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Music Labels May Seek Higher Download Prices

punxking writes "Some of the big music labels are now clamoring to raise prices for digital music downloads. From the article: 'Music industry executives said introductory wholesale prices for digital tracks had been set low to stimulate demand for online music sales but the success of Apple's music store had prompted concern that they may now be too low.'" Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent.

446 comments

  1. Dupe City by blackmonday · · Score: 2, Funny

    This is getting ridiculous. Next article, please.

    1. Re:Dupe City by Skye16 · · Score: 3, Funny

      I concur. I think I need a replacement for Slashdot.

    2. Re:Dupe City by Anonymous Coward · · Score: 0

      If you immediately know that the article is a dupe. Then the meal was cooked long ago.

    3. Re:Dupe City by saderax · · Score: 4, Interesting

      Before the flamewars regarding dupes fly to far, let me just say that I usually find the articles mentioned in the different dupes have different details that usually allow for a better conversation. Not only do they stimulate conversation, but often better points are brought after contributors have had some time to think.

      ...That is, if you can filter out the many messages of karma whores and whiners hoping to get mod points for crying 'dupe.'

    4. Re:Dupe City by Anonymous Coward · · Score: 0

      I understand the sentiment, with ringtones going for higher prices than MP3s of the full songs, but I hope they understand my point of view too: IT'S TOO FUCKING EXPENSIVE.

    5. Re:Dupe City by dcarey · · Score: 4, Funny

      Shoot, as long as slashdot is the de facto source for redundancy, how about we make a poll for the subject:

      Slashdot poll: Which article is better?
      1)iTunes downloads prices increasing article referenced here (yesterday)
      2)iTunes downloads prices increasing article referenced here (today's)
      3)the iTunes article dupe we'll see tomorrow.
      4) the iTunes article for when the prices actually change
      5) dupe slashdot article for #4
      6) dupe slashdot article for #4 AND #5.

      Come on guys. I know you can get on the same page.

      --

      -- (Score:i , Imaginary)

    6. Re:Dupe City by lucabrasi999 · · Score: 2, Funny
      Next article, please.

      I already saw the next article. It says something about Bill Gates being awarded British Knighthood.

    7. Re:Dupe City by tomhudson · · Score: 4, Funny
      Of course it's a dupe - this gives us all a second chance to post links to all sorts of torrent sites [tt] that still work ... just in case you missed them yesterday, or last week, or in January.

      And the people who really want to karma whore can cut-n-paste the highest-rated articles from yesterday (or the lowest-rated if you're into trolling).

      Maybe someone should just write a script that automatically posts ...

      THIS IS A DUPE
      This dupe story has been brought to you by the slushdot editors.
      Our motto: We don't do no stinking editing. This is the NEW new economy.
      If you complain too much, we'll bring back Michael Sims ... beatches!
      ... at the top of every story - it would be right most of the time.
    8. Re:Dupe City by Beyond_GoodandEvil · · Score: 1

      You forgot #7 only CowboyNeal makes dupes.

      --
      I laughed at the weak who considered themselves good because they lacked claws.
    9. Re:Dupe City by Anonymous Coward · · Score: 0

      Which clearly leads to the conclusion that if the damn Slashdot editors actually did their job and EDITED, perhaps merging submissions that referred to the same story, added something more than a snide comment to the end of submissions, then discussion would be encouraged the first time the story was submitted?

    10. Re:Dupe City by joejoejoejoe · · Score: 1

      It's like friggin ground-hog-day around here. The same "news" reported day after day, as "news".

      Maybe I can cut back my reading and just check once a week.

      And I know it has been said many many times before, but slashdot needs a way to check for dupes automatically. When it was a couple or few editors, that read the damn site, I'm sure the current system worked better. This just ain't cutting it anymore.

      Will someone with the proper coding experience just write the darn module or whatever so that the editors (monkeys) can click a link and get a %likey dupe score or something?

      -Joejoejoejoe

      --
      Silly Rabbit: tricks are for kids.
    11. Re:Dupe City by kc0re · · Score: 1

      Mod it redundant.. i care not...
      Damn it

    12. Re:Dupe City by Anonymous Coward · · Score: 2, Informative
    13. Re:Dupe City by sulli · · Score: 4, Funny

      Let me recommend Slashdot

      --

      sulli
      RTFJ.
    14. Re:Dupe City by Anonymous Coward · · Score: 0

      why isn't there a slashdotslashdot.org.org

    15. Re:Dupe City by maxwell+demon · · Score: 1

      You mean this article is just stolen from an earlier submission? Thieves! Arrest them! :-)

      --
      The Tao of math: The numbers you can count are not the real numbers.
    16. Re:Dupe City by tomhudson · · Score: 1
      Man convicted for illicit fileswapping of Oscar films dies in jail.
      Film at 11.00

      So now they'll make a movie about him ... and they'll show it instead of those ridiculous "Pirates are stealing my job" clips.

      I clicked the link without checking, and was surprised it wasn't a goat.cx link.

      In November Caridi was ordered by a federal judge to pay Warner Bros. $300,000 for providing copies of "The Last Samurai" ...
      Christ, Warner should have paid HIM for distributing that stinker. At least it got people to soak up bandwidth that would otherwise have gone to other movies ...
    17. Re:Dupe City by Richard_at_work · · Score: 1

      In which case, the extra info would be PERFECT for a Slashback story (a meta story following up several others, used to have at least one a week) - when was the last time we saw one of those?!

    18. Re:Dupe City by jasonmicron · · Score: 1

      you aren't kidding. we must be up to 2 or 3 a week now.

      and parent should be modded as INFORMATIVE :p

    19. Re:Dupe City by ndtechnologies · · Score: 0

      Agreed...with "greed" being the keyword here.

      --
      I have nothing clever to put here...
    20. Re:Dupe City by CdBee · · Score: 1

      You might want to make a CORAL link to that site in case the mass of people clicking it slashdots their server.

      --
      I have been a user for about 10 years. This ends Feb 2014. The site's been ruined. I'm off. Dice, FU
    21. Re:Dupe City by maxwell+demon · · Score: 4, Funny

      I've just discovered that there's a site which looks just like slashdot at http://nodupes.slashdot.org. Given the name, maybe they don't have dupes.

      --
      The Tao of math: The numbers you can count are not the real numbers.
    22. Re:Dupe City by sulli · · Score: 1
      --

      sulli
      RTFJ.
    23. Re:Dupe City by hossbert · · Score: 1

      totally

    24. Re:Dupe City by Anonymous Coward · · Score: 1, Insightful

      You got modded as funny, but if it's not a joke, try Technocrat.net. There is much less discussion but much higher signal to noise (no ACing; horrors!). And I don't know if they have ads, but if they do adblock works just as well as it does on slashdot.

      Between them and hackaday, I only check slashdot once or twice a day now.

    25. Re:Dupe City by nizo · · Score: 1
      What will be really cool is when they take someone to court for illegally swapping this movie over the internet. If they make a film about that guy that would be too many levels of recursion for most filmgoers.

      Kind of offtopic, but I found it amusing that in April of 2004, this movie had the most illegal downloads. No irony there for sure.

    26. Re:Dupe City by valkraider · · Score: 1

      It's not a Dupe.
      Slashdot is just implementing Story Redundancy and failover. That way, if one story crashes we will still be able to read the other.

      Even better some places like MacMinute and MacNN are co-locating the story to provide further resistance to outages.

    27. Re:Dupe City by myc_lykaon · · Score: 1

      Crud. Maybe you're right. Perhaps /. is actually doing something with this redundancy - a new storage mechanism - RAID - Redundant Array of Inexpensive Dupes

    28. Re:Dupe City by Anonymous Coward · · Score: 0

      In Soviet Slashdot, you're the dupe!

    29. Re:Dupe City by Skye16 · · Score: 2, Informative

      Nope, it wasn't a joke, but I am glad my dismay brought "the giggles" to others.

    30. Re:Dupe City by Holi · · Score: 4, Insightful

      Fine if it's a dupe then DON'T READ IT.

      Some of us may have missed the original and now there are no comments in this article except for replys to your stupid "IT'S a DUPE" post.

      If your not going to add anything worthwhile to the conversation then do us all a favor and don't comment.

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    31. Re:Dupe City by RockClimb · · Score: 1

      I like this one better.... http://dupes_r_us.slashdot.org/

    32. Re:Dupe City by Drakonian · · Score: 1
      Come on guys. I know you can get on the same page.

      Do you mean two dupes on the same page? I know they can too... it happened just a week or two ago!

      --
      Random is the New Order.
    33. Re:Dupe City by scriptie+the+kid · · Score: 0

      FP!! woot

      --
      I for one welcome our new vengeful sith overlords.
    34. Re:Dupe City by Anonymous Coward · · Score: 0

      New logo perhaps - Stuff That Used To Matter.

    35. Re:Dupe City by Kazymyr · · Score: 2, Funny

      RAIS: Redundant Array of Irrelevant Stories

      --
      I hadn't known there were so many idiots in the world until I started using the Internet -Stanislaw Lem
    36. Re:Dupe City by Pantero+Blanco · · Score: 2, Interesting

      "Kind of offtopic, but I found it amusing that in April of 2004, this movie [imdb.com] had the most illegal downloads. No irony there for sure."

      It's only ironic if you think swapping it is a sin...Otherwise it's just spreading the Word. It'd be amusing if the MPAA sued or prosecuted someone for distributing it...They'd lose what support they have.

    37. Re:Dupe City by ShawnDoc · · Score: 1
      At least they could have linked to the new Wired article that talks about how many TV Compilations are either being held up from being release to DVD or are being released to DVD in a heavily edited format because the record companies are demanding too much money for the music used in the episodes.

      Same general topic (evil RIAA), but showing how else the corrupt music industry is screwing over consumers of TV programs.

      Oh, and here's the Wired article.

    38. Re:Dupe City by d34thm0nk3y · · Score: 1

      How about when we get these dupes the first post put up a completely unrelated article. Then we can all talk about that instead.

      No sense wasting a perfectly good thread that could be turned into a flame fest or something...quick, somebody post an article about Apple something or other.

    39. Re:Dupe City by Anonymous Coward · · Score: 0

      Personally, I'm about ready to hit http://rm-rf.slashdot.org/

    40. Re:Dupe City by ScrewMaster · · Score: 1

      Help spread Firefox [spreadfirefox.com] - Tell a friend today

      Your tagline is cool, but if they had named it Herpes (as in, Help spread Herpes [spreadherpes.com] - Screw a friend today" it would have achieved 70 or 80% market penetration in a matter of days.

      --
      The higher the technology, the sharper that two-edged sword.
    41. Re:Dupe City by Anonymous Coward · · Score: 0

      I see the editors have modded this post down from its original 5. Way to be a defensive jerk, Zonk.

      We have a new Sims in the house.

    42. Re:Dupe City by Anonymous Coward · · Score: 0

      How about: Slashdot. News for Nerds. News for nerds. Stuff that matters. Stuff that matters. Slashdot. Nerds.

  2. First "this is a dup" comment? by ebrandsberg · · Score: 0, Redundant

    We shall see...

    1. Re:First "this is a dup" comment? by zcat_NZ · · Score: 0, Offtopic

      Is it a dupe, or are they jacking up prices _again_ ?

      --
      455fe10422ca29c4933f95052b792ab2
  3. Costs? by BWJones · · Score: 4, Insightful


    Can I simply ask somebody who really knows? What are the costs associated with digital distribution versus printing and distribution of physical media? Is this simply a case of music labels being greedy? Come on now. This is an industry that simply does not get it. Music sales declined through the late 90's because the music that was being promulgated on us by the music labels sucked. Big time. Throughout the entire decade of the 90's, they waited for somebody else to innovate the digital distribution of music (Napster), and waited for Apple to do it right with the iTunes Music Store, and now they want to profit on top of all of others hard work. I guess it is a business model that works, but come on now, have some respect for what you do! Are you making a profit with iTunes with the current pricing scheme? It would certainly appear to be the case, so why are you now trying to increase prices? The cost of distribution through the Apple iTMS has not changed. Apple has not changed the terms for distributing music in your contracts. Apple is not making any more money on it than previously agreed. I guess we should not really be surprised though. Remember when CDs first came out? Remember the cost of a vinyl album at the time ($7)? Remember the cost of a CD at the time($12-15)? Remember the music industries promise that CD costs would drop when they became popular? Consider especially that shelf space could hold more CD's and the distribution costs for CDs were significantly less than they were for vinyl. Consider that the costs for pressing a CD were/are significantly less than those for vinyl. I would assume that there is an order of magnitude difference in the distribution costs for Internet delivery versus physical media delivery that would make Internet delivery significantly less expensive and thus more profitable.

    Here is a prediction: If the price for music increases right now for digital distribution, sales will fall and piracy will increase. Apple did the hard work of market research on what folks want to pay for music downloaded from the Internet and they concluded that .99 cents/song was the sweet spot where they could offer a service, make minimal profit from the songs themselves, and distribute most of the music profits to the music labels. Of course the iTMS should be considered a loss leader of sorts as it drives sales of iPods, but Apple themselves are making almost nothing on music sales specifically.

    --
    Visit Jonesblog and say hello.
    1. Re:Costs? by cayenne8 · · Score: 1, Offtopic
      Hell, I don't pay $.99 right now for songs that are in a quality degraded format as it is. If they sold them in a lossless format, such as a .wav or .flac...I might consider it.

      But, I'm not going to pay what they charge now for less than top quality songs, much less a higher rate.

      I'd rather have the best format I can...and I'll do the compression (lossy) for non-home listening environments like the car or portables....

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    2. Re:Costs? by Anonymous Coward · · Score: 0

      Wow, you wrote this whole post in a minute? Or did this come from a can?

    3. Re:Costs? by UWC · · Score: 1

      The little asterisk next to his user name means he's a subscriber and thus is able to see the summary early, but can't post until it's shown on the main page (or however it works. The point is that subscribers can see the article--and thus write long responses--before everyone else).

    4. Re:Costs? by Anonymous Coward · · Score: 0

      The guy is a subscriber to Slashdot you idiot. See the little astrisk next to his ID? This means he pays OSDN because he finds value in Slashdot. One of the bennes is that he sees stories before they are actually published for the unwashed masses. I personally find the comments made by subscribers more informative than those made by non subscribers and would be interested in a feature that allows us to filter subscribers comments from non subscribers.

    5. Re:Costs? by PortHaven · · Score: 2, Interesting

      Simply....MUSIC LABELS BEING GREEDY

      Example: I recently released a CD for a friend's band. Cost was about $1,500 for a 1,000 CDs...shipped. Now, RIAA presses in 100,000 to 1,000,000 of units. So I am wagering they are well under a $1.

      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1? I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents.

    6. Re:Costs? by justforaday · · Score: 5, Funny

      One of the bennes is that he sees stories before they are actually published for the unwashed masses.

      I'm not a subscriber and I saw this story before it was posted... : p

      --
      I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
    7. Re:Costs? by Fizzlewhiff · · Score: 2, Insightful

      I still pay between $12 and $15 for a new release CD. Record stores and bookstores have too big a markup so I get them at the large discount stores like Target. If I want to get ripped off really bad I'll shop at the mall. It is the same for buying clothes, shoes, and jewelry. Want to be over charged, shop at the mall. Why don't you kids get it?

      --

      'Same speed C but faster'
    8. Re:Costs? by BWJones · · Score: 1

      Funny. Very funny. Much funnier than the "dupe" posts made by others, and for the mods, here is why: Because of the subtlety.

      Funny is an overused mod, however in this case it is deserved. Mod parent up as funny!

      --
      Visit Jonesblog and say hello.
    9. Re:Costs? by kamapuaa · · Score: 1
      If the price for music increases right now for digital distribution, sales will fall and piracy will increase

      The amount of music paid for, compared to the amount of music downloaded for free, is still just a drop in the bucket. $10/album of low quality music was always substantially more than free high-quality music. The people who were paying so much money for 128kbps songs aren't going to start stealing it at $1.25.

      And inevitably, sales will fall with higher prices. But it's in the seller's obvious interests to maximize profits. They won't let sales drop too much.

      --
      Slashdot: providing anti-social weirdos a soapbox, since 1997.
    10. Re:Costs? by SweetAndSourJesus · · Score: 2, Informative

      "...would be interested in a feature that allows us to filter subscribers comments from non subscribers"

      You mean like the one they already have?

      --

      --
      the strongest word is still the word "free"
    11. Re:Costs? by Anonymous Coward · · Score: 0

      Did you add in the costs of boxing up all those CDs, sticking them in trucks, shipping them all over the country, paying some pimply faced teenager to unpack the box and put the CDs on a shelf in a store, paying the lease for the store, paying the insurance for the store, paying another pimply faced teenager to check you out when someone buys the CD, etc, etc.?

    12. Re:Costs? by rjnagle · · Score: 1

      The real reason why major labels need to charge so much: to pay the pretty dancers in those expensive music videos.

      I'm joking of course, but really, it's true.

      --
      Robert Nagle, Idiotprogrammer, Houston
    13. Re:Costs? by MindStalker · · Score: 1

      Ok, then answer me this, how come I can buy a box of cereal which is significantly larger and more expensive to ship for 2-5 dollars? Yes people buy them in larger quantity thats for sure, but people would also buy music in larger quantity if it was 2-5 dollars.

    14. Re:Costs? by Ironsides · · Score: 3, Insightful

      Can I simply ask somebody who really knows? What are the costs associated with digital distribution versus printing and distribution of physical media? Is this simply a case of music labels being greedy?

      Well, for the labels the recuring cost of online distribution is zero. They suply the song, but the distributor pays all the bandwidth and associated costs. Their costs deal with producing the song and administration.

      Throughout the entire decade of the 90's, they waited for somebody else to innovate the digital distribution of music (Napster), and waited for Apple to do it right with the iTunes Music Store, and now they want to profit on top of all of others hard work.

      Remember, they own the music. Quite literaly in most cases. Unless an artist retained the rights, the Recording Companies own it. It is up to them to set the price.

      Are you making a profit with iTunes with the current pricing scheme? It would certainly appear to be the case, so why are you now trying to increase prices?

      To make more money, of course!

      The cost of distribution through the Apple iTMS has not changed. Apple has not changed the terms for distributing music in your contracts. Apple is not making any more money on it than previously agreed.

      Frequently when a new product comes out, a company will test the waters with various prices to find the one that maximizes their profits. Sometimes fewer sales at higher margins means more money. Sometimes more sales at lower margins means more money. They are trying to find the peak in that equation. Personally I think they should go lower. But that is up to them.

      Here is a prediction: If the price for music increases right now for digital distribution, sales will fall and piracy will increase.

      No argument here. But the main questing from the recording execs is, will sales fall so much as to offset the increase in revenue per song?

      Sure I'm analyzing this from a money grubbing point of view. But then again, that's what you have to do in order to understand what the labels are doing. They want to make more money.

      I personally won't buy lossy formats. I don't consider them good enough quality for what I listen to. (Classical) But many people will, especially for pop and rock. All this is, is a basic exercise in Econ 101.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    15. Re:Costs? by Anonymous Coward · · Score: 0
      I think it's "'cause the mall is like really cool and some junk and my friends all like totally hang out there and there's that hunky guy at the Footlocker who has the hots for me"

      Or words to that effect.

    16. Re:Costs? by nettdata · · Score: 1

      It's got absolutely nothing to do with costs. It's all about revenue.

      Big record companies (at least in Canada, like EMI and Virgin) have invested quite heavily in developing physical production/reproduction facilities and distribution systems for CD's and DVD's.

      When digital downloads are used, this whole revenue-generating avenue is bypassed, and it costs them money, instead of making them money.

      The companies are, for the most part, "old school" thinkers, who didn't see this digital distribution thing coming, and didn't plan for it. As a result, they want to keep maximizing profits out of their existing distribution channels, as they are really the only high-margin revenue streams they have.

      --



      $0.02 (CDN)
    17. Re:Costs? by QMO · · Score: 5, Funny

      The real reason they want to charge more is that it will increase the market value of piracy, thus the marketing value of piracy, but not substantially increase what they really lose from piracy.

      Example of their current arithmetic:
      1,000,000 songs at $0.50 each = $500,000

      but, if they charge more it suddnly becomes:
      1,000,000 songs at $0.75 each = $750,000

      Oh, no! Piracy has just gone up 50%!

      Just a thought.

      --
      Exam 4/C again. Maybe I'll do better this time.
    18. Re:Costs? by theVP · · Score: 1

      However, in saying that they are trying to increase total revenue by increasing price and taking a hit on demand, you are assuming that they have all the market share. This is obviously false. What's more, the largest market share isn't even a true market, its free trade, or "piracy". As a result, they are taking a far greater hit than they think, because as soon as they decrease their own market share, they will lose far more customers than their initial demand hit will show them. Currently, we don't have any big "booms" in music piracy. People are using shareaza, emule, and kazaa, but they aren't really encouraging each other to use them any more than the first days of napster and kazaa. Should the music industry allow music systems such as Itunes go to waste, they will definitely be looking at Shareaza and Emule suddenly becoming a big hit that friends tell friends to download (although the ones that suggest eMule should be shot...).

      Another prediction: Instead of music albums as torrents, people will start compiling whole collections and throwing them up for BT. Imagine being able to download an entire collection of every song Pink Floyd ever made, or the Beatles, or the Offspring. Not to say that this isn't already happening. It is. But its not nearly as widespread as it could be when the music industry loses its market share more. This is a VERY bad idea, and we are going to see some nastiness from the RIAA again in a few months, I guarantee it. I for one am sad to say that I had held out some hope for the music industry to grow some heads, but this seems to obviously shatter that hope.

      --
      "No one is more miserable than the person who wills everything and can do nothing." -Emperor Claudius 10 BC - AD 54
    19. Re:Costs? by velo_mike · · Score: 1
      Simply....MUSIC LABELS BEING GREEDY

      Even more simply, because people will pay it, somebody, somewhere (actually groups of somebodies) find it an acceptable price. If they keep raising the price, sales will drop off and it will come back down.

      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1?

      You don't! The only thing you "have" to pay are taxes, but that's a whole different can of worms. In short, nobody has placed a gun to your head and ordered you to buy music, you've done it of your own free will. If you find it an unacceptable price, write the record label, whine to your priest, steal it (and accept the consequences) or suck it up and pay.

      I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents

      Again, there's no gun to your head, vote with your pocket and don't buy it...

      --

      At the bottom of the endless pile of paper work which characterizes all regulation lies a gun.
      Alan Greenspan

    20. Re:Costs? by Joey7F · · Score: 2, Informative
      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1? I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents.


      Because the MPAA believes that 12.50 to 22 dollars a CD is where the product of their volume and the price is a maximum.

      Price is dictated partially by price but also by demand (I would argue PURELY demand because if it costs you 100 bucks to build a nail, no one will pay that).

      That said, what CDs are you buying at 22 bucks? Best Buy and Circuit City routinely sell them at 12-16 bucks.

      --Joey
    21. Re:Costs? by gahzinia · · Score: 1
      "but the success of Apple's music store had prompted concern that they may now be too low.'"

      Price != fixed cost + fixed profit. Price = what the customer is willing to pay.

      If the product costs 50 cents to make and distribute, but there are people willing to pay $10 for that, then stores aren't going to lower their prices to $1 for a small profit.

      Simpsons reference - from the episode where Burns gets his Bobo back:
      they bring in a bag of ice to the quicky mart and the sailor guy says to apu that he has to find a cheaper way to find the ice; they lost some men on that trip.
      Apu responds, "well, if you know of any easier way to get ice, let me know"

      In reality of course, people aren't going to pay $1000 for a bag of ice because they can make it cheaper in the freezer. So just because Apu had a cost of 1000 dollars, that isn't what the price should be.

      My point: If people are only willing to pay $1 for something that costs $1000 to make and distribute, find a cheaper way!

      Apple did find a way to cheaply make and distribute the product (songs that are basically free to distribute online) but they were not charging enough.

      So for a statement that they may have set the price too low, all they are saying is they could have charged more and people still would have paid for it. (They were only only charging one dollar when they could have been charging more)

    22. Re:Costs? by nine-times · · Score: 5, Insightful
      ...Is this simply a case of music labels being greedy?...

      Not simply a case of greed. Record labels don't *want* online distribution methods to work. Sure, it saves them money. Whereas packaging and shipping used to cut into the price of a CD, no money needs to be spent to produce more copies of an digital/medium-less album.

      However, the fact that iTMS is working means that people aren't buying CDs, which is an indicator that the "music industry" is obsolete. The fact is, you can produce an album on your own and get it on iTMS, use internet/viral marketing for your promotion, and bypass major record labels altogether. We don't need them and there business model anymore, and they know it, but they don't want you to know it.

      Their big hope is to convince everyone that p2p sharing is immoral and online music stores are too expensive-- it would cost more than a CD and you don't even get a lossless copy or the medium or liner notes or anything. As long as they can scare us into sticking with medium-based distribution models, they still have a business.

      So what I'm suggesting is, this raising of prices is just sabotage.

    23. Re:Costs? by martinoforum · · Score: 1

      I don't quite get your jibe about pop and rock. One of the most obvious bunch of artifacts from MP3 encoding tends, to my ears, to appear around sharp attacking tones with high-pitched overtones like snare drums or almost any cymbal sound. Compress a pop song down to 64kbps and you'll hear it - that punchy "pop/rock" drum sound is one of the major victims of lossy encoding.

      So I would suggest that classical music is no more affected by the quality loss, and judging by the average listener base of stations like Classic FM in the UK there's not exactly a more sophisticated listening base either!

      Let's just agree that lossy encoding sucks and that we'll wait for the proper formats, regardless of style?

    24. Re:Costs? by evolutionaryLawyer · · Score: 1

      The fact is that the labels are not trying to deal with the cost, they see popularity and think demand is high enough to warrant a price increase.

      Apple has made no qualms that they have very little goal of making money through iTunes. Between the license fees and bandwidth costs iTunes is a losing venture. All those nifty iPods they sell, well, those they make money on, tons of it. It is the opposite of the gilette business model. In this they sell the blades cheap to get you to buy the $300 razor.

    25. Re:Costs? by Macadamizer · · Score: 2, Insightful

      Just a question -- when you buy a box of Corn Flakes, are you concerned with how much the corn farmer gets? Or when you buy a car, how much the designer got paid? I know this is kinda flamebaitish, but it seems like everyone justifies that "CD's are too much" because the artists gets so little of each CD sold -- when in reality, the artists signed a contract agreeing to so much per CD sold -- if they didn't like it, as many others have pointed out, nobody held a gun to their heads to make then sign the contract...

      --

      "That's not even wrong..." -- Wolfgang Pauli
    26. Re:Costs? by 91degrees · · Score: 2, Insightful

      Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1? I would not mind if the artists saw $5 of that cost. But usually they are lucky if they see .25 cents.

      Now, hang on...

      You get a skilled songwriter to spend months of their lives writing songs. A skilled artist to write the cover. A musical genius to record and mix it, and removing any risk of total failure from the band, all for that $12.49.

      It's certainly true that the record industry does not play fair, but I don't think there's anything wrong with the band's percentage. The rest of the contract for a new signing are pretty onerous, but royalties are obvious things that the band has the right to negotiate.

    27. Re:Costs? by Tony+Hoyle · · Score: 1

      If it cost *everyone* $1000 to make ice then people would have to pay $1000+margin otherwise they wouldn't have any ice.

      If a vendor comes along who's managed to make it for $500 if he's got any sense he'll also sell it for $1000+margin.. but he can start dropping the price to increase demand. If another vendor works out how to make it for $500 he'll undercut slightly to get business, and over time (theoretically) the price will drop to $500+margin (ignoring 'high value' vendors who continue selling 'new improved super ice++' at $1000 for the suckers that will pay for it).

      In highly competitive markets (the PC computer industry is a good example) the sale price is pretty close to the production cost and survival depends on making the most profit out of that price.

      Online music is an immature industry, spawned from the traditional music industry which was a de-facto monopoly. The RIAA want to keep it a monopoly... can't see it myself - the availibility is too high and the production costs too low for it to be sustainable.

    28. Re:Costs? by intradink · · Score: 2, Informative

      Digital distribution actually yields a very small margin. You have huge infrastructure costs (disk, redundancy, DR etc), bandwidth, DRM overheads. Then against every .99 cent track sold, you have to pay the majority to the labels, and most of the rest to several royalty organisations. Once you've gone through the pain of DRM'ing and built up a reasonable track catalogue, you risk having to do it all over again once bandwidth and consumer demands say that 128kbs isn't good enough and they want it at 192kbs, 256kbs, 320 kbs.... A time consuming, disk munching and budget sapping task. The initial investment is huge, with a payback in (at best 3-5) years, assuming that you've achieved a critical mass of content and managed to get enough people to buy it. Certainly not for the faint hearted or financially challenged. Also the Labels don't typically do deals with digital distributers in the same way as they do with physical stock (ie. buy 100k units and get a per unit discount). This is probably more down to the lack of maturity in the digital model - they are still working out how to do it, with little consensus or standards between the labels. As you said, Apple were clear from the start that iTMS would probably operate at a loss, and in effect be subsidised by selling iPods by the truckload. I suspect that the suggested increase in the cost of wholesale tracks is probably an effort to boost the current market (buy them while they are still cheap), rather than any real move to increase the cost.

    29. Re:Costs? by Anonymous Coward · · Score: 0

      Remember, they own the music. Quite literaly in most cases. Unless an artist retained the rights, the Recording Companies own it. It is up to them to set the price.

      Do they? Last time I checked it was a time-limited monopoly set up by the state. No ownership involved, but they have the sole right to license it out. BIG difference.

    30. Re:Costs? by ducomputergeek · · Score: 1, Insightful
      When I was a teen and in college using Napster back in the glory day's, I didn't see anything wrong with it. It really wasn't until I starting working in the video production business that really changed my mind. A lot of the music and stuff we use in projects are licenced or commissioned from local music producers that literally feed their families from those royalities and work.

      Its just like I wouldn't want to see someone use the work I've done and use it for their own purposes without asking. I might not care on most of it, but there is a priniciple there that if someone is going to produce the work, they should be rewarded for it.

      You can spew crap about how evil the recording empire is, etc. etc. but at the end of the day, sharing copyrighted works is theft.

      --
      "The problem with socialism is eventually you run out of other people's money" - Thatcher.
    31. Re:Costs? by ABaumann · · Score: 1

      Maybe you need a slight lesson in Storage 101.

      I'm tired of all this bitching about lossy compression being horrible and blah blah blah. Personally, when it all comes down to things, I'd appreciate a higher quantity of music then quality. Yes, I've listened to 96kb/s mp3 on an auditorium sound system. You can tell. 128, again, definately if you're blaring it in an auditorium. However most people buy these tiny little audio players that they want to put their music on, to listen to at work, in their car, or at the gym. I personally put them on my laptop. Now having a 60 GB hard drive, I actually have the space to put my 8000 MP3/AAC files on my laptop. With lossless, you don't have that luxury.

      ...but since you're such a hard nose, you probably don't even bother with running music through a computer anyway. Still using those LP's are you?

    32. Re:Costs? by notthepainter · · Score: 1
      My wife is an author. Her latest book has a cover price of $26. You can buy it from Amazon for $17.16. We see $2.60 of that sale. Once sales go beyond a certain point, we'll start seeing $3.90 per sale.

      Since we are amazon affiliates, if you buy from amazon from our website, we'll get about an additional $1.15 or so.

      Now printing a book cost considerably more than printing a CD and there is no RIAA for authors, but you can see that the "artist" doesn't get all that much per book. The last statistic I saw said that there are about 400 people in the United States who make a living writing books.

    33. Re:Costs? by swv3752 · · Score: 1

      The various copyright fees (ie payt he songwriter, and other royalties) comes to about 50-80 cents a song in the US. My understanding that this doesn't matter what medium the song is published in. Some of this cost is lowered if is an entire album rather than individual songs but it gives a decent guideline. So the problem is that minus everything else, it costs say $8 just to pay the royalty holders. The manufacturing of cds only costs pennies each once you get into high volume. So at $12, $4 is split between retailer, distribution, and publishing house. then you got to figure that some of that money goes into subsidizing all those cds that go into the bargain bin.

      Now Apple does not have to worry about subsidizing the "music failures" because if a song doesn't sell, then no fees need to be paid as nothing has been distributed. Now the Labels/RIAA want a bigger cut in part to subsidize the "failures" as well as to subsidize the exec's "expenditures"*.

      It is a abit easier to see why things are priced the way they are, though it still amazes me that a songwriter will make more than the actual musicians on a typical albumn.

      * expenditures- booze, drugs, and prostitutes

      --
      Just a Tuna in the Sea of Life
    34. Re:Costs? by hackstraw · · Score: 2, Insightful

      However, the fact that iTMS is working means that people aren't buying CDs, which is an indicator that the "music industry" is obsolete. The fact is, you can produce an album on your own and get it on iTMS, use internet/viral marketing for your promotion, and bypass major record labels altogether. We don't need them and there business model anymore, and they know it, but they don't want you to know it.

      That is worth being bolded and repeated:

      However, the fact that iTMS is working means that people aren't buying CDs, which is an indicator that the "music industry" is obsolete. The fact is, you can produce an album on your own and get it on iTMS, use internet/viral marketing for your promotion, and bypass major record labels altogether. We don't need them and there business model anymore, and they know it, but they don't want you to know it.

      Music is thousands of years old. About as old as humans could first figure out how to hit two things together to make a sound. The music industry is less than 100 years old. Their need is gone, yet believe it or not music will survive without them. Just like diamonds are a new facet of love, love predated the need to pay "2 months salary" for a love rock, and love will keep going after the diamond industry.

      Music is best experienced live. Even if its "live" via LPs or whatever at a dance club or what have you, that is where the real money and human enjoyment is. All recordings have always been and always will be second to the live experience. Porn and to a lesser extent TV are pretty much the only entertainment means that are enjoyed alone.

      Their big hope is to convince everyone that p2p sharing is immoral and online music stores are too expensive-- it would cost more than a CD and you don't even get a lossless copy or the medium or liner notes or anything. As long as they can scare us into sticking with medium-based distribution models, they still have a business.

      Morals are so medieval. At least as far as I'm concerned, morals were only relevant when good people kill and torture bad people for the sake of being good like in the witch trials of Europe and early America. To me is immoral to take my hard earned money and give it to some record exec that I don't know. I pay for my music just like I pay for my television. In fact, its on the same bill. I have a cable broadband connection and cable TV. I pay about $45 a month for each TV and music, not including the thousands of dollars (many of it Sony) for electronic equipment to enjoy said entertainment.

      I also believe that its immoral to butcher fine music files and convert them to MP3s that have no internal integrity to ensure that the file is complete or not corrupt, but thats just me.

      I just hope that governments can stay out of this whole record label demise and let them simply fail like they should. They had their heyday, but we simply don't need these couple of companies out there to put our music on a half filled piece of plastic and an often void of relevant information piece of paper.

    35. Re:Costs? by qbwiz · · Score: 1

      Because Target has a horrible selection?

      --
      Ewige Blumenkraft.
    36. Re:Costs? by nine-times · · Score: 4, Insightful
      You can spew crap about how evil the recording empire is, etc. etc. but at the end of the day, sharing copyrighted works is theft.

      No, theft is "theft". Distributing copyrighted material without permission of the copyright holder is "copyright infringement". And not all music distributed on p2p is even copyright infringement. Yes, in fact, some recordings are public domain, and some are posted on p2p networks by the musicians themselves.

      You can spew all the FUD about how inherently evil p2p networks are, but at the end of the day, p2p networks are morally neutral.

    37. Re:Costs? by Anonymous Coward · · Score: 0

      And I'm sure you paid for all 8000 of those tracks.

    38. Re:Costs? by Karl+Tacheron · · Score: 1

      Did you really mean .25 cents (as in a quarter of a penny), or is that just a typo?

    39. Re:Costs? by Ironsides · · Score: 1

      Actually, I post date the LPs by several years. I use a small MP3 player (smaller than the ipod) that only goes up to 10khz for when I go to the gym. But I play songs on there where I won't know the difference. When I listen to music on a proper system, I prefer the uncompressed formats. I can hear the difference in a home between compressed and uncompressed. At the gym, there is too much background noise to be able to tell. Same with the car.

      I have nothing against compressed formats. I use them for when I am on the go. But when I buy music, I expect the highest quality I can get. Not something that is worse than what I can get on a P2P network for free.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    40. Re:Costs? by Sloppy · · Score: 2, Insightful
      I'm tired of all this bitching about lossy compression being horrible and blah blah blah.
      I'm a metalhead/rocker and I don't mind listening to lossy formats at all. The problem is, even if I don't mind playing lossy-compressed files, it's unlikely that the format I want to play (or can play), and the format they're selling, are the same. So I would end up transcoding, and there's the artifacting from two lossy encodes. That's noticable, even if you're a half-deaf metalhead with a shitty car stereo, like me.

      And it's not just a question of what equipment you have, and uses of the music you can imagine, today -- there's the future too.

      So, even if one has lower standards than an "audiophile", lossy-compressed files are still a dubious purchase, unless they cost a whole lot less.

      Now having a 60 GB hard drive, I actually have the space to put my 8000 MP3/AAC files on my laptop. With lossless, you don't have that luxury.
      Yes, you do. You buy the music in lossless form and store it on your home fileserver's humungous RAID (which dwarfs your laptop's disk), or store the CDs inside big cardboard boxes. Then you lossy-encode it for use on your laptop, or your tiny portable player, or whatever. The problem with buying already-lossy-compressed files, is that you don't know that the player you'll have three years from now (much less 20 years from now) will play them. Unless you have lossless originals to work with, you're going to be transcoding. Or maybe you'll just buy the music again, like RIAA wants you to.
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    41. Re:Costs? by timeOday · · Score: 1
      I personally won't buy lossy formats. I don't consider them good enough quality for what I listen to. (Classical) But many people will, especially for pop and rock.
      I've hear this before - the idea that Classical music requires better quality reproduction - and I'm interested in the justification for that.

      What I notice, personally, is that a lot of classical recordings seem to be of inferior technical quality, probably because the sources (classical instruments) are all analog. Also, individually miking and mixing that many instruments would be awfully hard. Then too, many classical recordings are old, and as late as 20 years ago many were recorded to analog media with noticeable hiss.

      Popular music, whether or not it's any good, has awfully high production quality because "popular" == $$$.

      Don't get me wrong, you don't judge the quality of music by the quality of the recording. But since technical quality is what we're discussing at the moment, why does classical require better reproduction? More discerning fans? Rigid expectations about what particular instruments ought to sound like?

    42. Re:Costs? by ScrewMaster · · Score: 2, Interesting

      You're right so far as you go, but don't forget that your comments really apply to a free-market situation where individual business entities set their own prices, and the purchaser is free to choose which seller provides him or her the best value. That is not the case with the oligopolistic, price-fixing "music industry" that we have now. People like music, yes, and they are willing to pay for it: but the free market forces that would otherwise provide a more realistic price structure don't exist. There really is little competitive pressure between the various member organizations of the RIAA ... the marketplace is sliced and diced years in advance.

      However, I agree with your advice: vote with your pocket and don't buy it. Much as I like music, I have to admit that I've only purchased a single new CD since 1987 or thereabouts. They just seemed like a rotten deal to me, even then, and my opinion hasn't changed one whit for the better. Neither has their product. I don't mind buying used discs, because I figure someone else already paid the RIAA tax on them, and I have the satisfaction of denying them yet another sale.

      --
      The higher the technology, the sharper that two-edged sword.
    43. Re:Costs? by blake213 · · Score: 1
      I got the new Mars Volta album today for $6.99 at Best Buy. What an incredible deal for such an amazing piece of work.

      It's funny, most of the albums I buy nowadays are under $10, and they are usually brand new from not-so-popular bands that truly are talented. And yet, albums by Britney Spears start off at $15 and up.

      Maybe the solution to the general public is to stop listening to crap, and take the time to research and find new acts that actually have talent. The payoff is twofold: cheaper albums and better music.

      --
      mund freud.
    44. Re:Costs? by shark72 · · Score: 2, Informative

      "Remember when CDs first came out? Remember the cost of a vinyl album at the time ($7)? Remember the cost of a CD at the time($12-15)? Remember the music industries promise that CD costs would drop when they became popular?"

      I remember CD prices being closer to $18 at launch in the early 80s, but we'll use your numbers. That $15 you remember paying in 1984 is $26 in today's dollars. The average price of a new CD is now south of $13, so that's a 50% price drop in the past 20 years. I only wish that all industries followed a similar trend -- that would mean that the average price of a new car would be less than $10,000 today!

      The rest of your post was spot on, though.

      --
      Sitting in my day care, the art is decopainted.
    45. Re:Costs? by Reene · · Score: 2, Insightful

      As far as I'm concerned, if someone copies and uses something I created (a painting or drawing for example) without permission or regard for my rights as its creator, even if it doesn't technically "cost" me anything monetarily, it is still theft. This has happened to me before, and I'll be damned if I didn't feel like I'd been stolen from. It seems that people only understand the concept of "intellectual property" once they've actually dealt in it and understood what the theft of IP can do to a person, not just monetarily but creatively.

      That said, no, intellectual property is not property, it is intellectual property. That is why it is called intellectual property and not just plain property. Now, while this term has been heavily abused by certain organizations and used to guilt people into buying overpriced crap on a sliver of silicone, it's still a valid term that refers to a perfectly valid state of being. If someone really thinks intellectual property is a load of FUD because it can't possibly be "property" in even an abstract sense, that strikes me as the equivilent of saying the Mona Lisa is only worth the canvas it's on and the paint that was used to make it. If anything is really the equivilent of shitting on the actual artists' rights it's that kind of thinking.

      All that said, yes, I do download copyrighted music without paying for it and I do occasionally share music with friends. However, I'm not justifying my actions; what I do is theft, barring special circumstances (like PD works or stuff released with the musicians' blessings, like with much of NIN's stuff). I don't try to deny it and I don't try to justify it by saying "well intellectual property isn't _really_ property so I'm not _really_ stealing anything!"

      Now, you (general you) may be unable to live with your actions without going on massive tirades to justify it and convince others what you're doing is not really stealing, but some/most of us don't really buy it. It's a piss-poor way of justifying your actions. I'm getting tired talk about how theft of IP doesn't "really" hurt anyone and talking about how the concept of IP only exists to crush the little guy etc etc ad nauseum. Bullshit. Try going through the process of creating something only to have someone rip you off and see how you feel about it.

      So, just curious...which one of us is spewing FUD, now?

      --
      "He does look a bit Oompa like, even if his Loompa is a bit off-kilter."
    46. Re:Costs? by nine-times · · Score: 1
      Sure, it really stinks when someone infringes on your copyright. It still doesn't make it "theft". Sorry. That you "feel like you've had something stolen" still doesn't make it theft.

      And there's a difference between saying, "the Mona Lisa is only worth the canvas it's on and the paint that was used to make it," and saying that "viewing the Mona Lisa without permission is not 'theft'." Yes, the actual painting is worth quite a lot, as a *physical object*. Yes, you might be inspired by it, and that inspiration might be worth quite a lot. However, do I "steal" that inspiration from you by enjoying the view myself? If I paint an exact duplicate of the Mona Lisa, is that the same action as stealing the actual painting?

      Nowhere have I claimed that "intellectual property" is useless, nor have I claimed that people should feel fine about copyright infringement. However, regardless of how you *feel*, copyright infringement is not the same action as theft. Even if it's wrong, nothing is stolen. (note that there are many things that are wrong and illegal without being theft.)

      And yes, if you mean to say that saying, "there's nothing inherently wrong with p2p" is equivalent to saying, "Copyright infringement is a-ok," then you're the one "spewing FUD, now." There is no inherent connection between P2P networks and "piracy", nor between FTP and "copyright infringement", nor between websites and "slander". All of these things are morally neutral tools, sometimes used for purposes we admire, and sometimes used for disgusting purposes. However, decentralized data networks threatens the strength of big-media by making them unnecessary (or at least less necessary), and there have been many instances where these big companies have tried to paint the technology *itself* as immoral. And that, my friend, is what I was calling FUD.

    47. Re:Costs? by shark72 · · Score: 2, Informative

      "We don't need them and there business model anymore, and they know it, but they don't want you to know it."

      Slashdotters have been claiming that the Internet will destroy the record industry since the days of the original Napster. I typically see "the record industry is already dead" or "it will happen real soon now" but that's just not happening. Do you have an estimate of when it will happen? Next year, five years from now, ten years from now?

      Unfortunately I don't think it's this simple, and Slashdotters who make this proclamation often forget a few things:

      • Apple has sold millions of songs via the iTMS. The vast majority of them are from signed labels, and Apple's top tracks and top albums tend to mimic retail sales of physical CDs. In the meantime, companies like Magnatune, which fit many Slashdotters' idea of the future of music, are flailing.
      • The Internet is not the exclusive domain of Slashdotters and unsigned acts. To wit, notice the record companies' jumping all over iTMS like it was the last chopper out of Saigon, and Universal's recent move to launch an online-only label. They can use the Internet, too, and they can hire smart people, too.

      But perhaps most importantly, I think the "The Internet will kill the record industry" crowd tend to see the Internet as a bit of a universal panacea. Make no mistake: many acts, both signed and unsigned, have done a great job of leveraging online distribution to build a fan base or to reach out to their fans when their label dropped them -- They Might Be Giants comes to mind. But the fact remains that:

      • The Internet will not front you the money to rent a recording studio, or build your own.
      • The Internet will not pay for your backup singers or session musicians.
      • The Internet will not pay for a talented engineer to make your music sound good. Music recorded by amateurs in a garage with a PC-based recording system generally tends to sound like... well, it was recorded in a garage.
      • The Internet will not give you the money to press thousands of copies of your CD and send them to radio stations. The Internet will not call those radio stations and get them to play your song.
      • The Internet will not arrange and promote your tour.
      • The Internet will not give you the money for co-op ads on the iTMS and other legimate download sites. While viral marketing can be useful, it is often no match for a record label that has actual cash to spend on online advertising.
      • In short, the Internet is a network. It transmits bits. It is not a substitute for talented producers, engineers, and marketers.

      Now, before you say "but I don't need any of that," keep in mind that if you choose the route of avoiding the record label and taking on all the responsibilities I've covered above (and God bless you if you do), you're essentially in competition with the record labels who will be taking those steps.

      As you can guess, my opinion differs from yours on the motives behind the record companies' talks of raising wholesale prices. Online distribution is a format change, nothing more. The record industry has survived a dozen format changes over the past century. Part of a format change is experimenting with the pricing model. Now, frankly, I think that their attempts to go north of $0.99 are completely fucking stupid, but they are doing what many businesses do in developing a pricing strategy: experiment.

      --
      Sitting in my day care, the art is decopainted.
    48. Re:Costs? by rokzy · · Score: 1

      >The last statistic I saw said that there are about 400 people in the United States who make a living writing books.

      it's quite depressing what this says about modern culture.

    49. Re:Costs? by nine-times · · Score: 1
      To clarify, I don't believe that all aspects of the "record industry" are going away. For example, regardless of whether or not there are traditional "record companies", there will be marketing companies and ad agencies. However, much of the strangle-hold traditional record companies have over the music we hear was based on the fact that you needed a whole lot of capital to cut a record. Or, more to the point, to cut millions of records and get them into stores was too expensive to individuals to handle.

      Of course I agree there will still be businesses whose job it is to promote musicians. Of course you will still need people operating recording studios. Though, there is some room between a "garage" studio set up by a teenager using his home PC and the mic that came with it and the big record company studio.

      However, the business model where these couple of companies control our cultural landscape because they're the only ones who can afford to distribute the records isn't necessary when "distributing the records" doesn't cost anything. The model where these couple companies control the cultural landscape because of their terrific marketing isn't really necessary, except insofar as you believe they need to be controlling our cultural landscape. The degree to which they keep there current business model will lie dominantly on how well they continue to steer our culture towards what they're selling, continue to steer the artists towards selling themselves through the big record companies, and continue to steer us all away form alternative distribution methods.

    50. Re:Costs? by Reene · · Score: 1

      Right, except the post you were responding to was specifically referring to using Napster to download copyrighted music. Nowhere did I see it said or even implied that p2p is inherently bad. So your post was a kneejerk reaction to a perceived slight at best.

      And guess what, I still see it as theft. Not the same kind of theft as someone taking my wallet or my car perhaps, but it is theft nonetheless. Maybe your common average Joe would have a problem assigning multiple layers of meaning to the same word, and I would welcome someone coming up with synonyms for intellectual property and the theft of intellectual property that make sense (and don't undermind the real meaning), but I expected a bit more here. Or...well, this is Slashdot. Perhaps I shouldn't have.

      --
      "He does look a bit Oompa like, even if his Loompa is a bit off-kilter."
    51. Re:Costs? by Ironsides · · Score: 1

      The basic reason why Classical requires better reproduction comes down to one thing. Dynamic Range. This is realted to distortion. In Classical, you want to record the original sound, completely free of distortion. You keep overhead available in your system so that the highs don't get distorted during amplification and recording. In most modern pop/rock/rap, distortion is used (on purpose) in the amplification to add to the effect in the sound.

      Here is a link on Dynamic Range

      Basic summary, the dynamic range is the ration between the loudest and quietest sounds. Rock/pop/rap is normally consistently loud, and hence a low dynamic range. Classical has very low lows and highs and as such has a very high dynamic range. That is what it comes down to. Here is another link on dynamic range Handel's "The Messiah Hallelujah Chorus" is one example of a classical piece that uses a high dynamic range. Beethoven's "Ode to Joy" 9th Sympthony is a very good example of one as it goes from quiet to loud (possibly the best example I can give). Jazz is the one other kind that typically uses this (that I know of off the top of my head). Look around for pieces of music that audiophiles use to brag about thier systems "Because it makes their system sound good".

      I hope this clears it up somewhat.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    52. Re:Costs? by timeOday · · Score: 1

      It sounds to me like you're conflating data compression with dynamic range compression. They might possibly be related, but they're certainly not the same thing. I would expect data compression algorithms such as mp3 to have trouble accurately reproducing high frequency detail, not variations in loudness.

    53. Re:Costs? by Monkelectric · · Score: 1

      That books, like the rest of pop culture, are largely uninteresting?

      --

      Religion is a gateway psychosis. -- Dave Foley

    54. Re:Costs? by nine-times · · Score: 1
      Right, except the post you were responding to was specifically referring to using Napster to download copyrighted music. Nowhere did I see it said or even implied that p2p is inherently bad. So your post was a kneejerk reaction to a perceived slight at best.

      ...except that I wasn't responding to the part of the post referring to using Napster to download copyrighted music. Please review the conversation if you're confused, but my entire point in bringing up p2p was to point out that the big media companies like to paint it as being merely an evil tool for "theft" whereas the technology itself is neutral. The fact that you continually bring the conversation back to copyright violations, as though the association is necessary, indicates to me that you're missing the point entirely.

    55. Re:Costs? by Nevyn · · Score: 1
      As far as I'm concerned, if someone copies and uses something I created (a painting or drawing for example) without permission or regard for my rights as its creator, even if it doesn't technically "cost" me anything monetarily, it is still theft. This has happened to me before, and I'll be damned if I didn't feel like I'd been stolen from.

      Yeh, I know how you feel ... you just stole a couple of minutes of my life with your moronic ramblings. And unlike you, with your pretty IP, I can't get them back ... THIEF.

      Of course I've now used and abused something (your text) without permission or regard for your rights ... Oh my GOD, I'm a THIEF too.

      Of course, we're both entitled to STEAL in this way ... but it's ok, no point in making up different words for different things one word is more than enough. Oh, and give me my air back ... THIEF.

      --
      ustr: Managed string API with ave. 44% overhead over strdup(), for 0-20B
    56. Re:Costs? by crazyphilman · · Score: 1

      But, Econ 101 says that it is not the music industry that sets the prices, it is the MARKET.

      Take me for example. I think 99 cents is too expensive for a song. So, I won't buy online. What I'll do instead is haunt used-cd stores, and pick up an entire CD worth of music for 3.99. 3.99/10 songs (minimum case) is 40 cents a song. Cheaper!

      If I find a CD with 20 songs (which happens a lot) it's down to 20c/song. Even cheaper!

      So, until the online merchants drop their price by at least fifty percent, I'll keep shopping at Mr. Bill's CD's on Route 9.

      NOW how are they going to set my price? :)

      --
      Farewell! It's been a fine buncha years!
    57. Re:Costs? by Anonymous Coward · · Score: 0

      Sorry, but I have to agree with 9X on this one. Just because you "still see it as theft" doesn't make it so. Maybe if lawmakers redefined theft, then you could call it theft. But then that would mean that they would have to throw out copyright law. And without copyright law, who would protect intellectual property? Sheesh!!! Thanks guys (in the non-gender specific sense of the word) now my brain hurts.

      One more thing, there used to be this concept of "fair use". Essentally, you could make backup copies of your music or record movies for your own use (assuming you had bought or somehow had legal, non-copyright infringing access to the material) without having to worry about the secret police breaking down your door. I wonder whatever happened to that and why if I lived in the USA it is wrong and immoral (oh and theft according to Reene) if I make a backup of a DVD so my kids can watch it and handle it so that the original doesn't get scratched to high heaven? Could it be that the people that produce and distribute said material are greedy sacks of puss?

    58. Re:Costs? by shark72 · · Score: 1

      "Now, RIAA presses in 100,000 to 1,000,000 of units. So I am wagering they are well under a $1."

      Nah, the volumes aren't nearly that high for the vast majority of CDs released. Sales of 500K make a gold record, and 1MM is a platinum. I'd guess that typical first runs are more in the 5K - 10K range.

      "Now explain to me why I have to pay $12.49 - $21.95 for a single CD that cost under a $1?"

      Because the people involved in getting that record from the studio to your hands do not work on a volunteer basis. If you applied to work as a clerk in a record shop, or as a recording engineer, or as a marketer, and you were told that there was no pay, you'd rightfully tell them to fuck off. The recording industry is no different than whatever industry you work in: they are expected to pay their employees.

      Additionally, UPS charges you and me money to ship a package across the country; do you really think they're providing this service for free to the record companies? Likewise, it's just not realistic to expect the electric companies to supply record stores with free power.

      I hope that clears it up. If you still don't get it, google on "net margin" and "gross margin" or just ask anybody who's ever worked in retail, or in any industry that involves manufacturing products and selling them at retail.

      --
      Sitting in my day care, the art is decopainted.
    59. Re:Costs? by chthonicdaemon · · Score: 1

      One of the biggest problems with "Intellectual property" is that there are so many different protections for the different things all thrown into the same bundle by careless nomenclature. Copyright is different from patent protection which is different from tratemark protection, etc.

      Unfortunately you have hit upon one of the more pervasive conceptual problems with IP. Because there is no physical property to steal, there can be no theft of IP in a legal sense. In most cases there is perfectly good nomenclature for the specific infringement. Are you quoting a source without a reference and passing it off as your own work? Then you are committing fraud. Are you copying copyrighted works? then you are committing copyright infringement. Are you making something which is patented? then you are infringing on someones patent. Different concepts, different laws, different crimes.

      Everything that is illegal is not some form of theft, even if it involves financial benefit or 'taking of things', unless there is something physical to steal.

      --
      Languages aren't inherently fast -- implementations are efficient
    60. Re:Costs? by Shillo · · Score: 1

      Actually mp3 does quite well both on high frequences and on dynamic range, with a notable exception of Xing - Xing just kills everything over 16kHz. But (in my experience) mp3 breaks down when you have a piece with lots of simultaneous clear tones (that's common in classical), lots of claps (like, say, applause or castannetes), or constant electronic noise. In each of these cases, mp3 has a problem finding enough bits to allocate.

      Unfortunately lots of classical pieces were recorded noisily or are digitised from record masters. In both cases, there tends to be a noticable level of noise, and most mp3 codecs tend to fall on their heads because of it, because they allocate too many bits to the noise background.

      Either way, VBR mp3 solves these problems. So does Ogg (I never found a tune that caused problems to Ogg codec).

      --

      --
      I refuse to use .sig
    61. Re:Costs? by nospmiS+remoH · · Score: 1

      That is very true. Consider also that to make Corn Flakes, the farmer has to keep working to grow more corn. For a CD, the artist spent a week in a studio (okay maybe more than a week, but the farmer still works more here) someone makes the cover, sound guy cleans it up, master is made, printing begins. After that, an album is just printed over and over. Only new costs are for supplies. I don't count marketing because that is radio play which is subsidized by adverts (for cornflakes :)). Their profit margin is WAY to big indeed.

      --
      !hoD
  4. Repeat by AtariAmarok · · Score: 1

    I read this yesterday, in this item in the Apple category. Ignore the misleading "mp3" in the category: the article about just about every digital format ASIDE from mp3.

    --
    Don't blame Durga. I voted for Centauri.
    1. Re:Repeat by Anonymous Coward · · Score: 0

      The editors, realizing the article was posted in the Apple category, moved it to a broader category ensuring it would be viewed by more than the three Mac users that troll these pages.

  5. Dupe !!! by Anonymous Coward · · Score: 0

    Are we the only ones to read slashdot !

  6. Ah... the normal way of doing business... by Yaa+101 · · Score: 1

    The Heroine model... Nice...

    1. Re:Ah... the normal way of doing business... by lpangelrob2 · · Score: 1
      To which model do you refer? Zelda, because she kicks butt? Xena, because she's a frickin' hot warrior-lady? Or maybe it was Samus Aran... Or Lara Croft...

      Oh, wait... heroin... :-)

  7. Slashdot raising subscription rates! by garcia · · Score: 4, Funny

    Slashdot and OSDN are clamoring to raise subscription rates!

    In a move that the OSDN bean-counters believe will give Slashdot and OSDN more cash on hand, Slashdot.org is announcing that they are raising subscription rates to $5.25 for 1000 pages of ad-free* viewing.

    More and more frequently Slashdot has been giving its readers the opportunity to read day old news AGAIN! The editors of the site claim that this is part of their overall marketing plan:

    Rob Malda (aka CmdrTaco) was quoted in the NYT (vampire sucking required) as saying, "well we give you TWICE the news in two days so we thought it was only right that our subscribers pay a little bit extra!"

    Zonk was quoted as saying, "well we give you TWICE the news in two days so we thought it was only right that our subscribers pay a little bit extra!"

    While Slashdot does have an e-mail link on their site to allow Slashdot subscribers to report these duplicates to the "Editor on Duty" the editors have admitted in secret taped conversations (on IRC) that the email address is bunk and goes to /dev/null... "How are we to justify raising subscription rates if the readers weren't getting the same old shit twice?"

    * - ad-free only refers to banner ads, not posts to the main page that are made to appear as "stories" when they are in all actuality advertisements (i.e. iPods)

    1. Re:Slashdot raising subscription rates! by Anonymous Coward · · Score: 0

      In response to the question in your signature "what the fuck is this?":

      It is a rip-off of the Apple Fanboy List.

    2. Re:Slashdot raising subscription rates! by Anonymous Coward · · Score: 0

      Your momma sure beat you with that stupid stick, didn't she?

    3. Re:Slashdot raising subscription rates! by Justin205 · · Score: 1

      And ad-free is free if you use either the ad-block extension (Firefox/Mozilla) or some CSS tricks for almost any other browser....

      --
      "Your effort to remain what you are is what limits you."
    4. Re:Slashdot raising subscription rates! by drdink · · Score: 1

      It is not called OSDN anymore. IT is OSTG (Open Source Technology Group) now.

      --
      Beware, Nugget is watching... See?
    5. Re:Slashdot raising subscription rates! by Anonymous Coward · · Score: 0

      ...they are raising subscription rates to $5.25 for 1000 pages of ad-free* viewing.

      From the FAQ
      Q: How much for dupe-free viewing?
      A:You can't afford it.

    6. Re:Slashdot raising subscription rates! by Anonymous Coward · · Score: 0

      We could set up a database of dupes and a firefox extension to choose if we want to sgiw/hide them.

  8. higher prices again? by justforaday · · Score: 4, Funny

    I thought they were just talking about doing this a few days ago...Greedy bastards...sheesh!

    --
    I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
  9. Zonk you homosexual faggot by Anonymous Coward · · Score: 0, Troll
  10. Dupe by nuclear305 · · Score: 1

    The music labels are really having fun raising prices this week!

  11. News Yesterday by Nom+du+Keyboard · · Score: 1, Redundant
    This was news yesterday.

    It's old news today.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    1. Re:News Yesterday by DeathFlame · · Score: 1
      This was news yesterday.

      It's olds today.

      Fixed

  12. NO by Anonymous Coward · · Score: 0

    I will not pay any more. I think they're overpriced as is.
    Maybe I would consider it if any of the increased margin were to go to the artist. Which is pretty unlikely.

  13. Dupe much??? by Anonymous Coward · · Score: 0, Informative

    See yesterday's news perhaps?

    1. Re:Dupe much??? by hrieke · · Score: 1

      You know, I too want the dupes to stop as much as the next person here, and I think I have a solution to this problem:

      Buy some shares in OSTG (VA Linux: sym LNUX) and go to the next share holder's meeting and raise holy hell about it.

      --
      III.IIVIVIXIIVIVIIIVVIIIIXVIIIXIIIIIIIIVIIIIVVIIIV IIVIIIIIIVIII...
  14. must type fast by rritterson · · Score: 0, Redundant

    hopefully i won't be the 20398340958th person to point this out by the time i post, but: DUPE! http://apple.slashdot.org/article.pl?sid=05/02/28/ 1738239&tid=141&tid=3 Geez, and only 48 hours too.

    --
    -Ryan
    AUWYHSTOT (Acronyms are Useless When You Have to Spell Them Out Too)
  15. You're a bastard if you don't pay out the ass! by Nintenfreak · · Score: 1, Funny

    All these popular artists's money bins are getting low. Any lower and they'll break their necks by diving in.

    1. Re:You're a bastard if you don't pay out the ass! by PoopJuggler · · Score: 1

      They might have to settle for a Dodge instead of a fleet of Ferraris. Won't somebody please think of the artists!

    2. Re:You're a bastard if you don't pay out the ass! by cresquin · · Score: 1

      You mean "popular artists" like Kelly Clarkson and Ashlee Simpson... The artists who deserve to be making money like Maroon 5, Coldplay and Velvet Revolver Seem to be doing just fine.

    3. Re:You're a bastard if you don't pay out the ass! by bonch · · Score: 1

      Wait, so we're not fighting for the artists now? I thought we were sticking it to the RIAA to protect them somehow by not paying for their music.

      I'm confused by the pirate's reasoning.

    4. Re:You're a bastard if you don't pay out the ass! by Anonymous Coward · · Score: 0

      That's because you're an imbecile. But don't worry, once you take your meds like a good little retard all of those things that make your tongue furry and your vision blurry will go creeping away into that gentle good-night.

    5. Re:You're a bastard if you don't pay out the ass! by Ohreally_factor · · Score: 1

      You're confusing product with artists. Do you really believe that "Ashlee Simpson" is anything but a product? I'm not saying that human beiings aren't involved in the creation of this product, but calling them artists would be akin to^H^H^H^H^H^H^Hexactly the same as calling an assembly line worker an artist.

      I'm not saying this applies to anyone's reasoning for sharing unauthorized copies of music, but hopefully it will clear up any confusion you might have when listening certain pop music.

      --
      It's not offtopic, dumbass. It's orthogonal.
    6. Re:You're a bastard if you don't pay out the ass! by Anonymous Coward · · Score: 0

      YHBT. YHL. HAND.

      Love,
      bonch (aka rd_syringe aka Overly Critical Guy)

  16. Ha! by Anonymous Coward · · Score: 5, Funny

    Good luck pushing Wal*Mart. They've never bowed to a supplier. If they want to sell digital music at 25-cents a track, the music industry can just take it in the rear.

    1. Re:Ha! by e2d2 · · Score: 3, Funny

      Yeah but Wal*Mart would rather get their music from China anyway.

    2. Re:Ha! by Dr.+Evil · · Score: 1

      Can WalMart can break the collusion between the labels?

    3. Re:Ha! by SirChive · · Score: 4, Insightful

      Nope. The music industry is not just a supplier. They are a cartel that has a legal lock on an entire segment of our culture.

      They will charge Walmart the same as the other download services because they just don't care. If they drive customers away from downloads and back to physical media it doesn't matter. They own that too.

    4. Re:Ha! by Anonymous Coward · · Score: 0

      The thing is, Walmart *is* the biggest seller of the physical media. And they are more than willing to drop someone for not playing ball. If the record companies want to sell, then they go by Walmart's rules.

    5. Re:Ha! by BigDogCH · · Score: 1

      Oh man, who do I root for? I loath Wal-mart, but I really loath the music industry. This will be the only time I say this, but GO WALMART!

    6. Re:Ha! by Anonymous Coward · · Score: 0

      I read last year that Wal Mart was pushing for lower prices on CDs and that the labels were caving. I just did a google search and found this. "Tensions are not as high now as they were last winter, but making sure Wal-Mart is happy remains one of the music industry's major priorities. That's because if Wal-Mart cut back on music, industry sales would suffer severely -- though Wal-Mart's shareholders would barely bat an eye. While Wal-Mart represents nearly twenty percent of major-label music sales, music represents only about two percent of Wal-Mart's total sales. "If they got out of selling music, it would mean nothing to them," says another label executive. "This keeps me awake at night."
      link
      Link from Rolling Stone

    7. Re:Ha! by Anonymous Coward · · Score: 0

      Oh man, who do I root for?

      I felt the same way about 4 months ago in early November....

    8. Re:Ha! by cmstremi · · Score: 1
      Oh man, who do I root for?
      Depends. Will Wal*Mart give me a free gallon of pickles to go with with that downloaded song?
    9. Re:Ha! by Pionar · · Score: 1

      Walmart is the #1 music store in the country. Like Vlasic (the pickle people) said in an article last year, "If you don't sell at Walmart, you're dead". Trust me, the music industry needs Walmart more than Walmart needs them. I think the figure is that music is only 2% of their sales.

    10. Re:Ha! by martinoforum · · Score: 1

      Have you ever HEARD chinese pop music? It's even worse than western pop music!

      Seriously, if you're ever in need of a good laugh then get yourself down to a chinese shop and look at their music shelves. I'd never thought that there could be a second-rate version of Westlife, but it seems I was wrong! There are many!

    11. Re:Ha! by Deliveranc3 · · Score: 1

      Props to Walmart for catering to the less afluent consumer and having enough power to stand up for their customers.

    12. Re:Ha! by bwy · · Score: 1

      Good luck pushing Wal*Mart. They've never bowed to a supplier. If they want to sell digital music at 25-cents a track, the music industry can just take it in the rear.

      Hmmm, what does this mean the Wal*Mart "you put mom and pop out of business" crowd? Whose side do they take? One one side, RIAA. On the other side, Wal*Mart. It is going to be like Alien vs. Predator for the "you killed Main Street USA" crowd.

    13. Re:Ha! by BigDogCH · · Score: 1

      Or maybe a radio flyer wagon, or a huffy bicycle, or any of the other american icons that they have ruined.

  17. Is this a joke? by cot · · Score: 4, Insightful

    They want us to download the songs with our network connections that we pay for, in lieu of them pressing CDs and printing inserts, and now we're supposed to pay MORE than you pay in a store for a CD? At $1 a track, it's already not a very good deal. For more than that, the only thing they'll be stimulating is a new resurgence in p2p.

    --

    1. Re:Is this a joke? by daft_one · · Score: 1

      I'm pretty sure the traditional cds will remain more expensive for awhile yet... I mean, they're, what, $7.50/song? (If you figure there are 2 songs you'll actually listen to on a $15ish cd.) As has been pointed out many many times before, masses of crap are used to subsidize the "good" songs.

    2. Re:Is this a joke? by MKalus · · Score: 1

      The magic word is: "Instant Gratification".

      Or differently: People WILL be willing to pay more because now they can get it right away, don't have to get in their car and stand in line with the unwashed masses.

      --
      If you want to e-mail me, use my PGP Key.
    3. Re:Is this a joke? by Anonymous Coward · · Score: 0

      To top it off the audio quality of downloaded music is much less than that of a CD. Why pay $1/track for bad quality? If they offered full, CD-quality downloads compressed with FLAC or something I'd jump right on it, but as it stands I can download higher quality mp3's(with a bit of searching) than the AAC garbage they try to peddle.

    4. Re:Is this a joke? by cot · · Score: 1

      "(If you figure there are 2 songs you'll actually listen to on a $15ish cd.)"

      I haven't bought a CD that was like that in many years. Bands that put out albums with only 2 good songs on them tend to not be all that good in the first place.

      --

  18. dupe dupe dupe by aendeuryu · · Score: 3, Funny

    dupe dupe dupe
    they duped the URL (dupe dupe)
    they duped the URL (dupe dupe)
    they duped the URL...

    As I walk though
    Slashdot's world
    Nothing can stop
    These dupes of URLs...

    etc. etc.

    1. Re:dupe dupe dupe by Anonymous Coward · · Score: 0

      In an attempt to be funny I tried to copy & paste your comment in a new comment - you know *duping* your comment. It was about to be really ironic too, until I was told

      " This exact comment has already been posted. Try to be more original..."

      *sigh*
      I wish /. editors would follow some of their own advice...

    2. Re:dupe dupe dupe by Wordsmith · · Score: 1

      I heard that song of yours is going to get more expensive to download. As a matter of fact, I heard it twice.

  19. Do you? by AtariAmarok · · Score: 2, Funny

    Do you want to submit this one tomorrow and make it 3 days in a row? Or should I do it?

    --
    Don't blame Durga. I voted for Centauri.
  20. Dupe from yesterday by Anonymous Coward · · Score: 0

    Shit, how lacking in short-term memory can Slashdot be? This same thing was posted yesterday.

  21. Can you say... by LordPhantom · · Score: 2, Funny

    ... Dupe? Perhaps they should start charging more so they can pay EDITORS to FILTER SUBMISSIONS..... oh wait....

  22. In other news, by Hawthorne01 · · Score: 1

    Slashdot is under investigation for duplicate articles.

    And duplicate posts.

    --
    "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former."
  23. Pete and Repeat where in a boat..... by philkerr · · Score: 2, Interesting
    MP3 Download Prices to Rise?

    So, might as well post my old comment.

    I wonder if this push for a price increase is to put a dampner on the existing on-line players as they did with the CARP act a few years ago regarding streaming.

    The problem, as the established media companies see things, with these new electronic outlets they have problems excerting their marketing influences to pimp their latest one-hit manufactured artist.

    If they can put the breaks on things until *they* control the market then this is better for them. Its not really an issue concering margins as all the big players seem to be reporting big profits.

    1. Re:Pete and Repeat where in a boat..... by 99BottlesOfBeerInMyF · · Score: 2, Funny

      wonder if this push for a price increase is to put a dampner on the existing on-line players..

      Dampner is not a word in the English language. Damper is a word, as is dampener. A damper reduces oscillation. A dampener makes something moist. Some router vendors have introduced a feature called route flap damping. Other router vendors have introduced the rather silly route flap dampening. I really wish large companies would hire a few editors to review their products. Just FYI.

    2. Re:Pete and Repeat where in a boat..... by swimin · · Score: 1

      were in a boat

    3. Re:Pete and Repeat where in a boat..... by Anonymous Coward · · Score: 0

      A damper reduces oscillation.

      Actually, a damper just reduces, it isn't limited to oscillation. As the damper in the flue of a chimney reduces the amount of smoke that goes up the chimney (and in so doing the amount of oxygen that goes to feed the fire), or the damper on a piano that makes the strings stop vibrating, or a very dull or hated person that showes up at a party and dampens the mood.

    4. Re:Pete and Repeat where in a boat..... by Anonymous Coward · · Score: 0

      the damper in the flue of a chimney reduces the amount of smoke that goes up the chimney

      True.

      the damper on a piano that makes the strings stop vibrating

      Heh, you do realize the vibration is an oscillation, right?

      a very dull or hated person that showes[sic] up at a party and dampens the mood

      I hope not. Hopefully they damp the mood. To dampen the mood would be to make it wet. Well, maybe having wet party guests is not all bad.

  24. Wow! by Anonymous Coward · · Score: 0

    First Dupe is getting as hard to get as First Post!

    1. Re:Wow! by Anonymous Coward · · Score: 0

      Here's how I did it: I saw the article listing before you could view it in the search function, and KNEW it was a dup from yesterday, so I refreshed until the article showed up, and immediately replied, and then kept trying to post until it was accepted. It takes skill to get the first "this is a dup" but I think I got it!

  25. If by Anonymous Coward · · Score: 0

    If i could safely send an amount of money, at a level i find reasonable, to artists of whom i 'might or might not' have copied music, i really think i would do it for quite a number of artists.

    1. Re:If by Leo+McGarry · · Score: 1

      This model has been tried countless times in the past. You know all those guys you see standing on subway platforms with the open guitar/violin/cello case sitting next to them with two bucks in change in it? They're subscribing to just the model you're advocating here.

      It doesn't work.

      Can we please stop begging artists to live in penury so we can enjoy their labors for free, please?

    2. Re:If by GROOFY · · Score: 0

      But the artist gets almost none of the money anyway, so who cares?

    3. Re:If by Leo+McGarry · · Score: 1

      So you don't want to fuck the guy who played the guitar, but you're okay fucking the guy who wrote the song, or the guy who recorded it, or the guy who mixed it, or the guy who pressed the master, or the guy who manufactured all the blank CDs, or the guy who drove the truck to deliver the CDs to the store?

      Who don't you want to fuck in this?

    4. Re:If by soupdevil · · Score: 1

      Artists already live in penury, on average. The current system doesn't help anyone but the record execs and RIAA shareholders.

    5. Re:If by layer3switch · · Score: 0

      you have dwarf sense of how artists and recording industry make money.

      Performance and endorcement through recording companies/concert promotion groups contracts bring most of artists "quick" cash, not recording sales. Depending on waiver of rights to the songs (if artists composed or inserted creative work), artists do not see the cash generated by the sales for a long time, if at all, since artists get paid contractually based on the "projected" sales/distribution, not actual sales.

      Sales of your recorded art can't be measured the same as sales of performing art because the recorded art is mostly used by recording labels to endorce live performing art. With that in mind, its actually responsibility and obligation of recording companies to effectively market artists music to the audience in order to generate revenue through loyalty and performance/endorcement.

      By increasing the price of CD and penalizing P2P with bad marketing decisions made by recording industry is the direct cause of the loss of profit, not P2P file sharing. Exception would be of course, if artist is spliting financial cost in distribution and manufacturing.

      However the recording companies are looking (I think) way past after the popularity of the artists decipates. Logic maybe that by increasing the value of the work (music), somehow it will retain/increase the value of the work in the future. Therefore after artists dies or gone fishing for 20 years in some deserted island, his/her/their works will continually generate revenues for the companies by sales or resales of the works and its right.

      --
      "Don't let fools fool you. They are the clever ones."
    6. Re:If by Anonymous Coward · · Score: 0

      Um in case you haven't noticed, the current model isn't working that great either (not to mention a few bands are using the donation model and seem to be doing okay... perhaps you've heard of Maria Schneider). I could point out other artist that are bootlegging their own works speaks volumes about the breakdown of copyright. I could also point out such seminal works such as the film Nosferatu that were nearly wiped from the face of the earth from insane copyright laws (and, ironically, persevered through piracy).

      Thankfully all those artists have you as their self-appointed spokesman. Penury indeed.

      And what do you add to the argument? Wooden responses that neither admit any problems nor purpose any solutions. In advocating for the status quo, you are also advocating for continued piracy. If a $100,000 isn't sufficient deterrence, what do you suggest next? Public castration?

      As the studios are free to charge as much as they want, everyone else is free to respond in kind (including ignoring the law). This is the other side of the coin you are arguing for.

      Your moralizing adds nothing. Your self-serving insistence does more harm to artist than a thousand downloaders (I also make a portion of my living through copyrights).

      Can we dispense with the bullshit now?

    7. Re:If by Ahnteis · · Score: 1

      Yes, it could never work. (FREE MUSIC!)

      Or is it that the guy on the subway platform isn't that good?

    8. Re:If by GROOFY · · Score: 0

      The RIAA and the major labels are already fucking them, ok?

  26. Stealing music is bad, mkay? by Thud457 · · Score: 5, Funny
    Higher prices than "your immortal soul"?!!!! That's ridiculous!


    Oh, wait, there's legitmate places to download music online from?!!!


    Primitive peoples often think that you're stealing their soul when you photograph them.

    I make no guarentee of this post's relevancy to anything.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:Stealing music is bad, mkay? by denissmith · · Score: 1

      Primitive peoples often think that you're stealing their soul when you photograph them.

      Watching the behavior of often photographed celebrities would seem to confirm this

      --
      I have nothing to hide. So, why are you spying on me?
  27. In other words by AtariAmarok · · Score: 3, Interesting

    The discussions are different? In other words, one discussion might have a little more Apple bashing than the other. One discussion will have a goatse link, and the other will have a GNAA screed? In one, 89% of the posts are about whether piracy = theft. In the other, 91% of the posts are about whether piracy = theft. Yes, there really is a difference!

    --
    Don't blame Durga. I voted for Centauri.
    1. Re:In other words by Otter · · Score: 1

      More to the point, one is usually 90% "IANAL but doesn't this violate the DMCA?" and the other is 90% "Another dupe? How much crack can the editors smoke?"

    2. Re:In other words by Tongo · · Score: 5, Funny

      I don't come here for variety, I come here for redundancy.

    3. Re:In other words by AtariAmarok · · Score: 5, Funny
      "I don't come here for variety, I come here for redundancy."

      I don't come here for variety, I come here for redundancy.

      --
      Don't blame Durga. I voted for Centauri.
    4. Re:In other words by deeblite · · Score: 2, Funny

      I don't come here for variety, I come here for redundancy!

    5. Re:In other words by dAzED1 · · Score: 1
      IT folks like redundancy, right? Redundant power supplies, redundant servers, redundant switches...

      Redundant posts!

    6. Re:In other words by Anonymous Coward · · Score: 0

      I don't come here for redundancy, I come here for variety.

      D'oh!

    7. Re:In other words by commodoresloat · · Score: 2, Funny

      Ditto!

    8. Re:In other words by mlrtime · · Score: 1



      Me Too!

    9. Re:In other words by hxnwix · · Score: 1

      I don't come here for "variety," I come here for "redundancy."

    10. Re:In other words by Darthmalt · · Score: 1

      "And postin me too like some brain dead AOL'er I should do the world a favor and cap you like old yeller you're just about as useless as J-pegs to Helen Keller. - Weird Al "It's all about the Pentiums"

      Uh-oh I just compared the editors to AOL users........ Anyone interested in my UID? it'll probably be available soon.

  28. DUPE by blahlemon · · Score: 1

    I would love to see one of these copies to have no posts relating to the topic but instead every single post is crying out "DUPE"

    --
    It take more faith to believe in evolution than it takes to believe in God
  29. Aw hell... dupe reply by the_skywise · · Score: 3, Funny

    Well they have to raise prices!

    Because the cost of manufacturing has...

    Er... Because they have to hire more employees to handle the purchasing load...

    Er... Because the Britney Spears needs a new swimming pool for her poodle... yeah!

    Isn't it time we just declare the RIAA a monopoly and start regulating it because, obviously, there is no competition.

    (I'm reminded of that montage scene in Real Genius where more and more people don't show up to class and instead have tape recorders to record the lecture... eventually the professor stops coming to class and just has a tape to play to the tape recorders...)

    1. Re:Aw hell... dupe reply by Anonymous Coward · · Score: 0

      how about we stop paying these bastards for music eh?

    2. Re:Aw hell... dupe reply by Vicsun · · Score: 1

      Er... because price collusion is perfectly legal and ethical. [/sarcasm]

      THIS TIME MODIFIED WITH SARCASM TAGS FOR THE SLOW-WITTED!

  30. Even my reply is a dupe. by afstanton · · Score: 2, Insightful

    http://apple.slashdot.org/article.pl?sid=05/02/28/ 1738239&tid=141&tid=3 Can we please stop this nonsense?

    --
    Reject Fear - Embrace Hope
  31. I felt a disturbance in the force by Anonymous Coward · · Score: 0

    It was as if a million slashdotters cried out DUUUPPPPEEE!!! and were suddenly modded.

  32. So? by dos_dude · · Score: 0

    What's the point? If you find those prizes too high, don't buy anything or try to find a cheaper source.

    Unless the music industry starts to push new laws that require you to pay those prizes, I fail to see the problem or even newsworthiness of this.

    Nice to see that there is such a thing as a free market, even when it comes to music in digital form.

  33. Applesoft? by Renaissance+2K · · Score: 5, Funny

    The music industry loses all credibility the moment it says "Apple may become too powerful."

    Oh, so now Apple is trying to take over the world?

    What next? The Salvation Army?

    1. Re:Applesoft? by Anonymous Coward · · Score: 1, Funny

      It takes a lot to be simultaneously dying for 20 years, and taking over the worldat the same time...

    2. Re:Applesoft? by rob_squared · · Score: 2, Funny
      "What's next? The Salvation Army?"


      Well, I have heard about them having a militant wing...

      --
      I don't get it.
    3. Re:Applesoft? by Anonymous Coward · · Score: 0
      It takes a lot to be simultaneously dying for 20 years, and taking over the worldat the same time...

      Not if you're Cthulhu.

    4. Re:Applesoft? by Deliveranc3 · · Score: 1

      Your baby wanted to create a hardware and software monopoly with no clones or options.

      High monopolistic prices.

      Yea it comes in a white shiney box but they're the borg.

  34. Again??? by __aailob1448 · · Score: 1

    Enough with the freaking dupes already! don't the editors READ slashdot anymore???

  35. The Answer... by spiritraveller · · Score: 1

    Buy used CDs.

    Online music stores sell a lower quality format, they put DRM restrictions on it, and then they want to charge MORE than the price of a used CD?!?!?

    The minor inconvenience of ripping the music to put it on your mp3 player counterbalances the inconvenience that you would have later on, when you are trying to get all of your DRMed iTunes songs to play on a new computer.

    And with used CDs you don't even have to bother backing up your music because it already comes to you in physical form.

    1. Re:The Answer... by nkh · · Score: 1

      But ripping CDs to a convenient and high-quality file format (like Vorbis for example) gives you more flexibility over what you hear. Writing scripts to generate or control XMMS in real-time is easier to do than swap your CDs every 3 minutes because you just wanted to hear one song and need to change the style of music you listen to (change of mood, debugging time...)

      One idea I had is to write a small GUI on your PDA to remote-control XMMS (but I don't have time for it :( why don't you do it for me!)

    2. Re:The Answer... by gaylenek · · Score: 1

      Been there, done that, still do that on occasion. If you get from places that let you inspect the CDs first, you're golden, let someone else pay the mark-up.

      Ripping and trading CDs is still going on, just with less noise. Given the big music labels are only seem to be trying for the walletes of Boy Band and/or Blonde Girl of the Month buyers, why bother buying new release CDs at all?

      --
      When in danger or in doubt, run in circles, scream and shout.
  36. Heroine or heroin? by jeffmeden · · Score: 1

    Im not a spelling nazi by any means, but I am an accuracy nazi, and the heroine model (whereby a company lures customers by appearing beautiful from a great distance and then appears ugly only AFTER their hair is used to ascend the tower wall) has little to do with this story. Perhaps you mean heroin, the popular and illegal drug whose addicts are lured by free/low cost doses and then once addicted are forced to pay an exorbitant amount.

    1. Re:Heroine or heroin? by tomhudson · · Score: 2, Funny
      I think he really did mean the "heroine" model ... you know, about how hookers are better than drugs because they can always wash their crack and resell it.

      this is what the music companies are doing with degraded MP3s at a higher cost per song than the original album.

    2. Re:Heroine or heroin? by Anonymous Coward · · Score: 0

      insightful, too bad the mods are all busy pandering to the dupe whiners. you heard me! f@#$@#$ mods.

    3. Re:Heroine or heroin? by Yaa+101 · · Score: 1

      Yup, I mean the addiction model...

    4. Re:Heroine or heroin? by inkey+string · · Score: 3, Insightful

      Except this never actually happens. I wouldn't expect slashdotters to have any first hand familarity with heroin or the drug trade, but let's just think this through in a few steps.

      1. Demand for heroin is extremely high.
      2. Supply for heroin is extremely limited.
      3. This lack of supply, coupled with extreme demand, will produce very high prices.
      4. Extremely large profits can be made easily in this trade, as there is a large volume of willing buyers with little "brand" loyalty, and a consistent "regional price" (compared to a "world price" in macroeconomics) due to easy (local) transport and a highly liquid market.

      So the major problem in the heroin chain is not selling (very deep liquid market relative to supply), but instead obtaining supply to sell.

      Now that we know this problem, ask yourself why dealers would choose to give away supply? Answer: they don't. There is no benefit to them, as there is already a large volume of willing buyers. There is only downside, namely the opportunity cost of not selling the damn stuff instead of giving it away.

      Too many people have this vision of a guy hanging aroung with a truck of heroin twiddling his thumbs wondering how to addict people and make cash. Doesn't quite work like that.

    5. Re:Heroine or heroin? by GJSchaller · · Score: 1

      this is what the music companies are doing with degraded MP3s at a higher cost per song than the original album.

      I've heard people complain for years now that physical CDs are overpriced, as a way to feed corporate coffers. By raising the cost of downloads to make an album more expensive online than in the store, it's a way to drive people to go by the (overpriced) CDs and make them look better in comparison. Even if they kill off the download market, they have succeeded in pushing people towards an overpriced product.

    6. Re:Heroine or heroin? by Anonymous Coward · · Score: 0
      I wouldn't expect slashdotters to have any first hand familarity with heroin or the drug trade

      Are you serious? A lot of hackers are potheads and many are into psychedelics, etc.

      Now, regarding the heroin trade, I live on the West side of Chicago and have a fair bit of experience with friends who were users/addicts and the "drug stops" outside of public housing developments. Demand is high, but the supply is pretty damn high as well; there are a _ton_ of spots in the city to obtain your fix. As for prices, they're damn low, $10 for a half-gram bag.

      As for the distribution channels used by the suppliers, that one's always baffled me. You can find nearly all of the other drugs in neighborhoods like Lincoln Park, but it's next to impossible to find heroin anywhere but in the 'hood. The supply is completely controlled by the gangs; as for who's supplying the gangs I have no idea.

      Dealers don't give product away. What usually happens is that one friend gives another friend some to try. Of course, the DEA doesn't want the public to have the perception that drug users are doing so by their own free will. It's much easier to demonize substances by creating images of dealers sitting in cars outside of playgrounds and giving the stuff to little kids.

    7. Re:Heroine or heroin? by hackstraw · · Score: 1

      I wouldn't expect slashdotters to have any first hand familarity with heroin or the drug trade, but let's just think this through in a few steps.

      I guess this includes you :)

      Actually, heroin is not that expensive, and it is not in that high of a demand. $20 to $40 worth of heroin is good for an evening. That is on par with drinking at a bar.

    8. Re:Heroine or heroin? by inkey+string · · Score: 1

      Come on, we both know what a bindle or two is going to cost.

      Heroin is expensive in the sense that it carries an extremely high risk and demand premium (from transport, legislation, and effects) relative to its intrinsic physical value.

    9. Re:Heroine or heroin? by Anonymous Coward · · Score: 0

      What makes it so implausible? You completely forgot that there has to be a DEMAND to have 'extremely high demand' and to get demand you need addicts. Heroine sure as hell isnt a glam drug and it sure as hell isnt winning anybody with its taste. How do you get people addicted to an overall vile substance? give them one hit, and let their body do the rest. The chemical addiction will set in before long and boom, another addict. Drug dealers arent stupid and they arent driven by textbook economics. Come on, think outside the box.

    10. Re:Heroine or heroin? by Anonymous Coward · · Score: 0

      Addiction doesn't work that way. It is completely possible to use heroin on weekends, and stop quite easily.

      The ignorant (this includes the parent) assume drugs are so terrible that no one in their right mind would use them, and addiction and dirty tricks are the only reason their kids/friends/etc would use.

      In fact, drugs are a lot of fun. Frequently, far too much fun. This isn't 7th grade where you smoke to look cool...

  37. Financial Genius, I tell you! by drakaan · · Score: 4, Insightful
    "Oh no! They're buying lots and lots and lots of music! Raise the price and stop them, stop them now!"

    These are the same people who are trying to say that piracy is the reason that they're not making wads of cash? Did they miss the whole supply/demand/equilibrium price part of economics class in high school (okay, some of them may have gone to college).

    Let's see. We have a product that is being sold at a price point that has people drooling, there are very low distribution costs, no need for shipping or inventory maintenance, and people can buy from home. Sounds good...*too* good...let's raise the prices and kill it off.

    asshats.

    --
    "Murphy was an optimist" - O'Toole's commentary on Murphy's Law
    1. Re:Financial Genius, I tell you! by vrtladept · · Score: 2, Insightful

      Well if they raise the price of online music, they automagically raise the number of money lost to piracy.

      10 Million songs stolen valued at $1 = 10 million lost

      10 Million songs stolen valued at $2 = 20 million lost

      Brilliant!

    2. Re:Financial Genius, I tell you! by corblix · · Score: 1
      Did they miss the whole supply/demand/equilibrium price part of economics class in high school ...

      It certainly looks like you did. What these people are saying is that the price that is going to produce the highest profit looks to be above the current one. Therefore they want to raise prices. If you can remember that class you supposedly took, this is the natural response to a high demand.

      You can disagree with their morals, but let's not make silly comments about how these people don't know their economics.

    3. Re:Financial Genius, I tell you! by Dasein · · Score: 1

      Thank you, I'm an econ major and I thought my face was going to catch on fire.

      --
      You are not a beautiful or unique snowflake -- but you could be if you got off your ass.
    4. Re:Financial Genius, I tell you! by Moofie · · Score: 1

      You're missing the critical point: The music download sites are not going to make a dent in CD sales, but they may very well make a dent in "piracy" (their word, not mine). The alternative is not "Buy a track for $.99 or a CD for $15.99", it's "Buy a track for $.99 or download it from Kazaa for free".

      --
      Why yes, I AM a rocket scientist!
    5. Re:Financial Genius, I tell you! by corblix · · Score: 1
      You're missing the critical point: The music download sites are not going to make a dent in CD sales, but they may very well make a dent in "piracy" ...

      Why is that "critical"? The original point I was responding to was that basic economic theory is being neglected. I say that, on the contrary, basic economic theory says that there is an optimum price for everything. I don't see why the existence of "piracy" and Kazaa necessarily mean that this optimum is lower than the current price, whatever it may be. Maybe it is higher. If music industry exec's think so, then it is quite rational for them to raise the price. Maybe that will increase "piracy" and P2P usage. So what? By "optimum", we usually mean the price that will maximize profit; that is what basic theory generally addresses.

    6. Re:Financial Genius, I tell you! by Anonymous Coward · · Score: 0

      Actually, in open competition, the supplier has zero profit, and the maximum amount of product is sold, in a monopoly, the monopoly sets prices to maximize profits, and the volume of sales drops dramatically, so this could easily be a move to make more money.

      Just cause you wouldn't by it, doesn't mean that the 15 year olds wont fork over $30 for britny spears, never underestimate consumer stupidity, for it is boundless.

      Seirously, the one and only thing I trust corperations to know how to do right, is make money.

    7. Re:Financial Genius, I tell you! by Moofie · · Score: 1

      Wow. You ARE an economist. "That factor does not fit in my oversimplified model, so I will discard it."

      Okay.

      --
      Why yes, I AM a rocket scientist!
    8. Re:Financial Genius, I tell you! by corblix · · Score: 1
      Wow. You ARE an economist. "That factor does not fit in my oversimplified model, so I will discard it."

      Can we have a reasonable discussion here, without ad hominem arguments?

      Of course it fits. Supply and demand push the optimum price around. The huge demand for songs tends to push it up. Things like Kazaa and "piracy" belong on the supply side, and so push it down.

      Just because there is a large supply does not mean the optimum price is lower than the current one, because we have to consider all the factors. As you pointed out, models can be oversimplified to the point of being useless. Considering only the effect of Kazaa, etc., on price is clearly oversimplifying, because there is obviously a huge demand.

      Once again: apparently some music industry people think they have good reasons to believe that the optimum price is higher. Obviously some people here don't want this to be true. Well, reality is reality, and sometimes the facts aren't what you want to be true. Deal with it.

    9. Re:Financial Genius, I tell you! by Moofie · · Score: 1

      You're trying to apply your economic model in a vacuum, and I think that's quite silly. However, my comment was intended to be a joke, not an attack. If you'd like, I'll give you a big hug. You'll feel better.

      If you really, seriously think that the record company execs are consulting economists on their pricing structure, well, we're back to my opinion of silliness. I think that the record company execs are making a power play (evidenced by the fact that they're acting as a cartel rather than as individual sellers trying to optimize their pricing models). .99 is too high for me to purchase music. I've bought a few albums at 9.99. If they try to jack the prices any higher, they'll certainly lose my business. They are, of course, welcome to do so.

      --
      Why yes, I AM a rocket scientist!
    10. Re:Financial Genius, I tell you! by drakaan · · Score: 1
      No, I didn't (miss economics)...I base my assumption (that they're stupid) on their track record with attempting to sell music via another distribution channel and screwing it up royally.

      I guess that if you think $12-$20 for a CD is a sensible price point, you might not get it, but I'm standing by my rant. A buck a track is a reasonable price, to me...since I don't have to buy a bunch of crap that got in as filler.

      More than that means I don't buy the tracks...it becomes worth the effort to maybe sift through a gnutella-based network to find what I want, sometimes. I'm willing to bet that there are a lot of people who feel the same way, so I think that the idea of raising the price is particularly bereft of fiscal forethought.

      --
      "Murphy was an optimist" - O'Toole's commentary on Murphy's Law
    11. Re:Financial Genius, I tell you! by drakaan · · Score: 1
      You think the RIAA members that are currently railing about gazillions of dollars in lost sales really know the right way to make money?

      I'll agree that they know how to overcharge, but that only lasts so long before people find a way to get stuff cheaper another way. 15 year olds might fork over $30.00 for Britney, but 18 year olds will find "New Britney Spears - High Quality" online and bypass the corporate coffers. They're screwing themselves again. Mark my words. This too, shall pass (higher download prices)...either that, or people will flock back to pirated material.

      --
      "Murphy was an optimist" - O'Toole's commentary on Murphy's Law
    12. Re:Financial Genius, I tell you! by shark72 · · Score: 1

      "If you really, seriously think that the record company execs are consulting economists on their pricing structure, well, we're back to my opinion of silliness."

      You can be sure that they are.

      Companies -- and entire industries -- experiment with pricing all the time. As I believe has been explained, the market is exploding, so they're experimenting with raising prices to see exactly where that optimal point on the supply/demand curve is. This may not seem intuitive to you, but nonetheless, this sort of experimentation happens a lot.

      ".99 is too high for me to purchase music. I've bought a few albums at 9.99. If they try to jack the prices any higher, they'll certainly lose my business. They are, of course, welcome to do so."

      If $0.99 per track is too high, you've already selected yourself out. Remember, their goal is not go make all potential customers happy, but to make the most amount of money possible. If moving north of $0.99 leaves some folks behind but ultimately makes them more money, that's what they'll do.

      Pricing strategy is often far more complicated than folks who've had a few econ classes might believe. I think Slashdot discussions like these tend to exemplify the concept of "knowing just enough to be dangerous." I've learned far more about the realities of pricing strategy in my years in the PC business than I ever learned in school. While this experiment by the record companies is certainly boggling many Slashdotters (many of whom are in college and whose understanding of supply and demand ends at econ 101), those of us with real world experience are not surprised that they're doing this.

      --
      Sitting in my day care, the art is decopainted.
    13. Re:Financial Genius, I tell you! by corblix · · Score: 1
      If you'd like, I'll give you a big hug.

      Please do. [sob, sniff, sniff]

      .99 is too high for me to purchase music.

      Me too, actually. I've never even looked into online single song purchases. Clearly I'm not typical, though. There is obviously an enormous demand from lots of people who are not like me.

      Perhaps it's time to end this thread? [/endthread]

  38. Well, that explains a LOT! by Anita+Coney · · Score: 3, Funny

    The music industry thinks that because iTunes is a success, the prices must be too low. That explains why CDs sales are down. Every time people start buying them, the music industry raises prices. The music industry seems afraid of success, every time it gets close, they squash it.

    --
    If someone says he and his monkey have nothing to hide, they almost certainly do.
  39. $0.99 too low? by illumina+us · · Score: 1

    It costs $15 for a 12-15 Track CD? How is $0.99/song too low? $0.99/song seems about right. Especially considering that you don't get a hard copy of the CD, you don't get a CD pamphlet, and you don't get the case. The RIAA needs to stop being so damn money hungry.

    --
    -illumina+us "I put on my robe and wizard hat..."
    1. Re:$0.99 too low? by Alien+Being · · Score: 2, Funny

      The bits are gold plated for high fidelity.

    2. Re:$0.99 too low? by mr_spatula · · Score: 1

      That'd be the new "Monster MP3-DSL" phone cable

    3. Re:$0.99 too low? by spungebob · · Score: 1

      ...you don't get a hard copy of the CD, you don't get a CD pamphlet, and you don't get the case.

      ...and considering that it's in a lossy compressed format, you don't even get ALL of the music!

      In my book of value, $.99 per track is already TOO HIGH. But if nothing else, the music industry has shown itself - over and over again - to be above all others when it comes to charging more and more for less and less.

      Why the buying public continues to allow them to get away with it is beyond me really...

      --
      It takes an idiot to do cool things - that's why it's cool!
    4. Re:$0.99 too low? by PoopJuggler · · Score: 1

      The RIAA needs to stop being so damn money hungry.

      That, or consumers need to stop being sheep

    5. Re:$0.99 too low? by MrNemesis · · Score: 1

      Gold plated?! If I'm going to be paying higher prices for my tunes, I want oxygen-free bytes as well!

      --
      Moderation Total: -1 Troll, +3 Goat
    6. Re:$0.99 too low? by Macadamizer · · Score: 1

      "It costs $15 for a 12-15 Track CD? How is $0.99/song too low? $0.99/song seems about right."

      No, you are missing the point. When you buy a CD, you are getting the 12-15 songs at a bulk discount. It's like how a single can of soda costs more than buying the 24-pack!

      --

      "That's not even wrong..." -- Wolfgang Pauli
    7. Re:$0.99 too low? by Tassach · · Score: 1
      In my book of value, $.99 per track is already TOO HIGH
      I concur. $.05 - $.25 is, IMHO, about all a single mp3 encoded song is worth. For $.99 each I expect a lossless file on physical media.
      --
      Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
    8. Re:$0.99 too low? by 16K+Ram+Pack · · Score: 1
      I buy a few reasonable sized artists as well as quite a lot of small or independent artists.

      I never buy at full price. I wait for someone to offer me a good deal, and then I buy it.

      There's is tons of great independent music out there - and sites offering great value downloads for it. Emusic.com sells tracks at 25c or less per track.

    9. Re:$0.99 too low? by 40000 · · Score: 1

      I think that if you download more than a couple of 99 cent songs, physical media should be posted to you containing uncompressed files of those songs.
      Or after downloading a couple of 99c songs from an album, some paperwork giving you permission to copy the whole thing off someone else's CD.

    10. Re:$0.99 too low? by spungebob · · Score: 1

      I'm paying about $.22 per download at http://emusic.com/ for quality non-DRM mp3's and I'm liking it a LOT. If you're not already familiar with eMusic, be sure to check it out - but please keep in mind that it's independant artists and labels only. You won't find Linkin Park there.

      --
      It takes an idiot to do cool things - that's why it's cool!
  40. Not just one, but TWO dupes in this article! by Harik · · Score: 4, Insightful

    The main "iTunes raising prices" is a dupe from yesterday, and "iTunes under investigation in the UK" is _ALSO_ a dupe from a recent article. Jesus christ, Taco, if this were a free-site and you were not getting PAID for it, I could see slacking off. But damnit, you have advertisers and subscribers. That implies a certain level of responsibility. Live up to it.

    1. Re:Not just one, but TWO dupes in this article! by bonch · · Score: 1

      Isn't it weird how people use this site to complain about corporations and their less-than-stellar product, when meanwhile, that's Slashdot?

      This site can be a great place, but boy it's been in the stinker for a while.

    2. Re:Not just one, but TWO dupes in this article! by RedWizzard · · Score: 1

      While I agree with you, it probably should be pointed out that apparently you are not one of the people paying for this site (neither am I). I don't think that reduces our right to complain, but it certainly justifies the owners' continuing to ignore us. For us the only real recourse is to leave. And since we haven't yet done that I can't see the owners' doing anything about the problem, no matter how many comments complaining about the dups and the (lack of) editing get to +5.

    3. Re:Not just one, but TWO dupes in this article! by Anonymous Coward · · Score: 0

      It must be a super-dupe then.

  41. Par for the course by Anonymous Coward · · Score: 0

    This is par the course lately.... this on top of the fake story about MS antispyware.. pathetic.

  42. Pretty soon... by l4m3z0r · · Score: 4, Informative

    Pretty soon they will give us what we have all been waiting for... A /. article whose primary source is another /. article.

    1. Re:Pretty soon... by Reignking · · Score: 3, Funny

      If that were to happen, would we be able to slashdot slashdot?

      --
      One man's Funny is another man's Offtopic.
    2. Re:Pretty soon... by CrazyTalk · · Score: 1, Redundant

      and you know what comes next - everyone on slashdot goes to slashdot to see the original article, and slashdot becomes slashdotted! After that the universe implodes onto istelf.

  43. Dupes for Nerds, Repeats that are boring by Anonymous Coward · · Score: 0

    Breaking News, Slashdot is being charged for breaking the Truth in Advertising Laws. No Longer can they call themselves News for Nerds becuase recent study has found that they have no news, only dupes. Also there might be possible lawsuit about there slogan "Stuff that Matters" as clearly the last few days of news have been completely pointless.

  44. Re:Nngahh. by kc0re · · Score: 1

    Troll? That's hilarious! Are you kidding me?

  45. Re:Costs? - COST DOES NOT AFFECT PRICE!! by Anonymous Coward · · Score: 1, Insightful

    People, economics 101... please repeat after me:

    COST HAS NO BEARING ON PRICE!

    Get over it. It could be completely FREE for them to offer music for download, and they could legally charge a million dollars a tune. Or it could cost them dollars per download and they offer it for only pennies... it is WHAT THE MARKET WILL BEAR. If they can raise it, GREAT, then they need to raise it; that's the market.

    Sheesh.

  46. A dollar is too high by Sloppy · · Score: 3, Insightful
    A dollar is too high for a lossy-compressed, DRM-wrapped song. That's roughly in the same neighborhood as audio CDs. They need to either get the price down to, like, twenty or thirty cents, or keep the price where it is and start removing the disadvantage that make them inferior to CDs (i.e. sell un-DRMed FLAC-encoded files, plus offer some kind of free backup or free re-download-it-later service to make the information roughly as durable as CD media, also make them transferable).

    Or well, I guess there's a third option to make 99-cent downloads competitive: raise the price of CDs. ;-)

    The very idea that download prices are too low, is just ludicrous.

    --
    As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    1. Re:A dollar is too high by The_Whole_Fn_Show · · Score: 1

      Or well, I guess there's a third option to make 99-cent downloads competitive: raise the price of CDs. ;-)

      I'm not trying to be Johnny Tinfoil Hat over here, but am I the only one who wouldn't be surprised if this is the plan?

      Here's what I don't understand (as a disclaimer, I am not a musician):

      Why hasn't a group of indy bands joined together to form their own "label", using P2P or their own iTMS variant to distribute their music. Obviously, they wouldn't be able to instantly compete w/ the behemoth that is the RIAA, but over time they might be able to slowly erode the power that the major labels have. If it's a good enough plan for Linux vs. M$, why not for musicians?

      Just my thoughts...

  47. Dupe posts by Darth+Maul · · Score: 4, Insightful

    It's a shame that all these dupe posts are getting modded down. It's about time the Slashdot editors actually see what a mess Slashdot has become. They seem to post a dupe every day now.

    Please, stop modding those posts down. This duplicate posting must stop.

    --
    --- witty signature
    1. Re:Dupe posts by Anonymous Coward · · Score: 0

      Only *one* dupe per day? You sure about that?

    2. Re:Dupe posts by fname · · Score: 2, Funny

      Seems appropriate that it's from the "they're-never-going-to-get-it dept." The editor should get a +1 Unintentionally Funny for his so-sad-it's-funny quip.

    3. Re:Dupe posts by Duncan3 · · Score: 1

      They don't read the articles, why would you think they would read the comments?

      --
      - Adam L. Beberg - The Cosm Project - http://www.mithral.com/
    4. Re:Dupe posts by Anonymous Coward · · Score: 0

      Little known fact: editors have unlimited mod points.

    5. Re:Dupe posts by poot_rootbeer · · Score: 2, Funny

      It's a shame that all these dupe posts are getting modded down. It's about time the Slashdot editors actually see what a mess Slashdot has become. They seem to post a dupe every day now.

      Please, stop modding those posts down. This duplicate posting must stop.

    6. Re:Dupe posts by BluRBD!E · · Score: 1

      It's a shame that all these dupe posts are getting modded down. It's about time the Slashdot editors actually see what a mess Slashdot has become. They seem to post a dupe every day now. Please, stop modding those posts down. This duplicate posting must stop.

  48. Apple music prices by Anonymous Coward · · Score: 0

    "Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent."

    The European continent? That's the shelf of rock that the UK is part of... and prices there are different to the UK?

  49. Inflation by Anonymous Coward · · Score: 0

    The real deal is that your money will become less worthful shortly. Especially US$.

    That must be compensated. One must make the first step.

  50. I'm sure glad ... by Anonymous Coward · · Score: 0


    ... that I don't pay for a /. subscription.

    Maybe subscribers should get 50% off after all these dupes?

    I hope Slashdot's subscription managers are better at managing accounts and avoiding duplicate charges than the editors are at avoiding duplicate posts.

    Subscribe now and get twice the news for one low price! ;)

  51. Monopolies. by zymano · · Score: 1

    These companies are looking for the 'sweet spot'. They are looking to milk out as much as they can so they could care less about the amount of downloads . You can compare this to other products like 'BROADBAND'. They really don't want the broad public(low + middle income) to get broadband because that would mean the price would have to be real low. They just want the top tier of buyers with the most bucks.

    Anyways aren't the music companies under some government supervision since they were caught monopolizing prices ?

  52. That's all fine and good.. but here's something... by BierGuzzl · · Score: 1

    Here's yet another article...
    "Some of the big music labels are now clammoring to raise prices for digital music downloads. From the article: 'Music industry executives said introductory wholesale prices for digital tracks had been set low to stimulate demand for online music sales but the success of Apple's music store had prompted concern that they may now be too low.'" Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent.

    Oh.. and again, just in case you missed it the last few times ...

    "Some of the big music labels are now clammoring to raise prices for digital music downloads. From the article: 'Music industry executives said introductory wholesale prices for digital tracks had been set low to stimulate demand for online music sales but the success of Apple's music store had prompted concern that they may now be too low.'" Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent.

    You'd almost think the editors were cutting and pasting...

  53. Well damn, talk about greedy! by NitroWolf · · Score: 1

    They just raised the rates a few days ago... and now they are already doing it again?!

    Runaway inflation, I tell you.

  54. Pure stupidity by ChaosCube · · Score: 1

    I don't see why the Music Industry is complaining. Think of this from a business perspective. Low prices means more people will buy it (as a generalization). How can the prices be "too low" if iTunes has been extrememly successful? Exactly how much sense does that make? If the prices had been much higher, I don't think the iTunes Music Store would have seen the success it enjoys today. Look at Wal-Mart, for example. Their goal is to offer products at as low of a price as possible, and they do a decent job at that (just admit it, even if you hate Wal-Mart). Think about it. What businessman in their right mind would make this statement: "Our sales are through the roof! This must mean our prices are too low and we should raise them." WTF? Discalimer: DRTFA

    --
    BDR Gear
    Outdoor gear, MREs, and more!
    1. Re:Pure stupidity by bcattwoo · · Score: 1
      What businessman in their right mind would make this statement: "Our sales are through the roof! This must mean our prices are too low and we should raise them."

      What businessman in their right mind would say: "Our sales our through the roof. People would probably be willing to pay more for our product with little drop off in sales and thus increase our profit margins, but let's not do that." Walmart is only able to keep their prices low because they leverage their suppliers to lower their prices and thus are able to maintain those low prices. Chasing customers with low prices doesn't work for everyone, just look at how some of the automakers and airlines have struggled lately. There is undoubtedly some sweet spot of pricing that will maximize profits from these downloads and apparently the Music Industry thinks it is higher than the current prices. Not saying it's the Right Thing(tm) for the consumer, but it is not necessarily the wrong thing for the sellers.

  55. Wholesale Nonsense by faqmaster · · Score: 1

    The fact that the music industry execs still use terms like "wholesale" shows they still don't get it.

    --
    Are you...Are you some kind of genius?
    No, ma'am, I'm just a regular Slashdot reader.
  56. Dupe article, dupe post... by mr_spatula · · Score: 1

    The article was from yesterday...

    The posts are from yesterday....

    I'm expecting to start waking up to "I've got you babe" at 6:00 every morning.

    The upside is that I'll apparently become very adept at piano, ice scuplture, and getting into peoples pants.

    Thanks, slashdot!

  57. yet another dupe reply by Anonymous Coward · · Score: 0

    I remember yours, and some of the reply to it:

    It's not for Britney's swimming pool, it's for that RIAA exec's pool!

    1. Re:yet another dupe reply by UWC · · Score: 1

      Don't forget the ever-popular "The RIAA is a cartel, not a monopoly!"

  58. Hidden Message by solace_d · · Score: 1

    Each time a dupe appears, think of it as that the editors of /. are trying to inform you of its dire importance. That or there just isn't much to talk about anymore.

    1. Re:Hidden Message by Tongo · · Score: 1

      Every time an editor posts a dupe, God kills a puppy.

    2. Re:Hidden Message by Anonymous Coward · · Score: 0
      "How many dupes would a slashdot editor post if a slashdot editor didn't check for dupes?

      He would post as many dupes as a slashdot editor would post if a slashdot editor didn't check for dupes."

      There. DONE.

  59. Why is it... by Anonymous Coward · · Score: 0

    ...that people who post their annoyance at the number of dupe stories are modded Redundant? You'd think there'd be a more constructive reaction to the red flag raised by such activity. It seems /. is just as guilty of ignoring and alienating users as Microsoft is accused of being.

    But, I guess that's what happens when you risk the wrath of the mods.

  60. Side Effect by eviltypeguy · · Score: 1

    Apparently the side-effect of the slashdot effect is a disorder whereby the creator of the effect is compelled to repeat itself randomly.

  61. whaaaa?!!! by Anonymous Coward · · Score: 0

    He's a subscriber to slashdot and you call the other guy an idiot?!!!!

  62. Very silly.. by Mage66 · · Score: 1

    I remember paying $.75us for a 45rpm with two songs. I'm a member of www.mymusic.com that charges $5.99 SHIPPED for a physical CD. If they can't make sufficient money at $9.99 an album with digital delivery, something is VERY wrong here. www.MP3Music.com is charging .88 a track, and I'm sure they are making money. This seems like greed to me. Perhaps we ought to do away with record companies. Now that bands can use 100% Digital Delivery, who needs them? I think the bulk of the money ought to go to the writer of the song, and the performer. With the Distribution companies (Record Label and Digital Delivery Service) getting the smallest cut. The idea is to sell quantity... Something that seems to escape the Record Labels.

    1. Re:Very silly.. by SmokeHalo · · Score: 1

      This seems like greed to me.

      It is. Pure and simple greed.

      If they can't make sufficient money at $9.99 an album with digital delivery

      I guess that depends on how "sufficient" is defined. Sufficient for having a roof over one's head, food in one's belly, and the other basic necessities of life, in addition to some luxuries, sure. But sufficient for mansions on the California coast with gold-plated toilet seats and crystal dinnerware for their dogs, no -- they need more money.

      Won't you PLEASE help? It's for the children, for God's sake! Think of the children...we can't have them going to public schools or driving used cars!

      --
      I'm not good in groups. It's difficult to work in a group when you're omnipotent. - Q
    2. Re:Very silly.. by Anonymous Coward · · Score: 0

      If I remember correctly, the labels provide the funds with which said authors produce their music (sound studio, etc.). They also do marketing which makes performers popular (humans are sheep, get used to it).

    3. Re:Very silly.. by Dasein · · Score: 1

      These are public companies. The directors are legally required to maximize profits. Does that mean that they are greedy bastards, not really. I'm not saying it's right, it's just the law. Two different things, you know.

      These guys are simply saying, through this move, that they think they'll make more money by raising prices. See, there's this thing in economics call the price elasticity of demand. Which is just a fancy way of saying, how much will the demand change for a given change in price.

      These guys think that the price elasticity of demand for music is low enough that, if they change the price, they'll more than make up for the lost sales. The only hope that we have is to show them that they're wrong.

      But, we will fail because the majority of music buyers are in their teens. These are the same folks who think that emulating Paris Hilton is a good idea. Don't look for intelligent consumer behavior from that demographic.

      --
      You are not a beautiful or unique snowflake -- but you could be if you got off your ass.
  63. Re:Dupe City - HIPPOCRITS!!!! by clickster · · Score: 1

    Do you have any idea how many "This is a dup" comments I read every day?

    **I assume no responsibility for any failures to see the sarcasm in the above post.**

    --
    If you mod me down, I shall become less powerful than you could possibly imagine.
  64. I guess that makes sense? by hende_jman · · Score: 1

    So downloaders still need to be sued because they're hurting the music industry. Prices on online stores need to be raised because it's so successful. I guess it all adds up... right?

  65. Re:Costs? - COST DOES NOT AFFECT PRICE!! by BWJones · · Score: 2, Interesting

    You must have missed economics 102 then.

    There are other things to consider in "selling" a product. What the market will bear is largely a simplistic economic viewpoint that looks at discrete periods of time. This is a model that will get companies and individuals who advocate those models in trouble with examples like bubbles. Specifically, like those that occurred in the tech markets of the late 90s and the current real estate markets in some parts of the country.

    --
    Visit Jonesblog and say hello.
  66. Are you fucking kidding me? by nettdata · · Score: 1

    Are you fucking kidding me? Does nobody in Editorland ever read the site to see what's been posted before?

    The only answer I can think of that makes sense is that the Editors know it's a button that gets us going, so they push it when they're bored.

    This is getting rediculous.

    Also, what has this got to do with "Your Rights Online"?

    --



    $0.02 (CDN)
    1. Re:Are you fucking kidding me? by reiggin · · Score: 1
      Also, what has this got to do with "Your Rights Online"?

      It's your right online to know how many times Slashdot can run a story before you notice.

  67. Re:Dupe City - HIPPOCRITS!!!! by Anonymous Coward · · Score: 0

    You mean the irony?

  68. GIVE US MONEY - WE GIVE YOU SONG! by PopeAlien · · Score: 1

    Here is a prediction: If the price for music increases right now for digital distribution, sales will fall and piracy will increase.

    no no.. that cant be right. there's this big pot of money called consumers and you just keep on hittin' em and hittin' em like a big ol' pinata and the money keeps pouring out!

    uh.. right?

    Well hell, there's always high quality corporate rock radio!

  69. NOW they want to profit off of others??? by Hlewagastir · · Score: 1

    "now they want to profit on top of all of others hard work" What exactly is new about this? This is what they do, profit off of other people's work. From day one, this has been the overriding purpose of the recording industry. Pay an artist a (relatively) miniscule amount of money to create a CD, and then charge an exorbitant fee to the public, while at the same time screwing over the musician who was stupid enough to sign a contract with them in the first place.

  70. Who's your daddy by fulldecent · · Score: 4, Funny

    I kind of like Walmart's discussions with the media industry a little better:

    Walmart: I think it's time you started selling me CD's for under $10
    Labels: That's some bullshit
    Walmart: I retail 4% of the GNP, if I stop selling CD's, you die
    Label: Ulth... fine, but-
    Walmart: But what?
    Label: ...um but nothing
    --

    -- I was raised on the command line, bitch

    1. Re:Who's your daddy by graffix_jones · · Score: 1

      While Wal-Mart may make up a large chunk of CD sales, you also have to realize that this will just drive people to Best Buy, Target, etc..

      Wal-Mart may be a good chunk of the pie, but they also reap a lot of residual sales from people coming into the store to buy CDs... that's also not something that Wal-Mart can ignore... 2% may be an insignificant number to you and me, but if that 2% drives another 2% in residual sales, and when you're a corporation as large as they are, that's gonna hurt.

      Cutting off your eyelid would only remove about 2% of your face, but I wouldn't do it under rational circumstances. :D

    2. Re:Who's your daddy by Shajenko42 · · Score: 1

      I think you're not paying attention.

      Since when will lowering prices cost you customers?

    3. Re:Who's your daddy by Anonymous Coward · · Score: 0

      When you dupe a 26 minute old comment, I gotta right some wrongs.

  71. Why does this remind me of ATMs by Bronz · · Score: 5, Interesting

    a) Started out "free" -- reasoning the bank didn't have to pay so many human tellers.
    b) Moved to a small fee for the operator of the ATM, which is understandable.
    C) Fee doubled when your bank realized it could charge you in addition to the charges of the ATM operator.
    D) Mext the fees nearly doubled to an average of $1.50 each side of the transaction (minus the "free" out of network uses you get per month).
    E) Finally -- we end up with bank plans where you can be charged to talk to a human teller.

    If we figure out where we went wrong with banks and ATMs it might help us not repeat the same mistake.

    1. Re:Why does this remind me of ATMs by CatsCradle · · Score: 1

      I think about this situation whenever I see the self-checkout lines in the supermarket.

      --
      --- CatsCradle
    2. Re:Why does this remind me of ATMs by hackstraw · · Score: 1

      a) Started out "free" -- reasoning the bank didn't have to pay so many human tellers.
      b) Moved to a small fee for the operator of the ATM, which is understandable.
      C) Fee doubled when your bank realized it could charge you in addition to the charges of the ATM operator.
      D) Mext the fees nearly doubled to an average of $1.50 each side of the transaction (minus the "free" out of network uses you get per month).
      E) Finally -- we end up with bank plans where you can be charged to talk to a human teller.

      If we figure out where we went wrong with banks and ATMs it might help us not repeat the same mistake.


      ATMs are a convenience just like a convenience store.

      I bitch about the prices of both, but enjoy the convenience of both from time to time.

    3. Re:Why does this remind me of ATMs by wayland · · Score: 1

      Well, actually, the two bear more than a passing resemblance. The bank's business model was to invest the savings of their customers, skim some of the returns themselves, and return a fraction to the customer in return for use of their money.

      When Western society became consumerised, and people spent all their income now with no thought for the future (possibly due to pensions and social security), the banks no longer had people's savings to invest.

      Banks had to change their business model. Rather than being a business that profited by investing others money, they became a business that profited by easing the transfer of money. It used to be that getting money out of the bank involved going to the bank. Now you can get it out of any ATM/EFTPOS/whatever. The banks naturally needed a way to make money in this new business model, so they began charging fees for transactions.

      I managed to find a "bank" (credit union that has a deal with a major bank) that has chargeable and non-chargeable transactions. Even for the chargeable ones, the bank will give you 30 free transactions a quarter. If I get my money out of the bank once a week (immediately before I pay my rent), then I reduce the number of transactions. So far, in about 3 years with this "bank", I haven't been charged *any* fees (just some tax).

      Of course, this is in Australia. But the deal I have is better than any of the big banks will offer. :)

  72. Re:That's all fine and good.. but here's something by Anonymous Coward · · Score: 0

    maybe they never refreshed there browser and submited the story again by accident eh?

  73. Priced Out by yintercept · · Score: 1

    I really don't think Apple, Napster or the other players in the music download business did that much market research on the price. The fixed $.99 price at all of the big music download sites is just a blatant demonstration that the record labels are opposed to the free market.

  74. Money, Money, Money by Anonymous Coward · · Score: 0

    Oh come on, I would expect more out of slashdot then that! We all know that the record companies are just pushing really hard to get that extra .0000001 of a cent for the artists.. it has NOTHING to do with the billions they currently make.

  75. Anti-dupe system needed by SnprBoB86 · · Score: 1

    The editors should be warned if a link in the article matches a link in an article from within the past 4 weeks, it should show "potential dupes" and require a "this is not a dupe" validation before posting.

    Maybe something with natural language processing and article summary comparisons could be done also?

    --
    http://brandonbloom.name
  76. Re:Costs? - COST DOES NOT AFFECT PRICE!! by MindStalker · · Score: 2, Interesting

    Of course and your absolutly right, except the part about selling something for pennies that cost dollars to make, noone would do this unless they are trying to liquidate their assets.

    Anyways of course we have no reason to complain when an industry raises its prices, we should then be complaining to the people who purchase at the higher price of course. On the otherhand if there is a monopoly on the item it can be illigal to bump the price too high. One could argue weither the MPAA is a monopoly, but as its not a essential service it really isn't the governments buisness.

    All in all most people here see rising music prices as a bad idea, and firmly beleive that the industry will lose money on it. But apparently the industry is willing to lose money and point to the P2Ps for blame.

  77. Remember... by yakhan451 · · Score: 1

    it's not a dupe, it's "Classic Slashdot."

  78. Quick! by Jozer99 · · Score: 1

    Quick! Download all 2,000,000 song cheap while you still can!

  79. pathetic by Anonymous Coward · · Score: 0

    Seriously, Slashdot is getting pathetic. Their editors are complete morons. Tell a programmer for the site to let the server check if there was a similar post already, because the editors obviously can't search for a similar article before posting on their own.

  80. Now, let's be fair by Safety+Cap · · Score: 4, Funny

    I would point you to Slashdot Editor Training, where all Editors learn how to avoid dupes, perform thorough spell- and fact-checking, and (best of all) write well-crafted, bug-free code.

    --
    Yeah, right.
  81. Bingo by Hlewagastir · · Score: 4, Insightful

    You see, if they make it painful enough to buy tracks online, we'll all revert back to the old model of taking it up the rear at our local record store for a 25 cent chunk of plastic. Online music sales scare the crap out of the recording industry because they become obsolete the second somebody can simply make their music available online to whomever wants to download it. If recording industry can kill online music sales early, they won't slowly fade away into obscurity as recording artists choose other venues to promote their wares. iTunes has somehow, despite the industries best intentions, (through extremely high prices for what you're actually getting), become a viable alternative to the old way of getting music. Therefore, they raise the price even higher to discourage sales. If the price is high enough, people will return to the old business model.

    1. Re:Bingo by shark72 · · Score: 1

      "Online music sales scare the crap out of the recording industry because they become obsolete the second somebody can simply make their music available online to whomever wants to download it."

      Nonsense. If the record industry didn't want to sell songs online, it wouldn't -- the record companies would cut Apple off tomorrow if it wasn't a good proposition for them. iTunes is simply another reseller. Your statement is a bit like saying that Amazon.com scares the crap out of the book industry, and is bordering on tinfoil-hat territory. The reality is that iTMS has been a huge success, and the record labels are laughing all the way to the bank.

      When something is an enormous sales success, it's quite common to experiment by raising prices. It really does happen all the time. Remember, their goal is to make as much money as possible, and not sell as many units as possible or sell a particular item in a particular format. That's a hugely important distinction.

      --
      Sitting in my day care, the art is decopainted.
  82. Greed by MightyMartian · · Score: 1

    You gotta love it. The ding-dongs that run the music biz are going to fuck the only thing that looks like it might stem the piracy tide, over simple greed.

    If the actual people who created the music were getting a bigger fraction of the price, I might not feel so much like some blood-thirsty vampire was trying to suck me dry, but as it is these turkeys deserve everything that's going to happen to them. RIAA seems hellbent, whether they know it or not, on destroying the recording industry.

    --
    The world's burning. Moped Jesus spotted on I50. Details at 11.
  83. In other news... by enjahova · · Score: 1

    Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent. In other news... Pounds are worth more then Euroes

    --
    "how can they call it a MINE if everything here is THEIRS?!?!" -Straight Jacket
  84. mp3tunes.com: Michael Robertson has it right by yeremein · · Score: 1
    Instead of raising prices, the RIAA suits ought to make online music a better value than P2P. If users could legally download a lage selection of consistently high quality VBR MP3 tracks for a fair price--not having to worry about bad rips, mistagged files, P2P app spyware, etc.--online music sales would explode.

    Instead, the RIAA suits are intent on providing an inferior product to that available freely via P2P--low bitrate, DRM-encrusted, incompatible-with-your-player garbage, and now as a bonus, it's not expensive enough yet.

    Michael Robertson (of mp3.com and Linspire fame) has the right idea about DRM:

    Q: What is DRM and why does MP3tunes not use it?
    A: DRM is an acronym for "Digital Rights Management," or as we like to refer to it around here at MP3tunes, "Digital Restriction Management." DRM is basically a form of copy protection from the record labels. MP3tunes believes in respecting musicians copyrights, but we also feel that DRM comes with restrictions that make it a less than ideal solution for music fans who legally purchase music. For example, song files encoded with DRM usually limit how many times you can make a copy of a song, even for your own personal use. They often limit how many times you can burn a song to a CD, making it impossible to make several different mixes with some of the same music that you've purchased. Perhaps the biggest problem with DRM, is that it usually locks you into using one particular computer, brand of software and music player.

    Q: But if a song is available in the MP3 format, won't people just share it over the Internet without paying?
    A: People who want to be dishonest, not respect a musicians copyright, and illegally trade music files over the Internet are ALREADY doing that. Even the best DRM systems are converted to MP3 files withing minutes of the music being released.

    Q: So, what's the answer for record labels and artists to protect their music from illegal file sharing?
    A: We think the best way to solve this problem, is by simply making it EASY to LEGALLY obtain those same song files, but at a fair price and in a convenient, non-cumbersome file format, such as MP3. We actually believe if everyone had the ability to conveniently purchase music in the popular, friendly MP3 format, THAT would INCREASE music sales. Many people use illegal file sharing, simply because they don't like the hassle and restrictions that they get when they purchase music. If they steal the music, it comes in the convenient MP3 format, and will work on any player. If they legally purchase it, it comes with a pair of handcuffs which restrict how they can use the music. Is it any wonder many HONEST people turn to file sharing sites to get their music?

    The RIAA labels should sign on with mp3tunes.com--maybe just a few artists' worth as a pilot program. I know if I could legally get popular music online without the handcuffs, I'd be all over that.
  85. Redundant answer by squiggleslash · · Score: 3, Funny
    (Does it matter this is a dupe? I mean, you already know what the comments are going to be:)

    THis is just more evidence that the MPAA and Micro$oft are just out to screw the consumer vis they want us to pay more and more for their so-called "music" which is all Bri[tt]ney $Pears rubbish which they play over and over again on their network of Clearchannel radio stations thanks to payola IE LEGALIZED BRIBERY forcing everyone to download the music from the Internet using services like Kazaa and Morpheus anyway, whereas if the music industry eg the MPAA would just give music away on DRM-less MP3s at 384kbps (the MINIMUM I will accept, 314kbps AAC is TOTALLY UNACCEPTABLE, you can really hear the difference on top-end Sony equipment) and if they'd make the music actually WORTH LISTENING TO then they would be "getting it" and working in the new economy not the old economy. This is why personally I download all my music from dodgymp3s.ru where you pay a penny a megabyte which is much fairer because the money goes to the artists according to the website, well the bit left over after taxes and expenses and protection racket fees, rather than to the money grabbing record industry execs who spend all their money on cocaine and DVDs.

    Are you all with me? Yeah! Fight the fat cat record execs!

    --
    You are not alone. This is not normal. None of this is normal.
    1. Re:Redundant answer by Anonymous Coward · · Score: 0
      THis is just more evidence that the MPAA and Micro$oft are just out to screw the consumer vis they want us to pay more and more for their so-called "music" which is all Bri[tt]ney $Pears rubbish which they play over and over again on their network of Clearchannel radio stations thanks to payola IE LEGALIZED BRIBERY forcing everyone to download the music from the Internet using services like Kazaa and Morpheus anyway, whereas if the music industry eg the MPAA would just give music away on DRM-less MP3s at 384kbps (the MINIMUM I will accept, 314kbps AAC is TOTALLY UNACCEPTABLE, you can really hear the difference on top-end Sony equipment) and if they'd make the music actually WORTH LISTENING TO then they would be "getting it" and working in the new economy not the old economy.

      Dang. That's one big frickin' sentence.

    2. Re:Redundant answer by tomhudson · · Score: 1
      So move to Quebec. I was watching "The Tick" this weekend, and I noticed that the french version of the "It's against the law to copy this dvd blah blah blah ..." has a major loophole in it - it says (translated from the french) that any reproduction EXCEPT FOR PRIVATE HOME VIEWING is illegal. Now, the french term used has two meanings, the primary one of which means To produce a counterpart, image, or copy of.".

      So, in Quebec (where, in case of discrepancy between the english and french texts, the french version takes precedence), most DVDs come with a "home copying is OK get out of jail free" card.

      Also, our consumer protection laws require that, if there are two ways in which a phrase can be taken, the one most advantageous to the consumer shall be employed.

      Gotta check if it's the same on my CDs.

      I'm surprised nobody else has twigged onto this yet [tt].

    3. Re:Redundant answer by jocknerd · · Score: 1

      If you are such a music afficienado, why the hell do you want mp3? Why not demand that the downloads be in a lossless format like FLAC. That way, you can encode it however you want.

  86. Re:Dupe City - HIPPOCRITS!!!! by clickster · · Score: 1

    It's hippocritical to beat someone down for posting a dupe when you're responding with a comment that's perhaps the biggest "dup" post on Slashdot.

    The irony is not realizing that you're doing it.

    In a way, it's both.

    --
    If you mod me down, I shall become less powerful than you could possibly imagine.
  87. Is the Slashdot Shuffle Playing Favorites? by saddino · · Score: 3, Funny

    saddino writes "Steven Levy at Newsweek is reporting that Slashdot seems to favor certain stories for dupes. Is Slashdot receiving kickbacks to promote certain companies? Slashdot denies it, of course, and Levy had the good sense to ask a mathematician and a cryptographer who explained it's probably just humans finding patterns where there are none."

  88. If /. can do it... by Blue-Footed+Boobie · · Score: 1
    RIAA Executive Meeting

    Dick #1: "Man, this piracy thing is still a major pain in the ass!"

    Dick #2: "Yeah, maybe more lawsuits will stop it."

    Dick #3: "Ok, on to the next agenda. We need more money."

    Dick #1: "Oh, how about rasing the rates for the MP3 download services?"

    Dick #3: "Capital idea! Done and Done."

    Dick #2: "Great! Now, shall we get back to beating puppies to death?"

    Dicks: "Huzzah!!"

    --
    DAMN YOU OCTODOG! DAMN YOU TO HELL!
  89. .99 by Lord_Dweomer · · Score: 2, Insightful
    The reason raising prices will hurt them more than it will help them is because of what it means when a product costs less than a dollar.

    For the vast majority of people who would be considering buying online music, anything less than a dollar is change not worth worrying about, so it is much more "disposable" than things that are priced more than a dollar. That is why retailers list things as .99 instead of 1.00.

    And while I know prices can never stay the same due to inflation, I have to say that the industry deserves no more out of this than they're getting. I'm using MY bandwidth that I pay for to get their product. They're not even providing me with the method to do so, Apple is.

    --
    Buy Steampunk Clothing Online!
  90. Let's Start our own Music Company by Starluck · · Score: 1

    How hard would it be to start a company to compete with the RIAA? Also who does the RIAA compete with, is it only independent labels? If so why hasn't anyone tried to for an entity to do battle with the RIAA and there greed lust. -Everytime I read an article about the RIAA/MPAA I want to purge myself...

  91. Too Many Sold?! by asilentthing · · Score: 1

    "Oh no! We've sold too much music!!! Raise the price and piss people off again!" Idiots.

    --
    --- these days, what with business and stuff, you gotta get your emails...
  92. Okay... by RM6f9 · · Score: 1

    There *are* alternatives, places bands can get their stuff hosted and get paid direct by customers willing to purchase. Don't like any of those? Do it better.
    In the (forever-in-planning) self-publishing site I'll be launching, I was considering adding a music section, only to be told: "It's being done". That means (to me) investigate what's out there and see if I can do it better. After, of course, actually establishing the main site.
    Speaking of duplication, I wonder how long it will be until one of the duplicate-complaint posters gets it into their head to try to build a better /. - ???

    --
    Take the 90-Day Challenge! http://rwmurker.bodybyvi.com/
  93. Re: Re-Dupe by CranberryKing · · Score: 1

    all over again

  94. Re:Costs? - COST DOES NOT AFFECT PRICE!! by Macadamizer · · Score: 1

    "On the otherhand if there is a monopoly on the item it can be illigal to bump the price too high."

    It depends on why there is a monopoly, and why ther price is being bumped "too high."

    The music industry IS a monopoly -- you can only buy the latest U2 CD from a single record label, and that label is free to charge whatever they want for their product. And there is nothing illegal about this. It's like Coke -- Coke is a unique product, there is only one manufacturer, and Coke can charge whatever they want for Coke.

    Monopolies get into trouble when they use their market power in certain ways. If they conspire to raise prices to consumers for no reason, they can get into trouble for that. If they lower prices in order to drive out competition from the marketplace ("dumping") they can get into trouble for that. And they can get into trouble for using their market power to keep others from entering the marketplace (that's M$ for you).

    "One could argue weither the MPAA is a monopoly, but as its not a essential service it really isn't the governments buisness."

    Whether or not something is an essential service is not the test -- it's whether or not a company is using monopoly power (or, more accurately, market power) -- in an anticompetitive fashion to either limit competition or to drive up consumer prices. It has nothing to do with whether or not something is an essential service.

    "All in all most people here see rising music prices as a bad idea, and firmly beleive that the industry will lose money on it. But apparently the industry is willing to lose money and point to the P2Ps for blame."

    Probably correct.

    --

    "That's not even wrong..." -- Wolfgang Pauli
  95. Your Rights Online? by Have+Blue · · Score: 1

    What rights exactly are being violated here? Sure, we want music to be cheaper, and raising its price may be a dumb idea, but that's entirely the sellers' decision. If they want to commit market suicide, they have every right to do that, regardless of how dumb a move it might be and how much we wouldn't like it.

  96. Makes sense I'm sure (to them) by smchris · · Score: 1

    THEM: They bought it when we said CDs cost more than LPs. Let's try it again!

    Reality: In the internet generation, we are awash in media. It should be cheap as electricity or some other commodity. Just supply and demand.

    Quite a painful gulf to bridge between those two perceptions.

    1. Re:Makes sense I'm sure (to them) by Reignking · · Score: 1

      Music is a commodity? That's quite an interesting perception...

      --
      One man's Funny is another man's Offtopic.
  97. Maybe by Turn-X+Alphonse · · Score: 1

    I'm guessing this is a plan. They make apple up the prices and then bring in their own store at the original prices and make double the profit (apples half). Wouldn't be the first time, won't be the last.

    --
    I like muppets.
  98. Keep the costs low... by sittingbull · · Score: 1

    I suggest that the music industry outsources the work to India/China and this way we Americans can enjoy low, low prices. I can't wait to hear music being sung with a Hindi or Chinese accent. Burp!

  99. Look at it this way by serutan · · Score: 4, Funny

    Think of the dupe as a remake of the original "classic" post.

    1. Re:Look at it this way by Wes+Janson · · Score: 1

      You're supposed to wait twenty years, let the retro fanbase grow, THEN remake the original "classic". Somewhere along the lines, /. editors mistook "years" for "minutes".

  100. -1 Dupe Bitcher by Sturm · · Score: 0

    Moderators need a new category:

    -1 Dupe Bitcher

    Damn, people. It is *their* site. They can post dupes all they want. If you don't have anything positive to say about what has been posted (or already posted in the first article) move along to the next article. Damn bunch of whiny-ass, Slashdot bashin' wankers.
    I've yet to see a dupe that didn't provoke good discussion in both posts and I've been reading Slashdot for quite a while.
    It is a discussion site, not a professional journal. Shaddup, already.

    1. Re:-1 Dupe Bitcher by Anita+Coney · · Score: 1

      I partially agree with you. It's a dupe. Who cares. Don't bitch about it. The complaints bug me more than the fact that it's a dupe.

      But on the other hand, the editors here are PAID to run this site. That's their job. Is it too much to ask them to actually read the site for content every so often?

      --
      If someone says he and his monkey have nothing to hide, they almost certainly do.
  101. Profit! by MP3Chuck · · Score: 1

    1) Sue people for pirating music, citing copious legit sources.
    2) Make said legal sources more expensive, "encouraging" people to pirate more frequently.
    3) Sue more people for piracy, citing copious legit sources.
    4) Profit!!

    I mean, c'mon ... what's easier? Putting out good music that people want to buy, or putting out "music" that adds to the population of songs for which the RIAA can sue people for downloading?

  102. iPods given away to sell music by Darth+Cow · · Score: 1

    My understanding is that the case is in fact the reverse of the statement by one "industry founder" in the article that "Our music is not something to be given away to sell iPods."

    In fact, Apple is lowering its price on iPods precisely with the intent of increasing sales on iTunes. That's how Apple makes money, not the other way around. The costs of distributing music online are obviously extremely low.

    To be sure, the affect goes both ways, but loads of money spent on legal downloads makes it easy to make iPods cheaper. If Apple raised prices on downloads, it wouldn't do much to discourage iPod buying--the iPod is still a very neat gadget and one of the most usable MP3 players--but it would certainly encourage more pirating of music.

    The music execs seem to have this all wrong.

    1. Re:iPods given away to sell music by porcupine8 · · Score: 1
      In fact, Apple is lowering its price on iPods precisely with the intent of increasing sales on iTunes. That's how Apple makes money, not the other way around. The costs of distributing music online are obviously extremely low.

      Eh? Everything I've read has said that iTMS is a loss leader to sell more iPods.

      200 million songs sold, Apple makes a few cents off of each in profit - say 5c a song pure profit (though the figures I've seen are less), that's $10million.

      Versus 10 million iPods sold (right there, you know that most iPod users don't even use iTMS, at least not very much) - if Apple makes more than a DOLLAR profit on each one, they've already exceeded their profit on iTMS.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    2. Re:iPods given away to sell music by Ahnteis · · Score: 1

      If that were true, why would Apple care that Real is/was selling files that could be played on an ipod? (No, mp3 is not an option for RIAA-owned music.)

      I'd guess Apple makes a lot more off ITMS then they imply.

    3. Re:iPods given away to sell music by porcupine8 · · Score: 1
      (No, mp3 is not an option for RIAA-owned music.)

      Well, unless you buy a CD and then rip it. Which is where the bulk of many mp3 collections come from.

      The article states that Apple pays a wholesale price of 65c on each 99c track. Now, let's pretend that the other 34c is pure Apple profit (which it's not, after R&D on iTMS, advertising, free songs via Pepsi, etc, but let's just pretend).

      That's still $68 million. Yes, it's a nice chunk of change. Enough for them to want people to go there and not Real. But again, if they're making just $7 profit per iPod they're still making more on the iPods. And somewhere it said recently that typical margins on iPods are more like 30-40%.

      The post I was replying to said In fact, Apple is lowering its price on iPods precisely with the intent of increasing sales on iTunes. That's how Apple makes money, not the other way around. - could you please show me some numbers showing that Apple makes its money on iTMS, NOT iPods? It's nice that you "guess" they do, but right now my data trumps your guess.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
  103. I have never BOUGHT an mp3 by grolschie · · Score: 1

    Simply because there is no iTunes client download for Windows 9x/ME or GNU/Linux.

    1. Re:I have never BOUGHT an mp3 by Anonymous Coward · · Score: 0

      Plus nobody sells MP3s, just DRMed rubbish.

  104. there are better deals to be had by cheezus · · Score: 1

    just not from the major labels... then again, having a big record contract doesn't make a band good, right?

    I just started my free trial (50 free downloads) at emusic.com . They have a pretty large catalog of indie stuff, and it's about $0.25/song (although the payment structure is odd - $10/mo for up to 40 downloads a month).
    Best of all, it's DRM free!

    It seems to me that all the major record labels offer is a distribution channel and promotion (ie - top 40 radio)... but the internet takes those advantages away.

    --
    /bin/fortune | slashdotsig.sh
  105. Re:Costs? - COST DOES NOT AFFECT PRICE!! by MindStalker · · Score: 1

    Your correct, I was more saying that personally I don't have an issue with a company being or abusing a monopoly unless its an essential service.

  106. The goal is to keep iTunes in check... by Anita+Coney · · Score: 1

    The music industry fears iTunes. Imagine a time in the future where the majority of people buy music online. And also imagine in that future that iTunes still dominates.

    If iTunes is the primary source of music, what stops Apple from signing artists directly and CUTTING OUT the music industry entirely?!

    I'm not talking about signing new artists. I'm talking about established artists that do not need the marketing services labels provide.

    The music industry has to keep iTunes in check. Because if it is too successful, the current music industry it toast.

    --
    If someone says he and his monkey have nothing to hide, they almost certainly do.
  107. Re:Costs? - COST DOES NOT AFFECT PRICE!! by Tony+Hoyle · · Score: 1

    You weren't listenening in economics 101...

    Only in a monopoly situation do cost and price become disconnected. In a competetative market the price will tend to fall towards the production cost (ocassionally below, which can (rarely) lead to price wars and subsequent mass bankcruptcy).

    For a monopoly of course you don't have to have the entire market tied up, just your little corner of it.. airlines for example were onto a good thing with their exclusive contracts for routes until the lowcost airlines figured out a way around it. I would argue that the RIAA have previously been in a monopoly position in their chosen market and this is challenged by cheap distribution and the market becoming global (hence the US/EU limits on iTunes - to try to stop the two markets competing against each other. The same was tried with DVD it basically failed.).

  108. full songs compared to ring tones. by PacketScan · · Score: 1

    I just read where they are saying they can raise mp3's because that would put them in line with ring tones at 1.99. Has anyone out there actually paid 2 dollars for a 15 second clip of the song? I know i sure ass HELL have not nor will I. So because we are getting ripped off for ring tones that makes it ok to do it for mp3's as well.
    Seriously...
    Something needs to change. and NOW!

  109. Not selling music "would mean nothing to them" by Rescate · · Score: 4, Interesting

    Wal-Mart Squeezing Record Labels to Cut CD Prices

    Posted by michael on Thursday October 14, @08:25AM
    from the win-win-situation dept.

    Raindance writes "RollingStone.com has a revealing article detailing how retail giant Wal-Mart is making loud noises about throwing its weight around in order to get significantly better bulk prices on CDs. Says one industry executive, 'This wasn't framed as a gentle negotiation, it's a line in the sand -- you don't do this, then the threat is [your product is dropped].' This is the first time a big player has attempted this sort of hardball move on the labels, and the labels may be forced to deal, as Wal-Mart sells 1 out of every 5 retail CDs. Monopoly one, meet monopoly two."


    Telling quote from the linked Rolling Stone article:

    Tensions are not as high now as they were last winter, but making sure Wal-Mart is happy remains one of the music industry's major priorities. That's because if Wal-Mart cut back on music, industry sales would suffer severely -- though Wal-Mart's shareholders would barely bat an eye. While Wal-Mart represents nearly twenty percent of major-label music sales, music represents only about two percent of Wal-Mart's total sales. "If they got out of selling music, it would mean nothing to them," says another label executive. "This keeps me awake at night."

    So, it seems as though Wal-Mart is playing chicken with the music labels, betting the labels will blink first. I would suppose if they can do this with physical media, they can do it with downloads as well.

  110. Headline Next Year: Consumers Spend Less on Music by WillAffleckUW · · Score: 1

    supply and demand, people, supply and demand.

    music just wants to pay artists, not labels.

    I buy my CDs at Tsunami Relief Benefit shows ... like Smoosh and PUSA.

    --
    -- Tigger warning: This post may contain tiggers! --
  111. /. needs an addition by Fortun+L'Escrot · · Score: 1

    we already have discussion threads, why not apply the same thought to stories. this takes care of dupes by grouping them together making topical discussion less of a headache. this would also have the side effect of grouping related stories into common threads helping the readership gain a greater understanding of the events.

  112. "Many in the music business fear Apple's clout" by Zhe+Mappel · · Score: 5, Interesting
    Good point. For Apple this is going to have serious immediate repercussions. From TFA:

    Many in the music business also expressed concern over Apple's growing clout. This stems from the fact that Apple's music store and player are not compatible with any others. One fear is that Apple will become too powerful if consumers continue to choose its digital music platform. Apple declined to comment.

    "One fear"? I'd say it's the main fear. The sticking point is not Apple's proprietary technology itself as much as how market share allows Apple to assert downward pressure on per-song pricing. The music biz wants to kneecap Apple. The goal is to force Apple to open the iPod/iTMS, distribute the platform's market share among any number of companies, and so get digital distribution fully under the music industry's thumb. Cartels like chattel, not coequals.

    The big question is: if Jobs refuses, will the labels start to defect from iTMS? Apple will have planned for this scenario and their response is going to be very interesting--it will tell us pointedly where the power truly lies.

    1. Re:"Many in the music business fear Apple's clout" by tsotha · · Score: 1
      Cartels like chattel, not coequals.

      Yeah, that's the key observation. The problem here is the music companies are pooling their clout in order to maintain control of the distribution of pre-recorded music. This is really no less slimy than what they used to do with mom-and-pop music stores - "guarantee us 99% of your shelf-space or we won't give you the "discount" we give everybody else". So either you don't do indie music or that's all you do.

      The big question is: if Jobs refuses, will the labels start to defect from iTMS? Apple will have planned for this scenario and their response is going to be very interesting--it will tell us pointedly where the power truly lies.

      I think Jobs has quite a bit more leverage than is apparent at first glance. If all his suppliers raise their prices at once they're likely to end up in court. In any event iTunes/iPod has reached critical mass, and you need bothe ends to make it work.

      Worst case - Apple could go into the music business, either directly or by buying up some smaller labels. Most of the money these days is in focus-grouped "product" bands anyway, and it's hard to believe Apple couldn't do that as will as existing players. They could even sell CDs at Apple stores. And I'm sure Walmart wouldn't mind stocking Apple music as lever against the RIAA.

  113. What if...? by Anonymous Coward · · Score: 0

    ..after bringing the mp3 prices up (thus bringing up the cost for sites like iTunes et al) they release their own service at a signifigantly lower cost in order to get a start up customer base... That's what I'd do if I was them..

  114. Duplicate stories by Danathar · · Score: 1

    It really makes me angry but it IS interesting! This whole itunes music broohaa just takes me back to the time when I was downloading music and had to pay REALLY high prices, It really makes me angry but it IS interesting! This whole itunes broohaa just takes me back to the time when I was downloading music and had to pay REALLY high prices, It really makes me angry but it IS interesting! This whole itunes broohaa just takes me back to the time when I was downloading music and had to pay REALLY high prices, It really makes me.......HELP....

  115. Re:Costs? - COST DOES NOT AFFECT PRICE!! by Macadamizer · · Score: 1

    "Your correct, I was more saying that personally I don't have an issue with a company being or abusing a monopoly unless its an essential service."

    Oh, sorry If I misread the intent of your earlier post.

    --

    "That's not even wrong..." -- Wolfgang Pauli
  116. Re:This isn't the answer by symbolic · · Score: 2, Insightful


    P2P doesn't work to solve the problem. It only antagonizes, and what's worse, it provides the with the rope that they have used to slowly hang us- in the form of ever-restrictive laws that govern copyright and fair use. If you disagree with the price increase, don't "share" the music. Do what you'd do with any other product - just leave it. Let the RIAA wallow in its own muck until someone finally has a lightbulb moment, and "gets it".

  117. Relatedly by Leonig+Mig · · Score: 1

    not a word.

    1. Re:Relatedly by Famanoran · · Score: 1

      I would beg to differ on that point. It may not be an 'offical' word in your Oxford English Dictionary, but it follows the same rules as 'belatedly'. And - English is not a dead language - it is allowed to evolve according to the rules of gramatical construction.

    2. Re:Relatedly by Leonig+Mig · · Score: 1

      crapful.

  118. +1 Ironic by Anonymous Coward · · Score: 0

    "This exact comment has already been posted. Try to be more original..."

    That's priceless.

  119. The dupe loophole theory by IntergalacticWalrus · · Score: 1

    My theory on duplicate articles: the slashdot admins think slashdot is so uninteresting because of all the dupes that they don't bother reading it. So they end up posting dupes, and the cycle continues. It's a catch-22, folks.

  120. Go ahead music labels, try and raise prices. by mekkab · · Score: 1

    See what happens. If the sheeples pony up the cash, then your IP was undervalued. BONUS TIME!

    If your labels profits are stagnant or start losing money then you need to do some back-pedaling.

    Free enterprise, baby. And this crap isn't a life or death commodity. So go ahead and test the waters; I'm still listening to Jazz from the 60's (and NO, you jerks, I will not buy a re-issue!)

    --
    In the future, I would want to not be isolated from my friends in the Space Station.
  121. Why do labels get away with this? by Anita+Coney · · Score: 1

    We never hear articles about Pepsi and Coke telling retailers to raise prices. We never hear articles that automobile manufacturers conspiring to raise wholesale prices. But the music industry always seems to act in unison. If there was real competition in the music industry, this sort of crap would never happen.

    --
    If someone says he and his monkey have nothing to hide, they almost certainly do.
  122. Exactly by SuperKendall · · Score: 1

    No music company is going to be so stupid as to marginalize themselves by irking WalMart. "Fine" WalMart might say, "Pull out of online sales? Fine by us, I guess we might as well stop selling all of your CD's in the stores as well".

    And if they can't raise the prices for WalMart online, then how are they going to get iTunes to go along?

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  123. they must have some F*cked up calculators by Some_Llama · · Score: 1

    They say they are losing 2.4 billion a year to piracy, thats about 200,000,000 CDs that aren't getting sold due to piracy? there are only 294 million americans in the US, if you narrow that down to the "market" demographics that means people are buying 10+CDs a year and stealing 4? That can't be right?

    Now they say that the prices for online music is too cheap? WHAAA?!?

    One CD = average 10-14 songs
    One song download = 99cents or more = $10-14 dollars for a full CD's worth of music...

    So RIGHT NOW, you are paying the same exact price as if you bought 14 songs on a CD in a store(but online you can actually get 14 songs that you like instead of 3 good songs and 11 filler...) so why are online downloads not expensive enough?

    Does the recording industry have no shame when it comes to pure greed?

  124. Music industry is already stuck by SuperKendall · · Score: 1

    Although the music industry might make a lot of noise, what are they going to do? The fact is that right now although they are not making a lot, iTunes is giving them a substantial revenue stream. I just don't see any major label leaving iTunes just to make a statement and give up tens of millions of dollars of juicy recurring revenue that takes almost no effort to obtain.

    Furthermore if any labels do decide to leave places like iTunes, I could see an artist backlash. Sure they are stuck in contracts but an unhappy artist can still makea lot of trouble for the studio and even stage a work "slow down" where they suddenly are not as productive.

    All a label can do at this point by pulling out of online distibution is further marginalize itself even faster than the rest of the industry. If you are a new artist looking for a label are you going to really consider a label that is not on iTunes if you have any options at all?

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
  125. literal ownership of music by sacrilicious · · Score: 1
    Remember, they own the music. Quite literaly in most cases.

    Even if we differ on whether intellectual property can or should be owned in a legal or moral framework, there is no such thing as "literally" owning music. Simply because there is no such thing as figuratively owning the music. (Same applies to objects.)

    --
    - First they ignore you, then they laugh at you, then ???, then profit.
  126. Obviously you've never made a mistake at your job by Anonymous Coward · · Score: 0
    Yes, we will not tolerate even the tiniest mistake! The site must be flawless in presentation and content!

    Take Harik, for example. He NEVER makes a mistake at his job. Like yesterday, when a customer ordered a Quarter Pounder w/ Cheese and he pressed the button for a Double Quarter Pounder w/ Cheese! But he read back the order to the customer and the customer corrected him. Phew! Glad he double checked that.

    Taco could learn some things from Harik. You're only allowed to make mistakes when you're doing things for fun. As soon as you start doing things for work, you need to become super human. It goes beyond mere ordinary responsibility and owning up to mistakes when you make them -- you're not allowed even one fuckup. Start living up to that!

    Hmm, but then you'll put trolls like Harik out of business. What's he supposed to do between shifts at McDonalds then?

  127. bullying -> anti-trust regulators by bugi · · Score: 1

    Eventually this bullying will get the attention of even US anti-trust regulators. Meanwhile we can watch them dig a deeper and deeper hole for themselves.

  128. What alot of ass by Logicdisorder · · Score: 1

    As we all know the RIAA is a lumbering dinosaur that uses a business model that has not been updated since back in the 80s. After having a read it seems to me that the labels are just been fucking greedy. All the stuff they have said about losing money to downloading has been shot down time after time. The only way I can see this changing is by us the buyers to start demanding things change by boycotting the labels and by the artists sign to indie labels were in the long run they will get a better deal, greater control of there music or by going direct to guys like Apple to produce and sell there music on the itunes store. Fuck all the other for the most part they use WMA and that is an ass audio format

    We are a captive market to these wankers and they will keep pushing us around until we flip them the bird and tell them to fuck off.

    Down with the RIAA and all is stands for.

    --
    "The most dangerous creation of any society is that man who has nothing to lose." - James Baldwin, American author
  129. Sssh! by Grendel+Drago · · Score: 1

    Ssh! Those kids subsidize everyone else. Well, their overindulgent parents do. Either way, it means cheaper stuff for me!

    --grendel drago

    --
    Laws do not persuade just because they threaten. --Seneca
  130. Quality. by Grendel+Drago · · Score: 0

    I personally won't buy lossy formats. I don't consider them good enough quality for what I listen to. (Classical)

    AllOfMP3.com offers a pretty good selection of classical, much of it lossless.

    Personally, I can't tell the frickin' difference, and am glad for it. Does anyone actually get enjoyment out of being able to detect the flaws in 320kbit AAC audio?

    --grendel drago

    --
    Laws do not persuade just because they threaten. --Seneca
  131. Next years music will sound... by 3nuff · · Score: 1

    distinctly like a cell phone ring tone becuase (according to TFA) cell ringtones are priced 15% higher than a music download. These companies are in the wrong business! If they want to lock customers in they should really look at the cell phone industry where they can really sock it to the consumer. Idiots!

    Could this be an indicator or the quality of music that these companies are forcing upon us?

    Then again...how many people out of the cell phone population are actually buying ring tones at $1.15 a pop (if you ad 15% to the $1.00 music track) compared to the music purchases of the population of music player owners?

    --
    "Give me taste, give me funk, give me fury, gimme some more."
  132. Re:Costs? - COST DOES NOT AFFECT PRICE!! by Anonymous Coward · · Score: 0

    Coke is a unique product, there is only one manufacturer, and Coke can charge whatever they want for Coke.

    Bad example. If Coke were five times as expensive as Pepsi, I suspect even brand loyalty would begin to buckle.

  133. Bit different with Walmart and music labels... by lxt · · Score: 1

    ...the logic will Walmart being able to do that, is if a supplier refuses to bow to a Walmart price cut, Walmart can simply find another supplier of the goods - the original supplier has no choice but to lower prices, or lose their contract.

    However, if all the major music labels were to demand a price raise, Walmart couldn't play the same card - they can't go "We'll just find another major record label", if they're all working in a cartel.

    Seems rather ironic that one dodgy business practice is beaten by another...

  134. Redundant -1 by WMNelis · · Score: 1

    So why can't we moderate an article Redundant?

    --

    Sig free since 2/6/2002
    1. Re:Redundant -1 by /dev/trash · · Score: 1

      Because this site runs Slash not Scoop.

  135. Maybe the Labels want to KILL digital distribution by micron · · Score: 1

    This makes complete sense, to them, and I am not trying to preach about conspiracy theorys.

    The labels depend on big acts and big hits to make up for losses from new ventures.

    With digital distribution, a large act such as Metallica, Pearl Jam, etc. could go into the studio in the morning, cut a track, and release it to the public for sale in a matter of hours. With their fan bases, they could make some serious money in a matter of hours at $0.99 a song.

    No holding on to the track in wait of a complete CD, and no help from the Label.

    Yes, the Label helped them have a large fan base, but it is no longer needed. The Label is now irrelevant.

    I think that the Labels are dumb enough, and arrogant enough, that they honestly believe that they can stuff this digital genie back into the bottle. Raising the prices would kill digital distribution, and they know it.

    Is this the last gasp of the dying Labels trying to delay their fate?

  136. Re:Costs? - COST DOES NOT AFFECT PRICE!! by Macadamizer · · Score: 1

    "Bad example. If Coke were five times as expensive as Pepsi, I suspect even brand loyalty would begin to buckle."

    That's not the point I was trying to make -- I was trying to point out that Coke is a monopoly, but because their product is unique, they can charge whatever they want for their product, and it is not anticompetitive behavior that would cause them to run afoul of antitrust laws.

    But you are right -- there may be market reasons why they can't charge whatever they want for Coke in reality -- but these reasons aren't because of antitrust regulations...

    --

    "That's not even wrong..." -- Wolfgang Pauli
  137. You left out... by Grendel+Drago · · Score: 1
    Walmart: Now shine my shoes, boy.
    --
    Laws do not persuade just because they threaten. --Seneca
  138. Compulsary licensing by coyote-san · · Score: 1

    I don't know the details, but apparently if I want to create a commercial mix disc (think "That's Music!" and the like) the copyright owners must grant a license for no more than a fee stipulated by law.

    The motivation is exactly what we're seeing with online markets (trying to kill the competition through predatory licensing fees), and the obvious solution is the same thing. E.g., anyone can obtain a redistribution license for no more than 10c/song/copy. The licensee can then set their own resale price.

    --
    For every complex problem there is an answer that is clear, simple, and wrong. -- H L Mencken
    1. Re:Compulsary licensing by Ironsides · · Score: 1

      E.g., anyone can obtain a redistribution license for no more than 10c/song/copy. The licensee can then set their own resale price.

      Can you provide a link or more information on this? Something tells me that if Apple could do this at 10c a copy they would. Especially since they are paying more than that now to the Recording Companies.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
  139. Re:Costs? - COST DOES NOT AFFECT PRICE!! by hackstraw · · Score: 1

    Of course and your absolutly right, except the part about selling something for pennies that cost dollars to make, noone would do this unless they are trying to liquidate their assets.

    Its not used much anymore, but it used to be a common marketing ploy called a loss leader.

  140. Econ 102: Entry and exit of firms by tepples · · Score: 1

    economics 101... please repeat after me: COST HAS NO BEARING ON PRICE!

    When costs go up, they may go up to a point where some firms can no longer make profit at a given price/quantity point. In that case, it leaves the market. Such an "exit" affects the supply curve for a given good or its substitutes, shifting it to the left (less quantity supplied for a given price, or higher prices for a given quantity). Under a constant demand curve, this causes prices to rise. In fact, rising costs can push the supply curve to the left even without an exit threat, and econ 102 covers that as well.

  141. Substitute products by tepples · · Score: 1

    The music industry IS a monopoly -- you can only buy the latest U2 CD from a single record label, and that label is free to charge whatever they want for their product. And there is nothing illegal about this. It's like Coke -- Coke is a unique product, there is only one manufacturer, and Coke can charge whatever they want for Coke.

    Both the record industry and the soft drink industry operate under monopolistic competition. However, how monopolistic the market is depends on the characteristics of the industry, specifically the availability of close substitutes. For example, there is a substitute for the U2 album How to Dismantle an Atomic Bomb, which is an album titled The Best of Diana Ross and the Supremes . <sarcasm>It even has the Supremes' cover of "Vertigo", titled "You Keep Me Hanging On".</sarcasm> However, the U2 and Supremes CDs are not nearly as close substitutes as Coca-Cola and Sam's Choice Cola, which is why an analyst would consider the competition in cola less monopolistic than the competition in recorded music.

  142. I thought I might as well get in on the dupe .... by dustpuppy · · Score: 1

    Posted by Zonk on 07:27 AM March 2nd, 2005
    from the they're-never-going-to-get-it dept.
    punxking writes "Some of the big music labels are now clamoring to raise prices for digital music downloads. From the article: 'Music industry executives said introductory wholesale prices for digital tracks had been set low to stimulate demand for online music sales but the success of Apple's music store had prompted concern that they may now be too low.'" Relatedly, the BBC is reporting that iTunes is under investigation in Britain for charging disparities between the UK and the European continent.

  143. Songs != recordings by tepples · · Score: 1

    I don't know the details, but apparently if I want to create a commercial mix disc (think "That's Music!" and the like) the copyright owners must grant a license for no more than a fee stipulated by law.

    This 8.5c/song royalty (payable to the publishers, who split it evenly with the songwriters) works only if you hire a cover band to record all the songs. For recordings, on the other hand, the labels are free to deny you a license at any price.

  144. Music may be a necessity by tepples · · Score: 1

    You say you oppose predatory monopolism only for essential goods and services. So how is music definitely not a necessity? The human mind needs some background stimulation to keep it sane, and recorded music is currently the cheapest known way to do that.

  145. What he means is by ScrewMaster · · Score: 1

    "Too low to provide us with maximum profit."

    --
    The higher the technology, the sharper that two-edged sword.
  146. Hip Hop Baby by commodoresloat · · Score: 1

    Check out LMF and MP4 before you diss Chinese pop. Yeah a lot of pop is cheesy but if you want to hear some great rapping in Cantonese (with terrific production and phat beats), Hong Kong is where it's at. (While you're at it, pick up something from the Korean band Drunken Tiger). Word! I mean, wai!

  147. Not all listeners have Internet access by tepples · · Score: 1

    The fact is, you can produce an album on your own and get it on iTMS

    Really? Without the business infrastructure of a label, how does an independent band organize royalty payments to the songwriters and publishers of the songs it records?

    use internet/viral marketing for your promotion

    A lot of genres, such as slow swing of the style played on standards stations such as WXKE-FM Fort Wayne, have fans who largely don't have a computer, let alone Internet access. Besides, the major labels have the advantage that they can afford to pay(ola) the commercial FM radio stations to play their recordings to the captive audience of people riding in motor vehicles or shopping for groceries.

  148. The only solution by commodoresloat · · Score: 1

    is to destroy the heart. I hear it's in the back, by the TVs.

  149. haiku by kn0tw0rk · · Score: 1

    While browsing slashdot
    stories pass before my eyes
    the same every day

    --
    See my art -> http://herbevore.deviantart.com
  150. Public domain? What's that? by tepples · · Score: 1

    Yes, in fact, some recordings are public domain

    Which pre-1923 recordings are you talking about? Or are you talking about recordings produced by the United States Government, which aren't "popular music" and are therefore borderline-offtopic?

    1. Re:Public domain? What's that? by nine-times · · Score: 1

      Technically, the government hasn't *taken* things into the public domain unless it's pre-1923. However, you can put your work into the public domain by granting a "license" for anyone to do whatever they want with it.

    2. Re:Public domain? What's that? by Omestes · · Score: 1

      And then there are bootlegs, public domain indie, publically released recordings, and the like. I don't understand what you mean by Government Produced, there are hundreds of gig of publically available (and legal) music out there.

      --
      A patriot must always be ready to defend his country against his government. -edward abbey
  151. dupe dupe dupe by Joey+Patterson · · Score: 0

    dupe dupe dupe
    they duped the URL (dupe dupe)
    they duped the URL (dupe dupe)
    they duped the URL...

    As I walk though
    Slashdot's world
    Nothing can stop
    These dupes of URLs...

    etc. etc.

  152. responsibility? by commodoresloat · · Score: 1
    The advertisers don't care how many dupes there are, as long as people keep coming to the site and presumably looking at the ads. As long as slashdot keeps getting hundreds of thousands of hits, the site is living up to its responsibility to the advertisers. As for the subscribers, that's a different issue, but the only thing they are paying for is to not see the ads (and to read the dupes a few minutes before the rest of us), so if slashdot loses subscribers as a result of dupes, that may mean even more people seeing the ads, which is even better for the advertisers.

    So, you see, this is all part of some clever strategy....

  153. Except for one little thing... by cosmic_0x526179 · · Score: 1

    everyone is comparing the cost of a CD to the cost of buying the same on iTMS. On iTMS you can buy just the tracks you want. So instead of getting maybe $6 revenue for the CD sale, they might be getting $2 or $3 for sale of just certain tracks. I can see this changing the whole dimensions of music distribution. Certain tracks might end up costing more than others. Artists might release tracks randomly and ignore the physical CD market.

    --
    This msg is brought to you by the letter 'W'.. for Worthless Wuss
    1. Re:Except for one little thing... by suckmysav · · Score: 1

      "everyone is comparing the cost of a CD to the cost of buying the same on iTMS. On iTMS you can buy just the tracks you want. So instead of getting maybe $6 revenue for the CD sale, they might be getting $2 or $3 for sale of just certain tracks. I can see this changing the whole dimensions of music distribution."

      Yes, all of a sudden artists are no longer able to get away with releasing a CD with three worthwhile tracks and bunch of filler crap.

      OMG, people only want to pay for the songs they like! The horror! The horror!

      --
      "You can't fight in here, this is the war room!"
    2. Re:Except for one little thing... by Skrybe · · Score: 1

      Well it makes sense to charge differently depending on the track. If you listen to prog rock you often find a single track running for anything up to 30 minutes. If you work on the flate $1 / track principle then it'd cost me a hell of a lot more to buy a punk CD (lots of 2 & 3 minutes tunes) compared to a prog CD (just a few long tunes).

      So realistically we should be paying by the number of minutes not the number of tracks.

      And that's before you even get to the subject of "premium" tracks -v- "cheapass" tracks. I see nothing wrong with the idea of having new music priced slightly higher and as it gets older/less popular the prices can be dropped. That'd spark a little more interest and promote further sales.

      I think if they do have multiple pricing levels (starting higher than $1) it'll soon show whether digital music sales are *really* viable.

    3. Re:Except for one little thing... by Dog135 · · Score: 1

      That's exactly what I've been thinking when I was redeeming pepsi caps on iTMS. It really should be $0.25 per minute, and maybe $0.30 per minute for the first month on new releases. (Since apple defines one song as 4 minutes in their ads)

      And don't round it off to the minute. A 30 second spot should only be $0.13.

      Because of the current $0.99 per song pricing, I always look for the longest songs that I like. Usually around 8 minutes each. There are other songs I like, but since some of them are around 2.5 minutes long, it's not as good a value.

      --
      "That's so plausible, I can't believe it!" - Leela
  154. Sure, diamond miners are doomed, but... by tepples · · Score: 1

    The music industry is less than 100 years old. Their need is gone, yet believe it or not music will survive without them.

    Or will it? As long as the incumbent music publishers hold copyrights on almost every possible melody, this will still create a chilling effect against production of music outside of the license-pooling in-group called the "music industry".

    Just like diamonds are a new facet of love, love predated the need to pay "2 months salary" for a love rock, and love will keep going after the diamond industry.

    Damn right. The diamond mining industry has about until the 2020s, when Apollo Diamond's patents on chemical vapor deposition will begin to expire, and competition will drive down the price of diamond to compete with cubic zirconia. However, unlike patents on diamond production, copyrights on popular music don't expire.

    1. Re:Sure, diamond miners are doomed, but... by Anonymous Coward · · Score: 0

      Wrong. I know many who write and play music without any ties whatsoever to the record industry.

    2. Re:Sure, diamond miners are doomed, but... by tepples · · Score: 1

      AC: If you know people who have written music without ties to the music publishing industry (which is separate from the record industry, even if some music publishers and record labels share parent companies), then what techniques do they use to make sure that they do not subconsciously infringe a copyright?

  155. IMHO Online music prices are too high already. by Mantus · · Score: 1

    At roughly $1 per song (except at allofmp3.com or course) that translates to $12-$15 per album (services may offer discounts for full album purchases but I'm not aware of them), with all sorts of DRM. Now some may argue that if you buy a CD you don't 'own' the CD, you merely own a license but you still have the right to sell it, you can listen to it on any CD player as opposed to just the computer you used to download it and maybe a digital audio player, you can easily and legally make backup copies (only for your own purposes) and you can rip it to your HDD in a lossless format if so desired instead of being stuck with a 128k mp3/aac (or whatever iTunes is offering). You have a nicely printed CD jacket sometimes with intersting band info or lyrics.
    I think the most I would pay for a downloaded song is about $.25

  156. Greatest common good. by Urd · · Score: 1

    These guys obviously never heard of the greatest common good principle in economics. It's the point where profits are maxed out. It's also the point where you are cheap enough to make everybody afford the product and when production costs are at it's lowest. (ok, over simplified)

    If I were a music business shareholder I'd be seriously concerned, about this fundamental lack of understanding of economic priciple!

  157. you can't fight obsolescence by mosb1000 · · Score: 1

    If you business is obsolete, there's not much you can do about it except change your business. Anything these companies do to stop legal online distribution will not be enough to save them. The music industry needs to find a way to reinvent themselves in a way they are still useful and relevant if they want to survive.

    One of the big things they do is market research. They could easily continue to invent and popularize new artists. Also, the can sell their marketing services to existing artists. They could develop a standard for online distribution and sell their music online. It is a mistake for them to refuse to adopt online distribution. Trying to force physical distribution is just going to push them into obsolescence. Things change.

  158. As if.. by blowg0ats · · Score: 0

    .. $0.99 per track for compressed audio sans jewel case, liner notes, and physical media isn't already a raw deal compared to a 16 track CD for $12.99.

  159. Real simple equation for me by jht · · Score: 1

    If the price goes up on iTunes, I'll go back to illegal downloads. Simple. Right now, I buy 3-4 CDs per year, and another 5 or so albums via iTunes (counting singles as part of that). I buy all my singles via iTunes. Before iTunes, if I wanted a single but not the rest of the crap on an album, I simply found it on Limewire. If necessary, I'll return there.

    But since the iTMS went on-line, I haven't downloaded anything that wasn't paid for. That's revenue that the labels wouldn't have gotten from me any other way.

    Multiply that attitude times a couple of million, and we're talking about a serious hurting to be placed on the recording industry if they refuse to Get It.

    --
    -- Josh Turiel
    "2. Do not eat iPod Shuffle."
  160. Isn't this illegal? by mikeg22 · · Score: 1

    IANAL but isn't this an attempt at price fixing?

  161. Re:Bit different Walmart and music labels. is it? by Anonymous Coward · · Score: 0

    I think you are missing the point here. Wal-mart sells 20% of all CDs in the US. If they were to stop selling music one can assume the record company would take around a 10% hit as those who go looking for CD's would mearly go someplace else, but those who browse are wal-mart and pick up a cd cause it is 9.99 will be a lost sale to the industry.

    To walmart however CD sales account only for 2% of thier sales. If they stop selling CD's they can use the space for something else and make up most of the loss, whatever is in walmart will sell, to them it is no big deal.

    They have the abilty to tell in the labels sell it to us at this price, or don't sell it to us at all. Both companies lose, but the record companies lose much bigger. Walmart doesn't need to find another supplier, CD's arn't an intregal part of their business, to the music labels CD's are their whole business.

  162. Ancient advice by Jerf · · Score: 1

    Remember, Slashdot, thou art mortal.

  163. holy dupes!! by Anonymous Coward · · Score: 0

    its a conspiracy i tell you. against all the itunes loving shovanistic (chauvanistic? dunno, sounded good.) sheep herding p2p hating cowards that roam the itms because its kewl. /me runs to shareaza

  164. No way. by erkdaap · · Score: 1

    I wouldn't pay 45 cents for an MP3. If they want to get my dollar+, they better start offering uncompressed audio tracks. Until then, I'll download mp3's for free and buy the CDs that I want.

  165. Toenail Fungus. by emjoi_gently · · Score: 1

    I just want to point out that putting an ad about rotten toenails at the top of your article, which includes an an animation of the nail being ripped off the toe, really discourages readers from sticking around.

  166. irony by tsheriffk · · Score: 1

    Posted by Zonk on Tuesday March 01, @02:27PM from the they're-never-going-to-get-it dept.
    anyone else find this ironic?

  167. "introductory WHOLEsale prices for digital tracks" by Anonymous Coward · · Score: 0

    Introductory wholesale prices for digital tracks?
    Give me a break...
    A typical CD has 10-14 songs and cost about 15 dollars.
    With a download you don't get the disc, the cover, etc. - what kind of "wholesale" price are they talking about?
    They must be talking about "WHOLE sale", before digital, when customers had to buy the WHOLE CD, even if they actually wanted only a song or two.
    The "WHOLE sale" era is over. Get a grip.

  168. Apple doesn't make a dime on iTMS... by weedenbc · · Score: 1
    Of the $0.99 charged for each song, approximately $0.70 goes to the label. Apple said in an article shortly after the iTMS launch that its costs of hosting and distribution were around $0.30 and that is basically was making zero profit on all iTMS downloads.

    So basically right now the music labels are making 100% profit on the iTMS sales and think that the prices need to go up. Why? Because they feel that the online music business is taking away from their CD sales.

    Think about that for a second. There are two modes of thought. One, they are making 100% profit on a revenue stream and want to make MORE money on it because its taking away from their other revenue stream.

    Two, they feel that online music sales are so good that they are priced below what the market would support and thus in their mind are losing money since they could be charging more.

    Either way, this is just another example of both the greed and the ignorance of the music labels when it comes to the new marketplace.

    --

    "Trying is only the first step towards failure." - Homer
    1. Re:Apple doesn't make a dime on iTMS... by shark72 · · Score: 1

      I think the key phrase is "Apple said in an article shortly after the iTMS launch." Lots of Internet ventures take a while to recoup launch costs and hit the point where they start making money.

      More to the point, Piper Jaffray has said that they expect the iTMS operating margin to hit 5% - 10% in 2006.

      If 5% - 10% doesn't seem very high, keep in mind that Vivendi Universal ended last year with an operating margin of about negative three percent, and a common meme on Slashdot is that record companies have "obscene profit margins."

      --
      Sitting in my day care, the art is decopainted.
  169. In other words - REALLY in other words by AtariAmarok · · Score: 1
    "I don't come here for variety, I come here for redundancy!"

    Myself? Never arrive here I do in seeking of diversity. However, in search of repetition doth I arrive.

    --
    Don't blame Durga. I voted for Centauri.
  170. an essay on the topic by Anonymous Coward · · Score: 0

    Just found this in my RSS feed, some might find it interesting and/or cool.

    http://russ.innereyes.com/2005/03/music-is-more-ex pensive-now/

  171. Thus spake the huddled masses by way2trivial · · Score: 1

    baaaaa!

    --
    every day http://en.wikipedia.org/wiki/Special:Random
  172. The pie is mine!! MINE ALL MINE! by Anonymous Coward · · Score: 0

    MY SLICE OF THE PIE!!!

    damn it

    "not enough"

    yeah, it's really offensive that these poor downtrodden record execs will only be able to snort coke off hookers once a week if they don't get yet more money.

  173. Music publishers by tepples · · Score: 1

    And then there are bootlegs

    Threatenable by music publishers who own the rights to underlying musical works.

    public domain indie, publically released recordings, and the like.

    Even if recordings are published under an extremely permissive license such as CC Attribution, that doesn't mean that the songwriters are getting their fair share.

    I don't understand what you mean by Government Produced

    Works of the US government go into public domain upon publication.

  174. Straight from the horse's mouth by Anonymous Coward · · Score: 0
    Taco said in the an IRC chat "whatever" when someone asked about duplicate posts.

    Given past behavior by these guys, I would not be surprised if they deliberately posted dupes just to rile people up, and then sat back and giggled about it.

    Whatever happens, they definitely aren't going to answer you. You heard 'em: "whatever".

  175. *Cough* by Anonymous Coward · · Score: 0

    And Yet, You Still Post Here.

    Irony, Thy Name Is Bonch. Unless It's Thursday, When It's Rd_Syringe. Or Sunday, When It's Overly Critical Guy.

  176. Dupe posts by Anonymous Coward · · Score: 0

    It's a shame that all these dupe posts are getting modded down. It's about time the Slashdot editors actually see what a mess Slashdot has become. They seem to post a dupe every day now. Please, stop modding those posts down. This duplicate posting must stop.

  177. Burn in H3|| by tedgyz · · Score: 1

    These music bastards are so silly. Let's nip this legal music business in the bud before it flourishes.

    The music labels can burn in h3|| before I start paying more. I hope Jobs can beat them into submission.

    --
    "No matter where you go, there you are." -- Buckaroo Banzai
  178. That makes sense by halcyon1234 · · Score: 1
    Because high music prices are the exact feature that's appealing about CD-based music. I'm so glad they're finally bringing that feature to the online versions.

    You know, everytime I rant about the RIAA, my friends say "Oh, they're not really that stupid. I'm sure they have reasons for their business choices."

    Yeah. Right.

  179. Re:Costs? - COST DOES NOT AFFECT PRICE!! by suckmysav · · Score: 1

    No, a loss leader is entirely different to product dumping.

    Loss leaders are (still) used by supermarket chains to get you in the door. All those ads you see for half price margarine at Safeway are intended to get you to go to Safeway and presumably buy the rest of your groceries at the same time, at regular prices. They are trying to "lead" you to their store.

    Dumping is when you sell your goods at below cost to wipe out your smaller regional competitors.

    For example, in Australia there are two main liquor chains and a bunch of small independants.

    When one of the dominant brands wants to open a new store in a particular suburb they will scout the area to see where the local competitors are. Having established that much they will then monitor the prices of the competitor stores and price their entire range at a point lowest than the independant locals. The prices they set are quite lower than what their other stores (in the same chain) charges for the same products. Eventually the independant local loses all its clientel, closes their doors at which point the chain liquor store returns their prices to parity with the rest of their stores.

    It is unethical, immoral and illegal but they seem to get away with it amyway.

    --
    "You can't fight in here, this is the war room!"
  180. Re:Maybe the Labels want to KILL digital distribut by Anonymous Coward · · Score: 0

    "Large act" performers could make their "singles" available for any price they want to.

    Unless the large label has an exclusive contract with large act performer, that would not allow any third party digital distribution diviation.

    In this case you won't see any time soon any large act performer making quick money on the side behind the back of large label.

    Large label is large for several reasons, including playing the law in perfect tune.

    It's really a catch22. Hardly anyone gets big act without big label, regardless of the new digital distribution forms. The best sellers 99 cent songs are all sung by big label signed big acts.

    Sure, you might be able to find equally good small act tracks, but you never heard them on FM, never seen them on MTV, and you have no idea which ones are they among the 2 million new no name acts no name tracks.

    Your time is more expensive than listening them. So eventually you are going to buy the big label big act that you are familiar with.

    That's the real power of big label - untill some software can find you those new small act, no label songs, which match best your taste, as described by big label big act tracks.

    Any takers to write this software?

    Just a random idea.

  181. because higher prices = more customers, right? by ALpaca2500 · · Score: 1

    i'm sorry. $1 for a digital music file that has any sort of DRM is too much for me to pay. i've bought a few dozen songs on itunes, most of them as full albums, but after a year, i hardly think it was worth it. I would much rather pay $11.99 for an actualy CD, which i can rip to mp3 on my own. or even $9.99 (or $8.88 on mp3tunes) for an album in plain old mp3 format. which i have done on many occasions.

    and i would also like to be able to buy a song, or an album, once, and only once, and be able to listen to it whenever i want. not *oh that's not licensed for phones, you have to pay again* and *you want to burn that to a cd? or gasp put it on a portable music player? the cost of the song didn't include any of those uses. are you crazy?*

  182. People buying music online?!? by localman · · Score: 1

    Online music sales are up? We can't have that! Quick! We must jack up the price until we force a black market!

    These people are such tools.

  183. Slightly OT by localman · · Score: 1

    Am I the only one in the world who has had regular problems with the iTunes DRM? My wife and I have accounts. I have a mac and a PC, she has two macs. This _should_ be no problem, but over and over there are authorization troubles. I can't play song X, she can't play song Y, or it won't go on the iPod or...

    Anyone else have these problems? I'm just about to swear off the whole iTunes thing :/ And it was seeming so promising.

    I think a lot of people are going to get annoyed over the next couple years when they switch computers or whatever and lose some or all of thier music collection.

    And jesus, I could've downloaded the songs without DRM for free. I paid for this hassle. I guess now that I've paid for them I can go do that without guilt?

    Cheers.

  184. Excuse me? by deemaunik · · Score: 1

    Did I hear that right? A buck a track is too low a price? Que? If I pay a buck a track, it's around 15 bucks for a full length CD. Hmm. And a full length CD costs me around $10-15 depending on where I buy it. So, let me get this straight. They make the same, if not more money for me simply Downloading the fucking file, no publication, no transportation of media [Or purchase/reselling of media for that matter], no burning of CD's, no inserts, jewel cases, or sticky fingers [Aside from OMFGWTFBBQILLEGAL downloads.] ... and they're not charging enough? Frankly, I don't see how they came to that state. They're getting the better deal here. We pay more money, track per track, for being able to single out what songs we want, we pay for our media, we pay for our hardware, and they get stuck with a 3MB snippit of bandwidth usage and dealing with the artist. Somehow I feel I missed a memo or something.

  185. Will That Be... by http101 · · Score: 1

    ...cash, credit, debit, blood, or next of kin? We can give you 10% off your next purchase if you sign up for our hourly newsletter. You'll receive it in your email with a pre-billing for your next order.

    --
    -- Game Developers: Stop porting badly-textured games from crappy console systems!
  186. price vs good songs by Dog135 · · Score: 1

    $4 per cd, 2 good songs: $2 per song you're willing to listen to.

    I buy all my classical music on CD from the used book store for that reason, since it's $10 a CD from Apple. But for other songs, I rarely find 4 songs on a CD worth buying.

    --
    "That's so plausible, I can't believe it!" - Leela
    1. Re:price vs good songs by crazyphilman · · Score: 1

      Well, the trick is to choose carefully. If you know what you're looking for, you can generally get CDs you're very happy with -- and I don't mean getting only two songs per CD that you like. Here's a good example: most Nirvana CDs are good all the way through. The Supreme Beings of Leisure CD I bought was excellent. If there are only two good songs on a CD I don't bother with it.

      After all, sooner or later, they'll end up on a "greatest hits" CD and I'll get ALL the good songs a band produced in one package. Right?

      --
      Farewell! It's been a fine buncha years!