Slashdot Mirror


Apple Holding Back the Music Business?

conq writes "With average weekly download as of Nov. 27 sales down 0.44% vs. the third quart, BusinessWeek speculates that Apple might in fact be holding back the music industry." From the article: "As has been true since the start, iPod owners mostly fill up their players from their own CD collections or swipe tunes from file-sharing sites. Now legal downloads may be losing their luster. According to Nielsen SoundScan, average weekly download sales as of Nov. 27 fell 0.44% vs. the third quarter. Says independent media analyst Richard Greenfield: 'We're not seeing the kind of dramatic growth we should given the surge in sales of iPods and other MP3 players.'"

705 comments

  1. No by Christianfreak · · Score: 1

    And if you don't know why, search this site for "RIAA"

    1. Re:No by FyRE666 · · Score: 1

      Actually make that "DRM". Having your music crippled and locked to X computers unless you burn to CD then rip back to MP3 is annoying. I didn't realise that tracks bought via iTunes can't be shared via iTunes (we use sharing a lot in our offices). I'm not burning CDs for people, and if I were, this restriction wouldn't prevent that, it just annoys me!

    2. Re:No by mikeswi · · Score: 1

      Exactly. Without a doubt, the idea that Apple is holding back the music industry is the DUMBEST theory I've ever heard.

      Why aren't the asshats selling it elsewhere online if they're not satisfied with Apple and iTunes? Why are they surprised online sales are slumping, when they refuse to sell it anywhere else?

      When the only alternative to iTunes is to buy a spyware-infested CD, the uninstaller for which allows any web site anywhere to install even more malicious software, I'm surprised these idiots haven't bankrupted themselves. Why aren't the shareholders at their front door with torches and pitchforks?

    3. Re:No by el_womble · · Score: 2, Insightful

      It worked then. You would have infringed copyright had iTunes allowed you to share. They allow a work around that is both time consuming and annoying, but not difficult, and you refuse to break copyright. Sounds like pretty succesful system.

      When it comes to DRM - don't make it hard, people like a challenge, make it boring.

      --
      Scared of flying, pointy things snce 1979!
    4. Re:No by Christianfreak · · Score: 1

      And who kicked and screamed until DRM was added?

      The RIAA of course.

  2. What am I supposed to do?!!! by Thud457 · · Score: 5, Funny

    My Ipod's full, I can't buy any more music!

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    1. Re:What am I supposed to do?!!! by hunterx11 · · Score: 0, Flamebait

      I think troll tuesday is supposed to be a little more subtle than that, you motherfucker.

      --
      English is easier said than done.
    2. Re:What am I supposed to do?!!! by Saeed+al-Sahaf · · Score: 1

      Sorry...

      --
      "Who are in control, they are not in control of anything - they don't even control themselves!" - Glen Beck
    3. Re:What am I supposed to do?!!! by gijoel · · Score: 1

      Buy another iPod, you commie!!!

      Don't you know we have to consume or die!

  3. Absolutely Correct by whargoul · · Score: 2, Interesting

    I use my own CD collection - NOT illegal downloads

    1. Re:Absolutely Correct by op12 · · Score: 2, Insightful

      I use my own CD collection - NOT illegal downloads

      The article mentions this too....how does that hold back the music industry? They're still making money (and probably more per song than through Apple) on people buying CD's.

    2. Re:Absolutely Correct by Golias · · Score: 5, Insightful

      This is a case of unreasonable expectations.

      When CD's came out, the vast majority of music lovers replaced the albums they already owned with new CD's.

      I seriously think that there are music execs out there who were hoping that a new format (downloaded music) would mean that we would all want to buy our entire music collections all over again, in spite of the fact that the power is in our own hands to convert files this time.

      Consequently, the back-catalog sales are absolute shit compared to what the early days of CD's were like. Lots of people are using iTMS to buy songs from Fountains of Wayne, Death Cab for Cutie, and/or the latest pop princesses, but nobody's re-buying the old Pink Floyd albums they already own in another format, and that's what's driving them nuts.

      Why, we even have the audacity to BACK UP our media files, so we no longer need to buy a new copy every few years because of loss, damage, or wear. It's KILLING their sales numbers.

      --

      Information wants to be anthropomorphized.

    3. Re:Absolutely Correct by Anonymous Coward · · Score: 5, Insightful

      I am the same way and for a very practical reason: the quality (sound quality) of digital downloads is inferior to that of a CD. If Apple were to offer high quality downloads (using the Apple lossless format for example) I would start buying downloads even if the per song price were over $1. Maybe they could offer the "standard" 128k AAC files for $1 and the "audiophile" Apple Lossless files for $1.50 or even $2.00. For a lossy compressed format, ~200kbit VBR MP3 is the minimum I will accept. (I encode my own CDs using LAME preset standard and that seems to average out around 200k.)

      Also, they need to come up with a solution to the "segue" problem. Many albums are mixed such that one track segues smoothly into the next. You get this when you buy the CD. When you buy digital downloads you get hiccups (gaps) between the tracks. Kludges like a crossfade in the MP3 player are not acceptable. I want the exact segue as mixed on the original CD!

      There are two pieces to fixing this: the files themselves need tags indicating that a segue exists into the next track from the album and, for compressed audio formats, there needs to be a tag indicating any "gap" (coding delay or frame padding) at the beginning and end of the file such that the MP3 player can strip this off during playback. (The LAME encoder does this and so you get gapless playback on an enabled player eg Foobar2000.) The other item the tags should contain is a recommended fadein and fadeout to use when a track is not played among the other tracks of that album. That way you dont get abrupt cutoffs when playing songs in shuffle.

      Did I mention I still buy music on CD? Lots of it too!

    4. Re:Absolutely Correct by Ucklak · · Score: 5, Insightful
      The article mentions this too....how does that hold back the music industry? They're still making money (and probably more per song than through Apple) on people buying CD's.

      Because those greedy bastards want a nickel EVERY TIME YOU HEAR THE SONG

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    5. Re:Absolutely Correct by ericdano · · Score: 1
      Yes, agreed. Why do they keep reissuing "enhanced" CDs of old recordings? To me, they don't always sound great. I have like 3 or 4 versions of Miles Davis and Coltrane CDs in my collection. Why do I need another version? I also have GOLD discs of Pink Floyd I bought in the 90s. Why do I need another version?

      Perhaps if the industry produced better albums, I'd buy more.....As it is right now, I buy maybe 3 albums every couple of months.....and I usually buy USED, not new.

      --
      It's either on the beat or off the beat, it's that easy.
      I moderate therefore I rule!
      --
    6. Re:Absolutely Correct by Chyeburashka · · Score: 2, Informative
      nobody's re-buying the old Pink Floyd albums they already own in another format

      I don't know how many years it's been since my last copy of "Dark Side of the Moon" was either liberated by a roommate or just otherwise lost, but I bought that album from the ITMS just last night, along with some vintage Elvis. Before that, I bought some Miles Davis, Van Cliburn's Rachmaninoff Preludes, and the Fleetwood Mac Rumours album for what must be the seventh or eighth time in the past 30 years.

      I owned my 30G iPod Photo for about six months, loading my 200 CD's onto it first before tapping the local public library's collection.

      I only recently began buying from the ITMS, and I've probably spent $200 so far, buying old familiar but long lost albums, along with some new stuff.

      My elderly father really likes the Dragnet episodes, which are quite unintentionally funny. And my daughter loves the Pixar Shorts. You've really got to take a look at the Birds and the one with the dancing lamb. Those are easily worth the $1.99.

      So, if my buying habits are reflected by very many folks, Apple is in no way holding back anything.

    7. Re:Absolutely Correct by Prospero's+Grue · · Score: 4, Insightful
      I seriously think that there are music execs out there who were hoping that a new format (downloaded music) would mean that we would all want to buy our entire music collections all over again, in spite of the fact that the power is in our own hands to convert files this time.

      The music industry insists that we all should buy our music collections all over again. It's legal to copy the CDs for your own use - just as it's legal to copy DVDs for your own use.

      That's why the laws to make it illegal to break encryption - it was a way around consumer rights. You can rip DVDs for your own use, but you can't break encryption, and the movies are encrypted.

      This nonsense of attempting to DRM CDs is just the music industry trying to play catch-up. Trust me, I've ripped my 200+ CD collection, and the music industry would have me pay for every single song a second time.

      --
      The opinion above is fiction. Any similarity to real opinions, including facts and logic, is purely coincidental.
    8. Re:Absolutely Correct by c0n0 · · Score: 1

      me too. It's all my own CDs, the ones where I burned the stuff I got from kaz..ERRR....the music store! yeah, that's it.

    9. Re:Absolutely Correct by Hognoxious · · Score: 1

      I wish I had mod points, I'd give them to you just because you can spell "segue".

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    10. Re:Absolutely Correct by Jonny_eh · · Score: 0

      Copying DVDs (assuming you mean store bought movie DVDs) is illegal in the Land of the Free thanks to the DMCA. You're breaking a copyright protection technology to make the backup.

    11. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      Poeple are not buying ipods for new music, they buy it for porteble music.

    12. Re:Absolutely Correct by Anonymous Coward · · Score: 1, Informative

      It is legal if you make a direct copy, making a copy of the unencrypted content, as you stated, is illegal.

    13. Re:Absolutely Correct by forgoil · · Score: 2, Insightful

      Preferably at all other times as well. When are they going to realise that the single biggest reason why people aren't spending more money on music is the fact that a handful of music stars and music industry bosses already have taken all the money. People just don't want to spend that kind of money on music anymore, and why should they? It has never been cheaper to copy music, and in fact, that is what people are doing. They are willing to pay the hardware price, but no longer the software price.

    14. Re:Absolutely Correct by MooUK · · Score: 1

      Not quite right.

      They want as much money as they can possibly get out of your every time the song is played. Even if you're only listening to the radio.

    15. Re:Absolutely Correct by Mo+Bedda · · Score: 1

      IANAL, but I can't see how this can be so. The encryption on movies prevents you from producing unlicensed players or unencrypted versions, but does not prevent you from copying the bits. You don't need to circumvent anything to read the disc. I would think that simple backups would be covered by fair use. Storing images on an Internet attached device would probably even pass, though sharing them certainly wouldn't. There seems to be a healthy market in hardware and software specifically for DVD movie back-up.

    16. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      You know iPods and iTunes have "play count" built in.

      Someone needs to find out if Apple gathers the data via iTunes...

      That would be a nasty headline.

    17. Re:Absolutely Correct by MBGMorden · · Score: 1

      Not all DVD's use CSS encryption (not even store bought ones). Most of your "adult" titles certainly don't come with any copy protection. These can be copied for a backup without any fear of breaking the DMCA.

      --
      "People who think they know everything are very annoying to those of us who do."-Mark Twain
    18. Re:Absolutely Correct by the_bard17 · · Score: 1

      Makes me wonder about the legality of recording online radio. Nobody seems to be making a fuss about this... I can record (via streamripper or the like) and edit the tags manually. Usually requires some cleaning up, but it works.

      As far as I know, there's no way they can stop this.

      Supposing they shut down all the 'net radio, I could always pick up a high definition radio (my local country radio station just went HD), and run a cord from a headphone jack into the line-in on my soundcard, manually snipping the tracks & entering in the tag info. A lot of effort, really, but it's worth it in my opinion. I've heard complaints about the sound quality degradation, too... Considering I don't mind the quality of most of my 128Kb/s MP3s (supposedly comparable to the final results of copying from the line-in), I'll be happy with the results

    19. Re:Absolutely Correct by nwbvt · · Score: 1
      Take for instance the subscription model of music distribution mentioned by the article. Many see it as what will soon be seen as the best way to get music online, and for good reason. I signed up with Yahoo a few weeks ago and so far I have downloaded what on iTunes would cost well over %500, all for a fraction of the price I pay the cable company each month. And yes, I get to put it all on my portable mp3 player. Even if I stay with them for the next 4 years and never download another song, I will still have saved money compared to iTunes.

      Currently it would cost hundreds of dollars to fill up even a small music player at $.99 a song. No one is going to be able to rely on iTunes for more than just purchasing a few one hit wonders. In contrast, subscription services like Yahoo or Napster can be used to build up huge music collections from scratch (not all of us have a garage full of old CDs). Apple's decision to stick with iTunes and only iTunes for the iPod is thus holding back the music industry from moving to a model that can make significant use of the Internet.

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
    20. Re:Absolutely Correct by Anonymous Coward · · Score: 1, Insightful

      You'll spend $2/track for lossless encodings? I'd pay $1 for lossless encoding, since then I'm obtaining a similar value between the typical CD and purchasing online. I won't, however, pay twice as much for a CD to obtain lossless encodings.

    21. Re:Absolutely Correct by rfunches · · Score: 1

      While it probably wasn't hugely scientific, Maximum PC in their January 2006 issue asked four people, ranging from the average joe to the audiophile, to listen to their favourite song and the favourite songs of the three other people at two encoding rates and uncompressed WAV (I don't recall the higher rate -- probably 320kbps -- but the lowest was a 192kbps VBR MP3). Some could pick out the differences, but for the most part, they couldn't tell. So, based on the "study," if Apple could shoot for 192kbps they'd satisfy most people's complaints about quality.

    22. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      Yes, I would. I collect two kinds of music: "serious" music and "pop" music. For the "serious" category (primarily "jazz" and other forms of instrumental music) I almost always want the entire recording and I am more than happy to pay the $15 or so to get that recording on a piece of plastic. (In fact, I probably have no choice. Can I buy the new Robert Rich CD "Lithosphere" on iTunes? How about something more obscure like CBLs Hydroponic Garden? Or an out of print jazz title, say, Michael Formanek's Wide Open Spaces? I haven't looked recently but my guess is...probably not. And even if I could there is this lossless encoding and proper segue issue. Electronic music in particular suffers greatly without solving this.)

      For the pop/rock category there are exceptional titles where I want the entire recording. (Same deal, I buy the CD.) Then there are those one (or two or three) hit wonders where I only want those few good songs. Right now I end up buying the whole recording. If I could buy those 2 or 3 tracks for $2 each, that's still a very good deal. I fully expect that if lossless digital downloads were offered that they discount the entire recording ($15 / same as the CD because it IS the same as the CD) or let you pick and choose few tracks at $2 each. That model is perfectly fine with me.

      There are some people who look at the track list on a CD and if there isn't 70+ minutes of music on it, they wont buy it. (I have actually heard people say this...that they felt ripped off because some CD they bought wasn't a full 73 minutes. WTF?) I certainly don't think music should be composed to fit the medium. If a complete symphony as the composer intended is 42 minutes long, well, the recording should be 42 minutes! There shouldn't be a bunch of out takes and remixes and whatever tacked onto the end to fill up the rest of a CD. (Though some people do like that stuff.)

    23. Re:Absolutely Correct by Yartrebo · · Score: 1

      To make bit for bit copies, you need very expensive DVD presses or specialty-made (and patent infringing) DVD blanks and burners, as the DVD-R format does not allow for storing an encryption key.

      That, along with compacting the DVD to 4.3GiB to fit on 1 diskette, is why ordinary people (but not mass scale bootleggers) break the encryption.

    24. Re:Absolutely Correct by timeOday · · Score: 1
      "audiophile" Apple Lossless files for $1.50 or even $2.00.
      That's crazy. I would never pay $24 for 1 CD worth of music.

      They're already charging just as much for AAC as for CDDA, so they really have nowhere to go.

    25. Re:Absolutely Correct by caddisfly · · Score: 1
      right on, I know I can hear the diff at 200+ kbit rate in my 335K mile truck....

      ...and apparently you and the other 6 people in the world who can hear the diff in a double-blind test aren't buying enough CDs...it needs to be "lots, lots, lots, and lots" because CD sales are dying.

      ...and it ain't Apple's fault. Sorry, your "demographic" is a bump on a gnats rear in the overall scheme of the CD sales and music downloads, so give it up. You are not going to make or break this industry

    26. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      I don't claim to be an "audiophile" but 192kbps VBR is about where the threshold is for me. If I set the MP3 encoder in iTunes to 192kbps VBR at highest quality I occasionally hear coding artifacts on some material. I have been experimenting with the LAME preset standard (this is also VBR and seems to average around 200ish kbps) and so far I don't hear any of the artifacts I am used to but I am not completely sure that it sounds better. I have also tried setting LAME to do ABR of 208kbps with minimum of 96 and maximum of 256. To me, this actually seems to sound better than using the preset standard VBR. In the past I have also used the Fraunhofer encoder in high quality CBR at 256kbps and not had a problem with that. So the sweet spot (for me) does seems to be somewhere in the range of 192 to 256k for MP3.

      I don't know AAC well enough other than to say I have heard some of the 128kbps tracks sold on the iTMS and those sound rather flat and lifeless to me. I couldn't pick out obvious artifacts but there was something missing that I cannot quite describe. (My experience was in hearing music a friend had purchased on iTMS where I own and am familiar with the same music as purchased on CD. He has the same model of speakers so I think my observation is valid.)

      I have also listened to 128k and even 160k WMA and I know that this sounds noticeably worse than AAC. The compression artifacts in WMA are every bit as obvious to me as those that I hear in lower bitrate MP3 files. (That is, MP3 files under 192kbps.)

      Also, I am just as concerned about the segue or "gapless play" issue as I am the occasional compression artifact. The fact that the LAME encoder (and Foobar2000 player) can do this properly is part of what has motivated me to find settings that produce consistently good sounding MP3 files from this combo. As I mentioned above, I seem to be having good luck with ABR 208 capped at 96 and 256.

      I have even been thinking about writing a custom MP3 player app to run on my Powerbook in order to get proper gapless play going on there as well. (Foobar2000 is Windows only and I do run that on my Win2k box.) As far as I know there is no equivalent for OS X. iTunes and the iPod certainly do not handle gapless play at all. It would be a good excuse to fool around with CoreAudio and maybe the MAD decoding engine.

    27. Re:Absolutely Correct by Kadin2048 · · Score: 1

      Except that they could go higher than CDDA. Significantly higher, assuming that they have access to the master tapes made during mastering -- which are probably at a much higher bitrate than 44.1k/16bit.

      MP3 is capable of delivering better sound quality than CD, if you use really high bitrates and provide it with appropriate source material. Of course it rarely ever does, and in most cases people don't care enough about quality to even give it a high enough rate to come near uncompressed 44.1/16, but that doesn't mean that the format isn't capable of it.

      I remember reading that the iPod (an older version anyway) maxes out at 16 bits at 48kHz, although it has the decoding power to do higher definition stuff. In fact I bet the newer versions could probably have enough processing power to do DSD-type formats like SACD used.

      It probably won't happen for a long time though, because there's limited consumer demand (however it is there, and it's not as much of a niche market as you'd think) coupled with an unwillingness by the music companies to sell high-def audio recordings that aren't horribly encumbered by DRM, which drives away potential customers and helps further the first problem.

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    28. Re:Absolutely Correct by timeOday · · Score: 1

      I think you've already cited the relevant counterexample, SACD. Nobody seems to want it. I've never seen any evidence that a person can even tell the difference, let alone under realistic circumstances.

    29. Re:Absolutely Correct by TheoMurpse · · Score: 1

      loading my 200 CD's onto it first before tapping the local public library's collection. ...
      So, if my buying habits are reflected by very many folks, Apple is in no way holding back anything.

      Well, most people do commit copyright infringement. You're doing the same by copying CDs from your local library. I posit that your habits are reflected by many folks!

    30. Re:Absolutely Correct by HuguesT · · Score: 1

      Questions (couldn't find the answers on Yahoo) :

      - What happens when your subscribtion ends ? Can you still listen to your huge collection or does it expire ?
      - The choice on yahoo music does not appear to be great. I listen to classical music, I found a grand total of one (1) J.S. Bach album. It appears that I would then need to subscribe to multiple services to cater to my tastes. Would I still be saving money then ?

    31. Re:Absolutely Correct by nwbvt · · Score: 1
      "- What happens when your subscribtion ends ? Can you still listen to your huge collection or does it expire ?"

      Can you still watch your favorite TV channels after your cable subscription ends? No, that is the point of a subscription. You continue to recieve the service as long as you pay it. If you purchased any songs outright (at $.20 cheaper than the iTunes price if you are a member) you can keep those, everything else expires.

      "- The choice on yahoo music does not appear to be great. I listen to classical music, I found a grand total of one (1) J.S. Bach album. It appears that I would then need to subscribe to multiple services to cater to my tastes. Would I still be saving money then ?"

      Their selection (along with those of napster and rhapsody) is in the same ballpark as iTunes, in the range of 1-1.5 million songs. So yes, you may have to use multiple services if a single choice doesn't have everything you want (though you only have to subscribe to the one that has the most music you want and use the $1 a download system offered by most of these to fill it out). However, if you are going with the iPod/iTunes model, if your only choice (iTunes) doesn't have everything you want, you are pretty much screwed.

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
    32. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      > "I am the same way and for a very practical reason: the quality (sound quality) of digital downloads is inferior to that of a CD."

      I agree, and also - I'm able to encode from a CD into any (non-DRM) format I choose, and play it anywhere I want. Burning iTMS tracks to a CD and then re-ripping is not an option I'll consider, because the already reduced quality audio will be reduced in quality even further by transcoding.

      No way will I pay $1 per track for such a disadvantaged medium/product. ...(I rarely pay over $12 for a CD)

      ~ another AC

    33. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      To get me to replace an album I already own with another copy at this point, the quality would have to improve significantely. When records went to tapes, people paid for convenience. When tapes went to CDs, people paid for quality. When CDs went to MP3s, people didn't pay because the quality didn't improve, and because they had the ability to keep the integrity in a more convenient format. If downloadable MP3s were in 5.1 surround DTS or Dolby Digital or something, and people could distinguish a marked improvement in what they were listening to, people would re-purchase the same music again. Until then, CDs and MP3s work just fine for me.

    34. Re:Absolutely Correct by toddestan · · Score: 1

      You do realize that even a 192kbps VBR MP3 is of considerably better quality than what what you find on iTunes, or most other music stores for that matter?

    35. Re:Absolutely Correct by nwbvt · · Score: 1
      BTW, one thing one looking for classical music online to remember, music sites geared towards popular music are usually going to have an interface that allows you to search by Artist, song, album, etc. This is the case with Yahoo, and as far as I know with other services such as iTunes, Napster, and Rhapsody. That is often not that useful when looking for classical music as there you are often going to be primarily concerned with the composer, not the group that performs the piece. To get around that, you can just search for a particular piece as the song or collection of works as the album. For instance if you are still interested in listening to Bach on Yahoo, I searched for "Air on a G String" and found dozens of versions of that very song. A search for Brandenburg concertos returned a number of results as well.

      You can certainly try to complain to the customer service departments of these services and ask for a composer search as well, though it may be hard to convince them as the market for classical music isn't that great (not to imply that no one listens to it, but you can find plenty of copies of classical music for a low price or even for free (after all, Bach's copyrights have since expired). Though those may not exactly be very good copies...

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
    36. Re:Absolutely Correct by HuguesT · · Score: 1

      Thanks for the answers, I have other questions/remarks :

      - How does the service/song expire ? Presumably you can upload the songs to a WMV player. Do those keep playing forever as long as you don't sync ? In other words can you keep a selection somewhere that you want to play for a long time without necessarily purchasing the songs and endlessly paying for the subscription?

      - If you subscribe to your favourite cable channel, you can still tape the shows and keep them forever if you so wish.

      - I like to purchase whole albums. Itunes is great for that. As yahoo requires a CC# for me to sample the system, I can't find out if albums are available, is that the case ?

      - thanks for the tip.

      Best.

    37. Re:Absolutely Correct by nwbvt · · Score: 1
      " - How does the service/song expire ? Presumably you can upload the songs to a WMV player. Do those keep playing forever as long as you don't sync ? In other words can you keep a selection somewhere that you want to play for a long time without necessarily purchasing the songs and endlessly paying for the subscription?"

      I'm actually not sure. I've heard that they won't, though I've also heard that digital music players need to have internal clocks in order to work with DRM music, which implies that they will (although a little tinkering with the local time setting seems like it would solve that problem). Of course they are not intended to be listened to after the subscription expires, as that is how Yahoo/Napster/Real are making their income.

      " - If you subscribe to your favourite cable channel, you can still tape the shows and keep them forever if you so wish."

      Ok, so the analogy isn't perfect. Recording TV shows is defined as a legal activity for the purposes of timeshifting, which isn't an issue with music services. Though there probably are ways to get around it by recoding out of your computer, its just not neccessarily within the bounds of the service agreement. I'd guess it would be like recording DVDs you rent from the video store.

      " - I like to purchase whole albums. Itunes is great for that. As yahoo requires a CC# for me to sample the system, I can't find out if albums are available, is that the case ?"

      You should be able to download the client for free and use it to browse the system, you just will only get to sample 30 seconds of each song. I know I didn't give them my credit card when I downloaded it (though they already had an old expired card number for me when I subscribed to a service of theirs a long time ago).

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
    38. Re:Absolutely Correct by Anonymous Coward · · Score: 0

      You bought Dark Side of the Moon from iTMS???? Sorry to say it, but you are a complete idiot. Do you realize that those files come with gaps in between tracks, and you CANNOT play it without those gaps??

      iTMS is great and all - I've bought about 6 or 7 albums from it - but it is pure STUPIDITY to use it for anything with seamless audio between tracks. One reason I haven't bought more is that I simply won't take any chances with this. Live albums and classical recordings are simply not acceptable from iTMS unless you like that little stutter between every track. If there's even a small chance that a studio album has any seamless transition, I won't buy it from iTMS. DSotM is nothing but that!

      Really, iTunes Store is only good for buying out of print albums that even Amazon doesn't have. I've gotten a few nice finds that way, and keeping hoping they add a bunch more old stuff, as keeping inventory around costs practically nothing. All they need is one copy for the initial import.

      But until they solve the fucking gap problem, iTMS will not replace good old CDs for anyone who loves music.

  4. Could it possibly be because of... by Ionizer7 · · Score: 1

    everyone buying Christmas gifts for others? I know that iTunes has a "give a gift" feature, but I don't think this is the main way of giving music as a gift.

    1. Re:Could it possibly be because of... by shotfeel · · Score: 1

      That's what I was wondering, and from TFA,

      A source close to the Cupertino (Calif.) company says sales of iTunes gift cards are "off the charts," so downloads should surge after Christmas.

  5. Silly by lewp · · Score: 5, Insightful

    Oh no! Downloads are down less than 1% since the third quarter!

    Seriously, it's right before Christmas, as the article points out. Nobody's going nuts buying music because they're spending all their money on presents and other holiday shit. Apple says they're selling a crapload of gift cards, and I believe them, given that everything iPod seems to fly off the shelves, virtual or otherwise. Regardless, since you no longer have to buy the physical media songs come on, there's no reason to buy them when you're doing your normal Christmas shopping, so sales very well *should* be down.

    iPod sales are nuts, as usual, but that doesn't mean that music has to be selling, either. How many people you know, out of those who have bought iPods recently, are buying their first one? I'm sure a large portion of whatever iPods they're selling are peoples' second or third such devices. They're not going to be re-buying songs just because they got a new player, at least for now...

    All this amounts to is another chance for the music services that lost (and it was pretty much over before they even got started) to bash Apple in a futile attempt to gain some traction. It's pointless, though. There's no buzz about Napster or Rhapsody, it's all iPod, iPod, iPod, for better or worse.

    --
    Game... blouses.
    1. Re:Silly by Morgahastu · · Score: 1

      0.44% percent might not seem like much but the point the article is making is that how many millions of iPods have been sold since last year and iTunes sales have only gone DOWN. They should have gone up at the same rate as iPod sales.

    2. Re:Silly by yog · · Score: 4, Insightful

      Agreed, this article is a little off the mark. Apple is a pioneer in this field and inevitable there are going to be some shifts as the industry adjusts itself. Certainly it makes more sense to sell some tunes for different prices, just as movies tend to sell for more at first and then end up in the discount bin when they're old hat.

      I think by demonstrating that it's possible to be a profitable "middle man" in the online music business, Apple has in fact saved the tushies of the music companies by offering an alternative to napster-like music trading systems. This exemplary system can be emulated by the music companies, if they so wish and assuming they have the intellect and vision, or they can go through Apple or Real or whoever else jumps in (Microsoft, probably).

      The iPod would not have succeeded if Apple had tied it strictly to their iTunes database and disallowed any other formats. The secret of success for any great product is its power to do one thing really well and flexibly, emphasis on the latter. They had to let people rip CDs to their iPods, and of course that will lead to trading and avoiding paying for tunes, but it also allowed the iPod to revolutionize the "walkman" generation's listening habits.

      Business Week is a pretty astute publication but this is clearly a case of short term-ism getting in the way of seeing what a revolutionary product the iPod really is--and now they're doing it again with videos. Should be interesting to see where they go with this. I think iPod may eventually absorb the cell phone and handheld organizer and we'll see excellent high capacity, wifi/cell-enabled personal bliss bars in everyone's shirt pocket in a few years.

      --
      it's = "it is"; its = possessive. E.g., it's flapping its wings.
    3. Re:Silly by SillySnake · · Score: 1

      Lets not forget of course the recent Sony DRM problems. I'd imagine most consumers just hear DRM BAAAD!! AVOID DRM!! From their techie friends, the news media, and whoever else.. When they realize that the ITMS songs are DRM'd, they avoid them too..
      Or at least one half of one percent of people think that way..

    4. Re:Silly by slughead · · Score: 1

      Seriously, it's right before Christmas, as the article points out. Nobody's going nuts buying music because they're spending all their money on presents and other holiday shit.

      It makes you wonder if the figures included iTMS gift certificates.

      As for piracy.. well people could also say that the VCR hurt television sponsors, the question is "what do you do about it?"

      IIRC (was not very old when it happened), everyone fought VCRs back in the day, and lost. Even if it did hurt TV ad sales back then, no-one can doubt that TV has gone on to be a much more lucrative enterprise, in spite of VCRs.

      I'm not one of those who thinks music piracy increases sales, I actually think that's a bunch of crap, but I don't think it hurts sales nearly as much as they say it does. I remember at least 3/5 of the big five were charged with price fixing the same year as napster was big, and then they complained of low sales. Nowadays I think sales have more to do with the natural waxing and waining of the market.

      I also think the storing of music on hard drives has lead to fewer sales due to physical media theft/damage (your CDs getting stolen out of your car, or your CD getting scratched for instance) disappearing. Imagine how many tens of thousands of CD players are stolen out of cars every year, along with possibly hundreds of thousands of CDs.. at $15/piece, that could mean millions, and now, because of iPods, people have a backup of their collection on their computers and don't need to buy the CDs again. I know all the CDs in my car are mixed and burned; if someone steals them I wont be buying more music because of it.

      The music industry is not now, nor has it ever been dying. It's just scaling back a bit due to various reasons, and piracy is undoubtedly a part, albeit overstated.

    5. Re:Silly by dim5 · · Score: 3, Interesting
      iTunes sales have only gone DOWN. They should have gone up at the same rate as iPod sales.
      Here's an interesting statistic. 100% of the people I know that have bought the new 5G iPod already own at least one earlier generation iPod. Apple is starting to get into the business of selling upgrades to existing fanboys. If someone hasn't taken the bait yet on an apple PMP, it's getting less likely that they ever will.

      If Apple convinces all the 3G iPod owners in the world to upgrade to a 5G iPod, iPod sales will skyrocket, but it will still have 0 impact on the rate at which they buy music from ITMS.

      --

      Is something burning?
      Oh, it's my karma.

    6. Re:Silly by maraist · · Score: 3, Interesting

      Except that iPod Photo is to iTune download like Hard drive is to MS Windows license.

      MS would like to think that they can tax hard drives (and in many cases have done so successfully).. But the idea is that the HD is more versitile.

      iPod photo does pod-casts, and videos.. There are cheap products which legally let you rip DVDs and put them on your iPod.

      60G iPod is a GREAT USB drive, since unlike my book-bag, I almost always have my iPod w/ me (and trust me, I have a bookbag w/ me almost everywhere).

      The concept of anti-correlated economic goods is always an interesting topic. People making more money means LESS people shop at walmart or buy potatoes. Here, making a more versitle iPod means less people use their trade store.

      Personally I was shocked when iPod made the photo.. They swore up and down that they were only going to make AAC-based products.. And frustratingly I understood why. No radio, no games, no PDA.. These all distract from the big money maker focus. My wife, for example, got a blackberry.. You know what she does on it all day long? Play solitaire.. No phone calls, no PDA PIM data. Just solitaire. Same concept.

      That being said, I'm sure Q1-06 will be a high revenue period for the music industry when all those gift cards are cashed in.

      The only real question here is whether Apple makes money on the iPod or not. Often device makers sell their hardware at a discount so they can entice people into the lucrative long-term software titles (console games is the most prevalent here). If Apple is only breaking even w/ iPod sales, then this is truely bad news for them.. Otherwise, go suck it music industry.

      --
      -Michael
    7. Re:Silly by Khomar · · Score: 1, Redundant
      Seriously, it's right before Christmas, as the article points out. Nobody's going nuts buying music because they're spending all their money on presents and other holiday [stuff]

      You hit an important point here. Music sales are down (slightly) this quarter, but what will happen in the next quarter? I can see a lot of iPods being purchased for Christmas presents for kids, friends, etc. Most parents probably don't know what songs to buy for their kids, so why not wait until they get the gift, go on-line with them, and order songs from iTunes (and others). As you pointed out, people are spending money on other things, but when all of these new gifts arrive, people are going to be looking for music to fill them with.

      If first quarter 2006 comes and goes with a decline in music downloads, then they can talk. I predict (no, I am not a prophet so don't stone me if I am wrong!) that the music industry will find their "big" quarter has moved from the historical norm -- not pre-Christmas but post.

      --

      I believe in de-evolution. God made the world perfect, man fell, and its been going downhill ever since!

    8. Re:Silly by digidave · · Score: 1

      "how many millions of iPods have been sold since last year and iTunes sales have only gone DOWN."

      No, iTunes sales have only gone down from the third quarter of this year to so far in the fourth quarter. Year over year they are up.

      --
      The global economy is a great thing until you feel it locally.
    9. Re:Silly by Jak+Crow · · Score: 1

      .44% is a statistical margin of error.

    10. Re:Silly by lightningrod220 · · Score: 1

      You're right about people not re-buying music for their 2nd or 3rd iPod... I've seen a few people go through iPods like candy.... especially people who already have more music than will fit in an iPod!

    11. Re:Silly by Bloke+down+the+pub · · Score: 1
      I'm sure Q1-06 will be a high revenue period for the music industry when all those gift cards are cashed in
      Want to think about that agin? Hint: draw "T" accounts for the three points in time.
      --
      It's true I tell you, feller at work's next door neighbour read it in the paper.
    12. Re:Silly by iMac+Were · · Score: 0
      I think iPod may eventually absorb the cell phone and handheld organizer and we'll see excellent high capacity, wifi/cell-enabled personal bliss bars in everyone's shirt pocket in a few years.
      s /bliss bars/butt plugs/
      s/shirt pocket/asshole/
      --
      You thought my name meant what? How very dare you!
    13. Re:Silly by OwnedByTwoCats · · Score: 1

      My wife is getting an iPod for Christmas. I estimated the number of CDs in the house. Money is tight. 30GB? 60GB? Money is tight. Count the CDs. 60 GB. That will hold everything, plus a little bit left over if she gets hooked on the video.

    14. Re:Silly by drinkypoo · · Score: 1

      When iTMS sells a gift card, apple makes money. When someone uses their iTMS gift card, the music industry makes money. See how that works?

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    15. Re:Silly by bjohnson · · Score: 1

      No, iTunes sales have only gone down in ONE WEEK of this quarter compared to the AVERAGE of the last quarter.

      And that one week included Thanksgiving...how many people buy music sitting in an airport or on the road in a snowstorm?

    16. Re:Silly by Bloke+down+the+pub · · Score: 1
      When iTMS sells a gift card
      Nice sidestep. You wrote gift card, not "some special type of gift card". A gift card, like from HMV, Virgin or whatever, is merely a prepayment. Or you can consider it as a credit note. The retailer gets the money when someone buys the card. When that card is "cashed in" as you put it, that's not revenue for the music indistry - that will only happen when the retailer orders more stock. In fact revenue for the music industry won't happen at all if the card is spent on (say) video games.
      --
      It's true I tell you, feller at work's next door neighbour read it in the paper.
    17. Re:Silly by drinkypoo · · Score: 1
      Nice sidestep. WE'RE TALKING ABOUT THE iTMS HERE. You should be able to see that much at the top of your browser window. You know, the title bar of the window, where you can see the HTML TITLE? Yeah. Or, you know, you could have read the story submission. Let alone the FA.

      I know how ordinary gift cards work. We sell them here, where I work. However, that is irrelevant, because the whole discussion is about the iTMS.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    18. Re:Silly by shinma · · Score: 1

      That's not actually a statistic, that's an anecdote.

      I can pretty much guarantee that you don't know a large enough sample of people for your data to be of much use to anyone.

      --
      Shinma
    19. Re:Silly by arminw · · Score: 1

      .....If Apple is only breaking even w/ iPod sales.....

      All I have ever heard is that Apple is making fat profits from ipod sales and the record companies take most of the money from iTunes, leaving Apple with little more than expenses.

      --
      All theory is gray
    20. Re:Silly by Wellspring · · Score: 1

      Apple's holding back the music industry by resisting song-specific pricing, keeping prices low, and promoting small independent labels at the expense of marketing driven hit machines.

      In other words, if by "holding back the music business" you mean improving customer satisfaction, increasing efficency and reshaping the industry, then yeah that's exactly what they're doing. In the process, they're making crazy profits, opening new markets for themselves, and marginalizing the former market champions.

      I know I'm not complaining.

    21. Re:Silly by Reaperducer · · Score: 1

      Oh no! Downloads are down less than 1% since the third quarter! Seriously, it's right before Christmas, as the article points out.

      This brings up an interesting point. Some people (like me) are giving lots of friends and business associates iTunes gift cards this Christmas. Will the sales of these songs not count until next quarter? I know my wife hasn't bought anything from iTunes in the last couple of months because she thinks she's going to get a great big iTunes card for Christmas.

      She's wrong, of course. But that's another story.

      --
      -- I'm old enough to have lived through six different meanings of the word "hacker."
    22. Re:Silly by Anonymous Coward · · Score: 0

      haha... bitchslaped

      you dumb piece of shit

    23. Re:Silly by adpowers · · Score: 1

      Not necessarily. I saw a few key people using Macs years ago and that is when I realized that Macs and OS X were going to take off. I saw some 'high-power' nerds using iBooks, which meant they could attract the power user market, and I knew older extended family members that used it, which means they could attract the non-tech savvy users. When I heard rumors of the music store (and $.99 for a song), I put my money where my mouth was and purchased stock. The point is, watching certain members of the population can be a good way to predict trends.

    24. Re:Silly by scrote-ma-hote · · Score: 1
      Bollocks. Someone once commented on here "the plural of anecdote is not data", and I think that needs to be like a site motto around here.

      Anyway, I know three or four good friends, including myself, who have just got 5G iPods as their first one. That's not supposed to be hard data, just a counterpoint to your claim.

    25. Re:Silly by Have+Blue · · Score: 2

      Apple is making huge profits off the iPod (still dwarfed by their computer arm, though). The music store has been making small profits, but since they consider the store a feature of iTunes its performance as a business unit is less important.

  6. Surge of sales... by Anonymous Coward · · Score: 0

    could that be...hmm...for Christmas/Hanukkah gifts? nah...

  7. Not that bad... by rwven · · Score: 5, Insightful

    Well, 0.44% is not too much to whine about (less than half of one percent?) It could be that maybe a lot of popular *new* music didn't come out during that time compared to the quarter before.

    Not to mention a lot of the MP3 player sales they're basing their estimates on could have been bought as Christmas presents.

    I think they just WANTED a big growth in sales and things just don't always work out that way. They should compare things year to year, not quarter to quarter...

    That's my $0.02

    1. Re:Not that bad... by Amouth · · Score: 1

      come on keep posting.. you will need 97 more to bet a song :)

      --
      '...if only "Jumping to a Conclusion" was an event in the Olympics.'
    2. Re:Not that bad... by slashname3 · · Score: 4, Insightful

      You hit the major points in your post. It is the Christmas season and a few people are spending on other things than music or are to busy to buy more music. And a good percentage of those iPod purchases are probably Christmas gifts (or should I say Holiday gifts, is the word Christmas allowed anymore?).

      This smacks of another jab from the music industry trying to cry about how they are all going to go out of business because people can download songs for a dollar. The sad part is some congress critter out there that gets huge amounts of money under the table from the recording industry will use this to launch some legislation that will impose unrealistic and unenforcable laws on everyone.

    3. Re:Not that bad... by mordors9 · · Score: 1

      You have to do the new math. You take the projection as your baseline. So if they had projected growth of 5%, the results were -.44%, they actually lost 5.44%. It may sound stupid but that is the way Big Bidness often looks at it.

    4. Re:Not that bad... by Boing · · Score: 1, Offtopic

      or should I say Holiday gifts, is the word Christmas allowed anymore?

      Are you a school administrator who's gotten in trouble for pressuring kids to celebrate the birth of another religion's deity? No? Then have you ever experienced a situation where someone told you not to use the word "Christmas" during the Christmas season? Seriously, I'm not just being snarky, I'm actually curious.

      If not, please don't fuel the fake "war on Christmas" flamewar that only serves to demonize disestablishmentarians. We're not trying to steal Christmas from any of the Whos in Whoville. We promise.

      Watches his karma go up in smoke...

    5. Re:Not that bad... by Anonymous Coward · · Score: 1, Insightful
      The sad part is some congress critter out there that gets huge amounts of money under the table from the recording industry will use this to launch some legislation that will impose unrealistic and unenforcable laws on everyone.

      Two things: First, that cash isn't "under the table", it's a "campaign contribution"; second, the legislation being launched by the congress critter was written by the industry in the first place. Can't buy a better law than one you wrote yourself.

    6. Re:Not that bad... by jaydonnell · · Score: 1

      I buy all my music from itms and have been for a while. I don't buy too much anymore because I already have most of what I want from itms and new stuff that is "good" doesn't come out that often. They could get a lot more sales if they put up the types of things I download from bt. Live versions, remixes, etc. They have to break the album model of thinking and release niche songs often. They've done a little of this, but not nearly enough.

    7. Re:Not that bad... by Kuvter · · Score: 0

      That's my $0.02

      Only 97 more and you could buy a song for your i-pod.

      --
      "To be is to do." --Socrates
      "To do is to be." -- Aristotle
      "Do-Be-Do-Be-Do..." --Sinatra
    8. Re:Not that bad... by Anonymous Coward · · Score: 0

      That may be how you think "Big Bidness" often looks at it, but that's not how it is. Maybe that's how daytrading investors think, but that's about it.

      The baseline is the previous year's quarter or the previous quarter.

      -h-

    9. Re:Not that bad... by Anonymous Coward · · Score: 0

      is the word Christmas allowed anymore?

      I think using the word Christmas is OK, but only in the proper non-religious context, such as:

      1. Merry Christmas! Buy your girlfriend a nice diamond to celebrate!
      2. Don't forget about our Christmas specials!
      3. Retail sales are up this Christmas!
      4. Ho ho ho, Santa is going to bring some nice gifts for Christmas, like an XBOX 360!

      In no way, and for no reason should you say it to celebrate anything unrelated to retail, such as:

      1. Merry Christmas, Peace on Earth & Good Will to All Men!
      2. Merry Christmas to you and Baby Jesus, King of the Jews!
      3. Merry Christmas, may God bless you and your domestic partner!

    10. Re:Not that bad... by iainl · · Score: 1

      I'd be surprised if it only sucks 0.44% more than last quarter, actually.

      In the UK at least (I don't know the US market that well, so someone might have to correct me), all you can expect to see on the shelves in the last quarter for the most part are compilation albums from bands looking for a quick cash-in with present sales. Compilation albums are royally wrecked in the iTMS setup, though, because you can buy the individual tracks you like at any time after the albums they were originally on get added.

      Also, despite some advertising, people would rather give actual hardcopy CDs to each other as presents than just iTMS vouchers. People have been buying CDs to give for Christmas, but you don't buy tracks from iTMS in November to give as a present in December because that isn't how the system is designed.

      --
      "I Know You Are But What Am I?"
    11. Re:Not that bad... by ubrayj02 · · Score: 1

      I just want to say that peddling your agenda to politicians is not "under the table". It's got floodlights pointed on the practice - it's just that no one really pays attention.

      I went to see "Memoirs of a Geisha" last night at Sony Pictures Entertainment Group's headquarters in Culver City, CA. It is a reportable gift, but it is definitely not "under the table". It's freakin' out in the open, right in your face.

      I've seen Sony and Universal reps hand out free CD's and DVD to politicians and their staff at their events like it was going out of style. You'd be surprised how much that kind of cheap crap can get you. Every time I put that Flaming Lips CD on, I think of the lobbyist who gave it to me.

      What this sort of political gift giving really is, is off the radar. No one reports on these very publicly reported gifts as much as they could. Maybe it's the money involved in hiring an investigative journalist, or paying a stringer versus chasing ambulances. Maybe it is a big conspiracy. The news industry just doesn't care. They have other low hanging fruit they can use to attract eyeballs, I guess.

  8. A saturated market. by AltGrendel · · Score: 2, Insightful
    I would suspect that people have enough of what they want to hear.

    For now.
    That's all.

    --
    The simple truth is that interstellar distances will not fit into the human imagination

    - Douglas Adams

    1. Re:A saturated market. by Mundocani · · Score: 1

      I agree, my iPod is full and now that I've bought most of the music I already know and love I'm left with the rare gems in a sea of garbage to seek out and buy. My music spending is way down, but since I don't download "free" music I can assure the RIAA that it isn't because I'm finding it elsewhere, it's simply because I'm not finding what I want.

  9. Is the music industry run by monkeys? by Anonymous Coward · · Score: 3, Funny

    I am sure sales will pick up as soon as Apple starts charging "market price" for the music per the wishes of the music industry. :/

  10. wait.... by jollyroger1210 · · Score: 1

    Has Apple ever held back anything?? Also, if they know that there are illegal file-sahring websites and programs, why don't they work harder toshut them down?

    --
    Purple, because ice cream has no bones.
  11. 0.44%? by SpcAgentOrange · · Score: 1, Insightful

    Is that like, less than 1/2 of 1 percent? Hell, that's a rounding error. Imagine that in the runup to [insert winter holiday of your choosing] people are buying less individual music, and more big-ticket items. K

    --
    I'm a signature virus. Please copy me to your signature so I can replicate.
  12. You're kidding, right? by daeley · · Score: 4, Informative

    The second "critic" expert they decided to ask said this:

    "The villain in the story is the iPod. You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple. People are bored with that."

    Who was this expert?

    None other than Chris Gorog, CEO of Napster Inc.

    Yeah, Chris, people are *real* bored. And by people, you mean you and your cronies, and by bored, you mean not making enough money for your tastes.

    I would expect more out of BusinessWeek.

    --
    I watched C-beams glitter in the dark near the Tannhauser gate.
    1. Re:You're kidding, right? by nelsonal · · Score: 5, Insightful

      Business Week is the least capitalistic of all the business magazines. Their core reader is the useless MBA whose sole function is gumming up the works while collecting one more paycheck toward retirement. You can disagree with the Economist and WSJ but at a minimum they are anti-government intervention in all ways (good and bad for business). I generally find myself in agreement with the libertarian ethos of those, but can't stand the editorial bent of businessweek. Businessweek is pro corporate welfare but anti government intervention in anything that might hurt business.
      They are protectionistic, rearview focused, and generally useless for even lining a bird cage. The sole redeeming feature is that they are pretty good at calling the top of a mainia (by focusing on why you should be there now).
      It has always surprised me that the music companies blessed Apple's entry into music, when the most basic sales calculations were demonstrating that the iPod was the thing that legitimized the public use of shared music for a large subset of mainstream consumers.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    2. Re:You're kidding, right? by Phanatic1a · · Score: 4, Informative

      What fucking lock-in scheme?

      iPod plays mp3s. Anyone who's willing to sell me an mp3, or something I can turn into an mp3, can provide me with a product that plays on my iPod. Where's the lock-in?

    3. Re:You're kidding, right? by JudgeFurious · · Score: 1

      My iPod plays songs in mp3 format so I don't follow you. What's the lock-in exactly?

      --
      Appended to the end of comments you post. 120 chars.
    4. Re:You're kidding, right? by ivan256 · · Score: 5, Insightful

      He's still got a point.

      No he doesn't.

      He's implying that without Apple, the music industry would have some great online business going and be selling tons more music. That's clearly bullshit. If it were true, they would have their thing going dispite Apple, and people would be using it.

      The music industry is pissed because Apple came up with a device that everybody wants, and instead of using it to make zillions of dollars for the music industry, they're using it to make zillions of dollars for themselves.

      Boo hoo.

      Apple doesn't owe the music industry *anything*. If the iTunes music store didn't exist, people would *still* buy iPods like crazy, because it's the only player out there that is user friendly, stylish, and completely impartail to whether you choose to listen to licensed or DRM-free content. It seems to me that iTunes is just a big shield from lawsuits, because as long as it exists there are considerable and obvious non-infringing uses for Apple's device. iTMS is Apple covering their ass. If this Napster guy wants more control, then he should come up with a device that people like better than an iPod and tie it to his service instead. He won't though, because he can't build a device that allows people to play pirated music, and consumers are fed up with paying high prices for music.

      Apple isn't holding the music industry back, consumers are. They've reached the limit of how much money they're willing to fork over. They're going to have to be sitisfied with their revenue pit just being bottomless, and learn to live with the fact that they can't keep making it wider too.

    5. Re:You're kidding, right? by NanoGator · · Score: 0, Flamebait
      " Anyone who's willing to sell me an mp3, or something I can turn into an mp3, can provide me with a product that plays on my iPod. Where's the lock-in?"

      Heh. Okay, so Apple is good because they support the one format that no business in the industry wants to use, but you can transcode an already lossy version of a song into it. I'm going to try a little experiment here:

      "Microsoft's iPod alternative plays mp3s and .WMAs. Anyone who's willing to sell me an mp3, or something I can turn into an mp3, can provide me with a product that plays on my Microsoft iPod alternative. Where's the lock-in?"
      --
      "Derp de derp."
    6. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      What "lock-in" scheme are you referring to exactly?

      I have my own CD library. This library is not static as I continue to buy new music on CD. I can rip to WAV and put that on my iPod if I wanted to. I can encode to MP3 (my personal choice for widest compatibility), AAC or Apple lossless and put that on my iPod.

      I *could* buy DRM protected AAC files from the Apple store and burn them to plain old audio CDs and rip that to some other format if I wanted to. Except that I would never do this because the audio quality of 128k AAC sucks ass. I would rather buy the CD and encode at a compression level I can live with. (200k VBR MP3 is about right to avoid obvious compression artifacts in the audio eg LAME preset standard or VBR new level 2)

      Also, the "alternative" download services using WMA are not an option for the exact same reason. The sound quality of WMA is actually worse then the AAC!

    7. Re:You're kidding, right? by MoneyT · · Score: 4, Insightful

      Where is the lock in? I don't see it in either example. The lock in is present only in the file format, not the player itself. With MP3 formated files, I can move from any one player to any other player. Buying an iPod does not force me to buy from iTMS. Likewise, buying a Microsoft player does not lock me into WMA files.

      --
      T Money
      World Domination with a plastic spoon since 1984
    8. Re:You're kidding, right? by NanoGator · · Score: 0, Flamebait

      "He's implying that without Apple, the music industry would have some great online business going and be selling tons more music."

      Wrong. He's implying that Apple has created a device that Apple can sell music for. (I'm truely amazed at how people around here have a short memory when it comes to Apple's shenanigans). Apple owns the market, and they're the ones that make all the money on it. Competitors can't even ween in on it. Boo hoo? Well, sure. We love Apple, the iPod, and iTunes. Who cares if other businesses aren't permitted to offer alternative services? No no, we don't want choice around here. It's Apple! They're allowed to make it for us!!

      --
      "Derp de derp."
    9. Re:You're kidding, right? by Dster76 · · Score: 1
      Yes, iPods play MP3s. However, they don't play any content that is DRMed by the other bigger players. Articles like this http://www.appleinsider.com/article.php?id=1387 reflect pressure on retailers that want to

      • sell downloadable music online using DRM
      • not be Apple and use iTunes
      • have the downloadable music play on iPods


      The lock-in is, by selling iPods, Wal-Mart is effectively driving customers away from its own revenue stream derived from sales of downloaded music.
    10. Re:You're kidding, right? by nanio · · Score: 2, Funny

      Songs for the iPod cannot be played on other hardware. It's a known fact, from the Newspaper.

    11. Re:You're kidding, right? by DarkBlackFox · · Score: 2, Insightful

      I think the GP's post was meant to show there wasn't a lock-in. Insert whatever company you want into that statement, and it only drives the point home.

      As long as the device can play any other [more open] format than the proprietary downloads, it's not a lock-in. In this case, the iPod can also play MP3s- it's not locked into Apple's format. If the iPod played only AAC, and not MP3s, it would be a lock-in. Just like it would be a lock-in if any Microsoft MP3 player only played WMAs.

      If the choice is there regardless of brand, the lock-in argument becomes invalid. Whether or not any businesses choose to use the format is irrelevant- it's a publicly accepted format in very widespread use.

    12. Re:You're kidding, right? by Morgalyn · · Score: 3, Informative

      I suspect you are being sarcastic, what with your 'known fact' statement, but I feel like clarifying for some of the less astute around here. I wish arguing was truly like math, since coming up with one exception to your statement would completely disprove it. But anyway, try this one on for size:

      1. Purchase songs from iTMS in dreaded DRM'd AAC format
      2. Burn to music CD
      3. Use in any CD player that can read your burned discs (I would say 'any CD player' except I've encountered a few in my days that didn't like this or that brand etc. etc. of CD-R's)

      Thus, you are listening to 'songs for the iPod' on 'other hardware'.

      If you're particularly technically inclined, you can even rip your music cd into a non-DRM'd format.. although it takes a little more effort.

      --
      You say you got a real solution
      Well, you know
      We'd all love to see the plan
      (The Beatles)
    13. Re:You're kidding, right? by Dster76 · · Score: 1

      it's the only player out there that is user friendly, stylish, and completely impartail to whether you choose to listen to licensed or DRM-free content

      The player is impartial to whether you use Apple's version of DRM licensed content or not. To use any other form of DRMed content, you must burn to disc and rerip, or otherwise break the DRM and put it in unprotected format.

      Those selling DRMed music that won't play natively on iPods have a massive interest in changing this. To the extent that Apple won't, they are locking users in to their storefront to some extent. I have no comment on whether their refusal to play other forms of DRMed content is greedy, unethical, monopolistic, or anti-music industry, all implied in TFA.

    14. Re:You're kidding, right? by ivan256 · · Score: 4, Insightful

      Wrong. He's implying that Apple has created a device that Apple can sell music for.

      How does that make me wrong? Can't he imply more than one thing in an article?

      I fail to see how anything Apple does makes it OK for anybody else to bitch that they're not making money off of it. If you want a piece of the action, it's not Apple's job to open the door for you. In fact it's their job to keep it shut and protect their profits. It's rediculous for anybody in the music industry, or any other business, to expect Apple to do them any favors.

      Who cares if other businesses aren't permitted to offer alternative services?

      If you want to make money in the digital music market, you need to do it yourself. Why should Apple help you to make money off their product?

      If this guy is so smart, he should make a better store and a better player. If he's right, it should be possible, and people should flock to it and leave the iPod behind. Anything he can come up with that nets the recording distribution industry more profits is pretty much guarantreeed to be seen as *worse* by consumers though, so he'll never pull it off. He doesn't want to offer you choice, he wants Apple to stop being so damned nice (in his opinion; obviouly not in your opinion) to consumers because it's preventing them from getting away with charging more (where more is most likely a pay-per-listen or some other recurring revenue model).

      We love Apple, the iPod, and iTunes. Who cares...

      I don't understand why you assume that any opinion of Apple or their products has anything to do with my point. I'm talking business here, I'm not being some fanboy. I don't have to like or dislike Apple's practices for me to see why it makes sense for them to do that stuff interms of their bottom line. The goal is to make money, not to win a popularity contest.

    15. Re:You're kidding, right? by ivan256 · · Score: 1

      Those selling DRMed music that won't play natively on iPods have a massive interest in changing this.

      It doesn't matter if they do. If their business model is one that nets more cash for the music industry out of your pocket, which are you going to choose? I bet it's not the one that costs more. If it isn't than this practice of Apple's isn't hurting the music industry's bottom line at all.

    16. Re:You're kidding, right? by karmatic · · Score: 1

      Grab a copy of SharpMusique, And use TCPMP to play it on your Palm, PocketPC, or Windows box. Or, grab a copy of VLC for your platform of choice..

    17. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      Saying "well, it'll support MP3, so the industry has a way out" is like saying "But you can save Word docs in .HTML, so there's no fuss over proprietary formats!"

      No, it's not. Nobody sends you an MP3 file that you need to open and edit. That's the problem with Word. Since everyone uses Word, I need to use Word. Which makes more people need to use Word. Kind of a "tragedy of the commons" type scenario.

      It also depends on what you mean by "the industry." If you mean the record companies, then yeah, they can break the lock-in by using the MP3 format. (And when I say "lock-in" what I mean is the lock-in of the file format, which is locked to iPods and Quicktime/iTunes.)

      I really wish you guys would actually listen to what I'm saying before you hit reply. I realize that Apple is great and never does anything wrong but you're defending a less capable product that almost exclusively runs on iTunes. I guess I really shouldn't be so surprised but man, you all should listen to yourselves.

      Less capable? Less capable of what? Playing WMA files? I don't care, I don't have WMA files. What are people defending? It's right to be "less capable" or the fact that it doesn't have the feature? I don't think anyone's saying, "Yeah! iPod! No WMA! Less capabilities!" So really what's being said is that it's Apple's right to not support other formats.

      How does iPod "almost exclusively run on iTunes"? Do you mean syncing? There are plugins for other players (e.g. WinAMP). Or do you mean downloading (iTMS)? People are telling you it's not tied to iTMS. You can buy and rip CDs, you can download (legal) MP3s, etc.

      And your earlier example of a player that plays WMA and MP3 is idiotic at best. THERE ARE MANY SUCH PLAYERS OUT THERE.

      So what is your complaint, and why don't you include other players in it rather than just Apple?

      There's only two possible situations: either you buy the iPod first or the music first.

      (1) You purchased music from another online store. You knew it had DRM when you bought it. So now you compain that Apple doesn't support someone else's standard that you knowingly bought into?

      (2) You purchased an iPod. You knew it had certain capabilities when you bought it, and you knew it lacked others. So now you complain that iPod doesn't have a feature you knew it didn't when you bought it?

      In either scenario you are either exceptionally stupid or exceptionally whiney.

      Oh, and saying things like "I really wish you guys would actually listen to what I'm saying before you hit reply" and "I guess I really shouldn't be so surprised but man, you all should listen to yourselves" makes you sound like a condescending cunt. Maybe, just maybe you're not as smart as you think, you're not right, and other people have a different perspective. Maybe.

    18. Re:You're kidding, right? by TheRaven64 · · Score: 1

      iTunes plays non-DRM'd music. The iPod plays music that's not infected with DRM. The iTunes Music Store locks the user into the iPod (something I am beginning to find irritating, now that I have a mobile 'phone that can play AAC audio - fortunately I've only bought a few tracks from there, since in most cases the CD is cheaper from Amazon). The iPod allows you to play music from any music store that is willing to supply MP3 or AAC audio, and so does not lock users in to any music store - the labels' insistence that all music sold must be infected with DRM does.

      --
      I am TheRaven on Soylent News
    19. Re:You're kidding, right? by norminator · · Score: 1

      The only difference between the iPod and the "other" players out there, is that the others got behind Microsoft with the WMA DRM "Plays for Sure". Microsoft came up with a very un-open format to compete in digital music, and since Microsoft doesn't make players themselves, the other player manufacturers rallied behind them. It's not that the others are more open, it's just that they've all embraced the same closed format. That format is sold at more online music stores, but who needs to buy music from more than one store? (at least, as far as the average consumer goes... They all charge $1 per song, and I doubt there's that much variation in the quality or the variety of music available between Napster, MSN, Rahpsody, and Apple.)

      And it's still not a lock in to their stores, because most people are going to put more music on the player from their pre-existing CD collections than from iTunes downloads, I would guess. How much does 30 GB of music at any online store cost, anyway (at $1.00 per song)?

    20. Re:You're kidding, right? by dirk · · Score: 1

      So does this mean that all the "lock-in" talk about MS is bubnk as well? Ms Office fully support not only .txt files, but also .rtf files. So that means there's no lock-in at all, since you can simply save as those, right? Or maybe the fact that something supports a lesser format that isn't really used (.txt and .rtf for document, .mp3 for commercially sold music) doesn't really matter?

      The fact is, if you want to purchase a song and have an iPod, ITMS is your only real, viable option. Sure, there are other places like eMusic, but they have a very limited selection that only appeals to a very small minority of users.

      --

      "Information wants to be expensive" - Stewart Brand, the same guy who said "Information wants to be free"
    21. Re:You're kidding, right? by Dster76 · · Score: 1

      If their business model is one that nets more cash for the music industry out of your pocket, which are you going to choose?

      Unless I own stock in a 'music industry' company, the one that provides me with the greatest utility for the lowest price. I'm a little confused - does Napster cost more than iTunes? What if you don't want to own your content, but merely rent unlimited quantites?

    22. Re:You're kidding, right? by pxuongl · · Score: 1

      ok, so then apple lets songs for the ipod playable on any hardware, and now the RIAA will cry foul because they're helping to spread piracy... do we see how circular this argument is?

    23. Re:You're kidding, right? by jmc · · Score: 1

      Perhaps "lock out" would be a better description then. iPod owners are effectively locked out of competing services (Yahoo, Rhapsody, Napster).

      I love my iPod, and I've spent way too much money at iTMS. But as I look around at the competing services, I'm becoming increasingly annoyed I can't use them with my iPod. Annoyed with Apple, because you know the competitors would kill to offer their downloads with FairPlay DRM if Apple allowed it.

    24. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      A slight correction: if the iPod were only to play AAC *with* the Apple DRM you would be locked in. The truth is that AAC is an MPEG standard available for anyone to use. You can encode files into AAC on your own (without the DRM) and play those on the iPod and any other device capable of AAC playback. (Some examples of other AAC enabled products: Roku Soundbridge, Slim Devices SqueezeBox, etc) MP3 is, of course, also an MPEG standard.

      The iPod is excellent because it can play the popular MPEG audio standard (MP3), the new generation MPEG audio standard (AAC), uncompressed audio (AIFF/WAV), and lossless compressed audio (Apple lossless format.) It can ALSO play AAC files protected by a DRM wrapper that Apple is happy to sell you at the iTMS. If Apple were so inclined they could just as well put their DRM wrapper around an MP3 file.

      I would argue that if a player were to only support WMA, that would be lock-in. WMA is a Microsoft proprietary format regardless of if it has DRM enabled or not. Sony tried to do something like this: their first "MP3 players" couldnt natively play MP3 files. (They were ATRAC only.) ATRAC is a Sony proprietary format. These products failed miserably and some say it was directly the result of this.

    25. Re:You're kidding, right? by meringuoid · · Score: 2, Insightful
      Perhaps "lock out" would be a better description then. iPod owners are effectively locked out of competing services (Yahoo, Rhapsody, Napster).

      Well, so what?

      iPod users can't download music from Yahoo! or Rhapsody or Napster because of the incompatible format those services have chosen to use. Personally I think that's a strange business decision - denying yourself, what, 95% of the potential market? - but I suppose that's their choice.

      Wait, what's that? The record companies insisted they use DRM? They couldn't just offer mp3s for download, which would have played on absolutely anything? Well, isn't that the record companies' fault, then?

      It's terribly strange that the recording industry and the non-iTunes download services blame Apple for the consequences of their own policies.

      Personally, I have no truck with any of them. I have an iRiver iHP-140, which won't play any DRM'd files as far as I'm aware. I have no problem with this... I put shiny discs into my computer and press 'rip', producing files of whatever bitrate I desire. I hardly feel locked out of anything as a result.

      --
      Real Daleks don't climb stairs - they level the building.
    26. Re:You're kidding, right? by Lehk228 · · Score: 1

      if microsoft made a music player better than the ipod and better than an MP3 CD player which played .WMA and MP3 i would probably buy it. as it is now i am sticking to my Panasonic MP3 CD player.

      --
      Snowden and Manning are heroes.
    27. Re:You're kidding, right? by ArbitraryConstant · · Score: 1

      The content providers require DRM. Apple won't license their DRM. Therefore, a collection of iTMS songs can only be played on Apple hardware, and a collection of songs from other stores cannot be played on iPods. If you don't consider that lock-in, then you're simply redefining the word so that it doesn't apply to Apple.

      Someone will undoubtedly bring this up, so let's get it out of the way: You can strip the DRM or burn to CD, or burn to CD and then re-rip, but those are respectively illegal, inconvenient, and poor quality. You might do it, but Napster/Yahoo/Real can't build a business on it.

      There are two issues here. The first is whether Apple customers are locked in. The answer is unquestionably "yes" as a matter of definition. The second issue is whether or not they have a right to do it, and the answer to that is also "yes". It's anti-consumer, and it's anti-competitive, but Apple has the right to do it if they want. If you want to deffend Apple's practices, you must deffend this. They have a right to do it, but just becase they aren't legally required to license their DRM doesn't mean I, as a consumer, wouldn't be happier if they did. According to TFA, it is becoming apparent that unhappy consumers are stingy bastards.

      I won't buy DRMed tracks from Apple because I'm not willing to be locked into their hardware and software. I won't buy DRMed tracks from anyone else because it looks unlikely that the other music and DRM standards will survive. And this is exactly TFA's point: Apple restrictions are holding back growth.

      --
      I rarely criticize things I don't care about.
    28. Re:You're kidding, right? by iMac+Were · · Score: 0
      We love Apple, the iPod, and iTunes.
      You missed out cocks. And Judy garland. But mainly cocks.
      --
      You thought my name meant what? How very dare you!
    29. Re:You're kidding, right? by Lehk228 · · Score: 1

      horrible analogy, MS office is used to create files and defaults to a proprietary format. IPod is used to read files and does not default to anything, just plays any file it can.

      iTunes has a weak iPod lock in due to iTunes music only working on an iPod, unless you burn to CD then re-rip, but iPods have no lock in.

      also there is nothing preventing you from buying a CD and ripping it for use on your iPod

      --
      Snowden and Manning are heroes.
    30. Re:You're kidding, right? by DarkBlackFox · · Score: 1

      I'm hearing what you're saying, and I'm pointing out the other end of the spectrum. It sounds like you're saying because no businesses use MP3 as a distribution platform, it's not viable in the marketplace as an alternative. That makes sense from the profit department- music companies want to ensure Suzie Q won't copy her music to little Johnny's computer easily.

      As far as the iPod and iTunes go, I guess I should add the disclaimer that I do not own an iPod, or run iTunes, nor plan on changing that. However, I do support the idea that the iPod is capable of playing a format other than AAC, thus it's not a lock-in. Granted, AAC is the default format for music within iTunes, and as iTunes is the primary method of interfacing a computer with an iPod, the fact remains that both are capable of managing and playing generic MP3s. My point is, default != lock-in.

      And no, I don't think Apple is great and never does anything wrong. I just don't believe that because a company doesn't use MP3 as a primary format, it's not a viable format in the hands of the consumers, where it really matters.

    31. Re:You're kidding, right? by ArbitraryConstant · · Score: 1

      "the labels' insistence that all music sold must be infected with DRM does."

      That's disingenuous. The label's insistence that all music sold must be infected with DRM in conjunction with the fact that Apple refuses to license their DRM results in the lock-in. Either party could remove the problem independantly.

      TFA says that the lock-in is slowing growth. Whatever the cause, is anyone denying that this is true? I don't claim Apple is in any way required to license their DRM, but their failure to do so is resulting in my (and apparently many other people's) refusal to buy tracks from them or anyone else online. The fact that they're allowed to do it legally doesn't change the fact that it's anti-competitive and anti-consumer.

      --
      I rarely criticize things I don't care about.
    32. Re:You're kidding, right? by chihowa · · Score: 1
      The fact is, if you want to purchase a song and have an iPod, ITMS is your only real, viable option. Sure, there are other places like eMusic, but they have a very limited selection that only appeals to a very small minority of users.

      The fact is, if you want to purchase a car, [car dealer] is your only option. Sure there are other places like [other car dealer], but they don't have the color I like.

      Your MS Office analogy fails because the lock-in is occurring in the file format, not the office suite. The use of .doc necessitates the use of MS Office. Apple's lock-in stems from iTMS. As iTunes is the only application that will play music bought from iTMS, their choice of file format locks you into their player (iTunes and iPod). The player doesn't lock you into anything.

      Just because you're too lazy to find another source of music doesn't mean you're being abused by any particular industry. It just means that you're a consumer (this feeling of dissatisfaction you're experiencing will lead you to purchase a long string of devices that are never 'just right').

      --
      If you want a vision of the future, imagine a youtube comments section scrolling - forever.
    33. Re:You're kidding, right? by commodoresloat · · Score: 1
      Apple won't license their DRM. Therefore, a collection of iTMS songs can only be played on Apple hardware, and a collection of songs from other stores cannot be played on iPods. If you don't consider that lock-in, then you're simply redefining the word so that it doesn't apply to Apple.

      Bullshit. You can play an mp3 on anything that plays mp3s; the DRM doesn't stop you from doing that. If another store has DRM that is incompatible with iPod, take that up with the other store -- the iPod plays most common formats, like mp3 for example.

      You might do it, but Napster/Yahoo/Real can't build a business on it.

      Well, then, perhaps Napster, Yahoo, or Real should find something else to build a business on other than leeching Apple customers with false information about Apple's DRM?

    34. Re:You're kidding, right? by spectral · · Score: 1

      That's the best part about all this: iTMS is HELPING the music industry by a ton! Imagine if iTMS started offering subscription downloads like Napster. $15/month, and you can download as much as you want. As long as you pay the $15/month, you can keep playing that music. Let's think about this for a second..

      For the cost of one shrink wrapped album a month, I can download, legally, every single album that iTunes has. So far I've spent about $100 at iTMS, and downloaded a few albums. This was in approximately the past 4 months. I don't think I'm atypical. So if they offered me a subscription service that would work with my device, AND allow me to.. I'd be paying $10/month LESS than I have already, and get A LOT more. Sure, blame Apple for keeping ME down, but don't ever claim that Apple is hurting the music industry.

      If Napster had 1/100th of the user base of iTMS, you bet your ass the music industry would be demanding a lot more from them.

      Many people here have "200+ CD collections". on iTMS that would cost you $2,000 dollars, and last you until you upgraded to a device that doesn't support AAC/FairPlay anymore. on Napster that would cost you $15/mo, and last you as long as you kept paying them (and they were still around to give you a license key update). The convergence point is at around 11 years.. I wonder which one the music industry is going to make more money off of?

      They may want to kill iTMS, but they can't do it, becaues then Napste-esque services WILL cause them MUCH worse damage.

      Oh, but all this complaining is coming from... the CEO of Napster! This all makes sense now, doesn't it? :) /loves his iPod. //wishes iTMS had a subscription service. ///hangs out at fark too much.

    35. Re:You're kidding, right? by earnest+murderer · · Score: 1

      If you're really inclined you rip it to a virtual disk and back to whatever you want without wasting a cd(s).

      --
      Platform advocacy is like choosing a favorite severely developmentally disabled child.
    36. Re:You're kidding, right? by ivan256 · · Score: 1

      Napster advocates a recurring revenue model instead of the fixed fee model that Apple has. Like you said, you "rent" music...sortof.

      Apple's model is more expensive up front, but becomes less and less expensive over time. Napster has a lower up front cost, but a higher long term cost. For most listeners Napster is more expensive, and if it wasn't you can bet the music publishers (who do you think owns Napster now?) wouldn't be pushing it. Also, if the Napster rental model were more appealing to consumers, a player that supported Napster would be more popular than the iPod by now, but it hasn't happened. Clearly people don't want another monthly fee, or don't want one for something they never had to pay monthly for before.

      One other thing is certain. Napster's model doesn't make Apple any money, so why should Apple support it?

    37. Re:You're kidding, right? by ArbitraryConstant · · Score: 1

      "You can play an mp3 on anything that plays mp3s; the DRM doesn't stop you from doing that."

      Very true. But since you're not addressing points I actually made, I'm going to ignore this.

      This part of my argument does not establish that Apple should be blamed, only that the other stores and hardware can't interoperate with the Apple stuff. This is not disputed. You can change the subject and talk about non-DRMed MP3s, but you won't be addressing my point.

      "If another store has DRM that is incompatible with iPod, take that up with the other store"

      I do. I won't buy from the other stores either.

      Apple has the same content providers as the other stores, and those providers require DRM. There's nothing either of them can do about that. Apple won't license their DRM to the other stores, and there is something Apple can do about that. They are not required to, but their refusal to do this has created the current situation.

      No one is saying that Apple has to license it. There is an optional step they can take that would increase sales for everyone. They are free to decline, but since the RIAA won't budge, they're the only ones that can change the current situation.

      "the iPod plays most common formats, like mp3 for example."

      This is both irrelevant and wrong.

      Wrong because iPods don't play "most common formats". They don't support OGG, FLAC, WMA, RM, etc. Irrelevant because the other music stores would be willing to use AAC if Apple licensed the DRM to them.

      --
      I rarely criticize things I don't care about.
    38. Re:You're kidding, right? by Dster76 · · Score: 1

      Clearly people don't want another monthly fee, or don't want one for something they never had to pay monthly for before.

      I have no interest in Napster's DRM model - at least, no interest in sending my money its way. I agree with you about the likely behavior and preferences of consumers.

      One other thing is certain. Napster's model doesn't make Apple any money, so why should Apple support it?

      A few parent posts ago, I suggested some reasons implied by the article - not to do so might be greedy, monopolistic, unethical, or anti-music industry. To be honest, I don't buy any of the arguments in support of these claims. I just think its inarguable that there is a competition being fought here over the future of DRM that is being won due to hardware issues. Is that a good thing? Dunno. We'll see.

    39. Re:You're kidding, right? by ivan256 · · Score: 1

      A few parent posts ago, I suggested some reasons implied by the article - not to do so might be greedy, monopolistic, unethical, or anti-music industry. To be honest, I don't buy any of the arguments in support of these claims.

      Neither do I, but I can do one better. I can give a single reason that any of those reasons are inarguably incorrect:

      The iPod will play anybody's music.

      The only thing it won't do is support other people's DRM. So essentially Apple is saying "Anybody can put their content on our device, but we're not spending a dime on letting you do it in such a way that makes you money. The suit against Real Networks takes that one step further and says they'll go out of their way to stop you from making money with their device if it's at the expense of Apple's own profits. That's exactly how I would expect a responsible business to be run, and with the added benefit of allowing user control of the device. Indisputable proof that it's not greedy, monopolistic, unethical, or anti-music industry. Just plain sensable business.

      Too bad their prices or so high, or I might actually buy some music from them.

    40. Re:You're kidding, right? by Dster76 · · Score: 1

      The iPod will play anybody's music.

      The only thing it won't do is support other people's DRM.


      As has been stated numerous times in the broader discussion, this is false when 'playing music' is defined in user friendly terms that doesn't require fiddling. So, if someone rents some music from Napster, then their iPod won't (barring some involved fiddling) play the music.

      Indisputable proof that it's not greedy, monopolistic, unethical, or anti-music industry. Just plain sensable business.

      Ok - now I see where the disagreement is. You take protection of profits and prevention of others from entering into markets one is competing in, or engaging in 'sensable [sic] business' to imply that one is not greedy, nor monopolistic, nor unethical. That is obviously not the case.

      I have no chance of getting any positive mods at this point, so I'll say my piece one more time. Apple has its hands in two, arguably distinct markets: producing handheld music players, and supply online content. It is engaged in practices in one of those markets (handheld music players) to prevent competition in the other market (supplying online content).

      I won't bore you with the history in which doing things that fit this general mold have been accused of each of the bad things that I mentioned above. We can disagree about general political principles (like, should we have a mixed-market system at all?), but I'm afraid that it is far from obvious that Apple is just doing the sensible, business-savvy thing here.

    41. Re:You're kidding, right? by Dominatus · · Score: 1

      Wrong.

      Apple could have allowed those competing sites to use FairPlay, thus allowing all competition to support the iPod. Instead, Apple deliberately does NOT allow sites like Yahoo from using FairPlay and thus Apple locks Yahoo out from selling music that can play on the ipod

    42. Re:You're kidding, right? by Dominatus · · Score: 1

      For the last fucking time.. APPLE WILL NOT LICENSE THEIR DRM Do you understand that? It is NOT Yahoo!'s fault that they can't sell music that works on the iPod. Don't you think they want to? Of course they do. Apple won't let them. This is, by definition, lock-in.

    43. Re:You're kidding, right? by eclectic4 · · Score: 1

      "If you're particularly technically inclined, you can even rip your music cd into a non-DRM'd format.. although it takes a little more effort."

      You mean, that button in the top right of iTunes that automatically changes to "Import" when you put a CD in your optical drive? You can set the import (very easily in preferences: MP3, AAC, AIFF, Apple Lossless Encoder, WAV). I couldn't imagine it being less of an effort. The ripped music is unDRM's, even if they had been previously.

      --

      "The greatest obstacle to discovery is not ignorance - it is the illusion of knowledge." - Daniel Boorstin
    44. Re:You're kidding, right? by aristotle-dude · · Score: 1
      Well Napster and the other WMA based stores require windows. As a mac user, I would have to purchase a PC, a windows license and a compatible portable player. That is an awfully large financial barrier to me being a customer of Napster or MSN music.

      Now consider a windows user who wants to use the iTMS, all he has to do is buy an iPod. That is a much smaller investment and disruption of your chosen computing environment than with those WMA store and players. If I wanted to switch back to windows or if a windows user wanted to switch to the mac, all of the purchases made by on ITMS would be completely accessible on the new platform. The same cannot be said about DRMed WMA files.

      Given the choice of platform lock-in or portable music player lock-in, I would choose the latter.

      --
      Jesus was a compassionate social conservative who called individuals to sin no more.
    45. Re:You're kidding, right? by cgreuter · · Score: 1

      What fucking lock-in scheme?

      The only DRM'd audio format that the iPod plays is Apple's. So none of the other sellers of DRM'd music downloads can sell songs that play on the iPod while still maintaining maximum costumer contempt.

      See? Lock-in.

      I, for one, am outraged. Indeed, if I were any more outraged, I wouldn't be able to stop giggling.

    46. Re:You're kidding, right? by macshit · · Score: 1

      TFA says that the lock-in is slowing growth. Whatever the cause, is anyone denying that this is true? I don't claim Apple is in any way required to license their DRM, but their failure to do so is resulting in my (and apparently many other people's) refusal to buy tracks from them or anyone else online. The fact that they're allowed to do it legally doesn't change the fact that it's anti-competitive and anti-consumer.

      Hardly "anti-consumer" -- everyone I know with an Ipod uses it to play MP3s almost exclusively. Perhaps the ipod is "anti RIAA's plans for world domination" but who the hell cares about that except for the RIAA (and perhaps businessweek)?

      A pleasant side effect of all this is that we seem to be seeing big-music's hold over consumer tastes slowly being broken. The RIAA knows this damn well, and are going to kick and scream until the end, but the writing's on the wall: they're going down.

      --
      We live, as we dream -- alone....
    47. Re:You're kidding, right? by Morgalyn · · Score: 1

      This will work fine for the older version of fairplay. I've had a few issues with the newer one, though.

      --
      You say you got a real solution
      Well, you know
      We'd all love to see the plan
      (The Beatles)
    48. Re:You're kidding, right? by Anonymous Coward · · Score: 0


      I fail to see how anything Apple does makes it OK for anybody else to bitch that they're not making money off of it. If you want a piece of the action, it's not Apple's job to open the door for you. In fact it's their job to keep it shut and protect their profits. It's rediculous for anybody in the music industry, or any other business, to expect Apple to do them any favors.



      I fail to see how anything MS does makes it OK for anybody else to bitch that they're not making money off of it. If you want a piece of the action, it's not MS's job to open the door for you. In fact it's their job to keep it shut and protect their profits. It's rediculous for anybody in software industry, or any other business, to expect to do them any favors like disclosing thier APIS or documentations.

    49. Re:You're kidding, right? by Mr2001 · · Score: 1

      iPod plays mp3s. Anyone who's willing to sell me an mp3, or something I can turn into an mp3, can provide me with a product that plays on my iPod. Where's the lock-in?

      OK, wise guy. If selling MP3s of songs people actually want is such a feasible business, how come Apple isn't doing it themselves? They could sell non-DRM'd popular music just as easily as Real, Napster, or any other music store, and then they'd be able to sell their music files to everyone with an MP3 player, not just iPod owners. What a shocking coincidence that none of those actually do it!

      --
      Visual IRC: Fast. Powerful. Free.
    50. Re:You're kidding, right? by NanoGator · · Score: 1

      "No, it's not. Nobody sends you an MP3 file that you need to open and edit. "

      Heh. Distractionary tactic aside, my point still stands.

      "If you mean the record companies, then yeah, they can break the lock-in by using the MP3 format. "

      So long as the RIAA is an oligopoly, s'not happenin.

      "So really what's being said is that it's Apple's right to not support other formats. "

      Oh please. What's really being said is "I like Apple more than Napster / RIAA". Don't feed me that bullshit. It'd be better for everybody if other services could compete with iTunes. Unfortunately, since people are reading my posts as "The RIAA is right and Apple is wrong" (which, I wasn't btw. Nobody's paying much attention to what I'm actually saying...), they're willing to say that it's okay for Apple to screw the consumer.

      "THERE ARE MANY SUCH PLAYERS OUT THERE. "

      That would be an AWESOME rebuttal if I had said something like "gee, it's too bad there's no such thing as an MP3 player out there that plays .WMA."

      "In either scenario you are either exceptionally stupid or exceptionally whiney. "

      Heh. Well you were sorta close in one case. I subscribed years ago. Love it. Apple recently developed the new iPod. I wouldn't mind having it, but gersh dern, their proprietary nature makes it so I can't use the service I want to use. So, I have to shop elsewhere. I'm not sure why that's my fault instead of Apple's, but I can't say I've been overwhelmed with people behaving rationally here to begin with. So, don't worry, I won't be losing any sleep here.

      "Oh, and saying things like "I really wish you guys would actually listen to what I'm saying before you hit reply" and "I guess I really shouldn't be so surprised but man, you all should listen to yourselves" makes you sound like a condescending cunt."

      Perhaps, but it wouldn't bother you if it didn't have a grain of truth to it. Considering some of the weak rationalizations and the general distrationary tactics used to smack me down (and the mod bombing...), you'll pardon me for not feeling terribly challenged by your comment here. You went with the flow, whoop-de-fuck.

      --
      "Derp de derp."
    51. Re:You're kidding, right? by NanoGator · · Score: 1

      "For the last fucking time.. APPLE WILL NOT LICENSE THEIR DRM"

      I just wanted to thank you for pointing that out. I can't believe how much unwarranted bullshit I've taken in this thread.

      Have a good evening.

      --
      "Derp de derp."
    52. Re:You're kidding, right? by itcomesinwaves · · Score: 1

      The problem with compatibility is the DRM, not that Apple refuses to license their flavor. I stopped buying tracks online because I can't play them anywhere. Recently I was at a party in a hotel suite. Everyone had their iPods, one person had a laptop, and the only pair of speakers were hooked into the hotel's TV. The DVD player could play audio CDs and mp3 CDs/DVDs. The only way to listen to our music all night was to feed the music onto the laptop and burn an mp3 DVD. So everyone was happy except the people with DRM in their songs. They didn't get to hear their music in the mix. It didn't matter if it was Apple DRM or Microsoft DRM. The DVD player was made before DRM had become so prolific so it only supported open standards. I can think of dozens of times, like this, where DRMed songs couldn't join the party. It's totally jive.

    53. Re:You're kidding, right? by ArbitraryConstant · · Score: 1

      "Hardly "anti-consumer -- everyone I know with an Ipod uses it to play MP3s almost exclusively."

      It most certianly is anti-consumer. It restricts competition and locks you into a single solution.

      The only way they can get a solution they're happy with is to decline to participate entirely, and that would appear to be what people are doing. Growth of online music sales has slowed, and people are sticking to MP3 so their collections remain portable.

      --
      I rarely criticize things I don't care about.
    54. Re:You're kidding, right? by ArbitraryConstant · · Score: 1

      "The problem with compatibility is the DRM, not that Apple refuses to license their flavor."

      DRM is the main problem, incompatible DRM is a lesser problem. The lesser problem could be solved independantly of the major problem.

      --
      I rarely criticize things I don't care about.
    55. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      "No, it's not. Nobody sends you an MP3 file that you need to open and edit."

      Heh. Distractionary tactic aside, my point still stands.

      What point is that? I was rebutting your awful analogy that iTMS's format was somehow problematic like Microsoft Word's. Your point no longer stands at all.

      "If you mean the record companies, then yeah, they can break the lock-in by using the MP3 format. "

      So long as the RIAA is an oligopoly, s'not happenin.

      It's not Apple's fault the RIAA is an oligopoly. According to this "point", you should complain about the RIAA, not Apple.

      "So really what's being said is that it's Apple's right to not support other formats. "

      Oh please. What's really being said is "I like Apple more than Napster / RIAA". Don't feed me that bullshit. It'd be better for everybody if other services could compete with iTunes. Unfortunately, since people are reading my posts as "The RIAA is right and Apple is wrong" (which, I wasn't btw. Nobody's paying much attention to what I'm actually saying...), they're willing to say that it's okay for Apple to screw the consumer.

      Straw Man Argument. You seem very perceptive to know what everyone's real and true intentions are. I myself don't buy from the iTMS because it has DRM. I don't bitch about it, though. Apple isn't "screwing the consumer", that's what I'm saying.

      "THERE ARE MANY SUCH PLAYERS OUT THERE. "

      That would be an AWESOME rebuttal if I had said something like "gee, it's too bad there's no such thing as an MP3 player out there that plays .WMA."

      It was an awesome rebuttal. Because what you said, exactly, was:

      Heh. Okay, so Apple is good because they support the one format that no business in the industry wants to use, but you can transcode an already lossy version of a song into it. I'm going to try a little experiment here: "Microsoft's iPod alternative plays mp3s and .WMAs. Anyone who's willing to sell me an mp3, or something I can turn into an mp3, can provide me with a product that plays on my Microsoft iPod alternative. Where's the lock-in?"

      So, if your beef is that Apple's iPod only plays their proprietary format and MP3s, then why aren't you complaining about the Dell DJ? It's the same thing, as far as you've argued, anyway. Don't say people aren't reading what you're saying, it seems you suck at explaining yourself and at having logical thoughts in the first place.

      "In either scenario you are either exceptionally stupid or exceptionally whiney. "

      Heh. Well you were sorta close in one case. I subscribed years ago. Love it. Apple recently developed the new iPod. I wouldn't mind having it, but gersh dern, their proprietary nature makes it so I can't use the service I want to use. So, I have to shop elsewhere. I'm not sure why that's my fault instead of Apple's, but I can't say I've been overwhelmed with people behaving rationally here to begin with. So, don't worry, I won't be losing any sleep here.

      You're not sure how you buying music that is RESTRICTED is your own fault? OK, since you're pretty fucking dumb let's assume you somehow didn't realize the music you bought was restricted. Even so, how the fuck is it Apple's fault that their iPod doesn't play a proprietary format? Would it be nice if it did? Sure, but it's not their FAULT it doesn't. I wish my iPod could play OGG but it can't. It's not Apple's FAULT my iPod can't play OGG, if I wanted an OGG player I'd buy an iRiver or something.

      "Oh, and saying things like "I really wish you guys would actually listen to what I'm saying before you hit reply" and "I guess I really shouldn't be so surprised but man, you

    56. Re:You're kidding, right? by NanoGator · · Score: 1

      "What "lock-in" scheme are you referring to exactly?"

      You're talking about a work-around that more or less works. The problem is that you go to buy the new music, and you're stuck paying too much for a CD with songs you probably don't want to have. iPod. iTunes. That's it.

      It has been pointed out, though, that you can buy MP3 versions of songs legitimately. I was not aware of this so I really don't want to fight this point too hard. Yes, I was in error. That said, my beef wasn't so much with Apple, but the way people around here treat them. I'm rather tired of arguing this point, though, because nobody wants to admit that they're not using cold un-erring logic to arrive at their tastes.

      --
      "Derp de derp."
    57. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      The music industry does not allow MP3, because they want DRM. Unless Apple buys a record company, they have to get the music from somewhere.

      And another benefit of DRM is that iPod is (probably) the only player that supperts Apple's format. If Creative could make a player that supports MP3, OGG, WMA and Apple's format, they would. The reason why there aren't more iPod-clones is because Apple has a lock in.

    58. Re:You're kidding, right? by pwhysall · · Score: 1

      Yes, it is Yahoo!'s fault.

      Warp Records (http://www.bleep.com/ sell music that works just fine on the iPod, and they haven't licensed Apple's DRM.

      --
      Peter
    59. Re:You're kidding, right? by Dominatus · · Score: 1

      What bullshit.

      Search for "Beatles" 3 tracks come up, none of them from the beatles. Do any of the REAL labels sell their music on this?

    60. Re:You're kidding, right? by 91degrees · · Score: 1

      I don't think Apple wants to offer non-DRM music. DRM gives them pretty effective control over the market for music downloads (which doesn't make them a lot of profit), but that means they have a stranglehold on the music player market (which does).

    61. Re:You're kidding, right? by iainl · · Score: 1

      Hey, just because your taste in music is different (I'd say "shit", but I do understand that my hatred of that band puts me in a minority) don't blame everyone. Warp, Domino, Wall Of Sound, Cooking Vinyl, Ninja Tune, One Little Indian, K7 and loads of the other labels they have signed up have scored genuine chart hits. Sancturary are the largest "independant" label on the planet.

      They sell music in high-quality LAME VBR mp3s that sound far better than either the AAC or WMA formats offered by the main download channels, and even FLAC if you're someone with space to burn.

      The fact that they've not got the DRM-paranoid nutcases at EMI onboard doesn't mean they aren't "real".

      --
      "I Know You Are But What Am I?"
    62. Re:You're kidding, right? by Dominatus · · Score: 1

      But these kind of things are limited. Businesses that desire to be big need the support of the major record labels, and need to sell music by the Beatles for example. Its nice that your indie music has an outlet for getting to people's ipod's but the rest of the population doesn't.

      It STILL doesn't take away from the fact that it's lock-in, It locks-in 99% of music (based on sales) and leaves the small minority of music (again based on sales) to do what they want.

    63. Re:You're kidding, right? by skubeedooo · · Score: 1
      I would expect more out of BusinessWeek.

      You can never expect more from business week. I have not seen a business journal that more obviously shill's for whoever happens to be buying adspace at the time. Even when they're not doing that they just take the first opinion they come across. Now I have no problem with business media, the FT and WSJ are fantastic and the Economist is IMO the most insightful and well researched journal I've seen in any non-academic field. But BW is just trash.

    64. Re:You're kidding, right? by skubeedooo · · Score: 1

      The lock in is that if your want to start selling music, but don't actually make the music, it is impossible to get the labels to allow you unless the music is DRM'd. As such it is (morally if not legally) anticompetitive against Napster et al.

    65. Re:You're kidding, right? by pwhysall · · Score: 1

      So what?

      The point was that Yahoo! has chosen to sell music in a form that doesn't work on the iPod, and that this is their idea, and that the iPod doesn't inherently chain you to Apple's DRM scheme.

      The point stands.

      --
      Peter
    66. Re:You're kidding, right? by hobbit · · Score: 1

      [Apple] are free to decline, but since the RIAA won't budge, they're the only ones that can change the current situation.
      Do you understand the difference between can/can't and will/won't?
      --
      "Wise men talk because they have something to say; fools, because they have to say something" - Plato
    67. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      > Perhaps "lock out" would be a better description then. iPod owners are effectively locked out of competing services (Yahoo, Rhapsody, Napster).

      Users of all online services are "locked out" of receiving the fine Sony DRM that is distributed via CD.

    68. Re:You're kidding, right? by Phanatic1a · · Score: 1

      Bull. Fucking. Shit.

      Yahoo could, if Yahoo wanted, sell mp3s. Those mp3s would play merrily on any iPod in the world.

      So, again, where is the lock-in/out?

    69. Re:You're kidding, right? by toddestan · · Score: 1

      So, again, where is the lock-in/out?

      Umm... the fact that Apple won't let anyone else use their Fairplay DRM?

    70. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      In spelling ridiculous rediculous, you leave yourself open to ridicule

    71. Re:You're kidding, right? by Morgalyn · · Score: 1

      This is very true! However, I also like having the backup copy on the CD, and they play well in my car.

      --
      You say you got a real solution
      Well, you know
      We'd all love to see the plan
      (The Beatles)
    72. Re:You're kidding, right? by MoneyT · · Score: 1

      Thankfuly the iPod plays more than just fairplay encrypted AAC files.

      --
      T Money
      World Domination with a plastic spoon since 1984
    73. Re:You're kidding, right? by tbuskey · · Score: 1

      Where is the lock in? I don't see it in either example. The lock in is present only in the file format, not the player itself. With MP3 formated files, I can move from any one player to any other player. Buying an iPod does not force me to buy from iTMS. Likewise, buying a Microsoft player does not lock me into WMA files. I have an older MP3 player. It can play WMA files. I have never downloaded MP3 online to it. I buy CDs and rip them to MP3s to listen to on my player. iTMS is one distributor. My local music store is another. I don't have to use iTMS to get music on an iPod.....

    74. Re:You're kidding, right? by Dominatus · · Score: 1

      The point does *NOT* stand.

      The iPod DOES chain you from buying any legal mainstream internet music. That IS lock-in. No one ever said it locks you in from all songs every. Bottom line is, it's lock in for 95% of music sales online. That's lockin whether you like it or not. Saying "well you can buy other music" IS NOT A SOLUTION. If I want to buy Britney Spears online, legally, in the USA, and I have an iPod I HAVE to use iTunes. Lockin. Because of the words "have to".

      Oh, and ripping it to a CD and burning it back is a circumvention of encryption and thus a violation of DMCA, thus, it's illegal.

    75. Re:You're kidding, right? by Dominatus · · Score: 1

      No
      They
      Couldn't

      For the last fucking time people, why is this so difficult. Look, let me lay it out easily for you...

      the RIAA owns almost all mainstream music
      The RIAA will not sell music that is not DRM'd
      Therefore Yahoo can not sell music that is not DRM'd

      the ipod supports only one DRM scheme, FairPlay'
      no other DRM scheme will work on the iPod
      itunes is the only music store Apple allows FairPlay to be used on

      A music store wishing to sell mainstream music must license it from the RIAA
      Therefore, they must use DRM
      Since Apple won't license their DRM scheme, they need to come up with their own
      Since the iPod won't play anything other than FairPlay, their DRM will not work on the iPod

      An iPod user looking to buy mainstream music downloads a song from Yahoo!
      Because Apple will not let Yahoo! use FairPlay, it does not work on the iPod
      Therefore, the iPod user is forced to user iTunes to download legal mainstream music

      How is that not lock-in? The *ONLY* reason Apple doesn't let Yahoo use FairPlay is that they might offer competition to iTunes music store. They are locking in the market. Furthermore, Apple has a monopoly on music players and is thus leveraging this monopoly to gain another one in the online music store market. Ugh! Idiots.

      Jesus people...

    76. Re:You're kidding, right? by pwhysall · · Score: 1

      There is nothing at all stopping Britney from releasing her music on Warp Records and selling it through bleep.com as un-DRM-encumbered MP3 or FLAC files.

      She's chosen not to.

      That's not Apple's fault.

      --
      Peter
    77. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      Yeah, that sounds about right, so long as Microsoft isn't trying to illegally leverage one monopoly into another. Just having a monopoly isn't illegal. Was there some kind of point you were trying to make?

    78. Re:You're kidding, right? by Dominatus · · Score: 1

      UGH!!!!

      Jesus Christ!!!

      It IS Apples fault that they aren't releasing their FairPlay DRM. What the fuck. You people are like cult members. Analogy.

      MS Bundles IE with Windows. Do you think that was wrong? Even if you don't is this a valid arguement?

      There's nothing stopping Dell from stripping out all visible parts of IE and installing Netscape on their machines, therefore it's not MS's fault.

      WTF your arguement is insane. FIrst of all, Britney is probably in contract with a record comapny that WOULD prevent her from leaving. Second, if she didnt make that contact, she wouldn't be famous. It's a vicious cycle.

      Apple is *PURPOSELY* keeping their FairPlay to themselves to avoid competition. They are PURPOSELY leveraging their iPod monopoly to create an online music monopoly.

      Artist's should be forced to switch fucking labels so that their music will play on everyone's device.

      Jesus you people are fucking blind. It's like talking to a hardcore christian about dinosaurs...

    79. Re:You're kidding, right? by Anonymous Coward · · Score: 0

      If I want to buy Britney Spears online, legally, in the USA, and I have an iPod I HAVE to use iTunes. Lockin. Because of the words "have to".

      Hmm if only there was a way to convert from WMF to MP3. BTW, I found that link in 5 seconds.

        Your argument is like suggesting that BMW locks out Alpine, because their cars ship with Blauplunk.

    80. Re:You're kidding, right? by Dominatus · · Score: 1

      If you remove the DRM from an iTunes file you are breaking the law per DMCA.

      A better car analogy would be if Ford cars only worked with "Ford Gas Station Gas" unless you illegally circumvented something, or made your own gas. Yes, lock-in.

    81. Re:You're kidding, right? by Starxxon · · Score: 1

      What are you talking about? When you burn a FairPlay song to a CD, it strips away the DRM and produce a standard audio CD. From that point, FairPlay doesn't do anything to prevent from ripping the audio back to AIFF or MP3.

      If you are saying that the newer version of FairPlay causes you problems when ripping from an audio CD you burned from iTMS tunes, please provide more details, because nobody ever reported anything like that.

    82. Re:You're kidding, right? by Starxxon · · Score: 1

      You overestimate the "stranglehold" effect that the iTMS DRM and AAC format provide. The iPod was as successful in countries that didn't have access to the online store for years. While the iTMS dominates the online music market, it's still a small part of the music that can be found on people's iPods and a very small part of the overall music market. As for people ripping their CD's to AAC because it's default in iTunes (they can also use MP3 and other formats supported by the iPod), this is what Microsoft planned to do with WMA. Apple has to compete against MS in the MP3 player/online music store market, and MS has the huge advantage of monopolizing the PC OS market, and that has much more implications than the iPod/iTMS dominance. AAC is open enough that other competing players could support it if the need was there. But there is not much need for it and they are probably under some pressure from some "lonely over-zealous MS employee" not to include AAC in their PlayForSure players. So it works both ways... In reality most people that own an iPod and have CD's ripped in AAC by default don't even realize that they could not directly use those tunes on a competing player. If they buy other iPods it's mostly because they are satisfied with their first iPod and the iTunes software, but also because of a conjecture of other factors not related to DRM and file format.

  13. XMas? by Anonymous Coward · · Score: 0

    How many of those IPods are sitting in boxes with bows on them? It may not make up all the numbers missing but I'm willing to bet there will be a crapload of legal downloads on XMas day and in the weeks and months to follow. I know for a fact that Napster has sold a ton of download credit gift cards that presumably will be used on or around Xmas day.

    1. Re:XMas? by shawb · · Score: 2, Insightful

      This article is a non-issue for several reasons:

      1)As you say, many of the iPod purchases are gifts which have not been opened yet.
      2)Many of the iPod sales are to repeat customers who do not have to fill up their library again. I am sure a significant number of the people who are getting their first iPod also already have music purchased from the iTunes store.
      3)There are more outlets to purchase music online now than there were before, so iTunes sales would suffer due to the competition. That's only natural.
      4)The previous quarter was the beginning of the school year. I imagine many students would get new music at the beginning of the semester. They are too busy with papers and studying towards the end to shop around for music. And they are getting too tight on funds as student loans or summer job savings have been spent already.
      5)Because the holidays are coming up, people are less likely to buy music for themselves, but they have been purchasing iTunes gift cards of which a significant portion will be redeemed shortly after christmas. I'm guessing this alone would account for at least 0.44% of last quarter's sales. I mean, it's not like you'd actually purchase music from the iTunes store to put it on someone elses iPod as a present... you'd just give them a gift certificate to do it themselves. Similar to 1) but not entirely the same. For instance they would probably be inside a card than have a card taped onto them.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
  14. Be my guest by iamacat · · Score: 5, Insightful

    Critics say Apple's proprietary technology and its refusal to offer more ways to buy or to stray from its rigid 99 cents a song model is dampening legal sales of digital tunes.

    If music industry is considering non-propietory technology and prices below 99 cents/song, there is nothing Apple can do to prevent that. All they have to do is put their stuff on mp3tunes.com

    1. Re:Be my guest by ls+-la · · Score: 0

      I'm pretty sure it's not the prices below 99 cents the music industry is concerned about.

  15. Maybe it's because... by Anonymous Coward · · Score: 0

    ... we don't want to buy the same music *twice*?

  16. 0.44%!!! by Nighttime · · Score: 2, Interesting

    0.44%? Oh no! The sky's falling in. Good job it wasn't 1% or we'd be back to the days of the Great Depression with music execs throwing themselves out of windows. Sheesh! 0.44% is within statistical variance.

    --
    I've got a fever and the only prescription is more COBOL.
    1. Re:0.44%!!! by scolby · · Score: 2, Funny

      Good job it wasn't 1% or we'd be back to the days of the Great Depression with music execs throwing themselves out of windows.

      Methinks that might make a lot of people smile.

    2. Re:0.44%!!! by pintomp3 · · Score: 1

      did you mean to say "good god" instead of "good job"? i know this is /., but damn!

    3. Re:0.44%!!! by OakDragon · · Score: 1
      Well, they may see it as bad, if it's compared to a projected huge increase.

      Stock in major companies can actually go down if revenues go up 10% - but they were projected to go up 15%.

    4. Re:0.44%!!! by Kuciwalker · · Score: 0

      I suppose you wouldn't think -.44% GDP growth too bad either...

    5. Re:0.44%!!! by pxuongl · · Score: 1

      if the music industry has been saying that music sales has been going down because of all the pirates... then how can they legitimately project a huge increase? what kind of dice are they rolling?

  17. A whole 0.44% by nystagman · · Score: 1

    Gosh! Such precision! I'd like to see some analysis of these numbers, as I suspect that the uncertainty in how they are gathered could very well be much greater than this devastating half of a percent.

    --
    Theory and practice are the same in theory, but different in practice.
  18. Faulty reasoning from the start by jaymzter · · Score: 3, Interesting

    FTFA: As has been true since the start..
    What exactly is this generalization based on? It basically implies that all individuals owning an ipod/mp3 player are copyright infringers from the get go. Then, just because sales are down for a quarter, it's the sign of the Apocalypse! Are they not teaching logic in schools anymore?

    --
    If thou see a fair woman pay court to her, for thus thou wilt obtain love
    1. Re:Faulty reasoning from the start by Yaa+101 · · Score: 2, Funny

      Nope, it gave place to creationism...

    2. Re:Faulty reasoning from the start by cptgrudge · · Score: 1
      Nope, it gave place to creationism...

      What? I thought that the music was never created; it had just always been there...

      --
      Qualitas edurus commercium, nullus penitus net rimor, nullus deus beneficium
    3. Re:Faulty reasoning from the start by deathy_epl+ccs · · Score: 1

      No, no, no... The music was intelligently designed by this powerful entity I like to call "The Composer."

  19. Too Expensive by EEBaum · · Score: 5, Insightful

    When downloads start costing significantly less online than on CDs (just like CDs should cost significantly less than CDs) people will buy quite a bit more.

    --
    -- I prefer the term "karma escort."
    1. Re:Too Expensive by Kjella · · Score: 1

      Well seriously, how much does it cost of distribute a cheap piece of plastic to retail stores? Because that's the biggest cut you can expect. It's amazing how we've recently had these big articles about fraudulent camera shops, but it seems most people expect them to start selling with a big-ass rebate once it gets online. If they could make more money selling a CD than an online download because of warped business logic like that, is it any wonder they don't like online downloads?

      --
      Live today, because you never know what tomorrow brings
    2. Re:Too Expensive by Nerdposeur · · Score: 2, Insightful

      I heartily agree with that. Selling a CD off the shelf means manufacturing lots of them, printing booklets, shrink-wrapping, distributing to stores, suffering inevitable waste and theft, not always having the supply in the right place for the demand, etc etc.

      Digital sales are VERY efficient. Once something is recorded and set up, your only distribution cost is bandwidth. So why the heck does one CDs worth of material cost the same as one physical CD?

      For that matter, since a lot of the record company's work has been cut out, they should get a smaller cut of the profits than before, giving more to artists. Companies like CD Baby are doing nicely with this. Magnatune is another neat site; you can listen to streaming music all you like and you set your own price for the download (within limits).

      I don't agree with stealing music, but I do think that low prices are a good way for music sellers to win back some of the business that now goes to illegal downloads.

    3. Re:Too Expensive by Anonymous Coward · · Score: 0

      >When downloads start costing significantly less online
      >than on CDs (just like CDs should cost significantly
      >than CDs) people will buy quite a bit more.

            Speak it, brother. Over the past two months, I have purchased almost $400 worth of music from AllOfMP3, a quasi-legal Russian site that sells albums for like $2 each. The three years before that I *may* have purchased $100 worth of CDs, mostly as gifts. I just gave up purchasing CDs.

      No one album is worth $15 to me, but I'll gladly pay $15 to hear an artist's complete catalogue. Is it unfair to the artists? Yes. On the other hand, I have handed over to the music industry $400 that otherwise never would have made it their way. You decide if that is unfair.

    4. Re:Too Expensive by GigsVT · · Score: 1

      AllofMp3 is legal, not "quasi-legal".

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    5. Re:Too Expensive by ben0207 · · Score: 2, Informative

      Actually you've handed some Russian dude $400, not the music industry. You really think the artists get a cut from something like AllOfMP3?

      You would have done more good for everyone involved* if you'd just given $400 to charity and pirated that music.

      *Except the aforementioned Russian dude.

      --
      cmd-q.co.uk - some sort of stupid fucking internet bullshit
    6. Re:Too Expensive by nick_davison · · Score: 1

      Ironically, the music industry "claims" that they'd love to be able to charge $1.29 for an Usher track and $0.39 for an old Uriah Heep track.

      Because, right now, a ten track CD of Uriah Heep music is just $3.99 new at retail compared to the $12.99 Usher album, right?

      Surely no one is jaded enough to think that the promises of $0.39 tracks are so much bull in order to try gaining sympathy for unlocking the price structure to realise the real goal of $1.99 popular tracks and $0.99 less popular ones... with maybe the odd $0.79 for the absolute least popular and absolutely nothing at $0.39.

    7. Re:Too Expensive by conigs · · Score: 1

      While I would love to see songs cheaper than $.99, you have to realize that there's a difference between real value and perceived value. $.99 is just about the highest price they can charge while still having people believe that's what the songs are worth.
      I'm sure it costs less than they make to distribute those songs. But to many people, that song is worth $.99, so they will pay it. If they don't believe it's worth that much, they don't buy it.

      --
      Slashdot: where repeating an article in a post is "+5 Insightful"
    8. Re:Too Expensive by gvibes · · Score: 1

      You can construct a semi-plausible argument that allofmp3.com is legal. However, I personally believe you would lose in court.

    9. Re:Too Expensive by Ryan+Amos · · Score: 1

      This would be true if IT infrastructure were free. It is most certainly not.

    10. Re:Too Expensive by pxuongl · · Score: 1

      they already cost significantly less.... buying a CD for the current hot song will cost you 18 bucks. buying the same song on itunes will cost you a buck. what's that? like 18 times less? and so what do u do with your saved $17? maybe buy music that doesn't suck... geez... .44% difference. they're quick to blame the iTMS, but why don't they look at themselves for the steady stream of crappy overproduced overhyped music they've been pushing at us for the last 5 years?

    11. Re:Too Expensive by Anonymous Coward · · Score: 0

      Agreed on a lot of points. I still buy tons of CDs even though I hate to leave the house. If the sound files were made the quality of an actual CD , perhaps it would feel worthwhile to pay the same cost online as at the record store. I can only speculate what the actual overhead of producing music online vs. offline though, unless someone cares to enlighten us.

    12. Re:Too Expensive by mu-sly · · Score: 2

      They wanted globalisation and free trade... is this not globalised free trade in action?

      That it's in reverse to the usual may be bad news for big business, but they're only too happy to use it the regular way around for their own gain - exploiting people and legal loopholes in other countries in order to keep their expenses down. Why shouldn't MP3 downloaders be only too happy to do the same?

      Tough shit to the big corporations, I say - although I'm not an allofmp3.com customer either. You wanted free trade - here it is.

    13. Re:Too Expensive by drinkypoo · · Score: 1
      We're talking about moving information, here. Moving information by IT infrastructure is less expensive than moving it by any but the most efficient physical transport infrastructure. Especially since we're talking about CDs here! We're talking about 5" discs that only hold ~700MB of data (your average album is an hour or less, so they're not even holding that much data!) and which are then inserted into a jewel case, making them take up maybe five or six times as much space as the disc by itself. Or, you can compress the data until it takes up maybe 1/8 its original capacity, which will have no effect that the average person can detect (especially on a pair of cheap headphones) and zip over to a user in a few minutes.

      Also, the users pay a significant part of the cost of the IT infrastructure by maintaining their own connection, which in turn pays for the ISP, which in turn pays for the backbone as surely as the IT departments of the world. No clients means no servers, too.

      In other words, instead of building CD-pressing factories, pressing CDs, having an insert printed, buying jewelcases and putting CDs and inserts in them, buying a shrink wrap machine and shrink wrap plastic (consumable) and shrink wrapping the CDs, buying boxes and hiring people to stuff them with CDs, renting or buying warehouse space with loading docks and fork lifts, paying for the distribution of the pallets of CDs to the resellers which includes truck maintenance, diesel fuel (which also includes road taxes - you have to maintain those roads!) and so on... You can lease some servers and some colo space, stick the data on the servers along with your ecommerce application (sure, it's not free, but it's cheaper than factories and warehouses, esp. with the cost of real estate today) and bingo, the money starts rolling in.

      We could dicker back and forth about this, but software companies wouldn't offer digital downloads of [some] software cheaper than buying it in the store if they weren't saving money. There's no reason to believe that it's not a cheaper option for the music industry as well.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    14. Re:Too Expensive by drinkypoo · · Score: 1

      Actually, it's quite a lot, especially with fuel prices rising. (Granted they're in a dip now, but it's allegedly due to the release of reserves and that won't last forever.) You have to maintain the trucks, for example. And, you pay to maintain the roads through fuel taxes - about $0.46/gallon in California. IIRC, that's mostly federal... You also don't need to pay for printing and duplication. If it's not substantially cheaper to offer downloads, I am very, very surprised.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    15. Re:Too Expensive by GigsVT · · Score: 1

      Even if allofmp3 isn't paying all the licenses they should (even though there's strong evidence they are), that's not the consumer's problem.

      That's like saying the consumer is liable if their car manufacturer loses a patent infringement suit. It just doesn't work that way.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    16. Re:Too Expensive by ALpaca2500 · · Score: 1

      who pays $18 for a CD? i go to newbury comics, and new releases are usually $8 to $13. if you go to sam goody to buy music, you're an idiot.

      and also, who wants to buy one song, and not a whole album? iif i really like a band or artist, i want to hear all the other songs they sing, not let the radio decide what songs i want to hear. tons of bands have tons of great songs that you will never ever hear on the radio, becuase it was never released as a single.

    17. Re:Too Expensive by Anonymous Coward · · Score: 0

      Digital sales are VERY efficient. Once something is recorded and set up, your only distribution cost is bandwidth. So why the heck does one CDs worth of material cost the same as one physical CD?

      Because, as with all things economic, the selling price has nothing to do with the cost of manufacture. The selling price is simply the highest price that consumers will pay without walking away, so the music industry can maximise their prices.

    18. Re:Too Expensive by saleenS281 · · Score: 1

      For the same reason a 20oz bottle of pop costs double the price of a 12oz can when it costs the manufacturer 1/4th the price.

      If they have people used to paying a certain amount, do you think they'll deviate down? Or create more profit for themselves?

    19. Re:Too Expensive by EEBaum · · Score: 1

      Indeed! Also, albums are set up to lead you from one song to the next, often giving an hour-long meta-piece, with its own highs and lows. If I only have one song from an album, it's quite hard to settle into listening. Sure, shuffles are fun, but sometimes I want to have a somewhat longer attention span.

      --
      -- I prefer the term "karma escort."
    20. Re:Too Expensive by beantherio · · Score: 1

      Errr.. allofmp3.com is free trade? I didn't know theft could be free trade.

    21. Re:Too Expensive by mu-sly · · Score: 1

      It's not theft - it's using legal loopholes in another country where this is legal. Exactly the same as Nike, Coca-Cola, Nestle or whoever can do rather unethical things in certain countries at lower cost than they could in the "developed world" where they are subject to more stringent regulations.

      However much you want it to be, copyright infringement is not theft. Besides, I see far more similarities between globalised free trade and MP3 buyers using some shady Russian MP3 site to get cheap MP3s, than I do between copyright infringement and theft.

    22. Re:Too Expensive by gvibes · · Score: 1
      Actually, unless there's an indemnification agreement, it does work that way. 35 USC 271 - "whoever ... uses ... any patented invention, within the United States or imports into the United States any patented invention during the term of the patent therefor, infringes the patent." There are no exceptions for someone selling you an infringing item or anything.

      Also, there is no "strong evidence" that allofmp3.com is paying the licenses they probably should be paying (i.e., to the US copyright holder). I personally think the biggest hurdle is that a court would likely find that the sale takes place in the United States.

    23. Re:Too Expensive by GigsVT · · Score: 1

      They were investigated and found to be in compliance with all copyright laws.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    24. Re:Too Expensive by gvibes · · Score: 1

      With all Russian copyright laws? That doesn't help you much if US copyright law applies (as I believe a court would decide). I agree there is a colorable argument, but I think it's a losing one. 1. Purchase in Russia. 2. Import of Copy. 3. Later copying from HD to RAM would be fair use based on format shifting of the imported copy.

    25. Re:Too Expensive by GigsVT · · Score: 1

      Can you elaborate on why you think it's losing?

      The purchase is conducted in Russian currency, allofmp3 has no US presence, etc. I don't think one could make a good argument that the purchase happened in any country but Russia.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    26. Re:Too Expensive by gvibes · · Score: 1
      I just think that sales are typically considered to have occurred in the location of the purchaser. For instance, if you are a NY resident, and buy an item from a California online vendor, you don't pay California sales tax. There was no sale in California.

      The previous fact, combined with the fact that you never own a copy in Russia (the first copy that you receive ownership of is on your computer, ore more accurately, in your RAM), makes it a losing proposition in my mind. Actually, I think that he second point may be much more significant than the first (because I could be wrong on the first).

    27. Re:Too Expensive by GigsVT · · Score: 1

      OK, assuming that the purchase is legal in Russia, I think you'll agree that I can buy as much as I want and never download it and no infringement occurs, right?

      I do own a copy in russia, it's sitting on their servers waiting for me to import it by downloading it.

      Think of it this way. I call my pal Yakov and tell him to purchase 5 CDs for me in Russia. I had sent him 500 rubels previously. He purchases them and has them in his possession, waiting for me to tell him to mail them to me. No infringement has occured. Same deal.

      Because the act of purchasing the digital recording and the act of downloading it are separate, I think it's clear that the purchase does not occur in the US, the purchase is entirely overseas.

      Under the First Sale doctrine. Quality King Distributors Inc., v. L'anza Research International Inc (1998) the supreme court ruled that works made in the US, exported, and then purchased legally overseas and reimported are not infringing. You probably knew that.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    28. Re:Too Expensive by gvibes · · Score: 1
      I doubt a court would find a distinction between the purchase and import of an mp3. I believe a court would find that such an interpretation would nearly completely eviscerate copyright law online, in that online MP3 services could merely "shop" for the cheapest country, and establish a service there. The fact that allofmp3.com charges based on amount downloaded also informs against a distinction between purchase and import. Using allofmp3.com, you pay when you download, correct?

      Also, it's somewhat dangerous talking about the first sale doctrine in the context of digital files, because due to MAI v Peak you can purchase a file from someone else, but as soon as you play the file, you create a copy in RAM, and therefore a copying has occurred under the Copyright Act. The first sale doctrine does not protect copying, so you would have to make a fair use argument.

    29. Re:Too Expensive by GigsVT · · Score: 1

      Using allofmp3.com, you pay when you download, correct?

      No. You pay ahead of time into an account. Money gets deducted from the account when you purchase music, not when you download it. You could purchase a bunch of music and never download it, and your account would eventually be out of money. The two steps are distinct and separate.

      Also, when you download the works successfully, they are no longer available in your account on allofmp3 unless you purchase them again. You can't download multiple copies without repurchasing.

      you create a copy in RAM

      If the legality of allofmp3 comes down to what the user does after fixing their initial copy, then allofmp3 is just as legal as itunes, since the user generally would perform the same sorts of actions on a file downloaded from itunes as they would from a file gotten from allofmp3.

      Regardless, if your player does not cache the entire file in RAM, instead reading chunks at a time (as most of them do), then that's not really fixing a copy in a way that would be likely to trigger copyright protection.

      To put it in MAI v Peak terms, the representation created in the RAM by most music players is in my opinion not sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration.

      Of course this is a big gray area as both of us is aware, and millions (billions?) of people make copies of their files to put on portable players, which is a much clearer infringement than any RAM copy, and is also generally tolerated by copyright holders.

      I think a court would be hesitant to make a ruling similar to MAI v Peak these days (especially with regard to digital media), on the grounds that it would upset the balance of rights between copyright holders and consumers of copyright protected content. It would destroy the entire portable music player market.

      --
      I've had enough abrasive sigs. Kittens are cute and fuzzy.
    30. Re:Too Expensive by cowscows · · Score: 1

      Yeah, but the question remains, what is the real average perceived value for songs? 99 cents might be the highest that they can reasonably get away with, but is it really the best solution? At 50 cents per song, it'll take two purchases for them to make as much as they do at .99, but will consumers buy more songs at that lower price to make up for it?

      There's definitely an argument to be made in perceived value there. The object in sales isn't necessarily to sell an object for the highest amount possible. It's often better to find the right balance between a price and the volume you'll move at a reduced price. Walmart has become a retail powerhouse by selling at razor thin margins, and making up for it with just a ridiculously high number of sales.

      Now, this is just my personal take on it, but I'm much more likely to spend $10 for twenty songs than I am to spend $10 for ten songs. With digital distribution, I'd think the economic realities would naturally push towards lower margins and higher volume, because the cost of getting 20 songs to me is negligibly higher than getting 10 songs to me. Buy one, get one free is pretty damn compelling when you see it in a store somewhere, and digital distribution allows a seller to do that at no extra cost. Sure, they'd lose a little money on people who are only going to buy one or two songs either way, but it could really open the floodgates on the hardcore music listeners.

      --

      One time I threw a brick at a duck.

    31. Re:Too Expensive by gvibes · · Score: 1

      Thanks for the correction on the functionality of allofmp3. Court's make MAI v Peak-like rulings all the time. It's cut and dry settled law at this point. Here's a quote from a Federal Circuit case that was released in August, I think - Storage Technology v CHE - "CHE does not deny that the copyrighted maintenance code is copied into the Control Unit's or Management Unit's RAM when the company reboots its customers' systems. See MAI Sys. Corp. v. Peak Computer, Inc., 991 F.2d 511, 518-19 (9th Cir. 1993)." itunes is different, because the user of itunes gets an explicit license to the copyrighted song (and, if push came to shove, likely an IMplicit license to make copies in RAM, etc.). The caching argument is interesting. It would be kind of funny watching these 70 year old judges deciding whether caching constitutes a copyright violation. Ripping a CD you bought into MP3 is a clear copyright violation. The legality of such behavior is only saved by murky fair use law.

  20. Huh? by mysqlrocks · · Score: 1

    "You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple. People are bored with that."

    That's simply not true. You can put music from other services on an iPod.

  21. And yet... by tpjunkie · · Score: 0

    And despite this distressing news of sales dropping less than half a percent, you can bet the RIAA is still pushing to increase the price of "popular" songs...

  22. Ok two things........ by Anonymous Coward · · Score: 0

    1. There is CRAP out there. Nothing really new to listen to, so sales are down when the music out there sucks.......duh.

    2. Many of those "ipod" and mp3 player sales are for christmas. Christmas Day and the week there after if sales are down then cry me a river.

    jackasses.........

  23. They're GIFTS! by cloudscout · · Score: 4, Insightful

    Yes, iPod sales are up, but those sales aren't going to transalte to iTMS purchases until AFTER the iPods have been opened. The story says that gift card sales are "off the charts". You can expect downloads to jump dramatically beginning December 24th.

    1. Re:They're GIFTS! by robertjw · · Score: 1

      What's amazing is the geniuses at BusinessWeek can't figure this out. Amazing that a business writer can't figure out how retail works at Christmas. I bet Christmas day is HUGE at iTMS - and I bet their sysadmins are sweating bullets over it.

    2. Re:They're GIFTS! by Oarsman · · Score: 1

      Maybe they're doing what I'm doing too. Holding off buying new music until I see what music I get for Christmas. I'd hate to buy a CD this month only to find out that my family bought it for me for Christmas.

      (That said, I'm not buying CDs anymore. I'm buying the 2 songs I care about per CD from the Apple Store. But I'm not buying any more until Christmas as iTunes gift certs are #1 on my list.)

      Just my $0.03. Inflation's a bitch.
      --

  24. Sell us better music! by supabeast! · · Score: 3, Insightful

    "We're not seeing the kind of dramatic growth we should given the surge in sales of iPods and other MP3 players."

    Hmmm... sales suck on CD, sales suck online... maybe it's time for the record industry to reconsider its current business model of pushing albums where the musicians lose almost all control to producers who churn out an album with three good songs and ten filler tracks.

    1. Re:Sell us better music! by ClamIAm · · Score: 1
      Sell us better music!

      Exactly. I can go to a local show for five bucks and hear better music (live, even) than watching MTV, turning on the radio or going to the latest OMG CONCERT at the Target Center (I live in Minneapolis). I'm also fairly certain some of these bands/acts would rather perform for people who like their music than deal with the BS that comes along with signing your life away to the RIAA (one reason here being that their music is a big part of their life, and you lose that to the greedy bastards).

  25. An industry with millions of users is down 0.44%? by ComputerSherpa · · Score: 1, Insightful

    Overanalyze much?

    --
    Information wants to be anthropomorphized!
  26. Pfft. by Quaoar · · Score: 1

    The day the music industry stops selling us DRM crippled, low-quality merchandise over the internet is the day I stop loading my iPod the conventional way.

    --
    I'll form my OWN solar system! With blackjack! And hookers!
  27. The music is holding back the music business by lawpoop · · Score: 1

    You want to see phenomenal growth? How about making phenominal music, not phenominal marketing campaigns. Otherwise, the only music you're going to sell is people buying their favorites in the new format, like they did from vinyl -> tapes, tapes -> CDs, CDs -> mp3s.

    Find some really talented artists, not hyper-hyped hot chicks, make it available only digitally and watch the dollars roll in.

    --
    Computers are useless. They can only give you answers.
    -- Pablo Picasso
    1. Re:The music is holding back the music business by shawb · · Score: 1

      You know what's funny? Those hyper-hyped "hot" chicks really aren't that attractive, sometimes downright scary, without the professional makovers they get before any publicity spot. seriously. So that means you are left with... hyper-hyped, and that's it.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    2. Re:The music is holding back the music business by shawb · · Score: 1

      Err... that link was supposed to be here. I've been having problems copying link locations since upgrading Firefox to 1.5. It seem like it sometimes tries to get the url of the first tab that was opened, or something wierd like that. Also had wierd problems using the keyboard in certain fields at times... for instance sometimes I can't type letters, sometimes the arrow keys don't navigate around. Sometimes both. But minimizing and then restoring seems to help sometimes. I've only really seen it on Slashdot and Google, but then again those are pretty much the only webistes I regularly enter info into.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    3. Re:The music is holding back the music business by lawpoop · · Score: 1

      I'm going to go ahead and say they look good without make up.

      It's like the old saying, "you can't polish a turd". The women that are selected for promotion to celebrity already have good bone structure, symmetrical features, etc. If you really want to see ugly people, just walk down the street.

      Also, those are really bad photographs. They are not a good indication of how pretty the person comes off as in real live, face-to-face.

      There's the run-down:
      Christina Appelgate -- looks like she didn't get much sleep. Photograph snapped at the end of a word, which makes her neck look weird.
      Pamela Anderson -- I don't see anything wrong with this.
      Cameron Diaz -- This is the worst picture of her? She looks gorgeous.
      Alicia Silverstone -- OK, this picture was snapped when she had her mouth open and food in it. No wonder it's no flattering. Also, she may have been a little heavier than in the picture on the left. It certainly doesn't make her ugly.
      Britney Spears -- I just don't get it, she doesn't look bad. She's cute.

      Of course, no woman is as beatiful as a woman with make-up on. The prettiest woman in the world couldn't compete against a woman wearing mascara and all the other tricks.

      --
      Computers are useless. They can only give you answers.
      -- Pablo Picasso
    4. Re:The music is holding back the music business by ALpaca2500 · · Score: 1

      i will say this: i find girls who are actually good musicians or good singers and actually write their own material much more attractive than the overhyped hot chicks who really have no talent, have their albums way overproduced in order for their shitty recordings sound "good".

    5. Re:The music is holding back the music business by shawb · · Score: 1

      I know that these are specially chosen pictures from bad angles/etc, and had considered commenting on that, but felt that leaving it as essentially hyperbole was just fine. My feeling is that they really don't look all that much better than many people you see on the street. Sure, they might be somewhat attractive, but I really don't feel that it's multi-million dollars a year attractive.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
  28. Fighting by Sv-Manowar · · Score: 1

    People like the RIAA are going to fight the internet as a distribution method to the hilt, and many other people will join them, because as it becomes more popular they will start losing their market. If I can buy a whole CD online and be listening to it in seconds, instead of going out and picking it up, I know which one I'd rather be doing, and it's the one that most people would.

    Of course, the RIAA and other companies hate this because it means they can't control distrubution and it gives all artists an even playing board. Record companies aren't going to like it much either, when bands can sell their own music directly to a huge market without having to go through their process, and therefore cutting them out.

    I can't see a lot of the companies involved going down without a fight, because it is big business. In regards to the music downloads falling, do they actually show comparison against CD sales for the same period? maybe it was a complete dip in the entire market.

  29. IIRC by $RANDOMLUSER · · Score: 1

    The history of the CD, when the music industry was dragged, kicking and screaming, into that distribution medium, new releases came out on CD, old releases were on vinyl. Two years later, vinyl couldn;t be had, and the Beatles White Album was top of the (CD) charts, and R.E.M. or somebody was number two. Why do we feel that Internet distribution of music should be any different? I can get out my credit card, buy and download software today, or I can wait two weeks and get a printed CD with the software. Why should music be any different?

    --
    No folly is more costly than the folly of intolerant idealism. - Winston Churchill
    1. Re:IIRC by Anonymous Coward · · Score: 0

      You don't recall correctly. The first CDs hit the shelves (mosty locked cases) in the US in 1983. The White Album (don't italicize it, as its title is The Beatles; the White Album is a descriptive proper name) was released on CD in 1987, a few weeks after Sgt. Pepper's Lonely Hearts Club Band. I know, I bought both the day they came out.

    2. Re:IIRC by gryphokk · · Score: 1

      The Sgt. Pepper's Lonely Hearts Club Band CD, as I recall, came out "Twenty years ago today" after the original 1967 album. I still haven't got my copy. Maybe I'll pick it up on the 40th anniversary.

      --
      And you, madam, are very ugly. In the morning, I shall be sober.
  30. Not Apple's Fault! by gasmonso · · Score: 4, Insightful

    Jobs wants to lower the cost of songs, but the RIAA has insisted that they raise the cost of new songs in order to lower the cost of other ones. Many people are not willing to pay $.99/song muchless $1.xx for one. And the complaint from Napster in that article is pathetic... they are just upset that Apple dominates the marketplace. You want more sales... then lower the price!

    http://religiousfreaks.com/
    1. Re:Not Apple's Fault! by muchmusic · · Score: 1

      Naturally they are upset - they want that market!

      --
      -- If an artist saw things as they truly are, they would cease to be an artist.
    2. Re:Not Apple's Fault! by m50d · · Score: 1

      He has a perfectly valid complaint - there's no way he can sell music for iPods - and if it were anyone other than Apple you'd be crying foul.

      --
      I am trolling
    3. Re:Not Apple's Fault! by pxuongl · · Score: 1

      my favorite part about napster is their TV ad that reads in big letters: "Own Nothing, " something else.... i forget the second part, but it's to the effect of own nothing, access everything. i'm sorry... but i'm not ok with paying money in order to own nothing.

    4. Re:Not Apple's Fault! by Tsiangkun · · Score: 1

      Problem is not vendor lock in from the Apple side, it's vendor lock out from a crappy business model ( leasing DRM infected music files to consumers ).

      I am not interested in leasing music.

      Apple should not be required to support every tom dick and harry's implementation of a DRM scheme. Napster choose their scheme, the consumer rejected it. Welcome to the market place, sometimes pigs get slaughtered.

    5. Re:Not Apple's Fault! by m50d · · Score: 1
      Apple should not be required to support every tom dick and harry's implementation of a DRM scheme.

      No. They should, however, be required to license theirs to people who will pay a reasonable fee, because they have a monopoly (not absolute, but comparable to that of windows) on portable players. And they refuse to do so, and change it deliberately to break interoperability when others figure out how to be compatible - exactly the things we rightly condemn microsoft for.

      --
      I am trolling
    6. Re:Not Apple's Fault! by drinkypoo · · Score: 1

      If he's using DRM, then he has to deal with the consequences of DRM. I don't care if the player is made by Microsoft, Apple, or Sony, the truth is the same. He's trying to feed the same beast as Apple and then complaining when, between them, they have created a slavering monster.

      --
      "You're right," Fisheye says. "I should have set it on 'whip' or 'chop.'"
    7. Re:Not Apple's Fault! by clifyt · · Score: 1

      "No. They should, however, be required to license theirs to people who will pay a reasonable fee, because they have a monopoly"

      Why? They already have several formats folks can put their music onto the iPod with. They aren't restricting ANY company from putting their music on the machine unhindered.

      In fact, the opportunity to do so is the opposite of a monopoly. They have freed the machine to use WAV / AIFF / MP3 / AAC and a video format -- all of which could be used on the machine.

      What? They should be also forced to open up a 5th format that is key to Apple's business plan? Apple gives several viable ways to get the songs onto the machine and others think Apple should give more?

      If this were Microsoft, I don't think ANY of us would be complaining? What? That Microsoft released an OS that required us to pay for their office components -- but if we wanted to use F/OSS equivelents they'd more then encourage us to do so -- in fact direct us to where we can get this stuff...or if someone wanted to charge for software but couldn't hook into their encryption -- I don't think that would stop anyone from releasing software for an OS that has the kind of market share M$ has. Its a bullshit argument and usually these If It Were Microsoft arguments usually are (just as much as the whole bitching about Microsoft generally is...I can't stand the company most of the time because they make second rate products, but I have nothing against them making a buck so long as its done legally).

    8. Re:Not Apple's Fault! by syousef · · Score: 1

      They don't want more sales. They couldn't care less about more sales in and of themselves. what they care about is more money. They don't want to be in a high volume, low value business. They want to be in a high volume high value business. In other word's they're greedy.

      --
      These posts express my own personal views, not those of my employer
    9. Re:Not Apple's Fault! by m50d · · Score: 1
      Why? They already have several formats folks can put their music onto the iPod with. They aren't restricting ANY company from putting their music on the machine unhindered.

      They're letting themselves sell DRMed music for it but not letting anyone else do so. That's a distinct market from unencumbered music. It doesn't matter if MS is letting you run all the games you want, if they're not letting you run competitors' office suites that's still a restriction.

      What? They should be also forced to open up a 5th format that is key to Apple's business plan? Apple gives several viable ways to get the songs onto the machine and others think Apple should give more?

      Yes, they should. They're selling it as a player, it's a monopoly player which gives them certain responsibilities. The player should be opened up to give everyone a level playing field when it comes to selling songs for it.

      If this were Microsoft, I don't think ANY of us would be complaining? What? That Microsoft released an OS that required us to pay for their office components -- but if we wanted to use F/OSS equivelents they'd more then encourage us to do so -- in fact direct us to where we can get this stuff...

      If they produced an OS that would let you buy their office components or use F/OSS equivalents, but wouldn't let you buy Lotus or anyone else's office suite.

      or if someone wanted to charge for software but couldn't hook into their encryption

      They were made to allow winamp, realplayer etc. to play (even DRMed) wma, and we said quite rightly so.

      --
      I am trolling
  31. Who cares about 0.44 percent? by mobiux · · Score: 3, Insightful

    Is 0.44% a statistically significant number?

    I.E. So of an average of 1,000,000 downloads, that means last month there were only 995600?

    Seems like someone is reading alot into it.

    1. Re:Who cares about 0.44 percent? by castoridae · · Score: 1

      They are having strong sales of the iTunes gift cards. Those are pre-paid downloads. I'll bet if you add those in, it makes up for the missing 0.44% and then some.

    2. Re:Who cares about 0.44 percent? by loftwyr · · Score: 1

      Its not the down .44% that's the issue, it's the lack of up X%. For the first year growth was explosive and now it didn't grow at all since last quarter. It makes industry watcher worry when growth stops.

    3. Re:Who cares about 0.44 percent? by TubeSteak · · Score: 1
      Now legal downloads may be losing their luster. According to Nielsen SoundScan, average weekly download sales as of Nov. 27 fell 0.44% vs. the third quarter.

      1. Since the sales are all digital, they can be tracked with (theoretically) 100% accuracy. So yes, 0.44% is statistically significant.

      2. Which leads into my 2nd point: This is avg weekly downloads they're talking about. That # is most probably the average of everyone in the digital music biz. (Napster may have had a rough patch which pulled everyone down)

      3. The main problem is not that sales fell .44% It's that sales didn't grow. Shareholders these days expect constant positive growth. Some companies end up with a market sell-off because they only grew 7% instead of the 9% expected.

      Part of the problem for these business people is that they essentially have real-time feedback. In the brick and mortar world, the question would be "how were our sales this month?" Now, they're asking, how were our sales this week.

      BTW- Digital music sales figures are a wet dream. They can chart, graph and run regressions on daily/weekly sales figures... which basically means they can mine the data for some very subtle patterns that they couldn't dig out with innacurate brick-n-mortar #s. Hopefully they strip out identifyable information before tracking individual buying patterns. /. nerds should be rejoicing over the fact that their data is good enough to be talking fractions of a percent.
      --
      [Fuck Beta]
      o0t!
  32. Yes by Douglas+Simmons · · Score: 1, Insightful

    I believe in the laisez-faire free market with exception to monopolies. In Apple's case, they have created one and good for them, but being at the top with tech stuff especially self-fulfills itself and the greater your marketshare, the more helium you have underneath to lift you further. Because that is due to the nature of consumers in whose minds a brand's importance is overstated instead of exclusively creating superior technology (which may be true but I said exclusive), it is ultra hard for other companies to compete. So, just as free markets get stiffled by government over-interference, Apple's throne is protecting them too much from the heat of competition that would otherwise pressure Apple to lower prices and or make even smaller nanos.

    1. Re:Yes by the_rev_matt · · Score: 1

      That's all well and good in theory, until you realize that Jobs has been lobbying to lower prices by the record labels won't let him. It is the labels that are determining prices, not Apple. The labels are currently actively lobbying to RAISE prices.

      --
      this is getting old and so are you

      blog

  33. Lies! by Darius+Jedburgh · · Score: 5, Insightful
    Napster CEO: "but they're being restricted from buying anything other than downloads from Apple"
    Funny that seeing as (1) a large proportion of commercially available music can be downloaded from Apple and (2) iPods will play mp3 format files from any vendor or ripped from CDs. This guy is simply lying. It's interesting that someone can get away with such a bald-faced lie.
    1. Re:Lies! by tommers · · Score: 1

      I think its pretty clear he was referring to buying downloads, not CDs. He wasn't acknowledging the very limited amount of mp3s that are available for legal download, but it is still true that iPods limit users from using DRMed music from all major providers on their iPods which is a very large percentage of the non-Apple downloads legally available. And its hard to argue that these limitations are for the benefit of consumers instead of Apple. You don't have to use anything but iTunes, but it certainly doesn't hurt you if services are given license to encode FairPlay AAC files. But it could hurt Apple's well-earned near-Monopoly.

      Some people argue that any of these non-iTunes services could just provide mp3s, but most labels won't allow it and Napster couldn't just choose to provide mp3s without getting the labels to go along. So there is nothing that can be legally done on anyone's end except Apple's to allow the music one can purchase on Napster to be used on iPods. So I think his comments were fair, and certainly not shown to be "lies!".

    2. Re:Lies! by NanoGator · · Score: 0

      " This guy is simply lying. It's interesting that someone can get away with such a bald-faced lie."

      Really? I'm a customer of Rhapsody. I can't use my subscription service with an iPod. Dell DJ? Sure, no problem. The most popular MP3 player on earth? Nope.

      So, which music services are actually selling legal MP3 copies of songs? Which ones are providing subscription services for iPod compatible music?

      Whining? Sure. Bald faced lie? Mmm hmm. Apple sure gets away with a lot around here.

      --
      "Derp de derp."
    3. Re:Lies! by markbo · · Score: 1

      The Napster CEO isn't lying -- he's just whining. By allowing only MP3's to play on their iPods, they do not allow DRM'd formats that other distribution channels are licenced for.

      This really highlights the negotiating power of Apple -- who else could get the music industry to agree to a non-DRM legal download song service? Certainly not Napster.

    4. Re:Lies! by Anonymous Coward · · Score: 0

      Napster's content is in DRM'd WMV files. Napster's content won't play on Ipods. He's not lying persay, he's trying to blame Apple for Napster's weak business plan, which is basically 'deliver our restricted product to the minority of portable music players'.

    5. Re:Lies! by DarkJC · · Score: 1

      Erm...Apple uses DRM'd AAC files for it's music store. Their downloads are certainly not offered in DRMless MP3 format.

    6. Re:Lies! by Anonymous Coward · · Score: 0

      Audio Lunchbox

      EMusic

      Both offer regular old MP3s (and AL offers .ogg). No Britney Spears, but a decent (not perfect, but decent) selection of good music. For less commercial music, there's also Magnatune, but I've not had much success finding stuff I really want there (other people seem to enjoy it, though).

    7. Re:Lies! by The+Amazing+Fish+Boy · · Score: 5, Insightful

      I'm a customer of Rhapsody. I can't use my subscription service with an iPod.

      So you bought music knowing it had DRM, and knowing iPod doesn't play it, and now you're complaining. Sounds like you fucked up.

    8. Re:Lies! by curious.corn · · Score: 1

      pure bull, this Napster guy should sell napkins. iPods play standard mp3 and aac (drm'd and not); iTunes encodes to mp3 as well as aac and guess what, it may be patented from top to bottom (just as mp3) but it's a completely disclosed format just as mp3 is. I bought an Nokia 6630, it's a neat mainstream smartphone, has a decent PIM setup, and a convenient rs-mmc expansion door; guess what... it won't play Fairplay drm'd aac but plain vanilla aac work a charm. I could actually use iTunes to legally rip anything to aac and play it on my cellphone and Apple or Nokia wouldn't see a dime from me, only the Fraunhofer Institute that owns all the patents and sells the format to the marketplace. I'm ok with corps making products, bundling functionality and selling me a package that appeals to me for the added value of interoperability amongst them; it benefits me for the added convenience and them for the sale they won...

      --
      Mi domando chi à il mandante di tutte le cazzate che faccio - Altan
    9. Re:Lies! by NanoGator · · Score: 0, Flamebait

      Only on Slashdot would it be the end-user's fault that Apple's proprietary formats are inconvienent.

      --
      "Derp de derp."
    10. Re:Lies! by Anonymous Coward · · Score: 0

      Why aren't you bitching about Rhapsody's proprietary format? Eat your own dog food, you bought it, no one forced you to.

    11. Re:Lies! by NanoGator · · Score: 1

      "Why aren't you bitching about Rhapsody's proprietary format?"

      Because it's not Rhapsody's fault that Apple won't license their DRM technology.

      "Eat your own dog food, you bought it, no one forced you to."

      I just wanted to point out how funny this sounds coming from somebody who is against broader iPod support.

      --
      "Derp de derp."
    12. Re:Lies! by Scudsucker · · Score: 1

      Because it's not Rhapsody's fault that Apple won't license their DRM technology.

      So do you also get pissy when PS2 games wont play in your Xbox?

    13. Re:Lies! by NanoGator · · Score: 1

      "So do you also get pissy when PS2 games wont play in your Xbox?"

      I can always count on Slashdot to fence with woefully inadequate metaphors.

      --
      "Derp de derp."
    14. Re:Lies! by Anonymous Coward · · Score: 0

      I can always count on Slashdot to fence with woefully inadequate metaphors.

      Reading your own posts, are you?

      And we can always count on you to take shots at Slashdot and/or Apple without giving any reasoning in your posts.

      AND his metaphor was quite adequate. Apple sells hardware (iPod) that uses content (Protected-AAC, MP3, and others). Microsoft sells hardware (Xbox) that plays content (Xbox games).

      With me?

      Apple's hardware plays content they distribute and content other people distribute (MP3). But Apple's hardware doesn't play content other people sell in certain formats (protected WMA, etc.)

      Microsoft's hardware plays content they distribute, and none other. (Unless you count DVDs or Audio CDs, but the analogy is with videogames/music). But Microsoft's hardware doesn't play content other people sell in certain formats (PS2 games, Gamecube games, etc.)

      So what is the difference? Well, for one Sega (for example) could make content for both Xbox and PS2. But that can't be it, because Warner could make content for both iPod and Dell DJ.

      So what exactly is your objection? That Apple doesn't support all formats? Neither does Microsoft. Neither does anyone. NOBODY supports all formats, and indeed nobody is faulted with not supporting all formats. (Except when their not using formats ruins it for the rest of us. See: Word, HTML, IM wars, etc.)

    15. Re:Lies! by NanoGator · · Score: 1

      "Reading your own posts, are you?"

      Touche. :)

      "AND his metaphor was quite adequate. Apple sells hardware (iPod) that uses content (Protected-AAC, MP3, and others). Microsoft sells hardware (Xbox) that plays content (Xbox games)."

      No. YOUR metaphor was not adequate for reasons too obvious for me to even point out here. Amusingly, there was a much more related metaphor you could have used, unfortunately it would have worked against you.

      "So what exactly is your objection? That Apple doesn't support all formats?"

      Nope. I was objecting to the comment that Napster's CEO was 'bald faced' lying. I don't love Apple or hate Napster enough to stand behind such rash conclusions.

      --
      "Derp de derp."
    16. Re:Lies! by hobbit · · Score: 1

      No. YOUR metaphor was not adequate for reasons too obvious for me to even point out here.
      I know this is Slashdot, but do you really think you're fooling anyone here? Seriously, if anyone was previously in doubt that you had no argument, saying stuff like this leaves them with no doubt.

      --
      "Wise men talk because they have something to say; fools, because they have to say something" - Plato
    17. Re:Lies! by NanoGator · · Score: 1

      "Seriously, if anyone was previously in doubt that you had no argument, saying stuff like this leaves them with no doubt."

      Getting suckered into an unrelated argument isn't going to fare any better. I've been around Slashdot long enough to know better. As for what others think: If I thought I was being judged fairly, I might actually care. Fuck them.

      --
      "Derp de derp."
    18. Re:Lies! by Starxxon · · Score: 1

      I think he meant that Apple may be in position to tell the music industry: "Look, if we all stop using DRM, MS, Napster, Real and Sony included, we'll all sell more tunes and it will solve the compatibility problem in a fair manner."

      But I think they will wait as much as they can before doing that because as time goes by they get more negotiation power by holding onto the current model and expanding their market share.

      I'm sure my theory wont fit in the minds of those who think that Apple and Steve Jobs is pro-DRM.

      Jobs made a few (almost) anti-DRM statements in its career. When he said something like "you wouldn't want to burn in hell", when talking about piracy, what he was really saying is that "this copyright protection stuff has gone too far, people always get around it anyway, and because of that the music labels have decided to use scare tactics which is sad".

    19. Re:Lies! by Scudsucker · · Score: 1

      I've been around Slashdot long enough to know better.

      A downright oldtimer, from your UID.

      And nothing was wrong with my metaphor. Of course it's crazy to complain about the Xbox not playing PS2 games, but it's equally crazy to claim that Apple is in the wrong for not supporting Real's online store.

    20. Re:Lies! by NanoGator · · Score: 1

      "And nothing was wrong with my metaphor."

      There are two huge gotchas with your metaphor. I'm not kidding when I say they're blatantly obvious.

      "but it's equally crazy to claim that Apple is in the wrong for not supporting Real's online store."

      MMm hmmm. Well I suppose it's okay if their customers are happy about getting screwed.

      --
      "Derp de derp."
  34. Statistical Variation? by Lord+Byron+II · · Score: 1

    How fair is it really to say that Apple is holding the music industry back when sales for one week (a small sample) are down (compared to the last quarter, a very large sample) a fraction of a percent?

  35. god, mom, you are such a LAME-O! by Thud457 · · Score: 5, Funny
    What a crappy present!


    "This even roots my computar, suckwit."

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  36. blame apple by Paladin144 · · Score: 2, Insightful
    Yes, of course the music industry would love to blame Apple for anything that's been going wrong in their business. I'm sure it couldn't have anything to do with the big labels' dwindling music-producing skills. And lord knows it couldn't be that cool new bands are refusing to sign with major labels, and are deciding to go it alone against the RIAA, thus depriving the RIAA of the right to control their music and their future.
    </sarcasm>
  37. Really.... by commo1 · · Score: 1

    Historically, how do you measure the projected sales of music in a given market? There's no hard and fast science to it, it's a best guess based on so many factors it's ridiculous.

    Perhaps there simply isn't that much new/good music out there at all and people aren't buying... how is the iPod REALLY affecting sales?

    I personally think that music had a severe downturn in the late 90s, and upswing (which is now over) in the early 2000s. This is my opinion, but where are the really cool alt-rock bands going where no band has gone before? All the labels have jumped on a given bandwagon, trying to recreate success instead of nurturing new talent and new ideas.... and new music!

  38. I think I know why by Potent · · Score: 5, Funny

    Could it be that music just sucks 0.44% more than the previous quarter? :)

    --
    Out of order? Fuck! Even in the future nothing works! - Dark Helmet (Rick Moranis) "Spaceballs"
    1. Re:I think I know why by TheRaven64 · · Score: 4, Funny

      I haven't listened to any new music this quarter, but judging by what I heard last quarter I'd have to say that no, it's not possible.

      --
      I am TheRaven on Soylent News
    2. Re:I think I know why by Anonymous Coward · · Score: 0

      I agree 110%. If we didnt pay artists millions to make music like we do, maybe the crappy artists who do it only for money would fade off. This would allow artists who play music because they love to do so arise. I'd love to see horrible like Ashlee Simpson play because they love the music, we all know they do. But thats just my two cents.

    3. Re:I think I know why by mattkinabrewmindspri · · Score: 1

      Of course!

      Because Apple's been forcing the recording companies to produce crappy music.

    4. Re:I think I know why by Anonymous Coward · · Score: 0

      I agree 110%. If we didnt pay artists millions to make music like we do, maybe the crappy artists who do it only for money would fade off. This would allow artists who play music because they love to do so arise. I'd love to see horrible like Ashlee Simpson play because they love the music, we all know they do. But thats just my two cents.

      Which is why our education system is so great these days... teachers' salaries are so low that only people dedicated to teaching are now teachers.

    5. Re:I think I know why by Anonymous Coward · · Score: 0

      No. Christmas songs suck a lot more than .44% more than normal songs.

  39. My theory... by LeonGeeste · · Score: 2, Funny

    ...is that some people buy iPods, but fill 'em up with pirated music instead of stuff they paid for at iTunes. I'm thinking about testing this theory soon.

    --
    Rank my idea: http://www.sinceslicedbread.com/node/531
    1. Re:My theory... by Okonomiyaki · · Score: 4, Insightful

      ...is that starting around the end of November, a lot of people who bought iPods just took them home and wrapped them in colorful paper instead of opening them and loading them with music. Wait.

  40. Or.. by GmAz · · Score: 1

    Perhaps no good music has been released. I mean come on, how many rappers do you need with gold teeth rapping about riding on Dubs in their Escalade. After a while, it all sounds the same.

    --
    Click Click Bloody Click PANCAKES!
    1. Re:Or.. by TheOtherAgentM · · Score: 2, Funny

      They bought the first album. Then they went out and bought gold fronts and Dubs. They now cannot afford to purchase music online.

  41. .44% by dosle · · Score: 0

    Why does the industry need to explain a negative loss of half a percent? It seems like the only time you AREN'T hearing from the industry is if they are in the green. What a bunch of cry babies.

  42. Nothing New by dduardo · · Score: 1

    I've had my fair share of downloading this year but by this time there is nothing new that interests me. I'm waiting for the new stuff next year.

  43. It's more like by Solr_Flare · · Score: 2, Interesting

    The music industry's latest antics combined with their rediculously high pricing schemes(and wanting to raise them even more) that is hurting them, not Apple. If anything, Apple has helped by keeping the music industry *in check*. If they hadn't then we'd all be paying $3 to $5 a song by now and legal filesharing would be totally dead.

    This piece comes off more as a paid attempt by the music industry to weaken Apple's position and power. Anyone who has been following the news knows that there is a bit of a mini-power struggle going on between Apple, who wants to keep things affordable, and the music industry. While I certainly think Apple could do better than they have been, at least they are thinking ahead and pushing in the direction music and consumer tastes are moving towards instead of clinging to the past model like the RIAA has, which has done nothing but hurt them the last 10 years.

    --
    You are who you are, let no one tell you different. But, never close your mind to a new point of view.
    1. Re:It's more like by Anonymous Coward · · Score: 0

      For the love of English. It's "ridiculous".

  44. out of context by satsuke · · Score: 0

    "According to Nielsen SoundScan, average weekly download sales as of Nov. 27 fell 0.44% vs. the third quarter."

    Has it occured to anyone that .44% is statistically insignificant, taken by itself?

    several of my relatives are getting ipods(or like) for xmas, and the edict from their parents is legal downloads only.

    Not to play to the audience, but you'd think the industry types would be reading the writing on the wall. Better talent / selection / prices = higher units moving = higher profits.

    It's very rare anymore I see / hear something I WANT to buy, let alone take a chance on via CD or download.

  45. The obvious solution... by QuantumRiff · · Score: 3, Funny

    Is to let the RIAA have their way with tiered pricing.. Obviously, if new songs aren't being bought at $.99, they will be purchased in droves at $2.99 for that hit new single...

    --

    What are we going to do tonight Brain?
    1. Re:The obvious solution... by Anonymous Coward · · Score: 0

      I know this is suppose to be funny and all, but at the end of the day, the RIAA doesn't care if they sold fewer copies of the song or sold 100x the number. All they care about (rightfully or not) is the amount of money they made. They're not in the business to promote musical talent as much as promoting something that gets them more $$$ in return.

      If they can get more money by selling at $2.99 vs. $0.99, then it isn't more right or wrong than any other company. Half those people buying at $0.99 might be willing to buy at $2.99, and would mean the RIAA profits more in the end. I love the $.99 pricing but as a business owner, I understand what they're doing.

    2. Re:The obvious solution... by ptr2004 · · Score: 1

      People buy ring tones for $3. I am sure there is market for $3 songs

    3. Re:The obvious solution... by Anonymous Coward · · Score: 0

      Well, actually, instead of $.99 at iTunes, people would rather pay $15.99 for the whole fricking CD with one new hit on it rather than $2.99, because suddenly the price per song has made CDs cheaper than iTunes. That's the real angle that the RIAA is playing. They would like nothing better than the death of iTunes and probably the iPod as well.

    4. Re:The obvious solution... by avendasora · · Score: 1

      I think they have it backwards. Why would I pay MORE for a song that I can hear played to death on any radio I happen to walk by? I'd actually be willing to pay more for a song or album from 10 years ago that I really liked, but don't ever hear on the radio anymore.

      Give away the new stuff. Charge for the vintage stuff.

    5. Re:The obvious solution... by dswan69 · · Score: 1

      I'll never understand why anyone would pay anything for a stupid ringtone, nevermind $3. There are definitely a lot of very stupid suckers out there.

    6. Re:The obvious solution... by dswan69 · · Score: 1

      I'd pay 80c for a new release, 40c if it is older than 3 months, and 20c for older than 6 months - that's for lossless compressed audio; for lossy divide those numbers by 4. Old stuff should cost a lot less, they've had years to make money on it. Besides with infinite copyright they'll still be flogging it in the year 3000.

      I don't have to buy music. There are lots of entertainment alternatives. And even if they manage to stomp on downloading they'll never have much success with hand to hand trading (the way we did it before the internet).

  46. I love statistics out of context. by Ara · · Score: 5, Insightful

    Or, heaven forbid, there might be some people buying multiple iPods...

    For example, over the course of the product, I've owned 4 different iPods. Apparently this means that my online music buying should have quadrupled, which it did not.

    Thus, the link between iPod sales and buying music online is not directly proportional.

    1. Re:I love statistics out of context. by Jtheletter · · Score: 2, Insightful
      Thus, the link between iPod sales and buying music online is not directly proportional.

      Indeed, and besides people buying multiple ipods I think the reason they're seeing a huge increase in ipod sales but not in music sales currently is because most of the ipods selling right now are probably Christmas/Chanukah gifts. Hence hardware sales now, music sales LATER.

      Expecting music sales to increase directly with ipod sales is like expecting people to buy a year's worth of gas at the same time they buy a new car.

      And since when has a decrease of less than one half of one percent as compared to a previous quarter meant a product/business model was failing, or that piracy is somehow to blame? I mean we all know no one else has anything more important to buy than music - certainly not higher gas prices, higher home heating prices, a huge portion of Louisiana residents just looking for jobs/homes, and one of the most intense years for charity in recent history (Katrina & FL at home, tsunami and massive earthquake abroad).

      Good god music industry, get your heads out of your asses and just fix the numbers in the direction you want like you always do. Of course, online music sales being down won't stop them from continuing to insist iTunes songs should cost MORE.

      --
      -- I'm not a pessimist, I'm a realist. It's not my fault that life sucks so much. --
    2. Re:I love statistics out of context. by drc1 · · Score: 1

      Same here, used to be a single ipod household, now we have four

    3. Re:I love statistics out of context. by nshravan · · Score: 1

      To use statistics again, you are an outlier. I'm sure if you notice the correlation between buyers of IPod and whether they already own one (your case), it'll be pretty low. While not completely authoritative, iPod sales can be a good indicator of music downloads.

    4. Re:I love statistics out of context. by delete · · Score: 1

      Or, heaven forbid, there might be some people buying multiple iPods..

      To use statistics again, you are an outlier.

      Not necessarily true. I'm not sure the grandparent poster is as rare as you might think. Don't discount marketing's beloved affluent teen market. I've frequently heard of cases where people buy a new iPod 4G/mini/shuffle/nano as soon as it is released. My friend's own daughter asked her father not to buy her a "big white iPod" since she would be teased about it at school - all her friends want to get a Nano this year. I'm certainly not suggesting that this is a good state of affairs, but Apple have managed to make the iPod a fashion accessory, so people will regularly upgrade to "stay in fashion". So it's no surprise that increased iPod sales do not necessarily lead to massive increases in online sales.

      In addition, I'm sure there will be some people who receive one this Christmas who have no idea how to go about buying music online. Their technically-minded friends, who probably bought the device, will help them rip their favourite CDs and they'll be happy. And there's absolutely nothing wrong with that. It's only the music industry that sees a problem here and want us to keep buying more music than most of us really want or need.

    5. Re:I love statistics out of context. by jred · · Score: 1

      Hey! I'd love to get a used iPod for xmas...

      --

      jred
      I'm not a mechanic but I play one in my garage...
    6. Re:I love statistics out of context. by Anonymous Coward · · Score: 0

      The point of statistics is to make generalizations about the population, not from individual scenarios (as you have just done). You might as well say something else just as equally as stupid based on a single case scenario. And, even with the iPod's I could help you because I own an iPod shuffle, but I have bought no songs online. That still doesn't change the fact that if X number of iPods are sold, they expect to see Y number of downloaded songs (give or take - i.e. make your confidence intervals). One of the other posters made a far more intellegent argument about them being gifts and he would expect a large time lag between the sale of the iPod and the sale of the songs after the holidays.

  47. 'Tis The Season by barchibald · · Score: 1

    Its just not fun to buy music as a gift when its just "the bits". The real question is what will purchases be like _after_ the holiday season when people are indeed filling up their new iPods.

  48. Christ... by Anonymous Coward · · Score: 0

    "OHno, people are actually using the music they already own on CDs to put on their iPods!" ... "Surely it is because of music piracy because everyone needs new music ALL the time, plus we really have so many quality products out to choose from"

    This has been an "Inside the 'brain' of a record company exec'-production.

  49. Who wanted Apple to use DRM? by kherr · · Score: 5, Insightful

    This is such a load of crap. It was RIAA who insisted on DRM before Apple could offer music. So Apple developed FairPlay to make RIAA happy, and thus was able to get all of the music we see in iTunes Music Store. This is whining because of the monster that was created. Apple owns the only really successful online music store. Apple owns the only portable music player that works with FairPlay. Music labels can easily get around this by dropping the need for DRM.

    This is exactly the lock-in future that DRM brings to the world. The music labels are crying bitter tears because they don't control the locks. Whaa whaa whaa. What would be different if Sony had succeeded instead of Apple? Do we think we'd be seeing Sony offering whatever they had to everyone? No. DRM simply sucks. It's anti-consumer, anti-competitive and restricts the growth of the marketplace. Reap what you've sown, you greedy bastards.

    1. Re:Who wanted Apple to use DRM? by shawb · · Score: 2, Interesting

      This isn't the music labels whining this time. This was Napster complaining that you can't load Napster purchased song onto an Ipod. You think the Record labels would really complain if people were to "mostly fill up their players from their own CD collections." That means more CD sales.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    2. Re:Who wanted Apple to use DRM? by samkass · · Score: 5, Interesting

      In fact, the music industry would LOVE it if Apple freely license FairPlay. Then they win, and consumers lose. Right now FairPlay is keeping RIAA in check because it's basically a choice between FairPlay or stolen music for 90% of digital music player customers... so you get things like 0.99/track and such. If Apple freely licensed FairPlay, it would be you against the record labels directly, and they'd be free to charge $4.99/track for the latest pop crap because if one service didn't license it for that price, another would.

      In effect, Apple's monopoly is working against the music labels' monopoly. If you take Apple's DRM monopoly away, consumers get screwed.

      --
      E pluribus unum
    3. Re:Who wanted Apple to use DRM? by Red+Flayer · · Score: 4, Interesting

      "You think the Record labels would really complain if people were to "mostly fill up their players from their own CD collections." That means more CD sales."

      I filled my MP3 player with music from CDs I already owned. Haven't bough a single song online, haven't bought a new CD in 6 months.

      Quite simply, I have enough music to never get sick of what I own. And since it's all easily at hand, I'm even less likely to get bored with it. I have downloaded some music that is being distributed free of charge by the copyright owners, but that's it.

      Now that its so easy for people to access their own library, the music industry needs to do more to get me to spend any money.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
    4. Re:Who wanted Apple to use DRM? by ncc74656 · · Score: 1
      What would be different if Sony had succeeded instead of Apple?

      Your MiniDisc/Memory Stick/$RANDOM_SONY-ONLY_STORAGE audio player would've been rootkitted?

      --
      20 January 2017: the End of an Error.
    5. Re:Who wanted Apple to use DRM? by SeaFox · · Score: 3, Insightful

      You think the Record labels would really complain if people were to "mostly fill up their players from their own CD collections.

      Yes. Because they'd rather have me buy two copies of each song I want to listen to.

    6. Re:Who wanted Apple to use DRM? by DysenteryInTheRanks · · Score: 1

      Well f*cking said!!

    7. Re:Who wanted Apple to use DRM? by ad0gg · · Score: 1

      If RIAA is making apple use DRM, why are the independant artist songs on itunes also DRMed up?

      --

      Have you ever been to a turkish prison?

    8. Re:Who wanted Apple to use DRM? by Anonymous Coward · · Score: 0

      This was Napster complaining that you can't load Napster purchased song onto an [iPod].

      Well, actually you can except Napster has eschewed its origins and chosen not to release its audio files in a compatible format such as MP3. That's Napster's choice, not Apple's

    9. Re:Who wanted Apple to use DRM? by Anonymous Coward · · Score: 0

      You lost me.

      "If Apple freely licensed FairPlay, it would be you against the record labels directly, and they'd be free to charge $4.99/track for the latest pop crap because if one service didn't license it for that price, another would."

      Uh, if Apple has a long-term contract with the RIAA that says they can charge $0.99/track and someone else charges $4.99/track...

      You do the math. No consumer is going to pick 5x the price *FOR THE SAME THING*

      Yes, Apple currently has a lot of leverage because they don't license FairPlay. Buy stuff from iTMS, you need an iPod. Buy an iPod, you get iTunes along for the ride. (Of course like me, you can just rip your CDs..) If they licensed FairPlay, then they'd lose this nice integration. Other people would undercut them or produce iTMS-compatible players.

      But it doesn't follow that if Apple licenses FairPlay, the RIAA can charge more.

    10. Re:Who wanted Apple to use DRM? by Halfbaked+Plan · · Score: 1

      Correction: they would rather have you purchase an infinite number of copies.

      But then, neither you nor I have contributed anything meaningful to this discussion.

      --
      resigned
    11. Re:Who wanted Apple to use DRM? by PitaBred · · Score: 1

      The consumers are already getting screwed at 0.99 per track. A fair price that most consumers would pay would be more around a quarter a track. That's why I don't use iTunes. It's not worth it.

    12. Re:Who wanted Apple to use DRM? by Anonymous Coward · · Score: 0

      This is exactly the lock-in future that DRM brings to the world.

      Careful with that axe Eugene. Apple is also a huge benefactor of that same DRM that the RIAA demands. The DRM system they use not only places restrictions on the music you purchase at the RIAA's request, but also limits your selection to an Apple iPod and to the Apple iTunes music store. DRM is DRM. How some people can complain about one part of the lock-in and defend the other is very strange.

    13. Re:Who wanted Apple to use DRM? by q256 · · Score: 0

      I have two iPods and my son has another.

      I own many many CDs, but the music industry hasn't put out much more but remake(s) or karaoke crap for the last five + years ... I think I have bought 10 CDs in the last three (down well over the 20 to 40 per year it once was). Perhaps the whining greedy bastards should quit bitching about loss of sales / piracy and start looking at the product (or lack there of).

      If the product is worthy people will buy it - I know I would - and I do - shame there is no product worth buying.

      --
      Once upon a time, a soon to be mommy and daddy loved each other very much (the lust was strong as well as the drinks)
    14. Re:Who wanted Apple to use DRM? by kurzweilfreak · · Score: 1

      You must listen to some real shit if a song is only worth a quarter to you.

      --

      kurzweil_freak

      5th Kyu Genbukan Ninpo/KJJR student

      Be the darkness that allows the light to shine.

    15. Re:Who wanted Apple to use DRM? by Anonymous Coward · · Score: 0

      So Apple can force you to stay with the Apple iPod and Apple iTunes combination. Fairplay is a mixture of copy protection AND Apple protection. Somehow, one is considered evil and the other is glossed over in denial.

    16. Re:Who wanted Apple to use DRM? by PitaBred · · Score: 1

      Either that, or I think that recorded music is grossly overvalued. Sell a million songs at $.25 each, and you have $250,000. Sell only 10,000? You've still got $2500 in the bank for nearly no cost of distribution. Music is a commodity now. It's no longer the speciality it once was. Every single kid in america doesn't want the new Black Eyed Peas album like every single kid needed the new Beatles album. Try to keep up with the economics.

    17. Re:Who wanted Apple to use DRM? by Anonymous Coward · · Score: 0

      Only TWO copies ? you MUST be a pirate. I mean, how else can you listen to that particular piece of music on your iPod, in the family room, in the bedroom, in the badroom, in the kitchen, in your car, and on your computer ? I mean, you would need *at least* 6 copies of them.

    18. Re:Who wanted Apple to use DRM? by shmlco · · Score: 1
      "Music labels can easily get around this by dropping the need for DRM."

      Cool. So how do we prevent everyone on the internet from downloading a new song for free the second it's released? Being as how we're dropping the need for DRM...

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    19. Re:Who wanted Apple to use DRM? by SgtChaireBourne · · Score: 1
      But in this case Napster is not the Napster you once read about on /. The name is the same but now it is owned by an RIAA-friendly Windows Media Format-only business. Hearing them complain about iPod is like hearing MS or RIAA whining.

      It's just sour grapes. Deal with it.

      --
      Beta is broken and the link to classic doesn't work. Stop wasting our time or there won't be anybody left here.
    20. Re:Who wanted Apple to use DRM? by Anonymous Coward · · Score: 0

      "You think the Record labels would really complain if people were to "mostly fill up their players from their own CD collections.""

      If I pick up a CD for $10 (the maximum pricepoint I will pay for anything but a double album or *maybe* an import), and it has 8-10 songs average, I just paid somewhere between a $1 and $1.25 for each song.

      If I buy a song at iTunes I pay $0.99.

      The difference is that in the second case there were no (physical) production or distribution costs incurred by the record company and there were no middle men cutting into that $1 to $1.25.

      So I'm going to have to say Yes, they will complain.

    21. Re:Who wanted Apple to use DRM? by womby · · Score: 1

      Long term contracts come up for renewal and with multiple companies able to provide restricted content into the IPod channel Apple would be unable to resist increasing prices if the record companies wanted.

      Right now apple controls access to the iPod, if a company wants to push restricted content out they must play by apples rules which are for the most part in our favour* if apple give away access to the iPod the negotiations will switch from "we have these customers you wish to access" to "we have this content you wish to sell to your customers".

      *for this discussion.

      --
      **** lying is wrong even for sleeping dogs
    22. Re:Who wanted Apple to use DRM? by Kadin2048 · · Score: 1

      Make it more convenient. AllofMP3.com exists and apparently makes money, because it's easier to use, has a better selection, and offers faster downloads than peer-to-peer. Sure, it may not be legal in the U.S., but that hasn't stopped anybody (that I've heard of). I know for a fact of people who basically use it as an alternative to P2P at places where filesharing is blocked (e.g. most universities). Especially when they were only charging $0.01/MB, the cost was low enough that even cheap college students would pay for it. (Now it's $0.02/MB, I think.)

      There are services out there that are competing with filesharing and winning, and as the filesharing networks get more and more difficult to use safely, or have to use more computationally-intensive encryption algorithms to stay anonymous and prevent users from getting sued, then paid services will become more attractive. That said, the current price points for paid services are orders of magnitude higher than what they need to be, in order to compete with P2P. There are lots of people out there who don't value their time very highly who will always download, but by reducing the prices of legitimate alternatives and increasing their quality, you make the segment of the market that will pirate smaller and smaller.

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  50. Confused? by chill · · Score: 2, Insightful

    I thought the iPod would play unrestricted MP3s? What is stopping anyone from buying an MP3 from Rhapsody, MP3.com, AllofMP3.com or anywhere else from putting them on their iPod? How is this holding back the *music* industry?

    I can see how it is holding back the portable music player industry, since they can't access iTunes, but they are direct competitors to Apple in the hardware arena. Apple made it easier to get to their service with their software, but that is the name of the game.

    [For the unenlightened, the rules DO change if you are a convicted monopolist.]

      -Charles

    --
    Learning HOW to think is more important than learning WHAT to think.
  51. In other news... by shr3k · · Score: 5, Funny

    In other news, the RIAA and major music industry conglomerates have announced new terms for customers purchasing and listening to their members' music.

    "All people do with their CDs and iPods is listen to them. People think that they don't have to pay anything else beyond the initial purchase price. But what they don't understand is that they need to pay royalties every time they listen to them," said RIAA spokesman, Bob Degalhart. "Every song you play on your stereo or iPod should require some form of small micropayment to us for the right to even play that music. Everyone should realize that purchasing the music is only the first of many steps."

    The RIAA and the industry plans to push legislation to require all stereo equipment, MP3 players, and hearing aids be fitted with special software that is capable of completing micropayment transaction per listen. Industry member Sony says that it has special software available for installation on home PCs for this purpose and plans to deploy it in the near future.

    1. Re:In other news... by ta+ma+de · · Score: 1

      I read, in the nytimes, they were trying to tax the ipod in Japan by the rational you described. In japan they tax cd players and the revenue goes to the music industry. They claim cd's are just the media cost, not the listening cost. I think I need to go to the library with my laptop and rip some more cd's, dvd's and make photo copies. I wonder when libraries will be sued for providing free books, music and movies?

    2. Re:In other news... by R3d+M3rcury · · Score: 1

      Actually, as I understand it--and I may be wrong--that's how subscription services work.

      With a subscription service, you pay Napster (for example) $15/mo. However, whenever you listen to a song, Napster pays the RIAA a certain amount. This is one more reason you have to dock your "Napster-to-go" compatible player. That info is pulled off the player and the info is sent off to Napster and the RIAA.

      (I've always thought it would be a fun hack to figure out how this information gets transmitted, get a subscription to Napster, and report that I played 1,000,000 songs every month. I can see the headlines, "Napster reports growth in subscription, profits way down...")

    3. Re:In other news... by soulhuntre · · Score: 1

      Actually, as I understand it--and I may be wrong--that's how subscription services work.

      You're wrong. The Napster service does not report per listen statistics.

      --
      --> Fight tyranny and repression.... read /. at -1!
    4. Re:In other news... by Sigg3.net · · Score: 0

      ..hearing aids be fitted with special software that is capable of completing micropayment transaction per listen..

      When asked for comments as to whether this would be violating the rights of the hard of hearing, the RIAA spokesman was heard saying: "We don't marginalize handicapped people. We think they're just as much as you and me. So they pay the same price, naturally."

      The RIAA expects the judicial process of legally protecting sound waves from further abuse to be finished before the coming summer.

  52. It seems to me.... by Big+Boss · · Score: 4, Insightful

    That there is one very compelling reason NOT to buy legal downloads. DRM. No, not for the tinfoil hat reasons, but for one very simple one: interoperability. I can't take my DRMed iTunes AAC file and play it with my MP3-CD car radio. I can't play it via HMO on my TiVo. I can't play it in any other portable device. While I do own an iPod, I also own other devices that I listen to music on. Those can't play AAC, let alone DRM AAC. And I'm not even going to get into WMA-DRM.

    Burning it to CDA and re-ripping it doesn't count. It's annoying and drops all the metadata, in addition to the transcoding quality loss. If they want to sell me music, it MUST be in a non-DRM format that I can use on ALL of my devices, MP3 for example. If they refuse, I'll take my money/time elsewhere. Indy, filesharing, certain russian sites, etc.. And I'm sure I'm not the only one. I'd be happy to pay $1/song, for high-quality (LAME-Standard minimum) MP3 or FLAC audio files. Hell, let me pick the format and bitrate and charge me a little more for the bandwidth for the higher filesizes. Oh, wait, someone else allready does that.....

    1. Re:It seems to me.... by geekoid · · Score: 1

      funny, I burn CDs and it plays in my car fine.

      of course, non-DRM's CD's don't do any of the things you listed either.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:It seems to me.... by TheRaven64 · · Score: 1
      Exactly. I have an iPod. The majority of my music collection is in AAC format ripped from CDs. A few tracks are from iTMS. Recently, I got a new mobile 'phone. My new 'phone can play AAC audio. Any tracks I ripped from CD work fine - the ones from iTMS don't. The next time I buy music I am going to remember this, and not buy it from iTMS (at least, not until JHymn is working again).

      I don't think I am in a particularly unusual position - I tried buying music from the Internet and got burnt by DRM. My new 'phone is not particularly shiny or geeky - I'm on a cheap contract - and so I would imagine that a relatively large number of people are getting similar devices and discovering that they can't play any music that's infected by DRM. Most of them, I imagine, will go back to pirating music. I will go back to not buying music.

      --
      I am TheRaven on Soylent News
  53. efficiency leads to deflation by Anonymous Coward · · Score: 0

    the value of music is less than coveted

  54. Ass backwards assesment by Alcimedes · · Score: 1

    If the #1 (by far) player uses a specific format to play DRM'ed songs, then wouldn't it be the music stores who don't use that format who are holding back sales? I don't see how everyone jumping on board the MS bandwagon (which doesn't work with iPods) is Apple holding back the music industry.

    Fact is people buy iPods.

    Fact is iPods won't play MS based DRM'ed music.

    Fact is if you want to sell songs that play on iPods, it's open formats or AAC.

    Unless you're dealing with #3 in a constructive manner, you're the ones holding back music sales.

  55. Won't buy from ITMS because the quality is poor by Thumpnugget · · Score: 3, Interesting

    Everything on my iPod is either 224 or 192kbps VBR mp3s ripped with LAME. I can even tell the difference between that and source and am considering reripping all my CDs to a lossless format, which I am NOT looking forward to, as I have over 1000 CDs.

    The 128kbps AAC files from the ITMS don't do it for me. They sound highly compressed and you can occasionally here aural artifacts in the high-end, like flanging in the cymbal washes. It's a lot worse with 128kbps mp3s, for sure, but the quality just isn't high enough for me to even spend a dollar there.

    --
    Free yourself. Everything else will follow.
    1. Re:Won't buy from ITMS because the quality is poor by geekoid · · Score: 1, Flamebait

      fortunatly, most people don't listen to music in a completly silent room that is sound proof.

      Most people have background noice the drones out the ends. Of course, I am sure your hearing is 30% above normel, and therefore can hear the difference.

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    2. Re:Won't buy from ITMS because the quality is poor by Smallest · · Score: 1

      i used to feel the same way. and i can hear the difference if i listen very closely to the compressed copies of songs i've known forever from uncompressed recordings. but for new music, stuff that i've never heard outside of an MP3, i don't notice many artifacts.

      even more importantly, 99% of the time i'm listening to music i'm either in the car or at work. if i'm in the car, there's a good chance the top is down and there's a 50mph wind competing for all those delicate cymbal sounds. and if i'm at work, i'm listening through headphones and am paying attention to work, not the music.

      in other words: ITMF is definitely good enough for the places i listen to it.

      now if someone could find a way to run two MP3s end-to-end so as to not chop up songs that the artist intended to fade into one another...

      --
      I have discovered a truly remarkable proof which this margin is too small to contain.
    3. Re:Won't buy from ITMS because the quality is poor by JudgeFurious · · Score: 1

      I'm sure that's fine and I doubt very seriously that they're missing you over at the iTunes music store. I even get where you're coming from because I don't buy everything from iTunes myself. Some things I simply must have a CD and in those cases I don't give a crap about how small I can get that mp3. I want it to sound absolutely perfect.

        iTunes wasn't built for you (or me when it comes to those CD's I care a lot about). It was built for the people who listen to the radio and think that sounds just fine too. It was built with background noise in mind and road noise in your car. It was built to be good enough for the majority of listeners.

      --
      Appended to the end of comments you post. 120 chars.
    4. Re:Won't buy from ITMS because the quality is poor by Prophet+of+Nixon · · Score: 1

      I think 128k MP3 sounds like crap too, though I have never listened to an AAC file. I originally ripped everything I had to 128k years ago when I had a Rio, and needed the small file size to fit roughly one CD to its 64 MB. I've got a CD player in my car now that plays MP3 CDs, and file size isn't that much of a limitation, so I decided to re-rip everything. I can't tell much difference above 192k on MP3, but I went to 256k just to ensure that I wouldn't need to rip again at some near point in time. Even with the large files, I can fit 7-8 CDs on 1 CD, which is great since I can make discs of all tracks from most bands. The player can read folders 2 or 3 tiers deep too, so I just burn the files exactly as they are stored on the computer, and everything works fine.

      There are some CDs that sound like crap no matter what is done with them, that could probably be encoded at 128k with no quality loss, but I like to standardize.

      I can't understand the success of iTunes at all. Ripping CDs is a totally hands-free business, short of changing discs when they are done. It takes no skill and no great amount of knowledge, only time near a computer. I ripped all of my discs to my laptop while at work, while working on several other projects, without even really thinking about it. No effort.

    5. Re:Won't buy from ITMS because the quality is poor by Anonymous Coward · · Score: 0

      Everything on my iPod is either 224 or 192kbps VBR mp3s ripped with LAME. I can even tell the difference between that and source and am considering reripping all my CDs to a lossless format, which I am NOT looking forward to, as I have over 1000 CDs.

      You'll be glad once you do finally rip everything to FLAC. Easy enough to convert from that to a compressed format at whatever bitrate you so desire. I settled on 256Kbps MP3s because I mostly listen to music in the car or as background music in my home office. There's also some music I have at 320Kbps (mostly classical / opera which needs the higher bitrates).

      Lessee... raw bitrate for CDs is 1.4Mbps, FLAC is generally 2:1 compression, so that takes you down to 700Kbps. My music tastes end up letting me put around 10-12 FLAC'd CDs on a single archive DVD-R (each album in a ZIP file along with some PAR2 data using QuickPAR).

      So 80-90 DVD-Rs to store your 1000 CDs once they're converted to FLAC. That's not terribly bad. I'd make 2 copies of each archival DVD-R. One for stowing into the storage box along with the original CDs, one for sticking on the shelf in one of those 128-slot nylon sleeve binders. At least, that's been my archival plan. I use inkjet printable disks too, with the list of ZIP files printed on the surface.

      (SuperCat also helps manage the chaos. At least it gives me a way to search my archives without physically pulling a binder down off the shelf and flipping through it.)

  56. Blame Apple by WhiteWolf666 · · Score: 1

    It couldn't have anything to do with the Music industry itself, huh?

    Blame P2P.
    Blame customers.
    Blame industry partners.

    Blame anyone but those truly responsible for the success of the music industry

    Not like this is new behavior for the RIAA & Co.

    --
    WhiteWolf666 an exBush supporter. All you new-school,compassionate,save the children Republicans can rot in hell
  57. I blame Apple, Google and Wikipedia by dmoen · · Score: 1
    Apple is clearly holding back the music industry by preventing them from charging $10 for a Britney Spears single. Likewise, through their blatant disregard for copyright (Google has stored copies of billions of copyrighted web pages in their index without obtaining permission from each copyright holder), Google has created an atmosphere of disrespect for copyright itself, which harms the music industry. Finally, Wikipedia, by distributing blatant propaganda like this page here, is actively trying to bring down the music industry.

    Oh, wait. Was the parent article a troll? Never mind.

    Doug Moen

    --
    I have written a truly remarkable program which this sig is too small to contain.
  58. has no one considered... by Anonymous Coward · · Score: 0

    ...it's the Holiday season and CDs are ridiculously easy gifts to give?

    How about comparing individual song sales to CD sales for the period?

  59. Correlation is not causation. by Irvu · · Score: 4, Funny

    The author is saying a) We predicted that we should be making X sales this week, and b) we are not. Therefore Apple is to blame, as are the people who keep choosing to not buy the overpriced "music".

    Can you spot the logical flaw?

    Last week I predicted the following:
    a) I would immediately win a hundred bojillion dollars in the lottery.
    b) The most beautiful women in the world would gather around me to sing my praises.

    None of that has happened so far, and seeing as how b is dependent upon a (lets not kid ourselves, I'd have to buy plane tickets for all of them to fly here), we should focus on a. A requires me doing things like buying lottery tickets, and the lottery having that kind of money, neither of which is the case. Therefore there is only one inescapable explanation: It's all the lottery people's fault. They're 'holding me back'. They should have set the pot that high, given me a free ticket, and then changed the rules so that only I would win.

    I love this game!

    1. Re:Correlation is not causation. by nelsonal · · Score: 1

      It would not be possible for your prediction to come true as the women would be unable to do much more than hum your praises. : )

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    2. Re:Correlation is not causation. by pxuongl · · Score: 1

      the flaw in your prediction is that there's no such thing as a "bojillion" dollars... if you had predicted a "bajillion", then you're back in the realm of reality

    3. Re:Correlation is not causation. by Irvu · · Score: 1

      Nah, I could pay for singing lessons.

      MMM, my very own chorus!

    4. Re:Correlation is not causation. by sharkey · · Score: 1
      Can you spot the logical flaw?

      Absolutely. Why would a Wookie, an eight-foot tall Wookie, want to live on Endor, with a bunch of two-foot tall Ewoks?

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
    5. Re:Correlation is not causation. by womby · · Score: 1

      That's not the reason they would be humming.

      --
      **** lying is wrong even for sleeping dogs
    6. Re:Correlation is not causation. by nelsonal · · Score: 1

      I'm glad someone got the joke.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    7. Re:Correlation is not causation. by womby · · Score: 1

      My mind lives in the gutter.

      --
      **** lying is wrong even for sleeping dogs
    8. Re:Correlation is not causation. by nelsonal · · Score: 1

      I guess that's what 10 years of the internet will do for a guy.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
  60. The Songs are Gravy, not Blades by ndansmith · · Score: 2, Insightful

    A competitor (I think it was Napster) put it well when they pointed out that using iTunes it would cost $10,000 to fill up a 10,000 song iPod. No one has ever expected the consumers to buy their music exclusively online. Apple debuted the iPod two years before the music store was online. They assumed that consumers would fill up their iPods with music extracted from their own CD collection and downloaded from P2P networks. Notice that there was not a significant price restructuring in the iPod line when the music store went live. In other words, the iPod is not a razor and the songs are not blades in Apple's business model, so dropping %.44 will probably not even make them balk.

    1. Re:The Songs are Gravy, not Blades by earthbound+kid · · Score: 2, Funny

      Your metaphor is delightfully mixed. Who puts their razor blades in gravy?

    2. Re:The Songs are Gravy, not Blades by ndansmith · · Score: 1

      Actually, I think the grandparent was contrasting the two metaphors, not mixing them.. Notice that "The Songs are Gravy, not blades."

  61. What the...? by Anonymous Coward · · Score: 0

    "average weekly download sales as of Nov. 27 fell 0.44% vs. the third quarter"

    Wow, a whopping ZERO point FOUR FOUR percent. That's gotta hurt. *snicker*

    ...Or maybe more people are buying CDs for Christmas since they're a lot easier to wrap up and give people instead of a disc full of downloaded data.

  62. It's DRM thats holding back the music industry by Anonymous Coward · · Score: 1, Interesting

    I always buy CDs and then rip them to mp3. I'll also never buy anything from an online music store if it comes bundled with DRM. I won't knowingly buy copy protected CDs either. I'm sure i'm not the only one.

    Perhaps its about time the music companies realised that people want to be able to do as they like with the music they've bought and paid for.

    It's not Apple thats holding back the music industry... its the music industry thats holding themselves back with their insane protection schemes.

  63. 0.44%!? by Turn-X+Alphonse · · Score: 3, Insightful

    0.44%!? That's less than 1%, hot damn the world's rebeling against music! That's like.. DOOMED!

    Totally ignore the fact that Christmas is comming up and people stop spending money on what they want and start saving for others, very often presents arn't music so the money goes else where.

    --
    I like muppets.
    1. Re:0.44%!? by Anonymous Coward · · Score: 0

      0.44%!? That's less than 1%

      Stop the motherfucking presses.

      This reminds me of a scene from an old TV show the name of which I forgot. Guy was talking about Mt. Everest. "Twenty-nine thousand feet," he says. "Do you know how high that is?" "It's 29,000 feet," she says. "Yeah, but put it in terms of everyday things." Pause. "It's 29,000 rulers," she says.

  64. Nothing old either by kherr · · Score: 4, Insightful

    I bet I only find about 40% of the stuff I'm looking for on iTunes Music Store. I want to get a lot of music I grew up listening to but is not available on CD or online. Why don't these dimwit music labels put all of their back catalogs online? They sit on piles and piles of music that, if made available, would earn them money. Unlike pressing and shipping CDs, getting them online is a one-time cost that will easily be made up in sales.

    1. Re:Nothing old either by Parity · · Score: 1

      Hmm. Check emusic.com for some of the stuff you're looking for. Depending on exactly what genre and when exactly you grew up... well, a lot of the emusic.com catalog is older stuff from labels that aren't big to-day.

      Stuff that is exclusively in the hands of the riaa labels is not there, of course.

      --
      --Parity
      'Card carrying' member of the EFF.
  65. Maybe if it wasn't DRM protected I'd buy more... by alteridem · · Score: 1
    Actually, I have been buying a ton of online music since I bought my iPod, but I don't particularily like it being DRM protected and costing more than going out and buying the CD's, so I buy from AllOfMp3.com which lets you choose the format and compression, is not protected so I can do what I want with it AND costs about $1 an album. It is out of Russia and I doubt that the record companies are getting much of a cut out of it, but I am sick of being ripped off by them.

    The music companies treat me like a criminal by adding copy protection to their CDs so that I can't listen to them as I want. They rip me off by charging $.99 / song for music that I can only listen to in limited ways. It is no wonder that my CD collection of about 500 CDs hasn't been growning recently, they have drivin me away...

    But hey, I'm preaching to the choir here aren't I? :D

  66. Sorry RIAA... by Craig+Maloney · · Score: 4, Insightful

    I'm sorry, but I've stopped purchasing RIAA encumbered music. There's plenty out there, and I don't need to support greedy corporations who don't understand their customer wants or needs. It only took a few years, but I finally caught that the RIAA is not interested in making sure that I remain a customer, and I've complied by taking my business elsewhere. Magnatune, Positron Records, Metropolis Records... they all get it. Soon other companies will understand that the problem isn't their customers (who want to support them), but the marginalized trade group cartels that are holding them back. Until this happens, my cash goes elsewhere.

    Sorry, RIAA... you had your chance.

    1. Re:Sorry RIAA... by mattsucks · · Score: 1

      ditto emusic.com

      Everything I've bought there plays just fine on my iPod. straight mp3, no DRM. gee, imagine that.

    2. Re:Sorry RIAA... by burnin1965 · · Score: 1

      "I've stopped purchasing RIAA encumbered music"

      And it seems that is the only way they will learn, or end up on the scrap heap.

      While I have been tempted by some new albums I have to refrain from allowing any of my cash to end up in any RIAA pockets. I've been purchasing indy CDs through http://cdbaby.com/ and I purchase music downloads in both MP3 and OGG formats from http://audiolunchbox.com./

      I refuse to hand over my hard earned money for a product which robs me of fair use rights.

      burnin

    3. Re:Sorry RIAA... by Anonymous Coward · · Score: 0

      "I've stopped purchasing RIAA encumbered music"

      You must be that 0.44% percent. Mystery solved! Okay you can all go home now.

  67. and by beforewisdom · · Score: 4, Insightful

    I'm sure draconian cd prices and lousy pop music have nothing to do with a decrease in sales.

    1. Re:and by Darius+Jedburgh · · Score: 1

      $15 for something that gives hours of listening pleasure? How is that "draconian"? Over its lifetime, one CD probably relieves the boredom of many tens, if not hundreds of hours of driving in the car. That's easily worth $15 to me. And seeing as "lousy pop music" has always existed it's clearly not the cause of any recent slump in sales.

    2. Re:and by beforewisdom · · Score: 1
      "$15 for something that gives hours of listening pleasure? How is that "draconian"? Over its lifetime, one CD probably relieves the boredom of many tens, if not hundreds of hours of driving in the car. That's easily worth $15 to me. And seeing as "lousy pop music" has always existed it's clearly not the cause of any recent slump in sales."
      Paid for by the RIAA
  68. Not in my household by dada21 · · Score: 5, Interesting

    My lady and I have a tendency to purchase a LOT of music -- we've filled a few 400 disc changers in the past before going with a wholehouse MP3 distribution system.

    Our reasons for buying less music is:

    1. Dislike of Sony and the RIAA -- where we used to buy 3-4 CDs a week at Borders, we're lucky to buy even 1 a month because of their strongarm tactics. Until Borders starts carrying the popular indie bands in their area, we won't buy CDs. Some indie bands in our area have sold 2000+ CDs privately without record store support. If they expect to be part of my community, they better do more research.

    2. Bigger support of the ma-and-pa brick and mortars. As our retail stores that we own lose business to the dotcoms and the super stores, we've found that by supporting other locally owned shops, we see more locally employed customers at our stores. It is the ultimate "outsourcing" to see your community spending money outside of the community to save on sales tax and maybe a 5% difference in price beyond that. 14% is still a huge savings, all from government coercion.

    3. Income. Our income this year is about double the last 3, but our income in the last 6 months is down over 70%. I've been putting more of my income into real savings (gold, silver, property) to weather to storm ahead. I've also expanded my market from just-the-Midwest to the entire world, and I expect it will take a year or two to get back to my first half of 2005 income levels.

    4. Quality. The quality of the mass produced records is terrible. I can't listen to the top 40 record stations at all -- every vocalist is enhanced, delay and reverb is worse than the 80s, and the compression destroys any fidelity that might have made it through the overproduction period. Garbage in, garbage out, garbage unbought.

    5. Promotion. I don't feel any desire to pay $50 to see a concert of 3 bands I barely know. The indie scene is usually $6 to $12, I see 2 amazing bands and 3 new bands cutting their teeth. $2 beer, $4 calls instead of the big shows where we paid $14 for a drink recently ($110 per ticket). Without cheap promotion the records won't sell.

    6. Collusion. Try to get tickets today to any popular show. The rules governing ticket scalping are created specifically to take care of the few scalpers who are licensed by the local government. It has made shows nearly impossible to attend to. One popular show we were willing to pay $60 per ticket for was sold almost entirely to 3 ticket scalpers.

    7. No desire. There are so many new ways to be entertained (due to the web) that music-on-CD just won't cut it anymore. I've been talking to a local show producer who is finding better ways to stream live shows to the web in a high quality, high fidelity, well produced show. I can't wait for his work to come to fruition.

    1. Re:Not in my household by sandmaninator · · Score: 2, Funny


      Who is modding up the rich dude whining???

    2. Re:Not in my household by dada21 · · Score: 1

      Rich?

      I live in a trailer park.*

      I drive a 96 Toyota.

      My top employyes at all my businesses each earn more than I do.

      * My print media newsletter is called Mobile Home Millionaire but it doesn't necessarily mean me ;)

    3. Re:Not in my household by sandmaninator · · Score: 1

      You certainly paint an inconsistent picture:
      a few 400 disc changers in the past before going with a wholehouse MP3 distribution system.
      Dont those changers take up a lot of space in the mobile home?
      we used to buy 3-4 CDs a week at Borders
      That's 12-16 CDs a month. @ $15 each that's around $210/month and $2520/year!! I bet many people wish they were as poor as you!
      I've been putting more of my income into real savings (gold, silver, property) to weather to storm ahead.
      Word up! ain't we all?!? I got'z da gold an da silver an I'z pickin up some property when I getz me check dis Fri/payday! Booyakasha!

    4. Re:Not in my household by dada21 · · Score: 1

      Dont those changers take up a lot of space in the mobile home?

      It is a common myth that trailers are tiny. My community is a circle drive park. Average lots are 1/3 acre, average trailer is 1500 sqft.

      That's 12-16 CDs a month. @ $15 each that's around $210/month and $2520/year!! I bet many people wish they were as poor as you!

      Many of my friends pay $1500+/month in rent or $2200+/month in mortgage+property taxes. I don't. I could live very comfortably on $25K/year income. Is that rich?

    5. Re:Not in my household by Anonymous Coward · · Score: 0

      he lives in an all-white trailer park community where the average owner drives a lexus. he owns that old toyota so he can say he owns a toyota, do a search for him and land rover defenders and youll see his hobby. his employees do make a lot of money, but business owners get profits beyond salary so he could pay himself $1 per year and make a statement like he made. his newsletter is a good way to make it rich though

    6. Re:Not in my household by dada21 · · Score: 1

      Just because all that is true, doesn't mean it's all correct :)

    7. Re:Not in my household by HardCase · · Score: 1

      I could live very comfortably on $25K/year income. Is that rich?

      Dunno - but you're very good at weasel words. I could live very comfortably on $30K/year, but I make over $100K/year. That seems rich to me. How 'bout you?

      -h-

  69. Some, but not all by jfengel · · Score: 2, Insightful

    Some other services, but not all other services. In particular, you can't put on WMA-protected music, which is the next most popular format for legal music downloads after iTMS's own FairPlay/AAC format. (The article is something of a shill for Napster, which uses WMA).

    You can get lots and lots of music from other services in other formats supported by the iPod, especially MP3s, but usually those are from less-well-known bands or from services of dubious legality, like allofmp3.com.

  70. Consumers like the solid product in the hand.. by kiwioddBall · · Score: 1

    I think technically oriented people may prefer online downloads, but I still prefer to go down to the local record shop and buy a CD, along with the artwork, bonus DVD's etc. I can play that in my car stereo, and on my home stereo (without wireless links etc).

    When it comes to my iPod, I'll rip the CD I have.

    That, or the quality of the music being produced is slipping, or is being aimed at markets that don't have a propensity to buy iPods.

  71. Disposable Music by Freaky+Spook · · Score: 2, Insightful

    I get my music from AllOfMP3.com, I know its not the most legal business on the market but when I want music that good & works on any of my devices I can get it, even if i am only going to listen to it a few times.

    Music is like the new fast food, its junk for our brains & ears & people want a lot of it, I don't get how the music industry doesn't realise that & where the hell do they get their market research from.

    People want lots of music & they want it as cheaply as they can, when your competeing with a free market like the internet you can't try to restrict your competition you have to vigirously compete with it, even if your competition is illegal, its still competition.

  72. Maybe I'm old school by HangingChad · · Score: 4, Insightful
    But I'd still rather have a CD than download directly from iTunes. Then I can move my material from device to device as the media changes.

    It's mp3 this year but who knows what audio format is coming around next year? Are you going to be able to play your iTunes downloads 10 years from now?

    I'm glad Apple is doing well with iTunes, but it's just not for me. I want a disk. I want a disk I can rip to the PC and portable device of my choosing whether it's on Windows, OSX or Linux. And I especially want to be able to find something that can still play that CD 10 years from now.

    --
    That's our life, the big wheel of shit. - The Fat Man, Blue Tango Salvage
    1. Re:Maybe I'm old school by 99BottlesOfBeerInMyF · · Score: 1

      But I'd still rather have a CD than download directly from iTunes. Then I can move my material from device to device as the media changes. It's mp3 this year but who knows what audio format is coming around next year? Are you going to be able to play your iTunes downloads 10 years from now?

      Have you ever bought anything from the iTunes store? I've bought a few songs I could not find easily elsewhere; perhaps two albums worth. Every time it reminds you to back up your new music. What is the easiest way to do that with iTunes? You burn a CD. And that is just what I did. So yeah, I think my iTunes music will be just as playable in the future as CDs are.

      The trade off with iTunes is the quality is slightly less than a regular CD, although the price is usually slightly better, the granularity is better, and the availability and instant download is much easier than hunting through stores or waiting for a CD to ship. Future compatibility is a non-issue. Used CDs and non-DRM downloads are usually a better deal though.

    2. Re:Maybe I'm old school by Anonymous Coward · · Score: 0

      Id rather go a la carte than have 6 or 7 songs on a cd that I dont like. That saves me 6 or 7 bucks.

    3. Re:Maybe I'm old school by stinkynathan · · Score: 0

      You, sir, should check out http://www.yourmusic.com/

      Single-CD albums for $5.99
      2-CD albums for $11.98
      takes about4-5 days to get your CD

    4. Re:Maybe I'm old school by Anonymous Coward · · Score: 0

      The quality is much less than a regular CD. 128kbs my ass

    5. Re:Maybe I'm old school by 99BottlesOfBeerInMyF · · Score: 1

      The quality is much less than a regular CD. 128kbs my ass

      I think I covered that when I said, "The trade off with iTunes is the quality is slightly less than a regular CD..." Of course the occasional song has a higher bitrate. For the car, I can't tell any difference at all due to all the road/wind noise. At home I can tell the difference. It is still better than MP3s at the same rate, but noticeably worse than CDs, for most songs. At one of my noisy parties, no one can tell, and when the choice is a iTunes store purchase, or getting nothing while I wait for it to show up on the shelves at the used CD shops, or online, well I'm definitely going with something.

    6. Re:Maybe I'm old school by Anonymous Coward · · Score: 0

      You could always stop buying CDs that are mostly bad.

    7. Re:Maybe I'm old school by Fear+the+Clam · · Score: 1

      It's mp3 this year but who knows what audio format is coming around next year?

      It doesn't matter. Unlike hardware-based systems like records and CDs, MP3 can be played in software. So long as the spec is available (let's not talk licensing), there will always be an application for playing them.

      Considering that MP3s provide good enough audio quality and file size for most people, I suspect that MP3 is going to be around for a while. People will need a damned compelling reason to switch formats.

    8. Re:Maybe I'm old school by Anonymous Coward · · Score: 0

      "But I'd still rather have a CD than download directly from iTunes. "

      And where do you find a _real_ CD today?

  73. no more promotions by brontus3927 · · Score: 1

    In large part because the novelty has worn off, but I think it also has a lot to do with the fact that there don't seem to be any more promotions going on. When Pepsi was giving away iTunes downloads with their drinks, my brother got over 200 free songs (others gave him their caps, he didn't drink that much soda). Of course, you could only use 5 cap codes per day, so if he found a 6th song to download in one day, instead of waiting another day, he'd simply buy the last song. He got 200 free songs, and paid for about 20. Since the promotion is now over, he never even thinks to look at iTunes. The novelty is gone and so is the incentive. A lot of products go through huge sales initially, and once the novelty wears off, the successfull products are the ones that consumers actually want, not what they are told to want (since they're no longer being told to want it)

  74. right by mr_tommy · · Score: 2, Insightful

    Forgive me - the main quote for the start of this story comes from Apple's direct competitor, Napster, and is followed up by more in-partiality by one from Real!? It doesn't take long to decide exactly how much credibility to give this piece...

  75. Margin of Error? by Elfboy · · Score: 4, Insightful

    .44%. Half of 1 percent. And what is their margin of error? Somehow I doubt Nielsen SoundScan has THAT high a precision.

    --
    * We dance where angels fear to tread *
    1. Re:Margin of Error? by Anonymous Coward · · Score: 0

      Margin of Error?
      Seing as how we are refering to average music downloads I wouldn't expect much of a margin of error at all.

  76. Entitlements by Anarcho-Goth · · Score: 5, Insightful

    Simply put, record company execs are looking for entitlements.

    Ultimately, they think they are intitled to make a profit every time someone listens to a song under their umbrella, or iron fist.

    So if I own a lot of LP records, and want to listen to them in the car (car turntables are not very stable unless you drive really carefully) they cry "No Fair!" and get a tax put on casset tapes.

    If this were really about piracy, that would be the only thing they would mention. The fact that they are complaining about people filling up their iPods with music that they already have a legal right to tells us what is really on their mind. They feel entitled for people to buy music all over again. And in another 10-20 years they will propose yet another format and expect it over again. Like a corrupt utility company, or a corrupt government, record companies want the right to tax us and then keep that money for themselves.

    With any luck Artists will control their own music, and profit from it by then and the record companies will be dead.

    --
    I hate Liberals and Conservatives.
    If you are a Liberal or a Conservative, then HAVE A NICE DAY!
    Courage.
    1. Re:Entitlements by nurb432 · · Score: 1

      "With any luck Artists will control their own music, and profit from it by then and the record companies will be dead."

      That fear keeps the industry heads up at night. This is party of why they want to control the market, and distribution.

      If they can create mandatory DRM to even play, then they cut out the little guy off the bat and keep control over both sides of the equation.

      --
      ---- Booth was a patriot ----
    2. Re:Entitlements by notthepainter · · Score: 2, Informative
      o if I own a lot of LP records, and want to listen to them in the car (car turntables are not very stable unless you drive really carefully) they cry "No Fair!" and get a tax put on casset tapes.
      Chrysler had the http://www.imperialclub.com.nyud.net:8090/Repair/A ccessories/HiWay/invent.htm Highway Hi-Fi in 1956. The link implies that it even played on bumpy roads! It was a commercial failure not because it skipped, but because of a poorly marketed format change! The article is a good read, good geek late night mods...
    3. Re:Entitlements by Mr.+Droopy+Drawers · · Score: 1, Troll

      That's my website. Glad to see some slashdotters reading it!

      --

      To Copy from One is Plagiarism; To Copy from Many is Research.

    4. Re:Entitlements by mako1138 · · Score: 1

      Very cool; thanks :)

    5. Re:Entitlements by klagg · · Score: 1

      Exactly. This is, I belive, the main reason for them to put DRM on CDs. They know that the DRM-schemes they use for CDs won't stop the people who upload mp3s to the pirate networks. It will however stop people from just ripping the tracks from the CDs they've bought to put in their iPods. It's funny how they always mention copy restricted CDs in the same breath as internet piracy, even though it's not clear how the two are related.

      --
      Free GPL Java Mobile Tetris game: Jamos
  77. Not necessarily by SmallFurryCreature · · Score: 1
    I got myself an iPod video because nobody loves me like I do. Not 350 euro's worth anyway. The dutch gift day is the 5th of decemeber, christmas is more about some dude on a crutch.

    Anyway I of course installed iTunes, since replaced by anapod, went to the store and found absolutely nothing. No tv shows, no rare music, no bubbly jpop. So my ipod is now loaded with crap jpop and all the weird live recordings I got ages ago in the good days of napster.

    Frankly all that is on iTunes is the bog standard stuff I either already had on cd (and that is a long time since I bought those) or crap I just don't care about. My music tastes are offbeat to be sure but iTunes is not exactly deep either. I can find a better music selection in any good music store.

    The iPod is an amazing device but iTunes is just like every mediocre music store that just sells the same generic stuff that everyone else sells.

    Not that I am saying it is bad music, just that I am not buying it.

    Oh and to show how bad my taste is, go find me a good copy of John Denvers Black Bird. This will probably get me banned for good.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  78. Exactly by sterno · · Score: 5, Interesting

    The problem the music industry is facing right now isn't a decline in the sales of new music, it's just that their cash cow of back catalog replacement sales is withering. They had intended to salvage this buy going with DVD Audio and trying to get people to re-buy everything yet again.

    The problem for them is that there's nothing compelling about new music formats other than MP3/AAC. DVD Audio may be wonderful, but to the average person who just wants to listen to some music in the car, or while working out, it doesn't matter. The high end audiophile types might get into it, but there's not enough of them to create the necessary economies of scale.

    I would argue that Apple/ITunes is boosting new music sales because it makes it so incredibly easy. If I find a new artist, I can e-mail you a link, you click it, and 30 seconds later, you're downloading the new music. No trips to the store. No forgetting about that cool new album your friend recommended. Plus the IMixes give another way to find music you might not have bought before.

    So it is good for the music industry in the long run, but they have to learn to accept the fact that the crack pipe of back catalogue music sales is running out of smoke. It's going to be hard times for them for a while because even with growing new album sales, they're likely to see an ongoing decline in revenue.

    --
    This sig has been temporarily disconnected or is no longer in service
    1. Re:Exactly by pintomp3 · · Score: 1

      not only did they try hope everyone would buy dvd-audio versions of all their music, but they put a bunch of copy protection (CPPM) on it and also disabled digital output. they basically tried to herd everyone into a more secure holding pen, since the digital audio horse had escaped the cd barn. the extreme protections kept the enthusiast market from buying in. if you scare off the early adopters, what chance do you have for everyone else? they need to stop trying to strong arm their costumers. the business model will change eventually, whether or not they r on the boat. they are just fighting the tide with buckets. http://en.wikipedia.org/wiki/DVD-Audio

    2. Re:Exactly by Anonymous Coward · · Score: 0
      they basically tried to herd everyone into a more secure holding pen, since the digital audio horse had escaped the cd barn.

      You should get some sort of metaphor award for that one. Maybe they should add some mod options: "+1 Gratuitous Metaphor"

    3. Re:Exactly by mankey+wanker · · Score: 4, Interesting

      Yup and yup.

      I think the last time I bought into the audiophile craze was for stuff like "Dark Side of the Moon" or "Twin Sons of Different Mothers" as published by the likes of Mobile Fidelity, CBS and Nautilus (half speed mastered), and Japanese high quality virgin vinyl stuff. But in the end it's hard to imagine the difference in quality was actually worth it. The sound quality bottleneck always remains the fact that your stereo system and room acoustics must also be fantastic or you can forget about it - and I don't happen to live at Carnegie Hall and a lot of the stereo component stuff (aka hi-fi mumbo jumbo) I simply never believed.

      So here I am today, I own thousands of vinyl LPs and I own at least another 1000 CDs. All of my CDs have been ripped to a 160 GB hard drive and my music server is still growing by leap and bounds as I add in old vinyl favorites. For vinyl I record from a slightly clunky line-in situation ripping to wav, splitting the tracks, running a pre-tested set of filters that reduce noise, hiss, and pops and clicks, and then finally I use EAC and LAME to make VBR MP3s. Before laughing at my set-up consider that I really do have some vinyl albums and 12" tracks that never saw republication as a CD. For CDs I rip with a Plextor drive, EAC, and LAME to VBR MP3s.

      For album songs that segue I additionally rip them as a single track and name them appropriately - so you get a choice, play the album as it actually sounds without interruptions or mix your own playlists with possible segue created gaps. That's pretty much the one drawback to the technology. So far that's 28,669 VBR MP3 files.

      I can network the server around the house to locations that I call "dumb but quiet network boxes" with decent sound cards and 7.1 computer speaker systems. The sound is quite sweet. Winamp, Foobar 2000 and Milkdrop rule the day. And there's a use for your old computer and monitor collection if you tweak them up with sound dampening computer cases. Some 5 GB hard drive systems I have down to one Antec power supply fan which can barely be heard, the second exhaust fan kicks on as necessary. You don't need many fans for boxes that do nothing but operate as interfaces for a music server.

      And speaking of that music server...

      It only makes sense to backup that kind of effort offsite, right? So I gave my brother a backup on a hard drive for the enjoyment of his family. I would have no objection to giving a backup to anyone I know, quite frankly. And I can't be alone in this. I am not handing out free 200-300 GB hard drives, but if someone gives me an empty drive I am cool about it.

      Copyright realistically is dead. Even if respected, copyrights have no market justification to last longer than about 4 years, if that.

      It's seriously game over for the back catalogue - now and forever. Every future DRM will be cracked. Why? Because people want access to their "licensed" digital stuff. If they think I won't make my own backups and then possibly even share those with friends and family (as I have done for decades now by every other known method going back to reel to reel days) then they are mistaken. If my original copy of my CDs are lost or stolen or even sold, I have no intention of erasing backup copies from my MP3 server.

      The music industry has had its day. Now it is near sunset.

      Songs are and have always been just commercials for live performers - and they should always have had a nominal price and no protection schemes. That's what the market demands.

    4. Re:Exactly by Anonymous Coward · · Score: 0

      I've got a huge vinyl collection that I'd like to rip. I've got the setup, but I don't have much for noise removal (some Audacity plug-ins for vinyl restoration would be nice). What app(s) do you use/recommend for the noise filtering? Thanks!

    5. Re:Exactly by pintomp3 · · Score: 1

      excellent post. i thought i was hardcore. btw, i believe if you rip using eac and lame 3.93 or above, it does gapless. i use rockbox on my iriver h140 and i didn't realize they some of my collection was already ripped gapless until i was listening to "the wall" one day and didn't notice any gaps or stutters. i'm pretty finicky about my rips (EAC - secure mode, LAME 3.96.1 standard) too. all tagged with id3v2 only and album art added to all tracks. btw, do you live in nyc? i might take you up on that offer and stop by with a spare HD :)

    6. Re:Exactly by Kadin2048 · · Score: 1

      Great post. And sounds like a really neat system.

      Just wondering, what server software do you use to share the music throughout your house? I've always wanted to do a music server system like that, but there are actually so many ways a person could do it that I haven't gotten around to sorting through them and picking out which I want to try first.

      What I'd really like is what iTunes USED to do, before Apple crippled it (at the behest of the music companies): you could check a box in your preferences and any computer on the local network would automatically find the other's music library, and you could play songs from it, all within iTunes. God, that was sweet. And in the original version you could type in a remote computer's IP address and link to it, even if it wasn't on your subnet and automatically discovered. Now the whole sharing feature is pretty much dead.

      Has anyone come up with a FOSS replacement that's anywhere near as easy to use? Preferably one that you can access using iTunes as the client? (Assuming they haven't crippled the client-side features of iTunes in recent versions also.)

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    7. Re:Exactly by Spazntwich · · Score: 0

      I've got a 160 gig HD collecting dust in my closet.

      Can I mail it to you and get a copy of your music collection? Seriously.

    8. Re:Exactly by Anonymous Coward · · Score: 0

      Could someone please get this guy a really fast internet connection, set up an ftp server program and mail me the uname/pw?

    9. Re:Exactly by squiggleslash · · Score: 1
      Songs are and have always been just commercials for live performers
      No, they're not. It may be something the average copyright-hating slashbot repeats over and over again, but that doesn't make it right.

      I value pre-recorded music. I like having a library of recorded music. I love the pleasure of being able to pick a piece of music and listen to it. I love the pleasure of listening to music.

      It's wonderful that live performance can add another dimension to music, but, in practice, it's the music I'm buying, not watching someone standing on a stage yelling into a microphone with a bunch of other people. Indeed, live performance is often value added not by the performers but by the atmosphere - which is a product of the other paying ticket buyers.

      You may not care about the music. You may consider a concert a "product", but if you do, consider it much the same way as a cruise where you and the other passengers are given oars. I'd rather take the ship with the engines myself, even if it does lack the atmosphere.

      And I'd rather pay artists to create new music than to perform it.

      --
      You are not alone. This is not normal. None of this is normal.
  79. MOD PARENT UP by oscartheduck · · Score: 1

    God, the number of times I've thought this and told people this and it'd just be great to have it modded insightful or something.

    --
    How to use coral cache: http://slashdot.org.nyud.net:8090/~oscartheduck
  80. DRM and Lossless by bombadillo · · Score: 1

    As has been true since the start, iPod owners mostly fill up their players from their own CD collections

    Yeah I pretty much just buy CD's and rip them to the apple. Maybe I am being picky but if they took off the DRM and had lossless or higher than 192 bit rate music available for download then I would never buy a music CD.

  81. And in other news. . . by krunk7 · · Score: 1

    It's 1980 and the new model "portable" tape cassettes have come out. Oddly enough, record sales have dropped by .0001%. This heinous drop in profits has bee attributed by music business pundets everywhere as directly due to "tape swapping". A practice where teens record each other's tape collections for personal use.
    The music industry predicts that if tape cassette players are not completely banned, the industy could collapse in just a few years.

  82. as has been true from the start, by Anonymous Coward · · Score: 0
    BusinessWeek mostly steals their articles from other publications.


    If they get to call me a crook without any proof, I should be allowed to do the same.

  83. The back catalogue by sterno · · Score: 1

    Another thing to consider is that as backcatalogue sales decline, the music industry's revenue is going to be increasingly erratic as it becomes more depdenent on individual releases throughout the year to make money. It's becoming more like the film industry where a couple bad bets on some summer stinkers can really hurt the bottom line of a company.

    --
    This sig has been temporarily disconnected or is no longer in service
  84. Timeline by atomic_toaster · · Score: 2, Insightful

    My theory is that the timeline for purchasing an iPod & using iTunes goes something like this:

    1) Buy iPod.
    2) Rip CDs purchased way back when.
    3) Buy music at iTunes to fill in the gaps in music collection.
    4) Load everything on the iPod.

    Now, everyone will have their own personalized timeline; you may already have ripped your CD music collection, or bought/downloaded mp3's from somewhere else, who knows? My main point here is that, for most people, buying an iPod is the first step, and buying music from iTunes (if they're going to do it at all) will come somewhere later, right?

    Now, take into account that it is right before Christmas. People are buying iPods like mad (I know that in my city it's bloody impossible to find a 4GB Nano anywhere), and possibly iTunes gift certificates with them. Yet these iPods won't actually be opened until Christmas, and then people still have to install them and all that jazz (which, for the more technically savvy, is a piece of cake, but there are a lot of people out there who will have to wait for help from the family geek to get their iPod up and going). So the ratio of iPods sold over the last little while to people buying music from iTunes is of course going to be a little wonky.

    Go ahead, iPod customers, prove my theory wrong. But I'd be curious to see what the rate of downloads is between Christmas and, say, the end of January. I'd predict that they'll be higher than the monthly average over the past year.

  85. These acticle titles deserve to be in the Enquirer by radiotyler · · Score: 1

    "The villain in the story is the iPod," says Chris Gorog, CEO of Napster Inc. (NAPS ), which sells both subscriptions and downloads. "You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple. People are bored with that."

    A couple things. One, I don't own an iPod, so my technical information might be a bit off track here so all you mac-a-holics can correct and berate me in replies. Two, I have a very, very large CD collection, about 50-70% of it being obscure enough to not be on iTunes and that's not including the 7" vinyl that I still have. Why would I pay 99 cents to download something mediocre when I already own quite a few CDs that I enjoy? Even if I could get them off of iTunes, for me it's easier to rip it myself - and I'm not paying for it twice.

    Can you use other software to put music on your iPod? Like Napster, eMusic, or Rhapsody? Online music sales just seems like such a luxury, especially at 99 cents a song as compared to a subscription service. And I still like going into my dirty, dingy little local music store and shopping for "brown bag specials", talking to Doug the music trivia master, and shooting the shit for an hour or so. Net cost, probably a little cheaper than iTunes. But then again, I'm still talking to real people in the real world. That might be worth just a little bit more to me.

    --
    hi mom!
  86. Wait...let me get this straight? by PortHaven · · Score: 1

    More people simply copy the music they bought on CD to their iPods, thus Apple's download service is holding the music industry back...

    (how much did the RIAA pay the author)

  87. Alternative by SmallFurryCreature · · Score: 1
    Sell this http://en.wikipedia.org/wiki/Morning_Musume/ and make my day. Your dollars might be safe but a fair number of fanboys will lap it up. For that matter, remove the fucking country barrier. Sell everything to everyone. The Global Economy.

    Just sell me stuff that I cannot find in every damn local recordshop at cheaper prices. You know, the kind of weird stuff we used to pull of napster.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  88. Sony by Have+Blue · · Score: 1

    Perhaps the reason Sony isn't seeing growth due to downloads is that Sony music is not available on the ITMS?

  89. .44% OH MY by Anonymous Coward · · Score: 0

    Tempatures are up .44% from last year. Analysts predict Global warming will toast us by the end of the week. Anyone else think maybe this is just an over reaction?

  90. Once print media was more reliable by Flying+pig · · Score: 1
    than the Internet, and there was some sort of editorial control over what got printed. Now there is still editorial control over what gets printed but it consists of answering the following two questions:

    Does it suit people who spend a lot advertising with us? OR
    Does the author have the ability to influence my career?

    Its sad but true. Once upon a time there was a thing called statistics which you could use to determine whether something was significant or not. Now statistics is (are) deprecated. It all started with those two memes of the late 20th century: Perception is everything (so if you don't want to feel this stake through your heart, you won't?) and the accounting one: What is 2 + 2? What do you want it to be?

    --
    Pining for the fjords
  91. Or The Market Has Spoken by EXTomar · · Score: 1

    It sounds to me like Napster is bemoaning the fact it isn't sitting where iTunes happens to be (read: on top). It seems to me that the market has spoken: They favor "buy it" or "subscription" based music systems. On the other hand the music industry continues to bemoan the fact too that they are overpricing their product. There is a giantic market for the $0.99 song market and yet they want to continue to produce that costs $1.29? Why is it this the consumer's fault? Maybe it is because consumers really don't think that very few songs are worth $1.29??

    It seems to me that the companies who aren't in control of the market are bemoaning they don't have control of the market and can't dictate terms to Apple. They of course can continue to run their businesses in whatever manner they chose to but don't be surprised if they have to fold because they continue to ignore what consumers flock to buy.

  92. Eh? That's just crazy talk! by Keyslapper · · Score: 1

    This is nuts. I got a little half gig shuffle for Father's day. Of course, I immediately remembered the fact that I liked listening to music, and had to have more. Enter the 20G iPod about 2 months later (just about 2 weeks before the iPod video - Doh!).

    Now, since then (about 3 months), I've spent more money at iTunes than I'd spent on CDs in general (including all the kiddy CDs for the little one) over the last 10 years. Period. Several times, I've gotten the free download, only to realize the artist was awesome, and of course, immediately bought more. Lately, the free downloads have been "not so much", but so what?

    On top of that, I've spent more on actual CDs in this time than I spent at iTunes - there are just some albums you want in full, and in hardcopy. Don't ask me why.

    So, Napster can bite me. Sony/BMG can bite me. From my POV, it looks like the iPod has drastically increased my music spending.

    Am I the only one?

  93. Depends really by SmallFurryCreature · · Score: 1
    What was the previous number. I am note sure how they read this but it is a weekly number. Now it had been something like this, week 42 +4% 43 +4.5% 44 +4% and then week 45 -0.5% THEN that is significant. It means instead of growing it actually shrunk.

    Of course just for one week is not very important, maybe something happened like a holiday?

    But if it is the sign that the growth is already out of iTunes sales then it is significant. Especially since the iPods themselves still sell like hotcakes. Hotcakes without a HUGE PRICETAG even. Figures in this post are purely fictional and only used to illustrate how a half percent might be significant.

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  94. I think I can speak for everyone here by Tiny+Elvis · · Score: 1

    I invite the entire music business to go fuck themselves.

  95. Sony BMG and the rootkit.... by tktk · · Score: 1
    0.44%?

    It might be Sony BMG's fault.

    I think people are boycotting Sony because of the rookit fiasco. I know I skiped out on buying one CD from Sony. Not because I was boycotting on principle--more because I had just heard about the rootkit but didn't know what CDs the rookit was on.

  96. whoa really by akhomerun · · Score: 1

    well i guess people do prefer not having crappy music shoved down our throats! i swear the music industry will throw its full force against ANYTHING that it deems to be hurting its own business, even its own customers (RIAA lawsuits) and now they are bashing the companies that have revitalized their industry

    people don't buy ipods because a new hit record comes out, seriously what good albums are coming out right now? these idiots don't seem to realize that the ipod and music businesses are separate. people buy ipods and other MP3 players because they have a large collection of music, pictures, and videos that they'd like to make portable. expanding that collection is the only role of the recording industry, and without good album releases, people still get ipods to put their old music on.

  97. STFU! by wiresquire · · Score: 1

    You're giving them ideas !!!!

    Even though that was funny :-D

    --

    So does Anonymous Coward have good karma?

  98. Who was it who encrypted our files again? by LainTouko · · Score: 1
    "I have half a million subscribers who would love to use an iPod with my service," says Napster's Gorog.

    What he doesn't say is "But we've encrypted our files, to stop our subscribers from doing that."

    "You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple. People are bored with that."

    Which is a lie. You can play any normal mp3 or AAC file on an iPod, as well as rip CDs etc. The only thing which can make it impossible to use your music with an iPod is if you deliberately make it impossible, by encrypting it so people can't get at it.

    Maybe your customers are starting to see the pitfalls in paying for encrypted files which they can't decrypt.

  99. once again blame falls on the file sharing... by manJerk · · Score: 1

    has the sales fallen because of the obvious oppressive behavior of the record companies and the RIAA? people dont want to buy music becasue once we buy it we are not allowed to listen to it with out specific permission from the RIAA the record company and the artist and have all the paperwork noterized, and thats for each song on the album! the "consumer" is irritated with this horse shit, so might as well stick it to the "man" and download or rip your friend's CDs to your Ipod/zen.

    if they throw everyone in jail, wont we end up with an overpopulated and generally useless burden on society prison system?

    --
    -Boycot shampoo! demand real poo!
  100. ehm what are talking about? by SmallFurryCreature · · Score: 1

    The problem is with iTunes wich is just another music site. The hot name brand item is the iPod and that one is selling. It is also the item where Apple makes it money, not iTunes. No I am afraid that even in the fifth generation the iPod is still a license for Apple to print money. If anything they can raise prices to take some of the pressure of their production lines. Although they probably end up selling even more.

    The competition is just non-existant especially for the nano. You try to get a 4gb flash player for that price from anyone else. Only "lowpoint" for nerds like me is that the iPod does not support ogg. But then very few do, certainly non of the "big" names. iRiver was the only one I saw in local shops.

    And it seems that Apple would happily lower prices on iTunes. The music labels however only want to lower song prices if they are allowed to sell new songs at even higher prices. Wich Jobs seems to think might put consumers off. Since he is the one selling overpriced mp3 players at premium prices I think we listen to him when it comes to figuring out how much you can screw the customer for eh?

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  101. Great Googly Moogly! by Rihahn · · Score: 1

    0.44%!? Good god man! Run for the hills! The end is near! Repent now you music pirating fools!

  102. It's funny.. by Anonymous Coward · · Score: 0

    .. how every time there is a decrease, it's because of P2P.
    I didn't know that the music industry expected the EXACT same sales every quarter, regardless
    of which artists published records and the quantity and quality published.

    They are treating Music like a commodity like natural gas or water, which it obviously isn't.

  103. ahhhh by akhomerun · · Score: 1

    "You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple. People are bored with that." (from article)

    Huh? so apparantly "Hit Me Baby One More Time" is a better song on the MSN music store than it is on Apple's music store.

  104. All professional rockstars, please stand up. by Peter+Trepan · · Score: 3, Insightful

    Yeah, that's what I thought.

    I know dozens of talented musicians in active local bands, but I don't know anyone - not even a friend of a friend - who makes a living from their band.

    The solution? Let go of those cherished dreams about getting "discovered" and give your music to the world for free. If you don't like the record industry, that's the best way to screw them. Do it for the recognition. Do it for the chicks. Do it because you enjoy it. But if you're doing it for the money, you'd be better off buying lottery tickets.

    --

    Step into a huge movement. Don't Tread In Me.

    1. Re:All professional rockstars, please stand up. by TheoMurpse · · Score: 1

      you'd be better off buying lottery tickets

      I doubt that -- there can't be over a million bands out there. There are also many who are making a living off of it. Thus, the odds of getting discovered are significantly higher than the odds of winning Powerball or Texas Two-Step.

  105. TFA just states the obvious (ADHD city). by Ralph+Spoilsport · · Score: 1
    To quote the quote of TFA:

    As has been true since the start, iPod owners mostly fill up their players from their own CD collections or swipe tunes from file-sharing sites.

    Well, hot DAMN! That was hard to figure out.

    Frankly I don't DL tunage from file sharing sites - it's too slow and a pain in the ass. What I do is every few months I go to a LAN party and trade multiple Gigabytes of mp3 files at a go. My friends and I have similar tastes (eclectic, but uncompromising, with some few guilty pleasures...like my friend Ryan who has this bizarre affection for James Taylor, even though lately his collection favours Death Metal and Industrial... I honestly don't get it...) so we all get to throw music at each other (Maaaaan - this record is AWESOME - you GOTTA listen to this... etc.) while we eat excellent food and drink enough likker to stun an ox. And all the files move at an order of magnitude or three faster than DLing them over my crappy DSL line.

    I don't own an iPod - I listen to music in my head all the time, or just make up my own stuff, so I have no need for a personal music system.

    If I did have an iPod (or similar device) I would simply put my fave tunes on it from my Truly Massive CD collection or use it to audition the tracks that were recommended to me at the LAN party. Tens of thousands of CDs come out every year, and if one out of a thousand is good, that makes for A LOT of music to hear. And if it is challenging and intelligent, it oftens takes several listenings to properly appreciate. Conversely, as a consequence, there isn't enough time to rummage through it all, so I end up deleting more than I keep, and even what I keep from a LAN party usually doesn't get enough rotation and I end up deleting that.

    I have a 160 gig drive that has 135 gigs of (mostly) 192 audio, and I have it in continuous random play mode in iTunes. (The size of my collection is another reason I don't have an iPod...) It's the only way I am guaranteed to hear new music....

    It is all madness. Madness I tell. Madness.

    Oh look - pretty lights...

    RS

    --
    Shoes for Industry. Shoes for the Dead.
  106. Teenagers and kids don't have credit cards by Anonymous Coward · · Score: 0

    I think a big reason music downloads aren't on par with MP3 player sales is because a large part of the player marker are teenagers and children. We all know loads of younger people asking for an iPod this Christmas, but how many of them have credit cards of their own to pay for these legal downloads? I'm sure plenty of them have some money to spend, but unless they have that plastic, it's easier to go down to the record shop and buy the latest CD, rip it to MP3 and upload. Better yet, pirate the latest CD and spend that cash on other things.

  107. Sounds specious at best by patomuerto · · Score: 2, Insightful

    First a drop of 0.44% is not something to stop the presses about. It might be the beginging of a trend but I would be suprised if it is outside of any statistical error.

    Second, they do not give any information of mp3 purchases and usage. I just bought a nano because of its size. I am not getting rid of my 40GB ipod because of its storage capacity and I still have the first ipod player I bought years ago (TDK mojo) that I keep around just in case (for what I dont know). Most of my friends have upgraded players as well and intend to keep their original. They are not going to repurchase music.

    Third, in all the music sales itunes only makes up 4% of music sales. They do not mention if CD proces are driving people to pirate music. Personally, I would rather own a CD but I cannot justify $15. Especially if I am only buying it for a few songs. I stopped file shareing music a while ago but I do understand why some people continue.

    Why didnt the author point out that CD prices rarely come down. Sometime a title will show up in a bargin bin but a customer cannot consistently wait for the price to come down. More that often the case is the price is reduced when it comes out and then you can only pay regular after a few months (which can be $18 or more).

    Also, why didnt the author point out the pricing of music is almost a mystery for all media. Try to find out how music execs plan to price a cd for its lifetime, how much are production costs and who gets the proceeds at various stages over time (please, try--I would love to know). It is not public knowledge for a reason.

    My impression it this guy is either grossly uninformed or a shill.

    --
    I have secretly hidden some mispelled words in this post. Can you find them?
  108. what a load of crap by sysgeek01 · · Score: 1

    so the music industry expects people to go buy loads of new music because they got a shiny new ipod? It's obvious that people would rip their own music collection from their cd's because they want to listen to their own music. It's ridiculous to think that people are supposed to buy more music because they can make it more portable. The music industry needs to take a hard look at it's sales model instead of blaming their down sized profits on other people and companies. Get a clue.

  109. need a clue ? by Tsiangkun · · Score: 1

    Dear Industry,

    In case you haven't noticed, iPods are nearly 500USD. This places them out of the range of the impulse buy, at least for most kids. I'm 30 years old, and can afford one. I also have a music collection I wanted to carry around with me. I did not have any desire, in any way, shape, or form, to purchase new music to populate my iPod. Truth be said, I haven't heard any new music from the industry that I would be willing to purchase.

    So here it is in digestable chunks, that even the ??IA members can follow

    1) People buy iPods to carry around music collections. People do not buy music collections to populate iPods. People without existing music collections have no need for a 500USD mp3 player with a large hard drive.

    2)lack luster sales of music are entirely explainable by the industry having a lack of artistic talent on the store shelves. It doesn't matter if that store shelve is a database entry for the iTMS, ameoba, or wal*mart.

  110. Downloadable music sucks anyhow by pandrijeczko · · Score: 1
    If you're a true music fan, you take the *time* to listen to your music properly. That means you put a CD/tape/vinyl LP on a reasonable playing source and just sit and listen to it - more than likely as an entire album, from start to finish, that stays with you through the years.

    Downloadable music is about "disposable" music - it's about getting a "quick fix" of music when you need it, it's about being "fashionable" and it's targeted at the 18-25 year olds who need one more thing to brag to their friends about other than the latest mobile phone or most expensive designer jeans.

    As such, downloadable music creates (in general) disposable artists who have each song thrust into their hands by a record company backroom ballad writer when their time comes again to churn out some plastic, sterile tune for the pop charts.

    Yes, there are still good artists out there, mainly in the indie scene, and it's all the more satisfying for someone like me when you push aside the majority of music bilge and come across a great piece of music by a relatively unknown artist.

    However, as time progresses, if downloadable music becomes more dominant, so will the plastic music. This means that the album will be a thing of the past because a popular artist's career will just consist of a series of singles that are released on a regular basis. In turn, the artists won't have enough material for reasonable-length live performance, thus the live concert will be in jeopardy.

    Give me a CD any day that I can rip for my player for when I go to the gym - other than that, if music downloading dies a death then I say good riddance to it.

    --
    Gentoo Linux - another day, another USE flag.
  111. Occam's Razor people! by MasterC · · Score: 1
    What's the simplest explanation?
    1. people have spent their money on iPods (and a bunch of other stuff) and don't have the cash to spend on iTunes now? Mix in the pinch people have felt at the gas pumps. Mix in the news constantly splashing nightly that winter heating prices will be up.
    2. the biggest thing to hit the music industry (in a long time) is losing it's luster to piracy or other assorted means that don't have the RIAA's stamp of approval?
    3. people are bored from getting their music from iTunes? (As if getting song X from another store changes the content of the music
    4. people are disgusted with Apple's DRM but still buy iPods?


    Maybe it's just me, but people spend gobs of cash on presents and appealing to fear and living in culture of fear can be powerful (especially with heating your house vs. getting that iTune you really want) so I gotta go with #1 on this.

    Now legal downloads may be losing their luster.

    I'm not sure exactly how you go from a 0.44% drop (not even taken from Q3->Q4 of one year to Q3->Q4 of the next year nor quarter to quarter but quarter to mid-quarter) to stating such a bold thing, but there are such things as idiot journalists....

    But it sure makes hot stories when you make sensationalistic claims (iPods are a Bad Thing) about something very trendy (iPods).
    --
    :wq
  112. Escaping The World Of Monthly Payments by cmholm · · Score: 2, Insightful
    Apple does enjoy its little lock-in scheme that we love to roast Microsoft for.

    Yes, a little lock-in scheme. They sell a music player, throw in an on-line service as a sales gimmick. Consumers have alternatives to an iPod, and music distributers have alternatives to iTunes. For some bizzarre reason, consumers opted for the Pod enmass. Go figure.

    Naturally, "Napster" is pissed. It may be that they'll stay pissed. Every seller's favorate business model is subscription, for the continuing income stream. A consumer's favorate model is (usually) to buy something once, so that they don't piss away money on goods and services they aren't always using. Most folks are already Washington and Franklin'ed to death by rent/mortgage, insurance, utilitities, cable, phone, cell phone, isp, and transportation. And now some bozos want to add music to our monthly.

    Yeah, I'll get right on board with that. Sorry Chris, I already did a snail mail version of Napster with the Columbia Frickin' Music Club back in the day. A pain in the ass, having to turn back the crap they were pushing, once you had your fill of your favorates, and got down to the long haul of sorting out a few grains of one's personal wheat from the chaff.

    --
    Luke, help me take this mask off ... Just for once, let me butterfly kiss you with my own eyes.
  113. Hrmm? by emmetropia · · Score: 1
    We're not seeing the kind of dramatic growth we should given the surge in sales of iPods and other MP3 players.
    I'm not sure this logic really plays out. To use an iPod, the average user needs to install iTunes. iTunes has built in functionality to import any audio cd you wish. So what, if I buy an iPod, i'm forced to re-purchase all of my music via iTMS instead of importing it?

    Did CD sales skyrocket when discman's were first launched?

    Doesn't make sense to me.
  114. I don't download anything anyway! by jdehnert · · Score: 1
    All the music on my iPod is from my very own CD's.

    I won't...

    • Buy any music on-line thats DRM'd
    • Buy any CD's that use DRM technology
    • Buy ANYTHING from Sony (including hardware, or even a PS3 when they get here)

    Let em' know what you think!

    --
    Eschew Obfuscation
  115. More data... by Anonymous Coward · · Score: 0

    A quick trip to Wikipedia told me just who Nielsen SoundScan is...

    Nielsen SoundScan is an information system created by Nielsen Media Research that tracks sales data for singles, albums, and music video products in Canada and the United States for Billboard and other music industry companies. MTV, VH1, and many other north American cable music channels use Nielsen SoundScan data as well.

    They also had this little gem...

    In 2005, single sales have fared better than they have in years since Billboard started tracking digital downloads from online music stores such as iTunes, Rhapsody, and Musicmatch. Sales of digital downloads have increased more than 200% from last year; however, sales of CD singles are down about 60% from last year.

    Nielsen Soundscan says average weekly download sales as of Nov. 27 fell 0.44% vs. the third quarter, but, according to Billboard, who uses Soundscan's data, digital downloads have increased more than 200% from last year!

    Am I interpreting this wrong? Why the hell are they so worried about less than 1/2% weekly drop when they have a 200% yearly increase?

    1. Re:More data... by Anonymous Coward · · Score: 0

      ahh, well

      Rational thought can't prevail. Better to be sensationalist!

  116. Re:What? by NanoGator · · Score: 0, Flamebait

    " With MP3 formated files, I can move from any one player to any other player."

    Nobody will sell those MP3 files on-line. So you have to jump through extra hoops to get to them. I'm sorry, but I'm not accepting MP3 as a non-lock-in example.

    "Buying an iPod does not force me to buy from iTMS."

    Okay, maybe I'm being ignorant here. What other services can you buy iPod compatible music for? I'm dead serious, I'll back down if you can name one or two. Part of my reaction here is that I CAN'T use my existing music service with an iPod, but with other players I can. You'd be doing me a huge favor if you could suggest an alternative music service with a subscription model that I could use an iPod with.

    --
    "Derp de derp."
  117. You can burn it to CD within iTunes. by Viewsonic · · Score: 1
    You forgot to mention that when you buy that music off iTunes, the first thing it mentions is to burn it to Audio CD. iTunes lets you burn any of your purchased music onto an AUDIO CD right from within the program. I believe it allows you to do this 6 times per song. From there you can rip it into any format you want for your so called "future players". I dont understand how you even got rated "Insightful". Maybe you simply dont have a $15 CD burner or something? Who knows.

    Or perhaps you have never used iTunes, or even an iPod. Live and learn, I guess.

    1. Re:You can burn it to CD within iTunes. by Anonymous Coward · · Score: 0
      Everybody on Slashdot knows this, Captain Obvious. He didn't need to mention it because most people know a 128kbps AAC song from iTunes is already lower in quality than the same song on a purchased CD. Burning an iTunes song to audio CD and ripping it again to and encoded file will degrade the audio quality even more. Ripping from a purchased CD will give you better audio quality than an iTunes song every time you rip.

      I'm sure you already know this, but are in denial. You need to lay off the Apple Kool-Aid.

    2. Re:You can burn it to CD within iTunes. by HangingChad · · Score: 1
      You forgot to mention that when you buy that music off iTunes, the first thing it mentions is to burn it to Audio CD.

      Fair enough. Answer one question for me. Can you rip the CD you burn to MP3 and transfer it to another file format and player? Can you play your iTunes music CD in the car?

      Because if you can then I may change my mind about iTunes. Otherwise you're going to be dependent on iTunes to play your stuff 10 years from now and the mod is righteous. Who knows if Apple will even be here in ten years. Probably, but I don't want to trust my music to them. Or what if they say, "Well, you've had that song for four years, time to renew it for a nominal fee."? They can change the terms so maybe whoever buys it from Apple decides on new rules and you lose.

      --
      That's our life, the big wheel of shit. - The Fat Man, Blue Tango Salvage
    3. Re:You can burn it to CD within iTunes. by GlassHeart · · Score: 1
      Answer one question for me. Can you rip the CD you burn to MP3 and transfer it to another file format and player? Can you play your iTunes music CD in the car?

      That's two questions. :) But yes, the audio CD created by iTunes is a conformant audio CD with no DRM restrictions. You can also burn MP3 CDs, which some stereos support. Once you've burned it to audio CD, you can rip it like any other audio CD.

      If you care about more than that, then you should do some research into lossy compression algorithms and how re-encoding can affect audio quality. All your other worries are predicated on not being able to burn audio CDs, so I won't address them anymore.

    4. Re:You can burn it to CD within iTunes. by HangingChad · · Score: 1
      But yes, the audio CD created by iTunes is a conformant audio CD with no DRM restrictions. You can also burn MP3 CDs, which some stereos support. Once you've burned it to audio CD, you can rip it like any other audio CD.

      Cool. Well, that puts a different spin on things. I understand compression loss. Unless it's really bad most times I can't hear it. I would've thought they'd cripple it somehow that it was really obvious.

      Thanks for clearing that up. You can really make regular audio CD's from iTunes. Maybe I'll get the wife one for Xmas and play around with it.

      --
      That's our life, the big wheel of shit. - The Fat Man, Blue Tango Salvage
    5. Re:You can burn it to CD within iTunes. by iainl · · Score: 1

      If you want to experiment, I'd recommend you download and install iTunes, and they just "purchase" whatever Free Download Of The Week is to test if you're happy with it all.

      Admittedly, buying a track you know well enough to compare to the one you already own is only a buck, and so not the most expensive experiment in the world, but you can't beat free.

      --
      "I Know You Are But What Am I?"
    6. Re:You can burn it to CD within iTunes. by Anonymous Coward · · Score: 0

      most people know a 128kbps AAC song from iTunes is already lower in quality than the same song on a purchased CD

      Yes. Likewise, the 44.1 khz-encoded CD you buy at the store is much lower in quality than the 48 khz-encoded studio master recording. But nobody can actually hear the difference, so nobody cares. See how that works?

      Burning an iTunes song to audio CD and ripping it again to and encoded file will degrade the audio quality even more.

      No. Remember, iTunes uses AAC audio, not MP3. If you do what you said with MP3, yes, you get a bad copy. That's because MP3 is a lousy codec. On the other hand, if you convert an AAC to AIFF and back to AAC, you get a file that is mathematically identical to the first AAC. It's a feature. Look it up.

      Ripping from a purchased CD will give you better audio quality than an iTunes song every time you rip.

      This is totally false. Why? Because Apple's AACs are made from those 48 khz studio masters I mentioned before, not from 44.1 khz downsampled CDs. That means the AAC that Apple makes will always sound better than the AAC that you make on your computer from the CD.

      You need to lay off the Apple Kool-Aid.

      And you need to stop being such a superior fuck and realize that you really don't know what you're talking about.

  118. sales by Suicidal+Teapot · · Score: 1

    There's an iPod wrapped up under my Holiday Tree, I just *know* there is!

  119. This will hurt music industry by kahrytan · · Score: 1

    If people knew they they could use Linux to add their mp3s to Ipods, then that would hurt iTunes and music industry.

    --
    \
  120. Why I won't download by itrustno1 · · Score: 1

    I don't download music from iTunes, because it's not available for my country (one of the "new" EU members). But even if it were available, I prefer CDs. For me, the "unit" in music is an album, not a separate song. And an album comes with a sleeve and everything. Frankly, I would prefer CDs in vinyl sleeves.

  121. The problem is obvious by aiken_d · · Score: 2, Funny

    Consumers are clearly demonstrating that the $0.99/song model doesn't work. Educated by **AA's anti-piracy campaigns, consumers realize that Apple's business model is unfair to the artists who create the songs they listen to. This is clearly a groundswell of public opinion whereby customers are telling Apple "If you continue to release Ms. Spears' latest single for $0.99, you are robbing her of her compensation as an artist, and we won't stand for it anymore."

    I don't think Apple has any choice: in the face of this consumer backlash against affordable music, they'll have talk the labels into allowing them to raise prices on the most artistic material (that which is in the highest demand, that is). If they charge, say, $2.99 for the latest Britney Spears single, consumers will once again be able to purchase from iTunes with a clear conscience, and not worry that they're contributing to a young artist being taken advantage of by a huge corporation.

    Cheers
    -b

    --
    If I wanted a sig I would have filled in that stupid box.
  122. DRM has slowed my music purchases. by colinbg · · Score: 1

    I dont believe that DRM has made much of a dent in non sales but I know that for me I stopped purchasing music after I got one of the sony DRM cd's. I would like to think that some impact has been made on the negative side for the DRM fiasco, but I dont think its made much of a diffrence in overall sales unfortunately.

    --
    Clever or not, I got nothing...
  123. Re:What? by Anonymous Coward · · Score: 1, Informative

    I kepp my iPod full, and I have never bought anything from iTunes. I buy CDs online and at B&M stores and import them into iTunes.

    It is easy enough, I expect even you could do it.

  124. Look at what Soundscan reports... by joshiz · · Score: 1

    Only major label releases. Anything on an independent, self-released, or through smaller digital distributors is not being reported.

    As an independant digital music distributor, sales have definitely been on the rise through the last two quarters.

  125. iAudio might suit your tastes. by Anonymous Coward · · Score: 0

    You might want to look into a Korean company called iAudio if you're interested in a Digital Audio Player. The X5, for instance, supports FLAC (Free Lossless Audio Codec) so you can have CD quality music; it functions as a UMD (USB Mass-storage Device) so you can just plug it in and drop the music files into it regardless of your operating system; and it has an excellent soundboard to boot. Oh, did I mention that it also plays video (before the iPod video came out)? Simply put, the X5 kicks ass. I can't believe that people would choose an iPod over an X5.

    I'm glad that at least some parts of the world can produce things that actually have functionality to support a high price.

  126. The quality of the product? by rimclean · · Score: 1

    Perhaps their product is shitty? That may be why sales are down. ....that cannot be it though, it must be the ipod!

  127. Additional Alternative Explanation by iamlucky13 · · Score: 1

    In addition to the music industry apparently being staffed by reactionary, entitlement-oriented morons, as others have pointed out, I've got one more theory to add based on my experience: flexibility adds value to existing collections.

    When I ripped all my CD's to MP3, I found I was less anxious to buy new CD's because it was easier to achieve a seamless variety. Just click random mode on Winamp (still v2.91 for me) and any song from my collection could be next. I wouldn't necessarily be listening to one artist for an entire album or constantly swapping CD's to keep the flavor changing. As a result, I get more satisfaction from the same number of CD's and don't feel a need to add to my collection as often.

    As far as the money lost due to reduced sales, as soon as they start selling the songs I want DRM-free, I'll start buying music online to fill in the holes in my collection where I don't want the whole album.

  128. Dear Chris by Tsiangkun · · Score: 4, Insightful

    Chris Gorog, CEO of Napster Inc. (NAPS ), which sells both subscriptions and downloads. "You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple. People are bored with that."

    Chris,

    I know this is hard to wrap your head around. The iPod is a media player with a built in hard drive. There is no vendor lock in. I've been able to downlaod music from napster, kazaa, soundclick, and a variety of vendors. Amazingly, they all work fine. AIFF, WAV, MP3, ACC, all work fine on my iPod. Should your's behave differently, RTFM.

    What the iPod doesn't do, is support every god damned DRM scheme on the planet that lets you and your corporate cronies "lease" your DRM infected music to iPod owners. Quite frankly I'm not interested in DRM laden crap from napster, real, or anyone else including iTMS. I bought my iPod to carry around the large collection of music I already have, not to populate it with new music that has been approved by some industry suit.

    So, in conclusion, the iPod is a hard drive. I can get files of any type onto it with ease. The iPod is a media player. I can play a fair variety of widely available media types without problems. The problem is in the DRM schemes that lock content to specific devices.

    The iPod did not lock me into anything, your DRM infected business plan locked me out of your customer base. I am not interested, and it has nothing to do with my iPod.

    I have not, nor will I ever "lease" digital music for my device. If I am paying with real cash, I want real bits I can twiddle as I see fit.

  129. The new internatial competition is also ignored. by hackwrench · · Score: 1

    I listen to more music from other nations, Japan mostly, and the RIAA isn't encouraging me to buy native.

  130. Hello, Christmas is coming? by Roadkills-R-Us · · Score: 1

    Besides money being tighter, maybe people are waiting to see if they get music ***for Christmas***.

    What moron came up with this article? Clearly they were either desperate for a story, or too ignorant to realize the story they got wasn't the real story ata ll.

  131. What happened last year? by Boss+Sauce · · Score: 1

    Generally, stats like this are compared with similar stats from other years, to adjust for seasonal effects. So, does anybody know if iTMS sales dipped last year before xmas?

  132. Re: Lies - you forgot something by Anonymous Coward · · Score: 0

    You can import files that are on your computer or on CDs or DVDs in many music/audio formats (such as wav and aiff) into iTunes. Once the music is in iTunes, it can go onto your iPod. Except for ogg, the problem mostly isn't other music formats, but that other DRM schemes aren't supported and Apple won't share or license their fairplay DRM scheme. IMHO, Apple wouldn't have implemented any DRM if the music labels hadn't insisted.
    - - -
    In a world without walls and fences,
    who needs windows or gates?

  133. Re:What? by Anonymous Coward · · Score: 0

    "I buy CDs online and at B&M stores and import them into iTunes."

    So, you bought a bunch of songs you didn't want, spent all that time ripping and synching them, and you're 'informative' about it.

  134. What? by abulafia · · Score: 1
    Who cares if other businesses aren't permitted to offer alternative services?

    Who can't? I don't see Big Steve's goons running around saying, "nice music store you got there. It would suck if something happened to it."

    Oh, you mean you dislike Apple not letting people piggyback on Apple's engineering and marketing investment. I understand. I'm pissed that Bank of America won't let me offer loans in their branch offices, too.

    --
    I forget what 8 was for.
    1. Re:What? by Skreems · · Score: 1

      Why should they not sell mp3s online? You can already go to the store and buy a CD, and rip those files to non-drmed mp3s in about a half hour. All they're doing by not selling them online is losing customers by making the purchase less convenient.

      --
      Slashdot needs a "-1, Wrong" moderation option.
      The Urban Hippie
    2. Re:What? by necrognome · · Score: 2, Insightful
      I'll back down if you can name one or two.
      bleep.com.
      --


      Let's get drunk and delete production data!
    3. Re:What? by MoneyT · · Score: 3, Insightful

      Nobody will sell those MP3 files on-line. So you have to jump through extra hoops to get to them. I'm sorry, but I'm not accepting MP3 as a non-lock-in example.

      "Buying an iPod does not force me to buy from iTMS."

      Okay, maybe I'm being ignorant here. What other services can you buy iPod compatible music for? I'm dead serious, I'll back down if you can name one or two. Part of my reaction here is that I CAN'T use my existing music service with an iPod, but with other players I can. You'd be doing me a huge favor if you could suggest an alternative music service with a subscription model that I could use an iPod with.


      Failure to fill a market void is not lock in. Your subscription services failure to offer iPod compatible music is not lock in. You are the one that chose a subscription service which locks you out of using the iPod.

      --
      T Money
      World Domination with a plastic spoon since 1984
    4. Re:What? by st0rmshad0w · · Score: 1

      www.allofmp3.com

    5. Re:What? by Anonymous Coward · · Score: 0

      >You are the one that chose a subscription service which locks you out of using the iPod.

      Not only was the iPod designed to not allow competitors to use it, they've gone to court over it. This is well known everywhere outside of /.

    6. Re:What? by MoneyT · · Score: 1

      They've gone to court over breaking the DRM system which the iPod uses. Had real decided to instead release their files in an iPod compatible format without breaking the encryption scheme used by Apple there would have been no lawsuit.

      --
      T Money
      World Domination with a plastic spoon since 1984
    7. Re:What? by Jherek+Carnelian · · Score: 1

      They've gone to court over breaking the DRM system which the iPod uses. Had real decided to instead release their files in an iPod compatible format without breaking the encryption scheme used by Apple there would have been no lawsuit.

      You are being deliberately obtuse.

      The lock-in is predicated on the absolute requirement by all RIAA members that any music sold online must be copy-restricted. Thus the only ipod-compatible source for downloadable RIAA-member music is iTunes.

    8. Re:What? by MoneyT · · Score: 1

      And what pray tell excludes Real or any other vendor from selling non RIAA music? What pray tell excludes them from growing a pair of balls and fighting the industry over it?

      --
      T Money
      World Domination with a plastic spoon since 1984
    9. Re:What? by Anonymous Coward · · Score: 0

      Two main points that have been bugging me as I've read this thread:

      1. I don't understand why some posters are saying they can't use files from other music services with iPod. If you can get an mp3, you can put it on your iPod. Period. All you have to do is load the mp3 into the iTunes software, and then you can copy it to your iPod. It doesn't matter where the mp3 came from. Where's the confusion?

      2. This may be a small point, but some posters are replying to the original post with the argument that "it's the AAC file format that locks you in, not the iPod". That's still not right - it's the iTunes Music Store (online music shopping service) that locks you in, not the file format! I regularly burn AAC's from my CD's and actually create (from the opinion of my sensative ears) superior music files that take up less disc space than mp3's and can be copied over and over indefinitely! It's only the store-bought AAC files that have the lock on them!

    10. Re:What? by Jherek+Carnelian · · Score: 1

      And what pray tell excludes Real or any other vendor from selling non RIAA music?

      Oh lord, our father who art in Heaven it is profit. When the 100 top-selling albums are all RIAA produced, any online music business that wants to be larger than a gnat compared to iTunes must sell RIAA music.

      What pray tell excludes them from growing a pair of balls and fighting the industry over it?

      Oh lord, our father who art in Heaven it is Apple's monopoly. When the ipod accounts for over 90% of all downloadable music players, and iTunes has the market locked-up, Real has no stick with which to "fight the industry."

      If you can propose one, even semi-reasonable plan for Real to "fight the industry" you would have a point. Otherwise you are just hand-waving in an attempt to distract from your deliberate obtuseness.

    11. Re:What? by ALpaca2500 · · Score: 1

      mp3tunes.com
      bleep.com
      theymightbegiants.com
      primuslive.com

      and others...

    12. Re:What? by Anonymous Coward · · Score: 0

      And as an added bonus (s)he gets the benefit of good sound quality (from the CD ripped at a bitrate (s)he is comfortable with) as opposed to the low bitrate compressed audio (lousy sound quality) offered by the download services. (128k AAC from iTMS is not great, WMA from other sources is worse.)

    13. Re:What? by bigbigbison · · Score: 1

      While many have mentioned lots of good serves, I didn't see anyone mention Audio Lunchbox which not only sells mp3s, but also sells you both mp3s and ogg files. Not either BOTH. For 99 cents you can download the song in both mp3 as well as ogg if you want to.

      --
      http://www.popularculturegaming.com -- my blog about the culture of videogame players
    14. Re:What? by Anonymous Coward · · Score: 0

      I'm not the same poster.

      When the 100 top-selling albums are all RIAA produced, any online music business that wants to be larger than a gnat compared to iTunes must sell RIAA music. [...]

      Oh lord, our father who art in Heaven it is Apple's monopoly. When the ipod accounts for over 90% of all downloadable music players, and iTunes has the market locked-up, Real has no stick with which to "fight the industry."


      This sounds kind of like a non-sequitor. Apple's penetration in the portable-player market and its music store don't affect Real or their position. If real can bring profits to the RIAA they'd have a "stick". (How can they have the "market locked-up" when Walmart, Napster, and Real all sell RIAA downloads and Creative and 100 others sell WMA players? Oh maybe you meant something as absurd as "a monopoly is when a vendor sells another vendor's products in a vertical market to its customers" or "a monopoly is when one company has a successful product that has won with the customers in the marketplace", the only product Apple has a monopoly on is iPods, not "downloadable music players" or digital music players, just iPods; they sure as hell don't have a monopoly on music for iPods. They do have a monopoly on a-la-carte RIAA track sales for iPods though.) The only party that has a lock on RIAA music is ... say it with me ... the RIAA. (As a cartel it's in their best interest to keep that way.) Market penetration is not a reason for Real not to make a deal with the RIAA. The fact is ... Real does have a deal with the RIAA. (How else would they offer their Rhapsody service?) They already fought with the industry and lost. They settled for a non-compatible DRM. That was Real's decision. I'm sure you know that Real refused to license FairPlay (but they spin it as "Apple wouldn't let us have it" but leave out the words "cheaply enough that we would agree"). I guess Real didn't want a piece of that "90% of all downloadable music players" as you put it. (Well actually they did, but they didn't want to pay the gate-keeper which lead to the lawsuit mentioned up-thread.)

      It's myopic to say otherwise: If Real and Napster wanted a piece of the iPod they would have ponied up. They've gambled that it will be cheaper in the long run to knock Apple down and pimp 'plays-for-sure' than to join the iPod market segment. Now why would they do that? Concessions and incentives from Microsoft, their DRM provider? I don't pay close enough attention to Real's shareholder info or executive management to know. If you want to source me some info, that's cool. Well in this day and age nobody's gotten fired for betting the farm on Microsoft.

      Anyhow, the market for downloadable music is much wider than just iPods and iTMS. All the non-iPod (read WMA) vendors have decided they want to exploit a different part of the market.

      I always wonder... if iPod users were clamoring for WMA would Apple add it? Would Microsoft license their DRM to Apple (when they don't even have a WMP for Mac that supports their DRM)? If iPods could play and honor DRMed WMAs would the WMA services start promoting iPods?

    15. Re:What? by st0rmshad0w · · Score: 1

      1. Because they are stupid.

      2. See item 1.

    16. Re:What? by Sketch · · Score: 1

      > What pray tell excludes them from growing a pair of balls and fighting the industry over it?

      Real has 2 choices as far as providing content on the iPod:

      1. Piss off their competitor, Apple
      2. Piss off their content providers, the music studios

      Which would you choose?

      --
      -- OpenVerse Visual Chat: http://openverse.com
    17. Re:What? by MoneyT · · Score: 1

      Oh lord, our father who art in Heaven it is profit. When the 100 top-selling albums are all RIAA produced, any online music business that wants to be larger than a gnat compared to iTunes must sell RIAA music.


      And do we condider Real to be larger than a gnat compared to iTunes? I certainly don't. Yet despite this, there are plenty of online music services selling other music that isnt' RIAA mainstream and making a profit.

      Oh lord, our father who art in Heaven it is Apple's monopoly. When the ipod accounts for over 90% of all downloadable music players, and iTunes has the market locked-up, Real has no stick with which to "fight the industry."

      If you can propose one, even semi-reasonable plan for Real to "fight the industry" you would have a point. Otherwise you are just hand-waving in an attempt to distract from your deliberate obtuseness.


      Hmmm, iPods account for 90% of the music players, so real could offer the RIAA access to 10%, or 100% it's a matter of convincing the RIAA that the sacrifice nessecary is worth that last 90% of the market.

      On top of that, what prevents real from offering non RIAA music un DRMed or otherwise iPod compatible and offering RIAA music as is? They could then use this as leverage against the RIAA demonstrating that people want the unencumbered music.

      The only thing that keeps real from competing well is a lack of drive to get what they want.

      --
      T Money
      World Domination with a plastic spoon since 1984
    18. Re:What? by MoneyT · · Score: 1

      Piss off the content provider. It seems to work very well for apple, why shouldnt' it work for real? Imagine if real played hardball with the industry like Apple is trying to do? Imagine if the industy's only choice was the deals with Apple which they seem to loathe or even worse deals (from their perspective) with Real et al? Online distribution is here, and it isn't going away. They can't stop that now, there's too much consumer demand. It's time for the distributors to play hard.

      --
      T Money
      World Domination with a plastic spoon since 1984
    19. Re:What? by Jherek+Carnelian · · Score: 1

      And do we condider Real to be larger than a gnat compared to iTunes? I certainly don't.

      Bingo. You clearly understand the problem. Real is NOT larger than a gnat compared to iTunes, nor is anyone else and they never will be as long as Apple has monopoly control over copy-restricted music sales.

    20. Re:What? by MoneyT · · Score: 1

      Apple doesn't have monopoly control. They have majority. But again then, if real is not larger than a gnat, even despite the fact that they offer RIAA music, then clearly if real wants to get in on the iPod scene, they need to try a different tact.

      --
      T Money
      World Domination with a plastic spoon since 1984
    21. Re:What? by Jherek+Carnelian · · Score: 1

      Anyhow, the market for downloadable music is much wider than just iPods and iTMS. All the non-iPod (read WMA) vendors have decided they want to exploit a different part of the market.

      And are failing miserably at it precisely because Apple controls 90+% of the player market.

      The only party that has a lock on RIAA music is ... say it with me ... the RIAA. (As a cartel it's in their best interest to keep that way.)

      The difference is that the RIAA copyright cartel is legally mandated by the constitution and congress. Apple's monopoly is the result of market domination. It is generally understood that monopolies that arise from market domination are not beneficial for anyone but the monopoly holder. Whether the copyright monopoly is good or bad is irrelevant, it is unfortunately 100% legal.

      I always wonder... if iPod users were clamoring for WMA would Apple add it?

      Of course not, that's because Apple has a monopoly, they would not need to no matter how the ipod users "clamored." If they actually lost sales because of it, then that would mean they no longer hold an effective monopoly.

      If Real and Napster wanted a piece of the iPod they would have ponied up. That was Real's decision. I'm sure you know that Real refused to license FairPlay (but they spin it as "Apple wouldn't let us have it" but leave out the words "cheaply enough that we would agree")

      That is 100% demonstrably false - Apple refuses to license FairPlay. No matter how much pony they've got, it is not enough for Apple because they have a monopoly on the market and intend to keep it that way.

    22. Re:What? by Jherek+Carnelian · · Score: 1

      Apple doesn't have monopoly control. They have majority.

      Economists use the term monopoly to refer to a company with approximately 90% or greater control of the market. By your definition, AT&T was not a monopoly, just a majority at the time of their break-up because there were a number of gnat-sized alternatives.

      they need to try a different tact.

      You are now arguing in circles.

      If you can propose one, even semi-reasonable plan for Real to "fight the industry" you would have a point.

      Ring a bell?

    23. Re:What? by MoneyT · · Score: 1

      The difference is that the RIAA copyright cartel is legally mandated by the constitution and congress. Apple's monopoly is the result of market domination. It is generally understood that monopolies that arise from market domination are not beneficial for anyone but the monopoly holder. Whether the copyright monopoly is good or bad is irrelevant, it is unfortunately 100% legal.

      1) Apple is not a monopoly. They are the majority player in the market but hardly a monopoly.

      2) I don't know what constitution or congress you've been paying attention to but the RIAA is not legally mandated at all. The existance of copyright as a right cranted to creators such as song writers and musicians is constitutionaly mandated. The right to transfer that copyright to another individual or corporation such as sony, a member of the RIAA, is legaly allowed. But the RIAA is nothing more than a collection of various copyright holders who have recieved the copy rights to certain creative works from the original creators who have chosen by free will to associate with each other and combine resources to protect their interests. Nothing about the RIAA is constitutionaly mandadted. The RIAA is a monopoly in the same way that Apple is a monopoly, they are the market leader and market dominator. Note this does mean that the RIAA is not a monopoly in the true sense of the word just the dominate market player.

      3) It is not understood that monopolies caused by having market dominence is bad. What is understood is that having a monopoly grants a company extreme power over the market and there is great potential to abuse that power, but having a monopoly is not inherrently bad. Remember a monopoly is not an undefeatable monolith, nor is it something that can necessarily be constant in it's power. A monopoly can fall from sheer ignorance of consumer demand or from a failure to recognize the shift of the market.

      Of course not, that's because Apple has a monopoly, they would not need to no matter how the ipod users "clamored." If they actually lost sales because of it, then that would mean they no longer hold an effective monopoly.

      Um, you do realize you just described how a monopoly loses it's monopoly status. A competitor comes along and offers what the market demands. Again, Apple is not a monopoly they are merely a major market player. Anyone can unseat Apple by providing a better product that the market wants

      --
      T Money
      World Domination with a plastic spoon since 1984
    24. Re:What? by MoneyT · · Score: 1

      If you can propose one, even semi-reasonable plan for Real to "fight the industry" you would have a point.


      Distribute RIAA files copy protected and distribute non RIAA files unprotected. Then, use the fact that the sales numbers vary and demonstrate that this varience is due to the unprotected nature of the files, and then demonstrate that by distributing through real in such a way the industry can reach 100% of the MP3 player market.

      --
      T Money
      World Domination with a plastic spoon since 1984
    25. Re:What? by Jherek+Carnelian · · Score: 1

      Distribute RIAA files copy protected and distribute non RIAA files unprotected. Then, use the fact that the sales numbers vary and demonstrate that this varience is due to the unprotected nature of the files, and then demonstrate that by distributing through real in such a way the industry can reach 100% of the MP3 player market.

      For a guy so adamant in defending Apple's monopoly control of the FairPlay DRM you sure have a lot of faith that DRM is holding back sales. Either you are a hypocrite, or you understand how your proposed scenario is completely unreasonable given the RIAA's unwavering stance on copy-restrictions and are just waving your hands some more.

      For the record, I don't believe that selling copies of songs is a viable business model unless there is some form of copy-restriction (creating artifical scarcity). I do believe that other business models that pay for the creation of songs rather than for copies of songs can be viable without copy-restriction.

    26. Re:What? by Jherek+Carnelian · · Score: 1

      1) Apple is not a monopoly. They are the majority player in the market but hardly a monopoly.

      As I stated before - 90%+ control of a market is the definition of monopoly. If you don't know your terms, you clearly aren't qualified to have an opinion.

      The RIAA is a monopoly in the same way that Apple is a monopoly, they are the market leader and market dominator.

      No they are not anything of the kind. The RIAA's monopoly is in their copyright of the music - they have a monopoly on copies of the music. Apple sells hardware and services, there are no copies. Again it sounds like you are unfamiliar with the terms of the debate - copyright is a government granted monopoly, a fact that the supreme court has explicitly acknowledged many times.

      3) It is not understood that monopolies caused by having market dominence is bad. What is understood is that having a monopoly grants a company extreme power over the market and there is great potential to abuse that power, but having a monopoly is not inherrently bad.

      You have taken the first two steps, but ignored the third. It is inherent in any unregulated monopoly, and even most regulated ones, that the "extreme power over the market" will be abused to maintain artifically high pricing.

      Um, you do realize you just described how a monopoly loses it's monopoly status.

      Doh! I had no clue. Of course it was my point -- the guy asked if Apple would ever make a change that would reduce their monopoly control, and I said no they would not make such a change unless they had already lost monopoly control.

    27. Re:What? by MoneyT · · Score: 1

      As I stated before - 90%+ control of a market is the definition of monopoly. If you don't know your terms, you clearly aren't qualified to have an opinion.

      And if you don't know your numbers you aren't qualified to have an opinion. Apple does not have 90%+ control. No figures that I have seen, even Apple's own give them that much of the market. Furthermore, you keep bandying that number about without specifying which market. MP3 players? AAC players? Music distribution? Which market?

      No they are not anything of the kind. The RIAA's monopoly is in their copyright of the music - they have a monopoly on copies of the music. Apple sells hardware and services, there are no copies. Again it sounds like you are unfamiliar with the terms of the debate - copyright is a government granted monopoly, a fact that the supreme court has explicitly acknowledged many times.

      You do not seem to understand copyright. Copyright is a monopoly cranted to the creator of the work in question. The RIAA has no exclusive right except that granted by the creator. As such, the RIAA is merely a market player in a market full of mini monopolies, and the RIAA is consuming these mini monopolies to sell a finished product. The RIAA is not granted copyrights by congress or any act of law other then contract law which allows the creator to give away or license that copyright to another individual or company. In short, the RIAA dominates the market for music copyrights, which are a comodity. The RIAA's monopoly appearance is merely due to the fact that they own so many copyrights. Would you call a tiny startup record company a monopoly in the same way you refer to the RIAA? If not why not?

      To make the point a bit clearer, the RIAA does not automaticaly have exclusive control over the rights to music I produce. Granted the contract 99.9% of all artists sign make it so, but there is no legal binding other than that contract which gives the RIAA exclusive rights. If I so chose and were to inclined, I could concieveably negotiate a contract where by both an RIAA member (note the RIAA does not own any copyrights itself) and another distribution house would both have rights to my music.

      You have taken the first two steps, but ignored the third. It is inherent in any unregulated monopoly, and even most regulated ones, that the "extreme power over the market" will be abused to maintain artifically high pricing.

      Only if the barrier to entry is too great to allow for any new competition. The funny thing about monopolies is that they're our favorite until all the competition gives up, then we attack them for doing what they would normaly do in a competative market. Furthermore, the prices are only artificialy high IF there is a competitor willing to provide the same product that the market wants and willing and able to provide it at a lower price, but is unable to due to some artificial barrier to entry. Lack of competition does not make artificialy high prices. If no one wants to compete, or if no one can compete, then that is the market price.

      Doh! I had no clue. Of course it was my point -- the guy asked if Apple would ever make a change that would reduce their monopoly control, and I said no they would not make such a change unless they had already lost monopoly control.

      But apple doesn't have monopoly control.

      --
      T Money
      World Domination with a plastic spoon since 1984
    28. Re:What? by MoneyT · · Score: 1

      DRM is holding the industry back. I also feel it's a nessesary evil at the moment to drag the industry forward. I also feel that the unwillingness of Apple's competitors to use the fact that Apple has majority control and is playing hardball to their advantage to negotiate better deals for their customers is an example of companies unwillingness to truely compete with Apple and the iPod.

      --
      T Money
      World Domination with a plastic spoon since 1984
    29. Re:What? by Jherek+Carnelian · · Score: 1

      And if you don't know your numbers you aren't qualified to have an opinion. Apple does not have 90%+ control. No figures that I have seen, even Apple's own give them that much of the market. Furthermore, you keep bandying that number about without specifying which market. MP3 players? AAC players? Music distribution? Which market?

      Just because you are ignorant of the facts does not make them any less true. To get even more technical, Apple clearly has monopoly control of the market because they are able to maintain pricing at levels significantly higher than all of their competitors without significant technical differentiation. That is de facto proof of a monopoly regardless of the specific market percentages - the demand curve for ipods slopes downward, not upward as it would if there was legitimate competition.

      http://www.macnn.com/articles/04/10/12/ipod.market share.at.92/

      The RIAA's monopoly appearance is merely due to the fact that they own so many copyrights. Would you call a tiny startup record company a monopoly in the same way you refer to the RIAA?

      Yes. You really seem to be hung up on your misunderstanding of the RIAA members' monopoly as it applies to the market of music sales. RIAA members have a legally sanctioned monopoly on the most popular music. If their copyright was not legal sanctioned, they would have long ago been forced to allow secondary sources of the music they own the copyright for.

      But apple doesn't have monopoly control.

      No matter how many times you say this, it is still false.

    30. Re:What? by MoneyT · · Score: 1

      Way to link to an article from a year ago talking about specificaly HDD based MP3 players. Got anything current? And are you saying then that you are talking specificaly about HDD based MP3 players? BTW, I dunno what economics books you've been reading, but demand curves always slope down. Further more:

      To get even more technical, Apple clearly has monopoly control of the market because they are able to maintain pricing at levels significantly higher than all of their competitors without significant technical differentiation.

      So then would you say Apple has a monopoly on computers as well?

      Yes. You really seem to be hung up on your misunderstanding of the RIAA members' monopoly as it applies to the market of music sales. RIAA members have a legally sanctioned monopoly on the most popular music. If their copyright was not legal sanctioned, they would have long ago been forced to allow secondary sources of the music they own the copyright for.

      It's legaly sanctioned only because of the contracts which the music creators signed. The RIAA members negotiated and bought those rights. They are market players as much as anyone else is. The RIAA maintains a monopoly over music rights because no one else can compete or is willing to compete. But that is irellevant as your original claim was that the RIAA is a legaly mandated monopoly. If another group of distributors wanted to buy up music rights and provide the services the RIAA does to artists, they could (especially with some well placed maneuvers) oust the RIAA from it's monopoly status just like any other business.

      Furthermore, the RIAA could not be forced to allow secondary sources, unless and until congress denies the right of the creator to transfer or assign the copyright which they own (and by the way retain when their contract with the RIAA expires).

      No matter how many times you say this, it is still false.


      Oh, but it's quite true. See for yourself, from a more current source . QED.

      --
      T Money
      World Domination with a plastic spoon since 1984
    31. Re:What? by idsofmarch · · Score: 1
      eMusic.com. There's one that sells Mp3s, no DRM, and has a fairly large catalogue. The iPod is a device that works with iTunes and the iTMS. iTMS does act as a lock-in to the iPod, but the relationship doesn't work the other way. The iPod is dumb, it will play anything, including AACs, but the iTMS is smart and wants you to use only the iPod. This relationship is complex and most people don't really understand how it works, but the iPod plays several major codecs: WMA, FLAC, Ogg Vorbis being the exceptions.

      Sorry for the belated reply.

      --
      Anyone who whines about being modded down should be.
    32. Re:What? by NanoGator · · Score: 1

      "Sorry for the belated reply."

      I really appreciate it. Thank you. :)

      --
      "Derp de derp."
  135. One man's trash is another man's gold. by crovira · · Score: 1

    "Certainly it makes more sense to sell some tunes for different prices, just as movies tend to sell for more at first and then end up in the discount bin when they're old hat."

    That just means there are fewer downloads per period. The space occupied on the server's disk system is damn near free. Its not like they have to remainder it to make room for newer stuff that has to take up shelf space.

    You're argument is specious and superfluous.

    Apple has the right idea: There's only ONE price required.

    The content doesn't care about which media its bits are sent to and the store doesn't either.

    Pricing by 'value'implies placing a value on the content, but its total cost is negligible, regardless of whether its a video of "Mars Attacks" or the original book "War of the Worlds" by H.G. Wells.

    Only one price is necessary. The revenue stream is utterly dependant on popularity, a temporary measure and cyclical in nature.(Ask an old and rare book seller.)

    --
    MSBPodcast.com The opinions expressed here are my own. If you don't like 'em... Think up your own stuff.
  136. Sorry Charlie! by Morgalyn · · Score: 4, Interesting

    As has been true since the start, iPod owners mostly fill up their players from their own CD collections

    I'm not sure why they are surprised with this? Did they honestly think people would only put newly-purchased music on their iPods (apparently so)? Why wouldn't I want to put all the music I already listen to on it? When the iPods first came out, it seemed like the biggest buyers were people with too much money on their hands that bought every CD that ever appealed to them, and were tired of shopping for n-disc changers for their cars and jukebox systems for their homes. The whole POINT is that they can hold albums and albums and albums of music without carrying around all the accompanying cruft (CD organizers, anyone?). iTMS was just icing on the cake, a way to explore new music and purchase a track or two without buying the whole album. If I had to make a guess, I'd say iTMS completely revitalized the 'singles' market.

    We're not seeing the kind of dramatic growth we should given the surge in sales of iPods and other MP3 players

    "the ... growth ... we should"... hmmm.. I think its time to hire new analysts, right? Just because someone came up with some numbers doesn't mean its a bonafide, set in stone, destined fact. If this commentary is referring just to the current quarter, then they should REALLY give themselves a kick in the pants - sure iPods and other MP3 players are flying off the shelves: people are buying them for christmas gifts. They aren't even being used yet! They're probably wrapped up and under a tree, or being shipped, etc.

    PAH. I give up. Someone needs to get the music industry to grow up and stop whining that someone played with their toy: it's time for them to eat their vegetables and wear regular underwear instead of diapers. This should be accompanied by a talk about how life doesn't play by the rules you make up for yourself. Sheesh.

    --
    You say you got a real solution
    Well, you know
    We'd all love to see the plan
    (The Beatles)
  137. iTunes Music Store - never have, never will by DeliBoy · · Score: 2, Insightful
    "I have half a million subscribers who would love to use an iPod with my service," says Napster's Gorog.

    I'll bet a lot of owners have used Napster (circa 1998) to load their iPods. About 20% of the music in my collection is from this previous version of Napster. Most of that is crappy 128k, misnamed, and ID3tag-less. 60% of the rest of it is from legally ripped CDs. The final 20% is legitimate free music - from archive.org, fingertips, The Hype Machine, other blogs, live torrents, etc.

    Perhaps the RIAA should reconsider the free ride they expected from iPod users. When I purchased my Nano, the sole purpose was to haul around some of the 120GB of music I own. I never planned on using Apple's Music Store, and I probably never will. Similarly, I will never purchase DRM encrusted music. The music industry should really consider anything they've sold through iTunes as frosting.

    And while we're on it, the RIAA will never see me re-purchasing music I already bought. I've downloaded and feel fully entitled to albums I've previously bought on cassette & LP. I could go through the work of encoding it in realtime, but the same thing is available online for free. The same goes for lost or damaged CDs. I've been emailing the RIAA regularly for several years to see if they have a problem with this policy - with no reply to date.

    "You have this device consumers love, but they're being restricted from buying anything other than downloads from Apple."
    - Is Gorog willfully ignorant of free music, or just plain stupid? Has he ever even used an iPod?

  138. Media Industry's Fault by c_woolley · · Score: 1, Interesting

    Perhaps if the music/media industry were not acting the way that they have been lately, more people would be willing to buy. With all of the restrictions placed on legally downloaded music or legally purchased music, more and more people are in fact now downloading illegally.

    I personally do not download music illegally (refused to buy an iPod and can listen to my CD's when I want), but I know a lot of people who do. Some of these people used to be against illegal downloads, but due to the restrictions placed on their music when they download (number of times it can be transferred, illegal to move from this device to that device, cannot be read at all on specific device, etc.) these people have found it easier to download the illegal copies, which have no problems.

    Copyright infringement is wrong, but the legal system has made it not even worth owning the legal copies. When the common person doesn't clearly understand their rights on the media that they purchased without needing to be a lawyer to listen to it, you kill the desire to buy it.

    iPod did the right thing by encouraging legal downloads to begin with and quickly found a market that was previously (almost) untapped. If they keep on that path and make music downloads simple to use and simple to own, they will remain strong. If Sony and the other companies win out by making it more difficult to transfer music/media from one media to another, the industry will dwindle. I used to purchase Sony items, but why in the world would I want to do this now, if I know that they are hiding trash on their media and are willing to accept vulnerabilities on my machine, and not tell me about the code? What stops them from creating hardware restrictions in their players that will fail to perform correctly as well? No more Sony...

    Hollywood is slowly drowning themselves with their current copyright war. If the media can be transferred with 1's and 0's, there is no definite way to stop the illegal copy from being made. A hacker will go out of his way to copy something if he is told it cannot be done. Even if the movie/music isn't worth the cost of the burnable DVD/CD.

    Bottom line for Hollywood...Look to your consumers and make them happy. Price things reasonable, make it easy to use for the vast majority, and don't make owning a CD a legal battle. YOU need the consumer, not the other way around. People will eventually stop listening or watching if you inconvenience them too much. I cannot think of a single successful company that did not begin by believing that if they won the consumer's confidence, that they would go far. I can think of MANY that lost sight of that and have long since circled the drain, or have begun to. The ball is in your court now...

  139. Should by umbrellasd · · Score: 2, Insightful
    "Music sales aren't what they should be." There is no should in the market. There is what is. It is just retarded when things do not meet some "smart guy's" expectation and then the guy claims the market is wrong and he is right about what should be happening. It's about as unscientific as you can get. At this point all there is is a correlation between iPod sales and reduced music sales, and an extremely weak correlation at that. There are a wealth of other economic factors involved in music sales and few of them are constant right now.

    That's a far cry from cause, and some guy's expectation is a far cry from proof.

  140. 0.44% by LoudMusic · · Score: 2, Interesting

    0.44%. But for an android, that's like an eternity

    Seriously, 0.44%? Is that honestly an issue?

    --
    No sig for you. YOU GET NO SIG!
    1. Re:0.44% by thebatlab · · Score: 1

      That's what I thought at first too. I think the issue is that they expected continual growth, no drops. I think it's too early to cry foul but if by end February the trend hasn't reversed, then it may be time to start worrying.

      Unfortunately, that's a long time to wait for some people so they're going to start worrying now.

  141. And you call yourself an American! by rsilvergun · · Score: 1

    Get out thar and consume, damn you!

    --
    Hi! I make Firefox Plug-ins. Check 'em out @ https://addons.mozilla.org/en-US/firefox/addon/youtube-mp3-podcaster/
  142. if the RIAA by ta+ma+de · · Score: 1

    were to forgo the DRM requirement, then Napster could sell plain-old mp3's that would work great on the ipod. So it begs the question as to why Napster is complaining about apple when they should complain to the RIAA. Why don't they say the truth, DRM causes the platform compatibilty problem, not the devices that play the music.

  143. In other news... by lamz · · Score: 1

    In other news, every sale of a Ford 'holds back' sales of a Chevy.

    --

    Mike van Lammeren
    It will challenge your head, your brain, and your mind.

  144. Artists don't get much in terms of song revenue .. by ObiWonKanblomi · · Score: 1

    ...for the most part. From what I recall most musicians (with exception of super stars) tend not to taste much of the profit their songs generate. Most musicians still, to this day, end up signing away a lot of their future royalties from the songs as well. This is one of the major reasons why artists still go on tour, as that's their primary source of income.

    I'd imagine it's the label that gets at least 60 of those cents, 30 to Apple, and the 9 cents left to the artist.

  145. No shit! by Ulrich+Hobelmann · · Score: 1

    Why I don't use legal music downloads? Because they quite frankly suck!

    Honestly, I can get most CDs that are maybe a year old (and face it, 95% of good music is probably not totally brand-new) for no more than $10. And that includes a backup, in case my computer dies. It includes a booklet, a copy of my music to listen to in the car (if I had one, that is). It includes the ability to re-rip the music in better quality, or in another format (MP3, AAC, Vorbis, you name it), should another cellphone or music player come along for me. It's convenient, since I can buy not only the mainstream stuff available on iTunes, but CDs from any band I could wish for. Oh, did I mention it's 44kHz sampling and no lossy encoding? And no DRM at all, so I may actually listen to my paid-for music on whatever music player I like to use?

    It's called competition, baby. Embrace it or fall!

  146. funny you should mention Pink Floyd by tomcres · · Score: 2, Interesting
    I actually just bought several Pink Floyd albums on iTMS. These were albums that I used to have on cassette tape, copied from friends' CDs and tapes. So, the recording industry made money not only on the subsidies they get from the sale of blank cassette tapes and dual cassette decks, but then also on the legitimate copies I eventually bought on iTMS.

    But iTMS is killing the industry! Legal music downloads were down a whopping zero-point-four-four per cent since the previous quarter! (For anyone who can't tell.. that's sarcasm!)

  147. It's crap music by Anonymous Coward · · Score: 0

    The reason there is a dig (.44%) is because right now there' crap out there. There isn't enough great new music that people want to buy. Screw the RIAA. .44% can easily be attributed to things like natural disaster, like hurricanes. Why the hell is that even a story? Fucking retard papers don't know how to report any more.

  148. BusinessWeek by SP33doh · · Score: 1

    BusinessWeek is BoomerWeek. they're filled with crap, honestly, when will they just all retire?

  149. Re:Absolutely by CPhelan · · Score: 1

    Yes, you are Correct Sir! Its always about the money, greed, I wish there was some kind of watch dog organization to keep the RIAA in check. What the RIAA really wants is to control how we listen to music. Its beginning to be like 1984 soon there will be ministry of music and people will be taken off the streets for indiscrete listening. I don't download music (legal that is) for a few reasons. The main reason is that vinyl and CD's contain information, tidbits about the artists, lyrics etc (speaking of which the RIAA wants to limit access to lyric sites). Sure all that info is somewhere on the web but I'd rather read that on the couch then in front of a monitor. I grew up around the end of vinyl, 8 track, into cassettes and then to CD's. Enough already!! I am not going to pay more for music I own in another media format, well with some exceptions. It has become really easy to convert tapes and albums into CD. I still collect vinyl and why people throw out perfectly good vinyl is just stupid.

  150. The funny thing is... by Rapter09 · · Score: 1

    ...the iPod will play any standard MP3, and WMA file that isn't encrypted (well, 'play', in the sense that iTunes will convert it). The other funny thing is, Napster does the whole WMA DRM crap, which *can't* go onto the ipod, because iTunes (assuming you use it, which most iPod users do - at least any of the thousands of people that i talk to in the run of a month) can't convert Mr. Gorog's encrypted WMA files. So who exactly is locking in\out who?

  151. 1$ by lilmouse · · Score: 1

    And of course, the micropayment should be $1 per song, per listening.

    --LWM

  152. Who is holding who back? by enantiodromia · · Score: 0

    The music industry is upset because Apple created a better way to hear music, as the music industry was not attempting to make better music to hear in the first place. I have always said, if the music industry really wanted to make money, they should be selling cheap hard drives, and give away the music. Make the media free or damn-near-free, and sell the nifty hardware that goes with it. How can they not see this?

  153. Going the Indie Route? by czehp · · Score: 1

    Could it just be that people are slowly starting to catch on to the fact that most "commercial" music backed by the big labels sucks and are going the indie route to find tunes that cater to their listening tastes? If this is the case, paid "legal" downloads would surely decrease since a strong number of indie artists either sell their music off their own sites or -gasp- offer it up for download for free. Yes, I know iTunes and their ilk promote indie music but most people who bother to listen are IMHO more likely to go direct to the source if they have to pay so _ALL_ the money goes to the artist. I for one have all but stopped listening to mainstream music ever since the industry told me it thought I was a lying, theiving idiot willing to put any pice of DRM'd shit on my computer or portable player just so they can continue to spoonfeed me their tripe. And I'm happy to say that the quality of indie music has far exceeded my expectations. Sure, there is a lot of chaff to sort out before you get to the wheat but that wheat is far better than the processed algorithmic junkband music the labels have been putting out as of late. I'd suggest to all the Slashdot users who haven't ditched mainstream media yet to do so, you'll never regret it!

    1. Re:Going the Indie Route? by nnet · · Score: 1
      http://www.ardynet.com/

      My whole catalog, in ogg format. Free to download. Free to share on p2p. Free to enjoy to listen to.

    2. Re:Going the Indie Route? by Anonymous Coward · · Score: 0

      Last week, I'd have agreed with you. This week, I saw that my brother's band's new album (they're called undertheigloo if you're interested, and are pretty great in a vaguely Radiohead-at-their-more-obscure way) is available for purchase through iTMS. So it clearly isn't a "Majors Only" playground.

      They sell it through the website (and in local shops) for £9.99 if you'd rather a bona fide CD, naturally. I confess I bought it from iTMS as well just for the novelty value, which is slightly sad.

  154. Quantity, quality & nationality hurt sales... by TheRealStyro · · Score: 1

    In my opinion, the top three items to kill of iTunes and the rest of the legal download sites are - insuffiecent quantity of music, lack of quality, and separate nationalized stores with differing content.

    Despite what started off as a strong stream of content has now become a weak trickle. To compete with the filesharers the stores need to ramp up production and add more content. Once customers have bought the content they know they like, they will be waiting for more content (possibly even jumping providers to get it).

    I really like iTunes, but 128 kbps is too low for some music. I have bought music that clips due to the low rate, and this has left me with a cautious attitude regarding further purchases. Stores should never let customers have bad experiences regarding purchases. Raise the bit rate even if it requires a multiple tier price scheme.

    Nationality of internet based business really burns my britches. If you have a store on the internet why in hell would you limit yourself to only selling to customers in one country. If a customer is willing to pay the currency conversion factor, there is no reason why the customer should have any problem. iTunes has many separate 'stores' available and all have different content, so why can't I purchase music from the UK store? Or the Germany store? Or (damit) the Canadian store? This makes absolutely no sense to me as a ready-and-willing-to-pay customer. Lose the national stores with separate & different content and business will climb.

    These aren't the be-all end-all for enhancements to the legal music download stores, but would be a good start.

    --
  155. Oh noes.... by Anonymous Coward · · Score: 0

    0.44%
    for one week.
    oh no its the end of the market.

    Really, its only 0.44%. Now if the download per week steadily decreased contiunally for an extended period of time (like 6-8 months) then it would be valid. But then the issue could be that people have gone out and bought all the cd's they wanted and had already downloaded all the music they wanted. It would only make sense that people will only download (and ideally purchase) what they want. This is the problem with retail, they think that a small decrease in sales means that someone on their side is doing something wrong instead of the consumer not wanting to purchase anything for that week. This decrease could also be attributed to the christmas season around the corner and thus people want to spend the money on gifts instead of music for themselves. I would put money on it that even though the purchases of download music would be declining, the purchases of gift certificates for iTunes or the number of CDs bought will be increasing, thus this absurd conclusion that there is any problem with the music industry is just related to the pricing issue that occurred earlier in the year. The RIAA needs to come into the real world (as the rest of the retail industry should, and the economy as well), a place where just because sales are not sky rocketing or staying even does not mean you are not selling you product. What if everyone in the world has your product already, I'm pretty sure that you would see that much as far as sales for the next month, thank you very much.

  156. .44 by lposeidon · · Score: 0

    why are people freaking out about not even half a percent drop in sales? half a percent!!!! and you are holding back? WTF! everybody spent their money getting the latest xbox and other xmas gifts... lets see... more music, or a game system?

    --
    Lizard "Never let them set limits on your mind!"
  157. Umm... by mcubed · · Score: 1

    So Microsoft gains effective control of the OS market and leverages that to restrict end-user choice by blocking competitors' products. Conclusion: Microsoft=Evil

    Apple gains effective control of the portable digital music market and leverages that to restrict end-user choice by blocking competitors' products. Conclusion: Apple=Good

    I'm missing something here.

    Michael

    --
    "No live organism can continue for long to exist sanely under conditions of absolute reality;..."
    1. Re:Umm... by narcc · · Score: 1
      Apple gains effective control of the portable digital music market and leverages that to restrict end-user choice by blocking competitors' products. Conclusion: Apple=Good


      How is Apple "blocking competitors' products"? I don't need an iPod to use iTunes. There are services other than iTunes I can use to buy digital music. There are pleanty of digital music players that are not made by Apple. Apple is in no way restricting end-user chioce! I don't know where you got that idea.
    2. Re:Umm... by mcubed · · Score: 1

      How is Apple "blocking competitors' products"?

      By, for example, not supporting WMA, meaning that any file purchased from Napster won't play on an iPod. By refusing to license FairPlay to any competitors. And by making an end-run around RealAudio's attempt to make an end-run around what an iPod will and won't play. I believe Apple even threatened legal action.

      Isn't that rather similar to what MS did to some of it's competitors' products ... deliberately trying to break QT, for instance?

      I just don't get why it's bad when MS does it, but no big deal when Apple does it.

      Michael

      --
      "No live organism can continue for long to exist sanely under conditions of absolute reality;..."
    3. Re:Umm... by Anonymous Coward · · Score: 0

      Apple's not forcing stores to stock *only* iPods. There are other devices you can buy, to play the music you want to buy. Microsoft's biggest mistake was forcing (with contracts and pricing) PC manufacturers to purchase and install only Windows, but after creating a monopolistic dependence on their OS.

      So, for now, Apple has only created a tremendous amount of demand for their product, and subsequently "their" content. You aren't locked into their content when buying their hardware. You're not locked into their hardware when buying their content (To quote Daft Punk: "buy it, burn it, rip it ... code it").

      Now, if you want to specifically whine about no WMA support, you can A) not buy an iPod because you *know* it doesn't support WMA, or B) buy content from someone who'll let you burn the music and re-rip into MP3.

      Now: how are they blocking competition? Oh, yeah, cuz you're too damn lazy to figure out how to take advantage of A) the flexibility in the system or B) the "fairness" rules from the vendor.

    4. Re:Umm... by mcubed · · Score: 1

      Apple's not forcing stores to stock *only* iPods.

      No, of course not, and Apple's path to its market position was achieved on its merits, a lot more honorably than Microsoft's path. My point is that now that Apple has its overwhelming market share, it isn't acting any more honorably than MS ever has.

      You aren't locked into their content when buying their hardware. You're not locked into their hardware when buying their content

      MS doesn't make hardware. By the time I switched from Windows to Linux, I had been using all OSS under Windows -- seeing how much better that software worked than the commercial/proprietary software I had been using is what motivated me to switch in the first place. So I fail to see how MS locks anyone into their content.

      Now, if you want to specifically whine about no WMA support,

      Personally, I could care less about WMA support. And personally, I have no use for an iPod ... I have a small flash portable, which is all I need. Furthermore, I don't buy downloads ... I buy the majority of my CDs used at a better price than $9.99, unencumbered by DRM, and uncompressed. So I have no stake in what Apple allows or doesn't. But to pretend that Apple isn't acting in a non-competitive manner is ridiculous. There is nothing "fair" about using your market share to block your competitors from taking advantage of a market you have helped create, and that's exactly what Apple is doing. It's not illegal -- or, at least, I don't think there's much suggestion that Apple has stepped over that line. But there's also no recognition from the Mac-huggers on /. that Apple isn't playing nice. It doesn't have to. It has a hot product and it's trying to maximize that product's profit potential for itself, to the exclusion of anyone else who might get in on the game. It is not, as has been suggested in this thread, acting in the best interests of the music industry, nor "saving" the music industry. And when someone comes along and suggests that Apple's intransigence might actually be slowing down the growth of a new sector -- and, apparently, that growth is slowing -- the suggestion gets a knee-jerk dismissal from the chorus. If it were MS doing exactly the same as Apple is doing, you can bet the reation would be entirely different.

      Me, I have an iMac that's starting to show its age. If Apple keeps this up, and I see no signs that they won't, I don't think my next purchase will be another Mac.

      Michael

      --
      "No live organism can continue for long to exist sanely under conditions of absolute reality;..."
  158. digital data for sale by zogger · · Score: 1

    Software, movies, music, ebooks, whatever. . Pay by the megabyte, a penny or two (whatever). Once every vendor of e-content started doing it, it would get accepted, adopted and become the norm. They could be done with it, and get back to normal business and stop this adversarial conflict with the customers.. That would work for all these various companies, they would get money, people would get their stuff, piracy would drop down severely.

      Holding on to last centurys business model is insane*bonkers*nuts.

        It's ludicrous, crazy, there's no need for all this BS about copying and piracy. Making copies of anything digital is so freekin cheap now, they should sell it cheap and be done with it. These greedy goons want a monopoly on technology, that's the only real crime being committed now.

          Want to sell more of anything? If you can get it cheaper, or make it cheaper-like they can-, then sell it cheaper, much cheaper if that is what it takes. This works for every other product on earth now BUT this digitized stuff. Even 99 cents a track is a rip. Double digits folding money multiple dollars for stuff on a cheap plastic disk is a rip.

    Digital content producers of the world-tear down those high price walls and you will see billions of happy customers on the other side!

  159. Yes, but... by Anonymous Coward · · Score: 0

    Does netcraft confirm it?

  160. The RIAA would only be happy if... by Anonymous Coward · · Score: 0

    The RIAA would want you not to not be able to load your computer with your own ripped CD music, but to buy the whole load online (again).
    And then one more time to load your iPod with the music.

  161. lol@sony by hkb · · Score: 1

    I'd rather pirate music from any RIAA label than pay for it. Not that I do pirate their music, since they're trying to push utter shite onto us and calling it music.

    --
    /* Moderating all non-anonymous trolls up since 2004 */
  162. xmas... duh! by Anonymous Coward · · Score: 0

    the reason for the lack of iTunes sales probably has a lot to do with the christmas season. most people are worrying about buying gifts to give to others intead of spending it on music. to explain the lack of iTunes sale hike that is expected to occur after the sale of many new iPods is because most of the iPods being bought right now are to be given as presents on christmas! so, im sure that if you watch the sales of iTunes music following christmas day, it probably go through the roof! not to mention that a .44% sales difference is really not that much.

  163. Meh by mofomojo · · Score: 1

    Because they see a dip in their profits, doesn't really mean that they're losing money.

    They're just making less. There's a difference.

    This greed is pathetic. If you've ever felt a tinge of sympathy, or even empathy for these people you oughtta be ashamed. Who gives a damn, shut them up and tell them to stop bitching. If they decide to pull Britney Spears or My Chemical Romance off of iTunes, will anyone really shed a tear?

  164. Figures... by rscrawford · · Score: 1

    Buying brand new music has gotten to be such a hassle that I've decided to be content with the music in my current collection. Occasionally I'll check something out of the library, but that's as far as I'll go in acquiring new music.

    If the music industry provided any sounds other than that of pure prefabricated suckage, though, I might just reconsider.

    --
    -- The reason it's called the right wing? Irony.
  165. What's Really Killing Music... by vix9 · · Score: 1

    As a musician signed to an independent label, I can tell you what is killing music. It's easy, major labels just suck the life out of artists. Find a local band you like, and support the hell out of them. Most of them can be found on iTunes (through a deal with CDBaby), MySpace, or you can order CD's directly from their sites or at shows. Stick it to the labels by supporting indie artists who have the freedom to be more creative and artistic. Not to try to self pimp here, but check out http://www.myspace.com/soundside . Check out our stuff or the music of of the bands we're friends with. I guarantee you will find some music you want to listen to.

  166. Pay the Artists! by Anonymous Coward · · Score: 0

    If the Artists got a decent cut, I think many more people would be willing to pay for legal downloads. Instead you have creepy, sleazy, coccaine-sniffing, whore-sluffing scumbags at the record companies installing Malware on your PC. Why should we pay for their excessive lifestyles? (Excessive lifestyles of artists ("My Dog should fly first Class" says Mariah Carey) is another matter, but hey, at least they've done some work.)

  167. Ignorance is bliss by geekee · · Score: 2, Insightful

    "With any luck Artists will control their own music, and profit from it by then and the record companies will be dead."

    If ignorance is bliss, you must be very happy every time you contemplate the music industry, or economics or business in general.

    --
    Vote for Pedro
    1. Re:Ignorance is bliss by hobbit · · Score: 1

      "With any luck Artists will control their own music, and profit from it by then and the record companies will be dead."
      If ignorance is bliss, you must be very happy every time you contemplate the music industry, or economics or business in general.
      Man, when I read attitudes like this, I just think that peak oil can't come quick enough. Message from the gene pool: nice knowin' ya!
      --
      "Wise men talk because they have something to say; fools, because they have to say something" - Plato
  168. Rhapsody + Audacity = ? by Anonymous Coward · · Score: 0

    MP3 w/o DRM. It's possible to circumvent the drm and get MP3s to work with ipod. I won't go into details, but it involves recording sound card output. As long as recording devices are legal DRM is breakable.

  169. Music Industry Scared of Apple? by insomniac8400 · · Score: 1

    Why is the music industry scared of apple? Now is the time if ever they should pounce on apple and make a fair playing field among online music. Apple can't sell songs if the music industry won't let them. People would be pissed at apple if the music industry shut down the store just because apple wouldn't let the ipod play an extra format. Although I think this should have been done 2 years ago, because today the apple store is popular. But the recording company is at an all time low in the PR department, so now is the time to do something people might not like. Honestly if something like that worked and the ipod supported wmv and other formats, people would be much more happy and the music industry could take the credit for freeing everyone's beloved device from the evil control of apple. If apple's control continues, we will probably see them become a music industry of their own signing bands and promoting them through itunes and growing to the point of mtv.

  170. Listen to the Hallelujah Chorus! by DrSbaitso · · Score: 2, Interesting

    "RIAA sucks! Apple rules! iPods rule!" et cetera. It's getting old.

    To fill a 60 gig iPod with songs from itunes costs roughly $15 grand. And yet they still sell very well... hmmm. I suppose a lot of folks with 1250 disc CD collections (the stack of CD cases would only be about 30 feet high) will come out of the woodwork to talk about how much they love having each bootleg Phish show they own on their iPod, but the fact is that most people who have 60 gigs of music stole a lot of it. (Other anticipated responses: I use my ipod to store 8 million digital pictures of my girlfriend; I keep 60 gigs of [not copywritten] porn on it; I back up every Linux distribution ever created; etc. You're a hero, and this post isn't about you, so go have a Jolt to reward yourself!)

    If quarter-over-quarter iPod sales are way up (discounted for seasonality - lots of those iPods will be Xmas gifts, after all) but quarter-over-quarter music sales aren't, record executives are right to be skeptical about iPods driving their sales. They've pretty much figured out that Apple screwed them over - the iTMS is basically an advertisement for iPods. The fact that it generates some revenue is an ancillary benefit, nothing more.

    Now, I'm all for music labels as they are generally constituted now shrivelling up and dying. I couldn't care less. But for the longest time, people b**ched and moaned about how they wouldn't steal if there was a better alternative; if only some genius company would sell tracks for $1 each, so you wouldn't have to buy the whole crummy album for the 3 songs you wanted! I think I read that same post about 6 million times in 1999. Now that it's here, people are discovering that actually, free is still a lot better than $1, and so file-sharing and allofmp3 downloads keep setting all-time records.

    This is bad, because the mean record industry is going to call up their cronies in congress and pass more stupid laws that will piss off everyone here. They are going to do something, because the availability of cheap, legal music isn't enough to stop the flood of illegal music being shared. So stop whining and go buy some indie records off itunes :)

    --
    beware the jabberwock, my son! the jaws that bite, the claws that catch!
    1. Re:Listen to the Hallelujah Chorus! by The+Cisco+Kid · · Score: 1

      iTMS does not fulfill the 'if only' you refer to. It works ONLY with ipods, requires you to pay by allowing them to suck money from your account, and on top of that you have to use their proprietary software on specific proprieaty platforms only. A total nonstarter.

      If a company offered cards at (safeway, walmart, walgreens, mobil, shell, [insert your favorite mainstream retailer here]) in various denominations, and you could take one of those cards (valid only after scanned at register), scratch off a code, and go to a website and download a real MP3 that didnt require proprietary hardware or software to play, without having to provide your bank account information or otherwise violate your privacy, _then_ it might be worthwhile. But we both know that will never happen.

    2. Re:Listen to the Hallelujah Chorus! by ejp1082 · · Score: 1

      There's so many things wrong here...

      First of all, CD Collections of 1,000+ aren't that uncommon, especially for people who've been collecting them for 20 years. My parents, as one example, have about 600, and frankly they're not even that into music. Several friends of mine who ARE into music easily cross the 1,000 mark. Buying two or three CD's at a time adds up quick.

      I'd also wager most people with large capacity iPods only use a few gigs at most. Just because it can fit 15,000 tracks doesn't mean people will load it with that much - realistically that's well in excess of 30 straight days of continue. Even if you only have 100 CD's, an iPod is a still a far more convenient way .of storing and playing back your music collection than carrying around the physical media.

      Secondly, there's no shortage of reasons why someone buying a new iPod wouldn't be buying new music from iTMS. Maybe they're simply upgrading or replacing from an older iPod. Maybe they are using it primarily for their CD collection. Maybe they're buying them as Christmas gifts, and they're currently sitting in a box and wrapping paper. Some people do in fact use them as portable storage (in addition to listening to music). Now the large capacity ones play video too. Some people may use them almost entirely to listen to Podcasts. "Right to be skeptical" my ass.

      Finally, "The fact that it generates some revenue is an ancillary benefit, nothing more."... It's free money. The record companies do absolutely nothing and Steve Jobs sends them a check every month. How much money would they be making from online music sales if iTMS didn't exist?

      For the record, I think $1 a song is a total rip off and iPods are overpriced and overrated. But I really get sick of the attitude that someone must be a criminal if they own an iPod.

    3. Re:Listen to the Hallelujah Chorus! by himself · · Score: 1

      What about legitimate downloads, like from emusic.com?
            I'm not shilling for them, I just tried out a 100-free-track promotion once and certainly found one hundred songs that I wanted. When the promo month ended, I cancelled my membership -- but I still have those hundred tracks. And they're good stuff, too.
            So wouldn't my D/Ls count? What about CDs I rip that i borrow fro the library, hypothetically?
            And yes, the emusic tracks are stored on my second iPod, which is a lot of spending for a guy with three kids whose disposable income approaches $zero per month. :7)

  171. s/Apple/RIAA/g by Trogre · · Score: 1

    n/t

    --
    "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
  172. Give me uncompressed music and I'll give you money by Anonymous Coward · · Score: 0

    First off to pay a Dollar a song which is compressed is the biggest scam possible. Compressed music sounds like shit, end of story. Buy yourself a real stereo system or a older CD player and you will hear the difference. Second I would be more then happy to purchase music if it was in a lossless format, and if the average price was 20 cents per song. Other then that keep your shitty simple technologies. Music is supposed to soothe the beast not piss it off.

  173. Incorrect by Prien715 · · Score: 4, Informative

    That's why the statistic is quarter over quarter. Every sales statistic in existance uses quarter over quarter sales to account for the routine seasonal fluctuation, since after all, it was almost Christmas this time last year as well.

    --
    -- Political fascism requires a Fuhrer.
    1. Re:Incorrect by nodmc · · Score: 4, Interesting

      Actually, the correct way of showing growth in a seasonal business is Year-over-Year, and not what this article shows, Quarter-over-Quarter, which in retail driven areas are largely irrelevant. That is always why retailers are comparing this Christmas over last Christmas, and not this Christmas over this past Labor Day. Okonomiyaki is correct in implying that one should wait until we see what this quarter (Q4 2005) looks like compared with Q4 2004 before using such growth trends in declaring legal downloads a "dying" business.

    2. Re:Incorrect by shmlco · · Score: 1

      True. Here, there's so many variables like kids back-to-school, studying, Christmas gift buying, gas and oil prices, etc., that it's hard to say what the cause might be. Especially in a "decline" of less than half of one percent.

      --
      Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    3. Re:Incorrect by Reaperducer · · Score: 2, Funny

      Especially in a "decline" of less than half of one percent.

      It's just another sign that Apple is going out of business. Has been since 1984.

      --
      -- I'm old enough to have lived through six different meanings of the word "hacker."
    4. Re:Incorrect by xrobertcmx · · Score: 1

      Could be people just are less willing to part with their money this year. I know I am, I spent more on Christmas and seem to have less.

    5. Re:Incorrect by Halfbaked+Plan · · Score: 1

      Apple's legal staff has been putting *other* people out of business since long before that.

      --
      resigned
    6. Re:Incorrect by Loconut1389 · · Score: 2, Insightful

      It's another sign that everyone is going out of business.
      Remember the dot com implosion?
      "Everything's overinflated, no real assets." "Everything's overinflated, no real assets." "Everything's overinflated, no real assets." The talking heads repeat over and over...
      Finally, a downturn and everyone panics, "oh my gosh, everything was overinflated, this stuff isn't worth anything!"

      If you broadcast "impending failure" loud enough and long enough, a failure will occur where one may not have otherwise.

    7. Re:Incorrect by Anonymous Coward · · Score: 0

      I'm doing my part. I just spent $500 on new CDs. But it's all independent label music imported to the USA from Germany, Israel, and Hong Kong (PsyShop, Avatar, Saiko Sounds). I leech massive amounts of mp3s, but I do try to buy and support the good stuff I like. I'm not pay $0.99 for a track that's less than WAV quality. Sorry.

    8. Re:Incorrect by DissidentHere · · Score: 1

      It's also possible that the lables aren't putting out anything that people will pay even $0.99 for. Most of the crap they are putting out they couldn't even pay me to listen to.

      Oh, and less than one half of one percent on downloaded music (personal) when people are spending money on gifts (others). Just doesn't seem like a particulary significant statistic. Let's see what happens in the two weeks after the retail holiday.

      --
      "None of us are as dumb as all of us." - meeting mantra
    9. Re:Incorrect by diverman · · Score: 1

      While you are correct in your statements, the previous poster is actually quite right. The article doesn't compare the previous year's quarter. It's citing a decrease (weekly avg) from the Q3-05 numbers to the 3 weeks averaged for November. It's a very stupid comparrison. It should be comparing previous year's numbers relative to iPod sales... not the previous quarters.

      I wonder if they took into account the number of people that are upgrading, and thus already had a bunch of music in digital form... and people who had music downloaded on their computers (not used on iPods). While I do have an iPod, my online music purchases aren't really driven by iPod use. In fact, I don't use my iPod as much anymore (not convenient in my car until I find an acceptable adapter). I burn CD's for the car, and play in the house through my Airport Express. So, the numbers could also have become skewed by changing use as time progresses.

      -Alex

    10. Re:Incorrect by tehshen · · Score: 1

      It's just another sign that Apple is going out of business. Has been since 1984.

      Apple's been dying ever since it went with BSD

      --
      Guy asked me for a quarter for a cup of coffee. So I bit him.
    11. Re:Incorrect by geoffspear · · Score: 1
      Wait, you're blaiming the dot-com bubble bursting on media people who pointed out that investing in companies with no assests were being really dumb, instead of blaming it on the really dumb people who were investing in companies with no assets in the first place?

      Maybe they should have just repeated "you don't need assets in the New Economy and everything's going to be great" over and over instead, to reward stupid business practices.

      --
      Don't blame me; I'm never given mod points.
    12. Re:Incorrect by Loconut1389 · · Score: 1

      Although I said analysts, not media, the gist of what you're saying remains the same and I get what you mean.

      The only thing though is when you have a services based business, and people are willing to pay a lot for stock in those services when a lot of ad revenue is generated by those services. Just because there's very little assets, or very little profit at the beginning, doesn't mean it won't grow profitwise and/or asset-wise.

      Think about digital media distribution- you don't need a big manufacturing plant or a bagillion copies of a dvd- all you need is some rented server space somewhere. 0 assets required.

    13. Re:Incorrect by geoffspear · · Score: 1
      Intellectual property is an asset, even if the average slashdot reader thinks it shouldn't be.

      Yes, a good website can generate ad revenue. The majority of businesses involved in the dot com bubble didn't generate ad revenue, or have any real business plan besides "you give us a lot of money, and we'll build a really cool website. The maybe we'll find a way to profit someday."

      --
      Don't blame me; I'm never given mod points.
  174. Seriously. by commodoresloat · · Score: 4, Insightful

    This reminds me of the "Apple is dying" hogwash. iTMS sales are down a bit so now Apple is holding back the music industry? Give me a break. It if wasn't for iTMS, the music industry's main mode of doing business with the internet would be the same as it was in 1998-9 -- suing the hell out of Napster, Gnutella, etc. users, and extorting money from anyone forward-thinking enough to invest in such endeavors. Apple came along and showed the industry that there was a way to make money selling legal downloads, and now they are bitching that it's not enough. They want the price raised; they want more DRM; they want more restrictions and more costs added until we are paying full album sticker price every time we listen to a song, and they're still complaining that sales are going down. Even then it won't be enough for these greedy corrupt egotistical blowhards. Given their attitude they should be happy anyone buys any music from them at all.

  175. Apple is living off the DMCA!!! by Anonymous Coward · · Score: 0

    LOL Apple is making a living off the DMCA thanks to the entertainment industry. The entertainment industry was so sure they could use this law to control the market with an iron fist and reap huge financial rewards. Little did they realize that the same iron fist they so willing hammered the people with could be used so well against them. Now any group with a lot of money and a good business plan only needs to get their product and/or a distribution method dominant in the market just once because when they do so they can then use DRM and the DMCA to make it impossible to build an inter-operable products to try to compete even if the new products would otherwise have been superior because the dominant company will not release its DRM and even though the DMCA supposedly says you can bypass DRM for interoperability it contradictorily also says you cannot legally posses, discuss, or use th tools you would need to bypass DRM in the first place so there is not way to get started. Worse still for the entertainment industry, since these types of products are a vast source of revenue, they must pony up their content at a low cost or face huge financial losses and the possibility that they might even be replaced. Google studios anyone? Nor would they win if they themselves created the DRM. Nothing would have stopped Apple from taking a DRM'd track and then wrapping it in their own DRM as well. They might try forcing companies to share DRM information like they are trying to do in France but this is recipe for disaster as DRM depends on secrecy. How many companies will get to know the secret before someone screws up also in such a scenario how can they legally deny one company but not another and what about open source companies? Basically it is a no win situation for them. DRM cannot work, it harms competition, the growth of new markets, and offends the user. They are only now starting to realize what they have done. Well I say they deserve to reap what they have sown.

  176. Why am I not surprised by Belseth · · Score: 1

    You got a vendor on one side of the street selling apples for $.99 but across the street a vendor is giving them away. Doesn't take long for most people to say to hell with it and walk across the street for the free apples. The bad part is the guy giving them away isn't paying the farmer for the apples.

    1. Re:Why am I not surprised by issachar · · Score: 1
      well, that and the vendor with the "free" apples has them stashed in a warehouse behind him. Oh, and the good apples are hidden in a mountain of crappy apples and old shoes. And the vendor can't tell me where to find the golden delicious that I'm looking for.

      Me, I'm going to skip both vendors and go to the third guy who pays the farmer and who's got an all you can eat special on apples for $10. My buddy is going to get a few apples from the 99 cent vendor. Why do we do this? Because our time is worth something to us.

      --
      . --- If you're looking for free e-mail you won't find it here! http://www.noemailhere.com
    2. Re:Why am I not surprised by Belseth · · Score: 1

      And the farmers time isn't? It costs the farmer $.50 to make the apples but the all you can eat guy is only willing to pay $.10 each. The only market left which is paying money is the all you can eat guy so the farmer either some how produces the apples for $.05 each or goes out of business. The end result is really bad apples from a handful of factory farmers able to produce them on such low margins. Much like what has happened to other forms of manufacture. It's rarely a simple solution and quality costs and if no one will pay for it quality suffers. I'm more concerned with film personally. Everyone likes the 200 mill effects epics but they are expensive. If piracy gets as bad in film as music the films like Kong that everyone wants to see simply won't be made. The good fairy don't make them money makes them. I agree about the bad quality of the product but simply not paying for the product is no solution. If quality is bad now imagine when budgets get cut by 75%. Can't happen? Independent film used to get most of it's revenue from foreign sales. South east asia has already died as a market because of piracy. All films sold are pirate and they sell for $1 each. Say wow that's great. Well it's driving the independents out of business. I sold a film a couple of years ago and got it in as the markets dried up. Now the same film is worth half as much. If I had made it five years earlier I could have made two to four times as much. Things are changing and not for the better. The big boys will survive but quality won't. You get what you pay for and if you don't want to pay much you ain't gettin' much. Sadly those of us who are willing to pay suffer the most. I own licenses for all my software but most I know don't. I wind up paying more because others won't. If twice as many paid prices would drop. You say fool, why pay? Guess what, software costs money to write. I want the upgrades and to see the companies succeed so I pay and I pay a premium because others are too cheap to pay.

  177. Time to switch dude by commodoresloat · · Score: 1
    Really? I'm a customer of Rhapsody.

    Switch to OS X already. Rhapsody is way out of date.

    1. Re:Time to switch dude by ALpaca2500 · · Score: 1

      Rhapsody only has like 6 albums...

  178. Presents? by MissingDividends · · Score: 1, Interesting

    Has it occured to the almightly number-crunchers that most of the recently purchased ipods are probably destined to be christmas/haunakka/kwanzaa/etc. presents? Maybe they should check music sales after the 'end-user' actually recieves their device... The other number-twisting fact is that many people are just upgrading their mp3 player and not needing to download much more music (how much legal music does one need???)... Just some thoughts for food. Please. I'm hungry.

  179. There is a lock-in scheme by glesga_kiss · · Score: 1
    Apple have got a lock-in scheme on the iPod and IMHO it is all a part of their plan.

    The default encoding in iTunes is not mp3. A large majority of the iPod owners will rip their entire collection into the AAC format and from that point will be tied to Apple hardware. When they go to upgrade to another device, they will ask if it can play their existing media. And Apple get another sale as the user finds they have to get another iPod. And as they are very nice, they will have no real issue with that.

    Sure, I know you can re-rip your music, but who wants to do that? People being people, they will have lent or sold the original media by then and it won't be an option for many. And sure, with iTunes music, you can burn to CD and re-rip, but we are talking about normal people here, not the "tech elite". Many of them struggle to get the music on in the first place (I've personally helped three clueless users with iPods [ + some other folks with other devices]), so that idea will be beyond them.

    Trust me here: Apples outstanding success with the iPod will hold them in the number one slot for a very long time. Provided they don't fsck it all up and pull a Sony or something.

    1. Re:There is a lock-in scheme by SquadBoy · · Score: 1

      "A large majority of the iPod owners will rip their entire collection into the AAC format and from that point will be tied to Apple hardware."

      Non-DRMed aac/mp4 file can play on anything that supports aac/mp4. This includes winders, Linux, and OpenBSD just to name the 3 I've personally used them on. And a brief list of portable devices that will happily play them http://www.google.com/search?hl=en&q=mp4+portable+ media+players&btnG=Google+Search.

      Having said that I'm typing this while listening to my 30gig 5th gen. iPod. Sweet piece of gear. But it was purchased based on the fact that it just works with the 2 OSes that I use when I have a choice (OS X and OpenBSD) and the intergration with my iBook and in spite of the fact that it doesn't do ogg.

      --

      Cypherpunks: Civil Liberty Through Complex Mathematics. Those who live by the sword die by the arrow.
    2. Re:There is a lock-in scheme by Anonymous Coward · · Score: 0

      Microsoft does the exact same thing with Windows Media Player. (They default to WMA encoding for audio.) Only it's much worse in that they don't give you the option of encoding high quality MP3 files! (The WMP MP3 encoder maxes out at like 56kbps!) And let us not forget that the WMA format is full on proprietary.

      With iTunes you get a fully functional MPEG AAC and MP3 encoder supporting constant and variable bitrates all the way up to 320kbps! Sure, they default to AAC but that's because AAC is the current MPEG standard! And guess what? There is plenty of other hardware out there that will play MPEG AAC! Ever heard of the Roku Soundbridge or the Slim Devices Squeeze Box?

      If you are slightly more informed (read, total computer nerd) you can even get an iTunes plugin that uses the LAME encoder when ripping CDs! (That's what I use on my Powerbook. I even swapped out the LAME executable that ships with the plugin for a newer beta so that I could fool around with the "VBR new" stuff.)

    3. Re:There is a lock-in scheme by Anonymous Coward · · Score: 0

      You are ALMOST right.

      I've encoded all my music in AAC. And due to some odd reason I hasnt been able to properly understand, noone other than Apple seem to make ACC capable DMPs. It's a standard. IT should have replaced mp3 by now!

      Even when i find an AAC player like Nokia 6230i, it doesn't support a proper bitrate, I have to reencode my files down to 128 kbs to get them to play.

      But I doesn't find this as an lock in, it is the competitors that locks me out. And I don't feel for buying from companies that doesn't want my business.

    4. Re:There is a lock-in scheme by Anonymous Coward · · Score: 0

      And the best part is this :

      1. Creative KNOWS that their competitor uses MPEG4
      2. Creative supports MPEG4 Video on Zen:Vision M

      And they STILL manages to drop of AAC. Way to go chump!

  180. your logic is flawed by commodoresloat · · Score: 1

    I'm with you up until here: "It's all the lottery people's fault." You're not following the author's logic closely enough. It's clearly Apple's fault that you didn't win money in the lottery.

  181. And more, ... by hummassa · · Score: 1

    We are out of new, good, music ! We only have pasteurized pop-successes ! Oh no !
    --
    Nothing to see here, move along...

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
  182. Or because by GoMMiX · · Score: 1

    People are sick of the bad press the RIAA is generating, and simply don't care to purchase their products anymore. Could also be a lack of new talent worth listening to.

    I personally have not bought a CD in years. Though I did spend about $10 buying some old songs I liked from Wal-Mart's music store when it opened. I know of only one person who continues to buy CD's and MP3's. No one else cares for the new talent nor the RIAA's actions as of late.

    In short, perhaps it is the lack of quality and consumer relations that is costing the music industry. Not bazillions of theives ravaging the internet to steal away all their monies.

    Not to mention, the price of music CD's is a joke. $15-20 for a movie I can understand. Tens of millions in advertising, and often hundreds of millions in production. I pay $20 for a good movie I feel like I got what I paid for. When I pay $20 for a music CD that has maybe one or two songs on the whole disk that I want - I do not feel I have received valuable goods for the money I invested.

  183. oh dear, by NZ4410110 · · Score: 1

    if a 0.44% can cause 387 + comments, then what is the predicted number of comments for a 0.55% RISE? -0- margin of error? -0- whats 0.44% worth anyway? No, you suck.

  184. Re:MOD DOWN DUMBASS by Anonymous Coward · · Score: 0
    Yes, Apple charges you a nickle every time you listen to a song. How insightful.

    Sigh. Too bad there's not a retard filter on /.

  185. Apple's a Pirate by Unknown_monkey · · Score: 1

    *Sarcasm On* It's obvious that Apple's responsible for piracy. The lack of an increased sale of CDs along with increased sale of ipods means that Jobs needs to buy Young Jeezy a new Mercedes. It's all about the rich getting richer, and the poor musicians getting the shaft from RIAA/MPAA and the consumers that are stealing their creations. *Sarcasm Off*

  186. The surge by zecg · · Score: 1

    And just how would one know how much growth in music sales should this "surge" of sales of devices produce? There are legitimate uses for these devices besides dumping your dollars for every new single that comes out.

    --
    .i lu doi ringos.star. xu do puku'aroroi dunli dopecaku leni virnu li'u
  187. NZ iPod Owners by Wellerite · · Score: 1

    I'm sure there are quite a few New Zealanders who've bought iPods and in NZ we can't even use iTunes to buy songs as there is no NZ iTMS. Buying from the UK, US, Australian, etc stores is not allowed and enforced through having to pay using a credit card issued by a bank in the respective country.

    Not that NZ makes up a huge porportion of Apple's worldwide iPod sales, but it enforces the point that a lot of people are quite happy to buy iPods and NOT download music from iTMS - i.e. they get their music via a different channel and then load it onto their iPods.

  188. DRM is holding back the industry by skingers6894 · · Score: 1

    DRM up, sales down.

    Treat your customers like criminals, insult them with restrictive use and finally sue them into submission.

    Sounds like a recipe for a good business no?

    No.

  189. Bad assumption by blueapples · · Score: 1
    We're not seeing the kind of dramatic growth we should given the surge in sales of iPods and other MP3 players.

    This is not necessarily a reasonable expectation. I would assume that the people suddenly buying MP3 players are already patrons of the music industry. To suggest that they will suddenly start purchasing more music than they already have been--that is, to expect a surge in the sales of music in general--is absurd.

    MP3 players do not replace CD players from the music industries stand point. They are interchangeable because the same music is played on each.

    --
    www.blueapples.org
    1. Re:Bad assumption by issachar · · Score: 1
      I didn't think they were assuming that total sales would go up. I think they were assuming that iTMS sales would go up. Of course if total sales stayed the same, CD sales would go down in response as well.

      But you're right, it's still not a good assumption. A lot of people buy an mp3 player and rip CD's. They continue to buy and rip CD's. iTunes makes this easy as well.

      As for myself, I don't like buying music. I like Napster's rental model. I try a lot of different music with it. The only problem I have is that the collection isn't complete. There aren't a lot of holes in Napster's collection, but it's annoying when you find one. There's also the issue of 30% fewer songs on the Napster.ca over Napster.com.

      --
      . --- If you're looking for free e-mail you won't find it here! http://www.noemailhere.com
  190. converting iTunes files by jdcope · · Score: 1

    What kills me, is I downloaded a dozen or so songs from iTunes, but I dont have an iPod. After looking at the iTunes software, I thought I could convert them to use on my Rio mp3 player. The software says it will convert AAC to mp3. Fine. But no such luck, iTunes files (even older songs) are "protected". So if I want to use them, I have to make a cd, then rip them back to mp3, getting crappy quality. (copy of a copy) So, no more iTunes downloads for me.

  191. Emusic!?! by eMartin · · Score: 1

    I can't believe after all of this time, you guys still whine about how much popular music sucks and is too expensive and "protected" by DRM, when you could instead go to emusic.com.

    More and more indie labels are joining them, they've got tons of old jazz and blues and classical music, and they offer it in completely legal non-DRM MP3 format, all as low as $0.25 per track.

    I know that at the beginning, there selection was limited, but when they switched to limited downloads, a lot more became available. *Most* of the music I want to hear, I can find there, and I pay $20 a month for 90 songs (which I can then download as many times as I want), so it's always nice to type in the name of a band I just heard or heard of, see that it's available, and go straight to downloading.

  192. What could they possibly do? by soft_guy · · Score: 4, Insightful

    In your case, it sounds like you've "outgrown" buying more music. You aren't into new artists or looking forward to new records coming out.

    To get my 70+ year old father to buy more music, you'd have to bring Bob Wills back from the dead to record another album.

    I don't think you or my father are the kind of customer the RIAA is trying to attract.

    --
    Avoid Missing Ball for High Score
    1. Re:What could they possibly do? by Red+Flayer · · Score: 1

      Sure, but before I had an MP3 player, I'd buy new music pretty frequently (probably 5 or 6 CDs a month). The timing is no coincidence, I simply now have enough easily accessible music in my library to keep me content. When I had to bother with CDs all the time, I listened to the radio, got interested in new music, got interested in older music I'd missed.

      I'm exactly the type of music consumer the RIAA would like to get back, and that they probably claim piracy has taken away from them.

      --
      "Trolls they were, but filled with the evil will of their master: a fell race..." -- J.R.R. Tolkien on Olog-hai
    2. Re:What could they possibly do? by ksheff · · Score: 1
      You could get him to listen to some of the new "alt-country" musicians that count Bob Wills as a big influence on their music. You won't be able to find them on normal country radio though. You will have to look in your local bars, "No Depression", or internet streams like Ram Radio.

      Many people like a handful of musical styles and stop buying after the music industry decides to switch to something different. That doesn't mean that there aren't new musicians out there that don't continue to play the older styles. They just aren't on MTV and earning mega-dollars from stadium tours.

      --
      the good ground has been paved over by suicidal maniacs
    3. Re:What could they possibly do? by badasscat · · Score: 2, Insightful

      I don't think you or my father are the kind of customer the RIAA is trying to attract.

      No? I'm not the guy who wrote the comment you're replying to, but I'm in the same boat. You really think the RIAA doesn't want to attract thirtysomething males with scads of disposable income? Maybe you're right - maybe they don't care about actually getting people who have money to spend, but that's really their problem, isn't it? Shouldn't they be doing something to attract people like me?

      I actually do still buy music, but of the last six CD's I've bought, five have been used CD's from Japan. If I told the RIAA this, it would drive them absolutely nuts. They'd tell me I'm everything that's wrong with music consumers these days - buying used, and buying imports! This is what they need DRM and region protections for! And pass a few more laws too while you're at it, make used purchases illegal!

      Well you know what? Release those CD's in the US, and provided there was no DRM on them, I'd have bought them new. But hey, RIAA, you didn't. So I had to take matters into my own hands, didn't I?

      I have no patience for Britney Spears or JessicAshley Simpson or any of these tone-deaf, generic monkeys from American Idol that they keep trying to foist on the American public. So yeah, maybe they're not trying to attract me; instead they're trying to attract people without any taste that live in trailers and live off unemployment insurance. Well, more power to them I guess, but that doesn't sound like a business model.

      I guess the point I'm trying to make is yeah, I've slowed down buying music as I get older, but it's only because the RIAA and its member companies (and the RIAA is the music labels, remember) refuse to release any music I'm interested in anymore.

    4. Re:What could they possibly do? by Kadin2048 · · Score: 1

      I couldn't agree more.

      I'm in the same boat as you are. I used to buy quite a bit of music, because I could only fit a few CDs in my car's glove compartment at a time, and I listened to the radio, and refreshed the CDs both by swapping them with ones from home but also by buying new ones. I don't do that anymore.

      Partly it might be because I've outgrown the buying-music stage of my life, but I really don't think so. I know people who built up massive music collections when they were in their 20s and 30s, back 10 years ago. I don't see many 20-somethings doing that anymore, myself included.

      What happened is I got an iPod, which I now keep in the car, and I can use to listen to anything I want out of my entire collection that I've built up since highschool (not that I'd ever want to listen to some of it -- urgh). But having that much music always available really eliminates much of my desire to buy new stuff. I can just make a randomized playlist and jump through it when I want variety. It's like a radio station playing only music I know I at least find inoffensive, if I don't necessarily love all of it.

      My personal objection to buying CDs is the music stores. The last few I've bought have all been online, and that's because I can't stand going into record shops. They all seem to be targeting either punked-out 14-year-olds or gangsta wannabes, and I'm not interested in hearing either of those groups' music. If I was designing a record store, it would be QUIET. Let people who want to listen to a CD do it at a listening station, instead of blasting it through a shitty PA system. The last place I've been to that I liked shopping at was the music section of Borders Books and Music, but my most recent experience there wasn't even very positive (why is it louder than the book section?). That pretty much relegates me to Amazon.com and other online stores, which unfortunately don't really browse very well. (Although Amazon's suggestions features work eerily well, at least for me.)

      Actually the most pleasant place I've found music recently was in the audio section of my regional library. The selection is fairly impressive, the organization is intuitive and sensible, and while the atmosphere isn't anything special, it doesn't exactly assault your senses. And you can't beat the price. :)

      Maybe somewhere there's a "music store for adults" that I just haven't encountered yet, someplace where you can sit and listen to anything in the store and would actually be a pleasant shopping experience. I wouldn't be against buying a lot more CDs, in fact I prefer them to buying digital files, but the combination of the lack of new selection in genres that I like, unwelcoming brick-and-mortar stores, and the knowledge that the majority of the profits from what I'm buying are going to companies that I find reprehensible, has pretty much driven me away.

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    5. Re:What could they possibly do? by SteeldrivingJon · · Score: 1


      He might like "The Pine Valley Cosmonauts Salute The Majesty Of Bob Wills" from Bloodshot Records.

      ""Somewhere beyond the pearly gates, Bob Wills is stretched out in a rocking chair, a cigar in his left hand, a glass of Jack Daniel's in the other, tapping his foot and grinnin' from ear to ear. With all the crap on the airwaves that tries to pass itself as country music these days, this new recording is blessed relief...19 songs all told, each executed with the wild abandon and excellent musicianship that characterized Wills and the Playboys." - David Bennett, San Antonio Current"

      --
      September 2011: Looking for Cocoa/iOS work in Boston area Cocoa Programmer Quincy, MA
  193. Have you tried just converting to MP3 in iTunes by michaelknauf · · Score: 1

    It's easy, and I think preserves the metadata...

    go to preferences, -> Advanced and change "import using" to "MP3 encoder"

    Then, click on a song, go to the "advanced" menu and choose "convert selection into MP3"

    See how that works for you.

  194. Hmmm, but isn't it... by Liam+Slider · · Score: 1

    Isn't it RIAA that's holding back the music industry?

  195. 0.44%? by Kurrelgyre · · Score: 1

    .44%
    .44%?
    As in only 99.56% of what it was before?
    Oh nos!

  196. I hope that's true... by afabbro · · Score: 1
    ...because songs just aren't worth 99 cents. That's like $12-16 a CD, I don't even get the artwork, and I can only use it on one device. Are you nuts?

    iTunes is one of the most amazing ripoffs I've ever seen. It's the same overpriced crap from the music business in a different format.

    --
    Advice: on VPS providers
    1. Re:I hope that's true... by mh101 · · Score: 1

      If you just buy individual tracks, yes. Full albums are $9.99 for the most part. Still cheaper than me going to the store and paying at least $14 for the same CD.

      Regarding the missing artwork... I always just bought the CD, ripped it, transferred it to my iPod, and put the CD in a box in my closet. There are some CDs that I haven't even looked through the booklet. And for the albums I've bought from iTMS that included a PDF of the booklet, I usually just look through it once then never again.

      But if having the booklet, jewel case, and physical CD is important to you, then by all means buy it from the store. Not everyone has the same wants/needs, and that's perfectly all right.

      --
      Duct tape is like the Force. It has a light side, a dark side, and it holds the universe together.
  197. Your household sucks by DogDude · · Score: 1

    Hang on a second buddy.... you're talking about people buying online vs. locally, and you're talking about buying music at Borders? Jesus Christ, you're a hypocrite. You should continue buying CD's if you want to, but how about a LOCAL INDEPENDENT MUSIC STORE? You're really just as bad as people buying online to save a few pennies in sales tax.

    --
    I don't respond to AC's.
    1. Re:Your household sucks by argent · · Score: 1

      you're talking about people buying online vs. locally, and you're talking about buying music at Borders?

      Are you familiar with the past tense?

  198. Here's your sign by chunter203908 · · Score: 1
    The reason people aren't spending more money on new music is because THE NEW MUSIC ISN'T ANY GOOD.

    http://www.legaltorrents.com/index.htm

  199. The Sky is Falling! The Sky is Falling! by Myrkridian42 · · Score: 1
    average weekly download sales as of Nov. 27 fell 0.44% vs. the third quarter.

    Downloads on ITMS drop less than one-half of one percent and "analysts" are already claiming it's on it's way out.

    "The villain in the story is the iPod," says Chris Gorog, CEO of Napster Inc. "I have half a million subscribers who would love to use an iPod with my service,"

    What about the several million iPod owners who would use your service, but can't because there's no Mac version?

  200. CD's are better quality... by legomaniaboy · · Score: 1

    If I like the music, I would rather buy the CD, that way I can have a better quality version. Now, if the downloads were compressed via lossless compression, and of CD or greater quality, sure, I'd just buy the songs I like and save some green.

  201. "Buy Ipod" != "Buy more music" by MarkTina · · Score: 1

    Just because you've bought your shiny new iPod doesn't mean you are going to buy more music .. most people will want to transfer their existing CD's onto it first and listen to them, then when a new CD comes out they might go and buy it.

  202. Why can't the RIAA just see.. by Anonymous Coward · · Score: 0

    That the reason people aren't buying as much music is that they are promoting utter shit.

    If we couldn't get it for free we REALLY wouldn't pay for it.

    As it is, most of the time, it's not even worth downloading.

    Anything that isn't crap is played to death on local radio, so much that you wouldn't want to hear it again.

    -Iceman

  203. I'm trying to figure this out... by Xenious · · Score: 1

    I'm trying to figure out why (unless you were buying a CD) would you want to buy from anywhere else? Don't most of the music stores have all the same tracks anyway? The only thing cooler would be like an amazon where all the music came from and you just bought it and selected your mobile device and downloaded the proper format. Unfortunately thats a long ways off and apple has done such a good job. :)

    --
    -Xen
  204. People are 0.44% poorer too by tentimestwenty · · Score: 1

    The economy's kind of in the toilet... for the average consumer spender anyway.

  205. Re:Give me uncompressed music and I'll give you mo by Anonymous Coward · · Score: 0

    I call bullshit. If you get what you ask for, in about 6 months you'll be wanting to pay 10 cents per song.

  206. easy answer by Anonymous Coward · · Score: 0
    your local bands suck.

    I know more professional musicians that earn their $$$ from touring in bars, commercials, etc. than those who are just in a part time band.

    1. Re:easy answer by Anonymous Coward · · Score: 0

      I know more professional musicians that earn their $$$ from touring in bars, commercials, etc.

      They should probably consider re-training, they'll be unemployed soon.

  207. oh great. . . by jafac · · Score: 1

    First the RIAA gets a cut of all music sold.

    Then they get a cut of all blank media sold.

    Now they want a cut of all the hardware action.

    Where will it end?

    --

    These are my friends, See how they glisten. See this one shine, how he smiles in the light.
  208. They just replaced their player, not the library by Sleeping+Kirby · · Score: 1

    Call me crazy but could it be that they're not buying songs because they don't need to buy the same songs 3~4 times like they did before? Could it be they're just buying the new players but they don't *want* to buy new songs because there's nothing *to* buy? Is it just me or does the RIAA think that it's their constitiutional right to have people hand them money?

    --
    please... let me sleep... a little more... yay, no longer annonmyous coward.
  209. They seem to be forgetting the obvious by Anonymous Coward · · Score: 0
    not seeing the kind of dramatic growth we should given the surge in sales of iPods and other MP3 players

    Early adopters *are* different than the average Joe. And they forget an obvious rule of hardware:
    Hundreds of dollars in future sales come from $500 devices -- not $150 pieces of hardware.

  210. OT: Christmas by David+Rolfe · · Score: 1

    Let me take a little nibble on your flamebait too!

    And a good percentage of those iPod purchases are probably Christmas gifts (or should I say Holiday gifts, is the word Christmas allowed anymore?)

    I imagine one would only say "holiday gifts" if one bought presents for (for example) Jews and Christians because there would be a logical reason for the more ambiguous word. Verbosity is so passé, so why is anyone surprised that saying "happy holidays" has been en vogue for years now rather than "merry christmas and a happy new year?

    Further, a fun fact for the "War on Christmas" crowd: Khristos (spelled with a chi, X, where we get the word Christ via the Latin Christus and Old English Crist) is the Greek word (well translated derivative) for the Hebrew Messiah (anointed and anoint respectively). The X in Xmas is a direct reference to Khristos and an abbreviation for Christ. So, the next time anyone tries to tell you that "xmas" is a conspiracy to "take the Christ out of Christmas" just remind them of this! The simple and more innocuous explanation is that store windows (and ad copy) just don't have enough space to mention all the Xmas specials without the abbreviation. Maybe the "War on Christmas" crowd should focus on the the real problem, the commercialization of Christmas (which lends itself to the ad copy and store windows and abbreviations). In that respect "happy holidays" is a victory, as it spreads the commercialism a little thinner to each of the exploitable gift-giving followers.

    P.s. I'm not insinuating that the the parent is part of the "War on Christmas" crowd. His/her one quip isn't enough to make that judgement.

    --
    Read Heinlein's 1953 Revolt in 2100, now more than ever.
    1. Re:OT: Christmas by TimTheFoolMan · · Score: 1

      Bingo!

      http://timthefoolman.wordpress.com/2005/12/20/putt ing-christ-back-in-christmas/

      Tim

  211. Re:They just replaced their player, not the librar by cnerd2025 · · Score: 1

    Is it just me or does the RIAA think that it's their constitiutional right to have people hand them money?

    I know you're being facecious and all, but...the RIAA is a "trade group." "Trade groups", corporations, and other member-nodal entities have no "constitutional rights". The Constitution grants artists the right of copyright for the progress of science and useful arts! Being somewhat of a constructionist, this means that the explicit intent of the framers must be taken into account. The framers obviously did not intend for businesses to weild the same rights as individuals. That has happened once in our history, and it is known to history as The Gilded Age. As far as I'm concerned, I own the disk's matter, therefore I own whatever the matter represents. If I own a plot of land, and then a huge heap of gold is found on its site, I own that gold. "Intellectual property" means that an artist can't be robbed of his or her creative ideas. If a person thinks of something and develops it privately, and someone else then sneaks a peek at it, that should be illegal. I'd be pretty pissed if someone stole my designs like that. The designs and things are my property. But after my product is released, it is fair game. I sell disks, which are matter encoded to represent something. People who buy the disks own the disk's matter, and therefore can use the disks as they please. Art isn't, and never has been the most lucrative of industries. Science and engineering and the professions and the trades yield quantitative progress, but art by its very nature is qualitative. Today, a grossly small percentage of artists make up a grossly large percentage of artists' total wealth. They get rich by selling you the record, the 8-trak, the audio cassette, and the CD. Now they want to sell you the DRMd mp3 derivative. Shove it, RIAA. I support artists, not greedy fat rich corporate bastards who care only about their personal check-books.

  212. Apple sucks, Napster rules by GringoGoiano · · Score: 0

    Subscription content is the future. If you like to explore music, Napster (or similar Microsoft DRM subscription services) are the way to go. I like downloading tons of music every month for about the cost of 1 CD. Goodbye $.99 per track, there's a better, cheaper alternative.

    1. Re:Apple sucks, Napster rules by aristotle-dude · · Score: 1

      You want people to buy a windows PC just so they can use those services? I can "explore" music using the "radio" feature in iTunes as well as the previews in iTMS for free. Free is cheaper.

      --
      Jesus was a compassionate social conservative who called individuals to sin no more.
    2. Re:Apple sucks, Napster rules by Tsiangkun · · Score: 1

      We are probably from different generations.

      I think of the subscription model as a false value. I don't trust the man. At any point they can change the terms of the contract, and if you don't like it, you just sank a boatload of money into music with nothing to show for it. The library is large, but maybe 3% of it is of interest to me. Of that 3%, maybe 3% of that is worth purchasing.

      At any time, the company could go under and you have just lost your investment.

      You can always subscribe somewhere else. But, what if your portable players don't support the DRM of their files ? What if the other subscribers require OS upgrades to something supporting the latest and most restrictive media libraries ?

      I predict, that eventually subscribers will have the freedom to choose between different skins on their monoploy approved, DRM infected, media system. The burn to CD hole will be closed as CDs become 'obsolete'. The portable will be provided with the subscription,and it will send home information on how much music you have, how much you listen too, what hours, etc, etc. What type of music you like will be linked to big bro's TIA database to screen out potential criminals, terrorist, and those who disagree with official policy.

      No thanks. I'll stick with podcasts and mixtapes for exploring music.

    3. Re:Apple sucks, Napster rules by Anonymous Coward · · Score: 0

      Subscription content is the future. If you like to explore music,

      At what point would subscriptions become undesirable to you?

      What if they raise the price to 20 a month?
      What if some of the featured artists drop out, or all your new favourite bands don't sign with the majors?

      If any of these things happen, you might start to regret being indentured to the music industry just to keep hearing the songs you like.

  213. Re:The new internatial competition is also ignored by Kadin2048 · · Score: 1

    The music companies are multinational. They don't care what country the music is from -- in fact I think that in Japan, Sony has even greater marketshare than they do here in the States. So you can buy as much Japanese music as you want, and the RIAA isn't going to complain, because the RIAA is basically an organ of the multinational record companies.

    Now if you started buying a lot of independent foreign music, which was somehow imported and sold without somehow causing a palm at Sony/BMI to be greased, and we actually representative of a significant portion of the music-buying public, you can bet they'd have their lobbyists painting you as one step down from a terrorist.

    --
    "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
  214. from one "rich" guy to another by BitterAndDrunk · · Score: 1
    You may want to check out the Dec 3 Economist; there's an article about gold prices in it, and what it could imply. :)

    The Little Yellow God, on page 12. Cheers.

    --
    You better watch out, there may be dogs about . . .
  215. Music is not a commodity. by aphor · · Score: 1

    If you try to report on music sales in the same way that you report on, say: corn or wheat or even iPods, you are a friggin moron. A) Music is not a material thing. I read posts in this discussion citing iTunes gift cards' sales going with iPods. B) Music is not commodifiable. You can fart the melody to jingle-bells and put it on the iTMS, but that isn't going to make people want to shell out $10-15 for it. If everyone did it, sales would go way down.

    --
    --- Nothing clever here: move along now...
  216. How do you keep track of that massive collection? by Zhe+Mappel · · Score: 1
    I mean on your server--is iTunes enough to keep you reminded of what you have? Or do you possess a phenomenal memory, too? :-)

    As digital collections grow, it seems an image-based UI might help. Maybe that's just me, but I grew up with album covers being an essential part of my music, and they were part of the way I organized my collection. Relating to a text database isn't as satisfying.

  217. it holds video too.. by YesIAmAScript · · Score: 1

    And files. I do agree not everyone needs a 60GB iPod. Perhaps that's why Apple makes 30GB iPods, and 2GB iPods and 4GB iPods.

    Plus, iPod do hold uncompressed music or losslessly compressed music. Or podcasts.

    And yes, I had a 1400 CD collection even before the iPod came out. I have an 800-CD CD rack, it has 5 rows, 3 feet long each. It of course doesn't hold my whole collection.

    I'm sure a lot of other people already pirate music, but I don't see that iPod has much to do with it. I am 36, I'm out of touch with the kids nowadays. But every one of the college students I have met (and had the opportunity to view the record collection of) has a huge collection of pirated music on CD-Rs and hard drives. I don't have any reason to believe that they're pirating more music because they can put it on an iPod instead of burning it onto an mp3 CD and putting it in a cheapo CD player.

    Is the iTMS selling iPods? Likely. But I don't believe it's solely a system of selling iPods.

    Also, if something is protected by copyright, it is copyrighted, not copywritten. Copywritten sounds cool, but it's not really the right conjugation.

    --
    http://lkml.org/lkml/2005/8/20/95
  218. Bad Logic by bmh129 · · Score: 1
    Apple might be holding back the music industry? How? They offer a music player and an RIAA licensed download service.

    Ask yourself this--would the music industry grow faster if those things didn't exist?

    Of course not!

  219. Crappy product by berapp · · Score: 1

    What the music industry doesn't understand is that they need to supply a better product, ie better music. The boy bands they're turning out are not worth buying.

  220. Ridiculous by bahwi · · Score: 1

    Pretty much everyone with an iPod listens to music already. Juswt because I buy a new iPod doesn't mean I'm a new customer, it means my source changes to iTunes(although discs when iTunes doesn't have it). That's all. There shouldn't be a huge surge in the market, I'd actually think it would go down since you can buy that one or two good songs from an album instead of the whole stinkin' thing. The music industry is being held back though, it has to change and adapt to the new ways of distributing music, instead of forcing it down your throat like rape the consumer has more power than before, and that's not how the industry is used to dealing with things.

  221. Re:These acticle titles deserve to be in the Enqui by Anonymous Coward · · Score: 0

    And I still like going into my dirty, dingy little local music store and shopping for "brown bag specials", talking to Doug the music trivia master, and shooting the shit for an hour or so.

    I used to do the same and it was great, then my unemployment benefits ran out and I actually had to get a job. Another bonus is I actually have friends as well now too so I no longer have to hang out with random record store employees to share interests with someone.

  222. They break by Bendejo · · Score: 1

    Are people surging to buy ipods because.... their old ones broke?

  223. lots of legal new music by penguin-collective · · Score: 1

    Well, I own an iPod, and it is mostly filled with legal, free downloads from new bands. So, it looks like the music industry is finally getting their ass kicked by new bands and new distribution channels. And that's just what should be happening.

  224. Or by colk99 · · Score: 1

    I fill up my ipod with podcasts and free media and I stay RIAA free

  225. A quarter is all we make! by tjstork · · Score: 1

    Everyone is like a $1 this or a $1 that, as if $1 are water. If $1 are so cheap, then someone come click on my blog and donate them to me. $1 is expensive! Besides, you figure that we'll all be making $5 an hour by the end of our lives, as wages level out world wide. So, hang onto them Washingtons now!

    --
    This is my sig.
  226. business-speak by mshurpik · · Score: 1

    As usual, this pro business article contains selective logic: namely, that the music business needs to grow, every quarter, in perpetuity, in order for it to exist. Apparently being down 0.44% for the quarter is considered a disaster of technology-negating proportions.

    I guess now we know what the definition of "is" is.

  227. Yeah, what a shame... by localman · · Score: 1

    I've only spent thousands and thousands of dollars on CD's over the past fifteen years. It's really a bummer for the music biz that I can just enjoy those songs on my iPod now. I don't find that much new music to buy, and when I do it's usually indie stuff anyways. That's just reality.

    Cheers.

  228. No growth by Tony · · Score: 1

    I think they're bitching because there's no growth in legal music downloads. In that case, the lack of growth is much bigger than their lack of margin of error.

    Their lack of understanding is even larger than the lack of growth, though.

    --
    Microsoft is to software what Budweiser is to beer.
  229. Re:They just replaced their player, not the librar by Sleeping+Kirby · · Score: 1

    You're right, I was trying to be facetious I do realize that groups and coropoations have right, but not constitutional rights like an individual. I'm glad you brought up about the glided age. I haven't thought of that in ages and I think it's time I read up on it again and try to learn from it... Like other CEO's should...

    --
    please... let me sleep... a little more... yay, no longer annonmyous coward.
  230. Speculative Economy vs Small Business by Anarcho-Goth · · Score: 1

    If ignorance is bliss, you must be very happy every time you contemplate the music industry, or economics or business in general.

    Funny how I didn't mention any opinions on business or the economy, and you are quoting what is really a throw-away comment that had nothing to do with the primary point of my statement.

    Nice ad hominem btw.

    But if there actually is anything to that joke at the end, it is that people in general make more money working for themselves than working for someone else. At least if you are able to sustain yourself in doing so. In this case, if musicians were able to publish music without paying a "tax" to the record industry, they would be making more money. The record industry does serve a purpose. Distribution and marketing are significant parts of the business, but the internet offers new opportunities for both distribution and marketing.

    Distributing on the internet requires a lot less overhead. Giving away free samples in other industries has been accepted method of marking for a long time. Giving away free samples of music on the internet has the advantage of not needing to produce a physical product. Server costs can be significant, but bittorrent can reduce those costs. However mainstream record companies have sued to prevent the artists under their contract from giving away their own music. They do not want artists to use any marketing methods that they could use independently of the large record companies. They would prefer to use radio to give away free samples where they can not only better control how far they are distributed, but which artists will be promoted. The icing on the cake is that they charge the artists for payola.

    On a more personal note, I just prefer smaller business, especially my own small business and taking in passive income. Outside of my own income I just think that small business is the backbone of our economy. Larger businesses, especially those traded on the stock market, depend more on speculative economics. The problem with a speculative economy is that it is not enough for a company to be profitable, or even make enough profit. Profits have to increase every quarter, or at least every year, or stockholders get nervous. Because of this profits have to increase exponentially, maybe not as dramatic as a ponzi scheme, but every once and a while the bubble bursts, and then the economy is sluggish until people are either confident that the stocks are no longer over-valued, or just forget that bubbles will burst. (I think it is more some combination of the two.)

    Large businesses do have a knack for surviving recessions because they have enough deep pockets to ride it out. But I have more confidence in smaller companies where you can actually understand what they are doing, and the primary concern is that they are making enough profit, not an ever increasing profit.

    Which brings us back to the large record companies, and why they complain about sales when they are still making significant profits. Again, it is not enough for them to make a large profit. The profit must be even bigger than those of the previous year or it will look bad to their stock holders. The reality that people spend less money on luxuries during a recession does not negate their neccessity to increase their profits every single year to appease their stockholders.

    --
    I hate Liberals and Conservatives.
    If you are a Liberal or a Conservative, then HAVE A NICE DAY!
    Courage.
    1. Re:Speculative Economy vs Small Business by Anonymous Coward · · Score: 0
      Note:

      "You are gay/female/unemployed/a minor/a convict/a leper/a drug addict/a single mother/a gambler, therefore your argument is flawed," is an ad hominem fallacy.

      "Your argument uses false premises/is reasoned poorly, therefore you are ignorant/stupid," is not ad hominem.

  231. Not a ripoff for one-hit wonders by dreamer-of-rules · · Score: 1

    hmmm.. the price for a single song has to include the transaction fee, which goes down when an entire cd is purchased. From my (customer) perspective, getting "War" or "Hotel California" is worth 99 cents since I don't want the whole CD. I'm not saying it's great, but I don't think it's a ripoff.

    Want amazing ripoffs? How about $2.99 for a 30-second low quality ringtone?

    I get my CDs from CDBaby.com; usually more than half of my payment goes to the artist within a week. I used to buy mainstream from our local Hear Music store at the Stanford Mall.. discovered The Decemberists, Bowery Electric, Les Nubians, Pink Martini there. I nearly cried when they got bought by Starbucks and closed the store. Haven't bought a mainstream CD since.

    --
    Everyone is entitled to his own opinions, but not his own facts.
  232. Back Catalog Already Purchased by TheoMurpse · · Score: 1

    Of course -- people have found all the music from the back catalog that they wanted to download. Current popular music sucks (with such pussy-rock bands as Nickelback). What are people being enticed to download if they already have purchased all they wanted from the history of music? This is the same thing that probably happened with DVDs -- people got DVD versions of all the movies from history that they wanted. Now DVD sales have slowed because people don't have as much of a choice of desired movies as they did.

    Don't believe me that Nickelback sucks?
    http://www.nintendorks.com/brandon/archives/000475 .php
    Look for "How you remind me of someday.mp3".

  233. Mountains out of mole hills by macraig · · Score: 1

    How much economic significance can one attribute to a drop in sales of far less than even one percent? How much impact from innumerable other variables can one manage to ignore to make a DESIRED theory sound plausible?

    BusinessWeek shows us how to make a laughingstock of statistics and the "science" of economics.

    Mark

  234. Make a deal on Helix by David+Rolfe · · Score: 1

    Because it's not Rhapsody's fault that Apple won't license their DRM technology.

    If Real wanted you to be able to play Rhapsody music on iPods they would license Helix DRM to Apple, not the other way around (oh and does Rhapsody still use Listen.com's WMA format?). RealPlayer already uses the QuickTime libraries and is thus capable of playing FairPlay encrypted M4As/AACs. This is why "Harmony" was so ill-conceived and ill-recieved (legalities aside, Harmony benefits Real with nearly no benefit to Apple; letting iTunes users access Rhapsody on the other hand opens up Real's market to iPods, opens up Real's market to Mac users, both of which are "closed" to Rhapsody right now, and provides Apple with one more selling point for the iPod/iTunes combo -- subscription music). Real doesn't have to license/break/decieve FairPlay to get Rhapsody on the iPod, they just have to strike a deal with Apple (and get Helix DRM in iPod firmware or in iTunes). As far as I know, all the news has been Glaser begging/threatening Jobs in open and private email to 'open the iPod' ("or we'll go to our enemy Microsoft") not to support Helix and not to license FairPlay to them.

    For more info:
    http://www.realnetworks.com/products/drm/
    http://news.com.com/Reals%20Glaser%20exhorts%20App le%20to%20open%20iPod/2100-1025_3-5177914.html?tag =nl
    http://www.boingboing.net/2005/11/21/drm_company_v ows_to_.html
    http://en.wikipedia.org/wiki/FairPlay

    --
    Read Heinlein's 1953 Revolt in 2100, now more than ever.
  235. Re:iPods don't support Vorbis, fuck 'em. by Tsiangkun · · Score: 1

    whatever dude, that's what makes america great.

    If you want to use an obscure file format supported by limited companies, feel free.

    It doesn't matter to me, I use either AIFF and mp3. iPod fits my bill, and I don't have to constantly make up excuses for why i don't want an iPod, or pretend the iPod is crippled because it can't support me and 200 other people who ripped our music into a format with limited adoption.

    OGG might have better compression and better sound, but it requires more processing power. Processing power drains batteries, which really makes OGG a poor choice for a portable player, while remaining a fine choice for a home jukebox.

  236. Ban'em! by Tug3 · · Score: 1

    "Clearly this dramatic fall (0.44%) of sales is due to the fact that MP3-players are the work of the devil! They corrupt the mind of our youth with filthy thoughts of freedom. We should go to war agains these terrorists that terrorise the free world with their unearthly ideas of freedom. All the god-fearing good citizens of the world should destroy their MP3-players and rush to the stores and buy newly released rereleases of the all time good old songs on the new improved tape-medium... ...we shall prevail!"

    Somehow this all sounds so familiar...

    --
    If all else fails, pull the plug and get out...
    The Life is out there...
  237. Too expensive. by TangoCharlie · · Score: 1

    Am I the only one who thinks iTMS is too expensive. I don't mind buying my music, and I don't pirate stuff, but when I spend £10 in a shop I get something I can hold in my hand. When I spend £10 in iTMS all I get is lots of 1's and 0's. I know... I can write my tunes to a CD, but it's not the same. If iTunes songs were half the price, I'd bet they'd sell more than twice as many!

    The key here is that the music industry doesn't want Apple to sell twice as many tracks.... they see every iTunes sale as a lost "real" sale. So, it's not Apple that's holding back the music industry... it's the music industry itself! Just look at the lengths Sony BMG will go to piss people off!!

    --
    return 0; }
  238. Re:How do you keep track of that massive collectio by pellenys · · Score: 1

    I spent my student loans on CDs rather than food and kept the bug ever since, so I have a similarly enormous pile of them: I do forget what I have because (through iTunes), it all becomes one big list.

    What ends up happening is that you have to listen on random for a few days to rediscover stuff, every so often.

    Failing that, if you've a Mac, try Clutter. If there's a Windows alternative, I don't know it although I'd like to.

  239. Cry by Tom · · Score: 1

    Cry me a river. You already have my money from back when I bought the CDs. You don't expect me to buy them again when I get a new stereo, so why do you expect me to buy again when I get an iPod?

    Make a good product and I'll buy it. Continue crying and I'll continue telling you that I pay for music, not for tears.

    --
    Assorted stuff I do sometimes: Lemuria.org
  240. it seems to me by radu124 · · Score: 1

    ... they are simply insulting Apple customers. I guess it's an attempt to decrease Apple sales.

    This is one of those things you can qualify as outrageous, since Apple clinets are more likely to download music legally than those buying a generic mp3 player ... and yet they are hitting Apple.

    I have no idea if anything can be done about this, after all, calling a group of people thieves shouldn't be legal.

  241. Already bought the music twice! Class Action Suite by Anonymous Coward · · Score: 0

    Why should I purchase the digital version of an album again? I already paid $18.95 for the cassette version, then $15.95 for the CD!

    Why isn't there a class action lawsuit against the labels for forcing re-purchase by consumers?

    I'm not wasting any more money to purchase something I already own --- AGAIN!

    Fool me once ... shame on you!

  242. The *REALLY* sad thing is by Khyber · · Score: 1

    you can go to a record store and BUY A SINGLE.. for.. you said it, $2.99 and people DO buy those damned things! And it makes me scratch my head and go "WTF?"

    --
    Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
  243. Nobody wants anything todo with RIAA by Anonymous Coward · · Score: 0

    Yeh, so less people buy music. Is this due to that people have iPod's so the suddently wants to *uhm* illegaly? *uhm* download music. Or because that nobody wants anything todo with Sony and RIAA ?

    I will never ever buy a CD. Never that I will support the music industry with a single cent!

  244. international competition is also ignored by hackwrench · · Score: 1

    Yes, but ignoring the impact of international sales on domestic product allows them to claim that the decline of demand for domestic product that is actually the result of international sales is the fault of their favorite scapegoats. The RIAA is doing a lot of handwaving by attributing sales not made due to customers legitimately obtaining product from other producers and sources to scapegoats that Congress will be more sympathetic about, thus allowing them to force lockdown mechanisms on the customer that makes it harder for them to fully utilize their legitimate non-sanctioned by the RIAA products.

  245. PODCASTING!!! by parvenu74 · · Score: 1

    Don't underestimate the impact of podcasting! I've had my iPod since about Easter of this year and from June on, when iTunes began support for podcasts, I've listened almost exclusively to various podcasts. And you know what? For the entertainment-type shows, the value is almost always better than radio. The real value though are the non-entertainment shows: like any radio station is going to run a program where Steve Gibson talks over the head of 99% of the audience, or a single show dedicated to asp.net (much less THREE!). Podcasting takes content control away from the idiots at corporate radio and lets ME decide what I'm going to listen to and when.

    1. Re:PODCASTING!!! by macguys · · Score: 1

      Even though my podcast is focused on technology, I always include a tune by an indie musician. I've received feedback from musicians that exposuire on my podcast and others has brought them new fans, got people into their concerts and sold CD's and iTunes downloads. Podcasts rock.

      Dave
      http://www.macguys.com/

      --
      wherever I go, there I am.
  246. Re:Who wanted Apple to use DRM? No, you're wrong by Ffakr · · Score: 1

    No, it's not Napster complaining that they can't load napster music onto iPods. Napster music is even more restrictive than Apple's Fairplay. It is only active as long as your napster subscription is valid because you don't own Napster songs. If Napster could load their music onto iPods, you could fill a 60GB iPod and cancel your napster service. That would violate your Naptster license unless the songs just exploded at some point and ceased to work.
    The reality is that Napster has painted themselves into an even worse corner with their DRM.

    If anything, Napster is probably pissed that they can't load iTunes songs onto their devices.. the devices they have to sell because they are intertwined with their music licensing scheme.

    --

    I'm not feeling witty so bite me

  247. Re:Already bought the music twice! Class Action Su by chris234 · · Score: 1

    At least with the current technology, how are they "forcing" you to repurchase?

  248. Bull Market by Anonymous Coward · · Score: 0

    It's ok. I am a long term music investor.

  249. Evolution in action! by dwightk · · Score: 1

    I like how: "Apple May Be Holding Back The Music Biz Critics say iTunes-only downloads and inflexible pricing are hurting song sales" became: "Apple Holding Back Music Biz?" Especially since Critics == Gorog

    --
    Like anyone can even know that
  250. Purchasing Music Online by Holy69 · · Score: 1

    Currently on iTunes songs are costing .99 cents a song. It is a proven fact that the music companies would make more money if they sold their songs for .10 cents a song, due to the fact that the common consumer would find that a fair price, and in the long run the music companies would make more money because a lot less people would steal music. It's still really expensive to pay a dollar a song, when I could just go to Wendy's and buy a burger for .99 cents instead (Average American LoL). Also this whole thing statistically is a load of crap due to the fact that they are comparing two different measurements of statistics a Quarterly to a Monthly. Statistically speaking this is not a feasible way of comparing data. So no one should be upset, and Napster shouldn't complain if iTunes is making out better, it's business. People like iPods better, and so Napster loses out. That's like Nintendo complaining about xbox doing better than their system (I don't even remember what it's called oh yeah) Gamecube.

  251. Terminology by Anonymous Coward · · Score: 0
    And yes, I get to put it all on my portable mp3 player.

    No, you put it on your portable wmv player that supports expiring songs. Yahoo rents you wmvs, not mp3s. There are many mp3 players that don't support expiring wmv and thusly won't work with Yahoo, Napster, et all.

    1. Re:Terminology by nwbvt · · Score: 1
      No, you put it on your portable wmv player that supports expiring songs. Yahoo rents you wmvs, not mp3s. There are many mp3 players that don't support expiring wmv and thusly won't work with Yahoo, Napster, et all.

      Actually the technical term is digital music player (the vast majority of the songs on it are in fact .oggs), but mp3 player is the term that most people are familiar with. If I get a cut on my hand, I'm not going to ask for a generic adhesive sterile bandage, I'm going to ask for a band-aid.

      And yes, mine is one of the many digital music players that supports subscriptions (in contrast to iTunes which is supported by digital music player brand). Though if it wasn't, I could still have purchased songs for 80% of Apple's price.

      --
      Mathematics is made of 50 percent formulas, 50 percent proofs, and 50 percent imagination.
  252. Here's what I do... by HeelToe · · Score: 1

    I use Mac OS X and Linux at home, so some of this may not apply...

    I wrote a script that rips a CD to properly tagged flac based on command line inputs of Artist, Genre, Year, Album Title and Mac OS X creating a /Volumes/CDName with "TrackNum TrackTitle.aiff" files using GraceNote CDDB. For compilations, soundtracks, etc., I also have some scripts that let me paste freedb.org web page data and retag everything in a given directory.

    I store two identical copies of the flac on one of my desktop machines and a server, using rsync from desktop (where I rip or scp the rips) to server. The flac tree is artist/album/*.flac. I put an albumart.jpg (may soon allow for multiple jpgs, albumart*.jpg) in each album directory.

    On the server, I use another script that takes as input the flac root, a list of album dirs to process, and the mp3 root. It checks file timestamps to only convert modified or new flac files to mp3. It converts filenames to something shorter with no spaces and populates the mp3 tree with artist-album/*.mp3. It decodes the flac and uses lame to encode MP3 at a command line specified bitrate & constant/variable flag. It populates all the id3v2 info in the mp3s it encodes, adds albumart, and runs mp3gain across each mp3 album subdirectory it writes files into.

    The mp3 root is scanned every 300 seconds by mt-daapd, which shares the library out on my local network using Apple's proprietary protocol. iTunes clients pick it up. Mostly this is for the benefit of the guest room (old style) iMac, which has not the disk space for a collection, but is nice to provide guests with browsing, email, iTunes. My laptops maintain a live iTunes library since they do go with me at times. One of them puts all that data on my iPod.

    I also have MPD running with its output going to a Griffin iMic USB audio card (GREAT electrical isolation from noisy components in the computer), into an amplifier with multi-room capability and an FM transmitter hanging off one of the tape outputs. By setting the inputs up properly and hooking up amps, I will eventually get time-synchronized output in my home theater, living room, and on the deck, as well as FM transmission to anything capable of receiving it on my property. There are many clients that can control MPD - it would be nice to use something like this to control it, but we'll see if it ever gets released and open sourced. I mostly like iTunes (except no FLAC support), but I'm not willing to have a user session open and sitting there just to play audio through my stereos - MPD is a much better solution, though I've not figured out a way to have a "carry it around" remote control for it.

    My workflow is generally to use a laptop to rip the flac from the command line (though I'm building a CamelBones-based frontend for my wife to do it with a GUI) to local storage. I usually grab a large-size JPG from amazon.com while it's ripping, and copy it into the flac directory named albumart.jpg. I then scp the directory to the desktop machine according to my naming scheme where the "master" copy is. If I'm anxious, I can kick off the script that rsyncs then mirrors to mp3 manually, otherwise it just happens at the next scheduled interval. Once the mp3's are in place on the server, I just load them into my iTunes library - they show up under the mt-daapd share automatically. I've not figured out a way for automatic scanning on MPD, but since I'm not using that much it's not an issue at the moment.

    1. Re:Here's what I do... by Kadin2048 · · Score: 1

      Very cool system -- thanks for the response. Any chance you'll choose to distribute those scripts of yours?

      It sounds like exactly the kind of thing I'd like to get working, someday when I have more time.

      Right now I have all of my music stored on a 60GB drive stuck in my Power Mac, because it's the only way I can find to serve it up to other iTunes clients and to sync it with my iPod. Unfortunately Apple has crippled the first thing so badly in recent versions that the internal DAAP server in iTunes is basically useless (the 3 connections per day or whatever it is), so something like MT-DAAPD would be perfect. Sadly I haven't found anything though yet for Linux that will manage an iPod.

      Oh, well, it's not like disk space is expensive these days. Maybe I'll just keep the two libraries syncronized with each other using rsync and have the DAAP from the Linux box and iPod syncing through the Mac.

      Anyway, thanks for the info.

      --
      "Ladies and gentlemen, my killbot features Lotus Notes and a machine gun. It is the finest available."
    2. Re:Here's what I do... by HeelToe · · Score: 1

      Glad to share some ideas.

      I've been thinking about publishing the scripts, though they are not generally good programming examples.

      Drop me a line to heeltoe2005 (at) gmail (dot) com and I'll send you what I've got as soon as I've had a chance to clean it up a little bit.

      One thought on that Power Mac of yours - what processor is it? I've recently came across lame 3.96.1 and up binaries / patches that by optimizing for altivec make encoding with lame MUCH better on PowerPC chips.

  253. Re:Already bought the music twice! Class Action Su by Anonymous Coward · · Score: 0

    FUD - Fear, Uncertainty and Doubt.

    I want to use the new technology, but I'm not savy enough to rip my own, so I goto iTunes to buy music I've probably already paid twice for already. That's what most of my non-technical family did. When I told them they already had a lisense and could just download tracks from CDs, cassetts and albums they already own, they were really mad and felt cheated by labels.

    See, nobody is advertising that you don't need to buy it again, if you already own it. There's no money in that.

  254. The rest of the quote by Paradise+Pete · · Score: 1

    And several industry leaders were quoted as saying "...and of course the problem can't be that the price is too high. Don't be ridiculous!"

  255. How about "I don't have a 60G iPod"? by argent · · Score: 1

    I don't have a 60G iPod. Apple's got iPods in a variety of sizes from 512M to 60G. The latest ones they introduced are 2G and 4G. The $300 iPod's 30G, and people buying that may not have 30G of music (I certainly don't) because (here's a clue) NOBODY IS FORCING YOU TO FILL YOUR HARD DISK.

    Oh, and there's a boatload of music for sale direct from artists that doesn't show up as "online music sales". I was just invited to take a poll on what music I listened to from Apple, and they didn't even have an option for "direct from artist". So take the online sales figures you see with a grain of salt.

  256. Subscription is just pay radio... by argent · · Score: 1

    If you like to explore music, Napster (or similar Microsoft DRM subscription services) are the way to go.

    Gee, I get a bigger variety from 3hive, last.fm, and pandora. And it's free. And legal. And hooked in to sales for the stuff I like enough to actually keep, one way or another. Subscription music is just one channel for exploring music, and since it locks me in to Windows (hey, Napster, you get to gripe about Apple not supporting your format when you start shiping players for Mac and Linux, NOT ONE SECOND BEFORE) why should I care about it?

  257. Music ain't cool by spiracle · · Score: 1
    The reason music sales are down is because there are cooler new things to buy. Things like movies, broadband and pay tv. Most people I know buy more movies on dvd than cd's. But then again most people I know have never bought music online, they would use a 'free' service.

    Music just isn't the main form of entertainment any more. Music companies shouldn't expect to get the margins they used to for plain old audio.

  258. Independent Artists by Aram+Fingal · · Score: 1

    I wonder if antother thing which has the record labels worried is that Apple allows independent artists and groups to sign up to sell mucic on the iTunes Store directly, without having to sign up with a Label.

    The article quotes Nielsen SoundScan that online download sales are down. I checked their web site and it looks like what they do is track sales of titles which are registered with them. Their registration form specifically asks what Label carries the title. I don't know whether they would accept a registration if you just put "Independent." Maybe there has been a trend for some of more recent smaller artists to market directly without a Label and without registering with a ratings site like Nielsen.