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Pixar Drops Disney To Find a New Studio Partner

da_anarchist writes "After much speculation, Pixar has announced that it will end its distribution agreement with Disney. This comes after much bitterness at Pixar over the terms of their current deal with Disney, where Disney took a sizable (and some would say unfair) portion of the $2.5 billion in revenue generated by Pixar's films. Pixar is best known as the studio behind the Toy Story series and the more recent movie Finding Nemo."

581 comments

  1. Disney Sucks Ars-Technica by Anonymous Coward · · Score: 0, Troll

    Pixar Rulez! Ya Slashdot bitches.

    - Moomin

    1. Re:Disney Sucks Ars-Technica by Anonymous Coward · · Score: 1, Interesting

      Yup! Dismay, as a company, really, really sucks.

  2. Steve Jobs runs Pixar? by Anonymous Coward · · Score: 4, Funny

    Then why isn't it iPixar?

    1. Re:Steve Jobs runs Pixar? by AKAImBatman · · Score: 1

      I'm actually surprised that the Apple board felt comfortable with Jobs as the CEO of two companies. Even before he was with Apple, he was running NeXT (post-being kicked out of Apple in the first place, that is). Perhaps that's what made the Apple board feel more comfortable about it, but then why didn't the NeXT investors get squemish?

    2. Re:Steve Jobs runs Pixar? by NanoGator · · Score: 1

      "Then why isn't it iPixar? "

      Because there's a company called 'iPix'.

      --
      "Derp de derp."
    3. Re:Steve Jobs runs Pixar? by Klanglor · · Score: 1

      Because Apple bought NeXT to develop the NeXT cube.

    4. Re:Steve Jobs runs Pixar? by Anonymous Coward · · Score: 0

      I imagine the battle of greed between Disney and Jobs went something like this:

      Agent Eisner: Mr. Jobs! Welcome back, we missed you.
      [Agent Eisner pauses and looks around at the multitude of clone movies he has created, kicking a fallen Roy Disney.]
      Agent Eisner: Like what I've done with the place?
      Jobs: It ends tonight.
      Agent Eisner: I know it does, I've seen it. Wait until you see the garbage we make with the licenses we own. Li'l Bo Peep shall now become a Li'l Princess.
      [Agent Eisner laughs maniacally]
      Jobs: We invented computer animation and the GUI and the garbage can and ...

  3. Adios, Disney by ackthpt · · Score: 5, Insightful
    I've always felt rather 'ugh' about Pixar's association with Disney and feel this is a good move.

    Disney may have been good, long ago, but after the success of Toy Story I don't think Pixar needed Disney for distribution. Worse, I've felt, is a Disney influence on characters in the films, certain attitudes and stereotypes which are pretty tired and one reason Disney's animated offerings don't impress.

    Sadly, this will also mean any sequels to the Disney-associated films will be done by Disney, which as I've said, employs some pretty tired ideas about character development. Hopefully the well at Pixar is far from dry and fresh new ideas continue to emerge.

    --

    A feeling of having made the same mistake before: Deja Foobar
    1. Re:Adios, Disney by jobugeek · · Score: 4, Insightful

      I'm not sure I agree with you. Having the Disney name on it means it automatically becomes a must see for a lot of kids(people). Granted the well-made movie helped it, but don't underestimate the value of the Disney name

      --
      I'm not drunk, I just have a speech impediment. And a stomach virus. And an inner ear infection.
    2. Re:Adios, Disney by Anonymous Coward · · Score: 0

      But they are developing their own brand name as well. All it will take to solidify their independence is identifying their name alone with a movie people already trust. Think "Pixar's Finding Nemo II" as the title for a future film.

    3. Re:Adios, Disney by Anonymous Coward · · Score: 1

      except Disney controls sequels to movies made under the current deal. but yes, Pixar is known now, they've been working on getting their name out there for just such a reason.

    4. Re:Adios, Disney by jeffkjo1 · · Score: 4, Insightful

      The Disney name is important, but I think you've seen a marked decline in the quality of Disney films the past several years, and it has hurt their bottom line. Disney is in a position that IBM found itself in years ago, and Coca-Cola found itself in when Pepsi came on the market.

      How to respond to competition. Disney used ot be the only game in town when it came to animated features, and that just isn't the case anymore. They're definitely hurting.

      It's gotta be bad there for Roy Disney to just pack up his bags and leave.

    5. Re:Adios, Disney by afidel · · Score: 4, Insightful

      Actually most people I know are more impressed by seeing the name Pixar on a film than seeing that Disney is distributing it. All Pixar has to do to get people in door is say "From the makers of Toy Story and Finding Nemo" and it will be an automatic must see for people with kids in their target age bracket. Hell I would probably own their films even if I didn't have a three year old.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    6. Re:Adios, Disney by furiousgeorge · · Score: 5, Insightful

      "Having the Disney name on it means it automatically becomes a must see for a lot of kids(people)."

      You mean like "Atlantis" or "Emperors New Groove" or "Dinosaur" or "Treasure Planet" (biggest flop of the last 10 years). Lilo & Stitch was a moderate success, and the first real one they've had in 10 years.

      Disney was must-see 50 years ago (their hayday) or 15 years ago (Lion King, Beauty & The Beast etc). Now they are only producing steaming piles of shite and don't have a new idea among them.

      I mean - Cinderella2? PeterPan2 LionKing2 Aladdin2&3.

      For christs sakes.

    7. Re:Adios, Disney by edsel · · Score: 5, Insightful

      One thing that distinguishes Pixar from Disney is the originality of Pixar's story-lines. John Lassiter is at least as creative as ol' Walt was in his hay-day.
      I find it sadly ironic that Disney was one of the studios pushing congress to extend copyright protection ("The Mickey Mouse Protection Act") while nearly all of their films used material plundered from the public domain. Hans Christian Anderson, Bros. Grimm., Dafoe, etc....
      Toy Story and Finding Nemo are among the very few Disney offerings that aren't blatant rip-offs of off-copyright "classics". And Disney didn't produce them.

    8. Re:Adios, Disney by kfg · · Score: 1

      It's true that I'm not exactly the typical case, but I've known of Pixar as a name unto itself since the days of Luxor Jr. and go to see a movie specifically because it's a Pixar production.

      I'm also a classic Disney fan. Snow White is one of the finest films in any catagory ever made. In terms of classic animation it also remains without peer. Only Pixar stands as a rival.

      On the flip side there are plenty of Disney films I don't bother with because they aren't Pixar films, and because I know in advance that they just plain suck.

      They might well lose something by giving up the association with Disney, but I think what they gain in terms of independence will be well worth it and the loses minimal.

      KFG

    9. Re:Adios, Disney by i.r.id10t · · Score: 1

      Being the partent of a 3 y/o girl, I can say that NOTHING has the marketing power of Disney pricesses.

      Of course, I've kept Barney out of the house completely, so I guess it could be worse.

      --
      Don't blame me, I voted for Kodos
    10. Re:Adios, Disney by neko9 · · Score: 1

      i think for some time now Pixar's name automatically becomes a must see for all. and Pixar will be very o.k. without Disney's not so valuable anymore "name".

    11. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Wby are there no EUian Disneys or Pixars? Companies that leave their impact on society? Why has American culture dominated the world so soundly?

      Just look at these two companies. Pretty much everyone in the world knows them and their products and can't live without them.

      Why are EUians increasingly sitting back and watching Pax Americana dominate the world?

      France is quickly losing its influence in Francophone Africa and other areas as these countries turn to America for cultural import and leadership.

      Germany has no cultural relevance.

      Britain, because of its Anglo heritage, is impacting the world. But the reast of EUopia is irrelevant.

    12. Re:Adios, Disney by gozar · · Score: 4, Interesting

      But will they be able to say From the makers of Toy Story and Finding Nemo or does Disney have a clause stating they don't have the rights to those title?

      --
      What, me worry?
    13. Re:Adios, Disney by DAldredge · · Score: 4, Insightful

      That doesn't make a whole hell of a lot of sense.

      You let her be exposed to Disney so she will buy their crap, but you don't let he watch a show that helps her learn.

      Great parenting!!! Start saving now for her bail.

    14. Re:Adios, Disney by atari2600 · · Score: 1

      I feel for your little girl - her parent can't spell for the love of god.

    15. Re:Adios, Disney by gfxguy · · Score: 4, Informative

      Actually, Atlantis was pretty good. Haven't seen Emperor's New Groove" because I hate David Spade. Haven't seen Dinosaur, but the previews looked like great animation.

      I did bring my kids to see Treasure Planet and Lilo & Stitch. L&S was great because it was supposed to be a low budget summer release that would tide us over until Treasure Planet, yet ended up being a really well done movie, whereas Treasure Planet was a butchered classic that they tried to soupe up with expensive CG. It wasn't *bad*, it just wasn't particularly notable.

      Lilo and Stitch has become a Disney classic, at least to us, and must have been a pretty good success seeing as how it got a spin off series and a lot more merchandising than Treasure Planet.

      And you missed another flop, though - Brother Bear, not to mention some of the stupid live action films they've done (like "Country Bear").

      I don't know what the hell they're thinking with all the sequels, though, it really is pathetic.

      --
      Stupid sexy Flanders.
    16. Re:Adios, Disney by tealover · · Score: 1

      Disney was must-see 50 years ago (their hayday)

      So Disney has only been to a stylist once in 50 years? Walt must have some nappy hair !!!

      --
      -- You see, there would be these conclusions that you could jump to
    17. Re:Adios, Disney by kfg · · Score: 1

      Fortunately for me my daughter's age predates any interest she might have had for Barney in her youth.

      Any attempts to blockade the homstead from infiltration by Strawberry Shortcake and My Pretty Pony failed utterly, however.

      In my defense I can only state that I managed to turn her into a complete Danger Mouse fanatic and we used to go skipping around the house together singing; "He's the greatest. He's fantastic! Wherever there is danger he'll be there. . . "

      KFG

    18. Re:Adios, Disney by thogard · · Score: 1

      Thats why when they want to extend the copyright, I ask my congresscritters to extended it much more than Disney is asking. If more is good, then lots more must be very good right?

    19. Re:Adios, Disney by uvsc_wolverine · · Score: 3, Informative

      As I understand it Disney has certain licensing rights granted to them by their contract with Pixar but Pixar still owns the movies as well as all the rights to do what they want with the movies (except maybe some merchandising or other things that could have been granted exclusively to Disney).

      --
      This space for rent...
    20. Re:Adios, Disney by Anonymous Coward · · Score: 2, Interesting

      How can Disney (or anyone) have "rights" to a fact? It's a _fact_ that Pixar made those movies... Kind of like saying, "this is a post on slashdot".

    21. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Holy Offtopic!

      A lot of people would argue that Europe's influence on everything has been declining rapidly since World War I. Donald Rumsfeld referred to France and Germany as the "old" Europe. Politically and militarily they are unimportant. Economically they are still powerful, but that is certainly on the decline as well. Some would argue that France and Italy still have a lot of cultural importance in terms of fashion, art, and food, but they have certainly lost their impact on popular culture.

    22. Re:Adios, Disney by afidel · · Score: 1

      it depends on how the clause limiting Disney's name to the advertising for the movies is worded. I know that Pixar has retained copyright to the films but they might not be able to use their name in connection with the previous films depending on that and other clauses in the contracts. Hopefully Jobs et all didn't give up the whole farm in exchange for Disneys marketing muscle and a little capital.

      --
      There are 4 boxes to use in the defense of liberty: soap, ballot, jury, ammo. Use in that order. Starting now.
    23. Re:Adios, Disney by diersing · · Score: 1
      Disney may or may not be tired, but they sure can market and target their collective asses off. Without the support of a MAJOR studio to market, promote, cross promote and leverage Pixar movies onto big screen across the planet they will be forced to create straight-to-video and television productions. If you feel a group of very skilled animators is going to get the product into the theatres I don't think you fully grasp how movies are made.

      As to your third point.... all sequels suck so any Toy Story 3s and Finding Nemo Agains are doomed no matter how you slice it.

    24. Re:Adios, Disney by leerpm · · Score: 4, Informative

      No, you can't copyright facts like that. It would be as if James Cameron had to get permission from the studios to say 'from the director of Titanic', on any films he did thereafter.

    25. Re:Adios, Disney by Artifakt · · Score: 2, Insightful

      Great logic there - let the kid watch Barney or she'll grow up to be a felon. Your reply is to a poster who admits his kid sees some things he doesn't think are really good, but who has at least shown some concern, and tried to steer his child away from some of the things he thinks are negative influences. Sounds like a pretty good parent to me.

      Hey world, I'm a parent. I didn't always manage to keep my kid from being exposed to commercial crap when she was growing up, though I tried. Please feel free to critcize every decision I made retroactively.

      The biggest thing wrong with Disney IS the thing that's wrong with Barney. Both treat latch-key kids like their programs can be substituted for having a parent waiting when the kid gets home from pre-school and the kid will somehow miraculously grow up OK. Even if Disney or Barney was great literature in easy to comprehend, kid friendly form, that just doesn't work.

      --
      Who is John Cabal?
    26. Re:Adios, Disney by RazzleFrog · · Score: 3, Interesting

      Except that Disney has a trademark on Toy Story as it relates to " prerecorded audio cassettes, compact discs, and laser video discs featuring music, stories, activities and other such educational and entertainment topics for children; prerecorded video cassettes featuring animated entertainment; computer software featuring music, stories, activities and other such educational and entertainment topics for children; motion picture films featuring animated entertainment."

      They also hold it for lunch boxes, toys, etc.

      They have around 20 trademarks for Finding Nemo.

    27. Re:Adios, Disney by ditto999999999999999 · · Score: 1

      I will let you post a message under my uid, but you don't get the ability to reply under your thread, or claim ownership of it... there is/was a contract similar in concept between Disney and Pixar. Just because Pixar has decided to split does not give them the right to void the contract.

    28. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Dude. Barney is crap compared to Noggin. That's where the learning. When your 3 yr old starts speaking spanish as well as english then you know it has to be good.

    29. Re:Adios, Disney by RazzleFrog · · Score: 1

      Try to create a news commentary sight with the heading - from a guy who used to read Slashdot. Maybe Taco wouldn't slap you down but he would be well within his rights. Slashdot is a trademark for "News features and public commentary."

    30. Re:Adios, Disney by _Sexy_Pants_ · · Score: 1

      A Disney name is great, but Shrek didn't need it. Pixar films are good enough to stand up on their own. I wouldn't be surprised if kids knew the name Pixar anyway

      --
      Look it's a joke about my sig IN MY SIG! LOL!
    31. Re:Adios, Disney by Slarty · · Score: 5, Informative

      I hate David Spade too, and yet to me, New Groove is one of the best things to come out of Disney in a looooooong time. Give it a shot, you might be surprised. It's not traditional Disney though; the characters don't randomly break into song, there's no romance, and way more slapstick humor. I dig it. :-)

      The rest of the stuff they're putting out does seem pretty dumb though. Atlantis was OK. Treasure Planet blew.

      --
      Hi... I'm Larry... the shivering chipmunk... brrrrr!... I'm cold... I need a sweater...
    32. Re:Adios, Disney by nbvb · · Score: 1

      He's an ace!

      He's amaaazing!

      He's the strongest, he's the quickest, he's the best!

      Danger Mouse .........

    33. Re:Adios, Disney by fenix+down · · Score: 5, Informative

      Then they just need to say "from the makers of Toy Story(TM) and Finding Nemo(TM) *Toy Story and Finding Nemo are registered trademarks of the Walt Disney Corporation".

      It's the title of a movie, you can't control how people refer to your products. George Lucas has a trademark on everything from Alderaan to wookie but he still can't sue Kevin Smith for having his characters talk about Star Wars.

    34. Re:Adios, Disney by Cornelius+the+Great · · Score: 1

      "I mean - Cinderella2? PeterPan2 LionKing2 Aladdin2&3."

      True, and when you put this and the fact that everytime the Mickey Mouse (& friends) trademark/copyright is close to expiration, Disney lobbies Congress for the extension on copyrights.

      Ironically, Walt Disney himself witnessed his own creations Alice in Cartoonland and Oswald the Rabbit (before his suceess with Mickey Mouse, I might add) taken away from him from the company that owned the rights to his work. How fitting to see the current leadership at Disney desperately clinging onto all of Disney's intellectual property despite the fact that he passed away nearly 40 years ago.

      Then again, I might be biased.

      --
      Sigs are for losers
    35. Re:Adios, Disney by Anonymous Coward · · Score: 0

      "Hell I would probably own their films even if I didn't have a three year old."

      I do!

    36. Re:Adios, Disney by Anonymous Coward · · Score: 5, Funny

      They can ride on their past success, actually. No need to ride on Disney. Take the higher grossing films in their ads and you have something like:

      'From the people who brought you Toy Story, Monsters Inc., and Finding Nemo comes a story about [insert heartfelt adjectives] in the [big/distant/unknown] [insert populace reference]. Pixar in conjunction with [insert pushover distro company] brings you [insert title; three words max; prefer two].'

      Throw in the merchandising that was setup nine months before the first press release...and you're good to go!

    37. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Um so? They arn't competeing for the trademark by stating a fact.

    38. Re:Adios, Disney by Tassach · · Score: 3, Insightful
      I think that now, given Pixar's past successes, they've become a must-see brand name on their own merit. They don't need Disney any more; hell, in 5 years Pixar may very be distributing Disney's films. Disney is fast becoming the *dis*enchanted kingdom, devoted to squeezing the last drop of profit out of it's past glories. Whatever goodwill the Disney name might have commanded in the past is rapidly evaporating.

      --
      Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
    39. Re:Adios, Disney by tzanger · · Score: 2, Insightful

      Disney lost all respect of me when they started rebranding old films with the most idiotic plots imaginable just to cash in on the old name... Lion King II, Hunchback of Notre Dame II, 101 Dalmatains II, Atlantis II, Tarzan and Jane, Cinderella II... The originals were amazing, the sequels had nothing to make them appealing. The storylines were bland, the animation no better than a decent TV cartoon, the characters had all the life sucked out of them.

      Disney had an amazing name to stand on. The current cast of execs and story managers is tarnishing that name. I would by far look for the Pixar name today before the Disney name.

    40. Re:Adios, Disney by Aneurysm9 · · Score: 2, Informative

      If Kevin Smith isn't using Lucas' trademarks in commerce (i.e., to promote his own movies) that's true. But if Pixar were to use trademarks owned by Disney without a license to advertise other products, there could be trouble. Check the Lanham Act, 15 U.S.C. 1114. That said, I seem to recall a case recently regarding a former Playmate using the Playboy trademark on her homepage and the court said it was an acceptable and non-infringing use if she was accurately describing her status as a former Playmate.

      --
      There was Cowboy Neal at the wheel of a bus to never-ever land.
    41. Re:Adios, Disney by daviddennis · · Score: 3, Informative

      Which would you rather be responsible for, Brother Bear ($84m + $34m overseas) or Finding Nemo ($339m + overseas $504m)?

      'nuff said.

      D

    42. Re:Adios, Disney by tzanger · · Score: 1

      I rather liked Atlantis and Emperor's New Groove... I tottally agree with you on the others though... They're out of ideas and are trying to cash in on previous successes.

    43. Re:Adios, Disney by gmhowell · · Score: 3, Insightful

      Finding Nemo was/is Pixar. The only thing it has to do with Disney is distribution.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    44. Re:Adios, Disney by Tassach · · Score: 4, Insightful
      Hopefully Jobs et all didn't give up the whole farm
      I think Steve Jobs is a whole hell of a lot smarter than Michael Eisner. Jobs & crew knew exactly what they were doing when they climbed into bed with The Mouse. They used Disney's marketing machine to build their own brand name. Now they don't need Disney anymore -- now Disney needs Pixar a whole lot more than Pixar needs Disney.
      --
      Why is it that the proponents of "one nation under God" are so eager to get rid of "liberty and justice for all"?
    45. Re:Adios, Disney by ATN · · Score: 0

      I disagree. Pixar has done a beautiful Job of making it's own name well known. Good computer animation is instantly associated with Pixar, and this alone makes it an instant must see without Disney's name slapped on it. Infact I would venture to say that most people don't even think Disney when they think toy story, and finding nemo . I've met a people who thought Shrek was pixar because of the quality of animation even though it was dreamworks.So I say don't underestimate Pixar's name Brand

    46. Re:Adios, Disney by gmhowell · · Score: 1

      Most of the movies you've listed were direct to video. IMHO, that sorta removes them from the discussion. More appropriate would be discussing the merits of Mulan, Emperor's New Groove, and Pocahontas vs. Toy Story, Finding Nemo, and Monsters, Inc.

      Doesn't change your point (which I agree with) but you (and plenty of others in this topic) have chosen poor examples.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    47. Re:Adios, Disney by RazzleFrog · · Score: 1

      I'm not sure what "competeing for the trademark" means but if I hold a trademark and you try to use it to sell a similar product then you are violating my trademark. Plain and simple.

    48. Re:Adios, Disney by Anonymous Coward · · Score: 0

      I could be wrong, but Shrek was dreamworks, not pixar. Pixar did Monster, Inc. (My personal favorite) and Bug's Life.

      But Pixar is the only name I need to see on a film to ensure its quality. But then, I'm a geek. Disney is not interested in making good films, just money.

    49. Re:Adios, Disney by CaptainCarrot · · Score: 4, Interesting
      Yeah, what Slarty says. I despise Spade, but he's actually tolerable in The Emperor's New Groove. You don't actually see his face, and the movie's all about his character's utter humiliation. It's pretty enjoyable.

      This was something of a bastard stepchild at the Disney studios. It started out following the standard Disney formula but took a different turn somewhere along the road and became something extremely enjoyable. I think it flopped because Disney plumb didn't know what to do with it, and they were already pouring all their resources into promoting Treasure Planet (ugh) which came out around the same time.

      Think an hour-and-a-half of classic Loony Toons, and that's pretty much The Emperor's New Groove.

      --
      And the brethren went away edified.
    50. Re:Adios, Disney by ryanw · · Score: 2, Interesting

      What really made "The Emperor's New Groove" for me was the "kronk" character who the voice was Patrick Warburton. If it weren't for him the movie woulda' been completely boring to me. It really took me being forced by the kids to watch it two or three times in the period of a month or two to actually enjoy it though.

    51. Re:Adios, Disney by daviddennis · · Score: 1

      They're going to do a distribution deal, but with a different studio. Or they may even go back to Disney if their terms are met.

      What I hear is that distribution deals cost around 10% of gross, instead of Disney's 50%.

      They won't have to go without the clout of a major studio.

      I should remind you that many people say Toy Story 2 was actually better than Toy Story 1. So sequels are not necessarily a total loss.

      D

    52. Re:Adios, Disney by RazzleFrog · · Score: 1

      I can't comment on your second point without specific references. I don't know how Kevin Smith's characters refer to the movie but if they just referring to its existence and not trying to sell a product using its name then they are fine.

      The fact of the matter is you cannot use another company's trademarks to sell your product without their permission.

    53. Re:Adios, Disney by ziggy_zero · · Score: 1

      Exactly, whenever I say I'm studying 3-D modeling/animation and say "what Pixar does", everybody understands and is interested.

      Pixar = new hotness

      --
      I belong to the ______ generation.
    54. Re:Adios, Disney by Syre · · Score: 4, Informative

      > Disney is in a position that IBM found itself in years ago, and Coca-Cola found itself in when Pepsi came on the market.

      Back in 1903, you mean? That's when the Pepsi-Cola name was trademarked.

      Or are you referring to their big "Nickel Nickel" radio ad campaign of 1940?

    55. Re:Adios, Disney by obsid1an · · Score: 1

      No it wasn't Pixar, but the parent is merely trying to say that the Disney name isn't needed to sell a well made animated movie. It does however help to sell a crappy animated movie.

    56. Re:Adios, Disney by DAldredge · · Score: 3, Insightful

      This isn't my logic. My logic is that a parent who would rather their child watch DISNEY and BANS BARNEY isn't concerned about their child. They just do not want to be annoyed by Barney and if something as simple as Barney bothers them that much they have next to no hope of dealing with larger problems that involve their child in the future.

      It's just a 30 minute TV show!

    57. Re:Adios, Disney by AJWM · · Score: 2, Interesting

      Emperor's New Groove turned out better than I was expecting, lots of good comedic moments and an animation style different from the usual Disney. I'd rank it higher than Treasure Planet.

      At first the whole concept of Treasure Planet revolted me (I'm a fan of the book, and have seen several different adaptations of it including "Muppet Treasure Island" (which is a hoot, and Tim Curry does a great John Silver) and even as a stage play). Once I got past that and suspended a ton of disbelief over the whole sailing ships in space thing, it wasn't half bad. I about fell out of my chair at the scene where Doppler (David Hyde Pierce -- Niles on "Frasier" - - doing the voice) who is tending to the injured captain, turns to young Hawkins and says "Damnit, Jim, I'm an astronomer, not a doctor!".

      But on the whole, other studios are doing much better stuff than Disney-without-Pixar. Think Shrek, Road to El Dorado, Ice Age, all great animated family fare (meaning that it's kid watchable but enough stuff to keep the adults entertained too.) Heck, I'll throw Jimmy Neutron in there too ;-)

      --
      -- Alastair
    58. Re: Adios, Disney by Black+Parrot · · Score: 5, Funny


      > I mean - Cinderella2? PeterPan2 LionKing2 Aladdin2&3.

      If you think those are bad, wait until they start making prequels!

      --
      Sheesh, evil *and* a jerk. -- Jade
    59. Re:Adios, Disney by danbeck · · Score: 1

      Jebus, would you stingy mods give the parent post a +1 funny or something. He marketing blurb rocked.

    60. Re:Adios, Disney by mattdm · · Score: 1

      Right, unless it's being used descriptively to *actually refer directly to your product*. Which it clearly would be, in this case.

    61. Re:Adios, Disney by M.+Silver · · Score: 3, Informative

      but you don't let he watch a show that helps her learn.

      Speaking as the parent of a three-year-old also, I'm not especially impressed with the "learning" they supposedly do on Barney.

      --

      Slashdot's token middle-aged housewife
    62. Re:Adios, Disney by M.+Silver · · Score: 4, Interesting

      I wouldn't be surprised if kids knew the name Pixar anyway

      I'm (reasonably) sure he doesn't know the name, but my three-year-old certainly recognizes Luxor Jr. hopping out during the credits, and has made the connection between Monsters, Inc. and Finding Nemo as a result. So yeah, I'd expect kids old enough to read probably know the name.

      (Then again, my son's the offspring of two geeks, so he may have gotten the reading-the-credits gene a little stronger than the average...)

      --

      Slashdot's token middle-aged housewife
    63. Re:Adios, Disney by ZorinLynx · · Score: 5, Funny

      Has anyone noticed their latest upcoming cheapquel?

      The Lion King 1 1/2

      Yep! One and a half. 1.5.

      What's next, Sleeping Beauty 1.666666666... ? How about The Little Mermaid 2 + (3pi * x^2)y + 1 ?

      Or maybe they can start numbering them like Linux kernels...

      "Hey, wanna go see Mulan 2.4.24? I heard they fixed some of the animation bugs..."

      But I digress. }:)

      -Z

    64. Re:Adios, Disney by dubiousmike · · Score: 1

      David Spade is this generation's Martin Short.

      While Clifford (Martin Short as an anoying child) is so utterly annoying, it is also crap my pants funny.

    65. Re:Adios, Disney by chez69 · · Score: 5, Insightful

      Yeah isn't it funny how all of the "great" Disney movies were nothing more than remakes of old stories, legends, etc that are in the public domain, and yet they are fighting tooth and nail to prevent their own works from ever going into the public domain?

      But thats a whole nother' thread...

      Anyways, I'm sure one could easily argue that sometimes people benafit from pirating. I'm sure if college kids didn't rampantly pirate MS Office and Windows, Microsoft wouldn't have the market share that it currently does, and these same kids wouldn't be "locked" into Office and other such software as adults.

      Heck, in college I had a cracked version of Warcraft II that I played all the time. I loved that game so much what did I do later on? I bought StarCraft and WarCraft III.

      --
      PHP is the solution of choice for relaying mysql errors to web users.
    66. Re:Adios, Disney by JWhiton · · Score: 1

      "Treasure Planet" (biggest flop of the last 10 years)

      Just curious, how are you measuring this? I checked the IMDB and apparently it cost $180 million with advertising and brought in $101 million worldwide. That's a lot of scratch but it wasn't the only high-profile flop over the last 10 years...what about Waterworld? I also remember reading a node on Everything about how if you measure by percentage of first-weekend revenues versus afterwards, Blair Witch 2 was the biggest flop of recent years.

      I'm not quite sure why but there's something oddly entertaining in talking about movies that ran up ridiculous budgets and then bombed. I guess I'm not terribly fond of Hollywood.

    67. Re:Adios, Disney by chez69 · · Score: 1

      Ironic. Companies like Disney, which make their money by deriviting copyrighted material from out of copyright works, want to retain their own copyright for even longer.

      --
      PHP is the solution of choice for relaying mysql errors to web users.
    68. Re:Adios, Disney by Anonymous Coward · · Score: 1, Funny

      Psycho-analyzing someone on the basis of a paragraph is generally a pretty good sign that you're full of it.

      Yes, there is irony in this post.

    69. Re:Adios, Disney by mazarin5 · · Score: 1

      Just five minutes ago, I saw an advert for The Lion King: 1 1/2.

      --
      Fnord.
    70. Re:Adios, Disney by FooAtWFU · · Score: 3, Funny

      I can't wait for Beauty and the Beast e^(i*pi)+1.

      --
      The World Wide Web is dying. Soon, we shall have only the Internet.
    71. Re:Adios, Disney by Disavian · · Score: 1

      I can proudly say that I have not watched:
      Atlantis
      Emperors New Groove
      Dinosaur
      Treasure Planet
      Cinderella2
      PeterPan2
      LionKing2
      Aladdin 2&3
      et cetera. And few people will blame me for not seeing them-- in fact, I'm sure that many people are like me in that they have seen Lion King, the classic (i.e., actually good) Disney works, but they paid no attention to the remakes, copies of plotlines, et cetera. Disney is probably too large for their own good; it is the corporate monolith that has to censor everything and make it fit their past, when they should not be so focused on political correctness. People are not politically correct!

    72. Re:Adios, Disney by red+floyd · · Score: 1

      think Disney's main problem has been running out of stories from other cultures to feed off of.

      That's because nothing's coming into the public domain anymore... Why? Because that's what Disney wanted (see CTEA).

      --
      The only reason we have the rights we have is that people just like us died to gain those rights. -- Cheerio Boy
    73. Re:Adios, Disney by jazman_777 · · Score: 1
      As to your third point.... all sequels suck so any Toy Story 3s and Finding Nemo Agains are doomed no matter how you slice it.

      One sequel that didn't suck was _Slashdot II: Revenge of the Humorless Nerds_.

      --
      Slashdot: Failed Car Analogies. Amateur Lawyering. Anecdote Battles.
    74. Re:Adios, Disney by ackthpt · · Score: 1
      Go see Triplets of Belleville. I found it well animated and an enjoyable story. Packed house and lots of laughter.

      I wonder what the triplets are having for dinner... ;-)

      --

      A feeling of having made the same mistake before: Deja Foobar
    75. Re:Adios, Disney by stwrtpj · · Score: 1
      Give them a break, at least they are being creative now!

      Yes, they're trying to get congress to come up with creative legislation all the time to mandate DRM in your computer hardware. Yep, some creative folks over there at Disney.

      --
      Karma: Frotzed (mostly due to the Frobozz Magic Karma Company)
    76. Re:Adios, Disney by IthnkImParanoid · · Score: 2, Insightful

      Disney isn't going down because there are more animated features, they're going down because they've run out of fairy tales to butcher. The fairy tales they started on had a timeless value even their "adaptations" couldn't completely destroy. Now, their characters are poor attempts at "copy-and-paste" character development, and I think Pixar's animation has been the only thing keeping them from slipping too far.

      If you can't tell, I hate Disney. Hopefully Pixar will work with people who have new stories to tell.

      --
      It's nothing but crumpled porno and Ayn Rand.
    77. Re:Adios, Disney by rgainford · · Score: 3, Informative

      THAT is precisely one of the primary reasons that Roy Disney left. I heard he was growing quite frustrated with the CEO and was bewildered as to why the company had not renegotiated its contract with Pixar back when it first realized the companies full potential. I have also seen a survey where the executives at Disney where voted as one of the worst management teams in our country

    78. Re:Adios, Disney by Anonymous Coward · · Score: 0
      "Hey, wanna go see Mulan 2.4.24? I heard they fixed some of the animation bugs..."
      • Actually, the name of that movie with bugs was 'A Bug's Life'
    79. Re:Adios, Disney by hoggoth · · Score: 5, Funny

      > The Emperor's New Groove
      > It started out following the standard Disney formula but took a different turn somewhere along the road

      You mean they didn't kill off any parents?

      --
      - For the complete works of Shakespeare: cat /dev/random (may take some time)
    80. Re:Adios, Disney by nelsonal · · Score: 1

      You probably wouldn't have seen Toy Story if it hadn't been for Disney. Disney provided two things, distribution through their agreements with theaters, and marketing through their partnerships with fast food resturants etc. Pixar created fresh movies using new technology at the time. I think some of the inital funding might have been provided by Disney. They took the risk that Pixar's movies would flop, at least the first few.
      As it turned out, they were all hits and Disney made out like bandits, now that Pixar is an established hit maker, they felt that they diserved more of the cut, and Disney did not agree with them. So the contract fell through. I'm still trying to decide whether Dreamworks, Fox, or WB will be more generous, in their offer. Note that Disney does get one or two more movies (I think one might be a sequal) over the next two years.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    81. Re:Adios, Disney by nelsonal · · Score: 2, Interesting

      I think the average /.er might give Mikey a run for his money (which isn't saying much given the post quality around here including me). Eisner fixed a very broken company but hasn't had any good ideas since the mid 90s. Since then he has insulated himself with a management friendly board, done little to significantly improve the business, and overpaid himself with cash, benefits, and stock. Roy tried to oust him and found out just how well Eisner has protected himself. Disney would be an excellent hostile takeover candidate if you had a ton of perserverance. Here's the biggest problem with Disney animations, they are all too political. After Lion King they started getting very PC, regarless of your opinions of the belief's espoused, that really does not need to be in a kids movie. Also it pissed off the southern baptists and other conservative organizations which then began boycotting and denouncing Disney, loudly enough to cut spending in a group that covers lots of families.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    82. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Christina Leardini, and she was a total hottie.

    83. Re:Adios, Disney by DAldredge · · Score: 1

      I have 4 digits in my id. That make me right, or somthing, hell it might just make me and idiot I don't know. :->

    84. Re:Adios, Disney by ackthpt · · Score: 1
      You probably wouldn't have seen Toy Story if it hadn't been for Disney. Disney provided two things, distribution through their agreements with theaters, and marketing through their partnerships with fast food resturants etc.

      Odds are Toy Story would have made it into theaters, it just would have taken longer. I was sold on the film long before I saw the name Disney associated with Pixar, from following Pixar since Red's Dream. They were always a hit at the SIGGRAPH shows. I think Disney backing helped them with finances early, too.

      Pixar is all grown up, doesn't need the greedy uncle anymore. From the article I'm sure WB would be hot to work with them. Dreamworks, I dunno, they've got their own animated works, though Cat in the Hat sucked mooseballs (and even made money, which shows how fucked up people are when it comes to picking out movies for their kids, it has a 2.8 rating on IMDB) I don't think I'd like to see them paired with Fox.

      --

      A feeling of having made the same mistake before: Deja Foobar
    85. Re:Adios, Disney by DAldredge · · Score: 1

      But it is better than Disney. And what is wrong with it? Hell kids LIKE IT and it doesn't hurt anything. One can not say the samething about BUY BUY BUY STUFF STUFF STUFF DISNEY!

    86. Re:Adios, Disney by nelsonal · · Score: 1

      Wasn't Ice Age a Disney movie? I really enjoyed Anistasia, but I had never heard the story before the film.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    87. Re:Adios, Disney by nelsonal · · Score: 1

      Wow, I'm envisioning two hours of a giant matrix like 1 flashing over the screen, you better go stoned. I think I'd rather go hit Laser pink floyd or something.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    88. Re:Adios, Disney by nelsonal · · Score: 1

      The Emporer's New Groove is actually pretty funny, and much better than the rest of your list, which all suck. It's off beat like Lilo and Stich.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    89. Re:Adios, Disney by Anonymous Coward · · Score: 0

      102 Dalmatians. With Glenn Close. Quite enough said.

    90. Re:Adios, Disney by hondo77 · · Score: 1

      Wrong. In fact, Disney is working on "Toy Story 3", not Pixar.

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    91. Re:Adios, Disney by PSandusky · · Score: 1

      As to your third point.... all sequels suck so any Toy Story 3s and Finding Nemo Agains are doomed no matter how you slice it.

      Without clarification of how quality is to be judged, this comment makes no sense. As it stands, I must congratulate you on a truly thorough example of the genetic logic fallacy. Gold star for the day!

      --
      "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
    92. Re: Adios, Disney by hondo77 · · Score: 1

      Ladies and Gentlemen, I give you The Lion King 1 1/2. No fooling.

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    93. Re:Adios, Disney by nelsonal · · Score: 1

      I thought that Princes Mononoke or a Spirited Away would at least be rivals to Snow White, which is excellent.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    94. Re:Adios, Disney by nelsonal · · Score: 1

      I think Brother Bear was released only because it was already finished years ago, and was going to make nothing just sitting on the shelf. If it hurt the brand by $100 million is an exercise left to reader.

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
    95. Re:Adios, Disney by hondo77 · · Score: 2, Interesting

      You let her be exposed to Disney so she will buy their crap, but you don't let he watch a show that helps her learn.

      You, obviously, have watched neither Barney nor The Disney Channel. I'll give my children Disney and their commercials over the insipid so-called "learning" of Barney in a heartbeat. They'll turn out just fine, thank you very much.

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    96. Re:Adios, Disney by Keeper · · Score: 1

      I think they're following Capcom's lead ... (think Street Fighter)

    97. Re:Adios, Disney by NanoGator · · Score: 1

      "I mean - Cinderella2? PeterPan2 LionKing2 Aladdin2&3."

      Those were straight to video releases for those kids who couldn't get enough. Though this doesn't deteriorate your point a whole lot, it is a little misleading.

      --
      "Derp de derp."
    98. Re:Adios, Disney by Felinoid · · Score: 1

      I think the movie industry would be down on Disney if they did so much as a C&D to Pixar over the movie names.

      The whole point of a trademark is that an image, symbol or phrase appears on products produced by said company as an identification. For that reason a trademark is that companys blessing.

      But talking about the trademark is a diffrent deal all together.

      Directors and producers often include preveous acomplishments in ads for new films they've done.

      --
      I don't actually exist.
    99. Re:Adios, Disney by The_Steel_General · · Score: 2
      Oh yeah: KRONK!!! Definitely my favorite Disney character.

      But despite having a bunch of quotable lines and being just generally awesome, the lines lose their punch individually:

      (How he can talk to a squirrel):
      "I was a junior chipmunk. We had to be versed in all the woodland creatures."

      (After accidentally turning Kuzco into a llama):
      "In my defense, your potions all look alike. You might want to think about relabeling them."

      Yzma's great too:
      (To Kronk):
      "It's called a cruel irony. Like my dependence on you."

      And one of the finest lines in all of Disneydom, by a perfectly generic guard:
      "For the last time, I did not order a giant trampoline!"

      But you'll just have to go see it yourself to understand that one. Just buy it.

      TSG

    100. Re:Adios, Disney by Our+Man+In+Redmond · · Score: 1

      Not having to look at someone can do wonders. I can't stand Gilbert Gottfried, but he was great as Iago in Aladdin. And I heard more than one person who swore they'd never go see an Ellen DeGeneres movie do a double take when they found out she was the voice of Dory in Finding Nemo.

      --
      Someone you trust is one of us.
    101. Re:Adios, Disney by Breakfast+Pants · · Score: 1

      Your example is bad. How about this: say a slashdot editor quit and started a new job and on his resume it said "used to be an editor at slashdot." Slashdot would have no right to sue him unless they had entered into some kind of contract with him stating that he can't tell people he worked at Slashdot. Hence, the exact same question whose answer you did nothing to help find still stands: did Disney enter into a contract where pixar can't say they created certain movies? I'll go ahead and say no to this. However no doubt pixar probaly can't create sequels etc, thats a hell of a lot different than not being able to make bosts about previous work. Speilberg can still say he has directed x or y film even though his distributers have been numerous. If he entered into some kinda of contract where he couldn't, everyone else on earth still could.

      --

      --

      WHO ATE MY BREAKFAST PANTS?
    102. Re:Adios, Disney by AJWM · · Score: 1

      Wasn't Ice Age a Disney movie?

      Nope, Ice Age was distributed by 20th Century Fox, and the production studios were Blue Sky and Fox Animation Studios. I hope we see more from them.

      Yeah, Anastasia was cool (who did that?), although the Rasputin character a bit too intense for my then 3yr old daughter. (Part of the coolness factor was that my wife and I had visted Leningrad/St. Petersburg a few years before and visited the Hermitage and some of the other places where some of the scenes take place.)

      --
      -- Alastair
    103. Re:Adios, Disney by Anonymous Coward · · Score: 0

      It's just a 30 minute TV show!

      BINGO! so why are your panties in a bunch? What do u care if he lets his kid watch Disney, and not Barney?? For fuck's sake why did I care enough to write this reply...

    104. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Maybe they'll be forced to make more movies like Pirates of the Caribbean: The Curse of the Black Pearl.

      Everyone wins!

    105. Re:Adios, Disney by On+Lawn · · Score: 1


      Believe me, with kid we get to know Disney well, over and over. Disney still has talent, but my wife and I agree it really shows only when they aren't being "Disney".

      Take Filmore, and Recess for instance. Filmore is a middle-school cartoon noir. A hard boiled detective story in a middle school where children are given plenty of resources and are trying to achieve (for good or evil).

      Recess is a prison camp in Elementary school setting. Its great. Not only are these premises good, but the messages are palatable and nourishing, the plots interesting and the humor often cutting.

      For New Years Eve we raided our friends very extensive movie collection, and of all the movies "Kim Possible: The Secret Files" was by far the most entertaining. Ron Stoppable is one of my favorite characters to watch on any cartoon (except maybe Peach and Bruce in Nemo).

      Even Penny Proud is pretty funny. Not the main characters though, the real gems are the supporting cast.

      But none of these would make you think "Disney" if it weren't for the name in the credits. Same with Pixar I would say also. Perhaps Disney suffers, if any company could suffer, from over-branding.

    106. Re:Adios, Disney by some+guy+I+know · · Score: 1
      Great logic there - let the kid watch Barney or she'll grow up to be a felon.
      Al Capone didn't watch Barney when he was a kid, and he grew up to be a felon.
      What more proof do you need?
      --
      Those who sacrifice security to condemn liberty deserve to repeat history or something. - Benjamin Santayana
    107. Re:Adios, Disney by DOCStoobie · · Score: 1

      Disney all in all is goin' down ... from what I can tell, they are staying afloat just from their ESPN rate hikes .... DEATH TO DISNEY ....

    108. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Agree with you on that.

      Speaking of treasure planet - brings to mind another clever little marketing stunt Disney pulled to try and revive an ailing brand:

      Over here in South Africa, when that particular movie came out, they made a big hoo-ha about the fact that recently (at the time) crowned Idols winner in South Africa, was chosen to sing the track played at the end of the movie.

      What nobody mentioned, was that the local boy only sings the track in the South African version!

      And so on in other countries they chose local "stars" to do the track at the end, so people in that country had a feeling of "cool this is Disney, and they chose one of ours to feature..."

      It's misleading, and eventhough quite clever, I find it sad...

    109. Re:Adios, Disney by DOCStoobie · · Score: 1

      I agree, PIXAR has been an anus-saver for Disney, and now they are hosed ... I'm not interested in seeing "CINDERELLA 12 .... when the bitch strikes back" .. sequels suck ..PERIOD .. unless they were intended that way, say LOTR or SW, Matrix...

    110. Re:Adios, Disney by rjch · · Score: 1
      Having the Disney name on it means it automatically becomes a must see for a lot of kids(people)
      Can't say I agree with you there. Quite the contrary, as far as I'm concerned, if it has the Pixar brand on it, you can guarentee I'll be seeing it.
    111. Re:Adios, Disney by CaptainCarrot · · Score: 3, Interesting
      Hee hee!

      Possibly we'd have seen the dead parents in "Empire of the Sun", which is what the project was originally called. By the time it had metamorphosed into "The Emperor's New Groove" they'd been pushed offstage. Kuzco is 18 and the reigning emperor. No visible mother or father, and his advisor Yzma mentions at one point that she "practically raised him." So yeah, mommy and daddy are dead, but we don't see them croak here. The one happily married couple we do see survives unscathed.

      I meant that it wasn't a mucical; there was no romantic storyline; no comic-relief sidekick like the monkey in Aladdin, that stupid dragon in Mulan or the gargoyles in Hunchback; no hopeless climactic fight against impossible odds that were overcome by courage/innate goodness/magic/semi-divine intervention; and nothing notable in the way of marketing tie-ins. They decided to do characterization and plot instead.

      And it turned out to be a good movie! Who knew?

      --
      And the brethren went away edified.
    112. Re:Adios, Disney by CaptainCarrot · · Score: 1

      Oh, if it looks like I've spent much too much time thinking about this movie... I have a 5-year-old who every so often wants to see the "Llama movie". So I've watched it far more often than a normally sane adult might have otherwise.

      --
      And the brethren went away edified.
    113. Re:Adios, Disney by Haeleth · · Score: 1

      > The fact of the matter is you cannot use another company's trademarks to sell your product without their permission.

      Yeah? Then how did Burger King get away with their "most people prefer Whoppers to Big Macs(r)" campaign? Do you think they got McDonalds' permission to say their burgers tasted nasty?

      Umm, nope. The fact of the matter is that since they were using the "Big Mac" trademark to refer to the results of market research, they were stating a fact about the McDonald's product. Which is fine, even for a trademark.

      Therefore, since it is a fact that Pixar made Finding Nemo, they could therefore use that name in their advertising. Since they would be stating a fact about Disney's product, there'd not be a thing Disney could do.

    114. Re:Adios, Disney by jcr · · Score: 1

      don't underestimate the value of the Disney name ..which Walt Disney built up, and which every CEO since then has been pissing away?

      The Lion King was Disney's last gasp. It was a great studio once, but today they're nothing but a venture capital firm that happens to invest in movie merchandizing.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    115. Re:Adios, Disney by Amadodd · · Score: 1

      Ditto to all the above and add:
      Pocahontas,
      Lion King,
      Finding Nemo, and many more

      I did see Snowwhite when I was about four - really dark stuff. Will probably see some of them in the coming years (with soon to be born daughter :-)

      Always remember that Disney stole Pooh

      --
      Freedom of speech doesn't come with bandwidth.
    116. Re:Adios, Disney by Anonymous Coward · · Score: 0

      I think they're following Capcom's lead ... (think Street Fighter)

      Great - so what's next? Lion King vs. Bambi? Hmm... that could actually be quite good...

    117. Re:Adios, Disney by jcr · · Score: 1

      So, Pixar can wait a few years and buy the rights to Nemo and Toy Story from Disney's liquidators. No problem..

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    118. Re:Adios, Disney by JaredOfEuropa · · Score: 1
      Toy Story and Finding Nemo are among the very few Disney offerings that aren't blatant rip-offs of off-copyright "classics".
      Actually, there's a French writer claiming that 'Finding Nemo' is a rip-off of his work. I have no idea how true his claim is, but it wouldn't surprise me if it turns out that Disney blatantly stole this one too, like they did with the Lion King.
      --
      If construction was anything like programming, an incorrectly fitted lock would bring down the entire building...
    119. Re:Adios, Disney by Haeleth · · Score: 1

      When is someone going to make a film of The Starlight Barking?

      You know, the real sequel to 101 Dalmatians?

    120. Re:Adios, Disney by scottgfx · · Score: 1

      I'm not sure where the stories are online, but the development of Dinosaur is a huge story. My brother follows this stuff much closer than I, so I can only give you that side. Disney built a huge CGI facility to do Dinosaur and early on, it was shaping up to be a fantastic movie. Somewhere along the line, the higher-up got a hold of the project and ruined it. My understanding was that the dinosaurs weren't supposed to talk. (I could be wrong) Disney eventually closed that state-of-the-art facility after a few projects. A major waste of some brilliant talent. I really don't think Disney can recover from this latest event. First on the block will be the ABC television network. Perhaps Apple or PIXAR will eventually buy Disney. ???

      Go PIXAR!!!!!!

      --
      It's mandatory to wash your hands before returning to the land of Dairy Queen.
    121. Re:Adios, Disney by scottgfx · · Score: 1

      I find this fascinating... I was never exposed to a Disney film until I was 11 or 12-yo when I saw "The Fox and the Hound" twice in the theaters when it came out. I thought it was wonderful! That movie isn't typical of Disney fare though. I was taken to Disney World when I was 4, but I don't think it made that much of an impression on me. I always shunned the syrupy sweet, even as a young child. (I still hate "It's a Small World") PIXAR stuff, on the other hand, can bring tears to my 34 year old eyes. Perhaps I've just changed. ;)

      --
      It's mandatory to wash your hands before returning to the land of Dairy Queen.
    122. Re:Adios, Disney by wheany · · Score: 1

      "Scary beyond all reason"

    123. Re:Adios, Disney by wheany · · Score: 1

      I haven't seen it as much as a 5-year old might, but I've seen the movie close to a dozen times. I have made many of my friends watch it, and have seen it because of that. It's kind of the same with Iron Giant and Cats don't dance.

    124. Re:Adios, Disney by truk77 · · Score: 1

      It's gotta be bad there for Roy Disney to just pack up his bags and leave.

      More like, his bag was packed for him, and he was shown the door.

      --

      *** Penguins are so sensitive to my needs. --Lyle Lovett
    125. Re:Adios, Disney by ceenvee703 · · Score: 1

      And don't forget, coming soon to video and Disney DVD... The Lion King 1 1/2. Jeez.

      --
      "This? I can make a hat, I can make a brooch, I can make a pterodactyl..."
    126. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Barney is the Antichrist!!!

    127. Re:Adios, Disney by Asprin · · Score: 1


      I'm not sure I agree with you. Having the Disney name on it means it automatically becomes a must see for a lot of kids(people). Granted the well-made movie helped it, but don't underestimate the value of the Disney name

      I think Pixar has managed to make a name for itself: "A Bug's Life", "Toy Story", "Toy Story 2", "Monsters Inc.", "Finding Nemo", all of the short subjects. Which of those isn't "Four stars, Joe-Bob says check it out!" THEY DON'T MISS. EVER. And beyond the quality of the animation is the quality of the writing. That's their real asset: their wonderful knack for finding and telling new and interesting stories.

      Good bye, good riddance, now I can finally stop giving Disney my money. I hope the bastards that wrecked Winnie the Pooh by re-franchising him to death with cheap animators and puppets finally pay for their sins.

      "Buy these movies now because they're going back into the Disney vault for ten years" my ass!

      --
      "Lawyers are for sucks."
      - Doug McKenzie
    128. Re:Adios, Disney by FroMan · · Score: 1

      Gee, I'm such a dupe. I paid for my version of WC, WCI, WCIII and Starcraft. Geesh, I could have taken the moral highground and just paid for WCIII and Starcraft.

      --
      Norris/Palin 2012
      Fact: We deserve leaders who can kick your ass and field dress your carcass.
    129. Re:Adios, Disney by SamSim · · Score: 1
      Cinderella2

      I never understood this. What part of "Happily ever after" is worth making a movie about?

    130. Re:Adios, Disney by Valen1260 · · Score: 1

      Here's hoping all those fired Disney "traditional" animators team up with Pixar and topple the Goliath.

    131. Re:Adios, Disney by notbob · · Score: 0

      I liked waterworld!

      It was a great 1980s post apocolyptic movie! Just released 15 years late, but still a classic in my books, had to be purchased on VHS to match Cyborg, Mad Max, etc...

      Postman was great for this collection too.

      I heard there's a third one out called "Open Range" now too.

      How they keep finding these 80s movies is beyond me.

    132. Re:Adios, Disney by M.+Silver · · Score: 1

      Well, there's that (though my son doesn't particularly like it either). On the other hand, there's something to be said for letting your kid build up an immunity to the "buy tie-ins" pressure early. Means you have to not give in to it, of course. And that's tempting, as a parent. (And hard, when your friends and in-laws don't cooperate.)

      --

      Slashdot's token middle-aged housewife
    133. Re:Adios, Disney by ackthpt · · Score: 1
      But none of these would make you think "Disney" if it weren't for the name in the credits. Same with Pixar I would say also. Perhaps Disney suffers, if any company could suffer, from over-branding.

      It's been my sentiment that Disney suffers from cliched plots and characters.

      There was a dog introduced in Itchy and Scratchy on the Simpsons which I thought highlighted this rather well. In trying to force a hip, cool dog character into an otherwise entertaining cartoon (at least to Bart and Lisa) it took the real punch out of the plot, wasting time cementing a shallow character. That's been my irk with so many central Disney characters, they are tired cliches and stereotypes.

      Noir, hey, that sounds interesting. See The Triplets of Bellville (you really don't need to speak french to follow it, it's mostly visual.) Imagine that coming out of Disney. I sure can't and that inability to identify such good characters, plot and action is the reason.

      --

      A feeling of having made the same mistake before: Deja Foobar
    134. Re:Adios, Disney by Anonymous Coward · · Score: 0

      It seems to me that Barney insults children's intelligence rather than feeds it. It's less like, "Here, count and read" and more like, "This thing up here is called the sky!"

    135. Re:Adios, Disney by superflippy · · Score: 1

      I watched Lilo & Stitch on a plane ride, and I was kind of disappointed. The middle of the movie was great, but the beginning and the end just about ruined it for me. Couldn't they have just set the whole movie in Hawaii? Why bring in the alien ship and a totally out of place spaceship gun battle ala Star Wars? Stitch's appearance on earth and the guy chasing him could've been explained without it. It seemed like something tacked on to the story to appeal to a specific demographic (boys aged 6-10), which is my problem with a lot of Disney fare. They might do better if the marketing team weren't the ones writing the script.

      --
      Your fantasies contain the seeds of important concepts.
    136. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Clearly, you do not have children. It is not an issue of dealing with thirty minutes of Barney. It is dealing with Barney the show and Barney the video and Barney the DVD and Barney the cereal food and Barney the stuffed animal and every other licensed knockoff of Barney OVER and OVER and OVER and OVER again until you can't get the nauseatingly contrived cuteness out of your mind and you are driven to start sniping from tall buildings at anyone wearing purple...

    137. Re:Adios, Disney by Chiron+Taltos · · Score: 1
      You make a valid point. However, as the father of a 5-year old, I talk with other parents about whether a recently released movie is appropriate, and vice-verse (depending on who's gone to see it first). When we discuss the Disney-Pixar movies, I've noticed everyone I speak with just call them Pixar movies. Adults have come to know the difference between a Pixar-made Disney movie and other Disney movies.

      So, your point was valid at the beginning of the Disney-Pixar relationship, but I believe Pixar has made a name for themselves since then.

      --
      CT

    138. Re:Adios, Disney by ShavenYak · · Score: 2, Interesting

      My two year old loves the THX thing at the beginning of the widescreen versions, where the robot dude shakes the can and it goes "mooooo". She'll clap and cheer and say "Yay cow!" and then ask, "Nemo?" If I answer no, she says, "Monster movie!"

      So yep, she'll know Pixar - and I'll feel much better about buying their products now that they're not pumping money into Disney. Heck, we might go see the next one in a theater. 'Tis a shame they didn't do this BEFORE Nemo, though. She really loves Nemo.

      --

      Hey kids, there's only 5 days left 'til Yak Shaving Day!
    139. Re:Adios, Disney by Klanglor · · Score: 1

      well it depends on how old you are :P maybe you finished your college degree before him :P lol

    140. Re:Adios, Disney by escher · · Score: 1

      Bewaaaaaaare the groove!...

    141. Re:Adios, Disney by Anonymous Coward · · Score: 0

      > I meant that it wasn't a mucical; there was no romantic storyline; no comic-relief sidekick...

      The funny part is that when the project started, is was complete and utter Disney boilerplate. They threw out an entire soundtrack by Sting and *months* of animation work went in the can. Why? Some bean-counter at Disney didn't think it was commercial enough. The result? Start over at square one with half the time to do the work. The rush job is why the art is so minimalistic and flat-shaded. The animators and writers went into panic mode, new voices were recorded, and since the accountants had already washed their hands of the project (and this is key!) they let the artists work and LEFT THEM THE HELL ALONE!

      The result?

      Disney's freshest and most creative work in years was completely ignored.

    142. Re:Adios, Disney by Anonymous Coward · · Score: 0

      While Pixar's films have certainly been the best under the Disney banner for a few years, it is foolish to conclude Pixar is better off without them. Even with its considerable faults, Disney knows merchandising better than any entertainment company out there. Have any of you been to a Disney theme park? Wake up. They have the distribution, the brand and an unmatched marketing gauntlet for selling everything under the sun - toys, figures - you name it. Who else has that kind of presence in our culture? Sony? Fox? Universal? I don't think so. Who is going to sell the toys in 4-5 years after the Disney alliance ends? ToysRus and Walmart will probably be the only major players standing and Walmart will shave their margins to the bone. Sure, their films are generally very good and successful, but they are almost due for a flop. No one company is perfect....except Apple (in Jobs mind), and perhaps therein lies the clue. Perhaps world class A***ole Steve Jobs is using hardball to angle for a better deal, or get rid of Eisner. Now there is an idea..... Whatever is going on now, both companies are probably better off with each other.

    143. Re:Adios, Disney by sckeener · · Score: 1

      I think he is refering to the 'new coke' of the 80s...

      too bad Ebay wasn't around then. I could have made a killing! Any one remember what the final going price was before Coke brought back Classic Coke?

      --
      "Only one thing, is impossible for god: to find any sense in any copyright law on the planet." Mark Twain
    144. Re:Adios, Disney by Anonymous Coward · · Score: 0

      Barney is not the only educational show children can watch. Personally I think that barney is annoying and crappy. My children watch PBS shows, Bear in the big blue house and any number of others that are much better then Barney.

      Oh and they watch disney flics as well so I guess that makes me a bad parent.

      Do you have kids or it this your uninformed opinion?

    145. Re:Adios, Disney by mcmonkey · · Score: 1

      Yeah, but what does advertising have to do with facts? I once had a job making Coca-Cola, but I doubt that gives me the right to market my own soft drink as "from the maker of Coca-Cola."

      The extent to which Pixar can use the names of movies made with Disney in future advertising will likely depend on its agreements with DIsney.

    146. Re:Adios, Disney by Felix+The+Cat · · Score: 1

      Whew! Glad to see I'm not the only one who's turned his daughter into a rabid DM fan. Admittedly, she's only seen some of the clips available on the web, but even those were enough to get her hooked. Now, if only I could find some Region 1 DVDs, we could both get our fixes....

      --
      Windows is the Acme of computing -- in the Wile E. Coyote sense.
    147. Re:Adios, Disney by Anonym1ty · · Score: 1
      ...and Coca-Cola found itself in when Pepsi came on the market.

      Pepsi-Cola was founded in New Bern, NC, in 1898.

      Many of PepsiCo's brand names are over 100-years-old, but the corporation is relatively young PepsiCo was founded in 1965 through the merger of Pepsi-Cola and Frito-Lay

      I remember the big Coke -vs- Pepsi thing was in the very late 1970s to early/mid 1980s.

    148. Re:Adios, Disney by kfg · · Score: 1

      They used to show it daily on Nickelodeon.

      Man, those were the days.

      KFG

    149. Re:Adios, Disney by dedalus2000 · · Score: 1

      That's assumeing somone would actualy want to put slashdot on their resume. Of cours I think CmdrTaco probably sighns that on his personal checks.

      --
      My keyboads not woking popely.
    150. Re:Adios, Disney by RazzleFrog · · Score: 1

      Because they didn't infer that McDonalds in anyway is endorsing the Whopper. You can refer to another company's product but you can't use it to sell your product. Not sure why this is so difficult for people to understand.

    151. Re:Adios, Disney by RazzleFrog · · Score: 1

      I am not sure what you are talking about. Toy Story and Finding Nemo are not Pixar's products. They are Disneys. By using them they infer that Disney somehow is affiliated with their new movie. Also saying makers is very deceptive.

    152. Re:Adios, Disney by 10bt · · Score: 1

      It's not just the Disney name, it's also the Disney trademarks, character portfolio, etc. Disney has a lot of history and tradition, which should never be discounted.

    153. Re:Adios, Disney by CaptainCarrot · · Score: 1
      For you to claim that someone doesn't care about his kid because he bans Barney is just absurd. There are lots and lots of educational shows, and Barney is far from the best of them. Kids can get far more out of something like Blue's Clues or Bear in the Big Blue House.

      We don't get broadcast TV or cable at my house, so everything we watch is on tape or DVD. I've banned Barney in my house and allow (some) Disney. So there. But we have dozens of other educational shows on the video rack that actually teach some worthwhile things. And since we're almost always in the same room as the kid and the TV, his shows had better be something adults can tolerate.

      --
      And the brethren went away edified.
    154. Re:Adios, Disney by burgerdog · · Score: 1

      I don't think so anymore. It is getting less so as time goes on. Ten years ago sure, and even when Toy Story 1 came out, people called it a "disney" film. But I think now people know that Pixar makes them. I doubt it will hurt them at all.

    155. Re:Adios, Disney by burgerdog · · Score: 1

      Entirely untrue. As Pixar created the entire film from story to final print, the only thing disney owns is the rights to the films themselves. Disney can make Toy Story 3, Pixar cannot. But Pixar can certainly take credit for making the first two in future advertisments. That stuff happens all the time. How many times have you seen some comedy film advertised as "from the makers of 'there's something about mary'" even thought it's one of the producers and not the people who wrote or directed the film. If you helped make it, you can take credit for that.

    156. Re:Adios, Disney by RazzleFrog · · Score: 1

      That's because there is no trademark for "there's something about mary". That is the difference you are missing. Trademarks change the whole game. You can't go out and buy something about mary dolls but you can buy Finding Nemo Toys. Disney holds their IP very closely and I guarantee you they would go after them if they thought they were misrepresenting their new film as a Disney product.

      And who do you think paid to make the film?

    157. Re:Adios, Disney by TPFH · · Score: 1

      What's next, Sleeping Beauty 1.666666666... ?

      If they did, we could just call it Sleeping Beauty 666 for short.

      --
      This signature used to contain a cute kitty virus with ansii art. Please set the slashdot editors on fire. Thank you
    158. Re:Adios, Disney by Eccles · · Score: 1

      I can't wait for Beauty and the Beast e^(i*pi)+1.

      Sounds like one big zero to me.

      --
      Ooh, a sarcasm detector. Oh, that's a real useful invention.
    159. Re:Adios, Disney by aztracker1 · · Score: 1

      Don't forget what they did to Hercules ... what a load of crap, and a sick twisted adaptation of a decent story.. I thought the tv series was bad enough.

      --
      Michael J. Ryan - tracker1.info
    160. Re:Adios, Disney by cfuse · · Score: 1
      I hate David Spade

      As do all right thinking beings.

      Anyone who likes David Spade has something seriously wrong with them.

    161. Re: Adios, Disney by Anonymous Coward · · Score: 0

      Fuck, talk about not knowing what troll fucking means.

      Screw you, you dickless moderators.

    162. Re:Adios, Disney by irokitt · · Score: 1

      "Ooh! Ooh! Izma's in your chair!"

      I have younger siblings, can you tell?

      --
      If my answers frighten you, stop asking scary questions.
  4. SCO by Anonymous Coward · · Score: 0

    Has SCO gone after Pixar? You'd think they would.

  5. Them as can, do. Them as can't... by rewt66 · · Score: 4, Funny

    ...distribute.

  6. Uh-Oh by GregThePaladin · · Score: 1

    And since Disney is completely ditching 2-D animation, it's gonna be fun to see if they can pull outta this.

    1. Re:Uh-Oh by Anonymous Coward · · Score: 0

      Disney has been planning for this. The announcements should be out soon now that its official.

      Look to the north for their new facil^H^H^H^H^H partner.

    2. Re:Uh-Oh by _Sexy_Pants_ · · Score: 1

      Perhaps we forget that Disney owns EVERYTHING. Can't make 2D or 3D animation films? They've still got live action movies, merchandise, theme parks, a TV Channel to name all the obvious ones.

      To make an idiot statement that is probably wrong, the US would find itself in a depression if Disney went out of business (monetarily, and maybe even in terms of happiness)

      --
      Look it's a joke about my sig IN MY SIG! LOL!
    3. Re:Uh-Oh by gmhowell · · Score: 1

      Disney live action? Like Escape from Witch Mountain and The Apple Dumping Gang? Those already almost led to the death of the company, why believe this time it's any different?

      Disney, like Lucas, makes most of its money on merchandising. Unfortunately for Disney, the people who own the copyright on their most lucrative property, Winnie the Pooh, are looking to renogotiate licensing (and just got a big court victory).

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    4. Re:Uh-Oh by cujo_1111 · · Score: 1

      Yeah Disney live-action... Ever heard of Touchstone films? Isn't that Disney's live action adult arm? Also you have forgotten the brilliant 'Something Wicked this Way Comes', one of my childhood faves.

      Releasing Lethal Weapon under the Disney name would have been suicide.

      --
      If I point out that you are incorrect, making me a foe does not make you any more correct.
  7. So where does this leave Disney? by thecampbeln · · Score: 4, Interesting
    As was mentioned a week-ish ago, Disney has closed it's 2D animation studio(s), and now without Pixar as their partner, is Disney out of the animation game? Or does Disney they have their own in-house CGI studio? And if they do, why did they need Pixar in the first place?

    Either way, go Pixar!

    --
    "1984" was ment to be a warning, not a guidebook. You hear that Kim Jong-il!? BushCo?!
    1. Re:So where does this leave Disney? by MsGeek · · Score: 2, Funny

      Stick a fork in them, they're done.

      --
      Knowledge is power. Knowledge shared is power multiplied.
    2. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      they still have the mickey mouse club right? Or is that the "future pops stars of america club"?

    3. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      I think you meant, "future porn stars".

    4. Re:So where does this leave Disney? by dandelion_wine · · Score: 2, Interesting

      now without Pixar as their partner, is Disney out of the animation game?

      One can only hope. Ex-gf was a budding animator, and though some in her class were fodder for the regular recruiting turkey-shoot, most wanted nothing to do with zero-creativity, assembly-line animation. We're talking "you do ten thousand hands" cell animation, here.

    5. Re:So where does this leave Disney? by a.koepke · · Score: 3, Insightful

      I think it leaves Disney in the crap :)

      Pixar at first needed Disney to promote them, but now the tables have turned and its Disney that needed Pixar. The talent and ideas at Pixar are a lot better than anything Disney has produces. All of the latest block-buster releases that have held the Disney name were made by Pixar.

      But one thing to note is that this decision will not have an immediate impact. "The Incredibles" due this year and "Cars", expected in 2005, will still be distributed by Disney.

      --


      (\(\
      (^.^)
      (")")
      *This is the cute bunny virus, please copy this into your sig so it can spread
    6. Re:So where does this leave Disney? by nacks1 · · Score: 1

      I am not so convinced in that. Disney seems to have the ability to sit back and buy whatever they want. It all depends on how they plan to market things.

      Case in point, Disney owns all the rights to the Miyazaki films here in the US. They could probably make quite a bit of money by leaching off of them by re-releasing them in the theaters and re-hyping them. Too bad they won't however since all they want to release is cheap crappy animation with a soundtrack by Phil Collins or Elton John.

    7. Re:So where does this leave Disney? by Anonymous Coward · · Score: 1, Interesting

      Disney has trained its artists to use computer graphics software and 3D software - including its old-timers who have done it the "old fashioned" (some would say BETTER) way.

      I have to say, CG has its place. But so does traditional animation. I can't imagine The Little Mermaid, Peter Pan or The Lion King done any other way than traditional animation (granted, with some degree of computer assistance involved over the years).

      I think it would be a tragedy to lose out on that.

    8. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      Simple... Disney did not have a CGI studio when the Pixar deal came out. Now that 3d animation is becoming commoditized, Pixar is no longer needed.

    9. Re:So where does this leave Disney? by jermomma · · Score: 3, Informative

      Disney's 2D is still open, they just closed all their traditional pen & paper animation houses

    10. Re:So where does this leave Disney? by gl4ss · · Score: 1

      afaik they still got studios of their own.
      sure, they end up the shop at a 2d only(?) studio that doesn't quite mean much, it just means that times are changing.

      treasure planet and numerous other recent films from them have all had some part or another of them done with computers. cg is cheaper, faster, better(for the kind of films disney has been making).. like it or not.

      all this means for disney is that they can't get easy bag of money from _distributing_ pixars movies(pixar knows it's worth more than what they're getting from disney..).

      --
      world was created 5 seconds before this post as it is.
    11. Re:So where does this leave Disney? by iminplaya · · Score: 1

      "Disney seems to have the ability to sit back and buy whatever they want."

      Like a few more congressmen, perhaps? Maybe they can get a law passed that would stipulate that whatever Pixar produces will be owned by disney for the next 75 years.

      --
      What?
    12. Re:So where does this leave Disney? by JivanMukti · · Score: 2, Insightful

      I agree with what you said about CG and traditional animation. And once again the people who run a large corp (Disney) misdiagnose their illness. They switch their designers to CG because "That's what's selling these days", never realising that many of their recent animated films aren't great. It's not the animation, it's the story lines.

      The Toy Story films would have been just as good if they were done with traditional animation.

      My Prediction: Disney continues to flounder because Eisner's more interested in having a media conglomeration than making good films, and in 15 to 20 years some small studio will start making hand drawn animated features and they will become popular again.

    13. Re:So where does this leave Disney? by gfxguy · · Score: 1

      I don't know what's going on there, but most of the traditional animation done where I work is drawn then scanned in. We use a software expression sheet (that's how I get to work there), and the data goes directly into an animation program, then the animation program does ink and paint, and there you go.

      For those who don't know, they do stuff like draw the arm in one pose, but then get do some 2D rotation and warping and use the one arm a million times. The expression sheet tells the computer what to do with the arm.

      I know they still must have traditional animators at Disney, because even when they weren't doing feature films (before Little Mermaid they hadn't really done one in decades, AFAIR), they were still doing shorts and stuff for TV....

      --
      Stupid sexy Flanders.
    14. Re:So where does this leave Disney? by Mononoke · · Score: 1
      But one thing to note is that this decision will not have an immediate impact. "The Incredibles" due this year and "Cars", expected in 2005, will still be distributed by Disney.
      This could actually hurt Pixar, as Disney has shown an uncanny ability to bury a good movie by withholding promotion and distribution. Remember last year's Oscar winner, Spirited Away? Disney "distributed" that one right into the ground so that it couldn't compete with their own offerings.

      --
      NetInfo connection failed for server 127.0.0.1/local
    15. Re:So where does this leave Disney? by jefe7777 · · Score: 2, Interesting

      yea right and pixar is sitting around waiting to be commoditized...

      do you think they still have animators making 6 figures and working on the most expensive SGI systems?

      hardly.

      there are creative-talent/animators/programmers with awesome bacgrounds lined out door waiting for a chance to work for pixar...some for peanuts, others actually for free.

      they have inexpensive linux servers and workstations shored up by some proprietary hardware. they write their own stuff.

      dude, they are awesome.

      I can guarantee you Disney needed Pixar far more then Pixar needed Disney.

      Disney is like a government now. Beauracratic, slow and dumb. It's a giant slug of a company, and couldn't formulate a decent business plan if it landed on their head.

      Pixar is in the drivers seat now. There isn't a close second either.

    16. Re:So where does this leave Disney? by the_2nd_coming · · Score: 1

      computers even make traditional animation easier.

      just draw a first stage, middle 1, middle 2, and end....then the computer can extrapolate the interim movements...if you need more erratic movement, sure, you will need more stages, but gone are the days where you had to spend weeks drawing up the cells for one scene just to make sure you had the correct fluidity.

      --



      I am the Alpha and the Omega-3
    17. Re:So where does this leave Disney? by Doogie5526 · · Score: 2, Interesting
      That's an oversimplification of the process. I think your quote would be better saying, "computers make complex animation easier." But it's really a totally different style of animation.

      "then the computer can extrapolate the interim movements"
      If you've read any books on animation you'd know an inbetweener that just draws stuff half way in-between the other two drawings is the worst kind of inbetweener. Therefore, the computer is the worst kind of inbetweener-- and many times computer animation needs to be keyframed on every single frame (or even in-between frames).

      The benefit comes when you have to redo that scene, you don't have to start over with a blank piece of paper.

      Also, keep in mind that animated films takes just as long to produce, 2d or 3d.

    18. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      And did it help them? Not one bit; their sucky movies still did poorly and they lost the revenue they could have made on Spirited Away. Target foot... Fire! I bet Spirited Away did pretty well in DVD sales though.

    19. Re:So where does this leave Disney? by Slarty · · Score: 3, Interesting

      This is true... but they won't do it. There's too much money to be made! Pixar films are proven moneymakers now (who is NOT going to go see something "from the makers of Toy Story and Monsters, Inc.?") and Disney is not going to bury something that'll make them some serious coin. Animosity runs deep, but not as deep as greed. :-)

      To do a bit of math: Finding Nemo took in $340 million in its theatrical run. Disney's cut of that was between 10 and 15 percent, which means that just for distributing Nemo, they took 40+ million to the bank. That's a decent take for any movie, and all they did was distribute it.

      And that's only theatrical revenues, mind you. IIRC Finding Nemo broke some home video records too, and since home video generally makes more than theatrical runs these days, you can bet Disney pocketed at least that much again thanks to all those marvelous DVD sales (although I have no numbers to back that up).

      So anyway... for 80 million, Disney isn't gonna skimp on Pixar films, no matter how pissed Eisner might be. Pixar has produced 5 (I think) monster hits in a row... the odds of making a lot of money are too good.

      --
      Hi... I'm Larry... the shivering chipmunk... brrrrr!... I'm cold... I need a sweater...
    20. Re:So where does this leave Disney? by gmhowell · · Score: 1

      You've overestimated the impact of a few geek movies relative to the buying power of parents who want 90 minutes of relative peace. True, they'd probably 'only' need to pay for translations and dubbing to sell those to the US, but they'd make essentially zero on merchandise.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    21. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      The Disney Animation team,

      Filled london with Dragons (Reign of Fire)
      Filled the screen with Kangaroo (Kangaroo Jack)
      Made most of the dogs in 102 Dalmations
      Made a world of Dinasours and Lemirs (Dinasour)

      And (but you may not have noticed)
      Let Tarzan skate through the jungle
      Creates cities and ships (Treasure Planet)
      Gave you crouds and stampeeds(Mulan, Lion King)
      Gave you machines and soldiers (Atlantus)

      These people are some of the best !

    22. Re:So where does this leave Disney? by ziggles · · Score: 4, Insightful

      "All of the latest block-buster releases that have held the Disney name were made by Pixar."

      Pirates of the Caribbean was made by Pixar? huh. Learn something new every day. :P

      I think people tend to forget Disney has it's fingers in a helluva lot more than animation. Pixar is a great asset, but they won't be dead without it (unfortunately).

    23. Re:So where does this leave Disney? by El_Ge_Ex · · Score: 1

      "The Incredibles" is the last movie in the disney contract. Afterward is with whoever is the new guy.

      -B

    24. Re:So where does this leave Disney? by daviddennis · · Score: 1

      I'm sure there are plenty of people at Pixar who makes six figures or more.

      John Lassater makes $2.5 million a year and owns about $40 million worth of shares, last time I looked. I'm sure he'll be joined in the big earners club this year by Andrew Stanton, creator of Finding Nemo. If he's not, I'm sure Andrew can find a job at Disney paying at least as much.

      Neither person is in any danger of landing in the poorhouse, and I really doubt most Pixar employees are, either.

      Incidentally, I think Pixar is moving to Xserve G5s on MacOS X now that the CPUs are finally competitive. Don't expect that to change.

      D

    25. Re:So where does this leave Disney? by tepples · · Score: 1

      You've overestimated the impact of a few geek movies relative to the buying power of parents who want 90 minutes of relative peace.

      That's what a GBA is for.

      And if you're not willing to go down the video game route, that's what DreamWorks movies are for. That's what even those old Don Bluth movies are for; I recommend All Dogs Go to Heaven 1 and 2 and The Secret of NIMH 1 (not 2). And when Brother Bear comes out on video, try a Berenstain video instead.

    26. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      duh. John Lassater is at the top of the food chain, along with a few others.

      Have you ever looked at the credits of a Pixar film? There's a shitload of names.

      Do you have any idea how many people work there?

      45k/yr is poverty level in San Fran, bro. That's about 25k/yr in San Antonio. Enough to barely cover a smallish apartment and a modest car payment.

      and yes they have started many employees at 45k and well under.

      That's what this whole article is about, Disney has been chomping down on the profit, and Pixar ain't getting it's fair share of slice.

      maybe they'll get raises now.

      you don't know what it is to work at an indemand job, do ya?

      There's a line a mile long behind ya, waiting for your spot.

    27. Re:So where does this leave Disney? by gmhowell · · Score: 1

      Hand a 3 year old a GBA? I don't think so. He can break Jello. DreamWorks movies are fine, when they get around to releasing one. And the Berenstain Bears are a bunch of socialists. I'd rather have the animism of Brother Bear. (And already have Land Before Time and Secret of NIMH along with about 50 other movies for the monster)

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    28. Re: So where does this leave Disney? by Black+Parrot · · Score: 1


      > As was mentioned a week-ish ago, Disney has closed it's 2D animation studio(s), and now without Pixar as their partner, is Disney out of the animation game?

      There's always India...

      --
      Sheesh, evil *and* a jerk. -- Jade
    29. Re:So where does this leave Disney? by nacks1 · · Score: 1

      well... I have shown all of the Miyazaki films I can get my hands on to my younger cousins and it has kept them out of their parent's hair for over an hour.

      Not to mention I think that the deeper messages and far better art presented in these films compared to the standard Disney fare completely blows Micky out of the water.

      I personally think that Disney doesn't market the japanese animation that they have licensed because they get a bigger chunk of profit out of their own movies. That and they are afraid of tarnishing thier image by having something controversial show up in one of these films. Hell... they don't even really put their name on the dvd's they were selling at first... they were them under a subsidiary (BuenaVista I think).

      Spirited away didn't even get put in more than a couple of theaters until after it had won an oscar and then it seemed that Disney grudgenly re-released it to theaters.

      As for the merchandise angle, I think that Totoro stuffed animals would do well with younger kids. The other films would be a little more difficult I agree, but there are things (like the wood spirits in Mononoke) that could do ok. Sure, you aren't going to make sequals direct to dvd/vhs, but I think you get more bang for your buck (in the longer films). Hey... how about a Porco Rosso flying pig toy... that could work :-)

    30. Re:So where does this leave Disney? by gmhowell · · Score: 1

      Given the amount of Japanese titles that could be picked up and distributed in the US, why doesn't someone else do that? Because they don't make money. I've been to the theatre three times with my kid. Looking around, the other parents don't give two shits about 'deeper themes'. Remember, those parents are the people who made David Spade a star.

      Of course, there's also the issue of 'corporate image' which seems to be a big stick in Eisner's ass.

      I don't know. I just don't think there's much of a market for those films in Peoria.

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    31. Re:So where does this leave Disney? by SpiritualRemains · · Score: 1
      Filled the screen with Kangaroo (Kangaroo Jack)


      Actually, Kangaroo Jack was a Warner Brothers movie.

      SR
    32. Re:So where does this leave Disney? by dubiousmike · · Score: 1

      While I am no fan of Dinsey's corporate tactics, you can't beat riding the coat tails that is Disney's name.

      You think distribution is easy? If you want to push your video into every chain store, every rental store, slap Disney's name on it. We all recognize Disney as the ghestapo of the entertainment industry.

      Its like Walmart - they make the rules of supply chain management these days. Its like one of that major record labels - if you aren't one, good luck getting much of your artist's work into heavy rotation. Disney still has the video industry by the short and curlies.

    33. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0

      How about non-animated movies only? Pirates was a good movie, and in this day and age, even average movies make texas-sized wads of money.

    34. Re:So where does this leave Disney? by Slarty · · Score: 1

      The Disney name still carries a premium, yes... not that they deserve it anymore. But that doesn't necessarily guarantee success these days... Disney's last couple of animated features haven't done all that well.

      Finding Nemo, on the other hand, was a monster success... and while that did carry the Disney name, that wasn't the emphasis of the marketing. It's true that the word "Pixar" means doesn't mean nearly as much as the word "Disney" to most people, but Nemo was marketed as a new movie from the same folks that had made Bugs Life, Toy Story, Monsters Inc... and THAT meant something to people. The loss of the Disney label might hurt a little, but probably not much.

      As for trying to get new Pixar stuff into video stores... it's not like Pixar is going to go it alone here. If I understand right, they're looking to partner with another distributor that already has access to those channels - Warner Brothers wants 'em, and that would make sense for both parties. Pixar/WB would have NO trouble getting into theaters, video stores, McDonalds... just about everywhere except Disney theme parks and the WB. Disney may be one "label", as per your example, but they're hardly the only one. And when Pixar is gone Disney will be the loser here, assuming Pixar can keep up previous levels of quality in their films.

      --
      Hi... I'm Larry... the shivering chipmunk... brrrrr!... I'm cold... I need a sweater...
    35. Re:So where does this leave Disney? by seasleepy · · Score: 1

      Disney did have a CGI studio called the Secret Lab (formerly a effects company called Dream Quest that they bought in 98 or 99). They stuck the Secret Lab tag on Dinosaur, although it had been produced by new Disney CGI animators. Former Dream Quest employees ended up doing I think mainly special effects for several of Disney's or its subsidiaries' live action movies.

      While looking up stuff about it, I found out that Disney quietly shut it down in 2001 and laid off all the people that were working there, but apparently they've decided to hang onto the name, because I've seen articles mentioning the Secret Lab as recently as last November (accompanied with claims that Disney had reopened it in 2002).

    36. Re:So where does this leave Disney? by PSandusky · · Score: 1

      And the Berenstain Bears are a bunch of socialists.

      You know, those were among my favorite books when I was small, and I can honestly say that I never wasted any time analyzing the sociopolitical themes of that (or any other) children's book.

      Maybe you should add to your record... I understand there's a manuscript out there that goes into great detail about how Eeyore is a depression patient in need of treatment, Tigger has ADHD, and Winnie the Pooh is an addictive personality. Analysis always makes for better understandings. Yep.

      --
      "What's the use in being grown up if you can't be childish sometimes?" --Fourth Doctor, "Robot"
    37. Re:So where does this leave Disney? by hondo77 · · Score: 1

      No it isn't. The only 2D animation being done at Disney is the occasional short and TV Animation. 2D at Feature Animation is toast. Just ask Roy.

      --
      I live ze unknown. I love ze unknown. I am ze unknown.
    38. Re:So where does this leave Disney? by Anonymous Coward · · Score: 0
      "The Incredibles" is the last movie in the disney contract. Afterward is with whoever is the new guy.

      Second to last. After Toy Story, Pixar signed a contract for 5 movies with Disney. Those five are:

      A Bug's Life
      Monsters Inc
      Finding Nemo
      The Incredibles
      Cars

      Toy Story 2 was a sequel, and thus didn't count towards the 5 films in the contract, something that has always rankled Pixar.

    39. Re:So where does this leave Disney? by einTier · · Score: 2, Informative
      Disney's cut of that was between 10 and 15 percent...[figures follow]

      Disney and Pixar share (as in 50/50) profits after Disney takes a 12.5% cut for distributing the movie.

      That's a LOT of coin. Disney has been raping Pixar for years, and Eisner's real burning over the Toy Story 2 fiasco (Pixar did the feature movie thinking it would count as a feature, Eisner let them think that while holding them to the original terms of the contract -- sequals don't count toward fulilling the contract) has left a lot of animosity at Pixar.

      So, I'm sure that Pixar put Eisner in a real bad situation. Disney simply can't afford to let Pixar (and it's BILLIONS in super-reliable profit) go, and yet Pixar has made a big enough name for themselves and is pissed off enough at Disney that they will make an offer that Disney simply can't afford. At the same time, they can't bury the movies, as they add too much risk-free profit to the bottom line.

      In essence, in this deal, Disney is screwed.

      --
      -------------------------------------------------- $665.95 -- retail price of the beast.
    40. Re:So where does this leave Disney? by jcr · · Score: 1

      It's not the animation, it's the story lines.

      Exactly.

      Whenever you hear anyone from Pixar talking about how they make movies, the thing they emphasize over and over is "story, story, story". If it doesn't make them laugh when it's just hand-drawn sketches and writers reading the dialog out loud, it never even gets to the animators.

      I don't know when Hollywood's going to figure it out, but what makes a movie is the *writing*.

      -jcr

      --
      The only title of honor that a tyrant can grant is "Enemy of the State."
    41. Re:So where does this leave Disney? by theonetruekeebler · · Score: 1
      Yeah, the animatronic Johnny Depp r0x0red.

      Disney, like any company whose product requires creativity, goes through cycles. Recall that from the late 1960s to the late 1980s, they were heavily dependent on their theme park income while their movie studios were putting out bomb after bomb after bomb. Until they acquired New Line, their best live-action movie was 1976's Freaky Friday. They had movies with laugh tracks, for Ghod's pointy sake. BTW their was an unbelievable shit storm over Jodie Foster's simultanious appearance as a teen prostitute in Taxi Driver.

      From 1967's Jungle Book until 1989's The Little Mermaid, their animation studio was churning out some pretty sorry stuff, and both of those two hits were based on works that had fallen into the public domain.

      The Disney company is only good at adaptation; in other words, at ripping off and distributing other people's stuff. Pirates is based on a theme park ride, itself an amalgamation of public domain stories. When they finally do create something, they work very hard at protecting it, so they can exploit it for generations to come. Witness, for example, their role in lobbying for hundred-year copyrights. Their corporate culture simply doesn't allow for creativity or other forms of risk-taking.

      --
      This is not my sandwich.
    42. Re:So where does this leave Disney? by vinton · · Score: 1

      Well, they could always fall back on the copyright hoarding that they do so well. They can dangle all the old Disney films, plus all the foreign films for which they've bought the US distribution rights, in front of consumers, threatening to throw them in the vault forever.

      All they need are a few more senators to champion Disney's cause (and then die) to extend copyright forever.

    43. Re:So where does this leave Disney? by TALlama · · Score: 1

      Disney closed its Florida animation studio, and moved whoever wanted to move to the Burbank studio, where all the animation of feature films was done until the late nineties (Mulan was the first Florida Feature). They consolidated their work, which is still kind of sad because the recent good stuff (Mulan, Emperor's New Groove, Lilo & Stitch) has been Florida, while the not as good stuff has been Burbank. We'll see how it plays out.

      --

      - The Amazina Llama

    44. Re:So where does this leave Disney? by the_2nd_coming · · Score: 1

      3d motion is easier to capture now because they have body suits that will get all the motions they need.

      --



      I am the Alpha and the Omega-3
    45. Re:So where does this leave Disney? by Doogie5526 · · Score: 1
      So? Pixar doesn't use that anyway. Motion capture would only work for realistic actions that could be done in real life.... most any Pixar film doesn't have that, so even if they wanted to use mocap, it wouldn't do them much good.

      That's why it's usefull for like, GTA3 cutscenes, and not for let's say most of the Hulk.

  8. hell ya! by Anonymous Coward · · Score: 2, Funny

    Imagine.. pixar now can do ANYTHING they want.. they are now unleashed. Imagine a porn flick by pixar? Imagine hot grits.. Seriously.. now they can really get into the adult market with their style, their writing.. the previous stuff was cool and all, but lets see what they do without disney holding them back..

    1. re: hell ya! by Black+Parrot · · Score: 1


      > Imagine.. pixar now can do ANYTHING they want.. they are now unleashed. Imagine a porn flick by pixar?

      New genre: anabation

      --
      Sheesh, evil *and* a jerk. -- Jade
    2. Re:hell ya! by jasenj1 · · Score: 1

      Probably not. In Japan animated material (anime) is widely accepted as a general medium for story telling - whether the story is aimed at children or adults. The USA has the mentality that animated stuff is for kids and/or comedy. This is changing a bit as anime starts to penetrate the popular culture, but we're not there yet.

      OTOH, with a good story, PIXAR may be able to pull off a successful adult/serious animated feature.

      - Jasen.

  9. They won't have a problem by mesach · · Score: 4, Interesting

    I don't believe they will have a hard time finding a new partner, I think that what they did was the best stuff disney has done in a long time. So What does disney have up its sleves now? I seems that the upper management are making poor decisions(something had to prompt Walt's son to leave), marketing is making poor decisions(disposable dvd's), they are shutting down animation studios left and right. What is thier current future focus?

    They have to do something to pay for Eisners new Bel Air Home thats just down the street from his current one.

    --
    moo.
    1. Re:They won't have a problem by Anonymous Coward · · Score: 0

      Walt didn't have a son, you dumbfuck.

    2. Re:They won't have a problem by gkuz · · Score: 5, Informative
      something had to prompt Walt's son to leave

      Roy is Walt's nephew. Walt didn't have any sons.

    3. Re:They won't have a problem by Anonymous Coward · · Score: 0

      Roy is Walt's nephew. Walt didn't have any sons.

      To paraphrase Jay "Did Walt LOVE the Cock?"

    4. Re:They won't have a problem by Anonymous Coward · · Score: 0

      He also didn't leave. He reached the 'mandatory retirement' age.

    5. Re:They won't have a problem by NormalVisual · · Score: 2, Interesting

      After the board raised it with the probable intent of getting Roy out of there. Eisner was getting a little tired of Roy's (perfectly valid, IMHO) criticism.

      As a part-time employee of a certain large mouse-oriented theme park in Central Florida, let me say that Eisner is looked upon as the Antichrist by the majority of employees of said theme park, and Roy has almost total support. They're also pissed as hell at the way Feature Animation FL was treated, especially given that they created three solid movies in a row, something Burbank has not been able to do because they're under Eisner's thumb.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
  10. The decline of Disney as an animation studio? by Nakito · · Score: 1

    Disney has already massively scaled down its traditional cell animation division to concentrate on digital animation. But without its relationship with Pixar, does Disney have any digital animation capabilities of its own? Does this leave Disney -- the quintessential animation studio -- with neither traditional nor digital capabilities?

    1. Re:The decline of Disney as an animation studio? by rgmoore · · Score: 1

      You can do 2D animation on computers. It's apparently substantially cheaper to do things that way, so most of the studios have gone to doing most or all of their work that way. I think that a big part of the savings comes from reduced "painting" costs. Instead of having to color in the cells with a paintbrush, painters just select a color and click in a region and the computer fills it in with an even color. I find that it makes a lot of the cheaper animation look sort of flat and boring, especially since many studios seem to like using really saturated color, but with some care it can look really good.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    2. Re:The decline of Disney as an animation studio? by Scrameustache · · Score: 1

      No, they have in-house 3D animators & eqquipment.

      --

      You can't take the sky from me...

    3. Re:The decline of Disney as an animation studio? by Fancia · · Score: 1

      Tamala2010's probably the best such film I've seen - the entire film was animated by only two people using Adobe products. It actually looks quite impressive, for its unusual animation style; it's almost completely in black and white and emulates a 1950s style.

      --

      Bít, zabít, jen proto, ze su liska!
    4. Re:The decline of Disney as an animation studio? by kirkjobsluder · · Score: 2, Insightful

      The hardware and programs are well within the reach of a multi-billion dollar corporation.

      What makes pixar great is not the animation but the storytelling talent.

  11. Save Disney by Anonymous Coward · · Score: 5, Interesting

    Help Save Disney from Eisner, who has turned the company from setting trends to following the current trend of the time. He fires the animators who have made the company great simply because it will increase their short term profit. They have completely abandoned the principles Walt Disney used in running the company. If you own Disney shares, support Roy Disney, the surviving member of the Disney family.

    1. Re:Save Disney by gkuz · · Score: 5, Interesting
      the principles Walt Disney used in running the company

      What principle? Exploiting the workers? What's little-known is that in the "golden age" of 1940's and 1950's hand-drawn animation, the overwhelming majority of the work was done by Walt (and his managers) slave-driving minimum-wage immigrants, largely post-WWII European displaced persons, who were lucky just to have a job and a roof. If Walt were alive today, he'd fill the studios with Guatemalans and pay them just as little as legally possible.

    2. Re:Save Disney by rgmoore · · Score: 4, Informative
      If Walt were alive today, he'd fill the studios with Guatemalans and pay them just as little as legally possible.

      Nah, he'd just subcontract the inbetween work to cheaper studios in Korea and China. That's what most of the Japanese studios have been doing for the past 10 years or so. Just take a look at the credits for any recent theatrical Anime and you'll see a lot of non-Japanese names and studios listed in the credits.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    3. Re:Save Disney by spanklin · · Score: 1

      This sounds like HP/Compaq to me. Save the company from the evil executive -- rally around the last family member. The furor died down after the HP/Compaq merger went through, and geeks like us gave up paying attention. I'm glad to see Pixar leaving Disney, but personally I'm having a hard time getting worked up to feel anything other than ambivalent about Eisner.

    4. Re:Save Disney by nomadic · · Score: 1

      You know something, I've never been impressed by anything Disney has done, ever. I don't see what the big deal is if they collapse.

    5. Re:Save Disney by tealover · · Score: 5, Informative

      All animated shows you see on television in the U.S. (Simpsons, Futurama, Family Guy, etc.) have been farmed out to S. Korea or other countries for years. Principle animation is done stateside and the rest is "fleshed" out.

      Animation is a tough career to pursue.

      --
      -- You see, there would be these conclusions that you could jump to
    6. Re:Save Disney by HBI · · Score: 1

      I was really hoping they'd dump Fiorina, and I am hoping Eisner gets the boot.

      I'll check back in a year to see if anything happened. That's how interested I am :-)

      --
      HBI's Law: Frequency of calling others Nazis is directly correlated with the likelihood of the accuser being Communist.
    7. Re:Save Disney by tealover · · Score: 0, Troll

      I would imagine no one you've ever met has ever been impressed by anything you've done and wouldn't mind if you collapsed.

      --
      -- You see, there would be these conclusions that you could jump to
    8. Re:Save Disney by nomadic · · Score: 1

      Aww, did I hit a nerve?

    9. Re:Save Disney by spitzak · · Score: 2, Interesting

      Even principle animation is going overseas now. A girlfriend of mine worked at Warners on shows like Tazmania and started out animating scenes (she is an excellent character animator) but they changed during that time (1994) to just drawing storyboards.

    10. Re:Save Disney by Anonymous Coward · · Score: 0

      For fuck's sake, people, it's "principal".

    11. Re:Save Disney by mblase · · Score: 1

      Nah, he'd just subcontract the inbetween work to cheaper studios in Korea and China. That's what most of the Japanese studios have been doing for the past 10 years or so.

      It's interesting to note that Disney's animation dept. no longer works exclusively out of the USA. They have very large animation studios in both France and Japan; Piglet's Big Movie (their third Pooh motion picture) and many of their television cartoons are animated entirely in Japan.

    12. Re:Save Disney by Our+Man+In+Redmond · · Score: 1

      Take a look at the credits of most of the recent crop of Disney's animated sequels and spinoff shows (e.g. Lilo and Stitch: The Series). They're shipping a lot of work overseas already.

      --
      Someone you trust is one of us.
    13. Re:Save Disney by tealover · · Score: 0

      You sound gay.

      --
      -- You see, there would be these conclusions that you could jump to
    14. Re:Save Disney by cubicledrone · · Score: 1

      They have very large animation studios in both France and Japan;

      had

      --
      Business isn't willing to pay for products, innovation and careers, so we get brands, mortgage commercials and layoffs.
    15. Re:Save Disney by Anonymous Coward · · Score: 0

      Actually, the "golden age" of Disney happened before Walt's labour troubles. Those troubles really ended the run of great original feature animation- Snow White, Pinocchio, Dumbo, Bambi- as Walt lost some key talent, and to be fair, some good friends. It also undoubtedly led Walt to help the FBI in its true job of union-busting with the Red Scare nonsense of the 40's and 50's.

    16. Re:Save Disney by nomadic · · Score: 1

      That means a lot coming from you, "tealover".

    17. Re:Save Disney by tealover · · Score: 1

      You hit another nerve. Gawd, you're cool.

      --
      -- You see, there would be these conclusions that you could jump to
  12. steve is pretty smart ... by qoquaq · · Score: 2, Interesting
    Although the movies were great, this was probably the plan from the beginning. Get a big studio partner to start, put out some great art, then strike out on your own with a smaller partner.

    I have always admired his direction.

    He is pretty hands off with respect to the artists from my understanding. Just creates an environment for great art to thrive.

    Bravo Pixar!

    --

    "They say travel broadens the mind, so I went over the falls in a barrel." -Thomas Dolby

  13. I can see it now... by TheDarkener · · Score: 1

    Pixar's newest release: "Finding Aboo"

    Nemo: Where'd that stupid monkey go?

    Sarge: I shot him.

    (3-D Render of a monkey slowly sinking to the bottom of the ocean floor)

    THE END.

    *bows*

    --
    It is pitch black. You are likely to be eaten by a grue.
    1. Re:I can see it now... by Anonymous Coward · · Score: 0

      I don't get it. Aboo is Disney.

    2. Re:I can see it now... by mesach · · Score: 1

      It's Apu

      It took me a minute to figure out who you were referencing, thinking it had something to do with the lost planet of Naboo or something to do with a as of yet unheard rumor of a partnership with Lucasfilm.

      --
      moo.
    3. Re:I can see it now... by Anonymous Coward · · Score: 0

      Or "Abu" if you want to be accurate.

    4. Re:I can see it now... by tepples · · Score: 1

      Nemo: Where'd that stupid monkey go?

      Which Nemo are you talking about? Top one's from LXG; middle one appeared in Little Nemo: Adventures in Slumberland; bottom one's a fish and can't talk to above-grounders except in Dr. Seuss world.

      Sarge: I shot him.

      Where did 3DO come into this?

    5. Re:I can see it now... by TheAntiCrust · · Score: 2, Informative

      Um, no, it's Abu. Apu is a quickie-mart clerk in the simpsons. Remember? The monkey? From Alladin?

  14. Just goes to show by Anonymous Coward · · Score: 0

    In Soviet Russia, find NEMOS YOU!!!

    1. Re:Just goes to show by Anonymous Coward · · Score: 0

      hahahaha! bee wolf!!

    2. Re:Just goes to show by Anonymous Coward · · Score: 0

      k, that was funny, though they usually aren't.

  15. out-fucking-standing by z-axis · · Score: 1

    this is great news. disney is total dead weight. my hat's off to pixar!

  16. Sweet by Popageorgio · · Score: 1

    If you thought Pixar was good, think of how classy they'll be without the Mouse!

  17. A Round Of Applause Is Needed Methinks? by darth_silliarse · · Score: 5, Interesting

    I'm a father of two great kids and a part-time Linux geek to boot. Pixar's films have given myself and both of my children hours of enjoyment - the youngest (2 3/4) is in love with Woody and Buzz, found Bruce the shark a frightening (and probably life changing!) image at the cinema, thought Mike and Sully were as cute as teddy bears, and literally danced on the spot when A Bugs Life kicked into life on our DVD player... all I have to say to the guys at Pixar is a huge THANK YOU for making my childrens lives so the much happier for the hours they have enjoyed your films :)

    ...and fsck Disney!

    --
    I've noticed that everyone who is for abortion has already been born - Ronald Reagan
    1. Re:A Round Of Applause Is Needed Methinks? by Guitarman · · Score: 0

      I wholeheartedly second that. My 4 year old just LOVES the pixar films, as do his mom and dad. They have a definite knack for creating films that appeal the kids and the parents, definitely a breath of fresh air. We all look forward to every release, no matter who the distributor is.

      Go Pixar!

    2. Re:A Round Of Applause Is Needed Methinks? by digitalhermit · · Score: 1

      Kid's life happier? Hell, I think almost every frame of "Finding Nemo" is a work of art. I've watched that movie maybe twenty times since I got it on DVD a couple months ago.

    3. Re:A Round Of Applause Is Needed Methinks? by Anonymous Coward · · Score: 0

      you seem to spend a lot of time thinking about men having sex. maybe you're a little closer to the idea than you realize.

    4. Re:A Round Of Applause Is Needed Methinks? by BetterThanCaesar · · Score: 1

      the youngest (2 3/4) is in love with Woody

      Toddlers hacking Debian? Wow, the new installer must be really good (or, more likely, your kids are ubergeeks).

      --
      "Stop failing the Turing test!" -- Dilbert
  18. What now, Disney? by Anonymous Coward · · Score: 0

    You shitcanned your traditional-animation studio in FL, and now Pixar has told you to go piss up a rope.

    Ut oh....

    Bwahahahahahahahaha!

  19. Being Steve Jobs by DwarfGoanna · · Score: 4, Interesting
    I know it's a little indulgent, but it's hard not to run Apple or Pixar news through the filter of Steve's personality. Considering this news, the splash iPod and iTunes Music Store have made, and the fact that Jobs has said before that he would "milk the Mac for all it's worth and get busy on the Next Big Thing", am I the only one that thinks Apple is aiming for Sony-esque entertainment/tech dominance?


    I know, I know...too flaky, mod away. =)

    --

    "You know why you do not see me styling wit my homies? Because I have no homies!!" -Mojo Jojo

    1. Re:Being Steve Jobs by rgigger · · Score: 1

      when he said "milk the Mac for all it's worth and get busy on the Next Big Thing" he was talking about the original MacOS. The Next Big Thing in this case would be MacOS X. So that really has nothing to do with anything at this point. He milked it for all it was worth with OS8 and OS9. Then he moved on to the next big thing (in his eyes).

    2. Re:Being Steve Jobs by Strudelkugel · · Score: 2, Interesting

      The financial news I've been reading indicates the divorce isn't completely final. Might just be a negotiating tactic by Jobs.

      This is kind of off topic, but I wonder if Apple/Pixar are more dependent on Jobs' brilliance than is good for business. Has he built a managment team that could carry on in the same way? Or are Apple and Pixar all about Jobs? (Think Wang Labs here. Great while the founder was around, not much good after he left.)

      --
      Imagine how much harder physics would be if electrons had feelings! -Feynman, maybe
    3. Re:Being Steve Jobs by NormalVisual · · Score: 3, Interesting

      I believe Pixar is more about John Lasseter than Steve Jobs. Having said that, Roy Disney and Steve Jobs are rather good friends, and it's no secret that Eisner and Jobs don't get along very well. I would not be surprised if it comes out that Roy had a hand in the Pixar situation in his bid to unseat Eisner. From what I've heard, the Pixar deal was looking good until late last year when things started falling apart. Coincidence?

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
    4. Re:Being Steve Jobs by WoTG · · Score: 1

      Well... yeah. I think people have got to stop thinking of computers as "computers". And to me, Apple is a few years ahead of the game.

      Just wait, in 8 years, probably less, iTunes will make Apple the biggest force in music. All the existing players, EMI, Universal, Sony, etc. are far to preoccupied with trying to hold on to an old business model to do anything reasonably competitive.

    5. Re:Being Steve Jobs by 16K+Ram+Pack · · Score: 2, Insightful
      It's interesting how Apple is actively seeking bands to sell through iTunes. If bands start cutting deals with iTunes, the record companies could be finished.

      What iTunes seems to be doing now is getting people to use it. The fact that the record companies are taking the money now from selling on iTunes is not necessarily relelvant to the long term.

    6. Re:Being Steve Jobs by Anonymous Coward · · Score: 0

      The Apple Records (ever heard of the Beatles?) settlement prohibits this. Which probably means that Yoko will get paid off and Steve will go ahead, but it's still a barrier nonetheless.

  20. Been Waitin' Fer This! by forkazoo · · Score: 5, Insightful

    Pixar hooked up with Disney in 'ancient times.' When Toy Story was still just an idea, nobody had *ever* made a 3D animated feature. Pixar knew they could do it, but they didn't have the marketing muscle. So, They signed a contract with disney to deliver, IIRC, five features. Disney had a sweet ride, but Pixar was never really very happy with the contract. Watch, for example, Brother Bear. Now, go watch any Pixar film. You will notice that there is a lot more interesting, grown up humor in the Pixar movies. This isn't to say that Pixer will strike out and target adult audiences with violent-anime-esque features from now on, or anything, but Pixar is going to have a lot of room to flex its creative muscles, and basically do whatever it wants. Huzzah! I simply can't wait to see what they come up with over the next five years. It ought to be grand.

    Disney, meanwhile, decided to scrap all 2D animation recently. They did this because, apparently, they think Pixar's success is because they work in 3D. While this may have had a lot to do with the buzz behind TS1, it just ain't the case. The reason Pixar movies make mad money is because they are good movies. Finding Nemo could have been made with a dull pencil on notebook paper, and those guys still would have made something worth seeing!

    1. Re:Been Waitin' Fer This! by mitheral · · Score: 1

      Pixar should spin off a sub to do porn. Could be a lot of money in realistic animated porn, and not just in Japan.

    2. Re:Been Waitin' Fer This! by Deraj+DeZine · · Score: 1

      Yes, realistic... but with tentacles.

      --
      True story.
    3. Re:Been Waitin' Fer This! by James+Lewis · · Score: 1
      I don't think there is anything wrong with the kind of movies Pixar has made so far, and what's more, they make a lot of economical sense. Pixar's film up until now have kid's flicks, but they are those special form of kid's flicks that have that rare capacity to entertain people of all ages. There's something to be said for that. When you go browsing through the shelves of new releases at your local video rental store, how many of those movies are something you would want your kid to watch? How many of those releases are not only PG, but are something you'd like to see also? Not many.

      I think there is a great need in our entertainment industry for creative, intelligent movie making that can entertain people of all ages while restricting themselves to subject matter appropriate for younger audiences. It not only provides something rarely achieved in the movie business, it makes a lot of economical sense for those who CAN achieve it. If people of all ages enjoy their films, their demographic is MUCH larger than if they make an R rated film.

      Personally, I think Pixar knows this, and that's why they are so good at what they do. I don't think we're going to see them start doing more "mature" films. I don't think that's why they are unhappy with Disney. Even Pixar's earliest short films had that rare creative quality that anyone could enjoy. I'd be very surprised if they changed directions after so much success in the area they are in now.

    4. Re:Been Waitin' Fer This! by Eyston · · Score: 2, Insightful

      Disney, meanwhile, decided to scrap all 2D animation recently. They did this because, apparently, they think Pixar's success is because they work in 3D.

      To a large degree, they are right. You may love Pixar's movies, but look at Ice Age, which is at best a mediocre movie with mediocre animation. Disney's 2D animation is about as good as it gets, yet it couldn't compete with even a sub-par 3D movie. Disney has made some good 2D films targetted at a more adult nature, but they just don't do well. Emperors New Groove is probably one of my favorite animated films, but without that 3D edge it just doesn't generate mass appeal. To the US audience, 2D is a cartoon but 3D is acceptable for mass appeal.

      -Eyston

    5. Re:Been Waitin' Fer This! by Alomex · · Score: 4, Interesting

      Pixar knew they could do it, but they didn't have the marketing muscle.

      This is BS. The Toy story porject was floundering after three years in production and not getting any closer to a decent product. The problem was that pixar focused on the animation and ignored the script.

      Disney sent a bunch of professionals who threw away well over half of the rendered images and rewrote the script.

    6. Re:Been Waitin' Fer This! by Anonymous Coward · · Score: 0

      Link please?

      I think you made this up.

    7. Re:Been Waitin' Fer This! by SpamJunkie · · Score: 1

      It's all about the trailers.

      The teaser trailer for Ice Age was brilliant. The little rat running around with his nut.

      The trailer for Emperor's New Groove sucked. I don't remember it but I recall how much I loathed it. I got tricked into watching the movie on video and only then realised how much better the film was.

      In other words: it's all about marketing.

    8. Re:Been Waitin' Fer This! by Anonymous Coward · · Score: 0

      Disney sent a bunch of professionals who threw away well over half of the rendered images and rewrote the script.

      Uh huh.

    9. Re:Been Waitin' Fer This! by cubicledrone · · Score: 1

      but without that 3D edge it just doesn't generate mass appeal.

      Really? Dragonball Z doesn't generate mass appeal?

      To the US audience, 2D is a cartoon but 3D is acceptable for mass appeal.

      Nice generalization. Been to Suncoast lately? Best Buy?

      --
      Business isn't willing to pay for products, innovation and careers, so we get brands, mortgage commercials and layoffs.
    10. Re:Been Waitin' Fer This! by Alomex · · Score: 1

      Link please?

      I think you made this up.


      Alomex Law of Debate: The dumber your opponent is, the likelier it is that he will assume you are making things up.

      This is a corollary of:

      Sun-Tzu's Dictum of Refrain: Never argue with an idiot. They drag you down to their level then beat you with experience.

    11. Re:Been Waitin' Fer This! by Squeebee · · Score: 1

      Nice law, but it does not excuse you from showing the requested proof.

    12. Re:Been Waitin' Fer This! by Experiment+626 · · Score: 1

      This isn't to say that Pixer will strike out and target adult audiences with violent-anime-esque features from now on, or anything, but Pixar is going to have a lot of room to flex its creative muscles, and basically do whatever it wants.

      I'm excited about this prospect too. Having seen so many Disney movies, I've come to set my expectations for animated films by what they would make, but that standard can also be limiting. I remember when Shrek came out, there were probably a dozen points in the movie when I thought, "Disney would never have let them do that if they had been making this, but it was really funny!". The result was a much more multifaceted piece that had humor that could be appreciated on many levels, and not Disney style kid stuff. Hopefully now Pixar will get this kind of free reign too... could be the start of a really nice period for animated movies.

    13. Re:Been Waitin' Fer This! by Anonymous Coward · · Score: 0

      So you make up a law of debate to prove that making up things is a logical part of debate.

      Well, two points for consistency of delusion.

      My law of Alomex: You are very alone.

    14. Re:Been Waitin' Fer This! by Alomex · · Score: 1
      This whole episode transpired before the web was popularized, so there is not much available out there (Nexis should give you quite a few hits, as this was openly reported in the trade press). Nonetheless, there is some backing evidence out there.

      Indeed, some say Pixar's fate rests almost entirely in the hands of Disney--its partner but also a potential competitor. The Hollywood powerhouse holds script approval on Pixar films and is doing some of the heavy lifting on the creative end. All the casting, music production, and some of the screenwriting for A Bug's Life was handled by Disney.

      http://www.businessweek.com/1998/47/b3605001.htm

      You can also look at the writing credits. The whole thing started with the graphic geeks writing the script as well as doing the rendering and directing the thing, as it is often done in the halls of academia. Then the professionals came in and fixed it, chiefly Cohen and Sokolow IIRC.
  21. Does this mean... by Caeda · · Score: 0

    We'll all be spared of Finding Nemo 2.. 3.. 4.. and 5?... or will it follow all the other disney movies.. like Lion King, Aladdin... Though, guess its still better than the "Land Before Time" 1-10 series...

    --
    ~~ Please keep your arms, legs, and outright stupidity inside the ride at all times. Thank You ~~
  22. not surprising... by millia · · Score: 1

    but there's a good bit happening in the background.
    first, the campaign to get rid of eisner. this, combined with the recent pooh suit setback, means a potential loss of millions of dollars. maybe even a billion or two. shareholders don't like that sort of thing.
    second, there's persistent rumors that pixar is going to start up a 2d animation department. disney just closed theirs. nothing like losing talent to the enemy.

    in any case, i think disney has done a fantastic job of marketing the films. i don't see a warner bros. doing a similarly nice job.

    that's the only thing they've done right. disney lost track, about 10 years ago, with the concept that money is not the reason to make art. the art is the reason. sure, if it's done right, you can make a lot of money- and early eisner benefitted from that. pixar hasn't gotten even remotely close to losing that important knowledge.

    --
    stored on computers from birth to the grave
    1. Re:not surprising... by overunderunderdone · · Score: 2, Funny

      the recent pooh suit setback

      I don't know what this is but it sound disgusting.

    2. Re:not surprising... by adjusting · · Score: 1
    3. Re:not surprising... by NormalVisual · · Score: 1

      And don't forget that Roy Disney and Steve Jobs are friendly with one another, while Jobs and Eisner aren't. Not good for the Mikester.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
  23. Hooray, now I can watch their movies by NTDaley · · Score: 4, Interesting

    Disney is with Nike on the list of companies that I won't have anything to do with. But now I'll be able to watch Pixar's new movies. http://www.google.com/search?q=disney+sweatshops

    --
    bits and peace
    Nicholas Daley
    1. Re:Hooray, now I can watch their movies by z-axis · · Score: 1

      Disney is with Nike on the list of companies that I won't have anything to do with. But now I'll be able to watch Pixar's new movies.

      This is right on. I said in my other (knee-jerk) post that Disney was dead weight, but in fact, they're a liability with conscientious consumers. You and I can't be the only two people in the world who refuse to hand money over to Disney.

      I could easily have spent, what, $150 on DVDs of Pixar's movies? And I would have by now, had I been able to do it with a clean consience.

    2. Re:Hooray, now I can watch their movies by Anonymous Coward · · Score: 0

      No Disney? No Nike!? But at least you've still got Walmart.

    3. Re:Hooray, now I can watch their movies by NamShubCMX · · Score: 1
      I'm proud to be:

      Microsoft-free
      Disney-free
      McDonald-free
      Coke-free
      Nike-free
      ...and other I probably forget

      This is great news. Disney is pure evil, it just deserves to die. :)

      --
      We've always been at war with Eurasia.
    4. Re:Hooray, now I can watch their movies by geekoid · · Score: 1

      yes, and those evil minions, called artisit, are just spaw of the devil. I'm also sure I saw horns sprouting up out of a rife attendant onece.
      evil I tels ya' EEEVIL!

      So evil in fact, some of there stories have even made my children laugh! pure evil.

      Not to mention the evil act of employing people!

      --
      The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
    5. Re:Hooray, now I can watch their movies by NamShubCMX · · Score: 3, Informative
      What about Disney's sweatshops?

      Walt was known to "denounce" gays and communists..

      I'm glad they employ people, but know what, 1000s of smaller shop, with higher value, could do just the same.

      --
      We've always been at war with Eurasia.
    6. Re:Hooray, now I can watch their movies by donutello · · Score: 1

      I don't think you know what you're talking about. Disney Corporation owns a LOT of stuff

      To be truly Disney free you will have to:
      - Never watch ABC
      - Never watch ESPN
      - Not use Tivo
      - Not watch any of these Touchstone movies
      - Not watch any of these Miramax films
      - Not watch any of these Hollywood pictures

      The list goes on. I will be very impressed if you have indeed managed to be Disney-free but the smart money is going against you.

      --
      Mmmm.. Donuts
    7. Re:Hooray, now I can watch their movies by JohnsonWax · · Score: 1

      "Walt was known to "denounce" gays and communists.."

      So was Reagan, and we made him President.

    8. Re:Hooray, now I can watch their movies by Ice_Balrog · · Score: 1

      Hooray, now I can watch their movies

      You could before!

      Linux: aMule
      Windows: eMule

      And if you feel guilty, just send a couple of dollars to the Pixar guys... ;)

      --
      #include "sig.h"
  24. Re:Disney Comments by Anonymous Coward · · Score: 0

    mod parent up!

  25. i'm rather glad, by miseryinmotion · · Score: 2, Interesting

    Actually I'm quite glad. In my opinion, the only thing keeping Disney's (animated) movie quality afloat was Pixar's stunning contributions.

    Disney seems to be playing the role of the archaic ruler here, desperately trying to advance to the next level (abandoning 2d animation department in favor of their own 3d department), but missing the entire point.. It isn't 2d animation that's the problem; it's the quality of the storyline, plot, characters, and overall tone of the last crop of 2d Disney movies. 2d offers a lot of stylistic options that 3d, in this case, hasn't quite been able to emulate. As sad as it is to see 2d's death in Disney, I'm quite glad that pixar is going solo. Disney needs to learn that it is the both the quality of the work and the execution that is driving Pixar's success, and not just eye candy.

  26. Pixar needs to find a good distributor by spun · · Score: 2, Informative

    They are better off without Disney. My wife is a film buff, and I have it on her good authority that Disney is in touble, all over the board. Movies, animation, parks, everything is tanking.

    But as good as Pixar is at making great movies, financial success doesn't come from that. You need good marketing and distribution. I hope Pixar finds a good partner that won't take the lion's share of the profits. They will also need to scramble a little bit more to find funding, but with their reputation, capital should be no problem.

    --
    - None can love freedom heartily, but good men; the rest love not freedom, but license. -- John Milton
    1. Re:Pixar needs to find a good distributor by NormalVisual · · Score: 1

      The parks aren't anywhere near tanking and actually have done quite well this past year, but they are suffering from the fact that a lot of money that would otherwise be going to maintain them is going to provide life support for divisions that are hemorrhaging money like ABC.

      Feature Animation - Burbank has been suffering lately, but a lot of that can be attributed to the fact that Eisner and his minions are practically on-site and micro-manage the hell out of everything. I believe part of the reason FA - Florida has been able to turn out uniformly good work has been because they're 3000 miles away from that environment, and were freer to make their own decisions. So, management made the natural decision, and shut down the division that was 3 for 3. Idiots.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
    2. Re:Pixar needs to find a good distributor by BreadMan · · Score: 1

      >> tanking...parks.

      I was at Disney World a few months ago and the condition of the park wasn't so great. In EPCOT, Some of the buildings needed basic updating and others were hopelessly lost in the 70's. The Magic Kingdom contained a lot of attactions that were no better than what you would find at six flags. Most of the public areas didn't look thier best and most of the bathrooms needed work as well.

      I really disliked being serialized through some cheesy shop after every ride, with the toys and such placed exactly at a child's eye level. I hope we never return.

  27. Good and bad by tolldog · · Score: 3, Funny

    I see this as being both good and bad...

    Disney needs to pull out of its slump. They make the whole industry look bad right now.

    Pixar will go on to bigger and better things, which will help the industry.

    They are big enough now, they could probably handle self distribution, although they probably don't want to get into that role yet.

    Best of luck to the both of them. The better they become, the better we all become, the more secure my job is ;) (assuming they don't squash all competition).

    I imagine the Pixar boys are out celebrating tonight... (if deadlines aren't killing them...) maybe I should head over across the bay and buy them a round.

    -Tim

    --
    -I just work here... how am I supposed to know?
    1. Re:Good and bad by El_Ge_Ex · · Score: 1

      (if deadlines aren't killing them...)

      3d animations houses are like game development houses.... deadlines are always killing them.

      -B

  28. Less watered down animation? by jonfromspace · · Score: 1

    I hope this means that Pixar will get into some less "family oriented" annimation...

    --
    I am become Troll, destroyer of threads
  29. Licensing! by StefanJ · · Score: 4, Funny

    By the end of the year, 90% of Disney's revenue will come from licensing its characters to junk food restaurants, manufacturers of lunch boxes and backpacks, and makers of disposable training pants.

    It will use its last bit of influence to convince Congress to make image piracy punishable by death or five years janatorial duties in the Disney[world|land] Outlet Malls.

    Stefan

    1. Re:Licensing! by DAldredge · · Score: 1

      Some of that depends on the Poah case. That little bear with the tiny brain might be taking 1 billon or more from disney by the time the case is done.

    2. Re:Licensing! by The+Snowman · · Score: 1

      Some of that depends on the Poah case. That little bear with the tiny brain might be taking 1 billon or more from disney by the time the case is done.

      I haven't heard about a Pooh case. What's it about?

      --
      24 beers in a case, 24 hours in a day. Coincidence? I think not!
    3. Re:Licensing! by gmhowell · · Score: 3, Informative

      I can't believe this didn't make slashdot (oh, wait, I can) but here is a google news search.

      Basically, the owner of the Pooh copyrights claims Disney is behind or didn't calculate royalties properly. Disney says that Pooh is their distinct thing now that they've had control for XX years. Oh, and it's not your copyright anyway, it belongs to the granddaughter of AA Milne. Well, AA Milne sued for the copyrights, but lost. The legal owner of the Pooh copyrights is the literary agent of AA Milne, who sold or bequeathed them decades ago.

      The lawsuit is for at least US$700,000. Plus punitive (treble damages makes this big money;) Attorney for the plaintiff? Johnny Cochran. Sucks to root for him, but what are you gonna do? (My animus towards him is melting. If Ito and the OJ prosecution team weren't so incompetent, Cochrane et al. couldn't have gotten away with all the crap they did.)

      --
      Jesus was all right but his disciples were thick and ordinary. -John Lennon
    4. Re:Licensing! by DAldredge · · Score: 1

      Don't forget that Disney got in to some trouble for 'accidently' destroying some of the documents that the other side had requested.

    5. Re:Licensing! by The+Snowman · · Score: 1

      Thank you for the information. It sounds exactly like something Disney would do: they want a monopoly on entertainment. If that day ever comes, I guess I won't be entertained anymore.

      --
      24 beers in a case, 24 hours in a day. Coincidence? I think not!
  30. Blame Eisner! by El · · Score: 4, Insightful

    The only good things Disney has done lately were the Pixar movies and Fantasia 2000, which was driven mainly by Roy Disney. Now both these creative sources are gone, they are running out of out-of-copyright stories to rip off, and everybody thinks Eisner is an ass. The only think they can do now is churn out cheap marketing-driven shlock; the age of considering Disney as "art" is over. (Incidentally, I've always maintained that Disney and Microsoft had simular business models: "steal other peoples ideas, then jealously guard them as your own.")

    --

    "Freedom means freedom for everybody" -- Dick Cheney

    1. Re:Blame Eisner! by Fancia · · Score: 1

      You speak as if they haven't already stolen in-copyright ideas. The Lion King was stolen quite obviously from Osamu Tezuka's Jungle Emperor, although not nearly as intelligent as Jungle Emperor was. I shouldn't be surprised to see them try something like that again.

      --

      Bít, zabít, jen proto, ze su liska!
    2. Re:Blame Eisner! by rgmoore · · Score: 3, Interesting

      A number of people have criticized Atlantis as a swipe from Nadia, which was directed by Hideaki Anno (later famous for Evangelion) and based on an original concept by Miyazaki. I'm not sure if the criticism is entirely fair- I've seen Nadia but not Atlantis- but it has been made. In both cases, Disney has claimed with a straight face not to have been familiar with the Japanese work they were alleged to have been stealing from. That seems especially hard to believe in the case of Jungle Emperor Leo, since the first animated version was partially US financed and shown on American TV as Kimba the White Lion.

      --

      There's no point in questioning authority if you aren't going to listen to the answers.

    3. Re:Blame Eisner! by Fancia · · Score: 4, Informative

      Further than that, even. Simba was originally white, and has been referred to at least once by Disney employees as Kimba. Furthermore, one of the Disney animators apparently wore a home-made Kimba/Leo costume to a Disney party and one of the voice actors originally thought that he was being cast in a remake of the Jungle Emperor/Kimba television series. There's quite a bit of evidence that they were fully familiar with Jungle Emperor. There's a good article about this on KimbaWLion.com.

      --

      Bít, zabít, jen proto, ze su liska!
    4. Re:Blame Eisner! by FortissimoWily · · Score: 1

      "Further than that, even. Simba was originally white"
      I'm reminded of a quote reportedly from a Disney employee who saw some early material related to The Lion King, featuring the original white-furred Simba, which went something along the lines of; "Even our lawyers aren't THAT good.".

    5. Re:Blame Eisner! by telstar · · Score: 1
      "There's a good article about this on KimbaWLion.com [kimbawlion.com]."
      • There really is a website for everything, isn't there?

    6. Re:Blame Eisner! by Darth23 · · Score: 1

      Maybe the failure to retain the Pixar/Disney relationship will be the final straw for Eisner's Disney career. Hopefully it will be. They should have never pissed Pixar off by refusing to count Toy Story 2 as one of the theaterical releases that Pixar. Technically, it didn't count because it was a sequel, but Disney pulled a fast one becuase it was originally supposed to be released on video, like most of the other sequels Disney has been making recently. Roy Disney has been fighting Eisner for a while and the battle has been stepping up recently Personally, I hope Pixar hooks up with Dreamworks.

      --

      -------- In Soviet Russia, "Soviet Russia" sigs hate Slashdot.

    7. Re:Blame Eisner! by lrucker · · Score: 1
      A number of people have criticized Atlantis as a swipe from Nadia

      It also looked a lot like Stargate, down to using an "A" without the crossbar in the title.

  31. Can You Say Hello, Dreamworks? by Anonymous Coward · · Score: 0

    Any bets that Dreamworks is in line to receive a Pixar union?

  32. Why Pixar needs Disney by bartash · · Score: 1

    Basically it is cool having Disney as a distributor becasue everyone blames them for all the nasty stuff like merchandising. See this story for more.

    --
    Read Epic the first RPG novel.
  33. A good thing for all involved (and us too!) by shoppa · · Score: 4, Insightful
    After _Lion King_, everyone expected every Disney animated feature to rake in cash at the box office. If you look at the reviews from the past few years, all the animation fans dissed Disney each time they came up with a solid film that didn't go straight to #1. It took Disney a while for them to get back on track making good consistent stuff. (In the past couple years, I put _Lilo and Stitch_ and _Brother Bear_ as really good stuff. _Treasure Planet_ was good too even though it didn't get nearly as much attention as it should have.)

    With _Nemo_, the bar got raised too high for Disney again (although you could argue that Disney didn't do much in the way of making it.) Now that Disney isn't hooked up with Pixar, I hope that the bar is set appropriately for future Disney animation.

    Not that I didn't like _Nemo_, I thought it was great, wonderful, funny, my kids loved it and I loved it too. But that's a once-in-a-generation thing; it's great it happened, but we shouldn't let _Nemo_'s success stop us from appreciating good work. If Disney had stuck with Pixar, they'd be afraid to release anything that wasn't going to gross more than _Nemo_; now that they've broken up I hope we can look forward to seeing three or four good animated features a year, with some of them being really original.

    1. Re:A good thing for all involved (and us too!) by tolldog · · Score: 1

      All of Pixar's releseases, Nemo included, have been better than what Disney has released in the past decade.

      Disney is falling apart at the seams, forgetting that story is king. Make a good story, make great characters, have clean animation. Thats what people like.

      -Tim

      --
      -I just work here... how am I supposed to know?
    2. Re:A good thing for all involved (and us too!) by Anonymous Coward · · Score: 0
      -1 consumer yuppie karama whore. You should get your fat fucking kids off that glass tit.


      BTW how fat are you, DAD?

    3. Re:A good thing for all involved (and us too!) by Wylfing · · Score: 1
      I _agree_ with you that _part_ of Disney's problem _is_ living up to its _previous_ successes. However, _I_ don't think _most_ of the _movies_ you mentioned were very _good_. Storywise, Nemo was _utterly_ _fantastic_ and far _surpasses_ the other _movies_ you named.

      --
      Our intelligent designer has never created an animal that we couldn't improve by strapping a bomb to it.
    4. Re:A good thing for all involved (and us too!) by Anonymous Coward · · Score: 0

      hehe, pretty funny. good use of underlines

    5. Re:A good thing for all involved (and us too!) by Anonymous Coward · · Score: 0

      Awesome troll +5

    6. Re:A good thing for all involved (and us too!) by demachina · · Score: 2, Insightful

      I'm afraid I don't see the insight in this. The last time Disney produced really good movies was in the Lion King, Aladdin era. There was a simple reason, his name was Jeffrey Katzenberg

      He was the last movie making genius to grace Disney's animation studio. When he had his fill of Eisner and moved on to form Dreamworks SKG (Spielberg, Katzenberg, Geffen) Walt Disney Studios was doomed. But we were blessed with a new studio that will be modern and probably great, Dreamworks sister studio PDI, home of Shrek. I wager PDI is going to give Pixar a run for their money for a long time.

      I think its unrealistic to think most companies are going to stay great forever. Disney had a great run but its probably over at least as far as animation goes.

      Problem number one is 3D caught them by suprise, Katzenberg would have caught the wave and was starting to in Lion King and Beauty and the Beast but when he left they lost the genius necessary to figure out how to do good 3D movies. They did manage to make some 3D movies but they didn't figure out the fact they needed a good story first and great 3D second.

      They clung to 2D animation though they lost the producer and the artists who knew how to make 2D animation work and to make it art. Its probably just a fact of life that there never were many great 2D animators and there probably very few now since all the young people are gravitating to 3D and computer animation. 2D is tending to be a factory process being done in cheap off short sweatshops with low production values. Closing their Florida studios is probably just a recognition they didn't have what it takes to produce anything good there and it couldn't be fixed. The Florida studios weren't their animation heartland anyway, Burbank is. If there was talent in Florida it will show up in Legacy Studios where many of the artists went. If there wasn't then Legacy wont make it.

      And most important indications are Eisner is a dick and until he's run out I doubt Disney animation will get better and it may not recover even when he's gone.

      Probably best to remember Disney fondly for its past greatness, forget its recent efforts and be glad there is new young blood to takes its place in Pixar, Dreamworks and PDI.

      --
      @de_machina
    7. Re:A good thing for all involved (and us too!) by shoppa · · Score: 1

      Actually, I didn't much care for Lion King or Aladdin. The last thing Disney needs is to continually remake or sequelize those dogs.

      The merchandising on those movies were way overdone, too, and I regard that as very unfortunate because it financially rewards Disney for the junk.

      OTOH I really enjoyed The Emperors's New Groove, Lilo and Stitch, Treasure Planet, etc, films that have an "adult" as well as a "kid" level.

  34. The sadly anonymous director of Finding Nemo. by Cordath · · Score: 2, Insightful

    Leaving Disney hasn't changed the fact that Pixar still needs a distributor and, perhaps, investors. (Anyone know where I could sign up to invest in Pixar?? :D ) The only difference is that, having proven themselves, they now have free reign and should be able to get much better deals. Still, that doesn't mean they're about to start making R-films.

    The big bucks are usually with the G to PG-13 crowd... For a film of a given quality, the broader it's potential audience is the better it's earnings will be. As rare as they may seem, G rated films that are actually good are literal box-office gold. The folks at Pixar now has several such films under their belts.

    Here's a question to ponder though... Everybody know's who directed Kill Bill. Everybody and their freaking dog knows who directed the LOTR trilogy. How many of you honestly know who directed "Finding Nemo" and don't have to look it up on IMDB? Be honest now!

    Man, I really feel sorry for that guy.

    1. Re:The sadly anonymous director of Finding Nemo. by Anonymous Coward · · Score: 0

      How many of you honestly know who directed "Finding Nemo" and don't have to look it up on IMDB? Be honest now!

      Why does that matter? Everyone knows Salvador Dali and his work. Yet chances are that few people know that Yves Tanguy was also talented in this area, painting the famous "Furniture of Time". This lack of recognition doesn't diminish anyone's appreciation, if they're into that sort of thing, it just means you can't spout off names like an art critic.

    2. Re:The sadly anonymous director of Finding Nemo. by adjusting · · Score: 2, Informative

      Pixar is a public company. PIXR on NASDAQ.

    3. Re:The sadly anonymous director of Finding Nemo. by Doogie5526 · · Score: 1
      Andrew Stanton directed (and wrote)

      John Lasseter did say in an interview that doing a R rated film isn't out of the question for Pixar, they just want to do what they find fun an interesting. (this is a paraphrase, I dont really remember which parts were mention by John or the interviewer).

    4. Re:The sadly anonymous director of Finding Nemo. by Holi · · Score: 1

      John Lassiter (sp?)
      No Checking honest.

      And I don't feel sorry for him in the least. The guy knows how to have fun.

      --
      Sorry, teleporters just kill you and then make a copy. A perfect, soul-less copy.
    5. Re:The sadly anonymous director of Finding Nemo. by Anonymous Coward · · Score: 0

      No, it's metaphorically box-office gold. Otherwise it would be a shiny yellow metal, you dunderhead.

    6. Re:The sadly anonymous director of Finding Nemo. by LehiNephi · · Score: 1

      We may not remember his name, but when(/if) he ever applies for another directing job, the "people who count" will know.

      --
      Help find a cure for cancer. Join the [H]orde
    7. Re:The sadly anonymous director of Finding Nemo. by dbirchall · · Score: 1
      I prefer to think of him as "The voice of 'Crush' the sea turtle."

      IMDB also shows writing and directing credits on "A Bug's Life," writing credits on "Toy Story," "Toy Story 2" and writing and producing credits on "Monsters, Inc."

      I'd say he's probably one of the most famous, wealthy and powerful people no one's ever heard of. :)

    8. Re:The sadly anonymous director of Finding Nemo. by Jotham · · Score: 4, Insightful

      Here's a question to ponder though... Everybody know's who directed Kill Bill. Everybody and their freaking dog knows who directed the LOTR trilogy. How many of you honestly know who directed "Finding Nemo" and don't have to look it up on IMDB? Be honest now!

      I admit I had no idea (the answer is Andrew Stanton(story) & Lee Unkrich but I had to look it up)-- but poll a crowd of people and the answer will be 'Pixar'... not the director but that answer will still win.

      How many people know (and care) who the distributor for Kill Bill is?

      The names Pixar and Tarantino respectively draw the audiences and get the pay dirt - so they hold the power - the rest are all become negotiable contracts.

    9. Re:The sadly anonymous director of Finding Nemo. by franklinrh · · Score: 1

      Miramax. And who owns them?

      --

      --
      Can anyone spare 120 chars? I'm saving mine to buy a link at Fark.
    10. Re:The sadly anonymous director of Finding Nemo. by 16K+Ram+Pack · · Score: 1
      Andrew Stanton. But then I've seen the DVD extras.

      For me, it's about "who's the driving force". The feeling I get about Pixar is that it's about Lasseter, and he's got some great guys in and created the environment for them to thrive.

      For many films, it's the director who has the vision and the name gives them the backing. Particularly if they are directors who don't compromise and do their own editing. Quentin Tarantino, Woody Allen, Alan Parker et al.

      I rarely go and see a film because of an actor, because it's a bad yardstick. Tom Cruise is one of the few actors who seems to pick generally interesting films.

    11. Re:The sadly anonymous director of Finding Nemo. by Jotham · · Score: 1

      *chuckles* Disney :)

      Which reminds me -- the Kill Bill anime flashback was pretty cool - anyone know which animation house was used? (I'm guessing it wasn't Disney, though it'd be funny if it was)

    12. Re:The sadly anonymous director of Finding Nemo. by Wandering+Idiot · · Score: 1

      Production IG, the same house behind the Ghost in the Shell movie (soon to be movies) and television series.

  35. Without Disney... by Worldly+Iconoclast · · Score: 0

    It will be interesting to see Pixar's target audience now.

  36. Typical by Anonymous Coward · · Score: 0
    Whether its a movie/animation studio or some boy band this so seems commonplace today. The recipe is something like:

    • Take person or persons with desire to make it big.
    • Combine with person or persons with the right contacts/money/greed to foot the bill.
    • Formulate a contract that benefits the investor for assuming the risk.
    • Stir until mass appeal is achived.
    • Have the talent bitch and moan about terms of original deal
    1. Re:Typical by overunderunderdone · · Score: 3, Insightful

      Have the talent bitch and moan about terms of original deal

      Pixar is not bitching and moaning about the original deal, (three movies) which they actually extended (to five movies). They are just declining to enter a new deal.

  37. Not likely by Wacky_Wookie · · Score: 0, Offtopic

    Do you mean SKG Dreamworks? Or is it Dreamworks SKG?

    Either way, the G in SKG stands for Gates, as in Bill Gates.

    Do you really think that Steve Jobs is going to place the fate of Pixar's movies into the hands of Dark Helmet himself?

    1. Re:Not likely by Anonymous Coward · · Score: 0

      Sorry, but you're wrong.

      S == Spielberg
      K == Katzenberg
      G == Geffen

    2. Re:Not likely by Anonymous Coward · · Score: 0

      Ummm.... actually it stands for Geffen.

    3. Re:Not likely by wileycat · · Score: 1

      IIRC the G is Geffen as in David Geffen. The S is for Spielburg and K for Katz. Bill has nothing to do with Dreamworks.

    4. Re:Not likely by Anonymous Coward · · Score: 0

      G is for Geffen

    5. Re:Not likely by kck · · Score: 0

      Actually, the G is for Geffen, as in David Geffen the recording industry tycoon.

    6. Re:Not likely by cliffy2000 · · Score: 2, Informative

      That's unture. While Gates is a partial owner, the G in SKG stands for Geffin. SKG stands for Steven Spielberg, Jeffrey Katzenberg and David Geffin.

    7. Re:Not likely by Anonymous Coward · · Score: 0

      The G stands for Geffen, idiot.

    8. Re:Not likely by Anonymous Coward · · Score: 0

      I'm not sure if anyone has mentioned it yet, but the G stands for Geffen.

    9. Re:Not likely by Wacky_Wookie · · Score: 1
      Yes, I got it wrong, but Gates is still a part owner. My room mate claims that the G in SKG was ment to be Gates, but he pulled out. I'm really not sure if that is true, and after my previous post, I should not be considered a good source untill i have had some more sleep.

      Or it could be the fact that I am watching "I'm a Celebrity, Get me Out of Here!" live.

    10. Re:Not likely by Anonymous Coward · · Score: 0

      I believe the G stands for Geffen.

    11. Re:Not likely by Anonymous Coward · · Score: 0

      The "G" is SKG stands for Geffen (as in David Geffen.) Enough with conspiracy theories already.

      (And it's Dreamworks SKG)

    12. Re:Not likely by BTWR · · Score: 1

      Actually the G stands for "Gordan," of "Gordan's Fish Sticks" fame.

      (oh wait, maybe i should point out for the 482nd time that it's GEFFEN!)

    13. Re:Not likely by Anonymous Coward · · Score: 0

      It's GEFFEN, as in Spielberg, Katzenberg and Geffen!

      Geez kid! Get your Jews correct!

  38. I'm glad to hear this. by Cecil · · Score: 2, Funny

    It means I can stop boycotting Pixar films. Hooray!

  39. Disney's next move.... by freeze128 · · Score: 2, Funny

    Disney will probably start suing the hell out of everyone for copyright infringement, including ANYBODY who made a cartoon mouse. Their main source of income will be from litigation. Their theme park will be called the Copyrighted Kingdom.

    1. Re:Disney's next move.... by gfxguy · · Score: 4, Funny

      But then they'll get sued by SCO for infringing on their business model.

      --
      Stupid sexy Flanders.
    2. Re:Disney's next move.... by yourmom16 · · Score: 1

      that seems rather likely; Businesses that are failing tend to switch business strategies to suing the pants off of people(Not literally of course). The reason is that they already have IP and lawyers, so they do not need to invest in new capital.

      --
      "We have got to make Stan understand the importance of voting, because he'll definitely vote for our guy." - South Park
    3. Re:Disney's next move.... by leerpm · · Score: 1

      Well after SCO goes bankrupt, I'm sure Darl will be available for a position at Disney!

  40. When you never have to worry... by Anonymous Coward · · Score: 0

    about your creative works becoming part of the public domain, there just isn't as much incentive to be creative. Laurel resting, and corporate branding are a lot more lucrative than they should be.

    Yea, Pixar, long live Luxo. when it comes to animated feature, one brand I don't look to is Disney. That would be EXACTLY like going to a Bueno Vista movie based on that name alone.

    I hope this is swiftly followed up by a shotgun full of Intellectual Property sensibility right inbetween Mickey's eyes.

  41. Disney, your $5295 billion buddy! by Tailhook · · Score: 0, Troll

    So Pixar wanted a bigger cut and Disney wasn't willing? Is that the gist of this? A business deal. One bunch of staggeringly wealthy white guys bickering with another bunch of staggeringly wealthy white guys.

    um, hoo ray and stuff. I'm so pleased.

    Ya know, at some point Pixar is going to hook up with a firm from India and cut their labor costs about 80%...

    Anyhow, I'm going back to Slashdot. They specialize in geek news, not this Forbes jet set play-by-play.

    --
    Maw! Fire up the karma burner!
    1. Re:Disney, your $5295 billion buddy! by timeOday · · Score: 2, Funny
      So Pixar wanted a bigger cut and Disney wasn't willing? Is that the gist of this? A business deal. One bunch of staggeringly wealthy white guys bickering with another bunch of staggeringly wealthy white guys.
      White guys can be OK. Heck, I am one.
    2. Re:Disney, your $5295 billion buddy! by Anonymous Coward · · Score: 1, Funny

      But are you a staggeringly wealthy white guy ? :-)

    3. Re:Disney, your $5295 billion buddy! by mcc · · Score: 1

      Ya know, at some point Pixar is going to hook up with a firm from India and cut their labor costs about 80%...

      Yeah... instead of having to pay all that money to buy and maintain all those Dells to do their animation, they'll just outsource to the third world and have a cramped, unsafe room full of Koreans working for three cents a day in sweatshop conditions frantically scribbling down vector calculus formulas...

    4. Re:Disney, your $5295 billion buddy! by paradesign · · Score: 1

      You know, racism works both ways, right?

      --
      I want 2D games back.
    5. Re:Disney, your $5295 billion buddy! by inkswamp · · Score: 1
      White guys can be OK. Heck, I am one.

      What a coincidence! So am I. We should start a support group.

      --
      --Rick "If it isn't broken, take it apart and find out why."
  42. You know in Soviet Russia... by so+sue+mee · · Score: 3, Informative

    You know in Soviet Russia... (no jokes here) the cartoons had to be the most free expression of the artist's spirit since the party paid little to no attention to their messages. But the films came out with better moral message than the average tom and jerry. In fact NO ONE almost got hurt there

    http://www.russiananimation.com

  43. Good riddance by yeremein · · Score: 2, Interesting
    Disney noted in its statement that it owns rights to all the Pixar movies, as well as two more animated features yet to be delivered -- "The Incredibles" due this year and "Cars", expected in 2005.

    Hmm, Pixar does all the work, Disney gets the copyrights. I guess this might have been beneficial years ago when nobody knew who Pixar was, but these days they've made a big enough name for themselves that they don't need to be exploited by a megacorp to be noticed. In fact, Pixar has been responsible for the only good stuff coming out of Disney in the past few years.

    Bad news for Disney. I for one won't miss 'em.

    1. Re:Good riddance by Anonymous Coward · · Score: 0

      Hey kinda reminds me of the RIAA's relationship with new musical groups!

  44. Re:THINK ABOUT YOUR BREATHING! by Anonymous Coward · · Score: 0

    Heh, that made me laugh. Thanks!

  45. Chicken Little by AltaMannen · · Score: 1

    They've surely got 3d projects of their own, waiting for an opportunity to use an internal Disney studio to compete with Pixar. I don't think they are closing down one section of the company (orlando animation) without something else in mind.

    1. Re:Chicken Little by Doogie5526 · · Score: 1

      Orlando wasn't the only 2d animation studio Disney closed, dont forget the animation studios in Tokyo and Paris are gone too.

  46. I can see it now by Anonymous Coward · · Score: 0

    the only question left is should it be called "Prixar" or "Dixar"?

  47. Maybe Re:Less watered down animation? by StefanJ · · Score: 2, Insightful

    I wouldn't consider Pixar's stuff to date "watered down."

    In fact, I think they've done a great job of making films that entertain adults as well as kids.

    It would be interesting to see them take on other projects, though.

    1. Re:Maybe Re:Less watered down animation? by jonfromspace · · Score: 1

      perhaps a bad choice of words on my part. What I was getting at was that maybe now, Pixar can produce some more pg13+ movies... Would be nice if they were the next studio to tackle a video game cross over, or the like.

      --
      I am become Troll, destroyer of threads
    2. Re:Maybe Re:Less watered down animation? by Snad · · Score: 1

      Would be nice if they were the next studio to tackle a video game cross over, or the like.

      God no. Please no.

      I too would like to see a more adult animated movie out of Pixar (and I certainly don't mean Buzz and Mrs Potatohead in some bizarre S&M nightmare), but please no more video game movies! There hasn't been a single good movie from a video game.

      Is there a market for PG animated movies yet though? Sure, Slashdot geeks watch Gunslinger Girl , Noir, and Full Metal Alchemist, but would a PG Pixar flick really sell?

      Did the Final Fantasy movie really fail because it was bad, or because not enough people wanted that kind of movie in the first place?

      The market seems to be building but is it big enough?

    3. Re:Maybe Re:Less watered down animation? by tepples · · Score: 1

      There hasn't been a single good movie from a video game.

      Sure, Super Mario Bros. and Street Fighter sucked donkey ball country, but Mortal Kombat was decent (not Annihilation). So was Resident Evil. I'm sort of divided on the Pokemon movies.

    4. Re:Maybe Re:Less watered down animation? by Zoshnell · · Score: 0

      If I'm not mistaken(which I could very well be... oh the hell with it) wasn't pokemon a toon before it became a game?

      --
      "Do you suppose that's why God lives in the Heavens? Because he lives in fear of His creations?" - Steve Buscemi
    5. Re:Maybe Re:Less watered down animation? by FortissimoWily · · Score: 1

      " If I'm not mistaken(which I could very well be... oh the hell with it) wasn't pokemon a toon before it became a game?"
      Nope, it was a game first - the original title (which was Pocket Monsters - Green Version) was released in Japan in late 1995/early 1996, and went on to become an animated series in Japan in 1997. However, the TV show hit the West before the games (Pokemon - Red Version and Pokemon - Blue Version) were released outside of Japan, which was likely for marketing purposes.

    6. Re:Maybe Re:Less watered down animation? by Zoshnell · · Score: 0

      I stand corrected, thank you. But how can everyone forget the film "gem" that was Double Dragon? I'd take SMB or Street Fighter over that one any day. Not together of course, watching any of the two back to back would casue a massive gravity well of sucking centered on your tv unit, and adding the third one... well... I don't think physics has an answer to the effects of the amount of suck that would be generated by this action...

      --
      "Do you suppose that's why God lives in the Heavens? Because he lives in fear of His creations?" - Steve Buscemi
  48. more like he alienated execs by TubeSteak · · Score: 1
    Eisner has managed to push so many upper level executives from Disney its amazing. An NYtimes article from last year quoted an upper level female exec as saying she used to keep a list, but quit once it got over 100. And i'm not just talking about the main Disney corp, but all their divisions, subdivisions, affiliates... Most of them go on to other high paying jobs, a few have started their own competing (and successful) production studios. Fortune 100 companies love ex-Disney financial & accounting types

    So yea, Eisner did wonderful things for Disney during his first 10 years (so says Roy Disney), but is now driving the company into the ground (also said by Roy Disney).

    --
    [Fuck Beta]
    o0t!
  49. OT - tolldog.com by Anonymous Coward · · Score: 0

    just went to see where you work (asusming it was tolldog.com and not having any idea what or who tolldog is/does) and i got this message

    Not Found
    The requested URL / was not found on this server.


    so yeah - just letting ya know.

    1. Re:OT - tolldog.com by tolldog · · Score: 1

      Argh. Must look into that.

      Page was way out of date anyways.

      Thanks for the heads up.

      As far as all of those curious questions...

      Work in the entertainment industry at *not Pixar*, other side of the Bay.

      -Tim

      --
      -I just work here... how am I supposed to know?
  50. wait wait wait... by Anonymous Coward · · Score: 0

    Hold up.

    I thought Pixar did the animation/cgi work, while Disney provided the story?

    1. Re:wait wait wait... by TomHandy · · Score: 1
      No, Pixar has their own directors, writers, etc. They are smart enough to know that technology is only part of making a good movie, and so they focus on good stories and writing too..... something Disney once also knew long ago.

      -Tom

    2. Re:wait wait wait... by Anonymous Coward · · Score: 0

      Wow, I did not know that Tom. Thanks for the 411.

      My image of Disney just decreased heavily.

    3. Re:wait wait wait... by UnknowingFool · · Score: 3, Interesting

      In the article it clearly states that Pixar was always responsible for the content and Disney the marketing and distribution. If you've ever seen any news stories about Pixar (like the 60 Minutes II piece last fall) you would know Pixar has firm control over the creativity of its movies.

      --
      Well, there's spam egg sausage and spam, that's not got much spam in it.
    4. Re:wait wait wait... by Anonymous Coward · · Score: 0

      Eh, i was too lazy to read the article

  51. Eisner is an Idiot! by firstadopter.com · · Score: 3, Insightful

    Eisner is a total idiot for letting Pixar go. They were practically stealing from Pixar getting 1/2 the profits plus a distribution fee. Mr. "Mickey Mouse" CEO has now fully gutted the Disney animation legacy. All the talent has either been laid off or fled to Dreamworks and Pixar. What a darn shame. I mean Treasure Island vs. Shrek & Finding Nemo? Total disaster.

    1. Re:Eisner is an Idiot! by The_Steel_General · · Score: 1
      I wouldn't go that far just for this. The Pixar deal(s) were good while they lasted, but Jobs is too smart to let Disney pick his pocket for another ten years. He has a duty to his shareholders, just as Eisner has one to Disney's, to get every single cent he can. The rumors have been that he's asking for a straight distribution fee -- no change of ownership i.e. the films will belong to Pixar -- which would be chump change to Disney. Nobody should have expected that Pixar would accept the same terms as before.

      For that matter, Pixar has had a good long run, but it's bound to go aground at some point. When that happens, Eisner may look smarter than he is.

      That's the best case for Eisner: The movies after Cars sink, and he's in the position to require Jobs to, say, do Toy Story 3 with Disney. The worst case isn't all that bad: Pixar has the gold touch for another five movies, worth a billion, yielding perhaps one hundred million over seven years...Even twenty million a year in lost profits would be a relatively small change to Disney's net income, and that isn't "lost" until 2006 and later.

      This sounds like less of a financial question than a personal issue: Eisner: How dare Pixar squeeze us on this transaction! We made them what they are! Jobs: Disney is on the outs, we're the rising star, they will pay what we ask or someone else will. This way, Eisner doesn't have to negotiate over lunch money with the upstart, while Jobs can position himself as a player with the other studios.

      TSG

  52. Good by skinfitz · · Score: 1

    Is it me or does everything Disney do seem a bit Mickey Mouse?

    1. Re:Good by montypics · · Score: 1

      Bwaaahhaaahhaaaahhhaaaa. That's just goofy. reminds me of a joke... Mickey and Minnie are in divorce court. The judge says, "So, Mickey, you're saying that Minnie is crazy?" Mickey replies, "I didn't say she was crazy. I said she was fucking Goofy!"

  53. Disney's fault by kaan · · Score: 4, Informative

    It sounds like Disney-insiders blame the CEO of Disney.

    From the article:

    Roy Disney and ally Stanley Gold, who both resigned from the Disney board late last year and called for Chief Executive and Chairman Michael Eisner to step down, placed the blame on Eisner.

    "More than a year ago, we warned the Disney board that we believed Michael Eisner was mismanaging the Pixar partnership and expressed our concern that the relationship was in jeopardy," they said.

    1. Re:Disney's fault by Orne · · Score: 2, Interesting

      For some real healthy anti-Eisner articles written from the points of view of ex-Disney employees (Cast Members), I'll point you at MiceAge, a site that seems to be doing a good job bringing the park perspective to the forefront... seems to be a lot of behind the scenes politics, the comings and goings of executives, as well as how facilities is being (mis-)handled...

  54. all good things must come to an end by Fuzzums · · Score: 1

    and so must disney.

    disney. your time is up. your glory days are over. sorry. fare well.
    move out of the way for the new players.

    [enter on stage pixar without disney]

    --
    Privacy is terrorism.
  55. and... by neko9 · · Score: 2, Informative

    why always when someone mentions Pixar they say that "Pixar is best known as the studio behind the Toy Story series and the more recent movie Finding Nemo"? Monster's Inc. anyone? and For the Birds? thats masterpieces!

  56. We'll still see Finding Nemo 2 by Pixar by iamhassi · · Score: 1
    "Disney also has the right to finance and produce sequels if Pixar declines to co-finance and produce them under the current agreement."

    Sounds fine to me: Pixar wants to make a sequel to the highest grossing animated film of all time? Fine, pay Disney. If Pixar wants to go out on there own? No problem, and Disney gets nothing.

    Sounds like a win-win situation for Pixar, and Disney looks like the loser in my opinion.

    --
    my karma will be here long after I'm gone
  57. Pixar & Florida: Disney misplayed this badly by Embedded+Geek · · Score: 2
    I find it interesting that Pixar made this decision right after Disney decided to close its Florida animation studio (here and here). The general concensus was that shuttering Florida was so that Disney could concentrate on digital animation out of Pixar. There are still Disney animation facilities in Burbank, but you've got to wonder what chaos must be going on in Eisners' office today.

    While this could concievably just be a negotiating tactic by Pixar, it's more likely to be a simple case of Disney needing Pixar more than Pixar needed Disney.

    --

    "Prepare for the worst - hope for the best."

  58. I hate Disney - I love Pixar. Good move. by soft_guy · · Score: 1

    At the time they first made a deal with Disney it was good move for them, but they have rapidly outgrown Disney. Pixar is better off on their own. Disney has become associated with crappy, low quality movies. Plus, they are real scum suckers for corrupting public officials to change the copyright law for their exclusive benefit.

    Now that Pixar has dumped their crappy ass, I can finally boycott them completely.

    --
    Avoid Missing Ball for High Score
    1. Re:I hate Disney - I love Pixar. Good move. by smoondog · · Score: 1

      Which movies? Pirates of the Caribbean? Freaky Friday? (Well reviewed and pretty good, surprisingly) I know mansion sank, but in general most of their movies are pretty good. (I include Studio Ghibli films and Pixar on that list)

      -Sean

    2. Re:I hate Disney - I love Pixar. Good move. by soft_guy · · Score: 1

      I guess I was thinking "The Emperor's New Groove", "Brother Bear", "Aladdin", "Lion King", "The Hunchback of Notre Dame", need I go on?

      I skipped "Freaky Friday", although I was unlucky enough to see the crappy original movie when I was a kid. I saw Pirates of the Caribbean, which sucked.

      "The Apple Dumpling Gang", all of the Love Bug movies. The series of movies about the kicking mule. Uggh!

      --
      Avoid Missing Ball for High Score
    3. Re:I hate Disney - I love Pixar. Good move. by NormalVisual · · Score: 1

      PotC and FF were both reasonably good, as have been most of the Feature Animation-produced films, but the offshore-produced direct-to-video stuff is just crap, and within the company they have finally started to understand that they're diluting the Disney name with it.

      Don't think it's going to make a lot of difference though, because no one in upper management understands what made the Disney name special - they operate on the belief that "more is better", and honestly can't see a difference in quality between "Cinderella 2" and "Lilo & Stitch" - all they know is that "L&S" cost them $80M to make, where "C2" only cost them $5M.

      --
      Please stand clear of the doors, por favor mantenganse alejado de las puertas
  59. How could you POSSIBLY screw that up! by Anonymous Coward · · Score: 0

    It should be... In Soviet Russian, Nemos FIND YOU!

  60. Not really by TubeSteak · · Score: 1

    Pixar has a reputation for quality work. Distributors yes, marketing... not so much (thought the two often go hand in hand). Pixar's work will speak for itself, without all the marketing-speak that goes along with movie companies' attempts to bolster first week sales. Even if they have a fairly quiet release of their next big movie, they'll have nice second & third week ticket sales, which is much more than most movies can claim. With the way reviews are done now, Pixar could probably float along just with the papers and people calling up their friends saying 'see this movie'.

    --
    [Fuck Beta]
    o0t!
  61. Pixar Shorts Online (mildly OT) by Embedded+Geek · · Score: 3, Informative
    Pixar has placed most of its shorts (including Tin Toy) online here.

    Not updated regularly for obvious reasons, but one of my favorite hidden gems on the web nevertheless.

    --

    "Prepare for the worst - hope for the best."

  62. Re:Adios, Pixar? by moviepig.com · · Score: 1
    Most slashdot readers likely hope that Pixar's new independence will free it from whatever shackles Disney's un-Imagineers have heretofore imposed on its creativity.

    I hope so, too. But an unfortunate plausibility is that Pixar, now deprived of Disney's guaranteed distribution aerosol, will for the time being focus on even "safer" projects. (Think FINDING NEMO without the shark ...or Ellen DeGeneres.)

    --
    Seeing bad movies only encourages them. Watch responsibly
  63. Why do people pick on Disney by smoondog · · Score: 3, Interesting

    I'm sorry, but I side on Eisner on this one. People on /. love to hit on Disney but, frankly I've been pretty happy with what disney has done:

    1. Sat morning-esque cartoons - Much better IMO than the competition (FOX, etc). Kim Possible (I hate to admit it, although the art looks a lot like penny arcade), Proud Family, etc are actually funny while kid centered.

    2. Feature films. Like Pirates of the C. and Freaky Friday (surprisingly good as well). A few other flops, but they are trying.

    3. They distributed pixar. I realize it was the creative genious of someone else, but that is the way *all* big studios work. Pixar was theirs to keep and they shouldn't have let them go.

    4. Anime. Say what you will about burying studio ghibli films. They bought them and brought them to the US and played a big part in popularizing anime to the general public.

    5. Other things. Like Broadway musicals. Bringing back sunday night disney movies. etc

    That is a lot better in my opinion than Disney has been since its golden age. There are few things disney puts out that are *worse* than watching another episode of pokemon.

    -Sean

    1. Re:Why do people pick on Disney by FortissimoWily · · Score: 1

      "There are few things disney puts out that are *worse* than watching another episode of pokemon."
      Except for a lot of truly awful TV serial spin-offs - the Lilo & Stitch TV show springs to mind, as well as the lousy Timon & Pumbaa (Lion King spin-off) series, and the Tarzan show, too. Though, that said, Jungle Cubs (show starring younger versions of The Jungle Book cast) and the Aladdin TV series were fairly entertaining at times, though.
      As well as the bad cartoon-series spin-offs, there's the straight-to-video sequels to movies which had been successful. Stitch the Movie, the sequel to Lilo & Stitch, for example, is one overly-long, painful-to-watch, insipid, insulting-to-the-intelligence ad for the awful Lilo & Stitch TV series, which was so awful, it's not even possible to make fun of it in MST3K style! The two Aladdin sequels weren't that good, either, and nor can I say much for the sequels to Peter Pan, Cinderella, or The Lion King. Admittedly, The Lion King 2: Simba's Pride did have a couple of nice songs in it, however, but it was a pretty terrible movie - like many of Disney's other sequels to revered classics, it's painful to sit through. I can't believe they're making 'The Lion King 1.5: Hakuna Matata', either - they really shouldn't, IMO.

    2. Re:Why do people pick on Disney by Anonymous Coward · · Score: 0

      Speed Racer, Robotech, Yu Gi Oh, and Pokemon had a big part in popularizing Anime in America. Disney hasn't done shit.

    3. Re:Why do people pick on Disney by cubicledrone · · Score: 1

      Anime. Say what you will about burying studio ghibli films. They bought them and brought them to the US and played a big part in popularizing anime to the general public.

      Bzzzt. No.

      Cartoon Network, ADV, Pioneer, Suncoast, etc. popularized anime to the general public. The only reason Disney became involved was because revenues were growing 1500% a year.

      There are few things disney puts out that are *worse* than watching another episode of pokemon.

      There are few things Disney puts out that make as much money as another episode of Pokemon. Anime did over $4 billion last year without $35 billion in capital, access to 4000 theaters, hundreds of retail stores, cable networks, radio stations, several Newsweek covers and the front page of the Wall Street Journal.

      --
      Business isn't willing to pay for products, innovation and careers, so we get brands, mortgage commercials and layoffs.
  64. Toy Story 3 by Anonymous Coward · · Score: 0

    Apparently, Disney is also doing Toy Story 3 now that Pixar is breaking off contact as it owns them... without Pixar. Sad, it had such a good shot at being the second trilogy to do better with each film.

  65. Emperor's new groove by SendBot · · Score: 2, Insightful

    That movie rocked. The david spade character was great, and the traditional art styles used in the characters and setting was impressive. It had a very good message about the pointlessness of materialism and the songs were actually cool for a disney flick.

    1. Re: Emperor's new groove by Black+Parrot · · Score: 5, Funny


      > It had a very good message about the pointlessness of materialism

      So, Disney won't complain if people download it without paying?

      --
      Sheesh, evil *and* a jerk. -- Jade
    2. Re: Emperor's new groove by Anonymous Coward · · Score: 0

      I'm sure most Slashdotters wouldn't complain about downloading it without paying. More kaching for them.. and a movie to boot.

  66. Goodbye Disney by kendoka · · Score: 1

    Eisner's a punk b!tch. I can't believe why they keep that guy around... Eisner's been CEO since I was like a kid while every other major company has swapped out CEOS like every 4-5 years... Oh well, I still like going to Disneyland, etc... guess Eisner knows it... punk... =)

  67. I wanna see Jenna get the Pixar treatment by buckeyeguy · · Score: 2, Funny

    Goodbye Disney, hello Vivid.

    --
    I'd have a personalized plate on my car, but "toxic bachelor" won't fit into 7 letters.
    1. Re:I wanna see Jenna get the Pixar treatment by Tumbleweed · · Score: 1

      Hmmm, sounds like Toy Story 3 in the making!

      Oh, you didn't mean those kind of toys? Too bad...

  68. No real surprise. by Tsuzuki · · Score: 1

    Really, how is this news? The Incredibles was meant to be the last film made under the current partnership anyway. They were going to review whether it was working out or whether Pixar was leaving at this point. As many expected, this deal has let Pixar find its feet and go off in its own direction, now that they can afford their own avenues of licensing and distribution.

  69. The single worst line in the article by JoeShmoe · · Score: 3, Funny

    Disney also has the right to finance and produce sequels if Pixar declines to co-finance and produce them under the current agreement

    NO NO DAMMIT NO!

    I will make it a personal mission to urinate on Eisner's grave if Disney rapes a single one of Pixar's excellent films. I am so f'ing sick of Disney executives walking around the park trying to figure out what movie, series even RIDE they can milk for another buck. Every time I see an advertisement for (classic movie) 2, 3 etc I want to scream.

    Steve Jobs is the biggest ass in the world for allowing Disney this option. Give it a year or two after Pixar profits are gone, and get ready for

    * Toy Story 3 - Buzz and Woody go to Camp
    * Monsters, Inc. 2 - Giggles, Inc.
    * Finding Nemo 2 - Doria's Quest for Paxil ...all done with that craptastic bargain basement 3D animation you see every afternoon on the WB. Ugh. Ugh.

    Like how "spam" came to mean "unsolicited email" I propose we make "disney" as a synonym for cancer, as in "my grandfather's prostate got disneyed" or perhaps as synonym for necrophilia.

    - JoeShmoe
    .

    --
    -- I wonder which will go down in history as the bigger failure: the War on Drugs or the War on Filesharing
    1. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      synonym for necrophilia?

      As in "I really disney BSD?" I like it!

    2. Re:The single worst line in the article by Schnapple · · Score: 2, Interesting
      Pixar was unable to do a Toy Story 3 since their contract with Disney says they have to come out with X movies by 2005 (and the forthcoming two fulfill that obligation) and sequels don't count. They got conflicting info on this so they went ahead and did Toy Story 2, then learned it wouldn't count towards their obligation.

      Disney owns all the rights to the characters in Toy Story, so Toy Story 3 is not something Pixar can do outside of Disney even if they wanted to. However, Pixar owns the rights to all of the new characters in Toy Story 2, so either a Disney TS3 wouldn't have those characters, or TS3 just won't exist at all.

      Rumor is that the timing of this announcement is purposeful in the efforts to get Michael Eisner outed in favor of Roy Disney. Steve Jobs is a pawn to that, as goes the theory.

    3. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      Steve ain't nobody's pawn.

    4. Re:The single worst line in the article by Trillan · · Score: 1

      Rumor is that the timing of this announcement is purposeful in the efforts to get Michael Eisner outed in favor of Roy Disney.

      Oh, I hope it's true! Please, no more Haunted Mansion. Let Eddie Murphy out of his contract so he can go do a decent movie!

    5. Re:The single worst line in the article by telstar · · Score: 3, Funny
      "The single worst line in the article "
      • Dude, this is Slashdot. You're not supposed to read the article...

    6. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      Actually, they have done spinoff movies...there has been at least one Buzz Lightyear movie that Disney did in 2D animation...so guess your worst fears are already true.

    7. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      Walt Disney is completely innocent and you shouldn't do something that implicitly blames him. I even refer to this company as Eisner post-Disney. I suggest ``Eisnered'' instead. Please.

    8. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      s/fubar/eisner

    9. Re:The single worst line in the article by evilnissan · · Score: 1

      I am Jacks colon. If I get disneyed, I kill Jack.

      --
      This Sig for rent.
    10. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      I don't get it. Toy Story, A Bug's Life, Monsters, Inc., Finding Nemo. That's four movies, and the contract was for five. Why will it take two more to fulfill the contract?

    11. Re:The single worst line in the article by Anonymous Coward · · Score: 0

      I think what you meant to say was "BSD is Disney"

  70. Correction by geekoid · · Score: 1

    you should not be considered a good source until you learn to corroberate facts. Or at least take what your roommate says with a grain of salt...the size of your head.

    On the other hand, it is important to keep your significant other happy.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  71. Dreamworks/Pixar? by Derivin · · Score: 2, Interesting

    Anyone know if Dreamworks has a good inhouse distrobution channel, or if they use someone else?

    Dreamworks has the only other animation house out there worth its salt. Imagine if these two joined up?

    1. Re:Dreamworks/Pixar? by gfxguy · · Score: 3, Insightful

      That "other animation house" is PDI. You know, they made a little movie called Shrek...

      I'll take Shrek over "Finding Nemo" any day (not that I didn't love "Finding Nemo"). I'm not saying one house is better than the other, but PDI is real competition for Pixar, and thank goodness for competition if they keep putting out movies like Shrek and Finding Nemo!

      --
      Stupid sexy Flanders.
    2. Re:Dreamworks/Pixar? by ice+lioness · · Score: 1

      I agree. Dreamworks has put out far better work than Disney's junk. Maybe because I'm female is because I saw Spirit: Stallion of the Cimarron, but it was a beautiful original movie.And it was 2D/3D, which shows that well-made 2D movies are still good. Shrek was also very well done - Shrek 2 promises to be just as well crafted. I'd say Pixar only has competition with Dreamworks PDI studios - but I would watch films from either company. As for Disney - 3D movies can still be crap, and bursting into song and having comic relief sidekicks is out. I'm glad Pixar is disbanding with you.

      --
      when you find yourself and a friend being chased by a lioness, you have one choice: Trip your friend.
  72. Ummm by geekoid · · Score: 1

    it's a distribution deal. There is no reason they couldn't strike a deal tomorrow for a specific movie.

    --
    The Kruger Dunning explains most post on /. http://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
  73. In other news... by bobdotorg · · Score: 1

    After a loud shouting match with Pixar executives, Michael Eisner was quoted as saying, "Hey guys, by the way, you can tell Jobs that I found Nemo!"

    --
    __ Someday, but not this morning, I'll finally learn to use the preview button.
  74. I'll be celebrating the day Disney dies! by MikeCapone · · Score: 1

    Probably won't happen (soon), as they just have too much cash (?) and name recognition, but I despise that company.

  75. Comment removed by account_deleted · · Score: 4, Insightful

    Comment removed based on user account deletion

  76. Insert Microsoft by reso · · Score: 1

    Ah...now's the time for Microsh*t to finally get into bed with Disney and create xBox game titles and 3D movies at the same time. They'll have it all covered. They could push Disney to distribute movies in WMA format to theaters and make it the standard on all Windows boxes for downloaded movie rentals (that is, if you'd like to watch Disney movies on your portable/home media center that is also controlled by Microsh*t).

    --


    1. Re:Insert Microsoft by miratrix · · Score: 1

      Yeah, this will happen...

      Over Steve Jobs' cold, dead body when hell freezes over.

    2. Re:Insert Microsoft by miratrix · · Score: 2, Funny

      D'oh!

      I will fully read the post before I reply...
      I will fully read the post before I reply...
      I will...

    3. Re:Insert Microsoft by reso · · Score: 1

      actually, microsoft just had a pretty big game on their hands called Crimson Skys and will soon be releasing Halo 2. I'm not saying Disney is capable of doing anything but releasing a watchable movie once in a while, but MS has no problem buying one of the best game studios (Bungie) and releasing their games under the MS name.

      --


  77. Stupid, stupid, stupid! by mark-t · · Score: 0
    FTA:
    "It makes it look like Eisner did something wrong again, but we shouldn't jump to conclusions. This could be a negotiating tactic by Pixar as well..."

    Why in the world would they choose to "negotiate" in that manner? It strikes me as extremely childish and immature at best. If they are as far as this in saying they are going to walk, they should actually just do it as soon as their agreement is up. Changing their minds at this point only makes it so that that they won't be taken as seriously if or when the next time they get fed up with things.

    People should say what they mean, and not make what they intend to be idle threats.

  78. Roy Disney was right! by Teahouse · · Score: 4, Insightful

    Roy keeps the Disney flame alive once again. He quit over the liquidation of feature animation in Florida. He told it like it is. Disney has fallen so far away from it's core values (making excellent animated features, and then marketing them in it's parks) that he felt Eisner should leave.

    Eisner and the other souless robots on the board countered by justifying Pixar and digital animation shopped out to other studios as the future.

    Guess what? Pixar is gone, at best, Disney can only do cheesy straight-to-video sequels from now on. They have no decent feature animation left to speak of. It's all regurtitation of old ideas from here on out.

    Roy will be back in about a year, when Disney's stock drops by $5. That should be enough to bring Roy back just like last time he did this. Eisner is a dead man walking. Perhaps Disney will be able to right the ship after he's gone. No more Mighty Ducks, Haunted Mansion, or Miracle movies unless they actually release actual animated flicks.

    --
    "Curiosity killed the cat, but for a while I was a suspect."- Steven Wright
    1. Re:Roy Disney was right! by Anonymous Coward · · Score: 0

      Roy was forced to resign under Eisner's mandatory age retirement policy. It was Eisner's orchestration, not Roy's choice. He wanted him gone.

      (Roy was "sour grapes" on the board and now is "sour grapes" off the board.)

    2. Re:Roy Disney was right! by Anonymous Coward · · Score: 0

      This is just another nail in Eisner's coffin - annual meeting in less than 2 months. I wonder....

      Disclaimer - I work for a company owned by Disney

    3. Re:Roy Disney was right! by Orne · · Score: 1

      Every year prior the board voted themselves excempt from the mandatory retirement age, except for this one, when there was a little coup to remove Roy (and some other guy) by not extending the contract. It resolved in a nice little expulsion without any shareholder votes on the matter, and the rest of them get out smelling like roses.

      After Roy (noisily) resigned, the stock dipped ~8%, but then it went back up... but then again, the whole stock market rose in December... Course, with this latest fiasco, their stock is already sinking; Ameritrade tells me its down to $23.67 in after hours trading.

    4. Re:Roy Disney was right! by Darth_brooks · · Score: 1

      No more Mighty Ducks, Haunted Mansion, or Miracle movies unless they actually release actual animated flicks.

      Not to nitpick, but I'm kinda glad to see Miracle come out under the disney name plate. If it were a Fox flick, we'd get treated to a sleezed up version of the story. Dreamworks would triple the schmaltz and halve the content. At least from disney I'm expecting (why i don't know) a fairly straight telling of a story that should make a quality film, without "hollywood" producers stepping in and screwing up a good thing.

      It's also nice to see disney getting out of the real hockey business by selling the Mighty Ducks.

      --
      There are some people that if they don't know, you can't tell 'em.
  79. Disney never had good writers by KalvinB · · Score: 1

    Disney's claim to fame was being able to take classic stories an put them on the big screen in a very entertaining and good looking way. Or rehash said stories and slap them in a different setting.

    I think they need to crack open Grimm's Fairy Tales again and get back to doing what they are (were) good at.

    Pixar dominates Disney because they can pull off the fantastic visuals and they write entertaining stories.

    If Disney doesn't get out of their rut and Pixar keeps being kid friendly while not rehashing the same themes over and over, I think they'll put Disney out of business.

    Ben

  80. Oh please, please please-- by Anonymous Coward · · Score: 0

    Let them sign with penthouse films!

  81. Disney lost all it's magic long time ago by oktokie · · Score: 2, Interesting

    I really think that beginning of the shit anmations by Dinsney started with Little Mermade.

    I reall think really old disney animations were truely great. Black & White Mickey Mouse were the greatest amonst others..like Snow White, 101 Dalmation, etc. I really pity today's art industry where really talented people go by unheard... and I see many mediocre talented sweet talking corporate type guys in the helm of studios(I mean art director & etc etc). I also know many new generations of student who graduated from art college with no drawing skills....they may be able to manipulate 3d tools, but I really think that pen & pencil is the bread and milk of art creation. I have seen way too many computer graphics artists who can't draw shit using pen & sketchbook! I wonder how they managed to wing art classes where drawing / painting were necessary!

    Oktokie

    PS: Oh... I also hate those stupid loud mouth clumsy side kicks Dinsney keeps putting into their inferior animations. Not to mention all those songs by some celebraty musicians. In old times, music & singing used to be put into just right moment(can you spell magic?) with good story line. I have a feeling that today's Disney animations are done in backward.

    1) First They sign a contract with celebrated singer.
    2) Make up stories so they can put music/singing stuffed into animation.
    3) It takes x3 tiems longer to draw characters on computer due to artist's lack of drawing talents(Um...he cannot draw without computer's aid).
    4) copy & paste one and only drawing around. No wonder characters are less detailed than what it used to be in old days. Um..sometimes, characters look like icons on the desktop(no detail at all).

    5) more copy & paste.

    6) make multiple plots.

    7) invite idiots to bring their kids to the studio and show them multiple ending/story and have them choose the story/ending.

    8)
    9)
    10) Steal 70% of 2.5billion $$$ from pixar
    11)
    12)
    13)
    14)
    15) Profit!

    Man...I miss black & white mickey mouse! They were awesome!

  82. Character changes by Richard+Allen · · Score: 0, Flamebait

    I suppose the contractural mandate for at least one homosexual character won't be an issue anymore.

  83. Now won't the real Brother Bear please stand up? by tepples · · Score: 1

    And you missed another flop, though - Brother Bear

    Disney's Brother Bear may have been a flop, but the real Brother Bear isn't.

  84. Hooray for Pixar! Disney went one step too far... by smeng · · Score: 5, Interesting

    When Pixar started off, they had no experience with distributing their work and marketing. So that's when they decided to collobarate with Disney. Disney being the giant that it was then, obviously had the better cut of the deal. The deal was to make 6 films. Pixar has done Toy Story, A Bug's Life, Toy Story 2, Monster's Inc., Finding Nemo. That's 5 movies they've done for Disney and by rightly, it would've been 1 more film and the contract would've been over. But why is Pixar making 2 more films for Disney (The Incredibles & Cars)? Well, Disney argued back that Toy Story 2 is a sequel. They twisted Pixar's arm on that, and that's why Pixar isn't doing anymore sequels, they've practically done Toy Story 2 for free! Frankly, I'd say good riddance to Disney! Pixar's build a name for themselves and they are well loved by audiences of all ages. I don't think anyone else could have pulled off a story about fishes in the way Pixar has done. The originality and creativity of Pixar is seemingly boundless. Good job to Pixar for ditching Disney and I wish them all the best!

  85. Comment removed by account_deleted · · Score: 1

    Comment removed based on user account deletion

  86. A few quotes from other film distributors... by FrankDrebin · · Score: 4, Funny

    mine Mine mine MINE mine Mine

    --
    Anybody want a peanut?
    1. Re:A few quotes from other film distributors... by Christ-on-a-bike · · Score: 1
  87. Disney live action by tepples · · Score: 1

    Disney live action? Like Escape from Witch Mountain and The Apple Dumping Gang? Those already almost led to the death of the company, why believe this time it's any different?

    Of course The Walt Disney Company has produced well-received audiovisual works featuring live action. What about Pirates of the Kazaabean starting Johnny Depp? What about Miramax-branded films such as Chicago and Scream 6 ? What about TV shows on Disney's ABC and ESPN networks such as Nightline, Home Improvement, and sportSCenter?

  88. Heh by srcosmo · · Score: 1
    With luck the Indian firm will just handle the voice acting.
    That I would pay double to see. :)

    --
    free speach
    Did you mean: free speech
  89. I knew Disney empire was going to fall when... by Anonymous Coward · · Score: 0
    they cancelled the original Gargoyles in 1996 and sold it to ABC to deliver a nasty abomination of a final season. This show was GROUND-BREAKING.

    Supposedly, Disney considered the subject matter too mature for its daytime audience (kids) and instead of moving it up to prime-time... banished it to the archives.

  90. Who writes these things? by moosesocks · · Score: 2, Insightful

    I'm just curious as to how much Disney was actually "involved" in the making of their films at pixar...

    Were the movies written at disney and animated at Pixar, or is the whole thing done at Pixar (and Disney takes care of the marketing)?

    I just wonder, because, while Pixar does indeed produce some of the highest quality animation in the world, it's the story and the creativity which make the movie (anyone remember the Final Fantasy movie? blah).

    That being said, I wish all of Pixar the best of luck, and hope their last two Disney films are as great as the last few. (It would be tragic if disney significantly cut funding to pixar for these films as a result of this announcement).

    That also being said, I want to wish Roy Disney the best of luck in his quest to bring the company back to the way it used to be.

    --
    -- If you try to fail and succeed, which have you done? - Uli's moose
    1. Re:Who writes these things? by Anonymous Coward · · Score: 0

      All the creative and production work on the films are done at Pixar. This means the story from initial concept to final storyboards, editing, animation. Sound work is usually done at Skywalker.

      Disney does distribution, foreign language translation and helps in audience testing.

  91. Simple: the first, and the one that made the most by tepples · · Score: 1

    Journalists mention Toy Story because it was the first film to have every pixel[1] of every frame generated by a computer. (Disney's older Tron was mixed CG/live action.) They mention Finding Nemo because it grossed the most at the box office.

    [1] "Film doesn't have pixels!" Pixel, filmgrain, whatever.

  92. It made sense at the time. by ScottForbes · · Score: 4, Interesting
    Keep in mind that the original Toy Story came out at about the same time as James and the Giant Peach, and not long after Tim Burton's The Nightmare Before Christmas. Disney was expecting a modest profit from its partnership with Pixar, and thought they'd be splitting maybe $20-30 million in profits per film -- adequate compensation for allowing Pixar to borrow the Mouse's distribution and marketing chain, but small potatoes in the grand scheme of things.

    The idea that Pixar would crank out five consecutive blockbusters was simply not on the table in 1995. Pixar's output up to that date consisted of a couple of award-winning animated shorts; suggesting that Pixar would outshine Disney Animation by 2000 (with Disney releasing The Little Mermaid, Beauty and the Beast, Aladdin and Lion King in the five years prior) would have gotten you laughed out of the studio.

    But then Jeff Katzenberg decided he'd had enough of Michael Eisner, and went off to Dreamworks to make Antz (and Shrek). Lion King turned out to be the high-water mark for Disney's 2D animation unit; their best effort since was Tarzan, which grossed $435 million worldwide -- a little more than half of Finding Nemo's leviathan take, which is currently at $844 million.

    So, Pixar has ended up paying Disney about 10-20 times what Disney's contribution to the process is worth. Eisner was probably using these lucrative terms as the starting point in his negotiations, while Steve Jobs (who already has Sony and Warner on speed-dial) was starting from the idea that Pixar could snap its fingers and have five studios vying for the honor.

    Eisner is unquestionably an idiot for failing to recognize this, because he desperately needs Pixar to feed quality product into the gaping maw of his marketing, distribution and merchandising empire -- he's not going to make as healthy of a living selling Brother Bear plush toys and video sequels, that's for sure. Pixar just needs a distributor, though, and they're big enough now that they can get one for the asking.

  93. Disney needs the competition by Killswitch1968 · · Score: 5, Insightful

    Being the undisputed cartoon motion picture producers have certainly bloated their ego, but done nothing for their movies. Take any 5 Disney movies of the last 10 years and I guarantee they each have the mandatory criteria/characters:

    1. The comedic relief
    2. The love interest
    3. The complacent good natured affable hero
    4. The easily-identifiable bad guy (always in black and smoking something)
    4. The up-beat music song
    5. The slow-dance music song
    6. The Billboard song
    7. The humorous evil sidekicks.

    Put 'em all in a bag, add some celebrity voices, and presto-chango, we've got ourselves another cliche by-the-book Disney flick.
    Now take a Pixar movie, not quite such an easy formula? AND NO STUPID SONGS. I hope they mop the flour with Disney.

    PS. I must say though The Gummi Bears cartoon series was awesome.

    --

    Corporations: your universal scapegoat for all society's ills.
    1. Re:Disney needs the competition by Our+Man+In+Redmond · · Score: 1

      Well, Robert Goulet as the penguin singing "You've Got A Friend In Me" in Toy Story 2 was bordeline stupid. But, the rest of the music in both Toy Story Movies was pretty good. How can you beat Riders In The Sky and Randy Newman?

      But I think your point is that the Pixar movies aren't intended to be animated musicals, which is valid.

      You also left "inexplicable cute animal companion of the hero(ine)" off the list.

      --
      Someone you trust is one of us.
    2. Re:Disney needs the competition by JohnsonWax · · Score: 2, Interesting

      The most apparent thing to me when watching Nemo was that the film has heros but no villains. There are some minor adversaries, but no bad-guy.

      It's a really sublime film in my opinion.

    3. Re:Disney needs the competition by Anonymous Coward · · Score: 0

      You forgot "the annoying Elton John song", unless that's number 6.

    4. Re:Disney needs the competition by SamSim · · Score: 1
      I must say though The Gummi Bears cartoon series was awesome.

      You're kind of betraying your username there.

    5. Re:Disney needs the competition by Anonymous Coward · · Score: 0

      >I hope they mop the flour with Disney.

      The flour? I'd like to see that.

    6. Re:Disney needs the competition by Anonymous Coward · · Score: 0

      Except for the music, I submit-
      1. Romeo and Juliet and
      2. Much Ado About Nothing

      Those cliches apply to more than just Disney, I'd say.

    7. Re:Disney needs the competition by Ykant · · Score: 1

      Ask Nemo's mom about "minor adversaries".

      --
      Spelling, grammar, punctuation? We need something that checks logic.
  94. IceAge is a movie too. by Walabio · · Score: 1

    IceAge is a movie too.

    1. Re:IceAge is a movie too. by Farscry · · Score: 1

      Indeed, but Ice Age was done by Blue Sky Studios and Fox Animation Studios, not Pixar/Disney.

      --
      Mmmmm.... Pigeons. Sometimes, they come with notes attached...it's like...a fortune cookie with wings.
    2. Re:IceAge is a movie too. by Walabio · · Score: 1

      IceAge is a movie too.
      Indeed, but Ice Age was done by Blue Sky Studios and Fox Animation Studios, not Pixar/Disney.

      Mea Culpa!

      You are right. It is all a matter of association:

      The faux Jaguar-Fur on the box for Mac OS v10.2.x Jaguar reminds me about all of the furry critters from IceAge. It is kind of like how Dubya got dumb Americans to associate Osoma Bin Ladin with Saddam Hussien so that they believe that a war for plunder is a war against terrorism.

  95. D4: The Mighty Ducks by tepples · · Score: 1

    No more Mighty Ducks, Haunted Mansion, or Miracle movies

    Isn't that a little redundant? Wasn't "D4: The Mighty Ducks" the working title for "Miracle"?

    1. Re:D4: The Mighty Ducks by Darth_brooks · · Score: 1

      No. Different subject, same sport.

      Though it has become a common practice to send films to distributers under a different name (Titanic went out as "baby's day out", and the Matrix films and promo materials went out under different names), so the films may have been labeled as such.

      --
      There are some people that if they don't know, you can't tell 'em.
  96. Fishy? by tepples · · Score: 1

    Actually the G stands for "Gordan," of "Gordan's Fish Sticks" fame.

    Close. You're talking about Gorton's frozen fish products, right? And do you plan to see Dreamworks SKG's Shark Tale: More Like Eating Nemo ?

  97. Disney has been prepairing for this split by Anonymous Coward · · Score: 0
    This is not a Disney flame, just some relevant information. Disney has been getting ready for this split. They have current agreements with other 3D animation studios to develop films to distribute under the Disney name. One of these is a new animated feature division of Core in Toronto.

    The story I heard was that they had development deals with multiple studios. They would reward the best result with a multiple picture deal. This means that the losers will have to find someone else to finance and distribute their following projects. Given that it takes more then one film to make money in any new studio (animated or not), this is a big gamble for the people making the films.

    EDITORIAL CONTENT: The existence of this deal makes it clear that Disney is currently artistically bankrupt. They are unable to make interesting and/or profitable content. The only group with any results besides Pixar was the Florida group that made 'Lilo and Stitch'. The reason given for shutting down this group was that they were 2D only, but I think it was because they made the Feature Animation management in Burbank look bad.

    GOSSIP: Disney Feature Animation has a current project based around Chicken Little. They are so confused that they haven't been able to decide if Chicken Little is to be a male or female character, and they have been running around in circles changing the design and plot. The sky is falling on Disney right now!!!

  98. Disney a victim of their own greed by Timbotronic · · Score: 5, Interesting
    Nice one Pixar. Disney have just lost the goose that rendered the golden egg. I wonder how many more times Disney will be undone by their own greed?

    Anyone hear about how Disney dropped out of Peter Pan because they didn't want to donate any money to a London children's hospital? The author of Peter Pan left the copyright to the hospital in his will. When the most recent movie was made, Disney believed it should be exempt from making any payment to the hospital from the sale of spin-off books, board games, soft toys and computer games, which are expected to generate tens of millions of dollars in their own right.

    Read the full story here

    So FUCK YOU Disney! Guess how much 50% of 0 is you bozos!

    --

    One of these days I'm moving to Theory - everything works there

    1. Re:Disney a victim of their own greed by DrSbaitso · · Score: 1

      Wow - the part at the end, where Disney sued a toy shop for violating a copyright that they don't own, is telling. What greedy pricks. I was looking over a copy of the Encyclopedia Brittanica 2015 edition (which conveniently fell through a time warp into my lap, open at the appropriate page), and it describes the Disney Corporation as "a bunch of mindless jerks who were the first against the wall when the revolution came." Funny, huh?

      --
      beware the jabberwock, my son! the jaws that bite, the claws that catch!
    2. Re:Disney a victim of their own greed by Anonymous Coward · · Score: 0

      Oh, come on, they're not THAT stupid, now they get to keep all 100% of that big fat Nothing!

      50% of nothing, my eye... ;-)

    3. Re:Disney a victim of their own greed by Thud457 · · Score: 1
      "Disney believed it should be exempt from making any payment to the hospital from the sale of spin-off books, board games, soft toys and computer games, which are expected to generate tens of millions of dollars in their own right."

      That's exactly the attidue they took with the De Milne ("Winnie the Pooh") estate. It was a huge case, and I believe they eventually lost for about $800,000,000. (! But probably a fraction of what they actually should have owed.)

      --

      the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  99. How to watch Disney without overspending by tepples · · Score: 1

    Hand a 3 year old a GBA? I don't think so. He can break Jello.

    Sorry; I was thinking 5 rather than 3.

    And the Berenstain Bears are a bunch of socialists.

    What do you find wrong with a little socialism at the local level? Or could you show me where Libertarian privatization, such as of health and income insurance, has Just Worked(tm)?

    I'd rather have the animism of Brother Bear.

    Yeah, except the real Brother Bear is one of the Berenstain Bears. Disney just ripped off the name.

    And already have Land Before Time and Secret of NIMH along with about 50 other movies for the monster

    Even though I'm mostly boycotting Disney, I still occasionally watch Disney movies. I don't see them in theaters, I don't buy them on home video, and I don't rent them when they're new releases. I wait about a year (until they're $1 for 2 nights at the local Video Stop) and then rent them. Heck, if I can find them at the local public library, I get them for free (as in root beer) instead. This way, I get the most movie for my money, and Disney doesn't get as much to funnel back into lobbying. You might want to investigate this for your kid(s).

    1. Re:How to watch Disney without overspending by nelsonal · · Score: 1

      I might have forgotten, but as a child I loved the Berenstain Bears and don't recall any major socialism. The father worked in a business he owned, why could they have been capitalists?

      --
      Degaussing scares the bad magnetism out of the monitor and fills it with good karma.
  100. Why did Pixar sign in the first place? by John+Jorsett · · Score: 1

    Someone explain to me why Pixar signed a contract whose terms it's unhappy with. Inking a deal and the bitching about how rotten the revenue is strikes me as odd. Couldn't they have forseen the outcome when the contract was presented and either passed or worked to get better terms?

    1. Re:Why did Pixar sign in the first place? by kirkjobsluder · · Score: 1

      That contract was probably quite good in 1995 for an unproven company that was proposing to make a huge jump from making television commercials to feature-length films. Pixar needed a distributor at any cost.

      It is now 2004, and the last movie required by the contract is in production and will be delivered to Disney next year. Pixar is now a free agent who can sell their next product to the highest bidder. They think they can do better than what Disney is offering.

  101. I'll raise you five Nemos by craw · · Score: 1

    If this turns out to be true, then there will likely be no Toy Story 3. In case you do no know Toy Story 2 caused a major problem between Disney and Pixar. Disney does not put out theatrical releases of sequels to their animated movies. Instead, they normally go out straight to video.

    Pixar puts out Toy Story 2. Does this count as one of the flicks that Pixar needs to produce to meet the Disney contract? Pixar says yes, Disney says no. Bad blood ensues.

    Pixar wants to get a much better contract with Disney. Frankly, Pixar animated products have been much better than those from the copyright extended protected mouse.

    This might just might be a bargaining move on the part of Pixar. Disney needs Pixar (and bogus extensions of copyright). Go into a Disney Store in your local shopping mall. All the new stuff, except to Lilo and Stitch, as mainly Pixar based items.

    Eisner is playing poker with Jobs. I bet on Jobs.

  102. sheesh... by WiseWeasel · · Score: 1

    Sounds like at least one angry cartoonist just received his pink slip . . . j/k I think the problem lies in the content of 2d animated films of late. All the money is going for 3d blockbusters with the latest hot tech, leaving only crappy kids projects to rely on 2D in the States. I think this creates an opportunity for 2D to find new niches, like more adult-oriented content. This has worked well in Japan, and there are very successful 2d movies being released there (as well as animated series on TV); that's because they target a much more diverse demographic. If all those kid movie cartoonists who get laid off from Disney decide to recycle themselves into an edgy adult-oriented animation house, they would probably do quite well. South Park was a start, but some better quality animation, and willingess to explore graphic, mature content, would be sure to attract a LOT of attention. There is a great void in this domain, and some serious money to be made.

    --
    "I like systems, their application excepted", George Sand (French)
    1. Re:sheesh... by Eyston · · Score: 1

      I really think the problem is the audience not the content. 2D animation in Japan is considered okay for adults. You can take those same movies and play them in the United States (and some are). Critics will love the movie, but audiences still see it as kid stuff. 3D doesn't have that baggage.

      -Eyston

  103. Pixar and SquarEnix by kyoko21 · · Score: 1

    Now that would be an interesting combination...hmmmm..

    1. Re:Pixar and SquarEnix by TiggsPanther · · Score: 2, Insightful

      Not sure whether it'd work. I don't entirely understand the business world, but with Disney working with Square-Enix on the Kingdom hearts games, wouldn't it run the risk of Disney leaning rather hard against them teaming up with Pixar?

      Tiggs
      --
      Tiggs
      "120 chars should be enough for everyone..."
    2. Re:Pixar and SquarEnix by kyoko21 · · Score: 1

      Dang... I had forgotten about that line of games... ick. Definitely would make for strange bed fellows.

  104. Let me be a contrarian by Anonymous Coward · · Score: 0

    I think Nemo was a good movie, despite the movie!

    That sounds dumb, but what I mean is that without an inspired performance by Ellen Degeneres, Nemo would be a merely adequate movie.

    With Ellen, who is a brilliant character actor, it goes from being just adequate to being wonderful.

    That said, it simply isn't as good as Toy Story. Toy Story is the once in a generation story that you talk about; its the one that people will watch 100 years from now (maybe...or maybe not... maybe nobody will get those toys).

    But its hard to argue with success. Pixar has it all right now, and I think Eisner is jealous of Jobs, the same way that Bill Gates was and is jealous of Jobs. It colors their decision making process both good and bad when it comes to dealing with jobs.

  105. Ghibli English dubs? by T0t0r0_fan · · Score: 1

    While this is certainly good news for the future, but I'm wondering what's happening to the new Studio Ghibli films' dubs(Nausicaa and Porco Rosso) because of this? Wasn't Lasseter involved with them as well? Who are the actors working for now? I'm not that interested in the English dubs themselves, but I do want the DVD releases, badly :)

  106. Yeah on Ms Linux for Micky Mouse (pd) by Felinoid · · Score: 1

    I remember saying when the X Box came out if the game console sucked Microsoft wouldn't make any sales.
    It's an entertainment device.

    Microsoft has a (ever growing) reputation (deserved or not) for shotty software (outside /.)

    Disney has a reputation for liccensing poor games.

    Disney Adventures for the X Box...
    People will just avoid it. Not even visit the booth at the E3. They'll be lucky to get anything on the store shelfs.

    Nither Disney nore Microsoft need to waist time or money in such an obveous failure.
    It won't matter how good the game as the majority won't get past the combind reputations of Microsoft and Disney.

    --
    I don't actually exist.
    1. Re:Yeah on Ms Linux for Micky Mouse (pd) by reso · · Score: 1

      actually, microsoft just had a pretty big game on their hands called Crimson Skys and will soon be releasing Halo 2. I'm not saying Disney is capable of doing anything but releasing a watchable movie once in a while, but MS has no problem buying one of the best game studios (Bungie) and releasing their games under the MS name.

      --


  107. Re:Disney Sucks by WolF-g · · Score: 2, Informative

    I find it very hard to hear or read anything about Disney without getting frustrated with their copyright practises. That name has become the definition of evil copyright abuse.

  108. Brother Bear was not a flop and I can prove it! by Anonymous Coward · · Score: 0

    And you missed another flop, though - Brother Bear

    According to sources on the net, BB cost between $70-80 mil (less than Lilo & Stitch) for its production. So far, (it's still in theaters), BB has made $84.2m domestic, plus, according to Box Office Mojo,

    Brother Bear drew an excellent crowd in Hong Kong, grossing $560,000 on 29 screens, which was the second-highest debut ever for a traditionally animated film behind Mulan. Brother Bear has collected $41.3m in 16 countries to date highlighted by Mexico's $12.4m and South Korea's $1.3m in 10 days.

    This is with several more big countries (like Japan) to go. BB is also the #1 film in Argentina, Poland (knocking ROTK out of first this week, and has been #1 in Mexico for four weeks running.

    This is all before the DVD release, where, generally speaking, more profits are made than in the theaters!

    For comparison in the 2d world, the last two major-budget traditionally animated films to come out in 2003--Dreamwork's "Sinbad", and Warner Bros' "Looney Tunes", made 26.4, 20.9 domestically to date.

    Not to mention the ancillary products (hats, shirts, video games, etc.). According to Jim Hill Media.com, they're expecting a profit of $300-$400m all told when BB finishes its run.

    Doesn't sound like a flop to me.

  109. Re:Adios, Pixar? by Anonymous Coward · · Score: 0

    Since the CEO of Pixar is known to take risks in his other job I would guess he will not stray from the tried path. After the two movies they still have to do with Disney are done expect them to try even more far out things than monsters using kids' screams as a source of power.

  110. Good for Pixar by Araxen · · Score: 1

    Maybe we'll see some movies that are for the older crowd like PG-13 and above.

  111. Eisner could be gone by March 2004! by MtViewGuy · · Score: 3, Insightful

    I think Steve Jobs' decision to sever Pixar's relationship with Disney maybe the final straw that will force Michael Eisner out of running the Walt Disney Company.

    This turn of events is not surprising, given that Roy E. Disney is a close friend of Jobs. I believe that Jobs did this out of his friendship with Roy E. Disney.

    Given what has happened with Disney's 2-D animation department lately in addition to losing Pixar, I would not be surprised that we will see a shareholder revolt that forces Eisner and his cronies from the Disney Board of Directors. In Eisner's place, Roy E. Disney becomes the new head of the Board of Directors, and Steve Jobs will be offered (and accepts!) a Disney Board of Directors position.

  112. F*ck Disney! by Gumber · · Score: 1

    Disney has been sliding for years, not only creatively, but as a succesful business. Yet Michael Eisner, who once did the company real good, manages to hang on to the top job. No sign he is about to loose it either, given that their board is in his pocket, now more than ever.

    It is my hope that they continue to rot away for another 10 years or so as punishment for their singular role in the obscene length of copyright terms in the US. My happy ending is that they get bought out by some indonesian media magnate who got his start hawking bootlegged disney fair to australian tourists and that he dusts off their trademarks for use in a line of interactive pornography.

  113. That is why I loved "Teacher's Pet" by Anonymous Coward · · Score: 0

    "Teacher's Pet" i sthe most creative movie in years.
    Too bad they screwed up with the advertising.

  114. Oh No! Walt Disney has been unfrozen as a vampire! by Anonymous Coward · · Score: 0

    Walt Disney was last seen eating Eisner's brains, and asking WTF is a Fantasia 2000?

  115. Pixar and Don Bluth...? by reydar · · Score: 1

    Kudos to Pixar for dropping Disney. I would really like to see Pixar team up with some of the old animators who left Disney a long time ago. Don Bluth specifically because he made some fine material after leaving Disney. On a side note, seeing some Pixar/Terry Gilliam collaborations would be enough to drag me out to a theater.

    --
    ------- "I must create my own system, Or be enslaved by another man's" -William Blake
  116. Disney is trying to write their own stories ... by PotatoHead · · Score: 1

    because they have used up the very public domain that they plundered getting to where they are now. Having capped the well, they are finding it a bit hard to develop new material.

    They deserve it.

  117. Right. by PotatoHead · · Score: 1

    The really smart parent will take the time to do things with their kids, right when Barney is supposed to be showing.

    Does both parties some good!

  118. FYI by Anonymous Coward · · Score: 0

    "shoddy software"
    "licensing poor games"
    "store shelves"
    "Neither Disney nor Microsoft"
    "waste time"
    "obvious failure"
    "combined reputations"

    Also, you could use a few more commas in your phrasing.

  119. Most important sentence by Anonymous Coward · · Score: 0

    To be sure Disney studio executives were surprised by the failed talks ... the chairman of Walt Disney Studios, who has been negotiating directly... received a call ... while he was out for lunch

    Any questions?

  120. Actually, that sword cuts both ways by artemis67 · · Score: 2, Insightful

    Yeah isn't it funny how all of the "great" Disney movies were nothing more than remakes of old stories, legends, etc that are in the public domain, and yet they are fighting tooth and nail to prevent their own works from ever going into the public domain?

    It's true that Disney used well-known stories from the public domain to build their empire, but it also means that they can't stop 2-bit animation houses from slapping together their own versions of Aladdin, Snow White, Cinderella, The Little Mermaid, et. al. Disney spends a tremendous amount of money to build each brand they create, and they are powerless to keep others from diluting that brand.

    The value of Pixar is that they are creating entirely NEW and popular brands that cannot be appropriated by others. Disney's own efforts to use public domain stories lately has done a big belly flop ("Treasure Planet"), and their attempts to create new brands haven't done too well, either ("Brother Bear," "Teacher's Pet"). Sadly, Eisner doesn't realize how badly he needs Pixar--or, maybe he does, and it scares him to be that reliant on another company.

  121. And end to Soppy and Twee animations? by Domini · · Score: 1

    I would love to see more Shrek-type movies where the comedy goes beyond 'cute' and the characters are not one-dimentional.

    Final Fantasy was good, even though it was technically a flop. Like normal movies, animated movies should also be clasified in catagories other than 'animation'. They should be action, adult, drama, sci-fi, art house, etc etc...

    Disney with the help of Pixar have created this stigma.

    Hopefully Pixar will get support or partner up and make something 'real'.

    1. Re:And end to Soppy and Twee animations? by vidarh · · Score: 1

      I liked Final Fantasy, but it was easy to understand why it flopped... You don't market a movie as "gee, come and see how good we are at computer graphics, it looks almost real" and leave people with no clue what the movie is about all through the movie and expect it to do well - people don't go see animated movies to see how realistic the graphics look.

    2. Re:And end to Soppy and Twee animations? by SuiteSisterMary · · Score: 1

      The movie made perfect sense; it just didn't spoon-feed the audience the way Hollywood generally does.

      In my most humble opinion, of course.

      --
      Vintage computer games and RPG books available. Email me if you're interested.
    3. Re:And end to Soppy and Twee animations? by Domini · · Score: 1

      It seems you spared me a reply... :)

      I thought it had a good story, and was easy to follow. But then again, I love Lynch and Fellini (and Jim Jarmusch)

      Even though the Gfx was good, it was by no means just a showcase for technical ability. Square has had a lot of experience in storyline development, even though this creation was perhaps a bit more mature.

    4. Re:And end to Soppy and Twee animations? by SuiteSisterMary · · Score: 1

      REASONS WHY MOST AMERICANS 'DIDN'T GET' FINAL FANTASY: THE SPIRITS WITHIN
      (off the top of my head)

      1: The main character was female.
      1b: and at absolutely no point showed off cleavage.

      2:The hunky hero actually had doubts and thoughts.

      3:The nerdy scientist DIDN'T whip up a super-science 'garage special' technogadget to save the day.

      4:The 'bad' guy wasn't actually evil, so much as having different motivations.

      5:Animated, and yet NO TALKING ANIMALS. I mean, what the fuck?
      5b: Animated, and yet NO MUSICAL NUMBERS.
      5c: Animated, yet no five year olds more intelligent than the rest of the cast combined.

      6: Pretty much everybody dies.

      7: The alien menace ISN'T kicked in the ass by a wisecracking fighter jock.

      8: Inexplicably, Apple computers are NOT able to interface with alien technology.

      9: No 'heroic last stands,' so much as futile gestures against inevitability.

      10: Did I mention that there was no cleveage? No 'co ed' naked shower scenes? Nothing but a soldier in a tank top? And you expect this to SELL?

      --
      Vintage computer games and RPG books available. Email me if you're interested.
  122. Pixar movies suck at my neighborhood theater by SethJohnson · · Score: 1


    Let me explain why I can't stand these modern computer-animated films and prefer hand-drawn cel-based animation.

    My neighborhood is pretty economically depressed and has been for several years. The theater closest to my house does not have all the up-to-date cinema gadgetery enjoyed by audiences in the big google-plex theaters out in the suburbs next to Krispy-Kreme donuts. Yeah, Toy Story 1 played fine. Blew our minds. We couldn't comprehend that CGI was here for full-length features. A couple years later Toy Story 2 hit and although the graphics were a little more detailed, our dumpy theater's 3DFX card was able to render it without artifacts or hiccups. Then Monster's Inc came and the creatures had fully-rendered hair and similar details. The ushers warned us that the movie's hardware requirements exceeded our theater's specs and they were even having to run hacked drivers because 3DFX had been bought out by NVIDIA. Turns out they had to screen the movie in wireframe mode just to keep up with 30 FPS and have the audio stay in sync. When Finding Nemo came out, they just absolutely gave up. Not only were they going to have to show it at like 320 X 240 on a 72' wide screen to handle the rendering on their antiquated 3DFX card, the damn movie came on a DVD-ROM and all they had was CD-ROM and 3.25" floppy. The distributor laughed at them and offered to mail them an old copy of Jaws with a doctored title screen that reads "Finding Nemo."

    I'm starting to think these increasingly high-end CGI animated films are a scam by the hardware companies to force the cinemas to keep having to upgrade every few years. Because of this, I'll only watch animated features hand-drawn in Korean sweatshops.
  123. Good by Cackmobile · · Score: 1

    People reckonise pixar films as pixar more than disney. THey are better off without those money hungry bastards.

    --
    -- Karma Karma Karma Karma, Karma Chameleon - Boy George
  124. Emperor's New Groove by Anonymous Coward · · Score: 0


    That movie is excellent. We've watched it a ton of times and it is definitely better than a lot of Disney crap. Atlantis was pretty good too.

  125. Pixar confirms it. by Mr.+Neutron · · Score: 1

    Disney is dying.

    --
    dinner: it's what's for beer
  126. disney by netinlet · · Score: 2, Interesting

    I had not thought much about disney other than mickey mouse until about a year ago.

    I had to go to Irvine for a business trip and decided to head to DisneyLand since I had not been there since I was in 4th or 5th grade.

    What a shocker. I could not believe how commercialized it was. Rides sponsored by corporations. all of them. Space Mountain by Fedex. Indiana Jones ride by AT&T (i think). WTF.

  127. Re: .sig by Anonymous Coward · · Score: 0

    Re: When bunnies are outlawed, only outlaws will have bunnies.

    The foot of my page reads:

    When Marriage is Outlawed, Only Outlaws will have Inlaws.

    ~Morosoph

  128. They need Anime / Hentai by Anonymous Coward · · Score: 0

    If they would distribute high quality Hentai they could be known as Jizzney.

  129. TV rises your kids. by Zangief · · Score: 1

    When I was a kid, I didn't watched the "educative" infantile programs.

    I watched "Cosmos", of Carl Sagan fame.

    Cosmos rocked. Everything else sucks

  130. Re:Hooray for Pixar! Disney went one step too far. by WebGangsta · · Score: 2, Interesting
    But why is Pixar making 2 more films for Disney
    Part of the current Pixar deal is that Disney has the rights to use characters and sequels from the features developed on the original films of the deal.

    Toy Story 2 was originally supposed to go straight-to-video and therefore is not part of the original distribution deal. Once the Disney execs saw an early version of the film, they asked Pixar to expand on the story so it could be released as a full-length movie.

    Considering how much money Pixar *did* make with TS2, I certainly wouldn't say that Pixar did it for free. I see your point, regarding that it was a movie that got distributed outside of their "feature" clause in the contract, but it certainly does fall under one of the clauses.

  131. Re:Simple: the first, and the one that made the mo by neko9 · · Score: 1

    thanks for info. that cleared things up.

  132. Mixed Emotions by WebGangsta · · Score: 1
    As always, there are at least 2 sides to a story.

    Disney certainly has dropped the biggest ball they were juggling by letting Pixar slip away. It's not just the movies that Pixar was developing, but everything associated with licensing the characters and creating additional theme park experiences that Disney will miss out on.

    But one of Disney's more popular rides now is "Buzz Lightyear", a modern shooting gallery disguised as a ride through space. Would this ride be as popular if it had some generic theme instead of Buzz? In this case, being able to use the Pixar characters did enhance the ride experience, but is not critical to the basic enjoyment of the ride (ditto the Men in Black ride at USF, same concept). Disney certainly could have created this ride without Pixar.

    But let's look at a different movie company that also does not have their own distribution arm: LucasFilm. They rely on other studios (20th Century Fox, for example) to distribute their movies for a small cut. They also retain all the rights to the sequels and all merchandising/licensing rights. I could see Pixar moving into a LucasFilm-like business structure, giving them the ability to completely control how their characters are used. It wouldn't mean that Disney would be blocked out from being able to license characters, it just may make it more expensive for them to bid to do so.

    One drawback to having Pixar adopt that business model is that they believe that people flock to their films because they're "Pixar" movies. People do not flock to LucasFilm movies because they're from "LucasFilm", but because they're a franchise (Star Wars, Indiana Jones) film.

    Yes, the Pixar name carries a bit of cache right now but does middle-America know the difference between "Pixar" and "Disney" when it comes down to who created the movie? How many folks flock to these movies because of the Disney name? What about those folks who then go to the Disney parks and get the reinforcement of the Disney name when they see Buzz and Woody walking around?

    Perhaps a better example: how many people know that Shrek comes from Dreamworks? Would this mean that the next time Dreamworks releases a non-Shrek movie... and is able to market it without using "from the makers of Shrek" in the new movie's tagline... would folks go to see it just because it's from Dreamworks?

    Of course this could all be some sort of bargaining ploy by both parties. Time will tell. The interesting point would be if Pixar lets slip that they refused to sign because of Eisner... and with Disney's stockholder vote coming up in the next few weeks, this could have been a setup for Roy to use to show shareholders and the board the type of issues that Eisner allegedly brings with him.

  133. Jobs to replace Eisner? by peter303 · · Score: 1

    That was an interesting spectualtion at the end of the NY Times article. I dont think Jobs would be that interested in a mainstream company.

  134. Disney: the Microsoft of Entertainment by catdevnull · · Score: 1

    It seems that many of Disney's scripts are stolen or cleverly plagerized. They're legal team is a swampy moat around their castle to keep out any who might say otherwise. The entertainment they "Disney-fy" is way below the quality one would expect.

    I wonder where I've seen that business model before?

    --

    I might know what I'm talkin' about, but then again, this is Slashdot...
  135. Shrek isn't Pixar. by raygundan · · Score: 1

    It's Dreamworks. Just goes to show how hardcore the association between "Good CG Movies" and "Pixar" is. Anytime somebody else makes one, people just assume it was Pixar.

  136. Oh My User! by Icephreak1 · · Score: 1

    Damnit, I guess that means no Tron sequel.

    - IP

  137. The image is beautiful by filmsmith · · Score: 1

    It's like Don Corleone's dimwitted cousin.

    "Make'm an offer they can't afford" ...he didn't last very long.

    fs

  138. Whaddya expect?!!! by Thud457 · · Score: 1
    Disney's whole business model is based upon "stripmine the public domain, rape the folklore of the world's cultures, and give nothing back, locking the results up until the end of time".
    That, and bad, direct to video sequels destroying any emotional value we placed on the original.

    Their shit would be worth nothing if it didn't capture the imagination of the public. Once a story has an audience, to a degree, it belongs to them.

    Here's the key : Copyright is a legislated exception to the natural state of affairs.

    --

    the preceding comment is my own and in no way reflects the opinion of the Joint Chiefs of Staff

  139. Stupid cunt! by Anonymous Coward · · Score: 0
    Because Disney is a propent of strong IP laws to the detriment of society as whole.

    And Jobs is the messiah who set us free by throwing a hammer at big brother!

    Plus, Pixar's been making better movies than Disney lately...

  140. Damn. by SuiteSisterMary · · Score: 1

    Puts Monsters Inc. in a whole new light...

    Picture the power company as Disney; the evil CEO as Eisner, and Pixar as Sully; much as Disney tries to force money out of people, but would wind up making so much more if they went back to basics, so the power company learns...

    It all makes sense now....

    --
    Vintage computer games and RPG books available. Email me if you're interested.
  141. Blame Eisner (as sung by the shareholders) by saddino · · Score: 1

    Times have changed, our movies are getting worse,
    They're so incredibly formulaic that they make you want to curse.

    Should we blame the animators?
    Or blame our youth focus panel,
    That'd rather watch Nickelodeon than the Disney Channel?

    No!
    Blame Eisner, blame Eisner.

    For stealing Winnie the Pooh, and losing Hillary Duff too.
    Blame Eisner, blame Eisner,
    We need to form a full assault.
    It's Eisners fault.

    Don't blame me for shooting my TV,
    I was forced to watch the ads that you can't skip on their DVDs.

    And our partner Pixar once, had their pictures on our shelf,
    But now when he sees us Steve Jobs says he wants someone else.

    Well? Blame Eisner, blame Eisner.
    It seems that everythings gone wrong since Eisner came along.
    Blame Eisner, blame Eisner.
    He's clearly the king in Shrek I must say.

    My son sold on eBay, a Mickey Mouse flash cartoon.
    Now he's going to trial for copyright infringement soon.
    Should we blame the lawyers?
    Should we blame the buyer?
    Or Congress who refused Mickey to expire?

    Heck no.
    Blame Eisner, blame Eisner.
    With all his cocky hubabaloo,
    And his hundreds of millions too.

    Blame Eisner, shame on Eisner!
    For the lame we must name,
    And you'll never last.
    The laughter and fun,
    Is all in the past.
    We must blame you the cause of fuss,
    Before somebody thinks of blaming us!

  142. No, they didn't by bonch · · Score: 1

    This is a popular misconception from the Slashdot article that reported on the animation studio closing. I tried to point it out but got modded down as "Off-topic."

    Disney didn't close up their 2D studios. The Florida studio was closed because they want to keep their animation in the same building, and Eisner's micro-managing style made it difficult for a studio to work from a distance like that.

    Of course, Slashdot reported it as "DISNEY CLOSES 2D ANIMATION STUDIO," when it had nothing to do with it being 2D at all.

  143. Cite sources? by bonch · · Score: 1

    Disney, meanwhile, decided to scrap all 2D animation recently.

    Could you cite a source, please? Disney didn't scrap all 2D animation. They just killed a Florida studio because they want everything in one building, under Eisner's thumb.

  144. Source, please by bonch · · Score: 1

    Source, please?

    1. Re:Source, please by Anonymous Coward · · Score: 0

      If you still have your hooked on phonics tape lying around, practice a while and then try to re-read the following:

      Nexis should give you quite a few hits, as this was openly reported in the trade press.

      If you still don't understand it, take it to your elementary school teacher, and she can explain it to you.

    2. Re:Source, please by bonch · · Score: 1

      I'll help you out by translating it:

      Nexis should give you quite a few hits, as this was openly reported in the trade press.

      really means

      I don't have any proof, so I'm laying the burden on you to search all of Nexis for me. You're a proverbial idiot if you don't do it!

      Thanks for playing. Next.

  145. So much for "proof" by bonch · · Score: 1

    Haha, finally you cave and admit there is no proof, then vaguely reference some writing credits as "backing evidence." It was a nice try.

    1. Re:So much for "proof" by Alomex · · Score: 1

      This is exactly what I had in mind when I was refering to the proverbial idiot. (I wonder if he even knows what Nexis is...)

    2. Re:So much for "proof" by bonch · · Score: 1

      Wow, I feel crushed. Thank you for the condescension--and the lack of proof. Yes, I know what Nexis is.

  146. THEY NEVER ABANDONED 2D ANIMATION by bonch · · Score: 1

    I'm sick of Slashdotters repeating this over and over, just because the Slashdot article on the Disney closure of the Florida studio had a headline that said "Disney Closes 2D Studio" (typical misreporting that everyone accepts as fact...this is why people complain about journalistic integrity on this site, because people accept everything as gospel).

    It had absolutely nothing to do with 2D. Disney has 2D animators--they just wanted everything in one building, so they killed off the Florida studio.

  147. Go Pixar by a.ameri · · Score: 1

    At least from now on, I don't have to tell everyone whenever we see a Pixar film that the animations weren't really made by Disney, but by Pixar. The creative guys at Pixar have made these beautifull movies with their blood and sweat (and some Linux clusters) and Disney the 'distributor' was getting half of the earnings as well as credit on these movies. This isn't fair, maybe it was fair in 1995 when no one knew Pixar, but not anymore.
    John Lasseter (sp?) and his crew have made such memorable pictures that I think the audience are now familiar with the name Pixar. Now I admit that 'Pixar' doesn't still produce the same kind of effect that 'Disnay' produces on kids, but I also know of many adults that had never enjoyed watching an animation, before Toy Story. Besides, as others have noted, just mentioning 'from the creators of Toy Story and Nemo and Monsters Inc' is perhaps enough to make it a must-see for many. Jobs is smarter than Eisner, and Lasseter is perhaps the most creative brain in the movie industry right now. They used Disnay to promote their own brand name, and now it was time for them to end this unfair cooperation, and get full credit for their creations.
    I haven't watched L&S, but to be honest I have not enjoyed watching any of Disney's animations after Lions' King (Which, surprise! was made by Lasseter himself when he was still in Disney). Making so many boring pictures in the past decade was enough to make the unthinkable happen; and that is: I feel reluctant to watch a Disney movie these days; and this comes to you from a long time adoring fan of animations and cartoons. Someone who used to whorship Disney when he was a kid.
    And BTW, last time I checked, Disney's total income from it's own productions was less than what it was getting trough distributing Pixar's films. The way I see it, Disney needs Pixar more than the other way. I'm sure that Pixar will always be able to find someone to distribute their movies.I suppose you are very much mistaken, if you think that Eisner is sleeping happily these days.

    --
    -- /* Those who don't underestand Unix, are condemned to reinvent it poorly */
  148. SEX WITH A MARE IS BETTER THAN ANYTHING! by Anonymous Coward · · Score: 0

    nt