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Your Digital Photos Are Too Professional

ScentCone writes "AP's technology writer Brian Bergstein reports that your 8 megapixel camera, and lukewarm+ lens/Photoshop skills may keep you from getting over the counter image printing services. Professional photographers have successfully sued processors (like Wal-Mart) for reproducing their digital works without permission. Clerks are now being told to deny print orders for some work that looks too good. Talented amateurs are having to jump through hoops, present documents, and otherwise cajole teenage cashiers into taking their orders. No doubt one successful suit costs more than a thousand denied amateurs' orders, but sheesh. On the other hand, pro wedding photographers depend mightily on the income derived from reproducing their work, and it will take time for things to evolve to the point where clients are willing to pay a lot more up front in exchange for wider image rights after the fact. There's no well-supported digital equivalent to a negative (as reasonable proof of ownership), so retailers are defensively resorting to near paranoia to stay out of court."

739 comments

  1. what's all the fuss? by yagu · · Score: 5, Funny

    I don't know what all of the fuss is about.... I've been having my pictures printed at WalMart for years, and never had any problems....

    That leads to some awkward moments at photo desks when customers' images get barred for essentially looking too good.

    ..., ahem, ...., uh, ...., never mind.

    1. Re:what's all the fuss? by noidentity · · Score: 5, Funny

      Luck you! I had them rejecting freakin' accidental shots of the wall, claiming I must be trying to reproduce some expensive abstract modern art.

    2. Re:what's all the fuss? by WickedClean · · Score: 3, Funny

      A friend of mine had some trouble with Walmart censoring his personal photos. He and some friend took some funny pics with a hot dog and it looked like...well...a 'real' weiner. They refused to give my friend his pics, so he stood by the desk and harassed the customers for a half hour before they finally agreed to give him the pics if he'd just go away.

      --
      ...All I can say is that my life is pretty strange...
    3. Re:what's all the fuss? by museumpeace · · Score: 1
      I submitted the same news but now reading what I wrote, well, like you say, ahem, uh... never mind.
      As if high quality DIY photoprinting on ever cheaper home printers weren't making life hard enough for photo labs, now the professional photographer's version of DRM is further cutting into business. Washington Post enlarged on an AP story about Walmart and Walgreens refusing to print pix of ordinary folks because they looked "too good" to be amateur and where suspsected of being pirated from the internet. The pro photographers do understand the problem: "Steve Noble, who oversees regulatory affairs at the Photo Marketers Association, believes the situation will remain hazy unless copyright laws that were written in a different technological era are altered to reflect the ossibilities of digital dissemination." If you google around, you find the problem is on blogs and bulletin boards for the last 6 months. ....yet another story of a digital technology leaving a world of gutenburg legal ideas in disarray.
      The notion that this is a 6month old story to serious amateur photographers probably didn't excite the /. eds much either. The photo.net discussion is at least as informed as our /. commenting.
      --
      SLASHDOT: news for people who can't concentrate on work or have no life at all and got tired of yelling back at the TV.
    4. Re:what's all the fuss? by Anonymous Coward · · Score: 2, Interesting

      I majored in classical composition in college our thesis was to write an orchestral work. I needed to have several copies made at Kinkos they woudn't do the copies since there was a copyright symbol on my score. Trying to explain to the clerk that it's my music proved pointless, she just looked at me and kept repeating "We can't copy copyrighted stuff."

    5. Re:what's all the fuss? by Ucklak · · Score: 1

      Kinko's has sucked from 1990 to current.

      I get much better respect and service from Office $var and local copy shops.
      Hell, even a dam overpriced grocery store gives better service.

      What the hell was that copy card crap anyway? Do they still force you to use it?.
      I remember I needed 1 copy of a document and I had to purchase a $1 card for a $.05 copy with no refund.
      Luckily I could expense the card but still, sheesh. I hate Kinkos.

      --
      if you steal from one source, that is plagiarism, if you steal from many, well, that's just research.
    6. Re:what's all the fuss? by BurntNickel · · Score: 1

      I had a similar problem reproducing my thesis but they didn't give me much fuss, only asked that I show ID to prove that I was indeed the copyright holder.

      --
      And the knowledge that they fear is a weapon to be used against them...
    7. Re:what's all the fuss? by Anonymous Coward · · Score: 0

      I guess they can't copy anything that was created within the last hundred or so years.

      I can't persoanlly see that the demand classical works could keep such a place alive.

    8. Re:what's all the fuss? by Derg · · Score: 1

      I've had this happen a few times. Example: My wedding reception pictures, shot on a dozen little crap cameras... some captured bared breasts of my friends. Walmart developed and printed every other picture but those, and inserted a note saying that certain pictures did not meet their decency standards. They included the negs, so I made prints on their negative reading kiosk, but eh, I honestly dont blame them. I got my negs, its all good. Digi prints though.... thats another issue..

      --
      I'm a little tea pot.
    9. Re:what's all the fuss? by Anonymous Coward · · Score: 1, Funny

      Oh, they developed and printed those, too. You just didn't get them back.

    10. Re:what's all the fuss? by fish_in_the_c · · Score: 3, Interesting

      All you open source people out there should be refusing to buy non-"open source" photography. Seriously why would you buy a photograph if the photographer will not sell you the right to reprint it. I don't mean art for your wall, but the fact is as far as I'm concerned if I pay someone to create a 'portrait' of my or take pictures at my wedding that is precisely a 'work for hire' and ___I___ should have the copy write to that work. When I had my wedding done I insisted on it. btw my wife is a professional photographer. You can certainly structure your prices in such a way as to make money from the 1st purchase of photos so you don't NEED to retain the copy write to them. Besides that have you ever tried to get a reprint done of someone's wedding photo on their 20th or 50th wedding anniversary good luck finding the photographer. just my 2 cents.

      --
      âoeTolerance applies only to persons, but never to truth. Intolerance applies only to truth, but never to persons.
    11. Re:what's all the fuss? by The_Rook · · Score: 1

      hmmmm. can i go to your next wedding?

      --
      when religion is no longer the opiate of the masses, governments will resort to real opiates.
    12. Re:what's all the fuss? by digitalvengeance · · Score: 1

      I'm getting married next year and as an advocate of open source, I'm trying to sell this idea to my fiance. Can you provide more information on costs, the terms of the contract, etc. to help me get started in my own search? (No worries, I'll spend plenty of time on google as well..but personal experiences mean a lot)

      Josh.

      --
      How many roads must a man walk down? 42.
    13. Re:what's all the fuss? by Anonymous Coward · · Score: 0

      I've had to cajole the local lab to print my stuff. In the end I made a business card MyName Photography - and now they accept my work. We did a jigsaw composite image with family photos for my in-laws 2 years ago - a send-off job. The bigger lab in the next city refused to print it for weeks - and we had a mailing overseas deadline coming. Eventually they caved in and made the print, just in time. Unfortunately we are going to see more of this kind of thing in the future. It will take time for the issues to be resolved.

    14. Re:what's all the fuss? by Dirtside · · Score: 1
      Luck you!
      Luck you too, funhole!

      Wait, was that a typo?

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    15. Re:what's all the fuss? by loraksus · · Score: 1

      I'll join in the chorus of "yeah, they were printed, and someone took them home to jack off over". Some people in photo labs are fucking pervs.

      --
      1q2w3e4r5t6y7u8i9o0pqawsedrftgthyjukilo;p'azsxdcfv gbhnjmk,l.;/
    16. Re:what's all the fuss? by EnderWiggnz · · Score: 1

      its simple, ask your photog to sell you the negatives.

      i bought my wedding's neg's for $75.

      --
      ... hi bingo ...
    17. Re:what's all the fuss? by ciscoguy01 · · Score: 1

      The bigger question is Where do the clerks at Walmart get off looking at the content of my or anyone else's photos at all?

      It is none of their business what is on those photos, they only get the right to look at them enough to print them and evaluate the quality of THEIR WORK. I don't want them looking at them or discussing their content with ANYONE, even ME.

      The only exception might be if they saw kiddie porn on a customer's photos (not on mine!). Adult porn not being illegal, would be none of their business. That normally isn't on my photos either.

      --
      .
    18. Re:what's all the fuss? by ciscoguy01 · · Score: 1

      Yeah, Kinkos went nuts after they got sued by the Association of American Publishers and lost.

      What happened was this: They had a program at their college locations called "professor publishing", where they would make course packets for professors, they would keep the originals on file and the students would be required to go to Kinkos and get the packets provided by the teacher to Kinkos. It was a cash cow for them.

      Clearly you can copy a 2 page chart out of a 300 page book and put it in such a course packet, and that was likely "fair use".

      But that wasn't all they were doing. Sometimes the copying would consist of 89 pages of a 100 page book. Most authors and publishers would probably think that if you need 89% of the content in a publication you should buy it, not copy it, especially if you have 180 students needing it. They sued Kinkos. Kinkos lost, $millions I think. Since then Kinkos has been looking at everyone's originals.

      It's a totally overblown solution, by looking at customer's work they become aware of what they are and have responsibility for the copyright laws. This results in their dumbly refusing to copy a book you wrote yourself, since you put a copyright notice on it. Ridiculous.

      I think they should just "don't ask, don't tell" except in totally blatant cases.

      --
      .
    19. Re:what's all the fuss? by noidentity · · Score: 1

      Nice catch.

    20. Re:what's all the fuss? by LaminatorX · · Score: 1
      You paid appropriately for those rights I'm sure. There are plenty of shooters willing to work this way these days, but they charge more up-front for their work if they're not expecting any residual income.

      The problem is when people who didn't pay for the rights up front try to have their prints (or worse, their proofs) duplicated on the cheap. They are cheating their photographer, and making their photo lab an acomplice.

      Re: anniversaries and such-- this isn't a big problem yet, but it will be in the future. The copyright term extensions for photographs weren't as retroactive as for some other media, but that mess is coming in the future.

    21. Re:what's all the fuss? by Gori · · Score: 2, Interesting

      Ok, here is what we fixed for our wedding.

      Go talk to the local nature preservation society. There is usually a swarm of very good amateur photographers ( some migt not be so amateur actually) that shoot for their publications. They are often great & relaxed people. More often than not you might find that next to photographing wildlife and plants, they are more than happy to make a wedding shoot too. And they will be a lot cheaper, since they only tend to use the proceedings to buy even fancier cameras!

      Ours didnt even blink when he said that of course we get all our negatives, after all, it is our wedding !

      Plus, since we had our photo shoot in a beutiful nature area, the photos turned our relaxed, not too posed and lots of fun. ( he basically treated us like some rare species in the wild, walking through the forest). And for the geek factor, the photographer works full time in a IT firm, so we had some fun geeking away during the preparations. Just ask them about their newest camera... We had a whole bunch of digital photos thrown in for free, 'cose he was testing his lates and greatest toy.

      Have fun on your wedding !

      --
      Complexity is a measure of our ignorance...
    22. Re:what's all the fuss? by rsynnott · · Score: 1

      Erm, what business of theirs is it to morally censor you? Do they have a big sign up saying "If our staff don't like your pictures, we won't give them to you"? If it was a vegetarian on the desk would he censor any pictures containing meat?

      --
      Me (Blog)
    23. Re:what's all the fuss? by Denny · · Score: 1

      Copyright (the right to copy).

      --
      Police State UK - news and
  2. Don't let your wedding photographer bully you! by Skyshadow · · Score: 5, Informative
    On the other hand, pro wedding photographers depend mightily on the income derived from reproducing their work

    I always cringe when I read something like this. To anyone who is planning a wedding out there: Don't be fooled into this!

    It's a little off-topic, but I want to point out that this practice - once "just the way it was" when it came to wedding photography - is becoming less and less common. When we got married (a year ago next Sunday), the #1 thing we looked for was a photographer who wouldn't insist on maintaining the copyrights to the photos.

    This turned out not to be a problem; the few photographers we looked at who still wanted to maintain copyrights were all old-school (in a negative sense) in other ways, too. One guy even wanted to tell us that our relatives wouldn't be allowed to take pictures at our own fucking wedding! I can't imagine how someone would hire this guy; what kind of asshole is actually going to tell their guests they can't take pictures?

    Anyhow, the photographer we ended up with used film rather than digital. I actually looked for this; it added a little bit of work on our part on the back end of the wedding, but as a hobbyist myself I feel there's a real advantage to film specifically in terms of the quality of black and white photos. She did a great job, too.

    Once the pictures were developed, we got all the negatives. We scanned the pictures using a kick-ass negative scanner from Nikon that we bought refurbed (and then sold on eBay for a profit) and stuck the pictures out on Ofoto so our friends and relatives could order right from there. Compare this to my Best Man's wedding a year earlier where he went with a "traditional" photog who kept the copyrights from the photos and wanted to charge us $20 per shot... Well, let's just say I don't have any of the pro shots from that wedding.

    Now, back on topic: If your photos look too good, why hassle with the local Walmart just to get yourself what's going to be, at best, an 'okay' print? Unless you need the prints Right Now, go online! When I'm trying to get my own "good" photos printed, I've had great luck with Adorama's printing service. Plus, they're used to seeing shots that are far better than what I can produce. Ofoto (or whatever they're calling themselves these days) generally kicks out satisfactory results as well.

    --
    Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    1. Re:Don't let your wedding photographer bully you! by wfeick · · Score: 1

      Here in the SFBay area, my experience in planning a wedding this year shows the norm seems to be that the customer owns the images for personal use (i.e. friends and family who want a copy of pictures from the event), but the photographer has control for commercial use (i.e. magazine reprints).

    2. Re:Don't let your wedding photographer bully you! by Ironsides · · Score: 1

      We scanned the pictures using a kick-ass negative scanner from Nikon that we bought refurbed (and then sold on eBay for a profit)

      OT I know but, Quick question. Which model did you buy. I am looking for one for scanning in a whole bunch of old family photos and need a fairly good one.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    3. Re:Don't let your wedding photographer bully you! by Bill+Dimm · · Score: 1

      To top it off, wedding photographers are ranked #10 on the list of most overpaid professions

    4. Re:Don't let your wedding photographer bully you! by lupine · · Score: 4, Insightful

      I went digital for my wedding, but the agreement with the photographer stipulated that I was the copyright holder and that the digital copies would be turned over to me. He was allowed to keep & make copies to promote his business, but he was not allowed to sell them.

      I agree absolutely there is no reason to give up control of copyright to the pictures of your own wedding. We were able to turn around and make good quality prints for friends and relatives for pennies. Our total printing costs came to just over a hunderd dollars and we were able to send out prints along with every thank-you card.

      Photographers deserve to be paid as a professional at a fair wage for their time and effort, but they dont deserve to 0wnZ3r your wedding.

    5. Re:Don't let your wedding photographer bully you! by Rob+the+Bold · · Score: 5, Interesting
      My sister ran into a similar problem getting reproductions of old photos of us as kids.

      You go to a professional photographer, and the studio claims to own the copyright, cause you just paid them to shoot the photos (a service) -- prints are extra and they still own the image.

      Now, if you're a photographer working at the studio, you shoot the photos, but the studio owns the copyright, cause it's "work-for-hire".

      Seems to me a contradiction, unless you realize that the actual rule is "It's always owned by the Man." Then it all makes sense.

      To add insult to injury, some of the studios that shot the old photos don't even exist anymore to provide prints or permission.

      --
      I am not a crackpot.
    6. Re:Don't let your wedding photographer bully you! by Skyshadow · · Score: 1
      We got a Nikon Super CoolScan 4000 ED. I'd recommend it; here's a review:

      http://www.imaging-resource.com/PRODS/LS4K/L40A.HT M

      --
      Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    7. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 1

      I am not a member, so I could not see page 2 for the seven through one results. :(

    8. Re:Don't let your wedding photographer bully you! by peragrin · · Score: 1

      My roommate hired one of his co-workers( a photo art student at a major college) That guys camera was an 8 megapixel, My roommates was a 6 megapixel. After words they created a DVD of all the photos, and then they printed out a thumbnail of everything to help them sort. 500 pictures printed on an 18"x60" piece of paper.

      my roommate and his wife went through the whole list selected about 300 images and made 3x5's for the close family members, and for every thank you card they included a picture of the person in question.

      Now working for a Digital print lab and being allowed to use the equipment cheap to free helps.

      Best layout ever though.

      --
      i thought once I was found, but it was only a dream.
    9. Re:Don't let your wedding photographer bully you! by doombob · · Score: 1

      I agree, this was one of the main draws that my wife and I looked for in a wedding photographer. Instead of charging outrageous costs for getting the film back and reprinting customers pictures, photographers can make money on reprints by offering "special" prints. Our photographer had "metallic" prints that had a nice chrome look to the images. They had these images that looked liked pencil sketches or paintings. That's stuff that I probably wouldn't be able to do, but still wanted or thought was neat.

    10. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 1

      +1 insightful

      I'd have to agree with you. I am sorry but if you are 'commissioning' a photographer to work for you, you should have, at least, ownership of all work and its copyrights.

      I mean, you are *paying* for it already. You are paying for the labour of this professional and the results of his/her labour. It's up to the photographer to set the fee according to his/her skills (and what the market is willing to pay).

      This is similar to a developer getting paid for the code he/she produces. The code (product, application, etc) belongs to the company paying the salary and not the developer.

      Just my two cents.

      --
      will work for Karma
    11. Re:Don't let your wedding photographer bully you! by Egregius · · Score: 1, Informative

      Actually, my dad is an old-fashioned wedding photographer. Besides having his chain of photoshops almost being put out of buisness by digital photography (simply because almost noone prints their photo's anymore, instead viewing them on their computers), he does work with the system 'we keep your negatives, you may reorder them from us'. Why? That's his buisness model. You can get reproductions for cheap, and this is the only way he makes a profit on making good pictures. The higher the quality of his work, the more 'expensive' reproductions people get.

      If people are unsatisfied with the work, then they don't reorder. Simple.

    12. Re:Don't let your wedding photographer bully you! by drgonzo59 · · Score: 1

      How about just Walmart making everyone sign a waiver or some kind of agreement then they are off the hook. Companies already do that "everything you do or think while working for us - belongs to us", so Walmart can have "everything you shoot will belong to us" agreement. If someone is a professional though, I doubt they will be using Walmart in the first place...

    13. Re:Don't let your wedding photographer bully you! by Hogwash+McFly · · Score: 1

      Use "bsid" as both the user and pass to see the rest of the results.

      --
      Mother, do you think they'll like this sig?
    14. Re:Don't let your wedding photographer bully you! by cetan · · Score: 1

      You clearly do not understand copyright or contract law.

      --
      In Soviet Russia...michael would be rotting in Siberia!
    15. Re:Don't let your wedding photographer bully you! by Ironsides · · Score: 1

      Thanks, we've got a couple thousand photos/negatives scattered throughout the country in my family that aren't duplicated any place else. Plus, we have some really old negative formats (such as negatives that are 5"x6" and 3"x4", yes those are negatives) that we want to get spread to others just inc ase something happens to the original.

      --
      Fly me to the moon Let me sing among those stars Let me see what spring is like On jupiter and mars
    16. Re:Don't let your wedding photographer bully you! by Skyshadow · · Score: 2, Interesting
      I'm in the Bay Area, too. We got married in Livermore and ended up hiring a photographer from Sonoma.

      Anyhow, I wouldn't be happy with anything short of owning full rights to all photos, negatives and prints. If you don't get that in writing, you're leaving open the possibility of getting screwed.

      Our photographer had to ask *us* for permission to use shots from our wedding in her portfolio.

      --
      Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    17. Re:Don't let your wedding photographer bully you! by swestcott · · Score: 2, Insightful

      In our case the photograher did not store the negatives properly (destroyed in huracane)and now we can not get copies even if we wanted to

    18. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 1, Insightful

      Not saying there's something inherently evil about it, just that such a setup is becoming increasingly undesireable from the consumer's standpoint. I don't begrudge him his business model, but I wouldn't hire him.

      The photographer at my wedding actually refused to do prints. He likes the shooting, not the rest of the gig. What we bought from him was several rolls of undeveloped film with our wedding on them! We just took them to a decent local development shop (NOT Walmart!) and had them developed and some prints made.

    19. Re:Don't let your wedding photographer bully you! by SenorChuck · · Score: 1

      Exactly. I've had excellent quality results from White House Custom Color, and their rates are very reasonable. Very professional and helpful staff there too.

      http://www.whcc.com/

      --
      A wise person makes his own decisions, a weak one obeys public opinion. -- Chinese proverb
    20. Re:Don't let your wedding photographer bully you! by tomhudson · · Score: 1
      but the photographer has control for commercial use (i.e. magazine reprints).
      ... then he'd better have a signed permission from everyone in attendance, seeing as a wedding is a private event, and 3rd parties are NOT covered under fair use at private events.

      Especially since most of these "professional" photogs can't take pix any better than you or I with a weekend of practice.

    21. Re:Don't let your wedding photographer bully you! by csimpkin · · Score: 4, Interesting
      I had the same experience. I started by going to the "best" wedding photographer in town. He maintained full ownership of the photos and no one else could take pictures. I told my wife, "I don't think so."

      I found another photographer that only charged 50 dollars extra for me to keep complete rights to the photos if I didn't buy one of his wedding packages and anybody could take pictures. If I bought one of his wedding packages then the rights were included.

      One of the best things that we did is put little disposable cameras on the tables at the reception. We collected them at the end of the night and had them developed. There were some great shots (and a few disturbing ones) on the disposables that the pro missed.

      One thing that I worry about with a pro that keeps the rights is they may only give you the photos that they liked. If any were really bad you will never see them. We had a few photos that were not very good, but captured a particularly important event.

    22. Re:Don't let your wedding photographer bully you! by rosewood · · Score: 1

      I get married in a week and my photographer has been in the business for 20 some years.

      Now he shoots all digital

      and I get access to all the RAWs

    23. Re:Don't let your wedding photographer bully you! by ZiakII · · Score: 2, Informative

      www.bugmenot.com

      Your new here right?

    24. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 2, Funny

      I wonder just one thing: how come you are slashdot user #508 AND married!

    25. Re:Don't let your wedding photographer bully you! by Zak3056 · · Score: 1

      How does something like a wedding photo not fall under the category of "work for hire?"

      When people tell me how much they pay for wedding photos, I'm always stunned--if you were paying a nominal rate of $200/hr, things would be significantly less expensive! School photos are even worse, when the amount of time spent per child is less than a minute and the setup time amortizes across an entire student body... and the package of 20 wallet sized photos (that sometimes come on a single sheet you get to cut out yourself) costs $40.

      I have nothing against paying people what they're worth for good results, but cases like the above are absurd.

      --
      What part of "shall not be infringed" is so hard to understand?
    26. Re:Don't let your wedding photographer bully you! by Hognoxious · · Score: 2, Insightful
      I disagree. Grandparent does not understand copyright, contract law, or business.

      It's not rocket science to workout that by making money off the prints, the photographer can charge less for taking the pictures. Or conversely, if he's not going to make money off the prints he'll have to charge more upfront.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    27. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 3, Interesting

      That may be so (the way I explained it in my brief post)

      However, the principle is there. Photographers are no more the 'creators' of the products than NBC airing a game on their network. NBC *purchases* the rights to broadcast the game (and make money by selling ads). NBC owns the rights to their broadcast (because they paid for it) but does not own the game itself (the product). The league owns the products.

      I figured is about the same here. I own everything I create (including my wedding, which I pay for and participate it, and create). The photographer does not 'own' the broadcast of this product (because he has not paid for its rights). I am paying him to document it, but it's not his creation.

      A developer gets hired to do a piece of code. Most of the companies have a 'contract' indicating everything I create while under their salary belongs to them. I sign the contract, I get paid, they get to 'own' everything they contracted me to create for them. This is not to say I cannot use my professional experience while with them and use it to my advantage to find another contract, but I cannot take the product itself. That belongs to the client who paid for it.

      Maybe you can clarify where my logic fails (and maybe I will understand the laws better)

      Regards,

      --
      will work for Karma
    28. Re:Don't let your wedding photographer bully you! by stubear · · Score: 1

      That's because employees are often considered "work for hire" under copyright law which means they transfer ownserhip of all intellectual property they create while employed by that company. When you hire a professional photographer they are not considered "work for hire" and you need to negotiate who owns the intellectual property created. Many freelancers work in this manner becasue it's the very ownership of the copyrights which keeps them from getting screwed down the road.

    29. Re:Don't let your wedding photographer bully you! by graphicsguy · · Score: 1

      One guy even wanted to tell us that our relatives wouldn't be allowed to take pictures at our own fucking wedding!

      Usually when a photographer says something like this, they just mean that they don't want your friends and relatives standing around taking photos of the posed shots the photographer is taking. Then the subjects are looking all over the place, flashes are going off from different directions, etc., and it can mess up the shots.

      On the other hand, maybe the guy you are talking about was just nuts.

    30. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 1
      hehe

      I may not understand either... but obviously you missed this

      It's up to the photographer to set the fee according to his/her skills (and what the market is willing to pay).
      Of course it's a matter of trying to make money (up front or down the road). And that fees will vary depending on how the photographer intends to make money (one time fee VS subscriptions). It's just a matter of seeing what the market will be willing to pay for either option.

      I, personally, would not hire a photographer that would insist on keeping copyrights of material I am paying him/her to document. Specially if I am the creator of what he is documenting.

      If anything, I would want the photographer to pay me for documenting my creation and then trying to make a dollar of it. ;)

      but, hey... what do I know?

      --
      will work for Karma
    31. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 1, Insightful

      Access, yes, but copyright? You should ask.

    32. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Boo hoo, the poor wedding photographers might be run out of the business. I might be more sympathetic if they could do something more than an amateur.

    33. Re:Don't let your wedding photographer bully you! by anaesthetica · · Score: 5, Interesting
      One guy even wanted to tell us that our relatives wouldn't be allowed to take pictures at our own fucking wedding! I can't imagine how someone would hire this guy; what kind of asshole is actually going to tell their guests they can't take pictures?

      Well, I'm not a professional photographer, but I have been the official wedding photographer twice now for family friends. My experience with "rival" photographers is uniformly negative. Since I myself am an amateur photographer, I don't really have any problem with random people taking their own pictures. But certain family members can really make your job impossible.

      For instance, the first wedding I shot, the groom's step-mother came with a camera of her own, and acted as if she were the wedding photographer. Nevermind that the family had paid for me to shoot all the official photos of the wedding and celebration. She was constantly getting in my shots, getting in between me and bride during procession, etc. Infuriating. When taking group photos, I would give directions (stand closer, turn this way, etc), and she would start giving her own directions. Unbelievable.

      If I were a professional photographer, I would certainly have a clause in my contract saying something very similar. If you hire me to be the photographer for the wedding, make sure that I am the photographer for the wedding. Having to deal with obnoxious relatives on a regular basis would be impossible.

    34. Re:Don't let your wedding photographer bully you! by LWATCDR · · Score: 1

      Good point. I have NEVER UNDERSTOOD THIS.
      Why is it if I PAY a photographer to take pictures of ME he owns the copyright?

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    35. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      First, I have to comment on the "relatives can't take pictures." I don't find that too stupid, at least in certain moderation.

      We have a -similar- policy. We don't like flash photography, because it can interfere with our equipment and shots. For the most part, we deal with that though.

      Our big thing is that we also don't want relatives taking pictures during set shots. Such as "Ok, you stand there, and now put your hand on his shoulder, now turn toward the camera..." etc. Then having someone step over your shoulder and take a picture is frustrating. That posing and such is what we are getting paid for, and you know that nobody is going to buy your print when someone else is going to give the same thing away for next to nothing. If your relative is good enough to get everybody together and pose them and get good prints, have them do it and don't hire a photographer. Worse than that, it slows us down, and its hard enough trying to get everyone together paying attention etc without another person getting in our way trying to take a picture of our set pose (then the people see a flash, think they are done and start dispersing, at which point we have to start yelling to come back that it wasn't our flash)

      We've also had some of our best shots ruined by 15 flashes going off and screwing up our exposure, but again, generally that's not the case. I can see how they wouldn't want flashes. Some of the very best photographers won't shoot a wedding if other photography is allowed. They figure they'll get some of their shots ruined, and people will steal their set shots etc. When you pride yourself on being the best there is, you can't afford to have a wedding screwed up by other people getting in the way. One person saying "these shots suck" can ruin your reputation. But those photographers are generally so expensive that having other photographers is not an issue... They can afford the prints for everybody. Others don't want others just to monopolize the market, so to speak. They know they can charge 10x as much when there is no alternative. We don't do that.

      That said, we give the digital files to people now anyway--at least the ones they order. We may start charging a little more for the CD, because we've seen a drop in orders since we started giving it out. We figure at least 50% would scan them all and give them to their relatives to print, and weddings are just different anyway, seems how an album is already included and we don't make much if anything on enlargement orders, giving out the negatives hasn't bothered us as much. I can't see us ever giving away the studio shot negatives, though.

      I also work for a school system and the photographer I work for does senior portraits... I see teachers with our pictures that have been scanned and enlarged and reprinted on injets with glossy paper all the time. This bothers more than the fact that they were copied because the pictures look like shit, and I don't want people thinking that's what they'll be getting from us.

      What is really irritating is doing on site portraits for dance classes, sports, etc. You bring out your lighting equipment, and background, pose the kids etc, then the parents try to take a picture of their kid in the pose, using your background etc and then don't order anything (and they don't pay for the service). This is irritating as hell. Worse yet, their flash will set off all of our strobe lights etc which just leads to confusion, then we have to repose the kids etc.

      And I agree... Why take your pro-quality prints to walmart? That was a big problem we had for awhile. We offerred a cheaper price and just a CD, but people took them to walmart and then said our photographs weren't satisfactory, when the prints were what was making them look so terrible.

    36. Re:Don't let your wedding photographer bully you! by Shalda · · Score: 1

      How does something like a wedding photo not fall under the category of "work for hire?"

      It's simple. In the photographer's standard contract it says that he owns the copyright. You sign the paper and it is so. On the other hand, as the one with the money, you're in a pretty good position to dictate terms. Most weeks, there are far more photographers than weddings. It's a scam. Everything's a scam.

      Someone else in this thread had asked why you'd go to WalMart instead of printing photos yourself on an inkjet. The answer of course, is that it's cheaper and you get a better product. Inkjets do a crappy job on pictures. The ink and paper is expensive. The color balance is usually awfull and they never get the right brightness and intensity. There are printers out there that do a good job, but they cost a fortune to own and operate and you get at least as good a print from your local photo lab.

      Lastly, as regards to the article, if WalMart won't process your pictures, there's dozens of other places that will, no questions asked. Locally and on the internet. So I say, screw'em.

    37. Re:Don't let your wedding photographer bully you! by d34thm0nk3y · · Score: 1

      I believe "work for hire" development copyrights default to the firm doing the hiring. Technically (IANAL) a written agreement should not be necessary but many businesses do so anyway as a CYA move. It seems really messed up to me that photographers doing a "work for hire" photo session, especially of a private event, should be able to retain the copyrights unless there is some special contract involved.

    38. Re:Don't let your wedding photographer bully you! by LetterJ · · Score: 4, Insightful

      The problem people buying wedding photography don't usually get is that, for most photographers, there's only 1-2 weddings per week they can shoot. That's because almost everyone gets married on Saturday afternoon. That'd be OK, except that a wedding's worth of photos need to be gone through, touched up, organized, proofs or other comparison method made up, sent out, process the incoming order and otherwise take up much more time afterward, all tied to the wedding on Saturday. Not to mention spending time at bridal shows, meeting with potential customers that don't sign, working on marketing and the rest of the non-billable portions of running a business. Combine that with couples that want the photographer to shoot the rehersal dinner and rehersal itself the night before and want that included in the package and you're left having to charge an entire week's worth of labor and materials to a single customer.

      Then, as a self-employed person, they need to effectively double the money they want to pay themselves to cover their own payroll taxes, unemployment insurance (mandatory in my state), etc. you have to charge the equivalent of $40/hour, just to make $40,000. But, almost no one gets married in Nov-March, so you have to compress it further if you want to make your living doing just weddings. Throw in another couple of weeks here and there where the couple breaks up and cancels and you don't get another booking and you're left only able to get billable clients for about 26 weeks per year.

      The end result is that you'd have to charge $3200 a wedding just to break even on the LABOR and still only make $40,000/yr, working weekends in addition to weekdays, dealing with people on one of the most stressful days possible, working without a safety net (just waiting to get sued because you "ruined" their once-in-a-lifetime-day and caused them major emotional distress).

      I started down this road a couple of years ago and, after running the numbers and doing about 4 weddings, I decided that to be worth the hassle, the expense in redundant equipment (the bride doesn't want to hear that your *only* 135mm portrait lens cracked on HER SPECIAL DAY) and extra crap like multiple tuxedos in your closet because couples insist that the photographer wear one too, I'd have to charge well over $5000 a wedding to do it. And, since "anyone can take pictures" and "you're only working 3 hours a week", no one except the really high end clients wants to pay $5000-$7500 for a basic wedding photo package. If it were in that price range, work for hire would be fine.

      However, quote $5000-$7500 for a wedding on a work-for hire basis, and you'll hear the whole working for 2-6 hours thing and they'll quickly do their own math and say, "No one's worth $2500/hr".

      So, photographers have relied on print purchases to spread that cost around a big. After all, if the album's "worth" $1400, if the proofs are $400, if the digital photos on DVD are $250 etc. then the remaining money doesn't seem as bad.

    39. Re:Don't let your wedding photographer bully you! by wfeick · · Score: 1

      Yes, this was part of the conversation with the photographer we selected. We're entitled to all the negatives, whenever we want them, although he requests that he be able to hold a few back for his own archives. There are generally multiple almost identical shots for each setup, so he will hold onto an almost duplicate we're not interested in.

      Given that he is an artist, and needs to be able to show his work to prospective clients and advertise his services, I certainly don't mind that. And as was pointed out in another followup to my message, I think he does need to get a release from anyone who is in any picture he wishes to publish. Most people really don't mind, though.

    40. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 1
      When you hire a professional photographer they are not considered "work for hire"
      and why is this? (just curious)

      And what about free-lance contractors / web-developers / Business Analysts, etc?. I see a lot of similarities between these job types and freelance photographers.

      Yes, obviously you need to negotiate who owns the IP created in either case but somehow I don't think I will be developing a website for a client and telling them:

      "btw, I will own your website' and anytime you want to allow someone else to use it (or benefit from its existence) you need to contact me and I will add them to the list of users and I will charge you a fee for this addition"

      I don't think this will fly well with clients.

      This is also different than me wanting to use a photo already created by the photographer. I would have to pay for the use of a copyrighted material. No question about it. The photographer was not commissioned by me to take such photo. In other words, he has not being paid by me already. He took such photo, he owns it, he can sell its rights to anyone he/she wishes. imo, of course

      --
      will work for Karma
    41. Re:Don't let your wedding photographer bully you! by log0n · · Score: 1

      Photographers used to do this, I'm glad it's becoming less and less common.

      However..

      I do wedding videography and I do this (notices, permission, even location forms). I make narrative-documentary style films (much more involved than a trad. wedding video - I shoot 20-30 hours of footage per wedding). I retain copyright over the edit (the finished timeline essentially) because it's a largely one-off creative/interpretive piece. I treat each video like a tradtional production house would while being significantly more lenient in it's usage. My contract grants them the right to do just about anything they want with the finished product (copy it, pirate to the intarnet, display it, publically broadcast, whateva) on a personal level. I retain the copyright for promotional reasons but also because it serves as a public record for my filmmaking.

      Regarding practice, even with a weekend of practice you won't be anywhere as good as a talented (not run of the mill) photographer. Just won't happen. Sure, you can take a pleasing picture (ie: good enough), but it won't be anywhere to the level of capability of a talented professional.

    42. Re:Don't let your wedding photographer bully you! by rainman_bc · · Score: 1

      My photographer was happy to give us the negatives. Better for him. He's a photographer, not a photo finisher. He sends us to the place where all the pros go to get the prints done, only we don't pay the markup that photographers put on it. btw, he shoots digital. His wife shoots B&W. We get the best of both worlds...

      Oh, some develop in house? What are the chances that a guy who is a photographer AND a photo finisher will be as good as just a photographer, and taking your stuff to a photo finisher?

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    43. Re:Don't let your wedding photographer bully you! by sysadmn · · Score: 1

      RTFA - Ofoto (now Kodak Gallery) bounces photos that look like they were professionally shot as well.

      --
      Envy my 5 digit Slashdot User ID!
    44. Re:Don't let your wedding photographer bully you! by iGN97 · · Score: 0

      a photographer always owns the right to his work unless he is in a contract that implies otherwise. i would consider it a given that a studio-hired photographer would sign a contract giving the copyrights to the studio if that's what they're asking. if he can get a better deal doing what he loves elsewhere, i'm sure he'll take it. it's also normal that a photographer hires studio space that he shares with other independent photographers, in which case the photographer (or "artist") keeps his copyright.

      actually capitalizing off photographs one has taken often requires a model release. so although the photographer owns the copyright to the image, he cannot go and use it for any commercial purpose he sees fit; the model needs to be compensated.

      to indicate that it's unfair that a photographer doesn't own the copyright to the images produces is (to me) absurd. photography is a profession, and countless hours of studying and practical experience goes into the final product.

      the photographer is "the man" unless he signs a document that indicates anything else. if you feel that $20 a print (or whatever is being charged) is to steep, have your friend take the photos at your wedding. but remember that these are the pictures that will be on your wall in 50 years, when you celebrate your anniversary.

      photographers need to make a living too, and in these days, when virtually everyone is packing megapixel-cameras in their cellphones and the market is swamped with cheap dslr's, it's crowded.

      just trying to see this discussion from the other point of view.

    45. Re:Don't let your wedding photographer bully you! by rainman_bc · · Score: 1

      I would ask for my money back plus damages. that's terrible.

      Our photographer is giving us the right to reproduce for personal use. I can't sell our photos, but I can reproduce them as I please. I like him. He's fantastic.

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    46. Re:Don't let your wedding photographer bully you! by RFINN · · Score: 4, Insightful

      I work in the photography field, so I might be able to offer a different perspective.

      Did you know that photographers who work for National Geogrpahic own their images, even if they appear in the magazine? They fought for that right in court and the Supreme Court sided with the little guy on this one - that being the photographer.

      Your contract as a programmer states explicitly that what you create on the job is owned by the company. But if you did not agree to that upfront, then anything you invented/created on the job would actually belong to you.

      You see - the NFL owns the game, but NBC owns the broadcast. You own the content of your wedding, but the photographer owns the images they created. Now, the NFL and NBC have certainly negociated something that is beneficial to both, otherwise the NFL takes its games to another network (which happens all the time). And likewise, you have the ability to negociate with your photographer over rights and find another one if the terms are not to your liking.

      What I do is offer prints as part of the package, and additional prints online at a reasonable charge, and at the same time the couple may purchase the "negatives" (a CD of the RAW images and full resolution processed JPEGs) along with the rights to do whatever. My charge for taking the photos + handing over the rights is still under the market price, however.

      Copyright law goes back decades protects the photographer to same way it protects freelance programmers and journalists. Organizations like AMPS and PPA have spent a lot of time, money, and effort defending the rights of photographers and other creators/inventors againsts the interests of large corporations. And if the average person could stick it to the photographer, then the large corporation can too as well as the creative programer.

      --
      -- Richard Finn http://www.random-seed.com/
    47. Re:Don't let your wedding photographer bully you! by tomhudson · · Score: 1

      As I said, most of the "professionals" aren't. And I'll bet that there are a few "amateurs" who can beat the shit out of them, same as in any field.

    48. Re:Don't let your wedding photographer bully you! by wfeick · · Score: 1

      With respect to the quality of the pictures, I definitely agree with this. Individuals can and do often take great pictures, but there tends to be a lot of crap pictures mixed in. Think about the yield of great pics when you take them youself.

      When I looked at the negative strips from our photographer, every single one of them was a really great shot. His yield is almost 100%. That comes from years of practice and spending the amount of time on his art that only a professional or an independently wealthy person can do. That's my opinion, anyway.

    49. Re:Don't let your wedding photographer bully you! by nbritton · · Score: 1

      "One guy even wanted to tell us that our relatives wouldn't be allowed to take pictures at our own fucking wedding! I can't imagine how someone would hire this guy; what kind of asshole is actually going to tell their guests they can't take pictures?"

      Put yourself in the photographers shoes. If you, the photographer, spent a lot of time getting the group together and then posing the group etc. and then some asshat walks in and snaps a few pics what do you thing your reaction would be? What if you did all the coding for some project then some asshat comes in and takes it?

    50. Re:Don't let your wedding photographer bully you! by tomhudson · · Score: 1
      Three things:
      1. with the cost of digital "film" being pretty much zero, since you can re-use it, there's no problem shooting a LOT of pix ...
      2. A real pro will shoot several shots for each one they keep, with slight variations in lighting, etc. They're not worried about "yield rates" either
      3. Anyone can make a negative strip (or a contact sheet) with only good shots
    51. Re:Don't let your wedding photographer bully you! by DarkFencer · · Score: 1

      I specifically wanted to avoid this. The photographer we selected for our wedding (after looking at several others) made clear that we can do WHATEVER we want with the photos. The only restrictions we have are:

      - If we put them online, put a photo credit
      - Don't mix photos from him and other photographers (professional or otherwise) on the same online area. We have a 'photos by friends and family' section on my website, and a 'photos by xyz photography' section.

      We had to pay slightly more for the services (20% or so above the going rate) for full rights to the photos, but we got a DVD with over 500 extremely high quality image files (jpgs, 5MB average file size). It was definately worth it.

    52. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Try shooting a wedding sometime. You'll see why we're expensive.

    53. Re:Don't let your wedding photographer bully you! by Jason1729 · · Score: 4, Insightful

      if you feel that $20 a print (or whatever is being charged) is to steep, have your friend take the photos at your wedding. but remember that these are the pictures that will be on your wall in 50 years, when you celebrate your anniversary. Exactly...but the point of this article is that if those pictures your friend takes actually look decent, you won't be able to get the printed to hang on your wall at all because "surely, some pro photographer took them since they look good, so if you print them, you're ripping him off.

    54. Re:Don't let your wedding photographer bully you! by dgb2n · · Score: 1

      Because you are not so attractive or wearing so few clothes that he's willing to do it for free.

      Seriously, models and photographers will often agree to waive payment in either direction if it fits the needs of both parties. The photographer gets to broaden his portfolio with an attractive subject and the model gets pictures to use in their portfolio to show to employers.

    55. Re:Don't let your wedding photographer bully you! by rikrebel · · Score: 1

      Exactly.

      Also, I do want to add, although however unpleasant, we cannot on one had bash the RIAA/MPIAA has having outdated out-technologied business models, then support photogropers.

      Same deal: owning and controlling the distribution has been made technically impossible and I don't want the government nor courts crippling or controlling use of technology just to support another out-technologied business model.

      2c.

    56. Re:Don't let your wedding photographer bully you! by Surt · · Score: 1

      I'll chime in here: the disposable cameras supplied at tables/chairs idea works great. We got all of our best pictures this way.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    57. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 1

      Agree with you completely...
      A contract is needed to specify/clarify ownership of IP... sign those rights away and it's tough luck for you (either the photographer or the client)...

      For me, the photographer needs to include those rights in the price or I am not hiring him/her to do the job. If the photographer wants to make money of his/her images of me, then he/she can pay me for those rights (obviously, he can take all the pictures he wants in a public place but to make money of those pictures, he needs my consent, if I understand correctly)

      --
      will work for Karma
    58. Re:Don't let your wedding photographer bully you! by Surt · · Score: 3, Insightful

      All of this seems to describe why you shouldn't build a business purely out of taking wedding pictures, rather than any sort of motivation actually to pay people foolish enough to try such large sums of money.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    59. Re:Don't let your wedding photographer bully you! by clarkcox3 · · Score: 2, Informative

      Use bugmenot. Add the following as a bookmark in your browser (all one line):

      javascript:void(window.open('http://bugmenot.com/v iew.php?mode=bookmarklet&url='+escape(location),'B ugMeNot','location=no,status=yes,menubar=no,scroll bars=yes,resizable=yes,width=385,height=450'))

      Then, anytime you come to a site requiring registration, just click that bookmark, and, odds are, you'll get a ready made password to use.

      --
      There are no tiger attacks in my area and it's all because this rock I'm holding keeps the tigers away.
    60. Re:Don't let your wedding photographer bully you! by i.r.id10t · · Score: 1

      As a note, I think that coolscan has an option for a batch slide feeder that can batch process 50 or so slides in one shot.

      --
      Don't blame me, I voted for Kodos
    61. Re:Don't let your wedding photographer bully you! by pete6677 · · Score: 1

      More like a waiver from legal liability, as in: you certify that you have permission to duplicate the photos and if it turns out that you don't, it's your ass and not ours. Walmart could have the equivalent of common carrier status, meaning that they just copy what you tell them and if someone else owns the copyright that's the customer's problem, not theirs.

    62. Re:Don't let your wedding photographer bully you! by Surt · · Score: 1

      It's actually the reverse case by default (because he is doing work for hire, you own the copyright), you have to sign a contract to hand over copyright in this case. If you choose to sign such a contract, that's your business, but why would you? Plenty of competent photographers will be happy to take your business without such a contract.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    63. Re:Don't let your wedding photographer bully you! by Skyshadow · · Score: 1
      I'm not saying it's not a legitimate business model, I'm saying that it's one that I would never consider participating in as a customer.

      IMO, it's less of a concern for the people getting married than it is for their guests. Our wedding was practically a family reunion for both sides, so there were a lot of shots that people wanted. I didn't want to see them getting wallet-raped to get them.

      --
      Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    64. Re:Don't let your wedding photographer bully you! by iGN97 · · Score: 3, Insightful

      the flaw in your logic is easy to spot: obviously you create your own wedding, but you don't create the pictures.

      if your idea of good wedding pictures is something to "document" that something happened, might as well get anyone with a recent cellphone to do the job. "look, ma', i got married. here's me, here's the church."

      a good photographer doesn't just take photos, he makes photos.

      you'll see this the clearest during the formals. he'll take the happy couple to a place with a pleasant background. he'll make sure the sun isn't in their face, because he knows that sunlight isn't high quality light. he'll use a flash to lift facial shadows, often with a light modifier. he'll bring reflectors if needed to make sure there is enough light, possibly portable power with monoblocks, big ol' honkin' softboxes.

      and you probably won't end up with pictures where the happy couple is squinting, the sweat on there face pouring with overwhelming distracting backgrounds.

      a good photographer will do a lot to candids; chances are he knows how to spot them in a way people that don't care as much for photography as he does. maybe you won't be irritated that someone's arm is partially blocking a face. small stuff, but enough to make yourself go "that's a good picture".

      so first of all, your logic is flawed in that the photographs aren't the photographers creation.

      your developer analogy is valid. a developer goes into contract, just like you say. and so will most photographers, as this thread indicates. you can find photographers that will give you the copyright of the images. it all boils down to revenue model. everything has its price, and photography, like every other profession, has representatives that are overpriced.

      but you do not want a document on your mantlepiece, like the NBC-broadcast of that fourth touchdown. you want a piece of art. a creation, not a mere documentation.

    65. Re:Don't let your wedding photographer bully you! by CharlieHedlin · · Score: 1

      Sounds like the photography industry is in for a major economic shift. As more people buy high end cameras and take on photography as a SERIOUS hobby, there will be less of a market for the pros.

      In any industry, you will find hobbiest better than many professionals as well.

    66. Re:Don't let your wedding photographer bully you! by greechneb · · Score: 1

      I got pictures of urinals...

    67. Re:Don't let your wedding photographer bully you! by centinall · · Score: 1

      I'm thinking that this could potentially back-fire on them, and perhaps all that is needed is one lawsuit to change the rules altogether (legally, this idea maybe flawed). What if for some reason a photographer loses the originals and you come back for prints, since you can't copy the ones you have. Wouldn't they be responsible for this and couldn't they be libel for the "damages"?

    68. Re:Don't let your wedding photographer bully you! by rainman_bc · · Score: 1

      That's why you usually just see the wedding party in the pictures, not just everyday guests... It's about the bridal party, not the guests. Rest assured...

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    69. Re:Don't let your wedding photographer bully you! by Skyshadow · · Score: 1
      It's my wedding, my event and (most importantly) my guests. Honestly, if one of my guests "steals" your picture, well, that's what I'm paying you for.

      Unclench a little.

      --
      Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    70. Re:Don't let your wedding photographer bully you! by wfeick · · Score: 2, Insightful

      In the real world, who owns the rights to the pictures is a negotiation between you and your photographer, and that's all. It used to be that most professionals insisted that they maintain rights and you would have to pay them for any reprints. These days, most seem to give them to you if you want them, and they've probably increased their costs to offset the lost reprint income.

      Regardless, it's a negotiation. The price you pay for the service of having your event photographed is balanced against the rights each of you have to the images going forward. Either one of you can sign away your rights in consideration for the money that is paid for the service. The important thing is that both parties are clear up front on what they get in exchange for the money.

    71. Re:Don't let your wedding photographer bully you! by iGN97 · · Score: 1

      absolutely, i totally agree. prices are coming down on the equipment, and a lot of the educational material is freely available on the net. and to boot, many professional (and hobbyists capable of making professional results) photographers on the net are really nice to newcomers and very helpful.

      i recently got myself a canon dslr, and have been frequently visiting http://www.fredmiranda.com/ and http://photography-on-the.net/, both excellent resources for people wanting to take their photographic skills to the next level.

      wal-mart will definitely be shooting themselves repeatedly in the foot not wanting to develop pictures for a better equipped and possibly more educated generation.

    72. Re:Don't let your wedding photographer bully you! by espek · · Score: 1
      Doesn't work like that. When I am hired by a magazine, ad agency, or corporation to shoot images, they are paying for my services (talent, skills, etc.).

      Yes, they contract me to photograph someone or something. I sell them "reproduction rights" to the images. Just because they hire me to photograph, doesn't mean they own the work. I own the work according to copyright law. I am the author.

      When your friend takes a picture of you, he is considered the author of the work. Unless he's got a signed contract specifying transfering the ownership to you. Again, I'm just telling you how the law is written and how our business works.

      If we do not maintain control of our product, we got nothing to sell, and we're all out of a job.

    73. Re:Don't let your wedding photographer bully you! by Surt · · Score: 1

      Guess it varies based on who you invite to your wedding ;-)

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    74. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      What does it matter if they take a photo of the same pose? If you have already been paid for it, then there's nothing to get upset about.

      If on the other hand, the couple is paying you after the wedding, and they choose not to purchase that shot because someone else got it, then that would be understandable.

      It seems to be the solution here is not to prevent people from taking photographs, but to change how you do business.

      Charge a flat fee for photographing the wedding.

      And inform the couple that you are not responsible for relatives that get in the way during shots, flash photography ruining a shot, or for them telling people to change poses on you in the middle of a shot. Informt hem that they should tell their relaitves to give you a wide berth, and not to interrupt you when you are shooting.

      Then if the couple has a complaint, you already have your money, and you can tell them where to shove it because they did not control their guests.

    75. Re:Don't let your wedding photographer bully you! by LWATCDR · · Score: 1

      You would think so but frankly finding one was a pain. It used to be SOP that they photographer would own the copyright. It is nice to see it changeling.

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    76. Re:Don't let your wedding photographer bully you! by finkployd · · Score: 1

      I fail to see how that would in any way impact how much he gets paid. Perhaps you are forgetting who's wedding it is.. (hint, not the photographer's)

      Finkployd

    77. Re:Don't let your wedding photographer bully you! by modecx · · Score: 1

      That's a great idea with the disposable cameras. I Would've never thought of that. Then again, knowing my family I should be afraid of what they'd take photos of *shiver*

      --
      Constitutional rights may be respected, repealed, or modified; but they must never be ignored.
    78. Re:Don't let your wedding photographer bully you! by Surt · · Score: 1

      One somewhat known trick is to hire a photographer to take pictures of your wedding, rather than hiring a wedding photographer. The price is usually cheaper, and the quality often better, and the contract strictures much more favorable.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    79. Re:Don't let your wedding photographer bully you! by Skyshadow · · Score: 1
      Well, as you've mentioned, it's a contract. I'm not suggesting that the photographer *shouldn't* be able to retain the copyrights, I'm just saying that you as a client should think carefully before agreeing to do business that way.

      Generally, photographers who keep the copyrights are less expensive than those who don't. Why? Because they're making it up in post-wedding sales. It's business.

      Photographers have a right to offer their services for terms they negotiate with you, just like a coder has a right to negotiate their contract with their employer. If you don't like the terms, work with someone else -- trying to BS your way out of it by saying "well, they're images of *my* event!" is just a dodge.

      --
      Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    80. Re:Don't let your wedding photographer bully you! by wfeick · · Score: 1

      My photographer spent probably 2 hours with us when we interviewed him. He and his assistant will be working for 8 hours each during our wedding, plus travel time. He'll spend more time putting together a proof book, and then sitting down with us to discuss which ones we want printed, how we want them laid out, etc. All in all, 25 - 30 man hours will be spent on our wedding. On top of this are film and developing costs, which aren't insignificant considering two people will be taking pictures for much of the 8 hour block of time. Then there is the cost of purchasing and maintaining the cameras, lenses, lighting equipment, office space, insurance, etc.

      Yes, it's expensive, but there are very real costs involved, and he is very good at what he does. People have a tendency to underestimate the time, effort, and money a professional puts in behind the scenes because they've don't have the experience to realize what all goes into an event.

      When we looked through the picture books that each of the locations put together, we were always able to pick out his pictures from the rest, because they have a distinctive style and quality. We're paying for that quality, but it doesn't bother me because I know we're getting top quality service and there will be no mistakes.

      That said, yes there are definitely plenty of people out there who overcharge for what they provide, and it's up to the buyer to decide what they are willing to pay for.

    81. Re:Don't let your wedding photographer bully you! by cfulmer · · Score: 1

      That's not even close to right. Under your logic, no photographer can take a picture of a sunset because he didn't "create" what he took a picture of. Sure, the copyright is thin -- anybody else can take a picture of the same thing -- but it's still valid.

      When a broadcasting company claims "exclusive rights" to transmit a game, that's enforced by contract and security: if you happen to be at the game and take a picture, that's your picture, not the NFL's. They can say "you can't get in with a camera," and they can kick you out, but once you've taken the picture, that's your picture -- you own the copyright to it.

      The work-for-hire doctrine is built into U.S. copyright law -- in most employment contexts, it doesn't need to be contracted for. Often, the reason for those contract clauses are to avoid the "But I was doing this on my own time" arguments.

    82. Re:Don't let your wedding photographer bully you! by afidel · · Score: 1

      Yep, one stipulation I had to using my wifes family friend as our wedding photographer was that I had to be given the negatives and copyright to the images (posession of all negatives would generally be enough proof but I also got a written transfer). I had one imbicil at a photo lab tell me that I could have faked the transfer notice, so I asked him how I would have done that and gotten the negative from the photographer, he didn't know. Btw my photographer used medium format so there was zero dispute that it was better than digital =)

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    83. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Female. :>

    84. Re:Don't let your wedding photographer bully you! by javaxman · · Score: 1
      We had an exellent photographer, very professional, and they didn't have any such nonsense in their contract.

      The only stipulation regarding to copyright was that they could use prints in their own promotional materials. That seemed reasonable to us, and they even mentioned a willingness drop that request if we really wanted. There may have been something in there about not copying proof photos. Not sure about that.

      A couple of years later, they offered us the negatives at a reduced price ( or they'd dispose of them, 'clearing out storage space' ), a price cheap enough that we picked up the negatives.

      This story is more about the chilling effect of over-reaching copyrights in the age of digital reproduction technology, though. The old rules are broken, and should be changed. Control of your content is very, very important, and you have to assume that once it's seen the light of day, it's likely to be reproduced. Price accordingly, or mark and track your licensed property more closely, or give it up already. Suing a publisher because they reproduced your manuscript due to a customer claiming ownership? I'd think you should be suing the customer, shouldn't you?

      It's a complex issue, no doubt, but whatever you think, it's clear the current solution is not a solution.

    85. Re:Don't let your wedding photographer bully you! by alex_guy_CA · · Score: 1
      "Photographers are no more the 'creators' of the products than NBC airing a game on their network. NBC *purchases* the rights to broadcast the game (and make money by selling ads). NBC owns the rights to their broadcast (because they paid for it) but does not own the game itself (the product). The league owns the products."

      You are talking nonsense. I don't own your wedding if I take a picture of your wedding, I just own the picture. That is what this is about. If you want to go to a photo lab and reproduce your wedding, give it a try, but if you want to reproduce a picture that I took, you have to ask my permission. How hard is that to understand?

    86. Re:Don't let your wedding photographer bully you! by lightspawn · · Score: 1

      Now, back on topic: If your photos look too good, why hassle with the local Walmart just to get yourself what's going to be, at best, an 'okay' print?

      Isn't it obvious? It's because we love Wal*Mart, and want to support its business practices by voting with our wallets.

    87. Re:Don't let your wedding photographer bully you! by Joe+Decker · · Score: 2, Insightful
      A real pro will shoot several shots for each one they keep, with slight variations in lighting, etc.

      That's true in my line of professional photography, but not for wedding photographers. Really good wedding photographers, like street or documentary photographers, do their best work by capturing a particular moment or emotion, those expressions are fleeting, and can't be replicated.

    88. Re:Don't let your wedding photographer bully you! by RFINN · · Score: 1

      That's a good point - I take pictures at games all the time. I own the pictures, not MLB or NFL. I can't go off selling products made from those images, but I can sell those images to a newspaper.

      Likewise, I can take pictures I took of a wedding and make marketing materials for myself, but without a model release form I cannot sell those images for use by other designers.

      --
      -- Richard Finn http://www.random-seed.com/
    89. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 1, Insightful

      To top it off, wedding photographers are ranked #10 on the list of most overpaid professions

      That's just some asshat's opinion. He even has the audacity to put airline captains on there. Yes, he has an argument, but I don't buy it. Jet airliners are usually safe, but when something goes wrong I want the most calm, collected person in the front seat and I think paying a little bit to get it is a problem. Senior administrative staff make more, yet an airline captain is actually that and he can operate a complex piece of machinery to boot.

      Witness the UAL232 incident, and on the flipside
      witness Roselawn and any of the numerous icing crashes caused by inexperienced or less than top notch pilots. It is a small price to pay for experience. He is just a stupid editorialist who can't get a real job and is bitter about it.

      He denigrates the quality of work of wedding photographers, but doesn't really back it up. I know many wedding photographers, and most of them have no problem with other people taking pictures. And you know why? Because they have never had any issue of others at the wedding exceeding the professional work.

      Sounds like this asswipe can't cope with the idea of a free market. If everyone could get Uncle Earl to do high quality wedding shots for free, they would. The wedding photography industry doesn't need to resort to any guild like pressure tactics, people willfully elect to use them (and some people choose not to, with mixed results). Another thing is that most reputable wedding photographers are extremely professional and very well equipped with redundancy because they know that not only is their reputation on the line, but there is the threat of legal action (which usually amounts to nothing, but it is a pain in the ass).

    90. Re:Don't let your wedding photographer bully you! by wfeick · · Score: 1

      I just don't get this attitude. I don't agree with the RIAA/MPIAA tactics, but the fact of the matter is that composers, producers, directors, actors, musicians, recording/lighting engineers, photographers, makeup artists, etc. have all put in time to produce musical content, movies, images, etc. These people deserve to be paid for their efforts. Sure, the studios tend to screw the artists over as much as they can, and I disagree with that, but the fact of the matter is they and/or the artists own the rights.

      If you don't agree with the business model or the DRM, then don't buy the album but also don't steal it. Go to someplace like www.cdbaby.com and find really good independent artists distributed on smaller labels that don't screw them over.

      Just because it has gotten technically easy and quick to do the musical equivalent of photocopying an entire book doesn't mean it is right or fair to do so.

    91. Re:Don't let your wedding photographer bully you! by tomhudson · · Score: 1
      those expressions are fleeting
      ... al the more reason to go all-digital, and shoot like crazy. Quantity + quality. I-gig flash cards are cheap nowadays.
    92. Re:Don't let your wedding photographer bully you! by alex_guy_CA · · Score: 2, Informative
      "(obviously, he can take all the pictures he wants in a public place but to make money of those pictures, he needs my consent, if I understand correctly)"

      You don't understand this correctly. Their are two types of usages by which a photographer could make money off of a photo of you. One is commercial, like an advertisement, which would need your permission, and the other is editorial, which would not.

      For example, if I took a photo of you getting your head smashed in by a cop, and then sold that image to a magazine writing an article about police brutality, I could make money and would not need your permission because the photo would be an editorial addition to the article, and not a promotion for the magazine.

    93. Re:Don't let your wedding photographer bully you! by FirstTimeCaller · · Score: 1

      In our case the photograher did not store the negatives properly (destroyed in huracane)and now we can not get copies even if we wanted to

      When you said that they weren't stored properly, I expected you to say that they had molded or something. I think I'd forgive the guy for the hurricane, though. Not really his fault.

      By the way, decent copies can be made from scanned prints. Not as good as the original negatives, but a lot better than nothing.

      --
      Wanted: witty unique signature. Must be willing to relocate.
    94. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0
      If we do not maintain control of our product, we got nothing to sell, and we're all out of a job.

      Wow ... so how do all those other creators of copyrighted works manage to get by? Let's say for example, software developers?

      They get paid for the time & effort needed to create said copyrighted material - but they don't own the copyright themselves.

      Why should photography be any different? Other then the historical precident that is.

    95. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      If you, the photographer, spent a lot of time getting the group together and then posing the group etc. and then some asshat walks in and snaps a few pics what do you thing your reaction would be?

      Probably nothing really. Most professional's don't give a shit about some dude taking snapshots. Sorry, but the $5 meniscus lens disposable just is not usually going to give high quality results. The problem is when you have other photographers blocking shots or making it a pain the ass to do the formals. I am fairly level headed and can deal with people, however I have it in writing what shots I'll do and so everyone (especially the Bride or Bride's mother) knows exactly who to listen to when giving directions. Any good photographer at a wedding finds the relative or person that is "running the show" and uses them to clear up any "asshat" issues real quick. It really isn't that big of a deal.
      With huge weddings, where they hire multiple photographers I get this all taken care of beforehand so there are no surprises.

    96. Re:Don't let your wedding photographer bully you! by slavemowgli · · Score: 2, Insightful

      That's not a reason to disallow photographing by others altogether, though. Rather, it's a reason to talk to whoever is responsible for the administrative issues surrounding the organization of the event and ask them to ask the interferer to, well, stop interfering with your work, pointing out that *you* are the one who's the official and paid photographer.

      In other words, you certainly can expect people to play along nicely, but I don't see why you'd expect to be the only player in the field.

      --
      quidquid latine dictum sit altum videtur.
    97. Re:Don't let your wedding photographer bully you! by Joe+Decker · · Score: 1
      I'm with you on digital. But it's still true, in my experience, that a fast frame capture rate is no substitute for having the composition, exposure, focus, and moment right the first time. The way I read the parent of my post above seemed to suggest that if you had a machine gun you didn't need to be able to aim, or to know the precise moment to fire. In my experience with wildlife, this is hardly the case, a fast capture rate helps, but doesn't preclude the need for someone who can make stuff happen right the first time.

      (geeksizing)1 Gig is tiny, I tend to usually carry 10G in CF cards around when I work. I'd expect that a wedding photographer would need at least as much. But yeah, memory is cheap, and that's far from my point.(/geeksizing)

    98. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 1

      that's right...

      I forgot about editorial stuff.

      --
      will work for Karma
    99. Re:Don't let your wedding photographer bully you! by iminplaya · · Score: 1

      ...to indicate that it's unfair that a photographer doesn't own the copyright to the images produces is (to me) absurd. photography is a profession, and countless hours of studying and practical experience goes into the final product...

      Nonsense. He's getting paid to perform work and to produce a result that belongs to the person who paid him. The only truly legitimate, irrefutable claim he has is that he took the pics. Otherwise you're telling me that the contractor owns the house he built for me. Only he can sell it and collect the profit. Or that he has a right to a percentage of the price.

      --
      What?
    100. Re:Don't let your wedding photographer bully you! by shawb · · Score: 1

      A company is a lot more liable for providing a service than they are for refusing to provide a service (except for a few instances where people's health and safety come to mind.)

      The best example of this is bars: they have the right to refuse service to anyone for any reason. They have this right because they can become liable if someone does something stupid (E.G. drive, die of alcohol poisoning) after drinking at the bar.

      I imaginge this is the same where possibly infringing copyrights comes about, or providing any service which is aiding someone in breaking the law.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    101. Re:Don't let your wedding photographer bully you! by Max+Threshold · · Score: 1
      Photography is itself a creative process, and the law recognizes this. Whoever clicks the shutter automatically owns the copyright to the image. The only exception is work for hire where the contract specifies some other ownership of the copyright.

      In other words, if I picked up your camera with your film in it and took The Greatest Picture Ever, it would legally be mine, not yours.

    102. Re:Don't let your wedding photographer bully you! by alex_guy_CA · · Score: 2, Funny
      Wait a second, you are not allowed to admit that I am right and you aren't. This is /. You are supposed to call me a name and put me on your foe list!

      There is no place for maturity here!

    103. Re:Don't let your wedding photographer bully you! by blurfus · · Score: 1

      Yes. The creator of the picture owns it, initially. As mentioned before, final ownership has to be spelled out in the contract. My original argument was that, as far as I am concerned, I am paying the photographer to be there. Similar to a patron who hires a painter to do a portrait (back two centuries ago, for example). The final work of art (a portrait of me) belongs to the patron who commissioned it. The author is of course the painter. Ownership vs Authorship. The fact that I have to pay twice to get rights to the same pictures I 'commissioned' him to take is what I am discussing here (and failing miserably at) ;).

      --
      will work for Karma
    104. Re:Don't let your wedding photographer bully you! by kyshtock · · Score: 1
      Well, Joe, I pretty much know the wedding pro photo market. I even do weddings every now and then. Guess what. The bride and groom and photographer sign a contract. Which they both agree, in good will, to sign.

      It's your wedding, ok. Either you pay for my time and skill, or you take your own photographs. I don't care.

      And your logic is of course flawed. The photographer owns copyright for the images, not the wedding. It's his product, he manufactured it. The wedding is not his creation, but the photographs are.

      Most photographs will give you high resolution files, but for a different price.

      --
      Bite my shiny metal... oops... Nevermind!
    105. Re:Don't let your wedding photographer bully you! by dotgpb · · Score: 1

      A photographer should never just give away copyright. If a customer wants *all* rights, they should be charged extra.

      What I do in my business is give the client full non-commercial reprint rights, and copies of all images in both printable high resolution and web optimized versions. This allows my clients to either get prints from me (which are going to be high quality), or get them made on their own (quality may suffer). I also include a few sample prints, so that they will be able to see if the prints they get elsewhere are inferior.

      By only granting non-commercial rights, I know that if the photos end up generating revenue for some other business, I'll get a cut. By allowing them to make their own prints, the relationship doesn't become adversarial.

    106. Re:Don't let your wedding photographer bully you! by iGN97 · · Score: 1

      you're right, of course, if that's what's in the contract. you're always paid to do a described job.

      by default all images are copyrighted by the photographer, anything else would be crazy. by default means "if there is no contract covering copyrights". any other default is (to me) meaningless.

      professional photographers doing vogue (or similar) front-pages keep the copyrights to their photographs most of the time and licence it to the magazine. the images then go into the photographer's stock.

      your analogy with the house makes no sense what-so-ever. on the architect's drawings, perhaps. it wouldn't surprise me if the default copyright of the drawing for the house still belongs to the architect even after the building is erected, but i have no knowledge of this.

    107. Re:Don't let your wedding photographer bully you! by Absoluttt · · Score: 1

      He was right to ask that. It is a complete nightmare when you're trying to light a shot correctly only to shoot it and it's ruined because 3 or 4 other camera's are flashing away.

    108. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      No, the article is right on the money... Those professions are WAY overpaid. $136k/yr to enter shipping log data? What-fucking-ever.

    109. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      No. Because you never had any legal claim to reprints unless specifically written in a contract to you by the photographer, the legal copyright holder of the image. If he lost the image, that's his lost not yours, because you never owned it. You were never entitled to it, or reprints. If you wanted more, you had that option at time of the contract.

      However, the photographer CAN make reprints of your image, since he actually owns, and in most case, registered the copyright.

    110. Re:Don't let your wedding photographer bully you! by Total_Wimp · · Score: 1
      photography is a profession, and countless hours of studying and practical experience goes into the final product.
      Lets do a little comparison of the skill necessary to make a great wedding picture.

      An entire family works together to plan and pay for a wedding. They hire a pianist and a decorator. They pick out the dresses and the tuxes. All their friends and family are guests. They rent a hall and hire a limo. They smile and wave. They laugh and cry. They dance. They pay big bucks to set all this up. ...and it's the photographer's skill that makes the picture beautiful so he gets to keep the copyright?

      You gotta give credit where credit is due. Many photographers deserve a lot of credit, but if they take a picture of wedding, which by its nature is a staged event, then you have to give just as much credit to those doing the staging.

      It's quite fair for the stagers to ask for copyright if that is their desire. After all, the broadway musical "Cats" isn't going to sign over copyright to a film company that wants to shoot their play. Photographers gotta make money, but someone who pays $25,000 on a wedding has just as much right to ask that their monitary needs be met.

      TW
    111. Re:Don't let your wedding photographer bully you! by vinn01 · · Score: 1

      Fine quality aside, it's still a work-for-hire. The person paying for the work should retain the copyright.

      I've always hated the photography business model. And I was a semi-pro myself.

      What turned my stomach the most was what happened when my photography mentor died: His widow threw out all of his storage boxes of negatives (50 years worth). Hundreds of his former customers lost the ability to ever get a reprint of their photos (without a copystand and before digital scanning). The right thing should have been to return the negatives to the customers, but that was too much work.

      For my own wedding, I insisted on retaining the copyright. I hired only professionals who understood what that meant. I have the negatives and the right to make reprints whenever I want from whatever lab I chose.

      vb

    112. Re:Don't let your wedding photographer bully you! by iminplaya · · Score: 2

      by default all images are copyrighted by the photographer, anything else would be crazy.

      No it wouldn't. I'm all for allowing attribution to the photog, since anything else in that respect is impossible. I am and always will be against any copyright restrictions. When I get paid for performing my work, all other payments and gains(or losses) to and by third parties is absolutely irrelevent. I got paid. I'm not going to cry over every penny someone else subsequently gains from the work. I didn't work for that money. I'm not entitled to it. Only the people who performed that subsequent work are. When they use something I made, I don't complain. I'm happy to see my work being enjoyed by others. In fact, that's how I function here, and there's always plenty of food on the table. I'm not a glutton, like those who crave exclusivity.

      --
      What?
    113. Re:Don't let your wedding photographer bully you! by Whatchamacallit · · Score: 1

      My first wedding anniversary is coming up in a few weeks as well. I hired my coworker who is a pretty good amateur digital photographer (whose done about 30 weddings so far) with a highend 8 mega-pixel SLR Camera. He took all the main pictures (relatives and friends were taking some themselves) and I brought my PowerBook laptop where he simply downloaded the pictures when his memory cards filled up. This turned out to be rather popular running a slideshow at the reception! People loved seeing the pictures taken from the wedding earlier. I should have setup a projector!

      So I had the original RAW images immediately and I burned some DVDs along with some video shots and gave a bunch of them away. I uploaded the photos to Kodak and received prints. I also received a high quality bound photo book too.

      I even used an iPod playing a huge list of 80's tunes that the wife and I picked out that looped and played through a PA system. Saved money on the photographer and the DJ!

      My photographer buddy has run into the Walmart situation when giving clients a CD of images. He really doesn't care about holding copyright and does not wish to profit on re-prints. He does get paid for his labor but he's not even using film so there's not much up-front cost at all. He does touch up the photos and provide the original untouched RAW images as well.

      There is still a place for professional photographers, but many people may not wish to pay for it. Not when you can get real close to the same quality at less then half the price!

    114. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Oh booo-hoo. Just because you can't come up with a viable business model is a reason to try and screw people over? Nobody owns the copyright to my images (images of my person) than I myself alone.

      And don't forget that the event you are taking photos of costs thousands of dollars itself to organize. You want to make a profit off of it? Sure, if you pay for that privilege, that is fine with me. Otherwise, accept a fee as a service provider; but don't think you own any copyrights.

      Some people....

    115. Re:Don't let your wedding photographer bully you! by putaro · · Score: 1

      OK...you're a butthead.

      And you're on my foe list.

      Happy now? :-)

    116. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      But, almost no one gets married in Nov-March, so you have to compress it further if you want to make your living doing just weddings.

      Your claims are reasonable up to this point. There's no justification for doubling your rates to account for weddings only occuring in the summer. If you want to work half the year, you get paid for half the year, just like anyone else.

      Of course, if you are unwilling to do this, some equivalently competent photog with a better work ethic will find a way of occupying herself in the off-season and undercut your rates by half.

    117. Re:Don't let your wedding photographer bully you! by alex_guy_CA · · Score: 1
      Wow, you really did put me on your foe list.

      News flash, my previous comment was a (gasp) joke.

    118. Re:Don't let your wedding photographer bully you! by putaro · · Score: 1

      Hey, the joke's no good if you don't really do it :-). Besides, what *good* is the foe list anyway?

    119. Re:Don't let your wedding photographer bully you! by JetTredmont · · Score: 2, Interesting

      In other words, instead of being up front and explaining why you cost x amount, and why you are worth it, to the happy couple, you low-ball them and hold their wedding photos as ransom to get the full amount you believe you are entitled. Obviously, after the wedding's done they aren't going to say, "no, sorry, we don't want any pictures" ...

      Life is so much simpler when people deal up-front. You know you need $5000 for the wedding for it to make sense. Tell them that up front. Yes, say if they don't like you pictures, etc, etc, they don't have to buy them and they'll end up paying less. But $5000 is your cost. Period. If they want to cost-compare make sure they include all the prints and rights you are including (which should be everything, 'cause you just want to get $5000 out of the deal), and, more importantly, understand the benefits of not having to run crying to you to get another copy of their wedding photo so they can hang it in the vet's center fifty years from now.

      Also, the "if you want to only do weddings, nothing else" thing: yeah, and if I wanted to earn a living playing Santa Clause at the local mall I'd need to get paid $1000 per hour too! But, unfortunately, that just doesn't happen. Find something profitable to do in those other six months of the year, or don't complain that you make half the wage to which you feel you are entitled.

    120. Re:Don't let your wedding photographer bully you! by alex_guy_CA · · Score: 1

      I think I should put you on my friends list.

    121. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Either change your user agent to googlebot or view the google cache.

      (GOOGLE: Ban the site, you forbid cloaking!)

    122. Re:Don't let your wedding photographer bully you! by mrscorpio · · Score: 1

      My sister-in-law's wedding photographer sucked, but got one thing right: amateur photography OK, but they can't take shots of the pro poses. Get your own poses, take candids, but if the hired photographer has scenes and people arranged, the guests could not also take photos of these poses.

    123. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      My best man took a picture of his ass in the mens room. He's getting married next month and I haven't stopped paying him back.

    124. Re:Don't let your wedding photographer bully you! by idioMac · · Score: 1

      Speaking as the son of portrait and wedding photographers:

      Wedding photographers earn their income using a model that depends on the labor they expend on actually photographing the wedding. If you are hiring a wedding photographer, you are paying them to spend a certain number of hours taking pictures at your ceremony/reception. This involves a certain level of effort, skill, and judgement on the part of the photographer.

      Most photographers will sell you a package that gives you an album and a certain number of prints included in the price. Most wedding photographers do not do their own printing, it's not worth the time, effort and risk when it can be done by professional photo labs for a reasonable price and with a guarantee of quality.

      I don't know about the majority of wedding photographers, but my parents only charge a small percentage of the fabrication cost as a service fee for reproductions and extra prints, though they do maintain rights to the originals for the explicit purpose of not being sued by the clients if one of their photos ends up at the county fair or on their website.

    125. Re:Don't let your wedding photographer bully you! by Grishnakh · · Score: 4, Funny

      We had a few photos that were not very good, but captured a particularly important event.

      Your wife getting boned by the best man?

    126. Re:Don't let your wedding photographer bully you! by Eccles · · Score: 1

      by default all images are copyrighted by the photographer, anything else would be crazy. by default means "if there is no contract covering copyrights". any other default is (to me) meaningless.

      Programming is generally "work for hire'; do it on someone else's dime and they own the copyrights. Photography seems at least somewhat similar.

      Architects may reuse design elements in multiple drawings, and thus have more of a reason to keep their drawings. Moreover, the drawings are a tool to an end result, not the end result itself.

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    127. Re:Don't let your wedding photographer bully you! by LaminatorX · · Score: 1

      If your friend shot them, it should be no problem to get permission in writing to have them duplicated.

    128. Re:Don't let your wedding photographer bully you! by LaminatorX · · Score: 1

      Im sure you'd have no shortage of takers if you wanted to hire a full-time+benefits staff photographer to do works for hire for you. Especially since MOST independant shooters make sre having a great year if they make more than a manager at a Quick Trip.

    129. Re:Don't let your wedding photographer bully you! by alan_dershowitz · · Score: 1

      If it's a work for hire, you are correct. However, it is not a work for hire without the explicit agreement of the photographer. The rights default to the photographer unless contract states otherwise.

    130. Re:Don't let your wedding photographer bully you! by Thomas+Shaddack · · Score: 1

      This opens a solution for all these problems: just forge the permission form. Sure, it can be a crime, but unless somebody notices - which is unlikely if there is no commercial use that could serve as a tip-off for some rat - you'll get away with it.

    131. Re:Don't let your wedding photographer bully you! by tcgroat · · Score: 2, Interesting
      Our photographer had to ask *us* for permission to use shots from our wedding in her portfolio.

      You found a genuine professional to shoot your wedding! Asking before using your photos in the portfolio shows she honors her responsibilities, too. Without model releases, you don't use private photos for advertising or other commercial purposes. Owning the copyright isn't enough; you need releases too (with some exceptions for photos made in public places, of public figures, concerning matters of public interest, etc.).

      Ownership of the images is part of your contract with the photographer. The time to negotiate this is before signing the agreement and paying the deposit, not after the job is done. If you want to own the images the contract should state they will be "work for hire"; otherwise the photographer (as author) owns them by default. Expect to pay more for ownership, because you're asking the photographer to forego future revenue.

      A work-for-hire contract protects you against the studio going out of business. That's a real concern with the long copyright periods we have today: I have pictures of long-dead relatives, taken by dead photographers, who worked for studios that failed before I was born. The copyrights on these photos have not expired, so no reputable lab will make copies.

      If you own the copyright, mark the originals "(c) [year] [your_name]". Better yet, have the work-for-hire photographer apply your copyright notice to the originals, leaving no doubt she was aware of the work-for-hire arrangement.

      IANAL. If you're going to court over photos (or anything else), hire one!

    132. Re:Don't let your wedding photographer bully you! by cheekyboy · · Score: 1

      Hey, I paid $100ph for the 'shooting' and $600 for the final *ALL* shots on CDR in 2500px res done from the negatives.

      And I had two photo dudes, and these guys are busy MON-FRI too - doing model shots - promos etc... if photographers limit themselves to weddings only then they are Fooooools and stupid business men.

      --
      Liberty freedom are no1, not dicks in suits.
    133. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Nobody owns the copyright to my images (images of my person) than I myself alone.

      The supreme court has different views..

    134. Re:Don't let your wedding photographer bully you! by Kadmos · · Score: 1

      We had a few photos that were not very good, but captured a particularly important event.

      Your wife getting boned by the best man?


      *You* getting boned by the best man :-P

    135. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0
      Hmm, well our wedding photographer was a friend who is also a keen amateur photographer and part-time wedding photographer.

      I don't know if he charged us more or less after all that, but the agreement was that we get to keep the negatives, not him. I guess that means we own the copyright.

      I photographed a wedding last month, as a guest. I used just a cheap digital camera, but it's a pretty new one and it takes pretty good photos. I like to think that I'm a good judge of photos. Some of the wedding photos were great, others were very ordinary. But copyright? Who cares! I just burnt a CD of all the photos, even the bad ones, and gave it to the couple. They can print whatever they like.

      Getting to the concept that Wal-Mart refuses to print good-looking photos because they must be professional and therefore it's a copyright infringement; that must be the silliest thing I have heard all week. Why should Wal-Mart be responsible for the copyright just because they pushed the PRINT button?

      Clearly we need an overhaul of the copyright law. If I have legal possession of an image file, it should not be an infringement of copyright for me to print it out, or convert it from JPG to PNG, or similar. If I try to sell multiple copies of it without being licensed to do so, that's a violation which the law should target.

    136. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Possibly, but since he's covered by incorporation most likely, dissolution of the corporation erases all liabilities.

    137. Re:Don't let your wedding photographer bully you! by rsynnott · · Score: 1

      Photographers seem to do very well out of the whole thing. When a photographer takes and sells a picture of the Eiffel tower to put on a postcard, does he pay a royality to Gustave Eiffel, or that particularly obese tourist in front of the tower? No, they don't, even though their postcard would sell rather less well if they took a photo of the local chemical plant for it.

      --
      Me (Blog)
    138. Re:Don't let your wedding photographer bully you! by margaret · · Score: 1

      What turned my stomach the most was what happened when my photography mentor died: His widow threw out all of his storage boxes of negatives (50 years worth). Hundreds of his former customers lost the ability to ever get a reprint of their photos (without a copystand and before digital scanning). The right thing should have been to return the negatives to the customers, but that was too much work.

      Lucky for my mom, when her wedding photographer died a couple years ago, his wife went through all of the negatives and gave them to all of the customers she could find. So, 30 years later, she got her negatives.

      I didn't want to wait 30 years for my negatives, so last year when I was shopping around for a wedding photograher, a top priority was having high res digital copies that I could mess with and print myself. So I found a recent graduate from the local photography school, and she was more than happy to accomodate me. She shot on film, but took the film to a place that has a drum scanner and I paid a few dollars extra for the CDs. I can have the negatives themselves for $50, which I haven't done yet. But I plan on moving to a different city next year, so I'll probably buy them before I go. And I have paid her to do a few reprints, because she uses old school film special effects that look fantastic, and I feel like I'm paying her for that skill, not the images.

      The way I see it, if some photographers want to retain the copyrights and charge a markup for reprints, fine. It wasn't that hard to find a photographer who would do what I wanted. And once I had the images, it was easy (and fun) for me to edit them in photoshop and make a bunch of those coffeetable books that are all the rage now. But there are a lot of people out there who have neither the ability nor desire to do that, and if they want to pay their photograher to handle that end of it, let them.

      One thing I learned from wedding planning: yeah, things can be overpriced, but you only overpay if you choose to do so. There is always a reasonable alternative out there... you just have to put forth the effort to find it, and not buy into all of the propaganda in the wedding magazines.

    139. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      I question the validity of copyright on a photograph to begin with. It's an image of something else that existed at a point in time. It's not really a creation.

    140. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      This example is pretty tricky. (Disclaimer: I'm not a lawyer, just a photographer.) Technically, you own the copyright to the originals -- or your family. Is the photographer still living? They now could technically be in the public domain, ironic, eh. So no one owns the copyright --either you or the lab. Probably not.

      If they are making an exact reproduction of the photo, they cannot claim to own the copyright of the reproduction. This copying wouldn't be considered a derivative (sp) work or a parody or have any fair use protection associated with it. Making an exact reproduction and selling it is the exact reason copyrights exists. Of course, since they are selling it to you, they have consent of a kind (remember I'm no lawyer...)

      The can restrict you from making duplicates if the purchase order or whaever binds you to this lab and it says you cannot make dupes of the copies. But, I just don't see how they can apply a copyright to this reproduction.

      As for the rest of your post, how is that any different than software? I buy Miracle Program but don't "own" the software only a very restrictive license to use it.

      Whoever wrote the code doesn't own it either, Miracle, Inc. owns it.

      Thankfully, software companies never go out of business and leave you hanging with a unsupported product...

    141. Re:Don't let your wedding photographer bully you! by Skyshadow · · Score: 1

      Seriously, if your shots are getting ruined by other flashes in the 1/200th of a second that the shutter is open, it's because God himself personally hates you.

      --
      Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
    142. Re:Don't let your wedding photographer bully you! by thegrinchd · · Score: 1

      I work(ed) at a "school" photography studio for the past year, and that $40 you pay for the package doesn't even provide enough cash (amortized, as you say, over the student population) to pay enough to keep the studio staffed full time through the year.

      The backend to "shoot a school photo" as you put it, just in the equipment is something to the effect of 7-10k per photo station (the way we shoot which is perhap a bit forward tech wise)

      a Digital Body (Canon 10D/20D) A powerful Laptop (P4 at this point) Color Laser printer/laminator (for the complimentary photo IDs) A set of strobes, and the software to create and database the images to student names and create onsite IDs. As well a a photographer that knows how to run this setup. That is onsite.

      Our setup for a medium school (1500 kids) 3 days shooting, three or four stations running all day (arrive at 6-7AM leave at 4pm). And then probably Three makeup days with one or two cameras.

      At the Studio there are approximately 10 state of the art machines, as well as a large format inkjet and Minilab machine to actually create the packages you are complaining on the price about.

      The images then need to be processed for both order fulfilment as well as creation of the yearbook CDs (~2-4000 records for a high school), and the orders need to be printed and packaged. Which also requires staff of varying capacities (being paid out of that $40 you are bitching about).

      So the 30 seconds you are talking about is NOTHING near the actual reality.

      All the bitching about wedding photography strikes me as similar ignorance. You people have no idea of the labor involved with shooting a wedding and creating the images afterwords.

      You don't have an idea of the equipment, training and cost involved. Photography is a VERY hard industry to make a living in and you folks have no idea. The idea of a wedding photog being one of the top-ten overpaid careers is laughable. It is a hard job, that doesn't pay well, and people think, "Hey I'll just put disposable cameras on the table, that will do the job better anyway"

      As far as the "nominal" rate of $200/hour, that would be great, if All I need to do as a wedding photographer is show up at your wedding and shoot for 3-5 hours and then be done.

      The actual process is something more like:

      Several meetings before the wedding (no fee for those)
      An engagement session (maybe no fee for that)
      Selecting the engagement session meeting (not charging hourly for that)
      Printing the engagement session (maybe an album, maybe souvenirs at the wedding, this can vary)
      The actual wedding shoot (the shortest part of all this in all likelyhood)
      Go through the photos (not charging that nominal hourly here either)
      Make the proof set (See Nominal Hourly)
      Meeting about what photos are going to be selected (See that hourly again)
      Procuring the album(s) and making the prints for them (this maybe broken out, but just as often is in the "overall price")

      So for a "5 hour" wedding, as a photog how many hours have I put in? 20? 50? none of those are billed at "$200 an hour" last I checked.

      You people complaining haven't got a clue. (did I mention that already?)
      Gil Batzri
      (a former full-time photographer)

    143. Re:Don't let your wedding photographer bully you! by thegrinchd · · Score: 1

      It's WFH IF the the photog agrees to it.

      You are being paid for your skills in creating the photos, you SHOULD own them, unless you agree not to.

      You are creating something, if you don't own what you create "by default" something is wrong.

      Wedding Photography is a little of a different beast, but WFH is killing photography as an industry.

      I am getting a more "semi" then "pro" from what you say because if you were actually subsisting off of your work behind the camera, you would understand that you need to retain ownership of that which you create.

      Your story of your mentor is, I agree the absolute pits.

      But as a photog shooting a wedding, you are doing something the "normal" person can not, why shouldn't you realize fair (ie: enough to live) compensation for that?

    144. Re:Don't let your wedding photographer bully you! by thegrinchd · · Score: 1

      ACTUALLY, If you go into a professional event, You expressly ARE NOT granted the right to take photos of the event. You are taking images of their copyrighted event/uniforms etc. The press is granted rights for editorial usage, but rights to use/maintain/sell the images of say an NFL game are controlled by the NFL and it's licensees (Getty, primarily I believe) So, there would be some question to as whether you "own" the copyright to that image. Should you go to coourt for trying to sell that image of Brett Favre throwing, I wouldn't bet on you winning.

    145. Re:Don't let your wedding photographer bully you! by thegrinchd · · Score: 1

      You can't sell images you make at a pro game. Period. Unless you had a credential granted by the organization/league/team you were photographing.

      They are very specific on this, It is probably on the ticket.

      Not for editorial, not for commercial, not anything. You are not in a public place, those rules do not apply.

      This might be different if you are selling photos of a fight in the stands, but of actual game action, I am fairly confident.

      Look it up.

    146. Re:Don't let your wedding photographer bully you! by thegrinchd · · Score: 1

      They are for the most part getting screwed.

      Software (the favorite here) is a different deal. The creation of it is a group effort for the most part, but I bet if you asked one of the coders at MS if he thought he should have a piece of the Windows take, he would say yes. He is compensated with stock and other items to make it worth his giving up the copyright on what he creates.

      Photography is more akin to a book or music.

      Just because I buy a copy of say "The Hitchhikers Guide to the Galaxy" doesn't mean I can go ahead and photocopy it and sell copies of it. That is what photography is, moreso then software.

    147. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      Points well taken. But these same marketing hurdles exist in every industry.

      Why should I ever visit a Symphony Orchestra when I can listen to my neighbor's 10-year-old daughter sawing away on her violin, for free?

      Why should I pay seven figures for a professional programming team to design an N-tiered B2B interactive e-commerce application with full integration with the ERP system of my billion-dollar corporation, when I can instead just buy dinner for my son-in-law who will set me up with a free static template from a web hosting company? Think of the money I'll save!

      Why should I pay four figures to have a skilled professional wedding photographer artistically preserve the happiest day in my life with high-quality images, when my Dad already owns a nice fancy camcorder that can take still frames?

      Clueless people abound. And you know they abound EVERYWHERE. Unfortunately they also have money which is destined to get spent somewhere. They also run for office, vote for each other, get elected, and they write the laws which the intelligent minority ultimately have to suffer by.

      So, treat the idiots with appropriate respect. Spell things out for these innumerate bozos. Do their freaking homework for them. Make it so painfully obvious why they need your help, that they'll forget all previous hypnotic suggestions to the contrary.

    148. Re:Don't let your wedding photographer bully you! by Zak3056 · · Score: 1

      I work(ed) at a "school" photography studio for the past year, and that $40 you pay for the package doesn't even provide enough cash (amortized, as you say, over the student population) to pay enough to keep the studio staffed full time through the year.

      I'm amazed at this attitude (the other guy above you had the same one) that "there's really not enough work in this particular segment to make this a year round career, therefore you need to subsidize me." Bullshit. I'm NOT disagreeing that you guys are talented in and skilled at your choice of career, but for god's sake FIND OTHER WORK DURING THE OFF SEASON. It's like a landscaper (bad comparison, I know--creative/skilled vs. unskilled labor--but bear with me) demanding that he needs to be paid $20/hr because he only works six months out of the year.

      The backend to "shoot a school photo" as you put it, just in the equipment is something to the effect of 7-10k per photo station (the way we shoot which is perhap a bit forward tech wise)

      I recognize your fixed costs are quite high, but you depreciate those costs over 3-5 years, not one job. I was actually expecting your equipment costs to be more while I was ranting--last time I looked at that sort of thing, it totalled out alot higher.

      So the 30 seconds you are talking about is NOTHING near the actual reality.

      You referenced my "amortized over the student population" comment, but think I'm dumb enough to think that you're JUST spending 30 seconds per kid? No, I understand the reality even though I'm not in your industry.

      You don't have an idea of the equipment, training and cost involved. Photography is a VERY hard industry to make a living in and you folks have no idea. The idea of a wedding photog being one of the top-ten overpaid careers is laughable. It is a hard job, that doesn't pay well, and people think, "Hey I'll just put disposable cameras on the table, that will do the job better anyway"

      Once upon a time, I worked on advertising and albumn covers. I have a decent grasp of the equipment, training, and costs involved (or at least what they were ten years ago. :) However, as the customer what I expect to be paying for is your time and actual expenses. As far as I'm concerned "+30%, because there are no weddings between september and march" isn't an expense you need to be passing on to me.

      Several meetings before the wedding (no fee for those)
      An engagement session (maybe no fee for that)
      Selecting the engagement session meeting (not charging hourly for that)
      Printing the engagement session (maybe an album, maybe souvenirs at the wedding, this can vary)
      The actual wedding shoot (the shortest part of all this in all likelyhood)
      Go through the photos (not charging that nominal hourly here either)
      Make the proof set (See Nominal Hourly)
      Meeting about what photos are going to be selected (See that hourly again)
      Procuring the album(s) and making the prints for them (this maybe broken out, but just as often is in the "overall price")


      So charge for it! Other than an initial meeting (personally, I liken this to a job interview) a professional should be getting paid for the hours they're putting into a project. You missed something else I said: I have nothing against paying talented people what they're worth. And your list above misses the very point we're talking about: after you do the above, and I pay you for it, you retain the copyright to the images.

      So for a "5 hour" wedding, as a photog how many hours have I put in? 20? 50? none of those are billed at "$200 an hour" last I checked.

      25 hours @ $200/hr = $5k, and I've seen people pay even more than that. I'm sorry; while you do raise some good points, you have not changed my opinion that your industry basically consists of "lowball the quote, then hold the images hostage."

      --
      What part of "shall not be infringed" is so hard to understand?
    149. Re:Don't let your wedding photographer bully you! by cfulmer · · Score: 1

      The uniforms may be copyright, but that's a bit sketchy -- how much creative expression is in that? It's a shirt with a number on it.

      The event itself is not an "original work of authorship," as required by 17 U.S.C. 102(a) and is thus not copyrightable subject matter. Pictures and video of the game, however, probably are.

      When I said it's enforced by contract, I meant that when you buy a ticket to the game, you're probably agreeing not to photograph it (check the reverse side of your ticket). Also, the people who own the park have the right to prevent you from bringing a camera in.

      IANAL. Don't rely on this.

    150. Re:Don't let your wedding photographer bully you! by hawk · · Score: 1
      It helps separate the fees, fis, and fums . . .

      :)

      hawk

    151. Re:Don't let your wedding photographer bully you! by Anonymous Coward · · Score: 0

      If you buy a print from a photographer, you are entitled to sell THAT print for as little or as much as you want. That is what you paid for, A PRINT.

      But unless specifically stated in a contract, you are not allowed to duplicate that print and give it away. No matter how bull headed you want to be on this, you simply do not have the right, PERIOD.

      The photographer is the only one allowed to make and sell (or give away) additional prints unless otherwise stated in a contract. It is the law. And yes, the photographer DID work for that extra money. Aside from any schooling he/she may have invested in, the photographer also invested in thousands of dollars worth of equipment and hours of time based largely on a congressional promise that he/she could hold and sell the copyrights to their images. Why else would a photographe go to all that expense for a few bucks. To think otherwise is absolutely ridiculous.

      If you want another print, you are left two legal choices. Either buy another one from the copyright holder of the image, or take a image of the same subject in the same setting so that you can be the copyright holder. Those are your choices by law. Deal with it.

    152. Re:Don't let your wedding photographer bully you! by iminplaya · · Score: 1

      There is one thing only that I can't claim... that I took the the picture. Only because that is not possible. Oh, I can claim it, but obviously, it wouldn't be true. All other things that are phisically possible are only limited by what I feel like doing with my copy. Your claim to ownership of my copy is invalid. When the law ceases to act simply in the interests of the highest bidder, I will consider it.

      --
      What?
    153. Re:Don't let your wedding photographer bully you! by Sangbin · · Score: 1

      There were some great shots (and a few disturbing ones)

      what? did the photographer follow you to the honeymoon?

    154. Re:Don't let your wedding photographer bully you! by Ohreally_factor · · Score: 1

      Joe, I don't think you're getting Tom's point. Tom is saying that he could do YOUR job with a weekend's worth of training, That anyone could. All you need is a camera with a fast frame rate.

      It's your typical geek attitude. Just because a geek is good in one field, he thinks he's some sort of authority in all others, or could easily be one with just a weekend of practice or study. This isn't limited to geeks, however. I run into this all the time in my line of work with clients that underestimate how long a job is actually going to take, what level of expertise will be required, etc. They end up hiring inexperienced crews, going way over budget, and getting sub par results with very little chance of commercial success. They actually tend to lose a great deal of money trying to save a little money by not hiring experienced professionals. Often times they have to reshoot. A good deal of my current business involves clients needing to reshoot.

      What's tragic about what Tom is suggesting is that you CAN'T reshoot a wedding. It's a once in a lifetime thing (hopefully) and for this reason, a couple really should hire an experienced competent professional, for the reasons you outlined.

      --
      It's not offtopic, dumbass. It's orthogonal.
    155. Re:Don't let your wedding photographer bully you! by Joe+Decker · · Score: 1
      ....my job.

      <geeksize>He should try it, then, I'll look forward to seeing one of his immages in the Smithsonian. </geeksize>

      What's tragic about what Tom is suggesting is that you CAN'T reshoot a wedding.

      Yeah, there's a smaller but real extent to which thats true in my work as well. Many of my best images are quite dependent on particular whether conditions. As an extreme example, This image gets its effectiveness from light sneaking through a hole in a blanket of clouds in the direction of sunrise, at sunrise, a condition which lasted around 30 seconds and which I haven't seen again there--and clear skies don't produce anything nearly as nice.

      Not that it's nearly the same situation in general, I don't have to deal with clients emotionally invested in a single moment, (they never see the inevitable images that don't make the cut in my biz), it's just quite a different thing.

      And yes, it is tragic.

  3. Example of a Rejected Photo by TPIRman · · Score: 4, Interesting

    Adding insult to injury, the photofinishers refuse to give explicit guidelines as to what qualifies as "professional-looking" (in all likelihood there are no guidelines, of course). But an article in the San Diego Union-Tribune on this topic shows one customer's example of a photo rejected by Wal-Mart, alongside an equally good-looking photo that Wal-Mart, in its infinite wisdom, deemed amateurish enough to print.

    1. Re:Example of a Rejected Photo by MyLongNickName · · Score: 1

      Hate to break this to you: I'd have guessed the black-and-white was professional too.

      --
      See my journal for slashdot ID's by year. Mine created in 2005. http://slashdot.org/journal/289875/slashdot-ids-by-year
    2. Re:Example of a Rejected Photo by daniil · · Score: 1

      It's simple really. Monochrome = professional; two berries = professional -- these are things that an amateur would consider to be professional-looking.

      --
      Man is a slave because freedom is difficult, whereas slavery is easy.
    3. Re:Example of a Rejected Photo by tzanger · · Score: 1

      "two berries" ??

      The top picture's child is out of focus. I'd have picked the bottom photo as well; it's very sharp and clear. The top photo has the wood grain in amazing detail but the subject is not focused.

    4. Re:Example of a Rejected Photo by TPIRman · · Score: 1

      Hate to break this to you: I'd have guessed the black-and-white was professional too.

      Don't worry, my feelings are unhurt, and I agree that the B&W one looks "pro" (although the color photo looks quite good as well).

      That's not the point, though. One of the critical problems here is that the photo labs aren't being forthright in how they make their judgment calls. If they want to come right out and say "no monochrome prints because they are too likely to be professional," fine. It's still a frustrating policy, but they are being forthright about it. But because the photo labs refuse to provide any explicit warnings to customers, the customers get nailed with a "gotcha" after sending in their pictures.

      And while this may seem to you like a relatively clear-cut case aesthetically, the FA details that from the consumer's point of view, it's essentially a crapshoot what is going to get tagged. So consumers are sending in photos without any reliable guidelines as to whether they'll get the requested service. It's not illegal, but it is a pretty low way to do business. Whether you agree on a case-by-case basis with the "professional-looking" evaluation is not the issue; misleading the customer is the issue.

    5. Re:Example of a Rejected Photo by Blue-Footed+Boobie · · Score: 1

      Yeah, and pro photographers never use selective focus or soft-filters on purpose!

      --
      DAMN YOU OCTODOG! DAMN YOU TO HELL!
    6. Re:Example of a Rejected Photo by Nexx · · Score: 1

      Just a nitpick: soft-filters and out-of-focus lenses achieve VERY different results.

    7. Re:Example of a Rejected Photo by hackstraw · · Score: 1

      shows one customer's example of a photo rejected by Wal-Mart

      Maybe, people should go somewhere besides Poor-Mart to get their pictures developed.

      I would imagine that there are camera stores near every place that has a Wal-Mart. You go in to one of those, talk with the knowledgeable and helpful staff member (ie, not high-school kids) and maybe even get compliments tips and whatnot for your photos vs having them rejected on some moral or legal grounds.

      Why do people still expect more than the lowest common denominator when they deal with the lowest common denominator?

    8. Re:Example of a Rejected Photo by daniil · · Score: 1

      "Two berries" was in reference to the picture in the first article (linked in the blurb). Photos of berris (or similar) and black and white pictures is something an amateur will take if he fancies himself a good photographer, for black and white pictures are "artsy" (I know this, because i've been there myself).

      --
      Man is a slave because freedom is difficult, whereas slavery is easy.
    9. Re:Example of a Rejected Photo by Blue-Footed+Boobie · · Score: 1

      Hence the word OR in my comment.

      --
      DAMN YOU OCTODOG! DAMN YOU TO HELL!
    10. Re:Example of a Rejected Photo by Hognoxious · · Score: 1
      Don't worry, my feelings are unhurt, and I agree that the B&W one looks "pro"
      A pro would have either put make-up over that mark on the kid's nose, or retouched it out later. Not to mention reducing the depth-of-field to get rid of the background.
      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    11. Re:Example of a Rejected Photo by temojen · · Score: 2, Insightful

      The colour photo is slightly out of focus, the light is too much stronger on the left side, and slightly different colour in the shadows. The bottom was shot fully open with a faster lens than most amateurs would own, the focus point is correct (on his eyes), and the light is well balanced.

      The tip off that it's actually amateur should have been that it's a portrait shot with a wide-angle lens (I'm guessing equivalent to 28mm on a 35mm SLR). This makes the nose look bulbous and the ears look tiny. A professional would have used a fast, longish lens like an 80mm f1.4 or a 120mm f2.8. These would have given the correct perspective and small depth of field (to blur out the background).

    12. Re:Example of a Rejected Photo by MyLongNickName · · Score: 1

      Nah. The background is what made the photo. The photo wasn't meant to be a family photo. It looked more like "urban realism".

      The look in the kids eyes. The very plain background. Nothing fancy. Didn't even fall into the overused grafitti on wall trap. It gave me the impression of someone who has learned to be tough at a young age.

      It is in contrast with the baby face of the subject, who would not have looked out of place in the suburbs, laughing and playing with friends. Makes me think of what the inner-city can do to a kid.

      But, that is me. But it is also what made me think it was professional. It wasn't "awwww how cute" like most home pictures are.

      --
      See my journal for slashdot ID's by year. Mine created in 2005. http://slashdot.org/journal/289875/slashdot-ids-by-year
    13. Re:Example of a Rejected Photo by Hognoxious · · Score: 0, Flamebait
      The background is what made the photo
      Well if that's the case, and I don't think it is, a pro would have made sure it was all in focus and more evenly lit.
      The photo wasn't meant to be a family photo.
      Where did I say it was?

      Just admit it, you assumed B&W = pro.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    14. Re:Example of a Rejected Photo by ImaLamer · · Score: 1

      In that case, I'd sue Wal-Mart for holding *my* material.

      If I'm the copyright owner, and they already printed them, then I think you've got a case. Then again, IAJA/.'er

    15. Re:Example of a Rejected Photo by ars · · Score: 1

      If a pro made that B/W photo he should be fired, cause that's a really poor photo.

      Just because it's in B/W doesn't make it pro.

      The color picture above it loks a lot better, but still not especially good.

      Personally I don't see why you need to be a pro to take a good picture anyway.

      --
      -Ariel
    16. Re:Example of a Rejected Photo by temojen · · Score: 1
      Personally I don't see why you need to be a pro to take a good picture anyway.
      You don't. You need experience, talent, and good equipment to consistantly take good pictures. A pro is more likely to have all three.
    17. Re:Example of a Rejected Photo by Surt · · Score: 1

      Wow, your definition of equally good looking is interesting. The B&W they refused to print is a much better photo. Look at the blurring on the color photo, it's terrible. The B&W is nice and crisp. Better lit too.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    18. Re:Example of a Rejected Photo by Surt · · Score: 1

      I totally disagree. Look at how the B&W has uniformly better clarity on the subjects left, and uniformly more blur on the right. Consider the choice of shirt for the B&W vs color. This shot may not have been professional, but it would take a pro some time to properly set up the equivalent shot if he wanted to do it deliberately for the jump out effect this shot achieves pretty well.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    19. Re:Example of a Rejected Photo by Anonymous Coward · · Score: 0

      Even professionals shoot crap photographs. In fact they probably shoot more crap photographs than amatures. But how many amateurs shoot 30+ rolls of film in one shoot?

    20. Re:Example of a Rejected Photo by Anonymous Coward · · Score: 0
      And sharpness is a perfect measure of pro-ness, yes? No pro would ever use a soft focus or anything mushy and artistic.

      *shakes head*

    21. Re:Example of a Rejected Photo by Anonymous Coward · · Score: 0

      Either the photographer who took the B&W photo used the wrong lens for the shot, or that kid has one hell of a nose.

      Wrong focal length for the subject: -1 Amateur

      KMTKJRM

    22. Re:Example of a Rejected Photo by zenray · · Score: 1

      As I RTFA the answer just jumped out at me. If you are going to use the GIMP (or Photoshop) to edit YOUR digital photo you just took, take the time to add YOUR personalized copywrite notice. Then you can go to Wal-Mart and show them a signed release from the copywrite holder - yourself. Can't most digital cameras add a custom text box (copywrite notice) automatically?

      --
      zenray
    23. Re:Example of a Rejected Photo by modecx · · Score: 1

      Well if that's the case, and I don't think it is, a pro would have made sure it was all in focus and more evenly lit.

      And it could also be that the arperature/lens combination would make such a thing impossible to do--if the face was not in focus, what's the point? The background adds to the subject, without it, the picture would be that of just a goofy looking kid.

      The blocks qualify him as a goofy kid posing next to a building. It is a valid professional photographic technique to have the subject in sharp focus, and everything in front and behind of it blurred (although it's perhaps a bit tasteless if done excessively, or on a poor subject). Every one mildly interested in the art has taken a similar photo.

      --
      Constitutional rights may be respected, repealed, or modified; but they must never be ignored.
    24. Re:Example of a Rejected Photo by mickisdaddy · · Score: 1

      Just carry a copy of the following with you when you go to pick up your photos at WallyWorld. Copyright Release Form

    25. Re:Example of a Rejected Photo by sanosuke76 · · Score: 1

      Perhaps the kid is less interesting than the wood?
      Maybe it's a Pinnochio-themed picture?

      --
      My 229 is all the Sig I need http://thegunwiki.com/
    26. Re:Example of a Rejected Photo by tnak · · Score: 1

      If you really think that those two shots are "equally good" I HIGHLY recommend the following actions:

      1 Disconnect your monitor from you computer.
      2 Put it and yourself in your automobile.
      3 On your way to the nearest optometrist drop the monitor into the first dumpster you see.
      4 After getting your eyes checked, go to a Best Buy, Circuit City, etc and buy a decent monitor.

    27. Re:Example of a Rejected Photo by Hognoxious · · Score: 1
      It is a valid professional photographic technique to have the subject in sharp focus, and everything in front and behind of it blurred
      Leaving aside that isn't what happened here, as, for the third time, the backround is partially in focus, it's very clever of you to point out what I already said. To which some moron replied that the background was the most important part. If that were so, do you think they would have done it half and half like that? Try reading the whole of a conversation in future, huh? I even emphasised ALL, for the benefit of the hard of understanding.
      Every one mildly interested in the art has taken a similar photo.
      And anyone mildly competent has taken a better one.
      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  4. Piracy by MyLongNickName · · Score: 0, Redundant

    A search of my comment history will show I am very anti-piracy. But stuff like this makes me feel lke telling everyone to go download every freaking copyrighted photo on the net and send to all your friends.

    Big brother ridiculous.

    --
    See my journal for slashdot ID's by year. Mine created in 2005. http://slashdot.org/journal/289875/slashdot-ids-by-year
    1. Re:Piracy by drmaxx · · Score: 1

      At the gas station: Hey this car looks too good. Is it really yours? I am refusing to fill the tank unless you show me your last paycheck! I do not want to be responsible for helping you to get away with a stolen car... :-) It's a sad world when Walmart clerks have to enforce copyrights....

    2. Re:Piracy by OhPlz · · Score: 3, Insightful

      I had something like that happen at a Quebec to Vermont border crossing. I was in my early 20's driving a brand new (gasp) SUV. The US BP agent was certain I couldn't own such a vehicle. She even hesitated to accept the temporary registration and title application as proof (I hadn't registered it yet).

      There's too many busy-bodies and not enough MYOB sense.

      Why would Martmart even be the victim of a lawsuit? They acted on a request of a customer, if the customer ordered a reprint of a copywritten work THEY should be the guilty party. Without an absolute way of verifying copyright status it's absurd to hold Martmart responsible.

    3. Re:Piracy by Heem · · Score: 1

      I absoultely agree with you.

      --
      Don't Tread on Me
    4. Re:Piracy by Hognoxious · · Score: 1
      The US BP agent was certain I couldn't own such a vehicle. She even hesitated to accept the temporary registration and title application as proof (I hadn't registered it yet).
      Presumably BP here means border patrol, a branch of law-enforcement. If a stolen vehicle did get across an international border there'd likely be a lot of bother from its owner or his insurance company, not to mention bad publicity.

      That's a bit different to some snotty shop clerk.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    5. Re:Piracy by OhPlz · · Score: 1

      Yes, but you miss my point. A BP (yes, border patrol) agent assumed I stole the vehicle much in the same way that a Martmart associate assumes a customer is "stealing" a photo. It's a matter of personal bias.

      The absurdity is that the Martmart sales associate would be "judging" things the same way a federal officer might.

    6. Re:Piracy by rsynnott · · Score: 1

      I don't care to remember the number of times I've been asked "You know this is a gay bar, right?" Apparently I'm not gay enough.

      --
      Me (Blog)
  5. Greedy bastards! by Raistlin77 · · Score: 0

    "Professional photographers have successfully sued processors"

    I sincerely hope that these greedy bastards lose business because of this. Retailers should take an educational stance instead of a paranoid one!

  6. Thank god the paranoia begins here by Anonymous Coward · · Score: 0

    The paranoia only worsens after the wedding

  7. I wrote about this yesterday by cens0r · · Score: 5, Insightful

    If the wedding photographer is giving out the 8 megapixel versions of the images on CD, then they're just stupid. If a person has a CD that has 8 megapixel pictures on it, chances are good that they took them themselves.

    --
    Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    1. Re:I wrote about this yesterday by hawg2k · · Score: 1
      Exactly. Most places like that assume you own the pictures if you have the negatives. If the professional was stupid enough to give you the negatives when he/she didn't want you to have the copyright, too bad.

      Why can't it be the same for digital prints? If you're stupid enough to give out an 8 megapixel "proof", then you should switch back to film, rather than suing people just for being smarter than you are.

    2. Re:I wrote about this yesterday by timeOday · · Score: 2, Insightful
      Not hard to make an 8 megapixel scan from an 8x10 print though.

      I admit, I scan my kids' portraits and team photos into my personal digital photo library.

    3. Re:I wrote about this yesterday by nEoN+nOoDlE · · Score: 1

      You could easily take an 8x10 print given to you by, say, a wedding photographer and scan it and get an image that could be easily reproduced and even enlarged. Should photographers not give out prints anymore as well, then?

      --
      Don't trust a bull's horn, a doberman's tooth, a runaway horse or me.
    4. Re:I wrote about this yesterday by temojen · · Score: 2, Informative
      Not hard to make an 8 megapixel scan from an 8x10 print though.
      But it is VERY hard to make a scan of a print that's anywhere near as good as what the film or CCD saw.
    5. Re:I wrote about this yesterday by cens0r · · Score: 1

      But now we get into sticky fair use questions. Is it against the law for you to scan the photo you bought? I would argue it is not, you can scan it and use it in any non-commercial way that does not distribute it (desktop wall paper, showing it on a DVD, picture CD, etc). Well, if that's legal what about printing out a copy and putting in the bedroom? Have your broken the law then? If not, how is that different than having wal-mart do the print?

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    6. Re:I wrote about this yesterday by Hognoxious · · Score: 1
      Most places like that assume you own the pictures if you have the negatives. [...] Why can't it be the same for digital prints?
      Hmmm, maybe because digital images don't come from negatives?
      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
    7. Re:I wrote about this yesterday by node+3 · · Score: 1

      If the wedding photographer is giving out the 8 megapixel versions of the images on CD, then they're just stupid.

      Are you serious? Providing a high quality product is "stupid"?

      Stupid is hiring a photographer who *won't* give you the high quality digital files (assuming a digital camera is used).

    8. Re:I wrote about this yesterday by hawg2k · · Score: 1

      Correct, but they can be considered equal to negatives, especially at the 6 megapixel and above size. Obviously the professional photographers consider them equal, or they wouldn't be using that technology to store the pictures they take.

    9. Re:I wrote about this yesterday by ff0000 · · Score: 1
      If a person has a CD that has 8 megapixel pictures on it, chances are good that they took them themselves.
      This is of course because nobody would scan a professional proof at a high resolution and put it on a cd.
    10. Re:I wrote about this yesterday by cens0r · · Score: 1

      Trust me on this because I'm getting married in a few months. No photographer is going to give you the full resolution versions of the photo's unless they also assign the copyright to you, or sign a waiver allowing you to reprint them. Generally they give you a CD with low res versions and X number of prints. If you want anything else printed you have to go through them.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    11. Re:I wrote about this yesterday by AaronStJ · · Score: 1

      I don't see how that makes the photographer stupid. I got all the digital shots from my wedding in full resolution on a CD. And I got all the negatived from the film camera. The wedding photgrapher business is changing, and the couple often gets the originals these days.

      --
      Stupid like a fox!
    12. Re:I wrote about this yesterday by jfmiller · · Score: 1

      I don't think the Photographer I hired for our wedding was stupid. We looked for one who would give us the original images and because she shot some picutre during the wedding digitally we got those on CD (7.85 megapixel tiffs).

      --
      Strive to make your client happy, not necessarly give them what they ask for
    13. Re:I wrote about this yesterday by cens0r · · Score: 1

      You also probably recieved permission to make your own prints then. I was talking about a case where a phtographer gives you an 8 megapixel image and then cries foul when you make a print. That is stupid.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    14. Re:I wrote about this yesterday by Marc2k · · Score: 1

      See that's his point, though. No, that guy was not stupid, because he was already giving you negatives from the film camera, and if he's doing that, he's either explicitly or (for all intents and purposes) implicitly waiving his copyrights to the images.
      However, if a professional photographer gave you the full res, raw image files, AND the film negatives, then later tried to prevent you from getting shitty-ass prints at WalMart by claiming authorship and full copyright privileges, he'd be (probably, who knows in this political climate) laughed out of court. Hell, he'd be laughed out of WalMart. That's just Intellectual Property Darwinism at work!

      --
      --- What
    15. Re:I wrote about this yesterday by cens0r · · Score: 1

      Did she give you permission to make extra prints? I was talking about a case where a phtographer gives you an 8 megapixel image and then cries foul when you make a print. Giving someone a high resolution image is exactly the same as giving someone the negative. Letting your client have these and telling them they can't make their own prints is stupid. My point being that being in possession of an super high res image should be equivalent of having the negative, proof enough that you have permission to get a print made.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    16. Re:I wrote about this yesterday by node+3 · · Score: 1

      Trust me on this because I'm getting married in a few months. No photographer is going to give you the full resolution versions of the photo's unless they also assign the copyright to you, or sign a waiver allowing you to reprint them.

      That doesn't contradict what I wrote. You also got the "unless" part wrong. By default, the copyrights on the photos go to you, because it's a work for hire. You actually have to sign over the copyright to *them* for the situation you are referring to.

      Generally they give you a CD with low res versions and X number of prints. If you want anything else printed you have to go through them.

      Why would you accept that?

      "Unless" and "generally" means it's not always true--in other words, *you* can choose to not give them copyright of the photos. Which brings up the question: why would *you* choose a photographer who *doesn't* provide you with the high quality originals? There must be some reason.

      If they won't do it, go to someone who will.

      Obviously they'd prefer to keep control of the original files, so they're going to offer the service like that. Propose that you get the originals with full copyrights. Unless they are all booked, there's no rational reason for them to refuse--they'd just be refusing your money. If they don't want your money, there's always someone else who does.

      Don't be a sucka.

    17. Re:I wrote about this yesterday by Anonymous Coward · · Score: 0
      But it is VERY hard to make a scan of a print that's anywhere near as good as what the film or CCD saw.
      I have had a scanned photo rejected. It was a 60 year old military photo of a deceased relative for there funeral. So, time to get the print was important.
    18. Re:I wrote about this yesterday by pwned_haxor · · Score: 1

      I usually burn a CD of a jpg version of the pictures if I'm paid to take pictures for someone. I do keep the original RAW files though. I charge a one time flat fee and don't rely on individual charges for each picture.

    19. Re:I wrote about this yesterday by cens0r · · Score: 1

      Now you're either misconstruing my point or you didn't read the article. It said people were unable to get their photo's printed because the labs decided they were to good and must be professional. My point is that if you got a high res image from the photographer and that photographer didn't want you to make prints, then the photographer was stupid. Therefore, the fact that you are going to the photolab with a high res image should be proof enough that you have permission to print it.

      --
      Jack Valenti and Orrin Hatch will be first up against the wall when the revolution comes.
    20. Re:I wrote about this yesterday by node+3 · · Score: 1

      Now you're either misconstruing my point or you didn't read the article.

      Or you didn't write what you think you did.

      My point is that if you got a high res image from the photographer and that photographer didn't want you to make prints, then the photographer was stupid.

      You said, "If the wedding photographer is giving out the 8 megapixel versions of the images on CD, then they're just stupid. If a person has a CD that has 8 megapixel pictures on it, chances are good that they took them themselves."

      Doesn't match what you're saying now. I trust you meant what you're saying now all along, but it's certainly *not* what you said originally.

    21. Re:I wrote about this yesterday by AaronStJ · · Score: 1

      Ok, I got it. That would be phenomenally stupid.

      --
      Stupid like a fox!
    22. Re:I wrote about this yesterday by Hognoxious · · Score: 1
      What's the 'they' that's equivalent to negatives? Prints? In which case your "has the negatives, owns the rights" doesn't make much sense. If it means files, it's an invalid comparison because it's considerably easier to copy a file, or recreate one from a print, than it is to re-create a negative.

      P.S. Whooooosh!

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  8. I Know by sammykrupa · · Score: 5, Funny

    "Your Digital Photos Are Too Professional"

    Yes, I know. Thank you.

    1. Re:I Know by rherbert · · Score: 1

      I actually had this happen to me a couple of times. I ordered some pictures through Walmart.com and had them deliver to my parents' local Wal-Mart to pick up, and when they went there, they were told that they couldn't have some of the pictures. I had to fax them a document saying that I owned the copyright and give them permission to reproduce them. And this was with a Sony MVC-CD400, which is a 4 megapixel camera.

    2. Re:I Know by IronChef · · Score: 1

      True, related story:

      I have a decent camera and I recently decided that I wanted to learn how to take product photos. Once I figured it out, I started using nice photos on my eBay and Craigslist sales.

      I quickly noticed a problem though: if the photos are too nice, people don't understand that they are seeing a photo of the ACTUAL ITEM for sale. They think it is some kind of a catalog photo that you ripped off. Then they ask, "do you have a photo?"

      "Yes, it is on the for-sale page."

      "No, I mean a real photo."

      "$&*!((#%!"

      They do this even when I say in the ad, "pictured here is the actual item I am selling."

      I never expected good photos to be a LIABILITY in selling my used crap. Time to forget what I learned and start taking nasty, blurry photos with bad white balance and dog hair in the frame.

      I think for effective online sales you need photos so bad you'd expect to see a UFO in the image.

    3. Re:I Know by Buran · · Score: 1

      Add one. Sit back. Laugh. ;)

  9. Paiin by COMON$ · · Score: 3, Interesting
    My dad takes photos for Seniors in High school who cannot afford a professional photographer. He started getting better than the Professionals and when he went to get his photos developed he had to jump through a lot of hoops convincing the store clerks that he was legit.

    So are we trying to squash small business here or what? if you are a professional and dont digitally sign your photos then that is your fault.

    --
    CS: It is all sink or swim...oh and did I mention there are sharks in that water?
    1. Re:Paiin by Colol · · Score: 1

      Costco and any local professional labs would be glad to take his business, without constantly questioning his right to his pictures. As long as all you're wanting is untouched prints, most pro labs aren't much more expensive than Wal-mart (but you'll pay for their expertise if you want hand-tuned adjustments). If he's using something like Walmart.com to upload his pictures to a local store now, many many local labs offer a similar service.

      As for digital watermarking... it doesn't help. It can't help. Most reproductions aren't coming from the photographer's original digital files, but from scans of prints. Even if you've got the photog's original files, it's trivial to strip out embedded watermarks or metadata (even accidentally). The only solution then is to physically add a big ugly visible brand to the pictures, and that just sucks. Depending on the complexity of the brand and the original image, a dedicated person could still edit it out (or just crop it).

    2. Re:Paiin by anaesthetica · · Score: 1

      If he's that good, and he can charge for his service, he should invest in a photo printer. They run from $300-$3000 for home use. Not the end of the world.

    3. Re:Paiin by Xolotl · · Score: 1

      I have a number of old photographs of members of my family taken in the 1940's and 1950's by professional photographers - these have been printed on paper which has the photographer's logo (usually a signature) physically embossed on it in a corner.

  10. Hrmm by axonal · · Score: 5, Funny

    All the Walmarts I've been to denied the pictures from my honeymoon. I guess they must be some really good professional pictures.

    1. Re:Hrmm by MyLongNickName · · Score: 4, Funny

      I think it had more to do with the midgets, the trapeze and the leather restraining harness.
      Not all employees want to see your "personal preferences".

      --
      See my journal for slashdot ID's by year. Mine created in 2005. http://slashdot.org/journal/289875/slashdot-ids-by-year
    2. Re:Hrmm by Anonymous Coward · · Score: 1, Funny

      looks like somebody kept copies.

    3. Re:Hrmm by MyLongNickName · · Score: 1

      I said "not all employees want to see...". Some employees not only want to see, but want to sell to highest bidder.

      Please read closer next time :)

      --
      See my journal for slashdot ID's by year. Mine created in 2005. http://slashdot.org/journal/289875/slashdot-ids-by-year
    4. Re:Hrmm by Wiseleo · · Score: 1

      You know...I've never had problems getting "intimate" prints developed, honestly. So I call BS on that. We don't have a problem with others seeing those pictures. Since, guess what, if I find them on the Internet, I can prove our copyright rather quickly. Not posted anonymously.

      --
      Leonid S. Knyshov
      Find me on Quora :)
    5. Re:Hrmm by saskboy · · Score: 1

      Pardon me for saying so, but "intimate" pictures are exactly why people should have printers at home, and a digital camera. Why subject other people to that kind of material when you can maintain your privacy, and leave the Walmart prudes alone?

      --
      Saskboy's blog is good. 9 out of 10 dentists agree.
  11. TripMasterMonkey by Anonymous Coward · · Score: 0

    But... but... what does TripMasterMonkey have to say about this?

    I'M DYING TO KNOW!

  12. Wal-Mart wouldn't print my General Ackbar! by Anonymous Coward · · Score: 2, Funny

    They said it might be a trap.

    1. Re:Wal-Mart wouldn't print my General Ackbar! by Anonymous Coward · · Score: 0

      ADMIRAL

    2. Re:Wal-Mart wouldn't print my General Ackbar! by Trigun · · Score: 1

      They were old pictures.

    3. Re:Wal-Mart wouldn't print my General Ackbar! by Infinityis · · Score: 1

      Well, if they flat out refused and said they absolutely would not do it, then Walmart is controlled by the Sith. Only a Sith deals in absolutes.

    4. Re:Wal-Mart wouldn't print my General Ackbar! by AwenAnam · · Score: 1

      Huh? are we in fark? I tought this was slashdot..

      Wait...

      It IS slashdot... what the...??

    5. Re:Wal-Mart wouldn't print my General Ackbar! by Stelminator · · Score: 1

      do or do not, there is no try.

      hrm...

  13. safety. by ShaniaTwain · · Score: 3, Insightful

    ..and yet you can still buy knives, hammers, pillows and other dangerous object that could be used to KILL someone. I guess full and complete protection of 'intellectual property' is more important than full and complete protection of human life.

    Or maybe, just maybe we dont need everything to be protected?

    1. Re:safety. by Nogami_Saeko · · Score: 2, Funny

      Ah, but you see - after a knife, hammer, pillow, or other dangerous objects are utilized, there are less people around to file lawsuits.

      Which means it's OK!

      N.

      --
      "Nothing strengthens authority so much as silence." - Charles de Gaulle
    2. Re:safety. by freeweed · · Score: 1

      Yeah, but unfortunately Wal-Mart won't give you a refund on bullets if you try to return them :)

      --
      Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
    3. Re:safety. by LWATCDR · · Score: 1

      Don't forget guns, ammo, and tobacco products.
      I have always wondered why Walmart would not sell certain cds even to adults that had some naughty words but will sell tobacco and guns?

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    4. Re:safety. by i2amsam · · Score: 1

      It is unbeliveable that this got modded up.



      The implication is that Wal*Mart could do something to prevent the hammers etc. it sells from being used for violence, and that somehow by selling hammers it is responsible for the misuse. Both of which are clearly innane.



      Not to mention the futher conclusion that they would be able to do all that but for the fact that all their manpower is scanning over these prints.

      It just doesn't make any sense.
    5. Re:safety. by Anonymous Coward · · Score: 0

      If you think nobody would care banning kitchen knives, think twice.

      http://news.bbc.co.uk/2/hi/health/4581871.stm

    6. Re:safety. by indianajones428 · · Score: 1

      Yes, but these objects could also be used to prevent violence (the hammer used to deflect the knife, the pillow to cushion the hammer blow, the knife to cut the pillow).

      But we all know that copyrightable material can ONLY lead to pirating, so any attempts to reproduce (or even produce) such material will only lead to illegal acts, and must therefore be prevented.

      --
      When a thing has been said, and said well, have no scruple. Take it and copy it. --Anatole France
  14. Piracy-A Signature affair. by Anonymous Coward · · Score: 0

    Does anyone here know what a Digital Watermark is, and why they exist? Now the other issue we need to resolve is the "work for hire" issue.

  15. Stipulations? by blinkless · · Score: 1

    My wife claims there is a stipulation that if the photographer is out of business the copyright is public domain or whatever.
    Anyone know if this is true/partially true?

    "Fat people are harder to kidnap."

    1. Re:Stipulations? by Anonymous Coward · · Score: 0

      That's absolutly incorrect.

    2. Re:Stipulations? by davandhol · · Score: 1

      Why in the world would the state of a person's business release a copyright into the public domain? I am not a photographer (or a lawyer), but that's just dumb.

    3. Re:Stipulations? by Anonymous Coward · · Score: 1, Insightful

      the stipulation is:

      People with no money probably can't afford a lawyer to sue you.

    4. Re:Stipulations? by VidEdit · · Score: 5, Informative

      A stipulation where? Not in copyright law. Copyright does not allow you rights to reproduce "orphan" works such as wedding photographers--at least in the US. This problem is much bigger than Walmart. Ironically copyright law *presumes* that the person who commissioned the work owns the copyright, therefore if you or your relatives are in the photos it is reasonable to assume that the copyright belongs to you regardless of who took the pictures. Professional photographers try to turn copyright law on its head and make clients sign contracts saying that the work for hire is not work for hire and that the photographer owns all rights to your photographs. The first thing is to never agree to give up copyright to a photographer. Remember, if there is no written contract to the contrary, any photography you commission is copyright by *you*, regardless of whether the photographer tries to write "proof" or copyright by so and so. If this wasn't' the case, those pictures you ask strangers to take of you on vacation wouldn't belong to you either. At least one European country has a law saying that you have a right to reproduce pictures of yourself or of dead relatives. We need such a law to make sure that our heritage isn't locked up by silly copyrights.

      --
    5. Re:Stipulations? by blinkless · · Score: 1

      You're the one that's dumb...er...

    6. Re:Stipulations? by ebvwfbw · · Score: 1
      My wife claims there is a stipulation that if the photographer is out of business the copyright is public domain or whatever. Anyone know if this is true/partially true?

      I'm a pro photographer and a member of WEVA. Your wife would be wrong. Someone still owns the copyright to the photos. The bummer is that if they are out of business how could you get a copy made? Yet there is no allowance for this in the law (and that is stupid in my opinion). Legally you can't, however I would if it were me. This is hypothetical for me, I own all my wedding pictures and video. That is how I contracted it. I paid for that as well.

    7. Re:Stipulations? by nbritton · · Score: 1

      "If this wasn't' the case, those pictures you ask strangers to take of you on vacation wouldn't belong to you either." Your forgetting the fact that its the photographers equipment. Time == Money.

    8. Re:Stipulations? by thefirelane · · Score: 1

      Here's a fun game, you can play at home. Anytime you are about to make a claim about the legal system, precede it with "Your honor"

      Let's try

      "Your Honor, My wife claims there is a stipulation..."

      hmm, have fun in court.

    9. Re:Stipulations? by Anonymous Coward · · Score: 0

      This statement:

      "The first thing is to never agree to give up copyright to a photographer."

      Is one of the most moronic statements I have read on here in a while, and that is really saying something.

      How can you possibly think that the photographer does not own the copyright to work HE/SHE created? A photographer has to deal with about nine zillion things to make a photograph of you and now you want to screw said photographer.

      That is really sad.

      I'm willing to bet you are the type of person that would also insist on paying the lowest possible rate to this photographer that you possibly could, right? Does quality matter to you? Probably not.

    10. Re:Stipulations? by OglinTatas · · Score: 2, Insightful

      "Your forgetting the fact that its the photographers equipment. Time == Money."

      He did not forget this. You completely missed it when he wrote "any photography you commission is copyright by *you*"

      He is describing work for hire. You commission a work, it is a work for hire, therefore under current copyright law _you_ own it for 99 years. The photographer's time and equipment is reasonably compensated by the fee he negotiates for commission, otherwise he should not have accepted the commission.

    11. Re:Stipulations? by Jherek+Carnelian · · Score: 3, Insightful

      How can you possibly think that the photographer does not own the copyright to work HE/SHE created?

      How can you possibly think that the buyer does not own the copyright to work HE/SHE paid for?

      You really need to learn what "work for hire" means.

    12. Re:Stipulations? by richardtallent · · Score: 1

      You obviously have no understanding of "work made for hire." This has a *specific* legal definition that involves *employment*, of the "withholding-taxes-from-your-paycheck" variety. Even long-term contractors working in an office are the holders of copyright of their work unless their contract says otherwise. Photographers aren't exploiting a loophole, they are making sure people understand the nature of the work.

      Disclaimer: I'm am a professional photographer on the side (day job = programmer), and I deliver the final print-quality JPEGs on CD to my customers and a signed release for reproduction. I charge for my time rather than playing copyright cop on prints.

    13. Re:Stipulations? by Anonymous Coward · · Score: 0

      You really need to learn what "work for hire" means.

      Actually it looks like you're the one who doesn't know what "work for hire" means. Here's a hint: a contractor is not a work for hire... see this fellow reply for more. Really you shouldn't talk down to people when you're the ignorant one.

    14. Re:Stipulations? by Orcinus · · Score: 1

      Read up on Copyright Laws here - http://whatiscopyright.org/

      and *why* is a 'professional' photographer getting prints [digital or otherwise] done in a place like WalMart? There are many other places [camera store chains] that are better and just as competitive pricewise.

    15. Re:Stipulations? by Anonymous Coward · · Score: 0

      You have it the exact opposite of how it is. In work for hire, the person who commissions the work is the owner of the copyright. It's right in 17 USC 201. Clearly, it is you who have no understanding of work for hire, not the grandparent.

    16. Re:Stipulations? by Jherek+Carnelian · · Score: 1

      In work for hire,

      The source of confusion here is that in order for the work to be considered "work for hire" there has to be a contract to that effect. However such a contract can be rather nebulous - an employer-employee relationship (such as suggested by the buyer with-holding income tax) is suggestive of, but not necessarily definitive proof of, a work-for-hire contract.

      Here is info on determining when something is work-for-hire and when it isn't when contract doesn't really spell it out: http://www.copyright.gov/circs/circ9.html#determin ing

      Of course the contract can spell it out (and most do, whether it is for a "W2" employee or a "1099" contractor).

      So, while the end result of work-for-hire is very clear (ownership of the copyright goes to the person comissioning the work) sometimes determining if the relationship is work-for-hire or not can be a lot more complex.

      Which is no surprise since lawyers have to pay for their bmws, trophy wives and second homes in the bahamas too!

    17. Re:Stipulations? by Jherek+Carnelian · · Score: 1

      "The first thing is to never agree to give up copyright to a photographer."

      That is the classic definition of work for hire --
      As part of contracting the photog, you negotiate the terms of the agreement including payment and ownership of copyright.

    18. Re:Stipulations? by alan_dershowitz · · Score: 2, Informative
      You really need to learn what the fuck you are talking about. Unless the photographer cosigns a document stating the photos were made as a work for hire, it's NOT A WORK FOR HIRE.

      Link

    19. Re:Stipulations? by LaminatorX · · Score: 1
      Many will do this. There will often be one fee if the photographer will retain the rights and be your exclusive printer, and another higher fee if the job is a work for hire.

      The problem arises when clients choose topay the lower rate and then break faith with their photographer by having cheap scans of their proofs blown up.

    20. Re:Stipulations? by Hao+Wu · · Score: 1
      Notice we are all able to discuss this reasonably when the property is photographs.

      When it's money that I earned tearing ticket stubs for $8 an hour -- town, state, and federal government are entitled to take 30% of that.

      --
      I suggest you read Slashdot
  16. Why is it the printer's responsibility? by bwalling · · Score: 5, Insightful

    If I sign something claiming ownership of the image, why are they liable? They have no way of actually knowing, and couldn't reasonbly be expected to do so. To expect the printer to be the enforcer is only creating a point of friction between the printer and their customers. This just seems so black and white obvious to me.

    1. Re:Why is it the printer's responsibility? by donutello · · Score: 4, Insightful

      Because the current US tort system allows you to sue the person with the biggest pockets regardless of who holds the biggest responsibility for damages. Homeowner shoots burglar? Sue the gun company.

      --
      Mmmm.. Donuts
    2. Re:Why is it the printer's responsibility? by Uruk · · Score: 1

      If you're walmart, they may not even care if the lawsuit being brought against them has any merit or not. Swatting flies in the courts costs them the time of corporate lawyers who make $200/hour.

      When you're looking to sue someone, you go for the deepest pockets that you can even somewhat plausibly go after. That's walmart. I think that the legal protections for them may either be shaky or incomplete...I mean, at kinkos they won't let you copy protected material if they can stop you, and they certainly won't let you counterfeit. Why should they care? How should they be expected to know what's right and what's not to copy?

      What's right and what's fair isn't what we're discussing - this is strictly an issue of practicality in modern courts. Obviously someone at Walmart thinks that putting these restrictions in place is a lot cheaper in the long run than the alternative.

      --
      -- Truth goes out the door when rumor comes innuendo. -- Groucho Marx
    3. Re:Why is it the printer's responsibility? by penguin121 · · Score: 1

      yes, create friction between the customer and printer to make your professional services more attractive in comparison, it makes sense...

    4. Re:Why is it the printer's responsibility? by bwalling · · Score: 2

      What's right and what's fair isn't what we're discussing - this is strictly an issue of practicality in modern courts. Obviously someone at Walmart thinks that putting these restrictions in place is a lot cheaper in the long run than the alternative.

      I keep forgetting that capitalism was redefined to mean screw people over to get their money.

    5. Re:Why is it the printer's responsibility? by qwijibo · · Score: 1

      Unfortunately, that's the trend that's applying to more and more aspects of our lives. Fear of being sued is the driver for this behavior. As a result, we have people who are being paid barely over minimum wage being asked to use their judgement. What's worse is that there is no penalty for errantly refusing to provide the service. This is the inevitable result of focusing on money and forgetting about the customer.

    6. Re:Why is it the printer's responsibility? by booch · · Score: 1

      I think it's mainly due to incompetent lawyers. As the original post said, it should be pretty black and white that if the customer claims to own the source, and there's nothing obvious indicating the contrary, it's the customer who is violating the copyright, not Wal-Mart. Any lawyer worth his salt could win that argument.

      In fact, a good lawyer would counter-sue for restraint of trade, frivolous lawsuit, or something similar. Look at what the result turned out to be here -- a restraint of trade. So I think a case could easily be made that that was the true intention of the lawsuit against Wal-Mart.

      Corporate lawyers are supposed to protect companies, but instead their spreading fear and doubt, hurting companies by restraining them from legitimate business. And by rolling over so easily, they've hurt companies by showing that they'll just shell out the money in response to any legal threat.

      --
      Software sucks. Open Source sucks less.
    7. Re:Why is it the printer's responsibility? by Anonymous Coward · · Score: 0

      So what you are saying is that Walmart should bend over backwards and expose themselves to lawsuits? I dislike Walmart as much as the next guy, but Walmart is the victim here. The tort laws need to be changed.

    8. Re:Why is it the printer's responsibility? by kmortelite · · Score: 1

      Hopefully it's not. Hopefully Walmart will be getting less and less money because they are doing this type of thing. Capitalism involves free markets. If consumers don't get what they want from source A, they will look elsewhere, and source A could eventually lose that sector of the market.

      But you're right. Between source A imposing marital law and the dust settling it's pretty much what you describe.

    9. Re:Why is it the printer's responsibility? by Humorously_Inept · · Score: 1

      You are exactly right! When an author submits a work for publication, there's no real way for the publisher to determine that the work is entirely the author's or that it isn't bound by some other publisher's contracts. That's why part of the publication contract states that the author guarantees that the work is his own and that he has the right to grant the publisher use of it.

      It really should be that simple but I guess that then photo labs would have to store information on and maintain contracts with everyone who prints pictures, which would create another point of friction.

      --

      ~Someday, I hope to be an aspiring author.
    10. Re:Why is it the printer's responsibility? by bwalling · · Score: 1

      So what you are saying is that Walmart should bend over backwards and expose themselves to lawsuits? I dislike Walmart as much as the next guy, but Walmart is the victim here. The tort laws need to be changed.

      The (original) problem is with the company that sued Walmart. They are the ones screwing someone for money. Walmart just passed the screwing on to us so they could save money. They're not as bad, but they're still choosing to screw us for some money.

    11. Re:Why is it the printer's responsibility? by spiritraveller · · Score: 4, Informative

      If I sign something claiming ownership of the image, why are they liable?

      Because that's what the copyright code says.

      It's strict liability. As long as you are copying copyrighted material, Congress doesn't care whether you knew it was copyrighted or not.

      Maybe this will spur Congress to reform the copyright code... NOT!

    12. Re:Why is it the printer's responsibility? by danger_boy_13 · · Score: 1

      My wife actually works at the photo lab at Wal-Mart in our home town, and if someone brings in pictures that look professional, they just ask them to sign a copyright form stating that they took the pictures, just to cover their own ass. They can also get copyrighted pictures printed if you can get the photographer to give you a copyright release.

    13. Re:Why is it the printer's responsibility? by qwijibo · · Score: 2, Insightful

      The lawyers don't even need to be incompetant. There is almost no way anyone could win such a case. However, it would cost the company thousands of dollars each time to have a lawyer go in and argue that the infringement was done by an individual who asserted that they had legal rights to copy the image. Even when you win a lawsuit, you're out the money it took to hire the lawyer to fight it. This is the expense they're trying to avoid.

      Corporate lawyers are supposed to protect the companies, and management is supposed to decide how to spend the company's money most effectively. The cost of implementing a retarded policy is very small. Management looks at the cost of paying a lawyer to fight something the company doesn't care about and the cost of the stupid policy and implements the stupid policy because it's more cost effective.

      There is no need to worry about if they can defend themselves legally because all of the actions are motivated purely by money. Any form of risk, no matter how small is bad because it can cost money. It's really that simple.

    14. Re:Why is it the printer's responsibility? by 16K+Ram+Pack · · Score: 1
      I'd like to see the details of these Wal-Mart law suits. It's in the /. comment, but there's no mention of it in the article.

    15. Re:Why is it the printer's responsibility? by PMuse · · Score: 1

      Answer: It is not worth the effort to sue a person. A photographer whose photos have been printed w/o permission will always sue the deep pocket.

      But, from a larger perspective, why be sad if the mass retailers alienate pro-sumer photographers? We should be so lucky that the corporations' one-size-fits-all, our-customers-are-all-talentless-pleebs approach might drive people back to the independent photography labs, where they can get to know the proprietors. The corps will probably wise up too fast for that rosy scenario to actually happen, but we can dream.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    16. Re:Why is it the printer's responsibility? by terrab0t · · Score: 1

      That seems to be the case and it seems rather innapropriate here. Perhaps rather than defining legal liabilities, lawmakers may have to start defining legal exemptions to keep frivolous litigations at bay.

      In this case, it could be put into law that those offering print services to someone are not liable for illegally printing copyright material so long as the person they are printing for signs to certify that they have the legal right to reproduce the materials.

      I don't know what US lawmakers and courts are doing to combat lawsuits brought against people with only a small degree of actual responsibility, but this would make sense to me. Then again, introducing legal exemptions could just fill the law with contradictions and complications.

    17. Re:Why is it the printer's responsibility? by Anonymous Coward · · Score: 0

      I'm sorry, but we can't put gas into your car because it might be stolen.

    18. Re:Why is it the printer's responsibility? by lb746 · · Score: 0

      Most large companies such as Walmart have their lawyers on retainers. Which in effect is like a salary job. The lawyer gets X amount of dollars per contract period (generally a year). This works out great if your a lawyer and the company never gets sued, but also could backfire and you could end up working for a lot less than you would have if you did this on a per case basis.

      The only real fear for the company is losing the lawsuit and getting bad publicity. This is why a lot of corporations hire multiple lawyers and settle out of court as much as possible. An always ready team of 5 lawyers is cheaper and more efficient than finding lawyers, hiring them, bringing them up to speed on the company and the case, and sitting in trial for weeks/months.

      Anyone that's been in court before and hired a defense lawyer for a set fee for the entire case knows they saved a lot of money if the case ends up being drawn out. Yet, it also means you need to be more careful with decisions as the lawyer will still make out the same if you take a plea bargin as opposed to fighting it till the very end. In which case the sooner the case is over the more time the lawyer can spend on other cases.

    19. Re:Why is it the printer's responsibility? by Gadgetfreak · · Score: 1

      And I need to chime in and say that regardless of culpability, the 'deep pockets' defendant often settles out of court, and pays a sum of cash that's just slightly less than what it would cost them to go to trial and defend themselves, even if they'd clearly win.

      They can prove their innocence for $50k, or settle for $30k and go on with business.

      --
      "No fair, you changed the outcome by measuring it!" - Professor Hubert J. Farnsworth
    20. Re:Why is it the printer's responsibility? by Reziac · · Score: 1

      I had a similar argument with Kinko's some years ago. I wanted to photocopy my manuscript, which has my copyright notice on it. I had to prove that I was me before they would do it. This involved disgorging a manager from the back room, since the clerk couldn't seem to figure it out.

      --
      ~REZ~ #43301. Who'd fake being me anyway?
    21. Re:Why is it the printer's responsibility? by drawfour · · Score: 1

      What about indemnification? Isn't that what happens with software? You purchase some software and the maker indemnifies you against any charges of copyright infringement (and patent infringement, etc...), saying they either created it all themselves or purchases licenses in order to sell it to you. Same thing. Have an agreement signed that says that the person having the copies made indemnifies Wal-mart against any action taken for the photos they are about to print.

      Then again, IANAL.

    22. Re:Why is it the printer's responsibility? by spiritraveller · · Score: 1

      Say you hire me to print some out some copyrighted pictures. I have you sign an indemnification agreement. A year later, the person who owns the copyright sues me for copyright infringement.

      I can seek to enforce our indemnification agreement. But what happens if I can't find you? What happens if you don't have any money?

      What happens is that I still get drug into court, and I am still liable to the copyright owner, regardless of whether I can enforce our indemnity agreement.

      If you could avoid all liability by getting an indemnity agreement, you would be able to cause all kinds of grave harm and avoid responsibility by having a destitute person agree to indemnify you... that's not how it works.

    23. Re:Why is it the printer's responsibility? by chazbot · · Score: 1

      It may not be their responsibility. They do, however, have to buy their photo processing equipment from the same people who sell to professionals. They probably had to make some concessions for business reasons. If you scan a photo in a Kodak kiosk, it may not allow you to create a new print. Kodak shouldn't have any liability either. They do it so they don't piss off their professional customers.

    24. Re:Why is it the printer's responsibility? by LaminatorX · · Score: 1
      The law allows for only compensatory damages if you excorcise due dilligence, but opens the door to punative damages if you don't. If you have written permission that doesn't look like an obvious forgery you can get almost anything you want printed. The lab's butt is covered, and the pro you ripped off and the store can both nail you for fraud if need be.

      A professional printer will usually be able to spot pro work, although there're plenty of advanced amateurs capable of working at that level also. This is why many pros will have an imprint or watermark somewhere (often on the back) of their prints. Where you get into trouble is when you go to someplace like Wal-Mart where they typically don't know jack trying to make these kinds of evaluations. The "photo technician" at my local drug store doesn't know what Kodachrome is.

    25. Re:Why is it the printer's responsibility? by MacDork · · Score: 1

      regardless of who holds the biggest responsibility for damages.

      I'd say Congress holds the biggest responsibility in this case with their current copyright laws. Can we sue them for damages as a result of their asinine copyright legislation yet? No? Now see, that's the kind of tort reform I want, not GWB's version where I can't sue the automobile manufacturer for making exploding cars.

    26. Re:Why is it the printer's responsibility? by rsynnott · · Score: 1

      Eh, could be worse. There was someone who ran a scam in the UK where they'd sue hundreds of small businesses on the opposite end of the country for a few hundred each. If you don't turn up to defend in the small claims court you lose by default...

      --
      Me (Blog)
  17. Marriage by Spez · · Score: 2, Insightful

    I'm getting married in 2 month, and the professional Photographer I've hired uses a digital camera and photoshop to accentuate colors and things like that.

    The only difference is that a professionnal photographer, unlike me, knows how to take good poses, good angles, and knows what to do in photoshop to make the picture a lifetime souvenir

    --
    I wouldn't mind you in my head, if you weren't so clearly mad -Lews Therin Telamon
    1. Re:Marriage by graphicsguy · · Score: 1

      The only difference is that a professionnal photographer, unlike me, knows how to take good poses

      Plus, using a photographer makes it easier for you to be in the pictures!

  18. Shouldn't be a problem by v3rb · · Score: 1

    Between photo quality ink jet and dye sub printers to serve immediate printing needs and online photo finishers like shutterfly to print on the cheap... I thought only people taking snapshots went to Walmart and the like. There's no chance of someone mistaking your snapshots of Timmy's birthday party as professional work.

    1. Re:Shouldn't be a problem by Anonymous Coward · · Score: 0

      You're assuming that every amateur photographer takes that type of pictures. What about landscapes, interiors, abstract closeups?

      Sometimes you just find that ideal cloud formation.

      I also love how you use "you" in the last sentence as meaning that non-professionals only take that kind of pictures.

  19. Umm, good printer anyone? by sithsasquatch · · Score: 1

    If you can't reproduce digital prints at the store, invest in a sweet printer/scanner combo. Problem solved.

    Hmm, I feel an entrepreneurial urge coming on. . .

    --
    With so many ppl on /., how am I supposed to come up with a unique sig?
  20. Use online services, kiosks and your own printer by Anonymous Coward · · Score: 0

    I'd suggest using online services, which probably do not have as many confused humans in the loop.

    Also, self-service kiosks. Also, there are many home printers which produce better results than the processors...

  21. Perhaps steganography would work by HighOrbit · · Score: 1

    Include a hash or digital signature in the image file, something not readily detechtable to the naked eye but machine decernable (like a flipped bit or pixel every 100 pixels). Not completely foolproof, but could serve as a way verify origin of the photo.

    1. Re:Perhaps steganography would work by Greyfox · · Score: 1
      That's not an issue if you take digital file from $photographer and try to get it printed, but I suspect a lot of the problems were with people scanning hardcopy images and trying to get them printed. The scanning process would most likely mangle your copyright notice in that case. If you had one printed on the photo, that's easily removed with photoshop. And of course there won't be copyright notices in the various places for those things in the files since the image was scanned by the person trying to get it printed.

      Even if a copyright registry were being maintained somewhere, searching it wouldn't be something that could be easily automated -- images are too easily modified to use an exact search or a checksum and if you had some sort of fuzzy algorithm in place that was able to match bits of the image would it be able to recognize two photos of the same object taken by different photographers? I think not.

      So at this point I think that if you're in the business of printing photos for people you're opening yourself to a huge legal liability. A few more lawsuits and the big places will probably close their photo departments. The little guys are probably safe for a while, until the bigger fish have been killed off at least. I doubt that side of the industry is profitable enough for them to lobby Congress for a little sanity in the standards. Even the professional photo labs I know of are always just barely scraping by (Unless they specialize in pr0n, anyway.)

      --

      I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    2. Re:Perhaps steganography would work by Thomas+Shaddack · · Score: 1
      A few more lawsuits and the big places will probably close their photo departments. The little guys are probably safe for a while, until the bigger fish have been killed off at least.

      Meanwhile, hopefully, there will be yet another next generation of color printers on the market. Compare what was available 5 years ago and what is available now, for how much, on the common civilian lower-cost market. Kill off the professional services, and ink cartridges with low-fading ink will appear together with demand for them. There are enough Chinese manufacturers wanting a piece of the pie.

      The adversary won't win. By destroying the middlemen over whom they had at least a shade of control, they will lose control entirely. And it will serve them well.

      Meanwhile enjoy the life in the Land of the Fre^H^H^HLawyers.

  22. oh good! by DeusExMalex · · Score: 1

    nothing like a the threat of "i'm going to sue you" to keep the masses in line

  23. Just make the prints yourself! by daviddennis · · Score: 1

    Any photographer worth his salt would have long since brought control back into his hands by obtaining a good quality photo printer.

    What are they, $200 nowadays?

    Sheesh.

    D

    1. Re:Just make the prints yourself! by Anonymous Coward · · Score: 0

      Hmm. No.. They organize a deal with a developer company and have them do it.

    2. Re:Just make the prints yourself! by Anonymous Coward · · Score: 0

      No. The big, high-volume machines that photofinishers use can produce prints at a much lower price-per-print than a good quality photo printer.

    3. Re:Just make the prints yourself! by pla · · Score: 1

      The big, high-volume machines that photofinishers use can produce prints at a much lower price-per-print than a good quality photo printer.

      Yeah, but the owners of such multi-$thousand machines don't sell you those prints cheaper than you could make your own.

      If you have even a hundred digital photos printed per year, you'd do better to get your own photo printer.


      Personally, I don't really see the point of such printing services - I switched to digital photos so I DON'T have to keep boxes of pictures in the attic. So I don't need to search through 6000 physical objects to find a particular one. So I don't, 50 years from now, go to find that cherished picture of my childhood dog, only to learn that the company I had process it used some sort of slowly decaying dyes, making Rex now bright purple and shaped like a hedgehog painted by Van Gogh.

    4. Re:Just make the prints yourself! by j79 · · Score: 1

      You're right. $200 for an inkjet printer will give you great results.

      But the problem is when it comes to archival quality. That $200 inkjet printer will more than likely begin to fade under certain conditions (sunlight, atmosphere, etc.) - For best results, you'd probably have to tuck those precious images into a photo album.

      Most consumers purchase these printers for the quality of the picture. They see a print out and think, "Wow! The images I've taken with my Canon A95 will look GORGEOUS!"

      Archival life isn't something they tend to think about. The ones who are aware, realize that they can usually just print the images out again.

      The professionals (even amatuers), however, know if they're going to sell their prints, they need a nice, archival printer. Epson's 2200 was HUGELY popular because of this. It uses pigment based inks (rather than dye based - which is what you'll find in most of the lower end photo printers) which results in fantastic archival quality.

      If a photographer is serious about printing, they should look at: Epson R800, R1800, and the 2400. There are higher end printers out there (4000 is a gorgeous printer), but you're looking at some big bucks.

      The R800 begins at $400. The R1800 at $550 and the 2400, I believe is $850.

    5. Re:Just make the prints yourself! by leloup · · Score: 1

      Have you tried buying paper for that $200 printer. You'll spend twice as much as the cost of the printer on one wedding's prints.

      --
      "If it is just us, seems like an awful waste of space." -- movie: Contact
    6. Re:Just make the prints yourself! by ImaLamer · · Score: 1

      Any photographer worth his salt would have long since brought control back into his hands by obtaining a good quality photo printer.

      I just wonder why people are using Wal-Mart of all places...

    7. Re:Just make the prints yourself! by Anonymous Coward · · Score: 0
      What are they, $200 nowadays?
      Plus $50 per picture for the ink.
    8. Re:Just make the prints yourself! by Thomas+Shaddack · · Score: 1
      So I don't, 50 years from now, go to find that cherished picture of my childhood dog, only to learn that the company I had process it used some sort of slowly decaying dyes, making Rex now bright purple and shaped like a hedgehog painted by Van Gogh.

      Which brings the question of long-term storage of digital media.

      Re fading colors, hopefully there will be scanners capable of multispectral imaging - with much higher grade of colors sensitive to than just red-green-blue. By measuring the spectrum of each pixel, it should be then possible to reconstruct the amount of the CMYK inks on them, and then calculate back the CMYK image. 50 years is a long time for imaging technology.

      It is also fairly possible that in 50 years we will all be parts of cracked glassy slabs made of our cities, and the slightly glowing cockroaches taking our place will have entirely different worries than the durability of color pictures.

  24. My brother runs into this by lthown · · Score: 2, Interesting

    My brother does wedding photos http://www.bairphoto.com/ and gives the "digital negatives" to the people - he just charges for time. He sent me this link yesterday, he said now he knows why more and more of his clients are asking for print release forms. He is starting to include a stack with the CD when he gives it to people.

  25. Let's all time travel back... by neonfrog · · Score: 5, Insightful

    ... to the invention of the photocopier.

    Remember when you went to a Staples or Kinkos and they wouldn't let you photocopy lots of things because they *might* be copyrighted works? Remember when you had to jump through hoops to prove that you were photocopying a book segment for a school book report?

    Fast forward to today. No problem anymore. They just refer you to the Self Serve copiers with the "Don't Copy Illegally" signs and look the other way while you make your own Oxford Englsh Dictionary at 5 cents a page.

    This will be a ridiculously short-lived phenomenon for two single word reasons:

    * Kiosks

    * O-foto (that's not really a word...)

    --

    I'm thinking about it, therefore I might be.

    1. Re:Let's all time travel back... by Anonymous Coward · · Score: 1, Interesting

      My wife and I tried to have professional photos of our daughter printed at a Walgreen's kiosk.

      The kiosk warned us about copyrighted works.
      There was no method to prove we held or take responsibility for the copyright other than just continuing through with the process. We had paid extra money to retain the copyright, so we continued.

      We went back in hour to pick up the photos and they hadn't been printed. They told us it was because we did not own the copyright. We did and we told them so and we left.

      We tried Shutterfly and Ofoto. Unfortunately, at that time they only used glossy finish. The humidity in our area is high enough that the photos stick to the glass of frames.

      We ended up getting a photo printer and printing the things ourselves.

    2. Re:Let's all time travel back... by benk · · Score: 1

      > and look the other way while you make your own Oxford Englsh Dictionary at 5 cents a page.

      you didn't copy all the pages, did you? :-)

      --
      -- "For every complex problem, there is a solution that is simple, neat and wrong." -- HL Mencken
  26. Experienced this by geeper · · Score: 0

    My wife, as a amateur photographer, has experienced this several times. At first she was delighted that someone thought her photos looked professional, now it has become a nuisance for her. She has turned to having the pictures done online and sent to her. They are better quality and cheaper.

    --
    Error reading device 'Signature'. (A)bort, (R)etry, (F)ail?
  27. Proof of Ownership by dos4who · · Score: 3, Informative

    RE:"There's no well-supported digital equivalent to a negative"

    While it's not absolute proof of ownership, most digital formats these days include a specification called EXIF. (Google for "EXIF" or see http://www.exif.org/ for more info).
    The extraneous information in a digital photo containg EXIF data includes such information as Make & model of camera, etc. While such information is not absolute, it can, in a pinch, providde reasonable proof of ownership, as long as you can show you own the equipment specified, and that all the images point to your equipment.

    --
    "Yes, I have a Disaster Recovery Plan. It's called my Resume"
    1. Re:Proof of Ownership by ewhac · · Score: 2, Insightful

      You do realize there are tools out there that can completely replace the EXIF block, yes? (Granted, most people wouldn't know how to drive them, but still...)

      I wrote an EXIF thumbnail extractor about a year ago. EXIF is just a TIFF-formatted collection of data used to describe the photo. As you might imagine, some cameras get the EXIF data wrong, or leave out bits people consider important, so there are tools available to modify it. There's nothing special about it; if you know TIFF format well enough, you could bang out a valid EXIF header using nothing more than a hex editor.

      So no, I wouldn't consider EXIF data to be a reasonable source for corroborating "ownership" claims.

      Schwab

    2. Re:Proof of Ownership by Colol · · Score: 1

      True. And many cameras even embed their serial number in the EXIF data.

      EXIF is trivial to edit yourself, of course, but the dedicated will find a way to circumvent anything. Sometimes they'll even be assisted, as was the case when a Kinko's clerk told me to just use a razor blade to slice off a copyright years ago.

    3. Re:Proof of Ownership by m85476585 · · Score: 1

      But the clerks at Wal-mart don't know that!

    4. Re:Proof of Ownership by Anonymous Coward · · Score: 0

      Great point... one which will absolutely be lost on your everyday Wal-Mart fucktard cashier. Sorry for the French, I'm in a foul mood today.

    5. Re:Proof of Ownership by halfelven · · Score: 1

      As someone pointed out above, the EXIF info could be used to cure the Wal-Mart problem.

      If everyone creating copyrighted work would put a notice in EXIF saying "copyright John Doe 2005", if you go ahead, modify that and put your own instead, then go to Wal-Mart and print the picture, nobody could sue WM, since the one who's guilty is clearly you.

    6. Re:Proof of Ownership by raider_red · · Score: 1

      I used this once at CVS. The guy printing my photos was savvy enough to ask me for the camera. He matched the serial number on the body to the serial number encoded in each of the files, and happily printed them for me.

      --
      It's good to use your head, but not as a battering ram.
    7. Re:Proof of Ownership by sanosuke76 · · Score: 1

      Yeah, it would seem quite sensible to let you bring in the camera that took the photo, and they ought to be able to look in the EXIF tag and at least ensure you owned a camera of the same flavor as the one which took the photo. To me, that seems like it should qualify as some degree of proof.

      On the other hand, most stores don't want you taking pictures. Blah.

      --
      My 229 is all the Sig I need http://thegunwiki.com/
    8. Re:Proof of Ownership by Doctor+O · · Score: 1

      Yeah, but hey, you can easily change the EXIF metadata to whatever you like. I actually use this to find out whether my local photo print service looks at the data. My EXIF information on everything I let them print says the images are copyrighted and the copyright holder is to be contacted at http://www.tubgirl.com/.

      I'll know when they look for sure.

      --
      Who is General Failure and why is he reading my hard disk?
    9. Re:Proof of Ownership by Stauf · · Score: 1

      So no, I wouldn't consider EXIF data to be a reasonable source for corroborating "ownership" claims.

      But written permission is very, very easily forged. Just get type up something that looks like permission, scribble something under 'signature' and bingo!

      So put in place a system where the clerk enters the images into a checker, which stores the EXIF data someplace, which will count as 'permission'.

      And if someone has edited the EXIF block to show incorrect data - you have a quite clear guilty party (that very clearly isn't the photo processor).

  28. This happened to my mother about five years ago by Anonymous Coward · · Score: 0

    ...though it was actually a professionally-taken picture. My brother died, and my mom wanted to get an 8x10 enlargement of a graduation photo. The studio that took the image no longer had the negative, and would charge a rather large fee to take the existing photo and blow it up. She then took it to Wal-Mart, where they refused to take it because of the studio's name on the bottom of the portrait, even when my mother explained the situation.

    She finally carefully cut off the very bottom of the picture (it was background anyway) and told them it was a personal picture that she took. They didn't question it, and my mom got the picture she wanted.

    1. Re:This happened to my mother about five years ago by It+doesn't+come+easy · · Score: 1

      And there is the crux of the confusion. Making one copy, especially of friends or family, should fall squarely in the realm of fair use EVEN IF you do not own the copyright. We're talking about a single, physical print in these cases. If you are stealing a picture, are you going to copy it one print at a time? Not likely (not even practical).

      Just goes to show how out of balance all of the recently passed (ridiculous) copyright laws are.

      --
      The NSA: The only part of the US government that actually listens.
  29. I'm a photographer... by graveyardduckx · · Score: 0

    and I've never ran into this problem, but I only use Walgreens since their photo lab is open 24/7. It's better to use a smaller shop like Walgreens so the people there will recognize you, thus avoiding this problem more often than not. And on a side note, screw Wal-Mart.

  30. While on topic... any online recommendations? by eXoXe · · Score: 0

    Does anyone know of any affordable online print companies that'll print up posters for you with your prints?

    --
    This is my sig. There are many like it, but this one is mine.
    1. Re:While on topic... any online recommendations? by Fish+Heads · · Score: 1

      Try Shutterfly http://www.shutterfly.com/

      We use them for all of our prints and love the quality and other things they can do with them (aprons, mousepads, etc.)

      They have even printed a few things I couldn't have possibly taken, like very close-up pictures of the sun and the like.

      --
      Time is the quality of nature that keeps events from happening all at once. Lately it doesn't seem to be working. -Anon
  31. DRM by RickPartin · · Score: 3, Funny

    I can't wait till they start DRM'ing film. You have developed this film more than one time. Please call this activation hotline you god damn pirate. Thank you

    1. Re:DRM by fracai · · Score: 1

      forget the film, what about the scenary?

      If I take a photo of a quaint, rolling hillside I damn well better be the only one selling images of that scene. Anyone else who takes a picture of that area better have a big watermark of my name and contact info embedded across it.

      --
      -- i am jack's amusing sig file
    2. Re:DRM by Mold · · Score: 1

      Simple. Once you've taken your photo, carve your information into the hillside in very large letters.

  32. I don't think this will be much of a problem by Mostly+Monkey · · Score: 1

    I seriously doubt that the average minimum wage retail worker is going to deal with the extra hassle of refusing people's print jobs. Even if the higher ups mandate checking the prints first, the judgement call will still likely be in the clerk's hands.

    --
    Chika Chik-ah... do-e ow ow.
    1. Re:I don't think this will be much of a problem by Thomas+Shaddack · · Score: 1
      I seriously doubt that the average minimum wage retail worker is going to deal with the extra hassle of refusing people's print jobs.

      Two words: power trips.

  33. Heh by British · · Score: 2, Insightful

    Maybe it's time to start up a photo business that doesn't care about copyrights.

    Honestly, why would a photographer want copyrights on Ma & Pa Kettle's wedding photos? Is there a release form the couple has to sign off to the photographer for all images of THEM?

    Maybe the photographer should be paying them for modeling, with a clause that they(wedding couple) get a copy for framing.

    Or pony up the $ and just do it all yourself, have a neighbor kid take the photos and pay them an agreed-upon fee.

    1. Re:Heh by jfengel · · Score: 2, Interesting

      The photographer doesn't want the copyrights per se. He just wants to be the guy to print them, and charge for the printing. He makes money, and he (or she, of course) guarantees that the prints are to his specifications. He'd hate to have his rep ruined by a bad print job.

      There really is a difference in quality between a pro photographer and the neighbor kid with a camera. Maybe the kid's a photo nut who knows the right lenses to use, the right lighting (especially for formals rather than candids), how to compose a nice shot, and will otherwise be professional (getting the pictures on time, being nice to the guests, etc.). Or maybe not.

      So feel free to start up your non-copyrighted photo business. There are plenty out there already. But I expect that they're a little more expensive than the photographers who retain the copyrights, because they don't expect to make their profit on the prints.

      Or maybe they're just a dying breed. What I said notwithstanding, you really can take good photos these days with a consumer camera and a tiny bit of artistic sense. Pro wedding photographers may simply be a dying breed.

    2. Re:Heh by ebvwfbw · · Score: 1
      Maybe it's time to start up a photo business that doesn't care about copyrights.

      You are certainly free to do that. I have a feeling you will want to recover some money for equipment expense and your time, however. Pro cameras often cost $5,000 - $10,000 (camera, lens, filters, media, etc). Last weekends shoot, I took around $20,000 (or so) worth of equipment and two other photographers that work for me. Cheap cameras are getting much better but they still don't take as good of a picture as the expensive SLR Digital cameras. Lens glass and components aren't as good.

      Honestly, why would a photographer want copyrights on Ma & Pa Kettle's wedding photos? Is there a release form the couple has to sign off to the photographer for all images of THEM?

      No, the photographer was hired to take these pictures. The standard form has this covered anyhow. He wants the copyrights because he wants to get paid. Sort of like if you wrote an application and sold it at a store. You wouldn't want people making of with your program, that is how you pay the bills. Well, that is how they pay the bills. You are paying for the expertise and skill of that photographer or company. You can also opt to go the "pay a flat rate for time" route and own the copyrights to your pictures you contracted for.

      Or pony up the $ and just do it all yourself, have a neighbor kid take the photos and pay them an agreed-upon fee.

      You can do that too. You usually get what you pay for, however. I have seen some very good pictures done by "uncle Bob". I have also seen absolute crap that way. Including stopping the bride as she is walking during the ceremony (I did video and a family member did the stills..ahhhhh!). Depends on the camera, conditions and experience of the photographer.

      Maybe it would help to mention this is like a lot of other things. You can buy a cheap car or an expensive one. Cheap computer or an expensive one. Will a cheap computer do or do you need the expensive one that can handle a lot of I/O? Would you be happy with a cheapo car (Yugo, Ford, Fiat)? Maybe. It is up to you, however keep in mind that a wedding is done once.

    3. Re:Heh by leabre · · Score: 1

      Most photographers get paid by the print and reprint. Considering that my wedding is very personal to me, and I want to reserve the right to print additional photos 15 years from now (when I may not be able to contact the photographer for various reason, possibly including death of that photographer)...

      I was able to locate a photographer that was very professional, pleasant to work with, works by referral only (no advertising), and, gives us the negatives and full rights to do whatever we want with them (wihtout an extra fee for doing so)... why? Because she believes the same thing I do, that it is my wedding, not hers. We used her services for two hours but paid her for 6, for two wedding (we aloped and then got married publicly a year later).

      The problem, is that, only the photoplace that she does business with at the Beach (Laguna Beach, CA, USA) allows us to do reprints. Everyone else, demands proof, then we provide it, and doesn't believe it. So we give a phone number, business card and all, they call, verify, and still don't believe it. It is corrupt. I won't always live in California.

      Oh well.

      Thanks,
      Leabre

    4. Re:Heh by ebvwfbw · · Score: 1
      The problem, is that, only the photoplace that she does business with at the Beach (Laguna Beach, CA, USA) allows us to do reprints. Everyone else, demands proof, then we provide it, and doesn't believe it. So we give a phone number, business card and all, they call, verify, and still don't believe it. It is corrupt. I won't always live in California.

      I'm glad you are happy with the pictures of your wedding. I got the same deal with my pro photographer when I did my wedding, many years ago. It was a trade off, pay a lot for the negatives + photos or a lot less and get a couple of sets of photo's but no negatives. Today I have no idea where that photographer is or if he is even alive. I wish him well.

      I don't normally take pro photos any more, I do pro videography. I'm not sure what you presented as a copyright release. My guess is it doesn't meet the legal standards. First it must be on letterhead from the business. This is like what Network Solutions requires by the way to make domain changes. Second it must have a description of the pictures - wedding for example, when and where they were taken and by whom. State the fact that company X has the Copyright to these photos and that they are transfering those rights to individual Y for how long (1 year, forever). Signed name and the position that person has in the company.

      I'm not a lawyer but that is what I'm being told is necessary by someone that is a lawyer, not a lawyer in California though. I'm tempted to write a letter to Walmart and ask them what they require. So far it hasn't been an issue for me. Of course having said that I'll probably get a bunch in the next week. I googled it and found out it is an issue nationwide.

      I can see Walmart's position. You get someone to answer the phone at home and say it is legit and they end up getting burned for millions. A letter on letterhead is a legal document. I'm not sure if minimum wage harry or even the photo manager would know enough to honor it or not. Letterhead of course could be faked as well. I read where some places require you to bring in the media. Of course you could simply copy the photo to the media.

      Well, good luck on this and good luck with the earth quakes out that way.

  34. How about this? by Anonymous Coward · · Score: 0

    I've got a suggestion.

    It's an amazing one.

    Don't go to Wal-Mart to have pictures developed.

    Support your local businesses, you insensitive clod.

  35. wedding photography by w98 · · Score: 1

    Our wedding photographer will be giving us film and digital files for us to print ourselves (that's why he's so cheap, he doesn't do any photo processing himself) but if *this* is the kind of crap we're going to run into ... yikes.

    1. Re:wedding photography by cashman73 · · Score: 1
      Our wedding photographer will be giving us film and digital files for us to print ourselves (that's why he's so cheap, he doesn't do any photo processing himself) but if *this* is the kind of crap we're going to run into ... yikes.



      In the original article, it did state that it wasn't a problem in the old days: "In the old days, questions about an image's provenance could be settled with a negative. If you had it, you probably had the right to reproduce it."



      So as long as a) your wedding photographer uses film and b) s/he gives you the original film/negatives, you won't have a problem.



      This is really only a problem now that digital photography has started be used widely by the masses, and is probably a good indicator of the fact that the quality of digital photography rivals that of film. Heck, I remember back in about 1995/96 when the first digital cameras were starting to be sold in retail stores. The average quality pretty much sucked, but was acceptable for basic things like putting on web pages and such. Today, you can get a high quality digital SLR camera and the photos from it will be nearly impossible to distinguish from a film camera, at least by the average person.


  36. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  37. Who owns the Image by DesertBlade · · Score: 0

    If I pay someone to take a picture of my family, is it not a contract and I am the rightful owner of the picture?

    I would be more understanding if the photographers took the pictures for free.

    --
    Half of writing history is hiding the truth.
  38. The Jig is Up by sv0f · · Score: 1

    Professional photographers are gonna have to face reality on this one. I remember interviewing a bunch for my wedding. I was shocked to learn that they would be retaining the negatives so that if ever in my life I wanted more pictures, I would be paying them an astronomical markup to print them for me. Almost every one of them had this policy. Sorta like razors and razor blades, except the razor itself cost $1000+.

    Fast forward a decade. The means for reproduction are in our hands. They will have to change their pricing model so that more of their profit comes from the initial fee and less from the duplicates that a smaller and smaller percentage of their clientele will come to them for.

    1. Re:The Jig is Up by w98 · · Score: 1

      Exactly. Our wedding photographer is charging us next to nothing to photograph our wedding, we're basically paying him for his time and he gives us all of the film at the end: we therefore own everything about our photos, including the rights to make as many reprints as possible.

  39. On the other foot by Boing · · Score: 3, Funny
    I'm afraid I can no longer purchase movies or cds from Wal-mart, because for all I know they're just well done bootlegs. I've got to "err on the side of protecting copyrights", after all.

    Same thing with other Wal-mart products, I'm afraid... I can't be sure that they're not violating the trademark protections of Coca-cola by packaging a knockoff as The Real Thing (tm).

  40. change them by xeroxurbutt · · Score: 1

    Pictures that I have taken that I have found to be 'good', at least in my non-professional opinion, I will often reduce the megapixels before giving them to anyone. This way, I figure, if there is ever any kind of legal dispute (I'm not that great so not really worried) I can always say "I have the originals, compare the pixels."

    1. Re:change them by TCQuad · · Score: 1

      Why wouldn't you just delete two pixels around the entire image, rather than decreasing the quality of the entire picture? Same result and significantly more fool-proof.

    2. Re:change them by xeroxurbutt · · Score: 1

      You are absolutely right. It is simple.

  41. Similar experience at Kinkos by Anonymous Coward · · Score: 0

    A few years ago, I tried to get Kinkos to make a bound copy of a working draft of a lengthy academic paper, and they wouldn't have anything to do with it. Even though the manuscript consisted of photocopied pages in a 3-ring binder, and was not very professional looking at all, the clerk insisted "it's a book".

    Of course, Kinkos is happy to copy and bind all sorts of material, as long as it is not "a book" in the view of the morons working there.

  42. What about Work-for-Hire? by harmless_mammal · · Score: 1

    When I write software as part of my job, whether as employee or contractor, my work-product is generally considered as work-for-hire. I.e. I don't own it because *they* paid me to produce it.

    Why doesn't that work for Wedding photos?

    1. Re:What about Work-for-Hire? by VidEdit · · Score: 1

      It does, but most wedding photographers make their clients sign a contract that says the work for hire is not work for hire!

      However, the presumption of copyright law is that work you commission is owned by you.

      This mess is due, in large part, to the change in copyright law that presumes everything is copyright even though there is no copyright attribution. This mess has to change and it will take new laws to do it.

      In Canada, photographers were pushing for a law that would have presumed copyright in favor of the photographer instead of the client. Photographers should change their pricing models from selling reprints to charging for their expertise when they take the photos.

      --
    2. Re:What about Work-for-Hire? by CableModemSniper · · Score: 1

      It does. They just use legal voodoo to confuse, confound, and bind apparently.

      --
      Why not fork?
    3. Re:What about Work-for-Hire? by richardtallent · · Score: 1

      This is simply not true. You cannot "commission" a work simply by retaining a photographer, and paying a photographer does not make his work a "work made for hire" under the legal definition unless the contract explicitly says so.

  43. sheesh... my spelling typos get worser and worser by HighOrbit · · Score: 1

    and grammer too. Time to hire a proof-reader.

  44. Sillyness by ZephyrXero · · Score: 1

    ...And in the land of foolish people, the King decried that ideas and virtual objects could be owned and controlled even though they never "really" existed in the first place. All sorts of confusion over this silly law broke out through the land, till the King of all idiots decided that no one but he should rule all things not physical.

    --
    "A truly wise man realizes he knows nothing."
    1. Re:Sillyness by Anonymous Coward · · Score: 0

      And since programs and electronic designs never "really" existed in the first place, this week, your boss won't "really" pay you either. I guess this shouldn't bother you, right?

    2. Re:Sillyness by The+Tyrant · · Score: 1

      As long as it does not bother your boss that no more of those nice virtual things he keeps asking you for will be produced the way he wants them to be, then no, wouldnt really bother me too much, I'd rather be poor than work for an idiot.

    3. Re:Sillyness by Anonymous Coward · · Score: 0

      How about university degrees? They don't "really" exist either! We should demolish universities. BTW, I can't make heads or tails of your sentence... But then, it doesn't "really" exist!

    4. Re:Sillyness by Reality+Master+101 · · Score: 1

      Money (and value of any kind) is just an "idea" and a "virtual object". Since you're so far above these "foolish" idea that abstract things have any meaning, I'm sure you won't mind giving me all your money.

      --
      Sometimes it's best to just let stupid people be stupid.
    5. Re:Sillyness by ZephyrXero · · Score: 2, Interesting

      Actually the current US currency system is pretty stupid. We're making more fake paper money than we have real money (like gold and such) to back it up with. The little fairy tale thing was just me being goofy, but in all honesty the phrase "intellectual property" is pretty oxymoronic...

      --
      "A truly wise man realizes he knows nothing."
    6. Re:Sillyness by iminplaya · · Score: 1

      ...but in all honesty the phrase "intellectual property" is pretty oxymoronic...

      The concept is just plain moronic. When I hear "oxy", I think zit cream.

      --
      What?
    7. Re:Sillyness by Reality+Master+101 · · Score: 2, Informative
      We're making more fake paper money than we have real money (like gold and such) to back it up with.

      Er, time to come out of the 19th century. :) "Money" is an incredibly complex concept that I'm not going to pretend to fully understand (there's a first for Slashdot), but the fact that it's not "backed" by a hard asset is a feature, not a bug. Tying it to a something like gold puts your economy at the whims of miners and people who stockpile gold.

      Currency is an extremely carefully controlled thing. Why do you think the Fed is independent of the government? It's so the government can't start printing money whenever they want to. Currency is, in fact, backed by the US Economy, the total of all assets, and the banking system, and the amount of currency is balanced to all that.

      --
      Sometimes it's best to just let stupid people be stupid.
    8. Re:Sillyness by samkass · · Score: 2, Interesting

      Then think up a new term than "intellectual property," but the concept is solid. Anything that requires substantial investment to develop and has value to people should have a system whereby that investment can be recouped. While I agree current US law has gone a little too far, saying that "intellectual property" as a general concept is bad isn't helpful. And I don't think it's a coincidence that the countries that allow invention to be rewarded in this manner are the ones that tend to do better.

      As for US currency vs. gold... what's so special about gold? It's just another method of allocating and accounting for allotments of a percentage of a total valuation. We have computers for that now. Attaching it to the rarity of an abritrary element instead of its value as judged by the world market seems stupid, to me. If gold is sufficiently useful/shiny, pay money for it, but don't link its price to currencies.

      --
      E pluribus unum
    9. Re:Sillyness by mOdQuArK! · · Score: 4, Insightful
      Then think up a new term than "intellectual property," but the concept is solid.

      No it's not. It's just a way of forcing people to pay more for a service/product than they are willing to pay in a free market.

      Anything that requires substantial investment to develop and has value to people should have a system whereby that investment can be recouped.

      A lot of the crap being passed as "intellectual property" nowadays didn't require much of an investment - however, even if something DOES require a substantial investment to develop, the value of that "thing" is NOT set by the seller - it is set by what people are willing to pay to get it in a free market. If you can't get people to pay a certain amount to get something in a free market, then it isn't worth that amount.

      And I don't think it's a coincidence that the countries that allow invention to be rewarded in this manner are the ones that tend to do better.

      Really? You got some studies to back this up? All of the historical studies that I've read indicate that the U.S. became as economically successful as it is today by riding roughshod over European "intellectual property" concerns. China is getting rich & still growing during tough times by pretty much ignoring "intellectual property" laws (except for some lip service).

      It seems more like developed countries try to encumber competitor countries by getting to them to go along with "intellectual property" laws (either by bribing or threatening them). Developing countries which ignore those intellectual property laws often end up with economies which go like gangbusters (except for economy-destroying scenarios like massive corruption).

      So give me a few examples of countries that have benefited by passing laws which restrict the ability of their citizens to innovate (which is exactly what "intellectual property" laws do).

    10. Re:Sillyness by Anonymous Coward · · Score: 0

      the what the hell is this big piece of sheepskin with latin spewed on it?

    11. Re:Sillyness by ccmay · · Score: 1
      Currency is, in fact, backed by the US Economy, the total of all assets, and the banking system, and the amount of currency is balanced to all that.

      Agreed. The main requirement for sound money is that it will make gun-toting tax collectors go away if you give them some, and the greenback works perfectly for that purpose.

      -ccm

      --
      Too much Law; not enough Order.
    12. Re:Sillyness by rsynnott · · Score: 1

      Every large country in the world has money like this. Live with it. You're fine, as long as there's no economic collapse; then it might be suitcases of hundreds to buy a loaf of bread time.

      --
      Me (Blog)
    13. Re:Sillyness by rsynnott · · Score: 1, Offtopic

      America has been running on the one law for us, one for everyone else principle for quite some time, now. They were happy enough to use the UN to legitimise wars in Vietnam, and so on, but when it strts accusing THEM of torture? Oh, no, can't listen to that.

      --
      Me (Blog)
  45. Your dog posted this with a funnier headline by Anonymous Coward · · Score: 0

    Insert picture of large-testicled squirrel with hand in economy-sized mustard jar here.

  46. bah?! by BungoMan85 · · Score: 1

    This makes me glad that I have a printer and paper good enough to print photos at the same quality I could get at Wal-Mart or CVS. Not that I ever really need it, but it's there on the odd ocassion I do.

    --
    Bungo!
  47. Produce a faked photographer's release form... by Anonymous Coward · · Score: 0

    If they want documentation...give it to them.

    Personally, I'd like to see the look on the person's face when they read Samuel L. Jackson's name on the release.

  48. Why not just use one of the professional labs? by winkydink · · Score: 1

    There are several out there.

    --

    "I'd rather be a lightning rod than a seismometer." -Ken Kesey

    1. Re:Why not just use one of the professional labs? by slavemowgli · · Score: 1

      For that matter, why print your digital photos at all? For me, one of the key advantages of digital photography has always been that there *are* no printed photos by default - less time, less hassle, less attached costs, and less stuff clogging up your drawers.

      --
      quidquid latine dictum sit altum videtur.
    2. Re:Why not just use one of the professional labs? by Cecil · · Score: 1

      Because hanging LCD monitors on your wall is expensive.

    3. Re:Why not just use one of the professional labs? by slavemowgli · · Score: 1

      Yeah, but who hangs photographs on their walls, anyway?

      --
      quidquid latine dictum sit altum videtur.
    4. Re:Why not just use one of the professional labs? by Cecil · · Score: 1

      Me, and most of the photographers I know, as well as some non-photographers? Many mid-range restaurants do it also. Nicely framed and matted, they are a fine wall hanging. They fall somewhere between posters and paintings on the 'affluence' scale.

    5. Re:Why not just use one of the professional labs? by Thomas+Shaddack · · Score: 1
      Because hanging LCD monitors on your wall is expensive.

      Wait few more years, the situation there will change. There are already prototype e-ink displays on the market now; still black&white, but this is doomed to improve.

  49. More Laws? by mikeboone · · Score: 1

    Steve Noble, who oversees regulatory affairs at the Photo Marketers Association, believes the situation will remain hazy unless copyright laws that were written in a different technological era are altered to reflect the possibilities of digital dissemination.

    Great, a call for more copyright laws! :(

    They'll probably want to mandate an expensive DRM scheme by which you can prove an image came from your camera. Or maybe they'll require that you be a card-carrying member of a photo association in order to print your "professional" image.

  50. Digital is killing Professionals by bahwi · · Score: 2, Insightful

    Except in extreme circumstances, digital is going to kill off a lot of "professional" picture takers.

    With more and more megapixels, you can take bad pictures, incredibly off-center, etc.. crop, and voila, the subject is now perfect center(you can even measure it with photoshop to be sure!).

    Sure, there'll always be call for professionals, but it's getting to where you can have just about anyone with a 45-minute course and a big-megapixel camera can do some pretty good shots.

    My favorite is my cheap kodak digital can take pictures from far away, with its little bit of zoom, and I can get home, zoom in on the picture in photoshop(reduces maximize size of final print though, not that I really print much) and it looks like I either had a very professional camera with a huge zoom, or I was much closer when I took my picture, even if that isn't a possibility.

    1. Re:Digital is killing Professionals by Stonehand · · Score: 1

      I'd say that anything that needs special care with respect to lighting, posing, or very high resolution, is likely to remain well-served by professional photographers.

      A decent amateur can take his stabilized f/2.8 superzoom and take a reasonable shot of a chirping bird from even a decent distance. He'll be able to shoot portraits and check the LCD to see whether any of the subjects blinked during the shot. But he's less likely to have assistants or experience bringing and using reflectors, extra lamps, backdrops, slave flashes, and so forth, or to have worked with enough people and had enough training to pose people all that much. If macro shots are required, the amateur is a bit less likely to have gone whole-hog and gotten a decent macro lighting setup such as twin or ring flashes, unless that's one of his favored areas.

      He's also less likely to bring a medium-format camera or equivalent for when he wants a shot that'll show good detail in an extended-family shot even when blown up to poster size.

      --
      Only the dead have seen the end of war.
    2. Re:Digital is killing Professionals by gstoddart · · Score: 1
      Sure, there'll always be call for professionals, but it's getting to where you can have just about anyone with a 45-minute course and a big-megapixel camera can do some pretty good shots.

      That is true to the extent of your 'pretty good' basis. But there is actually a fair bit more skill and talent involved in being able to consistently produce good shots.

      Any schmuck can take a snapshot. It takes a lot more to be able to take good, artistic shots.

      Nobody (*), for example, would claim that you could just simply take a picture of a landscape, turn it black and white with photoshop, and have something that compares to Ansel Adams.

      (*) Excepting this is Slashdot where there is always at least one loonie who will claim almost anything.
      --
      Lost at C:>. Found at C.
    3. Re:Digital is killing Professionals by pla · · Score: 1

      With more and more megapixels, you can take bad pictures, incredibly off-center, etc.. crop, and voila, the subject is now perfect center(you can even measure it with photoshop to be sure!).

      You've just given the best reason why professional photographers will still have a job, regardless of how good digital cameras get.

      The overall composition of a picture, hardness of focus, lighting, centering, depth of field, and choice of background make the difference between "Another picture of Sally" in your photo album, and "My darling wife standing in the mist from Niagra Falls at sunrise on our honeymoon", which you have blown up and hung on your wall.


      In your particular example - Unless you need a passport photo or the like, you very rarely want the subject centered and maximized in a picture placed in a context - As a good rule of thumb, shoot the person at about 1/3rd, and the reason you chose to take the picture "here" as the other 2/3rds.

      Now, you might fairly say that you could do that after-the-fact, and even control some aspects of the focus and exposure, all in image processing software. But most people won't, because they don't have the experience to tell them how to compose a good shot in the first place.

    4. Re:Digital is killing Professionals by segfaultcoredump · · Score: 1

      Its not about the megapixles.

      Many "Professional" photographers have been using the same "sensor" as the rest of us for the past 50 years or so: 35mm film. And the ability to blow a photo way up and then physically crop it has been around just as long. Yet most photos by the average joe still look like, well, snapshots.

      While digital technology lets you perform some cleanup, the major elements of the photo (angle to the subject, overall tonal range, facial expression, etc) cannot be altered. For example, with many digital cameras, if you blow the highlights with a digital camera, there is no amount of photoshop that will bring them back (much like slide film)

      It is these key elements that separate the "Pros" from the rest of us. While you can learn some tips in a 45 minute course, the bulk of this knowledge comes from shooting thousands of frames and learning how the camera and medium (film or digital) will react under the conditions.

      This is not to say that you wont get lucky every now and then, but chances are you wont know what you did right and thus wont be able to reproduce it again if you need to.

      Thus, I dont believe that Pro's will be reserved for use in "extreme" circumstances, but rather any circumstance that you dont want to leave to chance. Today, you dont hire a pro to shoot your kids birthday party, but you would a wedding. Same will be true in the future. (Of course, wedding photographers are some of the most over-payed folks in the world, so the cost may need to be adjusted to fit reality)

    5. Re:Digital is killing Professionals by Anonymous Coward · · Score: 0

      "Except in extreme circumstances, digital is going to kill off a lot of "professional" picture takers."

      No, it's not. Digital photography is a technology.

      Being a good photographer is a skill and a job and not everyone can be good at it or wants to buy the bulky light gathering lenses needed for many shots where lighting is an issue.

      Just as anyone can now 'run a computer', you don't want everyone being a network administrator even if they do know how to press buttons and edit files.

    6. Re:Digital is killing Professionals by Matts · · Score: 2, Insightful

      As an amateur (but keen) photographer I think you're totally off base. Taking good pictures is most definitely a skill, and one that cannot be fixed in photoshop. I may even go as far to say that it's an art, and one that most people will simply never master in their lifetime.

      You may think your edited picture looks like a pro's picture, but believe me it won't look like it to anyone with a critical eye.

      I spend a lot on equipment, and I'm very proud of the kit I own, and the results I've created so far, but even with photoshop and hours of my own time I couldn't dream of matching up to some of the professional pictures I see posted to some of the photography forums I frequent.

      --

      Matt. Want XML + Apache + Stylesheets? Get AxKit.
    7. Re:Digital is killing Professionals by Colol · · Score: 1

      Nobody (*), for example, would claim that you could just simply take a picture of a landscape, turn it black and white with photoshop, and have something that compares to Ansel Adams.

      True; you left out the hours worth of dodging and burning. ;)

    8. Re:Digital is killing Professionals by 16K+Ram+Pack · · Score: 1
      I think that it can help to take better photos. But it won't turn you into a Pro.

      I do some amateur photography of landscapes, gardens and architecture. It gives me pleasure and saves on buying art.

      But, I'm no pro, because when I see pro work, it's just got that edge.

      The one thing that digital can help people with in getting good results is that the more shots you take, the more chance of a good one. And digital photography has a zero cost per shot. So, if you have talent and are prepared to put in the time to learn it, you may be able to get some great results.

      Some photography (like wedding photography) has other skills. It's more like being a project manager.

    9. Re:Digital is killing Professionals by graphicsguy · · Score: 1

      I think that it can help to take better photos. But it won't turn you into a Pro.

      No, but I would think it could help you learn photography faster, because you can see the picture immediately and make as many attempts as you like.

    10. Re:Digital is killing Professionals by Anonymous Coward · · Score: 0

      You may think your edited picture looks like a pro's picture, but believe me it won't look like it to anyone with a critical eye.

      Not everyone is a perfectionist. Not everyone will care if the sky isn't the perfect colour of blue, the angle doesn't frame the face relative to the body at a textbook classical angle, or anything else you think is important.

      You claim that photography is "an art"; so recognize that art is entirely subjective. Some people hate Piccasso; some people hate Mondrian; some people hate Monet. Some people don't think photos are art at all. Heck, to some people, a blurred out photo is "looks better", because it has "more character"... than a more "professional" shot.

      And if you can sell that "ugly" blurred shot, you're now a professional, and it's now a professional shot. So don't get too caught up in your preconcieved notions of what "good" and "bad" photography is; and accept that it's entirely possible for people to make "professional quality" photos at home.

    11. Re:Digital is killing Professionals by hacksoncode · · Score: 2, Interesting
      I think you're missing the point. The resulting photos don't *have* to be as good a professional photos.

      The person taking and editing the photo has to *think* that they are just as good (or close enough that it isn't worth the money to hire the pro). And the vast majority of people are fucking arrogant and have no taste.

      It remains to be seen whether professionals can survive on income only from that tiny minority of people that actually *have* taste.

    12. Re:Digital is killing Professionals by Anonymous Coward · · Score: 0

      And the vast majority of people are fucking arrogant and have no taste.

      Whoa. Wait...when did this conversation become about Slashdot mods?

    13. Re:Digital is killing Professionals by 16K+Ram+Pack · · Score: 1
      Yes and no. You can certainly take a lot more free photos, which can help you. I don't really trust the screens on cameras. I've got a large enough card, so I edit back on the PC.

      You can also learn about things like lighting/composition. Reading books/going to clubs/doing night classes can help to learn as well.

  51. Dear Wal*Mart by IvyMike · · Score: 4, Interesting

    You're a behemoth corporation with more money than I can imagine. Why don't you throw some of that weight and money around and take a stand against these bullshit laws? Fight the lawsuits in court to establsh a set of sane legal precidents, and promote a new "common-carrier printer status" law.

    Not only because it's the right thing to do, but because by being sissies, you're undercutting your future sales.

    Signed,
    Everybody

    1. Re:Dear Wal*Mart by Anonymous Coward · · Score: 0

      because walmart must be treating their lawyers like they treat the rest of their employees...meaning they don't want to pay them

    2. Re:Dear Wal*Mart by Anonymous Coward · · Score: 1, Interesting

      Dear Everybody -

      We did some cost benefit analysis and decided that the amount of money that we would have to spend on lobbyists, attorneys, and blowjobs for politicians is more than the amount of business that we lose because of these unfortunate restrictions. Keep in mind that our core customer base are white trash in the sticks, people that do not even know a digital camera from a digital rectal exam. We are sorry for any inconvenience.

      Signed,
      Wal*Mart

    3. Re:Dear Wal*Mart by Ingolfke · · Score: 1

      Even though this is probably the right thing to do, the press would attack them just b/c their big.

      Headline: "Wal-Mart running private small-time photographers out of business"

      Headline: "Wal-Mart supports Copyright infringement"

    4. Re:Dear Wal*Mart by pomo+monster · · Score: 1

      You make the mistake of thinking Wal*Mart gives two shits about social responsibility. Actually, you'd probably have better luck petitioning Costco.

      Commence political flamewar.

    5. Re:Dear Wal*Mart by CaptainCarrot · · Score: 1
      Oh, let me guess why they don't do this. Could it be becuase they don't give a flying fuck? Possibly. Just like they don't care about the downtowns they destroy, the employees they underpay, or the conditions in the Chinese sweatshops that make the products they sell. Next to that, placating a handful of amateur photographers who take the trouble to make their work professional quality is small potatoes.

      Being the biggest in the world means you don't have to care.

      --
      And the brethren went away edified.
    6. Re:Dear Wal*Mart by vettemph · · Score: 1

      >people that do not even know a digital camera from a digital rectal exam. ....except that the camera doesn't feel the same going in.

      --
      The government which is strong enough to protect you from everything is strong enough to take everything from you.
    7. Re:Dear Wal*Mart by Anonymous Coward · · Score: 0

      What are you new here? And by here I mean the US.

    8. Re:Dear Wal*Mart by Anonymous Coward · · Score: 0

      Being the biggest in the world means you don't have to care.

      They care about earning money, which was the parent posters point, dumbass.

  52. Mod Parent insightful by mr_z_beeblebrox · · Score: 1

    That is a very good point. If you want to deny someone reproduction rights you will not give them an 8 MB image. Of course they could have scanned a photo...

  53. You've got to be kidding! by Rowan_u · · Score: 2, Insightful

    From what I've learned about weddings (from working as a holiday inn Chef) they seem be a the eternal hotbed of scams. Everything from when they sell you a small rock for thousands of dollars on down to the throwing of bouquet is a scam of some sort and everybody wants a piece of the pie. Ernest young lovers ready to through as much of their parents money away as possible are hard to resist. But keeping the copyright to the wedding photos? That is truly ridiculous. At our wedding (which didn't cost a dime btw) we had three photographers, all amature. I did a compilation of photos for everybody afterwards and burned them to cheap CD's.

    My question is this; who is printing their digital photos at Walmart anyhow? With ink jet printers being the cheapest they've ever been (and with the average consumer knowing little about fading inks and the like)wouldn't a printer purchase quickly pay for itself?

    --
    only one everything
    1. Re:You've got to be kidding! by AndyChrist · · Score: 2, Insightful

      My question is this; who is printing their digital photos at Walmart anyhow? With ink jet printers being the cheapest they've ever been (and with the average consumer knowing little about fading inks and the like)wouldn't a printer purchase quickly pay for itself?

      No, they won't. Unless you're buying in bulk (and even then prints at a shop often go down in price as the quantity goes up), you're still probably paying 1 1/2 times as much to print at home. And that's before you find out that the print is less durable.

      The only real benefit to a printer is convenience. Get your prints without having to take/send your files to the photo lab.

      For printing a large number of pictures, a trip to walmart (or in my case the local photo processing shop)can pay for itself.

    2. Re:You've got to be kidding! by balloonpup · · Score: 1

      With ink jet printers being the cheapest they've ever been (and with the average consumer knowing little about fading inks and the like)wouldn't a printer purchase quickly pay for itself?

      Actually, given the price of ink carts and photo paper, I've found it's often cheaper to send my photos out to something like Shutterfly than it is to print them myself, and the photos look more professional as a result. I don't know what Walmart charges per print, but if it's anything like Shutterfly's prices, then I'd imagine a lot do it...

      --
      I sing the doggie electric!
    3. Re:You've got to be kidding! by bigman2003 · · Score: 1

      I get my pictures printed at outside services...

      An 8x10 costs a little under $2. Really good inkjet paper costs about $1 per sheet- then you have to factor in ink, and wastage.

      And when it's all done, I would much rather have my pictures printed on photopaper (archival quality actually) than from an inkjet that will fade much quicker.

      --
      No reason to lie.
    4. Re:You've got to be kidding! by dangerweasel · · Score: 3, Insightful
      In reference to your printer comment, wasn;t there an article just the other day about rising ink prices? I don't think they will ever pay for themselves...

      I work in a professional photo lab and we saw this print your own trend in our professional clients. They would go out and buy some fancy-ass Epson printer and try to print their own work, only to discover what a righteous pain in the ass it can be. From color issues to problems with the original image (going to a "professional" photographer does NOT guarantee a "professional" image) there is a minefield of places that things can go wrong.

      PS. Pro's are also getting there work printed at the discount places right along side you, and still trying to charge $10 or even $20 dollars for a 4x6 print they paid $0.29 for. They are well deserved to be in the list of over paid profession. Plus they have to be about the whiniest people I have ever had the misfortune of dealing with.

      I never said this. I was not here.

    5. Re:You've got to be kidding! by mattdm · · Score: 1

      And that's before you find out that the print is less durable.

      Or more durable, if you're using Epson ink....

    6. Re:You've got to be kidding! by assantisz · · Score: 1

      And once you are married you will spend at least the same or even a bigger amount of money when your wife gets pregnant and after the kid is born. Most businesses that cater to weddings, pregnancy, and baby/toddlers are the biggest rip-offs ever.

    7. Re:You've got to be kidding! by ddeeds33 · · Score: 1

      Last I heard making your own prints runs around 24 cents per 5x7. Sams does great prints and they're only 13 cents with 1 hour processing.

    8. Re:You've got to be kidding! by tomhudson · · Score: 1
      I would much rather have my pictures printed on photopaper (archival quality actually) than from an inkjet that will fade much quicker.
      It's still being printed on an ink jet, dude! Print it yourself, and when it fades, print another copy. Its not like you can't with digital.
    9. Re:You've got to be kidding! by Anonymous Coward · · Score: 0

      Pro's are also getting there work printed at the discount places right along side you, and still trying to charge $10 or even $20 dollars for a 4x6 print they paid $0.29 for. They are well deserved to be in the list of over paid profession.

      Oh, I see - so people should sell things for the cost of the materials, right?

      Given that the entire economic boom that brought us out of caves and into the modern world has been based on the concept of selling things for more than you paid for them, I suspect you do not quite understand economics.

    10. Re:You've got to be kidding! by wfeick · · Score: 1

      The photographer we selected for our wedding stores the negatives in a vault that the printer maintains, and we are entitled to take posession of them whenever we want to. He says people typically take them about a year after the wedding, because the printer will sell prints at the same price as if you walked in off the street with a negative to be printed. This actually works out really well, because if any of the wedding guests want prints for themselves, I don't want to get involved with the hassles of making a print myself, or moving negatives around.

      After about a year, we'll go get the negatives and likely do a high quality scan for archival purposes.

    11. Re:You've got to be kidding! by rainman_bc · · Score: 1

      OT, but the latest scam out there is for the bride to preserve the boquet. They frame it or put it in a bubble or whatever. It serves as a constant reminder what a waste of money getting married is.

      We've opted to throw the throw-away boquet, and give the boquet to whoever catches the throw-away. We don't need to be reminded of what a waste of money getting married is lol... We have our bank accounts to show that haha...

      --
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    12. Re:You've got to be kidding! by dangerweasel · · Score: 1

      I understand economincs, but I also understand a gouging when I see it. Photographers charge into the thousands for them to even show up and shoot the wedding, and then expect an astronomical markup on prints as well. Would you pay these prices for everyday services. How much would your car or your computer cost at these profit rates?

    13. Re:You've got to be kidding! by lightspawn · · Score: 1

      Unless you're buying in bulk (and even then prints at a shop often go down in price as the quantity goes up), you're still probably paying 1 1/2 times as much to print at home. And that's before you find out that the print is less durable.

      The only real benefit to a printer is convenience. Get your prints without having to take/send your files to the photo lab.


      Another benefit is being able to take pictures of your 6 month old baby without being worried about a minimum wage drone calling the police.

    14. Re:You've got to be kidding! by stuffman64 · · Score: 1

      Maybe a few years back that was the case. Now, with printers like the Canon i9900, you can print an 8x10 photo in about a minute and a half (full quality), on paper that costs about $0.90 per sheet and aproximately $0.20 in ink. Better yet, 13x19 prints can be had for under $3.00 (and in under 3 minutes!). The current inks are said to last 25 years without fading; newer inks used in the (as of now) Japan-only iP9910 are said to last 100 years.

      Of course, if you only print out a few sets of 4x6s every year, you're better off with wally-world or a nice online photo service. If you're like me, an enthusiastic amatuer who likes to make big prints sometimes (and small prints all the time), going with this printer is a much better option.

      --
      --- At my sig, unleash hell.
    15. Re:You've got to be kidding! by mickisdaddy · · Score: 1

      Sam's runs 13 cents a print (Can get them as cheap as 11 cents in bulk) WalMart runs 19 cents. Both of which you can upload through their websites have them sent to you local store and pick them up in an hour. Heck, by the time you upload them order your prints and drive to the store, find a parking space, they will be done when you get there.

    16. Re:You've got to be kidding! by AME · · Score: 1
      I tested this, and it turns out to be true!

      On my Epson CX4600, I printed out a full page photo of my kids on plain paper and, after allowing some time for the ink to dry, soaked the sheet in the sink for half an hour.

      When I removed the paper from the sink, the water was still clear and the photo still sharp and brilliant. I keep the crinkled sheet in my desk to show people who don't believe me.

      I suppose the next test should be to leave it in direct sunlight for a couple of weeks, but I don't recall the Epson commercials saying anything about resistance to sunlight.

      --
      "I have a good idea why it's hard to verify programs. They're usually wrong." --Manuel Blum, FOCS 94
    17. Re:You've got to be kidding! by jbarr · · Score: 1

      The latest issue of Consumer Reports rates online printing services. The interesting thing is that according to the article, companies like Wal-mart. Target, and Walgreens use chemical processing technology for their online processing and dye sublimation printers at their kiosks. They say that both processes are far better than consumer inkjet printers, but recommend the chemical processing for highest quality. They specify two chemical processes: Fuji and Kodak, and though both are good, they recommend Fuji over Kodak.

      So, presumably, the reason to go with such an online service is to receive higher quality prints than you could get at home with a consumer grade inkjet printer.

      --
      My mom always said, "Jim, you're 1 in a million." Given the current population, there are 7000 of me. God help us all!
    18. Re:You've got to be kidding! by shawb · · Score: 1

      You forgot about another big-time gouging industry: funerals. In addition to being extremely emotionally charged, there is generally very little time for the actual planning of the funeral unless you plan your own funeral before you die or plan for a dying relative (often times considered to be in bad taste.)

      I'm not saying that all, most, or even the vast majority of people in the funeral service are gouging the customer, but that the possibility is definately there, and you can probably find some sheister to take the bereaved for everything that they have.

      --
      I'll never make that mistake again, reading the experts' opinions. - Feynman
    19. Re:You've got to be kidding! by Anonymous Coward · · Score: 1, Informative
      I would much rather have my pictures printed on photopaper (archival quality actually) than from an inkjet that will fade much quicker.
      It's still being printed on an ink jet, dude!
      The parent post is talking about silver halide photographic prints, made from the digital files using lasers. They are exactly the same as prints made from negatives. They are vastly more durable, not to mention more waterproof, than inkjet prints.
    20. Re:You've got to be kidding! by Foobar+of+Borg · · Score: 1
      One of the tricks to having a cheaper wedding is to get as much of the wedding stuff as possible (champagne flutes, cake cutters, etc.) in a form that isn't specifically labeled to be for a wedding. Putting the word "wedding" on something at least doubles the price.

      The same thing goes for photographers. Get a good photographer and/or videographer, but not necessarily one that specializes in weddings. My photographer was really good and very talented, so I thought she was worth every penny. My videographer turned out to be a formulaic no-talent ass-clown that tried to stiff me on every part of the deal after all was said and done.

      On the plus side, I was given the rights to make my own copies of the videos, but not to sell or publically perform (as if I would) them. The photographer sold me all the negatives after a year, but I still bought some extra prints from her since she does some special ink (oil perhaps?) artistic painting to enhance the images.

      Anyway, my point is, check the terms with your photographer and/or videographer. Most are now more open to letting you keep everything, at least after a term, with minimal rights retained by them (such as the right to use one of your pictures for advertising purposes).

    21. Re:You've got to be kidding! by frodoze · · Score: 1

      Epson prints done with Ultrachrome inks will last 80years under glass or 200years in a photo album, plus the print is water and smudge resistant, to prove that point I rinsed a fresh print under the tap, it's fine, no runs, the paper didn't even curl up, the old silver halide prints I have from the 80s have lost their colours.

      I use the little Epson Picturemate, its brilliant, did some pictures of a friends 50th birthday, I was able to print the photos and hand them around and not worry about fingers smudging them

    22. Re:You've got to be kidding! by Stauf · · Score: 1

      about the whiniest people I have ever had the misfortune of dealing with.

      I had a friend who worked briefly at a print shop - and I remember a story where he had a photographer trying to get a refund for ~150 prints because the red wasn't 'vibrant enough'. I seem to remember it ending rather abruptly when his boss pointed out that the uniforms that were supposed to be this 'vibrant' red were actually maroon.

    23. Re:You've got to be kidding! by metalhed77 · · Score: 1
      They are well deserved to be in the list of over paid profession. Plus they have to be about the whiniest people I have ever had the misfortune of dealing with.


      As someone just starting out and trying to make it in the photo industry let me say fuck you. It's not easy.

      Anyway, caveat emptor. No one twisted your arm when you signed that model release at the studio.
      --
      Photos.
    24. Re:You've got to be kidding! by Anonymous Coward · · Score: 0

      How much would your car ... cost at these profit rates?

      I hate to break it to you, but cars are pretty much the same. When you take your car in for a service, they profit from the labor AND the parts. I work in the auto industry, and I have seen mark-ups as drastic as a couple hundred dollars on a $40 part (MB Power window armature). This is just the part, not including the labor costs. The owner of the car easily paid $1000-1200 on something that could've taken an afternoon and a couple twenties to fix. This is the nature of the Automotive Industry, and the reason why some mechanics can pull in six figures.

    25. Re:You've got to be kidding! by AndyChrist · · Score: 1

      "Another benefit is being able to take pictures of your 6 month old baby without being worried about a minimum wage drone calling the police."

      Like I said, convenience.

    26. Re:You've got to be kidding! by thegrinchd · · Score: 1

      You believe that your INKJET prints are going to last 25 years because Epson/Canon/HP et al said so? 100 years?

      That's laughable.

      I'd go with a REAL photo everytime. As an owner of a Kodak Dye-Sub, I wouldn't trust that to last for 25 years, let alone an inkjet, These inks haven't been around 25 years, when they are talk to me.

      What the vendor says to sell his product is one thing, reality is quite another.

    27. Re:You've got to be kidding! by Anonymous Coward · · Score: 0

      I think you just proved his point about the whininess, eh?

    28. Re:You've got to be kidding! by hawk · · Score: 1

      Last time I checked, it was about a dollar a page to print photos if you used good consumables.

      Wally-world charges 19c a print, compared to the three that you can fit on a page.

      Plus you get the usual bits about that one slightly jammed jet that puts a streak on the page, or . . .

      It now costs *more* to print 4x6 at home. However, 5x7 and up still cost less--at least if they come out right on hte first try.

      hawk

  54. Ask for ID! by Spy+der+Mann · · Score: 1

    If the photo looks too professional, they should ask the client to give some ID, so if the owner then claims copyright violations, we know who to blame.

    Ta-da, problem solved.

  55. Who cares? by AndyMan! · · Score: 1, Informative

    Seriously!

    I'm an "semi-profesional" photographer in my part time, and I bounce back and forth between printing my own on my home printer and using a service like Shutterfly.

    I can't imagine ever using a retail service like Walmart. Good quality photo printers are just too innexpensive to justify using a retail service. This is hardly limited to "profesionals" either.

    Print your prints at home! Everyone! Yes, I mean you!

    Geeks have a great opportunity to take ownership of thier prints by printing themselves. Printers are cheap, paper and ink is cheap, and it's not much work at all. A decent photo printer can be had for under a hundred bucks.

    Back when developing prints meant expensive equipment and dangerous chemicals we had a ton of excuses to outsource developing, but those days are long gone.

    On another note, now speaking as a profesional, clients order prints from Shutterfly directly and never see high quality JPG's. If I ever release JPG's to clients they get branded with "COPYRIGHT" watermarks accross the center of the image.

    Rights to digital photos are incredibly simple to protect as long as you never release high quality digital prints.

    To all these Profesional photographers sueing Walmart, I really have to ask what in hell they're doing releasing high-rez digital files in the first place. What the hell do they expect? I guard my digital files as I would negatives.

    I've never seen a high quality scan that looked remotely like the original, so someone scanning a print and then printing it themselves is not a big concern of mine. Quite frankly if someone is willing to go to all that work for a shitty print, all the power to them. I only ask that they leave my signature off.

    _Am

    1. Re:Who cares? by Blue-Footed+Boobie · · Score: 2, Informative
      Good quality photo printers are just too innexpensive to justify using a retail service.

      Um, Walmart's photo printing service uses Dye-Sub printers - and a 4x6 print only costs $.19. I'm sorry, but the quality is excellent and the price is far cheapers than a "consumer" dye-sub's (Kodak, Hi-Ti, et al) cost-per-print.

      --
      DAMN YOU OCTODOG! DAMN YOU TO HELL!
    2. Re:Who cares? by ivan256 · · Score: 1

      It's fairly easy to find shops that will print with a 'lightjet' printer onto actual photo paper these days. 4x6 for $0.25 on media that's proven to last decades.... Try that at home at any price.

    3. Re:Who cares? by AndyMan! · · Score: 1

      Um, Epson sells Dye-Sub printers for under a hundred bucks. Buy one today and it'll last you a decade. Avoid HP because their ink sucks.

      Paper and Ink are far cheaper than $.19 /4x6.

      If you're worried about cost, then do it yourself.

      If you want to take ownership and be proud of your work, do it yourself.

      Either way, do it yourself.

      _Am

    4. Re:Who cares? by BrianJacksonPhoto · · Score: 1

      Ok, I am a professionl photogrpaher and are you insane? Print your photos at home?

      The only pictures I print at home are single little snapshots that I want very quickly.

      There's NO reason to NOT use a photo lab. Say you need 50 4x6 prints from your vacation. Wal-mart/Costco/Walgreens/etc $8.50 in less than 1 hour on Fuji Crystal Archive paper. Now, how long and how much ink and babysitting is it going to take your ink-jet printer to do that?

      Shockingly Wal-Mart, Costco, Walgreens, Longs, etc all have really good printers (Fuji Frontiers, Noritsu's or Durst Theta's) [BTW, same systems that Shutterfly uses!] A $15,000-$200,000 machine is going to do a slightly better job than my $99 Epson R200!!

      You've never seen a drum scan have you? Check out slide/negative scanners as well. Even with my little Poloroid SprintScan 4000, I've got 18x24's hanging on my living room wall and they're gorgeous.

      There's nothing wrong with releasing the digital negative (hi-res version) of an image. You just need to include a release with them and inform the clients that they can make prints, but nothing else. We sell "digital negatives" over at http://www.actionathletics.com/ It's an easy sell, less work for me and my profit margin is higher. I'm not selling the image. I'm selling a copy of the image the rights to use the image.

      It's just like when you buy a DVD in the store. You own a copy of the movie, but not the rights to do whatever you want with the contents. You own a copy of someone else's work. If you're selling illegal copies of the DVD, then well, you've committed a crime and Hollywood will come and get you :-D

    5. Re:Who cares? by cpotoso · · Score: 1
      Rights to digital photos are incredibly simple to protect as long as you never release high quality digital prints.

      You've never heard of scanners, have you?

    6. Re:Who cares? by Blue-Footed+Boobie · · Score: 1
      I'm sorry to do this, but you sir are flat-out wrong. Epson does NOT sell a Dye-Sub for under $100. The Picturemate is what you are thinking of, and it is an Inkjet printer. The cost per print on it is $.29 for a 4x6. So, it is more expensive. I will give you this though, the quality is very very good. Been a popular product.

      Feel free to try and argue with me, I handle these products as a Senior Technician in our (a Fortune 100 Distributor) Printing and Video dept.

      --
      DAMN YOU OCTODOG! DAMN YOU TO HELL!
    7. Re:Who cares? by Blue-Footed+Boobie · · Score: 1
      One more thing...

      If you want to take ownership and be proud of your work, do it yourself.

      If I am taking pro-level photos - that is the work I would be proud of. I could care less how I get it printed - as long as the print is good quality (Dye-Sub) and is around the same cost (or cheaper) as when I was in a darkroom developing my own pictures.

      --
      DAMN YOU OCTODOG! DAMN YOU TO HELL!
    8. Re:Who cares? by fishbowl · · Score: 1

      > Try that at home at any price

      In the amount of time it would take me to print 100 4x6's, the turnaround from ophoto.com is faster.
      If I was really pressed to do it, and I had nothing else to do but watch the printer, of course the printer is faster, but that's never the case.

      Paper and ink costs are slightly higher than the cost of lab prints.

      I've tried to explain this to lots of people, and some of them get it, while others never get past the false notion that "you can buy another printer instead of ink".

      For those that are sensible about the whole thing, the convenience wins over the price anyway.

      I'm really happy with OPhoto, especially for 8x10s. I won't be buying printer ink, and will probably get some monochrome laser printer for documents when my color printer runs out. It's simply a false economy for photo -- presentation graphics are another story.

      --
      -fb Everything not expressly forbidden is now mandatory.
    9. Re:Who cares? by fishbowl · · Score: 1


      "I can't imagine ever using a retail service like Walmart."

      Walmart stores I've seen, have Fuji Frontiers. That's *not* bad.

      --
      -fb Everything not expressly forbidden is now mandatory.
  56. I use Mpix by winkydink · · Score: 1
    --

    "I'd rather be a lightning rod than a seismometer." -Ken Kesey

  57. Is this not /. ? by Eunuch · · Score: 0, Troll

    Just use a linux-based 16MP camera, spiff it up with Gimp, and save a whole lot while not giving archaic professions any money!

    --
    Transcend Humanity. Please.
    1. Re:Is this not /. ? by slavemowgli · · Score: 1

      OK, I'll bite. What exactly do you mean by "linux-based camera"?

      --
      quidquid latine dictum sit altum videtur.
    2. Re:Is this not /. ? by Anonymous Coward · · Score: 0

      I don't think that using a "Linux-based" camera or Gimp will give your photography any artistic merit. It does, however, make you look like a jackass, which is still entertaining for the rest of us.

    3. Re:Is this not /. ? by Eunuch · · Score: 1

      Simple...a camera running FreeBSD.

      --
      Transcend Humanity. Please.
    4. Re:Is this not /. ? by Anonymous Coward · · Score: 0

      I'll sing the GIMPs praises most times, it's a program that reaches the level where it will satisfy most commonplace photoediting needs, and prevent you putting your hand in your pocket for Paintshop Pro or digging even deeper for Photoshop. But god willing no one takes your advice on this. The GIMP does not cut it at all when compared to Photoshop used by a professional photographer. You can use GIMP to 'spiff' up a photo, but if it's your wedding photos do you really want them 'spiffed'?

  58. The basic problem by lheal · · Score: 2, Insightful
    Professional photographers have successfully sued processors (like Wal-Mart) for reproducing their digital works without permission.

    That's a bad precedent. Service vendors should not be put in the position of monitoring content or judging it, any more than an ISP should monitor its customers' activity (except in a general way). Whether a customer has copyright or permission on a file or photo is not their call, unless they see something obviously illegal happening.

    This isn't Big Brother, really, it's worse: enforced imitation bureaucracy.

    --
    Raise your children as if you were teaching them to raise your grandchildren, because you are.
    1. Re:The basic problem by Evil+W1zard · · Score: 1

      Do libraries get sued when someone uses their copy equipment to photocopy a book? Not a fan of Wal-Mart but they are not the TSA of the photo industry and shouldn't be responsible for trying to police content.

      --
      News Reporters Make Tasty Polar Bear Treats!
  59. Let the feds enforce copyright law themselves by Anonymous Coward · · Score: 0

    It shouldn't be Walmart's job to police for copyright violations; that's the FBI's job. The real problem here is that government keeps drafting private individuals and companies to work for them as unpaid law enforcement. And I thought there was a constitutional amendment, passed just after the War of Secession, outlawing involuntary servitude...

  60. Another business model hits the dust by danharan · · Score: 1

    So photographers now have to make money off their service rather than their image bank.

    Is anyone here crying them a river?

    If Wal-mart decides to be assholes about this, we could go the legal route (sue them), or make a big fuss at the counter. We could also go to shops that have more reasonnable rules.

    --
    Information: "I want to be anthropomorphized"
  61. My wedding, My photos by Pitr · · Score: 2, Insightful

    Ok, I have a metric assload of problems with this whole concept.

    First and foremost, photographers are paid to take really good pictures, and maybe do some prints. I still think the digital version belongs to the person who's wedding/whatever it is. Yes, the photographer needs to be paid, but he gets paid. And quite well too. What is it, a grand or two for a days work?

    Second, if there are legitimately copywrited photos printed by someone who doesn't own them, it's the person who had them printed who is liable. Not the printer. Otherwise it's like suing maytag because someone washed your dry-clean only sweater.

    It seems legal battles are now just big finger pointing contests, and copyright is about who you can sue. I think the whole process needs a reality check, because the spirit of copyright and other laws has been completely lost.

    --

    --Not to be worried, Pitr fix.
    1. Re:My wedding, My photos by Anonymous Coward · · Score: 0

      First, I work for a pro photographer.

      I agree to a large extent with your maytag comparison. Sort of. The question is, did they know they were copying a pros picture? I don't mean "Hmmm, this looks pretty nice. A pro could have done it" If they knew, then the comparison would be more like a hitman comparison. Paying someone to do the dirty work for you.

      As far as a couple thousand for a days work, that's exagerated, too. One day of work, plus printing, plus processing, etc etc. And, most Photographers don't get a wedding every day or even every week, and we start around 500 dollars, and that includes a small album. Our biggest wedding is $1000. Yeah, 4 a week, that'd be some nice cash.

      For awhile, with weddings anyway, we stopped doing prints. We just gave them a digital CD and they got their prints whereever, and we charged more for shooting fee. Unfortunately, people always cheaped out and either tried to print their own on inkjets, or took them somewhere like walmart --- at which point they complain that the pictures aren't very high quality (of course not, you had them printed at the worst possible place).

      With weddings (not portraits) we don't do much of an enlargement service anymore. Its there, but few use it. They get an album of a specific size depending on how long he shoots, and then all of the pictures that are in the album we just give to them on a CD. If there was a market for enlargements around here, we wouldn't give the digital negatives away. Not when people would all buy the cheapest smallest print, then take their business elsewhere for the enlargements.

  62. Sign a declaration by nuggz · · Score: 1

    Sheesh make eveyone sign a declaration that they have permission from the owner of the copyright to make duplicates of the prints.
    As long as there is no clear watermark or sign that it isn't the customers property they can claim it wasn't willful and they took reasonable means to prevent such a problem.

    Secondly it doesn't need to be any good or even a professional photograph to be illegal to duplicate.
    If you download my vacation photos you'd still be violating copyright to print them out... Even the blurry ones.

    1. Re:Sign a declaration by systemic+chaos · · Score: 1

      Even your blurry vacation photos? oh, in that case I do believe I have a confession to make.

  63. Simple Solution: DNG by v3rb · · Score: 1

    Adobe is proposing a digital negative format: http://www.adobe.com/products/dng/main.html

    Now photo finishers can do the same thing they've always done: if you have the negative, you are authorized.

    I alway shoot in Raw (NEF) which can be converted to DNG. My only concerns is that since there is no encryption on DNG files, can you prevent people from turning JPGs into DNG files?

    1. Re:Simple Solution: DNG by ewhac · · Score: 2, Insightful
      My only concerns is that since there is no encryption on DNG files, can you prevent people from turning JPGs into DNG files?

      Since DNG is just another file format, there's nothing to prevent you from transcoding from JPEG to DNG. However, it should be possible to immediately distinguish between a JPEG->DNG file and a "true" DNG file just by looking at them, because of the DCT artifacts.

      But your larger question is correct: Posession of a DNG file will prove exactly nothing.

      Schwab

  64. Oh, good, then they can program computers. by Eunuch · · Score: 1

    We need more competition?

    --
    Transcend Humanity. Please.
  65. Scanning a copyrighted photo by tepples · · Score: 2, Insightful

    If a person has a CD that has 8 megapixel pictures on it, chances are good that they took them themselves.

    How would they know it's not an unauthorized 8 Mpixel scan of a copyrighted photo? Let's see... (touches buttons on wristwatch calculator) a scan of a 4x6 print at 600 dpi will be about 8 Mpixels.

    1. Re:Scanning a copyrighted photo by AndersOSU · · Score: 1
      touches buttons on wristwatch calculator
      Phew for a moment there I thought I slipped into some kind of alternate universe where slashdot was not ruled by geeks. What with everyone talking about getting married and all...
  66. Watch out, Kodak! by Gilesx · · Score: 1

    I wonder where Kodak stand on all of this.

    Over here we have Kodak photo kiosks - you insert, a variety of different memory sticks, a CD-ROM or even infra red pictures from your cell, and you can do basic editing and print out your pictures - on kodak paper, as if they'd been processed. You can even take home a Kodak Photo-CD of your images!

    I wonder what would stop me upping a bunch of copyrighted material onto a memory stick and then getting prints? Kodak could be in for a STACK of lawsuits if this is upheld.

    (The bigger issue is, when did this copyright paranoia appear? I rememer taking an old cartridge loading point n click camera to an art museum on school trips and photographing tons of copyrighted material - I don't remember being denied processing on all that!)

    --
    Sunday you're Thinking Different, Monday you're a huge tool, paying too much and waiting to think like everyone else.
  67. ...on that same note by RedShoeRider · · Score: 1
    I have a wedding to attend this weekend (Best Man! wOOt!). I'm also pretty handy with a roll of film. In somewhat of a reversal of normal, I'm shooting film and the wedding photographer is shooting digital.

    I made it a point to get in touch with the photographer to ask her if she's mind my shooting at all. She thanked me for contacting her, and basically said that as long as it wasn't one of the carefully composed shots (like the ones after the wedding with the whole wedding party, though that would be a hell of trick because I'm IN the wedding party), she didn't have a problem with me shooting whatever I wanted. Oh, yeah, and asked me keep an eye on her so we didn't screw each other's shots up with the flash (yes, I've had this happen).

    This lesson was learned after a wedding last year, when I showed up with my camera in hand was taking shots of the general goings-on of the wedding. After no more than about 20 minutes of this, the groom politely came up to me ask asked me to put away my camera. Apparently, I pissed off the photographer because I was "stealing" his shots.

    My point in mentioning this: if you're advanced enough of an amateur that you think you might make the real photographer sweat, contact them beforehand. Talk with them. They're professionals, and will (sometimes) act that way, too. I know it has little to do with TFA, but...

    --

    Chris Knight is my hero.

  68. This is Stupid... by Anonymous Coward · · Score: 0

    It's quite simple, photofinishing labs should not print photos they know for a fact the customer does not hold the copyright.

    All other photos should be printed if the customer is willing to sign a statement that they own the copyright or have the permission of the copyright owner to make copies of the photos.

    If the "Professionals" have a problem with the photos being copied, they should go after the customer that commissioned the work and leave the Photofinishing labs alone.

  69. Print at Shutterfly and avoid the local idiots by Anonymous Coward · · Score: 0

    Send it out to the national folks who print more than a million prints a day. Do you think they have time for this sort of rediculousness?

  70. End of an era.. by OreoCookie · · Score: 2, Insightful

    If you can take nice photos, great, but don't expect to get rich doing it. When the technology was new and the expense of equipment and processing was prohibitive then very few people could afford to take nice pictures. With today's digital tools, even a hack like me can get some really nice shots. When you take 1000 digital pictures at zero cost then the law of averages means you'll get a few good ones, and even the not so good ones can be post processed to make acceptable prints.

    1. Re:End of an era.. by babyrat · · Score: 1

      Only for things that don't move while you take those 1000 pictures.

      Ever see those pictures of a fullback diving over the goal line? You only get a second or so to make that shot - you have to make it count.

      Try this - go find a critter (squirrel, bird etc.) and decide to take it's picture. Get a good one. It's quite a different story to get a good picture when you need it, vs getting 1000 pictures and picking the best 10.

    2. Re:End of an era.. by OreoCookie · · Score: 1

      You only get a second or so to make that shot - you have to make it count.

      A Canon EOS1 can take 4 frames a second for 8 seconds. Bring on the squirrels. :)

  71. "No professional cameras allowed" by erroneus · · Score: 2, Interesting

    I know this is not exactly on topic, but I have attended events where cameras were permitted but not "professional" cameras. I've got an Olympus C-730. Not a "cheap" camera, but not what I'd call professional either. In any case, I have had to talk people into allowing me to bring my camera. Ridiculous.

    Okay, so technology in the hands of the average/casual user is getting better and better. The results from these devices are better and better. That's what people want. Now we can't use them for fear of being sued? It's getting ridiculous.

    I haven't run into that problem yet but then again, I don't see the point in getting pictures printed anyway... and if I did, it would give me the perfect reason to go out and buy me that awesome dyesub printer or really nice color laser printer. (Inkjet just sucks and as often as I print color things, I'm lucky to get a few pages printed before the ink goes bad.)

    I recall a run-in I had with a wedding photographer... he did everything he could to get in my way. Those attitudes are definitely out of control as well. It was good to read that these professionals are gradually shifting to getting paid by the time spent taking the pictures rather than by the print.

    And finally, this "PPA" group? I think they need an extra "A" in there to be the PPAA. Then it'd fit in nicely with all the other **AA groups that we can collectively hate for stifling our freedoms.

    1. Re:"No professional cameras allowed" by metaomni · · Score: 1
      I ran into this exact problem at a concert in Boston. I own a Panasonic Lumix FZ-15. It has a 12x optical zoom, and that makes for a pretty decent sized lens element (but it's NOT an SLR).

      I was stopped no less than 5 times by band reps and bouncers, and even pulled out of the crowd to explain my camera. "Regular" cameras were allowed, but not SLR's.

      Needless to say, it annoyed me to no end.

    2. Re:"No professional cameras allowed" by Jherek+Carnelian · · Score: 1

      Then it'd fit in nicely with all the other **AA groups that we can collectively hate for stifling our freedoms.

      Collectively known as the "Ass.'s of America."

    3. Re:"No professional cameras allowed" by Daytona955i · · Score: 1

      I recall a run-in I had with a wedding photographer... he did everything he could to get in my way. Those attitudes are definitely out of control as well. It was good to read that these professionals are gradually shifting to getting paid by the time spent taking the pictures rather than by the print.

      I have to say it all depends on the photographer. I've had some run ins as well but most good photographers will try and stay out of your way if you look like you even remotely know what you are doing. In fact the photographer for my wedding would setup the shot, take a few and then let anyone who wanted to take some pictures. Aside from the main photographer, I also had two other relatives, one a professional photographer who doesn't normally do weddings and another super ameture who just likes to take lots of pictures. We asked if he minded them and he said not at all. There were a few times he asked them to move (mostly the ameture uncle) and there were no hardships or hurt feelings or anything between any of them. So be sure to shop well for your photographer!

    4. Re:"No professional cameras allowed" by CharlieHedlin · · Score: 1

      I have a (now aging) prosumer digital camera and have been asked to take pictures at friends weddings, but in addition to the hired professional. I was working for free, the professional wasn't, so I stayed out of the professional's way. My thoughts were that the bride and groom weren't paying the professional to wait for others to get out of her way. I lost one really good shot as a result. We were on a boat and wanted to get sunset pictures, and the boat turned before I got my chance.

    5. Re:"No professional cameras allowed" by Anonymous Coward · · Score: 0

      Just a bit about your PPA comment -

      The difference between the PPA and the RIAA/MPAA is that the PPA is NOT trying to shove DRM down your throat. In fact, the PPA just had a hand in advising regarding legislation that would allow duplication of "orphaned" copyrighted works, those for which the original photographer cannot be located after a reasonable search.

      The PPA is an association of and for photographers that has an interest not only in photographers, but consumers as well. Go learn something from www.ppa.org before you accuse the PPA of stifling freedoms as the RIAA/MPAA are attempting with their demonstrated lack of concern for the consumer.

  72. Make your own copyright release form by loggia · · Score: 2, Insightful

    You have to remember: these rules like so many exist to somehow make people feel like the problem is being addressed without actually addressing it.

    The employees have been told they need a copyright release form, but obviously wouldn't know a legitimate release from their own ass.

    If they're your photos, find out what a copyright release form looks like, make one and sign it. Make sure it is signed and printed with a different name from your own as that is probably the spectacularly brilliant method of determining legitimacy. So make up a pseudonym for your photo work and make your own release form.

    Remember - these are your photos, you are doing nothing wrong. You are just giving retail employees what they want.

  73. Just lie, people... by pla · · Score: 1

    I fail to see the problem, here...

    Print yourself out a release form before going, sign it (might want to make up a name different than your own, in case you get a (rare) particularly observant salesdrone), and if the "Associate" gives you even the slightest hassle, whip out said form.

    I don't like lying, either, but the war against fair use claimed "personal integrity" as one of its first victims. If filing meaningless paperwork in triplicate will get the job done, they can have a ball filling their filing cabinets with fiction.

  74. Professional photogs obsolete by Bob3141592 · · Score: 1

    Has anyone considered if the technolohy hasn't made professional wedding photographers obsolete? Wouldn't be the first time advances in technology made a privilidged class of craftsmen superfluous. This is like saying blacksmiths making horseshoes could have kept auto mechanics out of business.

    If WalMart refuses to accept your personally made photos because they believe they are too good for you to have actually taken them, then they are accusing you of theft. Threaten to sue them for libel. Maybe that will get them to reconsider their fascist ways.

    --
    In theory, there's no difference between theory and practice. In practice, there is.
    1. Re:Professional photogs obsolete by Anonymous Coward · · Score: 0

      It hasn't.

      I dare you to compare images from a Pro wedding photographer (a good one, mind you) to an amateur.

      What amateur knows fill flash techniques, good composition, etc etc.

      Maybe I biased because my father-in-law is a pro photographer (although he does not do weddings), but his friends who shot our wedding sure did some amazing stuff.

    2. Re:Professional photogs obsolete by Daytona955i · · Score: 1

      What amateur knows fill flash techniques, good composition, etc etc.

      Quite a few actually. By no means do I consider myself a professional but I took a few courses in college and have done quite a bit of shooting and spend countless hours in a darkroom. To some people photography is a great hobby and I think photoshop and digital cameras have taken some fun out of being in the darkroom, I also think it has made it more widely available to the ameture. For instance, I really don't have the room for a darkroom in my house. (I used the one at school) However, nothing is stopping me from using photoshop and my digital camera and then sending them out to get prints made, or even print smaller things (like contact sheets) out on my own printer.

      Of course while I feel that my pictures are good, I wouldn't say they are great, but then I know a few "professional" photographers whos work isn't all that great. Of course there are quite a few photographers whos photos look much better than mine. (Including the photographer who did my wedding who did medium format, 35mm and digital)

  75. Whats next Kinkos? by Spacepup · · Score: 1

    Next week we are probably going to hear that kinkos wont make copies of term papers, thesis or dissertations because the people aren't professional writers.

    Honestly this is about the stupidest thing I've ever heard. What makes a photographer a photographer? Their camera. What makes them a professional? The fact that people pay them.

    I would expect these photo counters to get sued for not printing the amature photographers pictures due to the discriminatory nature of this practice. Afterall who are they to say who is a professional and who isn't?

  76. Steganography is overkill by jfengel · · Score: 1

    Rather than steganography, just embed a copyright in the relevant part of the file itself. I know that GIF has a place for that; I assume JPEG does.

    When the Wal-Mart clerk checks the files, they should say, "This belongs to So-and-So; check ID". If the customer is savvy enough to work around that, it really is the customer's fault, not Wal-Mart's. Deliberate fraud by the customer is a whole new category.

    It does seem ludicrous that a $5.25 an hour clerk is asked to make artistic judgments, but then, we regularly expect clerks to be handwriting analysis experts who check signatures on credit cards and checks. That's weird, and probably accounts for far more fraud than printing copyrighted photos.

    1. Re:Steganography is overkill by halfelven · · Score: 1

      (mod parent up)

      Very good idea, it might actually work.

  77. Digital pix are cheap by rahlquist · · Score: 1

    A thousand monkeys, typing on a thousand typewriters will eventually type the entire works of William Shakespeare. As such most of us arent frugal with our flash memory, we take tons of pictures and as such we are occasionally going to produce an Ansel Adams quality pic. This copyright crap has got to end soon.

    --
    Sick of stupidity? http://www.patentlystupid.com
  78. Litmus for portraiture by Colol · · Score: 1

    At the big boxes (Wal-Mart and drug stores) I've dealt with, the (or at least one) litmus test for portraiture is simple: does the background resemble background paper? If yes, they'll refuse it. A Walgreens employee told me this outright when refusing to print something of mine I wanted a quick copy of.

    Nevermind the fact anyone can go buy a roll of seamless background paper for $30 or that many portrait photographers also do outdoor poses.

    Then again, given the "quality" of some "professional" portrait photographers' work (I just got a flyer in the mail from one yesterday... yikes!), I suppose they can't really judge based on the quality of the image itself.

  79. What this needs is a good, old-fashioned, contract by urlgrey · · Score: 2, Interesting
    No, really, I'm not joking.

    All this can be avoided with these three sentences:

    By using our processing service, you agree that all photographs are images being processed and/or printed are your own or that you have all legal rights to process and/or print the images.

    If you are not certain you do, you may be held legally liable for fines up to $100,000 for copyright infringement.

    By using our services you agree to be bound by these terms and to assume all risk.

    DONE! That's it. DONE. But instead bureaucracy gets in the way of good judgement. Again.
    --
    Running 'Nix is like owning a Lightsaber. It's "a more elegant weapon for a more civilized time."
  80. Oh, the stupidity. by mindstrm · · Score: 1

    The printer should not be liable for copyright infringement unless they knew or should have known that the work was under copyright.

    Having the client sign a paper stating that they have the right to reproduce the product in question should be enough.

    This is just absurd.

  81. Re:sheesh... my spelling typos get worser and wors by Anonymous Coward · · Score: 0

    Grammar.

  82. Solution to this very problem by Giant+Killer · · Score: 3, Informative

    My brother-in-law had this very problem recently at Costco. After arguing with the person, he eventually had to fill out all sorts of silly paperwork to get them to let him print his own damn work. Just because he's got a good eye and a decent camera (Digital Rebel rocks with the kit lens, folks) they told him the images must have been done by a professional. A compliment of sorts, but quite an annoying one.

    Like others have said, PRINT ONLINE. There are some great services out there, and if you know exactly what you're looking for you can get a good deal. My favorite for amateur photos is currently Mpix.com. They have a great turnaround time, but more importantly, they have metallic paper. If any of you have noticed those crazy cool silver gelatin prints in museums, this gives that same sort of effect. Looks great for black and whites, but especially amazing with reds, blues, and yellows. They also have this cool continuous tone black and white paper (regular digital prints won't give this). Their prices are good, too.

    If you're looking to do real work somewhere in the semi-pro realm, there's really only one choice: White House Custom Color. This place is for real. You don't just open up an account and upload photos. This place has you fill out a client questionnaire and then they send you samples of their stuff. The coolest thing they have, which I've not seen anywhere else, is linen textured paper (you'll have to read through one of the PDF's).

    If you need something local and same day, Walgreens is great. They almost always have some sort of a special each week, and I ended up paying $.19 for each 4x6 the last time I was there. The color might not be spot on, but it is same day service. Shipping and tax end up balancing out in the end. Not bad at all.

    1. Re:Solution to this very problem by Kiryat+Malachi · · Score: 1

      Digital Rebel rocks with the kit lens, folks

      No, it really doesn't. The kit lens on the original D-Rebel is just not a good lens. It's a good camera (even though I shoot Nikon, the Rebel's a decent piece of hardware) but the kit lens they sold with the original D-Rebel (did they update it for the new one? I didn't think they did...) was kinda crappy.

      Nice links, though. Color service bureaus are always the best places to get real work done.

      --

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      Mod me down, you fucking twits. Go ahead. I dare you.
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    2. Re:Solution to this very problem by graphicartist82 · · Score: 1


      If you want to get professional, there's the parent company to MPIX: Millers Professional Imaging . Now, you have to jump through certain hoops like submitting your work to them so that they can see if it's good enough to be printed there, but it's still the best service out there if you can afford them.

    3. Re:Solution to this very problem by Daytona955i · · Score: 1

      I have to agree with you on the kit lense. I've seen a lot of good pics taken with the D-Rebel but they all had a different lense.

      The Nikon D-70 on the other hand has an amazing kit lense. We could of course go back and forth over which is better but I think the bodies are pretty comparable, just depends on if you are a Nikon or a Cannon fan. My uncle was tempted to buy the D70 just to get the kit lense because that was the only way you could get it. (Not sure if that is still true)

      In fact I almost got the D-Rebel except I already had an investment in Nikon lenses and I didn't really want to replace them all. Then the D70 came out and I couldn't be happier. Of course I find I use the kit lense most of the time.

    4. Re:Solution to this very problem by Kiryat+Malachi · · Score: 2

      I have a lot of respect for both the D-70 and D-Rebel as the cheapest way to get into real photography. Both are very, very good bodies; the difference, as far as I can see, is that the Nikon kit lens is (as you said) quite, quite good, and the Canon's... isn't. Canon L-glass is good, and Nikkors are generally good, but kit vs. kit, Nikon comes out clearly ahead.

      I think my favorite lens for my D-70 is the Nikon 50/1.8, and it's probably my most used lens (although I've been giving the Tokina 12-24 I bought a workout lately). I picked the Nikon 50/1.8 AF-D up for $100, new in box. If you don't have one, it's a cheap investment and well worth it.

      (For the record, lens. No e.)

      --

      ---
      Mod me down, you fucking twits. Go ahead. I dare you.
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    5. Re:Solution to this very problem by oboeaaron · · Score: 1
      those crazy cool silver gelatin prints in museums

      "Silver gelatin" is just hifalutin art-crowd speak for ordinary black-and-white paper, the kind Kodak announced yesterday that they will no longer be manufacturing. It does not imply any kind of "silvery" mirror-reflectance quality in the paper.

      --
      Journey onward.
    6. Re:Solution to this very problem by Buran · · Score: 1

      (For the record, lens. No e.)

      Thank you! I can't stand that. They even spell it with an E over on the photo forums I frequent.

      I also have a D70, though I sold the kit lens to a friend when I picked up the 24-120 VR. I've debated getting that 50, but I haven't -- I want the 80-400 VR for airshow photography first, and I gotta save up for that (and some other stuff too). I'd love the 200-400 AF-S, but the price induces heart attacks. I'm an advanced amateur, not a pro...

      Put AF-S and VR on the 70-300 and make it teleconverter-compatible and I'm all set!

    7. Re:Solution to this very problem by Registered+Coward+v2 · · Score: 1

      I have a lot of respect for both the D-70 and D-Rebel as the cheapest way to get into real photography. Both are very, very good bodies; the difference, as far as I can see, is that the Nikon kit lens is (as you said) quite, quite good, and the Canon's... isn't. Canon L-glass is good, and Nikkors are generally good, but kit vs. kit, Nikon comes out clearly ahead.

      What I like about both of them is they have reintroduced the joy of photography to those of us who used to shot a lot of 35mm but eventually ran out of the time to process / print or moved somewhere that didn't have a nearby rental lab. What used to take hours in the darkroom (and often multiple prints ) can be done in PS / PSE.

      Canon's kit lens is pretty poor in comparison to other lens - but it did get them under the magical $1000US price point; and for someone starting out or moving from a regular Rebel it is quite satisfactory. Why they bundle it with the 20D, OTOH, is confusing. Anyone that pays $1400 for a body ought to be able to spend teh extra couple a hundred for better glass.

      While point and shots are great and have a place in the photog world; you don't realize what your missing until you try a dSLR - no shutter lag, real depth of field, wide array of lens...

      For me the deciding factor is what you already own - no reason to junk perfectly good Nikon (Canon) gear to get the other system's body and start buying new lens. In fact, Nikon has a slight edge there because the digitals will use all (or almots ) all of the older lens with a Nikon mount (tehy mount and work, but some features may not work with teh newer electronics in a digital body); Canon went from the FD to the FE and now digital only mount so plder lens no longer fit (unless you buy an adapter).

      I think my favorite lens for my D-70 is the Nikon 50/1.8, and it's probably my most used lens (although I've been giving the Tokina 12-24 I bought a workout lately). I picked the Nikon 50/1.8 AF-D up for $100, new in box. If you don't have one, it's a cheap investment and well worth it.

      Canon's 55/1.8 is also a steal - cheaply built (plastic including the lens mount) but cheap (70$ by mail) with great glass.

      --
      I'm a consultant - I convert gibberish into cash-flow.
    8. Re:Solution to this very problem by Kiryat+Malachi · · Score: 1

      Seriously, spend the hundred bucks on the 50/1.8 You will *not* regret it, and it's a hundred bucks, barely a scratch on the cash for that 80-400.

      --

      ---
      Mod me down, you fucking twits. Go ahead. I dare you.
      (I read with sigs off.)
    9. Re:Solution to this very problem by Anonymous Coward · · Score: 0

      i second that. i just picked one up so i didn't have to carry my heavy 60mm f/2.8 micro-nikkor around everywhere (which i love, it's just too heavy for all the time use). with the field of view crop, the difference between the two becomes 75mm to 90mm, which is just slightly wider to make a real difference in shots. it's fast, very very sharp, extremely light, and cheap. only real problem i have with it is it has a lot of ghosting..

    10. Re:Solution to this very problem by Kiryat+Malachi · · Score: 1

      I see some of the ghosting, but mostly only with it wide-wide open and a light source in picture. If you're stopped down, or the light source is out of frame, I don't see it as much.

      Still. Best value/money of any lens I own.

      --

      ---
      Mod me down, you fucking twits. Go ahead. I dare you.
      (I read with sigs off.)
  83. Watermarking by Antony-Kyre · · Score: 1

    Isn't it possible to watermark one's digital picture with something to show copyright ownership? Or is this type of idea flawed?

    1. Re:Watermarking by Stonehand · · Score: 2, Interesting

      To a degree, yes (to a degree only; there are a number of ways to remove watermarks in a digital image, unless it's something very obvious such as a huge, clearly legible copyright notice running on the diagonal of the image. You could, for instance, print and re-scan, or convert the image through multiple formats including additional lossy compression, clone areas of the image, or so forth.)

      The bigger problem is that while the existence of a detectable watermark would indicate that somebody probably cares about his copyright, the lack of a detectable watermark does not indicate the reverse.

      Still, it's an annoying policy. If I were going to have pictures printed in a brick-and-mortar joint, it'd be tempting to haul my gear (camera body, multiple lenses, tripod, flashes, etc -- nontrivial stuff, really) and lay it out on the counter if they question whether I might have taken the shots. Then, set up the tripod or alternately the hefty hot-shoe flash and start shooting customers and the store staff. *shrug* It'd probably be a good way to get kicked out of the store, but it might be amusing in the meantime.

      --
      Only the dead have seen the end of war.
    2. Re:Watermarking by mikael · · Score: 1

      Do a google search on steganography.

      --
      Vintage computer adverts: http://www.vintageadbrowser.com/computers-and-software-ads
  84. first had experience by alex_guy_CA · · Score: 2, Interesting
    As a photographer with a digital work flow, I have to deal with this all of the time. I send all of my wedding clients a proof CD with screen resolution images. The cd even has a copyright notice, and the contract has my ownership of the images in the terms and conditions, and I still get upset clients calling and saying "I took the images (again, these are the screen resolution proofs) you sent me to the lab and the prints look horrible, wah wah wah."

    I have flirted with watermarking the images with a copyright notice, but I think it looks bad.

    I've kind of just come to expect this as a part of doing business, with the resigned idea that people who want quality will pay for the quality prints from me, but I can't say I'm happy with that as a solution.

    I'd love to hear what others are doing if your out there.

    1. Re:first had experience by Anonymous Coward · · Score: 0

      Stop beeing a dinosaur and start charging for your work, not your prints.

  85. It's all about the rights :) by BrianJacksonPhoto · · Score: 2, Interesting

    I'm glad that the big box store photo labs question certain photos.

    A while back, I needed some quick proofs of a portrait shoot I had done for a client. Went to the local Walgreens for the 1 hour prints. They said "these look professional, we can't print them". I said "Thank you, they are". Then handed them by business card, business license and sales tax resellers permit. No problems, they know me now.

    I often use Costco for quick 12x18 and 11x14 display prints for events we're about to do with http://www.actionathletics.com/. They're cheaper than my pro lab, faster and the quality is pretty good, not as good, but good enough. They did question me at first, but I showed them the docs and luckily I have a business account there as well.

    As far as wedding photographers giving up copyrights... You're way off base here. If I'm doing an editorial shoot and the client wants copyright transfer, they're paying 10X my normal price.

    Protecting copyright is not "old-school" thinking. We live in an IP intense age. The US doesn't produce widgets anymore, it's all intellectual property. There's nothing wrong with protecting your rights, in fact you're a moron NOT to. Apply the same logic to programming and see if you have the same response.

    You can still get the "digital negatives" from a shoot. The photographer can license you the right to make prints from those images. You cannot sell them, you cannot publish them, but you can make as many prints as you would like. What's wrong with that?

    Going back to the programming example. Say I need you to write an accounting app. You're an independent(not my employee). You write the code, I pay you $XXX. Do I have the right to turn around and claim that it's mine? Depends on the contract. By default, you own the rights to everything you produce unless you explicitly grant those rights to someone or you're an employee. Same thing with photography. It's all about the rights :)

    1. Re:It's all about the rights :) by noidentity · · Score: 1

      Protecting copyright is not "old-school" thinking. We live in an IP intense age. The US doesn't produce widgets anymore, it's all intellectual property. There's nothing wrong with protecting your rights, in fact you're a moron NOT to. Apply the same logic to programming and see if you have the same response.

      How about charging for your services? Or maybe that's what you meant, that you offer a 90% discount if one simply wants to buy a copy of the prints rather than buy your services and thus get the copyright to the product.

  86. Easy solution... by Anonymous Coward · · Score: 0

    Pass another stupid law that says the bridge & groom always *always* own the copyright regardless of circumstance.

    Photographers will adjust. F*ck them if they don't.

    Oh, and I called it stupid, because copyright law is becoming increasingly stupid and should be ignored when its stupid. Which means most of them time these days.

  87. Take your business elsewhere by Adammil2000 · · Score: 1

    There may be a nice small business near you with owners who would love to earn your business and offer potentially comparable prices. Walmart is the king of cheap, so expect to pay higher prices elsewhere, occasionally. However, when cheap no longer works for you, guess what the next step is?

  88. Re:sheesh... my spelling typos get worser and wors by Enigma_Man · · Score: 1

    And spelling too, time to hire another proof-reader to correct the grammar.

    -Jesse

    --
    Nothing says "unprofessional job" like wrinkles in your duct tape.
  89. Pro Photographers suck by CableModemSniper · · Score: 1

    They are suing the wrong people (Wal-Mart). Tell them to sue the jerks who decided to go to Wal-Mart and reproduce their photos. This way Wal-Mart can reproduce whatever, and the people who deserve to get in trouble, get in trouble. If I go to a library and photocopy a whole book, teh publisher doesn't sue the library do they? They (should) sue me.

    --
    Why not fork?
  90. Digital Negative? by djvern · · Score: 1

    The irony is, consumer printing services, like WalMart, dont process camera RAW files. I took a handfull of NEF files on a CF card to Walmart and the machine wouldn't recognize them.

  91. Who would use wal-mart? by Anonymous Coward · · Score: 0

    Wal-Mart has the worst prints of any of
    the mass-market photo printers that I have
    tried. The Kodak kiosks they have are
    good, and don't have a person filtering
    them. Or go to CVS... not only are they
    much better quality than wal-mart, but they
    accept web submissions.

  92. why not print online? by Anonymous Coward · · Score: 0

    who cares about ANY of this? why not just send your digital photos to an online printing service?

  93. Ways around this (photogs) by Axel2001 · · Score: 1

    In college, I used to work at a photofinishing store, and we constantly had people coming in to get their wedding photos printed. We couldn't print them unless they had a copyright release signed by the photographer. In that case, the responsibilty to not infringe copyright was entirely with the customer. Are there problems with this? Most probably, but I can't recall it being actually challenged. ... And if you go to a decent lab, one that deals with pros and advanced amateurs all the time, you'll not have this issue. Personally, I would find the "that looks too good to be something you produced" attitude to be insulting. I'm a semi-pro. If I photograph a person or event for someone and they pay me for it, I will generally give them the option to purchase the originals for a price and print as many as they like, or for me to have them printed to my specs for a price per photo.

  94. I work in a Wal-Mart photo lab. by apathyruiner · · Score: 5, Interesting

    We have plenty of pro photographers use our services for both proofs and a few for their final products. Others just get us to make a CD from their film. We also have a number of amateurs that use us. (and for those of you snickering at the idea of pros using Wally World, we have Fuji Frontiers, look them up, and I at least know how to use it)
    All I have to do to determine the authenticity is have a look at their source. After a little practice you can determine most scanned images from an original digital file. There's also EXIF in the originals. Most pros and amateurs just bring in their CF card and most of the happy snappy crowd doesn't know how to use a card reader. And if you are a pro and give your customers non-watermarked hi-res CDs I take that to mean you give them full release. Many photographers do just that.

    Sorry for the rather disjointed comment, I'm home on lunch and time is limited! ;)

    If you're in Taylors SC and need inexpensive quality prints, just come see William. :)

    --
    -= I can't think of anything witty, creative, or insightful for my sig, so deal with this. =-
    1. Re:I work in a Wal-Mart photo lab. by Jherek+Carnelian · · Score: 2, Funny

      we have Fuji Frontiers, look them up, and I at least know how to use it

      You and about two other walmart employes in the entire country.

    2. Re:I work in a Wal-Mart photo lab. by apathyruiner · · Score: 1

      Well.. true. :) The biggest problem is the fact that we have the dumbed down software for walmart, so we can't do the really cool stuff. They just keep taking more away, I used to be able to print "(c) Photographer" on the back of prints... Wal-Mart actually wants to discourage "custom" printing it seems, I've lost customers because of it.

      --
      -= I can't think of anything witty, creative, or insightful for my sig, so deal with this. =-
  95. Not really a problem. by cqpalzm · · Score: 1

    Keep in mind this is the same WalMart that you can time and time again walk into with old VHS tapes (as long as the box looks okay) and say "I bought this as a gift for someone, and they already had it, can I get store credit for the return?" and will be met with smiles and money every time. I have little doubt that the stoned kid at the photo desk is going to remember yesterday, let alone a new rule saying "watch out for good photos."

  96. No, digital is killing WANNA-BE Professionals by WidescreenFreak · · Score: 1, Insightful

    Sorry, but I can't disagree more. Genuine professional photographers do far, far, FAR more than point-and-click. True professionals will take lighting, position, angle, lens type, white balance, and a number of other factors into account before ever looking through the view finder. These are the professionals who look at the meaning behind the image that they're about to take and find out the best way to make that meaning come through the image.

    The only people that will be killed because of digital as you suggest are the wanna-be professionals who look at photography more as a hobby that can make money because the customers can (or won't) do it themselves. The people with a real eye for photography will be just fine. Yes, Photoshop is good, but I don't think that any graphical package will ever be able to make up for true talent.

    --
    The Overrated mod is for reversing inappropriate, positive mods, not for voicing disagreement with a post.
    1. Re:No, digital is killing WANNA-BE Professionals by Anonymous Coward · · Score: 0

      His point is, Photoshop can correct mistakes and the cameras are able to do more and more with time.

      Its like a computer, easier to program and easier to maintain (arguable but still nonetheless).

      Printing photographs onto Tshirts, once a screen printing domain of professionals, now anybody can do that too.

      Printing photographs period, used to be professionals or those with darkrooms, now anybody can do it in minuits at home or on the move with Digital and Dye Sub printers.

    2. Re:No, digital is killing WANNA-BE Professionals by Kiryat+Malachi · · Score: 1

      Screen printing was never the process used to put a photo onto a t-shirt. It's incredibly hard to get tight enough registration to do process color printing with screens.

      You're thinking offset printing.

      --

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      Mod me down, you fucking twits. Go ahead. I dare you.
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  97. Self Righteous Walmart by fm6 · · Score: 1
    Walmart's biggest problem seems to be that they can never admit to a mistake. Most companies, when an employee's misdeeds gets them sued, they say, "Gee, there must be something wrong with our training or policies." That would never occur to anybody at Walmart. Instead they say, "Those damn professional photographers are lawsuit hounds! They can just go somewhere else!"

    All big-box stores have ethical issues -- it's the nature of the business. But Walmart seems just incapable of admitting it, no matter how blatently they're caught with their pants down. They spend a small fortune on TV commercials trying to convince people that they're good citizens -- with little effect. It would be a lot more productive to put that money into improving their labor practices. I mean, all those Walmart employees on food stamps, and going to emergency rooms because they can't afford health insurance is really bad for their image. But that would mean admiting another ethical failure. Never!

    1. Re:Self Righteous Walmart by benzapp · · Score: 1

      The problem with Walmart is they are governed by the law of supply and demand. There is huge demand for having a job at Walmart, but only because there are few jobs now for the huge numbers of intellectually inferior people who now exist. We once had factories and a limited social safety net to give these people something useful to do with their lives, as well as prevent excessive reproduction of such persons.

      Walmart simply fills a void, where the inverse relationship between reproductive rate and intelligence has created a society where humans are de-evolving into barbaric beasts incapable of a civilized existence.

      --
      I don't read or respond to AC posts
    2. Re:Self Righteous Walmart by fm6 · · Score: 1

      You're one to talk about "intellectual inferiors" with your boilerplate Libertarianism and Social Darwinism. Especially when it isn't even relevent to what I was saying! I wasn't talking about Walmart's socioeconomic role, I was talking about their self-righteous stupidity in playing it!

  98. Buy a damn photo-printer... by techstar25 · · Score: 1

    You can buy a photo quality printer for $50, and print your own all day. If you need to copy from hardcopy, get a photo scanner for $50. Problem solved.

    1. Re:Buy a damn photo-printer... by MTO_B. · · Score: 1

      Yeah, right, exactly....

      "But what will you be printing with this printer? If you want photo quality prints I am afraid we cant sell the printer to you... you might print copyrighted material."

  99. Use your SOCIAL skills people! by jacobcaz · · Score: 1
    If you're a serious amateur (why are you printing at Wal*?) then you get to know the kids who work the photo counter. Bring in some samples of your work and chat them up.

    If they know you're a serious amateur and they know you they will be happy to print your work. Get to know the people on other shifts too and you'll have no problems. It's just a simple matter of being a little outgoing and starting the conversation while you fill out your order form.

    Or check out Mpix - they're all I use anymore. You can read why on my web site, here.

    Now get out there and use your social skills and get your pictures printed!

  100. Who needs a print lab anyway? by cryptomancer · · Score: 1

    With those photo-paper printers now, DIY. I mean, if you're a "serious amateur" and have a 8MP camera, get a good printer to go with it. The old analogy would have been that you developed film yourself, too.

    --
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  101. Re:What this needs is a good, old-fashioned, contr by Peyna · · Score: 1

    There are some liabilities that you can't disclaim. It also gets a little fuzzy when you're dealing with liability toward a third party that is not a party to the contract.

    --
    What?
  102. It's your choice... by Shadowell · · Score: 2, Interesting

    Being a serious ameture/semi professional photographer and photography student, I tend to be above average on the picture taking side. Of the many Walmarts within a short drive of my location, there is one that generally refused to release my work to me, even when provided with a copyright release for printing. Simple solution, I don't go there anymore.

    Why would a person want to print at Walmart? Simple, convienient, quick turnaround on the cheap.

    There are many times that I've done an assignment where I need to provide 4x6 prints for review in class, and Walmart is good enough for that usually. If I need quality, I go elsewhere.

    Simply buying a photo printer is not always good enough. Yes, they are incredible compared to what could be done just a few years ago, but they still lack the perminance that a lab print has.

    And yes, there are many photographers that will not release the negatives or copyright to a client, which is done simply to try to get more money from the shoot at a later date.

    Copyright law gives copyright to the photographer automatically unless there is a contract making it a work for hire, or stating otherwise. I do not see a problem with that, as the photographer IS the artist that is producing the work. If I have a client that wants the negatives, I allow that, but I charge for it. When it comes to wedding work, my most common contract allows the client to reproduce the work, be it at Walmart or where ever, and comes with a copyright release to that effect. I however still retain copyright and just grant use to the client. There's nothing wrong with that, allows them to make copies whereever they want, if they want, but still allows me to use the work for my portfolio, etc. And yes, I charge more for that than I would if I retain all copyright rights.

    The funny thing, is that most of them still come back to me for reprints. Mainly because the quality I can give them is beyond when Walmart can produce. Yes, if they really wanted to they could do their homework and have them printed at the same pro-lab I use, and get the same results I would give them. But they usually don't do that.

    Traditionally photographers for weddings have retained all copyright, requiring the client to come back to them for reprints. That is a business model that is dying, but still very much alive. If you don't like it, go to a photographer that gives you the option. There is NOTHING that requires you to use a photographer that won't release copyright in any way. It's your choice.

    But don't bitch if a photographer that will release copyright wants more money than the one that won't, that's the whole reason they charge less, they expect to make more money later off the client.

    As to getting Walmart to print an individuals good quality work, be it ameteur or professional, either have a copyright release handy (you can snag 'em from that newfangled thing called the internet for nothing after all), or DON'T GO TO WALMART. One of the reasones the small photo shop is going under is because of places like Walmart. If you want to be treated nicely, try a smaller shop, you might be suprised that they actually listen to you when you say it's your shot...

  103. Paranoia as a reaction? by smurfsurf · · Score: 1

    Now this is something new to the US...

  104. frivolous suits by halfelven · · Score: 1

    Frivolous suits should be a crime and the punishment should be the death penalty.

  105. Nnnnnnope! by jpellino · · Score: 2, Insightful

    A few months ago, the local Staples - their self-serve machines were all down - refused to copy a *tele-facsimile* of a *copy* of a property record of my house from our local town hall. "It's a legal document. We can't copy it." I had them produce their printed rules on this. While lots of other things were mentioned, "legal documents" were not blanket excluded. They still refused. Ditto the manager, and it was leave or they would call the police.

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
    1. Re:Nnnnnnope! by rubycodez · · Score: 1

      $65 for a USB scanner & inkjet printer and you'll be set to copy anything anytime to your hearts content.

    2. Re:Nnnnnnope! by yellowbkpk · · Score: 2, Informative

      Add a hundred bucks and you can do laser. Much better for longer-run Black and White copies. :)

    3. Re:Nnnnnnope! by eobiont · · Score: 1

      Now, I don't know you at all, but if you are getting in arguments with Staples clerks that escalate into, "Leave or we'll call the police." You must be a "major league asshole". Are you a physician?

    4. Re:Nnnnnnope! by Przepla · · Score: 1

      That is just another reason to not to live in the USA. In Poland it is illegal to unreasonable refuse service to a customer -- one can get fined for that. So, in your case, in Poland, proper answer should be: "Go, ahead, call the police!"

      --
      When in doubt, go to the library. - Ron Weasley in Harry Potter and the Chamber of Secrets
    5. Re:Nnnnnnope! by rejecting · · Score: 1

      I feel the same thing, but I'm on the other end. I get peoples irrational fears of "IDENTITY THEFT" everyday as i am a financial aid advisor at a university. The Media really has but the willys into the masses about giving anyone anything that has (god forbid) a social security number on it..or something of that sort. The contradiction however is that with only their name i have a tax history, grades, ssn's dependants ETC ETC. I even in MOST cases have access to electronicly scanned documents including: Lease Agreements, 1040 filings and many many more. Once, I tried to talk sense into someone who wasn't going to submit the required documentation so that i could help him. I pulled up his Tax filings and said something to the effect of, "What is on your lease agreement, that is any more sensative than what we allready have." He flipped. He went to my supervisior, and whined that we shouldn't have this information etc etc. We told him to go screw himself, and say goodbye to his aid unless he could be reasonable. Staples is reacting to the PEOPLE, who freak out. I'm sure they don't mind making money.

    6. Re:Nnnnnnope! by hazee · · Score: 1

      Unless you're using Photoshop. It's well known that the lastest versions already refuse to deal with images of money, but who knows what else might cause them to seize up - it's not impossible that they could also keep a look for hidden watermarks in other stuff too. How long before there's an embeddable "copyright" watermark that stops your imaging software in its tracks?

    7. Re:Nnnnnnope! by Thomas+Shaddack · · Score: 1
      How long before there's an embeddable "copyright" watermark that stops your imaging software in its tracks?

      Few years.

      Then a full war escalates. There are many ways around this - open-source graphics software, various hacks confusing the closed-source software or directly tweaking its code. Then the protection code moves into drivers. People switch to less restrictive hardware vendors. Then it gets mandated by law to have it in the drivers. Hacked illegal versions of drivers start appearing like mushrooms after a warm rain - both for the scanners and the printers, together with the effective equivalents of shift-key and felt-tip marker hacks common in the world of restricted music today.

      Then the copyright infringement gets the same handling as drugs, together with armed raids and assets forfeiture plus some more stuff the Patriot Act is really for, and things will become really messy. With the difference that a xeroxed photograph can not be detected by a piss test, huge disk space suitable for unpacked high-quality home DV movies suitable as excellent steganography containers, and all other necessary elements of hightech war between the Laws and the Citizens.

      Meanwhile the lawsuits and jails swallowing the best minds of the nation will effectively freeze a good deal of civilian innovation in the North America, and perhaps in the EU, backed by the soundtrack of laughs and cheers from rapidly developing China, South America, and Africa.

    8. Re:Nnnnnnope! by rubycodez · · Score: 1

      Plenty of low tech ways to make a copy that just contains the information, good enough for legitimate use, whether diazo blueprint or photographic film or old copier machine in the back room.....this new technology blocks those who intend to defraud by making copy (nearly) indistiguishable from original. My 7 year old parallel port scanner and the freebie software that came with it aren't going to be stopped by such things, and I only need 200 - 300 dpi resolution to make "good enough" copy for legal use, for example to make copy of my wife's passport required for immigration.

  106. As easy as using an alternative service by fejikso · · Score: 1

    I have used http://www.bonusprint.com/ for a few times and I'm very happy with the quality, the options and the promptness of the service. They also ship worlwide for very reasonable fees, IMO.

    Doing some research I'm sure one can find similar, cheaper and/or better alternatives out there.

  107. absolute stupidity by Anonymous Coward · · Score: 0
    put the responsibility on the customer/consumer. end of all arguments. if a digital pic is in someone's cache, is it a violation of copyright? hell no. let's enable print protection like M$ does for editing MS Office documents.

    futher more copyright was created to encourage creativity not to stop distributing pieces of art.
    http://arl.cni.org/scomm/copyright/principles.html

    "The primary objective of copyright is not to reward the labour of authors, but [t]o promote the Progress of Science and useful Arts. To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. This result is neither unfair nor unfortunate. It is the means by which copyright advances the progress of science and art."

    -- Justice Sandra Day O'Connor

    Technically, if I change even one bit in the image the work is my own even if it is not discernable by human eye and sounds more stupid than the action taken by wal-mart and the like.
    it would be morally wrong if the credit is not given to the original creator. We have to learn that everything is not strictly enforceable or verifiable. many things in this world depend on trust and trust alone.
  108. Simple solution, use the do-it-yourself kiosks by TwoPumpChump · · Score: 1

    I pay the extra charge to use the stand-alone self-serve photo kiosks which stand right beside the cheaper 1-hour kiosks at Wal-Mart. The cheaper kiosk is handled by the minimum-wage goons behind the desk and is subject to review as mentioned by TFA; the instant kiosk, while more expensive, delivers perfect photos (I suspect it's using a dye-sub printer under there, I'm sure one of you know for sure) without any of your photos being peer-reviewed. I printed out a large number of my photos from my trip to Japan in April which a few could easily be construed as professional or maybe semi-professional. Being an introverted geek, I'll pay extra any day if it means not having to speak to someone, anyway.

  109. broadcast flag by hosecoat · · Score: 1

    what we need is a broadcast flag, so photo developers can tell if its copyrighted ;)

  110. "Digital signatures" by tepples · · Score: 1

    if you are a professional and dont digitally sign your photos then that is your fault.

    Can't a digital signature (e.g. BEGIN PGP SIGNATURE) be circumvented by changing one pixel? Or are you talking about durable steganography? In the latter case, what prevents one from violating 17 USC 1202 by applying steganography containing a false attribution?

  111. Or more likely by Colin+Smith · · Score: 2, Insightful
    --
    Deleted
    1. Re:Or more likely by m85476585 · · Score: 1

      I have a canon i860 and it makes *great* 4x6 prints. (But only on the "super ultra premium Canon" paper, not cheap OfficeMax paper.) I think the total cost is something like $0.40 per print.

  112. I use Costco by scotty777 · · Score: 1

    ... and lots of folks tell me to sell my pictures. Never had a problem with this. Let's hope the silly stuff stops before it infects everyone!

  113. I call bullshit by rainman_bc · · Score: 0, Redundant

    I'm going through a very good professional photographer: http://www.tyingtheknot.net

    We are paying a fair sum, but we get all the digital negatives to reproduce. As far as he's concerned, he's finished with us when he's given us our proof album.

    Conventional photographers hose people to develop prints. they can charge up to $20 for an 8x10 that you can develop in a store for $5...

    I like that we can produce as many prints as we like royalty-free. As long as we don't seek to profit off our pictures. If we do, we need to let him know. IMO that's VERY reasonable, and I feel it would be only fair to compensate him.

    Our photographer btw, has been featured in many wedding magazines. He's a classy photographer who has no need to hose his customers.

    --
    09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
  114. A bit surprising by 93+Escort+Wagon · · Score: 1

    "Talented amateurs are having to jump through hoops, present documents, and otherwise cajole teenage cashiers into taking their orders."

    C'mon, you want me to believe that a significant percentage of these "talented amateurs" are taking their photos to Walmart and Costco to be printed and/or developed?

    Go to a real camera store, find the "old guy" who's worked there for 20 years because he's a photo nut - don't waste time talking to the kids manning the cash register - and ask him where you SHOULD be having your digital photos printed (or your film developed).

    --
    #DeleteChrome
  115. Use a pro lab by vijayiyer · · Score: 1

    The article mentions a "professional" being denied service at Wal-Mart. A real pro uses a real lab and maintains a working relationship with them because they can't afford not to. The price difference is negligible. I've only had the best of service from professional labs such as West Coast Imaging (not affiliated, but a happy customer).

  116. Make A Fake Business Card by SafteyInNumbers · · Score: 1

    Just make up a business card syaing that you are a professional photographer. Might want to throw in a bullshit model release form as well.

  117. This happened to my wife.. by dbmasters · · Score: 2, Interesting

    My wife is taking photography classes, and she is quite good at it. As part of an assignment she took pictures of my sister and her fiance' as "engagement pictures". My sister took them to Walmart to have a few dups made to send out to family to announce the wedding. The clerk said they couldn't do it without the photographers permission, so my wife had to go in with her... I understand personally. Professionals don't allow dups unless they do it and over charge you to do it. That's how they make their living. But, it isn't judged by being "too good" of a pic, it's often judged by if there is a professional backdrop, professional props in the pic or such things that are considered a giveaway that the pic was done in a studio... Or, that's what I got out of the experience.

    --
    dB Masters
  118. Wal-Mart: In the right. by Anonymous Coward · · Score: 1, Informative

    I seriously can't believe that the slashherd is railing on wal-mart for this. I used to work at a wal-mart photo center and people would come in all the time, with prints, or digital photos that were obviously professional, and probably copyrighted.

    Most of the time they were on CDs that had the name of a business or professional, and sometimes a warning about copying them, and other times people would just be dumb enough to bring in original professional prints for scanning.

    Even if it wasn't obvious by the packaging, you could usually tell by the guilt they wore on their faces, how they acted, how they would generally avoid you, and use the self serve kiosk. At that point if you asked them if they were professional, %80 of the time they would admit that they were, and try to get you to copy them anyway. If they insisted that they weren't, and it was an ambiguous case, then you could have them sign a _very_ small form, and wal-mart would print them anyway.

    In this case, wal-mart is not acting as the copyright police, they are acting as a business who could probably be held liable for assisting people violate copyright law, and they have a right, and some people would say a responsibility to shareholders, to refuse your business.

    Furthermore, the copyrights that wal-mart is helping to protect are very often owned by individuals or small business, that is normal people like you and me. People who depend on that protection to make a living, and not in a culturally exploitative kind of way.

    Oh, and just so you know I am with you guys on one sentiment. Wal-Mart Sux! ;D

  119. EXIF Maker Note data contains camera serial number by scupper · · Score: 1

    if walborg is so concerned about this, they should have people provide their camera serial number, and if a suspicious image pops up, they can check the proprietary EXIF MakerNotes data for a corresponding serial number to that which was provided by the customer. Not all manufacturers use the Maker Notes to include serial numbers, as Maker Notes data isn't in the EXIF spec, but most of the big manufacturers do, and include a serial number field. It's not hackproof, but most people won't be hacking their exif makernotes data, and if their is legal action concerning a copyrighted work, walborg can say they logged the serial numbers from the exif maker notes data.

  120. It doesnt add up by lgreco · · Score: 1

    Why would a talented photographer even bother to go to Walgreens for print processing? Is sounds like an oxymoron. If you are talented enough photographer you know where to go for quality digital processing and it aint Walgreens.

  121. Just one question by DVega · · Score: 1

    This means I wont be able to order prints of the goatse.cx picture anymore ? Or only if I prove to the clerk beeing the model ?

    --
    MOD THE CHILD UP!
  122. Damn it, this is retarded by ksjfhdsalf · · Score: 1

    I can print the same quality prints that wal-mart does off of an $80 printer from the same wal-mart.

    1. Re:Damn it, this is retarded by fishbowl · · Score: 1


      "I can print the same quality prints that wal-mart does off of an $80 printer from the same wal-mart."

      No you can't, and you can't do it as cheaply either.

      That Epson or even the Canon 6-ink printer does not give similar quality to the Fuji Frontier system in the lab, and you can't buy that.

      You might be *satisfied* with the output and economy of an inkjet printer, but that's beside the point.

      The primary arguments in favor of an inkjet printer are, instant results, and privacy.

      As for instant results, I've found that I can get back mail order prints for Ophoto faster than I can print a large number of 4x6's at home, because it takes work to do it, I have to watch the printer, and it's a false economy for a large number of prints, which always happens after a trip. For a half dozen or so prints, sure, I like the results I get and it's quick enough.

      Privacy, certainly if I was doing something like surveillance, forensics, or studio nudes, I'd go to a certain kind of lab, or, here's the argument for a lab/darkroom in your office or home or studio or whatever.

      But it's not cost-effective. It's *close*, but you can't beat 17-25 per print for 4x6, or $3.00 for 8x10s. Consider the price of ink and paper, as well as wear-and-tear on the printer. Also consider that inkjet prints really don't hold up as well as even the cheapest lab prints.

      --
      -fb Everything not expressly forbidden is now mandatory.
  123. 2 Practical Solutions by stare_at_the_sun · · Score: 1
    I have run into this problem a couple of times with walmart (and I am not even a good photographer).

    Solution 1 - For every location or event that I shoot, I purposefully take a few very poorly framed shots. Then I upload a few crappy shots along with the ones I want, and the clerk just prints them - end of story.

    Solution 2 - place your your initials (very small) down in the corner of all your images (this looks pretty cool anyway), then print yourself out a quick "business card" with the initials, and your name. Then they will certainly tell you to screw off, but then you show them the card, and they probably call their manager, and you complain loudly, and you demand your pics for free, etc, and the manager finally says "just print them" and the clerk remembers you forever, and lets you print whatever you want, or face your wrath.

    (extra points: write a script to do your initials in a batch)
    (double extra points: send me a copy of said script)
    --
    "I am the way, the truth, and the life. No one comes to the Father except through Me" -Jesus (John 14:6)
    1. Re:2 Practical Solutions by Second_Derivative · · Score: 1

      Try ImageMagick. If you can work a command line and for automation purposes bash scripts it should do the trick.

  124. How's this for irony? by silverkz · · Score: 0

    This story about photo copyright problems http://news.yahoo.com/news?tmpl=story&cid=528&e=1& u=/ap/20050617/ap_on_hi_te/photo_printing_frustrat ion has a link on the upper left to view the photo in question. Once you are viewing the photo, there on the right is a another link that asks, "print this photo?"

  125. If you process your photos at Wal-Mart... by Anonymous Coward · · Score: 0

    You are totally getting what you deserve in terms of service and quality. Wal-Mart processing (or, really, any non-dedicated film lab) is garbage and you should expect only to have negatives ruined (if printing from negs), prints of awful quality or suspect coloration, etc.

    Spend the couple bucks more and get your photos professionally handled... you'll be pleasantly surprised.

    1. Re:If you process your photos at Wal-Mart... by fishbowl · · Score: 1

      "Wal-Mart processing (or, really, any non-dedicated film lab) is garbage"

      Wal-Mart's processing is pretty good, at least the ones that use Fuji Frontier systems. This may be short of the expectations from an individual hand-made optical lab print, but, it's good enough for gallery work, even at A1 size. My favorite print ever, is an A1 size (594x841mm) from just such a printer. I can't tell it's not a wet process print, and I have no criteria that would make it "better."

      --
      -fb Everything not expressly forbidden is now mandatory.
  126. You forgot contract law by Old+Man+Kensey · · Score: 2, Interesting
    blurfus wrote:

    I own everything I create (including my wedding, which I pay for and participate it, and create). The photographer does not 'own' the broadcast of this product (because he has not paid for its rights). I am paying him to document it, but it's not his creation.

    It's not his creation, but if you sign a contract that says so, he does in fact own the "broadcast rights".

    In the absence of a contract, the photographer could take pictures of the wedding party as they came into public space outside the church, but could not then make commercial use of those images (without seeking permission to do so). On the other hand, neither can you stop him photographing you, nor stop him from making noncommercial use of the photos. (The rules change a bit for "public figures", who have less control over their images. See "paparazzi".)

    However, once you sign a contract that explicitly gives the photographer exclusive rights to commercially create and sell reproductions of your image as captured by him, your own right to do so is gone forever, unless and until you get him to give you back those rights , unless your locality has an unprecedented law to the contrary. In the US, at least, you do not have a Constitutional right to be protected from your own bad judgement in signing away your commercial rights (there are certain rights that are not legally recognized as subject to contract law, such as the right to the franchise).

    Copyright of a photograph initially vests in the photographer, and has done for years and years and years. Rights to an image of a person initially vest in the person. Before a photo can be commercially copied, both those rights have to align.

    --
    -- Old Man Kensey
    1. Re:You forgot contract law by blurfus · · Score: 1

      Agree completely...
      Of course, there is contract laws. If you signed your rights away, well... tough luck.

      --
      will work for Karma
    2. Re:You forgot contract law by Kiryat+Malachi · · Score: 1

      Generally speaking, the photographer could take photos of the wedding party and sell those without permission, so long as the people in the picture are not individually recognizable; i.e. so long as the person isn't really identifiable from the photo at a reasonable glance.

      For weddings, this isn't so important, but for street shots, it can be vital.

      --

      ---
      Mod me down, you fucking twits. Go ahead. I dare you.
      (I read with sigs off.)
  127. This is yet another business model rendered obsolete by improving technology.

    When technology gets good enough and cheap enough that an amateur can do as well as a professional, guess what? You don't need professionals anymore. A bunch of them are going to have to find other work now. Not everyone is going to go out of business, and there will always be some work where a professionally trained expert is crucial, but not everyone who has professional training is going to be guaranteed a job until such time as they decide to retire. Tough shit to those who can't find work. Retrain yourself and figure something else out to do.

    Wedding photography... WTF? It's my face, don't I own the copyright to my own image? This has always been bullshit. I should be able to commission the photography as a "work for hire" and retain all copyright to the images. The photographer can be paid for his time and sent on a walk as soon as I have the negatives. Any other business arrangement is bullshit.

    --
    You see? You see? Your stupid minds! Stupid! Stupid!
    1. Re:Yawn by fishbowl · · Score: 1


      "When technology gets good enough and cheap enough that an amateur can do as well as a professional, guess what? "

      Well, there are a few areas where an experienced photographer, professional or otherwise, will do something very slight, instinctively, that will make an enormous difference in the result.

      There's also the fact that in some situations, knowing how to manipulate lighting is as important as any other aspect of photography.

      "Wedding photography... WTF? It's my face, don't I own the copyright to my own image?"

      You are free to negotiate that, but if you fail to do so, then no. It will be spelled out in the contract. Wedding photographers do deal with situations where the subject is not authorized to sign the standard contract, since their photo rights already belong to someone else, in the case of celebrities like actors, models and athletes.

      Hire a photographer that will work according to the terms of the contract YOU write (or your lawyer or your agent), but be prepared to pay a premium for the service.

      Nobody is taking away your right to negotiate a work for hire. In fact, it's routinely done, although it is much more common to go for a package deal with a set price and boilerplate contract terms, because most people don't care.

      --
      -fb Everything not expressly forbidden is now mandatory.
  128. Negative ? Positive! by buserror · · Score: 1

    You DO get the negatives when shooting digital... with a DSLR. Shoot RAW; keep *these* as negative. You will have to export them as JPEG anyway to get them to any customer of yours, or even get them printed at the local shop.
    But you can still prove fairly easily that you have the RAW files... Just put them on the same CD/CF that you bring at the shop should work...

  129. Walmart Photo Nazi's by +InvaderSkoodge · · Score: 1

    The Walmart photo Nazi's don't deserve anyone's busness when they have an guilty until proven innocent attitude.

    No pictures for you!

  130. Better yet, don't use Walmart for anything. by jocknerd · · Score: 1

    Support your local stores, not the big conglomerates.

    1. Re:Better yet, don't use Walmart for anything. by adavidw · · Score: 1

      As soon as my local store gets an Aladdin minilab, I might consider that. But, in the meantime, Wal-Mart has one, and I'm quite happy to pay to use it.

  131. EXIF? by s88 · · Score: 1

    While its clearly not foolproof, it would seem that demonstrating you have the equipment indicated in the EXIF header, provided your camera writes it, should be sufficient enough to conveince them it is unlikely you are trying to perform copyright infringement.

  132. Evolve or die! by Colol · · Score: 1

    It's coming down to evolve or die.

    Many photogs will die. Many have evolved. A lot of photographers have gone one of two ways:
    1. Release the originals after a set date. Most prints from a wedding are going to be sold in the first 6 months to a year, so the photographer retains the originals and the rights for this period. Once it lapses, he forks over the stuff so you can do it yourself.
    2. Charge for time and release the originals immediately. Don't expect to sell prints, jack up prices accordingly, voila.

    Photographers who are still back on the old model are going to be screwed in the very near future. Once in a while I consider getting into wedding photography, and I sure as hell wouldn't want to be the codger hoarding your negatives until the hereafter while everyone around me is evolving with the market.

  133. Re:Swarm Photography by Anonymous+Monkey · · Score: 1

    My Dad, brother in law, and I are all hoby photographers, as are a few other friends of mine. After lots of search for a film photographer that would let us have the neg's and not charge an arm, leg, and first born child we decided it would be best to do photography our selves. My wife and I purchased a case of profisional film and gave every one a bunch. The photos came out great, lots of diffrent ideas, and some very fun stuff. Now when ever a close friend gets maried we normaly do swarm photogrophy.

    --
    We are the Borg...
  134. Walmart IS a good corporate citizen by leoxx · · Score: 1
    Actually Walmart IS being a good corporate citizen, and they say as much in the article:
    "We're doing our job as a good corporate citizen to protect the rights of others, just like we want our brand and our copyright to be protected."

    So yeah, Walmart are being a very responsible corporation and they are looking out for their pals, other corporations. You don't think they give a shit about you, the individual, do you?
  135. Right-on point! Congress should investigate... by ElitistWhiner · · Score: 1

    I've had two incidents of reproduction negatives *lost*, forever condemning the print to obscurity. Unless, what I've come to the conclusion, the quality shots are being pilphered for gain.

    One was truly, once-in-a-lifetime, moment in Mexico with the flight of a seagull motion-blurred which gave the print a living moment quality.

    I never print anywhere but a professional house, ever since.

  136. There's no digital equivalent to a negative? by Anonymous Coward · · Score: 0

    What about watermarking the version you give to WalMart? What about cropping it a little bit? That way when they reproduce it and use your image, you can break out the bigger or unwatermarked version.

    Jeez, think for 2 seconds before you post...

  137. Going Online can have same issue. by OS24Ever · · Score: 2, Interesting

    I did the linked portrait session at home with some alien bee strobes & a collapsable background.

    I imported them into iPhoto, and used their photo service to order 4x6s, 5x7s, and 8x10s.

    I got a nice email about how it looked like I was reproducing a pro's prints, to which I was amused because I thought they didn't look that amazing but I digress.

    I had to sign a simple release form, fax it in, and I got my prints.

    --

    As a rock-in-roll Physicist once said, No matter where you go, there you are.

    1. Re:Going Online can have same issue. by rsynnott · · Score: 1

      They are actually very, very good. Are you sure you aren't reproducing a pro's pics? :D

      --
      Me (Blog)
  138. This actually happed to me by 3ryon · · Score: 1, Redundant

    I had been boycotting WM for years, but I was in a pinch to print out a few photos and my sister had convinced me that WM made good prints cheap. I decided to give it a whirl. First, I stood around like an idiot for 10 minutes for my 5 prints (5 different pics) while the machine said "Processing". After I finally complained and the clerk noticed that it was out of paper. Mind you, if the fscking machine had told me that it was out of paper I could have done something about it.

    When I finally get the prints they need to be cut (they printed with about a 1.5" margin). I hand them to the clerk to cut them and he then asks me if I own the copyright to these pics.

    I give a surprised, "Yes."

    Clerk: Can you prove that you own the copyright.

    Me: No. (Looking at him as though he'd asked me for an aardvark)

    Clerk: Then I can't sell this pictures to you.

    Me: Look, I took the pictures, I have the files. I own the copyright. How could I possible "prove" to you that the copyright is mine?

    Clerk: I can't sell you the pics unless you can prove that you have the copyright.

    Me: (very annoyed rant about asking for something I can't possibly provide) You know what, piss off! I want to see you shread the whole lot.

    I went and complained to the manager who offered to get me my prints, but I told her that I didn't want to do anymore business with them.

    1. Re:This actually happed to me by fishbowl · · Score: 1


      >Clerk: Can you prove that you own the copyright.

      Me: Yes, and I will be happy to provide such proof if ordered to do so by a court. My attorney's name is D****** *. P****, and his number is ###-###-####.

      I would like my merchandise now please.

      --
      -fb Everything not expressly forbidden is now mandatory.
    2. Re:This actually happed to me by 3ryon · · Score: 1

      In fairness I should mention that when I lost my cool and told the obstinate clerk to "Piss Off!" He responded with "Have a nice day, sir" which, though clearly not genuine, wasn't sarcastic enough to make me physically assault him. :)

  139. I guess we get the last laugh? by Anonymous Coward · · Score: 0

    As a professional photographer, it astounds me that we go on-site, set up props, lighting, and pose the person/place/thing and everyone asks if they can step in behind us and take pictures with their point-and-shoot or camera phone.

    We always say yes, but I suppose this means that some of those people won't be able to print the pictures that they took using our set-up.

    Not that it matters to me, because if I'm shooting a picture, I'm paid before I ever click the shutter.

    Reprint revenue is nice, but it has started to become a trend where we release the negative/raw files to the customer after one year of holding reprint rights, because that also releases us from storage liability. Now it looks like they won't even be able to print the released images at walamat.

    HAHA!

  140. Skip WalMart, use Costco by neile · · Score: 3, Informative

    Costco is more than happy to take your semi-pro or pro shots and print them. In fact, they specifically do things to cater to pro-sumers and independent professional photographers: each and every one of Costco's digital printers are profiled every six months. The profiles are made available on the web at Dry Creek Photo so you can have a completely colour-managed workflow.

    The best part is the price :) Costco's largest size, 12"x18", is only $2.99 a copy, and they look stunning. I have six hanging in my office right now and people are shocked when I tell them where they were printed.

    Neil

    1. Re:Skip WalMart, use Costco by Joe+Decker · · Score: 1
      Just to chime in on this, Costco does do great prints for cheap, and Dry Creeks profiles for those printers are "pretty good," I have seen issues in the near-neutrals with the DC profiles, but otherwise my results have been fabulous.

      I still use a high-end service bureau (Calypso Imaging in Santa Clara) for my large fine art prints (the LightJet profiles they provide are far more than "pretty good", they're dead-on on-target, and Costco doesn't do 96x72 prints), but I still use Costco prints for press, for pages of thumbnails I use in marketing my image, and for "mini prints" of some images that don't feature greys. (For large prints, it's not worth saving the few bucks Costco would save me for other sort of "workflow" reasons.)

  141. Walgreens can be just as difficult! by ff1324 · · Score: 1

    Our wedding photog had a similar arrangement as above. He shot the pictures, if there were some he really liked, he wanted copies for his display stuff, but the negatives were ours. His paperwork was very thorough including receipt of payment, copyright release, and contact information to reach him. The copyright info even says in big letters "POSSESOR HAS ALL COPYRIGHT TO THESE PHOTOS!" Seems he's been through this before.

    Apparently, the teenage clerk at Walgreens is not only illiterate, but a little power hungry. My wife dropped off our negative to get copies made. A ton of them. The first printing for all of our friends and family. She spoke with an older clerk when she dropped them off. Yeah no problem we'll take extra special care of them.

    Fast forward 7 hours. She goes to pick up the pictures. A whole box of stuff. This pinhead twit teenager sees the word "COPYRIGHT" on the paperwork, tells my wife not only can she not have the pictures (about 100 pics printed), but has the gall to say "You can't have the negatives back either. We can only release them to the owner. These are stolen as far as we know."

    Only after getting the manager of the store involved did she get the negatives back, with 50% off her photos, and we never did see the snotty little brat in there again.

    Point being, some people in the world need to exercise power in their own little corner of humanity. It makes them feel good. That's essentially what the young clerk did. Now she can exercise her power at the McDonalds drive thru instead.

  142. Easy solution for those turned away... by kilonad · · Score: 1

    Put yourself in their shoes. You've just taken an amazing picture, and you want to make copies to put in an album, on your wall, etc. You go to WalMart (first mistake, but I digress) to get your pictures printed. They tell you they won't print them, because it looks too good. You stand there and argue with them for a minute or two, and if they still refuse, what do you do?

    Do you:
    A) Spend over an hour running home and finding and filling out a generic copyright release online (or finding other proof), then head back to WalMart to give them your business?

    -or-

    B) Take your business elsewhere, like a rational human being would.

    If you're like all but one of the people mentioned in these articles (one lady went home and printed it out on her home printer instead), you probably picked option A, like an idiot. If you had half a brain, you picked option B. Taking your business elsewhere doesn't necessarily mean going to another WalMart location, or a Target or some other megachain. It could also mean going online and getting a better print for less money.

    Does anybody have a spine anymore? Why don't people stand up to companies who treat them like second class citizens and take their business elsewhere?

  143. As bad as the RIAA.. by MrLint · · Score: 1

    When I read this article the 2 main things that jumped out at me.

    Copyright law requires photo labs to be on the lookout for portraits and other professional work that should not be duplicated without a photographer's permission.

    "We've got a law written back in the 1970s and we're trying to apply 2005 conditions to it,"


    Doesn't this same like the same hackneyed argument of the RIAA? Thing is in this case, you have *WALMART* employees (and the like) being the copyright police. I certainly do not trust your local "fill the machine with the stuff from the big plastic jug" photo printer store to have *any* training on how to determine the origin of *any* picture professional, amateur, or one taken by scruffy the dog.

    Secondly, the guy quoted seems to imply there should be some change to the law. Exactly what does he think should be made? That all personal picture should look like crap? So we can have the "professional photographers lifetime employment act"? Perhaps High quality cameras should have a mandatory training and licensing test before you can use them safely, like guns do... oh wait guns dont have that..... Perhaps they should stop giving out digital files? Perhaps photoshop should be illegal.

    If these photographers can sue a 3rd party for making prints,
    who else could they sue? The kid pressing the buttons and filling the machine? The guys that make the machines right? They facilitating copyright violation. Do you recall some of the rhetoric out of the RIAA during piracy busts? 'high speed burners are the equivalent of 40 regular cd burners!'

    What will happen walmart is sued for denying making prints to a copyright holder.

    Hey heres a great idea! Lets stop splatter-kicking ppl who aren't at fault. Go after the ppl who do the solicitation of copyright violation.

  144. Re:sheesh... my spelling typos get worser and wors by HighOrbit · · Score: 1

    lol..my point exactlee

  145. There IS a way by scharkalvin · · Score: 1

    There's no well-supported digital equivalent to a negative (as reasonable proof of ownership), so retailers are defensively resorting to near paranoia to stay out of court."
    Actually there IS a way.
    1: camera makers burn a unique serial number at least 1024 bits long into the camera's firmware.
    2: camera writes this serial number into each image file as a tag field.
    3: Bring your camera along with your files, camera has a menu on the lcd to display the serial number.
    4: if the number on the camera matches the number in the tag field on the file, then it must be your camera that took the pictures.
    5: Bring the original camera media NOT a CD
    6: media also would have a serial number and the camera would record this number into an eeprom. Camera would keep track of last 'n' media serial numbers used.
    7: second proof is now the camera showing that the media in question was actually in the camera.

    OK existing hw doesn't comply. Also it isn't foolproof (can be faked) but would be beyond the average camera user's ability to hack.

    Also the store could have the user sign a legal document which would make the customer legally responsible for any copyright violation. IANAL, but surly a good shyster could write an iron-clad countract that would hold up in a court of law.

  146. NEVER SHOW ID! by Anonymous Coward · · Score: 0

    Just refuse to show any ID. Always.

  147. The moral of the story by xutopia · · Score: 1
    Wall Mart only wants us to print ugly pictures.

    Only go to Wall Mart to print pictures if your friends and family are really ugly.

  148. Photographers... by Anonymous Coward · · Score: 0

    the concept of a 'prefessional' photographer is a joke anyway. GET A REAL JOB

  149. Flip Side by QMO · · Score: 2, Interesting

    Then again.
    Suppose I take a picture and send it to Wal-Mart (or wherever) to get it developed.
    A few days later I walk in and they have the picture there, but won't give it to me.
    That seems like a HUGE vulnerability to lawsuit there.
    They have MY picture there, and won't give it to me?
    There's got to be some greedy lawyer that could make a bundle from that kind of situation.

    Even suppose that they say that it isn't mine, 'cause they won't sell it to me.
    Then they've made an unauthorized copy of my photo, since I didn't authorize them to make any copies that weren't for me.

    --
    Exam 4/C again. Maybe I'll do better this time.
  150. Why are they suing? by QMO · · Score: 1

    They aren't suing Wal-Mart to protect their copyright, they're suing Wal-Mart because it has deep pockets.

    --
    Exam 4/C again. Maybe I'll do better this time.
    1. Re:Why are they suing? by hawg2k · · Score: 1

      Of course. Lawyers follow the money. It's just disapointing that Wal Mart is losing. This is going to make them (Wal Mart) stop printing pictures of higher quality ... bad for the consumer.

  151. unsupervised printing at Wal*Mart by John_Sauter · · Score: 1

    When I visit the Wal*Mart in Amherst, New Hampshire, or the one near Troy, New York, I can print my data files without supervision. I feed my CD-R or SD card to a magic box, interact with it through its screen, and in a few minutes I have 4 by 6 or 8 by 10 prints. No Wal*Mart employee has an opportunity to reject my pictures because they are "too good."
    John Sauter (J_Sauter@Empire.Net)

  152. Technology != Talent -- PERIOD!! by WidescreenFreak · · Score: 1, Insightful

    And once again I have to say that only the professional wanna-bes in these areas will be killed off. Those with true talent and are good at what they do will still be around for a long, long time.

    Printing photographs onto Tshirts, once a screen printing domain of professionals, now anybody can do that too.

    The average T-shirt making material is crap, that's why the general public can affort it. Ten sheets for $15 from an ink-jet? Yeah, that's real quality. (Not.) Silk-screening, embroidering, and so forth is still not in the realm of the normal consumer or hobbyist.

    You argument focuses too much on the mechanisms. That's not where the talent of professional photographers lies. I don't care how technology advances or how easy it is to do certain things. Technology will NEVER be able to replace the intuition and the talent that genuine photographers have. So the wanna-bes have two choices: find another line of work or improve themselves so that they're better than the average, at-home crowd. If they do niether, then my only response when they die off is "Good!"

    By your line of thinking, anyone with a PC and Maya will create an incredible, virtual world that will make everyone "ooh" and "aah"; anyone with a PC and a DVD authoring package will make Hollywood-quality DVDs; anyone with a PC and Cakewalk will be the next DJ phenom. None of these can ever be if the person doesn't have the talent, intuition, and desire to use those tools effectively. And, no, cropping and red-eye reduction do not qualify as "talent", "intuition", or "desire".

    --
    The Overrated mod is for reversing inappropriate, positive mods, not for voicing disagreement with a post.
    1. Re:Technology != Talent -- PERIOD!! by WidescreenFreak · · Score: 1

      Hey, troll mods ... do the words "piss off" mean anything to you? There! There's a troll for you!

      --
      The Overrated mod is for reversing inappropriate, positive mods, not for voicing disagreement with a post.
  153. A great Wedding gift by Old+time+hacker · · Score: 1

    I typically take a bunch of pictures at weddings -- and I have taken to putting them onto a CD and giving them to the happy couple after the event. This is a real treat for them as they get the pictures to do with what they want. In one case of a coworker, he uses one of my images as his desktop background. It gives me a kick every time I see it.

    My advice is to do this for your friends as well. They will thank you for it (especially if their photographer is old-school).

  154. Some photographers will sell you the HD by StringBlade · · Score: 1
    I recently had a wedding and our photographer while still making his money off prints did offer to see two CDs of the high-quality original digital images that he took with his digital cameras. It went something like this:
    • pay $600+ for the photo shoot (about 200-300 pictures)
    • if you purchase $1500 total merchandise (including photo shoot) you can purchase the digital originals on CD for $200 - hi and low res
    So he still makes his money to live off of, but you're not required to purchase all your prints from him. He also retains the right to use the photos in other advertising and stuff, but on the CDs themselves the label has a release printed on it that states the CD owner has permission to make unlimited prints.

    Then again, he said even he was having Wal-Mart and the like turning him away even though he WAS the copyright holder!

    --
    ...and that's the way the cookie crumbles.
  155. The mods prove their stupidity again. by Anonymous Coward · · Score: 0

    How the HELL is that possibly FLAMEBAIT?! What did the parent do? Piss someone off who thinks that he's awesome because he can snap-and-print? Whoever modded that as "flamebait" needs to be modded as "-5 fscking clueless." Go ahead! Mod this down! It will only prove that I and the parent are right! Slashdot needs to stop giving mod points to clueless, arrogant egomaniacs.

    1. Re:The mods prove their stupidity again. by WidescreenFreak · · Score: 1

      Apparently, he thinks that buying a $69 digital camera at Best Buy equates to instant professionalism and immense photographic talent and that printing it off on a home printer means that it needs to be framed and sold at Sotheby's. Funny, that's not the way that I thought it happened. I've seen pictures that my wife and sisters have taken. I wouldn't bid on them. Guess I just don't know art when I see it, but apparently that mod does.

      --
      The Overrated mod is for reversing inappropriate, positive mods, not for voicing disagreement with a post.
  156. The stupidity about copyright seeps deep. . . by Fantastic+Lad · · Score: 2, Insightful
    I was visiting an art class where the kids and teachers were actually honestly worried about tracing pictures out of books because of copyright laws.

    I put as solid an end to that nonsense as I could, saying, "Tracing pictures is a great way to learn how to draw, so do it whenever you feel like it and don't worry about it. Nobody with a clean brain is going to care if you hang a drawing of Sponge Bob on your fridge, and if they do, it's their problem. Geez."

    Then I gave a speech about how fear and over-control are the death of creativity, and that the world is currently insane, and not to fall for other people's psychological issues. Draw whatever you want. Sheesh.

    The thing that really stood out was how the moronic laws and idiot debates are actually taken to heart by children and burned into their brains as Right and Wrong in the same way that "Looking Both Ways Before You Cross The Street" is burned in. Or, "Obey Authority Even If It's Totally, Obviously Insane".

    Bavarian Fire Drills are for chumps.


    -FL

  157. some people shouldn't get their shots printed by museumpeace · · Score: 1
    What about the grandfather they just arrested for taking dirty pix of his grand daughter? He was caught this way:
    Hawes twice tried to print the photos using self-service kiosks in CVS drug stores. The first time, in Nashua, he fled after realizing the photos were printing behind a counter, police said.

    The second time, he printed the photos at a CVS in Manchester. A clerk found the photos May 24 when she went to clear a backlog of digital images. She went to police.
    I guess the police have a right to some of the pictures you might take? More on topic: if legal hassels drive most printing services, such as the drug stores provide, out of business, who would ever have a chance to catch idiot scum like that grandfather?
    --
    SLASHDOT: news for people who can't concentrate on work or have no life at all and got tired of yelling back at the TV.
    1. Re:some people shouldn't get their shots printed by tommck · · Score: 1

      So, you're in favor of Big Brother looking over (and possibly copying) EVERY SINGLE picture you want to print, just in case there's a pedophile out there?

      Would you rather that it be illegal to print your own and they can force you to use the common peoples' printer, and thus expose your entire private life, just in case someone's doing something wrong?

      Man... think this through just a little bit...

      --
      ---- It puts the lotion on its skin or else it gets the hose again. It does this whenever it's told.
    2. Re:some people shouldn't get their shots printed by museumpeace · · Score: 1

      relax there Rush! You have no business infering ANYTHING from my comment let alone putting words in my mouth like "big brother". The important word in my comment was "idiot". We aren't going to catch 10 pedophiles a year this way, its almost freakishly rare that such evidence triggers and arrest. Gov't [and I sure as hell don't trust the current administration to take respectful measures regarding my rights] had nothing to do with this arrest any way...it was the girl who operated the photo print system for the drug store who ratted on the sicko.
      I don't think the rhetorical ploy of putting /your/ worst fears out as if they might be /my/ ideas is much more than careless flaming. Or, to put this another way, what if I now suggest that your comment shows support for pedophile grandfathers? If I wrote my comment carefully enough to rule out your eager misinterpretation and all the others that might exist, it would be two pages long for a tiny bit of odd OT news.
      Relax, its just slashdot.

      --
      SLASHDOT: news for people who can't concentrate on work or have no life at all and got tired of yelling back at the TV.
    3. Re:some people shouldn't get their shots printed by Anonymous Coward · · Score: 0

      This falls under the "whatever" category

  158. Here's a way to *use* this new service... by markana · · Score: 1

    How about a photo contest, using Wal-Mart (or pick your own local bone-headed photo printer) as the unwitting judge. Everybody submits a set of photos, and the winner is the one with the most rejects "for professionalism".

    Beauty of it is - winner pays the least (ideally, nothing). If they don't give you the prints, they'll have to eat the cost of the printing.

    Now, the snot-nosed clerks at the store aren't going to be the best judges of artistic merit in the world. But if you send the same sets to several different outfits, you'll probably get a good average weighting. So the winner is the one with the lowest number of successful prints across several *Marts...

    See... any instance of corporate stupidity may be turned into a fun social activity, with a little thought :-)

  159. Feh by CarrionBird · · Score: 1

    The studios I've seen pay the photographers up to $9.something an hour. These people have no contracts and no copyrights to the product.

    --
    Free Mac Mini Yeah, it's
  160. I don't see the problem by pyro101 · · Score: 1

    If we give a customer .jpg's of the images they may do what they want with them. That is giving them the rights, full rights if though they try to take a print and scan it then is usually when clerks will stop people. If you have the digital neg (the file) or the film neg then you can do what you like. And if you scan it at home and print at the store, the clerk should not do anything to stop you from printing.

  161. Clerks need to get shot by gelfling · · Score: 1

    Who the fuck does Walmart think they are? Someone needs to start killing Walmart decision makers.

    1. Re:Clerks need to get shot by Thomas+Shaddack · · Score: 1

      Waste of ammo. Hang them, you can reuse the rope.

  162. cut out the middle man by bad_outlook · · Score: 1

    I have a photo printer at home, and as they get more powerful and cheaper, I see this as becoming more and more of the norm. This would circumvent this draconian kind of big brother style of business. How can someone making >15k$ (an avg 'full-time' yearly wage at Wal-mart) be expected to police customers snapshots?

    bo

  163. Use a film printer by HPNpilot · · Score: 1

    I have a box which will expose film from digital images. Made by Matrix, it cost me $50 on eBay and works off a $29 National Instruments GPIB board. Does over 12 megapixels natively. Show up with an undeveloped roll of film, ask them to develop and print one set, then when you pick it up order enlargements and I'll bet you never run into any problems whatsoever. I haven't.

  164. I didn't know there were that many papers by zippthorne · · Score: 1

    How long until we have mag-strip backed prints with the digital version encoded in the mag-strip?

    --
    Can you be Even More Awesome?!
  165. and the morel of the story by oliverthered · · Score: 1

    Maybe it's time to spilt the job up into, consultation fees, charging for taking photographs, and touching the photos up..

    This sound almost exactly the same as the story that MP/RIAA come up with when their talking about p2p networks and DRM.

    Don't forget, there are lots of other events that don't happen on a Sunday but people want professional pictures of, e.g. school photos, sports teams, parties, bar mitzvah, christenings.

    --
    thank God the internet isn't a human right.
    1. Re:and the morel of the story by nojomofo · · Score: 1

      re: consultation fees. Good luck. When we got married, my wife talked to several florists. One of them that she talked to on the phone wanted $50 or something like that as a consultation fee for the conversation that my wife wanted so that she could figure out if this was the right florist. So put yourself in our position: 4 florists to talk to, one wants to charge $50. That's a pretty easy way to pare it down to 3 florists to talk to. Unless everybody's doing it, it's a good way to lose business.

    2. Re:and the morel of the story by LetterJ · · Score: 1

      Those other events are what most photographers have turned to in order to make a living.

      However, for example, I can't stand kids and, as a photographer, I just don't "see" them the same way. Given that, I just left the idea behind as almost ALL of the alternatives involve working with kids.

      What you describe about the breakup of pricing is exactly what's starting to happen, but an awful lot of consumers are going to photographers expecting the old "sitting fee $20 for 2 hours" kind of pricing and also not paying for prints. It's going to take a while before it balances.

      My post was primarily aimed to balance out the "photographers are RIPPING you off" element in the discussion, where most of the posters are ascribing outright malice to photographers who haven't adjusted their business model to the new technologies yet. It's only been the last 5 years or so where an "average" family had access to a scanner and photo quality printer and much of that in the last 3.

      Heck, lots of these photographers are still showing couples images from 1983 in their portfolios and their business model matches. However, it doesn't mean they're out to rip you off.

      Lots of other businesses do this as well with the prices clearly not reflecting costs, but rather expectations from the clients. The "free" bread and salad or chips/salsa at many restaurants is clearly being paid for in the $16.95 entree price, but, drop the price of the entree to $12.95 and charge $3 for the salad and $1 for the bread and customers are outraged. The reality is that the food itself is nowhere near any of those prices. Rather, to cover labor and the other non-food costs, and the slim restaurant margin, $16.95 is what they need from a meal.

      Every market needs to figure out how those costs are to be structured.

      Wedding photography just has a bit more difficulty, because, like music, writing novels, acting etc. there are hundreds of people willing to do the same work for free for every 1 trying to squeeze out a living. It's because these jobs are also hobbies for lots of folks. It's always harder to make your primary living in a field filled with clamoring amateurs. On the other hand, there's usually good money to be made doing the stuff that you won't find people doing voluntarily.

      Last time I checked, the dog waste removal companies weren't exactly flooded with applicants.

      I actually see the same thing even in software. I've had several programmers on projects I'm on want to leave after a month or 2 because we're not doing anything "exciting" or "cutting edge". However, much of this programming is exactly where there's a solid amount of work to do. I do far better building inventory systems than if I was to try to build any of the tools that everyone wants to build on their own time.

    3. Re:and the morel of the story by oliverthered · · Score: 1

      it depends how much effort I want to put into finding the right flowers. Did the woman who charged a $50 consultation fee look like she was collecting a social security check?

      --
      thank God the internet isn't a human right.
    4. Re:and the morel of the story by oliverthered · · Score: 1

      there are quite a few things I don't like too, even some of my 'customers', but that's life and I prepared to accept the things I don't like in case one day I'm something that someone else doesn't like.

      Most , 'old school' positions are no longer what they used to be this is called 'progress' but I'm not sure by whom. I would expect the overall quality of photography to go down as the market is split. I just hope the same thing doesn't happen to music, from those people who can still make a living from it, it's already about as low as it can get.

      --
      thank God the internet isn't a human right.
    5. Re:and the morel of the story by LetterJ · · Score: 1

      I'm not saying that anyone's entitled to doing only things they like. If that's what you heard, either I miswrote or you misread.

      AGAIN, I was merely pointing out that wedding photographers aren't sitting around 310 days of the year sipping champagne, smoking cigars and laughing about all of the suckers they swindled in the wedding photography business.

      Sure, there are quite a few things you don't like to do that are a part of your business and your day. However, there's a big difference between a job that's 80% good and one that's 4% good as far as you're concerned. Growing up, my job was working on the family turkey farm. I hated every minute of it.

      You may be willing to "accept the things you don't like", but you still sought out a tolerable profession given your likes and dislikes. Most people can't really do otherwise. The fact you talk about having customers indicates that you've chosen a job that probably doesn't involve shoveling and wading through manure, picking up dead birds, powerwashing barns with iodine laced water wearing a rain suit to keep some of it off, etc.

      AND, for me (and the not wanting to work with kids thing was only about me), there were too many of those negative things to want to continue. I adjusted my other career alternatives and am happy doing what I do now and living with the few things that bother me about it. I'm in an 80% job. Wedding photography would have been a 40% job. Does that mean I'm not adult enough to deal with the gap between 80% and 100%? Absolutely not. However, am I a big enough idiot to take a 40% over an 80%? No.

    6. Re:and the morel of the story by Anonymous Coward · · Score: 0

      "Unless everybody's doing it, it's a good way to lose business."

      Not really...This is how I run my business.

      My lawyer charges me by the minute -- from the time I call him asking his quick opinion until it gets resolved. And then I realized this was the way to go and it kept the people that just wanted to monopolize my free time away from me.

      I find people treat me with a little more professionality when they know I charge for my time, and no, I don't do anything for free.

      I also doubled my rates for all new clients thinking it would slow down the business a bit (I have enough other things on my plate I really don't need to work as a consultant) and I ended up getting MORE customers.

      Luckily for me, everyone else is content offering lowest rate services and working way too hard to give anyone one on one attention that the guys that need it, come to me...I still get idiots, but they are paying idiots...

  166. Do it yourself by Jaysyn · · Score: 1

    The $190 HP photo-printer that I just got mom, makes prints *almost* indistingishable from the photos we've got from Wal-Mart, CVS etc. The same prints are much better that then prints from her Polaroid.

    Just make sure you don't use the HP paper, we had much better luck with Canon.

    Jaysyn

    --
    There is a war going on for your mind.
  167. Am I missing something? by DaCool42 · · Score: 1

    Why would a photo developer be held responsible for what their customers are getting prints of? Unless the employees are knowingly violating copyright (IE - they 100% know that the photo is not yours), what do they have to fear?

    --

    ----
    All of whose base are belong to the what-now?
  168. Four Simple Steps by Anonymous Coward · · Score: 0

    1. Get a decent Inkjet printer with some high-quality glossy paper. 2. Scan. 3. Print. 4. Give the proverbial finger to the people who are trying to own or restrict the documentation of a part of YOUR life.

    1. Re:Four Simple Steps by what_the_frell · · Score: 1

      Ya but the problem with that is that if you dump water on the prints, POOF, they're done.

  169. this is another sign of a serious rising problem by geekoid · · Score: 1

    in the US.

    The nede to prove your innocent. SOmething that is often impossible to do.

    If a photographer finds someone has reprinted a work they own the copyright, they nede to go after the person who did it, not the place it happened at.
    Certian;y they would use the store documentds as EVIDENCE of copyright infringement, but it is not the stores fault.

    So now people have to prove there are innocent to some store clerk. Great.

    OAN, when you get photos taken, do not agree to release the copyright. Make it so you own it. If the photographer want to pay a dollar to show copies for their book for a year. Fine let them.

    There are photographers that will do that., and more people need to start demanding that.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  170. Re:EXIF Maker Note data contains camera serial num by Anonymous Coward · · Score: 0

    The only problem with EXIF is that touching up the photo in photoshop will remove it.

    However the original unedited photo could still be shown as "proof" that you hold the copyright.

  171. ANd it is bad business. by geekoid · · Score: 1

    the cost of the policy is not small.
    it cost them oney everytimne a clerk has to take time to devide if it is copyrighted. It cost money when people leave the store, it costs money due to loss of sales, etc . . .

    Bed decision not to fight this.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  172. Re:this is another sign of a serious rising proble by praxis · · Score: 1

    "when you get photos taken, do not agree to release the copyright"

    I think you mean the other way around. Unless otherwise specified, the photographer has the rights to his work. You can though demand that as part of the deal, you get the rights to the work. Be default, it's theirs.

  173. Re:Digital is killing Professionals - Be careful! by Anonymous Coward · · Score: 0

    be careful! you're going to get modded as "flamebait" for saying exactly what a previous poster said earlier in this thread! here's hoping that you don't bruise the ego of some talentless mod!

  174. Beyond photography, this could make for bad PR by sixteenraisins · · Score: 1

    So the store tells you they won't print your photos, even suggesting (not in so many words) that their reason is that you might be a thief.

    If they think this is okay, where does it stop? Will they refuse to change your watch battery unless you can prove you didn't steal it? Or repair the clasp on your necklace? Or change the oil in your car?

    --
    When you're not looking, this sig is in Latin.
  175. Adorama Prints - Thank You! by Lagged2Death · · Score: 1

    Wow, thanks for pointing out that Adorama has a print service. It looks like a bargain. 8x10s are 1/4 the price of my local camera shop and 1/2 the price of my local discount/drug stores. The web interface shows you how the pictures will be auto-cropped, and lets the customer override. And it understands .tif files! Outstanding. I placed an order just now. Even including the shipping, two 8x10s and two 5x7s are under US$10, less than a pair of 5x7s alone at my local camera shop.

    Now I am a tiny bit torn, because I do think it's important to support local businesses and the personal, expert service they can provide. But the guys at the local camera shop aren't expert enough to justify that kind of price hike.

  176. The Problem is the Business Model, Not the Law by richardtallent · · Score: 1

    The problem isn't who retains copyright: under the law, the PHOTOGRAPHER owns the copyright UNLESS they are a bona-fide employee ("work made for hire" does not apply to contractors) OR you make them sign a contract that transfers copyright to you. This is also true of other creative works made by contractors, such as software.

    This is the law, and as a part-time professional photographer (and a full-time software developer), I have no problem with it.

    The problem is that most pro photographers are so entrenched in the old business model of cheap fees + expensive prints that they are having to play "copyright cop" to make money.

    Those of us with a little sense, however, have a different business model: you pay for the time, I retain copyright, but you get the originals on CD *and* a printed release to make as many prints as you wish (I also include a shorter release in the EXIF copyright).

    I see this as a *value-added* service. For about the same total price as a traditional pro, my customers get CD/DVD with final JPEGs cropped for various print sizes and even versions specifically created for online use (email, web upload, wallpaper, IM icons, etc.). I include every good shot taken, they don't have to pick and choose which ones they want to keep.

    This resizing/cropping work is 90% batch-scripted on my side, but it ensures that every digital copy that they share or print has the best possible quality and is a free advertisement for me.

    This business model works for family photography much better than it would for, say, music or movies because the audience for any *particular* photograph is generally limited to the family/friends of the photographed subjects, and yet the chance of any of that limited audience actually ordering prints is relatively small.

  177. What scanner did you use? by anomaly · · Score: 1

    I'm interested in doing something similar.

    Do tell!

    Regards,
    Anomaly

    --
    But Herr Heisenberg, how does the electron know when I'm looking?
  178. Take a page from SCO vs. Novell by coats · · Score: 1
    ...a good lawyer would counter-sue for restraint of trade, frivolous lawsuit, or something similar.
    Sue them for Slander to Title.

    --
    "My opinions are my own, and I've got *lots* of them!"
  179. If you choose Wal-Mart, what do you expect? by Anonymous Coward · · Score: 0

    Hi -

    This issue is not a big deal - simply don't go to Wal-Mart.

  180. So what? by bombshelter13 · · Score: 1

    What's the big deal? Just go to their electronics section and pick up one of those fancy photo printers and a pack of paper. They probably even have the kind that don't need a computer, if you're the stupid/old sort who can't handle complex technology. Either way, they get your money and you get your pictures. It doesn't really make a difference.

  181. dispelling myths by Anonymous Coward · · Score: 1, Informative

    Firstly, professional photographers don't release full-resolution versions of their photographs unless they want their clients to be able to make prints from them. Or they include watermarks. Generally, you do a gig, you offer proofs, and you sell the prints. If you transfer the rights, you offer full-resolution digital images. But you're transferring the rights.

    Secondly, there is such thing as a digital negative. Professional photographers (at least, any who are worth a damn, which is included in my definition of "professional") generally shoot in raw format, which virtually all "pro" cameras support these days, and what they wind up with is an uninterpolated image of the CCD, which they _never_ give out to anyone. It's the source. It's the digital negative. Sure, you could try reversing the process, but you most likely won't get the same original image, and it would be a difficult process to perform (i don't believe any software exists for it today). Honestly, there isn't a lot of difference with film, either, since one can create a negative from a print. Or a print from a print. And you don't see studios getting sued because they copied and retouched mom's 30-year-old wedding photo. It's like suing plextor for creating a dvd burner that some random joe uses to pirate movies.

    I'm not saying that shops aren't getting sued by prick photographers who feel that maybe they can make a buck this way, since talent isn't working out for them, but frankly, i'm appalled that these deep-pocketed companies aren't putting up more of a fight.

  182. not only that by Anonymous Coward · · Score: 0

    but Ofoto/KEG will delete your pictures unless you order once every six months, or maybe its once a year.

    Sure, one $0.29 print is cheap, but what if you forget?

    Shutterfly, on the other hand, doesn't have such requirements, and won't delete your pictures.

  183. inkjet output runs... by jpellino · · Score: 1

    .. not good for deed recoreds and such.

    i already have all that stuff.

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
  184. Wal-Mart for professional prints? by se7en11 · · Score: 1
    I'm sorry, if you're a professional photographer and you use Wal-Mart you deserve to run into a few problems.

    But then again, I'm a graphic designer and I use MS Paint.

  185. MOD PARENT AND OTHERS UP by Anonymous Coward · · Score: 0

    Nice. Look at the other responses in this thread that support the position of the parent. They get insightful; yet the parent gets modded down as flamebait. Unbelievable. Then again, this is Slashdot. I guess that it is believable. Putting a camera in your hands does not mean that you'll automatically be able to convey emotion or meaning out of whatever you're pointing the camera at. The mod with the flamebait is a clueless moron.

  186. Those Who Don't Know by blunte · · Score: 1

    Firstly, it's your decision whether you sign the agreement with the photog that states that they hold the copyright. If you disagree with their terms, find a different photog.

    Typically you should see the price per photo vary depending on several factors, including whether or not the photog retains the rights. If the photog doesn't retain rights, you'll probably pay a big sitting fee (or you'll be required to buy X$ of photos).

    If there's no minimum purchase and the sitting fee is small, then chances are good the photog will retain the rights.

    Some photogs will sell you a CD of the images for a price (sometimes small $, sometimes large$ ).

    As for dealing with WalMart and Sams, just go present reasonable proof to them that you're a professional photographer and they'll put you in a file so you don't have to fight them next time.

    --
    .sigs are for post^Hers.
  187. Welcome to Wal-Mart... by Anonymous Coward · · Score: 0

    ...where we have a whole array of prosumer digital cameras with which you'll be able to shoot professional looking pictures!

    Although, if you ever want us to print your pictures, you'll probably want to buy this shitty 2M camera here we keep behind the counter...

  188. "Free as in Freedom" Photography. by Anonymous Coward · · Score: 0

    My wife is a professional photographer doing mostly weddings. Now that she is digital, she always provides the full resolution images to her clients. Before that, she always provided the negatives to her clients.

    Her reasoning is that she enjoys photography and is paid well to make the photos as a service. Besides, she cannot bring herself to gouge people for what is one of the most important days of their life.

    Being nice and reasonable is not stupid.

  189. Ah, the digital bandwagon... by CapnGrunge · · Score: 1
    Call me luddite but I'm not jumping into it anytime soon. Let's see, with 35mm film:
    • Clerks won't refuse to print the pictures for no good reason.
    • I'm still able to get high quality pictures with an ASA400+ roll.
    • You can burn the pictures onto a CD.
    • Amplifications look good.
    • Initial investment is not too high.
    --
    I see 57005 people
  190. thanks... by jpellino · · Score: 1

    ... for the lovely how-do-you-do.

    it was a manager, not a clerk, just stand your ground with them, keep your voice low and tell them they have no legal grounds and they play the law card

    so why do you equate "physisican" and "ML asshole"?

    --
    "Win treats sysadmins better than users. Mac treats users better than sysadmins. Linux treats everyone like sysadmins."
  191. Don't go to Wal*Mart by pizero · · Score: 1

    Most places have the equivalent of Wolf Camera or some local store. If Wal*Mart wants to be a pain about this, then don't use their service.

    If the savings is worth the hassle, don't complain.

    To paraphrase a sign I saw the other day: The lingering bitter taste of poor quality should outlast the momentary sweetness of a lower price.

  192. Re:this is another sign of a serious rising proble by Todd+Knarr · · Score: 1

    Bear in mind that the photographer doesn't own all rights to the photos. The models and others appearing in the photos retain the rights over their own images. That's why photographers demand model releases before shooting. One thing I tend to do is make sure (by modifying it if neccesary) that the release specifies that my likeness can only be used for specific purposes. I figure fair's fair, if the photographer demands that I pay him for reproductions of his shots beyond what I originally paid for, I'm entitled to demand that he pay me for reproductions of my likeness outside what I originally contracted for. This bothers a suprising number of them, but if they don't want a fair deal I'll cheerfully take my business elsewhere.

  193. maybe it's Karma? by Anonymous Coward · · Score: 1, Interesting

    I am one of those "hold outs" who still actively uses the wet darkroom. I shoot large format, sheet film. There's still a lot of us out there, in fact, 4x5 and larger sheet film seems to be undergoing a bit of a revivial, and grows stronger everyday the more people go digital. I suppose that's another subject.

    I use digital too, but my point is I have taken a lot of "attitude" over the past few years from people who have left film and gone totally digital. Talking to some digital photographers is a bit like talking to a convert to a new religion - in thier opinion, everyone should convert over to the "new god" or be left behind.

    As I use both, I really don't care either way what other people use. Does that make me a "photographic agnostic" ? :)

    For what it is worth, it's easier for me to buy parts for my 30 year old enlarger than it is to find memory cards for my 4 year old digital camera. Considering that most photo quality printers grow obsolete within 3-4 years, at least for professional & commercial use (I do desktop publishing too, so experience speaking here), maybe that is why people are having thier images printed instead of doing it themselves - it's cheaper in the long run. Back in the "old days" when somebody bought an enalrger & darkroom equipment, barring accident, fire or negligent use, darkroom gear would last you nearly a lifetime. You could afford top of the line pro gear becasue you could recover your cost over a 10 or even a 20 or 30 year period. With digital, you have to recover your equipment costs in 3-4 years on average.

    So it's cheaper for many people to have prints done somewhere like Wal-Mart. At least, I look long and hard at the cost of operating my 4 HP laserjets (both color & B&W printers), and it's starting to look that way to me some days. Ergo, the problem we see.

    Anyhow, my point is, I think about all those people over the past few years who seem to have enjoyed just a little too much expounding the virtues of digital over film, belittling my use of film, then I read this story.

    Maybe it's a bit of Karma come back to haunt some people for past attitude. At least in my darkroom, I have freedom to do my own thing.

  194. Bully? No. Do his job, though? Hell, yeah! by BenEnglishAtHome · · Score: 1

    One guy even wanted to tell us that our relatives wouldn't be allowed to take pictures at our own fucking wedding!

    OK, you're speaking from ignorance, so I'll go easy on you. Ignorance is curable.

    No one should expect to hire anyone to do a job then force that person to work in conditions that will cause the final product to be sub-standard. This is especially true when that final product will be seen by other potential customers and will directly influence the continuation of business.

    A professional photographer produces photos for you that you show your friends. If they're good, you're excited and brag on the photog. The friends are impressed. The photog gets more bookings and makes more money. If the photos are bad, you tell all your friends the photog is no good and no word-of-mouth referrals happen. In fact, just the opposite happens. One pissed-off bride in a medium-size town can literally put a wedding photographer out of business if she works very hard at telling everyone she comes in contact with that the photogs work is crap. The continued livelihood of photographers rests directly on their ability to put out on the street only the very best work they can possibly do.

    In that light, understand the photographers position. The photographer sets up lights, sets up poses, talks you into proper facial expressions, and eventually produces that perfect moment to capture. As he's pressing the shutter release, your new father-in-law jumps in front of him and snaps five quick ones with his new whizbang point-n-shoot, then starts ordering people into different poses. The photographer will do what he can to set it back up, but a moment lost is just lost. The quality of the final product will suffer.

    Consider, too, the "altar return," that time when the wedding party goes back to the church, between the ceremony and the reception, to take pictures. A good pro, doing his job, can get it over with in 15 minutes. Toss in a bunch of relatives crying "Can I get a shot of that?" or just jumping in and what do you have? An altar return that lasts an hour, pissing off all your guests waiting at the reception and resulting in substandard photos, to boot.

    When I was a professional wedding photographer, I learned these lessons fast, fast, fast. It took just two weddings for me to establish my rules. You want good photos? Then you have to allow me to work in an environment that doesn't ensure I fail. Specifically, I provided nicely printed cards for people to enclose with their invitations that tactfully told people they were not allowed to bring cameras to the wedding. I also had a deal with the couple - they got one warning. If someone took a photo, I would find the enforcer (often the father of the bride who was paying for everything and therefore had a vested interest in making sure no one screwed with the photographer) who had been designated beforehand by the happy couple and report the problem. If another photo was taken, I walked out. They lost their deposit. No third strike allowed. By adopting these rules, I was able to get into each little scenario, quickly do my job, and then instantly melt into the background until I was needed again. I was able to turn out primo work quickly and unobtrusively without (I can't emphasize enough the importance of this) creating the impression among all the guests that I was trying to control the proceedings. It was simply the case that no "situations" ever arose that I had to control since I wasn't competing for position and time with a bunch of snapshooters. My clients were all pleased as punch.

    (Have you ever attended a wedding where it seemed the photographer thought the definition of "wedding" was "a gathering for the purpose of taking pictures"? I am convinced those guys are so obnoxious because they can't bring themselves to force the B&G to let them work in reasonable conditions. And some, well, are just primadonnas, but that's a whole 'no

  195. When the Going Gets Weird, the Weird Turn Pro by Doc+Ruby · · Score: 1

    Are bloggers journalists? Are websites really "news"? Are actors politicians? With cheap mobile multimedia "phones", and cheap multimedia workstations, anyone can get quality and distribution that competes with the "professionals". And with online payments among emerging business infrastructures, even getting paid is no longer unique to "professionals". We see it in every aspect of our mediasphere.

    When the printing press became a cheap commodity, along with widespread literacy and global shipping, mass media consumption transformed an unexpecting world. Now, mobile multimedia production, decentralized distribution, and global infotainvert markets transform an unexpecting world with mass media production. These "professionals" have been getting too much authority for a long time, with only superior technology and privileged distribution to their credit. Let the good times roll!

    "When the going gets weird, the weird turn pro." - Hunter S. Thompson

    --

    --
    make install -not war

  196. Restraint of trade? by yeremein · · Score: 1

    I've been considering investing in a decent digital camera and some backdrops so I can take pictures of my kids and do what I want with them (reprint, put online, email to grandma, etc.) without having to pay ruinous fees. I'm sure the professional photographers couldn't care less that their abuse of the law prevents would-be photographers from finding an alternative to their services. (Why not just avoid taking pictures altogether? Ask my wife. ;)

  197. Do it yourself by robertdfeinman · · Score: 1

    With excellent quality inkjet printers selling for $100-200 perhaps those affected should do it themselves. The time it takes is not that great and there is lots of advise available for beginners online. (I've even got a few tips on my web site - end plug)

    --
    -- Robert D Feinman Landscapes, Panoramas, Photoshop Tips and Musings on Society
  198. I have a gigantic problem with that... by Svartalf · · Score: 1

    At one point in time, I was an avid amateur photographer- as in attempting to do the artistic style of photography. Saying no monochrome printing is a crock of crap- I would have a problem printing anything artistic that I'd tried with a pro-grade camera. So would my wife, who currently DOES do all kinds of shots and regularly gets spectacular shots with her measly 4Mp camera. I can't imagine what they'd do to the both of us with 8Mp prints.

    Even in a case-by-case basis, it's an issue.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  199. Why not? by grahamsz · · Score: 1

    I'm always a bit confused by this sort of sentiment.

    My local walmart (though i've never had digital prints done there) has new fuji equipment and uses fuji xtal archive paper. Virtually the same set up that most pro places have, yet at 1/4 of the price.

    If things aren't urgent you can use walmart and try again if the results are poor. Nowadays i've found the standard of digital prints to be excellent no matter where you go.

    1. Re:Why not? by se7en11 · · Score: 1

      I've just had a few bad experiences. Glad to hear yours was better though.

      - John

  200. It's Very Simple. Really! by dalesun · · Score: 1

    Every photo is automatically copyrighted to the photographer, and the Copyrights can be transferred only in writing. Stating this simple fact makes the issue much clearer.

    If someone takes a photo and gives you a copy, you can legally reproduce it only if they also give you written permission (with a few exceptions, such as very old photos). Whether the photo was taken by a professional or amateur does not matter. When you are the photographer or have written permission, a vendor can legally do anything you ask them to do with the photo. Vendors can cover themselves legally by having you sign a form stating that you are the photographer or have written permission. They also need to avoid being negligent, such as reproducing something marked "Copyright 2005 XYZ Studios", for example, without some sort of documentation.

    The photo store were I worked briefly (Ritz), doing photo restorations and prints, required customers to sign such a form. We only questioned photos that clearly appeared not to be taken by the customer (like school photos or photos with "XYZ Studios" printed on them), where we would expect to see written permission from the photographer or studio. Some studios will provide customers written permission at no charge when asked.

    Even with a clear and sensible policy, Copyright issues will confuse people. A stupid non-policy like "We can't print photos that look too good", is guaranteed to cause lots of confusion and frustration.

    Did anyone really need another reason not to patronize Wal-mart?

  201. get a dye sub printer... by sjs132 · · Score: 1

    I did.... sure, mostly 4 x 6,but you can get the 8 x 11 version also.... (HI-TI ?). it's been great, I dont rely on Wal-mart anymore... (but they were decent prints...)

    Also, I don't like the online folks that say by using their service, they can use the photo's how they wish and without compensation ....

    And yes, I have scanned old photo's and printed them... At home.

    Just my .02 worth....

    --
    --- Relax, that mass muderer is just trying to reduce our carbon footprint, one fetus at a time...
  202. So I'm not the only one Wal-Mart hates! by MayorDefacto · · Score: 1
    I've run afoul of the paranoid photobots a few times at my local Wal-Mart. As part of my job as piss boy-- er, marketing director-- for a real estate agency, I occasionally have to take digital portraits of realtors for use in their business cards and other materials (*why* realtors need to have their photos on their business cards still befuddles me... does toothiness, a fake tan, or big hair eminently qualify someone to sell my home?) Since the printing vendor we do business with inexplicably won't guarantee color fidelity on electronically submitted photos, I've taken to having them printed at the closest processing joint, which just happens to be Wally World (which I otherwise refuse to set foot in). I once spent 20 minutes having to plead my case to the counter clerk, the photo/electronics manager, and the *store* manager just to get two bloody 16-cent 4x6's printed, even after signing the standard disclaimer forms. I understand they're just coving their own asses, and I am flattered that my quick-n-dirty shots look so "professional," but they literally treated me like I was some kind of criminal!

    Still, it was better than having to tell some big-ego'ed sales ass that they would have to wait an extra two days for their precious business cards.

    //Currently trying to convince management in my company to drop $200 on a 4x6 dye-sub photo printer for just such occasions...

  203. Why not use deviantart by after+fallout · · Score: 1

    You can get a subscription to deviantart and then upload your images and buy high quality prints from the print service (If your photos are really that good other people may want them as well; ie. be willing to pay for them).

  204. Wedding OR Department Store Photographers! by volvoguy · · Score: 1

    This is a problem that my mom's been freaking out over the past few years. Granted, I don't consider Kmart to be the best place to have professional pictures of your kids made, but the fact that they retain the copyrights to the images is absurd. I'm 30 - do the negatives for the poor quality prints we have still even exist?! My Photoshop abilities are probably in the intermediate-advanced range and I haven't been able to fix the images to my liking. Even if I could, wouldn't it technically be illegal for me to send them to Ofoto for more prints? I think we ought to start a campaign against Kmart to try to get *our* negatives back! If anyone has looked into this, I'd be interested in hearing about your success or failure. Hey. Kmart headquarters are only 20 minutes from me and they didn't take my keys when I was doing contract work for them a while back. Let's just go get 'em! :o) jk One thing I'd like to know - is the yellowing and general discoloration of the prints we have a result of the printing process or the media it's printed on? In other words, would the negatives be in any better shape that what we have? Thanks. Aaron

  205. This happened to me by mgrennan · · Score: 1

    I was in Wal*Mart in Northwest Oklahoma City. I had my memory stick in my hand and had already printed a few photos on the Kodak express print system they had when the lady, nicely, told me "These photos look like professional Photos. I'll need a release before you can purchase them."

    The photos in question where 100+ years old. Old family photos that I had carefully copied with my digital camera.

    I told the lady what they where and she insisted I would need a release. I ask "How can I get a release from a photographer that is dead for photos that the copyright ran out on years ago?"

    She then told me I could get a release from a local professional photographer. I ask her why a they would do that if they are not their photos?

    She then said "You need a release." I replied "How exactly do I do that? Do you have a form?"

    "Yes" she replied "or you can get it on letterhead".

    What the lady didn't know was I was a professional Photographer for many years. So I ask here for her form. She have me a nice pamphlet and I started filling it out. She said "You can't fill that out, a proffessional need to fill it out."

    I then informed her I was a Professional Photographer. She smiled and said "I can't take your order."

    I then ask for the store manager. It took some time but he did show and I she and I both told him the storie.

    He told here to take my order and I finished filling out the form.

    The only thing required on the form was my name and a signture. They did not verify it.

    I printed my pictures.

    My wife was very upset with me for doing this. However my father (an lawer) laffed.

    Have someone give you a buck for a photo. You too are then a profossional photographer.

    mark

    --
    There are 10 type of people in the world, those who understand binary and those who don't.
  206. So Don't Shop At Wallmart by BlueFashoo · · Score: 1

    If Wallmart doesn't want your business, tell them to fuck off and die. There are plenty of other places perfectly willing to provide you the prints you want. And most of them probably spend more time and money maintaining and calibratin gthe machines. Find your local mom and pop photoprinter and ask them to do the prints, as long as you state that you have the rights, they will print, provided there is no clear indication of some professional photographer possesing the rights. At least that's the way I always handled it. I've worked at two, and they both competed on quality, because they couldn't compete on price. The photo techs would QC each and every photo, making sure that the color and density were as good as they could be. You don't find that kind of service at Wallmart where good enough gets a dollar.

    As for those two slashdotters who are getting married in the near future, buy the negatives (or digital images)from the photographer. Write your own contract and make him or her sign it. You'll probably have to pay more, but thems the brakes.

    --
    Nice Marmot
  207. For our wedding by tweek · · Score: 1

    we paid a bit extra to get the release from the photographer for our pictures. We have a letter that we keep in the safe in case anyone gives us grief. Funny thing is that I could just as easily type up a fake release and take it with me.

    It's just like checking signatures on the back of credit cards. It's a CYA thing for the vendor.

    --
    "Fighting the underpants gnomes since 1998!" "Bruce Schneier knows the state of schroedinger's cat"
  208. Good camera + good pictures == professional? by spaceyhackerlady · · Score: 1

    The pictures I usually want to print look good, good lighting, composition, etc. In other words, they look professional. If they're crummy, why bother printing them?

    To make matters worse, you don't need a license to buy genuine professional camera gear. All you need is money. My fanciest digital is a prosumer job (Canon Digital Rebel), while I own two old but genuine honest-to-goodness professional film cameras (Pentax 67, 4x5 Crown Graphic). If I use them amateurishly I get amateurish pictures. If I use them like a pro I get professional-looking pictures. Fortunately, I print them myself.

    ...laura who is routinely mistaken for a pro when she lugs a hefty tripod and Pelican case around

    1. Re:Good camera + good pictures == professional? by njcoder · · Score: 1

      A lot of people don't know the difference between what looks good and what looks crummy.

  209. we aren't renters! by Robocoastie · · Score: 1

    >>Professional photographers have successfully sued processors (like Wal-Mart) for reproducing their digital works without permission. And that practice of photographers owning a copyright on our pictures that WE PAID them to take should never have been allowed in the first place! We pay them for the professional ability to take a picture and (at one time) their equipment to develop the photos. It's damn time we insist that we are owners of said product that we paid for and not freaking renters!

  210. Wal-Mart? by soft_guy · · Score: 1

    Why are you shopping Wal-Mart if you don't want to get treated like shit?

    --
    Avoid Missing Ball for High Score
  211. Keep your hands off MY wedding photos by wheatwilliams · · Score: 1

    [Troll alert!]

    All copies of all wedding photos should be free, just like all music and all movies, over any and all P2P networks. Screw the professional wedding photographers!

    1. Re:Keep your hands off MY wedding photos by tommck · · Score: 1

      And everyone's home porn videos should be free too! So hand em over!

      To quote Bugs Bunny: "What a Maroon!"

      --
      ---- It puts the lotion on its skin or else it gets the hose again. It does this whenever it's told.
  212. The guy we used by Nf1nk · · Score: 1

    The guy we used his little company is called wink weddings, he used medium format (real film), and was happy to give us the negitives. His candids were awsoem, but his formals leave something to be desired. He was expensive, but his results were worth it. He took 17 rolls and and provided prints of all of them. But Aak about the negitives early and if they won't give them don't work that person. There are dozens of photographers and you will find one that will give the negitives, he may cost more up front but it will be worth it in the end

    --
    I used to have a cool sig, back when I cared
  213. Re:Bully? No. Do his job, though? Hell, yeah! by JetTredmont · · Score: 1

    Hving attended a couple weddings in the recent past, neither of which had such a draconian restriction, where the only thing said about other people weilding cameras was that they were not allowed to take pictures of the posed shots ... everything went really well, and really fast. The posed shots, obviously, are a problem.

    But keeping all other cameras out of the wedding? Great, that makes your job a little easier, but guess what? The wedding's not about you, or your portfolio. It's about the bride and groom. They are the ones who miss out on the candids and unplanned photos, given that it is unlikely that you will have a dozen assistants getting reaction shots and moment shots of everyone present at the ceremony.

    Personally, I'd walk away from any contract that says no one can bring a camera to the ceremony. It's not about you, not at all.

  214. Silence is lead-Truth is golden. by Anonymous Coward · · Score: 0

    I will say that your post, and others like it do serve one purpose, and one that this forum badly needs. A dose of reality. The people who actually run businesses, instead of just talking about them. The people who actually practice law, instead of pretending they understand the law. The people who are the center of what this forum discusses daily need to start speaking out. Silence only propogates ignorance. Anyway thanks for your post. Bring your friends. Shine a light under this bushel basket.

  215. Here's the solution... by edunbar93 · · Score: 1

    Buy this and put them out of business.

    --
    "No problem. I have the capacity to do infinite work so long as you don't mind that my quality approaches zero."-Dilbert
  216. Maybe... by Stauf · · Score: 1

    I think some of the problem is that previously they didn't ask every person for a waiver when they came in to have their prints developed. If you think about it - regardless of who took the shots, when you take your photos to get devloped you are asking for a reproduction of a copyrighted work.

    I agree that flat refusal is stupid, but I don't think that you should be able to get just anything printed, for the same reason my local print shop won't let me photocopy an entire book without providing some sort of proof that I'm allowed.

  217. Antiquated Business Model by DeanFox · · Score: 0, Redundant


    It's an invalid copyright premise I don't recognize. Assuming the photographer is not God, my image is not their intellectual property.

    I just read a /. on game programmers complaining that voice over actors are demanding rights that are totally unrealistic. That's the way I feel about photographers who think they own an image I've paid them to record.

    The way my brain works is that everything I have paid for, I own. The automatic assignment of copyright for only particular acts of creation, as in photography, is protectionism.

    Someone at McDonalds has labored night and day to create for me the Big Mac. It's a creation of immense intellect. But, after I've paid for it, I'll be damned if I need their permission to eat it.

    If you look around the room you're sitting in, everything reflecting light is a product of someone's intellect. How often to you ask permission from the Standard company to take a dump? What do you mean it's "your" toilet? When was the last time you asked your automobile "creator" if you could fill your tank with petrol? Or the drywall creator if it was okay to put a nail in "his" drywall so you can hang a picture in your own home?

    I'm not going to respect any law that says a photographer still owns an image that I've paid them to record. I'm Sorry. If they want to try and water mark it, I'll PhotoShop it out. If Walmart won't print it, I'll go somewhere else.

    Maybe this is starting to sound trollish. But I'm starting to get sick and tired of this copyright protectionism and people claiming they still own something after I have paid them for it.

    I understand photographers think that all I have paid for is one piece of paper when I pay them to record an image. Respectfully, I disagree. When I pay a photographer to record an image, I own the product I've paid for, the image I have paid them to record.

    Just because that's how I think, doesn't necessarily make it right. But, because it's the way I think, I'll ignore any pseudo claim photographers make on a product they want me to pay for yet they still want to own.

    I wish I could get away with that. I sell my car in the Autotrader and I'm paid $5000.00 but I still own it. I think the photographers should go for it so long as they can get away with it. But I think they're seeing that technology is making their antiquated business model, well... antiquated.

  218. Re Copyrighted Photos by anand78 · · Score: 1

    I recently got my photographs taken at Walmart. To my surprise on the corner was the copyright statement. I was surprised its my face, I am paying for it and now it is someones eleses property. What a retarded policy. I am glad back home we still have the system where a negative is handed over once business is done. What a shame, in the name of protecting IP this is the lowest point one can go.

  219. Another reason to avoid Wal*Mart by SuperDuperMan · · Score: 1

    Try this place instead:

    http://www.mpix.com/

    1. Re:Another reason to avoid Wal*Mart by russotto · · Score: 1

      Right. Since mpix is used to dealing with professional images, they aren't going to refuse to print yours because they look "too professional".

      Of course, this means they've got their ass hanging out in the breeze if someone uses them to reproduce another photographer's copyrighted works.

  220. solution? by Loconut1389 · · Score: 1

    What if you could get something like a write-once memory stick with a few Kb of space on it that would hold something like a public or private key.. My thought was you get a key signed by a signer that timestamps the key and what not, and then you stick that key in the camera and it is somehow used to watermark/sign the images generated by the camera. Therefore having the key would be at least as much proof of ownership as having a negative. Perhaps chains like walmart could offer their own key signing kiosk, and if you lost your key you could get them replaced by showing your id or something.

    Seems like that's the only way we'll get around this.. at least then if someone went through all the technical trouble (if possible) and faked a key or something theyd be the ones at risk for the lawsuit, not the store.

    FWIW, I used to have problems with film cameras at stores when I tried to get prints even from negatives. Ultimately I had to make up a foobar letterhead for a fake studio and 'forge' our my own credentials for a fictitious company. Same thing works for getting copies of business keys made ;o)

  221. Re:Bully? No. Do his job, though? Hell, yeah! by Anonymous Coward · · Score: 0
    The wedding's not about you, or your portfolio. It's about the bride and groom.

    This part illustrates your central problem. You assume that the conditions are because the photographer is just a dick who can't see that the bride and groom's special day is oh-so-much more important than the photographer's ability to make a living. That is, you're saying something like this: "I don't care if you can't make ends meet otherwise, you ought to do what I want because we're getting married!"

    The fact that the bride and groom are getting married does not exempt them from having to deal professionally with the people they hire for the ceremony.

    They are the ones who miss out on the candids and unplanned photos, given that it is unlikely that you will have a dozen assistants getting reaction shots and moment shots of everyone present at the ceremony.

    But will those photos taken by relatives actually be good? Unlikely, really. Not that you may not like them, and even prefer them; people in general like to collect bad snapshots of themselves and their friends and relatives. If that's all you really want, well, don't hire a professional photographer, because that's not what they do. Even the documentary-style ones aim to take good pictures, using skills, techniques and equipment that few of your guests will have.

  222. so? by Scudsucker · · Score: 1

    None of that justifies having the photographer own the copyright. Hiring an extremly skilled photographer should mean a higher bill, nothing more.

    1. Re:so? by wfeick · · Score: 1

      Exactly, that was my point.

  223. Professional Photos and Copyrights by GotSanity · · Score: 1

    I used to work for a photography studio that dealt with a lot of these problems. The way that they got through all of this was by adding a sort of watermark to their photos. Each hard copy that was printed used a type of paper that had very soft yellow dots embeded in the picture. When the photo was copied or scanned those dots would overwhelm the photo. I wonder if that is possible with a digital medium.

  224. Re:EXIF Maker Note data contains camera serial num by Thomas+Shaddack · · Score: 1
    The only problem with EXIF is that touching up the photo in photoshop will remove it.

    No big problem, you can extract the info from the original to a text or xml file, and then merge it back after doing the edits. This can be automated, just needs a commandline utility capable of extracting the EXIF data to an external file, and then merging them back.

    This can also be used for easy faking that the pics are from your camera.

  225. Star Wars by DragonHawk · · Score: 1

    "You're a behemoth corporation with more money than I can imagine."

    To quote Han Solo, "I dunno... I can imagine an awful lot."

    --

    dragonhawk@iname.microsoft.com
    I do not like Microsoft. Remove them from my email address.
  226. Finally ! A good use of goatse . . . . . . by aneeshm · · Score: 0

    If they refuse to develop your photos , why not give them goatse to develop , as a punishment .

    Next time you want to get something developed , you can just say , "Remember last time ? Now , my photos or your eyes !" . ;-)

  227. Sue for poor quality copyrighted photo printing by Anonymous Coward · · Score: 0

    If Walmart and other photo printers instituted this policy because of lawsuits from their printing professional looking prints perhaps a few suits for printing unprofessional looking copyrighted photos might make them re-evaluate their policy. If they have to fear a lawsuit for any photo they print, whether it "looks professional" or not, they may change the criteria for acceptable photos.

  228. DRM DRM DRM! by Anonymous Coward · · Score: 0

    cuts both ways...

  229. Printing High-Quality pictures by Oshkoshjohn · · Score: 1

    My wife and I have been digital shooters since 1998. We have thousands of pictures on CDs, DVDs, and hard drives. When we want a print, we print it on our own equipment. If you're smart enough to have jumped onto the digital photography bus, you might as take along a printer!

    --
    Goddamned kids! Get off my lawn!
  230. Re:Bully? No. Do his job, though? Hell, yeah! by Skyshadow · · Score: 1
    And *this*, boys and girls, is why it's so important to be careful when you're hiring your wedding contractors. You might end up with someone like this asshole who seriously believes that the wedding is being put on for his benefit rather than, you know, that of you and your guests.

    LOL, the last think anyone needs on their wedding day is an employee who thinks they're running the shit. As if you don't have enough to worry about, imagine having your photographer come to you all in a huff and saying "They're taking PICTURES! Of *MY* WEDDING! I'm history."

    --
    Every year during my review, I just pray the words "slashdot.org" aren't mentioned.
  231. Re:Bully? No. Do his job, though? Hell, yeah! by thegrinchd · · Score: 1

    "this asshole who seriously believes that the wedding is being put on for his benefit rather than, you know, that of you and your guests" Actually, it seems to be closer to: "You are paying me to perform a service, To perform that service optimally, you need to do X, Y & Z, The job will not be done correctly if you add "D" or remove "Z", So I am writing that into my contract. " The analogy can be compared to roadwork, you need to close the freeway for the roadwork to be done, they won't do it if you insist on driving through when they are working. Get a clue.

  232. Re:Bully? No. Do his job, though? Hell, yeah! by BenEnglishAtHome · · Score: 1

    It is amazing that I can go to so much trouble to carefully explain my position only to have you come along and fail to comprehend it, completely. I have to give you credit, though. You did manage to pack more erroneous statements into fewer words than I've seen in a long time. Shall I give you a list?

    ...this asshole who seriously believes that the wedding is being put on for his benefit rather than, you know, that of you and your guests.

    I went to great pains to point out that photogs who act like the wedding is an occasion for taking pictures have got it all wrong. The whole point of my post was that by insisting on good working conditions, I would have a LESS negative impact on the wedding and make sure that the B&G stayed the focus rather than any friction between me and guests who insist on hindering my ability to do my job detracting from your special day.

    ...last think anyone needs on their wedding day is an employee who thinks they're running the shit.

    Define shit. You hire me to do the photography. I expect to do the photography. If the photography==the shit, then I sure as hell expect to run the shit. OTOH, if you mean the whole event==the shit, then you obviously weren't listening. How many times do I have to say that by insisting on reasonable working conditions, I was able to get into and out of each scenario quickly and unobtrusively, thereby MINIMIZING my impact on the event? Face it, having a pro shoot your wedding is a distraction. There's no way around that. But a good one, like I was, will do everything in his power to make sure he distracts as little as possible from the proceedings.

    ...imagine having your photographer come to you all in a huff and saying "They're taking PICTURES!...

    Now you're just being stupid. Look again at the post you're replying to. I emphasized that I set up, well in advance, a contact for this purpose. That person is NEVER the bride or groom. One of the biggest advantages of insisting on good working conditions is that I NEVER had to bother the B&G with administrative details during the event.

    Look, you may be Mr. Control Freak who can't stand to let his employees do their jobs without dictating how and why, but most of my clients hired me to "just handle it." And handle it, I did. They got great pictures. The attendees sometimes didn't even notice I was there. (I literally had dozens of brides give me feedback in the months after a wedding that there were people who looked at the wedding album and commented that they didn't even realize a photographer was at the wedding. I took that as a very high compliment.) Because there was nothing screwing up my gig, I never had to interfere with the flow of the event. I don't know how to explain this any more clearly: The only reason to insist on being the only shooter at the event is to make sure that competent work gets done without having to make an ass of myself toward the people who will otherwise be happy to jump in front of me as soon as I get a shot set up.

    If you don't trust a particular photographer enough to give him full responsibility to do his job, find another shooter you do trust. Obviously, you have problems with competent employees who expect to be allowed to do their job without interference. That's cool. I know lots of jerks like that. Find someone who doesn't mind working under those conditions and stop whining about those of us who expect to act and be treated professionally.

  233. Ha ha, you guys are hilarious. by ectoraige · · Score: 1

    You in the US, please tell the rest of us so that maybe we can avoid it - how on earth did you screw up your legal system to the extent that people who have absolutely no means whatsoever of identifying who holds the copyright on an image can be held liable for their customer's actions?

    Beyond asking the customer to declare that the images do not infringe copyright, there is absolutely nothing that Walmart can reasonably be expected to do, other than to shut up shop.

    Seriously, how did it get his bad?

    --
    Vs lbh pna ernq guvf, ybt bss abj. Tb bhgfvqr. Syl n xvgr.
  234. Pro Photographers are also a problem in themselves by BubbaJonBoy · · Score: 1

    Traditionally, wedding and portrait photographers sell you prints but the images are copyright to the photographer. Their business depends heavily on reprints. Now we have a trend where commercial photographers are trying to slip into that business niche with terms like "photojournalist wedding phtography". The trouble is that in *their* industry they typically sell the images - not the prints. They don't "get" the business they are encroaching upon and as such have wedding and portrait photographers pretty pissed.
    This fits in with the Walmart story in that it has pressured the traditional photogs to take a pro-active stand to keep their business market from eroding further by making the printers gun-shy of printing someone elses work.
    The PPA has been discussing these issues as of late...
    regards,

  235. Nice communication skills by lorcha · · Score: 1
    So of course you voiced your concerns with this step-mother right away, right? Or found whomever was paying you to be the official wedding photographer and alerted him/her to the situation pronto, right? So that that person could have a chat with "step-mother"?

    Didn't think so.

    --
    "Avoid employing unlucky people - throw half of the pile of CVs in the bin without reading them." -- David Brent
    1. Re:Nice communication skills by anaesthetica · · Score: 1

      I did speak to the aunt and mother of the bride (who had commissioned me), but apparently they weren't willing to exercise any control over someone from the other side of the family. Stupid.

  236. DOS Attack!! by BuckaBooBob · · Score: 1

    Everyone that gets refused should sue the guy that started the madness.. its a Denial of Service attack they have launched!! I know Walmart can give a pretty low level of service at times.. but it is still service :)

    --
    Who needs WiFi when we can have Packet Over Sheep! http://datacomm.org/PoS-InternetDraft.txt
  237. Costco by juan2074 · · Score: 1

    Try Costco next time. The machine does most of the work. The technician might do some tweaking, but they don't snoop into your personal business.

  238. Re:What this needs is a good, old-fashioned, contr by mink · · Score: 1

    " There are some liabilities that you can't disclaim. "

    Tell that to the people who write EULA text.

    --
    Well I've wrestled with reality for thirty five years doctor, and I'm happy to say I finally won out over it.
  239. Re:What this needs is a good, old-fashioned, contr by Anonymous Coward · · Score: 0

    Just because they wrote it into their EULA doesn't mean a court will allow that portion of it to exist.

  240. PPA - correction by Anonymous Coward · · Score: 0

    my bad ... www.ppa.com, and here's the link to the PPA's comments to the Copyright Office: http://www.ppa.com/i4a/pages/index.cfm?pageid=428 (Slashdot wouldn't let me post yesterday, the idiot timer ...)