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Napster Has Been Cracked

Sabathius writes "Users have found a way to skirt copy protection on Napster Inc's portable music subscription service just days after its high-profile launch, potentially letting them make CDs with hundreds of thousands of songs for free...""

616 comments

  1. Man... by Curtman · · Score: 5, Funny

    Never saw that one coming.

    1. Re:Man... by yogikoudou · · Score: 4, Funny

      Well I guess they were using SHA-1 ...

    2. Re:Man... by FrYGuY101 · · Score: 5, Insightful

      To be fair, this is a far more crude hack than Hymn.

      Hymn (the iTunes DRM remover) keeps the encoded data encoded, simply removes the copy protection, wheras this takes the decompressed audio, writes it as a wav file to the disk. As a result, if you want to encode it to save space, say, WMA, or ogg or MP3, you're losing more information (I suppose you could also go with FLAC, but that's a lot of space for a mediocre bitrate WMA version anyway).

      All in all, I'd say wait for a better way of bypassing the DRM before you hog up to the Napster smorgasboard.

      --
      "If we let things terrify us, life will not be worth living."

      - Seneca
    3. Re:Man... by BasilBrush · · Score: 5, Informative
      Not any more. Transcode direct to MP3, no WAV step.

      And do them in parallel to beat the real time limitation.

    4. Re:Man... by buttersnout · · Score: 3, Interesting

      True but this is much more a problem with a subscription service. If you use Hymn, you have already payed 99c for the track. You aren't really doing much other than making it so you can give a copy to your friends which you could do anyway with a cd. If you use napster you are permanantly keeping something you were only supposed to be renting. you could pay 15 dollars and get and get 5 gigs of music. Breaking fairplay will still require you to pay a little over $1000 for the tracks

    5. Re:Man... by SamBeckett · · Score: 5, Insightful

      To be fair, there always must be a "WAV" step; you just don't see it in action using method described for the link.

    6. Re:Man... by JAgostoni · · Score: 5, Informative

      And you are STILL losing quality even if it was just transcoding like that.

    7. Re:Man... by Geldon · · Score: 1

      Just a note... the site above is the source of the origional article that spawned all this (that was part 1)... It is nothing super fancy, the author never thought so, but all sorts of news outlets who don't know much about technology saw "how to crack Napster's Music" and went nutso.

    8. Re:Man... by thecombatwombat · · Score: 1, Informative

      There doesn't always have to be. With DeDRMs/hymn there's not. You could possibly just go from protected wmv to regular wmv without any steps in between.

    9. Re:Man... by Anonymous Coward · · Score: 0

      Dude, you've got this mixed up... Transfering an MP3 to WAV and back again will not lose any quality... as when the MP3 is encoded it is at lower that WAV (CD) quality - you can't get that quality back so converting it back from WAV to MP3 wouldn't really lower the quality - your end MP3 will be at the same quality as the one you dowloaded.

    10. Re:Man... by Anonymous Coward · · Score: 0

      You, sir, are an idiot. Different information will be thrown out in the reencoding process, unless you're lucky enough to have the exact same encoder.

      But you're not reencoding it in MP3, you're transcoding it from WMA (That's what Napster uses, remember?) to MP3, and they throw out entirely different parts of the sound to achieve their compression...

    11. Re:Man... by Anonymous Coward · · Score: 0

      there is already a better way of doing it. it's called Tunebite.

      http://www.tunebite.com

      even though they say that it only works with purchased songs, it works just fine with songs downloaded from napster with the "listen only" rights that you get as a napster suscriber.

      it saves the unprotected songs as OGG format, or if you want to get the recommended dll file it can also save the songs as MP3 format.

      The best part of it is that it also converts all of the ID3 tag info over for the files.

    12. Re:Man... by Anonymous Coward · · Score: 0

      Tunebite is still using the uncompressed lossy file and transcoding it, rather than Hymn's more elegant 'unwrapping' of the encoded data.

      You're still losing data.

    13. Re:Man... by Anonymous Coward · · Score: 4, Informative

      Wrong.

      Original recording -> MP3: loss
      MP3 -> WAV: no additional loss
      WAV -> MP3: more loss

      Each time you convert to a lossy format, there is more going on that "throwing away the parts of the music you can't hear", which is often the quick, oversimplified explanation of lossy compression. There's added noise due to compression as well, and that noise will be, at least to some extent, cumulative with additional generation of compression.

      Even if the psychoacoustic models used were perfect (which they aren't, especially at low bit rates), at the very least there would be generational loss from calculation round-off errors when converting from MP3 to WAV and back again.

    14. Re:Man... by Anonymous Coward · · Score: 0

      Christ almighty, looks like the mods are as dumb as you are.

    15. Re:Man... by Anonymous Coward · · Score: 0

      true, but you don't have to go to the effort of manually converting the files to wav and then converting them back to mp3 or ogg and then manually entering in all of the id3 info again.

    16. Re:Man... by b-baggins · · Score: 0

      Information loss behold the threshold of detection is irrelevant.

      Or as my physics prof used to say: Mathematicians will tell you to take the limit to infinity. Physicsts will tell you take the limit until you can no longer detect a change.

      --
      You can tell a great deal about the character of a man by observing those who hate him.
    17. Re:Man... by JAgostoni · · Score: 1

      Sorry but that doesn't make any sense to me at all (the saying does but it's application here does not). If you keep transcoding your file over and over again you are not losing imperceptible data. You are losing audible quality each time. Of course, some people do not care and define perception as "Is there audio?" Other people define perception as "Does that high-hat sould like crap?" And it will if you keep transcoding.

    18. Re:Man... by Anonymous Coward · · Score: 2, Interesting

      Has anyone checked to see what kind of embedded watermark (with the Napster subscriber's personal information) exists in the format blessed by the RIAA?

    19. Re:Man... by Khazunga · · Score: 3, Informative
      If you keep transcoding your file over and over again you are not losing imperceptible data.
      You might not lose any data at all. It depends on the transcoding. Say you grab a perfect, audible-band-complete FLAC and keep only mid-tones [50Hz-15KHz], then enconde it in the frequency domain. Let's call this new format CRAP.

      CRAP saves space by throwing away data, losing quality. However, you only lose quality the first time around. You can transcode between FLAC and CRAP as many times as you want, and there is no subsequent data or quality loss.

      The problem arises when different formats/encoders throw away different parts of the spectrum. Then, the end result is a file that contains only the frequencies nobody threw away along the transcoding pipeline.

      In the end, I mean to say a transcoder in and by itself won't cause loss of data. You can convert to wav and back to a compressed format with no data loss, if you know what you're doing.

      --
      If at first you don't succeed, skydiving is not for you
    20. Re:Man... by tombeard · · Score: 1

      tunebite looks like crap to me. It doesn't appear to be a digital transform, it is capturing audio out. That means you suffer the losses of the D/A conversion and then an A/D conversion, all after the MP3 loss.

      --
      The reason we subjugate ourselves to law is to better procure justice. If law does not accomplish this purpose then it m
    21. Re:Man... by BoldAC · · Score: 5, Informative

      hah!

      Actually, the DRM can be bypassed by having winamp send the audio straight to a raw WAVE file. Winamp stopped this previously by preventing DRM files from using a direct write-to-wav plug-in. However, this hack uses an additional plug-in to bypass this.

      The sad thing is that the Output Stacker has been pulled from the winamp website.

      Users have been posting links to sites that still contain Output Stacker in the forums.

      This recipe contains the step-by-step directions for the hack and active links to the plug-ins.

    22. Re:Man... by JAgostoni · · Score: 1

      That I agree with ... except the "if you know what you're doing part" ;)

    23. Re:Man... by Anonymous Coward · · Score: 0

      SamBeckett (96685): You've just been posted.

    24. Re:Man... by Anonymous Coward · · Score: 0

      I don't get it...

      Why not just use http://allofmp3.com

      ????

    25. Re:Man... by severoon · · Score: 2, Insightful

      Basically, if you can hear music, you can steal it. It's just a matter of the quality you're willing to put up with. It's amazing to me that anyone thinks they can set up a situation where you ultimately send an unencrypted digital stream of data to your audio card, but no one's going to divert that stream to the hard disk.

      --
      but have you considered the following argument: shut up.
    26. Re:Man... by b-baggins · · Score: 1

      Who said anything about transcoding over and over again? The criticism was ONE re-encoding from a WMV expanded to WAV and then re-encoded to MP3.

      --
      You can tell a great deal about the character of a man by observing those who hate him.
    27. Re:Man... by Auckerman · · Score: 1

      And you are STILL losing quality even if it was just transcoding like that.

      Unless you sample at about 3x the nyquist limit (for all intents and purposes), but then you end up with a much larger file.

      --

      Burn Hollywood Burn
    28. Re:Man... by cpt+kangarooski · · Score: 1

      1) It's not legal to do so.
      2) It's pretty shady to be giving credit card information to.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    29. Re:Man... by Entropius · · Score: 1

      However, assuming the originals are 128kbps WMA's, the additional artifacting introduced by transcoding them to (say) 192 or 224kbps LAME will be trivial compared to what's already there from the original low-bitrate WMA encode.

      It's like worrying about a -90dB noise floor on an A/D converter that you're using to digitize 20-year-old cassettes that have been played hundreds of times.

    30. Re:Man... by Anonymous Coward · · Score: 0

      That's about the most sane comment so far.

    31. Re:Man... by Yakman · · Score: 1

      Well obviously you don't use your credit card information! ;)

    32. Re:Man... by cpt+kangarooski · · Score: 1

      That's true; in Russia, credit card information uses you.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    33. Re:Man... by Anonymous Coward · · Score: 0

      I've tried converting 128kbps WMAs to MP3s using LAME's "extreme" preset, and there is definately a small drop in quality. On the file I tried, there seemed to be less depth to the sound stage, and a slightly larger "echo" effect. It was barely noticeable on cheap headphones, though, so most people wouldn't care.

    34. Re:Man... by Entropius · · Score: 1

      Hmm. Do you get that same loss of quality when converting a virgin .wav using LAME -extreme?

      Also: it doesn't really matter if the hack has to convert the protected WMA's to .wav first; even if you could recover unprotected WMA's from the Napster files, anyone with enough geekitude to crack Napster security isn't going to listen to WMA's anyway.

    35. Re:Man... by warlockgs · · Score: 4, Interesting

      As the originator (as far as I can tell) of this "hack" (I wouldn't call it that), it is absolutely amazing how quickly this got around. 4 weeks from post on cdfreaks, to worldwide news, and an article on slashdot. Yay to me.

      Click here to see the original post I made on this

      Anyhow, I hope you all are enjoying it. I merely wanted to transcode the files I had bought (3207 and climbing....) so I could load them on a non-WMA-aware MP3 player like any other piece of music I own. I certainly didn't intend for Napster to start a 14-day free trial, nor did I expect this method to get "out into the wild" (although, posting on the internet is no way to keep anything secret.....). I would like to take this moment and kindly remind you all that unless you actually *buy* some tracks, Napster loses money. Napster loses enough money, they'll fold shop. The artists will then get reamed by iTunes. Don't let it happen guys, lets at least try to be honest.

      /Just sayin....

      --warlock1711 of club cdfreaks.

    36. Re:Man... by Tjoppen · · Score: 1

      This is assuming the different formats use similar compression algorithms, say DCT.
      It is an entirely different thing if you'd transcode data from a DCT based format to say a wavelet based one.
      Or how about algorithms that don't give a damn about frequencies such as simple CELP-based ones..

    37. Re:Man... by Anonymous Coward · · Score: 0

      Hmm. Do you get that same loss of quality when converting a virgin .wav using LAME -extreme? Possibly, but I can't hear it (there is not enough degradation to notice). I think it is just a case of LAME -extreme not being designed for already encoded files, so certain artifacts are worsened (e.g. the echoing effect).

  2. posted already? by Anonymous Coward · · Score: 0

    wasnt this posted yesterday?

  3. Damn...must not be very high quality songs... by untaken_name · · Score: 1, Funny

    ...if you can fit "hundreds of thousands" onto one CD.
    Seriously, though, who didn't see this coming?

    1. Re:Damn...must not be very high quality songs... by ghoti · · Score: 1
      ...if you can fit "hundreds of thousands" onto one CD.

      Only depends on the bitrate ;)
      --
      EagerEyes.org: Visualization and Visual Communication
    2. Re:Damn...must not be very high quality songs... by GweeDo · · Score: 0, Flamebait

      "CDs" it is plural....try again.

    3. Re:Damn...must not be very high quality songs... by templest · · Score: 0

      I think what it meant was, "you have access to hundreds of thousands of songs, that you can use to make any CD with".

      --
      I'm a signature virus. Please copy me to your signature so I can replicate.
    4. Re:Damn...must not be very high quality songs... by avgjoe62 · · Score: 4, Funny
      Seriously, though, who didn't see this coming?

      Uhm... Napster?

      So much for the business model...

      --

      How come Slashdot never gets Slashdotted?

    5. Re:Damn...must not be very high quality songs... by lakerdonald · · Score: 0

      Bitrate: 5 bits per second

    6. Re:Damn...must not be very high quality songs... by ultranova · · Score: 2, Interesting

      Actually, wouldn't this boost the value of music bought by neo-Napster for the consumer, and thus increase sales ?

      "Oh no, our DRM has been broken ! Now all the people who want to burn their own CD's or just down't like DRM will consider us a viable choice of getting music from ! Oh, woe are us !"

      Of course, it's possible that the record labels will pull their music now...

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    7. Re:Damn...must not be very high quality songs... by untaken_name · · Score: 2, Funny

      You think?

      I think so too. I also think the way it was phrased was ambiguous. I think that's why I made the joke.

    8. Re:Damn...must not be very high quality songs... by untaken_name · · Score: 1

      I would be very surprised if they weren't even aware of the possibility. I imagine 'business-types' told 'techie-types' to shove off, after the 'techie-types' told the 'business-types' about the possible problems. I've been party to quite a few of those meetings. I have to say, though, that while I'm not likely to subscribe to any of these services (because there's a ton of free music out there that's actually good), I'm now more likely to pay for Napster than any of the others.

    9. Re:Damn...must not be very high quality songs... by untaken_name · · Score: 3, Funny

      "CDs" it is plural

      It's always nice when someone doesn't get the joke. It's even better when they reply with broken English. It's best when they're trying to correct me using broken English while missing the joke. Thank you, sincerely.

    10. Re:Damn...must not be very high quality songs... by mrchaotica · · Score: 1

      Yeah... for one month. Then everybody will cancel their subscription because they've already got all the music they want.

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    11. Re:Damn...must not be very high quality songs... by porcupine8 · · Score: 1

      Yeah, it increases their business for one month. The users join for a month, d/l all the music they can eat, convert it, cancel membership. Maybe do that once every few months to catch up on new music - but it's still far less than what Napster wants, which is for people to keep their subscriptions indefinitely so they can keep their music indefinitely.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
  4. Whatever by Quasar1999 · · Score: 4, Insightful

    So long as the audio comes out speakers at some point you will always be able to grab the analog signal and re-encode it to whatever format you want... this isn't some breakthrough... It's called recording the analog output...

    --

    ---
    Programming is like sex... Make one mistake and support it the rest of your life.
    1. Re:Whatever by rsidd · · Score: 5, Informative

      On linux, so long as you're playing via /dev/dsp you can always grab the digital signal, for example via vsound. I wouldn't be surprised if that's possible with MacOS X too, or even Windows.

    2. Re:Whatever by mirko · · Score: 5, Informative
      --
      Trolling using another account since 2005.
    3. Re:Whatever by Anonymous Coward · · Score: 5, Insightful

      I don't see why you couldn't create a fake audio driver for Windows that let you swipe the digital signal. Or a fake CD-RW to steal to the MP3s iTunes lets you download.

      And of course the DarkNet paper showed us all what we already knew: With DRM, you have to give the user everything needed to play the file. That includes the cryptography algorithm and the key. Thus, all DRM is breakable.

    4. Re:Whatever by Curtman · · Score: 5, Funny

      so long as you're playing via /dev/dsp you can always grab the digital signal

      Quiet you. If my next soundblaster comes with some new fangled Macrovision, it'll be your fault.

      Or would that be Macroaudio?

    5. Re:Whatever by peragrin · · Score: 1

      You are correct. A simple cable from line out to line in will work, as long as you have software that can sort out the two different streams, and a computer that can decode and encode at the same time.(or two computers)

      This trick though uses Winamp's output plugins Instead of audio you set it to convert to wav. No encoding so it's faster. Then you can Encode to mp3's later.

      --
      i thought once I was found, but it was only a dream.
    6. Re:Whatever by Troed · · Score: 3, Interesting

      With DRM, you have to give the user everything needed to play the file. That includes the cryptography algorithm and the key. Thus, all DRM is breakable.

      Bollocks - you're assuming you have complete control of the execution environment. That is not the case on some platforms (cellphones springs to mind) and there are incentives (I'm sure you know the acronym) to make a "secure platform" within our normal open platforms to reach the same goal.

    7. Re:Whatever by Sentry21 · · Score: 2, Informative

      Actually, it captures it from the sound card (in Windows, you can record sound card output), so at that point, it's still digital.

      Good quality too.

    8. Re:Whatever by theWrkncacnter · · Score: 1

      Or a fake CD-RW to steal to the MP3s iTunes lets you download Why use a fake one? I do it all the time with a real one.

      --
      -1 (Troll) is antihammer
    9. Re:Whatever by lakerdonald · · Score: 0

      Or if you're really poor/old fashioned/stupid, you could capture the output from the speakers on a tape recorder.

    10. Re:Whatever by UnRDJ · · Score: 4, Informative

      Many sound card drives (Echo Mia, Egosys Waveterminal, Emu series, to name a few) allow internal rerouting of a digital signal to and from various virtual ins and outs. Simply playback anything through the mme driver, route that to an asio or WDM input, record, and voila. But really people, just buy the music. I know I'm going out on a limb here, but look at a service like Rhapsody. $10 a month for as much 44.1/16 music on your computer as you want. Albeit the bitrate isn't that great (im guessing 128), if you're really using kazaa for virtuous reasons such as "discovering music that you can't find in the record store because the RIAA shoves pop down your throat," then you'll buy a cd when you find something you really like. Rhapsody has a huge library of songs, stuff you would never see on mtv. It has a 30 day free trial, see for yourself. No I'm not a Rhapsody employee =), I just honestly enjoy the service.

    11. Re:Whatever by homo · · Score: 0, Flamebait

      and also very ugly.. not to mention fat!

    12. Re:Whatever by Reverant · · Score: 5, Informative
      I wouldn't be surprised if that's possible with MacOS X too, or even Windows.
      It is possible. It always has been possible. All Sound Blaster cards (after the first Live! series) have a virtual input mixer called "WhatUHear". Selecting it as an input, you can record whatever goes to the card's DAC, without actually going through the DAC->ADC process. The quality is excellent. I've been using this method to capture some nice soundtracks from several games that didn't offer the music as wave or mp3.
    13. Re:Whatever by Anonymous Coward · · Score: 5, Informative

      Actually, their drivers do contain something similar.

      For instance, I'm in the pro audio industry and folks have always claimed that a soundblasters S/N and other specs are right up there with the big boys. Of course they are -- their team is comprised of greats from around the industry including their aquisition of Ensoniq a few years back.

      What they don't tell you is that the digital outs and otherwise are disabled in the drivers. The claim is that you get 24bit in / out -- but the reality is that even if you are doing a pure pass through, that 24 bit randomly drops bits down to a signal of as low as 14.

      The strange this is this doesn't happen with the free drivers that were available for Linux nor the Mac solutions. And then someone backported one of the Ensoniq proaudio card drivers after realizing the chipset was identical and was able to bring this back to the PC by doing a little hex editing...and the audio in phenomenal (although the driver is still a bit buggy and I wouldn't recommend it for anyone that needed a serious project undertaken).

      But yeah, if Creative needed to make the industry happy, they'd throw in Macrovision in a heartbeat. Sad that your post is rated funny...

      Note: This was true several years back...I don't deal with audio interfaces as I once did, so it may not be true any longer.

      Also now, this is Off Topic, please rate it accordingly. I'm an AC and don't give a rats ass.

    14. Re:Whatever by PowerEdge · · Score: 2, Funny

      Everyone exclaims about the Analog hole. How can you stop recording something if you can hear it. I think I have discovered a solution. Blow out everyones ear drums and have their hearing replaced with a set of bionic hearing aids that conform to DRM. Through a real world ADC you can still the hear approved analog sounds in your environment, but all speakers, headphones and anything that can broadcast DRM media will be replaced with digital transmitters that interface with your DRM validated hearing aid. This will solve lots of problems! Of course, if/when the DRM is cracked and people upload hacked firmware to their ears a new specification will have to be devised and the ears upgraded. This could theoretically be applicable to our other senses. Digital Eyes, and Taste (DRM Emeril recipes).

    15. Re:Whatever by beatdown · · Score: 0

      But that method not practical on a large scale. According to the moethod described, one would have to wait the lenth of the song to obtain a copy. That's a lot of waiting!

    16. Re:Whatever by Anonymous Coward · · Score: 0

      In the computing world, nothing is in a vacuum. You don't need complete control.

    17. Re:Whatever by Anonymous Coward · · Score: 0

      macrohearing, dumbass

    18. Re:Whatever by rejecting · · Score: 1

      On linux, so long as you're playing via /dev/dsp you can always grab the digital signal, for example via vsound. I wouldn't be surprised if that's possible with MacOS X too, or even Windows.

      And this is EXACTLY why they want to DRM your Motherboard, your Soundcard, your ram, your TV, your car, and your brain.

    19. Re:Whatever by rejecting · · Score: 1

      I hope people start scripting this.......autodownload and rip. Think of what kind of bandwidth 10,000 cable modems users downloading 24/7 could do to your datacenter. MUAHAHAAHAAHAHAH.

    20. Re:Whatever by Anonymous Coward · · Score: 0

      Most mid-range soundcards from Creative have a built-in digital loop. That way you don't need any odd program or a lineout-to-linein cable. All you need to do in Windows/Linux is choose the "What you hear" device as the recording source and use any crappy sound recorder to get the job done. I have a SB Live Value! (3+ yrs old) and it has this thing I'm talking about! Yayyy!

      -Itsme

    21. Re:Whatever by Fitzroy_Doll · · Score: 1

      Isn't this what Palladium is all about? http://www.ntk.net/index.cgi?b=02002-06-28&l=21#l

    22. Re:Whatever by Jugalator · · Score: 1

      Many sound card drives (Echo Mia, Egosys Waveterminal, Emu series, to name a few) allow internal rerouting of a digital signal to and from various virtual ins and outs. Simply playback anything through the mme driver, route that to an asio or WDM input, record, and voila. But really people, just buy the music.

      The people doing these things have probably already bought the music. What you mean to say might be "but really people, just agree to the terms set by the DRM".

      --
      Beware: In C++, your friends can see your privates!
    23. Re:Whatever by Anonymous Coward · · Score: 0

      Ah yes, cellphones. Where they can make you rent an image...

    24. Re:Whatever by FuzzyBad-Mofo · · Score: 1

      That reminds me of a dual-deck cassette player I used to own. It had this feature called "automatic gain control" (AGC) which allegedly was a benefit for recording. In practice, however, it completely ruined any music that was recorded on that deck. I can't imagine that was an accident..

    25. Re:Whatever by jacksonj04 · · Score: 1

      This same hack won't be possible with iTunes in the sense that you can get thousands of tracks for one subscription. The only way you can get an entire iTunes track is by buying it.

      Not that I have a problem with this one. I buy a track then use Hymn to remove the DRM.

      --
      How many people can read hex if only you and dead people can read hex?
    26. Re:Whatever by GraemeDonaldson · · Score: 1, Funny

      Dear Slashdot User We have been researching this technology for several months. Please stop revealing our trade secrets. kthxbye teh RIAA

      --
      I think, therefore I am. I think?
    27. Re:Whatever by Filmwatcher888 · · Score: 5, Informative
      There is a virtual sound card program for windows. It is called VAC, the Virtual Audio Cable. It works really well, and is relatively cheap.

      The only Virtual CD Burner software I've seen is called Original CD Emulator. It creates a fake CD Burner in the same way DaemonTools creats a fake CD drive.

      If anyone knows any other software that can do the same things as these too, please post them here too.

    28. Re:Whatever by UnRDJ · · Score: 1

      I don't object to people using stream capturing to put their itunes on an mp3 player.

      "But really people, just buy the music" and on is in response to the
      "potentially letting them make CDs with hundreds of thousands of songs for free" part of the original article.

    29. Re:Whatever by flappinbooger · · Score: 1

      There's a program called Total Recorder, which replaces the sound driver to do just that. It can, by now I'm sure, go right to any MP3 format you want.

      --
      Flappinbooger isn't my real name
    30. Re:Whatever by BlueCodeWarrior · · Score: 1

      The first person would have to wait the length of the song. After one person's got a perfect digital copy, game over.

    31. Re:Whatever by Anonymous Coward · · Score: 1, Insightful

      I don't think it's the theoretical S/N ratio which is the problem with cheap audio hardware; it's the lack of shielding.

      If you have any kind of hardware that does D/A and A/D conversions in an external, shielded component (usually an external or front-panel mounted box), then you probably have something that's actually capable of high quality.

      Not that the noise on non-shielded devices is bad; I'm listening to music directly from the native motherboard chipset right now (not via SP/DIF, but plain line out), despite having a high-end sound card in the machine, as well!

    32. Re:Whatever by TheoMurpse · · Score: 1

      Actually, it would be macroaudition. Vision is the sense of sight. Audition is the sense of hearing.

      vision : audition :: visual : aural :: video : audio

    33. Re:Whatever by Ahnteis · · Score: 1

      Most CD burning programs let you burn to a "virtual drive" which really just makes an ISO (or equivalent) image. Which you can then mount with Daemon tools. :)

    34. Re:Whatever by lakerdonald · · Score: 0

      and have one leg...and are blind and homosexual.

    35. Re:Whatever by BillyBlaze · · Score: 1

      Actually, though some cards (like my SoundBlaster Live Value!) do have a recording input that is the wav output, that's probably not what grandparent was alluding to. You shoud be more afraid if realplay and friends start trying to ignore LD_PRELOAD or not run under debuggers, because that's how it works. (Though it should be easy enough to intercept it in either anything that uses ALSA, or even for OSS, in the kernel.)

    36. Re:Whatever by Anonymous Coward · · Score: 0

      Daaaaaaa....

      I was talking about a pure digital to digital link and losing bits.

      The ADDA is just as bad and uses the same flawed logic -- its just not as noticable or replicable.

    37. Re:Whatever by Anonymous Coward · · Score: 0

      You don't need anything special like vsound. Just open up the mixer, click "Rec" under the "PCM", and play away. I use the GNOME volume control and sound recorder, and I can record audio, realtime, while also listening to it. It'll even Ogg- or FLAC-encode it for me as it goes.

    38. Re:Whatever by Anonymous Coward · · Score: 1, Insightful

      Wiretap can record any audio on a Mac.

    39. Re:Whatever by arminw · · Score: 1

      Because all digital data is a stream of bits, it can always be copied if the bit stream is accessible just before it gets converted to analog. As long as the information has to be accessible to human sensory input, it also can be captured and recorded. It matters not how fancy the encryption processes are along the way. If the entire computer including display and speakers could be put into a sealed module, accessing the bitstream would be much harder, but still not impossible.

      --
      All theory is gray
    40. Re:Whatever by arminw · · Score: 1

      ... Thus, all DRM is breakable...

      Indeed true! What I can't understand is that the **AA folks must surely know this and yet they spend millions on useless DRM schemes. This DRM stuff may thwart the normal end users, but then they are not the ones that cause huge losses to the content creators. It is the professional "pirates" that make and sell thousands of bogus copies the **AA people should be concentrating their legal guns on, rather than some grandma or 12 year old kid. If they would reduce their prices, they would get to the point where they would still make enough money and illegal copying would diminish to the point they could live with, because most people would rather own a genuine copy than a pirate version if the price difference were not so huge.

      --
      All theory is gray
  5. Copied Music by JohnHegarty · · Score: 5, Funny

    Oh No...

    Now the name Napster will be tried to illegally copied music... and after all the paid of the good number of that company...

    1. Re:Copied Music by JohnHegarty · · Score: 2

      eh... ment the good name of the company......

      preview....preview....preview....

    2. Re:Copied Music by Anonymous Coward · · Score: 0

      Did you mean "tied" instead of "tried"?

      Lol, drink some coffee or something before you type.

    3. Re:Copied Music by Anonymous Coward · · Score: 0

      Yeah I read that post like 5 times and it didn't make any sense until I read the two corrections beneath it.

    4. Re:Copied Music by crunk · · Score: 1
      "Now the name Napster will be tried to illegally copied music... and after all the paid of the good number of that company..."

      What?

      --
      It's the battle of the minds, and everyone's unarmed.
    5. Re:Copied Music by binarybum · · Score: 4, Funny

      I think what he meant to say was, "all of your base belong to us"

      --
      ôó
    6. Re:Copied Music by Anonymous Coward · · Score: 0

      "all of your base 'are' belong to us"

    7. Re:Copied Music by elem · · Score: 1

      You mistyped - clearly its "all of your bass belong to us"

    8. Re:Copied Music by rob_squared · · Score: 1

      Tisk, tisk, we all know it's "all your base are belong to us."

      Jeez, if you're going to purposefully talk about bad grammar, make sure its bad grammar.

      --
      I don't get it.
  6. Old News by samtihen · · Score: 5, Insightful

    Oh this has been explained for a while: http://marv.kordix.com/archives/000400.html

    All that is happening is that people are grabbing the actual output of the song, and dropping it into a wav file. This will ALWAYS happen with any kind of copy protection. If you let users actually hear (music) or see (movies/tv) the content, there will always be a way to get it. At the absolute worst, people can just set up a tape recorder and grab it from that.

    Regardless, the point is that it is STILL ILLEGAL to abuse. Until you can get people to stop breaking the law voluntarily (via fair pricing and good business practices), all media/content companies will have to keep playing this game. What they need to realize is that they are always going to lose.

    1. Re:Old News by jxyama · · Score: 5, Informative
      >All that is happening is that people are grabbing the actual output of the song, and dropping it into a wav file. This will ALWAYS happen with any kind of copy protection. If you let users actually hear (music) or see (movies/tv) the content, there will always be a way to get it. At the absolute worst, people can just set up a tape recorder and grab it from that.

      you are absolutely right, however, the difference here is, napster is a subscription model. (with a free trial to boot.) so the circumvention of the DRM means you get as many songs as you want for little or no money. music download sites, like iTMS or MSN, you have to pay first, then crack it all you want... so media/content companies aren't quite "losing" there to the same degree...

    2. Re:Old News by Dantu · · Score: 1
      >>STILL ILLEGAL to abuse

      True, but I think that from a legal standpoint it is slightly harder to abuse analog copying, since you inherently lose quality, bolstering your fair-use defense. Of course if you just move to Canada you can get all the music you want in exchange for paying more for media.

    3. Re:Old News by R.Caley · · Score: 2, Informative
      I think that from a legal standpoint it is slightly harder to abuse analog copying, since you inherently lose quality, bolstering your fair-use defense.

      Unless you want to keep uncompressed audio, you will lose quality using this hack.

      You should look up fair use, it is much more restrictive than you seem to think it is.

      --
      _O_
      .|<
      The named which can be named is not the true named
    4. Re:Old News by Anonymous Coward · · Score: 3, Funny
      If you let users actually hear (music) or see (movies/tv) the content, there will always be a way to get it.

      Not if you build the copy protection into the user...

    5. Re:Old News by cccc828 · · Score: 2, Informative

      > Regardless, the point is that it is STILL ILLEGAL to abuse.

      Where? Here in Austria it is perfectly legal to make a copy of any CD/DVD for private use. It is even legal to use Filesharing networks for _downloading_ music.

      So, no it is not illegal to make a copy of DRM polluted files.

    6. Re:Old News by Stevyn · · Score: 1

      As far as I know, doing this trick for movies is a lot more difficult. You have to grab each frame and dump that into one file. This will result in a HUGE file. Then it has to be re-encoded. I'm not saying it's impossible, but the movie industry has a little while until people will use this trick routinely. That is to say, that have some time while the music industry works to solve this problem.

      Just a few years ago, the quality of pirated movies wasn't that good. Now it's nearly DVD quality at just around a gig for some movies. So eventually copying movies from screen grabs might be feasible.

    7. Re:Old News by TrollBridge · · Score: 0, Redundant
      "Until you can get people to stop breaking the law voluntarily (via fair pricing and good business practices)"

      Yes, heaven forbid we ask people to stop breaking the law because it's WRONG.

      But I forgot, in today's society of instant gratification and moral relativism, anything can be justified by our wants.

      --
      There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
    8. Re:Old News by radja · · Score: 2, Interesting

      last time I checked (about 90 minutes ago), it was still completely legal to copy from radio, copy from TV, or copy from napster (at least here in the netherlands).

      --

      No one can understand the truth until he drinks of coffee's frothy goodness.
      --Sheikh Abd-Al-Kadir, 1587
    9. Re:Old News by Anonymous Coward · · Score: 1, Interesting

      If the law is WRONG, isn't it a reason to break it?

    10. Re:Old News by FLEB · · Score: 1

      It might be if you agree to a contract saying you won't, which is likely the case.

      --
      Information wants to be free.
      Entertainment wants to be paid.
      You just want to be cheap.
    11. Re:Old News by digitalchinky · · Score: 1

      Australian regulation forbids copying a CD for personal use. That means ripping a purchased CD for any purpose at all. (Google dredges this paragraph up more often than any other across the spectrum)

      After searching for quite some time, it does appear as though it really is illegal. I'm not into law, so I can't confirm this as fact, but either way, it's not very enforceable.

    12. Re:Old News by Anonymous Coward · · Score: 1, Insightful

      Last I checked, one doesn't need to enter into an agreement to get Radio or TV.

      This is contract law and nothing more. It works the same in any country -- you are more than welcome to enter into almost any agreement no matter how one sided it is as long as you think it has benefit to both sides. If it has none, don't enter into the agreement.

    13. Re:Old News by Khomar · · Score: 3, Insightful
      Regardless, the point is that it is STILL ILLEGAL to abuse. Until you can get people to stop breaking the law voluntarily (via fair pricing and good business practices)

      I think the point your getting at here is that we live in an imperfect world. The fact is that there will always be someone who will break the law. In order to stop all crime, you have to place very strict, cumbersome laws and practices -- and even then someone will find a way around them(we humans are quite resourceful when it comes to finding new and devious ways to circumvent authority). The key is finding the balance between discouraging crime and maintaining the usability and popularity of your product to your customers.

      It has been my experience that it is much better to lean toward ignoring piracy for the sake of our law abiding customers rather than to hurt everybody to stop the few bad apples. Our customers end up being much happier, and we also get fewer support calls. Win-win.

      --

      I believe in de-evolution. God made the world perfect, man fell, and its been going downhill ever since!

    14. Re:Old News by Anonymous Coward · · Score: 1, Informative

      I dunno, it depends on your definition of HUGE. By my rough calculations, 1 hour of 720x480 24fps video is ~30gigs. so a full legnth movie uncompressed will be around 75-90gigs or so.

      It gets a bit more unwieldly when talking about HD video. 1 hour of uncompressed 1080i (or p I guess), would be ~180 gigs at 24fps. Its still not undoable with 300 and 400 gig drives available.

    15. Re:Old News by TrollBridge · · Score: 1

      What's WRONG about expecting people to pay for a product? If you believe that product is of low quality or overpriced, DON'T FUCKING BUY IT!

      --
      There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
    16. Re:Old News by Refrag · · Score: 1
      Yes, heaven forbid we ask people to stop breaking the law because it's WRONG.
      Informing people a law is wrong is hardly a way to get people to respect it. If anything, that's a reason to break it.
      --
      I have a website. It's about Macs.
    17. Re:Old News by malkavian · · Score: 1

      Don't buy it? They didn't.

    18. Re:Old News by TrollBridge · · Score: 1

      "Don't buy it", end of story.

      Not "Don't buy it, copy it for free!"

      Not wanting to pay for something does not entitle you to have it for free.

      --
      There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
    19. Re:Old News by MeanJeans · · Score: 2, Funny

      What does moral relativism have to do with this? I would say nothing.

      --
      =====
      imagetweak.netWeb-based image t
    20. Re:Old News by Wylfing · · Score: 2, Insightful
      "Until you can get people to stop breaking the law voluntarily (via fair pricing and good business practices)"

      Yes, heaven forbid we ask people to stop breaking the law because it's WRONG.

      But I forgot, in today's society of instant gratification and moral relativism, anything can be justified by our wants.

      I was doing the old WTF? as I was reading each of these comments. The only thing "wrong" with the Napster technique is that people are abusing a free trial period. There is nothing unethical in dumping the output of a piece of software to any device you like. If someone sends you a Word file that they wrote, and you dump its contents to a PostScript, that is NOT unethical behavior.

      Now if you're refusing to pay for a legitimate copy of a commercial work, that's one thing. But directing your computer to use a different output stream is NOT wrong.

      --
      Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
    21. Re:Old News by miu · · Score: 2, Insightful
      Yes, heaven forbid we ask people to stop breaking the law because it's WRONG.

      There is NO moral force behind intellectual property laws that have been improperly manipulated in such a way as to deprive the public of rights forever. A temporary monopoly is a chance to make a profit, a perpetual monopoly is a license to steal from the public domain.

      --

      [Set Cain on fire and steal his lute.]
    22. Re:Old News by Anonymous Coward · · Score: 0
      Now if you're refusing to pay for a legitimate copy of a commercial work, that's one thing. But directing your computer to use a different output stream is NOT wrong.


      Obviously you've never heard of the DMCA
    23. Re:Old News by maharg · · Score: 1

      no, you don't have to dump all the frames into one file.. or even dump them to a file at all ! just hold enough in memory so that you can encode effectively (think I/B/P frame principle)

      the real difficulty lies in doing screengrabs of DRMed video....

      --

      $ strings FTP.EXE | grep Copyright
      @(#) Copyright (c) 1983 The Regents of the University of California.
    24. Re:Old News by LourensV · · Score: 1
      I was doing the old WTF? as I was reading each of these comments. The only thing "wrong" with the Napster technique is that people are abusing a free trial period. There is nothing unethical in dumping the output of a piece of software to any device you like. If someone sends you a Word file that they wrote, and you dump its contents to a PostScript, that is NOT unethical behavior.

      Let's see, Napster sells you a subscription service. The idea behind that service is that you can listen to the music as long as you pay the monthly fee (or for free for a limited time). Now you save the music to your hard disk, stop paying the fee, but keep listening. How is that not unethical?

      Your analogy is flawed. If someone sends you a Word document they typically mean for you to save it and read it whenever you want. In that case, it doesn't really matter whether you save it in a different format.

      As for obeying wrong laws, if a law is wrong it should be overthrown. Spend your time writing your political representative instead of downloading MP3's. And don't start about civil disobedience. If you want to do that, take you laptop down to the police station and start making copies of CDs for anyone who asks. Get arrested, and raise a stink in the media to get your politician's attention so they can change the law. Laws aren't much use if everyone gets to decide for themselves whether to obey them or not.

    25. Re:Old News by MartinG · · Score: 4, Insightful

      The law is there to uphold the beliefs of society. If enough people are breaking a law, who is that law representing exactly? In those cases, it is that law itself that is wrong. History teaches us that the most effective way to get rid of unjust laws is to ignore them.

      NB. I'm making a point about laws, not about my opinion on current intellectual property laws.

      --
      -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
    26. Re:Old News by Anonymous Coward · · Score: 0

      "Don't buy it, dump it in Boston Harbor!"

    27. Re:Old News by Anonymous Coward · · Score: 0
      t might be if you agree to a contract saying you won't, which is likely the case.

      Breach of contract is a civil matter. It's not illegal.

    28. Re:Old News by TrollBridge · · Score: 1

      Umm, not even close to a valid comparison.

      The Boston Tea Party was a protest against unfair taxation; as in the people were forced to pay it.

      Nobody is forcing you to buy music at an unfair price. Try again.

      --
      There's a Mercedes gap too. I want one and can't afford one, but it's not government's job to do anything about it.
    29. Re:Old News by pla · · Score: 2, Interesting

      Yes, heaven forbid we ask people to stop breaking the law because it's WRONG.

      Yes, many people do consider the law wrong in this case. Not your meaning, but your choice of phrasing came out all too conveniently ambiguous.

      The problem here involves the length of copyright, and the sources of "real" creativity...

      First, publishing and distribution have become much easier and cheaper than when the idea of copyrights first entered the law. As a result, you don't need word of mouth and 20 years of slow trickle to get a new book/album/whatever out to the public, it takes hours to months. The vast majority of the profit that will eventually derive from sales, comes in within a year or two. So, considering that, why has the duration of copyrights increased rather than decreased? At present, I would say that even a decade should suffice.

      But, the standard comback goes, why shouldn't the "creator" of a work get to keep copyrights forever?

      That goes back to my comment on the source of creativity. People do not create new content in a vacuum. They do so as part of a specific culture, with a cultural heritage on which to draw (and theoretically contribute to). As an example, how much "modern" music have you heard that uses, almost verbatim, one (or more) of the voices of Pachelbel's Canon in D? So, if you play classical music on an electric guitar and rap to it, does that really count as a "new" song for which you deserve royalties for the next few centuries? Going further, the entire style of music that people will tolerate (and buy) depends heavily on the culture as well. How do you think the same audience that hissed at Brahm's 1859 Leipzig performance of his first piano concerto (now "generally regarded as one of his most romantic works"), would have reacted to, say, Metallica? Or how do you suppose the puritans would have received Ozzy (I suspect "warmly", in the bonfire sense). Artistic creations depend on their culture to have value. They represent miniscule additions to that culture, not giant leaps that would warrant such enormous legal protections. Or to put it another way, they don't have value because of their uniqueness, but precisely because of their almost total lack of uniqueness, with a tiny grain of novelty thrown in.


      So, does this justify pirating music? That depends... Do you believe you have the right to access your own culture; or, do you believe that others have the right to lock your own culture away from you and make you pay to experience it?

    30. Re:Old News by InfallibleLies · · Score: 1

      You know what the problem with all these online music stores is? The fact that you need a credit card to buy anything. Most music is purchased by kids, and guess what? Kids can't get credit cards.

    31. Re:Old News by Anonymous Coward · · Score: 0

      I don't care what they idea is.

    32. Re:Old News by coachvince · · Score: 0

      I know this wasn't really part of your point, but I know a lot of people who'd rather have 10000 songs at a low quality, than 1000 at high quality. Low quality isn't necessarily a deterrent to file-share hogs.

      --
    33. Re:Old News by Daniel+Dvorkin · · Score: 1

      Umm, not even close to a valid comparison.

      The Boston Tea Party was a protest against unfair taxation; as in the people were forced to pay it.

      Nobody is forcing you to buy music at an unfair price. Try again.


      The Boston Tea Party, as one may cleverly infer from the name, was a protest against a tax on tea. Nobody needs tea to live; nobody is forced to buy tea. What the British government was saying was, "If you buy tea, you have to pay this tax." The, um, partiers considered this unfair. Since governments (particularly the US government, which obviously forgot its origins long ago) are increasingly involving themselves in enforcing corporate rules, particularly those involving luxury items, the analogy is pretty close.

      --
      The correlation between ignorance of statistics and using "correlation is not causation" as an argument is close to 1.
    34. Re:Old News by neil.pearce · · Score: 1

      Napster UK accepts debit cards. You can get these when you're 11.

    35. Re:Old News by amliebsch · · Score: 1

      I believe that you're still limited to the number of songs that you can record in real-time. To record 100,000 songs, as claimed in the summary, assuming you recorded non-stop 24/7 would take upwards of 200 days. The inconvenience of this method may be enough of a deterrant to prevent that kind of gross abuse.

      --
      If you don't know where you are going, you will wind up somewhere else.
    36. Re:Old News by martingunnarsson · · Score: 1

      How about renting something, stop paying and not return the item? Because that's exactly what this is about.

      --
      Martin
    37. Re:Old News by utexaspunk · · Score: 1

      I agree. Furthermore, I'll say that is my opinion on current intellectual property laws. All laws aside, could it not be believed that it is unethical to create something which is entirely in the intellectual realm and demand your right to profit indefinitely from the sale of it? If artists want to make money playing music, let them tour and be paid to play. Let their recorded works serve as advertising. Perhaps one shouldn't be able to spend an afternoon in a recording studio singing a catch tune and then rest on their laurels living off of royalties for the rest of their lives...

    38. Re:Old News by R.Caley · · Score: 1
      Yes, heaven forbid we ask people to stop breaking the law because it's WRONG.

      Breaking the law is not wrong.

      In an ideal world only wrong things would be against the law, but the wrongness does not come from the law, the law is a recognition of the wrongness.

      It's rather amusing to see you complain about moral relativism just after making such a purely morally-relative comment.

      --
      _O_
      .|<
      The named which can be named is not the true named
    39. Re:Old News by Zenaku · · Score: 1
      No, I think it is a valid comparison. The protest was against the unfair tax on TEA. They weren't forced to pay that either, they could have chosen not to buy tea.

      The problem there, of course, is that then they would have had no caffeine.

      A choice between paying whatever someone demands for something or not being able to get it is hardly a real choice at all. Real choice is when you have more than one vendor to choose from for the same product, so that neither of them can price-gouge you without losing your business to the other.

      In the case of the RIAA, you have only them to buy from, and they can set the price to whatever they like. Your only legal alternative is to not have music. That's exactly the same as what the colonists in Boston found so unfair about the tax on tea.

      --
      If fate makes you a motorcycle, you become a motorcycle.
    40. Re:Old News by MartinG · · Score: 1

      That's okay for musicians, but what about movies which can cost millions of times more to make?

      Also, it's not always about profiting, it's about control. The question is, to what extent should the creator of a work be entitled to limit the ways in which others can use it?

      Remember, even the GNU GPL relies on the restrictions provided by copyright to prevent the source being locked up by someone else.

      --
      -- MartinG To mail me: echo kewyjlcxyzvjfxbqwh | tr bcefhjklqvwxyz .@adgimnoprstu
    41. Re:Old News by ArmchairGenius · · Score: 1

      Of course, it is hard to say they are losing when CD sales actually increased last year despite all the so-called piracy.

    42. Re:Old News by Anonymous Coward · · Score: 0

      I doubt if the person will bother travelling from Austria to Australia to test your legal theories, but I could be wrong.

    43. Re:Old News by kleinux · · Score: 1

      On one computer at least. I own three and I am sure others here have many more. Just my $0.02

    44. Re:Old News by jim_redwagon · · Score: 1

      but come on, does anyone really NEED 10,000 songs? i can bet good money that not one of us could name 500 songs they really like off the top of your head.

      and saying it goes like this... "nana nana boo booooooooooo....." doesn't count. Get your music the old fashion way, buy a shrinkwrap machine and return the cds after lossless copying of your own.

      --
      I forgot what I wanted to say, but honestly, it was important.
    45. Re:Old News by Belial6 · · Score: 1

      No, you could alway reform/repeal copyright law. Then it would no longer be ILLEGAL. Add to the the unlikly passing of a consumer rights law that owutlaws DRM, and companies would no longer have to keep playing this game.

    46. Re:Old News by Anonymous Coward · · Score: 0

      So you're saying to record 1,000 songs will take a couple days. Great. So there is no meaningful time limitation to acquiring new music by this method.

    47. Re:Old News by bonch · · Score: 1

      The post you were repying to wasn't talking about rerouting data you own. It was talking about not breaking the law because it is wrong, and how moral relativism has seeped its way into the collective around here.

      Now if you're refusing to pay for a legitimate copy of a commercial work, that's one thing.

      That's what the topic was. Not redirecting output streams.

    48. Re:Old News by bonch · · Score: 1

      A lot of people kill other people. A lot of people drink while driving. A lot of people drive twenty miles over the speed limit. A lot of people rape other people. A lot of people shoplift batteries. Should we ignore the laws because a lot of other people do?

      The law is not there to uphold the beliefs of society. It is there to maintain order.

      As for my own opinion, I don't see what's "unjust" about copyright law. If anything, it's the artists who have the right to be complaining since so many people not only take the music they put out for sale without compensating them for it, those people have justified it as a crusade against tyranny in the music industry. The artist just seems to disappear from their mindset as they paint someone else as the bad guy so that they don't feel guilty about their behavior. And honestly, with things like iTunes selling songs at $0.99 a pop (and giving away free tunes every week on the store front page), it's hard to justify music piracy anymore.

    49. Re:Old News by bonch · · Score: 1

      So, does this justify pirating music? That depends... Do you believe you have the right to access your own culture; or, do you believe that others have the right to lock your own culture away from you and make you pay to experience it?

      Are GPL programs part of the "culture," thereby meaning anybody can break the GPL and do whatever they want with the code? After all, we're just accessing our culture.

      Can I download Doom 3 without paying John Carmack for his years of work? I'm just accessing our computing culture.

      It's a bogus argument. When someone makes media content, it doesn't magically travel up into the clouds and become part of some global collective accessible to everyone. The person who made the media content owns the content and can do what they want with it. If they decide to sell it, have at it. If other people don't want it or think it's being sold at an unreasonable price, the artist loses and nobody buys the content.

      The only reason other people are arguing they have the right to said content is they are freeloaders who don't want to pay money. Honestly, that's the only reason, and people have grafted entire justifications onto this one seed of truth. Some of those are:

      1.) Even though artists are willingly signing their contracts, the music industry is the bad guy and I'm just sticking it to them.

      2.) The RIAA is evil. I hate them even more because they are suing individual downloaders, even though it's what Slashdot was suggesting they do during the Napster lawsuit.

      3.) Information/culture/whatever wants to be free (the basic argument you're putting forward). Nobody should pay for anything, thereby removing the incentive for anyone to start a career making content. We'll all just go back to working industrial jobs in factories and other industries that wouldn't be affected by digital copying, because it would be the only place to make a living to feed families.

      4.) The music industry is using an "obsolete business model," even though I won't actually offer any alternative business models, CD sales go up every year, and services like iTunes are already offering digital downloads thereby negating my argument.

      5.) It's "free advertising." Somehow, giving something away to people is advertising to buy it even though they already received it for free. Expect everyone to trust everyone else with a wink and a nudge.

      People just want something for free when they learn they don't have to pay for it. It really does come down to such basic human nature--greed.

    50. Re:Old News by Alsee · · Score: 1

      You should look up fair use, it is much more restrictive than you seem to think it is.

      LOL. You missread the page if you think there was a single restriction on there. Better yet lets look at the text of the law they are reffering to:

      TITLE 17 > CHAPTER 1 > SECTION 107 Limitations on exclusive rights: Fair use

      Which reads:
      Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include--
      (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
      (2) the nature of the copyrighted work;
      (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
      (4) the effect of the use upon the potential market for or value of the copyrighted work.
      The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.


      Now lets break it doesn't and see what it actually says:

      "purposes such as..." blah blah blah. That portion is a list of examples of fair use. It is not restrictive, and has no legally binding effect whatsoever.

      Then there's "In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include..." blah blah blah, four factors. Note that they are merely four factors that shall be considered. That is not restrictive either. In fact the courts routinely consider OTHER factors as well. For example the courts often also consider whether a use is "transformative". The courts are perfectly free to give the four listed factors absolutely zero weight relative for any other factors they choose to consider. So that section also has zero binding legal effect.

      When you read it carefully all it REALLY says is "the fair use of a copyrighted work [] is not an infringement of copyright". Period.

      At this point I'd like to adress something which your link glossed over. Your link noted: Although fair use was not mentioned in the previous copyright law, the doctrine has developed through a substantial number of court decisions over the years." Fair use first appeared in the text of copyright law in 1976. The court decisions your link refers to run all the way back to some of the first Supreme Court cases in the country. Fair use is not granted or defined by the text of copyright law. It counldn't be, considering that fair use existed for some one hundred seventy years or so before the text of the law ever mentioned it. In fact if you check the congressional record when that fair use section was passed into law in 1976 you'll see that the legislators explicitly stated that the fair use section was not intended to expand, diminish, or alter the existing fact of fair use.

      Congress did not establish fair use. Congress did not grant fair use. Congress did not define fair use. The courts did, and they still do. There is a very good reason that congress did not attempt to alter restrict or define fair use. They do not have the power to do so. Fair use was establied on constitutional grounds. In the very earliest cases copyright law was found to be in conflict with other portions of the constitution, most notably the Fisrt Amendment. For example, on it's fact copyright claimed to restrict all copying, including the small quotations that are required for effect

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    51. Re:Old News by mrchaotica · · Score: 1

      Thank you! It's nice to hear that other people are starting to get it too...

      Let me add one thing:

      But, the standard comback goes, why shouldn't the "creator" of a work get to keep copyrights forever?

      That goes back to my comment on the source of creativity. People do not create new content in a vacuum. They do so as part of a specific culture, with a cultural heritage on which to draw (and theoretically contribute to).

      Now we're getting to the heart of the issue. The answer to that question is a resounding NO! because the "contribute to [our cultural heritage]" bit is the important part, not the compensation of the artist. That's merely an incidental consequence of our desire for richness of culture, and if we could do away with paying the artist then we should!*

      *and maybe we can now, considering stuff like Creative Commons and Free Software (not to mention folk music and street performers)...
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    52. Re:Old News by R.Caley · · Score: 1
      When you read it carefully all it REALLY says is "the fair use of a copyrighted work [] is not an infringement of copyright". Period.

      Yes, but that is, as you say later, an empty statement.

      In general fair use has been taken to cover copying for purposes related to working with the work (eg for reviewing, for teaching about the, for `time shifting' a broadcast of the work), but not for executing the primary purpose of the work (eg copying a novel to have a copy to read for the normal reasons one would read a novel).

      Specifiucally, I know of no court decision that the fact that a copy was poor quality meant it was `fair use'.

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      _O_
      .|<
      The named which can be named is not the true named
    53. Re:Old News by Anonymous Coward · · Score: 0

      How bout renting something, then making your own replacement, then returning it, then stop renting it?

      Because that's a much more accurate analogy, asshat.

    54. Re:Old News by Alsee · · Score: 2, Insightful

      The idea...

      Just because their "idea" is XYZ is not reason enough to say there is anything wrong with WXY.

      Or are you in the same delusional world as Jack Valenti who thinks using a VCR is copyright infringment and Ted Turner who thinks that going to the bathroom during a TV commercial is theft?

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    55. Re:Old News by pla · · Score: 1

      Are GPL programs part of the "culture," thereby meaning anybody can break the GPL and do whatever they want with the code?

      The GPL doesn't restrict my actual access to works under it, nor even my ability to modify such code. It only "limits" my ability to make changes and then deprive the world of those changes (I put "limits" in quotes because the GPL really only restricts the actions of those who already have the idea of reducing our access to our own culture, for profit).


      The person who made the media content owns the content and can do what they want with it

      Careful not to mistake law for reality. They don't really mesh all that well, you know...

      The person who made the content has a lot of power. They have the power to add to our culture, if only a tiny bit at a time, or the power to never reveal their creation. Once they chose one of those paths, their power ends. The law attempts to put a sort of flow regulator on that decision, turning the power into profit over time. But in reality, that means nothing. The power of creation ends with release.


      When someone makes media content, it doesn't magically travel up into the clouds and become part of some global collective accessible to everyone.

      Yes, actually, thanks to the internet, it does. The only true barrier to free information, the physical access, has effectively vanished. I consider this a good thing. You may not agree, and you don't have to. But both our opinions have become moot, since the barrier has vanished. You can either fret about the dam breaking, or you can finally quench your thirst. Your choice.


      The RIAA is evil.

      While true, I conside this probably the single worst reason to pirate content. Just because the RIAA sucks rotten monkey cocks doesn't mean I have the right to exploit them.


      Information/culture/whatever wants to be free (the basic argument you're putting forward).

      Although probably closest to my actual opinion, still quite a bit off. Animism, while cute, dosn't really work well in the real world. Rocks don't feel pain. Books don't get offended if you dislike them. Information doesn't want freedom.


      The music industry is using an "obsolete business model,"

      Their problem, not mine. I would actually go farther and say that the industry as a whole counts as obsolete, and don't particularly care whether or not they update their models for exploiting both the artists and the public. The "poor record company executives" don't even enter my thoughts when I choose to pirate something or not. They have entered the realm of uselessness, now that artists can realistically publish their works on the internet for a cost approaching zero.


      It's "free advertising."

      Again, purely a business issue, and it means nothing to me. Free advertising... Yeah, okay, so what? In my case, I'd say it does count as free advertising, because I buy what I like, and I can't like what I haven't heard. I won't act so naive as to deny that, particularly the current generation of younger kids, many people see "free" music as nothing more than free music. Irrelevant either way.


      People just want something for free when they learn they don't have to pay for it.

      Certainly a well-defendable position, if we take the undeniably realistic stance that very few of us have attained so deep a Zen-like state that we no longer experience desire. But still, it has a flaw, which I believe I personally exemplify.

      I buy a lot of media... Books, CDs, DVDs, a few hundred dollars worth per month. For the most part I try to stick with independant artists, but won't deny that a few bucks goes to RIAA members.

      Believe it or not, I do consider the new Napster style of distribution a damned good idea. They need to expand their catalog to include quite a lot more, and need to not use

    56. Re:Old News by mrchaotica · · Score: 1
      Generally speaking, you're completely wrong.

      Are GPL programs part of the "culture," thereby meaning anybody can break the GPL and do whatever they want with the code? After all, we're just accessing our culture.

      The GPL exists to protect the programs from being removed from culture! If we didn't have copyright, we wouldn't need the GPL either.

      Can I download Doom 3 without paying John Carmack for his years of work? I'm just accessing our computing culture.

      Ethically speaking, yes. However, we've made a bargain with him to allow him to rent that particular information from us, in return for his work. Life + 70 years means he's being way overpaid though, especially considering that because computer programs become obsolete we won't get any return on our investment (as opposed to, say, a book which is just as useful 100 years later)

      It's a bogus argument. When someone makes media content, it doesn't magically travel up into the clouds and become part of some global collective accessible to everyone. The person who made the media content owns the content and can do what they want with it. If they decide to sell it, have at it. If other people don't want it or think it's being sold at an unreasonable price, the artist loses and nobody buys the content.

      Sorry, you're just plain wrong. If the person that made the content really owns it, then that would mean the government steals it when copyright expires. If the person that made the content really owns it, that means they own my memories of it -- which is complete bullshit, period. If the person that made the content really owns it, why is copyright law such a new invention? If the person that made the content really owns it, what right do you have to read anything, even writings from antiquity like The Illiad or the Bible?

      It's so self-evident that it does become part of the global collective consciousness (didn't your literature teacher ever mention "the great conversation of ideas," or for that matter, the idea of culture?) that I'm not sure how to to explain it to you, but I'll try...

      On one hand, there's property. The primary characteristics of it are that it's tangible, and that it can only be in one place at a time. Considering that, it makes sense that only a single person could be physically in possession of it. This means that it's "scarce," and that the idea of considering it "property" makes sense.

      On the other hand, there's information. The primary characteristics of it are that it's intangible and that it can be in many places at a time. Moreover, by its very nature it's impossible to give it away without also keeping it for yourself. This means that it's not scarce, and that the idea of considering it "property" makes no sense whatsoever.

      In fact, the value of information increases when it's given away!

      Information is really the antithesis of property, and trying to consider it such is like trying to hold water with a sieve -- it just doesn't work.

      As far as your list of justifications goes:

      1. Yes, that is a dumb argument since it's the artists own fault for signing the contract. However, you also have to consider the fact that the RIAA is a cartel, and as such "agreeing" to their contract to let you distribute your music is similar to "agreeing" to pay protection to the mafia to let you run your store without breaking your kneecaps.
      2. That's a dumb argument too.
      3. Yes, sort of. The problem is that copyright is giving a perpetual free ride, and nobody deserves that. Factory workers are paid for their time, and have to keep working to keep getting paid. Artists should too! Why should one person have to keep working (benefiting society) while another creates one thing and then sits on their ass for the rest of their life?
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    57. Re:Old News by Alsee · · Score: 1

      How about renting something, stop paying and not return the item? Because that's exactly what this is about.

      Yep, it's exactly the same.... except for the "renting something" part.

      If they were renting people disks then they will certainly and rightfully be expecting their property back. However they are not renting their property. They are providing people with their own copies. They righfully expect that copyright infringment will not be commited. However copyright infringment does not mean what you appear to believe it means, and it certainly does not mean what they like to claim it says.

      Be very clear on this point - legally the copy on your computer is your property. They own the copyright and you own your copy. The law is quite explicit on the distinction between the owner of the copyright and the owner of a particular copy. You are not allowed to make infringing copies from your copy, and they have no ownership rights in your copy. You can of course make non-infringing copies. Do not make the mistake of thinking that unlicenced and unauthorized copying means infringing. The law is quite clear that unlicenced and unauthorized copying can be perfectly legal and non-infringing. However getting into when it is infringing and when it is not is a huge subject and is beyond the scope of this post.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    58. Re:Old News by jxyama · · Score: 1
      >The inconvenience of this method may be enough of a deterrant to prevent that kind of gross abuse.

      considering the difficulty in finding good/complete copies, i think kazaa or napster is just as incovenient. you'd be amazed how far people would go when things don't cost anything.

    59. Re:Old News by cpt+kangarooski · · Score: 1

      I agree that quality loss has nothing to do with fair use, however, in the Diamond and IIRC Napster cases, there is dicta endorsing the concept of space shifting as a fair use, and certainly it's popular enough.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    60. Re:Old News by cpt+kangarooski · · Score: 1

      That's okay for musicians, but what about movies which can cost millions of times more to make?

      There's no significant difference. I mean, without copyright being massively expanded, I'll never be able to finance my project of moving various star systems into creative new constellation art. Just because there are always going to be ways that people can spend vast fortunes creating works, does that mean we should pander to them?

      Of course it doesn't. Let them economize, or let those art forms die out as being as unsupportable as carving giant heads was to the now-dead people of Easter Island.

      Copyright exists in order to satisfy the equal public interests in the creation of original works, the creation of derivative works, and having works exist in the public domain. We can essentially 'pay' with the degree of satisfaction of the last two in order to subsidize the satisfaction of the first. I.e. if we remove a work from the portion of the public domain concerning reproduction for one year, this can result in more works being created.

      The idea is that the benefit lost by reducing the satisfaction of the latter interests will be less than the benefit gained by increasing the satisfaction of the former, particularly when you take into account that the new original works will enter the public domain, and be fodder for new derivative works.

      Where the benefit lost by reducing the satisfaction of the latter interests is greater than the benefit gained by increasing the satisfaction of the former, copyright is not serving its purpose, and must be reduced until it once again is more beneficial than harmful, in sum.

      So if it takes a certain degree of copyright in order for movies to be economically viable, but that degree of copyright is not maximally socially beneficial, then I say to hell with movies. Why should we be subsidizing them with our liberty when we do not get any benefit from it?

      OTOH, if we can have a viable movie industry, then that's great. But the overall social benefit as described above needs to be greater than the harm incurred by propping it up with copyright law.

      It's very likely that we could have an appropriate level of copyright for modest movies, and not for summer blockbusters. If that's the case, then I'd change the laws, and to hell with the impractical multi-hundred-million dollar movies, and up with the ones that don't harm our society with regards to the laws needed for them to be viable.

      The important thing though is that we NEVER take into account the desire of the artist, other than how his predictable actions can cause him to essentially do our bidding -- creating a valuable work for the least reward that will cause him to do it. Society is what's important here, as it is what is footing the bill in the end.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    61. Re:Old News by localman · · Score: 1

      But, the standard comback goes, why shouldn't the "creator" of a work get to keep copyrights forever?

      Because it's simply ridiculous. No one time piece of work should entitle a person to endless income. People need to keep working to be useful. As a creative person myself (film and music) I appreciate creativity, but really, you should only get a short time to make money off a given work, and then you have to do something else to make more. Just like every other job.

      Cheers.

    62. Re:Old News by Alsee · · Score: 1

      I wasn't really thinking about "quality" from the earlier poster. I was pretty much replying to your comment about fair use being "more restrictive". Perhaps I over reacted, I've seen a lot of people with a very backwards view of copyright law claiming fair use is some tiny restricted box and it irks me. Chuckle.

      But to address quality, I think there have been court rulings in the ballpark. The first one that pops to mind is image thumbnails, like GoogleImages. If I recall correctly the case used the exact word "quality" or "low quality". It's generally not going to be a defining factor, but it will tend to weight on the fair use side.

      Setting aside any issue of quality...

      fair use ... not for executing the primary purpose

      It sounds to me like you're taking a disturbing approach to the law here. I can best explain it this way:

      Do people have to go into business within the legal landscape? Or does the law change and revoke fair use rights whenever a new company pops up and complains that existing fair use pokes a big fat hole in their harebrain business model?

      Yes, I realize the law does evolve with changing times, but that should be the exception rather than the rule. When it does happen it should be based on widespread change and the public need. The law does not exist to ensure any particular person makes a profit, it does not exist to rescue broken business models, and it certainly does not exist to revoke fair use simply because somebody doesn't like it.

      As I understand it this sort of recording was absolutely fair use yesterday, exactly in line with VCR usage and taping music from the radio. Now suddenly someone jumps up and says they want to "rent" music and that is all it takes to magically turns what *was* fair use into copyright infringment? He gets to revoke fair use and rewrite the law to say whatever he likes simply by claiming it as the definition of a new and different "primary purpose"?

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    63. Re:Old News by iONiUM · · Score: 1

      A lot of people kill other people. A lot of people drink while driving. A lot of people drive twenty miles over the speed limit. A lot of people rape other people. A lot of people shoplift batteries. Should we ignore the laws because a lot of other people do?

      Ya, except those who do aren't the majority. If the majority of people drove drunk, we'd have a series road problem out there. He said the majority, not specific instances of dumbass.

      The law is not there to uphold the beliefs of society. It is there to maintain order.

      Order according to whom might i ask? The current ruling political body? If it is, i thought this was a democracy in which the political body represents us. If this is the case, by induction society's rule is that which should be represented. No, perhaps you meant religious? Which religion? And i thought church and state were supposed to be separated, so that makes no sense. So i don't see who's "order" we're supposed to maintain. Obviously if you go against the majority of societies opinion, there wont be order because people will eventually revolt.

    64. Re:Old News by jschottm · · Score: 1

      So, just for the record, how do you earn your living? What great benefit do you give to musicians that you deserve anything for free from them?

    65. Re:Old News by jschottm · · Score: 1

      The law is there to uphold the beliefs of society. If enough people are breaking a law, who is that law representing exactly?

      Laws are also there to protect the common good. I'm an excellent driver and could safely exceed many speed limits, but I'm still glad that they exist to help keep those who can't in line. If they weren't forced to, many people wouldn't bother to get auto insurance - the law serves to protect the general public.

      History teaches us that the most effective way to get rid of unjust laws is to ignore them.

      Could you cite some examples of this? Slavery wasn't done away but just ignoring it. Prohibition wasn't done away with just by ignoring it. [In answer to your expected answer to that statement, the flouting of the law created criminal enterprizes with lasting negative effects - forcing politicians to pass the law reinstuting legal alcohol is what got rid of them.]

      Mass ignoring of laws often leads to them being left on the books, giving the powers that be the ability to selectively enforce them against enemies.

    66. Re:Old News by digitalchinky · · Score: 1

      Oh, I am stupid. Not the normal stupid as in idiot - but pathetically stupid - as in dumbarse.

      I'm slinking away for a few minutes, vowing never to post to slashdot again, just until a few others post something equally misrepresentative of the original comment and 'they' forget about me :-)

    67. Re:Old News by iminplaya · · Score: 1

      Oh come on. If people stop breaking the law voluntarily, they would just have to make more laws. How else is government going to get much needed funding? How else can we keep our prisons full if everybody is obeying the law? What are you trying to do? Cause economic chaos and meyhem? This would create a depression like no other. Whole industries would go bankrupt.

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      What?
    68. Re:Old News by R.Caley · · Score: 1
      in the Diamond and IIRC Napster cases, there is dicta endorsing the concept of space shifting as a fair use, and certainly it's popular enough.

      Well, tax fiddling is popular, as is speeding, as is domestic violence, qthat has no direct bearing (of course, it can influence politicians and so legislation).

      But yes, space or format shifting is the argument I would use is, as a strong supporter of copyright, someone were to call me on all the tapes and MP3s I have of music I own copies of in other formats. If it's ethical for me to run a long cable to the other room to send the music to a speaker, I can't see an argument that it is not ethical to do the same by recording a tape or MP3 and carying it to a player there.

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      _O_
      .|<
      The named which can be named is not the true named
    69. Re:Old News by R.Caley · · Score: 1
      Yes, I realize the law does evolve with changing times, but that should be the exception rather than the rule.

      Why? ISTM that the law is a tool we have to delimit the power of the state. What limits we want on the state change with time, and we can't have primary legislation for every small drift in society. To sticke to copyright, there was a time when copying and using a work were essentially separaate, one could argue that the sound comeing out of a gramophone was a copy of the marks on the disk, but only a philosopher would do so. Now we have technologies where making a copy is integral to using the work -- eg a DVD player will have a buffer used in decoding. The law has to be reinterpreted to make the distinction between copying for use and copying for geting an extra copy.

      Now suddenly someone jumps up and says they want to "rent" music and that is all it takes to magically turns what *was* fair use into copyright infringment?

      That is for the court to decide in the short term and the legislators in the medium term. The fundamental established rule of thumb for fair use, I believe, is that it does not harm the copyright owners normal execution of their rights. What those normal rights are is clearly a matter of social and technological context. Sale of videoes did not exist at one point, and most TV was live. and so someone with one of the ancient video recording machines could have argued sanely that there was no conflict between their making a copy, or even giving copies to others, qand the copyright owners excercising their rights. Suddently Videoes are everywhere and TV programmes are things which can be repeated, and there clearly is a conflict.

      A related example of the problems caused by lack of flexability comes from contract law -- where there is little or no flexability for the court to take changes in the world into account. The BBC has rights to lots of programming which they can not use, because the contracts, stupidly in retrospect, but understandably in context, contain rather too specific an idea of what a repeat broadcast is. They have to contact everyone involved to get permission to, say, broadcast over the web, and that can be a hell of a lot of people.

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      _O_
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      The named which can be named is not the true named
    70. Re:Old News by utexaspunk · · Score: 1

      Who says I have to earn the right to listen to their music? Who says it's even work for them to make it? The recorded works certainly aren't work for them after the initial recording session. Who says they deserve to be continually paid for something they did once? Anyway, I go to concerts all the time of bands that I came to like after listening to their which music I downloaded for free. I pay to get into those concerts. That's what I do for them.

    71. Re:Old News by utexaspunk · · Score: 1

      If you recall, there was a time when video didn't exist. Movie studios didn't have any reason to believe that they would continue to profit off of a movie after its initial run in theaters, with the exception of perhaps the late-night showing on TV. And yet they continued to make the movies then. I suspect they would still make them now...

      As far as the GNU GPL goes, we only think we rely on it. So far, there haven't been any court cases to enforce it, and yet somehow things work out. Are we to assume that it's the dubious threat of legal action because of the GPL that prevents the source from being locked up?

    72. Re:Old News by Anonymous Coward · · Score: 0

      I can run 15 concurrent winamp playlists on my PC. So that's less than 2 weeks for 100 THOUSAND songs, just enough to fit inside the free trial.

    73. Re:Old News by Alsee · · Score: 1

      The law has to be reinterpreted to make the distinction between copying for use and copying for geting an extra copy.

      And the law HAS made that distinction. That is why section 117 exists. Copying for use is NOT intended to be considered the creation of an additional copy under copyright law purposes.

      fair use, I believe, is that it does not harm the copyright owners normal execution of their rights. What those normal rights are is clearly a matter of social and technological context.

      Copyright is a limited monopoly to market that work to the public. Once the copyright holder chooses to authorize the creation of a copy for that customer, authorizes distribution, or authorizes public display, then they have exhausted their rights. This is why used book stores are not infringment. They sold their copy and exhausted their rights in that copy. Once they have excercized their rights to authorize a TV broadcast, the private use (and recording) of that broadcast is not an infringment of their rights. The fact that a used bookstore or VCR recording might displace a future additional sale does not change the fact that they already used their rights and presumably made their profit in the process. The fact that someone privately tapes music off the radio does not change the fact that they used their rights and choose to provide that work to the public. The fact that someone makes private copies and usage of this "music rental service" does not change the fact that they used their rights and choose to provide that music to the customer. They presumably made their profit in excercizing those rights. And once they do so, well, how much money they chose to charge and what profits they may or may not make in the future is their business. Once they choose to excercize their rights it is not the law's concern to ensure they continue to make additional profits. If it were then used bookstores would be illegal. Used CD stores would be illegal.

      -

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      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  7. Sounds like it's time for the RIAA... by spezz · · Score: 2, Funny

    ...to close the barn door

    1. Re:Sounds like it's time for the RIAA... by A+Drake+Man · · Score: 2, Interesting
      Napster beat 'em to it. They now limit the number of downloads using the Free 14 day offer to 11 megs... Right below the "Download Napster" button ;)

      So it appears that they are at least a MITE worried about the old "non-profit" days of Napster coming back...only with a MUCH better search engine, and all with the SAME quality!

    2. Re:Sounds like it's time for the RIAA... by Anonymous Coward · · Score: 1, Funny

      First the RIAA has to find the barn or learn what a barn looks like......

    3. Re:Sounds like it's time for the RIAA... by RLiegh · · Score: 1

      So 11 megs is what? two songs? I guess that means this isn't worth fucking with, then.

      oh well, back to kazaa I guess.

  8. Free? by danormsby · · Score: 4, Funny

    I thought all music downloaded from the internet was free?

    --
    Omnis amans amens
    1. Re:Free? by Anonymous Coward · · Score: 0

      No!

      All music downloaded from the Internet is THEFT! And you will go to HELL for it!!!

      muhahahahahahahahaha

    2. Re:Free? by Pharmboy · · Score: 1

      I thought all music downloaded from the internet was free?

      I don't see this as "Flamebait", I see it as a defense, although the RIAA and the judge might not see it that way. (ok, maybe is was a Troll with slightly Funny overtones...)

      While "Ignorance of the Law is No Excuse" it can still make the difference in sentencing if you can sell it to the judge. Frankly, I haven't heard that much new music I would care to pay for OR download for free recently. Maybe its because I'm getting older, but all the new music kinda sounds alike to me.

      Except Gretchen Wilson, which was my sole new music purchase of 2004. Pretty bad when the majority of new music isn't even worth stealing.

      --
      Tequila: It's not just for breakfast anymore!
    3. Re:Free? by GORDYmac · · Score: 1

      iTunes is not free.

      Furthermore, before one can strip the FairPlay DRM, they have to 1. buy the song, and 2. be authorized to play the song on the computer stripping the DRM.

      This is quite different from Napster, which allows an entire song to be played unchecked. iTunes will only play 30 seconds before purchasing.

      So, while FairPlay can be stripped, a few steps have to be taken before it happens--and Apple gets their money.

    4. Re:Free? by Anonymous Coward · · Score: 0

      I just met a guy that was under the impression that LimeWire was an annual service where he paid $30 to have access to free music collections. Believe it or not, there ARE people out there that believe that these P2P things are services, and there ARE companies out there perfectly willing to exploit their ignorance for a quick buck.

  9. So What, all they are doing is re-recording it. by Anonymous Coward · · Score: 0

    Any protected media could be duped using that method.

  10. Uhhuh, and? by Anonymous Coward · · Score: 0

    Why is this news? Nothing hard about doing this. It's not like they broke the encryption.

  11. Just wondering by Anonymous Coward · · Score: 0

    Haven't you been able to do this for a while?

  12. Article Text by Anonymous Coward · · Score: 0

    Users bypass copy protection on portable Napster
    16 February 2005

    LOS ANGELES: Users have found a way to skirt copy protection on Napster Inc's portable music subscription service just days after its high-profile launch, potentially letting them make CDs with hundreds of thousands of songs for free.

    Such users are already providing instructions to other would-be song burners through technology websites like BoingBoing.

    Napster is currently offering a free trial of its new Napster To Go service, which will enable users for a monthly $US15 ($NZ21.21) fee to download as much music as they want and transfer it to a portable device. They can also pay 99 cents for each track they want to burn to a CD.

    That "rental" model for digital entertainment, backed by giant software concern Microsoft Corp and others, is getting its most serious mass-market tryout yet with Napster to Go.

    But, according to various websites, thwarting the intellectual property protections of the service is as easy as a free software patch.

    Engadget.com said by installing the digital music programme Winamp and then adding a secondary programme to Winamp called Output Stacker, users could convert the digitally protected files from one format to another that can then be burned, unencumbered, onto CDs.

    "We're not going to advise you to do anything untoward, but apparently if you install Winamp along with the Output Stacker plug-in you can convert those protected WMA files to WAV files and then burn them to CD without paying a penny. Or at least an extra penny," Engadget.com said in an item on its site.

    A spokeswoman for Napster said that such endeavours were nothing new and the company was not too concerned.

    "The DRM (digital rights management) is intact. Basically, people are just recording off a sound card. This is nothing new and people could do this with any legitimate service if they want to use a sound card," she said.

    "This kind of attack has been around for a long time and it's just because of our higher profile that it has sparked such interest," she said.

    She said the company had no record of who was doing the illicit recording.

    "The bottom line is that people are always going to find a way to get around the system, although we give people a way to enjoy music while respecting artists' rights," she said.

    The "new" Napster has positioned itself as the chief competitor to Apple Computer Inc.'s iTunes service, which dominates the digital download market.

    The original Napster was a free-for-all that let millions of users download and share songs for free - before the music industry forced it into bankruptcy with successful legal challenges.

    American Technology Research analyst PJ McNealy said that no matter how protected a music file is, you can capture the output and save it on the hard drive.

    "Now, portable subscriptions are a bigger bullseye or goal for people," he said, and added: "Who reads TFA anyway?"

    Napster unveiled the portable subscription earlier this month, backed by a $US30 million ad campaign attacking rival Apple's iTunes service and its ubiquitous iPod digital music player.

    Until recently, music subscription services have been somewhat restricted in their ability to transfer songs they provide to portable players, while Apple has sold millions of portable iPods by allowing users to buy songs from iTunes and store them on iPods.

    But Napster uses a new digital rights management software from Microsoft called Janus to enable the portable transfers.

  13. Aw Crap by Sentry21 · · Score: 5, Informative

    The jig is up. I was hoping I'd finish my 14-day trial before anyone found out about this. Oh well, I got 8 gigs already, and I can get more today.

    I use a program called tunebite that plays the files back and records them to MP3, as well as copying over album/artist metadata from the tags.

    Hopefully I can get everything copied before they fix it (if they ever can fix it).

    1. Re:Aw Crap by thenextpresident · · Score: 1

      My thoughts exactly. I was so happy about finding this, and then yesterday evening, I started reading about Napster being broken, and all I could think of was "Great! Now the world knows."

      And yes, tunebite is really nice.

      --
      Jason Lotito
    2. Re:Aw Crap by KiloByte · · Score: 4, Interesting
      The trick is, they can't fix that.

      Possible workarounds for them:

      subverting the system (MS can do that) to allow locking the soundcard We can simply code a virtual soundcard driver. restricting Janus to work only if your soundcard has a driver signed by Microsoft's key (at the cost of breaking it for many people) We can use cards with extended functions. blocking all cards with such "extended functions" when Janus is in use At the cost of some quality, we can use the analog route, by simply plugging the card's speaker output into some other device.
      --
      The creatures outside looked from Alt-Right to Antifa; but already it was impossible to say which was which.
    3. Re:Aw Crap by Anonymous Coward · · Score: 1, Funny

      You only got 8 gigs in 14 days??

      I'm gonna have to ask you for your badge and keyboard. You're suspended!

    4. Re:Aw Crap by Anonymous Coward · · Score: 0

      give him a break. the program only allows recording at the rate the songs are played back. lets see, at 1meg/min...

    5. Re:Aw Crap by Anonymous Coward · · Score: 0

      Ah, yes. Pay for a program that requires Open Source software to be functional, but is not Open Source itself, to record music you don't want to pay for.

      Way to go.

    6. Re:Aw Crap by Anonymous Coward · · Score: 0

      You have a low Slashdot ID. Where were you in the 1997-2001 "golden age"? Why don't you have all these songs already, slacker?

    7. Re:Aw Crap by illumin8 · · Score: 1

      The jig is up. I was hoping I'd finish my 14-day trial before anyone found out about this. Oh well, I got 8 gigs already, and I can get more today.

      I use a program called tunebite that plays the files back and records them to MP3, as well as copying over album/artist metadata from the tags.


      Good luck... I hope you can listen to all 8 gigs during your 14 day trial period... Don't you have to wait while the music data is recorded in real-time? It would be nice if they could convert it faster than 1:1. 70-80 minutes per CD could take longer than your trial period.

      --
      "When the president does it, that means it's not illegal." - Richard M. Nixon
    8. Re:Aw Crap by JeffTL · · Score: 1

      The other alternative is for Napster to go out of business. This subverts their business model entirely -- people only need to pay once, or take a free trial, and get everything they want. They can't be successful with the Apple-style a la carte model because they don't sell hardware for most of their money; music sales is now Napster's only revenue stream (with the sale of the old Roxio software to Sonic) and the thin margins off 99c (standard price) were set by Apple for convenience to customers in order to increase interest in Macs and iPods, not to be the cash crop of a whole corporation.

    9. Re:Aw Crap by Anonymous Coward · · Score: 0

      ...14 days of downloading should net him approximately 20 gigs.

    10. Re:Aw Crap by Sentry21 · · Score: 1

      Well, 12 days comes to 17280 minutes, or assuming 4 minutes per song, that's 4300 tunes. Not bad. And that assumes I only have one machine doing it - the Napster license lets you have music on three machines at once, for a total of 12000 songs in 12 days, or a thousand songs per day.

      Nice.

    11. Re:Aw Crap by no_opinion · · Score: 0, Flamebait

      What you are doing is unethical. So how do you rationalize this? It's clearly a violation of their agreement and you are not only cheating them, you are cheating artists too. Your desire to get an artist's content for free does not trump their desire to get paid. If I decide that I want to sell a song that I've written, you have no right to take it from me without compensation. The 14 day trial is so that you can try out the system, not so you can take artists' hard work for free. As someone who makes a living from music, I urge you to think twice about doing this. If you really want our music, pay for it. If you don't want to pay what we're asking (or what our representatives, the labels, are asking) then don't buy it and don't steal it either.

    12. Re:Aw Crap by Anonymous Coward · · Score: 0

      LOL, you cheap fucking bastard. Nice that you posted using a username - will make it so much easier for the FBI to track you down (and they will).

    13. Re:Aw Crap by Ahnteis · · Score: 1

      The other solutions:
      >> Any one of the online illegal (depending on where you live) download sites.

      >> Borrowing CDs from friends, neighbors, libraries, etc.

      >> Buying CDs and returning them after ripping.

      Unfortunately, it appears that stupidity is the driving force behind music industry "solutions" these days.

      Make it easy *enough* and cheap *enough* to get music from retailers and you will get almost all current pirates to buy.

      Limit what they can do with the files, insist on huge profit margins, etc and they'll simply find a way to leave you completely out of the picture.

  14. Oh dear by Ckwop · · Score: 5, Insightful

    "The DRM (digital rights management) is intact. Basically, people are just recording off a sound card. This is nothing new and people could do this with any legitimate service if they want to use a sound card," she said.

    "This kind of attack has been around for a long time and it's just because of our higher profile that it has sparked such interest," she said.

    But isn't this the point? All it takes a little software tool and suddenly everyone can do it. You can't just "ignore" attacks - because the attackers certainly wont.

    Simon.

    1. Re:Oh dear by micromoog · · Score: 1
      Not to mention this is most likely wrong . . . I haven't used this Output Stacker, but I can't imagine that it's passing through the sound card in any way. I'm guessing it just decodes the file, then records WAV audio straight to disk. If this is then burned to a CD (NOT re-encoded into MP3 or something), the resulting song will sound identical to the original from Napster.

      This is not an example of the "analog hole problem".

  15. impossible to prevent by HexRei · · Score: 1

    This kind of "cracking" is impossible to prevent, if the software runs on a standard PC. And even if that were somehow secured, the analog hole would still exist.

  16. Serves them right by solaufein · · Score: 0

    Somehow, this does not come as a big suprise to me. Either from the standpoint of their past and how little regard they most likely have for copyright, or even just from DRM in general. I personally am an iTunes user, but their DRM at least allows you to play your music without a subscription, unlike Napster (or at least that is what it looked like.)

    --
    I'm of a mind to give them a piece of my mind, but I seem to have lost my mind.
  17. All I can say is.... by BladesP9 · · Score: 0, Flamebait

    HAHAHAHAHAHAHAHAHAHAHAHAHA HOHOHOHOHOHOHOHOHOHOHOHO HEHEHEHEHEHEHEHEHEHEHEHEHEHEHEH After all the bitching they did regarding iTunes music store and things of that nature - I am glad that this happened. With any luck, the music industry will lose faith in them and they will completely fold. Even iTunes doesn't have a viable method of removing the copy protection aside from simply burning the songs to CD ... **AFTER** you've bought them I'm going to sign up for napster now to get my free songs before the get put out of business. This is wonderful news for we iPod owners.

    1. Re:All I can say is.... by astrokid · · Score: 1

      um...JHymn removes the DRM from iTunes purchased songs. JHymn Article on Slashdot
      Link to the main site

      --

      Chewie does not get a medal. Come on, George. Can a Wookie get a medal?
    2. Re:All I can say is.... by BladesP9 · · Score: 1

      Have you ever used Hymn? No? Well I have - and it doesn't do nearly what you think it does. It does NOT remove the DRM... it disables it, but all of your identification stuff is there.

      If you Hymn an iTune, it is likely to be broken again in any update to iTunes.. not only that, but iTunes is programmed to recognize Hymn-ized tunes... and won't let you re-authenticate them. As a result, you have to go BACK to a previous version of iTunes, then convert the song again before it will play. This is a major pain in the ass... A friend of mine just had to do this to about 50 of his purchased iTunes that he ran through Hymn... and vows never to ever use it again.

    3. Re:All I can say is.... by yasth · · Score: 1

      JHymn was never forced to do this (and it wasn't hard to get it not to, they provide step by step instructions) and now IIRC they will rip out everything in the next update. Hymned files can be perfectly normal unless they start storing some sort of complicated hash system.

      Even if they did the UnHymned files will play fine in anything but iTunes say WinAmp or Real or any other thing that can play aac. Since iTunes has a not so great interface for actual playing of music, it is no big loss (though the lack of iPod syncing hurts some).

      --
      I'd do something interesting, but my server can't handle a slashdotting.
    4. Re:All I can say is.... by astrokid · · Score: 1
      I'll have to read up on your second point, but here is information taken directly from the Hymn site:
      The "Big Secret" you need to know For various philosophical and quasi-legal reasons, JHymn, right "out of the box" so to speak, does not strip your Apple ID or the copyright information contained within the files from which DRM is removed. Leaving this information in your files, however, is a dead giveaway that those files once lived a life as DRM-protected files. We know after what happened when iTunes 4.6 came out that such vulnerabilities can, and probably will, be exploited.

      You have to make the decision yourself, as the user of JHymn, to remove either or both of these items by going into JHymn's Preference settings (In the JHymn menu on OS X, in the Edit menu on Windows) and telling JHymn to delete the Unwanted atoms associated with these items. Doing so looks something like this:
      --

      Chewie does not get a medal. Come on, George. Can a Wookie get a medal?
  18. Who thought, it would take Slashdot this long? by mi · · Score: 3, Informative
    to post the story?

    "Growsing about rejected submissions" my behind -- I submitted a better worded snap with more informative links two days ago...

    WinAmp has pulled the plug-in in question from their site, it seems...

    --
    In Soviet Washington the swamp drains you.
    1. Re:Who thought, it would take Slashdot this long? by pla · · Score: 2, Informative

      You can Get it here, about ten lines down, the "Output Stacker".

      Oddly, this doesn't seem to have appeared on thousands of mirrors across the web yet, so please, take pity on Marv and, if you can, mirror it and post a link here.

  19. Easily hacked by Anonymous Coward · · Score: 0

    Yea, I was reading napster was easily hacked by bypassing the serial key entry.

    Now, to make my point, this means you can create music files for free. The is not what napster intended. Hopefully they can release a new version to fix this bug.

  20. Well Duh. by Anonymous Coward · · Score: 0

    It involves a plugin for winamp that essentially just allows someone to record it off the card.

    "The DRM (digital rights management) is intact. Basically, people are just recording off a sound card. This is nothing new and people could do this with any legitimate service if they want to use a sound card"

    In short the attack that everyone has known all along was difficult, if not impossible, to stop.

    There truly is nothing to see her. Move along.

    Samurai Porn? What took them so long?

  21. It looks like by camcloud1 · · Score: 0

    someone let the cat out of the bag ;)

  22. If you don't have time to RTFA... by TuringTest · · Score: 1

    Here you have the OTS summary:

    LOS ANGELES: Users have found a way to skirt copy protection on Napster Inc's portable music subscription service just days after its high-profile launch, potentially letting them make CDs with hundreds of thousands of songs for free.

    Napster is currently offering a free trial of its new Napster To Go service, which will enable users for a monthly $US15 ($NZ21.21) fee to download as much music as they want and transfer it to a portable device.

    Engadget.com said by installing the digital music programme Winamp and then adding a secondary programme to Winamp called Output Stacker, users could convert the digitally protected files from one format to another that can then be burned, unencumbered, onto CDs.

    The original Napster was a free-for-all that let millions of users download and share songs for free - before the music industry forced it into bankruptcy with successful legal challenges.

    Napster unveiled the portable subscription earlier this month, backed by a $US30 million ad campaign attacking rival Apple's iTunes service and its ubiquitous iPod digital music player.

    Until recently, music subscription services have been somewhat restricted in their ability to transfer songs they provide to portable players, while Apple has sold millions of portable iPods by allowing users to buy songs from iTunes and store them on iPods.

    --
    Singularity: a belief in the "God" idea with the "demiurge" relation inverted.
    1. Re:If you don't have time to RTFA... by harlows_monkeys · · Score: 4, Informative
      Until recently, music subscription services have been somewhat restricted in their ability to transfer songs they provide to portable players, while Apple has sold millions of portable iPods by allowing users to buy songs from iTunes and store them on iPods

      Divide the number of songs sold on iTunes by the number of iPods sold, and it works out to only something like 5 or 10 albums per iPod. Unless people are buying much much bigger players than they need for some reason, it looks like people are mostly putting things other than iTMS music on their iPods.

    2. Re:If you don't have time to RTFA... by DGregory · · Score: 1

      THey may not be filling up the gigs and gigs of space on their Ipod. Or they may be ripping their own mp3's from their own CDs. Last I checked most CDs still allowed you to do that (fair use, blah blah blah).

    3. Re:If you don't have time to RTFA... by jxyama · · Score: 1
      >Divide the number of songs sold on iTunes by the number of iPods sold, and it works out to only something like 5 or 10 albums per iPod.

      your point still stands but you are a little off. iTMS has sold 250 million songs. apple's Q1 financial report says they've sold 10 million iPods so far. that's 25 songs per iPod.

    4. Re:If you don't have time to RTFA... by Anonymous Coward · · Score: 0

      For an example, I've bought 431 songs from iTMS. That comes out to 2.2 GB. I have a 15 GB 3G iPod. It's full; and almost half of the stuff I bought from iTMS isn't even on it.

      I've also bought a gig or two from Audible. Only 100 MB of that is on the iPod.

      I still buy CDs. I have about 350. They're all in iTunes, but they aren't all on the iPod.

      I probably downloaded about 100 songs on the old Napster - all of them things that weren't available anymore or were never released. I deleted all but 40 of them. (The sound quality was almost always horrible - the average Napster account was full of 96 kbps cr4p).

      So most of my iPod music is from my own CDs.

    5. Re:If you don't have time to RTFA... by Anonymous Coward · · Score: 0

      I put data on my iPod. Word documents, photos, programs, etc.

      And, like many iTunes Music Store users, I also own physical CDs which I convert to MP3 and store on my iPod.

      I also own more than one iPod. They do have a whole product line which addresses different needs at different times.

    6. Re:If you don't have time to RTFA... by Anonymous Coward · · Score: 0

      Yeah, I use my iPod for backup. Only about 5 GB of my 20 GB has music on it. The rest is illegal copies of sofware. Well, I guess you're still right, because all of the music is aquired from friends. So I suppose that I should keep my iPod from falling into enemy's hands.

    7. Re:If you don't have time to RTFA... by Have+Blue · · Score: 1

      You do not need to own an iPod to use the ITMS. I don't think Apple has said how many active users there are, but I'm sure it's significantly larger than the number of iPod owners (therefore, the average songs per ipod increases).

    8. Re:If you don't have time to RTFA... by jonhuang · · Score: 1
      You do not need to own an iPod to use the ITMS. I don't think Apple has said how many active users there are, but I'm sure it's significantly larger than the number of iPod owners (therefore, the average songs per ipod increases).

      No. The average songs per ipod decrease. Think about it--

      songs per ipod = (ipod users using iTMS - ipod users NOT using iTMS - iTMS users not owning ipods)/total songs sold.

    9. Re:If you don't have time to RTFA... by Darthmalt · · Score: 1

      You mean decrease. I dont have an iPod (wish i did though) but I use iTMNS because it's great if you just need that one song for a project you can d/l it quickly and cheaply

    10. Re:If you don't have time to RTFA... by Duc+de+Montebello · · Score: 1

      You can buy iPods in Australia but you do not have access to iTMS...

      --
      "If we hit that bullseye, the rest of the dominoes should fall like a house of cards. Checkmate." - Zapp Brannigan
  23. That Napster business plan in full by Deep+Fried+Geekboy · · Score: 4, Funny

    1. Launch DRM'd subscription-based music service. Nobody joins it but RIAA backs your model and you get lots of good music.
    2. Wait for DRM to be cracked, in, ooh, three or four days.
    3. Your subscriptions suddenly rocket
    4. PROFIT!

    --

    I'm not wrong. You haven't thought about it hard enough.

    1. Re:That Napster business plan in full by Anonymous Coward · · Score: 0

      You forgot:

      2.5. Post an announcement about the crack on the front page of your website.

    2. Re:That Napster business plan in full by PReDiToR · · Score: 1

      Ssssshhh

      You don't want the RIAA to know this, do you?

      This was Napster's way of showing their arse to the RIAA by doing exactly what the RIAA asked of them and still giving away free music.

      --

      Do not meddle in the affairs of geeks for they are subtle and quick to anger
    3. Re:That Napster business plan in full by iainl · · Score: 1

      The best bit is that it's only by letting someone crack the DRM that you can convert the files to any of the formats that play on the world's most popular range of portable players anyway.

      Until then, the ability to put these DRM'd tracks on a tiny, tiny minority of players that understand and support that encryption isn't terribly useful...

      --
      "I Know You Are But What Am I?"
  24. That's not a crack by harlows_monkeys · · Score: 3, Insightful

    Sticking something on the output of the media player that saves a copy of the bits is not a crack.

    1. Re:That's not a crack by Anonymous Coward · · Score: 0

      nah dude itz true tha napsta has been h4x0r3d quick post it on slashdot

    2. Re:That's not a crack by sdMMk · · Score: 2, Insightful
      Damn right. This is the degree of technology that makes the slashdot front page now - it's like some MSN channel.

      NOT flamebait but FACT.

  25. Hardly hacking by Anonymous Coward · · Score: 0

    Does recording off the soundcard really count as hacking? If they could do it without having to play back the files, i.e. in an hour instead of the full two weeks, that would be more of an achievement.

  26. Janus by penfold69 · · Score: 1

    But Napster uses a new digital rights management software from Microsoft called Janus to enable the portable transfers.


    Janus, the god of Beginnings....

    http://www.meridiangraphics.net/janus.htm

    Or otherwise known as the god of two faces. How appropriate for Microsoft.
    --
    Beer Coat: The invisible but warm coat worn when walking home after a booze cruise at 3 in the morning.
    1. Re:Janus by grahamdrew · · Score: 1

      I'm also remembering a made for TV movie based on Tom Clancy's NetForce (of the same name) in which a very Bill Gates-esk figure attempts to gain control of the Internet by mallicious code in his next-gen product, Janus.

      Given the circumstances, I think we can say that Janus IS mallicious code. Life imitates art...
      Andrew Beard

      --
      // Dumps core here
  27. Typical Slashdot by Anonymous Coward · · Score: 0

    Always a bit behind on "breaking news". Didn't this happen about a month ago?

  28. Are we not just talking about the analog hole by cmiller173 · · Score: 3, Insightful

    Isn't this just a plugin to WinAmp the grabs the output stream from napsters software going to the sound card and "records" it? As far as I can tell you would still have to manually name/tag the files unless your happy with generic names. Also, a five minute song will take five minutes to capture. OPh and it captures as an uncompressed wav so you would need to convert it to your prefered format.

    1. Re:Are we not just talking about the analog hole by natemc · · Score: 4, Informative

      get the LAME output plug in, it will create and tag an mp3 for you

    2. Re:Are we not just talking about the analog hole by Anonymous Coward · · Score: 0

      surely it would be trivial to make the plugin play the song as fast as it can process and record it?

    3. Re:Are we not just talking about the analog hole by Walkiry · · Score: 1

      I don't think it's a 1:1 ratio for the time it takes. Last time I tried dumping an MP3 into a WAV with Winamp (quite some time ago) it took mere seconds to decode and save the WAV.

      --
      ---- Take the Space Quiz!
    4. Re:Are we not just talking about the analog hole by Anonymous Coward · · Score: 0

      You're talking about merely converting an mp3 into a WAV. This "crack" is not doing that. This "crack" is capturing the unencrypted audio signal as the DRM'ed music is played, and records that into a WAV file. So it's real time recording that we're talking about. Basically the old line-out line-in trick without the wire.

  29. Between this news and their superbowl add... by Anonymous Coward · · Score: 0

    I think Napster will finally be ok....

    Samurai Porn? Better than falling in a pit.

  30. I wouldn't say cracked by Daath · · Score: 4, Informative

    It's not actually been cracked - They can't make real digital 1:1 copies of the songs - What they do is record from the sound card. That's not so bad if you just want to burn them to CD, but if you want to re-encode from WAV to Ogg or MP3, the quality will deteriorate further...
    You can do this will *all* DRM media, nothing new here - It's only because it's Napster (woohoooo) that people think it's revolutionary. It isn't.

    --
    Any technology distinguishable from magic, is insufficiently advanced.
    1. Re:I wouldn't say cracked by arodland · · Score: 1

      Actually, it's getting grabbed shortly before it hits the soundcard, which makes it digital. But no, it's not really a "crack", and no, it's nothing all that special. What it really stems from is the fact that Winamp is an open platform, and people can write whatever plugins for it they want.

      The question, considering that Winamp is a product of AOL, is this: which will happen first?
      * Napster locks down their protected format so that Winamp can't open it (probably a short term fix)
      * AOL locks down Winamp so that you can only run "trusted" output plugins

    2. Re:I wouldn't say cracked by Kjella · · Score: 3, Insightful

      Well, depending on how you look at it. They are 1:1 digital copies of the same wav output that'd go to your speakers. If the WMA format was open, you could probably (with a lot of effort) create a "reverse engineer" encoder which would reconstruct the original compressed file, sans DRM.

      You can do this will *all* DRM media, nothing new here - It's only because it's Napster (woohoooo) that people think it's revolutionary. It isn't.

      Actually, no. The big news here is because it is a subscription service. I.e. you take a temporary copy, and make it a permanent one. It has a completely different impact on the business model than say Hymn and the iTMS.

      --
      Live today, because you never know what tomorrow brings
    3. Re:I wouldn't say cracked by Anonymous Coward · · Score: 0

      That should be "faulty business model".

    4. Re:I wouldn't say cracked by varmittang · · Score: 1

      Its more of a crack of Napster's business model, than the DRM they are using. Even if someone was to pay for the service, they could use this work around to keep the music if they wanted too. Thus, breaking Napster's model that you can't keep it once you stop. Now iTunes, you have to buy the song, which then kind of makes it pointless to crack unless you want to use it on linux or another platform that the DRM doesn't work yet. So for the price just under 2 CDs for Napster's service, you can rip as much as you can a month. I personaly don't know 5000 songs that I would want to rip in the 14 day trial, but I do know about 400 or so that I do want, and can take the time to make into MP3s so I can keep them. And not pay.

      --
      -----BEGIN PGP SIGNATURE-----
      12345
      -----END PGP SIGNATURE-----
    5. Re:I wouldn't say cracked by Anonymous Coward · · Score: 1, Insightful

      What with these people talking about the quality deteriorating when converting to OGG or MP3. I say who cares, I can barley hear the idfference now and anyone who can I applaud you. This may be significant for measuring the quality of the hack performed to get the audio in a non-DRM format, but it fails in all tests if your going to argue about sound quality.

    6. Re:I wouldn't say cracked by drew · · Score: 1

      It's still not news. I know people who have been doing the same thing with Rhapsody for over a year. But Napster has been getting a lot more media attention than Rhapsody ever did.

      --
      If I don't put anything here, will anyone recognize me anymore?
    7. Re:I wouldn't say cracked by cmd · · Score: 1

      What is "woohoooo" is that Napster is allowing a 14 day free-for-all download. One can grab as much content as fast as he can, cancel the Napster subscription before the trial period expires, then wait for a decrypter to show up later. Meanwhile, slightly degraded audio is better than nothing.

      Napster 2.0's business model seems about as robust as Napster 1.0. Although I can't imagine Napster losing any sleep over this.

    8. Re:I wouldn't say cracked by Daath · · Score: 1

      I agree with you. I doubt that 99% of people can tell the difference between the original and the "deteriorated" copy - But I guess it's a "purist" view ;)

      --
      Any technology distinguishable from magic, is insufficiently advanced.
  31. Isn't that ironic? by Anonymous Coward · · Score: 0, Troll

    Actually no, it isn't. Hypocritical, cynical, coincidental, more likely. But still I find it amusing that crackers get cracked, pirates get pirated, violators get violated. Can they see how we, musicians, feel now? Or would they rather say: Oh, we got cracked, but that's OK because the information wants to be free? I doubt it. I hope they can feel what I felt when I had to quit playing guitar and start working in accounting because we couldn't sell our albums. The funny thing is that we haven't been playing and recording anything since 1999 but the old songs from the albums that we couldn't sell are still on P2P. The sad thing is that there will be no more songs for us, so I hope you enjoy listening to the old ones. This is the real world folks. You decided that you don't want new music from us and we will respect your choice, working in banks, driving delivery trucks and flipping freaking hamburgers. This is your choice. In capitalism you vote with your wallet.

    1. Re:Isn't that ironic? by Anonymous Coward · · Score: 0

      I hope they can feel what I felt when I had to quit playing guitar and start working in accounting because we couldn't sell our albums

      I know dozens and dozens of serious musicians with good, locally popular bands who play gigs at _least_ monthly, some twice a week. I don't know a SINGLE ONE who doesn't have a day job.

      Fuck you, you stupid, arrogant lazy cunt. Having to work a job is NORMAL. Grow up.

    2. Re:Isn't that ironic? by Anonymous Coward · · Score: 0

      Bands don't die because of p2p, they die because they suck.

      Well, either that or drug overdoses. You know how it is.

    3. Re:Isn't that ironic? by jupiter909 · · Score: 1

      Ok here is the low down.

      Piracy does not really stop bands from making it. GOOD bands make their money from gigs and tours. Prince/Metallica/Madonna/Linkin Park/ etc etc etc, make MOST their money from tours.

      Starting bands have their members in DAY jobs and gigging at night and weekends.

      I think you're just really confused about life. To make it you NEED make things work, you can't blame outside factors like the weather and piracy.

    4. Re:Isn't that ironic? by InfallibleLies · · Score: 1
      How do you expect bands to tour without any income? The first time you tour, no one knows you--you just jump on shows with local known bands and try to impress the people there. You need to sell CDs at these shows so people will remember you the next time around. You also need money to fill up your 1989 GMC Vandura that gets 1.4 miles to the gallon and fill your stomachs with Extra Value Meals.

      Way to compare Prince and Metallica with local bands who need to work as Sandwich Artists for eight years to afford a decent guitar.

    5. Re:Isn't that ironic? by Bequita · · Score: 1

      " How do you expect bands to tour without any income?"

      Members of most local bands have day jobs. They, therefore, have SOME income. They also work local gigs, which one would presume are paid, producing more income. My husband actually works with a gentleman from a local band, but evening shifts have thus far prevented us from going to see them play.

      --
      Yes, there are women on Slashdot. Deal with it.
  32. Impact? by tuomasr · · Score: 4, Insightful

    So what's the point? The main thing of Napster is that you can legally download songs off the internet. Circumventing copyright protection schemes is illegal, at least here in Finland. So why not download the songs illegally in the first place? Of course there's the RIAA-factor but if you don't share, is there a problem as getting caught propably isn't that likely.

    1. Re:Impact? by ScarabDrac · · Score: 1

      I have found that the wma's I downloaded from Napster are usually of a much better sound quality than the average mp3 you can find on a p2p network. Also, I hate it when files are recorded with different volume levels, a problem that I have faced several times. So yeah, I would say that there are a couple advantages to using napster over p2p. Besides, I would guess this route is safer. Since there is no illegal network traffic at all and I very much doubt that any wave-out-capture application sends info on the files it is decoding, it would be very hard to get caught doing this unless your system gets confiscated or something of the like.

    2. Re:Impact? by Orodreth · · Score: 1

      Because when you download the latest Britney Spears song from Napster, you can pretty much be assured that your ears won't be assaulted with the sound of a thousand bullfrogs being tortured.

    3. Re:Impact? by LSD-OBS · · Score: 1

      I hate it when files are recorded with different volume levels

      You should try this, a nice, free mp3 volume level normalizer which doesn't re-encode the mp3 in any way. Only limitation is the normalization is done on a ~1.5dB discrete granularity (which in practice is completely acceptible).

      --
      Today's weirdness is tomorrow's reason why. -- Hunter S. Thompson
    4. Re:Impact? by Spad · · Score: 1

      That would depend entirely on your opinion of Britney

    5. Re:Impact? by geoffspear · · Score: 1
      One would assume that it's easier to find high quality recordings on Napster, and that you could download them faster than you can off a P2P network. Plus, there's always a small chance that RIAA or some government will decide to go after big downloaders (a very small chance, granted, since it's harder to make a case against a downloader than someone sharing lots of copyrighted works with lots of people), while there's pretty much no chance of them finding out who exactly is removing the DRM from Napster files to keep them for themselves. They could look at people who sign up for a month, download a ton of music, and then cancel their subscription, but it seems to me that it would be hard to establish probable cause; at least some people legally using the service would want to get the maximum value for their $20 by listening to as much music as they can for a month, then decide it's not worth it to keep paying.

      Claims that RIAA treats their "customers" as criminals when they sue people for trading music they didn't actually buy are kind of foolish. The people they're suing aren't customers. But to even find out which customers were breaking the law with Napster, though, they really would have to treat their actual customers as criminals, and who the hell would want to pay $20/month for music if they knew they'd get slapped with a subpoena and accused of being a pirate if they ever stopped paying?

      --
      Don't blame me; I'm never given mod points.
    6. Re:Impact? by Gubbe · · Score: 1

      "Circumventing copyright protection schemes is illegal, at least here in Finland."

      Would you be so kind as to refer to the actual legislation that says so? To my understanding EFFI has been quite successful in stopping such a law from passing up here so far.

    7. Re:Impact? by _Sprocket_ · · Score: 1
      Claims that RIAA treats their "customers" as criminals when they sue people for trading music they didn't actually buy are kind of foolish. The people they're suing aren't customers.

      You're making the assumption that those being sued by the RIAA have never purchased (and will never again purchase) from RIAA's member labels. Very unlikely.
    8. Re:Impact? by joNDoty · · Score: 2, Interesting

      I'd say the biggest issue, and one that not many people are focusing on, is that once you unsubscribe from Napster, the music is no longer yours. I didn't realize this at first. I saw their superbowl commercial where the napster dude held up that sign and made it seem very much like napster's downloads give you the same rights as iTunes' downloads. They don't! If you ever end your subscription, you don't have the right to listen to those thousands of songs on your HD anymore. I think this hack appeals to the users that realize this after they've already subscribed.

    9. Re:Impact? by Anonymous Coward · · Score: 0

      somebody mod this up!

    10. Re:Impact? by tuomasr · · Score: 1

      Aww, crap, my bad. The legistlation was never indeed passed. And I'm really hoping that nothing of the like will ever be passed.

  33. Are There Actual Napster Subscribers? by Anonymous Coward · · Score: 2, Insightful

    I've never heard of anyone actually using Napster.

    Do such people really exist?

    1. Re:Are There Actual Napster Subscribers? by colin8651 · · Score: 1

      I use napster........ And bring all my stolen songs into iTunes, Remind me to cancel my account in 10 days.

    2. Re:Are There Actual Napster Subscribers? by ScarabDrac · · Score: 1

      I use Napster, and as far as I can tell I believe that I exist (though I have been wrong before...). It's actually not that bad of a service, save for the annoying limitations they put on the files. You cannot burn a song to a cd or transfer it to your average mp3 player (though I think there are now some Napster frendly ones). I believe that overall though, it is better than iTunes simply because you pay a flat fee per month to get access to all the songs you want instead of paying per song.

    3. Re:Are There Actual Napster Subscribers? by NeoSkandranon · · Score: 1

      Sure, all those people who didn't want to fill their iPod for $10,000 ;)

      --
      If you can't see the value in jet powered ants you should turn in your nerd card. - Dunbal (464142)
    4. Re:Are There Actual Napster Subscribers? by Sentry21 · · Score: 1

      With a 14-day free trial, assuming a 1:1 song length to encoding time ratio, I can copy 20160 minutes of songs, or a little over 5000 tracks at an average of 4 minutes per track - and I can download a LOT faster than I can play, so I can take advantage of the fact that you can put it on three machines and kick that up to 15,000 tracks in 14 days for free.

      So yeah, those people do exist, and they're going to have huge music libraries by the end of the month.

    5. Re:Are There Actual Napster Subscribers? by Anonymous Coward · · Score: 0

      Here's a brilliant idea: buy a CD, rip it at whatever bitrate you want with iTunes (or if you wish to defile yourself, Windows Media Player) in AAC, MP3, Apple Lossless, or AIFF and then use it on the best, most poular, most user-friendly music player around: the iPod. or burn them to CDs, or do whatever you feel like with them because there are no DRM restrictions. Or even cheaper, go to the local library, which of course has CDs, which you can rip in WAV format, and, since WAV is raw recording, you can then encode it from that to whatever format you like, and as long as media players don't require all music to be DRM'ed, it'll work extraordinarily well.

  34. Well, its come full circle. by GatesGhost · · Score: 4, Funny

    napster just keeps finding a way to provide free music. lol. talk about irony.

    1. Re:Well, its come full circle. by kpwoodr · · Score: 1

      Maybe now we can get some free adware to go with our P2P clients!

      --
      This sig has been removed pending an investigation.
    2. Re:Well, its come full circle. by Anonymous Coward · · Score: 0

      that is nowhere near ironic.

  35. Broadcast flag has been cracked by RandoX · · Score: 5, Funny

    Apparently, users have been sitting in front of their TV with a camcorder...

    1. Re:Broadcast flag has been cracked by saskboy · · Score: 1

      Don't laugh. One day they will incorporate a flag into the actual visual video of the broadcast, so that DRM'ed camcorders will black out the picture when it encounters a flag, much as photocopiers are designed these days to print a black sheet when you photocopy flagged currency.

      --
      Saskboy's blog is good. 9 out of 10 dentists agree.
  36. marketing in desguise by distantbody · · Score: 1

    i think MS is just kicking up a stink because they havent yet got thier media distribution service up (trust me, there thinking about it. napster were probably aware of this 'flaw' but decided that it would actually make the service more appealing. what really gets me into a cold, exited yet scared sweat, is the thought that "Fritz" DRM hardware may actually become a reality...i can sense the revolt already

    1. Re:marketing in desguise by Mishura · · Score: 1

      DRM Hardware? No problem. Just don't buy it! Do you really need the latest l33t 4ud1gy card (one with DRM sensors in the line-out, or no line-out)?

      Plus, its a given that DRM-hardware will not perform as much as their non-DRM equivelants. (At least, how I theorize..) Let your wallet do the talking. Don't ever buy DRM-hardware, and you know that hardware manufacturers will make them. It is only a matter of time.

    2. Re:marketing in desguise by Anonymous Coward · · Score: 0

      what really gets me into a cold, exited yet scared sweat, is the thought that "Fritz" DRM hardware may actually become a reality...i can sense the revolt already

      Yeah, it's kinduw creepy, though, most people keep their soundcard for a very long time and I can't think of anyone who would buy a DRM'ed soundcard if they knew of it's limitations. I remember a year or two before the Opteron was released and there were talks about it being Palladium enabled. As a result there was a public outcry in the geek community and the general consensus was "No way I'll ever buy that". The funny thing is - when the Opteron was finally released - the DRM was mysteriosly absent and now it's one of the top selling CPU's out there. I'm not sure if we had anything to do with it but there is a possibility we were.

      Wheter we realize it or not, us geeks are often very influetial in the success of a product because Joe Sixpack has a tendency to consult us before they buy hardware. If we say "NO, don't buy that one - you won't be able to play music on it" then that's a lost sale for the hardware vendor.

      I'm not saying DRM (e.g. Palladium) is all bad, though, because it can actually be of use if properly implemented. What I am saying is that if we can't control the DRM on the hardware and tailor it to our own needs then it'll just be in the way (=no sale).

  37. It's a matter of time by ragingtory · · Score: 2, Insightful

    I see this as a matter of time. Sure - I could route the stuff through Winamp - but is that worth my $15 a month? The reason I'd pay to download music (apart from supporting artists, etc) is to save time. I could download it from Kazaa - but with all the polluted files - I'd just as soon pay my $1 a song or $15 a month or whatever and save myself the effort of sorting through the files.

    1. Re:It's a matter of time by DGregory · · Score: 1, Informative

      Except with Napster if you quit paying the $15/mo you don't get to listen to the songs you've downloaded anymore.

  38. listen up MBA know-it-alls! by 10am-bedtime · · Score: 2, Insightful

    good administration (remember the "A" in "MBA"?) requires understanding how to meld the ideal (scamming --er-- making lots of money from your suckers --er-- clients/consumers) w/ the real (in this context, the fact that digital anything is infinitely reproducible w/ infinitessimal cost).

    when you forget that and start thinking that the "M" stands for "marketing", you lose. your loss may be immediate or it may be drawn out, but in the end that is not where you want to be. sure, a few years in $lopping it up in the trough before it all goes to shit is a worthy aspiration -- if that's what you believe, fine.

    if technical people (those more rooted in reality than you) tell you it's not going to fly, do everyone a favor and listen to them. maybe you will stop being such pompous jackasses w/ a little practice.

  39. Napster v.s. iTunes by thenextpresident · · Score: 5, Funny

    Hehe
    iTunes: $0.99 per song.
    Napster: 14 day free trial: All the songs you can download and copy to MP3.

    Hrm... =)

    --
    Jason Lotito
    1. Re:Napster v.s. iTunes by Anonymous Coward · · Score: 0

      Priceless!

    2. Re:Napster v.s. iTunes by NamShubCMX · · Score: 1

      ... Another failed DRM attempt: priceless.

      --
      We've always been at war with Eurasia.
    3. Re:Napster v.s. iTunes by Anonymous Coward · · Score: 0

      If only it weren't for the DMCA, this would be "legal."

      All the free, legal music you can download in 14 days. Hmmm...

    4. Re:Napster v.s. iTunes by Anonymous Coward · · Score: 0

      bzzzt

      this is legal under the DMCA - it's a lossy conversion. the DMCA covers digital encryption schemes where the decrypted output file is the SAME as the original encrypted file

  40. Not cracked by Mr_Silver · · Score: 5, Informative
    The DRM wasn't cracked, simply the output of the file was redirected back into a WAV (or MP3) without any DRM - akin to doing a tape to tape copy.

    Napster have already responded on their site (link in top right) and basically said the same thing. They also rightly pointed out (i think, as i've not tried) that this would be a 1:1 copy, so a 60 minute album would take you the same amount of time to copy - which isn't going to be much fun to do lots of.

    Apparantly rumour has it that Steve Jobs contacted music executives, pointing them to the site and the Napster CEO countered by pointing out several sites which showed you how to do the same with iTunes files. I'm not sure how true this is.

    Interestingly enough, the Winamp plugin required to do this - Output Stacker - was pulled from the winamp site. Which I find a little odd, since there are perfectly legal uses for the plugin - so I don't understand why they're playing censorer (to be safe?)

    If anyone knows where to get it from, it would be appreciated since Googles cache shows no homepage and a Google search of the author gives only a set of links to a non-working winamp.com URL.

    --
    Avantslash - View Slashdot cleanly on your mobile phone.
    1. Re:Not cracked by thenextpresident · · Score: 1

      Just to be clear, you don't need the Winamp plugin to do this. Unless I am mistaken, Output Stacker converted to WAV which pretty much just makes a bigger file.

      There are other programs like tunebite that convert right to mp3. Sure, they cost a bit of money, but they work.

      --
      Jason Lotito
    2. Re:Not cracked by Anonymous Coward · · Score: 0

      Well, a link in a link posted in a above article (nice example of deep linking.. ) pointed to this location:
      http://marv.kordix.com/Output_Stacker.e xe

    3. Re:Not cracked by gus2000 · · Score: 1

      iTunes already lets you burn a CD of your downloaded files, so what would be the point of recording the analog output?

    4. Re:Not cracked by Anonymous Coward · · Score: 0

      Dietmar Nowack's Output Stacker is still available in the forum pages.

    5. Re:Not cracked by frenetic_wimp · · Score: 1

      >They also rightly pointed out (i think, as i've not
      >tried) that this would be a 1:1 copy, so a 60
      >minute album would take you the same amount of time
      >to copy - which isn't going to be much fun to do
      >lots of.

      Well, generally I would think that the object of downloading music in the first place is to listen to it. As listening usually has to take place in real time anyway, I don't really see the problem here. Just copy it the first (or second, if you will) time you listen to it...

      --
      get a Free BSD!
    6. Re:Not cracked by jxyama · · Score: 1
      >Apparantly rumour has it that Steve Jobs contacted music executives, pointing them to the site and the Napster CEO countered by pointing out several sites which showed you how to do the same with iTunes files. I'm not sure how true this is.

      if true, then that's a really dumb thing for the napster CEO to do. jobs has 99 cents to show for each of the songs cracked. napster can't say the same.

    7. Re:Not cracked by justforaday · · Score: 1

      The difference is that Napster makes you pay $.99 to burn a track to cd. But at the same time, they're offering a free 14-day trial of their "all you can download" (no burning) service. This method allows you to burn what you've downloaded entirely for free...

      --
      I'll turn into a supernova and burn up everything. Well I'll turn into a black little hole and you'll turn into string.
    8. Re:Not cracked by jocknerd · · Score: 1

      Thats the part of iTunes I hate. Apple lets me burn my purchased music to CD in AIFF format and without the DRM. But they don't allow me to do a mass conversion of all 300 songs I've purchased. I really like Apple products, but I'll never love them as long as they keep the leash on me.

    9. Re:Not cracked by gus2000 · · Score: 1

      I was refering to the original statement that the Napster folks are pointing out that you can do the same analog trick with iTunes. That is however a false argument since you have the ability to burn a CD in iTunes without going to that trouble (i.e. it is a bit of FUD on Napster's part).

    10. Re:Not cracked by illumin8 · · Score: 1

      Interestingly enough, the Winamp plugin required to do this - Output Stacker - was pulled from the winamp site. Which I find a little odd, since there are perfectly legal uses for the plugin - so I don't understand why they're playing censorer (to be safe?)

      I don't find it odd at all. Winamp is owned by Time Warner, so you better believe if they hear that one of their tools is being used to "pirate" music, they're going to pull it to protect their music interests. It's just common sense.

      --
      "When the president does it, that means it's not illegal." - Richard M. Nixon
    11. Re:Not cracked by gl4ss · · Score: 1

      it is a 'crack' of the digigital rights management in the system, sure you knew from day 1 they announced it that this could be done but so what, it still gets you the music in a form that you're not supposed to get, thus breaking the copy protection.

      --
      world was created 5 seconds before this post as it is.
    12. Re:Not cracked by Sentry21 · · Score: 2, Informative

      Try Virtuosa or Tunebite (which is what I use).

    13. Re:Not cracked by Anonymous Coward · · Score: 0

      a 60 minute album would take you the same amount of time to copy - which isn't going to be much fun to do lots of.

      Oh I'm sure someone will do the job if it is too much work for you. A whole new wave of high-quality rips, soon on a P2P network near you!

      Makes me wonder whether anyone has already written some script to automatically download and rip everything that premieres at Napster? Can't be too hard to do.

    14. Re:Not cracked by asmigetstrange · · Score: 1

      The Itunes DRM is much easier to crack given its network music library sharing.
      All you need is copy of a little java program called ourtunes. Ourtunes searches for Itunes shares and will copy any shared music, DRM or not. http://ourtunes.sourceforge.net/
      Enjoy...

    15. Re:Not cracked by TheSpoom · · Score: 1

      ...so a 60 minute album would take you the same amount of time to copy...

      You're wrong. The Nullsoft WAV writer writes as fast as your CPU will allow; it's not EXACTLY recording back from your soundcard.

      --
      It's better to vote for what you want and not get it than to vote for what you don't want and get it.
      - E. Debs
    16. Re:Not cracked by gcatullus · · Score: 1

      Found the plug-in here http://forums.winamp.com/showthread.php?threadid=3 5627 You can download a zip

    17. Re:Not cracked by Anonymous Coward · · Score: 0

      >Interestingly enough, the Winamp plugin required to do this - Output Stacker - was pulled from the winamp site. Which I find a little odd, since there are perfectly legal uses for the plugin - so I don't understand why they're playing censorer (to be safe?)

      One perfect exemple would be to output MOD, S3M, XM and other formats to a WAVE file (so you can encode to AAC/MP3/etc later).

      Not all the music on the planet is owned by the RIAA. And yes, some artists do make free music that you can legally copy and distribute.

      Screw you RIAA, we don't need you anymore. Let the artists be free of doing whatever the hell they want to do.

    18. Re:Not cracked by time64_t · · Score: 1

      > Interestingly enough, the Winamp plugin required to do this - Output Stacker - was pulled from the winamp site. Which I find a little odd, since there are perfectly legal uses for the plugin - so I don't understand why they're playing censorer (to be safe?)

      you might find this snippet from their whatsnew.txt interesting:

      * At Microsoft's request, we no longer allow you to use DSP plug-ins or alternate output plug-ins when playing WMA files. Apparently doing things that are transcoding (ala shoutcasting your WMA files) that Winamp, through plug-ins, is capable of doing, violates their oppressive license agreement.

      I don't think anybody here will be too surprised...

  41. Napster (and everything else). by spankers · · Score: 2, Funny

    Golly... you mean it's possible to record the output of the soundcard. Wow... everything's cracked then.. including /. editors for posting this story.

  42. Here's an idea by Laurentiu · · Score: 1

    Whatever DRM formatted song => (D/A C) => Sound (Oops!) => (A/D C) => MP3

    The obvious solution is to implant all humans at birth with a DAC able to play DRMs directly into your brain. Then the copy protection can be encoded directly in the implanted chips (/sarcasm).

    --
    Just /. IT
    1. Re:Here's an idea by Mishura · · Score: 1

      Shh!!! Don't give them any ideas!

    2. Re:Here's an idea by Anonymous Coward · · Score: 0

      The problem with that is that it takes 1:1 time to do it. Plus, everybody's recording of the file will be a little different due to noise in the alalog part, so you can't use P2P software to download from multiple people's computers at the same time because there will be 18,000 different bit-for-bit versions of the same song out there. That's a bit annoying.

      But yes, they can never completely plug that hole. Even if they put a cop chip on every A/D or D/A converter, I can build my own, or use an old sound card, or buy one from another country.

    3. Re:Here's an idea by pclminion · · Score: 1
      The obvious solution to that is to ban A/D converters for individual use. Sounds insane, right? And yet the DMCA passed.

      I bet in 10 years it'll be illegal to own a microphone -- at least, any microphone capable of producing a high-quality recording.

  43. From the summary ... by magefile · · Score: 1

    Woot! Hundreds of thousands of songs on a CD. What kind of new laser are we using - it's gotta be better than BluRay, with that kind of performance.

    1. Re:From the summary ... by Anonymous Coward · · Score: 0

      Notice the plural of "CD". Not *a* CD, but CDs.

    2. Re:From the summary ... by magefile · · Score: 1

      Right, but is that, "(make CDs) with (hundreds of thousands of songs that are free)", or is it "make (CDs with hundreds of thousands of songs) [and the making is free"? ;-)

  44. What they actually mean is... by Kjella · · Score: 5, Insightful

    ..."we're powerless to stop it".

    Don't think it isn't being worked on, just not by Napster. You can read more about Secure Audio Path here. Of course, the next step is a simple loopback-cable to another sound card (your input will be disabled while doing secure playback). The next step is to add a broadcast flag to the signal, only to have people circumvent it. Then they'll go for Secure Digital speakers. Then people will record with a high-fidelity microphone. And some time after they ban A/D converters, we will win (or the digital society we've made will collapse, whichever comes first).

    Kjella

    --
    Live today, because you never know what tomorrow brings
    1. Re:What they actually mean is... by glindsey · · Score: 2, Funny

      Of course, we all know the eventual solution to closing the "Analog Hole"... make everyone deaf. Everybody wins... until they start imposing DRM on sign language.

    2. Re:What they actually mean is... by Anonymous Coward · · Score: 0

      Just get a second (cheap) computer running Linux. No problems.

    3. Re:What they actually mean is... by SimReg · · Score: 2, Interesting

      Wouldn't this put a slight damper on the abilty for a PC to act as a recording studio? If you wanted to add a new track to a previously recorded track, you'd have to playback while using the input.

    4. Re:What they actually mean is... by Anonymous Coward · · Score: 0

      And Steverino was right when he made this points to RIAA when he negotiated iTMS rights.

      There is no DRM that prevents music being copied unless they install decrypting and Digital-to-Electrical Impulses chips in the brain and bypass the ear. And when that happens, I'd just settle with old collection of recorded music from the time gramophone was invented to the time the chips are invented. It's not like I need to hear Britney Spears anyway. I've got Led Zeppelin.

  45. Not possible according to Microsoft by Husgaard · · Score: 2, Interesting
    They have Secure Audio Path to protect against attacks like this, and give the impression that this is used with all sound drivers.

    Unfortunately after DMCA it is illegal to demonstrate that this is not the case.

    The music industry should sue Microsoft for misleading them to publish millions of songs in a basically unprotected format.

  46. Steve is such a nice guy... by magicRob · · Score: 1, Informative

    That he dropped the RIAA an email.

    At least with iTunes once you've bought a track, you've paid for it. Who really cares what you do with it after. Everyone is getting their slice of the action.

    The subscription model, once "cracked" means you can download as much as you want, remove the DRM and then download some more. All for $15/month (or whatever they're charging). The RIAA misses out on their cut... no doubt making their blood boil

    --
    Join the Digital TV discussion @ http://forums.dvbowners.com
    1. Re:Steve is such a nice guy... by LouCifer · · Score: 1, Troll

      At least with iTunes once you've bought a track, you've paid for it. Who really cares what you do with it after. Everyone is getting their slice of the action.

      Uhm, yeah. As long as you don't mind being stuck with an Apple and Sony only MP3 player.

      Then there's their little tizzy over PlayFair

      'Cause life is all about choices.

      --
      Religion is for people afraid of going to hell.
  47. what compression! by hankaholic · · Score: 0, Redundant
    Users have found a way to skirt copy protection [...] potentially letting them make CDs with hundreds of thousands of songs for free...

    Wow, I don't think I've ever fit more than around two hundred songs on a CD.

    How will skirting copy protection allow me to make CDs that hold hundreds of thousands?
    --
    Somebody get that guy an ambulance!
    1. Re:what compression! by Anonymous Coward · · Score: 0

      By making thousands of CDs with them?

      You know what an "s" means at the end of a noun, right?

    2. Re:what compression! by Kredal · · Score: 1

      Convert all your music to .mid, and you can hold tons of songs on a CD!

      --
      Whoever stated that signature sizes should be limited to one hundred and twenty characters can just go ahead and kiss my
    3. Re:what compression! by Anonymous Coward · · Score: 0

      Learn to read... "potentially letting them make CDs with hundreds of thousands of songs for free..."

      That read as "lots of CDs" to me.

  48. "For free" ? by LiquidCoooled · · Score: 1

    Ok, you can sign up for a 2 week trial.

    You can download music continuously for the entire 2 week period and convert directly to wav.

    There are 1,209,600 seconds in a 2 week period.
    Assuming roughly 4 minutes per track, gives 5040 maximum songs per free account per fortnight.

    During that time, you cannot listen to any other music, or play games (sound card needed for most..) or reboot.

    Having a faster broadband connection won't help you, because the songs have to be played at normal speed.

    How exactly does this add up to hundreds of thousands of songs for free?

    Is this the same as the MPAA/RIAA saying because your a wicked filesharer, you uploaded a song thousands of times?

    its buncum, and the people who will go to this much trouble would be better recording the radio.

    --
    liqbase :: faster than paper
    1. Re:"For free" ? by Golias · · Score: 1

      Assuming roughly 4 minutes per track, gives 5040 maximum songs per free account per fortnight.

      During that time, you cannot listen to any other music, or play games (sound card needed for most..) or reboot.

      Having a faster broadband connection won't help you, because the songs have to be played at normal speed.

      How exactly does this add up to hundreds of thousands of songs for free?


      If 100 people each download songs with no overlap, and then share their tracks on this new thing called the Internet, then everybody gets 504,000 free songs.

      Next question.

      --

      Information wants to be anthropomorphized.

    2. Re:"For free" ? by Anonymous Coward · · Score: 0

      It isn't "recording" from the sound card, it's doing it from inside winamp. That means, you can run multiple instances of winamp, and they do not interfere with each other. While each song has to be done in realtime, you can do multiple songs at the same time, and end up with way more than 5040.

    3. Re:"For free" ? by LiquidCoooled · · Score: 1

      its not that easy to coordinte 100 users, but I see your point.
      5000 songs is already lots, but certainly doesnt mean that everyone is capable of downloading hundreds of thousands of songs.

      --
      liqbase :: faster than paper
  49. And Apple... by gmajor · · Score: 3, Funny

    Steve Jobs reportedly e-mailed record company executives a link to a blog detailing the hack. He apparently wants to paint Napster as an insecure service, no different from its original form all the while portraying iTunes as secure (PlayFair anyone?)

    Ruthless business tactics IMHO, dare I say reminiscent of the Redmond giant. I wish he'd let consumers decide which service is better rather than try to sabatoge Napster with his industry connections and FUD.

    (Disclaimer: Heard this as a rumor - I wasn't exactly CCed on Steve's e-mail - but I had no reason to disbelieve the source).

    1. Re:And Apple... by Hitchcock_Blonde · · Score: 1, Informative

      But with PlayFair, the song still has to be purchased for the full 99 cents. I don't think the ability to download (and keep) thousands of songs for a mere $14.95 is what Crapster had in mind with this service.

      --
      Karma Schmarma
    2. Re:And Apple... by eboot · · Score: 4, Informative

      The difference is Napster offer 14 day trial, meaning that you an download as much as possible and rencode at the same time, meaning you can download, with a reasonable amount of effort, a thousand free songs. In iTunes you can burn 'perfect' recordings of downloaded songs without any audio 'trickery' but you still have to pay for them! So Jobs can call them out on this, but he still shouldnt. Nobody likes a snitch!

      --
      Two tears in a bucket. Motherfuck it.
    3. Re:And Apple... by loraksus · · Score: 2, Insightful

      Oh come on, even if this were true, napster came out a couple days ago and said they were going to take out Apple / iTunes.
      If you declare war, you can't really bitch that the other side just spanked you.

      --
      1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
    4. Re:And Apple... by Quiet_Desperation · · Score: 1

      Hey, Napster fired the first shot with $2.3 million dollar ads during the Superbowl. Jobs probably got as much effect with a two cent email. If I were a stockholder, I'd be pleased. :)

    5. Re:And Apple... by gmajor · · Score: 1

      Yeah, I thought about that too before the post. But Steve's e-mail just doesn't seem ethical. Advertising does, partly because it's in the public eye.

      Additionally, Steve was saying that Napster had problems that iTunes didn't have. But that same "exploit" can be done for iTunes as well!

      But alas, all is not fair is love, war, and business.

    6. Re:And Apple... by gmajor · · Score: 1

      But still, with PlayFair, the person who buys the song can create an unrestricted MP3 and ostensibly share it with the whole world - including a person like me who didn't buy the song.

    7. Re:And Apple... by gmajor · · Score: 1

      But even in war, there are implicit rules of warfare (and explicit onse, such as the Geneva Conventions). Ethics still stand in war (ideally - please nobody bitch about Abu Ghraib, Agent Orange, etc. - thanks)

      I don't think that what Steve did was ethical.

    8. Re:And Apple... by Quiet_Desperation · · Score: 1

      Mmmm... maybe not completely ethical, but it was *funny*. And that's good. :)

    9. Re:And Apple... by Anonymous Coward · · Score: 0

      But with CDs anyone with cdparanoia or certain versions of exact audio copy can create an unrestricted mp3 and share it with the whole world. Fairplay is about as hard to crack as DVD encryption, yet I don't see any movie studios going back to VHS.

    10. Re:And Apple... by Anonymous Coward · · Score: 0
      Steve Jobs reportedly e-mailed record company executives a link to a blog detailing the hack.

      Reported by whom?

      Ruthless business tactics IMHO

      An opinion based on what?

      I had no reason to disbelieve the source

      And without knowledge of your "source" or a link to some "report", I have no reason to believe you.

    11. Re:And Apple... by porcupine8 · · Score: 1

      True. But they have to pay 99 cents every time they do that. So for $15 they could only do it with 15 songs. With napster, for $15 you could potentially get a few thousand songs.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    12. Re:And Apple... by Anonymous Coward · · Score: 0

      Additionally, Steve was saying that Napster had problems that iTunes didn't have. But that same "exploit" can be done for iTunes as well!

      1. From the quote I've read, Steve didn't claim anything. He only pointed out the website.
      2. That "exploit" for iTMS is not much of a big deal since FairPlay already allows AAC to AIFF conversion. You don't even have to burn CDs for it, just use your iMovie, an app provided by Apple for free when you buy new Macs. So, you can get a WAV out of the soundcard, big deal.
      3. Steve had always maintained that all DRMs are crackable. It'd be strange, don't you think, to claim now that iTMS DRM is uncrackable.
      4. Refering to point 3, this is Steve's gloating rather than being a snitch. A case of I told you so, if you like.

    13. Re:And Apple... by Anonymous Coward · · Score: 0

      Somehow I think record execs would have heard about the Napster crack with or without an email from Steve or anyone else at Apple. It's been all over the news (Slashdot is actually kind of late to this story).

    14. Re:And Apple... by Anonymous Coward · · Score: 0

      Exactly. Especially in light of #4, I don't see how anyone can view this as "unethical".

  50. Napter CTO responds by graiz · · Score: 5, Informative

    A response from the Napster CTO taken from the homepage of Napster.com:
    ----

    It has come to our attention that there are a number of inaccurate statements posted by various sources on the Internet regarding the security of Napster and Napster To Go. As Napster's CTO, I would like to officially state that neither Napster To Go, Napster, nor Windows Media DRM have been hacked. In the interest of providing the most accurate information to consumers, the following is some background on the subject.

    There is a program that allows a user to record the playback of tracks directly from the computer's sound card. This process can be likened to the way people used to record songs from the radio onto cassette tapes, but instead of capturing the music on a tape, the file is converted into a new, unprotected digital format. This program does not break the encryption of the files, which can only be recorded one at a time making the process quite laborious. It would take 10 hours to convert 10 hours of music in this manner. It is important to note that this program is not specific to Napster; files from all legal subscription and pay-per-download services can be copied in this way.

    We hope that the information provided above clarifies the matter and puts questions regarding the security of Napster and Napster To Go to rest. Napster's mission is to provide consumers with a legal environment in which they can experience and discover the world's largest collection of digital music. We believe that artists should be compensated for their work and intellectual property rights should be respected. While we acknowledge there are always going to be those who do not share our belief, we remain committed to providing the most enjoyable and flexible digital music experience for those who do.

    1. Re:Napter CTO responds by vargasmas · · Score: 1
      Well, no kidding. If I can hear the sound, I can record the sound. I blame Microsoft for allowing Windows to have sound recording capability and Creative Labs for making sound cards that allow recording. Let's also blame the FBI for not catching the music crooks, congress for not outlawing the practice, and the Pope for not making it a Sin.

      Give me a freakin break here people. I wish techies would learn to keep their mouths shut around non-technical lawyers and others who have no clue. This reminds me of Kevin Mitnick back in the 90's. Did you know he could launch a nuclear strike by whistling in a phone? It's true! Quick! Ban phones!

    2. Re:Napter CTO responds by jaymzter · · Score: 0

      As a consumer I know that I would have trouble sleeping at night if I knew that Napster To Go, Napster, or Windows Media DRM had been hacked.

      Not

      --
      If thou see a fair woman pay court to her, for thus thou wilt obtain love
    3. Re:Napter CTO responds by Anonymous Coward · · Score: 1, Informative

      He says it would take ten hours to convert ten hours of music. Instead he should note that it would take one person ten hours to convert ten hours of music, and it would take ten people ten hours to convert 100 hours of music, and it would take 100 people ten hours to convert 1000 hours of music etc.

      Once it is converted, there is no need for another person to repeat that conversion.

    4. Re:Napter CTO responds by iONiUM · · Score: 1

      Hey, fuck you. I pay a monthly fee for shit i don't even own? Oh, i stopped paying them monthly, now where's all that music i payed for?

      Must companies and the RIAA can suck my dick. Everyone is trying to make a buck, including the artists, but the artist is the only one who actually fucking did something. If the artist puts it on the net and charges me a few cents to buy the mp3, and they're getting the profit, i have no problem in doing it.

      But for now, ill build my music collection freely thank you very much.

      Just as a side note, you seem like someone supporting the patriot act. Please, do us all a favour and just stay in the U.S. Fucker.

    5. Re:Napter CTO responds by Anonymous Coward · · Score: 0

      files from all legal subscription and pay-per-download services can be copied in this way.

      Right. Tell everyone, publicly and officially. You just forgot to put up a link to the tool, but I'm sure Google will solve that.

    6. Re:Napter CTO responds by Anonymous Coward · · Score: 0

      "THIEF!!!!!!"

      I love that game. Now, if someone would just blackjack
      some RIAA execs.

    7. Re:Napter CTO responds by Anonymous Coward · · Score: 0

      IIRC (since it's been years since I use Windows and Winamps), outputing to WAV is not a 1:1 proposition. It dumps to a WAV file as fast as your CPU and your hard disk can manage. Isn't this still the case?

    8. Re:Napter CTO responds by DiD+Roe · · Score: 0
      I'm not sure about WMA with DRM as a format but I've done quite a lot of programming with the DirectShow API and there is a way to speed playback up to whatever rate your PC can handle, the Microsoft help files even state it can be used for re-encoding files without waiting through the full length of the media.

      I find the whole concept of DRM laughable, it's like Bush declaring war on terrorists, there's no way they can win; it's totally an issue of feeling in control. The only way out of the DRM situation is to fix the causes, the opinions of the customers.

      If there was a fair and reasonably priced way to get music online then the problem would simply go away. Raising public awareness of the artists need to get paid, fair enough; reaping huge profits and wondering why people don't like you as you put the smack down on a 15yr old for wanting to see if he/she liked the latest pop drivel before spending their pocket money is a different story.

    9. Re:Napter CTO responds by AnyoneEB · · Score: 1

      Normally it does, but it sounds like you cannot directly use the included WAV output plug-in (because of the DRM), but you can use the Output Stacker program that allows you to use multiple output plug-ins, and set one of the outputs you are using to the WAV writer. I assume that this process limits you to 1x speed. Or maybe Napster is just wrong.

      --
      Centralization breaks the internet.
    10. Re:Napter CTO responds by Anonymous Coward · · Score: 0

      Yes you are limited to 1x speed, however you are allowed to have multiple instances of WinAmp open. If you mute the audio it still makes nice WAV files(or go straight to MP3 with the out_lame plugin), and so you are limited by how many wma files you can convert to MP3 at once. Which, depending upon your computer power, could be more than one. Additionally, at least with the Adelphia Music service I use (which uses the same technology and is equally vulnerable, but costs only $8/mo), you can install the license on up to 3 computers, allowing you to download and encode music using this technique at a relatively high rate.

    11. Re:Napter CTO responds by zbuffered · · Score: 1

      Fair and reasonably priced? The service is $15, how unfair is that? A lot of work goes into the 50,000 albums you have access to. This is exactly the type of service many people have been complaining didn't exist. It even works on supported MP3/WMA players! If you have one of those players, you can have more music than you could possibly listen to anywhere you go! If you want to buy music, buy it. If you want to rent it, here's your answer.
      If you're an Adelphia cable modem subscriber, they have a comparable service (with a CPU-grinding-to-a-halt IE-only interface) that costs $8/month.

      --
      Synergy is your friend
  51. So what... by Aggrazel · · Score: 1

    Anyone who steals music this way is ending up with a much less than perfect copy of the song they want. I would venture to say that this person would never have bought the CD to begin with, and probably would have gotten the song from some other means, this just makes it easier.

    It does not however invalidate Napster's Business Model, crappy though it may be.

    This is nothing new. This has been going on with "Rhapsody" and "Replay Music" for a long time now.

    1. Re:So what... by Anonymous Coward · · Score: 0
      Anyone who steals music this way...

      How the heck do you use a WinAmp plugin to steal music from a store?

      Or, is this a case of a Slashbot in serious need of a dictionary?

    2. Re:So what... by Isca · · Score: 1

      You know, I'm not entirely sure I can wave off Napster's Buisness model as "crappy".

      I mean, yeah, you can't burn and give away the music, which some here will argue makes the service crap no matter what. But, how is a 15 a month fee that much different from say, Sirius or XM? It's a reasonable, low fee that allows you to play thousands of songs AND load them on to your MP3 player to take with you (and presumably, a car stereo with the appropriate hardware to let your computer send DRM'd songs to it).

      Many people on slashdot and other discussion boards like this have been asking for reasonable pricing models like this for years. Look at it this way: for the cost of one overpriced CD you get a month of access to thousands of CD's, including the latest hits. Sure, you don't get a perm copy of it, but you ARE ONLY PAYING one CD's price.

      I for one hope that the ability to simply copy the way the article describes doesn't cause an over reaction that makesthis sort of service to go away. A cheap service like this can only put downward pressure on prices in pay-as-you-go download and store bought CD's. Slashdotters and other's who've been screaming for years about having a reasonable system/pricing structure in place should be dancing for joy that there is someone trying to do just that!

  52. Next step from RIAA by KZigurs · · Score: 1

    "Those greedy bastards users listen to our music for free even when they pay us! Outrageous! No more music for them! Shut the factories! Hide the artists. No tune should be left in their vicinity!"

  53. No, its not ironic by Anonymous Coward · · Score: 0

    "hope they can feel what I felt when I had to quit playing guitar and start working in accounting because we couldn't sell our albums"

    Dude, that doesn't make any sense.

    If you were unknown, piracy wouldn't hurt you. Why? Because no one cares enough about you to pirate your music.

    If you were known and really famous, piracy wouldn't hurt you. Why? Because you're making so much money that if you lose a few sales, it just means you have to give up a few lines at the party tonight.

    If you never made it, its probably because you guys just weren't that good. Not because of Napster or Bearshare.

    1. Re:No, its not ironic by InfallibleLies · · Score: 1

      There's quite a bit of grey area between unknown and superstar. Go tour in a band for a few years, then come back and bless our minds with your logic.

  54. Again? Damnit! by Anonymous Coward · · Score: 1, Funny

    Every time I find a way to beat the system, Slashdot comes out with "look how people are beating the system! It's easy! N00bs take notice! Foolproof step-by-step instructions!" and then everyone jumps on the bandwagon, the system gets changed, and you ruin it for me. Way to go.
    Fuckers.

  55. Sorry, not legal to abuse anywhere. by samtihen · · Score: 3, Insightful

    No, it quite certainly is still illegal to abuse. A subscription to Napster gives you the legal right to use the songs you want for as long as you pay a subscription to Napster. You are not paying for the song; you are paying for the right to RENT the song.

    http://www.napster.com/terms.html

    Even if it was illegal, dont try to pretend that it still wouldnt be IMMORAL. Does it really matter if your country doesn't have specific laws keeping you from doing this?

    Does the artist of the song get paid? No? Well, arent you kind of screwing him/her over? I think the answer is clear.

    1. Re:Sorry, not legal to abuse anywhere. by rootofevil · · Score: 1

      without taking the side of piracy, i doubt the artists are getting paid for this service either way. to the RIAA, whatever they get is probably pure profit.

      --
      turn up the jukebox and tell me a lie
    2. Re:Sorry, not legal to abuse anywhere. by zenslug · · Score: 1

      Shouldn't that be UNETHICAL instead of IMMORAL?

    3. Re:Sorry, not legal to abuse anywhere. by soupdevil · · Score: 1

      Artists don't get paid if you buy a used CD, join a CD club (Yeah, BMG, and Columbia, you bastards, I'm giving away your dirty little secret!), buy (most) compilation CDs, make a mix CD for a friend, or whistle Usher while walking down Main Street.

      There are many legitimate ways music gets played without the artist getting paid. As a musician who gets tiny royalty checks every month, I know this all too well.

    4. Re:Sorry, not legal to abuse anywhere. by Jarlsberg · · Score: 1
      Does the artist of the song get paid? No? Well, arent you kind of screwing him/her over? I think the answer is clear.
      Is the artist paid when I listen to the song on the radio? On the TV? What if I record that song to a tape, CD or VHS? Is it illegal and immoral? When, in all this, is the artist paid?

      I see your point, but it's not as black and white as you make it out to be.

  56. Skirt copy-protection ? by Anonymous Coward · · Score: 0

    Is this just me?

  57. Comment removed by account_deleted · · Score: 2, Funny

    Comment removed based on user account deletion

  58. Output Stacker plugin URL by buro9 · · Score: 4, Informative

    Output Stacker plugin has been pulled from the WinAmp site, but you can still get it in their forums.

    The details on the plugin are cached here, this is the PULLED page:
    http://64.233.183.104/search?q=cache:zsalMv FLX6QJ: www.winamp.com/plugins/details.php%3Fid%3D86033+wi namp+output+stacker+plugin&hl=en&client=firefox-a

    This thread lists where it can be found NOW:
    http://forums.winamp.com/showthread.php?thre adid=3 5627

    And this contains the plugin:
    http://forums.winamp.com/attachment.php?p ostid=159 3266

    Google is a wonderful thing when companies wish to backtrack like that.

    The plugin has tons of geniune uses... pulling it, well yeah I understand AOL/Time Warner's motives... but they're kinda dumb.

    1. Re:Output Stacker plugin URL by dr_canak · · Score: 1

      None of these URLs seem to work. Could you please re-post actual working URLs?

      thx,
      jeff

    2. Re:Output Stacker plugin URL by DiveX · · Score: 1

      Just take out the obvious space in the URL. Everything is still there. Don't fret... not a corporate shutdown.

      --
      Cave, wreck, and deep diver.
    3. Re:Output Stacker plugin URL by ultranova · · Score: 1

      I may be wrong, but by posting these links, didn't you just contribute to a circumvention of a copy protection scheme, and therefore broke the DMCA and/or INDUCE acts ?

      I'm not trying to be funny or flamebait, I'm just trying to figure out if posting links could get you in trouble.

      --

      Forget magic. Any technology distinguishable from divine power is insufficiently advanced.

    4. Re:Output Stacker plugin URL by TheGratefulNet · · Score: 1

      actually, those links really DON'T have the plugin.

      its gone ;(

      --

      --
      "It is now safe to switch off your computer."
    5. Re:Output Stacker plugin URL by Anubis350 · · Score: 1

      no, its there, just take out the space in the url (as someone mentioned above)

      --
      "goodbye and hello, as always" ~Prince Corwin, from Zelazny's Amber series
    6. Re:Output Stacker plugin URL by Anonymous Coward · · Score: 0

      Um, yes they do, I just downloaded the plugin from http://forums.winamp.com/attachment.php?postid=159 3266

    7. Re:Output Stacker plugin URL by Pig+Hogger · · Score: 1
      I may be wrong, but by posting these links, didn't you just contribute to a circumvention of a copy protection scheme, and therefore broke the DMCA and/or INDUCE acts ?

      I'm not trying to be funny or flamebait, I'm just trying to figure out if posting links could get you in trouble.

      Dunno about him, but certainly not for me!!! The DMCIA doesn't have any jurisdiction over 95% of the planet population...
    8. Re:Output Stacker plugin URL by Anonymous Coward · · Score: 0

      INDUCE isn't a law yet.

    9. Re:Output Stacker plugin URL by Lehk228 · · Score: 1

      yes they do, just take out the spaces

      --
      Snowden and Manning are heroes.
    10. Re:Output Stacker plugin URL by Anonymous Coward · · Score: 0

      ...yet!

  59. refreshing look by Dr.Opveter · · Score: 2, Insightful
    From the article
    "The bottom line is that people are always going to find a way to get around the system...

    True that. I can hear it, i can copy it. I can see it, i can copy it. It takes one person to copy it, millions can get it. Period.

    --
    Sample this!
  60. Nothing to see here by Anonymous Coward · · Score: 0

    Nothing was cracked - Nothing to See Here

  61. Hey, what do you expect... by skids · · Score: 5, Funny


    Before you criticise the craftwork, consider the medium.

    You don't expect a pile of burning tires to be stacked neatly, do you? That's about the same as expecting coherence and grammar in a slashdot post.

    1. Re:Hey, what do you expect... by Anonymous Coward · · Score: 0

      Especially a post where the author probably sprained a finger or two in his quest for frist psot.

    2. Re:Hey, what do you expect... by Anonymous Coward · · Score: 0

      Craftwerk? Napster has Craftwerk now? Dude!

    3. Re:Hey, what do you expect... by Anonymous Coward · · Score: 0

      Sure I do, whenever I burn tires I set it up very carefully.

      First you have you central column, possibly with a piece of wood in the middle.

      Around it you lay out the rest of the tire in overlapping rings, till you build up a nice stack.

      Set the thing on fire and enjoy.

  62. old news by Anonymous Coward · · Score: 0

    Why is everyone all excited about this? Its extremely old news, and has been going on since sites started selling DRM'd mp3s. Free trials, and what not too. I thought a site like Slashdot which has millions of 'geeks/nerds' hit it daily, would have known about this, long ago.

    This is like a story about Microsoft issueing a patch that doesnt work.

  63. I told them. I TOLD them. by geophile · · Score: 2, Funny

    Don't use SHA-1

  64. People are forgetting the real purpose of DRM by Anonymous Coward · · Score: 2, Insightful

    From the article...
    "A spokeswoman for Napster said that such endeavours were nothing new and the company was not too concerned.

    'The DRM (digital rights management) is intact. Basically, people are just recording off a sound card. This is nothing new and people could do this with any legitimate service if they want to use a sound card,' she said.

    "This kind of attack has been around for a long time and it's just because of our higher profile that it has sparked such interest," she said."


    As all Slashdot readers know, truly effective DRM is damn near impossible. It's all cosmetic fluff to convince the copyright holders that their rights are being protected. The people who are willing to pay are given a chance to pay, and the people who want to ride for free are going to continue that practice. The size of the paying vs. non-paying community is determined more by price than by DRM. I think the online music industry is still squandering most of the revenue that might be achieved with lower pricing. Drop the price to $5/month and my music budget increases from $0 to $60 per year. Until that time, I am satisfied with music I bought years ago plus what I hear on the radio.

    Notice how some of the biggest players in the DRM industry are the companies with the most feeble security products. In essense, DRM is the final frontier for security technology that is not good enough for any other purpose; a virtual "dumping ground" for code.

    Sure enough, the DRM industry is helping the music industry -- just not in the way it appears at first glance. A combination of fantasies are being satisfied at the same time. RIAA is convinced that DRM will eventually stop piracy, the DRM vendors have a continous market for "upgrades" as each layer is cracked, while the continuous circumvention of DRM ensures plenty of interest in online music. Nothing would kill the industry faster than loss of interest. The music industry would have committed commercial suicide by now if they had been given any serious DRM weapons. Fortunately, the can't hurt themselves all that much because all they have are DRM toys.

  65. Napster cracked by Anonymous Coward · · Score: 0

    Napster + Cracked = Crapster ?

  66. Firefox crashes on the link by TakaIta · · Score: 1

    Anyone else noticed that Firefox crashes on the link mentioned http://www.stuff.co.nz/stuff/0,2106,3189925a28,00. html

    1. Re:Firefox crashes on the link by TakaIta · · Score: 1

      solved after adding http://acvsrv.mediaonenetwork.net/* to adblock. It was an external javascript from that domain that caused the crash.
      I asked others (using WinXP) to open the page i mentioned in Firefox, and they did not experience a crash. I am on win2k here.

    2. Re:Firefox crashes on the link by Anonymous Coward · · Score: 0

      Firefox has never been known for its stability. :(

  67. Google digging gave a link... by Gopal.V · · Score: 2, Informative
    I still found the output stacker on Winamp.com [yeah, slashdot it out of existence].

    I don't listen to pop music (only Enigma, Eminem and a few others) - and I don't have the bandwidth to pull it off Napster. But how hard it is to really hook up something like Mp3 Recoder and do this with WMplayer (I record webcasts from clients).

    Google is a REALLY dangerous tool against censorship. But that all said, you can't just supress information - Information wants to be free.
  68. what output stacker did by way2trivial · · Score: 1
    was allow more than one output of the same source.

    I use one to have music from winamp go to my local PC speakers, and a lyra wireless sound transmitter- poor mans slimserver/squeezebox/sonos

    instead of two a lyra-I could have it go to a disk write plugin..

    you don't need output stacker to have winamp output to disk, you only needit if you want to listen to the mysuc while you output to disk (at the same time)

    --
    every day http://en.wikipedia.org/wiki/Special:Random
  69. MP£$ Exchange Rate by xgarb · · Score: 1

    http://www.napster.co.uk/ntg.html £15 per month

    http://www.napster.com/ntg.html $15 per month

  70. Why do they even try by CastrTroy · · Score: 2, Insightful

    Why do they even try to put DRM on downloaded music? Everytime they do it, it's cracked. So, they are going through all this trouble for nothing. It doesn't stop the music from being leaked to P2P networks, because even if it was unbreakable, one person could purchase a CD, rip it, and put it on the network. One copy is all you need. If people really wanted to make copies of the music for distribution, they'd be much smarter to just go out and buy a CD. Higher quality, and infinitely easy to copy.

    --

    Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
  71. Really? by mwood · · Score: 0, Redundant

    I want to see a CD with 100,000 songs on it. They must be fairly *short* songs....

    1. Re:Really? by Troed · · Score: 1

      *smile*

      Feel free to come back when you've find the first device that proves my point.

      You will find it.

  72. Er Any CD player will play itunes songs by Anonymous Coward · · Score: 0

    You can burn your tracks to DRM free CDs, which play in any cd player.

  73. Holy cow - magic compression by mobilemic · · Score: 0, Redundant

    letting them make CDs with hundreds of thousands of songs for free...

    Not only have they cracked the copy protection, but they also invented a new super powerful compression algorithm. Or how do they manage to fit hundreds of thousands of songs onto a CD?

    1. Re:Holy cow - magic compression by Anita+Coney · · Score: 1

      Adding an "s" to the end of CD makes the noun plural. Thus one CD becomes many CDs.

      --
      If someone says he and his monkey have nothing to hide, they almost certainly do.
  74. Really lossy? by TheIdaho · · Score: 1

    Is this really true, or is the compression scheme stable?
    Is there a theoretical reason why the re-encoding will throw away more data that the original encoding did, rather than perhaps arriving at exactly the same result, minus the DRM?

    1. Re:Really lossy? by wed128 · · Score: 4, Interesting

      yes. MP3, Ogg, and WMA all take away different parts of the waveform in their quest to be smallest. Therefore, transcoding from one to another results in the waveform being mangled more and more.

    2. Re:Really lossy? by Big+Mark · · Score: 1, Informative

      There's a way to transcode that keeps the same end waveform (well, almost) but just changes the file format - once you've extracted the frequency components for a particular frame in the original file you make sure those exact same components go into the respective frame in the output file.

      Depending on the way the format stores the components the output file could have a significantly different size, and some artifacting is unavoidable if the formats are radically different (e.g. mp3 uses ints whereas oggs use floats, casting betwen the two datatypes usually results in some fudging, not to mention the different transformation algorithms they use to convert the waveform into frequency components).

      However, it's still possible to transcode from one format to another with no loss of quality, at the possible expense of huge files.

    3. Re:Really lossy? by Anonymous Coward · · Score: 0

      You don't know what you're talking about buddy. Why don't you do take some classes and get back to us?

    4. Re:Really lossy? by tabdelgawad · · Score: 1

      What if you re-encode back to the original WMA (I assume) form, sans DRM?

      --
      Imposing Libertarian views on everyone online since 1992.
    5. Re:Really lossy? by zootm · · Score: 1
      What if you re-encode back to the original WMA (I assume) form, sans DRM?
      This hack works by "playing" the media file into a raw audio format then recoding, so theoretically there'd still be significant loss, unless you could find some way to systematically determine how the file was originally encoded (which I don't think is possible). It's similar to plugging your speakers socket into your line-in, then recording that, except without converting to analogue in the mean time.
    6. Re:Really lossy? by internic · · Score: 1

      Your claim seems pretty reasonable, but I wonder is it possible to determine the codec that is being used for compression in the original Napster file? What if one then encoded the WAV using the same codec, could one get back a file of the same quality as the original? It seems like in principle if you encode with a lossy codec, decode, and then encode again (same codec, same settings) there shouldn't be any additional loss, but these things often don't work out like they "should" in principle, so does anyone know if this is the case, or with which codecs?

      --
      "You call it a new way of thinking; I call it regression to ignorance!" -- Operation Ivy
    7. Re:Really lossy? by LordIvan · · Score: 1
      However, it's still possible to transcode from one format to another with no loss of quality, at the possible expense of huge files.


      uh...

      So you're saying (if I understand this), that it's possible to transcode perfectly from one compression system to another... by not compressing the files?

      ok, makes sense. :)
    8. Re:Really lossy? by Anonymous Coward · · Score: 0

      Actually, it should get better!

      Rip to MP3, and the MP3 encoder takes out part of the waveform I can't hear. Transcode to Ogg, and the Ogg encoder takes out some other part of the waveform I can't hear. Transcode to WMA, and it takes out a little more.

      Repeat the loop a couple times, surely all of that extra information I "can't hear" will be gone for good! Smaller files!

      Then I'll encode the final copy in FLAC for safe keeping.

    9. Re:Really lossy? by Anonymous Coward · · Score: 0

      Two words: Quantization Errors.

  75. Tell that to Rosa Parks by Anonymous Coward · · Score: 0

    Some laws are abusive or just plain wrong, and it's in society's best interest to challenge them. Corporations are pushing to make everything that goes against their interests illegal. The line of what's fair and reasonable has been crossed long ago imho.

  76. Its not a crime by adeydas · · Score: 3, Informative

    Well according to Napster, this is not a crime. Quotting from the article: "The DRM (digital rights management) is intact. Basically, people are just recording off a sound card. This is nothing new and people could do this with any legitimate service if they want to use a sound card".

    1. Re:Its not a crime by starrsoft · · Score: 1
      'Well according to Napster, this is not a crime. Quotting from the article: "The DRM (digital rights management) is intact. Basically, people are just recording off a sound card. This is nothing new and people could do this with any legitimate service if they want to use a sound card"'.

      They're not saying that it's legal, they're just saying to the RIAA, "We didn't screw up our DRM and lose your precious recordings! It's something that someone can do with iTunes too!" They are not saying it's all right, they're just saying it's possible and it's not news (something /. editors should take into consideration?).

      --
      Read my blog: HansMast.com
  77. Most of these comments are missing the point... by Anonymous Coward · · Score: 1, Insightful

    Yes -- it's just the analog hole, nothing new here...
    Yes -- you can do this with iTunes as well...

    However, if you strip the DRM off an iTunes song, Apple still gets to keep the $0.99 -- to their accountants they sold one song and they pay the record labels for one song.

    Napster's entire business model is predicated on their power to turn off your ability to listen to the music when you quit paying. If you pay $15 for a single month of service and pull down 1,000 songs that you then strip and keep, you're paying them 1.5 CENTS per song. However, they still have to pay the record companies licensing fees on 1,000 songs (I'm sure those fees are less than what iTunes carries, but there's no way it's THAT low.) Napster relies of the fact that users will want to keep paying that 1.5 cents over and over again each month to keep listening to the music. Once that goes away, profit goes away as well (to say nothing of the desire for the labels to let their songs be on Napster once they figure out what's going on.)

    It should have been obvious to Napster up front that the analog hole is a real problem for any "all-you-can-eat" content provider. This is why you're not likely to see a subscription-based iTunes anytime soon. Jobs is arrogant, but he's not stupid.

  78. Free songs from Napster!?! by UnixRevolution · · Score: 1

    The Horror!

    --
    You like your new Mac more than you like me, don't you, Dave? Dave? I asked...She said Yes.
  79. But is it legal? by adeydas · · Score: 1

    But the question arises is whether grabbing analog signals and then converting them into digital format is legal or not?

    1. Re:But is it legal? by Anonymous Coward · · Score: 0

      Isn't it equivalent to timeshifting and/or archival for backup? (original media becoming the backup)

  80. *I* call bollocks on *you* by hummassa · · Score: 1

    The thing is always in the hand of the user. With some tools, I can completely re-flash my cell phone. If I'm smart, I can even make the modifications I did stealth from the POV of the cell phone company. This is and will always be true, unless you start making appliances that explode when you open them. Or when you try to make any "illegal operation" with them.

    All things are hackable. Ask any bomb-defuser guy in your city's PD. They make a living (and stay alive) hacking things that theoretically would blow up when hacked.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    1. Re:*I* call bollocks on *you* by Herbmaster · · Score: 4, Insightful

      The thing is always in the hand of the user. With some tools, I can completely re-flash my cell phone. If I'm smart, I can even make the modifications I did stealth from the POV of the cell phone company. This is and will always be true, unless you start making appliances that explode when you open them. Or when you try to make any "illegal operation" with them.

      ...Or until you persuade the government to criminilize attempts to defeat your DRM. Then you can make your DRM encryption as weak as you want, and let the police pick up the slack for your laziness/technological shortcomings.

      --
      I'm not a smorgasbord.
    2. Re:*I* call bollocks on *you* by Sarastrobert · · Score: 3, Insightful

      ...Or until you persuade the government to criminilize attempts to defeat your DRM. Then you can make your DRM encryption as weak as you want, and let the police pick up the slack for your laziness/technological shortcomings.

      Well, this doesn't exactly help alot since copying the music is already illegal (copyright infringement) providing you can not claim fair use.

      I'll make an analogy.

      Stealing bikes is forbidden according to law. But some people still steal bikes fully aware that it is illegal. So bike owners install locks on their bikes to prevent theft. But some bike thieves will just bash or pick the locks and still steal the bikes.

      So, lets assume that BOAA (Bike Owners Association of America) puts some serious lobbying money towards making it illegal to circumvent bike locks. Will this stop bike thefts? Bike thieves are already breaking the law, so what makes anyone think that they will respect the latter law when they already disregard the former?

      I call bollocs on the Lawmakers...

      Disclaimer: I am not actually comparing stealing bikes with downloading illegaly copied music, I do it just to prove a point

    3. Re:*I* call bollocks on *you* by Troed · · Score: 1

      All things are hackable.

      Please tell me the private key used for signing Xbox games. I'm well aware that we (my wording here is intentional, and a giveaway) managed to circumvent it anyway, but all things are most definitely NOT hackable.

      You're free to reflash your cellphone, but will you be able to extract the DRM-protected content on your memorystick?

    4. Re:*I* call bollocks on *you* by mrchaotica · · Score: 1
      ...Or until you persuade the government to criminilize attempts to defeat your DRM. Then you can make your DRM encryption as weak as you want, and let the police pick up the slack for your laziness/technological shortcomings.
      Yes, just like how the police picked up the slack during prohibition, and how the "War on Drugs" is going so well, and how nobody ever speeds because they're certain to be caught...

      The police can't enforce anti-copyright-infringment laws, because it's so widespread that it would make criminals out of most everyone. Or they could, but it would require a 1984-style police state. We're pretty darn apathetic here in the US, but hopefully not so apathetic as to let that happen!
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    5. Re:*I* call bollocks on *you* by Herbmaster · · Score: 1

      The difference - and this is important now - is that a DMCA-style prohibition of DRM circumvention doesn't "criminalize copyright infringement". It criminalizes making or using tools which might enable you to circumvent DRM. The appropriate corrolary would be if during prohibition the government had made it illegal to produce bottles, because they might be used for storing liquor. If the tools to circumvent DRM are illegal, and they crack down on the distribution of such tools, yes, I believe, a lot fewer people will crack their Napster downloads.

      --
      I'm not a smorgasbord.
    6. Re:*I* call bollocks on *you* by runamok1 · · Score: 1
      Isn't that called the Digital Millenium Compyright Act (DMCA)? Heh heh.
      The thing is always in the hand of the user. With some tools, I can completely re-flash my cell phone. If I'm smart, I can even make the modifications I did stealth from the POV of the cell phone company. This is and will always be true, unless you start making appliances that explode when you open them. Or when you try to make any "illegal operation" with them.

      ...Or until you persuade the government to criminilize attempts to defeat your DRM. Then you can make your DRM encryption as weak as you want, and let the police pick up the slack for your laziness/technological shortcomings.

    7. Re:*I* call bollocks on *you* by mrchaotica · · Score: 1

      That's even worse, because it destroys the legitimate use of the tools and sucks up all the law enforcement's resources.

      And don't even get me started on INDUCE, which would outlaw most of the internet (http, ftp, etc.)...

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  81. This Just In: by Shnizzzle · · Score: 1

    Using this technique I was able to crack my "radio" too.

  82. I said it's not ironic but hypocritical by Anonymous Coward · · Score: 0

    Have you even read my post? Those old songs still get pirated to this day! As I have written, they are still on P2P today. And I still have hundreds of CDs in my basement that no one would buy. We were starting in the time when the original Napster (the 100% pirate one, remember?) was starting to be popular. And our albums were there! Did we get a penny for those songs from Napster? Hell no! We had to abandon playing altogether. And please don't tell me we could suffer in poverty just to play. My little kid wanted to eat, can you imagine? So that was the end of our dream. Now I always say: fuck dreams. Dreams are only a method for people to take advantage of you. You will get emails from people who liked your music on MP3 but in the end no one will give a damn if you are hungry or homeless or will have to fuck dreams and start thinking about your own family. It's funny that my original post was modded as "troll". I see that the hypocrisy didn't change here. When it is about violating GPL everyone wants heads to roll. When it is about stealing music everyone screams that information wants to be free and no one has the right to violate your privacy by asking you to stop breaking the law. Beautiful logic. I'm sure that this post will get marked as "troll" in no time so the slashdot crowd will not have to suffer with the discomfort of facing their hypocrisy.

    1. Re:I said it's not ironic but hypocritical by pclminion · · Score: 1
      Have you even read my post? Those old songs still get pirated to this day! As I have written, they are still on P2P today.

      That proves nothing other than the weird tendency of people to hoard stuff, even stuff that sucks.

      My little kid wanted to eat, can you imagine? So that was the end of our dream. Now I always say: fuck dreams.

      Newsflash: the world is against you. You want to succeed? Work hard. Get a second job. Do two gigs a night. You wanted to feed your kid based on a dream? You're an irresponsible parent if that's the case.

      I say all this as a person who hasn't downloaded an MP3 in years. I think it's a wrong thing to do. But your indignation at P2P is stupid. This "revolution" is inevitable whether you like it or not. So you can choose to work for your dreams or you can give up and be a whiny bitch. I see you've chosen the latter.

  83. I saw it coming! by ImaLamer · · Score: 5, Funny
    I was going to submit this story with the headline:
    Napster is Back!
    1. Re:I saw it coming! by White+Roses · · Score: 1

      It's even funnier if you imagine the little Napster logo head on a robot body bellowing that in a poor imitation of Nixon as it busts through a wall.

      --
      Do not touch -Willie
    2. Re:I saw it coming! by 1010011010 · · Score: 1

      Heh. It's like a half-Nixon, a half-KoolAid-Guy hybrid.

      --
      Napster-to-go says "Fill and refill your compatible MP3 player", which is a lie. It's not MP3. It's WMA with DRM.
    3. Re:I saw it coming! by Anonymous Coward · · Score: 0

      Seriously, hopefully this will mean more of the transcoded files will be distributed over Gnutella and BitTorrent networks, the real Napsters of today. While they don't have the brand recognition, they're much truer to the original concept of Napster, or what made Napster big in the first place, as opposed to whatever they're trying to be today.

  84. M&M by Anonymous Coward · · Score: 0

    "Eminem"

    Yeah, he's so street. So hip. So tough.

    I hate when people claim he's a whinny middle class white kid who is less talented than Vanilla Ice.

    I mean, its true. But I hate when people say it.

  85. No difference. by c0p0n · · Score: 1

    thing is that you are transcoding it again, from one lossy audio compression scheme to another. That method is only more convenient, but you're still losing quality.

    --

    Your head a splode
  86. Analog Hole by Sir+Holo · · Score: 2, Interesting


    They are recording the output, en route to the speakers. This is called the analog hole. (If you can hear it, you can record it.)

    There is a strong effort by content companies to close the analog hole. How? By controlling access to analog-to-digital conversion hardware through new laws.

    That's right, it may one day be illegal to use a D/A converter any way you want.

    Read the top article here.

    1. Re:Analog Hole by advocate_one · · Score: 1

      this is NOT the analogue hole... this is the digital input to the soundcard, not the analogue output... this is what Microsoft intend to plug with the trusted computing platform where the audio file will be able to get verification that there is no unauthorised software in the output chain to the soundcard before it will permit itself to be played... howevern this won't stop really determined true "hackers" from connecting to the other side of the soundcard and getting the digital values on their way onto the soundcard from the bus...

      --
      Donald 'Duck' Dunn: We had a band powerful enough to turn goat piss into gasoline.
  87. Re:huhuhu by Anonymous Coward · · Score: 0

    Do Do Do Do Do the math!

    Ok. Hacked Napster=Free Songs on my iPOD.

    Napster failed again at building a new image.

    Nothin' to see here. I'm going back to iTunes.

  88. CDs with ... by TheCrig · · Score: 1

    CDs with thousands of songs! What a compression algorithm! I want one of those!!!

    --

    Jim Crigler

    --
    -- Jim Crigler In 1937, I began, like Lazarus, the impossible return. -- Whittaker Chambers
  89. Songs for free by Anonymous Coward · · Score: 0

    If you don't think it's ethical to crack Napster, you can go to http://www.etree.org/ . Lots of songs for free. Plenty of people do not mind if you listen. Not fussed if you sing along either.

    1. Re:Songs for free by jim_redwagon · · Score: 1

      don't forget www.nugs.net

      great music that could never be confuzzled with corporate pop (Dead, Phish, etc.)

      --
      I forgot what I wanted to say, but honestly, it was important.
  90. New key developments by flowerp · · Score: 4, Informative
    New key developments:

    -If you use the "Out-lame" Winamp plugin in the Output Stacker in place of "Out-disk", you can convert straight to MP3. It still encodes no faster than realtime, but this is a great way to conserve space. WAV(Out-disk) is still recommended if you are burning CDs and want to keep as much quality as possible. I can confirm that this all works.

    -You can run multiple instances of Winamp at once, each converting its own song. Each instance's playback will not interfere with any of the others, illustrating the fact that this is not simply recording the music off of your soundcard. Doing this, you can get FAR MORE than 252 full 80 minute CDs within 14 days. I can confirm that this works.

    You can transcode(MP3) or decode(WAV) X albums in the time it takes for the longest track on the album to elapse. And since you're not limited to only tracks from one album at a time, you can trans/decode as many tracks as instances of Winamp your computer will run limited only by your computer's resources.

    Quote from Napster's official statement: "It would take 10 hours to convert 10 hours of music in this manner."

    With the updated methods, you can convert 100 hours or 1,000 hours or 10,000 hours of music in 10 hours. The only limit is your computing resources.

    --
    --- Eat my sig.
    1. Re:New key developments by mzwaterski · · Score: 1

      Excellent copy and paste with no citation to the original author.

    2. Re:New key developments by Anonymous Coward · · Score: 0

      Thanks!

    3. Re:New key developments by starrsoft · · Score: 1

      How do you run multiple WinAmp instances? I tried and it just jumps to the current instance.

      --
      Read my blog: HansMast.com
    4. Re:New key developments by DA-MAN · · Score: 4, Informative

      How do you run multiple WinAmp instances? I tried and it just jumps to the current instance.

      CTRL-P and go to "General Preferences". Once there, click on "Allow multiple instances" and voila.

      --
      Can I get an eye poke?
      Dog House Forum
    5. Re:New key developments by dkordik · · Score: 1

      Copied and pasted from here:
      http://marv.kordix.com/archives/000413.html

  91. it's good enough by Alien54 · · Score: 2, Insightful
    It seems that most people don't care that much about the lossy aspects of even just using low bit rate MP3s.

    seriously, for most folks, the sound will be plenty good enough. but for audiophiles and perfectionists ....

    --
    "It is a greater offense to steal men's labor, than their clothes"
    1. Re:it's good enough by redJag · · Score: 5, Funny

      for audiophiles and perfectionists ....

      Turns out they don't care since they'd never purchase that low quality of music in the first place eh? :)

    2. Re:it's good enough by GimliGloin · · Score: 1

      Yes, and people who are not audiophiles at all will still not really notice. Where do people use MP3s mostly? Most don't use them on your non-audiophile (cheap) stereo systems in the quiet of a home. Most use them at work, maybe in the car, places that have much background noise. You "probably" won't notice in these places. Its a signal-to-noise issue. Most MP3 usage is in a Low SNR area. Go to a quiet place or get a REALLY good pair of headphones, you might be able to hear the difference. Most won't.

      my 2 credits...GSG

  92. Mounting lobbyist costs for the RIAA by smchris · · Score: 2, Funny

    Considering the Chinese didn't have very good luck stopping the opium trade with crucifixion, it looks like the RIAA will have to spend big money on Congress now to get some _really_ tough penalties in force.

  93. Press Release by SomeOtherGuy · · Score: 4, Funny

    I have just cracked LP copy protection. I have plugged my record player into the line in button on my sound card, dropped the needle and clicked "record". This is a banner day. Hail to me. I am off to crack my camcorder next.

    --
    (+1 Funny) only if I laugh out loud.
    1. Re:Press Release by JUSTONEMORELATTE · · Score: 1

      The great irony is that this would sound like crap -- phono output isn't the same signal profile as line output -- without the addition of a phono de-emphasizer. This method was pioneered by an organization that wanted to get the finest quality of sound out of the (vinyl) recording medium. The organization is the Recording Industry Association of America, and the input processor is commonly called a RIAA-phono preamp.

      So in a way, the RIAA laughs as your pathetic LP crack!

  94. how is this done on OSX?? by Anonymous Coward · · Score: 0

    how do you it?

    1. Re:how is this done on OSX?? by mirko · · Score: 1

      Launch it, choose the app which sound output you want to hijack, prepair some settings, like filters, mp3 or raw or apple losless recording... eventual auto splitting every few meg/gig...
      it's easy and it really works perfectly.

      --
      Trolling using another account since 2005.
  95. Re:Aw Crap - Virtuosa by mkw87 · · Score: 1

    I have recently found a program called Virtuosa http://www.virtuosa.com/ it converts from the crappy WMA form the MP3 AND removes DRM and all that copyright stuff. It also converts fairly quickly.

    --
    Arguing with an engineer is like wrestling a pig in mud. Soon, you realize the pig is dirty, and he likes it.
  96. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  97. All gone by Anonymous Coward · · Score: 0

    Looks like they pulled all of those links.

  98. Thats nothing. by Viceice · · Score: 1

    If anybody with a Creative soundcard would spend the time to figure out how much their card is capable of, they'd know that the driver itself supports this.

    All you need to do is set the recording input as "What you Hear" then run any recording program and play back the music.

    --
    Sometimes I wish I was a plumber, then I'd know how to deal with other people's shit.
    1. Re:Thats nothing. by Dwedit · · Score: 1

      All sound cards can do this, only creative refers to it as "what u hear". The other sound carts call it "stereo mix" or "mixed output" as the recording source.

  99. Expected by nurb432 · · Score: 2, Informative

    Any high profile DRM will be attacked on sight.

    Its just the way of the world now.

    --
    ---- Booth was a patriot ----
  100. Re:Not cracked (Typo correction) by mwvdlee · · Score: 1

    The word "music" in that last sentence "...to protect their music interests" should be spelled "financial". ;)

    --
    Slashdot social media options: AIM, ICQ, Yahoo, Jabber and Mobile Text. Why no MySpace?
  101. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  102. Your new best friend by Anonymous Coward · · Score: 0
  103. Improve the sound during conversion to mp3! by Anonymous Coward · · Score: 0

    To get sound from iTunes, AudioHijack is a great tool. It can be used to vastly improve the sound of some audiobooks, especially historic recordings that Audible won't or can't improve before they're released. Old recordings of political speaches or James Joyce's work, for example, can be made into something you can actually understand as opposed to something that is muddled and foggy sounding.

  104. The who-thought-it-would-take-this-long... by tbase · · Score: 1

    ...for-this-story-to-make-slashdot dept.

    Wow, who knew you could output to a wav file from Winamp?

    Move along, nothing to see here.

    --

    666-607: 6th floor apartment of the beast
  105. The REAL news here by Anonymous Coward · · Score: 0

    "Users have found a way to skirt copy protection on Napster Inc's portable music subscription service just days after its high-profile launch, potentially letting them make CDs with hundreds of thousands of songs for free..."

    I think the real breakthrough here is how they figured out how to get hundreds of thousands of songs on a CD!

    640 meg on a CD, the average song maybe 4 meg in MP3 - that gives only 160 songs on a CD for me on average. What is this new technology?!

  106. Potentially? by tod_miller · · Score: 1

    potentially letting them make CDs with hundreds of thousands of songs for free...

    Lets see what this means, it doesn't mean thier music has been comprimised, you can download any song on P2P if you want to break copyright.

    The fact is, those people using this service won't care, because they were using this service to support lower cost music and listener flexibility.

    Yes DRM sucks, but noone will put up servers to let people who dont want to support the music they download to get free music.

    The other issue is, will these guys be tracked down by napster, or will napster loose thier music industry support? why was napster so STUPID to make a crackable system? Is there such a thing as uncrackable music?

    --
    #hostfile 0.0.0.0 primidi.com 0.0.0.0 www.primidi.com 0.0.0.0 radio.weblogs.com
  107. DRM is a joke by qwp · · Score: 1

    DRM is a joke, there will always be a way to work around it. At least as long as we are able to interact with the existance of the media. We might need 60^2 monkeys that are able to draw a frame every min. But so be it me and my monkeys will take our flip books of hollywood blockbusters right to the library!
    (The true crime is getting a parrot to sound like will smith.. Dam'ed)

  108. Here they are by Anonymous Coward · · Score: 0

    Just remove the spaces

    http://forums.winamp.com/showthread.php?threadid =3 5627

    and

    http://forums.winamp.com/attachment.php?postid=1 59 3266

  109. slutty by Doc+Ruby · · Score: 1

    Napster had to cross its legs tightly to get the record labels to allow it to operate. Now that it's becoming a "free-for-all", all its content up for grabs, won't it just become that much more popular? Without Napster itself contributing to the piracy, as far as its committments to the copyright owners has been fulfilled?

    --

    --
    make install -not war

  110. Nitpick: by Anonymous Coward · · Score: 0

    You should say "losslessly compressed or uncompressed audio". Not all forms of audio compression are lossy. :)

  111. Yeah! by Anonymous Coward · · Score: 0

    Yeah, another small victory for humankind!

  112. The Real Reason this was Reported by syntap · · Score: 2, Interesting

    Everyone with any computer audio recording experience knows that the reported Napster crack is as old as sound card input/output. But the source of the story was Engadget.com, which is basically a heavily pro-Apple electronics product news/review site.

    The timing of this not-new-news release, right when Napster's new monthly flat-fee subscription service debuts, was no accident. It was meant to hit Napster on Wall Street, and as of this writing in early trading it's already paltry stock price is down over 2% on the news.

  113. Output Stacker Download by slewfo0t · · Score: 2, Informative

    Since I know that the Output Stacker won't be available for long... I have posted it on our website. It is available here for download... http://forums.grtg.org/index.php?showtopic=214 - Slew -

  114. How widespread is the knowledge of this workaround by amichalo · · Score: 1

    I am interested to know how widespread/main stream the knowledge of this workaround is. If Napster is posting a rebuttal on their homepage, are news sites covering the story too?

    If the incidents of this 'abuse' of the Napster user agreement go from dozens to hundreds to thousands, the record labels will expect Napster to put an end to the abuse one way or another.

    I would expect step one to be eliminating the 14 day free trial. Step two may be restricting the 'all you can eat' model to a limited number of stracks per month.

    --
    I only came here to do two things; kick some ass, and drink some beer...looks like we're almost out of beer.
  115. Quality by Anonymous Coward · · Score: 0

    It really gets me how people bitch about "losing quality" when digital music is encoded. I don't care how many times you encode and decode a digital file, it is still better than:
    (1) FM radio
    (2) AM radio
    (3) Vinyl
    (4) Tape
    (5) Humming
    and just about any other form of music reproduction that mankind has used in the last 10,000 years. For any digital file, the odds are good that your SPEAKERS are your biggest impediment to quality.

    1. Re:Quality by cens0r · · Score: 4, Insightful

      Please remove vinyl from your list. A well taken care of record on a good turntable with a good phono pre-amp can often sound superior to the CD of the same music.

      I still prefer CD's because of their ease of use and portability, but when I'm sitting alone in my main listening environment, I definately perfer the sound of vinyl.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    2. Re:Quality by Khazunga · · Score: 1
      Please remove vinyl from your list. A well taken care of record on a good turntable with a good phono pre-amp can often sound superior to the CD of the same music.
      ... for the selected few that can hear sound above 22KHz. There's a simple test: can you hear dog whistles? If you can't drop the vinyl is superior crap. The CD contains the same information, for all efects, and today's DACs behave way better than turntable needle amplifier circuits ever did. Downstream, it's the same equipement.
      --
      If at first you don't succeed, skydiving is not for you
    3. Re:Quality by cens0r · · Score: 1

      I can't hear above 22KHz, yet vinyl still sound superior to me. I believe it's because of the way the distortion actually is produced. But the fact that we can even argue this point proves that vinyl should be lumped in with lossy compression and FM radio.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    4. Re:Quality by recursiv · · Score: 1

      A second to remove vinyl. Also, my speakers are not the biggest impediment to quality.

      --
      I used to bulls-eye womp-rats in my pants
    5. Re:Quality by Anonymous Coward · · Score: 0

      click click click pop click click click pop

      It's nostalgia not technical superiority that makes vinyl sound better to *you*.

    6. Re:Quality by Anonymous Coward · · Score: 0

      I can hear at that frequency, but I've never heard that range from a record - though I don't regularly listen to records.

      Though I don't know why anyone would want to hear something at that range - it does not sound pleasant. I mostly hear it when I go through the TV section of electronics stores or bars with many televisions. It drives me nuts. I don't know what it is in some of those tube TV's that makes that sound, but they don't all do it.

    7. Re:Quality by BillyBlaze · · Score: 1

      Unless you're talking about some harmonic the rest of us can't hear or predict, the whine from a TV should be at 15,734 Hz, which is its horizontal scanning frequency (different, but not much, for PAL instead of NTSC). That's just if I'm right about it just being something loose that vibrates in the magnetic feild, but I don't know what else it could be.

    8. Re:Quality by Anonymous Coward · · Score: 1, Insightful

      Is it?

      If you have a good FM receiver, FM can sound really good. Maybe not better than a CD (since they're probably playing a CD on the other end), but certainly much better than a poorly-encoded MP3.

      DAT can be recorded at higher data rates than a CD. In fact, many (if not most) of my CDs were originally recorded on DAT. So it's not true that tapes always sound bad: some sound much better!

      (A lot of my older recordings were done on analog tapes, and they sound fine. Surely you can't be suggesting that this music would sound *better* by running it through an MP3 encoder a couple of times?)

      Somebody else will rip you a new one for listing vinyl, so I'll let that one slide.

      And I like humming just fine. I've never given myself a headache by humming -- poor-quality MP3's give me headaches, no matter how quiet I play them. I'd rather hum Brahms' first symphony than listen to a 128K MP3 of it.

      So you're left with ... crappy digital music is better than AM radio. Beats me -- I've never heard of an AM station playing music (only news). So it's a moot point, anyway.

      For any digital file, the odds are good that your SPEAKERS are your biggest impediment to quality.

      Maybe. Or maybe not. Depends entirely on your music files and speakers. I know very few people for whom speakers are the limiting factor.

      You can replace "digital file" by any of the items in the list, and "speakers" by "equipment", and get a true sentence. For example, "Odds are good that your receiver is your biggest impediment to FM quality".

    9. Re:Quality by Anonymous Coward · · Score: 0

      There have been studies that show that while we can't hear sounds above 20KHz or so, we can perceive them. In double blind studies they found that music played on systems with content above 20KHz was judged as better sounding than music with a lowpass at that frequency. But it took several minutes of listening to perceive a difference.

      Sorry, no references to the study. This was some time ago.

    10. Re:Quality by DeadScreenSky · · Score: 1

      Just wanted to point out the same thing happens to me. I can hear when a muted TV is on in other rooms of my house (even when it's in the basement and I am not, though I do have to be close to the stairs). My hearing isn't all that great, either.

      --
      There is no excellent beauty that hath not some strangeness in the proportion. -- Francis Bacon
    11. Re:Quality by Agret · · Score: 1

      Funny about that, I usually prefer the sound of music than the sound of vinyl.

      --
      Have you metaroderated recently?
    12. Re:Quality by Anonymous Coward · · Score: 1, Interesting

      Plus there is the sad fact that an increasing number of CDs (including remasters) are being mastered way to loud, so they have a really bad clipping effect. Records don't suffer this.

    13. Re:Quality by Anonymous Coward · · Score: 0

      Yeah, same here. CRT monitors are bad too. It's very unpleasant.

    14. Re:Quality by kponto · · Score: 1

      Ahhh...vinyl...the best DRM you could ever possibly have.

      --
      This too, will end.
    15. Re:Quality by theLOUDroom · · Score: 1

      I can't hear above 22KHz, yet vinyl still sound superior to me.

      You *like* the sound of vinyl.
      Some people like the sound of 8-tracks.

      You are not a calibrated laboratory instrument.

      People still have these discussions because they *feel* a certain way. This does not mean those feelings are at all based on reality.

      Do you honestly think you would be able to tell if I recorded the output of your turntable to a CD and played it again through the same amplifier and speakers you're using now? Do you think you could pass a double blind test?

      --
      Life is too short to proofread.
    16. Re:Quality by cens0r · · Score: 1

      I KNOW I would be able to tell the difference between my turntable and my CD player. My ears aren't golden and I can tell the difference between the DAC in my DVD player and the DAC in my reciever. The difference between the vinyl and the CD is much greater.

      I know no one who prefers the sound of an 8 track, but I know many who prefer the sound of vinyl.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    17. Re:Quality by theLOUDroom · · Score: 1

      I KNOW I would be able to tell the difference between my turntable and my CD player.

      I didn't ask you that.

      Right now your system got Turntable=>Amp & Speakers. I am suggesting turntable=>CD=> Amp & speakers.

      A lot of people who talk about the sound "quality" of one thing over another have actually never tested it. The thing this test could prove would be that you like the sound "coloration" provided by your CD player, not the "superior quality".

      --
      Life is too short to proofread.
  116. Specialist Subject: the Bleeding Obvious by ajs318 · · Score: 1
    This is nothing new.

    From a 19th century notebook:
    "When sound waves impinge upon a diaphragm, such as the skin of a tambourine, they cause it to vibrate. If one could somehow cause such a diaphragm to re-execute the same sequence of vibrations, one must suppose that the effect would be a faithful reproduction of the original sound."
    This led, pretty much directly, to the invention of the phonograph .....

    Fast-forward to nowadays, and a few realities. The data being transmitted to the sound card are passed as electrical impulses over a bus, and are subject to interception. The format of the data being transmitted to the sound card must be known by anyone who writes software which talks directly to the sound card. {In the case of older cards, such as the venerable SB16, this information is widely known; but there may well be newer cards out there where the drivers are closed-source and proprietary to the manufacturers. At least until the Linux brigade get to work on them}. Most software does not talk directly to the sound card, but rather via a driver. The driver converts the data from some "standard" format {which is specified, if not by the operating system, then at least at some higher level than the hardware; and must be known by anyone who writes software which talks to the driver} to the format used by a particular card. The means by which data are fed to the driver must also be known to anyone who writes software which talks to the driver.

    The upshot of all which is, it's trivially easy to capture data meant for the sound card; and there is no place for any kind of security through obscurity, because everyone needs to know at some level how to send data to a sound card. Even if the format of data being sent to the card were kept secret, the format somewhere upstream must be known in order for anyone to be able to get a sound out of the card {and in any case, the format could be discovered anyway, given patience and time}.

    If anyone genuinely believes that it is, or ever will be, at all possible to prevent music files from being copied, they are an idiot. Copy protection is mathematically impossible to achieve, and it's about time the music industry got round to dealing with this.
    --
    Je fume. Tu fumes. Nous fûmes!
    1. Re:Specialist Subject: the Bleeding Obvious by yeremein · · Score: 4, Insightful

      The upshot of all which is, it's trivially easy to capture data meant for the sound card; and there is no place for any kind of security through obscurity, because everyone needs to know at some level how to send data to a sound card.

      Not so fast. Microsoft is already a step ahead of you with Secure Audio Path. Essentially, Windows Media DRM can require a digitally signed audio driver which accepts encrypted input. It simply won't talk to an "untrusted" driver (such as TotalRecorder).

      That said, the Napster representative in TFA is incorrect about the type of exploit this is. The audio isn't being captured by a "rogue" sound driver (or an analog loopback, which is what she makes it sound like). It's being redirected to disk via a Winamp output plugin. Ordinarily, Winamp will refuse to write to a disk writer plugin given a DRM'd input file, but the Output Stacker plugin sends audio to *both* the DirectSound driver (the "primary" one, which is kosher for DRM'd audio and is the one Winamp sees), _and_ the secondary driver, which is a disk writer plugin.

      The upshot is, if you want a means to remove encumbrances from legally acquired media, download Winamp and Output Stacker now before Nullsoft "fixes" this "exploit". But don't share anything you decrypt online, or you'll only vindicate the suits who press for DRM to prevent file sharing.

    2. Re:Specialist Subject: the Bleeding Obvious by pclminion · · Score: 1
      Essentially, Windows Media DRM can require a digitally signed audio driver which accepts encrypted input. It simply won't talk to an "untrusted" driver (such as TotalRecorder).

      The data STILL has to be decrypted before it hits the sound card hardware. If it's decrypted in memory somewhere, it can be saved to disk.

      I could imagine an actual sound card that only accepted encrypted input, but what's stopping somebody from opening up the ROM which contains the decryption key in exactly the same manner than DeCSS was broken?

      The entire exercise is stupid and pointless. You can't allow people to use information without, well, decrypting it somewhere.

    3. Re:Specialist Subject: the Bleeding Obvious by Dirtside · · Score: 2, Interesting
      From MS's Secure Audio Path page, that you linked to:
      Secure Audio Path provides a much higher degree of protection to audio content by making it virtually impossible for untrusted applications or audio drivers to access the unencrypted audio bits.
      (emphasis mine)

      I love that they admit that SAP doesn't make it actually impossible for untrusted applications to get access to the unencrypted audio. Just virtually impossible. And of course it only takes one dedicated person to figure out how to weasel through that tiny sliver of opportunity afforded by "virtually impossible," and SAP is blown wide open. Just like every other DRM scheme. Ever.

      Of course, people like to trumpet Palladium and such things as the ultimate cure, without realizing that A) you still have access to the physical hardware, and B) does anyone really think Microsoft -- Microsoft -- is going to be able to implement such a complicated security scheme without making any mistakes that allow people to hack it?

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  117. SLASHDOT is SO FUCKING TIMELY! by Anonymous Coward · · Score: 0

    Napster's "To Go": hacked
    Tuesday February 15, @09:19AM
    Rejected

  118. There. by Pig+Hogger · · Score: 0, Troll
    1. Re:There. by Pig+Hogger · · Score: 1
      http://216.138.229.143/Crackster

      (Reposted, account some jerk "moderating" it as troll).

  119. About time it got cracked. by CrixelGarten · · Score: 1

    Personally, I thought that this would've been done much sooner. You know, just to give the RIAA a big middle finger, the person or people who cracked it saying "You can't stop us. No soup for you!" Then again, isn't that what other P2P programs are for? Still, kudos to the person/people that cracked Napster. I'll drink to that.

    1. Re:About time it got cracked. by zbuffered · · Score: 1

      The reason this is different/better is because there is no risk to the end user. Napster nor RIAA will know that the customer is converting the files, so long as the customer does not share them. When the customer cancels his/her Napster service, Napster has no idea that the customer still is able to listen to the music.

      --
      Synergy is your friend
  120. Innovation by codyman · · Score: 0

    Billy G has got to realize that he can develop all the DRM he wants and can restrict people from listening to music all he wants as well. But one thing Billy G can't restrict is innovation: something essentially to the true computer nerd. Innovation can bypass anything in life as long as the innovator has a goal and is dedicated to it. Although this DRM --> soundcard wav isn't the best method, someday someone somewhere will innovate further and finally crack Billy's girlfriend Janus.. I mean come on, its not hard to steal a nerd's girlfriend.....

  121. This Rumour Confirmed UNTRUE by Anonymous Coward · · Score: 3, Informative

    I have spoke to a friend within apple who has told me they are aware of this rumour, it is NOT true, and it is apparently being spread by people like gmajor(look at his several replies acting as if the "email" is a fact) as some sort of FUD campaign (maybe gmajor does the astro???). I have to admit though, he had me at first...we all know between running sucessful companies and coming up with innovative products steve is busy RABIDLY FOLLOWING BLOGS!!! UZ PWNED!

  122. All Aboard! by Renaissance+2K · · Score: 1

    Next stop: iTunes (It'll never happen, but it'll be funny to watch them try...)

  123. Um... duh? by Audigy · · Score: 3, Insightful

    Christ almighty, way to make a mountain out a molehill.

    As long as any type of music is taking an analog path out to the listener's ear, it will ALWAYS be possible to "crack" ...just route your soundcard's line out to the line in jack, creating a loopback, and have fun with your audio recorder program.

    That's not cracking, it's common sense.

    Talk about your sensationalist journalism... I was expecting to read some article about a batch processor that strips the DRM from the MP3 files, not requiring decoding and re-encoding again.

    --
    [an error occured while processing this directive]
  124. When it's both legal AND moral by freeweed · · Score: 1

    Does the artist of the song get paid? No? Well, arent you kind of screwing him/her over? I think the answer is clear.

    You're absolutely right. I've been following this plan for years.

    Considering something like 0.1% of artists ever actually make any money from their recording contracts (wish I had a link to the classic Courtney Love article), I haven't purchased a big label CD since the late 90s.

    I'll still download, however. The artist gets screwed either way, so why not? Besides, I live in Canada. So not only is it legal, it's no longer immoral either. I'm paying for this right with every blank media purchased.

    --
    Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    1. Re:When it's both legal AND moral by ricosalomar · · Score: 0
      After 25 years in the music business, I can tell you for a fact that the artist is getting screwed, but not by circumventing DRM. As Don Henley once said, "Were getting f*cked either way, so download it all you want." He really said that, I was there.

      No artist was ever hurt by greater exposure of their art. Publishers, maybe, but artists, no.

  125. Who it thier right mind by fozzmeister · · Score: 2, Interesting

    would purchase any music at 96kb/s (stream) or 128 (download), unless it was your average cheesy pop. My sis had a few 128's and there is one particular song that we both like (NERD - Almost Over Now, Jason Nevins Mix, which is def _not_ the song I would pick for testing quality), she listened to my 192kb/s and said its not very different, the i put her's on again to listen too and you could actually see the "oh shit that does sound like crap" in her.

    Im sure the 128 of Napster is probably equiv to about a 160, but that really still isn't good enough, particularly when you consider that your buying a crippled version (Which is fine if they could guarentee that there will always be mp3 players, portable and computer based) and to keep your going to have to burn/rip which is going to kill all definition that the original song had. If I buy something digitally I expect to be able to keep it,

    I'd rather donate $2 per track to the artist and download off a dodgy P2P app than pay any music company $1 and be forced to re-buy it when they decide that its time for a new music tech and for everybody to re-buy thier old music.

  126. Pedantic semantics by Rufus88 · · Score: 1

    macrohearing, dumbass

    No, macrohearing would be the auditory analog of macroseeing. The word you're looking for is "macroaudition".

    Well, double-dumbass on you!

  127. other software for the same by HashDefine · · Score: 1
    Other sound grabbing software for example TotalRecorder has always been able to record any audio that you can play.

    This hack is like using a camcorder to circumvent macrovisoin by recording your tv's output. doable but not worth it.

    128 kbps is bad enough when listening through a half decent stereo can't imagine what this version sound like

  128. From the article... by Anonymous Coward · · Score: 0
    ...potentially letting them make CDs with hundreds of thousands of songs for free.
    • How do you fit hundreds of thousands of songs on a CD?
  129. Will I? by hummassa · · Score: 4, Insightful
    Yes.
    will you be able to extract the DRM-protected content on your memorystick?

    I repeat: YES, I will.
    If it's on *my* memorystick, I will extract it. If it requires a closed software to play it, I'll install such closed software under a hacked version of QEMU that instead of playing some stream writes it into a file. Digitally.
    I guess Akio Morita did not know what he was getting into when he had the CD/DAT idea "let's write everything digitally in the media".

    Repeat after me: there is no DRM. It's cryptographically infeasible. One of the pillars of crypto is that the key must travel between Alice and Bob by a secured mean, so that Eve cannot get a hold of it. When Bob is schizo and Eve is the same as Bob, Eve has the key, so Eve has the message. Pristine. Not even quantum crypto can give a real DRM.
    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    1. Re:Will I? by Troed · · Score: 2, Insightful

      Please tell me how you'll be able to extract the information from your memorystick when you just reflashed your phone, erasing the cryptographic key needed to decrypt the content.

      We're back to you being able to run software on your phone, while still being able to access the key. To do that, you probably need to circumvent the cryptographic checks that are in place to see if the software you're trying to run/flash is signed with the correct key.

      So, again. Please tell me the private signing key used for signing Xbox games. That we found bugs in the Microsoft implementation (bunnie found a key travelling in cleartext, myself and Franz found out they used TEA for hashing which it's not good for) only means that that implementation wasn't good enough - a new one might be.

      In the end you'll discover that you need to extract 1s and 0s from a physical chip with LOTS of security in place - security which will cost you a shitload (and I really mean it) of money to build equipment to circumvent.

  130. Just so you know where they are: by tod_miller · · Score: 1

    backed by giant software concern Microsoft Corp

    in context:

    Napster is currently offering a free trial of its new Napster To Go service, which will enable users for a monthly $US15 ($NZ21.21) fee to download as much music as they want and transfer it to a portable device. They can also pay 99 cents for each track they want to burn to a CD.

    That "rental" model for digital entertainment, backed by giant software concern Microsoft Corp and others, is getting its most serious mass-market tryout yet with Napster to Go.

    somehow that makes the pill easier to swallow :-)

    --
    #hostfile 0.0.0.0 primidi.com 0.0.0.0 www.primidi.com 0.0.0.0 radio.weblogs.com
  131. Funny... by MachineShedFred · · Score: 1

    I once heard about Bill Gates wanting to test out his latest mail server, so he sent a mail out saying that he would give everyone that forwarded it on a dollar.

    Oh wait, that was bullshit too.

    --
    Slashdot still doesnâ(TM)t support Unicode after it was added to the HTML standard in 1997.
  132. MOD PARENT DOWN by Anonymous Coward · · Score: 0

    C'mon. The parent obviously has an agenda. Everything said is vague and unsubstantiated.

    1. Re:MOD PARENT DOWN by Anonymous Coward · · Score: 0
      OMG ... how pathetic. Your first link, which is juvenial, quotes the second link as its source. Your second link has NO SOURCES and even has as its final paragraph ...
      Neither Apple nor Napster would comment on the e-mail exchange. Spokesmen for the major record companies declined to enter the fray.
      Then who are the sources?!? How do we even know this happened at all?!?

      This is yellow journalism.

  133. Wrong point about laws. by sombragris · · Score: 1

    The law is there to uphold the beliefs of society.

    No. The law should be there to uphold what is right and punish what is wrong, regardless of the beliefs of the society. This is because laws are not derived from society, but from the common Good (which is never to be identified with societal beliefs). If enough people are breaking a law, the people is wrong, not the law.

    Majority does not make something right. Tell that to poor girls with their clitoris cut by some majoritarian, but utterly wrong, belief held in some parts of the world.

    --
    -- Look to the Rose that blows about us--"Lo, Laughing," she says, "into the World I blow..."
  134. There's more than one way,,, by Anonymous Coward · · Score: 0

    The output stacker is a nice program, but it has problems with other winamp plugins sometimes.

    I would think it would be easier to use with a seperate recording program.

  135. On my one iPod by OS24Ever · · Score: 1

    The 'Purchased Music' list in iTunes has 536 tracks.

    There are currently 4736 tracks on my iPod. Every song on my iPod has been paid for either with physical media or iTunes Music Store.

    --

    As a rock-in-roll Physicist once said, No matter where you go, there you are.

    1. Re:On my one iPod by Anonymous Coward · · Score: 0

      You've spent half a grand on music in the space of a year or two? What the fuck is wrong with you!?

  136. I'm impressed by Anonymous Coward · · Score: 0

    Hundreds of thousands of songs on a single CD?

    WOW.......

  137. 100,000 songs on a cd? by ArmorFiend · · Score: 1
    "potentially letting them make CDs with hundreds of thousands of songs for free..."


    Wow, that's a lot of songs on a single CD, they've got to be very well compressed. Oooh, baby, lets hear that 0x7A song again. Its got a great beat and easy to dance to!
  138. Not true, no necessary quality loss by Anonymous Coward · · Score: 0, Informative

    Actually, if you just know the parameters of the first compression, then decompressing and compressing again with the same parameters and compression algorithm results in the same compressed binary. First you have a sampled wav, compressing that one and decompressing will result in another (distorted) wav. This distored wav will be the "perfect" fourier series match in compressing it again with the same parameters.

    So if the algorithm is known, this all ends up with one thing - what is needed, is a tool for figuring out the initial parameters (by trying the first couple of sampled frames for instance), and then using them on the entire file. Then you'll go through wav but not lose any quality whatsoever.

  139. double Bollocks by oliverthered · · Score: 1

    encryption has been cracked before by sensing the changes in current in an IC.

    You will always have control (or at least someone will and that's usually enough)

    --
    thank God the internet isn't a human right.
    1. Re:double Bollocks by Troed · · Score: 1

      I'm sorry that you don't believe that I know what I'm talking about. I'm very well aware that you could hack smartcards by measuring changes in current/voltage/timing when probing them (you could also clock-glitch them). That in itself has very little to do with what I talked about.

      The equipment needed to read out the bits from current "black boxes" is extremely expensive.

  140. Hundreds of thousands? by InfiniteWisdom · · Score: 1

    make CDs with hundreds of thousands of songs for free
    Personally, I wouldn't worry if people were cramming 100,000 songs on a CD. At 7kB/song, that's going to be some pretty crappy quality

  141. shouldn't the title read... by DuckWing · · Score: 1

    Napster is ON CRACK! With all the crap they've put people through. With whoever thought of the idiot idea of th $15 month unlimited music listening fee but when you stop paying the music stops working.

    --
    -- DuckWing
    1. Re:shouldn't the title read... by Ahnteis · · Score: 1

      The RIAA constituents I'm guessing. You KNOW they'd love a guaranteed income. Not only that, you'll probably STILL buy CDs you want to keep.

      That or the same people who have figured out how to charge us nearly the same price (compared to CDs at Walmart/Target) for lower quality, DRM-encrusted music without physical reproduction costs (and no cd-liner).

  142. Napster was right by EvilStein · · Score: 3, Funny

    Now it really IS cheaper than iTunes. :)

  143. Bang! Ow! My Foot! by Anonymous Coward · · Score: 1, Insightful

    You know, I hate to admit it, but it is exactly this sort of thing that lends some credibility to thugs of the RIAA. For years, users have been saying that all they want is a way to have their music accessible online, and that they would be willing to pay for a download service. Now, as soon as those services come available, those same people are finding and promoting ways to circumvent the security and steal the music! Frankly, this is nothing but bald-faced hypocrisy, and will only encourage further retaliation by the industry. In effect, you're shooting yourself in the foot.
    But I'm sure the in the posts that follow you will all prove me wrong by painting yourselves as dedicated hackers who want to "stick it to the man" and are only standing up for your own rights. Right?

  144. Re: BS- Confirmed by gmajor · · Score: 1

    Well your friend is wrong - it's now been confirmed by the LA Times.

    What is this, some Apple cabal tha I've awakened?
    http://www.chartattack.com/damn/2005/02/1603.cfm

    http://www.latimes.com/business/la-fi-jobs16feb16, 1,4754180.story?coll=la-headlines-business

  145. Why iTunes is different. by Anonymous Coward · · Score: 0

    Clearly the biggest difference between this and iTunes is unlimited unpaid music downloads for 14 days. I wonder if a single account can have parallel streams running? With iTunes music execs have at least the peace of mind that at some point someone bought the track at a price. One could download 2 weeks of non stop music- that's a lot of tunes, for free.

    Yours truly, AC

  146. Re: BS- Confirmed (not quite) by Anonymous Coward · · Score: 0


    Oh, wait, isn't this the same 'media' that brainlessly quotes blogs as 'reliable sources' without actually really waiting for verification from authentic sources.

    "Neither Apple nor Napster would comment on the e-mail exchange." is standard nomenclature for "We didn't bother verifying this, but it sounds cool".

    This has happened time and time again, and FUDsters like yourself love to point back to circular 'proof'.

    Aside from the key point - I fail to see how Jobs' actions were in any way unethical - if a competitor steps up claiming your product is 'stupid' and that they will bury you with something better, it's quite okay to point out 'Whoops!' when their strategy backfires.

    This is no different to Jobs' pointing out that Scott Blum's Buy.com raked up a $20,000 download bill on the iTMS (without so much as mentioning their name) while they kept claiming how lame the iTMS is...

    When you try to fight Jobs, you better hope you don't screw up - pointing out the obvious is certainly not 'unethical', you goob!

  147. Who would have thought it'd take /. this long ? by javaxman · · Score: 1
    Who would have thought it'd take this long for /. to get around to this story?

    I've been reading about this story for three days on different websites.

  148. Only true for lossless codecs by NickSD · · Score: 5, Informative

    This is only true for lossless codecs. This won't work for any lossy codec. You can't go from MP3->WAV->MP3 for example without quality loss. Same with WMA, AAC, and pretty much all the popular lossy codecs. For more information, see this discussion on HydrogenAudio.

    1. Re:Only true for lossless codecs by NickSD · · Score: 1

      Also, just to be clear, I'm just pointing out that no popular lossy codecs (MP3, WMA, AAC, etc.) allow you to do what you described. In theory it would be possible to make a lossy encoder that behaves predictably in such a way, but that's not likely to happen (it's not a good approach).

    2. Re:Only true for lossless codecs by GROOFY · · Score: 1, Interesting

      ...FLAC is lossless. So is WAV. o.O Explain the difference between your example and his. Or, alternately, explain how converting mp3>wav>mp3 will create loss?

    3. Re:Only true for lossless codecs by Anonymous Coward · · Score: 0

      Anybody got a recommendation for LAME CBR re-encoding bitrate? I'm tempted to just use 320kbps to be sure I'm losing as little audio quality as possible during transcoding, but I'm thinking that's probably overkill considering the source files are only 192kbps...

    4. Re:Only true for lossless codecs by Anonymous Coward · · Score: 1, Informative

      You're actually going: WAV -> WMA -> WAV -> WMA.

      In the first WAV -> WMA conversion, you introduce quantization errors. More are introduced in the second step. The lower the bitrate, the bigger the problem

      If WMA was a simple bandpass filter, you could convert between it and WAV as much as you like. It's not.

    5. Re:Only true for lossless codecs by Khazunga · · Score: 1
      This is only true for lossless codecs. This won't work for any lossy codec. You can't go from MP3->WAV->MP3 for example without quality loss. Same with WMA, AAC, and pretty much all the popular lossy codecs. For more information, see this discussion on HydrogenAudio.
      It's certainly true for wav->mp3->wav->mp3 if the first encoder loses the same frequencies as the third encoder in the pipeline -- and assuming there are no losses in the mp3->wav conversion.
      --
      If at first you don't succeed, skydiving is not for you
    6. Re:Only true for lossless codecs by X0563511 · · Score: 1

      Past 196 i can't tell a difference, and most of my friends would call me an audiophile (but i've never heard audio above 16bit). 256k would be a good one, you shouldn't be able to hear the difference.

      I prefer to use OGG, only because it seems that a 64k ogg file sounds like a 128k LAME MP3. At least over Icecast2 and ices2. It sucks having to use MP3 for mp3 players. I wish they would at least give you the option of putting OGG in as replacement(you can uptate the firmware on my model, it can handle mp3, mp3pro, wma now. started as mp3 only)

      --
      For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
    7. Re:Only true for lossless codecs by NickSD · · Score: 1

      That would work only if mp3 encoders worked the way you described ("loses the same frequencies"). They don't... See the discussion I linked to for a full explanation of why. There's a reason I posted that link. :)

    8. Re:Only true for lossless codecs by theLOUDroom · · Score: 1
      This is only true for lossless codecs. This won't work for any lossy codec. You can't go from MP3->WAV->MP3 for example without quality loss.

      Not true.

      You loose information when you change algorithms, or when you run up against specfic algorithms with specfic glitches, but there's no reason you can't have a "lossy" codec that will go Codec=>WAV=>codec and give you the EXACT same bits as you had before.

      I can't speak for any of the major audio codecs, but to say that this is a problem for ALL lossly codes is simply just not true.

      In general, if you know enough about the system that did the coding, you could make a copy of a DRMed audio file via a WAV output with zero quality loss. The caveat will be that you're such using the EXACT same algorithm they did.
      The only way this would not be true was if random number generators we somehow involved.

      Let:
      the original .wav file = X
      Encoding algorithm = f(x)
      Decoding algorithm = g(x)
      Re-encoding algorithm = h(x)

      1. The studio creates Y = f(x). You want to get Y (it's the best you can do).
      2. You play it back to a .wav file to get Z = g(Y) = g(f(X))
      3. You know Y. You know g(x). You create h(x) such that h(Z) = Y. This is the inverse function of g(x).

      The caveat here is that h(x) may of may not be the same as f(x), so while you may be able to go from MP3=>WAV=>MP3 without losing any data, the function you use at the second step may be a different one than the one originally used to encode the file.

      Note:
      It might not be possible to generate an inverse function for MP3, WMA, etc. I doubt this as we're talking about file formats that we designed for playback, not secure hashing functions.
      In the weird event where an obvious algorithm is not available, at a bare minimum it is still possible to conduct a brute force search for Y by trying different input values to g(x) and comparing the output to Z.

      Perhaps someone more versed than I in audio compression algorithms can comment on the availibilty of inverse functions for the popular decompression algorithms.
      --
      Life is too short to proofread.
  149. Hundreds of thousands of songs... by s88 · · Score: 1

    Wow! Where can I get this technology that lets you burn hundreds of thousands of songs on CDs? My stupid format only supports 700MBs per disc. That must be a pretty crappy quality encoding.

  150. I'd pay a lot of money... by po8 · · Score: 1

    ...to be able to make a CD with hundreds of thousands of songs. My MP3 CDs seem so limited by comparison.

  151. WOW by X86Daddy · · Score: 1

    potentially letting them make CDs with hundreds of thousands of songs for free...

    I just want to hear more about this amazing new CD burning technology!

  152. One more time... by hummassa · · Score: 1

    Please tell me how you'll be able to extract the information from your memorystick when you just reflashed your phone, erasing the cryptographic key needed to decrypt the content.

    Who said I need to erase each and any crypto key to reflash my phone? It can be copied before I reflash, and it can be in the new image I reflash to the phone, too... nonsense.

    We're back to you being able to run software on your phone, while still being able to access the key. To do that, you probably need to circumvent the cryptographic checks that are in place to see if the software you're trying to run/flash is signed with the correct key.

    Now you are making a little bit more of sense. But I can hash the old image, too, and send the old signed hash when software on the other side asks for the signed hash of the flash image of the phone...

    So, again. Please tell me the private signing key used for signing Xbox games. That we found bugs in the Microsoft implementation (bunnie found a key travelling in cleartext, myself and Franz found out they used TEA for hashing which it's not good for) only means that that implementation wasn't good enough - a new one might be.

    Hey, in public-key crypto, all you have to do to issue another private key and then mod your XBox so you check against the new public key. It's easy, a lot of people do it. And it does not make a bit of difference to what I said.

    In the end you'll discover that you need to extract 1s and 0s from a physical chip with LOTS of security in place - security which will cost you a shitload (and I really mean it) of money to build equipment to circumvent.

    No, silly, the private key is not there to begin with... you are mixing apples and microsofts :-) ... The private key is locked somewhere in the Microsoft HQ, very securely. Public-key crypto is very different than the normal one-key-crypto schemes that DRM normally uses. But, the public key is easily gettable inside the box (obviously, or otherwise, you would not be able to play any game).

    If you want to de-DRM some media stuff that -- for instance -- shows only in your XBox, mod it, copy the stuff to the HD, de-DRM it (fooling the DRM to think your XBox is not modded), send it via net to another computer, and voila there you have your supposedly-protected media so you can make it available in FastTrack or wherever.

    So, my point stands. There is no DRM. You can enforce DRM, as mrchaotica said, if you have a 1984-like police state. I.e., it's really difficult.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    1. Re:One more time... by Troed · · Score: 1

      I recommend any beginners book in crypto - most of what you wrote above is utter nonsense.

      *) No, you can not extract the keys before you reflash your phone. You do not have the possibility to run code on the phone to do it.

      *) No, you cannot hash the image. You do not have the code used when hashing

      *) No, you can not issue another private key. It will not create signatures the Xbox will accept. No one does it.

      *) The public key is not easily accessed within the Xbox, and even if it were it doesn't help you at all. ... the give away is that you seriously suggest that to de-DRM the Xbox you first mod it. Silly - I wrote in the beginning that just because we found a few bugs in Microsoft's implementation it doesn't mean the _method_ is wrong. Without those bugs you wouldn't be able to mod the Xbox - thus you wouldn't be able to circumvent the DRM.

      DRM exists, protected by the fact that it's economically not feasible to use multi million (billion?) machines to extract keys from .. cellphones, computers and videogames.

      You're free to not believe me, of course. You're wrong anyway.

    2. Re:One more time... by Otto · · Score: 2, Informative

      I recommend any beginners book in crypto - most of what you wrote above is utter nonsense.

      To be fair, so is most of what you wrote.

      The point here is that you're talking about two or three different things simulataneously. The XBox, for example, doesn't have DRM. It has various protections, I grant you, but calling these DRM is a bit outside the usual scope of the term.

      Getting back to the original post you made:
      Please tell me the private key used for signing Xbox games. I'm well aware that we (my wording here is intentional, and a giveaway) managed to circumvent it anyway, but all things are most definitely NOT hackable.

      Why would you need their private key? The answer is that you need the private key in order to create a game to play on a stock, unmodified, XBox. Realistically, this capability has very little to do with the hackability of the XBox itself. You can hack the XBox up down and sideways without the private key, you just can't create a game to play on a non-hacked XBox without it.

      You're free to reflash your cellphone, but will you be able to extract the DRM-protected content on your memorystick?

      One way or another, yes, you will. If you can read the memorystick, then you can try attacking the encryption directly. If the memory stick doesn't actually contain the decryption key (say it's in the phone), then you can disassemble the phone, hook it up to a chip reader, and find/extract the decryption key. Don't care for that? Then rewire the phone's audio headphone output to go to a computer's line input and analog record the thing. Easily enough done.

      Whatever, the point is that somehow, someway, if you can hear it, you can make a copy of it. And furthermore, if you can hear it, then it's possible to make a *perfect* copy of it, although it may not be feasible or may be quite difficult to obtain the necessary keys (not everybody is up to disassembling their hardware and using EPROM readers and such).

      DRM, broadly defined, is the attempt to use technology to separate the acts of experiencing content and copying content. Since the content must be accessible to experience it, it's impossible to also make it inaccessible for copying purposes. There's no real-world difference between the two. They can make it as difficult as they like with the use of custom hardware and proprietary formats and such (although taken too far they run the risk of losing their customers), but it cannot be made impossible.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    3. Re:One more time... by Herbmaster · · Score: 1
      The difference between an Xbox and DRMed music files is that DRMed music files are playable using software, running on an operating system, running on hardware, all of which you have direct access to or control of. You get find the decryption key from the software. You can extract the decrypted data stream from memory. It may be hard, but it will never be prohibitively so. The public key can be extracted from an Xbox. I don't know how hard it is or how expensive the fancy tools to do it are - I don't really care - but fundamentally, it can be done. Microsoft gives it to you inside of the Xbox, it's not magical.

      The trick here is to never accept a closed system, never surrender your control of the hardware and operating system to someone else.

      --
      I'm not a smorgasbord.
    4. Re:One more time... by Troed · · Score: 1

      If you can read the memorystick, then you can try attacking the encryption directly. If the memory stick doesn't actually contain the decryption key (say it's in the phone), then you can disassemble the phone, hook it up to a chip reader, and find/extract the decryption key.

      The encryption is too strong, and your second argument is exactly the same as I brought up - it costs way too much to extract the key from the actual black box chips.

      You can hack the XBox up down and sideways without the private key

      As I've already written, only because we found bugs in their crypto implementation. If those hadn't been there, you would've needed the private key.

      I'm sorry that you thought my post contained nonsense, but I cannot see that anything you wrote supports that statement.

    5. Re:One more time... by hummassa · · Score: 1

      * yes, I can extract the keys, yes I can run code on my phone before I de-flash the original flash. and you can run code in a lot of new phones.

      * as the other answer to your post noted, you can run in modded x-boxen

      ah... you're trolling... sorry everybody, nothing to see here.

      --
      It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    6. Re:One more time... by Troed · · Score: 1

      Both your statements above are false. Why do you insist on stating things that aren't true? What do you think you're gaining from it?

    7. Re:One more time... by Otto · · Score: 1

      The encryption is too strong,

      I think you missed the point. Regardless of how strong the encryption is, at some point you have to be able to actually hear the damn music. Meaning that at that moment, you will have everything needed to decrypt the song. Encryption key, encrypted data, algorithim. Because without the ability to decrypt the thing, you can't possibly be listening to it.

      and your second argument is exactly the same as I brought up - it costs way too much to extract the key from the actual black box chips.

      Define "cost"... Because while I may not have this sort of equipment lying around, somebody does somewhere. And for them the cost is effectively zero, as they're just spending their own hobby time to do it.

      The simplest DRM you can postulate is for the player to have an encryption key built into it (thus hard to get at) and the song to be encrypted. This means that the song will only be playable on that player. Yes, this is hard, but it's also not a particularly user-friendly way to go, which is why they never do that sort of thing.

      The requirements for effective DRM and the requirements for actually making a product people will buy are in conflict. Thus a truly effective DRM would not sell well.

      As I've already written, only because we found bugs in their crypto implementation. If those hadn't been there, you would've needed the private key.

      Bunk. The bugs were used because that was easier and more effective, but if it came right down to it, you could simply replace the public key on the device with a key of your own choosing by simply burning a replacement ROM chip or whatever. With a different public key, one that you do know the matching private key to, it could be hacked.

      Again, the *only* reason you need the private key is to make things work with the public key that is already in the device.

      And also, this is still not "DRM".

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    8. Re:One more time... by Troed · · Score: 1

      You're wrong about the Xbox, it's as simple as that. Read up on the subject before you try to correct one of the persons who did indeed break it. You can not replace the ROM-chip since it's protected by a hash (i.e, your replacement won't execute) and the key used to check the hash is inside one of those chips that's EXTREMELY expensive to open up and read the bits from. And no, people don't have that kind if equipment laying around.

      at some point you have to be able to actually hear the damn music. Meaning that at that moment, you will have everything needed to decrypt the song ... and if you don't have control of the execution environment this doesn't help you at all - and that means we're back to where we started.

  153. Working URL to the Plugin by TheoMurpse · · Score: 1

    http://forums.winamp.com/attachment.php?postid=159 3266

    Honestly, why is it so hard for people who post to add "<URL:" and ">" to the links they put up?

    1. Re:Working URL to the Plugin by Anonymous Coward · · Score: 0

      Maybe the point is that by making you cut 'n' paste and retype the referer is blank and slashdot isn't simply added to an excluded referer list? ;)

  154. Why Bother? by Junior+Samples · · Score: 2, Interesting

    There's nothing on Napster that can't found elsewhere on the internet without charge. The free choices are usually encoded at a higher bite rates. They're not encumbered with Digital Rights Management and the overall quality is usually better.

    Don't waste your time with crippled audio formats. If you really like the stuff, go buy the CD and rip it yourself.

    If you are going to pay $15 a month for a subscription, you are probably better off with XM Radio (which is also rippable).

  155. Already figured a way around it by Anonymous Coward · · Score: 0

    Simple. Run all the secure super-drm enabled stuff you like. Just run it in Windows under Qemu. Then record from /dev/dsp. Simple.

  156. Brooklyn - They DID advise! by Anonymous Coward · · Score: 0

    "We're not going to advise you to do anything untoward, but apparently if you install Winamp along with the Output Stacker plug-in you can convert those protected WMA files to WAV files and then burn them to CD without paying a penny. Or at least an extra penny," Engadget.com said in an item on its site."

    Uhh.. idiots, you *DID* advise.

    Brooklyn.

  157. Go deeper. by Eunuch · · Score: 1

    I want to go to rock concerts to blow out my ears as soon as I can. There are hearing aids that plug directly into the brain stem. And they have an audio jack so you can pump sound directly into your brain. IP will go the way of slavery eventually.

    --
    Transcend Humanity. Please.
  158. Bollywood's copy protection scheme by PsiPsiStar · · Score: 2, Funny

    Bollywood has a method of preventing their movies from being copies which is virutaly foolproof.

    They produce mostly Hindi musicals.

    --

    ___
    It's the end of my comment as I know it and I feel fine.
  159. OK, no problem... by rbarreira · · Score: 1

    I'll get a simple cable and connect the sound card output to it's input. Then I'll record the songs. Of course I'll loose some quality if it's an analog output, but is it really that significant? I don't know, I haven't tried...

    --

    The AACS key is NOT 0xF606EEFD628B1CA427BEA93A9CA9773F
    1. Re:OK, no problem... by yeremein · · Score: 2, Informative

      I'll get a simple cable and connect the sound card output to it's input. Then I'll record the songs. Of course I'll loose some quality if it's an analog output, but is it really that significant? I don't know, I haven't tried...

      There will be a loss of quality from the D/A->A/D->recompress process, but it might not be noticeable if you have a good sound card and you have the volume levels set appropriately so as to maximize the signal-to-noise ratio without clipping.

      Don't think the RIAA doesn't have their eyes on that method too, though. They'd like to see mandatory watermark detection in all analog-to-digital converters in order to plug the so-called "analog hole". See the EFF's Endangered Gizmos list for more info.

    2. Re:OK, no problem... by rbarreira · · Score: 1

      Yes, that's why I said "if it's an analog output"... There are digital outputs too. Thanks for the link, I'll check it out :)

      --

      The AACS key is NOT 0xF606EEFD628B1CA427BEA93A9CA9773F
  160. Nope, completely wrong. by SigNick · · Score: 1

    Mixed copyright law with the EUCD?

    Circumventing copyright protection schemes is absolutely NOT illegal in Finland - at least yet.
    This is one of the few benefits from paying Teosto huge levies on every media.

    Finland has ratified the EUCD directive but not merged it's own regulations to support it so for the time being you can crack, hack and reverse-engineer as much as you like.

    Copyright infringement was, is, and will be illegal - the EUCD just makes circumventing any protection illegal too (even if you legally own the software/movie/music/other digital content.). No idea how it would affect Teosto levies, from what I've heard it's one of the main reasons the EUCD isn't merget yet (the original date for merging was 2002/12).

    --
    Capitalization is the difference between "Helping your uncle jack off a horse" and "Helping your uncle Jack off a horse"
  161. Now? by rjung2k · · Score: 1

    Do such people really exist?

    They do now!

  162. Re:It's successor? by Anonymous Coward · · Score: 0

    I wish he'd let consumers decide which service is better

    I just want to point out to you, since you brought it up, that you're talking about steve jobs emailing the record company executives, who are consumers of song distribution services, like itunes and napster. I wish you'd let those consumers decide which service is better. And hey, I'm an independent music producer, not part of any major label.

  163. DRMs Control Consumers in a Monopoly by Anonymous Coward · · Score: 0

    > It has been my experience that it is much better to lean toward ignoring piracy for the sake of our law abiding customers rather than to hurt everybody to stop the few bad apples. Our customers end up being much happier, and we also get fewer support calls. Win-win.

    Not when you have a monopoly on popular products or cartels controlling addictive entertainment. In these circumstances, DRMs are used to control consumers, not stopping "the few bad apples." Have you ever seen a DRM scheme that stopped these "few bad apples?" Every time you propagate DRMs are there to stop "the few bad apples," you're proving their propaganda's success.

    These cartels won't settle for anything less than "Win-win" for themselves, not win for them and win for consumers. If only consumers use less harmful entertainment, these cartels would lose their grip quickly.

  164. Hmm wrong country by Anonymous Coward · · Score: 0

    Installed Napster and after running that it says Invalid country code. We're sorry Napster is not currently available in your country. If you feel you have reached this message in please contact customer support.

    But there is also conforming message "If you are in the United States Military serving overseas click here" https://thor.aafes.com/ics/default.asp?loc=vendor/ centricmall.asp/

    There goes my 14 day trial.

  165. Artists' Fault by Anonymous Coward · · Score: 0

    Unfortunately, the rich artists become members of the RIAA. Plus, new artists sign their rights away to the RIAA, not someone else.

  166. Lol @ slashdot's editors... by Elusive_Cure · · Score: 1

    The funny thing is that i submitted this story 2 days ago and it was rejected.... this guy here describes a how to by using 3 boxes, although i suppose one is enough for this kind of task...

    --
    Roses are red, violets are blue, most poems rhyme, but this one doesn't... ;^)
  167. Lol @ slashdot's editors... by Elusive_Cure · · Score: 1

    The funny thing is that i submitted this story 2 days ago and it was rejected.... this guy here describes a how to by using 3 boxes, although i suppose one is enough for this kind of task... http://blog.kordix.com/marv/archives/000400.html

    --
    Roses are red, violets are blue, most poems rhyme, but this one doesn't... ;^)
  168. Just in case by Anonymous Coward · · Score: 0
  169. All your bass.. by kn0tw0rk · · Score: 1

    ....belongs to us?
    That sounds like trebble :P

    --
    See my art -> http://herbevore.deviantart.com
  170. No! You are regurgitating propaganda by Anonymous Coward · · Score: 0

    You're full of fallacies and false logics. Maybe you and your mods ate too much of their propaganda.

    > Drop the price to $5/month and my music budget increases from $0 to $60 per year.

    If you have a cartel on distributing addictive entertainment and your only goal is to make money, would you be stupid to lower your prices? Would you relinquish control of your distribution cartel allowing competitors to join your market, thus increase costs for better quality and lower prices?

    > Sure enough, the DRM industry is helping the music industry -- just not in the way it appears at first glance. A combination of fantasies are being satisfied at the same time. RIAA is convinced that DRM will eventually stop piracy, the DRM vendors have a continous market for "upgrades" as each layer is cracked, while the continuous circumvention of DRM ensures plenty of interest in online music.

    Do you think the RIAA doesn't know all of their DRM schemes failed in the past? Haven't you heard the entertainment cartels admitting their DRM usage isn't to prevent the determined? If you know their technical DRM failures and their DRM targetting the undetermined, isn't it logical DRM's usage only apply to the paying and clueless consumers? Do you think clueless consumers know how to backup or make copies of their DRM originals? Do you think clueless consumers would rather waste their time learning compared to dropping money for a new format of the same content after every few years? How many consumers, who don't know the difference between IE and the internet, do you think exist to classify them as clueless consumers? Do you think these cartels will want you to keep upgrading to different formats every so often, when they change new DRM schemes? Do you think clueless consumers basically pay for new DRM schemes instead of new contents? Do you think the cartels didn't account costs of DRM schemes into the music that clueless consumers buy? You think clueless consumers buy music online because they have interests in cracking DRM instead of enjoying the music?

    Are you still going to buy into their propaganda and products? Is it too difficult to find the answers? If so, by all means, enjoy their propaganda du jour.

  171. Artist Rights Smokescreen Engaged, Captain! by serutan · · Score: 1

    "...although we give people a way to enjoy music while respecting artists' rights."

    Yeah, by paying money to record companies, who then withhold it from the musicians according to the terms of their contracts. The musicians get no more money when you pay for the service than when you use it illegally.

    I wonder sometimes, are these spokespeople pathological liars or do they actually believe their own PR?

  172. psychoacoustics by Anonymous Coward · · Score: 1, Informative

    People tend to prefer what they are used to. A normal turntable and tone arm adds distortion due to tracking error and also has a higher noise floor than a Cd player. This makes it possible to tell which you are hearing...and since the technically worse solution is what they are used to that is what they prefer. Double blind tests were done way back in back thirties or forties which showed that people preferred music with all the high frequencies removed to the real thing. They were used to the radio performance of the times, so live muic sounded far too bright and edgy.

  173. And you thought Timothy approved st00pid stories.. by Anonymous Coward · · Score: 0

    ... but this new guy takes him look like a s00pergenius!

  174. Re:Napster will pull the 14-day free trial by benna · · Score: 1

    Doesn't matter. Its still an amazing deal to download unlimited music for a month for 10 bucks.

    --
    "It is not how things are in the world that is mystical, but that it exists." -Ludwig Wittgenstein
  175. Re:Bang! Ow! My Foot! by benna · · Score: 1

    Personally, I just don't believe in intellectual property period. Physical property is bad enough.

    --
    "It is not how things are in the world that is mystical, but that it exists." -Ludwig Wittgenstein
  176. Now a reason to pay for Napster by charlieb0y · · Score: 1

    $10 a month is reasonable. Finally I can easily convert the files to play on my ipod and also stream them through my Tivo. I think many others will agree that this is an acceptable service to pay for when we can now listen to the music we want on the devices we already paid a lot of money for.
    This "crack" alone has made me a subscriber. But without it, I am not going to spend my time searching P2P networks or other places to find music. I'll just do something ELSE. Treat this as an unofficial "feature" of the service. I understand that this inhibits tracking for royalty purposes when done, but remember that this is money you're getting that you wouldn't otherwise have. Certainly you can divide the EXTRA money based on the statistics you DO receive.

  177. USofA's government is big but is not all. by hummassa · · Score: 1

    You know, more than 90% of the world's population are not under the weight of USofA's stupíd regulations. We have our own rules, some of us are quite good in following those, and our rules can be relatively sane -- much saner than the DMCA, that is completely insane.

    The USofAn gov'ment can be easily *AA-persuaded, but the other countries' are not the same.

    The problems with criminalizing attempts to defeat DRM are:

    * you criminalize acts that should not be criminalized (reverse engineering for instance)

    * you criminalize the possesion or use of tools that increast productivity and security

    * you create slippery slope

    * it's immoral to defend a business model that is doomed because it's based on selling a high number of ultra-low-cost copies of something for a price not-so-ultra-low

    * some countries and their governments realize the last point.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
  178. country specific? by nloop · · Score: 1

    Apparently napster are frenchphobic. After installing succesfully it tells me upon launching that napster lite can not run in my country. This makes little sense. First I assumed it was for legal purposes but last I checked the RIAA was an American organization. Bizarre

  179. Re: How many songs do you want to have? by coachvince · · Score: 0

    Okay, I went home and checked. I've got 5000+ songs as mp3 files, and theres lots of music I can think of that I don't have. Okay, so much of that came from ripping my 100s of CDs; but not everybody does it that way.

    500 songs? Just think of 100 bands you like 2 songs from, and 4 bands who you just have to have all 50 (pulling a # out of the air) songs they've ever released. And don't forget to count all the 100 1 hit wonders and so on, or if you actually have a spouse or sig.other who likes some tunes, too. And the idea is that I don't have to know them off the top of my head; I look through the PC and see them.

    --
  180. method works outside of napster by cspeye · · Score: 1

    you could probably use the same idea on any sort of sound that comes out of your computer. like you could use yahoo's launch music video service and rip out the sound from there. for free. and forever. napster really doesn't deserve to be the target of all this hype.

    1. Re:method works outside of napster by zbuffered · · Score: 1

      The challenge with Launch is getting the filename that corresponds to a given artist - track name. Yahoo stores the files as unencrypted .wma files -- I could give you the URL to one, and you could download it with NetTransport. But unless you knew the artist - track name, you'd have to guess or been told it. Essentially this means that while you can save the files, you have to do so manually, and you have to name each one.

      Take a look at the source code for the Launch player -- get into the javascript, see if you can figure out where the track information comes from.

      This Napster technique automatically preserves filenames, even creating MP3 ID3 tags if you use out_lame. Essentially, you select a group of songs to be downloaded, then convert them to unencumbered MP3 (or whatever format you prefer). Rather than with other implementations such as Yahoo that require manual naming.

      --
      Synergy is your friend
  181. Troed, you are still wrong. by hummassa · · Score: 1

    All you have to do (that how my modchip works) is to fool the loader presenting it with the old rom to hash (thus making it load it) and then, after, switch the rom for another one, modded. Once you switch to this second ROM, the environment is yours to do whatever...

    Cell phones are not different. My neighbour is a private eye. He has a box (costed him less than US$1000, and is nicely shaped as a briefcase) that you attach to a Siemens A* phone and voila. It uses the phone hardware to make calls, fool the cell phone towers in many different ways, intercept other people's calls etc. If he grabs your phone -- and I've seen him doing it -- it can reflash it with a ROM that, for instance, when you turn off your phone, it just turns off the display and makes a hidden call so he can hear what you're talking around the phone.

    You are trolling unstoppingly, and I did not understand why. My point (and a lot of crypto experts will agree with me) is that there is no real DRM because when you can listen to something or watch something, you have the data. As a last resort, you have it in analog form (just connect your DRM-d iPod to your Line-In in the computer), but usually you have it in digital form, too.

    Using the police (DMCA) to leverage DRM protection is not an option -- it's the digital version of the Prohibition and of the War on Drugs (those did not work, remember?)

    I used the word bollocks because you used it first, but this just set you off into orbit. So, let's try again, friendly:

    Hey, there is no DRM.

    Let's try to implement DRM with cryptography:

    film -> ADC -> file -> encrypt -> send -> decrypt -> DAC -> watch

    now, you disassemble the watching gadget, put a tee-junction before the DAC part and you have... ... -> decrypt -> write to some port so you can get it into any HD.

    voila. no more encryption.

    See my point? Unless, of course, your watching gadget is all in ONE IC (cell phones?), but even then you can usually make a software "tee-junction", exploiting security holes in the phone's software, etc.

    And I have read a lot of crypto books, thank you.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    1. Re:Troed, you are still wrong. by Troed · · Score: 1

      Since all the facts you need have already been posted, this is how I'll end this.

      1) I'm one of the "Xbox hackers". There's nothing you can teach me on how the security works in it. I say you're wrong in your beliefs on how it works, and I'm the only source needed for that statement.

      2) I work for a cellphone manufacturer, as a software developer on the operating system. When I make statements on how DRM could work (_could_ since I'll never disclose actual facts from my employer) I'm also the only source needed on what can and cannot be done - especially since I am considered quite knowledgeable when it comes to security/crypto.

      To crack the Xbox, without the bugs we found in their implementation, you'd need either a break in the algorithms used or you'd need access to the private RSA signing key - or - you'd need hardware that's extremely expensive and that could read 1s and 0s from the MCPX. That's a factual statement, deal with it.

      You're correct in that you'll always be able to make analog copies of music and movies. That's irrelevant, the DRM industry isn't seriously trying to stop you since those copies are considered degraded. When there's a possibility for non-degraded copies, you'll see (again) the industry turning to hardware, like the "no broadcast" flag or whatever they call it. In the end, we'll always come back to DRM being protected by the fact that reading 1s and 0s from hardened chips is extremely expensive, thus it's not beneficial for "pirates" to do it on all sorts of electronic equipment.

  182. Both of three? by hummassa · · Score: 1

    In the light of your other post (where you say you work for the cell industry etc) I am relieved and glad that you are so naive.
    Go Bears!

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
  183. Motivations by hummassa · · Score: 1

    Is DRM ethical?

    It is often within the rights of and ethical for authors and publishers to restrict freedoms. Even the GPL, poster child of the Free Software licenses, relies on restrictions enacted through copyrights and license to guarantee certain things can not be done. So simply saying DRM restricts freedoms does not mean it's unethical or somehow inately wrong.

    But restricting certain types of freedoms is. for instance, it is generally considered unethical to restrict some one else's freedom of speach outside of certain exceptional circumstances. Similarly, removing someone's rights to fair use and negating the doctrine of second sale is also generally considered not right. Because of this, second hand book and music stores are possible and even thrive. You know, like Amazon.com ;) These issues have been tried in the courts of the USA and other countries and things like photocopying, second sale, etc have been upheld. So now industry is trying to work around the legal system by inventing one of its own where the judge and jury are themselves and the police are bits of DRM code.

    Since this is the most common use of DRM when it comes to media, DRM is usually considered to be generally negative. And this is before we even get to looking at secondary effects like making any media non-accessible to those with disabilities as it removes their ability to recode the data into a something they can use.

    So while DRM itself is not unethical in my opinion, it's general application today more often than not is. Invent all the possible good uses for it you want, in the real world it's used to limit previously guaranteed rights and to rob the blind, well, blind.

    But there's something that trumps all the philosophizing in the world: pragmatism.

    Let's get realistic: DRM only works when the user has their freedom removed prior to the DRM being introduced. It's a lot like sucker punching someone when they are expecting it: it's much easier to accomplish this task when you have a couple of friends holding them down. Otherwise they can just step out of your way.

    DRM is a freedom removing sucker punch. It's a "sucker punch" because it isn't tied to any mutual interests between the creator and the audience, nor is it done with any consensus outside of the will of the publisher (which may not be the creator). No, instead DRM tries to enforce the will of the publisher by forcefully removing freedoms by implicitly assuming the user can't simply remove the DRM enforcement mechanisms.

    What does DRM really protect?

    DRM protects a business model that relies on something that no longer is true: that it's prohibitively expensive to copy large volumes of information. Instead of looking at ways to reform the premise of the industry and instead of engaging the consumer market, they are trying to force the world back into the 1800s by making modern technology behave more like antiquated technology. How could the business of publishing be changed to keep up with technology, rather than try and deny it?

    DRM also primarily protects the publisher. Not the author and not the consumer. If the author and the publisher were more closely related that would be one thing. Today, they often aren't. This tends to raise people hackles. Publishers need to reexamine their place in the world, or risk taking down not only themselves but also the authors many of them truly wish to promote and help through their creative process. Most disgusting is the use of DRM by publishers on works that are in the public domain.

    DRM also protects business interests from the law. By creating their own extralegal means to define the rights of the audience, we are seeing the formation of a dangerous precedent: economic interests playing the role of government. And this is the most extreme problem I see with DRM.

    These are just some of the Big Questions with Hard Answers. just ask Lawrence Lessig.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
    1. Re:Motivations by Troed · · Score: 1

      Why did you post this? Do you think I've been advocating DRM?

      On the contrary. I've just stated that the "everything can be hacked" mentality is wrong, and described technically how that can be.

      You seem to have a weird obession about this.

  184. Really? by hummassa · · Score: 1

    If you are not advocating DRM, then you are really naive. My credentials: I have a hacked XBox running Linux, a hacked Nokia 6820 phone with stealth "spy microphone" mode, and an actual metric ton of equipment I amassed in the last 10 years in the field of network and gadgets' security. I think I can hack everything that is in my hands and that is mine to hack. I don't rent or let phone companies lend me phones -- I buy them so I can hack them (first buy doctrine is part of our consumers' law, too).

    As a lot of bomb defusers would tell you, even things engineered to explode when tinkered with can be hacked, if you try it "the right way" (disclaimer: I actually know three bomb experts).

    And to complete: you admit in one of your posts that you could exploit some bugs in the XBox and then you say that "it was luck those bugs were there or something." I am just arguing that it wasn't luck, it's a high probability that bugs will crop, enough people tinkering will find them ... in the XBox, in a cell phone, and in any commercialized gadget. Simple as that.

    But to be sincere, since you are bugging and trolling me without dropping, I became decided to have the last word, and to enjoy myself in the process.

    --
    It's better to be the foot on the boot than the face on the pavement. ~~ tkx Kadin2048
  185. Re:Bang! Ow! My Foot! by zbuffered · · Score: 1

    Nobody knows how many people are using Napster in this way. It could be 1% or 97%. Useage would be approximately the same either way. So if they're not panicking one bit right now, which I don't think they are, I think they're going to let this slide under the door.

    --
    Synergy is your friend
  186. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion