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Hilary Rosen Gripes About iPod, iTMS

mijkal writes "Hilary Rosen, the former RIAA CEO and chairwoman, has spoken out against Apple's "lock-in" with iPod and the iTunes Music Store." From the article: "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's." Ironically, she appeals to consumer rights and anti-monopoly tactics."

764 comments

  1. Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 5, Funny

    I think my brain just died. Hilary Rosen is complaining about anti-consumer monopolies? This is like bizzaro world. The comments for this story write themselves, much like that Microsoft + Ford article about the car that will never crash.

    Jack Valenti made a similar about-face after he retired. Does the *AA install some kind of behavior modification chip in their employees that gets taken out when they leave? (can we get one for a couple of the Slashdot editors?)

    Well, she did insert that line about pirate sites being full of viruses (I get viruses form my mp3's al lthe time, god bless her), and soart of backhandedly danced around the fact that DRM and lossy music are the reason we can't transfer, so I guess the party line is stil lsorta there. Oh well.

  2. Girlfriend by fembots · · Score: 0, Troll

    "The new iPod my girlfriend gave me is a trap"

    Completely offtopic, but Hilary is a female name, right? So what gives? My tiny brain does not understand.

    Imagine if Jobs said "The new Creative Zen Micro my boyfriend gave me is teh crap"

    1. Re:Girlfriend by DoorFrame · · Score: 1

      I admit that sturck me too. I guess she's gay...

      Or maybe she's got a black female friend.

    2. Re:Girlfriend by Elwood+P+Dowd · · Score: 1

      If Steve Jobs said that, it would indicate that he had a boyfriend.

      Hilary Rosen (a girl) has a girlfriend.

      She's gay. I hope you were joking.

      --

      There are no trails. There are no trees out here.
    3. Re:Girlfriend by Anonymous Coward · · Score: 0

      More realistically, Jobs more likely would say: "The new STI my boyfriend gave me is teh clap".

    4. Re:Girlfriend by Anonymous Coward · · Score: 0

      uhh... nowadays women are known to call their friends who aren't guys, "girlfriends."

    5. Re:Girlfriend by Anonymous Coward · · Score: 0

      She is an open lesbian. I think she has an adopted daughter but I'm not certain.

    6. Re:Girlfriend by Anonymous Coward · · Score: 0

      Lots of chicks refer to their "girlfriends" to mean their friends that they go off to do girly things with. Hang out with more of them and you'll notice that.

    7. Re:Girlfriend by Anonymous Coward · · Score: 0

      It's a pretty common term among heterosexual women. Try getting to know one or two women within your lifetime.

    8. Re:Girlfriend by The+I+Shing · · Score: 3, Funny

      American women who are straight refer to female friends as "girlfriends," with no sexual connotation. An American straight man cannot have a "boyfriend," nor can he have a "girlfriend" without whom he's not in some way romantically or sexually involved. It's just a quirk of the American English language, I believe.

      --
      You are in error. No-one is screaming. Thank you for your cooperation.
    9. Re:Girlfriend by Alcilbiades · · Score: 2, Informative

      I assume you are trying to be funny. If not you obviously aren't around women enough because it is typical for them to call their female friends "girlfriends".

    10. Re:Girlfriend by Anonymous Coward · · Score: 0

      Or an insecurity inherent in male human beings, and not females. ;)

    11. Re:Girlfriend by Anonymous Coward · · Score: 0

      Or she could be an openly gay woman. Heaven forbid they hold jobs and have families.

    12. Re:Girlfriend by Locke2005 · · Score: 4, Insightful

      I beleive it is common knowledge that Ms. Rosen is a lesbian. However, let's despise her for being a shameless spokesperson for anybody willing to pay her to do so; her sexual preferences should be irrelevant.

      --
      I've abandoned my search for truth; now I'm just looking for some useful delusions.
    13. Re:Girlfriend by exp(pi*sqrt(163)) · · Score: 1

      And you believed her when she told you that?

      --
      Doesn't it make you feel good to know that our freedoms are protected by politicans, lawyers and journalists.
    14. Re:Girlfriend by ultramk · · Score: 4, Insightful

      Yeah, she's lesbian. She's been pretty public about this for years, so it's not exactly news.

      What's more, it doesn't have anything to do with anything: slam her for lying to Congress, lying about what dire straits the music industry is in, and wanting to throw kids in jail. There are plenty of things to complain about, but insulting her sexuality (which I see people do pretty often) is uncalled for, and casts all opponents of the RIAA gestapo in a bad light.

      m-

      --
      You catch enchiladas by picking them up behind the head and holding them underwater until they don't kick anymore -VeGas
    15. Re:Girlfriend by Anonymous Coward · · Score: 0

      Well, she's not so closeted... but nice work on the homophobia

    16. Re:Girlfriend by Anonymous Coward · · Score: 1, Interesting

      No, she's openly gay. But I thought being gay was required to own an Apple product, so it should come as no surprise to anyone.

    17. Re:Girlfriend by Elwood+P+Dowd · · Score: 3, Informative

      Yes, that is true. Also, Hilary Rosen is gay. This has been out of the closet longer than she's been in the public spotlight, as far as I know.

      --

      There are no trails. There are no trees out here.
    18. Re:Girlfriend by Anonymous Coward · · Score: 1, Interesting

      Heaven forbid that said girlfriend may even have held a job at Apple! http://en.wikipedia.org/wiki/Elizabeth_Birch

    19. Re:Girlfriend by taernim · · Score: 1

      Actually, no, since Hilary Rosen is a lesbian... I'm guessing when she said girlfriend here, she really meant her girlfriend.

      --
      "PC Load Letter? What the $@#% does that mean?!"
    20. Re:Girlfriend by Anonymous Coward · · Score: 0
      More realistically, Jobs more likely would say: "The new STI my boyfriend gave me is teh clap".


      I wish my boyfriend would give me a Subaru WRX STI.

    21. Re:Girlfriend by YukonTech · · Score: 0

      How did the parent to this get modded a 3? informative? How informative is it if someone is gay? and more importantly what does it have to do with TFA?

    22. Re:Girlfriend by Anonymous Coward · · Score: 1, Funny

      Forgive me for pointing this out, but given her record, Ms. Rosen is an insult to her own sexuality.

    23. Re:Girlfriend by Nom+du+Keyboard · · Score: 1
      American women who are straight refer to female friends as "girlfriends," with no sexual connotation.

      And how many of the straight ones with no sexual connotations give several hundred dollar iPods as casual gifts?

      --
      "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    24. Re:Girlfriend by Swedentom · · Score: 1

      Whoo, nice, heh.

      Prior to joining HRC in 1995, Elizabeth was worldwide director of litigation for Apple Computer...

      --
      Sig Nature
    25. Re:Girlfriend by Anonymous Coward · · Score: 0

      are you saying "let's call a whore a whore" or are you trying to not say it that way?

    26. Re:Girlfriend by Elwood+P+Dowd · · Score: 2, Informative

      Iduno, man. A couple people were confused by TFA because she mentioned her girlfriend, and they went all haywire, so I informed them.

      --

      There are no trails. There are no trees out here.
    27. Re:Girlfriend by MidnightBrewer · · Score: 1

      Except in the context of buying someone an iPod. For that price, they'd better be sleeping with me. ;)

      --
      "Give a man fire, and he'll be warm for a day; set a man on fire, and he'll be warm for the rest of his life
    28. Re:Girlfriend by The+I+Shing · · Score: 1

      These are rich people. Rich people buy each other expensive gifts.

      --
      You are in error. No-one is screaming. Thank you for your cooperation.
    29. Re:Girlfriend by Anonymous Coward · · Score: 0

      Are you saying lesbians also bitch?

    30. Re:Girlfriend by Steve+B · · Score: 1
      It's fairly common knowledge (among anybody who knows who Hilary Rosen is in the first place) that she's an open lesbian.

      We now return you to our discussion of relevant matters, already in progress....

      --
      /. If the government wants us to respect the law, it should set a better example.
    31. Re:Girlfriend by Anonymous Coward · · Score: 0

      Haven't you figured out that Hilary is a lesbo's name? Allow me to demonstrate:

      Hilary Clinton = LESBIAN
      Hilary Rosen = LESBIAN

      . . . and hopefully . , ,

      Hilary Duff = LESBIAN

    32. Re:Girlfriend by Anonymous Coward · · Score: 0

      I think he's saying lesbians are also butch.

  3. or... by Doktor+Memory · · Score: 3, Informative

    ...non-DRM mp3s that you get from any other source. Ahem.

    --

    News for Nerds. Stuff that Matters? Like hell.

    1. Re:or... by 0x461FAB0BD7D2 · · Score: 2, Funny

      Ah-ha. This is clearly a plot to get people to refute them by providing anecdotal evidence of getting non-DRM'd mp3s.

      Would save them the trouble of hunting down pirates themselves. These people are clever.

    2. Re:or... by amliebsch · · Score: 1
      Well, mp3 isn't a choice for most (legal) music download services. Still, she's just whining. Basically, when it comes to DRM'ed downloads, you only really have a choice between two lock-in schemes: iTMS on iPod, or $WMA_MUSIC_STORE on a PlaysForSure device.

      Having said that, though, I personally think the Apple lock-in is a worse deal. The selection of both devices and services is far narrower, and Apple doesn't seem to want to play nice with their licensing, where at least MS has been fairly liberal in that regard.

      --
      If you don't know where you are going, you will wind up somewhere else.
    3. Re:or... by Total_Wimp · · Score: 2, Insightful

      Yeah, she's pretty funny.

      She calls for Apple to "open up" the iPod, but then conviently forgets to mention that if all the other stores sold unencrypted MP3s they'd play on the iPod right now.

      Almost every digital music player on the market is currently open (even sony is getting their act together) as long as the format is MP3. Her complaint is the equivelant to someone opening up a hydrogen fuel station today and complaining that no one has cars that work with hydrogen. No shit, Shirlock. If they opened up a gas station they might actually make some money.

      TW

    4. Re:or... by numark · · Score: 1

      That's because the business model differs between Apple and Microsoft. Microsoft can make quite a bit of money just licensing their technology, and they don't make their own portable media player, so it doesn't cost them any market share in that market to license their WMA technology. On the other hand, Apple makes their money on the media players themselves, since iTMS is designed to get people to buy iPods. If they start licensing out their technology, people are less likely to buy an iPod, thereby cutting off a large part of their revenue stream.

      --
      Want Slashdot headlines on your site? Try SlashHead
    5. Re:or... by amliebsch · · Score: 1

      I understand that. I was simply pointing out that as a consumer, the Microsoft model works more to my benefit, because it induces much greater competition.

      --
      If you don't know where you are going, you will wind up somewhere else.
    6. Re:or... by amliebsch · · Score: 1

      I understand all that. I was simply pointing out that as a consumer, I don't give a crap if Apple needs the revenue, because the Microsoft model works more to my benefit, in that it induces much greater competition in the music player and music download markets.

      --
      If you don't know where you are going, you will wind up somewhere else.
    7. Re:or... by geekee · · Score: 1

      "Her complaint is the equivelant to someone opening up a hydrogen fuel station today and complaining that no one has cars that work with hydrogen. No shit, Shirlock. If they opened up a gas station they might actually make some money."

      But they want to open up gas stations. Apple won't let them. Your analogy is shit. It's very simple. People want to sell songs with fairplay DRM. Apple refuses to license the format to anyone.

      --
      Vote for Pedro
  4. Who is kidding whom, Hilary? by The+I+Shing · · Score: 5, Interesting
    "... the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's."

    I think Hilary Rosen might have encountered the concept of telling the truth at a party once, but didn't get beyond the cursory introduction.

    I went ahead and RTFA to make sure the above statement wasn't being taken out of context by the post. It wasn't, and it might actually kind of be true if one is absolutely insistent on playing only AAC files on the iPod. The actual truth, which Hilary Rosen would likely not be willing to acknowledge without the threat of slow torture death behind it, is that the iPod works with sample MP3s that you might legally download from a band's website or any one of a gazillion legal indie music MP3 sites, and also works with audiobooks downloaded from Audible.com. But Rosen probably considers any music by an unsigned band to be beneath putting on an iPod anyway, and probably isn't too interested in audiobooks, either.

    Other ridiculous ideas in the blog entry include: "He [Steve Jobs] is as laconically casually cool as Bono" and the idea that the iPod constitutes a monopoly. First off, Steve Jobs might be a little bit hip, but he's not cool except to the Mac faithful, the only ones who really care who he is (that's my opinion, though. I might be wrong). Second, a monopoly means that no-one can buy or use a product or service type by anyone other than a specific company. Ma Bell had a monopoly on phone service. There wasn't an alternative. There are zillions of alternatives to the iPod. The iPod is just really, really popular. That doesn't make it a monopoly.

    The oddest thing to me is that no-one who would actually seek out and read Hilary Rosen's blog would be the least bit fooled by the misstatements in it.

    --
    You are in error. No-one is screaming. Thank you for your cooperation.
    1. Re:Who is kidding whom, Hilary? by Tim+Browse · · Score: 1, Insightful
      The iPod is just really, really popular. That doesn't make it a monopoly.

      It's not that black and white, is it? I mean, Microsoft is a 'convicted monopolist', but there are plenty of alternatives to Windows. It's certainly not like the phone company monopoly you describe.

    2. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0

      She was in charge of (or at least a figurehead at the front of) the RIAA during the rise of MP3. She watched as everyone went from copying music freely, wishing there was some way that everyone could be locked into a format where songs could be purchased but not copied. Lo and behold, Apple pulls it off.

      Apple releases a better mousetrap, so to speak. You get a superior MP3 player that just happens to have access to a huge pay-to-download song library. And Apple does what none of the media companies could do on their own. They tried to do it through partnerships with Microsoft and consumer electronic makers, only to find that they were entering a pre-fragmented market.

      Honestly, I'm sure she's jealous.

    3. Re:Who is kidding whom, Hilary? by donutello · · Score: 2, Funny

      Second, a monopoly means that no-one can buy or use a product or service type by anyone other than a specific company. Ma Bell had a monopoly on phone service. There wasn't an alternative. There are zillions of alternatives to the iPod. The iPod is just really, really popular. That doesn't make it a monopoly.

      Sorry, that's not the Slashdot and Judge Jackson definition of a monopoly.

      --
      Mmmm.. Donuts
    4. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0
      Hilary Rosen's blog

      Actually this was a post on Arianna Huffington's blog. Nuff said.

    5. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0
      Steve Jobs might be a little bit hip, but he's not cool except to the Mac faithful

      Mmmm...mm.mm.....Grggl...mmm... I'm sucking Steve's cool cock right now! Mmm.mm..mmmmm..mm..hummmmina...hummmmmmmiiinnna... ..m... You should try it sometime.

    6. Re:Who is kidding whom, Hilary? by The+I+Shing · · Score: 1

      I disagree. Apple is not using its dominance in the portable digital music player market to coerce vendors into carrying only iPods, and the iPod is a luxury item, not a necessity, like the PC (esp. for businesses) or the telephone. Nearly everyone I know owns a PC (almost all have Windows PCs, too), and I know about three people (not including myself) who own iPods.

      --
      You are in error. No-one is screaming. Thank you for your cooperation.
    7. Re:Who is kidding whom, Hilary? by _Sprocket_ · · Score: 1

      Yet Cisco has managed to avoid any kind of anti-trust action over the years. And there's no talk of anti-trust pressure on Google either. Wonder why that is?

    8. Re:Who is kidding whom, Hilary? by Scruffeh · · Score: 1

      Microsoft has a large monopolist element though. The way in which they pretty much tie Windows users to Media Player, Messenger, Internet Explorer etc. Yeah their are alternatives but what incentive is there for your average user to download firefox, icq or real player (ok so that's not a bad thing!) MS products are used in also used in schools and buisneses, again, while there are alternatives, there is a serious 'locking in' going on which stifles the competition. If there wasn't such locking in then I think we'd find more competition from commercial companies (rather than OSS)

    9. Re:Who is kidding whom, Hilary? by tOaOMiB · · Score: 1

      Second, a monopoly means that no-one can buy or use a product or service type by anyone other than a specific company. Ma Bell had a monopoly on phone service. There wasn't an alternative. There are zillions of alternatives to the iPod. The iPod is just really, really popular. That doesn't make it a monopoly.

      [troll] I wish /.ers would realize this when posting about the evil Microsoft "monopoly" too...especially when they then go on to say everyone should switch to Open Office in the same sentence![/troll]

      Of course, for certain definitions, if you get too popular...you are a monopoly. It's all about barrier to entry, or something, even when alternatives do already exist. One could thus make the claim that the iPod does have a monopoly on handheld mp3 players, and practices that would prevent others from entering the market (proprietary formats, etc) would be illegal. But now I'm contradicting myself in my own post, and living in a hyphothetical world.

    10. Re:Who is kidding whom, Hilary? by Skye16 · · Score: 1

      Wow. Imagine that. Someone did her job for her while she was too busy throwing a temper tantrum, and now she's jealous that she didn't get around to it first.

      Idea: Next time, less talk, more work.

    11. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 1, Insightful

      Windows is the only operating system that correctly and fully implements the Win32 software platform, a platform targetted by millions of software applications. They can't be run on any other operating system.

      Almost any MP3 player on the market can correctly play all MP3s. Apple's iPod is not unique in this.

    12. Re:Who is kidding whom, Hilary? by Otto · · Score: 1

      Of course, for certain definitions, if you get too popular...you are a monopoly. It's all about barrier to entry, or something, even when alternatives do already exist. One could thus make the claim that the iPod does have a monopoly on handheld mp3 players, and practices that would prevent others from entering the market (proprietary formats, etc) would be illegal. But now I'm contradicting myself in my own post, and living in a hyphothetical world.

      True, but then you'd have to be controlling the format of say, 90% of the music stores out there.

      Even though Microsoft has maybe 5% of the music store sales (through walmart, napster, etc), they still have way more songs and clout and if they were really interested in supporting the iPod, they would. Apple hasn't opened up the FairPlay DRM scheme, which they should do (or at least stop bitching when somebody comes along and makes interoperable software like Real's Harmony), but if Microsoft wanted to push AAC instead of the shitty sounding WMA format, they could.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    13. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0

      Choosing another music/media device over an iPod won't get you fired or raise questions. Choosing something other than the iPod won't lock you out of features (You can't use iTMS, but there are plenty of alternatives). Face it, to most people and this is especially true is most of the (American) business world, MS is the only way.

      Have to use Office because other wise you don't look qualified.
      Have to use Outlook because the server doesn't support anything else.
      Have to use Windows because we don't support anything else.

      Having a monopoly in the business world is much easier than a monopoly among consumers. Businesses are the ones stuck with contracts and are reluctant to adopt new technology while the consumer market is always changing. We have "fads" because of the ever-shifting demand of the consumer market. Do you know of a business fad (other than buzzwords, which tend to spread like wildfire)?

    14. Re:Who is kidding whom, Hilary? by amliebsch · · Score: 1

      Ah. But are they leveraging their market dominance in one area - digital music players - to lock consumers into another, separate product of theirs - music sales? Clearly, the answer is yes, and this is in contrast to MS here, who liberally licenses their tech to many manufacturers/vendors. This hasn't - yet - crossed into coercing of vendors, though I would not be surprised to see that happen. If/when it does, though, I fully expect Apple apologists to claim it's a benefit to consumers.

      --
      If you don't know where you are going, you will wind up somewhere else.
    15. Re:Who is kidding whom, Hilary? by amliebsch · · Score: 1
      1. No, they couldn't, because they could not possibly license the music in an unprotected format. Ergo, they, and everybody else, are locked out of providing DRM music for the iPod.

      2. Try doing a bit-for-bit comparison of WMA9 VBR quality-based encoding to other formats. You might be pleasantly surprised at the quality.

      --
      If you don't know where you are going, you will wind up somewhere else.
    16. Re:Who is kidding whom, Hilary? by lav-chan · · Score: 1

      Yeah their are alternatives but what incentive is there for your average user to download firefox, icq or real player (ok so that's not a bad thing!)

      Uhh. You tell me. What IS the incentive? Evidently there ISN'T one, because you'd think that if they were unhappy using IE, MSN, and WMP they would go get alternatives.

      The fact that people don't want to get alternatives when they're a few clicks away means that either they're idiots or they're happy with what they have. Neither of those reasons makes a company a monopoly. Now, Microsoft forcing people to use Internet Explorer on their operating system might constitute monopolistic practice, but the simple act of including it (i think) doesn't.

    17. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0
      but there are plenty of alternatives to Windows.

      Let's see... There's Apple and...

      Who else has more than 1% of the desktop market? Has Linux even reached 1% yet?

    18. Re:Who is kidding whom, Hilary? by Tim+Browse · · Score: 2, Insightful
      To reply to myself, because most people seem to be missing my point spectacularly, and it was quite simple really:

      I wasn't arguing that Microsoft does not have a monopoly, nor that Apple do - I was pointing out that using an example of a total (and legally enforced, iirc) monopoly as a counter example to prove that Apple can't possibly have a monopoly is disingenuous, or just misguided.

      However you feel about Microsoft's 'monopoly', the millions of Mac and Linux users prove that there is an alternative (compare this with how the phone system used to work - at least in the UK anyway, and I believe it was the same in the US/elsewhere). But Microsoft are commonly used as an example of a monopoly in their particular segment of the market.

      Comments that amount to "but Windows is the only way to run Win32 programs, and Win32 programs are really popular" are simply not the same as "If you're not the phone company, you can't provide a phone service. Period."

      I'm really saying that using the term monopoly in that absolute way to excuse Apple from any accusations of unpleasant business practices is not realistic. When it comes to a 'free market' like computer hardware/software (I can hear the rants coming from here), that's not what people generally mean by a monopoly.

    19. Re:Who is kidding whom, Hilary? by FredFnord · · Score: 1
      First off, Steve Jobs might be a little bit hip, but he's not cool except to the Mac faithful, the only ones who really care who he is (that's my opinion, though. I might be wrong)
      Well, he was voted 'best-dressed CEO' by Style magazine (sadly, they pulled the article off the web). Does that count? (Maybe not.)

      -fred
      --
      Sign #11 of Slashdot overdose: You see the phrase 'moderate Republican' and you wonder if that would be a +1 or a -1.
    20. Re:Who is kidding whom, Hilary? by Scruffeh · · Score: 1

      I don't think it's about being happy, it's a combination of being satisfied, not knowing that there are alternatives and the effort needed to locate alternative software. Very few average users will know about Firefox etc let alone be aware of the pros/cons of using such software. In my opinion, people should be able to have a clear choice between software, because people generally will just use what is there. Messenger runs on startup by default and to disable it you have to run gpedit.msc, hardly clear and basic. We're talking about regular users, not /. readers here. If ICQ was included with Windows then I am 100% that would be the dominent messenger program. Consider how popular ICQ was before Messenger came along with Windows, the same with Netscape.

      I personally don't think people are being idiots, not everyone has to be totally computer literate and aware of alternative software. For most home users 'word processer' is synonymous with Word and 'browser' with Internet Explorer. When my friends come to use my computer to use the net they generally look on the desktop for the non existant IE until I tell them to use Firefox as it's like IE. This would indicate to me that they don't realise that there are alternatives and that IE simply equals web browser. These are all uni students by the way so hardly your typical ignorant idiot I think

      In my opinion this is a monopoly of sorts at least

    21. Re:Who is kidding whom, Hilary? by DA-MAN · · Score: 1

      Ah. But are they leveraging their market dominance in one area - digital music players - to lock consumers into another, separate product of theirs - music sales?

      Not true, this is more akin to a device/subscription model ala TiVo. You buy a TiVo with the understanding that you need to get TiVo service before you can use it. Same thing with the iPod, you buy the iPod with the knowledge that you will either have to use iTunes OR rip your own cd's.

      Clearly, the answer is yes, and this is in contrast to MS here, who liberally licenses their tech to many manufacturers/vendors. This hasn't - yet - crossed into coercing of vendors, though I would not be surprised to see that happen. If/when it does, though, I fully expect Apple apologists to claim it's a benefit to consumers.

      Not the same thing. Apple is not in the drm format business, they are in the hardware/content sales business. It is in Microsoft's best interest to license their technology, since that's all they can do with it. There is no Microsoft Portable Music Player. Get the difference? No? Let me further explain. If I make a drm format and I don't make a player, for me to make money I must license it to third parties.

      I'm not an Apple fanboi, just stating the obvious.

      --
      Can I get an eye poke?
      Dog House Forum
    22. Re:Who is kidding whom, Hilary? by DA-MAN · · Score: 1

      Yet Cisco has managed to avoid any kind of anti-trust action over the years. And there's no talk of anti-trust pressure on Google either. Wonder why that is?

      A monopoly in itself is not illegal. Illegally leveraging what you got for what you want is.

      As far as I know Google has never forced HP to ship with a link to Google on the desktop or risk having all HP users redirected to MSN Search.

      In addition Cisco routers don't detect Foundry switches and shut down the ports.

      Repeat after me, having a monopoly is not illegal!?!?

      --
      Can I get an eye poke?
      Dog House Forum
    23. Re:Who is kidding whom, Hilary? by Fulcrum+of+Evil · · Score: 1

      Yet Cisco has managed to avoid any kind of anti-trust action over the years. And there's no talk of anti-trust pressure on Google either. Wonder why that is?

      I can buy a router from Bay and interop with Cisco kit. I can also sell Cisco and Bay kit without losing my shirt because I'm missing out on a 75% discount. Last I checked, Cisco didn't sabotage their stuff to not run with Bay kit.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    24. Re:Who is kidding whom, Hilary? by geekee · · Score: 1

      "The actual truth, which Hilary Rosen would likely not be willing to acknowledge without the threat of slow torture death behind it, is that the iPod works with sample MP3s that you might legally download from a band's website or any one of a gazillion legal indie music MP3 sites"

      Your dodging the issue. Only a very small percentage of music people listen to is of this type.

      "Other ridiculous ideas in the blog entry include: "He [Steve Jobs] is as laconically casually cool as Bono" and the idea that the iPod constitutes a monopoly."

      I guess it's ridiculous to say that MS has an OS monopoly as well then.

      --
      Vote for Pedro
    25. Re:Who is kidding whom, Hilary? by _Sprocket_ · · Score: 1

      Exactly. It's about behavior. Microsoft doesn't get this attention because they're popular or a market leader.

      If the point is a link between Apple's and Microsoft's behavior, I wish someone would make it instead of running around trying to slip in the hypocrit card.

    26. Re:Who is kidding whom, Hilary? by Spock+the+Baptist · · Score: 1

      "Same thing with the iPod, you buy the iPod with the knowledge that you will either have to use iTunes OR rip your own cd's."

      Nope.

      You can use any mp3 file with an iPod. If you own say an old eight track tape of say Deep Purples Machine Head, you can use a friends Machine CD to rip the tracks from. Alternately, you could use Limewire to download the mp3 and use them.

      The issue is whether on not you have a right to the material on a particular CD, album, or tape. If you have that right then there is no GOOD reason for you not to have an mp3 on your iPod.

      --
      "Oh drat these computers, they're so naughty and so complex, I could pinch them." --Marvin the Martian
    27. Re:Who is kidding whom, Hilary? by lav-chan · · Score: 1

      I don't think it's about being happy, it's a combination of being satisfied, not knowing that there are alternatives and the effort needed to locate alternative software.

      Maybe 'happy' was exaggerating a little, but in any case there are two kinds of people who apply here: (1) people who are too computer-illiterate (OK, i won't call them stupid) to know that alternatives are available, and (2) people who, when you really break it down, are generally satisfied with whatever they've got. (And it may be that they would be happier in the long term with Firefox, but the fact is that they evidently don't think that it's worth the effort in the short term. Which, more or less, means they're happy with IE.)

      In my opinion, people should be able to have a clear choice between software, because people generally will just use what is there.

      That isn't Microsoft's fault. I realise that being a monopoly changes the rules a little bit, but i hardly think that Microsoft should be legally responsible for people who don't know what they're doing. That's like me buying a car and then getting mad at Ford because they don't tell me about all the different brands of stereos i can buy for it. If you buy something and you're not knowledgeable enough to operate it to its full potential, it's YOUR fault.

      Messenger runs on startup by default and to disable it you have to run gpedit.msc, hardly clear and basic.

      Actually, you just have to go into the options and uncheck 'run at start-up'. :/

      When my friends come to use my computer to use the net they generally look on the desktop for the non existant IE until I tell them to use Firefox as it's like IE. This would indicate to me that they don't realise that there are alternatives and that IE simply equals web browser. These are all uni students by the way so hardly your typical ignorant idiot I think

      Well 'idiot' is a strong word, but yes, they are ignorant. If you buy something, you should have at least an intermediate grasp on how it works (or at least the intent to gain one). If you don't, sorry, but you deserve whatever you get. If you're using somebody else's computer and you can't figure it out... bummer. You'll just have to cope (and this applies to everything -- you wouldn't break down and sob about the injustice of it all if you couldn't figure out how to work your friend's dish-washer).

    28. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0

      There's no such thing as a convicted monopolist. That's like saying Bob is a convicted driver. Uhhh... Having a monopoly is not against the law. (and that's beside the fact that Apple doesn't have one) Abusing a monopoly is against the law. Big difference.

    29. Re:Who is kidding whom, Hilary? by m50d · · Score: 1

      It's still a monopoly. MS had a monopoly on operating systems even though BeOS was available and a lot better. And apple are abusing it by refusing to license their DRM to anyone else, knowing that other stores aren't permitted to sell non-drm files.

      --
      I am trolling
    30. Re:Who is kidding whom, Hilary? by Otto · · Score: 1

      1. No, they couldn't, because they could not possibly license the music in an unprotected format. Ergo, they, and everybody else, are locked out of providing DRM music for the iPod.

      That didn't stop Real from actually doing it. Or haven't you noticed that Real's latest store can transfer DRM protected music to the iPod just fine?

      Point is that if they wanted to support Fairplay, they could work something out. But they don't want that. They're heavily invested in WMA, and the technology in WMA10 makes it really obvious that they're pushing for more restrictive DRM than Fairplay can do.

      Microsoft is looking long term on this one. The DRM in WM10 allows for all sorts of stuff. Examples:
      -Imagine a service that lets you download all the music you want and put it on your "Plays For Sure" compatible device, for $15 a month. But when you stop paying, that device will delete all the music on itself a month later. Take a closer look at Napster To-Go, that's exactly what it does.
      -Imagine a Tivo-like system where you could buy a PPV program, and it auto deleted itself after, say, a month. It would let you transfer it to a portable device, but the portable device had the same restrictions and would also delete the content automatically on that date. WM10 supports exactly this, and the "Plays For Sure" certification program ensures that the device implements these sorts of restrictions.

      2. Try doing a bit-for-bit comparison of WMA9 VBR quality-based encoding to other formats. You might be pleasantly surprised at the quality.

      Ogg and AAC both beat the crap out of WMA in the latest double blind tests I've seen. Check HydrogenAudio for the latest results though.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    31. Re:Who is kidding whom, Hilary? by amliebsch · · Score: 1
      Ogg and AAC both beat the crap out of WMA in the latest double blind tests I've seen. Check HydrogenAudio for the latest results though.

      Unfortunately, I haven't been able to find any such tests comparing quality-based encoding, because the bitrate can be unpredictable.

      --
      If you don't know where you are going, you will wind up somewhere else.
    32. Re:Who is kidding whom, Hilary? by Anonymous Coward · · Score: 0

      " Messenger runs on startup by default and to disable it you have to run gpedit.msc, hardly clear and basic.

      Actually, you just have to go into the options and uncheck 'run at start-up'. :/ "

      Funnily enough that doesn't work. Do you really think there would be a gajillion articles on how to disable messenger posted on the net if all you had to do was uncheck a box?

      As far as the rest of the post, yes, it is MS's fault as they are taking full advantage of the situation of the "ignorant user", as they have created the users precisely that way so that they could exploit them the way they have been, are, and will in the future. MS doesn't *want* them to have any "grasp on how it works" or the intent to gain one. They want all their users to be good little sheep that will buy their upgrades when they're told.

    33. Re:Who is kidding whom, Hilary? by Otto · · Score: 1

      Unfortunately, I haven't been able to find any such tests comparing quality-based encoding, because the bitrate can be unpredictable.

      You can't compare quality based encoding like that.

      You can either a) encode your samples at similar bitrates and compare relative quality, or you can b) encode the samples at the lowest quality level that achieves transparency in a double blind ABX and then compare bitrates.

      Method a) can be used in a mass scale sort of thing, where the relative qualities at similar bitrates from many people are averaged together sort of thing (although not really "averaged" as such).

      Method b) could be used in a mass way by averaging (okay, okay) the bitrates where transparency is considered to have been achieved.

      In practice, method a) is usually used because it's easier for a lot of people to perform the test. Basically you give them several samples of the same thing in different formats at similar bitrates and ask them to rank how they sound (without telling them which is which). Method b) would involve doing your own encoding or having it encode the same sample at several bitrates in several formats, and would be much longer to perform for each person.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    34. Re:Who is kidding whom, Hilary? by amliebsch · · Score: 1

      What you say makes sense, but is there a reason you couldn't use average bitrate for a quality-based encoded file? E.g., encode each file using multiple quality settings with each codec, then compare files from each codec that are of a similar overall size, regardless of which setting produced the file.

      --
      If you don't know where you are going, you will wind up somewhere else.
    35. Re:Who is kidding whom, Hilary? by Otto · · Score: 1

      Sure, you could do that as well. But realistically, that's not very different from simply using ABR-like settings to produce a given average bitrate in the first place.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
  5. Irony? Dripping with molten iron! by ackthpt · · Score: 5, Funny
    Huffington Post? I knew that name rung a bell, some background.
    She writes: "I've got a confession to make. I'm talking weak-in-the-knees infatuation. But it's not Brad or Orlando or Colin or any of the cinematic hunks du jour who have set my heart aflutter. No it's Atrios and Kos and Joshua Micah Marshall and Kausfiles and Kevin Drum and Wonkette. Bloggers all. Yes, when it comes to the blogosphere, I'm a regular cyberslut."

    Ok, tell us something we can't guess. So you have a new rag and you've got Hilary Rosen writing thus:
    I spent 17 years in the music business the last several of which were all about pushing and prodding the painful development of legitimate on-line music. Now, the music fan is on the cusp of riches in their options - free of the viruses of the pirate sites.

    Oh my... Has anyone seen my unawarded Humanitarian of the Millenium trophy around? I've got someone to give it to at last.
    There are lots of places you can go for great music at good deals and with a deep catalog of songs from over the last 20 or 30 years. MSN.com, Rhapsody.com, aolmusic.com, even walmart.com. There are little players to make your favorite music even more portable than ever starting at as little as 29 bucks. Most every player device works at every one of these "stores" and it is pretty easy to keep all the songs, no matter where you got them, in a single folder or "jukebox" on your computer.

    Or all your favorite pirated mp3's seems we've been here before.
    But not the iPod. Most agree it is the best quality player on the market even if the cheapest one costs a few hundred dollars. The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's.

    !Cough! Surely you jest, Hilary! What next will you be pushing? Fair Use? You commie!
    But those other music sites have lots of music that you can't get at the iTunes store. So, if you have an iPod, you are out of luck. If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod. But then you have also degraded the sound quality. How cruel.

    Yeah, how cruel. Seems when the big labels were withholding everything from us consumers we were somehow evil to rip and make our own mp3's. Only able to get what the powers that be (RIAA) felt we were worthy of (mostly whatever manufactured band or act they were currently exploiting and wanted us to buy into like so many lemmings. "Puny mortal, you are only worthy of Britney Spears Greatest Dance Songs of Last Week, with CD-ROM destroying anti-copy-protection, now BUY!") Now the stiletto heel is on the other foot?
    keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do.

    UltraGasp! This just can't be the same Hilary Rosen! Impostor!!!
    Why am I complaining about this?

    I dunno. Maybe you're a consumer now. Or just another cyberslut.
    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:Irony? Dripping with molten iron! by Anonymous Coward · · Score: 0
      I'm a regular cyberslut.

      I will make it a mental note (and resolution) to avoid the #cyber channels on IRC.
    2. Re:Irony? Dripping with molten iron! by The+Angry+Mick · · Score: 1

      Please God, post this to her blog if you can. Great stuff!

      --

      I'm not tense. I'm just terribly, terribly, alert.

    3. Re:Irony? Dripping with molten iron! by rjelks · · Score: 1

      "Please God, post this..."

      Are you talking to the real God or Steve Jobs?

    4. Re:Irony? Dripping with molten iron! by The+Angry+Mick · · Score: 2, Funny

      You mean...its not the same thing?

      ;-)

      --

      I'm not tense. I'm just terribly, terribly, alert.

    5. Re:Irony? Dripping with molten iron! by The+Bungi · · Score: 1, Troll
      I dunno. Maybe you're a consumer now. Or just another cyberslut.

      Perhaps she's complaining because she doesn't follow the party line that permeates your world - namely that customer lock-in and DRM are bad only when they come from Microsoft or someone else, but A-OK when they come from Apple.

      I agree that she's not exactly the best person in the world to stand up for customer rights, but she does make that point, I think.

      Maybe you didn't catch that, though you seem to have read the whole thing. Score one for highly selective cognisance.

      I love that someone modded you up to +5 though.

    6. Re:Irony? Dripping with molten iron! by snuf23 · · Score: 1

      Now, the music fan is on the cusp of riches in their options - free of the viruses of the pirate sites.

      Oh thank God! I've finally be saved from all those virus infested illegal MP3 files!

      --
      Sometimes my arms bend back.
    7. Re:Irony? Dripping with molten iron! by _Sprocket_ · · Score: 1
      Perhaps she's complaining because she doesn't follow the party line that permeates your world - namely that customer lock-in and DRM are bad only when they come from Microsoft or someone else, but A-OK when they come from Apple.

      No - apparently she's pushing the other party line; it's not customer lock-in if the DRM comes from Microsoft. Apparently Apple doing the same thing is bad.
    8. Re:Irony? Dripping with molten iron! by xENoLocO · · Score: 1

      The first quote you pasted was from Ariana Huffington, not Hillary Rosen... you should probably clear that up. :)

      --
      "The need to build the internet comes from something inside us, something programmed... something we can't resist."
    9. Re:Irony? Dripping with molten iron! by Anonymous Coward · · Score: 0

      Radical left-wing bloggers all. Number of mentions of Glenn Reynolds or any of the other mainstream blogs? Zero. Coincidence? I think not.

    10. Re:Irony? Dripping with molten iron! by Otto · · Score: 4, Insightful

      Perhaps she's complaining because she doesn't follow the party line that permeates your world - namely that customer lock-in and DRM are bad only when they come from Microsoft or someone else, but A-OK when they come from Apple.

      No, it's bad coming from Apple too.

      I agree that Apple should open the iPod up a bit, to let others make DRM'd AAC's for the device without resorting to Real's Harmony approach.

      What the problem here is is that while Apple is promoting vendor lock-in a little bit, Microsoft, via, walmart, napster, and all the other WMA stores, is promoting not only format lock-in, but the most hideous DRM ever conceived by mankind.

      If you want a portable music device that will delete your music by itself simply because you haven't connected it to a computer recently, then look into WMA10 and the "Plays For Sure" logo. Because that's what it does, and that's what it means. Go read the WMA10 SDKs, it's pretty clear once you get past the pretty diagrams.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    11. Re:Irony? Dripping with molten iron! by mrex · · Score: 1

      namely that customer lock-in and DRM are bad only when they come from Microsoft or someone else, but A-OK when they come from Apple.

      Oh please, there is no vendor lock-in with an iPod!!! How much more of a standard do you want than MP3!?!?

      What Hilary is upset about is that Apple isn't sharing the on-line music profits with the people who didn't do anything to create an on-line music business. Twas hard to derive from a quick read of her post, which was the intention I'm sure, but that sums it up.

    12. Re:Irony? Dripping with molten iron! by The+Bungi · · Score: 1
      How much more of a standard do you want than MP3!?!?

      Really? Does that include tracks downloaded from iTunes?

    13. Re:Irony? Dripping with molten iron! by The+Bungi · · Score: 1
      Because that's what it does, and that's what it means.

      It does? Well, I don't use WMA, WMP or any other audio technology from them. That seems kind of dumb though - do you figure such a scheme is going to last for long in the land of Kazaa and eMule? Last I checked people can still vote with their wallets. If the device manufacturers jump on the bandwagon with Microsoft and do something like that I'm betting they're not going to sell a lot of devices, and that's ultimately what is going to kill it.

      Then again I suppose it's possible they'll go for it, in which case they'll get what they deserve. But that doesn't change the fact that Apple is hoisting a DRM scheme on them right now, and people have no problem with it because a) it works; and b) Shiny objects distract them.

    14. Re:Irony? Dripping with molten iron! by Anonymous Coward · · Score: 0

      > > How much more of a standard do you want than MP3!?!?

      > Really? Does that include tracks downloaded from iTunes?

      Yes. Those are in a format made by the same people. Which is not Apple.

      Have a peek at the MPEG-4 AAC Licensing FAQ

      Say hello to the word "standards"

    15. Re:Irony? Dripping with molten iron! by Anonymous Coward · · Score: 0
      Say hello to the word "standards"

      Stupid retard.

    16. Re:Irony? Dripping with molten iron! by mranchovy · · Score: 1

      To be precise, there is no vendor lock-in with an iPod. There is vendor lock-in with the iTunes Music Store because of the DRM. My iPod has a couple of MP3s I downloaded; everything else I ripped from my CD collection. I'm not sure how popular iTMS is; I'm guessing it's not as popular as the iPod, based on my personal experience.

      (By the way, isn't it really annoying when someone will say absolutely anything, even if it contradicts something they said earlier, depending on who they work for? Does someone who acts like that have any credibility?)

      --
      I am so smart!
      I am so smart!
      S-M-R-T!
      I mean S-M-A-R-T!
    17. Re:Irony? Dripping with molten iron! by mrex · · Score: 1

      (By the way, isn't it really annoying when someone will say absolutely anything, even if it contradicts something they said earlier, depending

      You have your answer.

    18. Re:Irony? Dripping with molten iron! by TiggsPanther · · Score: 1

      Well the article does raise one very important question.

      Do those $29 cheapo players support any DRM at all, or is it vanilla-mp3/WMA only? I thought those things didn't supports DRMd files - unless things've changed over the past couple years.

      The thing is that if these things don't play DRM-WMA then she's just shot herself in the foot with this little article. Unless she's saying that at least they're equally restrictive - don't play anyone's files.

      Also I have to say that when she says that preventing people using MS technology is anti-consumer and unfriendly I find that a little hard to take. Especially seeing that the "more open stores" she advocates are, in the majority of cases, IE-only. That doesn't sound very "pro consumer" or "friendly" to me.
      At least ITMS runs on two platforms. Far from perfect, but a stop above the WMA stores in my opinion.

      --
      Tiggs
      "120 chars should be enough for everyone..."
    19. Re:Irony? Dripping with molten iron! by Otto · · Score: 1

      It does? Well, I don't use WMA, WMP or any other audio technology from them. That seems kind of dumb though - do you figure such a scheme is going to last for long in the land of Kazaa and eMule? Last I checked people can still vote with their wallets. If the device manufacturers jump on the bandwagon with Microsoft and do something like that I'm betting they're not going to sell a lot of devices, and that's ultimately what is going to kill it.

      Then again I suppose it's possible they'll go for it, in which case they'll get what they deserve. But that doesn't change the fact that Apple is hoisting a DRM scheme on them right now, and people have no problem with it because a) it works; and b) Shiny objects distract them.


      Microsoft's WM10 DRM is more insidious than that. They're planning ahead here. WM10 is basically a (reasonably well thought out) DRM for the future, sort of thing. It's a complete media system, not just audio, but video and all multimedia you can think of, basically.

      You might have seen some of these new shiny portable video devices with that "Plays For Sure" logo on them. You can get a Windows Media Center PC that will do basically everything a Tivo will do and more, and can transfer the video to your new shiny player device. All this works through the new WM10 methodology.

      Not a lot of this stuff implements DRM yet. It's a big sleeper in WM10. The goal is to get the WM format to be all-pervasive, to the point where it gets integrated into the home entertainment system. Then you can, say, buy a PPV movie and have it not only delete itself after a while, but have it delete itself on all the devices you've transferred the video to. The capability is there in WM10, it's just not being used much.

      Napster ToGo uses it for their system. That $15 a month all-you-can-hear thingy that also lets you transfer your music to a "Plays For Sure" player implements it. Stop paying for the service, and a month later all the music you had on your device is gone, without you doing a thing.

      Will it last long? I dunno. Depends on how pervasive Microsoft can make it. If they get it built into the head unit of your media rack, then that's pretty pervasive. What with the CableCard technology coming out, they're looking forward to being able to sell boxes that are basically XP Media Center devices. Plug the CableCard in from your cable company, and it just works. You can watch your recorded shows on all your PC's, even transfer them to that shiny portable player. And it's DRM'd all the way through.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
  6. well that's odd by rebug · · Score: 2, Interesting

    My bleep downloads seem to play fine on my iPod.

    Should I file a bug?

    --

    there's more than one way to do me.
    1. Re:well that's odd by Big+Mark · · Score: 1

      Warp's releases are the only ones I buy, because - and this is very important - they are free of DRM! I must have given them the best part of a hundred quid and as I can do what I like with the files I don't care.

      I'm actually very unlikely to share those files deliberately too. Something about paying for an mp3 as opposed to getting it for "free" by ripping a CD makes me protective.

  7. WTF? by Anonymous Coward · · Score: 0

    Seriously, wtf?!

  8. Huffington Post shows up on /. their first day ... by Hulkster · · Score: 5, Informative

    The article is from the Huffington Post the "blog of various mainstream media celibrities" which launched today. Impressive that they make Slashdot outa the gate - sounds like the lines are blurring even more between the traditional MSM media and the new online media. It will be interesting to see if they are able to maintain the daily grind of interesting articles ... or if they eventually becomes as exciting as watching grass grow ;-)

  9. Side Effect by pinkocommie · · Score: 1

    One interesting side effect of this in the long run (if Apply has say 80%+ of market share) they would be able to not only force the RIAA to bend over but get rid of them altogether

  10. Childish by TurboStar · · Score: 5, Insightful

    The RIAA asked for DRM. iTunes gave you DRM. Apple sees a way to leverage this technology to their advantage and you cry foul? Grow up.

    1. Re:Childish by DarkHelmet · · Score: 4, Interesting
      See, the RIAA only wants DRM that is to their benefit. If a person is going to be encouraged to download an mp3 off the Internet in order to listen to their music unincumbered, it points the person in the direction of piracy (even if they do own the song under fair use).

      I'm absolutely sure that the RIAA would love people paying for 5 copies of the same song, but at least Rosen is coming to realize that people just won't do that. If a person downloads Kazaa in order to get an unlocked version of a song that they own and in turn finds 50 songs that they don't own, then it's flagged as a loss.

      Every spokesperson acts and rallies in their own company's best interest. It's a fact of business, and a fact of life.

      --
      /^[A-Z0-9._%+-]+@[A-Z0-9.-]+\.[A-Z]{2,4}$/i
    2. Re:Childish by bsane · · Score: 1

      This is the whole point of her blog. Apple is the online music supplier that they have the least control over. They have control because the ipod is so popular- if they can remove Apple from their posistion of dominance then they are free to enforce the subscription model for everyone. They don't like Apple because they are holding them to .99/song...

    3. Re:Childish by iSeal · · Score: 1

      Exactly. If my memory serves me correctly, the RIAA has previously sued music distribution sites which didn't provide DRM.

      I suppose the solution to her quandary would be a DRM system that works on all platforms. That is something (considering the closed nature of DRM) that would be dead near impossible to accomplish. I prefer the solution where she justs STFU.

    4. Re:Childish by Marthisdil · · Score: 1

      The RIAA asked for DRM. iTunes gave you DRM. Apple sees a way to leverage this technology to their advantage and you cry foul? Grow up.

      Sad thing is - the artists still don't see very much money from selling their songs through iTunes =/

      If only the record companies would sell CD's for $5-8, all would be well in the world.

    5. Re:Childish by Scudsucker · · Score: 1

      then they are free to enforce the subscription model

      Oh I don't doubt they wish they could throw their weight around more, but it wouldn't be to subscrptions, because they are too full of holes. Lets say you want 50 gigabytes of music. With the iTunes store, you'd have to pay many thousands of dollars to get that much. With a subscription, you can download the same amount for probably less than a hundred bucks, and use software to recode the DRM'd files to mp3s. You could of course do the same to songs purchased through iTunes, but what's the point? You paid for the songs, they aren't going to go a way, so why bother to do all that transcoding?

      I'm surprised the subscription services have lasted this long.

    6. Re:Childish by corporatemutantninja · · Score: 1
      This is the interesting part. Sure, it's fun to bash Hilary for writing this garbage, but has anybody really stopped to wonder about her motive? I don't think this is about the RIAA and record sales. Somehow she's in bed with either Microsoft or one of the "other" music sites.

      Anyone have any insight on this?

      --
      Actually, I was trying to be Insightful, not Funny.
    7. Re:Childish by SirTalon42 · · Score: 1

      It will probably be $X to download the song, then $Y to keep it after the first month FREE!!!!11111

  11. Hmm by Anonymous Coward · · Score: 5, Insightful

    So what, does Warp Records just not exist? And what about all those people all over the internet distributing mp3s of their own personally recorded music legally? Do they just not exist?

    Oh, wait, I forgot-- those people aren't RIAA members. So I guess to Hillary Rosen, they don't exist.

    Still, it seems awfully odd that "can play anything but WMA and FLAC" means "can only play personally ripped music and iTMS purchasers".

    1. Re:Hmm by Anonymous Coward · · Score: 0

      No, for all practical purposes, Warp Records does not exist. Unless you choose your music based on politics rather than your preferences or you just coincidentally happen to want what they happen to be selling, Warp Records does not exist.

    2. Re:Hmm by 3nuff · · Score: 1

      I'm going to add Beatport in here too. I have yet to buy and mp3 from them that doesn't work on my iPod....

      --
      "Give me taste, give me funk, give me fury, gimme some more."
    3. Re:Hmm by Anonymous Coward · · Score: 0

      Does the ipod play ogg now too?

    4. Re:Hmm by EvilSporkMan · · Score: 1

      Since when can the iPod play OGG? OGG is not FLAC, although FLAC can be contained within OGG instead of Vorbis.

      --
      -insert a witty something-
    5. Re:Hmm by Anonymous Coward · · Score: 0

      As a long-time fan of electronic music, I must say.. Bleep ROCKS IT HARD.

      If you're into that stuff and you're not buying from Bleep (or direct from the label so you can support them), YOU SUCK.

      *off to listen to some Amon Tobin*

    6. Re:Hmm by Briareos · · Score: 1

      Well, as long as Kompakt doesn't exist the same way I can live with that... :)

      (Then again, Kompakt are not only a label, but also one of the largest indie distros in Germany, so opening an (320kbps) MP3 webshop was just a matter of time...)

      np: Plaid - Ladyburst (Not For Threes)

      --

      "I'm not anti-anything, I'm anti-everything, it fits better." - Sole

  12. Clueless? by Ironsides · · Score: 4, Insightful

    The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's.

    Hmm... And whose fault would that be? If the Record companies didn't require DRM we wouldn't have to worry about this. Or does she want Apple to open up their DRM scheme?

    --
    Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    1. Re:Clueless? by linuxtelephony · · Score: 5, Insightful

      Now that the iPod and iTunes is an unquestionable success, could it be that the RIAA sees Apple as what they used to be? A primary controller of music distribution. And, we know RIAA knows how powerful that can be. I think they are afraid iTunes/Apple has a little much perceived power.

      Afterall, it is easier for RIAA to "control" online music if there aren't any individually strong serious players. With a couple of really strong players in that field, it could become more difficult for RIAA to stay the master of their domain.

      Just a thought, opinion really. No facts to back it up.

      --
      . 62,400 repetitions make one truth -- Brave New World, Aldous Huxley
    2. Re:Clueless? by cryptochrome · · Score: 1

      Maybe because non-RIAA bands and labels can sell directly through iTunes, thus disrupting their monopoly severely?

      --

      ---If you can't trust a nerd, who can you trust?

    3. Re:Clueless? by TrippTDF · · Score: 4, Insightful

      One of the great things about mp3 is that a lot of bands can get bigger attention without having the distribution network (I.E. CD stores) that they used to need. Apple is starting to control music the way the RIAA used to. If they wanted to go "all the way", they should make it easy for any band to open up shop and sell through the iTMS.

      The current generation of music stars will stick with their labels (or be forced to), but new, unheard-of bands can gain popularity and make money off their music. They won't need a label, other than iTMS, and the RIAA will go down the tubes real quick.

      Then Apple will have a stranglhold on the music industry. They will then force every song added to the iTMS to include a lyric about buying a Mac. Soon, Microsoft and Dell will crumble. Apple will be left standing along in a sea of dead computer companies, all because of a freaking music player.

    4. Re:Clueless? by JeTmAn81 · · Score: 1

      That's definitely possible, though without overstating the significance of iTunes I think that it will only provide the RIAA with an example of possible internet-based revenue in the future, and not as a serious competitor. In other words, there will never be a case where it's RIAA vs. iTunes and iTunes wins. RIAA will just have to get in on the game eventually and compete.

      --
      "Me? Lady, I'm your worst nightmare -- a pumpkin with a gun."
    5. Re:Clueless? by realmolo · · Score: 1

      Well, bands have always been able to give their music away in MP3 format. I challenge you to name ONE band that "made their name" by doing this.

      The RIAA is pure fucking evil, but without the distribution and marketing of a record label, it's hard to be a really successful band. You can make a living at it, even a good living, but if you plan on getting rich from your music, it can't be done without the labels. Unless you've got a rich uncle or something.

    6. Re:Clueless? by jurv!s · · Score: 1

      dude, take a step to the left- you been in Steve's RDF a little too long...

      --
      sigs are for fools and trolls. no signature is *always* appropriate. you should turn them off in your preferences.
    7. Re:Clueless? by KillShill · · Score: 1

      obviously you have hit the nail on the head.

      this is ALL that the RIAA (and other devilish associated groups) are about.

      CONTROL of distribution.

      --
      Science : Proprietary , Knowledge : Open Source
    8. Re:Clueless? by ScrewMaster · · Score: 3, Insightful

      Yes, well. If Jobs really wants to kick the RIAA in the teeth, all he has to do is open a chain of professional recording studios. All Mac based, of course (hell of a plug for the Macintosh in and of itself) and hire some quality engineers to staff them. Implement a torrent-style download system so distribution costs are effectively zero and marketing as such is handled by iTunes. He would probably attract every non-aligned musician (and many of those who are under contract to RIAA members) in a heartbeat. And if he paid musicians, say, 75% of the sales price of the music and kept the rest ... well. iTunes might make a profit (rather than being the near-loss-leader that it is.) If nothing else that would truly put the fear of God into the RIAA.

      --
      The higher the technology, the sharper that two-edged sword.
    9. Re:Clueless? by Queer+Boy · · Score: 2, Informative
      If they wanted to go "all the way", they should make it easy for any band to open up shop and sell through the iTMS.

      They do.

      --
      Not since Marie-Antoinette played milkmaid has looking simple and honest been so fake and complicated.
    10. Re:Clueless? by cryptochrome · · Score: 1

      But that's my point. iTunes music store can promote music, without the RIAA. If iTMS had a subscription service, they could couple that with user playlists. RIAA bands would then have no advantage over the indie bands. Of course, the industry still controls booking large venues...

      --

      ---If you can't trust a nerd, who can you trust?

    11. Re:Clueless? by pjrc · · Score: 1
      unheard-of bands can gain popularity and make money off their music. They won't need a label, other than iTMS, and the RIAA will go down the tubes real quick.

      Especially if songs from popular but unsigned artists sell for, say, 50 or 60 cents instead of $1.00.

      It won't take many hits to drive down consumer price expectations... and that spells doom for the big labels with their heavy weight spending practices.

      Might not work out this way... pricing might be similar or slightly less, but Apple (and maybe, just maybe the artists) are going to reap the enormous profits that the big labels take.

      But it won't really be the end of the labels until Apple starts to invest/finance upstart bands. The real trick will be to do it efficiently without the gross overspending that the big labels do today.

  13. pot calling the kettle black? by Anonymous Coward · · Score: 0

    ...what the hell?

  14. Or conversely... by cartzworth · · Score: 1

    ...I'm stuck with Napster tracks that don't play on the player which has 60% market share.

    Oh wait, just kidding, format shifting is peachy.

    1. Re:Or conversely... by Mantorp · · Score: 1
      ...I'm stuck with Napster tracks that don't play on the player which has 60% market share.

      I only concern myself with 100% of the players I own ;)

  15. Hillary Rosen said what??? by perigee369 · · Score: 0, Redundant

    **blinks** I must be in bizarro world.... Perigee

  16. Wow. by Anonymous Coward · · Score: 0

    First she promotes DRM and all that crap, now she talks about lock-ins and fighting for consumer rights? Wow, my worldview just collaspsed!

  17. Tell that bitch to get in line!!! by Anonymous Coward · · Score: 0

    There have been lots of people complaining about iPod way before she reared her ugly head. tell that bitch to get in line!

  18. Irony? by ardor · · Score: 1

    You call it irony. I call it "hell-has-frozen-over".

    --
    This sig does not contain any SCO code.
  19. Feedin' the troll, feedin' the troll... by Thud457 · · Score: 4, Informative
    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  20. This is so utterly amazing... by Anonymous Coward · · Score: 2, Funny

    ... coming from the plaintiff of Diamond vs. RIAA, a lawsuit in which Ms. Rosen and her cronies tried to render the iPod illegal!

    How can these people sleep at night?

    1. Re:This is so utterly amazing... by KillShill · · Score: 1

      the rich-man's all-purpose flour helps.

      --
      Science : Proprietary , Knowledge : Open Source
  21. Delivering news since... by SunPin · · Score: 1

    May 9th 2005? Today? What kind of publication are we being sent to?

    --
    Laws are for people with no friends.
    1. Re:Delivering news since... by d1v1d3byz3r0 · · Score: 1

      A site that just opened today. See several of the above posts.

  22. Yes indeed by Anonymous Coward · · Score: 0

    Apple is a monopoly, tying it's OS and computers together, tying its iPod's in with its own service. But Apple zealots never seem to question their intentions.

    Lack of competition is one of the reasons Mac's are such a rip off. Especially considering the relative low cost of the PowerPC architechure compared to x86.

    Now much me down.

    1. Re:Yes indeed by The+I+Shing · · Score: 1

      I'm an Apple zealot... I think Apple's intention is to make a profit.

      Controlling 4% of a market is not a monopoly.

      If you want to use a Windows PC, the price of the Mac makes absolutely no difference to you whatsoever. There's enough competition between Windows PC vendors to drive the prices down to the $299 you're willing to pay for a computer. I want to use a Mac, so I will have to pay extra for my Mac. I'm okay with that.

      --
      You are in error. No-one is screaming. Thank you for your cooperation.
    2. Re:Yes indeed by VoidWraith · · Score: 1

      Not to dismiss your point, but it's not a monopoly, it's called vertical integration.

    3. Re:Yes indeed by Anonymous Coward · · Score: 0

      Dude, what are you smoking? How can you call Apple a monopoly when it makes both the hardware and software? That makes GM a monopoly because it makes the engines that go inside their cars. The reason Microsoft is a monopoly is because they don't own the hardware companies. If they did, they can do whatever they want.

  23. MP3? by Anonymous Coward · · Score: 0
    I don't have an iPod, nor have I investigated them much, but I know it plays MP3s.

    Its not Apple's fault that no one sells online music as MP3s. That is more the fault of the RIAA.

    [insert standard RIAA rant here]

  24. "To Tell The Truth by Paul+Neubauer · · Score: 2, Funny

    Will the real Hilary Rosen please stand up?

    --
    I don't subscribe to RMS's GNUtopian vision.
  25. From TFA by SithLordOfLanc · · Score: 5, Funny

    "If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod."

    The former head of the RIAA pointing out that the only way to listen to your legally purchased music on an iPod is to break the DRM. That's rich.

    1. Re:From TFA by Anonymous Coward · · Score: 0

      Perhaps we should turn her in for violation of the DMCPA?

    2. Re:From TFA by Soul-Burn666 · · Score: 1

      Or ripping music from your CDs!

      Check this out (from TFA, emph mine):
      "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's."

      --
      ^_^
    3. Re:From TFA by Wes+Janson · · Score: 1

      And complaining about how difficult it is to do!


      There is a god, and it is a god of irony. Oh, sweet joy to see this glorious day! My entire month was made right there. If ever a story was posted which deserved no other comment than a giant Nelson "HA HA", this would probably be it.

  26. Problem? by payndz · · Score: 4, Insightful
    "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's."

    And some obscure audio file format. What's it called? Oh, yeah. MP3.

    --
    You must think in Russian.
    1. Re:Problem? by Anonymous Coward · · Score: 0

      Hillary Rosen spent years fighting the existence of MP3. Are you really surprised that she now pretends it doesn't exist?

    2. Re:Problem? by Graff · · Score: 1

      Not to mention AIFF (the format the music COMES to you on the CD), WAV, Audible, and AAC (both with and WITHOUT Apple's DRM)...

    3. Re:Problem? by vistic · · Score: 1

      " Not to mention AIFF (the format the music COMES to you on the CD)"

      AIFF is a format mostly developed by Apple. Audio CD audio uses Red Book format.

    4. Re:Problem? by Zaulden · · Score: 1

      Yeah. The real problem isn't with the iPod, it's with all the music services that dish out crippled Mp3s. It's a total rip.

      --
      "Time is an illusion, lunchtime doubly so." - Ford Prefect
    5. Re:Problem? by Anonymous Coward · · Score: 0

      I believe the sound quality of the two is identical. IIRC, Macs were the first computers to do audio CD ripping (back in the pre-MP3 day). It would be senseless to copy all the error correction to a computer format (except in a few cases), so people generally use AIFF (or occasionally WAV) to store the musical content of an audio CD as a file on their computer's hard drive. Since the audio reproduction quality is the part of the format which matters to people, they generally consider the formats to be the same.

    6. Re:Problem? by vistic · · Score: 1

      Wikipedia says red book audio came about in 1980 (when CD's came about, duh)... and that AIFF was "was co-developed by Apple based on Electronic Arts Interchange File Format (IFF)". I always just thought of AIFF as being Apple's version of a WAV file.

      I think maybe the original poster is confused because (if i recall correctly) some version of Mac OS displays the audio tracks as AIFF Files when you view it in the Finder, even though the audio is not stored as an AIFF file on the CD. But CD audio is red book for sure.

    7. Re:Problem? by kelnos · · Score: 2, Informative
      Remember, in Rosen's view, that's all the same thing. The only way to *legally* get any music that will play on the iPod is to:
      1. Rip it from your own CDs
      2. Buy it from iTMS
      Now, for #1, the *format* you rip to can be AAC, MP3, or (I think) WAV/PCM. But that's not really relevant.

      The real thing she's complaining about (and rightly so, though it's totally hypocritical) is that the only place people can *purchase* songs from the Internet and have them work on the iPod is from iTMS. Anywhere else that you can purchase songs has MS DRM on it.

      (Yeah, I know, there's AllofMP3.com, but Rosen likely considers it illegal, and there are a couple, like Warp Records, that sell DRM-free tracks, but they cater more to niche music which Rosen probably considers irrelevant. Not that I agree with that view, but that's just how it is.)
      --
      Xfce: Lighter than some, heavier than others. Just right.
    8. Re:Problem? by Anonymous Coward · · Score: 0

      I think another way to think of this would be to say you have a file "foo.txt", and you save that file on an NTFS volume. Then later you copy the file to an HFS+ volume. You open the file and it appears identical to the version stored on the NTFS volume. Most people would consider this to be the same file. But the encoding is different. The way it is stored on the media is different. AIFFs and WAVs are essentially the same file as what is on the CD (minus the error correction and maybe re-ordered with data unrelated to the basic sound playback truncated or added), so people see it as the same thing or format as on a CD-DA. You are technically correct. But general use would allow for someone talking about a computer to call an AIFF the audio on an audio CD. It is certainly equivalent for what people would generally mean.

    9. Re:Problem? by vistic · · Score: 1

      To me, what the original post said would imply that Apple had a hand in inventing the audio format used for CDs which they didn't. And if Apple wanted to copy the audio cd format, they would have based AIFF on that, instead of on EA's IFF format.

  27. Who cares? by jleq · · Score: 2, Informative

    I prefer to buy my music from better legal sites, that are 1/10th the cost of iTunes and use no DRM. Anybody heard of allofmp3.com or mp3search.ru? They both are legal, and have great libraries.

    I will admit that I have bought a few songs off of iTunes simply because I wanted a high quality copy before the song was released on CD... but in general, why would I want to pay 10x more for something that I can get legally much cheaper?

    1. Re:Who cares? by Anonymous Coward · · Score: 0

      allofmp3.com being legal in Russia (which is questionable) in no way makes it legal in the USA. I mean, really. You're only saying it's legal because you want it to be legal.

    2. Re:Who cares? by VoidWraith · · Score: 0, Redundant

      Who, exactly, told you those are legal? Every reputable source I've heard from is very apprehensive about those Russian sites.

    3. Re:Who cares? by Uber+Banker · · Score: 1

      IANAL, but the argument allofmp3.com put forward is pursuasive.

      You legally buy the music in Russia. Then, via the internet, you import it into the US/UK/Mali/whatever, you then have the liability of paying whatever import fees may be applicable, perhaps local sales tax, some import levies.

      It is a nice imterpretation of the internet. The internet is not some strange entity, it is a means of communication. It is subject to the same laws as something like international mail-order. It is up to you to find out what the laws are like regarding traditional import or export for personal use, but because it is the internet it does not become some special situation.

    4. Re:Who cares? by Anonymous Coward · · Score: 0

      Allofmp3 is legal under Russian copyright law. However, they are clearly ripping off everyone who produced the music (yes, that includes the musicians). They aren't paying the music producers at all. I'm a little confused as to why technology workers can feel good about this. Afterall, if Russian copyright law decided that russian websites could sell YOUR software internationally without paying you a single cent, would you say, "Hey -- It's legal in Russia, therefore it's okay." or would you say, "Damn Russian government is not cracking down on someone who's getting rich off of the software that I wrote -- and, under Russian law, they're allowed to do this without paying me a single dime! I created that software and they're getting rich. WTF?! What a travesty of justice!" And, yet, you think this is fair as long as you're the consumer?

    5. Re:Who cares? by rpdillon · · Score: 1

      I had it out with a lawyer on this stuff a few months back here on Slashdot. I took your position, and the lawyer took the "AllofMP3.com is illegal" position. I got schooled.

      And I'll explain why in one sentence:

      In the U.S., creating a copy of a song is a protected action reserved for copyright holders ONLY, and when you download a song coming over the wire to your computer, you have made a copy (illegally).

      I tried all kinds of arguments about the copy being made in Russia, import laws, etc., but they are all moot. In reality, copies are made all the time in computing, and copyright law counts them ALL as copies, even copying to RAM. Anyway, I stopped using AllofMP3.com since.

      Further, I don't think it is obvious that buying music overseas is inherently illegal when it involves downloading, but it is. Even if you were paying $17/album, if the copyright holder themselves did not authorize it (regardless of the legality of the service in the foreign country), it is illegal to download it to a computer in the USA, since that is where the copy was made (well, one of the MANY copies).

      I think the main point here is "Wow, copyright law is foobar'd!", rather than "Ooohhh, you're a bad person for using AllofMP3.com", but I suppose someone could easily take either position.

    6. Re:Who cares? by DA-MAN · · Score: 1

      I tried all kinds of arguments about the copy being made in Russia, import laws, etc., but they are all moot. In reality, copies are made all the time in computing, and copyright law counts them ALL as copies, even copying to RAM. Anyway, I stopped using AllofMP3.com since.

      Does that mean that Cisco will be the next target for a lawsuit since Cisco routers contain thousands of copies of music all the time? They are effectively assisting in the copying of all media!!?!? Those bastards.

      --
      Can I get an eye poke?
      Dog House Forum
    7. Re:Who cares? by rpdillon · · Score: 1

      Very clever, but those are considered "transient" because they do not involve viewing. Further, ISPs typically have certain protections against suits filed as a result of user usage. If it is the user requesting the data, it is the user that has "created" those copies. Routers are also special in that they don't necessarily keep the data they route, and never "view" it...copying to RAM as an end user for the purpose of viewing/listening IS considered creating an infringing copy.

    8. Re:Who cares? by DA-MAN · · Score: 1

      Very clever, but those are considered "transient" because they do not involve viewing.

      By that token a pirate is only infringing on the *AA's copyrights when the copy is copied into ram. Downloading and storing to hard drive are transient because they don't involve viewing.

      Further, ISPs typically have certain protections against suits filed as a result of user usage.

      Yes, it's called common carrier status. I'm just pointing out how silly it is to count EVERY copy when infringing.

      If it is the user requesting the data, it is the user that has "created" those copies.

      Not true. BitTorrent downloads from ram to the hard drive in a transient way, very similar to the way the routers transfer it. By discounting copies such as traffic routed by routers, then you are basically saying a copy doesn't count until it is ready to be viewed (IE Copied to ram). This is not the take the *AA has taken thus far.

      --
      Can I get an eye poke?
      Dog House Forum
  28. Pot to Kettle... Pot to Kettle... by TedTschopp · · Score: 1

    You are Black.

    In all seriousness, why do you think that all of a sudden she is voicing the opinions of Real and Microsoft?

    --
    Fantasy remains a human right; we make in our measure and in our derivative mode... -- JRR Tolkien
    1. Re:Pot to Kettle... Pot to Kettle... by Anonymous Coward · · Score: 1, Funny

      Pot to Kettle... Pot to Kettle...

      You are Black.


      Who the fuck talks like this anyhow? You need to get away from your computer and Slashdot for awhile and go interact with the rest of the world.

    2. Re:Pot to Kettle... Pot to Kettle... by Skye16 · · Score: 1

      I've heard quite a few people talk like that before. They're mostly hicks, though. I think they think they're clever.

    3. Re:Pot to Kettle... Pot to Kettle... by Anonymous Coward · · Score: 0

      How many kettles made in the last 100 years are actually black? Most are made of glass or stainless steel. Do you even know what a kettle is?

  29. wow... by Neitokun · · Score: 1

    I know Steve Jobs is a god. ... in what universe? last time i checked, most people consider Jobs to be a head-in-the-clouds dreamer, not a god...

  30. Ehh! by nickroethemeier · · Score: 1

    Every time I hear about this woman, she seems to try and take away some 'rights' to do with what we purchase. Although this is a turn of events, I am not surprised that she takes an alternate stance now that she is not within the grasp of the RIAA board or whatever group tells her what to say.
    Either way, she does have a good point. I do own a mac and do purchase songs using iTunes, but it is easily defeated using jHymn (not that I've used it. )

    I am simply surprised with her turn of events, even though it is similar to her old stance. I just bet it is influnced by MS and Real's Music Stores.

  31. WTF? by Aumaden · · Score: 1

    When did Microsoft buy the RIAA? I must have missed that story. And the dupe. And the other dupe.

  32. Hilary Smilary by squarefish · · Score: 1

    Can't she just make up her fucking mind already?

    --
    Creationists are a lot like zombies. Slow, but powerful and numerous. And they all want to eat our brains.
    1. Re:Hilary Smilary by RatBastard · · Score: 1

      She has. She speaks for her masters. When the RIAA was her master she spoke for them. It would appear that Microsoft is her new master and she now speaks for them. Note that ALL of her complaints revolve around the iPod not being able to play WMA files.

      She's a mouthpiece and nothing more.

      --
      Boobies never hurt anyone. - Sherry Glaser.
  33. Why would she care? by Anonymous Coward · · Score: 0

    Perhaps I'm missing something -- and I most likely am -- but why does Rosen care if people are using iPods?

  34. Re:Huffington Post shows up on /. their first day by Anonymous Coward · · Score: 0
  35. Hilary now complains about what she created by Gandoron · · Score: 3, Informative

    Hilary Rosen was in the position to fix the situation, but instead she helped create a locked-down DRM-prolific online music space. It's funny to see her complain about the exact problem that she put into place.

    Wasn't it easier when we all just had MP3's? Funny how that format works with everything.

    Good rebuttal
    http://www.corante.com/copyfight/archives/2005/05/ 09/hilary_rosen_laments_apples_drm_strategy.php

    1. Re:Hilary now complains about what she created by Aqua+OS+X · · Score: 1

      That's a good article.

      I don't mean to sound like a fan boy, but the ITMS DRM doesn't really bug me. If Apple wasn't the major player with proprietary DRM, it would be someone else. And that someone else would probably do it with a shittier product and service.

      I have some minor gripes about the fidelity of my iPod and 128kbps AAC files, but overall, I'm extremely happy with Apple's service. They got to the top of the heap with good product design. I'm a graduate industrial designer, and it's hard to get through a semester without the iPod & ITMS being referenced as examples of good design.

      It could be a LOT worse.

      I'd rather waist my energy petitioning Apple to deliver higher bit rate or 5.1 AAC files.

      --
      "Things are more moderner than before- bigger, and yet smaller- it's computers-- San Dimas High School football RULES!"
  36. Re:Whiskey. Tango. Foxtrot. by tomhudson · · Score: 1

    Hey, I hear Maureen O'Gara is going to be looking for a new gig, for more "informative, insightful writing", Some Time Real Soon!

  37. iTunes DRM is a success by winkydink · · Score: 1

    She'd like to see it more widely deployed.

    What's so surprising about this, other than the cutesy, obtuse way she makes her case?

    --

    "I'd rather be a lightning rod than a seismometer." -Ken Kesey

  38. Freak... by Anonymous Coward · · Score: 0

    She's so tounge-in-cheek it makes me want to barf. She's a loon. Her opinion doesn't matter... she is now obsoleted. She is also just an AAC with all of the DRM stripped off of it. And it she sounds just plain yucky.

  39. Wrong lock-in by Anonymous Coward · · Score: 3, Insightful

    I think whatever she would claim, she actually isn't worried about consumer lock-in. What she's worried about is producer-side lock-in. The RIAA members are locked in to the iTunes Music Store; they have to do business with the iTMS or their competitors will get the purchases there instead. The RIAA probably isn't happy about this. They're used to being able to dictate terms (like "you will carry X, Y and Z but not W because we said so") to retailers, not having the retailers dictate terms to them (like, "customers will be allowed to make as many CD copies as they like").

    1. Re:Wrong lock-in by Jason+Earl · · Score: 1

      Exactly. The RIAA wants to be able to sell music to iPod users, but the only way to do that is to go through Apple. With the varios WMV vendors there is competition and so the RIAA can dictate terms just like it has always done, but that's not the case with iTMS.

      What's worse, the RIAA knows that once people get used to buying music from iTMS Apple could easily use iTMS to market new music. Currently the RIAA is powerful because the record companies are the only way to get your music heard by a large number of people. If Apple can start making hits simply by exposing people to new music via iTMS then the RIAA companies are in serious trouble.

    2. Re:Wrong lock-in by jurv!s · · Score: 1

      this absolutely cannot happen without Apple Computer working out a new agreement with Apple Records. Haven't heard anything about their latest lawsuit recently, but I would hope each side would realize the market waiting to be tapped...

      --
      sigs are for fools and trolls. no signature is *always* appropriate. you should turn them off in your preferences.
    3. Re:Wrong lock-in by Jason+Earl · · Score: 1

      Actually, I think that's why Apple calls it iTunes.com. Apple, the computer company, can certainly *own* a service that sells music, they just can't call it "Apple." Besides, Apple is smart enough to know to make money first, and worry about the court case later.

    4. Re:Wrong lock-in by Anonymous Coward · · Score: 0

      It's a shame that Apple Corps isn't smart enough to make money through means that don't involve lawsuits.

      BTW - Apple Corps isn't allowing digital distribution of their Beatles catalog because they think it's a fad. I think they drank the same kool-aid as Hillary.

  40. Not that virus laden PIRATE music! by SuperKendall · · Score: 1

    Now, the music fan is on the cusp of riches in their options - free of the viruses of the pirate sites.

    Even now she can't resist a FUD attack on P2P.

    I can see a new slogan now: "P2P = STD".

    I think what's REALLY scary about Huffington is seeing how some well known people write. Echos of the transition to Talkies when people actually got to hear favorite actors speak for the first time - now we get to see how they really think.

    --
    "There is more worth loving than we have strength to love." - Brian Jay Stanley
    1. Re:Not that virus laden PIRATE music! by wintermute1000 · · Score: 1

      I think what's REALLY scary about Huffington is seeing how some well known people write. Echos of the transition to Talkies when people actually got to hear favorite actors speak for the first time - now we get to see how they really think.

      You should be modded way up for this observation. God, it's ridiculous what poor writers some of these people are. It's mainly because they all think they're goddamn hilarious - because everyone around them has been laughing riotously at every malformed quip that's emerged from their vain mouths under fear of termination for so many years that they don't even understand the concept of wit.

      Don't even start thinking about the reasoning some of them use. It's deeply, deeply depressing - and these people own the MSM that's telling our fellow voters how to think.

  41. Blog Comments? by daquake · · Score: 1

    Too bad they don't allow comments on the blogs on that site, not only would we succeed in some much needed "WTF!?!" but they might actually get some valuable input that they seem to have a shortage of at the *AA's.

    --
    Be True, Unbeliever
    1. Re:Blog Comments? by Anonymous Coward · · Score: 0

      you can comment on the rosen story just click the comment link at the bottom of the page

  42. ummmmm by Anonymous Coward · · Score: 0

    No, she's actually a lesbian.

  43. mp3s carry viruses? since when? by Anonymous Coward · · Score: 1, Insightful

    "Now, the music fan is on the cusp of riches in their options - free of the viruses of the pirate sites."

    Someone tell me if I'm missing things -- since when are mp3s or any online media format playable by the ipod capable of carrying viruses? Sounds like good ol' RIAA propaganda to me.

    1. Re:mp3s carry viruses? since when? by SirTalon42 · · Score: 1

      WMAs can have popups embedded. Also didn't the RIAA put ad/spy/malware into a WMA before?

  44. What is wrong with that? by ericdano · · Score: 1
    You could make a case if iTunes only worked on the Mac, but it doesn't. It works on Windows as well. You can burn tracks you purchase to CD to do whatever you want with them. Don't you think the RIAA would rather have a tighter grip on things than to loosen it up? I mean, they have had a monopoly on CDs for about 20 years, and the prices are still way too high.

    If I were the head of the RIAA, I'd say screw Real, Napster, and others, and endorse iTunes as the official RIAA online service. I'd also lower prices on CDs, allow higher encoded files to be downloaded (like 160 AACs), and offer things like if you buy 5 songs off the album, you can get the whole album for another $5. Something to move my products.

    --
    It's either on the beat or off the beat, it's that easy.
    I moderate therefore I rule!
    --
  45. Re:Whiskey. Tango. Foxtrot. by SatanicPuppy · · Score: 5, Insightful

    Steve Jobs, Let my Music Go

    Fricking cow. Why don't YOU and all the lawsuit happy pricks on your side let OUR music go.

    That's some fricking gall to blame Steve Jobs for Apples answer to the RIAAs psycho DRM paranoia.

    --
    ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
  46. hilarious hilary... by Yaa+101 · · Score: 1

    She really thought that her class of people was freewared from this all... Stupid Hilary... Silly Hilary... You got what you lobbied for darling...

  47. Source: Ariana Huffington's Celeblogs by mrex · · Score: 5, Funny

    I'd just like to take this opportunity to congratulate Ms. Huffington on giving a voice to the silently oppressed celebrities and powerbrokers out there, who have for so long struggled to get their valuable messages out to the anxious public.

    Truly, it warms my heart to see come to fruition the hopeful idealism of a youth spent dreaming of a world where who a person is matters as much or more than what that person is saying!

    Thank you, Ariana.

    1. Re:Source: Ariana Huffington's Celeblogs by kitzilla · · Score: 1
      > I'd just like to take this opportunity to congratulate Ms. Huffington on giving a voice to the silently oppressed celebrities and powerbrokers out there, who have for so long struggled to get their valuable messages out to the anxious public.

      No shit. I'm happy to see anything left-of-center online, but Ariana's new rag just smacks of class superiority.

      Fuck you and your celebrity liberals, Ariana. You aren't needed here in cyberspace. We The People have already arrived.

      --
      This is my post. There are many others like it. If you don't like what you read here, go try one of the others.
    2. Re:Source: Ariana Huffington's Celeblogs by mrex · · Score: 1

      I don't mean to be territorial, don't get me wrong. This is a place of ideas, ideally...if you have ideas, awesome, let's hear 'em.

      This "blog" just confirmed my suspicion that the whole thing amounts to little more than a particularly scammy way of issuing press releases.

      To put it succinctly, if Hilary Rosen's first entry isn't about why I shouldn't hate the living shit out of Hilary Rosen, why on earth would I want to read a second? I turned off the TV and started researching my own news so I could avoid the latest propaganda from our government-sanctioned monopoly of a media biz.

  48. Let me make this as simple as I can. by LWATCDR · · Score: 1

    1. iPods are popular but to put DRM protected music on them you have to give Apple a cut of your Profits.
    2. Like most bullies the record industries really hates being bullied! I mean that is their job after all.
    3. The record companies can not just set up their own stores and sell to iPod users unless they sell music without DRM or Pay Apple.

    Sorry record companies you screwed up. Had you worked with Rio and the other early MP3 player makers to create a standard solution then maybe Apple would not have had the chance to become a defacto standard. The Apple iPod would have had to use the standard file format to compete.
    So what happened is there are free formats like MP3 and Ogg and Apples.

    --
    See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
  49. Because Walmart gives me a choice ....right. by newdamage · · Score: 5, Funny

    I own an iBook, I own an iPod, and I've never had any gripes about not being able to buy music online from anywhere else besides the iTMS. Why? Because Apple makes it easy for me to purchase a song and get it on my iPod with very little hassle.

    But hey, I'll take Hilary's advice here and navigate over to walmart.com and see what I'm missing by not being able to buy music from there. But wait, what this? IE 5.5 required to buy music? Well, gee, I guess Walmart is the paragon of a quality music buying service, even though I can't use their service because they only support one browser!

    This isn't about Apple's lockin with the iPod and the iTMS, this is about Apple's lockin vs. everybody else's lockin on Windows machines.

    Correct me if I'm wrong, but you have to have an approved player right now just to use Napster as well.

    --
    ce n'est pas un Sig.
    1. Re:Because Walmart gives me a choice ....right. by 99BottlesOfBeerInMyF · · Score: 4, Insightful

      This isn't about Apple's lockin with the iPod and the iTMS, this is about Apple's lockin vs. everybody else's lockin on Windows machines.

      This is sort of correct. Except Apple lets Windows users join in on their lock-in and you're forgetting Real who would be happy to lock-in windows and mac users, but has not managed either.

      Actually, I do agree with Miss Rosen in that I think if we have to have DRM, it should be an open standard DRM that is not owned by MS or Apple. Of course it should be legally mandated an so MS can't break the law and embrace and alter it. On the other hand, I just buy all my music without DRM in the first place and I really wish the media would stop portraying DRM as having something to do with pirating. Anyone can pirate DRM'd music. If you can hear it, you can record it. This is about controlling what people who legitimately bought music do with it. And I think the RIAA has some very hard questions to answer regarding that. If only the media was not owned maybe someone would have the balls to ask them on camera.

    2. Re:Because Walmart gives me a choice ....right. by _Sprocket_ · · Score: 1
      Actually, I do agree with Miss Rosen in that I think if we have to have DRM, it should be an open standard DRM that is not owned by MS or Apple.

      I missed the part where Rosen criticised Microsoft's DRM scheme and then called for an open standard.

      That's the issue here. This is a call for openess from an individual who's best known for her work against openess. And to add insult to injury, her call seems to be little more than simply trading in one lock-in for another.

      You make a fair point (even if I ultimately disagree with it - there is no need for DRM). It's a shame you don't have the same soapbox as Rosen.
    3. Re:Because Walmart gives me a choice ....right. by DA-MAN · · Score: 1

      On the other hand, I just buy all my music without DRM in the first place and I really wish the media would stop portraying DRM as having something to do with pirating. Anyone can pirate DRM'd music. If you can hear it, you can record it. This is about controlling what people who legitimately bought music do with it. And I think the RIAA has some very hard questions to answer regarding that. If only the media was not owned maybe someone would have the balls to ask them on camera.

      This is completely true. I have mentioned on Slashdot that I like my music drm free, and I get called pirate by other slashdotters. If by pirate you mean I don't like a company keeping control of my purchase after I fork over the dough then yes I am a pirate.

      Be real people, I buy music off iTunes because I want a legitimate legal copy. I hate the fact that the RIAA & Apple treat me like a damn criminal for buying. Don't believe me? Consider this:

      1) Most pirated music is available at 192k bitrate. That means pirates enjoy higher quality music than I do when I purchase it!

      2) Pirates can load their music onto their iPod, and even better, they can share it through iTunes Music Sharing to their co-workers in the office without giving out any login/password! Nice feature, wonder why i can't do that with my legit copy.

      3) Pirates can always download another copy. If Apple has a db of all the songs I purchase, why am I only allowed to download it once? Seems to me that I should be allowed to download as many times as I want, I mean shit I bought a license for it. Get the shit straight, either I bought a license and should be able to get the media for a modest fee (1-3 cents for a redownload) or I bought the song, in which case I better be allowed to do with it as I wish and that means sharing with my friends at work!

      Enough ranting, the main point is that if the RIAA doesn't get their head out of their arse, they will perish. Remember with i2p and BitTorrent, it will soon be impossible to track down who is downloading what.

      --
      Can I get an eye poke?
      Dog House Forum
    4. Re:Because Walmart gives me a choice ....right. by geekee · · Score: 1

      "But hey, I'll take Hilary's advice here and navigate over to walmart.com and see what I'm missing by not being able to buy music from there. But wait, what this? IE 5.5 required to buy music? Well, gee, I guess Walmart is the paragon of a quality music buying service, even though I can't use their service because they only support one browser!

      This isn't about Apple's lockin with the iPod and the iTMS, this is about Apple's lockin vs. everybody else's lockin on Windows machines.

      Correct me if I'm wrong, but you have to have an approved player right now just to use Napster as well."

      Apple has the only DRM format for audio that I am aware of that cannot be licensed. Your whole post is just spin. No one expects every music store to support all hardware and software, but consumers benefit from open standards, and Apple refuses to license their standard.

      --
      Vote for Pedro
  50. In case you didn't know by jim_v2000 · · Score: 1, Redundant

    A girlfriend, for those Slashdotters who don't know many, is often a friend who is a girl...and does not neccessarily denote lesbianism. Example: My fiance often goes out shopping with her "girlfriends" who are mostly married and definately not lesbians.

    --
    Don't take life so seriously. No one makes it out alive.
    1. Re:In case you didn't know by freeweed · · Score: 1

      My fiance often goes out ... with her "girlfriends" who are ... definately not lesbians.

      Mine too, brother, mine too.

      I feel your pain, as your pain is mine.

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    2. Re:In case you didn't know by Nom+du+Keyboard · · Score: 1
      My fiance often goes out shopping with her "girlfriends" who are mostly married and definately not lesbians.

      And how many of them give her several hundred dollar iPods as gifts?

      --
      "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    3. Re:In case you didn't know by jim_v2000 · · Score: 1

      As a former CEO of the RIAA, she likely has a lot of money. And as a person with a lot of money, probably hangs out with people who have a lot of money. The price of an iPod is probably chump change.

      --
      Don't take life so seriously. No one makes it out alive.
    4. Re:In case you didn't know by Anonymous Coward · · Score: 0

      A girlfriend, for those Slashdotters who don't know many, is often a friend who is a girl...and does not neccessarily denote lesbianism. Example: My fiance often goes out shopping with her "girlfriends" who are mostly married and definately not lesbians.

      Okay, yeah, you should just keep on saying that to yourself...

  51. The reason by BlacBaron · · Score: 2, Interesting
    "Hilary Rosen, the former RIAA CEO and chairwoman, has spoken out against Apple's "lock-in" with iPod and the iTunes Music Store." From the article: "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's." Ironically, she appeals to consumer rights and anti-monopoly tactics."
    And now we know why she was the former CEO and chairwoman, she didn't see eye to eye with the rest of the RIAA's beliefs. :)
    --
    Update Watch - Automatic software update notification
  52. And In Other News by Anonymous Coward · · Score: 0
    Irony meters throughout the world experienced a spike today. Some shoddier models, likely built by substandard laborers in the southern United States, actually exploded. Six fatalities are reported. In Mexico and Beijing, better quality units experienced only temporary troubles. Wei Chao, senior vice president for the Beijing Unified American Takeover Incorporated Bank of Perpetual Prosperity was quoted as saying "Screw American ex-slave masters, let RIAA sell them crap Britney Spears music and two hundred times the price it's worth. Americans are such dull twits, we think we'll be able to take them over within nine months. We've already decided that Pat Robertson will be president, and, in recognition of her cultural pursuits, Joan Rivers shall be his vice president."

    Both General Electric and SCO's Irony Division (SCO-DIV) have pledged to refund irony meters and at least two lost digits, though SCO is threatening to sue anybody that uses the word "refund" which they claim they bought from Meriam-Webster nine years ago.

    RIAA is demanding that we retract this story, as it is believed that a Linux hacker copied it and made it available on regionless DVDs. RIAA spokesman Mao Zedong said "Hah, we beat the Soviets, and now we'll beat you. Soon American dollars will be worth as little as your average boy band's pubic hair clipping on EBay. I am already making room to make Laura Bush my sex slave. Mmmmm..."

  53. NEWS FLASH! This just in... by Anonymous Coward · · Score: 0

    Steve Jobs is a capitalist!

    We now return you to your regular programming...

  54. Does it pass the fanboi test? by Anonymous Coward · · Score: 0

    Apple? Sure does. So we'll just refer to this so-called "lock in" as "integration" from here on in.

  55. Only works with itunes? by bigbigbison · · Score: 5, Informative
    --
    http://www.popularculturegaming.com -- my blog about the culture of videogame players
    1. Re:Only works with itunes? by ZorbaTHut · · Score: 1

      Yeah, no kidding.

      --
      Breaking Into the Industry - A development log about starting a game studio.
  56. iTunes by Scruffeh · · Score: 2, Interesting

    It's pretty sucky that if you want to buy music that you have to do it from iTunes but, at the end of the day it's DRM which is the big problem. Without getting into the ethics of it, why would anyone buy a crippled mp3 album for £8+ when you can buy an uncrippled cd for about £10? This is using UK pricing (which I understand is more expensive than US?) but nevertheless, considering you have to pay for the packaging and distribution for a cd then these prices are daylight robbery. This is especially true when considering that 95%+ of the music is available (illegally) elsewhere, without the DRM. It's not a hard choice, DRM vs Free non DRM'd music vs non DRM'd CDs - online music stores come in serverely lagging in 3rd place! I really hope something is done before we are given 'generous personal useage rights' on our audio cds. Online music stores could have been a very good move indeed but the implimentation has been totally shocking.

    1. Re:iTunes by Anonymous Coward · · Score: 0

      DRM is not the problem. Piracy is the problem. DRM is the solution.

      What Rosen is griping about here, even though she couldn't construct an argument if you gave her assembly instructions, is the fact that there's precisely one working DRM system for audio: Apple's. Nothing else works. Rosen wants other vendors to be able to sell DRM-protected music for the iPod, and wants Apple to open the format up to licensees.

      She's got a point there. If everybody just used iTunes DRM, these compatibility problems would go away.

      Of course, Apple invented it, so they have both the legal and the moral right to keep it to themselves.

  57. Dumb bitch syndrome by hackstraw · · Score: 1, Funny

    when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?

    Any file that is supported by the iPod can be played on the iPod regardless of where the file came from.

    The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's

    You forgot the ones that we "stole" over the net :)

    You also forgot that all of the recording companies that fund the RIAA are welcome to distribute MP3's or other forms of digital music. Being that they are currently almost 10 years behind the digital music medium and are relying on a business model that is about 20 years old, I have no sympathy for them.

    Look, I bowed at his feet when the iPod and iTunes was created because HE GOT THE BALL ROLLING.

    And the music companies watched the ball roll past them and out of bounds and then argued with the ref wanting the ball back.

    But keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do.

    I don't know of any "Microsoft music systems", but the iTunes software runs on Windows and can import any of its known file formats (wav, mp3, aac, aif, etc) and sync them on the iPod.

    Why am I complaining about this?

    Your ignorant, and I guess now you are without a job.

    Wow, what a dumbass.

    1. Re:Dumb bitch syndrome by mmkkbb · · Score: 1

      relying on a business model that is about 20 years old, I have no sympathy for them.

      Capitalism is older than 20 years, I assure you, as is the business of selling music recordings. There are many business models older than that which are also successful.

      --
      -mkb
    2. Re:Dumb bitch syndrome by demon · · Score: 1

      I think the business model the grandparent was referring to was the one where you sell music scratched into a spiral in a plastic disc, or stored as magnetically-charged bits on a tape, or as pits on an aluminum-and-plastic disc to be played by reading it with a laser. Why does the music have to be tied to a physical object? Because it's easier to sell that way, of course!

      --

      Sam: "That was needlessly cryptic."
      Max: "I'd be peeing my pants if I wore any!"
    3. Re:Dumb bitch syndrome by mmkkbb · · Score: 1

      Yes, that would be musical recording bit I mentioned.

      --
      -mkb
  58. "If you're a real geek"? by argent · · Score: 1

    Insert CDRW into burner, then "Mix, Burn, Rip". That takes a real geek, it's real rocket science.

    Yeh, you lose a little bit of quality. But if you cared about the quality you'd be buying uncompressed CDs and ripping them instead of buying online.

    1. Re:"If you're a real geek"? by Anonymous Coward · · Score: 0

      Online music is for chumps. The quality is total crap, but due to severe mental retardation brought on by exposure to Apple products, the average 20-year old moron with those stupid little earplugs shoved up his anus thinks that that is good quality sound. Pretty soon these quality-starved halfwits will be throwing out their stereos in favor of Apple's patented TRANSISTOR RADIO, with a whopping 1 watt speaker.

    2. Re:"If you're a real geek"? by 1729 · · Score: 2, Funny

      Still making payments on those Monster cables, eh?

  59. Anticompetitive practice (was:Yes indeed) by Anonymous Coward · · Score: 0

    It's not by accident Apple's personal computer market share went from 80%+ to under 5% today (for people that remembers Apple II's.) When Apple won't play balls with the rest of the planet, the rest of the planet went and got their own ball (read: IBM PC compatible) while apple stood still holding their (proprietary) ball. I am just waiting for Apple to do it to itself again with iPod.

  60. The most hilarious point by crmartin · · Score: 1

    ... is that she apparently can't read the help or look at the menus, since "File>Import" does fine.

    Less hilarious is that I posted a pointer to the same article some hours earlier, but was rejected.

    *snif*

    1. Re:The most hilarious point by omahajim · · Score: 1

      Shouldn't that be "Hillaryious"?

    2. Re:The most hilarious point by omahajim · · Score: 1

      Oops. Make that Hilaryious. A for efffort regardless.

    3. Re:The most hilarious point by digitalhermit · · Score: 1

      Yeah, that one had me scratching my head. I have tons of MP3s that I moved over via the Import Folder menu. Sounds like another case of someone forming an opinion without even trying out the product. Not that anyone here would do anything like that :P

    4. Re:The most hilarious point by crmartin · · Score: 1

      "He who would make a pun would pick a pocket."

      Worse, I didn't think of it.

  61. No Comment Section by icedtrip · · Score: 0

    What? No place for comments on the entry? What kind of blog is this if you won't open it up for a little positive reinforcement / criticism? Surely everyone would agree with her as the last sentence suggests.

  62. It's not iTMS or the ipod... by Anonymous Coward · · Score: 0

    ...it's DRM thats the root of your problem you stupid b*tch.

  63. Another site its posted on. by FamineMonk · · Score: 1

    http://www.slyck.com/news.php?story=781 Slyck.com great place to check out p2p news.

  64. She's Kind of Right. by Anonymous Coward · · Score: 0

    Apart from the lol-tacular "mp3s are full of viruses oh no get me an intarnet condom" bit, I don't see anything particularly inaccurate about her commentary.

    The sites she mentions in TFA are, in fact, extremely popular mainstream music sources that do not work with iTunes. From a purely non-technical, consumer standpoint (i.e. not slashdot) this is really annoying.

    She misses the larger point that myriad incompatible and proprietary DRMs are not, in fact, Apple's fault but an inherent problem of an emerging industry.

    Then again, this is the former head of the RIAA talking, not someone who's supposed to know anything about this stuff.

  65. Lockin... by a3217055 · · Score: 1

    There is only lock in if you believe you must use iTunes and only use CD's and iTunes. The iPod is a device, and people can find ingenious methods to make it work with many other music system. Why didn't she talk about the other mp3/digital music players. I jsut think that article was just badly written by a person with small and short vision. I would say the iPod sucks becasue there is no native Linux support for it. But I am not happy with that answer... Or what about all the other online stores that don't have support for iTunes on my AIX workstation I will be pissed. She's arguing for the sake of argument. That's no good... -A

  66. Meanwhile, the *real* problem is... by brennanw · · Score: 1

    that iPods are mind-control devices that will someday be activated *through* iTunes in order to amass Steve Jobs' private army of hipsters.

    Well played, Ms. Rosen... well played...

    --
    Eviscerati.Org: All Hail the Eviscerati
  67. Why is this marked -1 troll? by Anonymous Coward · · Score: 0
  68. A simple solution by sterno · · Score: 4, Interesting

    Fortunately for Hilary Rosen, there's a simple solution to this problem. All she has to do is go download a copy of Hymn, which will peel off all the license restrictions from the ITunes file. Then she can play her music anywhere.

    --
    This sig has been temporarily disconnected or is no longer in service
    1. Re:A simple solution by mal3 · · Score: 1

      That's not what she was complaining about. She wants the Ipod not the ITunes.

      --
      Non gratis rodentus anus
    2. Re:A simple solution by kinzillah · · Score: 1

      Well then she's free to buy cds and then rip them.. oh wait.

      --
      Douglas P. Price
    3. Re:A simple solution by Soul-Burn666 · · Score: 5, Interesting

      "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's."

      She said the iPod only accepts iTunes tracks and songs she ripped from her CDs, but not from OTHER stores.
      That's what she's complaining about!
      She doesn't care that people rip music from their own CDs!

      --
      ^_^
    4. Re:A simple solution by LiquidCoooled · · Score: 1

      I personally hope Steve calls her bluff and removes Fairplay and AAC from the mix.
      iTunes releasing completely unlocked 100% mp3 files.

      After all, the head of the RIAA told him to...

      --
      liqbase :: faster than paper
    5. Re:A simple solution by DA-MAN · · Score: 1

      She said the iPod only accepts iTunes tracks and songs she ripped from her CDs, but not from OTHER stores.

      Maybe she should get a copy of old school Winamp + out_stacker. With that you can get any song on the iPod!

      Hey if the grand parent poster can mention Hymm . . .

      --
      Can I get an eye poke?
      Dog House Forum
    6. Re:A simple solution by AgentUSA · · Score: 1

      She's no longer the head of the RIAA.

    7. Re:A simple solution by jaseparlo · · Score: 1

      She's not complaining about Fairplay though, she wants to play DRM'd WMA files on her iPod. Because big business loves microsoft. I bet she uses Outlook for mail too :P

      --
      All available data suggest that regardless of any of this, the sun will still come up tomorrow.
    8. Re:A simple solution by Anonymous Coward · · Score: 0
      She said the iPod only accepts iTunes tracks and songs she ripped from her CDs, but not from OTHER stores.

      Which, of course, is an outright lie as there are stores that sell unDRMed music which will play just fine on the iPod.

    9. Re:A simple solution by MonkeyBoy · · Score: 1

      Hmm, I think she does care about people ripping music from CDs, because the RIAA intends to break that behavior via copy protection.

      And what can you ("legally") access on a PC on copy protected CDs? DRM'd Windows Media files. Which won't play on an iPod. So the RIAA's preferred methods of copy protection don't correspond with what consumers want (iPod) - therefore the iPod is flawed.

      In related news, they're not in need of medication, because everyone else is crazy.

      --

      Moof!

    10. Re:A simple solution by Anonymous Coward · · Score: 0

      any music player that supports mp3's will support ANY songs from ANY online store.....

      all you have to do is burn your songs to a cd and then re-rip them to unprotected mp3's..

      hell, the online store I buy songs from even suggests this very method as a way to use an IPOD with their store!!!!

      thus, any mp3 player can play ITUNES songs, and IPOD can play ANY OTHER store's songs... who gives a rats ass about 1000000000 bit encoding rates, it's just a friggin walkman, not a professional studio!

    11. Re:A simple solution by Anonymous Coward · · Score: 0

      Maybe she forgot that iPod also accepts songs from Kazzaa, Gnutella, BitTorrent and eDonkey. Wait, should she complain about that or should she be happy with the available choices?

    12. Re:A simple solution by sumdumass · · Score: 1
      send her an email with this in the body
      X5O!P%@AP[4\PZX54(P^)7CC)7}$EICAR-STANDARD-ANTIVIR US-TEST-FILE!$H+H*

      Well you might need to place it in a txt file somewere.

      I bet When here antivirus catches it, she would freak out and call someome after you. Most people that use outlook and outlook express are that way. I carry a floppy with a .com fie for testing and sometime forget to pick it up. I had one outlook oriented user find it, place it in the computer and then tried to claim that i was infecting all thier computers with viruses when i was actualy there to rid a couple. The funny thing was that when i sent them to eicars' website they insisted i made the site up to cover my tracks. I finaly told the to piss off and doubled thier bill as well as charged them for explaining what it does/is. I don't need stupidity like that and i figured they should pay for pissing me off.
    13. Re:A simple solution by PhraudulentOne · · Score: 1

      Yeah she's basically saying "Look, we at the RIAA decided to mandate proprietary DRM. A lot of companies chose to implement DRM in different ways. Now I can't get my iPod to play OTHER companies PROPRIETARY DRM!!!" Now I can only rip my own cd's and use iTunes for my music." No shit, if you didn't use DRM (Thanks to YOU, you dumb bitch - heh), then ALL the stores would be selling MP3's (or .OGG if they were k-r4d), and they would ALL play on your iPod. Why doesn't she gripe about all those $30 players that just play MP3's and can't play the DRM'd tunes at all. At least you get one extra source of music with an iPod.

      --
      You create your own reality - Leave mine to me.
  69. Not alternative... by shmlco · · Score: 1
    I am not surprised that she takes an alternate stance now that she is not within the grasp of the RIAA board or whatever group tells her what to say.

    Don't get too excited. I suspect what that they really want is to kill Apple's Fairplay so that the only alternative becomes the "official" RIAA approved DRM that controls... er, works across all players.

    --
    Any sect, cult, or religion will legislate its creed into law if it acquires the political power to do so.
    1. Re:Not alternative... by nickroethemeier · · Score: 1

      I can't agree with you more. Its the collective of MS and Real and who ever else who don't like apple's FAIR fairplay system. Now it isn't that fair, but it's a hell of a lot better than the alternatives.

  70. She obviously never goes to Canada by WillAffleckUW · · Score: 1

    it's totally legit to rip the CDs you own there and pop them onto your iPod.

    Maybe she should travel more. She might meet some Tigers and get into a discussion of copyright infringement with them, over lunch.

    Naturally, the tigers will have her for lunch.

    --
    -- Tigger warning: This post may contain tiggers! --
  71. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    Yes this rant is insane.

    Don't confuse this with defending her, but perhaps her opionion was that the the RIAA shouldn't be doing all the crap they are, but RIAA wouldn't change and for it's on sake has to take the position. My employer doesn't agree with all of my thoughts, maybe this is her opionion and not the RIAA's.

  72. You know what would be great... by Anonymous Coward · · Score: 0

    ...is if Hilary Rosen died immediately.

  73. People Always Want More by Deinhard · · Score: 1

    For crying out loud! You give people what they want and they want more. If you don't want an iPod don't buy one!. If you want the ability to buy music from a wide variety of music stores, then go with the cheaper models with smaller drives.

    Sure, you're limited to the One Million + songs that ITMS offers but, as Rosen so thoughtfully points out, you can always rip your own CDs. Between ITMS and physical CDs, the iPod has 100% coverage (with two different delivery methods). That should be sufficient for most people, but not for the Immediate Gratification Crowd that wants everything cheap and fast.

    --
    Successfully condensing fact from the vapor of nuance since 1998.
    1. Re:People Always Want More by oldwolf13 · · Score: 1

      >> If you don't want an iPod don't buy one!. If you want the ability to buy music from a wide variety of music stores, then go with the cheaper models with smaller drives.

      can you add a little more bias to that somehow? Can't handle the fact that some of the non-apple models could be cheaper without somehow being inferior?

      Now granted, the ipod is a nice little unit, but it's the marketing that made them so popular, more then just because they're so much nicer then the rest.

      How about all you apple fanboys replace the word "Apple" with "Microsoft" and make it the Windows Music Store... I bet you'd all change your tune.

      I agree with her, I don't want to buy music from just one place, I want options, damnit. I also want to be able to use whatever music device I want, with whatever tune I downloaded... and I don't think it's asking too much. I'd also like to use whatever OS I want, which includes *BSD and Linux... oh no looks like your precious iTMS is inferior in this respect.

      It's funny how fast people will change their tune if it's from a chic company they like.

      Now if you'll excuse me... I must go shower in scathing hot water... agreeing with hillary rosen as made my skin crawl.

      --
      If I can't smoke and swear I'm fucked.
  74. Why don;t these idiots speak up when in Power by freedom_india · · Score: 1
    Why do they always speak up AFTER retiring? IF they have the guts and the stomach to speak up now, they should have spoken up when they were in Power.

    Personally i don't believe or trust anyone who speaks after he/she steps down from Power.

    The lame logic like "You-do-as-you-are-asked-to" does not hold any good. What good is power if they cannot use when it is needed most?

    I hope she gets sued by RIAA now ! Talk about irony!

    --
    "Doing what i can, with what i have." ~ Burt Gummer
  75. she's so wrong. by soupdevil · · Score: 1

    First, Hilary, there are plenty of iTunes-like places to get mp3s that will play on your iPod. How about emusic.com, magnatune.com, mp3tunes.com, just to name three, all of which are uncontroversially legal, and offer fantastic artists and DRM-free mp3s.
    But the big lie being told here is that only RIAA-sanctioned can provide audio for your listening pleasure. There are literally thousands of artists offering their music for free online, and there are countless other ways to capture audio, including recording live shows and radio broadcasts, podcasts, and whatever else pleases the little hairs in your ears that turn sound waves into brain waves.

    1. Re:she's so wrong. by Anonymous Coward · · Score: 0

      uncontroversially legal, and offer fantastic artists and DRM-free mp3s

      Pick any two.

    2. Re:she's so wrong. by soupdevil · · Score: 1

      You can stream all the artists at Magnatune for free. I'd be surprised if you don't find several that you like. Regardless of personal taste, they are high quality artists.

    3. Re:she's so wrong. by Anonymous Coward · · Score: 0

      I already know what artists I like. I like The Who, I like Counting Crows, I like BT, I like Aimee Mann. I don't want to have to scrap all the music I already enjoy and have to find all new artists just because the ones I like aren't politically correct.

      In other words, "MAGNATUNE" can fuck off. I already know what I like, and they don't sell it.

    4. Re:she's so wrong. by soupdevil · · Score: 1

      Odds are most people in your position already own the music they already know they like. So you're not exactly a target audience for any of the online stores. Some of us, however, are open to new experiences

    5. Re:she's so wrong. by Anonymous Coward · · Score: 0

      You're an idiot. I buy two or three albums a month, because the vast majority of the artists I like are constantly putting out new work. I don't have ten CDs and that's it. I'm constantly buying new music from artists I know I like.

      "MAGNATUNE" (dumbest name ever) expects me to forget all that and to start finding artists I like all over again. That's stupid. Not gonna happen, especially when I can get the artists I like through iTunes.

  76. Searching for an analogy by hanshotfirst · · Score: 1
    My first reaction was to say "Wah! CD's don't play in tape decks, either", then I realized how quickly that would get shot down around here as a bad example - so I tried to think of a reasonable analogy.

    VHS-Beta? Maybe there is an analogy here. The media is physically incompatible, but essentially recorded in the same manner. This analogy seems to work for me.

    Sony makes a Beta tape with certain dimensions.
    Apple encodes files with their DRM.

    Everyone else makes VHS tapes, with different physical dimensions.
    Everyone else encodes files with MS/RIAA-preferred DRM.

    In the Beta-VHS case there is a physical restriction to playing one format in a different- format player.
    In the iTunes-Non-iTunes case there is a digital restriction to playing one format in different-format player.

    So this is really no different, to me. Let the manufacturers duke it out in the market and may the best format win (oh, wait - VHS won). Keep the content producers out of the format decisions. Apple focuses on delivery and does it pretty well. RIAA focuses on format-litigation-marketing-payola^H^H^H^H^H^H-big parties-and sometimes music. Hmm, I wonder why their product sucks lately?

    --
    Why, oh why, didn't I take the Blue Pill?
    1. Re:Searching for an analogy by unitron · · Score: 1
      "Let the manufacturers duke it out in the market and may the best format win (oh, wait - VHS won)."

      If they wanted to beat out Apple the way that VHS beat out Beta, then they should have done what VHS did.

      Support porn.

      :-)

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  77. Pot, meet Kettle by Anonymous Coward · · Score: 5, Insightful
    free of the viruses of the pirate sites

    Her own organization, the RIAA, hires people to create and distribute those viruses to deliberately infect P2P sites. I wonder if Hillary Rosen ever met the truth.

    1. Re:Pot, meet Kettle by Anonymous Coward · · Score: 5, Funny
      Her own organization, the RIAA, hires people to create and distribute those viruses to deliberately infect P2P sites. I wonder if Hillary Rosen ever met the truth.
      I know you don't hold "Hit Me Baby, One More Time" in high regard, but calling it a "virus" is not very fair to Ms. Spears. If she sees this it might hurt her feelings.
    2. Re:Pot, meet Kettle by tomhudson · · Score: 2, Insightful
      I know you don't hold "Hit Me Baby, One More Time" in high regard, but calling it a "virus" is not very fair to Ms. Spears. If she sees this it might hurt her feelings.
      I think he was referring to the Celine Dion crap.
    3. Re:Pot, meet Kettle by MustardMan · · Score: 2, Insightful

      Have any evidence to back that up? You're accusing the RIAA of a blatantly criminal act, so you should at least provide SOME sort of link to give credence to your story. What really scares me is the fact that you got modded insigtful.

    4. Re:Pot, meet Kettle by The+One+and+Only · · Score: 1

      If Britney Spears reads Slashdot, I'm eating my moccasins.

      --
      In Repressive Burma, it's not just your connection that dies. slashdot.org/comments.pl?sid=314547&cid=20819199
    5. Re:Pot, meet Kettle by kevcol · · Score: 3, Informative

      The person who modded it as insightful likely read the same stories we did.

    6. Re:Pot, meet Kettle by Anonymous Coward · · Score: 1, Funny

      If Britney Spears reads Slashdot, I'm eating my moccasins.

      Bone Appetit.

      Britney.

    7. Re:Pot, meet Kettle by HiThere · · Score: 1

      I'm not sure I believe that story though...the name Gobbles is too similar to the name of someone from WWII in a somewhat analogous position.

      --

      I think we've pushed this "anyone can grow up to be president" thing too far.
    8. Re:Pot, meet Kettle by ryusen · · Score: 2, Funny

      good point, since it is a file that tricks you into DLing it onto your computer (thinkign it's good music) rather than a song that infects other songs, wouldn't it be more accuratly a Trojan?

      --

      I believe sex is highly over rated... unless it involves me
    9. Re:Pot, meet Kettle by MustardMan · · Score: 1

      Heh, I get modded overrated while a post linking to an article with claims from a "hacker group" gets modded as informative. Am I the only one who thinks "hacker groups" aren't exactly the most reliable source of information?

    10. Re:Pot, meet Kettle by kevcol · · Score: 3, Informative

      It was a hoax.

      But there is so much disinformation out there, it's hard to know who to believe sometimes.

    11. Re:Pot, meet Kettle by kevcol · · Score: 1

      You sure are obsessed with moderation. You were almost impying that the OP pulled it out of his ass, when it was just one of the many rumours flying around. I merely pointed out an article which explains where it came from.

      In any event, see my other post in this thread as well.

    12. Re:Pot, meet Kettle by MustardMan · · Score: 1

      While I wouldn't go so far as to call it obsession, I am certainly fascinated by the moderation here on /. By your own admission in your follow-up post, the original "article" at the register was false, yet very quickly after you gave the el reg link, the mods jumped all over the chance to mod it up. I wasn't really bashing your post so much as expressing my continued amazement at how arbitrary things seem around here. I guess when you're pulling from a vast pool of potential moderators, who run the gamut of various kinds of zealots, crazy things happen.

      I didn't mean to imply that the OP pulled it out of his ass, but was merely suggesting that when you make an accusation like that, you should give SOME sort of info backing it up. I don't call random finger pointing with no stated justification insightful, yet the mods here do. Like I said I'm truly fascinated by this place. If I were a sociologist I bet I'd have a field day with /.

    13. Re:Pot, meet Kettle by The+One+and+Only · · Score: 1

      You can't spell and you don't know how to register an account! You MUST be Britney!

      --
      In Repressive Burma, it's not just your connection that dies. slashdot.org/comments.pl?sid=314547&cid=20819199
    14. Re:Pot, meet Kettle by Anonymous Coward · · Score: 0

      Boner appetit.
      Yeah, baby yeah!!

    15. Re:Pot, meet Kettle by _Sprocket_ · · Score: 1

      What's interesting is the legislation the article mentioned in passing. I would guess that it wasn't going to get any traction... but it's interesting that this is seen as a serious step to take to some. Meanwhile, the apparent feeding of bogus, corrupt files in to the popular P2P networks only further fuel fears over industry-sponsored virus attacks.

    16. Re:Pot, meet Kettle by Anonymous Coward · · Score: 0

      I know I'm more likely to mod someone down who has complained about how their previous posts have been moderated. That is, next time I see an even vaguely offtopic or inflammatory post from MustardMan, I will mod it as such instead of letting it slide. I'm just spiteful that way.

    17. Re:Pot, meet Kettle by Anonymous Coward · · Score: 0
      Re:Pot, meet Kettle (Score:0)
      by Anonymous Coward on Tuesday May 10, @02:23AM (#12485988)
      I know I'm more likely to mod someone down who has complained about how their previous posts have been moderated. That is, next time I see an even vaguely offtopic or inflammatory post from MustardMan, I will mod it as such instead of letting it slide. I'm just spiteful that way.

      someone find out who this guy is and take his mod points away. I think we found a source of the abusive moderating with negative rather than positive points. If everyone would just mod up the good stuff and chill with the negative unless it is ABSOLUTELY NECESSARY, we could actually use the filter to read this site. It is useless with moderating like this going on. I received moderator points a grand total of one time in 2 years, yet this guy still has points. WTF, over?

    18. Re:Pot, meet Kettle by MustardMan · · Score: 1

      I received moderator points a grand total of one time in 2 years, yet this guy still has points. I'll sometimes get them twice in the same week. I've even gotten new mod points before using up the 5 I was already given. I tend to prefer to mod up, as you said. If I disagree with something someone says, I'd rather reply and tell them why, instead of using mod points to anonymously slap them.

    19. Re:Pot, meet Kettle by PhraudulentOne · · Score: 1

      That's Mrs. Spears!

      --
      You create your own reality - Leave mine to me.
    20. Re:Pot, meet Kettle by Anonymous Coward · · Score: 0

      Don't worry, that's what meta-moderating is for. You do meta-moderate, right??

  78. This shouldn't surprise you by phorm · · Score: 4, Insightful

    It's not about whether copyright is good or bad, it's simply this:

    Makes me/our company/our friends lots of cash, probably at your expense: good

    Gives you freedoms/etc at our expense: bad

    1. Re:This shouldn't surprise you by KillShill · · Score: 1

      it IS about copyright being bad.

      without it, they couldn't screw over "customers" like you.

      if copyright were lets say 5-7 years in length, then authors and other lowlifes erm i mean "content producers" could extract heavy , massive profit but not control the works of humanity for ever in prepetuity and their descendants too.

      and no garbage like making closed consoles (selling the hardware and not allowing you to run your own code).

      no BS like the dmca and horrible anti-competitive crap like lexmark/hp print cartridge "monopolies".

      copyright has gone way out of proportion of being in accordance with the principles laid in the constitution. 14 years was a good amount of time in the 18th century when life expectancy was 40 years or so and technology wasn't as advanced. but it was limited, unlike now.

      5-7 years is the key with massive reductions in the extra crap laws that are coming out seemingly every day now.

      i think that's a good compromise for everyone involved. enough time to reap massive benefits and enough time to "ENCOURAGE" new works!!!

      no to information hoarders. it is an infinite resource.

      --
      Science : Proprietary , Knowledge : Open Source
    2. Re:This shouldn't surprise you by geekee · · Score: 1

      "Gives you freedoms/etc at our expense: bad"

      Huh? Am I reading Orwell? War is peace. Lock-in is freedom. How does fairplay give consumers freedom? No company can license it to sell music online. How does an iPod give me freedom, since it only supports fairplay DRM and DRMless formats?

      --
      Vote for Pedro
    3. Re:This shouldn't surprise you by phorm · · Score: 1

      Just because something is not an absolute freedom does not mean that it's not a freedom at all. Yes, Apple has its own little variety of DRM, but if you think that the real bitching here on the side of music execs (or ex music execs) is because Apple's DRM is bad you'd be a bit off. The music companies and friends want a bigger piece of Apple's success, and thus bash Apple's methods, despite the hypocrisy in doing so.

  79. That's rich by jimfrost · · Score: 5, Insightful
    I can't help but be amused at this when my iPod is stuffed to the max, plus a whole lot, and I've never made a purchase on iTunes. I did have to rip every song on all of my hundreds of CDs, but that's only because the recording industry would not allow anyone to sell me the music in a form that I could use on any extant player.

    Jobs was unique in finding a way to make the harsh restrictions placed on downloaded music by the recording industry palatable to a wide audience and profitable to boot.

    Seeing as Apple took the risk and won, I think it's unreasonable to ask them to give up the fruits of their labors. As an Apple shareholder I'd hold Jobs culpable if he ever did such a thing. I say to Jobs: "Milk it for all it's worth." Especially since there are plenty of competitors out there to keep him honest. The iPod doesn't have a monopoly because Apple locked everyone else out of the market, ala Microsoft, it has one because it's better.

    If you don't like the fact that you can't play your Windows Media songs on the iPod, buy a different player ... or do what I do and buy the physical CD and convert it into whatever format you prefer. I get my CDs primarily from Amazon.com, but never from Apple.

    And Hillary, if you don't like the myriad proprietary forms of DRM on downloaded music, consider the fact that it's your fault it's there in the first place.

    --
    jim frost
    jimf@frostbytes.com
    1. Re:That's rich by Anonymous Coward · · Score: 0

      "The iPod doesn't have a monopoly because Apple locked everyone else out of the market, ala Microsoft, it has one because it's better."

      hahahahaha. Sorry. Thanks for that laugh kiddo.

    2. Re:That's rich by jimfrost · · Score: 1

      Is it amusing because you believe Apple locked everyone else of the market, despite the large number of competitive devices and services that existed both before and after Apple hit the scene? Or because I believe, based on the large number of competitive devices I've owned over the years, that Apple's product is generally quite a bit superior? I'm curious.

      --
      jim frost
      jimf@frostbytes.com
  80. Re:Huffington Post shows up on /. their first day by PaxTech · · Score: 1

    Making Slashdot by having Hilary Rosen post some of her particular brand of ill-informed nonsense is like shooting fish in a barrel though.

    --
    All movements for social change begin as missions, evolve into businesses, and end up as rackets.
  81. What she meant to say, "I was born yesterday" by adzoox · · Score: 2, Insightful
    As reported by MacMinute:

    Former Apple executive (and former RIAA CEO and Chairwoman) Hilary Rosen has spoken out against Apple's iTunes Music Store, notes Slyck.com. "The new iPod my girlfriend gave me is a trap," said Rosen. "Yeah, it is great looking and I really love the baby blue leather case but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?" She continues: "There are little players to make your favorite music even more portable than ever starting at as little as 29 bucks. Most every player device works at every one of these "stores" and it is pretty easy to keep all the songs, no matter where you got them, in a single folder or "jukebox" on your computer."


    "The new iPod my girlfriend gave me is a trap," said Rosen.

    Girlfriend??

    ______________________________________________

    "... when oh when will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?" "

    When the market dictates that this is a good business move. Right now, Apple can combat the RIAA on prices (read as lower prices for you and me) with such large marketshare.

    Also Ms. Rosen is free to walk in to the thousands of retail locations that sell CDs and rip them to her iPod at any time she wishes.


    "There are little players to make your favorite music even more portable than ever starting at as little as 29 bucks."

    Then go buy them! Apple isn't telling you to only buy iPods. By controlling the player and the store, Apple is able to sustain a successful business model - NO OTHER COMPETITOR IS MAKING MONEY!!!

    "Most every player device works at every one of these "stores" and it is pretty easy to keep all the songs, no matter where you got them, in a single folder or "jukebox" on your computer."

    But not as easy as the iPod ... nor as high quality GUI and combination as iTunes provides. Besides those other stores do not support the Mac. If they sold songs that supported the Mac in a format that played on the Mac, then as a CEO of a company that produced macs - I might be willing to open up MY store.

    Also, tell me how many custom cases & accessories I can find for the Creative Muvo again?
    ...
    --
    Yell & scream & rant & rave... it's no use... you need a shaaaave ~ Bugs Bunny
    1. Re:What she meant to say, "I was born yesterday" by evand · · Score: 1
      Girlfriend??
      Yep. Ms. Rosen is a lesbian. How's that relevant to the discussion at hand, again?
    2. Re:What she meant to say, "I was born yesterday" by JimTheta · · Score: 1

      Don't you know? She plays for the other team.

      I can't be bothered to find something to back this up, but it's not a secret (as evidenced by the quote you cited). She's gay.

    3. Re:What she meant to say, "I was born yesterday" by Soul-Burn666 · · Score: 1

      Yes. She is gay, longtime partner of Elizabeth Birch.
      So what?

      --
      ^_^
    4. Re:What she meant to say, "I was born yesterday" by adzoox · · Score: 0, Flamebait

      Yep. Ms. Rosen is a lesbian. How's that relevant to the discussion at hand, again?

      Stereotypically, I shouldn't have to say. Realistically, it does provide some background about her.

      Apparently, gays are modding me down here thinking I made that reference to bash her. In fact, just the opposite. I made there reference, appalled that she represents a prominent executive that is gay and has a very ill concieved stance on filesharing and on Apple.

      --
      Yell & scream & rant & rave... it's no use... you need a shaaaave ~ Bugs Bunny
    5. Re:What she meant to say, "I was born yesterday" by evand · · Score: 1

      Sure, it provides some background about her, but that background was evident in the article. There's no reason to mention it with two quotation marks (implying disbelief) in your reply if your intent is simply to provide relevant background information.

      Also, aside from the fact that you apparently have the special Slashdot "find out the sexual orientation of those moderating me" feature that the rest of us seem to lack, I'm not sure what connection being gay and having a particular stance on file sharing and on Apple have. Would you feel compelled to make a similar comment if she were black or Jewish, for example?

    6. Re:What she meant to say, "I was born yesterday" by adzoox · · Score: 1

      Then let's put it this way ... your comments and your moderation are irrelevant...

      --
      Yell & scream & rant & rave... it's no use... you need a shaaaave ~ Bugs Bunny
  82. iTMS alternatives by necrognome · · Score: 1
    From TFA:
    Yeah, it is great looking and I really love the baby blue leather case but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?
    You can buy DRM-free MP3s from bleep, the online music store for Warp Records and other electronic music labels. You can even get Autechre's latest in DRM-free FLAC!

    Oh wait, she wants the Top-40 garbage... Whatever.

    --


    Let's get drunk and delete production data!
    1. Re:iTMS alternatives by necrognome · · Score: 1

      And no, I don't find FLAC->WAV->ALC to be a pain in the ass (to get FLACed songs onto my iPod). You must suffer for your sound quality, if you're into that sort of thing. :)

      --


      Let's get drunk and delete production data!
  83. Damn Microsoft by PierceLabs · · Score: 2, Insightful

    for making APIs that lock people into Windows, Windows Media for not working on PalmOS, Torvalds for not making the Linux Kernel applications run on Mac OS, etc.

    Are we now advocating that all content must be available for all platforms? That's just silly.

    1. Re:Damn Microsoft by argent · · Score: 2, Interesting

      Are we now advocating that all content must be available for all platforms?

      About ten or twenty years ago it was looking like we were headed that way. Common formats, common APIs for convertors (EVERY modern OS can run almost all straight UNIX command line tools, without more than a thin wrapper to change the names of the calls... that was sure as hell not true 20 years ago), the whole world was on track to tear down every last barrier between communication, at least for computers. And then it ground to a screeching halt, all in the name of "intellectual property". Proprietary undocumented file formats, digital rights management, even laws against reverse engineering. And it's nuts. It can't possibly work. It's science fiction.

      Back about 10 years ago I had a real long talk with a fella who was real hot for DRM, so he could publish his e-books without worrying about people ripping them off. I didn't see the point, I figured the only way you could get a DRM mechanism that would keep people from copying his eBooks was to have the whole bookreader sealed in epoxy, with some kind of mechanism to tell when there was a scanner pointed at it so it could keep people from reading the pixels and reconstructing the book that way.

      Now, things like the Baen Free Library were way in the future, so I didn't have the argument that DRM-free content actually improved sales, but I really couldn't imagine a tough enough DRM to keep the book from being stripped and passed around... so it at the very least wouldn't hurt them. The people who wanted a "free" copy could get one anyway.

      And that's more or less what's been happening.

      So DRM doesn't work. But in the meantime, well, we'll just have to put up with barriers put up by the music industry, the computer industry, and well-intentioned but poorly-advised lawmakers. If some of these folks don't like the barriers others are putting up, there's a REAL easy solution that would let 'em tear them ALL down...

    2. Re:Damn Microsoft by bit01 · · Score: 1

      Are we now advocating that all content must be available for all platforms? That's just silly.

      No it's not. Stop trying to deceptively conflate code and data.

      It's quite reasonable to expect most data/content to be available on any useful platform. Anything else is market lockin, anti-competive and when on a large scale should invoke anti-trust law.

      ---

      DRM - destroying free markets one step at a time.

  84. Want to know what's REALLY funny? by Moryath · · Score: 5, Insightful

    The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's. But those other music sites have lots of music that you can't get at the iTunes store. So, if you have an iPod, you are out of luck. If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod. But then you have also degraded the sound quality. How cruel.

    Y'know what? None of my MP3 collection has "degraded sound quality."

    If any of the stores wanted to, they could easily sell me MP3's, which would go onto my iPod no problem. But they won't, because the RIAA still haven't wised up that consumers don't want their DRM crap.

    No, now we get Hilary Rosen, mouthpiece of the RIAA for so long, whining about how "Apple" stops their songs from going onto the iPod rather than whining about how none of the stores are willing to sell a song in a format the iPod will take.

    Give me a fucking break.

    1. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      She's got a point, though, doesn't she? If you WANTED to sell music in the iPod format, you couldn't, because Apple wouldn't license it to you.

      I know, I know, you secretly want all these companies to just start handing out free MP3s. But it ain't gonna happen. Just like the days of keeping your doors unlocked and your windows open are over, the days of releasing content in any format that isn't protected six ways from sunday are over. Deal with it.

      Apple has the only protected audio format that works. The pressure should be on them to open it up to licensees.

    2. Re:Want to know what's REALLY funny? by Darren+Winsper · · Score: 1

      But it's not really protected, is it? After all, it feels like programs to remove the limitations are a dime a dozen these days.

    3. Re:Want to know what's REALLY funny? by jokell82 · · Score: 2, Insightful
      Y'know what? None of my MP3 collection has "degraded sound quality."

      Actually, every single one of your MP3s has "degraded sound quality." The nature of MP3 (and any other lossy compression method) assures this.
      --
      I dunno who it is
      but it prolly is fhqwhgads.
    4. Re:Want to know what's REALLY funny? by LordBodak · · Score: 1
      Those days are over? Better tell everyone who buys a CD and rips it to MP3 themselves!

      Additionally, the "iPod format" doesn't include only DRMed AAC, it also includes open AAC and MP3, formats that any artists could sell their music in if they chose to.

      --
      LordBodak's journal.
    5. Re:Want to know what's REALLY funny? by oldwolf13 · · Score: 2, Interesting

      That's why I believe the success of the itunes music store is a double edged sword... it's good because it tells the RIAA that they CAN change their business model to our brave new world, and succeed.

      The problem is, it also shows them that a lot of people WILL put up with their crazy DRM schemes in order to get they music they love.

      This is why I will not use the itunes music store, and with the levy on blank media in my country (Canada), I feel free to download as much music as I can for free... hell I've already been convicted and paid the fine anyways.

      I do however want an ipod.. because of the levy, I feel justified in downloading, which means generic mp3s, and I can use the ipod for my tunes. Once again doing the "wrong thing" is the better way. (serial keys, dongles, online authentication, CSS, DRM, etc... all make it harder for the person WHO WILL PAY for their software/music/movies to use it the way they like.)

      Guilty until proven innocent? What planet has this?

      --
      If I can't smoke and swear I'm fucked.
    6. Re:Want to know what's REALLY funny? by Total_Wimp · · Score: 1

      I know, I know, you secretly want all these companies to just start handing out free MP3s. But it ain't gonna happen. Just like the days of keeping your doors unlocked and your windows open are over, the days of releasing content in any format that isn't protected six ways from sunday are over. Deal with it.

      Apple has the only protected audio format that works. The pressure should be on them to open it up to licensees.


      a) Who said anything about "free"? I'd be happy to _buy_ MP3s

      b) Locking my doors helps keep criminals out of my house, but locking DVDs seems to be ineffective at keeping moviess off of the net. Locking iTunes has also had little effect on illegal MP3 distribution. However, locking iTunes has been very effective at keeping legaly purchased online music off of my Windows Smartphone and locking Napster has been very effective at keeping legaly purchased online music off of my daughter's iPod. Hmmm.... I see a win/win scenerio here somewhere.

      c) You say "deal with it" on the subject of asking for MP3s, but then you think we should put pressure on Apple about iTunes? What's the deal, are we gonna just "deal with it" or are we gonna ask for change? If we're allowed to ask for change, I'll ask for MP3s, thank you. If we're just gonna "deal with it" then be an example and shut the fuck up.

      TW

    7. Re:Want to know what's REALLY funny? by centuren · · Score: 1

      Fact is, one CAN buy music legit from an online store other than iTunes and put it right on an iPod. I just bought the new Autechre album from http://bleep.com/Bleep, which sells Warp Records artists' music with no DRM.

      From their FAQ: We believe that most people like to be treated as customers and not potential criminals - DRM is easily circumvented and just puts obstacles in the way of enjoying music.

      Not only is Rosen's "iPod-iTunes" argument misleading, it's factually incorrect.

    8. Re:Want to know what's REALLY funny? by Jeff+DeMaagd · · Score: 1

      whining about how none of the stores are willing to sell a song in a format the iPod will take.

      Real was willing. They had a program, but Apple released an update that quietly voided that compatibility. Apple won't let other companies produce DRMed files that are iPod/iTunes compatible.

    9. Re:Want to know what's REALLY funny? by Moryath · · Score: 1

      No, not really. Technically, compared to the fidelity of a hi-fi system with massive and perfectly calibrated speakers... yes. But ripped in a sufficiently high bitrate, to be run into my car stereo or a pair of headphones? I'll live.

    10. Re:Want to know what's REALLY funny? by The+Big+Ugly · · Score: 1

      From the article: "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's."

      but aren't those the only leagal digital means of songs anyway? now the IRAA is complaining - my pirated songs don't work on my ipod, boo hoo.

    11. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      a. Who cares? Nobody would be happy to sell them to you. Takes two to tango, you know.

      b. Locking iTunes has basically eliminated illegal music distribution ... of iTunes files. The files that are being passed around illegally are the ones that didn't come from iTunes. The industry sees this.

      c. You're an idiot. Give up your nonsense dream of free music for everybody so you can get to a 90% future where people can buy music off the Internet.

    12. Re:Want to know what's REALLY funny? by masklinn · · Score: 3, Insightful
      a) Who said anything about "free"? I'd be happy to _buy_ MP3s
      You shouldn't. Being happy to buy FLAC/MonkeyAudio (lossless compression) files I can understand, gladly buying mp3 files I have trouble understanding, especially with the kind of "deals" you get right now, with mp3/wma files being the same price as the CD track... only with lower quality and less flexibility
      --
      "The way we can tell it's C# instead of Haskell is because it's nine lines instead of two." -- wadler
    13. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      People said the same thing about cassettes. They sounded good enough to average ears over average systems to be considered an acceptable substitute for vinyl or CD. But the fact remains that casettes and MP3's are both lossy copies.

      Run a full 16/44 WAV throuh a spectrum analyser. Then convert it to mp3 and do the same thing. You will see the difference for yourself.

      The fact that your average ears are unable to percieve the lossiness of mp3 in no way negates its existance. Mine certainly can.

    14. Re:Want to know what's REALLY funny? by _Sprocket_ · · Score: 1
      b. Locking iTunes has basically eliminated illegal music distribution ... of iTunes files. The files that are being passed around illegally are the ones that didn't come from iTunes. The industry sees this.

      1) Buy iTunes track. Burn to CD. Rip CD. Distribute. Did I miss a watermark or something there?

      2) Buy iTunes track. Download latest iTunes cracker. Rip. Distribute. Same question - what did I miss?
    15. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      What gets me is that Apple does not have a monopoly on portable music. They have a good product that is very popular, but every other electronics company makes mp3 players that can use non-iTunes songs.

      That's where the market forces come in. People get to decide whether the iPod is good enough to only use iTunes. If iTunes doesn't have the songs they want, then they'll look elsewhere.

    16. Re:Want to know what's REALLY funny? by Skuto · · Score: 2, Insightful

      >Run a full 16/44 WAV throuh a spectrum analyser.
      >Then convert it to mp3 and do the same thing. You
      >will see the difference for yourself.

      Yes, the frequencies that you can't physically hear are gone. It's an audio codec, it's not designed to LOOK GOOD.

    17. Re:Want to know what's REALLY funny? by CatOne · · Score: 2, Insightful

      I don't understand. If you WANT to sell your music in the iPod format, you can sell it as MP3 or AAC and whoever wants, can use it on the iPod. IT REALLY IS JUST THAT SIMPLE.

      If you WANT to sell your music in the iPod PROTECTED format, contact Apple and sell it on the iTunes Music Store. There you go!

      What am I missing? If you're a 3 person Indie band that Apple won't sell on the store, but choose to sell protected music, I guess you could fall through the cracks. But then, will people actually pay for your music? Again, you can still sell it to them in an unprotected format.

    18. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      In both cases, the Apple ID of the person who bought the music is permanently embedded in the audio files. It's impossible to get the ID out without destroying the audio.

      Apple has succeeded in stopping Internet music piracy. And frankly everybody's pissed at them for keeping it to themselves. But really, can you blame them? They're making money hand over fist here.

    19. Re:Want to know what's REALLY funny? by mankey+wanker · · Score: 1

      VBR Alt Preset Standard LAME encoded is indistinguishable from its source for something like 9 out of 10 people. Fine, so you're the 10% maybe - or maybe you have just been hearing poorly made MP3s. I have tried telling the difference between the original CD and a LAME encoded MP3 myself using some midrange Grado headphones - and I do not hear a difference.

      I find LAME encoded MP3s a satisfactory compromise between HD space and efficiency. Pipe it through a good stereo system or through some better than average speakers and it's pretty damned good sounding. Best jukebox-like solution I have ever found. If I ever have the jones to hear my actual CDs, I still have them all boxed up in storage.

    20. Re:Want to know what's REALLY funny? by c4seyj0nes · · Score: 1

      No, Really.

      Funny thing about hearing, everyone's is different, much like their sight.

      My father used to work in an electronics store that sold Hi-Fi's back in the day. He told me that the best way to know which one you should buy is based on how well you can hear. You start with listening the cheeper models and work your way up to the more expensive ones. When you can no longer tell the difference, that's as good as your hearing is, so getting a better quality one would just be a waste of money. (This does, of course, assume that a more expensive system is of better quality.)

      The same thing goes for lossey compression music files, some people can't tell the difference, between 128kbps and 192kbps and CD quality, but I know I sure as hell can. That doesn't make it bad that you can't, or that you don't care, but you can't deny that its not true.

      --
      "In wine there is wisdom. In beer there is strength. In water there is bacteria." --Old German Proverb
    21. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0
      Just like the days of keeping your doors unlocked and your windows open are over, the days of releasing content in any format that isn't protected six ways from sunday are over. Deal with it.
      No thank you, I'll by books. Maybe a cheap red book CD once in a while...
    22. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0
      a) Who said anything about "free"? I'd be happy to _buy_ MP3s
      Here you go, there are other places of course, but Magnatune is quite prominent (and has CC licensed 128kb previews).
    23. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      The degregation of quality in (1) that you don't have in (2) after repeated processing of said scenario. It isn't watermarking, it that fact that mp3 > cd > mp3 > conversion sounds like crap. Dipshit.

    24. Re:Want to know what's REALLY funny? by _Sprocket_ · · Score: 1
      It isn't watermarking, it that fact that mp3 > cd > mp3 > conversion sounds like crap. Dipshit.

      It's great when someone calls you names and they're wrong. "Dipshit" indeed. It's not mp3 to CD. It's AAC to CD. Now the question is whether that AAC file was lossless or not. Such a thing is possible. But I don't know if iTunes offers them. If they don't - then you would have had a point if you either knew what you were talking about or took the time to make an intelligent reply.

      Of course, if quality was an issue... MP3 "piracy" wouldn't be so popular (MonkeyAudio or FLAC would be leaders). And keep in mind that the parent's point was AAC is somehow killing piracy.
    25. Re:Want to know what's REALLY funny? by _Sprocket_ · · Score: 1
      Apple has succeeded in stopping Internet music piracy. And frankly everybody's pissed at them for keeping it to themselves. But really, can you blame them? They're making money hand over fist here.

      So essentially, there's a watermark? Why bother with all the DRM shennanigans?
      Apple has succeeded in stopping Internet music piracy. And frankly everybody's pissed at them for keeping it to themselves. But really, can you blame them? They're making money hand over fist here.

      Well - they've provided a popular alternative. It's a bit early to claim "piracy" has stopped.
    26. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Given what most 128kbps (even 256kbps) MP3s sound like, they're not designed to sound good either.

    27. Re:Want to know what's REALLY funny? by Fulcrum+of+Evil · · Score: 1

      Run a full 16/44 WAV throuh a spectrum analyser. Then convert it to mp3 and do the same thing. You will see the difference for yourself.

      I don't have a specanalyzer in my car. I do, however, have speakers.

      The fact that your average ears are unable to percieve the lossiness of mp3 in no way negates its existance. Mine certainly can.

      Good for you. If you can tell the difference between a 192Kbps MP3 and the corresponding CD n my MR2 with the top down while driving, I'll give you $20. I still won't give a damn.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    28. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Bingo!

    29. Re:Want to know what's REALLY funny? by oirtemed · · Score: 1

      Less flexibility? How about the fact you can buy the one track you want without the 14 other POS fillers?

    30. Re:Want to know what's REALLY funny? by MoneyT · · Score: 1

      Now, the question is, why would I want to buy FLAC? It's worthless to me. I listen to my music through a $30 set of headphones while i concentrate on programming. I run it through a pair of crappy desktop speakers, or pump it through the stock system in my car. FLAC to me is a worthless waste of space when I'll I'm going to be doing is reencoding it down to MP3 anyway.

      --
      T Money
      World Domination with a plastic spoon since 1984
    31. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Look, dipshit, mp3s are popular because they're small. Fuck FLAC they're about half the size of an uncompressed wav file and you may as well just trade that. Don't gimmie some holier-than-thou "Oh, it's AAC not mp3 I have a dildo up my butt" kind of speech either - compression is compression, regardless of the nature of it, and if you do converting from CD to whatever back to CD over and over it's gonna sound like el poopo del crapo. If you really think that "lossless" compression can converted back and forth without sounding bad then you need to get a better sounding boombox there, sparky.

    32. Re:Want to know what's REALLY funny? by _Sprocket_ · · Score: 1
      Look, dipshit, mp3s are popular because they're small. Fuck FLAC they're about half the size of an uncompressed wav file and you may as well just trade that.

      And that's the point. It isn't about quality. If it were, we would see more use of lossless compression. The scene has shown that they will take a hit on quality if they can get the file.
      Don't gimmie some holier-than-thou "Oh, it's AAC not mp3 I have a dildo up my butt" kind of speech either - compression is compression, regardless of the nature of it, and if you do converting from CD to whatever back to CD over and over it's gonna sound like el poopo del crapo.

      Again with the name calling. Are you capable of being civil? Or would that weaken your argument?

      AAC is available with lossless compression. That makes it different from an MP3 right there. Ya know - other than it NOT being an MP3 to begin with.

      But perhapse you're right. Maybe there is an hit in quality converting from a "lossless" compression to a lossy one. Maybe it's even noticeable. But then - we've already seen that quality isn't the issue... as you already pointed out yourself (despite that apparently being your origional point).
    33. Re:Want to know what's REALLY funny? by jridley · · Score: 1

      Hmm, plenty of people are happy to pay money for sites that feature JPGs. Maybe they should insist on TIF? No, JPG is an acceptable tradeoff for their purposes. MP3 is an acceptable tradeoff for me. I have a $40 MP3 player and $20 headphones, and I'm happy with it. MP3 is more than sufficient for what I want. Yeah, I can hear the difference. But I don't *CARE*. I can see the difference between JPG and TIFF too, and when I take photos, I shoot in RAW mode. And when I'm making final, large prints, I process in lossless mode. But for emailing stuff around and for the web (in my mind, similar to portable audio players), jpg is *GOOD ENOUGH*.

    34. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      It isn't the name calling that is weakening my point, it's your inability to comprehend even the most elementary of concepts. I'm continually having to stop, lower myself to your level, and then try to build a decent argument.

      Listen, try this experiment at home: take a piece of tin foil, and crumple it into a little ball. This represents lossy compression. Now try and spread it out flat again BUT do it on top of a second piece of tin foil of equal size. This second piece of tin foil represents the copy you would get from WinMX or whatever.

      Now crumple the second piece of tin foil into a ball, and repeat the whole scenario. Now do this 100 times.

      Now, which piece of tin foil would you rather wrap your sandwich in? I think the answer is obvious - the 49th piece, since it is exactly one less than half and therefore the perfect balance between quality and size. But you, with your Kraco boombox from Wal-Mart and your ears full of mud, would probably use piece number 51 or even 60 to preserve your food! The only term to describe someone who would behave in such a matter is, sadly, dipshit.

      So you can continue to download your lossless crappy Grateful Dead bootlegs in FLAC or whatever, burn them to CD, and then rip them again. Meanwhile I'll be jamming to some high quality --alt preset standard illegal rips just fine on my home audio system.

    35. Re:Want to know what's REALLY funny? by tricorn · · Score: 1

      Which seems sort of strange. By all reports, Apple makes all their money selling the iPod, and almost nothing on the iTMS. Letting other stores sell music with Apple's copy-prevention would seem to not lose them anything, while making the iPod even more desirable.

      Licensing FairPlay to other players, on the other hand, would probably lose them money (unless they set the licensing fees quite high).

    36. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Magnatune is dead to me since they killed thier shoutcast streams.

    37. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Well, the issue of longevity comes to mind. FLAC is lossless compression. MP3 is lossy. So, if you ever need to re-encode it, say for a future music device that does not support mp3 but rather supports the hot music standard of the day, you can re-encode from FLAC to this future format. You can do the same with mp3, but re-encoding from one lossy format to another will produce artifact filled crap.

    38. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      1) The frequencies that are gone are ones that definitely do fall into the audible audio spectrum. They're just the ones that the lossy compression algorithm thinks you're least likely to notice being gone due to larger quantities of information in adjacent bands. But the algorithm isn't always right.

      2) If frequencies you can't hear don't make any difference, then why are DVD's recorded with a 96kHz sampling rate? Why are all the hot new DAC's 24bit 192kHz?

      3) If you honestly think that a sound's graphical representation in a specrun analyzer has no relation whatsoever to it's representation through speakers, you don't understand what a spectrum analyzer is or how to use it.

      Have a nice day.

    39. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      " VBR Alt Preset Standard LAME encoded is indistinguishable from its source for something like 9 out of 10 people."

      This statement doesn't contain nearly enough information to be accurate. Indistinguishable listening through what speakers, through what amplifier, in what environment? Double-blind testing? I would wager that in a pro studio control room, through pro near- or mid-fields or headphones, that ratio would increase dramatically. Maybe 9 out of 10 people listening in their car, or through crappy laptop speakers can't tell the difference.

      I don't suppose you've got a link for this "9 out of 10" business?

      "Fine, so you're the 10% maybe - or maybe you have just been hearing poorly made MP3s"

      Son, I'm a professional mastering engineer. You've heard of "perfect pitch"? I have absolute pitch. I can walk into a resonant rectangular room, clap my hands, and within a few seconds tell you what 2, if not 3, of the room's nodes are. I was making mp3's when they were brand new - the first encoder I used was Xing. So believe me when I say I'm not hearing poorly made mp3's.

      "original CD and a LAME encoded MP3"

      Original CD of what? Pop, rock or rap? Those are all compressed to shit in the mastering stage, which makes the effects of perceptual encoding much less noticable. The real test would be to make an mp3 of a classical or jazz song, something with some dynamic range to begin with.

      "midrange Grado headphones"

      Midrange listening equipment will not enable you to be an accurate judge in an AB test. You need a near top-notch quality amplifier and pair of speakers (or headphones), a well-insulated listening environment with no ambient noise, and somebody else operating the computer while you're blindfolded. Anything less has no scientific validity.

      "HD space"

      This is the only real advantage of mp3. You can fit a shitton of music on a CD, and a gigashitton on a hard drive. Also, mp3 is cool if you're on dialup.

    40. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      "I'll give you $20"

      I'll be waiting for your check.

    41. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      We're not talking about MP3 at all. MP3 is dead and buried. Nobody uses it any more. We're talking about AAC. The path goes AAC to AIFF to AAC. And no, it doesn't sound like crap. You can't even tell the difference unless you change bit rates.

      So shut up.

    42. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      You think you're being a jackass, but in fact your right. Books are protected. They're protected by the fact that it costs a hell of a lot less to just buy the damn book than it does to make a photocopy of every page.

    43. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Why do you keep talking about MP3? NOBODY USES MP3 ANY MORE. MP3 IS DEAD.

      And going from AAC to AIFF and back to AAC introduces no artifacts at all. It produces exactly the same file, bit for bit, as long as you use the same encoder and bit rate. That's one of the great things about AAC. All the bits that are going to be lost get lost on the first pass. Subsequent passes produce exactly the same file.

    44. Re:Want to know what's REALLY funny? by beetlefeet · · Score: 1

      Ok trolly. AAC's can be LOSSLESS. Downloading a lossless AAC that was sourced from a CD and then burning to a CD and then ripping and then encoding back to AAC should give you (except for some id tags etc) THE EXACT SAME AUDIO DATA AS YOU ORIGINALLY DOWNLOADED. CDs are a digital format with error correction and HAVE NO GENERATION LOSS! You can rip and burn and rip and burn 100 generations and still end up with no generation loss because CDs are digital. You don't expect to get generation loss on your porn collection that you've copied all over the place over cd 10 times do you?

    45. Re:Want to know what's REALLY funny? by Gilmoure · · Score: 1

      With OS X 10.4, there's signs that Apple may be supporting Ogg Vorbis and WMA in the future, too.

      --
      I drank what? -- Socrates
    46. Re:Want to know what's REALLY funny? by yofal · · Score: 1

      Psst Pops - "absolute pitch" and "perfect pitch" are the same thing...no need to make a distinction.

      --
      lisa bonet ate no basil
    47. Re:Want to know what's REALLY funny? by KarmaMB84 · · Score: 1

      or you think you can? Kinda like I know people that think they drive better drunk?

    48. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Wow, are you fucking stupid. Do you have ANY idea how "lossless" compression works?

      Pretend your song that you want is a wet, non-soapy sponge. The water is the so-called "lossless" data in the song - you can wring it all out and compress the song to a tiny size. Then, later if you wish, you can add all this missing data simply by adding the water.

      Now here's the problem - over time, all this costriction and expansion of the sponge causes it to weaken, and little tears begin to appear. Eventually the sponge gets old and ratty, and you have to throw it away and get a new one.

      So yes, the volume of water stays the same, the volume of the sponge stays the same, but the rigidity of the container eventually (the "trueness" of the original performance) begins to fail. Everytime you transfer from lossless format > CD > lossless format you degrade the fidelity of the container.

      I'm sure your ears can't hear the difference, since your head is so pumped full of man spooge, but anyone with a half decent set of speakers can tell how many generations of "lossless" compression have been applied to a given piece of music. Dipshit.

    49. Re:Want to know what's REALLY funny? by shark72 · · Score: 1

      "If any of the stores wanted to, they could easily sell me MP3's, which would go onto my iPod no problem. But they won't, because the RIAA still haven't wised up that consumers don't want their DRM crap."

      The iTMS has been a fantastically wild success, with something on the order of 20 million tracks sold.

      Meanwhile, companies like Magnatune, which fit many Slashdotters' model of the right way to do music distribution (no DRM, standard MP3 format, payment optional, etc.) are flailing.

      We Slashdotters can continue to stamp our little feet and proclaim that DRM is a failure, but the market is showing us otherwise.

      Perhaps a more productive (but far more difficult) approach is for each of us to write to ten of our favorite bands and urge them to renounce their recording contracts and start publishing their work on Magnatune or another venue that provides authorized, legal, DRM-free MP3 files.

      We constantly proclaim that there's a market for legal, DRM-free music -- now, let's make that happen. For the time being, Apple and a squillion record companies can show us twenty million reasons why we're wrong.

      --
      Sitting in my day care, the art is decopainted.
    50. Re:Want to know what's REALLY funny? by _Sprocket_ · · Score: 1
      Hold a sec. Your first tin foil ball is representing lossy compression. And then you're talking about my "lossless crappy Grateful Dead bootlegs in FLAC". Which are we talking about here? A lossy compression format like MP3 or one variation of AAC? Or lossless compression like FLAC? If we're talking a lossy compression technique - then you have a very good point (now if you could only manage to note that AAC and MP3 aren't the same thing - lossy or not). If it's a lossless compression technique, then my understanding is that you're completely wrong. From the FLAC features page:

      Suitable for archiving: FLAC is an open format, and there is no generation loss if you need to convert your data to another format in the future. In addition to the frame CRCs and MD5 signature, flac has a verify option that decodes the encoded stream in parallel with the encoding process and compares the result to the original, aborting with an error if there is a mismatch.

      If this is wrong, please feel free to point out references that debunk this claim. Failing that... AAC does have a lossless mode too. I would imagine AAC Lossless would be simular to FLAC. Whether iTunes offers lossless tracks or not may be an entirely different matter.

      We'll just go ahead and ignore the whole argument that quality, to include the single generation loss for that initial transfer between two lossy techniques, doesn't deter "piracy".

      Incidently, I noticed you managed to be civil. You almost avoided name calling. And lo and beyond... some intelligence made it in to your post. Congratulations.
    51. Re:Want to know what's REALLY funny? by Fulcrum+of+Evil · · Score: 1

      I'll be waiting for your check.

      It's cash and, in order to claim it, you have to survive a car ride with me.

      --
      "We returned the General to El Salvador, or maybe Guatemala, it's difficult to tell from 10,000 feet"
    52. Re:Want to know what's REALLY funny? by pugnatious · · Score: 1

      plain old mp3 will work in an i-pod, it's other kinds of drm that won't.
      so you can always play your pirated
      music on an i-pod.
      as for "... only legal digital means of songs" - I don't even know what the hell you're talking about

    53. Re:Want to know what's REALLY funny? by Pendersempai · · Score: 1

      Whaa? CD tracks are lossy too, you know. There is no reason a sufficiently high bitrate mp3 need be any worse. Turning an analogue signal (sound) into a digital format (anything at all in 1s and 0s) will result in lost information. You can approach perfect quality as your bitrate approaches infinity, but of course you can't reach it. So your objection to mp3s is really pure uninformed idiocy.

    54. Re:Want to know what's REALLY funny? by masklinn · · Score: 1

      1- Yes I do know
      2- No, mp3 encoding has very specific losses and artifacts on quite a lot of frequencies of the spectrum (do visit the HydrogenAudio forums for more informations) and doesn't even remotely compare to lossless even with very high bitrate (said bitrates yielding higher data sizes than good lossless codecs BTW)
      3- Recompression from lossy mp3 to any other lossy format yields artifacts and data loss exponentially higher than the artifacts and data loss of any of the two lossy codecs

      MP3, even at high bitrates, is nowhere near CD quality or lossless quality, which is in itself quite far from the "theorical analogic" quality (said theorical analogic being when not taking in account aging and physical artifacts of LPs, since it's the most common analogic music medium)

      --
      "The way we can tell it's C# instead of Haskell is because it's nine lines instead of two." -- wadler
    55. Re:Want to know what's REALLY funny? by Christopheles · · Score: 1
      I don't have a specanalyzer in my car. I do, however, have speakers.

      In an emergency, your ears should suffice.
    56. Re:Want to know what's REALLY funny? by Christopheles · · Score: 1
      RIAA:
      But then you have also degraded the sound quality. How cruel.

      You:
      Y'know what? None of my MP3 collection has "degraded sound quality."

      Some guy:
      MP3 degrades sound quality.

      You:
      No, not really. Technically, compared to the fidelity of a hi-fi system with massive and perfectly calibrated speakers... yes. But ripped in a sufficiently high bitrate, to be run into my car stereo or a pair of headphones? I'll live.

      If you don't notice the degradation in quality due to using MP3s, I doubt you'd notice the quality degradation due to transcoding your songs from the iTunes music store. So perhaps what you mean to say is: "All my music already has degraded quality, and I don't notice that, so I doubt I'll notice a bit more degradation...bitch."
    57. Re:Want to know what's REALLY funny? by mrchaotica · · Score: 1
      Letting other stores sell music with Apple's copy-prevention would seem to not lose them anything
      Yeah it would -- they'd lose the ease of use. The integration between iTMS, iTunes, and iPod is the biggest advantage Apple has over the competition, and letting other stores sell explicitly "iPod compatible" tracks would muck that up.
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    58. Re:Want to know what's REALLY funny? by Lonewolf666 · · Score: 1

      Apple has the only protected audio format that works. The pressure should be on them to open it up to licensees.

      Quite frankly, I don't give a shit. On the contrary:
      The more DRM is hampered by non-compatibility between the various vendors, the less danger that DRMed formats will completely replace free formats. So if Apple and the RIAA can't agree on formats, this is a Good Thing.

      --
      C - the footgun of programming languages
    59. Re:Want to know what's REALLY funny? by Bobsledboy · · Score: 1

      2) If frequencies you can't hear don't make any difference, then why are DVD's recorded with a 96kHz sampling rate? You do realise that the sampling frequency is totally unrelated to the frequency of the sound waves. A 96kHz sampling rate means that the sound wave is measured 96k times per second.

    60. Re:Want to know what's REALLY funny? by ian+mills · · Score: 1
      wow where to start with this post.
      the first encoder I used was Xing. So believe me when I say I'm not hearing poorly made mp3's.
      Not quite sure what that is supposed to mean considering Xing is widely regarded to be the worst encoder. Considering that Xing is the only encoder you mention, I'm going to believe you are listening to poorly made mp3s.

      I don't suppose you've got a link for this "9 out of 10" business?
      There is a ton of them over at hydrogenaudio. They have a whole forum dedicated to doing ABX tests on lossy codecs.

      Midrange Grado headphones are hardly "midrange listening equipment." This whole issue has been discusssed to death at hydrogenaudio and the old r3mix forums. Even people with golden ears can't tell the difference between lame encoded samples at 256 and the original source except on a few tricky samples which you can find on the lame page. However those samples aren't representative of most. Decently encoded(such as lame alt-preset standard) mp3's are indistinguishable from the original source on about 99.9% of frames. You whining about crappy mp3s and saying you can hear the difference is meaningless when the only codec you even mention is xing.

    61. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      Perfect pitch is being able to hear a tone and tell you the musical note. Absolute pitch is being able to hear a tone and tell you the frequency in Hz.

    62. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      "Not quite sure what that is supposed to mean"

      It's supposed to mean that I've been making mp3's since probably before you had pubes.

      "Xing is widely regarded to be the worst encoder."

      Today, by far. That's why I don't use it anymore.

      "Considering that Xing is the only encoder you mention"

      How about Fraunhofer and Opticom, two more old-school encoders? Which, before you go assuming things, I also don't use anymore?

      "Considering that Xing is the only encoder you mention, I'm going to believe you are listening to poorly made mp3s."

      I said it was the first, Einstein, not the only. I use LAME like everybody else today. But feel free to assume whatever you want.

      "There is a ton of them over at hydrogenaudio."

      Great. Cite one. Cuz I couldn't find a single one for mp3 vs pcm. I found a bunch for mp3 vs wma, or mp4 vs ogg, but no mp3 vs pcm. I await your citation.

      "Midrange Grado headphones are hardly "midrange listening equipment."

      That depends what model they are and the signal chain behind them. You plug a pair of freakin electrostats into a sound blaster, it'll still sound like the garbage it is. Just very very clear garbage. You appear to have a very poor grasp of the concept of a signal chain.

      "Even people with golden ears can't tell the difference between lame encoded samples at 256 and the original source except on a few tricky samples which you can find on the lame page."

      You can keep repeating this crap all you want, it doesn't change the fact that, in music with any dynamic range whatsoever (ie classical or jazz), I can easily tell. But by all means, keep repeating yourself. Try it in caps. It still won't make it true. MP3 is lossy, it discards musical data because it thinks you won't hear it. Sometimes it's right, sometimes it's wrong.

      "You whining about crappy mp3s and saying you can hear the difference is meaningless when the only codec you even mention is xing."

      Ha. I'm sorry that you consider being presented with information that contradicts your previously held (and ill-informed) views to be "whining". If you have such a low tolerance for new information I suggest you discontinue your participation in this thread.

    63. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      Those terms were not spelled out in our agreement.

      Play fair.

    64. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      "A 96kHz sampling rate means that the sound wave is measured 96k times per second."

      The reason CD's are recorded at 44100Hz is because, after Nyquist is taken into account, that translates to a maximum recordable frequency of 22050Hz, or roughly a little bit above the top range of human hearing. In other words, record at lower sample rates, and you start losing the ability to reproduce the original data accurately - in layman's terms, you lose the treble.

      Now, when you increase the sample rate to 96kHz, the top reproducable frequency becomes 48kHz. Well, well above the range of what even dogs can hear. Sample rate doesn't affect dynamic range (that would be bit depth), only frequency respose.

      Now, answer my original question. If frequencies you can't hear don't make any difference, why are DVD's encoded at 96kHz?

    65. Re:Want to know what's REALLY funny? by ElysianAudio · · Score: 1

      Bechthros,

      Please take a look into Nyquist, oversampling and dither for A/D and D/A conversion. You'll find that the frequencies above 20kHz don't make a difference to our ear, but the process of digitization and playback have a number of real world limitations that make practical conversion difficult to achieve both frequency range and dynamic range. Through oversampling and dither (and therefore noise-shaping), it is possible to "convert" one to the other. These techinques are used to overcome the limitations of real world analog anti-aliasing and anti-imaging filters.

      Now where high frequencies (>20kHz) can make a difference is if they non-linearly interact with the audible portion of the frequency spectrum. This usually takes place in electronics as it is difficult to find standard speakers that have a response much above 20kHz.

      Of course there is the issue of marketing. It is always good to have a new format (at least for the manufactures). For the record: CD's are recorded at 16bit/44.1kHz, DVDs are usually 16bit/48kHz, DVD-Audio can be upwards of 24bit/196kHz, and SACD is 1-bit/2.8MHz but for most people and most systems, the CD standard will be good enough.

    66. Re:Want to know what's REALLY funny? by Myopic · · Score: 1

      Dude that is exactly what I thought: "I don't understand, is she implying that MP3s downloaded from pay sites other than iTMS won't work on my iPod? Does she know something I don't?"

      Then I realized that she wants my iPod to support file formats that I, as the consumer, don't want it to support. I shudder to think what would happen if iPods played Windows Media files.

      The solution here is totally obvious: start selling MP3s (I won't even pay for those iTMS files). Even better, choose a tighter, freer format, with the obvious choice being Ogg.

    67. Re:Want to know what's REALLY funny? by Bobsledboy · · Score: 1

      So the marketing department can use a bigger number?

    68. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      Anybody ever tell you you're snobbish and self-centered? I'll bet they have.

    69. Re:Want to know what's REALLY funny? by ian+mills · · Score: 1
      Ahah, thats funny.

      It's supposed to mean that I've been making mp3's since probably before you had pubes.
      Ah yes, insult my age. What are you, 12? how is this relevant?

      Ha. I'm sorry that you consider being presented with information that contradicts your previously held (and ill-informed) views to be "whining". If you have such a low tolerance for new information I suggest you discontinue your participation in this thread.
      Ahh, I see. There seems to have been a misunderstanding. It is you who is "ill-informed" and have a low tolerance for new information. I never made any claims about "signal chains." If you use LAME, what parameters are you using?

      Why don't you take your great ears over to hydrogen audio, because if you can actually tell every mp3 from the source material using a modern version of lame in an ABX test then they would like to hear from you. Sitting here talking down to me isn't going to do anyone any good. Though I find it amusing so feel free to continue if you want. The simple fact is, if you can hear the difference between every mp3 and the source, YOU are encoding them wrong.

    70. Re:Want to know what's REALLY funny? by Anonymous Coward · · Score: 0

      iTunes has supported OGG and WMA at least since version 4 came out. You have to have an OGG component to play OGG files, though god knows why you'd want to. Suckage major.

      And iTunes auto-converts WMA to AAC for you so you can play it on your iPod. Nice feature.

    71. Re:Want to know what's REALLY funny? by tricorn · · Score: 1

      I don't see that at all. By that reasoning, Apple should lock down Mac hardware so you can't boot Linux or BSD, because if you choose to do so it isn't as easy to use as OSX.

      Technically, it would probably be very difficult to achieve without having iTunes be able to do the actual purchase from the other stores. Apple could license an interface for the stores to be compatible with iTunes directly, with iTunes still managing the iPod and authorization and all that. iTMS would still be the default store enabled by iTunes, a person would have to manually add another store, which should make it clear that it isn't Apple's fault if the other store sucks.

    72. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      exACTly! :)

      Also to have an excuse to fill up huge discs with bits. Remember, back when DVD's were new, a large part of their copy protection was considered to be the perceived unwillingness of your average "pirate" to bother ripping and exhanging 5.1G files.

    73. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      "Nyquist, oversampling and dither for A/D and D/A conversion"

      Yup. Been to school for that actually. I use 48k myself for projects that are near and dear to my heart. But for most stuff I find 44.1 to be adequate. Of course, 24 bit is always preferable to 16 bit. Hell, I want 32 bit - let's have enough dynamic range to do physical injury to people!

      "Now where high frequencies (>20kHz) can make a difference is if they non-linearly interact with the audible portion of the frequency spectrum."

      And this is the part of it that I keep hearing over and over, but still have trouble buying into. I know it technically makes sense, but the fact of the matter is, why record frequencies that a) no speaker will reproduce b)no amplifier will reproduce and c) no human ear will hear?

      "DVDs are usually 16bit/48kHz"

      I thought they were 24/96. Never ripped a DVD myself, I might be wrong.

    74. Re:Want to know what's REALLY funny? by bechthros · · Score: 1

      "how is this relevant?"

      It's relevant because you asked what the significance was of me saying that Xing was the first encoder I ever used. Which you then misinterpreted to read that I was still using Xing, which I never said, and which is untrue.

      "It is you who is "ill-informed" and have a low tolerance for new information."

      What new information do you think you're presenting me with?

      "I never made any claims about "signal chains.""

      Sure you did - when you inferred that the quality of the headphones one uses are the sole criteria for audio quality. Again, you can take the best electrostatic headphones in the world and plug them into a sound blaster, and they'll sound like shit. A signal chain is only as strong as its weakest link - you can have a half million dollar monitoring rig, and if there's one bad connection or one iffy cable anywhere in it, the whole thing is for shit. This is one of many reasons why professional audio is best left to professionals.

      "If you use LAME, what parameters are you using?"

      It depends on a few things, like source material and target file size - most MP3's I make these days are of my own stuff for myspace, which won't let you have any files larger that 10M. When gets to be a bit constricting when I'm trying to post my latest 18-minute electroclash epic. I've had to go as low as 96kHz mono just to get a track to successfully upload. If I'm ripping a CD I bought to be able to put it on my MP3 player, I'll usually use 196, but again, it depends on the source material and how much free space I have left.

      " Why don't you take your great ears over to hydrogen audio"

      Ah, yes, hydrogen audio. The place you claimed had some supporting facts for your "9 out of 10" claim regarding mp3 vs pcm. Which I looked for and wasn't able to find, and which you are either unable or unwilling to cite a link to.

      "because if you can actually tell every mp3 from the source material using a modern version of lame in an ABX test then they would like to hear from you."

      True double-blind ABX testing is performed under rigorous standards and conditions I have a sneaking suspicion not everybody who posts on that board has met. a) you must have a *very very quiet* listening environment - like a studio control room, with no computers present (at least none with fans) b) you must have a *very very good* monitoring rig - something like ProTools, or an Apogee interface, connected via balanced connections to a *professional* amplifier driving *professional* monitors; c) you must have somebody else working the controls and have absolutely no idea which selection you're listening to, lest your own personal bias affect the outcome. Unfortunately, my current setup doesn't meet all these stringent requirements and I have no other party to man the controls for me.

      That said, even with the limitations of my current setup, I can still easily tell the difference between mp3 and pcm, especially with jazz or classical music, or music with long reverb tails or fadeouts. Of course, I'd never be so presumtuous as to call this a serious double-blind ABX test. And anybody who would is misleading you, be it intentionally or not.

      "The simple fact is, if you can hear the difference between every mp3 and the source, YOU are encoding them wrong."

      Wah wah wah. I can almost hear you stomping your feet as you say that. Given your assumption that I'm still using the Xing encoder, in spite of my not having said that and then expressly denied it, this statement is null and void. You appear to have decided that there's no way anybody can disagree with you and have a point, that there's nobody in the world that can tell the difference between pcm and mp3 (apparently not even that 1 in 10 you alluded to but now refuse to back up with any kind of reference). Bear in mind that I never said that there's not anybody who can't honestly tell the difference - I'm sure there are. I just think that 9 out of 10 figure is a little bit of ad copy that you've chosen to make part of an ideology. And, having challenged that ideology with known facts, I'm now the object of undue derision on your part. You have decided that *I* am the problem, facts be damned.

      HAND.

    75. Re:Want to know what's REALLY funny? by yofal · · Score: 1

      Uh...no. You may be thinking of relative pitch.

      --
      lisa bonet ate no basil
  85. Hilary Rosen by Anonymous Coward · · Score: 0

    Hilary Rosen can kiss my hairy white pimple covered A$$!

    1. Re:Hilary Rosen by Anonymous Coward · · Score: 0
      Hilary Rosen can kiss my hairy white pimple covered A$$!

      Unless she hits your hair white pimple covered face first.

    2. Re:Hilary Rosen by Anonymous Coward · · Score: 0

      Hilary Rosen can bite my shinny metal A$$ !!!

  86. and this is the result by kalpol · · Score: 1
    --
    12:50 - press return.
    1. Re:and this is the result by FredFnord · · Score: 1

      Wow. 'Bile bile bile hate hate hate I say it's awful and the Drudge Report links to me so I should know. Nobody likes her and everybody hates her and she used to be a conservative and now she's a liberal and I hate her and AH is actually *nice* to people she is trying to convince to do something and I'm not a part of 'THE MAINSTREAM MEDIA' so I should know. She's having lots of trouble raising money and Hollywood is a bunch of liberal whackos who would do something like this only they won't do something like this and I'm a REAL member of the media so I should know.'

      Really sort of hard to say whether she actually read anything off of the site before writing this, but my guess is that she had it ready three weeks in advance. She only mentions the actual content of the site in a couple of places, and those could very well have come from a few seconds of looking at the layout.

      -fred

      --
      Sign #11 of Slashdot overdose: You see the phrase 'moderate Republican' and you wonder if that would be a +1 or a -1.
    2. Re:and this is the result by Anonymous Coward · · Score: 0

      Wow, it's a bit early to call the venture a failure, no? It hasn't been live for even 24 hours yet...

      I am surprised you or anyone else doesn't see right through this sort of "article"... No facts, yet many sweeping accusations fired and conclusions drawn -- do I smell, the Drudge Report?

  87. yeah... by spiritraveller · · Score: 2, Informative
    She just forgot to mention the RIAA's competitors... must have slipped her mind.

    emusic.com has the best deal on REAL mp3s, and you can play them on an ipod or any other "MP3 player".

    1. Re:yeah... by Skye16 · · Score: 2, Interesting

      I noticed a bunch of problems with my emusic.com mp3s. The ends of songs were shifted over a second or so. The end of song 1 would be at the beginning of song 2, etc, etc.

      I stopped subscribing to them.

    2. Re:yeah... by Hawke666 · · Score: 1

      Could that be due to the CDs that they sourced them from? Some of my CDs have the track boundaries wrong, so if I'm listening on random I'll get a bit of the end of the previous song, or the beginning of the next at the end.

    3. Re:yeah... by spiritraveller · · Score: 1
      I noticed a bunch of problems with my emusic.com mp3s. The ends of songs were shifted over a second or so. The end of song 1 would be at the beginning of song 2, etc, etc.

      I haven't noticed anything like that... but that may be because I usually buy an entire album instead of single tracks.

      It costs about 22 cents per track with the plan I'm on, and I haven't found anything cheaper.

    4. Re:yeah... by Skye16 · · Score: 1

      I've since bought the CD myself and ripped it myself with no problems. Maybe their ripping system is/was slightly flawed? I know not.

    5. Re:yeah... by Skye16 · · Score: 1

      I bought the entire album too, but itunes has a split second delay between each song playing, so it doesn't mesh together as nicely as I would like.

      It wouldn't be a problem at all if the boundaries were set properly :(

  88. 60% iPod share bad, but 90% M$ Windoze dandy? by Anonymous Coward · · Score: 0

    What planet are people like this from? I prescribe 40 whacks with a giant cluestick.

  89. What is she talking about? by Anonymous Coward · · Score: 0

    She is talking like the iPod is the only player out there!
    If you dont like it dont buy or use it.... there are pleanty of other choices out there.

    Why do all of these people talk like you have to use the iPod??

  90. Re:Whiskey. Tango. Foxtrot. by petsounds · · Score: 5, Interesting

    Don't be so naiive. Rosen is a professional shill. She's probably getting paid by Microsoft (since she namechecks them in her post) or whomever has the lack of wisdom to hire her to spin the iPod in a bad light in favor of "open" systems.

    I guess she wasn't aware of the fact that there is an option in the iTunes menu which says "Convert selection to mp3," instantly making your AAC files into cross-platform mp3s. And she probably didn't realize her statement that "even if the cheapest one costs a few hundred dollars" is invalidated by going to the Apple website and seeing that the base iPod shuffle costs $99.

  91. Re:Huffington Post shows up on /. their first day by Orne · · Score: 2, Interesting

    Not that surprising, when you figure that the majority of Slashdot editors fall on the Democratic side of the fence...

    Ms. Huffington went to great lengths to insist that she's commissioned a multitude of Democratic party aligned writers to contribute articles to her site.. There are 14 authors on the front page today, and we've got: Tips from Cronkite on how to fix the Democratic party, Sen Corzine blasting Bush on not supporing one of his bills, Huffington making fun of Tom Delay, Rep Markly criticizing the Bush administration over N.K. nukes, another critiquing Bush's foreign policy, a critique of the wildlife commission, a critique of the Republican religious base...

    Not bad! Way to change minds and win friends!

  92. Umm...looks like she uses an iPod by promantek · · Score: 1

    Hillary using an iPod

    haha. what a lameass.

    1. Re:Umm...looks like she uses an iPod by promantek · · Score: 2, Interesting

      Oh, and check out this quote from the article (on page 3):

      "Hilary Rosen would prefer it if the world's youth didn't think she was hopelessly uncool. She has an iPod."

      Interesting to note the article where she has an iPod is from February 2003, but her recent article (from TODAY) says she just got an iPod!!!!:

      "The new iPod my girlfriend gave me is a trap."

      Hillary, you have been dismissed as a non-credible witness. and a moron.

    2. Re:Umm...looks like she uses an iPod by nagora · · Score: 1
      Hillary, you have been dismissed as a non-credible witness. and a moron.

      Maybe her girlfriend gave her a new, as in replacement, iPod. I think it's a fair bet that she's shilling for Micorsoft and its DRM system, but you never know, maybe she really has seen the light. Stop laughing at the back!

      --
      "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"
    3. Re:Umm...looks like she uses an iPod by promantek · · Score: 1

      yeah she could have got a replacement.

      but two years later she writes this piece? there is a ulterior motive here. the recording industry wants to raise the prices of online music and apple is a major roadblock.

  93. Re:Whiskey. Tango. Foxtrot. by Spodlink05 · · Score: 5, Funny


    I think my brain just died.

    Then you're perfectly qualified to work for the RIAA.

  94. *ring ring* Mr. Kettle? by scronline · · Score: 2, Funny

    It's Mr. Pot on line 2 and wishes to speak with you.

    1. Re:*ring ring* Mr. Kettle? by Anonymous Coward · · Score: 0

      It's Mr. Pot on line 2

      Duuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu de!

  95. chairprostitute by Anonymous Coward · · Score: 0

    anti-monopoly, bitch?

    you who rips off both artists and consumers and distort the law for your profit?

    you need a gangbang by one of those mtv gangsta rap bands. bitch.

  96. Doesn't make sense by wazzzup · · Score: 2, Insightful

    All of the other stores that she seems to be arguing for require Windows.

    That's a monopoly. That's lock-in. Exactly what she's arguing against.

    As a Mac owner, I won't be shopping at the alternatives any time soon.

  97. that's a good idea by Anonymous Coward · · Score: 0

    C'mon Steve, listen to her, open up DRM...

  98. Sell MP3s, stupid bitch by thomas.me · · Score: 1

    If the music industry had been innovative, they would have started selling MP3s long before Napster arrived. I am talking about MP3s without DRM, but including cover art, PDF booklet and lyrics. For $0.50 a song.

    Everyone would have bought it, Napster wouldn't have been an issue.

    But it looks like the music industry prefers to learn it the hard way. I don't care, unflexible companies or whole industries disappear all the time, music doesn't need them. And just for the record, I do not consider ten Britney Spears clones being choice.

    I do not, and will never, buy music with Digital Restrictions Management or in proprietary formats.

    Audio CD is OK if it's uncrippled, MP3s are OK, iTMS is not, WMA is bullshit anyway. And until open digital music happens, I am not going to buy music at all, because I do not like being called a thief at every occasion by stupid anti-piracy ads.

    For the moment, I am happy with my music collection and the self-burned samplers my friends give me as a present occasionally.

    As an interesting sidenote, at present it is not possible to buy music on the Internet if you're a Mac user and live in Switzerland. To me, that demonstrates clearly that the music industry is just whining and the pressure is far from being high enough.

  99. On Microsoft's Payroll by Anonymous Coward · · Score: 0

    I see she's now spouting all the things that people are saying are bad about Apple and iTunes, usually at Microsoft's behest.

    I fail to see what on Earth competing music stores are going to do since the prices are fixed by the music industry and the RIAA anyway. That's not even Apple's fault! How much do you save on most music if you buy from elsewhere? Zero, that's how much.

  100. She's scared of Apple by WarwickRyan · · Score: 2, Insightful

    These comments are made purely because good old Hilary has finally seen what a number here have noticed: Apple's potential to cut the RIAA members "out of the loop".

    iPod's a market leader, as is iTunes. They RIAA have finally noticed that Apple own both the hardware and the portal to their customers - so what exactly do they need the RIAA for? "Content" - RIAA are just brokers for the market - marketing? Apple own the portal, they can push whatever they want to push....

    Long term Apple can kill the RIAA, and that's her motivation.

  101. Sweet Hilary by Anonymous Coward · · Score: 0
    I remember our night together, under the stars, listening to legitimate RIAA-approved copies of Barry Manilow's Twenty Greatest Hits for Cross Dressers. How we made sweet love, swaying to the soft, luscious sounds of Copacabana. Our throbbing hips moved in unison... in... out... in... out... She cried out "RIAA RIAA RRRIIIIIIAAA!"


    Years later I would remember sweet Hilary, and think back on that night when we let desire, anti-depressants and Barry Manilow meld into lust unimaginable.

  102. Re:Huffington Post shows up on /. their first day by Anonymous Coward · · Score: 0

    I have a friend who works as an epidemiologist.
    CDC type, HIV spread tracker and prevention
    coordinator, etc.

    MSM is frequently used as an acronym for
    "men who have sex with men".

    MSM media, indeed...

  103. liar liar pants on fire. by MetalliQaZ · · Score: 1
    If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod. But then you have also degraded the sound quality.

    Where the hell did she get this BS? Since when does stripping the DRM out of a digital file destroy the sound quality?

    Is this really the understanding of the "scene" that she had as head of the RIAA? That is on the scary side I think.

    -d

    --
    "Here Lies Philip J. Fry, named for his uncle, to carry on his spirit"
    1. Re:liar liar pants on fire. by oldwolf13 · · Score: 1

      >> Where the hell did she get this BS? Since when does stripping the DRM out of a digital file destroy the sound quality?

      Stripping the DRM out of a .wma and converting it to .mp3 to be able to play on the ipod, which her rant was about, will cause loss of sound quality.

      --
      If I can't smoke and swear I'm fucked.
  104. YES. by Anonymous Coward · · Score: 0

    People should be able to chose sjitty music stores if they want.

    It is NOT natural for a new technology to make the best player market leader.
    I mean what whould have become of us if we all had betamax instead of VHS all these years ??????

    Awww. the humanity.

    retep.

  105. Re:Whiskey. Tango. Foxtrot. by corporatemutantninja · · Score: 1

    Boy would I love to do a live question and answer session with Hilary to prove that she's never actually tried ANY of the technologies she's mentioned and this is all just sound bytes the PR fed to her.

    --
    Actually, I was trying to be Insightful, not Funny.
  106. That does it... by Anonymous Coward · · Score: 0



    Wow... she just lost my vote in 2008.

  107. Look closer... by Otto · · Score: 5, Informative

    You really must be blind not to see the idea behind this one.. She's pushing Microsoft WMA10 format. Simple as that.

    WMA 10 has some nifty little features with it:
    - Specifically designed such that *only* Microsoft approved devices can receive the music. They don't make the device themselves of course, they just sell licensing schemes.
    - What do you think that whole "Plays For Sure" certification is all about? It's about the most restrictive DRM ever developed. A "Plays For Sure" device is certified to be capable of ERASING your music, by itself, if you don't reenable it every so often by connecting it to your computer. How do you think the new Napster-To-Go actually works?

    She states it pretty clearly here, in fact:
    If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod.

    Exactly. You have to remove that violently horrible DRM in order for Microsoft's products to work on your iPod. Let's not forget that Microsoft WMA10 came out into a market where the iPod was king. They're not interested in compatibility, they're interested in owning the market by owning the format and controlling the devices and stores themselves that way.

    I admit that Apple has been a bit stupid with regards to compatibility. Specifically breaking Real's Harmony software should have been beneath them.

    However, if walmart.com wanted to sell AAC files, those AAC files would play on the iPod just fine. It plays un DRM-encumbered music like nobody's business.

    --
    - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    1. Re:Look closer... by promantek · · Score: 1

      I agree, she is definitely a mouthpiece for microsoft, or maybe a conglomerate of iPod/iTMS competitors.

      a nit with your post:
      However, if walmart.com wanted to sell AAC files, those AAC files would play on the iPod just fine.

      That's true, but Apple has consistently refused to license the AAC/Fairplay format, so walmart.com can't sell music with that DRM.

    2. Re:Look closer... by Anonymous Coward · · Score: 0

      Whoever missed this particular point probably needs to read the blog again. The whole thing reeks of a microsoft-sponsored piece of FUD.

      But keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do.

      It's even explicitly stated. She doesn't want to just open Apple's DRM. She wants Apple to play nicely with M$, which means having iPods support WMA and allow other players to support FairPlay. In fact, her views on mp3 are rather clear:

      1) You'll get viruses or you'll have to go through all the hassle of ripping your own CD's and
      2) You won't get all the "identifying information" that DRM provides.

      There are so many subtle hints that mp3 and Fairplay are bad and WMA is good that if this didn't come from a well-known name in the music industry, many people might have found themselves agreeing with her instead of commenting on how ironic it is for her to be taking this stance.

    3. Re:Look closer... by Anonymous Coward · · Score: 0

      To be fair WMA DRM lets the author set restrictions. So the restrictive nature of a lot songs in protected WMA format is the responsibility of copyright holder not entirely Microsoft.

      "Microsoft WMA10 came out into a market where the iPod was king. They're not interested in compatibility, they're interested in owning the market by owning the format and controlling the devices and stores themselves that way."

      Apple could have got their foot in the door by licensing Fairplay, but they were more interested in being the only 100% iPod compatable service. Given the popularity of the iPod, Napster etc would have probably jumped at the chance to sell songs for the iPod. If they did license it Rosen wouldn't have had any reason to write this article.

    4. Re:Look closer... by Dachannien · · Score: 1

      If you're right, this is perhaps the worst-orchestrated PR campaign ever developed by Microsoft. I mean, they're touting a standard that has both the names "Microsoft" and "Hilary Rosen" behind it? No self-respecting geek is going to touch that combination with a ten-meter cattleprod. Nobody else is going to care enough about DRM issues to base their choice on anything other than (a) is the selection of music and the price good enough for me, and (b) will it play on my iPod that I got for my birthday.

    5. Re:Look closer... by Otto · · Score: 1

      That's true, but Apple has consistently refused to license the AAC/Fairplay format, so walmart.com can't sell music with that DRM.

      Yep, you're right. Apple should have opened up Fairplay, or at least the iPod's DRM playback capability, a long time ago.

      The iTMS isn't making money, as I understand it. Basically a minor profit there. Their big money maker is the iPod, and if they leveraged the capabilties of it by allowing other stores to sell music for it, they could only do better.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    6. Re:Look closer... by promantek · · Score: 1
      Yes, iPod is the cash-cow, like you say. But, I'm not sure Apple should open up Fairplay.

      I mean, the system isn't broken, so why fix it by opening up Fairplay? Where is the big gain? Maybe other stores would sell more iPods, but :
      • I don't think people are calling for other stores to sell music with Fairplay DRM.
      • Part of what Apple delivers is the "whole experience" which, I think, is a major selling point for them. How can the experience be improved by having walmart.com sell Fairplay DRM based music.
      So Apple has a system that collectively sells about 70% of the music-players (maybe more) and 75% of online music. They currently don't have a pressing reason to open up their integration. Consumers aren't calling for it, and if they are, it's probably a minority. The recording industry is who really wants it broken up, they want to charge more per song.

      Lastly, iTunes hasn't been a big money-maker previously, but last quarter it was profitable. $200 million I think? Could be different. But it was profitable.

      We'll see what they do. The iPod/iTMS business model won't last forever so it should be interesting.
    7. Re:Look closer... by Otto · · Score: 1

      I mean, the system isn't broken, so why fix it by opening up Fairplay? Where is the big gain? Maybe other stores would sell more iPods...

      You answered your own question. The big gain, for Apple, would be a wider base of music which could be leveraged into selling more iPod's.

      I don't think people are calling for other stores to sell music with Fairplay DRM.

      Not in those words, no. But people are calling for more stores to sell music that can go on their iPod's. Given that Fairplay is the only DRM the iPod supports, if the stores want to do that, they either a) need Fairplay or b) need to convince the labels that selling non-DRM'd music is okay. A is the choice that works.

      And to be frank, Fairplay DRM is about as light of a DRM as you can get. I'm not saying DRM is good, but given the alternatives of WM10 DRM vs. Fairplay, I know which one I can work with.

      Part of what Apple delivers is the "whole experience" which, I think, is a major selling point for them. How can the experience be improved by having walmart.com sell Fairplay DRM based music.

      The "whole experience" with using Apple products on the Windows platform is a pretty terrible one. Just this morning my iPod decided that it didn't like me anymore. Took me 4 hours to get the thing working again (had to format the iPod's drive and resync my music), and I'm somebody who knows how this stuff works.

      I mean, let's face facts. All of Apple's Windows products more or less suck. iTunes, Quicktime, all slow as hell and buggy on the Windows platform. Mainly because they ported them from the Mac, along with all the rest of the Mac GUI stuff that they could. It's not that they're bad products, they're just out of their native environment and kinda running in a semi-emulator. Adds a *lot* of overhead. From a usability perspective they don't fit in with the rest of the system either. Just bad all around.

      So Apple has a system that collectively sells about 70% of the music-players (maybe more) and 75% of online music. They currently don't have a pressing reason to open up their integration. Consumers aren't calling for it, and if they are, it's probably a minority.

      I would disagree with you on that one. The number one complaint I've heard with regards to new iPod users is that they can't buy their songs from Napster or other online music services. I've had to "crack" many a friend's online purchased music libraries and convert it to MP3 after they purchased an iPod.

      The recording industry is who really wants it broken up, they want to charge more per song.

      More stores means competition means lower prices. Walmart, Napster, all the online stores that use WMA currently are underselling iTMS on price. Wal-Mart is selling at 89 cents. Real was selling at 49 cents for a while.

      Lastly, iTunes hasn't been a big money-maker previously, but last quarter it was profitable. $200 million I think? Could be different. But it was profitable.

      If they can sustain that, more power to 'em. I'm not sure they can. And I certainly don't like the idea of one store getting all the exclusives like iTMS does. A lot of good albums by good bands have begun to go iTMS-only for their latest releases. I'm not particularly happy with that prospect.

      --
      - Give a man a fire and he's warm for a day, but set him on fire and he's warm for the rest of his life.
    8. Re:Look closer... by argent · · Score: 1

      a nit with your post:
      "However, if walmart.com wanted to sell AAC files, those AAC files would play on the iPod just fine."

      That's true, but Apple has consistently refused to license the AAC/Fairplay format, so walmart.com can't sell music with that DRM.


      The OP didn't say "if walmart.com wanted to sell AAC/Fairplay files". The OP just said "if walmart.com wanted to sell AAC files". There's no law that says Walmart has to restrict themselves to artists or labels who demand DRM, and I took that as the point of the post.

    9. Re:Look closer... by argent · · Score: 1

      The big gain, for Apple, would be a wider base of music which could be leveraged into selling more iPod's.

      Huh? I go to iTMS, I see a bunch of artists. I go to other stores, I see a bunch of artists. When I look at individual artists, I see... the same bunch of artists. There are a few exceptions (like I don't expect to ever see the Beatles on iTMS), but the only cases I know about where someonething isn't available in AAC have nothing to do with technical reasons like the DRM and everything to do with human reasons like money and ego.

      If you know different, please elaborate. I'm all agog with anticipation.

      Oh, and speaking of "technical reasons" for things: "It's not that they're bad products, they're just out of their native environment and kinda running in a semi-emulator."

      EVERYTHING in Windows is running in just as much of "an emulator", these days. Microsoft has had so many battling APIs, all of which are still festering in the Win32 swamp, that one more makes no difference.

  108. Why isn't everyone else complaining? by CrownFive · · Score: 1

    She ends her missive with, "Why am I complaining about this? Why isn't everyone?"

    Is it because perhaps she knows not of what she speaks? Me thinks she complains too much.

  109. Howie Klien Responds by ignipotentis · · Score: 1

    http://www.huffingtonpost.com/thenewswire/archive/ 2005/05/former-record-exec-howie-_1.html

    Interesting that one former exec says the other former exec is wrong

    --
    Don't waste time... procrastinate now!
  110. Re:Huffington Post shows up on /. their first day by Anonymous Coward · · Score: 1

    I read through your post history... the way you insert links to your own site in nearly every post you make is hilarious. In fact, it's downright trolling. But it's so funny I just had to compliment you!

  111. Follow the money by hellfire · · Score: 3, Insightful

    The latest fad in american business and politics is to spread FUD like it's going out of style. In post 9/11 america, it works way too well, especially for a people who lost the ability to reason a long time ago, if they ever had it.

    This may seem like an incredibly stupid thing to say, but in reality you just have to follow the money. The RIAA doesn't like the iTunes model because Apple has this segment of the market locked up real nice because their system works so well for 90% of the American public. With power comes control of the cash. If the RIAA tries to leverage itself against iTunes, the egomaniacal Jobs will push back, because he likes using his power.

    Market power translates directly to money, for all those who don't understand why companies like Microsoft have $40 billion in the bank. Apple has a lot of say over what gets sold and for how much. Too much for the comfort of the RIAA.

    Bottom line, The RIAA wants to chip away at iTunes' power and get more of it themselves. The more power they get, the more money they get. And Joe consumer will buy it because only those educated in the supply chain of music understand the details.

    --

    "All great wisdom is contained in .signature files"

    1. Re:Follow the money by Proudrooster · · Score: 2

      You should definately get the "Extra Insightful" modifier tonight. It's all about the Money. The old school music distribution system is in jeopardy. Seems like Steve Jobs figured out a way to sell music all by himself. I like Steve. He is a benevelont dictator who allows us to put plain old MP3's on our Ipod as well as his Itunes music. Unlike the RIAA's buddy's (*cough* SONY *cough* Microsoft).

      I'll be the first to admit that Steve is a megalomaniac, driven by perfection, style, coolness, and ease of use. However, the IPOD (Of which I own a 4G) is a hit, and if the RIAA don't like it because Steve didn't ask them how he should do business, too bad. Does anyone have Hillary's email address? I'd like to tell her to just shutup and quit spreading FUD. I wouldn't be surprised if Microsoft hires her next.

  112. duh by planetfinder · · Score: 1

    Why isn't she complaining about Microsoft's monoply? Why isn't everyone ?

  113. How easily we forget by nlawalker · · Score: 1
    The new iPod my girlfriend gave me is a trap. Yeah, it is great looking and I really love the baby blue leather case but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?

    You can. They're called CDs. Those things your organization used to rip off the American public for years before a theoretically more powerful content distribution system was found and you started bitching about it because you no longer had a monopoly over distribution.

    Seems the RIAA may be the only organization that actually doesn't like it when other kids play by their rules, which seem to be "Make sure we're the only ones that can make money off of this so we get it all."

  114. This is simple. by tthomas48 · · Score: 2, Interesting

    If Apple controls the distribution of music then who does the RIAA represent? Apple becomes the music publisher. As Apple is not a member of the RIAA obviously this would be a problem. They want DRM management with fragmentation between services and without the inclusion of indy music. This creates "competition" and lets the Music Publishers pretend they still have a purpose.

  115. REPENT YOUR EVILDOERS! by jvd · · Score: 1

    REPENT! QUIT YOUR JOB! -- The WOLRD ends TOMORROW and YOU may DIE!

    --
    Insanity: doing the same thing over and over again and expecting different results.
  116. Pot to kettle by Anonymous Coward · · Score: 0

    ...come in kettle...you're black

  117. Too Much Good Stuff To Respond To by Nom+du+Keyboard · · Score: 1
    The new iPod my girlfriend gave me

    You sound gay -- not that there's anything wrong with that!

    I spent 17 years in the music business the last several of which were all about pushing and prodding the painful development of legitimate on-line music.

    Wasn't that mostly by trying to kill off any type of online music that you hadn't personally blessed yet?

    If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod. But then you have also degraded the sound quality. How cruel.

    And severely broken the law by your own definition. Or are you just pissed that they can do it and you can't yet?

    Come on Steve - open it up

    Ha ha ha ha ha! How quickly you change your iTune when it's your own ox being gored. Welcome to the world the rest of us live in, Hilary!

    Why am I complaining about this? Why isn't everyone?

    Could it be they don't want to be sued by your successor?

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  118. liar by planetfinder · · Score: 1

    who believes that she has a friend

  119. Apple is destroying the music industry... by arose · · Score: 1

    ...and the RIAA does not know who to sue!

    --
    Analogies don't equal equalities, they are merely somewhat analogous.
  120. The Solution by pkinetics · · Score: 2, Interesting
    Hilary has given us the solution to our RIAA problem. Give every RIAA executive member an iPod!!!

    Sure beats taking them to court.

  121. Feed the troll by Hjalmar · · Score: 1

    Apple is a monopoly, tying it's OS and computers together, tying its iPod's in with its own service.

    Can't resist feeding the troll here. The only sense in which Apple OS and computer business can be considered a monopoly is if you define the market as computers and operating systems sold by Apple; in which case you are are begin meaninglessly tautological. Most people define Apple's market a little bigger - the personal computer market, in which they have between 2 and 5 percent of the market, depending on whose numbers you want to believe. Hardly monopoly numbers.

    As for the iPod, where they have between 60 and 90% of the market (again, depending on who you read), you might have an argument. Except that so many facts just get in the way. First, there's the fact that if you don't want an iPod, there are tons of other players out there. And there are lots of online stores out there, besides the iTunes music store. And if you want to want to play your iTunes songs on a player other than the iPod, you can (although it is not particularly easy). And, if the store meets certain requirements (i.e. in unprotected MP3 format), you can play them on your iPod.

    Hillary is just using talking points here. We shouldn't be angry at her; she's been absolved of independent thought for most of her career; the habit simply hasn't died. However, what's the AC's excuse?

    1. Re:Feed the troll by Anonymous Coward · · Score: 0

      again, troll feeding, but i thought that i should point out that having a monopoly is not of itself illegal. under section 2 of the sherman act (american law, i have no idea about other jurisdictions) monopoly power is not punishable. monopolization, the abuse of said monopoly power, is punishable. any monopoly position (and apple's market share is questionably a monopoly -- another long post) gained by efficiencies, luck, patent protection, or superior products is not an offense.

  122. Re:Whiskey. Tango. Foxtrot. by ScrewMaster · · Score: 1

    I'm not sure how the "mod chip" (heh heh ) works, but I know for sure it takes **AA batteries.

    --
    The higher the technology, the sharper that two-edged sword.
  123. Clarification please by UnknowingFool · · Score: 3, Interesting
    But those other music sites have lots of music that you can't get at the iTunes store. So, if you have an iPod, you are out of luck.

    To clarify, if you have an iPod (which plays mp3, wav, aac, and Apple's DRM aac version Fairplay.), you cannot download music from other websites like Wal-mart which uses the proprietary DRMed Windows format wma. So you want Apple to adopt somebody else's DRM?

    Remember this simple fact: The standard default file format for 99% of all portable media players is mp3 not wma not Fairplay. Apple supports that default format. They will not support somebody else's format that is not the standard.

    --
    Well, there's spam egg sausage and spam, that's not got much spam in it.
    1. Re:Clarification please by amliebsch · · Score: 4, Insightful
      So you want Apple to adopt somebody else's DRM?

      Why not? Woudn't it be of benefit to consumers? Or better yet, how about Apple licensing their DRM liberally, like Microsoft does, so that we can play our iTMS songs on other-than-Apple devices? How would this hurt the consumer?

      --
      If you don't know where you are going, you will wind up somewhere else.
    2. Re:Clarification please by UnknowingFool · · Score: 1
      Why not?

      In order to use Microsoft's DRM, they would have to pay Microsoft for the privilege (or somehow obtain it royalty-free). Even if MS allowed it royalty free (and Apple and MS overcame any technical challenges to using wma in an iPod), it would make the iPod more expensive as it requires engineering changes.

      Or better yet, how about Apple licensing their DRM liberally, like Microsoft does, so that we can play our iTMS songs on other-than-Apple devices? How would this hurt the consumer?

      I think Apple would do that the same time that Microsoft would allow Windows Media Player to run in Linux and OS X. The problem is not that there are more portable media devices that can play Windows formats. The problem is that you can only use Windows to play MS formats on your computer.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    3. Re:Clarification please by argent · · Score: 2, Insightful

      Why not? Woudn't it be of benefit to consumers?

      Maybe a little, in the short term. The loss of competition over the longer term after Apple gets squeezed out of the online music business by Microsoft's bankroll, so we end up with Tweedlereal and Tweedlenapster pretending to compete, is probably not a good thing.

    4. Re:Clarification please by swiftstream · · Score: 1

      This would hurt Apple, as they make most of their money off of the iPods.

      On the other hand, I don't see immediately how allowing other DRM formats to play on iPods would hurt them, as iTMS doesn't really make them any money. I expect that it's a matter of them trying to protect costumers from MS's DRM, which is even worse than Fairplay, and/or MS not allowing them to.

      If I'm missing anything obvious, well, please tell me...

      --
      Be a PATRIOT--because the only thing we have to fear is the lack thereof.
    5. Re:Clarification please by TiggsPanther · · Score: 1
      re: Apple adopting someone else's DRM
      Woudn't it be of benefit to consumers? Or better yet, how about Apple licensing their DRM liberally, like Microsoft does, so that we can play our iTMS songs on other-than-Apple devices?

      I guess the problem with adopting someone else's DRM would be that, as someone pointed out elsewhere on this discussion, they'd have to pay (probably per iPod) a license fee to use the other DRM. When they've got a perfectly-functioning (from their PoV) DRM scheme already in place, why would they want to have to pay extra to use someone else's?

      As for licensing out FairPlay, I have no idea. Technically it shouldn't be difficult for them to do this. However seeing that they tend to update iPod/iTunes every so often it could potentially become a headache when they have to keep in step with other people who are using the DRM scheme. Currently when they make a change it only affects themselves, so they only have to organise things internally.

      --
      Tiggs
      "120 chars should be enough for everyone..."
  124. Theory by Apreche · · Score: 2, Interesting

    I have a theory. Hillary Rosen at one time was the evil record executive we all love to hate. However, after being debated and berated by copyfighters she saw the light. However, she was still on the RIAA payroll and couldn't openly express her true opinions. I'm making an optimisted educated guess when I say she quit because she didn't agree with the position her employment forced her to take. Remember when she almost walked out the wrong door at that debate?

    It seems rather likely considering that everything she said while she was in charge was evil and everything she has said since her resignation is singificantly more sane.

    --
    The GeekNights podcast is going strong. Listen!
    1. Re:Theory by Moofie · · Score: 2, Insightful

      By "significantly more sane", I take it you mean "is being paid by somebody different whose opinions line up more with yours", I agree.

      How is supporting Microsoft's (truly heinous) DRM a win for customers?

      --
      Why yes, I AM a rocket scientist!
    2. Re:Theory by Anonymous Coward · · Score: 0

      More likely, she's just a brain-dead shill who'll state whatever opinion her masters tell her to.

      I've seen her doing politics on the news channels too. Typical mindless talking-head parroting type of stuff.

      Just give her the talking points, a nice paycheck, and she's yours for the evening.

    3. Re:Theory by amliebsch · · Score: 1
      DRM is a tool. How it is used is up to the content distributors. Liberal licensing of the DRM should ensure healthy competition among the distributors. In this case, blaming Microsoft for how some distributors use their tool is like blaming the developers of PGP for making encryption that criminals can use to aid in their criminal acts. Thanks to the liberal licensing, though, there is competition in the distributor marketplace.

      This is a better model for consumers than a one-vendor, one-device lock-in whose DRM terms could be changed at any time, leaving consumers with absolutely no recourse.

      --
      If you don't know where you are going, you will wind up somewhere else.
  125. Oh those awful monopolies by Nom+du+Keyboard · · Score: 1
    But keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do.

    How about keeping your Apple Macintosh systems from running Windows software? Now that's really mean.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  126. Re:Whiskey. Tango. Foxtrot. by ScrewMaster · · Score: 1

    Just out of curiosity, what viruses do you get from your MP3 collection? WMA files I would believe, but MP3?

    --
    The higher the technology, the sharper that two-edged sword.
  127. " The new iPod my girlfriend gave me" ? by Anonymous Coward · · Score: 0

    girlfriend ? so is she coming out as a dyke?

  128. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    i commend this awesome FP.... :) well put together.

  129. No matter what side of the fence... by Darth+RadaR · · Score: 1

    ...Hilary Rosen manages to piss everyone off with her remarkable cluelessness. What's her next act? OS X doesn't crash as much as Windoze, so God[0] Steve Jobs should put something in Macs so they crash as often as Windoze out of fairness for the consumer?

    (sigh) No wonder I naturally assume most lawyers are full of shit.

    [0] Her words, not mine.

    --
    /*drunk.. fix later*/
  130. MOD ME UP by promantek · · Score: 1

    my parent post is interesting and people should read it...

  131. Re:Whiskey. Tango. Foxtrot. by Scruffeh · · Score: 5, Interesting

    Ahh. Bless MS and their iPod bashing! Let us not forget gems such as, 'Let a professional make your next playlist.' and '...some come with extra accessories like high-quality headphones, a belt clip, or an armband. Because most of these features are included at no additional cost, make sure the device you choose is filled with these fun extras.'

    http://www.microsoft.com/windows/windowsmedia/devi ces/flash.aspx

    I felt so much more educated after reading that! I wish my iPod had fun extras and I wish a professional would make my playlist for me because I miss adverts before, after and during my music!

  132. Re:Huffington Post shows up on /. their first day by Anonymous Coward · · Score: 0

    Ms. Huffington makes no attempt to hide her political beliefs... ever see her interviewed?

    I believe the intention of her site is to be a counter to the Drudge Report... Drudge leans right, she leans left. No problem there...

    The thing that I do like about her new site is that it is more of a group-blog. While I would have absolutely zero motivation to seek out and read the views and opinions expressed by the majority of these guest writers, it helps that they are all together and easily accessible in one place. I don't know... it's just kind of interesting to read a post by Larry David, followed by one from a Senator. Just my humble opinion...

  133. All turned around by Droidking · · Score: 1

    She has got it all turned around! The problem is that music services lock you into a format other then the genrally excepted mp3. If she wants to fight for consumers maybe she should look at her old employer!

  134. " ... casually cool as Bono ..." by Anonymous Coward · · Score: 0

    Talk about your left handed compliments even in such context as 'cool as Stern' or 'cool as Stout' or 'cool as Rebus Kniebus'.

  135. Today, class! by PunkOfLinux · · Score: 0

    Today, class we are going to learn how to say hypocrisy! It has several pronunciations! HIP-OC-RISS-E R-I-A-A M-P-A-A

  136. Re:Whiskey. Tango. Foxtrot. by LordBodak · · Score: 4, Insightful
    Bull. The iTMS DRM exists because she (the RIAA) demanded it. Now she is complaining that they are using it? What a load of crap.

    If they would've let the stores sell MP3s from the start, we wouldn't be in this situation.

    --
    LordBodak's journal.
  137. Re:Whiskey. Tango. Foxtrot. by Pyr05x · · Score: 1
    Steve Jobs, Let my Music Go

    I honestly think we should bring back public stonings for people as stupid as this woman.

    Fricking cow.

    Brilliantly said.

  138. My Eyes are Bleeding! by poena.dare · · Score: 1

    My eyes are bleeding! My eyes are bleeding! My eyes are bleeding! My eyes are bleeding! My eyes are bleeding! My eyes are bleeding!

    Really, my eyes are bleeding.

    I wonder why they don't allow comments on that post?

    1. Re:My Eyes are Bleeding! by Nom+du+Keyboard · · Score: 1
      My eyes are bleeding!

      Could be because of Hilary.

      Could be because of p0rn.

      --
      "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    2. Re:My Eyes are Bleeding! by poena.dare · · Score: 1

      If it's pr0n, then my hands bleed. Sometimes my feet, too.

  139. what the heck? by peterjhill2002 · · Score: 1

    "I spent 17 years in the music business the last several of which were all about pushing and prodding the painful development of legitimate on-line music."

    Interesting way of putting it...

    But not the iPod. even if the cheapest one costs a few hundred dollars."

    No, it costs $99, not a few hundred... bitch

    "The problem is that the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's."

    Or that are in mp3 format... not too many mp3's out there... Oh, heaven forbid some artist release their music for free, or on their own...

    "But keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do."

    Is bill paying her for this.. sounds like the recent texas representative that wanted to force apple to allow microsoft protected music to work on the iPod... what a bitch.

    "Why am I complaining about this? Why isn't everyone?"

    Believe me, there will be plenty of complaints, all for you.

  140. Re:liar liar pants on fire. -- Since by Nom+du+Keyboard · · Score: 1
    Since when does stripping the DRM out of a digital file destroy the sound quality?

    Since MP3 has no DRM to strip, I believe what she is refering to is converting a music file from one lossy DRM-encumbered format to a second, lossy, non-DRM-encumbered format.

    And yes, that does degrade the music.

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  141. Advice by OverflowingBitBucket · · Score: 1

    Expect to see a lot more of this.

    Jack and Hilary both had positions where they were expected to push the party line. A very unpopular party line. They were both mouthpieces who parroted an often highly hypocritical line. And as part of their job, they got to be the focus of a lot of flak and hate. And occasionally good arguments, which at times they no doubt thought "hey, that makes sense" but couldn't say as their job revolved around changing what people thought, rather than actually paying any attention to what they are saying.

    Once they are out of such organisations, they are in a position where they are highly unpopular and quite hated by the general public. No matter how much of a weasel a person is, do you really think they want to be universally loathed when they are no longer being paid good money to do so?

    Not a chance. Once they've been out for a bit, you're going to see them pop up from time to time to say what they really think. And occasionally, they'll just say what is popular at the time. They're in damage control. They're fixing things so that their family and few remaining friends no longer feel uncomfortable around them. They're rebuilding the many, many bridges they're burned. They've probably had more than enough of the hate and just want to move on.

    I'm not advocating sympathy for them; in fact, far from it. It takes a special kind of moral bankruptcy to be the figurehead of organisations that regularly cheat both their customers and employees to make massive amounts of money whilst simultaneously crying poverty and having the audacity to hypocritically call others criminals. They knew what they were getting into, and they could have looked for other work and snapped it up when the chance was there. Be that as it may, they have an image problem on departing such organisations, and they will be looking to fix it.

  142. Pot, kettle, black.. by d_jedi · · Score: 1

    Maybe this is Steve Jobs' retaliation for RIAA CDs that don't work on the Mac because of copy protection? :->

    --
    I am the maverick of Slashdot
  143. Re:Whiskey. Tango. Foxtrot. by Aadain2001 · · Score: 4, Insightful
    In the RIAA's perfect world, you and I would pay every time we listen to a song, on every device that could possibly play the song. And if we didn't pay these fees every time, we would end up in Siberia and never be heard from again.

    Apple actually aknowledges than when a person buys a song/album, they should be able to listen to it in their car, on the MP3 player (iPod of course), their computer, etc. No, they don't think you should be able to stand on a street corner and hand out copies to complete strangers. Apple's solution is actually that happy medium where music companies get money for online music downloads and consumers get music in a form that is convenient and easy to move around their different listening devices. So yes, the OP had a legitimate gripe and Hillary Rosen is just being moronic and trying to twist reality into something it isn't.

    --
    Space for rent, inquire within
  144. Who cares how many DRM formats? by tgibbs · · Score: 1

    I don't care how many DRM formats the iPod supports? One is more than I need. The key point to me is that I can rip MP3's from my CDs, which I can put on whichever computers I want to and use on every player known to man. Usually, I can find albums used on CD cheaper than I can buy them from iTMS, and with better music quality to boot.

  145. MOD PARENT INSIGHTFUL+1 by Nom+du+Keyboard · · Score: 0, Offtopic

    Mod this parent Insightful +1 at least. :^)

    --
    "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
  146. Hilary Rosen is a media whore.... by i_want_you_to_throw_ · · Score: 1

    Period.
    She is no longer at RIAA, whatever she thinks is irrelevent. No one gives a shit Hilary about your opinion now.
    You may mod me down now with extreme prejudice. Karma is no fun if you can't burn some occasionally.

  147. Parent is not a troll by Anonymous Coward · · Score: 0

    I was a bit incredulous so I looked it up. Parent is not a troll. No, really. Rosen is in fact lesbian...

    http://gayinfo.tripod.com/A-Z-R2.html

  148. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 2, Informative

    That doesn't work for protected AACs...just AIFs and WAVs and other nonprotected files...

  149. locked into Apple's DRM != freedom by Moraelin · · Score: 4, Insightful

    Now I'm not arguing that the RIAA is good or anything, and yes, it's just about money.

    But arguing that Apples DRM in any way means "Gives you freedoms/etc at our expense" for RIAA, is the epitome of hypocrisy. It gives you exactly what freedom? The "freedom" to have exactly one choice of online music?

    Apple _is_ using two products in a way that each keeps you pretty much locked into the other. Same as, you know, Microsoft loves to use its own products to enforce a monopoly.

    In fact, _that_ is MS's monopoly. It's not just "waah, they're evil because they have money", it's that each product reinforces the other, as to (A) make it painful to break out of that vicious circle if you're already hooked, and (B) make it a painfully high entry barrier: if you want to compete with Windows you have to pretty much compete with all of them at the same time.

    So why is it good and "freedom" when Apple does it?

    --
    A polar bear is a cartesian bear after a coordinate transform.
    1. Re:locked into Apple's DRM != freedom by aristotle-dude · · Score: 1

      I have news for you. MSFT's DRM does not give you any more freedom. IT's not like a consumer is actually going to own more than one brand of music player anyway and the WMA based stores lock you into MSFT licensed players and the windows platform. There is no player on OS X capable of playing back WMA DRM'ed music let alone a way to buy or sync the music with any player.

      --
      Jesus was a compassionate social conservative who called individuals to sin no more.
    2. Re:locked into Apple's DRM != freedom by skingers6894 · · Score: 1, Insightful

      The iPod/iTunes pair is NOT the same as Microsoft's monopolistic practices.

      1) Apple had to come up with the DRM scheme to satisfy the very same RIAA people now whining about it.
      2) Apple likes to make the "whole widget" - they always have. There is nothing evil about this, it is the most important differentiator that Apple have!
      3) When Apple released the iTunes Music store/iPod combination they had negligible market share in the Music biz. They were not leveraging an existing monopoly.
      4) Consumers obviously liked the way iPod and itunes music store worked together, making them both number one in their respective markets. To ask Apple to decouple them now is demonstrably NOT what the consumer wants. There ARE other options and people are NOT taking them.

      This is, in effect, saying "I HAVE to buy an iPod because I HAVE to use ITMS" No you don't, go use a different music store!

      Or "I Have to use ITMS because iPod is the only viable music player" - no it isn't! If you don't like the tie-in then don't buy an iPod.

    3. Re:locked into Apple's DRM != freedom by mlilback · · Score: 1
      It gives you exactly what freedom? The "freedom" to have exactly one choice of online music?
      The freedom to pay one price and be able to listen to the music on your ipod, burn it to cd, listen on your computer, etc.

      With the Microsoft solution, each song can be priced differently. Your rights to the song can expire after a period of time or a certain number of plays. Without knowing, you might end up purchasing a song that won't play on your portable device or won't burn to cd. You have to agree to the WMP license that allows MS to inspect your hard drive and remove items they find unacceptable. Your helping MS extend their monopoly in to other areas when it has been proven in court they abuse their monopolies to crush competitors.

      Apple/Steve Jobs has fought hard against the record companies to keep a unified pricing/licensing scheme (and there always will be DRM from the major labels, so arguments against DRM have no meaning). Apple has tried to find a medium between we-want-it-all-consumers and we-want-all-control-record labels. Microsoft just gives in to whatever corporate interests want.

      And most of all, Apple is not a convicted monopolist. That makes a world of difference between Apple's actions and Microsoft's actions.

    4. Re:locked into Apple's DRM != freedom by Anonymous Coward · · Score: 0

      So basically you are complaining because MS gives music sellers the ability to choose the terms, whereas good ole apple doesn't. This is a positive in your mind?

      You are complaining about being offered choice?

      Amazing.

    5. Re:locked into Apple's DRM != freedom by Barlo_Mung_42 · · Score: 1

      "I have news for you. MSFT's DRM does not give you any more freedom."

      That was NOT his point. All DRM is bad.
      MSFT's, Apple's, Napster's etc. All of it is crap. They put up fences and treat their customers like cattle. It just kills me to see how many moo right along.
      I know I will get modded as flamebait but I don't care. We are paying more and more for less and less and at some point we all have to take a stand. Don't buy any DRM.

      There are lots of other better legal options.

    6. Re:locked into Apple's DRM != freedom by clontzman · · Score: 1

      I think the bigger issue is that the Windows DRM gives you a choice of hundreds of different players by dozens of different vendors. If you invest in the iPod/iTunes infrastructure, you better be happy with what Apple offers for the foreseeable future (as long as you want to put your purchased music on an MP3 player). If your iRiver player gets old and you want the the new Samsung or Rio or Dell, all of your DRM WMA music will still play.

      Don't get me wrong -- I think buying DRM music is stupid and I won't do it, but I think there's going to be a lot of people in the next five years who spent a lot of money at iTMS and end up regretting it when they realize what a black box it is.

      (Yes, yes, I know you can burn and rerip CDs if you don't mind recompressing and retagging. I mind that.)

    7. Re:locked into Apple's DRM != freedom by Anonymous Coward · · Score: 0

      I don't _think_ you "convict" someone of having a monopoly. An illegal monopoly, maybe. I could be wrong.

    8. Re:locked into Apple's DRM != freedom by mrchaotica · · Score: 2, Insightful
      So why is it good and "freedom" when Apple does it?
      Because the enemy of my enemy is my friend. It's as simple as that. I support Apple because keeping the forces of DRM divided makes them weaker, and gives us a better chance of winning.

      If iTMS didn't exist, we wouldn't be able to use the argument "DRM == incompatibility," MS DRM would be standard, and would quickly become so entrenched that we would have lost the "War On Culture Terrorism" already. We need this, because it keeps the issue in the public conciousness. Every time somebody says "wait a second -- why won't my iPod work with the Napster store?" there's an opportunity to educate them on the evils of DRM, and sway them to our side.

      Don't get me wrong, I don't want to see FairPlay become a standard either (although that would be better than "Plays For Sure" because of HYMN). But we've got to thank Apple for putting the "divide" in "divide and conquer."
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    9. Re:locked into Apple's DRM != freedom by Trepalium · · Score: 1
      If your iRiver player gets old and you want the the new Samsung or Rio or Dell, all of your DRM WMA music will still play.
      Actually, it's possible it won't. I believe MS's WMA DRM is capable of tracking and limiting the number of devices you upload your songs to. Given the control freaks in the recording industry, it's entirely likely for the limit to be one device.
      --
      I used up all my sick days, so I'm calling in dead.
    10. Re:locked into Apple's DRM != freedom by Ath · · Score: 1
      But arguing that Apples DRM in any way means "Gives you freedoms/etc at our expense" for RIAA, is the epitome of hypocrisy. It gives you exactly what freedom? The "freedom" to have exactly one choice of online music?

      I assume you are only referring to music sold by RIAA member music companies. There are quite a few online music stores that sell music without DRM, usually in the MP3 format which works absolutely fine on the iPod.

      Personally, I just use Hymn and immediately remove Playfair from the few tracks I have purchased from iTMS.

      I am not intending to be an Apple apologist. DRM and copyprotection are simply backhanded ways to restrict people's legally established fair use rights. I think some people just cut Apple more slack because their DRM is somewhere in the middle of no restrictions on redistribution and the RIAA's Holy Grail of being able to resell the same content to people over and over again.

    11. Re:locked into Apple's DRM != freedom by clontzman · · Score: 1

      This is true, which is why I don't buy DRM music. But given the current state of affairs, I think the WMA DRM is the more reasonable of the two (which isn't saying much) because it's much more device independent and Apple could do the same thing you describe.

    12. Re:locked into Apple's DRM != freedom by Myopic · · Score: 1

      1.) Apple isn't a monopoly
      2.) it IS annoying, just not nearly AS annoying
      3.) when Apple makes products interoperate, the products don't suck

    13. Re:locked into Apple's DRM != freedom by misterpies · · Score: 1

      In a way it's unfortunate this had to come out of the mouth of the RIAA, because she does have a pretty good point. IMHO (and yes, IAAL and know a fair bit of competition law), Apple is behaving anticompetitively. There's no objective reason - either technological or beneficial to the consumer - why the iPod should not work with any music store, or iTMS with any other player.

      The only reason for a lock-in is to protect Apple's bottom line and stifle competitors.

      Think about it. If the iTMS/iPod combination is superior to the competition, then that's what consumers will choose anyway. So no need to lock in as long as your product is the best.

      But what if someone releases a superior music player. Clearly iPod owners with significant iTMS collections are unlikely to switch. With the iPod by far and away the dominant player, that creates a big barrier for others to enter the market.

      Or what about when your iPod breaks, or simply becomes obsolete. Again, if you've dropped $1000s on iTMS tracks, are you even going to consider another player, even if it's half the price?

      Or what about when someone else comes up with a superior, or simply much cheaper, music store. If the dominant music player can't use it, it's going to have a hard time competing.

      Result? Locking iPod and iTMS together results in higher iPod and iTMS prices and less incentive to innovate from competitors. Sounds pretty anticompetitive to me.

      --
      The author of this post asserts his moral rights.
    14. Re:locked into Apple's DRM != freedom by skingers6894 · · Score: 1

      The only flaw in your argument is that Apple did not leverage a position of dominance in either of those markets to gain the position they now have. It may look that way now but it certainly did not start that way.

      Further the iTMS lets you burn to CD as AIFF. If you have a superior player at a later date then you can import your songs to your player that way.

      Likewise the iPod has always been able to play DRM-less tracks in the form of unprotected AAC or MP3. So if a store (like emusic.com) for example allows you to buy DRMless MP3 then the iPod can play them.

      So what's the problem?

      DRM.

      Who wanted DRM?

      The RIAA.

      Who's now complaining about the fruits of their own conditions?

      Someone who used to be in charge of the RIAA.

      Rings hollow to me. If there is a problem with DRM in the marketplace it is the RIAAs doing, not Apples.

    15. Re:locked into Apple's DRM != freedom by argent · · Score: 1

      Apple _is_ using two products in a way that each keeps you pretty much locked into the other.

      Got that. Absolutely. Now what are the consequences of this? If you don't have an iPod, are you limited in the kinds of music you can listen to? Do you have to buy an iPod to listen to the latest Brittney Spears? Have they locked down the music distribution business with the iTunes Music Store? If you have a Rio, are you unable to listen to Guns n Roses on it? Does it cost you more money to buy your Guns n Roses from Napster? When was the list time someone sent you a song in protected AAC format and you were frustrated because you didn't have an iPod to play it on?

      Compare the effects of the Apple monopoly to the Windows monopoly. Can you see the difference?

    16. Re:locked into Apple's DRM != freedom by argent · · Score: 1

      If you invest in the iPod/iTunes infrastructure, you better be happy with what Apple offers for the foreseeable future (as long as you want to put your purchased music on an MP3 player).

      If I want to play my music on anyone's MP3 player, I have to MixBurnRip it into MP3 no matter whose format it started in. BUT, in any case...

      If I invest in the WMA/Napster/Real infrastructure, I better be happy with what Microsoft offers for the forseeable future. Because those hundreds of different players by dozens of different vendors are none of them significantly different from each other, just like the dozens of different Pocket PC variants are pretty much interchangable. Microsoft controls the functionality that you're going to get from WMA, like Apple controls the functionality you get from AAC... so whichever way you go...

      you can burn and rerip CDs if you don't mind recompressing and retagging. I mind that.

      If you mind that, you're not in the market for DRM-muffled music anyway.

      I think buying DRM music is stupid and I won't do it

      Yeh, like that.

      there's going to be a lot of people in the next five years who spent a lot of money at iTMS and end up regretting it

      Probably. And then there's going to be a lot of people in the next five years who spend a lot of money on subscription services and end up regretting it. What's your point?

    17. Re:locked into Apple's DRM != freedom by argent · · Score: 1

      I think the WMA DRM is the more reasonable of the two (which isn't saying much) because it's much more device independent

      I think the Apple DRM is the more reasonable of the two because OS/X is built on an Open Source kernel, so Apple's DRM can not possibly be made as strong as Microsoft's even if Apple wanted to. See my comment here for why.

    18. Re:locked into Apple's DRM != freedom by DeadScreenSky · · Score: 1

      Apple/Steve Jobs has fought hard against the record companies to keep a unified pricing/licensing scheme (and there always will be DRM from the major labels, so arguments against DRM have no meaning). Apple has tried to find a medium between we-want-it-all-consumers and we-want-all-control-record labels. Microsoft just gives in to whatever corporate interests want.
      Come on now. We know Apple would have put DRM on the songs even if the record companies didn't require it. They wanted it themselves. Let's not pretend Apple is fighting some noble crusade on behalf of the little people - they just figured correctly that cheaper (though certainly not cheap) prices and a simpler (though certainly not simple, especially with the various changes it undergoes every so often) license would do better in the marketplace.

      --
      There is no excellent beauty that hath not some strangeness in the proportion. -- Francis Bacon
    19. Re:locked into Apple's DRM != freedom by DeadScreenSky · · Score: 1

      Who wanted DRM?

      The RIAA.


      Bzzt. The correct answer is "The RIAA and Apple." Apple has admitted they would have put DRM on the songs even if the RIAA didn't care.

      --
      There is no excellent beauty that hath not some strangeness in the proportion. -- Francis Bacon
    20. Re:locked into Apple's DRM != freedom by skingers6894 · · Score: 1

      Really?

      I think "Ding - correct answer" may be more appropriate.

      Check this article from 2002

      http://www.siliconvalley.com/mld/siliconvalley/419 3833.htm

      They did not want this but they HAD to in order to get the RIAA and it's members on board with iTMS.

  150. Re:Whiskey. Tango. Foxtrot. by oldwolf13 · · Score: 1

    I remember reading about a possible vulnerability in winamp and windows media player with mp3s. (I believe it was something to do with a malformed header). This was fixed ages ago... I can't remember all the details about it, but it was the first time I'd ever led credibility to the fact that media could cause a buffer overflow/exploit.

    I think however, that what they mean by the threat of viruses from downloading mp3s is that the websites you can go to could be malicious, and perhaps get in through browser vulnerabilities?

    --
    If I can't smoke and swear I'm fucked.
  151. She got... by swayze · · Score: 0

    shot down on the same site. uh.. yay.

  152. Why isn't everyone? by ajservo · · Score: 1

    "Why am I complaining about this? Why isn't everyone?"

    Um we're not because you sued us. We're being compliant you idiot. Either that or we're being smart and ripping our CD's to our ipods in mp3.

    And if you don't like your ipod, sell the thing on ebay and go buy a creative zen micro. They have lots of powder blue leather pouches for those out there. Lots of 'em. And? As an added bonus, you'll be able to buy all your music from all those stores and be happy with it.

    When you go out buying a name brand car next time, ask for one that runs on fusion, or on compost, because "you don't want to feel locked in to one fuel source" as is the common rant of the anti-ITMS user. See how far that gets you.

  153. Re:Whiskey. Tango. Foxtrot. by Rei · · Score: 5, Funny

    In Future News today, the RIAA headquarters in sunny Washington, DC was completely destroyed when a large mass of irony accidentally fell off an aircraft and crashed into the building.

    Rescue workers were quick to arrive at the scene, but surprisingly found no casualties.

    "Apparently, the building was only staffed by vampires - bloodthirsty creatures who feed on the blood, sweat, and tears of the living - and they proved immune to the effects of such irony" said a broke-musician turned fireman that was among the first to arrive at the scene.

    The irony broke free shortly after a Boeing-767 carrying lawyers to file papers against an entire sixth-grade class stopped at Ronald Reagan National Airport to take RIAA head Mitch Bainwol to a charity dinner for the school of the same children.

    According to witnesses, the irony could be seen by bloody everyone; however, apparently it was not visible from within the RIAA headquarters itself. Washington DC mayor Anthony Williams has discussed potential legislation to force all employees of businesses within city limits to remove their blinders during working hours.

    --
    I'm you from the future! We have to finish our time machine before the Angels of Destruction find the portal!
  154. Hilary's new business? by Anonymous Coward · · Score: 0

    Of course the only reason for Hilary's gripe is that she is starting a new online business selling music but she can't get it onto her new i-Pod.

  155. HOAX by muzzmac · · Score: 3, Informative
    It's a hoax. Funny too.

    The (Like Microsoft) was the clue for me.

    The Reg covers it off.

    http://www.theregister.co.uk/2005/05/09/rosen_joke _jobs/

    1. Re:HOAX by Tantrum420 · · Score: 2

      > It's a hoax. Funny too.
      >
      >The (Like Microsoft) was the clue for me.
      >
      >The Reg covers it off.
      >
      >http://www.theregister.co.uk/2005/05/09/ rosen_jok e _jobs/

      MOD UP PARENT HERE!!!!

      Good Call, Muzzmac.

      I was RTFA and I had to keep looking at the calendar...

      "What Month is it? May? Hmmm... Feels like it just turned April."

      Nothing my eyes read in the article made sense. I had to jump back to Slashdot and I hurriedly scrolled through the comments in a panic thinking I was slowly losing my mind and that this was just the first step. I knew my normally drab and uninspired apartment would look like the Circus Circus in Las Vegas by Dawn and my friends would no longer be able to recognize me as my countance became twisted from my rapid decent into madness...

      Luckily, I found your comment and link to the Register.

      Whew! Thanks for saving me from that.

      T

    2. Re:HOAX by Freeptop · · Score: 2, Insightful

      The article in the Register which you link to exhibits some very poor journalism. It asserts that the entire Huffington Post is a hoax - a satire website with fakes impersonating well-known people, entirely on the basis that the author of the Register article can't believe that Hilary Rosen would be, well, hypocritical. Did the author contact Arianna Huffington to confirm that the new blog site was actually a hoax? Did the author contact Hilary Rosen to confirm that she wasn't the actual author of that article? If the answer to either of those questions is "yes", there is no evidence of it in the article.

      Meanwhile, other news sites, such as the Washington Post, actually contacted Huffington and several of the named celebrity bloggers, and, guess what? The evidence would seem to indicate that the Huffington Post is no hoax.

    3. Re:HOAX by porcupine8 · · Score: 1

      Hm, I think you might want to check the settings on your browser. The tag is clearly not displaying properly.

      --
      Warning: Apple/Nintendo fangirl. Likes her electronics cute & cuddly. May be rabid.
    4. Re:HOAX by igny · · Score: 1

      I had to jump back to Slashdot and I hurriedly scrolled through the comments in a panic thinking I was slowly losing my mind and that this was just the first step.

      When I see a slashdot article like this, I usually filter and read the posts which have been modded funny only.

      --
      In theory there is no difference between theory and practice. In practice there is. - Yogi Berra
    5. Re:HOAX by Absentminded-Artist · · Score: 5, Insightful

      Are you serious!?! Where is your sense of humor? Don't you realize the Register article is the satire!?! For crying out loud! They are mocking Huffinton's entire website by stating that Rosen's article is so obviously funny it must be written as a joke.

      Rosen's article is so obviously a commercial for Microsoft's DRM that I couldn't bring myself to read anything else Huffinton's site offered. More shills no doubt.

      Try rereading the Reg's article with a tongue planted firmly in your cheek. (^_-)

      --
      The Splintered Mind - Overcoming
    6. Re:HOAX by thelenm · · Score: 1

      Just slightly fewer

      Syllables would make your post

      A perfect haiku

      --
      Use Ctrl-C instead of ESC in Vim!
  156. Shhh. Can you hear it? by jestered1 · · Score: 1
    That's a MIDI of the world's smallest violin playing the world's saddest song.

    Cry me a river.

  157. Rosen is an idiot by Anonymous Coward · · Score: 0

    I found it funny back-in-the-day when she was interviewed by MaximumPC and she complained about the inferiority of "compressed digital music" (as in MP3s) when she herself was the leader of a trade organization who steamrolled the audio CD onto the music buying public when the digital information on an audio CD is by its nature, compressed.

  158. Bravo Hilary by Anonymous Coward · · Score: 0

    *clapping slowly* Bravo Lois; the last horse finally crosses the finish line.

  159. No comments for Rosen either by wardk · · Score: 1

    Notice how Rosen's blog has no comments section.

    No place to provide a clue

  160. Behavior modification chip? Yes. by Anonymous Coward · · Score: 0

    Does the *AA install some kind of behavior modification chip in their employees that gets taken out when they leave?

    Yes. Ironically these chips have a large picture of Andrew Jackson right on the front, and sometimes hundreds of thousands of them are required.

  161. Hilary Rosen and selective freedoms... by nixkuroi · · Score: 2, Insightful

    Isn't this just an excuse to decouple iTunes from iPod so that the RIAA can charge more money? I read somewhere (here?) that Apple signed a fixed price deal with the RIAA back in the days before the iPod went Windows. This seems like a ploy to me to try to get out of that deal so that the music industry can charge more for music through other vendors...a practice made harder when Apple either prevents non-iTunes sold AAC files from working (through "upgrades") or charge a cost-prohibitive license fee.

    Who is she kidding? She doesn't want our music to be free, she just wants it to be managed by someone who can charge more.

    1. Re:Hilary Rosen and selective freedoms... by Anonymous Coward · · Score: 0

      I read somewhere (here?) that Apple signed a fixed price deal with the RIAA back in the days before the iPod went Windows.

      Guess the RIAA is kicking themselves now for not including that "you may never offer this except to your relatively tiny niche market" clause. Guess they didn't see that coming.

  162. It's not necessarily good for you by phorm · · Score: 1

    It's good for Apple, and not good for the RIAA and friends... thus they are bitching. Equally, you will hear slashdotters bitch about iTunes's formats not being as open as they'd like.

  163. Hillary meet Paris, your both media WHORES by dspisak · · Score: 1

    Did someone break Hillary's DRM and we are now hearing her without the audio fingerprinting?

  164. Copyright isn't bad by phorm · · Score: 1

    Copyright abuse (which is rampare now) is bad. Unlimited copyright extensions are bad. The GPL and Creative Commons are forms of copyright. Mickey Mouse forever isn't good, but a broad statement that copyright is evil isn't correct either. Realistically, copyright should be based around shelf-life as well... of which many IT inventions don't do so well.

  165. I'm Getting Kind of Sick of Hillary by Greyfox · · Score: 1
    And rather than dignify anything she says with a valid comment, I'm just going to go for a juvenile personal attack. It's so much more satisfying.

    Hillary, I suggest you ditch that iPod for some some other accessory that begins with i. I think you'll find that more to your liking.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  166. Whine, Whine, Whine... by Anonymous Coward · · Score: 0

    It should be more a question of when will the other music stores not use a decripit and woefully inadequate audio format like WMA (most of the songs I have listened to sound like a dying cat is in the background when in WMA format).

    These stores (walmart.com, etc.) could easily make a DRM schema that takes the DRM off once transfered to the iPod (or other device) using there own software. But they would rather bitch and complain, and be lazy using somebody else's software and DRM schema than innovate.

  167. You're dumb. by Anonymous Coward · · Score: 0

    Hers is the party line.

    Think.

    1. Re:You're dumb. by OverflowingBitBucket · · Score: 1

      You're dumb.

      Hers is the party line.

      Think.

      Kinda hard to figure out where you're coming from with just eight words, including the title. I'll assume you mean I am hard of hearing and Hillary is a regular party animal. Thanks for letting me know!

  168. Consumer Choice by Soong · · Score: 1

    This consumer has chosen and thinks his iPod Shuffle is a fine device.

    Ms Rosen may now crawl back under a rock and criticize something she has a clue about.

    --
    Start Running Better Polls
  169. WTF? by t_allardyce · · Score: 2, Interesting

    Everything in that article is a load of crap, "viruses of the pirate sites" what? iPod plays mp3's and thats pretty much the single most popular (lossy compressed) digital audio format on earth right now (not including audio CD's, DAT, MiniDisc and the like). If the most popular format on earth is not good enough for this woman then what the hell is? The absolute fact of the matter is a) ripping from CD is not hard and b) if you own the CD you are entitled to fire up a decent P2P client and type in the song/album name and see as it easily and speedily downloads, without a single virus in sight, and probably at a higher bit rate than iTunes etc.

    --
    This comment does not represent the views or opinions of the user.
  170. It's a FAKE by jenkles · · Score: 2, Informative

    The Register has an article stating that "What was billed as a mecca of famous, liberal commentators has turned out to be a satire site in the tradition of The Onion. Yep, Arianna has done it again and fooled us all.Kudos." http://www.theregister.com/2005/05/09/rosen_joke_j obs/

  171. the push for Windows Media by Infonaut · · Score: 2, Insightful
    She's pushing Microsoft WMA10 format. Simple as that.

    That's my take on it as well. The subtle message is that Microsoft used to be closed but is now open, while Apple is still closed.

    Let's not forget that Microsoft WMA10 came out into a market where the iPod was king. They're not interested in compatibility, they're interested in owning the market by owning the format and controlling the devices and stores themselves that way.

    Exactly. Hillary's assessment is particularly absurd given that you can save non-DRMed WMP files as AAC files. This is really all about which DRM format is going to win. Apple came to market with AAC/FairPlay and people liked it. They recognized that it was a compromise, but it was a reasonable one.

    My feeling is that Apple should be doing everything it can to bring more players into the AAC/FairPlay camp, rather than just letting Microsoft draw everyone into the WMA 10 fold. But Microsoft doesn't give a gnat's ass about making things easier on consumers.

    They're all for the "music as a subscription" model, because it's a perfect extension of their goal of divesting control from hardware manufacturers. Plus, if you never own the music you listen to, it's easy to keep charging you for it over, and over, and over. Any guess why a music industry flak likes the Microsoft approach better than the Apple approach?

    --
    Read the EFF's Fair Use FAQ
  172. Well, duh. by Anonymous Coward · · Score: 0

    She's a consumer too, she's only unreasonable when it involves profit

  173. When, oh when? by Anonymous Coward · · Score: 0

    "when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?"

    Umm.. Since October 23, 2001?

    Most of the music on my iPod came from CD's bought at dozens of different stores.

    This is why nobody took her seriously when she ran the RIAA; these convenient omissions that are tantamount to lies.

  174. Is the post legit? by wembley+fraggle · · Score: 1

    Are we sure that the post is legit? The register is reporting that the post, and indeed the whole site is hoked up. I mean, from TFA: "I know Steve Jobs is a god. Look, I bowed at his feet when the iPod and iTunes was created because HE GOT THE BALL ROLLING. He is as laconically casually cool as Bono and makes really good cartoon movies too." It seems that the post might well be in jest and not written by Rosen.

  175. Re:Huffington Post shows up on /. their first day by geek2k5 · · Score: 1

    Huffington is one of those people that worry me. While I'm not one for conspiracy theories, I am very leery of people who are tied to power, politics and money, especially when they start something new.

  176. Re:Huffington Post shows up on /. their first day by FredFnord · · Score: 1
    Not bad! Way to change minds and win friends!
    Well, that's fine to say, but there is also a certain positive aspect to, say, providing news and services and important information to those people who are inclined to agree with you.

    Or perhaps you think the Drudge Report is a failure, because it doesn't convince Democrats that it's right? (Well, except that I would hold Ms. Huffington's page to a higher standard, because Matt Drudge is a total whacko who prints (his own) speculation as rumor, prints rumor as fact, and very rarely prints fact at all.)

    -fred
    --
    Sign #11 of Slashdot overdose: You see the phrase 'moderate Republican' and you wonder if that would be a +1 or a -1.
  177. DRM by ackthpt · · Score: 1
    Perhaps she's complaining because she doesn't follow the party line that permeates your world - namely that customer lock-in and DRM are bad only when they come from Microsoft or someone else, but A-OK when they come from Apple.

    Worse than Microsoft or Apple, some RIAA invention, which I fully expected years ago while the RIAA treated MP3's as a cancer. Now they've conceded it's an unstoppable tide and even Sony has been forced to acknowledge that accepting MP3 is the only way to stay in the game.

    Apple is successful, but only because their entire product package works for enough people. If iPod didn't accept MP3's I rather doubt it would be doing as well. There's still plenty of room for competition and nobody is bending arms to make anybody else buy the iPod.

    --

    A feeling of having made the same mistake before: Deja Foobar
  178. You know why she's bitchin by atlantageek · · Score: 1

    You know why she's bitchin. As long as the DRM market is based on two different file formats the defacto mp3 standard still lives. I believe they figure that when 90% of the online music market is compatible as far as DRM music goes it will make the whole mp3 format more outlawish. Maybe sue digital music player companies because that still support mp3, ogg and any other non-DRM format.

  179. Well, I expected slime to have no sense ofshame... by Anonymous Coward · · Score: 0

    but no sense of irony?

  180. Most amusing bit: the betamax comment by MartinB · · Score: 1

    From TFA:

    If he isn't careful Bill Gates might just Betamax him while the crowds cheer him on.

    Hardly, when iTMS has between 70% and 80% (depending on whose estimates you believe - Apple's is the lower end) of legal, DRMed downloads, 90% of HDD-based players and just shy of 60% of Flash players. If there's a betamax here, it's anything requiring Windows Media Player.

    And while much Microsoft software may be strong in the marketplace generally (and we can all suggest reasons why), I don't see much evidence of people cheering him on...

    --

    The only thing you can accurately describe as "Scotch" is a sticky tape made by 3M. And it's

  181. if she has a problem with DRM... by mike518 · · Score: 1

    her problem seems to be with DRM -- so she should really take her complaint up with that other organization, the one that keeps forcing people to use DRM -- or they get sued. whats the organization called... umm... oh yeah the RIAA -- maybe this rosen person should take her complaints up with them.

    i agree with the other guy, this is bizarro world.

    --
    Mike
    I heart the RIAA & MPAA, im sure its mutual...
  182. IT'S A SATIRE SITE, YOU VIDIOTS by Anonymous Coward · · Score: 0

    Um, it's not actually Rosen you vidiots. It's a satire site. Get it? Anyone? Anyone?

  183. Zappa by Anonymous Coward · · Score: 0

    It's time like these, when I really miss Frank Zappa! Hilary Rosen persona would make a whole album for him.

  184. She getting what she deserves by Anonymous Coward · · Score: 0

    Under Rosens watch the RIAA lobbied for the creation of DMCA and now she seeing the end result first hand. Namely DRM lockin with no legal way to switch to switch to different portable players or use different services without degrading the sound quality and burning a CD. Of course Rosen could use software like JHymn, but then she'd be a hypocrite given her lobbying for DMCA.

  185. Re:Whiskey. Tango. Foxtrot. by Jeppe+Utzon · · Score: 2, Informative

    It's a humor site. Try reading some of the stories on the front page. The Register didn't fall for it. heh http://www.theregister.co.uk/2005/05/09/rosen_joke _jobs/

  186. Excuse me.... by thegnu · · Score: 2, Insightful

    But Britney Spears music a) is distributed virally, via TRL and b) eats your brain.

    And who the hell is this Slashdot reader who reads the Huffington Post?

    "DELIVERING NEWS AND OPINION SINCE MAY 9, 2005"

    WOW!

    --
    Please stop stalking me, bro.
  187. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 0, Flamebait
    in other news ... calling women "cows" has been proven to lower peoples' opinions of you.

    it's not your music. you did not participate in the creation of it in any way. if you bought it, you did not purchase the right to distribute it. what are you even talking about?

  188. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    OMG!!!!! Can this be the fat-assed SKILLET calling the BIG, WELL HUNG KETTLE, black???!!!

    I see the Darth Vader effect here!
    She has been wearing the mask that overstuffed RIAA and DRM fanatics gave her to wear, for way too long. Any concept, any idea of the real fact that Apple is doing what they should have done,is making her angry?!?
    You look at people like her and it makes you afraid you will forget who you really are once you make any money or gain any presence in modern, western, music-loving, educated, society!

  189. I don't get it by Lukesed · · Score: 0

    The only thing you can't play on itunes or your ipod is music you bought from another music store. Itunes is the most popular, so what are you missing? You can play *looks in ripping menu* WMA, AAC, MP3, AIFF, and WAV.

  190. Re:Whiskey. Tango. Foxtrot. by Jeppe+Utzon · · Score: 0, Redundant

    Damn. Someone beat me to it. Well, at least I've done my part to keep the entropy levels up.

  191. Re:Whiskey. Tango. Foxtrot. by petsounds · · Score: 2, Insightful

    True, I had forgotten about that because I never buy from the iTunes Music Store (I believe it rips off the actual artists just as much as the RIAA). I do agree that those files should not be protected by unlockable DRM, and have said from the beginning that Apple is complicit in anti-consumer behavior regarding its Music Store. But hey, it's not like anyone is forced to use the iTunes Music Store in order to use your iPod. Apple doesn't limit you from loading on your own mp3s onto your iPod.

    The biggest takeaway from her "blog" is that there is no takeaway. This is a PR piece pure and simple, and slashdot and other "news" outlets have played right into her hand (and whomever is paying her) by covering it as a real story.

  192. Poynting fingers by Anonymous Coward · · Score: 0

    Ms. Rosen:

    1) It's your fault that there is DRM.

    2) Apple took _your_ consumer unfriendly policy of DRM and made a damn good product.

    3) The alternatives are WAY more restrictive than Apple.

    In conclusion: Stop bitching.

    Prediction: This article by Rosen is the beginning of a very wide FUD campaign against Apple.

  193. Question Authority by geek2k5 · · Score: 1

    Perhaps we need to train the youth of America in something that dates back to the sixties and seventies. Question Authority! Heck, perhaps we should train the so-called adults of America to do the same thing.

    1. Re:Question Authority by mrex · · Score: 1

      Yeah... from what I've seen it'd more likely need to be the other way around.

  194. Re:Whiskey. Tango. Foxtrot. by jaseparlo · · Score: 5, Insightful

    For ten thousand years culture has been the property of its society. People shared music to build their culture, in the same way that they shared stories and pictures. Till the last few hundred years or so when profit became more important than culture. In current Western society we do the same thing. Ever since the creation of blank tapes, and maybe before, teenagers copied music to share with their friends, to create their own cultural identity. When the majority of the people are engaged in this, but small but wealthy groups like the RIAA can control and alter our rights to do so, we no longer have the right to call ourselves a free democratic society. The whole DRM thing means now that we are often restricted from copying a CD we own to another format (MP3 or whatever) for our own personal use. That's 'our' music.

    --
    All available data suggest that regardless of any of this, the sun will still come up tomorrow.
  195. Re:Whiskey. Tango. Foxtrot. by Anarchitect_in_oz · · Score: 1

    "Get a professional to make your next playlist...."
    I laughed so hard then I read that the first time. After all it was their reasoning for making sure you had an FM radio in the player.

    Reading between the lines I could never work out where they saying:-
    a) your taste in music sucks.... so you need the radio.
    b) we want to up sell you a mp3 player that your only going to use for the radio.

    Of course with either of these does it matter if your locked into one DRMed online music store. Let's face anything you would buy sucks and your going to just listen to the radio anyway.

    --
    "Call us when the New age is old enough to drink" Beck
  196. Hilary is a Whore by alcmaeon · · Score: 1
    " Ironically, she appeals to consumer rights and anti-monopoly tactics."

    Nothing Ironic about it. She's a whore. She says whatever someone pays her to say. Now, she's being paid by somoene who wants a piece of Apple's action.

  197. Apple DRM vs Microsoft DRM. by guidryp · · Score: 2, Interesting

    She is not complaining about DRM, she is complaining that Apple doesn't support Microsoft DRM. Why would they? They have the number one player and the number one service. Now if there was an Open DRM they might support that. But they are certainly not going to pay microsoft a licence fee for each IPOD.

    Does anyone really think she is interested in using all these other music services. Or is she just acting as a paid mouth piece?

    I wonder who is paying for her opinions these days.

    1. Re:Apple DRM vs Microsoft DRM. by cthellis · · Score: 1

      I think you answered that in your first sentence, eh?

  198. Of all the... by webslacker · · Score: 1

    [i]The new iPod my girlfriend gave me is a trap. Yeah, it is great looking and I really love the baby blue leather case but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?[/i]
    That's the last time I buy a gift for you, you ungrateful bitch!

  199. Fake! by Anonymous Coward · · Score: 1, Informative
  200. Oh come on... by mehtajr · · Score: 4, Funny

    My iPod also works perfectly fine with tracks I ripped from other people's CDs.

    Cue RIAA lawyers in 5...4...
  201. No, you can sell iPod format by Anonymous Coward · · Score: 0

    Since the iPod uses mp3, mp3 can easily be licensed and used by everyone. Same as AAC. AAC is an open standard, can be licensed by anyone in the world. It sounds decent, WinAmp can rip to AAC. Wow. TWO options to sell music for the iPod without the blessing of Apple.

    If you're saying "We can't use the unique Fairplay DRM restrictions", then the answer is obvious. Don't use DRM. You can't have it both ways.

    Stupid friggin' cow.

    1. Re:No, you can sell iPod format by Anonymous Coward · · Score: 0

      No DRM = no sale, idiot. Napster let that horse out of the barn years ago. If you sell something that's not protected, you'll sell exactly ONE copy, and it'll be on the pirate networks for anybody to download.

      Shit, even Stephen King knows this. Remember his e-book fiasco?

  202. a parallel w/ MSFT by farble1670 · · Score: 1
    there's this other company i know of that used their dominance over multiple technology fronts to forge a monopoly. it was MSFT, and the technologies were OS and browser. there's another company that used it's technology dominance in two areas to forge a monopoly: apple. the technologies are online music sales and digitial music players.

    blah, blah, blah. apple has every right. they are a business. they are in it to make money. etc. the point is that everyone is quick to jump on MSFT, but apple can do whatever. yes, it's possible to use non-itms music stores with your ipod. yes, it's possible to put itms music onto a different player. also, it was always possible to use non-IE browsers onto a windows box. the platform (ipod-itms) is structured so that it's unattractive to do that. if you have an ipod, you're going to use itms. if you use itms, you'll sure enough own an ipod. and because both of those are virtual monopolies, your choices are limited by this.

    if you do not think ipod is a monopoly ... consider that ipod has 87% of the market. the next closest is 3.6%. itms has a 70% market share. my guess is that both of these #s has gone up since the release of the proliferation of the shuffle.

    how hypocritical is it to talk of open standards and platforms, and then talk up apple for closing ipod and itms off to outside players?

  203. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 1, Insightful
    The iTMS DRM exists because she (the RIAA) demanded it.

    Can you give a source for that assertion? I was under the impression that Apple doesn't exactly mind that people are being locked into buying iPods forever...

  204. There are 2 angles to this by wall0159 · · Score: 2, Insightful

    Firstly, as has been mentioned many times, the ipod is able to play mp3s, so if other sites were prepared to sell them, there would be no problem. This is a no-brainer.

    The second angle is IMO more important. Apple should licence the DRMd AAC spec, to allow other manufacturers to play music from ITMS. I know Apple doesn't *have* to do this, but I think we'd all be better off if they did. Also, it would quash some of the comments about their 'monopoly'...

  205. The reason is simple by Wolfier · · Score: 1

    One way to success, is to commoditize your complement.

    If the RIAA senses that more of their future income might come from online sales than from the record stores, it only makes sense to make the online stores a commodity.

  206. The RIAA has a way out of this by Anonymous Coward · · Score: 0

    The RIAA should open its own music store...and.... this is a biggie.... no charge for this advice.

    CHARGE LESS FOR THE MUSIC.

    Charge $.50 a song. Apple will fall right into line.

    Oh wait... you just said you want to raise prices. Too bad. At this point, you can get market share or high prices. Not both. It doesn't work that way.

  207. Re:Whiskey. Tango. Foxtrot. by line.at.infinity · · Score: 1

    You can convert any song to MP3 in iTunes except protected ones. iTunes Music Store sells only protected songs that are also 128kbps CBR AAC. When I try to convert a protected (read: encrypted) song "Dinner for Two" in iTunes, I get the message: "Dinner for Two" could not be converted because protected files cannot be converted to other formats.

    iPods cannot play WMAs so it's possible that Microsoft is playing the same game as Apple. In fact, WMV encoded AVI videos cannot play on Macs either. Windows Media only has lukewarm support on Linux, WMV has virtually no support on non-x86 Linux systems.

    Similarly in other industries, ink cartridges aren't universally compatible with all printers, razor blades aren't compatible with all razor handles (shape doesn't fit), etc. etc.

  208. No, he's right. by Anonymous Coward · · Score: 0

    AAC is an open standard. WinAMP supports it out of the box. AAC rips to *.m4a

    In fact, at this point, most digital music tools support m4a.

    Its the Fairplay DRM that is proprietary. That's *.m4p format. I guess "p" stands for "protected". Dunno.

  209. Its the name by Anonymous Coward · · Score: 0

    Generally, the name "Hillary" on a girl gives a 79% chance the girl is a homo. Its like "Bruce" for a boy.

    Think of it...Bruce Wayne. No girlfriend, lives with the boy wonder. You ever wonder how he got the name "boy wonder"?

  210. Re:Whiskey. Tango. Foxtrot. by stor · · Score: 4, Informative

    assuming you're a fellow, how about i come over to your house and "share" your wife / partner?

    Seriously I don't know how people can use this emotive and inappropriate analogy. It's used for the GPL too.

    For fuck's sake: There is a WORLD OF DIFFERENCE between sharing copyrighted works and sharing someone's wife. One is copyright infringement, the other is adultery.

    Cheers
    Stor

    --
    "Yeah well there's a lot of stuff that should be, but isn't"
  211. Re:Whiskey. Tango. Foxtrot. by ryusen · · Score: 4, Insightful

    not everyone who is against the RIAA supports music piracy. some of us are grown adults who just want things liek ot be able to get the music we want to buy and play it on any music player we own (much liek apprently hillary wants). we don't want to be hampered by anti-copyign schemes which restricts our fair use rights, costs us money, and in the end do next to nothing to stop the REAL pirates.

    you wanna share my wife? that's a different story. let's talk about something that really is property? change that to a car. want to borrow my car? not likely. want to make an exact copy of my car and leave mien intact and not hamper me in any way, feel free.

    as for the "laws" the RIAA is enforcing... in case you didnt' know.. they bought those laws, to serve their own interest. they took the original copyright laws, which were intended to give the artist a LIMITED time to recoupe some money from their work, then be contributed to the public domain and changed them so that the middle men, who have nothign to do with the creation or performign of the music make most of the the money. artists went broke long before P2P.. it's because the industry is ripping them off far worse than any pirate ever has.

    i also contend that there would be no music if there were no copyright laws.. history proves otherwise. people who want to make music will make music. especially in this day and age, it's very easy for a small time artist to make music and get it distributed, even if he/she doesn't want to make any profit from it.

    --

    I believe sex is highly over rated... unless it involves me
  212. Bah, wrong word. by lskutt · · Score: 1

    Since when is hipocrisy the same thing as irony? Please tell me -- or stop using the word "ironic" every single time somebody is just being a double standard ass.

    Irony is an instrument best used by those who know how to subtly mock others.

  213. Re:Huffington Post shows up on /. their first day by Hulkster · · Score: 1
    I guess thanx for the compliment - coming from an Anonymous Coward it means ... well, a lot! ;-)

    But my post history is nothing compared to yours - Mr. AC is quite the prolific poster and I can only aspire to be as clever as you.

  214. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1

    to help you out, the analogy was "societal normalities of the past that don't make sense today." really, if the line of reasoning here is "hey it used to be normal, therefore i can do it today", there are a lot really interesting conclusions to be drawn from following that to the logical end ... specious reasoning, at best.

  215. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0
    the RIAA is simply enforcing the laws

    So the RIAA is a law enforcement agency now?

  216. It's a JOKE site! by solanum · · Score: 1

    F*cking h*ll I can't believe the ire on herre and it's just a spoof!

    --
    Si hoc legere scis nimium eruditionis habes.
  217. Re:Whiskey. Tango. Foxtrot. by qopax · · Score: 1

    I hate it when people gang up on Siberia... Wtf is wrong with Siberia? I was born there. Beautiful region, industrial, mucho resources, and much is powered by hydroelectricity. I don't know for sure, but at the age of 7, there didn't seem to be anything negative about it to me.

    --
    I pwn this comment. "The Fine Print" says so.
  218. Re:Whiskey. Tango. Foxtrot. by Comsn · · Score: 2, Insightful

    no such thing as a 'happy medium' with drm. its thier scheme, not mine, no negotiation.

  219. Re:It's a FAKE -- Get a clue by Anonymous Coward · · Score: 0

    They were just taking a dig at HR by saying the post was fake...

  220. Re:Whiskey. Tango. Foxtrot. by DA-MAN · · Score: 1

    iPods cannot play WMAs so it's possible that Microsoft is playing the same game as Apple. In fact, WMV encoded AVI videos cannot play on Macs either. Windows Media only has lukewarm support on Linux, WMV has virtually no support on non-x86 Linux systems.

    http://www.microsoft.com/mac/otherproducts/otherpr oducts.aspx?pid=windowsmedia

    Perhaps I am missing something . . .

    But on my mac I can play WMV just fine. Unfortunately this only supports up to WMV v.9 and not v.10 yet, but I haven't run into any site where that is a problem yet.

    --
    Can I get an eye poke?
    Dog House Forum
  221. railed for years by Anonymous Coward · · Score: 0

    She says Steve Jobs railed for years about Microsoft's monopoly. Does anyone here remember a single railing?

    Maybe I can try making things up to get what I want. ``Gee, John, remember when you were railing about Joe not giving you his BMW and now you won't give me your Porsche? Yer an asshole, pal...''

  222. Re:Whiskey. Tango. Foxtrot. by jaseparlo · · Score: 1

    Sorry what? When in the last 3000 years have women been *common* property? I'll agree there's been a woeful discrepancy in men's vs women's rights and position in society since the dawn of time, even so far as being the property of their fathers and husbands at various times. But common property?

    I wasn't the one who called her a cow, I agreed with you that that was out of line.

    I play a guitar, write my own music and release it under a Creative Commons license. It's crap, and nobody listens to it, but if it was suddenly picked up and made successful in some way, I'd continue to have it freely available alongside CD sales.

    The RIAA isn't simply enforcing the laws, they are lobbying with dollars to change the laws to suit themselves and the recording companies

    --
    All available data suggest that regardless of any of this, the sun will still come up tomorrow.
  223. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1
    not everyone who is against the RIAA supports music piracy

    agreed.

    want to make an exact copy of my car and leave mien intact and not hamper me in any way, feel free

    old property rights analogies cannot be applied to such new mediums as this. the reason is that your copying of music takes money away from the people that actually did something to produce it. if i make a copy of your car, i am not reducing your income ... unless i am devaluing your car because there is now 100k of them.

    it's because the industry is ripping them off far worse than any pirate ever has

    so let's see. because the artists are getting a poor deal, you want to give them no deal at all? or was it since they are being screwed it's okay to screw them worse?

    people who want to make music will make music

    agreed, but they won't make money from it. artists, as members of homo sapiens, will always try to maximize their profit. my only point was that if you asked an artist, they would NOT be in favor of giving all of their music away for free. so if the artists wouldn't support it, and the artists agents don't support it, why exactly would you think that you own the music?

  224. Wha'ts the problem? by tfcdesign · · Score: 1

    What the hell does the RIAA care about monopolies? Apple's system limits piracy!

    If you have music sources from other companies simply convert them to MP3s and you can playthem on an iPod.

    I swear, it's like people want someone else to wipe their own ass.

  225. Works Just Fine by Anonymous Coward · · Score: 0

    "the iPod only works with either songs that you buy from the on-line Apple iTunes store or songs that you rip from your own CD's"

    i beg to differ. my iPod works just fine with songs that i rip from other people's CDs.

  226. Re:Whiskey. Tango. Foxtrot. by jaseparlo · · Score: 1

    OK I see the point there. But throwing out everything of the past, because half of it was broken is not necessarily the best approach either

    --
    All available data suggest that regardless of any of this, the sun will still come up tomorrow.
  227. Re:Whiskey. Tango. Foxtrot. by arminw · · Score: 2, Insightful

    ...we don't want to be hampered by anti-copyign schemes...

    The RIAA as representatives of the multi-rich music companies DEMANDED that if Apple wanted to sell their music they would have to implement some sort of DRM. So Apple implemented some DRM and now that same person who demanded it complains about it. Before the iTunes store existed I remember the "rip, mix-burn" ads from Apple. Even now the constituents of the RIAA are implementing CDs with all sorts of (mostly useless) anti-copying (sharpiepen) technology! What a hypocrite!

    --
    All theory is gray
  228. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1
    I play a guitar, write my own music and release it under a Creative Commons license. It's crap, and nobody listens to it, but if it was suddenly picked up and made successful in some way, I'd continue to have it freely available alongside CD sales.

    that is your choice. why do you think you can make that decision for every other artist? if i am an artist, and there exists a system that allows me to maximize the profit from my art, and i choose to participate in that system, am i free to do that?

    it doesn't follow that society collectively owns all art produced because the RIAA is a profiteering body. that is my point anyway.

  229. Re:Whiskey. Tango. Foxtrot. by The+Snowman · · Score: 1

    assuming you're a fellow, how about i come over to your house and "share" your wife / partner? for thousands of years women have been the common property of men in western society.

    The difference is that music, stories, art, etc. can be copied. A man's wife cannot. The analogy breaks down with physical objects, which is not really the point here anyway -- we are talking about music, art, and other intangibles and their effects on society.

    --
    24 beers in a case, 24 hours in a day. Coincidence? I think not!
  230. I can't stop laughing on this one... by Chordonblue · · Score: 1

    Hillary, puleeease!

    Oh you've got to be kidding me. I guess it's only a monopoly when your own monopoly gets competition. I hope Steve Jobs responds by getting a coalition of other MP3 makers/ music distributors together to fight these folks in Washington.

    You realize of course that if Apple, Napster, and others don't defend themselves by going on the offensive, they're toast. After all the music and movie industry OWNS Congress. It is clear from Rosen's statement that they want 'all Apple's base' to belong to the RIAA first and no doubt everyone else's too...

    --
    "...Well, there's egg and bacon; egg sausage and bacon; egg and spam; egg bacon and spam; egg bacon sausage and spam..."
  231. Re:Whiskey. Tango. Foxtrot. by ryusen · · Score: 1

    old property rights analogies cannot be applied to such new mediums as this.
    that is kind of my point by saying that. i hate car analogies for ip... i guess i didn't come of sarcastic enough, sorry.

    the reason is that your copying of music takes money away from the people that actually did something to produce it. if i make a copy of your car, i am not reducing your income ... unless i am devaluing your car because there is now 100k of them.
    that too is faulty, because if you copy a CD i bought, *I* am not losing any money over it. you are not reducing my incme any. on the other hand, Mitsubishi, might be pissed that you've made an exact copy of my car, rather than buying it from them.

    so let's see. because the artists are getting a poor deal, you want to give them no deal at all? or was it since they are being screwed it's okay to screw them worse?
    you mis interpret me or pursposely twist my meaning to suit yoru needs. i honestly think that artists woudl do better for themselves if they didn't sign their souls away to record companies that might leave them in debt after selling a million albums.
    they would do better if they signed with an indie label that offered them more and allowed them to retain ownership of their work. they could also just be completly independant. even many of the biggest performers make their money on performances, rather than album sales.
    i don't think artist would be scrwed at all if they got rid of the RIAA road blocks on music distribution.

    agreed, but they won't make money from it. artists, as members of homo sapiens, will always try to maximize their profit. my only point was that if you asked an artist, they would NOT be in favor of giving all of their music away for free. so if the artists wouldn't support it, and the artists agents don't support it, why exactly would you think that you own the music?
    right now, they are giving away their music.. to the record industry. the industry exists only to perpetuate itself and paart of this existence is based on tactics that maximize what they can draw from the real artists and minimize what they give back. combine that with a near strangehold on music distribution and you have a very anti-artist industry.
    i don't think i own "the music," but i do feel that i should own "the copy" that i bought. i should be able to play it any way i like.

    --

    I believe sex is highly over rated... unless it involves me
  232. Cat got my tongue by line.at.infinity · · Score: 2, Insightful
    when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?
    Since the very first iPods. Just buy *any* cd from your local business and iTunes will upload it to your iPod. There's a reason why iPod sales are good even in countries without iTMS, you know. From her own words: "[the iPod] works with ... songs that you rip from your own CD's. "
    it is pretty easy to keep all the songs, no matter where you got them, in a single folder or "jukebox" on your computer. But not the iPod. Most agree it is the best quality player on the market even if the cheapest one costs a few hundred dollars.
    Now I'm confused at how she describes jukeboxes, even more at how it has anything to do with Apple iTunes because iTunes always had the ability to automatically sort song files. Furthermore, a few hundred dollars is wrong grammer because iPod shuffles start at $99, then with student discount it can even be cheaper. (I bought my mini for aprox. $230 after an aprox $20 student discount). She also describes non-Apple players as costing "little as 29 bucks" but misleads her readers by not revealing the fact that those players have a rat's ass for storage capacity.
    If you are really a geek, you can figure out how to strip the songs you might have bought from another on-line store of all identifying information so that they will go into the iPod. But then you have also degraded the sound quality. How cruel.
    That's a twisted way of saying "burning songs to a CD first, then putting the songs onto my iPod will result in slight quality loss most people can't perceive." If she actually cares about degredation of sound quality, don't buy from online stores, Apple or non-Apple.
    I know Steve Jobs is a god.
    This must be one of the most obvious lies I've encountered in recent memory. She's deliberately making wild exaggerations and lies to make iPod look bad. If she hates Apple's iPod and iTunes so much...
    Look, I bowed at his feet when the iPod and iTunes was created because HE GOT THE BALL ROLLING. He is as laconically casually cool as Bono and makes really good cartoon movies too.
    If the RIAA morons allowed download sales of non-DRMed songs like some non-RIAA labels are doing now, their profits would go through the roof. She's also giving the false perception that it is Apple instead of the RIAA that's controling most of the CDs on the market and how they're priced.
    1. Re:Cat got my tongue by argent · · Score: 1

      "burning songs to a CD first, then putting the songs onto my iPod will result in slight quality loss most people can't perceive."

      I can name that tune in 3 words! "Mix, Burn, Rip"

  233. Re:Whiskey. Tango. Foxtrot. by ryusen · · Score: 1

    yes exactly

    --

    I believe sex is highly over rated... unless it involves me
  234. Re:Whiskey. Tango. Foxtrot. by rejecting · · Score: 2, Funny

    I had modpoints, but this is the best comment ever on slashdot. EVER.

  235. Smoking piles of wrongitude. by timewind · · Score: 1

    I just have to amplify here. I have a bunch of music that I bought from mp3.com back when they actually SOLD music. It's mine, bought and paid for, and it plays just fine in iTunes. It would play just fine on my iPod if I could afford one. Meanwhile the RIAA is responsible for the fact that you can't BUY songs in a standard, un-encrypted format anywhere any more, so I don't feel she has any right to whine. If she really feels so badly about her iPod she can send it to me. I'm sure that the RIAA payed her thousands (millions?) of dollars that ought to have gone to musicians, so surely she can spare an iPod..... Or perhaps make a reality check, and stop whining since she was spokesperson for the whole problem when it starded.

  236. Re:Whiskey. Tango. Foxtrot. by ryusen · · Score: 2, Informative

    "To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"
    - The Constitution:

    The foundations of the coutry already had it set in that arts and sciences were meant to enhance and enrich our culture, but creators had a limited time to recoupe their loses. the current system locks modern art from being able to be added to our public domain and enriching our culture.

    --

    I believe sex is highly over rated... unless it involves me
  237. Why can't we comment on your blog Hillary? by cubricon · · Score: 1

    Well, after taking a look at her bio, I found that Hillary works for CNBC and MSNBC(make your own opinions on that). What trips me out the most is the fact that her 'blog' doesn't have comments. So she is essentially trying to get her readers 'locked in' to her own point of view. Maybe since her blog is only one day old she hasn't figured out how to add a comment feature (just like she can't figure out how to load regular non-iTunes AAC, AIFF or MP3 onto her iPod).

    Well, we can all express our opinions on the main Huffington Post page and let Arianna know that Hillary is mis-infomed. Or that she should do some more research before she expresses her oppinions.

    At least they posted a this reply by Howie Klein who seems to know what he's talking about. Not only that, but his reply allows comments.

    1. Re:Why can't we comment on your blog Hillary? by unitron · · Score: 1
      "At least they posted a this reply by Howie Klein who seems to know what he's talking about. Not only that, but his reply allows comments."

      And guess what, one of the replies comes from Ms Rosen herself, including such gems as

      "I would be happy if they eliminated all the DRM's."

      Here's a copy 'n paste of her reply.

      I'll do one more post on this subject - for now at least. When Arianna asked me to write something current about the music industry (and save my gay rage for a later column) I didn't really think I would be getting back into this conversation. Ah well. Next thing you know I'll be on the pho list again.

      Lots of passionate feedback. Some even useful. Just the kind of fans that both Apple and music depend on.
      Let's clear up a few things:

      1.I agree and said that the iPod is the best player and that the technology and process is seamless. It is even fun, as my friend Howie Klein pointed out.

      2. Some others suggest here that if Real or Microsoft were able to integrate a device and a service as seamlessly, this wouldn't be an issue. But they are wrong. In fact, it is the music I was referring to. After all that is why we do this, not to have a white thing hanging on our hips. So for those who haven't noticed, there are artist exclusives with each of the major music sites. A live track here, a new release or special ep there - some have some artists and others don't. Several of those sites are cumbersome to use. But they have music I want and can't get at iTunes.

      And it is that lack of ability to navigate easily between services that I resent.

      3. Some have said here that it is easy to transfer songs from one site to your iTunes jukebox. Not true. I would be happy if they eliminated all the DRM's. But in this case, the DRM's serve Apple's interest (but doubtfully since they just piss everyone off) the record company's interest not Real or Microsoft because it allows them to stay propietary. Perhaps if the music industry really wanted Apple to open up their system they would take off the DRM requirements in all their licensing. But it seems that these companies are all moving to more and more complicated (and therefore failure prone) protection efforts not less.

      4. Finally, no, I don't get money from any of the interested parties here. I am speaking as a fan.

      And for those that will pay attention to what I have to say on this and other topics in the future, rest assured that if there ever were conflicts, financial or otherwise, they would be disclosed up front. I am a pundit with some classic journalist ethics.

      Posted by: Hilary Rosen at May 9, 2005 11:59 PM

      I am a pundit with some classic journalist ethics.

      Well, if you have to point out to everyone that you have ethics...

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    2. Re:Why can't we comment on your blog Hillary? by unitron · · Score: 1
      "Not only that, but his reply allows comments."

      All of which have now disappeared from that page.

      No, they weren't moved to the original Rosen post page, either.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

  238. Re:Whiskey. Tango. Foxtrot. by aristotle-dude · · Score: 1

    YOu are missing the fact that it does not have support for any music stores or DRM for either WMV or WMA formats.

    --
    Jesus was a compassionate social conservative who called individuals to sin no more.
  239. mp3 vs. CD experiment by afxgrin · · Score: 1

    I had someone try to tell me they can hear the difference between a 256 kbps mp3 and CD quality. So we did a "trick" on my friend, by playing a track of his choice, encoded w/ 192kbps VBR as an mp3 and a supposedly "lossless" copy from a CD.

    Immediately he exclaims "oh yeah, I can easily tell the difference. The CD is sooooo much better..."

    Too bad the CD we used was the same mp3 converted to CD-audio.

    We then proceeded to conduct the same experiment on a 1kW sound system at a psychedelic trance party. My friend DJ's using a laptop and mp3s normally, but after getting sick of the critics giving him shit for using "lossy" mp3s (320 kbps CBR), we decided to burn a bunch of audio CD versions and played it on CDJ's ... of course the critics immediately approached him after finishing his set, saying "oh that sounded so much better this time" ......

    I fucking hate audio quality snobs ... especially ones that are full of shit.

    1. Re:mp3 vs. CD experiment by c4seyj0nes · · Score: 1

      I purposfully used the example 128kbps and 192kbps, because I can't tell the difference of anything above that. Thats why my mp3 collection is encoded at 192. And even most of the time 128kbps mp3s are fine, but at times on certain parts of songs, typically when things are in the high ranges (cymbals and such) I can tell.

      Both of the examples you give, I wouldn't be able to tell the difference either.

      --
      "In wine there is wisdom. In beer there is strength. In water there is bacteria." --Old German Proverb
  240. Re:Whiskey. Tango. Foxtrot. by Gentlewhisper · · Score: 1

    if you want to be a rebel, buy independent music, or buy a guitar and write your own music. those are your options. if there were no copyright laws, those would be your only options anyway. go live your life the way you want, nobody is going to stop you.

    Are you saying that people will cease to create without copyright laws?

    In other news, cavemen paintings have been found in ancient caves! So what copyright laws did they have dude?

  241. Where's the irony? by geekee · · Score: 1

    "Ironically, she appeals to consumer rights and anti-monopoly tactics."

    When has any music distributer had a monopoly on music? Having a particular song that someone cannot copy and sell is not a monopoly, except in the most specific sense, such as Toyota has a monopoly on Prius. Apple, however, has a near monopoly on both selling music online and selling music players. By not licensing fairplay to other companies, and by not supporting any other DRM standard, Apple is leveraging their monopolies to support each other. I have no problem with this, but when MS does this sort of thing, most people on /. think the govt should step in.

    --
    Vote for Pedro
  242. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1
    that too is faulty, because if you copy a CD i bought, *I* am not losing any money over it

    not YOU, the artist and the record company. they are most definetely losing money.

    right now, they are giving away their music

    geeze. they are getting SOMETHING. it was suggested this thread that the music is owned by society. in that case, they get NOTHING. yes, it's an outrage that they do not get a larger % of the profit. however, it's pretty hard to argue that it's in an artist's best (monetary) interest to throw out the entire music copyright system. rally your energy to artists' rights and supporting independent labels in that case.

    i do feel that i should own "the copy" that i bought

    geeze 2. if all that was going on is legal owners making copies of the music they own, the RIAA wouldn't give a crap. we all know that this is not what it's about. because you live in a world with 6 billion people, you do not get individual attention. no law is going to be forged in your name to protect your right to make and use copies of your CDs. the laws apply to the masses, the masses who are illegally DISTRIBUTING media.

  243. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1

    look, i responded to a post that proclaimed that society owned all music, without restrictions. i agree, copyrights should be restricted and they are being abused, but i wouldn't completely remove an artist's legal (constitutional) right to make money from their art.

  244. Re:Whiskey. Tango. Foxtrot. by Gentlewhisper · · Score: 1

    Could it be possible that she is really lobbying for WMA support on iPods?

  245. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1
    can't wait to jump in could you? it's hard to believe you didn't even read the quote you pasted. please, tell me how i implied that people would cease to create because a system is dominated by independent music?

    dude.

  246. Re:Whiskey. Tango. Foxtrot. by geekee · · Score: 1

    "I guess she wasn't aware of the fact that there is an option in the iTunes menu which says "Convert selection to mp3," instantly making your AAC files into cross-platform mp3s. And she probably didn't realize her statement that "even if the cheapest one costs a few hundred dollars" is invalidated by going to the Apple website and seeing that the base iPod shuffle costs $99."

    From the article:
    "The new iPod my girlfriend gave me is a trap. Yeah, it is great looking and I really love the baby blue leather case but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?"

    Who's the shill? She just wants to buy music online from somewhere else other than Apple and use it on her iPod. The sad thing is you're not even being paid to toe Apple's line.

    --
    Vote for Pedro
  247. Re:Whiskey. Tango. Foxtrot. by ryusen · · Score: 2, Insightful

    not YOU, the artist and the record company. they are most definetely losing money.
    well, that might be what you intended, but what you said sounded different.

    geeze. they are getting SOMETHING. in some cases they are getting debt... lots of it, cause they end up owing more money for the millions of records they sold than they made.
    it was suggested this thread that the music is owned by society. in that case, they get NOTHING.
    why do they automatically get nothing? musicians existed before and managed to make a living, at least the good ones did. even if you go back only 200+ years to the founging of this coutnry, they also believed that arts and science were meant to be part of the public domain, but the creator woudl still get a limited copyright to make money off his work, before it got absored into thepublic domain.
    yes, it's an outrage that they do not get a larger % of the profit. however, it's pretty hard to argue that it's in an artist's best (monetary) interest to throw out the entire music copyright system. rally your energy to artists' rights and supporting independent labels in that case i never said throw out the entire copyright system. i said get rid of the new laws that abuse the consumer and the artist alike. get rid of the industry that makes it's money by leechign off both ends of the music spectrum. so yes.. i DO rally for artists' rights and indipendant labels.
    geeze 2. if all that was going on is legal owners making copies of the music they own, the RIAA wouldn't give a crap. we all know that this is not what it's about. because you live in a world with 6 billion people, you do not get individual attention. no law is going to be forged in your name to protect your right to make and use copies of your CDs. the laws apply to the masses, the masses who are illegally DISTRIBUTING media.
    there are already laws in place, that don't get enforced.. why do i want to get MY use harmed by new laws that will do little to stop the pirates? the new laws and anti-cpying technology has proven to be able to stop no one, but has several cases of abuse... especially the DMCA.

    let me sum up my stance again so you don't continue to argue against me on points that are not mine: 1) i am in favour of limited copyrights as per the original rules. a way to allow the creator of a work to recoupe for their for, for a limtied time, before beign part of the public domain 2) i am against new laws that do more consumer harm than protect the artists (eg. DMCA) 3) i am against an industry that abuses the very creators of the work they live off of, then claim to be protecting them. 4) i am against using government money to persecute criminals who's activity has never been proven to be harmful. i think that's a good summary for now.

    --

    I believe sex is highly over rated... unless it involves me
  248. Re:Whiskey. Tango. Foxtrot. by ryusen · · Score: 1

    sorry, i don't recall what post that said society owned all music, without restriction.

    --

    I believe sex is highly over rated... unless it involves me
  249. Re:Whiskey. Tango. Foxtrot. by DA-MAN · · Score: 1

    YOu are missing the fact that it does not have support for any music stores or DRM for either WMV or WMA formats.

    That wasn't mentioned in the parent poster, although I see the point now.

    --
    Can I get an eye poke?
    Dog House Forum
  250. Re:Whiskey. Tango. Foxtrot. by line.at.infinity · · Score: 1

    Yes you are. The WMV files that you play are not AVI files. WMV is the codec, AVI is the container. The -.wmv files you get have WMV as the codec, ASF as the container. Windows Media Player for OS X has MP3, MPEG, and AVI support removed.

  251. Addendum by line.at.infinity · · Score: 1

    In fact Microsoft adertises how MS VCM is so great because you can create AVI files that use WMV codec. They advocate one format, then they drop the ball on Mac support by delivering WMP 9 for OS X.

  252. Is she serious? by jimohagan · · Score: 2, Interesting

    I have been downloading music from various free sites for months, and understand the concepts of finding files in folders and putting those files into places where my iPod looks. Ignorant cusomer chick....

  253. The Bottom Line by Steve+B · · Score: 2, Insightful

    Hilary Rosen complaining about the inconvenient side effects of DRM schemes is like Ted Kennedy complaining that his taxes are too high or John Ashcroft complaining that the government is poking into his private business.

    --
    /. If the government wants us to respect the law, it should set a better example.
  254. her girlfriend? by Anonymous Coward · · Score: 0

    I had no idea she was a lesbian. And here I thought she was all bad....

  255. Re:Whiskey. Tango. Foxtrot. by salesgeek · · Score: 2, Funny

    n the RIAA's perfect world, you and I would pay every time we listen to a song, on every device that could possibly play the song.

    And ASCAP would charge you and your landlord everytime you decided to sing while taking a crap.

    --
    -- $G
  256. A workaround... by Anonymous Coward · · Score: 0

    I know of a workaround for the exclusiveness, but it'll take a few CDRWs...

    What you do is you burn the songs to the cd using the iTunes of course, and then you use some other program to rip them off again in whatever format you like. (ogg, mp3, whatever) Then, if you used a CDRW for the above process, delete all the files on the cd and burn it again.

    I've done this a few times with converting some of my iTunes files into oggs so they will play on my linuxbox. Good luck!

  257. The Article Is NOT A Hoax... by MacDaffy · · Score: 2, Insightful

    Arianna Huffington has been putting this website together for some time now. Today is its first day of operation. I seriously doubt that a new venture like this would put up such an aggressive spoof--complete with accurate bio--on its first day of publication. It would be in serious trouble in its first twenty-four hours.

    I know that Apple is far from perfect, but I have never seen the kind of vehemence against a particular product--the iPod--in my life. Every other article is "Is this the next iPod Killer?" and "When will the iPod lose its cool?" It would be different if the criticisms were grounded in reality, but sitres like C|Net whip Apple and the iPod like second-hand mules.

    Reminds me of those scenes in The Godfather and The Sopranos where one mobster latches onto a sweet deal and the others are clamoring to let the fortunate one "wet their beaks" on the proceeds of that good fortune.

    The iPod came out of left field, has kept coming, and parts of three or four industries are screaming "no fair!" Bitching is easier than innovating.

  258. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    If you're going to come up with an example, try not to come up with one that's obviously not true. It is true that wives have essentially been property in Western society for thousands of years. The notion that they've been generally considered community property among men for thousands of years is bunk. Maybe in Inuit society (no offense intended to Inuits if this is apocryphal), but not in western society. The overall trend in western society seems rather to guard wives jealously and to harshly punish adultery (at least if women commit it, even if at the command of their husbands).

  259. Friggin Hypocrite! by Teahouse · · Score: 1

    Ah the wonders of a sliding ethics scale. Be against something one day, and for it the next. Claim Jobs system is the perfect tool, and then lambast the guy for not giving you music YOUR way Hillary? Isn't that exactly what Napster users were telling you? Did you listen then? Why the fuck should anyone listen to your complaints now? It's your mess, you friggin live with it like the rest of us. Had you listened then, you would have accepted Napster's solution for a monthly subscription system. Apple would never have made the best product with a proprietary file system, and I would still be able to find long unpublished and unowned performances that were the bread and butter of real Napster fans. Where is all the non-catalog music now? You think perhaps I miss that as much as you miss not being able to download published tunes in any format?

    I hope someone shoves your blue leather bound iPod up your hypocritical ass you bitch.

    --
    "Curiosity killed the cat, but for a while I was a suspect."- Steven Wright
  260. Re:Whiskey. Tango. Foxtrot. by nate+nice · · Score: 1

    "Then you're perfectly qualified to work for the RIAA."

    No they still have their brains, but their souls are gone....vampires I think they call them.

    --
    "If you are a dreamer, a wisher, a liar, A hope-er, a pray-er, a magic bean buyer ..."
  261. Re:Whiskey. Tango. Foxtrot. by TCQuad · · Score: 1

    Well, she did insert that line about pirate sites being full of viruses (I get viruses form my mp3's al lthe time, god bless her), and soart of backhandedly danced around the fact that DRM and lossy music are the reason we can't transfer, so I guess the party line is stil lsorta there.

    It's perfectly consistent. The Apple DRM was a necessity to stop pirating. But it has an inherent limitation: $1 per song. At the time, it was nice because it was a dollar they wouldn't have gotten anyway, but now they can get a permanent (and, probably, increasing) monthly fee plus a dollar on some files. The RIAA wants the most money they can get (not flamebait, but a statement of fact regarding a business); therefore, for the long term, the success of the iPod in the absence of an iPod subscription service is not desirable. Anti-iPod sentiments are therefore expected.

  262. Re:Whiskey. Tango. Foxtrot. by vertinox · · Score: 1

    And if we didn't pay these fees every time, we would end up in Siberia and never be heard from again.

    But Comrade! If we had supported the revolution to begin with it would be those very same persons who want this who would be in Siberia.

    One of course must realize that money is of abject fiction... And that this peice of paper only means respect for a system which may or may not have respect for you!

    --
    "I am the king of the Romans, and am superior to rules of grammar!"
    -Sigismund, Holy Roman Emperor (1368-1437)
  263. Pot Calling the Kettle Black by Matt+Clare · · Score: 2, Funny

    The part of the the article I didn't like was when she kept going on about the kettle being black.

    --
    .\.\att Clare
  264. lock in? by krunk4ever · · Score: 1

    How is this a lock in when iTunes allows you to burn the music you purchase onto CD and with that CD you can import into any format you want/prefer and onto any other mp3 player you would like to.

  265. why do I need a subject line for hitting preview? by line.at.infinity · · Score: 2, Interesting

    It would be beneficial for the RIAA and online sales of DRMed songs if all players could support all DRM formats. This is not the case currently. Currently it sucks that the DRMed songs you pay for today for one player may not work for another player you may buy in the future. An audio format that cannot be played by third party hardware is probably historically unprecedented. She puts the blame on Steve Jobs for not adding DRMed WMA support to iPods. She attempts to describe this as if it would be something great for consumers, but I think this is an exaggeration, since in the end it is the RIAA that has Intellectual Property rights and control to the songs.

    She doesn't explain whether or not the problem goes both ways. I.e. non-Apple players (save the HP iPod clone) can't play DRMed AAC, just like Apple players can't play DRMed WMA. How much of the current situation is the result of companies' can'ts and how much of it is the result of companies' won'ts? Also, which format -- AAC vs WMA -- is more open?

  266. Re:Whiskey. Tango. Foxtrot. by derEikopf · · Score: 0

    Notice that when profit became important is when we had the Industrial Revolution and major technological breakthroughs. Coincidence?

  267. Re:Whiskey. Tango. Foxtrot. by bay43270 · · Score: 1

    ... and all extremists should be shot!

  268. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    In Soviet Russia, RIAA comode shit you!

  269. A wife is not property by Frodrick · · Score: 1
    assuming you're a fellow, how about i come over to your house and "share" your wife

    That is what happens everytime I "allow" my wife to leave the house unescourted, whether it is to go to work, go shopping, or go to the bank. I am sharing her with the world.

    A wife is not property, and any man who thinks so is living in a dream world. As for the sex part, the fact that she does not have sex with others (to the best of my knowledge) is her choice - not mine. And short of doing the "Peter Peter, Pumpkin Eater" thing, I will just have to trust her.

  270. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    I take it you were never a political prisoner there.

    I'm sure Oswiecim (Germanized form: Auschwitz) is a wonderful place as well, but the name isn't usually referred to with positive connotations.

  271. RTFA by sparkz · · Score: 3, Insightful
    But keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do.
    What Rosen is saying is that iTunes doesn't support Windows Media (with all the additional restrictions which that implies).
    It's there in black and white. "multiple (read Microsoft)"
    She's actually complaining that some bastard has the audacity to come up with a file format which isn't open for Microsoft to copy.

    The implication is that if iTunes dished out WMA, then she'd be happy, because MSFT are already bum-buddies with the RIAA. The rest is just whitewash.

    It's been a long time since I last heard anyone complain that a system is too closed, because Microsoft don't have the license to use it.

    I'm no fan of iTunes - it's still DRM'd music. I'd rather own a CD and the rights to the music on that CD - to play it in my car, at home, on my laptop, wherever I wish. Apple and Microsoft are apparently intent on denying these rights; from a PC speaker, MP3 will do okay for me. In the car, at home, I'll copy the CD, thank you.

    I don't download music which I don't already own (unless the publisher allows it - eg www.slidepheromone.com) and I certainly don't pay to download music, as the only options are limited-rights downloads.

    --
    Author, Shell Scripting : Expert Re
    1. Re:RTFA by gabebear · · Score: 1

      She's not bitching that iTunes doesn't support WMA, but that the iPod doesn't support WMA. According to what she says in the article, she is bitching about the poor online music stores that are using WMA and can't compete. While not a huge difference, it does add to irony that is already there.(i.e. poor Apple can't sell music to people that own Microsoft approved players)

      I'd rather own a CD and the rights to the music on that CD

      You know Apple lets you legally burn CDs from your iTunes purchased songs?

    2. Re:RTFA by BackInIraq · · Score: 2, Insightful

      I'm no fan of iTunes - it's still DRM'd music. I'd rather own a CD and the rights to the music on that CD - to play it in my car, at home, on my laptop, wherever I wish. Apple and Microsoft are apparently intent on denying these rights;

      You know, I'm pretty sure Apple couldn't care less what you do with your music...they would probably have been more than willing to sell unencumbered MP3 files. They make their money off the players, not the music. It's the RIAA that insists on DRM...they control the product. I think anybody complaining because Apple insists on having DRM should have to have a "The RIAA insists on DRM, not Apple" tatoo slapped on their ass. Apple would probably be willing to send you a DVD with a few gig of free pirated starter MP3s if it would convince you to buy an iPod and the RIAA would allow it.

    3. Re:RTFA by Anonymous Coward · · Score: 0
      I think anybody complaining because Apple insists on having DRM should have to have a "The RIAA insists on DRM, not Apple" tatoo slapped on their ass.
      I'd have it tattooed on their right hand (or left hand, if they're left handed).

      When it's late at night and they're jerking off to thoughts of Steve Jobs putting out a iPod that supports Ogg Vorbis - they'd be forced to read it when they're cleaning up afterwards.
  272. uhhh... by musicscene · · Score: 1

    Who, then, is Hiliary Rosen? And *why* should I care?

    [ shrug ]

    --
    "I'm not ashamed I can't function in society like I'm supposed to." - Paul Westerberg
  273. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    Actually, the term for sharing your spouse is called Swinging, not Adultery. See, if it's consentual, and you're in an open relationship, there's no betrayal of trust that the term Adultery implies.

    Of course, it's a whole other ball of wax, but, still. GPLed IRL relationships = Swinging. Yeah baby, Shagadellic. BD

  274. For the last time.... by mblase · · Score: 4, Insightful

    but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?

    They do. They're called CDs. You still sell music on those, right?

    1. Re:For the last time.... by TeknoHog · · Score: 1
      >> but when, oh when, will Steve Jobs let me buy music from somewhere other than the Apple iTunes store and put it on my iPod?

      > They do. They're called CDs. You still sell music on those, right?

      So, in order to use this wonderful technology I still have to buy a piece of plastic with the bits on it?

      People talk about the paperless office. Well I want a CDless computing environment where people would use networks to transfer information. IMHO it is environmentally and logistically dumb to have to fill my shelves with plastic if the only thing I want is bits that I could store on a hard drive.

      --
      Escher was the first MC and Giger invented the HR department.
    2. Re:For the last time.... by mblase · · Score: 1

      So, in order to use this wonderful technology I still have to buy a piece of plastic with the bits on it?

      You mean a credit card? Yes, and you need one of those to buy music on iTMS, too.

      IMHO it is environmentally and logistically dumb to have to fill my shelves with plastic if the only thing I want is bits that I could store on a hard drive.

      If you've waited this long to back up your important data, music, etc. on CD-R or DVD-R, you have my sympathies.

  275. I fail to see the irony by Aggrav8d · · Score: 1

    After all, there's a reason she's the *former* RIAA CEO.
    Calling something ironic when it isn't...is.
    http://en.wikipedia.org/wiki/Irony

  276. Cry me a river by Angst+Badger · · Score: 2, Insightful

    You know, I've always been quick to jump on the Apple sucks bandwagon ever since they deep-sixed my first love, the Apple II, but in this case, I couldn't care less.

    Who but iPod users could possibly give a shit about anything related to iPods? Don't like the way Apple runs it? Well, there are plenty of perfectly workable competitors. They largely lack the fashionability of the iPod, but they work just fine and many of them are cheaper. Go get one and quit griping. There are also plenty of legal ways to get digital music online other than iTunes, and some of them have large collections and competitive prices. Go use them.

    Despite Apple's early lead, which will likely erode over time, this is one field where there is plenty of competition and consumer choice. What Rosen is bitching about, presumably on Microsoft's tab, is that everyone hasn't chosen Microsoft's lackluster offerings in this department.

    --
    Proud member of the Weirdo-American community.
  277. eh ? by Matt_Joyce · · Score: 1

    What is an iPod anyway ?

    Can it play wax cylinders ?

  278. Why are we listening to HER? by Anonymous Coward · · Score: 1, Insightful

    She long ago established herself as someone who would spout any line she was paid to.
    Her long and vehement presidency of the RIAA poisoned the well - she has nothing to say that is worth listening to...

  279. Re:Whiskey. Tango. Foxtrot. by petsounds · · Score: 1

    Who's the shill? She just wants to buy music online from somewhere else other than Apple and use it on her iPod. The sad thing is you're not even being paid to toe Apple's line.

    The only reason she wouldn't be able to play songs from another music store on her iPod is that they too are protected with DRM. As I said before, you can throw mp3s onto your iPod all day long, but if you have problems because your music store of choice is inhibiting your fair use rights with DRM encryption, well maybe you should find an alternate storefront from which to purchase your music. Her argument is hollow because she's arguing in defense of (DRM-protected WMA files) the very type of thing she's accusing Apple of. And the very type of thing she lobbied for when she was head of the RIAA.

    So yes. She is a shill for Microsoft or whatever other outfit happens to be paying her bills at the time.

    This has nothing to do with whether her assessment of Apple's DRM practices are good for customers or not. Because they aren't. But neither are Microsoft's. So let's be realistic here -- both Apple and Microsoft's bread and butter are closed systems. DRM will continue on both sides until customers rebel against it en masse, and I don't see that happening as long as there are readily available ways around it. But if you're buying from a DRM-protected online music store, you're only encouraging their behavior.

  280. Re:Whiskey. Tango. Foxtrot. by Skrybe · · Score: 1

    Playing devil's advocate for a second, paying every time you play a song isn't necessarily a bad idea. IF (and this is a big if) the payment scheme is reasonable and easy to use. If there was a micropayment system where it cost you 1c every time you played a track would you mind? I wouldn't. I know I've paid $20 for a CD with 10 tracks that I've listened to maybe 4 or 5 times in the past ten years.

    Of course the whole idea breaks down at the payment stage. How do you collect the payments and push them to the people who deserve (ahem) them? And how does a 5 year old listening to the Wiggles manage to pay without a credit card and a net connection?

  281. WOW! Talk about letting the brain dead lead! LOL by Anonymous Coward · · Score: 0

    F'n Retards.

    Anyone else noticed that the signal to noise ratio
    is beginning to become painfully out of whack?

    Wake up or shut up, folks!

  282. Re:Whiskey. Tango. Foxtrot. by dr+bacardi · · Score: 4, Funny

    I completely agree... and because simply laughing at it did not seem to do it proper justice, I actually went to the fridge and got a glass of milk, just to have something to snarf when I read it.

    Thank you Rei.

  283. Mod Parent Up!, Not a Troll. by aidbo · · Score: 1

    I don't know why this comment was moderated a troll, because it is very concise and accurate. If I had points at the moment I would mod it up.

    --
    REMEMBER! I was drunk when I posted this...
  284. Re:Clueless? - Paul and Ringo *MAY* object.... by iamcf13 · · Score: 1

    I heard a while back that the Beatles and Apple Computers came to an 'agreement' that essentially said that Apple Computers could use apple.com AS LONG AS they DO NOT start up/become a record label like -- you guessed it -- Apple Records.

  285. Re:Whiskey. Tango. Foxtrot. by TheHonestTruth · · Score: 1
    ditto that. best /. post ever.

    -truth

    --

    I had a steady B+ in my AI class until I failed the Turing test...

  286. Director of Litigation! by Anonymous Coward · · Score: 0

    I wonder was she responsible for suing those bloggers...

  287. Re:Whiskey. Tango. Foxtrot. by Aadain2001 · · Score: 1

    I doubt the RIAA would be happy with 1c per play. More like $1 per play. I'm serious! They will NEVER accept a reasonable payment structure. They have been and always will be bent on gouging the artists and music lovers for all they can without Congress starting hearings. I think everyone on this board would be very happy if all the money they made (or at least 90% or so) went directly into the artists' pockets. But they don't, they go almost completely into the music companies who are less than model corporate citizens. Anyway, I'm happier with iTunes and Apple's DRM compared to what other music stores us, and I'm just tired of the RIAA saying such a scheme is bad (because deep down they hate seeing the consumer finally get some freedom and flexibility).

    --
    Space for rent, inquire within
  288. Re:Whiskey. Tango. Foxtrot. by Wes+Janson · · Score: 1

    Of course they do. But if not for the RIAA's actions, the consumers would have never stood for it in a second. The RIAA created the very market conditions that made it logical for Apple to create iTMS. Apple's only taking advantage of what was handed to it on a silver platter, and giggling all the way to the bank.

  289. Sounds to me like there's a simple answer here by JudgeFurious · · Score: 1

    She needs to return the iPod and go get something else. I'm sure Sony, Creative, or some other company will be happy to put a portable music player in her hands that will give her more options for buying music.

    Clearly the iPod isn't for her.

    --
    Appended to the end of comments you post. 120 chars.
  290. Re:Whiskey. Tango. Foxtrot. by EggyToast · · Score: 1
    There are no copyright laws to enact for private works -- someone's personal diary never goes public domain, family photos never go public domain.

    However, for someone to publish something, they release it to the public. They put it out there to consume by a general or specific audience. They create copies and say "hear, enjoy this thing I made."

    Copyright limits the person who can make the copies to the original individual for a time, so that person can be appropriately rewarded. However, as they are benefiting from the public by adding to the general public culture, so the public is rewarded by their own right to copy public works.

    It's exceedingly similar to the "no penalties for humming something you hear or repeating someone else's comments or popular sayings" and other random stuff. Once it's part of the public sphere, the public has free reign with it. If you don't want it to be public, then don't put it out in the public -- it's easy to do, most of us keep things private quite naturally. For those that do put things out in public, though, there's copyright, so you can control who is doing the copying for a [supposedly short] period of time.

  291. Re:Whiskey. Tango. Foxtrot. by SatanicPuppy · · Score: 1

    You know what I want, jackass? I want to be able to put a fricking CD in my computer and play it without having to color in the damn "Anti Computer Stripe" around the outside. I don't want to have to worry that when I copy a CD to my hard drive, and then lose the orginal, the RIAA is going to sue the crap out of me because I can't prove I paid for it.

    And most of all, I want the absurdly large amount of money that I pay for CDs every year to go to the people who make the media, who make the album art and the case, move the CD, and, most importantly, SING THE DAMN SONG, not some money grubbing ass bandit who does nothing for a living but push recycled crap and screw naive artists out of their copyrights.

    If you like taking it in the ass from the RIAA, more power to you, but I am seriously sick of their crap and anything that makes any of them unhappy is sweet to me.

    --
    ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
  292. Re:Clueless? - Paul and Ringo *MAY* object.... by Anonymous Coward · · Score: 0

    Actually, it's not just about apple.com. The name dispute has been going on for decades, way before .com was publically known. In fact, it's still going on and if you read the recent news, Apple vs The Beatles case will be heard next year.

    Anyway, if Apple (read: Jobs) seriously considers this, they can just easily set up an independent company through which artists sign contracts and name the new company anything but Apple. The problem, I think, is resources. Small/relatively unknown artists could benefit greatly from the exposure, but established big names would not. iTMS market is still a tiny fraction of the whole music market and they would need to sell CDs and that means extra resources to press CD, print advertisements, distributing the CDs, etc. Basically, the company needs to be a traditional record label as well.

    But given that the projected sales for music download, it makes sense that RIAA is afraid of losing control. Already Apple dictates that they won't increase the song prices.

  293. Re:Whiskey. Tango. Foxtrot. by stor · · Score: 1

    the analogy was "societal normalities of the past that don't make sense today."

    Yes yes yes. That doesn't make the analogy any more appropriate: it's an analogy designed to provoke an emotional reaction that's outside the scope of the subject.

    It's like using "kidnapping someone's child" as an analogy for stealing someone's car. They're just not similar activities AT ALL.

    Cheers
    Stor

    --
    "Yeah well there's a lot of stuff that should be, but isn't"
  294. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1
    ummm. you're funny.

    let me try to bring you up to speed about this thread since your post is out in left field. nobody on this thread ever said that artists get a fair shake or was defending the RIAA. the question is whether all music should be "uncopyrightable" and in the public domain, such that no money can be made from recorded music, by anyone including the artist.

    that being said, when is the last time you heard of someone getting sued or harassed or anything else for making a copy of a music CD that that they purchased for use only in their home? doesn't happen.

    yours is a BS argument used by people to justify to themselves that their circumvention of laws is all in a good cause. yes, you're a rebel, fighting against the system alright. in reality, you are converned about saving $15.99. how nobel.

    the way you get money to go to the artist is buy purchasing from independent labels. that avenue is open to you, and has been long before mp3s came along. if you hate them SO much, why are you buying their CDs?

  295. digital music tarts! by AussieVamp2 · · Score: 0

    Wives are people. Your mp3s of Pearl Jam etc., are tarts (non-sentient at that), and are happy to be shared by anybody!

  296. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    Hillary, bitch, this is where YOU wanted the music "industry" to go. That sick smelly panty Valenty has been worse tham Steve Ballmer ("Piracy Piracy Piracy" and "Steal Steal Steal " and "Law Law Law " and "Rights Rights Rights ").

    What a steaming pile of pure, unadulterated, fresh-off-the-stocks bullshit.

    You turds wanted this so that YOU profit. BTW, welcone to the real world. Yoo're not the only one who profits. Apple is making money off your handiwork. Why are you pissed off about them? And you're telling me that Microsoft should bitchslap them? What a mindwhore you are.

    Gotta go and disinfect my eyes and ears.
    And before I leave, a big fat FREE DRM'd "FUCK YOU REALLY HARD UP YOUR ASS WITH A PINEAPPLE" awaits you in your iPod.

    Scumbag.

  297. Re:Whiskey. Tango. Foxtrot. by mrchaotica · · Score: 2, Insightful

    If you read between the lines, what she's really complaining about is that Apple isn't bending over for the RIAA, so they're trying to discredit them and find someone who will (i.e., Microsoft). She's complaining that Apple won't use the RIAA's extra-restrictive DRM, which they want to be the standard instead of Apple's less restrictive (and already cracked) DRM.

    Remember, just like the oracle in the Matrix, she doesn't speak the "truth," just what she wants you to hear. In this case, that's "abandon Apple." She's just using the false promise of freedom to twist people to her will.

    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  298. Re:Whiskey. Tango. Foxtrot. by mrchaotica · · Score: 2, Insightful

    She's lobbying for market acceptance of DRM the RIAA can control -- apparently they're upset that Apple isn't dopping its pants and bending over for them enough.

    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  299. This is straightfoward by obeythefist · · Score: 2, Funny

    Quite easily explained.

    Rosen no longer works for the RIAA, therefore no longer gets all the free "demo" CD's.

    Where then is Ms. Rosen to get her free music from?

    P2P is the answer! But now she is upset that she can't play all of her "free" wma music on her iPod.

    --
    I am government man, come from the government. The government has sent me. -- G.I.R.
  300. Re:Whiskey. Tango. Foxtrot. by Trepalium · · Score: 1

    Well, it has this reputation for being cold... Oh, forget it. I live in Winnipeg, Manitoba, Canada. They could just as easily ship people here if they wanted them to be cold.

    --
    I used up all my sick days, so I'm calling in dead.
  301. Re:Whiskey. Tango. Foxtrot. by jaycagey · · Score: 1

    It gets better - they are apparently against sharing wives but its ok to sell them...

  302. Re:Whiskey. Tango. Foxtrot. by BarryNorton · · Score: 1
    as members of homo sapiens, will always try to maximize their profit
    Agreed - capitalism is what defines us and separates us from the apes. You can try to deny your capitalist urges, but do you want to be a monkey?
  303. Is it April 1st again already? by davmoo · · Score: 2, Funny

    Hilary Rosen speaking out for consumer rights and anti-monopoly tactics is like Jerry Falwell coming out in support of tolerance, understanding, and gay rights. She has to have been misquoted. There is no other possible explanation.

    --
    I want a new quote. One that won't spill. One that don't cost too much. Or come in a pill.
    1. Re:Is it April 1st again already? by aduzik · · Score: 1

      Funny you should say that, because Hilary Rosen used to be the director of the HRC. She left over "differences of opinion with the board" in late 2004. She apparently has a hard time supporting tolerance, understanding, and gay rights even when it's her job.

      --
      If it's not one thing it's your mother.
  304. It's only a monopoly when someone else does it by Anonymous Coward · · Score: 0

    I just want to make a couple of notes/ask a couple of questions.
    1) All the songs you buy from other sites, can they be converted into MP3, right?
    2) Musicmatch WMA's are 160kpbs... 160! Not even CD quality. >.

    I don't own an iPod, but they're decent players. Apple really doesn't force anyone to buy from their iTunes store nor do they force you to use AAC. I don't know what she's complaining about. Apple is making a monopoly the right way, by customer satisfaction. Is that still legal? O.O

    P.S. The songs they rip from CD's... doesn't that mean they have to buy them first? Like, buy them from... you? What's she complaining about again? I'm so glad I don't listen to American songs.

  305. Re:Whiskey. Tango. Foxtrot. by Paua+Fritter · · Score: 1
    Agreed - capitalism is what defines us and separates us from the apes. You can try to deny your capitalist urges, but do you want to be a monkey?

    Bollocks

    For a start, humans are very much like apes. Really we are a variety of ape. Some humans have a superior attitude to other apes but genetically there's fuck-all separating us from them. Just because humans have their own latin name doesn't mean shit. It's a kind of bigotry, in my book, a variety of racism. In fact chimpanzees are much more closely related to humans than to other apes, let alone to monkeys (which are not the same as apes).

    What distinguishes us from other apes is our language skills and manual dexterity, not capitalism. Humans and others apes have been much the same genetically for many many thousands of years, but capitalism is a very recent phenomenon. For almost all of human history we were all communists. Indeed, many humans are still communists, though some Americans apparently don't realise this.

    Embrace your inner ape!

    Apes don't let other apes do DRM!

    Doesn't that make them more advanced than us?

  306. Dear Hilary, something about copy control... by Anonymous Coward · · Score: 0

    I'm from the Netherlands. All music that is available from EMI in my country, and a few other major record companies as well, is "protected" by copy control since 2003. These 'copy controlled discs' are not real CD's. Even cdparanoia and old car radio cd-players choke on it, but most people don't notice. Of course you can make an analogue copy, but the git of it is that you COULD be sued for breaking a protection.

    And now Hilary Rosen tells me she doesn't like it to 'rip a CD' to get the music on her iPod? Well, at least she is allowed to! Dear Hilary, you are my 'god' here, how hard would it be for you to convince EMI to release real CD's instead of 'copy controlled' trash in Europe?

    Since I found out about copy control, I haven't ever bought a single 'copy controlled' disc. Otherwise I'd have spent hundreds of euros on EMI CD's. Well, their loss. Gosh, how strange that CD sales are lower every year!

  307. she is really a BTçH by crashelite · · Score: 1

    can some one just kill the bitch already... she complains about everything and anything.... why dont the other sites just use apples codec or a compatible one... she is still just pissed off about the pepsi ad and how the lawsuit they won ended up getting the little girl more money from doing a commercial

    --
    (yes i know i suck at spelling fell free to correct my grammar and/or spellin i dont care, im still not going to change
  308. crap crap crap by Anonymous Coward · · Score: 0

    I just got a voucher for 5 free songs from my ISP, but II can download them because I don't have Windows. So where is the difference?

  309. Ok, let's talk about copying your car, then by Moraelin · · Score: 1

    "want to make an exact copy of my car and leave mien intact and not hamper me in any way, feel free. "

    The point is that if it was possible to do that, it _would_ hamper you in more than one way. There's no free meal: someone has to pay. For each pirated copy, someone else paid extra. _That_ is my beef with pirates. They steal not from some corporation, they steal from people like _me_.

    But let's talk about cloning cars.

    Do you have any idea how much R&D goes into a car? I'm not even only talking about the chasis and engine. You'd be surprised how much work goes into every single detail. E.g., if your car has bucket seats, months of testing were involved in making sure they won't deform when you put your leg over the edge as you get in and out.

    So let's say everyone and their grandma copied cars.

    So now all those R&D costs would have to be recoupped from selling a quarter as many cars as before. Well, I hope you'd enjoy a world where, if you're a honest consumer, you'd pay twice as much for a car. Because _that_ is what you're advocating.

    Or let's talk economy.

    Since noone can copy cars, not everyone drives a Ferrari. There is a whole range of cars for all budgets. Someone might be able to afford a Ford Siesta or VW Lupo instead. And if a citizen of Russia can't afford either, they can afford a locally produced Lada.

    That all translates into jobs and taxes that help the local economy. E.g., Russia gets to have some local jobs and get some taxes out of producing those Lada. If everyone copied cars, that would be as viable as their local software market, where piracy runs rampant: i.e., dead as a door nail.

    Or let's talk monopolies.

    Look at software for example: there used to be a market for all niches. E.g., you didn't have just MS Word as a doc format, you also had WordStar, WordPerfect, AmiPro, StarOffice and a bunch of others as valid options. They might not have had 100% of the MS Word features, but they were also cheaper. Except in the face of the "or pirate MS Office for free" choice, they all failed. StarOffice is only "surviving" because Sun is bleeding money to artifficially keep its carcass alive, and even that's not going that well.

    Congrats, it helped create a monopoly which sucks tens of billions out of the economy per year.

    Want to see the same thing happen to cars? Well, then hope someone discovers how to duplicate one for free.

    --
    A polar bear is a cartesian bear after a coordinate transform.
    1. Re:Ok, let's talk about copying your car, then by ryusen · · Score: 1

      The point is that if it was possible to do that, it _would_ hamper you in more than one way. There's no free meal: someone has to pay. For each pirated copy, someone else paid extra. _That_ is my beef with pirates. They steal not from some corporation, they steal from people like _me_.
      The point is that it's impossible to just take some software and clone my car. That is the whole point, it's silly to compare physical property with intellectual property. In fact i can see a flaw in my own analogy, that i don't think you mentioned. MP3s are imperfect copies of the actual CD. The car would have to be a perfect copy, rather than a "compressed" one or there will be many safety issues. I specifically mentioned cars, because that is the most common stupid analogy people try and use when making this invalid comparason.


      Look at software for example: there used to be a market for all niches. E.g., you didn't have just MS Word as a doc format, you also had WordStar, WordPerfect, AmiPro, StarOffice and a bunch of others as valid options. They might not have had 100% of the MS Word features, but they were also cheaper. Except in the face of the "or pirate MS Office for free" choice, they all failed. StarOffice is only "surviving" because Sun is bleeding money to artifficially keep its carcass alive, and even that's not going that well.
      so, how is it that a pirated copy of MS word drives everythign but MS word out of bussiness? That sounds faulty to me. IMHO, what drove the others out of busssiness was not the existence of pirated copies of MS Word, but because the people who were buying were only buying MS Word. There are many possble explainations for that; MS Word was better, MS had better marketing, MS used anti-competitive tactics, etal.

      --

      I believe sex is highly over rated... unless it involves me
    2. Re:Ok, let's talk about copying your car, then by Damvan · · Score: 1

      How about looking at it this way. You buy a car. A couple years down the line, they change the "car format" by, lets say, making roads narrower. You now have to buy a new car. Six months down the line, they (being the auto companies) change the "car format" again. You gotta buy a new car. If you had the opportunity to convert your car to the new format rather than buying a new one, you would. Would you call that piracy? You are denying the auto companies of the purchase of a new car. They are loosing money because you converted your car rather than buying another one.

      How is that different from music and their changes in format re: LPs, 8-Track, Cassette, CD, DVD.

  310. Re:Whiskey. Tango. Foxtrot. by Gldm · · Score: 1

    It depends. If you're cute I wouldn't really mind at all, you're welcome to come over and share him. It wouldn't be the first time.

    The funny thing about the internet is you can never assume what kind of people you're talking to.

    --

    Introducing the new Occam Fusion! Now with sqrt(-1) fewer blades!

  311. Re:Whiskey. Tango. Foxtrot. by cafard · · Score: 1

    monkeys (which are not the same as apes).

    Oook!

    --
    This post is awesome.
  312. Re:Whiskey. Tango. Foxtrot. by Technician · · Score: 1

    some of us are grown adults who just want things liek ot be able to get the music we want to buy and play it on any music player we own

    Which is why I settled on the most common format. I use MP3's. I rip to MP3's. My Winamp plays MP3's. My DVD player in the living room plays MP3's. My car CD player plays MP3's. My portable CD player plays MP3's. There is not any other format supported by all my hardware. Any format other than MP3 reduces the playability of the music and reduces it's value to me. Low value at a high price = no sale.

    I-tunes at free (the Pepsi promotion) even gets ignored by me. The time and trouble to download a program, set up an account, and download one or two songs playable only in their program on just the PC isn't worth it. Having a couple songs that play only on the absolute worst sound system I own does not get me to go out and buy a bunch of songs.

    The problem is not many stores sell MP3's. Too bad.

    I agree with Hilary. I don't want to support multiple playlists on multiple devices to support multiple formats. Sell me music in a format all my hardware and software can play. Is that too much to ask?

    --
    The truth shall set you free!
  313. Wah.. Wah.. Not fair.. by TractorBarry · · Score: 1

    "Wah.. wah.. wah.. it's not fair. People are getting locked into THEIR technology when they should be getting locked into OUR technology".

    Me ? I'm not buying into ANYONES lock in technology. You can shove your DRMd Apples iTunes right up Hilary Rosens arse.

    --
    Sky subscribers are morons. They pay to be advertised at !
  314. Girlfriend by Anonymous Coward · · Score: 0

    RTFA. She has a gf who gave her iPod. Does anybody else find that interesting?

  315. Re:Whiskey. Tango. Foxtrot. by BarryNorton · · Score: 1

    Maybe what separates us from the animals is a sense of irony!

  316. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    If there's such a WORLD OF DIFFERENCE can you explain what it is, please? You're just defining them to be different (one is "copyright infringement", one is "adultery"). Let's call adultery "copyright infringement" so the have the same name. Now, what's the difference? Assuming I'm not raping your wife but I am in fact copying your music without your permission, which is worse? Do you own your wife? Do I *not* have the right to say you have to pay to play a song I wrote? Come on, what's the difference?

  317. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    it's an analogy designed to provoke an emotional reaction

    And it's working, because that's all we're getting from you on the subject.

    In fact, you're the one being unreasonably emotive. You're introducing this new concept of how an analogy is "designed" in order to avoid facing the analogy objectively head-on.

  318. Re:Whiskey. Tango. Foxtrot. by thynk · · Score: 1

    [ off topic ]
    Don't think there is a thing wrong with Siberia. In fact, later this week my wife and I are taking our honeymoon to Moscow and St. Petersburg. ok, so neither are exactly Siberia, but closer than say Mexico or the Bahama's.

    Little scared, neither of us have a clue of to the language and if we get seperated from our private tour guide we can only hope that someone will be able to understand our gestures, pointing in the phrase book or speak a little english, german or even french.

    Not all couples plan their honeymoon for 8 months, not all couples go to Russia but then again, not all couples get married a month to the day of when they first met either.
    [/ off topic ]

    [ on topic ]
    Do believe that I read that this posting was a total farse and should be read as strictly humor. could be wrong, but that's the the register presented it.

    [ /on topic ]

    --

    Good judgment comes from experience, and a lot of that comes from bad judgment.
  319. This is a spoof... by old+man+moss · · Score: 1
    Reading the FA, this article seems pretty obviously a spoof...


    "I know Steve Jobs is a god." ???

    --
    rt
    1. Re:This is a spoof... by Anonymous Coward · · Score: 0

      This is indeed a spoof... Or maybe they are spoofing the real thing... or maybe it's a spoof of the real thing that is a spoof...

      Anyway... clicky:

      http://www.theregister.co.uk/2005/05/09/rosen_joke _jobs/

  320. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    >It's like using "kidnapping someone's child" as
    >an analogy for stealing someone's car.

    Come on, with respect to what the act entails and the consequences thereof, they _are_ similar. The kidnapping is many times more serious, but they both involve removing your "access" to something/someone you value. The kidnapping is more serious because: 1. It involves causing harm to another being, namely the child 2. The parents and everyone who loves the child will be dead worrried, thus causing further harm to other beings.

    But fundamentally both actions are wrong, and so is your argument.

  321. Re:Whiskey. Tango. Foxtrot. by SatanicPuppy · · Score: 1

    Wrong answer. I started this thread with a little ad hominem against the fricking RIAA. So, really this whole subthread is about nothing as much as how much I hate the RIAA.

    And lo, look how relevant my sig is. Why don't you read what I actually said, before you start telling me what I think?

    --
    ad logicam Claiming a proposition is false because it was presented as the conclusion of a fallacious argument.
  322. Re:Whiskey. Tango. Foxtrot. by mabinogi · · Score: 1

    Irony - just like Goldy and Bronzy, but made of Iron! (sorry Baldrick)

    --
    Advanced users are users too!
  323. Re:Whiskey. Tango. Foxtrot. by emptor · · Score: 1
    Sell me music in a format all my hardware and software can play.

    I don't need it in a format that all my hardware understands; I just need it in a good lossless format that I can then legally convert to whatever other format I choose.

  324. Another reason Apple shouldn't do WMA by argent · · Score: 2, Interesting

    The implication is that if iTunes dished out WMA, then she'd be happy, because MSFT are already bum-buddies with the RIAA.

    You also have to consider the fact that WMA is harder to break because it runs only on Windows and Microsoft has embedded Windows Media Player's DRM component (as of version 9) deeply in the kernel where it's much much harder to patch than iTunes, which is just an application.

    This isn't really a problem, because it doesn't really matter whether DRM is breakable or not, because building a DRM that's really unbreakable is a fantasy. DRM can never be more than a token effort on any system that isn't embedded in epoxy from the data to the cortex, with a self-destruct charge wired into the data that'll go off if it thinks you're trying to break into it. Anything less can at the very least be intercepted between the metal and the meat.

    And with the internet, once one person, anywhere in the world, has beaten the DRM... it's beaten everywhere. All DRM can do is slow things down. So stopping piracy isn't the real point to DRM. Now the people who push DRM may honestly believe it is, but it's not... it can't stop piracy. But... it DOES have an effect.

    What DRM does is increase the control the people peddling the DRM have over the people using the end product. And control can ALWAYS be parleyed into money. DRM doesn't actually have to work to make this control possible, people just have to go along with the DRM. So, it just has to be strong enough that people go along with it, without being restrictive enough that people are forced to try and break it anyway. And iTunes seems to be doing a pretty good job of that, actually.

    Anyway, the big problem for a lot of us who oppose DRM is not that it makes music cost a little more or be a little less convenient, it's that DRM depends on keeping a part of the system you sell to a user secret from the user you sell it to. To build a really strong DRM mechanism you really do need a tightly controlled proprietary system... an "open source" DRM is a contradiction in terms. In fact, even having a DRM plugin or component in an open-source application is impossible. Hell, even having openly documented hooks for the DRM module would render it irrelevant. Any place you let the user control what his own hardware and software are doing you provide a place to strip out the DRM. And putting that control in the hands of the user... not the vendor... is what Open Source and Open Systems are really all about.

    Now, a little bit of openness isn't really a problem for the DRM advocates. After all, they started out by complaining about the impact of 'piracy' on a system that had no DRM at all. But over the years they have convinced themselves that it is.

    And Microsoft's DRM is "better" than Apple's.

    And that's why I don't want Apple using WMA, anywhere. I don't want the DRM pressure groups to push Apple to reduce their commitment to Open Source and Open Systems.

    1. Re:Another reason Apple shouldn't do WMA by Trepalium · · Score: 1
      I disagree about the "strength" or "weakness" of DRM running on an Open Source OS. First, it depends very greatly on which license we're talking about. If it's the permissive kind of license (BSD, MIT, etc), then there's no real difference between it and proprietary because proprietary extensions may be added without source disclosure. Since Apple's Darwin is licensed from such a permissive source, there's always the possibility that there are proprietary extensions which set up the framework for the DRM, and also prevent it from working without it.

      Assuming we presume that a so-called "Copyleft" license was used, then there are other tricks that can be employed. One of them is technologies similar to TCPA. You "measure" the system startup, and the signatures of the system, and get the correct decryption key only if the signature matches the known state. (This technology can also be used for "good" by allowing you to encrypt your own personal data and also making it impossible to decrypt by any other means than the official ones. An IBM employee wrote a useful document on this for Linux Journal)

      They are working feverously on unbreakable DRM, and even GNU/Linux can't stop it. All that remains is the "analog hole". Hopefully that's an unsolvable problem, although there have been talks about mandating watermark detection.

      --
      I used up all my sick days, so I'm calling in dead.
    2. Re:Another reason Apple shouldn't do WMA by argent · · Score: 1

      If it's the permissive kind of license (BSD, MIT, etc), [...] Assuming we presume that a so-called "Copyleft" license was used [...]

      It doesn't matter what license is used, your DRM still depends on being able to establish an unimpeachable chain from the hardware to the hardware, from the hardware the data is stored in, through the hardware the software is running on, to the hardware that's presenting the data to the physical world.

      What you're talking about in both cases is creating a "digital epoxy" that the unchanging binary can be embedded in, and it could be that some such scheme can actually be implemented in a way that really does prevent all possible spoofing mechanisms, down to emulating the environment that the checksum code's running in and letting it measure the "right" data regardless of what the physical CPU's actually doing... it's not like the problem of hiding diagnostics where copyprotection software can't detect it, or hiding rootkits where user-level administrator tools can't see them, isn't one that's been under active attack by the "dark side" for decades.

      But let's grant that it can be done. It doesn't change anything. Because the important part of open source isn't the license, the important part of open source is what you can do with it.

      So... even if that's possible, what's the difference between an open-source environment for which you can't actually use the source, and a proprietary closed one? Not a damn thing that I can see.

      And whether it's possible or not, it's much harder than building the whole thing out of sight where someone can't easily put a tap in between the media player and the analog card.

  325. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    It's not "what you WANT to hear", its "exactly what you NEED to hear". Thats is a big difference.

  326. Re:Whiskey. Tango. Foxtrot. by farble1670 · · Score: 1

    okay, well then i guess you are right. thanks for telling me what i am talking about and what i think. you might also try telling your lamp at home it thinks.

  327. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0
    "The iTMS DRM exists because she (the RIAA) demanded it. Now she is complaining that they are using it?"

    Hilary Rosen stepped down as head of the RIAA awhile back. Her personal views on digital music are significantly different from the views her job required her to support.

  328. Re:Why should it be a DRM not owned by Apple? by 99BottlesOfBeerInMyF · · Score: 1

    I don't grudge Apple their success. They are playing the game by the rules and doing very well. I have a problem with the rules in general though. Those rules were established by the RIAA and the politicians they bought. They are introducing technological restrictions on music, backed with legal restrictions on removing those restrictions all because they can't quite manage the votes to implement legal restrictions directly and because people would be pissed off about it. They're also spinning the whole thing as "stopping pirates" when it is really about selling the same thing to the same person several times.

    Imagine if in 50 years all the major car manufacturers struck a deal with Walmart that made their cars go into autopilot mode and drive to Walmart whenever a person tried to go into a K-mart etc. parking lot. (Yes, I know the example is ridiculous.) Then they passed a law that said removing or modifying the autopilot was illegal since it is needed to stop criminals from escaping from the police. That is how I see the current DRM situation. Laws and technology are being used to take more money for the same old thing and disguised as stopping crime. I should not risk jail time for playing a song I bought in Linux and I should not risk jail time for driving my car to K-mart. Apple is not a monopoly, but the RIAA sure as hell is an illegal cartel.

  329. What a load of fertilizer by ygor · · Score: 1

    She says : "There are lots of places you can go for great music at good deals and with a deep catalog of songs from over the last 20 or 30 years. MSN.com, Rhapsody.com, aolmusic.com, even walmart.com." Yea, and all of them "offer" music in Microsoft's proprietary, uneditable, unconvertable format.

  330. Translation: (satire) by StormKrow · · Score: 1
    ..."We don't like Apple's way of doing things, because it limits the ability of the consumer to pirate songs, thus limiting our ability to sue you, The Consumer, preventing us from justifying our jobs."

    (can you say entrapment?)

    --
    Who cares about the ozone layer?...thanks to CFC's I can write my name......IN CHEESE!!!
  331. Interesting.... by nullhero · · Score: 1

    iPod = iTunes (locked in because Apple doesn't share the DRM)

    all other MP3 players = all other wma formats (pay licensing fee to M$ for DRM - still locked in)

    iPod play MP3's without DRM = yes
    all other MP3's without DRM = yes/no (more to the no these days with the yes getting smaller & smaller - not 100% sure on that last remark)

    What's the diff. Everyone but Apple missed the bandwagon and now they cry foul?!? What is so wrong with iTunes Music Store anyways. Doesn't it have a good selection? Or is it that they are the marketplace and everyone else is going "D'oh!"

    --
    Save Pangaea!! Stop Continental Drift!!
  332. Re:Whiskey. Tango. Foxtrot. by senatorpjt · · Score: 1

    Nobody's locked into buying an iPod. iPod buyers are locked into using iTMS. (or allofmp3, or god forbid leaving the house to go to a store and buying a CD :)

  333. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    "And she probably didn't realize her statement that "even if the cheapest one costs a few hundred dollars" is invalidated by going to the Apple website and seeing that the base iPod shuffle costs $99."

    Don't get me wrong - I'm anti-RIAA, anti-DRM, and pro-IPOD.

    But the ipod shuffle is not really an ipod. The Shuffle is "Apple tries to cash in, but can't live up to itself".

  334. Re:Whiskey. Tango. Foxtrot. by LaCosaNostradamus · · Score: 1

    Sell me music in a format all my hardware and software can play. Is that too much to ask?

    Yes, it is too much to ask, since that format is too loose and leads to some loss of copyright.

    I love the idea of a DRM system ... as long as we consumers can choose non-DRM systems entirely. Those what want their material covered by DRM can release it under DRM format for DRM systems, and anyone else wishing to try their luck (and there are a lot of those guys) can release their material under something else ... possibly under your "all-hardware" format.

    The market will then choose, variously.

    (But this is where the staunch capitalists in the music industry turn tail and show us their true colors of dyed-in-the-wool socialists. The music industry wants to make all product pipelines DRM enabled.)

    --
    [You have a stable society when some nut guns down a schoolyard and the law doesn't change.]
  335. Microsoft's license terms for developers? by argent · · Score: 1

    Google hasn't been helpful here, what I'm looking for is what Microsoft's license for the WMA DRM software is to third part software develipers and hardware integrators. That is, if I were to build a media player that played Microsoft's WMA files, what would they require me to do in the player's hardware and operating system to protect the integrity of their DRM? We know what they themselves do on Windows... they embed a portion of the media player's software in the kernel to make sure it can't be trapdoored. If Apple were to license Microsoft's DRM, precisely what control would that give Microsoft over the design of OS/X?

  336. Pardon for the typos... by argent · · Score: 1

    Not to self: Not only should you Preview, but if you DO make changes, hit Preview AGAIN before Submit. "develipers" indeed. *sigh*

  337. Re:Whiskey. Tango. Foxtrot. by Anonymous Coward · · Score: 0

    Some ppl just have no shame!

  338. Re:Whiskey. Tango. Foxtrot. by hesiod · · Score: 1

    > iPod buyers are locked into using iTMS.

    I have an iPod mini and have never used iTMS...

    What I'm pissed about is being forced to use the iTunes software to transfer files. Why the hell can't I just drag the files into the drive? It's USB and makes the drive letter, you just can't do anything with it, AFAIK.

  339. Re:Whiskey. Tango. Foxtrot. by hesiod · · Score: 1

    > It's not "what you WANT to hear", its "exactly what you NEED to hear".

    No, I don't NEED to be a brainless zombie consumer that buys whatever shit they spew. Nor do I want to be one.

  340. Re:Whiskey. Tango. Foxtrot. by hesiod · · Score: 1

    > paying every time you play a song isn't necessarily a bad idea

    Yes, it necessarily is. Devil's advocate or not, it's a horrible idea, unless I can listen to an album for a few years and never accumulate more than $16-20 in fees for it. And I can copy it anywhere I damn well please. Only then will it come close to resembling anything fair.

  341. Re:Whiskey. Tango. Foxtrot. by PhraudulentOne · · Score: 1

    dyslexic? Sorry, I should say "dyslxeic?"

    --
    You create your own reality - Leave mine to me.
  342. Not Her Monopoly by Anonymous Coward · · Score: 0

    She's just mad because its not her monopoly.

  343. Wilco by Anonymous Coward · · Score: 0

    I'm not sure what point you're trying to make, given that the article is about a criticism of iTunes. Is it the fault of M$ or Apple or both for not fully supporting M$ formats on iTunes or WMP 9, and what difference does it make for an iPod user anyways?

  344. Let's not allow articles written by women on /. by Anonymous Coward · · Score: 0

    Let's not allow articles written by women on /.

  345. Her fault. by iSeal · · Score: 2, Insightful

    She can have music other than that from iTunes on her iPod. Its just that removing the DRM from those other legit music files obtained at other legal music distribution sites would be illegal.

    Steve Jobs has little to do with what DRM systems other companies implement. No, the DMCA is more to blame here for causing this mess. The very act that she helped pass.

    It is because (indirectly albeit) of her own actions that using music legitimately bought any way seen fit (ie. using it on more than just one brand specific MP3 player) is illegal.

  346. Re:Whiskey. Tango. Foxtrot. by argent · · Score: 1

    I don't NEED to be a brainless zombie consumer that buys whatever shit they spew.

    Citizen, please report to re-education camp 91101 immediately for an update of your healthy behaviour reinforcement regimen. Have a legally pleasant day.

  347. Re:Whiskey. Tango. Foxtrot. by argent · · Score: 1

    its thier scheme, not mine, no negotiation.

    You negotiate with your wallet. If you don't want it, you don't buy it. We're not yet anywhere near a world where we're forced to buy DRMed music or no music at all, even if that's the world the RIAA wants.

  348. *Free* downloaded MP3s don't have this problem by billstewart · · Score: 1
    I've got an iPod Shuffle rather than a diskful iPod, so I suppose it could be different, but I've had no problems downloading songs from a number of sources and playing them on my iPod. As far as I can tell, none of them have significant DRM in them, but they've all been legal downloads, mostly either directly from the musicians' own web sites or from online stores that are selling CDs and provide sample tracks.

    By contrast, I haven't been *able* to rip my own CDs using iTunes (:-) I think it's either a problem with my CD drive or the drivers or some XP setting I'm not aware of. And iTunes on XP is the first piece of Apple software I've used that didn't Just Work - I've got XP Home, with separate user IDs for root, me (as non-administrator), and my wife, and I had to become root to install iTunes, so it insists on keeping root's music separate from mine in various annoying ways. And there's some flakiness about accessing the iPod as a USB drive - sometimes it's there and sometimes it disappears.

    --

    Bill Stewart
    New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
  349. Audiophiles, Classical Music, Perceptual Coding by billstewart · · Score: 1
    CDs hadn't come out yet when I was in college, so audiophiles were into perfectly geared vinyl turntables, expensive speakers, and arguing about whether vacuum tubes really were or were not better. One of my housemates had a moderately expensive stereo, but had come to the conclusion that for classical music, it wasn't worth spending his money on upgrading it, because it was good enough to hear what the orchestra was playing with decent fidelity. The real place to put his money was into better recordings by better orchestras with better conductors, because if you're listening to the Obsequious Commercial Strings conducted by Joe Tuneless and recorded by the Random American Record Company, it doesn't matter *how* well your stereo reproduces the sound; you're better off getting Deutsche Grammophon recording Furtwangler conducting the Berlin Philharmonic and playing it on something from the clearance bin at Radio Shack.

    If midrange listening equipment isn't enough to let you compare MP3s vs. raw WAVs, then MP3s are good enough for you. And if you need to have a well-insulated listening environment with no ambient noise, then MP3s are good enough for your car stereo or the portable player you use on the subway or the background music at a party. Perceptual coding's designed so that it still sounds pretty good even if you're losing big chunks of the waveform. It ain't perfect, but most of us aren't in environments where it matters, and most of us don't have your finely-tuned listening skills.

    Also, the really big advantage of MP3 isn't just how much you can fit on a big storage device like a CD - it's what you can fit on a flash-based player, and how long it takes to download things (more important for dialup, as you point out, but also for broadband - it often takes me 10-20 hours to download CD-sized files on BitTorrent, depending on how popular they are, and the music I've downloaded has mostly been in lossless formats (FLAC or SHN) which are a bit smaller than life-sized but still a lot bigger than MP3 or AAC.

    --

    Bill Stewart
    New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
    1. Re:Audiophiles, Classical Music, Perceptual Coding by bechthros · · Score: 1

      Couldn't agree more. My original point was that mp3's are today what cassette was in the 80's - which is to say, good enough for most people. Somehow the conversation got dragged over into whether or not mp3's were as "good" as pcm.

  350. Mod Parent Insightful, Please by billstewart · · Score: 1

    Yup. I've had no problems playing MP3s that I downloaded from the net, including from musicians' own websites and from CD-selling websites that have sample tracks. I've got no desire to have music in multiple DRM formats, though I've put up with Apple's format to use iTunes on my Shuffle.

    --

    Bill Stewart
    New Fast-Compression-only CPR http://preview.tinyurl.com/dy575ks
  351. Hi, I'm Hilary Rosen! by dangitman · · Score: 2, Funny
    I have to say this fucking article is hilarious. Hilary Rosen Blogs, gets up-close and personal with her fans!

    The new iPod my girlfriend gave me is a trap.

    Isn't everything a girlfriend gives you a trap in some way or another?

    MSN.com, Rhapsody.com, aolmusic.com, even walmart.com. There are little players to make your favorite music even more portable than ever starting at as little as 29 bucks.

    And I suppose you use one of these little $29 players and buy your music from Walmart.com, Hilary?

    Most agree it is the best quality player on the market even if the cheapest one costs a few hundred dollars

    Why, yes they do.

    I know Steve Jobs is a god.

    I've got an altar in my bedroom, at which I sacrifice virgins daily. If Jobs is a God (hey, it nearly rhymes!) then it seems somewhat blasphemous to crticicize His music store on small technical details. Shouldn't the papers be screaming headlines that an actual, honest-to-Jobs deity is currently gracing this great green-and-gray Earth?

    The iPod: Designed by God. Priced for mere mortals. Dare you resist?

    Look, I bowed at his feet when the iPod and iTunes was created because HE GOT THE BALL ROLLING. He is as laconically casually cool as Bono and makes really good cartoon movies too

    Of course! How could I be so stupid? I thought Jobs was a founder/CEO of a computer/software/electronics company, and recently the CEO of an animation studio. But I've been so blind! What really matter is that Jobs = Bono in the coolness stakes. Although to be fair, Jobs is also Keanu Reeves. After all, if he can be CEO of two wildly successful companies, then why can't he be two iconoclastic alternate-reality pop-media personae simultaneously? Of course he can, because Jobs is omnipotent.

    But keeping the iTunes system a proprietary technology to prevent anyone from using multiple (read Microsoft) music systems is the most anti-consumer and user unfriendly thing any god can do.

    Yes, Hilary read Microsoft. I know you do. Get paid, too.

    Is this the same Jobs that railed for years about the Microsoft monopoly? Is taking a page out of their playbook the only way to have a successful business? If he isn't careful Bill Gates might just Betamax him while the crowds cheer him on.

    Is being Betamaxed something like getting an Atomic Wedgie? That sounds painful, especially if done by someone named Bill.

    Come on Steve - open it up.

    As soon as you open your legs, sweetie.

    --
    ... and then they built the supercollider.
  352. Re:Whiskey. Tango. Foxtrot. by qopax · · Score: 1

    Siberia is a fairly large region. Where I lived it was a pretty temperate climate, as in, hot summers, cold winters (snow helped though).

    --
    I pwn this comment. "The Fine Print" says so.
  353. Re:Whiskey. Tango. Foxtrot. by Skrybe · · Score: 1

    The whole logic behind pay as you play is that you can use it anywhere - just as long as any time you play it you pay the fee. As long as they're getting a slice they wouldn't care if you're doing that on your PC/car/home stereo/walkman/whatever.

    Now just think, if the micropayment is 1c like I mentioned. How many plays does it take to hit $20? Two thousand of course. Now I suppose we should divide that up since the average CD has say 10 tracks on it. So that gives you 200 plays of each track before you hit the $20 that the CD would cost normally.

    Now unless you have nothing else in your music collection it's unlikely that you'll hit 200 plays even over 10 years. Also, bear in mind that we're talking about an economic decision that will balance out over your entire music collection. So even if you do absolutely love one song and play it ten times a day, every day the net effect is that it will work out cheaper because those other CDs that you bought on a $20 CD that you listen to maybe once a month suddenly become much cheaper.

    The only people who would be disadvantaged would be people who only have an extremely limited playlist. Anyone with more than a few dozen tracks is going to be better off.

    eg: Buy a 10 track CD for $20 (therefore $2/song). You play 5 of those songs once a year, 3 of them once a month and 2 of them once a day. That would result in $7.71 costs for the year. Bear in mind of course that your play frequency is likely to drop of drastically as you get new tracks. Personally I can't think of any song I own that wouldn't eventually give me the sh*ts hearing it every single day.

    A positive effect this has is the company (and the artist) gets rewarded for the tracks that are actually being listened to. And NOT the ones that are filler on a CD, or for that matter the crap CDs that good bands put out every now and then to meet contractual obligations. To some extent iTunes (and similar) accomplish this by allowing you to buy a single track. However, there is still no indicator of how often a track is played.

    And even if that wasn't a persuasive enough argument there is still no reason they can't come up with two forms of licensing - buy outright and pay to play. The concept is no different to buying a DVD or renting it from blockbuster.

  354. Re:Whiskey. Tango. Foxtrot. by Technician · · Score: 1

    The market will then choose, variously.


    Very true. My DVD player in my living room and my car CD player won't play I-tunes without an extra investment of time and material to burn a CD (at reduced quality and again to get MP3). Same for anything MS format. The fact I can't play it is why I don't buy it.

    and anyone else wishing to try their luck (and there are a lot of those guys) can release their material under something else ... possibly under your "all-hardware" format.


    It's about the only thing other than ripping CD's I use. The indi stuff needs better billboard ratings. You have to weed through a bunch of avarage stuff to find the gems. The gems are all things that never gets air-time, so it's harder to discover. All in all, I don't buy much music anymore. The new stuff arrives intentionaly broken and very expensive. The indi stuff takes forever to find and is also expensive.

    Public domain stuff is a rich source of good programming. I've been collecting old radio programs. Most of it is already in MP3 format. Most of what I have found in MP3 format is in better condition than some of the old radio programs I got on cassette tape or reel to reel. Too bad they extended the copyrights. I wanted to get the Radio Mystery series, but sadly I'll be dead before it becomes public domain. It's also not offered for sale at any price.

    The problem with copyright is works that are not sold are simply locked in a vault, maybe never to be seen. Examples include Walt Disney's "Littlest Horse Thieves", "Third man on the Mountain" and the CBS "Radio Mystery" series. All of which I'm interested in.

    As a result, I buy other things besides music and simply replay my library.

    --
    The truth shall set you free!
  355. Re:Whiskey. Tango. Foxtrot. by putaro · · Score: 1

    For fuck's sake:

    Exactly!

  356. Re:Whiskey. Tango. Foxtrot. by unclethursday · · Score: 1
    Except for some of us, your payment system wouldn't work out cheaper at all.

    I've got 828 songs on my iBook. 28 of them have never been listened to the whole way through (since iTunes only counts complete play through of songs as a play) since I bought my iBook in March 2004.

    I've got 3 songs at over 250 play throughs. I've got 4 more over 200 plays but under 250. 8 at over 150 but under 200. 36 at 100 or over but under 150. 70 at over 50 and under 100. 609 at between 10-50 plays. And 74 at under 10 full play throughs (but at least 1).

    And I haven't even ripped all my CDs to this thing yet.

    For people like me, who like to have background music, and sometimes fall asleep listening to their music, your proposed micro-payment system would bankrupt us in just a few years.

    Half the time, I'm not even truly listening to the music, but I like the background noise. The other half, I'm choosing songs I want to hear at the time, and they are usually grouped together (hence the large amount of 100+ plays). The only reason my library hasn't been played through more is some of the tracks are over an hour long, so they take a while to go through... otherwise, I don't think I'd have many songs at under 50 play throughs at all.

    Under your proposal, my 609, if we say they all got played just 10 times for a nice even number, is $60.90. We can add $0.74 for the 74 at least one play through (saying they only got played once) for $61.64. Another $35.00 for the ones played at least 50 times, for $91.64. $36 for the ones played at least 100 times, for $127.64. $12 for the 8 at 150, for $139.64. $8 for the 200 plays, for $147.64. And $7.50 for the 250 play throughs, for a grand total of $155.14.

    $155.14 is more money than I've spent on CDs/iTMS in the past 2-3 years combined. And my music is playing in the background right now, so those little $0.01 charges would still be adding up in your proposal. I can easily suspect by next March, I will have racked up another $150+ in charges under your proposed system, not including any other music I buy.

    For music fans, a pay per listen scheme is not a viable option. And, as a music fan, my music is basically playing almost 24 hours a day.

  357. the Truth by Anonymous Coward · · Score: 0

    I wonder if Hillary Rosen ever met the truth.

    I don't know if met is the right word. In order for it to register with her the Truth would probably have to walk up to her, spank her, and slap her in the face a couple of times. And still maybe not.

  358. Re:Whiskey. Tango. Foxtrot. by stor · · Score: 1

    Come on, what's the difference?

    It's a different physical activity with very different ramifications. Hypothetically, If I did something that infringed on your copyright you'd be justifiably upset. If I slept with your wife without permission you'd more likely be psychologically traumatised.

    My argument is thus: In general the "sleeping with wife" analogy elicits an emotional response greater than the subject of copyright infringement thus raises the apparent seriousness of "copyright infringement".

    Of course what I say above is not necessarily always the case: peoples reactions to the situation will be different. Some may love their copyrighted music more than their wife, who knows?

    Anyway I'm sounding a lot more emotional than my convictions on the subject and I'm being pedantic. It's something that irk's me, that's all. I didn't expect such attention, stupid me :)

    Cheers
    Stor

    --
    "Yeah well there's a lot of stuff that should be, but isn't"
  359. Re:Whiskey. Tango. Foxtrot. by Demonspawn · · Score: 1

    Open up iTunes and connect yer pod, then click on the iPod properties icon (somewhere in the bottom right corner). I'm not sure what tab it's under, but there is a choice to use your iPod as an external harddrive.

    When I got my pod I intentonally got the 60GB over the 30GB because I knew I'd kick myself later if I didn't. Currently, I've only got around 2k songs, but I've got so many files (a lot of ISOs, mostly) that there is only 15GB left on the drive.

    But ya, I also wish I could just drag and drop MP3 files to add them.

    --Demonspawn

  360. Re:Whiskey. Tango. Foxtrot. by xilet · · Score: 1

    Friend of mine is living out in St. Petersburg currently and actully spent a fair amount of time up in Siberia [teaching english], he loved it. Pretty much as long as you have american money, that will speak for you. But just hold on to your posessions tightly, odds are you won't disapear but your camera sure might.

  361. Looks like it was all a hoax. by Anonymous Coward · · Score: 0
  362. Re:Whiskey. Tango. Foxtrot. by lisaparratt · · Score: 1

    Sure - which one do you want to borrow?

  363. Re:Whiskey. Tango. Foxtrot. by Skrybe · · Score: 1

    That's where fine tuning comes into it. Like I suggested there is no reason that you can't have a buy outright option as well as a pay per play option.

    Regarding partial plays... well that raises an interesting question. Do they get billed or not? Again that's something that could be fine tuned (pardon the pun). They could potentially be billed on a time played basis. For that matter it'd probably be better to pay based on time played rather than songs played. Otherwise punk tracks that are 2 minutes long are poor value compared to 18 minute prog rock epics.

    On the amount played note... I'm curious where your stats come from and what the duration is? Because that comes out about 100 days of continous music, non-stop. that's making a couple assumptions about track length and number of plays of course. I'll take a look at my audioscrobbler stats later tonight to see what sort of usage I have (simply as a point of comparison).

  364. Re:Whiskey. Tango. Foxtrot. by LaCosaNostradamus · · Score: 1

    The gems are all things that never gets air-time, so it's harder to discover.

    Despite my scorn for the monied music industry, this is exactly the service that they DO offer -- presentation.

    The new stuff arrives intentionaly broken and very expensive. The indi stuff takes forever to find and is also expensive.

    Perhaps this suggests that music is innately valuable. We're going to be hit by a money expense (for pipelined stuff) or time expense (for indie stuff).

    Too bad they extended the copyrights.

    Too bad for them we outnumber them. The US Congress can ignore the US Constitution only so long. All this music piracy is the public's reaction to the undercurrent of extreme corporate ownership.

    The problem with copyright is works that are not sold are simply locked in a vault, maybe never to be seen.

    Why is that a problem? Isn't a original work up to the creator to decide what to do with it?

    Are you implying copyright should be like patents, in that a formally copyrighted work must be revealed? Or are you implying that a publically-chartered corporation like Disney owes the public exposure of its works?

    --
    [You have a stable society when some nut guns down a schoolyard and the law doesn't change.]
  365. Re:Whiskey. Tango. Foxtrot. by thynk · · Score: 1

    Got back this weekend. Had a wonderful time, so beautiful up there. Didn't lose a single thing to a thief, everyone was really polite and nice, even when we got somewhat lost on the moscow subway.

    --

    Good judgment comes from experience, and a lot of that comes from bad judgment.