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David Brin on "Attack of the Clones"

dpt writes "Science fiction author and scientist David Brin caused quite a stir at the time with his article on The Phantom Menace, and now here are his thoughts on Episode II. Not being as harsh, it hasn't received much attention, but it's an interesting read anyway."

533 comments

  1. And I just finished reading Sundiver by tweek · · Score: 1

    I like this guy's work. I only heard about him because he spoke at the Libertarian National Convention this year.

    Anyone have any suggestions for the next book to pick up of his?

    --
    "Fighting the underpants gnomes since 1998!" "Bruce Schneier knows the state of schroedinger's cat"
    1. Re:And I just finished reading Sundiver by Anonymous Coward · · Score: 0

      I like him, too, but some of his criticisms of other movies tossed out in the first article made me question if he saw the film in question. For example, in Logan's Run, the city collapsed because Logan gave the master computer (which controlled the whole city) an emotional breakdown, not from shooting a console.

    2. Re:And I just finished reading Sundiver by Anonymous Coward · · Score: 0

      Go right into Startide Rising. Its the next book sequentially in his Uplift saga and arguably his best novel.

    3. Re:And I just finished reading Sundiver by katre · · Score: 1

      If you've read Sundiver, go ahead and read the next 5 Uplift novels. Yes, they're worth reading.

      Once you finish them, you can start on his other stuff, such as Earth, but it'll take you a while. :-)

    4. Re:And I just finished reading Sundiver by tweek · · Score: 1

      I wasn't able to determine this in the book store and the books aren't labeled but Sundiver IS the first in the uplift series, correct?

      Mind posting the order for me? I could go through and check pub dates but since you sound like a fan, I'm sure you'll know. heh.

      --
      "Fighting the underpants gnomes since 1998!" "Bruce Schneier knows the state of schroedinger's cat"
    5. Re:And I just finished reading Sundiver by Anonymous Coward · · Score: 0

      Sundiver
      Startide Rising
      The Uplift War
      Brightness Reef
      Infinity's Shore
      Heaven's Reach

      Startide is easily the best of the lot, but I enjoyed the series throughout.

      http://www.kithrup.com/brin/upliftbooks.html

    6. Re:And I just finished reading Sundiver by Salsaman · · Score: 2

      I enjoyed David's The River of Time, which is a short story collection.

    7. Re:And I just finished reading Sundiver by Mr.+Slippery · · Score: 1

      The Postman is also excellect. Pay no attention to the movie, everyone involved in that should be taken out and shot; but the book, while a little rough around the edges (it's his first novel, IIRC), is fantastic.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    8. Re:And I just finished reading Sundiver by Anonymous Coward · · Score: 0

      They are all good, but I thought The Uplift War was the best one. In it, several of the central characters are Tymbrimi, and they are very enjoyable characters to read.

    9. Re:And I just finished reading Sundiver by Salsaman · · Score: 2
      Yes agreed. I read the book a long time ago, and was excited when I heard that a film was in the works.

      But after hearing all the reviews about how awful the film was, I've never been able to bring myself to watch it.

      I thought Practice Effect was a good read as well, but again it was a long time ago I read it.

    10. Re:And I just finished reading Sundiver by ellesar1 · · Score: 1

      Funny, I caught the movie on TV a while back. It wasn't great and did some dumb things, but I liked the whole mystery and "what-if" feeling that I get with a good post-apocalyptic story. I thought that kevin costner did pretty good with the whole reluctant, inadvertant hero thing.
      So I went and bought the book used and read it. I thought it was really flat. Boring. Some cool stuff, but I had to force myself to finish it. (that says a lot about my reaction to a book, I've read huge long books like War and Peace, Les Miserable, The Silmarillion, Dune multiple times, without tiring of plots, subplots or lengthy descriptions.) I just didn't care about the postman or his girlfriends.
      Anyway, while I am not a huge Star Wars fan, Brin doesn't seem to be the expert story teller he makes himself out to be.

    11. Re:And I just finished reading Sundiver by Heywood+Yabuzof · · Score: 1

      Sundiver takes place in the same general timeline, but IIRC it isn't directly related to the plots of the other books (whereas the storyline in all the other books develop from one specific event).

      Startide Rising and Uplift War are by far the best of the whole bunch, but I certainly enjoyed all of them.

    12. Re:And I just finished reading Sundiver by Anonymous Coward · · Score: 0

      Hmm, Sundiver is my favorite Brin book. I know Startide Rising is very popular, but I hated that book. Alot of words but never any answers. In some later Uplift books, the Startide crew appears and the answers there are very disappointing.

      Just my 2 cents worth.....

    13. Re:And I just finished reading Sundiver by Galvatron · · Score: 2

      I agree with the folks who tell you to stick with the Uplift books. I would say that really, everything of his I've read has been pretty good. One in particular I urge you not to overlook is Heart of the Comet. A collaboration with Gregory Benford, it starts off as a fairly mundane "expedition finds life on Haley's Comet" story, but then really gets interesting.

      --
      "The question of whether a computer can think is no more interesting than that of whether a submarine can swim" -EWD
  2. Article slashdotted (page 1) by Anonymous Coward · · Score: 1, Informative

    (Posted AC to avoid k-whore)
    What's wrong (and right)
    with "The Phantom Menace"
    A science-fiction author scours the new "Star Wars"
    film for signs of intelligent life.

    Editor's Note:Be warned that the following article contains
    "spoilers" -- plot points and other details about "The Phantom Menace" that you may wish to avoid if you haven't seen the movie yet and plan to do so.

    - - - - - - - - - - - -
    By David Brin

    June 15, 1999 | First off, let me say that I think the film looks gorgeous. George Lucas was able to hire the best. He took advantage of advances in computer graphics to portray many old sci-fi favorites in vivid ways. The costumes are just spiffy, the sword fight scenes zesty. Great aliens, too (except for Yoda, who's still a rubber oven mitt with two facial expressions: patronizing and condescending).

    The part that I found the most interesting was when the princess gave the young darth vader the ass.
    On the first date, even. She didn't even smoke weed or anything to endure the pain, she just took that
    huge vader cock like it was make of solid crack cocaine, to quote Too Short.

    I actually quite enjoyed the first part of the film -- Jedis running around on the Trade Federation mother ship, jumping and slashing, leaping and blasting. My hopes started to rise. But then -- well, let me list just a few items:

    Clichés

    Also Today

    "Star Wars" despots vs. "Star Trek" populists
    Why is George Lucas peddling an elitist, anti- democratic agenda under the guise of escapist fun?

    Underwater cities? A city that covers a
    whole planet? Where've we seen those before? Well, they may be clichés, but Lucas stole them fair and square, and served them back with loads of panache, so he's forgiven. On the other hand, there are other clichés that make you moan aloud. For example:

    "Hey, you guys, don't you mess with me because my mom is the Virgin Mary! (At least that's what she told her folks when she came home pregnant one day.) I guess you know what that makes ME, so everybody drop down and give me 20!"
    "I think maybe he is the CHOSEN ONE ..." Oh, really? As in "Dune"? Or in "The Matrix"? Or in "Lord of the Rings"? Or "A New Hope" (the original 1977 "Star Wars" movie)? Or ... make your own list. It will stretch for light years.
    "He is too old to train to be a Jedi." -- Uh, Yoda? You say 6 is too old, but Luke Skywalker will be a doable fixer-upper at 20? When do you recruit novices -- ripping them from the breast, like the Psi Corps in "Babylon 5"? Does the Jedi Way require complete denial of normal childhood? An odd message for a kid flick!
    "Oh no! There's an unstoppable robot army! Of course all we have to do is pull a master switch and they'll all shut off!"

    This recalls blowing up the shield projector in "Return of the Jedi" (which is achieved entirely thanks to the wookie -- neither Luke nor Leia makes any real difference in achieving the Rebel victory. Think about it!). Or a computer virus shutting down all alien shields in "Independence Day." Or Obi-Wan dialing down the tractor beam. Or the hero in "Logan's Run" shooting one computer console and blowing up a city. And so on. Yeesh! Are villain equipment- designers really that bad in every off-Earth empire? In fairness, this cliché is endemic. Ever notice how, in "Star Trek," Kirk talked five different super-computers into self-destructing? If the universe really is like this, we Earthlings are gonna kick butt when we get out there!

    A good machine is one that has to be hammered into turning on for you (e.g. Anakin's speed-pod, his space fighter, the Millennium Falcon, C-3PO and so on). If it starts right up, it must be evil.
    Some might view the pod race as a rip-off copy of the speeder bike scene in "Return of the Jedi." Actually, I found the charioteer imagery charming. Hey, a swooping chase scene past scary obstacles is always a good thing to throw into a whiz-bang sci-fi flick! Nevertheless, having a 6-year-old slave toss together a better pod than all the galaxy's technicians can create? (Those Tatooine slave schools must have a great curriculum!) Couldn't he have had help from an old but great engineer who retired to Tatooine for his health? That cliché would have lent plausibility.
    Big animals try to eat whole spaceships, yum. Where've we seen that before?
    An apprentice Jedi -- watching helplessly as his beloved master is slain in a sword fight by a Sith Lord -- screams, "No!" Where've we seen that before? (Incidentally, the angry apprentice succeeds where his calm master failed -- just as Luke Skywalker does better angry than when he was composed, in "Return of the Jedi." So much for Yoda's sage advice!)

  3. Blah by unicron · · Score: 0, Offtopic

    Those who can't do, bitch.

    --
    Finally, math books without any of that base 6 crap in them.
    1. Re:Blah by Dark+Paladin · · Score: 2

      Um, yeah.

      Considering that Mr. Brin has written some of the best science fiction out there (I particulary enjoyed Earth), I'd say he *can* do, and does very well.

      Just my opinion. I could be wrong.

    2. Re:Blah by dvdeug · · Score: 2

      Those who can't do, bitch.

      You know what? David Brin can do; he's pretty clearly in the top 100 science fiction writers of this century. Maybe if you could write like him, you would instead of bitching about his writing.

    3. Re:Blah by unicron · · Score: 2

      I found the article fragmented and poorly written. His "plot holes" were so thin I was reminded of movie-mistakes.com, where a "plot hole" is a piece of paper moving between someone's left and right hand over the course of 10 minutes.

      --
      Finally, math books without any of that base 6 crap in them.
    4. Re:Blah by Telastyn · · Score: 2

      Indeed, the very last paragraph's suggestion on how to actually make star wars make sense would be exceptionally cool.

    5. Re:Blah by rgmoore · · Score: 4, Insightful
      Those who can't do, bitch.

      So what? Brin is most definitely not in the "can't do" category. He's a fantastic author who's won a stack of awards for his Science Fiction writing. I'll admit that the one movie made from one of his books was awful, but the blame for that lies clearly on Kevin Costner's shoulders, not Brin's.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    6. Re:Blah by Dark+Paladin · · Score: 5, Funny

      Biggest damn plot hole in the history of all plot holes:

      C3PO: Hi, I'm a droid.
      Owen: Hey, didn't I meet you before?
      C3PO: No, I don't think so.
      Owen: Yeah, you're C3PO. Build by Anakin Skywalker, right? You're the one who told everybody how itchy you were so you could get Padme to oil you up.
      C3PO: I have no idea what you're talking about.
      Owen: My dad married his mom! We worked together for about 10 years or so. Remember the whole sandpeople incident, where they came and kidnapped her for no reason? Or how we've been raising her grandson - your creator's son - for 18 years now? By the way - why didn't he ever come back and look in the local phone directory under "Skywalker" - he might have found out his son was right here.
      C3PO: (Waves his hand before Owen.) We are not the droids you remember.
      Owen: (Dazed.) You are not the droids I remember.
      C3PO: (Waves hand again.) You want to purchase us. And give me an oil bath.
      Owen: Bath.

      Call me strange, but I think there was just a little plot hole there. Maybe a small one.

    7. Re:Blah by unicron · · Score: 3, Informative

      Except for the countless times people on this board have mentioned that in the Star Wars universe, droid routinely have there memories wiped out. Shit man, it's like the most posted message on this site.

      --
      Finally, math books without any of that base 6 crap in them.
    8. Re:Blah by Anonymous Coward · · Score: 0

      Just like those who can't post useful and contributory comments bitch?

    9. Re:Blah by eric+peterson · · Score: 5, Funny

      Well, that works for half the equation. Maybe Owen is a droid too.

    10. Re:Blah by Doppleganger · · Score: 2

      And yet, R2 recognized Obi Wan...

    11. Re:Blah by Clock+Nova · · Score: 2, Informative

      How many protocal droids have we seen in th3e movies so far that look exactly like Threepio. Quite a few. In fact, usually the only difference is that their coverings are a slightly different shade.

      Also, keep in mind that Threepio's coverings have been completely replaced by the time he and Owen meet again. He is a completely different color.

      Why should Owen necessarily recognize him?

      --
      There they were, sitting in the van with all those dials, and the cat was dead. -V. Marchetti, CIA
    12. Re:Blah by unicron · · Score: 2

      He was friendly, he didn't recognize him.

      --
      Finally, math books without any of that base 6 crap in them.
    13. Re:Blah by Marasmus · · Score: 3, Interesting

      1. Owen had VERY little interaction with the droids in AotC.
      2. The droids are all named by their model number. In a universe, it's clear that there are likely millions of each model droid. There'd be no reason to think that a C3PO is the C3PO he dealt with about 20 years prior.
      3. Droid memory erasures, as mentioned by many people.
      4. If you watch the original film, Owen goes out of his way not to select C3PO or R2D2. It's Luke who's so damn adamant about getting C3PO, and they only get R2 because the other unit burnt out before it moved 50 feet... My thought is that he had some sort of subliminal memory of droids like these ones, and thus didn't like them. If memory serves, he actually bitches about them to Luke in Episode IV. He's also very pushy about Luke taking them up to Anchorhead to have their memories erased. Interesting. :)

      Though I do like your comment about Padme and the oil bath. :)

      --
      .... um, i lost you after "0110100001101001".
    14. Re:Blah by duckpoopy · · Score: 1

      That's Dr. Brin to you.

      --
      word.
    15. Re:Blah by User+956 · · Score: 2

      Seriously. He did a great job summing up every single Disney movie ever made:

      The hero begins reluctant, yet signs and portents foretell his pre-ordained greatness. He receives dire warnings and sage wisdom from a mentor, acquires quirky-but-faithful companions, faces a series of steepening crises, explores the pit of his own fears and emerges triumphant to bring some boon/talisman/victory home to his admiring tribe/people/nation.

      --
      The theory of relativity doesn't work right in Arkansas.
    16. Re:Blah by Anonymous Coward · · Score: 0

      Brin writes like shit. His stories are awfull, his characters are cardboard. And he difinitly is not in the top 100 SF writers of this century. BTW, I can write like him, and do. I have not submitted any of my work because I would be embarrased to have such crap published.

    17. Re:Blah by paterthorn · · Score: 1

      But if according to that same universe the reason that C3P0 and R2 are unique and have personalities is because for some reason they do not experience memory wipes like other droids.

    18. Re:Blah by unicron · · Score: 2

      Maybe their memory data is stored differently than their personality data...MAN THIS CONVERSATION JUST GOT LAME.

      --
      Finally, math books without any of that base 6 crap in them.
    19. Re:Blah by jejones · · Score: 2

      Let us know when you win a Nebula or Hugo, OK?

    20. Re:Blah by jaoswald · · Score: 2

      R2 was being *sent* explicitly to Obi-wan Kenobi, on Tatooine. Remember that little message that R2 had to deliver? From a daughter of Vader, to the trainer of Vader, using a droid of Vader, on Vader's home planet, which just happens to have Vader's son on it as well. Of course, I know the Lucas fans will say there is some lame way (are human memories routinely erased in the Star Wars universe?) that *Vader* doesn't notice this, but still can remember enough about Obi-Wan and his past to say that Kenobi's "failure will be complete."

      Anyhow, to get back to the parent post: it's rather hard to deliver a personal message without being able to recognize the recipient.

    21. Re:Blah by keymygrip · · Score: 1

      Holy crap, The Postman was a good book. Well, it was when I read it in high school. I did not really know who Brin was but now I respect him even more. That is an excellent episode 3 idea he had. My only problem with the article is that he was too forgiving with episode 1. I am someone who can stand Jar-Jar and even liked the Ewoks. It just seems that with making a story and then directing it, Lucas is a small child. The only thing remotely interesting about episode 1 and 2 was episodes 4-6. He panders to the lowest emotions and then even does a bad job of that. I can't bring myself to believe that any of it is real because it does not act real. Everyone is terminally stupid. No one in the story can figure out anything. When they spent a good deal of movie time having Obi-Won trying to figure out where a certain planet (Kamino) had gone to, I was enfuriated when the answer was that trivial. It leads me to believe Lucas is not smart enough to come up with an actual problem that would require creativity to solve.

      I just got done watching episode 4 (the original and not the load of re-released horse crap) so I am really just seething with contempt for the new episodes. At least with them there was a bit of cleverness and you cared about the characters.

      I gotta lie down.

    22. Re:Blah by Anonymous Coward · · Score: 0

      I have no trouble believing that R2 managed to avoid being mindwiped, and knew exactly who Luke, Owen, Vader and Obi-wan were. He just never felt the need to tell 3PO about it (and thus Luke never found out.) Just seems to fit the little trash-can's personality.

    23. Re:Blah by aiabx · · Score: 1

      I don't know about that. I read the book, and it was quite the steaming coil of bumloaf. There's lots of blame to spread around.
      But just in case David Brin is reading this, I quite liked Startide Rising, so it's nothing personal.
      -aiabx

      --
      Just this guy, you know?
    24. Re:Blah by Syncdata · · Score: 1

      Right, but how many of the robots were gay? I mean, 3pos main function is to talk, and I think that everyone would remember the time that kid anakin built the gay british robot. That's just me though.

      --
      "Inattention makes clowns of us all" -Bean
    25. Re:Blah by bryanbrunton · · Score: 2


      "I found the article fragmented and poorly written."

      Hmm, maybe that's cause the article was _fragmented_ (it was clearly a hodge podge of Brin's thoughts on the subject) and also written with _little attention to detail_ (poor doesn't really apply here). The guy clearly has better things to do than spend lots of time correcting spelling mistakes on random thoughts on some B movie he took his kids to see.

    26. Re:Blah by duct_tape_n_wd40 · · Score: 1

      Well, that works for half the equation. Maybe Owen is a droid too.

      Oh my gosh, Owen is a replicant!

      --
      .siggy .siggy .siggy .siggy hoi hoi hoi - Prosit!
    27. Re:Blah by unicron · · Score: 2

      Leia got the droid off the ship with the message for Obi-Wan, she just really lucked out she did it above his home planet.

      Ok, that's a stretch, but still.

      --
      Finally, math books without any of that base 6 crap in them.
    28. Re:Blah by Chris+Burke · · Score: 2

      The article or the movie?

      If you can come up with a good reason why Anakin ignored his mother for ten years and why Amidala, Obi Wan, or anyone else who was friends with Anakin with enough money for a Speeder couldn't have easily bought her freedom other than plot necessity, then I'll believe you might have a point.

      --

      The enemies of Democracy are
    29. Re:Blah by hyperizer · · Score: 2, Interesting

      Exactly. I thought the whole reason Luke was on back-woods Tatooine ("If there's a bright center to the Universe you're on the planet that it's farthest from,") was so Vader couldn't find him. I was sorely disappointed to see that Anakin had been born and raised on Tatooine too, and that he and Luke's mother return for frequent visits. Everyone in the Republic seems to know about the place. Can't George come up with any more planets?

    30. Re:Blah by jeffcuscutis · · Score: 1

      That's very similar to Peter David's
      "Skippy the Jedi droid" story.

    31. Re:Blah by Anonymous Coward · · Score: 0

      He wrote other articles specifically adressing Episode 1. Three of them, in fact. Read those, and you'll see he's not forgiving at all about episode 1.

    32. Re:Blah by Anonymous Coward · · Score: 0

      Give me a break you apologist twit.

      a. Owen still lived with them for the years AS was gone.

      b. Luke, Leah, and the rest seem pretty attached to their droids, almost treat them like people.

      c. You forget in Empire C3P0 was there at the Vader dinner Party. Vader WOULD NOT FORGET ANYTHING. Dude is the most powerful Jedi ever and his power clearly extends into technical aspects. C3P0 would reek of home to him. Gods don't forget their handywork.

      d. Owen knew they were GTD (Grand Theft Droid)that's why he wanted em wiped.

      Lucas has is fist up his ass don't, appolgize for poor craftsmanship.

    33. Re:Blah by frenchgates · · Score: 1

      Those who are easily amused don't critisize.

      --
      Syntax error: loose != lose, affect != effect, then!=than
    34. Re:Blah by some+guy+I+know · · Score: 1

      Er, I don't think that "Fantasia" follows that plot at all.

      --
      Those who sacrifice security to condemn liberty deserve to repeat history or something. - Benjamin Santayana
    35. Re:Blah by User+956 · · Score: 2

      Er, I don't think that "Fantasia" follows that plot at all.

      Have you ever seen Fantasia? It fits, albeit in a fucked-up drug-haze way.

      But then, it's a fucked-up drug-haze movie.

      --
      The theory of relativity doesn't work right in Arkansas.
  4. The Biggest Problem... by tjensor · · Score: 4, Insightful

    ... with the new star wars films is nostalgia. We look back on the original three films with rose-tinted glasses, when really the dialogue sucked, the plots were generic, and acting not up to scratch.
    The only new crime of the new trilogy is the over-reliance on CGI.
    PS this isnt a troll I actually love Star Wars :-)

    --
    <fnord>OBEY</fnord>
    1. Re:The Biggest Problem... by MoneyT · · Score: 5, Insightful

      But the thing about the original films was that they had a believeable flow. There was an empire and giant evil machine with drones to do their bidding. There were the remnants of the Jedi, calmly biding their time until the events allowed Luke to be brought into his own and hopefuly push forward and bring them back from near extinction. There were the Rebels, a small on the run group constantly trying to stay one step ahead of the empire. Hit and run attacks, going for weak points instead of all out brute force. And then there was the rest of the world. They didn't like the control they were under, but they didn't have a lot of say, so they just lived on. The worlds had believeability, the machines had believeability. The big energy guns had big cables, the ships and switches and dials and buttons, not just lights on a pannel. The problem with the new star wars movies is things aren't believeable, there are no motives, just actions.

      --
      T Money
      World Domination with a plastic spoon since 1984
    2. Re:The Biggest Problem... by 0xdeadbeef · · Score: 2, Interesting

      But it was acceptable in those films, because it didn't really strain credulity. In this new batch, Lucus has underminded the previous films with shit like "midicholorians" and "vigirn births", and the acting is even worse. The stilted dialougue between Anakin and Queen Whatsherface is so bad its like hearing fingernails on a chalkboard! Make it stop!

      And whats with the political intrigue so simple a child can follow it? Was that his intention? Perhaps he hopes it will sell more toys, if kids want to reenact the Senate debate.

      And the racial stereotyping? Is it some sort of one-upsmanship with Star Trek? I don't know which is more offensive, the Shylock Ferangi or the "ah so" Trade Federation. Oh, oh! Meesa Jamaican retard!

      I still enjoy the old films. I even liked the Timothy Zahn sequels. That's why I hate these movies, it's like George Lucas wanted to take a big chunky dump on everything he's done before.

    3. Re:The Biggest Problem... by garcia · · Score: 2

      why does the plot still suck? why does the movie rely on CGI that looks only slightly better than the original film's? why does the acting really suck?

      I hated all the SW movies, especially AotC. It was boring, the movie didn't hold my attention, and I was certainly unimpressed by the CGI after seeing other movies (LotR).

      I am not trolling either. I really think that the movie (for all the money that gets sunk into it) should be a lot better than it is.

    4. Re:The Biggest Problem... by NanoGator · · Score: 5, Insightful

      "The only new crime of the new trilogy is the over-reliance on CGI. "

      Not true. The original trilogy had character. Without a Han Solo'ish character, Jedi are quite boring.

      Plot is nowhere near as important as the characters. Don't belive me? Ask people why they like Monsters Inc. 0 people will say "Because I think it's cool how Sully provided power to the Monster world without scaring children!"

      --
      "Derp de derp."
    5. Re:The Biggest Problem... by aardvarkjoe · · Score: 4, Insightful
      Then why does the younger generation, many of whom have just recently seen the originals as well as the new movies, still agree that the new ones suck? My younger sister saw all the SW films, old and new, within the last couple years -- and was in agreement that the originals were far better movies.


      The suckage of AotC goes way beyond "not living up to the nostalgia." If the originals had been this bad, they would have been consigned to the trash heap, and these new ones would have never been made.


      And no, I have no intentions of wasting my five dollars and three hours on the third movie. I'll find a decent book to read and do something enjoyable with my time.

      --

      How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
    6. Re:The Biggest Problem... by IIRCAFAIKIANAL · · Score: 2

      "Because I think it's cool how Sully provided power to the Monster world without scaring children!"

      AUUUGH!!! You ruined it!!! I'm watching that movie tonight you know!

      Thanks a lot.

      Slashdot is like spoiler central for me - this is the third time this has happened to me here in the last six months.

      (I'm not really mad *at you*, it's an old movie, but that doesn't mean I can't be annoyed, right? ;)

      --
      Robots are everywhere, and they eat old people's medicine for fuel.
    7. Re:The Biggest Problem... by mblase · · Score: 3, Insightful

      We look back on the original three films with rose-tinted glasses, when really the dialogue sucked, the plots were generic, and acting not up to scratch.

      True, but recognize that "Star Wars" was superior to almost any other science fiction/space opera out at that time. The special effects alone deserved accolades, and some of them still do. The concept of the Force was something the non-book-reading public had yet to encounter in sci-fi.

      Up until then, sci-fi in tv and movies was almost all about robots, aliens, spaceships, invasions, monsters and laboratory experiments gone awry. All the general public had to know about sci-fi was the original "Star Trek", "Battlestar Galactica", "Space 1999", "Buck Rogers". Nothing too cerebral there.

      The Force was a good concept to add to an otherwise pretty, but ordinary movie like "Star Wars", and "The Empire Strikes Back" made it even better with some clever plot twists and delightful character development that was ten times deeper than what "Star Wars" had bothered with. "Return of the Jedi" tied it all up with by far the best F/X of the trilogy and lots of great action.

      We expected too much from the new trilogy, is the problem -- the basic story is good, but the acting just isn't there and the digital special effects have overwhelmed the characters completely. Plus there's been a decade and a half with some really good science fiction since then. "The Matrix" alone, which opened mere weeks before "The Phantom Menace," showed everyone that sci-fi didn't have to be about spaceships and aliens in order to kick butt.

    8. Re:The Biggest Problem... by Don+Negro · · Score: 2

      You'll feel better knowing that the original poster got that wrong. Nothing's been spoiled.

      --

      Don Negro
      Perl 6 will give you the big knob. -- Larry Wall

    9. Re:The Biggest Problem... by Clock+Nova · · Score: 1

      "Plot is nowhere near as important as the characters."

      Not according to Aristotle. In cinema, as well as in theatre, plot is much more important than character.

      Not that character doesn't matter, it just can't carry a story with no plot. A story with a great plot and no great characters, while not a great thing to see, can still be followed and enjoyed.

      --
      There they were, sitting in the van with all those dials, and the cat was dead. -V. Marchetti, CIA
    10. Re:The Biggest Problem... by NanoGator · · Score: 2

      "(I'm not really mad *at you*, it's an old movie, but that doesn't mean I can't be annoyed, right? ;) "

      Ya still can't be annoyed. I didn't give away anything. heh. As I attempted to point out in my post, that wasn't the point of the movie. (B'sides, I flubbed it a bit. So you really don't know, do ya?)

      --
      "Derp de derp."
    11. Re:The Biggest Problem... by NanoGator · · Score: 2

      "Not that character doesn't matter, it just can't carry a story with no plot. A story with a great plot and no great characters, while not a great thing to see, can still be followed and enjoyed. "

      Aristotle was not a movie maker. Nor is his advice valid today, as hundreds of years have passed since he supposedly said that.

      "A story with a great plot and no great characters, while not a great thing to see, can still be followed and enjoyed."

      Maybe in books, but not in movies. Even then, the only way a plot's going to appeal to you is if it relates to you in some way or another. Which is fine for you, not for everybody else. if the plot doesn't relate to you, then you need a character to help you out.

      Ideally, you need a good plot AND good character interaction. You can compensate for a failing plot with good characters, but you cannot compensate for bad characters with a good plot except maybe on the individual level.

      --
      "Derp de derp."
    12. Re:The Biggest Problem... by Jaysyn · · Score: 1

      Thanks a lot dude, I was going to watch that tonight.

      Jaysyn

      --
      There is a war going on for your mind.
    13. Re:The Biggest Problem... by Watts+Martin · · Score: 3, Interesting

      "Battlestar Galactica" came out in 1978 and "Buck Rogers" in 1977--both were capitalizing on Star Wars to some degree. ("Rogers" was probably in the planning stages before Star Wars' release but they clearly knew of the movie, and "Galactica" never made much effort to hide its influences. And, while I'm honestly not much of a "Star Trek" fan, when the original series was good it was good on a level that George Lucas never came close to. The Empire Strikes Back made an effort, but mostly thanks to screenwriter Leigh Brackett (who's almost certainly responsible for the clever plot twists and delightful character development).

      I really didn't expect too much from the new trilogy because I lost a lot of respect for Lucas the more I watched his career and the more I learned about the development of Star Wars itself. (The Phantom Menace is much closer to his original draft for Star Wars, before people convinced him that he needed to have a mythic story and turned him on to Joseph Campbell.) I had, however, expected that Lucas might have been wise enough now to recognize his limitations and to bring other screenwriters on from the start. Instead. Sadly, that doesn't seem to be the case.

    14. Re:The Biggest Problem... by NanoGator · · Score: 2

      Didn't raelly read my post, didja?

      Amusing, iddn't it?

      --
      "Derp de derp."
    15. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      I like how people act like you gave something away when you said "Nobody's going to say they cared about that".

      Piece of advice for everybody: UNDERSTAND what the guy's saying before you respond. A bunch of you sound like idiots, particularly when you overdraw on literalism.

    16. Re:The Biggest Problem... by susano_otter · · Score: 3, Insightful
      Aristotle was not a movie maker. Nor is his advice valid today, as hundreds of years have passed since he supposedly said that.

      Aristotle is talking about stories and storytelling, is he not? The nature of stories is timeless, and while storytelling techniques may have changed since Aristotle's time, storytelling principles--being closely bound to the nature of stories--have not.

      Since Aristotle is talking about things that don't change over time (the nature of stories and the principles of storytelling), if his advice is not valid today, it must never have been valid. He was just as wrong about stories "hundreds of years" ago as you say he is today.

      Advice doesn't have to be contemporary to be valid. "Don't murder people" has been around far longer than you or I (or Aristotle), but just because we've forgotten who "supposedly" said it first, that doesn't mean it's suddenly now bad advice.

      As for the question of whether Aristotle really said it or not is irrelevant to your argument: the wisdom of the statement can easily be tested without resorting to argument by authority. In fact, arguing that it must be good advice because "Aristotle said it" is just as foolish as arguing that it must be bad advice because "Aristotle is dead now". But I digress.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    17. Re:The Biggest Problem... by Anonymous Coward · · Score: 0

      Whoops, at first, I thought you were talking about terrorists...

    18. Re:The Biggest Problem... by Clock+Nova · · Score: 1

      Thank you for so eloquently making the point for me.

      As to Aristotle's words in "Poetics" being more relevant to "books," that is completely wrong. Aristotle was speaking about theatre or, more specifically, dramatic "poetry," when he laid out the guidelines for dramatic structure. In fact, books (meaning prose) are usually entirely character driven. A novel can be quite entertaining with very little strength in terms of plot. It is drama, whether on stage or on film, that is plot driven.

      Plenty of novels center around people talking about themselves and their lives. Most moveis that do only that are too boring to comprehend.

      --
      There they were, sitting in the van with all those dials, and the cat was dead. -V. Marchetti, CIA
    19. Re:The Biggest Problem... by Sparks23 · · Score: 1

      Leigh Brackett's hand is clearly visible in Empire Strikes Back, yes. Just go read some of her other work (she was also an SF/Fantasy author herself, and has a lot of work published from the 40's and 50's, as well as being a mystery author) and you can see the same sort of wit and twists that she brought to Empire.

      --
      --Rachel
    20. Re:The Biggest Problem... by ronfar · · Score: 1
      Thanks for mentioning Leigh Brackett, I was a huge fan of her short fiction as a child, and now I've remembered her, I'll buy some of her novels and some books of short stories by her.

      I had no idea that she was responsible for Empire, that explains quite a bit....

      --
      All the creatures will die, And all the things will be broken. That's the law of samurai. (Jubai, 1605)
    21. Re:The Biggest Problem... by gorilla · · Score: 2
      The nature of stories is timeless

      I disagree with this. The nature of stories on the printed page, in live performances, and in recorded performances are all different. A live performer can react to his audience. A book and a movie can't. On the other hand, a book taps directly into the readers imagination, while both plays and movies have to deal with what they present. This means that movies are unlike both books and plays, and the nature of them is unique and unknowable to anyone before 1930 or so.

    22. Re:The Biggest Problem... by Erasmus+Darwin · · Score: 1
      "AUUUGH!!! You ruined it!!!"

      If it's any consolation, that's really a spoiler for a subplot rather than the focus of the story. While that subplot may be more important to most denizens of the Monsters, Inc. world, the actual plot of the movie revolves around two monsters dealing with a wayward little girl. You could easily remove the power generation subplot, and you'd still have the same great story (though you might have to tweak things a bit here and there).

    23. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2

      Compressed post: the medium is the message.

    24. Re:The Biggest Problem... by RandomCoil · · Score: 2
      My younger sister saw all the SW films, old and new, within the last couple years -- and was in agreement that the originals were far better movies.

      I can think of four reasons:
      1) The new movies really are worse.

      2) She saw them in an order that made the newer ones less appealing.

      3) She was more forgiving of the corniness of the old movies because, well, they're old.

      4) She liked the style of the old movies more (not better/worse, just different).

      or, my favorite,

      5) She's been listening to you and everyone else complain about them and "knew" the new ones weren't going to be as good as the old ones.
      And no, I have no intentions of wasting my five dollars and three hours on the third movie. I'll find a decent book to read and do something enjoyable with my time.

      Yeah, sure. And no one who reads Slashdot uses Windows... :P
    25. Re:The Biggest Problem... by Anonymous Coward · · Score: 0

      the one part about Jar Jar that I appreciated was that he ends up being the idiot who gives the dictatorship to the emperor. Figures...

    26. Re:The Biggest Problem... by beleg777 · · Score: 2

      when really the dialogue sucked, the plots were generic, and acting not up to scratch.

      First, I disagree that the dialog sucked. It was at least no worse than the new movies. Second, I think a generic plot is better than a bad plot. Seriously, maybe the origionals did have a generic plot, but it was well done. The new movies have a bad plot and while rising above a mediocre plot isn't all that hard, rising above a bad plot is quite a trick.

      But the acting comment I don't understand. Between the James Earl Jones, Harrisson Ford and Alec Guinness the movie had some good acting. Definately not any of their best performances, but those were all solid performances. Then you have Carrie Fisher,Billy Dee Williams and Frank Oz, who put up some decent performances. I mean, the acting will never be Braveheart quality, but it was far from sub-par.

      --

      Science may someday discover what faith has always known.
    27. Re:The Biggest Problem... by dbrutus · · Score: 2

      The CGI looks only slightly better than the original films because these are prequels. After the entire nine movie series is finished, they're intended to be viewed in order. You can't have good looking CGI in 1-3, models in 4-6, and really good CGI in 7-9. They're specifically matching the visuals in 4-6. If they ever get around to making 7-9 they'll probably ramp up the tech then.

    28. Re:The Biggest Problem... by susano_otter · · Score: 3, Insightful

      I think that you are confusing "design" with "implementation". I don't dispute that modern storytelling techniques are often radically different from those techniques used in the past--though not as different as you might think. This is different from the nature of stories.

      But what is the nature of stories, anyway? A simple answer might be that the nature of stories is to communicate. This seems like a reasonable answer, and if we look into the past we see that it applies just as much to pre-historic cave paintings as to the contemporary novel. Looking forward, it's reasonable to assume that this nature will not change in the future. Likewise, the nature of storytelling is to communicate the story. A storyteller of any age, using any technique, can be judged against this standard. The thing being communicated is different in different times and places, but the fundamental principle of communication that defines a "story" does not.

      If we take "communication" as the unchanging nature of stories, then we can interpret Aristotle as follows: "Plot is more important than character, in order to successfully communicate the story." The question then becomes "is Aristotle correct?"--and this question can be applied just as appropriately to modern stories as ancient ones. By the same token, his assertion will be just as correct in the ancient context as in the modern one, so if he's wrong today, then he was wrong back then, and if he was right back then, he will be right today.

      Unless, of course, he has also confused implementation with design: his audience might have better received plot-driven communication than character-driven, leading him to believe that the implementation of his time was inherent to the nature of stories themselves. If he is wrong at all, I suspect that he is wrong in this way--and that he always has been wrong.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    29. Re:The Biggest Problem... by susano_otter · · Score: 2

      Condensed reply: So I should look to the nature of Slashdot to find the meaning of your post? If you spoke to me, should I expect to understand your words by studying the way in which air transmits sound, or the workings of your vocal chords? If your statement was made in Spanish, would your meaning change?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    30. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      "Advice doesn't have to be contemporary to be valid. "Don't murder people" has been around far longer than you or I (or Aristotle), but just because we've forgotten who "supposedly" said it first, that doesn't mean it's suddenly now bad advice."

      Bad example, killing people is not a theme that has changed over time. Let me fix your metaphor:

      "Spank your child when he or she is bad."

      Good advice a few years ago, not good advice today. The reasoning is that children are better understood today. More is known about how parenting affects a child. (Supposedly)

      Movies != Theater. Apply theater acting rules to a movie, and you get ... a bad movie! All it takes is the tiniest bit of study of the two mediums of story-telling and you'll realize that you use different media to tell different stories. There's a reason that cartoonists don't go into animation. Movies are not a good medium for telling complicated plots. What they are good at is showing character development.

      The fact that theater is still around should say something of importance to this thread. Movies didn't make theater go extinct. Cameras didn't make paintings go extinct, yadda yadda yadda. If movies only needed to follow the well established rules of theater, then theater would be gone. Simple.

      Aristotle cannot tell people how to make movies any better than I can teach time travel etiquette to Captain Janeway.

    31. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      " If your statement was made in Spanish, would your meaning change?"

      Probably.

      I am 14 years old. -- Yo tengo catorce anos. -- I have 14 years.

      Here's another one:

      You're right! -- Tienes razon! -- You have reason!

      Yes, your meaning changes when you go from English to Spanish. Not sure how relevent it is to your point. I apologize, I didn't understand it. (I didn't understand the whole compressed post bit...)

    32. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2
      Well, no and yes. You can't understand any Slashdot post without understanding it as a post, with the context and assumptions and implicit understanding that frames the activity of writing and reading Slashdot posts. This includes the ability to include hyperlinks, the understanding of the (lack of) demonstrated credentials of the participants, the essentially anonymous nature of the exchange, the structure of the post by which we are in a threaded discussion under the rubric of a posted article, etc. etc. The "meaning" of the act of making the post is circumscribed by all the conventions that build the medium in which it occurs.

      My post was a quote from once-spurned by later-rehabilitated media theorist Marshall McLuhan (of Annie Hall fame). It shouldn't be taken as absolutist or reductionist.

    33. Re:The Biggest Problem... by aardvarkjoe · · Score: 2
      5) She's been listening to you and everyone else complain about them and "knew" the new ones weren't going to be as good as the old ones.


      I doubt it. She saw the new movies before I bothered; and I've never been a huge fan of Star Wars in general -- I've seen the originals a couple times, but I certainly wasn't walking around spouting about whether I thought it would be great or not. And, although you obviously can't verify this, I'm of the opinion that she's capable of discerning a good movie from a bad one.


      As for your last comment -- I only see 3 or 4 movies per year; Episode 3 will not be among them. And I don't have or use Windows. :)

      --

      How can we continue to believe in a just universe and freedom to eat crackers if we have no ale?
    34. Re:The Biggest Problem... by NotesSauceBoss · · Score: 1
      We look back on the original three films with rose-tinted glasses, when really the dialogue sucked, the plots were generic, and acting not up to scratch.

      Okay, plot and acting have some issues, but how down on the original trilogy's dialog can you get? How many memorable lines do we have from that series?

      • That's no moon. That's a space station.
      • Red 5, standing by.
      • We're passing through the magnetic shield.
      • But I wanted to go to Tatchi Station and pick up some power converters!
      • Someone's admiring your handiwork.
      • Jumping through hyperspace ain't like dusting crops, kid. You fly too close to a black hole or a supernova and that'll end your trip real quick.
      • "Nerfherder"
      • Laugh it up, fuzzball.
      • All right... try it... *BZZZZZZZZTTTTT*... TURN IT OFF! TURN IT OFF!
      • Leia: What are you doing? Han: We're taking off. Leia: I think we should discuss this. If those Star Destroyers are still out there... Han: No time to put this to a committee, sweetheart. Leia: I am NOT a COMMITTEE!!
      • Han: How we doin? Luke: Same as always. Han: That bad, huh?

      It ain't Shakespeare, but these and a lot of other lines are definitely memorable and witty dialog. Lando has some great lines as well. And I'm not even quoting the deliciously villanous bad guys!

    35. Re:The Biggest Problem... by susano_otter · · Score: 2

      Normally, I don't reply to ACs, but I'd like to clear something up: I'm not proposing that all wisdom is timeless. I am proposing that we have clear proof that some wisdom is timeless. Whether or not Aristotle's wisdom is timeless is a different question altogether.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    36. Re:The Biggest Problem... by susano_otter · · Score: 2

      Thank you. I think I have a clearer understanding of your point now. I'll not deny that understanding the medium (or context) of a message will generally help in understanding the message itself. Conversely, ignoring the context will often result in ignorance of the message.

      But.

      If I write a novel preaching the evils of vivisection, and then later a movie is made on the same subject, the movie will not say that vivisection is good because it is a movie (and not a novel), but because the message has changed.

      Using the medium itself to be the message is a clever trick, but useless if if you have no message to convey. If the artist has no idea in his mind, then his medium will convey only the message, "Look at me! I am blobs of paint!" Thus my assertion that message must exist independent of medium, in order for the medium to do its proper work.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    37. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      a.) If you look closely, I'm not an AC.

      b.) Wisdom is only as timeless as what is considered right or wrong. Nature, for example, does not subscribe to our wisdom. "Thou shalt not kill...", there are lots of cannibals out there.

      I'm not arguing with you for the sake of arguing, instead the point I'm attempting to make is that nothing is constant.

    38. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2

      The meaning of a novel about the evils of vivisection *is* largely different than a movie about the evils of vivisection. For one thing, no movie or novel has as its meaning just "vivisection is evil." It will have as its meaning "vivisection is evil because," and then the "because" will be followed by textual complications or information that are largely unique to the literary form, or probably graphic imagery that is unique to the filmic form. The 2 media will work at entirely different levels. The framing information that comes in to the viewer is so different in either case - the clothing of each character, facial expressions, the ability of a novel to make digressions in a way that film cannot, the fact that it is far easier to separate a discourse from the character that delivers it in a textual medium than in a visual one, that even a quick glib and succint "moral" like the one you described will be essentially different in each case.

    39. Re:The Biggest Problem... by susano_otter · · Score: 2

      Ah. Well, I have no objection to Anonvmous Cowards! I apologize.

      Sometimes arguing for the sake of arguing is fun!

      In that vein, I'll point out that "nothing is constant" is a self-refuting statement. It presupposes a constant baseline against which the constancy of everything else can be measured. If you deny the baseline, then you have no basis for assessing the constancy of anything, one way or the other. You can't even make the statement unless you have a constant.

      Once the class of constants has been admitted, it simply remains to determine what things are a member of that class. Doing violence to you for my own amusement is pretty constantly wrong, and I imagine you'd be the first to reject any ideology that argued otherwise.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    40. Re:The Biggest Problem... by susano_otter · · Score: 2

      I'm afraid you've lost me. It seems like you're saying that the message of a movie is something like this:

      "Vivisection is wrong because of how graphically the bloodshed is depicted, and how vivid the expressions of agony are on the face of the victim, and how resoundingly his screams echo in our ears."

      You contrast this with the implied message of the novel, which seems to be:

      "Vivisection is wrong because of the insights into the vivisector's motives that the novel affords us."

      It seems to me that in this light, no story can either tell the truth or tell a lie. It will start out by attempting to do one or the the other ("vivisection is wrong because..."), and then promptly fall apart as the medium takes over with ruthless efficiency: "vivisection is wrong because the medium makes it seem wrong".

      By this logic, "drinking Kool-Aid is right because Jim Jones makes it seem right".

      Or have I misunderstood you?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    41. Re:The Biggest Problem... by Boronx · · Score: 1
      How about the atmosphere? When you see those 30 fighters attacking the Death Star, you get this hollow feeling in your stomach, and then they start dying like flies. The music is right, the tension is solid and unbroken, the pilots are average joes fighting impossible odds to save the universe.

      Clones, on the other hand, had almost the same scenario, but made it seem like a game. Whoops! I accidentally blew up the droid control ship! And the naboo pilots were just so much trash to be thrown away. There was one moment of tension, and that's when the droid army is deployed and starts firing at the Gungan shield. But Jar Jar ruins the atmosphere by (yet again) accidently blowing up a bunch of droids. Besides, that battle was only a diversion.

    42. Re:The Biggest Problem... by rgmoore · · Score: 1

      Adding to the list:

      • Into the garbage chute, flyboy.
      • I find your lack of faith disturbing.
      • Sorry about the mess.
      • I suggest a new strategy R2. Let the wookie win.
      • Hokey religions and ancient weapons are no match for a good blaster at your side, kid.
      • You will never find a more wretched hive of scum and villainy.
      • The more you tighten your grip, Tarkin, the more star systems will slip through your fingers. (A definite Slashdot favorite. How many quotes from AotC fit into that category?)
      • Who's the more foolish, the fool, or the fool who follows him?
      • These aren't the droids you're looking for.
      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    43. Re:The Biggest Problem... by Anonymous Coward · · Score: 0

      Being human is enough to relate, sheeze, people do nothing but create differences between themselves.

    44. Re:The Biggest Problem... by Simon+Garlick · · Score: 2
      "Hokey religions and ancient weapons are no match for a good blaster at your side, kid."

      Isn't that one of Harrison Ford's lines in Raiders of the Lost Ark?

      Oh no, that's right -- that's one of Harrison Ford's ACTIONS in Raiders of the Lost Ark :)

    45. Re:The Biggest Problem... by ssstraub · · Score: 0

      Where do you live that movies costs FIVE DOLLARS? Around here (Milwaukee), they are at least $8.00.

    46. Re:The Biggest Problem... by Clock+Nova · · Score: 1
      There's a reason that cartoonists don't go into animation. Movies are not a good medium for telling complicated plots. What they are good at is showing character development.


      You're right when you say that movies are not good at telling complicated plots. But what they ARE good at is telling relatively simple plots. What they are TERRIBLE at is showing character development. Literature will always be the ultimate character development medium because it enables you to get inside a character's head in a way that film and theatre cannot.

      Perfect example: the novel "Dune" tends to make a very poor movie (at least, compared to the book) because so much of the story depends on the reader knowing exactly what everyone is thinking. Depicting that in a movie is very awkward, and can only be compensated for by the addition of scenes and scenes of tedious exposition whereby the characters have to somehow act out or just speak out what they are thinking. Of course, there's always the voice-over, which is what Lynch used. But too much of that is annoying.

      Apply theater acting rules to a movie, and you get ... a bad movie!


      Only if the acting rules you apply to Cinema come from more than about 100 years ago. Today's theatrical acting style is very realistic. Except for slight modification due to the nature of performing live in a theater, the style itself would work just fine on film. Perhaps that's why so many Shakespearean actors are so good on film.

      Aristotle cannot tell people how to make movies any better than I can teach time travel etiquette to Captain Janeway.


      He cannot tell me how to make a movie, no. But he can tell me how to construct an effective drama, which makes for an excellent movie!

      And I wish SOMEONE would teach good time travel ettiquette to Janeway.
      --
      There they were, sitting in the van with all those dials, and the cat was dead. -V. Marchetti, CIA
    47. Re:The Biggest Problem... by Lemmy+Caution · · Score: 2
      Now you are confusing the message with the truth- or propositional-value of the message. Stories can consist of truths and lies, but not be a truth or a lie (it can fail as a reliable documentary because of specific falsehoods and omission, but that's entirely different.) Very, very, very little communication is disinterested exchanges of propositions for evaluation for truth-value, and even most of that is structured by its delivery and accompanies other information (the reliability of the teller, the motive for the exchange, etc.)

      Additionally, any story or film that is entirely reduceable to one polemic is ridiculously trivial - and probably doesn't exist.

      And using narratives to tell "truths" can create lies. I can tell a based-on-fact true story about a compassionate, thoughtful Nazi. Outside of any context, that true story contributes to a lie. The easy answer to that problem is that it is a lie of omission, but every narrative makes a virtually infinite number of lies of omission - there are no complete stories.

    48. Re:The Biggest Problem... by GlassUser · · Score: 2

      Reminds me of those old computer games where they had a book of "paragraphs" 'cause there wasn't enough room to hold dialog too. To prevent you from reading the whole thing and knowing what to do in the game, they put in some really whack, or just completely wrong stuff. I liked it. :)

    49. Re:The Biggest Problem... by mlh1996 · · Score: 1

      I only see 3 or 4 movies per year; Episode 3 will not be among them. And of course, as such a HUGE fan of movies, you are obviously capable of discerning a good one from a bad one.

      --
      Lack of creativity is no excuse for not having a .sig
    50. Re:The Biggest Problem... by (void*) · · Score: 2
      No, I think you have just read "truth" into what susano_otter is saying. A movie's (novel) message can be "vivisection is wrong becuase of the intentions of the man", or it can be "vivisection is wrong becuase it was depicted graphically and made me hate it". These are distinct messages and it CAN be both.


      The truth value of that proposition, is independent of our judgements about which message is more apt for which movie.

    51. Re:The Biggest Problem... by Luyseyal · · Score: 2

      indeed, "nothing is constant" should be reformulated as "everything changes" which is consistent with itself.

      The closest argument contra is: But, then the fact of change would itself be constant.

      However, the fact of change is dependent on the existence of things. So, when things cease to exist, the fact of change changes (i.e., it ceases to exist).

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
    52. Re:The Biggest Problem... by Ryan+Hemage · · Score: 1

      Buck Rogers dates from the 30s. Used to be a comic, then a movie serial starring Buster Crabbe, who also played Flash Gordon at the time. (Interestingly enough, George Lucas wanted to make a Flash Gordon film, but he couldn't get the rights, so he did Star Wars instead.)

    53. Re:The Biggest Problem... by tjensor · · Score: 1

      Ack! The Zahn Sequels were terrible! When I read a book I'd like to hear the writers style, not him desperatley trying to repeat someone else's. He wasnt even writing in the style of Lucas's writing - he was writing in the style of the films - the visual style.
      Every time I read "Han upper lip curled upwards" I cringed.
      I cringed a lot during those books.

      --
      <fnord>OBEY</fnord>
    54. Re:The Biggest Problem... by tjensor · · Score: 1

      I mean, the acting will never be Braveheart quality

      If that is the standard by which you judge quality acting, I rest my case.

      --
      <fnord>OBEY</fnord>
    55. Re:The Biggest Problem... by hkmwbz · · Score: 2
      No motives, just actions?

      You do realize that what you are seeing when watching episode 1 and 2 are Anakin's journey towards the dark side? You also see the schemes cooked up by Palpatine in his attempt to gain power. Episode 2 is a lot better at this than episode 1, as it really shows you how Anakin starts moving towards the dark side. It also shows us how Palpatine carefully planned the fall of the Republic.

      If you watch episode 1 and 2 expecting the usual basic plot with "Good vs. Bad", you will be disappointed. That's not what they are about at all. They operate on another level than the standard adventure story seen in the Original Trilogy.

      Episode 2 is a lot more subtle most of the time, and you will see a lot of foreshadowing. This is a good thing, and one really should watch the OT before watching episode 1 and 2.

      If you don't understand the motives behind people's actions in episode 2, you should perhaps consider looking beyond the basic plot playing out on the screen. You need to gather the threads to get a bigger picture of what is really going on.

      To me, it sounds like you are expecting a new OT, when this is clearly not what the new movies are about.

      --
      Clever signature text goes here.
    56. Re:The Biggest Problem... by susano_otter · · Score: 2
      The truth value of that proposition, is independent of our judgements about which message is more apt for which movie.

      Thank you.

      That truth value is also independent of whatever meaning you extract from the medium. Thus, the message.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    57. Re:The Biggest Problem... by susano_otter · · Score: 2

      So far, so good. But I still need something unchanging, otherwise I have no baseline against which to measure change in other things. How can I know what change is, unless I already have a clear idea of what constancy looks like?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    58. Re:The Biggest Problem... by Luyseyal · · Score: 2

      the idea of constancy is abstracted from observed change.

      while I cannot point to anything around me that hasn't changed, things like that building over there, set against the grass and trees in the rain, change slowly enough for me to abstract an idea of constancy, i.e., the process of change slowed to an ideal state of stopping.

      then we're back to whether the definition of change can change. I think it changes if everything ceases to exist, but maybe that's a non-standard belief. ;) (i.e., the old example of: If nothing exists, does 1 + 1 equal 2? Many of my professors would say that "Yes, 1 + 1 = 2 still holds" whereas I'm inclined to say "Only if someone is around to classify the void into sets... but then it wouldn't be a void.")

      -l

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    59. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      "In that vein, I'll point out that "nothing is constant" is a self-refuting statement."

      Not true. The definition of nothing never changes. Once you have something, nothing ceases to be. Therefore, the definition of nothing cannot ever possibly change.

      Heh I just got up so don't beat me up too hard, I'm just goofin around.

    60. Re:The Biggest Problem... by MoneyT · · Score: 2

      I fully agree that Ep2 was much better than Ep1. Infact, it had me looking forward to Ep3. It had the feel of the original movies, but it was still missing something. True the characters had more motives in this one, but it still didn't seem nearly as well done as the first trilogy. And like I said, Lucas has lost that detailed nitty gritty things look like they would work look and abandonned it for shiny new eye cady for a lot of things. Granted this is before the OT, there's lot's more money floating about, but some of the new designs and ideas are too out there for what the OT had in mind. True there is more subtlety in how the politics of things are playing into the system, but it's not quite the tale most of us were expecting. However, I have highhopes for Ep3 as I think the disasterous Ep1 was merely a nessesary evil.

      --
      T Money
      World Domination with a plastic spoon since 1984
    61. Re:The Biggest Problem... by susano_otter · · Score: 2

      Clever!

      No worries, I'm still a little groggy myself.

      I think I have a clearer understanding now, but I feel like I've reached my limit of understanding. I'm not sure I can do anything more at this point except withdraw to contemplate the things you've mentioned.

      Thanks! It's definitely been fun. We should do this again some time :)

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    62. Re:The Biggest Problem... by hkmwbz · · Score: 2
      Episode 1 wasn't too bad. It was entertaining enough. It was a nice intro to the new trilogy.

      You should expect episode 2 to take place in more "shiny" environments. After all, the people we are dealing with are politicians and their helpers. They don't generally hang out in dirty caves. They have clean clothes, clean rooms, everything. The OT takes place among the rebels - and they are a rag-tag bunch of, well, rebels, who don't have the same "polish" as the politicians you see in the current movies.

      What tale were you expecting? It is about Anakin's journey towards the dark side, and Palpatine's rise to power. It told those stories nicely.

      Episode 3 should be very nice. It will apparently be darker and more violent.

      The OT isn't very spectacular if you think about it. The story is a bog-standard "good vs. bad" thing, the acting is bad, etc. It does have its charm, and despite its flaws, it drags you in. Most people today view it through rose-tinted glasses.

      You aren't supposed to compare the two trilogies in this way, because they are completely different kinds of movies.

      --
      Clever signature text goes here.
    63. Re:The Biggest Problem... by Anonvmous+Coward · · Score: 2

      "Thanks! It's definitely been fun. We should do this again some time :)"

      Same, cheers man. :)

      AnonV

    64. Re:The Biggest Problem... by susano_otter · · Score: 2

      Thanks! This clarifies things a bit for me. Now, I shall go and meditate on what I've learned :)

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    65. Re:The Biggest Problem... by TheRevenant · · Score: 1

      George Lucas seems to have (wisely) dropped all mention of Midichlorians, allowing us a more acceptable explanation in our own heads:

      Midichlorians don't cause the force - they are simply a microsocopic life form that is attracted to it. Thus someone "strong in the force" would attract a lot of midichlorians.

    66. Re:The Biggest Problem... by Luyseyal · · Score: 2

      /me grins

      -l

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    67. Re:The Biggest Problem... by (void*) · · Score: 2

      But the point is that if you take the film or novel seriously, you will necessarily choose the meaning that maximizes the truth.

  5. A better and more accurate article... by Anonymous Coward · · Score: 0

    ...regarding these so-called "critics". While I don't agree with everything it says, it certainly makes a lot more sense than anything Brin wrote for Salon:

    http://www.suite101.com/article.cfm/16739/94442

  6. Re:Article slashdotted (page 2) by Anonymous Coward · · Score: 0, Interesting

    But enough wallowing in small stuff. Let's get down to the Grand Champion cliché of all:

    "Gee whillikers, R2, the folks out there sure are in a pickle. What's that, girl? Solve the whole plot by diving my tiny ship into the center of a big bad-ass one, and set off a chain reaction to blow it up from the inside while we run away real fast? What an idea! Gee, I'll bet THAT'S never been done before!"

    Note that the only "Star Wars" movie without this dreadfully clichéd trick is "The Empire Strikes Back," again showing how that movie towers over the others. Actually, I guess "Phantom Menace" is logically the first time the stunt gets used, since it's the "earliest" of the movies, so let's be forgiving. But then, if Anakin did this as a boy, don't you figure he'd remember the nasty little design flaw, 40 years later, when he helps Tarkin and the Emperor build the Death Star? (This may be Clue No. 1 to a great underlying plot secret, one potentially capable of transforming the whole series! A fantastic surprise that'd actually make sense of the whole saga! Care to guess?)

    Originalities

    I confess there was one really original thing in "The Phantom Menace," something I have truly never seen before. I could not believe my eyes when I read the yellow prologue letters flowing across the screen at the very beginning of the film: A sci-fi action movie whose premise is based on taxation of trade routes and negotiations over tariff treaties? Now that ... (yawn) ... is something ... I've ... never ... (snore) ...

    Self-indulgences

    It happens time and again. You create a beloved universe -- then spend most of the sequels wallowing in emotional reunions, or worse, spend most of the prequel introducing characters to each other, dwelling on each moment for long stretches laden with emotional music. R2, meet Threepio! (For the very first time!) Obi-Wan, meet Anakin! Anakin grew up with Greedo! Naturally, there are cameos by Tuskan Raiders and Jabba the Hut and every other old friend, for nostalgia's sake. Anyone notice the delegation of Spielberg's "ET" aliens in the Senate chamber, uncharacteristically willing to associate with humans for a change?

    And there's more! Anyone notice the names of the other candidates for Chancellor? Minister Antilles of Alderan? Maybe the dad of Captain Antilles, the first dude Vader crushes to death in the first movie? Cousin of Luke's wingman, Wedge Antilles? Could it be a coincidence? Destiny? (Or maybe Clue No. 2?)

    Again, to be fair, the nostalgia thing has been done even worse by others. Remember "Star Trek, The Motion Picture"? Wasted half an hour worshipping the Enterprise from the outside before we even got aboard. Get on with it!

    Illogicalities

    "We won't train young Skywalker 'cause he might turn dangerous." So instead of assigning the most experienced teachers to keep an eye on him, and train him to be a good guy, you'd just toss him and his mega-force talent out on the street? Or else, under duress, you'll finally agree to let a recent novice (Obi-Wan) deal naively with the menace on his own? Great idea! Of course this terrible decision leads to catastrophe, so it's all Yoda's fault from the very beginning. (Or is it another clue?)

    According to Stefan Jones, "In the first film, the Force was a kind of martial art/Zen archery kind of thing. Rather egalitarian: Obi-Wan even offers to teach scoffer Han Solo the ropes. Goofy comic-book mysticism, but kind of charming and innocent in a Hong Kong kung-fu movie sort of way."

    But as the Übermensch effect took over, the Force grew elitist. You had to be born with it! In a progressive universe, Yoda & Co. would set up Jedi-arts studios in every mini-mall on Coruscant -- the way karate has saturated suburban America -- giving millions of kids exposure to a little discipline and fun, plus a chance to better themselves through hard work, and maybe outperform what cynical grownups expected of them. But Yoda thinks he can diagnose at age 6 who's got it, who hasn't, and who is pre-destined to fail before they try. Only demigods need apply ... and only those demigods Yoda likes. (Maybe this really is Clue No. 3?)

    Too bad we had to leave the Virgin Mary -- I mean Mom -- on Tatooine (presumably to give birth to Uncle Owen). But once the queen and Obi-Wan get away to Coruscant, can't they access their Galactic Express accounts and buy mom's freedom out of petty cash? I guess they forgot. Some heroes.
    We Jedi protect the innocent! So let's take a 6- year-old along on a raid into the enemy's heavily defended HQ! (Then tell him to hide in a fighter cockpit "for safety.")
    Vader grew up on Tatooine, yet he finds the place unremarkable 40 years later in "A New Hope." In the same film he senses nothing unusual about C-3PO, his beloved first-born droid. (Or his own daughter, for that matter!) In any event, this coincidence makes Tatooine the last place anyone would hide Vader's newborn son -- Luke -- 20 years hence!

    Naturally, this hustling of babies will wind up being the major subplot of Episode III -- which ought to be a real bummer of a movie: Coruscant and a zillion other planets are gonna have to fry as the emperor takes over, since that would only happen over the dead bodies of every decent citizen with any spirit. What a lovely way to finish the saga! But we'll still cheer as Obi-Wan manages to grab the twins, Luke and Leia, saving them from Dad's evil clutches as billions perish behind them. Hurrah!

  7. Hes right but.. by trevinofunk · · Score: 3, Insightful
    Its a smidge late isnt it??

    I mean, shouldnt a critique of the movie be out, say, within a month or two of the movie being released??

    1. Re:Hes right but.. by Plutor · · Score: 2

      Hey, at least it isn't TWO FULL YEARS late.

    2. Re:Hes right but.. by WankersRevenge · · Score: 1

      Actually, I think distance is a good thing being you can look at a film with "objective" (I use that term loosely) eyes and give a real critique free of the marketing hype and general frenzy.

    3. Re:Hes right but.. by jdbo · · Score: 2

      Its a smidge late isnt it??

      I mean, shouldnt a critique of the movie be out, say, within a month or two of the movie being released??


      You're right - the millions of words that have been written on films (and don't forget TV!) should be thrown out immediately. Someone better tell my former film history professors to ditch their current projects, too. Sure they'll be crushed, but once I explain that those movies aren't shiny & new, I'm sure they'll move on to new careers.

      While we're at it, let's ignore all cultural products that are more than a few weeks old - reflection (and especially re-consideration) is always bad, bad bad! And the concept that the passage of time can enable objectivity and new perspectives - that's all hogwash!

      (Boy, this would have made my art history courses at school so much easier!)

    4. Re:Hes right but.. by babbage · · Score: 5, Insightful
      Nah -- initial review tends to come out immediately, but it seldom amounts to more than "what was the movie about and would you want to pay to see it now". More thoughtful literary criticism tends to come later, and really that's what this review is an early example of (note how a lot of it seems like just crib notes in no particular order -- I can see Brin turning this stuff into a book later if he wanted to).

      Literary criticism can actually get more interesting as time goes on. What if anything does "Blade Runner" have to say now that we have cloning? Does "Seven Samurai" or "Magnificent Seven" inform the debate on terrorism today? How does a character like Charles Foster Kane illustrate what we now see in people like Rupert Murdoch or, for that matter, Bill Clinton?

      Every generation gets to reintrepret stories, whether those stories are Star Wars movies, Shakespeare's plays, or the epics of the Greeks & Romans. The first generation gets a first crack at such review, but really it takes time for the first wave of interesting stuff to fall out, and the revisionism that later generations can bring can be even more interesting, even if it makes purists wince. Compared to that slower, more thoughtful criticism, the puff pieces you get to see right when the movie/book/etc comes out are for the most part pretty boring & useless.

    5. Re:Hes right but.. by revery · · Score: 1

      Yeah, I'll tell my English Lit teacher that when she asks me to write that paper on MacBeth.

      I can't believe I just compared a Lucas film to Shakespeare....

    6. Re:Hes right but.. by haggar · · Score: 2

      What if anything does "Blade Runner" have to say now that we have cloning?

      You know, "Blade runner" was a piece of art. It may not have been art for all people's sensitivities, but for many it had more than just future prediction as a value. The book on which it's based is even more artisticly exciting while at the same time more nutty.

      However, I would say that cloning is not directly the subject of the movie. In fact, we don't know the technology behind the creation of "artificial humans", their genetic code might have been cooked up from scratch. The whole point is that they are -artificially- created, not just clones. Human clones would be, in fact, just as human as we are. A fine example is given by twins: a clone is nothing but a twin born later.

      --
      Sigged!
  8. At least Lucas appreciates irony... by brooks_talley · · Score: 5, Funny

    From Time magazine, as quoted in the Brin piece:

    [Anakin] can't let go of things. It makes you greedy. And when you're greedy, you are on the path to the dark side...

    Cheers
    -b

  9. Re:Article slashdotted (page 3) by Anonymous Coward · · Score: 1, Interesting

    Cheats and unexplained plot drivers

    Hey, I put up with all those underwater fishes chasing a blaster-equipped ship because I thought we were gonna get a trip "through the planet's core!" Why mention it, if you're not gonna show it?
    Uh ... will anyone please explain why the Sith Lord and Trade Federation risk everything to capture a teeny periphery planet? Can we have a clue why Naboo was important -- any hint at all? Hello?
    If the queen can drum up so much Senate support that she's able to fire the good chancellor, wouldn't someone lend her a few fast ships with cameras, to broadcast atrocities going on back on Naboo?

    Also Today

    "Star Wars" despots vs. "Star Trek" populists
    Why is George Lucas peddling an elitist, anti- democratic agenda under the guise of escapist fun?

    The Republic has no police
    force? No news media to verify the queen's story? No big planets who are sick of the Trade Federation and hankering to pounce on the federation's big mistake? No commercial competitors of the Trade Federation, eager to do likewise in hopes of getting the franchise? No past victims of the Federation Robot-Army, eager for revenge? Everybody's a wimp except for two Jedis and some funky amphibian rastafarians?
    Democratic institutions are always foolish or useless in "Star Wars." Even the Jedi High Council is blamed by Yoda for voting to allow Anakin to be admitted for training, over Yoda's "wise" objections. Only impulsive commands by anointed leaders have any validity in the Lucasian Universe.
    Worst of all, Lucas forgets one of the chief lessons of filmmaking -- give your villains great lines! Remember "Die Hard"? "Blade Runner"? "The Empire Strikes Back"? Hell, even the lamentable "Return of the Jedi" featured a marvelously awful emperor sneering at the hero seductively (if illogically).

    So what do we see in this movie? Liam Neeson (Qui-Gon Jinn) gets separated from his nemesis, Darth Maul, by a force field. The adversaries pause and glare at each other before resuming the fight. What a great time for Maul to give his side of the story -- his seething need for revenge against the Jedi! Maybe some riveting mumbledy-jumble about the Jedi having crushed and suppressed one whole side of the Force for a thousand years, thus creating awful imbalance in the universe! (Maybe Neeson even half agrees! After all, he's the one wanting to restore "balance," which presumably means bringing back enough of the Dark Side to make sort of a Zen-twilight gray ... or maybe a dramatic layered, two-tone effect. Anyway, a hint about Liam's temptation could explain a lot.)

    Hey, Maul's harangue wouldn't even have to make sense, so long as it told us something about the cause that little Anakin will later adopt as his own. Less than a minute of villainous rant could have packed a lot of juice into their vendetta. But no.

    Pseudoscience gimmicks

    Here's an idea. Let's take the energy symbiote mitochondria inside our cells and mystify them into "midichlorians" (apparently swarms of some sort of symbiotic magical fairies inside of each of us) to give a pseudo-techno gloss to Lucas' new religion. To be fair, "Star Trek" does the same damn thing all the time.

    Nevertheless it brings us back to the different ways the two traditions -- "sci-fi" and science fiction -- would treat Superman. If these symbionts empart great powers to people, can't we find a way to give common folk more of them? A blithe contentment with genetic determinism is one thread this "Star Wars" universe shares with most ancient tales -- and with the Nazis.

    Still, even from this Campbellian Übermensch-hero premise -- that only a genetic elite get to share in the Force -- there is a big logical problem in "The Phantom Menace." Consider: Young Anakin acts with godlike poise and heroism at every turn, yet Yoda accuses this brave kid (packed fulla midichlorians) of being too afraid to be a Jedi? Do I sense a jealous under-plot here? Like maybe old Yoda fears competition? Could he be the hidden hand? Maybe this is the true reason he'll lie to Luke, 40 years later, about his father! Certainly no other explanation for the lie is ever given. None. Not one. Ever.

    (Now here's a thought. How come we never see Yoda take on an enemy with a light saber? Come on master, fire it up and battle a Sith Lord! That's a battle I'd pay to see! His secret advantage? A long time ago, oven mitts were made of asbestos!)

    Could this be Clue No. 4? Maybe Anakin's conversion into Darth has a reason darker than any hinted at, so far. It sure makes more sense than Yoda being so flaming incompetent. (He can foresee the future, but can't sense something as big as "this kid's gonna someday fry planets and kill every Jedi"? How convenient.)

    Forgivable stuff -- and the rest

    Perhaps the biggest torrent of Internet complaining over "Episode I" concerns something that I'm inclined to overlook: the comic relief character, Jar Jar Binks. It may surprise you to learn that I'm not going to waste any time disparaging poor Jar Jar, or dwelling on hints at "Yes, Bwana" racism. I can take at face value Lucas' assurances that he meant well. Likewise, I found the Ewoks in "Return of the Jedi" to be a bit rankling, but bearable, perhaps even plausible! Hey, what's the harm? I can dial down my mental age in order to enjoy a good Flash Gordon-style sci-fi romp. Cute-dumb sidekicks ain't the real problem here, folks.

    Even simpleminded heroes can be excused. For all the faults of every other lying Jedi, Luke Skywalker is a true hero throughout episodes IV-VI -- a good dude who remembers his friends and keeps his common touch. A demigod who never lies or forgets a promise. He's not very bright -- and can't act -- but he's a genuine good guy, all the way. And he gets a lot done, whenever he forgets Yoda's advice and lets himself get a little mad.

    Despite all the clichés, plot inconsistencies and other criticisms I've levelled in this article, I am not suggesting that movie "sci-fi" tales need the same level of logic and character and intricacy you find in first rate science fiction. That would be asking way too much. Anyway, there's a place in this world for eye candy. Even the tsunami of schlock "Star Wars" merchandise flooding every store and mall doesn't raise my ire. Go for it, George!

    If those were my sole complaints, I would not have taken the time to write all this down.

    It's when a director relentlessly tries fiddling with our cultural moral compass that we should sit up and take notice. I'll trust Steven Spielberg with such power, because he's earned it. He's proved again and again that he loves this civilization -- an open society of rambunctious citizens -- that gave him so much. He's one of us, only more so.

    George Lucas, on the other hand, should stick to producing simple action-adventure films -- good clean fun -- and lay off preaching. It's simply not where his gifts lie.

  10. Good vs Evil by uq1 · · Score: 1

    I'm am fully agreed with the comments made in the article. The flaws exist, some a large, some are HUGE. I am a really big Star Wars fan, and for me it simply boils down to the fact that is a classic tale of Good vs Evil. No matter how cheesey it may appear at some times (The sound of music scene sticks in my mind), I sitll thoroughly enjoy a good tale of Good vs Evil. The main reason this movie was my favorite is the fact that you get to see Yoda kick some ass and in what I believe was a realistic way for Yoda to act as a Jedi.

    1. Re:Good vs Evil by Anonymous Coward · · Score: 0

      You should really read the addendum. The plot twist Brin has is mind would preserve this Good V. Evil, just on a different level. It would be Vader & Obi-Wan Vs. Sith/Jedi. I was floored by the concept, and after thinking about it, it makes alot of sense. Surely there will still be some things to be explained, but it ties up alot of the loose ends.

      Go ahead, read just the end of the article linked, it won't hurt.

    2. Re:Good vs Evil by Mr_Matt · · Score: 3, Insightful

      Exactly.

      Reading this guy's article, I was amazed at how seriously he took SWII. Taking entire paragraphs to point out plot inconsistencies, complaining about the simplistic notion of Jedi thoughts on anger, Anakin's mother, etc., etc. makes me wonder if he doesn't realize that for George Lucas, this whole Star Wars thing is pure escapism - a giddy, whimsical throwback to B-grade kiddie serial flicks from another time. Of course there's no Spielbergian display of 'inner conflict of the human hero' - that's how the genre works. The Lone Ranger would have been out of place in Saving Private Ryan but he'd be in familiar company in a Star Wars flick. Even special moments of angst (Luke looking at setting twin suns, Han contemplating a return to attack the original Death Star) are stock B-movie cheesy moments. It's What Makes Star Wars Fun.

      Don't get me wrong - the guy's allowed to take Star Wars seriously. But this whole 'disgruntled fan-boy' criticism just seems like a waste of time, kind of like posting about it on Slashdot.

      Hey, wait a minute... :)

      --


      But what does my opinion matter, I just vote here. It's not like I have any money or anything.
    3. Re:Good vs Evil by susano_otter · · Score: 2
      When I take in a story about Good vs. Evil, I prefer not to come away thinking, "Good is stupid, evil is clever, good is incompetent, evil gets the job done, good is irrelevant, evil rises and falls by its own hand, &c."

      There are much better, truer, more uplifting stories about Good vs. Evil out there. George's vision makes me want to join the Empire, seek out the Dark Side, and thus avoid being an incompetent, lying little scrotum hiding out in a swamp.

      Your rallying cry of "the theme is valid, so the story is good!" only carries so far. After that, the heart and mind revolt, and I look for better stories.

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    4. Re:Good vs Evil by Anonymous Coward · · Score: 0

      The main reason this movie was my favorite is the fact that you get to see Yoda kick some ass and in what I believe was a realistic way for Yoda to act as a Jedi.

      Yep, he was a realistic Jedi: for all the good they claim to stand for, he still lost the fight because of his own stupidity.

    5. Re:Good vs Evil by kellman · · Score: 0

      Where is the good? Where is the evil? As Brin points out, the only indication which is which is the music. The Empire doesn't appear truly 'evil' in any of the films any more than the Rebels and Jedi appear truly 'good' Why should we root for the Rebels? Just because the Empire blew up a planet? What about the Death Star? There were probably more people on the Death Star than a sparsely populated planet.

      --
      I don't want to sell anything, buy anything, or process anything. I don't want to sell anything bought or processed...
  11. Somewhat agree... by dwlaw · · Score: 1

    I admit that I was impressed with the movie, although anyone could nitpick their way through anything if they try hard enough. I was highly disappointed with Epsiode 1, but I think Lucas made up for it in Ep2. There are loopholes, but I thought the movie was generally well constructed and had the old "Star Wars" feel to it. It's made me actually look forward to Ep3, which I had imagined would be the best of the series. My biggest regret is that, to me, Episode 2 really is what Episode 1 should have been.

    --Dave

    1. Re:Somewhat agree... by Anonymous Coward · · Score: 0

      I've vomitted up pus that was more entertaining than this movie.

      Don't mod this as funny-- mod it as informative.

    2. Re:Somewhat agree... by Anonymous Coward · · Score: 0

      Come on! AotC was the easiest of the five to pick apart. Didn't the whole theater just gag every time Annakin and Amidala tried to get romantic? I almost lost my popcorn on this one:

      Annakin: "Don't be afraid to die"
      Amidala: "I'm not afraid. I've died every day since I met you."

  12. Phantom Menace by red_flea · · Score: 1

    This may be a bit off topic, but it's something I've been wondering for a while. Why did they call it The Phantom Menace? With all the other titles, the relation between name and events in the movie is quite obvious. In Attack of the Clones, you've got clones attacking. In episode 4-6, you've got aptly titled movies again. So what the hell did the phantom menace refer to in the first episode? I didn't see any scooby doo like phantom runing around rattling chains menacing everybody... Don't give me metaphors. Even A New Hope obviously fit the whiney farmer kid with a light sabre. What's the deal?

    1. Re:Phantom Menace by Gehenna_Gehenna · · Score: 1

      I thougt TPM was a direct reference to Palpatine. The fact that the whole audience is screaming (at least I was) DON'T LISTEN TO HIM! HE IS LYING! HE GETS REALLY OLD AND WRINKLED AND EVIL AND (indirectly) GET DARTH VADER (sure, he was evil, but he was cool evil baby!)KILLED. He was the Phantom Menace, the cloak of evil that no one can see.. yet.

      --

    2. Re:Phantom Menace by robinw · · Score: 1

      The Phantom Menace is Palpatine. At first, the movie seems like the bad guys are the Trade Federation, who are power hungry. It turns out, though, that Palpatine orchestrated the whole thing in order to get Senator Valorum voted out in a vote of no confidence, so that he could rise to the head of the senate.

      In other words, he could care less about the Trade Federation - he only used them to get into a position of power.

      -RW

    3. Re:Phantom Menace by dpilot · · Score: 1

      What's really funny is that the underlying plot of both TPM and AOtC is the same.

      Step1: Palpatine engineers a crises by making secret deals behind the scenes, wearing his Dark Cloak.

      Step2: The Imperial Senate responds to the crisis by granting Palpatine greater powers.

      Step3: Palpatine double-crosses his co-conspirators, cementing his new position. Chances are he has really double-crossed both sides and placed himself in the winning position no matter who prevails.

      First time, Palpatine got himself made Prime Minister. Second time, he got Emergency Powers.

      Wonder what will happen with Episode III, besides putting the black suit on Anakin...

      --
      The living have better things to do than to continue hating the dead.
    4. Re:Phantom Menace by Anonymous Coward · · Score: 0

      Its a reference to the acting of kid who played Anakin, he acts like the kid in the old TV show "Dennis the Menace." It was supposed to have been called "Anakin the Menace" but that would have been too obvious.

      "Gee, Mr. Palpatine, I'm sorry I blew up your friend's spaceship."

    5. Re:Phantom Menace by Anonymous Coward · · Score: 0

      Even A New Hope obviously fit the whiney farmer kid with a light sabre.

      Wow, I never saw that angle, I thought Lucas knew he was going to stink things up in the first 3 movies so he called the 4th, "A New Hope".

    6. Re:Phantom Menace by ethereal · · Score: 1

      The phantom menace is the Trade Federation, since they're not really a menace at all (since, as it turns out, we had a clone army ready to go after them anyway). The real menace is Palpatine/the Dark Side.

      --

      Your right to not believe: Americans United for Separation of Church and

    7. Re:Phantom Menace by SuiteSisterMary · · Score: 3, Interesting

      Same thing that Hitler did, several of the Roman emperors, and so on.

      In the first movie, he gets the largely ceremonial post of Supreme Chancellor; he officates the Senate, which basically means he gets to 'recognize' who is speaking. Also, he likely gets to form 'subcommittees' for things that the Senate has decided to 'investigate' such as the problems on Naboo. Otherwise, probably lots of kissing babies and opening bridges.

      Also, and far more insidiously, he plants the idea that the Senate is too big and bloated to actually do anything in a timely fashion.

      In II, he engineers a war crisis. Then, he gets himself granted 'emergency powers.' The analog here is Republican Rome; an Emperor would appoint a Dictator (Speaker) who would wield absolute power during times of war, then hand control back to the civilian gov't when the crisis was past.

      Now that he has those powers, he can keep them until HE decides that the 'crisis' has passed. But it won't have. He'll next put into place the command struture of the Empire; Moffs rule systems, Grand Moffs rule sectors, and report back to him. The Senate, at this point, is rubber stamping things. Then, as we hear at the start of IV, he dissolves them, and the Republic becomes the Empire.

      Also, expect him to do something to turn the Galaxy at large against the Jedi; he'll probably point out how they were completely incapable of stopping the Kamino insurrection, for example. Then, he'll have them hunted down and killed behind the scenes.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
    8. Re:Phantom Menace by dpilot · · Score: 1

      As for AOtC, I don't think he needs to do much to turn the Galaxy against the Jedi, since there are so few remaining. They gathered "every available Jedi" for the big battle just before the climax of the movie, and by the time Yoda and the Clones got there, there were only a handful left. I suspect the Jedi left can simply be picked off one-by-one or given very hazardous assignments, and let nature take its course.

      As for reality, how do we decide when the War on Terror is over? As long as there is suffering, misery, hatred, and people with nothing to lose, there will be potential terrorists. You can't attack the real terrorist problem with a weapon, and some would argue it can never be solved. Orwell's "We had always been at war..." quote comes up, frequently.

      --
      The living have better things to do than to continue hating the dead.
    9. Re:Phantom Menace by SuiteSisterMary · · Score: 2

      Actually, it's amusing that you bring that up. The US of A has been in a legal 'state of emergency' since the late 1930s, as I recall; I'll have to go find the reference.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
    10. Re:Phantom Menace by Anonymous Coward · · Score: 0

      I, for one, hope that all the fags and queers die of AIDS. That would be great.

    11. Re:Phantom Menace by MattJ · · Score: 2

      "' The analog here is Republican Rome; an Emperor would appoint a Dictator (Speaker) who would wield absolute power during times of war, then hand control back to the civilian gov't when the crisis was past."

      Well, the first problem with this description is that when Rome was a Republic, there was no Emperor. That, in fact, is why it was called a Republic.

    12. Re:Phantom Menace by SuiteSisterMary · · Score: 2

      Depends on which point of history; you'd have Imperial Rome, Republican Rome, Imperial Rome with a Senate doing useful things, Imperial Rome NOT using a Senate to do useful things....

      But, aye, I should have said 'The Senate would appoint a dictator....

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  13. David Brin by skroz · · Score: 0, Troll

    The name David Brin pops up on /. every few weeks, and I feel obligated to flame him every time. Now he's commenting on AoTC? Pot, meet kettle... kettle, this is pot. David Brin, like George Lucas in the newest crop of films, starts with a great idea, rolls along, tells a good story, then takes a big fat dump all over what he's written so far. Want a neat story about gravity lasers and artificial black holes? "Screw that," he saya 300 pages in, "I want exploding meat puppets and space aliens. And if that's not enough, how about an earth spirit?" And Kiln people? Don't get me started.

    --
    -- Minds are like parachutes... they work best when open.
    1. Re:David Brin by PD · · Score: 1, Troll

      That's completely fair. I think it's in extremely poor taste for an artist to comment on another in a public way. If the Beatles came out with a statement that said the Rolling Stones suck, it wouldn't matter if they were right or wrong. They would just look like idiots for saying it.

      All that Brin has done is invite every REAL sci-fi author to slap him down hard for being the horrible writer that he is.

    2. Re:David Brin by Anonymous Coward · · Score: 0

      Funny, a lot of people seem to appreciate his writing. Maybe you just have crappy taste in novels.

    3. Re:David Brin by Enry · · Score: 2

      I've read 1/2 of Earth and 1/2 of The Postman, and found the writing horrible. I get annoyed with Harry Turtledove's writing at times (it gets repetitive), but at least the plot keeps things going.

    4. Re:David Brin by jdbo · · Score: 2

      It's OK for fans of a genre/author to comment, but not other people who also work in the same field?

      I can understand the "conflict of interest" argument re: making a living out of making things/making a living out of critiqueing the made things", but you appear to be basing this on the idea of "bad taste".

      I think this is the sort of thing that should happend much more often - it's also the sort of thing that gets little publicity, as it's not in the distributor's (movies, TV, books, etc.) financial interest for the audience to feel conflicted about buying into X.

      Critics tends to be "3rd-parties" to provide a comfortable layer preventing the audience from feeling conflicted about what they are interested in seeing.

      Here's exactly the sort of thing that studios hate: "I like Director A + Director B; A trashed B's last movie - am I allowed to like them both anymore??!!" Very junior high.

      Adults can be more sophisticated about their patronage choices... but XXX made how many hundred million?

    5. Re:David Brin by PD · · Score: 2

      It's OK for fans of a genre/author to comment, but not other people who also work in the same field?

      That's right.

      Imagine this:

      Michael Jackson: Bon Jovi Sucks!

      In this case, we'd all think MJ was an idiot for criticizing another musician.

      Now, imagine this:

      Michael Jackson Fan: Bon Jovi Sucks!

      No big deal. A fan can declare that they like or hate something freely.

    6. Re:David Brin by Heywood+Yabuzof · · Score: 1

      Well, you should at least try Startide Rising or The Uplift War. You still might not like his writing, but I can tell you that both of those books are far better than the two you mentioned.

    7. Re:David Brin by The_dev0 · · Score: 1

      Or maybe they are the ones with crappy taste. Somebody buys hallmark cards too, you know...

      --
      Never fight naked, unless you're in prison...
    8. Re:David Brin by jdbo · · Score: 2

      Sheesh, does noone here appreciates the value of rivalry and competition? ;)

      Musicians, authors, artists, etc. are all on some level entertainers - there's a long long long historical record of rivalries between poets, painters, musicians, etc. Check out what Byron wrote about his contemporaries- or better yet, what the wrote about him!

      More recently, the Oasis/Blur rivalry between Blur + Oasis was an _obsessive_ topic in the UK music scene for _years_.

      This sort of rivalry can be genuinely productive, by making both sides work harder to top the other. "Competition" is a concept you might read up on...

      Certainly, if MJ said "Bon Jovi sucks" we'd go "Dumbass". Then again, MJ and Bon Jovi travel in _very_ different musical circles - their music isn't expected to influence each other, let along compete in the marketplace. Perhaps if he had something relevant to say then it would be worth listening. The fact that he most likely doesn't says more about the division between genres in the current music market than it does about his right to comment on the work of other musicians.

      Brin, on the other hand, is an acclaimed SF author, and Star Wars is an SF phenomenon (movies, books, etc.). This is his ballpark! This is is area of expertise! He's not only expected, but practically _required_ to have an opinion on Star Wars! Does he have to publish his opinion, no...

      But guess what? By publishing his opinion he can provide entertainment and insight to others, and add to conversation of ideas in his chosen field of practice.

      In this case it is hopeless that Lucas will actually listen to another human being, but that in no way deprives Brin of his right to call "foul!" on something he sees as polluting the marketplace he works within.

      Whooops, guess I let myself get trolled. Alas...

    9. Re:David Brin by PD · · Score: 2

      I wasn't trolling, the moderators are just idiots.

      All your points are well taken, but I disagree with you that criticism of others is necessary for competition. Maybe *you* should brush up on it, and you might get rid of the misconception.

      People who are in the public eye don't improve their image by being catty. The only way to rise above cattyness is to be really really good at what you do and ignore everything that you might consider lesser than you. That's part of a formula for a good public image.

    10. Re:David Brin by jdbo · · Score: 2

      While I appreciate your high-mindedness, I would be terribly upset to live in a world where people didn't hold strong opinions, and express them with equal vigor.

      Certainly, David Brin may lose some audience members who are offended by the release of his unfettered opinion into the terrifying wilds of the public mind - however, I much prefer this approach to the the ice-cream smooth "personas" taken on by the majority of public figures.

      Could Brin's tone have cleaned up his tone a bit? Sure, but he was clearly aiming for casual, non-academic tone - he wished to engage with other SF fans on a personal level, while applying his professional expertise. By taking on a casual tone, he would avoid the pedantic sensibility that he railed against in his essay. So what that he talked some shit - if you were offended, I'm sure you're not the audience he was trying to persuade.

      As for me, I find his willingness to call it as he sees it refreshing, esp. when the other choice is to pretend that he and all other professional SF authors/writes/directors/etc. (incl. Lucas) are members of a secret elite who may never be seen to comment on each other in public outside of making simple reassuring and supportive grunts.

      So many "public figures" are afraid to have opinions - there's a real difference between acting civility and avoiding conversation entirely. In a choice between narcissistic self-involvement and engagement with the outside world, I find the public figures who are willing to engage in an actual conversation with the public to be far more compelling than, oh, for example... George Lucas. (sorry, that was low. but fun and appropriate.)

      OTOH, I will allow that it is certainly possible to take this approach to far as well - for an example of this, check out Harlan Ellison. However, IMHO Brin has _plenty_ of karma left to burn before he goes from "opinionated" to "crank".

    11. Re:David Brin by Harald74 · · Score: 1
      I get annoyed with Harry Turtledove's writing at times (it gets repetitive), but at least the plot keeps things going.


      No, it doesn't. His WorldWar series just consists of endless episodes where the aliens repeat "But they can't have progressed this fast!". At times I just wanted to scream "Get over it and do your jobs, lizard-breath!" to the books... The whole "800 pages times three" triology could have been destilled down to one 400-page book. Then it would have been enjoyable.

      Harald
      --
      A)bort, R)etry or S)elf-destruct?
  14. A critic is just that... A critic by Anonymous Coward · · Score: 0
    I only read about halfway through this... I get the feeling of "if he can criticize so well, then why can't he make a better series of movies?"

    Anyone agree or disagree? I just have a high disregard for critics of anything I suppose

  15. By David Brin, Ph.D. by GuyMannDude · · Score: 0, Flamebait

    Why the fuck do people insist on putting "Ph.D." after everything they write? Am I supposed to respect his opinion on science fiction more because he has a doctorate in some field? Forget that shit. What if his doctorate was in sociology? I have a Ph.D., too. So what? Do I get bonus mod points if I change my login name to GuyMannDude, Ph.D.?

    GMD

    1. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 3, Funny
      Mod this guy up. He's gott a Ph.D. and OBVIOUSLY knows more than the others.

      -A. Coward Ph.D

    2. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 0

      As my high school electronics teacher liked to say:

      Ph.D. == "Piled High and Deep" ;)

    3. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 0

      The man worked hard to get his doctorate, and you bitch about him showing his accomplishments on his sleeve? Bugger off, mate.

    4. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 0

      Why do you feel the need to tell us all YOU have a PhD?

    5. Re:By David Brin, Ph.D. by Dannon · · Score: 3, Funny

      My father (who also has a doctorate) would quote the first Austin Powers movie on this:

      "I didn't go through four years of evil medical school to be called Mr. Evil."

      --
      Good judgment comes from experience.
      Experience comes from bad judgment.
    6. Re:By David Brin, Ph.D. by GuyMannDude · · Score: 2

      The man worked hard to get his doctorate, and you bitch about him showing his accomplishments on his sleeve? Bugger off, mate.

      That's "Dr. Mate" to you, A.C.!

      GMD, Ph.D.

    7. Re:By David Brin, Ph.D. by majestyk2000 · · Score: 1

      So, what's your PhD in? Something big and scary like "Quantum N-Type Phased Beam Generator Physics", or more squishy like "Doctor of Mating Habits of Dolphins"?

    8. Re:By David Brin, Ph.D. by uberdood · · Score: 1, Flamebait

      My father (who also has a doctorate) would quote the first Austin Powers movie on this:

      "I didn't go through four years of evil medical school to be called Mr. Evil."



      Er, hello? Didn't your dad take the time to explain to you that:

      Ph.D != MD

      David Brin, Ph.D
      [Doctor of Philosophy (Space Physics), UCSD]
      --
      "Population 1,656"
    9. Re:By David Brin, Ph.D. by zoobaby · · Score: 1

      His Ph.D. is in Astro Physics I believe. If you have every read his work, you would see that his science fiction novels use currently known science facts/laws, and a few made up ones as well...it is science fiction. "Am I supposed to respect his opinion on science fiction more because he has a doctorate in some field?" When that field is astro physics....yes.

    10. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 0

      Why the fuck do people insist on putting "Ph.D." after everything they write?

      This is actually a useful way to detect people who are full of themselves. If he used "Dr. David Brin" it would've been even clearer.

      Of course there's nothing wrong with using degrees and titles when it's actually relevant.

    11. Re:By David Brin, Ph.D. by Anonymous Coward · · Score: 0

      [Doctor of Philosophy (Space Physics), UCSD]

      Space Physics? is that real?

    12. Re:By David Brin, Ph.D. by Dannon · · Score: 2

      Sheesh, lighten up. I don't need to put a tag in there, do I? At least the moderator got it...

      Neither is a doctorate in Space Physics the same as a doctorate in Polical Science, or a doctorate in chiropractic medicine.

      All the same, having a doctorate in any field implies a strong degree mastery within that field. And, people may have different reasons for using their titles either in formal writing or in dealings with others.

      In formal writing, formal speaking, and in "expert's" work (including anything from engineering to medicine), it's a way to preemptively answer the question of, 'who are you that your claims count for anything'. Answer: I am an acknowledged master of my field of knowledge, and I have worked hard to attain this level of knowledge, I have the papers from an accredited institution to prove it.

      In the military, and in certain halls of academia, it's a way of establishing pecking order. 'Who are you that I should do what you say?' Answer: I'm your professor, or your commander, Mister, so mind your manners.

      And, some folks just prefer to be called 'Dr.' the way some folks prefer a nickname or their middle name over their full name. Or the way some women prefer 'Ms.' over 'Mrs.' or 'Miss'. I know of at least one Dr. who has a feminist aversion to gender-specific titles, and I respect that. My father just prefers Dr. to his former military title.

      In other words, however he wants to sign his name, it's his biz.

      --
      Good judgment comes from experience.
      Experience comes from bad judgment.
    13. Re:By David Brin, Ph.D. by CaptainCarrot · · Score: 2
      Because it qualifies him to take the tone he does. GMD has never mentioned his degree before that I've seen, but he mentions it here to make his point. His remark was not a troll, but a valid complaint from a "member of the club."

      A Ph.D. is not something that is waved about publically in polite society, even in academia. I should say especially in academia. It's pretty much assumed that all faculty members have one, so the important title is the one that indicates their position. Consequently, "Dr." suggests that they have no other title worth mentioning, and the really high-strung academic types will regard it as a positive insult.

      In normal society, only MDs and holders of similar degrees such as DDS or DO -- that is, those who actually treat ailing people -- are addressed socially as "Dr." Everyone else, including boastful Ph.D.s, are "Mr." or "Ms". Just ask Miss Manners. That Brin insists on trumpeting his degree does him no credit.

      --
      And the brethren went away edified.
  16. Indeed! by 0xdeadbeef · · Score: 1

    You couldn't write an article like that and have it linked by Slashdot.

  17. There's no sound in space. by florescent_beige · · Score: 1

    Nobody since Kubric has had the cojones to do it right. Those big purple depth-chargey things in the planetary ring that blew everyones ear drums out? Would have sounded like a funeral home at midnight. Pet peeve; does it show?

    --
    Equine Mammals Are Considerably Smaller
    1. Re:There's no sound in space. by Anonymous Coward · · Score: 0, Offtopic
      But does the purple thing sound awesome, or what???

      Much better with sound than without!

    2. Re:There's no sound in space. by ceejayoz · · Score: 2

      Yes, everyone knows there's no sound in space. Yes, Kubrick did it right. No, Kubrick didn't have 10 minute long space fighting sequences.

      Mute your TV during the space combat scenes in Star Trek, Star Wars, etc. and see how it is. Just stop whining about it and let the rest of us enjoy the cool sound effects.

    3. Re:There's no sound in space. by pngwen · · Score: 1

      Actually if you were inside a space ship you would here it.

      There is no sound directly in space as there is no atmosphere to vibrate and tickle our ear drums. However, the explosion would produce a shock wave of kinetic energy which would rattle any matter it came in contact with. So we can only assume that the camera man's space ship is responsible for transforming this into sound for us.

      Not to mention the fact that it is cool :-)

      --
      I am the penguin that codes in the night.
    4. Re:There's no sound in space. by uberdood · · Score: 2

      No, Kubrick didn't have 10 minute long space fighting sequences.

      No, he simply had that gawd-awful 10-minute long starfield journey THROUGH the monolith.
      --
      "Population 1,656"
    5. Re:There's no sound in space. by Happy+Monkey · · Score: 1

      However, the explosion would produce a shock wave of kinetic energy which would rattle any matter it came in contact with.

      No, it would not. At least, not as you have worded it. Any debris hitting the hull (or camera microphone) would make noise, but there is no such thing as a shock wave of kinetic energy, especially in a vacuum.

      --
      __
      Do ya feel happy-go-lucky, punk?
    6. Re:There's no sound in space. by rhombic · · Score: 1

      "shock wave of kinetic energy"? WTF? If there's sufficient matter ejected, then you might hear the sound of impacts on the hull of your spaceship, several minutes after you see the flash. Are you suggesting that enough electromagnetic energy is liberated in such an explosion to produce a noticable impact on your hull? Gimme a break. No, there's no medium to transfer your shock wave of kinetic energy; you won't hear an explosion in space.

      --
      1984 was supposed to be a warning, not an instruction manual.
    7. Re:There's no sound in space. by Anonymous Coward · · Score: 1, Funny
      would produce a shock wave of kinetic energy which would rattle any matter it came in contact with


      And I suppose this wave would use the Lumineferous Ether as a medium, then? Good thing I have phlogiston to stop it!

    8. Re:There's no sound in space. by florescent_beige · · Score: 1

      If the weapon emitted a burst of gravitons, then that could induce vibrations in the overserver's spacecraft's hull, producing sound. But in the movie, there was a 2 or 3 second propogation delay between the detonation and the noise, suggesting something more like sonic speed than light speeds. In the same vein, if the spaceships use gravitonic drives, then maybe they would make a zoom when they go by.

      --
      Equine Mammals Are Considerably Smaller
    9. Re:There's no sound in space. by Anonymous Coward · · Score: 0

      Aside from the questionable physics (the pedants are already laying into you on that score...) why go to such esoteric lengths? Ships have computers right? So why can't said computers produce simulated equivalents of the sound explosions and so on would cause as an aid to those in the ship? I know that explosions and whatnot make it a lot easier to keep track of what is going on in games like Freespace, and sensors and stuff in the hull could detect explosions, missle trajectories and so on....

      The thing that really bugs me about space battles in Star Trek are the lasers. Now particle beams you can see, because they are not coherant, but seeing these little lines of laser light zipping here and there, in space, with no interferring medium except spare space dust? I mean come on....

    10. Re:There's no sound in space. by Anonymous Coward · · Score: 0

      Gravitons have not been observed. If you know something we don't, please step forward and claim your Nobel.

    11. Re:There's no sound in space. by Eccles · · Score: 1

      The ships' computers create simulated sound to make it easier to tell where your opponents are, of course. TIE fighters make that distinctive noise so you can tell them from your own ships.

      Yeah, that's it...

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    12. Re:There's no sound in space. by FIT_Entry1 · · Score: 1

      Mentioning Lucas' name in the same breath as Kubric's should be a mortal sin. Shame on you.

  18. George Lucas writes like a 5th grader by Anonymous Coward · · Score: 0
    Did george graduate from Eisner Disney Screen Play Writing Academy? God forbid lucas do some research and write a movie with real characters and elegant dialog. All he wants to do is play with technology and make beautiful scenes that fly out of monkies butts.

    Maybe george needs to go back to school and learn to write scripts like pulp fiction, fight club, american beauty, taxi driver, god father, twelve monkeys, and apocalypse now. George has done a lot, but it was good timing more than great writing.

  19. Evil by mmarlett · · Score: 5, Interesting
    From the article:
    "[Sith] are cold and calculating, almost robotic -- in the standard Hollywood motif of offering audiences snidely-superior villains to hate. In fact it's almost silly the way they calmly keep telling Luke to give in to his anger, reminding him of what he's been warned about. But they don't seem to give into anger themselves."

    A girlfriend of mine had a cat that would sit and watch you all day long, not moving, not reacting to anything. If you got close enough, it would try to claw your eyes out. If you escaped and could still use your eyes, you would see the cat sitting there looking at you calm and cool. That cat was evil.

    Giving into anger is more about making a person evil than it is about displaying emotion. Any master is calm, cool and collected. Luke was a student, not a master. They wanted him to be an evil student, and the quick path to that is anger.

    Overall, I don't think that article was any more accurate or insightful than the movie it chose to criticize. It, too, was somewhat obvious and full of factual errors. (Lucas did not direct all five movies, for example.) I'm glad he found it entertaining, though.

    1. Re:Evil by Anonymous Coward · · Score: 0

      Brin's an idiot who proves that anyone can get a Ph.D. He can't write either. His characters are of cardboard. It is no suprise that he was unable to see the pure rage motivating Darth Mal. Uncontroled, animal rage, is of the body. Darth Mals rage did not involve a flood of hormones because it was not of his body, but his spirit.

    2. Re:Evil by Anonymous Coward · · Score: 0

      Giving into anger is more about making a person evil than it is about displaying emotion

      There's nothing particularly evil about anger, or even hate. They are not "evil" emotions, they are human ones, and I can think of several instances where a LACK of anger (or outrage) could be genuinely considered evil. The modern tendency to label "hate" as automatically being evil is itself a very evil concept.

    3. Re:Evil by MichaelPenne · · Score: 1

      "Overall, I don't think that article was any more accurate or insightful than the movie it chose to criticize. It, too, was somewhat obvious and full of factual errors. (Lucas did not direct all five movies, for example.)

      Do you find it ironic that Brin knew this and in fact pointed it out in the very statement you are attempting to criticize?

      "Out of the _four_ Star Wars films that Lucas has directed, for the first time he did not resolve the action by having someone fly a teeny ship into a great big ship, shoot the 'reactor' and then run away real fast from a slow-motion explosion!"

      http://www.davidbrin.com/starwarsarticle3.html

    4. Re:Evil by chazzf · · Score: 2

      Lucas has only directed three.

      He directed Star Wars, The Phantom Menace, and Attack of the Clones. The Empire Strikes Back was directed by Irvin Kershner, The Return of the Jedi by Richard Marquand. So while this is his first that didn't end with a reactor being shot, he'd only done it twice before.

      ~Chazzf

      --
      No statement is true, not even this one.
    5. Re:Evil by EvilBuu · · Score: 1

      Just wondering, which reactor was shot in Empire? Could swear that one just ended with Luke falling down a hole.

      --

      Green-voting, republican-registered, socialist-libertarian.
    6. Re:Evil by gorilla · · Score: 2

      However it's his 5th with 'story by' or 'written by' credit, and out of those, 3 did have the little ship blowing up the big round ship storyline. I'm still sure that Leigh Bracket's influence on the storyline of ESB is the majority, and responsible for it's excellence.

    7. Re:Evil by Anonymous Coward · · Score: 0

      Lucas didn't direct that one, fucktard.

    8. Re:Evil by Anonymous Coward · · Score: 0

      that sounds exactly like something a ten year old would use on the playground, defending his bestest alltime ever movie :) "fucktard", i love it, i laughed my ass off... i must steal it....

    9. Re:Evil by ebbe11 · · Score: 1
      A girlfriend of mine had a cat that would sit and watch you all day long, not moving, not reacting to anything. If you got close enough, it would try to claw your eyes out. If you escaped and could still use your eyes, you would see the cat sitting there looking at you calm and cool. That cat was evil.

      You should have given in to your anger and thrown it out the window.

      --

      My opinion? See above.
  20. Twinge of Jealousy? by theRhinoceros · · Score: 3, Interesting

    The biggest irony is this -- I could scribble a 3 paragraph outline that would save Lucas. It would explain every awful inconsistency/paradox in his universe.

    To me, something about Brin's vehemence moves him from "critique for criticism's sake" into "personal beef with Lucas"-land. Or more likely he envies Lucas' success compared to what he considers more legitimate and well-written sci-fi (his own work?).

    1. Re:Twinge of Jealousy? by brooks_talley · · Score: 2

      I totally agree. He makes a few good points, but then he brings up Hitler / the Holocaust not just once, but *twice*. Not exactly the sign of an evenhanded critic who just has some stylistic/technical issues with a movie plot.

      Cheers
      -b

    2. Re:Twinge of Jealousy? by friscolr · · Score: 1

      Godwin's Law, Brin loses.

    3. Re:Twinge of Jealousy? by Anonymous Coward · · Score: 0

      No... he does not trigger Godwin's law... read it again dumbfuck...

    4. Re:Twinge of Jealousy? by (void*) · · Score: 2

      Even Lucas himself has admitted that Hitler/the Holocaust was some of the source of inspiration for the ideas in Star Wars. Godwin's Law is irrelevant, for bringing up the Nazi's is ontopic. Godwin's Law only works becuase of offtopic references to the Nazism/Hitler.

    5. Re:Twinge of Jealousy? by friscolr · · Score: 1

      *yawn*

    6. Re:Twinge of Jealousy? by kubrick · · Score: 2

      I think that's because he feels that Lucas' attitudes lend themselves a little to easily to a fascist conclusion -- it's telling that one of those Holocaust quotes is from Orwell, the archetypal fighter against fascism.

      --
      deus does not exist but if he does
    7. Re:Twinge of Jealousy? by JMan1 · · Score: 1

      It's any legitimate author's beef with pop-art that is much more commercially successful. You can look at it and see that it's not as good as "literary" stuff, but due to the way of the world, it gets all the glory. If Alicia Keys complained about Britney, it wouldn't be just jealousy -- there's a legitimate complaint there.

    8. Re:Twinge of Jealousy? by Anonymous Coward · · Score: 3, Interesting

      Sorry, not anonymous, just lazy. This is David Brin, inviting you all to drop by http://www.davidbrin.com/

      Also there's a Hard Science fiction discussion group - one of the oldest & best on the internet - that you could check out at http://www.mccmedia.com/mailman/listinfo/brin-l

      And of course I would prefer the world pay me as much as Lucas & give me his resources. Like any american egotist I think I'd do a better job. So? I recognize the irony and acknowledge it with a smile.

      The point you miss, with your leap to diss my character, is that I have laid out for you all the elements that could make GL's universe actually make sense. It's right there and I'm not the only one who could weave the elements together. Elements that would make Anekin's struggle and fall less of a silly farce and more of a truly intense and surprising(!) twist.

      I'll bet some of you can figure it out.

      No, it ain't jealousy. It's the deep resentment of a movie goer and sci fi fan with high standards. EMPIRE STRIKES BACK promised us a fantastically wonderful story, enjoyable by the adult in all of us, as well as the kid.

      We haven't been given that. I have as much a right as anybody to complain.

      With cordial regards,

      David Brin
      www.davidbrin.com

      PS come on by and talk about some real science fiction

    9. Re:Twinge of Jealousy? by Mastoid · · Score: 1
      What I want to know is why anyone pays the slightest bit of attention to Mr. Brin as a critic. I mean, consider the source. Have you ever read any of his stuff?

      Ech.

      --
      I had an argument...with the person here at the university that teaches OS design. I wonder when I'll learn --Linus
    10. Re:Twinge of Jealousy? by Anonymous Coward · · Score: 0

      Yeah that's what I thought, shitforbrains...

    11. Re:Twinge of Jealousy? by Chris+Burke · · Score: 2

      Hi.

      Out of curiosity, did you notice the part in Episode 4 where the Empire blew up an entire planet?

      How is comparing the person who committed these acts to Hitler not appropriate?

      --

      The enemies of Democracy are
    12. Re:Twinge of Jealousy? by susano_otter · · Score: 2

      Have you read any of his literary criticisms (like the one under discussion, for example)? If you did, you might allow that he's a good critic, even if he's also a bad novelist. And why should we pay any attention to your criticism of Brin? Where's your body of superlative fiction to back it up?

      --

      Any sufficiently well-organized community is indistinguishable from Government.

    13. Re:Twinge of Jealousy? by captaincucumber · · Score: 1
      Or more likely he envies Lucas' success compared to what he considers more legitimate and well-written sci-fi (his own work?).

      hey, easy now, you're talking about the guy who wrote The Postman.

    14. Re:Twinge of Jealousy? by spun · · Score: 2

      I've read a lot of Mr. Brin's work. I find it among the best modern science fiction written. So I'll take a bite at the plot.

      Uniting the force. Yoda had brought on an artificial schism between the light and dark side of the force in order to gain power for himself and the Jedi order. In reality, the force is one. There is no yardstick external to reality by which to measure good and evil.

      Anakin is revealed to be a hero, working in concert with Obi, who only pretended to defect to the dark side. In reality, he knew the division was a false one, and his character would stand up to the challenge.

      I'm not sure of all the details, as in how all the inconsitancies wrap up, but I haven't given it much thought. Brin is right, it is obvious when you look at it (or at least it's obvious to me after all his clues.)

      --
      - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
  21. Ph.D.? Please ... by KelsoLundeen · · Score: 0, Flamebait

    I don't know.

    You know you're in trouble whenever anybody lists ',Ph.D.' after their name.

    Or, even worse, when a 'Ph.D.' insists they be called: "Dr."

    Ugh.

    1. Re:Ph.D.? Please ... by xTown · · Score: 1

      My wife has a PhD and always, always, ALWAYS corrects people when they call her doctor. She comes from a family of academics, and according to her, such things "are simply not done".

  22. It is just a movie... by kashmirzoso · · Score: 1, Insightful

    He has analyzed this movie way too much. Jesus, just enjoy it. Quit over analyzing it.

  23. What AotC Needed... by secondsun · · Score: 4, Interesting

    I think what would have really put Episode 2 over the top would have been if Count Dookoo was fighting the Dark Side. If he had seen the Sith's rise and the Jedi's incompetence, he should have moved to build an army and defeat the Sith before it took over the Senate, or at least gather enought power to form a decent resistence. Then everything mostly could have worked in the plot. Why kill Obi-wan? Because obi-wan knew where they were. Why fight the Jedi? The Jedi were being used as pawns of the Sith and had to be stopped before they caused too much damage.

    Of course this is just one CS majors ramblings, but I would have liked to see that.

    --
    There is nothing wrong with being gay. It's getting caught where the trouble lies.
    1. Re:What AotC Needed... by jaymzter · · Score: 1

      You hit the nail on the head. I mean, if Dookoo was working for the erstwhile Emporeror, why did he spill the entire plot to Obi-Wan? I mean, damn, he TOLD Obi-Wan exactly what and where the danger was, but being a proud Jedi Obi-Wan refused to even consider forsaking the hopelessly inept Jedi Council. What would be cool would be if Dookoo was doing a Triple Cross: working with Palpatine so he could defeat him, and leaving the Jedi's because they have clearly lost The Way

      --
      If thou see a fair woman pay court to her, for thus thou wilt obtain love
    2. Re:What AotC Needed... by Anonymous Coward · · Score: 0

      You know, I never thought about that, but that is really damned good idea. It really doesn't make sense that two Sith Lords build giant armies just to kill each other, rather than just taking over. Hmmm, too bad GL didn't think about it. Not like there was much thinking involved during the creation of this movie.

      By the way, am I the only one who thought they should have SHOWN Anakin killing the Sand People, rather than just the aftermath (or at least a bit more of him killing them). I think that would have been more visually effective.

    3. Re:What AotC Needed... by Saltine+Cracker · · Score: 1

      I think Dookoo's disclosure of the plan was really part of the plan... I mean we saw Palpatine baiting Anakin in a couple of scenes. I believe Dookoo's real motivation was to "turn" Obi-Wan in hopes that Anakin would follow, and perhaps create a shortcut in the timeline of the overall plan.

    4. Re:What AotC Needed... by Geckoman · · Score: 3, Insightful
      I wholeheartedly agree! Right up until Dooku met Palpatine at the end, I was hoping he really was fighting against the Sith.

      In fact, I was really hoping/expecting that he'd be killed at the end, and his dying words would be, "You've just destroyed the only force in the galaxy that could have stopped the Sith...."

      I love the idea of Palpatine manipulating his enemies into destroying eachother so that he could seize control. Kind of nihilistic, I know, but it lays a far richer foundation for Episode 3.

    5. Re:What AotC Needed... by kalidasa · · Score: 2

      I wholeheartedly agree! Right up until Dooku met Palpatine at the end, I was hoping he really was fighting against the Sith.

      I think we're intended to believe that Sith apprentices start out this way, and that their anger eventually leads them to make bad decisions, and that somewhere along the way they are backed into a corner and have to make a compromise to survive, after which they are under their master's almost total control. Then they can only think of killing off the master and adopting their own Sith apprentice. It would fit in with the whole Robert Graves interpretation of Indo-European myth - the king and tanist - and could be shoehorned into Campbell quite easily.

      Of course, it's silly . . .

  24. The Case for by wiredog · · Score: 5, Interesting
    the Empire


    In all of the time we spend observing the Rebel Alliance, we never hear of their governing strategy or their plans for a post-Imperial universe. All we see are plots and fighting. Their victory over the Empire doesn't liberate the galaxy--it turns the galaxy into Somalia writ large: dominated by local warlords who are answerable to no one.

    Which makes the rebels--Lucas's heroes--an unimpressive crew of anarchic royals who wreck the galaxy so that Princess Leia can have her tiara back.

    1. Re:The Case for by greenskyx · · Score: 1

      If you would read the five books by Timothy Zhan that take place after the three original movies you would see that this analysis of the rebel alliance is pretty shallow. You really do need to read all five to get the full picture...

    2. Re:The Case for by Anonymous Coward · · Score: 0

      I read that article a while back, and the guy who wrote it is an unimaginable monster of Hitlerian proportions. "The Empire is good because it brings structure, order, and security to the galaxy whereas the Rebels are vague and anarchistic." Yeah, and do you know what else brought structure and order? The Taliban. Oh, sure, there was all of that violence and brutality, but at least there was order, right?

      Call me silly, but I'll take the style of the Old Republic any day. The article hatefully lashes out at the Old Republic, calling it slow and bloated, but you know what? It was peaceful, it was prosperous, and it was democratic. It wasn't until the rise of the militaristic right wing that things started going to pot. I realize that a militaristic, totalitarian government is the wet dream of your average mouth-frothing right winger (i.e., the target audience of The Weekly Standard) but there is no reason to believe that decent and moral people subscribe to this line of thinking.

      You seem to be forgetting that it is your precious Empire that slaughtered millions in the destruction of Alderaan. Oops, break out the manacles, I said the A-word! Yes, I know, in order to promote stability it is necessary to butcher millions of innocents. But I don't care; you may want to try to sweep Alderaan under the rug and make people forget that it happened, but Alderaan will not be forgotten.

      Anybody who believes that the Empire is worth emulating is a monster. Pure and simple.

    3. Re:The Case for by CaffeineAddict2001 · · Score: 2
      Which makes the rebels--Lucas's heroes--an unimpressive crew of anarchic royals who wreck the galaxy so that Princess Leia can have her tiara back.
      Why would anarchists want to give someone their tiara back?
    4. Re:The Case for by FatRatBastard · · Score: 1

      And if you had read the article you would have seen that the author specifically said that he was looking at only the movies and not the expanded universe.

    5. Re:The Case for by Gulthek · · Score: 2

      Ah, yes. But that is another writer's interpretation of the rebel alliance. Sure it was approved by Lucasarts, perhaps even by Lucas himself, but it's still not part of the official movie canon.

      I've actually just finished re-reading Zhan's series and I noticed a *lot* of similarities to the action scenes in Zhan's books and those in Attack of the Clones. Still, reading those books makes me all nostalgic for the span of time preceding The Phantom Menace. What Zhan and other SW writers came up with for the SW future is far, far better than Lucas' mangling of the SW past.

    6. Re:The Case for by BESTouff · · Score: 1

      Nowadays we would call them terrorists.

    7. Re:The Case for by Gulthek · · Score: 2

      Good lord!

      "I'll take the style of the Old Republic any day."

      But where's the substance?

      "You seem to be forgetting that it is your precious Empire that slaughtered millions in the destruction of Alderaan."

      How many people were onboard the first Death Star, the second? C'mon man, you know the second had conscripted construction crews working full time even as the rebels attacked. Remember that they were having trouble getting the regular construction crews to work hard enough, and that they were going to redouble their efforts? How, exactly, do you think he was figuring that he would do that? Call a conference and just tell the crews to step on it?

    8. Re:The Case for by ronfar · · Score: 1
      First, an aside: For the sake of this discussion, I've considered only the history gleaned from the actual Star Wars films, not the Expanded Universe. If you know what the Expanded Universe is and want to argue that no discussion of Star Wars can be complete without considering material outside the canon, that's fine. However, it's always been my view that the comic books and novels largely serve to clean up Lucas's narrative and philosophical messes. Therefore, discussions of intrinsic intent must necessarily revolve around the movies alone. You may disagree, but please don't e-mail me about it.

      If you don't know what the Expanded Universe is, well, uh, neither do I.

      From the article....
      --
      All the creatures will die, And all the things will be broken. That's the law of samurai. (Jubai, 1605)
    9. Re:The Case for by nadador · · Score: 2

      Okay, this article is even more innane than the currently discussed one. While there are occaisonal good points, and some blatant pandering to the Weekly Standard's core audience, I can't get past this line:

      Make no mistake, as emperor, Palpatine is a dictator--but a relatively benign one, like Pinochet. It's a dictatorship people can do business with.

      Benign? Pinochet? Head... hurts... too... much...

      I would guess that there a more than a few people, slashdotters among them, that would argue that Mr. Pinochet's time in power in Chile was more torture, murder, corruption, and deception than benign.

      --

      Outside of a dog, a book is a man's best friend. Inside a dog, its too dark to read.
    10. Re:The Case for by Anonymous Coward · · Score: 0

      Umm... because she's a hottie.

    11. Re:The Case for by Loligo · · Score: 1

      >>"You seem to be forgetting that it is your
      >>precious Empire that slaughtered millions in
      >>the destruction of Alderaan."

      >How many people were onboard the first Death
      >Star, the second?

      Is there a difference between blowing up a shopping mall full of women and children and blowing up an aircraft carrier under construction?

      -l

    12. Re:The Case for by Rude+Turnip · · Score: 2, Informative

      Insert "Clerks" quote here:

      Dante: My friend here is trying to convince me that any independent contractors who were working on the uncompleted Death Star are innocent victims when it was destroyed by the rebels.

      Customer: Well, I'm a contractor myself. I'm a roofer - Dunn and Reddy Home Improvements --- and speaking as a roofer, I can tell you a roofers personal politics comes into play heavily when choosing jobs.

      Randal: Like when?

      Customer: Three weeks ago I was offered a job up in the hills: beautiful house, tons of property-a simple reshingling job. They told me, if I could finish it in one day, I would double my price. Then I realized whose house it was.

      Dante: Whose house was it?

      Customer: Dominick Bambino's

      Randal: "Babyface" Bambino? The gangster?

      Customer: The same. The money was right, but the risk was too high. I knew who he was, and based on that I turned the job over to a friend of mine.

      Dante: Based on personal politics.

      Customer: Right. And the next week the Foresci family put a hit on Babyface's house. My friend was shot and killed. Didn't even finish reshingling.

      Randal: No way.

      Customer: I'm alive because I knew the risk involved with that particular client. My friend wasn't so lucky. Any contractor working on that Death Star knew the risk involved. If they got killed, it's their own fault. A roofer listens to this [taps his heart], not his wallet.

    13. Re:The Case for by ConceptJunkie · · Score: 2

      Don't look now, but "Chunky Dump" is the sombrero-wearing Frito Bandito rip-off that follows Obi-Wan around in the third movie annoying everyone and defeating Darth Soddom (the swishy, swarthy, well-armed but limp wristed new Sith Lord in Episode 3) with a carelessly dropped beef Enchirito.

      Watto turns out to be a terrorist... he's the one who killed Owen and Beru. Jar-jar can't find watermelon and jerked chicken on Alderaan and uses his telepathic powers to make Tarkin destroy it and the Trade Federation, after being so soundly thumped by one of Lucas' dime-a-dozen gazillion-to-one shots make reprise in episode 3 to plead "Me so solly!" The stormtroopers aren't cloned from Jango Fett, because he's competent, they're all cloned from N'Sync. Dooku is actually spelled "Duke U" referring to the former Secretary-General of the UN (the implication being that the UN is evil) who is mysterious killed by what turns out later to be a nasty case of Ptomaine from the new villian above. Ewoks turn out to be a shunned group of Wookiee midgets and "Y Chihuahua" turns out to be a really filthy Wookiee curse word, and then in the final climax to 26 years of filmmaking Lucas reveals that Palpatine is a Republican.

      --
      You are in a maze of twisty little passages, all alike.
    14. Re:The Case for by DaytonCIM · · Score: 2

      Make no mistake, as emperor, Palpatine is a dictator--but a relatively benign one, like Pinochet.

      Ummm... must I point out the obvious? That Pinochet's regime kidnapped, tortured, raped, and murdered thousands in Chile. I'm really at a loss as to how Jonathan V. Last could have possibly come up with that comment... sarcasm maybe? If so, bad taste.

      I can't phantom how Lucas didn't send his Imperial lawyers into action after that comment.

    15. Re:The Case for by jaoswald · · Score: 2

      Because she is one of them. The barbarians sacked Rome, but they also crowned themselves rulers of Rome.

    16. Re:The Case for by Mr.+Slippery · · Score: 1
      In all of the time we spend observing the Rebel Alliance, we never hear of their governing strategy or their plans for a post-Imperial universe. All we see are plots and fighting.

      You could say the same thing about the American rebellion against the British Empire. The Constitution, the Bill of Rights, indeed the very notion of the "United States of America", came years later.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    17. Re:The Case for by obdulio · · Score: 1

      As I understand, there are a total of 9 episodes. So if the Empire is destroyed in episode 6 (ROTJ), whats left for the remaining of the saga?

      --
      PENAROL: Seras eterno como el tiempo y floreceras en cada primavera.
    18. Re:The Case for by p3d0 · · Score: 1

      Looks like you stopped reading your parent post when you saw the word "Pinochet".

      --
      Patrick Doyle
      I mod down every jackass who puts his moderation policy in his sig. Oh, wait a sec....
    19. Re:The Case for by Anonymous Coward · · Score: 0

      umm, if comprehension of a Universe's plausibility requires that i read five crappy, poorly-written, exploitive peices of shit - well. call me ignorant.

    20. Re:The Case for by artemis67 · · Score: 2

      Personally, I'm finding that the creation of the Empire is just a little bit too silly. Considering the vastness of the Empire, and how many powerful people there are in the universe could benefit by actively installing their own government, why are we only seeing this one guy (Palpatine) doing EVERYTHING from cutting deals with the Trade Federation, to placating the Jedi, to baking the cookies?

      In this grand, master plan to overthrow the peaceful government, isn't there anyone else who is plotting with him? And by that I DON'T mean the "Darth Flunkies" that get sent out to battle the Jedi. Where's all the collaborators? Where's his inner circle of political associates?

      What we're seeing in the prequels is the kind of political setup you expect to see in a kid's movie -- like the author (Lucas) has little to no concept of how the real world outside of Hollywood works. It's not as cringingly bad as Highlander II, where Michael Ironside walks into a bizzarely lit boardroom, kills the CEO, and appoints himself the head of the company... no, not that bad, but it's darn close.

      If an empire this vast can be overthrown by one guy with political ambition, then maybe it deserves to fall. There's obviously very little checks and balances in this system.

    21. Re:The Case for by Bob+C.+Cock · · Score: 1

      Sounds like human nature to me, and I think Lucas got it right. Just look around at the various conflicts around the world right now. Numerous rebel groups are just fighting for control of whatever, but when they get it they're not interested in governing, they bully the local populace and take what they want. Check out what's going on with the Tamil Tigers in Indonesa. People still don't know what they're all about, they appear to just fight for the sake of fighting.

    22. Re:The Case for by gughunter · · Score: 1
      I read that article a while back, and the guy who wrote it is an unimaginable monster of Hitlerian proportions.

      Uh, if you're going to spread peace, democracy, decency, and morality, maybe classifying your opponents as "monsters" isn't the best starting point.

      At any rate, at least he isn't history's greatest monster -- Jimmy Carter.

    23. Re:The Case for by argel · · Score: 2
      The problem I have with the Weekly Standard article are all the faulty assumptions in the Galactic Republic section, the foundation for the rest of the article.

      The only view we have of the Republic is after the plot to overthrow it has been set in motion, apparantly for some time given when the clones were ordered. That means our entire perspective is tainted since for all we know the Republic could have been working fine up until that time. Heck, could any government withstand such a concerted, systematic, and well thought out plan to subvert it?

      Additionally both Anakin and Amidala are being manipulated by the the same people plotting to overthrow the Republic so their perceptions are also tainted and lack credibility. The Count Dooku references are (again) tainted since we can infer that this was all part of the plan. We need to know if there were a credible group of seperatists before the overthrow plan was put in motion.

      In effect the the premise of the article is that we know the Republic is bad becuase the people in the process of overthrowing it made it bad therefore they must be good. But what kind of argument is that?

      And if you do not like that one, here is another one: Just because George Lucas wanted to show us a sucessful coup de tat in motion does not mean that the government being overthrown was bad before that plan was put in motion.

      --

      -- Argel
    24. Re:The Case for by bill_guts · · Score: 1

      i wrote this before

      you don't need all that crap (post-Imperialism plan) to get the audience to know which side to be on and to get them emotionally involved in the plot, so why bother? just listen to the music and look for all the visual clues. john williams made star wars great.

      --


    25. Re:The Case for by Anonymous Coward · · Score: 0

      Quoting Kevin Smith gets you "Informative"? Damn, I should try for some of this karma business I keep hearing about.

    26. Re:The Case for by Gulthek · · Score: 2

      Not when there are civilians involved, or in the case of my argument conscripted (i.e. forced) workers.

    27. Re:The Case for by Gulthek · · Score: 2

      Kevin Smith rules, but there must have been conscripted workers or slaves hammering away at that second death star. Most likely they were still a few on the first one as well. Someone's gotta do the grunt work that requires a brain :-)

    28. Re:The Case for by mgblst · · Score: 2

      I see what you are saying... the rebels are like terrorists... this is starting to make sense.

      And George Bush is the Emperor... I can see that. He is still pushing to attack Iraq, even though they accepted his original demands.

      "He will join us or die!"
      "Yes, yes"

    29. Re:The Case for by Deosyne · · Score: 1

      Nah, don't bother. It gets boring always seeing "Excellent" on your profile page. I'm holding out for the upgrade to "Sweeeeet".

    30. Re:The Case for by Anonymous Coward · · Score: 0
      And George Bush is the Emperor... I can see that. He is still pushing to attack Iraq, even though they accepted his original demands.

      You shouldn't flaunt your ignorance so publically. It's like having a demented uncle screaming about people buying Toyotas because they were made by 'those damn japs!'

      Hussein has made the exact same promises over and over again and has never once followed through on them. Every conciliatory word out of his lips (or rather, his proxies, because he can't stand to voice them himself) are merely a ruse so that he get the ultimate rush: a nuclear weapon of his own.

      So, please, take whatever medication you require to keep your view of reality down here in the real world or at least enough to shut yourself up, eh?

    31. Re:The Case for by Bob+Uhl · · Score: 2

      Sigh. This always comes up. Pinochet was a `relatively benign' dictator. As opposed to the trul malignant ones: Stalin, Pol Pot, Hitler, Mao. Pinochet just a few thousand opponents and collateral damage--those boys killed hundreds of millions. Nowhere near the same league.

    32. Re:The Case for by neocon · · Score: 1

      He is still pushing to attack Iraq, even though they accepted his original demands.

      First off, they're not his demands, they're the UN's demands, articulated in a dozen UN resolutions which Mr. Hussein has flaunted for a decade. If the UN won't enforce them, though, we will be forced to, as we're the ones in danger when Mr. Hussein starts handing out nuclear devices at meetings of the bin Laden booster club.

      Second, he hasn't met them, at any rate -- while he initially stated that he would allow `unfettered' inspections, the Saudi representative at the Arab League, who brokered the deal, has already admitted that Mr. Hussein only promised `unfettered' access to military bases -- the one place we can be quite sure he is not hiding his weapons of mass destruction.

      Besides, allowing a resumption of inspections is only one of Mr. Hussein's promises to the UN which he has broken, and which we are now enforcing. See the text of the President's speech to the UN for details.

  25. Trailers had a negative impact by I_am_Rambi · · Score: 1

    As each of the trrailers came out for E2, I watch them. I enjoyed them all except for trailer that made it look like a love story. That trailer made me wonder how good the movie actually would be. It turned out that the movie did not have as much "love scenes" in it as I expected. I was also surprised how Anakin were married before any "relationship" took place. That is what I would like to see in more movies.

  26. Lucas' peers by GuyMannDude · · Score: 3, Interesting

    Yes! Lucas needed to whittle the Jedi down in a tragic and colorful way. But couldn't he have shown them suffering calamity despite behaving cleverly and well? Doesn't he have peers to workshop this stuff against?

    Good question but I suspect that Lucas honestly believes that he has no peers. It's unfortunate because the scripts that came out of his colaboration with Kasdan were pretty good, IMHO. Yes, I know Lucas co-wrote AOTC with someone from Indiana Jones Chronicles but I argue that this guy was just a yes-man for Lucas. Lucas really needs to team up with a good, known writer to come up with an interesting story for Episode 3. Maybe he'll come to his senses and realize that he needs some help in the script department for his final Star Wars film. We can only hope.

    GMD

    1. Re:Lucas' peers by mekkab · · Score: 2

      word to that.

      I'm not bent on having all things PC, but the moment I saw TPM all I could think was: "how could something this blatantly racist (both the jar-jar rasta's and the asian traders) get past anyone?!"

      I think all the secrecy surrounding Star Wars products is their down fall. No one whose purse strings aren't attached to the man can say "Yo, this BITES!"

      --
      In the future, I would want to not be isolated from my friends in the Space Station.
  27. I didn't spend seven years at Evil Medical School by HMV · · Score: 1, Offtopic

    to be called Mr., thank you.

  28. Re:well done by Anonymous Coward · · Score: 0

    Thank you, I appreciate the support. Although I am not in charge of the penguinhosting site, I hope that the owner will not be upset. I thank him for posting the picture, most of all. If the blazing power of the picture, combined with an intelligent troll can inspire one person, then I feel as if my work is a success.

    Penguinhosting site coordinator: I'd like to hear your thoughts.

  29. Beauty is only skin deep... by sphealey · · Score: 5, Interesting
    Beauty is only skin deep - ugly goes to the bone.

    The problems and holes in TPM could have been fixed with some quick editing and a couple of reshot scenes. It wouldn't have approached the first Star Wars, but then again very little does.

    AotC was so utterly, unredeemably bad that it is unfixable. Sheesh - once glance between Harrison Ford and Carrie Fisher in ESB carried more romantic tension than 30 minutes of moping between what's his name and Natalie. "Let's go to the mall Anni". As my 8 y.o. said "Yuck". How perceptive is the mind of a child.

    sPh

    1. Re:Beauty is only skin deep... by Anonymous Coward · · Score: 5, Insightful

      Anakin acted like a 19 year old who was in lust and confusing it with love. That is because he was portraing a 19 year old who was having a great deal of trouble getting his hormones under control. BTW, I am the parent of a 19 year old. I've seen some awfull sappy scenes, and heard some terroribly corny dialoge, comparable to the worst in AotC, not from a movie, but from my sons room.

    2. Re:Beauty is only skin deep... by (trb001) · · Score: 5, Insightful

      You make an interesting point, were that I hadn't posted already and could mod you up.

      I think part of the real irony of people bashing the romance between Anakin and Padme is that they are holding these characters up to a higher level than what the characters should be at in real life. Anakin is late teens, Padme is early/mid 20's. They play the romance exactly as it would be in real life. You have Anakin who has never loved before all of a sudden getting this rush of feelings (remember your first HS crush? compare...). Add Padme, a 20-something who doesn't take this kid seriously and attempts to brush off his advances. Mind you that she has never loved before either since her life has been spent in the political spotlight. Two first loves in the later part of their life? Come on, you can't tell me that half the 20-something computer geek virgins wouldn't have a romance dialogue similar or WORSE than what AOTC had.

      --trb

    3. Re:Beauty is only skin deep... by Anonymous Coward · · Score: 0

      Your comments about the dialog: TRUE
      AC moviewatcher wants to hear said dialog: FALSE

    4. Re:Beauty is only skin deep... by webbroberts · · Score: 1

      The real problem with the dialog between Anakin and Padme is that it shows what Lucas's true love in life is:

      Sitting at home all day watching soap operas.

      "I'm not afraid to die. I've been dying a little bit each day since you came back into my life."

      Spare me. Please.

    5. Re:Beauty is only skin deep... by Anonymous Coward · · Score: 0
      remember your first HS crush?

      I never had a crush on Han Solo!

      (OK. Maybe a little one)

      Did I say that out loud?

    6. Re:Beauty is only skin deep... by dvdeug · · Score: 2

      I think part of the real irony of people bashing the romance between Anakin and Padme is that they are holding these characters up to a higher level than what the characters should be at in real life.

      Star Wars is not a realistic movie; it's an epic movie. Romeo and Juliet doesn't have realistic characters. Do you think Romeo and Juliet would be better if we added a scene where Romeo tells his buddy: "Oh man, her she comes. I can't do this; I mean, she's a Capulet, and I'm not and what were our parents think? But, oh man, she's hot. What do I do?" Yes, if I wanted to watch that on tape, I could point a video recorder at myself; that's _exactly_ why I don't want to see it at the theater.

      I prefered TPM to AOTC; I prefered to see Jar-Jar, then a whiney teenaged brat, no matter how much more realistic the latter is. Epic heros should have tragic downfalls, not whiney teenage ones.

    7. Re:Beauty is only skin deep... by Magius_AR · · Score: 1
      There's a difference between corny/sappy love scenes and PISSPOOR acting.

      This movie just happeend to have BOTH.

      Magius_AR

    8. Re:Beauty is only skin deep... by rogan75 · · Score: 1

      Just because his portrayal of a 19 year old was accurate doesn't mean we want to see that crap for the first half of a Star Wars movie.

  30. What happens when you have a kid by sjonke · · Score: 1

    You stop going to the theater to see obviously mediocre/generic films like this one and, moreover, you get a lot more critical of mediocre/generic films you do happen to make the mistake of seeing - you only get so many baby-sitting days....

    --
    --- What?
    1. Re:What happens when you have a kid by RocketJeff · · Score: 2, Interesting
      You stop going to the theater to see obviously mediocre/generic films like this one and, moreover, you get a lot more critical of mediocre/generic films you do happen to make the mistake of seeing - you only get so many baby-sitting days....
      Wow - that totally sums up my feelings for (not) seeing AotC. We get out to see a 'grownup' movie about once a month (if we're lucky) so we try to pick one we know we're going to like.

      We wasted a 'movie night' on TPM so we passed on AotC. If the reviews (professional and peer) were outstanding we would have seen it, but they were all 'it's better, but not great.'

      When I heard that it was going to be out on IMAX, I considered going to it but as my wife said "Why, so we can see a so-so movie on a bigger screen?"

    2. Re:What happens when you have a kid by georgewad · · Score: 1

      Right on. I only saw AoTC becauase I was out of town and had some time to kill. If I had needed to find a sitter to free me for a couple of hours, I would've seen something much better: my wife.

      --
      Karma: It's not just a good idea. It's the law.
    3. Re:What happens when you have a kid by Anonymous Coward · · Score: 0

      The good news is that kids get older. Then you get to take them to the "kid" movies. I had a blast taking my son to see "Toy Story, "The Lion King", "Casper, the Ghost", etc. The only non-kid movie I saw ( during my sons pre-early teens), that was worth the money, was the "Ghost and the Darkness". All in all, I had much more fun taking my son to the movies, then going to see the lame "adult" stuff ( e.g. "Johnny Neumonic") with my friends.

  31. Star What? by MuMart · · Score: 1
    Star Wars (the first one) was shown on ITV last week (UK version of PBS I suppose). I had never seen it all the way through, so I watched it to see what all the fuss was about.

    To be honest I was appalled. How can *anyone* truly believe this film is worthy of discussion today? The plot is as barren as an episode of Columbo, and the Battlestar Galactica audio-visuals just cap it off.

    Grow up guys, it's a truly awful film...

    1. Re:Star What? by Anonymous Coward · · Score: 0
      You had to have been there...

      Star Wars is THE film!

    2. Re:Star What? by Anonymous Coward · · Score: 0

      What!!??

      sacrilege, how dare you!? Columbo was great.

    3. Re:Star What? by hey! · · Score: 5, Insightful

      Chalk it up to movies 2001:A Space Odyssey.

      We'd been conditioned to see space as an antiseptic place, full of glaring bright light, shiny technology, and alien experiences. The original thing about the first SW movie was the way it visually reimagined space to be grungy, bange-up, and lived-in, full of low life characters who were perfectly comprehensible even if they spoke some weird electronic lanuge and looked like a pile of congealed excrement. Star Wars opened up outer space to the great unwashed.

      --
      Post may contain irony: discontinue use if experiencing mood swings, nausea or elevated blood pressure.
    4. Re:Star What? by Kikaid. · · Score: 0
      and the Battlestar Galactica audio-visuals just cap it off.

      Battlestar came after Star Wars. BG was a tv show that tried to capitalize on SW fever. As for the plot, it came from the Bible.

      --

      (This post does not contain emoticons or l337.)

    5. Re:Star What? by One+Louder · · Score: 2, Informative

      It's a matter of context. The 70's were full of "anti-hero" movies - Bonnie and Clyde, Dirty Harry, etc - that people were longing for simple Good vs Evil plots and action. Darth Vader was unambiguously bad, Luke Skywalker was unambiguously good. Star Wars was a breath of fresh air in a very dark decade for movies.

      Of course Star Wars was derivative - that's a big part of why it worked. We didn't have to contemplate the brooding anti-hero's motivations. The robots were from Kurosawa, the final Death Star battle was from Dambusters and other WWII movies, and the overall structure from old movie serials like Flash Gordon. This was familiar ground writ large.

      Raiders of the Lost Ark succeeded for much the same reasons.

    6. Re:Star What? by Anonymous Coward · · Score: 0

      Yet it was hip and stylin' in a '70s sort of way. The '90s prequels lack style--the ships could be right out of Babylon 5.

    7. Re:Star What? by Luyseyal · · Score: 2

      the ships are fugly. give me flying space junk ANYday! go Explorers!

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
    8. Re:Star What? by belroth · · Score: 2

      Dark Star did the grunge low-life in space bit three years before Star Wars.

      --
      I hereby inform you that I have NOT been required to provide any decryption keys.
    9. Re:Star What? by GMontag · · Score: 2

      Not to mention that Lucas has the noisiest light in the universe as well as the most sound conductive vacumes of any galaxy!

  32. Re:Twinge[...] Yeah, but read his 3-paragraphs by chewmanfoo · · Score: 2, Insightful

    Absolutely true. If you look at the prequels critically, as films and not as special-effects demonstrations, you see glaring holes in logic, motivation, purpose, etc. Brin ties all the problems up in three paragraphs. Absolutely astounding.

  33. Re:I didn't spend seven years at Evil Medical Scho by KelsoLundeen · · Score: 2

    Nor did I spend two years at Evil Graduate School for an MA, two years at Evil Writer's Workshop for an MFA, and six years at Evil Graduate School for a Ph.D., but I don't go around signing my posts as:

    Kelso Lundeen, M.A.,M.F.A.,Ph.D.

    There's just something off-putting (and tacky) about tacking your credentials on stuff like this. I think it's an attempt by Brin to make sure folks know 'whereof he speaks', but it's annoying.

    Strut your shit in your work, not in the byline for chrissake.

  34. lucas can't write emotions by alexc · · Score: 1

    the problem with with aotc is george lucas lame attempt to inject emotions to the characters. the langauge came out of BAD romance novel.

  35. But Lucas doesn't even understand Yoda... by sphealey · · Score: 2
    The main reason this movie was my favorite is the fact that you get to see Yoda kick some ass and in what I believe was a realistic way for Yoda to act as a Jedi
    I think we were all waiting for Yoda to finally get mad. But rather than bouncing around like a bumblebee on crack, wouldn't it have been more in character for him to remain calm and collected, as Alec Guiness/Obi Wan does when he finally faces Vadar? Sauraman pulling things off walls and running around like crazy, while Yoda makes one smooth, effortless move after another?

    And please explain, why just five minute after Obi-Wan convinces Annikin that he must abandon Padme to "do his duty", does Yoda abandon his duty to the Republic in order to save two useless Jedi?

    sPh

    1. Re:But Lucas doesn't even understand Yoda... by Mr.+Slippery · · Score: 1
      And please explain, why just five minute after Obi-Wan convinces Annikin that he must abandon Padme to "do his duty", does Yoda abandon his duty to the Republic in order to save two useless Jedi?

      Because in the end, Yoda - and the Jedi - are screw-ups.

      We know the future. They lose. The fact that they're showing flaws is not a plot problem - it's necessary. Tragic flaws and all like that.

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
    2. Re:But Lucas doesn't even understand Yoda... by ceejayoz · · Score: 2

      Yoda was no longer needed in the main battle, as it'd already been won - just mopping up left.

      A Sith lord, though, would be far more dangerous to the Republic. Thus, Yoda went where he could be more of service.

    3. Re:But Lucas doesn't even understand Yoda... by sphealey · · Score: 2
      Yoda was no longer needed in the main battle, as it'd already been won - just mopping up left.

      A Sith lord, though, would be far more dangerous to the Republic. Thus, Yoda went where he could be more of service.

      Agreed, but that is what I am talking about. Yoda went for the main evil-doer, Count Sauraman... I mean Dooku. Slapped him around and was just about to put the cuffs on him. But when Dukoo threw a tiny little 20m granite pillar on top of Obi-Wan and Anikan, Yoda lets DoKo go in order to save the one-armed men, I mean O-W and A.

      Which is exactly what Obi-Wan had just told Annnoboy he couldn't do. And while her acting ability ain't too great, Padme was way cuter than either of the bad-swordfighting-Jedi and a lot more worth saving.

      sPh

  36. Cheech and Chong by DaytonCIM · · Score: 5, Funny

    Next movie will surely have a Chicano low rider caricature help Obi-Wan
    make his escape with the twins.


    Anyone know if Cheech and Chong are free?

    1. Re:Cheech and Chong by Anonymous Coward · · Score: 0

      Heh, reminds me of Spy Kids. :)

    2. Re: Cheech and Chong by Black+Parrot · · Score: 1


      > Anyone know if Cheech and Chong are free?

      Cheech Marin recently played one of the leading roles in Nash Bridges, which has (I think) run its course now.

      BTW, IMO did a creditable job of the (admittedly lightweight) part.

      --
      Sheesh, evil *and* a jerk. -- Jade
    3. Re: Cheech and Chong by Anonymous Coward · · Score: 0

      Chong is doing That 70's show last I saw.

  37. I'm confused... by Anonymous Coward · · Score: 0

    So you're all saying there have been more than 3 Star Wars movies???

    Lots of children stuff like Ewoks and what not, eh?

    Hmmmm. Leave the planet for a decade and all sorts of new shit happens.

  38. Meaning what...? by SirWhoopass · · Score: 2
    The one bitch against Lucas that I believe is completely incorrect is the idea that he's "sold out", "greedy", and "just doing it for the money".

    He's, basically, an artist (maybe not a good one, but an artist nonetheless). He likes to make movies and he likes to control every aspect of his movies (he was originally into editing, but switched to directing because he wanted more control).

    He's made a whole lot of money, but what does he do with it? Does he have huge mansions or fleets of yachts? No. His lifestyle is quite simple for how much money he has. Lucas uses his money to build the coolest special effects shop, sound studio, and movie sound system companies. He uses it to further his movie work. In the A&E Biography about Lucas, a friend recalled how Lucas was still living like a starving idependent film maker, even after Star Wars. His friends had to remind him that he could afford better.

    His movies may not be great, but I don't think for one minute that he's making them because he's greedy.

    1. Re:Meaning what...? by brooks_talley · · Score: 5, Insightful

      So you think it's just coincidence, or lack of foresight or something, that LucasFilm is notorious for releasing not one, not two, not three, but *four or more* versions of each film to the home video market? The initial ones being downright crippled, then gradually getting better?

      How about the fact that they had to scale back the number of merchandising tie-ins for AotC because there was so much press about how TPM was basically a 2 hour vehicle for cross-promotions of toys, ties, and KFC

      His lifestyle, which you point out, actually argues my point: when people are greedy, they often *don't* have mansions, yachts, harems, etc, because it isn't about enjoying wealth, but rather accumulating it.

      George Lucas definitely had some potential, but speaking in present tense, he's about as much of an "artist" as Brittney Spears -- he may be in complete technical control of movies, but he is absolutely a slave to public opinion when it comes to what to make, because he's greedy and the primary interest is in maximizing revenue, not producing quality movies. Sometimes it works in our favor (everyone hates Jar-Jar, we get less Jar-Jar), sometimes it works against us (must include a cheesy romance to capture the female demographic). That's par for the course in Hollywood, I know, but my point is that he's no exception... and that, with customer-abusive attitudes in video release and merchandising, he is actually one of the worst.

      Cheers
      -b

    2. Re:Meaning what...? by SirWhoopass · · Score: 2
      I don't know if it's LucasFilm being notorious for multiple versions as much as the fans are notorious for wanting it. Ignore the "Special Editions" for a second... Star Wars does have both letterbox and pan-and-scan releases. So do many movies. Lord of the Rings is doing the same thing with their DVD release. Star Wars is no different than other mega-blockbusters in that regard. The "Special Editions" are a different issue. The reason there are four versions of each original Star Wars movie is because there are two each of the originial and special edition. The question is, were the special editions released because Lucas is greedy? I don't think so. People flocked to see them. Lucas wanted to revision his work with new technology. Maybe not a good idea, may you and I don't like it, but it's his work.

      Star Wars always had merchandising tie-ins. As kids, people loved the Star Wars toy at KFC. Then they got older and saw it was just cheap merchandising. Back in the early 80s their parents knew all that stuff was merchandising. Try to find a "Star Wars fan" that's over 40 years old. The movies are, and always were, mindless entertainment with a lot of stuff for the kids. Today's 20-30 year olds are just upset the movie is still mindless entertainment for kids instead of something aimed at them.

      I may believe your argument about Lucas being greedy more if he was simply accumlating wealth. He's not. He rolls it back into the movies (via THX, ILM, etc). I think he's a guy who loves to make movies. He's not very good at directing or storytelling, but he's got the resources to keep at it.

      ...

    3. Re:Meaning what...? by Loligo · · Score: 1

      >Star Wars does have both letterbox and pan-and-
      >scan releases. So do many movies.

      Let's do a quick count of Star Wars releases on video SO FAR, but we'll only worry about VHS (no DVDs yet, and I don't know about various versions on laser):

      Pan & Scan versions:
      Original version
      Original remastered with THX
      Special Edition

      Letterbox versions:
      Original version
      Original remastered with THX
      Special edition

      Now, that's just based on ones I or my friends have purchased (Letterboxed original in THX is the only one I actually kept).

      That's SIX releases, three movies each. We'll have at least one more release with the DVD releases when/if/ever.

      This doesn't even include anniversary re-releases in the theaters or repackagings of the originals.

      >Try to find a "Star Wars fan" that's over 40
      >years old.

      My dad's a Star Wars fan in his 60's. He may not know all the trivia and doesn't have any merchandise crapola, but he certainly enjoys them and owns them all on video or DVD as available. We've done IV-VI marathons before. At his suggestion.

      >I think he's a guy who loves to make movies.
      >He's not very good at directing or storytelling,
      >but he's got the resources to keep at it.

      I think Bill Gates is a guy who loves to make software. He's not very good at designing or programming, but he's got the resources to keep at it.

      Does that make it ok to make crap?

      -l

    4. Re:Meaning what...? by SirWhoopass · · Score: 2
      Does that make it ok to make crap?

      In Lucas' case? Sure. Why not? It's not like he's abusing a monopoly position to prevent you from seeing other movies. Far from it. The work on Lucas' movies has spawned ILM and THX, which has made a whole lot of other movies better.

      You don't really think that Bill does, or ever did, like making software, do you? :-)

      ...

    5. Re:Meaning what...? by Anonymous Coward · · Score: 0

      Would you have preferred a porno scene? I don't see how he's supposed to tell the story of Luke's parents meeting without one...

    6. Re:Meaning what...? by Loligo · · Score: 1

      >It's not like he's abusing a monopoly position
      >to prevent you from seeing other movies.

      Are you suggesting Bill is keeping you from using other products? So this "linux" thing I keep hearing about is just a myth? "Mac OS X" is just a big conspiracy? You're telling me that BSD isn't only dying, it never existed at all?!

      Seriously, MS has definitely done some shady or downright despicable things, but to suggest that they are somehow keeping you from using other products is laughable at best. They might make it less convenient, but there is NOTHING stopping you from installing Linux or *BSD on your PC, or just buying a Mac in the first place.

      >The work on Lucas' movies has spawned ILM and
      >THX, which has made a whole lot of other movies
      >better.

      DirectX, EAX (by way of Creative), consumer-oriented force feedback (iForce, etc)... all have made a whole lot of games better, all have their foundations in Windows. This does not excuse anything.

      >You don't really think that Bill does, or ever
      >did, like making software, do you?

      Oh, I believe in the beginning he truly enjoyed programming. He's since lost that.

      -l

    7. Re:Meaning what...? by Gonarat · · Score: 1

      Yes, the "Special Edition" versions of each of the films re-released before TPM were about marketing, but they also were updated to be "better" in George's eyes. Some of the changes were IMHO good -- the CGI that made Mos Eisley look bigger and more like a real town in ANH, the "opening up" of the Cloud City set in ESB (I always though the Cloud City was too clostrophobic in the original), but other changes didn't add much or actually took away. Example: Solo stepping on Jabba's tail. All Jabba did was make an "ouch" face. I know Lucas did this because of the film he had on hand, but it just didn't fit! That would be like some lacky stepping on Capone's feet and not even saying "sorry!" I won't even go into "the blaster shot" in the Bar on Mos Eisley. I like Solo the way he was.


      --
      Beware of Sleestak
    8. Re:Meaning what...? by rseuhs · · Score: 2
      Bill is certainly keeping OEMs from installing other OSes.

      Various other things like purposely breaking .doc formats is already legendary.

    9. Re:Meaning what...? by Loligo · · Score: 1

      >Bill is certainly keeping OEMs from installing
      >other OSes.

      >Various other things like purposely
      >breaking .doc formats is already legendary.

      Sure. But this keeps you from installing something else how?

      How does your inability to buy a Gateway running Linux keep you from installing it yourself?

      -l

    10. Re:Meaning what...? by bashibazouk · · Score: 1

      The flaw in your argument is if I go to a software store most of the titles will be for a Bill owned OS. If I go to a theatre, 1 film every 2 or 3 years will be by Lucas. Sure I can stack the deck and go to a Mac store or a open source site. I could even only go to the movies when Lucas had a film out, but if you look at the total market for software and the rate of films made by Lucas compared to all films released, the Bill/lucas comparison falls a little flat.

    11. Re:Meaning what...? by Loligo · · Score: 1

      >the Bill/lucas comparison falls a little flat.

      Well, sure, my point was only that just because you can say a few good things about someone or something doesn't mean the bad things aren't true, and vice-versa.

      Just because Lucas does good things for the movie industry as a whole doesn't mean his latest efforts haven't blown a bit.

      And just because Bill does bad things for the computer industry doesn't mean his company hasn't made some positive contributions.

      I think the whole point got lost somewhere in the beginning. Mainly it was amusing to me that you could take the same sentence, change a couple of words that basically have the same place in the shifted context, and suddenly instead of defending a "hero" (Lucas), we're slamming a "villian" (Gates).

      -l

    12. Re:Meaning what...? by rseuhs · · Score: 2
      Sure.

      How typical. Microsoft destroying free market with crazy OEM-contracts? Sure.

      Microsoft destroying innovative companies like Go with vaporware (PenWindows) - only to finish said vaporware and then discontinue it anyway? Sure.

      Microsoft puposely breaking .doc formats and therefore causing millions (if not billions) of damages in lost productivity and useless upgrades? Sure.

      Microsoft ignoring industry-standards (OpenGL) and pushing incompatible APIs (DirectX) only to make Windows less compatible? Sure.

      Yeah, sure. Everything is fine, sure.

      Now go away and get a clue.

    13. Re:Meaning what...? by len_harms · · Score: 1

      Of _course_ he panders to his audience. The SW movies at one time may have been about an artsy fartsy movie. But they have outgrown that in about 1977. When there were LINES of hundreds of people waiting to see it again and again. The cash cow had parked in front of Lucas and started pumping out pure gold.

      Of course the chars are the way they are. Look at what Lucas has had to do to make that franchise work. He basicly had to setup his own studio to get the last 5 made. That he can sell the tech to others is icing. He made that studio to make star wars. The only way to do that is CASH. So he sees himself as a loner. His writing will reflect that. Some writers can detach themselves from who they are. Most can not. Its easier to write what you know.

      If he made the next one about the intracacies of robot making. Thousands of people would still line up to see it. But would they go back? Would they want the toys? Would they want to own a copy? Would they goto a resturant and demand the Happy meal with the obi wan with the lightsaber. He is making movies people want to see. Of course he is going to listen to what they want.

      Me? Im willing to bet there will be 3 more after episode 3, but after Indy 4, 5, and 6. Course he has not done more than episode 1 and 2 since about 1989. Course now he does have quite an empire himself to run.

  39. Blog Blog George Lucas Blog by Anonymous Coward · · Score: 0

    Blog Blog Blog Blog Baba Fett Blog Blog Blog
    Blog Blog GL! Blog? Blog Blog Blog Blog
    Blog. Blog. blog..

    Blog Blog LBogBLb ogols,ss
    f
    s
    Garble
    Grable

    And now for soemthing completely different..

    ------------

    Has anyone noticed that if this guy had a real
    point he could have organized into a clear cut article rather than disjoint jabber, no wonder Goerge Lucas doesn't listen to him..

  40. Darth & Obi Wan ... a team? by mustangdavis · · Score: 5, Interesting

    His crazy plot for Ep III sounds interesting ...
    It would definately make Lucas look like a genius, but like the good doctor, I don't believe that Lucas would be smart enough (or would let his ego deflate enough) to use this terrific plot that has been presented infront of him.
    Consider the possibilities: Yoda and the Emperor working together the whole time .... Darth & Obi-Wan setting this whole thing up to bring balance to the force ... how crazy would this be! Lucas would forever be known as a movie genius!
    This would also answer the question of how the Emperor became so powerful with the force ... we still don't know where he learned the ways of the Dark Side ... maybe it was Yoda that taught him ... That would REALLY mess things up!
    Think about it ...Yoda trained Dooku, who has obviously played a part in Anakin's turning to the dark side by showing him how powerful it is. Yoda trained Qui-Gon ... who trained Obi-Wan, who trains Vader. And if Yoda trained Sidious!!! WOW! At that point, maybe the universe should have been focused on pointing a death star at the little green bastard! ... or maybe Yoda was so smart that he knew this would rid the Universe of the Jedi and prevent the Jedi from taking over (for the long haul) ....
    That story line definately has possibilities!

    1. Re:Darth & Obi Wan ... a team? by Crispy+Critters · · Score: 3, Interesting
      His crazy plot for Ep III sounds interesting ...I don't believe that Lucas would be smart enough (or would let his ego deflate enough) to use this terrific plot that has been presented infront of him.

      One of Brin's Salon articles from 1999 contains this quote: "How come we never see Yoda take on an enemy with a light saber? Come on master, fire it up and battle a Sith Lord! That's a battle I'd pay to see!" Maybe Lucas does pay attention.

      He certainly dropped that stupid midichlorian crap quickly enough.

    2. Re:Darth & Obi Wan ... a team? by disco_stu00 · · Score: 2, Funny

      Of course he paid attention.

      After all, Brin said "That's a battle I'd pay to see!"

    3. Re:Darth & Obi Wan ... a team? by TMB · · Score: 2

      The one piece of hope I have that Lucas might actually do it is that it would finally explain why he filmed Episode IV first...

      However I don't agree that it resolves everything... in particular, it doesn't explain why Yoda tells Luke about Leia.

      [TMB]

    4. Re:Darth & Obi Wan ... a team? by Xerithane · · Score: 2

      It would definately make Lucas look like a genius, but like the good doctor, I don't believe that Lucas would be smart enough (or would let his ego deflate enough) to use this terrific plot that has been presented infront of him.
      Consider the possibilities: Yoda and the Emperor working together the whole time .... Darth & Obi-Wan setting this whole thing up to bring balance to the force ... how crazy would this be! Lucas would forever be known as a movie genius!


      It's kind of laid out, albeit vaguely. Yoda still lives because without Yoda, the force becomes out of balance. Vader and Obi wan are balanced. When Luke shows up, net positive so Obi Wan sacrifices himself. I think the line, "I will grow more powerful than you can ever imagine" means more like, "You are causing the force to collapse upon itself."

      The only thing that pisses me off is that it does end up going out of balance anyway. I've always held onto the vague belief that Yoda was kept alive on purpose because by Yoda being alive, Palpatine was stronger. Of course, I think the whole thing is drivel I just want to find some reason to go watch it because it has good eye candy.

      That story line definately has possibilities!
      Definitely.

      --
      Dacels Jewelers can't be trusted.
    5. Re:Darth & Obi Wan ... a team? by twalk · · Score: 1

      What if instead Yoda wanted to be the next Emp, and lost out?

    6. Re:Darth & Obi Wan ... a team? by obdulio · · Score: 1

      And when Joda and the Emperor conquer the Universe, the Emperor betrays Joda, who goes to live in that swamp and takes revenge by training Luke...

      --
      PENAROL: Seras eterno como el tiempo y floreceras en cada primavera.
    7. Re:Darth & Obi Wan ... a team? by revery · · Score: 1

      I don't think Yoday has to be working with Palpatine, just that Yoda has taken his side of the force to the extreme, never any anger, never any fear, never any emotion. Yoda becomes a caricature of the Light side of the Force.

      There could be an interesting showdown as Annakin and/or Obi Wan explain to Yoda why they are choosing this path, and that Annakin can see the day that Yoda will again play a part in the game and shape the Jedi who will bring completion.

      I dunno, but it sure us cooler than the current storyline.

    8. Re:Darth & Obi Wan ... a team? by Osty · · Score: 1

      However I don't agree that it resolves everything... in particular, it doesn't explain why Yoda tells Luke about Leia.

      <geek>Yoda never does exactly tell Luke about Leia. He only mentions, with his last breath (deathbed confessional type of thing) that there is another Skywalker. It's then Obi-wan that explains enough to Luke to allow him to figure out who the other Skywalker is. This would still fit -- Yoda, on his deathbed, tries to make amends in what little way he can, but in true Yoda fashion is secretive and cryptic. Obi-wan, being in league with Vader, explains further to Luke. Obi-wan doesn't talk shit about Yoda, because Yoda obviously tried to make amends (train Luke, etc), so when he died and part of the Vader/Obi-wan plot was finished, there's no reason to disparage Yoda to Luke.</geek>


      Damn, that was geeky. Anyway, Brin's plot twist would be awesome to see, but highly unlikely.

    9. Re:Darth & Obi Wan ... a team? by TMB · · Score: 1

      Okay, I might buy that... but then why does Obi-wan send Luke to Yoda for training in the first place? If Yoda doesn't really repent until he's on his deathbed, why send him directly into the hands of the enemy?

      [TMB]

    10. Re:Darth & Obi Wan ... a team? by Osty · · Score: 1

      Okay, I might buy that... but then why does Obi-wan send Luke to Yoda for training in the first place? If Yoda doesn't really repent until he's on his deathbed, why send him directly into the hands of the enemy?

      For the same reason Vader wants to give Luke to the Emperor -- Yoda and the Emperor are two sides of the same coin, the ultimate power of the light side and the dark. I suggest that training Luke under Yoda or training Luke under the Emperor wouldn't have made much difference overall if the Obi-Wan/Vader plot was to "balance" the force by removing the ultimate powers on both sides. In either case, Obi-Wan (in his spirit form) or Vader would be there to guide Luke in their plot while Luke was developing his abilities under far more competent teachers. Obi-Wan just happened to get to Luke first, is all.


      Or, alternatively, Obi-Wan wanted Luke to experience first-hand the issues he had with Yoda (whatever those may be). For the Emperor, that's pretty obvious by the point in time when Luke shows up -- the Emperor is blatantly evil. Yoda is more subtlely so ("evil", "misguided", "full of himself", whatever). To truly impress Luke with the importance of their plan, Obi-Wan must introduce Luke to Yoda's methods. Luke really didn't need to be trained by the Emperor to see the Emperor was terrible.


    11. Re:Darth & Obi Wan ... a team? by Anonymous Coward · · Score: 1, Informative
      "Yoda trained Qui-Gon...

      Actually, Dooku trained Qui-Gon. =)

    12. Re:Darth & Obi Wan ... a team? by PMuse · · Score: 2

      Well, the prophecy does say the chosen one will bring balance to the force. Not that it will necessarily stay balanced. Particularly after the chosen one is dead.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    13. Re:Darth & Obi Wan ... a team? by Trogre · · Score: 2, Informative

      Yoda trained Qui-Gon ... who trained Obi-Wan, who trains Vader. And if Yoda trained Sidious!!!

      Yoda trained Dooku, Dooku trained Qui-Gon.

      --
      "Nine times out of ten, starting a fire is not the best way to solve the problem." - my wife
    14. Re:Darth & Obi Wan ... a team? by Xerithane · · Score: 2

      Well, the prophecy does say the chosen one will bring balance to the force. Not that it will necessarily stay balanced. Particularly after the chosen one is dead.

      True, what I'm thinking is why were they so stupid to train the chosen one if they are bringing balance. Apparently the ever-wise Jedi council overlooked their monopoly on The Force.

      --
      Dacels Jewelers can't be trusted.
    15. Re:Darth & Obi Wan ... a team? by PMuse · · Score: 2

      Yeah, I wondered about that, too. Given that the Jedi counsel dominates/monopolizes use of the force. Given that they only use the light side. Given that the Sith are always two and two only.

      Why would the Jedi Counsel view balancing the force as a good thing? Is it not obvious to them that a lot of Jedi must die to get down to balance?

      If "bring balance to the force" means something more interesting, such as "allow a practitioner to use both sides of the force safely", thus acheiving great things that single-side practitioners cannot, that'd be cool. But I've never gotten the sense that Vader or Luke ever achieved any understanding of the force that was better than Yoda's light-side-only-must-you-use dictum.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    16. Re:Darth & Obi Wan ... a team? by nurightshu · · Score: 2

      I was always under the impression that Luke was learning to use Dark Side techniques at the beginning of Return of the Jedi. Look at the change in clothing choice -- much more what you'd see on a swingin' badass Sith practitioner than one of those ascetic, dead-from-the-neck-down Jedi. Plus, when he enters Jabba's palace, he does use the Force-chokey-thing on the Gamorrean guards.

      By the way, does anyone have a definitive answer for what the Force-chokey-thing is called? I've heard some people call it the Grip, some call it an injure-kill. Just wondering.

      --
      They that would sacrifice their .sig space for that cliched Franklin quote deserve neither.
    17. Re:Darth & Obi Wan ... a team? by PMuse · · Score: 2

      I don't know the specific name for the choking. I'd have just called it "telekinesis." I've always thought that Jedi powers were rather limited in number, with wide ranging applications.

      1. prescience (from Yoda's long-range futures to Anakin's pod-racing reflexes)
      2. telekinesis (lifting/tossing objects, choking people, enhanced jumping/acrobatics, enhanced strength of sword arm)
      3. limited telepathy (mind control, passing long-distance mental messages, sensing other users of the force)
      4. throwing/catching lightning
      5. unity with the force (longevity, ghost-at-death)

      I'd be pleased enough with the interpretation that Luke was learning some of the dark side in RoTJ, but I'm not sure we have enough evidence to be sure. The clothing change may simply be an attempt to turn Mark Hammel into an action hero -- make him look neat and competent in a 1980s, we-must-reject-disco kind of way. Also, we have to remember that this was the first time Lucas had put a Jedi knight in his prime on screen. He was probably still figuring out what one should look like. That the costume was black in color is a strong point for the dark side, though.

      As for choking the Gamorrean guards, it's a way for Luke to quickly establish his reputation with Jabba's people -- to put on the image of a bad-ass. Plus, it's nonlethal, so Jabba doesn't have a grievance about dead guards. Qui-gon wouldn't have hesitated to do the same, though if anything he'd have been more arrogant about it.

      Anyway, I do like the idea of Luke and his generation learning to use all of the force. Lessons like "anger can be a source of strength and endurance but will produce tragedy if not tempered by love." A balancing of yin and yang that is better than allowing either to dominate.

      I don't see Lucas doing this, though. It seems to me that his Jedis begin with "first deny the body" and follow with "eliminate your desire" on their path to a sterile enlightenment. We'll see what Episode III brings.

      --
      "We reject as false the choice between our safety and our ideals." --The American President (20.1.2009)
    18. Re:Darth & Obi Wan ... a team? by BoogieChillum · · Score: 1

      I thought at the time, and reading that bit reminds me of it now, that this could also explain the apparent lack of certain anchor elements in the whole Campbellian mythology arc from this first trilogy.

      In parts of the ESB and RotJ, there are elements that indicate Yoda knows what's going on. He tells Luke not to do something, or offers some advice, but in a way that implies (to me, anyway) that he knew that Luke wasn't going to take the advice and that he also knew he had to give it anyway, just so Luke could go off and do completely the opposite.

      This suggests that Yoda could have been able to see - and it is indicated clearly that Yoda does have prescient abilities - if Anakin WAS the one or not, and he would also know the course of events that would have to unfold for the desired conclusion to be reached - or at least, to the point where the ultimate fate of the "happily ever after" came down to a fifty-fifty shot - Flash, sizzle, crackle - "Father! PHULEEEAZZE!!" - At that point, did any one else find themselves rooting for Vader for all they were worth? "Come on, Darth! You can do it!"?

      He would also know that that course of events would inevitably be rather catastrophic in scope. Whole systems laid waste, billions (trillions?) dead, the very existence of the Galaxy itself put to stake, you know the drill.

      But he would allow (even encourage) events to unfold that way, because massive, overwhelming, earth-shattering change is by definition not peaceful, or easy. The death of the old is generally slow, painful and messy, and the birth of the new (as births usually are) just that little bit worse. But, until things evolve to a certain point, there is no other way to get from here to there.

      Although, for this to work, Annakin would also need to demonstrate foreknowledge of - and collusion with - his destiny. The hero (or, as some religions would have it, the sacrifice) has to go knowingly to his destruction. A lamb to the slaughter, you might say.

      It could also be argued that if the Sith are to represent all the things that are out-of-balance in the Force, and there is always only two of them, the Master and the Apprentice, then for the Apprentice to give in to the Light Side and destroy his master would make sense. Light + Dark = 0, or perhaps two Evil Sith, take away two Evil Sith, leaves no Evil Sith.

      Of course, in order for that to come about, the Chosen one would have to turn to the Dark Side first. Which makes it neccessary for Annakin's training to be done by someone who would train him well, but neglect the oh-so-important part about resisting the impulses that lead to the Dark Side. Our favorite "crazy old man" is the perfect choice. And what better way to get him into old Ben's clutches than to send off Qai-Gon to knock out the current apprentice, thus creating a space for the new deep-sleeper agent of the Forces of Good, Darth Annakin?

      Now, Yoda dies peacefully in his sleep, rather than being smeared three inches thick all the way to the top of his personal Golgotha - he's no hero. Neither is Obi-Wan. When faced with a quick sabre slash across the midriff, he goes all chicken in a puff of smoke. Poor Annakin has to be half barbequed, dragged, broken and bleeding down to a devestated hangar deck, where he expires in a wheeze of compassion and father-son bonding. He doesn't even get to fade away like Yoda. He's our patsy - I mean Chosen One.

      All that is needed is for Annakin to know what's in store for him. And for him to consciously take steps that advance the story. Handily ignoring his old home town as a possible hiding place, for example. Or somehow getting his master to allow his Nemesis (Luke) access to a weapon (his lightsabre - "you want this...?"), even though he could already feel the burning in his neatly-cauterised stump-to-be.

      The thought came from another interesting theory I came across at the same time, and it was regarding that other great story archtype, typefied by that other great (and somewhat more pre-Campbellian) collection of short stories - the Bibble. In it, the not-particularly-heroic type is given a destiny that could save the world, and the knowledge that it will be the most horrific experience of his short life, and will also require his own death, preferably in as slow, painful and messy a fashion as possible.

      Are there any instances of Annakin indicating knowledge of the future, in such a way as to indicate consequent foreknowledge that that future is not a nice place for him to be? Or that by taking a particular course of action, he is deliberately moving towards a dark and horrible future? After all, if a 600-year old oven mitt can see into the future, surely it's not beyond the Chosen One, especially if he's got midichlorians out the earhole like they say.

      I haven't seen AotC yet. I just couldn't find the excitement neccesary to drag myself out of my daily rut in order to trek the fifty miles to the nearest decent cinema. I'll wait for the DVD. But when I sit down to watch it the first time, I will be turning the suspense-of-disbelief dial to '11'. THEN I'll go back and pick it apart, frame by frame, 'cause that's what I dig doing.

      Not that I intend making a religion out of it or anything. The first time I saw Star Wars (at about 15), it was a truly mind-blowing experience, and Luke Skywalker was the angst-ridden, down-trodden young man I saw myself as. When I saw it again during the pre-TPM ritual screenings of the first three movies, I was so incredibly struck by what a shockingly histrionic ham of an actor that whiny little farmboy was. Funnily enough, I look back at myself at that age, and you'll never guess what I see.

      I'm also hoping that Ep III will also provide us with an answer to that other eternal question - what the hell is a Darth, anyway?

  41. In space, no one can hear you snore... by sammaffei · · Score: 2, Insightful

    And we all remember how rivetting 2001 was (Monolith, snore, Monolith on Moon, snore, Monolith in Jupiter orbit, snore, etc...)

    Hey, Star Wars is a space soap opera (sorta like Flash Gordon or Buck Rogers). 2001 is hard-core science fiction. Two distinct genres.

    Please don't place a burden on something that doesn't deserve it.

    --

    Political correctness is the newest form of slavery.

  42. Getting angry can turn you evil by maddskillz · · Score: 2, Insightful

    I thought this article was an interesting read, and he made some really good points. The fact that I neither love or hate star wars makes this it a little easier to look at this objectively.

    The one thing that I couldn't agree with was when he said getting angry can turn you evil is a down right lie. He then brings up an obligatory Hitler reference. A better example would be if, say a military group attacked you, and you decided to completely annihliate everyone who is from their country. You fighting the group is not evil, but you going overboard and killing everyone is! Of course you would have had no reason to fight them at all, but you were mad at what they did to you.
    Hope that makes sense!

    1. Re:Getting angry can turn you evil by broody · · Score: 1

      Your describes someone who is emotionaly maladjusted rather than someone who is angry.

      --
      ~~ What's stopping you?
    2. Re:Getting angry can turn you evil by NFNNMIDATA · · Score: 2, Insightful

      Yes and it wasn't getting angry that was the problem - doesn't anyone actually watch these movies? The emporer wanted luke to try to kill him, an unarmed old man. Then he tried to get luke to kill his own father. Murderous rage and post-murder guilt is the path to the dark side, just like in real life.

    3. Re:Getting angry can turn you evil by maddskillz · · Score: 1

      So was America emotionally maladjusted for nuking Nagasaki or Hiroshima?
      Was Britian maladjusted for fire bombing Germany?
      These do seem to be the norm rather then a special case

    4. Re:Getting angry can turn you evil by jaoswald · · Score: 2

      Oh, come on. The emporer isn't an innocent unarmed *bystander*. If you believe the Empire is evil, then he is the ultimate target of all the Rebel sacrifice. A soldier who takes a shot at the enemy leadership isn't experiencing *murderous* rage, he's just using adrenaline-driven anger to get the job done. It isn't good for his health, but it is good for the cause, and it his job.

      Lots of soldiers have to kill the enemy. It's a foul thing, it ain't pacifism, and it isn't glorious, but it isn't evil, either. Just brutal, nasty, but necessary. If you have any humanity, it will deeply affect you, but if you realize it was all ultimately for the cause of good, then you will deal with it.

      Murderous rage is burning down villages, raping civilians, and killing prisoners and surrendering enemies, which doesn't serve any cause.

      Lucas has us believe that somehow killing the emperor ipso facto would turn Luke evil, while killing stormtroopers apparently doesn't have that effect.

    5. Re:Getting angry can turn you evil by JohnG · · Score: 2

      Not really, the conflict could not have been resolved without killing storm troopers. It could have been resolved without killing the emperor.

    6. Re:Getting angry can turn you evil by Anonymous Coward · · Score: 0

      Anyone who can shoot lightning bolts out
      of their fingertips is *never* unarmed.

    7. Re:Getting angry can turn you evil by NFNNMIDATA · · Score: 1

      See the thing is, what does luke really know about the emporer? He looked pretty surprised by the lightning bolts to me.

      But I guess the point I should have been trying to make was not that of killing=dark side, rather that (as palpatine says), giving in to your hatred and losing control leads to the dark side. Which of course brings up the article's point that the dark jedi didn't seem too hate-filled or out-of-control, they were cool and calm as they dispatched whomever. So I guess lucas is inconsistent in this regard, making the argument moot.

    8. Re:Getting angry can turn you evil by Anonymous Coward · · Score: 0

      And it is giving in to anger that Luke is warned about, not anger itself.

      Most people are capable of becoming angry in an out-of-control way and must learn to avoid this. Especially if they want to raise children.

  43. Re:"Caused Quite a Stir?" by Anonymous Coward · · Score: 0

    So are you back?where the fuck is your site?

  44. the fix-all? by jdjensen · · Score: 3, Interesting

    I read David Brin's article and noticed that he keeps mentioning how the whole series can be "redeemed" should Lucas decide to do "something special" to the plot. Of course, Brin never enlightens us to his fix-all plot twist.

    Well, I think I might be on to what he's talking about. How cool would it be if Anakin's drop into the Dark Side was manipulated and guided by Yoda (and maybe some other elite Jedi) with the expectation that he'd eventually bring balance to the force in VI: ROTJ? Yoda ( or perhaps a council even higher than the ovenmit?) allows certain attrocities to go unchecked because he has a higher prophecy to fulfill. When I think about the possibilities, this could really put a brilliant and completely new spin upon the Star Wars universe. If done correctly, it really could be the next Empire Strikes Back in terms of having a plot that is more than predictable pubescent garbage (don't get me wrong, I love Star Wars).

    But at any rate, those are my thoughts, and I'll admit that I don't read the forums and gossip websites at all. Does anyone else have any ideas as to what this "something special" which David Brin is referring to might be?

    1. Re:the fix-all? by Anonymous Coward · · Score: 0

      it's in the addendum: "Vader and Obi-Wan conspire together against BOTH Emperor and Yoda."

    2. Re:the fix-all? by wiredog · · Score: 5, Interesting
      Here

      All evidence points to Yoda as co-villain with the emperor all along -- one lightside of the force lying-pompous-schmuck and one darkside heavybreathing-sadist-schmuck. QuiGon was dimly aware of this problem, which is why he tried bypassing Yoda -- twice! -- and yearned for balance. So did Obiwan. And their student? How esthetic it would be for QuiGon and Obiwan to turn out to have been right and Yoda wrong!

      How about this? Annakin self-hypnotized an inner core of himself to hide behid a mask while pretending to be the emperor's lackey, getting ready for a day of reckoning with BOTH of those sanctimonious bastards, Yoda and Palpatine! It works!

      Here's part of the SALON article that never got included:

      Oh, wait. I get it. Annakin was actually a secret agent spy all along! Here's the secret facts:

      Vader's the one who sent the secret plans to Leia's ship! He arranged for the droids to get away, and coincidentally land just a few miles from his hidden son! (It explains why Obiwan "hid" Luke on the one planet Darth (I mean Anniken) was most familiar with in the whole universe. The same PART of that planet. It only makes sense if the two were really in cahoots!)

      Remember how, a little later, Vader talks Tarkin into "letting them go so we can trace them"? Likewise, he's the only close-up witness to Obiwan disappearing, when he supposedly "killed" his master in that sword fight! (Maybe he actually helped Obiwan pull a vanishing act.) Note that the "fight" with Obiwan distracted the guards & helped let Luke get away!

      But there's more! Remember how Vader "chased" Luke in that Tie fighter... which had the chief effect of turning off all the antiaircraft guns and giving the boy a clear shot to blow up the first Death Star! (From which event, Vader is conveniently the only Imperial survivor.)

      Recall how in The Empire Strikes Back Vader offered to make Luke co-ruler? (Presumably it would thus be a nicer dynasty than the emperor's). Then in Jedi recall how Vader brought Luke aboard the second Death Star? Could it be because he knew the kid would irritate the emperor and get him upset enough to finally let Darth get a crack at him from behind?

      I knew there had to be some reason why Vader didn't seem to detect his own daughter -- all filled with that magic force shit -- when he grabbed her arm and looked into her eyes in Episode... um... IV is it? Then he drug-interrogated her, without detecting any Force? Can there be any explanation except that he already knew?

      Pah! He let them both get away deliberately! And whenever they needed guidance, there were the droids... his own special droids, assigned to help and guide his children to their destiny.

    3. Re:the fix-all? by harrisj · · Score: 1

      It's a neat little idea, but it's a plan with a pretty high body count (even if Yoda is seen as being motivated by good intentions). Given the fact that the Jedi will walk into a trap without thinking, surely there was an easier way?

    4. Re:the fix-all? by Anonymous Coward · · Score: 0

      > How about this? Annakin self-hypnotized an inner core of himself to hide behid a mask while pretending to be the emperor's lackey, getting ready for a day of reckoning with BOTH of those sanctimonious bastards, Yoda and Palpatine! It works!

      Would've worked better for me if Yoda hadn't died of old age on Dagobah; kind of missed out on that day o' reckoning there.

      > Remember how, a little later, Vader talks Tarkin into "letting them go so we can trace them"? Likewise, he's the only close-up witness to Obiwan disappearing, when he supposedly "killed" his master in that sword fight! (Maybe he actually helped Obiwan pull a vanishing act.) Note that the "fight" with Obiwan distracted the guards & helped let Luke get away!

      You didn't catch that air of puzzlement by Vader after that fight? Good job by David Prowse making that work so well.

      So, all that business later on with Obi-Wan being a spirit rather than a person, and him explaining about the death of Luke's dad to him was what, still more show?

      > But there's more! Remember how Vader "chased" Luke in that Tie fighter... which had the chief effect of turning off all the antiaircraft guns
      and giving the boy a clear shot to blow up the first Death Star! (From which event, Vader is conveniently the only Imperial survivor.)

      Yeah, I can see how the aa gunners would want to maybe shoot the 2nd-highest ranking person there. No point in holding fire, just keep blasting and hope for the best.

      Conveniently by way of Han Solo shooting Vader's wingman, causing a collision that knocks Vader's ship out of the way. So, Solo is also in cahoots with Vader & Co?

      Etc, etc. It would help a LOT if you'd actually seen the movies before making comments about them.

    5. Re:the fix-all? by Aexia · · Score: 3, Informative

      Does anyone else have any ideas as to what this "something special" which David Brin is referring to might be?

      Anyone who read the *entire* article might.

      In fact, a scenario is possible, if Vader and Obi-Wan conspire together against BOTH Emperor and Yoda. Go on, follow all the movies with this possibility in mind.

      Why else would Obi-Wan 'hide' Vader's son in Vader's home town? Their final 'deathfight' distracts the guards to let Luke/Han/Leia get away. How else do you explain that Vader grabs/interrogates Leia, yet never detects her force? Watch carefully... Vader's 'chase' of Luke in the first film clears all the other Imperial fighters off his son's back and halts the antiaircraft guns, giving the kid a clear shot! And guess who's the only Imperial survivor?

      It goes on and on! (Including the coincidence of whose droids carry the message.)

    6. Re:the fix-all? by Anonymous Coward · · Score: 0

      What movies? I thought these were historical documents.

    7. Re:the fix-all? by obdulio · · Score: 1

      Maybe Anakin was not completly taken by the Dark Side, some good remained on him. That would explain the end of ROTJ.

      --
      PENAROL: Seras eterno como el tiempo y floreceras en cada primavera.
    8. Re:the fix-all? by dupper · · Score: 1
      I started shaking and shivering while reading this; my GOD!!! This is the greatest idea ever. while I know, deep down, Lucas will never touch this idea, this will be Star Wars gospel for me from now on.

      I have become visibly aroused at the thought of this.

    9. Re:the fix-all? by Anonymous Coward · · Score: 0

      Maybe?

      I think that Anakin is not entirely evil is made quite explicit in ROTJ.

    10. Re:the fix-all? by danro · · Score: 2

      What movies? I thought these were historical documents.

      Galaxy Quest is so underrated.

      --

      "First lesson," Jon said. "Stick them with the pointy end."
  45. Re:What AotC Needed... Exactly by chewmanfoo · · Score: 1

    I agree. I was thinking the same thing as the movie played: surely Dookoo isn't under the emperor's spell, a drone for the Dark Side. Yet, he was, and I should have known, given Lucas's penchant for puppeteering.

  46. I can't possibly agree in a more disagreeable way by beleg777 · · Score: 2

    [i]True, it helped that my expectations were low. Still, I found myself quite enjoying the first half of the film!

    While I agreed with his overall response I completely disagree with most of his points. I didn't like the first half, except maybe the first scene where Obi-Wan jumps out the window. It was the second half that was enjoyable. While the plot held itself together better in the first half of this the dialog was painful.

    I've found that I really dislike this guy, and the way he presents thing. But I often agree with his opinions. At least on movies.

    --

    Science may someday discover what faith has always known.
  47. Dissent is Good by DaytonCIM · · Score: 4, Insightful

    There are many who will take offense at Brin's comments. But as a fan of Sci Fi it is Brin's duty to question Lucas and call him on his mistakes.
    If more people step up and speak the truth about how much of a "let down" both of the "new" Star Wars films have been, maybe George will spend a little more time writing the third and less time worrying about the CGI.

    1. Re:Dissent is Good by dswensen · · Score: 1

      Dissent? What are you talking about? Post any vaguely Star Wars-related story on Slashdot and you can't swing a dead rat without hitting fourteen Jar Jar jokes, sixty-two statements of outrage over action figures, and eighteen plaintive whines to "free the Phantom Edit."

      Dissent implies refusal to conform to the establishment or majority. One look at the moderation totals will tell you that the ranks of the disappointed, the bitter, and the morally outraged exist in far greater numbers.

      It doesn't take a brave pioneer to stand up and bash Lucas on his mistakes. Following in the footsteps of a hundred million Usenet posters does not a brave voice of dissent make. Give me a science fiction author who's willing to calmly discuss what Lucas did right. Then you'd have a target for some controversy!

  48. One thing that bothered me by Chris+Pimlott · · Score: 2

    How is Palpatine supposed to explain the clone army? "I propose to create a grand Army of the Republic... oh look, I already have one, isn't that handy?" As they said in the movie, it takes years to develop, breed and train a clone army, so coming up with one at the drop of a hat should raise of few eyebrows.

    1. Re:One thing that bothered me by xconslash · · Score: 0

      The point is, if some bozo come up to Palpatine and says, "Hey! where'd you get that fancy army?" He doesn't have to answer him, THE CLONE ARMY WITH GUNS GETS TO.

      --


      .sig error: carrier signal lost.
    2. Re:One thing that bothered me by Chris+Pimlott · · Score: 2

      The point is, if some bozo come up to Palpatine and says, "Hey! where'd you get that fancy army?" He doesn't have to answer him, THE CLONE ARMY WITH GUNS GETS TO.

      Then why trick the council/congress/whatever to agree to form an Army of the Republic anyway? Remember, Palpatine is still maintaining his persona as an honest politician; he only shows up at the Jedi-arena-planet as Darth Sidious.

  49. Re:I didn't spend seven years at Evil Medical Scho by Anonymous Coward · · Score: 0

    "Nor did I spend two years at Evil Graduate School for an MA, two years at Evil Writer's Workshop for an MFA, and six years at Evil Graduate School for a Ph.D., but I don't go around signing my posts as: Kelso Lundeen, M.A.,M.F.A.,Ph.D."

    well, no kidding...if you didn't go to school to get those degrees why would you sign your name that way? :-)

  50. Re:"Caused Quite a Stir?" by Anonymous Coward · · Score: 0

    Did you end up doing time? If so, do you now look like the goatse guy?

  51. Aesthetics and futility aside... by whamilton · · Score: 1

    This is what happens when you get a bunch of Phd's at a screening for "just a movie" -- what the rest us normal people simply find enjoyable.

    From the article:

    "Still, the final third of the film could not keep up my hopes for something truly memorable. For example, the whole audience broke out into disbelieving titters when old Yoda -- the green-asbestos oven mitt -- suddenly started flying around the room, whirling a light saber."

    Don't worry David, I'm with you on the mistrust of Yoda theme -- but if you didn't relish that part of the movie maybe you were in the wrong theater; perhaps "the three wives club" would be more to taste?

    1. Re:Aesthetics and futility aside... by SirSlud · · Score: 2

      My problem is that with so much money riding on the success of these movies, that its hard for me to take the guilty pleasure of enjoying such a scene when one could plausibly construe the scene as an easy-to-make marketing ploy.

      Between all the crossovers, cameos, in jokes, and plot ploys in hollywood entertainment these days, its increasingly difficult for me to enjoy my guilty pleasures. When I know whoever owned the rights to the characters/franchise/brands involved is making a crudload of money off of pandering to my guilty desires instead of challenging them or surprising them with novel ideas, I just want to turn the TV off. As a fan of various shows, characters, etc, sometimes I feel downright exploited .. as if somebody out there knows what kind of cultural crack I'm unable to resist, and is making some phat cash of peddling me 'the goods' ...

      Well, back to Yoda. Really, I much prefered the mystery. We all knew Yoda could kick some Imperial ass, so did we *really* have to see it? I much preferred the mystery, but now I am ruined. :(

      --
      "Old man yells at systemd"
    2. Re:Aesthetics and futility aside... by IIRCAFAIKIANAL · · Score: 2

      heheh,

      seeing Yoda fight was like losing one's virginity - couldn't wait for it to happen, but it was almost anti-climactic after the fact.

      But who wants to stay a virgin? I'd rather have an experience than anticipate it - that's just me :)

      "I much preferred the mystery, but now I am ruined. :("

      Lucas popped your cherry. I guess he should have been more gentle. Seeing Yoda fight like kermit on crack was a little rough. I feel your pain.

      --
      Robots are everywhere, and they eat old people's medicine for fuel.
  52. brass tacks by nadador · · Score: 1, Insightful

    I don't have any problem with the bland nihlism that apparently irritates Mr. Brin so much, maybe because it appeals to me. I'm not bothered by the incredible plot inconsistencies or the general lack of good story telling. These are movies, not films. I suspend my disbelief, and magically, I'm entertained. Of course, I'm easily entertained, so maybe I'm a bad judge.

    Oh, and I save my religous devotion for Star Trek and Vi.

    That aside, I think the real problem is that we're quibbling over subplot and subtext in a place it doesn't belong. The original appeal of the space opera in New Hope was that the story arc - moronic, cheesy, and poorly constructed as it might be, IANA writer just an engineer - was epic (insert sound effect for listeners of the Tony Kornheiser show). Whats killed Eps I and II is that we have time to consider the finer, or not so fine, plot components because the story line is so darn boring. As much as it might be a subtle introduction into the making of an emperor, a story arc about a trade dispute pales in comparison to saving the universe from destruction.

    Save the intellectualism for Trek and Battlestar Gallactica, and give me more epic space opera in my Ep III, and I'll be happy.

    --

    Outside of a dog, a book is a man's best friend. Inside a dog, its too dark to read.
    1. Re:brass tacks by Anonymous Coward · · Score: 0

      > Oh, and I save my religous devotion for Star Trek > and Vi.

      Shouldn't that be Star Trek and EMACS?!?

    2. Re:brass tacks by Anonymous Coward · · Score: 0

      Anyone with "religious devotion" to VI is
      truly on the Dark Side

  53. The thing is by Anonymous Coward · · Score: 0

    David Brin is a clueless moron who just happens to supposedly be a good author, haven't read his stuff myself so I don't know. God only knows where he got that crap about the original trilogy from when he wrote that pathetic article laying into it.

  54. Post-Sundiver suggestions... by freeBill · · Score: 3, Informative

    ...obviously start with Startide Rising, a much better book set in the same universe (The Uplift Saga, which has six volumes). The Uplift War is just as good, even though I suspect it was conceived as a giant pun. It may also appeal to your Libertarian instincts.

    Then you're faced with a choice. If you just can't get enough Uplift, the last three books of the saga are really one story or trilogy and introduce many new and interesting ideas. But the climax is not as satisfying as Startide or Uplift War.

    If you liked the eco-libertarian side of The Uplift War and (especially) Startide Rising, Earth develops these ideas much more fully, but it may not be entirely non-unsettling to a true believer in the Libertarian Cause.

    If you liked the puns in The Uplift War, Kiln People delivers puns at a rate which has to be seen to be believed. This book also does a lot better job of transferring the mystery genre to sci-fi than Sundiver. And he even explains why his gumshoe maintains a running dialog in his head.

    If you like Asimov's Foundation, then Foundation's Triumph will be of interest. Otherwise ignore it.

    Perhaps his most interesting book was written with Gregory Benford -- Heart of the Comet, biological sci-fi set in deep space.

    --
    Eternal vigilance only works if you look in every direction.
  55. Re:"Caused Quite a Stir?" by Real+World+Stuff · · Score: 1

    Ahoy, send mail fool. Are you really the ghost of Eddie Gentry?

    --
    If we don't fight for ourselves no one will.
  56. Re:Twinge[...] Yeah, but read his 3-paragraphs by Dr.+Manhattan · · Score: 2

    Okay, I give. Where are those three paragraphs?

    --
    PHEM - party like it's 1997-2003!
  57. Lucas wants it both ways by MichaelPenne · · Score: 4, Insightful

    Right, but, Lucas seems to want folks to feel there _is_ a message in his films, claiming to be inspired by the work of Campbell (who definitely claimed that even 'escapist' cultural myths reveal the underlying philosophy of a culture).

    So Brin is critiqeing from the view that Lucas does want to be taken seriously.

    I happen to agree that Lucas just wants to make a bunch of money and play with some cool new digital toys & that he is using Campbellian patterns in his stories because they are recepies for popularity, not because he actually wants or expects his stories to teach or shape the culture.

    But a central theme to Campbell's work was that popular myths _do_ shape and teach...

    1. Re:Lucas wants it both ways by RedWizzard · · Score: 2
      Right, but, Lucas seems to want folks to feel there _is_ a message in his films
      Says who? I've never heard anything from Lucas to suggest he expects us to take them seriously. When asked "why did Phantom Menace suck so much?" he said something like "I wrote it for the kids". As you say Campbellian techniques are recipies for popularity and Lucas used them freely, but that does not mean he subscribes to the "must shape and teach" aspect.
    2. Re:Lucas wants it both ways by MichaelPenne · · Score: 1

      http://www.starwars.com/episode-ii/feature/2002011 5/indexp2.html

      "The whole point is -- and the reason I started the story where I did -- is that Anakin is a normal, good kid. And how does somebody who is normal and good turn bad? What are the qualities, what is it that we all have within us that will turn us bad?"

      I dunno about you, but this seems like a kind of serious subject. What drives a nice young kid to turn on his friends and teachers and try to kill them all? What drives a father to try and bring his son around to a world view that has justified the wholesale slaughter of entire planets full of people?

      I dunno, but I think part of Brin's comments are that Lucas attempts to answer this question, but his answers seem more than a bit lame.

      "I've said this a few times, but it's a complex idea that's hard to get across. I'm approaching these films, for better or worse, like a symphony. I have a lot of themes that I keep repeating over and over again through the whole thing. Different notes and different instrumentation, but when you see all six movies together you'll see that there's a lot of recurring notes being played. Sometimes they're played with the oboe, and sometimes they're played with the violin, and sometimes they're played with a full orchestra. And it's done on purpose." (ibid)

      So you don't think statements like the above are not Lucas suggesting that we take the SW films with a grain of seriousness?

    3. Re:Lucas wants it both ways by RedWizzard · · Score: 2

      Yeah, I'll give you that.

  58. A minor correction by Reductionist · · Score: 1

    And -- to my delighted shock! -- for the very first time, an action-plot twist! Out of the four Star Wars films that Lucas has directed, for the first time he did not resolve the action by having someone fly a teeny ship into a great big ship, shoot the 'reactor' and then run away real fast from a slow-motion explosion! At last.

    Ummmm.. Lucas only directed 3 of the 5 films currently in release: Episodes I, II, and IV. Return of the Jedi, which featured the second version of the shoot the 'reactor' and then run away real fast scheme was directed by Richard Marquand, not Lucas.

    1. Re:A minor correction by bje2 · · Score: 2

      um, marquand directed it, but lucas still wrote it...giving the controlling nature of lucas, i'd be willing to bet that the "shoot the reactor and then run" part or rotj was lucas', not marquand...marquand just directed the story that lucas gave him...

      --

      "Facts are meaningless. You could use facts to prove anything that's even remotely true." - Homer Simpson
    2. Re:A minor correction by Anonymous Coward · · Score: 0

      Irvin Kershner directed Empire Strikes Back which is why it rocked. Lucas is a genius but he's truly the anti-director. After watching his Bio last night, I now realize that his wife was a MAJOR influence in the look and feel of the first three movies. She helped edit ANH and encouraged him to hire directors for ESB and ROTJ. When she left him after ROTJ, I think he lost the only second opinion he would ever consider. And the whole series has sucked ever since.

      There is a great Salon article about Kershner's effect on ESB including his personification of the droids and constant battles with Lucas. Check it out.

      http://www.salon.com/ent/col/srag/1999/05/13/ker sh ner/

    3. Re:A minor correction by Reductionist · · Score: 1

      True, but Lucas has writing credits on all of the movies in the series, since after all it is his baby. Brin implied that the "shoot the reactor and then run" plot scheme was a result of Lucas' role as director of certain films in the series when its really due to his role as grand poobah of the Star Wars universe.

      Lucas is not and never was a great director or writer. The best movie in the series, The Empire Strikes Back, is great precisely because he stepped aside to let Irvin Kershner direct, and Leigh Brackett/Lawrence Kasdan write the screenplay. Lucas strengths are his grand vision of the Star Wars universe and grasp of epic storytelling, not as a jack of all trades who wears the hat of director, writer, and producer.

      You only need to look at the banal dialogue and wooden performances of episode I or the lame 'douche commercial' attempt at romance in episode II to come to the conclusion that he would best serve the series as executive producer.

    4. Re:A minor correction by bje2 · · Score: 1

      i don't disagree with anything you said there...i actually misread the original statement by Brin...i was just pointing out that the 4 movies have the 'hit and run' commonality not because of the director, but because of lucas...but i think we already agree on that now...

      --

      "Facts are meaningless. You could use facts to prove anything that's even remotely true." - Homer Simpson
    5. Re:A minor correction by Anonymous Coward · · Score: 0

      Lucas is not and never was a great director or writer.


      what a bunch of philistines! hasn't anyone seen THX-1138?



      not only is it an excellent movie, but it bolsters brin's point that george lucas has a subtext that is not that nice.




      oh, and some people say American Grafitti is good, but I have only seen filmclips.


  59. Did you read the addendum? by mekkab · · Score: 5, Informative

    Bottom of the page.

    I don't care if he's jealous. His addendum RAWKS!

    God, it's so good, I wish I'd thought of it!

    note to self: read more of his books!

    --
    In the future, I would want to not be isolated from my friends in the Space Station.
  60. Re:Twinge[...] Yeah, but read his 3-paragraphs by mike_mgo · · Score: 1

    ummm...down at the bottom of his review.

  61. Terrorists by BESTouff · · Score: 2, Insightful

    Do you realize that in nowadays' political atmosphere, the Rebels would be seen as terrorists and the evil Empire would look more like ... well.

    1. Re:Terrorists by AtaruMoroboshi · · Score: 2


      HA! Someone mod parent up!

      Hilarious!

    2. Re:Terrorists by Anonymous Coward · · Score: 0

      Actually that is false. The rebels are not killing civilians to incite terror in an attempt to alter the Empire's policies and gov't. The Rebels are directly fighting the Empire's army to defeat it and cause a gov't change.

      Terrorists deliberately attack civilians as part of the strategy to force change.

  62. "They all look alike to me" by wowbagger · · Score: 2

    It could be that Owen considered droids beneth notice - the classic "They all look alike to me". As such, the only reason he would consider C-3P0 special were the memories that were erased. Upon meeting the wiped 3P0, nothing would be present to trigger any familiarity.

    1. Re:"They all look alike to me" by Dephex+Twin · · Score: 1

      Considering how much he was against Luke knowing anything about his father or the jedi, or going to the academy, or finding out who Ben Kenobi really was, I'd say he would be a bit against the idea of purchasing C3PO, memories intact or not.

      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
  63. Bitter much? by Dirtside · · Score: 3, Insightful

    Brin makes some interesting points in these anti-Lucas screeds of his, but the strongest feeling I get from them is one of bitter resentment. I think Brin has a particular idea of what constitutes "real" SF, and Lucas's success with his paltry "pseudo-SF" is grating. That, I can understand, but it does Brin no good to come up with spurious logic and silly accusations to try and denigrate Lucas... to what purpose, I can't tell.

    For example, Brin is fond of pointing out how unhealthy it is to repress your emotions -- something he claims the Jedi faith is based on. The problem is that the Jedi have no problems with the existence of negative emotions -- merely with acting on them. Controlling yourself to the point where you don't even have any negative emotions is nigh-impossible; but recognizing when you are having those emotions, and waiting until you are calm before you act, is where the wisdom lies.

    Brin also makes the odd assumption that just because Lucas shows a character doing something in a movie, means that Lucas thinks that real people should act that way in real life. His quote from Orwell is almost apropos, except that a movie is different enough from a gas chamber that the comparison is silly. I'm not saying Brin has to like Lucas's beliefs or philosophy, but to claim that there's some crime being perpetrated against humanity because of the entirely fictional things that happen in a movie, is just dumb. Criticizing a movie for bad writing, bad direction, and bad acting is certainly fine, but why does Brin see such a threat against real adult morality from these films?

    --
    "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
    1. Re:Bitter much? by Anonymous Coward · · Score: 0

      And to follow your logic, someone with "real wisdon"
      visiting the camp of Auschwitz in 1944 would remain
      calm and uninvolved. Anger and rage are very proper
      and healthy reactions to gross evil.

    2. Re:Bitter much? by Dirtside · · Score: 2

      No, you useless troll, to follow my logic, someone with "real wisdom" would feel anger and rage, and then wait until they calmed down before acting. Acting from emotions is what causes many of the problems in the world; responding the same way isn't going to make things better.

      "The significant problems we face cannot be solved at the same level of thinking we were at when we created them." -- Albert Einstein

      --
      "Destroy science and religion. Science would re-emerge exactly the same; but not religion." - Penn Jillette, paraphrased
  64. Brin Should Talk by N8F8 · · Score: 2

    I've read most of his books. Not because I find his books especially well written, but because I'm a Sci-Fi junkie. His characters tend to feel like cardboard propups. Not that I'm defending Lucas' crap either.

    Why oh why can't Hollywood make decent Sci-Fi movies? Most of the sci-fi movies that get made are absolute torture to watch. I suspect it has to do with the fact that most decent movies today are made with relative shoestring budgets. Crap lie Star Wars and Star Trek and even Minority Report.

    Another may be that the Directors involved in the production are too powerful and have too much control over everything. Does anyone believe Lucas was told the Romance scene was completely horrid? I can't beleive the actors managed to spout that tripe without barfing or laughing in Lucas' face.

    --
    "God fights on the side with the best artillery." - Napoleon, Marshal of France - speaking truth to power
    1. Re:Brin Should Talk by Anonymous+Canard · · Score: 1
      Not because I find his books especially well written, but because I'm a Sci-Fi junkie. His characters tend to feel like cardboard propups. Not that I'm defending Lucas' crap either.

      What exactly do you consider good character development? Anne McCaffrey? I read Brin specifically because I think his character development is better than most of the other SF authors. The only comparable authors I know of are Larry Niven and Scott Card (and maybe Stephen Brust although I'm not fond of his nihilism.) Benford's science is better but his characters are paper thin. McCaffrey's characters stir up emotion, but she recycles the same character and plot over and over again. Greg Bear is just awful in about every way I can think of. I like Neal Stephenson, but I wouldn't read him for his characters. Pournelle? Brooks? Haldeman? Gibson? Robinson? Bujold?

      Only two authors that come to mind are better than Brin in character development, and those are Frank Herbert, and JRR Tolkien. The rest are either thin, carbon copies, or serialized with no transformation from one novel to the next. But if you have recommendations, please tell.

      --

      --
      BitTorrent in C -- LibBT
      http://www.sf.net/projects/libbt
    2. Re:Brin Should Talk by great+throwdini · · Score: 1

      Why oh why can't Hollywood make decent Sci-Fi movies?

      They exist. Donnie Darko (2001) is a little fringe and not a space opera, but I think counts for something. Just try to ignore Barrymore's acting. I think the last space-y sci-fi I enjoyed from mainstream Hollywood was Pitch Black (2000). Then again, I'm one of the few who enjoyed AI (2001). Haven't seen much from this year's crop that would count as "good"...

    3. Re:Brin Should Talk by anonymous+cupboard · · Score: 2

      Pitch Black was hardly mainstream Hollywood. It was a US/Ozzie co-production. I don't think it really hit distribution until its critical success at film-fests.

    4. Re:Brin Should Talk by great+throwdini · · Score: 1

      Pitch Black was hardly mainstream Hollywood. It was a US/Ozzie co-production.

      I guess that would make LOTR "hardly mainstream Hollywood", too. I'd have to go back to verify your claim about distribution pick-up for Pitch Black, but just because a film is co-created overseas with backing from US film concerns doesn't automagically discount it as Hollywood fare.

    5. Re:Brin Should Talk by anonymous+cupboard · · Score: 2
      I would certainly that LOTR wasn't really mainstream Hollywood but unlike Pitch Black, the money came completely from the US (Give or take some tax breaks by the Kiwis, but that certainly used to be the same for Oz).

      The other point is that a studio film often has better links into the distribution system. If it is really crap, they won't necessarily pick it up but they won't always look at an independent foreign production.

  65. Fscking GERMANS! by Anonymous Coward · · Score: 0

    Nothing changes. Fscking nazis.

  66. Bah by freek_daddy · · Score: 1

    I was irritated by his smarmy "If he knew Joe Campbell like I knew Joe Campbell" approach to the whole thing. And his blind determination that he must be right. Darth Vader as Hitler is a million miles of stretch - you either have to ignore the Holocaust or imagine something similar for ol'Vader which apparently happens outside of the films.

    Sour grapes maybe? (especially because he points out twice that he has the magic plotline which will restore the series to respectability) Taking himself a little (WAY) too seriously? Unable to separate entertainment from enlightment?

    1. Re:Bah by sceptre1067 · · Score: 1

      Actually... The Star Wars radio drama, which Lucas o.k.'ed does include statemts about Vader running death camps, in a adition to fleshing out other parts of the movie.

    2. Re:Bah by Kredal · · Score: 2

      What, blowing up Alderan isn't evil enough for you?

      --
      Whoever stated that signature sizes should be limited to one hundred and twenty characters can just go ahead and kiss my
    3. Re:Bah by freek_daddy · · Score: 1

      It's certainly evil, just like the firebombings of Dresden and Tokyo were evil. But not as evil as putting civilians into camps and gassing them.

  67. Humans remember appliances... Riiight. by Fig,+formerly+A.C. · · Score: 2, Informative
    Yeah, I'm sure I could still identify that toaster that I sold at a garage sale 18 years ago, too. Especially since it was in pieces when I got rid of it.

    I think droids are a commodity in the SW universe, much like toasters are today. Mass produced, identical, and when you come down to it: mere tools.

    Why would Owen remember it?

    --
    Murphy was an optimist.
    1. Re:Humans remember appliances... Riiight. by ShieldWolf · · Score: 2

      What was your toaster's name? What did its voice sound like? What were its aneurisms like? How many times did you carry on a conversation with it?

      C-3PO is such a commodity that he even has a nickname: threepio. Did Chewie puts him back together again when he was blown apart to not waste parts?

      I think bigger questions are:

      1) WHY IN GODS NAME did Anakin think building a protocal droid would help his Mom in the first place? How about a cleaning droid or a cooking droid?
      2) What sense do slaves make at all in a world with Droids?

      Lucas screwed up, it's okay, the sky won't fall, say it with me. ;)

      -Shieldwolf

      --
      just = (My)Opinion.toCents();
    2. Re:Humans remember appliances... Riiight. by Fig,+formerly+A.C. · · Score: 2
      What was your toaster's name? What did its voice sound like? What were its aneurisms like?

      Whatever I programmed them to be. ;-)

      How many times did you carry on a conversation with it?

      Never, I just kept telling it I didn't want any toast! (Red Dwarf)

      C-3PO is such a commodity that he even has a nickname: threepio.

      Yes, and my dog Rover had a unique name too.

      Did Chewie puts him back together again when he was blown apart to not waste parts?

      I've fixed a broken car before. Sometimes it is better to fix the more expensive appliances than to let them die.

      1) WHY IN GODS NAME did Anakin think building a protocal droid would help his Mom in the first place? How about a cleaning droid or a cooking droid? 2) What sense do slaves make at all in a world with Droids?

      I agree, this has bothered me as well. Maybe the droid parts were laying around, and the parts he had were for a protocol droid? I doubt Anakin fabricated any major parts for 3P0. Still, I agree with you here.

      Lucas screwed up, it's okay, the sky won't fall, say it with me. ;)

      IT. :-)

      Honestly, this steaming turd that Lucas pulled out of his ass is so twisted up it looks like a pretzel.

      --
      Murphy was an optimist.
    3. Re:Humans remember appliances... Riiight. by dbrutus · · Score: 2

      Seriously, all labor saving devices are used only when people are more expensive than the TCO of the device. Human labor, when it gets cheap enough, will replace machines. Slave labor can easily fit into this economic reality. How a slave gets expensive droid parts, puts them together into a functioning more valuable droid, and doesn't have the fruit of his work taken by his master for his own profit is much more problematic. It's still a plot hole, just a bit more refined.

    4. Re:Humans remember appliances... Riiight. by tapin · · Score: 2
      What was your toaster's name? What did its voice sound like? What were its aneurisms like?

      I don't think my toaster has ever had an aneurism. Neither, for that matter, has Threepio.

      Bonus points for spelling the wrong word right though, especially hereabouts.

    5. Re:Humans remember appliances... Riiight. by ShieldWolf · · Score: 1

      Don't give me any credit on the correct spelling:

      I spell checked before posting and the checker changed mannerisms into aneurisms. Whoops.

      -Shieldwolf

      --
      just = (My)Opinion.toCents();
  68. Re:well done by Anonymous Coward · · Score: 0

    Just out of curiousity, how many prime numbers does he go through before he stops? I couldn't watch anymore. Also, I was proudly hit number 49,000 (I think).

  69. Brin is right by Animats · · Score: 3, Insightful
    He really is right. Lucas is a great producer and a good director, but he also does his own scriptwriting, at which he is at best mediocre. He has his own studio, so he doesn't have anybody above him to tell him when he sucks. As Brin says, "Doesn't he have peers to workshop this stuff against?". No, he doesn't; he only has subordinates.

    What Lucas is good at is production-value overload. In Episode I, there's a new major set every 90 seconds. That's really what keeps people from being bothered by the bad dialogue and inept action.

    Yes, it makes money, but so does Pokemon.

  70. Lucas models Vader after himself (read it) by gosand · · Score: 2
    I really find this quote interesting...

    In a recent Time Magazine article, George Lucas explains the depressingly foreordained saga of Anakin Skywalker's slide into evil-demigodhood by saying: "He turns into Vader because he gets attached to things. He can't let go of his mother; he can't let go of his girlfriend. He can't let go of things. It makes you greedy. And when you're greedy, you are on the path to the dark side, because you fear you're going to lose things, that you're not going to have the power you need."

    So in essence, Lucas has modelled the Vader character after himself. The series has so much potential, everyone can see that. But Lucas is content to drag it down to the lowest level, simply because he is greedy.

    I also really like the author's suggestion for Episode Three, which is a major plot twist. I have thought about it, and I think it could work very well. I'd have to review the previous movies to see if it works all the way through the trilogy, but I think it would. He proposes that Obi Wan and Darth Vader are actually teaming up against Yoda and the Emperor.

    I think it would be a cool twist to reveal that the Empire is really the good guys, and the Rebels are the bad guys. There was a whole article on this somewhere, and I thought it was a pretty unique and intriguing analysis of the saga.

    --

    My beliefs do not require that you agree with them.

  71. Most pressing question in the article by branteaton · · Score: 2

    "Doesn't he have peers to workshop this stuff against?" Ouch! That hurt all the way over here, and it wasn't even _pointed at me_! George - all work and no peer review makes a director - weird.

    --
    this .sig intentionally inane.
  72. Re:"Caused Quite a Stir?" by Anonymous Coward · · Score: 0

    Wow. I wonder where Klerck is.

  73. Re:It is just a movie... by sielwolf · · Score: 2

    Jesus, just enjoy it. Quit over analyzing it.

    Um. Well there are two schools of thought when it comes to a form of art:

    1. Those who enjoy it for its own sake.
    2. Those who enjoy it for intellectual reasons.

    Take anything: music, film, fine art. Whatever and you will find these two camps (the second being smaller than the first).

    Now your post title is "It's just a movie" so I assume you are in the first camp. Basically the rule of thumb is if you liked the movie or not. Binary. Runs. or Hangs. And that's fine.

    The second group are those who take an active interest in looking deeper into a form of art. The political reasons. The creator's own personal relations to it. Larger social meaning and how it fits into the larger genre. Here analyisis brings deeper understanding of the film and thus more pleasure than just sitting back and watching it.

    A good parallel is David Sirlin's editiorials on Street Fighter II. His gist? Either you enjoy video games just to play them, or you enjoy them by winning (and winning takes analysis of the deeper mechanics of the game).

    In all things either it is just a meaningless pastime or a deep and profound experience. Passive enjoyment or active involvement. Understand that there are people who enjoy the same things you do but for different reasons.

    --
    What is music when you despise all sound?
  74. Enough of the Campbell Crap Already! by nagora · · Score: 2
    Campbell was a deluded idiot taken in by Fraudian BS which he applied more or less at random to those stories which could be made to fit while ignoring those that didn't. Who cares if Star Wars fits his shitty formula story telling? If I want formula story telling I can get it on TV any time I want.

    This is not to say that Star Wars has been a goldmine of originality, of course.

    TWW

    --
    "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"
    1. Re:Enough of the Campbell Crap Already! by Anonymous Coward · · Score: 0

      You know nothing about Joseph Campbell, do you?

    2. Re:Enough of the Campbell Crap Already! by nagora · · Score: 1
      You know nothing about Joseph Campbell, do you?

      Um...Yes! Read the intro to (and indeed the whole of) Hero With a Thousand Faces and if you don't laugh at it you probably think Sigmund Fraud was a scientist. Total bullshit from start to end.

      TWW

      --
      "Encyclopedia" is to "Wikipedia" what "Library" is to "Some people at a bus stop"
  75. Good Point: Y O D A by SomeOtherGuy · · Score: 3, Interesting

    There has to be more to Yoda than meets the eye. First he (apparentlly) has no clue as to what is going on around him in the most recent films. Second -- Their is a questionable amount of mystery as to why he went into hiding during the last 3 star wars movies. I think Brin has a good theory that Lucas could use to tie up the MANY loose ends in this story. I just can't help but think that Yoda's mysterious actions and apparent ignorance is the biggest outstanding mystery of all.

    --
    (+1 Funny) only if I laugh out loud.
  76. What's with all the analysis? by Yuioup · · Score: 1

    Why bother with all the analysis? The movie just sucked. George Lucas writes up anything that comes to his head and passes it on to the production crew with nothing more than "uh.. I want this..."

    Episode II is so far below any sort of level that it's beyond any form of analysis whatsoever. The only question we should be asking ourselves is "why the hell did we spend money to see this crap?"

    Yuioup

  77. Re:I didn't spend seven years at Evil Medical Scho by rhombic · · Score: 2

    The only people I ask to address me as Doctor are those who introduce themselves as Dr. whomever. Everybody else just calls me by my first name. I've always felt that as long as I have confidence in my knowledge and abilities, I don't need to push the handle.

    --
    1984 was supposed to be a warning, not an instruction manual.
  78. has no one read the article? by 7-Vodka · · Score: 2

    Oh, wait this is /. of course not.
    Brin makes an outlandish suggestion. What if Vader and Obi won were working together against both the jedi and the empire? It would explain all the inconsistencies in the 5 movies so far!
    Go read the article, it's right at the bottom. Awesome idea.

    --

    Liberty.

  79. Repeat after me... by Anonymous Coward · · Score: 0

    Star Wars isn't science fiction because there's
    no science in Star Wars.

    Star Wars isn't science fiction because there's no science in Star Wars.

    Star Wars isn't science fiction because there's no science in Star Wars.

  80. Uhh, it's a movie by milesbparty · · Score: 1

    Why do people feel the need to disect and analyze movies? It's entertainment, and you're not going to whittle away human emotions and get to some enlightenment of basic human understanding, or whatever. It's a friggin sci-fi movie, why try to psycho-analyze fictional characters? Not that I think the ATC was an outstanding movie, but I took it for what it was: a movie. This guys "review" is just plain ridiculous.

    --
    eMelody Web Directory add your site today!
  81. Not correct. by Anonymous Coward · · Score: 0

    The most posted messages on this site would be "forst post" and "Look at this huge anus !" in several variations.

  82. Re:It is just a movie... by (trb001) · · Score: 2

    This is typically the stance I take when someone starts to critique Star Wars as well. I do, however, enjoy hearing intelligent critiques and laughing about the shortcomings with friends.

    This is not one of those times.

    This man's article falls short in several areas. First and foremost, he's plain wrong on some of his assumptions.

    Let's not even go into micro-illogicalities, like having CP30 work for 'Uncle Owen' for ten years... then later they won't recognize each other at all.

    I mention this because it's hinted again and again that Anakin will "unite" the schism in the force. But this has been poorly foreshadowed at any level. Have we even a hint what this MEANS?

    Has he forgotten there's another movie coming, one which takes place between AOTC and ANH? Perhaps Lucas is leading us on because, oh, I don't know...he wants us to eagerly anticipate and try to predict what really DOES happen? I, for one, would be horribly disappointed if GL tried to hammer some of these things home with a sledge hammer, it would take away from my imagination.

    Minor nitpick... did anyone notice the repeated use of the phrase 'fire on the Federation starship!' and 'don't let the Federation starship get away!'

    What are these guys -- Klingons?


    Trade Federation. I'm not going to dictionary.com to lookup the word's definition, but I'd guess there are plenty of reasons to use it, and I guarantee it was around before Star Trek.

    Yoda -- the green-asbestos oven mitt

    Again and again, we see Anakin being punished for being, er, human.

    A dig at Star Trek? What do you want, a monopoly? Hey, people have enjoyed 100 times as many hours of that universe as they have yours, George. Live with it.

    Despite every flaw, there IS a way that Lucas could weave all the threads together and pull a miracle of cinematic legerdemain, causing it all to make magnificent sense.

    I'd wager my house that he won't do it.


    I have serious problems with people giving THIS TYPE of criticism of George Lucas. He has, quite arguably, the most succesful saga ever seen on the screen. Millions upon millions of people flock to see his movies, more often than not 3-4 times in the theatres alone. Typically, finding someone who hasn't seen Star Wars is met with "What?! How's that possible?!". If it's a guy being asked, I'd outright disbelieve them. My point is, unless you can come up with a reason contradicting why the better part of the world has seen Star Wars and thoroughly enjoys it, I don't think criticism of GL really stands.

    --trb

  83. How to fix the plot by fullcity · · Score: 1

    Essentially, he is saying that if you assume that the good guys are really the bad guys, and vice-versa, the whole series makes more sense. It's not particularly insightful. Just another way of saying that the movies don't make sense.

    1. Re:How to fix the plot by (void*) · · Score: 2

      No, he is saying if you assume some of the good guys are really bad guys and vice versa, their meaningless, plot-convenient actions would suddenly have true motivations.

  84. Why that article is crap by chazzf · · Score: 3

    Okay, I'm tired of seeing this thing linked to, so I will post my rather extensive rebuttal. Even if the author was joking, which I don't think he was.

    I'm not going to deal with his ignorance of the Expanded Universe, I don't like his reasons but I'll let it be. I'll refute him with the movies.

    The notion that the Emperor was a benign dictator like Pinochet--I don't know where to start. I'm sure Chile would be most impressed to learn that Pinochet was "benign." Thousands killed for political reasons is not "benign."

    Now, he has a point that Alderaan was probably armed. Most planets are. That's not illegal. Destruction of those weapons would have been a legitimate military exercise. Now, I ask you this: is it legitimate to slaughter civilians to destroy those targets? Especially if you're doing it to blackmail a resistance leader? Who happens to be a member of your own governing body? That would be akin to Bush nuking New York because Hillary Clinton would blow him. I mean, really. Who's the author trying to kid?

    He speaks of the system of regional governors, owing their fealty to the Emperor, and what a nice system was and how the Emperor's death would shatter it all. First of all, it's not much of a system if it takes one man (in a galaxy of quadrillions or more) to hold it all together. That they would squabble speaks poorly of Palpatine's judgement.

    Yes it's true that the Empire is a meritocracy. Do what we say or we kill you. Do it right while doing what we say or we kill you. Never does he question the ethics of such a policy.

    How are Uncle Owen and Aunt Beru traitors? They bought two droids secondhand from junk dealers. The droids weren't stolen, so all you can get them on is harboring fugitives. Except, those droids were abandoning ship. Hell, C-3PO didn't even know what R2-D2 had. If you want to get technical, R2-D2 should be gotten for possessing stolen goods, 3P0 for aiding a felon...There were no grounds for executing them, especially since without the droids there was no proof. I didn't see the Jawas give Owen a receipt.

    As for his bashing of the Jedi, I will suggest to him "hubris," and ask him if the Jedi ever killed innocent people at random. Moreover, the Jedi are elevated by biology, and the cultivation of resultant abilites. A meritocracy, of sorts. Isn't that what he thought was so great about the Empire?

    As for the Republic putting down the rebellion...they were simply a regime fighting a violent group committed to their overthrow...like the Empire.

    His article is amusing, but I see people taking it seriously, thus I must point out these inconsistencies and logical fallacies. The Empire benign? Please...

    ~Chazzf

    --
    No statement is true, not even this one.
    1. Re:Why that article is crap by Chris+Burke · · Score: 2

      The "argument for the empire" article I agree was way over the top. In his other articles on Star Wars, I think he was spot-on in his criticism, but here he took it to an extreme. I -think- this was meant to be tounge-in-cheek, because in his criticism of the movie he takes issue with forgiving Vader -because- he was so evil. So when he then says "I like the empire more", you're not supposed to take it that seriously. I think.

      So in that light, most of your response is accurate, though maybe not overly relevant.

      But here's a couple:

      As for his bashing of the Jedi, I will suggest to him "hubris," and ask him if the Jedi ever killed innocent people at random. Moreover, the Jedi are elevated by biology, and the cultivation of resultant abilites. A meritocracy, of sorts. Isn't that what he thought was so great about the Empire?

      Genetics isn't a meritocracy. Sorry, but Lucas ruined any hope at implying that being a Jedi was skill-based (which it WAS in Episode 4-6) when he introduced "midichlorians".

      As for the Republic putting down the rebellion...they were simply a regime fighting a violent group committed to their overthrow...like the Empire.

      Like the Confederates, they seemed to simply want to leave the union. That's not a rebellion, it's cessesion. Of course, they were being controlled by someone who -was- working to overthrow the Republic, but the Republic by and large didn't know that.

      That's about it.

      --

      The enemies of Democracy are
    2. Re:Why that article is crap by Chris+Burke · · Score: 2

      Okay, for some reason I thought David Brin wrote that article... I don't know why. But anyway, that nullifies my evidence of it being tounge-in-cheek. Oh well. I -did- agree that it was mostly nonsense. :)

      --

      The enemies of Democracy are
  85. Re:It is just a movie... by rseuhs · · Score: 2

    And what about those who enjoy analyzing it?

  86. The reason it will never happen by Dephex+Twin · · Score: 2

    This is an extremely interesting twist in the plot, but I don't think it has any chance of happening. Not because of Lucas's ego or anything like that though. I think it won't happen because Yoda is such a beloved character. It would be like if in the new Indiana Jones movie we find that Indy has joined the Nazis, or something like that (well maybe not THAT bad, but you know). Lots of people would be really pissed.

    If a slightly different version of this plot existed, where Yoda doesn't actually have evil intentions and isn't really working with the the Sith, then maybe there's a chance. Like Vader and Obi-wan decided Yoda needed to be curbed but not because he was evil. I dunno.

    Just my thoughts.

    --

    If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    1. Re:The reason it will never happen by obdulio · · Score: 1

      Maybe Yoda wont join the Emperor, but will became a sort of bening dictator for the Jedi order, maybe he gets a little out of the way and ends up being an obstacle for the Jedi Order.

      So Obi-Wan and Anakin join forces against two different enemies, that happen to help each other.

      That way, when Yoda reflects on the damage he had done, he goes to live in that swamp and decides to train Luke.

      --
      PENAROL: Seras eterno como el tiempo y floreceras en cada primavera.
    2. Re:The reason it will never happen by Dephex+Twin · · Score: 1

      Yeah I like that idea. A flawed Yoda, but not an evil Yoda.

      --

      If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    3. Re:The reason it will never happen by Gulthek · · Score: 2

      Beloved?? Yoda? Sorry but I have to agree with Brin on this one. Yoda easily rivals the emperor in underhanded manipulation of those around him to get what he wants. Why didn't he tell Luke, oh by the way, Vader's your pop? He wanted to manipulate Luke into killing his own father, without him even realizing it.

      Even the very first time I watched ESB and ROTJ I didn't understand Yoda's stretch of an excuse for his deviousness. The Phantom Menace and especially the Attack of the Clones have only deepened my misgivings about Yoda. He seems so much more ... dark, than in the original trilogy. If nothing is going on behind the scenes with Yoda then GL is doing a terrible job of portraying Yoda as a wise and benevolent master.

    4. Re:The reason it will never happen by fdiskne1 · · Score: 1

      I would have thought the same thing about Scrappy Doo, but look what they did in THAT movie! Hilarious!

      --
      But why is the rum gone?
    5. Re:The reason it will never happen by Saint+Fnordius · · Score: 3, Interesting

      I agree. This can turn out to be a "what have I done?" sort of realisation. With a broken, dispirited Yoda fleeing to Degobah and the High Council doing penance for his sin (getting slaughtered covering his escape).

      I always felt that the hate that fuels the most powerful of the Dark Side is self-loathing. Vader hating himself for what he has become, and what he must do to maintain order. Palpatine could be driven by a hated of all that opposed his dream of a unified government, of all of those bickering fools. And probably a good deal of self-loathing for realising what price he paid for power.

      Yoda's lesson at the end of Episode 3 could be that in denying all emotion, the Jedi imbalanced their souls. That with their concentration on the science of the Force, they forgot that it was a mystic power above science and "midichlorians". The Balance that Anakin/Vader brings is the balance between rational logic and passion. A spiritual illumination (rathar than a metaphysical balancing) that almost comes too late.

    6. Re:The reason it will never happen by JMYoda · · Score: 1

      I think it's been clear thus far that Yoda has made mistakes. By allowing the Jedi to be detached from society they'd lost an important part of their souls since they do not express or feel love in a natural open way reserving it only a repressed parent-child type bond for masters and apprentices. Even Yoda has a very strong bond with Obi-Wan as he did with Qui-Gon. Although Yoda often disagreed with Qui-Gon's rebel attitudes he admired and yes even loved him just as he admires and loves Obi-Wan. Since the main theme of the saga is father-son relationships there is a strong line in the Jedi order with characters we see in the six films. While Yoda is responsible for the training of all younglings until they are taking as Padawan Learners the last Jedi Yoda had as *his* apprentice was Dooku, who trained Qui-Gon, who trained Obi-Wan, who trained Anakin, who fathered Luke and then Luke was trained by Obi-Wan and Yoda. The fact that Yoda trained Dooku and Dooku has become a Sith Lord shows that Yoda while wise and powerful is far from infallible. I think that he also eventually released he should have reformed the Jedi Order per Qui-Gon's wishes, for the Order to become more in tune with the "Living Force" because the Jedi Order had become too focused on science (midichlorians) while neglecting their spirituality. Also with the Order's wish to avoid the powerful emotions and passions that may cause a Jedi to touch the Darkside they have removed themselves from the one thing that separates sentient beings from animals - The ability to love openly, freely and form attachments. Also this distancing from society caused the Jedi to become elitist, thinking that they where too powerful to be defeated and better then "normal folk" (Anakin believes he's better then not only average folk but most other Jedi, including Obi-Wan.) Whatever is suppose to happen in Episode 3 it is clear that something *must* happened so Yoda releases that the Jedi Order in it's over reliance on science, technology and strict doctrines to the point where he rejects all science and technology and decides to embrace the Force as a spiritual entity. Which would explain is why he limps around on a cane in ESB (instead of hovering on that repulser chair) has no electricity, no longer carries a lightsaber, eats only root-stew and wipes his green muppet ass with scratchy leaves. (To be added in version 3.0). Well either that or maybe he just went insane. Perhaps he talks to his gimmer stick when Luke isn't around. :-D Seriously though it is clear that Yoda is a flawed character and that is what makes him interesting.

      --
      "The human mind's ability to rationalize its own shortcomings into virtues is unlimited." - Robert A. Heinlein
  87. Bring gets it, but doesn't get it by Anonymous Coward · · Score: 0


    Its obvious that George Lucas has gotten rich peddling movies based on shallow characters and B-movie plots (argubly, sub B-movie plots at this point). He's making buttloads of money, and that is his goal - anything "deeper" is just pretentious BS.

    What Brin doesn't seem to pick up on is that the Jedi are a cliched version of Buddhist "Warrior Monks". The Jedi "culture" is just a mish-mash of esoteric Asian martial arts mumbo-jumbo and a superficial rendering of Buddhist platitudes. George Lucas didn't make this stuff up - maybe Brin ought to send a letter to the Dalai Lama or something.

    The Star Wars movies have always been just sensational, intellectually shallow, B-movies. All that "Joseph Campbell" crap is just pretentious intellectual drivel. You don't sit around deconstructing Arnold Schwarzeneggar movies, do you? The star wars movies ought to be evaluated at that level.
    Way too many people have drunk the Kool-Aid when it comes to Star Wars movies.

  88. Escapism does not have to be realistic by Anonymous Coward · · Score: 0

    My be it's just me but when I sit down and read the old Greek and Roman Mythology, or the stories of Cucuilin and others in celtic legend or Nordic legends, I don't expect things to be realistic. I expect a story that is ment to entertain, or in the case of many of the myths explain some working of the world in a non scientific way.

    Now when I watch Star Wars i expect the same thing. Since it is obviouslly not intented to be and explainitory tail I take is as one to entertain. And in that I don't think the Genre Star Wars belongs to is Sci-fi, it belongs in the catagory of Myth, ledgend. The genre were everything does not have to be explained, the details that have been forgotten, or the little changes that make the story that much larger then life.

    Hell Lucus even plays it up like it's a legend, "a long, long time ago in a galaxay far far away." Sort of like the way I can image the stories of the Cuculin being spread "a long time ago in the lands to the north" you get it? that type of thing.

    If you sit down and read the Odysy do you expect a realistic acount of sea travel in the time of the Greeks? I don't. So I don't expect a realistic account of what space travel would be like in the story star wars tells.

  89. David Brin is a decent bloke by Ella+the+Cat · · Score: 1

    Offtopic, but when Earth came out, I went to buy it in hardback, and by coincidence, David Brin was signing copies in the shop. I was with my daughter in a pushchair, and waited patiently while someone (it seemed to me) bored DB to death about the rumoured sequel to the Uplift trilogy, and how he should write it. When my turn came, eventually (sigh), I mentioned to DB how I'd read someplace how hard is was to do something new when you've been a success with a trilogy, future universe or whatever. He said never to dismiss the stuff that pays the mortgage. The book dedication to my daughter was spot on too. Earth is one of my all time favourite books, and, as depicted in Earth, I fully expect to be a crumbly old fart baby boomer recording everything those pesky kids get up to via my $10 sunglasses in 2038.

  90. I find it ironic that a writer ignores writing by hellfire · · Score: 1

    Brin's analysis of the plot and facts of the movies is not bad, if a bit slanted with that "I could never love a Star Wars movie" attitude.

    However, he tries to over analyze Lucas's intenteded "messages" about life and that Lucas is trying to show us how democracy simply dies, despostism is wonderful, and that the moral message is twisted and confusing.

    Its a damn space opera, not a morality play, nitwit.

    And the fact that he comes to this conclusion shows he has ignored all of the work done in the novels in the star wars universe. Unlike Star Trek, George reviews the novels carefully and approves them as long as they fit into the universal plot. Star Trek trash novels are filled with duplications and inconsistencies with the series they are modelled after because they are just throwaways. However, the Star Wars novels are far tighter. Are they perfect? Of course not, but at least effort is made. And the point is that those novels refute most of his claims about confusing morality and messages in the Star Trek universe.

    But then again, this was written by a man who wrote "The Postman." I don't know why I even bothered to even read what this whacko has to say.

    --

    "All great wisdom is contained in .signature files"

  91. The "Latino" in the movie by CatPieMan · · Score: 1
    Someone correct me if I'm wrong, but, isn't Mr. Fett, Sr played by a Maori actor? Maori being the natives of New Zealand, and not a "Latino" as people have complained about.

    Maybe people just like complaining. -CPM

    --
    ---You're all I need, When the water runs deep, You're all I need, Now I cry my soul to sleep -- Collective Soul, Needs
    1. Re:The "Latino" in the movie by garyrich · · Score: 2

      Yes, he certainly is and certainly was played as Maori in the film. I'm reminded of the uproar in jewish circles about the "shylock character" of the junk dealer in TFM. He's not supposed to be jewish - he's supposed to be italian. Not only is he supposed to be italian, he is obviously a deliberate parody of Dino Delaurentis...

      --
      -- your Web browser is Ronald Reagan
    2. Re:The "Latino" in the movie by Anonymous Coward · · Score: 0

      Thought he looked like the Once Were Warriors actor, and just as aggressive :D

  92. There are plot holes in both directions. by Rui+del-Negro · · Score: 2

    It is not a "terrific plot", and it's not terribly original, either (I've been hearing similar theories since Episode 1 was released). As Brin himself points out, it can't work for one simple reason: Darth Vader killed far too many people.

    I mean, maybe he could have been forced to kill a couple of people just to convince the emperor he really was on the dark side. A tough moral choice but in the end he decided the sacrifice of a few was necessary to save the majority, sort of thing. But when the undercover agent kills more people than the godfather, then there's no way you can make him turn out to be a good guy after all.

    No, I think Episodes 2 and 1 really did more damage than Episode 3 can possibly fix. And what's worse, if you see them in the new order, the original movies (which are excellent) will now seem to be full of contradictions. Lucas might as well have made a completely separate story (same universe, perhaps, but not directly connected to the original movies).

    After I saw Episode 1, a friend of mine asked me "so, how did you find the plot?" and I said "I didn't".

    The only way to fix things is if, in Episode 3, J.R. wakes up and all this turns out to have been a dream.

    RMN
    ~~~

    1. Re:There are plot holes in both directions. by XiRho · · Score: 1
      Quoth the poster:


      I mean, maybe he could have been forced to kill a couple of people just to convince the emperor he really was on the dark side. A tough moral choice but in the end he decided the sacrifice of a few was necessary to save the majority, sort of thing. But when the undercover agent kills more people than the godfather, then there's no way you can make him turn out to be a good guy after all.


      What I got from Brin's article is that the whole point is that Obi-Wan is a bad guy, and that he and Anakin (and perhaps a few other jedi such as Yoda) are in league with one another to corrupt the force and generally wreak havoc like any nearly-immortal superpowerful beings eventually would.

      This does seem like a terrific plot to me, and it makes the order of the entire series make sense. (Hence resolving the currently valid protest that the prequels and the original trilogy seem to be unrelated.) As it is, if Episode III just ends with Vader rising up and killing people and all that, we really won't have a movie with an ending at all, will we? The bad guys win. So what? We knew that from the beginning. How can Lucas possibly make such an ending into something we'll want to see?

      Obviously the bad guys can't be stopped; we already know that won't happen until Episode VI. Therefore, it seems the only ending which could make it all come together in EpIII would be if something is revealed to us which shifts our entire perspective on the entire history of the saga, including (and particularly ihcluding) the last three episodes. In other words, the only way I can see where a movie can end with the bad guys winning is if we in actuality don't know who the bad guys are.

      Just think about it. What if Anakin and Obi-Wan do stop the bad guys in Episode III. What if they slay Tyranus and Sidious, (neither of whom appears -by name- in the original trilogy, although Sidious does bear a marked resemblance to someone) but in a magic twist, choose to assume the throne of power for themselves? What makes us so sure that Obi-Wan is a good guy, anyway? Because he helps Luke build a lightsaber? Because he speaks to him from beyond the grave? Doesn't Emperor Palpatine appear before Vader in much the same way?

      If Episode I was any indication, Obi-Wan is exhibiting traits of a dark jedi. Remember how Palpatine told Luke to give in to his anger when they were fighting? Isn't that exactly what Obi-Wan does when Maul kills Qui-gon? (He goes all out; screaming and hollering like a madman and nearly gets killed in the process.)

      I think Brin's point is a good one. The only way Lucas can end the prequels without making Episode III into a total flop with no sense is to twist the entire 6-episode legacy around. There are plenty of characters, motives and events in the Star Wars series which are ambiguous enough that we could be seeing them all completely wrong.

      How do we know the people we've thought have been good all along are good? How do we even know that Darth Vader is Anakin? Because he says so? Isn't he a sith; a dark lord; master of deception; and all that bad stuff? What do really know about Obi-Wan? Do we even know who The Emperor of the later trilogy is under that hood? Why does Yoda let Luke run off and give in to his rage? It goes on and on.

      There's a lot of wiggle room in the series' history for some big plot twists, even if that wiggle room is all from just a bunch of goof-ups on Lucas' part that have accumulated over the years. There's a chance that Lucas could cover up the mistakes and fix all the inconsistencies with a brilliant plot twist that could be very satisfying, so here's to hoping for the best and expecting the worst.
    2. Re:There are plot holes in both directions. by Rui+del-Negro · · Score: 2

      I was referring to Vader. The idea was that Vader (and possibly Obi-Wan) were working against Yoda and Palpatine (the Emperor). That would explain why Yoda keeps lying, why Obi-Wan doesn't seem to remember the droids, why Vader doesn't seem to notice that Leia is a Jedi, why Luke was "hidden" in plain sight, and so on.

      RMN
      ~~~

    3. Re:There are plot holes in both directions. by Anonymous Coward · · Score: 0

      The major problem with making Yoda or Obi a bad guy is that they all end up going to Jedi heaven by the end of Return of the Jedi. If Yoda does something bad in Episode 3, how did he end up redeaming himself?

    4. Re:There are plot holes in both directions. by Rui+del-Negro · · Score: 2

      That could also have been Jedi hell. There were flames involved. But I agree that joining Yoda, Vader and Obi-Wan in that scene in RotJ sort of implies they're all on the same side (which is odd in itself, since Vader killed half the galaxy). Unless, of course, that was just a vision that Luke had (ie, "his mentors", whatever).

      But there's still no way Yoda can be both wise and good (why else would he keep making the wrong decisions and deceiving people?) and no way Vader can be both powerful and evil (how else could he not have spotted that Leia was his daughter?). But also no way that Vader could be a good guy in disguise (or he wouldn't have killed all those people). The characters are just gridlocked.

      I still think my Dallas ("it was all a - bad - dream") theory could bring some consistency to the SW plot.

      RMN
      ~~~

    5. Re:There are plot holes in both directions. by Anonymous Coward · · Score: 0

      Obi and Anakin/Vader could make a pact in Episode III. Obi hides the twins not from Anakin, but from the Emperor, per Anakin's wishes. Obi says to Luke your father was a good man, but is now more machine than human now in ROTJ. Vader only followed the Emperor because he feels it is the only way he can one day defeat him. (Maybe with the help of his twins in the future?)This explains why he did not recognize C-3P0 etc. I'm not excusing Vader's subsequent actions, for they were taking him on the path to damnation. (Vader eventually grows to subservient to the dark side.)

      And Yoda, who the hell knows that one!

    6. Re:There are plot holes in both directions. by Luyseyal · · Score: 2

      But when the undercover agent kills more people than the godfather, then there's no way you can make him turn out to be a good guy after all.

      Thus the ending of Get Carter (the original), a good movie. :)

      -l

      --
      Help cure AIDS, cancer, and more. Donate your unused computer time to worldcommunitygrid.org. Join Team Slashdot!
  93. One question? by hike2 · · Score: 0

    Is this guy a communist? Read his first articles again.

    He misses a lot of points and I am not even going to dignify an answer. Hint: He talks about those (very) interesting twists of Yoda being evil and all that but that would introduce other paradoxes while fixes the ones he mentions. The problem with paradoxes is that once one "exists" you cannot "fix" it without introducing another one.

    One more thing ... Star Wars are movies to be enjoyed at their face value ... if you spend too much time analysing their "depths" you deserve the anguish. You people give George Lucas too much credit. I'll bet you that he never thought about all these things in as much depth as you have :)

    Ohh yeah, I am sucker because I LOVE all the Star Wars movies no matter what.

    --
    Fourty-two!
  94. Re:Article slashdotted (page 3) by netglen · · Score: 1

    So what do we see in this movie? Liam Neeson (Qui-Gon Jinn) gets separated from his nemesis, Darth Maul, by a force field. The adversaries pause and glare at each other before resuming the fight. What a great time for Maul to give his side of the story -- his seething need for revenge against the Jedi! Maybe some riveting mumbledy-jumble about the Jedi having crushed and suppressed one whole side of the Force for a thousand years, thus creating awful imbalance in the universe! (Maybe Neeson even half agrees! After all, he's the one wanting to restore "balance,"

    I know exactly where you are coming from, but I must admit that it was pretty cool that Lucas didn't follow the typical villian cliche of "...since you're going to die anyway, let me reveal all my Masters plans on taking over the Universe." I was kinda surprised that there wasn't a villian rant when our hero was up against the ropes and was about to die.

  95. Everyone's a critic. by Myrke · · Score: 1

    Of course there's holes, every movie's got them. I bet Brin wouldn't be too thrilled having people pick apart his books. I bet Yoda could find a few holes ... "A typo, there is!"

  96. David Brin is a hypocrite by BloodyLoony · · Score: 1

    David Brin is a hypocrite criticizing for the attention... Anyona can take a great piece of work and remove the things that make it what it is and laugh. He's just too low for my taste :/

  97. Optimists just don't get it by russotto · · Score: 1

    But worst of all is the movie's macro plot. Exactly as in TPM, the completed plot arc of ATC (Attack of the Clones) comes down to an unalloyed bummer. Every member of civilization, and every institution, is shown acting in the most stupid possible way.

    No systems of accountability function. The most outrageous political manipulation is made utterly obvious to us... while escaping notice even by the wisest Jedi. Above all, just as in TPM, every heroic action by brave characters serves no purpose at all. None.

    This is, in fact, the most realistic part of the movie. But Brin is an optimist and refuses to recognize that. In any case, this pessimistic view is necessary to set the stage for the later movies, so complaining about it is futile, futile, futile.

    It's actually worse than Brin thinks, though. Palpatine had things set up so no matter what happened, he won. What Palpatine is, is the opposite of the typical Evil Overlord -- he doesn't rely on one evil plan which can be upset by the meddlings of a hero. Instead, he sets up a situation such that the meddlings of the heroes actually advance his cause. ALL paths lead to his victory.

  98. A bunch of crap this is... by dfj225 · · Score: 1

    Apparently this guy doesn't really understand the Star Wars universe. Everything in SW, especially the points that he brought up, make perfect sense to me and I'm willing to be the millions of other SW fans out there. If what he says is true, then how could SW remain so wildly popular for near 30 years?

    --
    SIGFAULT
  99. Re:"Caused Quite a Stir?" by Anonymous Coward · · Score: 0

    With 30 lbs of feces in his intestines.

  100. Donaldson and Banks by Kvan · · Score: 1
    Stephen Donaldson is the strongest example of excellent character development. The Chronicles of Thomas Covenant, The Unbeliever still ranks as the best fantasy I've ever read, for precisely this reason. His The Gap-series would be on top of my sci-fi list, were it not for Iain M. Banks. Banks does an excellent job of character development in works like The Player of Games, Excession and most notably Use of Weapons.

    --

    "A *person* is smart. People are dumb, panicky, dangerous animals and you know it."
    - 'K' in Men in Black.

    1. Re:Donaldson and Banks by Anonymous+Canard · · Score: 1
      I've read the complete Chronicles of Thomas Covenant, and the story is certainly epic, but so tragic I hesitate to ever recommend it to anyone. Life in the Realm starts out bad, and ends up worse, followed by disastrous, etc. Additionally the second trilogy was IMHO poorly planned out, and only stumbled to a discordant conclusion. Likewise his through the looking glass series was not at all interesting to me. So, yes, good character development, but not all enjoyable reading despite that.

      I haven't read Iain Banks though, and thanks for the recommendation.

      --

      --
      BitTorrent in C -- LibBT
      http://www.sf.net/projects/libbt
  101. Ignoring the novels by adb · · Score: 1

    The books are not canonical. I get the impression from Brin's writing that he is clued enough about SW fandom to exclude the books because of that, rather than because he isn't aware of them.

  102. what it all comes down to... by BoxedFlame · · Score: 1

    ...is that Brin does not understand, and does not care to learn to understand, Buddhism. He thinks loving someone and attaching to someone is the same thing. This is the lie Buddha saw so clearly that he created one of the biggest philosophical movements in history. Brin should do some religous studying.

  103. Sure there is! by sharkey · · Score: 3, Funny
    "Look back over the series, and you notice a lot missing from his universe: memorable talk and wit..."

    Just a few:
    • What an incredible smell you've discovered!
    • Will somebody get this big, walking carpet out of my way?
    • Laugh it up, fuzzball!
    • You Rebel scum!
    • Angle the deflector shields.
    These beg the question, "Where do they come up with this stuff?"
    --

    --
    "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  104. SciFi channel by sckeener · · Score: 2

    I can remember sitting in the theater watching AotC and leaning over to whisper to my friend that this could have been a SciFi channel special.

    I was annoyed I paid money to see it and glad my wife wouldn't see it until it was 2nd or worse in the box office for 2 weeks in a row. I think AotC was a perfect made for TV popcorn show....

    that is it.

    --
    "Only one thing, is impossible for god: to find any sense in any copyright law on the planet." Mark Twain
  105. A question or two by bonch · · Score: 2

    Do you think a viewer in the theater will sit and think through such explanations as they watch the poor dialogue on the screen? Or would a viewer rather just see a good emotional performance that conveys to them all of those explanations in the first place? It's called acting.

    For someone who is "all of a sudden getting this rush of feelings" and another someone who "has never loved before either since her life has been spent in the political spotlight," you'd think their performances would better reflect those emotions. Instead, I had to come to Slashdot for trb001 to describe it out to me because the dialogue and acting was so poor.

    From what you describe, I should have been seeing incredible passionate romance in the AOTC I saw. But I didn't.

    1. Re:A question or two by Bob+Uhl · · Score: 2
      From what you describe, I should have been seeing incredible passionate romance in the AOTC I saw. But I didn't.

      I think you misread. The point is that it's not incredibly passionate romance from the outside--it's just another ridiculous schoolboy crush. We've all had them, and they seemed so real, so vibrant, so powerufl at the time. But in hindsight, and from the outside, they were foolish. I think that Lucas may be one of the few directors (there are several others, of course) who takes some time to show the very real inanity of `romance.'

      It took me some thinking to realise it--but I'd figured it out in about 4 minutes during the movie. Heck, that's why Anakin is such a twit: he's a moaning & griping 19 year old. They're not meant to be pleasant!

    2. Re:A question or two by bonch · · Score: 2

      Well, if you consider it an achievement for Lucas to have filmed a badly acted romance with poor dialogue and no chemistry, then by all means, give him that crown.

      Claiming that he purposely made it corny and bland is one of the more inane arguments I've heard. What is Lucas showing about any "very real inanity of 'romance'"? I didn't see any romance in the film I saw. Nothing "so real, so vibrant, so powerufl." I didn't even get the message of how "foolish" Lucas was supposed to have been making it all seem.

      The romance wasn't unpleasant because it was acted that way; it was unpleasant because it was trying to be good but failed.

  106. Re:A critic is just that... A critic by unDiWahn · · Score: 1

    Because not everyone has shitloads of money and connections to get into the movie business?

    I notice some people mentioned that he's written some books -- perhaps that might satiate your demand, if they're any good?

  107. Jango is mexican? by Joey7F · · Score: 1

    My favorite complaint of the movie! No he is not mexican he is Maori as in from New Zealand.
    Then they usually respond,"well he looks mexican."
    Again, DUH! Mexicans (natives, as there are Mexicans of all backgrounds) like New Zealanders are part of the mongoloid race.
    Ever notice that East Asians, Native Americans and Eskimos all look similar? It is not a coincidence!

    1. Re:Jango is mexican? by Anonymous Coward · · Score: 0

      Don't forget about those Hindoos. Lando looks more like a sikh than a black dude.

  108. Amen, brother! by Anonymous Coward · · Score: 0

    I am personally a big star wars fan, not for any other reason than it is an enjoyable watch for me. I think EII was a great movie, advanced the whole 6-movie story, and was a good action flick as well. I agree that some of the romance was overdone, but oh well. You can't please everyone.

    In conclusion: if you like it, watch it. If not, don't.

  109. I did not really know who Brin was ... by Lucas+Membrane · · Score: 1

    In 1968, two of the student houses at Caltech got caught in recruiting violations -- being intentionally obnoxious to the three students no one wanted. As punishment, one house was forced to take two of them: http://www.magicdragon.com/jvp.html and http://www.fractal.com/hedges.html The other house was punished with the big prize -- Dave Brin.

  110. Not exactly... by Chris+Burke · · Score: 2

    He's saying assume that the Emperor AND Yoda are the bad guys, and that Obi Wan AND Vader are the good guys.

    --

    The enemies of Democracy are
  111. Oh, didn't mean in the Star Wars world... by Dephex+Twin · · Score: 1

    Sorry, I didn't make it clear that I meant he is too beloved by people who watch the movie. I didn't mean he was beloved plot-wise. I feel like most people who watch the movie just would really dislike making Yoda an evil character. Plot-wise it's very interesting, and there have been many other cases where a supposedly good character turns out to be bad in a movie, but I feel like Yoda is kind of untouchable in this regard... just my feeling.

    --

    If you want to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
    1. Re:Oh, didn't mean in the Star Wars world... by Gulthek · · Score: 2

      I was just saying that most of the people I know don't view Yoda as a very good character and would be happy to see this plot twist put into play.

      But I do believe your are correct, it just wouldn't fly with most of the fans.

  112. a dig at star trek? by Foaf · · Score: 2

    brin thinks that the mention of "Federation starships" is a dig at Trek. I thinkn he's grasping at straws.

    The ships belonged to the Trade Federation. I'm guessing it's called Trade Federation because Alliance was already taken and other synonyms like Union or Guild might have caused different "issues".

  113. This just in... by mythosaz · · Score: 1

    The maricle that is the internet can now provide us with movie reviews a mere 2,920 hours after a film is released.

    With some luck, Slashdot can give us a review of the new Monster's Inc. DVD release in early Janurary 2003.

    1. Re:This just in... by Anonymous Coward · · Score: 0

      Monster's Inc. was released yesterday (Tuesday) on DVD. Slashdot should not do a review of it, because it is "News for Nerds" not "News for Kids". dipfuck. BTW... it's Miracle.

  114. What does Campbellian mean? by Anonymous Coward · · Score: 0

    Ironic scenes on Planet Kamino showed that Lucas had finally decided to use the Obi-Wan character to full potential, making up for his ridiculous underuse in the heroless Phantom Menace.

    (Again: who was the 'hero" in that film? Every classic 'Campbellian' role was filled, except for that one! See below.)...

    Consider just one glaring awfulness. Despite Campbellian pretensions, TPM follows NONE of Campbell's prescriptions! Forget the "reluctant hero"... there isn't even a hero!


    Where can I learn more about Campbell and roles?

  115. David Brin is a demonstrated ass. by ProtonMotiveForce · · Score: 0

    Did anyone read his "Foundation" series (by Asimov) book written after Asimov died? It was absolutely horrible.

    He had the Hubris to make these inane, _wrong_, comments about all the mistakes Asimov made, and explain how he chose to write in his own (horrible) style instead. It was truly a bad book - Bear and Benford's were good.

    He's a pompous douchebag - and I'm more convinced of that than ever after reading his facile little Salon articles.

  116. Why SF writers should critique SF movie directors by geekotourist · · Score: 2
    I'm reading comments that suggest Brin is wrong in criticising Lucas, for reasons that include "Brin must be jealous" (well, yes, *I'd* like 40 billion dollars- it doesn't mean I can't say bad things about Microsoft) or that it is rude for artists to criticise others in their field. I think Lucas needs to hear what Brin or other SF writers think of his work, and I'd argue that Brin and Lucas aren't in the same field at all...comparing the two:

    Brin- science fiction writer, where writers:

    • must be familiar with current SF literature and scientific developments of the past 40 years.
    • Often send drafts out to other writers / scientists (many other SF writers are both- Benford, Vinge, Forward...) for criticism before the final version.
    • go to conventions where discussions and panels cover recent discoveries in science, technology and medicine.
    • know about and read the bleeding edge writers (because of things like the Nebula and Hugo Awards (read nominees here)) like modern space opera writer Clute, makes up his own plausible-sounding mathematical systems Greg Egan, Alistair Reynolds and, writing from the other side of the singularity, Charlie Stross.

    Lucas- science fiction (though he won't admit it) movie / TV director, where directors:

    • can get away with plots and backstory that were already old 30 years ago in the SF literature
    • Don't want to admit to being SF, so don't read or seek criticism from other SF writers. (Anecdotal evidence- they rarely participate in regular SF conventions (instead going to Media Cons) and even more rarely hang out in the audience, listening and learning.) Leads to situations like Whelon thinking Firefly is original because it is gritty and doesn't have phasers.
    • Aren't aware of the state of the art in scientifically consistent (even if not plausible) technobabble. Apparently not aware of the evil overlord's rules and other long-known lists of cliches to avoid.
    • Don't have any idea about recent SF writers- the critics don't either, and so the movie/TV show will always be compared to one of "Wells, Verne, Bradbury, Star Trek, Star Wars, Bladerunner (or rarely PKDick) and The Matrix," all nice but they could use some higher standards. Leads to critics calling movies like Harris's Fatherland ("ohhhh, what if Hitler *won* WWII?") original, because they don't know that the SF subfield of alternate history is decades old.

    But I doubt Lucas will ever hear Brin: Lucas seems to have surrounded himself with yesmen, who rarely pass on negative articles. (Plus, for him to listen would be evidence that his work and inspiration came in part from SF and the space opera of his youth.)

  117. critique of the critique by mholt108 · · Score: 1

    I guess we cannot really call plot holes plot holes until we see all the films, however i am willing to give Brin the benefit of the doubt on that and assume most of the holes will still be there after Ep3.

    However he writes in his Phantom critique:
    "Uh ... will anyone please explain why the Sith Lord and Trade Federation risk everything to capture a teeny periphery planet? Can we have a clue why Naboo was important -- any hint at all? Hello? "

    The simple answer to this is that Naboo is the home planet of Senator Palpatine and as such is an environment he can control and benefit directly from when it is suffering. By bringing Naboo into the big galactic picture he also brings himself into the picture.

    matt

    1. Re:critique of the critique by (void*) · · Score: 2

      Read carefully. Brin is saying that this fact was never communicated in the film. And he does provide a good reason for ignoring everything written about the Star Wars universe.

    2. Re:critique of the critique by mholt108 · · Score: 1

      hee hee - you mean like a yoda head on a stick didnt pop up in the left corner of the screen and say -

      "well now just so you know kids......"

      I mean how much more obvious could it be we already know it is Emporer palpatine. Its hardy mulholland drive cryptic

  118. Top Ten Sexually Tilted Lines in "Star Wars" by mgblst · · Score: 3, Funny


    "She may not look like much, but she's got it where it counts, kid."
    "Curse my metal body, I wasn't fast enough!"
    "Look at the size of that thing!"
    "Sorry about the mess..."
    "You came in that thing? You're braver than I thought."
    "Aren't you a little short for a storm trooper?"
    "You've got something jammed in here real good."
    "Put that thing away before you get us all killed!"
    "Luke, at that speed do you think you'll be able to pull out in time?"
    "Get in there you big furry oaf, I don't care *what* you smell!"

    Top Ten Sexually Tilted Lines in "The Empire Strikes Back"

    "And I thought they smelled bad...on the outside!"
    "Possible he came in through the south entrance."
    "I must've hit it pretty close to the mark to get her all riled up like that, huh kid?"
    "Hurry up, golden-rod..."
    "That's okay, I'd like to keep it on manual control for a while."
    "But now we must eat. Come, good food, come..."
    "Control, control! You must learn control!"
    "There's an awful lot of moisture in here."
    "Size matters not. Judge me by my size, do you?"
    "I thought that hairy beast would be the end of me!"

    Top Ten Sexually Tilted Lines in "Return of the Jedi"

    "Rise, my friend."
    "Open the back door!"
    "Hey, point that thing somewhere else!"
    "It's just a dead animal..."
    "Not bad for a little fur ball."
    "How can they be jamming us if they don't know we're coming?"
    "Come here, I won't hurt you. You want something to eat?"
    "Keep on that one, I'll take these two"
    "I want you to take her. I mean it, take her!"
    "I don't think the Empire had wookies in mind when they designed her, Chewie."

  119. Brins Knowledge of Philosophy by mholt108 · · Score: 1

    It is amazing that a professional, fairly unsuccessful publisher (compared to Lucas) would write an article such as this, attacking lucas' philosophical knowledge without any himself.

    In fact Lucus' treatment of the guidence of Yoda and the problems inherent with the darkside is spot on. It is also very difficult to communicate visually, and lucas does it well in episode 5 and 2.

    A Message to Mr Brin "Hello, Read the Bhagavad-Gita, readthe Tao Te Ching, read the Ramayana, the teachings of an enlightened Buddah, hell you will even find this in the Bible or the writings of Sephen Covey."

    The message of attachment is simple and its understanding is the purpose of eastern philosophical / spiritual study. As a writer he should know this and as such that makes his articles on of the typical Salon cheap shots.

    Salon - the Troll of internet media

    1. Re:Brins Knowledge of Philosophy by (void*) · · Score: 2
      Are you sure Lucas is talking about Eastern philosophy, and not the simple-minded Westerner's philosophy of Good-vs-Evil?


      David Brin's well-reasoned and critical approach comes the Western tradition of analytic philosophy. Now can I ask you for exactly where your critique comes from?


      Comparative philosophy, here we come.

    2. Re:Brins Knowledge of Philosophy by mholt108 · · Score: 1

      Yes Lucas has been quite clear about that in interviews, he borrowed from many traditions, including Hindu, Bhuddist and Sufi - all popular eastern philosophical systems. And Sufiism shares a common root with Judeo Christian (good vs bad).

      My critique comes from the common theme within eastern philosophy. The crux of which is that consciousness (that which is aware) is the ultimate reality of the universe and common to all people (what well know western philosopher carl yung would call collective uncouscious). It is the ultimate root of all things. Mind (that is the faculty of storing information and bringing that information into consciousness) is the outcrop of the consciousness recoiling upon itself and developing ego (sense of individual self) which is fine. But when the mind becomes more and more interested in its own existence and forgets the ultimate reality which is its root it gets into trouble. In Hindu and Bhuddist philosophy the entire material world is created by this process.
      Again according to eastern thought through Meditation and DETACHMENT the mind is gradually turned away from the world (while still functioning in it) and back toward the source of everything - in the east called Brahmin in the west God.
      Of course if you had have just had a look at the book list i posted you could have figured out wher my critique came from - but who has the time. If you are intersted and are really as uniformed as you innocently appear (giving you benfit of doubt of not being a troll) check out a small book called the Viveka Chundamani (crest jewel of discrimination) translated by Chris Isherwood or the Supreme Yoga by Venkatesananda. They really had thought about lots of stuff.

      I love this shit

      matt

    3. Re:Brins Knowledge of Philosophy by (void*) · · Score: 2
      With all due respect, I think the Easterner's metaphysics is way too overrated. They make for a good survivalist attitude towards life and the universe. That's about it. There's nothing extremely deep about it, and it definitely does not suit all sorts of temperaments.


      The reason for this is not to be a troll. I say this becuase I was brought up an Easterner, and I know too many people who claim deep understanding, when the point of it is not *understanding*. Thus my criticism.


      David Brin's literary decontruction of George Lucas is perfectly right. His method of borrowing the tropes of Eastern mysticism lacks true understanding of the mind of a oriental philosophers. And it shows, in his ridiculous plotline.

  120. The dialog isn't in question by complexmath · · Score: 1

    so much as Padme's motivation. For the first half of the film, Padme saw Anakin as a slightly annoying lovestruck boy. Then all of a sudden she was in love with him and they were giggling like children. Later, Anakin tells Padme about how he gloried in the slaughter of a village of Sand People, and in response Padme decides to have sex with him. This isn't even to consider the fact that in the approximately 10 years between episode 1 and episode 2, Padme apparently didn't age at all. Perhaps Padme spent a brief stint in a Black Hole to let Anakin catch up with her so they could have their horribly contrived love tryst.

    i don't care what Lucas does so long as it has some semblance of internal consistency. AotC was even worse than PM in this regard (and many others). As much as I disliked PM I thought it a far better film than AotC.

    1. Re:The dialog isn't in question by majestyk2000 · · Score: 1

      Their ages don't really matter. I figure that you had Padme at age 17-19 in the first movie, and Anakin was probably 9 or 10. Now, you have a 20 year old Anakin and an approximately 27-29 year old Padme. I mean, girls do age some in that timeframe, but if you think about the differences between a girl at highschool graduation and at the 10 year reunion (assuming they didn't let themselves go to pot), there isn't a big ole difference there.

  121. Re:goatse redirects are not funny. by Spruce+Moose · · Score: 1

    It's not that they aren't funny, just that they lack style.

    Using a URL redirection script on microsoft.com [goatse.cx] coupled with a attention grabbing topic line to encourage people to click on it - now that's funny!

  122. Speaking as a 19 year old... by Burning1 · · Score: 2

    ...myself, I can testify to the complete accuracy of your statements.

    It took one bad relationship for me to realise that lust really was a world apart from love, and 5 more "interesting" relationships to get anywhere close to having understanding and control over my feelings.

    Yes, AotC had tacky romantic dialog... Yes, we all cringed... No, it was not crappy romance, or bad writing; it was 100% accurate material from someone who remembers being 19 and "In Love."

    Geeze, I remember telling a girl I was interested in that running around flashing Loscon in a pair of speedos just wouldn't be the same without her. How many of you have said equally wierd things..? : )

    (Out of curiosity, I wonder how many people here will suddenly respond... "Oh, so *you're* the one who..!"

  123. "CALLED HIS FATHER BABA"?!?! by djdrew6k · · Score: 0

    I can't believe I'm still seeing this being used as "proof" that the Fett's represent white America's fear of Mexican infiltration...

    Not only don't I buy into this belief, but the "proof" is incorrect! If they new ANYTHING about Star Wars, they'd know that it wasn't the SON calling Jango "baba", but JANGO calling his SON "Boba".... BECAUSE THAT'S HIS NAME! BOBA FETT! Sheesh, he's only been one of the most loved characters of the Star Wars universe for like oh, 20 years.

    Andrew

  124. Not true in Germany by Anonymous Coward · · Score: 0

    For example in the German speaking world (Germany, Austria, Switzerland) you can be sued if you refer to someone with a doctorat without mentioning 'Dr.'. If someoane has two doctorates you have to refer to him/her as Dr.Dr. They also have 'Habilitation' which is a higher academic degree than a PhD. If someoane is a habilitated doctor you have to refer to him as Dr.Habil. Usually all professors have at least one doctorate AND a Habilitation. However the correct addressing form is not just Prof. but Prof.Dr.Habil. Depending on the degrees owned many combinations are possible such as
    Dr.
    Dr.Dr.
    Dr.Habil
    Dr.Dr.Habil
    Prof.Dr.Ha bil
    Prof.Dr.Habil.Ing.
    Prof.Dr.Dr.Habil.
    Prof.D r.Habil.Dr.Habil
    Prof.Dr.Habil.Dr.Habil.Ing.
    etc

    Believe or not if you DO NOT use the right title you may be sued. For example IT IS NOT ACCEPTABLE to refer to a person with two doctorates and a habilitation as 'Dr.'. You MUST say Dr.Dr.Habil.

    1. Re:Not true in Germany by tschild · · Score: 1

      For example in the German speaking world (Germany, Austria, Switzerland) you can be sued if you refer to someone with a doctorat without mentioning 'Dr.'.

      Not really. I don't know of any law to this effect, and anyone who'd take legal steps to enforce the use of his/her Dr. would make a laughing stock of himself/herself.

      In informal contexts the Dr. is often dropped. When it's used, though, it is also used when it isn't a medical one. Quite a few German physicians don't have a doctorate anyway.

      The legal risk is rather in the reverse case: calling yourself Dr. $name when you don't have a doctorate (or when you have a foreign doctorate which isn't certified as equivalent to a German doctorate by the state higher education department) is a criminal offence IIRC.

  125. Anger is the *path* to the Dark Side by laeraun2 · · Score: 1

    Not the Dark Side itself. The Dark Side is where evil people dwell, its not something you just evolve to when you become angry, but by being angry, and doing angry/evil things while angry you move down that path

    --
    Error: Erection reset by beer.
  126. Post-EpII script revision for New Hope by Anonymous Coward · · Score: 0
  127. Unfortunately, yes by freeweed · · Score: 2

    Episode II: Attack of the Clones plays on American paranoia about Mexican immigration with its army of lookalikes marching in lockstep by the tens of thousands. The fact that the soldiers are bred on the planet Kamino --- which sounds like the Spanish word 'camino' --- is a dead giveaway to the bias and bounty hunter Jango Fett even looks Latino

    Brin quotes what the Latino community is complaining about, then goes on to say that *normally* he'd consider this PC hysteria, but maybe, just maybe, there's something to it.

    I completely lost him at this point. I'm sorry, but 'Kamino' for all we know could have been taken from the old El Caminos. Maybe Lucas was a car buff. And you damn well better believe if he never hired Latino actors for his movies, the shit would hit the fan. Considering that Boba Fett is widely considered by fans to be one of the 'coolest' Star Wars characters, I don't quite see how this is a bad thing for Latinos.

    You might as well say that Lucas has a thing against car buffs with dark hair - your argument would hold about as much water.

    And God forbid he ever use characters with any accents again (the other common 'racism' complaint of late with Star Wars). Know what? By making a character sound/look/act different, that's is PRECISELY what makes them alien. That's not racism, that's human nature. Trek has been doing this for decades now (hordes and hordes of alien races who look *similar* to us, but maybe with a different skin color), and I don't see any mass outcry against it. You have to make aliens different somehow, or else they wouldn't be.. alien. Accented English is a very effective medium for this - human beings of the same species speak in different accents, why wouldn't different species? Of course, the odds of them speaking the same language at all are pretty slim, but you have to draw the line somewhere unless you want the next Star Wars (now with no racial stereotypes!) to look like a foreign film filled with subtitles.

    Methinks Mr. Brin, much as I love most of his writing, wants very badly to jump on the bash Lucas bandwagon. All he's done is re-hash the same tired criticisms of Lucas and Star Wars, wrapped in bigger words and more obscure concepts.

    --
    Endless arguments over trivial contradictions in books written by ignorant savages to explain thunder in the dark.
  128. why kill Jango Fett?? by johnnnyboy · · Score: 1

    I was routing for Jango Fett! Especially against OB1. Lucas made it look like he was protecting Boba.

    His character didn't make any sense to me. He's a bounty hunter, a quick shooter, a plain human, fights jedi, a protective father and helps create an clone army for the Sith.? It wasn't clear if he even knew what the army was used for nor why.

    The army he helped create ended up fighting against the droid army of the boss he was working for?? He's killed by the jedi's?

    A person who has to carry a family with him and fight along side the bad guys has to be an idealist or a fundamentalist extremist. There was an opportunity lost here by george lucas.

    In TPM I was also cheering for Darth Maul. I thought he was so cool going against two Jedi's at the same time! Darth Maul was the most popular character in his movie. That was another opportunity George Lucas lost here.

    I feel George Lucas doesn't know how to express his stories. People like bad guys. The best bad guy are those that believe in what they're doing is right.

    Right now all he has is Darth Vader to carry his stories. I suggest Mr Lucas read the Xmen comic books and take a look at Magneto. Now that's a good bad guy people route for!

    I was laughing inside at how stupid the Jedi's were to pop in that arena. What a stupid idea!
    My suggestion is to allow Stephen Speilberg do the last one. I'm sure he'll put together something that will make sense.

    BTW the best movie is ESB. hands down.

    --
    "If a show of teeth is not enough, bite ... but bite hard!"
  129. Remind me again. by Anonymous Coward · · Score: 0

    What happens after they chain the princess to a pillar? I got thrown out and banned from my local cinema after that scene.

  130. Lol by beleg777 · · Score: 2

    No, that was an example of above average acting in a film that fills a similar role. Comparing the acting to, say, One Flew Over the Cookoos Nest or Shawshank wouldn't exactly be a fair comparison. Apples to oranges and all that.

    --

    Science may someday discover what faith has always known.
  131. Wash your mouth out with soap, please. by Anonymous Coward · · Score: 0

    "Does "Seven Samurai" or "Magnificent Seven" inform the debate..."

    "inform the debate" !!!
    At one time a person had to hang around a bar with the drunks to hear that kind of pseudo-sophisticated drivel, now it is available anywhere through the miracle of the internet. "Inform the debate" Oh, puke.

  132. $5!! by Anonymous Coward · · Score: 0
    Here in NYC, tix cost $5 about 12 years ago.

    We're up to an astonishing $10, or $9.50 if you see it in the outer boroughs.

  133. Re:It is just a movie... by KH · · Score: 2

    Minor nitpick... did anyone notice the repeated use of the phrase 'fire on the Federation starship!' and 'don't let the Federation starship get away!'

    What are these guys -- Klingons?

    Trade Federation. I'm not going to dictionary.com to lookup the word's definition, but I'd guess there are plenty of reasons to use it, and I guarantee it was around before Star Trek.


    I personally found the comment funny because I thought the same thing while watching the Episode II. Particularly interesting was the fact that the Republic's ships were called "spaceships" while Federation ships were called specifically "starships." In Star Trek, it's the starship Enterprise.
  134. Re:"Caused Quite a Stir?" by mekkab · · Score: 2

    I hope yr implying that he orally ingested said 30 lbs of feces.

    otherwise it wouldn't be right.

    --
    In the future, I would want to not be isolated from my friends in the Space Station.
  135. My Personal AOTC annoyances by JMYoda · · Score: 1

    Hayden said maybe one line in the whole fucking movie that had any real feeling behind it and he was acting opposite Chris Lee at the time. "I'm a slow learner."

    People often blast Mark Hamill's acting in the OT but while he might not have had the nuances of say, Al Pacino in "the Godfather" he did have an infectious enthusiasm that fit the character. If anything him and Harrison Ford overact which is a good thing for a space opera.

    Hayden just seems bored (or stoned) as does Natalie. They say their lines with all the enthusiasm of the first cast read-through for a high school play.

    Now if only Lucas could use CGI in an AOTC SE to replace Natalie and Hayden with CGI actors who actually seem alive, not like two fence posts stoned on bad weed and also fix that god awful "romantic" dialogue, then maybe it would be a good movie.

    I also wouldn't mind an explanation to how Anakin went from a nice sweet, likable kid to an arrogant, asshole shithead who doesn't seem to be the same character at all...

    And just why did he wait ten-years to go back for his mother? I know many of you will point out the Jedi required him to but even that doesn't explain it for two reasons.

    For one wouldn't the Jedi want to make sure his mom is safe since Yoda foresaw that loosing his mom could be his undoing? Also even if the Jedi did forbid it, why would that stop Anakin? Would you leave your mom to rot away as a slave on a harsh desert world just to avoid "breaking the rules".?

    I also wouldn't mind an explanation of how Padme went from an intelligent 14 y/o Queen to an insanely stupid 20-something Senator. She has to leave Coruscant because her life is in danger..

    So she leaves Jar Jar, the biggest dumb ass in the galaxy in charge of her Senate Seat??? (Which leads to the creation of the Clone Army - the First step of the Empire) Then she falls in love with a mass-murderer??? I could understand her being OK with Anakin killing all the males in the Tusken Camp since they're warriors and the ones directly responsible for the death of his mother but he tells her he killed the women and children too and all she can say is "You're only human!". Uhhh so the Senate is suppose to care about a pretty much bloodless invasion of her puny hippie planet in TPM yet she's perfectly ok with Anakin killing defenseless women and children?

    Alllllllllrighty then little miss perfect! Well fuck you and your whole piece of shit hippie-go-free-free planet! :PPPP~

    Oh well at least all the Obi-Wan, Yoda, Jango scenes kicked ass as did the last 30-45 mins. Thanks God for chapter skip when the DVD comes out in Nov.

    --
    "The human mind's ability to rationalize its own shortcomings into virtues is unlimited." - Robert A. Heinlein