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DRM for 1'3" of Silence

jc42 writes "In the latest entry in the battle over Digital Rights Management, a fellow has blatantly ripped off a "tune" from the iTunes Store. "Tune" is 1 minute 3 seconds of silence. To compound his crime, he has posted the tune on his web site for anyone to download. I downloaded it to iTunes, and it played just fine (but now I suppose I'm a criminal, too). I wonder what John Cage and Mike Batt would have to say about this? Will lawyers for Apple or Ciccone Youth send a C&D letter? If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?"

637 comments

  1. Well by Realistic_Dragon · · Score: 5, Funny

    At least that's one song who's lyrics won't offend the FCC.

    Or do you think they mught just be committing quiet obscenities? Better ban it anyway just in case.

    --
    Beep beep.
    1. Re:Well by pla · · Score: 4, Interesting

      Or do you think they mught just be committing quiet obscenities? Better ban it anyway just in case.

      Why not? They went after The Kingsmen for "Louie Louie", taking its unintelligibility as "proof" that it has nasties in it...

    2. Re:Well by Dr.Zap · · Score: 3, Funny

      What's this going to do to samplers? Any pause in a song will open it for lawsuits!

    3. Re:Well by Anonymous Coward · · Score: 0

      I hear that if you play it backwards you hear satanic messages...

      That would offend the FCC.

    4. Re:Well by Anonymous Coward · · Score: 0

      Best wait until you see the video to be sure.

    5. Re:Well by Jeremiah+Cornelius · · Score: 1

      Yeah. They didn't even write the thing!

      --
      "Flyin' in just a sweet place,
      Never been known to fail..."
    6. Re:Well by Anonymous Coward · · Score: 0

      Haven't heard of Frank Zappa's Jazz from Hell have you?

      It received an 'Explicit Lyrics' tag despite the fact that it's entirely instrumental.

    7. Re:Well by EngMedic · · Score: 5, Funny

      and Frank Zappa's instrumental album, Jazz from Hell, got a "parental warning: explicit lyrics" tag, too. I'm still trying to figure that one out.

      --
      filter: +3. Hey, look! all the trolls went away!
    8. Re:Well by Anonymous Coward · · Score: 0

      At least that's one song who's lyrics won't offend the FCC.

      I'm not so sure. Give these guys 1'3" and they'll assume its a mile.

    9. Re:Well by huskerdoo · · Score: 1

      thesmokinggun.com has a nice piece on this, http://www.thesmokinggun.com/louie/louie.html , and David Marsh wrote and entire book on the history of the song.

    10. Re:Well by wondafucka · · Score: 1
      I'd rather like to think that silence is already in the public domain.

    11. Re:Well by Draknor · · Score: 2, Insightful

      I'd rather like to think that silence is already in the public domain.

      No, you're mistaking "absence" for "silence" - as in, the absence of anything new in the public domain because of perpetual copyright.

      If you've listened to the public domain recently, you would also clearly realize that silence is not a part of it, with particular thanks to car alarms and cell phones.

      =)

    12. Re:Well by malfunct · · Score: 1

      Yes, but not exactly 1 minute 3 seconds of silence. Thats art.

      --

      "You can now flame me, I am full of love,"

    13. Re:Well by Anonymous Coward · · Score: 0

      Now could iI get sued for posting this 404 DRM error page of found.

      account suspended

      Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account.

    14. Re:Well by operagost · · Score: 1

      Who's "they"? I'll answer -- it was the FBI, not the FCC.

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    15. Re:Well by operagost · · Score: 1

      Good god, man, H-E-double hockey sticks is right in the title!

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    16. Re:Well by cayenne8 · · Score: 2, Insightful
      " I'd rather like to think that silence is already in the public domain."

      Tell that to Simon and Garfunkel...

      :-)

      --
      Light travels faster than sound. This is why some people appear bright until you hear them speak.........
    17. Re:Well by Anonymous Coward · · Score: 1, Insightful

      Is ther now one on at /. who understand that ciccone is the last name of Madona and this is a joke from sonic youth ? It's sad that the record industri take so much interest in an old bootleg.

    18. Re:Well by Anonymous Coward · · Score: 0

      Plus the album has a track called G-Spot Tornado.

      But it's not clear if the tag was deliberately and ironically put there by Zappa after his failed crusade against Tipper Gore and the other "Washington housewives" of the PMRC.

    19. Re:Well by Anonymous Coward · · Score: 0

      Dude: ...

      never mind.

    20. Re:Well by Alizarin+Erythrosin · · Score: 1

      "Number 8" *belch* "Number 8" *belch* "Number 8" *belch*

      Brilliant! Wonder what the FCC would do about that?

      --
      There are only 10 kinds of people in this world... those who understand binary and those who don't
    21. Re:Well by Anonymous Coward · · Score: 0

      it offends some mimes out there I can tell...

    22. Re:Well by gagol · · Score: 1

      Isn't there prior art exist ?

      --
      Tomorrow is another day...
    23. Re:Well by suckmysav · · Score: 3, Interesting

      John Lennon & Yoko Ono had a track on their "Life With the Lions" album that was called "Two Minutes Silence" and thats all it was. Two minutes of silence so you could say that this 1.3 minutes of silence is just an incomplete rip-off of that track and is therefore a blatent copyright breach.

      --
      "You can't fight in here, this is the war room!"
    24. Re:Well by Meski · · Score: 3, Funny

      Suggested title: "One hand clapping"

    25. Re:Well by Farmer+Tim · · Score: 1

      "H-E-double hockey sticks is right in the title!" You're forgetting the origin of the word "jazz" (though in that context, these days it's usually spelled with an "i").

      --
      Blank until /. makes another boneheaded UI decision.
    26. Re:Well by Farmer+Tim · · Score: 1

      I just noticed I have a one second sample of that on my desktop. Proof:

      Want to hear it again?

      One more time:

      --
      Blank until /. makes another boneheaded UI decision.
    27. Re:Well by fforw · · Score: 2, Informative
      John Lennon & Yoko Ono had a track on their "Life With the Lions" album that was called "Two Minutes Silence" and thats all it was. Two minutes of silence so you could say that this 1.3 minutes of silence is just an incomplete rip-off of that track and is therefore a blatent copyright breach.
      I think that the John Lennon & Yoko Ono song itself was just stolen out of John Cage's 4'33 from 1952.
      --
      while (!asleep()) sheep++
    28. Re:Well by Anonymous Coward · · Score: 0

      i had something in the background so i reread your message cuz i didn't hear it the first time. thanks!

    29. Re:Well by sosume · · Score: 1

      I'd say that after 40 years the copyright should have long expired.

    30. Re:Well by BryanL · · Score: 1

      And the "Life With The Lions" track was just a rip off of John Cages 3'33".

    31. Re:Well by Anonymous Coward · · Score: 0

      Don't forget the origin of the phrase "rock'n'roll", either -- one of the other musical areas FZ played around in.

    32. Re:Well by wondafucka · · Score: 1
      I'm sure I can find an example of prior art.

  2. John Cage by suso · · Score: 5, Funny

    Actually, if it was John Cage, you would hear the performer turning the page.

    1. Re:John Cage by Anonymous Coward · · Score: 0

      I fail to see how you can copyright simple beats which is all the page turning would be. You can't copyright chord progressions, how can you copyright beats?

    2. Re:John Cage by Anonymous Coward · · Score: 5, Funny

      No, if it was John Cage he would shadow-kick your ass.

    3. Re:John Cage by Proney · · Score: 1

      And, if a live recording, the murmurs of the audience.

      --
      require "something.clever";
    4. Re:John Cage by Antibozo · · Score: 4, Informative

      Moreover, John Cage would explain that 4'33" is not simply 4'33" of silence. He did actually write a score for this piece, note by note, and comprised of three movements. He then made all the notes tacet, and added up their time at a tempo of his choice to come up with the durations for the movements. If you knew what the original notes are, however, you could imagine the piece while it is performed.

      In addition, the three movements are punctuated by the performer closing and then reopening the piano lid.

    5. Re:John Cage by Pionar · · Score: 1

      Well, then, that would constitute marginally creative work. Case closed, this is copyright violation.

    6. Re:John Cage by Chundra · · Score: 5, Funny



    7. Re:John Cage by gmaestro · · Score: 2, Informative
      I could have sworn the Cage 4'33" was usually performed by memory. So while the sound of the piano lid opening and closing, perhaps the performer placing his watch on the stand might be heard, there should be no pages turning.

      You are correct, however, that the point of the Cage piece is environmental noise, a concept I'm sick of explaining.

    8. Re:John Cage by rune-bare-rune · · Score: 5, Interesting
      The representatives of John Cages estate appearantly thought Mike Batt infringed Cages copyright with a track on his 2002 album "Planets".
      Quote:
      "As my mother said when I told her, 'which part of the silence are they claiming you nicked?'. They say they are claiming copyright on a piece of mine called 'One Minute's Silence' on the Planets' album, which I credit Batt/Cage just for a laugh. But my silence is original silence, not a quotation from his silence."
    9. Re:John Cage by Anonymous Coward · · Score: 0

      hilarious :)

    10. Re:John Cage by Anonymous Coward · · Score: 0

      Bravo, the best empty post I ever read :-)

    11. Re:John Cage by Golias · · Score: 1

      IIRC, there were no "notes" involved. Simply a time signature, a tempo, and a set number of tacet measures.

      Also, closing the piano case between movements is just showmanship. It's not part of the composition, although it was an important part of his performance of it. The piece has been "transcribed" for French Horn and various other instruments over the years.

      --

      Information wants to be anthropomorphized.

    12. Re:John Cage by DigitalHammer · · Score: 4, Funny

      No, he'd do the splits and shadow-punch you in the crotch.

    13. Re:John Cage by Antibozo · · Score: 2, Interesting

      The point of 4'33" is not so much environmental noise as the act and experience of listening.

      A friend of mine who is not a John Cage fan was once dragged to a performance of 4'33", not knowing anything about Cage or the piece. A short way into it, he got fed up, stood up and berated his companion loudly, and marched out of the room. No doubt this was one of the better performances.

    14. Re:John Cage by Rei · · Score: 2, Funny

      You can't copyright chord progressions and simple beats? Take it one step further, and Philip Glass will be in some serious trouble. ;)

      --
      Don't take a knife to a gunfight, or even a knife to a knife fight. Take a gun to a knife fight.
    15. Re:John Cage by Null537 · · Score: 2, Funny

      But in the end he'd sign a picture of himself for you.

    16. Re:John Cage by Antibozo · · Score: 1
      IIRC, there were no "notes" involved.

      See the 1990 American Masters documentary on John Cage, in which he states explicitly, "4'33" was written note by note."

      There are in fact three movements. Since the piece is not written specifically for piano, closing and reopening the lid is arguably showmanship, but useful to denote the transition between movements, since there's no other auditory evidence.

    17. Re:John Cage by rwise2112 · · Score: 5, Funny

      Hmmmm..

      Is that 4'33" of silence, your own creative work, or a picture of an invisible galaxy?

      --

      "For every expert, there is an equal and opposite expert"
    18. Re:John Cage by dillon_rinker · · Score: 1

      Indeed. It takes a great deal of skill for a performer to press down the keys of the keyboard without making a sound. If a single note escapes the piano, you have played the piece improperly. If you press the wrong key, you have played the piece improperly (though it's hard to imagine how a large audience could tell this).

      When played CORRECTLY, Cage's work is a masterpiece. When the pianist sits silent for 273 seconds, it's just silly.

    19. Re:John Cage by Strudleman · · Score: 2, Insightful

      Bahahahaha!

      This has got to be the funniest post I've ever seen. Thank you so much, I'm crying :)

      --
      Do it doug.
    20. Re:John Cage by displaced80 · · Score: 1

      Either I'm a fast reader, or that didn't take 4'33" to read.

      :-) thanks, that made me laugh on an otherwise crappy day!

      --
      What's the frequency, Kenneth?
    21. Re:John Cage by Anonymous Coward · · Score: 0

      Brilliant!

    22. Re:John Cage by MrZilla · · Score: 1

      This must be one of the most on-topic posts i've ever seen on Slashdot.

      --
      mov ax, 4c00h
      int 21h
    23. Re:John Cage by Antibozo · · Score: 1

      Cage also wrote pieces for "prepared" piano. One could prepare a piano for 4'33" by removing the hammers or strings. One would need to know the original notes, however, and I don't know where those are documented.

    24. Re:John Cage by Anonymous Coward · · Score: 0

      I'm suing you for copyright infringement.

      ---John Cage

    25. Re:John Cage by mobby_6kl · · Score: 3, Funny

      Somebody already mentioned Frank Zappa here, which reminded me of this:

      Guy In The Audience: "Whipping Post"!
      FZ: Say that again please
      GITA: "Whipping Post"!
      FZ: "Whipping Post"? Ok, just a second . . . (Do you know that?) Oh sorry, we don't know that one. Anything else? Hum me a few bars of it, please, just show me how it goes, please. Just sing, sing me "Whipping Post" and then maybe we'll play it with you
      GITA: Ooh-ooh-ooh . . .
      FZ: Thank you very much. And now . . . Judging from the way you sang it, it must be a John Cage composition, right? Here we go, "Montana."

    26. Re:John Cage by Surt · · Score: 1

      The real challenge of course is playing the piece in a pressure suit in a vacuum so that the key depressions don't make noise, without ever hitting a wrong key, or depressing two keys at once.

      --
      "Who is the Journal of Quantum Physics going to believe?" --Stephen Hawking
    27. Re:John Cage by Golias · · Score: 4, Informative
      See the 1990 American Masters documentary on John Cage, in which he states explicitly, "4'33" was written note by note."

      As with any dispute of fact, it's Google to the rescue:

      4'33" was written in the summer of 1952 just after Cage returned to New York City from Black Mountain College, where he had been invited to participate as a teacher and composer in this rural, private-school environment, and worked with other important figures in the art world. It was here that Rauschenberg did his White Paintings (1951) and Cage first saw them, provoking 4'33". It was here that the first multimedia "happening" occurred, Cage's Theater Piece No. 1, in which many of the faculty participated. It was also here that Cage planned work on Williams Mix and first used the time bracket notation that became so prevalent in his later music.

      4'33" is written for any instrument or combination of instruments. It is, however, usually done as a piano piece. This is probably because of the precedent set by the premiere performance, since the score does not specify a piano or any other instrument. The score is in three movements. Curiously, it has existed in at least six different versions (two different manuscripts and four different editions), although only two of these are different in performance.

      The original Woodstock manuscript, dated August 1952, is now lost and was written in conventional grand staff notation, containing measures of silence. It is here referred to as the Woodstock ms. It was this score that David Tudor used for the premiere performance. Tudor made at least two reconstructions of this score for his own performances.

      The original was on music paper, with staffs, and it was laid out in measures like the Music of Changes except there were no notes. But the time was there, notated exactly like the Music of Changes except that the tempo never changed, and there were no occurrences -- just blank measures, no rests -- and the time was easy to compute. The tempo was 60.


      So there you go. No notes. The process of composition being described as "note for note" was just Cage's overcompensation due to his worry about his work being taken as a joke if he did not go out of his way to put effort into creating it.

      --

      Information wants to be anthropomorphized.

    28. Re:John Cage by Anonymous Coward · · Score: 0

      You are mistaken. There are no keys to touch written anywhere in 4'33"

      In fact, it does not even specify that a piano needs to be there.

    29. Re:John Cage by c0p0n · · Score: 1

      LOL this is the funniest post ever at /. !!!

      --

      Your head a splode
    30. Re:John Cage by Golias · · Score: 1

      Indeed. It takes a great deal of skill for a performer to press down the keys of the keyboard without making a sound. If a single note escapes the piano, you have played the piece improperly. If you press the wrong key, you have played the piece improperly (though it's hard to imagine how a large audience could tell this).

      When played CORRECTLY, Cage's work is a masterpiece. When the pianist sits silent for 273 seconds, it's just silly.


      You could not be more wrong.

      Miming that you are playing an instrument is 100% the wrong way to perform 4'33". It is a "chance music" composition which is supposed to be entirely about the environmental sounds. Any choreographed distractions on the part of the performer completely distract from what the piece is supposed to be.

      --

      Information wants to be anthropomorphized.

    31. Re:John Cage by commodoresloat · · Score: 1
      John Cage has another piece - currently being performed in Berlin I believe - that begins with sixteen months of silence.

      Damn - now I've got that tune stuck in my head.

    32. Re:John Cage by bigbigbison · · Score: 1

      As I recall, the issue wasn't copyright so much as attributing Cage as co-writer which implied he had some input into it or was done with the blessing of his family.

      --
      http://www.popularculturegaming.com -- my blog about the culture of videogame players
    33. Re:John Cage by poot_rootbeer · · Score: 0

      'One Minute's Silence' on the Planets' album, which I credit Batt/Cage just for a laugh.

      And that's what lost the case for Batt. Album credits have legal significance; even though Cage was given co-credit "just for a laugh", the courts found that such attribution proved that Batt's minute of silence was derived from Cage's silent work.

    34. Re:John Cage by Mick+Ohrberg · · Score: 1

      Parent was 4'33". Grandparent was 1'3". Bring on the lawsuits.

      --

      Quidquid latine dictum sit, altum sonatur.

    35. Re:John Cage by operagost · · Score: 1

      It's a picture of a white dwarf.

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    36. Re:John Cage by Anonymous Coward · · Score: 0

      You're under arrest by order of the RIAA.

    37. Re:John Cage by AstroDrabb · · Score: 1

      Hey buddy, I already have a copyright on an invisible galaxy, or an invisible _anything_. This "work of art" is copyrighted by ME and anyone that tries to duplicate it will be in copyright violation. If you would like to reproduce an "invisible" "work of art" please contact my lawyers at:

      The Law Office
      1600 Pennsylvania Avenue NW
      Washington, DC 20500

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    38. Re:John Cage by snorklewacker · · Score: 1

      Not to mention that the recording of this piece includes the various sounds the audience made. That is what defines 4'33"

      It's hard to find anything so asinine as articles like this ... unless one goes and reads all the "cute" comments. I'm starting to think of making the "Funny" mod worth -1.

      --
      I am no longer wasting my time with slashdot
    39. Re:John Cage by uncoveror · · Score: 1

      You have no right to remain silent, as silence is a copyrighted work...

      --
      The Uncoveror: It's the real news.
    40. Re:John Cage by tehshen · · Score: 1

      Maybe they are communicating in Whitespace!

      --
      Guy asked me for a quarter for a cup of coffee. So I bit him.
    41. Re:John Cage by amerinese · · Score: 1

      Parent isn't being funny, parent is being insightful. The whole deal with John Cage was an attempt at performance silence that led to a recognition (how novel this recognition might be can be challenged) of the ambient noise of the room. I mean yeah it's sorta funny if he doesn't have music and he turns a page, but the noise thing is serious.

    42. Re:John Cage by Anonymous Coward · · Score: 0

      Flawless tactic, really.

    43. Re:John Cage by Anonymous Coward · · Score: 0
      Parent post would have set the all-time /. record for "Highest Score to Words in Post Ratio," but was disqualified because the judges were unable to divide five by zero.

      Parent post, however, does receive an award for "Post Most Likely to Make Readers Ask, How Did That Get Through the Lameness Filter?"

    44. Re:John Cage by jc42 · · Score: 2, Informative

      the courts found that such attribution proved that Batt's minute of silence was derived from Cage's silent work.

      Actually, the courts found no such thing, because they were never consulted. It was settled out of court.

      Rather a pity, IMHO. It might have been useful to have an actual decision.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    45. Re:John Cage by ifwm · · Score: 1

      best thing I have ever seen here

    46. Re:John Cage by Simon+Garlick · · Score: 1

      "I might be moving to -- hold it, hold it. We can't possibly start the song off like that. Good god, that's INEXCUSABLE."

    47. Re:John Cage by Anonymous Coward · · Score: 0

      They should sue Sony too... every time I turn off my TV, it plays 4'3" of silence over and over and over!

    48. Re:John Cage by Antibozo · · Score: 3, Insightful

      You're confusing the manuscript with the writing process. As with a number of Cage's pieces, the actual notes were chosen using chance operations. The fact that the manuscript had no notes written on it is due to the notes' already having been rendered tacet. No doubt there is a page somewhere in the world where Cage wrote down the operations and their result before producing the manuscript you are referring to.

      Similarly, Cage once made a film of a chess game he played with Marcel Duchamp, wherein the exposure settings for the film camera were determined by chance operations. Parts of the film are completely black. This doesn't mean there wasn't a chessboard in the frame; it means that the process didn't record its image. The manuscript for 4'33" is like the black segments of the chess film--the image is there, but the notes have been erased.

      If you actually go back and read the document you quoted, without attribution, among many other details, you'll find the following quote from Cage:

      I wrote it note by note, just like the Music of Changes [1951]. That's how I knew how long it was when I added the notes up. It was done like a piece of music, except there were no sounds -- but there were durations.

      We may never know whether the notes Cage wrote for 4'33" had pitches. It may be that he didn't generate enough chance data to derive pitches from, or that he merely didn't bother to extract the pitch information from his data, since it wasn't needed. In the latter case, if we knew the process and had the data, we could indeed produce the pitches to go along with the durations.

      But assuming, for the sake of [your] argument, that no information for pitches was ever even generated, we could have a semantic debate as to whether durations by themselves, without pitch, constitute "notes". The fact is that, underlying 4'33", at the very least, there is a sequence of durations of specific durations. These constitute a rhythm; would you argue that a specific rhythm written out on a score to be played on a snare drum is not written "note by note"? Now take away the snare drum.

      Finally, consider that rests often occur in places where a specific pitch is expected, such as the middle of a phrase; one hears the pitch in one's mind even though it is not heard. 4'33" can be regarded as a piece where all of the notes are expected, yet heard only in one's mind. It illustrates how the act of listening for music enables the mind to hear it, even if the guy at the piano isn't touching any keys.

    49. Re:John Cage by gmaestro · · Score: 1

      Perhaps I oversimplified. I meant that 4'33" is not a "silent" piece as is so often claimed. The composer bristled at folks referring to his "four thirty-three" as "the silent piece."

    50. Re:John Cage by Anonymous Coward · · Score: 0

      So, you've been refuted.

      What, do you just make shit up when you post?

    51. Re:John Cage by Grax · · Score: 1

      If I were Rauschenberg I would sue Cage. It is obvious to me that Cage is simply a performer of the music originally authored by Rauschenberg.

      Cage may have refined the written notation some but his work matches exactly the prior work authored by Rauschenberg. Certainly any music student could sit down in from of Rauschenberg's piece and perform Cage's piece, although the tempo might be off a little.

      "Hoo-ray for the sounds of fucking silence." (Nicholas Cage in Con Air)

    52. Re:John Cage by gstoddart · · Score: 1
      Rather a pity, IMHO. It might have been useful to have an actual decision.

      So, when they call for a moment of silence at solemn occasions will these guys get royalties or something?

      Gah, I can't even believe that the recording of silence and titling it would need a friggin' court decision to determine if 'this nothing is derived from that nothing'. This isn't SCO here. :-P
      --
      Lost at C:>. Found at C.
    53. Re:John Cage by jcr · · Score: 1

      No, it's always silly, and that's the point.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    54. Re:John Cage by omeomi · · Score: 1

      It seems like a number of people are confusing the point of 4'33". The performer is not the person on the stage. The performer is the audience, and the audience is the performer. The performance is the audience's reaction to being subjected to 4'33" of silence. If I remember correctly, the very first performance of this piece created quite a stir. The random events in 4'33" are not derived from some process that Cage wrote out beforehand, they are the result of unwitting audience members being shocked by silence. Silence is redefined as the absense of intended sounds.

    55. Re:John Cage by WhiteDragon · · Score: 1


      genius!
      --
      Did you mount a military-grade, variable-focus MASER on an unlicensed artificial intelligence?
    56. Re:John Cage by Antibozo · · Score: 2, Insightful

      I suggest you read a bit more background about the piece; see the link cited above. The piece was, in fact, composed note by note using randomly generated data produced using a combination of the I Ching and a deck of tarot cards. The resulting data was converted into note durations using a systematic method of Cage's device, and the durations were then summed to produce the lengths of the three movements. The original durations are not recorded on the performance score, so any other gestalt of environmental events is free to take the place of the original notes comprising the piece.

      Indeed, the commonly regarded "point" of the piece is to engage the audience into listening to its environment as music. The piece does not, however, have to be performed in a concert hall, and no one needs to be shocked. Cage later stated that the specific durations of the movements were not important. In other words, one is free to perform 4'33" at any time, for any duration, for one's own, or someone else's entertainment or interest. The "performer" is anyone who creates the context of a performance of 4'33", by sitting down at a piano and not playing it, switching on a microphone and not speaking into it, or stepping outside and making a conscious decision to listen to the world. The "performance" is the moment of Zen that results.

    57. Re:John Cage by Frodrick · · Score: 1
      I could have sworn the Cage 4'33" was usually performed by memory.

      Well...I suppose some of your more gifted musicians might memorize it. You know, like savants - and prodigies...

    58. Re:John Cage by Anonymous Coward · · Score: 0

      I actually wrote a piece a while ago entitled "Void Emptiness". I covered my desparation and solitude at the time.

      It consisted of an infinite amount of silence. The score had a breve rest and repeat marks.

      I wrote it with all seriousness.

      Therefore, Batt and Cage have both incorporate a portion of my work, despite I'm not applying any of their work. (4'33"/infinite = 0)

      Can I sue?

    59. Re:John Cage by Alsee · · Score: 1

      Well, he didn't circle it. So that rules out an invisible galaxy.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
    60. Re:John Cage by Anonymous Coward · · Score: 0

      OH MY GOD somebody PLEASE STOP THE WORLD it's getting INSANE!

    61. Re:John Cage by Golias · · Score: 1

      Cage later stated that the specific durations of the movements were not important.

      He only said that because he accidentally published it with the movements being of different lengths, yet still adding up to exactly 4'33", which seems to indicate that his clame of note-for-note composition was little more than marketing spin.

      In other words, one is free to perform 4'33" at any time, for any duration, for one's own, or someone else's entertainment or interest.

      You are confusing 4'33" with 0'0", which was a later work he "composed," which consisted of actively listening to one's environment in any context for any druration. 4'33" is always performed by one instrument, and always for four minutes and thirty-three seconds.

      --

      Information wants to be anthropomorphized.

    62. Re:John Cage by Antibozo · · Score: 1
      He only said that because he accidentally published it with the movements being of different lengths, yet still adding up to exactly 4'33", which seems to indicate that his clame of note-for-note composition was little more than marketing spin.

      There's a fair amount of discussion on this point in the document you originally cited. There are a number of potential explanations for the disparity in timings between publications. The most obvious one is a simple misremembering, which itself might be considered a chance operation. For you to claim with a tone of authority why it happened or what Cage was thinking is pretty ridiculous, particularly in the light of Cage's own statements that contradict your claims. One wonders, as well, why you would doubt so stubbornly that the piece was composed note by note (not "note-for-note")--as Cage was in the process of writing Music For Changes at the time, he was doing this pretty regularly. Why should anyone believe your claim that it was "marketing spin" and not several days of actual compositional process, as Cage himself stated?

      In other words, one is free to perform 4'33" at any time, for any duration, for one's own, or someone else's entertainment or interest.
      You are confusing 4'33" with 0'0", which was a later work he "composed," which consisted of actively listening to one's environment in any context for any druration.

      Here are two additional quotations from the document you cited:

      Later, Cage did not regard the length of the movements as important. "It can be any length," he said, "so that we can listen at any time to what there is to hear." "I think what we need in the field of music is a very long performance of that work." If the length is insignificant, then why spend "several days to write it"? And, why have specific lengths at all? -- It was most likely because Cage later realized that a fixed temporal frame was not necessary for this work. Perhaps he realized the mistake of the two different timings and decided that it really didn't matter after all. (Perhaps this was the "mistake" he referred to in I-VI.) This, in itself, points to another change in compositional philosophy after writing 4'33", which may have been the cause of it.

      And...

      When asked about the disparity in time lengths of the scores, Cage replied that it could be of any length. This does not mean, however, that the formal structure of 4'33" can be violated. He said that it would still be titled 4'33", that the durations of the movements must be determined by some type of chance procedure, and that it must be in three movements.

      On to your other statement:

      4'33" is always performed by one instrument, and always for four minutes and thirty-three seconds.

      Here's another quote from the document you cited. You yourself, in fact, already quoted this paragraph earlier in the discussion:

      4'33" is written for any instrument or combination of instruments. It is, however, usually done as a piano piece. This is probably because of the precedent set by the premiere performance, since the score does not specify a piano or any other instrument.
    63. Re:John Cage by Golias · · Score: 1

      Speaking with "an air of authority" was not really my intention. That's the trouble with communicating via text with strangers. Inflection and expression is lost.

      That said, I do hold a music degree and have spent a fair amount of time reading up on John Cage beyond the document I linked.

      I simply chose that document because it was the first relatively informative one a brief Google search uncovered.

      --

      Information wants to be anthropomorphized.

  3. This is just dumb. by Slartibartfast · · Score: 4, Informative

    Sorry, but no. As I seem to recall, there is a minimum number of notes required in order to copyright something. As a corallary, you could not write a "book" with the contents being the word "the", and then sue everyone for breach of copyright. In other words, raw, unadulturated silence cannot be copyrighted; it needs content.

    1. Re:This is just dumb. by RealityMogul · · Score: 1

      What about white noise?

    2. Re:This is just dumb. by shurikt · · Score: 2, Interesting

      I haven't tested it, but there's a pretty good chance that the digitally encoded silence actually contains some white noise or other artifact of the digitizing process. Would that be copyrightable?

    3. Re:This is just dumb. by ruxxell · · Score: 1

      i'm prety sure 'rests' count as 'notes', don't they?

      --
      "when the sun sets on the ghetto, all the broken stuff gets cold"
    4. Re:This is just dumb. by Anonymous Coward · · Score: 0

      talk about dumb and not containing content.

      "as I seem to recall" wtf? there is no minimum requirement.

      besides, the lack of content IS content -- that's the entire basis of information theory and compression

      so go read a book and get off your high horse, fartibartfast

    5. Re:This is just dumb. by Anonymous Coward · · Score: 0

      What is the tempo?

    6. Re:This is just dumb. by Evil_Timmy · · Score: 1

      If all else fails, I'm sure someone can claim prior art. "Well, occasionally, between playing things, I don't play things."

    7. Re:This is just dumb. by Pionar · · Score: 4, Interesting

      It has nothing to do with how many notes. It's whether it's marginally creative. In this case, I think it'd be up to a judge. A consumer would argue that silence is inherently not creative. A copyright holder would argue that it's not just the silence, it's the position of it on the album, the significance of the length, the "innovativeness" of silence as an expression of art, and so forth. Frankly, since the threshold for creativity is quite low (hell, you can copyright a directory of people just because you've ordered it in a certain way), I think Apple's got a pretty good case.

    8. Re:This is just dumb. by milgr · · Score: 5, Informative
      If you have ever seen the score, it has several pages of rests of various lengths. Recordings of performances of this piece include the background noise - including the pianist turning pages of the score, frequently people coughing or shifting restlessly in their seats.

      By the way, Cage's piece is "4'33" of silence" (and it does last 4 minutes and 33 seconds).

      Not only does it bring up the question of what is Art, but what is copyrightable. There was a suit about this (The suit was settled with John Cage's estate getting a 6 figure settlement). See http://www.billboard.com/bb/article_display.jsp?vn u_content_id=1710115

      --
      Where law ends, tyranny begins -- William Pitt
    9. Re:This is just dumb. by bani · · Score: 4, Funny

      depends. what's the key, b-flat?

    10. Re:This is just dumb. by js7a · · Score: 3, Funny

      I suspect the "six figures" mentioned are something like "$", "1", ".", "0", "0", and ".". What a great publicity stunt for Batt and Cage's legacy, no matter what the amount. Well done!

    11. Re:This is just dumb. by Kevbo · · Score: 1

      It wouldn't be up to a judge; it would be up to a jury

      --
      In Vino Veritas
    12. Re:This is just dumb. by Anonymous Coward · · Score: 0

      If there is a Minimum number of notes, what is that number?

      If it's something small, you could very easily copyright all possible works with a simple program. As soon as it's recorded, you have the copyrights, as per copyright law, and then any new music would be YOURS!!

      Muahahaha!!

    13. Re:This is just dumb. by nizo · · Score: 1

      Can you declare a mistrial if the jury can't stop laughing after they hear what the case is about?

    14. Re:This is just dumb. by Anonymous Coward · · Score: 0

      there is a minimum number of notes required in order to copyright something

      There is no such requirement. Copyright infringement has to be of a "substantial" part of the work being infringed, and a lot of people believe that that means "samples are okay as long as they're less than six notes" - different people having different beliefs about the number of notes, with six being the most widely held belief - but there just isn't any such limit in the actual law.

    15. Re:This is just dumb. by damian+cosmas · · Score: 1

      Exactly. That is why Mike Batt settled (on the order of 10^6) with the estate of John Cage instead of proving your point in court.

    16. Re:This is just dumb. by TimTheFoolMan · · Score: 1

      Eminem?

    17. Re:This is just dumb. by Anonymous Coward · · Score: 0

      They are happy to take your money for 'nothing'

    18. Re:This is just dumb. by gotem · · Score: 1

      no, in fact was 4.33 inches of " "

    19. Re:This is just dumb. by Samah · · Score: 1


      > It has nothing to do with how many notes. It's whether it's marginally creative....a consumer would argue that silence is inherently not creative.

      Does this mean that Britney Spears is uncopyrightable?

      --
      Homonyms are fun!
      You're driving your car, but they're riding their bikes there.
    20. Re:This is just dumb. by Larry+Lightbulb · · Score: 1

      The important part of the case, which gets lost in the argument about whether you can copyright silence, is that the writer of the piece was credited as Mike Batt & John Cage. If he'd not done that, if he'd used either name, then it would have been a different situation. If my new album has all the songs written by Larry Lightbulb* and Paul McCartney then I'd expect a lawyer to come calling.

      *yes, I know it's a silly name.

    21. Re:This is just dumb. by Anonymous Coward · · Score: 0

      the musician in question listed Cage as a composer so he at least thought that there was a copyrightable work.

    22. Re:This is just dumb. by JeffTL · · Score: 1

      Copyright is not what has been violated here. Rather, there are two issues * DMCA restrictions on copy protection circumvention * Good old fashioned contract law -- when you download something from a music service, you agree to the terms set forth by said service. Don't like the contract? Don't sign it.

    23. Re:This is just dumb. by dark_requiem · · Score: 1

      Well, that minimum number must be less than three. Ever heard the NBC theme music?

    24. Re:This is just dumb. by Anonymous Coward · · Score: 0

      Well, given your absurdly dumb statement of this supposedly-obvious-yet-presented-as-astuteness kind of abstraction: Suppose Cage's original contained 273 quarter-long rests at 60 beats per minute at 4/4 measures.

      If I were to play my own composition, but made it out of 60 whole tones + an assortment of halves, quarters, eighths and whatnots totalling the same amount of silence, would I infringe?

      Hint: The rhytm of my music would be entirely different. I chould even change the tempo and all sorts of things to really stand out, yet total the same duration of silence.

      What if I had two two-minute-sixteen-seconds periods of silence, separated by a c# lasting one second? I'd be using more than whatever the minimum amount of measures is w.r.t. standard legal considerations of infringement on copyrighted music.

      Remember: If we lived in a society where music could be recorded neither as sound nor sheet music, copyright on music could not exist.

    25. Re:This is just dumb. by ockegheim · · Score: 1

      I would say that if a piece has no notes, then the silence would be substantially different. A recording of 4'33" performed to an uninitiated audience would included incidental noises from the performer and the audience (and which is why it works better as a live performance than a recording).

      Mike Batt's minute of silence was intended specifically for the recording medium. It may be a recording of the performers being silent in the studio, which would include tiny noises they made, or it may be a recording of the empty studio, which would include tape hiss, rumble and background noise.

      What is conceptually different again, and which Mike Batt may have done, is to have a minute of digital silence, with every sample at zero. This representation of total silence is unrealisable in the real world (even the best stereo systems add their own non-silence), just as a perfect circle remains a mathematical construct.

      --
      I’m old enough to remember 16K of memory being described as “whopping”
    26. Re:This is just dumb. by webmaestro · · Score: 1

      Actually, it would not be up to a judge. It would be up to a jury, as the jury is the trier of fact, and the determination of the work being marginally creative or not is a question of fact. It could possibly be up to a judge if both parties had waived their right to a jury trial.

    27. Re:This is just dumb. by mshiltonj · · Score: 1

      Sorry, but no. As I seem to recall, there is a minimum number of notes required in order to copyright something.

      Then why does it have DRM?

    28. Re:This is just dumb. by iminplaya · · Score: 1

      dumb? Not to the lwayers involved... They're probably thinking sarcastly, "This is just tooo rich! Does it get any better than this?"

      --
      What?
    29. Re:This is just dumb. by D4rk+Fx · · Score: 1

      Perhaps the song contains the brown noise... Inaudible to humans, but makes them shit themselves when listened to long enough.

    30. Re:This is just dumb. by Farmer+Tim · · Score: 1

      "Perhaps the song contains the brown noise" 14 Hertz or thereabouts, depending on the resonant frequency of the individual's chest cavity. But it needs to be LOUD, and very few speakers have a frequency response extending that low. You'll need the following ingredients: 4 Bose acoustic cannons, two Linear Acoustic or Brooke amplifier racks, a signal generator, some plastic trousers...

      --
      Blank until /. makes another boneheaded UI decision.
    31. Re:This is just dumb. by Technician · · Score: 1

      depends. what's the key, b-flat?

      I play piano. I got a copy of the sheet music. It's in the key of C.

      The key signature matches the notes. There aren't any which puts it in the key of C.

      --
      The truth shall set you free!
    32. Re:This is just dumb. by Farmer+Tim · · Score: 1

      "A copyright holder would argue that it's not just the silence..."

      I'm a copyright holder (boo, hiss), and I would agree with the consumer that an absence of notes does not constitute a unique work wothy of copyright. That's not to say silence isn't useful as an element in a larger work, just that by itself it's a wank.

      Personally, when I include silence on a recording I'm quoting from 500 year old Gregorian chants, so I know I'm in the clear regardless of how long it is.

      --
      Blank until /. makes another boneheaded UI decision.
    33. Re:This is just dumb. by hyc · · Score: 1

      That argument wouldn't hold though. There are multiple types of copyright, including copyright on individual creative works, and compilation copyrights which are rights to any assembly of material. You can collect a bunch of public domain items into a single volume and get a compilation copyright on the collection. That would forbid anyone else from copying *the collection* verbatim and distributing it. But since the individual elements are public domain, anyone can copy them at will.

      So for someone to claim "the position of this silence on my album is artistically significant" they're going to lose. Yes, the album as a whole is protected by a compilation copyright, but an individual element of silence could ony be construed as being in the public domain.

      --
      -- *My* journal is more interesting than *yours*...
    34. Re:This is just dumb. by StuckInSyrup · · Score: 1

      I met a guy, who wrote a book with the name "The sex life of a man past 50". It had a nice cover, and something about 150 blank pages.

      However, the autorship was refused to him, because it was simply too short to be considered as literature.

      --
      Ni.
    35. Re:This is just dumb. by Antibozo · · Score: 1

      ... or A minor.

  4. OMFG by Anonymous Coward · · Score: 2, Insightful

    You people waste so much time and thought finding new ways to split hairs. Get back to work.

    1. Re:OMFG by Anonymous Coward · · Score: 0

      I'm glad someone said it.

    2. Re:OMFG by Anonymous Coward · · Score: 0

      You know, I always get a funny feeling if someone posting on /. tells me to get back to work.

      I just wonder why that may be.

    3. Re:OMFG by computerme · · Score: 1

      AMEN.

    4. Re:OMFG by Anonymous Coward · · Score: 1, Insightful

      On the contrary - it is important to draw attention to such laws. They govern a great deal of our creative works as a society, and as such merit considerable attention. Is this dorky? Sure is. Is it a good thing that it draws attention to possible absurdities in the Law of The Land? You bet. The law is THE LAW. If it is to be just, it requires continual attention by all concerned - in this case, potential users and creators of copyrighted works. I.e. - everybody.

    5. Re:OMFG by jbarr · · Score: 4, Insightful

      Yes, it does sound absurd, but I really don't think this is splitting hairs because it is specifically addressing the extent to which the DMCA can be enforced. This could very well become a "test case" that might prove to be important.

      Then again...

      --
      My mom always said, "Jim, you're 1 in a million." Given the current population, there are 7000 of me. God help us all!
    6. Re:OMFG by Captain+Scurvy · · Score: 2, Insightful
      In other words, we should never try to threaten the system (which is designed to make money for our employers) by pointing out its flaws; we should be busy making money for our employers instead.

      You're my boss, aren't you?

    7. Re:OMFG by cavemanf16 · · Score: 1

      True, except it's a bunch of "IANAL's" splitting legal issue hairs. Which does equate to wasted effort. Effort which I have now wasted more effort on defending the wasted effort comment... oh dammit, now I'm splitting hairs! Argh!

    8. Re:OMFG by Anonymous Coward · · Score: 0

      Note: this comment may get you modded up on /., but it won't work in court, believe me.

    9. Re:OMFG by Phat_Tony · · Score: 3, Funny
      Actually, it's all part of their evil plan. They will copyright silence, then refuse to sell that track anymore, and then sue anyone who's NOT listening to music, as they are listening to silence, which is copyrighted, and hasn't been legally purchased.

      Therefore, you must always listen to music to avoid fines. In this way, they will sell more music.

      --
      Can anyone tell me how to set my sig on Slashdot?
    10. Re:OMFG by Anonymous Coward · · Score: 0

      Hahahaha, you're a stoner, right?

    11. Re:OMFG by p.gogarty · · Score: 1

      I Just Laughed coffee through my nose. This deserves to be a +5 funny

      --
      Paul Gogarty
  5. Quality by theantipop · · Score: 2, Funny

    That song has still got to be better than most of the music on iTunes.

    1. Re:Quality by fembots · · Score: 2, Funny

      Yes, it's running at a superior bitrate of 2Gbit/s, I played it on my 6+1 and it was flawless.

    2. Re:Quality by Loco3KGT · · Score: 1

      Obviously you have not heard of Flogging Molly!

      --
      Blessed be he who reads this post, Cursed be he who tells my boss.
    3. Re:Quality by Taladar · · Score: 2, Funny

      And I bet your speaker power consumption was quite low as well during playing it.

    4. Re:Quality by Anonymous Coward · · Score: 0

      The song is so loud I can hear it with my speakers off!

  6. There's Something About Mary by fembots · · Score: 1

    If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?

    YES! If you market a "8 Minute Abs" program, you'll be in trouble, but "7 Minute Abs" is probably okay, and BETTER!

    1. Re:There's Something About Mary by temojen · · Score: 1

      I've already got 0 minute abs, that must be way way better, right?

    2. Re:There's Something About Mary by Asprin · · Score: 1


      But then, couldn't someone just come out with "6 minute abs"?

      I love that movie.

      --
      "Lawyers are for sucks."
      - Doug McKenzie
    3. Re:There's Something About Mary by Short+Circuit · · Score: 1

      Forget minutes, my abs extend for 180 degrees!

    4. Re:There's Something About Mary by Anonymous Coward · · Score: 0

      Ass, no minutes.

      Just "ASS."

      Who's ass? Jack's?

      Jack's Ass?

      His is some ass.

      It's one ass. It's good.

      Amen, brother. Jack's married to Edna.

      Edna's ass? I hadn't thought about that one.

      It's not Jack's ass. It's Edna's. But it's ass.

      All right.

      Amen, brother.

  7. No posts, and already /.'ed by Anonymous Coward · · Score: 0

    Damn!

  8. You're Under Arrest! by serutan · · Score: 5, Funny

    You have the right to remain silent.

    1. Re:You're Under Arrest! by rookworm · · Score: 5, Funny
      You have the right to remain silent.

      But you must pay royalties to the copyright holder(s).

      --
      The toad can't burp - and for some reason can't fart either, so it swells up and eventually explodes. --Anonymous Coward
    2. Re:You're Under Arrest! by CTalkobt · · Score: 1

      Like a tree falling in the forest; if a troll audiably screams on slashdot does anyone really hear him?*

      Correspondingly, you make take 4:33 seconds to read this message while being silent. Therefore this message is violating the iTunes copyright to the song.

      * Note - I know I mispelled - so sew me. And I meant audio wise - not in all caps...

      --
      There's a gorilla from Manilla whose a fella that stinks of vanilla and has salmonella.
    3. Re:You're Under Arrest! by chopkins1 · · Score: 1

      "You HAVE the right to remain silent; what you lack is the capacity!!" - Shrek 2

  9. Silence is a beautiful sound by Anonymous Coward · · Score: 0

    I can see why the don't want it there are a lot of reasons why people would want to protect the "Sound of Silence"

    People who would:
    Simon
    Garfunkel
    Neon God

    Also Society of Friends

  10. Hmm... by Anonymous Coward · · Score: 0

    I guess the RIAA has Slashdotted their site to protect their copyrighted silence.

    1. Re:Hmm... by ShieldW0lf · · Score: 1

      I guess the RIAA has Slashdotted their site to protect their copyrighted silence.

      Are you kidding? Don't you know how much bloody bandwidth high quality silence takes? This isn't that el-cheapo "kinda quiet but I think I heard someone cough" silence we're talking about. You need a lot of bandwidth to serve that kind of high quality silence to a large audience, and I can just tell this is one of those "wild haired misunderstood musical genius" kind of guys who spend all their time in their moms basement dedicated to their unique vision. How's he supposed to afford that kind of bandwidth?

      Not everything is the RIAAs fault you know. Some of it is Microsofts.

      --
      -1 Uncomfortable Truth
  11. Infringing on the copyright? by Corporate+Drone · · Score: 4, Funny
    If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?

    Well... you could always claim that your MP3 was a collection of 5 seconds snippets of the "tune", and plead Fair Use...

    --
    mmm... yeah... You see, we're putting the cover sheets on all TPS reports now before they go out...
    1. Re:Infringing on the copyright? by taniwha · · Score: 1

      "But your honor I didn't reproduce all 1 minute 3 seconds of 'Tune' I simply played a fair-use sample - the first 3 seconds - 21 times"

  12. Depeche Mode Remix by pjh3000 · · Score: 1

    Is it a really obscure remix of "Enjoy The Silence"?

  13. I looked into the RIAA's stance on this. by bobdotorg · · Score: 5, Funny

    But only got the message,

    "Nothing to hear here. Move along."

    --
    __ Someday, but not this morning, I'll finally learn to use the preview button.
    1. Re:I looked into the RIAA's stance on this. by Anonymous Coward · · Score: 0

      Here hear!

  14. You wouldn't be infringing their copyright by Toutatis · · Score: 2, Insightful

    At least in some countries there is a right to make a parody.

  15. Speaking of which by MostlyHarmless · · Score: 2, Funny

    I wanted to find an mp3 of 4'33'' the other day. I searched all the filesharing networks... there wasn't one *anywhere*!

    --
    Friends don't let friends misuse the subjunctive.
    1. Re:Speaking of which by ajs318 · · Score: 1

      Try looking in /dev/zero on your own box.

      The command to play it is
      dd if=/dev/zero bs=1024 count=47025 |play -r 44100 -c 2 -s w -t sw -

      --
      Je fume. Tu fumes. Nous fûmes!
  16. I will copyright the empty space below. by wolrahnaes · · Score: 0



    The above is copright 2005 wolrahnaes

    --
    I used to get high on life, but I developed a tolerance. Now I need something stronger.
    1. Re:I will copyright the empty space below. by dcarey · · Score: 1


      The above is copright 2005 wolrahnaes

      Sorry, you can't. It appears this guy has beat you to it.

      Of course, I'm not sure if he copyrighted his material, but they say all you need to do is "put something out there" with a date and it's automatically protected.

      --

      -- (Score:i , Imaginary)

    2. Re:I will copyright the empty space below. by Anonymous Coward · · Score: 0

      HahaTooBadIHaveCircumventedYourCopyrightSUCKA!What DoYouThinkAboutThat?

  17. Already Slashdotted by BarryJacobsen · · Score: 5, Informative

    Article is already slashdotted, here's the google cache:

    I'm gonna preface this by saying that I love Apple and their products and I hate the RIAA and their shortsightedness. My only complaint with Apple is the restrictive DRM built into iTunes Music Store songs (also, those new G5s could be a little cheaper).

    In protest, I've committed a real crime and documented the entire process. But it shouldn't be that way and that's why I've done it. Come and get me, Apple! Come and get me, RIAA!

    It all started with a free song code from the Pepsi iTunes promotion. I tilted several Pepsi bottles at the local Ralphs (just look for random letters under the cap), found me a winner and scored a free song.

    You may not know this, but there are several tracks that you can buy from that iTunes Music Store that consist of nothing more than total silence.

    Here's one from Ciccone Youth (a Sonic Youth side project):

    So I bought it.

    Then, I wanted to play this song on another device other than my iPod (I own a Creative MuVo TX MP3 Player). No go. The Digital Rights Management (DRM) makes it impossible to transfer the song to my other MP3 player unless I go through some ridiculous steps which involve burning the purchased song to a CD and then ripping it. This causes a noticeable loss of sound quality due to the song being recompressed. Totally unacceptable. I want pure silence.

    So I stripped the DRM using JHymn, a cross-platform application that unlocks your DRM'ed songs and keeps the original's sound quality. This is absolutely, positively illegal according to the Digital Millennium Copyright Act (DMCA).

    One law broken, one to go.

    One file is legal, the other one is definitely not. Can you spot the one that'll get me in trouble? I'll give you a hint: it's the one without the little lock over its icon.

    There's just one law left to break. I'm offering this very file for download here on my website. So go ahead, download it (1.1 MB) and break the law with me. Right click, save as, and crank it up on your favorite portable electronic music player.

    If this little stunt gets me in trouble, you'll be the first to know.

    You can help stop the RIAA and their nonsense at Downhill Battle.

    Find out more about protecting your digital rights online at the Electronic Frontier Foundation's website.

    Silence is golden. Get involved.

    1. Re:Already Slashdotted by funny-jack · · Score: 2, Informative

      And here is the link to that cache. The pictures are even still working.

      For now.

      --
      You probably shouldn't click this.
    2. Re:Already Slashdotted by Thud457 · · Score: 1

      I downloaded this, but the file was truncated at 1'2".

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

    3. Re:Already Slashdotted by Anonymous Coward · · Score: 1, Funny

      It felt like a million geeks were silent at once, and then were silenced.

    4. Re:Already Slashdotted by MarkGriz · · Score: 1

      Actually, the site was down *A WEEK AGO*, you know, back when it was actually news.

      Slashdot. Taking the "new" out of "news for nerds".

      --
      Beauty is in the eye of the beerholder.
  18. |_ by GillBates0 · · Score: 4, Funny

    --
    An Indian-American Hindu committed to non-violent thought/speech/action alarmed by the global explosion of radical Islam
    1. Re:|_ by DarkHelmet · · Score: 1
      Copyright Infringer!!!

      Die you evil scum, die!

      --
      /^[A-Z0-9._%+-]+@[A-Z0-9.-]+\.[A-Z]{2,4}$/i
    2. Re:|_ by Meumeu · · Score: 4, Funny

      Do you realize you are infringing their copyright by writing the lyrics here?

    3. Re:|_ by Jeff+DeMaagd · · Score: 3, Interesting

      Now I just need to copyright an empty space of a specific shape. Maybe I should DRM a PDF that is just a single blank page of paper.

    4. Re:|_ by miles_thatsme · · Score: 1

      In Canada (and many European countries) we have "moral rights" that give you certain legal but not economic rights in copyrighted subject-matter. Specifically, even after you sell the copyright in your work, you are entitled to have your name associated with the work and have it retain its "integrity".

      So I say start suing people who deface your blank paper by writing on it, ripping it up, or failing to write your name on every page. Scoundrels!

  19. Apple doesn't have to stop them by bigtallmofo · · Score: 2, Insightful

    Lack of bandwidth appears to have stopped him already. Here's Google's cache:

    Google Cache

    Is there something more to this than an uninteresting thought experiment in regard to IP and DRM?

    --
    I'm a big tall mofo.
    1. Re:Apple doesn't have to stop them by Alsee · · Score: 1

      Is there something more to this than an uninteresting thought experiment in regard to IP and DRM?

      Yes. HE HAS BROKEN THE LAW AND CAN BE ARRESTED AND TRIED IN CRIMINAL COURT FOR IT. That makes it a hell of a lot more than a thought experiment, that makes it is criminal civil disobedience. Hopefully he WILL be taken to court for this, I would like to see this law struck down.

      But on the subject of thought experiments, I have a doozy. One I am seriously tempted to put into practice in an act of criminal civil disobedience as he has done. I would like to commit thought crime. Under the DMCA is it a criminal act to access the contents of a DRM'd file. I would like to memorize a DRM decryption algorithm, stare are a DRM encrypted e-book, and *mentally* decrypt and read the contents. An illegal circumvention and access preformed in pure thought.

      It may sound absurd and impossible, but I assure you it is not. I am a programmer, running software purely mentally is a routine part of writing and debugging software. In fact decryption algorithms tend to be supprisingly simple. It's really only a matter of being able to remember some numbers and preform some incredibly simple math on them. It would certainly be a very slow process decrypting letters one at a time, but it can most definitely be done.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  20. Ha by robyannetta · · Score: 0, Troll

    If I copyright the sound of my fart, will anyone else's recording of a fart be infringement or parody?.

    --
    - Just my $0.02, take with a grain of salt, your mileage may vary.
    1. Re:Ha by AstroDrabb · · Score: 1
      Maybe if you can rip one for more than 30 seconds you could have a case. Otherwise, it looks as if Fair Use comes into play.

      This may sound goofy or childish, but I would love to see someone fight the abused copyright system with a fart recording! : )

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
  21. Did you hear that? by Anonymous Coward · · Score: 0

    That is the sound of one hand clapping.

  22. Would you? by sammykrupa · · Score: 0
    "If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?"

    Umm no, tell me: What exactly are you copying?

    more about that here

    1. Re:Would you? by swordfishBob · · Score: 1

      You'd be clear on copyright of the performance (mechanical copyright), as you did your own performance.

      You may have the administrators of your country's performing rights association on your back though, for performing someone else's work without permission and without paying royalty.

      Dang, I'm violating that one right now by not singing! And so is anyone who has "a minute's silence" in memory of whatever...

      --
      -- All your bass are below two Hz
  23. Down for the count by endtwist · · Score: 2, Funny

    Go figure, we silenced a clip of silence.

  24. Ahh, yes but... by decipher_saint · · Score: 1

    ...it's digitally encoded silence!

    --
    crazy dynamite monkey
    1. Re:Ahh, yes but... by Anonymous Coward · · Score: 0


      And we all know that lacks the warmth and depth of analog silence.

    2. Re:Ahh, yes but... by decipher_saint · · Score: 2, Funny
      "And we all know that lacks the warmth and depth of analog silence."
      I hear ya, you just can't get the full range of nothing on a digital track...
      --
      crazy dynamite monkey
  25. Don't tell anybody by serutan · · Score: 2, Funny

    I'm about to break the exercise video market wide open.

    Six.
    Minute.
    Abs!

    1. Re:Don't tell anybody by DaHat · · Score: 2, Funny

      6 minutes? Why spend that long? I am happy to announce my new line of products under the brand name of... Instant* Abs!

      *Notice: Results may vary

    2. Re:Don't tell anybody by Anonymous Coward · · Score: 0

      just get strongbad's new AB ABBER!

    3. Re:Don't tell anybody by Dr.Zap · · Score: 1

      Who has 6 minutes these days?

      You need Jose Canseco's Instant Abs !

    4. Re:Don't tell anybody by AstroDrabb · · Score: 1

      Six minutes is a _long_ time to get nice abs! (Yes, I saw the movie and love it). However, I am going to introduce a new form of ab exercise that should sweep the nation. Many Americans are already doing it. I am working with Anheuser-Busch on the trademark issues and once that is resolved, I will release my new Budweiser Abs program, sure to be a win with the ladies!

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    5. Re:Don't tell anybody by FatAlb3rt · · Score: 0, Offtopic

      Hitchhiker: You heard of this thing, the 8-Minute Abs?
      Ted: Yeah, sure, 8-Minute Abs. Yeah, the excercise video.
      Hitchhiker: Yeah, this is going to blow that right out of the water. Listen to this: 7... Minute... Abs.
      Ted: Right. Yes. OK, alright. I see where you're going.
      Hitchhiker: Think about it. You walk into a video store, you see 8-Minute Abs sittin' there, there's 7-Minute Abs right beside it. Which one are you gonna pick, man?
      Ted: I would go for the 7.
      Hitchhiker: Bingo, man, bingo. 7-Minute Abs. And we guarantee just as good a workout as the 8-minute folk.
      Ted: You guarantee it? That's - how do you do that?
      Hitchhiker: If you're not happy with the first 7 minutes, we're gonna send you the extra minute free. You see? That's it. That's our motto. That's where we're comin' from. That's from "A" to "B".
      Ted: That's right. That's - that's good. That's good. Unless, of course, somebody comes up with 6-Minute Abs. Then you're in trouble, huh?
      [Hitchhiker convulses]
      Hitchhiker: No! No, no, not 6! I said 7. Nobody's comin' up with 6. Who works out in 6 minutes? You won't even get your heart goin, not even a mouse on a wheel.
      Ted: That - good point.
      Hitchhiker: 7's the key number here. Think about it. 7-Elevens. 7 doors. 7, man, that's the number. 7 chipmunks twirlin' on a branch, eatin' lots of sunflowers on my uncle's ranch. You know that old children's tale from the sea. It's like you're dreamin' about Gorgonzola cheese when it's clearly Brie time, baby. Step into my office.
      Ted: Why?
      Hitchhiker: 'Cause you're fuckin' fired!

    6. Re:Don't tell anybody by CastrTroy · · Score: 1

      6 Minutes is too long. Try 6 Seconds

      --

      Anthropic principle: We see the universe the way it is because if it were different we would not be here to see it.
    7. Re:Don't tell anybody by zangdesign · · Score: 1

      Dude, I want big abs, not tiny ones. And aren't there more than 6 abdominals? What happens to the extras?

      I'd be running around without all the abs that I'm supposed and they'd be tiny!

      (kind of like my brain)

      --
      To celebrate the occasion of my 1000th post, I will post no more forever on Slashdot. Goodbye.
    8. Re:Don't tell anybody by Anonymous Coward · · Score: 0

      way to go mod, just cause you haven't been out of your fuckin' basement for 6 years doesn't mean no one else understands the reference.

  26. Ciccone Youth == Sonic Youth by Anonymous Coward · · Score: 0

    FYI - Ciccone Youth is actually Sonic Youth doing a strange album of Madonna covers.

    1. Re:Ciccone Youth == Sonic Youth by Anonymous Coward · · Score: 0

      Technically it's Sonic Youth with Mike Watt (ex-Minutemen, ex-fIREHOSE). They do more than Madonna covers (although there were two of those on "The Whitey Album"). Their cover of "Addicted to Love" rocks pretty hard.

    2. Re:Ciccone Youth == Sonic Youth by Anonymous Coward · · Score: 0

      Yeah, there's only like two madonna covers on the whitey album... The best parts of the album to me are the instrumentals. Also had cameos from Kira, J Mascis, etc. The way I heard it, they really just did this album to help keep Mike Watt busy after D Boon (former Minutemen Guitarist/Lead Singer)died in a car wreck. The best parts of the album to me are the instrumentals...

      What does this story have to do with Ciccone Youth anyways?

  27. And the lawers say... by StriderA · · Score: 1

    "Can you hear me now?"

    --
    "When will this FP stuff stop?" "After the great growing..." "The great growing?" "Yea, when people grow up."
  28. The contents of this post are copywrited by Dr.Zap · · Score: 1, Redundant


    1. Re:The contents of this post are copywrited by Anonymous Coward · · Score: 0

      You mean copywritten.

    2. Re:The contents of this post are copywrited by MarkGriz · · Score: 1

      -5, Infringing

      for infringing on this post

      --
      Beauty is in the eye of the beerholder.
  29. thoughtcrime by sum.zero · · Score: 5, Funny

    it doesn't matter if they vocalize the words, we all know they are THINKING them.

    sum.zero

    1. Re:thoughtcrime by TheViffer · · Score: 4, Funny

      Thoughtcrime? Dont think so.

      This is clearly a copyright matter. You just can't take Ashlee Simpson's works and post them freely on the internet. She needs to eat too.

      --
      -- Knowing too much can get you killed, but knowing who knows too much can make you rich.
    2. Re:thoughtcrime by Rei · · Score: 2, Funny

      Clearly it is a copyright matter, as the person's account was suspended ;)

      account suspended

      Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account.

      --
      Don't take a knife to a gunfight, or even a knife to a knife fight. Take a gun to a knife fight.
    3. Re:thoughtcrime by Wandering+Wombat · · Score: 0, Offtopic

      No, she doesn't need to eat. In fact, she has to stop eating completely, for the good of humanity.

      --
      I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
    4. Re:thoughtcrime by networkBoy · · Score: 1, Insightful

      That or a bandwith issue :-)
      That's why my acct got suspended once.
      -nB

      --
      whois gawk date unzip strip find touch finger mount join nice man top fsck grep eject more yes exit umount sleep dump
    5. Re:thoughtcrime by lcsjk · · Score: 1

      I heard that!

    6. Re:thoughtcrime by Anonymous Coward · · Score: 0

      You haven't been reading /. long, have you?

    7. Re:thoughtcrime by mshiltonj · · Score: 1

      You just can't take Ashlee Simpson's works and post them freely on the internet. She needs to eat too.

      Ah, but does she *deserve* to eat. Frankly, with her music, I don't think she's earned it.

    8. Re:thoughtcrime by SCVirus · · Score: 1

      Believe me Ashley Simpson get payed money to eat things.

    9. Re:thoughtcrime by Anonymous Coward · · Score: 1, Funny

      She needs to eat a sammich.

    10. Re:thoughtcrime by StikyPad · · Score: 2, Insightful

      There's always one guy who doesn't get it, and one moderator who proves the system ineffective.

    11. Re:thoughtcrime by Hognoxious · · Score: 1

      Maybe it's an urban myth, but I heard of a photo of some actress being banned for obscenity back in the '40s. It only showed her face - but that meant you could imagine she was starkers.

      --
      Confucius say, "Find worm in apple - bad. Find half a worm - worse."
  30. Sue 'em all by H_Fisher · · Score: 1
    They're all infringing on Paul Simon.

    "The Sound of Silence" was recorded back in '65. Just shows you how little originality is left in the American music scene today ...

    1. Re:Sue 'em all by Anonymous Coward · · Score: 0

      John Cage wrote 4'33" in 1952.

    2. Re:Sue 'em all by Anonymous Coward · · Score: 0
      John Cage wrote 4'33" in 1952.

      Probably while high.

  31. Mirror by The-Perl-CD-Bookshel · · Score: 1

    Let me be the first to say, "Thank you Mirrordot!" and "Thank you Google Cache!"

    --
    I don't keep a lid on my coffee so when I walk around I look busy -me
  32. Oh come on by Anonymous Coward · · Score: 0

    How can you do such a terrible thing?
    After all DRM is meant to protect the poor artists from pirates who steal their work.

    So how can an action that makes DRM look absurd be justified?

    1. Re:Oh come on by KtHM · · Score: 1

      ....DRM doesn't protect artists from their labels....

    2. Re:Oh come on by Anonymous Coward · · Score: 0

      OMG Those poor artists! Teh EVIL RIAA must have held a gun to their heads, thus forcing them to sign those EVIL contracts!

  33. Precedent by alphakappa · · Score: 4, Interesting

    What kind of legal precedent would this create if it ever came to court? On one hand he has probably violated the DMCA by circumventing the copy-protection on the song. On the other hand, all he has is a song that is devoid of any content. (Could you compare it to a thief who broke into a house only to find it empty - would it not be a crime, if he knew beforehand that the house was empty?)

    Plenty of questions to be debated here..

    --
    "When the only tool you own is a hammer, every problem begins to resemble a nail." - Abraham Maslow (1908-1970)
    1. Re:Precedent by Al+Dimond · · Score: 1

      Yeah it would still be a crime, he broke into the fucking house.

      Of course, how empty is the house? Devoid of all matter? Did he break into a vacuum? If so he might have more problems on his hand than the long arm of the law...

    2. Re:Precedent by LWATCDR · · Score: 1

      Yes it would still be a crime. It is called breaking and entering, trespassing, or illegal entry.
      This is different. The question is can this be copyrighted at all? If it can not be copyrighted then can you violate the DMCA on something that should never have been granted a copyright?

      --
      See my blog http://ilovecookes.blogspot.com/ for light hearted technical information.
    3. Re:Precedent by kamelkev · · Score: 1

      Yeah, it's called trespassing

    4. Re:Precedent by Anonymous Coward · · Score: 0

      No, the thief analogy is entirely useless in this case.

      There are lots of reasons why a person would break into a house while know it's empty beforehand. These poor folk are called squatters. Any way you cut it, it is still trespassing, and that is clearly not what occurred here in the digital sense of that word.

      On your other hand - yes, he has violated the DMCA, regardless of the content. And if there were to be any legal action (which I doubt), then that's what he would be charged under. That is, if it can be proved that he didn't simply create a new blank recording of the same duration with the same id3 tags.

      Which begs the question - does iTunes use any fingerprinting tech?

    5. Re:Precedent by Pionar · · Score: 0, Redundant

      Ahh, but what if the song (as in this case) was part of a larger work of art (the album) then it's got a frame of creativity around it, no matter how Apple distributes it.

      This kid is stupid and an attention-whore.

    6. Re:Precedent by Richard_at_work · · Score: 1

      The song has plenty of content, 1 minute 3 seconds of it infact. Content is what someone makes of it, there isnt some universal boolean value that says 'this is content' and 'this isnt'. Oh, and the 'thiefs' actions would have been a crime - breaking and entering.

    7. Re:Precedent by Qzukk · · Score: 1

      There are two things here: 1) decrypting the file and 2) distributing the "music".

      The questions have to be answered in reverse order to make any sense:

      2) Is silence copyrightable?

      would it not be a crime, if he knew beforehand that the house was empty?)

      1) If silence was not copyrightable, then the proper question to ask is "would it not be a crime if there was no house"?

      --
      If I have been able to see further than others, it is because I bought a pair of binoculars.
    8. Re:Precedent by jeblucas · · Score: 3, Informative
      Why has he violated the DMCA? Doesn't that require that he make, sell, or produce a technology or service that circumvents DRM? In fact, if you read the DMCA (crazy, I know), you'll find:
      Section 1201 divides technolgical measures into two categories: measures that prevent unauthorized access to a copyrighted work and measure that prevent unauthorized copying of a copyrighted work. Making or selling devices or services that are used to circumvent eith category of technological measure is prohibited in certain circumstances described below. As to the circumvention in itself, the provision prohibits circumventing the first category of technological measures, but not the second.
      I know this guy thinks he's a hilarious supergenius, but:
      • you can't copyright silence, so this is moot.
      • you are allowed to circumvent DRM to copy copyrighted material that you own.
      Everyone's an expert. Read this: http://www.copyright.gov/legislation/dmca.pdf
      --
      blarg.
    9. Re:Precedent by Anonymous+Cowpat · · Score: 0, Redundant

      the house analogy need some work
      What if he broke into the empty house, and cleared everything that was in it back to his warehouse. Would be be guilty of theft? I mean, afterall, he stole all of the owners stuff.

      --
      FGD 135
    10. Re:Precedent by AstroDrabb · · Score: 1
      Well, if you break into my home and do not steal a single item, you still committed several crimes. Breaking and Entering, trespassing, etc.

      The guy could be busted for the crappy DMCA stuff, I am not sure about anything else though. How dumb would our legal system look if it found this guy guilty of copyright violation for complete silence?

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    11. Re:Precedent by ThatsNotFunny · · Score: 2, Informative
      Civil Law != Criminal Law.

      An analogy which compares the violation of one to the violation of the other will always be inherently flawed.

      According to the US Copyright Office at http://www.copyright.gov/circs/circ1.html#wwp :

      Copyright protects "original works of authorship" that are fixed in a tangible form of expression. The fixation need not be directly perceptible so long as it may be communicated with the aid of a machine or device. Copyrightable works include the following categories:

      1. literary works;
      2. musical works, including any accompanying words
      3. dramatic works, including any accompanying music
      4. pantomimes and choreographic works
      5. pictorial, graphic, and sculptural works
      6. motion pictures and other audiovisual works
      7. sound recordings
      8. architectural works

      Since silence is not music, it is not protected by #2. Since silence is, by definition, the absence of sound, it cannot be a "sound recording", and therefore cannot be protected by #7.

      --
      "Was it a millionaire who said 'Imagine No Posessions?'" -- Elvis Costello
    12. Re:Precedent by Anonymous Coward · · Score: 0

      If you _break_ into people's homes that's a crime almost anywhere.

      If you merely go in through say an open window, and it can't be established that you _intended_ to do something else criminal that's not illegal in most places, although it will annoy people enough that they'll waste a lot of your time on paperwork.

      When I was a kid I used to wander inside finished but unsold houses on the estates under construction nearby. They were rarely locked properly (there's nothing really valuable inside) and often had windows open to "air out" fumes from paint and other unpleasant odours.

      They were pretty cool inside, good hiding places, scraps of construction materials left by plumbers, plasterers and electricians, and it didn't feel _wrong_ because I wasn't intruding on someone's life I was just exploring new territory.

      If I'd been caught by contractors and they'd summoned the police, most likely I'd have been given a stern telling off and my parents would have been called to collect me, but I didn't face any criminal charges, because no criminal offense had been committed - I couldn't even be cautioned, because to write an official caution there needs to be an offense recorded that is cautionable.

    13. Re:Precedent by dafz1 · · Score: 2, Informative

      The file was never copied, so your point about circumventing DRM to copy is moot. If you read the summary provided, it says:

      "This distinction was employed to assure that the public will have the continued ability to make fair use of copyrighted works. Since copying of a work may be a fair use under appropriate circumstances, section 1201 does not prohibit the act of circumventing a technological measure that prevents copying. By contrast, since the fair use doctrine is not a defense to the act of gaining unauthorized access to a work, the act of circumventing a technological measure in order to gain access is prohibited. "

      What the article talked about was using JHymn to modify the file, "circumventing a technological measure in order to gain (unauthorized) access" to the iTunes file and allowing the file to be played on a different mp3 player. Apple does not authorize such access, nor does the contract Apple signed with Ciconne Youth's record company.

    14. Re:Precedent by YrWrstNtmr · · Score: 1
      How dumb would our legal system look if it found this guy guilty of copyright violation for complete silence?

      There might be two things dumber.
      1. The 'musician'/producer/advertiser who actually thought someone would be dumb enough to spend actual money on an individual track of complete silence, and
      2. The person that actually did pay for it.

      I leave it to the reader to determine which is dumber.

    15. Re:Precedent by Simap · · Score: 1

      It would be more like breaking into your own empty house after you just bought it. It is legal to break and enter your own house, but then again the DMCA does not cover real estate. Virtual estate/property has much more protection.

      The contents are irrelevant because the DMCA doesn't deal with the validity of the copy/access protection, or an entities right to install such protection, or any valid reasons for breaking the protection.

      I am waiting for some upstart software company to install spyware/adware/junkware/spam/virus/trojan to encrypt my hard drive for ransom, then jail me when I download and run removal programs.

      If someone wants to make a statement, then make such a software, make the user click through a EULA, then "protect" all of their data and make it illegal to break the "protection". Then charge them $50 a kbyte to access the data.

    16. Re:Precedent by serutan · · Score: 1

      Interesting post. IANAL but I think I understand. It seems to me that the DMCA materially prohibits fair use, because it's impossible to play ITunes songs on non-ITunes players without somehow "getting access" to the music. Sort of saying drinking Pepsi out of a bottle is fair use, but "getting access" to the Pepsi by opening the bottle without a licensed Pepsi bottle opener is a crime. The distinction is nothing but a smokescreen.

    17. Re:Precedent by lucas_picador · · Score: 1
      Interesting. I think jeblucas is right, but it's dicey.

      1) The track is probably not protected by copyright. Cage's case seems to contradict this, but it sounds to me like the holding turned on how the track was framed. Here, a court would be unlikely to find the silent track to be minimally original -- I'd like to hear the argument from the other side on that one.

      2) Even if it were copyright-protected, the DMCA violation here sounds more like "access" than "copying". Insofar as digital "access" almost always includes "copying", I assume that what they mean by "access" as distinguished from "copying" is e.g. opening a password-protected file without the password. Of course, iTunes' DRM prevents not just copying, but also access by unauthorized devices/application. What's going on here? He's definitely "copying" it (onto a new device), but does the act of gaining "access" via an unauthorized application/device (the portable player and whatever it's running) trigger the first DMCA clause, thereby creating liability, when the user already had "access" through authorized devices/applications (e.g. his iTunes player software, his iPod, etc)? On this rather technical point, this could be an interesting test case.

      Note that the courts are cooling to abuses of the DMCA (see recent /. coverage of the Lexmark case, which implicates DMCA protection of content that plays fast and loose with the minimal creativity standard).

      Am I wrong? Is there a legal precedent on what constitutes "access" as opposed to "copying"? The DeCSS case involved distribution, so it needed only to meet the "copying" rather than the "access" standard, but does anyone remember whether the honorable Judge Kaplan declared private use of DeCSS on legally purchased DVDs to constitute "unauthorized access"? I'm pretty sure everything turned on "access" rather than "copying" (after all, you don't need DeCSS to copy a DVD), so I think Universal v. Corley would declare the instant case to constitute "access" and therefore a violation of the DMCA. But I personally think that Corley is overdue for review, and I think the recording industry knows this and is skittish about getting into it again. For this and other reasons, I don't think this guy is going to see the inside of a courtroom for this stunt.

    18. Re:Precedent by AstroDrabb · · Score: 1

      While I agree that those two items would be dumb, there will always be idiots, greedy people to try to make money however they can. IMO, it far worse for our legal system to uphold some "law" based on this type of corruption. If a silent music track can be copyrighted it is pretty sad IMO. Actualy, the lawyers for John Cage settled out of court for an undisclosed six-figure sum over copyright infringement of John Cage's 4'33" song wich is nothing but silence! So a bunch of dirt-bag lawyers won a six-figure sum for a bunch of silence!

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    19. Re:Precedent by YrWrstNtmr · · Score: 1
      If I'd been caught by contractors and they'd summoned the police, most likely I'd have been given a stern telling off and my parents would have been called to collect me, but I didn't face any criminal charges, because no criminal offense had been committed

      Trespass.

      But then again, we grew up in a simpler time. The police and other authorities were much more likely to just hand you back to your parents for a very minor crime such as that. There was a much greater expectation that the parent would actually do something. Today, however, the rule of Zero Tolerance comes into play, and kids can and do get police records (howver minor) for truly silly stuff.

    20. Re:Precedent by Simonetta · · Score: 1

      My experience with the American legal system leads me to believe that this guy is crazy.

      Brilliant, but crazy.

      He ...(I assume that it was a he, just as everyone on Slashdot assumes that I'm male. I'm happy to be an "honorary male" for Slashdot, just like I was an "honorary White" when visiting South Africa in the Apartheit era)... is assuming that by coming up with a way to break the letter of the law in a way that contradicts the spirit of the law then he can affect the letter of the law.

      But, in America (and, for that matter, all other places) the law can be very dangerous to play with. The legal system is like a large, dangerous, and unpredictable animal. This guy could easily be found guilty by a judge who just doesn't like him, and end up being sentenced to a long period in a American prison where homosexual rape is systematic and beatings, maimings, and AIDS are common.

      I can all but guarantee you that this guy is white, middle or upper-middle class, and has never been arrested. No one in a minority, with limited financial resources, or with a criminal record would never "poke a sleeping dragon" with a case like this.

      The consequences of failure are far too great, the advantages of success are all but nonexistant, and there is too much randomness and raw brutality in the 'justice' system to play games like this.

    21. Re:Precedent by jeblucas · · Score: 1
      I disagree, but I think this is semantics. He copied the material to another media (in this case, format); one that is more easily made available to others. This is realistically no different from copying an LP to cassette. Are you arguing that his use of JHymn actually violkates the -law-, because he can access material he owns in a different way? That seems like a rather shallow attack.

      Violating a license is a lot different form violating the law.

      --
      blarg.
    22. Re:Precedent by quarkscat · · Score: 1

      I want to preface my response with the assertion
      that IANAL.

      The mere breaking of DRM is a crime, regardless
      of the value of the content, in the same manner
      a thief breaking into an empty house is a crime.
      In this case, the thief isn't necessarily a thief,
      but the crime is "breaking and entering", as well
      as "criminal trespass". And if physical damage
      of any sort were incurred, also "vandalism" or
      "destruction of property". If two or more people
      engage in the planning of such an act, then yet
      another crime unfolds - "conspiracy to commit".
      (Isn't this what the owner/operator of a P2P
      website finally copped a plea to - "conspiracy"?)

      We may disagree on the value of the content of a
      song, or the worthiness of its author. That is
      really a matter for the the critics or, in civil
      court, the damages awarded. But your question
      was directed at criminal consequences, I believe.

      Again, IANAL, but that is MHO.

    23. Re:Precedent by Anonymous Coward · · Score: 0

      The thief would be charged with breaking and entering and trespassing, not theft.

    24. Re:Precedent by Alsee · · Score: 1

      Why has he violated the DMCA? Doesn't that require that he make, sell, or produce a technology or service that circumvents DRM?

      No. The DMCA criminalizes TWO things, and you only mentioned one of them. One thing it criminalizes is "trafficing" in circumvention tools. The other thing is criminalizes is the act of engaging in circumvention. This is the crime he commited, he circumvented the iTunes DRM and illegally accessed the content of the file.

      you can't copyright silence, so this is moot.

      Probably wrong. You can certainly create your own silence, but under copyright law you will probably lose if you copy someone else's silence and they assert their copyright on it. Copyright is not in the bits or the work itself, copyright is in the act of copying from a protected source. The only way you could beat this is to claim that the silence you are copying did not meet copyright's minimum threshold of creativity. That threshold is increadibly low. John Cage's 4'33 will probably qualify. The judges will likely be reluctant to enforce a copyright on "silence", but ultimately they will probably tell you you should have made your own silence rather than copying someone else's recording.

      you are allowed to circumvent DRM to copy copyrighted material that you own.

      Just plain wrong, as you yourself quoted:
      As to the circumvention in itself, the provision prohibits circumventing the first category of technological measures, but not the second.

      That says it is a crime to circumvent access controls on material you own, but not a crime to circumvent copying controls on any copy.

      -

      --
      - - You can't take something off the Internet! That's like trying to take pee out of a swimming pool.
  34. Copyright by ojthecat · · Score: 4, Funny

    The only problem with this is that Microsoft has just been issued a patent for a method of producing no sound via a mp3 data stream.

    1. Re:Copyright by mrchaotica · · Score: 1

      Phew! Good thing this was AAC-encoded, not MP3!

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    2. Re:Copyright by poot_rootbeer · · Score: 1

      Microsoft has just been issued a patent for a method of producing no sound via a mp3 data stream.

      Liar. Everyone knows that Microsoft's patent covers empty WMA audio streams only...

  35. What Copyright? by timmyf2371 · · Score: 1
    I was always under the impression that copyright was a means of giving a temporary monopoly to the creator of creative works.

    As there is nothing whatsoever creative about a minute or so of silence, I don't see there as being any copyright to infringe upon.

    --

    Backup not found: (A)bort (R)etry (P)anic
  36. 2 posts and the site's dead already... by Soldrinero · · Score: 1
    I think the RIAA posted this story to Slashdot to kill the site and thereby take the offending material off the Internet. I say we as Slashdotters should work against the RIAA's evil scheme and not read the articles.

    Oh wait...

    --
    I would rather be killed by a terrorist than enslaved by my government.
  37. Old news by thebra · · Score: 4, Interesting

    This has been done.

    1. Re:Old news by YourMomsCock · · Score: 1
      That article is about something different. The BBC article is about an artist including a cover of another artists work on his album. This /. article is about
      1. the legality of fair use rights and being able to listen to music you purchased on your own listening devices
      2. the absurdity of being a criminal by redistributing a sound file that could be recreated by merely choosing the File->New menu item in Sound Forge and typing in 1min 30 secs for the length.
  38. Remix by pjh3000 · · Score: 1

    I can't wait to hear the mashup with Paul Simon's "The Sound of Silence"

    1. Re:Remix by GojiraDeMonstah · · Score: 1

      I can't wait to hear the mashup with Paul Simon's "The Sound of Silence"

      Actually, it was originally titled "The Sounds of Sirens." A little known fact is that Paul Simon was collaborating with a Japanese artist who was upset with the constant racket in NYC, and came up with the original title. Paul misunderstood due to his co-author's accent, and the rest is history.

      --
      "Stop throwing the Constitution in my face, it's just a goddamned piece of paper!" - George W. Bush Nov. 2005
  39. What is going on? by Albio · · Score: 1

    So their case is prior art or something similar? It's probably true that the fellow *is* copying... but if you record it yourself, would it not be similar to recording your own garage band version of "Hey, Jude".

    1. Re:What is going on? by stanmann · · Score: 1

      What makes you think that a cover of Hey Jude would be free to record/distribute. After all, The girl scouts have to pay to sing Happy Birthday, what makes Hey Jude any different?

      --
      Food not Bombs is a nice platitude but it breaks down when you notice that the Bombees are usually well fed
    2. Re:What is going on? by ckaminski · · Score: 1

      Is that why all the chain restaurants sing cheesy campy versions of happy-happy?

    3. Re:What is going on? by stanmann · · Score: 1

      Check. although since most of them have broadcast/performance licensessee ascap it's more of a personality thing. Note, that anyone can get an ascap license, and many groups do, so that they can print up 25-100 copies of selected music for chorus', chorales, etc, or other group sing type events. If you wanted for example to have music at your wedding and the hall did not have an ascap license( and you wanted to scrupulously follow the law) you could contact ascap with a playlist and guest count and they would issue you a license number and price list.

      --
      Food not Bombs is a nice platitude but it breaks down when you notice that the Bombees are usually well fed
    4. Re:What is going on? by Albio · · Score: 1

      I meant more like... You can perform the song and record yourself performing it. No transfers of money involved.

  40. is it rediculous yet? by DeusExMalex · · Score: 1
    i wonder what a concert of that tune would sound like? hundreds of people all standing perfectly still, not making a sound.


    seriously, though... can i breathe your patented air?

    1. Re:is it rediculous yet? by kebes · · Score: 1

      Actually there are contemporary classical music pieces that have no notes in them. The idea is that the nervous sounds of the audience are actually the piece you are supposed to be listening to. Not really my kinda music, frankly. In other news, I found an article that talks about non-audible music that can still affect mood. Don't know if I buy that.

  41. Error establishing a database connection! by Anonymous Coward · · Score: 0

    This probably means that the connection information in your wp-config.php file is incorrect. Double check it and try again.

    * Are you sure you have the correct user/password?
    * Are you sure that you have typed the correct hostname?
    * Are you sure that the database server is running?
    * Did you site get posted to Slashdot?

  42. Let's put this to a rest right here by 5n3ak3rp1mp · · Score: 1

    No.

    On the other hand, what if it had some very low noise? Perhaps something recorded a few hundred yards from a beach? Something subtle and minimalist? Does it become patentable then?

    Anything with nearly zero information content (via compression) shouldn't be patentable, but this is such a nerdy testing-the-limits-of-the-system thing to do that I can't help but watch.

    1. Re:Let's put this to a rest right here by radish · · Score: 1

      "patentable"? What have patents got to do with anything? We're talking DMCA and Copyright here.

      --

      ---- Den ene knappen er powerknapp, den andre er Bender voice knapp "Bite My Shiny Metal Ass"

  43. Still dumb, but I'll answer, anyway. by Slartibartfast · · Score: 4, Interesting

    White noise has content. So, sure, go ahead and copyright -your- white noise. But, so long as someone else didn't mimic yours (which wouldn't be too hard -- or even desired, what with white noise being essentially random), they'd be fine. In other words, as Hunter S. Thompson would say, "Just put your TV between channels, pump up the volume, and listen to the wonderful white noise." And not sweat the copyright.

    1. Re:Still dumb, but I'll answer, anyway. by einhverfr · · Score: 1

      Darn those inbetween channels violating my copyright. I will sue them!

      Ok, so I write a book called "33 pages" and consists of 33 blank pages. If you duplicate my title and contents, can I sue?

      --

      LedgerSMB: Open source Accounting/ERP
    2. Re:Still dumb, but I'll answer, anyway. by Anonymous Coward · · Score: 0

      No.

      But Rolling Rock will sue you.

    3. Re:Still dumb, but I'll answer, anyway. by j0nb0y · · Score: 1

      Yes. If I put out a book called 33 pages which consists of 33 blank pages, then you could sue me for copyright infringement.

      --
      If you had super powers, would you use them for good, or for awesome?
    4. Re:Still dumb, but I'll answer, anyway. by AllergicToMilk · · Score: 1, Informative

      That should be "...Hunter S. Thompson would have said,...". Hunter took his own life a few days ago.

      --
      There are only 6,863,795,529 types of people in the world.
    5. Re:Still dumb, but I'll answer, anyway. by Anonymous Coward · · Score: 0
      "Just put your TV between channels, pump up the volume, and listen to the wonderful white noise."

      Big corporate interests have conspired to take away your freedom to see or listen to white noise. Try it on a new TV; you'll just get a bluescreen and muted audio. What are they trying to hide?

    6. Re:Still dumb, but I'll answer, anyway. by einhverfr · · Score: 1

      This is interesting, but... now I wonder something else....

      If the point of the expression is that it is devoid of content, might context be what is expressive?

      I.e. if I release 1'4" of silense as a protest to DRM, then the expression is fundamentally different tho that done by 1'3" of silense by John Cage. One wonders what a Gates-style test would find.

      IANAL of course....

      --

      LedgerSMB: Open source Accounting/ERP
    7. Re:Still dumb, but I'll answer, anyway. by Pionar · · Score: 1

      look, again, it's got nothing to do with if it's got "content". Phone listings have content, but they're not copyrightable because being sorted by alphabetical order requires no creativity.

      The copyright law protects works that are "marginally creative". So you know what? databases usually aren't copyrightable.

      White noise as-is isnt' copyrightable because there's nothing creative about it - not even marginally. Now if it was part of some other piece of art as a whole (part of a song)- then that's a different story.

      The bottom line is, copyright law is quite subjective and will often depend heavily on which judge you appear before.

      IANAL, but I've taken some technology law courses.

    8. Re:Still dumb, but I'll answer, anyway. by darkpixel2k · · Score: 5, Funny

      I guess we should all observe about a minute of silence then...

      --
      There's no place like ::1 (I've completed my transition to IPv6)
    9. Re:Still dumb, but I'll answer, anyway. by iCEBaLM · · Score: 2, Insightful

      You can sue anybody for anything, the question is, would you win the suit?

    10. Re:Still dumb, but I'll answer, anyway. by Anonymous Coward · · Score: 0

      Yes, but that method to listen to white noise is patented.

    11. Re:Still dumb, but I'll answer, anyway. by OECD · · Score: 1

      Yes. If I put out a book called 33 pages which consists of 33 blank pages, then you could sue me for copyright infringement.

      I don't think so. You can't copyright a title, so that's not covered. Ditto for number of pages. I think the only way he'd have a case is if the cover art was too similar...

      BTW, IANAL

      --
      One man's -1 Flamebait is another man's +5 Funny.
    12. Re:Still dumb, but I'll answer, anyway. by The+Monster · · Score: 1
      That should be "...Hunter S. Thompson would have said,...". Hunter took his own life a few days ago
      Well, when you think about it, what he says now is basically performing this copyrighted 1'3" piece, repeatedly. Somebody could sue him for that!
      --

      [100% ISO 646 Compliant]
      SVM, ERGO MONSTRO.

    13. Re:Still dumb, but I'll answer, anyway. by j0nb0y · · Score: 1

      IANAL either =]

      While true that you can't copyright a title, and you can't copyright a number of pages, you certainly could copyright the sum. Title, pages, and blank content. If someone else put out the exact same thing, it would be pretty clear that their intent was to copy my work (or lack thereof =)

      --
      If you had super powers, would you use them for good, or for awesome?
    14. Re:Still dumb, but I'll answer, anyway. by kevinx · · Score: 1

      but if white noise creates enough difference to get a copyright, I could record a song off the radio using my mic and distribute it as my own. Since the background noise would be different then the original.

    15. Re:Still dumb, but I'll answer, anyway. by networkBoy · · Score: 1

      unless they called it a sketch book :-S
      -nB

      --
      whois gawk date unzip strip find touch finger mount join nice man top fsck grep eject more yes exit umount sleep dump
    16. Re:Still dumb, but I'll answer, anyway. by Larry+Lightbulb · · Score: 1

      There's already a Cage piece for white noise, 0'00" I think.

    17. Re:Still dumb, but I'll answer, anyway. by einhverfr · · Score: 1

      IANAL but there is a difference

      A sketch book is a practical item. It has no expressive purpose in itself.

      My idea might be expressive. The problem is the question of whether it is sufficiently expressive and original to be protected.

      Now, there is another problem. Silence, blank pages, etc. might be said to have different expressive content based on context. Therefore, if I release 1'3" of silence (and call it "Censorship") as a protest against FCC censorship, this may be sifficiently different from John Cage's composition (of similar content) to be non-infringing. Both are artistic but they communicate something fundamentally different.

      Same with a blank book. If I call it "33 pages" and you duplicate the book, I would say that that is sufficient evidence of expressive content (otherwise you wouldn't feel compelled to duplicate it given no practical use, would you). On the other hand, if you call it "Censorship under the Bush Administration" then the fact that there are blatent structural similarities... I would have to be careful before thinking that there may be any case for infringement.

      It gets muddier when you take a classic piece like John Cage's and release it as a protest well beyond the scope of the original author's work. Even if the title is the same, and the content seems the same, the expression might be argued to be fundamentally different.

      --

      LedgerSMB: Open source Accounting/ERP
    18. Re:Still dumb, but I'll answer, anyway. by Monkelectric · · Score: 1
      look, again, it's got nothing to do with if it's got "content". Phone listings have content, but they're not copyrightable because being sorted by alphabetical order requires no creativity.

      Also, phone books are considered lits of facts and public information and as such are not copyrightable.

      Every few years a law comes up and is voted down on this subject -- usually something like the "database protection act" or something like that. The last iteration was HORRIBLE. It that made any collection of facts copyrightable-- and even stranger -- the companies didnt have to OWN the information they collected, which is an extremely strange concept if you think about it. I take your data and someone elses, and now I own them both because they're in a database.

      --

      Religion is a gateway psychosis. -- Dave Foley

    19. Re:Still dumb, but I'll answer, anyway. by John+Hasler · · Score: 1

      > ...the companies didnt have to OWN the
      > information they collected, which is an extremely
      > strange concept if you think about it.

      No one OWNS information.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
    20. Re:Still dumb, but I'll answer, anyway. by John+Hasler · · Score: 1

      > ...but if white noise creates enough difference
      > to get a copyright...

      "Difference" is not sufficient.

      --
      Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
    21. Re:Still dumb, but I'll answer, anyway. by kevinx · · Score: 1

      that was my point.

    22. Re:Still dumb, but I'll answer, anyway. by Monkelectric · · Score: 1

      Wrong my friend. If congress says you own something, you do. If congress says you don't, you don't. Our ideals mean nothing to moneyed interests.

      --

      Religion is a gateway psychosis. -- Dave Foley

    23. Re:Still dumb, but I'll answer, anyway. by myowntrueself · · Score: 1

      Isn't that what that bit about "keep and bear arms" and "shall not be infringed" was for?

      I mean, come *on* America. As an outsider I normally wouldn't have any right to tell you, but given the circumstances, you need another civil war.

      --
      In the free world the media isn't government run; the government is media run.
    24. Re:Still dumb, but I'll answer, anyway. by Farmer+Tim · · Score: 1

      No, we should observe a minute of white noise: ssssssssssssssssssssssssssssssssssssssssssssssssss ssssssssssssssssssssssssssssssssssssssssssssssssss sssssssssssssssssssssssssss...

      --
      Blank until /. makes another boneheaded UI decision.
    25. Re:Still dumb, but I'll answer, anyway. by Technician · · Score: 1

      I guess we should all observe about a minute of silence then..

      I can't. I don't have the album.

      --
      The truth shall set you free!
    26. Re:Still dumb, but I'll answer, anyway. by flatface · · Score: 1

      Yeah. That "someone" is the RIAA.

    27. Re:Still dumb, but I'll answer, anyway. by Anonymous Coward · · Score: 0

      Q. What's brown, has four legs and goes 'sssssssssssssssssssssssssssssssssssssssssssssssss sssssssssssssssssssssssssssssssssssssssssssssssss' ?

      A. Rod Hull's TV.

    28. Re:Still dumb, but I'll answer, anyway. by Pionar · · Score: 1

      ha ha. You obviously know nothing about American history. Copyright law is in our Constitution.

      Article I, Section 8, Clause 8 of the U.S.
      Constitution: "the Congress shall have power . . . to promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries."

      And. the Copyright Act was passed in 1790.

      Here's a place for you to learn about all this stuff: http://arl.cni.org/info/frn/copy/timeline.html

  44. ciccone youth have lawyers?? by filesiteguy · · Score: 1

    Although copying anything that isn't recognizable by others isn't copyright violation - I belive something like x number of notes have to be similar or identical to be an infringement, I think it is funny that we may here see more of a DCMA-type issue, where he copies something he shouldn't have.

    You can dance...

    1. Re:ciccone youth have lawyers?? by SmokeHalo · · Score: 1

      something like x number of notes have to be similar or identical to be an infringement

      I believe Vanilla Ice can tell you that 1/32nd of a note makes all the difference.

      --
      I'm not good in groups. It's difficult to work in a group when you're omnipotent. - Q
    2. Re:ciccone youth have lawyers?? by filesiteguy · · Score: 1

      Hmmm, I couldn't remember the case law.

      Oddly enough, Real (it IS an m4a file) doesn't have track 2 for sale.

      Gotta dig out my Ciccone Youth album.

      ...so who's to take the blame for the stormy weather...

  45. huh? by Anonymous Coward · · Score: 0

    One foot, three inches of silence?

    1. Re:Huh? by Anonymous Coward · · Score: 0

      My one foot three inches usually provokes a loud gasp, followed by stunned silence.

    2. Re:Huh? by gliph · · Score: 1

      that's what i read too... i saw 15 inches of silence? i was thinking, 'is it some kind of bluetooth interference device? doesn't bluetooth have a longer range than that?!' lol.

    3. Re:Huh? by Carewolf · · Score: 1

      Didn't you read the other comments. You can't copyright silence, so it's no really ours. You have to share it with the world..

    4. Re:Huh? by Desval · · Score: 1

      Which at 7.5ips would be 2 seconds of music.

      --
      7061756c4073697267616c616861642e6f7267 687474703a2f2f7777772e73697267616c616861642e6f7267 2f7061756c
    5. Re:Huh? by Anonymous Coward · · Score: 0

      LOL, this was exactly what I was thinking... So said that analog multitrack is officially dead now...

    6. Re:Huh? by ben_rh · · Score: 1

      Nice try, Russell. Take your band somewhere else.

    7. Re:Huh? by Anonymous Coward · · Score: 0

      He is risen!

      http://www.atrmagnetics.com/

    8. Re:Huh? by Anonymous Coward · · Score: 0

      hahaha that was my thought exactly!

  46. DRM vs. Copyright confusion by That's+Unpossible! · · Score: 5, Insightful

    If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?

    No. First of all, no one has a copyright on any length of pure silence. You can copyright SOUND RECORDINGS. Pure silence is the absence of sound, and is therefore not copyrightable.

    However, you could record yourself sitting in front of a piano (ala Cage) and the various ambient sounds recorded would technically be a unique work, and as the original author you would own the copyright on that SOUND RECORDING.

    This guy is violating the DRM agreements that Apple set forth, so Apple could pursue him.

    As explained above, the pure silence is not copyrightable, so the RIAA has no beef.

    If the guy forgot to remove the album artwork from the file, then he is infringing the copyright of whoever owns the album artwork copyright, and they could sue him.

    What is he really trying to prove? The point is lost on me due to his ineptitude.

    --
    Ironically, the word ironically is often used incorrectly.
    1. Re:DRM vs. Copyright confusion by northcat · · Score: 1

      The point is lost on me due to his ineptitude.

      or yours.

    2. Re:DRM vs. Copyright confusion by baker_tony · · Score: 1
      Hmm, silence not copyrighted you say? Perhaps you should read the post a few above yours which had this...

      http://news.bbc.co.uk/1/hi/entertainment/music/2 276621.stm

    3. Re:DRM vs. Copyright confusion by rreay · · Score: 1

      Yup... Did you notice right there in the second paragraph that Batt credited John Cage for the track? He got shit for using John Cage's work because he said he used John Cage's work.

    4. Re:DRM vs. Copyright confusion by That's+Unpossible! · · Score: 1

      Hmm, silence not copyrighted you say?

      No, I said "pure silence" not copyrightable. It's not.

      Perhaps you should read the post a few above yours which had this...

      I am familiar with the Cage piece, as I did mention it in my original post. Cage's written sheet music for the piece is copyrightable, and recordings of the work which include ambient sounds are copyrightable, but four minutes and thirty-three seconds of PURE SILENCE is not copyrightable.

      The story you linked to also had two things you failed to mention:

      1. The guy that got sued credited himself AND Cage on the CD, but forgot to pay Cage anything. (Doh.)

      2. The matter was never solved in court, and it was never proved that he violated copyright. In fact, he stated, "Cage's publishers have finally been persuaded their case was, to say the least, optimistic." He settled out of court.

      --
      Ironically, the word ironically is often used incorrectly.
    5. Re:DRM vs. Copyright confusion by jd · · Score: 1
      So if I recorded an identical track - perhaps even doing a rip of either person's recording - but did NOT credit them as inspiration, I'd be fine?


      If not crediting someone for the inspiration makes you immune to one copyright suit, it should make you immune to others.


      Methinks that could be a REALLY bad precedent.


      Besides, Batt did the voices for The Wombles, one of the coolest kid's puppet shows of the time. Only Fingerbobs was cooler.

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    6. Re:DRM vs. Copyright confusion by Anonymous Coward · · Score: 0

      I have sitting in front of me a copy of CRASS's "Feeding the 5,000" on the Small Wonder lable.

      Track one: "The Sound Of Free Speech". Two minutes of silence. It is copyrighted. It is not a performance piece.

    7. Re:DRM vs. Copyright confusion by InquisitiveOne · · Score: 1

      Urm, this is troublesome.

      Take the Cage recording. If someone had had the forethought to place a microphone of there own, right next to where the original was, could _they_ copyright the recording?

      Could I record what I hear at the Mall, and sell it?

    8. Re:DRM vs. Copyright confusion by Apotsy · · Score: 1

      You mean they claim it is copyrighted. If it really is pure silence (no ambient or other sounds, just a flat zero signal), any copyright they claim is not really valid, as the above poster mentioned.

    9. Re:DRM vs. Copyright confusion by That's+Unpossible! · · Score: 2, Informative

      Take the Cage recording. If someone had had the forethought to place a microphone of there own, right next to where the original was, could _they_ copyright the recording?

      Yes. However, it is highly likely that Cage would not have given permission to record his piece being "played," so the point is moot.

      Could I record what I hear at the Mall, and sell it?

      Yes.

      --
      Ironically, the word ironically is often used incorrectly.
    10. Re:DRM vs. Copyright confusion by Anonymous Coward · · Score: 0

      The EP was released in 1978. Small Wonder is a lable still in existance today. There has certainly been enough time to work out any copyright problems.

      As far as claim, who is "they"?

      Merely reading what is on the record.

      Your statement proves nothing.

    11. Re:DRM vs. Copyright confusion by mshiltonj · · Score: 1

      This guy is violating the DRM agreements that Apple set forth, so Apple could pursue him.

      As explained above, the pure silence is not copyrightable, so the RIAA has no beef.


      If the "song" cannot be copyrighted, then what digitially managed "rights" did he violate? What was being protected by the DRM?

    12. Re:DRM vs. Copyright confusion by Kiryat+Malachi · · Score: 1

      Could I record what I hear at the Mall, and sell it?

      You're not familiar with the concept of a "field recording", are you?

      I would point you to, as a fine and interesting example, Lionel Marchetti's "Portrait d'un Glacier (Alpes 2173m)", released on Ground Fault Recordings. It's a piece composed near entirely of a recording made, as the title would suggest, on the Alps at 2.173 km altitude.

      --

      ---
      Mod me down, you fucking twits. Go ahead. I dare you.
      (I read with sigs off.)
    13. Re:DRM vs. Copyright confusion by mibus · · Score: 1

      Yes. However, it is highly likely that Cage would not have given permission to record his piece being "played," so the point is moot.

      I didn't give him permission to use my faint cough in the piece, maybe I can go sue him?

      What gives Cage any more right than anyone else wanting to record the audience?

    14. Re:DRM vs. Copyright confusion by rreay · · Score: 1

      Nope, All I meant to say was that he credited Cage and Cage's estate was wondering where the royalty checks were. I suspect the issue would have arisen if he had written the great European novel, nothing to do with Cage's work at all and credited Cage. It might be hard to say which cage he meant in that case. In this case well all know.

    15. Re:DRM vs. Copyright confusion by That's+Unpossible! · · Score: 1

      I didn't give him permission to use my faint cough in the piece, maybe I can go sue him?

      Nope. A similar example: how many paparazzi have ever been sued for taking pictures of celebrities in public, and publishing them? There's no legal standing for it.

      What gives Cage any more right than anyone else wanting to record the audience?

      Well, first of all I didn't say recording the AUDIENCE. I said AMBIENCE. Preferably you don't hear the audience in 4'33".

      But anyway, Cage doesn't have more of a right to record an audience. However, the audience is there to hear a performance of 4'33". They are likely in a private venue, and the rules of the venue normally dictate you cannot record the performance without the consent of the artists involved. And even when they do give consent, it is normally with the caveat, "for your own private use."

      --
      Ironically, the word ironically is often used incorrectly.
    16. Re:DRM vs. Copyright confusion by mibus · · Score: 1

      Well, first of all I didn't say recording the AUDIENCE. I said AMBIENCE. Preferably you don't hear the audience in 4'33".

      What creates the ambience, if the audience doesn't?

      I can't imagine that the audience would play anything except the largest part in the creation of it; since they'd likely outnumber the performer to such a large degree.

      If then, his performance is nothing more than the sum of the "ambience" created largely by the audience, then they too should get a cut of the profit :)

      the rules of the venue normally dictate you cannot record the performance without the consent of the artists involved.

      Quite so - but then, if the "ambience" is recorded as the primary part of the piece, and the ambience is largely generated by the audience (which I still believe to be so), then unless the tickets say that the audience may be recorded and have those recordings used royalty-free, then Cage would be "copying" the work of his audience! :-)

    17. Re:DRM vs. Copyright confusion by Anonymous Coward · · Score: 0
      No, I said "pure silence" not copyrightable. It's not.

      You think it's not. Cite a case which agrees with you, or STFU.

    18. Re:DRM vs. Copyright confusion by That's+Unpossible! · · Score: 1

      What creates the ambience, if the audience doesn't?

      Primarily the sounds the artist makes: putting his hands on the keys, sitting down, shuffling the music, turning the page, breathing, clearing his throat, etc.

      I can't imagine that the audience would play anything except the largest part in the creation of it; since they'd likely outnumber the performer to such a large degree.

      You don't even need an audience to record this piece. See above.

      --
      Ironically, the word ironically is often used incorrectly.
    19. Re:DRM vs. Copyright confusion by Anonymous Coward · · Score: 0
      The EP was released in 1978. Small Wonder is a lable still in existance today. There has certainly been enough time to work out any copyright problems.

      This is ridiculous. Look. I, hereby, claim copyright on the following word: "". Yep, the null word, the word without letters. What will happen in the next 40 years, you think? Someone will come and demand my invalid copyright claim to be removed from Slashdot?

      Silence is not an original piece of work. So it UTTERLY fail the first requirement for being suitable for copyright protection. Actually I CANNOT THINK OF ANYTHING LESS ORIGINAL than this.

      Associating it with a clever name like "The Sound of Free Speech" or "4'33" might be copyrightable (yes there is some originality, although maybe not enough) ; and using the name of a well known artist on your record, like Batt/Cage or AnynomousCoward/Madonna, is certainly completly illegal.

    20. Re:DRM vs. Copyright confusion by Anonymous Coward · · Score: 0
      If the "song" cannot be copyrighted, then what digitially managed "rights" did he violate? What was being protected by the DRM?

      Sigh. How complicated is this? There are some agreements he accepted and he violated them. What if you break into a house, and you steal nothing and go out. You are not prosecuted for stealing. You are prosecuted for breaking into the house. Same here.

  47. But it may be a DCMA violation. by L-Train8 · · Score: 5, Interesting

    Well, it may not be copyright infringement, but if he cracked the DRM to access the silence, it is indeed a crime under the DCMA. Which is one of the big problems with the DCMA. Even if you have a legal right to the material that is copy protected, you cannot crack the copy protection without committing a crime.

    --

    Don't forget that Friday is Hawaiian shirt day.
    1. Re:But it may be a DCMA violation. by Anonymous Coward · · Score: 0

      What is the DCMA? The Digital Copyright Millenium Act?

      Or maybe you meant to type "DMCA," a.k.a. the Ditital Millenium Copyright Act?

    2. Re:But it may be a DCMA violation. by Monsieur+Canard · · Score: 1

      +1 Shriekback reference in sig

      --
      He took a duck to the face at 250 knots.
    3. Re:But it may be a DCMA violation. by Pfhorrest · · Score: 1

      the Ditital Millenium Copyright Act

      They're making legistlation with breasts now? Two of them, no less? Wow! Where can I get some of that?

      --
      -Forrest Cameranesi, Geek of all Trades
      "I am Sam. Sam I am. I do not like trolls, flames, or spam."
    4. Re:But it may be a DCMA violation. by mzwaterski · · Score: 1

      Incorrect...please read the DMCA and report back on your findings. It is legal to crack copy protection DRM.

    5. Re:But it may be a DCMA violation. by serutan · · Score: 5, Insightful

      Exactly. The issue isn't copyright per se but copy protection. It doesn't matter if the thing being protected is copyrighted or not, because the protection itself is protected. You could get in trouble for breaking DRM even if the content is public domain, because Congress says the imaginary box containing that individual copy is sacred.

      If you think about it, DRM is like a privatized turbo version of copyright. Copyright infringement is a civil matter between two parties. DRM breakage is a federal crime involving fines and jail time. Pretty sweet deal to have the government investigate and prosecute your lawsuits for you for free! How did we let the entertainment industry get away with this?

    6. Re:But it may be a DCMA violation. by Anonymous Coward · · Score: 1, Funny

      Actually, that would be "Don't Copy My Ass".

    7. Re:But it may be a DCMA violation. by code_nerd · · Score: 1

      +1 for reminding me of how much I liked Shriekback, back in the day

    8. Re:But it may be a DCMA violation. by mrchaotica · · Score: 1
      How did we let the entertainment industry get away with this?
      By having an electorate composed mainly of computer-illiterate senior-citizen "consumers" that are more interested in cheap medication than their civil rights.
      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    9. Re:But it may be a DCMA violation. by dark_requiem · · Score: 1

      How did we let the entertainment industry get away with this?

      You make it sound as if the government didn't WANT this. Every time the prodcedures for a civil matter are usurped and turned into a federal matter, the power of the State is expanded. While we may see it as an unwanted annoyance, we're looking at it as people who want things done efficiently, preferably in a free-market style. Politicos look at it from the standpoint of the power-hungry. More issues to control means more issues to legislate, and the only long-term winner is the State.

    10. Re:But it may be a DCMA violation. by Bri3D · · Score: 1

      OK...Sec 1201(a)(1)(A):
      No person shall circumvent a technological measure that effectively controls access to a work protected under this title.
      So...it's not really legal.

    11. Re:But it may be a DCMA violation. by mzwaterski · · Score: 1
      Please see the bottom of Page 3 for an explanation of DMCA section 1201. http://www.copyright.gov/legislation/dmca.pdf

      Basically, there is a distinction made between technological measures that prevent unauthorized access to copyrighted works and measures that prevent unauthorized copying of copyrighted works. The DMCA does not prohibit the circumvention of technological measures that prevent unauthorized copying of copyrighted works...ala iTunes DRM.

    12. Re:But it may be a DCMA violation. by Anonymous Coward · · Score: 0

      "How did we let the entertainment industry get away with this?"

      Exactly. and due to the bloody stupid Australia-US Free Trade Agreement (well, not necessarily so stupid apart from the IP provisions), we have out own DMCA-like law being implemented in 2007. Guess I've got two years to finish uni and move to Canada.

    13. Re:But it may be a DCMA violation. by iminplaya · · Score: 1

      How did we let the entertainment industry get away with this?

      Oh, I don't know. I kind of remember at the time that these laws were being written and passed, most of the general public's and mass media's(I think you call it "mainstream" media now) attention were being diverted by some girl and some kind of mixup she had with the CIC of the country at the time. I can't remember her name exactly. I think her initials were M.L.

      --
      What?
    14. Re:But it may be a DCMA violation. by serutan · · Score: 1

      I think you hit it right on the head there. Nobody notices when even the President refers to the public as "consumers" rather than "citizens." But I don't think it's limited to senior citizens. The under-30 population isn't exactly showing a flash of intellectual speed by sucking down "reality" tv like cheap beer.

    15. Re:But it may be a DCMA violation. by serutan · · Score: 1

      I don't think I made it sound like the government didn't want it, but certainly the public didn't ask for it. Many of our representatives should be in jail for taking bribes. But that would require too many people getting up off the couch and missing American Idol.

    16. Re:But it may be a DCMA violation. by mrchaotica · · Score: 1

      True, but it wouldn't realistically make a difference if we* did -- we're outnumbered by the baby-boomers. Combine that with the fact that historically there's less turnout among young people, and we're screwed.

      The really horrible thing is that the baby-boomers should care. They certainly did before, in the 60s and 70s! I think that maybe the problem is all this technological complexity. Not only is it too much for the baby-boomers, it's too much for most non-computer-geek young people, too. It could also explain why people put up with Microsoft, which would be issuing refunds and recalls left and right if it were any other industry...

      *Yes, I'm in the "under-30" set -- I'm 20. I'm too young to be this cynical. : (

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  48. Great! by remember_to_log-off · · Score: 1

    Now I can finally get some peace and quiet.

  49. obviously not copyright infringement by Fahrvergnuugen · · Score: 2, Informative

    this would fall under fair use - silence cannot be copyrighted.

    From the US Copyright Office Website:
    "The distinction between "fair use" and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission."

    http://www.copyright.gov/fls/fl102.html

    --
    Kiteboarding Gear Mention slashdot and get 10% off!
  50. Huh? by el_gordo101 · · Score: 4, Funny

    One foot three inches of music?

    --
    TODO: Insert witty sig
  51. the flipside by sum.zero · · Score: 1

    it is dumb to sell "songs" that are actually nothing more than silence. i think that is pretty ridiculous.

    sum.zero

    1. Re:the flipside by OECD · · Score: 4, Insightful

      it is dumb to sell "songs" that are actually nothing more than silence. i think that is pretty ridiculous.

      Not at all! Have you never been talking in a bar when the jukebox starts blaring? I would have loved to been able to buy a minute of silence!

      --
      One man's -1 Flamebait is another man's +5 Funny.
    2. Re:the flipside by Anonymous Coward · · Score: 0

      Silence is far far better than so many songs.

      But i'll not pay for that either.

    3. Re:the flipside by jc42 · · Score: 1

      I have seen several claims that the most-played jukebox selection of all time was a record produced back in the 60's that was several minutes of silence. It seems that lots of people like the idea that, for a small price, you can get a few minutes of no music at all.

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    4. Re:the flipside by Anonymous Coward · · Score: 0

      I see nothing about it on Snopes, but that story has "urban legend" written all over it. Site a source if you can, please.

    5. Re:the flipside by Golias · · Score: 3, Informative

      Actually, according to what the Amusement & Music Operators Association (AMOA) said in 1997, the most popular jukebox selection of all time is Patsy Cline's recording of "Crazy."

      It's a cute story though. I could see why you would want it to be true.

      --

      Information wants to be anthropomorphized.

    6. Re:the flipside by HTH+NE1 · · Score: 1

      Except these days the bartenders have a button they can press to kick out the current track on the jukebox. Around here they cover the fact by making an unintelligable announcement, usually that there was a phone call for some fake person, and you're suddenly out the cost of the song (or in some cases the song and any subsequent songs). If they don't want your silence, they can abort it.

      And absolutely no signage posted to the effect that you're only paying to register a request to play a song which may refused. IMO, such refusal should be at the time of sale and you should get an alternate choice or your money returned at the machine.

      I bet the RIAA doesn't care about such abuses as they'll still get the same cut from the jukebox take, play or no play.

      --
      Oh, say does that Star-Spangled Banner entwine / The myrtle of Venus with Bacchus's vine?
    7. Re:the flipside by Larry+Lightbulb · · Score: 1

      I remember seeing those in a few pubs in the late 70's/early 80's. Usually silence on both sides of the record and with punning titles/performers [though I can't remember to that detail].

    8. Re:the flipside by Anonymous Coward · · Score: 0

      That was back in 1997. Since then "Crazy"'s place in the jukebox has been overtaken by "Who Let the Dogs Out?"

    9. Re:the flipside by Anonymous Coward · · Score: 0

      IIRC one Croatian band, Let3, once had a song that was a few minutes' silence.

      They even had a video for it.

      Completely black screen.

      I don't know whether they'd actually sold any of the CDs...

    10. Re:the flipside by Anonymous Coward · · Score: 0

      What you need is something to *mask* the blaring jukebox, like white noise.

      Anyways, the fact that there are silent files available on iTunes boggles my mind, and it amazes me that some people would actualy *buy* it. This goes way beyond stupid. %Z

    11. Re:the flipside by Anarcho-Goth · · Score: 1

      Well, if it is 4 minutes, 33 seconds of silence, then I'm afraid that silence is copyrighted by John Cage.

      Won't somebody PLEASE think of John Cage!!!!

      --
      I hate Liberals and Conservatives.
      If you are a Liberal or a Conservative, then HAVE A NICE DAY!
      Courage.
    12. Re:the flipside by Anarcho-Goth · · Score: 1

      according to what the Amusement & Music Operators Association (AMOA) said in 1997, the most popular jukebox selection of all time is Patsy Cline's recording of "Crazy."

      And what exactly does that say about our culture? :)

      slightly, but not quite seriously, is this just counting 7" records, or does it also include "jukeboxes" that play CDs?

      --
      I hate Liberals and Conservatives.
      If you are a Liberal or a Conservative, then HAVE A NICE DAY!
      Courage.
  52. But this doesn't apply to drm, does it? by Anonymous Coward · · Score: 0

    You can put drm on anything, even silence or a book consisting of the word the.

    Don't you think that this evil action could teach us something about just how absurd drm is?

  53. Copyrighted silence? by Exluddite · · Score: 2, Insightful

    People have been having a "moment of silence" long before the advent of recorded material. That being the case, any period of silence would just be a modern arrangement of a traditional..um, song?

    --
    What does this button do...
  54. Why buy when you can make your own? by tuxlove · · Score: 2
    Just be sure you don't use this to generate a file 1'33" in length... :)
    /* Outputs a silent WAV file of whatever length desired. */
    int z[44100];main(int n,char **a){int s=176400,h[]={0x46464952,0,0x45564157,0x20746d66,1 6,131073,44100,s,1048580,0x61746164,0};int t=atoi(a[1]);*(h+1)=t*s+32;*(h+10)=t*s;write(1,h,4 4);while(t--)write(1,z,s);}
  55. Listen to it backwards... by techmuse · · Score: 3, Funny

    1'3" of silence sounds very impressive when played backwards - especially the backwards lyrics. :)

    1. Re:Listen to it backwards... by disposable60 · · Score: 1

      A chorus chanting DOUBLE-QUOTE E QUOTE I was impressive?

      --
      You're looking for quotes? See my journal.
    2. Re:Listen to it backwards... by SamSim · · Score: 2, Funny

      I'm also told it syncs with The Wizard Of Oz in the freakiest way.

  56. A review... by LordPhantom · · Score: 1

    I listened to the song, but it really didn't convey any meaning to me.... all in all unoriginal .5/5

  57. Dont Forget Pootie Tang! by jwegy · · Score: 2, Funny

    I'm sure pootie has his silent song copyrighted!

  58. OMFG! There WAS a lawsuit... by Anonymous Coward · · Score: 0

    from the article (http://ecoustics-cnet.com.com/Crank+it+iTunes+sel ls+sounds+of+silence--for+real/2100-1041_3-5154202 .html)

    Most famously, composer John Cage composed "4'33""--a 1952 piece that features just over four and a half minutes without sound. The BBC broadcast a live performance of the piece earlier this year--featuring the BBC Symphony Orchestra, no less.

    Cage's estate even managed to win a copyright fight in 2002, getting Mike Batt to pay a six-figure settlement because a Batt recording included a silent track that he credited to Cage.

  59. Sound shouldn't be copyrightable by ObsessiveMathsFreak · · Score: 1

    Copyright should not apply to sound. Think about it! What the hell is a song anyway? Words, lyrics, musical notation? Sure copyright can apply to all these things. But the act of someone singing the song itself? Silence?!? Who the hell decided that should be the subject of copyright?!

    If Mettalica sing a song, at a concert, and I'm at the concert, or even outside it!, and I record the song on my handy gizmo, am I libel for copyright theft? What the hell did I steal? The changes in pressure in the air? Why the hell is an acoustic waveform the subject of copyright?! The written word yes. The spoken word?

    OK Mettalica walk down the street and out loud say XYZ. I take down and print what they have said XYZ in as many ways as I like. I can record them doing so and show it to as many as I like, tabloids do this all he time. Am I liable? Mettalica walk down the street and out loud sing, or hum, ABC(which is one of their songs). I record them doing so and broadcast it? Am I Liable? Yes?! Why! Why their singing is copyrighted of course! Ridiculous.

    Super rich rockstars are a recent phenomenon, brough about by the application of copyright to sound itself. This is ridiculous as the "silence" track shows. A soundform is NOT the same as the written word or musical notation. What about all the takes that artists didn't use? They are completely different soundforms? What if I hear the sound through a wall. Again completely different soundform results. Does an artist have rights to every possible soundform resulting from the transformation of their music?

    Copyright cannot be applied to nondefinite, unwritten material. Soundwaves should not be copyrightable.

    --
    May the Maths Be with you!
    1. Re:Sound shouldn't be copyrightable by Kombat · · Score: 1

      If Mettalica sing a song, at a concert, and I'm at the concert, or even outside it!, and I record the song on my handy gizmo, am I libel for copyright theft? What the hell did I steal? The changes in pressure in the air? Why the hell is an acoustic waveform the subject of copyright?!

      If you possess kiddie porn, what exactly do you possess? Some 0's and 1's in an intangible, abstract concept of a "file?" A pattern of phosphors illuminated on your screen? Isn't that as absurd as copyrighting a performance?

      If you bring some plants across an imaginary line, are you trafficking in drugs? Yes, if that plant is cannabis, and that "imaginary line" is the US border. Isn't that just as absurd as copyrighting a performance?

      Society outlaws a lot of things that can be portrayed in ways that make the idea look ridiculous, but when you look at them objectively, they do indeed make sense. Well, maybe not the drug thing. Its your own body, for crying out loud.

      --
      Like woodworking? Build your own picture frames.
    2. Re:Sound shouldn't be copyrightable by Anonymous Coward · · Score: 0

      Ah, but a concert isn't copyrighted unless and until it is "fixed in a medium" - i.e., until it is recorded. So it's not the concert itself that is copyrightable, it is THAT PHYSICAL OBJECT UPON WHICH AN ENCODING OF THAT COMBINATION OF SOUND WAVES IS RECORDED is copyrightable (in the case of a digital recording, the particular arrangement of 1's and 0's physically stored on a disk/CD; that little slice of disc with those 1's and 0's is a physical object), but not the sound waves themselves. It is that encoding on a physical object that creates a non-ephemeral, tangible "thing" out of an otherwise transient experience.

      An open-air concert, with no one recording it, is not copyrightable. In fact, if you are the only one making a recording, you cannot be sued for copyright infringement (there may be other things you may be sued for, but that's not one of them) because there was no fixed medium holding a copy before you made your copy... in the same way that I can't sue you copyright infringement for writing down what I say in a conversation unless I had already written the conversation down myself.

      Also, copyright law makes a distinction between the "song" (the lyrics and notes in combination) and the "performance" - my performance of song X is a distinctly different artistic work from your performance of song X.

      It should also be noted that copyright law has one big ol' freaking irregularity when it comes to music - that of compulsory licensing. It's "compulsory" in that the copyright holder has to make it available (IOW, the copyright holder cannot deny someone else this right). Want to make 500 CDs of your garage band playing U2's greatest hits? Guess what... you CAN! LEGALLY!

      All you have to do is send 8.5 cents per song, per copy produced (i.e., per CD) to the artist - most US artists are set up with the clearinghouse at http://www.harryfox.com

      You can't make a copy of someone else's rendition, but with enough musical talent, you can "roll your own" with your favorite songs. If for instance you have a 10-song CD, then, you just pay the 85 cents per CD in compulsory licensing fees - and you're 100% legal.

      In no other field of copyright can you "roll your own" without explicit consent of the copyright holder. That's why music always has to be watched with a slightly different eye than other fields.

      --AC

    3. Re:Sound shouldn't be copyrightable by westlake · · Score: 1
      Copyright cannot be applied to nondefinite, unwritten material. Soundwaves should not be copyrightable.

      That will be news to the audio hobbiests and professionals who have been recording ambient sounds for their historic, theatrical, scientific or nostalgic value since the introduction of Edison's wax cylinders.

    4. Re:Sound shouldn't be copyrightable by Anonymous Coward · · Score: 0

      you: If Mettalica sing a song, at a concert, and I'm at the concert, or even outside it!, and I record the song on my handy gizmo, am I libel for copyright theft?

      I know it's a false dichotmy, but maybe being an 'obsessive maths freak' has stunted your vocabulary. Since no one else has pointed it out, yet --
      libel
      n.

      1.
      a. A false publication, as in writing, print, signs, or pictures, that damages a person's reputation.
      b. The act of presenting such material to the public.
      2. The written claims presented by a plaintiff in an action at admiralty law or to an ecclesiastical court.

      note how this is different from:

      liable
      adj.

      1. Legally obligated; responsible: liable for military service. See synonyms at responsible.
      2. At risk of or subject to experiencing or suffering something unpleasant. Used with to: liable to criminal charges; liable to diabetes.
      3. Likely. Often used with reference to an unfavorable outcome: In a depression banks are liable to fail.

    5. Re:Sound shouldn't be copyrightable by Skreems · · Score: 1

      I agree with your position, but your argument has some flaws.

      Technically, written words are just as undefined as songs. Suppose I were in a restaurant, and at the next table was the late Mr. Thompson. He writes something on a piece of paper, and leaves it behind. Can I take it and distribute it around? Yes, as freely as I can the speech of the band you talk about above. But if he copies down part of one of his novels out of his head, then I cannot reprint that.

      But what about versions of his works written in cursive? Or translated to Swahili? Or ones altered for punctuation or grammer or to bring them up to date with modern street slang? Likely those would be copyright as well, although they differ as much from the original work as do the sound waves passing through walls and such in your example.

      There's another problem with your example, and that is if Metalica walks down the street and says something, you CANNOT write it down and print it. Original ideas or phrases or expressions or whatever are automatically copyright the second they are created. So if Ulrich says something original, it IS copyrighted to him. It's just that most people don't usually persue this. Even my post is copyright, and although I implicitly grant permission for it to appear on slashdot through the action of posting, anybody who copies it to another location could be liable for copyright infringement.

      In my opinion, that strict level of control over everything that's created is near the root of the problems in the copyright system. I'd be much more happy if the worldwide default copyright were something more along the lines of the creative commons' Attribution/Non-commercial/Share-alike license, with possible exception for original works requiring extraordinary amounts of effort in their creation (a novel, a song, etc that takes many many hours of work). And even then, I think it needs to be relaxed.

      --
      Slashdot needs a "-1, Wrong" moderation option.
      The Urban Hippie
  60. Royalties for not speaking? by potuncle · · Score: 1

    So, do I have to pay royalties for not saying anything for a minute and 3 seconds in front of a large group of people?

  61. RIAA's new tactic. by bobdotorg · · Score: 4, Funny

    I'm offering this very file for download here on my website. So go ahead, download it (1.1 MB) and break the law with me.

    Letter to plasticbugs.com from the RIAA:

    Dear PlasticBugs,

    It has come to our attention that you are hosting copyrighted material on your website. In the past we have dispatched goons. Unfortunately this takes up to a week.

    In order to more effectively destroy your ability to distribute copyrighted material, we have decided to destroy your server by providing a link to its content to a very popular website's front page.

    We wish your server well in its next life.

    Sincerely,

    JC42

    --
    __ Someday, but not this morning, I'll finally learn to use the preview button.
    1. Re:RIAA's new tactic. by jc42 · · Score: 2, Informative

      Heh. I really think that I should send an apology to him for mentioning his site on /.

      Actually, the problem is probably even worse than just /., since I've found a similar link on Dave Barry's blog (registration required). I wonder how many readers Dave has, compared to /.? I have seen comments on his blog about how they've "slashdotted" some poor server. I wonder if the Miami Herald has the bandwidth to withstand the onslaught ... ;-)

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
    2. Re:RIAA's new tactic. by FirstTimeCaller · · Score: 1

      If this little stunt gets me in trouble, you'll be the first to know.

      He wasn't kidding. It appears that he is already in trouble with his ISP. The web page now says:

      Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account.

      --
      Wanted: witty unique signature. Must be willing to relocate.
    3. Re:RIAA's new tactic. by lexiconographolologi · · Score: 0

      the real question, was it _digital_ silence? I think the honkies at hydrogenaudio.org can say something about this.

    4. Re:RIAA's new tactic. by jd · · Score: 1

      Why is the parent post marked funny? We know the technique works!

      --
      It's a small world and it smells funny; I'd buy another if it wasn't for the money; Take back what I paid (SoM)
    5. Re:RIAA's new tactic. by jc42 · · Score: 1

      Note that Scott is mostly back up again. His new site thanks the folks here at slashdot for giving him the kick in the pants needed to move to a better web host. And he actually got the space donated for free, presumably by people at his new hosting site that approve of what he's done.

      So anyone still following this story might wait a few days, and check back with his site. And send him some nice support messages. We want to encourage him.

      In any case, there's probably little chance that the RIAA will be dumb enough to harrass him. They can probably figure out that they'd just make him the poster boy for the fact that there is such a thing as bad publicity.

      Sorta like when the Girl Scouts got sued for singing copyrighted songs around their campfires.

      Actually, I did something a bit similar to Scott's violation back in the 80's. I discovered the AT&T version of the /bin/true program (google for it), which consisted of simply a blank line and a copyright notice. I posted the program in its entirety to several newsgroups and mailing lists, and publicly challenged AT&T's lawyers to sue me for the copyright violation. I never heard for them, of course. This remains one of the better examples of the absurdities that can arise in this subject area. Breaking the copyright protection on a recording of silence is pretty much in the same class. I'd guess that anyone smart enough to get a law degree would also be smart enough to know the results of pressing charges in such a case (Mike Batt notwithstanding ;-).

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  62. I beleive by JustNiz · · Score: 1

    It would be up to a court to decide if your own recorded silence was an original work or a version of their work.

    Depending on the outcome of that, you may have to pay them a licence fee per public performance.

  63. 1'3" by brian0918 · · Score: 1

    I read 1'3" at "1 foot, 3 inches" and, combining that with the Python foot icon, thought it was an article about the little-known Foot of Silence.

    1. Re:1'3" by kent,+knower+of+all · · Score: 0

      Just wait until you can buy silence in the convenient "personalized" packs. Shipped 144 to case, a single Paypal entry can by all the gross silence that you want!

      I can see the labelling now. "This end up. Do not drop or you'll break the silence!"

      Foreman: "What's going on in here?"
      Janitor: "I dropped that box over there and spilt silence all over the place..."

      --

      Select * from users where clue > 0;
      0 rows selected.

  64. Should have done some research by O_D_Evans · · Score: 1

    if he does attract the attention of the RIAA, it won't be the first time something like this has happened:

    http://archives.cnn.com/2002/SHOWBIZ/Music/09/23 /u k.silence/

    http://news.bbc.co.uk/1/hi/entertainment/music/2 13 3426.stm

    amazing...

  65. John Cage by jargon · · Score: 2, Informative
    It is useful to see some of this within the larger copyright context of John Cage and Mike Batt's copyright dispute over Cage's piece, 4' 33".
    Cage's estate won that case - or rather, recieved a large settlement out of it.


    This is a bit of a commentary on the ordeal.

    --
    /dev/psychic: No medium found
  66. My favorite moment from the Batt case by Lonesome+Squash · · Score: 1
    As alluded to in the post, Cage's estate actually sued someone named Batt for violating the copyright on Cage's recording of dead silence (Batt had the poor judgement to give Cage partial credit for his own, much shorter "composition"). My favorite moment was when Batt asked the estate to tell him which minute he had copied out of Cage's work. It didn't help him any, of course, but it was wonderful nonetheless.

    Eventually he was forced to settle for "a large sum".

    It does raise the question, though, why SCO can be asked to identify which lines of code IBM infringed, while Cage's estate didn't have to identify which moments of silence had been copied.

    In a related scandal, it was discovered that Ashley Simpson was not performing her three-minute silence live during a recent concert, but was in fact playing a pre-recorded three-minute silence.

    --
    Behold the riant ape! Beware, his crooked thumbs!
  67. Best line of the whole story... by Kombat · · Score: 1

    The Digital Rights Management (DRM) makes it impossible to transfer the song [...] unless I go through some ridiculous steps which involve burning the purchased song to a CD and then ripping it. This causes a noticeable loss of sound quality due to the song being recompressed. Totally unacceptable. I want pure silence.

    I gotta admit, I laughed out loud at this line. "A noticeable loss of sound quality" of silence? I agree, that's totally unacceptable.

    --
    Like woodworking? Build your own picture frames.
  68. how did this get modded up? by sum.zero · · Score: 1, Offtopic

    i was clearly joking...

    sum.zero

  69. A real use for this! by kent,+knower+of+all · · Score: 0

    Maybe Verizon will install it as the default ringer so that we don't have to the non-stop onslaught of cell phones "singing" in public.

    Well... It COULD work. :)
    --

    Select * from users where clue > 0;
    0 rows selected.

  70. It's not really silence! by Honorbound · · Score: 2, Funny


    If you play if backwards and turn up the volume you'll hear, "Developers, developers, developers, developers!"

    --
    "I'm not, like, that smart. I, like, forget stuff all the time." -- Paris Hilton
  71. shhhh by gmknobl · · Score: 1

    ...

    ...and you expected?

    ...

    I would have said less but the darn editor wants more characters per line and an actual subject! Just try ... as a subject!

  72. I want a silent MP3! by Jeremiah+Cornelius · · Score: 2, Funny

    I want to play it on a cell-phone, charged by air!

    --
    "Flyin' in just a sweet place,
    Never been known to fail..."
    1. Re:I want a silent MP3! by brianosaurus · · Score: 4, Funny

      Ha!

      Use it as your ringtone. Piss off everyone who tries to call you when you never, ever answer.

      --
      blog
    2. Re:I want a silent MP3! by jamiefaye · · Score: 1

      I would pay for a silent ringtone on my Samsung SPH-600. All of the ringtones that one can assign to an incoming SMS message make noise - and there is no silent mode that can be applied to just that eventuality.

      The problem is that a lot of spammers flood Sprint's gateway and when that happens, the phone rings. This is very annoying at 4AM. Yes, I can turn the ringer off globally, but then if somebody has an emergency and has a good reason to call at that time, they don't get through.

      Eventually I found the web form on Sprint's system that let me opt-out of all incoming SMS messages. I had to disable that entire capability to block the $@%!* spammers from waking me up.

    3. Re:I want a silent MP3! by zonker · · Score: 0

      too bad there's no "don't ring unless it is someone in my phonebook" mode...

  73. I claim prior art! by SuperBigGulp · · Score: 1

    Over the years I've recorded several minutes of silence. I guess I can finally start collecting copyright fees. Yipee!

    --
    Someday a Slashdot ID of 177180 will mean something.
    1. Re:I claim prior art! by Anonymous Coward · · Score: 0
      Someday a Slashdot ID of 177180 will mean something.

      Flip it over. Now you have Monica screaming at the prez:

      OBILLI

      so I don't care that it was lame. That's why it's AC. If this gets modded up, I will be so depressed about the wasted wit.

  74. Um ... okay? by Durandal64 · · Score: 5, Insightful

    Let me get this straight. Someone makes a "song" that's 1m 3s of silence. Some other guy makes an audio file that is 1m 3s of silence. He's daring someone to sue him, and everyone here is already screaming about it? No one's done anything! Apple hasn't sued. The artist hasn't sued. The RIAA hasn't sued. What's the big deal?

    1. Re:Um ... okay? by Trillan · · Score: 1

      Actually,l the only screams I've read so far seem to agree with you. :)

      It isn't a big deal, agreed. What it is, though, is an interesting contradiction of common sense and law. This isn't hard; I'm sure I could break at least three laws without even standing up, and without touching my computer. So I don't see how it's "Stuff that matters."

    2. Re:Um ... okay? by shark72 · · Score: 1

      Very well put. A popular response seems to be "The RIAA is evil! It would be just like them to sue him! Okay, so they haven't, but wouldn't it be cool if they did? Because they're evil!"

      Alas, many of the posts on Slashdot fall into the category of "okay, that's not really true, but what if it were? Let's pretend it is!"

      --
      Sitting in my day care, the art is decopainted.
    3. Re:Um ... okay? by LesPaul75 · · Score: 5, Insightful

      But, the point is that because of the ridiculous copyright laws in this country, someone could sue. And they might even win, based on the precendents set by the RIAA's other lawsuits (e.g. suing 14 year olds and winning).

      I think this is a fantastic example of just how nonsensical DRM, the RIAA, and the music industry in general are. Kudos to the guy who thought of it.

    4. Re:Um ... okay? by paragon_au · · Score: 1

      The fact that we actually need to worry about it?
      This shouldn't even need to be attempted.

    5. Re:Um ... okay? by jbarr · · Score: 1

      No, I think you're missing the point. The file was sold by iTunes, and was, in fact, a "song" consisting of nothing more than 1m 3s of silence--that was known from the beginning.

      The point of the article is that the person admitted to and documented that he went through the exercise of using "illegal" DRM removal software to create a non-DRM version of the original file. As long as the content of both files are bit-for-bit identical, save the DRM, and the resulting file was created by applying the DRM-removal software to the original file, the issue really becomes one of a DMCA violation. That the song contained nothing but "silence" is irrelevent. (It only serves to question the extent to which the DMCA can be enforced.)

      As another poster pointed out, even if "silence" can't be copyrighted, if the guy didn't strip out any existing Cover Art, he COULD be sued for copyright violation.

      As absurd as it may sound, this guy could get himself in trouble for this.

      --
      My mom always said, "Jim, you're 1 in a million." Given the current population, there are 7000 of me. God help us all!
    6. Re:Um ... okay? by Anonymous Coward · · Score: 0

      In other words, it's a giant hollow straw man. Let's just burn it and move on.

    7. Re:Um ... okay? by Anonymous Coward · · Score: 0

      Just wondering...

      How do we know that he successfully copied the audio file? Isn't it possible that something got messed up, and all he has is a file full of new silence, as opposed to the copied silence?

      I have an older iBook without an internal CD burner. iTunes can't see my external burner, but a couple of of times I tried copying songs from iTunes into the burn list of my Toast software that came with the external drive. I burned the disc, and, voila! I had the right number of tracks, the right durations, but they were all silent.

    8. Re:Um ... okay? by Anonymous Coward · · Score: 0

      Yes it's possible. However I think it exceedingly unlikely he would raise that argument as a defence at trial. His intent is to stipulate that he violated the law in question.

  75. no by zerkon · · Score: 1

    from http://www.copyright.gov/

    What Is a Sound Recording?

    The copyright code of the United States (title 17 of the U.S. Code) provides for copyright protection in sound recordings. Sound recordings are defined in the law as "works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sounds accompanying a motion picture or other audiovisual work." Common examples include recordings of music, drama, or lectures


    therefore no sound, no copyright...
    sounds good to me... (no pun intended)

    but this post on the otherhand... blatently stolen from their website hmm...

    1. Re:no by narcc · · Score: 1

      "Moments of Silence are part of the Music." -Anonymous

  76. Wow Compression by jfried · · Score: 5, Interesting

    man 1.1 MB for just silence you would think nothing would compress down to almost nothing.

    Realy take a look, whats hard to compress, variance.
    The song is the same the entire track. so realy that could be compress quite nicely. no need stereo is silence after all. no need for a bit rate, its silence.

    Frankly I am a bit disapointed in the compression.

    1. Re:Wow Compression by Anonymous Coward · · Score: 0

      Hmm.

      So the descriptive version of the track, Silence(63s) (also known as Volume(0), Wait(63s)), is copyright. But how can that be copyrighted, it is too insignificant a work.

    2. Re:Wow Compression by LesPaul75 · · Score: 2, Informative

      Actually a good point about MP3 (and similar) compression schemes. They have a fixed bitrate. So when you compress a song, you say "compress this audio down to 128K bits per second" and then the algorithm throws away all of the frequency data that won't fit into that many bits. So, even if it's dead silence, the algorithm is still going to fill up 128Kb for each second of silence (even though it's effectively filling that 128Kb with zeroes). Even if you use VBR (variable bit rate) compression, the algorithm still tries to average a certain overall bitrate, so the result is the same. It would be nice if you could just say "compress this song using as many bits as you need to make it sound good," but unfortunately the phrase "to make it sound good" is very subjective. The algorithm doesn't know what sounds good.

    3. Re:Wow Compression by Leto-II · · Score: 4, Informative

      Even if you use VBR (variable bit rate) compression, the algorithm still tries to average a certain overall bitrate, so the result is the same. It would be nice if you could just say "compress this song using as many bits as you need to make it sound good," but unfortunately the phrase "to make it sound good" is very subjective. The algorithm doesn't know what sounds good.

      Bzzt. Wrong. VBR schemes in formats such as OGG, MPC, and others are based on "quality" as opposed to bitrate. There's certainly a correlation between the two, but the idea is to have compression levels linked to quality as opposed to size.

      Even with MP3 you can have VBR encodings that go down to 32 bps during silence. Check out LAME's "alt-preset" (just preset in recent revisions) command line options for damn good quality based settings.

      See Hydrogen Audio for more information than you could ever want.

      --
      Do not anger the worm.
    4. Re:Wow Compression by LesPaul75 · · Score: 1
      Even with MP3 you can have VBR encodings that go down to 32 bps during silence.
      Did not know that, thanks. I guess the author of this "silence" MP3 didn't know that, either. :)
    5. Re:Wow Compression by Anonymous Coward · · Score: 0

      It would be nice if you could just say "compress this song using as many bits as you need to make it sound good," but unfortunately the phrase "to make it sound good" is very subjective. The algorithm doesn't know what sounds good.

      Not totally true. You can take a file and run it through gzip or something. Then ungzip as you send it to the audio device. There are all sorts of lossless codecs that do this.

    6. Re:Wow Compression by gotem · · Score: 1

      dd if=/dev/zero of=/dev/dsp count=x
      just adjust count depending on the machine

  77. I fear this: by azav · · Score: 1

    "And now we bow our heads for a moment of silence. Use of this copyrighted moment of silence has been granted by the respective copyright holders and a generous grant from the Chubb Group." :/

    --
    - Zav - Imagine a Beowulf cluster of insensitive clods...
  78. Your Version.... by MindSlap · · Score: 0

    "If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?"

    ===
    Nawww.. Just add 3 more seconds of silence and call it the HOUSE VERSION...

  79. Couple Issues. by BrookHarty · · Score: 3, Interesting

    I think there are few issues here, the main one that DRM was cracked and put on the web, doesnt matter what the song was, that was illegal in the USA. I couldnt get on the website, but if its the same file with DRM disabled, thats a problem.

    Converting to a non-copyprotected format is already allowed, since they let you burn iTunes to CD. And since they already allow you to convert to one format, you could argue that point that you are just converting to another for personal use.

    And the tune itself is nothing but silence, which seems flawed, as there is only 1 silence by nature itself, doesnt seem logically to be copyrightable.

    Myself, I stopped using iTunes, as it doesnt carry the music I want, a few only radio stations do, so I use stream rippers, which is the same as saving off a radio. Not illegal yet, but wouldnt stop lawsuits, they can use for anything.

    1. Re:Couple Issues. by superpulpsicle · · Score: 1

      This whole DRM crack thing is taken way out of proportion. For something to be considered copyrightable, it doesn't need a creative edge. It just needs a good lawyer to find a matching case from the past that shows something noncreative was copyrighted.

      That's how all these real criminals are out on cheap 1 week bail. I am not saying this guy with his empty track is a criminal. Just trying to point out the loophole in the legal system.

    2. Re:Couple Issues. by LesPaul75 · · Score: 1
      And the tune itself is nothing but silence, which seems flawed, as there is only 1 silence by nature itself, doesnt seem logically to be copyrightable
      I have to disagree (slightly) with this statement. First of all, if you digitally record silence, depending on how you do it, you won't get all zeros. You'll get some noise, etc... Second of all, even if you did create an audio file and fill it manually with all zeros, you would still have an audio file. It would be a bunch of numbers stored on a hard disk somewhere, which means it would be absolutely the same thing as every other audio file in the world.

      Guns-n-Roses_Welcome_to_the_Jungle.wav looks like this:
      ...9191d51bde5f4ce5f4c2ed5f4dd5f4ac2abc24eb...
      Your_audio_file.wav looks like this:
      ...0000000000000000000000000000000000000000...
      The important point is that your "silence" audio file is absolutely no different from any other audio file in the entire world -- it's just a bunch of numbers that represent audio data. So he did, in fact, break the law by copying silence. Therefore, one of two things must be true:

      1) This person really did commit a crime, conceptually, by creating one minute and three seconds of silence, and he deserves to be punished,
      or
      2) The copyright system doesn't make any sense in it's current form.
    3. Re:Couple Issues. by cute-boy · · Score: 1
      Myself, I stopped using iTunes, as it doesnt carry the music I want, a few only radio stations do, so I use stream rippers, which is the same as saving off a radio. Not illegal yet, but wouldnt stop lawsuits, they can use for anything.

      I work in radio. The sound you hear from radio is not the same as the sound engineer heard through his studio monitors after he finished mastering the recording for release. For that reason it's probably less of a target than direct track ripping from CDs.

      Radio stations use a variety of processing techniques before broadcast - notably compressors and and limiters, for several reasons:

      Compression makes the output level more uniform. The big times poeple listen to radio is over breakfast, and in the car, which are all noisy environments. Classical stations probably do this least.

      Limiters stops the output levels getting to high (and thus causing distortion) when a huge bass line kicks in etc. on a track which started quietly.

      All this makes the 'sound' of the station less dependant on the programmer/producer/presenter's hands at the mixing desk.

      Commercial stations use lots of compression, equalization, and effects processing, to get that crisp, excited, ultra-produced, loud sound (ugh...).

      Additionally, with radio, there are whole extra layers of electronics involved in getting that signal to your ears.

      RG

    4. Re:Couple Issues. by abborren · · Score: 1

      They also need limiters to make sure they do not transmit signals more powerful than what they are allowed to.

      --
      ><////>
  80. in case of slashdotting by WormholeFiend · · Score: 1

    can we have a torrent of that file?

  81. The Beatles did it first ... by motorsabbath · · Score: 1

    ... so you're all ripping them off. Well, actually, Michael Jackson bought the rights to all their stuff, so you're ripping him off. But really, in the end, who gives a damn?

    --
    The heat from below can burn your eyes out
  82. i should add... by sum.zero · · Score: 5, Funny

    that any ashlee simpson song consisting of silence would be a vast improvement over those with noise.

    sum.zero

    1. Re:i should add... by Anonymous Coward · · Score: 0

      Good thing last I read +1 Funny doesn't affect Karma (the FAQ seem to be down... otherwise I'd post a link), or I would call you a karma whore for that display of nonsense.

    2. Re:i should add... by Ravenrage · · Score: 5, Funny

      A moment of silence for his web server

    3. Re:i should add... by operagost · · Score: 1

      And she wouldn't have to bother lip-syncing anymore. She can just stand there and look good.

      --

      Gamingmuseum.com: Give your 3D accelerator a rest.
    4. Re:i should add... by Anonymous Coward · · Score: 1, Insightful

      You think she looks good?!!

    5. Re:i should add... by Anonymous Coward · · Score: 0

      if 'look good' you mean do a hoedown and then her mcauley culken routine, i think i'll pass. :p

  83. Does iTunes have a preview sample? by Anonymous Coward · · Score: 0

    What does it sound like?

    1. Re:Does iTunes have a preview sample? by musselm · · Score: 1

      Yes, I just checked and there is a sample.

      What does it sound like?

      Verrry funny....

  84. New profit model: by Shadow+Wrought · · Score: 1
    (1) Create 1 second "song" of silence
    (2) copyright said "work"
    (3) Charge minimal license to use said work
    (4) Vigorously sue any medium who uses your "work"
    (5) Profit! (a lot!)

    There should probably be a step (3a) to hire Darl McBride and Boies et al to handle step (4)...

    --
    If brevity is the soul of wit, then how does one explain Twitter?
  85. Silence is Golden by Anonymous Coward · · Score: 0

    this is a bit of a tangent, but does anyone notice when you go to AMC theatres that they've trademarked "Silence is Golden"?

  86. Pootie Tang! by linedpaper242 · · Score: 1

    This song has already been done by Chris Rock! Anyone seen the movie Pootie Tang? He has a silent song in there!

    1. Re:Pootie Tang! by linedpaper242 · · Score: 1

      My stupid mistake Chris Rock is actually the DJ, Pootie Tang wrote the song!

  87. Mike Watt by fohat · · Score: 2, Informative

    The gentleman from Ciccone Youth was Mike Watt. (not Batt as the op seems to say).

    --
    Is there heaven? Is there Hell? Is that a Tuna Melt I smell?-Primus
    1. Re:Mike Watt by fohat · · Score: 1

      It appears that in fact the OP did mean Mike Batt after all: http://news.bbc.co.uk/1/hi/entertainment/music/227 6621.stm

      Watt?
      Batt! /thud

      I get it now.

      --
      Is there heaven? Is there Hell? Is that a Tuna Melt I smell?-Primus
  88. a men? by sum.zero · · Score: 1

    you are mixing the singular and the plural there... ;)

    sum.zero

  89. Re:Well fucked... by vettemph · · Score: 0, Troll

    That moment of silence gives us time to think about how fucked we all are under the current regime. surely this will be banned because it encourges free thought.

    --
    The government which is strong enough to protect you from everything is strong enough to take everything from you.
  90. Well... I'll be sending the letter by digitalgimpus · · Score: 1

    I have a copyright on silence.... ...which is also patent pending.

    I'll send out that letter in a few movements.

  91. There is a precedence for this... by Sloppyjoes7 · · Score: 5, Informative

    As evidenced by Mike Batt being sued by the John Cage Trust, people have been sued for copying silence.

    Apparently, his minute of silence "infringed" on the late John Cage's 4'33 of silence.

    No joke. No legal precedence was set, as the matter was settled out of court. (I wonder how much the trust got out of suing someone for copying silence.)

    1. Re:There is a precedence for this... by uncadonna · · Score: 1

      Well, they said it was a check for six figures, but I'm having trouble avoiding the conclusion that the amount was exactly UKP 000,000

      --
      mt
  92. Play it Backwards !!! by Anonymous Coward · · Score: 0

    My god man,
    can't you hear it?!

    The voice of Satan giving orders directly to RIAA !

    Seriously though, I have heard 'lower case' music that sounds like - oh, almost nothing...
    but when put through a few of the Microsoft Media Player Visualizations - it paints words or pictures.

  93. It's not the same tune at all! by raygundan · · Score: 4, Funny

    This version is an old-school hip-hop track, consisting solely of short, reordered samples from the original, with the addition of turntable scratching with the mixer volume turned all the way down.

  94. RIAA works quick! by thebra · · Score: 1

    account suspended Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account.

    1. Re:RIAA works quick! by devbone · · Score: 0

      Here is the google cache if anyone is interested... http://www.google.com/search?q=http%3A%2F%2Fplasti cbugs.com%2Findex.php%3Fp%3D223&start=0&start=0&ie =utf-8&oe=utf-8&client=firefox&rls=org.mozilla:en- US:unofficial

      --
      Devon in Denver
  95. Meaningless by eckroth · · Score: 1

    The problem with worrying about this is whatever conclusions are made depend on the song in question being silent; such as, "Well, if the song is silent, then DRM doesn't apply."
    This is like working with sets in math and debating over what happens if the set is empty. In nearly all theorems involving sets, the set is assumed to be non-empty. Whatever may come of it being empty is likely to be meaningless.

  96. I guess the track could be worth a listen by GMFTatsujin · · Score: 4, Funny

    But on the other hand, I'm kind of getting sick of cover versions...

  97. You are misunderstanding John Cage by Andabata · · Score: 1

    The proposal you set (ripping off 1' 3") is flawed from the start. There is no point in recording it, because it is NOT SILENCE. John Cage simply requested no musical instrument to be played, except by accident. He did not specify "silence". So, one listens. For 1'3" of time, one listens. And since silence is never absolute (at the very minimum, you'd hear your own heart and muscles), you always listen to something. Cage's proposal was a way of proposing that we all remember to listen to everyday sounds, to environment sounds, not as noise but as content. It is an idea readily used nowadays, whenever a musician includes both outright noise or pre-recorded effects amidst more tradicional musical content. Try it now: for 1'3" listen to as much things as you can, open up and try to discover as many facets to sound as there are. That's Cage's work, not listening to a recording of that duration and ignoring all the sounds that surround you - that's a perversion of his ideia.

  98. oh snap! by alx · · Score: 1

    Pootie tang did it AGAIN!!!

  99. Already dead by kb7oeb · · Score: 1

    Looks like they caught that nasty criminal

    account suspended
    Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account.

  100. not in court by mehtars · · Score: 1

    I always thought that a copyright has to be an original work
    as a result, the so called 'tune' of silence would not qualify as being original.

  101. Account suspended by Anonymous Coward · · Score: 0

    The account on plastic bugs has now been suspended...

    1. Re:Account Suspended by omahajim · · Score: 2, Funny

      Here's a mirror then:

  102. Silence, Sweet Silence... by Anonymous Coward · · Score: 0

    By any other name would smell just as much!

  103. Here's what I have to say about that: by Anonymous Coward · · Score: 0
  104. forget iTunes by MEGAMAID · · Score: 1

    No way I'm I downloading it from iTunes. I'm going to wait till they release it here or here. Save 80c on my silence.

    --

    Waking Up - There must be a better way to start the day.
  105. Sweet--I can steal GillBates by Anonymous Coward · · Score: 0


  106. How to make songs you can sue over by AvantLegion · · Score: 1
    1) Make a ton of different 30-second long songs, each of which contain a single sound effect. For example, you might have a bunch of them that contain a service desk bell sound, each song having the sound at a different time

    2) Wait for a 30-second commercial to use that sound effect. If the commercial plays the bell sound 23 seconds into the spot, well then, obviously they were using your song (the one with the bell at 23 seconds) as background music!

    3) Sue.

  107. It's not the silence. by jwcorder · · Score: 2, Interesting
    That's not the issue. The issue is he broke the DRM. If I take an empty box and put it in a safe in my house and leave the front door of my home standing wide open, then you walk into my house and crack the safe and take the box, you have committed multiple crimes.

    Is it stupid? Yes. Is it illegal, most certainly.

    --
    http://jayceecorder.blogspot.com
  108. Suspended already? by lewp · · Score: 1

    Some of the idiots at this guy's hosting company must really be on the ball ;).

    --
    Game... blouses.
  109. Account Suspended by un1xl0ser · · Score: 1

    It now says that the account is suspended. Suspended because of bandwith usage, or because of the illegal activity? I wonder if you declare that you are engaging in illegal activity, they just assume that you are and shut you down.

    --
    v4sw6PU$hw6ln6pr4F$ck 4/6$ma3+6u7LNS$w2m4l7U$i2e4+7en6a2X h
  110. But why would I want minute abs? by cliveholloway · · Score: 1

    And I thought there were more than six of them? Hmmmm.

    I thought the point of working out was to bulk them out?

    Or am I missing something :)

    cLive; -)

    --
    -- Trinity in high heels carrying a whip: The donimatrix - there is no spoonerism
  111. DMCA does not have jurisdiction by bill_mcgonigle · · Score: 5, Informative

    but if he cracked the DRM to access the silence, it is indeed a crime under the DCMA

    Not so. The DMCA forbids circumventing technological measures that control access to copyrighted works. In this case, since silence does not qualify for copyright, you'd be circumventing technological measures that control access to uncopyrighted works, which would not fall under the DMCA.

    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  112. remix by Anonymous Coward · · Score: 0

    Meh, I like the dance mix better.

  113. Don't be silly... by gandell · · Score: 1
    This is a digital file, remember. So instead of 0010111100101110, you get 0010111000101111.

    And yes, it IS backwards.

    --
    Mercy was given to me by Christ...I must give the same to others.
  114. It was actually settled out of court. by SamTheButcher · · Score: 1

    This article shows that this piece has been in the courts before.

  115. Who owns the copyright... by Procrastin8er · · Score: 0

    ...for recorded silence of the length 1m3s?

    --
    Slashdot - Where the slash is most definitely to the left.
  116. Copyright was violated by poster by cabraverde · · Score: 1

    By posting the phrase "1 minute 3 seconds of silence" you have digitally reproduced the entire work (in a compression format known as the English language).

    jc42, you're a filthy copyright thief!
    Oh crap. So am I.

    1. Re:Copyright was violated by poster by jc42 · · Score: 1

      No, actually; that's just the work's title. It's clearly legal to reproduce such a title in its entirety. Reviewers do this all the time.

      Here's a reproduction of the actual work:

      (Don't scroll this page for at least 1 minute 4 seconds, or the above text won't display properly.)

      --
      Those who do study history are doomed to stand helplessly by while everyone else repeats it.
  117. does it... by fnord_uk · · Score: 1

    compress well?

    --
    In theory, theory and practice are the same. In practice, they're not.
  118. You say that as if they actually had jobs... by Anonymous Coward · · Score: 0

    But that would require the slashbots getting off their fat asses, getting dressed, getting out of their parents basement, going outside, and actually looking for work!

  119. He's infringing my patent too by flinxmeister · · Score: 1

    It's called "An electronic method fo timing out connections to mp3's containing silence by pointing like a bazillion web browsers at it"!

  120. 8 notes identical means nothing copyrightable? by SeanDuggan · · Score: 1

    There's an article I read, findable at http://slashdot.org/~yerricde/journal/36125, mathematically demonstrating that with the legal ruling that it only takes an 8 note similarity for music to infringe, and given the limited range of what music can be, it's impossible to create a non-infringing song. I had an odd thought a few days though... since every song can be shown (presumably) to have at least an 8-note similarity to a prior piece of music which is in public domain, does this mean no copyright is valid?

    --
    This sig has absolutely no significance and serves only to take up screen space and waste the time of the reader.
  121. "Account Suspended" by One+of+the+abnormals · · Score: 0

    They suspended his account already: "account suspended Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account."

    --

    2b || !2b =?
  122. Account Suspended by Morosoph · · Score: 1
    Google Cache. Clearly the ISP acted to prevent "flagrant copyright", for I got this page, or optimistically, excessive bandwidth.

    The original link is here, if anyone wishes to try it out.

  123. Enjoy! by Anonymous Coward · · Score: 0

    dd if=/dev/zero of=/dev/audio bs=8000 count=63

  124. You're Under Arrest...... by AKosygin · · Score: 2, Funny

    Anything you say will be used in a court of law, and anything you don't say will be used to prosecute you for copyright infringement.

  125. Site Suspende by JTorres176 · · Score: 1

    Man, I tried clicking the link and the sites down. the RIAA is moving much more efficiently now apparently. :D

    --
    Evil Walrus >83=
  126. REPOST: Site Taken Down by jonharrell · · Score: 1

    Look Out, Hollywood! Breaking The Law I'm gonna preface this by saying that I love Apple and their products and I hate the RIAA and their shortsightedness. My only complaint with Apple is the restrictive DRM built into iTunes Music Store songs (also, those new G5s could be a little cheaper). In protest, I've committed a real crime and documented the entire process. But it shouldn't be that way and that's why I've done it. Come and get me, Apple! Come and get me, RIAA! It all started with a free song code from the Pepsi iTunes promotion. I tilted several Pepsi bottles at the local Ralphs (just look for random letters under the cap), found me a winner and scored a free song. You may not know this, but there are several tracks that you can buy from that iTunes Music Store that consist of nothing more than total silence. Here's one from Ciccone Youth (a Sonic Youth side project): So I bought it. Then, I wanted to play this song on another device other than my iPod (I own a Creative MuVo TX MP3 Player). No go. The Digital Rights Management (DRM) makes it impossible to transfer the song to my other MP3 player unless I go through some ridiculous steps which involve burning the purchased song to a CD and then ripping it. This causes a noticeable loss of sound quality due to the song being recompressed. Totally unacceptable. I want pure silence. So I stripped the DRM using JHymn, a cross-platform application that unlocks your DRM'ed songs and keeps the original's sound quality. This is absolutely, positively illegal according to the Digital Millennium Copyright Act (DMCA). One law broken, one to go. One file is legal, the other one is definitely not. Can you spot the one that'll get me in trouble? I'll give you a hint: it's the one without the little lock over its icon. There's just one law left to break. I'm offering this very file for download here on my website. So go ahead, download it (1.1 MB) and break the law with me. Right click, save as, and crank it up on your favorite portable electronic music player. If this little stunt gets me in trouble, you'll be the first to know. You can help stop the RIAA and their nonsense at Downhill Battle. Find out more about protecting your digital rights online at the Electronic Frontier Foundation's website. Silence is golden. Get involved. This entry was posted on Thursday, February 17th, 2005 at 12:43 am and is filed under Apple, Hack, Free Stuff. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site. One Response to 'Breaking The Law' 1. G Says: February 17th, 2005 at 4:51 am I feel like I'm making a difference. Leave a Comment

  127. Glenn Branca concert by suso · · Score: 1

    That's funny.

    John Cage attended a performance of Glenn Branca and stood up in the middle and yelled "If this is the future of music then we're all going to hell!" And that was John Cage saying that!! Of course, a lot of John Cage's music is actually listenable. So I guess he just got fed up with the psuedo-chord progressions that Branca makes with his 12-100 guitar chorus.

    If you can ever find some of his music (pretty rare in music stores), its worth listening too.

    1. Re:Glenn Branca concert by milkman_matt · · Score: 1

      John Cage attended a performance of Glenn Branca and stood up in the middle and yelled "If this is the future of music then we're all going to hell!"

      Well shit if he attended the latest Spears/Aguilera/Simpson/Etc concert he'd probably shoot himself in the head without even leaving his seat then.

      Then again, I don't know who Branca is, but still.

  128. Basic misunderstanding of copyright law. by J4 · · Score: 1

    The silence isn't copyrighted, but that particular _recording_ of it is.

    Silence is in the public domain.
    If I record something in the public domain, my recording of it is what's copyrighted.
    Additionally, if I record something _not_ in the public domain, the product has several copyrights.
    The copyright of the piece performed, copyright of the actual performance and the copyright of the recording.

    Copyright law is a good thing, being an idiot is not.
    Put down the Cheet-os and Mountain Dew and use the 'net for something besides looking at porn to whack off to while yer waiting on Gentoo, huh?

    1. Re:Basic misunderstanding of copyright law. by J4 · · Score: 1

      To clarify, the copyright belongs to the originator (of what specifically, is variable), so the latter case may have several copyright holders.

      Making a recording does _not_ transfer any copyright WRT the piece or it's performance. Technically, you're supposed to acquire permission before you record a piece,
      but the purpose is for book keeping. Nobody cares
      until there's money involved.

      You only ever own the copyright (in it's narrowest interpretation) to what you created.

    2. Re:Basic misunderstanding of copyright law. by Anonymous Coward · · Score: 0

      Your grasp of copyright law is refreshing. You are missing one thing though. See my "Yes and No" post.

    3. Re:Basic misunderstanding of copyright law. by Anonymous Coward · · Score: 0

      So how do you identify a particular recording of silence?

      Say I record 30 seconds of silence. You record 5' of silence. I sue and say you sampled my recording without my permission. How can you prove you didn't sample my recording?

      It's actually Sierra Mist, a fuzzy, and and waiting for the man :)

  129. Dogbert Static Network by joemc91 · · Score: 1

    Sorry to say this, but you've been beaten to it by DSN

  130. The circumvention *device* by tepples · · Score: 3, Informative

    since silence does not qualify for copyright, you'd be circumventing technological measures that control access to uncopyrighted works

    Except for the fact that the same circumvention device that cracks uncopyrighted works can also be used to crack copyrighted works in violation of 17 USC 1201(a)(2) and (b).

    1. Re:The circumvention *device* by Anonymous Coward · · Score: 0

      Yes, but isn't the matter somewhat moot? I don't need a circumvention device to generate 1'3" of silence. Unless you consider anything which generates silent mp3's to be a circumvention device, which is obviously far too broad a reading.

    2. Re:The circumvention *device* by mrchaotica · · Score: 1

      Yeah, but silence generated from /dev/zero is not the same as silence decrypted from an iTMS track. (legally, at least -- search for an article titled something like "What color are your bits?")

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    3. Re:The circumvention *device* by Capt'n+Hector · · Score: 1

      My computer is a circumvention device. I suppose I should stop usi

      --
      Quid festinatio swallonis est aetherfuga inonusti?
      Africus aut Europaeus?
    4. Re:The circumvention *device* by Anonymous Coward · · Score: 1, Insightful

      i hate to play the pedant (aww, hell, who am I kidding, I live for this), but has ANYONE ever paid real money for a DRM'd copy of 1'30" of silence?

      joke is very much on you, if you happen to be out there..

  131. Interpretations of "silence" by bitslinger_42 · · Score: 2, Interesting

    One thing I find noticablly missing from this discussion is the fact that a recording of a performance of Cage's 4'33" would not, in fact, be the audio equivalent of a zero-byte file. Cage's intention, as documented here was that there can be no such thing as listening to the total abcense of sound. A recording of a performance of 4'33" should include the ambient noises from the recording situation (made better now through improved recording techniques).

    I guess that one could "perform" the performance by listening to the whole piece on a computer where the music file is 4'33" of nulls and end up listening to the ambient noise in the listening environment (my ears ringing, in my case, due to audio abuse I subjected them to in my youth), but that would probably be more of a computer-induced performance of the piece rather than an accoustic recording of another performance, which would include audience noises (i.e. people shifting in their seats, polite coughs, etc.) as well as environmental ones (i.e. air handling system cycling, wind movement in an outdoor environment, etc.)

    1. Re:Interpretations of "silence" by fnord_uk · · Score: 1

      I'd recommend just turning the audio amp up full blast. You should get plenty of white noise then. Be careful, though. You may shit yourself if you get mail!

      --
      In theory, theory and practice are the same. In practice, they're not.
  132. MAGNUS OPUS! by Anonymous Coward · · Score: 0

    http://www.magnus-opus.com/index1.html

    You may be breaching copyright law everytime you use your phone.

  133. New remix just released by Anonymous Coward... by Anonymous Coward · · Score: 0

    It's 1 minute and 2 seconds of silence.

  134. Did you forget 1201(a)(2) and (b)? by tepples · · Score: 1

    If it can not be copyrighted then can you violate the DMCA on something that should never have been granted a copyright?

    Yes, by owning a device that can be used both to crack copyrighted files and to crack uncopyrighted files. (Here, "to crack" means "to circumvent any measure protected under 17 USC 1201".) If a court finds that you made or acquired a device capable of cracking copyrighted works, then you're in trouble under 1201(a)(2) and/or (b) unless you can prove that the device is primarily useful for cracking uncopyrighted works.

  135. Lawsuit Material by TiggertheMad · · Score: 1

    Yeah, but you should know about the subliminal messages that were backward-masked in the recordings. I think that my friend's sister's ex-boyfriend saw Ferris Buler kill himslef at 31 flavors last nigh while listening to it.

    --

    HA! I just wasted some of your bandwidth with a frivolous sig!
    1. Re:Lawsuit Material by jafomatic · · Score: 1
      Well then, I guess it's pretty serious.

      Thank you, Simone.

      --
      ::jafomatic
  136. Committing a crime... by Anonymous Coward · · Score: 0

    If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?

    Don't fuck with John Fucking Cage

  137. Ripoff by qigong · · Score: 1

    Man, this song is such a ripoff of my 1:02 of silence! Forget the DMCA, this is copyright infringement!

    Thankfully, no one has stolen my 1:12 of 60Hz hum, or the extended 1:32 remix yet.

  138. I've been asking for years... by Anonymous Coward · · Score: 2, Interesting

    "How did we let the entertainment industry get away with this?"

    I've been asking for 5 years on /. how the FBI became the enforcement arm for the RIAA and MPAA, and I always get modded as flamebait.

    I've given up, because either there's a lot of trolls (or astro-turf'ers) from record companies, or most of the kids here are brainwashed about copyrights; they think a copyright is magically juju.

  139. 1. Excerpt; 2. The label granted permission by tepples · · Score: 1

    if the song (as in this case) was part of a larger work of art (the album) then it's got a frame of creativity around it

    But if the "frame of creativity" does not accompany the download of an excerpt that by itself is not copyrightable, then it is an uncopyrightable excerpt from a copyrighted work, right?

    no matter how Apple distributes it

    If the label grants permission to distribute a single other than as "Album Only", then the label has to accept all the side effects that come with such permission.

  140. Yes and no by Anonymous Coward · · Score: 0

    Not as long as you paid them their publishing rights for the silent song. Being that it's a copyrighted work, and been done before, you are performing a cover of the song, and owe them a publishing royalty, since instead of copying their recording of silence, you made your own.

    If you record your own silent song, you are performing a cover of it, and this is allowed if you pay them.

    They submitted a blank page of lyrics and a sheet of tablature (probably consisting of rests, key signature, and tempo)to copyright the song itself (the written work), guarantee their right to the published work, right to perform it, and to legally guarantee a fee at the federal level, from those who perform it.

    They had to lay out tempo, name it, set up how many measures it was etc., so despite being minimal, it is intellectual property.

    However, if you do the same, and change the tempo and number of measures, it is a different song. Proving that your song was different would consist of pulling the tablature, sheet music, out and the copyright certificate out and showing the judge that your song was different. If it had different tempo, different number of measures, a different time signature, and/or a different key signature, it would be sufficiently different to be a different song.

    if you wanted to get jiggy with it, you could even change tempo in midsong, or key signature.

    It would, however, make you a derivative snot and make it appear that you can't come up with your own unique thing ; ) These guys have other songs that aren't silent, so in context, it's actually an original work that deserves consideration. It's part of the package.

    I know it sounds silly, but there is artistic merit to this, in addition to the legal rights they have. This guy that ripped their silence and put it up on the internet, and announced it to the world, is playing with fire, unless he has his own silent song copyrighted and it adds up to the same amount of time.

    l8,
    AC

  141. Comitting a crime... by AyeRoxor! · · Score: 1

    If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?

    You don't fuck with John Fucking Cage

  142. What about a digital watermark? by promethean_spark · · Score: 1

    I'd think if they digitally watermarked the 1'3" of silence, all you'd get is their 'secret' watermark. Shh. ;)

    1. Re:What about a digital watermark? by Anonymous Coward · · Score: 0

      a digital watermark can be defeated with a mastering EQ, or any eq that can roll off at 38hz for low cutoff and 20khz for high. If the watermark is within human hearing, it wouldn't be silent.

      If it's a file header, it can be removed with a hex editor or format conversion.

  143. In Other News by Anonymous Coward · · Score: 0

    The /. lameness filter cried & cried about being so crappy.

    Thank god there are work-arounds for HILLARIOUS posts like this!

  144. John Cage's 4'33" isn't actually silence...OK? by lxt · · Score: 2, Informative

    As a music student, I feel perhaps it is my duty to point out that a proper live performance of 4'33" isn't actually "silence". If you were to hear the piece live, you'd be hearing the sounds of the nervous shuffles, coughs, expectant wheezes of all the people around you. That's the point of the piece.

    Seeing as 4'33" is actually written out in music, to record the piece you must perform it, using a piano. Even a studio recording will not be perfect silence, and a live recording will have a noticeable amount of background noise, maybe with the occassional cough, giggle etc.

    1. Re:John Cage's 4'33" isn't actually silence...OK? by Larry+Lightbulb · · Score: 2, Informative

      It's for any instrument/s. The first performances were by David Tudor on piano and that seems to have stuck.

    2. Re:John Cage's 4'33" isn't actually silence...OK? by catdevnull · · Score: 1


      First, I think that cage's 4'33" challenged the status quo about what music actually is. This silly post about silence, I suppose, is the same sort of challenge to copyright and the DRM. As a classically trained composer myself, I feel qualified to say that Cage was more a philosopher than he was a musician--but that doesn't minimize his importantance. Of course, I prefer 4'33" to Stockhausen's Helicopter String Quartet.

      Either way, all of these pretentious stunt artists are silly.

      --

      I might know what I'm talkin' about, but then again, this is Slashdot...
    3. Re:John Cage's 4'33" isn't actually silence...OK? by omahajim · · Score: 1
      Helicopter String Quartet

      Gee, I was expecting to be, uhh, blown away by the piece. Can't say that I was.

    4. Re:John Cage's 4'33" isn't actually silence...OK? by catdevnull · · Score: 1

      You didn't find it uplifting? Perhaps it should end on a high note?

      --

      I might know what I'm talkin' about, but then again, this is Slashdot...
  145. Not true by bill_mcgonigle · · Score: 5, Interesting
    the Digital Rights Management (DRM) makes it impossible to transfer the song to my other MP3 player unless I go through some ridiculous steps which involve burning the purchased song to a CD and then ripping it. This causes a noticeable loss of sound quality due to the song being recompressed. Totally unacceptable. I want pure silence.

    So I wondered how the various codecs handle silence. That seems like an easy optimization for the codec implementor. Here's what I did:
    1. created a 10-second silence sound file in Sound Studio 44.1/16/stereo
    2. exported it to AIFF
    3. opened it in QuickTime player and re-saved it as AAC/128/best quality
    4. opened that file and re-saved as AIFF
    5. encoded that file to MP3/192/joint stereo/best quality in Audeon
    6. opened that file in QuickTime Player and saved it to AIFF
    7. opened that file again in Sound Studio
    I zoomed all the way in on the digital waveform, maximum magnification, and scrolled through all 10 seconds. All the bits were pinned at 0.

    So, while the guy is right in almost every case, he picked a really bad example to make this particular argument on. If he had burned to CD and ripped, assuming is CD-ROM drive is good he'd have pure silence in the re-ripped soundfile.

    There must be something in the iTMS that's public domain that would make a better example.
    --
    My God, it's Full of Source!
    OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
    1. Re:Not true by hikerhat · · Score: 1

      Yeah. I think he was being ironic.

    2. Re:Not true by askywhale · · Score: 1

      Your demonstration is incorrect : there is a loss of datas in any of your encoders. If only the last of them (and it is the case) lost everything, then you have blank file, but perhaps aiff or aac had done modifications that create (very small) noise

    3. Re:Not true by bill_mcgonigle · · Score: 1

      Your demonstration is incorrect : there is a loss of datas in any of your encoders. If only the last of them (and it is the case) lost everything, then you have blank file, but perhaps aiff or aac had done modifications that create (very small) noise

      When the input file and the output file are identical, there is no introduced noise and the encoding is lossless.

      --
      My God, it's Full of Source!
      OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
  146. Cease and Desist letter by emtboy9 · · Score: 1
    Apparently someone did.

    Usually when a small site like that gets slashdotted, you get the "Over the Bandwidth Limit" page from your friendly provider. Instead, this is what I just found:

    account suspended

    Your account has been suspended. We have sent you an email explaining why. This email should also contain information on how you can unsuspend your account.


    the link in the post is redirected to this URL:
    http://host96.ipowerweb.com/suspended.html?p =223

    --
    "Our funds have never taken part in toxic or death spiral convertible financings of any sort" -BayStar's managing partne
    1. Re:Cease and Desist letter by Anonymous Coward · · Score: 0

      Oh no!
      They want to SILENCE him so he cannot SPEAK out on iTunes' atrocity anymore! AAHH!!

      I guess they forgot how loud things get when they get posted on /.

  147. What? by Spy+der+Mann · · Score: 1

    Sorry, I couldn't hear you.

  148. Counting rests, blea! by dunng808 · · Score: 1

    Yes and no. Notes convey two types of information, pitch and duration. Rests only convey duration. So, when assessing rhythm, notes and rests are of equal significance. Melodies are recognized by both pitch sequence and rhythm, so rests contribute to the nature of a melody that is subject to copyright. A melody composed only of rests is a non-melody. Cage's 4'33" is best viewed as a performance piece, more like a dance than music. AFAIK, coreography is not covered by copyright. Pianist friends tell me it is very hard to perform.

    --

    Gary Dunn
    Open Slate Project

    1. Re:Counting rests, blea! by Anonymous Coward · · Score: 0
      AFAIK, coreography is not covered by copyright.

      It certainly is.

  149. Common symbols for minutes - seconds by infernalC · · Score: 1

    Single and double apostrophes are common symbols for minutes and seconds, but not typically used in the context of time. One minute is 1/60th of a whole, and one second is 1/360th of a whole. The single and double apostrophes are used most commonly in stating the direction of a survey vector. (N 12* 13" 10' E, etc.).

    Trivia of the Day: The proper name for the symbol which separates the operands of a fraction, be it diagonal or horizontal, is a solidus, not a slash or bar.

    1. Re:Common symbols for minutes - seconds by idlake · · Score: 1

      , but not typically used in the context of time.

      They are commonly used for durations, for example, of musical pieces (duh).

  150. Sonic Youth/Ciccone Youth by Anonymous Coward · · Score: 1, Interesting

    They are basically the same band. For anyone who's interested, SY gives away DRM-free music (mp3s) on their site.

  151. Does that mean I am a criminal... by HogynCymraeg · · Score: 1

    ...every time I pay tribute to someone who dies?

  152. Re:wow by Wandering+Wombat · · Score: 0, Offtopic

    Mod these guys up. Better than Stattler and Waldorf, I tell ya. All it needs is a "yo mamma" to be true haute couture.

    --
    I like to place meaningful quotes in my sig, so people will know that I know what meaningful quotes are.
  153. How big is the mp3? by dameron · · Score: 1

    So that's what those 0k file size mp3s on the p2p networks are.

    -dameron

  154. Missing the point by ecloud · · Score: 2, Interesting

    What they told us in music appreciation class is that the point of John Cage's piece is that the audience does not realize that they are the ones giving the performance. There are always some ambient noises, and this piece gives us a chance to stop what we are doing and pay attention to our environment.

    So it is hard to claim copyright on a recording of ambient noise, which by its nature is a "public good" (if it can be said to be any kind of good at all).

  155. The Silent treatment by Jezza · · Score: 1

    Hmm... This is an interesting question - I guess if the track is really silent the how can you copyright it (it's like me copyrighting a blank sheet of paper - though I guess I'd have to put the copyright notice on the back... or is that the front? Hmm...)? There is nothing to copyright - so the fault is that this shouldn't have been copyright in the first place.

    I don't think the RIAA has much chance with this. Apple on the other hand seem to have a stronger case - you agree not to hack the files they "sell you" when you buy them (a condition of sale) and this is exactly what this guy has then done (he's broken a condition of sale). Now I suppose what Apple do about this is up to their own sense of humour - if they see that this is plainly stupid I guess they let it slide - I'm not convinced Apple have much of a sense of humour (sense of style perhaps).

  156. IANAL, just a law-talkin' layperson by poot_rootbeer · · Score: 1


    Sorry, but none of that stuff you cited about copyright law (and got modded "Informative" for) is actually true, at least not in the US (or other countries party to the Berne Convention).

    There are no minimum requirements on what a work must contain to be copyrightable, although doctrines of common sense do come into play when deciding cases of infringement. In reality, I COULD write and claim copyright on a book that contained only the word "the", and I could sue people for breach of copyright, but I would immediately have my cases thrown out on the grounds that others' use of the word "the" could not be proven to have been derived from my book.

    Raw unadulterated silence IS content. Who are you to say it's not?

  157. And occasionally... by toby · · Score: 1
    people coughing or shifting restlessly in their seats

    ...and occasionally storming out, yelling "This is an outrage! I didn't pay $25 to hear nothing!"

    --
    you had me at #!
    1. Re:And occasionally... by Larry+Lightbulb · · Score: 1

      People have stormed out of John Cage concerts when they did hear things.

  158. Not a criminal by Tom7 · · Score: 1

    To compound his crime, ... I downloaded it to iTunes, and it played just fine (but now I suppose I'm a criminal, too).

    Most copyright infringement isn't a crime.

  159. What does this have to do w/ Ciccone Youth? by Anonymous Coward · · Score: 0

    Just wondering... didn't think Sonic Youth, Mike Watt, J Mascis, et al would really give enough of a shit to do anything...

  160. RTFD by Anonymous Coward · · Score: 0

    The title is not a lyric.

  161. Possible Cage/Batt Car Boot Sale! by Paraplex · · Score: 1

    A six figure sum for using John Cage's work?

    I hope noone finds out about my vast collection of illegal copies of cage/batt recordings I have on this here spool...

    'plex

  162. The Law... by NoseBag · · Score: 3, Funny

    "If I were to make my own MP3 silent tune of exactly the same length and put it online, would I be infringing their copyright?"

    The Law is silent on this issue.

    --
    Cloned foods give the statement "We had that last week!" a whole new meaning.
  163. Quantity vs. Quality in the Silence Purchases by Stormy+Dragon · · Score: 1

    An important question left out here is which is the better purchase: 1'3" of Silence or 4'33" of Silence? On one hand, at 99 cents for each, 4'33" is the much better value as you get nearly three times as much silence for your dollar. On the other hand, 1'3" is obviously of much higher quality, as it manages to express in less than two minutes what 4'33" takes nearly five minutes to express. So which is the better purchase for penny-pinching lovers of post-modern music?

    1. Re:Quantity vs. Quality in the Silence Purchases by dhalgren · · Score: 1

      The longer one is way better. The best parts are all in the second coda.

  164. Steganograffiti by Anonymous Coward · · Score: 0

    Maybe it's not a song at all, but a secret message hidden in all the zeroes.

    1. Re:Steganograffiti by starglider29a · · Score: 1

      Maybe its the Eggs of Random Number Gereators all spitting out ZEROES! That means that something REALLY BAD will happen in about 4 hours.
      --
      Sig, Sig, Sig, the number of the beast

  165. Sue him, it's an extension of the concept by macslut · · Score: 1

    Maybe it's just me, but I think him being sued is in of itself part of the artwork. The "song" is organic. The concept's original meaning has extended to iTMS where you can actually buy the track...or try a slice of silence. So great, extend the artistic concept through the whole process. Have *this* be the case that is used where the DRM was hacked, the song traveled around on the P2P networks and the whole issue went all the way to the Supreme Court. Now *that* would be beautiful!

  166. The song... by Joey+Patterson · · Score: 0

    The song is "(Silence)" off of Ciccone Youth's The Whitey Album. Here is an iTMS link.

  167. How to break the law in 2 easy steps: by AaronW · · Score: 1

    dd if=/dev/zero \
    of=/tmp/OneMinuteThreeSecondsOfSilence \
    bs=96768 count=1000
    oggenc -r -R 192000 -q 10 \
    -o OneMinuteThreeSecondsOfSilence.ogg \ /tmp/OneMinuteThreeSecondsOfSilence

    Then share the file.

    This created a 28977 byte ogg file of silence with a play time of 1 minute, 3 seconds. Note that this is a very high quality stereophonic file with a 192KHz sample rate and 16 bits per sample (oggenc doesn't seem to like more than 16 bits/sample or more than 2 channels).

    Of course, I'm sure there's probably a way to do this in a single line, or you can skip the second step and just share the PCM file.

    -Aaron

    --
    This post is encrypted twice with ROT-13. Documenting or attempting to crack this encryption is illegal.
  168. 420th post by NitsujTPU · · Score: 1

    420th post.

    1. Re:420th post by NitsujTPU · · Score: 1

      Nope. Belabored that too long. I was going to say that this is silly... that this isn't front page news.

      Perhaps that it was cracked is big news.

      Perhaps if they got sued, bigger news.

      Pulling a silent file off of the network, and putting out an act of defiance to see what happens. Nice.

      Lets read through the comments, "oh, what will those jackasse lawyers do..." "he typed from his iBook."

      If you think that Apple will do something that you dissaprove of, then stop buying their product. Nobody made you buy iTunes. If you don't want DRM'd products, then don't buy them, buy a stack of CD's and rip them yourself, and stick them in your MP3 player.

      If you think that these guys are jerks for suing the guy, wait for them to do so.

    2. Re:420th post by commodoresloat · · Score: 1
      If you think that these guys are jerks for suing the guy, wait for them to do so.

      You'll never get first post with that kind of attitude!

  169. Re:I think you are correct by symbolic · · Score: 1

    I seem to remember a big flap about companies that published information (like telephone directories) who were pissed because they considered that "copyrighted material". If I'm not mistaken, raw data is not subject to copyright- copyright protects the manner in which the data is presented, but not the data itself. This implies that if a certain degree of creativity has not been applied, there is nothing to copyright. With the corporate-bought political system in the US, and Bush in office, this may have changed since I last heard about it.

  170. Re:How to break the law in 2 easy steps: (Doh) by AaronW · · Score: 1

    sed -e s/96768/48384/

    Doh, put in the size for the quadraphonic version I tried to make with oggenc -C 4

    (if multiple copies of this appear, I appologize... Slashdot keeps giving me Service Unavailable)

    -Aaron

    --
    This post is encrypted twice with ROT-13. Documenting or attempting to crack this encryption is illegal.
  171. question from an ignorant yank by commodoresloat · · Score: 1
    How much is that in USD?

    ;)

  172. I've now seen it all. by ThatDamnMurphyGuy · · Score: 1

    Even as a double music major who went programmer, I never would've thought that I would ever see Slashdot and John Cage on the same page.

    You have reached the end of the internet. Goodbye.

  173. No Infringement by John+Hasler · · Score: 3, Informative

    > If I were to make my own MP3 silent tune of
    > exactly the same length and put it online, would
    > I be infringing their copyright?

    No.

    a) The work contains no protected elements.

    b) Independent invention is a complete defense.

    --
    Warning: this article may contain humor, sarcasm, parody, and perhaps even irony. Read at your own risk.
  174. what's really spooky is... by pgilman · · Score: 1


    ...if you put it on "repeat," it syncs up perfectly with the michael jackson version of "the wizard of oz"

    --
    if i'm a grammar nazi, you're an illiteracy nazi.
  175. What color are your bits? by Nurgled · · Score: 1

    I guess you are probably talking about this article titled "What color are your bits?"

    ...and I guess I'm being a bit of a karma whore, but I liked the article, so never mind.

    1. Re:What color are your bits? by mrchaotica · · Score: 1

      Yes, that's the one. Thank you for being an enabler for lazy people worldwide. ; )

      --

      "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

  176. I have The Whitey Album on CD by Goner · · Score: 1

    While I would say that Hendrix Cosby is the best track on that CD, I really am not sure about that track being pure silence. As in a mic may have been on... I'll check when I have time.

  177. Just to clear things up.. (IANAL) by t_allardyce · · Score: 1

    If you make a recording of 1'3" of silence and title it as that then you have violated the copyright, but if you advertise/title/use it in a different way to the original - ie not in the context of a silent piece of music but in the context of a play-list separator for example, then you're ok.

    Now it may be that the original 1'3" of silence (i haven't heard it) was actually subtle background noise, perhaps in a recording studio, therefore technically not '0' silence*, you may still be violating the copyright even if your version is '0' silence if it can be shown that you were taking the same concept, or it maybe that you could show that your absolute silence was in fact a substantially different derivative work that added an alternative artistic expression, in this case even its length could be the same.

    This brings me to varying the length of the piece - you may claim it as a sample (im unsure of how sampling works in US copyright law) if it is sufficiently short and/or repeated, obviously this repeating argument is easier to prove for '0' silence because you can almost certainly build a convincing case that you sampled any particular length of time between 0 and 1'3", although unfortunately so can the opposition.

    --
    This comment does not represent the views or opinions of the user.
  178. it's an even sweeter deal... by idlake · · Score: 1

    that the contents so protected never make it into the public domain because there are no copies that can fall into the public domain. The publisher, on the other hand, can reissue the same content with a new copyright over and over again.

    This may well violate the Constitution, since it really is contradicts the "for a limited time" clause.

  179. Evil Message by TimeTraveler1884 · · Score: 1

    If you play it backwards, you can hear a silent evil message.
    Quite disturbing.

  180. My rants on the subject by elh_inny · · Score: 1

    I've been planning to write a bit on copyright for a long time and finally I did and it references this story. It's more of an intro for those who don't know much about the stuff, but you might read it if you want. If I get positive feedback I'll post some follow-ups.
    And please be merciful to our server in Poland we're still on baud 9600 ;)

    This is the first story on the frontpage of http://aboutculture.pl/ and the exact link is http://aboutculture.pl/modules.php?name=News&file= article&sid=295&mode=&order=0&thold=0
    Your comments are highly welcome.

    1. Re:My rants on the subject by x_chaotic · · Score: 1

      Really nice piece, good writing, way to go! And the site is interesting, lots of good reads there.

    2. Re:My rants on the subject by Anonymous Coward · · Score: 0

      Yeah really nice one, it should be posted on slashdot as a follow-up to this story...

    3. Re:My rants on the subject by elh_inny · · Score: 1

      Thanks, would like me to write more pieces on that, like a series or something?
      I could move on to subjects such as DMCA, DRM in detail etc, lot's on my mind lately....

    4. Re:My rants on the subject by elh_inny · · Score: 1

      I've submitted, but it's highly doubtful it's getting through.

    5. Re:My rants on the subject by Anonymous Coward · · Score: 0

      Don't worry it happens all the time, in fact most of the submissions are rejected. But you should do something to expose that site, typin about culture in google doesn't show your site, you should work on that.

  181. Server afterlife by Anonymous Coward · · Score: 0

    No Silicon Heaven? Then where do all the calculators go?

  182. What a high-quality recording! by noidentity · · Score: 1

    I've never heard a recording with such a low noise floor! My sound program doesn't even register anything. And I also measured no quantization distortion, which is a feat considering they didn't use any low-order dithering.

  183. Sorry, but I believe you're mistaken. by Slartibartfast · · Score: 1

    Unless I'm very wrong, titles can't be copyrighted. This is why, for example, you see movies and books, years apart (but not longer than copyright lifetime) with the same titles, but nothing else in common, eg. "Blind Date" [boy, was I confused when that wasn't the movie I'd expected]. In addition to my anecdotal evidence, I do seem to recall reading an actual lawyer commenting on this, though that was at least 15 years ago...

  184. The Emperor's New Music by VernonNemitz · · Score: 1

    Perhaps if the original publisher was sued for fraud ( calling silence "music"), then that would solve this particular problem easily.

    1. Re:The Emperor's New Music by Luigi30 · · Score: 1

      What about the piano piece that was 4'33" of sitting and doing nothing?

      --
      503 Sig Unavailable

      The Signature could not be accessed. Please try again later or contact the administrator
  185. Hush!!! by bloodomen13 · · Score: 1

    Be quiet! I'm trying to listen to the song and everyone keeps talking!

    Actually, I think that whatever comes of this it'll be interesting...

    If the RIAA and Apple do nothing then they'll effectively be saying that they'll do nothing when you strip the DRM from a copyrighted file that they sell and you begin distributing it.

    If they do pursue it then they'll look like asses suing a guy for distributing a copy of silence and make themselves look worse in the eyes of the general public.

    Either way it's a lose-lose situation for the RIAA and Apple IMHO. I kinda like that!

  186. Boards Of Canada by Centurix · · Score: 1

    I much prefer the electronic arrangement by the Boards Of Canada called Magic Window. It appears as the last track on their Geodaddi album. It has a much richer feel than Cage's piece and can really get the dancefloor standing still.

    --
    Task Mangler
  187. it's not illegial -- it can't be. by grantb · · Score: 1

    It can't be illegial, it's just a cover of a song, thats done all the time. As long as the author is the artist of the song, it's leagal. Although I still prefer the origional, it just sounds better :-)

    1. Re:it's not illegial -- it can't be. by Tuckdogg · · Score: 1

      Not necessarily. Covers of songs are still copyright infringement. The reason so many covers come out is because most (if not all) commercial artists pay licensing fees for ASCAP (I think, it may be another similar organization in charge of song licensing). As long as you have the license, you get to cover pretty much anything without it being copyright infringement.

      --
      Tuck
      Tuck's Journal.
    2. Re:it's not illegial -- it can't be. by grantb · · Score: 1

      Then i stand corrected :-)

  188. was that a tree? by amigabill · · Score: 1

    So, will the RIAA now hire people to stand around inthe woods to make sure that falling tree gets heard?

  189. Time signature by Anonymous Coward · · Score: 0

    Did John Cage get really creative and use an odd time signaure like 7:8?

  190. Already Been Done by Ermenwyr · · Score: 1

    This guy had the same idea over a year ago, except he created a "a mash-up style remix" of 9 silent songs. Not only that, he's selling the result for $0.99.

  191. Telephone numbers... by Kadmos · · Score: 1

    There is a fellow in OZ who compiled a songs using telephone tones. His creation: Songs consisting of every telephone number of every Australian citizen. By dialing any phone number you are breaking copyright :-)

    But I have lost the link... Does anybody have it?

  192. Wanker! by pbjones · · Score: 1

    The original legal problem stemed from including a credit of the original artists silent work, which meant he used it without permission. You could record a different silence, say in a freezer room, which would make your silence a different and original silence.

    --
    There was an unknown error in the submission.
  193. "They"? by Anonymous Coward · · Score: 0

    Who is "they"? I don't recall anything like this happening. Urban legend?

  194. DRM by Anonymous Coward · · Score: 0


    It's imperative that people stop using the term "Digital Rights Management". That term was designed specifically to mislead the public. If you use that term, you are helping Big Media in their efforts to steal rights away from the public.

    The term "Digital Restrictions Management" is much more accurate.

  195. Damn... by Anonymous Coward · · Score: 0

    ...I wish I hadn't thought of, and done this, over a year ago just so I could be slashdotted here and now.

  196. No won't work by Anonymous Coward · · Score: 0

    Remember Harly Davidson trying to copyright the noise from their motorcycle? They were flat out denied.

  197. Is it? by Nik13 · · Score: 1

    Because if nothingness, silence, absence of contents or the like are copyrightable, I'm gonna write this nice program and copyright it:






    --
    ///<sig />
  198. I'm going to sue those who read this post by Anonymous Coward · · Score: 0

    %S%^

    The above 4 byte sequence is hearby patented and
    by reading this post, you have commited an act of
    piracy. But I'll be easy on you, just send $5000
    to me in unmarked bills, and I'll forget you ever
    did that, OK?

  199. Silent MP3?! by Anonymous Coward · · Score: 0

    Isn't that like the solar powered flashlight, or the submarine with the screen door?

  200. Somebody please explain.. by StikyPad · · Score: 1

    How, exactly, do you have 1.25 feet of silence? Honestly, where do people get these figures from? So let's see, if the speed of sound is 1,115.48 feet per second, then 1.25 feet of silence is about 1.12ms. Or about twice as much silence as I get to enjoy in an average day.

    It sounds like my friends talking about their 2.8gigabyte P4s, and their 512megahertz of RAM.

    (Note: I'm just making a joke about the minute/second markers being the same as imperial feet and inch markers. Although I'm sure someone will feel the need to post about it and tell me so before reading this far anyway).

    1. Re:Somebody please explain.. by Anonymous Coward · · Score: 0

      ab'c'' is used for angle degrees where b' is "b minutes" and c'' is "c seconds", so i guess whoever posted was being witty like that. typical slashdot crap here, nothing to see

  201. They can't sue, because it's not music by kuzb · · Score: 1

    Assuming 'tune' and 'music' are mostly interchangeable, lets look at the definitions (courtesy of Merriam-Webster Online):

    • Main Entry: music
    • Pronunciation: 'myü-zik
    • Function: noun
    • Usage: often attributive
    • Etymology: Middle English musik, from Old French musique, from Latin musica, from Greek mousikE any art presided over by the Muses, especially music, from feminine of mousikos of the Muses, from Mousa Muse
    • 1 a : the science or art of ordering tones or sounds in succession, in combination, and in temporal relationships to produce a composition having unity and continuity b : vocal, instrumental, or mechanical sounds having rhythm, melody, or harmony
    • 2 a : an agreeable sound : EUPHONY b : musical quality
    • 3 : a musical accompaniment
    • 4 : the score of a musical composition set down on paper
    • 5 : a distinctive type or category of music

    and here is the definition of 'tune':

    • Main Entry: tune
    • Pronunciation: 'tün, 'tyün
    • Function: noun
    • Etymology: Middle English, alteration of tone
    • 1 a archaic : quality of sound : TONE b : manner of utterance : INTONATION; specifically : phonetic modulation
    • 2 a : a succession of pleasing musical tones : MELODY b : a dominant theme
    • 3 : correct musical pitch or consonance -- used chiefly in the phrases in tune and out of tune
    • 4 a archaic : a frame of mind : MOOD b : AGREEMENT, HARMONY c : general attitude : APPROACH
    • 5 : AMOUNT, EXTENT

    What do all the relevant definitions have in common? They all deal with *sound*, not the lack of it. If you can claim rights to silence, then I'm going to buy your 'tune', and then sue you for false advertizing.

    --
    BeauHD. Worst editor since kdawson.
    1. Re:They can't sue, because it's not music by PigleT · · Score: 1

      Silence sure fulfills the definition of music by 1a, 2a, 2b, 4, 5. ;)

      Now an interesting analogy: there are those who'd say black is not a colour because it's an absence of colour. However what these people fail to understand is that just because tends to 0 luminosity doesn't stop it still being a phenomenon of light.

      If sound waves tend to amplitude of 0, do we suddenly stop talking about sound? Hey look, it could even be encoded as an mp3 and play back in a well-defined form!

      Is conventional music only copyrighted for those parts where non-zero amplitude is present?
      In a digitized sample of a simple 440Hz international A, there are bound to be some samples with A=0, do they not count? Define the granularity at which silence is not counted.

      $0.02,

      --
      ~Tim
      --
      .|` Clouds cross the black moonlight,
      Rushing on down to the circle of the turn
    2. Re:They can't sue, because it's not music by kuzb · · Score: 1

      Right-o. So, a cheese sandwich with no cheese is still a cheese sandwich.

      Gotcha.

      --
      BeauHD. Worst editor since kdawson.
    3. Re:They can't sue, because it's not music by PigleT · · Score: 1

      At a suitably quantum level, what's stopping cheese sandwiches popping straight into existence on my plate, anyway? ;)

      --
      ~Tim
      --
      .|` Clouds cross the black moonlight,
      Rushing on down to the circle of the turn
  202. Cover "" by Anonymous Coward · · Score: 0
    If I were to make my own MP3

    I think the phrase is "If I were to record a 'cover' of the tune..."
    Make sure your silence is of good quality, you don't want to offend the original artist with a poor performance.

  203. blank paper! its mine, all mine! by Bontux · · Score: 1

    I'm going to copywrite blank paper!! Ooooh! the royalties! my beautifull art being copied everywhere!

    --
    I stole this signature
  204. Derivative work by ebrandsberg · · Score: 1

    If I make a mp3 of silence that is 1 minute 5 seconds long, am I sampling their work, and would it be considered a derivitive work?

  205. Funny trivia by mbaciarello · · Score: 1

    Not sure about the number of notes, but it's indisputable than judges only look at notes there...

    Very few people know that Michael Jackson has been [that's Dagospia.com, the local equivalent of Matt Drudge] sued by an Italian singer for copyright infringement.

    The links are in Italian and the trial was in Italy, but you may find some info in Spanish on Google, as the guy is also popular in South America. Basically, Al Bano claimed his song "I Cigni di Balaka" had been plagiarized in Jackson's "Will You Be There?"

    As much as I hate the two, I really don't see any possible way Jackson might ever have heard about this Al Bano guy. However, the lengthy trial (2001 through 2003, IIRC) finally awarded Al Bano a victory, as the judges found "significant similarities" between the songs, although it was never stated Jackson had purposefully plagiarized the Italian singer.

  206. Scores may not help by mbaciarello · · Score: 1

    If you have ever seen the score, it has several pages of rests of various lengths.

    Ok but... How are you going to demonstrate the later song has the same rests, especially if it has never been written to paper?

    AFAIK you don't need to write down your score in order to copyright a song. I might argue in court that where the earlier song has two consecutive 1/4 rests, I have been "playing" four consecutive 1/8 rests, and so forth.

    I don't think resorting to original scores would be useful on the plaintiff's side, unless of course the second "artist" has been stupid enough to write down a sufficiently similar score, and use it.

  207. Silence is golden by jchap · · Score: 2, Interesting



    On the general issue of x minutes of silence being a stupid, head up one's own arse, pretentious load of crap idea, of course it is.

    However if you think about it, the silent tracks are only a waste of money because they're so inaccurate. I'd happily pay good money for an entirely silent track that was exactly 4.123332949843985439843843... minutes long - ie where the mantissa contained a couple of MB of information (with a good beat)!

  208. The Length of the Silence.. by lmnfrs · · Score: 1

    One foot and three inches of silence CmdrTaco?

  209. Am I breaking (c) if I don't install sound? by cheros · · Score: 1

    It means I'll be playing that tune all the time, for anyone to hear.

    Some people have just *way* too much time and money..

    --
    Insert .sig here. Send no money now. Owner may sue, contents will settle. Batteries not included.
  210. Stop this stop it ! by Anonymous Coward · · Score: 0

    Stop humiliating us,

    We are fed up with slashdot making us look like monkeys!

    signed,

    RIAA team

  211. drm by krissylovey · · Score: 1

    i done this idea over a year ago..... this guy is way behind me...

  212. That's kind of the point by Shaper_pmp · · Score: 1
    "There must be something in the iTMS that's public domain that would make a better example."

    I think the sheer ridiculousness of the target is the point of the attempt - most non-p2pers mental processes go like this:
    • Copying copyrighted music is bad
    • The opposite of bad is good
    • The DMCA stops people copying copyrighted works
    • Therefore the DMCA is good


    If this guy gets in trouble by "copying" something as worthless as 1'3" of silence, the sheer ridiculousness of the story shows the problem with the DMCA - you get in trouble for merely openening the lock, regardless of what's inside it or whether it should even be locked in the first place.

    Had he cracked the DRM on anything with any value whatsoever he's be a pirate/copyright infringer, and many people would agree that he should get in trouble for it. This way he's flagrantly violating the DMCA, but even at the uninformed emotional level that most peopel enguage in the p2p debate from, it's really really hard to argue that he should be punished for it.
    --
    Everything in moderation, including moderation itself
  213. compression rating? by buzy+buzy · · Score: 1

    I wonder what the compression rating on the mp3 is?
    Does the bit-rate affect it much?

    --
    If you get modded down for a first post... What do you get for a last post?
  214. Compression Golfing by Anonymous Coward · · Score: 0

    Mp3 gets down to 32kbit/s, even 8kbit/s if you change the sampling rate. Ogg gets down to ~0.7kbit/s but that still is 9706 bytes for 1'3" silence. Ironically I can do better using an uncopressed wav file, mono, 8bit, 1Hz, ~0.014kbit/s, 107 byte. Although I must admit I have some problems playing this file without telling the player to resample it, it clearly is 1'3" of pure silence.

    http://www.unix-ag.uni-hannover.de/~ingo/silence.w av if you want to hear for yourself.

    Disclaimer: This is not the silence mentioned above but an exception of my own /dev/null.

  215. Copyright "DRM" by acidbass · · Score: 0

    Im going to copyright the letters "DRM" then make it illegal for the DRM to do anything. heheh, sue everybody!

  216. Anoyance by Anonymous Coward · · Score: 0

    You know how anoying it is when you get a song stuck in your head and you can't quite remember the melody or the lyrics?

  217. Pootie Tang by bjb · · Score: 1

    Man, that song is a RIP-OFF of one of Pootie Tang's top hits!

    --
    Never hit your grandmother with a shovel, for it leaves a bad impression on her mind...
  218. No copyright violation on the recording... by bwcbwc · · Score: 1

    if you create your own 1'03" of silence. The copyright on recordings doesn't protect against you making your own recording of the same music.

    The copyright on the music itself could take effect, however. So if John Cage could prove that your 1'03" of silence is a partial recording of his work, you could owe him royalties for the composition.

    When you copy an existing recording, you owe royalties for the recording. I'm not sure about song-writer's royalties in this case. The RIAA (or the individual record companies) can sue you for copying recordings. Paul McCartney can sue you if you make a cover version of "Help!" (along with thousands of other works by other musicians).

    --
    We are the 198 proof..
  219. Re:I think you are correct by cfulmer · · Score: 1

    The case that you're thinking about is Feist v. Rural. Basically, the Supreme Court said that a telephone directory does not have any new expression in it -- it's a compilation of facts organized in a standard way.

    The requirement of original expression in a copyrighted work is minimal, but it's still there. If they had, say, organized the directory by how weird they thought the person's name was, it would have been protected. The underlying facts -- the individual listings, though are just facts and are not protected. So, if somebody else took the sorted-by-wierdness listings and sorted them alphabetically, the end result would have been in the public domain again.

    Should note that copyright is actually pretty uniform through the western world -- the Boerne Convention has effectively standardized copyright in the western world. Has nothing to do with President Bush -- the Sonny Bono Copyright Extension Act happened during the Clinton Administration.

    Incidently, in US Law, you do not have to "obtain" a copyright -- you just create something that's copyrightable and you automatically get the copyright at the moment of creation.

  220. nonsense by Anonymous Coward · · Score: 0
    John Cage attended a performance of Glenn Branca and stood up in the middle and yelled

    Rubbish; I doubt you can provide any reliable reference for this claim. Cage was disinterested in pop music and it's unlikely he would have attended any Branca concert (especially given that he would have been about 70 at that point.) I once attended a concert where Cage did Q&A where an earnest guy asked him what he thought of The Beatles; his reply was that he didn't think about them at all.

    Besides, Branca concerts are incredibly loud and anyone who yelled anything would be barely be heard by themselves.

    1. Re:nonsense by suso · · Score: 1

      says anonymous coward. ;-)

  221. Re:symbols for minutes - seconds - MOD PARENT DOWN by AyeRoxor! · · Score: 1

    Single and double apostrophes are [...] not typically used in the context of time.

    Wrong wrong wrong wrong wrong. From sheet music to recorded tracks on CDs, tapes, etc., tick marks are in extremely typical use.

  222. Shit by Hard_Code · · Score: 1

    I've performed this in public numerous times! Are they going to come after me for royalties!?

    --

    It's 10 PM. Do you know if you're un-American?
  223. Recording at the mall by ulatekh · · Score: 1
    Could I record what I hear at the Mall, and sell it?
    Yes.

    Assuming the mall lets you record something there. A cousin of mine in high school tried to shoot a student movie in our local mall, and the management kicked her out. If they won't even allow THAT...

    --
    "Once we've identified and embraced our sickness, we'll have strength...and that's when we get dangerous." - John Waters