all they are doing is transferring the radio waves that are ALREADY IN THE AIR into mechanical pulses. It's the RADIO STATION that is actually sending out the offending material.

  108. welcome to Finland by Anonymous Coward · · Score: 0

    I'm glad that these ipr issues are solved with intellegence.
    In Finland taxis or shops or barber's have to pay to the local Performing Rights Society (TEOSTO) if they want to have radio on so that customers can hear it.

  109. hmmm....a new tactic to deal with boom cars? by vanillacokehead · · Score: 2, Funny

    Maybe I'll start writing down the license plate numbers of cars from which loud music emanates and report them to the RIAA. That'll show those obnoxious twits who think everyone within a 100-yard radius wants to hear their hip-hop music. Maybe the RIAA would sue the cars' owners for illegally performing the music - and the makers and installers of car stereos for enabling said activity. Ahhh, the possibilities... Maybe I can get Rush Limbaugh to sue my co-worker because he listens to Rush's show every day and Rush would consider it a "public performance".... :) Seriously, this does seem kind of ridiculous....

  110. This calls for... by wilx · · Score: 1

    ...application of http://en.wikipedia.org/wiki/Gowachin legal customs.

  111. I for one am taking action by MichailS · · Score: 1

    by posting something witty about it on Slashdot.

    >_

  112. Because the last thing we want by LazyBoy · · Score: 1

    ...is for anyone to hear our clients music!

    --

    If Chaos Theory has taught us anything, it's that we must kill all the butterflies.

  113. This has gone on for years by LordSnooty · · Score: 1

    Six years ago now I worked for a company who liked to play the radio in the office - soon after we received a demand from the PRS for monies due. Out went the radio. We figured that someone visiting the office (engineer, salesman) had grassed us up. Maybe they get paid for tip-offs.

    Is it all bad though? Many retail outlets will play music to attract customers, or to make them feel comfortable in the store. Now if the store paid a DJ to play records, many would expect that the store would pay royalties on those tracks. So why would it be different for the radio? After all, they could be making money due to having a radio in the store, so why not take a cut of it? Pretty greedy, it has to be said, but that's the rationale. No doubt royalties paid by a radio station are only covering personal use. Of course this doesn't adequately explain my office situation, but then if the rule applies to one, it should apply to all.

    Yeah, it's crazy-ass, but nothing new. Let's not get this mixed up with greedy MAFIAA yada yada, it's been happening for a long time.

  114. Modern day Tea Party by Jesus_666 · · Score: 1

    I wonder how a modern day Boston Tea Party might look... Perhaps a bunch of people steals a couple crates of audio discs*, make a video in which they destroy them and state their intention in doing so and then release said video to all major news outlets as well as YouTube (just in case big media isn't interested).


    * Maybe even some audio CDs, but given how much the **AA hate the Red Book standard it's rather unlikely.

    --
    USE HOT GRITS WITH STATUE OF NATALIE PORTMAN (NAKED AND PETRIFIED)
  115. Does this mean no more kids with loud stereos? by kseise · · Score: 1

    Not to sound like too much of an old fart, but does this mean no more kids with loud stereos? Can I sue my neighbors little brat for having his stereo cranking when he pulls into the driveway? I don't WANT to listen to his crap, but he forced me. If the stereo plays and nobody listens, does that count as comitting a crime?

    If sound waves are created, you as the listener have two options, listen or ignore. If the *AA gets a legal ruling that I "listened" just because I was around when the sounds were made, I would really like them to talk to my wife and explain the diference between hearing and listening.

  116. Eventually the RIAA will try to charge everybody by crovira · · Score: 1

    for listening.

    I know someone who's deaf.

    She'd be the only person NOT liable for the 'tax on ears.'

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
  117. Consumer vs Customer by kurt555gs · · Score: 1

    This whole problem of corporate geed comes from the people allowing large corporations to totally control the distribution of , well everything. Twisting copyright, patents, and other laws into "IP ownership" that was never intended.

    The end result of this is that all of us are no longer customers to be sold, but consumers to be culled.

    The ( big evil companies ) really believe that we owe them money by simply existing.

    This is insanity.

    --
    * Carthago Delenda Est *
  118. RIAA, a "power"? by TheVelvetFlamebait · · Score: 1

    ... the RIAA is a power. What do I mean by that? You can easily shop somewhere else then your local supermarket, it has no control over you, if the local manager does something you don't like, it is easy to boycot him... The RIAA is even worse, in many cases they ARE music.
    The RIAA can't survive on the CD-R tax and the iPod tax alone. If the people want them dead, a simple boycott would work very well. Plus, if the boycott were big enough, politicians would sniff it out as a political leverage point very quickly. It's extremely misleading to imply they are some untouchable evil overlord, oppressing the people against their will, since most of the power is given to them by the people, and they can just as easily take it away. The only reason they are difficult to avoid is because they happen to be very, very good at their game.
    --
    You know, there is a difference between trolling and pointing out the flaws in your reasoning. Just saying.
  119. CC only? by shomon2 · · Score: 1

    Is there currently a radio channel or stream that only broadcasts Creative Commons and public domain music? Or readings of GPL code or something? That might solve the problem?

  120. fed up by Anonymous Coward · · Score: 0

    When are we, the "sane" portion of the population going to stand up and get these 1960's, burn-your-bra types out of their positions of authority? Ever since they've gotten into offices of authority they have systematically destroyed anything considered "normal" and "common sense". These are people who spent their younger days trippin' on acid listenin' to Hendrix in the rain...and we're letting them make decisions that change the course of our everyday lives??? I say, VOTE, and get them out of office. Vote with your money and stop buying their products.

  121. I was raised to be an offender, HELP ME!! by CallsignBaron · · Score: 1

    I am a habitual offender. There I've said it. But it is not my fault. I was raised to be this way. Since I was a child I was taught to share. I was physically spanked and sent to my room without dinner if I would not share my toys with my siblings. Sharing was mandatory in school. I could be reprimanded from the principal if I would not share the swingset or fingerpaints or whatever. Phrases like "share and share alike" or "give somebody else a turn" were ingrained in me since I was very young. As I grew up I would watch TV with the WHOLE family on only ONE TV! When I was old enough to drive I would listen to the radio loud enough for everyone in the car to hear. I asked for a tape recorder for Christmas so I could tape the late night DJ's radio shows. *shame* I need help. You see I am all grown up now and this old dog is having trouble breaking these terrible habits. I am afraid if I don't get help soon I could become a threat to society. You see I am now a parent and I am starting to teach my children my evil sharing ways. When my son wants to keep his tinker toys to himself or put headphones on his radio I have been guilty of trying to get him to SHARE! *cries* Can anyone help? Is there a 12 step program for evil sharing people like me? Please help me before I contribute to the destruction of another generation. Stop the madness, be selfish and just keep it to yourself!!

    --
    "I reject your reality and substitue my own." ~ Adam Savage, Mythbuster extraordinaire.
  122. Where does it begin by thorkyl · · Score: 1

    Where do the extents of a 'public performance' end?
    -----------------------

    I think the correct question should be;

    What constitutes a public performance?

    Does it begin when one or more can hear my radio?

    Does it begin when I pass some shmoe with his Iputz on so loud
        his teeth rattle and everyone can hear his music?

    Or when I charge a customer to come to my Bar and have the local
    radio station on?

    --
    -- I am the NRA, enough said...
  123. Well known law in the UK by evilandi · · Score: 2, Informative

    There is no way this is going to get thrown out. The servicing chain will loose, loose big time, and frankly I'm amazed such a big brand has been this dumb.

    Fees for playing the radio or CDs in shops or offices are well known in the UK. The law may well be an ass, but this particular law is very well known, and any businessman who claims ignorance or rebellion is going to get squished in court.

    Kwik-Fit are the most well-known brand of chain garages in the UK. That they've been stupid enough to let employees play the radio in the presence of their customers, without getting a licence, is overwhelmingly their own look-out, pathetic bloody company I've no sympathy at all </vogon>

    Licences and tarrifs are well known, well publicised, easy to obtain and inexpensive.

    Personally I find almost all instances of intellectual property rights fundamentally flawed, but I'm not stupid enough to try that as an argument in court against a licence fee which has been collected nationwide, in every corner shop and mall, without exception, for fifty odd years. Pick yer bloody battles, mate.

    --
    Andrew Oakley - www.aoakley.com
    1. Re:Well known law in the UK by Anonymous Coward · · Score: 0

      A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS A ASS

      "an ass" is correct English, but Mr Bumble in Oliver Twist, as written by Charles Dickens, GOT IT WRONG. At least quote correctly

    2. Re:Well known law in the UK by hawk · · Score: 1

      >The servicing chain will loose, loose big time,

      Yikes!

      Everyone keep your cars and tires (tyres?) away from this place if you want to make it home!

      hawk

    3. Re:Well known law in the UK by msouth · · Score: 1

      mnemonic: lose the extra "o".

      --
      Liberty uber alles.
  124. The consumer can stop the insanity by BanjoBob · · Score: 1

    Only the consumer can stop this insanity. Stop buying the music -- ALL of it! Stop listening to the radio! Stop going to concerts! Stop the revenue flow to the industry. If you cut off their economics, they will have to go away with no money to fund their extortion activities.

    Make your own music for a few years. Listen to what you already have for a few years. They will respond to a total lack of money coming in but, the consumer can't expect somebody else to do it -- all consumers need to do it!

    --
    Banjo - The more I know about Windoze, the more I love *nix
  125. Too Late: Madness Upheld by dwandy · · Score: 1
    As absurd as it might sound, in Canada you'd be wrong:

    Another use of the song comes from the song being played in a restaurant. Playing the radio in a restaurant is seen under the Copyright Act as communicating a work to the public which is a separate communication from the radio station playing the song. Communicating a work to the public without authorization is infringement. The restaurant, therefore, must compensate the band for their copyright in the performance of the song this is done through having a performance licence granted by SOCAN to play music in their venue.
    (emphasis mine)

    I know of this second/third hand: An accountant I know has a client (restaurant) who took this to court and lost...It is very possible and realistic that the garage in TFA will lose as well.

    As the content owners continue to clamp down, the noise bylaw ticket will pale in comparison to the copyright infringement lawsuit you will face if you blare your music on the deck...

    --
    If you think imaginary property and real property are the same, when does your house become public domain?
    1. Re:Too Late: Madness Upheld by hawk · · Score: 1

      >An accountant I know has a client (restaurant) who took this to court and lost.

      Accountant, restaurant--is this a lead-in to a "cooking the books" joke?

      hawk

  126. I might be completely wrong, but... by comradeeroid · · Score: 1

    Doesn't the general concept of Radio as a mass media and Radio Stations paying to the royalty collecting organizations kind of cover the idea that more than one person might listen to a radio broadcast?

    At least that's what I gathered from my venture into the radio and television buisnesses.

    So, evidently what the Performing Rights Society are wanting to have set into brittish legal praxis is the following:
    "We are irredeemable idiots, please someone kill us now and spare us the embarrasment of realization."

    I'm kind of fine with that message.

    --
    If you see a rock violating the law of gravity, then the law is wrong, not the rock!
  127. if everyone had their own by luigi517 · · Score: 1

    so how would this be different if everyone had their own radio? they're still not paying for the music...

  128. The only legal way to listen to music! by argent · · Score: 1

    Cochlear implants connected via a secure encrypted path to an RIAA-authorized epoxy-embedded temper-evident "droud" jack.

    Oh, and people with perfect pitch will need to be registered and larynx-tagged.

  129. Well... by Yer+Mom · · Score: 1

    ...if they start charging those mouthbreathers who drive around at midnight with their subwoofers turned up to 11, they might get a bit of public sympathy for a change.

    --
    Never mind Spamassassin. When's Spammerassassin coming out?
  130. Ministry of Digital Signals by tronkel · · Score: 1

    It is time for a new approach. Everything could be regarded as a digital signal for the purposes of the following idea. All this business of ineffectually trying to protect so-called copyright on digital media, music software etc. is really old hat now. What a pile of grief this has caused over time. Conventional business models based on the notion that a commercial company can make money reliably from the "ownership" various forms of digital signals on offer, is simply flawed from the outset. Think of the advantages that would stem from the establishment of a Ministry of Digital Signals. This governmental department would be responsible for gathering taxation revenue in the form of a slice of the normal tax that everyone in the country pays. Part of its remit would be the evaluation of the commercial value of a particular digital signal, whether it be a song, a piece of software, an image, a piece of text or whatever. The Ministry would have internal committees that consist of panels of authors, composers, programmers etc who would be in a good position to make these sorts of evaluations, i.e. judgment by ones peers as to what the likely value of a signal really was. At the end of a financial year, the tax take would be divided out in proportion to perceived value to the various registered parties. In this way, both Microsoft AND Linux would get their fair slice of the cake. Same for music composers. Even the music companies could get a fair slice if they really do provide good marketing and distribution of digital music signals. No need now for silly ineffective DRM and whatever. No more insane legal litigation. Sounds like a win-win-win situation to me. Linux development for example, would have more cash than it could ever possibly have dreamt of. I'm only partially joking!

  131. I may hear a lot , but I choose what I listed to.. by Anonymous Coward · · Score: 0

    Just a though really:
    Can they really Sue? Can they prove People where actively listening to the radio playing? Does make for a counter argument perhaps: I may hear a lot of sound , but I choose what I listed to.

  132. Public PERFORMANCE!? by corifornia2 · · Score: 0

    Where do the extents of a 'public performance' end?
    <cheesy-announcer-voice>
    And next up, Rico here will be performing an oil change on your car!!! [Queue sweaty Rico covered in motor oil wearing only a thong, dancing to Spice Girls "Wannabe"]

    Yeah, I'd totally sue them bastards.
    1. Re:Public PERFORMANCE!? by corifornia2 · · Score: 0

      Yes, I know i didn't close my cheesy-announcer-tag, but it only renders correctly in IE, if you don't. fie.

  133. Freedom? by Tomothy09 · · Score: 1

    WTF? Everyone who was listening to that broadcast were hearing the commercials as well - which means the content providers ARE getting paid. It MIGHT be different if they were playing their own personal music collection they purchased (or stole!) - but even that would be pushing it. It's not like they're selling tickets...geez. If a radio station is BROADCASTING - doesn't that mean it's a "public performance" generally speaking? Do we live in communism where we have no personal freedom? Should we not be allowed to listen to the radio while at work? This case stinks and it's becoming more and more clear to me that judges and politicians are easily bought and sold.

  134. Brilliant news by Anonymous Coward · · Score: 0

    This means I can shop my next door neighbour.
    He play music LOUD, and I can now shop him for breaking copyright by forcing me to listen to his public broadcast of copyrigh material. Can't wait.

  135. Radio versus pre-recorded by sheldon · · Score: 1
    If you are simply playing a radio, then ASCAP demands no license. If you have a jukebox, or are playing pre-recorded music of some sort.... then you need a license. If it's broadcast over the public airs, then the license is already paid for by the radio or television station.

    Here's the FAQ

    Yes, you will need permission to play records or tapes in your establishment. Permission for radio and television transmissions in your business is not needed if the performance is by means of public communication of TV or radio transmissions by eating, drinking, retail or certain other establishments of a certain size which use a limited number of speakers or TVs, and if the reception is not further transmitted (for example, from one room to another) from the place in which it is received, and there is no admission charge. Your local ASCAP licensing manager can discuss your needs and advise how ASCAP can help you. /blockquote.

    1. Re:Radio versus pre-recorded by mashade · · Score: 1

      Thanks for that. I actually don't recall whether they were playing a CD or radio at the time; I assumed it was radio since they had a favorite station that I do recall.

      --
      Technology tips and tricks.
  136. Oh This Will Be Sweet by dufachi · · Score: 1

    If they win, I propose to sue every visitor to the shoppe across the street which installs very loud and very large speaker systems in motor vehicles. I have to listen to the incessant non-stop thump of bass from 9am to 6pm every day. Since these are "public" performances and clearly illegal (lol) I will collect license plate information to turn over directly to the RIAA so that I can be a snitch and survive being sued myself for hearing the public performances.

    I'm hoping to clear at least 1 million per incident for my snitching. I should be a billionaire by next Thursday!

    --
    -Kinsey
  137. Simple solution by Anonymous Coward · · Score: 0

    The Scottish car servicing company should counter-sue for putting copyrighted material on public airwaves. This problem would go away if the music industry had a free version of songs on the radio and a longer, richer version for sale.

  138. Actually it's worked well for me... by Elbowgeek · · Score: 1

    I managed to, erm, "sell" a really nice house three times in the last six months. Of course in my case I didn't own the property and I did it all through a series of shell companies in the Cayman Islands, but, you know, the principle is the same...

    --
    Who is this delectable creature with an insatiable love of the dead?
  139. Sue the Martians too by HomeLights · · Score: 1

    All those radio waves in outer space traveling millions of miles away - we need to sue anyone who listens to them as well, right?? Unbelieveable. What about TV? My wife and I watch the same show on 1 TV - do we need to buy a second one and only watch our own TV??? What about cars?? Do we need to drive in separate cars to listen to separate radios in the cars?? Come on...

    --
    Stop by and watch a Christmas movie, commercial or cartoon! -->http://www.XmasDVD.com
  140. Am I missing something? by Eggz+Factor · · Score: 1

    Why is it possible to sue the shop when they were not charging people a fee to listen to the music in the first place? This is ludicrous.... can the guy with music blaring out of his headphones next to me on the subway be sued also? Should Ice cream truck owners be worried as well?

    Seems to me Shakespeare was on the right track with his remark about Lawyers.

    --
    blah, blah, blah...
    1. Re:Am I missing something? by fishbowl · · Score: 1

      >can the guy with music blaring out of his headphones next to me on the subway be sued also?

      As I understand it, in the UK, anybody can be sued for anything. Successfully persuading a court to award damages after judging your suit on its merits, is a separate matter. Wake me up when this sees the inside of a courtroom.

      --
      -fb Everything not expressly forbidden is now mandatory.
  141. well... by Anonymous Coward · · Score: 0

    well, i guess in order to protect ourselves, we need to stay away from department stores and malls that play elevator music, or music over the intercom, because then we would be suspects in a copyright scandle that is taking over the world!

  142. Re:I may hear a lot , but I choose what I listed t by fishbowl · · Score: 1

    >Just a though really:
    >Can they really Sue?

    Of course they can "really sue." Anyone in the UK can bring any grievance to court for resolution.
    The question you should be asking is, "can they really prevail?"

    The answer is "no" and the judge in the article is saying as much, going no further than a judge may go in such a public statement.
    He's merely ruling that the claims in the case (whatever they are -- we don't know all the details) are *possible*. That means very little.

    Say, it's "possible" that the radio is a is a private FM transceiver hooked up to a P2P sharing hub...

    --
    -fb Everything not expressly forbidden is now mandatory.
  143. Not new, not news. by ACMENEWSLLC · · Score: 1

    This has been illegal in the USA for decades. Not sure how this is news. When I worked in fast food almost 20 years ago we purchased rights to play music for our customers. The place I work for now does it also. Today, we get it bounced from a satellite service.

    http://www.xmradio.com/commercial/

    How is this even possibly news? Might was well be a headline "Get married, go to jail?" With the guts of the story actually being a hillbilly in Arkansas didn't realize marrying your cousin was illegal and went to jail for filing a false marriage license.

    Ignorance of the law is no excuse.

  144. The Slippery Slope by Anonymous Coward · · Score: 0

    The PRS wins.
    Radios are banned.
    Price of Walkman/iPod/etc goes through the roof.
    Steve Jobs becomes Emperor.
    World cataclysm is imminent, but the emergency broadcast system has been rendered obsolete to billions of peasants.
    The Earth is sent back to the stone age.
    Man discovers fire...
    Repeat ad nauseum.

  145. But do you count . . . by hawk · · Score: 1

    Given the music typically played in garages, do you count the customers desperately holding their hands over their ears to avoid it as part of the audience? Or the ones with their heads fully submerged in the fishtank?

    hawk, who needs to know

  146. Re:...stop the madness... French answer to Ghandi by JavaRob · · Score: 1

    the MAFIAA [...] the Mouse [...] the SpiderTwat [...] the MAFIAA [...] the iPhony [...]. I actually think I understood your point, but you really aren't helping things with these silly misspellings.

    The "Mouse"? The "SpiderTwat"? Lost me there completely. I have no idea what those are supposed to be.

    Surely it's possible to express your disrespect in some more coherent way.
  147. Re:...stop the madness... French answer to Ghandi by jc42 · · Score: 1

    Similarly, here in Massachusetts, the state legislature recently passed a law requiring every resident to have health insurance. If you don't have health insurance, you will be fined an amount comparable to the lowest-price policy that's available.

    So far, I've heard no discussion at all about whether this is legal, or what's likely to happen to prices. This does have a strong resemblance to that French law requiring that everyone buy salt from the state monopoly.

    I've read of a number of similar cases in other countries, but I don't remember the details.

    --
    Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  148. Re:...stop the madness... French answer to Ghandi by Anonymous Coward · · Score: 0

    Thank goodness that our societies have by now progressed beyond such a primitive, exploitative, extortionate, stage.

    Otherwise, just imagine what sort of subservient dependence could be wrought using... oil. Or food. Or critical medicine.

    Or (*gasp*) _Tea_ !

  149. Commercials ??? by wideBlueSkies · · Score: 1

    I know that I'm a little late to the table in posting here but.....

    When the music was playing to the people in said public place, were not the commercials heard alongside the music?

    Is there no consideration for ad exposure in the equation?

    --
    Huh?
  150. And the next step is... by gevantry · · Score: 1

    The next step is to identify everyone within earshot, and hit them with an audience tax. After all, they heard it. Therefore, they must pay. It matters not whether they wanted to hear. They heard. Open that wallet and pay up.

    Business is bad for the labels and fee collection agencies. It's getting worse. Things like this will have radio stations losing audience share because radios will be turned off. Music sales will be hurt because fewer people are hearing it, so they don't look for it at the stores.

    Business for the labels gets even worse. They are digging their own graves, preparing for the day when they finally succeed in cutting their own throats.

    They are succeeding in convincing everyone to turn off the music.

  151. Re:...stop the madness... French answer to Ghandi by ngm · · Score: 1

    Similarly, here in Massachusetts, the state legislature recently passed a law requiring every resident to have health insurance. If you don't have health insurance, you will be fined an amount comparable to the lowest-price policy that's available. [...] This does have a strong resemblance to that French law requiring that everyone buy salt from the state monopoly.

    Except that there is no state monopoly.
  152. Isn't that the POINT of radio? by bandmassa · · Score: 1

    Oh FFS, this is what radio is for. That's got to be the ultimate definition of vexatious litgation!

    The radio industry spends money on demographic studies to reliably estimate their audience size, then pay royalties to the record labels based on that audience and the songs played. (...and in the case of commercial radio, sometimes the amount of ad revenue gets factored into rights returns, too.)

    This case is as stupid as litigation gets, and I suspect even the lawyers don't understand how the law works anymore :-/

    --
    "I hope you like Guinness, Sir. I find it a refreshing substitute for, er... food." Col. Jack O'Neil, SG-1
  153. UK LAW: The 'premises' require TV and PRS licenses by Rockin'Robert · · Score: 0

    Aside from the colonialist arrogance that sparked the US revolution
    and others internally, the notion of expecting a garage to pay for a
    Performing Rights Society license as though it was a dancehall or pub
    or concert arena is about as stupid as telling dogs and cats to:
    register, pay for, collect and attach their own pet licenses.

    The good news is Kwik Fit is a nationally franchised chain with the
    financial, and therefore legal, clout to slam PRS up against the wall and
    into a dust bin where they belong or under the rock from whence
    they slithered.
    RR

  154. Not in Finland... by Tug3 · · Score: 1

    Where do the extents of a 'public performance' end? Radios on in cabs?
    No, in Finland it doesn't. Up here the recording industry actually got through an greedy law that cabs/taxies now have to pay money to them if the taxi has a radio installed. The reasoning goes: It is essential to the business (of the taxi) that radio can be heared in the taxi and creates an advantage over competing taxies if it has a radio. Thus it is public performance, thus the poor record labels should get more money...

    As taxies are driven a lot, they change the cars every couple of years. And how many new cars you can actually buy without a radio? I know you can buy a Porsche or another sportscar without radio, but I don't think it's even possible to buy Mercedes or Volvo (the most popular with taxi companies) without one.

    <trying hard and failing to be ironic> Personally, when I want to hear the latest hits on radio, I always take a taxi! I just get in and tell the driver to drive around the block until I've heared the latest hits. - It's not like I would need a taxi to take me somewhere... </trying hard and failing to be ironic>

    --
    If all else fails, pull the plug and get out...
    The Life is out there...
  155. Not even a large change in degree by RockDoctor · · Score: 1

    "The Performing Rights Society, one of the UK's royalties collecting societies, has taken a Scottish car servicing company to court because the employees are alleged to have been listening to the radio at work, allowing the music to be 'heard by colleagues and customers'. The PRS is seeking £200,000 in damages for the 'performances of the music' which they claim equates to copyright infringement. The judge, Lord Emslie, has ruled that the case can continue to hearing evidence, commenting that the key point to note was that music was 'audibly blaring from employee's radios'. Where do the extents of a 'public performance' end? Radios on in cabs?"

    In best Slashdot style, I haven't RTFA because I don't think that I need to.
    It has long been established that playing juke boxes in pubs, or having the telly blaring with news, music or sport constitutes a "public performance" and therefore attracts additional copyright licensing fees. I've even seen people form the PRS coming into pubs and checking their documentation - IIRC on 2 out of the 3 occasions the pub as in compliance and in the third one the landlord's response was to turn the telly off and that the PRS guy could go and fuck himself. 5 minutes after the PRS man had left (and was being shadowed by one of the customers to make sure that he wasn't coming back) the telly was back on.

    A typical pub would be one or several dozen punters.

    Similarly, for years I've been noticing phrases like "... this DVD is not for public performance, broadcast, presentation in hotels, prisons or oil rigs ..." in the blurb scrolling past as the DVD starts to play. Again, that's a piece of law or licensing that's honoured more in the breach than the observation. (As a side comment, almost every rig I've been on has at least one person running a DVD copying shop, probably on work's time and work's equipment ; certainly with work's electricity. There's not a rig that could stand a visit from the PRS.)

    Typical audiences on the rigs would be a few dozen or less people.
     
    Having the radio playing where a dozen or fewer customers could hear it isn't even a significant extension of what is already banned.
    IANAL, but I'd expect that the case would hinge on whether the radio was in control of the grease monkeys (who were playing it for their own entertainment) or in the control of the management (who were playing it as an inducement to customers). If it's the latter, and the PRS can prove it, then the PRS have got them bang to rights.
    --
    Birds are not dinosaur descendants;birds are dinosaurs, for all useful meanings of "birds", "are" and "dinosaurs"
  156. Re:...stop the madness... French answer to Ghandi by jc42 · · Score: 1

    Except that there is no state monopoly.

    Well, maybe not. But if N businesses get together and "persuade" the
    lawmakers to pass a law requiring that all citizens must buy a product
    from one of those N businesses, the fact that it's not a monopoly
    might not make everyone happy with the law.

    --
    Those who do study history are doomed to stand helplessly by while everyone else repeats it.