Slashdot Mirror


RIAA Calls Settlements Proof that Education is Working

MattW writes "AP reports that the RIAA has filed the next 80 lawsuits. The article contains a dumbfounding quote from Cary Sherman, President of the RIAA: 'The fact that the overwhelming majority of those who received the notification letter contacted us and were eager to resolve the claims is another clear signal that the music community's education and enforcement campaign is getting the message out.' Just for clarification, Cary, all it proves is that monopolistic giants can, in fact, afford to pay lawyers more than average people, and so said people are easily bullied. But nice try." It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

425 comments

  1. Settlements = Sheep by Anonymous Coward · · Score: 0

    Proof that people are too dumb to just tie the problem up in court

    1. Re:Settlements = Sheep by DaHat · · Score: 4, Insightful

      So... if you received such a letter you'd fight them to the bitter end? Tell us... how on earth would you pay for legal representation? Or would you attempt to defend yourself? In either case, I'm sad to say, you would loose, because you do not have the resources to fight.

    2. Re:Settlements = Sheep by Mr.+Dop · · Score: 1

      Same goes for the folks who paid the SCO invoices for Linux

    3. Re:Settlements = Sheep by cyber0ne · · Score: 2, Informative

      Same goes for the folks who paid the SCO invoices for Linux

      An SCO invoice is _alot_ more affordable than any legal battle, short of perhaps an episode of Judge Judy or something. There's a difference between being sheep and having the economic sense to go with the cheaper/easier solution so you can just get on with your life/business.

      The article says some of the settlements were as low as $2500. Again, not terribly expensive when compared to attorney fees (remember, these are civil cases and so the defendant is not entitled to free representation like with criminal cases) coupled with the time and effort (missed work, time away from family, etc.) required to battle the RIAA in court.

      You'll notice also, in the article, that the settlements "do not include any admission of wrongdoing." Loosely translated, the court case as a whole basically resulted with, "Ok, you didn't necessarily do anything wrong. but the rich guys think you did and want some money from you. You hereby agree to give them money if for no other reason than to make them leave you alone."

      The moral of the story: It's often easier to just pay the extortionist than to have him break your knees.

      --
      http://publicvoidlife.blogspot.com
    4. Re:Settlements = Sheep by Glonoinha · · Score: 1
      --
      Glonoinha the MebiByte Slayer
    5. Re:Settlements = Sheep by cshark · · Score: 1

      The RIAA's technical case isn't very strong. I would be curious to see if evidence collected from Gnutella holds up in court.

      --

      This signature has Super Cow Powers

    6. Re:Settlements = Sheep by Bedevere · · Score: 1
      So... if you received such a letter you'd fight them to the bitter end? Tell us... how on earth would you pay for legal representation? Or would you attempt to defend yourself? In either case, I'm sad to say, you would loose, because you do not have the resources to fight.

      Wouldn't you also likely loose because you're guilty. Granted I'm not saying that just because the RIAA sends you a subpoena it means you're guilty. But if you get sued and you know that you did what they say you did, wouldn't it be better to try to get the best settlement possible?

      I agree there's a problem with them having unlimited resources, but that's probably not the only reason people are rushing to settlement.

    7. Re:Settlements = Sheep by butane_bob2003 · · Score: 1

      I would do what I always do when they sue me for money, tell them to ask me for it directly to my face. I throw my mail away if it has anything to do with litigation against me. This might sound stupid and brash, but it works. They give up. Not worth pursuing. The only way I would pay any attention is if they marched in with a warrant and enough police officers to detain me. At which point they usually find they have the wrong address.

      --


      TallGreen CMS hosting
    8. Re:Settlements = Sheep by John+Biggabooty · · Score: 1

      The RIAA needs to join the horse-and-buggy industry in the dustbin of history, and we have the power to make it happen. Don't buy CDs.

      --
      That's Bigboo TAY! TAY!
  2. Where's the Government? Our elected officials? by Anonymous Coward · · Score: 5, Insightful

    Since these lawsuits being filed are obviously the huge monopolistic giant against the little guy, and the little guy obviously can't AFFORD to defend himself, doesn't that mean something is fundamentally broken here?

    Isn't it just as obvious that 20 corporate lawyers against a single public defender simply ISN'T fair?

    Hello? President Bush? Senate? Congress? Can you hear us?

  3. South Park by bjb · · Score: 5, Interesting
    (WARNING: slight spoiler contained)

    If you haven't seen this week's new episode of South Park, you might want to catch it on Comedy Central. Basicaly, there is a stab at the music industry in general. Cartman starts a Christian rock band just to exploit it for the money (calling the music simple and bad), and a "ghost of Christmas present" of sorts shows the kids that because they downloaded a song, certain musicians won't be buying their 3rd gold plated Rolls Royce. Or something to that effect.

    Not the best episode they've done, but certainly an open statement to the RIAA.

    --
    Never hit your grandmother with a shovel, for it leaves a bad impression on her mind...
    1. Re:South Park by MImeKillEr · · Score: 1

      It wasn't a 'Ghost of Christmas Present' - it was an FBI Agent.

      --
      Cruising the internet on my TI-99/4A @ a whopping 300 baud!
    2. Re:South Park by pugdk · · Score: 1

      You insensitive clod! How about us non-americans that get Southpark like 3 years later than you (lucky guys?) *whine*

      Oh heck, for what it's worth I'd like some of the girls (Britney, Aguilera, Lopez) to be able to afford their snazzy tight clothes ;o), but the rest of the crowd doesn't deserve one penny!

      -pug

    3. Re:South Park by MoonBuggy · · Score: 4, Funny

      It's also very lucky that the RIAA intend to pass on every cent of the lawsuit settlements directly to the artists who deserve it, and are not in any way interested in bulking out their own wallets at the expense of those who actually create music.

    4. Re:South Park by ClubStew · · Score: 1

      Hello? Anybody in there? He said 'Ghost of Christmas Present' of sorts. Ever seen Dicken's classic, "A Christmas Carol"? The Ghost of Christmas Present showed Scruge what the world around him was like, things that he normally wouldn't know because he didn't know or didn't understand, just like the Children didn't understand that they're "hurting" the poor, poor cry-babies...er, musicians.

    5. Re:South Park by taped2thedesk · · Score: 1

      Just download the episode from kazaa. :-p

    6. Re:South Park by Anonymous Coward · · Score: 2, Informative

      I believe the horros were as followed.

      Lars Ulrich couldn't buy his gold encrusted shark pool bar. He would have to wait one more week until he could get it.

      Brittney Spears had to downgrade from GolfStream 4 to the golfStream 3. This one doesn't even have a remote control for the integrated dvd surround sound system. Can you believe that.

      Master P can't buy his some his own island. The FBI sees the future and that island will not have an owner.

    7. Re:South Park by Dot.Com.CEO · · Score: 0

      Personally, I'd rather Britney and Aguilera were naked, but, whatever mate...

      --
      Mother is the best bet and don't let Satan draw you too fast.
    8. Re:South Park by Anonymous Coward · · Score: 0

      Theres this thing called "DivX;-)" When you combine "TV Capture Card", "DivX;-)" and "P2P" or "Usenet" together, you get "popular televisions episodes via. the Internet". It's a proper miracle.

    9. Re:South Park by da3dAlus · · Score: 2, Informative

      God that episode was funny. Here's a link to the episode synopsis, and some downloads.

      It's ep 709: "...When the other boys kick Cartman out of their band, Cartman pulls his own group together to make music for Jesus. Meanwhile, Stan, Kyle and Kenny are arrested for downloading music from the Internet."

      --

      Sometimes I doubt your commitment to Sparkle Motion.
    10. Re:South Park by Ramze · · Score: 2, Informative

      It was a metaphor -- a "ghost of Christmas present" of sorts -- which is why he put it in quotes and used the term "of sorts". Metaphors often involve stating one thing as a fact when implying it is merely like something else.

      It's somewhat similar to a simile only without the term "like" or "as". Though, some might argue that it was a simile since he used "of sorts" which could be an alternative to "like" or "as."

      Southpark uses metaphors constantly & The FBI Agent was playing the part of the ghost of MUSIC present. It was a page right out of Dicken's "A Christmas Carol." You can go watch the movie "Scrooged" to see a more modern version of the idea, or watch the older movies based on the book, or go read the book itself. It's quite good.

    11. Re:South Park by LordKronos · · Score: 5, Funny

      Here is the transcript:
      http://www.spscriptorium.com/Season7/ E709script.ht m

      Detective: This is the home of Lars Ulrich, the drummer for Metallica. [they approach a bush] Look. There's Lars now, sitting by his pool. [he's seen sitting on the edge of a chaise longue, his face in his hands, softly sobbing]
      Kyle: What's the matter with him?
      Detective: This month he was hoping to have a gold-plated shark tank bar installed right next to the pool, but thanks to people downloading his music for free, he must now wait a few months before he can afford it. [a close-up of Lars sobbing] Come. There's more. [leads them away. Next seen is a small airport at night] Here's Britney Spears' private jet. Notice anything? [a shot of Britney boarding a plane, then stopping to look at it before entering] Britney used to have a Gulfstream IV. Now she's had to sell it and get a Gulfstream III because people like you chose to download her music for free. [Britney gives a heavy sigh and goes inside.] The Gulfstream III doesn't even have a remote control for its surround-sound DVD system. Still think downloading music for free is no big deal?
      Kyle: We... didn't realize what we were doing, eh...
      Detective: That is the folly of man. Now look in this window. [they are at another mansion, and they look inside a picture window] Here you see the loving family of Master P. [He's shown tossing a basketball to his wife while his kid tries to catch it] Next week is his son's birthday and, all he's ever wanted was an island in French Polynesia. [his mom lowers the ball and gives it to the boy, who smiles, picks it up and drops it. It rolls away and he goes after it]
      Kyle: So, he's gonna get it, right?
      Detective: I see an island without an owner. If things keep going the way they are, the child will not get his tropical paradise.
      Stan: [apologetically] We're sorry! We'll, we'll never download music for free again!
      Detective: [somberly, dramatically] Man must learn to think of these horrible outcomes before he acts selfishly or else... I fear... recording artists will be forever doomed to a life of only semi-luxury.

    12. Re:South Park by Ramze · · Score: 1
      Most versions of the tale use the terms ghost and spirit interchangably. The movie Scrooged's version uses the line "You'll be visited by 3 ghosts."

      Although I agree the original had a spirit as in a kindly etherial protector that was never a mortal man, other versions of the tale have used human spirits which would be referred to as ghosts.

    13. Re:South Park by Rogerborg · · Score: 1

      I can't be bothered looking at listings to see when it's on, and I'm too cheap to buy it on DVD. Can you share it on Kazaa, please?

      --
      If you were blocking sigs, you wouldn't have to read this.
    14. Re:South Park by Rogerborg · · Score: 1

      Citizen, your license to exist is revoked. Please report to your nearest recycling centre.

      --
      If you were blocking sigs, you wouldn't have to read this.
    15. Re:South Park by Anonymous Coward · · Score: 0

      Yeah, some of the SP episodes anyway are just statements that they put out about current events... they just twist everything around... well most recent ones that is too

      But the thing is, the warnings and lawsuits onto many people will have effect SOMEHOW, it's like... lets say you have some pets, they get in the trash... you scold and maybe smack them, they do it again/another one does it, you do it to them, after a while there are many of them doing it, and again, so you keap on beating your pets... sooner or later they will learn*this is metaphoricly, beating pets or anything is bad*

      The lawsuits and shiz are just the effect of disiplining the people, so some people are bound to learn that:
      "OMG the riaa is warning me i have music on my comp that i downloaded! i must not get sued and live in boxxor!" and settle with them, but people still do it... I do not think downloading music is such a big deal myself, but hey, if the RIAA wants to spend millions on sueing people whom share and d/l music, they can... but it would be more effective for them to make their own pay-2-play music service or somthing.

      Moral: If you keep doing somthing, and you get hurt/see others doing somthing and they get hurt, you're bound to know it will hurt you too *Logic*

    16. Re:South Park by *xpenguin* · · Score: 1

      You can get this episode from lando.co.uk. Just click on SP, then then episode 509.

    17. Re:South Park by Dalcius · · Score: 1

      It's also very lucky that the lawyers intend to pass on every cent of the lawsuit settlements directly to the deserving RIAA, and are not in any way interested in bulking out their own wallets at the expense of those who actually create the lawsuit potential.

      I think we all know who the real enemy is. ;)

      --
      ~Dalcius
      Rome wasn't burnt in a day.
    18. Re:South Park by homer_ca · · Score: 2, Interesting

      They've made statements like that before. Like Stan and Kyle's speech to George Lucas is Episode 609, Free Hat, where Lucas was going to remake Raiders of the Lost Ark into a special edition and destroy all the old prints.

      http://www.spscriptorium.com/Season6/E609script. ht m

      Kyle: It's not too late to do what's right. Give us the print. There's still some good in you, Mr. Lucas. We know there is. [Lucas hangs his head in shame and turns away]
      George Lucas: It is... too late for me, boys.
      Kyle: You yourself led the campaign against the colorization of films. You understand why films shouldn't be changed.
      George Lucas: M-that's different. These are my movies. I made them, and I have the right to do whatever I want with them
      Stan: [steps forward] You're wrong, Mr. Lucas. They're not your movies. They're ours. All of ours. We paid to go see them, and they're just as much a part of our lives as they are of yours.
      Kyle: When an artist creates, whatever they create belongs to society
      George Lucas: Have I... become so old that I've forgetten what being an artist is about?

    19. Re:South Park by Alsee · · Score: 1

      That is an entirely unfair allegation that the RIAA merely intends to "bulking out their own wallets". The RIAA is not evil, and they fully intend to give artists "every cent they are entitled to get".

      First of all 10% comes off of the top for "breakage". Then artists are only entitled to 10% royalty of what's left. Then the labels are entitled to recoup promotional costs related to the lawsuits and the anti-piracy campaign. Then the labels are entitled to recoup legal costs. Then there's a few more deductions I can't make out here in the small print. Not that any of that matters, the artists are in debt until the RIAA recoups the advance, and that's not going to happen even if the album goes gold.

      Just because the RIAA won't be giving the artists a single penny doesn't mean they don't intend to give the artist what they deserve. You just need to take the RIAA's point of view and understand how they define "intent" and "deserve".

      (Caution: this post contains harazdous levels sarcasm)

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    20. Re:South Park by Blue+Stone · · Score: 1
      Why... that's beautiful.

      </wipes tear from eye>

      sniff.

      --
      Corporation, n. An ingenious device for obtaining individual profit without individual responsibility. - Ambrose Bierce
  4. It's not education by MacBrave · · Score: 0, Redundant

    It's more like intimidation and fear mongering by the RIAA......

    1. Re:It's not education by miu · · Score: 1

      It's not quite as bad as intimidation and fear mongering, but I agree that it is not really education as meant by most people. It's closer to the discipline involved in house breaking a puppy.

      --

      [Set Cain on fire and steal his lute.]
  5. Absolutely by GaelenBurns · · Score: 5, Interesting

    Compared to the average person, corporations have effectively infinite resources, so of course people aren't defending themselves.

    All the same, I wish someone would fight the charge based on the lack of hard evidence. I'm referring to the easily spoofable search results that the RIAA is using as "proof" for its case. All we would need is one positive result and this lawsuit war would be over.

    1. Re:Absolutely by 0xception · · Score: 1

      Have no fear someone is trying(key word trying) to stop this. They can be found at www.eff.org . so hopefully they can save us from the mighty RIAA

  6. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    "Hello? President Bush? Senate? Congress? Can you hear us?"

    Sorry, they only listen to money.

  7. Earlier on today by Pingular · · Score: 1, Funny

    The RIAA website was down, couldn't view the website, couldn't ping it or anything. I can't help but wonder if maybe the artical and the RIAA's server problems were somehow connected.

    --

    When anger rises, think of the consequences.
    Confucius (551 BC - 479 BC)
    1. Re:Earlier on today by spitefulcrow · · Score: 0

      Yes! We can /. the RIAA's networks to death.

      --
      Sorry, my karma just ran over your dogma.
  8. Musicians and Musicians by mauddib~ · · Score: 5, Informative

    "Musicians look so poor when I see them on television"

    As an amateur musician I'm sad to read that. Actually most musicians have a hard time getting the ends together. Unfortunately, the 'selection' process of the record companies doesn't really help that problem, since they select more on sex appeal and neutralness than on musical abilities or originality.

    For those musicians who are original and are making what I like to call "real music", it would be nice to have a little extra money to get their music out to the public.

    --
    This is a replacement signature.
    1. Re:Musicians and Musicians by TopShelf · · Score: 2, Interesting

      The musicians that you refer to have everything to GAIN from P2P file sharing, as it gives them another opportunity to get their music noticed by music fans. The ones who lose from P2P are those poor saps you see on MTV's "Cribs", who live in such appalling conditions...

      --
      Stop by my site where I write about ERP systems & more
    2. Re:Musicians and Musicians by JamesP · · Score: 1

      But that`s what filesharing is for.

      Have you ever considering making your songs availabe through P2P (that is, if you`re a composer)

      It`s not filesharing that starves musicians, it`s monopoly and radyola. While Miss I`m-so-hot-shaking-my-bootylicious-ass makes big bucks, some artists earn nothing (and I mean, grat artists...)

      --
      how long until /. fixes commenting on Chrome?
    3. Re:Musicians and Musicians by akpcep · · Score: 0

      Hear hear.

      As an independent musician, I use P2P as a free distribution network. But then, I am more interested in people hearing my stuff than getting rich. Luckily.
      And here is where I plug my band.

      --
      Hmmm.
    4. Re:Musicians and Musicians by Sentry21 · · Score: 1

      For those musicians who are original and are making what I like to call "real music", it would be nice to have a little extra money to get their music out to the public.

      The poster was being sarcastic, incidentally. Looking at most artists nowadays, it doesn't seem like they're suffering - watch any rap video and listen to how they brag about having the bling bling. It's sad and pathetic.

      The point the poster was making is that the RIAA isn't fighting for the artists, it's fighting for the labels (and itself). Even if you were signed on Sony or BMI, I'm certain you wouldn't see a dime. Either way, you don't want to be on a record label anyway. You'd just get fucked.

      --Dan

    5. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      If you can't make enough money as a musician, then get another job. You don't see me programming games for a living, because I know that despite me being good enough already, I need a BS. By the time I get a BS, all the jobs will be in India. So what do I do? I'm a phone tech for executives that are too good to listen to Indians help them, thus guaranteeing my job cannot be exported. I can honestly say that I am NOT doing what I want to, rather, like 95+% of Americans, I am doing what I have to, to make ends meet.

    6. Re:Musicians and Musicians by mauddib~ · · Score: 1

      Oh yes, I am not against P2P file sharing at all! All I'm trying to say is that most 'real musicians' (which is totaly an oppinion), do not have the resources to get their music to the people *and* making a living.

      Please understand that it takes a long time and alot of manhours to produce an album(especially if it is filled with original music, not like the stuff you usually hear on MTV). Most not commercially oriented musicians only do this because they enjoy the artform of it. Now come to understand that it is from the same musicians that new styles and genres are born.

      --
      This is a replacement signature.
    7. Re:Musicians and Musicians by jimfrost · · Score: 3, Insightful
      As an amateur musician I'm sad to read that. What he said. I'll grant that P2P has probably improved the sales of many musicians' music; for sure the easy mobility of MP3s has allowed my friends and I to more easily sample music, and I've bought more (and much more eclectic!) music as a result of that.

      But it's worth remembering that there is a difference between sharing a clip and wholesale downloading. At some point in scale it stops being reasonable at starts being serious theft. When you've got people out there sharing tens of thousands of songs it's hard for me to see that as anything but a big rip-off and very hard for me to see why the RIAA should leave them alone.

      I don't envy the RIAA their position, because this technology is going to be very hard for them to stop. And I agree with people who think that if they'd taken a softer stance on internet distribution earlier that they might have been able to leverage the technology rather than fighting it.

      As for the musician's compensation, I think it would be very interesting to see if any of the money from these settlements actually made it to a musician. I know which way I would bet. If the musicians benefit from this at all, it's going to be from reduced wholesale copying, and really that's likely to benefit only the most popular musicians.

      --
      jim frost
      jimf@frostbytes.com
    8. Re:Musicians and Musicians by lennart78 · · Score: 2, Informative

      Making your music available on P2P will not give you any coverage at all. In order for people to start listening to your music, you must first confront them with it.

      You could do that by sending demos to local or independent radiostations, by advertising yourself in musical magazines or by performing live.

      However, if you want something in return for the hours and hours you spent at your computer or mixing console, and for the money you've invested in equipment, you could be happy if anyone buys your CD at a live gig for a crappy cheap amount, cause if it's out in the open on P2P, you can kiss any profit from 'sales of music' goodbye.

      As a musician, I don't need to make a profit, because I allready have a job. If I would have to live off it however, it'd be a different story.
      P2P could be well used to spread (low quality) demo-tracks, bootlegged live recordings and such, but unlimited freeloading will defenitely kill any kind of professionalism in music, and since there's a small market for amateur music...

      The RIAA and MPAA's knee-jerk reactions to technological innovations will do more harm than good. They need to start looking to the future, and not the past. The same goes for the Internet P2P crowd however.

    9. Re:Musicians and Musicians by Qzukk · · Score: 1

      "Musicians look so poor when I see them on television"

      I think you missed the other point of this sarcastic stab... are the real musicians going to see a cent of this money? Or is the RIAA going to keep it all for their lawyers and themselves?

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    10. Re:Musicians and Musicians by weave · · Score: 3, Insightful
      For those musicians who are original and are making what I like to call "real music", it would be nice to have a little extra money to get their music out to the public.

      Just curious, how much money have you received from these settlements? How much money have you received from the royalties imposed on blank music CDs (or all CDs in Canada)?

      I'm guessing zero.

      Have any artists received any payments from these settlements?

    11. Re:Musicians and Musicians by nathanh · · Score: 1
      For those musicians who are original and are making what I like to call "real music", it would be nice to have a little extra money to get their music out to the public.

      Yeah, and settlements against 12 year olds who download Oops I Did It Again... I bet that money goes straight into helping those musicians making real music.

      Hahahaha.

    12. Re:Musicians and Musicians by SamDirty · · Score: 1
      they select more on sex appeal

      Doh! And I thought only hot blondes and guys with cool, highlighted hair could sing. The world as I know it is crumbling. I COULD HAVE BEEN A STAR! or something like that... I agree, this is a sad state.

    13. Re:Musicians and Musicians by kenthorvath · · Score: 1
      For those musicians who are original and are making what I like to call "real music", it would be nice to have a little extra money to get their music out to the public.

      But don't you see? That's the beauty of P2P, you don't NEED a ton of money to get your music out to the public, just put it up on KaZaa or the like, and it will be spread across the internet to a great many people who are actually INTERESTED in what you have created and not forced down their throats in some payola radio fashion.

      P2P filesharing of copyrighted MP3's is what the people want. Make any moral arguments you want, but the fact remains that this is what 60 million people REALLY want. If you can make a living from making music because of it, well yes then that is a sad story, but "them's the breaks". Deal with it and the people who make music for love and hobby will continue to do so (myself included).

    14. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Nope, I didn't miss the sarcastic point of the remark. But I can understand that the way I phrased my comment it can be misread.

    15. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Unfortunately, the 'selection' process of the record companies doesn't really help that problem, since they select more on sex appeal and neutralness than on musical abilities or originality.

      You're telling me Geddy Lee has sex appeal??Please, he's the world's best bass player, but you couldn't pay me enough to bang him.

    16. Re:Musicians and Musicians by houghi · · Score: 0

      Looking at most artists nowadays, it doesn't seem like they're suffering - watch any rap video and listen to how they brag about having the bling bling. It's sad and pathetic.


      I agree on the part of where a lot of artists have plenty, Also realize that singing about having bling bling and showing a lot of nice cars does not mean they have it.
      Some, not all, artists get a large stash of cash (probably a check) and start spending it. The money is not only for them to enjoy. It is an advance on the clip, production and so on. Unfortunatly most of the artists we do not see or hear, except maybe in your local pub on a weekend. The other thing that is always falsified is that 10 gazilion downloads does not mean 10 gazilion people buying the record otherwise.

      I might be willing to buy a Rollex for 20USD, I will not buy a Rolex for 20.000USD. With the music it is the same. If I hear a number I like, I will buy the album, if not, I will download it, listen to it and then hopefully forget about it forever.

      --
      Don't fight for your country, if your country does not fight for you.
    17. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      from what i see in my life the system work well, the only one who lose because of peer to peer are the one who makes the so called "pop" music, i mena the one that make music just to sell it, and they deserve to lose all their money.
      Music is not a "product" is an art.
      I rarely buy one of the records you always listen on the radio, but i download mp3s, i mean, i download a lot of mp3 of "unknown" artists, tey make music because they love it, genuine music, not the music made by some record label to be selled, then if i like the songs i ALWAYS buy the record.
      And i'm not the only one, all my friends do the same.
      Who loves music wants to see the music alive and honestly this "britney" clones all around sucks, i don't mind if they lose their money.

    18. Re:Musicians and Musicians by Lumpy · · Score: 2, Insightful

      since they select more on sex appeal and neutralness than on musical abilities or originality.

      WHAT????

      have you Even seen these "rock stars"?

      Let's start from the beginning...
      Rolling stones- horribly ugly.
      Aerosmith - Uglier than the Rolling Stones! ...

      now let's fast foreward....
      Guns and Roses- Cousin IT and the uglies on tour!
      Blues Travveler- Oh gawd, dont look at them!
      Motorhead - Beat with the ugly stick..
      Nickleback - Lead signer has a face only a pitbull could love.

      I can go on and on and on....

      Bands are NOT chosen for their "looks" and "appeal" rock and roll will get you laid even if you are as ugly as sin.

      it's based on marketability and ONLY marketability.

      Oh and getting your music out ot the public? Release mp3's and pu them everywhere for people to download for free... That is what John Mayer did, and now he has 3 albums out, is touring and is the sleeper hit of the year, doing very VERY well.

      how about bands doing what proved to work.. Give your music away... Grateful-dead started it, Metallica was built on it, and the sucessful musicians of the next 50 years will be using it.

      I always buy the CD's of the indie bands that give me their music for free online... Why? first I want to have pristene good rips of the music at higher bitrates, I want the CD backup, and finally I want to support the band.

      The best thing you can do as an artist is release at least 5 of your songs as free mp3's and ask whoever that downloads them to please give them away to friends, and give permission for broadcast right there on the site.

      --
      Do not look at laser with remaining good eye.
    19. Re:Musicians and Musicians by houghi · · Score: 0

      but unlimited freeloading will defenitely kill any kind of professionalism in music

      Yeah, that would be like copying programs and let a bunch of amateurs run an OS.

      --
      Don't fight for your country, if your country does not fight for you.
    20. Re:Musicians and Musicians by opus18 · · Score: 1

      Amen. And, as an amateur musician myself, I can realte. However, it's not like musicians are the only affected group. It's simply division of the rich and poor by greater and greater amounts as we "progress". It's gotta be stopped by the leaders, but when the leaders are the rich, you're screwed. Only other way to cure our state: finance education. Support the arts. Achieve cultural awareness. Why do these expectations sound so riddiculous for the American populace?

    21. Re:Musicians and Musicians by FatalTourist · · Score: 1

      Unfortunately, the 'selection' process of the record companies doesn't really help that problem, since they select more on sex appeal

      I know! I keep wondering why no one's offered me a record deal.

      --


      Escape Pod Films: Sketch Comedy and Web Series
    22. Re:Musicians and Musicians by gid13 · · Score: 1

      1. At the risk of redundancy, it's not theft, it's copyright infringement.

      2. As you say, settlement money is almost certainly not going to musicians. More importantly, suppose someone is infringing on music not controlled by the RIAA. You can be DAMN sure that no SMALL artists will get any money from a settlement with the RIAA.

      3. The RIAA is still treating artists terribly, even many of the huge ones. Not that I have TOO much sympathy for the Backstreet Boys or anything, but it's very illuminating that one of them testified in court that they had never received a royalty check.

      4. As a musician, I think musicians opposing p2p are just helping to prop up the hideous slave monster that is the RIAA, and aren't looking at the future closely enough to realize how much better things would be without it. It's kinda similar to MS and Linux, actually. People don't realize how much better everything would be without MS either.

      5. I seriously think that if the US (and other countries too soon I bet) wants to keep running this course they should get kindergarten teachers to stop telling children to share. It would better prepare them for the pathetic moral wasteland brought on not by file sharing but by the RIAA.

    23. Re:Musicians and Musicians by blitziod · · Score: 1

      Record companies PAY big bucks to "Give" songs away for free. It is called RADIO. They do this because getting songs for free increases interest AND sells records. The prolblem they have with p2p mp3 trading is not giving songs away, but losing control over the music. This eliminates their ability to decide who "makes it". It then makes the labels MUCH less important and entitled to less of the "pie".

      --
      The only way to bust a doper--is when you yourself become a smoker!
    24. Re:Musicians and Musicians by blitziod · · Score: 0

      I'm Straight BUT for 4 million dollars I'd suck Geddy Lee's dick in front of my parents.

      --
      The only way to bust a doper--is when you yourself become a smoker!
    25. Re:Musicians and Musicians by lennart78 · · Score: 1
      Yeah, that would be like copying programs and let a bunch of amateurs run an OS.


      Maybe my point didn't get through, or maybe I'me just feeding the troll. Hell, it's friday afternoon where I live, one hour more, and I'm off to the pub, so what the hell, here goes...

      Music and software can not be compared in the case of free downloading. Sure, as well as I can create a song at home, I can write a piece of software. Both can be copied indefenitely at almost no cost, and distributed across the internet.

      I recently saw the Rolling Stones live. They played in a soccer stadium. The brought an immense projection screen, a lot of fireworks and an awesome backup-band. 50.000 people witnessed the stadium. This was not just about these 4 guys playing a bunch of songs, it was as much about the atmosphere and the presentation. That's what I meant with professionalism.

      Music is surrounded by a fan-culture. Fans want t-shirts, autographs and photographs, awesome concerts, videoclips, posters, you name it. It's part of the whole experience, and 'though it may be good for a lot of revenue, it requires a huge invesment, and that's not something I'm able to pull off when I create songs behind my PC, and get nothing in return for it. Thank you for your attention.

    26. Re:Musicians and Musicians by General+Cluster · · Score: 1

      Agreed about the marketablility, but more often than not that marketability involves appearance.

      How marketable do you imagine a 200 lb. Britney Spears would be?

    27. Re:Musicians and Musicians by MooCows · · Score: 1

      but unlimited freeloading will defenitely kill any kind of professionalism in music, and since there's a small market for amateur music...

      Right, let's not forget that I found 99% of my (quite large) cd collection on the internet first, and then went out to buy the cd's.
      And it's not just me, many other people do it the same way..
      They use P2P, download music from friends, etc.. and when they like it: they buy the cd's!

      It's simple really .. that must be why the RIAA & co. can't understand it.

      --
      The path I walk alone is endlessly long.
      30 minutes by bike, 15 by bus.
    28. Re:Musicians and Musicians by (trb001) · · Score: 1

      The musicians that are "harmed" by P2P downloading are not the starving artists like yourself. In order for someone to be harmed by P2P, they must have a sellable product that, instead of being sold is simply downloaded instead, thus depriving them of the sale. If nobody knows about you, it's difficult for you to claim a loss.

      On the other hand, I found bands like O.A.R. before they "made it" (I still consider them a small band, but when you're playing in large venues, there's a grey area) by grabbing stuff off Napster or Scour. They weren't getting radio/MTV air time, so there was no way I was going to get a glimpse of them through mainstream media. However, because of their presence in the digital world, I've been to two concerts and own 3 of their CDs. P2P definitely has something to offer the non-media glitzed bands.

      --trb

    29. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Re point 2. I bet they get them to /pay/ for it, though.

    30. Re:Musicians and Musicians by SillySlashdotName · · Score: 1

      I am not understanding what you are meaning.

      Are you saying the Recording Industry (RIAA) SHOULD be able to rake off large amounts of profit from the efforts of the artists by (among others) price fixing CDs and charging the artists for "breakage"? Are you saying the RIAA is a GOOD thing?

      Or are you saying that, if the RIAA went away, there would be more money available to the artists that CREATE the music due to elimination of greedy middlemen, more variety available when the marketing droids are not the ones dictating the bands and types of music being made available? Are you saying the RIAA is a BAD thing?

      --
      Acts of massive stupidity are almost never covered by warranty. --me.
    31. Re:Musicians and Musicians by Marc2k · · Score: 1

      Uhh...as an amateur musician myself, I have to question what you mean by "not like the stuff you usually hear on MTV". Are you suggesting that everyone that releases a cd just remixes old jazz records? I'm not even sure how to take that. "Real" music is quite subjective, and just because something released doesn't have the complexity of a Baroque fugue certainly does note mean that it's not "real". That being said, a lot of music that comes out on major labels _does_ take a lot of time and effort. The difference in album turnaround time is simply that: these people *do* do this for a living, and can afford to put 10+ hours a day into recording; these people have the resources to rent out [or simply use their label's] high-class studios with very expensive gear for weeks at a time; and they're working with producers and engineers who devote their lives producing music, and have recorded many, many artists and albums.

      --
      --- What
    32. Re:Musicians and Musicians by zazas_mmmm · · Score: 3, Interesting
      Unfortunately, the 'selection' process of the record companies doesn't really help that problem, since they select more on sex appeal and neutralness than on musical abilities or originality.

      The record industry looks for a marketable product a lot of that is based on image (not just sex appeal), but predictability makes for a safe investment. However, we should be careful not to malign bands just because they've signed to a major label. Most bands are convinced that this will help them be heard and are suckered into believing they can make some money. By and large most RIAA bands are victims as much as the consumer or the sued file sharer.

      Steve Albini, producer of The Pixies, Nirvana, and a former member of the band Big Black has some wonderful insights into the way the record industry works. Albini gives a very good example of a typical signing (most signed acts do not become famous or wealthy) in which after the first album of a four record deal the record sells 250,000 copies and the music industry made 3 million. Unfortuantely the band is still $14,000 in the hole on royalties and has earned about 1/3 what they would have made working at a convenience store. Albini gives a full breakdown of all income and expenses from this typical scenario (one record and supporting tour in). The bottom line:

      The Balance Sheet: This is how much each player got paid at the end of the game.

      Record company: $710,000
      Producer: $90,000
      Manager: $51,000
      Studio: $52,500
      Previous label: $50,000
      Agent: $7,500
      Lawyer: $12,000
      Band member net income each: $4,031.25
      ... Some of your friends are probably already this fucked.

      Don't assume that the artists are making out from high priced CDs and RIAA lawsuit settlements. I'm sure most artists aren't interested in seeing these lawsuits continue, but artists have been so suckered into thinking that a mjor label is the only way to be heard that walking out and signing to an independent label doesn't even seem like an option. But assuming tht the artists are reaping great rewards is just silly. Most RIAA artists are not P. Diddy, just under a mistaken impression that majors are the only way to succeed and as a result find themselves exploited.

      Ceci n'est pas une sig

      --
      I'm a friend of a friend of the working class.
    33. Re:Musicians and Musicians by Lumpy · · Score: 0

      Isn't that courtney love?

      Anyways, Meatloaf was FAT, so was OZZY,etc...

      It's pure marketability

      --
      Do not look at laser with remaining good eye.
    34. Re:Musicians and Musicians by Paulrothrock · · Score: 1

      I think he classifies the "not real" as being the whores the RIAA decides are slutty enough to sell albums, and who have their songs written for them, and their voices altered digitally to stay on key. (Britney Spears)

      That's the difference between "real" and "fake" musicians: Talent

      But when some record producer creates a group, as they did with New Kids on the Block, the Backdoor Boys, and N*Stync, that's where fake musicians come from.

      Tom Petty Put it best: "Bring me a girl/they're always the best/you put 'em on stage and you have 'em undress/some angel whore who can learn a guitar lick/yeah, that's what I call music."

      Boycott the RIAA! And don't download music, that just gives them an excuse for why sales are slipping. (Entertainment's the only industry where if the product isn't selling they sue their customers.)

      --
      I'm in the hole of the broadband donut.
    35. Re:Musicians and Musicians by jimfrost · · Score: 1
      At the risk of redundancy, it's not theft, it's copyright infringement.

      "You can call a woman a kitten, but never a cat."

      In my mind, you're just arguing semantics with that statement, although I'm with you on all the rest of it.

      --
      jim frost
      jimf@frostbytes.com
    36. Re:Musicians and Musicians by Rogerborg · · Score: 1

      > How marketable do you imagine a 200 lb. Britney Spears would be?

      I dunno, but how long would it take her to lose that much weight?

      --
      If you were blocking sigs, you wouldn't have to read this.
    37. Re:Musicians and Musicians by TMLink · · Score: 1

      I think he's referring to the fact that a lot of pop artists don't actually write the songs they perform.

      --
      Every time a guy gets a threesome, somewhere in heaven an angel gets his wings. --Cary Tennis
    38. Re:Musicians and Musicians by joFFeman · · Score: 1

      i don't know what you're on about, but i listen to music because i like music, not because as a blubbering fanboy i want to be herded into a stadium full of likeminded sheep.

      --
      "Life is great; without it, you'd be dead." -Harmony Korine
    39. Re:Musicians and Musicians by Overly+Critical+Guy · · Score: 1

      Heaven forbid they want to get their music "noticed" by music fans while getting paid for it...

      You apparently think it's okay for people to steal music just because they notice it. It is irrational and immoral and clearly a justification you're making to curb the pang of guilt you feel for downloading. It's a common trend I see among downloaders. "Let's justify what we do for the greater good!"

      Meanwhile, you take artists' music and don't pay them for it. That means you're SCREWING THE ARTISTS.

      --
      "Sufferin' succotash."
    40. Re:Musicians and Musicians by Unknown+Lamer · · Score: 1
      Right, let's not forget that I found 99% of my (quite large) cd collection on the internet first, and then went out to buy the cd's. And it's not just me, many other people do it the same way.. They use P2P, download music from friends, etc.. and when they like it: they buy the cd's!

      Same here. Before I had a job, I downloaded a few songs here and there and just grabbed copies of my friends music. Now I spend an obscene amount of money on cds every year (I went from twenty albums a year ago to one hundred and thirty now with two on pre-order and three on the way from the Netherlands and I'm about to order ten more and ...). I love it how I now own all but one studio album (three if you count their live albums and their covers album) of Iced Earth because my friend Brent gave me a list of songs to download by them. Oh, and I did I mention how anti-filesharing Jon Schaeffer is (Iced Earth is Jon Schaeffer; it is his little pet project and there is a very high turnover rate for all the members except for him)?

      And you know what? I don't blame him. I didn't know he was until I actually purchased an Iced earth album (the two disc first pressing edition of Horrow Show with the Iron Maiden cover and interview on the second disc) where he says something about it in the interview on the second disc. I don't know anyone else who downloads music and then purchases it. Not a single person. So I think that you and I are a rare breed, in that we actually purchase music. I buy music because I like having a rack full of albums with liner notes and artwork and a disc with a lossless copy of the song on it. I also happen to listen to a lot of music that you just can't find on mainstream file sharing networks (the three albums being ordered from the Netherlands). A lot of my albums are out of print so I have to pay a fairly large amount to get them used. But I buy them because I love having that rack full of music.

      How many people really care about having the plastic cd case in front of them when all they really want to do is listen to the music? How many people care if there is a bit of distortion in the music they listen to?

      Not many.

      --

      HAL 7000, fewer features than the HAL 9000, but just as homicidal!
    41. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Blah.

      Blah.

      Blah.

      I would like to sample music. The radio does not play music to my tastes. Spending $20+ (CDN) on a CD does not constitute sampling to me. 3 listening stations at a CD store, all sampling new CD's they want to get off the shelves, does not constitute sampling to me.

      Am I justifying immoral and illegal deeds? Probably. Am I in the right? Probably not. I've also been brought up to believe in being a smart consumer. Not only that, but I am only capable of listening to about 3 hours of radio a week. Those 3 hours being the indy station, playing music that sure as hell is neither 'Classic Rock', Top 40, 'Easy Listening'.. Everything the other stations play. The 3 hours a week I hear are of songs I will never find in a mainstream CD store.

      For these reasons, I am NOT something the record companies want. They don't want smart consumers, they want people taking what their given and pretending they like it.

      Tell me, how can I be satisfied? I go to live shows. I buy CD's. Sure, I don't own every song I've downloaded. But I don't own every song I've ever heard on the radio, and I don't buy the advertised products.. So am I not SCREWING THE ARTISTS when I do that?

    42. Re:Musicians and Musicians by jimfrost · · Score: 1
      Record companies PAY big bucks to "Give" songs away for free. It is called RADIO. They do this because getting songs for free increases interest AND sells records.

      There are several very substantial differences between mp3 sharing and radio. For instance, radio broadcasts are ephemeral. The listener can't go back and listen to the song again unless they record it. And recording songs wholesale off the radio is difficult both because it must happen in realtime and because the music industry regulates preannouncement of tracks. Radio listening and recording is, therefore, not a significant loss of revenue for the music seller.

      Broadcast is traditional marketing, no question about it. You can argue, and I would agree, that P2P allows viral marketing that was difficult with old media, and I'll talk more about that in a minute. Regardless, the fact remains that there are people who are not treating mp3 file trading as a sampling system but as an acquisition system. And when it crosses that line it crosses over between beneficial to the artist to being detrimental.

      I am of the opinion that the people who have been doing this have had at best marginal impact on music sales, largely because the domain of people who can possibly download substantial quantities of music is quite small. It requires, for instance, a lot of bandwidth to download a single album in better than real time. Today that kind of bandwidth is still relatively rare, along the lines of 3% of the total population. As such, it's ridiculous for the RIAA to claim that downloading has killed sales to the tune of 10% or more; there just aren't enough people with the time and capability to download that much music to have that much effect.

      I'll not disagree that RIAA members are concerned with loss of control over music distribution, although I would be rather surprised if they were as worried about that as you might think. It's been the case for years and years that artists could make and distribute there own albums, even do so cheaply, and yet the music industry managed to survive. The fact of the matter is that the primary limitation of growth of an artist's market is not the distribution system but rather market awareness. It is the very rare case when viral marketing of the sort that P2P provides boosts an unknown artist to superstardom. I would be surprised if you could point out even one case of that ever happening, particularly since at some point the artist will have to get his stuff played on the radio, and in these days of Clear Channel this is an expensive proposition. There is, therefore, a natural limit to how far artists will be able to go without the help of a major label who can fund broadcast-based marketing.

      It's difficult to prove, but my opinion in the matter is that the only reason music sales fell by as little as they did in a tough economy, with tough competition from alternatives like DVDs, and with the industry raising prices in the face of those, is because MP3s have made music so much more accessible that many people have gone out and bought more. I know I have.

      But that's today. What if we extrapolate out what is likely to happen as broadband penetration increases to the saturation point? That small percentage of people who just go out and download whatever they want rather than buying it will almost certainly grow with it and become much more than a marginal impact.

      And that's what the RIAA has to be afraid of. It's not control of the artists because so long as they're a big money pool they will win the marketing game versus person-to-person marketing because broadcast is much more effective.

      It's not that downloading is costing them much in the way of money right now, no matter what they're saying in public. It's that if they don't slow down the leakage somehow it'll become a torrent as broadband penetration grows to the point where the average person can do this.

      That's not the RIAA talking, that's just a straightforward projec

      --
      jim frost
      jimf@frostbytes.com
    43. Re:Musicians and Musicians by Anonymous Coward · · Score: 0
      The musicians that you refer to have everything to GAIN from P2P file sharing
      Perhaps, but it is still THEIR right to decide whether or not they want to take advantage of the opportunity. Not yours.

      Any marketer will tell you that there are good reasons NOT to distribute your product at certain times. p2p piracy takes that control away from the copyright owner.

    44. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Doh! And I thought only hot blondes and guys with cool, highlighted hair could sing. The world as I know it is crumbling.

      Well, here's the problem - something like six billion people in the world. Plenty of people with talent. If you're selecting, as a record company, what "product" you'd rather sell, trying to become number one worldwide, would you choose someone who's hot, or someone who isn't, given the fact that they're both talented musicians?

      I thought so.

    45. Re:Musicians and Musicians by Anonymous Coward · · Score: 0
      But I don't own every song I've ever heard on the radio, and I don't buy the advertised products.. So am I not SCREWING THE ARTISTS when I do that?
      No. The artists get paid either way, via royalties paid by the radio station. The radio station gets paid either way, via advertising revenue. The only ones who have anything to lose are the people buying the ads, and they have no expectation in the first place that every single listener will buy their product.

      You really don't know much about anything, do you?

    46. Re:Musicians and Musicians by God!+Awful+2 · · Score: 1

      Releasing 5 of your songs as free mp3s in order to get some publicity is probably smart. Releasing all your songs for free forever is probably dumb.

      -a

    47. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      I have never used this log before, but after listening to the "musician" whine I have to say something. First of all, who told you that being a musician is a viable job? Lets get real, Im guessing your mommy and daddy didnt teach you as a little boy to grow up, have no job, no skills, no work ethics, and instead just write your "feelings" into music. Most musicians claim that they love to make music so they can share their feelings, but if that were the case they wouldnt mind being poor and definatley wouldnt want people to have to pay to hear those feelings. I put it in the same category of an elementary school teacher. They do it because they love it not because of the money, of course teahers atleast are working and doing something worthwhile. Most musicians and just too stupid to get a job and to "free spirited" to learn any skills. If I spent my whole life gambling that I would be a famous rich rock star and it never turned out I would atleast try to get some other skills and start working. So stop complaining about not being a rich rock star and get a job. Dont even tell me that you write music 40 hours a week.
      peace

    48. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      I just was reading this week, that Clear Channel actually charges the artists to play the songs on their stations!

      The nightclubs in Hollywood, actually charge the artists for playing in their clubs, and force the artists themselves to sell the tickets to cover the costs.

      Face it, Kazaa is the new radio. Pity the artist who *doesn't* have their music on K.

    49. Re:Musicians and Musicians by Laur · · Score: 1
      In my mind, you're just arguing semantics with that statement, although I'm with you on all the rest of it.

      Well to be blunt, it doesn't matter what's in your mind, only what's in US law, and US law believes that theft and copyright infringement are two very different things. The alleged downloaders have not been charged with stealing or theft, in fact they have not been charged with any crime at all. Instead they are being sued in civil court for the unauthorized distribution of copyrighted works.

      --
      When you lose something irreplaceable, you don't mourn for the thing you lost, you mourn for yourself. - Harpo Marx
    50. Re:Musicians and Musicians by WaysideWeasle · · Score: 1

      I seriously doubt any of the money makes it to the musicians...why? Money earned from record sales mostly goes to the record label anyway. Most artists are lucky to see $0.45 - $0.85 per album sold, and remember...that gets split usually at least 4-6 ways (depending on the number of members in the band. As a musician myself, I don't really have an issue with downloading music because I understand that it barely impacts the artist's bottom line in a negative manner. In fact, it may even help some artists make more money. Why? Artists make their money from the tours they do. Most people won't see a band they've never heard. If someone happens to hear an MP3 of a song playing and it catches their ear, they're likely to download more songs to see if they like the band. If they really like them, they are more often than not going to see them when they are in concert nearby (provided that the music listener is a concert-goer). You may wonder why so many artist's speak out against it if it really doesn't impact them that much. Recently, my band has undergone discussions with one of the major labels on a record deal. We've opted to turn it down as we got extremely lowballed, but that's besides the point. The point I was trying to make is that there is a provision in the contract that we were offered that required us to report any activity of illegal distribution of copyrighted materials as well as speak out against such illegal distribution. If the RIAA wants to secure their profits, they should really be spending more of their time figuring out an alternative means of acquiring said profits, or they need to figure out the best way to work with the existing technology to maintain their existing profit levels.

    51. Re:Musicians and Musicians by Yartrebo · · Score: 1

      Semantics are very important. Take the following example:

      There exists a planet with four nations, the Evil Dictatorship of Terrorism and Nasty Stuff, the Holy Alliance of the Forces of Good, Swampland, and the Axis of Evil. They are led by Satan, God, Hydra, and Devil respectively.

      At this point, which country is run by the good guys and which by the bad guys? Which countries are terrorist havens and which despise it? Let's describe them a bit more.

      In the Dictatorship of Terrorism, the citizens comes together ever 5 years to elect a new dictator, who dictates the wishes of the citizens, and if he fails to dictate their wishes, he can be recalled and replaced.

      In the Holy Alliance, God's will is expressed through a spiritual leader who is beholded only through God. Common people are to worship the enlightened leader and give 100% of their labor and blood to him, and based on God's will, they are either sent to war to spread his word, or build great palaces for their great leader. Religious facilities are located near natural resources, and belch smoke as if it were the dawn of the Industrial Revolution.

      Swampland consists of great plastic and composite cities stretching thousands of metres into the sky. The city is immaculate because of all the automatons which patrol the city cleaning litter. Their magnificent ruler, Hydra, has his name because the tradition in Swampland is to name things ugly names to avoid upsetting the gods, who can be very jealous.

      The Axis of Evil was formed in response to the Holy Alliance and Devil, their humble leader, was named in honor of Deviled Ham, the national food. Axis of Evil is the name given to them by the Holy Alliance. The local name is Erkania, which has no known meaning. After a ten year war with the Holy Alliance, known as the great war, a cease-fire was called, but massive forces remain on both sides of the border and the Holy Alliance is always provoking tensions. The Axis of Evil has been allied with the Dictatorship of Terrorism since the great war.

      Now, what countries are good and bad. Semantics are VERY important indeed.

    52. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Hey yeah, he could be your boss!

    53. Re:Musicians and Musicians by MooCows · · Score: 1

      Good post, but it's not the same for me.

      I've got 3 friends listening to the same music as I do, and I occasionally send them some music I discover here and there. (oops, should've posted anonymous)
      And all 3 of them have bought quite a lot of albums by the artists of the music I sent them.

      So, the RIAA and the like (although all music I sent them is not even RIAA-owned) would like to have my head on a platter .. while in fact I am responsible for more CD sales.

      --
      The path I walk alone is endlessly long.
      30 minutes by bike, 15 by bus.
    54. Re:Musicians and Musicians by Mr+Guy · · Score: 1

      RIAA artists are not P. Diddy

      If by that you mean smart enough to make his money of advertising and making his own record label instead of getting shafted by a different one, I agree entirely.

      I'm not real shocked most musicians have a terrible head for business. Isn't that why they are musicians?

    55. Re:Musicians and Musicians by cpt+kangarooski · · Score: 1

      So? The public gets to decide what the copyright holder gets to control in the first place. We can take away their ability to stop P2P sharing if we want to. Fundementally, it's our right to decide whether or not we want to take advantage of the opportunity; it's not as though authors magically have a copyright in their works regardless of the law. They only have what we give them.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    56. Re:Musicians and Musicians by Quikah · · Score: 1

      An artist that signs a crappy contract deserves whatever they get.

      --
      Q.
    57. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Forest, trees. You percieve one without the other. What if I took 'radio' out and put in 'internet radio'? What if I took out 'listen to' and put in 'save stream to disk'?

      Maybe you need to actually evaluate the argument that is made on the whole, instead of tearing apart the one logical fallacy?

      You really think you know everything, don't you?

    58. Re:Musicians and Musicians by basil+montreal · · Score: 1
      "For those musicians who are original and are making what I like to call "real music", it would be nice to have a little extra money to get their music out to the public"
      As you stated, the music industry is set up so that the musicians who "sell out" and make sexy over-produced bland music for the masses are the ones who get the sliver of the earnings from record sales. People who make the "real music" don't get anything from the industry.

      I would support struggling artists by using a pay for play site or going to their concerts, but I will never stop downloading the music for free off the internet before I decide if I want to pay for the real thing.
    59. Re:Musicians and Musicians by akpcep · · Score: 0

      Incredibly predictable.

      --
      Hmmm.
    60. Re:Musicians and Musicians by Anonymous Coward · · Score: 0

      Semantics it is, but the real difference is the punishment inflicted due to the two different legal definitions. For commiting a theft, a court can fine or jail a person in accordance with the value of the stolen items and/or the number of prior offenses. A punishment for the theft of a cd, for example, would be very small for a first time offender. For an act of copyright infringement such as downloading an entire album, the wronged party can sue the offending individual for amounts of money many times the amount that would be fined in a criminal case.

      So, while Joe Shoplifter might be let off if he shows remorse, Bob Datathief would almost inevitably be slammed with thousands of dollars worth of settlement.

    61. Re:Musicians and Musicians by butane_bob2003 · · Score: 1

      As a business, a label has to see it's artists as a product. If an artist doesnt have a certain charisma or display a lasting talent that can be utilized at the label's whim, the artist does not make a good product. If you look at all the top artists at the major labels, these are all highly motivated, talented (though not always musically), and dedicated individuals. The music itself only sells to music afficianados. Remember that people with 'taste' account for a small fraction of the population. This small fraction is not concerned entirely with the sex appeal of their favorite artist, they are interested mostly in the sound of the artist's music and the way it makes them feel. The majority of consumers are less concerned with the music and more interested in the image that listening or being seen listening to that music projects upon them. That is what sells the most, the artist's sex appeal and allowing the consumer absorb some of that appeal by being associated with the music.

      There will always be the small percentage of filthy rich superstars out there, a somewhat less small percentage of successful middle ground artists, and a large percentage of ametuers. Hopefully, techology will provide a ballast to even out some of these percentages.

      --


      TallGreen CMS hosting
    62. Re:Musicians and Musicians by CaptKilljoy · · Score: 1
      1. At the risk of redundancy, it's not theft, it's copyright infringement.

      I'm so tired of hearing this. Technically it's true, but is there anyone here that can envision saying this in front of a judge and 12 jurors and not actually *losing* credibility? You'll[1] still know that it's illegal (note I didn't say immoral), they'll still know it's illegal, and they might even throw the book at you a bit harder for attempting to obfuscate the issue.

      [1] "you" in the generic sense, not specifically referring to the parent poster.

    63. Re:Musicians and Musicians by Alsee · · Score: 1

      saying this in front of a judge and 12 jurors and not actually *losing* credibility?

      If I were on the jury any lawyer who can't keep his legal terms straight would lose credibility. The Supreme Court has explicitly said "interference with copyright does not easily equate with theft."(DOWLING v. UNITED STATES).

      If you were a juror in a SLANDER case, what would you think of a lawer who said "theft" when he should be saying "slander"?

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    64. Re:Musicians and Musicians by MMaestro · · Score: 1
      'When you've got people out there sharing tens of thousands of songs it's hard for me to see that as anything but a big rip-off and very hard for me to see why the RIAA should leave them alone.'

      Compared to the SHEER number of CDs that get sold containing those songs, about what percentage do you think the downloaded songs represent? In the eyes "Mikey the Musician", letting five people download his song(s) to sell one is great. Especially if those five people live, I donno maybe, -halfway across the country-! When people talk about gaming warez, where do you look? China and Hong Kong. How long does it take for games to reach there? 6 months-to-NEVER.

    65. Re:Musicians and Musicians by Unknown+Lamer · · Score: 1

      Actually, my situation is fairly similar. Except that it wasn't I who did the discovering before and now it is. Mostly because all of my friends stopped working when we started college and I didn't. So now I'm the only one with any money to blow on cds. I've been buying all of the stuff that my friend Mike gave me a few years back lately because I really liked it and haven't listened to that stuff in a long time (I just got all of The Dillinger Escape Plan's and Strapping Young Lad's stuff yesterday). There is also my friend Ray who has lent me an album or two (ack, I just realized that the Walls of Jericho album he lent me two years ago is still sitting on top of my computer where I laid it the day he let me borrow it!) and has recommended a lot of bands to me (he listens to Grindcore and stuff, Mike used to listen to Death Metal and now listens to Melodic Power Metal [wtf?]). And there is Brent, who told me about Iced Earth (he is a bit obsessed with them), which led to me discovering Blind Guardian (my favorite band of all time! Hooray for Brent). My High School days of sharing music with my friends were great.

      Mike and I still exchange music a lot, which tends to result in my deleting the stuff because it sucks :). I do let my jobless friend Greg copy my music...I just got fifteen albums so I'm going to his house Monday. He gets to copy them off of my slow USB 1.1 Neuros which means I get to talk to his cute sister for a while...(the only real reason I am going there :-P ). I just got an email from Century Media that they are knocking 20% off of all their cd prices tonight...so I'm going to finish out my Iced Earth collection and grab some other stuff from them now.

      All because I am a music addict.

      --

      HAL 7000, fewer features than the HAL 9000, but just as homicidal!
    66. Re:Musicians and Musicians by jimfrost · · Score: 1
      In the eyes "Mikey the Musician", letting five people download his song(s) to sell one is great. Especially if those five people live, I donno maybe, -halfway across the country-!

      If the musician wants people to do it, that's one thing. Many do; remember Janis Ian? She's using this as a marketing system, and it's apparently working very well for her (album sales up 300% or so last I heard).

      But there is a big difference between the musician giving you permission to hand these things out as a marketing campaign and, say, me putting my entire 700 album collection spanning 500 artists online for everyone to just take as they please.

      Isn't there?

      I concur that there are some cases where illegally copying the stuff is the only way you're going to get it. The only time I've ever used Napster or Kazaa, for instance, was to try to locate a copy of Weird Al Yankovitch's _Peter and the Wolf_ which has been off the market for more than a decade. I've offered up to $80 for a legal copy of this disc and still been unable to buy it. If they refuse to sell it to me I don't have a whole lot of problem with copying it illegally. (Not that it helped, I couldn't find more than one track of that CD even using Kazaa, so I gave up and my whole MP3 collection is still legal.)

      But hey, if you go look at what people are really downloading lots of, and who is downloading it, by and large you're talking popular music and urban US residents. In other words, songs that these people could get easily even if we ignore internet retailers like Amazon. It's not some guy in Idaho trying to download songs by Francine! (Local Boston band, check 'em out.)

      Still, as I said elsewhere, the number of people doing wholesale downloading is pretty small at the moment, largely because those with the time and bandwidth to do it are an exceedingly small part of the population. It doesn't make it right, though, and I still fail to see why these people ought to be immune to prosecution. What they're doing is illegal after all.

      --
      jim frost
      jimf@frostbytes.com
    67. Re:Musicians and Musicians by arothmanmusic · · Score: 1

      P2P doesn't work as a promotional tool. When was the last time you used a P2P system to download a song you'd never heard of by a totally unknown artist? P2P systems allow people to download songs they already know, but they are in no way a good method of promoting indie content to new listeners. Indies have to self-promote to get any notice at all, and when most cities have very little non-corporate radio, it's almost impossible to get heard. And if you have a hundred fans who like your stuff, convincing them to buy a CD when they're so used to stealing all of their music online is a losing proposition. Trust me, I know. If the RIAA wants to do something positive, they should give up on copy-protection schemes and find an incentive for people to buy legit CDs. They should have serials for music discs just like software, and offer discounts, tickets, merchandise, online chats, etc. to people who buy the discs. You can't stop people from pirating, but you can encourage them not to. Drew

  9. Re:Where's the Government? Our elected officials? by GrenDel+Fuego · · Score: 5, Informative

    Isn't it just as obvious that 20 corporate lawyers against a single public defender simply ISN'T fair?

    Public Defender?

    I believe these are civil cases, not criminal, so I'm not certain that public defenders are even provided. If you don't have the money for a lawyer, good luck.

  10. Justice != According to law by AftanGustur · · Score: 4, Insightful


    That's why some people refer to the US "Legal system" instead of "Justice System".

    I'm not claiming that you have the right to make copies of things you buy, or listen to your music where you want, or go to the toilet during commercials ... Uhh, wait a minute, there is something clearly wrong here ..

    --
    echo '[q]sa[ln0=aln80~Psnlbx]16isb572CCB9AE9DB03273snlbxq' |dc
    1. Re:Justice != According to law by kmonsen · · Score: 1

      If all of us get involved in politics it can be a justice system instead of a legal system.
      This is how democracy works, if you are not voting you should not complain.

    2. Re:Justice != According to law by Anonymous Coward · · Score: 0

      I vote... but it sure is hard when there isn't once choice on the ballot who has a snowball's chance in hell of winning who also would agree with me on every issue.

    3. Re:Justice != According to law by Anonymous Coward · · Score: 0

      Anymore, you could just sum it up to just the four choices

      The Democratic Party like to give everything away, have tons of government programs and thinks everyone should be allowed to do whatever they want unless it's not politically correct.

      The Republican Party wants to give nothing away along with no government programs unless it benefits the rich and thinks only the rich should be allowed to do whatever they want and the poor should be allowed next to nothing.

      The Libertarian Party wants nothing given out at all, no government programs at all, everyone should be allowed to do whatever they want, in other words to them it's a Dog-Eat-Dog world where only fittest should survive.

      The Green Party wants to give everything away and have tons of government programs, but thinks that nobody should be allowed to do whatever they want.

      So, there you have it, these are the choices on the ballot "no wonder no-one wants to vote anymore"

  11. Has anyone else noticed... by Pingular · · Score: 5, Insightful

    that on the RIAA website the WHOLE of the front page (latest news) is covered with information about the court cases etc, they even have a complete Piracy Section, it makes me wonder how they're helping artists when all they're doing is sueing the people who (might) buy their albums. Surely they shouldn't be doing stuff like helping young artists find work?

    --

    When anger rises, think of the consequences.
    Confucius (551 BC - 479 BC)
    1. Re:Has anyone else noticed... by pvt_medic · · Score: 1

      And of course you know that none of the money from the lawsuits actually go to the musicians, it goes into their pockets. So all those ad we saw back (yes i know they were for the MPAA) of people who get hurt by piracy... are still hurting. None of the money from the lawsuits goes to them.

      --
      30% Troll, 50% Underrated, 10% Interesting
      Score:5, Troll
    2. Re:Has anyone else noticed... by M4chiavelli · · Score: 1

      and that the RIAA says they lose $4.2 billion to piracy worldwide here and $300 million domestically over here. Seems to me they might stand to gain more if they went after their non-domestic "pirates." (Real live pirates on the high seas maybe?)

    3. Re:Has anyone else noticed... by onthefenceman · · Score: 1

      This reminds me a bit of the "technology" corporations that file patents that they never intend to take advantage of, only to sue the hell out of anyone that comes within reach of said patent. Maybe the RIAA will eventually do the same thing - Not producing good music, only to sue anyone who wants to....Oh wait, nevermind.

      --
      Have you seen my stapler?
    4. Re:Has anyone else noticed... by Anonymous Coward · · Score: 0

      I noted with interest that the reviews of Dido's new album on AmazonUK had about a third of the 'reviews' stating that they wouldn't buy a copy protected album. Sad to see later that Amazon had removed most of those 'reviews'.

    5. Re:Has anyone else noticed... by serutan · · Score: 1

      Their job isn't to help young artists find work. Their job is to find young artists whose music is similar to what's already proven successful, and who want fame badly enough to sign away all their rights so the record company can make a lot of money.

    6. Re:Has anyone else noticed... by Shakrai · · Score: 1
      And of course you know that none of the money from the lawsuits actually go to the musicians, it goes into their pockets

      Actually I'd suspect it's all going into the pockets of the lawyers. This is probably a losing (or at best zero-sum) game for them. They are hoping to scare people off the P2P networks. And it's working. Are you going to share your 1,000 mp3s with the world knowing that you might get sued?

      --
      I want peace on earth and goodwill toward man.
      We are the United States Government! We don't do that sort of thing.
  12. That explains.... by LittleGuy · · Score: 1, Funny

    ... the slightly-used "Mission Accomplished!" banner hanging outside his office.

    --
    Mod Karma -1: I sed bad wurds. If I cep my mouf shut, I wud be at riyses.
  13. Follow the money by DjMd · · Score: 4, Insightful

    CowboyNeal wrote "It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve."

    I would have a lot less problem paying for music and even paying in these settlements, but you know damn well that the artists aren't even going to see 1 cent on the dollar... This is just going to pay record companies.
    More likely right into Cary Sherman's pocket...

    --
    DJMD - The fourth man - Planetary
    1. Re:Follow the money by kmonsen · · Score: 1

      Then buy music from different labels.

    2. Re:Follow the money by Yawgm8th · · Score: 1

      I serriously doubt the money they are collecting from people amounts to very much. It might pay a fraction of what it cost to spend time searching for the people in the first place.

      --
      do unto others as you would have them do unto you
  14. Stealing music is still stealing by kmonsen · · Score: 1, Flamebait

    Although I am in no way defending the lawsuits, stealing music is still stealing. It is bad karma and not something we should aprove of. If you want the music pay the price, if not look elsewhere.

    1. Re:Stealing music is still stealing by atcdevil · · Score: 0

      Heh wow... someone doesn't agree with the rest of the crowd and it's flamebait. Interesting system here on slashdot...

    2. Re:Stealing music is still stealing by Corpsesarecute · · Score: 1

      The beauty of P2P (or what the beauty should be... stupid RIAA and indutry labels for not catching on) is that it provides a capitalistic option to going through the labels for music. The labels need to realize that by charging so much for such a crappy album with maybe, if you're lucky, a handful of good songs is counter productive and causing the whole problem to begin with. If not for absurd prices, I know I myself would buy more actual physical music instead of stealing the absurd ammount that I do. I consider myself a generally moral person and if the labels want me to buy their product, they have to make it affordable for me, and the rest of poor college-ish America that they so desperately target yet so thoroughly exclude from participation through absurdly inflated prices, then they need to cath on and lower prices. Hey RIAA and industry labels: Welcome to America and capitalism. Sure suks that we're now the ones screw you, huh?

    3. Re:Stealing music is still stealing by kmonsen · · Score: 1

      But that is their choice. If you are taking their music and sharing/downloading it, then you are stealing (sorry, copyright infringing).

      How hard is it to just stay away from the music they provide?

    4. Re:Stealing music is still stealing by gl4ss · · Score: 1

      well.. i'd think that just few of those people who riaa sued had been going to the music store and shoplifting the cd's.

      which would be 'stealing'. ..

      riaa wouldn't care about that though, since they already got their cut. what riaa is doing is that they're showing shoplifting more preferable than breach of copyright.

      also that most people are willing to settle doesn't really prove anything except than that the legal system is broken.

      --
      world was created 5 seconds before this post as it is.
    5. Re:Stealing music is still stealing by Anonymous Coward · · Score: 0

      No one is stealing music. They are downloading (perhaps illegal, depend on the country) copies of music. Get it straight.

      I'll bet the next thing you're gonna tell me, is that EULAs are actuallt enforceable... LOL

    6. Re:Stealing music is still stealing by Anonymous Coward · · Score: 0

      Yes - If I go into a store, put a CD in my pocket, and walk out without paying for it, its stealing. Or when all those people (YOU KNOW WHO YOU ARE) walked into my dorm room and left with CD's in their pocket, that was stealing. And stealing is bad.

      BUT DOWNLOADING AN MP3 IS FAIR USE!! AND FUCK YOU FOR SAYING OTHERWISE SCUMBAG APOLOGIST!

    7. Re:Stealing music is still stealing by squiggleslash · · Score: 1
      The beauty of P2P (or what the beauty should be... stupid RIAA and indutry labels for not catching on) is that it provides a capitalistic option to going through the labels for music.
      No it doesn't. There's nothing capitalist about filesharing (nothing communist either.) Capitalism is about using investment to build enterprises, there's nothing in filesharing that's about anything like that.

      Please, stop using capitalism as a synonym for "freedom" or whatever the hell certain people keep using it as. It's almost as bad as "Consumer" being used in place of "Citizen".

      --
      You are not alone. This is not normal. None of this is normal.
    8. Re:Stealing music is still stealing by ThePorkHawke · · Score: 0, Offtopic
      I'm sorry, but why the fuck is the parent modded as flamebait?

      Its simply fact.

      You can bitch about how the record companies charge too much, aren't embracing technology, are taking a draconian stance on P2P, etc. And you would be right on all counts. However, copyright infringement is illegal and you do not have a right to share music.

      I think it is foolish of the RIAA to take the stance they have, I think it will hurt them in the lond run, but it is their decision.

      If music is too expensive for you, don't buy it. If you can afford it and think it is worth it, buy it. What the hell is so difficult about this?

    9. Re:Stealing music is still stealing by blitziod · · Score: 1

      Copying music is not theft of the music. It would be theft of the price of the CD, if you where gonna buy it anyway. But in most cases that is simply not true( with music anyway...it is often true with software). Copying DOES however dilute the value of the copyrighted article. So it does technicly take "money" away from the record industry. This is more like vandalism than theft however. The other issue is that file trading in MANY cases has been proven to , at the same time, increase sales of music( thus increasing marketablity thus increasing value) at the same time it "dilutes" the copyright if said music. So while you may be robbing peter, you are paying paul( perhaps much more than you took from peter). This makes copying music like vandelism by piccasso painting on my walls.

      --
      The only way to bust a doper--is when you yourself become a smoker!
    10. Re:Stealing music is still stealing by Anonymous Coward · · Score: 0

      Because copyright infringement is not stealing. Stealing is a concrete concept. If you have two rocks, and I take one rock without your permission, I've stolen a rock. Copyright infringement is much more abstract and arbitrary.

    11. Re:Stealing music is still stealing by Trillian_1138 · · Score: 4, Insightful

      Like many of those on SlashDot, I'm one of those anal people who gets annoyed because calling copyright infringment 'piracy' or 'theft' is factually incorrect. It's obviously not a bunch of people sailing around in three-masted ships yelling, "Arrrgh!"

      Likewise, 'theft' is a very specific action by which you deprive the origonal owner of the use an object. If I take your book (or digital camera, or actually break into your house and steal your computer) you can no longer use it. I've taken something specific from you and the only way you can recover the object is to get it back from me.

      On the other hand, with copyright infringment, my downloading an MP3 or movie or piece of software does not deprive anyone else of its use. By saying 'theft,' the movie industry, record industry, and software companies are trying to convince you that downloading a piece of software, say Windows XP, that costs $200 at Best Buy is the same as breaking into Microsofts vault and physically stealing $200.

      But it's not.

      That isn't to say it's not morally wrong. You need to decide that for yourself. And it's undeniably illegal. No one is trying to argue that. (Although you could make an argument that the punishment the RIAA is attempting to extract is grossly out of proportion to the crime. And many people _are_ arguing that.)

      But by downloading software or MP3s or movies or whatever, you're not depriving anyone else from the ability to watch that movie, play that song, or use that software. That's why digital information is so complicated. Because you can copy it, with very little difficulty, and without depriving anyone else of its use. By downloading "American Beauty" to my computer, I haven't prevented anyone else from watching it.

      And, arguably, I haven't cost the movie industry anything.

      See, the argument they ("they" being the movie industry, MPAA, record industry, RIAA, and various software companies like Microsoft) are trying to put forth is that for every piece of software or music or movie downloaded, that's a literal sale that they have lost. But I was never going to buy "American Beauty." If I hadn't been able to download it, I would have just settled for not having it. They've lost exactly no money by me downloading it.

      Yes, there are people who WOULD have gone to buy the movie if they had no other option, and would have gone to buy the CD if they had no other option, and are now happily downloading stuff from KaZaA. They constitute the "lost sales" the RIAA keeps whining about.

      But maybe the RIAA/MPAA/software company/etc/etc should be doing a little more to keep their customers (better products? lower prices? But that would be UNAMERICAN!!) rather than attempting to sue them into oblivion.

      This is my personal justification, and you're welcome to agree with it or not. But the numbers simply don't support what "They" are saying: that "piracy" is costing the RIAA/MPAA/software industry billions of dollars a year.

      For example, record sales are down. You can look at the many stats the RIAA releases and see this.

      The RIAA would have you beleive it's because of the "horrors of piracy." But might it be because the economy as a whole is doing poorly? So people are less likely to buy entertainment? Or maybe CD prices (on average, as there are some exceptions) went up again? Or maybe it's just because the RIAA keeps putting out crappy music that no one wants to listen to?

      No. It's obviously "piracy."

      So copyright infringment is still illegal. I've broken the law by downloading "American Beauty." But whether or not it's morally wrong is for the downloader to decide for themself.

      Forgive me for ranting, and feel free to post a response in which you disagree. I know I'm taking a radical position here, and one a lot of people in "the real world" (i.e. outside of slashdot) don't agree with. But by calling copyright infrigment 'piracy' or 'theft,' you're buying into the idea that downloading an MP3 is worse than it really is. Th

    12. Re:Stealing music is still stealing by Anonymous Coward · · Score: 0

      "If not for absurd prices, I know I myself would buy more actual cars instead of stealing the absurd ammount that I do. I consider myself a generally moral person and if the car makers want me to buy their product, they have to make it affordable for me, and the rest of poor college-ish America that they so desperately target yet so thoroughly exclude from participation through absurdly inflated prices, then they need to cath on and lower prices. "

      Any second thoughts on your statements now?

    13. Re:Stealing music is still stealing by kmonsen · · Score: 1

      I used stealing since it is shorter. When you break laws you break them, don't come here with moral justification.

      What if I decide killing Bush is not immoral? Or you?

    14. Re:Stealing music is still stealing by Anonymous Coward · · Score: 0

      So you disagree that you have a duty to violate immoral laws? So if you lived during the Civil Rights movement (or anything else where unjust laws where used to control protest and dissent, I'm not trying to use that movement to get a racial tone in my post) you wouldn't violate the myriad of laws aiming to keep opression alive in the south?

      I personally believe that every citizen of this country has a duty to break immoral laws. They also then have a duty to accept the punishment for them, but public awareness about immoral laws is much more important than any one citizen. You just have to judge whether or not you think this issue is worth the possible massive fines and ruining of your financial life.

    15. Re:Stealing music is still stealing by kmonsen · · Score: 1
      I think that as long as you are living in a democracy or a capitalistic system you should fight back that way.

      Fight for you politicians, don't buy thing from corporations you don't like. If downloading music is you political statement I think there are better causes out there.

    16. Re:Stealing music is still stealing by trudyscousin · · Score: 1

      If I download music outside of authorized channels, no theft has been committed, yet a potential sale has been lost. And let's not cloud matters with the question of who gets paid. Someone gets paid. Sometimes it's Lars; sometimes it's the executives.

      Given all this, if I download anyway, there's really only one way to explain my actions. Say it with me:

      I.
      Don't.
      Care.

      Entire essays have been written trying to get a handle on this conflict, and there are a few who could possibly write a book. But isn't this what it's really all about? In which case, all those essayists and book writers haven't even begun to address the underlying issues.

      --
      Those who can, do. Those who can't, write technology blogs.
    17. Re:Stealing music is still stealing by Trillian_1138 · · Score: 1

      I really wish I could mod the above post up, even though I origonated this thread and even though trudyscousin seems to disagree with me.

      It's a viepoint I had honestly never thought of before:

      "I.
      Don't.
      Care."

      My initial reaction is, "But of course I do!" And, to some extent, that's true. I acknowledge my origonal post for what it was, a justification for breaking the law, but I was telling the truth. I honestly don't download software/music/movies that I would buy. There are bands (They Might Be Giants and Moxy Fruvous come to mind as two specific examples) I discovered through someone suggesting a song, and me going to KaZaA to download a couple titles. Since then, I've bought a number of their albums. Likewise, I don't download videogames, because I would go out and purchase them. So I do.

      So sometimes I _DO_ care. In situations where I do want to support the artist/developer/studio/whatever. But I'm forced to admit your right. In the rest of the cases, I really don't care. I'd like to be able to modify that with, "I don't care because...." and I guess I can. I don't care because, from my personal viewpoint, they're not losing money through my illegal download.

      But the sentence still beings "I don't care."

      Honestly something I hadn't though about before, and am kind of ashamed to admit.

      -Trillian

    18. Re:Stealing music is still stealing by ex-songwriter · · Score: 0

      I know how you feel. I don't care either. As a songwriter who earns money from royalties, I too, don't care about anyone else's ability to earn a living. So I don't care when IT jobs get offshored, for instance. Because I know that it is incumbent upon IT workers to adapt to this new business model. It's just the way it is--the market has spoken. But actually, I do care. Because some of my friends are IT workers, and I like them, and they contribute to my city, and the general welfare of the economy and my society. Plus, I think what they contribute is worthwhile. I only wish people on slashdot felt that way about music and musicians.

    19. Re:Stealing music is still stealing by shark72 · · Score: 1

      "The RIAA would have you beleive it's because of the "horrors of piracy." But might it be because the economy as a whole is doing poorly? So people are less likely to buy entertainment?"

      That's probably part of it, but CD sales have declined at a much steeper rate than most other forms of entertainment (movies, amusement parks, cock fights, etc). You're correct that the weak economy may be driving more people to Kazaa than might have gone there if there were more money to go around, but a poor economy doesn't make copyright violation different from a moral perspective.

      "Or maybe CD prices (on average, as there are some exceptions) went up again?"

      Doubtful. Music is about as cheap as it's ever been when inflation is taken to account. Sure, it was great back in 1984 when I was able to get LPs on sale for $9.99, but that's $17.32 in 2002 dollars. I can go to Best Buy today and buy CDs on sale for $12.99.

      "Or maybe it's just because the RIAA keeps putting out crappy music that no one wants to listen to?"

      The RIAA is a trade group representing the interests of record companies. Any record company is free to join the RIAA, regardless of if they specialize in good music, or crappy music.

      Either way, this is another "nostalgia ain't what it used to be" issue like the issue of CD prices. The quality-to-crap ratio has always been low. We tend to forget this: when we think of the 70's we might recall "Dark Side of the Moon" or "The Long Run" and wonder out loud how music has gotten so bad lately, but there was a lot of crappy music foisted upon us by the big record labels, even back then. We've just forgotten it.

      --
      Sitting in my day care, the art is decopainted.
    20. Re:Stealing music is still stealing by Anonymous Coward · · Score: 0
      Either way, this is another "nostalgia ain't what it used to be" issue like the issue of CD prices. The quality-to-crap ratio has always been low. We tend to forget this: when we think of the 70's we might recall "Dark Side of the Moon" or "The Long Run" and wonder out loud how music has gotten so bad lately, but there was a lot of crappy music foisted upon us by the big record labels, even back then. We've just forgotten it.

      The difference is that back then we had more than two radio stations (ClearChannel and Infinity can suck my colostomy bag) and were exposed to a variety of songs and could pick the diamonds from the rough.
  15. The "message" by heironymouscoward · · Score: 5, Insightful

    Is bullshit. Digital media have cut the legs away from traditional music distribution, and the RIAA are just trying to stop the sea from rising. They could sue the entire populace, it will change nothing.

    Music - like technology, writing, science - represents human heritage and human culture and the era where small groups control access to this for commercial gain is over, finished, and now it's just time to bury the stinking corpse and go for a real party.

    There are so many good ways of rewarding creative effort, it's a pollution of the concept of "art" to pretend that money is all that matters. Luckily, almost no-one is fooled.

    --
    Ceci n'est pas une signature
    1. Re:The "message" by Pooh22 · · Score: 1

      This is the most insightful message I've read in a long while!

      And I just my moderation points 5 min. ago :-(

      life sucks ;-)

    2. Re:The "message" by dr_dank · · Score: 4, Insightful

      Digital media have cut the legs away from traditional music distribution, and the RIAA are just trying to stop the sea from rising.

      I see this argument time and time again and I'd like to put this forth for the sake of being the devils advocate:

      When has the RIAA clamped down on the distribution of independent music? All of these lawsuits have to do with the unauthorized copying of their works. To my knowledge, no one has been sued for sharing their local garage band demo.

      The word "monopoly" is floated around here a lot in regard to the RIAA, but their monopoly is only on popular music. There are tons of music, free for the taking (in fact, being encouraged to be downloaded and shared) without having to pay into their game.

      --
      Where does the school board find them and why do they keep sending them to ME?
    3. Re:The "message" by blitziod · · Score: 1

      That is not true. Just ask anyone in internet radio. Even non member bands are "considered" ,for legal and royalty purposes, to be RIAA members. This is part of US law.

      --
      The only way to bust a doper--is when you yourself become a smoker!
    4. Re:The "message" by heironymouscoward · · Score: 1

      Indeed, the RIAA has been granted what amounts to a legal monopoly on the taxing of musical distribution via modern media. Underground garage bands can ignore the RIAA so long as they don't try to broadcast their music.

      It's not only the US - in many European countries there are similar organizations that claim they collect money for artists but in fact are just glorified tax collectors.

      --
      Ceci n'est pas une signature
    5. Re:The "message" by 87C751 · · Score: 1
      To my knowledge, no one has been sued for sharing their local garage band demo.
      Perhaps you missed the point. Along with the inordinate monetary amounts, the RIAA has pursued injunctions that prevent the lawsuit victims from sharing music. Any music.

      They're using their own IP as a stalking horse to dismantle sharing in general. That's the only way their artificial-scarcity-based control of the market can survive. RIAA can suffer the odd indy label here and there, because RIAA controls the largest retail outlets to the point where these indies can never hope to achieve the retail penetration of the 'mainstream'. But peer sharing is outside their control.

      It's not just that they want to make money off the music they "own". They want to "own" all music.

      --
      Mail? Put "slashdot" in the subject to pass the spam filters.
    6. Re:The "message" by shark72 · · Score: 1

      "That is not true. Just ask anyone in internet radio. Even non member bands are "considered" ,for legal and royalty purposes, to be RIAA members. This is part of US law."

      Do you have a citation for this? I've read Title 17 many times and have never seen "RIAA" mentioned.

      --
      Sitting in my day care, the art is decopainted.
    7. Re:The "message" by Alsee · · Score: 1

      I've read Title 17 many times and have never seen "RIAA" mentioned.

      It is the C.A.R.P. process. By default everything is covered, and it is overwhelmingly dominated by the RIAA. It is possible for a independants to go through the process, but the time and legal costs would be prohibitive, and he would have essentially zero impact.

      The RIAA is currently being sued by an internet radio group (many memebrs who only play independant artists). It's bad enough that the RIAA lobbied to buy the law they wanted, but then they abused the process created by that law to crush internet radio that plays independant artists. The RIAA made a deal with a few "majors", in that deal the RIAA gave up hundreds of thousands of dollars the law said they were entitled to. In exchange the RIAA got oppressive minimum fees. According to the CARP law this deal is binding on all internet radio. The oppressive minimum fees wipe out the "small" internet radios that play independants.

      I've read Title 17 many times

      Chaper 8. The law sets oppressive documentation burdens, but the nastiest stuff is hidden outside the text of the law itself. The law creates a CARP panel that sets rules, and the law also states that private deals are binding on everyone. The RIAA's manipulations would be most impressive if they weren't so malicious.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  16. Re:Where's the Government? Our elected officials? by shaitand · · Score: 3, Insightful

    Congratulations, you've finally woken up to the reality of te broken existance that has been in place in this country for the 22yrs I've been around and continues growing worse.

    Don't cry to the polititions, they are mere puppets for the corporations.

  17. Re:Ridiculous ... by bitchx · · Score: 1

    All nusicians that lose revenue to Kazza are rich. Look at the sharing lists of people who they go after. Do you see any little indi artists there?

    --

    I'm the best IRC client ever.
  18. Old School by SamDirty · · Score: 2, Insightful

    I still say that I won't buy any more music until I can DL it directly from a musician's site and know that they are collecting the money, not thier pimp. I have no problem paying for talent, but I do have a problem paying a promoter. Why don't more artists try to distribute music this way? Until that day comes I will just dust off the tape recorder and rip from the radio, old school. XM + Recorder = Mad beats.

    1. Re:Old School by Anonymous Coward · · Score: 0

      It's not really your problem to have. If the musicians you respect have no problem paying a promoter, what business is it of yours?

      I suppose when you eat out you demand to pay the farmers that grew the food and refuse to pay the middle men?

    2. Re:Old School by Corpsesarecute · · Score: 1

      Hrm. Perhaps we should ask all the artists? I garuntee all the ones that aren't on TRL every damned day of the week would like this idea if they weren't bound by a contract they were shafted by when they were young and naieve. It all comes back to the fact that the RIAA and the so called pimps are screwing not only the consumer, but also the artists. Let's hope this digital age can lead to the fall of these slave driving giants.

    3. Re:Old School by SamDirty · · Score: 2, Insightful

      Good point. I just hate seeing these stories, knowing that the artists everyone is talking about, will never see any of this money. My actual solution to this problem was to quit buying CD's and also uninstalling Kazaa. It just ended up being more money for beer.

    4. Re:Old School by vertijoe · · Score: 1

      Check out cdbaby.com. They are a warehouse website that distributes for independent musicians. I think they take 20%, and the rest goes directly into the musicians pocket. While 20% sounds like a lot of money, it's nothing compared to the typical "record deal".

  19. Re:Ridiculous ... by tbase · · Score: 4, Interesting

    Do you think being represented by an organization that puts millions into suing your customers on your behalf is going to help you get rich? Most struggling musicians I know embrace file trading as a way to get their music out there. If the RIAA succeeded in shutting down open p2p programs and scaring people away from downloading free music, the smaller musicians without big label backing would have a harder time getting the music out, just like they have a harder time getting it out on Internet and commercial radio stations since we've legislated our way out of choice and diversity. There's hardly any small stations online or on the air that you can actually go knock on a door and talk to someone about playing your music. It's not about all musicians being rich- it's about the RIAA only representing the outdated distribution channel, which only benefits the richest artists, if any. Even the "rich" ones aren't always rich - ever wonder how many of those Hummers, Jets and Mansions are either owned by the record label or a bank? By the time the artist has the promotional and production costs taken out of their royalties, there often isn't anything left. The big labels own their asses. I don't think his comment was meant to imply that all musicians are rich - I think it more likely that he was making the point that the majority of artists that are backing the RIAA and anti-customer actions are filthy, stinking rotten rich, or at least so they think.

    --

    666-607: 6th floor apartment of the beast
  20. Worrying... by Anonymous Coward · · Score: 0

    If the RIAA believe their "lessons" are doing good, does that mean more will be spawned and they believe they are correct in this?

    That's it, I'm going to steal a car and get away with it, and because I got away with it that makes it right. So says the RIAA any way.

  21. You know there is something wrong.... by mAineAc · · Score: 2, Interesting

    With the basis of the lawsuits when even the musicians are blasting the lawsuits as wrong.

  22. copyright infringement is still illegal by MikeHunt69 · · Score: 2, Interesting

    " It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve."

    Just because the RIAA are using shitty tactics, dosen't mean you should be allowed to infringe copyright. It's currently illegal and if Musicians *are* getting a raw deal, then they should get the money that is owed to them.

    Also remember that all the props you see on MTV are funded by the record company. Why do you think rappers need to start their own clothing company?

    1. Re:copyright infringement is still illegal by blanks · · Score: 1

      What's illegal? Pirating music, or transferring music.

      I think many people are starting to see a blurry line between these two. Many artists, small or underground freely distribute their music on the net because they want their music to be free, or they want to be heard.

      The RIAA is trying to make sharing music illegal, not just sharing copyrighted music, but all music. If people can get Free for music, why would they pay for it?

    2. Re:copyright infringement is still illegal by Oddly_Drac · · Score: 1

      "Just because the RIAA are using shitty tactics, dosen't mean you should be allowed to infringe copyright."

      Okay, I'll stop when they stop using shitty tactics. Deal?

      --
      Oddly Draconis
      Too cynical to live, too stubborn to die.
    3. Re:copyright infringement is still illegal by kmonsen · · Score: 1

      You sue them and they sue you. Deal?
      Seriously, don't get down on the level they are on. Just buy/use/listen to different music. It's not like Britney is that good anyway.

    4. Re:copyright infringement is still illegal by Anonymous Coward · · Score: 0
      Why do you think rappers need to start their own clothing company?

      To see profit margins that make the recording industry look like a public utility? Your standard piece of clothing costs around $5 dollars to make.

      ==========

    5. Re:copyright infringement is still illegal by Oddly_Drac · · Score: 2, Insightful

      "Seriously, don't get down on the level they are on."

      Unfortunately they have the high moral ground, so you can't really descend to their level. Somewhere along the line Corporations became more important than people, and given that a Corporation can't be jailed, can get protection against poverty, and appears to have no moral obligations to society beyond enforcing a collective opinion of right through the courts...

      I'd seriously consider the anti-capitalists if I didn't fundamentally disagree with their central tenet, but they are providing quite an interesting point.

      One thing that's becoming increasingly worrying is that Corporations are relying on 'the other guy' defense; their profits fall, and rather than act on the recommendations of everyone that their products are overpriced, they simply choose to believe that their customers are thieves.

      Dunno about you, but if I accused my customers of being thieves, they'd find somewhere else to go pretty damn quickly, but in terms of the RIAA, they _are_ the industry.

      --
      Oddly Draconis
      Too cynical to live, too stubborn to die.
    6. Re:copyright infringement is still illegal by kmonsen · · Score: 1
      They are not, there are other labels out there. But they are few I agree.

      What I don't get is why the movie/music assosition is not monopolistic or at least price fixing. The whole DVD zone thing is just one big price fixing scam.

      I agree with everything you say, except they I won't break laws to defeat them, just stop buying music they produce.

    7. Re:copyright infringement is still illegal by Oddly_Drac · · Score: 1

      "What I don't get is why the movie/music assosition is not monopolistic or at least price fixing. The whole DVD zone thing is just one big price fixing scam."

      I totally and wholeheartedly agree, and it's refreshing to meet someone on /. that can disagree with my methods so nicely and gracefully.

      Kudos and props.

      --
      Oddly Draconis
      Too cynical to live, too stubborn to die.
  23. Comments like this really get my goat.... by Half-pint+HAL · · Score: 5, Insightful
    Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

    Musicians that you get to see on TV that is.

    Many musicians struggle on in obscurity, the cost of equipment and getting publicity taking everything they make out of music. Others, like myself just walk away from it all and get an office job.

    Even those that you see on TV aren't really benefitting, with the exception of the few real superstars (Eminem, Madonna etc). The record companies like their charted artists to look rich, so they dress them up in expensive clothes and send them to flashy parties in fancy cars -- then send them the bill for it.

    The average artist incurs more costs over the term of his contract than his earnings. As a result of "being in debt" to his record company, the company can then demand that the artist does not record for anyone else, even though they don't want to record him themselves. The artist then cannot record and loses his chosen way of earning a living.

    Don't blame the artists for the work of the RIAA: we're as much victims of the music industry cartels as the consumer.

    --
    Got them moderator blues I blieve I walk out the do', With these mod-points I been gettin', I 'most never post no mo'
    1. Re:Comments like this really get my goat.... by Anonymous Coward · · Score: 0

      which is why they shouldnt sign up with the RIAA in the first place. there are plenty of musicians doing fine without them. happily more and more.

    2. Re:Comments like this really get my goat.... by szmccauley · · Score: 0
      I agree, but it was CowboyNeal and most of his commentary is even less insightful than mine.

      Besides, if you're going to blame musicians, you should at least pick Lars and go with that.

      Fuck Metallica.

      Motorhead is better anyway.

    3. Re:Comments like this really get my goat.... by Anonymous Coward · · Score: 0

      Ahem, dont even try that poor-starving-artist crap on us.

      YOU chose that you wanted to be a musician. You knew going in that it's hard, making 20 bucks a night working the bars sucks.

      if you are not in it for the music and to entertain, please stop right now.

      we dont need any more moneygrubbers in the BIZ. Espically when there enough no talent arseholes like LARS in it.

    4. Re:Comments like this really get my goat.... by clifyt · · Score: 1

      Even the folks that work for the musicians that you see on TV don't get that much.

      In my side employment, which in all honesty DOES pay more than my university research position (but not by much...and I have to buy my equipment from this, but I would have done that anyways, so it comes up almost as a nul sum).

      Too many ignorant fucks think of the people on stage as the only ones that should get paid. I've worked with several popular artists over the years as I was lucky enough to get my foot in the door with newer technologies before the geek crowd started realizing they could do the same.

      Unfortunately, these days it doesn't pay as well as it once did. Not because the demand is not there anymore, but because economically it isn't good anywhere in the industry. A lot of times, folks like me will work on a project for points...which means we get paid before the artist does BUT we are still dependant on sales.

      The last album I worked on for points, I saw very little over what I got upfront. Its not like the artist wasn't well received or played, its just folks weren't buying his stuff. The concerts all pretty much packed the house, and the few shows I worked live (I have a day job the precludes going out on the road for 5 weeks at a stretch) actually paid as much as the album, but over all, it wasn't much.

      So who gets screwed on these ventures? Its the people that work in the background. Its the little people that get fucked over. The people that are on the album and the video are not the only ones that matter here. I was at a movie the other night and they had one of those infamous 'propoganda' commercials at the beginning stating what one of the stuntmen did and all that -- trying to show that not only the big stars are at risk because of piracy. I'd like to see more of this on the music end. Ya have producers (ok, no one likes producers :P), songwriters, engineers, techs, backline staff, cooks, wardrobe and dozens of other postions...most of which you never hear about -- because I guess these dumbass musicians grab their outta tune guitars and worn out drums and build something that is as much of a production as any slick piece of work you see from Disney...all on their own.

      The minute dumbasses like Cowboy Neal have a forum of followers (and I thought it was just Michael and Timothy that pissed me off with their bullshit rhetoric...I can't believe people are actually paid to take someone elses words and attach uninformed rhetoric to it...can I have your job CN? I do have the hat...)

      Clif Marsiglio
      Sonikmatter, LLC

    5. Re:Comments like this really get my goat.... by sgtrock · · Score: 1
      ...most of which you never hear about -- because I guess these dumbass musicians grab their outta tune guitars and worn out drums and build something that is as much of a production as any slick piece of work you see from Disney...all on their own.


      I can't tell if you meant this to be sarcastic or not. If/when it's true (think guys like IceT who've gone to completely self publishing models who are now making more money than they ever did through the RIAA), then I'm sorry but the world has changed. Deal with it. Find a different career/hobby.

      The oft-quoted Heinlein's point about businesses not being able to force legislation to maintain an old business is just as true for us grunts on the shop floor as it is for the guys in the front office.
    6. Re:Comments like this really get my goat.... by clifyt · · Score: 1

      Again, I'm NOT talking about the end artist.

      IceT has people working for him that depend on his works being protected in some way.

      As for the world changing, if you were a shop owner where everyone came in a stole from you, how would you feel about the snot nosed kid that tells him if he can't figure out how to make money from this shoplifting, he needs to get out of the game, because legislation can't prevent shoplifters.

      Fortunately, the law does prevent most illegal physical activity. Just because you can steal at home in your underware does not make it any less of a crime.

    7. Re:Comments like this really get my goat.... by TMLink · · Score: 1

      But he IS talking about the same thing.

      Tools for music production are becoming cheaper and easier to use. The entry level for producing your own music is moving closer to the point of being able to do this yourself.

      Of course, if a band can find someone that's better at production than they are at a price they can afford, then of course they'll go that direction. But as it's getting closer to the point where everyone can do a job that's good enough, it's not going to matter as much anymore.

      Times change, and the way bands make money change. If bands are not going to be able to make as much money off of recordings and will be more dependant on live performance, etc, then studio production people will be out of a job (or will have to move twords live sound production). That's life. That's change. And that's what the guy was talking about.

      --
      Every time a guy gets a threesome, somewhere in heaven an angel gets his wings. --Cary Tennis
    8. Re:Comments like this really get my goat.... by clifyt · · Score: 1

      Its much cheaper to own the hardware / software.

      Its not any cheaper from the human end of things. A few weeks ago, one of the guys in my forum was talking about how when they did they newest Bowie album, they used a computer with all off the shelf technologies to record it. Logic Audio, Apogee Preamps / AudioInterfaces and things like that. Stuff you or I could easily afford.

      Then I looked at the line up of the people on the gig. Yeah, the hardware was MUCH cheaper, but the human factors were probably as high or higher than before.

      Just like Linux, just because something is free, that doesn't make it a good value.

      If people rip off what I do to make a buck, I'm going to complain about it. I don't think companies should pay their support geeks. After all, Linux is free, why shouldn't the support staff do this for free too? Why can't the support staff just make their money from doing live performances of their administration skills? Why oh why can't they?

      Its moronic to expect that because folks are breaking the law that we should expect to change our jobs. If we were getting our asses kicked by folks releasing FREE music and people doing a better job of what we are doing and not charging for it, I'd agree with you...but I can't name one band that doesn't depend on hired help to get decent sound. Lots of punk music, but I and 99% of the world do not get into punk / garage / bedroom music. It sounds amaturish to me and more importantly, its not my cup of tea. Again, neither is it for most people. If you like it, cool, I'm not insulting it other than its NOT what I want in my cd player...I'm sick of people bringing up this stuff as the reason music can go non commercial...

    9. Re:Comments like this really get my goat.... by Anonymous Coward · · Score: 0
      cry me a fucking river. times have change, the business has to change. was it stealing, when with the invention of the steam engine, the steam engine company could transport 100x as much as the average horse and cart?

      you use the example of people coming into a store and shoplifting, but this is more like someone coming into a store, looking around, and then making the exact same thing next door. but giving away the same product for free. am i not, now, allowed to look at anything and create a duplicate? can i not take a picture of the eiffel tower with my own camera and start selling post cards on the street next to it? someone put a lot of work into making the eiffel tower, and there is a good business selling those postcards?

      the whole point of getting out of the business is not to give up because people are "stealing", but to find a different way to make money (if that is your goal) because TIMES HAVE CHANGED. do you pity the mimeograph makers because photocopiers and laser printers made them obsolete? and will you cry when the auto industry goes to electric vehicles that require 1/10th the number of moving parts, and have to put 60% on unemployment? will they push for legislation to prevent technological advances???

      get a clue, get a real job, get bent

    10. Re:Comments like this really get my goat.... by Anonymous Coward · · Score: 0
      YOU chose that you wanted to be a musician. You knew going in that it's hard, making 20 bucks a night working the bars sucks.
      How exactly does this observation justify making it even harder for them by pirating their music?
    11. Re:Comments like this really get my goat.... by mojotooth · · Score: 1

      Don't blame the artists for the work of the RIAA: we're as much victims of the music industry cartels as the consumer.

      And whose fault is that? As a musician, didn't you, sign a contract with one of the RIAA member companies? If not, then you're not part of the problem. If so, then you are.

      Who keeps signing these ridiculous contracts? This whole RIAA situation is a result of three truths: 1) Record company people are shady. 2) Agents/managers are either shady or incompetent. 3) Musicians are ignorant.

      Otherwise musicians wouldn't sign away the permanent rights to their own work, for pennies on each dollar that the record company makes.

      --
      -- Mojo Tooth : exploring our world as only an idiot can.
    12. Re:Comments like this really get my goat.... by Anonymous Coward · · Score: 0

      Don't give me that victim shit until you have the cojones to boycott the RIAA and their artists.

      Or else you're just wasting my time.

    13. Re:Comments like this really get my goat.... by danila · · Score: 1

      The average artist incurs more costs over the term of his contract than his earnings.
      I think that means RIAA (labels) is safe even if people completely stop buying music. It looks like labels' core competence is in finding suckers who would give them their hard-earned money. Even if they lose customers, they still have the artists. :)

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    14. Re:Comments like this really get my goat.... by hyphz · · Score: 1

      > Who keeps signing these ridiculous contracts?
      > This whole RIAA situation is a result of three
      > truths: 1) Record company people are shady. 2)
      > Agents/managers are either shady or
      > incompetent. 3) Musicians are ignorant.

      Nope, it's necessity. If you DON'T sign that contract, you aren't going to get anywhere at all.

      And before the "they're providing a service so they can ask whatever terms they like" crew come up here, it's not that simple; the service they're providing is a solution to a problem they create. If there were no big record companies, record stores couldn't refuse to buy from anywhere except the big firms because there would be no big firms. If there were no advertising, nobody would need advertising to compete.

    15. Re:Comments like this really get my goat.... by jd_esguerra · · Score: 1

      Agree. But, it should be pointed out that being a full-time musician does not mean that you deserve a high salary (compared to a teacher for instance) and a luxurious lifestyle. If you can't make a living as a musician, you should probably look at other career options-- not because you are bad at what you do, but because the demand for musicians cannot support all musicians. It's just that simple. I want to be a professional athlete. Will I ever be? Hell no. Could I lose a lot of money and incur debt out the wazoo trying to be? Hell yes. Are there phenomenal athletes that could be professional athletes but are not? Absolutely. What are they doing? Consider the panic parents feel when their teenage kids decide that they want to act or be "rock stars" instead of going to college. Not a real high probability of success. Sounds cold, but it's reality.

    16. Re:Comments like this really get my goat.... by Anonymous Coward · · Score: 0

      Man I have been a guitar player for about 15 years.

      The whole music industry is corrupt. It isnt about how good your music is, it (usually) isnt about what your band looks like, it is about who you know, who you blow and who you pay off.

      Everyone has their hand in the bands pocket. If it is empty, you will go nowhere!

      As for my band, RIAA doesnt affect me one way or the other, they arent fighting for me, I will never see a dime.

      Only people that will see anything from it are the managers and the executives (who are making the big bucks anyway).

      I would love to say that "the more people who hear our songs, the more popular we are going to be and the more money we will make", it really isnt true. It is all about your manager and what he will do for you and how much you can pay him.

      As for P2P, I use it occasionally. Music cds are a rip, depending on the artists contract, they either get a flat fee for making the album or some do get a fraction of the profits. I really dont think that P2P is impacting the artists much if not at all.

  24. My Response by Bios_Hakr · · Score: 2, Interesting

    Be beligerent...

    Send them a doodle of an octopus giving them the finger 8 times.

    I'd suggest that we all break into record stores and destroy the CDs, but insurance would cover it and we gain nothing.

    No, it's easier to settle than to fight. If I got the letter, the one condition of my settlement would be that I get an invoice of who gets what ammount of the payment. Then I'd call up all the artists on the list and let them know that I'm glad my 35 cents contributed to their new Ferarri.

    Maybe it's time to start selling a dead-man switch for our PCs. Just use an open WAP as your switch and you will be covered. When they sue you, thermite your hard-drives and then claim that someone else used your WAP to download that stuff...

    --
    I'd rather you do it wrong, than for me to have to do it at all.
    1. Re:My Response by Anonymous Coward · · Score: 0

      If I got the letter, the one condition of my settlement would be....

      nice to see you'll roll over like a good puppy..

      In fact interesting to see you are prepared to already.

      Funny, how you call for unrest and to fight back yet you are ready to do what you are told by them already.

      nice... Posers like you we DONT need.

    2. Re:My Response by Yawgm8th · · Score: 1

      If you are really concerned about getting caught then just disable sharing. They are only sueing those who share massive amounts of music, not the ones who dowload it. Also, if you don't want to be a little basterd that doesn't share then check out eMule. From what I have read, it isn't being watched by the RIAA and it is very popular.

      --
      do unto others as you would have them do unto you
    3. Re:My Response by ejeetify · · Score: 1

      If I got the letter, the one condition of my settlement would be that I get an invoice of who gets what ammount of the payment.

      You could try making that a condition all you want, but you'd either fold, entirely on their terms, or lose a multimillion-dollar lawsuit from them.

      You're not going to force them to give you an account of what money goes where, because you're not powerful enough to do so.

    4. Re:My Response by zbuffered · · Score: 1

      Send them a doodle of an octopus giving them the finger 8 times.
      RvB? Nice.

      Just use an open WAP as your switch and you will be covered. When they sue you, thermite your hard-drives and then claim that someone else used your WAP to download that stuff...
      Thermite shmermite. I'm pretty sure the RIAA doesn't get access to your physical PC before they sue you. Possibly they won't get access to it ever. Certainly you'll have plenty of time to casually move those MP3s to another location.

      The WAP excuse should work perfectly.

      --
      Synergy is your friend
  25. Nice objective piece by mr_z_beeblebrox · · Score: 3, Interesting

    Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

    First, musicians won't get the money they deserve. The minions and scumbags around them will get the lions share. Second, do you like music and enjoy listening to recordings? If so you should pay for that convenience. Artists SHOULD get paid commensurate with the amount of people they make happy. Top 40 stars are listened to by millions of people and thus should make millions of dollars. Alternative underground bands may have 100s or 1000s of followers and should make money that supports that level. Just because Cowboy Neal does not believe that creating something that will make 1000s of people sit and relax and listen for a couple of minutes is a worthwhile endeavour doesn't mean that it isn't. I consider slashdot to be my source of "press" on these issues, it would be nice to see it treated as such. Artists deserve their licensing to be respected just like programmers do wether you agree with the license model or not.

    1. Re:Nice objective piece by fender0011 · · Score: 2, Insightful
      Just because Cowboy Neal does not believe that creating something that will make 1000s of people sit and relax and listen for a couple of minutes is a worthwhile endeavour

      Odd, you're description sounds alot like slashdot. So I'd guess he does think it's a worthwile endeavour indeed.

    2. Re:Nice objective piece by Zog+The+Undeniable · · Score: 3, Interesting
      Er...no. Most Top 40 stars are manufactured shite foisted on us by the record companies because of their looks/demographic appeal rather than their musical talent. Just look at all the substandard cover versions being released by teen "bands" (most of whom can't play any instrument whatsoever). Shows like American Idol/Pop Idol and Popstars prove how easily an "artist" can be manufactured (yeah, it's always the best looking ones that win [1]) and we, the public, just suckle at the tit of Simon Cowell, who earned $50m last year from peddling dross.

      If anything, these "artists" deserve a McWage because they're just doing exactly what they're told, and not adding anything to the sum total of human knowledge and culture.

      [1] with the honourable exception of the ginger minger in Girls Aloud ;-)

      --
      When I am king, you will be first against the wall.
    3. Re:Nice objective piece by Recluse · · Score: 0

      Better check your sarcasm meter before posting.

      -R-

      --
      Look ma, I'm a .sig
    4. Re:Nice objective piece by daviskw · · Score: 1

      That's a dumb argument. It's corollary is this: Teacher's should get paid by the number of students that don't end up on the bread line. On the other hand we could say that top 40 stars are really nothing but an aberation manufactured by the recording industry. Is there anybody anywhere who thinks that Britney Spears actually has the talent to warrant the kind of exposure that she gets?

      The real truth is that in five or ten years the big recording companies will most likely not resemble at all the companies that we know today. Their business model is doomed because there are too many people with too many computers that don't want to pay a dollar for a song or seventeen for an album.

      --
      Beware the wood elf!!!
    5. Re:Nice objective piece by mr_z_beeblebrox · · Score: 1

      If anything, these "artists" deserve a McWage because they're just doing exactly what they're told, and not adding anything to the sum total of human knowledge and culture.

      They are catering to the "majority" taste of CD purchasers. The fact that the marketing company can shape purchasing habits is irrelavant. I am sure if McFlipper could simultaneously serve 350,000 screaming teens a McBurger McFlipper might be well off as well. However he can't and McBritney can sing to 100s of 1000s of McConsumers on the radio at once. Additionally, most (ok well a decent chunk of them) are actually good musicians and if Simon & Garfunkle style music was pop they could pull it off (maybe not write it, well B.Naked Ladies might) but they could play it. Who is we that sucked off Simon? I sure don't I choose music that appeals to me and you should too (well, maybe not to me).

    6. Re:Nice objective piece by mr_z_beeblebrox · · Score: 1

      The real truth is that in five or ten years the big recording companies will most likely not resemble at all the companies that we know today. Their business model is doomed because there are too many people with too many computers that don't want to pay a dollar for a song or seventeen for an album.

      And Linux will be on every desktop. And Asscroft will not erode any of our rights and you will kick whatever addiction you seem to have. Look at the real numbers of how the "masses" of downloaders affect sales. It is positive if anything though I think it is nothing.

    7. Re:Nice objective piece by squiggleslash · · Score: 1
      Absolutely. And we mustn't forget, ALL MUSICIANS ARE ACTUALLY TOP 40 STARS. That's right. The following facts are absolutely true:
      • All music is manufactured and sucks. This is why people are putting enormous amounts of effort into distributing it in legally unaccountable ways.
      • Musicians make huge amounts of money, and it's all because their stuff's crap we don't want to listen to.
      • Musicians are being ripped off by the RIAA, and never get any money from them.
      These facts, and more, from Slashdot News. Fair, Balanced, and Wholly without Merit!

      Seriously, if you don't like what the Top 40 artists are putting out, why the hell are you copying their albums?

      --
      You are not alone. This is not normal. None of this is normal.
    8. Re:Nice objective piece by Anonymous Coward · · Score: 0

      How about working for the money on a perpetual basis? It's called giving a concert.

      Recordings are a one time gig with no audience but free income from each copy sold after the actual costs are recovered.

      Do you think Elvis is still on stage to earn the $40 million his estate made this year?

      In my mind, recordings are promotional material. The money is to be made like we all do it, by actually showing up and practicing your craft. By making people want to spend money to see you do your thing.

    9. Re:Nice objective piece by Anonymous Coward · · Score: 0

      Golly Mr. squiggleslash, it doesn't look like Zog said anything about copying Top 40 albums. To my eye, he only talks about how he doesn't like what they are putting out. Please enlighten us with your brand of logic.

    10. Re:Nice objective piece by hyphz · · Score: 1

      > Top 40 stars are listened to by millions of
      > people and thus should make millions of
      > dollars.

      But therein lies the rub, you see. By the same logic, teachers who teach thousands of kids, or programmers who write software that millions of people use, should make thousands or millions of dollars. But they don't. Instead, they get paid the same regardless, unless what they do doesn't attract enough people, in which case they don't get paid at all.

      It's the "market-facing/boss-facing" split that's the problem. Of course, an awful lot of small musicians are still boss-facing, but all the big guys are market-facing. By far the worst event that has happened to capitalism in the modern age is the fact that it has become impossible to be market-facing unless you are very rich OR you have the support of someone else who is very rich and is allowing you to be market-facing for some reason.

    11. Re:Nice objective piece by insertionPoint · · Score: 1

      It's the "market-facing/boss-facing" split that's the problem. Of course, an awful lot of small musicians are still boss-facing, but all the big guys are market-facing.

      That is true. A good studio musician may make 50K a year. But he normally plays, not writes, the music. Also, name a piece of software that is used by millions and was written by one person. The closest example would be Linux first release.

    12. Re:Nice objective piece by Anonymous Coward · · Score: 0
      Er...no. Most Top 40 stars are manufactured shite foisted on us by the record companies because of their looks/demographic appeal rather than their musical talent.
      Either that comment was relevent to the person he was responding to, in which case the implication is that copying is OK because all musicians fall into the "Top 40 stars" group, or it was irrelevent, in which case my only mistake was to think the guy I was responding to was worth responding to.
  26. The artists DONT get the money... by thumbtack · · Score: 1

    Cary Sherman has stated before the money collected will go to the enforcemnt process, not the artists or even their masters, err labels...

    LA Times said in this story "The proceeds from any trials or settlements will be kept by the RIAA to cover the cost of its anti-piracy campaigns, rather than being used to compensate labels and artists."

    1. Re:The artists DONT get the money... by merky1 · · Score: 1

      Hmmm... I wonder if this qualifies as a perpetual motion device?

      --
      --WooooHoooo--
  27. Uhhhh most musicans ARE poor by nurb432 · · Score: 1

    Its only a small minority of musicians that get the 'blessing' of the RIAA, and thus make it big.

    Most just barely make a living.

    However this does NOT justify what the RIAA is doing, I just hate to see real musicians lumped into the same group as the 'superstars' ( i.e. sellouts )

    --
    ---- Booth was a patriot ----
    1. Re:Uhhhh most musicans ARE poor by Darth23 · · Score: 1

      If the gatekeepers (Record Companies, Radio Stations, etc) worked with a more decentralized model, then more musicians would be able to get more exposure. The record company would rather have 1 artist sell 1 million CDs than 10 artists sell 100,000 CDs. It shouldn't make that muchof a difference, since they've moved a million units in both cases. But they can get more profits by artificially limiting the number of musicians who are 'allowed' to get their music out to huge numbers fo people. File sharing is artist promotion. People who like what they hear will go out and buy the products the artists has for sale and go see the artist in concert. But the REAL product is the artist him or herself. Everytime a listener goes from "never hear of him" to "I've heard his stuff, I really like it" the artist's potential income rises.

      --

      -------- In Soviet Russia, "Soviet Russia" sigs hate Slashdot.

    2. Re:Uhhhh most musicans ARE poor by Kombat · · Score: 1

      Uh-huh... OK, let me see if I can get this straight. Any musician that is good enough that people would actually pay for their music, and who then tries to actually sell their music to that vast audience, is automatically no longer a musician?

      So, in order to be a "musician," you have to make music that hardly anybody likes? And if you happen to make music that people do like, and become successful, you're no longer a musician, and become a "sellout?"

      Musician == bad, unpopular music, but true to your roots.
      Sellout == actually producing music that people like and will pay for, but lose "musician" status.

      Gotcha.

      --
      Like woodworking? Build your own picture frames.
    3. Re:Uhhhh most musicans ARE poor by fishbowl · · Score: 1

      >Most [musicians] just barely make a living.

      Most musicians make a reasonable living at a day job, and do the music thing as a creative outlet. For most of them, the reward is ars gratia artis. It is sufficient reward that people have heard the music. If it pays for the cost of instruments, equipment, gas in the van, etc., that's extra rewards. Most musicians would like to make money for playing music, but they also realize that getting free drinks is a more reasonable expectation.

      I do speak from experience. I've known quite a few musicians, professional, amateur, and collegiate, and I've also been all three at various times.

      --
      -fb Everything not expressly forbidden is now mandatory.
  28. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    I don't see why it's any more broken than having the whole police force and judiciary on your back after committing, say, a murder. Not that I'm likening copyright abuse to murder, but the point is it's ALWAYS "against the little guy" because it's the little guy who does the stuff.

  29. The Mafia says the same thing by AndroidCat · · Score: 2, Insightful
    'The fact that the overwhelming majority of those who received the visit by Guido and Slash contacted us and were eager to resolve the protection money issue is another clear signal that the Mafia's education and enforcement campaign is getting the message out.'

    Nice server you've got here, shame if anything happened to it...

    --
    One line blog. I hear that they're called Twitters now.
  30. Re:Metallicops by SamDirty · · Score: 0

    I loved those Napster flash cartoons! We used to play them over and over (while downloading) and LOFAO. I still have them tucked away...somewhere. Beer, good.

  31. Re:Ridiculous ... by the+web · · Score: 1

    Correction. They are the ones who make the RIAA rich.

    --
    __
    Thou hast besquirted me, O leotarded one.
  32. I hereby claim... by Anonymous Coward · · Score: 0

    ...the "It's copyright infringement, not theft" post. All others should be appropriately moderated redundant.

    1. Re:I hereby claim... by Evil+Adrian · · Score: 1

      I hereby claim the "it's just semantics" post.

      --
      evil adrian
    2. Re:I hereby claim... by Evil+Adrian · · Score: 1

      You can't counter my argument, so you resort to name-calling... how mature!

      --
      evil adrian
    3. Re:I hereby claim... by Anonymous Coward · · Score: 0

      Why? Calling you a moron, or calling you a slashdot poster... it's all just semantics.

      If you refuse to believe that words mean things, then none of us will have a lot of luck trying to pound things through your thick skull using text posts on a message board, now will we?

      Also, here's another tip - just because someone calls you a moron, doesn't mean you're arguement is *right* - resorting to ad hominum attacks might not be the best way to get things done, but when confronted with people who don't accept the truth, why the heck not?

      It's not theft, it's infringement. That doesn't make infringement less illegal, it just makes you retarded for being unable to make a correct and accurate arguement.

  33. Waiting for an oops by Forkenhoppen · · Score: 1, Funny

    Personally, I'm waiting for them to screw up and sue one of their own. I can't wait for "Michael Bolten gets busted for sharing Puff Daddy mp3s" to show up in the news. ;)

    1. Re:Waiting for an oops by Walterk · · Score: 1

      The other way around would probably be much more hilarious. "Puff Daddy gets busted for sharing Michael Bolton songs."

    2. Re:Waiting for an oops by Anonymous Coward · · Score: 0

      or, funniest of all: "Michael Bolton gets busted for sharing Michael Bolton songs."

  34. Re:My Opinion Still Has NOT Changed... by Lieutenant_Dan · · Score: 1

    If you mean the RIAA, then I agree with you. I haven't bought a music CD for almost two years.

    --
    Wearing pants should always be optional.
  35. What the hell? by bunhed · · Score: 2, Insightful
    Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

    That's not what this is about. It's not about the musicians at all you dim wit. It about the corporations that are hiding behind the musicians and art in general with regard to this issues. Get educated before making comments like this because you are not helping if you are as ignorant as the RIAA.

  36. Flamebait that must be reiterated... by flamingdog · · Score: 4, Insightful

    Not entirely flamebait, please finish before modding down...

    Mainstream music sucks anyway. Get over it and stop downloading it for the simple fact that it sucks.

    That said, if you actually want to support an artist, don't ever buy their albums. Instead, go to their shows and buy their merchandise. Most of the time, this money goes directly to them. This is almost always true for small bands on small labels. I haven't bought a record in 6 years because I know not a single cent is going to the artist unless I buy that album straight from them or it was DIY released. Instead, all the money I would have spent on records, I use to buy shirts, stickers, posters, pins, and what the hell ever straight from the band when I go to see them.

    --

    ---------------------------
    1. Re:Flamebait that must be reiterated... by Anonymous Coward · · Score: 0

      About the "live" shows and what they really are-

      I got a free ticket to go see an 80's Christian Metal band called Stryper. For the part of the show I saw (I left early) the band was playing to a tape. The singer didn't even have his lip syncing down. Often, you'd hear singing but the singer didn't have his face anywhere near the mike.

      I caught a show on MTV the other day called "Hard Rock Live" or something like that. The band on was called All American Rejects. It was pretty much the same thing- Playing to a tape. At one point, when the lead 'guitar player' realized he had a back up part to sing, but was no where near the mike, he faced towards the mic (about 10 feet away) and mouthed words towards the mic like the mic was gonna be able to pick it up...Silly. At another point in the show, the drummer appeared to be playing along with music that, to my ears, had no drums in it at all. He was acutally playing along to a drum machine track with synthetic, ultra precise drum sounds. At other points in the show I would clearly see the drummer miss or misplay fills that I could hear in the music they all played along to.

      The strangest part is that the music was so simple, I can't see why they would need to play along to tape. Most of the songs had less than 5 different notes in them. I guess its safe to say that they really, really suck as musicians.

  37. Pah! by DaneelGiskard · · Score: 3, Insightful

    Sorry to sound harsh, but I prefer to chose on my own _who_ educates me and _on what_. The sentence about "the RIAA educating the music community" just gets on my nerves.

    1. Re:Pah! by robbway · · Score: 1

      The legal system is not for education, but for settling disputes, determining guilt, and punishing the guilty (or responsible) parties. Using the legal system in this fashion is misuse and abuse. I hope the RIAA has their collective butts sued for this. There are two ways to educate people: through teaching and/or advertisement. I don't think dragging judges, lawyers, and ordinary citizens through financial hell to teach millions of others a lesson is a fair or justifiable use of resources.

    2. Re:Pah! by gold23 · · Score: 1

      Yes. A more correct word would be "indoctrinating".

      --
      Trust not a man who's rich in flax / His morals may be sadly lax
  38. I'm not worried... by pointbeing · · Score: 5, Funny

    I signed up for the RIAA Do-Not-Call List.

    --
    we see things not as as they are, but as we are.
    -- anais nin
  39. What if there was a SDAA by matchlight · · Score: 1

    What if there was a Software Development Artists Association that ran rampant throughout the US finding people who shared the applications and sued them? Would /. be as quick to scorn that action? Would we say "Heck with SDAA, we shouldn't pay for software from large companies." Wouldn't that affect a significant percentage of the people using this site?
    I know I don't like the idea of the code I write for the company that pays me being used without compensation. If you don't want to pay, there are Open Source alternatives. We should consider that if we don't want to pay for music, we should go to the local pub or find indie music instead.
    I have a lot of problems with the music industry from their legal tactics to their pricing (Seriously, it's 10-20 songs, for $20.00, that's nuts.) but they're still following the basic principle that we're not allowed to steal.

    1. Re:What if there was a SDAA by Spider[DAC] · · Score: 1

      There is. it's called the BSA. And if you'd been around a while you'd see that the /. crowd is as rabid about them as about anything else.

      --
      I didn't do this, now did I?
    2. Re:What if there was a SDAA by nitehawk214 · · Score: 0

      Its called the BSA.

      --
      I'm a good cook. I'm a fantastic eater. - Steven Brust
  40. Re:Ridiculous ... by Anonymous Coward · · Score: 0

    Show me an RIAA member-signed artists who didn't recieve millions of dollars as an advance at the very minimum and I'll start to believe you. Even the shittiest, most idiotic, mouth breathing retards of "artists" have millions in the bank and a million dollar house. The poor dears.

  41. Re:Thanks for checking the time stamps... by Anonymous Coward · · Score: 0

    That comment was pretty redundant, wouldn't you say? It cut-and-pastes part of the FAQ. So you deserved the "redundant" moderation; it was just on the wrong post.

  42. They still dont get the $ by LumberLumber · · Score: 0

    Artists dont see a cent of this settlement money!

    The RIAA recycles the cash to pay for more law suits with it. This whole situation is nothing but lawers getting paid to fuck with the common people.

    --dan

  43. your loosing me, try squelching out the noise... by Anonymous Coward · · Score: 5, Insightful
    It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.
    Sounds suspiciously close to "since they are rich then they won't mind me stealing from them." If you can't get a job (key word CAN'T), have children to feed, etc and then you steal some food to eat then call me and I will gladly help you out. Last I checked, music and movies are not required for you to live and frankly since many like myself understand how to budget and not spend our money on that stuff unless the important requirements are first satisfied... I am annoyed at the tone here.

    Don't get me wrong, the RIAA and the MPAA are a bunch of bloated, jack-booted thugs that I would dearly love to see eradicated from the face fo the Earth. However, I just don't understand why the justification/sentiment is still so popular that when stealing music and movies it is somehow in response to the decadence of the RIAA, MPAA, and its "members" of actors and musicians.

    Just steal the stuff and be done with it. If you feel the need to justify your actions when there is no real judgement (as in no judgement that matters, like in a court of law) levied against you than clearly you have internal guilt issues and should sit down and think things over. Stop being pathetic losers. Stop trying to justify your choices. Stop confusing entertainment with life and liberty. If you don't like their tactics then don't support them. Refuse to see the Matrix and Return of the King. Refuse to buy the next 1337 music album from "Cool Seattle Rip Off Band #39371." I can't remember the last time I went to a movie or obtained a music CD (bought, had a buddy burn it, etc). Have some balls, and stop being little whining bitches. Do something about the problem, don't make the problem worse. (No, war of attrition is not part of the solution and YES, your dollar is your vote of approval when you give it out)

    Stop being whining bitches

  44. Re:My Opinion Still Has NOT Changed... by Mr.+Dop · · Score: 0

    Yup Exactly my point. The only CD's I have purchased in the last 5 years have either been from the Artists directly or from other countries.

  45. It's too bad... by overbyj · · Score: 1

    that we can't call Linux some form of music and have the RIAA go after SCO with the vigor they are chasing senior citizens and 13 year old girls with.

    --
    No trees were harmed in the composition of this; however, numerous electrons were inconvenienced.
  46. Re:Trick or Treat, Negro Style by Anonymous Coward · · Score: 0

    Funny, because you a dumbass with grade-school sense of humour.

  47. emagating to the USA in the future. by Anonymous Coward · · Score: 1, Insightful

    Welcome to the United States of America.
    In order to facilite your integration in to the USA we ask you sign this document donating you soul to the capitalistic corporations of the United States.

    Please also give up all inclinations of justice and freedom. Due to, thoughts no longer exist in the USA, the corporation and capitalist found them too much of a nuisance to there way of life.
    oh yes and over here is were you will receive your daily treatment of propaganda, we will continue to monitor you till you fully believe anything the Cooperation's say including the puppet run government. Please be warned if you do not assilmate correctly we will brand you as a terrorist and dispose of you in any way we see fit. we recommend you stay in the north west of the Empire until you grow accustom to your life. have a nice day

    _________

    Well if the RIAA and MPAA as well as other corperations get there way, it will be like this or likly worse.

    if you slowly raise the temprature you can boil a Frog alive. but you can deep fry a Yank if you just buy Governent officals..

  48. OMFG when will they quit? by Matrix2110 · · Score: 2, Interesting

    Don't they realise that these tactics are about as fruitful as SCO's efforts? I mean a sword has a double edge. History teaches us that the sword will indeed swing the other way and I hope it chops the head off of these several snakes.

    No Hydra references allowed, These bastards are indeed a contemporary threat that will suffer the fate of the TWX industry. (They used to be the best in the business)

    Anybody remember TWX?

    Didn't think so.

    1. Re:OMFG when will they quit? by fishbowl · · Score: 1

      >Anybody remember TWX?

      I do. I still have an ASR Model 33 in storage, but it hasn't been plugged in since 1980. I actually miss using that noisy fucker. It made me a hero among the (very few) nerds in my school, since we were able to take our time and punch out our own paper tapes for assignments (programming a B6600 and also FOCAL on the PDP8).

      My father's business kept a TWX/Telex account, and we also had an account on the Dow Chemical Corp.'s medical supplies ordering system in Midland Michigan. In those days, there was no security whatsoever...

      I remember all that shit, and I don't think it's really been that long since then. People seem to get bogged down in the moment, and they don't really appreciate how far we've come in a short time. It wasn't that long ago that I was modifying the RS232 board on my Apple2 for the TTY. I still have that, and it still works...

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:OMFG when will they quit? by Matrix2110 · · Score: 1

      Sounds like you grew up in the same type of environment I did. All I can say is I miss the nuts and bolts aspect, But I am way happy with modern computer power, I recently purchased a Barton 2.5 Gig with an Nforce2 MB and I have not looked back since. Now I just have to play the waiting game with the Athlon64, I figure Doom III is going to be the make or break. Speaking of Doom, I connected two 386's up with postage stamp size and it was playable.

  49. Freenet pleeeaaasse by rastamutz · · Score: 1

    use freenet and there lawyers will be converted to cryptographic specialists... :)

  50. Screw the RIAA. by Aldric · · Score: 1

    I'll never buy another CD produced by them. I don't dpwnload music - I just hate them enough that I want to see them ruined.

  51. Re:Where's the Government? Our elected officials? by Evil+Adrian · · Score: 1

    Public defenders aren't obligated to provide attorneys for civil cases.

    I'm sure though, that there is some lawyer out there that would be willing to work for free on a high profile case like this, especially if they think it's for a good cause.

    Unless of course, the lawyers think they can't win... because after all copyright violation is against the law.

    --
    evil adrian
  52. In Historical News... by Anonymous Coward · · Score: 1, Funny

    On this day in history, Benito Mussolini founded a new type of political party in Italy, Fascism. He described fascism as "Government run by corporations".

    Also - in response to the article, Big Louie, a collector for the Genovese Crime family, said that the Mafia education program is also working. "Hey, I only need to shake em down, maybe rough em up once. They cough the cash fast. I guess they don't want to end up like Big Pussy".

  53. Re:Where's the Government? Our elected officials? by opus18 · · Score: 1

    Is that plead to W a legitimate request, or a feverish reaction out of frustration, realizing corrupt state we're in? Always lead by example.

  54. Stealing is when you take something by neilb78 · · Score: 0

    that is not yours. Downloading music online is technically copying, not stealing.

    --
    © 2004 The SCO Group, Inc. All Rights Reserved.
  55. Re:Where's the Government? Our elected officials? by KDan · · Score: 5, Funny

    Don't cry to the polititions, they are mere puppets for the corporations.

    HOLD ON!!! Do you really mean that politicians in the US are not the representatives of the people, elected by the people, to serve the people? OH MY GOD! What an outrageous claim! You unpatriotic scum! Arrest him! He's a terrorist! Quick, before he spreads his disease!

    Daniel

    --
    Carpe Diem
  56. Album Pricing by Anonymous Coward · · Score: 0

    Do you really think $20 for an album is a lot of money? You being a coder I'd hope you could relate to musicians who usually practice all their lives, use very expensive equipment and put a LOT of creative work into their albums.

    Of course if an album sells by the millions the profits are big. But then the music's got to be crap anyway. =)

    Just a point of view from someone who has released two albums and distributed them independently.

  57. Oh come ON guys by mwood · · Score: 2, Insightful

    Back when the Evil Corporate Giants tried to deal with their purported problem by shooting the messenger (Napster, ISPs, the Internet at large), you all said this was wrong and they should go after the real offenders. Now they are doing that and you object? Pah.

    The situation is complex and this will work to simplify it. Eventually some of the defendants will choose to go to trial and make the Giants prove their case, which should expose some real data (as opposed to FUD^Wspeculation) about the nature and magnitude of the problem. There will be some chain-reaction suits when consumers stung because they had not bought what they thought they had, turn around and sue third parties for deceiving them and thus exposing them to legal liability. Some genuine thieves will be punished and that should decrease the incidence of such theft somewhat. Then maybe we'll be able to judge just how much of the music industry's current situation is actually due to theft and how much to making products that no longer appeal.

    I'd very much like to see some of these cases go to trial. I think we'd learn a lot. But we'd all have to give up some of our prejudices. Wouldn't that be a shame.

    1. Re:Oh come ON guys by Jerf · · Score: 1

      Speaking as one of those who said "go after the offender", I still believe "go after the offender" is the right thing to do.

      In addition, because I am capable of holding nuanced views (look it up if you have to), I also believe that the RIAA has gone about charging the offenders in a clumsy way that is causing far more problems then it is solving, and taking advantage of brutally unfair copyright laws to hit them with massive, life-breaking fines. This I do not approve of, even though I otherwise am OK with their charging the offenders directly.

      I think the RIAA would be better off in every way to charge a lot of people with much smaller fines, say five or ten times the market value of the shared songs, rather then the full damages allowed under copyright law. Then the fines would be less likely to be life-altering, more likely to be paid, and would not garner as much negative publicity. "Prosecuting to the full extent of the law" is foolishness here no matter how you look at it and shows the hubris of the RIAA. They think it scares people but it just shows how out-of-touch they are.

      If the penalties were more reasonable, they wouldn't provoke a backlash and we wouldn't be seeing these "public interest" stories about poor little girls being hit up for twice what they will probably make in the span of their lives.

      The lawyers say "you can hit them with this" and the execs don't even consider whether they should hit them with a lesser charge... I'd like to go up against these people in Final Fantasy Tactics Advance sometime, I bet they'd suck ass. "Why would I want to do anything but use my most powerful attack?" No finesse.

      Anyhoo, you don't hear from us much because we're somewhat less outraged then everybody else. (Though I'm still outraged at the way they've handled this, so no "don't you care about the children? "-type flames please.)

    2. Re:Oh come ON guys by mwood · · Score: 1

      Ah, tactical arguments. Good point. But I think you're missing something here. Much is made of the disparity of force between the parties, but nothing of the disparity of *culture*.

      The RIAA and their members are businessmen, and that's the way you do business: you demand as much as you can possibly imagine because you *know* that the other guy is going to offer you nothing and then you two will hammer out an acceptable compromise.

      The defendants here are mostly *not* business executives and they don't think that way at all. And those least likely to think that way are also least likely to hire lawyers who can think that way for them. So one side is "plaing the game", but the other side perceives this as "going for the jugular" and folds instantly.

      The little guy *does* have some power, precisely *because* of the disparity of force, but he generally doesn't realize it, or doesn't trust it -- if he did, he wouldn't remain one of the little guys. Someone with the nerve to threaten to create a PR disaster for the Giants ought to be able to bargain the settlement down quite a bit. Defendants getting together and forming a united front to increase their visibility might win significant concessions. But it does take guts, because after all, you could lose.

    3. Re:Oh come ON guys by Jerf · · Score: 1

      Much is made of the disparity of force between the parties, but nothing of the disparity of *culture*.

      That's a nice way to look at it; cool. Kinda what I was hinting at with the tactical arguments; they don't understand their opponents.

  58. Education? Education?!! by CountDown · · Score: 3, Insightful

    Hello, there is a 600 lb gorilla in the room. What is this education crap? The RIAA is not educating us. What they have been trying to do is brainwash us.

    "Webster's Revised Unabridged Dictionary (1913)"
    Education Ed`u*ca"tion (?; 135), n. L. educatio; cf. F.
    'education.
    The act or process of educating; the result of educating, as determined by the knowledge skill, or discipline of character, acquired; also, the act or process of training by a prescribed or customary course of study or discipline; as, an education for the bar or the pulpit; he has finished his education.

    When the result of your 'education' is a small decrease in the 60 million criminals, you are not educating. What the RIAA is preaching, not teaching, is no longer prescribed or customary.

    The RIAA has outlived its usefulness and its arguments are taking on a more and more dangerous tone. They should be working on servers and other electronic music delivery systems.

    1. Re:Education? Education?!! by Anonymous Coward · · Score: 0

      Hello, there is a 600 lb gorilla in the room.

      http://www.penny-arcade.com/view.php3?date=2000- 07 -28&res=l

    2. Re:Education? Education?!! by goodhell · · Score: 1

      Actually it is a form of education.

      In psychology they call it reinforcement. My gf is doing this with rats in the lab. The rats do something good they get a treat. They don't do the trick they were supposed to have learned, they get the crap shocked out of them.

      This is similar to what the RIAA is doing for us, except there is no positive reinforcement. All we get is crap music from them, and if we download (from their point of view -- this is really bad) they sue. So in a sense we are being educated. It is a process of educating the masses to a behavior they deem fit for us.

  59. Editorial Trolling by Cruciform · · Score: 1, Flamebait

    It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

    You ignorant, trolling jackass. The ones you see on television are the rare success stories, typically groomed and media-hyped all the way into a specific market niche.

    And even then, the contracts are still far in the publishers favor.

    (of course I'll get modded down for this, but that was just asinine.)

  60. Re:Where's the Government? Our elected officials? by shaitand · · Score: 1

    That my friend is my greatest achievement. Nobody will ever be able to counter my typo-fu!

  61. Re:Where's the Government? Our elected officials? by loraksus · · Score: 3, Insightful

    No, I'm sorry. Congress is too busy passing themselves raises in the face of record unemployment and telling the RIAA to threaten first and then file court papers so they hear less whining from the /. folks who pester them. Oh yeah, scrounging money for a whopping $12,000 to go to the families of each American soldier killed in Iraq. Oh. And I think they matched $100,000 Canadian to help contribute in the moving of a killer whale down from Canadian waters.

    I believe the white house is thinking of new ways to award Haliburton contracts that nobody else happened to bid on because they weren't quite public.

    They CAN hear, they just don't WANT to. All they want is is swag and to be re-elected, and quite frankly, if you're on /. you either don't vote, or the cost benefit ratio for getting your vote is too low to justify working at it. Am I over-generalizing? Certainly. But politics comes down to numbers and just think how many of your representatives in Washington think the way you do, and also have the guts to turn down money or votes to stand behind their beliefs.
    Give yourself 10 minutes without google and see if you can come up with a list of 20 names.

    Oh, yeah, no public defender in civil cases. Basically by the time you step into the courtroom, you've already spent more than you would if you had settled unless you choose to "represent yourself". I somehow doubt pre-paid legal will win your case if they are against lawyers who get paid a lot more. /bitter.

    --
    1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
  62. Re:Thanks for checking the time stamps... by Oddly_Drac · · Score: 0

    "I still don't understand how I can be modded redundant"

    God hates you.

    --
    Oddly Draconis
    Too cynical to live, too stubborn to die.
  63. Theft is theft but this is ridiculous by Tinfoil · · Score: 1

    Another perfect example of how the industry fails to understand consumers, be it those paying their bloated salaries or those being sued.
    --
    Education != intimidation. If the RIAA were to hit me with a > $1 million lawsuit you're damn right I will roll over and play dead. I have a family to concern myself with and my family will not benefit from me fighting the case in court.
    --
    Theft is theft. Stealing from RIAA members does not make you Robin Hood. You are not stealing from the rich to give to the poor. You are stealing from the rich to save yourself a couple bucks. One can't blame the RIAA and its members for wanting to stop theft on a large scale, whether they are the root of the problem or not.
    --
    The RIAA and its members are, of course, the root of the problem. RIAA members are starting to see this, though. Proof of this is just how many of them have signed up with iTMS, Napster etc. a number of the record labels are seeing that money can be made online and are embracing this new revenue stream. $0.99 for a song is great. Perhaps the RIAA is seeing its end coming and is trying to go out with a bang.. who knows?
    --
    CowboyNeal... Damn did that little voice inside your head not step up and say "Hey dumby, don't write that, it will make you sound like a dumbass"?
    --
    Problems with current online music sales.

  64. Re:Where's the Government? Our elected officials? by SlayerofGods · · Score: 0

    And what exactly would you have them do?
    The fact is your braking the law and the RIAA is well within its rights to sue you.
    The only thing they can do to help you is make it legal to share music.
    But that will never happen, not because they are puppets of the corperations, but because artists have rights too.

    --

    Technology, the cause of and solution to all of life's problems.
  65. Profit! by Cooper_007 · · Score: 1
    1. Sue someone
    2. Offer to settle for $amount (where $amount < $cost_of_lawsuit)
    3. Profit!!

    Finally a business that "gets it".

    Seriously, when you can settle for $2500, who's going to challenge the accusation in court? I'm pretty sure that if you bring this to a lawyer (which I'm not) they'll advise you to settle.
    Even if you didn't do anything, the RIAA got you by your Kazaa name and an IP address. You use an app which has sharing as its main function. Even if you can prove you didn't share, no court's gonna say the RIAA was wrong in sueing you and thus is quite unlikely to return you your court costs. By the time you ever reach that point you're well over the settlement amount.

    So much for justice in the USA...

    Cooper
    --
    Paranoids are simply people who have all the facts.
    - Transmetropolitan -

  66. Results=$$$ by scottennis · · Score: 2, Insightful

    Based on the RIAA's arguments for initiating these lawsuits, I would think that the only "proof" that they are working would be an increase in CD sales.

    Has that happened yet?

  67. Artists' Rights! by byronne · · Score: 2, Insightful

    "It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve."

    Um, the artists get nothing, squat, fuck-all from this process. If the point of the RIAA is to protect the copyrights of and benefit the artists they sure have a funny way of seeing that they're compensated properly-if at all. None of the previous settlements (Napster, MP3.com, etc.) have benefitted the artists whatsoever - only some nebulous cooalition of businessmen practicing a racketeering protection scheme with a difficult to prounounce acronym.

    --
    "Look, Smithers! I'm Davy Crockett!"
    1. Re:Artists' Rights! by byronne · · Score: 1

      Hey AC, duh. You didn't get my point, did you? The RIAA could be eligible for Rico Act prosecution. If there's one thing I ain't, it's not sarcastic.

      --
      "Look, Smithers! I'm Davy Crockett!"
  68. Re:your loosing me, try squelching out the noise.. by Peyna · · Score: 1

    Stop confusing entertainment with life and liberty.

    Life, liberty, and happiness (property), are the three inalienable rights according to the Declaration of Independence (which they got from John Locke, et al.)

    Therefore, when you are holding a cd in your hand; while you only hold a license to that property, you are entitled to the fair use of it. The person who owns that property retains their right to it.

    This is very much indeed an issue of life, liberty, and happiness (property).

    I do agree with you that many people have the wrong approach to this issue. I think that the copyright laws are too skewed towards people with a lot of money and big lawyers; when they should exist to protect all original works, regardless of how much money the person who made it makes. Read the US Code on copyright law sometimes and you'll see what I mean.

    I also feel that fair use laws should not be restricted in anyway (DMCA bad). While I do not own the property on a cd when I am listening to it; I sure as hell have the right to make myself copies of it in any form I like. Restricting the consumers ability to enjoy that which they are licensing will only exist to hurt those we are licensing from.

    Imagine leasing a car and then being told you can't drive into certain parts of town.

    --
    What?
  69. You are plain and simple by Anonymous Coward · · Score: 0

    I still say that I won't buy any more music until I can DL it directly from a musician's site and know that they are collecting the money, not thier pimp. I have no problem paying for talent, but I do have a problem paying a promoter.

    If there is no promoter for the band, how likely are you to have heard of them? Take one of your favorite bands, remove all the buzz generated in any mainstream press, remove most of their fanbase which was garnered by the promoter initially, and tell me you would still have found that band and liked them?

    The promoter does not work for free.

    A couple years ago I said that the reason people are using file sharing is because there are no alternatives for people that want their music in that way. And that if someone provided me a way to easily, cheaply purchase an entire album or single song, with a quick download, with very limited DRM that gave me freedom to use the music, then that person shall have my money... Thank you Apple iTunes.

  70. This Musician's Take by pezpunk · · Score: 4, Interesting

    look, i've been in bands for roughly 13 years now. any musician who actually makes the mistake of believing the RIAA is acting in the best interests of anyone other than the music PUBLISHERS is either a) ignorant of the situation or b) ludicrously naive.

    now, music PUBLISHERS, in my opinion, are at the heart of this problem. this bullying litigation, these big corporations claiming your brain and your ears are their property. well maybe they don't claim that quite yet. just wait.

    intellectual property laws need a major overhaul, especially in the arena of artistic works. as far as i know, there is virtually no difference, legally, between say, a microchip schematic and the song "What Do I Get" by the Buzzcocks. complete "ownership" of both can be bought and sold.

    this is where artists get screwed.

    since the artists, generally, are private individuals, they don't have the means to reach an audience large enough to make a living from their music. this is where the large multinational corporation steps in. they promise the exposure and distribution needed to move units far beyond the artist's capabilities. all they ask in return, of course, is the sole publishing rights to the music.

    at this point the musician is a slave. the artist can't even legally burn his own CD, or send MP3s to friends.

    even worse, if the corporation decides that the CD isn't selling well enough, they can decline to print another run of CDs. and of course since they own the publishing rights, it's illegal to make copies of that music through anyone else. i've seen lots of bands who go on tour and can't even sell their own CDs at their shows because their label didn't want to spend the money to print them. I've seen an established band with half a dozen full-length albums out unable to sell a single CD to a sold out audience because of a publishing deal gone bad. i've seen a band sell 40,000 CDs and not see one cent from their label.

    the way to solve this problem is simple. intellectual property laws are too strong. first, in the case of artistic works, make it illegal for ownership OR exclusive publishing rights to be transferred away from the creator of the art himself. with one simple stroke, the power with which the music "industry" has imprisioned the musicians would dissolve. there would actually be some power in creating something rather than simply buying the rights to that creation. a musician, unhappy with his current label, would actually have some leverage. moving to a new label wouldn't mean abandoning the rights to all his previous work.

    in addition, when an artist dies, the intellectual property rights shoud die with him. none of this nonsense with the estate of pablo picasso sueing websites for posting pictures of Guernica a good 70 years after he painted it. "the estate of pablo picasso" didn't paint the damn thing. it's just a team of lawyers trying to get paid.

    even my band's mascot, Feseral Reserve Board Chairman Alan Greenspan, a republican, made a speech not long ago stating that intellectual propety laws had become too restrictive. they have crossed the line and become a hindrance rather than a tool for the progress of modern society.

    of course, it's a self-perpetuating problem. monetarily, and therefore politically, the publishers outweigh the musicians by a wiiiiiide margin precisely BECAUSE of these unjust intellectual property laws.

    i wish i could see a brighter future for musicians, but until then i'll continue to operate outside the boundaries of this music industry.

    --
    i could live a little longer in this prison
    1. Re:This Musician's Take by ex-songwriter · · Score: 0

      As a musician myself, and one who has recorded for both major and independent labels, I'm really confused by your post. You seem to be mixing up "Publisher/Publishing" and copyright. As a songwriter, even when I was on a major label, I always have, and still do, own 100% of my publishing. That's because I elected not to sign a publishing agreement. My record label controlled only the copyrights for the recordings (and when I have been on indie labels, I even owned my own copyrights--leasing my recordings to the labels for a period of years). The reason it is important to make this distinction is that if you own your own publishing, you get 8 cents per song you wrote per CD from the first CD sold. If you write all the songs on your CD that means you get a buck per out of the gate. These are called mechanical royalties. And yes, in my experiece, the labels (at least the majors) pay you this money, even if you owe recoupable expenses against your record deal. It is important to note that I have had much LESS luck collecting mechanical royalties from independent labels. They tend to talk a good game, but pay late, if ever. So yes, I urge you to operate outside of the boundaries of the music industry. Like every single musician before and after you, that is your choice. But it will pay to learn the basic about publishing and copyright if you ever intend to release, sell or license your music.

    2. Re:This Musician's Take by cpt+kangarooski · · Score: 1

      the way to solve this problem is simple. intellectual property laws are too strong. first, in the case of artistic works, make it illegal for ownership OR exclusive publishing rights to be transferred away from the creator of the art himself. with one simple stroke, the power with which the music "industry" has imprisioned the musicians would dissolve. there would actually be some power in creating something rather than simply buying the rights to that creation. a musician, unhappy with his current label, would actually have some leverage. moving to a new label wouldn't mean abandoning the rights to all his previous work.

      This would not solve the underlying problem. The problem isn't that RIAA won't publish, but that musicians want to. The problem is more simply that someone isn't publishing.

      Your proposal doesn't help at all -- what if the artist doesn't want to publish. Certainly this has happened. E.g. Franz Kafka wanted his unpublished works (and if possible his published works) destroyed. Because his wishes were not respected, the world got some great literature.

      The public is more important IMO than artists. You're not thinking of what's best for the public though, you're being too centered on artists.

      in addition, when an artist dies, the intellectual property rights shoud die with him. none of this nonsense with the estate of pablo picasso sueing websites for posting pictures of Guernica a good 70 years after he painted it. "the estate of pablo picasso" didn't paint the damn thing. it's just a team of lawyers trying to get paid.

      Why at death? Why not earlier?

      Additionally though, I suggest you distinguish between copyrights and 'intellectual property rights' which don't exist, and which if they did would vary tremendously.

      even my band's mascot, Feseral Reserve Board Chairman Alan Greenspan, a republican, made a speech not long ago stating that intellectual propety laws had become too restrictive. they have crossed the line and become a hindrance rather than a tool for the progress of modern society.

      For example, Alan Greenspan holds publicity rights to the use of his name and likeness -- you might be infringing on these things by making him your mascot if he hasn't given his permission.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  71. BULLSHIT!! by AzrealAO · · Score: 1

    The RIAA is solely concerned with music under coyright to their member studios. They don't give a shit what you do with the 2 and a half hour opus you've recorded in your basement with your 5-assed monkey drummer. Your arguements would carry more weight if you stuck to the facts, instead of erecting strawmen such as this, claiming the RIAA want's to stop anyone copying any music anywhere for any reason.

  72. Your communism is showing. by Xesdeeni · · Score: 1, Flamebait

    Please stop using the "the musicians/actors/RIAA/MPAA make so much money they can afford to be stolen from" defense. It's utterly ridiculous. There are plenty of legitimate arguments against the RIAA, MPAA, DCMA, et al. It's not your place (or mine) to decide whether someone who has legal rights is rich enough for your poor, pitiful soul to violate them. That is plain and simple communism, where everyone gets the same amount, no matter how hard they work, or based on any other factors (luck, demand, etc.). In case you hadn't noticed, such a system doesn't work. I for one would rather live in capitalism (although not quite pure, to avoid being actually abused by big money--middle ground is usually more reasonable), even when there are individuals without talent who hit the big time, because I always have a shot at working hard and getting ahead. In a communist state, there is no big time...hard work, luck or anything.

    The whole argument smacks of jealousy, and detracts from the legitimacy of the loss of rights we actually do have being taken away. And remember that there are people on skid row who think YOU make too much and breaking into your fancy home and relieving you of your TV or computer so they can put food on their table is justifiable.

    Xesdeeni

  73. Re:Ridiculous ... by Digital11 · · Score: 1

    Actually I would wager to say that a majority of RIAA signed artists are poorer than you or I. Since the RIAA holds all the power, they're the ones who decide what your contract is like. Unless you're a bid-war band (good luck with that) then the chances are you have no say as to what goes into your contract. Most advances aren't millions of dollars.. I'd guess more in the range of 250k. Also keep in mind that you have to pay for your recording/promotion out of that advance, as well as your living expenses for the duration of the recording process, etc. Oh, did I forget to mention that YOU HAVE TO PAY IT BACK. Here's a little news for you: Unless your album goes multi-platinum you're going to be in debt as an 'artist'.

    You don't have to believe me, but just do a little research and you'll find that what I say is true. The RIAA has no qualms with screwing people, be they artists or customers.

    --
    I am a leaf on the wind. Watch how I soar.
  74. Re:My Opinion Still Has NOT Changed... by Chijin · · Score: 1

    Me either. I buy a CD only if it is directly sold from the artist or their website(which is mainly indie stuff, of course). I have no problem supporting artists by going to see them live, as the portion of the money that actually goes to them is much greater (though the recording industry has their hands in this as well). They need to start concentrating on selling what you cannot digitally reproduce as yet, the complete experience of a live performance, rather than attempting to make money off of an artificially created monopoly on information in a time when that is no longer possible. The wonder is that we ever allowed the idiots to talk us into the idea that information content, not just a physical product holding it, a paperback for instance, should be protected by law. Maybe they weren't the only idiots.

  75. Re:Thanks for checking the time stamps... by tbase · · Score: 1

    LOL - That explains so much! :-)

    --

    666-607: 6th floor apartment of the beast
  76. Using Music You Purchased How You Wish by thirdofnine · · Score: 0
    Some people here are forgetting a use that should be legal, and that is ripping of CD's you purchased to listen to them how you wish. EG PC, MP3 Player, car Stereo, etc.

    I also agree with the arguments that the real artists are not rich, and often struggle. This is because the record companies do not want to take risks on lesser known artists, until they get air play, and people want to her them.

    At least here in Australia, indi artists have the national radio station Triple J, which constantly prompts new Australian music. Usually they get air play on Triple J, and then the commercial radio stations start to pick them up.

    Examples include Machine Gun Felatio, Gerling, Rocket Science, Grinspoon, Pacifier (Shiad), Frenzal Rhomb, Something for Kate.

    The artists deserve the money, not ARIA or RIAA or Record Company Execs. I would rather buy CD's direct from the artist where possible, and always support them at their live gigs, where they make the most of their money (and again not much).

    What I really detest paying for is one hit wonders, where they try to make you purchase a whole CD (which costs $29.95 AUD), for one good song, and a load of crappy filler. They are usually manufactured crap anyway.

    Third of Nine

    --
    Well, um, yes.
  77. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 1

    Bush and his cronies are far too busy indulging in international bullying to take any notice of bullying in their own country. Come to think of it, since they are only too quick to kick the heads of any other nation which they don't like, why should they be in the least bit concerned about the little people?

  78. You have no idea... by claude_juan · · Score: 1

    except for the relative handful of people in this world, most of the posting here is done by peeps who have read the (usually biased) news articles and joined the mob against the RIAA. thats fine, you are entitled to however ignorant you may or may not be. the thing that bothers me most is that a lot of people here seem to think that this justifies downloading music they didn't pay for. understand something here. this is not a service established by those who hold rights to the music. it is not OK!!! take your stand, hate the RIAA, but have some common sense. one last point... maybe the RIAA is "bullying" people into settling, but i haven't seen a case go to court yet and that says a lot. innocent people don't like to settle, and i don't believe that the only people being sued are those that live in public housing. get a clue. like it or not, they are right.

    1. Re:You have no idea... by Mr.Spaz · · Score: 2, Insightful

      You're missing some of the more inflammatory points of the RIAA's tactics here: The amounts they're demanding for compensation. There is no question that they are telling people, in essence, "Settle now for $2/3/4/5000 or we will take you to court and tag you for $15,000,000." We know they are doing this. When they claim "damages" in the amount of $150,000 per file, then people become angry because they know that this claim is unreasonable (think of it: if 10,000 people download a copy of the file from you only, the RIAA is alleging that they lost $15.00 per download on that one song. At that rate, CDs should be priced at about $165.00 each, assuming they average 11 tracks.

      This doesn't even touch on legal costs. If the RIAA sends me a letter demanding $2000 in settlement, I have the choice to pay it or hire a lawyer to go to court and represent me. Even if I am innocent, I must hire a competent lawyer and I can expect to pay around $400 per hour for his services. Assuming the case is an "average" civil case and takes 10 hours of the lawyer's time, I'm looking at $4000 in billable hours alone, before filing fees and other costs (the lawyer will charge you for his transit costs and other expenses while defending you). If I try to recover my expenses with a counter-suit, I can expect a lengthy process fueled by a behemoth organization that can afford to put high-priced lawyers on autopilot and forget about them. Innocent people may not like to settle, but sometimes they may take the cheaper way out.

      These are the things that make people really angry about what the RIAA is doing. Not that they're defending their properties or business, but that they're doing so in an egregiously "predatory" manner, seemingly outside the conventional channels of the law and with the threatening club of unreasonable penalties to back them up.

    2. Re:You have no idea... by claude_juan · · Score: 1

      that still doesn't address the point that people feel it is ok to download and share these songs as "payback" to the RIAA.

      also, it is my understanding that if someone takes me to court for something i'm "innocent" of, and they lose it is entirely possible for me to get my lawyer fees "reimbursed" or counter-sue for the loss of money.

      i'm not disputing the fact that the money involved is appropriate. what i'm saying is that NONE OF THESE PEOPLE ARE INNOCENT.

  79. Problem with stealing music by hypergreatthing · · Score: 1
    I have several problems with the current state of affairs with the RIAA. They are preaching that if you download anything and not pay for it, you are stealing. This is grossly incorrect. I do not want anyone preaching to kids that copyright infringement is stealing. There are many movies and songs that you can download without "breaking the law". Apparently copyright infringement is more dangerous than drinking and driving.

    The second problem I have is how distinguishing downloading a song from the internet is illegal but recording a song from the radio isn't. That can never be fully explained to me in a way that i would say "Damn, you're right. How could i ever group those two things as seperate instances". As far as i care, if it's on the radio, it's public domain.

  80. Anyone notice... by HangingChad · · Score: 1
    ...that they're not picking on people who can afford to hire their own lawyers and fight back? You don't see any Congreecitter kids getting letters, or the Kennedy's, or anyone in Warren Buffet's family. Bet if they get bent over for a big counter-claim suddenly this won't seem like such a great idea.

    No fear that Congress will step in to discourage this kind of corporate behavior. Our government is pretty much owned by corporate interests now. Any connection with average Americans is nothing more than a photo op.

    In a way it's good. Now Britney will be able to afford those new breast implants!

    --
    That's our life, the big wheel of shit. - The Fat Man, Blue Tango Salvage
  81. The fix by Anonymous Coward · · Score: 0

    Ok, I'm going to tell everybody my idea on the new music business model. Feel free to tell me how stupid the idea is if you feel the need to, I'm just looking for some feedback on the idea.

    By my understanding, the music industry is based upon the idea of scarcity and manufacturing. There are a limited number of CD's out there that cost money to produce, therefore the CD's must cost quite a bit to make up for the capitol investment required. Like toll roads that were supposed to become free after the bond was paid off, the record companies just decide to keep making the same profit margin once they have passed their break even point so they can become happy and rich and drive Lambos. Good for them.

    The fact is, thanks to digital media, there is no longer a scarcity issue. It costs, what 2 cents to copy and share a music file (counting electricity and bandwidth) and there is no manufacturing involved so the idea of having to pay for something that is ubiquitous like the air seems insane to people who understand the new model.

    But if there was an air making guild that was told my their customers that they wouldn't pay for air anymore - they would eventually quit making air - a poor metaphor that could be used to describe the situation between musician and listener. So how do we make music free (as in speech) but not free (as in beer)?

    Simple. Communism.

    No, I'm not suggesting that the world give over to the one world order - but rather that it recognizes that new technologies render the old system useless in certain instances. Music is a prime example. Artists meet with record companies in the hopes of; not getting recorded, most have demos already; but getting distributed. Perhaps they also meet with them for drugs, but that is another story...

    So P2P has the distribution thing down pat. Goodbye record distributor. Good riddance. Now all an artist needs is a recording/mixing studio (which can be bought without contract) and somehow to make money off the recording. Ignoring the obvious solution being "play more shows" (this shows by bias against people who are only recording artists...play a show for God's sake) how can an artist support himself with his recording?

    Simple. Communism.

    It would take no effort to create specialized ID tags for all music formats that include the standard Artist, Song, Album information; but also includes a link to the artists site and perhaps a bit torrent link or something equally identifying. You can add code to players that will tell you after you've listened to the song 1 or 2 or 20 times (I think this should be user configurable) to tell you that you have apparently enjoyed the song, perhaps you would like to donate a dollar to the band.

    I call it StreetWare - cause you don't listen to street musicians without paying them, but you don't have to pay them much and it's totally voluntary.

    If you already have the CD, you can click on a button that says you already paid. If the song sucks you can just erase it. If the song sucks but you need to keep it on because you want your wife/gf/slave to revel in it's suckiness you can click that you already paid or ask it to remind you later. If you are an asshole you can click on I paid anyway. If you met your wife at a club while the song was on and you played it at your wedding, maybe it's worth more to you than a dollar. The idea is that it just flips a bit on the local copy so a moral listener can keep track of it. It's not reported to anyone, it's is just like shareware but you can pay whatever you like. As much as I hate the phrase, the old communist mantra of "From each according to his ability to each according to his need" it kinda fits in this instance. I personally cannot make music, but my soul needs it - so I'll give what I can to the artists.

    Artists have the benefit of exposure, which means they can play crappy clubs as opposed to Los Amigos (the restaurant). The added revenue would go straight to the artist and not be divided. Not to mention the numb

  82. Mod down parent as Overrated by Ride-My-Rocket · · Score: 1

    The guy apparently doesn't know the meaning of "sarcastic". Neither, apparently, do the people who labeled this "Insightful". If I had mod points today, I would have modded it down myself.

    1. Re:Mod down parent as Overrated by Cruciform · · Score: 1

      Actually if you apply sarcasm to each phrase by itself or the statement as a whole it's still inflammatory to artists. If the intent was pro-artist then the phrasing could have been a hell of a lot better.

  83. Re:Ridiculous ... by ncr53c8xx · · Score: 1
    All nusicians that lose revenue to Kazza are rich. Look at the sharing lists of people who they go after. Do you see any little indi artists there?

    And that hurts the indie artists--if the pricing was done right, some of the people downloading the top40 stuff would buy the indie albums. The problem is similar to that faced by smaller software publishers--who will purchase a $50 imaging program when you can download Photoshop for free?

  84. RIAA free music -- right here! by Anonymous Coward · · Score: 0

    http://www.johnpbarton.com

    Brand new album from a guy you've never heard of...

    New music. Good stuff.

    There's a couple of MP3's you can download, and you can buy his CD if you like what you hear.

    No RIAA!
    No major label!
    No bling bling! ;)

  85. Re:your loosing me, try squelching out the noise.. by Anonymous Coward · · Score: 0

    1. If they were being harmed, maybe they'd have a point.
    a) They say they're being harmed, but there is plenty of evidence to the contrary.

    2. They are not being deprived of ANYTHING.
    a) They percieve, and assert, they are being deprived of a sale. Because we all know 100% of people who can have something that's lower quality, but free, will also infact pay retail for it (only better) if they can no longer get it for free.
    b) Some of the available data implies they were benefiting from P2P, but just not how they would hope. People would buy the albums they found to be better, rather than those the RIAA members promoted most heavily.

    3. The respect their rights should garner is, in fact, directly proportional to the respect they show give the rights of others.
    a) Copyrights are now effectively unlimited.
    b) I have recieved no remuneration for my "lost" rights.
    c) They continue to buy politicians, and by proxy, my rights.
    d) Historically, this sort of government for the rich, has been a good excuse to kill people.

    They are getting off pretty light thus far.
    QED.

    I like many others, am only bound by the law in so far as there is a demand I answer to it when so called. In my behavior, I am bound by my own, rather stringent, ethical code of conduct. Call it a ridged code of personal honor. One of the guiding principals, is an unrealistic demand for certain symetries. Money, the law, they don't have an influence on my moral outlook. Nor should they.

    Ultimately, your appeal is that of the sophist. That which a person can be convinced of is true. An empty promise if there ever was one.

  86. open source by opus18 · · Score: 1

    Anyone infuriated with this discussion? Is there anything that's been established resembling a sort of 'open source' music project? If not, I declare myself founder and chairman. Let's get to work. Who's with me?

  87. UMmmm by dnaSpyDir · · Score: 1

    Cary Sherman, President of the RIAA: 'The fact that the overwhelming majority of those who received the notification letter contacted us and were eager to resolve the claims is another clear signal that the music community's education and enforcement campaign is getting the message out.'

    WRONG!! It's a clear sign that mob style strong arm tactics work. Why not just put a horse's head in their bed.

  88. Re:Where's the Government? Our elected officials? by enjo13 · · Score: 0, Redundant

    I've succesfully defended myself against a large corporation with a large team of well paid lawyers. After all was said and done I actually profited from the experience (and I'm a man of modest means).

    It turns out when you don't break the law, there is very little that even the best lawyers can do. That's the thing that just dumbfounds me, everyone on Slashdot wants to whine and complain about the system, but the fact is the people being sued broke copyright laws. They want to settle because they fundamentally KNOW they broke copyright law. Don't break the law, don't get sued. How much simpler can it be?

    --
    Turn s60 photos into awesome videos with mScrapbook for all S60 3rd edition phones!
  89. Make up your mind! by Kombat · · Score: 3, Interesting

    First, musicians won't get the money they deserve. The minions and scumbags around them will get the lions share.

    This point of view has often bothered me. I don't get it. First of all, it takes dozens, maybe even hundreds of people to produce an album. From the talent scouts, to the lyricists, marketers, sound engineers, cover artists, and everyone in between. If it takes 200 people (counting the actual artist) to produce an album, why should the artist get more than 1/200th of the profits? What makes them so deserving of this huge windfall, leaving the other 199 equally hard-working (and probably better educated and less drug-addicted) staff to fight over the remaining scraps?

    Would you prefer the type of arrangement we see in the movie industry? Tom Hanks makes a movie and gets paid $20 million. The other 500 people involved in the movie get ... well, far, far less, needless to say. Is that fair? Doesn't the guy who puts in overtime painting the sets so they'll be dry for tomorrow's shoot deserve just as much pay as the trained monkey spouting lines (that someone else wrote for him) in front of the camera (which is being run by another low-paid professional)?

    So which situation would you prefer? Relatively equal distribution for all, including the artist (a la music), or grossly disproportionate distribution of the profits (a la movies)?

    --
    Like woodworking? Build your own picture frames.
    1. Re:Make up your mind! by mr_z_beeblebrox · · Score: 1

      So which situation would you prefer? Relatively equal distribution for all, including the artist (a la music), or grossly disproportionate distribution of the profits (a la movies)?

      Very simple to explain (NOT!!!)
      The artist (and band)creates a record. The Management team finds someone who will record and market it. The recording company records it. In my opinion (and the arrangement I have with bands I manage [only 2]) is that each of those 3 entities is one third of the albums success.

      So, if our next album does 3,000,000$ (it probably wont make 1/6 of that) the band, mgt. and studio take a mill ea. Now if there are 4 musicians in the band they would each take 250,000 (if the front man chose to share it that way). If I share mgt duties with a promoter or two (I do) we would split a mill. The recording co then receives a mill for their work. Using this scheme I can not get on with major labels but smaller labels let you negotiate.

    2. Re:Make up your mind! by laura20 · · Score: 1
      Doesn't the guy who puts in overtime painting the sets so they'll be dry for tomorrow's shoot deserve just as much pay as the trained monkey spouting lines (that someone else wrote for him) in front of the camera (which is being run by another low-paid professional)?

      Not really; depending on your construction of society, you can argue that money should be distributed according to the amount of capital you supply and risk you undertake (the film company, the financiers), or you can argue that the money should be distributed according to the amount of value you add to the product (the writers, directors, and actors.)

      Under either construction, the set-painter doesn't rank very high; he doesn't add much unique value (people go to see the next Vin Diesel/Wachowski Brothers/whatever movie, not the sets), and he doesn't risk much capital.

    3. Re:Make up your mind! by zbuffered · · Score: 1

      If it takes 200 people (counting the actual artist) to produce an album, why should the artist get more than 1/200th of the profits? What makes them so deserving of this huge windfall, leaving the other 199 equally hard-working (and probably better educated and less drug-addicted) staff to fight over the remaining scraps?

      Scraps? Those 199 people get paid up front. They work for a living. The "artists" take the risk. They make it, or they don't. If their album doesn't sell, they don't make money. If they hit the big time, they get rich, and nobody gets to be jealous. They could just as easily have ended up nowhere. Meanwhile the other 199 people would still have that $$$.

      The artists take the risk, and therefore deserve the huge windfaell.

      Would you prefer the type of arrangement we see in the movie industry? Tom Hanks makes a movie and gets paid $20 million. The other 500 people involved in the movie get ... well, far, far less, needless to say. Is that fair? Doesn't the guy who puts in overtime painting the sets so they'll be dry for tomorrow's shoot deserve just as much pay as the trained monkey spouting lines (that someone else wrote for him) in front of the camera (which is being run by another low-paid professional)?

      It's what the market will bear. If you don't like Tom Hanks' $20m price, don't pay him. If enough people don't pay him $20m, his price will go down. You can hire a nobody actor for $20,000. Your film may not get as much exposure, or it may be a big success and you'll launch that actor into future stardom. Again, everybody else in the movie industry works for a living. They make good money at it too -- they have nice unions out there. Don't cry on their behalf.

      So which situation would you prefer? Relatively equal distribution for all, including the artist (a la music), or grossly disproportionate distribution of the profits (a la movies)?

      I understand your point, but I think that part of the allure of music is "hitting it big".
      My problem with the music industry is this:

      I bought a bunch of DVDs from a bargain bin at Wal-Mart for $6 each.

      I can't get CDs for less than $10 each.

      Nobody can tell me that the production costs for a CD is higher than that for a movie (can they?), so why aren't CDs priced competitively with other things out there?

      --
      Synergy is your friend
  90. Re:Where's the Government? Our elected officials? by EvilBuu · · Score: 2, Funny

    Give yourself 10 minutes without google and see if you can come up with a list of 20 names.

    While I agree with your premise that most people don't know (enough) about their elected representatives, I thought it was also fair to say that not only do a great number of states have less than 20 Congress members total, but any given person only gets to vote for 3 (1 Rep from your district, 2 senators).

    I'll see your James Walsh and raise you a Hillary Clinton and a Chuck Schumer, your bet.

    --

    Green-voting, republican-registered, socialist-libertarian.
  91. Something is broken by EllisDees · · Score: 1

    When our government places the value of copyrights, which for almost all cases are simply forms of entertainment, above the value of patents, many of which actually lead to people living longer, healthier lives. What is the logic behind having patents last only 17 years (which is a reasonably length of time IMO), while copyrights last 95+ years?

    It's no wonder that nobody respects copyright anymore. The whole system has become a bad joke.

    --
    -- Give me ambiguity or give me something else!
  92. Bollocks by bushboy · · Score: 1

    These days, musicians work damn hard in collaborative efforts to release work without the aid of huge corporations and are doing a pretty good job of it.

    There are numerous bands doing the rounds successfully (i.e. as a decently paid job) who market/design/distribute thier own music.

    --
    A slashdotting - you get the stick first and then the carrot !
  93. p2p legal alternative by Corhonio · · Score: 0

    Instead of RIAA suing people, it wouldn't be nice to use its resources to make (us aware of?) a service where someone can download mp3s legitimately (on a subscription or pay per song basis)? The mp3 format has many other merits than that the content,encoded with it, is most of the times free. Ripping cds someone owns isn't convenient and sometimes not possible due to copy protection these days.In addition the price of a song downloaded should be much cheaper than the price of a song in a cd for obvious reasons. I'm only aware of the iTunes service but that's too platform dependant.(I din't make a proper google research about such services but if there was a mainstream service like that IMHO I should already know it)

  94. Re:Where's the Government? Our elected officials? by teamhasnoi · · Score: 1

    Perhaps we should call them Pubic Defenders, as we are getting royally screwed.

  95. Oh really? by Nonillion · · Score: 1

    The only reason this appears to be working is because the RIAA has the endless funds to launch law suits against people who cannot afford a lawyer. In situations like this the RIAA should be forced into paying the leagle fees for both parties if the defendant cannot afford to hire their own lawyer.

    select * from head_of_RIAA where clue > 0;
    Segmentation fault
    1535 pages dumped

    --
    "I bow to no man" - Riddick
    1. Re:Oh really? by Matt+-+Duke+'05 · · Score: 1

      No.. the only reason why this is working is because people _broke the law_. Plain and simple. The RIAA may be evil. If you believe this to be the case, then don't download their music and open yourself up to a lawsuit that is only going to further line their corporate coffers! If you are so adamantly against the RIAA, seek another venue through which to acquire your music. Guess what, if you do this, then no one is going to be knocking on your front door with a lawsuit! Why? The RIAA has absolutely no standing in ANY court of law to file a lawsuit against you for violating a copyright that they do not hold.

      Many people will criticize my claims, stating that the copyright laws are unfair. You know what... maybe they are. However, they doesn't give you license to just go and break them. No.. this is NOT civil disobedience. To claim that downloading MP3's is an attempt to spite our antiquated laws is a spit in the face of those who practiced true civil disobedience.

      As many have said, downloading the RIAA's music _illegally_ from the Internet doesn't hurt them monetarily at all. All it does is further their tyrannical grasp. Thus, if you truly want to fight the system, you would support OTHER artists. If you don't, you're merely another whining hypocrite who just wants a free ride, all the while criticizing the institution that your actions are supporting.

      but that's just my opinion... i could be wrong ;-)

      --
      -Matt
      Duke '05
  96. Re:Where's the Government? Our elected officials? by barks · · Score: 1

    Oh yeah....the artists.

    I totally forgot about them with all this action from the "publisher" speaking on behalf of them...read an article by good old Richard Stallman and you'll realize copyright laws were orginally created in the printing age to protect the artists FROM THE PUBLISHER...not in the digital age where the RIAA thinks everyone is a criminal.

    You're right, update the laws but not people's behavior. Artists are really not in the RIAA's tunnel view...just ppl's wallets.

  97. Interesting to note... by Anonymous Coward · · Score: 0

    Neo dies after Smith takes him over. Trinity dies.

    The Matrix is not destroyed.

    Sorry to spoil it.

    1. Re:Interesting to note... by Anonymous Coward · · Score: 0

      Totally rude of you to spoil it... btw, the Titanic sinks.

  98. Sellouts by nurb432 · · Score: 1

    No, you apparently dont understand what i meant at all.

    The sellouts are the ones that go ahead and sign up for the RIAA gravy train.. the ones that sell their souls to the industry for 'the fame and money'. ( and often destroy their work and talent in the progress )

    its NOT that they sell their 'music'. its how they do it....

    --
    ---- Booth was a patriot ----
  99. Defending the RIAA? (and a rant) by swordgeek · · Score: 1

    First of all, while I know it's a pipe-dream, I really wish the /. "editors" would do some damned editing. The submitter's commentary on the post was stupid, pointless, and out of line. Save it for the threads, people!

    OK, now that I've got that off my chest...

    There is a common misperception among almost everyone who talks about this and many other contentious issues. It goes like this:

    1) The RIAA is evil, therefore I'm in the right.
    2) The RIAA is behaving legitimately (maybe scummy, maybe not, but legitimately) and therefore file sharing is wrong.

    It's always us vs. them, and one side HAS to be right, while the other HAS to be wrong. This just isn't the way it works. In reality, the RIAA has the legal and moral mandate to protect the works of their labels' signed artists. In reality, downloading music without compensation is bad. HOWEVER, in reality one must also realise that the RIAA is treating artists like dirt, and downloading doesn't practically take anything away from the artists. (or more to the point, for 99+% of the artists out there, buying their music doesn't provide any effective compensation)

    Boycotting? Unless it's done en masse, it won't affect anyone--and if it did, then the RIAA would absorb the pain, by passing it on to the artists.

    There are no real winning situations here--no moral high ground, no "he's wrong, so I must be right!"

    Now that I've laid that (unquestionable!!! :-) groundwork, let's take a step back and look at the whole picture. In other words, who wants what?

    Ideal case:
    1) Consumers want artists' music.
    2) Artists want compensation for their work.
    3) The RIAA wants to facilitate that.

    Real case:
    1) Consumers want music for free.
    2) Artists want compensation for their work.
    3) The RIAA wants control of the industry (from both artist and consumer sides).

    So what do we see? The artists' role doesn't change. The consumers' role has become more self centred, but ultimately isn't conceptually different (but more on that in the next exciting paragraph!). The RIAA is the role that's changed the most: they are no longer acting in the interests of the musicians or the consumers. They are acting on their own behalf, and aiming at complete control over who listens to what, and when. THIS is the fundamental flaw in the system. THIS is what we need to break away from!

    However, the biggest stumbling block to getting rid of the RIAA is the difference between the consumers' ideal and real behaviours. If people can get stuff for free, then they don't want to pay for it, and as long as we keep fighting the RIAA on that front, then they will remain the only main conduit for money getting to artists--in other words, downloading music for free makes the artists more dependent on the RIAA. (Of course, there are many exceptions--artists who release stuff willingly for free download are the biggest one.)

    As consumers, in a consumer-driven society, we have to accept that the artists deserve and need compensation--from us! Micropayments, voluntary downloads direct to artists, pay-per-song downloads, it doesn't matter what system gets put in place. The thing is that we can't get rid of the RIAA until we can come up with a better system for artist compensation. Otherwise, it all really is just lip service in order to avoid paying for music.

    --

    "People who do stupid things with hazardous materials often die." -- Jim Davidson on alt.folklore.urban
  100. Education? by Rico_za · · Score: 1

    It proves just as much as: holding hundreds of people hostage on a military base in Cuba (without trial) proves that America's kind of democracy is something anyone wants, as specially to the citizens of whatever country they try and "liberate" currently or next.

  101. Stealing is stealing by FlyerFanNC · · Score: 1

    It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

    This is irrelevant. Whether you're stealing from the rich or the poor, it's still stealing.

    1. Re:Stealing is stealing by djeaux · · Score: 1
      To quote a great songwriter (see my sig):
      Steal a little,
      And they put you in jail.
      Steal a lot,
      And they make you king.

      My point being that the file-sharer "steals a little" & risks being sued by the RIAA. Meanwhile, the record labels steal hugely from the artists & get ever increasing power & control in return.

      Face it (the RIAA certainly doesn't), the typical downloaded mp3 is of a bitrate comparable to an analog tape made from an FM broadcast in a thunderstorm. And by accusing file-sharers of "full-price stealing" for acquiring these copies, the RIAA is admitting that the officially-released CD is of no better quality than said analog tape, no value-added whatsoever.

      Either that or they're admitting that the typical "product" is a throw-away item. In the latter case, their disposable music is grossly overpriced.

      --
      "Obviously, I'm not an IBM computer any more than I'm an ashtray" (Bob Dylan)
    2. Re:Stealing is stealing by FlyerFanNC · · Score: 1

      I definitely agree that the RIAA is in the wrong, to put it mildly, but stealing from a thief is still stealing.

  102. I just couldn't resist by phlapjack77 · · Score: 1
    i've been a lurker on slashdot for many years, but this post made me sign up and reply.

    1) Of course there is moral justification for breaking laws. a few examples are murder in self defense, speeding to get your wife to the hospital...to think there can never be moral justification for breaking laws is just stupid.

    2) That's one of the biggest slippery slope fallacies i've ever seen. you're going from downloading music to killing someone? i suggest you take a logic class or 3 and then spend some time in the real world.

    1. Re:I just couldn't resist by kmonsen · · Score: 1

      I'll answer you.

      1. Both of those are legal, at least where I live. But I agree that there can be moral justification for breaking laws. Music sharing is in my opinion not one of them. You should also be prepared to face the consequence if you break the law willingly.

      2. I was just trying to make a point. Note that you are slipping youself, you are comparing downloading a file with killing in self defence.

      My point is that we should not encourage breaking of laws. If you don't agree with them try to get them change, we are living in democracies. And the simplest solution to RIAA is to stop buying from them.

  103. Re:Where's the Government? Our elected officials? by SlayerofGods · · Score: 0

    Your right, all the RIAA cares about is money.
    But thats all anyone cares about, if your average downloader didn't care about money they would just go out and buy it.

    --

    Technology, the cause of and solution to all of life's problems.
  104. Whoa by Meor · · Score: 1

    "Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve." What country are you from? Last time I checked this is America and people can make however much money they want regardless of what you think they should.

  105. stealing != copyright infringement by themusicgod1 · · Score: 1

    when i buy my cd at hmv, i don't pay the artist either. if any of the 40$ that i spend on that cd actually reach them, it'd be mabye .10$. i can't _help_ but to not pay the artist for music, because i haven't really seen much of artists that sell their work for money. guy's like Morally Sound, and Other such small-time bands you can buy their CD's from them - and if they really want to take some bread fr om that then thats' fine. but i don't pay for music i hear on the radio, i don't pay for music i buy at hmv' and i don't pay for music from www sites that artists put up for free.

    --
    GENERATION 26: The first time you see this, copy it into your sig on any forum and add 1 to the generation.
  106. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    Happiness is mandatory. Are you happy, Citizen??

  107. Brave New World by cherokee158 · · Score: 1

    Music piracy, software piracy, bootleg DVD's...I think the problem is really symptomatic of a growing disparity between our old fashioned economic model and the perceived value of digitally replicated information. While it is undeniable that many hours of hard work go into producing software or music or art, it is often difficult to reconcile the idea of paying a lot of money for a CD in your hand that is essentially little more than a 30 cent piece of plastic, or the even more ephemeral downloaded mp3. The consumer does not see the the costs involved in their production. All we see is that there is a virtually unlimited supply of them. Their perceived value is low, and supply far outstrips demand. Therefore, the costs are seen as artificially inflated. The industry's tendency to deliberately restrict supply, and to charge prices far in excess of what is neccessary to make a reasonable profit, only contributes to this perception.
    The bottom line is that the music industry (and many other industries, too) has lost our trust, through repeated excesses, and many now feel morally justified in "stealing from the rich, to give to the poor". Are we really poor? No. Are they really rich? A few fat cats in suits, perhaps, but most are not...although the media moguls excel at portraying themselves as such. No, the truth is we are simply stealing from those who we sense have been stealing from us all along...if indeed theft is an appropriate word for what is really an act of unauthorized replication.

    It is not a matter that can be adequately resolved by enforcing an archaic business model through litigation. The theft will continue. Our economic and legal systems need to grow and adapt to a very new kind of business environment. This is only the beginning...

  108. Thanks for answering by phlapjack77 · · Score: 1
    The original poster never said he wasn't willing to face the legal consequences. He was making a distinction between legal and moral values. To him, file-sharing might be illegal but it's not immoral, and so gave his reasons why he didn't think it's immoral.

    No, i never compared file sharing with killing in self-defense. I gave examples of breaking the law with moral justifications to show that it does happen. I don't like comparing things to other things in arguments, or using metaphors or whatnot, because almost always the things being compared/metaphored are different enough to make comparison/metaphoring useless. case in point, your slippery slope argument.

    sure, we shouldn't encourage the breaking of laws, but this is a very complicated matter, and an absolutest point of view isn't very helpful. There have been many laws in the past that were wrong that were broken by the population, and it turned out to be a "good thing"(TM)

  109. Re:your loosing me, try squelching out the noise.. by Anonymous Coward · · Score: 0
    downloading music != stealing

    since there is no physical property removed

    It's a metaphor, you idiot.
  110. Re:Where's the Government? Our elected officials? by dsmitchell1 · · Score: 1

    I think the issue is not *where* the government is, but *who* they are. Correct me if I'm wrong (I'm sure you will), but I think we have poor leadership in our government because your average Joe Slashdotter is content with posting his opinion on a site where others will agree with him and leaving things at that. "The right thing" never gets done in the government because there is no one in Washington who has our interests in mind. And no one in Washington has our interests in mind because none of us really cares enough about the outcome to get organized. I'm not necessarily saying that we need a "Slashdot Party" to represent us (although the idea may have merit), but we need to push our "folk heroes" into the public eye more forcefully. I'd like to see Linus Torvalds on "Good Morning America", and Eric S Raymond on "Larry King Live" (please don't attack the specific examples, I'm just throwing them out here), but these things won't happen if we don't get organized and start making a lot of noise outside of our own little community. Slashdot, I say put your money where your mouth is.

  111. Politicians previous employment? by asdfman2000 · · Score: 1

    If you look at most politicians, you'll see that most were lawyers before being elected.

    If you look at all the lawsuits out there, you'll notice the big winners are the lawyers. Why would lawyers want to change a system where they profit in a disgustingly large amount?

  112. I still haven't bought a CD by Rai · · Score: 1

    since November 1999...yeah, it's working alright.

    1. Re:I still haven't bought a CD by DirkDaring · · Score: 2, Funny

      I've bought hundreds. Blanks, that is.

  113. Re:your loosing me, try squelching out the noise.. by Anonymous Coward · · Score: 0
    1. If they were being harmed, maybe they'd have a point.
    Copyright law contains provisions for statutory damages. Piracy is still illegal, even if no one is demonstrably harmed.
    a) They say they're being harmed, but there is plenty of evidence to the contrary.
    There is no evidence to the contrary. Correlation does not imply causation.
    2. They are not being deprived of ANYTHING.
    a) They percieve, and assert, they are being deprived of a sale. Because we all know 100% of people who can have something that's lower quality, but free, will also infact pay retail for it (only better) if they can no longer get it for free.
    They don't have to prove that 100% of piracy results in lost sales. Even one instance proves their assertion. It is an undeniable fact that some people are using p2p to obtain music that they otherwise would have purchased.
    3. The respect their rights should garner is, in fact, directly proportional to the respect they show give the rights of others.
    In fact? Fact? What legal fact can you cite to support this meaningless fantasy babble?
    a) Copyrights are now effectively unlimited.
    b) I have recieved no remuneration for my "lost" rights.
    You are not entitled to any. The terms of copyright were set in place by legally elected representatives of the people. I do not deny that corporations have a great deal of influence over them, but they are still operating within the law -- and the law says nothing about your imagined right to be compensated for a "lost right" that you arguably never had in the first place.
  114. Sponsor a musician for just pennies a day! by Anonymous Coward · · Score: 0

    Of course, the sad truth is that these settlements (like almost all proceeds from album sales) will never make it to the artists, whether they deserve it or not. Most artists make the overwhelming majority of their income from touring; album sales generally benefit the label.

    The economic model for supporting recording artists is premised upon the costs and scarcities associated with album production circa 1960. As the online music sales saga has demonstrated, those with the power to re-make the business model to reflect current realities have made so much money while contributing so little value to the product that they are unstandibly reluctant to kill the golden goose.

    Now that digital production is (relatively) cheap and easy, and digital distribution is virtually costless (via iTunes or P2P networks), the only remaining scarcity is talent. Too bad those who control that resource (artists) seem unwilling or unable to "cut out the middleman and pass the savings on to you."

  115. Same argument over and over by pragueexpat · · Score: 1
    And, arguably, I haven't cost the movie industry anything.

    See, the argument they ("they" being the movie industry, MPAA, record industry, RIAA, and various software companies like Microsoft) are trying to put forth is that for every piece of software or music or movie downloaded, that's a literal sale that they have lost. But I was never going to buy "American Beauty." If I hadn't been able to download it, I would have just settled for not having it. They've lost exactly no money by me downloading it.

    I see a flaw in this argument. Let's take, for example, a person who has 1000 downloaded songs on his PC. Some new band puts out a song. He thinks to himself, "I can download it because I wouldn't have bought it anyway so it won't cost the industry anything." And its true, he wouldn't have bought it anyway. But I say that the only reason he wouldn't buy ANY of these songs is because he already has a library of "mediocre" songs to listen to. Imagine that a person had NO downloaded songs on his PC, thus having NOTHING to listen to during the day. Don't you think that at some point he would buy one of those CDs just to have SOMETHING to listen to? So, my point is that, maybe you wouldn't buy one individual CD, but if you (for moral/legal reasons) never downloaded ANY songs, you would eventually buy some CDs. Thus, the industry DOES lose out on your sales. (Maybe for every 100 you download, you would have otherwise bought two CDs). The point here is that however you look at it, downloading is illegal but people will rationinalize their behavior till the day they die.

    I know its not popular to bash the downloaders, but let's not kid ourselves that it doesn't financially harm the music industry.

    --

    "The prohibition will be strongest when the group is nervous." - Paul Graham

    1. Re:Same argument over and over by Trillian_1138 · · Score: 1

      I didn't intend to say that P2P software and downloading has NO financial impact on the industry. I'm sorry if it came out that way.

      The example you gave:
      "Let's take, for example, a person who has 1000 downloaded songs on his PC. Some new band puts out a song. He thinks to himself, "I can download it because I wouldn't have bought it anyway so it won't cost the industry anything." And its true, he wouldn't have bought it anyway. But I say that the only reason he wouldn't buy ANY of these songs is because he already has a library of "mediocre" songs to listen to. Imagine that a person had NO downloaded songs on his PC, thus having NOTHING to listen to during the day. Don't you think that at some point he would buy one of those CDs just to have SOMETHING to listen to? So, my point is that, maybe you wouldn't buy one individual CD, but if you (for moral/legal reasons) never downloaded ANY songs, you would eventually buy some CDs. Thus, the industry DOES lose out on your sales."

      I think that's very valid. So you're right. Overall, P2P software has probably negatively impacted on the RIAA's sales as a whole. But they're still overreacting to the issue in an unfair manner. Rather than attempting to adapt to a reality and settle to, instead of making BUCKETLOADS of money, just make cuploads of money. They're unwilling to release their stranglehold on the industry and move from huge, amazing, phenominal wads of cash simply great big wads of cash.

      At least that's the way I see it.

      -Trillian

    2. Re:Same argument over and over by kmonsen · · Score: 1
      I think most of us see it your way. However, I think music downloading is, and should be, illegal if the copyrightholder wants it. There is no inherit right to transfer my music to my iPod or to a friend over a network.

      They SHOULD allow me to do it, and I will buy no music which does not permit me playing it on my iPod.

      It is up to them to license/restrict music they sell, just like it is my choice which license I put on my software.

  116. Courtney Love does the math by AbstracTus · · Score: 1

    Courtney Love wrote a good article on how much money major label artists actually get. It's a lengthy piece with quite a few mathematical (read: money calulations) explanations on how major label artists are getting screwed, pardon my french, by the major labels.

  117. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    Don't cry to the polititions, they are mere puppets for the corporations.

    Even worse many of them used to be lawyers.

  118. You Are A Moron. by Anonymous Coward · · Score: 0

    And a troll. Please shut the fuck up.

    Your tired and stupid arguments have been relentlessly torn to pieces time and time again every time that they've been made. I'm not even going to bother doing so now, since it would just be knocking down the same crippled, deaf and blind man yet again.

    Why don't you just give up--you've already joined the ranks of Signal 11, Exmet Paff Dax, Enoch Root, and Reality Master 101. In other words, you are done, finished, caput.

  119. 12-year olds are easy to beat in court by Anonymous Coward · · Score: 0

    'But I like listening to music while I do My homework!!!'

    Sorry little girl, you're a Felon Now !!!

  120. STEAL STEAL STEAL by Anonymous Coward · · Score: 0

    It makes me so mad!

    Perhaps, I'll go out and STEAL as much music as humanly possible ... So I can take a stance against a corporation whose policy I don't agree with. I mean sure I could just refuse to purchase things from them. I could go out and give money to artists who refuse to go into business with them. Maybe even boycot radio stations who play their music. On second thought, I'll just run out and STEAL things from them and then explain to a judge how two wrongs actually do make a right. Especially when the first wrong impeeds my right to enjoy myself.

    Idiot children,
    --El Duderino

  121. Still surprised to see TROLLING in the STORY. by BlueFrog · · Score: 0, Flamebait
    From the story posting:
    It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.

    CowboyNeal, you're a damn troll. Not only is this inflamatory and factually incorrect, I know you know better.

  122. Re:Where's the Government? Our elected officials? by pballsim · · Score: 1

    Sorry Bush the Senate and Congress don't care. They are in the pockets of big business. Why do you think Cheney's previous company is rebuilding Iraq, why Enron picked the Energy Secretary and the EPA people. In fact Enron has paid for 3/4 of Congress. No wonder why Keneith Boy Lay got off scott free (Source: Molly Ivans, Public Record, etc.).

    It's time we take back our government to work for the people and not big 'bidness'.

  123. Re:Doesn't anyone see the insanity? by symbolic · · Score: 1

    and I've bought more (and much more eclectic!) music as a result of that.

    That's the problem. You're buying music. And it's even a bigger problem if you're buying music produced by the RIAA. You and millions of other consumers are funding the RIAA madness. So everyone...listen up. If you're going to buy, don't bitch. If anyone is willing to do something about the problem without whining to regulators (which is the only way anything will get done), then get some control over the crack habit that music has become, and STOP BUYING IT.

  124. Defense Fund by chatooya · · Score: 2, Informative

    You can still help people that were sued in the last round by making a contribution directly to them using the Peer-to-Peer Legal Defense Fund at downhillbattle.org . Defendents from this round of suits are going to be added soon also.

    It should also be noted that before filing this round of 80 suits, the RIAA sent letters to 200 people demanding settlements or else. While they portray this as a compromise, it actually just lets the RIAA avoid media scrutiny of those 200 people, keeping the next Brianna Lahara out of the spotlight. These extra-judicial fines are now happening in secret.

  125. isn't anyone tired of it as a whole yet? by Internet_Communist · · Score: 1

    Everytime there is one of these RIAA articles there's always everyone going on about how bad the situation is and how they shouldn't do what they're doing, but that musicians should somehow still get compensated or what not. Doesn't anyone see the fundamental flaws with copyright and IP in common to begin with? A temporary grant of monopoly? Telling someone you can't copy something, yet you give it out? As my sig says, if you don't want someone to copy something, don't give it to anyone, it's that simple! If your human desire for territory gets in the way, learn to control your urges! You want to kill the problem? Start at the source, don't bullshit around the fact that copyright is majorly flawed just to save the few truly suffering, you can't make any good change without hurting someone. They could still do live performances if they really wanted cash but in the mean time, get a real job. Most musicians profit off fame, not their musical talents, and I hate pop bullshit american idolism. Of course there are the biased who benefit off it or have the friends that are one of those starving artists or those who believe people should be compensated for their long and hard efforts but shit, no one forced them to make their music, and any true musician would want to make music whether or not they were making money, doing it for the artistic value.

    Yeah, someone will disagree, but no one agrees on everything. I stopped giving a shit.

    --

    If you don't want someone to copy something, don't give it to anyone.
  126. Re:Where's the Government? Our elected officials? by Pieroxy · · Score: 1

    From the story: and so said people are easily bullied., and from your post: it's for a good cause

    So now, you can rip people off, violate copyright, and all, and after all that, you're still the good cause? You are bullied when legitimate copyright holder sues you?

    What's going on guys!!!?!? When you violate copyright, you expose yourself to some consequences, deal with it!

  127. Music: The Fools Profession by jtpalinmajere · · Score: 1

    Now don't get me wrong, I'm all for giving artists their fair share for providing much needed entertainment.

    BUT!!!

    What exactly constitutes fair share? In many cases, I believe that the majority of musicians are in fact receiving their fair share, but this majority of musicians do not include those supported by big labels and represented by RIAA. Quite frankly it sickens me to see some crack addict write a few repetitive phrases and mumble them to a beat and get paid 10 times more than cancer cure researchers... hell... even garbage men have a more important, productive purpose in society.

    Personally I believe dissemination of music (or any other intellectual property for that matter) should be absolutely free. The methods of dissemination should mandate a monetary value (ie. the RIAA can still sell their cds as long as they don't mind going out of business).

    If a band wants to actually make money on their "intellectual property" then go get hooked up at the local bar or something. Playing for a live audience becomes the dissemination of the music. In fact, I think its totally legit if another band comes along and plays the song and makes money off the performance (dissemintaion). I say give the creator a small part of the proceeds (say 5%). But this only applies when you are trying to disseminate for profit. If you have no plans on making money through the dissemination, then 5% of nothing is nothing. The only thing that I truly care about is proper accreditation.

    Honestly, I feel sorry for the musician that wants to live solely off the proceeds of his music, because his situation is simply in the crapper. I say go to college and become a CPA as an alternative... never can be enough CPA's and they make a pretty penny too!

  128. Re:Doesn't anyone see the insanity? by jimfrost · · Score: 1
    Depending on which RIAA madness you're talking about, I might not care that I'm funding it.

    I think, for instance, that there's every reason that the RIAA should go after people for bulk distribution of music owned by their members. It's illegal, you know. If their members want you to pass the stuff around for marketing purposes, they'll release it that way (and many bands and some labels do exactly that). That means that if the RIAA is beating on you for illegal music swapping, I support that action. What other technique do they have to get people from doing this?

    If you mean funding the people that rip off musicians, that's another thing -- but that's not the RIAA, that's the labels. I am a fan of the smaller labels, and try to buy product directly from the band where possible (since although the label still gets their share, the band gets part of what the retailer would have gotten).

    --
    jim frost
    jimf@frostbytes.com
  129. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    It's not just about money. It's about time.

    Sure, I can go buy a CD. That takes a half hour.

    I can order it from Amazon. Then I won't have it for a few days.

    Or I could download it in 5 minutes. You do the math.

  130. Re:Where's the Government? Our elected officials? by Tekzel · · Score: 1

    What about the merit of the law in question? How about the atrocious business practices of the record labels, which when taken in the context of just about any other industry would be considered many things including outright theft? They are hiding behind laws that THEY crafted with their hands up a politicians butt like some kind of sock puppet. Not every law is right or just. Anyone who thinks so is naive. You might also say that it is our duty to break laws that infringe are really against the grain of the constitution. I believe that the way the copyright laws are tailored today, they are wrong. I wont bother to go into long winded detail, its not necessary. Thinks stink in this whole business, and its not the downloading of music. Its the big business wielding politicians and the "laws" like a broadsword against the rest of us. Without us, they wouldnt exist, not the other way around.

  131. Re:Where's the Government? Our elected officials? by SlayerofGods · · Score: 0

    If its really not about the money - then I take it you use IPOD?

    --

    Technology, the cause of and solution to all of life's problems.
  132. What would you pay by JoAnywhere · · Score: 1

    I have a question (and sorry, its slightly off topic). What WOULD you be willing to pay to download music with no DRM? I ask this as a serious question (and not particularly from a business perspective or anything). If you could download MP3s or OGGs from non RIAA affiliated musicians, what is that worth to you? Does the $ amount vary if there were artwork available (and lets get digital here, no 'CD Liners', but wallpapers or something along those lines). Come on people - what is Music worth to you? Regards Jo

    1. Re:What would you pay by JoAnywhere · · Score: 1

      Oh, and as my own followup to that... I would happily pay $0.50 per track, especially if there was a cool wall paper that went with the track/album. Regards Jo

  133. F*ck you RIAA by t_allardyce · · Score: 2, Insightful

    I think this sums it up for me in suggesting that the music industry is merely an annoying tune that you hear over and over in your head until you buy it just to shut your head up. Also the last episode of southpark said it all for me: if artists went on strike i wouldnt care id just download some old music or some other bands and most artists are arrogent assholes that are only in it for the money. This sounds totally trolling and mod me down if you have to but the RIAA does not have an absolute just moral cause, their arguments are debatable at best, and threatening people with their vast legal power is just not cool.

    --
    This comment does not represent the views or opinions of the user.
  134. Tugging the heartstrings by beer_maker · · Score: 1
    It warms my heart to know that artists will be getting all the money that's due to them. Musicians always look so poor when I see them on television. Finally, they can afford the lifestyle they deserve.
    Maybe the musicians that I know, the ones who never get on TV, can finally afford the lifestyle they deserve. One good thing the **IA campaigns have done is that they skylined the royalties issue - my friends tell me that royalties are coming through much faster these days.

    --
    Hmmm. Your ideas are intriguing to me and I wish to subscribe to your newsletter.
  135. One more way filesharing helps the company by interociter · · Score: 1
    Admittedly, I share a few files on one of my machines, but I'm very careful about what gets shared. The only files I share are unavailable any other way.

    For example, I used to have a bunch of Family Guy and Futurama episodes available. Now that they've been released on DVD, I don't share them any more. The same for Tenacious D's HBO series. I scoured the web for them and made them available, noting that they were wildly popular. As it turns out, HBO initially refused to release Tenacious D (the series) against the wishes of the band because HBO maintained that they were sole owners and hte band had no legal right to royalties. Now that Tenacious D are huge rock stars, Tenacious D: The Complete Masterworks is available for sale. Even though I have every episode, I bought the DVD because I wanted a really good copy, AND I wanted to pay the band what they were due. And because I don't want to rob the band of income (cuz, you know, Jack Black is clearly starving to death), I don't share those files any more.

    Rumor has it that it was rampant filesharing of "Family Guy" episodes that convinced Fox to release them on DVD. Again, even though I have most episodes, I paid to have good copies and because it's the right thing to do.

    Here's a thought: the MPAA should digitize copies of their files at a low bitrate (say 750 kbps mpeg-1) and release them to P2P. IF the files turn out to be popular, they can be released commercially at a higher quality (4.5 mbps). This way, the work is promoted and if it turns out that there's an audience for it, a commercial release can follow.

    By the same token, why not take advantage of "just in time" production? Make the files available at the low bit rate as a promo, and tag them with a url where a better quality copy can be purchased. That way, the copyright owners could create a continual stream of income even from "failed" series and pilots. As long as there's a market for it, why not exploit it?

    I look forward to the day when I can buy a high-quality legal copy of the complete run of Duckman. After all, there's clearly a market for it.

    --
    Interociter
    -=What do I want? I'm an American. I want more.
  136. If RIAA education were working.. by alien666 · · Score: 1

    If RIAA education were working the would be a decrease in file sharing, not settled lawsuits.

    On second thought, perhaps potential revenue in lawsuits is greater than internet distribution.

  137. You're forgetting these people are guilty by Anonymous Coward · · Score: 0

    Why is /. beating up on the RIAA for suing people who are guilty of copyright enfringement. This is pretty hypocritical given there is a story on /. telling developers to complain to SCO that they're violating the GPL, which is based on copyright. Why should the RIAA get beat up for prosecuting copyright enfringement, but OSS developers get a pass?

  138. Those good-lookin' rock stars by byronne · · Score: 1

    Well, they can't ALL look like Dave Pirner.

    --
    "Look, Smithers! I'm Davy Crockett!"
  139. Re:your loosing me, try squelching out the noise.. by Anonymous Coward · · Score: 0

    fag

  140. Are sales up? by cliffmeece · · Score: 1

    It seems to me that if the RIAA position is valid then we should see sales of CD's up. Is this the case now?

  141. Re:your loosing me, try squelching out the noise.. by Anonymous Coward · · Score: 0
    " I can't remember the last time I went to a movie or obtained a music CD"
    Sounds like you're having loads of fun.
  142. "Original" and "Real music"? C'mon admit it by Anonymous Coward · · Score: 0

    You just suck

  143. Intangible can have value by CaptKilljoy · · Score: 1
    The old "I'm not depriving anyone of anything." canard is easily demolished.

    1. Go for a haircut at a barbershop when no one else is around.
    2. Don't pay.
    3. See how far you get in front of a judge and jury when if you say "I didn't deprive him of anything. There wasn't anyone else around that would have paid anyway."

    Repeat above exercise with a hotel with lots of vacancies.

    1. Re:Intangible can have value by Trillian_1138 · · Score: 1

      First of all, I never said Intangibles Can't Have Value. If you'd read some of the replies I made to my origonal post, I qualified that I do, in fact, purchase some things I could obtain illegaly online (videogames being the biggest) because I know I would buy them if I couldn't get them online, so I do buy them.

      But your hypothetical barber is a bad example. He outputted energy. He put forth specific effort with an understanding I would repay him. By not paying, there was no exchange.

      But when a creator makes something (be it music, movies, videogames, porn, whatver) there is no obligation for me to purchase their work. They've created with the _HOPE_ they will get what they view to be a fair financial value for their art. I'm not going to purchase any Britany Spears music. Ever. Period. I could download 10,000 copies of "Oops, I'm a Stupid Whore Propped Up By My Large Breasts and The Record Industry Again" (or whatever her latest hit is called) and she would not have lost a single penny.

      The problem with your analogy is it's contradictory. Your subject, "Intangible can have value," implies that your post will be about intagibles. But going to the barber has a tangible effect: I've lost hair. Or, at the very least, it's been styled in a new and exciting way.

      Likewise with your hotel example. You're saying something that is VERY tangible is intangible. By staying there I'm using services (electricity, water) and forcing the staff to put forth effort to undo what I did to the room. Even if I was a perfect guest and cleaned up after myself, the staff still has to change sheets and towels and clean up the room. Unless I stood in the middle of the room, with the lights off, on a giant tarp, I'd be forcing the hotel to spend money to clean up after me. Not intangible at all.

      That's the trouble a lot of people are having with the new and scary possibilities of Peer-to-Peer software, and technology in general. There are NO really good analogies. Not one. The closest would be photocopying. In the past, I could photocopy a book with minimal effort. And, if I wasn't going to buy the book then, sure, my origonal argument applies: the publishers haven't lost a sale. But (as much as publishing companies feared photocopiers would put them out of business) P2P filesharing will not kill creativity or music or movies. It will, hopefully, force the economy of such entertainment to change. This will not benifit the monoplostic cartels currently in power, but will hopefully benifit the consumer.

      And the last time I checked, no business has a "right" to exist. There's some idiot who has been trolling around, saying he is the owner of a "moral" CD store. I really don't care if his post is true or not. If it's not, he's just another person attempting to get attention through flaimbaiting. If he is, his business is going downhill because it is no longer profitable and he has done nothing to change. He also swears at his customers. (Always a good practice.)

      There's a Heinlein quote that, I appologize, I can't find at the moment. Undoubtedly someone with more skill than I can google for it, but I was unsuccessful. The basic gist is this: No individual or business has the right to expect the government to stop time for their personal gain.

      Technology is changing entertainment. Apple is attempting to hop on board, hopefully both giveing consumers what they want AND making money doing it. The RIAA is being dragged into the future, kicking and screaming.

      -Trillian

    2. Re:Intangible can have value by Anonymous Coward · · Score: 0

      Digital, repeat after me, DIGITAL.

      Repeat your exercices with an understanding of what means perfect-copy-that-does-not-cost-more-to-produce.

    3. Re:Intangible can have value by CaptKilljoy · · Score: 1
      First of all, I never said Intangibles Can't Have Value. If you'd read some of the replies I made to my origonal post, I qualified that I do, in fact, purchase some things I could obtain illegaly online (videogames being the biggest) because I know I would buy them if I couldn't get them online, so I do buy them.

      Okay.

      But your hypothetical barber is a bad example. He outputted energy. He put forth specific effort with an understanding I would repay him. By not paying, there was no exchange.

      The problem with your analogy is it's contradictory. Your subject, "Intangible can have value," implies that your post will be about intagibles. But going to the barber has a tangible effect: I've lost hair. Or, at the very least, it's been styled in a new and exciting way.

      Likewise with your hotel example. You're saying something that is VERY tangible is intangible. By staying there I'm using services (electricity, water) and forcing the staff to put forth effort to undo what I did to the room. Even if I was a perfect guest and cleaned up after myself, the staff still has to change sheets and towels and clean up the room. Unless I stood in the middle of the room, with the lights off, on a giant tarp, I'd be forcing the hotel to spend money to clean up after me. Not intangible at all.

      That's merely nit-picking. Let's alter the analogy: let's assume that you pay the barber/hotel the exact cost of the material and effort so that they lose not a penny from you having interacted from them. Would you expect to win your case in front of a judge and jury?

      But when a creator makes something (be it music, movies, videogames, porn, whatver) there is no obligation for me to purchase their work. They've created with the _HOPE_ they will get what they view to be a fair financial value for their art. I'm not going to purchase any Britany Spears music. Ever. Period. I could download 10,000 copies of "Oops, I'm a Stupid Whore Propped Up By My Large Breasts and The Record Industry Again" (or whatever her latest hit is called) and she would not have lost a single penny.

      Yeah, I download and store songs from artists that I absolutely loathe all the time. In fact that's what 99% P2Pers are doing! Pull the other one; it's got bells on it.

      That's the trouble a lot of people are having with the new and scary possibilities of Peer-to-Peer software, and technology in general. There are NO really good analogies. Not one. The closest would be photocopying. In the past, I could photocopy a book with minimal effort. And, if I wasn't going to buy the book then, sure, my origonal argument applies: the publishers haven't lost a sale. But (as much as publishing companies feared photocopiers would put them out of business) P2P filesharing will not kill creativity or music or movies. It will, hopefully, force the economy of such entertainment to change. This will not benifit the monoplostic cartels currently in power, but will hopefully benifit the consumer.

      The principle is the same, if a creator of some goods/information gives their goods/information to you, that's fine, but you may not take it without their permission. This a fair principle whether the creator is starving or a filthy rich cartel.

      And the last time I checked, no business has a "right" to exist.
      ...snip...
      There's a Heinlein quote that, I appologize, I can't find at the moment. Undoubtedly someone with more skill than I can google for it, but I was unsuccessful. The basic gist is this: No individual or business has the right to expect the government to stop time for their personal gain.

      And I agree 100% that no given business has a right to exist and unprofitable business should not be subsidised. However, business must retain the right to set the price for which they will provide their goods and services. And make no mistake, listening to a song is a rendered service that cost the artists and studio money to provide and for which

  144. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    wtf is IPOD?

  145. monopoly is a misnomer by Anonymous Coward · · Score: 0

    Saying the recording industry is a monopoly is like saying the auto industry is a monopoly. Sure if you want a Ford, you must buy it from Ford. But you have a number of choices of auto manufacturers. Similarly, the are a number of record labels, each with their own artists, competing with one another for your dollars.

  146. Re:Where's the Government? Our elected officials? by Martin+Blank · · Score: 1

    Run a Google News search on Kenneth Lay and you'll find the SEC is still breathing down his back. There's a new indictment that was filed this week that names "Enron corporate management" and "Enron managers", though not by name, in allegations of widespread deception efforts as the company neared collapse.

    Enron's collapse was a complex mess that will take time to figure out. Not everything is as clear-cut as the MCI case, where the remaining executives were all too happy to let Bernie Evers hang.

    --
    You can never go home again... but I guess you can shop there.
  147. The RIAA has a monopoly in the same way MS does by Sycraft-fu · · Score: 1

    So, if you accept the argument that MS is a monopoly, then you are pretty much forced to accept that the RIAA is too. According tot he courts, you don't have to have 100% to be a monopoly, you just have to be overwhelmingly huge. I mean, MS does NOT have 100% marketshare. First there is a good 3-5% of computers that are Macs and therefore incapable of running Windows at all. Then there is the small but quickly growing segment of free OSes like Linux on the desktop. So clearly MS can't have a 100% marketshare since there ARE active competitors. However, the courts determined that they are still a monopoly.

    The RIAA labels are much the same, and they have an additonal measure of control, that being the distribution chain. Tell me how often it is you hear indie music on mainstream radio, or how much of the shelf space in Best Buy is devoted to it. The RIAA and its associated labels maintain a stranglehold on this sort of thing.

    Then, of course, there is the whole price fixing game. CDs came out and were more expensive than tape. This didn't seem odd to anyone as it was new technology, and they were assured that was the reason for the high price (I mean that's how all new technology works). But see, the price never went down. It went UP. We are now at the point where you can have a large run of CDs pressed and glasses, put in a case with colour insert for around $.50/CD (probably less if you've got the right connections). Not only that, distribution has gotten much faster, cheaper and easier. It costs far less to ship things these days with the 3-way war between FedEx, UPS and the USPS. Why then do CDs cost so much? BEcause they colluded to fix the price of course. They were CONVICTED of doing this, not that it has made any difference.

  148. WHy would you need a deadman switch? by Sycraft-fu · · Score: 1

    I've not heard of a single case where they've gotten the person's computer. This is civil court remember, they don't have a warrant for your stuff. They can try to subpoena your computer when they file suit, but you'll have notice before that.

    No, what they'd be using is the alleged logs from whoever their scanning boys are at the time (companies like BayTSP). Really, not a strong case at all. Provided someone got a competent lawyer that educated themselves (and could educate the court) on all the problems with the chain of evidence the RIAA presented, I think they'd win easily. However that takes money to get a good lawyer and the guts to stand up to a case that will ruin you if you loose.

  149. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    "Can you hear me now? No? Good!

  150. Re:Where's the Government? Our elected officials? by Anonymous Coward · · Score: 0

    Ah now you hit the nail on the head..you're actually defending our copyright laws? Laws that make us give up freedom of speech and in exchange we're supposed to get "original works." Where are the original works when we get clones of the same music over and over....Copyright laws that were meant "for limited time" that are now 80 years of taking away freedom of speech. The only immorality here is not violation of copyright laws, but laws that are imposed because the special interest groups like the English, French, German and Japanese companies have paid off the politicians to get the laws extended way beyond our forefathers intention. Don't defend copyright as some moral imperative...it's an unjust violation of America's basic right to freedom of speech...remember the terms "limited time" and "original works"...those concepts have been trampled and our freedom of speech along with it!

  151. Well spoof it with senate.gov then! by Anonymous Coward · · Score: 0

    That's whatcha do! Spoof them with big names! Something will slip through, and when it does, hilarity ensues :-)

  152. the truth of the matter is... by Anonymous Coward · · Score: 0

    musicians are some of the most useless people on the planet.call me a troll or whatever but really... think about it.

  153. Re:Where's the Government? Our elected officials? by Pieroxy · · Score: 1

    Dude, time has nothing to do with the problem here. When someone download the latest EMINEM album from the net, Copyright laws could be 2 years that the downloader would still violate copyright...

    The problem is that if you start breaking the laws that doesn;t please you (by pirating songs on the net is one example) you start to dismiss the legal system as a whole. Which law can/should I break?

  154. Re:Where's the Government? Our elected officials? by Jonathan+Platt · · Score: 1

    Fight for your right to steal... Go find a real cause. This is the law, like it or not. Patents and Copyrights have done alot for society so stop being dificult. Whilst the RIAA is sometimes extreme, they are in the right.

    --


    VENI, VIDI, VICI, DIXI
  155. Then the Empire has already won. by Quizo69 · · Score: 1

    When the common man can no longer defend himself against an accuser without forking out his life's savings to do so, the system we call justice has been eradicated, suborned to corporate interests.

    Well RIAA, the more you tighten your grip, the more disillusioned the general public will become, until they openly revolt and literally burn down your golden palaces.

    I will not stop them - for it will be a democratic majority decision that starts this.

    Government inaction in stopping unchecked corporate greed will lead to their downfall as well.

    All you need to do is tighten the screws that little bit more and you will have sealed your own destruction.

    Quizo69

  156. Making publisher's right illegal is brilliant! by Quizo69 · · Score: 1

    You have just given me one of the best ideas for copyright reform I have ever seen.

    I am in the process of forming a political party here in Australia, and whilst I personally don't believe in the ideals of copyright as they stand today, I think that your idea of making it illegal for publishers to "own" the rights to your work is a brilliant first step in changing the system.

    I am going to put this forth for discussion once I get my policy platform together. I can assure you I am here to make changes to the corporatisation of government, not perpetuate it:

    http://www.users.on.net/grypen/politics/

    Hopefully I can inspire enough people to vote for me in the next twelve months to be elected and have a real shot at change for the better.

    Feel free to write a short policy document and post it to our forum for discussion. You WILL have a voice regardless of your nationality.

    Quizo69

  157. Re:Neo dies after Smith takes him over, Trinity di by Anonymous Coward · · Score: 0

    Sorry but the news that Neo dies is 2 months old now.

  158. Re:Where's the Government? Our elected officials? by MisterMook · · Score: 1

    How about we scrap everything but the Constitution and start from there again? Then we can flush out the most offensive of offending problems by setting political salaries at standard government wages just like postmen and police officers, and make campaign finance reforms and corruption efforts to the point of making it an offence worthy of hand chopping to take more than 50 bucks from anyone. It's stupid and it wouldn't work and it will never happen, but the fact is that laws are perverted and exploited by corporations with special interest lobbies every day. You don't have a government of the People and by the People, the lawyers are completely in charge. I think that isn't such a problem, except that lawyer souls are adjusted more harshly for inflation and scarcity so the average lawyer is only allowed enough soul to be nice to puppies and their parents - and some not even that.

  159. Re:Ridiculous ... by bitchx · · Score: 1

    Build a better mousetrap.

    --

    I'm the best IRC client ever.
  160. Re:Where's the Government? Our elected officials? by auntiem · · Score: 1

    I agree 100%. In this day and age parents are doing all they can to keep a roof over top and food on the table. Who has the money to give the kids to go out and buy all these expensive CD's. The day the government helps out the little people so everyone can own a sidewalk, and not be afraid of being sued because someone fell on it, is the day I will start believing in the Good Old Uncle Sam again. As for the musicians out there, they are entertainers, if they dont think they make enough money let them walk a day in the shoes of a single parent just trying to survive life. Maybe then they will wake up and smell the coffee. I think if they sign up to entertain by all means do so. If it were not for the kids out there they wouldnt have a career.