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Several Boycotts Of RIAA Organizing

There are numerous grassroots efforts coming together to Boycott the RIAA. I've decided that I won't be buying any RIAA CDs for awhile personally (I've already cancelled a couple of orders, and I buy a ton of CDs) but decide for yourself. Should peer-to-peer file sharing be legal or not on the Internet? Should companies like Google and Yahoo be held legally responsible for the content that they index? Meanwhile, the OpenNAP servers and Gnutella are proving that the genie is out of the bottle and while this lawsuit may set a huge legal precedent, it won't help the RIAA in the real world. They should really work with napster since there already is significant market share and potential for revenue. Gnutella and its kin won't have any centralized point.

590 comments

  1. Re:Attn! by VAXman · · Score: 1

    This is considerably less than half a million USD.

    Hyperion is a tiny label and records mostly chamber music. The half million dollar figure is from the majors, who record operas and large orchestras, and have major stars, are much more expensive and difficult to record!

    Anyway, the RIAA site does give that 90% non-profitable figure, but what does that mean? How much does the average "non-profitable" recording actually lose? $1? $1,000? $100,000? How does that balance against the huge amounts that something like a Brittney Spears CD rakes in?

    Ah! You're asking the right questions!

    The widely quote break-even point is 500,000 units. We do not know the cost of producing that record. I use the figure of $100,000-$500,000 for a classical record as a jumping off point; pop music records usually take much longer to record, have to pay more royalties, and have bigger name (more expensive) producers. It must cost AT LEAST the high end of that to make a pop record.

    Britney Spears is VERY profitable. The fixed cost of producing it is (for practical purposes) zero, and the fixed cost is small. Suppose her record company makes $8 @ 12,000,000 copies, that's a hundred million dollars!

    HOWEVER, Britney Spears is a 1 in 10,000 ocurrence (literally). It is not correct to say the record company made $100 million from her, because in order to do that, it had to make similar investments in 9,000 other artists who LOST money, and 999 other artists who made less money.

    The fallacy of assuming that Britney Spear's record company makes $100 million is the 'Britney Spears Accounting Myth'. It is one of the most pervasive myths about the industry in wide circulation. A massive chunk of that profit is offset by the huge number of unprofitable acts who were also invested in.

    But here's the rub ... this welfare system which exists in the industry is GOOD. The system takes away money from the richest artists, and uses it to fund the poorest artists. Herbert von Karajan recorded over 900 records in his lifetime and is one of the most prolific musicians of the 20th century, but almost nothing he did make money; his records were funded by disco, rock, punk, and the other money-makers. These pop genres fund the others genres.

    Can you imagine if this welfare system was not implemented, and artists sold direct (a system which many clueless slashdotters advocate)? For starters, Britney Spears would be a lot richer than she is now - she should have $100 million, from recording, alone. Furthermore, no 'unprofitable' artists could still record, because they need to pay the bills (which are currently paid by Britney Spears, routed through the record industry). The industry would be a free-for-all and only the most watered down, most mass appealing, most beautiful artists would survive. The current system allows for 90% of artists who are not successful to pay their bills, and a direct sales system would reduce the pool of recorded musicians to 10% of what it is currently.

  2. Re:Liabilities for file sharing software? by Zan+Thrax · · Score: 1

    So? You can't argue that everyone buying blank tapes and discs will be doing anything with other peoples IP either, but there's still a charge put on them to recoup "losses" on them.

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    Intolerant people should be shot.
  3. Why I support the boycott. by laserone · · Score: 2


    Yesterday on CNN Headline News they stated that "studies have shown" that Napster users (or was it MP3 users?) tend to buy more music. I can attest to that.

    I have been preaching for years how mp3's have facilitated the buying of better music for me. The thing is... and I wish the record companies realized this... I've actually bought cd's that I would -not- have bought otherwise if I had not been exposed to the music via mp3 first. I've downloaded songs out of curiosity then fell in love with the band and then bought multiple cd's by the artist. But just try to convince the record companies that it actually works this way!

    I would be willing to pay for single-song downloads so long as they weren't any more money than a cassette single. I'd even pay for an entire cd via mp3 so long as it was a decent price. But so far these processes are not the norm, although it would save the record companies and artists the costs of a middle man and the media (cd or cassette) and they'd make more profit.

    But no, the record companies are using "piracy" as an excuse to strip the rights of the individual because they are AFRAID.

    Just like the DVD thing: They're not afraid of us copying the DVD's (it's not worth the trouble or the money). They just want to control what device we watch it on (devices produced by people who paid for the rights first). Thus aleinating Linux users, etc.

    Did dual cassette decks or blank cassette tapes get outlawed? No. The public was -trusted- to obey copyright laws, and for the most part they did. Obviously! The recoding industry didn't crumble as soon as recordable cassettes came out.

    The RIAA and other groups like it have to realize that they will keep customers if they respect them. This is why I support the boycotts, and agree with the statement at http://boycott-riaa.com/ that THE FANS control the music industry.

    If the RIAA fights us on this, we will find other ways arond the issue and continue to do things behind their back, FOR FREE and they will lose out. If they give us respect and freedom by giving us the chance to use this new technology to it's fullest while obeying copyright laws at least as well as we did with cassettes, then they could make life easier and more fun for listeners, AND make more than a few bucks here and there by embracing this new technology and offering nice clean mp3 downloads for a small fee... heck, even via Napster!

    But so far these stuffed-suits don't seem to be smart enough to see it this way.

    $0.02

  4. com/net/org all point to the same site by Fred+Ferrigno · · Score: 1

    Resolved riaa.com to 208.225.90.120
    Resolved riaa.net to 208.225.90.120
    Resolved riaa.org to 208.225.90.120

    Not only are they trying to stop the music revolution, but they're domain squatting! Hmm.. I wonder who has riaasux.com..

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  5. RIAA Boycotts in Oz by dezwart · · Score: 1

    How can we boycott the RIAA in Australia?

  6. Official RIAA Response by IGnatius+T+Foobar · · Score: 1

    Assuming this boycott begins to become successful, the RIAA will simply turn around and say "See what we told you? Record sales are down because of Napster users."
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    --
    Tired of FB/Google censorship? Visit UNCENSORED!
  7. Re:That's not the damn point. by scotsalmon · · Score: 1

    You think a new, locally-popular act could make enough money to tour, attract attention, and be successful charging $.50 for their CD's? I'm pretty sure you're wrong about that; check out what the bands themselves think.

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    101010, 222, 52, ...
  8. Logic and Switchblades by Tyball · · Score: 1
    I wish people would stop comparing napster to things like windows file sharing and ftp. Ftp and SMB have mostly legitimate uses. Napster doesn't. Napster is like a switchblade. It's generally illegal to carry a switchblade in the US, because most switchblades are used to commit crimes. It's not illegal to carry a pocketknife, though.

    You can't look at this completely objectively, saying "Well, napster just transfers 0s and 1s, therefore, shouldn't any digital transfer system be banned?" It's an elementry logical fallacy, and it makes whoever say it look like a warez kiddy who just wants free music.

    Please people, debate this with some shread of moral and logical respectibility. Back to the switchblade metaphore, if switchblades were not generally used to commit crimes (if napster only traded legal/unsigned music), they wouldn't be illegal to carry.

    -Tim

  9. Re:paytheartists.com by evilquaker · · Score: 1
    Interesting site... I had considered setting up something similar a while back, but don't have the time or the industry experience to deal with it. I'm curious: how do you deal with bands that have broken up or who have had members leave? Do you just trust the one member who receives the payment to distribute it fairly amongst the other members? This seems like a recipe for disaster to me...

    Otherwise, it's a cool site, and you have an impressive list of artists. The only thing I'd suggest (in addition to allowing Mastercard or PayPal) is to add a brief info/discography/address page. If I'm going to send $5 to an artist with a moderately popular name (Covenant. e.g.), I want to make sure it gets to the right band.

    --
    To within half a percent, pi seconds is a nanocentury. -- Tom Duff
  10. Re:Liabilities for file sharing software? by too+many+users · · Score: 2

    its kinda funny really...

    all ya'll are allways bitching about (for example) people not reading the fine print when they buy computers, and then compalining that they sould have known the actuall cost that was spelled out in the contract (with a little math)

    same deal with the record industry!!!

    have you ever seen a record contract? it spells out exactly what are the streams of revenue for the artist, what the record company keeps, other fees, etc...

    this is why professional musicians have business managers... people who look at the record contract and determine the revenue, then deduct what the record company keeps, what the agent keeps... etc....

    the artist (unless he/she has an incompitent business manager) is then told "you will have $n in revenu this year if you sell this many albums and play to this many people, otherwise, with this other set of figures you will $n2 in your pocket"

    yes, record companies are asses, but really, people who are worried about getting screwed should voice those concerns durring contract negotiation, not after they spend more money than they can expect to have

    and in the case of toni braxton, if she had two platinum albums, she should have had enough clout to make her concerns meaningful, if she bothered to mention them

  11. Re:Liabilities for file sharing software? by kwsNI · · Score: 2

    But the pimp is illegal and the dating service isn't! That's the point.

    kwsNI

  12. Not just a boycott.. by Axe · · Score: 1

    it should be one particular week nobody buys CDs. Say first week of September..

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    <^>_<(ô ô)>_<^>
  13. Re: the way to find the truth by Swarfega · · Score: 1

    Nah - ask yourself "What would Brian Boitano do?"

  14. Alright! by Chris+Johnson · · Score: 3
    Everybody knows by now that I have music (and CDs, hint hint- at only $5.99 too ;) ) on mp3.com. I'd like to take maybe a half hour or so and put together a list of as many other cool mp3.com acts as I can think of. They deserve your attention too- and there are a lot of them- and I can only barely scratch the surface no matter how hard I try, because I have usually been busy _making_ music instead of listening to it.

    S.O.U.- minimal drum 'n' bass from Sense, who is a passionate defender of real dnb (been talking to this cat by email, which is why he's the first one I think of)

    Rally! cool Britpop trio from Glasgow who just rock like crazy- I particularly liked 'Shoot You Down'. Alec from Rally says that on the original master tapes you can hear the drummer smash his hand on the ride cymbal and yell 'fuck!' :) The whole track rages on the brink of punkish anarchy and ultraviolence, I loved it :)

    Corruptdata- weird techno from Vegas. Geek tie-in: these guys are fanatics over 'Pulse' soundcards! When I first heard them they had only a few tunes on the page, some of 'em not for download, but the cold techie feel of their stuff appealed to me- sort of 'Mr Data on slightly too much CPU supply voltage' music :) I am proud to say that I'm the guy who talked them into putting more stuff up for download (at mp3.com, that earns you more listens- more $) and damn, look at 'em now :) you can get _hours_ of corruptdata off that page for free, and help them out too by doing it.

    Bassic. This guy's perhaps the #1 big mp3.com success story- that 50 grand on his page is from _listens_ alone, doesn't count CD sales. A lot of people want to be like him and a lot of people get upset at the amount of money he's earned off his music (any salaried day job would earn more tho) but the fact is he earned it fairly- his stuff is like electronic easy listening. He likes Mike Oldfield and you can hear some of that translated to synths- there's a relaxed, spacious quality about a lot of his music that makes it great to just unwind you. It's original enough to not be real derivative, and familiar enough to not be gratitiously original like, er, a lot of my stuff ;) (see 'Bone Dragon' or 'Water Dragon' for examples!). Bassic's music is very Zen and sits effortlessly in a peaceful zone of making enjoyable sounds. To top it off, Martin Lindhe ('Bassic') himself is genuinely a really nice guy. Always worth a listen :) Regular Size Monster: And now for something _completely_ different... if you ever wanted to hear genuinely innovative rap look no farther than here. Gentle Jones is capable of diving into polysyllabic polyrhythmic utterances that charm and surprise, all with a signature effortless light delivery that's perfectly timed- over a wide variety of backing music. I particularly liked 'Gentle' and 'Pinky The Kid', but there's much more- and it does fit well with the traditional rap approach, isn't just a tangent from it. Gentle is well respected among mp3.com rappers for his brilliance and the skill of his delivery, and he's tried hard to get people who would normally refuse to listen to any rap to check his stuff out- often with very positive results. He's very worth hearing.

    Preacher- OK, Rolling Stone called this 'guilty pleasures' :) What that means is that this guy got himself a guitar, turned it up to about 12, and ever since then he's just been loving it :) as another competitive lil' guitar player I think I can cut this guy if we got in a guitar duel (I offer my 'Alleycat' or 'Horse' or especially 'Coyote' as arguments in this) but I dunno if I could enjoy wailing on the guitar half as much as Preacher. He's not always on time, bends not always in tune, but by God you do _feel_ the sheer guitarization of it all- unlike a lot of guitar players this guy is more than happy to go straight over the top without even thinking about it, all in a blues-rock classic style, but grungier and hairier and stinkier :) To top it off he gets a great fluid tone that rips and snorts. I realise some slashdotters will think this is garbage, but I don't care- Preacher's cool :)

    Kaden. Can we say 'completely different' again? This guy, working at the moment in dark ambient, is relentlessly intellectual, rigorous, deadly competent, ruthlessly critical of both others and himself without fear or favor. Very professional work- he's been working in the music business for many, many years- this is adult music. mp3.com is not just a bunch of kids...

    Roger McGuinn: Yes, this is the leader of the Byrds! He's not on mp3.com as a cynical ploy- he's playing the folk songs he loves, and he spoke before Congress about how the RIAA-controlled music business didn't make him enough money to feed his family (guess you have to be _bigger_ than The Byrds and write songs that last _longer_ than 'Eight Miles High' and do covers more successful than 'Mr. Tamborine Man' o_O )- so he went to mp3.com and was delighted with how the contract was actually (gasp!) _fair_. Who could imagine? So, here's one guy who made music you listened to growing up- who is _not_ a rich fat bastard siding with the RIAA. You can listen to his folk songs and help him feed his family, which is more than the RIAA ever did for him- and help further convince him how much better the new way of doing things is. He's definitely on our side...

    Chris J/The Room Full Of Windows: um, modesty prevents... ;) well, this is the dude who just gave a lot of props to other mp3.com artists above :)

    Support indie artists! We aren't the RIAA ;)
  15. I like this. by sulli · · Score: 1
    Faxing the MP3s would be a very nice solution. Does someone have the tools used to create Phil Zimmerman's printed-out PGP? This would have nice scannable checksums and so on... do this with your whole MP3 jukebox and they'll have some fun with it.

    sulli

    --

    sulli
    RTFJ.
  16. Re:Liabilities for file sharing software? by fritter · · Score: 1

    If everyone used Napster, both Fred Durst AND Lars Ulrich would be working at McDonalds, probably together, bitching about how they wish they could make money off of their music, instead of having to distribute it for free.

    You've sold me. That would be SO AWESOME ! Get boy bands working at Taco Bell, ex-Mouseketeers working at Hooters, and just launch Korn into space. I think you've just laid the foundation for my Utopia.

    You forget that the typical artist today deserves to be working at a McDonald's. The music industry is in desperate need of a giant shakedown, and has been for 20 years.

  17. Computer CDR's are tax-free by Stephen+VanDahm · · Score: 2

    In the US, at least, computer CDR's are tax free, because when the law was passed, they didn't count on computers being used to burn music CD's. Computer CDR's are down to, like, 50 cents a piece, and not a penny of that goes to the assholes in the recording industry.


    ========
    Stephen C. VanDahm

    1. Re:Computer CDR's are tax-free by Randy+Rathbun · · Score: 2

      Right. But those audio CD burners that you hook to your stereo will not accept a CD-R meant for your computer. They kick it out of the drive.

  18. Re:Liabilities for file sharing software? by kuroneko · · Score: 1

    I agree. To eliminate any and all "sharing" the RIAA would have to shut down everyone's FTP sites, eliminate Windows file sharing (Windows 98 Third Edition??). Too much cleanup if you ask me.

    My theory is that Napster is like the boy in high school who bragged about stealing the girl's clothes in the locker room. Too many people found out...and everything went down from there. :)

    Napster is popular because it's for a Windows platform (Windows is very mainstream, I wouldn't say it's the best but I digress...) and as a result it got a lot of attention. File Sharing (I guess) isn't seen as that big of a threat. Why, I don't know. It's all the same to me.

    Maybe we'll never know the ulterior motives (if any) of the RIAA.


    --
    It compliles! Ship it!
  19. E-TREE.ORG!!! by Stephen+VanDahm · · Score: 2

    Grateful Dead fans have been doing exactly that for years and years. Basically, the Dead allowed their fans to tape their shows and trade them freely. It was one of the big reasons for their enormous popularity. There are a lot of newer bands that have taken the same attitude. Phish, Medeski, Martin and Wood, Bela Fleck and the Flecktones, and countless other bands allow you to freely trade tapes (and now CDR's) of their concerts. The best way to get hooked up with their music is by going to http://www.etree.org and subscribing to the mailing lists.

    I love E-Tree. I've downloaded and burned dozens and dozens of excellent live shows that I never would have been able to hear if it weren't for the loose network of fans that make this kind of stuff possible.


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    Stephen C. VanDahm

  20. Overlooked resource by Greyfox · · Score: 2
    What many people are overlooking is the fact that you could post your gigabytes of MP3s in the alt.mp3.* hiearchy and do pretty well. If you know what you're doing, anonymous posting is possible. The files are on your local ISP (or nearby) so snarfing them goes full tilt. And as long as you ignore the sex and make money fast spammers, you'll generally find what you want. Oh and it's not centralized, so there's no single source to shut down.

    Of course, many news servers don't have an alt.mp3 hiearchy. Seems a lot of sysadmins don't like binary newsgroups. You could try getting after your sysadmin to include them, I suppose. Or start looking for an internet service that does.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  21. Re: Announcing Tape-ster! by Stephen+VanDahm · · Score: 3

    I can imagine the headline:

    RIAA: United States Postal Service a Tool for Piracy


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    Stephen C. VanDahm

  22. Buy / Sell Used CD's by slashkitty · · Score: 1

    Good point. Buying used cd's shouldn't show up on their sales reports. Selling your used cd's will help increase the supply so that people won't have to buy new ones! Plus it will give you some extra cash. I am currently selling my entire collection on Half.com, it's a great system.

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    -- these are only opinions and they might not be mine.
  23. Email your Senator! by moo · · Score: 1

    www.senate.gov

    Make some noise about this one!

  24. Re:Liabilities for file sharing software? by Anonymous Coward · · Score: 1

    "I say we walk into the offices at Sony music and shoot everyone with a Rolex or an imported sports car. That would put the money back in artists pockets."

    Why not just used bullets? they are much cheeper and can be fired from a smaller gun...

  25. More than Boycotting the RIAA by knife_31 · · Score: 1

    Some people have suggested that we stop buying music. That isnt enough. Not only would we need to convince hundreds of others to stop, but we'd need to stop listening to the radio and pretty much give it up altogether. While possible, its unlikely to work without mass support and lets face it, most people aren't willing to do it. An easier solution is to write your congressional representitives. The URL at the bottom of my message has a listing for every state. But emails are not enough, if youre not broke, shell out for some stamps and mail hardcopies to DC. The RIAA is using congress as a tool to defeat us, we should do the same to them. Congressmen will take notice when all the sudden they are getting hundreds of messages from people in their district about IP, Fair Use, etc...

    http://www.webslingerz.com/jhoffman/congress-ema il.html

    *Note to moderator(s) i know this message is somewhat repetitive, but moderate it up so people get that URL!

    --
    "Remember: No matter where you go, there you are."
  26. Re:I agree. by theluckman · · Score: 1
    I'm sorry. You must have mistaken me for someone who didn't know what they were talking about. I was responding to the post by JHT which said that people shouldn't be able to leach off of other people for their music. That's right, I think that people should "*demand*" things in return for pirated music.

    No, I don't think I'm doing an "honorable" thing. I'm not really sure what your point is there, but I would like to know. Next time, please respond with an actual viewpoint, instead of just calling me a "fucking moron". Then maybe we can discuss an issue here, instead of just hiding behind our computer screens for safety. Get a club and beat myself over the head with it? This is a discussion message board. Lets discuss something. You're in high school, right?


    luckman

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    luckman
    I don't involve myself with flames, much less know how to bait one.
  27. Re:RIAA strategy is fear not banning. by GavK · · Score: 1
    Unfortunately, in Russia they would just pay for the problem to go away, and it would.

    You probably don't understand quite how intense corruption is in Russia...

    Gav (Married to a Russian)

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    Gav

    "There's no such thing as data that can't be manipulated"

  28. Re: you can't put the genie back in the bottle by Beatbyte · · Score: 1

    Don't be a jackass. Sales have increased.

    If you owned a resturant and people kept stealing some drinks (yet always paying for food) and you were making more and more money, would you arrest them when you're still making money off of them?

    When is the last time you bought a CD that you didn't what any of it sounded like?

    Unless you want to catalog the entire store's selection and have it at a listening station (3 stations here at our local shop, for 84759248 different cd's), you're not going to know what you're buying. Unless you want to hunt down their website (most older bands don't have one) and see if they actually post audio worth listening to (above 128kbps 44hz), then you still don't know what you're buying (except the record company CEO's new Porsche Boxster or Z3).

    Your thinking that the music industry (or any industry couldn't survive this), has there EVER been anytime when musical artists haven't been huge stars? Since classical composers were around (they played for the Kings and got wined and dined) they have been the biggest stars. Don't kid yourself saying that it couldn't survive. You'll never kill music. Rip it off until doomsday and there's always people that will still buy the cd/shirt/home video/posters/etc. and support the artists they love.

  29. Re:Liabilities for file sharing software? by jhittner · · Score: 1

    I agree... I think many upcomming artists have to deal with the fact that there is not much room to play with there contracts(there lucky to get one from a major label) A this point in there carreer Metalica has probably a very good deal, and if they didnt, they could probably pick from any record label, or even start there own. But thats not the point.....

    Weither your stealing from the label or the artist does not make any any more acceptable. Your still takeing money from someone. It doesnt matter if you feel they deserve it, its THERE money

  30. The Dawn of the Undiscovered Artist by VB · · Score: 1

    For the past 2+ decades I have written lots of songs. I've played with MIDI since 1984 to subvert the problems associated with incorporating flaky musicians' efforts in producing tracks. I've written around 200 songs. They may be terrible.

    For the past ++decade, I've attempted soliciting the Music Industry through conventional means spending thousands on tapes, postage, and packaging to submit them to RIAA execs who threw them into the trash. They may have been terrible.

    For the past 5 years I've published these same songs at Ded Serius Music because it doesn't cost me anything. I haven't made a dime. I don't care. They may be terrible.

    I hope Napster can get through this ordeal. I do have some objections to the variances between their PR philosophy and their software policy. It seems a little inconsistent to demand exclusion to music copyrights while maintaining exclusivity on software copyrights. Napster doesn't run on Linux. I don't do windows. If you're bored enough to go to my site you'll learn why that is, too. It's not due to superior MIDI composition software under Linux. I wish such software existed. Napster for Linux doesn't and they've been quite clear on their direction for it.

    But, the moral most significant for me in this whole debacle is elicited by the RIAA. Napster, vile though it may be, is a valid exchange for people to sample music they ultimately may purchase. Either way, more purchases will be made than if you merely deleted this distribution mechanism. And, this distribution mechanism can't be deleted, since there are other workable ways to do this without Napster. It will just be harder to leverage by the RIAA. But, the RIAA has rendered a stealthy effort to quelch this and tipped their hat on what disturbs them most: control of the distribution of artistic content; especially as it pertains to the revenue model.

    Perhaps, this signals a turning point when the artist will be able to offer their creations freely to John/Jane Q. Public without the intervention of these discerning and qualified brokers of artistic content. Likely many original creations will flow more freely and possibly gain popularity in absence of content from the established bands/artists and control by the discerning ears and wallets of the delegees of RIAA. Likely much of this content will be really, really terrible. Most of it will be weeded out by the denizens of this new unpublished media.

    But, the proceeds will go to the artists.... If their creations are not really, really terrible.

    I think this is the best possible outcome: much of what we listen to has been endorsed by the RIAA through it's qualification process. Much of it is terrible. Much more that wasn't has been excluded due to this process.

    My 2 cents. And, yes, you can laugh at some of it. I certainly did.

    Linux rocks!!! www.dedserius.com

    --
    www.dedserius.com
    VB != VisualBasic
  31. Revolution !! by linzeal · · Score: 1

    Revolution !!!

  32. Re:What about those of us who are sharing LEGALLY? by Luminous · · Score: 1
    I'm not asking this to be sarcastic, this is truly out of curiousity. How do you get exposure through Napster? How do people know the titles of your songs or name of you band to look for your music?

    While I love the idea of independent musicians making it via the internet, I just never saw how Napster could do that efficiently.

    --
    This is not the way to build a lasting empire.
  33. Re:Liabilities for file sharing software? by RalphSlate · · Score: 1

    I don't think it's technically legal to tape songs off the radio. So your argument breaks down because you're trying to prove that one activity is legal on the back of an illegal activity.

    Radio taping isn't enforced because of technical problems with propogating taped songs -- you can't make perfect copies of copies of copies. If you could, and people were doing it like they are using Napster, it would be similarly pursued by the RIAA (if they could figure out how to do it).

    Ralph

  34. Sell your CD's .. add to the supply by slashkitty · · Score: 1

    Look at Half.com, they have like 750,000 cd's for sale from it's users. It's quite a good system. I am currently selling my entire collection there.

    --
    -- these are only opinions and they might not be mine.
  35. Re:Liabilities for file sharing software? by Dyolf+Knip · · Score: 1

    You almost have to feel sorry for the RIAA and the MPAA. They try so very hard to stuff the genies back into the lamp. And their cause is so very doomed to fail.

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    Dyolf Knip
  36. Re:Liabilities for file sharing software? by Dyolf+Knip · · Score: 1

    Another good analogy:
    Guns. Guns really have exactly one purpose. To kill people, or at least do them significant amounts of damage. Yet if I go out and legally buy a gun and then go postal, no one blames the dealership I bought it from.

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    Dyolf Knip
  37. Re:DDoS riaa.org? by Swarfega · · Score: 1

    riaa.org works now...

  38. Re:Attn! by VAXman · · Score: 1

    Proof please? The average cost of producing a classical CD is $500,000 (this is "insignificant"?), and sells between 2,000 and 3,000 copies in its lifetime. Do the math. There is no profit for 90% of CD's produced. The only CD's which profit is stuff like Britney Spears, but most of that profit goes to pay for the unprofitable music (90% of titles). That is where the money is going; contrary to the myth on slashdot, it is not lining record exec's pockets.

    OK, this may be a bit recursive, but do you have any kind of proof for those statistics you just quoted?

    Sure. The figures on classical music are from Norman LeBrecht's Who Killed Classical Music copyright 1997, which is an in depth view on classical music business. There is also an article on Hyperion's web site (I forget the URL ...) which comes to similar conclusions. The 90% non-profitable is widely quoted in the industry; the RIAA web site on the cost of the CD uses that figure, and that number is widely, widely quoted in others parts of the industry also.

  39. Liabilities for file sharing software? by balls001 · · Score: 5
    If Napster is found to be liable for the content it's users make available on their service, then shouldn't Microsoft be liable for what it's users share using Windows file sharing?

    And shouldn't AOL be held accountable for the files and information it's users transfer?

    --

    1. Re:Liabilities for file sharing software? by cruelworld · · Score: 1

      The theory that often goes along with your comment is something along the lines of "and they can sell T-Shirts and support themselves doing that.".

      Otherwise known as the T-Shirt Event Horizon. This is the mythical calculation of how many T-Shirts one must sell on a constant basis to support oneself.

      John Carmack can now give away Doom 3 free for all, safe in the knowledge that T-Shirt sales will easily cover all developement costs and pay for his car insurance.

      All webmasters, perl monkeys and sys admin can work for free, and sell T-Shirts to delighted customers who want to show off to their friends their dediction to the hacker ethics.

      MIT will grant free tuition to all who wish to enter, keeping their Multimedia Labs afloat in clothing sales to the hip ravers and skater kids.

      Some of us live in the real world. Would you care to join us?

      p.s. if making music is so easy, where can we download your mp3s?

    2. Re:Liabilities for file sharing software? by kaniff · · Score: 1

      There are two categories of mp3s that I own.

      mp3s ripped from CDs bought of bands I like.
      mp3s downloaded from albums that I wouldn't pay $16 for the entire CD.

      mp3s have encouraged me to buy more CDs, if I download enough songs from a CD that it becomes worth $16 of my hard earned money then it becomes bought and ripped back to mp3.

      so you could say Napster has actually *increased* my CD buying habits. I've always been hesitant to spend $16 on a CD I've heard only a few songs from, Napster changed this.

      this being said, the music industry could still squeeze more money out of me if they were to embrace this concept instead of fighting it. if I don't think the CD is worth $16 for the whole album, I could have the option of purchasing the songs at 75 cents or a buck a pop. then I could buy the good songs. no one wants crappy music.

      I much more enjoy listening to mp3s than CDs. just the physical presence of CDs has become cumbersome. they can be stolen, damaged, broken, lost, and take up too much space. and you have to spend inane amounts of money for a CD changer with a capacity greater than maybe 6 CDs. 6 hours of music. I have 34 hours of music on my playlist, I can play them in any order I please. if I want to listen to a new artist, instead of flipping CDs, I click it. much simpler. and with my mptrip cd player, I can burn a CD-RW with mp3s and have 10 hours of music, portable. in my car, I have a rig with a 4.8 gig hard drive in it, that was built for a little more than the cost of a regular car cd player. I don't own 40 hours of mp3 music, but the 34 on there now suits me just fine. and it never skips. I will never go back to CDs. digital music has me spoiled.

      I think the music industry and the consumers, as well as the judicial system, need to take a good look at the potential for this technology, it is there. Everyone involved is going to have to make some concessions to make it work, but if everyone makes small ones, then no one has to give up a great deal. I'll be the first one in line for micropayments for single songs, as long as the price fits.

      "But that's just my opinion. I could be wrong."

    3. Re:Liabilities for file sharing software? by Qube · · Score: 1
      I want to be able to trade an MP3 of my armpit rendition of "Little Brown Jug". I should be able to trade it without a company monitoring, without the gubment saying I can't.

      They're not stopping you from doing anything - run a web or ftp server from your own machine and share it via that. You wouldn't get any less downloads than sharing over Napster, because no-one would bother looking for it. Include a "feel free to copy/distribute" message somewhere (on the page or in the ID3 tag), and you're set.

      What does Napster shutting down have to do with your right to distribute your own material?

    4. Re:Liabilities for file sharing software? by mikael_j · · Score: 1

      I think the difference is that Windows File sharing is not used mainly to distribute copyrighted material. Napster was created specifically to do that.
      You've never been to any major demopartys have you?
      Go to such an event(like, say, Dreamhack here in sweden, with 3000 visitors) and just take a quick look around and you'll notice that just about every person using windows is downloading their 3117 w4r3z using windows file sharing

      Mikael Jacobson

      --
      Greylisting is to SMTP as NAT is to IPv4
    5. Re:Liabilities for file sharing software? by kaniff · · Score: 1


      If everyone used Napster, both Fred Durst AND Lars Ulrich would be working at McDonalds, probably together, bitching about how they wish they could make money off of their music, instead of having to distribute it for free.
      </bribecka>

      If everyone used Napster, both Fred Durst AND Lars Ulrich would be forced to make a CD with 16 *good* songs. Metallica does. And consequently, I own all their CDs. Now as for Fred Durst, Limp Bizkit is crap. (sorry to all the LB fans) I wouldn't pay $16 for their CD. However I do like one or two songs contained on said CD, and I would pay for those. If the industry would embrace this technology they'd be able to sell those songs to me.

      Hey, look! A new revenue stream. Whaddya know.

    6. Re:Liabilities for file sharing software? by jfrisby · · Score: 2

      That's the argument Napster made in court essentially, but reversed. Betamax was ruled to be legal even though it can be used for piracy, so why should Napster be illegal?

      The answer is simple: Betamax (and Windows file sharing) have significant legitimate, legal uses. Napster does not.

      While you and your buddies may have traded a few dozen MP3s via your college dorm's LAN the vast majority of Windows file-sharing usage is by corporations sharing internal documents.

      Yes, Napster *can* be used to promote independent artists, but only peripherally. The legitimate use is an *anomoly* within Napster. According to the suit, something like 89% of MP3 files traded on Napster are *illegal*. Personally, I expected that number to be higher. Most people are just going to hit the search engine -- how do you search for artists you've never heard of?

      The reality is that the folks at Napster created a tool to promote the *illegal* copying of music and they got called on it. Period.

      Peripheral issues such as this being better for the RIAA's sales are irrelevent: The RIAA owns the rights to these works and as long as the copyright system is in place, the copyright holder sets the terms.

      What really gets me is the *hypocrisy* of this matter. As Open Source/Free Software developers we depend on copyright law to enforce the terms that we as copyright holders have defined. (the GPL et al) Someone comes along and distributes a modified version of one of our OS/FS programs and doesn't redistribute the source. What do we do? We get angry. We talk about calling in the lawyers to fight these parasites and bloodsuckers. And we are fully justified in our anger because the users of our copyrighted works are not playing by the rules which we rightfully defined.

      The RIAA is doing the same thing here. They defined the rules, and all you Napster users broke them. Now all you Napster users want to get angry at *them*? The arrogance and hypocrisy is just absurd!

      -JF

      --
      MrJoy.com -- Because coding is FUN!
    7. Re:Liabilities for file sharing software? by slashdot-me · · Score: 2

      > if I remeber correctly ... John Hopkins ...

      You don't. :-)
      'twas CMU

      Ryan

    8. Re:Liabilities for file sharing software? by slashdot-me · · Score: 2

      Ryan Salsbury
      russells@spam.ix.netcom.com (put 'ryan' in the subject line, it's a shared account).
      about 1800 songs.

      Before college, I only listened to the radio. No mp3s, not a single audio cd. Freshman year of college (aug 1998) I discovered mp3s on the dorm network. I've downloaded about 1800 songs from the campus network, and a couple (4?, 7?) from napster. Recently I bought my first cd. I was tired of the mediocre sound quality of mp3s (low bitrates, crappy ripping). So far I have bought about 350 songs (20 cds).

      I suppose the RIAA should thank the constant advertisements on 97.3 and 105.3 and the shared mp3s at my university for getting me to purchase cds.

      Of course I'm not feeling so good about my purchases in light of the RIAA's recent behavior. Anyone know of a good colo outside of Berne-land?

      Ryan

    9. Re:Liabilities for file sharing software? by daala · · Score: 1

      Does every bloody discussion on these type of matters have to bring in MICROSOFT or AOL. Sorry there are thousands of other examples out there that can be used.

      Obligatory anti-corporate statement followed by oh gee whizz OPEN SOURCE is the greatest thing since fucking!!!!

      As a musician\computer programmer I would eventually want to see financial renumeration for my own intellectual creativity. I am sure if you wrote a song, program whatever you would want to gain financial benefit from it eventually in some sense. Unless all of you guy's are just not concerned with that type of thing. Then I suppose you are all reading this in a Public Library after just walking out of your Local Buddhist Monastery.

      Actually from a sound engineering point of view I have alway's found that listening to this type of stuff is the equivalent of really really bad AM Radio anway's

      Oh just for more moderator points OPEN SOURCE IS THE BEST YEH YEH YEH!!!!!!!

      --
      "The way she used to say Rimmer as if it rhymed with scum" Red Dwarf
    10. Re:Liabilities for file sharing software? by slashdot-me · · Score: 2

      Say a person commits a crime. Furthermore, let's suppose that he commits that crime 362 days a year, about 99% of the time. Should that person go to jail? Even though he didn't commit a crime three days a year? Your argument looks quite odd from that angle, doesn't it?

      You only need to break the law once to go to jail. This should be obvious.

      BTW, Napster's crime is probably accessory to copyright violation or some such. IANAL.

      Ryan

    11. Re:Liabilities for file sharing software? by Stephen+Samuel · · Score: 2

      Yeah, but they weren't liable for not cooperating with the DEA's list. They pissed off the DEA, and the DEA went on a witch hunt and nailed their asses on other grounds.

      --
      Free Software: Like love, it grows best when given away.
    12. Re:Liabilities for file sharing software? by plague3106 · · Score: 1

      Except that a tape IS made for the purpose of music; computers are far more general then that. How many people do you know that buy tapes but do not put music on them? Now how many people buy a computer JUST to copy music onto? I suspect the ratio for the 2nd case is far far less then the first.

    13. Re:Liabilities for file sharing software? by Stephen+Samuel · · Score: 2
      this being said, the music industry could still squeeze more money out of me if they were to embrace this concept instead of fighting it.
      yeah, well I think you'll get your wish. The main reason these companies are going after napster despite the massive PR hit they're taking on this is that Napster is a threat to their control of music distribution. Once they manage to figure out a way to keep control of music distribution on the net you'll see them doing the "embrace and extend" thing.
      --
      Free Software: Like love, it grows best when given away.
    14. Re:Liabilities for file sharing software? by civilizedINTENSITY · · Score: 1

      it is not yours to give away

      Ah...but the thing is that IP doesn't belong to the originator either...thats not what copyright is all about. The liscense of a short-term monopoly is to promote other creations of public works. To suggest that IP is or ever was anything other than a public work is fiction.

    15. Re:Liabilities for file sharing software? by civilizedINTENSITY · · Score: 1

      Your arguement is specious in that you presuppose a crime. If a crime exsists it is not the conduit that is at fault but rather the poster. If they went after someone who posted to Napster something that shouldn't have been posted, then perhaps. But to suggest that legal and illegal things have been posted, so lets shut it down is like saying "illegal porn has been posted on the internet, lets shut the web down."

    16. Re:Liabilities for file sharing software? by Kalidor · · Score: 1

      Not really. I manage to keep our network fairly secure. But of course .. who am I to talk .. we only have 500,000+ user pc's worldwide according to our last inventory.

      --

      Code softly but carry a big magnet.

    17. Re:Liabilities for file sharing software? by Kalidor · · Score: 1

      Actually .. check it out .. it is Johns Hopkins Johns Hopkins homepage Johns Hopkins was named after his grandmother whose last name was Johns.

      --

      Code softly but carry a big magnet.

    18. Re:Liabilities for file sharing software? by chris_7d0h · · Score: 1
      Excuse me, but claiming that the reason for *allowing* people to tape from radio because the qulity degrade from the original is just a lot of crock.

      Even a Mr. Randal C. Picker (Paul & Theo Leffmann Prof. of Commercial Law at the university of Chicago), recently wrote an article at cnn.com, where he explained that even you Americans have a law that gives you the right to make one personal copy of material you have right to. Since you've already paid the license for listening to the radio, you are allowed to tape the music for your own personal use. The same is true for music CDs, which includes making mp3 out of them.

      According to Mr. Picker, there is not stated anywhere that digital and/or perfect copies are an exception.

      In fact, it does not matter if you make the mp3 your self or if you download it from the internet (for ex.), as long as you are entitled to the material.

      --
      In a society that believes in nothing, fear becomes the only agenda ~ Bill Durodié
    19. Re:Liabilities for file sharing software? by bribecka · · Score: 1
      Now as for Fred Durst, Limp Bizkit is crap

      Beleive me, I agree. Don't worry, he will be shoveling fries in a few years.

      --

      Where are we going and why am I in this handbasket?

    20. Re:Liabilities for file sharing software? by rifter · · Score: 1

      Seriously, don't argue the point, it was created to swap copies of songs, not to "promote small artists" or whatever. Do you think when Shawn Fanning wrote the software he thought, "Great! Now my friends and I can exchange all the unsigned bands we listen to!"

      I'm not so sure about that. The angle of promoting bands through mp3 far predates Napster. And their New Artist Program, accessable from their front page, gives the name of songs and artists that are not so well-known to search for.

      If everyone used Napster, both Fred Durst AND Lars Ulrich would be working at McDonalds, probably together, bitching about how they wish they could make money off of their music, instead of having to distribute it for free.

      Oh really? Metallica is one of many bands that has benefitted from the promotion available through ostensibly illegal bootlegging and copying. In Lars' interview with /., he not only admitted that but that he himself bootlegs the work of other bands. His justification was that if he likes the tape he hears, he buys the album, just like the fans who made Metallica famous by spreading bootlegged tapes of albums and concerts, and now Napster.

      Metallica supported bootlegging and continues to support it in any form but Napster. the reason is that they acknowledge that they would be working at McDonald's if people did not "steal" their music. The Napster thing is more about control. Lars wants the ability to opt-out if he does not like the medium. "[I]t's not a money issue" (his own words).

    21. Re:Liabilities for file sharing software? by Yebyen · · Score: 2
      If I'm the RIAA I'd start suing people

      But they'll never do that... because they can't make any money! They're not in it to stop a crime, they're in it to stop a new technology. Just like with cassettes and cdr's and vcr's and so many other new media. And, considering the track record of killing new technologies to prevent lawbreaking, they will fail here too.

      I am a lawbreaker. I have stolen countless copywrited songs. But I haven't stolen enough for the RIAA to bother suing me. They want the big fish.

      So for all of you Napster users with balls enough to admit it, reply to this message with your true name, email address, and the number of commercial songs you've stolen.

      I have no intention of giving out my address on slashdot, because of the trolls. However if you feel like emailing me to argue my stance (or replying to this post), feel free. I'm not going to list the number of commercial songs i've stolen, because it's impractical *G* there are so many.

      Yes, I have broken laws. Plenty of people have broken laws without being evil people. I'm not going to debate my evility, but I will say that I am not evil because of mp3s. I think this rant is long enough now, but nobody got this far anyway :-)

      --

      --
      Restating the obvious since nineteen aught five.
    22. Re:Liabilities for file sharing software? by cwhicks · · Score: 1

      Yes, in fact there are lots of ways to do things in this world.
      If you can do something one way, then you shouldn't be allowed to do it any other way? Since the USMail works, then FedEx, UPS, telegraph, ham radio, are superfluous.

      I can put my mp3 on a floppy and mail it to everyone who requests it, I guess. But you know what, I don't want to and since I live in the US the law says I can do it whatever way I want unless what I am doing hurts someone else. Whether John and Bob use it for illegal purposes has nothing to do with me. They may be hurting the MPAA, but I and those downloading from me are not.

      My version of LBJ is not copyrighted and the only person with rights to it is me.
      You need to explain to me how someone searching for my LBJ on Napster, and downloading it breaks any law.

      If you can't, then you can't say that Napster has only illegal applications. Whether 19,999,999 people actually use it for illegal purposes is not relevant to the law. If you can show that it has "the possibility of substancial legitimate uses" then it cannot be declared illegal. That is from the betamax Sony decision.

      I'm won't go into the complexities of letting 20,000,000 people know what my website address is, and that there is a free mp3 there, as they should be quite obvious.

      To answer your last question, before Napster was shut down I had an incredibly efficient method of delivery for my material, and now I don't. Thats how it effects my right to distribute.

      --
      - I like pudding.
    23. Re:Liabilities for file sharing software? by Zordak · · Score: 1

      I'm not trying to say that RIAA is correct in what they are doing, only that they have legality on their side as the laws currently stand. I personally think they are a bunch of stubborn morons who can't embrace a new business model that could actually increase their obscene fortunes.

      Since my original post was a little off-topic, remember that the original topic of this article was boycotting RIAA. I think that's a wonderful idea. It's a perfectly legal recourse available to people living in a Democratic Republic. If people believe (as I do) that RIAA is raking obnoxious sums of money from the public for second-rate Brittney Spears CD's, then by all means boycott the second-rate music. Many of the people here already boycott Microsoft for about the same reason. If they're willing to be rebellious enough to not use a poor OS just because its popular, why not extend that philosophy to music? Quit listening to Top 40. Most bands start to suck rocks about the time they hit it big anyway. Show your support of music sharing by going to http://www.mp3.com and checking out some startups who have embraced the new business model and are distributing their stuff for free. Then, when you find a band you really like, show your support by buying their CD. That's how I show my support for music sharing. It says a lot more than validating RIAA's perceived value of their trash by telling them it's valuable enough to steal.

      Do not teach Confucius to write Characters

      --

      Today's Sesame Street was brought to you by the number e.
    24. Re:Liabilities for file sharing software? by Zan+Thrax · · Score: 1

      Well, actually, I don't know anyone who buys blank tapes for anything at all. I know lots of people who buy blank discs though (including me), and I don't know of any of them using them to copy music discs.

      --

      Intolerant people should be shot.
    25. Re:Liabilities for file sharing software? by nmx · · Score: 1

      Well, no, because AOL and Windows filesharing were not designed for the explicit purpose of trading MP3s. No, all MP3s are certainly not illegal but because Napster provided no way to distinguish between the two they have shot themselves in the foot.

      --
      "Well kids, you tried your best, and you failed. The lesson is, never try."
    26. Re:Liabilities for file sharing software? by Ricdude · · Score: 1
      The RIAA will never be able to stop the swaping of mp3. They would have to sue just about everyone with a computer.

      Or do what they do with "home recording devices" and blank cassettes, and assess a fee on each computer sale, and each piece of media sold, with the intent to recoup lost earnings due to piracy/sharing.

      --
      How's my programming? Call 1-800-DEV-NULL
    27. Re:Liabilities for file sharing software? by interactive_civilian · · Score: 1
      -snip-
      I'm not against Napster, really, it's a great idea, I think that, if anything, it actually promotes record sales, and is generally good for the world. But there is something inherently wrong with a program that gives anyone and everyone access to practically any song ever recorded without compensating the artists.
      -snip-

      So, what about people, such as myself who download things like Bach, Mozart, Scott Joplin, Jelly Roll Morton, Billie Holliday, or any other artist who is dead? Isn't most of their work in the public domain anyway? So why should I have to pay for a whole CD when all I want is Holst's Jupiter?

      How better to compensate these artists than by listening to and enjoying their music?

      Feel free to flame.

      --
      "Empathise with stupidity, and you're halfway to thinking like an idiot." - Iain M. Banks
    28. Re:Liabilities for file sharing software? by jhittner · · Score: 2

      I think that we have all become a little to common with the practice of stealing our music, and are begining to forget that the music is not released under GNU, and it is not yours to give away. I cant give you a copy of Diablo on the web, just because Im able to. That would take money out of a programmers pocket, same as napster takes money out of Lars's pocket. Just because they have alot of money is no excuse for stealing from them.

      Please dont flame me, I have a right to this opinion

    29. Re:Liabilities for file sharing software? by bribecka · · Score: 1
      Not that I mean to beat a dead horse, but The Tobacconist near where I work sells bongs. I'd bet that 99% of people who buy them smoke pot in them, which is illegal. But these "bongs" are 'Tobacco Sampling Devices'. The 1% makes their sale justifiable.

      True. And if you can prove that 1% of of the songs on Napster aren't copyrighted, Napster should be legal. What were the numbers from the Metallica lawsuit? Something like over the weekend, they saw 2 million metallica songs up for swapping, and (seriously) like 4 songs from unsigned bands.

      --

      Where are we going and why am I in this handbasket?

    30. Re:Liabilities for file sharing software? by Mr.Phil · · Score: 1

      Well, if they added movies and pictures like Scour Exchange, might those services stay up? That sure would be interesting.

    31. Re:Liabilities for file sharing software? by bribecka · · Score: 1
      So, what about people, such as myself who download things like Bach, Mozart, Scott Joplin, Jelly Roll Morton, Billie Holliday, or any other artist who is dead? Isn't most of their work in the public domain anyway?

      Of course public domain songs can (and should) be distributed freely. There are no laws against that.

      However, just because someone is dead doesn't mean that their music should be distributed freely. What about Nirvana's music? The writer is dead. Not public domain. But that's an entirely different issue from Napster.

      Again, the only problem is that Napster facilitates illegal copying. Then again, the DMCA is fucked as it is, so whether that will actually stand up in a court of law (watching DeCSS!) remains to be seen. Unfortunately it IS law right now. Oh well...

      --

      Where are we going and why am I in this handbasket?

    32. Re:Liabilities for file sharing software? by Stary · · Score: 2

      Ah yes, but you're missing the point... question is, is it napster's fault? They're not doing the actual sharing, they're simply providing a search engine for music. Their search engine has no way to check if the music found is legally shareable or not. Just like altavista, or google. Both could be used to find both legal and illegal material.

      --
      Tomorrow will be cancelled due to lack of interest
    33. Re:Liabilities for file sharing software? by Luminous · · Score: 1
      And shouldn't AOL be held accountable for the files and information it's users transfer?

      Maybe they should be. AOL has the ability to control file sharing better than any other entity because their users for the most part stay within their servers.

      Besides, why should the individual be responsible for anything s/he does? It is never the individual's fault. The individual can't be expected to know that reprinting a book and giving it to anyone who asks is unfair to the author of the book. That is obviously the fault of the people who made the machinery that allowed that to occur. The individual can't be expected to know that hitting someone with a car can kill them, that is the auto industry's fault. /sarcasm

      --
      This is not the way to build a lasting empire.
    34. Re:Liabilities for file sharing software? by bribecka · · Score: 1
      So, even though it promotes record sales, it's bad? And what you said next...

      ... is the exact opposite. Didn't you just say napster promoted record sales?

      Okay, so maybe I didn't think that whole comment through, that's why I'm not a laywer :)

      In any case, my main point is that the Napster concept is good, but it just breaks about every copyright and intellectual property law there is, and I honestly beleive it was created with that intention. Napster is the way things should be, and probably will be, but it needs to be changed so the people providing its content are actually happy about it (ie. paid).

      For example, if I set up a website that was a mirror of CNN.com without the banner ads or the CNN logo, how long do you think it would take before my site was taken down? It's all about the content. And it's not free, and shouldn't be free. If it were, who would do it? Not I. I'd like to take the high road and say that "art" should be free, but it can't be. SHOULD be, but can't.

      --

      Where are we going and why am I in this handbasket?

    35. Re:Liabilities for file sharing software? by Koryon · · Score: 1

      As I understand law (and we had a music professor lecture us on it one day in music class), the fact
      that it's public domain means you can make a recording of it and charge people for it, without having to pay royalties to the (long dead) writer. But I really shouldn't go and distribute my copy of the Vienna orhestra playing Bach's Brandenberg(sp?) Concertos because they own that recording. Interestingly enough, according to the same proffesor, if you transcribed a song off the radio, you can legally do whatever you want with it, in other words you could record the song yourself and not pay royalties, of course he (and I) could be wrong on both accounts here.

    36. Re:Liabilities for file sharing software? by Wah · · Score: 1

      If you didn't buy the cd you have no right to listen to the songs at will- just wait for them to come on the radio.

      then ignore 100 years of technical innovation, realize that you are a peon and have no control over your life, understand that your media choices will always be targeted to the lowest common denominator, and support government enforced scarcity and monopoly of infinite products.
      --

      --
      +&x
    37. Re:Liabilities for file sharing software? by Atlantix · · Score: 1

      Correct me if I'm wrong but doesn't Scour use a peer-to-peer system without a central server like Napster's? That way even if they get sued they can't exactly be shutdown. I'm convinced that's the reason the RIAA chose to sue Napster first even though Scour had about 10 times the content available the last time I checked.

    38. Re:Liabilities for file sharing software? by plague3106 · · Score: 1

      1) Britney DOES NOT own her songs. The label does. 2) So if you record a song off the radoi and listen to it, thats ok? but downloading it is not? Its odd that you say i don't have the right to listen to something. Do i need permission to hear your voice too?

    39. Re:Liabilities for file sharing software? by TheTomcat · · Score: 2

      Seriously, don't argue the point, it was created to swap copies of songs, not to "promote small artists" or whatever.

      Not that I mean to beat a dead horse, but The Tobacconist near where I work sells bongs. I'd bet that 99% of people who buy them smoke pot in them, which is illegal. But these "bongs" are 'Tobacco Sampling Devices'. The 1% makes their sale justifiable.

    40. Re:Liabilities for file sharing software? by technos · · Score: 2

      Redundancy doesn't count. I own every Metallica album. That's about 90 songs. 4 songs from unsigned bands is 4% percent. But say we're just talking Metallica. Add in the Metallica bootlegs, one-off tape circulations, etc, the Lars professes not to mind being shared. I have thirty+ unique mp3s that fall into this category. Thats at least 33%. Proof enough for the Metallica lawsuit.

      --
      .sig: Now legally binding!
    41. Re:Liabilities for file sharing software? by Kalidor · · Score: 1

      Actually .. if I remeber correctly it is the School. Precidence. Johns Hopkins University was fined several thousand dolllars three years ago when two students ran mp3 FTP's from their dorm connections. Since then the school has setup a scanner server that went through the network several times a day looking for shares with MP3's. From certain students that were emailed notices they even had the scanner try to break in with common passwords. Its also an annoying bandwidth eater. Leave it up to the BME's to make a scanner that brings down the network ..oh well.

      --

      Code softly but carry a big magnet.

    42. Re:Liabilities for file sharing software? by curtisk · · Score: 1

      Regardless of what means you "share" your files with, people are still going to do it. Closing Napster will do absolutely nothing. People will use Gnutella ( or any of the various builds out there ), Icq, FTP...whatever...the cat is out of the bag
      The RIAA's perceived losses are nothing but speculation, I can tell you that I certainly would not have ever bought ( even if it was available on CD ) the various 80's cartoon theme songs that I got off Napster...as well as various bands live and "bootleg" recordings from overseas.Why did I get them, because I was curious to hear them or for nostalgia reasons...for fun really.Not because I'm cheap or want to screw anyone out of money.. Certainly there are those who will take this opportunity too far, but it certainly will not stop.

      --

      Sehr geehrter Toilettenbenutzer!

    43. Re:Liabilities for file sharing software? by Foogle · · Score: 2
      Those classical songs are copyrighted. The music is, of course, public domain, but someone made that recording -- someone sat down and played that song. The recording is certainly not public domain.

      If the artist is dead, that doesn't mean anything. The term for copyrighted material (thanks Disney) is outrageously long -- chances are it's still owned by that person's estate or heirs or company

      -----------

      "You can't shake the Devil's hand and say you're only kidding."

    44. Re:Liabilities for file sharing software? by AugstWest · · Score: 2

      Well, Scour does require a login, so it must be using a central server somewhere.

    45. Re:Liabilities for file sharing software? by davstok · · Score: 1

      Wonderful, finally a simple straightforward opinion that gets to the central point.

    46. Re:Liabilities for file sharing software? by Stary · · Score: 1
      I'm not against Napster, really, it's a great idea, I think that, if anything, it actually promotes record sales, and is generally good for the world. But there is something inherently wrong with a program that gives anyone and everyone access to practically any song ever recorded without compensating the artists.

      So, even though it promotes record sales, it's bad? And what you said next...

      If everyone used Napster, both Fred Durst AND Lars Ulrich would be working at McDonalds, probably together, bitching about how they wish they could make money off of their music, instead of having to distribute it for free.

      ... is the exact opposite. Didn't you just say napster promoted record sales?

      1. Napster does for many promote record sales. I buy more CDs now than I did before I started listening to mp3s. I have 2 CDs of bands, that aren't even sold in my country. I had to import them specially.
      2. Maybe it's wrong, but then get us something that's right! Let me take an example, the song "Private Emotion" by Ricky Martin. Now I think Ricky Martin sucks. But that song is great. Do I have to buy the single for like $5? Or a CD full of songs I don't like? No, I'm not gonna do that. So, unless they come up with a system, where I can pay for downloading the song, then I'm just gonna download it anyway.

      --
      Tomorrow will be cancelled due to lack of interest
    47. Re:Liabilities for file sharing software? by Oblio · · Score: 1

      Actually, didn't the judge mention that "...87 percent of music traded over napster violates copyright..."?

      Doesn't that imply 13% non-infringing use?

      --
      Pax -- Ob
    48. Re:Liabilities for file sharing software? by technos · · Score: 5

      That would take money out of a programmers pocket

      Bzzzt.. Utter crap. If he were going to buy Diablo 2, he would have done so by now. No one loses money when you give a copy the recipient wouldn't have paid for anyway.

      Lars's pocket? The only one who would ever notice the small percentage drop in purchases would be the RIAA and the studios. They don't deserve it. Christ, Toni Braxton sang her way into two platinum albums and then had to declare bankrupcy because she owed the record company more money in promotion fees than they paid her. Limp Bizkit had to get day jobs after their first album, because the industry hoovered them dry.

      I say we walk into the offices at Sony music and shoot everyone with a Rolex or an imported sports car. That would put the money back in artists pockets.

      --
      .sig: Now legally binding!
    49. Re:Liabilities for file sharing software? by bribecka · · Score: 1
      Classic sign of somebody who doesn't have a sound argument against the point.

      This coming from "Anonymous Coward" and then followed up with no counter argument. Give me an arguement!

      I'm waiting.

      I would bet that the primary use of filesharing *is* to distribute MP3s and software

      But not COPYRIGHTED material. I use filesharing all the time, I can't think of one time we're sharing copyrighted material...we're sharing files we're working on, etc. Filesharing on unix doesn't have a damn thing to do with copyrighted material.

      Of course you'd know this if you actually have graduated high school, but...

      --

      Where are we going and why am I in this handbasket?

    50. Re:Liabilities for file sharing software? by Cannonball · · Score: 1

      On the radio, the artist does get paid back for their work. All commercial stations buy a BMI/ASCAP license and the proceeds of this license (often incredibly expensive) go toward the BMI/ASCAP royalty pool and if an artist like Britney/Aguilera/Backdoor Boyz gets a lot of airplay they get cash from that fund. It's not just a freebie. But if you grab it off Napster, they don't get shit. Plus, with radio, you have to put up with commercials, which often suck.

      --
      So there I was. Naked. In a refrigerator. With a potroast on my knees. Smokin a cigar. That's when it got REALLY weird.
    51. Re:Liabilities for file sharing software? by plague3106 · · Score: 1

      doubtful, you can't argue that EVERYONE that buys a computer will be doing anything w/audio at all.

    52. Re:Liabilities for file sharing software? by smagruder · · Score: 1
      Copyrights extend for 50 years after the copyright owner's death. This means the original copyright owner's heirs will get any royalties off the copyrights. So Billie Holiday's recordings, for example, may still be copyrighted.

      Steve Magruder, Technopolist

      --
      Steve Magruder, Metro Foodist
    53. Re:Liabilities for file sharing software? by artg · · Score: 1

      There used to be a license like this for home use - it was issued by the Mechanical Copyright Protection Society and compensated artists for loss of royalties when a home recording was made of a commercially recording. It was promoted by organisations such as record libraries in the UK, and cost about £10 per year.

      I had one for several years around 1980 .. I only stopped buying them when the MCPS stopped issuing them.

    54. Re:Liabilities for file sharing software? by davstok · · Score: 1

      And does Napster have any purpose other than this kind of "sharing".

    55. Re:Liabilities for file sharing software? by Scriven · · Score: 2

      Welcome to Canada.

      This was tried here, with CDR's being asessed a tax, the same as blank tapes, with the tax money going to the big distributers, to offset their "artists" losses from the illegal copying of music.

      No one thought of the fact that Indie artists use blank CDRs to LEGALLY distribute their OWN music. Or that CDRs are used for other things, like backups.

      I'm not sure of the status on this, I'm afraid. It was supposed to take effect a year ago, but it was delayed, and the amount of the tax was lowered, but I haven't heard a peep about it since.

      I love my country, but some of the people in charge really need to be beaten about the head and shoulders with a clue stick.


      This is my .sig. It isn't very big.
      --
      This is my .sig. It isn't very big.
      --An Oldie, but a Goodie!
    56. Re:Liabilities for file sharing software? by traused · · Score: 5

      Interesting point. I know that most of my MP3s where gotten off of windows filesharing at college. Getting files off the local network was much faster, and chances are someone at the school had the mp3 i wanted shared.

      We even had students create network seach engines so we could seach the network for mp3s. The nicest part was, the servers (on linux) would even allow you to get the samba share through http so you could still easily search and download from you linux box.

      So who is to be held liable for all this? Microsoft? The creaters of the search engine? Maybe the college for "allowing" this to happen?

      If i email an MP3, should the ISP be held liable?

      The RIAA will never be able to stop the swaping of mp3. They would have to sue just about everyone with a computer.

      --
      I dont have a .Sig yet
    57. Re:Liabilities for file sharing software? by xkevin · · Score: 1



      the radio is a $ driven wasteland. music on the radio is, for the most part, terrible. the only stuff that is remotely challenging is in the world of hiphop and even that is mostly cashmoney bullshit.

      major labels PAY to get their stuff PLAYED. only regional pirate/ indie radio is worth your time. people need to start to demand quality. we are getting dumbed down.

      do you think DEVO would be on the radio today?

      --

      <3x, kevin
    58. Re:Liabilities for file sharing software? by jpowers · · Score: 1

      ASCAP/BMI money goes to songwriters, not recording artists. Additionally they just sort of guess how many times a song gets played, so whoever has the most airplay gets like 90% of the money. Therefore Britney and co get nothing, but the 40 year old losers who write their songs get most of the ASCAP licensing.

      -jpowers

      --

      -jpowers
    59. Re:Liabilities for file sharing software? by bribecka · · Score: 5
      If Napster is found to be liable for the content it's users make available on their service, then shouldn't Microsoft be liable for what it's users share using Windows file sharing?

      I think the difference is that Windows File sharing is not used mainly to distribute copyrighted material. Napster was created specifically to do that.

      Seriously, don't argue the point, it was created to swap copies of songs, not to "promote small artists" or whatever. Do you think when Shawn Fanning wrote the software he thought, "Great! Now my friends and I can exchange all the unsigned bands we listen to!"

      I'm not against Napster, really, it's a great idea, I think that, if anything, it actually promotes record sales, and is generally good for the world. But there is something inherently wrong with a program that gives anyone and everyone access to practically any song ever recorded without compensating the artists.

      If everyone used Napster, both Fred Durst AND Lars Ulrich would be working at McDonalds, probably together, bitching about how they wish they could make money off of their music, instead of having to distribute it for free.

      Don't worry, Napster isn't going to go away, it will come back in a better form for everyone involved.

      --

      Where are we going and why am I in this handbasket?

    60. Re:Liabilities for file sharing software? by sansbury · · Score: 1
      No.

      This fight is really very simple and will only get more simple once Napster is gone.

      One group of people believe that if you buy a Britney Spears CD, you also have the right to make copies of it and put it out on Napster.

      The other side does not.

      That's all there is to it, folks, and I haven't heard a great case from either side yet.

      -cwk.

    61. Re:Liabilities for file sharing software? by kermyt · · Score: 1

      They saw 2 million metallica songs up for swapping, and (seriously) like 4 songs from unsigned bands. Funny... I did not know metallica wrote 2 million songs... Lars must be working hard to compensate for all the money he's losing on napster and gnutella.

    62. Re:Liabilities for file sharing software? by cpt+kangarooski · · Score: 1

      Sometimes. There are actually a fair number of public domain recordings too - records have been around for a while now. At any rate you oughtn't assume that there's nothing in the p.d. just because the big corporations are doing such a good job at unconstitutionally subverting copyrights.

      My personal favorite are the player piano rolls which were recorded onto by IIRC Aaron Copeland. Difficult to find a player, true, but pretty interesting stuff.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    63. Re:Liabilities for file sharing software? by jackmama · · Score: 1
      That's not the point. Slashdot posts did not make it into the court record, and Boies didn't make any kind of compelling argument for non-infringing uses of Napster (if any actually exist). The judge was forced to rule against Napster, because of their inability to demonstrate any way in which their product can be legitimately used.

      Many of those arguments have been made here, but like I said...Slashdot posts didn't make it into the trial record.

    64. Re:Liabilities for file sharing software? by bobalu · · Score: 1

      According to my buddy Tex at the bar last night, (as he lit up a butt) cigarettes are made to give people something to focus on when they're nervous. They kill (sometimes) as a side-effect.

      Smokers really DO choose to smoke, y'know. I personally think it's a bad choice, but then I think jumping out of a perfectly good airplane is stupid too.

      --
      The revolution will NOT be televised.
    65. Re:Liabilities for file sharing software? by Zordak · · Score: 1

      >>and I haven't heard a great case from either side yet.

      How about the argument that regardless of what you think you're entitled to, copying and distributing the music is strictly illegal. If all of the file sharing masses don't like the law, then they can write their congressmen, or elect their own representative to run for office. In any case, the fact that they believe that they are entitled to give and receive free music does not make it any more legal, just like the fact that some communist nut believes that all property should be strictly communal does not give him the right to steal my car.

      Do not teach Confucius to write Characters

      --

      Today's Sesame Street was brought to you by the number e.
    66. Re:Liabilities for file sharing software? by Nonac · · Score: 1
      So who is to be held liable for all this? Microsoft? The creaters of the search engine? Maybe the college for "allowing" this to happen?


      The painfully obvious answer is that the people who actually download the MP3s are liable for their own actions. At worst, Napster is an accessory to copywright violation.

      It is very telling that RIAA is going after Napster for enabling a crime while letting those who actually commit the crime off the hook.
    67. Re:Liabilities for file sharing software? by DivideX0 · · Score: 1

      It doesn't matter who you pay! You are going to pay for it sooner or later. You can pay a pimp/prostitute/wife/girlfriend whatever. Just ask any married man!

      --
      My next Slashdot post will be ready soon, but subscribers can beat the rush and see it early!
    68. Re:Liabilities for file sharing software? by RocketScientist · · Score: 1

      You're missing the point. All napster did was remove the porn-banner-factor from finding MP3's. After Napster and the next and next bit of technology all go through litigation, and the RIAA wins (they have more money, and OJ proved that with enough money you can buy justice) what's next?

      All of the search engines will have to go. I can't imagine that it'll be cheap for them to remove all possible MP3-type files from their links. OK, so any file named MP3 will not be linked. And you'll all start not naming your files MP3. So, search engines are gone.

      Next, there will have to be some agency set up to monitor and block all Internet traffic, to make sure it doesn't contain any music. Any encryption will be illegal, and obfuscation of data will be illegal, because we have to be able to find the pirates, doncha know.

      There will still be piracy, they'll have to go after somebody. So, they'll go after the CD-R manufacturers, the hard drive manufacturers, folks like Iomega, Seagate, Maxtor, and IBM, for making it possible to store pirated music. Let's have a big registration program for every piece of writable media. Let's require technological locks on every piece of media that will limit file sizes/file formats. You'll only be able to store on proprietary "approved" media.

      Then they'll go after broadband providers, who make it way to easy to pirate music.

      Very farfetched. I hope.

      chris.

    69. Re:Liabilities for file sharing software? by AlexZander · · Score: 1
      My opinion is that if it's on the radio, you can have an mp3 of it. Think of it this way... you could record it off the radio onto a tape, then play it back into your computer and encode it into an mp3. That, technically, is all legal. Therefore, you're just skipping a few of those pain in the butt steps by downloading it as an mp3, right?

      And if you're going to argue that the quality won't be the same, for those of us who have good speakers / headphones, 128kbit encoded mp3 sounds pretty crappy.. you'd probably get about the same quality if you recorded it off a radio with a powered antenna and so on.

    70. Re:Liabilities for file sharing software? by tonyray · · Score: 1

      I'm an ISP, I'll say that up front. There was a little law passed a couple years ago called the Digital Millenium Copyright Act. Every ISP had to file a paper with the government providing the name of the person who is responsible at the ISP for handling matters regarding copyright infringement. The law requires that when I am informed that a subscriber is using my service to distribute copyrighted matterial without the permission of the owner of the copyright, then I must take action to stop them. That could be interpreted to mean that I must block the use of programs like Napster or cancel the subscriber's Internet service. If I fail to do this, I can be fined and the owner of the copyright can sue me. So, to answer the question, AOL is accountable when and if the copyright owner lodges a complaint against a subscriber. Why Napster and others are doomed to failure in the courts is pretty clear when you look at existing laws regarding things other than music. For example, it is legal for a locksmith to be sold a lock pick and to have possession of a lock pick. However, if you are not a locksmith you can go to jail for having one in your possession. It is illegal, you see, to be in possession of "burgler tools" or to sell burgler tools to the public. Likewise, there are a lot of products you cannot buy or own because they are commonly used to commit crime. Hacking programs, guns in many cities and so on all fall into categories of things you can be banded from possessing because they are commonly used to commit crime. So, if Napster and similar programs are "commonly used to commit crime" such as copyright infringement, then it can become illegal to own or use the programs and the company that produces the program can be banned from distributing it to the public or facillitating the public's use of the program. That is the arguement against Napster and it is Napster users who have put them into the position of being a distributer of "burgler tools" by using their program to "commonly" distribute copyrighted material.

    71. Re:Liabilities for file sharing software? by AugstWest · · Score: 2

      We even had students create network seach engines so we could seach the network for mp3s. The nicest part was, the servers (on linux) would even allow you to get the samba share through http so you could still easily search and download from you linux box.

      Well, that's exactly how Scour came about. And they're next :]

    72. Re:Liabilities for file sharing software? by Anonymous Coward · · Score: 1

      Exactly what is the difference between a matchmaking agency and a pimp ?

    73. Re:Liabilities for file sharing software? by sansbury · · Score: 2
      How about the argument that regardless of what you think you're entitled to, copying and distributing the music is strictly illegal.

      If I buy a CD, should I be allowed to rip an MP3 of it for my own purposes? Is the data I am buying inseparable from the medium on which it is distributed? If I can loan a CD to a friend, can I loan him an MP3 file? What is the difference?

      The problem here is that the record industry has no sense of proportion here; if they could they would sell CDs with dongles. Likewise, the zealots on the other side think they're entitled to warez and free CDs, and won't understand property rights until they graduate from college and have to start paying their taxes. Please, I believe in IP. I just think that both sides have their heads up their asses on this one.

      -cwk.

    74. Re:Liabilities for file sharing software? by ToLu+the+Happy+Furby · · Score: 1

      The point is that before the Internet made another distribution mechanism possible, the record labels had a monopoly on the only possible way to distribute your music to a lot of people.

      The Internet is changing all that. But because their business model relies on the obscene shares of album sales which come along with a distribution monopoly (most artists get under 5% of album sales as royalties...and they don't see a penny of that until they pay off the record company for every single service they've given them, including recording costs, studio time, producers, album art, marketing, promotional CD's...) all the RIAA can do is try to sue the Internet out of the music business.

      So, artists *will* be able to get better contracts...but only if mp3.com succeeds, only if Napster wins this suit and continues to promote new artists; only if the RIAA loses their effort to keep their monopoly business model by suing all competition out of existence.

    75. Re:Liabilities for file sharing software? by jhittner · · Score: 1

      Who are you to say what is a small % drop to lars. A penny is a penny. If Lars whats his money, its his right to get EVERY penny. Stealing is not the right way to protest any more then shooting everyone with a rolex. If you dont like it, get a guitar and make your own music.

      As far as Diablo, You cant use the menality that if he was going to buy it, he would of allready. If he didnt steal it, mabey he would have payed for it. And if he doesnt want to pay for it, then he should not get it.

      Im not going to pretend that I never downloaded music from Napster, or copied a piece of software, but Im not going to justify that what I did was anything more the theft.

    76. Re:Liabilities for file sharing software? by kwsNI · · Score: 2
      Quite Simple. A pimp get's paid for hooking people up with hookers, who get paid for sex. A matchmaking agency is paid for hooking people up with sluts, who pay for the service too.

      In your analogy, if Napster was a pimp, they'd be directing people to servers that charge for the download. That's pimping.

      A matchmaking agency helps find people (and Napster helps find songs) that match the specifics you're looking for. At the same time, the people you can chose from are also using the Napster service to search for songs that they are wanting.

      kwsNI

    77. Re:Liabilities for file sharing software? by cwhicks · · Score: 2

      Thats not it at all.
      I want to be able to trade an MP3 of my armpit rendition of "Little Brown Jug". I should be able to trade it without a company monitoring, without the gubment saying I can't. 99.99% of people using Napster to share Britney Spears is irrelavent. There is nothing inherently illegal about Napster. It is MP3 file sharing.
      I can name several other legal uses of Napster as well. I own a tape of Metallica's Black album. I don't use my tape player anymore. Just CD's and MP3's. It is totally legal for me to download "Holier than Thou" off that "album" and listen to it. I already paid for the fucking thing.
      Just because people use a legal product illegally, does not make the company responsible for their behavior. Stun guns, lock picking sets, alcohol, etc...

      --
      - I like pudding.
    78. Re:Liabilities for file sharing software? by wakebrdr · · Score: 1
      If everyone used Napster, both Fred Durst AND Lars Ulrich would be working at McDonalds, probably together, bitching about how they wish they could make money off of their music, instead of having to distribute it for free.

      Bullcrap. They'd make plenty of money by touring, and/or selling their music to commercial entities for use in marketing. How would things change? Tours would become more profitable and efficient for the artists, and maybe not as extravagant. Rock stars would put out better music because instead of a windfall of $ from a big contract, they'd have to continue WORKING to make it happen. Less drug abuse, less crappy sophomore albums. Less Britney Spears overhyped crap music, more music popular because of actual ARTISTIC VALUE. And a more efficient society--less of my dollars going to line the pockets of do-nothing record industry people and all their BMW-driving lawyers.

      It's a win/win situation for almost everyone!

      --
      Slashdot: Liberal News for Nerds. Liberal Stuff that Matters.
    79. Re:Liabilities for file sharing software? by 11223 · · Score: 1

      Windows File Sharing's main use isn't MP3's - it's for sharing programs :) Seriously, everybody on a network does this. WFS should be illegal.

    80. Re:Liabilities for file sharing software? by Tonttoro · · Score: 1

      Usually someone has copyright on the data that people distribute on any file sharing system. I don't think copyrights just vanish. Do you?
      --
      when everyone gives everything,

      --
      when everyone gives everything, then everyone everything will get
    81. Re:Liabilities for file sharing software? by HP+LoveJet · · Score: 1

      If you want more truly ugly details on how artists get fucked by big labels, read the depressing but informative essay The Problem With Music by Steve Albini.

      --
      spawn_of_yog_sothoth
    82. Re:Liabilities for file sharing software? by John_Prophet · · Score: 1

      Bullcrap. They'd make plenty of money by touring, and/or selling their music to commercial entities for use in marketing. How would things change? Tours would become more profitable and efficient for the artists, and maybe not as extravagant. Rock stars would put out better music because instead of a windfall of $ from a big contract, they'd have to continue WORKING to make it happen.

      Um... with the exception of a few REALLY BIG NAMES, most musicians are making minimum wage or less from their work. True, the RIAA may be making big money, but the individual artists are making very little.

      Now, this is partially the fault of the artists, because they accept the HORRIBLE SLAVE CONTRACTS that the record companies offer, but many of these artists sign their contracts as young, ambitious (starving) artists, who believe that there's simply nothing better. And they're right, for the most part. Even artists who today are worth millions (Madonna, Metallica) started off with one of those same HORRIBLE SLAVE CONTRACTS to the record company.. where the company owns the songs, the rights to further use of the songs (like the commercial revenues) and the artist is working on a "paid to play" basis... in a sense, the music that was created belongs to the record company, the musician is not compensated for having written it, but merely for the time spent performing it.

      Less drug abuse, less crappy sophomore albums. Less Britney Spears overhyped crap music, more music popular because of actual ARTISTIC VALUE.

      In order to stop the wholesale over-saturation of industry-designed groups like Britney Spears, Nsync, BackStreet Boys, the BUYING PUBLIC must turn their votes (their money) away from such acts, and towards other less conventionally recognized talents. If you want more diversity in the music industry.... GO OUT OF YOUR WAY to support underground music.

      (for those of you who just have your panties all in a bunge to do just that, try clicking here.)


      -The Reverend

      --
      -The Reverend (I am not a Nazi nor a Troll)
      =(.\')=
    83. Re:Liabilities for file sharing software? by Anonymous Coward · · Score: 1
      Many companies in the USA want to make copyrights perpetual and change it into a license right.

      So in a few years time there will be no public domain left and even the for the works of Homer, Shakespeare, Beethoven, Bach you will have to pay a license fee.

    84. Re:Liabilities for file sharing software? by truelight · · Score: 1

      ... ... Fred Durst at McDonalds... My god. You are right! I never looked at it that way! Hey - How much money does Britney Spears make? I dunno - but it is a LOT. I admit that she is not bad at all, but PLEASE, her success is NOT due to talent or art, its due to capitalism and propaganda. A guy i know at my school makes considerably better songs than Britney, but he does not have a good agent. And therefore he is not offered multiple millions to have sex.

  40. send RIAA an ameail by Anonymous Coward · · Score: 2

    here: http://www.riaa.org/Contact.cfm

    1. Re:send RIAA an ameail by daala · · Score: 1

      What's an ameail??

      Is it like an electronic enema??

      --
      "The way she used to say Rimmer as if it rhymed with scum" Red Dwarf
  41. We need to somehow let them *know* it's on. by AugstWest · · Score: 5

    I mean, just stopping buying CDs isn't going to do it, we need some kind of way to elt them know that we're consciously choosing not to buy CDs because of their lameness quotient.

    As I've posted before, my music budget has more than tripled (according to quicken) since napster came out. So they're definitely shooting themselves on this one.

    Kinda like sending in the warranty card when you buy a "linux supported" game with LINUX written all over it, we need some way to let them know when and why we're not buying the CDs.

    Any suggestions?

    1. Re:We need to somehow let them *know* it's on. by Refrag · · Score: 1

      Someone should mod you guys up.


      Refrag

      --
      I have a website. It's about Macs.
    2. Re:We need to somehow let them *know* it's on. by grimani · · Score: 1

      And the US economy has been *hot* ever since Clinton and Lewinsky got it on. So? What's your point? Is Lewinsky really what keeps our economy going? Personally, I've bought a car since Napster came out. GM should reconsider its views towards Napster eh? Fuck that.

    3. Re:We need to somehow let them *know* it's on. by grimani · · Score: 1

      Just a question out of curiosity: do you think you represent a significant portion of Napster's userbase?

    4. Re:We need to somehow let them *know* it's on. by AugstWest · · Score: 2

      And the US economy has been *hot* ever since Clinton and Lewinsky got it on. So? What's your point?

      Obviously, my point is that napseter has led me to buy a lot more CDs. I'm not saying this is the case with everyone, but it has been the case with me.

      Normally, I, like most people, would buy CDs that I heard on the radio or from friends' collections. Now I hear a lot of stuff that would never get played on the radio, and that none of my friends are interested in. So I buy the CDs.

      I never would have heard Ween. My interest in Toots and the Maytals wouldn't have been rekindled and I wouldn't have bought his box set. I wouldn't have had such regular reminders of how much I actually *like* Primus, and I wouldn't have bought the 4 primus discs I've since bought.

      MP3 isn't even FM quality if you ask me, but I've not checked the audio specs. And since FM was previously pretty much the only means the record companies had of getting the songs heard by "consumers," I'd have to say that this is a HUGE new marketing channel for them that they never could have started on their own.

      This has been my experience. Do NOT flame me with arguments stating that this isn't always the case. I'm not stating that it is, so you'll be wasting your breath. Or fingers. Or something.

    5. Re:We need to somehow let them *know* it's on. by Randy+Rathbun · · Score: 3

      The RIAA has a contact page right here where you can write to them.

      Has anyone heard if anyone is going to be doing a virtual sit in?

    6. Re:We need to somehow let them *know* it's on. by Refrag · · Score: 1

      He represents me.


      Refrag

      --
      I have a website. It's about Macs.
    7. Re:We need to somehow let them *know* it's on. by Bad+Mojo · · Score: 1

      "I mean, just stopping buying CDs isn't going to do it, we need some kind of way to elt them know that we're consciously choosing not to buy CDs because of their lameness quotient."

      This is a valid point. If the RIAA doesn't know there is a boycott, they will figure the loss in sales is due to gnutella or other illegal forms of music trading.

      Bad Mojo

      --
      Bad Mojo
      "If you can't win by reason, go for volume." -- Calvin
  42. Pay the Artist Directly.. by ChiefArcher · · Score: 1

    I would rather pay the artist directly... That's why I go to concerts.. Artists get fractions of a penny off of CD's.. while they get a lot more revenue off of their touring (if they tour responsibily.... hehe)..

    I really don't want any of my money going to the RIAA.... I used to buy CD's every week.. now I buy 1 every year.

    ChiefArcher

    1. Re:Pay the Artist Directly.. by david+duncan+scott · · Score: 1
      Led Zep made money on tour? I thought only the Dead ever managed that (and they were very careful -- they sold all the T-shirts and whatnot).

      Of course, I don't think they were responsible for the things you could buy in the bathrooms...unless they took their percentage in kind :)

      --

      This next song is very sad. Please clap along. -- Robin Zander

    2. Re:Pay the Artist Directly.. by BJTiso · · Score: 1

      good point, i dont see why most artists dont advocate freely distributed digital copies. For example, i was listening to a local radio show in ny, and the djs have a cd that has been out for a few years. They claimed that they split 15 cents a cd between the two of them. They also have said that they havent seen a check for at least a year. The business model for record companies and signed bands have to change.

      --
      so much beer, so little time
    3. Re:Pay the Artist Directly.. by GRAMMERSoft · · Score: 1
      Those fractions of a panny are the only moral ground the major labels have to stand on, and by not treating them as fictional, we play into the RIAA's PR campaign.

      That shouldn't be how we (TINW) decide what to treat as fictional. We should decide based on what is true

      --
      That said, I think it's time I changed my .sig (again)
    4. Re:Pay the Artist Directly.. by revbob · · Score: 1
      Artists get fractions of a penny off of CD's

      I think it's important to be a little more careful in our speech about this issue. As Roger McGuinn's testimony reveals, it is common for artists to get nothing from the sale of a CD.

      If you believe that artists get a fraction of a penny from CD sales, then you have to conclude that people who use gnutella, etc. are in some sense stealing from the artists. Those fractions of a panny are the only moral ground the major labels have to stand on, and by not treating them as fictional, we play into the RIAA's PR campaign.

      Artists get money from CD sales == Microsoft innovates

  43. What are the alternatives? by 0tim0 · · Score: 2

    I've been using Napster, but mostly because the RIAA doesn't provide a real alterntive. I would be willing to pay, say, a buck a song (like on emusic) rather than using Napster -- if the option were available. In other words, yes, I think what people are doing on Napster is illegal (although, Napster itself isn't ;) -- but, in some sense justified. --tim

    1. Re:What are the alternatives? by killbill · · Score: 2

      s/Napster/Your Credit Card/
      s/RIAA/You/
      s/song/purchase/
      s/on emusic/at my friends apartment/

      "I've been using your credit card, but mostly because the you don't provide a real alterntive. I would be willing to pay, say, a buck a purchase (like at by freinds apartment) rather than using your credit card-- if the option were available. In other words, yes, I think what people are doing on your credit card is illegal (although, your credit card itself isn't ;) -- but, in some sense justified. --tim"

      Not meant to be a flame, just food for thought...

      It is an interesting paradox that many of those that advocate "free" software are simply substutiting one set of highly controlled and restrictive licenses for a different set of highly controlled and restrictive licenses.

      Corporations write and release software because they have a strong personal desire to accumulate wealth and power. They control this software in a selfish desire to do the thing important to them (generate wealth and accumulate power).

      Strong "free software" advocates write and release software because they have a strong personal desire to make information completely free. They control this software in a selfish desire to do the thing important to them (make information free).

      I write and release GPL'd software because I have a strong personal desire to show people God's love in a practical way. I control this software in a selfish desire to do the thing important to me (show God's love in a practical way).

      Either you respect a persons right to control distribution of content they have created to further their personal goals, or there can be no restrictions on redistribution (like the GPL).

      Bill

      --
      Mathematically impossible requirements are technically not against policy.
    2. Re:What are the alternatives? by grimani · · Score: 1

      I see. So it's justified coz there's no digital distribution of music taking place... Have you ever wondered why that is so? SDMI is rejected by the Slashdot community at large. Windows Media Format is rejected by the Slashdot community at large. Liquid Audio is rejected. You sound like a bunch of whiney little kids. I want my music downloadable, and I want it downloadable in MP3 format, because only then can I share with whomever I want, whenever I want, however I want. And without paying, if I want. The 'secure' formats listed above didn't fail because of inherent limitations in their design. They failed because their very nature ('secure') conflicts with the interests of this community. And that is, free music on a mass scale. So you undermine efforts by record companies to embrace the Internet, and at the same time bitch that they're too slow to give you what you demand. Sounds justified to me.

    3. Re:What are the alternatives? by mcwop · · Score: 1

      I buy most of my CD's used. Usually around $8 to $9. That way the big five lose out.

      Check out NOFX's new album called Pump Up The Valuum. It has a song about the record industry called "Dinosaurs Will Die". This from a band that has done extremely well without the crappy music industry establishment.

      --

      "I don't think it's selfish, to eat defenseless shellfish." -NOFX

    4. Re:What are the alternatives? by Mark+F.+Komarinski · · Score: 2

      E-music has a $9.95/mo subscription service where you can download and play any of their music. Too bad the only stuff on there I like is TMBG and the assorted '80s music.

      --
      -- Ever notice that fast-burning fuse looks exactly the same as slow-burning fuse? I didn't... (Edgar Montrose)
    5. Re:What are the alternatives? by JCCyC · · Score: 1
      I write and release GPL'd software because I have a strong personal desire to show people God's love in a practical way.

      Are you the GnomeICU guy?


      "Standing up to an evil system is exhilarating." --Richard Stallman

    6. Re:What are the alternatives? by Whizard · · Score: 1

      No, I want it downloadable in a cross-platform format. Let's see: Windows Media...windows only. Liquid Audio...Windows and Mac. SDMI...yep, you guessed it. This is the heart of the matter in both this and the MPAA/2600 case. Every attempt at making downloadable music so far by a major company has been a half-assed version that's not useful to anyone who's not the status quo.

    7. Re:What are the alternatives? by MoooKow · · Score: 1

      The alternative is that you don't get the music. You're not entitled to it. You have no inherent right to own the fruits of someone elses labor (yes, people put *work* into creating their music and you are *stealing* from them). If you don't want to pay what they are asking for their work then you just don't get to have it. I want a dodge viper, but i'm not willing to pay $70,000 to get one. This doesn't mean i should be able to steal one, or go take one and leave behind $1,000 because that's what I think is a fair price.

    8. Re:What are the alternatives? by killbill · · Score: 1

      Nope, no idea who that is. I put together a simple little collection of perl scripts that (in theory) allows you to capture any stream (for example from tar, dd, etc) of data to a sequence of CDR or CDRW drives.

      It generally works, but is subject to some bugs in dd that show up when moving large amounts of data to the CDRom subsystem. It has been sorely neglected for some time now, and I wish they would get UDF packet writing supported so the whole thing could just go away.

      Bill

      --
      Mathematically impossible requirements are technically not against policy.
  44. Interesting.. by BilldaCat · · Score: 4

    you'll boycott the RIAA, but not the MPAA (going to see X-Men).. what's the logic behind this? Not a troll, I'm really curious.. is Napster more important to you than DeCSS?

    --
    BilldaCat
    1. Re:Interesting.. by bradmajors69 · · Score: 1
      2. The RIAA , which is the Recording Industry Artists of America, a UNION FOR AND BY THE ARTISTS, chooses to fight the digital theft of music. THey go after Napster.

      Uhm. No. The RIAA is the RI ASSOCIATION of A. They are *NOT* a union, they are an industry organization of the record companies. They do not represent the artists in any direct way.

      To quote from their website "Eligibility for corporate membership in the Recording Industry Association of America ... is open to legitimate record companies ... that are engaged in the production and sale, under their own brand label, of recordings of performances for home use. The RIAA does not offer individual or associate memberships."

    2. Re:Interesting.. by ronfar · · Score: 1
      When I think of it in my own mind, I think of it as an "opt-out" rather than a boycott. In other words, if I let myself get sucked into the "media hype machine" I will be at least be partially controlled by it. I'm not trying to change them... I'm trying to prevent them from changing me.

      Take up reading, I just got finished with Stranger in a Strange Land by Heinlein and have started on some others.

      Oh... I may occaisionally break my own rule by spending a 2 bucks on a rental. But heck, the library has some good movies too.

      Go to see a movie in a theater? No way I'll do that until this is settled.

      --
      All the creatures will die, And all the things will be broken. That's the law of samurai. (Jubai, 1605)
    3. Re:Interesting.. by Glytch · · Score: 2

      Here's my guess: DeCSS is more of a philosophical kind of issue, in that the code isn't immediately useful to the average Joe User, but only as part of a larger project. Also, the MPAA is willing to make their digital format, DVD, much more widespread. They're not trying to stop the evolution of their industry, just control it. That's understandable, even if they're being utter pricks about it.

      Napster, on the other hand, is immediately useful to goddess-only-knows-how-many millions of users daily. Not only that, but the RIAA seems to be trying to stamp out all forms of digital music. Don't bother pointing out SDMI and the others, they're complete jokes. They're just token gestures, an empty claim of being "with it", sort of like Dr. Evil saying he's hip in the first Austin Powers movie. Whenever I think of secure digital music, I think of that. The RIAA seems determined to stop the evolution of their industry, and that's where the two groups differ.

      Maybe I'm completely wrong, but it sure seems that way to me...

      Of course, this doesn't affect Gnutella. :)

    4. Re:Interesting.. by atubbs · · Score: 2

      I tend to think the protest is directly related to the accessibility of the medium. While DeCSS is indeed another important issue, and while the MPAA should receive similar treatment, the exposure is nowhere near as wide-spread.

      There just isn't a level of access for movies like there is for mp3s. The medium doesn't exist to allow widespread piracy for movies, as there simply is not the bandwidth, storage, or patience in order to accomplish it on a similarly massive scale. People are going to protest what is tangible and apparent, and what affects them most at a given time. When and if Napster is disconnected, a lot of users will suddenly become angry, and it will take little more than a suggestion to protest the RIAA. However, when the plug is pulled on DeCSS, we fall into more of a conceptual violation of rights, where the effect isn't felt directly my nearly as many people; it's a problem for philosophers of the information age.

    5. Re:Interesting.. by Mike+Hicks · · Score: 2

      With these huge corporations that are in existence today, it is very hard to go through with a complete boycott. For example, many of us know and love Sony for making high-quality audio, video, and computer hardware. Sony also has a presence in the music and movie industries. Should I not buy that Trinitron display I've been lusting after because I don't like how their music division is behaving? That's a personal decision.

      With a company like Disney, it gets even worse, as a number of good television programs run on ABC. I prefer to watch ABC News rather than the others (I don't want to have much to do with NBC because of their closeness with Microsoft, and I just don't like CBS News.. :-p )

      The 2600 crew has noticed that few people want to report on their DeCSS case. I've heard Emmanuel say on his radio show that he's had reporters call him up and ask about other topics. He'd politely answer questions, but at the same time would point out that that reporter's organization was on `the other side' in the DeCSS trial. Mostly, he just gets a shrug and some response to the effect of `well, I don't choose the stories..'

      Of course, I think you were thinking about movies, and only movies. Personally, I really enjoy a good movie. It provides a good escape, where your mind can unwind for an hour or two. There are a lot of movies that really suck, and I personally have been going to fewer movies since the DeCSS thing started, though I still go. I try to only go to the `good' movies, the ones I'll really enjoy.

      It is extremely difficult to avoid the products of companies involved here. It's relatively easy to avoid Microsoft. With these big media companies, they're all around you. They may even own your local newspapers or television stations.

      Perhaps that's even more of a reason to go through with a boycott..
      --
      Ski-U-Mah!

    6. Re:Interesting.. by ShadyG · · Score: 1
      Sure, I'll go to see X-Men. That doesn't mean I'm supporting the MPAA though. I intentionally choose theatres that show a mix of MPAA and independent films so that I can always purchase a ticket for an independent one. Once inside I see whatever movie I want, but my money never goes to the MPAA. I even got caught once and explained what I was doing. The theatre employee said it was a good idea and let me go in anyway.

      I encourage everyone to do the same. Only pay for independent films. Only purchase independent or used DVDs. It's not all that difficult to see what you want to see while still maintaining control over where your money goes.

    7. Re:Interesting.. by magnwa · · Score: 1

      I am really curious why people think this. Let me point it out and get your responses:

      1. People steal music through Napster. Yes, I know Napster is "just a service." The truth is that it facilitates the theft of copyrighted stuff. I live in Nashville. For every Britney Spears, there are thousands of artists creeping by that get $0.00 from their song being ripped onto Napster. Theft is a form of flattery, but it doesn't put fod on the table.

      2. The RIAA , which is the Recording Industry Artists of America, a UNION FOR AND BY THE ARTISTS, chooses to fight the digital theft of music. THey go after Napster.

      3. The community gets this notion in their head that the RIAA is backwards because they are protecting their work. They get this odd feeling that the RIAA is "anti digital."

      Now let me ask you my question. Why do people do it this way, and THEN turn around and say to the RIAA "You need to just get into the digital market, you're upset that we're providing another distribution means, if you just joined us you'd make money." Umm.. excuse me, business proposals from the people who invented a method to support wholesale theft?

      Who said the RIAA isn't interested in digital music? I for one know they are. It's just they aren't interested in helping make the people who facilitated wholesale theft of their music rich. They want business partners in this that they can trust, not partners that take the music and then ask them why they aren't involved.

      Magnwa

    8. Re:Interesting.. by White+Shadow · · Score: 1

      well, probably not more important, but MP3s are now and DivX (for most of us) is the future. MP3s are all over the net now and easy for almost anyone to get a hold of. DivX is harder for the average user to get and even if they could, not many modem users are willing to download 200+ megs to watch a movie on their computer.

      On a side note, I haven't been intentially boycotting either RIAA or MPAA, but I've noticed that I refuse to see evening shows now due to the high price at movie theatres. Also I haven't bought any CDs under the major record labels, partially because of the price, partially because I hear it enough on the radio, but mainly because they don't play the music I like. Mainstream music just doesn't do it for me anymore.

    9. Re:Interesting.. by grimani · · Score: 1

      Sure, coz DVD movies are a bit big to pirate right now...

    10. Re:Interesting.. by magnwa · · Score: 1

      You are right on the third count, but let me point something out to you. If you wrote something, and someone stole it from you, would you like being labeled "Anti-Open Source" because you refuse to let them complete the theft of the product? The RIAA has no problem with digital dissemination. They let Spinner operate. They've signed multiple contracts with Windows Media and REAL and Broadcast.Com. The problem that mp3.com and Napster have is that they STOLE FIRST and ASKED SECOND. This creates a doubt in the industry. They aren't being anti-digital, they just aren't choosing methods of being digital that are approved by the "grassroots ubergeek hatefest". Maybe if someone approached them logically and legally, they would consider it?

      Magnwa

    11. Re:Interesting.. by Genom · · Score: 2
      1. People steal music through Napster. Yes, I know Napster is "just a service." The truth is that it facilitates the theft of copyrighted stuff. I live in Nashville. For every Britney Spears, there are thousands of artists creeping by that get $0.00 from their song being ripped onto Napster. Theft is a form of flattery, but it doesn't put fod on the table.

      And there are tons of artists creeping by to make $0.00 from the sale of that CD. Most artists make their CDs on loan from the RIAA, and almost every penny goes to pay them back for the recording and promotions. Most artists make squat from your buying of the CD, period. The only person you're (arguably) taking $$ from is the RIAA itself.

      The other argument is that it's possible that you wouldn't have bought the CD anyway. Let's say there's only one song you like, and it's a "non-popular" track - the only way the RIAA gives you to get a copy of the song is by buying the ENTIRE CD and sucking up their inflated prices for stuff that you DO NOT WANT.

      So...assuming that you don't just give in and buy it all anyway, because you're given no choice in the matter (the way the RIAA wants it), you go and download an imperfect compressed digital copy from a friend, or someone on Napster. You've robbed noone. The CD would not have been bought in the first place. You would not have spent money in the first place, so there's no net loss.

      2. The RIAA , which is the Recording Industry Artists of America, a UNION FOR AND BY THE ARTISTS, chooses to fight the digital theft of music. THey go after Napster.

      "by and for the artists", huh? Maybe back in the days when it was founded, but definitely not today. Today the RIAA is a money-making organization that exploits aspiring musicians and artists to fill their own pockets. It's extremely tough, if not impossible, to get a "popular" song without the backing of a label. They push their own, and they don't want outsiders. They do everything they can to stifle competition. It's the "American Way". They finance the CD, and promote it, then keep a "percentage" of the profit, as well as taking back their costs of production and promotion. The "percentage" is high, and the costs that they quote for production and promotion are inflated to the point that the artist, in the end, gets very little, if anything, for their talent and "art".

      I see little evidence to the contrary.

      3. The community gets this notion in their head that the RIAA is backwards because they are protecting their work. They get this odd feeling that the RIAA is "anti digital."

      Not "Anti-digital" - not at all. If the RIAA could see an easy way to control and profit off of digital music, they would. Instead, they see no way to put the genie back into the bottle, so they turn to the second most effective alternative: Lawsuits. They will simply make (read: buy laws, like the DMCA) doing anything they don't want you to do illegal. That will be enough to prevent the "masses" from benefitting too much from the availability of digital music - they'll be too scared of the consequences.

      It's all about control.

      Now let me ask you my question. Why do people do it this way, and THEN turn around and say to the RIAA "You need to just get into the digital market, you're upset that we're providing another distribution means, if you just joined us you'd make money." Umm.. excuse me, business proposals from the people who invented a method to support wholesale theft?

      The method was not invented to support wholesale theft. As noted above, in many cases NO theft has taken place. Even so, the method itself is one of collaboration and sharing - the "heart" of the internet, so to speak. It no more supports theft than a gas can supports arson. The gas can can be used to legitimately haul fuel to a car/boat/lawnmower/etc... or it can be used to haul fuel to a building you want to burn down. Either way, it's not the fault of the makers of the can - it's the fault of the person using it.

      Who said the RIAA isn't interested in digital music? I for one know they are. It's just they aren't interested in helping make the people who facilitated wholesale theft of their music rich.

      I agree wholeheartedly. The RIAA is only interested in making ONE entity rich: the RIAA.

      They want business partners in this that they can trust, not partners that take the music and then ask them why they aren't involved.

      The "theft" thing is just a spin on the issue to get the clueless people to view it as illegal without understanding the issues. They don't want business partners they can trust - they want to BE the business, as they are now. They want to be the only way to get a hold of music - so they can charge whatever prices they want. Until now they have been VERY successful. Why else hasn't the average price of a CD gone down since their inception? CDs are INCREDIBLY cheap to produce en masse, yet we're still paying $13-20 apiece.

      Napster threatens the monopolistic business model of the RIAA - it gives music in an intangible form to people for free (plus the cost of any ISP/phone fees) and makes it so easy "a sheep could use it" (a great quote from someone else's post that I am stealing - hope you don't mind ;) ). This is what they are afraid of - that people will realize that they don't HAVE to buy all the schlock they are buying now, that they HAVE a choice, and that they can get what they want when they want it. In order to compensate in an open marketplace (without the intervention of copyright/IP laws) the RIAA would have to reduce their prices to compensate (THIS is where it would hurt the RIAA's pocketbook) and bring their music out to the same priceline as the digital versions. Artists still would get screwed over - although micropayments DIRECTLY TO THE ARTIST would be not only possible, but preferable to many people (myself included).

      In short, Napster threatens to break the RIAA stranglehold on music distribution - thus they are trying to shut it down, and using the US Legal System, where the Word of Law rests on the back of the Almighty Dollar, to do it.

  45. Thanks Technopoly! Art is now FREE by smagruder · · Score: 1
    Have I just realized the obvious? That copyright law no longer effectively applies to artistic works that that can be digitized? Can the legal authorities really stop the Internet and the multitudinous technical minions from mirroring Napster's capabilities around the world, esp. when there's already many such sites up and running? I'm not questioning copyright law here (although perhaps it should be looked at). I question the RIAA's intelligence in fighting Napster, when they should have realized that the cat is outta the bag, bigtime. There is really no effective way to reel this "problem" in. The RIAA should give up the ghost. Music, movies, art, photos, software, etc. are now all FREE. That is, the monetized (not aesthetic, emotional, social, etc.) value of art is vanishing and cannot be recovered. Companies and artists that provide these neo-freebies will now have to make money through alternative methods. Re: music, artists can sell collectibles and give concerts (what a concept!) Re: software, companies can sell support and paper-based documentation (open source rules!). And so on. In ten years, copyright law will be the shell of what it once was. They will only do one thing: Assign a work of art to the one who created it. And the direct cause of this? TECHNOPOLY

    Steve Magruder, Technopolist

    --
    Steve Magruder, Metro Foodist
  46. Re:What I want to see by RalphSlate · · Score: 2

    I thought that the judge's decision was for Napster to block all copyrighted songs from their network, and when they replied that it would be technically infeasible to do this, the judge told them that was the position they put themselves in. I think that Napster has to comply with the judge's ruling, and the only technical way they can do this because of their architecture is to shut down.

    The RIAA didn't request to shut down Napster. They wanted to stop it from being used to distribute copyrighted songs.

    Ralph

  47. Re:mp3.com by RobertFisher · · Score: 1

    However, mp3.com has purchased liscensing agreements recently with members of the RIAA (Warner, BMG) for its 'Beam-It' tool. The RIAA and its members DO NOT want to see mp3.com shut down, since 'Beam-It' presents just about the best opportunity for them to offer positive incentives to purchase more CDs while still protecting their property rights.

    This is the real world, and the real world is not clean : mp3.com works with both the RIAA and independent artists. If you are really bent on sticking to principles, you should ban mp3.com as well. However, a more moderate stance is that we need both moderates and extremists pushing from both sides to really advance.

    Bob

    --
    Science, like Nature, must also be tamed, with a view turned towards its preservation.
  48. boycotts are good for me by revengance · · Score: 1

    Me will boycott audio cd from RIAA related companies. Sure, it does not affect them much. But it affects me a lot. I will have much more money to spend.

  49. good time to mention deal on CD-R by slashkitty · · Score: 1

    50 pack CD-R only $15 from outpost.com. Free overnight shipping. Just in case you need to back up your existing cd's / mp3's.

    --
    -- these are only opinions and they might not be mine.
  50. Re:My Boycott Idea(s) by mckwant · · Score: 1

    > If you buy a music CD at a used CD store, the
    > artist (and the RIAA) get absolutely nothing
    > for your purchase.

    Hey, thanks for reminding me! My RIAA boycott is in its third year and still going strong!

    Woo-hoo!

    Plug for a good used CD URL: Spun

    --
    ceci n'est pas un sig.
  51. Re:Napster shouldn't be shutdown by Refrag · · Score: 1

    No, you asked about how much "non-copyrighted" music someone else would be interested in. Don't try to change your words now, at least admit that you were wrong.

    Secondly, if you don't care what the RIAA is, why are you even reading under this topic (Napster shouldn't be shutdown)?


    Refrag

    --
    I have a website. It's about Macs.
  52. ..won't help In the real world..? by Sirron · · Score: 1


    If you believe that this suit is about piracy, you are correct, it won't help with the problems of piracy. But it is not about piracy. It is about control. Specifically, control of (quasi) legal distribution.

    The problem that Napster poses to the RIAA is a new model of music distribution that is well funded (Venture Capital backed!) but, not under RIAA control.

    RIAA currently has (virtual) monopoly control of all current music distribution. With that control comes immense profits.

    Those profits are at the expense of the consumers, who have no other avenue but RIAA for music entertainment - so the RIAA can charge what it wants - $16.99 for the TLC Waterfalls CD for example - 12+ million copies sold - do the math!

    Those profits are at the expense of the artist who have no other avenue but the RIAA for distribution of their work - so the RIAA can pay what it wants - $150,000 (net) to the entertainers TLC for example - after selling 12+ million copies of the CD Waterfalls - do the math!

    It is that legal theft from consumers and artists that the RIAA is trying to protect by stopping Napster. And if they can scare away the VC money from this new form of music distribution, they can maintain that monopoly a little longer.

    It is unfortunate that more consumers and artists don't see the RIAA as the threat that it is to competition, and fairness.

    And don't expect the mainstream media to share this view as CNN/Time/Warner/(almost AOL) is a part of the RIAA, and ABC/ESPN/Disney is a part of the RIAA, and CBS/Paramount/Viacom/MTV/HBO is a part of the RIAA...

    And the Judge who pulled the plug is a part RIAA...

    --
    The fact that no two snowflakes are identical should tell you something important about God's will.
  53. Re:Micropayments by mgoyer · · Score: 1
    We've started a basic website that allows you to send micropayments (>$0.01) to essentially any artist.

    The idea is that you obtain your song via Napster or through gnutella/scour/ftp/irc/imesh and then once you determine that you like the song you surf over to www.fairtunes.com and send a completely voluntary amount directly to the artist (we do not send money through their record label. it is up to the artist to distribute the funds).

    Matt
    www.fairtunes.com

  54. Re:Boycott here is a waste of time by revengance · · Score: 1

    Otherwise, this is a waste of time. You can put it in a worse way. It is not a waste of time. It is a saving of time. There is no need for me go to down to the record shops like Towers, HMV to broswe.... Furthermore, I get to save the money. Now I can afford to donate to the EFF.

  55. Need well defined fair use by Greyfox · · Score: 2
    What falls under "Fair use"?

    I tell a friend in the next room "Check this out" and play a song for him. Fair use?

    I lend someone a CD. Fair use? They make a tape of it? Fair use?

    I send a net.friend a mp3 file over the internet and say "Here, check this out!" Fair use?

    I send a net.friend an entire CD in MP3 format over the internet. Fair use? They make a tape of it. Fair use?

    I rip a CD to MP3 format so I don't have to shuffle CDs. Fair use?

    I record a song off the radio, make an MP3 of it and send it to a friend. Fair use?

    I decide that CD I bought last month really sucks and sell it at a used CD store. Fair use?

    Now lets get into the fun ones.

    I have the chance to download a song or concert which I would not have heard otherwise. Fair use?

    I have the chance to download an album that's been out of publication for a decade. Fair use?

    I have a chance to download a southpark episode that aired last week on comedy central. Fair use? With the commercials stripped out? Left in?

    I have a chance to download a bit of Anime that only ever showed in Japan, between the years of 1970 and 1975. Fair use?

    I have the chance to download the text of a book that I read as a child. The author died 15 years ago and the book has been out of print for almost two decades. Fair use?

    As has been pointed out, the ROMS to many games we played during the '80s will soon die. Is preserving them fair use?

    I could probably come up with some more examples. The RIAA or MPAA would tell us that under current law, most of my examples are stealing. I think many people would agree that many of these examples are not stealing, especially in the cases where there was no possible way that I'd be able to get the content otherwise.

    What I think we need is a fairly major reform of current copyright law, enumerating exactly what you buy when you purchase a copyrighted item, exactly what rights you have and what rights the publisher has. I think the time limits on copyrights and patents need to be moved way down. Copyright is already causing important content that was generated in the past few decades tob e lost. This is NOT the way these laws were supposed to work.

    Spelling everything out is the only way these problems will ever go away.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  56. RIAA Cartoon by verbot · · Score: 1
    Check out this cartoon I found on the RIAA:

    http://www.laugh2day.com/mp3.html

    Enjoy

  57. Come on, guys... get real! by scribblej · · Score: 1
    You may have a good point about where the money is going,b ut by this logic, I should be able to go into my local BMW dealer and help myself to a Z3 convertible, 'cause although I want it, I'm not going to buy one.

    Now, granted, one is theft, and the other is copying. I can see the difference. But the point is, if you're not willing to pay the price for it, you shouldn't be allowed to have it.

    Music, as wonderful as it is, isn't a basic human right. And unfortunately, despite the fact that people seem to think The Internet isn't included in reality, there are laws concerning this sort of thing (at least in the US; other countries, check for yourself).

    Copying a work of art that you do not have permission to copy is illegal. Plain and simple. It's not confusing, it's easy to understand. If an artist creates something and doesn't give you permission to have a copy of it, you can't.

    Sure, it would be great if all the artists I love would give away their music for free, but they choose not to. Perhaps that will change as the forms of distribution the Internet make possible bring down the cost of self-publishing. In the meantime, I don't even see why people are debating.

    Let me restate what I think is the most important point here. If your friend isn't going to pay for Diablo 2, why should he have the right to a copy of it? If I walked into a video arcade (you people are old enough to remember those, right?) and told the attendant I didn't want to PAY for a certain game, but I expected to be able to PLAY it, he'd laugh me out.

    Therefore, I laugh at you. Ha!

    1. Re:Come on, guys... get real! by technos · · Score: 2

      the artists I love would give away their music for free, but they choose not to

      It's not their music anymore. Say I make a thousand pirate copies of, ehrm, let's say Britney Spears albums. I promptly call her up, and tell her I'm pirating her music, and dare her to sue me.

      She can't. She doesn't hold the copyright, her label does. Music became a work for hire, not distribution. Sign a contract, and even if it doesn't grant the company copyright to the songs, they still own every line, and your name, and your likeness, and quite possibly your genetic material. (They claim any publically recognized personal trait as theirs)

      She couldn't even give it away for free if she wanted to. Shit, she couldn't sue me for BritneySpearsSucksMyDickOnDVD.com, she doesn't own her name.

      --
      .sig: Now legally binding!
    2. Re:Come on, guys... get real! by FirstEdition · · Score: 1
      You may have a good point about where the money is going,b ut by this logic, I should be able to go into my local BMW dealer and help myself to a Z3 convertible, 'cause although I want it, I'm not going to buy one.

      You are missing the point that if anything is being stolen at all, it is information. You are not within your rights to demand a BMW from the dealer, but you are within your rights to look at it really closely in a dealership, and then try to make one in your backyard. And furthermore, if you succeed in making one, you can tell your friends how you did it.

    3. Re:Come on, guys... get real! by Tom7 · · Score: 1


      You wonder why we debate this?

      "Music ... isn't a basic human right."
      "Copying a work of art that you do not have permission to copy is illegal. Plain and simple. It's not confusing, it's easy to understand. "

      Some (including myself) would say that Copyright is not a basic human right, either. Something being illegal doesn't necessarily make it Wrong.

      While your position is simple and sensible, mine is too. That's why we have debates!

  58. Please do NOT call it pirating!!!! by MemeRot · · Score: 1

    Grabbing copies of copyrighted music is not theft. It is not piracy. It is copyright infringement. Notice how when you hear copyright infringement you react differently than when you hear piracy or theft?

    The record companies have been very successful in controlling this debate by inserting their terms into the discussion. Unnoticed, this introduces their memes and ideas. Theft is a felony. Piracy (though making a comeback in asia, is pretty much nonexistent around the us) is a felony. Copyright infringement is NOT a felony. Copyright infringement was not done by napster. Or by people who made their songs available. The only thing copyright prevents is 'making unauthorized copies without the permission of the copyright holder'. In the whole napster scenario - who was it who made the illegal copies? It was the people who clicked on the link and started the transfer. They were the only people who did anything to infringe copyright. They should be the only people who can be sued by the RIAA.

  59. Re:Boycott here is a waste of time by thesparkle · · Score: 2

    I don't believe there are 175,000 readers of Slashdot, but hey, saying so will get you some good banner advertisers.

    Most of the replies I got some up the real problem; there are not enough people here to make a dent. Oh, it's fun to run outside and rally around the flag and shout curse words at the major record labels. But people lose their interest and move on.

    Why?

    Because this is not about life and death. It is not a direct cost to you. Oh sure, you can say indirectly this affects you because you don't think it is fair to pay 15 bux for a CD and only 1 of those dollars goes to the artist and the rest to some universally despised, nameless, "fatcat" corporation. Guess those "starving artists" - and I say that with more sarcasm than truth - should have read those contracts.

    Try protesting something really important, like people starving, corrupt, murderous governments, polluters, spouse abusers, or child stalkers.

    Record companies? Please.

    This protest will last until Taco or Roblimo have to get the latest "Last Who Live CD".

  60. Where does the music come from? by mach-5 · · Score: 1

    So if I boycott buying music from anyone in RIAA, and Napster is shut down, where do I get any new music?

    CRANK UP THE RADIO AND GET OUT THE BLANK CASSETTES, BABY!

  61. Re:Used cds by holt · · Score: 1

    actually, does the RIAA get a portion of the money the indie-labels make in the form of the RIAA tax that we pay on blank CDs? (well blank audio-CDs, b/c i have noticed that in many stores the blanks which are labeled "audio CD" are a few dollars more expensive than the ones labeled "for computer use only" even though they are the same thing.)

    I mean, if you buy a CD from an indie label, but they had to pay the RIAA tax on their blanks, then does that defeat the purpose? (other than better music, of course)

  62. RIAA whines, Napster feels it by madskillz69 · · Score: 1
    I will miss Napster wholeheartedly, and I have the RIAA to thank for it. I will admit, I downloaded a few songs off of Napster that I previewed, and bought the album when I could. However, I also found songs on Napster that, for some reason or another:

    1. I couldn't find the CD anymore (out of print)
    2. The songs were remixes and exclusives and not available to the public
    3. The songs on the CD that weren't singles.

    The RIAA has had the consumers in a chokehold long enough and Napster made them realize consumers have the power. Can the RIAA explain why they are so anal rententive? Why can't consumer buy any song we hear on the radio? Why do we, the consumers, have a certain time frame to buy their music? Lest they forget, we pay their salaries. I used to buy CDs all of the time. Thank you, RIAA, for making it easier for me to boycott CDs from now on.

    Madskillz 69

    Check out a cool link from a journalist supporting Napster.

    http://www.sunherald.com/business/docs/tech072300. htm

  63. A Call to Arms by quantumfire · · Score: 1

    Check out this story on the New York Times...
    For Many Online Music Fans, Court Ruling is a Call to Arms

  64. Re:Attn! by gh3 · · Score: 1
    Google always helps: the Hyperion web site has this tidbit:
    Recording costs have therefore gone up a great deal in the CD age, and this is reflected in their price. If the CD playing-time limit was the same as that of an LP then it seems likely that they would cost appreciably less in the shops. As it is, the cost of a modern recording of a large choral/orchestral single CD can easily run up to GBP 50,000, especially if soloists are involved. Clearly it is necessary to sell a large quantity to recoup such a sum.
    This is considerably less than half a million USD. Maybe other sites quote different amounts, although the RIAA page on The cost of a CD is pretty light on figures, aside from the dubious claim that the price of a CD fell 40% between 1983 and 1996, even before inflation is taken into account (is this right? I don't recall paying over $20 for a CD, even back around 1985 or so.)

    Anyway, the RIAA site does give that 90% non-profitable figure, but what does that mean? How much does the average "non-profitable" recording actually lose? $1? $1,000? $100,000? How does that balance against the huge amounts that something like a Brittney Spears CD rakes in?

  65. Re:Neither side deserves to win by Ketzer · · Score: 1

    So don't come crying to me about all the extra costs the record labels have to bear promoting lesser-known bands. It's just not true. 3000-4000% was probably a bit of an exaggeration, but 1800% is not (at the $8-10 sell price).

    I don't recall any crying. I don't claim that record companies aren't greedy and immoral, I was merely pointing out that his 3000% was an exaggerated figure. I still think your 1800% is not very informative, since you're still looking at the cost of producing the CD, and ignoring the overhead. It would seem like if you sell something for twice what you paid to make it, you'd be turning an amazing profit. But I bet if the record companies only had a 100% profit margin on the CD production/sales, they'd go out of business. There are a lot of costs that record companies pay, other than just physically manufacturing CDs.

  66. Re:Napster shouldn't be shutdown by chakalaka15 · · Score: 1

    If Chevy's only designed car had a built in jet engine, oil slick, battering ram, and 6 inch gun, and that car were used in the overwhelming majority of bank robberies, then perhaps your analogy would be more in line with reality. Napster exists to disseminate copyrighted music. This is _all_ it was ever intended to do.

    I, personally think, given the current state of the record industry:

    http://www.salon.com/tech/featur e/2000/06/14/love/

    that Napster, and all the little second-gen Napster sprouts are a _good_ thing. Napster is what the music-listening world needs at the moment. But to try to liken Napster to anything other than the gargantuan freebie music-orgy that it is is deluding yourself. Call it what it is, and love it anyway.

    --
    -Ryan
  67. Postage? (was Re:Word from the RIAA) by goldfndr · · Score: 1

    Do they accept COD?

    --
    Copyrights, Patents, Trademarks: temporary loans from the Public Domain, not real property ("intellectual" or otherwise)
  68. Napster gone, Gnutella here to stay? by Sentience · · Score: 1

    Now that the judge made the call, could gnutella go down too??????????? I was reading at http://www.gnutellanews.com, and I saw all these gnutella clients for every popular (and even unpopular) OS's by all these different people. If gnutella isn't just being written by one person, could it be shutdown??? I think I'll download one of the clients at http://www.gnutelliums.com before there's some kind of shutdown with that too. This is crap. Nobody has the right to shutdown an enterprise that isn't engaging in illegal activity. Just because one person got run over doesn't mean you get rid of the sidewalk!!! A Rather Pissed MP3 Lovin' American

  69. Shareware model of music distribution by Meme+Engineer · · Score: 1
    A shareware model of music distribution could work. Download the shareware music; if you like what you hear, pay the artist (whether through a website or some other means established for this model--perhaps through the same site or software you used to download the music). If you really like the music, you can choose to pay more in order to support the artist's current and future endeavors. If the music sucks, delete it. This way, artists will succeed or fail based on the merits of their music and the tastes of consumers, not because some Obscenely Large and Greedy Corporation, Inc. pumped millions of dollars into promoting them. Who knows? It just might lead to a musical renaissance of sorts.

    Now if we can just find a similar system to fight the MPAA....

    "The real question is not whether machines can think but whether men do." -B. F. Skinner

    --
    "The real question is not whether machines can think but whether men do." -B. F. Skinner
    1. Re:Shareware model of music distribution by Meme+Engineer · · Score: 1

      Whoops; this man was obviously *not* thinking when he double-pasted the .sig... *sheepish grin*
      -M.E.

      --
      "The real question is not whether machines can think but whether men do." -B. F. Skinner
    2. Re:Shareware model of music distribution by Meme+Engineer · · Score: 1
      There is evidence in support of the shareware model working, though. Consider the success of Khaled Mardam-Bey's mIRC, for example. Mardam-Bey has made his living off that piece of shareware for years. REALLY GOOD shareware *can* be a money-maker.

      And what about the idea behind Agent? Free Agent is a fine piece of freeware, so people willingly send money to Forte' for the full version. Perhaps there's something in the Freeware/Payware model that would work for normal/enhanced song production. You get a low-bitrate mp3 for free, but if you want the song that sounds incredible, pay to get an unlock code. Granted, code and encryption schemes are breakable, but the point is that distribution models like these are not inherently unsuccessful, so it's something to think about. We need to devise a system for music sharing and artist compensation that will work. The pre-Internet model of music distribution clearly will not.

      I tend to agree that shareware purchasers are actually a tiny percentage of shareware users. With music, however, if that "tiny percentage" of payment went to the artists rather than the Giant Corporations, most artists arguably could still make more money than what they are making as corporate slaves. And as I said in my first post, it could certainly boost the quality of their output.

      Like the man said, no problems; only solutions. :-)

      --
      "The real question is not whether machines can think but whether men do." -B. F. Skinner
  70. Re:Napster shouldn't be shutdown by davstok · · Score: 1

    OK, if you really want to keep showing what a silly person you are...If you really didn't understand the conversation, too bad, maybe brush up your language skills with a few kiddy books. The user I was replying to certainly did understand.

    BTW, I am interested in the basic issue and not in which American organisation has happened to bring a court case, though why I'm bothering to tell you the obvious again I really don't know. And for that matter, I know perfectly well what the RIAA is. Funny you fell for that.

  71. Long Live Napster by digital_raver · · Score: 1

    Down with the MAN !!!! I will never buy CD's ever again.....if i need anything... i will either burn it to a blank CD, use gnutella,or copy it on to my minidisc. i havent paid jack for music over the past year...why should i now! minidiscs are the way to go! let all the dumb people buy CD's. i think this ruling hurt the music industry more than it helped them....because now they have 20 million pissed off music listeners who want to ruin them....AND RUIN THEM WE WILL!!!! LONG LIVE NAPSTER !!!!

  72. Re:Micropayments by laserone · · Score: 1

    I like this tactic. (see my post "Why I support the boycott") I would gladly pay a few cents, like you said, per download. Gladly. Any RIAA people in here listening or taking votes? Hello? No, they're probably at the golf course right now. I think this is a great idea.

  73. Re:Honest Question by b0r1s · · Score: 1

    I'm not going to say I dont use napster. I'm not going to say that I've never download an entire cd solely so I could burn it and play it in my car. But I'm also not going to criticize the RIAA for trying to enforce their copyrights.

    I have a hard time believing that any slashdot reader would do any differently if they were in the places of the lawyers for the RIAA. If they do not attempt to combate such bold cases of copyright infringement, then they lose all ability to prosecute copyright infringement in the future. As far as the RIAA is concerned, they must sue napster, if for no other reason than to set a precedent for copyright violations for their artists. If they, the RIAA, choose not to attack this case of copyright infringement, will they be able to mount a strong case against, hypotheically speaking, another artist who samples bass beats or guitar sections of a song? So, in answer to your question: Is it wrong for me to search for and download songs from artists that produced CD's/Tapes that are no longer available to purchase I present you with an equally valid argument: Is it wrong for a lawyer to set a valid precedent for his clients, regardless of how futile the precedent seems to an outside observer?

    ================================================ =
    If ignorance is bliss, wipe the smile off my face

    --
    Mooniacs for iOS and Android
  74. Other costs/benefits by Error+404 · · Score: 1

    Your viewing of X-Men would have cost you not just $8.00, but a night of hockey.

    That night of hockey, I'm guessing, provided at least one or two minor stories or events that will become part of the shared mythology in your circle of friends.

    You spent an evening building your own authentic culture through unmediated shared experience. You lost out on participating in a mediated shared experience of the larger culture.


    Our secret is gamma-irradiated cow manure
    Mitsubishi ad

    --
    We apologize for the inconvenience.
  75. Makes you think by Cyno · · Score: 1
    If you understand that laws are nothing more than written rules that we choose to obey. And the way to enforce a law in a capitolist society is by taking away your money through fines or imprisonment (All fear tactics). Then you have to think a bit about modern laws that have been passed into action. If they are laws that EVERYONE breaks. Or that a majority of our democratic society breaks. Shouldn't that be a prime example of the public voting down a law, simply by ignoring its existence?
    How can a majority of the population be criminals? That seems sort of hypocritical to me.



    Just a thought,
    Caleb

  76. Re:RIAA strategy is fear not banning. by Kalidor · · Score: 1

    Russia was just an example and true .. it would .. for a while but someone else will just open another one just as fast. Nephew of Ukrainian who spends two weeks in Ukraine every year ... unfortunalty -_-x

    --

    Code softly but carry a big magnet.

  77. Re:What I want to see by daala · · Score: 1

    But it is not as if people go to Napster to check out NEW ARTISTS or NEW MUSIC. They are downloading music which already has a high distribution rate and large market saturation to begin with. The ones with the filmclips, the posters and the popularity

    Eg. I am sure you have heard of Britney Spears more people would download her songs then let's say Mala Wala from Tibet a struggling artist not heard of by any record label, with no advertising, no filmclip etc...

    This arguement falls down on this point!!

    --
    "The way she used to say Rimmer as if it rhymed with scum" Red Dwarf
  78. Re:Attn! by ASIO · · Score: 1

    Pardon the expression but *tug* *tug* *tug*, man what a troll, heh

    --
    On the other hand, you have fingers :)
  79. Re:Boycott is useless by scorbett · · Score: 1
    I agree, RIAA would make less money if they switched to a micropayment system such as 1$ per song. However, the bottom line is they would still make money. If they continue to fight tooth and nail against new distribution systems and stubbornly refuse to adopt and endorse new technologies, then sooner or later they will cease to be profitable.

    Therefore, I don't believe a boycott is useless. Quite the opposite, if enough people get together and force RIAA to listen to reason, I believe a boycott could be a positive catalyst for change.


    --

  80. Re:I'm conducting my OWN boycott - by Planesdragon · · Score: 1

    I know. But we DO exist, so, ah, er...

    PHBBT!!!!!

    (and I even have a cable modem...)

  81. Re: you can't put the genie back in the bottle by Beatbyte · · Score: 1

    Don't be a jackass. Sales have increased." That doesn't prove a thing. Thats my whole point, music popularity has skyrocketed. The SAME people that download the latest singles are the ones who go buy the bands stuff. "has there EVER been anytime when musical artists haven't been huge stars?" Sure Wrong again. Back in Beethoven's time, everyone knew of him and his music. He WAS considered a musical prodigy while he was alive. BEFORE recorded music. "Unless you want to catalog the entire store's selection and have it at a listening station, you're not going to know what you're buying." cdnow.com? Unless you listen to the same crap thats on MTV all the time, the CD's you check out won't always have samples (many of them don't). Lots of unknown bands are on there with no samples whatsoever. and I never said anything about because all people are doing it its not illegal, I'm just arguing that the mild cases SHOULD NOT BE ILLEGAL. If I want to download a song off a CD my friend has, there's no reason I can't. I don't drive down sales, I don't distribute it to the masses, and I'm not going to pay for it. Well hey maybe I'm wrong but I will never support a band thats against sharing their music. Obviously they don't give a damn about their fans and are in it for the money and I'm not the SUCKER to buy it all.

  82. Re:Take care as you do this . . . by daala · · Score: 1

    "This morning, Vice-Presidential candidate Cheney was asked about Napster. He begged off, saying he
    didn't know much about it. This can't be permitted to happen"

    That's because there are probably millions of topics in the world more important out there.

    1. AIDS Epidemic in Africa 2. Gun Related Homicide at Schools 3. Terrorist Incidents around the World ever heard of NATIONAL SECURITY....no fuck all that put it all on hold stop MIDDLE EAST PEACE is important lets all just worry about Napster........

    And unless you have the kind of money that can seriously sway a politician eg. NRA, Petroleum Companies, the Military Industrial Complex you have no chance whatsoever of deciding their agenda's...yeh lets all stand around and sing are you all ready:
    "Come on Children, Smile on your brother everybody get together right now!"

    Most people here think that everyone around the world is talking about this shit over their breakfast's this morning.

    "Oh my God dear, did you hear about the Napster shutdown??, by the way that Linux article in the NY Times was informative, I can't believe the celebrity status of SLASHDOT and the OPEN SOURCE community as a whole now. All around the world did you know they are signing a petition that probably is going to get at least 2 million signatures..."

    Come on seriously...get a fucking clue!

    --
    "The way she used to say Rimmer as if it rhymed with scum" Red Dwarf
  83. Re:Boycott here is a waste of time by orbital3 · · Score: 1

    "I am gonna download as much music as I can"
    Good. Those numbers will be seen not as a protest, but as validity for what the recording industry thinks of you: You are not rebels but thieves and vandals trying to loot a few more songs before the impending shakedown.
    Do them one better. Do not listen to, record, buy, borrow or download any more of their music.
    Oh, and convince the "millions of people who do not use the Internet/MP3 technology regularly, and listen to the radio for their music" crowd to do the same.


    I agree wholeheartedly with this, and I think this is a big part of the problem. Alot of people see Napster as a form of protest to rising, and already too high, CD prices. But just because you think the price of something is too high does NOT entitle you the right to steal it. Rolex's are too expensive, but people aren't allowed to go and steal those in protest or just because they want one and just don't feel like saving their pennies to buy one.

    Of course, alot of people are just theives with no interest in protesting anything. I, personally, like quite a few people here, HAVE increased their CD purchasing since the advent of mp3s, but I believe we are a minority when compared to the Napster-using population as a whole. Just last week, I spent $40 on CDs (CDs of MP3s I already had, btw). While discussing the fact that I could barely afford the CDs, one of my friends asked my other friend whether he thought $40 was alot, Friend B replied "To spend on CDs? Yeah, $40 is way too much considering you can go download all of those songs for free and burn them to a CD."

    THIS is why I think Napster is bullshit. Fundamentally, ideally, it's a fantastic thing. In common practice, it's theft.

  84. Re:What about those of us who are sharing LEGALLY? by shih-tzu · · Score: 1

    I'll answer here instead of privately, because you ask a valid question!

    The answer is two-fold ... compilations, and college radio. There are dozens of compilations released each week - by indie labels, community arts groups, do-it-yourself types, radio stations, you name it. The comps are generally in the price ranges of (a) cheap, and (b) free, and get a surprising amount of coverage. Plus, they are a staple of the used CD stores.

    Campus radio - that is the tradtional outlet for indie bands, and still very valuable, especially now that CDs are cheap to make. We sent our debut CD to every campus station in Canada and the States.

    So ... the upshot is that there are a TON of people who might have heard one or two songs by an indie band. Buzz comes and goes, and every band gets some. The advantage to Napster is that all the prospective fan needs is a name, or even a partial name, and they can find the tunes. The web is often not as forgiving. And believe me ... free digital music is a great way to sell CDs. We have sold over 14,000 copies of our debut, at least 10,000 of those via our web page. I dont think that people would have been as eager to buy if they hadn't heard the songs first ...

  85. MP3 Distribution by d3jp_ · · Score: 1

    The concept of Napster, being a file sharing program for only MP3s was okay in itself, but the program could have still used improvement. Anyone who's ever used IRC, and seen the barrage of MP3s available on IRC can tell you that. A good percentage of MP3 playing scripts for mIRC for example, carry triggers to send you the currently playing MP3. Now, I've seen the BSA go after the warez channels on IRC, but haven't heard much about the BSA or anyone else trying to deal with MP3 channels on irc.

  86. Actually, you named the reason... by Svartalf · · Score: 1

    "If you remain supportive of the megapolies, while thinking you don't make an influence, then indeed there will not be an influence, not even by the people who are trying.
    The only influence can be there if people who think they can't make a influence try to make oine. And that's the toughest challenge of all"


    Replace "megapolies" with "government" and you'll see what I mean. It's apathy combined with "you can't fight the " where X is something like a mega corp or the government of your country or locale.

    --
    I am not merely a "consumer" or a "taxpayer". I am a Citizen of the State of Texas
  87. Napigator by De · · Score: 1

    Shutting down the central server really doesn't matter .. I'm connected to OpenNap right now and there's over 3TB of mp3s here. Windows users will want to use napigator to change their Napster default server.

  88. Re: the way to find the truth by kingdork · · Score: 1

    No, no, no... Ask yourself, what would *Tyler* do? WWT(D)D

  89. Re:Not the battle we should fight by festers · · Score: 1

    no thanks.


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    --


    -------
    "Every artist is a cannibal, every poet is a thief."
  90. Re:Take care as you do this . . . by daala · · Score: 1

    In case the first bit was directed at me- I totally understand that the Republicans or even the Democrats or any other type of large political movements don't give a "rat's arse" as you put it to doing any of these things.

    What I was trying to point out is that there are a whole slather of far more crucial issues to get hot under the collar about (from my perspective anyway's) we do not see anybody really talking to the Vice-President about these things but a question like Napster comes up???

    PS... I am an Australian (note no genetic differences only fucked up human history boundaries here)so really do not give a shit about the political parties over there only their impact on the world in which I live in. For more clues read my email address and my .sig for my political beliefs.

    Hope this clears things up for you.....

    PPS. I believe that things like Napster will eventually be the norm but they will have to evolve change and incorporate everybodies interests - eg. Big Business and the Consumer - the people that will still get fucked over are the musician's but hey that's been happening since people started signing "Bob the Caveman to their CaveMan Label"....

    Viva La Internet Musica!!!!!!

    --
    "The way she used to say Rimmer as if it rhymed with scum" Red Dwarf
  91. Re:Neither side deserves to win by Ketzer · · Score: 1

    This is the second time I've been asked "Can you explain that?"
    I'm not explaining anything. I'm just pointing out that you're ignoring a lot of costs to the record companies. That doesn't mean that they're not bastards; it doesn't mean that they aren't ripping off artists. I don't intend to explain or justify any of their behavior, but I'm pointing out that it if they only got a dollar for each CD they would be bankrupt in no time, because it really costs them more than 50 cents per CD to operate. Maybe it only costs 50 cents to physically produce that CD, but record companies do more than just stamp out CDs.

    As for the "I'm really using Napster to protest the injustice of record companies," that's total bullshit. You're using Napster because you want to listen to songs without paying for them. If you decide not to buy a CD because you can get it on Napster, you're basically stealing from the record companies, and it's not a noble act of protest. If you really want to protest the record companies, stop buying AND stealing their music, and patronize the indie record labels and free artists.

  92. Re:Napster shouldn't be shutdown by Refrag · · Score: 1

    Trying to hide your ignorance by essentially saying "you know what I meant" is pretty sad.


    Refrag

    --
    I have a website. It's about Macs.
  93. Re:What I want to see by nmx · · Score: 1

    As interesting as your idea is, the reason this won't happen is because there are very few independent artists who use Napster as a distribution method. I wish that Napster could be saved, it really is perfect for downloading live and other rare stuff, but I have to admit that I find myself doubting the legality of it more and more every day. Unless the laws are changed... not much can be done.

    --
    "Well kids, you tried your best, and you failed. The lesson is, never try."
  94. Re:I haven't stolen on MP3's by jcapell · · Score: 1

    "given to me by people who own the CD's"..."NONE of them are "stolen".

    Dude - If someone who "own's a CD" of Autocad or Microsoft Office "give's you a copy" then by this logic you are not "stealing" either -

    [BUZZZ] Next...


  95. Goodbye old world, hello new ... maybe? by matthew_gream · · Score: 2

    Stopping Napster actually helps destroy the old world model which is based on centralising distribution. Napster is more of a commercial interest and works on this centralised model, whereas Gnutella is a truely decentralised peer to peer approach that accomodations not just music, but other forms of media as well.

    You could - in some ways - see Gnutella as an early form of an 'Eternity' service - because as more people use the service, the content increasingly becomes highly distributed and massively redundant - and therefore tends to live forever, and is hard to remove. Music is the ideal medium for this to start with, because just about everyone listens to music.

    The RIAA looks like it is trying to protect the old world of the middle man doing the distribution work. This is dead. The new world is where the technological framework does the distribution work. There is no middle man, because the middle man is replaced by technology.

    Promotion may still need to occur, to provide incentives for people to try out and listen to new works, but that promotion should happen around the new decentralised and distributed framework.

    Irrespective of what security mechanisms the music industry tries to put into recorded music, there is now a whole globe out their focused on breaking it. Once the security is broken -- just like how just about every commercial software in history has been cracked -- and the music is put into this distributed web, then it is virtually unstoppable.

    Rather than fight against piracy and copy -- which has _always_ existed -- perhaps the smart thing to do is embrace free copy, and change the business model, to make money out of performances, merchandise, special releases or whatever other things can be thought of. Piracy and copy has always been the most significant and most popular way of distributing media - but until now it has been ignored and marginalised and a lot of time and energy has gone into eradicating it - what a waste! Better to find a new approach to distribution that embraces free copy, but makes money in other ways.

    --
    -- Matthew - matthew.gream@pobox.com, http://matthewgream.net
  96. Re:Why the boycott? by jackmama · · Score: 2

    Actually, RIAA doesn't believe those people are buying CDs now.

  97. Possible Avenues by MousePotato · · Score: 1

    1. Email the RIAA at thier home page. 2. Call you local radio stations and let them know you won't be listening. 3. Call your college radio stations and let them know you will only be listening to the unsigned acts shows. The only way to hurt them is in thier pockets and not buying CD's wont hurt them anywhere near as bad as Radio Stations calling and saying thier market is not listening because of this.

    1. Re:Possible Avenues by Cannonball · · Score: 1

      Look, calling the radio stations is pointless since they don't actually BUY the cds 99% of the time, they are "gifts" of the label. They are not in collusion with the RIAA, that's bullshit. The radio stations DO pay for their music through ASCAP/BMI and that's what we want. The labels may suck, but boycott them, not the industry that actually does good things for artists (the best recipe for success includes lots of good appearances on local stations, even if they are commercial). This isn't an anti-radio movement, this is an anti-RIAA movement. The RIAA doesn't own the radio stations. So don't punish people because they are indirectly related.

      --
      So there I was. Naked. In a refrigerator. With a potroast on my knees. Smokin a cigar. That's when it got REALLY weird.
  98. Good Point! by jht · · Score: 2

    I don't buy CD's now, and I don't go to movies, either. I'm not as absolute about movies, though - I have a ton of free Blockbuster rental coupons I'm still using (from a giveaway when I bought my DVD player last year), and I borrow DVD's from my local library, too. I won't pay for them until the DeCSS lawsuit is either thrown out by the court or dropped by the plaintiffs.

    Not that I spent a ton of money on rentals or going to the movies before the lawsuit, but I'm trying to be consistent. without movies, I watch even less TV than I did before - my television viewing nowadays is pretty much confined to local news, Red Sox games, and WWF Smackdown (even though Fox carries the Sox and Paramount carries the WWF).

    It's tough to live your whole life in a vacuum, though, even if you try. I wish there were more independent places to get music and film, but maybe that'll be one of the things that comes out of all this legal wrangling that's going on.

    - -Josh Turiel

    --
    -- Josh Turiel
    "2. Do not eat iPod Shuffle."
    1. Re:Good Point! by BilldaCat · · Score: 2

      Yeah, I agree.. I boycotted X-Men, but I think the MPAA is a lot harder to "get away" from than the RIAA.. I haven't bought a CD or gone to a mainstream concert in years (I'm not sure how much going to see local bands in club venues contributes to the RIAA, but I'd wager not as much..).. the MPAA is so encompassing though.. my example linked in this post up top for instance.. Disney is a plantiff, which owns ESPN, which I watch constantly.. FOX is a plantiff like you said, Paramount, etc..

      I'm not sure what we can really do about things like that, but I'm glad to hear the 2600 case went reasonably well, and am keeping my fingers crossed that we get a reasonable decision out of it.

      --
      BilldaCat
    2. Re:Good Point! by Anonymous Coward · · Score: 1

      To be clear, I'm not exactly meaning any disrespect here, but let's try to clarify some things.

      Who are you really hurting by doing all this? Sure, maybe arts - and entertainment - is not terribly important to you, but if it is, ask yourself; do you really want to miss out on things, and not enjoy yourself for the short while you're here all for some cause that doesn't really have anything to do with you or your life?

      Yes, ok, maybe you feel really strongly about all this, but in the end, is it really going to matter? Because if no, you're really wasting your time here, when all this is over, and you realize you've thrown away some good years where you didn't enjoy the things you were enjoying before, and the lawsuit isn't remembered by anyone, when nobody gives a rat's ass anymore, what then?

      I'm all for standing up in what you believe in, and I honestly think that if you believe in this, you should be doing what you're doing. But I think the more important question is, are you making yourself suffer needlessly, because when you're on your deathbed, I doubt you'll think back "man I sure am glad I spent all that time away from the things I love so whatever happened could happen".

      But, on the other hand, if you believe in this like you seem to, and you feel strongly about those convictions, then go for it, and I bow to you for being so strong.

      Just some thoughts.

    3. Re:Good Point! by BilldaCat · · Score: 2

      No offense taken, this is what a few of my friends told me when I said I wasn't going to spend $8.00 of my money supporting MPAA.

      To me, missing X-men isn't a great loss of entertainment for me. I just went out Friday night and played hockey instead, which I had a great time doing. Is my $8.00 going to matter? No, not really. And I'm probably NOT going to give up the things that really bring me entertainment, such as watching ESPN.

      Missing the X-men movie was an acceptable loss for me, because I wasn't so excited about seeing it. So, I try to do things here and there to not support the MPAA, realizing it's not going to matter that much to them, but missing a movie doesn't matter that much to ME, either.

      --
      BilldaCat
  99. Re:Attn! by don_carnage · · Score: 2

    You make a very good point: 99% of the MP3's that I download never make (or will never make) the top 10.

    However, what are we to do when restrictions are placed on FTP, newsgroups or other services? Are we required to prove that the software (or plaintext or whatever) we are transmitting is not bound by any copyright law merely to protect those that are providing the service?

    Just a thought...

    --

  100. Re:I haven't stolen on MP3's by FascDot+Killed+My+Pr · · Score: 1

    If someone who "own's a CD" of Autocad or Microsoft Office "give's you a copy" then by this logic you are not "stealing" either

    Correct. I'm glad you are catching on. Stealing is when you take something from someone without their permission. This person gave me the CD, therefore I didn't take it without permission.

    Or can you explain how this would be "stealing" (don't explain how it's illegal, I know that already, explain how it is stealing)
    --
    Give us our karma back! Punish Karma Whores through meta-mod!

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    Linux MAPI Server!
    http://www.openone.com/software/MailOne/
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  101. Some artists don't desserve this punishment ? by mirko · · Score: 1

    RIAA is not *creating* music.
    If you boycott them, it will ruin artists before they get seriously hurt.
    Some of them do need money.
    And you need music.
    --

    --
    Trolling using another account since 2005.
    1. Re:Some artists don't desserve this punishment ? by Mark+F.+Komarinski · · Score: 2

      Which will prompt said artists to choose a different distribution model (like emusic.com).

      TMBG has done it. Seems to be doing rather well.

      --
      -- Ever notice that fast-burning fuse looks exactly the same as slow-burning fuse? I didn't... (Edgar Montrose)
    2. Re:Some artists don't desserve this punishment ? by trcooper · · Score: 2

      RIAA is not *creating* music.

      The RIAA is misusing copyrights though. I don't have a problem with paying an artist for a CD. I do have a problem with supporting the cartel that is the RIAA. They are using their copyrights in an effort to control the industry, which is illegal.

      Artists should be just as outraged at the RIAA as I am. Its obvious that the RIAA is not protecting artists, but their cartel. Online music has bosted sales of CD's, I myself by more, and different types of music since I've been listenting to MP3's, which is a good thing unless you're interested in maintaining a cartel.

      A good artist doesn't need the RIAA any more. The distribution channels are there for online music, but the RIAA doesn't want this because they loose everything. So they're doing anything they can do to slow the progression so they can keep up. This is anti-competitive. You can't use copyrights to do this.

    3. Re:Some artists don't desserve this punishment ? by cosmic_0x526179 · · Score: 1

      I have a problem with this...

      The RIAA is behaving as the 'stalking dog' for the record labels. Each of the record labels could do exactly as the RIAA is doing. They seem to be taking the 'safety in numbers' approach. Let the industry association do the dirty work. In its purest sense, the RIAA itself has no product which could be boycott'ed, only the members do. If sales drop far enough, the record labels *might* get the message. Along the way, innocent stores, distributors and artists will get caught in the crossfire. The stores and distributors have the most to lose by a shift in the distribution paradigm. The artists have the most to gain.

      - just another cosmic ray -

      --
      This msg is brought to you by the letter 'W'.. for Worthless Wuss
  102. The devaluation of music by KaiShin · · Score: 2

    I saw in the paper today a quote from the representatives of the RIAA seeking the injunction.

    "Napster is teaching kids today that music has little intrinsic value"

    While Napster indeed allows the trading of RIAA artists' music, it is the RIAA which is devaluing music. A while ago I read a good essay on /. about the abstraction of the artist from the art, citing Britney Spears as a prime example. Well, guess what RIAA, your marketing has come back to haunt you. Spears is just one of many, all of whom have one common characteristic: their music is the same. It doesn't matter what artists you listen to, as long as the music is popular and has a beat, who cares? Kids today will listen to anything the RIAA puts in the top 40, do you think they could care less who it is? It is apparent that a side-effect of abstracting the art from the artist is, the artist is expendable. If you can switch artists ard without changing the music, then what value does the artist have? None. Good job RIAA, you've dug your own grave.

    As for the boycott, I will continue to do as I always have, I will buy only those albums which I have heard and which I enjoy all of. I do not buy albums which have 1 or 2 good songs. Never have and never will. There are certain artists I will buy and support without question, but I can count those on one hand. For the rest, if I don't hear their album, I don't buy it.

    --
    "I live in a world of make-believe, with faeries and leprechauns and tiny little frogs with funny hats."
  103. Slashdot circulated online petition? by trcooper · · Score: 1
    Slashdot should have an online petition stating that the signers have chosen not to purchase any CDs which are produced by members of the RIAA. Until they stop abusing their copyright privliges by not allowing fair use, and actively trying to slow the advent of electronic formats.

    I'm certainly not going to buy any new CD's until they cease and decist. I hope others join in, and maybe, just maybe the mainstream media will stop looking at the RIAA so symathetically, so the average consumer will start to realize that there is something really wrong here.

  104. Re:Napster shouldn't be shutdown by davstok · · Score: 1

    Well, quite a bit actually

    OK, I'll excuse you as an exception<s>

    (Fantastic response time, /. goes real-time?)

  105. Is anyone else tired of this? by Sheepdot · · Score: 1

    I'm sorry.. but this website really doesn't perk my interest at all. What I want to see is a site that has a program I can download and run on my box all day that will send a request every seconds to the RIAA homepage, and will the support of several others, will lead to a DOS if we get enough people.

    Sorry if this sounds like I'm advocating DOS attacks, but I could have sworn there was a legitimate program out there that would allow you to keep refreshing a page and was used for legal boycotting.

    Does ANYONE know of a program like this?

    http://www.riaa.org/Contact.cfm

    In the meantime, goto that URL above and let the RIAA know what you think..

  106. Re:Why the boycott? by Anonymous Coward · · Score: 1

    Most countries only count each person once. Napster probably has a few people with a couple of dead accounts. And the record industry is multinational.

  107. RE: Takedown of IRC WAS Re:Do we need Napster? by Mr.Phil · · Score: 1

    Oh, I'm sure they would love to shutdown the mp3 trading on IRC, but how would they do it? Bots that say they have songs but really just have links to /dev/zero? IRC is nice and distributed, you can't really get rid of the mp3 trading on it. Napster made the big mistake of having the only "official" database server. And OpenNap servers are just as easy to target for take down by the music industry goons as they get the IPs for them. I do think if people are serious about doing something about this, then power up freenet nodes where ever you can. It's one of the only ways that we will be able to get around this stupid ruling.

    Viva La Penguinistas!

  108. Re:I'm conducting my OWN boycott - by Gambit2k · · Score: 1

    Um, that's 1 G = grand =1000.

  109. At least be honest by swb · · Score: 1
    Should peer to peer file sharing should be legal or not on the internet?
    Oh, come on. That's not the issue and you know it. The issue really is when is the music industry going to wake up and start offering their product in a more internet and consumer friendly package? Hey, I thought Napster was amusing, if limited music experience but its not replacing buying clean copies of an artists oevure any time soon.

    Turning "we want better, cheaper access to music" into "they want to ban filesharing" is just so deliberately inflamatory and misleading, it's too bad you can't be marked down as trolling. Besides, Napster isn't peer-peer, it's multipeer mediated filesharing.
  110. Should file sharing be legal? by Trinition · · Score: 1
    Should peer to peer file sharing should be legal or not on the internet?

    In general, yes, file sharing is as legal as sharing a screwdriver. The problem in this case is that the files being shared were copyrighted works of music. What's more, they weren't being shared as a book would (loan the book to someone else to read), but they were being copied.

    Whether or not copyright is corrupt.... whether or not the RIAA is a trust... whether or not CDs are too expensive... "sharing" of music in the napster sense is illegal.

    If you don't like that fact, start a grass roots effort to change the law. I, for one, would come on board!

  111. Consider the other side by NetCurl · · Score: 1

    As much as I thoroughly enjoy Napster, I have to admit that by law, this is a bad, bad thing.

    Imagine you invent something. You want to benefit from your creativity, but a thousand teenagers get a hold on it and smash it down the throat of the collective internet. Now where do you stand?

    In one sense, Napster does save us money, takes money from big companies, lets the starving artist be heard, and "shares" the wealth. On the other hand, if this was your intellectual property (I know many don't think of Britney Spears as having any sort of Intellectual property, but listen...) you most likely would not want to have it spread across the Internet.

    If you want everything under the sun to be open source, you will lose an edge of capitalistic innovation. You have to admit money is a force behind creativity in America.

    Napster may not be wrong (it's just software, they don't host illegal files), but they are facilitating a crime. Where that leaves them is interpreted, along with the law, by a judge.

    A boycott will do little if anything. The Internet is too anonymous, with too little presence. You'd have to go to the RIAA's office, call your congress person, or protest at the court to even have a fraction of your voice heard.

    --

    It's only when we've lost everything, that we are free to do anything...

  112. Better than boycott -- give the mp3's back! by Roundeye · · Score: 5
    Here's a plan:

    Anyone who has mp3's downloaded from Napster should now repent -- send your mp3's back to the RIAA and tell them you've deleted them from your hard disk. Send them by email, or through the post on floppy/CD-R/Zip/DAT, etc.

    by post:
    RIAA
    1330 Connecticut Avenue N.W., Suite 300
    Washington, D.C. 20036

    by email: (report piracy email address) -- cdreward@riaa.com

    You might also want to pick up the phone and call them... tell them you wish to send your mp3's back and ask where to send them.

    Telephone: (202) 775-0101

    --
    "Cause there's 40 different shades of black, so many fortresses and ways to attack, so why you complainin'?"
  113. A boycott that *is* hurting the recording industry by HugoRune · · Score: 1
    This article in the LA times says that the recording industry is already starting to hurt because they are having difficulty recruiting talented tech workers.

    From the article:

    No one knows that better than Clarke. At a recent technology conference in San Diego, the creator of FreeNet told a packed lecture hall that the record industry needs more than money to lure savvy computer workers.

    Clarke seemed bemused by the suggestion that a major label should have recruited him. "Like I'd take a job with them," Clarke later scoffed. "Like anyone with any sense would do that."

  114. Re:I haven't stolen on MP3's by FascDot+Killed+My+Pr · · Score: 1

    So who owned it? My friend? Or the "copyright holder"? If it was the copyright holder, what did my friend pay for?

    I suppose you could respond "My friend had a contract (called a "license") with the copyright holder than he wouldn't make copies". But then it's my friend who did something illegal (breaking a contract, not stealing) while I am just a fortunate beneficiary (still not a theif).
    --
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  115. You know what would be cool? by Omicron · · Score: 1

    I was reading through the first boycott site listed in the article, and the guy doing the site said that Napster (along w/ all other companies like them - ie. not labels) are banned from joining the RIAA because they are not actual labels. Even though they help distribute music. What Napster should do, is take some of it's VC money and invest it in getting a recording studio/label going. They should release a few cd's from some of the better artist's they've signed up and then join the RIAA. Would the RIAA then be sueing themselves? Heh...it would be kind of funny to see at least. Then again, I'm tired and hungover at work so most anything has some humor value to me right now.

  116. Is this true? by nlvp · · Score: 1

    I've heard that tours very rarely make money, and that in general they act as a promotional device for the CD itself.

    1. Re:Is this true? by Tom7 · · Score: 1


      I help put on concerts at my school, and we usually make the cheques out to the band or one of its members. So it's true for "independent" (meaning, not on huge record labels) artists. Buying merchandise from these guys at concerts also gets them a much bigger cut, and usually a nice discount for you.

    2. Re:Is this true? by AndroSyn · · Score: 1


      A lot really depends on the band. If they are being excessive while touring, well then no they aren't going to make money. Also a lot of artists tend to record their CDs on credit from the record label, so they need to pay back the record label first, which is often why touring is so necessary.

      But some musicians still actually enjoy touring. These are the people who are not in it for the money, but for the love creating music. In general I tend not to care for most major label performers because a lot of them don't have the passion for the music, but are doing it because it is their meal ticket. It is possible to make a comfortable living off of your music and not be on a major label. Sure you might not get rich, but thats not the reason why your doing it. Its the same sort of argument used to defend Free Software(free in the GNU sense, not beer sense). People who write free software do it because they love what they do, not because they want to get filthy rich. The ones who want to be filthy rich end up working for M$, and we all know what sort of quality software they produce...

  117. You People Don't Get It by Ketzer · · Score: 1

    If the RIAA was saying "We're thinking about suing Napster" and people started launching boycotts, it might have some effect, if and only if you could make it really public and convince RIAA that their sales drop was due to their proposed lawsuit.

    But we're way past that now. We're talking about law now. A judge has said "what you're doing is illegal, shut it down." The power isn't in the hands of the RIAA anymore, it's in the hands of a judge. And a judge isn't going to say "Wait, I take back my ruling, because RIAA is unpopular and losing sales now!"

    If Napster wins on appeal, great. I think legally speaking, they have a case, since they don't actually do anything illegal. Just like radar-detectors don't violate speed limits, AT&T doesn't make obscene phone calls, guns don't kill people, and the ISPs that run the backbones from Dallas to New York to California don't sell kiddie porn. These are all just technologies, and if they are used to break the law, the resposibility lies with the law breakers, not the tech makers.

    But the laws these days don't always reflect the Constitution, or even justice. So be prepared for Napster to lose. If they lose, boycotting won't bring them back. Accept the loss and move on. Write better software. Take the Gnutella source and make it better. But don't stop buying CDs, because if you do, then your "Napster isn't bad, because I still buy music that I like" is now a pathetic lie. You'll keep listening to the music, you're just making excuses not to spend money.

  118. Genie out of the bottle? by Reality+Master+101 · · Score: 4

    Not at all. If anyone thinks Gnutella can't be stopped, you are sadly mistaken. The only question is whether "they" will choose to stop it.

    The decentralized nature of Gnutella would make it trivial to launch DOS attacks. If the music industry wanted to shut it down, they would just have to have various clients return garbage to queries, send nonsense messages, etc. Yes, future Gnutella clients could have some protections built in, but it's an arms race Gnutella would lose.

    "Yeah, but I could just set up private networks among my friends." Sure you could, and then the music industry wins. They don't care about you sharing with your friends, they care about mass, anonymous sharing.

    My only question is whether they would choose to do it.


    --

    --
    Sometimes it's best to just let stupid people be stupid.
    1. Re:Genie out of the bottle? by Remus+Shepherd · · Score: 3

      The decentralized nature of Gnutella would make it trivial to launch DOS attacks. If the music industry wanted to shut it down, they would just have to have various clients return garbage to queries, send nonsense messages, etc. Yes, future Gnutella clients could have some protections built in, but it's an arms race Gnutella would lose.

      I wouldn't be too sure about this. First of all, DOS attacks are illegal. If the RIAA is connected to this sort of activity they'll wind up in a lawsuit they're guaranteed to lose. Second, I think the OSS method of Gnutella development may be able to patch vulnerabilities faster than people can invent them. And third, Gnutella is just an intermediate technology -- the real threat to the industry is Freenet, which already has schemes to protect against the attacks you mention.

      Technologically, the RIAA is screwed. Having a dinosaurian brain, however, they haven't noticed this yet.

      --
      Genocide Man -- Life is funny. Death is funnier. Mass murder can be hilarious.
    2. Re:Genie out of the bottle? by CaptainZapp · · Score: 1
      The decentralized nature of Gnutella would make it trivial to launch DOS attacks.

      Yes, and this is illegal as hell in most countries.

      One of the big issues about Napster is that it's specifically for trading MP3s. This is not the case with Gnutella.

      Their only recourse - if they don't want to engage in criminal activity - is to sue every single user who swaps copyrighted material.

      Even if they appear to be a darn litigation friendly lot, this is not likely to happen.

      --
      ich bin der musikant

      mit taschenrechner in der hand

      kraftwerk

    3. Re:Genie out of the bottle? by grimani · · Score: 1

      Quote: "Yeah, but I could just set up private networks among my friends." Sure you could, and then the music industry wins. They don't care about you sharing with your friends, they care about mass, anonymous sharing. ---- We all win. It's back to the status quo of the bootleg tape years.

    4. Re:Genie out of the bottle? by hardburn · · Score: 1

      here are two problems with Freenet. 1) There is no search capability, and no promises of ever having one, and

      Not true; if you were on the Freenet mailing lists (as I am) you may notice quite a bit of disscussion about searching. There are several proposals in line for searching already, and I would suspect that it will be put in after 0.3 (0.2 is current, 0.3 should be here in a week or so). This isn't all just vapor. The ideas are in place so it just has to be coded now.


      ------

      --
      Not a typewriter
    5. Re:Genie out of the bottle? by Reality+Master+101 · · Score: 2

      First of all, DOS attacks are illegal. If the RIAA is connected to this sort of activity they'll wind up in a lawsuit they're guaranteed to lose.

      Don't be too sure. Let's not call it a DOS attack -- let's call it "participating in the network". If they return enough garbage to searches -- or return valid searches, but give back crap files -- it would have the same effect as shutting down the network. Remember, there is no "acceptable use" policy for Gnutella. Maybe someone will try and slap a license on in the future, but it gets very gray when there is no license holder. And once there is, then there is someone to sue by the music industry.

      The only thing that could happen is a class-action lawsuit on behalf of Gnutella users, and then you have to go into the morass of what is "acceptable use" of a virtual network with no central control.

      Having said that, I don't necessarily disagree that there might be a legal problem, but it's not cut-and-dried.

      Second, I think the OSS method of Gnutella development may be able to patch vulnerabilities faster than people can invent them.

      Remember, to make any significant changes to the Gnutella protocol requires everyone upgrading their clients. Sure, you'll get the hard-core upgrading, but again, that's not what the industry cares about. They care about Joe Consumer. If Joe Consumer falls behind in the arms race, then they've won.

      And third, Gnutella is just an intermediate technology -- the real threat to the industry is Freenet, which already has schemes to protect against the attacks you mention.

      There are two problems with Freenet. 1) There is no search capability, and no promises of ever having one, and 2) Freenet depends on a HUGE volunteer server effort. I know I don't care enough about Freenet to volunteer server space, and I'll bet that's going to be the average case such that Freenet will never gain a critical mass of servers to make it viable, particularly for something like mass music distribution.

      Technologically, the RIAA is screwed. Having a dinosaurian brain, however, they haven't noticed this yet.

      Actually, I would say technologically they are on the strongest footing. It's legally (as you point out) that they are possibly vulnerable.


      --

      --
      Sometimes it's best to just let stupid people be stupid.
    6. Re:Genie out of the bottle? by Scr3wt4p3 · · Score: 2

      IMO the RIAA Doesn't need to do a thing to Gnutella. The spammers will surely render it useless. Look here for an example of what's to come.

  119. Re:Not the battle we should fight by Daniel+Levenson · · Score: 1

    I played drums in a small progressive rock band for 4 years (92-96). Trust me, I'd be glad if I found even ONE of my songs being distrubuted through Napster. We weren't playing for the money, we were playing for the respect for the fans. We knew that no matter what we did we wouldn't be able to make it big, so we concentrated on our academics, and played for fun -- a few small ventures. Our biggest hopes and ambitions were to one day open up for some of the grunge rock bands of the day -- STP, Soundgarden, Alice in Chains, to name a few. It's almost ironic that now they're the ones opening up for other bands.

    If anyone sees any mp3s by the band Dark Scythe (not my idea for the name!), I'd really appreciate knowing about it!

    --

    Daniel Lev.

  120. This *IS* a good idea by Fishy · · Score: 1

    Napster really re-started my interest in music, and since starting using napster I have purchased more CD's than I ever have before. Not a week went past without a stack of new CD's appearing in my place.

    Napster for me was just a tool for finding old singles that are no longer available, or wierd EP's that never even appeared in the UK. It allowed me to get things that the record companies never even tried to sell to me.

    ....but now its time for action, no more buying ANY cd's, this is is.

    Hello record companies, say good bye to a customer, your actions in blocking people who never cost you a dine will cost you a lot.

    No profit for you..
    No Bonus for you..
    No Extra shares for you..

    Say goodbye private schools,
    Say goodbye nice house in the country,
    Say goodbye new BMW.

    Rule number one in business, don't piss off your customers.

    F

  121. Re:Are the alt-Naps really that good? by generic-man · · Score: 2

    When you think about it, there weren't all THAT many people using Napster at the same time. Users were redirected to one of many load-balanced servers, with a pre-set capacity. The servers were not networked at all, so your search results were limited to whoever was on the same server as yourself.

    A service like Gnutella (not GNUtella, as it's not made by any free software people) is decentralized so that you can become a node in a network of potentially infinite size. Of course, the fact that so many packets are going around makes latency a horrible burden to bear, so it's easy to get downloads that run at miserably slow speeds. (And don't even think about getting more than 1 KB/sec if you're running it on a dial-up connection.)

    --
    For more information, click here.
  122. Re:The dangers of peer-to-peer networks by rasterbator · · Score: 1

    Funny. All these you mentioned:

    "Nazi propaganda, terrorist manifestos, bomb-making instructions or anti-Christian hate speech"

    Are protected by freedom of speech. Should we do away with it? What the heck! People are just going to use it to say things we don't agree with.

    Pity we lost so many lives defending it.

  123. Interesting... by extar-bags · · Score: 1

    Did anyone notice that the site linked to in the post advocates boycotting concerts as well as cds?

    What's the feeling on this? I mean, a boycott on cds would (if it worked) get the message through to the RIAA, and wouldn't hurt the individual artists much, but boycotting a concert seems like a singular attack against a particular artist, who it hurts more than the RIAA.

    --

    ----------
    "Rock over London... Rock on Chicago..." -Wesley Willis

  124. Really, all this has gone too far. by zond · · Score: 1

    First of all: A tool is seldom illegal. It is more often the use of it that is.

    Guns are outlawed in some countries to some people. For example in sweden you are not allowed to own a gun if you don't own a license.

    Drugs are outlawed allmost everywhere.

    These are exceptions, though, and it is my belief that these exceptions should be as few as possible, ideally none at all.

    _But_ is napster as dangerous as drugs? Is it lethal to people who use it? Does it promote whole chains of burglary-violence-medical costs for the society? This is true for a lot of illegal drugs, and still there is debate whether they shouldn't be legal.

    Secondly: - I believe it was William Gibson who said it - it is not a natural right for businesses to charge money for recordings. The concept has not existed for more than about 70 years. Why is everyone so excited about the possibity that it might end?

    I can understand that those who make millions out of recordings are upset, but it is not some kind of assault on people's constitutional rights.

    Thirdly: I couldn't care less if all recording-industries went bancrupt and no artists could be millionaires anymore. Almost all the music I listen to is made by people who haven't made millions off of records anyhow, and in this new age their followers will probably be happy to use the internet to distribute their music. People will still make music just because they want to, not because it makes them millionaires.

    So there.

  125. Re:Go back to tapes! by kerrbear · · Score: 2

    Heck, record your faourite songs off the radio.

    Or just use Streamripper. It records songs off Shoutcast stations. Not only that, it places them in individual Mp3 files and names them. All perfectly legal under the fair use broadcast recording laws.

  126. RIAA:1)lower gun to foot 2)Fire until no more foot by Tiger+Smile · · Score: 1

    The RIAA is acting like those people who never wanted the car to make it to the mass market. Fine, they wont enter the digital universe. I guess that's just the way it's going to be.

    There are many great artists out there who will never be signed. They will find the digital medium friendly and waiting. I look forward to hearing from them. So, no more RIAA artists in Napster. Good, I'll get the chence to hear something new.

    I was lucky when growing up. I lived in an area with a great number of bands. I grew up in an area called Isla Vista, CA, an area where most UCSB students lived. A great place to spend a childhood.

    The bands that were there were great. They would play in backyard, and converted barns, and so on. I loved it. They were never going to be signed. After all the drummer was getting a degree in biology of cancer. He was not going to be in the band for the rest of his life, nor was the rest of the band. Not all the bands were good, but most were, or at least has some great songs.

    It's better to see bands like those live, but why not have bands all over the world just put music on the web. People are downloading, and paying for Kings new book online. Why not music.

    The RIAA is old world. They are like the old Holliwood studios. They want CONTROL. Control over artists, control over the music, and it seem control over the customer.

    Now they have forced us to think about the issues. Maybe even to out grow them, and leave them in the past. We need to think about how much control an artist should have over a song once they allow it out into the public, out of their control.

    We're now thinking about copyrights is a different light then before. We should look to the people who invented copyright to see their advise from the past.

    Would people feel the same it there was a service which would allow people to read the books in my library, like maybe a library?

    But to sum up my crazy pre-coffee rant, we need to look at music which is not RIAA controled. I'm betting that there is something amazing out there.

    --
    -- Prepared at the direction of, or to be sent to Legal Counsel, in anticipation of litigation. Attorney Client Pri
  127. Re:I haven't stolen on MP3's by FascDot+Killed+My+Pr · · Score: 1

    When Ford builds a car and sells it to me, I own it. I can resell it to anyone I want without consulting Ford. I can break it into "functional parts" (the engine, the chassis, the radio, etc) and sell those individually. The car is MINE. There is no ephemeral "ownership by Ford" of any of the physical parts of a car that has been sold to me. How is a CD different?
    --
    Give us our karma back! Punish Karma Whores through meta-mod!

    --
    Linux MAPI Server!
    http://www.openone.com/software/MailOne/
    (Exchange Migration HOWTO coming soon)
  128. Re:Go back to tapes! by sporty · · Score: 2

    Well.. 2 points.

    You can get your favourite songs, the equivalent of multiple cd's on single tapes. Not the greatest thing, i know. I wouldn't imagine the kickback to be as high.

    You can buy imported blanks

    You can follow kearbear's suggesetion (its in this thread) of using streamstripper...



    ---

    --

    -
    ping -f 255.255.255.255 # if only

  129. Re:I haven't stolen on MP3's by jcapell · · Score: 1

    "Stealing is when you take something from someone without their permission"

    Semantics. Take the Ten Commandments - God didn't feel that is was necessary to say:

    "Tho Shalt Not Steal (or purloin, filch, snitch, pilfer, cop, hook, swipe, lift, pinch, plagerize, or borrow with the intent to return it later without the owner's permission, or short-change, or swap those little bar-code stickers in the aisle before you get to the cashier)"

    ...because it's all stealing

    I tell you what - don't take MY word for it: See for yourself


  130. You want to protest? by PeterMiller · · Score: 1

    Since the /. community is only a very small percentage of the music buying market, why not spend the energy on continuing development on Gnutella or OpenNap instead? Liked a feature in Napster? Import it to the other platform. Gnutella could use a "Hot-list" feature, there's one idea already!

  131. Re:That's not the damn point. by mcsnee · · Score: 1
    You're right. It is a pretty big exaggeration. And what's more, it's not a fair comparison.

    Here's my situation. The radio stations in my town (Atlanta) suck big dick. In order to tell if I want to buy music, in the past, I could tune into a radio station and wait 'til something caught my ear. Well, I don't know if you've listened to 99X lately, but if I hear one more freakin' Limp Bizkit song I will slit my wrists. Meanwhile, there are a lot of extremely good artists out there whom I don't get to hear because they're not commercial enough. So how do I tell whether I should buy a CD by band X? I download a sample of their music from Napster. If I like what I hear, I buy the CD. If I don't, I'm sure as hell not gonna keep their crappy music clogging up my hard drive, so I delete it. This is no different, in my mind, from hearing a song on the radio and then buying the CD. The band and the recording industry get their money. They might even get some concert bucks from me if they're good enough. If they're not good enough, they don't get paid.

    What the hell is wrong with that?

  132. Re:Dumb by lalas · · Score: 2
    Offcourse there is still the small problem of artists who will suddenly see their income drop because people want to hear 'm but now stop buying their CD's alltogether. Is this how you treat the artists?

    All parties in this issue are looking out for their own interests exclusively. Users don't want to lose a service they enjoy, and the RIAA wants to preserve their industry. In both cases it is about their respective bottom lines. I don't believe either side is truely able to give enough of themselves to put the Artist first. The Artists will end up deciding the outcome. Right now the RIAA has them in hand, but perhaps if they felt the effects of a boycott, they would be more willing to break the chains that bind them.

    I envision a model where I can download songs from a band's official website. The mass market will not care to deal with shady ftp searches, warez sites, or even morally (legally?) ambiguous peer to peer networks, if a simple and reliable method for direct purchase of an mp3. We need the artists to buy into this vision, hence the boycott.

  133. Re:Attn! by Jimmy_B · · Score: 2

    But, it has already been said numerous times on Slashdot that the RIAA takes such a large percentage, the artists don't get any significant amount of money off of CD sales. They make all their money on concerts instead. Saying "we don't make much money off of your purchases" is a clearly false statement. Considering the insignificant cost of producing a CD and the percentage which goes to the artist, your profit margin on CDs makes up nearly all of the cost. Thus, I presume that this post is merely a futile attempt to stop a boycott that has already started, using the misinformation and propoganda that are the trademarks of both the RIAA and MPAA. Except we're not the mass market. We don't take things at face value.

  134. Boycott-RIAA has email support lists by femgeek · · Score: 1

    The Boycott-RIAA site has two email addresses listed on it's support page where you can send emails to let them know that you're participating in the boycott.

    There are two email addresses, one to which you can send comments that will be passed on to the RIAA, and one that remains private so they can count the number of supporters they have.


    Do not meddle in the affairs of dragons,
    --
    Do not meddle in the affairs of dragons,
    for you are crunchy, and taste good with ketchup.
  135. Boycott is useless by FascDot+Killed+My+Pr · · Score: 2

    The reason for a boycott is to show a company that they will actually make MORE money if the accede to your demands. The problem is, the RIAA WON'T make more money this way. How could they possibly be making more money than they already are?

    Let's say they adopt some kind of downloadable, micropayment system where you pay $1/song. That's slightly LESS than you are paying for songs right now PLUS they don't force you to buy the whole CD to get the one song. So they lose money there.

    Even worse (for them), suppose we got what we really wanted: IP reform. We'd be able to trade songs with each other legally--and the RIAA would lose even more money.

    No, boycott will do nothing because our demands essentially castrate the RIAA. They are fighting for their lives.
    --
    Give us our karma back! Punish Karma Whores through meta-mod!

    --
    Linux MAPI Server!
    http://www.openone.com/software/MailOne/
    (Exchange Migration HOWTO coming soon)
  136. Reasonable doubt by Trinition · · Score: 1
    If Napster is found to be liable for the content it's users make available on their service, then shouldn't Microsoft be liable for what it's users share using Windows file sharing?

    That is a poor argument. This statement is from the same sort of mindset that made the argument which the judge shot down.

    As an analogy, should Sears be heald responsible for any murders I happen to commit with a Craftsman Chainsaw?

    Windows, and its file sharing, we're invented for other purposes. Napster was invented with a much more narrow focus (namely, the sharing of MP3 files cataloged by name, etc.)

    The only way out of this one is to argue that Napster was created with the intent of sharing songs which were not copyrighted, or which the copyright holders agreed to make available on Napster.

    But as I see it, if we can find one case where someone used Napster soley as a mean for sharing legal music, then that should cast reasonable doubt, right?

    1. Re:Reasonable doubt by balls001 · · Score: 1
      If Napster acknowledges that their service was created with the specific intent of sharing copyrighted MP3s, then it is a poor argument.

      But, if Napster can prove that their service is intended to be a way for users to share all sorts of files and information on the Internet, then the RIAA's argument is that Napster should be held accountable for their users' abusive actions.

      I suppose a line must be drawn somewhere, but I'm not sure that this is necessarily the right place. Napster should not *encourage* pirating copyrighted material. This is a given. But should the RIAA be so focused on shutting Napster down permanently? I don't think so. Napster CAN be used for good.

      If you ask me, the RIAA shutting down Napster is a little overboard.

      And on another note:

      In Canada, you are not allowed to let someone drive away from your house drunk. If he gets in an accident, you are liable.

      --

    2. Re:Reasonable doubt by bribecka · · Score: 1
      But as I see it, if we can find one case where someone used Napster soley as a mean for sharing legal music, then that should cast reasonable doubt, right?

      This case has nothing to do with reasonable doubt, it's not a murder trial.

      You're pretty much right though, Napster's lawyers would have to prove that a fair amount of Napster's users use it to share music legally. My guess is that less than 0.1% of all Napster users actually do so. I think that estimate is generous. To continue your argument, can you imagine if 99.9% of all people who bought Craftsman Chainsaws used them to cut people up? I don't think they'd be around.

      What needs to be done is to allow sharing of music that a person owns (the actually technology to acheive this is another issue!). The DMCA prohibits digital copying of music, except on DAT, etc. That is so BS! Digital copying = good, digital pirating = bad.

      --

      Where are we going and why am I in this handbasket?

    3. Re:Reasonable doubt by ndpatel · · Score: 1

      what about the nearly 100% of people who buy guns to shoot other things, including people? that hasn't really dented the gun market, has it?

      seriously, i don't understand how we can constitionally protect the rights of a person to possess something that can do _nothing_ but damage, but at the same time discourage the sharing of creative media. even britney makes ya bop, lowest common denominator be damned, and allowing people to share that feeling--and chat about in realtime from across the country--is not a bad thing.

      i wonder if marilyn hall patel would issue an injunction against smith & wesson if some widow was suing the them for making handguns.

      --
      london is drowning and i live by river
    4. Re:Reasonable doubt by Bill+Currie · · Score: 1

      Actually, at least 75% of my mp3 collection is legal (mp3.com, there's actually some nice stuff there, eg Gossamer) and that gets shared when I fire up gnapster.

      --

      Bill - aka taniwha
      --
      Leave others their otherness. -- Aratak

  137. Recognizing Reality by aprentic · · Score: 1

    Gene Kan's testimony was pretty funny. Yes he did make some points defending Napster, Gnutella, and file sharing in general. But did any one else get the feeling that there was also a good deal of "Nannie nannie boo boo. This is going to happen and there's nothing you, nor the government, nor anyone else, can do about it."

  138. Re:Why the boycott? by Daniel+Levenson · · Score: 1

    And mp3.com isn't exactly doing very well either.

    See http://finance.yahoo.com/q?s=MPPP&d=3m for proof.

    They've been on a slide ever since June 6th, which, to the suprise of no one, is when they struck the deal with the RIAA to let my.mp3.com stay open.

    --

    Daniel Lev.

  139. 451 Fahrenheit by boarder · · Score: 2
    Well, the only time I used Napster was to download tracks from a CD that I payed for legally, but was destroyed. I burnt a new CD from these and then I uninstalled Napster. The only other MP3's I have on any computer are freely distributed by mp3.com (mostly techno tracks) or from mix tapes that were given to me by the artist.

    Not everyone steals from the music industry. Although I think what the industry does to the musicians is wrong (and shutting down Napster is wrong, they should get the pirates instead), I still don't steal from them. I will boycott, however.

    --
    IANAL, but I play one on /.
  140. Re:Not going to cut it... by Luminous · · Score: 1
    I strongly agree. Boycotts only work against limited organizations (like bus companies) when a significant user base refused to use them (like the African-American's in the 50's and 60's). The 20 million users of Napster choosing not to make any music purchases or attend any concerts for one month does very little to disrupt the flow of money.

    Napster was a program to pirate music. The sooner everyone can agree on that point the sooner we can actually dig in and get some real solutions. I will not go to bat for a 'company' like Napster. But I will go to bat for the concept of peer-to-peer networking.

    What should be done is pull in Lars and Courtney Love, and The The (who are openly violating their labels copyright on their songs via their website) and develop a file-sharing/song selling system that benefits the artist.

    I am all for cutting out the record labels and see more money go to the artist. When I buy my cd's of Russian Chanting Monks, I want that money to go to the Monks, not to promote the Britney Spear's Tits Tour.

    --
    This is not the way to build a lasting empire.
  141. Re:Napster shouldn't be shutdown by Anonymous Coward · · Score: 1

    Why don't I see you whining about the club that got shut down after they found out the owners were doing child prostitution?

    So it's a bigger issue, for the most part, but where do you draw the line? Are you gonna tell me that the place shouldn't be closed because of all those poor innocent dancers that weren't causing any harm?

    Yes, the RIAA is taking the wrong position, yes, all this is a big mess that should've been avoided, but is napster right? Absolutely not.

  142. Napster would be nothing without copyrighted music by BoXeR2600 · · Score: 1
    If the RIAA was somehow able to restrict Napster to only public-domain music, Napster would surely die. By far, the biggest reason why people even use Napster is to illegally download copyrighted music. At my school, students go around selling CD-R's full of music they downloaded off of Napster. They ask someone what songs they want on their CD, stating that they have all music available via Napster, charge anywhere from $9 to $15 per CD, and make a nice profit. Personal use of MP3's aquired through Napster is understandable, but profiting from it is highly objectionable, IMO.

    What would happen if Napster only permitted public-domain music? Do you really think that millions of users would still be flocking to Napster? Yeah, right...

  143. Doomsday for the RIAA by CaptainZapp · · Score: 1
    Scott Rosenberg explains quite plausibly in his Salon why the music industry just killed itself by winning this injunction.

    I tend to agree with a lot of the points he makes.

    --
    ich bin der musikant

    mit taschenrechner in der hand

    kraftwerk

  144. Yeah, but the artists just aren't that great... by Hrothgar+The+Great · · Score: 1

    If the "artists" were any good at all, they would make their living off of playing their music live rather than by selling studio-produced, watered down crap and then sitting back and raking in the dough.

    If you want to listen to some real music, go to some bars and listen to some local musicians, you know, the people who still play music because they have creative instinct and talent?!

    Or turn on Austin City Limits some time and see how good you really think Metallica is after watching some real guitarists play. And if you just have to have some bigger names, try Junior Brown or the Old 97's. You'll never listen to another shitty pop crap album again...

    1. Re:Yeah, but the artists just aren't that great... by Shut · · Score: 1

      Thi isn't about musical tastes. Its about the music as a means of ownership and how you can obtain ownership: either legally, through buying the album, or through illegal "Get it off ".

      And, yes, i sit in bookstores or public areas listening to bands and they are damn good. doesn't mean I'm not going to buy a Beck CD.

  145. P to P by genome · · Score: 1

    The only thing that should be illegal about Peer to Peer file swapping is that companies aren't using it. It's just the way things are heading, look at Stephen Kings new book, a dollar a chapter, and publishing companies are pissed. It's just that movies and albums etc. will be distributed VIA sattelite, or, P to P, which is faster depending...
    I personally think that Napster made their biggest mistake when they decided that MP3's would be their only format. Gnutella works just the same, but it's everything, they haven't had problems, although one of the guys from AOL wrote it, and most of the versions now are just clones...

    P to P will NEVER DIE! It will just multiply and multiply and multiply and multiply.....

  146. Another suggestion... by matt_king · · Score: 1
    I'm not sure if anyone else posted this already (there is a limit to how much text I can scroll through w/o my morning coffee!), but I think I read on CNET that the RIAA or some other music organization was thinking about moving from a "pay per medium" (CD) to a subscription-based service.

    While I love having my CD collection, I would not at all be opposed to paying $20 or so a month (more or less I suppose, depending on how they set it up) for access to music online. Think about it this way: say 10 dollars a month got you either 25 hours of music or something like 300 songs a month. If you listened to more than that, you could pay 20 dollars and get maybe 60 hours a month or 1000 songs....that way you are getting your music and the riaa is getting royalties...

    I do realize that this plan lacks a way to pay the individual artists, but I'm sure they could develop a way to tally what songs were downloaded and by whom (also a boon to market research!)

    What do you guys think?

  147. Ooh! by Greyfox · · Score: 2

    They (the RIAA) hate that, too. They'd make it illegal to buy and sell used CDs if they could.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  148. Re:Neither side deserves to win by Benjamin+Shniper · · Score: 2

    Napster has become a billion-dollar business by making it very easy to copy copyritten works. My feelings about copyright are that it should last *maybe* 8 years or so. But this is a country of laws and the judge had no choice but to follow the law - and shut down Napster, hard.

    I can't cry for them. They are a company built on an a-moral business model. But I can cry for the internet.

    Soon, it may be illegal to post links to illegal material at all. I have nothing against scour, alta-vista, and yahoo who only link to illegal mp3s. Sure, they are as agnostic as napster, making it easy to download mp3s, whether they are copyrighted or not. Legal or not.

    The future of the internet is in jeapordy. Soon everything objectionable on the internet will be walled off. This will, of course, section off the internet. It will be illegal to link to porn, music, or stolen software. That means that places like breast cancer resource sites, copyright-free music, and free software will all suffer hard.

    Is there a way to stop it? To boycott those who are causing this? No. WE are causing it, by putting so much effort into creating new ideas that we want disseminated and to own at the same time. The future will closely resemble the past, with guilds controlling complete sections of the economy, enforced by law. My suggestion, therefore, is to join a guild.

    -Ben

  149. Be Easy on the spending by ChiefArcher · · Score: 1

    It really depends on how much you spend...
    they can'd do the MC Hammer thing and spend shitloads of money on everything..
    You gotta do the Dave Matthews sorta thing and have
    1. 1 tour bus (not one for every member)
    2. $198 a night on hotels
    3. Light spending on food and extras

    ChiefArcher

  150. Brainstorming for a New Solution by Luminous · · Score: 2
    This is slightly OT.

    Napster as an application falls way short on what it should be. Yeah, yeah, the disclaimers and user agreements are fine and I believe it is the individual who is ultimately responsible for criminal behavior. I can print books on how to make bombs, I can describe a hundred and one ways to kill someone, but in the end it is the individual who takes the action that is criminal.

    With that being said, I want a better solution. Gnutella and FreeNet have their problems, technologically and morally. I still believe, no matter what, that if you want to have a song(story,picture) to listen to(read,look at)over and over, the artist(writer,photographer) who created that song(story,picture) deserves compensation.

    This implies to me that any solution developed needs to incorporate the artists. The means the first step is to make sure the artist owns the copyright on the recording not the recording company. Then that artist agrees to distribute their work via a network.

    I, the user, buy into the network. I get to put as much money as I want to with a minimum within reason (say $5). Everytime I download a song, my account is deducted a reasonable price, $.75 to $1.50. Even better, the artist sets a base price for each song and let market forces fluctuate the song. For every N downloads a song gets its price increases so it eventually finds its true market value. Unknown artists can set their songs at $0 and allow people to have it for free and see if the market will increase the price.

    The money collected from the download is given to the artist. The network makes money to cover its costs much in the same way PayPal gets its money, by doing short term investments with the money people put into their accounts.

    As I said, I am snowballing here and I don't know the viability of any of this. I also know MP3.com has done similar things so this isn't truly a new idea but a simplification of existing ideas coupled with a Napster user's desire for instant gratification with little hassle.

    --
    This is not the way to build a lasting empire.
    1. Re:Brainstorming for a New Solution by Luminous · · Score: 1

      Adding some clarifications to this concept, the price increases would be based on downloads per period of time (e.g. a day). That way when it reaches a stable rate of download the price wouldn't keep increasing. Also, when demand drops the price could drop, unless the artist steps in and resets the minimum price.

      --
      This is not the way to build a lasting empire.
  151. Re:CD-Rs and blank tapes by Golias · · Score: 1

    Unfortunately, the CD head of my DVD player can't read the cheapies when I burn music on them, nor can about half of the CD players out there. (Oddly enough, it is usually the crappy low-end players that work with cheap burned CD's, while a lot of hi-fi gear balks at them.)

    --

    Information wants to be anthropomorphized.

  152. Salon Article by NetCurl · · Score: 2

    This article at Salon should put your mind at ease. It talks about the landmark case, and reiterates what has been said here: if Napster goes down, it's phenomenon on the Internet will get stronger.

    --

    It's only when we've lost everything, that we are free to do anything...

    1. Re:Salon Article by brogdon · · Score: 1

      This article at Salon should put your mind at ease. It talks about the landmark case, and reiterates what has been said here: if Napster goes down, it's phenomenon on the Internet will get stronger.
      I can just see Napster's CEO in a brown cloak, lightsaber in hand, saying "You can't win, Geffen. If you strike me down I shall become more powerful than you can possibly imagine."

      Muwahahaha!


      --Brogdon
      --


      This tagline is umop apisdn.
  153. Re:Neither side deserves to win by Ketzer · · Score: 1

    But it's not surprising that an industry that consistently charges $15-20 for something that costs them $0.50 (a 3000-4000% markup) will sue anyone who tries to threaten it.

    Look, I hate to be the guy who defends the record companies, but this is a bogus statistic.

    It may cost them 50 cents to stamp the CD, but you're overlooking a huge number of costs for the record companies. They pay the musicians, maybe not well, but they pay them. They advertise. They take care of lots of things for their musicians, including legal fees (because musicians tend to attract lawsuits more than the average person) and transportation and lodging on tour. Also, most bands that are signed at a major label don't make the label a profit, and the profit turning bands have to pay for these others.

    Also, the stores charge $15 for CDs, the record companies probably sell to the stores for about $8-10.

    I don't know all the costs, someone who works in the recording industry might better be able to name them, but it's unfair to say the record companies make CDs for 50 cents and sell them for $15.

  154. Alternative to Napster? by chrissam · · Score: 1

    Take a look at www.soundom.com... I don't know if this thing will go anywhere, but it purports to be a program that will pay you and the artists for whatever music you listen to. Looks like they do this through banner ads a la NetZero, and some (undisclosed) method of figuring out what song you're listening to.

    Of course, the client application doesn't exist yet ;) ... The site says it'll be released for Windows in September 2000, to be shortly followed by a Mac version.

    Sounds like it could be a dot-com pipe dream, but who knows.

    --
    Is it okay to cry "Movie!" in a crowded firehouse? --Steve Martin
  155. Re:What I want to see by tmarzolf · · Score: 1

    >>>>some sort of collective legal action against the RIAA on behalf of the independant artists who use Napster as a distribution method Great idea except for the fact that the indie artists tend to have very little money because of the big label hedgemony, and we all know that it takes money for lawsuits.

    --

    This Sig has been depreciated.

  156. My e-mail to the RIAA... by No+Such+Agency · · Score: 2
    Not that they'll care:

    To whom it may concern,

    It is with grave concern that I (and many other music lovers) watch the current legal proceedings between your organization and Napster. I feel that the RIAA's actions in this matter have been premature and based on a flawed understanding of the nature of Napster's service to its users.

    I enjoy the use of Napster because it allows me to "try before I buy", albeit through unofficial channels. I can think of several CD's that I have purchased after downloading songs from Napster - songs that were _not_ getting heavy rotation on the radio. I do not "steal" whole CD's worth of music using this service, simply because I enjoy owning a physical copy of the music, with liner notes, and pictures of the band, and a disc that I can play without turning on my computer. Therefore, using Napster will never cause me to not buy a CD that I would otherwise buy.

    It is with great regret that I must now refrain from purchasing discs by RIAA-represented artists, as a form of protest over the shutting-down of Napster. I guess I will probably miss some good CD's that I was looking forward to buying, but I would miss Napster more, should you succeed in permanently eliminating it. Thank you.

    --
    Freedom: "I won't!"
  157. I agree. by theluckman · · Score: 1
    "In a way, I'm glad Napster is being shutdown. At the very least it will stop these uneducated leaches from abusing a good thing."

    props

    I agree. I am in support of music trading, not music leaching. I support ratio FTP sites and will gladly pay a 1:3 for a good song or album. This way, it is no different than trading rocks or stickers or baseball cards. Of course, there is the argument that it is different because you don't have to give anything up, but you do provide someone with a song or album. Selling goods isn't about what the customer loses, it's about what the reciever recieves. Thats my take, anyway. Any thoughts on that?


    luckman

    --
    luckman
    I don't involve myself with flames, much less know how to bait one.
  158. Re:Boycott? by cosmic_0x526179 · · Score: 1

    Ya know, I went out and purchased a CD the other day. First one in a year or so. When all the bruhaha broke last night about napster and the judge, I checked the recording label: Red House Records. Nope, not a member of the RIAA. I feel good.

    Perhaps we should all carry a list of RIAA member labels next time we go to the store. Boycott is just that, don't buy anything on that list.

    - just another cosmic ray -

    --
    This msg is brought to you by the letter 'W'.. for Worthless Wuss
  159. Re:Hmmmm... by crazyc · · Score: 1

    It was going to say something about "don't skew the 'napster users don't buy CDs' polls--make sure people know it a BOYCOTT".

    Of course, once Napster is restrained, it can't be responsible for any loss of sales of CD's. Gnutella on the other hand...

  160. Re:Not going to cut it... by s_fuller · · Score: 1

    The moderator that marked this post as a troll needs a serious beating. Again, just because you don't agree with what a poster has to say doesn't mean you should mark it as a troll. Yes this post might cause some controversy, but for crying out loud take of your blinders.

    --
    ---- .sigs are a waste of space
  161. Boycott here is a waste of time by thesparkle · · Score: 5

    How many SlashDot users/readers are there? Realistically? A few hundred?

    I don't download MP3's or use Napster. My choice. I would rather bang on pots and pans than listen to most of the music out there. But then, that's my opinion.

    But if you really want to boycott someone, stop preaching to the choir and involve the majority.

    "I am not gonna buy my 15 CD's this year"
    What a waste of time. Get a few thousand, die-hard, CD-buying fiends to quit buying CD's. Convince club DJ's to stop buying more music. Convince radio stations to quit playing anymore new music. Get sympathy, if possible, from the people who make up those million sales for Brittainy, N'Sink and whoever.

    "I am write a letter to my Congressman"
    That is exactly the wrong way to go about it.
    Write to the advertisers on the radio station whose format you enjoy. Tell them you will no longer listen to the stations they advertise on.
    Write to record labels and include copies of receipts for the last year or so.
    Stop listening to the radio.
    Stop listening to CD's.
    Stop buying, borrowing or downloading music.
    And have the millions who buy the teen-scream, underpants crowd do the same.

    "I am gonna download as much music as I can"
    Good. Those numbers will be seen not as a protest, but as validity for what the recording industry thinks of you: You are not rebels but thieves and vandals trying to loot a few more songs before the impending shakedown.
    Do them one better. Do not listen to, record, buy, borrow or download any more of their music.
    Oh, and convince the "millions of people who do not use the Internet/MP3 technology regularly, and listen to the radio for their music" crowd to do the same.

    Otherwise, this is a waste of time. But hey, you will have your principals.

    1. Re:Boycott here is a waste of time by teraflop+user · · Score: 2
      ROTFL!
      How many SlashDot users/readers are there? Realistically? A few hundred?
      And then on the line before:
      (User #174382 Info)
      Hint: there were nearly 175,000 registered ID's before you arrived. Many are nodoubt defunct or duplicates. But many people also read and post as AC's. I was an AC for a year before I registered.
    2. Re:Boycott here is a waste of time by sholton · · Score: 1

      That is exactly the wrong way to go about it.

      A better strategy; figure out how much you have been spending on your music and continue to spend that much, just don't spend it with the organization you're boycotting.

      This creates a double-edge sword; you're not only denying the profits to one, you're financing their opponents.

      I imagine this could mean a strong influx of cash to the new "independent artist" sites, perhaps making a few of them even profitable...which encourages more independent artists...which makes independent artists more popular....

      And that is likely to be an even greater concern than the (temporary) loss of a few customers.

      --
      A new kind of meat designed to appeal to vegetarians.
    3. Re:Boycott here is a waste of time by Ashe54 · · Score: 1

      "How many SlashDot users/readers are there? Realistically? A few hundred?" Are you joking? Have you ever seen the amount of poll results?(excluding the current) The usual results are around 20,000. Unless those "few hundred" people have such great amount of time on their hands to vote a dozen times a piece(from different IPs or user names) I do believe you are mistaken for the amount of /.ers.

      --
      Its a bunch of RVs, yurts, tepees, and geodesic domes set up in a field...
    4. Re:Boycott here is a waste of time by swordgeek · · Score: 3

      Agreed entirely.

      When the DeCCS fiasco surfaced, I emailed the CBC
      about it. Partly as a result of my actions, the
      story made the national evening news here in
      Canada! They interviewed Matt Skala fairly
      extensively, and I was on the news for about five
      seconds. When all was said and done, we exposed
      Mattel's misbehaviour to an audience of consumers
      orders of magnitude larger than /.

      THAT is the way to get attention. Take it to the
      streets, to the public, and to the consumers.

      --

      "People who do stupid things with hazardous materials often die." -- Jim Davidson on alt.folklore.urban
    5. Re:Boycott here is a waste of time by robin · · Score: 1

      And some of us have gone back to lurking....
      --

      --
      W.A.S.T.E.
  162. Re:RIAA? by Jeckle · · Score: 1

    Here is a list of RIAA Members.

    --
    /Sig/
  163. Re:That's not the damn point. by mcsnee · · Score: 1

    You're just plain wrong. Listening to a song with the intent of deciding whether or not to purchase is legally fair use, under copyright law. It is not, repeat _not_, the same thing as "stealing a glass for a day," because _that_ is illegal.

  164. An even better idea .... by Randy+Rathbun · · Score: 2

    Check out your local Goodwill or other non-profit type store. I go to the one by my house every once in a while. CDs are usually around $1.50 each and there is some decent stuff too.

    Heck, I even bought a Sinclair ZX-81 there a few months ago for $10.

  165. Re:Why the boycott? by gilroy · · Score: 4
    Blockquoth the poster:
    I have no doubt that they would also be willing to make a deal with Napster as long as they still reeived a decent return on signing the bands, recording, and advertising.
    A few points:
    • It's not clear to me at all that the RIAA would accept any deal with Napster that wasn't out-and-out surrender.
    • The "decent returns" as defined by the RIAA's current practices are from the realm of economic fantasy, possible only because the RIAA has a state-enforced monopoly.
    • This "solution" simply shores up an outdated and inefficient distribution method. The high prices and ludicrous contracts forced on consumers and artists have been justifiable only insofar as the RIAA and its ilk have been necessary for the widespread distribution of music. That is no longer true. I'm tired of paying for advertising, especially since the things I listen to never seem to merit the attention. And I am doubly tired of "market research" (underwritten by high prices) that produce sugary-sweet pop pap.
    • I don't see why we should allow the RIAA's current possession of a state-enforced monopoly -- whose economic justification is waning -- to allow them to enshrine and cement their control.
  166. Napster Users = Dandelions by flufffy · · Score: 1
    This is a bad move by the RIAA. With all Napster users in one 'community,' the RIAA had a chance to do a deal with a bunch of people who might not necessarily have looked beyond Napster. Now everybody is off to try everything else. It's like trying to get rid of the dandelions in your yard by walking round with a stick and whacking their heads off.

  167. Resistence is never futile by FreeUser · · Score: 3

    The RIAA does not care.

    Really? I had a look at a number of other posts by you, for example here, here, here, here, and here. The last is rather interesting, in which someone accuses you of being an RIAA plant and you respond by admitting you are a troll.

    Based on the content of your messages, it appears that that is all you are. In the unlikely event that you do work for the RIAA (and are a plant) I find it amusing that the RIAA would invest time and money discouraging a boycott they "don't care about." It is far more likely that you have succeeded in trolling slashdot very well this day, even getting a high +5 score doing it. There is no shortage of extreme Randian cynics on this site, and your post obviously appealed to some of them. Congrats.

    (And shame on you pitiful fools who think it is somehow cool and worldly to espouse cynicism, apathy, and capitulation over standing up for your ideals.)

    Where we make the money is in the Top 10 records - the stuff that most Slashdot readers (and other concerned citizens) don't listen to. We don't make much money off of your purchases. We make the money in the mass market. And by and large, the mass market doesn't care about your boycott.

    First, that isn't true at all (and this exposes you as a simple troll and not an RIAA plant/spokesperson/whatever). The music industry makes a great deal of money on music of various genres which are not top ten. If they didn't, they would have no compunction in ceasing production of the material and killing the artists' careers. Such is standard operating procedure in the industry.

    Furthermore, successful boycotts are almost never "mass market actions," they are activist actions taken by a minority. However, even a very small minority can make enough of an impact to threaten the bottom line, and this is as true with the RIAA as it is with anyone else. The difference is that the RIAA is defending a monopoly (of questionable legality), and monopolists often cannot see their business surviving the loss of their monopoly and will defend it to the death, even against all reason.

    Finally, no boycott is in vain. A boycott of one person who stops going to a store or buying a product because it offends their principles is a victor -- that person has taken proactive control of their own life, against a torrent of propoganda and marketing telling them to do otherwise.

    Your boycott will fail, unless what you want is to destroy the artists that you listen to - the artists who survive on a small but dedicated fan base. You are destroying the art that you love over a legal difference of opinion. We hope you're happy.

    And you have the audacity to call us arrogant?

    Resistence is never futile. It always costs the enemy something, and is always better than just rolling over and capitulating. There is a possibility we may lose the war, but it is certain that the RIAA is losing money as I type this.

    --
    The Future of Human Evolution: Autonomy
    1. Re:Resistence is never futile by 11223 · · Score: 1
      Oh, jeez. My comment was made in direct reference to that last comment, and the sentence following my admission of being a "plant"...

      I've been secretly infiltrating your belief system for the past few months.

      Should have clued you in to the fact that I was trying to say that I was playing devil's advocate... in other words being a troll, and forcing people to defend their opinions.

      If they didn't, they would have no compunction in ceasing production of the material and killing the artists' careers.

      Apparently you missed the other big buzz in the record industry recently. Most labels are cutting back on their Classical and Jazz music albums, ceasing production, dumping contracts, and combining Classical and Jazz divisions. Some have even dumped their entire divisions. See the point?

      There is a possibility we may lose the war, but it is certain that the RIAA is losing money as I type this.

      And for every one of us, there's fifteen kids going out to purchase the newest top 20 CD right this very instant. We are outnumbered by sheer force and ingorance (indifference?) of the market.

      Finally, no boycott is in vain. A boycott of one person who stops going to a store or buying a product because it offends their principles is a victor -- that person has taken proactive control of their own life, against a torrent of propoganda and marketing telling them to do otherwise.

      Sigh... I remember when I was that idealistic.

  168. Re:Go back to tapes! by sporty · · Score: 2

    p.s. tape players are those cheap mini vcr's that do only audio ;>

    ---

    --

    -
    ping -f 255.255.255.255 # if only

  169. RIAA? by Peyna · · Score: 1
    How would one determine whether or not an artist / label are a member of the RIAA easily?

    --
    What?
  170. mp3.com by jbrw · · Score: 5

    There's a ton of great music on mp3.com. I've recently bought a bunch of CDs from there, and have since had a warm inner glow. The CDs I bought were all as good/better than stuff you can get in the shops, and, as the artist receives 50% of the cost of the CD, they're probably better off selling their stuff through mp3.com than going through the more traditional routes (well, that could be open for debate, I guess).

    And, possibly just as importantly, mp3.com has been in RIAA's line of fire for a while now.

    Might as well support something they're trying to shut down, right?

    ...j
    (a satisfied customer of mp3.com and nothing more)

  171. Re:Paradox by crazyc · · Score: 1

    In fact, the boycott itself may provide just the sort of evidence the RIAA wants to use in court.

    How will it matter once Napster is shut down?

  172. Re:Not the battle we should fight by Daniel+Levenson · · Score: 1

    That's why those artists are, repeat after me, sell-outs. They signed the contract.

    Their interest isn't in making more fans.

    Their interest isn't in getting their music out to a broader audience.

    Their interest is in making the most money possible.

    They're brainwashed by the RIAA into thinking that each time someone trades one of their mp3s, that's one less time that song could be purchased. How many people buy singles any more? I think the last time I EVER bought a single was for Ratt, back when they were popular, and I was young & didn't have mouch money.

    --

    Daniel Lev.

  173. Folks Stealing Music No Longer Buying CDs? So? by InitZero · · Score: 2

    I doubt a bunch of Napster users who stop buying CDs is going to hurt RIAA. In fact, it could be a very good thing for the industry.

    What's the first thing these people do when they buy a CD? Of course, the go home, RIP it and put it up on the net. Duh.

    Thus, I suspect that a boycott will keep new music from showing up on the web through other (gnutella) channels.

    If we really want to stick it to The Man, we need to go out and buy every popular CD in the local music shop (certainly not Amazon since they are very The_Man-like) and put it online. Once the popular stuff is online, we need to head for the more obscure tunes. And we need to mirror it across the world so no one can shut us down.

    Only then will we have true freedom. Are you with me?

    InitZero

    (The best part of this post is that the sarcasm will be missed by so many and that the flames will come from both sides. I love hypocricy!)

    1. Re:Folks Stealing Music No Longer Buying CDs? So? by crazyc · · Score: 1

      (The best part of this post is that the sarcasm will be missed by so many and that the flames will come from both sides. I love hypocricy!)

      Well, nice going. Now you arn't going to get any flames because you spelled it out for all the idiots out there. Sheeeh...

    2. Re: Folks Stealing Music No Longer Buying CDs? So? by InitZero · · Score: 2

      Now you arn't going to get any flames because you spelled it out for all the idiots out there.

      Sorry. I'm new at this trolling thing. I guess I should have mentioned hot taco pants and Commander Portman Grits, huh?

      InitZero

  174. I'm confused... by Nrrd^2 · · Score: 1

    Okay, folks, I'm confused here:

    You're planning to boycott corporations which provide resources for the music you love and enjoy, in support of another corporation whose only purpose (or the only purpose for which it is employed) is to enable the theft of intellectual property.

    In picking one faceless corporation over the other, why are you choosing the one that enables the theft of the content you're claiming to support?

    It looks to me like you've fallen for their spin-doctoring "We represent freedom of information on the Internet" B.S. hook, line and sinker. As someone else wrote on Slashdot earlier, would you be defending the Napster technology just as strong if it was Microsoft who introduced it?

  175. Re:Sharing music is good. Napster is not good. by Trinition · · Score: 1
    I have to respectfully disagree with you. I think you are the exception to the rule.

    As evidence, I submit that you are a slashdot reader. Slashdot readers, while many, are still a minority usually with high technical expertise and a sort of rebelisous attitude about some things if not all.

    For every Napster user such as yourself, there are probably at least 10 others who use it for free music. They want the lastest Britney Spears album, or the latest NSync single. Unfortunately, I'm related to people like that. They could care less about the artist, the RIAA, copyright law, etc.

    In a way, I'm glad Napster is being shutdown. At the very least it will stop these uneducated leaches from abusing a good thing. I hope, however, that some of them will be awakended by what has happened here and fight the good fight for the restoration of copyright spirit and anti-trust laws.

  176. The RIAA has done quite a bit by Art+Tatum · · Score: 2
    What the RIAA is really scared about is the fact that electronic distribution could make musicians truly independent of the recording industry. The technology to record at high quality and low cost has been around for quite some time now. The problem has been that it was still difficult to distribute. The major recording companies still have the corner on that market. More and more, it is becoming possible to distribute your music electronically and completely bypass record companies, thus eliminating the lucrative and restrictive recording contracts. If musicians shut the industry out of both recording and distribution, the industry as it once existed will die.

    Napster is a drop in the bucket compared with what will happen when electronic distribution makes them irrelevant. However, if they can kill electronic distribution now, they can continue their monopoly.

  177. Re:You're missing the point! by mcsnee · · Score: 1

    The RIAA produces a product that, yes, allows people to listen to music. That, in and of itself, is perfectly legal. The point is that they use strongarm tactics to stop the perfectly legal tactics of other companies who get in their way. Furthermore, the RIAA being made up of corporations and all, they plan to make a profit by selling other peoples' music and keeping the lion's share for themselves! (Don't know how the middlemen got to be so powerful, but you don't form a leech league just for the heck of it.) That makes them little better than something I'd scrape off my shoe.

  178. Napigator??? by MageWyn · · Score: 1

    I know I won't be buying any CDs for a while, which isn't hard since most music sucks now days. I do like Metallica's music, but I will never buy anything of thiers again. I'll only download thier MP3s, and if I want thier merchandise I guess I'll have to steal it or something, but I wouldn't be caught dead wearing a Metallica brand right now. Even if all the MP3 peer to peer software dies (like Gnutella, Napster, and others) then I'll go back to doing what I did before Napster. I'll use FTP Search and IRC channels just like the old school days.

    On another Note...

    Since Only Napster has to shut down, can't you still use Napigator (www.napigator.com) to connect to the various Napster Networks not run by Napster and still download songs? I wonder if I'd get taken to court by the RIAA if I ran a site with Napigator and Napster B5 and B6 on it...?

  179. Re:Attn! by Domini · · Score: 1

    People who read Slashdot have better music taste anyway.

    This is exactly the problem: so does the people who use Napster and Gnutella. The only reason they download certains songs is because they don't want to pay for crap.

    But if the RIAA (who is watching me...) was clever, they would see this as an oportunity to infiltrate people with good taste, with bad music, and therefore further increasing profits.

    That's right, boys and girls.

    :)

    My R 0.2e-01

  180. Re:Hmmmm... by Golias · · Score: 1
    Your goal should be to defeat the RIAA, not to reduce their profits.

    I'm perfectly fine with the idea of every last card-carrying member of the RIAA being milti-billionaires, as long as they keep their noses out of my directory files.

    --

    Information wants to be anthropomorphized.

  181. ok fine then... by passion · · Score: 2

    if there are any artists that are starving, send me an email (you should be able to figure it out). Send me an mp3 of one of your songs. If I like it, then I will pay you a dollar for it and ask for more. Otherwise, I will kindly thank you and delete it.

    p.s. I don't listen to much top40, country, rap, or classical.

    --
    - passion
  182. Damnit by nutty · · Score: 1

    The question which we should be asking is who they are answering to?

    As laws stand now a site can only be prosecuted by the country in which the content is hosted.
    The world needs sealand...desperately.

    As a swede, seeing the US attack countries left and right just plain pisses me off.
    The main/best way to avoid the MPAA and the RIAA is take note of teh most important part of thier titles.

    Motion Picture Asociation of AMERICA
    Recording Industry Asociation of AMERICA

    And I say f*ck America...
    /nutt

  183. Re:Government is clueless... by grimani · · Score: 1

    "What they are telling us is that it's illegal to provide a service that shares information."

    So I can start a database (tomorrow) that is essentially a catalog of the kids in each neighbor hood, their hair color eye color, characteristics, where pedophiles all over the world can share information used to stalk, rape, and kill kids if they so choose.

    Hey, I'm only sharing information...

  184. It really depends on where the graph goes down... by Greyfox · · Score: 2

    If the sales plummet only after this injunction (Especially if they were going up before) I think that'd be a pretty clear indicator that something pissed a lot of people off. Of course I don't think enough people will be pissed off enough to stop buying CDs. It might make for a minor jitter on the graph, but I don't think it'll amount to much more than that.

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

  185. Re:Freedom of speech: a rediculous liberal myth by GRAMMERSoft · · Score: 1


    I'm sorry my ignorant friend, but you have the intellect of a sea cucumber.

    BTW, there's nothing wrong with a little depravity.

    Have a nice day!

    --
    That said, I think it's time I changed my .sig (again)
  186. Re:I'm conducting my OWN boycott - by joemaller · · Score: 1

    - by downloading everything I can get my hands on.

    Gee, my boycott was to share everything I have.

    "bite the flowers"

  187. No, "you" tell "us" what we (supposedly) want by Ars-Fartsica · · Score: 1
    They listen to what we say because we provide them with the music that they want.

    What utter bullshit. The music companies don't cater to listeners tastes - if that were the case, there would be much more variety and far less crap.

    No, "you" to divine what the "target demographic" is and then you manufacture a product that is intentionally mediocore enough that it does not musically offend anyone, and is only useful enough to maybe get the drooling masses to come back to the trough the next time, in some bizarre pavlovian response. Case in point is Britney Spears and NSync and the rest of this sheer garbage which is exceedingly worse than even top 40 music from twenty years ago. "You" have eliminated risk by eliminating variety. "You" are now entering into radio station ownership deals to ensure that the distribution channels force your manufactured crap on the public whether they like it or not.

    This is why people are taking matters into their own hands and putting "you" out of the editing and selection biz.

    1. Re:No, "you" tell "us" what we (supposedly) want by Ars-Fartsica · · Score: 2
      We abide by all existing laws. This was an issue around 30 years ago, not today. Laws were passed to protect the integrity of the radio stations, which we always respect.

      "You" should try reading the news more often - a major record company is set to purchase a huge chain of radio stations right now. Who needs payola?

      How quickly we forget what times were like 20 or 30 years ago. The record industry didn't give people what they wanted, 20 or 30 years ago. They wanted more of the same. We gave them something different, and some disliked it, just like some dislike the music of today.

      Pass this through a demoronizer and come back when you have something cohesive to say.

    2. Re:No, "you" tell "us" what we (supposedly) want by 11223 · · Score: 1
      Twenty years ago, quite a few people thought that most top 20 music was garbage. Now, that thought has been wiped from your collective memory because it's become part of our cultural heritage.

      "You" are now entering into radio station ownership deals to ensure that the distribution channels force your manufactured crap on the public whether they like it or not.

      We abide by all existing laws. This was an issue around 30 years ago, not today. Laws were passed to protect the integrity of the radio stations, which we always respect.

      How quickly we forget what times were like 20 or 30 years ago. The record industry didn't give people what they wanted, 20 or 30 years ago. They wanted more of the same. We gave them something different, and some disliked it, just like some dislike the music of today.

      If anything, the recording industry could be said to be encouraging the future music classics.

  188. Announcing Tape-ster! by FattMattP · · Score: 4
    Announcing Tape-ster! The revolutionary personal music exchange site! Using Tape-ster you can now swap music with music fans the world over!

    Here's how it works:

    1. Simply log onto the Tape-ster web site and enter in a list of songs you have available on tape.
    2. Using Tape-ster's powerful search engine you can search for songs available on tape by other fans such as yourself.
    3. Click on a name in the results page to get a snail mail address of where you can swap tapes!

    IT'S THAT EASY! And best of all IT'S FREE!

    --
    Prevent email address forgery. Publish SPF records for y
  189. Publicity Killed the Cat; Eight Lives Left by australopithecus · · Score: 1

    Well, it seems that my wonderful days of cavorting in a footloose and fancy-free fashion through the world of free online music has come to a halt with this "landmark" (er....um landmine?) preliminary ruling.....pppbbhhtttttt...
    In my plebeian status, I am hoping that some more experienced /.'ers out there could contribute to my tought that the sheer belligerence of the Napster peeps is responsible for their untimely demise. No one seems to be saying anything about hotline, and as far as my neanderthal brain knows, they are doing stuff not too different, just keeping it a little more under wraps...

  190. Yes, exactly "semantics" by FascDot+Killed+My+Pr · · Score: 1

    Semantics is EXACTLY the problem. Your definition of "ownership" has a wart stuck on the side. The definition of ownership is something like "having full control of an item". But your wart says "or partial control each by different parties". In the case of Office 2000, you can control some of the use of the CD, Microsoft controls the rest of the use (copying, multiple installs, etc).

    Trouble is, that your definition is self-defeating in the case where the multiple owners do not have aligned goals. For instance, you want to share with your friends, MS wants to maximize profit. The only way to make this work is to have a contract among the multiple owners (known as a "license") that lays out what each party can do.

    That why I said in another post that copying CDs isn't stealing on the part of the recipient, it's breaking a contract on the part of the donater. And THAT difference isn't just semantics. For one thing it shifts the crime to another person. For another, it brings the entire who-owns-what-and-why issue out into the open.
    --
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  191. I agree. by GoofyBoy · · Score: 1


    Dumb moderator. The posts had very valid and good points.

    --
    The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
  192. A better boycott reason by Benwick · · Score: 1

    We should boycott the RIAA not just because of our demand that music be shared online. An even better reason is knowing that in two years our landfills will be twice as high thanks to stacks of Britney Spears and Ricky Martin CDs which will never biodegrade. Notice the prominence, in remainder/cutout racks, of Vanilla Ice--and he was big 10 years ago already! All those CDs will end up in the waste bin. Digital distribution ends the tremendous waste of resources that CDs cause, allows us to delete music once we realize it sucks... and if it's all archived in a digital library somewhere, as the Fonz would say, "heyyy!"

  193. Re:Good for RIAA by ignatiusst · · Score: 1
    Your right, I misspoke. What I am trying to put across is that Napster is not just profiting from piracy, but that Napster is making an industry out of pirating. That, to me, is corporate greed at its worst...

    Yeah, in not paying for a song/CD, I am not incurring an expense and therefore profiting. What I (and any other individual) am not doing is creating an industry that facilitates illegal activity in order for me and my shareholders to get wealthy.

    I do find Napster odious. I have, admittedly, a shaky position on my pirating for individual pleasure vs. Napster's pirating for corporate wealth. Where then does the individual differ from the company?

    So that they could make a few bucks, Napster has introduced a legitimate legal threat to the free exchange of information and ideas. For years, I (and I think most of us here at /.) have talked and dreamed about the free exchange of information and ideas over the internet. Enter Napster (and other profit-oriented organizations). Napster has taken this concept of free information exchange and put a price tag on it. The result: A lawsuit that could very well lead to a Supreme Court decision restricting the free exchange of information and ideas.

    What can I say? Damn Napster and every other greedy profit-taker out there who has changed the internet from a beautiful ideal to a sordid instrument of commericalism. If they are going to drag the internet down, I want to sit back and watch 'em drag it down on their own house.

  194. Napster's real problem was by Anonymous Coward · · Score: 2

    simply that it was a single company with a business model. It could be a target. That is it pure and simple.

    As an analogy, consider the early popularity of the 'Net. All of the trafficing in free porn (of all forms), bomb-making instructions, etc., would have brought any SINGLE company down through lawsuits galore.

    The fact that the Internet was decentralized and lawsuit-proof (comapred to Napster) allowed the proliferation of everything which legal harassment had supressed.

    Napster has provided the model for peer-to-peer music-sharing. On the Web, everyone is an imitator of something.

    Caveat: I have never, ever used Napster, or its imitators. I quit buying music years ago when it became obscene the price of CDs for the single good tune in a pile of duds. I'm just lucky to have good radio where I live.

    Eric Anondson

  195. Re:Go back to tapes! by _xeno_ · · Score: 1
    Or just use the line-in port on your soundcard and start recording songs off the radio and MP3ing them! I've done similar things to play tapes onto MP3s. (I've actually got a set of MP3s that where orginally vinal, copied onto tape, and then copied onto MP3. Sound quality's quite nice for 3rd generation audio.)

    All you need to do is go to Radio Shack or your local electronics store and look for a stereo to headphone convertor, whatever they're called. I found one for about $4. (Used to connect PlayStation through computer's 5.1 surround sound as opposed to TV's crappy stereo speakers - you know you're a geek when your computer sounds better than your TV or stereo...) Recording off of this is simple, although you'll need some disk space if you can't compress on-the-fly. (It's about a 10 MB/min, actually a little less (about 8.75MB/min if my calcs are right), for CD quality audio. Plan on 10 MB/min though so that you can encode to MP3.)

    This can all be done with a simple Walkman too if you want to hook it up - just get a cable to plug into the Line In/Microphone port. Again, Radio Shack or your local electronic store.

    (Yay, Mozilla build 2000072608 will allow me to post again! The latest nightlies kept on crashing on POSTs...)

    --
    You are in a maze of twisty little relative jumps, all alike.
  196. paytheartists.com by CoughDropAddict · · Score: 4

    It's simple. Someone needs to set up a web site called paytheartists.com, or something similar. Anyone who wants to can pay any artist an amount of their choosing per song they download. All completely voluntary.

    I could imagine an "about" page that reads something like this (please point out any innacuracies, either in law or in philosophy):

    What is paytheartists.com?

    Paytheartists.com is a site dedicated to compensating artists for their work without supporting the leeches who at this point in time are vigorously fighting what they correctly perceive to be a very serious threat to their monopoly. The premise is simple: music is available to internet users through Napster et al, and this site gives you the ability to compensate the respective artists a paltry sum per song.

    The desired effect is to show musicians that the Internet can be an ideal way to distribute music while still making money off it, and without resorting to closed protocols that attempt to enforce compliance.

    But what about people who won't voluntarily pay?

    This is inevitable, and perhaps not all bad. First of all, there are children and others with limited incomes who don't have the money to spend in the first place, so this isn't lost revenue. Secondly, music lovers would hopefully be enthusiastic to reward music they like, and might perhaps contribute more for a song they especially like.

    Aren't the activities you advocate illegal?

    Yes. However, we believe them to be moral.

    First of all, the operation of this site will not increase piracy. Napster and other music distribution systems make obtaining copyrighted music simple already, and anyone who wants music can get it. The effect of this site, therefore, is only positive, because we seek to take all the music "sharing" that is so widespread, and let the artists who created the work in the first place in on a little bit of the fun.

    Secondly, we have absolutely no moral qualms about leaving the record companies out of this. They are so rich and powerful today only because they've had a complete stranglehold on the industry for so long, that any musician who wanted to be heard widespread had no choice but to go to a record company. Worse, these artists are now stuck because they don't own the rights to their own songs. Look on any CD, and you won't see (C) The Artist, but rather (C) The Big Record Company. Artists couldn't legally take their own music online now even if they wanted to.

    The record companies are further working against the artists by refusing to budge an inch in regard to online distribution of music. The RIAA maintains to this day that it's illegal even to rip a CD you own to your own computer. A site like this would be completely unneccesary if they would simply embrace the advent of digital music instead of fighting it.

    We challenge the RIAA to stand by their comments about their litigation being all in the name of the artist. If this site succeeds and begins compensating artists in significant amounts (and with the huge cut the record companies take, it should take too much money per song to get up to what the artist would make off a normal CD), the RIAA should be estatic that everything is working out so well. If they condemn it as a haven for pirates, they'll be caught in their own lie.

    --

    1. Re:paytheartists.com by Luminous · · Score: 1

      Paying the artist should not be volutary. If the artist chooses to allow their work to be distributed for free, fine. But if the artist wants compensation for their work, that is cool, they deserve it. If they ask for more than the market will bear, well, they won't earn anything.

      --
      This is not the way to build a lasting empire.
    2. Re:paytheartists.com by CoughDropAddict · · Score: 2

      But you see, like I said in the original post, in the status quo music is getting distributed for free, whether the artist likes it or not. The effects of voluntary payment, at least at this stage in the game, can be only positive.

      --

    3. Re:paytheartists.com by mgoyer · · Score: 1
      :) We actually own payartists.com. But we decided to go with www.fairtunes.com.

      What is Fairtunes? Fairtunes is a website that allows you to send money to ANY artist directly. It is completely voluntary. You set the amount you want to send and we ensure it gets there. The artist is then free to distribute it as they choose.

      Check it out!
      Matt.
      www.fairtunes.com

  197. Re:You know at some level the RIAA is right by AquaVortex · · Score: 1
    To add to this, those of you who believe in the abolition of copyrights should consider the following from today's New York Times:

    The music industry argues that it cannot survive in its present form without additional intellectual property protection. There is some justification for this view. After the French Revolution, one of the first acts of the new National Assembly was to eliminate copyrights. Within a few years, only pornography and seditious material was being published. Though such material can apparently survive any intellectual property regime, the French had to reinstate copyrights to provide incentives to produce more substantive works.

  198. THERE IS NO PARADOX IN THE SALES DROP!!! by dagoalieman · · Score: 3


    OK Damnit, people listen for once.
    Stats don't lie.
    Except when you make them to lie.

    Why did college area sales drop? Let's see, the stats that they site are roughly from the may to june time frame. What happens then? Hrmm.. Toughy.. Let's see. I personally take classes up til the first week of may, then dead week, then finals. What next? OH YEAH!! I GO FSCKING HOME!!!!

    Gee, if college students pack up and leave, how are they going to buy cds?? NO WONDER THE SALES DROPPED!!! Did they ever site the drop in other areas?? Hrmm, maybe because it's been proven that it went up??

    The stats are telling you what they want them to.
    </extreme rant>

    I appologize for that, but I'm kinda tired of RIAA, and this is another example of why they're not earning a whole lot of my money right now (I admit, I buy one or two, because I'm moral and understand that the artists deserve money for their work, and if I did buy it the CD has to be good.)

    --
    We don't need no Net Explorer We don't need no Thought control
  199. Word from the RIAA by Roundeye · · Score: 3
    They are evidently open to recieving our MP3's. Not in so many words, but a call to RIAA headquarters, explaining that I wanted to send my mp3's back was met without surprise by the front desk. They forwarded me to their piracy department where I was unfortunately forced to leave a voice mail. I told them, of course, that I was merely inquiring about where to send my mp3's. I made sure they knew they'd be getting them soon.

    Time to fill up the hard disk on the old 386 and mail the machine to them I suppose...

    --
    "Cause there's 40 different shades of black, so many fortresses and ways to attack, so why you complainin'?"
    1. Re:Word from the RIAA by Cullpepper · · Score: 1

      best to encrypt everything first. you wouldn't want to be responsible any "unauthorized copying" that might take place between you and them...

      Hey that rasies a question, does Eschelon violate copyright?

      Muahahahahhaha.

  200. The truth. . . by STUPiDflY · · Score: 1

    The truth is no matter how anyone wants to sugar coast it is this: Using Napster is stealing. I realize this and continue to employ Napster and many other "illegal" uses of the Net. I have a comfortable income and could easily afford to purchase these things. Why don't I? This country has problems. This is no longer the United States of America, call it the Corporate United states of America. I for one will not sit back and let the top 5% get fatter and fatter while the rest of the country (the people who REALLY make this country run) work themselves to death. I find it eerily reminiscent of mid-evil times or even ancient Egypt. We are essentially endentured servants in this country. If I can in any way, even a very small one take away from this system, I will! This entire country has become far too apathetic. We, our parents and our grandparents let this happen. We let them take away our free speech and our right to this and that through our own selfishness. We are to concerened about our own little worlds. "Well as long as it doesn't infringe on MY rights." Too many people said this about too many things . . . Stealing software in my opinion is nowhere near the level of action that will have to be taken to get these rights back, but every "revolution" has to start somewhere . . . The citizens are supposed to run this country. This is a Democracy. What went wrong?

    --


    --------
    Linux is only free if your time is of no value.
  201. Society is clueless... by Lord+Kano · · Score: 2

    People are clueless in general. The American public isone of the worst. In fact, it makes me ashamed for my countrymen.

    From the misconceptions and misinformation that Napster is an "MP3 Swapping Web Site" to the pure ignorance of the belief that "Cop Killer" bullets can be shot through the blade of a bulldozer, people don't care about accuracy of information as long as it's entertaining.

    Last semester, I had a professor who tried to convinve me that nobody had ever thought the world to be flat. His reasoning was that since people could see that the Earth's shadow was round, they couldn't have possibly thought that the earth was flat. My response, "A Quarter is both flat and round." A few people in the class actually laughed.

    Back to my original point, you can't expect government officials to be any less clueless than society at large.

    LK

    --
    "Hi. This is my friend, Jack Shit, and you don't know him." - Lord Kano
  202. Re:Ok... by alecto · · Score: 1

    People who say copyright infringement is theft are the ones who are "redefining theft." Copyright infringement != theft. So stop all the bullshit about theft and this and that, at least be honest with yourself.

  203. Re:Dumb by lalas · · Score: 2
    Ahh, but that choice isn't allways for them to make. People have contracts you know. And not all artists can afford to buy of these contracts.

    I don't mean artists should jump ship and break contracts. They should be pressuring the RIAA to change their practices. If they can point to a boycott and say "Is this what I have signed my rights to you for?", then that will be the catalyst for change. The longer the animosity between the RIAA and the CONSUMER goes on, the more damage will be done to the artists. I don't see how a consumer boycott is bad but ripping off fans is good. Both are means to an end, which do you want?

  204. Re:Government is clueless... by don_carnage · · Score: 2
    So where do you draw the line between 'good' and 'evil'?

    When it comes to censorship, there are no clear lines. Consider a gun control law that decides which guns are 'bad' and which guns are 'good'? Does that make any sense?

    Tomorrow, if I decided to share information about how to build bombs on the internet, there's not a lot anyone can do about it. My ISP could drop me, but I can just post the information in a free NG or a host overseas.

    We must tread lightly into areas dealing with such powerful, precedence-setting censorship laws. The next thing you know, they'll be banning books like I Know Why The Caged Bird Sings and Huckleberry Finn in schools...oh wait they've already done that.

    --

  205. Re:Attn! by VAXman · · Score: 1

    But, it has already been said numerous times on Slashdot that the RIAA takes such a large percentage, the artists don't get any significant amount of money off of CD sales.

    Because it's "been said" on slashdot doesn't make it true! In fact, the RIAA is a non-profit company and doesn't make any money.

    Assuming you misspelled "record companies", do you care to give proof of this statistic? You need to give a breakdown of the income of several musical acts in order to prove this. One data point I can give is Michael Jackson, who pocketed $6 per copy of Thriller, and sold 20 million copies. He had a three year world tour afterwards, which grossed $30 million. The album took six months to record, and the tour took three years, but the album was still four times more profitable. This doesn't mean the case holds true for all artists, but it is one data point.

    They make all their money on concerts instead.

    Proof please? And if this is true, why for every single concert I have ever been to, does the artist say, "Please support us and buy our CD"?

    Considering the insignificant cost of producing a CD and the percentage which goes to the artist, your profit margin on CDs makes up nearly all of the cost.

    Proof please? The average cost of producing a classical CD is $500,000 (this is "insignificant"?), and sells between 2,000 and 3,000 copies in its lifetime. Do the math. There is no profit for 90% of CD's produced. The only CD's which profit is stuff like Britney Spears, but most of that profit goes to pay for the unprofitable music (90% of titles). That is where the money is going; contrary to the myth on slashdot, it is not lining record exec's pockets.

  206. Not Many Alternatives by Tom7 · · Score: 1

    While there are plenty of alternative sources for Music, the MPAA is practically the only way to get movies (I've seen some good indie movies, but no theatres around here show that kind of thing). Movies just cost a lot to make.

    If DVDs not produced by major studios (I'm thinking maybe domestic anime releases) were to make a stand and, say, not encode their discs with CSS... then we'd have something to talk about. But a boycott when there aren't any alternatives is only half as effective -- you may hurt the boycottee, but you don't help his competitors.

  207. The fine print... by balls001 · · Score: 1
    I was browsing through this thread and noticed something funny that sort of applies... Slashdot has a little message at the top of the threads:

    The Fine Print: The following comments are owned by whoever posted them. Slashdot is not responsible for what they say.

    And now here's Napster's fine print:

    Users are responsible for complying with all applicable federal and state laws applicable to such content, including copyright laws.

    So, if I'm correct, if I were to post DeCSS source directly in here, Slashdot would still be liable..

    Kind of makes you wonder.. All it would take is the MPAA deciding Slashdot was the enemy..

    --

  208. It's True It's True by TheOutlawTorn · · Score: 1
    See, the RIAA was right! Napster is going to make CD sales go down, only not quite the way they intended!

    Question: Why is the boycott being organized now, instead of when the case was first brought? Now that the RIAA has drawn "first blood" the boycott will be that much less effective.

    Just a thought

    --

    He who joyfully marches in rank and file has already earned my contempt. - "Big Al" Einstein
  209. Re:Napster would be nothing without copyrighted mu by Jeckle · · Score: 1

    Who anywhere would not argue that anyone selling burned CD's with pirated ANYTHING on them should not go to jail. That is piracy in its simplest form.

    As for millions of people using Napster for public domain music, you're right. Napster would fail, but not for the reasons you cite. It would fail because it's prime competition would be mp3.com who's been at it longer, has more money and a more marketable name.

    --
    /Sig/
  210. Re:CD-Rs and blank tapes by Red+Moose · · Score: 1
    Isn't that sort of like bribing though? I would hope for more "above-board" means of business in modern times. It's like Vito Corleone not wanting to get involved in the drug trade because the people he pays off will only keep their mouths shut for the less obviously criminal and huge profit making activities like gambling.

    "What a man does to make a living is no concern of mine" - Vito Corleone.

    --

    Acting stupid isn't much fun when there's someone around who knows better

  211. Phurst Phost by Anonymous Coward · · Score: 1

    Yea, all well and good except OpenNap still provides a list of servers for the RIAA to go after. Gnutella is the only safe bet as there is no central repository for server info, except the server list at the gnutella site.

  212. Re:Go back to tapes! by vjlen · · Score: 1

    Go back to tapes! RIAA gets a kickback on blank cassettes. And blank minidiscs.

  213. Hmmmm... by FascDot+Killed+My+Pr · · Score: 1

    I was about to post something cautioning people about a boycott. It was going to say something about "don't skew the 'napster users don't buy CDs' polls--make sure people know it a BOYCOTT".

    Then I realized: While it isn't my goal to reduce the profits of the RIAA, that is an inevitable outcome of what my goal IS. So screw it, I don't care if study after study finds that "Napster users buy fewer CD's". Good! That means they are sharing! It's not a bug, it's a feature!
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  214. What I want to see by lemox · · Score: 5

    ... is some sort of collective legal action against the RIAA on behalf of the independant artists who use Napster as a distribution method. I know that they are not even minutely close to being to majority of music on Napster, but shutting napster down affects a bit more than just preventing the supposed "piracy", and the courts should take that into consideration.

    --

    "We obviously need a new moderation category: (-1, Woo-fucking-hoo)" --Mr. AC

    1. Re:What I want to see by Anonymous Coward · · Score: 2

      It really doesn't have to be collective. Since indie artists neither have a lot of money nor *make* a lot of money, they can't really sue for high dollar damages. What they *can* do however, is to sue the RIAA in small claims court. This is guerilla legal strategy. Imagine if you will, thousands of suits all over the country at the same time. RIAA will have to either send a representative or hire a local lawfirm to defend themselves. This is the type of grassroots effort that could make a difference. Why fight them on their own ground? Make them come to us.

    2. Re:What I want to see by StaticEngine · · Score: 1

      Well, one major point of the RIAA's recent attacks are about preserving their artificial Barrier to Entry for new artists... Just listen to Fred Derst's message to that band that decided not to sign to Interscope if you don't believe me.

    3. Re:What I want to see by Thorsett · · Score: 1

      It seems to me that there are at least two ways to challenge this. First, if the RIAA is actually a union (as another poster suggested), then right to work laws in many states may protect independent musicians. Second, as I've argued before, it seems to me that barring willing copyright holders from sharing music via Napster or similar programs is a clear violation (in the US) of the right of freedom of association guaranteed by the bill of rights.

  215. Why the boycott? by 91degrees · · Score: 3

    The RIAA will never even notice the boycott. Even if every user of Napster stopped buying records, this would be a trivial umber of people. And even if they were made aware of this, what difference would it make? They believe that the people who have just boycotted them were pirating all their music anyway.

    And then there's Napster. A company just as bad as the RIAA. They rely on all this media coverage for free advertising. They know that people are going to use their service for piracy. They are also willing to put as much effort as possible into making sure that nobody else tries to compete with them.

    So who boycotted Napster last time they threatened someone with legal action by (just as an example) using their logo? Anyone?

    1. Re:Why the boycott? by MustardMan · · Score: 1

      They only offered to make a deal after every webpage on the planet cried bloody murder at all the hipocrosity. They were trying to safe their asses

    2. Re:Why the boycott? by Sloppy · · Score: 1

      Even if every user of Napster stopped buying records, this would be a trivial umber of people.

      RIAA seems to think otherwise, or else they wouldn't be suing anyone.


      ---
      --
      As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
    3. Re:Why the boycott? by 91degrees · · Score: 1

      And the RIAA managed a deal with mp3.com. I have no doubt that they would also be willing to make a deal with Napster as long as they still reeived a decent return on signing the bands, recording, and advertising.

    4. Re:Why the boycott? by mcrbids · · Score: 1

      Even if every user of Napster stopped buying records, this would be a trivial number of people

      Last I knew, there were 29 *million* registered Napster users. This is a trivial number of people? I'd say that having 10% of the US' population boycotting CDs would have quite a noticable impact on CD sales - especially since Napster users are, by nature, going to be music fans.

      -Ben

      --
      I have no problem with your religion until you decide it's reason to deprive others of the truth.
    5. Re:Why the boycott? by 91degrees · · Score: 1

      Napster isn't currently harming their sales enough to justify the force that thgey've put into the attack. The RIAA is just trying to prevent lots of big Napster like corporations.

  216. How to deal with the music industry by plopez · · Score: 2

    When it comes to things like RIAA I think we are looking at things in the wrong manner. As long as people are passive consumers the record industry, RIAA, ASCAP and all their minions will continue to exploit musicians and aficionados everywhere. My suggestion to everyone who dislikes the copyright laws is:

    1) Buy a musical instrument. Penny whistles and harmonica are cheap, guitars a little more pricey.
    Pianos are expensive. Find something in your price range that suits your personality.

    2) Learn how to play it. Get rid of the TV and stop being a potato. Invest in some personal development. Lessons, lesson books and sheet music are very inexpensive forms of entertainment. You should be able to find a struggling (or not so struggling) musician somewhere who can give lessons on the side. You will then also have the satisfaction of knowing you are supporting your local music scene. The web also has some excellent resources for musicians.

    3) Make your own music. Instead of being a passive consumer, be creative. Learn to pay all your favorite songs and possibly write a few of your own.

    4) Give RIAA et. al. "the finger".

    If you have a few thousand extra dollars to throw around, buy some gear that can record and digitize
    music and share it on the web with other people. You can release under some sort of open license like:
    " You may freely listen to perform, distribute and sample this music as long as proper credit is given to the author and this notice appears pertaining to the music you have performed, distributed or sampled."

    Anyway, music is information. Information wants to be free. (I will let you finish the syllogism).

    --
    putting the 'B' in LGBTQ+
    1. Re:How to deal with the music industry by Thorsett · · Score: 1

      Excellent suggestions. Let me add

      5) go support some live musicians.

      6) Make music with some friends. Shared purchasing habits do not make for a very exciting social life, no matter what the advertising people try to tell you. Get a little person-to-person interaction going.

      CDs are fun. Movies are fun. TV ... (well...) But do you NEED to be entertained by some corporation? Can't we entertain ourselves?

  217. Re:I haven't stolen on MP3's by boarder · · Score: 1

    In this case, you stole from AutoCAD and Microsoft. In the case of mp3s, you stole from the artists and copyright owners. That IS stealing, legally and ethically. Microsoft wrote the code and did not give it to you nor sell it to you, yet you have their crap (crap is an intentional word). The artist created the song and the copyright owners distributed it, neither gave or sold it to you, yet you have it. That is stealing.

    --
    IANAL, but I play one on /.
  218. Re:Your music budget by Stary · · Score: 1

    No, not at all. There's just these thousands of people that all happened to increase their music budged when napster came out... it's totally unrelated.

    --
    Tomorrow will be cancelled due to lack of interest
  219. Hitting where it hurts. by Black+Parrot · · Score: 2

    I saw an article a day or two back (sorry, can't find it now) which reported that the music industry is starting to whinge about not being able to hire all the best geeks, since this whole affair has left a bad impression on geekdom at large. (The article quoted one techie laughing at the very idea of going to work in the music industry.)

    This kind of reminds me of when Microsoft's PR problems started warming up about a year and a half ago (IIRC), when SB admitted that "All this talk about an Evil Empire has made it hard to hire the best". The media turned against them shortly thereafter. Coincidence? Will history repeat itself with the RIAA?

    --

    --
    Sheesh, evil *and* a jerk. -- Jade
  220. oh yeah, one more thing by CoughDropAddict · · Score: 2

    To those who would accuse me of being an "all talk, no action," let me add that I'd be perfectly willing to write the code for such a site (provided that the idea is on solid legal ground), but I have no graphic design skills nor the hardware and bandwidth neccesary for such an undertaking...

    --

  221. Ahum... by jawtheshark · · Score: 1
    I will buy only those albums which I have heard and which I enjoy all of. I do not buy albums which have 1 or 2 good songs.

    How do you know if an album had *only* good songs? You had to hear it completely before you know you like all the songs, and if I recall well they only play the "best" song of the album on the radio.
    I actually *do* buy CD's for 1 or 2 good songs, and I often discovered songs on the album which I liked much better than the one I bought it for. Also I noticed that (when playing a CD often) you start to appreciate the "lesser" songs.
    Besides living in Europe, I have no clue how the RIAA (last A = American, no?) has influence over the music here. Of course there are probably similar institutions here...

    --
    Ahhh...the great dumpster continuum. Many a free computer will be found there. -- sowth (748135)
  222. Will this work? by GoofyBoy · · Score: 1

    Are you really going to hurt RIAA or the artists?

    If cd sales go down, how will the artists/music companies know if its because of Nasper alternatives or because of this protest? Will any artists care? Music companies make money from non-cd products too.

    Like the gas boycotts recently, passive/quiet protests are not all that effective.

    --
    The surprise isn't how often we make bad choices; the surprise is how seldom they defeat us.
  223. Just an observation...... by pokrefke · · Score: 1

    It seems to me that nearly everyone has overlooked a very simple point. The users of Napster, those that have downloaded music that does not belong to them, have committed the crime.

    Because I can kill someone with my car, should we shut down Nissan? Because I can maim you with my chainsaw, is Home Depot liable?

    I am sure illegal trading occurs on Napster. I am sure someone will die today as the result of being hit by a car.

    Will someone please explain to me why Napster is about to go bye-bye, yet the auto-makers will see the sun rise next week?

  224. Re: Previous liablity court cases by b0z · · Score: 1
    Don't forget that this trial is taking place in the U.S. where noone is responsible for their own actions. A few court cases that I can remember that would show prior problems that napster is likely to suffer from follow:

    1) Big tobacco trial in Florida. Basically, the ruling was that if you were stupid enough to put something on fire in your mouth, it isn't your fault, it's the fault of the supplier. This isn't quite the same as napster since napster is for distributed file sharing and would be more likened to a flea market than a store selling things, but the judge's lack of technical knowledge will see it as napster distributing the content.

    2) The lady that spilled coffee on herself and sued McDonalds. This case could be used to show that the napster users are not to blame, it's the napster company. If that lady used coffee (known to be and marked on the cup as hot) in a harmful way, it should have been her fault. However, in this case it was found to be the fault of McDonalds that she used the hot coffee incorrectly.

    3) The whole gun issue. Even though I haven't kept up too closely with any of the court cases involving this, I do know that some groups were suing manufacturers of guns because people use them incorrectly also. The problem with suing the manufacturers is that they sell the guns to distributors, then the distributors sell to people.

    That's really all I can think of right now but I do know that there are many other cases out there. The MPAA is not going to go after the napster users at this point because there's too many and they are the ones that actually buy the cd's and give them money anyways (apparantly not enough money for the greedy bastards though). They go after napster, who is not under the control of the MPAA, and is distributing music freely. It would be too easy to set up an ad at the top of the screen and generate revenue in a very similar but better way as radio has worked for years. The quality of life in the U.S. seems to be going downhill for everyone...excluding the lawyers. :o)

    --
    Mas vale cholo, que mal acompañado.
  225. international consequences by serrie · · Score: 1

    While the oucome sets a prejudice in the states alright, does anyone know what the scope of the verdict is? If I setup a server in say Japan, how legal is that? Serrie.

    1. Re:international consequences by Kalidor · · Score: 1

      Not only this ... which is true. But I want some CD's say Judy and Mary that are only commercially available in Asia. The music industry in Asia much like the anime industry has not really worried much about mp3's in area's where their records aren't commercially available.

      --

      Code softly but carry a big magnet.

  226. Re:Do we need Napster? by atubbs · · Score: 1

    I fear you miss the point of what makes Napster so widespread and successful. IRC has some wonderful ways to facilitate the transferring of mp3s, but it's still nowhere near as user-friendly or mindless as Napster. Napster succeeds because it's easy, and because absolutely anybody can figure it out; it is a single-purpose tool, it is intuitive, and it brings quick and easy access to mp3s to every person with an Internet connection.

    For the computer intellectuals, there will always be easy ways to get ahold of mp3s. Gnutella is nowhere near as user-friendly as napster (new clients that seek to fix this not-withstanding), but it is a means for getting the m3ps. There will always be lists of FTP sites, IRC channels, and other means for a certain class of users to attain what they want.

    In truth, what makes Napster and other file-sharing technologies so exciting is that they allow everyone to harness the power of the Internet, to find exactly what they're looking for and to bring that content to their desktop in a simple, straightforward manner. It also allows people to share and contribute to the Internet, another capability from which the Internet novice is often precluded. It's still simplistic in what it shares and does, but as services like these grow, they provide a whole new means of access to the Internet, and another generation of user-friendliness that can't be obtained on dalnet.

  227. It's not going to work by theluckman · · Score: 1
    Given, there is a certain power that comes with posting a slashdot article (see recent geekflavor and SETI@home PCI card articles), I think that this boycott is a bit too much for a lot of slashdotters to take. It's too easy to just visit a website and read an article because it was posted here. When you ask people to give up hearing new music for a while, I think that most are going to turn a deaf ear (or blind eye or whatever).

    Personally, if I want to go buy a CD, I'm going to go buy it. If I want to check a CD out before I make a commitment, I'll FTP it and hear it that way. Does anyone else feel left out of this whole battle of principle? It seems to me that I'm not even effected this thing. I dare to proclaim that MP3s will always exist, in some form. Whether it be on FTP, or Gnutella, or OpenNap, you will always be able to get free music.


    luckman

    --
    luckman
    I don't involve myself with flames, much less know how to bait one.
  228. Napster shouldn't be shutdown by mr.+seabourn · · Score: 1

    The main argument is that napster should be shutdown because it contributes to piracy. Nevermind the fact that it can be used to trade non-copyrighted music, too. This is like shutting down Chevy and Ford because some of their cars are used in bank robberies. Gimme a break... mr. seabourn "Guns don't kill people, I kill people."

    1. Re:Napster shouldn't be shutdown by gyc · · Score: 1

      But the *primary purpose* of Napster is to trade illegally copyrighted music. If Chevy or Ford made cars knowing that most of the uses were for illegal purposes and did almost nothing to stop them, they would also be in big trouble.

      Actually, it reminds me about that Law and Order Wednesday about the gun manufacturer...

    2. Re:Napster shouldn't be shutdown by Anonymous Coward · · Score: 1

      If Ford and Chevey made a car called the bankbuster that came with armour plating, a batering ram, and other useful bank "Sharing" tools then they could be shutdown.

    3. Re:Napster shouldn't be shutdown by Anonymous Coward · · Score: 1

      Car dealers and makers don't sell cars for that purpose, napster, on the other hand, exists solely to trade music that's for the main part, and we're talking 99% here, copyrighted.

      Yeah, yeah, the RIAA is this big corporation that's stealing from the artists and the people and all that crap, but here's the real thing:
      the artist never gave you his permission.

      For me, that's what it comes down to, I personally don't care about money, but if you don't have my permission, that my friend, is theft.

    4. Re:Napster shouldn't be shutdown by Refrag · · Score: 1

      None. All music is implicitly copyrighted. I think you mean to ask how much non-RIAA music is there out there that they want to listen to.


      Refrag

      --
      I have a website. It's about Macs.
    5. Re:Napster shouldn't be shutdown by davstok · · Score: 1

      Nevermind the fact that it can be used to trade non-copyrighted music, too.

      Oh come off it, how much non-copyrighted music is there out there that you really want to listen to?

    6. Re:Napster shouldn't be shutdown by davstok · · Score: 1

      None. All music is implicitly copyrighted. I think you mean to ask how much non-RIAA music is there out there that they want to listen to.

      As was pretty obvious, we were talking about music which had been released for free distribution. I've no idea what RIAA is. I guess it's something American. Frankly, I don't care too much

    7. Re:Napster shouldn't be shutdown by mr.+seabourn · · Score: 1

      "Oh come off it, how much non-copyrighted music is there out there that you really want to listen to?" Well, quite a bit actually. I love listening to small, local, independent bands. But that doesn't matter. Banning napster will be an overbroad repsonse to the problem. By banning it, legitimate trading will be stopped. It doesn't matter how much goes on, all that matters is free speech will be abridged by an overbroad law. And, for the record, I don't even use napster or anything else - I live in the backwoods of Texas and only have a 28.8 connection - too damn slow to move any files of any size.

  229. Re:Neither side deserves to win by molog · · Score: 2
    What about the fact that artists have to pay back their promotion fees and production fees? Some bands are in deep debt becuase they didn't hit it big and so had to pay all that money back. Can you explain that?
    Molog

    So Linus, what are we doing tonight?

    --
    So Linus, what are we going to do tonight?
    The same thing we do every night Tux. Try to take over the world!
  230. You, sir, are user/reader #174,382 by Booker · · Score: 3

    How many SlashDot users/readers are there? Realistically? A few hundred?

    At least 174,382. Take a look at your user page.

    And will the boycott do any good? I don't know. Will I do it? Sure. For the same reason I vote, even though my vote a tiny drop in the bucket, often filtered through the electoral college... it's what I can do, so I do it. It's better than doing nothing at all.

    you tell me that i make no difference
    at least i'm fuckin' trying
    what the fuck have you done?


    -Minor Threat

    A band on Dischord Records, a label which is completely independent of the RIAA, and who offers most of their CDs for $8, postpaid.

    1. Re:You, sir, are user/reader #174,382 by thesparkle · · Score: 2

      "I think there are probably as many casual visitors as members"

      "But I'd bet slashdot gets well over 100,000 page views per day"

      Both numbers are guesses on your part. Get some facts about the number of registered, recurring users, actual number of unique hits, and amount of data moved and then we can talk. Until then, it is your assumption vs. mine.

      "Another point - if you are against this, a personal boycott, as small of an effect as it may have, is the right thing to do. "

      Then put your money where your mouth is. I don't use Napster, I don't buy CD's and I don't listen to commercial radio stations. None of their fodder is accepted by me by any of their channels. Can you say the same?

      I feel pretty safe in assuming that most of the "few hundred SlashDot readers" currently are listening to some CD pumped out by these evil corporations right now.

      Hypocrites, baby. Once you use the dope in any shape or form, you are one of them.

      This boycott will last until the next techno/acid/hiphop/niggahkillacop CD comes out that you *just have to have*.

      Please. Go back to protesting the theme for this year's prom or something equally important.

    2. Re:You, sir, are user/reader #174,382 by barleyguy · · Score: 2

      Actually, I think there are probably as many casual visitors as members, which more than makes up for multiple accounts.

      The band poll yesterday got over 1,000,000 votes. I admit some of that was probably ballot stuffing. But I'd bet slashdot gets well over 100,000 page views per day . Many of those are casual visitors who are unique from the day before.

      Another point - if you are against this, a personal boycott, as small of an effect as it may have, is the right thing to do. I can't stand it when people say "I believe in that, but I'm not going to do it because it won't do any good." These are the same people who go to the polls and vote for the lesser of the evils. If you don't like any of the candidates, WRITE SOMEONE IN. Who cares if they win? At least you don't look back and say "man, that guy was evil, but I voted for him." Waiting to boycott because you're not sure if anyone else will is the same thing.

      --
      --- "So THAT's what an invisible barrier looks like!" - Time Bandits
  231. Sigh. The Judge ruled correctly by efuseekay · · Score: 1

    Napster did facillitate the piracy of copyrighted music.

    The root of the problem lies with the use of the copyright laws on "intellectual property" (though some of the "music" is beyond my intellect).

    If there be "grassroots" movement to overthrow the status quo : stop agreeing to pay $15 bux for a piece of silicon with crappy music inside.

    But do it for the right reasons, i.e. boycott to protest the exorbitant prices, not against the ruling.

    --
    Mode (3) smart-aleck mode. Press * to return to main menu.
  232. Remember Disco Night? by dagoalieman · · Score: 1

    Ok, so I wasn't alive at the time, but once upon a time there was a professional baseball team with a really cool idea.. DISCO NIGHT!

    End result? A bonfire of more than umpty thousand vinyl records, a glorious day indeed. Center Field was a mess I recall from my reading, and there were more fans on the field than in the stands. If I recall right, they didn't even get the game in!! The people were against disco, and just in general feeling a need to be rioting. Needless to say, this was a nice push against disco.

    A similar display would be appropriate would be in order, if RIAA wasn't colluding to raise prices. It would just cost too much..

    Perhaps a giant microwave would work on RIAA's CDs?? :) Or maybe a "CD Burner's Convention." Then they would realize that Napster is only a small crack in their problem, and they're attacking the wrong things. Maybe they'll realize it's best to just work with us instead.

    We can only hope.

    --
    We don't need no Net Explorer We don't need no Thought control
    1. Re:Remember Disco Night? by AugstWest · · Score: 2

      heheheh... Napster and boycotts aside, there's nothing I'd like to see more than the RIAA crumble.

      Burn, Hollywood, Burn.

  233. Good for RIAA by ignatiusst · · Score: 2
    Why are we boycotting RIAA? Because they are trying to stop greedy corporate interest from pirating their work?

    Don't get me wrong, I like MP3s and I have downloaded quite a bit, but that isn't the issue. I don't profit, nor do I attempt to profit (in monetary terms, anyway) from my pirating of music.

    Napster does profit (or attempts to) from pirating. Doesn't anyone here find that in the least bit odious? Napster has taken what used to be a minor annoyance to the recording industry and turned it into what will become a supreme-court decision. Why? For your money.

    I hope RIAA reams the bastards.

    1. Re:Good for RIAA by davstok · · Score: 1

      What I (and any other individual) am not doing is creating an industry that facilitates illegal activity in order for me and my shareholders to get wealthy.

      No, just supporting it.

    2. Re:Good for RIAA by davstok · · Score: 1

      Don't get me wrong, I like MP3s and I have downloaded quite a bit, but that isn't the issue. I don't profit, nor do I attempt to profit (in monetary terms, anyway) from my pirating of music.

      Forgive me for asking, but does this mean you'd have got it for free somewhere else, or that you just wouldn't have got it? Even then, aren't you profiting from getting your pleasure without paying for it? You find Napster odious, but you use it (or similar) anyway?

  234. what if it were up to you? by acecccp · · Score: 1

    Lets say you're the master of the world, you are the judge on every panel. All you need to do, is say the word, and every napster and gnutella clone is not just theoretically made illegal, but EFFECTIVELY disappears. What would you, as an intelligent slashdotter do? This issue is not about music either, it's about trading copyrighted information. So, do you allow people to continue trading whatever the hell they want, or do you not allow them to trade anything? Think hard, because I don't have a fucking idea as to what to do about this.

  235. Don't boycott, help the riaa! by Superb0wl · · Score: 1
    Ok, everybody, i think we need to support the RIAA. they're just making it easier for those poor artists to make a buck. We sit here in our cubicles all day for shit money, but imagine how hard it would be if we had to screw hot chicks and rock out all day. Not to mention the fact that i've heard once you're famous you can eat only green M&M's. What a tragedy.

    Lars Ulrich is really feeling the pain, so why don't we all help him out. Go to PayLar$.com and help out a poor, homeless rock star. Come on, guys, we CAN make a difference.


    -Superb0wl

    --
    -Superb0wl
    It's not that I'm lazy....it's that I just don't care.
  236. Not the battle we should fight by shiftaling · · Score: 1

    Again... I dont think this is the battle we should be fighting. The RIAA is fighting music piracy, not the facade of piracy (as in the DeCSS case).

    As a musician I do not agree with the unauthorized distribution of my music. Whether or not mp3 sharing helps me and gets me album sales is irrelevant. If I dont *want* my creation to become public domain then no one has the right to make it otherwise.

    Music sharing is fine and good, but if someone chooses to remove their music from the sharing pool that is their perogative.

    Napster claims to be in favor of 'sharing' but (as illustrated by this story) really is not quite the company that they would have you think. Napster was created solely as a means of music piracy. By saying that they do not actually distribute material and only allow peer-to-peer connections is truthful, but misleading. They provide the software to allow for the peer-to-peer connections that transfer mp3's.

    I don't like the fact that RIAA has become the all-smothering mouthpiece for the entire music industry, but, I think that something needs to be done.

    We need to focus on greater problems such as the DVD Case.

    --

    the real shiftaling has user number 5134
    Karma: -43 and DROPPING!!!
    1. Re:Not the battle we should fight by festers · · Score: 1

      You wasted all that time writing a [lame] response that troll? wow.


      --------

      --


      -------
      "Every artist is a cannibal, every poet is a thief."
  237. You are absolutely correct by FreeUser · · Score: 2

    Where are the grassroots efforts to boycott the MPAA?

    I have been boycotting the MPAA for months now.

    Slashdot has never been terribly consistent with respect to the DeCSS thing. When I tried to make them aware of Declan McCullagh's (a writer for Wired who hysterically screamed DVD Piracy when DeCSS and css-auth first came out) behavior and its affect on people like Derek (the original author of css-auth who had to quite the project under legal threats as a result of Declan's shoddy journalism) I was pointedly ignored.

    Slashdot constantly inundates us with movie reviews and other "free marketing" of the very people who have declared Livid and the open source/free software community their enemy. Worse, they give one of the worst journalistic offendors, Declan McCullagh, very chummy introductions to any story of his they link to (most other authors are not mentioned by name when their articles are linked to by slashdot).

    Frankly, I don't understand slashdot's behavior with respect to the DVD/MPAA/Declan/DeCSS thing either, but it sure does annoy me from time to time.

    --
    The Future of Human Evolution: Autonomy
  238. I'm conducting my OWN boycott - by jcapell · · Score: 1

    - by downloading everything I can get my hands on.

    You are LYING to your self if you claim otherwise - I know I've saved myself several hundred dollars over the last few months by hearing a song on the radio, and burning myself a CD when I get home. And I ALSO used to spend about $1G on CD's each year -

    Let he who is without a stolen .mp3 cast the first flame...


    1. Re:I'm conducting my OWN boycott - by Planesdragon · · Score: 1

      Consider yourself flamed. I haven't a single MP3 at home that isn't freely distributable or off a CD I own.

      I also have never used Napster.

  239. Re:Dumb by Lion-O · · Score: 1
    The Artists will end up deciding the outcome. Right now the RIAA has them in hand, but perhaps if they felt the effects of a boycott, they would be more willing to break the chains that bind them.

    Ahh, but that choice isn't allways for them to make. People have contracts you know. And not all artists can afford to buy of these contracts. So if you would take this theory one step further you'd make it even worse. The, allready, rich artists might be able to go elsewhere but there would be plenty of artists who are not (financialy) capable of doing this. So we should just ignore them and get ready to ruin their careers alltogether?

  240. I only use napster as a last resort by scum-e-bag · · Score: 1

    Quite simply the ban on napster wont go away. I only use napster as a last resort to find music though. How long until the rest of the world finds another way to get free music? In case a whole lot of you hadnt noticed a lot of files that can be gathered from napster contain rns or bmi or ndb or 2db or.... many other variations. Ever wondered what these are? Well they are the sigs of the actual groups who rip and first distribute these mp3s. The primary method of disemination is via ftp, and is available to those in the know and then only via a very sketchy pecking order. Of course this is the same as how warez are distributed. Well, I am nowhere near the top of the pecking order, but I do know of sites that link directly to some of these ftp sites. This is one primary method of getting mp3s. It may not be as easy and clean as napster, but then again ftp servers can resume and you dont have to search for the same song if the serving computer drops out and reconnects to a different napster server, you just reconnect and continue from where you left off. Why am I using ftp to get my genre of music pleasure? Simply because to buy imported European electronic music here in Australia can cost you up to $50 per cd. Well, I am simply not going to pay that. If an artist I like comes here, sure I will go and support them in concert. A lot of the music I find complete crap, but then again once in a while you find a complete gem, and I still prefer cd quality as opposed to mp3 192/160/128 quality. Yes I will buy it.

    --
    Does it go on forever?
  241. "To have available" != crime. Illegal DLing is. by root · · Score: 2
    Having my MP3s in a shared directory is not anymore a crime than record stores having stacks of CDs for sale in the open.

    In either case someone may grab one and run. Or grab one and pay for it/grab one because they already own the CD [but left it at home or whatever].

    Either way, the one who actually does the wrongful stealing is the criminal. Not the store. Not me.

    I am not more responsible for locking down my shares than the store is for not locking up all its CDs in theft-proof display cases.

  242. Isn't a boycott redundant? by fprefect · · Score: 1

    I mean, the main purpose of Napster is already getting the music without buying the CDs. I guess a boycott is really gonna show them. Real smart.

    1980: I WANT MY MTV
    2000: I WANT MY MP3

    --
    Matt Slot / Bitwise Operator / Ambrosia Software, Inc.
  243. Re:Interesting..(Addendum) by magnwa · · Score: 1

    Yes, also, let me add that Napster IS a good idea. Their arrogant "We didn't steal anything" mentality though is not something that is needed. When the RIAA holds all the cards, bluffing may not be the best method. We all have SEEN Napster people online, in the rooms of that place. There's no way they didn't know piracy was going on, and that'll be proven in court in about ten minutes. The rest of the trial will be legal crap about what is and is not first amendment, and whether the copyright should be yanked due to unfair labor practices. (It'll never happen. Then ALL music becomes illegal until relicensed by the original author)

    THis is a mess, but please remember that there are right and wrong ways of doing things, and Napster chose the wrong way. Music wants to be free until you watch your friend get ripped off wholesale.

    Magnwa

  244. Re:Neither side deserves to win by akey · · Score: 2

    I don't know all the costs, someone who works in the recording industry might better be able to name them, but it's unfair to say the record companies make CDs for 50 cents and sell them for $15.

    OK. I'll bite. According to this report (I know it's ZDNet... ugh), the record labels only pay production and promotional costs for established acts. According to the same article, production costs for 100,000 copies of a CD are around $93,000 (the cost per copy goes down as the number of copies goes up). The record companies aren't losing a lot of money promoting lesser known bands, since those bands have to repay those costs to the record companies. And according to this report at Harvard Law School, artists don't actually start to make any money until 500,000 units have been sold.

    So don't come crying to me about all the extra costs the record labels have to bear promoting lesser-known bands. It's just not true. 3000-4000% was probably a bit of an exaggeration, but 1800% is not (at the $8-10 sell price).

    ---

    --

    ---
    "Go Metallica. Die RIAA." -- Linus Torvalds
  245. Just flood the OpenNAP servers and Gnutella... by squarooticus · · Score: 1

    and freenet, and whatever other mechanisms exist for distributing files. Let them know that the court decision means nothing to real life.

    --
    [ home ]
  246. Here's My Idea by jbridge21 · · Score: 1

    Lots of people here are saying that all music coming out of the RIAA is bad, and they don't like it. Well, I think that that is a little extreme; I like some of it, just not all. (Obviously, Britney needs to go find another profession...)

    Here's what I propose we do:
    1. Get the music you want, any way you can (excluding bribery, vandalism, etc.)
    2. Send a check or money order or whatever straight to the artist/band.
    3. Listen to your music in peace, knowing that you've just screwed the RIAA and helped the artist.

    ... And who knows, you might even get a thank-you note or something!

    1. Re:Here's My Idea by mgoyer · · Score: 1
      It's such a great idea that we actually built a webservice around it. Check it out at www.fairtunes.com.

      You can even send a note with your "donation"/contribution!

      Matt

  247. Take care as you do this . . . by werdna · · Score: 5

    The purpose of the Boycott is to take the moral high ground while making a serious statement to RIAA. It is critical that the boycotters are unpaintable as frustrated whining pirates who lost their favorite toys.

    Thus, don't use the word boycott in the same breath as you discuss other alternatives to Napster. It sounds as though you are saying, "hey, I wasn't willing to steal content before --I was buing CD's just as I was sharing them-- but I'll do it now."

    While that is another tack -- the guerilla "you can't touch me" approach -- it is inconsistent with, IMHO, the point of a boycott -- to expose a bad for what it is, while making your own point.

    By all means boycott if you can get a signficant market force together, but while doing so, DO NOT "share" the content you are boycotting. Don't listen to it at all -- protest and picket at live performances by artists who don't come out against RIAA's position, and listen to free music from artists who do come out.

    It may not be as much fun at Dance parties, but hey -- if it is a matter of principle, let's stand by our princples.

    But this is more than keeping cash while listening to someone else's music -- so don't prove the RIAA's point for them. Turn away from "big music" in favor of local talent, or talent that takes a "new view." Encourage local radio stations to do so as well.

    This would make a difference, and it would also make a point.

    Guerilla tactics might work --and they might not work: but you are simply inviting more warfare and litigation. In case you hadn't noticed, that's fighting RIAA in a forum in which they are powerfully equipped.

    Far better to fight the fights elsewhere:

    (1) hit them in their pockets by not buying (and by not using) their products; make sure the local distributors of these products hear, politely but loud and clear, how you feel about these.

    (2) get active -- write congressmen and senators -- do it now, and keep doing it.

    (3) stay alert and educated -- there are sound, cogent arguments in support of your position, but many resort instead to pabulum and the language of "underground piracy". That will kill your position in the long run -- you need not only to mobilize those who agree with you, but also to convince those who do not hold fixed and strong positions on these matters.

    I, for one, am a strong IP advocate. If anyone would have held a fixed position on these issues, it would have been me -- but I listened and heard the sound, solid arguments in support of Napster, and was "turned." Other smart people can be turned as well -- but not if all they are hearing is pabulum from both sides.

    The idea is to have the activists who care active, and the people who don't pissed off at the other side.

    For my part, I'm not buying RIAA CD's, but neither will I be using the alternative music sharing servers so long as the injunction is in place. I will be writing and advocating the virtues of the Napster position before the Congress and at every public opportunity, and assailing the arrogance and weaknesses of RIAA's position, while acknowledging their right to protect IP at the same time.

    In the meanwhile, trust the system to get this right in the end. They did in Sony and they did in Diamond -- in time, so too will they do so with Napster. At the same time, watch out for the Congress, who can change the law with a word -- make sure it costs any Congressman or Senator in this election period to take the "big media" position -- MAKE IT AN ISSUE.

    This morning, Vice-Presidential candidate Cheney was asked about Napster. He begged off, saying he didn't know much about it. This can't be permitted to happen.

    Make it a grass roots political issue -- try to get someone in Congress to pass a limitation to exclusive rights expressly permitting space-shifting as a form of fair use or otherwise.

    You can make it happen, if you have the right and the will to do so. Do you?

    1. Re:Take care as you do this . . . by Malcontent · · Score: 1

      "This morning, Vice-Presidential candidate Cheney was asked about Napster. He begged off, saying he didn't know much about it. This can't be permitted to happen."

      Chaney and his dufus boss are ignorant old fucks. GO ask Ralph Nader and he will give you an earful. Hey here is an idea support candidates that share the same concerns as you. Chaney and dubya are only interested in making their oil baron friends richer.

      --

      War is necrophilia.

  248. Hrmm. by mindstrm · · Score: 3

    Folks.. the issue is not that napster is a 'tool that can be used for piracy, among other things'. Certainly that is true.. it has several uses.

    The issue is that Napster Inc. Is succeeding solely because they *knew* and *know* that people are using their service almost *exclusively* for pirating music.

    It's not simply about technology; it's about a business that has been foudned *solely to help people pirate music*.

    Do I think file sharing should be banned or even controlled? No way. I think you don't blame the tool; you blame the people.
    But in this case napster is more than the tool; it is a company making money off of piracy.

  249. As a napster user + consumer.. by citizenc · · Score: 2

    .. I am personally baffeled by the RIAA's insistance that Napster causes people to not purchase as many CDs. Personally, I have downloaded quite a few songs from Napster (Bloodhound Gang, MI2 Soundtrack songs, eminem, etc) and in EACH AND EVERY case, I have gone out and bought the CD because I thought it was good.

    The RIAA can't claim to not know that people do this. There have been a bunch of studies, such as this one. Many of my friends do the same thing -- they use napster to sample music, the same way the people use the radio to listen to new music. Based on what I hear, I may go out and buy the cd, but if I don't, I'll erase the mp3 and never listen to it again.

    Does anybody else out there do stuff like this?

    1. Re:As a napster user + consumer.. by cbwsdot · · Score: 1

      Well, your obviously right on all things that you mentioned. But I think also one of the issues is control. The RIAA can control what stations play and how often. We cant have people deciding for themselves what they listen to, can we? I have a friend who works in entertainment, he tells me all the time "People dont know what they like, they like what they know."

    2. Re:As a napster user + consumer.. by citizenc · · Score: 1

      Control is definately an issue. As I look over my mp3 directory, I am seeing more and more independant artists. I discovered t r a n c e [] c o n t r o l from Mp3.com -- I had never heard of them before, and now I have all of their songs.

      The RIAA is just out to make money. Bah. =)

  250. Here's a nice and shiny example! by HiQ · · Score: 1

    Dear Lars,

    here's another way that bands could handle MP3's:

    The Arena homepage

    Now isn't that a nice and shiny example of how you *could* handle things?

    Here is a band that puts the MP3's from it's latest album on the web as MP3's, including te lyrics (and very good music too, if you're into sympho! Just listen to ' The butterfly man').


    How to make a sig
    without having an idea
  251. Do we need Napster? by katmaikni · · Score: 3

    I've used Napster one time and found it too popular and not as easy to use as transfering MP3's on IRC channels such as dalnet. I use channel #mp3z and #mp3s. The downloads are fast and effective. And IRC is cross-platform so it works on almost any OS.

    So why do we need Napster? IRC MP3 trading has been around for a long time and no one wants to shut it down

  252. How to make the boycott work by Kushana · · Score: 1
    I'm actually choked about the Napster shutdown because I was using it to get legitimate copies of the music I already have on LP.

    But anyway, if in fact Napster users are legit and genuinely seek ways to support unsigned and small artists, the thing to do is use whatever technique you want to discover them, and then buy your music from the artist directly.

    Artists only receive a small portion of a CD's retail price because so many others slurp off the money beforehand. But if the artist is the retailer, they get the retail portion too. Buy a T-shirt and a mag, while you're at it, too. The added benefit is that the people most hurt by this will be the music retailers. And the RIAA is much more likely to listen to them than to you.

    --

    Careers should combine three things: what you can do, what you want to do, and what you can get paid for.
  253. Not going to cut it... by gardenhose · · Score: 5
    Although you think you have immense amounts of numbers (the outright reliance almost on the "Slashdot Effect" as scare-tactic), the 'rights / computer / lifestyle' crowd here composes such a tiny fraction of the music-buying public that it won't even be a drip on the RIAA's brow. Seriously.

    And this 'boycott' would be incredibly hard to suggest to other people, especially those who never use Napster or any other P2P system. Again, The World is Not Filled With Angry Young Men.

    Bottom line: if you disagree with something like this, a boycott is not going to do a whit of good except maybe proving to RIAA demog peeps that "heavy internet users" no longer buy as many CDs. That's just grease for their fire.

    Serious suggestions:

    • Actually get involved. Congresspeople, letter writing. Slashdot: get interviews with important people, have everyone here grill them.
    • Use your media contacts to get articles published including key quotes from upset visionaries.
    • Do something about Napster. Come on! Everyone knows what Napster is for, and the only way we can change that stigma is to CHANGE NAPSTER. Actually get artists involved who can profit from it. Don't sugarcoat Napster, no one believes it. But if it actually worked as a distribution plan, then... maybe heads will listen.
    1. Re:Not going to cut it... by Bob+Uhl · · Score: 2
      Agreed. If we can set up a system using SSL and strong authentication, we could then work on distributing songs for a pittance which would garner the artists more money. Imagine a system in which you can download a song for, say, 25 or 50d. That's cheap, but is prob. much more than the artist gets from a CD sale. We can create such a protocol; hell, a few mods to the Napster protocol would prob be all that is necessary.

      It will always be possible to trade files for free. Ignore that. Most people would be willing to pay a quarter or a half dollar for a high-quality legitimate MP3. And if the interface is sufficiently intelligent, then it will succeed.

      I foresee a tool much like Napster. A central server stores a database of the checksums of all known MP3s along with the IDs of the artists to pay, the unique ID of the work and how much said MP3 costs. A large DB, but not impossible to assemble. Also, I imagine that there would be fewer copies of an individual song under this system, as fewer people would be ripping their own. If a user has an unregistered MP3, then it cannot be traded. He can, however, fill out a form specifying which artist and which song it is. The artist can then approve its sale and set a price, and then it is checked (to make sure than an artist does not claim another's work as his own) by an empoyee of the central org.

      Whenever a user begins to download a filehe does not currently own, he initiates the transaction by paying for that MP3. And entry is made in a database under his UID stating that he now has download rights to this MP3, and all other MP3s of equal or lesser bitrate or download time (in the future, price may be based on either of these). The central server signs the user's request and sends the signature back to the user, who can then use this signature to download directly from any client hosting the song. This signature can be stored on the user's personal computer; it's a receipt. Perhaps there is no central record of purchases; more private, but if one's HD fails that's that.

      Of course there would need to be some work to make sure that clients do not connect to find out who has what, then use another method (say FTP) to dl what they're looking for. Perhaps foreign IPs are unknown to the clients. The client would request a file from the server, sending along his receipt. The server would verify the receipt's validity and then return a foreign machine's IP address so a direct connection could be made. It'd almost be like CPAN. There's little which would prevent a dishonest client from then attempting to FTP to the remote machine, but this is a start at least.

      The bottom line is that this is doable. There will always be piracy, but if we make it easy and cheap enough to be honest, most people will be so. I'd easily pay fifty cents for Stranglehold; I'll never pay $16 for it.

    2. Re:Not going to cut it... by deefer · · Score: 2
      OT:
      An interesting writeup on digital music can be found here
      Moderators - follow the link before twiddling your buttons...

      Strong data typing is for those with weak minds.

      --

      Strong data typing is for those with weak minds.

    3. Re:Not going to cut it... by HydroCarbon10 · · Score: 1

      Although you think you have immense amounts of numbers (the outright reliance almost on the "Slashdot Effect" as scare-tactic), the 'rights / computer / lifestyle' crowd here composes such a tiny fraction of the music-buying public that it won't even be a drip on the RIAA's brow.

      So, you imply that everyone who uses Napster also reads slashdot? I know a lot of people who are doing good to *turn on* a computer, and still manage to use Napster and think that it's the best thing ever (and they still buy loads of CDs). I think what were talking about is a little bigger than slashdot alone.

      --
      The best way to accelerate a windows box is at 9.8 meters per second square.
  254. Here's a different take. by Tom7 · · Score: 2

    You make a good point, here, but I don't think your reasoning is entirely accurate...

    "Where we make the money is in the Top 10 records"

    The RIAA is an association with many many member record companies. The majority of these record companies do not have Top 10 acts, obviously.

    These companies are RIAA members because they believe it helps them make money. But if small labels start feeling the results of a boycott directed at RIAA member labels, they may not think being an RIAA member makes sense any more. Dwindling membership would be a real problem to the RIAA.

    Probably the RIAA could sustain itself with only the memberships of a few Major labels. But they'd be in a much worse position with a Lot Of Little Guys vs A Few Big Guys! (versus now: A Lot Of Little Guys vs A Lot of Big and Medium and Little Guys)

  255. May I suggest by Tom7 · · Score: 2

    I would suggest Matador and Merge records, two of the bigger "indie" record labels. These guys offer a lot of excellent music (as far as I'm concerned; check my CD List but more relevantly they are very artist friendly. 50% of CD sales go to the artist on Matador, for instance.

    You'll also find that CDs from these labels tend to be a few dollars cheaper than RIAA stuff.

    An RIAA boycott will be pretty easy for me to pull off... count me in!

  256. Re:Government is clueless... by B-B · · Score: 1

    Yeah. But this is no different that the government not understanding psychology, sociology, economic theory, physics, biology, nutrition, education issues, but yet making laws and regulations for the medical fields, aerospace, food (im)purity, schools and airlines. So, they have just added another area to screw up. This is no more dangerous than any of the other examples above.

    >

    Tom

    --
    Reality does not happen until you analyze the dots. -Don DeLillo (Underworld)
  257. Are the alt-Naps really that good? by invenustus · · Score: 2

    I know very little about the alternate Napsters. I have used GNapster on Linux, which got search results in half the time the Win32 client took, but I don't know whether it connected to Napster servers or alternate ones. My worry is this: what made Napster great was the sheer quantity of people using it simultaneously. If everyone goes off to whatever server they heard was best, that won't happen. And the non-technical users won't be bothered to enter a new server name. They'll just shrug and say "it was fun while it lasted." GNUtella? I have the bandwidth to get 400k/s downloads off Napster, but I've rarely gotten anything faster than 3k/s off GNUtella.

    Is there a little false optimism here?

    --
    grep -ri 'should work' /usr/src/linux | wc -l
    1. Re:Are the alt-Naps really that good? by vaj · · Score: 1

      I think this invenustus is a visitor of http://gnap.sourceforge.net/

  258. Re:Paradox by Kalidor · · Score: 1

    I dunno about other Colleges .. but there are two factors around mine that have made CD sales drop. 1) A mainstream band perfroms every week on campus 2) In order to gain income the vendors in the area have hiked up their prices in the area. Even the people who can't afford internet are pirating .. by copying CD's from the libraries of the area.

    --

    Code softly but carry a big magnet.

  259. the Stephen King method by aphesis · · Score: 1

    One possible way for the music industry to make money off mp3s would be to sell them online similar to the way that Stephen King is trying to sell his new novel. They could give the option of downloading the file for free, or paying some small amount for it.

    There are some problems with this method of distribution, but it could work. The best way to do this would be to release songs from a particular artist or album online one at a time, and to release the next only if the song before it makes some set amount of money. If it were clearly being abused and almost no one was paying for it, they could stop releasing them. People wouldn't have to pay for it, but they wouldn't continue being able to download more of their songs if they didn't.

    With this system they would be able to release rare songs online, making them easier to get ahold of. It would also allow you to buy only the specific songs that you like, rather than buying an entire album that has only one or two that you like. It also cuts down on the cost of the physical materials used to make the CD.

    If they did use a system like this, Napster could pose a tangible threat to their profits. They wouldn't be able to monitor whether the music that they spent money to produce was being downloaded without compensation.

    Personally, I would prefer to pay money for a song I like rather than pirating it, but right now there's no way to do that with mp3s. And distributing music this way would be so much nicer than having to use files that have been encrypted to ensure that they were paid for, or some of the other methods I've heard about ensuring that the songs were paid for.

    --
    "When deep space explorations ramps up, it will be the corporations that name everything."
    1. Re:the Stephen King method by laddy · · Score: 1

      Well, ok... about the "Stephen King" way thing, what'd you then get is a situation where artists become broke as hell, because people are

      1) idiots, i'm sorry, but it's true... they are, or
      2) not aware of this particular band/artist

      The only type of music that would survive a system like that is britney spears, eminem (or whoever's the lastest rap sensation now, who keeps track?) and the likes.

      So much for mp3's helping out the poor indie artists. And what if I like certain songs others didn't, and so they didn't pay for them, and so on and so on, you see the situation that would come out of that..

      But... I do see how it could sort of work, if there were some kind of a voting system, maybe, or reference system, where users could tell others about new bands, or artists that aren't very well known, that could work.

      But even there, see, that's kind of a problem of its own, because the RIAA doesn't really care about that, they know what sells, what good is showing people new music that's original and fresh, if they know people will more easily go for the top 40 stuff they've already heard?

      Personally, I think this would work much better if the artists - or record labels, whichever - had sites for these bands and offered samples on them, they could be lower quality, something of the sort.. just to ensure they're not being used as a substitute for the real thing. Then you'd get what most people like about napster, being able to sample the music, without the piracy side effect. Most likely they could also sell the mp3's online, of course though they'd need a better, friendlier to the users way of protecting those files. HMV is actually selling albums online, in mp3 format, not sure about any other stores, or they're going to anyway. The point is, it's starting to get done... although the prices look a bit weird to me. In any event, what bugs me about buying mp3's is that it's not actual physical data, what if my hard drive fails, will they have some sort of warranty? At least with a CD, I can take care of it, it's there, in my hands. Those protection methods would get tricky if you were to backup your albums... oh well, hopefully they'll wisen up and start embracing the new technology instead of trying to shoot it down.

      Anyhow, this isn't making a whole lot of sense, I haven't slept yet and this coffee isn't terribly strong.

  260. Re:Dumb by lalas · · Score: 2
    If you feel being ripped off then don't buy their records. No one is forcing you to do so.

    And if people organize, that is a boycott... it is always voluntary

    In either way; you are hurting them and still expect them to take your side? I call that being very naief.

    If a group of people organize a boycott, the message being sent is that "You will not be getting our business because of X reason". If enough people believe in the cause for the impact to be felt, then change will happen. Otherwise we are a minority group with no CDs, where is the harm?

  261. I'm organizing a page with a petition, etc..... by colinm1981 · · Score: 1

    It should be up fully by the end of the week. Just click on the link in my sig :)
    -colin

    --
    -Colin
  262. DDoS riaa.org? by rkent · · Score: 1
    Hey, why don't we just hose their website?

    Oh, sorry, looks like someone's done it...

    :)

    1. Re:DDoS riaa.org? by blaberski · · Score: 1

      I don't think to many people will be upset about it though. I guess its true you reap what you sow.

    2. Re:DDoS riaa.org? by AugstWest · · Score: 2

      actually it's http://www.riaa.net/....

      Dunno what .com and .org are... if they're not the riaa we're talking about, I feel reeeeally sorry for them right about now.

  263. Not quite by unicorn · · Score: 2

    Microsoft doesn't provide the file sharing as a service that they manage and coordinate. They don't provide central index servers to what's available out there.

    --
    "Politicians are interested in people. Not that this is always a virtue. Fleas are interested in dogs." P.J. O'Rourke
  264. Re:That's not the damn point. by scotsalmon · · Score: 1

    "Fair Use" is awfully convenient, isn't it? Yes, let's lock on to bit of legalese that technically allows something like Napster music sharing within the law. Then we'll be on really solid ground when the law is changed or re-interpreted (say, by the judge in the Napster case, which seems extremely likely) such that Napster-like sharing on a massive scale is no longer Fair Use.

    Sure, you and I can trade/loan CDs back and forth or even make mix tapes/CDs and that's fair use. But I think it's safe to say that there's a standard of "reasonableness" here, and somewhere between me loaning you a CD or making a mix CD and me putting the CD out there in MP3 format for millions of people I don't know, the line between reasonable and unreasonable is crossed.

    What's "not the damn point" to me is that Napster, Gnutella, etc., shouldn't even have to exist. They've shown that people are willing to pay money ($40/month broadband access, $5 blank CD's, $100 CD recorders, plus Joe Napsteruser's time at $200/hr) to download music electronically, even if it's a bit dodgy legally. Musicians and (potentially) their distribution companies will soon see that this is a valid way for them to make money, if they haven't seen that already. All this "Fair Use" and "sharing" garbage will just go away...

    --

    --
    101010, 222, 52, ...
  265. Actually, it doesn't really support artists either by JebOfTheForest · · Score: 1
    If you read most accounts, non-multi-platinum artists don't really make much money from album sales at all. The reasons are many.

    For one, when a band signs a record deal, they are starving, love playing, and will do anything to keep doing it. Consequently, they get some crap deals. A lot of times, a band's contract will basically say that they get 5% of royalties, after recouping all recording and promotion costs, and only on full price sales. That sucks even worse than it sounds.

    When a big record label gets behind a band, they often spend over $1million on promotion alone, in the form of sponsored radio give aways, program director schmoozing, etc. Also, recording in a big studio with a big name producer costs a fortune.

    So before the band makes a cent, they have to pay all that back out of their 5%, which is probably less than a buck a record, maybe less than $.50. So they gotta sell a lot of records to even make a cent. I heard a pair of NY radio dj's say the other day that they get $.37 cents out of each copy sold. And that's only on full price sales. As soon as it gets marked down to super-saver or whatever, they get nothing.

    There's a lot of other really bad stuff about this set up. Say it's a three record deal and the first record doesn't do too well. The record label won't want to invest a million bucks in another record they are not confident in, so they won't pay for you to record another record or tour (plus you have nothing to tour behind). But you're stuck in a contract so you can't go anywhere else. This is the kind of thing that leads to "The Artist" instead of Prince, or AFX, Polygon Window, etc., instead of Aphex Twin. There's a really good article by Steve Albini called The Problem With Music. This is mirrored all over the place if there's any problem with that link. It has actual numbers, is a lot more thorough, and comes from someone with a whole lot more experience than I have. The punchline is, they work out numbers for a band that sells 250,000 copies of the record and then tours. Each band member ends up netting 4,031.25, owes the record company three more albums and $14,000 in royalties, and the music biz ends up ahead by 3 million dollars. I strongly suggest reading this article.

    There are other fscked things about the biz and what they do to bands. A kid I know's band was signed by I think Capitol. At first, everything was fine. They were psyched. "Hey, we get to be in a band as our job!" But then, the record company decided that this band should be more like the Foo Fighters, since they were selling a lot of records. They made the band wear different clothes, talk differently. They had producers change their sound. They could refuse, but then the record company will cut them off from touring/recording capital, and they are still locked in the contract. What are they supposed to do?

    What a lot of people don't realize is that bands make a huge proportion of their income from touring and merchandise. Take a band like Phish. They've had basically no radio success at all. They've released something like 12 albums, and only one has sold more than 1,000,000 copies, but due to their liberal "give your friends our tapes" policy, they have a huge following, because a lot of people were exposed to the band at no cost to them. They made something like $34 million touring last year.

    Frankly, I believe the increased exposure of network distributed free music will dramatically help a lot of bands, since they will be freed from being screwed by labels and will gain a huge amount of exposure (if they are good). This will lead to better tour attendance and more merchandise sales. This will ultimately help bands stay alive if they embrace it.

    jeb

    jboniakowski@nntllc.com

  266. Don't forget the law? by shamus · · Score: 1
    Should peer-to-peer file sharing be legal or not on the Internet? Should companies like Google and Yahoo be held legally responsible for the content that they index?

    Surely these are two different issues...

    File Sharing:
    No-one is trying to make file sharing illegal. Only saying that illegal file sharing should be stopped. Should it be legal to purchase a CD, make an MP3 from this and then give this away to anybody? Not without permission of the copyright holder. The copyright holder holds the rights to any copies. You have purchased your copy from them so thats okay. You cannot give/sell copies without permission though.

    Yes, the genie is out now, and banning Napster will do no good, and Napster seems to increase sales. This still doesn't stop the trading of copyright MP3 being copyright theft.

    Accountable Linking:
    Automated linking cannot be held accountable. Any categorisation or reviewing of indexed databases however should pick up on links to illegal material and remove that from the index. Similarily, links to mature content should be highlighted.

    IANAL but this all seems fairly bloomin' crystal clear to me!

    --

    What's worse, ignorance or apathy? Who knows, and who cares.

  267. One last morsel for the troll by FreeUser · · Score: 2

    Apparently you missed the other big buzz in the record industry recently. Most labels are cutting back on their Classical and Jazz music albums, ceasing production, dumping contracts, and combining Classical and Jazz divisions. Some have even dumped their entire divisions. See the point?

    You have actually made my point for me. Of the tens of thousands of different CDs being sold, only a few hundred were ever in the top ten. The rest continue being sold because they make money on them. If they do not, they cancel production and do exactly what you have described: close divisions and shit-can careers.

    Clearly, by their own numbers, the RIAA makes money on a lot more than just the top ten best selling CDs of the moment.

    Finally, no boycott is in vain. A boycott of one person who stops going to a store or buying a product because it offends their principles is a victor -- that person has taken proactive control of their own life, against a torrent of propoganda and marketing telling them to do otherwise.

    Sigh... I remember when I was that idealistic.


    It isn't idealism, it is mathematics. If you keep your money from flowing into the pockets of those you despise, and instead spend that money on something else (a competitors product, or a completely different thing) you have denied that person or entity real, hard income. If you spend it on a competitor, the damage is twice that. This is true whether your boycott costs them $5 or $5,000.

    More importantly, if you take control of your own life and remove from it that which offends you -- in the case of many here, products of the RIAA (and the MPAA for that matter) you have won a victory, both for yourself, and against the offending party who now has a much reduced impact on your life. In effect you deny these people the one thing they crave more than money: power. This is no small or idle thing, and they know that even if you do not.

    As an example, my boycott of the RIAA has cost them between one and two thousand dollars over the last nine months. My boycott of the MPAA has cost them four or five thousand dollars over the same time (I used to buy a lot of laserdisks and would have probably converted most of the collection to DVD).

    If ten other people were to boycott the MPAA that would be enough to cost some MPAA flunky their $40,000 / year job. As it is, I, alone and acting by myself, quite possibly cost someone a portion of their year-end bonus or a raise.

    Don't believe me? Spend some time with an accountant for a large firm. Even in multi-billion dollar companies bean counters make decisions like that based on very small changes in the bottom line (often each department and division is responsible for maintaining its profitability within very strict limits, which accentuates this affect dramatically).

    One person makes a much bigger difference than you, or the mass media, would have us believe.

    Just because you have allowed yourself to be lulled into a false sense of futility and bought into the apathetic, impotent brand of cynicism being old to the masses today, don't expect the rest of us to.

    Now troll, I've fed you more than enough for one day ...

    --
    The Future of Human Evolution: Autonomy
  268. message for you, sir by Roundeye · · Score: 3
    It has been suggested in another forum that it is perhaps easiest to leave the mp3's in question on voice mail (since that seems to be where one gets sent when calling the RIAA).

    Of course, faxing the mp3's (bonus points for creativity in method) to them at (202) 775-7253 would probably be the preferred method. :-)

    Sorry for replying to myself, but I'm having a bit of fun with the whole idea...

    --
    "Cause there's 40 different shades of black, so many fortresses and ways to attack, so why you complainin'?"
  269. A Couple Questions by the_demiurge · · Score: 1

    Can we still buy used cds? :-)
    That's what I get usually anyway, and I don't see how it would help the RIAA...

    And why is that site using the 'blink' tag? Don't they know that that tag is forbidden and will lower the moral of hackers everywhere?

    -- the demiurge

    1. Re:A Couple Questions by cosmic_0x526179 · · Score: 1

      Used CDs prices are based on supply and demand. If the demand for used CDs goes up, expect the price to do so also.

      I would say we should concentrate our purchases (if any) on non-RIAA record labels. And make that fact as public as possible.

      Make sure that the real result from the RIAA-napster action is to decrease the revenue flow to the RIAA member labels.

      Tell your friends. Pass out copies of the RIAA membership list. Encourage the non-RIAA labels to sell music (electronically) via the net.

      - just another cosmic ray -

      --
      This msg is brought to you by the letter 'W'.. for Worthless Wuss
  270. who cares!!! by 2600BSD · · Score: 1

    From how I see it, the DeCSS trial is more important the the Napster ruling. DeCSS was open sourced, the public could view it and determined whether this was harmful or postive to world of information technology. Now Napster claims the high ground, yet this service is primarliy a windows client, I use Mac and Linux myself, is non-opensource, and remeber this product is much ado bout nothing. They are also in it for the money, not for creating this utopia of people sharing information. I work as a software engineer myself developing FREE products, contributing ideas for a greater community of users. This product does not do this att all.

  271. I haven't stolen on MP3's by FascDot+Killed+My+Pr · · Score: 1

    All of the MP3's that I have were either burned by me from CD's I own OR given to me by people who own the CD's. Some of them are illegal (under existing laws) but NONE of them are "stolen".
    --
    Give us our karma back! Punish Karma Whores through meta-mod!

    --
    Linux MAPI Server!
    http://www.openone.com/software/MailOne/
    (Exchange Migration HOWTO coming soon)
    1. Re:I haven't stolen on MP3's by mudder · · Score: 1

      There's a huge difference between the a car and the music contained on a CD. If you tear up the car and sell it piece by piece (or give it away) you can only sell each piece once. However with a CD, you can sell/give away each track an infinite number of times.This is why it is stealing to share the data containedd on a CD. Of course it is not stealing to sell the CD itself, because then you are only selling a single copy of what you paid for.

      Oh, and not only do I not own any illegal MP3s, I in fact own NO MP3s. That's right, zero. I just prefer having physical media. Maybe I'm just old fashioned, but for me I prefer having a CD so that I can listen to my music wherever I am (without having to purchase new playback devices).

  272. gnutallica by serrie · · Score: 2

    Wanted: A mediocre band with lots of experience in covering metallica songs. The plan is to rerelease their songs as opensource songware under the name gnutallica :) Serrie.

  273. You know at some level the RIAA is right by Zachary+Kessin · · Score: 2
    The RIAA member companies own the copyright to the music that is being traded on Napster and other places. It maybe a lousy system but it is the one that we have. Let me repeat that. THEY OWN THE COPYRIGHT.

    Now if you want to say that more power should be in the hands of the artists I will not diagree with you. But as far as I can see there is no moral right to have free music that someone else made. Just because it is technacly posible to trade music online does not make it right. Specificly I think Lars from Metalica was right when he said part of his problem was that no one asked him if he would like his music to be online.

    The Cure of the ills of Democracy is more Democracy.

    --
    Erlang Developer and podcaster
    1. Re:You know at some level the RIAA is right by CoughDropAddict · · Score: 2

      But as far as I can see there is no moral right to have free music that someone else made.

      Funny you mention that, because that's exactly what the record labels do.

      --

  274. Napster + DVD Decoders and Stuff by SirStanley · · Score: 1

    What similarites do napster and the DVD Decoders that are currently under trial have? Aren't both arguments it makes it easier to Pirate? And what if one gets decided in a good way and the other in a bad way? Can' you use one ruling to counteract the other ruling? I haven't really been paying close attention to either of the cases because Most of my MP3's come from sources other than Napster (FTP, IRC, Friends) and my DVD Player isn't a computer drive, its a real set top(is that the right word?)
    Its just the way I see it, the two arguments for each case are that this software is making it easy to pirate. It'd be nice if we got good rulings on both. But seriously what happens if one case goes one way and the other goes the other way?

    --
    --------========+++Dont Feed The Lab Techs+++========--------
  275. Digital Headaches by expiredmilk · · Score: 1

    Well... there's a lot that could be said, and obviously a lot of sides to every situation.

    MP3's are favoured as a format because it gives you fairly decent sound quality for a small size. MP3's are despised as a format because the record labels are having a harder time to control the standard as they did with cassette tapes and CDR's.

    Let's break that down. MP3's sound like crap at the typical bitrate they are sent out in (128k), but most people who aren't anal-retentive audiophiles like myself, don't give a shit.
    Record companies don't like this because they no longer truly have control. Did they ever really? I mean, it's *EASIER* to just have your friend burn a CDR copy than it is to deal with downloading MP3's on Napster... unless you have broadband, which I don't. Plus, relying on others puts you in the situation where you have to depend on them for a good source... and this rarely happens for several reasons: Bad CD ripping, using lousy MP3 encoders (Xing is a good example), or Napster showing incomplete downloads as available tracks. My personal favourite 'bad' MP3 file is the sort where dumbfuck kids use their sound cards to record something instead of trying to bypass it through ripping. What happened once was a kid left his mic plugged in, and it picked up everything he was doing while recording the track. He didn't bother to listen to the track. Let's just say I know what kind of porn he likes best.

    I'm going to try to spare being redundant as much as possible, but there are some overall points that really make me wonder every time...

    Record sales are up this year, despite the existance of MP3's, Napster and other sharing devices. Hmmm... that kind of speaks for itself. Let's also forget that one of the things FUELING the free-for-all MP3 sharing are the overwhelming prices at the record store. Unless you do online ordering with a slew of coupons for CDNow, etc... you're paying close to $18 a CD at Tower or HMV. Weren't the big-five record companies recently accused of unfair price fixing practices? Why haven't prices gone down since then?

    Other people mainly use it as a form of shareware. Try before you buy. I think the record companies fear this idea as much as most record companies don't like releasing singles... because it cuts into sales. How's that? Well... when you buy a single, you pay $6 for one song that you want, plus some goodies, depending on what was put on the single. You would probably avoid buying the album because you have that ONE song you want... same for downloading the MP3. We are no longer restricted to buying entire albums full of filler just to get that one song we want.

    People like to use the argument that we're hurting artists by not buying (if that's the case) their actual releases. Uhm, I'm sorry, if you ever saw Courtney Love's rant (and what a great one it was), or even know about the entertainment industry in general, some bands, or most, really don't make that much money off sales in general. Hard to imagine (not) that record companies make close to 70% of the sales on ALL records they sell. She made the very valid point that true artists are more concerned with appealing to their fans and just letting their work being heard, as opposed to making sure that they get every single goddamn dime off sales... (or penny, depending on how their contract screwed the over) After all, TLC, Toni Braxton are just two of the mega-selling artists who have had to file for BANKRUPTCY PROTECTION because of unfair contractual agreements. Everyone should know by now (even Metallica, those dickweeds) that record companies make more than half of the money on all record sales.

    What is the issue here, really? Control. Artists have the option. If they don't mind working that 9 to 5 job while doing their music on their own time and giving it out for people to enjoy, then most do that. Punk bands like Dropkick Murphys tour for a living, they don't rely on record sales. (The band ENCOURAGES people to bootleg, HEAVILY)

    It's just so hard to believe (sarcasm) that a record company that makes billions would just want to control the latest attempt in which they can be bypassed. Cassette tapes, CDR's, now MP3's. (And DeCss/DivX ;-) for movies, VHS/Betamax) It's just so ironic that the artists that probably were lucky enough to get high yielding contracts are the ones complaining the loudest. Smaller-time bands (for the most part) don't care. All this is too petty for them... they won't take part in the billion dollar squabbling because IT DOESN'T INVOLVE THEM. They won't see a dime of all that money that is "lost" because someone downloaded the latest N'Sync MP3. They still play and create music because they want to. I just wonder if both the record companies and Selloutica realise that they're both fueling the fire by raising such a stink.

    My mother was so adamant about not letting me buy a CDR a few years back... I had to explain to her exactly what a CDR was and what I could do with it. She thought all I was going to do was rent music at Blockbuster (shows you how much she knows about things like this) and copy everything. I explained to her that I mainly wanted to get a CDR so that I could put my 400+ piece vinyl collection onto CDR's... for backup. Her response? "But isn't that bootlegging?" Flash forward to the future. She learned about MP3's due to all the stories she kept seeing on major news sites. She read Metallica's venomous statements here and there. (Mind you, she's a pretty hip lady. :) After she started reading all the sides to this situation, she wanted me to help her install Napster so she could start downloading MP3's herself. (Her exact words: "Screw those greedy bastards!") If my own MOTHER could get turned off by the actions of the RIAA and others who protest, what could that say about other non-geekish folks who aren't accustomed to ripping apart their PC's and reading Slashdot every day?

    But still, I just wish people would rip CD's properly...


    Please insert thirty five cents to continue...

  276. Re:Neither side deserves to win by grimani · · Score: 1

    "But it's not surprising that an industry that consistently charges $15-20 for something that costs them $0.50 (a 3000-4000% markup) will sue anyone who tries to threaten it. "

    You're only taking into account the physical costs of manufacturing a cd. (even less than fifty cents, actually) What about the songwriters, lyricists, studio technicians, and the other multitude of talent that goes into a song?

    Even if you only take into account the cost of simply pressing a cd...How much do you think it takes to produce Coke syrup? Ever wonder why Coke has crazy high net margins? Yet nobody bitches bout Coke reaming anyone, eh?

  277. Re:CD-Rs and blank tapes by Golias · · Score: 2
    And now we get to the true heart of the matter.

    What does the RIAA gain if Napster goes under? Nothing... at least not directly.

    However, this lawsuit just might bully Napster (or some other company that tries to spring up from their ashes) into giving them a slice. That's what the RIAA really wants: a taste of the action.

    Of course, if/when open file-sharing formats like Gnutella start popping up everywhere, it will probably prevent Napster (or some other company, if Napster goes under) from sustaining itself, and the RIAA will be SOL.

    If you really want to strike a blow against the RIAA, don't bother with a boycott (the RIAA is an artist's guild, not a record company). Instead, do whatever you can to support and promote tools like Gnutella.

    --

    Information wants to be anthropomorphized.

  278. RIAA strategy is fear not banning. by kerrbear · · Score: 2

    Seems to me that the RIAA is probably aware that there are other services out there. The point they are trying to make is that there will be punishment for those who (according to them) violate copyrights. Once they have weakened the arguments of Napster, it will make it that much easier to bring down others.

    Their strategy is not to stop the exchanges immediately, but to bring fear of retribution into the equation.

    I'm not saying I agree with it. But I'm not sure the genie can't be put back in the bottle yet. The reason they are not working with Napster is because they need that fear-lock on others before they move in and take over.

    1. Re:RIAA strategy is fear not banning. by Kalidor · · Score: 1

      You are probably correct. Unfortunatly we have seen countless times that on the internet these fear tactics do not work. As long as there are people with the source for servers there will always be underground sites at the bare minimum. I mean if you want proof go to your favorite search engine and type "warez." Another problem is that this decision only applies to US based servers. I'd like to see the RIAA use this ruling in Russia .. or try to get a similiar ruling passed there.

      --

      Code softly but carry a big magnet.

  279. Re:Attn! by Stu+Charlton · · Score: 1

    Yes, this has been said on Slashdot numerous times, and also refuted numerous times. MANY artists *do not tour* and were still clearly successful. Hell, Shania Twain didn't tour for her first album at all, and that didn't stop the money from coming in.

    --
    -Stu
  280. Re:do it one day per month (eg 1st ) by martin · · Score: 1

    Like us in the UK are doing with petrol (gas) purchasing. (given that its around 90p litre in the UK against 26 p litre in the USA).

    The way they'll see the pattern.

  281. Support for Napster. by mjjareo · · Score: 1

    I wonder how many people would go to bat for Napster if, instead of music, they facilitated the sharing of child pronography or the private information of humans.

  282. Sign the online petition by mtmartin · · Score: 1

    Not sure if everybody was aware of this.... Sign the petition to be sent to the RIAA: http://linux1285.dn.net/napster/

  283. Hear, hear! by teasea · · Score: 1

    I've bought about a dozen albums in my life: as for CD's, fewer than that. I just find the same recordings, over and over, extremely tedious.
    Live music is what floats my marshmellows.
    It's particularly important since we're talking about paying the leeches in the recording industry, not the artists who rarely see a dime.
    2

  284. Re:Boycott? by 11223 · · Score: 1
    *checks CD's*

    Astralwerks? Nope
    Telarc? Nope
    V2? Nope
    Looks like I'll be sticking to Boxed (Global Underground) for a while...

  285. Re:That's not the damn point. by mcsnee · · Score: 1

    Good. Then I'll take the last word. What _most_ people use napster for is not at issue, as far as I'm concerned. The fact that Napster _can_ be used to do illegal things does not make it in itself illegal. For instance, since you're so fond of hyperbolic comparisons, let's look at handguns. Handguns are designed to kill people. Killing people is, last I checked, illegal. But manufacturing, selling, buying, and firing guns is not illegal. It's only illegal if you use it for its designed purpose. There are a lot of tools available that perform similar or the same functions as Napster (photocopiers, scanners, hi-speed multi-tape dubbing machines, VCRs, etc.). The fact that people sometimes use these tools to do bad things like infringe on somebody's copyright DOES NOT MEAN they should be outlawed. The Napster situation is EXACTLY the same. The intent of the programmers is not at issue. Nor is what "most people use napster for." If you have a problem with the people who use it to pirate music, feel free to go after them. Frankly, I wouldn't care if they called it "Music Piracy Machine" or "Copyright Infringer." I still have a right to have it on my PC. Only when I use it to do something illegal does its USE become illegal. But the software itself is NOT the same as the act of using it.

  286. Re:AOL...yeah right... by AntiNorm · · Score: 1

    and anyone with half a clue working for AOL

    That would be what, two employees? =)


    =================================

    --

    I pledge allegiance to the flag...
    of the Corporate States of America...
  287. Like the last boycott? by simpleguy · · Score: 2

    I remember about a boycott of the MPAA a few months earlier.

    A few days after the start of the boycott, slashdot did a review of Mission:Impossible II

    We need to respect those decisions guys.

  288. For crying out loud, it's just another corporation by ruebarb · · Score: 1

    I love how people use Napster as the solution to the "Evil Corporation" that the Record industry is supposed to represent while ignoring the fact that Napster is a business (attempting to go IPO, I believe) that is sucking in a ton of venture capital with the idea of making a few people rich at the expense of artists all over the world. It's the greatest scam I've seen in a while

    Wake up kids - Napster is a corporation - they're just like all the other dot.com's out there that we've come to know and despise and they trade in a copyrighted commodity that they can conveniently dismiss as being a "service" - As far as Gnutilla (sp?)and other free sharing clones - well, that's your conscience - but at least no one's getting rich off of it. That really is power to the people, but not Napster! Napster's just another money-making scheme you bought into.

    Napster has the same fat cat mentality as the record companies - and you better believe that if things did work out for them, you'd soon be getting banner ads, fees for services, and a whole crapload of stuff that will remind you how the "little guys" at Napster intend to make money off you at the expense of the artists who created the music. Grow up.

    --

    ----------
    ah honey, we're all resplendent - Bill Mallonee
  289. Re:You're missing the point! by mr.+seabourn · · Score: 1

    Profit isn't the only motive for incorporating. Many people do it to protect themselves from liability - a corporation is only liable up to the limit of their assets, private shareholders can't be touched.

  290. Honest Question by SomeOtherGuy · · Score: 1

    This is an honest question to the people that think napster is "bad".

    Is it wrong for me to search for and download songs from artists that produced CD's/Tapes that are no longer available to purchase...(oop out of print)...In my mind I would gladly pay for this music if it was made available, however since it is not...Who is to tell me that it is wrong to download it from some lucky soul who was able to purchase a copy when it was available?

    And dont tell me to look for an import copy, or to scour ebay -- I have no interest in paying more for a CD/Tape than what the original artists make in a week pumping gas after the record companies gave them the boot 15 years ago.....

    Thanks

    --
    (+1 Funny) only if I laugh out loud.
  291. My Boycott Idea(s) by The-Bus · · Score: 4
    Alright. I'm going to keep it simple. For the past two years, the amount of CDs I have purchased due to my newfound MP3-hoarding obsession has plummeted from several a month to a few a year. The way I see it, I'm boycotting the RIAA. Others see it as stealing. Either way the RIAA isn't getting their mittens on my bills.

    However, this isn't the solution for everyone. Not everyone has the bandwidth, time, or storage space to get their music online (we all have the means: Gnutella, IRC, FTP, Usenet, etc.). However, there is a very, VERY simple solution if you want to purchase a CD and not have money go to the RIAA.

    If you buy a music CD at a used CD store, the artist (and the RIAA) get absolutely nothing for your purchase. Someone already gave the RIAA money. The damage has been done. You however, for a lower price, can not only purchase the CD, but also not pay the RIAA. And no moreal qualms since it's legal.

    --

    Small potatoes make the steak look bigger.

  292. The truth: Gnutella isn't useable. Sorry. by evilandi · · Score: 2

    How many people have we got on here extolling the virtues of Gnutella? Far too many. Of which actually get usable service out of Gnutella? Far too few.

    Unless you and all your immediate Gnutella neighbours are on cable-like bandwidths you'll be getting 1-3kbytes/sec at best. With Napster you'd be going pretty much full pelt. Where does that extra bandwidth go? You loose it proxying other people's requests and searches.

    Gnutella and other decentralised filesharing systems are a great idea, but in practice trying to do large scale filesharing on limited bandwidth without a central index is a non-starter.

    When The Man finally shuts down Napster, OpenNap and all the other Napigator servers, then that's it, game over until we all get megabandwidth into every home.

    So all you spods out there, stop telling us how Gnutella is going to save the world, 'cos it isn't. Wise up.

    --

    --
    Andrew Oakley - www.aoakley.com
  293. AOL...yeah right... by glowingspleen · · Score: 1

    I bet more than a few of us used to use AOL to gather "trial copies" of our favorite apps, games, and music before we used IRC. People had automated servers, chatroom search engines, the works, and AOL didn't care. They literally made one token "bust" every year just to show off. The room names were simple (server1, server2, games1, mp31, etc etc) and anyone with half a clue working for AOL knew about them, but AOL was more than happy to provide its users with a 500-email inbox limit and some ungodly large limit of 15 megs per message attachment in exchange for all those monthly fees it billed everyone. They just made their little token bust every now and then, closing down a room only to open it up again in 2 days...probably just to use as evidence that they weren't "H4x0r Phreindly" if anyone like Adobe or MS sued them in a Napster-esqe lawsuit...

  294. Dumb by Lion-O · · Score: 2
    Sure, lets all stop buying any CD's they produce and all cheer about the new happy free world. Haleluja!

    Offcourse there is still the small problem of artists who will suddenly see their income drop because people want to hear 'm but now stop buying their CD's alltogether. Is this how you treat the artists? C'mon try and use your brains; this won't help us one bit. On the contrary. How will the artists think of Napster and others when this whole "napster affair" causes them to loose their income? I doubt that artists who now feel positive or not-all-negative about Napster will continue to do the same.

    Nah, use your brains and get 'm where it truly hurts. Don't make the artist become the scapegoat.

    1. Re:Dumb by Lion-O · · Score: 1
      They should be pressuring the RIAA to change their practices.

      Then ask them to instead of trying to force them into doing something they may not even want to do in the first place. Who are you to tell those people what to do? Don't forget that the RIAA still protects their interests, at least thats what most will think anyway. In either way; you are hurting them and still expect them to take your side? I call that being very naief.

      . I don't see how a consumer boycott is bad but ripping off fans is good.

      Ripping off? IMHO thats a complete different issue. If you feel being ripped off then don't buy their records. No one is forcing you to do so. And if you really want to make a difference write letters to the artists in question and tell him or her how you (preferably a lot) feel about the whole issue and that you feel ripped off. That way you'll give the artist the choice and you will surely know if the artist really gives a damn about his/her fans or just likes the money.

      Thats a whole lot different then just stating "I don't like the RIAA so they'll just have to pay, to bad about the artists but they should have picked a better company". You can call it whatever you like but that doesn't change the thing you are doing.

    2. Re:Dumb by FreeUser · · Score: 2

      Don't make the artist become the scapegoat.

      If the artists discover that they can not make money by signing a contract with an RIAA member recording company, they will stop doing so and these companies will die.

      If the smaller recording companies discover they are losing revinue because of their membership in the RIAA, they will eventually withdraw from that organization.

      If the artists are smart, they will see the writing on the wall and do something proactive about it, like sell their own music (in mp3 format, as ready-to-burn iso images, or whatever) on their own websites, form a consortium of artists to market their products, etc.

      Yes, the artists will be hurt in this battle. Unfortunate for them, but that is what happens to pawns of big, powerful entities such as the RIAA.

      Want to avoid that? Get the hell away from the RIAA.

      --
      The Future of Human Evolution: Autonomy
    3. Re:Dumb by Lion-O · · Score: 1
      where is the harm?

      Artist makes money out of CD sale, CD sales drop, artist is forced to find alternatives, artist fails and finds a career being a bookstore holder, end of story; no more music. IMHO any loss because of this is a waste.

  295. Utterly Obvious Karma Whoring (aka More Info) by dagoalieman · · Score: 1

    From http://www.nationalpastime.com/0712tdi b.html

    June 11, 1979: The White Sox are forced to forfeit game 2 of twi-night doubleheader against the Tigers due the behavior of disorderly fans during Disco Demolition Night; Mike Veeck's promotion involves admitting fans for .98 cents with a disco record, collecting the vinyl and then literally blowing them up in center field.

    Other info says that 5,000 out of the 50k that were there were on the field, and after an hour and a half delay, the game was forfieted and Detroit recieved the sweep. Found another page that claims July 12, 1979 was when this happened

    July 11, 1979, coincidentally, the approximate time that I would have been concieved. Scary. I don't wanna think about it any more. I'm sure you don't either.

    Moderators: Don't mod this up informative, it don't deserve it. But please don't mod down either.

    --
    We don't need no Net Explorer We don't need no Thought control
  296. I for one, am upset by Sheepdot · · Score: 1

    Listen, I know that there isn't a whole lot we can really do to stop this kind of crap from happening.

    But guess what, I'm not going to go buy that Filter CD that I was planning on getting this weekend or the next. In fact, I don't think I'm going to buy another CD for a long time.

    I know it is tough for people to get outraged in this day and age. There are few things that people can't see both sides of. I would like to see people get outraged at what is happening with Napster now, but I realize it isn't going to happen.

    In the meantime, here are some programs to use till Napster gets put back online, if ever:

    (I did not include GNUTella because that is the biggest bandwidth hogging, least productive program I have ever used in my entire life.)

    iMesh - Nice but not too popular

    CuteMX - The guys that brought us CuteFTP

    FreeNet - This has promise

    Btw, anyone else all of a sudden notice that RIAA Sucks is down?

  297. Sharing music is good. Napster is not good. by jht · · Score: 5

    I agree that the RIAA should be avoided at all costs, and not just for the month of August - until they get a clue. That doesn't mean that Napster is a Good Thing, though. Napster is a neat idea, that has folks behind it who are just as greedy as the labels - they just haven't figured out how to turn their movement into dollars yet.

    Sharing music is a reasonable thing, given that a lot of trading is of rarities and bootlegs that you can't buy in your local store. My own MP3 usage has been to this pattern:

    I rip all my own stuff so I can play it off my PC's.
    I download all kinds of TMBG rarities and boots. I've bought all their albums, too.
    I download an occasional file that looks interesting, and if it's pretty good I consider buying the album.
    Occasionally I exchange files with some of my meatspace friends.

    I suspect a lot of Napster users are like me in that sense - it's a tool to complete collections and poke around interesting stuff, rather than just a way of getting all the free songs you can.

    I see Napster as being the commercially oriented sacrificial lamb to the greater goal of opening up the distribution system. The cat's out of the bag, and soon the Gnutella's of the world will be dominant and unstoppable - and nobody will be able to stop it since there's no commercial shop behind the software.

    If the RIAA had a clue, though, they'd adapt Gnutella to their own ends and provide for micropayments as part of it. The fact that they don't is just proving that the established order just doesn't Get It.

    - -Josh Turiel

    --
    -- Josh Turiel
    "2. Do not eat iPod Shuffle."
  298. Re:Actually, it doesn't really support artists eit by 11223 · · Score: 1
    You made a lot of really good points. One of my favorite artists, Moby, kept being dropped like a hot potato because of lagging sales (before Play).

    Thanks for not trying to "debunk" my being a RIAA plant - this post deserves to be at +5, not the other angry post at me. I played devil's advocate, and I got the well-reasoned response I was looking for. Thank you.

  299. Re:That's not the damn point. by scotsalmon · · Score: 1

    There are a lot of tools available that perform similar or the same functions as Napster (photocopiers, scanners, hi-speed multi-tape dubbing machines, VCRs, etc.). The fact that people sometimes use these tools to do bad things like infringe on somebody's copyright DOES NOT MEAN they should be outlawed. The Napster situation is EXACTLY the same.

    It is not exactly the same, no matter how many capital letters you use to say so. You can't use those tools to make thousands of copies of your copyrighted work at (basically) no cost to yourself. As I said previously, there's a standard of reasonableness here, and personally I think that Napster, Gnutella, etc., cross the line.

    --

    --
    101010, 222, 52, ...
  300. Cats out of the bag? by davonds · · Score: 1

    while this lawsuit may set a huge legal precedent, it won't help the RIAA in the real world.

    You ignore the power of legal precedence. If the Napster decision stands, then the service Napster provided is officially illegal. In future cases against Gnutella and its kin, the RIAA will only have to show that what they are doing is similar enough to the Napster decision, to fall under its jurisdiction. Future cases won't be about shutting the services down, they will be about money. I can envision the RIAA using the Napster decision to go after software manufacturers and end users for huge monetary settlements.

    As to Google and Yahoo being held legally responsible for the content that they index, the French have already decided that, and no one seems particularly upset.

  301. Your .sig by deefer · · Score: 2
    Try here for Interbase docs and stuff...
    Posting at +2 because I want more people to see it... Yes it's OT, but I can afford the karma...

    Strong data typing is for those with weak minds.

    --

    Strong data typing is for those with weak minds.

  302. Boycott RIAA *and* buy MP3's by stefanlasiewski · · Score: 1

    Boycotting a product is only half the solution. In order to make an industry stand up and take notice, you also need to shift those dollars to another product and let the boycottee know it.

    During the Birmingham Bus Boycott, people didn't boycott the buses and then sit on their ass... They boycotted the buses and got to work via some other means like walk to work, or piling into a friends truck.

    I boycott alot of commercially grown fruits and vegetables, but this means that I buy organic and small-farm grown fruits and vegetables.

    --
    "Can of worms? The can is open... the worms are everywhere."
  303. The whole point may be moot? by RayChuang · · Score: 2

    Folks,

    I think people forget we -do- have laws on the books and international protocols on copyrights to follow when it comes to intellectual property.

    Think about it: we in the USA have the Copyright Act of 1976 and the Digital Millenium Copyright Act to prohibit the distribution of copyrighted/trademarked material without proper conpensation, and we are also signatories to the Berne Convention protocols on copyrights, which does the same thing more or less internationally.

    The problem with Napster is that people can pass around copyrighted music files without conpensating the artists who may have spent many hours of hard work creating the music, which is a real problem especially for less-popular artists.

    Besides, all of you folks are conveniently forgetting that advances in technology in the last five years (e.g., better audio compression techniques and anti-piracy protection coding on the music file) has made it technically feasible to sell individual songs in digital form. Already, several RIAA member music companies are developing means to sell individual songs in digital form over the Internet at very low cost, since there is no need to produce an actual CD and add in the cost of packaging. The possibility exists we could buy songs at a rate of ten to twelve US cents per minute.

    For example, take Queen's "Bohemian Rhapsody." That song--just under 8 minutes long--could be purchased and downloaded at a cost of 80 to 96 US cents for this song, which is going to be far cheaper than buying a whole CD at US$13 to US$17 for the disc of even doing a CD single at US$3 to US$4 per disc.

    --
    Raymond in Mountain View, CA
    1. Re:The whole point may be moot? by Luminous · · Score: 1
      The possibility exists we could buy songs at a rate of ten to twelve US cents per minute.

      Dear lord, imagine the effect this would have on music. It harkens back to the day when novel writers were paid by the word, so we got Dickens stuffing his work with every extraneous word he could get his hands on. Now a 4 minute Backstreet Boys song gets turned into a 12 minute opus. Speaking of which, at least classical and jazz music would be priced higher than pop stuff. But still...music by the minute? Sounds bad to me.

      --
      This is not the way to build a lasting empire.
  304. Boycott's ineffective by grimani · · Score: 1

    Loss of revenue due to boycott is drastically less than loss of revenue due to Napster and related 'piracy', I'm sorry to say. Boycott's are doomed to failure.

  305. Used cds by yoyot1 · · Score: 1

    Why would anyone buy a new cd anyway? I can buy twice as many used cds for the same amount of money, and no royalties go to the RIAA or the artist (I don't care about the artist either, as long as they are going to be a part of the blanket problem of a few corporations controlling an entire industry). If I really want to support the artist, I can always go to a concert, buy a t-shirt, or in the case of an indie label, buy the album off their website.

  306. Re:What About DVDs CmdrTaco? by DanMcS · · Score: 3

    it is is a greedy VC funded company trying to make money of the work of others
    Yeah, that's one thing I never understood about napster. It started off with those two guys working on it. So far so good. They dropped out of college to take advantage of the VC frenzy on anything internet related the past couple of years. Great for them.

    Then these VC guys start funding them. What the hell were they thinking? They're suits, they should 1 understand that it's used for arguably illegal purposes and is liable to be a bad investment and 2 wonder how in the heck they're /ever/ going to make money off this thing. Isn't that the point of Venturing? Were they just blinded by the fact that it used TCP/IP, and thought it would therefore be The Next Big Thing, like the wild IPOs only better?
    --

    --
    Communication is only possible between equals
  307. Thoughts from a Musician... by scotsalmon · · Score: 2
    I received the following as part of a "summer tour" update from a performer I follow (Elizabeth Elmore, formerly of Sarge):

    • Ok, napster. A couple points. I feel like I've had this discussion a
      million times in the past few days so I'm not going to go overboard today.
      For those of you interested, Jenny Toomey from Tsunami has started/joined a
      great lobbying group representing the interests of smaller artists (ie not
      Metalllica) in conjunction with the Washington DC law firm Bracy Williams.
      I'm going to be getting involved with the group also

      1. The most frequent argument that I hear is "well, napster isn't always
      bad because I got to hear a few of your songs and then I went out bought
      your CD. So it was ok!" Here's the deal. I appreciate you buying the CD so
      much! But if a band wants to give away some of their songs for free as a
      promotional device, that should be their choice. You DONT have the right to
      make that decision for them. And just because YOU go out and buy the CD
      that doesn't mean everyone else does. Just because you're (somewhat)
      ethical doesn't mean everyone is. But once something is up on Napster,
      there's no way to screen these people. No matter how you defend it, taking
      these songs IS STEALING. And yes, there are lesser and greater degrees of
      stealing but it's still stealing. All of these excuses are simply
      rationalizations. The point is, you as a consumer don't have the right to
      make that choice for the "creator" of the music. It's not your decision to
      make.

      For the record, sarge has offered free mp3's at different points. We also
      have sound clips up in different places. If people wanted to just hear
      sarge before they bought a CD, there are plenty of other avenues for them.
      I recognize these avenues take more time on your part and offer less than
      Napster does but they're legal _and_ ethical. Sooner or later some
      musician's going to sue the shit out of an individual napster user for
      illegally copying their material and then making it illegally available for
      distribution to millions of people. This person could potentially receive
      thousands of counts of copyright infringement. You don't want to be the
      test case!!!!!!!

      2. The other (extremely silly and poorly thought out excuse I've heard) is
      that napster is a way to "stick it" to corporations and the big music
      labels. Well, I guess you can justify stealing by saying you're stealing
      from the right people. But personally, I never thought it was ok to steal
      from anyone, no matter who they were.

      Anyway, the problem is that the band getting the most attention for
      protesting Napster is Metallica. I believe Metallica has every right to
      protest Napster (they're getting dicked on a monumental scale) but
      obviously they are protesting it more from a political and artists' rights
      standpoint. The thing is, bands like Metallica make most of their money
      from Alternative Revenue Streams (ARS). ARS are basically money earned
      through touring, the sale of merchandise, etc. Bands on major labels only
      get a very small percentage (probably a few cents) from every CD that's
      sold. Although they may sell millions of CD's, most of their money still
      comes from other touring and merch.

      On the other hand, indie bands (whom I assume you all support!) can make a
      very large percentage of their money from sales and have very low ARS. Mud
      and Parasol Records give us a wonderful deal. After the agreed up expenses
      are covered, they split money with us 50/50. That means after the first
      hundred or two hundred CD's sold for each 1000 pressed, we make $3.50 for
      every CD that's wholesaled at $7. That's a fantastic deal and the only way
      we _ever_ survived touring 6 months a year when we made less than $50 on
      plenty of nights.

      So anyway, you may think you only download major label songs. But in
      reality you're lending your support to a product that facilitates the
      stealing of music from _your_ friends. If touring indie bands can't make
      money on CD sales they won't be able to afford to tour at all - and then no
      more bands will be cruising through your town anytime soon.

      Once again, I'm not taking a pro-corporate stance! Or a capitalistic "bands
      should make more money" stance. But we do have to survive.

      Ok, I'm tired and this is probably really incoherent so I'm going to shut
      up.

      Enough.
      xo
      e


    I was never a particularly determined MP3 pirate, but after Elizabeth's e-mail, I'll never support a product like Napster again.

    --
    scot@austin.rr.com
    --
    --
    101010, 222, 52, ...
  308. grassroots by ducktape · · Score: 1

    interesting way to describe it. however, i don't think that this will make too much difference. i forsee the end of napster. meanwhile, i'm stocking my partition full of mp3's, like a bomb shelter before before a nuclear war...

  309. It's not illegal to record broadcasts by ruebarb · · Score: 1

    If something is broadcasted over public airwaves, I don't think it's illegal to record it for personal use (of course, cable, private schemes aren't the same legally) - but I think that's the price they pay for using a public resource (the airwaves

    --

    ----------
    ah honey, we're all resplendent - Bill Mallonee
  310. Doing My Part by dougman · · Score: 2

    I'll be doing my part by effectively making the primary focus of The Swindle a tool to learn the truth behind the activities of the RIAA and its member companies, and providing tools to help people share their thoughts with their representatives/advertisers of RIAA-controlled media/recoworms.

    Stay tuned.

  311. Boycotting RIAA by MrResistor · · Score: 1
    I think that's a great idea, but possibly for the wrong reason. How about boycotting them because of their general abuse of fans, artists, and resellers? (and alternate distribution models too, of course. I'm not saying it's a bad reason, just maybe not the best one.)

    I don't think it would actually work though. Most likely the RIAA would just point at the numbers and blame it on filesharing. I think class action law suits would be a more effective solution (although I loathe litigation). Fans could sue for them for price gouging, and artists could sue for defrauding them of their creations. As much as I hate lawyers, I think this would make the world a better place.

    --
    Under capitalism man exploits man. Under communism it's the other way around.
  312. Neither side deserves to win by akey · · Score: 4

    While I personally don't side with Napster, et al., I'll agree that RIAA is taking the wrong tack. The fact is that the "genie is out of the bottle", and suing Napster won't change that fact. But it's not surprising that an industry that consistently charges $15-20 for something that costs them $0.50 (a 3000-4000% markup) will sue anyone who tries to threaten it.

    Let's face it. Napster is/was not the only game in town, but it was the most prominent, and had venture capital to boot. RIAA knew they stood a good chance of winning, and is desperately looking for a precedent in their favor. And going after Napster makes for good publicity with the media (who still report Napster as a "website that allows users to share MP3s").

    The bottom line is that RIAA has been gouging customers for years and it's not at all surprising that Napster would come along. Napster, for it's part, has knowingly been aiding people to trade music that they didn't pay for. Neither side deserves to win.

    I honestly believe that if people are given a convenient way to purchase the music online, a large number will. If RIAA realizes this, they stand a chance of surviving. If they don't, they won't be around 10 years from now.

    ---

    --

    ---
    "Go Metallica. Die RIAA." -- Linus Torvalds
  313. Your music budget by tswinzig · · Score: 1

    "my music budget has more than tripled (according to quicken) since napster came out. "

    Yeah, but did it triple DUE to Napster coming out? =)

    --

    "And like that ... he's gone."
  314. Uhm, in greater terms, it's not about music by Phen!x · · Score: 1

    When you look at this from above, it's not about the music, mp3, naptser or whatever. It's about right. I don't think this will stop people from sharing files: fact: Napster might be the one heard about, but it will certainly not be the only. fact: It would be trivial linking smaller networks together (multiple searchers, database sharing, etc). fact: maybe you can garbage Gnutella, but you cannot stop it. The idea behind a decentralized network could pretty easily be enhanced to a near unstopable thing. fact: The music industry have lost a lot of their market (according to my sources at least). fact: they wouldn't sue unless they were scared. Maybe they would sue for getting the temporary ban of the napster server. IMO what we need to do now, is to move the thing to a new network (OpenNap for instance). Just to show RIAA that a single trial won't get them any further. But what about making a hybrid between napster and gnutella: Let there be centralized servers, but let them be spread all over the world, run by different people, so they would have to sue numbers. Let these servers behave like gnutella in between. This would create two things: a) you could call for a "blackout" of a fake server, just like fighting spam on the usenet or blocking an IP class in your mail server b) impossibility to sue a single company for their creation. for this to work, servers need to be static (but most ppl are on static adresses these days, so who counts)...

    --
    JL
  315. This May Provide Ammo for RIAA by Tony.Tang · · Score: 1
    So not to rain on everyone's parade here, but just a thought: if this whole boycott caught on with the general population, doesn't it add ammo for the RIAA? If CD sales dropped, they could truly say, "Hey! CD sales have dropped!" To boot, they could say that mp3's have become a viable substitute for CD's, and thus, since they were being traded w/o payment to the artists, could be considered as stealing...

    RIAA wouldn't say, "it's because of a boycott"... they would gladly overlook that "by accident"... Lawyers are like that. ;)

    --

  316. Re:Attn! by rotor · · Score: 1

    As you said, those artists are locked into contracts. By the time those contracts are up, 95% of those bands will be beating a hasty retreat back to obscurity, and likely wouldn't be picked up again for contract renewal anyways (where are the bands like Boys II Men and Naughty By Nature who were yesteryear's N'Sync and Sysqo?) Half the bands who have staying power go off to start their own label when it comes time to renew anyways (though yes, they do stay part of RIAA - but that's by choice because of cases like Napster-using pirates when the artists can gang up under the umbrella of RIAA and sue). Most of the music I listen to comes from bands that have never had that elusive "big-label-contract" to begin with... Yet somehow they've found a way, even before mp3, to sell their music to their audience. It's called independant CD stores and live shows.

    --
    Addlepated - punk & metal
  317. Make your voice heard. by miahrogers · · Score: 1

    I think that instead of a silent boycott people who aren't going to buy cds should let the people know why.
    If you WERE going to go downtown today and buy a new cd, to downtown anyway, walking into the store, and TELL THEM that you would have bought it if the RIAA decided to work with napster.
    Otherwise the RIAA will just point and say "look, record sales are going down because of evil napster".
    Sorta like how those people who are quitting smoking drop the money that would have been spent on cigarrettes into a jar, and then count it up.

  318. Congressional Hearings by edibleplastic · · Score: 1

    What was the result of the congressional hearings? We all loved the headline "Senator tells Music Industry: Don't Make Me Come Over There and Smack You" but was that it? Is there going to be any fair use/licensing legislation or was this just a publicity stunt?

  319. Re:RIAA vs. MPAA by mgoyer · · Score: 1
    What needs to happen is a way we can pay the artists for their work and not the record comapnies.

    This exists! Check out www.fairtunes.com. A website that enables you to pay ANY artist directly. No more need to buy CDs to support your favorite artist (like they were seeing any of your money anyway).

    Matt

  320. Re:Which record labels are affiliated with RIAA? by Peyna · · Score: 2

    Good luck finding one that isn't. Here's the list. As pointed out earlier by someone else. Personally, not every label that is a member of the RIAA automatically is at agreement with everything the RIAA does, nor is every artist. A boycott of the entire RIAA doesn't make much sense. I am sure that a large number of labels and artists under the RIAA do not agree with any of it's actions at all.

    --
    What?
  321. RIAA vs. MPAA by stgilljr · · Score: 4

    There is a big difference between the two groups and the formats they represent.

    The MPAA is making a dumb move in the DeCSS case, but movies are available in several formats: tape, cable, theaters as well as DVD. DVD represents an increase in quality, but you can get any movie on tape.

    What the RIAA plans to do is create a system where you will pay per use or per transfer. They want to control the use of music in a way which will abrogate your basic rights to use copyrighted materials.

    There's also a major difference in who gets paid. When you see The Perfect Storm, George Clooney gets money from you directly. He gets a share of the gross. Other major stars do as well, as well as any profits from his image in other media.

    Even the smaller stars get millions for their participation. The screenwriter and director make a profit as well. Movies are financed in several ways, by private investors as well as studios.

    So the MPAA fight is about using formats, not screwing the artists. They get paid anyway.

    Also when you see a movie like South Park, you support the fight against the MPAA's censorship. The best way to fight the MPAA is by supporting those who oppose it and the people who make the films the try to censor.

    The RIAA represents the record companies and their interests. The artists are the lure they use to cover their own greed and duplicity. They get a ho like Lars Ulrich to whine about Napster when they steal his money and his right to publish songs.

    You want to see a pimp in action, look at the major labels. They and their middlemen make $14-15 dollars from every $16, and that's if the artist is lucky. Roger McGuinn said he made more from Mp3.com than from a 40 year recording career worth of albums.

    Ever wonder why Ice Cube and Ice T went into movies? Because they don't owe the record company a dime for that work. They do when they record songs. This is like sharecropping. Massa Sony lends you money to live while you pay him back with labor. He gets most of the money from your efforts.

    What needs to happen is a way we can pay the artists for their work and not the record comapnies. When they say theft, it's their bottom line, not sweet little Lars, they're worried about.

    The movie studios used to do the same thing until the 1950's, when TV gutted their market. Suddenly people ran their own careers and the studios provided financing and support.

    Peer to Peer networking is going to be the record company's TV. Their long overdue wakeup call.

  322. Re:Proposal by mgoyer · · Score: 2
    Or you could use www.fairtunes.com to pay for your music. It is completely voluntary and we will track down ANY artist and send them your money. You even get to specify how much you want to send. Could be as low as $0.01. Plus 95% of your money will go the artist and not a penny is sent to the RIAA.

    Matt.

  323. Put your money where your mouth is... by bozty54 · · Score: 1

    This should be the last straw for reasonable web denizens. As a DJ I buy many CDs and use Napster to only legally save time in turning them all into MP3s. If you believe as strongly as I do that the music industry has be ripping us off for years. Charging $10 a tape and $20 a CD in many stores then it is time for us to boycott. What I suggest is buying only CDs that can easily be identified as home grown or CDs from MP3.COM for at least 6 months. Let's all do our part to send a message to the music industry.

  324. Is Napster hurting sales? by Bearly · · Score: 1

    Just a thought. Napster is probably not actually hurting sales. Rather, Napster users are more likely to purchase their cd's online. The mailroom at my school has been swamped with online purchases, forcing them to expand. The studies that discuss a fall in cd sales around college campusses did not take this into account.

    Has anyone done a study comparing the decrease in sales around colleges with the volume of online sales to addresses near college?

  325. Its all about free Toonz - at Napsters profit by acomj · · Score: 2
    (I tried to post this earlier...)



    Ok here goes. There is nothing wrong with peer to peer file sharing. The problem is people are attracted to free music like flies on Sh*t. They can't control themselves and they download and download. These people need to think. What are they doing? What are the concequences. This woulndn't be a big deal if only a few people are distributing music.


    Music should be free when the bands that make it decide it should be free and not ever else. It doesn't matter if they might sell more by giving it away. If a band gets signed they decide that the RIAA is the way they can make the most money/ get the most exposure then they should be allowed to do that.



    A college friend of mine is in a band called "tobin bridge". They can't give away there mp3s (and they're not bad.). Many Many bands give away there MP3s for exposure, it hasn't changed anything. The masses just don't want them. They want highly produced music and they want it for free.



    I used to be a photographer at a "college" newpaper (70,000 copies daily. I was the photo editor as well. In my wildest dreams I would not take a photo that we didn't pay for or get legitimately and use it in the paper (public and free distribution).



    Napster is about getting music for free that you shouldn't have.



    People that want to get music fill find other ways to get music for free, (ftp,GNUtella etc.) maybe a "company",aka NAPSTER, shouldn't be trying to profit from this piracy. That is what this is about in my mind



    MP3.com should be more popular, as they have many unsigned bands. But its not. They're are other sites that give away "live" performances from phish and DMB that allow taping of there shows. These bands have made the descion and allow this taping and free distribution of there music to increase there mindshare. But it was the Bands choice and that is the way it should be.



    If you want to make a mp3 copy of your CD I think you should be allowed. You should rip it yourself (roll your own?). I think if you run linux you should be allowed to view DVDs. Peer to Peer networking should be legal. I like MP3 streaming radio "shoutcasts".



    Napster disturbs me beacause of what it says about people and individual responsibility.

  326. napster by Anonymous Coward · · Score: 1

    Are music and books so different? If I allow someone into my house to borrow or trade books then there seems to be no problem... but if I allow the same person into my house/computer to borrow or trade music there is.? I don't thinks so. And if the injunction is upheld it seems an infringement on my privacy and the security of my home. It would seem that the onus should be on the RIAA to show that what is taking place is not trading or lending... and to do that they should have to deal with the folks that are doing the trading and/or lending, not the people that built the houses.

  327. Re: the way to find the truth by Refrag · · Score: 1

    There is only one way to figure out what is right in this case. Just ask yourself one simple question.

    What Would Robinhood Do?

    WWRD


    Refrag

    --
    I have a website. It's about Macs.
  328. Its not about file sharing! by ArchieBunker · · Score: 1

    File sharing like this has existed for years, look at hotline. This is about distrubuting copyrighted material. Don't even mention ftp and napster in the same sentence, they are totally different. Napster is meant for one thing, spreading mp3 files around.

    --
    Only the State obtains its revenue by coercion. - Murray Rothbard
  329. Let us moderate stories! by edw · · Score: 2

    I'm sitting here with five moderating points, looking to use them, and I keep on wanting to moderate Mr. Malda's story into the shitter. He clearly doesn't understand why Napster's getting shut down: because it was designed and is almost exclusively used to steal other people's intellectual property.

    Maybe intellectual property shouldn't exist, but that's another issue. Just keep in mind that the power of your beloved GPL rests firmly on the foundation of intellectual property rights.

    As Larry Wall said, "Open source should be about giving away things voluntarily....When you force someone to give you something, it's no longer giving, it's stealing. Persons of leisurely moral growth often confuse giving with taking." I think Larry is referring to many of you Slashdot posters.

    It's pathetic to hear the same "but stealing I.P. is not stealing because the owner still has a copy" song and dance that I used to hear on bulletin boards back in the '80s. I would have thought that we would have gotten beyond the self-serving, simple-minded assertions of BBS-ing 14 year olds by now.

    Oops! I forgot that Slashdot is where today's 14 year olds make their self-serving, simple-minded assertions.

  330. Re:Paradox by Misch · · Score: 1

    IIRC, the study said that there was a drop in sales at 64 SELECTED record stores near colleges and universities where Napster was banned...

    Previous Slashdot story

    Here's the C-Net story

    and a quote from the article: The drop in college music store sales was more pronounced in 1998 than in 1999--a year before Napster was written, released and began spreading quickly across college campuses.

    I have another theory as to why sales drop... according to RIAA's own statistics, the average value of a CD has increased since 1998-1999. Since college students are less well-off than other demographics, an increase in price has led to a decrease in demand.

    --

    --You will rephrase your request for me to go to hell. Goto statements are not acceptable programming constructs
  331. A Moral Decision by Shut · · Score: 1

    Gee whiz, Napster gets shut down (or put on hold). Maybe you could prove the RIAA wrong better by actually supporting the artists whose various works you have downloaded. But of course, that might be the "Wrong" thing to do considering it allows for the RIAA to continue funding itself. But again, wouldn't it be more correct to support the artist(s) by buying their CD. Moving those CDs equates more money for the artists, after the record companies are done tariffing the CDs.

    My point is to show them how mp3s can positively influence how music is sold, rather than bitch and moan and have these "protests" against the RIAA, just proving the point that you want everthing for free, and if it isn't free, then you can roll it up real tight and cram it.

    Or you could just use some other service (like Scour that propogates "piracy" in a rampant and uncontrollable manner).

  332. Government is clueless... by don_carnage · · Score: 3
    The other day, I was watching CSPAN2 coverage of the FBI's Carnivore hearings when I realized that our government cannot handle these sorts of cases. Most of the questions being asked were from non-technical people who really didn't understand what questions to ask in the first place. As a technical person, I could have thought of 100 better questions to ask.

    Take the Napster trial into account: What they are telling us is that it's illegal to provide a service that shares information. Napster, in my view, has not done anything wrong. The problem was that they were trying to apply age-old laws to a medium that changes every nano-second -- it just doesn't work out.

    So boycott it is -- we won out over the PID on Intel chips...lets hit the RIAA where it hurts!
    --

  333. Attn! by 11223 · · Score: 2
    The RIAA does not care.

    This account is a plant by the RIAA. I've been secretly infiltrating your belief system for the past few months. But, what you say here is the height of arrogance.

    The RIAA does not care about your boycotts. The artists who you listen to (on average) are almost starving anyway. Your purchasing of their CD's supports their livelyhood. We don't make much money on them.

    Where we make the money is in the Top 10 records - the stuff that most Slashdot readers (and other concerned citizens) don't listen to. We don't make much money off of your purchases. We make the money in the mass market. And by and large, the mass market doesn't care about your boycott.

    What you face now is the immense wall of public opinion. They want their CD's. They don't care about some boycott. Others have tried and failed to get the public to listen to some viewpoint - no matter how well put together it is, because the public doesn't even listen to you. They listen to what we say because we provide them with the music that they want.

    Your boycott will fail, unless what you want is to destroy the artists that you listen to - the artists who survive on a small but dedicated fan base. You are destroying the art that you love over a legal difference of opinion. We hope you're happy.

    1. Re:Attn! by gh3 · · Score: 1

      Proof please? The average cost of producing a classical CD is $500,000 (this is "insignificant"?), and sells between 2,000 and 3,000 copies in its lifetime. Do the math. There is no profit for 90% of CD's produced. The only CD's which profit is stuff like Britney Spears, but most of that profit goes to pay for the unprofitable music (90% of titles). That is where the money is going; contrary to the myth on slashdot, it is not lining record exec's pockets.

      OK, this may be a bit recursive, but do you have any kind of proof for those statistics you just quoted?

  334. Re:The dangers of peer-to-peer networks by crazyc · · Score: 1

    I think this is supposed to be sarcastic. If so, the dude was just a but heavy handed.

  335. Proposal by danderson · · Score: 1

    The complaints about the current music distribution sceme seem to revolve around a few points:

    1) the artists get under-compensated for thier work

    2) the record companies get over compensated for what little they do

    3) the consumers pay too much for their music.

    Here's what I suggest. Start with a new record company. The company signs artists and records alblums as normal. The company sets up a website (or series of them) from which to distribute the music. Fans are charged a small amount (like $0.75) to download a song. Of that 75 cents, 25 cents goes directly to the artist (i believe that is more than they are getting now) The other 50 cents goes to the record company to pay their costs (web server, labor, advertising, etc.) If fans want hard-copies of their music they can order it off the website. The record company could also plaster their site with annoying banner ads to generate additional income. It seems to me that this way everyone wins.

    --
    This is supposed to be great art. So why does it look like a bunch of decapitated naked people? -- Calvin
  336. Re:Actually, it doesn't really support artists eit by JebOfTheForest · · Score: 1
    Thanks. I like moby, too.

    There are a lot of other interesting articles about intellectual property issues, especially those relating to music, at Negativland's intellectual property page. I don't know if you know the story of Negativland, but it's really long, fsck'd up, and reprinted in more detail than you'd ever want at their site. That's where I originally found the albini piece.

    jeb.

  337. Hmm. by mindstrm · · Score: 2

    As much as I believe the right to 'share files' cannot be taken away, and that it is rediculous to try....

    Napster, as software, I have no real issue with (I think it's kind of crappy.... but I have no real problem with it).
    Napster, as a company, I *DO*.

    See.. the thing is, Napster, as a company, is making money (or attempting to make money) off of their service, which they *know* is wildly popular because people like to pirate music. This is where the problem is.

    They are, even though it's somewhat indirect, making money off helping people pirate music. Period. And that is wrong.

    What if it was a 'free' service, sort of distributed? Gnutella-ish? NO problem. WHo's making the money? Nobody, a bunch of people are getting together and simply sharing information for non-commercial reasons. THis is GOOD.

  338. Re:CD-Rs and blank tapes by Hmpf! · · Score: 1

    Actually you rase an interesting point, blank tape and CDR manufactures are making bucket loads of money becuase of pirating but they keep the riaa from sueing them by offering royalties, now shouldn't napster do the same thing offering the riaa free advertising space, or pay some royalties earned from advertising, after all napster is a commercial company, and i can see that the riaa don't like it they earn money becuase of consumers pirating music. All other company's wich clearly aid pirating music (Radio stations, music television, Blank cdr and tape manufactures) all make sure some kind of royalties are paid so why shouldn't napster? In reality the revenues napster generate won't come anywhere near what the riaa would want from them. But i think it's something to think about anyway.

  339. What About DVDs CmdrTaco? by Carnage4Life · · Score: 5

    I've decided that I won't be buying any RIAA CDs for awhile personally (I've already cancelled a couple of orders, and I buy a ton of CDs) but decide for yourself.

    Frankly I don't plan to stop buying CDs since I've always been opposed to Napster since all it is is a greedy VC funded company trying to make money of the work of others. Now on the other hand, even though Slashdot is well aware of the DeCSS fiasco, we are constantly bombarded with various articles on buying DVDs.

    I'm not one to fault others for their personal decisions but if you plan to make a stand, make the right one. The more I people I see complaining about Napster the more it seems like all they care about is free music and not the issues of digital rights or the power of corporations. That seems to be the only explanation for dissing the RIAA but supporting an industry that uses Gestapo tactics to terrorize tenagers. Where are the grassroots efforts to boycott the MPAA?


  340. Correction: by scribblej · · Score: 1
    Shooting "things" is not illegal. Shooting people is, and despite your claim, I strongly doubt any large percentage of sold handguns are used to shoot people.

    There's no question that 99% or more of the traffic generated by Napster is illegal. I LOVE the previous analogy about 99% of people buying chainsaws using them to hack people up. :)

  341. Napster / Limp Bizkit Tour by beau455 · · Score: 1

    I wonder what is to become of the tour. Granted it was free and all, but theres still people that put advertising dollars into it (sponsors and what not). Napster being the largest tour sponsor, having the company shut down, whos to say they won't pull out and then kill the tour? Not that it mattered much to me. When Fred and the gang rolled through Detroit, I was regrettably working those days.

  342. right *wink wink* by ArchieBunker · · Score: 1

    Search for mozart on napster and then search for limp bizkit or any other sucky band and see the difference in hits. If their music is public domain then cds should cost next to nothing.

    --
    Only the State obtains its revenue by coercion. - Murray Rothbard
  343. Makes no difference to me by Legion303 · · Score: 1
    I haven't bought a new CD in 5 years. I buy them used or I download the MP3s, but either way, the recording industry isn't going to make a dime off of me. I support the artists by going to shows and buying T-shirts.

    -Legion

  344. Bypass RIAA, send money to ANY artist directly by mgoyer · · Score: 1
    I'm sure some of you are glad that Napster is gone and some aren't. But the fact of the matter is that this is an argument about the future of intellectual property on the Internet.

    It's a story of the record companies using their clout to have a competitor forced out of business because they the record company are unable to compete and move fast enough in their own music space.

    Some of you are screaming boycott. I couldn't agree more. But let's remember that in the end the artist does receive some of the money that you spend on a CD. So what to do?

    One boycott solution: Don't buy CDs. Don't support the RIAA. Don't let them change the laws to suit their goals. But keep the artist in mind and when you pirate/steal/copy/download your MP3s send money to your artist directly. How do you do this? Go to: www.fairtunes.com. A website that allows you to send money directly to ANY artist completely bypassing the RIAA.

    Matt

  345. Re:Why is everyone so mad? Mainstream? by Paul+Wood · · Score: 1

    If napster is "mainstream" what does that make the RIAA? The point is that Napster does not provide songs, only a method of sharing. If I e-mail you an MP3, should my ISP, and e-mail program company be sued?

  346. (Offtopic) Disco Night by scribblej · · Score: 2
    Well, I don't know about the rioting, but the Cubs here in Chicago have a "Disco night" every year, to help inspire ticket sales.

    Personally, I'd rather see them play baseball to inspire ticket sales, but they haven't been able to do that in years.

    I went to one of the Disco Nights because I was working at a Disco at the time, as a dance instructor. I got to dance out on the field, on TV. And I have to say, I don't look half-bad in an afro wig.

    Now I'm a programmer. But I still don't look half-bad in an afro wig.

  347. Sharing music is good. Piracy is not good. by Chris-en-topper · · Score: 1

    RIAA isn't really trying to stomp out the transmission of bootlegs, live recordings, and non-copyrighted material--stuff that doesn't affect their pocketbook. But I would guess that upwards of 75% of the people who use Napster use it primarily to pirate copyrighted material. That's what they're pissed about.

  348. A Possible Tactic by NeuroManson · · Score: 1

    Whenever you recieve a mailing from Columbia House, BMG, or any other music clubs, send the form back stating "I refuse to purchase any further music from RIAA affiliates, due to their heavy handed and unfair anti competitive practices"... It'll cost you a postage stamp at the worst, but it'll (a) make a significant impact, considering the record industries cut their losses by dumping disks on the music clubs in bulk, and (b) The record labels won't look at sales stats based on the end of a financial quarter (which is coming up very soon)... This will take a long period (4 months, eh, long by nethead standards) period, and even moreso, they won't respond to the numbers, unless they notice that music clubs aren't purchasing disks in the future (or better yet, getting letters saying "Do you know about this??? --- Will really get their attention)...

    --
    Just because you can mod me down, doesn't mean you're right. Shoes for industry!
  349. File Sharing and Legality by Nalarik · · Score: 2

    The act of sharing files with other is people is not what is wrong. The legal part comes in on what is being shared. Napster was allow its users to share copyrighted material. That material was not copyrighted by Napster but by other people, and they had not been grant the right to do that. Now, this bring up the question of file sharing through other means. The means is not the problem, its the content. If you have the right to share a file and give it to people, then there is no problem. If the file is copyrighted by someone, then its illegal. This is no different from software pricacy of games or applications or operating systems. Now this site deals in alot of open source software, but I'll bet that 90% of the member have a peice of software that they didn't pay for.

  350. Turn It Off: Napster, RIAA, MP3.com are Pimps by Nightspore · · Score: 1

    I don't want the RIAA to reform, or to "get" digital distribution. They "get it" only too well. I don't want Napster to survive. I don't want MP3.com to win against the RIAA.

    I want the music of artists that make music for reasons other than money, and those artists themselves, out from under the boot of every established or aspiring corporate pimp listed above.

    We need class action and anti-trust suits against the recording industry, on behalf of thousands of screwed artists and millions of screwed listeners, for sixty years of the most grotesque and arrogant exploitation.

    Night

  351. Go back to tapes! by sporty · · Score: 3

    Heck, record your faourite songs off the radio. Write a letter to the RIAA that you are doing so until further notice etc etc... it sounds like a plan that needs a website and a LOT of supporters/petitioners...

    Its the only way to hear the artists you like. There doesn't seem to be much alternative to the RIAA.. the bastards

    ---

    --

    -
    ping -f 255.255.255.255 # if only

  352. my protest by FiDooDa · · Score: 1

    Well i've been protesting ever since i played my first mp3 file. And even more so when i bought my first CDR.

    I really don't care about Napster's position in this. It's just another corporation with a close source product. I don't think that means shit for file sharing over the Internet.

    By concert tickets (not cds) to encourage your favorite musicians and to protest against RIAA.

  353. Paradox by Cy+Guy · · Score: 3

    They believe that the people who have just boycotted them were pirating all their music anyway.

    In fact, the boycott itself may provide just the sort of evidence the RIAA wants to use in court. They were already citing a drop in CD sales in College areas, this will just increase that effect.

    Maybe a solution is to only buy used CDs. This will demonstrate that there is a market for CD's but that we have no interest in giving RIAA any additional money. Of course, they may attribute the spike in used CD sales to people selling the CD's they have already ripped.


    Help

  354. They can be taught! by abe+ferlman · · Score: 1
    I have two hopeful examples to share with you.

    First, Orrin Hatch seemed disgusted with the way that the record companies were trying to eliminate fair use in the Senate hearings on the matter a few weeks ago. You may recall that he was a primary architect of the DMCA.

    Second, it appears as if Judge Kaplan may rule that DeCSS is protected under the first amendment- and he was just as rude to the alleged "pirates" at first as Judge Patel has been to Napster's attorneys so far. The fact that she didn't even know that Gnutella was a free service shows that she's not necessarily evil, just ignorant.

    Let's win this case in the court of public opinion so that we can shift the focus of the debate from "piracy" to fair use and consumer rights!

    ARRGHH! AHOY, MATEYS! Sausage King of Chicago

    --
    microsoftword.mp3 - it doesn't care that they're not words...
  355. One BIG can of worms by datalith · · Score: 2
    Okay...

    What I'm hearing is that CD's cost too much. And file sharing allows people to increase their spending power and allows them to get more music.

    Freedom of the press and all that...

    Well, newsflash... Yes people profit off of those CD's, if they didn't, they wouldn't be making them and then we'd all be forced to go to concerts if we want to enjoy the music.

    Boycotting CD's in protest of the 'big companies' profiting off of you is rediculous. We think nothing of paying sports stars millions of dollars, and yet, since this is coming directly out of our pockets we complain about it...

    And the worst part is, the muscicians, the real talent get a pitance of the money from each CD sold. In a society where you can hit a metoric rise on the charts and then be a has been a week later-- every little bit you can get helps.

    You're preaching the rights of the masses to share the music, when what you're doing is wanting people to perform for you for free.

    Yeah, sure stars make lots of money-- when they're stars... when people actually buy their music... but if we take away the money-- will they play for us while they're starving? While the people complain about thier rights to listen to the result of their LABOR and give them nothing in return?

    Would you work for free!?

    Its an interwoven relationship. You want my opinion... (well you're getting it)

    Artists are appreciated because of their work. We pay them to do their work by buying their recordings and going to their concerts.

    If we don't like them... we don't pay them.. they move on and do something else.

    you want music to cost less?

    USE the technology of file sharing... not to steal from the mouths of the people you claim to like... but to give them the money directly... They get more, you pay less... no middle men...

    BUT... there are a lot of people who make a living in the middle...

    Try to do something, but don't sit there and whine because you want these people to work for nothing and they complain about it.

    No matter how you slice it-- If you aren't paying for the music you're stealing from them. Great way to show appreciation huh?

  356. Which record labels are affiliated with RIAA? by abischof · · Score: 2
    Which record labels are affiliated with RIAA? Or, if it's easier, which record labels aren't affiliated with RIAA? ;0

    See, I'd like to still support the artists (by buying their CDs), but especially those artists that are on labels that aren't affiliated with the RIAA.

    Alex Bischoff
    ---

    --

    Alex Bischoff
    HTML/CSS coder for hire

    1. Re:Which record labels are affiliated with RIAA? by gauron23 · · Score: 1

      The boycott riaa site has a link to the riaa members here

  357. Why this is a bad idea by Fraize · · Score: 3

    The RIAA already has a significant number of lawmakers in "panic-mode." They've freaked 'em out enough to believe that money is being lost hand-over fist, and even though the our sales don't appear to be suffering, our revenues could be MUCH HIGHER blah blah blah.

    So, what happens next? A bunch of us decide we're not going to buy CDs. What does the RIAA do?

    They jump up and scream, waving sheets of sales-data in the faces of those in the commerce-committee; "SEE! WE TOLD YOU! OUR SALES ARE DOWN! THAT'S NEVER HAPPENED BEFORE! BAD NAPSTER! BAD GNUTELLA! BAD NAPIGATOR! BAD SCOUR.COM!!"

    I don't think that any "Boycott the RIAA" movement will be considered "legitimate enough" to be taken seriously, but a thousand groups with insignificant impact individually makes a significant (or at least noticable) impact, and plays right into the RIAA's hands.

    Sen. McCain: "So, even though the 'Boycotttheriaa.org' site is boycotting the cds of the companies you represent, you say that the boycott is not part of your sales dip?"

    RIAA Stooge: "No. Well, not significant anyway. See, our research shows that Boycotttheriaa.org boycott only accounts for point-zero-zero-zero-two percent of our sales-dip."

    Sen. McCain: Golly! You're right! Send out the jack-booted thugs!

    --
    --Quidquid latine dictum sit, altum sonatur.
  358. We need this. by nharmon · · Score: 1

    The current Napster vs. RIAA legal battle encompasses EVERYTHING we hold true. The effects of the legal precedents set forth here, will determine the balance of power when it comes to intellectual property.

    Personally, I believe intellectual property is the right of recognition, and NOT the right of control. Information is non-susbsistance, so any attempt to control it in the same manner as other wordly objects goes against everything I believe in.

    The recommendations for the boycott can be found here.

    I think we are all well justified in our decisions to boycott the RIAA. We need to place a stranglehold on the RIAA.

    If we boycott the RIAA, they need to know! We can't have those filthy record producing animals, screaming about Napster having caused them to lose millions of dollars worth of records. Remember, the boycott is only for the Month of August. If you intend on buying a CD, wait until September 1st.

    Hopefully, with enough supporters, the RIAA will look closely at record sales between the month of August and the month of September. If this works, they will see a HUGE difference. And only if they know about the boycott, will they put two and two together.

    I understand not buying music is difficult. We all need to band together, and make our collective voices heard!

  359. RIP RIAA by Rocketboy · · Score: 1

    Hmm. to boycott or not, that is the question: whether 'tis nobler to voice a little innocent protest or just keep back and watch while free market forces inexorably crush this puny obstacle. Look, it's been pointed out before: this is nothing new. Technology is a one-way door; once released, it can't be forced back into the bottle. The technology base is out there: digital recording, distribution, content, motive. Napster's centralized servers were the only chance the RIAA had to participate in the future distribution of music. They shouldn't have sued Napster, they should have bought it and figured out how to charge for the files using Napster's unique choke point. Napster was version 1.0 in the new content distribution model. Version 2.0 is already out there: it is decentralized and unaccountable and killing version 1.0 just feeds the baby. Maybe Lars and his crew should get a medal for killing off a widely despised industry monolith: RIP RIAA, for better or for worse.

  360. What about those of us who are sharing LEGALLY? by shih-tzu · · Score: 1

    There is a forgotten group in all of this ... people who (like myself) share our OWN MUSICAL WORKS via the Napster system.

    We create music, we control the copyright, and we use Napster as a suppliment to our web site - a way to get our music into the ears of people who might be interested. Our web site is fine, and we get constant downloads - but Napster gives us more exposure.

    See - for bands like us, the important thing isn't to own 5 cars and a Malibu home. What counts is getting people to hear our music. As an added bonus, offering our music for free has probably led to more CD sales than an indie band with a very local stature would get otherwise.

    So what about us? Did the legal community take us into account? Does the RIAA care about people making music, or just record sales? Our copyrighted music is shared on Napster, and we want it to continue ...

  361. Oh really? by mpowell · · Score: 1

    That's what we should do, huh? Just like that? As easy as can be? Honestly, getting a few thousand die hard music fans to stop buying CD's is going to be a tad difficult. The same w/ the DJs and the millions of pop music fans.

    Yeah, Taco not buying CDs won't change much by itself, but hey, he probably knows that. Sometimes it is about principals. If I think what the music companies are doing is wrong, maybe I don't want to give them MY financial support. I'm not going to commit myself to a moral crusade against them, but I'm was never obligated to. I recognize that it won't mean a whole lot to them, but it might mean something to me.

  362. Re:Art Should Be Free? by John_Prophet · · Score: 1

    And it's not free, and shouldn't be free. If it were, who would do it? Not I. I'd like to take the high road and say that "art" should be free, but it can't be. SHOULD be, but can't.

    I agree with you, but there are a few other things that ought to be on the "SHOULD BE FREE" list:

    Food
    Clothing
    Shelter
    Medical Care

    If we (as a species) can manage to make those four things free for everyone, I'll stop selling my art/music. Until such a time, I will continue to eake out a living to the best of my ability, just like the rest of you.

    Can you imagine a world without art? Without music? Without architecture? If you aren't willing to live in such a world (and I know *I'm* not) then artists deserve to be paid to provide such a world for you.


    -The Reverend

    --
    -The Reverend (I am not a Nazi nor a Troll)
    =(.\')=
  363. Um, no it isn't by Randy+Rathbun · · Score: 2

    Each tape/minidisc/CDR-audio disc you buy has a built in tax which goes to RIAA members and lines the pockets of The Rolling Stones, Pink Floyd, The Who, Brittany Spears, etc. The small guys, like the late Muddy Waters as an example, never see a single red cent.

  364. Countersuit possible? by rjaninda · · Score: 1

    Well, if I have my facts straight, the RIAA is suing Napster for providing a vessel in which 'questionable' activities are taking place. Many have probably likened this to the search engines that provide links to 'questionable' material. My question is, "Why not counter-sue the RIAA for providing a vessel for 'questionable' activities?" When was the last time you heard a song where an artist threatens to kill someone, or even just slanders someone? There are laws that prevent this sort of activity (assualt, slander, etc..), so why can't the RIAA be held accountable for that?

  365. Boycott? by pb · · Score: 1

    I stopped buying CDs a long time ago; any CDs I get are gifts / from gift certificates.

    That's because I think they're overpriced; therefore, until they get cheaper, I couldn't care less. There's always the radio, and mass distribution of mp3's might serve to bring prices down as well. Someday.

    If you use Napster, or a peer-to-peer filesharing method, or whatever to download copyrighted music, there are two people liable: you, and the person at the other end. That's it. That's what peer-to-peer *means*! It is exactly the same as if I called you at your house on my modem, and you said "I've got this cool mp3", and I said "let me download it", and we spent 5 hours using XModem or something.

    And there's no way the RIAA is going to sue a significant percentage of their customers for this, especially when they're getting so much good media attention and good sales.

    Therefore, mp3's and file sharing are here to stay, and they'll have to deal with it.
    ---
    pb Reply or e-mail; don't vaguely moderate.

    --
    pb Reply or e-mail; don't vaguely moderate.
  366. Scott Rosenberg states the issue well by brundlefly · · Score: 1

    No offense to Mr. Taco, but Salon's Scott Rosenberg writes eloquently on the topic of the RIAA being doomed by peer-to-peer filesharing even as they proceed to defeat Napster. A worthy read.

  367. RIAA.COM attacked? by cfish · · Score: 1

    i can't get to RIAA.com .

    Here's what thier server spits out.

    Error Diagnostic Information

    Server busy or unable to fulfill request. The server is unable to fulfill your request due to extremely
    high traffic or an unexpected internal error. Please attempt your request again (if you are
    repeatedly unsuccessful you should notify the site administrator). (Location Code: 25)

  368. Re:CD-Rs and blank tapes by jackmama · · Score: 1

    They only get royalties on those CD-R's specifically marked for audio, I think, which explains why they're so much more expensive than others. Just load up on those 100-CD spindles for 60 and 70 bucks.

  369. Re: Takedown of IRC WAS Re:Do we need Napster? by KnobDicker · · Score: 1

    And OpenNap servers are just as easy to target for take down by the music industry goons as they get the IPs for them.

    I wonder if anyone has considered opening a Napigator/OpenNAP server on HavenCo/Sealand where the can know the IP addy of the server all they care, but can't do a damn thing about it...

  370. Niether Napster or the RIAA is correct by Dram · · Score: 1

    I believe Lars Ulrich is dead on in his thinking. He thinks that Napster is good, but if you dont want your music traded it shouldnt be. This ruling is going beyond even what he thinks should be done. Some sort of comprimize is in order. The courts do not have to rule in one direction or the other. They should say "RIAA, its not your music get you ugly face out of the way. Napster, if any artist of group ever comes to you and says, 'We dont want our music traded,' then stop alowing their songs to be traded and anybody that does you are to ban from your service." That should be the ruling.

  371. Cassandra and the multi-colored glasses by digitalhermit · · Score: 1

    Coca-Cola is water, sugar, CO2, some flavoring and some coloring. Without constant marketing many people would not but Coke. When Coca-Cola decided to save a little money by scaling back some of its advertising, it saw a decrease in sales. The lesson was that advertising, not taste, actually drove the sales of this soft drink.
    A similar thing occurs in the music industry. They spend millions promoting artists, none of which have any better talent than your neighborhand bands, and watch as millions buy their CDs. If you think about your favorite mainstream bands you may realize that many sound pathetic. "What were you thinking?" you might ask yourself (Who is this beautiful wife?).
    There was a time in high school and college when I listened to music not for their music, but because no one else listened to them. It's eerie to see people revering these plastic renditions of bands, and thinking that they are somehow rebellious, full of insight into teen angst and depression, or enlightened in some way. It's a marketing machine, folks.
    This is why it's easy to ban the RIAA. If you want an MP3 fix, browse over to pages that allow *artists* to play their music, not some middle-aged executive looking to cash in on the billions in allowances and fast-food minimum wages.

  372. Question? by Darkenole · · Score: 1

    I've not heard this explained. If the use of Napster is causing the recording industry to lose such massive amounts of money, how were they able to have over 8 billion dollars in increased revenues?

  373. Re:But how do I identify an RIAA CD? Look for logo by HP+LoveJet · · Score: 1

    Heh. I checked the labels on the five CDs I just got:

    Mojo, Ultra, Blue Lizard, Sub City, and Cleopatra.

    I'm guilt-free!

    --
    spawn_of_yog_sothoth
  374. Re:May I suggest - Other good indie labels: by Tom7 · · Score: 1

    A clueful AC responds:

    " Touch & Go
    Jade Tree
    K Records
    Kill RockStars
    Thrill Jockey
    Drag City
    Quarter Stick
    Sympathy for the Record Industry
    Tiger Style
    Made in Mexico

    Countless others.. I haven't bought an RIAA label member record in years.. There's better music out there, really. "

    I'll second Touch & Go, K, KRS, Thrill Jockey, and Drag City!

  375. what can I say? by CoughDropAddict · · Score: 2

    Fantastic.

    Perfect.

    This is exactly what I had in mind, and thanks for pointing me to it. My only comment is, why are you not batching the credit card transfers to help ease the overhead? Do you have plans to do this?

    (Why the hell isn't this moderated through the ceiling? Here's our chance to TRULY make a statement!)

    --

    1. Re:what can I say? by mgoyer · · Score: 1
      If you mean sending money to multiple artists on one transaction we are working on that. Should be up by the weekend.

      In terms of the actual cost of processing the transaction, once there is sufficient volume then the flat fee we charge will disappear.

      Keep the suggestions coming. Matt. - i know what you mean about the moderation! try submitting the story/idea to slashdot. we've tried but nothing yet.

  376. PLUS IT COULD BACKFIRE. by VValdo · · Score: 1

    The RIAA will look at the results of a boycott (fewer sales) and use it as an argument that mp3s are hurting their market.
    -------------------

    --
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    This is my SIG. There are many like it, but this one is mine.
  377. Micropayments by billcopc · · Score: 1

    I'm curious if the concept of micropayments has ever seriously and thoughtfully grazed the minds of the RIAA execs. If there were a safe and efficient method of paying a small "moderative" fee for each song downloaded (obviously not a buck each.. maybe something like 10-25 cents, maybe prorated by playing time), I would personally jump right in. I still purchase the occasional CD when I come across an artist I really like, but when it comes to singles, or hard-to-find imports, I give Napster a spin. Even if that UK Import unreleased Prodigy track cost me 25 cents, I'd be more than happy to add it to my tab. They have to keep it cheap, because obviously we're not getting any physical medium and the file itself might get deleted or corrupted. Paying another 25c for the single deleted tune is no big deal.. but having to pay another 15-20$ for a new CD because the old one is scratched, I just don't see myself doing that.

    So the essence of this post is amusingly simple : Napster's installed user base is impressive, why try to crush it when the RIAA could instead cash in on it, in a reasonable fashion. Of course the RIAA can hardly be described as "reasonable", a cartel isn't a cartel without having a financial reason to be (think price fixing), but if they'd just stick their heads on right, they'd quit throwing cash down the lawyers' trousers and start thinking constructively instead.

    --
    -Billco, Fnarg.com
  378. Re:That's not the damn point. by mcsnee · · Score: 1
    You're right. There is a standard of reasonableness. It should apply, though, to both sides. It's similarly unreasonable to be forced to pay between $12 and $20 for a cd that costs $.50 to manufacture. It is especially unreasonable for a band to expect people to pay that amount of money for an album which they haven't heard. And it is unreasonable in the extreme to decide that, because tool A can be used to do something illegal (something which hasn't even been proven to harm anyone at all, a fact the RIAA is conveniently forgetting in their holier-than-thou zeal), we should then ban all use of tool A.

    You're _personally_ allowed to think whatever the hell you want. So don't use Napster. Personally, I don't have any qualms about the way I use Napster.

    However, the problem is that some tinpot judge has decided for _everybody_ what is reasonable and what isn't. And the further problem is that she's just plain wrong.

  379. A Category of Questions by Nater · · Score: 1

    When I hear the question "Should peer-to-peer file sharing be legal or not on the Internet?" and "Should companies like Google and Yahoo be held legally responsible for the content that they index?" I start to ask all kinds of other questions in my head. I believe they fall into a common category, but I'm sure what to call it. Here are some:

    Q: Should telephone calls to Columbia be illegal?
    A: They're not illegal, and they shouldn't be illegal. A blanket law like this is not justified by the higher percentage of calls related to illegal trade.

    Q: Should the phone company be held responsible for listing the phone numbers of drug dealers and hitmen?
    A: They should not be, and are not. The phone company is only a party to business that takes place between itself and its customers, and not to business that takes place between its customers. Phone listings, like phone service itself, are provided universally without editorial control.

    Q: Should the used CD market be closed because it takes away revenue from new CD sales?
    A: The market is not and should not be closed. After a CD is purchased, its future resale and any revenue from it are not the domain of the record company.

    Q: Should the sale of fertilizer and other nitrates be banned in light of the Oklahoma City bombing?
    A: They have not and should not be banned. Fertilizer and other nitrates have numerous uses other than in explosives.

    So, back to the questions at hand.

    Q: Should peer-to-peer sharing be banned on the Internet?
    A: There are lots of peer-to-peer protocols, and so far only Napster is officially under attack. To make all peer-to-peer protocols illegal would seriously harm the users of established protocols like SMB, who may depend on it for business. Therefore a blanket law is unlikely. Here the answer to the question regarding fertilizer becomes pertinent. Such protocols have other uses. In cases like Napster and Gnutella, it's easy for people to ignore the fact that there are other uses because the first widespread use of these protocols was to avoid copyright laws. That is not the fault of the creators of the protocols and they should not be held responsible. One such use of Napster is for unsigned bands to put their music online in a place where lots of people can get it. Another problem with banning Napster in particular is the Napster, Inc does not place any material on the Napster network, nor do any of the shared files traverse their local network infrastructure. What Napster, Inc does is index what other people have shared. They do this without regard to the status of the files people are sharing. See the answer to the question about phone listings.

    Q: Should Yahoo and Google be responsible for the material they index?
    A: They are not and should not. See the answer to the question about phone listings.

    --

    I like to play children's songs in minor keys.
    "We're all sons of bitches now." --J. Robert Oppenheimer

  380. www.audiogalaxy.com by ZoSoZodiac · · Score: 1

    This is probably a wasted post since it will remain a 1, but anyway.... I have never used Napster. Neverwill. If they get shut down, I don't care. Boycott RIAA? I've been doing it for years. I can't remember the last time I bought a CD. If you look in my car you'll see 30 or 40 burned CD's laying all over the place. Napster didn't make me realize that the RIAA was ripping me and the artist off. I have 7000 mp3's. I got them all the same way: http:\\www.audiogalaxy.com Good'ol fashion FTP. Yea, you got yer ratios and yer busy sites and whatnot, but I can still get whatever I want. FTP sites will be around long after Napster and all the silly clones get banned. Whatever they do, I don't care. I still get all the music I want. Oh yea, I forgot to say. I'm a music pirate. Guilty as charged. I won't lie about it. Like I said, haven't bought a single CD since I got my burner. I been to more concerts in the last two years, I mean with all these new groups I'm discovering. I have seen that discussion here on /. and I won't bother to debate it again. Just telling you truthfully what I do. Boycott whatever you want. Bitch and moan until your face turns blue. It's pretty much a non-issue for me since I'm downloading some new Aphex Twin at the moment.

    --
    *You Said I Won't, I Said I Don't, But I Just Might*
  381. Alternatives... by TooTallFourThinking · · Score: 1
    The people spoke, or at least some of them, and through their actions, they've said a lot. The RIAA has also said much about how they have handled this whole situation. Turning a potientally profitable situations into something much worse.

    What I would have liked to have seen is the RIAA sit down with Napster and create a way to buy the CD's of the artists directly through the program or at the very least, through a hyperlink to a web site designed for that exact propuse. Would it stop everyone from illegally trading and burning their own CD's?

    &nbsp&nbsp&nbspNo.

    But it seems that this would have been very profitable because some people are willing to by the albums of the music they like (and download.) And the easier you make it for them, the more likely they're going to do it. (Of course, cheaper albums wouldn't hurt either.)

    But, I'm sure that there are other ways that the RIAA could have and maybe still can turn this into a win by working with and contributing with Napster.

  382. Why is everyone so mad? by Scr3wt4p3 · · Score: 1

    I really have no sympathy for Napster. They were about to make a big IPO. They are really no better than the RIAA. I prefer trading files via FTP and IRC. Screw that mainstream crap.

  383. Re:But how do I identify an RIAA CD? Look for logo by ragnar! · · Score: 1
    Here's a chain letter I sent to my friends

    This is my very first chain letter. Please send it to every one you know, who uses Napster.

    The music industry organization, RIAA, is suing Napster.

    RIAA has been awarded a preliminary injunction forcing the Napster network to be shut down, friday, July 28th, at midnight - for the duration of the trial, if not permanently.

    Many accounts have indicated music purchasing has increased because of Napster, possibly because it has generally spurred interest in music.

    If you want to show RIAA your disapproval of their heavy handed legal tactics...

    Do not purchase any of their members' products for the duration of the trial. The dominant members of RIAA areSony Music, EMI Recorded Music, Bertelsmann's BMG Entertainment, Time Warner's Warner Music and Seagram's Universal Music Group - which pretty much includes all music CDs, except those from obscure independent labels.

    Don't accept RIAA's (or Metallica's) labeling you as a 'criminal' for sharing or downloading MP3s. Napster's attorney cited a recent federal court case that decided some noncommercial copying of music is protected by law. That extends even to making a song available for thousands of random Net users to download.

    You're not doing anything wrong.

    Nothing gets a large corporation's attention faster than a sharp drop in sales.

  384. Re:Actually, it doesn't really support artists eit by pb · · Score: 1

    Heh; a while back, The Wah (I think it was Wah...) was being downright irrational about the whole mp3 / RIAA / Rosen thing, and trying very hard to get his essay and links posted on slashdot, so I got it posted to kuro5hin instead, and I think he kinda liked the place, too.

    ...anyhow, the point was, I think that article was linked there too, and in any case it's a great insider's view of the industry.

    Oh, and sorry about the Rabid Trolls, dude. That does suck. However, it'll take them a while to recover, since their accounts will probably take a beating from their moderation abuse.....
    ---
    pb Reply or e-mail; don't vaguely moderate.

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    pb Reply or e-mail; don't vaguely moderate.
  385. What To Do - How To Stick It To RIAA and the Judge by WillAffleck · · Score: 2

    OK, economics 101 (a.k.a. modern warfare):

    First, increase downloads of MP3. Why? Because it means that shutting down Napster didn't help, it made it worse. So, increase traffic to your favorite MP3 sites and only get your tunes there.

    Secondly, upload private data about the judge. Hey, think about it. He assumes he's above the law and inviolate for his actions, that he can intrude on your private legal actions. So, show him all the data you can find on him and pub it to the web. And, while you're at it, let's track down some dirt on Lar$.

    Thirdly, write some GPL. Ok, you should be doing that already. But, in this case, let's get something better than Napster, better than Gnutella, and pub it to the world. Then who gives a flying monkey about a US ruling - it's too darned late.

    Fourth, email all your US Senators and US Representatives and State Governors. Complain about this. Judges like to pretend that they're immune to politics, but they're not. They go to the same parties, they golf with these people, they look aside when the politicos fracture the law. Well, take the fight to them.

    Fifth, write a letter to the editor. Fax it in, with your name, address and phone number to your local newspapers. Or mail it snail mail. Build up a groundswell.

    Sixth, make up some cool slogans and print up t-shirts. Sell them or give them to your crowd. See if the local Net cafe will take some. Make the RIAA uncool - they hate that. Have them kicked out of all the VC parties, all the geek shows, and ridiculed.

    Then they'll pay attention.

    --
    Will in Seattle
  386. Re:Ok... by alecto · · Score: 1

    Look who's talking.