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Legal Music Downloads At 35%, Soon To Pass Piracy

bonch writes "Entertainment Media Research released a study stating that 35% of music listeners are using legal download services, and that the percentage will soon surpass illegal downloads, currently at 40%. Slashdot has also previously reported on services like iTunes gaining in popularity over P2P services. "The findings indicate that the music industry is approaching a strategic milestone with the population of legal downloaders close to exceeding that of pirates," said Entertainment Media Research chief executive Russell Hart.'"

467 comments

  1. Bah.. by Anonymous Coward · · Score: 0


    Legal downloads? What's the internet coming to?!

    1. Re:Bah.. by aklix · · Score: 0, Offtopic

      Yarr, thair just cleaning the poop deck.

    2. Re:Bah.. by Anonymous Coward · · Score: 0

      damn, i'm sorry... had to turn my system off from that thunder-storm here in seattle today. i really do need a UPS so i have less to worry about... i'm back online now tho... LET THE PIRACEY CONTINUE!!!

    3. Re:Bah.. by muszek · · Score: 5, Interesting

      Actually "legal downloaders", not "legal downloads".

      I just hate when people quote statistical data and have no clue about what they're doing. They usually re-interpret the data and reproduce the information that's either incomplete or false. False this time... 35% of people download music and it's kinda stupid to write that it relates somehow strictly to the number of downloads.

      On average I probably buy around one bar of candy a week. If it was free (that's what pirated music is about, right?), I bet I'd eat more.

      Sorry if it seems unimportant, I just kinda get pissed when negligence leads to misinformation.

    4. Re:Bah.. by markwalling · · Score: 1
      makes alot of sense. why pay a doller for a song when you can go on a p2p network 10 min after it comes out and find it there.

      perfect example: when the foo fighters released their single "exclusively" on iTunes, it was available on limewire in probably 5 min from when it went up on iTunes.

      --
      ...For the beast had been reborn with its strength renewed, and the followers of Mammon cowered in horror.
    5. Re:Bah.. by Anonymous Coward · · Score: 0

      As long as you're in Seattle, Qwest just upped their DSL here from 1.5mbit down to 7mbit for $10 more. Hopefully this will make it easier to catch up. :D I'm thinking two things - are these stats as full of crap as most stats about this topic are? And the other was "Damnit, I haven't been downloading enough Metalica!"

    6. Re:Bah.. by Frit+Mock · · Score: 1


      Such news might be a change in the behaviour of the music industry.
      Probably the recording industry has learned the hard way, that their lawsuit-campaigns causes a lot of bad reputation and in a second stage this bad reputation causes a loss in revenue.
      However, they have moved themselfs onto a dead-end road with their actions. They cannot defeat p2p and piracy and therefore they would have to continue their hopless fight, that leads to even more bad reputation. They can't just say they won't take any further legal actions, unless the threat seems to be "resolved" somehow. They would loose face, if they simply retreat!

      A possible way for the recording industry is put on a brave face and harm down the threat. By saying "ok, piracy was a big threat, but now we came around that", then they have a chance to end their actions that cause so much of bad reputiation. By doing it that way, they don't look like the losers on that battle, it looks like a victory.

      Weather or not such statistics reflect the truth doesn't matter, what matters for the recording industry is how they can return to business as usual. They don't want to be considered "public enemy" anymore ... IMHO.

    7. Re:Bah.. by vertinox · · Score: 2, Funny

      On average I probably buy around one bar of candy a week. If it was free (that's what pirated music is about, right?), I bet I'd eat more.

      If candy dars are priated music, then you'd wouldn't be able to find them in a store and you'd have to spend 30 minutes looking for one (like searching multiple networks for an obscure song) and once you found one it takes forever dig through the trash to get it (the only person you found with the song is on dial up) and then when you finish getting the candy part you find that its not only not all there but tastes like poop (the song cuts off at the end and was encoded at 96kps argh!).

      --
      "I am the king of the Romans, and am superior to rules of grammar!"
      -Sigismund, Holy Roman Emperor (1368-1437)
    8. Re:Bah.. by Anonymous Coward · · Score: 0

      This whole story is just one massive troll from the king of trolldom: bonch. He's been pushing this tired agenda for a few years now.

      Too bad stories can't be moderated. I'd mod this one -1, Flamebait.

  2. Sure... by Anonymous Coward · · Score: 4, Funny

    But will the RIAA/MPAA stop bitching?

    1. Re:Sure... by Anonymous Coward · · Score: 0

      As long as there is money left in the world - they wont stop bitching. :)

      Meh, I don't download music at all - I only use the net for /. and the busiest anime site on the web. http://sexyanime.ath.cx/

    2. Re:Sure... by RickPartin · · Score: 1, Insightful

      I think pissing on their customers has become more of a hobby rather than a necessity to protect their money. Once you have an absolute monopoly what else is there to do? How can you top that? Might as well use the power for something.

    3. Re:Sure... by BlackMesaLabs · · Score: 5, Funny

      Short answer; yes, with an if. Long answer; no, with a but.

    4. Re:Sure... by ndtechnologies · · Score: 1, Informative

      All I will say, is see my sig

      --
      I have nothing clever to put here...
    5. Re:Sure... by MightyMartian · · Score: 3, Interesting
      But will the RIAA/MPAA stop bitching?

      No, they won't. If legal download services came to completely dominate the market, the bright lights would simply try to extort more money from those services, and ultimately from the consumer, and thus would find in the solution to the piracy problem the seeds by which piracy can again become common. The root problem is simple. These guys just don't like people downloading music or movies, legal or not. They've made fortunes by controlling distribution (which is where the money really is). They may play along with iTunes right now, but you can be sure that they don't like having any sort of middle man.

      --
      The world's burning. Moped Jesus spotted on I50. Details at 11.
    6. Re:Sure... by Anonymous Coward · · Score: 0

      I hope so, but I am not optimistic.

      The better point is that P2P users always complained that there was no appropriate and reasonably priced way to legally download music. The industry responded, and it's exciting to see that the P2P community responded as well.

      Personally, I love iTunes because I own an iPOD, but what about the other devices and services? My wife bought a Nike MP3 player which is a nice device to run with, but good luck trying to find a means to download legal music for that one...

    7. Re:Sure... by Ubergrendle · · Score: 4, Insightful

      No, but it sounds like its time to raise prices. They'll argue you're paying a premium to recover piracy costs + for the convenience.

      --
      John Maynard Keynes: "When the facts change, I change my mind. What do you do?"
    8. Re:Sure... by Anonymous Coward · · Score: 0

      But in traditional distribution of physical CDs there are middlemen - traditional record shops, Amazon, etc. Downloads via iTunes is no different.

    9. Re:Sure... by nine-times · · Score: 1
      ...but you can be sure that they don't like having any sort of middle man.

      I don't think it's so much of a problem of the RIAA/MPAA not liking middle men. It's that they want to be as many of the middle-men as possible. Their whole business lies in being the "middle man".

      The problem with downloads, legal or not, is it makes it so much easier to cut out the middle-men, distributing your music as directly as you like.

    10. Re:Sure... by Anonymous Coward · · Score: 1, Funny

      >>> short_answer="yes, with an if."
      >>> long_answer="no, with a but."
      >>> len(short_answer)
      16
      >>> len(long_answer)
      15

    11. Re:Sure... by southpolesammy · · Score: 2, Interesting

      To expound on this, consider the following "add-ons" of a CD compared to an iTunes download.

      Physical pressing of CD
      CD label
      Cover art
      Jewel case and shrinkwrap/annoying security tape
      Shipping to stores
      Marketing and promos in stores
      Lossage due to damage/theft

      These are the bits that drive up the cost of CD's and also result in the RIAA being able to charge far more than the cost of the recording (as well as the cost of these line items, taken collectively). Even if you assume a 400% markup over cost for any produced good is typical (not just CD's, but anything -- bread, cars, books, TV's), these guys are still making out like bandits. Therefore, it doesn't take a big leap of faith to understand that the RIAA wants their moneymakers back, but can't realize how to get it again.

      The litmus test is when the quantity of music downloaded exceeds that which is purchased in the brick and mortar stores. That could easily be the beginning of a massive paradigm shift which could affect traditional, large data footprint, store-purchased items like CD's, DVD's, and computer games, which still makes up the overwhelming majority of the RIAA/MPAA's revenues. If that scenario occurs, a mass change will occur -- no more music stores, video rental, computer game stores, etc. Instead, you could replace their physical presences with a small kiosk in a mall equipped with a highspeed wired/wireless Internet connections, and eventually even that would go away (and already can in some areas with ubiquitous highspeed broadband).

      And that spells the death knell for the RIAA/MPAA as we know it. And they know it too.

      --
      Rule #1 -- Politics always trumps technology.
    12. Re:Sure... by araemo · · Score: 1

      For the record, (At least in ohio), bread is not marked up above the actual cost of distribution and sales anywhere NEAR that 400% figure. I've heard it tossed around that grocery items(Actual food items, gourmet and non-food items in the grocery stores don't count.) only make 1% profit on the dollar. But all the other items you listed('Non-food' in the store I used to work at, which is different from 'taxable grocery' items like bottled spring water, and toilet paper), are indeed marked up enormously, and have much higher profit margins. Thats part of where wal-mart managed to cut costs, the mark-up was so high to begin with, they could still be profitable with only 300%, and then force their suppliers to lower costs to move that profit margin back upwards.

    13. Re:Sure... by PhatboySlim · · Score: 1

      No, it just gives them more money to fund more lawyers until they get to their targeted milestone of 0.001%.

      --
      Be sure to remember the Programmers Prayer
    14. Re:Sure... by djlowe · · Score: 1

      Why are posts such as this modded up?

      First, there have always been middlemen: There are distributors, retail stores... MightyMartian's comment about them not "liking" middlemen is simply wrong. If they didn't, they'd have their own stores and sell their products exclusively through them.

      However, the companies that produce the music and movies could do worse than simply eliminate the middlemen for electronic distribution and sell directly to whoever wants to buy as their profit margins would be higher if they did, even after infrastructure overhead.

      Second: It's not extortion. If you think that a company charges too much for their products, you can simply choose not to buy.

      So, the only thing that is really interesting about the post is the choice of the word "extortion", implying that the poster is somehow being forced to buy something that isn't desired. I'm curious how this works: Do representatives of the RIAA or MPAA escort you to a store at gunpoint and force you to buy CDs and DVDs?

    15. Re:Sure... by jwilcox154 · · Score: 1
      Once you have an absolute monopoly what else is there to do? How can you top that? Might as well use the power for something.


      The RIAA has an absolute monopoly? I don't think so.
  3. so? by Anonymous Coward · · Score: 5, Insightful

    so what's the other 25%?

    1. Re:so? by tomhudson · · Score: 3, Funny
      so what's the other 25%?
      ... people with Britney Spears on their hard drives - they won't admit to it, legal or otherwise.
    2. Re:so? by Bloodlent · · Score: 0

      CDs?

    3. Re:so? by RichardX · · Score: 3, Funny

      I'd be quite happy to have Britney Spears on my harddrive!

      Oh, wait, you mean her music..

      --
      Curiosity was framed. Ignorance killed the cat.
    4. Re:so? by Open_The_Box · · Score: 1

      CowboyNeal?

      Hey, this is Slashdot after all. Wait, this isn't the poll!

      --
      If you can't think of something nice to say then don't say anything at all. No, REALLY.
  4. something's not adding up by kpp_kpp · · Score: 2, Interesting

    i did not rta but what is the other option besides "illegal" and "legal" downloads? (35% + 40% != 100%)

    1. Re:something's not adding up by MasamuneXGP · · Score: 4, Funny

      Apperently they have these things called "stores" that you can reach on sneakernet. Psh, it'll never catch on.

    2. Re:something's not adding up by weighn · · Score: 2, Funny

      TFA doesn't make this clear. Can a download be neither legal or illegal? Perhaps, in the way they collected the data, they couldn't tell if these were breaking any copyright law. Probably, under the DCMA, these 25% are just terrorists anyway.

      --
      Mongrel News all the news that fits and froths
    3. Re:something's not adding up by DanteLysin · · Score: 3, Insightful

      illegal downloads
      legal downloads
      not downloading?

      Some people do buy CD's at a store. ;)

    4. Re:something's not adding up by aklix · · Score: 2, Funny

      It's actually 42%, they just won't admit it. Never be known the reasons will.

    5. Re:something's not adding up by manifestcommunisto · · Score: 1

      Everything adds up. Just read the blurp carefully.

      35% MUSIC LISTENERS buy music downloads.
      40% MUSIC LISTENERS download music illegally.
      100 - 35 - 40 = 25% Therefore
      25% MUSIC LISTENERS do not download music but listen to music in some other way, CD's or LIVE.

    6. Re:something's not adding up by Rostin · · Score: 1

      Actually the number of people who haven't downloaded music at all could be as high as 60%. It's possible that all of the 35% group are also members of the 40% group. I don't think the article makes it clear.

    7. Re:something's not adding up by Cromac · · Score: 1

      The other 25% are recording music off digital radio and sharing it on P2P and Usenet.

    8. Re:something's not adding up by _Spirit · · Score: 1

      What is this sneakernet people keep talking about? And more importantly does it exclude people with proper shoes?

      --

      beauty is only a light switch away

  5. I'm not surprised by Spytap · · Score: 2, Insightful

    It's just damn easier than dealing with all the shit from stealing.
    A buck a song? Genius.

    1. Re:I'm not surprised by Anonymous Coward · · Score: 0

      Trying using eMule.

    2. Re:I'm not surprised by RickPartin · · Score: 1

      1. Run Peerguardian in the background to block RIAA watchdogs
      2. Download torrent of album.
      3. Listen 20 minutes later.

      It's not that hard to download. Now if I could download a full album with no copy protection for a reasonable price, lets say $5, then I would buy them in a heartbeat. $1 for a compressed and crippled music file that is not truly mine works out to roughly $15 for an album. Insanity.

    3. Re:I'm not surprised by Anonymous Coward · · Score: 1, Insightful

      $1 for a compressed and crippled music file that is not truly mine works out to roughly $15 for an album. Insanity.

      Which works out to... about the same as buying the CD. That's insane? To not compete with themselves?

      Then throw in the common argument that "There's only 1 or 2 good songs on the album. Why should I pay for the rest?" and your $15 just became $2.

      $2 for the good songs in a limitted format with all the convenience of home downloading.
      $15 for the good songs in an uncompressed format on semi-permanent, portable media with extras like song lyrics and roughly 10 other songs.
      Take your pick.

    4. Re:I'm not surprised by calculadoru · · Score: 1

      It's just damn easier than dealing with all the shit from stealing.

      You've obviously never tried this 'stealing' business yourself. It merely involves clicking on a torrent link, then xx minutes later playing the song(s).
      Or so I've heard.

      --
      The power of accurate observation is commonly called cynicism by those who have not got it. -- G.B. Shaw
    5. Re:I'm not surprised by mike518 · · Score: 0

      yeah a buck a song, usually at a lower bitrate with limitations on its use (cant burn it to CD can only put it on so many computers, etc)... not to mention if you use itunes you have to deal with AAC format, If you use Napster etc, you deal with low bitrate and WMA and niether of these services have even near the selection of p2p/BT. I feel that with all these dam restrictions they are encouraging people to steal music -- with music you steal you not only have unlimited selection, you can get any bitrate, and the song is yours forever in any format you want... for FREE. $1/song = a lot of money when you download a lot of songs. I as a college student couldnt afford an extra $20 a week for music (thats 20 songs i keep, probably a hundred or so i download legally *wink* a week to try).

      --
      Mike
      I heart the RIAA & MPAA, im sure its mutual...
    6. Re:I'm not surprised by MC68000 · · Score: 1

      Wow, you're pretty charitable. I would never pay $5 for a non-copy-protected album if I could get it for free, and I suspect that most people won't either.

      --
      E = m c^3 Don't drink and derive E = m c^3
    7. Re:I'm not surprised by Man+in+Spandex · · Score: 4, Interesting

      Exactly what I'm trying to tell to ppl who aren't aware when buying music online.

      Albums that provide you the freedom to do backups, to re-encode in whatever format/bitrate you want.

      Buy a song that has DRM (most online music stores anyway) and which takes away the freedom that you had when buying an album. All that at a price more expensive than buying an album.

      I know music stores will never consider selling music using a lossless codec without DRM but if I have to buy a whole album for a few songs that I want and be able to "tinker with", then so be it.

    8. Re:I'm not surprised by jfengel · · Score: 2, Interesting

      Just for reference, the guys who put price stickers on things try to avoid having you "buy them in a heartheat". They make the same amount of money if you just barely buy it as if you buy it with your whole heart.

      The price is determined by where they think they can get the most money out of you. That's $15 for a CD; $10 for a crippled digital album.

      To reiterate: if you're happy with the price, they're not. If you buy it for $5, they'd rather you bought it for $6.

      Instead, it costs $15. If they sold it for $5, would you buy two and give one as a gift? Maybe. But you probably wouldn't buy three, which is what it would take.

      Call it "supply and demand". Or call it "greed". But it's hardly "insanity". It's self-interest, and according to TFA, people are buying it at the price they set. If they charged more and made less money, that would be insanity. If they charged less and made less money, that would also be insanity. But self-interest is eminently rational. Greedy, perhaps, but rational.

    9. Re:I'm not surprised by Anonymous Coward · · Score: 0

      And you are what is preventing legal online music from flourishing. You force them to use DRM. You are legitimizing the laws they are passing to take away our rights.
      You are part of the problem.
      You are just as bad as the RIAA, maybe worse.

    10. Re:I'm not surprised by linzeal · · Score: 1

      Yeah, but that 15 dollar price tag cost them millions of customers forever. I know I will never buy music unless I'm going to a show again. When my ex-gf broke over 5000 dollars in music CD's in half I just gave up when I looked at the cost of replacement. Maybe if I had just started collecting music I would use a pay service but I have over 10k songs now with at least half of them I have paid for in some media or another.

    11. Re:I'm not surprised by xerxesdaphat · · Score: 1

      Yeah.. I'd agree with you until you factor in the piss-poor selection of music from places like iTunes and the ninemsn music download thing we got in Australia here. Sure if I want to listen to pop-hits ok, but what if I want some rare jazz album out of print for 40 years? Then eMule or even Limewire are my only choice.

      --
      The Shoes of the Fisherman's Wife Are Some Jive Ass Slippers
    12. Re:I'm not surprised by coopex · · Score: 1

      >When my ex-gf broke over 5000 dollars in music CD's in half

      WTF?!? Ignoring that it's a pain to break a CD in half, isn't there some law against destruction of private property of $5k. I know that'd be grand theft auto, just, WTF?

      --
      The road to hell is paved with good intentions.
    13. Re:I'm not surprised by Siener · · Score: 1

      Buy a song that has DRM (most online music stores anyway) and which takes away the freedom that you had when buying an album.

      Yup, that's why I'll never buy (actually it's more like renting than buying) DRM'ed music.

      I'll keep on buying CDs.

      I also believe in supporting online music stores that don't use DRM. I've been using eMusic for a few months now and I'm very happy with them. Yes you won't find the latest hits there, but I've found lots of music there that is in my mind better than that crap anyway.

    14. Re:I'm not surprised by Mr2001 · · Score: 1

      I know music stores will never consider selling music using a lossless codec without DRM

      AllOfMP3 already does.

      --
      Visual IRC: Fast. Powerful. Free.
    15. Re:I'm not surprised by BlameFate · · Score: 1

      beatport.com will mail you a CDR of your chosen tracks in WAV format if you don't want to download them in one of their lossy formats.

      --

      --is not to be confused with user #672982 - Bame Flait

    16. Re:I'm not surprised by blonde+rser · · Score: 1

      Correct me if I'm wrong but once you buy one of these songs from itunes or napster you can burn it to cd. So there's absolutely nothing stopping you from creating backups. In fact you can still make a mix cd for your buddy if you want.

      But you do give up the ability to re-encode in whatever format/bitrate. If you're like me and you bought a non-ipod mp3 player that can be a serious hassle (enough of a hassle that I've never bought a song with my ibook). No, I refuse to burn and re-encode.

      But the stuff we did with cds in the early 90s we can still do with these DRM'd songs. I'm just suggesting keeping some perspective on what's really being limited.

    17. Re:I'm not surprised by Anonymous Coward · · Score: 0

      WTF?!? Ignoring that it's a pain to break a CD in half, isn't there some law against destruction of private property of $5k. I know that'd be grand theft auto, just, WTF?

      Yeah it would, if they were in your car, and she stole your car full of your CDs, then "broke" them by driving said car off a cliff.

      It would more likely by classified as misdemeanor vandalism or damage to property.

      You need to lay off GTA: Vice City/San Andreas, its affecting your brain :P

    18. Re:I'm not surprised by Call+Me+Black+Cloud · · Score: 1

      I bought a Creative Zen Micro and an annual subscription to Yahoo Unlimited Music for my wife and she loves it. She also has iTunes but her collection wasn't that big, at $1 per song. Now, for $60, she has access to a really huge catalog (except the Beatles...what's up with that?). With an adapter she can take the music in the car. She doesn't need to burn CDs (though if she did, it would be $0.79 a song) so the Zen Micro works out great.

      She didn't like me downloading music illegally, so this works out well. And $60/year is a small price to pay for such a huge catalog.

    19. Re:I'm not surprised by dlZ · · Score: 1

      I still just prefer to buy CD's at a store, anyways.

      There's a small chain store (there are 3 of them I believe) in my area that has a great collection of music (and DVDs) for sale. And not just maintstream stuff, they had the new Pride Kills album, released on Thorp Records (http://thorprecords.com/) the day it was released.

      I ended up buying new copies of Pride Kills and the new Terror CD for myself, and some older Blood for Blood and All Out War for a friend who just moved to the middle of nowhere, Ohio. At most online music stores I'd be hard pressed to find this kind of music (iTunes does carry Thorp stuff, though, I was sorta surprised.) But I think my friend would prefer a nice packaged CD over a CD-R anyday.

      --
      rm -rf ./evidence @ punkcomp
    20. Re:I'm not surprised by Anonymous Coward · · Score: 0

      " Correct me if I'm wrong but once you buy one of these songs from itunes or napster you can burn it to cd. " ...yes giving up most of the "high fidelity" portion of the music.

      The people who use your argument usually listen to most of their music on ear buds.

      I listen to my music in my BMW and my home stereo and the difference between a CD made from MP3's and the original CD is obvious and striking.

      Now, I'll admit when I go to the gym and I'm listening to my iPod, 128kb/s AAC is fine. But as soon as I put it on something with even a bit of high fidelity, the quality really suffers.

      So your option is not an option for anyone who cares about fidelity.

    21. Re:I'm not surprised by jedidiah · · Score: 1

      If there's only 1 or 2 good songs on the entire album then you're better off not wasting any time with that artist to begin with.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    22. Re:I'm not surprised by Anonymous Coward · · Score: 0

      So you're saying we shouldn't waste any time with music, eh?

    23. Re:I'm not surprised by coopex · · Score: 1

      Re GTA, I meant if the car was $5k. I should've used grand larceny as it covers both.

      Hehe, I wish I had enough time and an xbox for San Andreas to be affecting my brain.

      --
      The road to hell is paved with good intentions.
    24. Re:I'm not surprised by swv3752 · · Score: 1

      I regularly buy albumns in a lossy but no-drm format for $1.50. Easy searching, nice recommended titles, and no hassle. A few years back I was searching for Americaned themed songs for a 4th of July party song mix. It was a PITA searching for them on Gnutella.

      --
      Just a Tuna in the Sea of Life
    25. Re:I'm not surprised by blonde+rser · · Score: 1

      You clearly didn't understand the conversation or what I was responding to. I was responding to the statement that you lose the right to back up your purchase. In fact I go on to say that you can't re-encode or get the bit rate you want. This was a discussion about what you are able to do with your purchase. This was not a conversation about what you were purchasing. It is in plain site that you are buying compressed music. So here's a thought, if you don't like compressed music don't buy compressed; I don't. I only listen to mp3s on my mp3 player when I'm on the go and even then I'm usually listening to speech of some sort.

      And oh yeah, when I'm at home I listen to predominantly lp's. On a real home stereo the difference between CDs and lp's is obvious and striking. They are the best option for anyone who really cares about fidelity.

    26. Re:I'm not surprised by MC68000 · · Score: 1

      I shouldn't respond to an AC, but I don't do any illegal downloading personally. My only point was that other people would never pay for what they get for free. I was responding to a suggestion that a no DRM service would work. If the basis of competition is that someone would rather pay $10 than $12 for the exact same CD, why shoudln't the same argument apply when the two numbers are 0$ and any positive amount of money? Especially if no one cares about the law?

      --
      E = m c^3 Don't drink and derive E = m c^3
  6. Still a little bit expensive by Dancin_Santa · · Score: 2, Insightful

    For something as ethereal as bits on a platter, it hardly seems worth it to pay USD1.00 for a song. If I buy a CD for USD15.00, I get about 15 songs, so the price of the music is the same, and in addition I also get a nice case and a physical disk and liner notes.

    I would probably start subscribing to these "legal" music download sites if they were to stop gouging the buyers. Until then, I'll support my favorite bands by giving away samples of their music to my friends and buying t-shirts at their concerts.

    1. Re:Still a little bit expensive by MyLongNickName · · Score: 2, Insightful

      For something as ethereal as bits on a platter, it hardly seems worth it to pay USD1.00

      I will sell you 100 gigabits for only 0.25 cents!

      Ofcourse, it will be random 1's and 0's with an occasional Goatse thrown in.

      You are not buying bits. You are buying someone's creativity. If you don't think it is worth it DON'T BUY! No one sticks a gun to your head and says "buy it".

      --
      See my journal for slashdot ID's by year. Mine created in 2005. http://slashdot.org/journal/289875/slashdot-ids-by-year
    2. Re:Still a little bit expensive by reezle · · Score: 1

      http://www.allofmp3.com/

      Need more be said?

    3. Re:Still a little bit expensive by darksider415 · · Score: 0

      I do agree, but, the prices are still somewhat less expensive than they are for a CD. Well, in my neck of the woods, that is. There is also some music that isn't easily obtained through the legal services, and, as a result, the illegal networks like Gnutella will still have a slight edge.

      --
      And they wonder why I left Windows.....
    4. Re:Still a little bit expensive by ratnerstar · · Score: 1

      Well, most full albums on iTunes are US $9.99. You don't often see physical CDs that cheap.

      --
      Just because you sold your soul to the devil that needn't make you a teetotaler. --The Devil and Daniel Webster
    5. Re:Still a little bit expensive by stoicio · · Score: 1

      "I get about 15 songs, so the price of the music is the same, and in addition I also get a nice case and a physical disk and liner notes." Yeah, I agree. I just buy CDs. Downloading music is, and always will be, a pain in the tush. At least my music collection won't get wiped because I've dropped some silly little (expensive) ipod.

    6. Re:Still a little bit expensive by cowscows · · Score: 1

      I tend to think of buying the average CD as paying a few bucks for a handful of good songs, and then a bunch of filler thrown in for free. Sometimes there are albums that are good all the way through, and those are an excellent deal.

      iTMS is nice because I don't have to pay for that filler, I can just get the songs I want. And compared to the way I view most CDs, a buck for a good song is a bargin.

      I do wish more went to the artist though. Or to Apple. Anyone but the label. Digital distribution cuts out a lot of the costs that the label has traditionally handled for the artist, their cut of the profit should drop in response to this.

      --

      One time I threw a brick at a duck.

    7. Re:Still a little bit expensive by StormUP · · Score: 1

      When you buy a CD, you still just have bits on a platter...although the platter is reflective rather than magnetic.

    8. Re:Still a little bit expensive by aklix · · Score: 0

      But that's exactly what the RIAA is doing, only their doing it the suit&tie way.

    9. Re:Still a little bit expensive by NanoGator · · Score: 0, Troll

      "For something as ethereal as bits on a platter, it hardly seems worth it to pay USD1.00 for a song. If I buy a CD for USD15.00, I get about 15 songs, so the price of the music is the same, and in addition I also get a nice case and a physical disk and liner notes."

      That's all fine and dandy, except that you're likely paying for songs you don't want. All for the benefit of having a little platter with bits on it and a few scribbles on a piece of paper.

      For a song I want, $1 per download is quite reasonable.

      --
      "Derp de derp."
    10. Re:Still a little bit expensive by Nasarius · · Score: 3, Insightful
      Well, most full albums on iTunes are US $9.99. You don't often see physical CDs that cheap.

      Check out your local independent shop that buys/sells used CDs.

      --
      LOAD "SIG",8,1
    11. Re:Still a little bit expensive by Nasarius · · Score: 0, Flamebait
      I tend to think of buying the average CD as paying a few bucks for a handful of good songs, and then a bunch of filler thrown in for free.

      This keeps coming up again and again, and I really have to wonder what "artists" you people are listening to. Stop buying pop crap, and you'll stop getting crap.

      --
      LOAD "SIG",8,1
    12. Re:Still a little bit expensive by cowscows · · Score: 1

      I don't buy that much music, most of what I listen to is older stuff that I already have, but occasionally I hear some stuff on the radio that I like. I apologize if it's too mainstream or pop-ish for you, I guess I'm just not cultured enough. I hope you can forgive me for my failures as a human being.

      --

      One time I threw a brick at a duck.

    13. Re:Still a little bit expensive by Mgs0008b221 · · Score: 1

      I think I love you.

    14. Re:Still a little bit expensive by Anonymous Coward · · Score: 1, Insightful

      That's why I buy vinyl records. Then I get the actual sound wave cut into a platter.

    15. Re:Still a little bit expensive by paulbd · · Score: 4, Insightful

      sorry, but you, along with so many other people, just don't understand how the music industry works.

      while it is true that record company executives do make out like fat cats, their income as a proportion of the overall revenue streams within the industry is small.

      the music industry, that is, the traditional music industry, is an exercise in massive cross-subsidy. That mega-hit by that obnoxious and relatively talent-free sex-toy-girl-thing? It helped pay for dozens of minor releases that will likely lose money. Occasionally, a genuinely talented artist will make a record that for some reason sells a lot of copies (the Koln concert release by Keith Jarrett is always a favorite example), but even then, that success makes it possible for the iconoclastic label it was on (ECM) to release dozens of CD's that cost them money.

      until you get this model into your head, no suggestions for an alternative system will make much sense. i say this as someone who attempted to set up a new label, released 1 CD by an incredibly talented group, and began to realize how it all works.

    16. Re:Still a little bit expensive by EzInKy · · Score: 4, Insightful


      For something as ethereal as bits on a platter, it hardly seems worth it to pay USD1.00 for a song.


      That really is the big story here, isn't it. Ox07 is a just a number. 0x08 is another. String the two together and you get just a bigger number, 0x0708. In reality what you are actually paying for when buy digital music is the "right" to use big numbers that happen to resemble songs when processed by certain programs.

      --
      Time is what keeps everything from happening all at once.
    17. Re:Still a little bit expensive by RickPartin · · Score: 1

      I used Emusic.com back when I had disposable income. You get something like 30 songs for $15 a month. MP3 format with no copy protection what-so-ever. It's mostly independent music but I've found some truly amazing music that is far better than stuff on the radio. You just have to dig a little bit. They have a good trial you can check out.

    18. Re:Still a little bit expensive by Canberra+Bob · · Score: 1

      My music tastes are far from mainstream but I am still yet to come across a single CD where I have liked every single track (the only exceptions would be my classical CDs). Just because a CD is not mainstream does not mean that it will contain no rubbish (which in regards to music is a very subjective term - one mans rubbish is another mans masterpiece).

    19. Re:Still a little bit expensive by +InvaderSkoodge · · Score: 1

      Sure, $15 for 15 songs is $1 per song, but I don't want to pay $1 per song for 14 songs I don't even want.

      My problem with music download services is the flat monthly fee. With the current sorry state of the music industry there may be 2 songs a month that I would actually want to download. If I have to pay a $10 monthly fee and $1 for each song, I really pay $6 per song.

    20. Re:Still a little bit expensive by anthony_dipierro · · Score: 1

      I tend to think of buying the average CD as paying a few bucks for a handful of good songs, and then a bunch of filler thrown in for free.

      It's usually not filler though. To call it that would be to imply that the artist spent little time creating it. I suppose that's true with some albums, but usually all the songs took just as long to create, it's just that some of them turn out to be good and some of them turn out to be bad. And if you want to look at it that way, you're also paying for a bunch of songs from other artists who flopped, which you don't even get to hear.

      I guess that's just how copyright works. Incidently, the movie companies used to do something similar all the time. You'd buy a ticket for one (good) movie, and you'd get to see another (bad) one for free. Then the Supreme Court went and told them it was illegal to give away movies for free, so they stopped doing it.

    21. Re:Still a little bit expensive by nametaken · · Score: 1


      Your post may not end up being found by the moderators, but that is the most informative thing I've read about the music industry on /.

      Really, I don't need .5mil teenagers telling me about how the fat cats are recouping a big fat mercedes.

      Now, a discussion about how virtually no production and distribution costs (new tech) should influence the price of music would be interesting. All you'd have to support is a much smaller version of this cross-subsidy concept you mentioned, and marketing. After all, the losses on a new band aren't as expensive anymore and the cost of distribution for your pop-star's new record should be nill, right?

    22. Re:Still a little bit expensive by Chemical · · Score: 1

      Except that isn't how it works. iTMS and many other stores don't have a subscription fee, rather you only pay when you download something. Services like Napster To Go and eMusic charge a monthly fee, but you don't have to pay per download.

    23. Re:Still a little bit expensive by Belial6 · · Score: 2, Informative

      I call BS. Of the several bands that I have known who got contracts, all of them paid for most of their own promotions, and virtually every dime the record label paid out was listed as a loan to the band against any future profits. Virtually all of them eventually sold enough albums to pay back the record label, but when the royalty checks came in, they tended to be less than a dollar. I'm not buying that the record label losses millions on small acts that they are loosing money on.

      It was obvious that they were playing games with the accounting when they charged the band $5k for a "master" CD, when the company I was working for had 1000 CDs made with gem cases and inserts for $1500. (this was many years ago.)

      The record label had conned these poor saps into thinking the the "master" disk costs huge amounts of money to make. (not the music production. A physical disk) And that this master is used to press other disks at a cost of ~$2 a disk.

    24. Re:Still a little bit expensive by cowscows · · Score: 1

      It's filler to me. I don't really want those songs, but I can't buy a CD without them. And your point about paying for the other artists is true as well.

      It's not how copyright works per say, as much as it's how physical media distribution works. It costs the same amount to ship a CD and keep it on the store shelves, whether it has 70 minutes of music or 20 minutes recorded on it. So they're going to fill them all, and charge about the same for all of them, and they've chosen the price that the good CD's can pull.

      Digital distribution makes the whole equation different though, I don't have to pay for the filler anymore. If I spend $30 in a month on music via iTMS, I can make sure that I'm getting at least 30 songs that I like. That seems like a pretty good deal to me, especially compared to CD's on average.

      --

      One time I threw a brick at a duck.

    25. Re:Still a little bit expensive by paulbd · · Score: 3, Insightful

      true, to a point.

      however: the most expensive part of making a financially successful recording is marketing.

      unless you are making wildly popular music in a style already well-represented in the marketplace, getting the existence of you music out to other people costs way more than actually making it (given the reduction in production costs that you mentioned). its a difficult job, and for a lot of music, its a long term, part time effort.

      one of the big problems that musicians have to deal with at the moment is major oversupply of talent. there are a huge number of musicians around now who are at least as talented and making at least as "good" music (whatever that means) as the early progenitors of rock'n'roll, jazz and so forth. there is no way that all these skilled people will get to tap into a revenue stream in the way that the (relatively) few artists at the start of recorded popular music did. as a result, marketing is key, and is going to be an uphill battle for the foreseeable future.

      and please, lets not have /. posters prattle on about guerilla marketing. it works for a few cases. its not going to work (and has not worked) for *most* of the artists (for example) on CDbaby.

    26. Re:Still a little bit expensive by Nasarius · · Score: 1
      Just because a CD is not mainstream does not mean that it will contain no rubbish

      I never said that.

      (which in regards to music is a very subjective term - one mans rubbish is another mans masterpiece).

      Absolutely. I hold the fairly unpopular opinion that Dark Side of the Moon is overrated compared to other Floyd albums.

      My current favorite example of a "perfect" album: Dancing in the Dragon's Jaws by Bruce Cockburn

      --
      LOAD "SIG",8,1
    27. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      I'm not buying that the record label losses millions on small acts that they are loosing money on.

      Okay, I was reading your argument until I got to this sentance, and then I couldn't concentrate anymore.

      Lose/Win
      Loose/Tight
      Loses/Wins
      Losses/Gains
      Losing/Gaining
      Loosing/...?

      If the record company loses millions, they can record losses in the millions. If they are loosing money on artists, well, that's part of their job (providing money to developing artists, that is), but they want to avoid losing money on them.

    28. Re:Still a little bit expensive by ReverendRyan · · Score: 1

      Thats not what the RIAA would have you believe. May I direct your attention to Monday's UserFriendly: http://ars.userfriendly.org/cartoons/?id=20050620. Note the similar tactics by the BSA and RIAA.

    29. Re:Still a little bit expensive by Vombatus · · Score: 1
      No one sticks a gun to your head and says "buy it".

      Careful, you might be revealing future plans there

      --
      This sig is intentionally blank
    30. Re:Still a little bit expensive by afidel · · Score: 1

      Were those 1k CD-R's or 1K pressed silver CD's? Because from what I understand the high strength low tolerance masters used to physically stamp actual silver cd's ARE expensive to make. I mean just the machines to cut a vinyl record into wax cost tens of thousands, and getting a vinyl master done costs hundreds to thousands depending on the quality needed, so I don't see why cutting a more precise blank wouldn't be corespondingly high. Of course counting the "cost" of each pressed disk at $2 is stupid unless it includes packaging and shipping.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    31. Re:Still a little bit expensive by servoled · · Score: 2, Informative

      $9.99 is expensive. I buy a lot of my CDs for $5.99 shipped. The rest of the CDs are purchased from local music stores or from various small labels on the net.

      Plus that way I actually own the music instead of being stuck with a lossy file with DRM.

      --
      "I have a porkchop, you have a porkchop. I have a veal, you have a veal".
    32. Re:Still a little bit expensive by coopex · · Score: 1

      Out of curiosity, what are your favorite Floyd albums, with and without Syd?

      --
      The road to hell is paved with good intentions.
    33. Re:Still a little bit expensive by quickbasicguru · · Score: 1

      CDs are cheaper for me than $1 a song. For $14 total online I was able to buy a great CD with 27 songs (and many of them are good) The really good thing is that it is from a independent label.

    34. Re:Still a little bit expensive by coopex · · Score: 1

      Same here. Plus, they sound so much better than CDs, especially now that I fixed my tube amp. It just gives them a warmth that's unbeatable.

      --
      The road to hell is paved with good intentions.
    35. Re:Still a little bit expensive by TIMxPx · · Score: 0
      GP Poster is pretty much spot on. Unless there are some music industry insiders that might know better and let us know, I would assume that the master is not that expensive. I've done the business end of pressing three different discs (although, admittedly, not for a major label), and we got some IMO high quality stuff for low prices, including a pressing (discs only) of 1,000 with 2-colour on-disc design for 700 bucks. In jewel cases, discs can easily be done for 2 bucks apiece.

      The record labels will get every possible cent out of the artists, mostly through contract math, and are not really in the charity business (although record companies may do some write-offs on the smaller advances, it's conceivable that they pursue legal means to recoup their investments). For the most part, record companies provide two things that independent bands can't: capital for recording and touring, and advertising by association. Any band that has enough money to record a decent album and press 1,000 copies should not sign with a record label unless they really know what they are doing (i.e., experience and a great contract), or have a close friend/relative at the label.

      --
      There are 10 kinds of people in the world: That averages about 660,000,000 of each kind.
    36. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      Goodness...I've been buying from the iTunes store for two years now...that's over $48 I must owe in "flat monthly fees" that I've never paid.

      I wonder when Apple will come along and collect them?

    37. Re:Still a little bit expensive by Stalyn · · Score: 1

      So you're telling me when I buy a CD I'm not really giving the artist money but the record company as a whole. So in reality when I buy an Audioslave album I'm actually supporting all the Sony artists and executives. Thats fucked up. I'm never buying a CD again. I'll just buy a ticket to go see them live. Don't tell me that money doesn't go towards them as well... fuck they have a paypal button somewhere??!

      --
      The best education consists in immunizing people against systematic attempts at education. - Paul Feyerabend
    38. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      Alldirect.com has like every CD for $10. Every jewel case I ever get is broken, but it's still cheaper than best buy or whatever. Or, you know, if you aren't scared of actually talking with people in the real world, the local independent record store idea was pretty good, too.

    39. Re:Still a little bit expensive by BackInIraq · · Score: 2, Insightful

      For something as ethereal as bits on a platter, it hardly seems worth it to pay USD1.00 for a song.

      Complain about low bitrates if you want, but give me a break on the whole "bits on a platter" thing. What the hell do you think a CD is?

      That, and for some reason I've had better luck preserving MP3s than actual CDs over the last 8 years or so...maybe I'm careless, but I've lost a lot more music to damage on physical CD's than I've lost to data loss on my hard drive. In fact, I have yet to lost any MP3s whatsoever. Largely because it takes a lot less blank CD's (which cost both in space and money) to backup my music, even at my usual 224k-256k, when they're compressed. And compact disks are just not a great medium when it comes to longevity, at least if you want to take them out and listen to them. Especially in places like cars.

      That said, no I've not bought a single album as an online album...for 3-5 extra bucks I'll go ahead and grab the disc (and promptly rip it at more than 128k). But I've bought plenty of songs, and when you figure I'm saving 13-15 bucks an album (because if I'm buying a one or two songs it's likely because I don't _want_ the rest of the album) by buying those songs, at USD 1.00 they're an absolute steal.

    40. Re:Still a little bit expensive by Jugalator · · Score: 1

      You are buying someone's creativity.

      Yes, in both cases, so why is the other equally expensive for less material? Shouldn't the creativity be valued the same in both cases? If not, why not?

      If you don't think it is worth it DON'T BUY! No one sticks a gun to your head and says "buy it".

      And that's exactly what he's doing. T-shirts instead, etc.

      --
      Beware: In C++, your friends can see your privates!
    41. Re:Still a little bit expensive by Belial6 · · Score: 1

      They were pressed silver CD's with a graphic printed on them, a gem case and paper back and front inserts. I had always heard that the master was really expensive too, but when it came time for us to order demo disks for the VAR I worked for, we were finding the prices quite reasonable. It brought me to the belief that bands are getting screwed on the price of disk printing.

    42. Re:Still a little bit expensive by Nasarius · · Score: 1
      Out of curiosity, what are your favorite Floyd albums, with and without Syd?

      Well there were only one and a half albums with Syd, and they're good, but not my favorites either.

      A rough ranking:
      1. Meddle
      2. WYWH / Animals
      3. Atom Heart Mother
      4. More / Obscured by Clouds
      5. Dark Side
      6. The Final Cut / The Wall

      This really varies depending on my mood, though. I guess my problem with Dark Side is that "Great Gig" and "Money" sort of break the flow. And maybe the saxophone solos too. Don't get me wrong, it's a great album, but I think it's inconsistent.

      --
      LOAD "SIG",8,1
    43. Re:Still a little bit expensive by Bihtori · · Score: 1

      I don't get it. If a record company has two choices, one to release a record that will probably cause disprofit, and second not to release it at all, why on earth would it choose the former? Releasing such records in large numbers would cause them to lose money on average. They're here to make money, right?

    44. Re:Still a little bit expensive by Sam+Ritchie · · Score: 2, Insightful
      Hmm. Following that logic, would you suggest that if all record companies ceased spending money on marketing, people would stop buying music because they didn't know it existed?

      I suspect that one day there will be viable alternate channels for musicians to get their music to consumers; be it through automated peer-to-peer referrals, targeted music review subscription sevices, or mechanisms that no-one's thought of yet. It won't replace record companies paying radio stations for rotation, it won't equalise artist remuneration so that no-one earns millions and everyone makes a living, but I think it will make an impact.

      --
      This sig is false.
    45. Re:Still a little bit expensive by Kirth · · Score: 1

      Yes, that's how they work, and that is where the problem lies in the first place. That model is targeted at a retail-CD-market, and not a donwload-market. You're trying to justify high costs with the need for cross-subsidies -- But these subsidies are NOT necessary anymore, since everyone can distribute its music online at nearly no cost.

      And the case of Schnappi (in german) proves that a song can sell gold just because it was (illegally!) spread on the internet.

      --
      "The more prohibitions there are, The poorer the people will be" -- Lao Tse
    46. Re:Still a little bit expensive by localman · · Score: 1

      I wonder if a site could be set up that sold "interesting numbers". Now, you could use them as one-time pads for crypto, or just for reading aloud, but strangely if you run them through certain programs, they will make sights and sounds. For example, if you open them in photoshop you get some interesting visual noise pattern, and if you open them in an mp3 player, you get what sounds like a song, in a wav player you get audio noise.

      Now, maybe they could copyright a particular number (the WAV for "rumpshaker" for example), but there's a nearly infinite set of numbers that, when interpreted correctly could sound the same. The MP3 at different bitrates, the OGG, etc. In fact they're all in PI if you look far enough downstream.

      I don't really get how this stuff can be protected.

      Cheers.

      PS - I know it would make a useless cryptographic pad.

    47. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      You don't honestly believe this do you? I can't believe the +5. THIS IS /. and for once, the predominant "I want it for FREE" attitude and reality types should come to the same conclusion. The marketing money does NOT come from the sales of the latest Britney Whores CD, but from loans against future band profits. Fun.

      Face the facts. Record companies are obsenely top heavy in an era where an iTunes service, a google like rating search system, $2000 in sound equipment, and word of mouth advertising through blogging etc... = big win for any decent band.

    48. Re:Still a little bit expensive by BobTheAtheist · · Score: 1

      -->sentance-- That is all.

      --
      -- You're too stupid to be an atheist.
    49. Re:Still a little bit expensive by Panaphonix · · Score: 1

      the "right" to use big numbers that happen to resemble songs when processed by certain programs.

      Not really. These big numbers don't just "happen" to "resemble" songs, they are entirely based on the original works.

      A person has freedom of contract, and can agree to limit his ability to access creative works (or any reproduction, digital or otherwise, of such works) if he finds the overall contract (including said agreement) to be favorable.

    50. Re:Still a little bit expensive by 16K+Ram+Pack · · Score: 1
      There is definitely oversupply. I have been to festivals and heard bands that are incredibly derivative and dull,.

      The big problem I have with the industry now is how much it is about creating an artist from nothing. It's much more likely to failure than a band building up a reputation from playing clubs, where the growth of audiences can be an indicator that they are on to something.

      Bands (and the music) used to act as their own marketing. Bands like Duran Duran and Spandau Ballet built their initial success on playing gigs and word of mouth.

    51. Re:Still a little bit expensive by Dilaudid · · Score: 1
      I'm sorry that I don't have any real stats to hand, but as I recall in the 80s the breakdown of costs was something like - 2% to the artist, 40% to the shop you bought the record in, 30% to the distributor and 20% for manufacturing, recording, advertising etc. Doesn't the ability to download music reduce the cost of the retail and distribution to nothing? (rounding to the nearest penny)

      And... shouldn't that mean that music companies should decrease prices by 70% rather than increase them in the long term?

    52. Re:Still a little bit expensive by zerocool^ · · Score: 2, Informative

      I would, but mine shut down recently.

      The owner blamed it on pirated music, but I think he was just looking to blame those damn kids - I think it's more likely that when he opened his store, the only cd stores around were sam goody and musicland, or whatever was in the mall, and those places were selling CDs at $21.99/ea. Now, there's a best buy, a circuit city, and three super walmarts that have popped up in the area, not to mention online stores that cater to his demographic.

      You can see my friend's blog on the subject.

      --
      sig?
    53. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      3 pounds of diamond and 3 pounds of graphite are just the same! They're just a load of carbon.

    54. Re:Still a little bit expensive by MightyYar · · Score: 4, Insightful
      one of the big problems that musicians have to deal with at the moment is major oversupply of talent. there are a huge number of musicians around now who are at least as talented and making at least as "good" music (whatever that means) as the early progenitors of rock'n'roll, jazz and so forth.

      Wow, you've hit the nail on the head as to why I don't care about the fate of the record companies. Can you tell me what value they are adding when I literally run into bands that are just as talented as the best they are selling?

      --
      W..w..W - Willy Waterloo washes Warren Wiggins who is washing Waldo Woo.
    55. Re:Still a little bit expensive by EzInKy · · Score: 1


      Not really. These big numbers don't just "happen" to "resemble" songs, they are entirely based on the original works.


      I'd say you have it backwards. Numbers do in fact just happen while original works resemble big numbers when digitized. In other words, copyrighting digitized works in effect deprives the human race of the use of the number that it resembles.

      --
      Time is what keeps everything from happening all at once.
    56. Re:Still a little bit expensive by Fross · · Score: 1

      but even then, that success makes it possible for the iconoclastic label it was on (ECM) to release dozens of CD's that cost them money.

      but now, with direct availability to consumers of songs from distributors like iTunes, we don't NEED the labels anymore.

    57. Re:Still a little bit expensive by EzInKy · · Score: 1

      I'm replying to myself to clarify what I am saying. When you digitize a mp3 a big number "just happens", the same as when you multiply five times three fifteen "just happens".

      --
      Time is what keeps everything from happening all at once.
    58. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      I'd say you have it backwards. Numbers do in fact just happen while original works resemble big numbers when digitized. In other words, copyrighting digitized works in effect deprives the human race of the use of the number that it resembles.

      Congratulations. That has to be one of the most moronic things I have read on /. in quite a while. Anything ever created that is digitized "resembles big numbers" so no one should ever be able to copyright anything on the off chance that it might resemble your favorite 500,000 digit number?

    59. Re:Still a little bit expensive by RichardX · · Score: 3, Informative

      Correct, the money goes to the record label. That's why it's mainly the record companies, and not the artists complaining about piracy & p2p nets.
      You're also on the right track about supporting artists - if you want to support your favourite artist, go to their gigs, buy their merchandise (the stuff that comes straight from them, I mean, not stuff put out by the label), or, heck, just send 'em money direct.

      Quite frankly the business practices of most of the large labels are obscene. Even a lot of artists who you'd think did really well - had top 10 hits, etc - end up in massive debt to the labels.

      Just off the top of my head, do you remember the female R&B trio, TLC? they were around in the early 90's. They had 3 back-to-back #1 hits, a debut album that sold over 4 million copies, and a follow up that sold over 10 million. They won grammys, topped the album charts for 5 weeks in the US, the only all female group to have more #1 US hits than TLC was The Supremes.

      So.. they must be millionaires now, right? I mean, that kind of success would set you up for life, surely?
      In fact, they filed for bankrupcy due to a £3 million debt they owed to their record company, and spent ages in legal battles trying to untangle themselves from their contracts.

      And that's far from being an isolated incident.
      Remember that the next time you hear an RIAA/record label representative sobbing about the plight of the poor starving musicians.

      --
      Curiosity was framed. Ignorance killed the cat.
    60. Re:Still a little bit expensive by RichardX · · Score: 1, Insightful

      Doesn't really help all that much.
      Carbon is just an atom. So is hydrogen. Bit of this, but of that and you've got yourself a molecule. Few molecules here, few molecules there, and you've got yourself a Mercedes.

      You still get nicked for taking one without paying though, and I don't think the charges are any less for running off with a "big pile of atoms" rather than a Merc.

      Before anyone starts on about it btw, I know copyright infringment is not the same as stealing/theft - I'm not intending to make that comparison. I'm simply pointing out that you can't really equate "any old big number" with "this specific bit of music" any more than you can equate "any old big pile of atoms" with "this specific car".
      The important bit in both cases is not the digits or atoms, it's the order they're arranged in, that's what you're paying for.

      --
      Curiosity was framed. Ignorance killed the cat.
    61. Re:Still a little bit expensive by anthony_dipierro · · Score: 1

      It's not how copyright works per say, as much as it's how physical media distribution works. It costs the same amount to ship a CD and keep it on the store shelves, whether it has 70 minutes of music or 20 minutes recorded on it.

      So why not let people select which 70 minutes of music to put on the CD? It's trivial to do, and it would be done now if it weren't for the fact that it's not legal.

      So they're going to fill them all, and charge about the same for all of them, and they've chosen the price that the good CD's can pull.

      Well, yeah, but they can only do that because they own a monopoly on the distribution of those CDs, due to copyright law.

      Digital distribution makes the whole equation different though, I don't have to pay for the filler anymore. If I spend $30 in a month on music via iTMS, I can make sure that I'm getting at least 30 songs that I like. That seems like a pretty good deal to me, especially compared to CD's on average.

      I'm somewhat flabbergasted by the fact that so many people are willing to pay money for something which they could get for free. I guess the RIAA has done a good job of keeping P2P difficult to use. But for individual songs, last time I checked, it was still very easy. What is more difficult is finding complete albums.

      I guess that explains why these online services are geared more toward individual songs. That's where the real competition is.

    62. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      and virtually every dime the record label paid out was listed as a loan to the band against any future profits

      This is exactly the Grandparent's point. For 90% of releases, there ARE no future profits to pay back those loans. The CD makes less money than the advance the record company paid out in the first place, let alone the money the money they spend on promotion and distribution.

    63. Re:Still a little bit expensive by EzInKy · · Score: 1


      The important bit in both cases is not the digits or atoms, it's the order they're arranged in, that's what you're paying for.

      You are still missing the point. A number is not an arrangment of anything, it just is.

      --
      Time is what keeps everything from happening all at once.
    64. Re:Still a little bit expensive by EzInKy · · Score: 1

      Congratulations. That has to be one of the most moronic things I have read on /. in quite a while. Anything ever created that is digitized "resembles big numbers" so no one should ever be able to copyright anything on the off chance that it might resemble your favorite 500,000 digit number?

      Whether it is one or a 500,000,000,001, a number is a number is a number.

      --
      Time is what keeps everything from happening all at once.
    65. Re:Still a little bit expensive by CastrTroy · · Score: 1

      Yeah, but dropping a CD can do the same for a CD. The data on CDs is much more volatile than I, and most other consumers would like it to be. I'd like to see a change in form factor for the next format. With blueray coming out, they could probably fit 3 or 4 dvds on something the size of a minidisc. Why they don't make then more robust is beyond me. Maybe they think people like the shiny surface. I'd be willing to pay the extra dollar for the media if it came in some kind of permanent protective case.

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    66. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      "If you don't think it is worth it DON'T BUY!"

      Nah, just borrow it from a friend.

      F the RIAA.

    67. Re:Still a little bit expensive by cowscows · · Score: 1

      They don't let people select which 70 minutes because they want to sell all of the product that they produce. Besides, that's basically another form of digital distribution, different than just pressing a whole bunch of CDs and then shipping them everywhere.

      I could get a lot of things for free if I was determined enough. While downloading a song off of kazaa is not as big a deal as shoplifting, they're both taking something that I haven't paid for, and that is something that I try not to do. Have you had to work for a living? Do you like to get paid for your time and effort? I sure do, and I respect that musicians do too. Sure it sucks that the record labels serve as unfair middlemen, but I can't screw them over without screwing over their artists as well.

      Your last sentence is completely true and relevant though.

      --

      One time I threw a brick at a duck.

    68. Re:Still a little bit expensive by anthony_dipierro · · Score: 1

      While downloading a song off of kazaa is not as big a deal as shoplifting, they're both taking something that I haven't paid for, and that is something that I try not to do.

      One is taking something that you haven't paid for, the other is copying something that you haven't paid for. Big difference in my opinion.

      Have you had to work for a living? Do you like to get paid for your time and effort?

      Yes, I do. I currently work doing the books for several small businesses. These people pay me for actually doing work, not whenever they make photocopies of the reports I make for them.

      I sure do, and I respect that musicians do too. Sure it sucks that the record labels serve as unfair middlemen, but I can't screw them over without screwing over their artists as well.

      When you work for bad people you lose any sympathy I might have had for you.

    69. Re:Still a little bit expensive by Politburo · · Score: 1

      sorry, but you, along with so many other people, just don't understand how the music industry works. the traditional music industry is an exercise in massive cross-subsidy.

      Assuming your portrayal is accurate, the question is "Why?"

      In any other business, products that don't sell well are cut. You keep the products that make you money, and you get rid of the ones that don't. You don't see Crystal Pepsi around any more for a reason. Why on earth would a record company release albums it knows will lose money? It's not like less people will buy PopStar's record because the company didn't release FolkSinger's latest album. It just doesn't make any sense.

    70. Re:Still a little bit expensive by sandwiches · · Score: 1

      You're missing the point. The problem is no that a song, when digitized, might resemble "your favorite number."
      The problem is that copyright disallows "unautohrized" uses of any number that when used in certain programs resembles a copyrighted idea.
      So, let's say Metallica's song "For whom the bells toll", when encoded in a certain way, is the number 666. Do they own the copyright to that number? What about when you encode it differently and you have the number 537 instead? Do they also own the copyright to that number, as well?

    71. Re:Still a little bit expensive by sandwiches · · Score: 1

      So, I can copyright the arrangement of colored blocks preschoolers play with?
      Just a warning to all of you pirates: Do NOT stack your colored blocks in this order from top to bottom or I'll sic my attorney on you: Blue, Red, Red, Green, Blue, Yellow, Blue, Blue, Green.
      You've been warned.

    72. Re:Still a little bit expensive by paulbd · · Score: 1

      As odd as it might seem, the vast majority of the people who work in the music business are into music. Maybe not into it in the way you want them to be, but into to it. It has taken a real hit in the last 10-20 years from pure-bean counters, but its still the case that the majority of people making decisions at record *labels* are into releasing what they think is good music.

      The problem is that what they think of as good music generally doesn't sell very well. So to make it possible to release music by artists you really believe in, you sell your soul and also sell people something you tell yourself "they want".

      your comment suggests that bean counting is the only reason any CD is ever released. thats absurd. most of the CDs i've purchased in the last year (mostly thanks to internet radio) will not turn a profit. they weren't released to make money. the difference between the labels that keep rolling in the cash and those who don't is that the former are playing this cross-subsidy game.

      the big problem with the cross-subsidy is that, as with TV, the bean counters are getting less interested in subsidizing. they argue just as you have done: "we won't sell less of SuperPopularHookLaden boy toy if we don't release CreativeInnovativeMusician, so lets just skip the latter". this attitude has slowly killed many different kinds of commercialized media, and it is not doing good things for music either. luckily, the internet has come along just in time to save CreativeInnovativeMusician, as long as s/he doesn't expect to return to the singularity that recorded music on vinyl represented for a few decades.

    73. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      Bands get screwed all the time... check out this article... it's a little old school... Written by Steve Albini, producer for nirvana, and the pixies...

      http://www.negativland.com/albini.html

    74. Re:Still a little bit expensive by Anonymous Coward · · Score: 0

      Or your local indie bands. $5-$10, and some give their CDs away for free.

    75. Re:Still a little bit expensive by jonhuang · · Score: 1

      Let's keep our heads on. People who don't buy CDs don't get shot. Comparisons like that are not helpful; you might as well call them nazis.

    76. Re:Still a little bit expensive by EvilStein · · Score: 1

      yourmusic.com appears to be an offshoot of the BMG record club ideas..

      At the very least, it's owned by BMG. I was also unable to find any of the artists I like, the best example being an Ozzfest band "Mastadon"

    77. Re:Still a little bit expensive by RichardX · · Score: 1

      So, I can copyright the arrangement of colored blocks preschoolers play with?
      Just a warning to all of you pirates: Do NOT stack your colored blocks in this order from top to bottom or I'll sic my attorney on you: Blue, Red, Red, Green, Blue, Yellow, Blue, Blue, Green.
      You've been warned.


      No, because you didn't make it. The kid that put that construction together would hold the copyright on it.
      You automatically own the copyright to any original work you produce.

      Sure, your example shows a situation in which it's silly - easily done by pushing anything to extremes. "Hey, I'll copyright the idea of putting one thing on top of another!"

      There is a minimum level of complexity/originality required for copyright (I think - IANAL), but let's get to the root of this. Are you saying that nobody should ever under any circumstances be able to hold an exclusive right to something they've made/written/invented/otherwise produced?

      I'm totally in favour of copyright reform - the present system is completely buggered. But I don't think it works to say that nobody can lay claim to ownership of anything. What happens when I want to make my living as a software developer. I spend a few months writing some really awesome app, and I need to make a decent profit from it to live off.. so I sell it for £100 a copy...

      Except, because there's nothing to stop them doing so, Microsoft pick it up, and bundle it in with Windows for free - and offer it for download on their website. Leaving me utterly screwed.

      Sure, I know that's not how copyright works most of the time in practice - rather than protecting the little guy it's used to screw him. But my point is there IS a good reason for systems of ownership. It's just that our present one is completely broken, and only serves the purposes of the big guys.

      --
      Curiosity was framed. Ignorance killed the cat.
    78. Re:Still a little bit expensive by sandwiches · · Score: 1

      I write code for web applications and I do a little graphic design so my livelihood depends on my ideas and intellectual 'property', but tell me something: How complex must an idea be 'copryrightable?'
      You said that combination of nine colored blocks is silly, so tell me how many colored blocks do I need to use for my color arrangement to be copyrightable? Twenty? A hundred? A million? A trillion?
      I have been to museums where they have a stick leaning up against a paper cup and they call that a piece of art and I guarantee you that it is copyrighted.
      And just look at Amazon's complex patent on 'one click' technology.
      So, I ask one more time. At one point do objects lose their individual value and become new copyrightable ideas or objects? So, if the combination of numbers that make up a song is copyrightable, why can't I copyright 999, for example?

    79. Re:Still a little bit expensive by cowscows · · Score: 1

      Yeah, there are differences, but there are also similarities. Whether you're stealing something, or you're copying something, you're still depriving people of income that they've worked for.

      They have created things, and have decided to share them for a cost. You decided that these things are valuable enough that you desire them, yet you feel that the ability to get them for free absolves you of any responsibility to pay for them?

      As for losing sympathy for the artists working under a label, don't you think that's a little bit judgmental of you? A lot of these bands were signed on when they were young, looking for a break in a competitive and overcrowded profession. And the labels often take advantage of that and lock the musicians into unfair contracts.

      They made a bad decision, but that hardly justifies your point of view. They might not deserve much sympathy, and they certainly don't all deserve success, but I fail to see how that gives everyone else the right to distribute their work freely.

      --

      One time I threw a brick at a duck.

    80. Re:Still a little bit expensive by RichardX · · Score: 1

      I write code for web applications and I do a little graphic design so my livelihood depends on my ideas and intellectual 'property', but tell me something: How complex must an idea be 'copryrightable?'

      Well, as I already said, I am not a lawyer, but here's my take on it:
      I suspect it depends less on the complexity, and more on your ability to argue your case for being able to lay claim to it - stick your kid's play blocks in a museum and you'd probably have a good case.

      As for patents - which are a different thing to copyrights - yes, the patent system is also hideously broken. Patents are not supposed to be awarded for ideas which are obvious, impossible, or have prior art, but in actual fact we see patents issued on things like the peanut butter & jelly sandwitch, the play-swing, using a laser pointer to entertain your cat, "perpetual motion" machines, one-click shopping, mini games during loading of a video game, the + shaped D-pad, and all kinds of other ridiculous things.

      So, I ask one more time. At one point do objects lose their individual value and become new copyrightable ideas or objects? So, if the combination of numbers that make up a song is copyrightable, why can't I copyright 999, for example?

      Because you can't make a good case for laying claim to it. Can you demonstrate that it's your original idea that hasn't been used before? amongst many other uses, 999 is the emergency number we use here in the UK (like 911 in the US), so you'd have a pretty tough battle against prior art. There's also the small matter that as far as I'm aware, numbers cannot be copyrighted.

      However, if you made a painting which consisted of the number "999" in large pink digits, that would be copyrightable. Not the number, but the appearance of it.
      A similar example is how, if you write an arrangement of a piece of music which is in the public domain - say, a classical piece, then you hold the copyright on that specific arrangement, but not on the song itself. Other people can write their own arrangements and perform them without your permission, but they need your permission to perform your arrangement.

      Now, I just said that numbers can't be copyrighted, so again we have the idea of "If a song is just a big number, and you can't copyright a number, why not just share the number online that makes up a particular song..." but while you cannot copyright that number you can copyright the number-interpreted-as-a-song.

      At this point it all gets rather messy and incoherent, but basically, in any use where it could concievably be seen as a song rather than just a big number, the copyright would apply. So pretending it's a number for the sake of distributing it on a website probably wouldn't really work.. and even if it did, the moment anybody played that 'number' back through their media player, they'd be breaking copyright.

      Unless you could make a pretty damn watertight case that you only ever intended to distribute a big number, and any incidences of the copyright song that cropped up were purely incidental and unintentional, then you wouldn't really have a leg to stand on.

      Basically you're just playing with details here, which inevitably makes for a flimsy argument. It's rather like saying that an MP3 is not an exact copy of the original CD due to losses in the compression, and therefore what you have downloaded is NOT the copyrighted material from the CD, and therefore you are not causing copyright infringement. Or flimsier yet, blowing something up then claiming you didn't destroy it saying it's all still there.. all the atoms are intact, just rearranged.

      It's a cute argument, but it would be squashed flat in half a second in any kind of legal situation.

      --
      Curiosity was framed. Ignorance killed the cat.
    81. Re:Still a little bit expensive by anthony_dipierro · · Score: 1

      Whether you're stealing something, or you're copying something, you're still depriving people of income that they've worked for.

      So by reading your post am I depriving you of income that you've worked for? I don't think so. To "deprive" someone of something suggest that they had it in the first place, or at least that they deserve it in the first place.

      They have created things, and have decided to share them for a cost.

      And they've done that. Then I borrowed one of those things, made a copy of it, and gave it back.

      You decided that these things are valuable enough that you desire them, yet you feel that the ability to get them for free absolves you of any responsibility to pay for them?

      Well, I certainly don't think there are any RIAA albums which are worth the price of the CD. So maybe that's the difference. But I don't think so.

      Nothing needs to absolve me of any responsibility to pay to make a copy of something, because I have no responsibility to pay for that in the first place. I'm the one making the copy. I'm the one doing the work. If I were asking someone else to make the copy for me, it'd be a different story.

      As for losing sympathy for the artists working under a label, don't you think that's a little bit judgmental of you?

      I suppose it is.

      A lot of these bands were signed on when they were young, looking for a break in a competitive and overcrowded profession. And the labels often take advantage of that and lock the musicians into unfair contracts.

      And most of these musicians are either so popular that they're rich, and don't need my money anyway, or they haven't yet recouped the RIAA's costs, and so they get absolutely nothing when I buy a CD anyway.

      As you've said, the music industry is competitive and overcrowded already. Maybe it'd be better if these musicians just went and got a real job.

      They might not deserve much sympathy, and they certainly don't all deserve success, but I fail to see how that gives everyone else the right to distribute their work freely.

      See, I think I have a right to do whatever I want so long as it doesn't infringe on the rights of others. And I see no reason that a musician has a right to take money from me just because I make a copy of something which is a copy of something which is a copy of something which that musician created. The default situation, in my opinion, should be that I don't have to pay someone for doing something within the confines of my own home. If there is to be an exception to that rule, the exception is what needs to be justified,

    82. Re:Still a little bit expensive by poopdeville · · Score: 1

      Uh, you seem to have forgotten Saucerful of Secrets, their only good album.

      --
      After all, I am strangely colored.
    83. Re:Still a little bit expensive by poopdeville · · Score: 1

      Except that labels like ECM and Blue Note and a bunch of others cull the hacks. I don't know about you, but I only have enough time to listen to 15-30 albums in a day. And I'd rather listen to the good ones.

      --
      After all, I am strangely colored.
    84. Re:Still a little bit expensive by Fross · · Score: 1

      i would rather some independent review site tell me what is good to listen to or not, rather than some record label whose sole concern is selling as many of their records as they can.

    85. Re:Still a little bit expensive by stoicio · · Score: 1
      Well, I'm not sure how dropping a CD with maybe 10
      songs on it is comparable to dropping an ipod
      with hundreds of songs.

      Also a CD is, maybe, $25 . If you drop your ipod
      you're starting at ~$100 and increasing in price
      from there. That doesn't include the music you have
      to buy all over again if you don't have backups.
      (ie: backups as in copies of the same music)

    86. Re:Still a little bit expensive by poopdeville · · Score: 1

      I suspect you're not familiar with neither Blue Note, nor ECM, nor any of the independent music review sites that list their albums. They're going to tell you to listen to their records, because they are good. These labels pick out only the best talents, and outside of a few surprise hits, sell relatively modest but consistent numbers. They aren't banking on the big hits, so they can afford to take artistic risks. And you should probably know that most labels are like this.

      --
      After all, I am strangely colored.
  7. Maybe I'm missing something here... by sfontain · · Score: 0, Redundant

    ...but if 35% are downloading legally, and 40% are downloading illegally, then what are the other 25% doing? goatse?

    1. Re:Maybe I'm missing something here... by niteskunk · · Score: 2, Insightful

      Not downloading at all.

  8. How do you do that? by Anonymous Coward · · Score: 0
    'It's just damn easier than dealing with all the shit from stealing.'

    How can you possibly steal using "illegal" download services?

  9. Wishful Thinking by Ratso+Baggins · · Score: 2, Insightful

    Unless people are downloading gigs from ITMS etc. - daily - then I can't see how this is anything more than wishful thinking (or reverse FUD?)

    --

    --
    "we live in a post-ideological world..." - Billy Bragg.

  10. Music Exec by puppet10 · · Score: 5, Insightful

    Time to jack up the license fees on legal downloads!!! We'll make a killing at $4 a song!!

    --
    -------- This space intentionally left blank --------
    1. Re:Music Exec by RickPartin · · Score: 1

      Modded Insightfull.... I love Slashdot.

    2. Re:Music Exec by Anonymous Coward · · Score: 0

      Uhm.... what exactly don't you understand about why this post was modded insightful? Did the humor throw you off?

    3. Re:Music Exec by Seumas · · Score: 4, Interesting

      I've been doing more "legal" music "buying" than normal, recently. I will never ever pay $17+ for CD. That's ridiculous. But I did have an account with Rhapsody for quite awhile before I switched to Mac (they don't have a Mac client). They're a great deal. High quality streaming library of over a million songs for as low as $8.33/mo. And for $15/mo, you can dumb as much of it and play it on your portable devices as you want (as opposed to having to play it with their Rhapsody player on your PC).

      It takes a little effort to get over the mental hurdle of not actually owning the music you're paying for, but for the price of five or six CDs, I can access an entire world of music. And while they have some licensing issues preventing them from getting some albums/bands (no AC/DC for example), it's generally a pretty effective collection.

      Aside from that, I've also been using mp3search. Yes, I know it might not technically be legit, but for 10 cents per song and about a dollar an album, I'll take it over iTunes any day. Plus, it's real MP3s rather than AAC or other DRM crap.

      Some people say that people will never pay for music if they can get it for free. That's just not true. They're just not willing to pay $17 an album. Or perhaps even $10. After all, if I'm not getting physical media, liner notes, inserts, artwork, jewel cases and have to deal with DRM crap that makes using it on multiple machines and devices a potential headache, why do I want to spend almost as much as I pay for the real thing at a record shop? Give me a ton of selection, easy downloads, non-crippled content and very cheap downloads/fees and I'm with you. And so are a lot of people.

      Once the big boys are out of the way (RIAA members), there will be no reason for such high prices. An artist gets a buck out of a CD sale today - if they're extremely lucky. That's probably before they pay their agents or anyone else, too. So if you take the traditional distributor out of the picture, the artist can sell their MP3s online through iTunes or some other service for $2 per album and still be making more than double what they made under the foot of the RIAA distributors. And there's no cost involved. And they won't have anyone to share that $2 with.

      The only thing musicians will still need is a way to become popular. Today, it's possible to become big at just about anything through internet promotion alone. But even if you needed some sort of professional promotion, you could still engage someone for that and do traditional stumping for your band. At least you'll still have far fewer middle men to deal with in the end.

    4. Re:Music Exec by Dun+Malg · · Score: 1
      Time to jack up the license fees on legal downloads!!! We'll make a killing at $4 a song!!

      Yep. It's like the old joke about the man who opens the "Million Dollar Store". Inside he's got candy, snacks, junky taiwanese electronics, and second hand clothes-- all priced at $1,000,000 an item. He plans to retire after making a sale to his first customer.

      --
      If a job's not worth doing, it's not worth doing right.
  11. Read closely by Sagarian · · Score: 4, Informative

    no, it means that 75% of music listeners download music.

    1. Re:Read closely by Anonymous Coward · · Score: 0

      no, it means that 75% of music listeners download music.

      Actually, it means that 40-75% of people who listen to music download it, as the two groups are not mutually exlusive.

    2. Re:Read closely by Rostin · · Score: 2, Insightful

      I think it's a little ambiguous. We don't know how many legal downloaders have also downloaded music illegally. It could mean that 75% of music listeners download their music. It could also mean that only 40% do, or any value in between 40% and 75%.

    3. Re:Read closely by Leibel · · Score: 1

      Not music listeners. Music acquirers (either by illegal or illegal means.)

      I hardly ever buy CDs these days, have never downloaded stuff (don't laugh!), and have 700+ CDs, all legal but getting a bit old. I listen to at least several every day.

      Consequently, my passion doesn't even show up as a blip on their radar.

      I also know people who download all the latest stuff but hardly ever listen to it. Who can blame them, really ;-).

  12. At last ! by ishrat · · Score: 1

    At last we are waking up to the commercials of downloading paid music.
    I believe this trend will increase in every sphere as most people get over the thrill of free or stolen music.
    The initial days have passed and more and more people are settling down to the regular method of paying.
    Yet there will remain first timers who will always want to go for the irregular path for a quick thrill.
    In a way life is getting more monotonous.

    --

    There's always sufficient, but not always at the right place nor for the right folks.

    1. Re:At last ! by Anonymous Coward · · Score: 0

      i don't see the thrill in downloading things illegally. i myself don't get a high from doing so. some people download illegally because they'd like to do so themselves. for example: i do not download music, then sit there as it is downloading and get excited because i'm getting away with it. i am downloading music because i'd like to enjoy the music without paying for it. your logic does not make sense.

    2. Re:At last ! by Anonymous Coward · · Score: 0

      that's great. okay you masses, go pay for your mainstream crap. I'm all for it. I for one, will continue to pirate everything, purchasing that non-major lable stuff I can afford which I don't believe to be crap. If they shut down all the music piracy channels, I have contingency plans. I also pirated all of the music tools. So I can yet again, have free music, although then I will have to produce it myself. My other contingency plan is to massively pirate books so I have a life-time of knowledge to study.

      But I do admire the geek who is trying to be creative with math and statistics. Maybe it will relieve some pressure from big-media, but I doubt it. They don't just want to sample the blood of the many. They've become so greedy that they want to drink you dry, which of course means physical death, but like the frontier of the new world, the natural resources are limitless and there to be exploited right?

  13. Re:Math anyone? by Anonymous Coward · · Score: 0
    Okey, so there are 35% using legal downloads and 40% not... something does not add up.
    35% use legal download offers, 40% use illegal download offers and 25% don'T download at all.
  14. Just playing catch-up by tyagiUK · · Score: 3, Insightful

    Given the level of integration between something like iTunes and my iPod, it is much easier (for me) to browse, pay, and download, music, rather than search for and obtain an uncontrolled copy.

    Provided you've got the cash means to do it, there's not really any excuse for not using "officially sanctioned", paid-for, download sources.

    All we've seen is the industry playing catch-up with a technology which took off much faster than they were able to keep up with.

    --
    Contribute to the online videogame encyclopedia: GamerWiki
    1. Re: Just playing catch-up by Black+Parrot · · Score: 4, Insightful


      > Given the level of integration between something like iTunes and my iPod, it is much easier (for me) to browse, pay, and download, music, rather than search for and obtain an uncontrolled copy.

      I think slashdotters have been saying for years that the problem was the music industry's (non existant) business model, and if they would make it cheap enough to download a song, people would pay for it.

      Also, presumably the % piracy is a function of the price, and the goal of the music industry will be to maximize (number_of_downloads * price_each).

      Of course, they could virtually eliminate piracy by pushing the price toward zero, but that's probably not what maximizes profit.

      --
      Sheesh, evil *and* a jerk. -- Jade
    2. Re:Just playing catch-up by Mr2001 · · Score: 4, Insightful

      Given the level of integration between something like iTunes and my iPod, it is much easier (for me) to browse, pay, and download, music, rather than search for and obtain an uncontrolled copy.

      That's because you own an iPod. For someone like me, who only owns MP3 players and doesn't want to take part in Apple's vendor lock-in scheme, iTMS is quite a bit more hassle.

      --
      Visual IRC: Fast. Powerful. Free.
    3. Re: Just playing catch-up by Black+Parrot · · Score: 2, Insightful


      Also, presumably the % piracy is a function of the price, and the goal of the music industry will be to maximize (number_of_downloads * price_each).

      Which, BTW, suggests that RSN we'll see a hamfisted attempt at DRM-based region coding for music downloads, so that they can optimized that formula independently for the different economic regions of the planet.

      --
      Sheesh, evil *and* a jerk. -- Jade
    4. Re:Just playing catch-up by eeyoredragon · · Score: 2, Interesting

      Provided you've got the cash means to do it, there's not really any excuse for not using "officially sanctioned", paid-for, download sources.

      Yah there is. I still don't use things like iTunes for music, because I want lossless files. I'm paying more per song because I'm not getting all the extra crap (which I admittedly don't want) but also not getting the same quality. Crappy deal to those of us that care.

      I generally buy used CDs. I keep a running list of about 20 pages on my Amazon wish list. When something goes down to $5 or lower and is in at least "very good" condition, I buy it.

      Every now and then I'll get something from allofmp3, and when I do, it's always a lossless file. The online music business is moving forward, but it still has a good way to go.

    5. Re:Just playing catch-up by pintomp3 · · Score: 1

      i've got an "excuse": quality. 128k aac or wma is not "good enough". for the price of a full album online, i can buy the whole cd new. it may not be as convienent but offers higher quality and no drm. get this, i sometimes like to listen to music on my home audio system. it sounds a little bit better than my mp3 player. less for more, who's winning?

    6. Re:Just playing catch-up by eeyoredragon · · Score: 1

      Forgot to add... even if it were cheaper and/or better quality, I still wouldn't go for anything with DRM. I make mix CDs all the time, and I don't like someone telling me where I can play my own damn music that I paid for. That's begging people to download music illegally, always has been, and always will be.

    7. Re:Just playing catch-up by Anonymous Coward · · Score: 1, Interesting
      I just buy everything from allofmp3. Before I used it my commercial music purchases were approximately $0 a month, and I downloaded only a few through P2P.

      Now I'm paying around $25 a month -- to allofmp3.

      Listen up, RIAA. It's all about price point. Nothing else. If you match allofmp3.com's price point, I'll happily buy music directly from your monopolies, err, members. You will note that I'm paying more money than I did before. That's because allofmp3.com has found the sweet spot on the supply/demand curve. And you have not.

      And until you get a clue, you can get fucked.

    8. Re: Just playing catch-up by Have+Blue · · Score: 1

      The ITMS already has a fairly effective means of doing this- you can only buy music from the store corresponding to the country your credit card's billing address is in. And, yes, some people are upset over this, but it's more because of differences in the region-specific catalogues than region-specific pricing.

    9. Re:Just playing catch-up by antifoidulus · · Score: 1

      Not to mention (somewhat) standardized ID3 tags. When I used Napster and their ilk the ID3 tags were either non-existant, partial, or in many cases just plain wrong. People would credit songs to the wrong band etc. (Not to mention that every humor song was automatically sung by "Weird Al"). To me it's worth the price just to get those ID3 tags(and if you have an iPod photo, the albulm art is kind of cool, but it's novelty does wear off after a while). Yeah, it costs money but it saves time.

    10. Re: Just playing catch-up by at_slashdot · · Score: 1

      Now... if only they made a iTunes for Linux.

      I'm not going to buy a Mac and not going to use Windows *yuck* in order to use it.

      --
      "It is our choices, Harry, that show what we truly are, far more than our abilities." -- Prof. Dumbledore
    11. Re: Just playing catch-up by Neoprofin · · Score: 0

      Just the sound of one man talking, but for me piracy has been more a consequence of opportunity than economics, and I know I'm not alone. Can I afford Pimp My Ride on DVD? Sure. Can I afford CDs? Sure. Do I still download dozens of albums and never listen to them because I never liked the band in the first place? You bet.

    12. Re:Just playing catch-up by Anonymous Coward · · Score: 0

      You know what else integrates well?

      The RIAA's cock and your ass.

    13. Re:Just playing catch-up by timmyf2371 · · Score: 1
      It's quite funny how you and many other posters I've seen here have tried to justify their illegal downloading of music by saying how the music industry charges too high a price for their products.

      If you feel the price point is too high, surely the correct thing to do is to go without?

      Let's look at an offline example such as electricity. Whether you use it or not, electricity is produced and cannot be stored thus must be used at once, so whether you pay for it or not it still costs the power companies the same amount of money to produce. If you felt it to be too high in cost would you feel justified in using the power without paying for it?

      --

      Backup not found: (A)bort (R)etry (P)anic
  15. I think the tide turned... by Japong · · Score: 5, Funny

    ... when Britney Spears appeared in those television ads telling me how wrong piracy was, and how it was stealing from artists like her.

    I mean: "We hit a little bit of reality, hardcore, after the first three weeks. But we handled it fine, and now things are starting to go really smooth. Before we got married we were on tour, and we were just like kids, ordering room service, saying, 'Let's go out tonight. Then, all of a sudden, you have this home, you have the kids [Federline's children Kaleb and Kori], you have to get the diapers, get the dog to the vet. It's this reality. Like omigod, I have to tell the maid to buy diapers and get the pool boy to walk the dog? Can't I just make out with Kevin all the time? Being married sucks."

    Poor girl... thank god the RIAA kept after the pirates who tried to rob her of her livelihood.

    Seriously though, good to hear that online music is working, but it still sucks that 60% of that goes to RIAA liscensing levies.

    1. Re:I think the tide turned... by fermion · · Score: 2, Interesting
      And I don't think i will ever get over the trauma of the tough stunt man telling me just how much he is hurt by people stealing movies. How he works so hard and still don't make any money. Like the high school kids complaining how much time they spend in class, and how hard they worked on that failing test, and how they just deserve an A. Or a drug addict saying he only got caught with cocaine once, and only got caught driving drunk once, and how that could keep anyone from public office is just unfair.

      I mean the unfairness of the world, especially against the white men and even women, is just astounding.

      I agree. Buying stuff is better. Just try to buy indie.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    2. Re:I think the tide turned... by Anonymous Coward · · Score: 0

      Good point - didn't need the snide remark about white people.

      (Only mentioning, since you're one of the better contributors on /., and seeing good posts throw in non sequiturs really annoys me :)

    3. Re:I think the tide turned... by CODiNE · · Score: 2

      Hey I love making fun of rich spoiled brats like everyone else, but Britney simply didn't say that.

      http://www.gawker.com/news/media/us-weekly/lifting -and-misquoting-its-just-like-us-037392.php/

      --
      Cwm, fjord-bank glyphs vext quiz
    4. Re:I think the tide turned... by Anonymous Coward · · Score: 0
      Seriously though, good to hear that online music is working, but it still sucks that 60% of that goes to RIAA liscensing levies.
      Sorry, but NO. 65% of online sales goes back to the labels which inturn pays the bands and publication royalties and so fourth. The other 35% goes to distribution fees (online storage space, bandwidth, etc) AND INCLUDES any RIAA payments.

      Online sales through iTunes is a win for everybody. Consumers get music immediately as it's available for sale, Consumers pay less for the music, Labels get payments much faster than regular distribution/retail chains, there are immedate reports available to labels, no duplication fees or press charges, etc..

    5. Re:I think the tide turned... by BackInIraq · · Score: 1

      And I don't think i will ever get over the trauma of the tough stunt man telling me just how much he is hurt by people stealing movies. How he works so hard and still don't make any money.

      I like the set-painter guy (or whatever the hell he did) talking about how when I download movies it hurts the industry and it could mean he doesn't have money to feed his family. Right. Because me downloading a movie is the reason a stunt-man or set-painter-dude doesn't make enough money. It has nothing to do with the fact the they paid the actors in his movies millions of dollars apiece and there just wasn't enough leftover for them to make more.

      Because Hollywood is running low on money, right?

      (And let's not get into the fact that the only people subjected to that crap were the people who had already paid to see the movie. Redefining insulting.)

    6. Re:I think the tide turned... by Deliveranc3 · · Score: 1

      Really?
      20cents per 4 mb is a pretty amazingly great deal for Apple...

      This is a pretty freaky alliance neither partner really produces anything!

      It's like rubbing a pixie and a unicorn together and getting money!

  16. Re:Percentages? by seinman · · Score: 3, Informative

    Learn to read. It says 35% of MUSIC LISTENERS are paying for downloads, and 40% are downloading illegally. The other 25% is either buying albums at a store or listening to the radio. In other words... NOT DOWNLOADING!

  17. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  18. What about allofmp3.com? by pherthyl · · Score: 2, Interesting

    Does allofmp3.com and similar services count as legal in this survey?

    It's apparently legal for allofmp3 to offer the music (in Russia), and it's legal for me in Canada to download it, but I somehow think that this type of service is not what they had in mind when they said "legal".

  19. Hymn Gone by WatertonMan · · Score: 2, Interesting
    Speaking of legal downloads, I notice that Hymn is now gone. The website doesn't respond at all. For those of you who know,

    Hymn was a program that removed the DRM from Apple's iTMS downloads. It was actually nice if you make a lot of mix CDs as you can quickly get past the limit on the DRM for the AAC files. They broke the original version of Hymn with 4.7 but I thought that a new version came out, hosted off in India. But now that doesn't work either.

    It's weird, as it seems to me that anyone pirating would simply get an MP3 from some P2P network. So I didn't see Hymn as that big a threat.

    1. Re:Hymn Gone by SB5 · · Score: 4, Informative

      I am getting a response, and can see the site... Its at: http://www.hymn-project.org/

      right?

      --
      If what you are reading sounds funny, or sarcastic, lame, or stupid
      it is because it is supposed to be. just laugh
    2. Re:Hymn Gone by Frank+T.+Lofaro+Jr. · · Score: 1

      Well if the RIAA couldn't take it down, perhaps the Slashdot effect will. :)

      --
      Just because it CAN be done, doesn't mean it should!
  20. Oh my god! by da3dAlus · · Score: 3, Funny

    You mean actually EMBRACING new technology that everyone is using, is actually BENEFICIAL? Wow, that is such a novel idea!
    </sarcasm>

    --

    Sometimes I doubt your commitment to Sparkle Motion.
    1. Re:Oh my god! by Begemot · · Score: 1

      Joke Parsing Error: mismatched tag.
      Line Number 2, Column 2:
      </sarcasm>
      --^

  21. Re:Statistics by DeusExMalex · · Score: 1

    only 6: suck it, RIAA

  22. Wait a minute by Anonymous Coward · · Score: 0

    If 35% of the replies are about Goatse, and 40% are about whether the total legal and illegal downloads is 75% or 100%, what will everyone else talk about?

  23. Re:Math anyone? by Anonymous Coward · · Score: 0

    It's "OK" Slashdot editors aren't mathematicians. It's the effort that counts, at least they gave it 110%.

  24. Two important distinctions by fsterman · · Score: 2, Interesting

    "who have pirated music," Not, "that pirate music on a regular basis." I wonder if the same goes for the legal downloads, have or regularly do. I have downloaded legally and found DRM a pain in the ass, and continue to get my shite from P2P and allofmp3.com.

    Also is that replacing illegal downloaders or is it gaining new users.

    I am not trying to argue anything here, but gauge the state of the industry.

    Sorry about the spelling, I have a Birthday celebration to attend.

    --
    Is there anything better than clicking through Microsoft ads on Slashdot?
    1. Re:Two important distinctions by gorfie · · Score: 3, Insightful

      I have downloaded legally and found DRM a pain in the ass, and continue to get my shite from P2P and allofmp3.com.

      I've been thinking about going to a legal downloading service but I hang back because I fear that the restrictions and proprietary formats will prevent me from...

      1.) Burning unlimited audio CDs for the car
      2.) Burning unlimited mp3 CDs for work
      3.) Buying any third party hardware player for the files I get from the service

      That's basically it... I want to be able to listen to a song I buy from home, in the car, and at work without requiring a specific player or proprietary software (I use a zero footprint mp3 player on my work pc).

      Is that possible with any of the legal services? I'd pay $1 per song...

      What if we treat it like licensing... if I buy a tune in the proprietary format and then download that same tune in mp3 format, is that really wrong/illegal? Would they really sue me if I could document that I owned each song I downloaded? I rationalized downloading Pearl Jam's Ten a few months back because my CD (bought in 92 I think) is so scratched up that I can't get a digital rip anymore.

      Thoughts?

    2. Re:Two important distinctions by Anonymous Coward · · Score: 0

      Try Warp Records' Bleep (http://www.bleep.com/) . They have a wide range of independent labels, mostly on the electronica/experimental side (Bjork, Aphex Twin, Boards of Canada, Four Tet), although you will find some mainstream artists such as Franz Ferdinand (on the Domino label).

      Everything is encoded using lame --preset standard, and some is available as FLAC (for a higher price).

    3. Re:Two important distinctions by Ngwenya · · Score: 1

      I've been thinking about going to a legal downloading service but I hang back because I fear that the restrictions and proprietary formats will prevent me from...

      1. Burning unlimited audio CDs for the car
      2. Burning unlimited mp3 CDs for work
      3. Buying any third party hardware player for the files I get from the service

      Why would allofmp3.com stop you doing these things? If you want, you can usually buy the albums/tracks in lossless format (flac, ape, or even wav if you've got too much money). You can then encode them to AAC, MP3, OGG Vorbis, or of course, cut them on to as many CD blanks as you like. No DRM, no proprietary crap - just standard formats, for about $0.50 a track. Seems like a good buy to me.

      Ng

    4. Re:Two important distinctions by Anonymous Coward · · Score: 0

      I do all these things using iTunes and Hymn (http://hymn-project.org/).

    5. Re:Two important distinctions by autechre · · Score: 1

      emusic.com is one. You pay for a certain amount per month (one model is $10 for 40 songs), and you get VBR MP3s. You get your first 100 free, and you can preview before you buy. You have to get specific (Java) software, but that's just to download, not play. They are really MP3s.

      Now...the thing about emusic.com is that they have always focused on stuff outside of Top 40. If Top 40 is all you're interested in, then you probably don't want emusic. On the other hand, if you ignore everything but Top 40, I think you're really depriving yourself by being unwilling to find new music, and are almost certainly paying too much for most music (and music-related things like shows and merchandise) you do purchase.

      Another poster mentioned Warp Records, and Warp has some pretty amazing stuff (again, you won't hear most of it on "the dial" unless you have a cool local independent radio station.)

      --
      WMBC freeform/independent online radio.
    6. Re:Two important distinctions by timmyf2371 · · Score: 1
      Funnily enough you can actually do this with songs downloaded through the iTMS and the "new" incarnation of Napster.

      They do come in DRM'd AAC format, however you can burn them onto audio CD and then re-rip them into non-DRM'd MP3 format. It's a nuisance to have to do it but it certainly can be done.

      I myself use a variety of different legal download services. I use Napster at £9.99 per month for unlimited downloads/listening on my workstation. If I had a WMA audio player I could pay £14.95 per month to extend this unlimited listening to that, but I have an iPod Mini instead.

      If there are any tracks I like in particular from the Napster service then I can purchase them for £0.99 per track or a discounted price for the entire CD and I can "do what I like" with them subject to the hassles described above. Normally however I purchase tracks I like driving to and burn them onto mix-CDs since the music I enjoy driving to is a mere subset of the variety I'll listen to while working, playing, surfing etc.

      --

      Backup not found: (A)bort (R)etry (P)anic
  25. Re:It doesn't add up by Kierthos · · Score: 1

    I think what the point is that 35% of music listeners use legal downloading services, 40% use illegal downloading services, and 25% use no downloading services at all.

    Of course, I have to wonder how accurate these statistics are, considering that some people are going to lie when asked if they use illegal downloading services. Also, some people, no doubt, illegally download and also use legal downloading services.

    Kierthos

    --
    Mr. Hu is not a ninja.
  26. Fuzzy math... by Hamster+Lover · · Score: 3, Funny

    Maybe this should have been a Slashdot poll. 35% download legally, 40% download illegally and 25%:

    - Rip from CD
    - Breasts!
    - Mentally reconstruct the music by "reading"
    the grooves on an LP
    - Record off the radio
    - Rely on the voices in their head for all their entertainment
    - Cowboy Neal

    1. Re:Fuzzy math... by Anonymous Coward · · Score: 0

      Cowboy Neal sings Christmas classics would sell amazingly well. Can't you just picture him singing Rock around the Linux Box or Jingle ICQ?

    2. Re:Fuzzy math... by value_added · · Score: 1

      Maybe this should have been a Slashdot poll. 35% download legally, 40% download illegally and 25% ...

      The other 25% were involved in ongoing litigation, or were subject to the confidentiality provisions of a settlement agreement, and chose not to responded to the poll.

    3. Re:Fuzzy math... by Mr.Ned · · Score: 1

      The percentages are of music listeners, not of music downloaders. Not all music listeners download music.

    4. Re:Fuzzy math... by imr · · Score: 1

      I remember the days when there was more Nathalie Portman and less Cowboy Neal.
      Something isnt right at slashdot, nowadays.

    5. Re:Fuzzy math... by coopex · · Score: 1

      provolt's law: The quality of slashdot is directly proportional to the number of Natalie Portman naked and petrified and hot grits posts.

      --
      The road to hell is paved with good intentions.
  27. Lies, Damned Lies, and Statistics. by Anonymous Coward · · Score: 1, Funny

    These stats are brought to you by the same people that make up benchmarking numbers and voodoo economics.

    Lies, damned lies, and statistics all.

  28. The other 25%... by __aawfbm2023 · · Score: 2, Interesting

    are just ripping their own CDs, simple.

  29. what are you gonna do... by ShineyMcShine · · Score: 1

    land on a fraction?

  30. Every time we hit a milestone like this... by Narcocide · · Score: 3, Funny

    ... the entire RIAA should be dragged out into the streets and paraded through town so we can jeer and throw rotten vegetables at them.

    In fact, they should make a national holiday out of it. There can be a big parade... and thousands of vendors selling rotten vegetables. Yea. That's exactly how I dreamt it.

  31. On 40% Illegal Downloads by DanteLysin · · Score: 5, Interesting

    I am curious how this is measured. If an illegal downloader is being "measured" in this statistic, does that mean he/she is being "caught"? What about the silent masses illegally downloading music that is not measured?

    1. Re:On 40% Illegal Downloads by Ken+Broadfoot · · Score: 1

      Damn good point actually.

      If I am downloading a song that I already own. ( And I have done this ) isn't it fair use? Sorta?

      Am I being counted as not legal?

      --ken

      --
      Bitcoin pyramid: Join here: http://www.bitcoinpyramid.com/r/1427 it's FREE!
    2. Re:On 40% Illegal Downloads by NanoGator · · Score: 1

      "What about the silent masses illegally downloading music that is not measured?"

      What about the masses downloading music they already have licenses for so they can skip the burning step? Not every 'illegal' download is illegal.

      --
      "Derp de derp."
    3. Re:On 40% Illegal Downloads by antiMStroll · · Score: 1

      By the time-tested academic method of writing down possible percentages on 3x6 cards, putting them all in a hat and kicking it down the stairs. Top two stairs win. Also explains why it doesn't add up to 100% and ignores overlapping results, i.e. those who use both purchased and free downloads.

    4. Re:On 40% Illegal Downloads by Anonymous Coward · · Score: 0

      Simple: They're just asking people. It's a survey, not statistic.

    5. Re:On 40% Illegal Downloads by Anonymous Coward · · Score: 0

      Do you mean dark matter is downloading music as well? Damn, no wonder the RIAA are going broke!

    6. Re:On 40% Illegal Downloads by Begemot · · Score: 1

      From TFA: ...according to a new survey released Monday by Entertainment Media Research...

    7. Re:On 40% Illegal Downloads by Kirth · · Score: 1

      Actually, in my country, there are no "illegal downloads". The only things illegal to download from the net would be child porn or unlicensed software. But the download of movies, books, music, whatever else is legal.

      Its the upload of works on which you don't own the copyrights or have a license to which is illegal.

      The music industry speaking of "illegal downloads" is telling a lie in respect of the laws of my country.

      --
      "The more prohibitions there are, The poorer the people will be" -- Lao Tse
    8. Re:On 40% Illegal Downloads by reclusivemonkey · · Score: 1

      You're new to statistics aren't you?

    9. Re:On 40% Illegal Downloads by Deliveranc3 · · Score: 1

      If it's by song one angry pirate with a fat pipe can download more midis than they've ever sold songs in about 24 hrs.

      Hey we should do that! Can you transcode illegal mp3s to midi?

  32. VHS Tapes by Ken+Broadfoot · · Score: 2, Insightful

    People buy them, people illegally record on them too. So what? I think that the industry is happy with the fact that people are legally downloading stuff and now they should stop all the whining about the the other folks who don't, and get over it.

    You would think something like the VHS tape would destroy the movie industry. Just like downloading music has destroyed the music industry.

    Err.... wait a minute... it didn't!

    --
    Bitcoin pyramid: Join here: http://www.bitcoinpyramid.com/r/1427 it's FREE!
    1. Re:VHS Tapes by ScentCone · · Score: 0, Troll

      You would think something like the VHS tape would destroy the movie industry. Just like downloading music has destroyed the music industry.

      Err.... wait a minute... it didn't!


      Come on, now, that's a cheesy analogy. In the VHS analogy, it's the hard drive we're talking about. VHS didn't trash the movie industry because you have the material delivered to you by basically paid-for means (like ad-supported broadcast or subscribed cable). And you can't take that VHS tape and make an absolutely perfect copy of it available to thousands of people instantly. Very, very different situation.

      --
      Don't disappoint your bird dog. Go to the range.
    2. Re:VHS Tapes by Omnieiunium · · Score: 1

      Just adding on to that, by the time you are able to actually get a good VHS copy of a movie, the movie had all ready been out in theatres and it was now all ready playing on the TV and in Video stores. Basically chances are you had all ready seen the movie and, as mentioned above, you paid for it some way.

  33. Re:Math anyone? by N3Roaster · · Score: 2, Interesting

    The math doesn't have to add up to 1. Values less than 1 and greater than 1 are perfectly acceptable in this sort of thing. Think about it. You have people who listen to music. Some of these people will get music through legal downloads, some will pirate music, some will go with legal downloads and pirate music (meaning the same person counts in both categories) and some will neither legally download nor pirate music (meaning they don't count in either of these categories). So what this means is that there might be somewhere around 25% of music listeners (depending on how many listeners fall into both listed categories) who only buy music on CDs or listen to the radio.

    The numbers add up, they just shouldn't be added.

    --
    Remember RFC 873!
  34. 35% or 40% of ? by NewAccount · · Score: 0

    Who exactly are 'music listeners?' everyone who answered 'yes' to "are you a music listener?" ???

    1. Re:35% or 40% of ? by wlan0 · · Score: 1

      Perhaps something like: "Have you adquired music in the last 6 months?"

  35. Re:It doesn't add up by sweetooth · · Score: 1

    The article references the numbers as 35% of music "consumers" partake in legal downloads compared to the 40% of music "consumers" that admitted to illegally downloading music. So 25% of music consumers don't download music. The percentages refer to the people that consume music as a whole, not to music downloads as a whole.

  36. Re:It doesn't add up by Repton · · Score: 3, Informative

    The article says "35% of music consumers". Presumably, this means "all people who buy CDs" (or would buy CDs, if they weren't busy stealing the bread out of hungry record executive children's mouths).

    This allows for overlap between the two groups; in fact, I'm guessing that the vast majority of online-music-buyers have also experimented with downloading.

    If there is complete overlap, it would mean that 60% of music consumers have never downloaded music from the 'net. It would also mean that only 12.5% of illegal downloaders have not bought from iTunes or similar...

    It would be interesting to see the actual numbers, and what questions they asked :-/

    --
    Repton.
    They say that only an experienced wizard can do the tengu shuffle.
  37. Statistics by theheff · · Score: 1

    35% are legal, 40% are illegal, so the remaining % (25) I assume would fall under both categories. You have to question though, how accurate are these percentages? Just because the EMR can't see users swapping media in not-so-obvious places... that doesn't mean it still isn't going on.

  38. 35 + 40 = obviously by BEA6D · · Score: 0

    the other 25% are stuck watching a flash advertisment for viagra.

    --
    rehab, captain ahab, you're chasing the wrong fish!
  39. and by Turn-X+Alphonse · · Score: 2, Insightful

    And the RIAA will claim the drop is due to them sueing everyone.

    Apple will claim iPods and iTunes did it.

    Microsoft will some how claim they did something to help with Windows Media Player.

    Then more figures will come out saying the opposit and all statements will be withdrawn and more people sued.

    --
    I like muppets.
    1. Re:and by Anonymous Coward · · Score: 0

      And slashdot will be going on about how the numbers don't add up.

  40. Re:It doesn't add up by Anonymous Coward · · Score: 0

    ya... I realized after posting. This is why I hate statistics ( currently taking the class :).

  41. Music LISTENERS not DOWNLOADERS by InfiniteWisdom · · Score: 4, Insightful

    So of the people who listen to music, 25% don't download legally or illegally and purchase CDs or tapes or whatever.

    Now I'd imagine all categories overlap... I'm sure a LOT of people buy some CDs, download others legally and also download illegal copies every now and then. So I don't know how those are accounted for.

    1. Re:Music LISTENERS not DOWNLOADERS by vwjeff · · Score: 2, Funny

      So I don't know how those are accounted for.

      It doesn't matter. 101% of all statistics are pulled out of someone's ass. That is a fact because it sounds right.

    2. Re:Music LISTENERS not DOWNLOADERS by Bastian · · Score: 4, Funny

      I think if we accounted for each, the numbers would be something along the lines of:

      70% download ilegally
      90% download legally
      100% rip CDs legally
      100% copy friends' ripped CDs ilegally
      1,536% think statisticians do lead paint shots when nobody's looking.

  42. journalists suck - article text by Anonymous Coward · · Score: 0

    LONDON (Hollywood Reporter) - Around 35% of music consumers now download tracks legally via the Internet and the percentage will soon pass the 40% who have pirated music, according to a new survey released Monday by Entertainment Media Research.

    The online research company used data collected from 4000 music consumers to compile the 2006 Digital Music Survey in association with media law firm Olswang.

    Fear of prosecution, Internet viruses, and inferior quality were cited as the main deterrents against illegal downloading, the report said. Nearly two-thirds of music consumers said immediate availability was the key reason for buying tracks online.

    "The findings indicate that the music industry is approaching a strategic milestone with the population of legal downloaders close to exceeding that of pirates," Entertainment Media Research chief executive Russell Hart said.

    John Enser, senior partner at Olswang, added in a statement: "Clear deterrents to illegal downloading are emerging, with fear of prosecution running high, and close behind is the sense that unauthorized downloading is 'not fair on the artists,' suggesting that the industry's messages, led by the British Phonographic Industry, are being communicated effectively."

    --

    They suck because they don't understand maths. Particularly, in this case, the Venn diagram (see).
    Giving us a "35% use legal music downloads" and "40% pirate music" doesn't give us much clue about the number of people who do both, or neither.
    The also fail to understand that when you pirate music (if you have a decent source of some kind) the only reason to stop is when you run out of hard drive space - not even then if you don't mind storing some music on CD-R.

  43. Yes, we know better, but... by trisweb · · Score: 1

    Okay, great, a statistic. All of us are going, "now wait just one minute there..." and using our inane skills of deduction to whittle away all of its importance (like you can do with any statistic).

    So yeah, of course we know better, and this has a good chance of not being anywhere near accurate. So what? The rest of the dumb (er, non-nerd) public believes these statistics, at least on a subconsious level, especially the politicians! Let them believe that piracy is going down, that the paying markets are taking hold, that their business model is working. Maybe they'll stop worrying so much and actually focus on what's important, like making good music. Chances are their profits will keep on not going down. And when they ask how this happens even with all that piracy? Ehhhhhhh... it's magic. Here's some statistics. Good dog.

    --
    "!"
  44. Re:Statistics by teksno · · Score: 1

    does the 35% of legal downloads include those using services like allofmp3, or mp3search.ru? i doubt it...but it might add another percent or two as both services are technicaly legal...

  45. 42% by tacensi · · Score: 1

    is actually the percentage of /.ers who will post "It doesn't add up"!

  46. Fuck them by OsirisX11 · · Score: 0

    I'll pirate till I die.
    They've charged me way too much money for their low quality bullshit. I can get whatever I want whenever I want it now and there's not a damn thing they can do about it. so NAH NAH NA NAH NAHH. Bitches.

  47. Interesting by jav1231 · · Score: 1

    It'd be interesting to know how they arrived at both figures. I mean if you come up with 40% as pirated, could one not give themselves that figure as an arbitrary target. Thus they can surpass it rather quickly and voila! "Efforts via our anti-piracy campaign, and the technology sector embracing legal downloads has allowed us to surpass piracy!"

  48. Bogus statistics: what little we can conclude by G4from128k · · Score: 5, Insightful
    This is a classic example of bogus statistics. The two figures have absolutely nothing to do with each other. The 30% of people using legal downloads might be mutually exclusive or totally overlapping with the 40% that use illegal downloads. The numbers need not total to 100% (and could total to more than 100%). At best we can conclude:
    1. No greater than 70% of music listeners download music (legal or illegal) -- i.e., as much as 30% of music listeners simply don't download music.
    2. No fewer than 40% of music listeners download music (legal or illegal).
    3. At most, 30% use both legal and illegal downloads.
    4. It's possible (based on this limited data) that no one does both illegal and legal downloading.
    In next month's survey, both numbers could go up or down since the survey does not ask "do you ONLY download music from legal/ illegal sources." Moreover, the survey provides no estimates of volumes -- illegal downloaders could be downloading 10X or 10X less than their legal-downloading counterparts. Or people that download legal music could be the biggest "pirates" and this survey would be none the wiser.
    --
    Two wrongs don't make a right, but three lefts do.
    1. Re:Bogus statistics: what little we can conclude by RickPartin · · Score: 2, Insightful

      Statistics are usually nothing more than a marketing tool. They are simple and get a point across easily. But nothing is ever that simple. So many variables are in there like who paid for the study, how was it done, etc. But this never matters because once the statistic is out there everyone repeats it and the number becomes fact.

    2. Re:Bogus statistics: what little we can conclude by Anonymous Coward · · Score: 1, Interesting

      I can tell you this, and I post anonymously for reasons that will soon be clear; some people who download legally (from emusic.com)also download illegally. Mainly due to it not being available (or not knowing) on emusic.com.

    3. Re:Bogus statistics: what little we can conclude by smchris · · Score: 1

      Your fundamental point is good. This doesn't tell us much for sure until there's a more scientific survey.

      But my _hunch_ is that they are "relatively" exclusory groups. Multiple programs are for geeks. How many people can't be bothered with Firefox because they "already know how to use IE?"

    4. Re:Bogus statistics: what little we can conclude by DrWhizBang · · Score: 1

      ...

      5. No two people are not on fire.

      --
      Schrodinger's cat is either dead or really pissed off...
  49. However... by wtmcgee · · Score: 1

    ...While the percentage of users who buy music (I'm part of this group) may statistically pass the group who uses illegal p2p networks, what is omitted is the fact that, on average, p2p users download *way* more than someone like myself, or anyone else who uses iTunes (or insert favorite service here).

    I think it's a bit premature to declare music piracy dead. Apple and others have made great inroads in such a short time to curb illegal p2p usage, but I think that CD sales is losing out to online distro., not p2p networks.

    I still buy a lot of albums at the store, but I get all my singles and such online.

    --
    *** For a better tommorow, change your life today ***
    1. Re:However... by thebatlab · · Score: 1

      You're an "interesting" in my book but I'm out of points.

      The main thing is it doesn't say exactly how they track this number. If I do both legal and illegal ways, where does that count me in the percentages? Does it just get crossed out as "even"? That falls into the logical fallacy you mentioned. Conversely, if I'm just counted as one or the other, then the results are going to be skewed there as well.

      Basically, we need their spreadsheet to see ;)

    2. Re:However... by Anonymous Coward · · Score: 0

      Yeah, but how many people who download 200 gigs of songs even listen to a small portion of them? How many listen more than once to each song? How different is this than listening to the radio, exactly? Sure, no ad revenue, but people downloading songs aren't out buying things advertised on the radio anyway. In short, so long as the *popular* songs get bought enough on legal services, the media companies don't give a darn.

  50. AudioLunchbox.com is one reason why by kronos7871 · · Score: 3, Informative

    Sites like http://www.audiolunchbox.com/ Magnatune, eMusic and mp3Tunes are one main reason why this trend is happening. NO DRM, Oggs and sometimes even FLAC - I'd say that is one major reason for the shift. Smaller sites with less mainstream content that let their users actually own the files unrestricted seem to finally be catching on. RIGHTON

    1. Re:AudioLunchbox.com is one reason why by Anonymous Coward · · Score: 0

      Kronos...i couldn't agree more. NO DRM is a huge factor in online purchasing of digital music. For me it really comes down to choice and options. The smaller guys like Audio Lunchbox. etc are focusing on catering to what people really want and have the ability to deliver on our demands...

      Maybe the smaller platform is the way to go...if i can download OGG and MP3 at the same time for one price with NO DRM...RIGHT ON is correct!

      *if you haven't been, check em out: http://audiolunchbox.com/

    2. Re:AudioLunchbox.com is one reason why by fraudrogic · · Score: 1

      I just went to every site you mentioned and they are all pretty good (i've been lazy and have only been using iTunes). However, is MP3Tunes in for a lawsuit from Apple for completely copying they're interface? Its almost exactly likely iTunes but with a different skin. Although just recently Apple was sued for allegedly copying the iTunes interface from someone else. So, I guess its lawsuits for everyone....

      --
      I only mod up parents of "mod parent up" posts...
    3. Re:AudioLunchbox.com is one reason why by kronos7871 · · Score: 1

      That's a good question - I guess time will tell how this all pans out - have you heard of http://www.badfruit.com/ yet?

  51. What about me? by NEOtaku17 · · Score: 1

    I'm one of those ones who downloads music and buys stuff that I think is really good(just to reward those really good artists). So where exactly do I fit into these statistics?

  52. Re:It doesn't add up by tomhudson · · Score: 1
    (or would buy CDs, if they weren't busy stealing the bread out of hungry record executive children's mouths).
    I think you mis-spelled "coke" and "noses."
  53. Also interesting to note that... by eldawg · · Score: 2, Informative

    "The survey also found that 25% of 4,000 people interviewed said they were prepared to download music legally, up from 16% a year ago." (PCTalk)

  54. Too bad by Anonymous Coward · · Score: 0

    This would have been really interesting if the RIAA hadn't gone on it's little sueing spree lately. I wanted to know whether or not people would choose the legal option out of the goodness of their hearts once it was as easy/convenient as the illegal one. But now the sample has been dirtied by the RIAA's bullying tactics and we'll never know for sure whether people have just been scared into downloading legally.

  55. Gigs? Try 1.290 PB by Anonymous Coward · · Score: 0

    If we use the numbers of downloads SJ quoted at the keynote 430 million downloads, and assume about ~3 MB/download...

    That's 1290 million megabytes.
    1290 thousand gigabytes.
    1290 terabytes.
    1.290 petabytes.

    1. Re:Gigs? Try 1.290 PB by Ratso+Baggins · · Score: 1

      per consumer, not in total...

      --

      --
      "we live in a post-ideological world..." - Billy Bragg.

  56. quit that by ashpool7 · · Score: 1

    just because your section of the internet is not working right doesn't mean everybody else's is broken too. :-p

    Over here on the east coast, with primary peering coming out of charlotte, the site is just fine and speedy.

    1. Re:quit that by cpt+kangarooski · · Score: 1

      Well, everything works right on the East Coast; it's the best coast. Now let's continue to be smug about our superiority. ;)

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  57. Hmmmm by billyhoward · · Score: 1

    Not if I can help it!

  58. It works now fix it. by SteveXE · · Score: 1

    Itunes songs as we all know are $1. Your average cd is about $13-$15.

    Shouldnt we be saving money when buying from Itunes? After all they dont need to make disks, buy case's, print the disks or booklets, they dont need to hire people to work in the plants etc, so why are Itunes files priced at $1?

    I would buy twice as much music from them if it was 50 cents per song and I wouldnt feel cheated either, I've stopped buying from Itunes for just that reason, $1 is to much for a single song, even more so since its crippled and I have to remove the DRM to play the files as mp3's in my car.

    1. Re:It works now fix it. by Anonymous Coward · · Score: 0

      I live on an island, with no roads of any sort to the mainland. The only way to ship CDs are by ferry, or by plane. Therefore, CDs not produced locally are often costlier, sometimes double what you would pay for on the mainland. I'm anticipating the cost of CDs to jump with the price of oil skyrocketing.

      I find downloading to be much more cost efficient, not to mention getting rid of the frustration of having to fumble with disks and tapes.

      What I find to be a complete ripoff are the costs of the actual iPods here, which are $400 for an original iPod and half that for a mini.

    2. Re:It works now fix it. by Anonymous Coward · · Score: 0

      You save money because you pick the songs you want and leave the crap. I belonged to a cd club and got about 2000 worthy songs out of 4000 at $15 per dozen songs. Now on iTMS I got another 2500 songs for less than $2500 and no junk mail and no wasted disk space.

      Do the math.

      You want mp3's? use Hymn or burn a audio cd or audio MP3 cd.
      Have to make a backup anyway. Right?

    3. Re:It works now fix it. by SteveXE · · Score: 1

      Well it may work out for you, and im glad it does, but for the 99% of us who live on mainland and can get cd's at any of 50 stores in our area its a rip off.

    4. Re:It works now fix it. by shark72 · · Score: 1

      "Shouldnt we be saving money when buying from Itunes? After all they dont need to make disks, buy case's, print the disks or booklets, they dont need to hire people to work in the plants etc, so why are Itunes files priced at $1?"

      Because that's what the market will bear. The iTMS has been wildly successful.

      "I would buy twice as much music from them if it was 50 cents per song and I wouldnt feel cheated either, I've stopped buying from Itunes for just that reason, $1 is to much for a single song, even more so since its crippled and I have to remove the DRM to play the files as mp3's in my car."

      Interesting. I, on the other hand, probably would not buy more music if it were less than $1. I only have a finite desire for music, and I buy all I want without leaving my comfort zone for my music budget.

      There are probably lots of people like you, so your position is certainly valid. My guess is that Apple have done their homework and found that there are more people like me -- or at the least, a sufficient mass of people like me so that they don't need to consider selling tracks for less than $1.

      --
      Sitting in my day care, the art is decopainted.
  59. lower the boom by pintomp3 · · Score: 1

    and raise the drawbridges. as soon as they have enough ppl legally downloading and illegal downloading moves to the fringes, drm restrictions will tighten and price will rise. remember the industry pushed for songs to be $1.35 last year? jobs said "wait.. it's like fishing, you have to make sure they are firmly on the hook". i could just be paranoid. maybe they really aren't out to make more money.. 1. Fight new technology. Cry, threaten, sue. 2. Accept futility and grudingly play along. 3. Find out that new technology becomes new cash cow. 4. Profit! 5. Repeat

  60. Personally by ninja_assault_kitten · · Score: 0

    I still prefer allofmp3.com :) $.40 an album isn't too bad.

  61. Sounds like made up numbers to me by HairyCanary · · Score: 1

    So 75% of all music listeners download music? More like 75% of everyone who ownes a computer, an MP3 player, and has a broadband connection downloads music. The rest of the world goes for long periods of time without buying any music at all, much less downloading it.

  62. Re:Is Anyone Actually Being Honest by tomhudson · · Score: 3, Funny
    DO YOU Honestly think people are being honest? With all the recent lawsuits, people are becoming less and less open about downloading. From the people I know, few would admit to downloads, but would do it anyways.
    They offered them chocolate (hey, it works for passwords)
  63. Follow the money trail. by rejecting · · Score: 1
    Its Nice to know that the study was put out by a group affilated with Songpeople.com; from the website:

    New to Songpeople? Here's how it works ...

    It's really simple. We conduct online research for the music industry. If you join us, we'll send you a bunch of tracks to listen to or some music videos to watch. All you have to do is answer a few quick questions about it. Was it good / bad, did you love it or hate it? You'll then have the opportunity to give us more detailed feedback if you want to.

    All of your feedback goes anonymously to the top people working in the major record labels, radio stations and music television stations around the world.

    We help record labels determine whether new music by major up and coming artists will be a hit. We do it by streaming songs / videos and asking the opinion of over 250,000 music lovers like you throughout the world. If you'd like to know more about the Company or have a specific question please contact us:

    Your enquiries: team@songpeople.com



    Its Interesting that anyone would even take this shit seriously. If your confused, I have prepared an easy to read chart ready:

    1) Pay Organization for study

    2) Watch study favor your industry! (WOW!)

    3) ??????????

    4) PROFIT!
  64. It actually cuts 2 ways by Anonymous Coward · · Score: 1, Insightful

    In your example, you are right. The downloader did nothing illegal in downloading the music.

    However, the uploader most likely does not have the right to distribute the music, so it would be an illegal upload.

    User buys from iTunes: Legal upload, Legal download
    User hacks iTunes to download music for free: Legal upload, Illegal download
    User downloads music he does not own from Kazaa: Illegal upload, Illegal download
    User downloads music he owns from Kazaa: Illegal upload, Legal download (your example fits here)

    1. Re:It actually cuts 2 ways by Azzmodan · · Score: 1

      Let me correct this for you:
      User downloads music he does not own from Kazaa: Illegal upload, Illegal download

      Here is the fixed version:
      User downloads music he does not own from Kazaa: Illegal upload, legal download

      Our laws actually keep in mind that music and such should be spread and that making a personal copy of a piece of work is legal.

  65. Imposible by orionware · · Score: 0

    I'd be interested to see the raw numbers. I'd say I download about 5000 tracks a year. I'd bet I delete about 95-97% of those tracks.

    If only the music industry would let me BORROW the music, throw it on my pod and then let me return it when I've determined that it's crap, I'd be right there buying music like it was my job.

    The library offers that but only if I want to listen to the top X, which usually equates to crap.

    Until then, love the NNTP!

    --


    Karma means nothing to me, so suck it...
  66. The remaing percentage of music downloaders... by 3seas · · Score: 1

    are those who download into their ears or recording device from radiob for free.... legally.

  67. Numbers lie and liars.. you know by orionware · · Score: 0

    Interesting survey they had at work. It was a company wide survey which was meant to rate your staisfaction level and overall management of the company.

    For the first quarter of the year, there were 5 answers to every question ranging from "Completely Dissatisfied" to "Extremely satisfied".

    The next quarter the same questions were there, but there were only TWO answers now. DISSATISFIED and SATISFIED.

    Interestingly it was announces with great pride that "we're doing something right" since the satisfaction numbers were WAY up.

    What's the problem here? Well given two options, folks who were really anything less than COMPLETELY DISSATISFIED chose SATISFIED this time.

    Rule: Numbers and results mean absolutely NOTHING unless the methods of collection can be scrutinized and put up for all to review.

    --


    Karma means nothing to me, so suck it...
  68. Changing Society by aldatur · · Score: 1

    I think it is about time that society comes to grips with the fact that the internet changes the way our world works. We should stop trying to hang on to what worked in the past, but rather embrace this new technology by inventing new ways to interact. For example, instead of trying to DRM online music to prevent piracy, why not just abandon that concept of thinking altogether. I envision the result to be a society where music returns to the original purpose of an artform. Musicians will make music because they are good at it and because they enjoy doing it. People will support musicians they like by donating to them, or buying physical goods from them. It would be a return to a more evolutionary approach to art in which the best survive. I truly hope that one day I can see my vision attained.

    --
    Just need one more referral for a
  69. Non RIAA Downloads by lys1123 · · Score: 1

    I wonder if they consider music which is under a free to distribute license (like the stuff you find at http://www.podsafeaudio.com/) as "legal music downloads"

    Now I know this is still a very small percentage, but I have seen figures that there are several million podcast listeners so I imagine the podsafe music is at least a drop in the bucket.

    Personally, that is all I have downloaded or purchased in quite some time, if for no other reason than the fact that I don't want to give my money to the RIAA.

  70. Consumer by Joey+Patterson · · Score: 2, Funny

    Time to stop paying $4 a song and start pirating music again!

  71. Like screams of censorship and other FUD... by suitepotato · · Score: 1

    ...the noise of the RIAA people grows inversely to the level of actual theft. I have no doubt the MPAA and their ilk would also do the same if bandwidth averages were higher more commonly and a video equivalent to iTunes came about as successful.

    Around about the time that 95% of all music sales are download based and CDs becoming a special order item for all but the top twenty, I expect them to be pressing congress for a law banning all audio recording devices without a license, and all devices to mandatorily include fourteen layers of 2048-bit DRM encryption.

    Now is not the time to back down and sit there grinning people. Pressure from all angles must be maintained. I'm doing my part on the opt-out side and not buying a single damn CD until they cry uncle. You iPod people, keep jamming. P2P people, keep it up. Remember, reality is not an issue here. Their take on the situation is delusional and the more that reality presses them, the better their crack up is going to be.

    --
    If my grammar and spelling are off, I am [distracted/tired/careless] (take your pick)
  72. For now by cheese_lord · · Score: 1

    Not if I can help it.

  73. London??? by Propaganda13 · · Score: 1

    All those percentages are in metric, that's why they don't add up to 100%.

  74. Worthless by TheBrutalTruth · · Score: 1

    I'll go back to tapes before I pay $15 for 15 songs that some greedy record exec says aren't mine, or tells me what and how may times I can move or copy a song. Even better - go with one of the "unlimited" (I won't give them pub - if you don't know what - just stay away) services that has such a restrictive DRM that the music you've purchased is worthelss if you cancel your subscription. I won't pay to download SHIT untill the product is MINE. Free to do whatever I want with it - isn't that the point of buying it?

    --
    Enlightenment is a pipe dream. So where's the pipe?
  75. This is bad news by infonick · · Score: 1

    I'm a Canadian, and as a Canadian, it is my right to download all the music I want. This is going to start affecting the number of available sources to download music for free. Does anyone know if a napster like project that is born out of canada would be safe from RIAA and the MPAA? FYI: I know it's thought that uploading music is illegal here. The uploaders computer makes a copy and then sends that to the downloader. In canadian law, the person sharing the media cannot make the copy. the person reciving the copy must copy the media. My argument is that the person reciving the media is initiating the copying process and effectivly borrowing the uplaoders computer. the uploader does not physicly initiate the copying process

    --

    You are confusing me with someone who cares.
  76. Genius! by Elminst · · Score: 1

    I am totally using this method the next time I have to do a presentation!

    --
    No unauthorized use. Trespassers will be shot. Survivors will be shot again.
  77. Rip off + No easy means by Ka+D'Argo · · Score: 2, Insightful
    Now, I haven't read up on every payment method that iTunes and other online outlets provide, but when you combine the fact that CD's still cost $12+ on average with the fact that credit card purchasing doesn't leave some of us alot of options.

    I haven't bought a CD in years, the prices are just too high. On average you're looking at $12 to $15 for a 10 track CD. On average I enjoy a few songs, between 2-3, on each CD. Sure nowadays, you can purchase songs individually online. But what about people that have bad credit? Or no credit card at all? Or those that don't trust online outlets with their information? I know plenty of people who thanks to spyware and such do not trust any browser or "secure" method of online purchasing cause there is no 100% guarantee.

    I've said it before and I'll say it again: they need custom kiosks that can custom burn CD's for price of each song. You go into a store or the mall, and go up to a little kiosk. You pick out which songs you want, and pay for each song. A system then burns you a CD, with those songs on it, and you pay like any other method (cash, check, etc). Until then can come up with a widescale format for releasing CD's, kind of like "singles", with the songs YOU want, people will "pirate". Costs are cheap. CD's cost like a penny to produce blank, probably less. A simple GUI running on a touch screen LCD can be setup so a user can simply go through an A - Z search for song/artist and there are plenty of programs that can be modified to autoburn apon being told so.

    --
    Aw Frell this
    1. Re:Rip off + No easy means by MrCopilot · · Score: 1
      (In The US) We have these things called debit cards issued to us from our banks. ATM with credit card #.

      Thing is, they also sell them at the gas station and Wal-mart. Pre-Paid 20/50/100/500$ cards. Cash, No info. No address. Works for lots of the creditly challenged.

      $20 card a month keeps a budget pretty nicely. I use it with my kids.

      --
      OSGGFG - Open Source Gamers Guide to Free Games
  78. What about the volume? by Bewbewbew · · Score: 1

    Even if the numbers of people downloading legally and those downloading illegally reach parity, I think another facet of the problem is that those who download illegally tend to do so in greater volumes. A consumer might buy an album or two from iTunes at a time, but a pirate can get several torrents of any given artist's entire discography at a time. Which means the number of legal downloaders will have to be significantly greater than the number of pirates for true parity to be reached.

  79. Or more likely... by grendel_x86 · · Score: 1

    People are starting to know better than admit to it.

    --
    Im glad /. isnt the real world, that would really suck..
  80. Maybe the *illegal* downloaders can sue.. by Halvy · · Score: 1


    the recording industry for infringement on a well documented fact that they (illegals) were the first to come up with the *idea* of dl'ing music!! :)

    --
    I will gladly loose all of life's battles.. in order to win the war..
  81. Another pointless statistic. by Anonymous Coward · · Score: 0

    In other news, strange research samples have reached 51.2% and will soon plummet to 21 billion cows.

    Get a grip: statistics don't tell you ANYTHING about a populace.

  82. Fake Statistics and Opt-In Requirements by Anonymous Coward · · Score: 0

    Besides to obviousness of the RIAA/MPAA propagandistic fun with statistics, let me just state, for the record, that I will not opt-in (pay for) my music downloads until I am able to anonymously buy music I like for a price that actually represents it's value (and here, you need to think no DRM and allofmp3 pricing).

    Fortunatly, I live in a country that allows CD rentals and doesn't prosecute (criminal or civil suites) for downloads; so, I'm not "lingering hopefully" for the music industry to cater to my needs... in fact, I hope they never do. Take that, stuff it in your "new business model" pipe and smoke it.

  83. Just imagine... by hunterx11 · · Score: 1

    What things would be like the RIAA had offered any sort of legal downloading before Napster came along. Granted, there would still be massive piracy, and there always will be. But there's no reason that legal downloads couldn't have been the majority from the start. The RIAA is gigantic and virtually invincible, true, but so were the dinosaurs.

    --
    English is easier said than done.
  84. actual helpful response by ashpool7 · · Score: 1

    "35% of music listeners are using legal download services"
    and "illegal downloads, currently at 40%"

    This probably can be rewritten as such....
    35% of music listeners are using legal download services
    40% of music listeners are using illegal download services

    so...

    75% of music listeners are using *A* download service

    therefore

    25% of music listeners are *NOT* using a download service

    Sound about right?

    1. Re:actual helpful response by munpfazy · · Score: 3, Informative

      > 75% of music listeners are using *A* download service

      Nope.

      If your reading of the article is correct, then there's no reason to exclude overlap between those group who download music. It might just as well be that 40% use illegal download services, and 87% of those also use legal download services, while 60% purchase media.

      Something closer to that is certainly in line with anecdotal discussions with the people I happen to know.

      But without more detail about how the study was conducted, it's tough to say anything meaningful.

    2. Re:actual helpful response by Anonymous Coward · · Score: 0

      Basically between 40% and 75% of music listeners download music. The other 25% to 60% do not.

  85. hmm.... by Anonymous Coward · · Score: 0

    so basically what your saying is that this study is "inconclusive"? Its useless.

  86. Gnats by RomulusNR · · Score: 1

    Good, maybe they'll leave the filesharers alone and we can go back to scouring the nets for the songs they refuse to sell us.

    --
    Terrorists can attack freedom, but only Congress can destroy it.
  87. Because that's how they think by Sycraft-fu · · Score: 4, Informative

    The music industry makes a ton on iTunes. When the songs were $1, they took about $0.80 of that. Now think: They didn't have to pay any distribution costs on that at all, most production costs are taken out of artists' royalties, and they generally made any remaning costs up on CD profits. iTunes money is basically pure profit for them.

    And they forced a price hike.

    Not too long ago they forced Apple up to $1.25 per song. It was their cut that went up, not Apple's. Apple really isn't making much, since they recognise it needs to be cheap to be widely accepted and they want to corner the market, plus it sells iPods which is where they really make money.

    Even that, however, is better than what the record industry wanted: $3/song for popular songs.

    So really, that is the kind of thought that goes through their heads. They think they should just be allowed to squeeze every last dime out of people. That's the whole reason they are so paranoid about copying of music. The more outrageous prices get, the more likely people are to copy things and the more morally justified they feel in doing it.

    1. Re:Because that's how they think by Anonymous Coward · · Score: 0
      Not too long ago they forced Apple up to $1.25 per song.
      Funny, they still show as $0.99 to me.
    2. Re:Because that's how they think by lorian69 · · Score: 1

      You mention that Apple was forced up to $1.25/song, but every song I've browsed through on iTunes as of 5 minutes ago was still 99 cents, even the popular stuff. Is the rate-hike coming up in the future, or was there some mistaken info about a price jump?

      I found a couple mentions of the hike, but I also found a quote from Steve Jobs saying the increased prices were just a rumor and the cost would remain 99 cents across the board... so who knows.

    3. Re:Because that's how they think by coopex · · Score: 1

      Yeah, sorry about that. I've been drinking and sorta forgot the date, so if you could forget about it that'd make my life much easier. -John Titor

      --
      The road to hell is paved with good intentions.
    4. Re:Because that's how they think by balloonhead · · Score: 1

      But they need to charge $4 a song when people now only download the 4 or 5 songs (max) worth listening to on an album.

      There are still a lot of people who get the whole album, but now there are a lot more who just pick and choose the bits they like.

      Where they would have previously got $15 for an album, now they get $2 or $3 for the chart songs on a lot of cases.

      Makes sense to me. I buy songs I like, not albums. I occasionally get an album but by and large I don't see the need anymore - I just spend $10 on ten diff songs rather than $15 on three plus 7 fillers.

      --
      This idea was invented by Shampoo.
  88. But they don't need to hit zero by Sycraft-fu · · Score: 1

    They just need to get below the mark where most people care. They need ti cheap enough that most people will not consider it much money spent, and just make the purchase. Apparantly $1 work pretty well, however I imagine less, probably $0.50, would be around ideal. You want people to feel it's just a trivial amount so they'll impulse buy all the time and end up spending more than they intended.

    They other thing is, as the grandparent noted, they can make it easier than illegal services. They have, to an extent, but of course in theri stupidity and paranoia they don't take it far enough. If they were smart, they'd give Apple their entire library to sell. All of it. Every live set, every CD, even those years out of print, etc. Digital storage is cheap. Then people can spend their money on whatever they want. Also, with good search advertising (like Google and Amazon do) they could amke more sales. Just bought the new U2 CD? Did you know you can get 8 different versions of it played in concert? Only $0.25/version/song! Etc.

    They could have an above zero price and virtually eliminate piracy, at least in wealthy countries which is all they really care about, simply be making the service really good. If you could get truly anything you wanted, in the quality you wanted, easily with a good search, very very few would choose the illegit means, even though it's free.

  89. Good by DroopyStonx · · Score: 1

    Gets the big guys off the backs of us who don't fall for this wonderful plan of theirs.

    --
    We have secretly replaced these Slashdot mods' sense of humor with a rusty nail. Let's see if they notice!!
  90. ....land on a fraction... by kn0tw0rk · · Score: 0

    would that be an infraction of someones rights? :)

    --
    See my art -> http://herbevore.deviantart.com
  91. Another option? by BlackMesaLabs · · Score: 3, Funny

    Why, In Soviet Russia, music downloads YOU!

  92. DLing tunes sux - LAN parties are where it's at.. by Ralph+Spoilsport · · Score: 1
    I don't bother DLing anything from anywhere. Periodically, I go visit friends with a Firewire HD, plug it into a computer, and then go to the iTunes music folder and then click and drag what I want. In a matter of a few hours dozens of gigabytes of incredible music are copied, and then I spend the next several months digesting it. The stuff I like I keep, the rest I delete.

    Then I set about finding the records... I try to buy directly from the artist, but otherwise:

    http://www.gemm.com/

    comes in handy that way.

    We all just agree on a few basics:

    1. MP3 only
    2. 192 or better quality

    3. rip complete records, and keep it all n the drive.

    It works and we all get incredible collections of tunage.

    also, we ship each other DVD-Rs of tunes for perusal, same standards.

    I recently culled a bunch of crap I didn't like, so now I'm down to 59.6 days of music. I can say that I have bought each record at some point in my long record buying career. I don't listen to music radio, except for a few hours a month to KUSF (a college station). So much music, so little time...

    RS

    --
    Shoes for Industry. Shoes for the Dead.
  93. That is bogus. by wschalle · · Score: 1

    If I make murdering someone with a blue knife legal, but murdering someone with a red knife illegal, and 50% of murders are committed with a blue knife, does that mean that the number of legal murders being committed are legal murders? I guess so. Changing the rules makes it real easy to make whatever you want legal or illegal.

  94. But will the RIAA/MPAA stop bitching? by shmlco · · Score: 1, Insightful

    I'm sure that if you looked at it from their side, you'd see that they consider the increase in legal downloads to be the direct result of their bitching.... ;)

    --
    Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    1. Re: But will the RIAA/MPAA stop bitching? by SenFo · · Score: 2, Interesting

      But what their reports failed to acknowledge originally is the number of songs that were downloaded illegally, but resulted in the sale of a CD. Lets face it, downloading a single song here and there isn't too bad with P2P. But trying to download an entire album is a pain. Personally (and along with many others) I'd rather go out to my local Best Buy and purchase it.

      I have to admit that I have yet to use iTunes or a similar interface because I don't have an iPod or an MP3 player in my truck so I still prefer CD's. I do, however, imagine that it's still just as difficult to do an entire album for a particular artist.

      So yeah, the music industry will see this as a positive step in the right direction, which is a good reason that I personally believe that very little, if anything, will convince the RIAA/MPAA to back off.

    2. Re: But will the RIAA/MPAA stop bitching? by don'tyellatme · · Score: 1

      "Lets face it, downloading a single song here and there isn't too bad with P2P. But trying to download an entire album is a pain." I've never downloaded a single song. i download album at a time or discography at a time. i have the feeling you are the exception, not the rule.

    3. Re: But will the RIAA/MPAA stop bitching? by Em+Adespoton · · Score: 1

      1. Download iTunes
      2. Aggregate your mp3s and AACs (change the rip quality first)
      3. Make a playlist
      4. Insert a CD-RW
      5. Click "Burn CD"
      6. ???
      7. Profit (from only having to listen to good tracks)

    4. Re: But will the RIAA/MPAA stop bitching? by falsified · · Score: 2, Interesting

      Maybe it is. (Don't hurt me.) I don't buy into their crap, but it's not much more convenient to use iTunes as it is to use Soulseek, especially since Soulseek introduces me to new bands much more effectively and it's relatively easy to find songs. (Plus, there's a wish list for those hard-to-find grindcore bands from 1989.) I can't see what else would cause the average user to go from free services to pay services if not for fear.

      --
      HI, MY NAME IS ISAAC.
  95. Don't know. by TapeCutter · · Score: 1

    Probably 25% don't know and don't give a shit.

    --
    And did you exchange a walk on part in the war for a lead role in a cage? - Pink Floyd.
  96. Explain Illegal by future+assassin · · Score: 1

    Ok say I already own teh cd and download the Mp3 insted of ripping it Do that count that as illegal as its done though one of the P2P aps?

    --
    by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
    1. Re:Explain Illegal by megrims · · Score: 1

      Possibly- it depends on the copyright laws in your country, but it does mean that you're an idiot.

    2. Re:Explain Illegal by future+assassin · · Score: 1

      >but it does mean that you're an idiot. Well you call me an idiot but you mom calls me a lover.

      --
      by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
    3. Re:Explain Illegal by Anonymous Coward · · Score: 0

      That's funny because your mom can't call me anything when she's got my dick in her mouth.

    4. Re:Explain Illegal by mlk · · Score: 1

      Yes, as your P2P app will be uploading it to poeople who have not paid for the CD.

      --
      Wow, I should not post when knackered.
    5. Re:Explain Illegal by future+assassin · · Score: 1

      I dotn allow upoloads from my ap. Im greedy like that. I'll take your bandwidth but you cant have mine.

      --
      by TheSpoom (715771) Uncaring Linux user here. I have nothing to add to this but please continue. *munches popcorn*
  97. Legal Downloading by Anonymous Coward · · Score: 0

    In Soviet Russia, legal music downloads you

  98. Com'on you guys by sambira · · Score: 2, Funny

    Com'on illegal downloaders. We can't let the legal downloaders win. :(

  99. so what's the other 25%? by antiphoton · · Score: 2, Insightful
    so what's the other 25%?

    The profit the RIAA makes via out of court settlements.

  100. Still a little bit SPINELESS! by Anonymous Coward · · Score: 0

    "But that's exactly what the RIAA is doing, only their doing it the suit&tie way."

    Oh J.S.Fucking Christ! You people are the MOST spineless people that ever got created. You see a damn commercial and you think they're "FORCING YOU". Must be all the years of being beaten up and having your lunch money taken that make you such pushovers. Oh lookie a commercial! Buy! Oh lookie a breeze! Fall over! Oh lookie! A raindrop fell on me! WAAAA! The clouds are forcing me to stand out in the rain! You're the kind of people that make extinction look good.

  101. What about volumes? by samplehead · · Score: 1

    I bet the sheer amount of music being downloaded illegally per person far exceeds the amount of music being download legally even if the number of people downloading legally is increasing.

  102. I guess this also means that by flag+burning · · Score: 0

    35% of music downloaders are either rich or stupid.

  103. It's a LIttle Late by illectro · · Score: 3, Insightful

    This is little consolation for the plethora of legal music services which tried to get licenses from the music industry for years before closing up shop. Companies like eMusic, MyPlay and even Napster (after the first legal challenges) tried to legally sell music online years before Apple was showered with awards for it's 'innovative' music store. Many of the product and marketing staff at apple come from these companies, the tech staff who actually developed the technology pretty much got stiffed.

  104. Re:It doesn't add up by pintomp3 · · Score: 1

    or perhaps "mercedes" and "driveways"

  105. See? See! You CAN compete with free! by werdna · · Score: 2, Insightful

    Give people what they want, and they will come. Free is nice, but nice is better! People want convenience, quality and convenience, and will pay for that.

    RIAA couldn't deliver the promise of the tech with their business model, so they instead tried to shut down the tech. Hopefully, SCOTUS won't permit that, and we'll know soon enough.

    Meanwhile, let it be remembered, you CAN compete with free.

  106. Cassette Days by MrCopilot · · Score: 1
    What percentage of people were illegally taping off the radio or LPs or concerts back in the 80s?

    Hmmm, why haven't I seen this argument before?

    I Listen to streaming radio more than mp3 anymore. But every once in a while, I gotta hit that record button, be a damn shame not to use it. http://www.nongnu.org/streamtuner/

    Which statistic am I?

    --
    OSGGFG - Open Source Gamers Guide to Free Games
  107. The only number that matters is happiness by typical · · Score: 2, Interesting

    illegal downloaders could be downloading 10X or 10X less than their legal-downloading counterparts. Or people that download legal music could be the biggest "pirates" and this survey would be none the wiser.

    And would volume even matter for the purposes of arguing a point?

    What if Bob purchases exactly the same artists' CDs that he always did pre-Internet, but downloads infringing copies of *every other single audio track in existence*. Total losses are zero, even though infringing downloads are massive in volume.

    The only number that matters for purposes of affecting legislation is total *actual* losses. The MPAA's losses numbers have nothing to do with the actual losses, mostly because it's incredibly difficult to predict what would happen.

    The only number that matters in the long term is making people happy (the whole reason that we have an economy, money, IP, the RIAA, etc). If we could be producing more happy people by clamping down hard on infringers, if this produces more and better music and thus makes does a better job of satisfying a desire for music, then we should clamp down.

    On the other hand, if an alternate mechanism of handling music produces more happy people, we should use that.

    --
    Any program relying on (nontrivial) preemptive multithreading will be buggy.
    1. Re:The only number that matters is happiness by G4from128k · · Score: 1

      The only number that matters in the long term is making people happy (the whole reason that we have an economy, money, IP, the RIAA, etc). If we could be producing more happy people by clamping down hard on infringers, if this produces more and better music and thus makes does a better job of satisfying a desire for music, then we should clamp down.

      Excellent point! What RIAA, et al want is compensation for the happiness they provide through music that is illegally downloaded. If a person downloads a song -- even on a try-before-you-buy basis -- does not that create a small amount of happiness for the downloader? What about the iota of happiness provided by "having" a song in a collection (even if its not listened to?) Do the people that made the music or made the musician popular deserve nothing for that incremental unit of happiness they helped provide from songs that are downloaded and stored? If a person is happier because they added another 2 GB of music to their collection, shouldn't the people who provided that music receive some compensation?

      The only question then is the mechanism for compensating the creators, technicians, marketers, and distributors of music. This is where we get into all the problems of DRM, subscriptions, taxes on media, fees on bandwidth, government-sponsored arts, etc. (and lots of unhappiness) Each of these crude mechanisms is an attempt to create a fair trade between those that want to listen to and keep music versus those that provide that music.

      The only number that matters for purposes of affecting legislation is total *actual* losses. The MPAA's losses numbers have nothing to do with the actual losses, mostly because it's incredibly difficult to predict what would happen.

      Agreed. All loss numbers require bad assumptions (e.g., each illegal download of an album = one lost CD sale or that CD sales are up = no losses). Perhaps what really matters is how much music people are listening too, how much they value that listening experience, how much music people are collecting, and how much they value that collection. To the extent that people value music that they have on disk and listen to, but do not pay for, the RIAA can declare a loss. I'm sure that loss number is lower than RIAA would claim, but much higher than proponents of illegal downloads would like to admit.

      As you allude to, creating a mechanism for valuing the happiness created by the listening and collecting of music is the key. The ugly challenge is that, to date, all of the proposed mechanisms seem to create unhappiness, too. Thanks for an insightful post.

      --
      Two wrongs don't make a right, but three lefts do.
  108. Rumor-mongering by tm2b · · Score: 2, Insightful

    You're going to have to back that claim up. The rumor keeps going around, and Apple keeps denying it.

    I don't doubt the price will go up one day, but not soon and not to the degree that you suggest.

    --
    "It is our blasphemy which has made us great, and will sustain us, and which the gods secretly admire in us." - Zelazny
    1. Re:Rumor-mongering by Sycraft-fu · · Score: 2, Informative

      http://www.theregister.co.uk/2004/05/07/apple_itun es_price_rises/

      I don't use iTunes so I accepted the story as is. Register is usually accurate.

      Regardless, that they'd try goes to my orignal point. Heck, the current pricing distribution goes to my point. If songs were $1, Apple took half, and they didn't take all costs out of artists' royalites, I'd say it was fair. As it stands, they get the lions share of the money for the least work and risk.

  109. well, I thought about that by ashpool7 · · Score: 1

    and then realized that the whole survey was kinda messed up, and then decided that having my answer be a little messed up was ok :)

    so yeah, I agree with you too

  110. I don't think so. by Erris · · Score: 5, Interesting
    We'll make a killing at $4 a song!!

    I call BS on the survey and say it's a "we've already won" normalization propaganda campain. Telling "consumers" to shut up and be happy without the right to sample, share or even keep their music is what this is all about. The FUD and active warefare against file sharers will continue, but all of it is doomed to fail.

    The whole DRM thing is going to backfire soon. People are not really going to be happy with these services when their devices start to fail. It's then they realize they have lost hundreds or thousands of dollars worth of music they thought they owned but were in fact renting. They will envious of people who took the time to translate the music they had to free formats on free systems. None of the FUD is true for music and media on these systems which lack both complicated, error proned DRM schemes and easy targets for the actively waged anti file scorched earth warfare. I've got my music, it's backed up, I can easily move it and I can play it on as many devices as I want. Apple may take care of people with ITunes but "Works for Sure" music boxes are sure to crap out and leave their users flat.

    More importantly, there's still competition out there for the big three music publishers. Musicians don't like being screwed and know that's what they get from the cartels. The music industry killed mp3.com, but there are many other to take their place that will offer musicians and fans a much better deal. With Lessing creating an unambiguous legal framework, we can expect these services to be unassailable.

    The concentration of power enjoyed by music publishers was a freak of history and will soon go away. People have been singing and dancing for each other throughout human history. I suspect someone will notice a chimp singing to it's young one day and that it sounds better than pop 40. Music copyrights and radio have only been around for 150 years or so. Government regulation of airwaves and music publication created the cartels in those 150 years. Many people have made money off the scheme, but the technology has been obsolete and the regulations overbearing for decades. Laws which keep Girl Scouts from singing around the fireplace are clearly out of line. Laws have gone from reasonable promotion of artistic work and sharing of public resources to blatant anti-competition tools, which thwart basic human desires. In ten years, we will look back on this madness and wonder how anyone dared keep people from singing to each other or sharing digital files.

    Until then, visit places like Magnitune and sample the future.

    $4.00 for a canned performance? You must be shitting me.

    --
    DMCA, Hollings, Palladium. What might have sounded like paranoia is now common sense.
    1. Re:I don't think so. by montyzooooma · · Score: 1

      Pah. That chimp will sign it's soul over to some music exec in exchange for a handful of bananas... no! the promise of a handful of bananas.

    2. Re:I don't think so. by Beautyon · · Score: 1

      They will envious of people who took the time to translate the music they had to free formats

      I know one person just like this, who is your typical B&O / Vaio luser. He proudly announced to me that he had just finished converting all of his 800+ cds to....WMA.

      I explained to him that this was not really a good idea, because one day these files might not play on a future version of Windows Media Player. I explained to him that he could download iTunes for free, and that he could use it to rip his collection into a format that he would be able to access 'forever'.

      He will not do this for several reasons.

      Firstly, I showed him that he was dumb, and that he wasted his time; he would not possibly be able to 'back down'. Secondly, he just spent weeks ripping his whole collection and is loath to do it all again.

      There will, sadly, always be people who are stupid like this, and it will literally take the elimination of ALL of their music before they wake up and understand what DRM is all about.

      This guy is lucky, in that he has CDs to re-rip from. The idiots who are buying DRM'd files without any way to back track and free thier music are, like parent says, going to find out the hard way.

      --
      ATH0 Bitcoin: 1DnwFLXczVZV8kLJbMYoheUrpqHesjxrSi
    3. Re:I don't think so. by MartinB · · Score: 1
      The whole DRM thing is going to backfire soon. People are not really going to be happy with these services when their devices start to fail. It's then they realize they have lost hundreds or thousands of dollars worth of music they thought they owned but were in fact renting.

      Point of information: iTMS tracks will happily drop onto and play on an unlimited number of iPods. If your iPod dies, or you sell it on and replace, you can just sync to the new one no probs. May not be the case with non-iPod/iTMS setups.

      --

      The only thing you can accurately describe as "Scotch" is a sticky tape made by 3M. And it's

    4. Re:I don't think so. by hypergreatthing · · Score: 1
      The whole DRM thing is going to backfire soon. People are not really going to be happy with these services when their devices start to fail. It's then they realize they have lost hundreds or thousands of dollars worth of music they thought they owned but were in fact renting. They will envious of people who took the time to translate the music they had to free formats on free systems.
      So it's kinda like all those people who bought the vhs version of the movie, then years later the dvd version and now the umd version of the same movie? Yeah, people do stupid things with their money. I don't think people on a whole will learn that DRM equates to renting until way later on. When they do, the whole concept of already have purchased the item never hits them, they'll go out and buy some more. This is what consumer driven economies are all about.
  111. Re:Is Anyone Actually Being Honest by True_Requiem · · Score: 1

    I agree. Piracy is far from being over lapped by any legal means of music distro. People are just getting better at hiding, covering their tracks and for the love of christ, people are starting to learn not to tell people that they pirate. Way I see it, things are just getting back to normal. ;)

  112. The other 25%... by Cervantes · · Score: 1

    You may have noticed the numbers don't add up.

    They didn't want to admit the other 25%... are still bootlegging music onto their 8-track players.

    Hey, some of us don't like to give up our old tech! It still works, why replace it??!!

    --
    If I knew the wedgies I gave you back in 6th grade would have resulted in this . . . I might have taken a moments pause.
  113. Not coming from iTunes Music Store by Anonymous Coward · · Score: 0

    Personally, I feel 99 cents a song is much too high for digital music.

    According to this, iTunes Music Store is a failure:

    http://www.itunesperipod.com/

  114. maybe if... by KillShill · · Score: 2, Interesting

    we had anything near SANE copyright laws, as envisioned by people who wrote the original constitution, then the percent of people copyright infringing on music would be 5% or lower. since most of the songs being copied tend to be 10 years or older.

    no... but go ahead and support itunes(RIAA).

    being cool is certainly far better than supporting decency.

    --
    Science : Proprietary , Knowledge : Open Source
  115. Advanced music listeners vs dumbasses by Anonymous Coward · · Score: 1, Interesting

    Here's how I see it, with the closure of easy-to-use systems like Napster (free Napster that is) the average music listener cannot download music for free anymore. DC++ is too advanced for most people. Kazaa is useless with all the fakes (not to mention the spyware!).

    I think while the hard core advanced listeners will continue to download for free, dumbasses will use crappy "pay-to-download" systems.

    Oh, and by the way I spend hundreds of dollars on music each year, there's nothing like a REAL physical music collection :)

    1. Re:Advanced music listeners vs dumbasses by pandrijeczko · · Score: 1
      Oh, and by the way I spend hundreds of dollars on music each year, there's nothing like a REAL physical music collection :)

      Agree 100%, my attitude also - you can't beat sitting in a comfortable chair in front of a half-decent hi-fi system listen to the contents of a physical CD spinning in a player.

      Call me old-fashioned but music downloading to me is handing over money so as to have the heads of my hard disk move in a certain way to put lots of 1s and 0s in the correct order on part of the surface... no thanks, I need tangible, sleeve notes and a nice hard case.

      --
      Gentoo Linux - another day, another USE flag.
  116. Oh yeah, real nice. by twitter · · Score: 1, Interesting
    Give people what they want, and they will come. Free is nice, but nice is better! People want convenience, quality and convenience, and will pay for that.

    Oh what a nice bunch of pigopolists who:

    • Call their best fans theives and sue them for sharing.
    • Try to fill the sharing networks with crap, static and obscene insults from starving artist like Madonna.
    • Sue competitors out of business. mp3.com arguably did nothing wrong, but was put out of business. Even their investors were sued to make sure that no one ever tried competing again.
    • Most importantly, innact insane control freak laws designed to perpetuate their monopoly forever by crippling all computer hardware and outlawing all forms of sharing, recording and anything that's not "consuming" crap on schedule without complaint.

    There's nothing on the above list that I want.

    You want nice? Go visit any Creative Commons web site and learn how to dream on your own again. Musicians want people to hear and enjoy their work. Lawyers and dipshits want to own it. The musicians are in control of Creative Commons. Dipshits are in control of RIAA music services. You have your pick.

    --

    Friends don't help friends install M$ junk.

    1. Re:Oh yeah, real nice. by Swamii · · Score: 1

      Even though we probably disagree on a lot of things, glad to see you're back posting, twitter. Maybe with your lapse of posts the crazy ACs will stop hounding you finally. :-p

      --
      Tech, life, family, faith: Give me a visit
  117. Just playing catch-up-GPL Music. by Anonymous Coward · · Score: 0

    "Of course, they could virtually eliminate piracy by pushing the price toward zero, but that's probably not what maximizes profit."

    GPL Music. Do to the music industry, what it did to the software industry. Maybe sell some service contracts to support the musicians.

  118. Re:It doesn't add up by ad1 · · Score: 0

    I believe that the same person would download illegal as well as legal music. Some percentage could have access to buy pirate CDs [no need to download].

  119. And I say... by kuzb · · Score: 1

    ...34% of all statistics are made up on the spot.

    --
    BeauHD. Worst editor since kdawson.
  120. Thats GREAT! by Anonymous Coward · · Score: 0

    Now I can get back to downloading music without being hassled anymore.

  121. Also... by redwards · · Score: 0

    This line: "...the sense that unauthorized downloading is 'not fair on the artists,' suggesting that the industry's messages, led by the British Phonographic Industry, are being communicated effectively." Implies to me that the study was conducted primarily in the UK. Being that the UK's ~35 million internet users make up a statistically small percentage of the world's ~888 million internet users, I doubt this is a realistic slice of data.

    1. Re:Also... by muszek · · Score: 2, Insightful

      ... and out of those 35 mln Brits they pulled a group of 10 people. 3 of them said "sure, I bought some music". One of them was asleep at the time of questioning, so they counted him as half. The result: 35% of people buy music.

      Seriously: That's what I've been saying in parent post: they get some shitty, non-representative data and try to generalise based on that. It's not only non-representative - it seems to favor "legal" music - UK is generally rich and it has long traditions in music (which probably co-relates with people being more willing to purchase recordings), etc., etc.

      I've heard that those researchers are going to Nigeria to prove that 95% of the World's population is black.

  122. Legal smegal by 3.09+a+hour · · Score: 2, Interesting

    I demand a poll! On top of this stat being bogus, if they knew who was downloading illegally (the 40%) they would charge them!!! Not to mention quanity, theres just something great about stealing errrr go to shows! artists make more off those than anything else anyway!

    --
    Like the saying goes, never underestimate the bandwidth of a station wagon full of tapes. -Pyrotic
  123. How does this affect musicians? by serutan · · Score: 4, Informative
    Very well worded bit in the article: ...the sense that unauthorized downloading is 'not fair on the artists,' suggesting that the industry's messages... are being communicated effectively.

    Yes, thanks to the industry's "messages" most people do have a sense that illegal downloads hurt musicians. But in fact it's the opposite. Most musicians don't make any money whatsoever from CD sales, because under a standard recording contract all the expenses of producing and distributing the little plastic discs get deducted from the musician's royalties, usually leaving nothing.

    Musicians make a living playing live performances, just like they did for centuries before recording technology existed. What they get out of CD sales is exposure, which translates to bigger and better paying gigs. They get that exposure whether you pay for the copy or not. The important thing for the musician is that as many people as possible listen to the music, because a certain number of them will eventually buy concert tickets. Controlling people's ability to distribute copies benefits only the record companies, not the musicians.

    Long-time musician Janis Ian wrote a couple very good articles explaining in detail how this works . Here's an excerpt:
    "In 37 years as a recording artist, I've created 25+ albums for major labels, and I've never once received a royalty check that didn't show I owed them money. So I make the bulk of my living from live touring, playing for 80-1500 people a night, doing my own show... When someone writes and tells me they came to my show because they'd downloaded a song and gotten curious, I am thrilled! Who gets hurt by free downloads? Save a handful of super-successes like Celine Dion, none of us. We only get helped."
  124. Hasn't any ever seen the movies? by halcyon1234 · · Score: 1

    It's just a ruse. The pirates only seem to be retreating. They're just going to fall back into the fog, make a u-turn, and come right back at us, shooting canonballs and guns and parrot-powered bazookas!

  125. Downloads are illegal ? by Anonymous Coward · · Score: 0

    I thought that downloads are legal, only uploads are illegal. The Paris Convention treates audiovisuals as books - imagine what you can do with books and the same you can do with music/video. Is it different in the U.S. ? DMCA ?

  126. I'd _hapily_ pay $0.01 per play for songs by jerde · · Score: 4, Interesting

    Hey! Music industry! TAKE MY MONEY! PLEASE?

    I would _happily_ pay $0.01 PER PLAY for songs I don't own yet, just to be able to listen to them. If you counted that money towards later purchase of that same song, all the better. (I.e. listen to a song 99 times, you own it.)

    There are plenty of songs I'd like to just hear in their entirety once or twice, out of curiosity. I don't want to BUY them... but I'd be willing to pay a small amount for the privilege.

    If only the oh-so-scared-of-piracy folks would learn that there are lots of people WILLING to part with their money for the right kinds of services...

    - Peter

    --
    INsigNIFICANT
    1. Re:I'd _hapily_ pay $0.01 per play for songs by zmollusc · · Score: 1

      You're ON! I will provide that service, no problem. I will, of course be using the standard software EULA so if the songs won't unarchive or play then I get to keep your money. Minimum order 100,000,000 songs. Prepaid. You will be amazed at the level of compression my secret proprietary format achieves as the whole 100,000,000+ songs arrive as a 94kb attachment.

      --
      They whose government reduces their essential liberties for temporary security, receive neither liberty nor security.
    2. Re:I'd _hapily_ pay $0.01 per play for songs by fanblade · · Score: 1

      Heh, heh, heh. You sneaky devil. As soon as they let you listen for a penny, the hack will come out to copy that audio feed to file, and then seeding the pirate networks will be even cheaper!

  127. Doesn't the statistic strike you as "strange"? by pandrijeczko · · Score: 3, Interesting
    35% of music listeners are using legal download services, and that the percentage will soon surpass illegal downloads, currently at 40%.

    So 35% of music listeners are using legal download services but are they doing so exclusively?

    It's all very well admitting to downloading, say, 10 legal tracks a month but are you going to admit to also downloading 100 illegal tracks per month from a P2P source.

    Most people I know with iPods have a small percentage (if any) of legally paid for music while the rest of their collection is taken from file-sharing.

    --
    Gentoo Linux - another day, another USE flag.
  128. I've always said.... by Jackie_Chan_Fan · · Score: 1

    Dont want the public to fight back? Offer your product at a fair price.

  129. Re:Better poll options. by Anonymous Coward · · Score: 0
    People paying $1.00 for a song that they don't own are suckers. Music does not cost that much to make and costs much less to distribute.
    You have to be joking or have no idea what you're talking. Any album that you would consider to be "good quality" cost at least $50,000 to make. Anything that is at the top of the charts cost over $200,000 to make. That doesn't include all the marketing expenses, music videos, and promotion costs. If you don't have at least $150,000 then you better not be trying to make an album with your money or you might as well toss however much you're putting into your "album" into the wind.
  130. The Secret To Finding Good Music by pandrijeczko · · Score: 3, Interesting
    1. Pay $10 a month for a decent Usenet account like Easynews.

    2. Search Usenet, if it's not there request it.

    3. Download it with an NNTP client or web browser.

    4. Listen to it.

    5. If you like it, buy the CD.

    6. If you don't, delete it - it's not worth the hard disk space.

    No spyware or nagware filesharing clients, pretty much untraceable unless someone goes through ISP logs & far superior download speeds to any P2P crap.

    --
    Gentoo Linux - another day, another USE flag.
    1. Re:The Secret To Finding Good Music by Anonymous Coward · · Score: 0

      SSSSSHHHHHHHHHHHHH!!!!!!

      You're supposed to keep this secret!!!!

      You are hearby kicked out of USENET!!!!!!!!!

    2. Re:The Secret To Finding Good Music by NeoSkandranon · · Score: 1

      Perhaps I just havent found any good groups, but thus far I've had abysmal luck getting anyone to post anything I request on Usenet.

      --
      If you can't see the value in jet powered ants you should turn in your nerd card. - Dunbal (464142)
  131. Music CONSUMERS not DOWNLOADERS by BarryNorton · · Score: 1

    Don't 'clarify' from the rubbish summary, but at least from the rubbish article (which says "music consumers" not "music listeners").

    There are very few people who are not music listeners (via the radio, at the mall etc.), so this would effectively mean that 35% of the entire population is using legal music downloads - I really doubt that.

    Of course this is still imprecise - is 'consumption' a purely commercial activity? Is a downloader who doesn't also buy CDs or downloads not a consumer? Doubt it. Is someone who listens to downloads, without ever buying anything, a consumer, while someone who listens only to streaming music not?

    "Statistics can be used to prove anything that's remotely true!"

  132. Re:Percentages? by Anonymous Coward · · Score: 0

    It could also be like this:

    5% have payed for all their downloads
    30% have payed for at least one of their downloaded files
    10% have downloades files, but never payed for a single one

    The remaining 55% have never downloaded any music, legally or illegally.

    What about legal free downloads?

  133. Did you know that 80% of all statistics are.... by AKosygin · · Score: 2

    made up on the spot? And with such broad generalizations and lack of details of the percentages, it is 75% likely that it is made up, just like the 95% of all statistics. Not to include, 93% of all statistical studies do not include the actual number to back the 84% of the statistics that are made up on the spot.

    Did I mention that 99% of all statistics are made up?

  134. Cheap and Lazy by el_womble · · Score: 1

    People may be cheap, but they sure is lazy.

    I know how to 'steal' music but I don't because it simple isn't worth the hassel. For £0.79 a song I can find the song I want instantly, have it in my library with artwork at a guarenteed quality within a matter of seconds. I don't have to worry about spyware, malware or viruses and better yet I know that at least a couple of pence is going to towards the artist and I don't have to worry about getting arrested.

    However laziness has led us into a situation which is probably worse - a digital music monopoly. It simply isn't worth the hassle of me to buy DRM music from another store and then rip out the DRM and convert it to AAC for the sake of a few pence per song. The only way I'll start shopping around is if I can point iTunes at differnt web stores. I can't see why, given the interface or protocols involved, this couldn't be easily achieved and still be as intuituative. I can see why it will be another 'hell has frozen over' moment before it happens (that or a court ruling).

    --
    Scared of flying, pointy things snce 1979!
  135. Sooo... what do we need the RIAA for? by Aldric · · Score: 2, Interesting
    If the likes of Apple and Microsoft provide all of the infrastructure, why in the world wouldn't they cut out the middle man and work with artists directly?

    The RIAA and the labels themselves are heading for a serious fall. They really will be losing a lot of money, but due to competition rather than "piracy". Apple and Microsoft will eat them for breakfast and I for one can't wait to see it happen.

    1. Re:Sooo... what do we need the RIAA for? by pandrijeczko · · Score: 1
      Apple and Microsoft will eat them for breakfast and I for one can't wait to see it happen.

      Right... so let me get this clear...

      You're more than happy to hand over the freedoms you currently have over music sharing (albeit restrictive ones) to Apple and Microsoft who will use software controls via DRM to further restrict your freedoms...

      The RIAA is a representive organisation paid for by money-grabbing record companies whilst Apple & Microsoft are money-grabbing software companies.

      That's the only difference.

      --
      Gentoo Linux - another day, another USE flag.
    2. Re:Sooo... what do we need the RIAA for? by NardofDoom · · Score: 1
      Apple's almost doing this already with the inclusion of a lot of smaller labels on iTMS. By eliminating the need to produce large volumes of CDs and ship them all over the country, they're putting the smaller labels on the same level as the big ones, which is an incredibly good thing.

      But your idea reminds me of the time Jobs was demoing Garageband at MacWorld and, after he was done making the song and importing it into iTunes he asked "What more could you want?" (Or something to that effect.)

      Someone from the audience shouted "Sell it!"

      --
      You have two hands and one brain, so always code twice as much as you think!
    3. Re:Sooo... what do we need the RIAA for? by static0verdrive · · Score: 1

      I agree. I doubt the legal services are gaining in popularity because of the DMCA and so on... it's just a more up to date method of buying music (more appropriate for the times, kinda like scientology vs christianity). I believe the ability to pirate will go on unabated despite stupid attempts like the DMCA. The winning strategy is to provide something useful and fresh.

      --
      ========
      77 77 77 2e 6d 65 6c 76 69 6e 73 2e 63 6f 6d
  136. Fuck the *AA, Fuck iTunes, Fuck "Legal" downloads by Anonymous Coward · · Score: 0

    Who cares ?

    In England this week another lady is being sued for £ 4000 by the *AA wankers because her daughter downloaded some crap or other.

    Personally I'm NEVER going to use a "legal" download service - even if it costs 1p for a full CD download in raw WAV format.

    And I will continue to participate in p2p, IRC & FTP baed swap rooms.

    Fuck the *AA. The greedy monopolist bastards. Fuck them. THey are dinosaurs and must die.

  137. Lies, damned lies and statistics *sigh* by TERdON · · Score: 1
    You could (and in this case probably should) subdivide the groups even more. There are "legal downloads" from online music stores, and there are "legal downloads" on the net available for free (musicians putting up music for free downloads themselves etc), which certainly are legal, but aren't really in the interest of the RIAA bosses.

    I for one, actually made legal downloads far earlier than illegal ones. In the 97-98 time range there were some formats (XM,IT,MOD) quite widely spread (among geeks) smaller in file size than MP3s, if the author made them available. And they did. Most of the musicians were working like people on /. want the music industry to work (heck, lots of them probably are here).

    But MP3s? Back on the modem it was a PITA to download MP3s (we still burned CDs with them though, sharing by the manual work protocol).

    --
    I have a really elegant proof for Fermat's last theorem. If this sig was only a bit longer...
    1. Re:Lies, damned lies and statistics *sigh* by zokum · · Score: 1

      You have to have been stuck under a rock. You had mods from the mid 80s. Mods was THE way to get music on your computer up until mp3. Originally mod was a 4channel format used mostly on amiga, but as pc users got soundcards it spread there as well, and one got improved formats like XM and s3m. Notable tools for tracking (making mods) are Streamtracker and Fasttracker.

      --
      Rest in peace Malin "looxn" Kristiansen. We miss you...
    2. Re:Lies, damned lies and statistics *sigh* by TERdON · · Score: 1
      Yeah, I sure was stuck under a rock, even though I know they were already available for others...

      My family didn't get a computer until 1993, it was meant for bookkeeping only (though we, ie I and my sisters, changed that fact easily), and thus didn't even have a sound card. The first computer with a sound card we only got around that time I mentioned (it still was meant for bookkeeping, but then the multimedia hype had started, so it did have a sound card...)

      --
      I have a really elegant proof for Fermat's last theorem. If this sig was only a bit longer...
  138. Other methods of legal distrobution on its way? by Anonymous Coward · · Score: 0

    I sure hope this encourages other companies to offer legal content by download. It is wrong for the media to curse piracy if they don't offer legal alternatives on the same medium. I can only hope that competition will further lower the prices. I love iTunes and all, but at 99 cents a song, 20 of my favorite songs cost about the same as a brand new CD. Only this way I'm getting a file locked down with DRM and without the fancy case and inserts.

    So far iTunes looks like it is the best choice when it comes to music downloads, but what about movies or games? There are already movie download sites, but from my understanding they are nowhere near as revolutionary as iTunes was for legal music downloads. I honestly can't wait to be able to download all my favorite games online without having to go to the store to buy them and actually pay LESS. (Valve tries to do this, but having all your games tied to an account that they reserve the right to ban at any time is too much for me, I'll stick to my cracked version of Half-Life 2, thank you very much).

  139. The article says 35% download legally, 65% don't by Dilaudid · · Score: 1
    What the Reuters article says is:

    35% of music consumers now download tracks legally via the Internet and the percentage will soon pass the 40% who have pirated music

    What this means is 35% of people download music using iTunes or similar - this will certainly include many of the 40% of people have ever downloaded music illegally. The 65% of people use CDs. People who don't pay for music probably aren't counted in the questions - the question on piracy looks to have been "have you ever illegally downloaded music"

    BTW - the Entertainment Media Research site is password protected so the original survey isn't available.

    By the way - this survey was paid for by a *law firm* - not the RIAA. This means that the angle behind the survey is that lawyers want to show that prosecuting music pirates works, to increase their litigation fees.

  140. DRM forces you to download by gyst · · Score: 2, Insightful

    You know the music industry's business model is seriously flawed when, after buying the new Coldplay CD, you find out you can't play it on your workstation. Copy protected.

    So I'm actually forced to pirate the songs I just bought to be able to listen to them at work.

    This communicates a clear message: buying will be punished by DRM restrictions, you'd better download.

  141. Gotta keep pirating by highcon · · Score: 1

    Gtk-gnutella runs on my system of choice, iTunes does not. Sorry.

    --
    You can either complain, or do nothing. You don't get both.
  142. This is excellent news! by Rogerborg · · Score: 1

    It turns out that people generally don't understand or care about the issues of renting the right to play encrypted content.

    Note that I didn't say for whom this was excellent news.

    --
    If you were blocking sigs, you wouldn't have to read this.
  143. This is a VERY bad thing by Secrity · · Score: 2, Interesting

    This means that the sheeple are either knowingly buying DRM'd music files or don't care enough to know that the files are DRM'd and that their use (and possibly their usable life) is limited. On top of this, the sheeple are paying about a dollar per file. THis is yet another example of P.T. Barnum being 100% correct about a sucker being born every minute (several per minute now due to the increased birth rate).

    1. Re:This is a VERY bad thing by jratcliffe · · Score: 1

      This means that the sheeple are either knowingly buying DRM'd music files or don't care enough to know that the files are DRM'd and that their use (and possibly their usable life) is limited.

      Or, they know and decide that it's still worth it. I know full well the restrictions Apple places on the music I download, and the risks (obsolescence, license corruption, etc. etc.) associated with iTunes. I use it anyway. You may disagree with my weighting of the costs and benefits of the service, but don't assume out of hand that I don't understand those costs and benefits.

  144. so, uhhh.... by untaken_name · · Score: 1

    40% of music downloaders are 'pirates'. 35% are 'legal'. What are the other 25%?

  145. 25% Divine Intervention? by ShagratTheTitleless · · Score: 0

    If God wanted you to have downloaded music on your iPod, he would have miracled it there.

    --
    Sometimes at night I imagine the darkness is filled with horrible things with too many teeth, like Julia Roberts.
  146. Maybe a silly question... by Sierpinski · · Score: 1

    35% + 40% = 75%. Where is the other 25%? Shouldn't it basically be just the two options, either legal or illegal? Are the 35% and the 40% based on some kind of different counts? If so, where are the 65% and the 60% to match them?

    1. Re:Maybe a silly question... by mlk · · Score: 1

      I'd guess:
      10% Don't Know (the stupid vote)
      15% Perf not to say (aka illegal).

      --
      Wow, I should not post when knackered.
  147. Now this is interesting... by Khyber · · Score: 2, Insightful

    I meantioned in previous comments that piracy was what several bands noted as being their gateway to fortune and fame (and not by winning in court, either.) I have to wonder if perhaps all this current piracy is responsible for the current rise in legal downloads.

    On a side note, I doubt this is going to stop **AA from wielding their mighty soylent green sword against anyone. After all, once a bully, always a bully.

    --
    Still waiting on Serviscope_minor to wake up to fucking reality and realize that Jessica Price isn't going to fuck him.
  148. i dont buy it by timtwobuck · · Score: 2, Interesting

    For the record....I know a reasonably large amount of people, both tech-saavy and neophyte. I do not know of anyone that consistently, if ever, has paid for a legal music download.

    That being said, I do know people that download music illegaly, and there are those that purchase CDs..

    These statistics suggest that over 1/3 of the people I know that listen to music, use pay-to-listen/download services? I have trouble swallowing this..

    1. Re:i dont buy it by saddino · · Score: 2, Insightful

      I'm exactly the opposite; everyone I know buys music legally from online services. Many of them used to get music illegally back in the Napster days, but not anymore.

      You have to remember that these statistics are based over the entire population, so in fact, your friends (I'm assuming you're much younger than I am) may in fact rarely pay for legal music downloads, but my friends do, and thus "counter" yours.

      It would be interesting to see how this statistic breaks down over age group.

  149. Re:Where is the other 25%? by zmollusc · · Score: 1

    I read it as the 25% of music consumers who do not download at all, presumably they buy cd's from play.com or whoever.

    --
    They whose government reduces their essential liberties for temporary security, receive neither liberty nor security.
  150. You forgot one by Anonymous Coward · · Score: 0

    You forgot about those of us that cut copies of bought CDs and distribute them to our real life friends, or convert them to mp3 and just give out entire collections as physical CDs to friends. I bet that wasn't factored into there stats. Personally I have gotten better music that way and I have stuck by it. I have a constant influx of music everytime I meet someone with a CD/DVD burner and tons of mp3s.

  151. Legal Downloads Will Kill Music by pandrijeczko · · Score: 3, Interesting
    A few people in other threads have mentioned that musicians (specifically those signed to record labels) only make their money from live performance, not from CD sales. If this is the case, then it follows that legal downloads will kill "true" musicianship.

    Putting aside the manufactured boy/girl band claptrap or record company puppet whores like Britney Shite, real musicians and bands generally alternate CD releases and concert tours (in order to promote those releases).

    So, a band that is starting out after their first release probably gets a supporting slot on a tour with a more major artist - whereupon their set list is probably about 45 minutes long containing most of the songs from their first album and a few cover versions.

    Go forward in time after three or four releases and that same band is probably headlining their own tour, playing most of the tracks of their latest CD release intersperesed with the "firm favourites" from their earlier CDs.

    However, we're told by fans of legal music downloading is that they like downloading music because they no longer need to buy the entire CD but only the tracks they like.

    Now, that's fine for the manufactured pap artists that only ever churn out plastic chart single music but where does it put the *real* musicians?

    What onus will there be for real artists to go into a studio to record an entire album if the downloaders only like 3 or 4 of the tracks from that CD?

    How does that affect a band's ability to play live, to create interesting and good set lists for live performance?

    Believe me, there is nothing I hate more than buying a CD that contains two good songs and the rest being filler tracks but *real music* is about *albums*, not single tracks.

    If I buy a CD by an artist then what I am getting is a *snapshot* of how that artist was feeling at the time, perhaps the emotions in the songs on that album are influenced by external events that happened to that artist. And if I *truly* enjoy the music of that artist then I'm going to take that into account when I listen to that particular CD.

    What I'm really trying to say here is that I have albums in my collection that I deem as *classic* pieces of music but I probably play them maybe once or twice a year when I'm in the mood to play them - and at that point, I sit down in a comfortable chair in fromt of a good hi-fi and *do nothing else* but *listen* to that music.

    So let's not equate iPods and MP3 players to *music appreciation* because they are mutually exclusive. I use an MP3 player full of my favourite tracks when I work out in the gym - but only because it gives my mind something to focus on (away from the pain of working out) and because it covers the pop crap blaring over the gym speakers - but I am *not* truly appreciating the music at that time.

    Unfortunately, people who do *all* their music listening on portable players while doing something else and who do not buy entire albums will kill real music by real musicians that are appreciated by real music fans.

    --
    Gentoo Linux - another day, another USE flag.
    1. Re:Legal Downloads Will Kill Music by Peyna · · Score: 1

      *real music*

      While I tend to agree that a good majority of popular music at this point in time is horrible, I think it is naive to think that there is really any difference between music other people enjoy and that which I enjoy.

      Popular music might be prefab, rehashed, overrated trash, but the fact remains that a good chunk of people enjoy listening to and are willing to pay good money to listen to that music, and pay a lot of money to stand in a crowded room and watch a "performance" while the same CD they have at home plays in the background.

      The music I enjoy is created in a much different environment and results in a much different sound; however, the end result is the same: something people are willing to pay money to listen to.

      I'm not sure I really made my point, but I think you see where I am going with this.

      As an aside: if these "real artists" you refer to were "real artists" wouldn't they be doing it for the music and not the money? And if so, then why does it matter to them what it sells for?

      --
      What?
    2. Re:Legal Downloads Will Kill Music by elflord · · Score: 1

      I don't buy it. I don't buy it that the people who are only interested in purchasing one or two tracks are the sort of people who were funding the sort of "classic albums" that you like to listen to. And I don't buy the argument that bands that are primary live acts are beholden to the whims of the downloaders -- how does that work ? If most of their money is made playing live, I doubt they'll suddenly make more money with the download model. Basically, your comments about "real music by real musicians" make my argument for me -- the ipod/mplayer cardio bunnies not only aren't listening to the music you're interested in, they never were.

    3. Re:Legal Downloads Will Kill Music by pandrijeczko · · Score: 1
      I don't buy it that the people who are only interested in purchasing one or two tracks are the sort of people who were funding the sort of "classic albums" that you like to listen to.

      Sorry, when did I say I was being funded? I said that I "appreciate" music because I treat a lot of my music collection as *albums* I sit and listen to and do *nothing* else but listen.

      Yes I have music I play in the background at the gym or in the car but I am not truly appreciating that music then... the smell of brewing coffee in a room gives a nice ambience but you don't appreciate the coffee till you taste it, same analogy.

      And I don't buy the argument that bands that are primary live acts are beholden to the whims of the downloaders -- how does that work ?

      I thought I already explained this but I'll justify it in more depth.

      An artist starts their career on the strengths of an initial album release that can be played live in almost it's entirety - otherwise, how does an artist have a set long enough to entertain an audience for long enough? Music downloaders who buy their music by the song are probably not people who go to see specific bands perform live - it just isn't worth paying for a concert ticket to hear the two or three tracks you like performed.

      It therefore follows that fans of entire albums or just the band go to the concerts - they buy the tickets, that's how the musician makes a living from their art.

      If most of their money is made playing live, I doubt they'll suddenly make more money with the download model.

      Precisely what I said, you obviously need to read my posting again. It's the album buyers that make the musicians money, not the legal downloaders.

      the ipod/mplayer cardio bunnies not only aren't listening to the music you're interested in, they never were.

      Sorry, how do you *know* this? I never once mentioned any specific artist I enjoy listening to from an album perspective. We could well enjoy the same artists, you because of a few songs, me because of entire albums.

      This has nothing to do with actual musical taste, it's about your own personal perception of the importance of music to you. And I maintain that if your attention span is so short that all of your music listening is "track by track" while doing something else rather than "album by album" while doing nothing but giving the music your full attention, then you do not appreciate real music.

      --
      Gentoo Linux - another day, another USE flag.
    4. Re:Legal Downloads Will Kill Music by elflord · · Score: 1
      Sorry, when did I say I was being funded?

      You didn't, neither did I.

      An artist starts their career on the strengths of an initial album release that can be played live in almost it's entirety - otherwise, how does an artist have a set long enough to entertain an audience for long enough? Music downloaders who buy their music by the song are probably not people who go to see specific bands perform live - it just isn't worth paying for a concert ticket to hear the two or three tracks you like performed.

      OK, but I'm not sure how you go to there, to the idea that fans of whole albums will suddenly "convert" and become fans of "one or two songs" as opposed to the other "filler" due to the availability of downloads (legal or otherwise).

      We have actually had downloads for a few years now, is there an emerging trend that downloads are cannabilizing album sales ? I though the only "conclusion" reached was that work was fairly inconclusive. No-one has established a causal link between declining album sales and downloads anyway.

      Precisely what I said, you obviously need to read my posting again. It's the album buyers that make the musicians money, not the legal downloaders.

      I read it just fine. How do you know that the album buyers are going to turn into one or two track downloaders ? Not only is this an unsupported (indeed, unstated) assumption you're making, the available empirical data appear to contradict it.

    5. Re:Legal Downloads Will Kill Music by Busy · · Score: 1

      I've never cared about albums as a whole. I also spent a good chunk of my life as a musician, but by your logic, I'm not real. And what exactly is *real* music supposed to mean anyways?

      That's nice that you have your own personal tastes for enjoying music, but so does everybody else. I guarantee it would *kill* (whatever that means) music if the only *real* way to listen to it was to sit in a chair by yourself.

      Last I checked, the concept of music was both entertainment and art form, neither of which are held captive by such silly constraints.

      And if you're still convinced that the essence of the music is only contained in a full album, remember that albums were invented as a convenient way to package music for sale, lots of talented musicians are able to do good things with the album format, but the idea of an album is just packaging for distribution.

      --
      Think of someone with average intelligence. Now think 1/2 the world is dumber than that guy.
    6. Re:Legal Downloads Will Kill Music by pandrijeczko · · Score: 1
      I've never cared about albums as a whole. I also spent a good chunk of my life as a musician, but by your logic, I'm not real.

      So, as a musician, have you ever performed live? And if you have, you can't be that much of a musician if you can't entertain an audience for at least 45 minutes.

      I don't mean to be facetious here - if you can truly stand up in front of an audience and perform then I respect you for that even though I might not like what you play or sing about.

      But please don't try to call yourself a serious musician if you've only 1 or 2 songs to your repetoire.

      I guarantee it would *kill* (whatever that means) music if the only *real* way to listen to it was to sit in a chair by yourself.

      No, you misquote me. I said that you *cannot* appreciate a piece of good music fully until you give it your full attention. So you mean to tell me that you, as a musician, would be happy stood up performing in front of an audience who were all reading paperback books or texting on their mobile phones while you were playing? Get real...

      Someone who treats music as odd tracks that they happen to play in the background while they do something else is not *appreciating* the music fully.

      Last I checked, the concept of music was both entertainment and art form, neither of which are held captive by such silly constraints.

      Sorry, how closely does an art critic scrutinise a picture he or she loves?

      How many people just sit in a quiet room and just sit and read a book? If it's a loved book, how many times might that person have read it?

      Why's it not the same with music?

      And if you're still convinced that the essence of the music is only contained in a full album... ....the idea of an album is just packaging for distribution.

      I am saying that music appreciation is not about simply throwing together a heap of popular songs by different artists. It's about attention span and having enough time to be drawn into the music properly in order to appreciate it. This is not possible with single tracks.

      Sorry, but take a look at the Live 8 concerts, for example. Sure, each artist is performing for charity but will end up doing one, maybe two, songs on stage due to the number of artists that are appearing at each event.

      Now, take Pink Floyd who are playing at the London concert. Do you really believe that someone new to Pink Floyd will be able to understand and appreciate their music fully based on the one or two songs they do on the day? No, of course not.

      --
      Gentoo Linux - another day, another USE flag.
    7. Re:Legal Downloads Will Kill Music by Busy · · Score: 1

      So, as a musician, have you ever performed live? And if you have, you can't be that much of a musician if you can't entertain an audience for at least 45 minutes.

      I'm mildly insulted. Don't assume things about me.

      No, you misquote me. I said that you *cannot* appreciate a piece of good music fully until you give it your full attention.

      I didn't quote you, other than the words "kill music". I also very much disagree with your rules of music appreciation. Personally, I think the most complete appreciation of music comes from living the lifestyle that follows a genre. But that's an opinion. I respect that your opinion is different, but I don't respect someone telling me that music is real only if I listen to it the right way.

      It's about attention span and having enough time to be drawn into the music properly in order to appreciate it.

      My only issue with any of the stuff you are saying is that nobody gets to be the boss and decide what music is real, what music is really about, who appreciates it the most... not you, not anybody. Not even Pink Floyd.

      The only requirement for music to be *real* is that you can hear it.
      (And please don't try to get all deep about the semantics of the word "hear", in case you were thinking about it)

      --
      Think of someone with average intelligence. Now think 1/2 the world is dumber than that guy.
  152. teh STATISTICS must be true! by peterpi · · Score: 1
    So 35% of music downloads are legal, and 40% are illegal.

    Cool.

  153. Future SPIN by nurb432 · · Score: 1

    The industries will spin it to 'prove' their point to get more laws passed. Reality has nothing to do with their crusade.

    --
    ---- Booth was a patriot ----
    1. Re:Future SPIN by chawly · · Score: 1

      You're right. Let us continue with OUR crusade. Big money is good, and I'd like some, but freedom has no price.

      --
      How many beans make five, anyhow ? ... Charles Walmsley
  154. What the...? by Anonymous Coward · · Score: 0

    Michael Sims, is 'zat really you?

  155. Between Sight and Sound... by Anonymous Coward · · Score: 0

    Oh please! Do you actually expect anyone to believe that more people are buying music online than downloading it off p2p networks?? Maybe in the Twilight Zone things are the other way around, but not in reality. Who needs statistics to know that this is complete nonsense?

  156. Legal downloads will not kill music, esp if the by jaypaulw · · Score: 1

    ..price is right. Merge records is now on emusic.com, there is so much good stuff on emusic at the momement now it's insane. Average price of song is like .20 so you have no problem making the jump to buy the whole album, especially if you are a band focused fan of music and not a song focused fan of music. As far as your abritrary "albums only" lifestyle, that is pure preference - all my favorite bands are able to make a complete record, but I still listen on shuffle 99% of the time. Finally many bands traditionally have started out with EPs of 3 or 4 songs because even in the pre d/l days, there was an understanding that you needed to start on the scene with those emphasis tracks. I do virtually all my listening on my ipod with my grado headphones, I get all the fidelity I need with that rig.

  157. I Won! Again! by MidWorldOddity · · Score: 1

    So... are they counting the number of paying individuals or are these the millions worldwide that have been winning songs off their bottle cops, free two-week trials, etc.? I for one, suspect the statistical analysis. *When all else fails, manipulate the data.*

  158. I had a friend who did this... by FreeUser · · Score: 3, Interesting

    They will envious of people who took the time to translate the music they had to free formats

    I know one person just like this, who is your typical B&O / Vaio luser. He proudly announced to me that he had just finished converting all of his 800+ cds to....WMA.

    I explained to him that this was not really a good idea, because one day these files might not play on a future version of Windows Media Player. I explained to him that he could download iTunes for free, and that he could use it to rip his collection into a format that he would be able to access 'forever'.

    He will not do this for several reasons.

    Firstly, I showed him that he was dumb, and that he wasted his time; he would not possibly be able to 'back down'. Secondly, he just spent weeks ripping his whole collection and is loath to do it all again.

    There will, sadly, always be people who are stupid like this, and it will literally take the elimination of ALL of their music before they wake up and understand what DRM is all about.


    I had a friend who did exactly as you describe. A couple of months later he got a new soundcard, installed the new windoze driver for it and ... wala ... windoze DRM assumed it was a new computer and none of his songs would play.

    Not one.

    Faced with having to do weeks of work all over again (or downgrade to his older card again) he did finally listen, and ripped his entire collection into ogg-vorbis format.

    Why ogg? Because, like me, he has a portable device that will play it (a Rio Karma), and because he didn't ever want to have to do this again, and ogg enjoys freeom not only from DRM, but from patents as well. With software patents threatening Europe, and enforcement beginning to rear its ugly head here in the US, the days of MP3 may be as limited as those of WMA.

    Consumers will learn their lesson. It will cost them, but they will learn it. Unfortunately, most of them have so bought into the corporate doublespeak eminating from Redmond and Washington that they will only learn it the hard way, from being struck in the face, repeatedly, by their DRM-crippled products and the gaping hole where their wallets, and music collections, used to be.

    --
    The Future of Human Evolution: Autonomy
    1. Re:I had a friend who did this... by Anonymous Coward · · Score: 0

      voilà, not wala. It usually means "here/there it is", "there you go", etc.

    2. Re:I had a friend who did this... by Anonymous Coward · · Score: 0

      Vous et un grosseues trodookoo!

  159. i do both by ALpaca2500 · · Score: 1

    if there's a song or an album that i really have to have, first i will look on usenet, then i will look on some torrent sites, then i will look on iTunes. i've ended up buying about a dozen albums since the iTunes music store opened. sometimes i will skip iTunes and just buy the CD, if i can find it cheap enough on amazon or ebay.

    if i have an album that i've downloaded illegally, and i really love it, i will usually go out and buy the CD. probably 25% of my CDs are ones that i downloaded before i decided to buy.

  160. True... by Anonymous Coward · · Score: 0

    True, and at one time, all land was owned by the king and he let his dukes and earls maintain that lang who then hired serfs to work the land.

    That model was inefficient and changed, and will continue to change.

    So what's so special about he record industry that it should be shattered and rebuilt every few years as makes economic sense?

  161. It's Bad, But Not For Me by Shihar · · Score: 1

    It is bad... if you are the dumb sucker shelling out money for the crappy music covered in DRM. Here is a novel idea... don't buy music. Hell, don't even pirate the music. Just stop supporting the entire stupid system and watch and be amazed at how easy it is to not care about the other million dumb suckers who are still shelling out their dollars.

    Mindless consumering (which is the real complaint you are making) is easy to avoid. Just don't buy into it. Will it stop the herd if you go your own way? No. Should you care? Hell no. If someone asks if you have heard the new mindless crap MTV is plugging with its half hour music spot in the day, just give them a blank glazed over stare.

    There are plenty of alternatives out there. There is the Creative Commons, countless college radios on the net, and a pile of other places that offer up free music. Will you know what everyone else is talking about when they talk about the new corporate mass produce CD? No. Is that a bad thing? Only if you are into consumerism... and if you are into consumerism, what in the hell are you complaining about? That it isn't free?

  162. 35% + 40% != 100% by emidln · · Score: 1

    So if 35% of people downloading music are using legal music downloading services and 40% of people downloading music are using illegal music downloading services, what happened to the other 25% of people downloading music?

    Don't you think 25% is a rather high margin for error, even for "pulled out of my ass" statistics?

  163. I call B.S. by Anonymous Coward · · Score: 0

    "Provided you've got the cash means to do it, there's not really any excuse for not using "officially sanctioned", paid-for, download sources."

    I call bullshit.

    There are a lot of practical reasons. Here are just a few:

    1) I decide how and when and where I use my CD's. There are no restrictions on them.

    2) When The Next Big Thing (tm) comes out for portable music, I can move my CD music to that device)

    3) If I think a CD sucks after I buy it, I can sell it

    4) The sonic quality of iTMS or any other music source is a shadow of the CD. The people who argue otherwise generally listen on earbuds.

    5) I refuse to be "authorized" to listen to music I paid for. There are certain depths I will not sink to, and asking permission from anybody to listen to my music is below my depth.

  164. bullshit. by ohzero · · Score: 1

    Even if i'm the last person on the planet, I'm not ever going to pay for mp3s. so there. blow me.

    --
    -- http://www.criticalassets.com
  165. Downloading and ripping are not mutually exclusive by AHumbleOpinion · · Score: 1

    70% download ilegally
    90% download legally
    100% rip CDs legally
    100% copy friends' ripped CDs ilegally


    I understand that you were going for humor but I have to add that you are probably closer to the truth than many realize. These categories are not mutually exclusive. A person may be rightfully counted in more than one. The *should* not add up to 100%.

  166. Ahh...right. by tempus+fugate · · Score: 1

    There are three types of lies.

    1. Lies
    2. Damn Lies
    3. Statistics
    --Samuel L. Clemens

    One in four people get this quote wrong.

  167. better example: DVD by EvilStein · · Score: 1

    you'd think that DVDs have destroyed the movie industry, but they certainly haven't. DVD media sales have surpassed VHS, DVD hardware sales have surpassed VHS hardware. DVD burners are shipping with many new laptops, desktops, etc and if you don't already have one, you can pick them up for under $100. DVD burning software is everywhere and it's easy.

    Yet DVDs are selling like hotcakes. Movie theatres are suffering from the popularity of DVDs, however. Check out this article for more information. It notes that those that download movies from internet often see *more* movies in theatres even!

  168. 40% seems REALLY high. by donkeyboy · · Score: 1

    Does anyone know who they are counting in the illegal category? Let's look at the US. Only about 60% of households have computers, and only about half of those have internet connections.

    Now those numbers are going to be much higher in the US than other countries.

    So less than 30% of US households have internet connections. That must mean that everyone who has a connection to the internet is downloading illegal music. Right?

    OK, I'm blurring the line between music consumers and PC owners. But still, these numbers in the article are bogus.

  169. sftrco the RIAA by dickysofa · · Score: 1

    That is all...

    --
    i am the dickysofa
  170. Legal Music Downloads At 35%, Soon To Pass Piracy by Anonymous Coward · · Score: 0

    But if SCO takes over the RIAA, they can still sue their customers ;-)

  171. Re:Is Anyone Actually Being Honest by Anonymous Coward · · Score: 0

    You obviously forget that people generally aren't THAT stupid. If they are giving away passwords for chocolate, then the password must be fake!

  172. Re:Is Anyone Actually Being Honest by tomhudson · · Score: 1
    You obviously forget that people generally aren't THAT stupid. If they are giving away passwords for chocolate, then the password must be fake!
    People ARE that stupid. In one on-site survey, they found that half of all the users on one side of a building had picked the smae password - it was on a billboard visible from their windows.

    Also, how many people get suckered in by phishing scams? Or put in credit card numbers to "verify their age"? Or leave their password on a post-it on their monitor, or under their keyboard?

    Simiarly, how many people write their PIN number on their bank card?

    People ARE stupid.

  173. Not my problem by nuggz · · Score: 1

    So you're saying that only a track or two is worth buying.
    But if we don't buy all the other crap we don't want we'll destroy music?
    Isn't the fact that they aren't making products people want to buy kinda their problem?

    I think if X can't manufacture a product people want to buy they will go out of business.
    X can be
    Musicians
    Watermelon farmers
    Software Programmers
    Pretty much any other job.

    1. Re:Not my problem by pandrijeczko · · Score: 1
      If you consider music a "product" - like a watermelon - then you're buying it because it's value for money.

      If you consider music an "art" - like I do - then you buy it because you appreciate it, not necessarily because it presents value for money.

      For example, I have a number of CD albums I paid £15 for. Break that down into the constituent components of who gets what part of that £15 (record company, musician, record store, etc.) and it would be quite clear that someone somewhere was making a unfair profit at that price - however, I would happily have paid twice that amount for those CDs.

      This is no different to an art collector paying thousands of pounds for a painting he or she appreciates.

      You treat music as product, I treat it as art, that's the difference.

      --
      Gentoo Linux - another day, another USE flag.
  174. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  175. I guess you did not here by Anonymous Coward · · Score: 0

    Most sources say that 25% of Democrats are gay.

  176. Thank you. by Anonymous Coward · · Score: 0

    I hate it when people say wala instead of voilà.

  177. art IS a product by nuggz · · Score: 1

    Art is still a product.

    I would buy some CD's and wouldn't by others depending on the value they offer me.

  178. Meta-Mod by Morosoph · · Score: 1
    I meta-modded this post informative, which it is, but would not have meta-modded it insightful.

    The reason why is this:

    until you get this model into your head, no suggestions for an alternative system will make much sense.
    Evidence of something else working is sufficient; knowledge of the status quo is not required for one to know whether something else works. As for a specific example, consider the old mp3.com.
  179. Twitter: Life and times of a petulant cock-gobbler by Anonymous Coward · · Score: 0

    Twitter, you're a petulant cock-gobbling sycophant to Linux Torvaldyos! Quit taking DP from ESR and RMS's feculent cocks and why don't you try to stop sucking quite so much? Get out of your parents' basement and see the real world - maybe then you'll see how pathetic you sound, with your neverending stream of bullshit about how Microsoft is stalking you. Wasn't it you who said that Microsoft believes your insane ranting is actually a threat to them, so they PAY PEOPLE to reply to you on Slashdot? No sir, I don't get any money. I do it for the love. Someone has to go up against your paranoid whining. So get back in your cage and shut the fuck up already.

  180. Twitter: Life and times of a petulant cock-gobbler by Anonymous Coward · · Score: 0

    Twitter, you're a petulant cock-gobbling sycophant to Linux Torvaldyos! Quit taking DP from ESR and RMS's feculent cocks and why don't you try to stop sucking quite so much? Get out of your parents' basement and see the real world - maybe then you'll see how pathetic you sound, with your neverending stream of bullshit about how Microsoft is stalking you. Wasn't it you who said that Microsoft believes your insane ranting is actually a threat to them, so they PAY PEOPLE to reply to you on Slashdot? No sir, I don't get any money. I do it for the love. Someone has to go up against your paranoid whining. So get back in your cage and shut the fuck up already.