Slashdot Mirror


Filesharing Up 10% After RIAA Threatens Users

Moldy-Rutabaga writes "Technews says filesharing has gone up 10% on some sites such as Grokster since the Recording Industry Association of America's announcement on June 25 that it will start tracking down and suing users of file-sharing programs. Wayne Rosso, president of Grokster, commented 'even genocidal litigation can't stop file sharers'."

750 comments

  1. Anecdotal Evidence - not so good by afreniere · · Score: 5, Interesting

    I was speaking to a lay-person friend of mine last weekend, and he mentioned to me that he had heard about the threat of lawsuits, and decided to quickly install Bearshare, download all the songs he wanted and then uninstall it. Apparently at least some people are spooked.

    --
    G=C800:5
    1. Re:Anecdotal Evidence - not so good by Fletch · · Score: 4, Funny
      he had heard about the threat of lawsuits, and decided to quickly install Bearshare, download all the songs he wanted and then uninstall it.
      Was that before or after he ran out and bought all the lottery tickets he could afford, because he heard someone was going to win it?
    2. Re:Anecdotal Evidence - not so good by cervo · · Score: 5, Funny

      Actually the fact that hearing the threat of lawsuits he still decided to install Bearshare certainly says something about human psychology. If you tell a person that they cannot do something, they are almost certainly going to try to do it.

      It was true with Napster. I know I didn't care for it at first, but after hearing about the legal issues and such and that you were not supposed to be using napster suddenly I couldn't resist. And it is true that all the legal problems of Napster actually increased the user base.

      So Microsoft, whatever you do, do NOT fix all of the bugs in windows!!!

    3. Re:Anecdotal Evidence - not so good by AndroidCat · · Score: 5, Funny

      Okay, so he's installed Bearshare, he's downloading all the songs he wanted. Let us know when he finally uninstalls it, m'kay?

      --
      One line blog. I hear that they're called Twitters now.
    4. Re:Anecdotal Evidence - not so good by compwiz3688 · · Score: 4, Insightful

      Sounds just like the "Do not click on this link!" found on my prof's course webpage. (And yes, I did click on the link.)

      If you tell a person that they cannot do something, they are almost certainly going to try to do it.
      I think it might have something to do with "It's not gonna happen to me".

    5. Re:Anecdotal Evidence - not so good by Surak · · Score: 2, Funny

      I totally did NOT click on the link. I have no idea what it said...probably some mumbo jumbo about Adam and Eve and an Apple or something... I didn't know Macs existed in Biblical times. :)

      Again, I categorically deny ever clicking on the link.

    6. Re:Anecdotal Evidence - not so good by Anonymous Coward · · Score: 1, Interesting

      It was like this in my case.

      I never had heard of napster if it wasn't for the legal cases. And then those same cases told me you could also download movies with it and how.

      Now I'm a kazaa addict.

    7. Re:Anecdotal Evidence - not so good by macdaddy357 · · Score: 4, Insightful
      From the article: Weiss said he's also seen a surge of postings on Morpheus message boards from users who are ticked off at being in the RIAA's cross hairs. "People are just outraged at the actions of the recording industry," he said. "I've got people saying they want to organize groups to boycott buying CDs now."

      Some groups like that have been around for a long time, since the first "copy protected" CDs that won't play in a computer came out, such as Don't Buy CDs. and Boycott RIAA. An industry that presupposes that its customers are freeloaders and thieves doesn't deserve to have any customers.

      --
      How ya like dat?
    8. Re:Anecdotal Evidence - not so good by Jonavin · · Score: 5, Funny

      Is that the same as "Do not mod me +5 Funny" on slashdot?

    9. Re:Anecdotal Evidence - not so good by compwiz3688 · · Score: 1, Funny

      See? It's working already, although you should change it to "Do not mod me as funny". Maybe I should add that to my sig ;)

    10. Re:Anecdotal Evidence - not so good by M1FCJ · · Score: 1, Funny
      Reminds me of a login page on my old BBS board page where it told people to hit ALT-H (which was the disconnect command in many terminal apps). I never wanted to serve such idiots in any case... Also I had variants of an ANSI boot page (which resulted in many idiots believing OS/2 installing on their own PCs...)

      It was fun...

    11. Re:Anecdotal Evidence - not so good by geckofiend · · Score: 0, Offtopic

      Ummm if you're downloading music from a file sharing network you ARE a freeloader and a thief. There's no assumption about it.

      For crying out loud i'm so sick of this topic. If you don't want trouble from the big bad RIAA then for crying out loud STOP TRADING SONGS!! Otherwise quit your bitchin.

    12. Re:Anecdotal Evidence - not so good by Chiascuro · · Score: 5, Interesting

      Actually you are wrong. There are quite a few artists around who release music that can legally be shared and more than a few individuals who use the file sharing networks to publish their works and get some form of distribution. It's much easier to cut an MP3 and stick it on Kazaa than to get a record deal.

      --
      I am a bomb technician, if you see me running - try to keep up.
    13. Re:Anecdotal Evidence - not so good by geckofiend · · Score: 1, Informative

      #1 Those people have nothing to worry about from the RIAA.

      #2 I'd bet a weeks pay that those account for less than one percent of P2P downloads.

    14. Re:Anecdotal Evidence - not so good by Anonymous Coward · · Score: 1, Funny
      I was speaking to a lay-person friend of mine last weekend...

      What are you, a priest?

    15. Re:Anecdotal Evidence - not so good by compwiz3688 · · Score: 1, Funny

      Reminds me of a login page on my old BBS board page where it told people to hit ALT-H

      That also reminds me of an IRC command that experienced people tell to newbies: /join #2,000
      I don't know exactly how, but what it really does is leave all currently joined channel instead of joining that #2,000 channel.

      There are also things like "If you want to get [something, say Jeri Ryan's nude pics] type Alt-F4" or Alt-FAX. Funny as hell when people started leaving the channel or quitting the server when that message appears.

    16. Re:Anecdotal Evidence - not so good by mobets · · Score: 2, Interesting

      I've always heard this, even said it myself a few times, but I see a major flaw. The only practical way to find a song on the network is to have the name or the artist. Unknown artists arn't going to be found if no one knows who they are.

      --

      It was me, I did it, I moved your cheese
    17. Re:Anecdotal Evidence - not so good by NanoGator · · Score: 4, Interesting

      "Sounds just like the "Do not click on this link!" found on my prof's course webpage. (And yes, I did click on the link.)"

      His testing of his hypothesis is flawed. He claims that clicking that link has to do with people wanting to open every door and see everything that is concealed from them. Though his hypothesis may well be right and may even be true in a lot of cases, he's still getting polluted data. I didn't click on the link because it said "do not click on this link", I clicked on it because every time I've seen "do not click on this link" it was because somebody was trying to use reverse psychology to get more attention. Frankly, I wouldn't have clicked on it if had said "members only". I wouldn't have even cared, that that would have flown right in the fac eof his hypothesis.

      I'm not sure if I'm communicating my idea too clearly or not. So here's a test that I think would help filter out the noise: password protect the next page and watch how hard people try to figure out the password.

      Now, as for the RIAA (gotta drag myself back on topic here), I do not believe the growth is due in part to people feeling like they're 'bad-boys' about it. Rather, I believe it is a mixture of reasons. Two pop into mind. 1.) Lots of people flipping off the RIAA and saying "no, if you're going to be like this, then I'll hurt you in the way that I know best." and 2.) I better get what I can while I can.

      As for Napster's growth (I realize it was the parent poster and not you that said this), I think that had more to do with people being made aware of it than anything else.

      In any case, I'm a little off-topic. Sorry about that. The RIAA has been way off in understanding the psychology of its customers, and yes that includes file swappers too. Suing individual users will only cause music trading to evolve and resist. Sooner or later, it'll be impossible to know who's downloading what.

      The funny thing is that I think this movement can outlive the RIAA's abilities to sue it. I can't remebmer the last time I've thought that about the little guy.

      --
      "Derp de derp."
    18. Re:Anecdotal Evidence - not so good by TCM · · Score: 3, Informative

      No, that's not the only practical way. In fact, with the eDonkey network you can link from web sites "into" the p2p net using ed2k://|name|size|MD4 hash| links. If you click on it your already running eMule/mldonkey/whatever will pick up the info and start downloading if you've setup the whole thing properly.

      The artists could easily set up a web page and link to their work this way.

      Have you ever seen this site or this? I have never searched the eDonkey network using an eDonkey client, those "meta" pages are the way now.

      --
      Of course it runs NetBSD. BTC: 1NT7QvbetmANwaMzhpVL6
    19. Re:Anecdotal Evidence - not so good by PingPongBoy · · Score: 1

      bought all the lottery tickets he could afford

      For me that would be 2 tickets

      --
      Know your pads. One time pad: good for cryptography. Two timing pad: where to take your mistress.
    20. Re:Anecdotal Evidence - not so good by tychay · · Score: 1, Offtopic
      That also reminds me of an IRC command that experienced people tell to newbies: /join #2,000 I don't know exactly how, but what it really does is leave all currently joined channel instead of joining that #2,000 channel.

      That's easy. Your IRC client treats commas as a delimiter for multiple entries. So what you are doing is issuing a ":join #2" and then a ":join 0". 0 is a short cut for leaving all currently open channels (it's the channel you are join'd to when you first log in).

      There were a lot of those snide commands in the old days, most of them involved obscure shortcuts to an irc clients signoff commands: "/sign operator on"

    21. Re:Anecdotal Evidence - not so good by Anonymous Coward · · Score: 0


      It was true with Napster. I know I didn't care for it at first, but after hearing about the legal issues and such and that you were not supposed to be using napster suddenly I couldn't resist. And it is true that all the legal problems of Napster actually increased the user base.

      I'm not joking .. I had exactly the same experience and I now have around 2 Gigabytes of MP3s sitting on my hard disk... I don't even listen to them (95% of music is crap IMO) but I don't want to throw them away because, since RIAA (or watever) would go to such a trouble to warn people from downloading music, they must hold some value, no ??

      I know it's nonesense, but I think that RIAA's actions have artificially inflated the value of music files..

    22. Re:Anecdotal Evidence - not so good by Lectrik · · Score: 2, Interesting
      Sooner or later, it'll be impossible to know who's downloading what.


      That, I think, is the problem. I would like to know who is downloading potential evidence from me (although I can say I only share my creations and gutenburged texts). Perhaps if either party had complete anonimity it'd feel safer.
      I've heard some IRCops have been trolling recently and even that one of the servers kick-banned everyone to save it's users.
      --
      --- As to make my comment seem, by comparison, more intelegent... doodie doodie doodie poop poop poop!
    23. Re:Anecdotal Evidence - not so good by Drakonite · · Score: 2, Interesting
      I know it's nonesense, but I think that RIAA's actions have artificially inflated the value of music files.

      It's not just nonesense... The RIAA has monoplistic type control over pricing (although technically I think they would be classified as a cartel and not a monopoly...) so the price of CD's rising or falling is a direct consequence of the RIAA's decisions.

      However... As for the real "value" of music... IMHO the value of music (i.e. how much you would be willing to pay for the crap) is dropping substantially and we are working our way to a new business model for the music industry where acquiring music is free/near free and the money is made through other things (concerts, merchandice, etc.) and having a piece of crap song that goes top 10 won't cause a band to become instantly rich.

      --
      Shoot Pixels, Not People!
    24. Re:Anecdotal Evidence - not so good by Schart · · Score: 1

      I know I'll get modded down for this, but I think it's more like the opposite of:

      "I know I'll get modded down for this, but...

      That seems to work for most people...

    25. Re:Anecdotal Evidence - not so good by hesiod · · Score: 1

      > money is made through other things (concerts, merchandice, etc.)

      That's how the bands themselves make money. If the RIAA takes control over that, the "artists" will be slaves, as opposed to the indentured servants they are now.

    26. Re:Anecdotal Evidence - not so good by aldousd666 · · Score: 1

      the bands also get a percentage of album sales. That's where they make the real money. The shows each night are only (if you're dave matthews band) somewhere less than $50,000 / night. That doesn't all go to the bands themselves. most of it goes to the label and they only get a percentage of that too. The member of the band who actually wrote the songs actually gets a higher percentage (usually it's written into the contract that way) than the musicians (the drummer like me gets shit on no matter what.) even if they made 50,000 a night all for the band that would not at all make them the mega-millionaries that they are. they are relying on the percentage of CD sales. Where do you people get your information? Off the back of a Cheerios box?

      --
      Speak for yourself.
    27. Re:Anecdotal Evidence - not so good by jafac · · Score: 1

      Now, if you had said something like "do not click on this link" [goatse.cx], then I'm sure far more people would have clicked.

      --

      These are my friends, See how they glisten. See this one shine, how he smiles in the light.
    28. Re:Anecdotal Evidence - not so good by hesiod · · Score: 1

      > Where do you people get your information?

      From recording industry contracts, but mostly anecdotal evidence -- about how most bands owe money to the RIAA after making their first album (which I think is only a small part of the equation, but makes a point).

      (Junk Culture?)

    29. Re:Anecdotal Evidence - not so good by aldousd666 · · Score: 1
      You're partially right, it's a loan until you turn a profit. (And the first album isn't always enough to turn a profit) But the bands that would complain about people pirating their music are not in debt and are already turning a large profit. they're fueled by greed not the want of sustinence. bands under the line probably would want the free publicity that file sharing brings, since they don't see any money until after they go into the black. It would be more likely to draw people to their shows, and as long as the record labels make their money from ticket sales, it draws them closer to a profit.

      It goes like this:

      Band named "Full Duplex" gets a record deal

      Full duplex incorporates, so they are not financially tied (personally) to the band's success or failure.

      Lets say that Full Duplex members get a 13% cut of record sales.

      The label provides them with a $1,000,000 loan to cover the cost of recording the album, and promoting the tour, paying clear channel to spin the disc (not very often yet, until they turn a profit), paying the roadies and logistics companies to cart their asses around.

      They don't see a red cent until they net a profit for the label. So maybe they bring in 18,000 / night for the label on tour. They don't get anything yet. Just the basics like food and shelter.

      They sell records, bringing in about $5 / disc to the label. they don't get their 13% yet But since most of their album sales will be at their shows, they want to get people in the door.

      after 2 years of touring, shows, and spins they finally turn a profit, now they start to see some money from album sales.

      During the time they were waiting for a profit, pirated songs would encourage people to go to their shows. this gets them into the black, and they will better be able to profit from cd sales from now on, disc 2 is paid for by the band's corporation or the label, depending on how they signed. Either way, they now how money to work with, and complain that they aren't seeing their percentage.

      They aren't going to lose anything personally from pirating while they are in debt until they feed the hungry record industry enough to cover their sorry existence. In this way, pirating does not really affect a budding bands success.

      Record sales in the stores usually won't pick up until after they have profited, becasue until then, the reocord company doesn't push them with the broadcasters (or MTV) So, pirating contributes to show attendance for new bands, while only affecting profit turning bands personally.

      --
      Speak for yourself.
    30. Re:Anecdotal Evidence - not so good by JohnDoe69 · · Score: 0

      i dont think people take this seriously that somethng will happen it seems like a lot of empty threats until we see people getting caught...other then college kids...

    31. Re:Anecdotal Evidence - not so good by GraZZ · · Score: 1

      Too bad it wasn't a real link; I middle clicked on it in Mozilla, didn't get anywhere and promptly lost interest.

  2. Human nature by Erik+'Macint0sh'+J. · · Score: 2, Redundant

    Guess this just shows that sharing is a part of human nature even the RIAA can't stop no matter how much they want to.

    --

    /Erik Macint0sh Joergensen
    1. Re:Human nature by Anonymous Coward · · Score: 0

      If you think sharing is part of human nature, you've never had a brother or sister....

  3. Haha! by wonea · · Score: 0, Redundant

    They can't win!, things get faster and faster. Theres just too much traffic now, too many users. Sharing only a couple of songs. Can you prosecute them?

    1. Re:Haha! by trompete · · Score: 2, Interesting

      I'm mostly curious which network they will bring down first. There are a few major ones. I sure miss audiogalaxy!!!
      What do you think: EDonkey or Kazaa?

    2. Re:Haha! by squiggleslash · · Score: 3, Informative
      They're not going after networks any longer, just the most gratuitous servers (ie the users who have the most unauthorized content available.)

      This, ironically, is what many of Napster's defenders said they should be doing back when the RIAA was threating Napster instead.

      --
      You are not alone. This is not normal. None of this is normal.
    3. Re:Haha! by Anonymous Coward · · Score: 0

      Yes, they are now being slightly less evil. But they're still evil.

  4. How? by Tuffnut · · Score: 5, Interesting

    I'm just curious..

    How exactly do they go about finding these people? It's not like they openly give out their names on things like KaZaa?

    1. Re:How? by usotsuki · · Score: 5, Interesting

      They sue an IP address (no, I'm not kidding).

      -uso.

      --
      Dreams, dreams, don't doubt dreams, dreaming children's dreaming dreams. Sailor Moon SS
    2. Re:How? by Alien+Being · · Score: 4, Funny

      I can just see some poor bastard trying to serve papers to Heywood Jablome.

    3. Re:How? by gilesjuk · · Score: 5, Informative

      1. Initiate a download.
      2. Do a netstat.
      3. Write down IP address and date/time.
      4. Contact ISP and request user information after providing IP address.

    4. Re:How? by silas_moeckel · · Score: 2, Informative

      Get an IP address

      Look up Address with whois

      Send a letter tot he required contact field citing the DMCA demanding all the info for who was logged in on IP address at date/time

      Receive responce file suit to owner of the account. Or collect and wait you have time to file after all.

      It's a pretty straight forward the DCMA abusing the right to due proccess. Yea having to go to civil court to get a supena for the info wasent much harder but at least it was another step. Oh yea I can do this as I own copyrighted (just about everybody does) and just need to be reasonably sure of infringment with no oversite isnt it great you can look up people on IRC etc now?

      --
      No sir I dont like it.
    5. Re:How? by Anonymous Coward · · Score: 0

      So leechers are safe?

    6. Re:How? by gilesjuk · · Score: 2, Funny

      For the most part yes, unless they themselves share bogus music files and record who downloads them.

    7. Re:How? by jkeyes · · Score: 2, Interesting

      So leechers are safe?

      Yes for now except once they get done with the filetraders then I can see them starting after the leechers with download bots recording the IP addresses of leechers too.

    8. Re:How? by garrulous · · Score: 1

      Would using an anonymizing proxy server protect a downloader? Would the RIAA just go after whoever is supporting the proxies?

    9. Re:How? by angle_slam · · Score: 4, Insightful
      Yes for now except once they get done with the filetraders then I can see them starting after the leechers with download bots recording the IP addresses of leechers too.

      Once the filetraders are gone, the leechers will be also, because there will be nothing to leech off of.

    10. Re:How? by Anonymous Coward · · Score: 0

      I once new a guy that used that name for his dog, worked at Edwards. You that guy?

    11. Re:How? by C_To · · Score: 5, Interesting

      What happens if the invididual sharing the files in question is out of jurstidiction of the United States? As far as I know ISPs in Canada, Australia, England, won't give out user information without a court order. Since the DMCA or whatever law it is that allows the RIAA to get information from ISPs does not exist in these countries, these users don't have to worry (at least in theory).

      And even worse, what about those who have filenames that are similar but not exactly the same as commerical music? They're going to have to download every song they can to verify it, otherwise it will be tossed out of court (and on 56K, that can be hours if not days).

    12. Re:How? by Alien+Being · · Score: 2, Funny

      "...used that name for his dog..."

      That was my wife.

    13. Re:How? by Tingler · · Score: 5, Funny

      Time to install a wireless NIC card into my laptop. I can download some cool songs & send my neighbors up the river at the same time! Once they are all sent to prison, I'll get a much better parking spot next to my house.

    14. Re:How? by SpaghettiPattern · · Score: 1

      1. Initiate a download.
      .....


      You leave out the part with the legal proof. The plaintiff complaints and delivers itself the proof consisting of a log that could be compromised or made up.

      The judge probably will require more evidence. In a civilized country that is.

      IANAL, but you're probably slightly paranoia. Oh and in case of the stinking matter hitting the fan, communicate with them through a lawyer.

      --

      I hadn't the slightest objection to his spending his time planning massacres for the bourgeoisie... (P.G. Wodehouse)
    15. Re:How? by reallocate · · Score: 4, Insightful

      I don't think the RIAA is after every bloke who has ever downloaded an MP3. They're after people who are, in effect, wholesale providers. If they can successfully close down a few of those, they expect to see a ripple effect.

      People copying a few CD's here and there are probably just noise to them, akin to passing around cassette tapes not so many years ago. But, when someone starts distributing most of a company's catalog, that's a different matter.

      --
      -- Slashdot: When Public Access TV Says "No"
    16. Re:How? by Gta-Klue · · Score: 4, Funny
      1. Initiate a download.
      2. Do a netstat.
      3. Write down IP address and date/time.
      4. Contact ISP and request user information after providing IP address

      You forgot:
      5. Sue offending user
      6. ???
      7. PROFIT!


      ;) hehehe
      --
      This is PURE EAU DE TROLLETTE
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    17. Re:How? by amanpatelhotmail.com · · Score: 1

      I assume you write instructions to be followed by the RIAA associate. If she initiates an upload, isn't she comitting a crime too ?

    18. Re:How? by Anonymous Coward · · Score: 0
      Umm, that's just fsking stupid.

      If the companies go into it knowing that a likely outcome will be legal proceedings, they go to great lengths to meticulously document everything they do.

      they also know that if they were ever actually caught manipulating evidence, it would cost them billions.

    19. Re:How? by Arctic+Dragon · · Score: 3, Insightful

      I remember reading about how something like 90% of the content on P2P networks is provided by only 10% of the users (I don't remember the exact figures). Those people are certainly the RIAA's biggest targets.

    20. Re:How? by Blackknight · · Score: 1

      Downloading something is hardly proof of copyright infringement. What is the file just happens to have the same name as some artist they own, but it's a totally different band, or it's not even music.

      First they would have to prove that you intentionally shared the file, that the file came from you, and that the file is in fact copyrighted material, either through md5sums or actually listening to the file.

      And even if they do sue you, you can just claim that somebody hacked your computer.

    21. Re:How? by fredklein · · Score: 1

      And even if they do sue you, you can just claim that somebody hacked your computer.

      Exactly. So, everyone out there sharing files, be sure to put a copy of BO2K on your machine (passworded of course so no one can get in). Then if sued, claim some cracker compromised your box and shared those files.

    22. Re:How? by gilesjuk · · Score: 1

      Considering people have been sued for sharing their own music in MP3 format I would say they're not even checking. They're relying on the fact that legal action can be expensive and that some people will just settle.

    23. Re:How? by Anonymous Coward · · Score: 0

      "Help control the lamer population: Get SPAYED or NEUTERED!"

      This is Slashdot. We are socially neutered.

    24. Re:How? by millette · · Score: 1

      Another important question: where can we see some data one p2p usage? For different networks, etc. I tried to find something like the plots I have, but never found anything. And when I offered my data, over a years worth, I never got a reply.

      Is the simple answer that there is no demand for such information?

    25. Re:How? by koko775 · · Score: 5, Interesting

      Get Peerguardian (windows program). It blocks IPs from RIAA, MPAA, and other IP ranges. It might not totally solve it, but I find that without fail, my IP is checked day after day, several times, by either or both the RIAA and the MPAA. I feel violated.

    26. Re:How? by Lord_Dweomer · · Score: 1
      "I don't think the RIAA is after every bloke who has ever downloaded an MP3. "

      Correct, in fact, right now I believe they're just going after the people who share. Their logic being that if you cut off the source of the songs, nobody will have anything to download.

      Although I can imagine them doing something similar to catch people who download simply by offering up a song which they have the copyright for, and going after anybody who downloads it. But the question we need to ask then is...is that legal? Is that entrapment?

      --
      Buy Steampunk Clothing Online!
    27. Re:How? by Anonymous Coward · · Score: 0

      >Time to install a wireless NIC card into my laptop.

      While your downloading them, listen to some FM modulation. After you get it burn it so you can listen to it in the CD disc player...

      welcome to the department of redundancy department ;-).

      -sorry, pet peve...

    28. Re:How? by reallocate · · Score: 1

      I suspect it is perfectly legal to "go after" a single individual for a single instance of copyright infringement.

      Is it prudent? Is it an effective way to stop what the RIAA views as wholesale theft of their members' products? No.

      However, it seems to me that successfully bringing suit against a few poeple who are warehousing thousands of titles and offering them up on the net will, quite likely, have the RIAA's intended effect.

      Nor do I expect to see much court intervention, beyond, perhaps, reducing the amount of the damages due the RIAA when it wins a suit. I've had several occasions to deal with copyright law and lawyers re: the issue of copying and distribution, and I can think of no way that the law is on the side of the filesharers.

      --
      -- Slashdot: When Public Access TV Says "No"
    29. Re:How? by InfiniteWisdom · · Score: 1

      Does that amount to entrapment? Any lawers out there???

    30. Re:How? by Lord_Dweomer · · Score: 1
      "I suspect it is perfectly legal to "go after" a single individual for a single instance of copyright infringement."

      I believe it is legal to do that too, however the METHOD in which they find out if they're infringing or not is the one I'm concerned about. I wonder if there are legal restrictions of the sort police have concerning entrapment.

      --
      Buy Steampunk Clothing Online!
    31. Re:How? by silas_moeckel · · Score: 1

      Assuming the Proxy is in a country the US can touch legaly they will have the same issues as the ISP. Also remember were talking about a LOT of data being moved here thats a lot harder to proxy than some web transactions. One of the bad things about the DCMA is it's pretty much carte blanche to just send a letter fishing to the first person you have evidence to they either give up the info of they get sued. Just wait till IP6 with multicast and they you can have real anonimity as a file server it can be made very hard to trace and can easy traverse countries that are legal firewalls.

      --
      No sir I dont like it.
    32. Re:How? by Chess_the_cat · · Score: 0

      Not if the file is a dummy.

      --
      Support the First Amendment. Read at -1
    33. Re:How? by AstroDrabb · · Score: 1

      Do you have that list of IP's or ranges? We could make up some IPTables rules to block the RIAA/MPAA for *nix users.

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
    34. Re:How? by reallocate · · Score: 1

      Oh. You are, I think, suggesting that the RIAA needs to ante up a special file in order to identify a filesharer.

      I believe that all they need to do is to download one of the filesharer's files and then use commonly available software to identify the IP of the server hosting the file. Once they have that IP (which will take only a few seconds), they can use public records to identify the registrar of the IP. In almost every case, this will be an ISP, from whom they can acquire the identity of the responsible individual (at least in the U.S.)

      In other words, no entrapment. The Internet is a public place.

      --
      -- Slashdot: When Public Access TV Says "No"
    35. Re:How? by Fallen_Knight · · Score: 1

      You know i'm wondering How the hell do they prove that its your IP, or that your the one shareing, i mean how easy is it to connect a IP -> NAME. If you running a huge server on a T3 yea, i can see that, but if its just a cable modem or even dialup! How do they get the name? And what about firewalls/ routers?? one IP could belong to many diffrent people.

      So how do they PROVE that you were the one who had that IP at that time. I mean if i got a letter in the mail saying "we are sueing you for so and so" i'd just

      a) remove all piratied software onto a spare HD and hide/give to friend to hold untill its all over

      b) maybe borrow a ton of CDs from a few friends

      c) argue 1 of 1 things.
      1) That i never file shared, i never put thoses sogns up for shareing, that they must have done their research wronge, and HOW can they tie me to an IP, or that I was the one doing the shareing (computers are multiuser/could be NATed) and it must have been someone else.

      2) That i own the sogns i ripped, claim their are mine(i own the CDs) so i have the right to rip the sogns, and some of the sogns i was shareing where on CDs i used to own but where stolen/lost/ect. And i didn't tell the software to share them! i'm bad with computers! what do you mean it was automaticly shareing my stuff! I just wanted to get some sogns from CDs that i've lost!

      And yea lawyers are expensive, but if 1 person fights this i can see it failing pretty fast due to how bloody hard it'll be to prove this. Or a class action lawsuit agiast the RIAA for something or other.

      I'd just represent myself and hope the judge throws it out based on no evidence its me.

    36. Re:How? by s4f · · Score: 1

      I think it's time to get ISP's to take a cue from how many libraries are fighting the PATRIOT act.

      In libraries, they're purging any logs of who borrowed what books after they've been returned, and purging their browser histories as soon as they can after use.

      You can't give the Feds what doesn't exist.

      We need to find some ISP's that run with minimal, or no router/firewall/DHCP logging, and don't keep track of who's using what IP address when. If you're on a Fixed IP address it would then be smart to use DHCP for occasions when you might not want people to track you.

    37. Re:How? by comcn · · Score: 4, Informative

      Looks like they can be found here (in both HTML and "plain" text).

    38. Re:How? by dknj · · Score: 1

      the fact that they connect to your machine to download the song is all they need. you shared songs. They have a snapshot of the files you shared along with a file or two or three that they received from your computer. They then sue you (or your parents or your roommate, whoever the isp has as the customer). Ignorance is no excuse for not learning the law.

      -dk

    39. Re:How? by Anonymous Coward · · Score: 0

      If I was the judge, I'd throw your illiterate ass out for contempt of court.

    40. Re:How? by Snaller · · Score: 1

      5. Prove that they have done something wrong... no wait.. the RIAA doesn't have to do that, they are above the law. Cool.

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    41. Re:How? by Anonymous Coward · · Score: 0

      The problem is, they will go after anyone that even shares the music that They THEMSELVES produced, and it may well in the RIAAs legal boundfries to do so "and if it isn't, then they will buy them in legal fees"

    42. Re:How? by shepd · · Score: 4, Insightful

      >They have a snapshot of the files you shared along with a file or two or three that they received from your computer. They then sue you (or your parents or your roommate, whoever the isp has as the customer)

      If easily fabricated evidence such as this can get someone in jail, how come I can't just say "Person x shot at me with a gun -- sorry, the finger prints have been wiped off and the room where he shot me demolished".

      Seems to me a judge would need more than a screenshot and some pirate files coming from the accuser to blame you. Otherwise, this could make a very good insurance scandal: "Yeah, he stole the cash from the safe! See, I'm missing it! And I have his name and address! That should be enough! Now gimme my money!"

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
    43. Re:How? by skywire · · Score: 0, Flamebait

      Tell that to all the poor schmucks who have been kidnapped by the US and brought back to stand trial on various federal charges. They are not US citizens, and were neither in the US nor on a US vessel on the high seas. Thus they could not possibly be subject to US laws, if national sovereigny means anything. But the US has simply declared that when it feels that anyone's acts outside the US affect the US or its citizens (which of course could mean anyone doing anything anywhere on the planet), they are subject to US law. And the political hacks on the US Supreme Court has upheld the practise. So the DMCA does in fact apply to every human being in the universe.

      --
      Those who would give up essential liberty to purchase a little temporary safety, deserve neither liberty nor safety.
    44. Re:How? by commodoresloat · · Score: 1

      If they have independent confirmation from your ISP's logs, that's all the "smoking gun" they need. If it's just the RIAA's logs, of course, but there's no doubt they will take steps to independently verify that you were sharing files.

    45. Re:How? by Anonymous Coward · · Score: 0

      No, but in the UK at least the act of downloading them isn't what's illegal; it's the act of serving them.

    46. Re:How? by gilesjuk · · Score: 1

      Then they're barking up the wrong tree, there's plenty of bootleg CDs being sold at markets near me. People lap them up and pay £5 for 4 albums, it's these scumbags who need arresting since they're profitting from piracy.

    47. Re:How? by mousse-man · · Score: 1

      Not here, mon ami.

      Almost everything is firewalled off and proxied, so filesharing doesn't work, especially since the whole WLAN I have open for public use here isn't running on publicly routable IPs.

      And even if WEP sucks for security, RADIUS does much less.

    48. Re:How? by Anonymous Coward · · Score: 0

      WARNING: You are broadcasting an Internet IP.

    49. Re:How? by Anonymous Coward · · Score: 1, Funny

      But how will you get to the RIAA's website?

      Oh that's right, it's never up anyway.

    50. Re:How? by User8201 · · Score: 2, Interesting

      What about all the people that use proxies to share files like spammers use?

      Lots of cafe's have open proxies (or you can set one up there, yourself), I think.

    51. Re:How? by dbc001 · · Score: 2, Funny

      To: RIAA Legal Team

      Re: The Letter you sent

      Dear Sirs:
      I received the letter you sent regarding alleged copyright violations on my computer. I have taken my computer in to a technician to be checked, as I believe that my computer may have been "hacked", as I was unaware of any such files residing on my computer. I will be glad to forward contact information for the technician that I sent my computer to so that you can verify that no such activity has taken place. Feel free to contact me by phone at (XXX) XXX-XXXX if you have further questions.

      Sincerely,

      Xxxxxxxxxxx Xxxxxxxxxx

    52. Re:How? by ethanms · · Score: 1

      Otherwise, this could make a very good insurance scandal: "Yeah, he stole the cash from the safe! See, I'm missing it! And I have his name and address! That should be enough! Now gimme my money!"

      Except they can barely prove they're missing any money...

      We all need to keep a close eye on this and come down hard on the RIAA if they do target individual "regular joe" users because it can not be tolerated. Just remember, it could be you next.

      I saw a plaque in the holocaust museum in DC... I can't remember by who or the exact words but it was something like this:

      "When they came for the blacks I did not help them... when they came for the gays I did not help them... when they came for the jews I did not help them... finally when they came for me, there was no to help me"

    53. Re:How? by shepd · · Score: 1

      >"When they came for the blacks I did not help them... when they came for the gays I did not help them... when they came for the jews I did not help them... finally when they came for me, there was no to help me"

      It was Martin Niemoller. I have a poster with that written on it somewhere...

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
    54. Re:How? by ethanms · · Score: 2, Insightful

      I knew it would only be a matter of minutes before someone came up with a name and the actual quote.

      The essence of it is very powerful (even if I didn't remember the exact wording).

      I don't like the idea of people "stealing" music, and personally find it to be a pain in the ass to find decent tracks, so I usually end up on iTunes or just go buy the CD... but I also don't like the idea that some poor shmoe is out there trying to defend her/himself against legal action from the RIAA because s/he downloaded some songs. His/her life gets wrecked because s/he has to fork over thousands in legal fees, spend days in court, loses his/her job, house, car, whatever...

    55. Re:How? by andreMA · · Score: 1
      I suspect it is perfectly legal to "go after" a single individual for a single instance of copyright infringement.
      I don't doubt that it's "legal" to go after such people ...but as you say it's likely imprudent. For a different reason, though: they run the risk of alienating customers who have actually purchased a CD with the tracks in question and are downloading it in (arguable) exercise of their fair use rights. Perhaps they would do this either because the media was damaged or they simply are too lazy or ill-equipped to rip it to MP3 themselves. Either way, threatening your law-abiding customers with huge fines and legal action isn't very intelligent.

      Oops, I forgot we're talking about the RIAA here.

    56. Re:How? by Fallen_Knight · · Score: 1

      Most poeple don't "copyright infringe" (its not steal)

      They just use it as a way to sample stuff thats not played on the radio and see what they would like to buy.

      There are some who just downlaod and never buy any CDs, but then i know someone like that and even without P2P he would never buy a CD. And hes donwload stuff and then pointed me at the band who witch me and others then baught, so even thou he didn't buy a CD, because he sampled a track, liked it, told others, the RIAA and artists made money in the end,

    57. Re:How? by ToadMan8 · · Score: 1

      1. Initiate a download.
      2. Do a netstat.
      3. Write down IP address and date/time.
      4. Contact ISP and request user information after providing IP address.


      You forgot:
      5. $$$$$
      ;)

      --
      I haven't posted in so long, my sig is out of date.
    58. Re:How? by TopShelf · · Score: 1

      Actually, wasn't there a case of this recently in Europe, where a guy was found with kiddie porn on his computer and it had actually been placed there via a trojan? Any karma whores out there care to find the /. article (sometime in the last few months)?

      --
      Stop by my site where I write about ERP systems & more
    59. Re:How? by ogre2112 · · Score: 1

      We need a slashdot poll asking whether or not you think the guy that wrote the parent to this reply would win or lose in court based on the fact that he wants to represent himself in court if sued.

    60. Re:How? by Fallen_Knight · · Score: 1

      LOL how do you know i'm not a lawyer=P or a law student!?

    61. Re:How? by flogger · · Score: 1

      What about all of those IP's that point to Public Proxies? How many of them keep records of people? Hell, for that matter, how many public proxies, even know that they are public? Isn;t there a way to route Kazaa/bearshare/winmx etc through a proxy?

      --
      ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
      "First things first -- but not necessarily in that order"
      -- The Doctor, "Doctor
    62. Re:How? by Lord_Dweomer · · Score: 1
      " Oh. You are, I think, suggesting that the RIAA needs to ante up a special file in order to identify a filesharer. I believe that all they need to do is to download one of the filesharer's files and then use commonly available software to identify the IP of the server hosting the file. "

      Wrong, I am asking how they will nab people who are solely downloaders and do not share. Trust me, there are plenty of leeches out there, and I'm wondering how they will go after them, and if its legal for them to offer up a music file for download on a P2P service, and then bust anybody who tries to download it, saying "This work is copyrighted, we pWn uR 455".

      --
      Buy Steampunk Clothing Online!
    63. Re:How? by Anonymous Coward · · Score: 0

      Actually, my ISP sent an e-mail regarding my personal details to the MPAA ( telus.net )

    64. Re:How? by spiny · · Score: 1

      http://www.theregister.co.uk/content/archive/30385 .html

      --

      Fry: heh, Yakov Smirnoff said it
      Leela: No he didn't.
    65. Re:How? by ATMAvatar · · Score: 1

      And even worse, what about those who have filenames that are similar but not exactly the same as commerical music?

      The RIAA isn't even looking for names corresponding to commercial music. My brother has already gotten cease and desist letters for sharing his band's music. I have doubts the RIAA does anything but a simple search for *.mp3

      --
      "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety."
    66. Re:How? by Lectrik · · Score: 1
      Although I can imagine them doing something similar to catch people who download simply by offering up a song which they have the copyright for, and going after anybody who downloads it. But the question we need to ask then is...is that legal? Is that entrapment?


      Wait for it... If the holder of a copyright shares the work, downloading it would be most legal.
      It's like a jewelrey store sticking a large crate of diamonds (in the riaa's case it'd be mostly coal or just rotting biomass(pre-coal)) out in front of the store with a sign that says "Take one"

      probably not the best possible examply, but I haven't had time to sleep in a few days, so (don't) sue me
      --
      --- As to make my comment seem, by comparison, more intelegent... doodie doodie doodie poop poop poop!
    67. Re:How? by reallocate · · Score: 1

      Well, I doubt that they'll go after ordinary downloaders. After all, there'd be nothing to download if other people weren't hosting it. It's the big-time hosters the RIAA is after. Start closing them down and, they expect, the small-time hosters will get the message.

      Bringing suit against Sammy CollegeKid because he grabbed 3 MP3's isn't cost effective.

      In the end, I expect the entertainment industry will figure out how to manufacture digital products that can't be copied without authorization. It'll be ugly, but it'll happen.

      As for entrapment, my guess is no, it wouldn't be. Everything is under copyright as soon as it is created, at least in the U.S.

      --
      -- Slashdot: When Public Access TV Says "No"
    68. Re:How? by Anonymous Coward · · Score: 0

      A couple of my fraternity brothers started using that name for when they needed an address to send junk mail to. You'd be surprised how many colleges are now interesterested in a Mr. Heywood Jablowme... He's also received several pre-approved credit card offers and an application for work for Vector Communications. :-)

    69. Re:How? by hesiod · · Score: 1

      > contempt of court.

      On what grounds? Or are you just being an ass? Or maybe you're just stupid. Probably the last.

    70. Re:How? by hesiod · · Score: 1

      > they will go after anyone that even shares the music that They THEMSELVES produced

      Give me one reason to not assume you are either lieing or trolling? They have not gone after anyone who produces their own music, nor has any such music been listed as evidence in any RIAA case. And it isn't in their "legal boundaries" to do so. A few seconds of thought will show that.

    71. Re:How? by hesiod · · Score: 1

      > If she initiates an upload, isn't she comitting a crime too

      Nope, the RIAA hods the copyright and is allowed to download the files they already "own."

    72. Re:How? by JimFromJersey · · Score: 1

      That's why this is civil law and not criminal law. It is easier to convince a jury when the threshold is a "preponderance of evidence" versus "beyond a shadow of a doubt".

      --
      between the greater and lesser infinities sleep the dreams undreamt
    73. Re:How? by hesiod · · Score: 1

      > Just wait till IP6 with multicast and they you can have real anonimity

      Maybe that's why it's moving so slowly. Is it possible the RIAA have bought legislation to slow down the Evil Internet?

    74. Re:How? by dknj · · Score: 1

      except how do you justify that you had a trojan on your computer and never knew it was there when you are a computer expert yourself

    75. Re:How? by silas_moeckel · · Score: 1

      No it's taking that long because Mulicast is imposible to get paid for in todays pricing structures. Thik of it this way I get a DSL connections with 128k up pretty sandard pay 40 bucks a month for it. OK now comes IPv6 multicast is REQUIRED to work so I can send a file at 128k all day to as many people wanted to retreive it and loop the file so it never ends in case you started late. Now remember this 128k up is using 128k a sec at each active endpoint of the ISP for many single homed ISP's this wont matter but for multihomed ones it will you could potentialy suck up many times that bandwith in peering connections potentialy statement bandwith. It's not the RIAA slowing things down it's the ISP's that cant figure out how to bill yet.

      --
      No sir I dont like it.
    76. Re:How? by ichimunki · · Score: 1

      It's not entrapment. It's deceptive. It's pointless. And furthermore, if you downloaded a bogus file from the RIAA, you wouldn't have committed a crime, so you can't really be sued or prosecuted for anything.

      Entrapment is when a law enforcement agency gets someone to commit a crime they would not have otherwise committed. Someone downloading a file from a random stranger over the internet is already predisposed to downloading files. And downloading files may not be a crime in the first place (it would be the uploading or offering the files that is clearly illegal).

      --
      I do not have a signature
    77. Re:How? by skywire · · Score: 1

      The moderator may have been shocked at the admittedly amazing facts alleged by this poster with some formal education in international law, and so think that they just couldn't be true. But that does not justify his misuse of 'Flamebait'. Here is the definition of Flamebait in the FAQ:

      Flamebait -- Flamebait refers to comments whose sole purpose is to insult and enrage. If someone is not-so-subtly picking a fight (racial insults are a dead giveaway), it's Flamebait.

      --
      Those who would give up essential liberty to purchase a little temporary safety, deserve neither liberty nor safety.
    78. Re:How? by Anonymous Coward · · Score: 0

      I would like to point out that the IP list that comes with PeerGuardian is rather tiny. Make sure you search around their webpage for extra IP ranges to add to the default. They have a voting/user submit system going on, and it seems to work pretty well.

      On the other extreme, I've seen webpages recommend blocking both Asia and Latin America completely. I suppose there is a tiny nugget of statistical merit there, but can we say xenophobia?

    79. Re:How? by malfunct · · Score: 1

      Anyone know the technicalities for sharing a cover song? I know there are specific rules but I'm not sure where to find them. I'm sort of surprised I haven't gotten any cease and desist letters for the cover songs I have on my site (other than the fact they are such low quality I doubt the RIAA would worry about anyone downloading them let alone confusing them for the original).

      --

      "You can now flame me, I am full of love,"

    80. Re:How? by malfunct · · Score: 1
      But if they freely offer it for upload on a public network like that, would they actually have a right to sue someone for accepting it? It seems like if they provide the files on a free network they are in effect saying we aren't asking anyone to pay for these. To come back later and impose some sort of contract or liability on the person that downloaded it seems sort of wrong somehow.

      That said, the RIAA is going after people that share out the songs, which is a FAR more clear cut case. They get a list of your songs, make sure that at least a few of them are truely illegal songs, and bam you are in trouble. Chances are they will monitor the size of the share regularily to show a pattern of illegal behavior to strengthen thier case.

      --

      "You can now flame me, I am full of love,"

    81. Re:How? by Anonymous Coward · · Score: 0

      Probably sue the proxy owners as an instrument by proxy of "stealing" files unless they can provide logfile documentation of IP connections on the proxy to filesharing organisations.

      But then that would be silly.

      PrImED.

    82. Re:How? by hesiod · · Score: 1

      > would they actually have a right to sue someone for accepting it?

      Okay, if they are offering the file themselves, as the copyright holder, anyone that downloads it from them would technically be receiving a legal version of it. They couldn't later try to charge for the music already downloaded -- to require payment for something after-the-fact would require a preexisting contract or legal action, which should fail if this were to actually happen.

      Of course, this doesn't mean they can't sue you for OTHER songs you downloaded from other people. Because really, if you are downloading one song from the RIAA and you don't know it, you probably have already downloaded songs from others.

      But yes, going after the large sharers is a lot easier.

  5. Effect due to... by drquizas · · Score: 5, Funny

    96% or so (+/- a couple due to frequency distribution) of file-swapping system users realizing that their last names do not start with 'A'

    1. Re:Effect due to... by Anonymous Coward · · Score: 0

      w00t! Download time! I'm all the way at the other end of the alphabet. :)

    2. Re:Effect due to... by Anonymous Coward · · Score: 0

      But what if they know that... and they decided to start at the end of the alphabet instead... kinda makes you think...

  6. Legal department did a good marketing job by Anonymous Coward · · Score: 0

    More and more people are getting interested in file sharing now? Those lawyers should get a job in marketing... ;-)

  7. my parents are spooked... by wo1verin3 · · Score: 5, Funny

    they decided to print out the article and come have a serious talk, and how I should realize filesharing is wrong.

    you know when your non-technical parents get it on the action, one of two things:

    1) my parents are androids from the future sent by the evil RIAA
    2) this is more of a marketing campaign then anything...

    VISIT http://www.napsterbits.com for the hillarious adventures of the napster kittyhead!

    1. Re:my parents are spooked... by AndroidCat · · Score: 1

      If #1, then you're already dead and an evil android is perfectly imitating your typing style. (Fiendishly clever, these evil androids!)

      --
      One line blog. I hear that they're called Twitters now.
    2. Re:my parents are spooked... by tinrobot · · Score: 5, Insightful

      Your parents have a lot more to lose, like their house. If you get caught while using their internet connection, they're the ones who are going to pay the price.

      It is marketing, but the RIAA knows the people who scare easiest are the ones with the most to lose.

      Eighteen year old kids can afford to lose their life savings, because they can get it back in a week or two.

    3. Re:my parents are spooked... by wo1verin3 · · Score: 1

      No I don't even live with them, it was just an idea of what the marketing has done. I haven't touched p2p since the grand 'ol days of Napster. These are the same people who thought Y2K was going to destroy the world and that the lovebug was going to end life as we know it.

    4. Re:my parents are spooked... by tinrobot · · Score: 1

      Don't live with them?

      Then share till your hard disk turns blue, baby!

    5. Re:my parents are spooked... by Anonymous Coward · · Score: 0

      Eighteen year old kids can afford to lose their life savings, because they can get it back in a week or two.

      no, i don't think i can manage to go that much deep in debt in a week or two...again. give me at least a month, will you?

    6. Re:my parents are spooked... by Anonymous Coward · · Score: 0

      if you are a minor, the RIAA will just take your parent's money. good job.

    7. Re:my parents are spooked... by Anonymous Coward · · Score: 0

      Well, in that case no one should drive a car. You've got everything to loose.

    8. Re:my parents are spooked... by Anonymous Coward · · Score: 0

      You mean "lose". "LOSE" dammit! Gggwwwarrrggghh!

    9. Re:my parents are spooked... by craigtay · · Score: 1

      To bad instead of scaring you, you probably will tell all your friends. All these law suits do is piss people off (which makes people want to download more) and create more publicity.. remember Napster? I bet if all those people (Metallica, for example) hadn't stepped in and made a big deal of it, that regular folk wouldn't know that much about it.

    10. Re:my parents are spooked... by razorweb · · Score: 1

      what makes you so sure? Sounds like you are talking out of your ass. please don't talk bullshit, becuase every time you do, god kills a kitten.

    11. Re:my parents are spooked... by Snaller · · Score: 1

      But you told them they had nothing to worry about and that you always use Filetopia when file sharing with others?

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    12. Re:my parents are spooked... by Anonymous Coward · · Score: 0

      And you mean "damnit"!

    13. Re:my parents are spooked... by isomeme · · Score: 1

      The thing is, your parents are right. File "sharing" is wrong. It's the RIAA's intellectual property, and they can decide how it's used. If you don't like it, make some music of your own and give it away. Don't steal from other people.

      --
      When all you have is a hammer, everything looks like a skull.
    14. Re:my parents are spooked... by jwilcox154 · · Score: 1

      Yeah, make your own music, give it away on kazaa or gnutella, and still get sued by the RIAA because to them, how do they know whether or not it's Copyrighted music. Remember, the RIAA doesn't want any competition.

    15. Re:my parents are spooked... by Anonymous Coward · · Score: 0

      Didn't you know? Talking out of your ass == +5 Insightful on Slashdot.

    16. Re:my parents are spooked... by shivianzealot · · Score: 1

      they decided to print out the article and come have a serious talk, and how I should realize filesharing is wrong.

      Some of use are curious to know what happened This is, as best as I can estimate, EXACTLY one of the effects the RIAA is going for. Your anecdotal account has a lot of relevence to this discussion.

      --

      Bored with karma, be a fan/freak

    17. Re:my parents are spooked... by ethanms · · Score: 1

      they don't have to win a lawsuit or even get you to trial... the cost of getting it thrown out will be in the thousands...

      Hopefully a few people will win hefty counter suits and make it counter-profit-productive for the RIAA to bring up these stupid lawsuits.

      Just visited my sister and she had me uninstall Kazaa from my nephew's computer because she's worried about... like he won't turn around and re-install 7 minutes later.

    18. Re:my parents are spooked... by hesiod · · Score: 1

      > Talking out of your ass == +5 Insightful

      That's not true! When I talk out of my ass I stay at 1. When I say something useful, It gets -2. If you say something the General public agrees with and already knows, then you get either +1 insightful, or -1 flamebait, depending on the PC/OS/political/etc choice of the moderator. But since my views aren't popular I don't get to moderate any more! Not that I care, actually, it's just more work to do (although I'd do it anyway, 'cuz it made me feel warm, fuzzy, & special the one time I did it 4 years ago).

  8. They need to study psychology not criminology by gilesjuk · · Score: 5, Insightful

    They're considering suing normal people, people who for the most part don't shoplift, don't deal drugs, don't kill people etc..

    You need to understand your market if you are to sell your product to it. With the Internet the market has changed, selling a song to the 'net generation is a lot more complex than a flashy video and radio play. This is the X factor that the recording industry hasn't really bothered to look into and I find it very interesting that one of the most successful online music sites is part of a computer company (Apple).

    In summary the record labels need to send their marketing and product development guys off to college, study the success of e-commerce and redesign their business model cus CD is after all only a storage medium.

    1. Re:They need to study psychology not criminology by BiggerIsBetter · · Score: 1

      This is the X factor that the recording industry hasn't really bothered to look into and I find it very interesting that one of the most successful online music sites is part of a computer company (Apple).

      If I was a betting man, I would wager that something similar comes built into the next version of Windows or maybe even Windows Media Player*.

      *I don't use Windows so it could already be there and I wouldn't know... I'm not stupid, just ignorant ;-)

      --
      Forget thrust, drag, lift and weight. Airplanes fly because of money.
    2. Re:They need to study psychology not criminology by ejaw5 · · Score: 5, Insightful

      I think there's another part of the market, the Compact Disc. Its a very durable and long-lasting medium that reproduces sound well. In the past, I'd say the RIAA profited from people repurchasing music on cassette tapes when upgrading from LP, and the same with CDs from cassette. Also have to consider the "replacement" purchases made when an LP or cassette wore out. CDs last a very long time (if not infinite life) if you take care of them. --CDs from the mid 80's in my collection still sound the same when played today. A new and improved medium could be introduced, but since the current CD is 'good enough', it probably won't catch on. In addition, If you ask music listeners today, the music pumped out today probably isn't worth buying again if the medium did change.

      --

      $cat /dev/random > Sig
    3. Re:They need to study psychology not criminology by Anonymous Coward · · Score: 0

      >people who for the most part don't shoplift, don't
      >deal drugs, don't kill people

      Unlikely they'll be sued for any of those things then.

    4. Re:They need to study psychology not criminology by etcreed · · Score: 1

      Very good point, and since the new standard in media seems to be mp3, the record companies must be not too happy that we can "upgrade" ourselves (ripping). without paying them. Although it's not really an improved media (in terms of quality, not versatility, I mean), as you said, it's "good enough" for me and most people.

    5. Re:They need to study psychology not criminology by Anonymous Coward · · Score: 0

      Thanks for that comment captain obvious. It's only been said about a bajillion times before.

    6. Re:They need to study psychology not criminology by goon+america · · Score: 2, Insightful
      You need to understand your market if you are to sell your product to it.

      Kids.

      They want kids to act irresponsibly, but only in ways that help their bottom line.

      Oh well, what goes around comes around.

    7. Re:They need to study psychology not criminology by ErikZ · · Score: 1

      So, since you're not a betting man, you're telling us that you are just going to sit there and do nothing?

      Thanks for the heads up.

      --
      Democrats or Republicans. They are both taking us to the same place and they are not afraid of us anymore.
    8. Re:They need to study psychology not criminology by Anonymous Coward · · Score: 0

      This is the X factor that the recording industry hasn't really bothered to look into ...

      Hmmm, the truth is out there Agent Scully ...

    9. Re:They need to study psychology not criminology by God!+Awful+2 · · Score: 1


      This is the X factor that the recording industry hasn't really bothered to look into and I find it very interesting that one of the most successful online music sites is part of a computer company (Apple).

      Of course the standard for what is a successful site is a bit lower on /. than on Wall St. (I.e. they have lots of users and aren't losing that much money.)

      -a

    10. Re:They need to study psychology not criminology by SN74S181 · · Score: 1, Flamebait

      Only retarded people repurchased their albums on cassette tape. With a decent tape deck it is trivial to record a better sounding copy than the junk on commercially produced cassettes. Why do you think every record store back in the day had loads and loads of blank cassettes in stock.

      In addition, If you ask music listeners today, the music pumped out today probably isn't worth buying again if the medium did change.

      That's called middle age setting in. "The crap young people listen to these days" etc. etc. Been putting on any weight? Losing some of your hair up front, eh?

    11. Re:They need to study psychology not criminology by ctve · · Score: 1
      The "good enough" point is valid for both CD and DVD. Most people don't buy the quality of amps/speakers to warrant DVD-A etc.

      Both are copyable, and the record/movie companies will try and come up with new DRM formats, but ultimately, it's probably at least a decade before something will come along in the media which people will want new equipment for.

    12. Re:They need to study psychology not criminology by DannyO152 · · Score: 4, Insightful

      A new medium has appeared. It's called (approximately) a hard-drive. More efficient in storage space, it continues the clear progression of convenience that began when the LP replaced the 78.

      The full implications of this new medium are still being worked out with many approaches being tested. Perhaps the most successful approach for exploitation and profit has not been precisely conceived yet. My point of view is that using litigation to lawyer it away misses the meaning of the sea change, and looks like an expensive way to sell less product. I also think that recording artists and/or their management and lawyers who insist on a buy it all or nothing approach are also likely to be left behind.

      The more I've thought about this over the past few weeks, the more I feel we could be on the verge of a pop explosion centered around, as the great pop explosions of the past, the single. It is so much easier to be brilliant for 3:35 than for 65:13.

    13. Re:They need to study psychology not criminology by davebarz · · Score: 1

      I was just about to post a "Mod Parent Up" reply when I remembered I had moderator status right now. So I did.

    14. Re:They need to study psychology not criminology by ejaw5 · · Score: 1

      Oh man, I hope I'm not aging prematurely, I'm only 1/2 way through college.

      All I know is, I still listen to music I heard growing up in the 80s and early to mid 90s, and even tunes before my time. I was refering to the music of the 1999-2001 era, you know ..some of the "bands" that I don't like admitting to listening to, thankfully I never bought a Backstreet Boys, NSync, or Christina Aguellera Album. I don't know what i was thinking buying Britney music. (so I was younger and not as smart :) )

      I just think music today won't stand the test of time like music from yesteryears. People still listen to (radio stations still play) Eagles, The Who, Metallica, Pearl Jam, Aerosmith, [insert classic rock band]. Now turn to a top 40 or pop station: Do you still hear a lot of songs played from just a few (1-5) years ago?

      --

      $cat /dev/random > Sig
    15. Re:They need to study psychology not criminology by G-funk · · Score: 1

      Then you decided against it and posted so he'd lose the points?

      --
      Send lawyers, guns, and money!
    16. Re:They need to study psychology not criminology by davebarz · · Score: 1

      I modded him up, then posted. Does that mean he lost the points? I figured someone else modded him down. I didn't realize that if the mod was already made, he'd lose the points from it if I posted.

    17. Re:They need to study psychology not criminology by Anonymous Coward · · Score: 0

      Read the FAQ next time, genius.

    18. Re:They need to study psychology not criminology by davebarz · · Score: 1

      I have read it, but I didnt realize it would retroactively deactivate moderations.

    19. Re:They need to study psychology not criminology by hetairoi · · Score: 1

      A new medium has appeared. It's called (approximately) a hard-drive

      exactly. i heard a dj over the weekend talking about how he'd been in the business since lp's and how now everything was on hard drive and was sooo much easier and better. he went on and on about how great this was for radio stations, apparently not grasping the fact that it was great for music listeners as well.

      i think the music industry as a whole is at the same stage. the storage and distribution medium has changed and they think it's great for them, they are just now realizing that everyone else thinks it's just dandy too.

      add the internet and you've got the greatest distribution channel for music off all time. just like the dot-bombs, music companies will either figure out to streamline and adapt or they will die. hey, they won't be the first to have their industry pulled out from underneath them by advanced technology. what do you think all those buggy manufacturers said when hank ford perfected the assembly line? "d'oh"

      --
      you're all figments of my deranged imagination
  9. Pointless Statistic by jolyonr · · Score: 4, Interesting

    What a pointless statistic. I bet you would find a month-on-month increase in P2P usage as more non-techy people out there discover how ridiculously easy it is.

    Jolyon

    --


    Please read my Canon EOS tech blog at http://www.everyothershot.com
    1. Re:Pointless Statistic by Mod+Me+God · · Score: 0

      Yes, there was no point, however I think given the bias, measuring error and lack of a longer (or back-) run of data giving statistics to 1dp, 2dp etc is a bit pointless, even though they have a point.

      --
      --

      FreeNET user? Comfortable with the adverse selection?
    2. Re:Pointless Statistic by Polo · · Score: 5, Funny

      Also, RIAA threats have led to GLOBAL WARMING as global temperatures have also increased. (as measured in the northern hemisphere this spring)

    3. Re:Pointless Statistic by garcia · · Score: 1

      nah, that's just because they are full of steaming piles of horseshit.

    4. Re:Pointless Statistic by Anonymous Coward · · Score: 0

      I don't think it is that pointless. It's showing that even tho RIAA is threating to sue file swapping is countinuing to rise, the point as i saw it wasn't to show how people are fighting back, but how nothing has changed...

    5. Re:Pointless Statistic by twifkak · · Score: 1

      D00dz, the fact that there is no correlation is the point. One would expect filesharing to go *down* as a result of the Washington Post/etc. advertisements (read: articles). The previous post on anecdotal evidence, on the other hand, is a decent rebuttal.

      --
      I know you were joking, but I want my Karma, so I'm going to reiterate your post in a serious tone.
    6. Re:Pointless Statistic by tmark · · Score: 1

      The argument that the statistic is meaningless is well-taken. Your argument, on the other hand, is nearly as anecdotal as the original article. *All other things being equal with no growth in file-sharing*, one would expect that absolute numbers related file-sharing ought to drop after the RIAA's threat of legal action. However, all other things are NOT equal.

      I would wager that file-sharing was increasing exponentially before the latest attempts by the RIAA to stop it, and has probably increased exponentially since the very first days of Napster. So the real question as to whether the RIAA's latest actions are working is not whether or not filesharing has gone down, but rather whether or not filesharing has increased less than it would have sans RIAA threats.

    7. Re:Pointless Statistic by tmark · · Score: 1

      Not only that, but another spin on this "statistic" is that file-sharing on sites like Grokster is up dramatically since approximately the time iTunes went on-line (give or take a few weeks). Someone who is less sympathetic to the whole file-sharing issue might wonder why this should be if the iTunes model is so great and if people *really* want to pay for something - even if it's only a buck - when they can still get it for free.

    8. Re:Pointless Statistic by Imperator · · Score: 1

      It's hotter now than it was in January, so their barratry campaign must be working really well.

      --

      Gates' Law: Every 18 months, the speed of software halves.
  10. A good thing? by Tinfoil · · Score: 4, Insightful

    While I am a little suprised to see the numbers up 10%, I can't say that it wasn't expected. More and more people seem to want to taunt the recording industry, they want the RIAA to come after them it seems.

    All the money they are spending on their lawyers should rather be dumped into iTunes or Rhapsodey like services. How much proof is needed that that is the way to go?

    The industry needs to face facts. The full-format physical media isn't going to sustain their business model. With todays need for instant gratification, people want to buy only what they want and they want it now.

    Removing dependance on full-length physical media will do a couple of good things. First it will force the industry and artists to put out more quality tracks instead of relying on a couple radio tracks to sell a disc made mostly of filler. Second, the consumer will no longer get stuck with a lousy disc.

    1. Re:A good thing? by Our+Man+In+Redmond · · Score: 3, Interesting

      You forgot (or didn't mention) the third beneficial effect, namely, no more waiting three years for an album from your favorite band. They get the sound they want, put out the word, and 24 hours later fans are enjoying the track.

      In fact eventually "track" may become a carryover from an earlier time, sort of like "album." Has anyone younger than me ever seen a real album, with half-a-dozen sleeves, each of which contains a 10" 78 RPM record?

      --
      Someone you trust is one of us.
    2. Re:A good thing? by Radish03 · · Score: 1

      "Removing dependance on full-length physical media will do a couple of good things. First it will force the industry and artists to put out more quality tracks instead of relying on a couple radio tracks to sell a disc made mostly of filler. Second, the consumer will no longer get stuck with a lousy disc."

      Funny thing, I own approximately one cd from a record company which is a member of the RIAA, while all my others are not. On all of these cds, no songs really stand out as being the best or one that would be played on the radio (if these songs were ever played on the radio) because the cds are filled with great songs. I was gonna make a point about how big name bands tend to put out so much more crap that do smaller, lesser-known bands, in relation to how it seems to me that big name bands get into it for the money more often while most lesser-known bands play because they like to play, and how if big name bands focussed on playing better music maybe they'd start making more money too if that's their goal.

    3. Re:A good thing? by Datasage · · Score: 1

      I also agree that the physical format model is on its way out the door. But not entirly. I still buy cd's. But it has to be a good enough band for me to justify the $18 per CD. In the american music market, there are very few of those.

      The furture of music is digital. There is no escaping it.

      My future headline prediction "Music CD sales drop 20% in the wake of a campaign of lawsits by the RIAA, RIAA blams music sharing."

      --
      In America we are imprisoned by our fear of them.
    4. Re:A good thing? by Anonymous Coward · · Score: 0

      They haven't used 78 RPM records in....50+ years? I've seen them at my grandparents...

    5. Re:A good thing? by goon+america · · Score: 2, Interesting
      ... a couple of good things. First it will force the industry and artists to put out more quality tracks instead of relying on a couple radio tracks to sell a disc made mostly of filler. Second, the consumer will no longer get stuck with a lousy disc.

      Whoah, cowboy! You're talking about benefits *to the consumer*. When was that ever the issue? If it was then CDs would cost $3.99 and there wouldn't be such an incentive to waste time on KaZaA.

      You've got to put in terms of benefit to the recording industry if they're ever going to change their minds.

    6. Re:A good thing? by Our+Man+In+Redmond · · Score: 1

      The album was my father's, who was born in 1918. I remember seeing some of his original-style albums when we were cleaning out a closet sometime in the 60s.

      --
      Someone you trust is one of us.
    7. Re:A good thing? by Mac+Degger · · Score: 3, Insightful

      What's always surprised me is this: their justification for the high price of cd's around the world was always 'distribution costs are so high'.
      The fact that they then don't immediately take up a new, cheap distribution method (over the net) means that they're
      a) criminaly negligent towards their shareholders for not implementing something which would give their shareholders more money, or
      b) scamming us, and have been for years, 'cause that 'distribution' line is total crap and they don't need a new distribution model.

      I'd say they can get sued either way :)

      --
      -- Waht? Tehr's a preveiw buottn?
    8. Re:A good thing? by ctve · · Score: 1
      Count me as one of those helping the 20% drop.

      A combination of the corrupted scratches being put on CDs and the RIAA being heavy handed has driven me to a combination of EBay, secondhand shops and buying from independent artists.

      So far, my Ebay successes have been numerous, and I've only failed to get one album I have been looking for.

      Want the RIAA to go to hell? Starve them of income.

    9. Re:A good thing? by ctve · · Score: 1
      The other argument is about the cost of promoting artists.

      Of course, in olden days, artists promoted themselves by making damn good music, and it being both promoted, but also by bands getting a small following in clubs etc - a more organic form of promotion.

      Now, artists get big by record companies having a full-frontal assault on the media. These artists are normally pliable crap that the companies like, not real artists with songwriting/creative ability who can call the shots.

  11. Is copyright going the way of prohibition? by kenthorvath · · Score: 4, Interesting

    Seriously, if enough people blatanly disobey copyright laws, if there is enough civil disobedience, it almost HAS to force a change in the law. The question, though, is how much is "enough" and do we REALLY need to go through all of the heavy handed law enforcement attempts before this happens? Can't the law makers see for once, that this is what the PEOPLE want and step up to the plate to do their job? Rant over.

    1. Re:Is copyright going the way of prohibition? by EnVisiCrypt · · Score: 1, Insightful

      There are lot of people who shoplift. Why hasn't that been made legal yet, anyway?

      --


      *everything* is Orwellian to cats.
    2. Re: Is copyright going the way of prohibition? by Black+Parrot · · Score: 5, Insightful


      > Seriously, if enough people blatanly disobey copyright laws, if there is enough civil disobedience, it almost HAS to force a change in the law. The question, though, is how much is "enough" and do we REALLY need to go through all of the heavy handed law enforcement attempts before this happens?

      How many people do you suppose are in prison right now for smoking pot, and how long has that enforcement been going on?

      > Can't the law makers see for once, that this is what the PEOPLE want and step up to the plate to do their job?

      Most of them will take an interest exactly when they think the number of votes the current arrangement costs them will hurt worse than the number of lobbying dollars an alternative tack would cost them.

      Welcome to the lobbyocracy.

      --
      Sheesh, evil *and* a jerk. -- Jade
    3. Re:Is copyright going the way of prohibition? by illuvata · · Score: 1

      i dont think stuff should be made legal just because lots off people dont like it.
      for example, almost everyone speeds, but i dont think the laws should be changed to allow people to drive as fast as they want

    4. Re:Is copyright going the way of prohibition? by garcia · · Score: 5, Insightful

      Uhh, prohibition on alcohol is over with but drug prohibition is not.

      We spend millions and millions of dollars on the "Drug War" and millions and millions more on holding people in jail because they do/sell drugs...

      How many people smoke pot? How many states have made it a minor offense to smoke it? How many people are still being busted for it, having their cars and houses seized for buying a dime bag?

      And you think that filesharing is going to continue because people do it? Get real.

    5. Re:Is copyright going the way of prohibition? by carpe_noctem · · Score: 4, Insightful

      I think that the difference here is that civil disobedience can change -laws-, but we're not fighting laws here. We're fighting money.

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
    6. Re: Is copyright going the way of prohibition? by Anonymous Coward · · Score: 2, Funny

      >lobbyocracy.
      You misspelled "fascism"

    7. Re:Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      Seriously, if enough people blatanly disobey copyright laws, if there is enough civil disobedience, it almost HAS to force a change in the law.

      Just like it did for speed limits and taxes?

    8. Re: Is copyright going the way of prohibition? by Alien+Being · · Score: 1

      You misspelled "fascism"
      And the penalty is death!

    9. Re:Is copyright going the way of prohibition? by Kwil · · Score: 1

      Think critical mass. Think organization against the laws.

      Druggies may not have the first.. ..they definitely don't have the latter.

      --

      That Jesus Christ guy is getting some terrible lag... it took him 3 days to respawn! -NJ CoolBreeze

    10. Re:Is copyright going the way of prohibition? by mark-t · · Score: 3, Insightful
      The problem is that this could lead to the abolition of copyright altogether.

      This would affect songs, movies, software, books,... anything that is copyrighted.

      The net cost to publishers would rise because they would not be able to reliably recover as much of their costs, so the publication of works would become increasingly rarer. Although any material may be freely shared, not all of it would necessarily be easy to find. Fans of artists or authors of obscure works would be entirely out of luck.

    11. Re:Is copyright going the way of prohibition? by garcia · · Score: 2, Insightful

      Umm.

      Critical Mass... So you think that the 60+% of the current adult population that has smoked weed and thinks it is "more or less" harmless than alcohol isn't an important statistic?

      Ok, so you don't think that they have organization against the laws? What about groups like NORML? You mean to tell me that they haven't done anything to move towards the legalization of marijuana and growing hemp products?

    12. Re:Is copyright going the way of prohibition? by Alien+Being · · Score: 3, Funny

      "...they definitely don't have the latter."

      If only we could remember where we left the petition.

    13. Re:Is copyright going the way of prohibition? by thgreatoz · · Score: 1
      And you think that filesharing is going to continue because people do it? Get real.

      Of course it is...just as pot smoking continues because people do it, filesharing will continue because people do it. Just because it's illegal doesn't mean it will stop. YOU need to get real.

      --
      When their numbers dwindled from 50 to 8, the dwarves began to suspect Hungry.
    14. Re:Is copyright going the way of prohibition? by the+gnat · · Score: 1

      Seriously, if enough people blatanly disobey copyright laws, if there is enough civil disobedience, it almost HAS to force a change in the law.

      Please don't try to muddy the argument by conflating mass illegal distribution of copyrighted material with civil disobedience. There may be a few Slashdot readers who are immature enough to download and redistribute music they have no interest in just to "stick it to the man", but everyone else who pirates music does so because they do not have to face the consequences of their actions, either economic or legal. There is nothing noble or courageous about that.

      If you want to strike back at the RIAA, all you have to do is boycott their product. I think pop music sucks anyway, so I already don't buy any mainstream recordings. Only the occasional classical album, where I'm actually getting 50-70 minutes of good music, all of which I listen to, rather than a couple of radio singles and a bunch of filler. As for the MPAA, well, I like big dumb movies and I'm happy to pay for a reasonable viewing experience. I do watch DVDs (which I have paid for) on Linux (don't have anything else), but I'm not personally breaking any law in doing so and I do not consider this "civil disobedience" of any form.

    15. Re:Is copyright going the way of prohibition? by Soothh · · Score: 1

      Music law has a better chance of changing than drug laws. Drugs do kill people, songs dont.
      90% (maybe more) of americans DONT want to buy a CD just for the one song they like. Most dont even want to pay for it if there is one or two songs they dont like. The business model CAN change for music online to make it work.
      There will always be people who download it for free but given the right model, many people will want to get it legit and not have to worry about any legal woes. I was just looking at rhapsody, i almost signed up for it but it has a monthly subscription in addition to a per song fee.
      For a per song fee ONLY i would have signed up.
      just an example.

      --
      We have seen that living things are too improbable and too beautifully "designed" to have come into existence by chance.
    16. Re: Is copyright going the way of prohibition? by jcsehak · · Score: 1

      How many people do you suppose are in prison right now for smoking pot, and how long has that enforcement been going on?

      The original poster said "if enough people." When alcohol was illegal, it quickly became legal again, because it was important to a lot of people to be able to go out for a drink. There simply aren't enought people who want pot legalized. Personally, I wouldn't like to see it happen. Big tobacco is bad enough. I don't want "Big hemp" lobbying congress and putting out ads that subliminally influence 12-year-olds.

      --

      c-hack.com |
    17. Re: Is copyright going the way of prohibition? by Lord+Kholdan · · Score: 1

      Someone should cough up the dough and buy a neutral study.

      "Do you think nonprofit copyright infrigment should be criminal? Yes/No"

      That would do much to legitimize the claim that "most people dont consider filesharing a crime"

    18. Re:Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0
      Drugs do kill people, songs dont.

      Tell that to Tupac, man. Peace out!

    19. Re:Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      excuse me fuckface, let me restate: Filesharing will never become legal because people are doing it. Read the top level posts before running your mouth.

    20. Re:Is copyright going the way of prohibition? by bziman · · Score: 1
      ...holding people in jail because they do/sell drugs... having their cars and houses seized for buying a dime bag?

      Not too many, I'd imagine. A friend of mine was arrested for having an obscene quantity of weed (enough for felony posession) -- and got off with probation. Many more friends have been caught doing it, and usually have it confiscated and told "don't do it again". I've never even heard of someone actually going to jail for being high on weed. People who were high and committed some other crime -- like holding up a liquor store, or running around the street naked screaming "I can't feel my face?!!", but for simple posession? I just don't see it.

      On the other hand, dealers and traffickers are definitely being hunted and jailed.

      On the same note, people who are doing simple file sharing ought to be left alone. And the people who are mass producing copies of CDs, labeling them, and selling them on the street for a profit should be the industry's target.

      Well, we'll see what the future and civil disobedience bring...

    21. Re:Is copyright going the way of prohibition? by Dun+Malg · · Score: 1
      but we're not fighting laws here. We're fighting money.

      What? Who modded that "insightful"? It doesn't make any sense. We're not "fighting money". The problem is that there is an organization (RIAA) that is using its money to buy law. The money isn't the problem-- the law is!

      --
      If a job's not worth doing, it's not worth doing right.
    22. Re: Is copyright going the way of prohibition? by Anonymous Coward · · Score: 1

      Really?

      Ask anyone who has ever worked as a doorman in a club if he would rather have 100 potheads or 100 drunks..

      Youre Reverend Lovejoy's wife "Wont someone think of the children" is from the same intellectual vein as the governments.

      If youre gonna have a reason, try to articulate it beyond the sound bytes that your government force feeds you.

      Abd I suggest you raed on prohibtion and the organized crime it spawned. Seeing you write "quickly" proves that you are totally clueless about that as well.

      zack

    23. Re:Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      I wish I had been in your state when I got busted for possession of a dime bag of weed. I spent 45 days in county lock-up. I'm not of geek proportions and was never hassled in jail (it was jail, not prison), but I felt like I was being raped when the cop held up my dime bag and mused to his partner that they "got another bad guy off the streets." To add insult to injury they added attempted distribution to the list of charges - which was later dropped because it was ludicrous. Not unlike the War on Some Drugs itself.

    24. Re: Is copyright going the way of prohibition? by SN74S181 · · Score: 2, Insightful

      There couldn't be a 'big hemp.' Not like with tobbacco. Hemp is extremely easy to grow and it can be cultivated about anywhere. Tobbacco, on the other hand, is difficult to grow and a very labor-intensive process. It will only grow well in a limited area of the world.

      Pot as a recreational drug frightens government types particularly because it's very difficult to control. It would be hard to tax and regulate if it were made legal. Any pothead will tell you they'd have their patch growing in a minute, and let's face it, there wouldn't end up being much of a commercial market.

    25. Re: Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      not just 'disappeared'

    26. Re:Is copyright going the way of prohibition? by Sarcasmooo! · · Score: 1

      What would be a funny solution is legislation stating that once a copyrighted work has been distributed without authorization a certain number of times, or it is estimated that over half of the instances where a copyrighted work is used are unauthorized, that work becomes part of the public domain.

      Now that would be power to the people........maybe. Anyway, everyone loves a good challenge, right?

    27. Re:Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      I think that the difference here is that civil disobedience can change -laws-, but we're not fighting laws here. We're fighting money.

      money = laws

    28. Re: Is copyright going the way of prohibition? by jwilcox154 · · Score: 2, Informative

      For 1, please do a little spellchecking "as in, how can you 'raed' on prohibition" people will take you more seriously, and 2, the person was talking about if Corporate America gets a hold of marijuana, then there is numerous ways that they could ruin it like "Big Tobacco" has ruined tobacco.

      What I mean by it is cigarettes originally started in the siege of Acre, during the Napoleonic Wars in the 1830s, and the first time it was in widespread use in the US was during the Civil War. That was when the tobacco in cigarettes was pure.

      Then in the 1940s it became commercialized, and Corporations began adding additives here and there so people would inhale the cigarette smoke so they would become addicted. Now there is over 600 Chemicals in cigarette tobacco, just to keep people addicted.

      So imagine what Corporate America will do with marijuana, I can just see someone addicted to both THC and nicotine.

      I think that's the point jcsehak was trying to make.

    29. Re:Is copyright going the way of prohibition? by tenshioboe · · Score: 1

      why not? it works for germany...

    30. Re:Is copyright going the way of prohibition? by robogun · · Score: 1

      Change the law then. (HINT: It's going to take a LOT of money!)

    31. Re: Is copyright going the way of prohibition? by Fallen_Knight · · Score: 1

      well since its so easy to grow, i doubt that happen. Bud is best when pure, and it keeps getting strong and stronger (at leas tup here in BC heh)

    32. Re:Is copyright going the way of prohibition? by Fallen_Knight · · Score: 2, Insightful

      Its hard when your righting agiast the prison gurads, police and other people who are employed by the so call "war on drugs" that only puts people in jail for a really really long time and wastes tax payers money.

      There are lobbies for the prison guard unions fighting agaist leagal pot BECAUSE so many people are put in jair for insanely long periods of time for haveing a little baggy of pot. Its all about money and who gets the money from a drug war.

    33. Re:Is copyright going the way of prohibition? by Fallen_Knight · · Score: 1

      "The net cost to publishers would rise because they would not be able to reliably recover as much of their costs, so the publication of works would become increasingly rarer. Although any material may be freely shared, not all of it would necessarily be easy to find. Fans of artists or authors of obscure works would be entirely out of luck."

      What the hell are you on? As it stands i can get ANY computer game EVER made. And thats even with it ilegal to host them. And its easy to find music, movies and more (books proibley to)
      I can only image what it would be like if it was legal.

      Getting rip of copyrights (or at least shortening them/cause them to expire on works a company doesn't republish every 5 years, ie not worth it) would cause a huge amoutnt of works to be availble.

      books that you cannot find anywhere would be a search away, music/movies/games would be the same. Theres always someone who will host it, and theres alot of sites that collect works like that and offer them to download (underdogs, theres a book site to) games only right now bceause its easy to get away with, if its nto ISDA they can put it up, but even the ISDA games that no one buys anymore still cna't be put up because of copyright law. get rid of it(shorten or whatever) up them come.

      Music and movies don't get hosted beause MMPA and RIAA will come down hard on thoses poeple. But if the were allows to hsot em i'm 100% sure they would be up damn fast.

    34. Re:Is copyright going the way of prohibition? by kenthorvath · · Score: 1
      Because clearly the ratio of people who shoplift to those who do not shoplift, or those who are shop owners is very small. Yes, America is a nation of laws that is based a great deal on morality - or tries to be - but don't forget that morality is defined by the people under its grasp. Up until very recently 13 states had anti-sodomy laws targeted at homosexuals (and all 50 states at one point) because there was a time when the majority of law makers saw this as wrong and immoral. But today, there is a much more open view of human sexuality, and homosexuality is a great deal more accepted than it once was. When enough people (like homosexuals) band together for a certain cause, it can improve.

      Also I realize this wasn't YOUR point, but in regards to the drug laws, yes - many people smoke marijuanna, and yes it remains illegal. I forget what the statistic is, but I think its something like 1 in 5 people has -tried- it with 1 in 10 having used it recreationally. If that is the case, it is clearly not a sufficiently significant portion of the population. If however, 50%-67% of Americans (and not just adolescents) used marijuanna recreationally, or like they use alcohol, do you honestly think there would be a war on it? The likelyhood is that it would be regulated like alcohol and tobacco, and taxed and taxed until the government came to love it.

      The fact is that many things are illegal and there is always some group of people willing to break the law, but when large groups of otherwise law-obiding adults begin to ignore a certain law, it deserves to be overturned.

    35. Re:Is copyright going the way of prohibition? by awol · · Score: 1

      The net cost to publishers would rise because they would not be able to reliably recover as much of their costs,

      What costs? The only _real_ costs is the sustenance of the artists. The problem with the publishing industry is that they no longer have a function. In the days when the capital required to distribute a work was significant or the access to the vehicle of advertising (like radio for music) was limited then there was a purpose for a distributor (and see how this is still true for books because they still require the capital of the printing process but even then vainity publishing costs have come down and electronic publishing os free, essentially). That time is gone. The industry of digital media distribution is dead and it just doesn't know it yet.

      so the publication of works would become increasingly rarer. Although any material may be freely shared, not all of it would necessarily be easy to find.

      Even if I were to concede your first point about decreasing recovery of publication costs, this assertion just doesn't follow. Just because "publishers" cant make a buck it doesn't follow that less work is produced, just that publishers have no role to play in the process.

      Fans of artists or authors of obscure works would be entirely out of luck.

      An even more absurd suggestion. It is the obscure works are the ones gaining the most from the new technology the publishers have always argued (certainly by theri actions of not their words) that tyhey needed the mass market to fund the "unpopular" works and so the always ignore the obscure as much as they can.

      I may well have just got trolled but I couldn't let a +4 insightful load like this, troll or otherwise go unchallenged.

      --
      "The first thing to do when you find yourself in a hole is stop digging."
    36. Re:Is copyright going the way of prohibition? by Tink2000 · · Score: 1

      Wait man, I found the ladder...

    37. Re:Is copyright going the way of prohibition? by kenthorvath · · Score: 1
      everyone else who pirates music does so because they do not have to face the consequences of their actions, either economic or legal. There is nothing noble or courageous about that.

      Civil disobedience does not have to be noble or courageous, it is simply a person or group of people defying the law for their own agenda. Don't be so quick to dismiss the power of the people to enact a change in the law by "selfishly" disobeying it. They don't necessarily have to disobey the law with the intention of having it overturned - just look at prohibition, the law was ignored by many who took their crimes into basements and other hiding places because they did not WANT to get caught. The law got changed anyway.

    38. Re:Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      Eventually the drug prohibition will be repealed. The problem with conservative politics is that it can only change one funeral at a time. But just thinking how many truly rotten politicians we've lost in the last few years makes the heart go pitter-patter.

    39. Re: Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      At Camp X-Ray you don't 'disappear', you just become 'invisible'.

    40. Re: Is copyright going the way of prohibition? by Anonymous Coward · · Score: 0

      Prohibition was not ended purely because of the "common man's protest", but PRIMARILY because Big Business saw that it was losing a great deal of business to "Organized Crime" (though I often find it hard to distinguish between the two - apart from the fact that the former wear pin-striped suits and the latter striped overalls).

      With filesharing Big Business has nothing at all to gain, at the moment, by softening the Copyright laws. They know that if they do so they will be on a hiding to nothing. In the long term though the poster above is right : eventually, ultimately the Laws will have to be changed - either that or the people will have to change. However the current generation has now tasted the illicit fruit of filesharing and a whole subculture has developed that will probably be technically and socially impossible to eradicate.

      In the meantime the RIAA and MPAA just keep digging a deeper hole for themselves to eventually fall into.

    41. Re: Is copyright going the way of prohibition? by jcsehak · · Score: 1

      Any pothead will tell you they'd have their patch growing in a minute, and let's face it, there wouldn't end up being much of a commercial market.

      Yeah, because the average consumer would feel so much more comfortable about buying their weed from some random pothead, rather than off store shelves.

      --

      c-hack.com |
    42. Re: Is copyright going the way of prohibition? by jcsehak · · Score: 1

      Ask anyone who has ever worked as a doorman in a club if he would rather have 100 potheads or 100 drunks.

      Oh, because everyone who drinks alcohol always get blind drunk and violent? And you think that bouncer would still prefer potheads when they're not spending $20/hr each on drinks, but just smoking the few joints that they brought with them, and the club all the sudden can't pay the rent?

      Quick is a relative term.

      Oh no! I happen to agree with the government on something! Quick, hang me from the OSDN antenna!

      I don't need to reply to the rest of your response, jwilcox has already done so, and eloquently (thank you, btw).

      --

      c-hack.com |
    43. Re: Is copyright going the way of prohibition? by G-funk · · Score: 1

      Yeah, because the average consumer would feel so much more comfortable about buying their weed from some random pothead, rather than off store shelves.

      Erm, we're talking about pot here. Joe random pothead is the average consumer of this product by definition.

      Of course, the only reason people want to grow it, is cause it's expensive from a dealer (really expensive in the US). If you can get it from coles as a pack of winnie greens, the price drops, not much point growing it at home...

      People can brew their own beer now, but most don't.

      --
      Send lawyers, guns, and money!
    44. Re:Is copyright going the way of prohibition? by rzbx · · Score: 1

      Ever heard of the slippery slope argument fallacy?

      " The problem is that this could lead to the abolition of copyright altogether."

      That pretty much describes it.

      Then you proceed to make more argument fallacies.
      "The net cost to publishers would rise because they would not be able to reliably recover as much of their costs, so the publication of works would become increasingly rarer. Although any material may be freely shared, not all of it would necessarily be easy to find. Fans of artists or authors of obscure works would be entirely out of luck."

      Your first sentence is completely based on assumptions for one. Your forgetting many factors such as independant works. Another one is P2P, which makes distribution cheaper. Rarer? I know of a librarian that has a hobby of searching the net for rare music (his fav genre which I don't remember). He is compiling a large database of this music to share. He catalogs it all. Many of these artists no longer play either. Companies rarely do things like this. So in reality, companies create more rarity than people across the internet. Now how would it not be easy to find when there are people out there cataloging this stuff as a hobby? When millions are sharing files and it is becoming a popular trend? Fans of obscure artists are finding it even easier to find the music they love and similar music. The librarian I just spoke of sometimes found information on artists, songs, albums, etc. from people that knew the artists.
      Your view of a copyrightless society is based on all the arguments companies have used to defend the law and increase the scope, length, and strength of it. What they say seems to makes sense economically, but even government ownership of all land made economic sense at one point in time. Have you read some of the most recent insights into intellectual property law by economists? Even Alen Greenspan raised questions about it (http://www.federalreserve.gov/BoardDocs/speeches/ 2003/20030404/default.htm).

      --
      Question everything.
    45. Re:Is copyright going the way of prohibition? by thedji · · Score: 1

      Drugs Vs Music in the U.S.
      Annual Sales

      ~$60 billion p.a.
      $13.7 billion [2001]

      For a group of people with 'no organization', they certainly make a lot of money.

      --
      ... and then there were none
    46. Re:Is copyright going the way of prohibition? by Joey+Vegetables · · Score: 1

      Are you under the impression that current drug "laws" are a "conservative" phenomenon?

      Both parties support the so-called "War on Drugs" and both parties need to be dismantled in order for it to end.

    47. Re: Is copyright going the way of prohibition? by Zeriel · · Score: 1

      *shrugs* I know there's at least one smoking club/hookah lounge in my town where you go in and pay a cover+tobacco cost to sit in smallish rooms with v. high quality water pipes and smoke.

      You're not allowed to bring your own tobacco any more than you're allowed to bring your own liquor to a bar and sit and drink it without buying anything else.

      I can envision the same thing with marijuana lounges.

      As for potheads vs. drunks in clubs, I can't imagine a club where one WOULDN'T drink regardless of their smoking, be it pot or tobacco. This is also a problem that could be solved by a "buy it here if you wanna smoke it here" rule.

      --
      "America has done some terrible things. But I know that Americans don't cheer when innocents die." -Dave Barry
    48. Re:Is copyright going the way of prohibition? by thgreatoz · · Score: 1

      :) "fuckface". How intelligent, AC.

      --
      When their numbers dwindled from 50 to 8, the dwarves began to suspect Hungry.
    49. Re: Is copyright going the way of prohibition? by ndege · · Score: 1

      > How many people do you suppose are in prison right now for smoking pot, and how long has that enforcement been going on?

      Yes, but is the judge's 8 year old grandchildren, wife, or slew of other people around him smoking pot? I would say that most people, that know how, are downloading music. The percentage of computer users that download music is much higher than people how smoke pot.

      --
      Sig Return: 204 No Content
  12. Not it! by Davak · · Score: 4, Insightful

    Weiss said the recording industry should lobby for special taxes on CD burners and Internet access as a way to recoup losses incurred from file sharing, an idea that Grokster's Rosso also supports. Rosso was in Washington recently to talk to lobbyists about forming a coalition of file-sharing firms.

    Interpretation:
    We don't mind the RIAA making money... just make them get it from somebody except us

    AKA, the "not it!" theory.

    Davak
    1. Re:Not it! by gilesjuk · · Score: 4, Interesting

      I believe they already collect a tax on CD burners.

      They collect quite a lot of funds in fact, they even collect money for radio play of unsigned acts and these artists receive nothing.

      Above info collected from:

      Here

    2. Re:Not it! by JeffTL · · Score: 1

      A tax on Internet access to recoup filesharing losses would be about as unfair as it gets. Out of paranoia, I have sworn off what little bit of Limewire stuff I did, so why should I have to pay the bills of the people who wish to persist?

  13. Consequences not effective by bajo77 · · Score: 5, Insightful

    People generally don't respond very much to possible consequences. There is a high chance of getting a speeding ticket, yet almost everyone goes above the speed limit, often ignoring the safety of themselves and others. There's not likely much the RIAA can do to make even a slight decrease in file-sharing.

    1. Re:Consequences not effective by Zebbers · · Score: 1

      ummm...there is a low chance of getting a speeding ticket BECAUSE almost everyone goes above the speed limit.

      People don't respond very much to low chance possible consequences is correct.

      It is hard to get people to obey administrative laws like traffic and copyright because there is no inherent moral backing behind it. This is how it will always be.

    2. Re:Consequences not effective by lambadomy · · Score: 1

      I don't think this is true. There is a low chance of getting a speeding ticket, and for the most part the actual costs of getting a ticket are pretty low, so long as you don't get one more than once every 18 months, here in california at least.

      While obviously it wouldn't happen, if speeding was a felony, or one ticket and you lost your license, or they increased the number of highway patrolmen 100 fold, I think speeding would decrease very significantly.

      People often base their decisions on some kind of internal risk/reward accessment. It seems likely that risk/cost of punishment for speeding is much lower than peoples percived reward. This may be simplistic, but I find it hard to believe people would continue to speed if the punishment was scarier.

    3. Re:Consequences not effective by robogun · · Score: 1

      >> ...and for the most part the actual costs of getting a ticket are pretty low, so long as you don't get one more than once every 18 months, here in california at least.

      That's an OK policy if you don't plan to surface later in life. But, down the road, try to get a gov't job, or run for office, having to explain all those tickets you had gotten every 18.1 months.

      Those little citations are criminal convictions that will cost you the job.

    4. Re:Consequences not effective by Fallen_Knight · · Score: 1

      I don't think so. Thats so stupid i think most poeple would be like "screw that" And whats the goverment going to do then? If 75% of poeple speed, and they going to put 75% of poeple in jail?

      Pople speed 10+ bceause they damn well know that if everyones going the same speed the cops not going to ticket them, hell i've seen cops speed (20+ the speed limit, 10+ everyone else) and no lights or sirens on.

    5. Re:Consequences not effective by Anonymous Coward · · Score: 0

      Most only go a few miles per hour over the speed limit, so the speed limit law does actually have an important effect: You'll see traffic going faster in a "30" zone than a "20" one, even if everyone is actually speeding. I guess they should start setting speed limits a bit slower than the real safe speed.

    6. Re:Consequences not effective by Anonymous Coward · · Score: 0

      No, he's right. Yeah they'd be "Screw that", but they wouldn't be like that when they get slapped with a $10,000 ticket. People generally do illegal things because it's hard to get caught. For example, in riots, you'll see hundreds of people starting to loot things from stores. No moral backing? Of course there is! Many people will start stealing things because others are as well and it's pretty hard for cops to catch you. However, there is a point where people won't do things because of their morals, such as murdering. However, that's pretty extreme.

    7. Re:Consequences not effective by zero_offset · · Score: 1
      I guess they should start setting speed limits a bit slower than the real safe speed.

      They already do. The speed limit is normally 85% of the speed considered safe according to engineering surveys of the roadway in question using some relatively generic model of a car & driver.

      --

      Slashdot quality declines as the number of hot grits posts decreases. - Provolt's Law, Apr-09-2005

  14. Irony is the best sword to fall by. by Pavan_Gupta · · Score: 1

    It seems odd that the RIAA doesn't try and work with the consumers. But I'm sure this has already been said .. so with that..
    Make Backup copies of your stuff like you've never done before! GET TO IT! Make it a 50% increase.

    1. Re:Irony is the best sword to fall by. by BiggerIsBetter · · Score: 5, Funny

      Make Backup copies of your stuff like you've never done before!

      Heh, yeah, OFF-SITE backup copies. Lots of them! :)

      --
      Forget thrust, drag, lift and weight. Airplanes fly because of money.
  15. Artists Against iTunes by pgrote · · Score: 5, Interesting

    And from the "they keep shooting themselves in the head" department, Metallica says no iTunes do to principles. :
    "Artists hold out on iTunes on principle
    Reuters News Service

    LOS ANGELES -- The Red Hot Chili Peppers and Metallica are refusing to make their music available as individual downloads on Apple Computer's iTunes online music store.

    That move comes in response to Apple's decision to allow users to buy single tracks and is intended to protect the future of the long-playing album, said Mark Reiter of Q Prime Management Co., which manages the Red Hot Chili Peppers, Metallica and several other artists.

    Green Day and Linkin Park, according to a source familiar with the situation, have also refused to make their songs available as individual downloads on the Apple service, which has sold over 5 million songs. "

    -- Hey .. I have a great idea. Let's tick off our customers. They want this, but let's not give it to them. In fact, let's prosecute them. Works for me.

    Idiots.

    1. Re:Artists Against iTunes by Jaysyn · · Score: 3, Insightful

      Not stupid, greedy. Of course this is probably going to bite them in the ass anyhow. I'm also very surprised to see Green Day doing this, considering when "Dookie" was new you could get it for $10 at a record store here.

      I could give a shit about Linkin Park, they don't even write thier own music.

      Jaysyn

      --
      There is a war going on for your mind.
    2. Re:Artists Against iTunes by Cruciform · · Score: 4, Insightful

      Say that an album has 12 tracks. Usually only 2 or 3 of those tracks are the reason people buy the cd, since the rest is filler (in some cases good filler, in other cases crap).

      Now if you pay full price for the CD, they make more money than if you just bought the two or three good songs off iTunes.

      It makes perfect sense to them.

      The thing they need to realize is now that the option is there, people will prefer to spend 3 or 4 bucks getting the songs they want off an album rather than pay 15 for castoff songs. And if they don't learn to embrace the internet, they will be left behind by it.

    3. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      I could give a shit about Linkin Park, they don't even write thier own music.

      Not to mention their complete inability to correctly spell "Lincoln"!

    4. Re:Artists Against iTunes by colinleroy · · Score: 1

      Say that an album has 12 tracks. Usually only 2 or 3 of those tracks are the reason people buy the cd, since the rest is filler (in some cases good filler, in other cases crap).
      I don't really agree about the filler stuff. While it may be true for a majority of records, some CDs have to be taken as a whole. The Wall from Pink Floyd, for example, comes to my mind.

      --
      blah
    5. Re:Artists Against iTunes by Farrax · · Score: 1

      This is not about greed. This is about the artist deciding how and in what manner his or her art is to be presented.

      An analogous situation would be cropping a painter's artwork when displaying it, so that only the portions you liked were visible. You can do that on your own (when you've bought the painting, say) but presenting it for display or selling the cropped picture is unconscionable. Likewise, these musicians have declared that their albums are the full picture and none have the right to sell only part of the picture.

      It's not greed, it's just maintaining artistic integrity.

    6. Re:Artists Against iTunes by Cruciform · · Score: 1

      That's why I said usually... there are definitely exceptions, especially as you move away from the bubblegum bands and examine the works of bands that could actually be considered musical artists.

    7. Re:Artists Against iTunes by Spoticus · · Score: 2, Interesting

      While it may be true for a majority of records, some CDs have to be taken as a whole. The Wall from Pink Floyd, for example, comes to my mind.

      Yeah...and how many _albums_ have you found that that's the case for since file sharing came about? I can think of *maybe* 3 or 4 complete albums released in the last 5-6 years that I would listen to in full.

      I bought those though.

    8. Re:Artists Against iTunes by sforman · · Score: 2

      I could give a shit about Linkin Park, they don't even write thier own music.

      You could _not_ give a shit about Linkin Park. It's also "could not care less" not "could care less".

      Why do americans seem to have such a problem with this phrase?

    9. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      "I could give a shit about Linkin Park, they don't even write thier own music."

      Don't you mean "I coudn't give a shit"?

    10. Re:Artists Against iTunes by realdpk · · Score: 5, Insightful

      These same artists that have supposedly declared their albums are the "full picture" allow the radio stations to chop up the album in to individual songs, allow the DJs to chatter during the lead-in and lead-out, and allow the radio stations (or the labels) to censor their lyrics.

      Artistic integrity is quite obviously not the prime concern for them.

    11. Re:Artists Against iTunes by squiggleslash · · Score: 1
      What nobody's ever explained to me about this one is why nobody's told them that you can, indeed, restrict people to buying entire albums in order to get specific tracks on the iTMS.

      It's true. I've had to buy at least two albums because only two or three of the tracks could be obtained individually.

      --
      You are not alone. This is not normal. None of this is normal.
    12. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      This oft-repeated argument is sheer bullshit. Of course on slashdot it gets modded +5 all the time.

      Not every CD is mostly filler. I can think of MANY examples where the CD is full of great music.

      This is the same damn argument that pro-"sharing" pundits keep spouting over and over again--and it's just wrong on many levels. You want to break up Abbey Road, or Dark Side of the Moon into singles too?

      Sure, Metallica may be releasing complete crap these days, but not every artist does. I prefer to support my favourite artists by BUYING the whole album. In most cases I've come across, you're missing a LOT of good music if you believe that 90% of the album is "filler".

    13. Re:Artists Against iTunes by Tingler · · Score: 2, Insightful

      Why do americans seem to have such a problem with this phrase?

      Why do you assume he is American?

    14. Re:Artists Against iTunes by rifftide · · Score: 1

      And sometimes the hit songs were written by external songwriters, like "Last Kiss" from Pearl Jam, while the so-called album cuts are often written by the band. So there's a bigger royalty split, percentage wise, when the hits are sold as singles.

    15. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      It can be "I could give a shit about this" meaning it's worth shitting over,which in itself is an insult.Like I could give a shit and that's all. It doesn't work the same for the "Caring" statement.

    16. Re:Artists Against iTunes by LouisZepher · · Score: 1

      Tell that to Tom Bombadil...

    17. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      Good examples.I think he was just grabbing at thin air ,trying to formulate some "nobel ideal",rather than calling it what it is.

    18. Re:Artists Against iTunes by Mr+Bill · · Score: 1

      If they are truly artists, then they shouldn't complain about people NOT buying their 'art'.

      If it was about the 'art' then why not drop the price on their albums, so more people can enjoy their 'art'?

      If it is about the 'art', then why allow radio stations to play individual songs instead of forcing them to play the entire album?

      In my opinion it is all about maximizing profits... Art left the mix once they signed that record contract!

    19. Re:Artists Against iTunes by AtariKee · · Score: 1

      Last Kiss was a remake of a 60s hit song by J. Frank Wilson & The Cavalry, but I understand where you're coming from. The same thing applies, but not in a "writing songs for Britney Spears" type arrangement.

      --
      "You're getting brutal, Sark. Brutal and needlessly sadistic."
      "Thank you, Master Control"
      -Sark and the MCP
    20. Re:Artists Against iTunes by DamEEZ · · Score: 4, Insightful

      I have to say that I am partial to the long-playing album. The iTunes style of music distributionoffers a lot of freedom to the consumer to purchase as much or little content as he or she would like, but could this threaten the existence of the long-playing album? What insentive does the artist/music industry have to create albums when the model has changed so drastically? It seems like artists and labels would now want to get each track out as quickly as possible.

      I was a little distressed at this idea at first, because I really think that the album can have some holistic worth that is not present in the tracks individually. This is most obviously true in the genre of progressive rock where concept albums are popular. Concept albums are albums in which the songs are tied together by a theme or plot that operates within the lyrics and often also within the music itself as themes are reprised and re-orchestrated in a manner that allows them to be expressive through their relationship to each other as well as their own intrinsic expression. And there are many other non-concept albums out there that stand as complete pictures that would not at all be the same were the tracks to be separated.

      As the musical medium has progressed from live to vinyl to magnetic recording to compact discs and now to the intanbible realm of bits, I do feel that we are losing as much as we gain. Im only 19, but I know that back in the days when the Beatles were releasing vinyl, you would buy the album not just for the music, but for the art and other goodies that came along with it, and, perhaps most importantly, because you wanted to support the group and teh ideas they represented. Nowadays music seems to be as disposable as all of our other goods have become. Im horified by the idea that music could become as stripped down as it now is.

      However, I fully support the new way that music distribution is going, not because I think that disembodies mp3s are better than vinyl or even compact discs, but because I think that it may challenge artists to create something worthy of our ownership.

      I've really been nauseated over and over by the crap that is being pumped out of the music industry lately. From the boy band thing to linkin park and rap rock, music has gone from a medium of expression to a formulaic and mindless medium of moneymaking. This is not entirely true of music, but of most of the junk that teh RIAA is representing in its rampage.

      As an artist myself, I look at an album as more than some sort of physical medium for the noise I make. Seeing the album as an arbitrary medium for music is analogous to the functionalist school of AI. The way we are demmanding our music to be served to us shows that we dont see the medium thorugh which we hear or acquire it as important to the music itself. while I do subscribe to a certain brand of functionalism when it comes to AI, I actually believe that the medium is very important when it comes to music. Music is art, and the musical release - the album - should be a work of art. The graphic art and words that come along with a physical album ought to contribute to the music, and the music itself must merit the words and grapgic art that accompany it.

      so I am not protesting our lack of concern about how we acquire our music. Rather, I am hoping that the music industry might now be driven to create music that deserves to be embodied and owned in something more corporeal than a digital file.

      I guess Im done ranting, but inconclusion, if Metallica and the Red Hot Chili Peppers are going to refuse to let peopel download their music because the want to protect the long-playing album, they had better get started creating an album that is not translatable into digital files as easily as they are now. Im talking abotu a different kind of copy-protection here. when more mainstream artists begin releasing albums that are worth more than the sum of their tracks, more people will shell out the bucks to own a piece of art. I'll still have my ipod loaded with music, but I will also have the albums of my favorite artists at home so that I can appreciate them as a whole.

    21. Re:Artists Against iTunes by Surak · · Score: 4, Insightful

      This is the same damn argument that pro-"sharing" pundits keep spouting over and over again--and it's just wrong on many levels. You want to break up Abbey Road, or Dark Side of the Moon into singles too?

      Abbey Road, Dark Side of the Moon. Yeah, those would be by the Beatles and Pink Floyd, artists with great enough talent to produce concept albums.

      Tell me (and no fair using google): What album was "Come on Eileen" by Dexy's Midnight Runners released on? Many people like and enjoy the song, but I'd be willing to be almost NO ONE has the album.

    22. Re:Artists Against iTunes by danila · · Score: 1

      According to Apple, half of the songs are bought as parts of complete albums. Of course, if you make bad music, you will suffer from the option to buy only one song, but if you make quality music, you will instead benefit from increased number of people buying single songs and from many people still buying full albums.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    23. Re:Artists Against iTunes by Jaysyn · · Score: 1

      Well I am, I'm also from the south where both of the phrases pretty much mean the same thing. The parent is just picking hairs from my point of view.

      Jaysyn

      --
      There is a war going on for your mind.
    24. Re:Artists Against iTunes by Mod+Me+God+Too · · Score: 1

      But they bought the single, completing the argument iTunes is a good idea.

      --
      --

      It is not the commies, the government, the nigger, nor the corporates. It is your paranoia.
    25. Re:Artists Against iTunes by Anonymous Coward · · Score: 0
      I'm also very surprised to see Green Day doing this, considering when "Dookie" was new you could get it for $10 at a record store here.
      It doesn't matter if it was available for $5 and they'd be making more off the Music Store, because--and, see, here's the thing--they are objecting "on principle".
    26. Re:Artists Against iTunes by Imperator · · Score: 1

      True, and there's another incentive for them at work here. The filler songs are what create the real fans. Sure the radio hits make them rich, but what about the bands that have stopped making music? They go on tours where their hardcore fans dish out loads of cash. Basically, those filler tracks are their retirement plans.

      Not, mind you, that I think they somehow have an inherent right to that business model. But it's their right to control how their songs are distributed.

      --

      Gates' Law: Every 18 months, the speed of software halves.
    27. Re:Artists Against iTunes by Japer+Lamar+Crabb · · Score: 1

      "Too-Rye-Ay", released in '82. I didn't use google. But I do feel like a loser for having such disposable information at the ready...

      --
      Habit is the ballast that chains the dog to his vomit - Samuel Beckett, "Proust"
    28. Re:Artists Against iTunes by Lord_Dweomer · · Score: 1
      "The thing they need to realize is now that the option is there, people will prefer to spend 3 or 4 bucks getting the songs they want off an album rather than pay 15 for castoff songs."

      If they were intelligent, they would go along with it, enable people to buy the individual tracks, but work not just to promote their name, but to promote the fact that the album is EVEN BETTER if they listen to the whole thing. Its all marketing. Now that people have the option to buy individual songs instead of the whole deal, the marketing people's roles will not include the job of convincing people that the rest of the crap songs are worth downloading too.

      Hell, the artists might even have to make more than two songs that are worth listening to. They can cry me a god damned river for all I care. REAL businessmen would find a way to adapt, but I guess that just shows what they are. Talentless hacks.

      --
      Buy Steampunk Clothing Online!
    29. Re:Artists Against iTunes by ctve · · Score: 1
      No-one cares less about Metallica any more. They are the RIAA's bitches. Many people have turned their backs on them over Napster. Some people have downloaded every bit of Metallica they can off P2P just as a "fuck you" to them.

      God only knows how few records they sell now.

    30. Re:Artists Against iTunes by Snaller · · Score: 2, Insightful

      "Artists hold out on iTunes on principle"

      The principle being greed.

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    31. Re:Artists Against iTunes by ctve · · Score: 1
      Tell me (and no fair using google): What album was "Come on Eileen" by Dexy's Midnight Runners released on? Many people like and enjoy the song, but I'd be willing to be almost NO ONE has the album.

      Probably a bad example. Kevin Rowland was an ace songwriter, and certainly one other Dexy's album is excellent.

    32. Re:Artists Against iTunes by Surak · · Score: 1

      Yeah, but I'm almost willing to bet that you're from the UK, where Dexy's was a much bigger hit, so you don't count anyway. :)

      *ducking*

    33. Re:Artists Against iTunes by Tokerat · · Score: 1

      It's all about control. If people can only buy the 1 song they like then that's all they'll buy. I bet the math works out more in their favor as far as the ratio of people who won't buy a shitty album for one song to the people who will buy the whole album for just the one good song.

      Greedy fucks. I'd like to see an artist (a good one, mind you) stand up against this kind of shit and refuse to let their ALBUM be sold on iTMS, instead insisting that all their songs be sold individually.

      But the problem can be solved in one fell swoop: Attention Whores of the Music Industry: STOP PRODUCING ABSOLUTE BULLSHIT AND PEOPLE WOULD GLADLY BUY A WHOLE ALBUM! IF WE WANTED A DISC WITH PURE SHIT ON IT, WE'D THROW AN AOL CD IN THE TOILET, THANKS.

      --
      CAn'T CompreHend SARcaSm?
    34. Re:Artists Against iTunes by Surak · · Score: 1

      Kevin Rowland *was* an ace songwriter.

      However, Dexy's wasn't as big a hit in the U.S. as in the U.K. and most Americans just couldn't relate to their music. Hence the reason "Come on Eileen" was a big hit, and everything else was basically a flop on this side of the pond.

    35. Re:Artists Against iTunes by mickwd · · Score: 1

      Not gonna spoil it by giving the answer, but just to say it's a bloody good album; definitely one where most tracks are worth listening to, and worthy of being downloadable in their own right.

    36. Re:Artists Against iTunes by ratsnapple+tea · · Score: 1

      I'm pretty sure "I could care less" derives from "As if I could care less," except somewhere along the line everyone stopped saying "As if." Maybe it was the late 80s.

      So don't take it at face value. You can call it sarcasm if you like. As far as I'm concerned, the self-proclaimed popes of grammar who get uptight about things like this make themselves look stupider than the people they attack... but then, I could really give a shit.

      luv

    37. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      Inflammable means flammable? What a country!

    38. Re:Artists Against iTunes by eMartin · · Score: 1

      Why do you assume he is a he?

    39. Re:Artists Against iTunes by Llywelyn · · Score: 1

      No, you can't.

      According to the license agreements the only way you can do this is if that individual song is over 7 minutes (or so) long, that is the only exception to their "album only tracks"

      --
      Integrate Keynote and LaTeX
    40. Re:Artists Against iTunes by the+end+of+britain · · Score: 2, Informative
      This is a real canard. On iTunes, classical music--where the tracks are often 17 minutes long--can frequently be purchased ONLY as a complete album. Metallica could have, I suspect, made the same deal. So I don't buy the "its about preserving the album" rationale. Metallica has obstructed every attempt to offer online music services since the technology's inception--this is merely the latest maifestation of their total commitment to derail ANY download based distribution model.

      --
      "Oh, the tragedy of math gone wrong. I can't even talk about it." -Wil Wheaton http://www.wilwheaton.net
    41. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      You're wrong, Linkin Park do not write their own music. A bit like you could give a shit about them, they do(n't) write thier (sic) own music. The point being, the phrase you were not looking for is "I couldn't give a shit", unless of course I am embarassingly mistaken, and you do actually give a shit about them (i.e. that is what you said).

      If you meant you couldn't give a shit about Linkin Park, but wrote you could, how exactly would you go about writing the fact that you do give a shit about them? (Hint: "I could give a shit" would be exactly that).

      End of lesson.

    42. Re:Artists Against iTunes by Anonymous Coward · · Score: 0
      What a terrible example! Too-Rye-Ay rated very highly in lots of millenial "best album" lineups. The remastered version sold well for a back catalogue release last year as well (and what 80s compliation *isn't* Come On Eileen on?). In common with the albums you identify its a coherent whole and has a stylistic concept of sorts informing all the songs on the album as well.


      I get your point, but the example stinks. I recommend you get a copy so some good can come of this ;-)

    43. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      Because it is an extremely popular phrase to screw up for Americans. Just like proper spelling, proper grammar and usage eludes most Americans. Non-English speakers, who, you know, have to actually LEARN the language, don't make nearly so many stupid mistakes.

    44. Re:Artists Against iTunes by Anonymous Coward · · Score: 0
      Hell, the artists might even have to make more than two songs that are worth listening to. They can cry me a god damned river for all I care. REAL businessmen would find a way to adapt, but I guess that just shows what they are. Talentless hacks.

      And what makes you think artists are businessmen? If they were, RIAA wouldn't ever exist.

    45. Re:Artists Against iTunes by Tingler · · Score: 1

      Why do you assume he is a he?

      Touché.

    46. Re:Artists Against iTunes by Eythian · · Score: 1

      If Clerks has taught me anything, I beleive it is actually a porn film :)

    47. Re:Artists Against iTunes by b4rB3li7h · · Score: 1

      Why do you assume he is American? Because only americans speak this way (oh and those who are taught english as a second language by americans).

    48. Re:Artists Against iTunes by Spoticus · · Score: 1

      ...and allow retailers like Walmart to censor song titles on the cd labels (Waif Me??).

    49. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      I have to say that I am partial to the long-playing album. The iTunes style of music distributionoffers a lot of freedom to the consumer to purchase as much or little content as he or she would like, but could this threaten the existence of the long-playing album? What insentive does the artist/music industry have to create albums when the model has changed so drastically?

      You said it yourself:

      I have to say that I am partial to the long-playing album.

      If there are others like you, there will be a profit in producing them.

    50. Re:Artists Against iTunes by Anonymous Coward · · Score: 0

      Look at the stats... I remember reading somewhere that most people were still purchasing the entire album from the iTunes store. The album is still a good format if the band is worth it. Otherwise I'll take the one hit over the album.

    51. Re:Artists Against iTunes by svachi · · Score: 1
      Because Slashdot is sooo American-centric. Anybody saying anything on the board must be an american.

      BTW, I'm from Japan.

      --
      --- (The signature is intentionally left blank)
    52. Re:Artists Against iTunes by ogre2112 · · Score: 1

      Maybe so. But I don't really care how well my taxi-cab driver can speak. I just wish he'd use some fucking deodorant.

    53. Re:Artists Against iTunes by DamEEZ · · Score: 1

      Right. Im not worried that I will no longer be able to purchase albums from the artists I like, partially because the artists I like are for the most part ones who can put together a good album as well as good songs.

      I wasnt worried a couple years ago that somehow there would be nothing but boy-bands populating the future music industry. I know that good music will continue, but at the same time I cant help but be a little ill-at-ease when I see the way that mainstream, mass-market music is evolving.

      And although many people will indeed download an entire album from iTunes or the like, I would still say that an album ought to be much more than the noise that comprises it. Quality aside, the mp3's on my computer are not an album. Perhaps the same richness and artisty that is contained in the great vinyl albums of the past will find its way into the digital medium. But I don't know if it oculd ever be as tangible an experience.

      Im not worried. As a consumer, I'll support honest expression, an as an artist, Ill do my best to create for others.

      - charlie

    54. Re:Artists Against iTunes by femto · · Score: 1
      The irony is that the LP was invented because of frustration with the fact that a 78 could hold only a single song (or less).

      Perhaps iTunes can claim precedent and say it is defending the 78?!

    55. Re:Artists Against iTunes by b4rB3li7h · · Score: 1

      ummm, no i don't think sladhdot is that yank orientated, It seems to cover a wide variety of nationalities. I was commenting on the phrasing of the words.

  16. New P2P by Pros_n_Cons · · Score: 4, Informative

    Has anyone tried Earthstation5?

    supports SSL, Proxys, tunneling of UDP though port 80 and some other goodies to hide from ISP's, RIAA, etc?

    I've downloaded and tried it and was quite happy with it. You take a speed hit for your privacy but when the RIAA is screaming bloody murder it might be the only alternitive. Now all we have to do is e-mail them like made to get it ported to other OS's!

    --

    -- "of course thats just my opinion, I could be wrong." --Dennis Miller
    1. Re:New P2P by carpe_noctem · · Score: 5, Funny

      I would, but I can't see anything on their webpage, because apparently, they believe that flash is a suitable substitute for HTML and content.

      --
      "Quoting famous computer scientists out of context is the root of all evil (or at least most of it) in programming." - K
    2. Re:New P2P by ZiZ · · Score: 1

      Or better yet, we could email them like mad to release their source code and protocols. The source code license doesn't even have to be GPLed - something more restrictive would be fine by me - so long as it's open and avaliable, and the protocols are known.

      --
      This flies in the face of science.
    3. Re:New P2P by Anonymous Coward · · Score: 0

      Yeah I know, I was hoping OSS would be the first to put a project like this on the market. I'm a realist though not too many people write a closed source app, THEN open it.

    4. Re:New P2P by Datasage · · Score: 2, Funny

      I find it interesting that its based in palistine. So when will the RIAA start supporting the Isreal army to "accidentaly" target thier building?

      --
      In America we are imprisoned by our fear of them.
    5. Re:New P2P by Anonymous Coward · · Score: 1, Informative

      Yeah I hated that flash thing too the docs are also kinda hard to find
      The main points are here if you need them.

      Stealth Technology Components:

      One-Click Proxy Server - ES5 provides users with the instant ability to transmit and download via a "proxy server." Not to be confused with a corporate firewall/proxy/socks proxy, ES5 allows users to send connection requests through intermediary proxy servers located throughout the world so that the download destination of a file cannot be traced by any entity whatsoever.

      SSL - Secure Sockets ö Ensures that the agents of the Evil Empire cannot monitor a userâs uploading or downloading activity. When a user downloads a file, ES5 will provide the user the option to automatically deploy SSL by right clicking. The only negative side effect is that SSL causes the download to be slower due to processing overhead.

      UDP - User Datagram Protocol - It is not possible to reliably scan UDP so Big Brother cannot examine a userâs computer to determine if ES5 is running, unless they themselves are connecting to the ES5 network. However, it is not possible to batch scan computers at random to establish if ES5 is in operation on a userâs computer.

      ES5 Security Key - ES5 utilizes a standard HTTP server to transmit files, but deploys a special "security key" so than only ES5 users can access your shared files.

    6. Re:New P2P by Anonymous Coward · · Score: 0
    7. Re:New P2P by MoOsEb0y · · Score: 1

      yeah, and it sucked. And from what I read, it's full of spyware too. Seriously. I looked into it when the whole "everyone's gonna get it" happened. There ARE no alternatives. That's why there is a problem in the first place.

    8. Re:New P2P by Anonymous Coward · · Score: 0

      Maybe the whole piracy is terrorism thing isn't so far fetched after all?

    9. Re:New P2P by commodoresloat · · Score: 1

      And when you see the flash there is no information about what platform it runs on... just "Download here" and then you click it and it takes you to a page to choose your location and then a direct link.... to an exe file. I had to start downloading the damn thing before I could figure out whether or not it would run on my machine!

    10. Re:New P2P by Anonymous Coward · · Score: 0

      Fuck earthstation5. Fuck their stupid astroturfing asses. And WTF is 'tunnelling udp over port 80' anyways?

    11. Re:New P2P by Istealmymusic · · Score: 1
      And WTF is 'tunnelling udp over port 80' anyways?

      "Tunnelling" is like proxying but goes to a specific port. I think you can do this with SOCKS, especially UDP tunnelling since SOCKS supports UDP. Hope this helps.
      --
      "The lesson to be learned is not to take the comments on slashdot too literally." --Vinnie Falco, BearShare
    12. Re:New P2P by Zanek · · Score: 1

      Its called:

      http://www.earthstation5.com/homeweb.html

      --


      Help pay for my wedding! Go to my kickass website
    13. Re:New P2P by Tim+C · · Score: 1

      Oh come on - if it doesn't explicitly tell you what platform it runs on, then you know it only runs on Windows on x86-based machines.

    14. Re:New P2P by Clovert+Agent · · Score: 1
      Try http://www.earthstation5.com/homeweb.html

      ...with a hefty pinch of salt.

  17. users are going to start hoarding songs... by anthonyrcalgary · · Score: 1

    I think this is a matter of users stocking up before the lawsuits start. Oh well. I really don't think it can be stopped, because people want it. It can only be made inconveniant. Besides, according to the Copyright Act (of Canada) I'm allowed to make copies of stuff for personal use. I can't share them, but my cable modem provider yells at me when I share anyway, so I don't.

    --
    When someone might yell at me, it has to be OpenBSD.
  18. No such thing as bad publicity... by shadowbearer · · Score: 4, Insightful

    With the RIAA being in the news so much recently, is it possible that this is simply more people all of a sudden discovering that they *can* share files?

    "What? We can do that? Cool. Look, there's links in the article to this software..."

    SB

    --
    It's old. The more humans I meet, the more I like my cats. At least they are honest.
  19. Genocidal Litigation... by Ivan+Raikov · · Score: 1

    'even genocidal litigation can't stop file sharers' Or to put it in the immortal words of the great Teacher and Leader of the American People comrade George Bush, BRING IT ON!

    1. Re:Genocidal Litigation... by Anonymous Coward · · Score: 0

      Obviously not the greatest of teachers since he said "Bring 'em on!"

    2. Re:Genocidal Litigation... by Anonymous Coward · · Score: 0

      Cut him some slack. After all, he's only Mini-George.

  20. "Genocidal Litigation" nice by Lelon · · Score: 4, Insightful


    It should be noted that this contradicts what has been reported in the main stream news, with one cable news channel reporting a 15% drop in file sharing.

    (off topic, when I'm posting a new comment to an article, slashdot should include the article on the page where I'm responding so I can reference it)

    1. Re:"Genocidal Litigation" nice by AndroidCat · · Score: 1

      I'm still amazed that someone was dumb enough to Godwin themselves by comparing this mess with genocide.

      --
      One line blog. I hear that they're called Twitters now.
    2. Re:"Genocidal Litigation" nice by the+gnat · · Score: 1

      "Genocidal Litigation" nice

      Tasteful, too. Somehow I'm unable to conjure up the appropriate amount of hysteria to imaging the RIAA lobbying team herding Kazaa-using college students into cattle cars. I realize that "piracy" has entered the popular lexicon as a synonym for IP theft, but I'm pretty sure "genocide" is still reserved for really serious stuff like mass murder.

    3. Re:"Genocidal Litigation" nice by Anonymous Coward · · Score: 0
      Last I heard, "ethnic cleansing" was last used for actual genocide.

      Member of the League of Ordinary Gentlemen.

    4. Re:"Genocidal Litigation" nice by Lord_Dweomer · · Score: 1
      "with one cable news channel reporting a 15% drop in file sharing."

      Any idea which news channel? Wanna bet its owned by Time Warner? Its all PR. The news wants you to think use of P2P is going down so people stop doing it. While an article that correlates the RIAA's suing spree to increased use of file sharing is purely bad press for them. Although they will most likely try to spin it off in some new threatening way.

      --
      Buy Steampunk Clothing Online!
    5. Re:"Genocidal Litigation" nice by Lelon · · Score: 1

      I believe the term was somewhat co-opted after World War II and has since come to be used to describe the complete irradication of any single group, not necesarily people. A "scorched earth" policy of sorts.

      oh, and I seemed to have missed when dictionary.com started charging for the meaning of words.

  21. Personal Take by Catiline · · Score: 3, Informative

    My Gnutella node was loaded down with Linux ISOs, Cygwin software, and free ebooks (mainly PG texts). I say was because when this announcement came out, I decided getting caught in the crossfire was too high a risk (even if my offerings are 100% legitimate) and removed myself from the P2P scene. Given the RIAA's violent thrashings here -- for example, suing the college students for running mere indexing services -- I'm standing as far back as I can to watch the dinosaur's death throes. I'm sure I am not alone in that attitude, and the P2P traffic went up 10% anyway. I'm sure when you start seeing the stories entitled such things as "10,000 file traders arrested" we'll start seeing the boycott movement start in earnest.

    1. Re:Personal Take by danila · · Score: 1

      I don't want this to sound flamebait, but you really are paranoid. :) May be not a coward as another poster suggested, but definitely cautious.

      You were sharing only legit files, right. Even if we believe you, there were much more people sharing copyrighted songs and movies (someone had to share all the stuff that I downloaded). If they were not afraid to do it then, they are unlikely to stop now. Furthermore, there are many people (hundreds of thousands at least) sharing child pornography, which was always a risky thing to do.

      So you are not a very representative example, just an outlier.

      --
      Future Wiki -- If you don't think about the future, you cannot have one.
    2. Re:Personal Take by moncyb · · Score: 1

      Hey: want to give out good stuff? Set up a fscking web page.

      Then why don't you send him money for the web hosting and bandwidth costs. At least with P2P, the other users help distribute bandwidth costs so the publisher doesn't have to pay all of it...

    3. Re:Personal Take by agent+dero · · Score: 1

      You seem to have missed what the RIAA is doing, they are not really doing anything in "the name of the law"

      They are going after people to send a message to people like you. They are trying to spook folks

      As soon as they try to spook somebody that can afford a legal battle, they will get buried.

      Almost nothing to do with legalities, how is running a network search engine illegal?

      Somebody just needs to have the pockets and balls to bury them once and for all.

      --
      Error 407 - No creative sig found
    4. Re:Personal Take by caluml · · Score: 1
      What we need is truely anonymous file sharing that totally protects the sharer. (Help from networking/coding gurus appreciated.)

      Please mod me up so we can get some help/visibility with this.

  22. Free market in action by GammaTau · · Score: 4, Interesting

    This is free market in action. The artificial scarcity created by government regulation (copyright) is way out of touch with the reality so the free market, even when it has to operate as a black market, will take care of the customer demand.

    What needs to happen is serious consideration of how the supply can be kept running under these circumstances. One solution would be to allow unlimited music distribution as long as you don't charge any money for it. If the commercial exploitation of copyrighted material would still be an exclusive right of the copyright holder, I believe there is a big market where the copyright holder can make good profit. This would pretty much legalize the current practise where individual people can trade music online freely while the commercial distributors (e.g. CD sales) would have to pay.

    1. Re:Free market in action by angle_slam · · Score: 4, Insightful
      The artificial scarcity created by government regulation (copyright) is way out of touch with the reality so the free market, even when it has to operate as a black market, will take care of the customer demand.

      What 'artificial scarcity' are you talking about? There is nothing 'scarce' about music. You can go to any number of internet sites and buy CDs. Try buy.com.

      The free market is in action. It's just that people would rather pay $0.00 for music rather than anything more than $0.00.

    2. Re:Free market in action by Gta-Klue · · Score: 1

      What 'artificial scarcity' are you talking about? There is nothing 'scarce' about music. You can go to any number of internet sites and buy CDs. Try buy.com [buy.com].

      I'd say the scarcity is this: The lack of good music to buy, not the availability in itself
      In other words, I'd be willing to buy good music, not the crap they keep selling.

      --
      This is PURE EAU DE TROLLETTE
      09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
    3. Re:Free market in action by squiggleslash · · Score: 1

      And how is peer-to-peer going to help there? Do the Spice Girls suddenly become listenable to at 192kbps?

      --
      You are not alone. This is not normal. None of this is normal.
    4. Re:Free market in action by Anonymous Coward · · Score: 1, Insightful

      I checked out that site, but apparently you can only buy songs all bundled together on one CD.

      And apparently the track layouts are fixed and you can't mix them from different artists.

      And I didn't see what format they were in (MP3, WMA, etc) so I could get them on my computer faster.

      And apparently they would have to ship something to me through the MAIL to unlock my tracks (or maybe the thing they ship actually IS the music, what the hell).

      Well, you get the point. These are different markets. But I can call BS on your post anyway, I buy LOTS of tracks from the iTunes music store (mostly jazz), and the ones I can't get there, I download over P2P. Occasionally I buy the physical CD afterwards if I like the music. Indie labels always get my business.

      I really don't care if it costs $2 or $0.50 or $0.00, I just want it to be AVAILABLE, understand?

      PS: have you ever USED the iTunes music store? It's worth 0.99 per track just to be able to quickly find what you need and download it without errors. The stuff on P2P is worth about $0.00 because you have to hunt the stuff down and hope the guy doesn't turn off his computer, etc.

    5. Re:Free market in action by wuice · · Score: 2, Insightful

      I especially don't like the idea of buying a CD that won't play on my PC (which is where I listen to the majority of the music that I listen to). I consider this an unreasonable obstacle to my ability to use a CD that I paid for the way I want to. Because the recording and cd manufacturing industry has put as much energy as possible into obfuscating which cds are and aren't copy-protected, and eventually want all CDs to be copy-protected anyway, I'm not going to take my chances. That's why I stopped buying cds, not because I can get them on Kazaa.

      Of course, since the government has decided that other (harmless) acts I take part in are illegal (smoking weed for example), I am very accustomed to breaking the law and consider it part of my life here in the United States. I don't flinch at it very much. When people wonder why so many break the law in the US, I always try to remind them that a big part of this is because we have so many laws.

    6. Re:Free market in action by Imperator · · Score: 1

      No, this isn't the free market at work. At best, it's civil disobedience. The free market doesn't work when people break the laws. Unless you're willing to call Enron's defrauding of investors the "free market in action", you might be careful about applying that term to actions which are illegal, no matter what you may think about them ethically.

      --

      Gates' Law: Every 18 months, the speed of software halves.
    7. Re:Free market in action by angle_slam · · Score: 1

      There are a lot of copy protected CDs in the world. But there are very few copy protected CDs in the U.S. You may be able to use that as a reason in the future. But not now.

    8. Re:Free market in action by wuice · · Score: 1

      As I said, as long as the industry makes an effort to obfuscate whether or not a particular CD is copy-protected (ie, intentionally broken out of the box), I'm not going to bother. Deceptive marketing is no less unethical than downloading music.

    9. Re:Free market in action by robogun · · Score: 1

      Permit me to remind you that you and I already pay for the music. For instance, radio stations pay ASCAP/BMI to play music. That money comes from ads for products you and I buy.

      Whenever you buy these products you are supporting ALL the music, even (and this is tha part that galls me the most) shitty gangster crap music that rocks my fucking apartment at 3 in the morning.

      The only way to completely NOT pay for music is to actively avoid products advertised on radio and TV, and also those sold in stores that play background music.

      RIAA insisting on being paid, in advance, for every molecule of air moved by their recordings is the reason for the almost universal hatred for them.

      Face it, the RIAA you love and support is done as a business model. The only reason they have made it this far is that the technology only came into existence in the last 10 years.

    10. Re:Free market in action by Peaker · · Score: 1

      When something is virtually infinitely available (low-cost copying / file sending and sharing), then the free market value of it approaches 0 (The prices of vegetables during the great depression for example, where there were so many in the market their price dropped below the cost of shipping - resulting in mass destruction of produce).

      When the value is monopolistically/artifically (via law) set to non-zero - this means that not everyone will afford to get it, and it is assigned the value of a scarcer resource than it is physically. This is artificial scarcity.

    11. Re:Free market in action by evilWurst · · Score: 1

      Why do people continually equate this to a black and white "bah! You're all greedy!" argument? Price is a spectrum. Just because people don't accept a $17 price doesn't mean they won't accept $10, or, dare I say it, $5. In a world where people buy bottled water, it's fairly obvious that people are willing to pay far more than $0 for things they could get for $0.

    12. Re:Free market in action by awol · · Score: 1

      What 'artificial scarcity' are you talking about? There is nothing 'scarce' about music. You can go to any number of internet sites and buy CDs.

      Artificial scarcity is a techinical term. If I create a recording and you take a copy, I still have my copy, no scarcity. Bread is different, cars are different, the right to enjoy a piece of land is different. Therefore these things have scarcity and thus price. Art, through copyright has an artificial scarcity created through copyright, without that constraint there is no scarcity. That is what is meant by artificial scarcity. Not some childish idea that there is some conspiricy to make recordings artificially scarce by retricting their production.

      --
      "The first thing to do when you find yourself in a hole is stop digging."
    13. Re:Free market in action by Anonymous Coward · · Score: 0

      What 'artificial scarcity' are you talking about? There is nothing 'scarce' about music.

      Copyright 101:

      When you can copy creative works easily, the scarcity of those creative works is almost zero. This means that it's very difficult to sell creative works. If it's very difficult to sell creative works, it's very difficult to make a living by creating said works. If it's very difficult to make a living this way, not many people would do it, and the creative works available to the public would drop in quantity.

      Now, governments introduced copyright, which allows creators of original works to have sole reproduction rights over their creations, in effect, creating an artificial scarcity of that work - if only the creator has reproduction rights, they can control the supply, so if the demand is their, they can make money. This gives an incentive to create, and hence promotes the creation of original works.

      Now, when I want to buy a song I heard somewhere, I can only get it through the copyright holders or people acting on their behalf. This is the artificial scarcity - the copyright holders control the (legal) supply. Just because the goods are easily bought in a shop, it doesn't mean they are not artificially scarce (otherwise I would be able to go to another source for the song I wanted).

      Just because there are other songs out there, it doesn't mean that that particular song is not artificially scarce. For people who have trouble getting a handle on all things digital, I'll convert it to a physical example. I have an orchard, and I grow extremely nice applies. However, my orchard is small. My neighbour has a very large orchard, but his apples don't taste as nice. Now, when we go down to the local market to sell our apples, and I sell out in a matter of minutes, you wouldn't claim that my apples aren't scarce because you can buy apples from my neighbour, would you? In a similar vein, I don't particularly care if there's lots of music about, if all I want to listen to at this particular moment is a specific song that I can't get out of my head.

      The original poster was saying that the original aim of promoting the creation of works is falling down because the copyright holders are abusing their rights over the supply of these materials. A black market is being created because the demand is still high, but the prices are seen as unreasonable. As an example, I cannot buy the song I like; I have to buy a dozen or so - purely to boost the profit margins of record company executives that do some pretty disgusting things.

  23. RIAA their own worst enemy. by Anonymous Coward · · Score: 1, Informative

    It's true.

    Just as many here on /. speculated, the RIAA's setting their sights on the end users is spurring the creation of P2P systems where the identity of the end user and/or what they are sharing are practically impossible to ascertain.

    Nothing motivates people quite like the fear, however small, of being prosecuted and having to cough up your life's savings to a bunch of greedy bastards.

    Memo to RIAA: Just give up, okay? You made your bed with the years of overcharging and price-fixing, now it's time to lie in it. Your customers are fed up with being overcharged and assumed to be criminals. If I have to pay you a piracy tax for every blank CD I'm buying, then I'm going to download some shit-- after all, I've already paid you for it.

    Your business model has been obsoleted. Get with the times, give the people what they want, or prepare for termination.

  24. Spooked some warez junkies too by Anonymous Coward · · Score: 0

    I was surprised and amused when I saw some people on macserialjunkie.com all of a sudden posting things like: OMG HOW CAN I DELETE BIT TORRENT AND KAZAA AND STUFF OFF ALL MY COMPUTERS SO NO ONE WILL EVR NO I P1R4T3D MUSIC AND I WONT GET SU3D AND MY PARENTS W0NT K3LL ME?

    and even one of my good friends recently heard by way of mouth that the RIAA was going to begin massive lawsuits- so she was staying off kazaa for a while. I told her not to worry about it and just limit her uploads.

    Basically, this IS scaring laymen. But for every layman out there, there exists a nerd to set them right.

  25. RIAA publicity == increase swapping by ejaw5 · · Score: 0, Redundant

    As long as the RIAA keeps attracting media attention, more people will download music.

    Back in 1999, it was a chance game downloading music off of websites, audiofind IIRC was a favorite. But selection was limited, so FTP started to look like an option, but ratio trading was rather impossible with dialup. Then one day on the evening news, they were reporting on this thing called "Napster" that was common among many college campuses, straining networks. First thought: there's a program out there that lets you FIND ANY (most) music and just download them that easy.....I got to try this out!

    --

    $cat /dev/random > Sig
  26. now's the time for PeerGuardian. by Anonymous Coward · · Score: 0

    http://homepage.ntlworld.com/tim.leonard1/pg/PeerG uardian_1.97b.zip

    PeerGuardian is a simple P2P-enemy blocking program. It was initially just made for a few friends on XS.

    It has aggression control so users can control the CPU versus their connection (dial-up users can use it with 20% aggression) and works in conjunction with the PG IP Database, an on-line database of P2P-enemy IP addresses which users can submit to, vote on submissions or add comments on existing ranges. Latest version is compatible with the 'Bulk Update' feature of the WWW-based PG2-IP-DB.

    PeerGuardian is freeware.

    1. Re:now's the time for PeerGuardian. by AndroidCat · · Score: 2, Insightful
      Hmm, and how is this going to detect and add to the enemies list a RIAA Collectinator using a dynamic IP address? It's not like they're going to have a big sign on their packets. By the time the law suits start landing, it's too late to look for shelter.

      I can see a small whitelist circle of trust system working, but I can't see a wide system with blacklists managing to fly under RIAA's radar.

      --
      One line blog. I hear that they're called Twitters now.
    2. Re:now's the time for PeerGuardian. by Anonymous Coward · · Score: 0

      i dunno, maybe they could ban big blocks of IPs with know offenders?

    3. Re:now's the time for PeerGuardian. by AndroidCat · · Score: 2, Insightful
      Big blocks of IP addresses. Like AOL? :^P The RIAA is hiring independent companies who are going to going to use dial-ups and whatnot on scores of ISPs. They'll look like normal users (and maybe not even leeches if they share legit stuff). "Are you sure?" "I would."

      And what is a known offender? When someone gets hit with a lawsuit, it's not going to say "IP x.x.x.x sends his regards". Somewhere in the log of people that downloaded the offending file(s) is the IP they used, and are now using something completely different.

      Blocklists might lock out file hogs, but they'll be useless against the RIAA's collectinators.

      --
      One line blog. I hear that they're called Twitters now.
  27. bitTorrent by bstadil · · Score: 3, Informative
    Why use this old system when your are perfectly safe using Bit-torrent?

    Lot's of search sites has emerged so you can pick and choose what you want, and leaving a few uploads open all the time as quid pro quo.

    You can even rate the stuff out there.

    --
    Help fight continental drift.
    1. Re:bitTorrent by elohim · · Score: 4, Informative

      http://www.lowta.cx/upload/c/comcastwtf.png

      Interesting stuff. I'll be using PeerGuardian from now on.

    2. Re:bitTorrent by Yosho · · Score: 5, Informative

      How does BitTorrent make you any more safe than any other filesharing system? In fact, I think it would be trivial for someone working with law enforcement to go through search sites like the one you just listed with a client such as this one and grab the IPs of everybody downloading the file.

      --
      Karma: Terrifying (mostly affected by atrocities you've committed)
    3. Re:bitTorrent by grishnav · · Score: 1

      Yes, that's right. Bit torrent is MMUUCCH safer. You just keep using it and thinking that, now... Note for the intelligent: BT is perhaps less safe than other networks, because the tracker keeps track of your IP, and is more than happy to report it.

    4. Re:bitTorrent by Anonymous Coward · · Score: 0

      Yep, I bet the MPAA and RIAA launch all of their searches from 1 RIAA Plaza. Peer Guardian is useless because the xxAA hire OTHER COMPANIES to do these searches.

    5. Re:bitTorrent by AndroidCat · · Score: 1
      As long as a system will tell anyone who's looking "yes, I have that file, here's an IP address" they can find at least one person to pin.

      Small closed trusted groups would work, barring a turncoat. Perhaps some sort of friend of a friend trust validation might slow them down.

      --
      One line blog. I hear that they're called Twitters now.
    6. Re:bitTorrent by Anonymous Coward · · Score: 0

      All their packets have the Evil RIAA bit set.

    7. Re:bitTorrent by Inda · · Score: 1

      Oh dear. All the tottent sites are being slashdotted again. No more search sites for a week or so... again.

      Seriously, if you like BT and the search sites then don't post links.

      --
      This post contains benzene, nitrosamines, formaldehyde and hydrogen cyanide.
    8. Re:bitTorrent by TheRaven64 · · Score: 2
      Why use this old system when your are perfectly safe using Bit-torrent?

      Why are you safe using BitTorrent? Last time I grabbed an ISO using BitTorrent I was able to click on the 'advanced' button and see a list of the IP addresses of the other peers and seeds. It would be a simple matter to note them down and forward them to a legal department.

      Actually, BitTorrent is possibly less safe than something like Kazaa, since Kazaa is closed source, requiring a small amount of reverse engineering to be able to track downloads, which may well be beyond the ability of the RIAA...

      --
      I am TheRaven on Soylent News
    9. Re:bitTorrent by AndroidCat · · Score: 1
      which may well be beyond the ability of the RIAA...

      But not beyond their bank accounts to hire. Here's a news article on some of the type of companies being hired. (Note this: "MediaDefender's engineers - previously in the business of foiling radar systems for the Pentagon" Hmm.)

      --
      One line blog. I hear that they're called Twitters now.
    10. Re:bitTorrent by Hodr · · Score: 1

      I suppose the fact that all you need do is log on to the tracker and see ever ip that is on the torrent, what speed they are currently uploading / downloading and what percentage of the file they already have make it a much more secure system.

      Hell, the source is openly available, they would only need a slight tweak to the "experimental client" to remove uploading / downloading and they could sit and log every ip that ever connects to the torrent and exactly how much they uploaded and downloaded.

    11. Re:bitTorrent by jroysdon · · Score: 1


      What's to stop RIAA/MPAA from ordering up cablemodem or DSL service to get around PeerGuardian? Especially non-static dynamic PPPoE-based DSL where they can easily change their IP address on a whim.

    12. Re:bitTorrent by commodoresloat · · Score: 1
      Seriously, if you like BT and the search sites then don't post links.

      Yeah, don't share information with others. It goes against the spirit of bittorrent and p2p.

    13. Re:bitTorrent by smcn · · Score: 1

      Whoever faked that did a pretty shoddy job. I mean, come on... The logo and address aren't even slanted with the rest of the page. It would have looked a lot more authentic had he actually printed it out and then scanned it back in.

    14. Re:bitTorrent by yarbo · · Score: 1

      You're safer with BitTorrent than KaZaa (for example)because with Kazaa, they know everything you've downloaded if it's still in your shared folder. With BitTorrent, they can't tell a one time downloader from someone who has downloaded thousands of files.

    15. Re:bitTorrent by Anonymous Coward · · Score: 0

      I'm sure it is authentic regarding the quality of the scan. I received an email from attbi in 2002 about this (before they were comcast). The letter was composed almost identical, including the details and friendly reminder how evil you were for doing this. ;) I posted it up at dslreports immediately following, but their archives are cumbersome and wasn't able to immediately find it.

    16. Re:bitTorrent by Anonymous Coward · · Score: 0

      Every tracker that goes down is a reminder that Bittorrent is STILL too centralised - and thus, by the way, extremely vulnerable to attack should a tracker get compromised.

      Stop bitching about the protocol not being able to cope, help improve the protocol.

  28. Lazy RIAA by cervo · · Score: 5, Interesting

    "Weiss said the recording industry should lobby for special taxes on CD burners and Internet access as a way to recoup losses incurred from file sharing, an idea that Grokster's Rosso also supports."

    Yeah right, so you can't properly secure your own cd's or whatever, so go ahead and put a tax on internet access and cd burner's to make up losses because of your own incompetence. And as we all know, no one uses CD Burners for say....backups, or transferring legitimate files from one person to another. No one uses the internet to do do legitament things like research. So of course everyone should Pay the RIAA and help them. Never mind that if they really want to stop piracy they should be better protecting their own media.

    The worst thing is that the RIAA probably has enough influence in Washington to pull something like this off!! What's next, Microsoft builds an internet monitoring meter into windows to send usage statistics to the government so they can bill you monthly. Then Linux is outlawed for not having the US government metering package?

    1. Re:Lazy RIAA by Gunsmithy · · Score: 2, Funny

      You'll take my Redhat from me when you pry it from my cold, dead hands!

      COME GET SOME, COPPERS!

      --
      Kids these days. They don't know the difference between classic, and just plain old.
    2. Re:Lazy RIAA by Anonymous Coward · · Score: 0
      The worst thing is that the RIAA probably has enough influence in Washington to pull something like this off!! What's next, Microsoft builds an internet monitoring meter into windows to send usage statistics to the government so they can bill you monthly. Then Linux is outlawed for not having the US government metering package?

      Don't give these guys any ideas :-)

    3. Re:Lazy RIAA by C_To · · Score: 2, Insightful

      Something close to this exists in Canada. We have a levy on blank CDs here, with the money going to the RIAA to recoup costs. Fortuneatly, with the creation of the levy, the copyright rules changed slightly, allowing other users to make copies of music CDs they don't own as long as I don't do it for them physically.

      But on the negative side, how many people back up their data on CD-Rs? I'm sure that most of us have used at least 1-2 CD-Rs to back up data for work, for school or what not. I mean let's be realistic, we're not going to back up that 20GB drive of ours onto floppies and DDS DAT drives are too expensive. So whenever I use a CD-R to back up data I made, part of the cost of that media goes to the RIAA, which is unfair and in my opinion stealing. They're assuming with their large ego's that whenever a CD is burned, they're losing money. I have done some consulting work in the past for copies that use CD-Rs to back up important database files because the unit and the media is still fairly inexpensive. But the media could be even cheaper without this assumption of being guilty of a crime without even committing it yet.

    4. Re:Lazy RIAA by mark-t · · Score: 1
      Actually the RIAA has absolutely nothing to do with the Canadian levy (and I'm sure you would realize this if you thought about what RIAA *STANDS* for). The levies are actually collected by the Canadian Private Copying Collective (CPCC), which is responsible for distributing the money to organizations representing record companies, producers, and others who own the rights to copyrighted material. Since the regime was established in December 1999, the CPCC has collected over $28 million in levies. According to an article in the Globe and Mail on February 26, 2003, only $6.8 million has been dispersed to copyright holders to date.

      People who use their CD-R's for purposes *other* than reocding music can, apparently, appeal to the CPCC for a levy rebate, a process that requires far more record keeping and beaurocracy than what should be reasonable to expect.

    5. Re:Lazy RIAA by Jonavin · · Score: 1

      What's worst is that they are proposing to add the tax to hard drives, SD, CompactFlash and other flash memory products. I saw I sign at Best Buy encouraging people to protest this proposal... also noting that we are already paying a levy for CDRs and other recordable medias.

      This pisses me off because a large portion of my storage needs goes to my own personal digital photso and NOT music. Never mind that almost all of the MP3s on my HDD are ones ripped from my CD collect. The rest that I have doesn't even cover the money stolen by the levies.

      Here's something for the "Music Industry" to chew on... I used to buy 2 CDs per month, now I buy none after finally out about the levies. .... And you still owe me money!

    6. Re:Lazy RIAA by SN74S181 · · Score: 1

      Don't be a dork.

      You're talking about computer software, you know.

    7. Re:Lazy RIAA by vsack · · Score: 1

      Yeah right, so you can't properly secure your own cd's or whatever, so go ahead and put a tax on internet access and cd burner's to make up losses because of your own incompetence.

      It has nothing to do with properly securing CDs. It has to do with trying to force a business model that no longer works in the Internet age onto consumers.

    8. Re:Lazy RIAA by JustDisGuy · · Score: 1

      Here in Canada, the gov't has authorized a levy on recordable media, which is to be distributed to the Recording Industry Association to help mitigate perceived losses due to illegal file sharing.

      Note, no software developers get ANY share of this - just the music providers.

      I never downloaded an MP3 in my life before I was forced to pay this levy. As a result of being forced to do so, I have put an over 3000 song library on one of the P2P systems for all to share. I figure we are paying for the music already - might as well make sure that peeps get their money's worth.

      --
      "Never attribute to malice that which is adequately explained by stupidity." - Hanlon's Razor
    9. Re:Lazy RIAA by evilWurst · · Score: 1

      An internet tax is the scariest part of all. Heaven forbid I might be using the internet to read slashdot, send email to mom, do online banking, or order some CDs from Amazon. Hell no, the only use of the internet must be for murderous eyepatch-wearing parrot-feeding pirates! ARR!

      It's doubly scary because I think the government (both federal and states, for the USA, or federal and provinces, for Canada) secretly wants to tax the internet anyway, and wouldn't mind throwing a few percent of the take to the RIAA to appease them if it meant they got the rest of it for themselves.

    10. Re:Lazy RIAA by PingPongBoy · · Score: 1

      Then Linux is outlawed for not having the US government metering package?

      The whole problem is electricity. To wit, electric charge. Charges should not repel or attract. They should not cause or respond to magnetic fields.

      --
      Know your pads. One time pad: good for cryptography. Two timing pad: where to take your mistress.
    11. Re:Lazy RIAA by hackingwin2k · · Score: 1

      this is complete and utter crap....the fact is and always will be that very few people if anyone buy a cd burner and get internet acess with the plan of only using it to pirate music and movies....people sometimes use it for..humm ... idunno...checking email, talking in chatrooms, looking at porn, and backing up your hard drive, and sharing perfectly LEGAL files with a freind. The idea of proposing a tax for cd burners and internet access just for prodecers and music artists to recoup their losses is totaly flagrant. I know for a fact that none of the artists are going broke just because of morpheous and programs like it. Has anyone here ever seen "MTV cribs" yeah im sure snoop dogg is really having trouble finding the money to eat...come on guys this is completely retarded. I download music to see if i like the songs enough to buy the cd like alot of people do. Im not going to buy a cd just because its Eminems new cd...theres a chance i wont like it and then i would have spent $15 or more for a shiny coaster...everyone in the RIAA just needs to be back-handed

  29. I don't understand something... by droopus · · Score: 4, Interesting

    The RIAA does not own the copyrights to anything. According to the DMCA only the owner of the copyright can sue for infringement. The owner first must communicate in writing to the user's ISP, demanding that they take action.

    The ISP is bound by law to inform the user, who has the right, under penalty of perjury, to deny that he/she is offering infringing material.

    Now it gets interesting.

    If the user denies that he/she has been sharing, the ISP must inform the copyright owner, and that copyright owner has a limited amount of time during which it MUST bring suit against the alleged infringer, or the ISP MUST restore access.

    So, someone please tell me how the RIAA has the right to sue, since they own no copyrights?

    Also, if every person sued denies they are sharing, forcing the actual copyright holder to bring suit, wouldn't the sheer weight of litigation costs make this a really bad strategy?

    --
    "The pie shall be cut in half and each man shall receive.....death. I'll eat the pie."
    1. Re:I don't understand something... by SphynxSR · · Score: 1

      It is probably some kind of contract where the RIAA does all the work, takes all the heat. They are the proxy for the Record companies.

      --

      I don't suffer from insanity, I enjoy every minute of it.
    2. Re:I don't understand something... by Cylix · · Score: 1

      Funny,

      This isn't what is happening though...

      Here is the run down as I have witnessed it..

      1. Offending material is found by Corporate Industry. I'm sure it has been completely verified (sarcasm)

      2. Corps contact the ISP and acquire the users information.

      3. Corps have internet access disabled.

      4 Now, they issue a letter directly to the offending party detailing what has happened.

      It is then up to the offender to apologize, say never ever to do it again, and then access is re-enabled by the ISP. (Corps issue the re-activation order)

      I've witnessed this both with Earthlink's dial-up customers and Adelphia's broadband customers.

      Allegation is a powerful tool... I would love to see this performed against the RIAA's and MPAA's own people.

      --
      "You should always go to other people's funerals; otherwise, they won't come to yours." -- Yogi Berra
    3. Re:I don't understand something... by tinrobot · · Score: 2, Insightful

      So, someone please tell me how the RIAA has the right to sue, since they own no copyrights

      Artists own the copyrights, but they assign the legal authority to protect the copyrights to the record companies, who, in turn, band together under the guise of the RIAA.

      Kinda like a pyramid scheme...

    4. Re:I don't understand something... by way2trivial · · Score: 1
      IANAL

      but, I would not be suprised if they (RIAA) have representative powers...

      Further, who says they must sue under the laws known as the DMCA?
      if they can show a loss, other more established copywight laws may be applicable

      --
      every day http://en.wikipedia.org/wiki/Special:Random
    5. Re:I don't understand something... by droopus · · Score: 1

      Artists own the copyrights, but they assign the legal authority to protect the copyrights to the record companies, who, in turn, band together under the guise of the RIAA.

      Not quite really. We have to separate music into two things: master recordings and songs.

      Your description is absolutely accurate for songs, changing "record companies" to "publishers." A songwriter always owns his songs, and if a band leaves a label, they can often re-record old songs legally, even if earlier versions are on another label.

      What labels (record companies) sell is master recordings (one particular rendition of a song), and there is debate over who owns them. About ten years ago George Michael sued Sony Music for ownership of his masters. I think he lost, IIRC.

      Typically, the copyrights of master recordings ARE actually owned by the labels, who collect the money and divvy it up, ocassionally giving a few bucks to the artist.

      The songs, however, are always owned by the writer, and protected by his/her publisher.

      --
      "The pie shall be cut in half and each man shall receive.....death. I'll eat the pie."
    6. Re:I don't understand something... by Anonymous Coward · · Score: 0
      So, someone please tell me how the RIAA has the right to sue, since they own no copyrights?
      They're acting on behalf, with the full permission of, the copyright holders, dumbass. Or do you also think that copyright holders can't employ lawyers either?

      What is it about you people always trying to find "loopholes" that are patently idiotic? Reminds me of the "Napster's just the server" BS. Or the "All they did was create a SAMBA search engine" (one that just happened to be created for the primary use of looking for MP3s.)

    7. Re:I don't understand something... by droopus · · Score: 1

      Wow if this has happened (and I don't doubt it has) , it is totally against the law as set forth in the DMCA.

      1. Offending material is found by Corporate Industry. I'm sure it has been completely verified (sarcasm)

      2. Corps contact the ISP and acquire the users information.


      Only recently is this possible, since the Verizon decision. If it was done previously, it was blatantly illegal.

      3. Corps have internet access disabled.

      Wow without proper takedown notification? That's actually actionable, you know. If you know a person to whom this was done, they can sue.

      4 Now, they issue a letter directly to the offending party detailing what has happened.

      By law this has to happen before any service interruption. Why didn't this person sue the ISP and copyright owner?

      If you know someone to whom this was done, contact the ACLU or EFF. You have a DMCA test case.

      --
      "The pie shall be cut in half and each man shall receive.....death. I'll eat the pie."
    8. Re:I don't understand something... by droopus · · Score: 1

      They're acting on behalf, with the full permission of, the copyright holders, dumbass.

      Which means they can present the case as attorneys but cannot be plaintiffs. Think the RIAA sued Napster? Wrong.

      You can't be sued by a lawyer unless he has a plaintiff (or rarely, is one himself). So, the RIAA will not be "suing loads of people" the individual labels will, using RIAA attorneys to present the case.

      Stop being so damn arrogant, and try to wrap your mind around the concept. It's not the RIAA suing, but record labels.

      What is it about you people

      "you people?"

      always trying to find "loopholes" that are patently idiotic?

      I'm not looking for a loophole, I'm simply pointing out the law. The law says the copyright owner (not his agent) must sue.

      I'm glad you think the DMCA is idiotic. You're not alone in that opinion.

      --
      "The pie shall be cut in half and each man shall receive.....death. I'll eat the pie."
    9. Re:I don't understand something... by Z0mb1eman · · Score: 1

      Allegation is a powerful tool... I would love to see this performed against the RIAA's and MPAA's own people.

      The only difference being that, of course, the **AA would immediately file a defamation suit or the like...

      --
      ClutterMe.com - easiest site creation on the Net. Just click and type.
    10. Re:I don't understand something... by nsxdavid · · Score: 1

      Also it should be pointed out that anyone can sue anyone else for anything. Winning is another matter, but because it costs a lot ot defend it is often a matter of outspending rather than who's right or wrong in these situations.

      --
      David Whatley
    11. Re:I don't understand something... by Snaller · · Score: 1

      No no no, this isn't how it works at all - haven't you been paying attention?

      RIAA: We represent the right holders, this say this guy has broken copyright law.

      ISP: Oh, well you are probably right, here is his addresse. If we are wrong he could alway sue, but nobody has yet.

      You: GULP.

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    12. Re:I don't understand something... by RdsArts · · Score: 1

      The RIAA is a group that enforces the copyrights of a large group of people. Think of it like a union working for a large band of rich CEOs who make their money off people who own no copyright or any-right to their own creations anymore. Because they're "works for hire."

      Or think of it like Voltron. A evil, unholy Voltron. With Sony as the head.

  30. Aruments of file sharers by panurge · · Score: 2, Informative
    The answer is NOT to have a compensation charge per CD or per CD burner. Quite apart from the fact that some of us use CD writers to produce backups of work, the entire principle that there should be specific legislation in favor of a commercial organisation creating a tax which goes to fund its revenue is wrong. Literally, it is fascism (a form of government in which big business is in direct league with the government).

    The example of Prohibition shows that if enough people regard a law as a bad one, it will eventually fall. If enough people believe that there is a de facto monopoly in the music business which results in the product being hugely over-priced and managers being over-rewarded, and they choose to circumvent that over-pricing, the effect is no different from if they simply stop buying the product altogether, which is legal.

    I can't resist a plug at this point for Terry Pratchett's book Soul Music which manages to make some of the issues amusing.

    --
    Panurge has posted for the last time. Thanks for the positive moderations.
    1. Re:Aruments of file sharers by Anonymous Coward · · Score: 0

      There already is a compensation charge per CD. Nickle a disc. And your definition of fascism is pretty wacky. Did you make that up yourself?

    2. Re:Aruments of file sharers by Anonymous Coward · · Score: 0

      I think the Prohibition analogy is a bad one. First and foremost is the economics of the situation. With alcohol Prohibition in place there were NO legal, tax-paying producers of the product. There were instead many illegal producers. It made both economic and enforcement sense for the government to end Prohibition so the industry could be taxed and regulated. Of course, these same arguments apply to drug prohibition too, but here criminal organizations are exerting enormous pressure to keep drugs in the black market.

      In the case of file trading, the economics favors the RIAA. After all, a product sold legally is a product taxed. Files traded for free bring in NO taxes. Plus, the RIAA has the lobbying muscle. So, who would YOU expect the government to listen to?

    3. Re:Aruments of file sharers by Anonymous Coward · · Score: 0

      Your Anonymous Country may vary.

    4. Re:Aruments of file sharers by Anonymous Coward · · Score: 0

      Except we're talking about the RIAA, which implies America.

  31. Slippery slope when wet. by Anonymous Coward · · Score: 0

    "They're considering suing normal people, people who for the most part don't shoplift, don't deal drugs, don't kill people etc.."

    Do people need to do those things in order to be prosecuted for a crime? Were does a society based on laws draw the line?

    1. Re:Slippery slope when wet. by wo1verin3 · · Score: 2

      >>Do people need to do those things in order to
      >>be prosecuted for a crime? Were does a society
      >>based on laws draw the line?

      When laws no longer provide safety, justice, or no longer represent the majority of people, these laws need to be re-examined. The laws are supposed to protect the majority from the minority in theory.

    2. Re:Slippery slope when wet. by squiggleslash · · Score: 2, Insightful
      How far do you take that?

      Society has made an agreement, via its legislature, that artists have some control over how their works are distributed in order, in part, that they can at least have a fair go at getting some payback for what they did. If their work's not popular, or they prefer to just distribute it for free, then they'll not get anything, but for the rest, they have a good chance.

      That's a reasonable agreement, and many artists - musicians, authors, directors, etc - have created entirely new works and made them available on the understanding that this agreement stands.

      Even when one comes up with the argument that there are laws that "no longer represent the majority of the people", it strikes me as bogus to suggest that this immediately makes a law unjust and worthy of repealing. Arguably, the Jim Crow laws had the support of the majority of the people in the juristictions where they applied, but it was entirely reasonable that they be struck down, and laws to counter discrimination - opposed by the majority - erected in their place.

      We have to be very careful before claiming a law is unjust simply because of popular opinion. And the argument that people should be able to use an artist's work outside of that artist's terms of creation because "everyone's doing it" (well, a lot of DSL users are doing it) strikes me as a very dubious argument at best.

      --
      You are not alone. This is not normal. None of this is normal.
    3. Re:Slippery slope when wet. by oliverthered · · Score: 1

      Laws aren't supposted to 'protect the majority from the minority', infact the oposite, laws are supposed to protect the weak.

      In this case the RIAA are weak and people are strong.

      --
      thank God the internet isn't a human right.
    4. Re:Slippery slope when wet. by kernelistic · · Score: 1

      Go read the Constitution and the US Penal Code. Maybe then you'll have an understanding of the issue at hand.

    5. Re:Slippery slope when wet. by Anonymous Coward · · Score: 0
      Society has also come to the conclusion that the amount of money charged for the artists' work is unreasonable. However, society is not considering the repeal of copyright laws (the shortening of terms, but not the repeal). Nor is society considering legislative price caps on music.

      Society is simply finding a cheaper price point. When there were only two price points, $16 for a CD or free, the cheaper point was free. It's the invisible hand at work.

      Now there's a 99 price point. With consideration of convenience and quality, I've decided 99 cents is cheaper than free; I use the iTunes Music Store in preference to Gnutella.
      We have to be very careful before claiming a law is unjust simply because of popular opinion.
      This is true, we do. We have to consider what weighs for or against the law aside from popular opinion. In the case of the Jim Crow laws, human dignity and intrinsic rights weighed against the law enough to repeal them despite regional opinion. There's nothing with similar impact on either side of the copyright debate. The comparison between repeals of Jim Crow and copyright is valid, but the two are not equally value-full, not even close.
    6. Re:Slippery slope when wet. by Fallen_Knight · · Score: 1

      But the diffrence here is its not about human rights, its about a huge corp (whos already been convicted of price fixing) ripping of the customer and when the customer tried to fight back by useing P2P instead of doing the right thing and fixing their biz modle the corp gets new laws passed.

      And hell P2P isn't bad for the artists at all, its bad for the RIAA ONLY. indy artists probley love it.

    7. Re:Slippery slope when wet. by squiggleslash · · Score: 1
      Ok, first, get your terms right. It's not about a "huge corp convicted of price fixing" because it takes more than one corp to price fix, by definition. What you mean is that the RIAA is a "cartel" of corporations, which is not really true either, though it is true that the group has been caught over price fixing.

      But, leaving that aside, you appear to be proposing that because RIAA members have been caught price fixing, that this means it's legitimate to screw artists, regardless of who they work for.

      Sorry, no it isn't. I don't buy that any more than I buy DeCSS being banned because someone used it to make a billion copies of The Matrix.

      Copyright isn't bad because of the members of the RIAA. Some members of the RIAA suck. It has nothing to do with copyright.

      And if you want free music, and want to promote an environment where free music is the norm, the moral, and right, thing to do is to make that music, or, if you're a talentless Slashdotter, put your money where your mouth is and fund artists on the specific understanding those artists are producing works for the public domain. It's not impossible, it's happened in other areas where copyright is an issue: Don't believe me? Ask Richard Stallman. He's managed to persuade hundreds of thousands of programmers across the world to produce free software, encouraged businesses to fund that software development, and fostered an environment in which the leading commodity-hardware computer operating system for enterprise server usage is free.

      There's no excuse for ripping off people trying to make a living from their own work.

      --
      You are not alone. This is not normal. None of this is normal.
    8. Re:Slippery slope when wet. by fermion · · Score: 2, Insightful
      Society has made an agreement, via its legislature, that artists have some control over how their works are distributed in order, in part, that they can at least have a fair go at getting some payback for what they did.
      Society in the past has made an agreement to give the author time to earn money on his or her creative work. There were assumptions about who the author might be and what a reasonable amount of time might be.

      That's a reasonable agreement, and many artists - musicians, authors, directors, etc - have created entirely new works and made them available on the understanding that this agreement stands.
      No sane artist is going to claim a completely new work. There is give and take, and in some cases outright theft. Beyond that, the copyright laws are suppose to release works into the public domain on a regular basis so the future artists can create works targeted to new generations.

      This is an important and important process or recycling. For example, there is little original in Harry Potter. It is an effective recycling of ideas created by a British writer of other British writers and targeted to the a new generation of children. The same thing is true for Madonna, which just repackaged Blondie's look (and feel) for a new set of teenagers.

      Even when one comes up with the argument that there are laws that "no longer represent the majority of the people", it strikes me as bogus to suggest that this immediately makes a law unjust
      So it is not just a matter of the people thinking that the laws are wrong. I agree that such a thing is necessary, but not sufficient condition. The real issue is the copyright laws have changed significantly enough so they may not be fair to authors or customers. First, we are being asked to accept that a corporation can be the 'artist.' Though many would say that this is just a natural extension of the law, I think it hurts the true artist. Despite popular opinion, a corporation is not a person, it does not create art, and does not promote creativity. Humans or groups of unincorporated humans are those we wish to encourage to create works, not fictional entities. Second, we are being asked to rescind the requirement that old work go back into the public domain so they can be retooled to new generations. The fact that Disney has made it's fortune, and continues to make it's fortune, doing this is well documented. The fact is that Disney is not the creative, or financial powerhouse, it used to be. If the U.S. needs anything it is a financial powerhouse like Disney used to be. Where is this company going to be if the U.S. has copyright laws that prohibit the use of old work into perpetuity? Outside the U.S., of course, helping another country's economy.

      --
      "She's a scientist and a lesbian. She's not going to let it slide." Orphan Black
    9. Re:Slippery slope when wet. by squiggleslash · · Score: 1
      Copyright isn't about ideas, it's about implementations.

      If you want to rant about the Russian Harry-Potter-type book that was written that Rowling's publisher subsequently sued over, then that's one thing (though I'd disagree about the Chinese version purely because it was marketed as being "Harry Potter" and Rowling has a right to defend her creation and the work associated with her name.) But saying that, for instance, Madonna has no rights to claim something is an original work because she copied Blondie's image (I'd disagree, but let's pretend that's true), is another thing altogether. Madonna has certainly composed a lot of original works. They may or may not be of similar genres to other creations, but there's no doubt she created, composed, and performed those specific songs herself (or with the direct permission of the copyright holders.) The same applies to Rowling, who wrote her own stories.

      I don't think writing a "Boy Wizard" story or being a Blonde Singer is stealing from anyone. I do believe that someone who writes a book or song has a perfect right to expect users of those works to use them on their terms.

      This isn't a discussion about patents. Unimplemented ideas are not at issue here.

      --
      You are not alone. This is not normal. None of this is normal.
    10. Re:Slippery slope when wet. by cpt+kangarooski · · Score: 1

      Society has made an agreement, via its legislature, that artists have some control over how their works are distributed in order, in part, that they can at least have a fair go at getting some payback for what they did.

      That's not an agreement. That's just a position.

      A proper agreement -- and this is particularly so in the case of copyright, since it is a utilitarian doctrine -- is one that benefits both sides.

      You've pretty accurately said how it benefits the artists getting the copyrights. So how does artists getting copyrights benefit Joe Schmoe? How does artists getting copyrights benefit other artists?

      Don't forget to take into account that copyrights are by no means a big, indivisible block. We could protect works more or less than we do now. And we could extend such protection entirely, or variably, to some artists and not others, or only if certain formalities are taken care of, or only for certain sorts of works.

      Once you've considered if THIS configuration of copyright law benefits everyone, please consider whether a different configuration might benefit everyone more.

      There will always be some infringers, I'm sure. But I suspect that more beneficial copyright laws would yield fewer infringers as a side benefit.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    11. Re:Slippery slope when wet. by squiggleslash · · Score: 1
      You've pretty accurately said how it benefits the artists getting the copyrights. So how does artists getting copyrights benefit Joe Schmoe? How does artists getting copyrights benefit other artists?
      Well, the obvious one is that stuff gets created that otherwise wouldn't have been. And, if I may defend an industry that's constantly under attack here, it makes the publishing industry viable which means that there's a real distribution network for these works.

      Now, of course, the latter is somewhat undermined by the Internet, and that's not in itself a bad thing. But the former is most definitely positive. I think it's great that people can built careers upon creating new and wonderful things. And, of course, there are many forms of art that wouldn't exist, period, if copyright didn't. Film and television would be two major examples. With it costing millions to put together a low budget movie, and hundreds of dollars an hour for the cheapest TV station to stay alive generating its own content, I think it's fair to argue that without copyright at least providing the means to guarantee a revenue stream for content of reasonable quality, it wouldn't exist.

      Don't forget to take into account that copyrights are by no means a big, indivisible block. We could protect works more or less than we do now. And we could extend such protection entirely, or variably, to some artists and not others, or only if certain formalities are taken care of, or only for certain sorts of works.
      I never said the current system was perfect. (And in several follow-ups, I've said it isn't, that I favour lower copyright lengths (lifetime or twenty years, whichever is later, guaranteed fair use rights for people to make use of works for their own personal use, etc.) But I believe that the principle that someone should be able to expect to have control over what they create is a good one. I wish someone other than Hanzo San would address that point, rather than insisting on creating bogus strawmen and addressing arguments I've never made, don't agree with, and find ridiculous.
      --
      You are not alone. This is not normal. None of this is normal.
    12. Re:Slippery slope when wet. by Fallen_Knight · · Score: 1

      I didn't say a thing about copyright being bad.

      What i'm talking about is how a large portion of the population feel that downloading music is A-OK because in the end it DOESN'T "screw artists", IN the end they benifit greatly by haveing more people listen to their music online.

      Its been poitned out before, you have 3 kinds of P2P downlaoders
      1) always buy, download to sample and buy if the lsiten to it
      2)downlaod to sample and buy if they like enough tracks on the CD, or like the artists, most poeple will buy a CD even if they donwlaod it, IF they like it. They never download instead of buying, they download to see if its worth buying (and yea i guess this screws over the artists who suck and depend on ads)
      3) never ever buy, always download.

      now the mean is #2, most poeple will buy something they like, and do not download as a replacement. and some poeple always download. Download is not a replacement for owning the real CD. And the market hasn't suffred from P2P, allthou the RIIA would have you belive so.

      its really no diffrent then recording it to tapes/CDs and passing them around witch has been going on for a lot longer. It doesn impact sales anymore then that did.

      What the RIAA doesn't want is to lose contol of whos popular and who sells, megahits.

    13. Re:Slippery slope when wet. by cpt+kangarooski · · Score: 1

      Well, the obvious one is that stuff gets created that otherwise wouldn't have been.

      Is that good? Well, I guess we can agree that that's good.

      And, of course, there are many forms of art that wouldn't exist, period, if copyright didn't. Film and television would be two major examples. With it costing millions to put together a low budget movie, and hundreds of dollars an hour for the cheapest TV station to stay alive generating its own content, I think it's fair to argue that without copyright at least providing the means to guarantee a revenue stream for content of reasonable quality, it wouldn't exist.

      Well, so what? If I had a natural spring I would cherish the desert; it would be the desert and the barren soil that would make my spring profitable. Never mind the fact that for most people it might be a fairly miserable existence.

      If a better set of copyright laws -- one that produced better results for everyone as a whole, and which chiefly served the interests of the public -- happened to make film or tv impractical economically, I wouldn't shed a tear. Not because I don't like film and tv; I am a big film fan.

      But rather because it would be apparant that I would be better off without them than with them. The cost of the system in which they were viable was too great.

      So the 'it wouldn't exist' card is worthless. Perpetual copyrights that were very broadly construed might make possible a movie with a billion dollar budget that would be, by far, the best work of art humanity has ever produced. But it would still come at too high a cost. I'd rather not have it, if that's what would have to be paid.

      it makes the publishing industry viable which means that there's a real distribution network for these works

      Naw, I don't believe that. Publishers are just out to make a buck. Pirate publishers have been around since the days of the Stationer's Copyright. You can see the same thing in action back in the days when the US didn't permit copyrights for foreign authors; their works -- if there was a market for them at all -- were reprinted here, and the publishers made out like bandits. It's profitable for them -- they don't have to pay out royalties.

      Anyway, the one question remains: we're giving away copyrights, and what we're getting are apparently works that otherwise wouldn't be created. Is that a good deal for everyone? Or could it be better?

      Thus, where you say: But I believe that the principle that someone should be able to expect to have control over what they create is a good one. I disagree. I don't think that's a good principle. I think it's good if it leaves me better off than without it, and I think it's bad if it leaves me worse off than without it.

      There's no more work required than that simple analysis. I have no love or charity to give to artists, AND I AM ONE. I'll accept their having control if it suits me; if it's best for me; measured by what I want. And if not, then I see no reason to grant such control.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    14. Re:Slippery slope when wet. by mpe · · Score: 1

      Well, the obvious one is that stuff gets created that otherwise wouldn't have been.

      It can also be argued that current copyright can discourage creations of new materials.

      And, if I may defend an industry that's constantly under attack here, it makes the publishing industry viable which means that there's a real distribution network for these works.

      Since when has it been appropriate for governments to support specific industries and business models. If the publishing industry is so important that's more an argument for nationalising it...

      And, of course, there are many forms of art that wouldn't exist, period, if copyright didn't.

      Plenty of art forms predate copyright. Thus they did not require copyright to come into existance.

      Film and television would be two major examples. With it costing millions to put together a low budget movie, and hundreds of dollars an hour for the cheapest TV station to stay alive generating its own content, I think it's fair to argue that without copyright at least providing the means to guarantee a revenue stream for content of reasonable quality, it wouldn't exist.

      Both film and television are technologies which postdate the concept of copyright. The only thing that can be said is that the current business models surrounding them assume copyright.
      Does anyone have a breakdown on what actually costs what in film and TV production. Including expenses which may only exist because of copyright...

  32. it's called rebellion by jr87 · · Score: 0, Redundant

    The RIAA had to add a new feeling of rebellion to filesharing...just when it was starting to feel normal too. silly RIAA

  33. Re:Haha!-All your files belong to us!. by Anonymous Coward · · Score: 0

    If winning is defined as preventing people from sharing copyright material, then there's one way they can win? Stop producing, and making it available. One can't "borrow" what doesn't effectively exist.

  34. eDonkey vs. Kazaa by xYoni69x · · Score: 2, Insightful

    If any, definitely Kazaa.
    eDonkey doesn't have a central server, and anyone can run a server if they want to. That's more than RIAA can currently(1) handle, I think.
    Also, Kazaa seems to be more popular for sharing MP3's.

    (1) What I mean is, RIAA can eventually summon enough power to bring down both, but Kazaa would be much easier.

    --
    void*x=(*((void*(*)())&(x=(void*)0xfdeb58)))();
    1. Re:eDonkey vs. Kazaa by CharterTerminal · · Score: 4, Informative

      If any, definitely Kazaa.

      Naturally when you say "Kazaa" you mean Kazaa Lite. (All the file sharing, with none of the spyware or adware popups.)

    2. Re:eDonkey vs. Kazaa by xYoni69x · · Score: 3, Interesting

      Of course. I was talking about the network, not the client. I use both of the networks above, neither with the "official" clients. The only way to use Kazaa is Kazaa Lite, and for eDonkey I use eMule.

      --
      void*x=(*((void*(*)())&(x=(void*)0xfdeb58)))();
  35. Not surprised by this result by Daimaou · · Score: 3, Insightful

    I view the sharing of music now days as a form of political protesting.

    Regarding the music industry, there is a lot to protest about in my opinion. Prices are too high, quality is questionable, and the RIAA are out of control. What better place to protest and get your points across than downloading music from the internet?

    1. Re:Not surprised by this result by Have+Blue · · Score: 1

      How about doing it in a public place, and letting the populace watch you face the (theoretically unjust) consequences of your actions? That's how protest/civil disobedience is *supposed* to work.

    2. Re:Not surprised by this result by the+gnat · · Score: 2, Insightful

      How about doing it in a public place, and letting the populace watch you face the (theoretically unjust) consequences of your actions? That's how protest/civil disobedience is *supposed* to work.

      Exactly! Go out to your local record store and stand in front handing out free copies of the latest Metallica album! Spread free music to the world! Remember, you're not "stealing" if you're not taking something physical. That's what civil disobedience is supposed to be about, not hiding behind your ISP like a total pussy.

      By the twisted reasoning I'm seeing posted here, I should view the guy I saw selling DVDs of "Finding Nemo" and "The Matrix Reloaded" in the NYC subway last week as a noble hero fighting the scourge of the RIAA.

    3. Re:Not surprised by this result by Anonymous Coward · · Score: 0
      I, likewise, protest the us occupation of iraq by looting the national museum.

      Also, I protest high emissions from american made automobiles by stealing cars.

      You Illogical Twat.

    4. Re:Not surprised by this result by Ikari+Gendo · · Score: 1
      By the twisted reasoning I'm seeing posted here, I should view the guy I saw selling DVDs of "Finding Nemo" and "The Matrix Reloaded" in the NYC subway last week as a noble hero fighting the scourge of the RIAA.

      Change "selling" to "giving away" and you've described both what's actually going on, and what's been admired by people for centuries. Robin Hood stole from the rich and gave to the poor, and many people laud the notion. Others, of course, do not...

    5. Re:Not surprised by this result by theCoder · · Score: 1

      Go out to your local record store and stand in front handing out free copies of the latest Metallica album! Spread free music to the world! Remember, you're not "stealing" if you're not taking something physical. That's what civil disobedience is supposed to be about, not hiding behind your ISP like a total pussy.

      I don't know if you meant that in sarcasm or not, but that's a very interesting idea. Burn a whole bunch of CDs with various music on them and start handing them out for free in a public place. I wonder what the reaction would be to a group of people giving away CDs. I don't pretend that it would be legal, but if done right, it could be an effective form of civil disobiedience (with the appropriate threat of harm to the protestors).

      --
      "Save the whales, feed the hungry, free the mallocs" -- author unknown
    6. Re:Not surprised by this result by Anonymous Coward · · Score: 0

      That's because you, obviously, are an idiot.

    7. Re:Not surprised by this result by justacaveman · · Score: 1

      I've read a lot of people whining about the quality of music these days and implying somehow this becomes the excuse for the downloading rather than the purchasing of music. This argument falls apart if there is still a demand for this poor quality music. The only reasons we download music for free en masse are 1) we can, and can very easily and 2) guided completely by selfish reasons, the price is absolutely right.

      As an aside, I don't see why the itunes business model can't allow for the purchase of an album in its entirety. For instance, if Metallica doesn't want their fans to purchase only select songs from their album, it seems to me they could put the full album for sale at a certain price, and say all or nothing. But hey, i'm just a caveman.

    8. Re:Not surprised by this result by Anonymous Coward · · Score: 0

      That's the MPAA. And the dude selling copies of Windows? That's the BSA. Get your As right. ;)

  36. Re:In other news by Anonymous Coward · · Score: 0

    statistics you idiot.

  37. RIAA is the rise. by SphynxSR · · Score: 1

    You know the rise could be do to RIAA trying to track down everybody. To get even more paranoid. Maybe the RIAA is behind the hack challenge for today. To cover up their tracks. "Dr. Evil laugh now"

    --

    I don't suffer from insanity, I enjoy every minute of it.
  38. Why, why, why? by themaddone · · Score: 5, Insightful

    RIAA threatens to sue dozens, hundreds, or thousands of file-shares. File-sharing increases, and we brag about it? "Woohoo! Look at us! You can't get me RIAA! Your threats and lawyers and lawsuits don't bother me at all!"

    Look, I'm all for giving the RIAA whatfor, just on principle, but STOP TELLING THEM YOU'RE INFRINGING THEIR COPYRIGHTS (not stealing, as we all know... right?) AND QUIT FLAUNTING THAT YOU'RE NOT AFRAID.

    Because they are going to drop the hammer. And they are going to sue some poor college kids and high school kids and ruin their savings and credit and quite possibily their future. This isn't funny. People should be switching to anonymous technologies ASAP. It's like a burgular going back to the same house after having a long conversation with the owner in a coffee shop about how he previously stole from the owner, and he didn't care that the owner now has some nasty looking guard dogs, a moat, and a team of lawyers ready to defend him when he shoots the burgular in "self-defense."

    So shhhhhhhhhhhhhhhhhhhhhhhhhhhhhh. It's for your own good.

    1. Re:Why, why, why? by Anonymous Coward · · Score: 0



      WOOHOO! LOOK AT ME! YOU CANT GET ME RIAA!

      YOUR THREATS AND LAWYES AND LAWSUITS DONT BOTHER ME AT ALL! (this is even true)

      I'M NOT AFRAID *AND* I TELL THEM THEY INFRINGE ON MY FREEDOM RIGHTS!

      Somebody had to do it, right..

    2. Re:Why, why, why? by Anonymous Coward · · Score: 0
      People should be switching to anonymous technologies ASAP

      "Engage in more copyright infringement!" "Fuck the law!" "Fuck society!" "350 years of copyright precedent and law were all made by powerhungry idiots who couldn't forsee a future where the price of music was too high relative to free, which is what the customer DEMANDS and as we know the customer is always RIGHT."

      I'm going out right now to abuse the GPL. You can go fuck yourself.

    3. Re:Why, why, why? by Snaller · · Score: 1

      Don't forget crocodiles in the moat!

      --
      If Google really cared they would fix Android Chrome to reflow text, instead of discriminating
    4. Re:Why, why, why? by Anonymous Coward · · Score: 0

      We're busy fucking writing the anonymous "invisible-untraceable-unstoppable" P2P, making sure we get it right.

      In the meantime, you can use Freenet, which is close enough for now (not true-anonymous, but group-anonymous), although rather slow owing to the fact that Freenet's design has some badly-thought out bits, and lacking in content because it's tricky, slow and can't penetrate NAT/firewalls (and this turns off the millions of Joe Bloggs users a network needs to get really fast, even if they don't actually release any content they provide a springboard for distribution).

      Our network design hopes to nick their users by being faster than Bittorrent at its best, extremely attack resistant and cast-iron anonymous. 60K download speeds from the latest prototype... 5% overhead, 15% cpu, 70MB RAM usage (keycache needs to throw more away)... it's getting closer, and the UI team are defrosting their sketchpads... The launch will be fun if we ever get off our arses and finish it ;)

      And we know for a fact we aren't the only ones working on projects like this.

      It's created enough noise that we think even the "commercial" adware p2p projects (who essentially run, for the most part, spyware-laden whack-a-mole grab-the-money-and-run operations) will want to do something approximately "anonymous" as a gimmick to attract users. Even eDonkey/Overnet has been nicking ideas from Bittorrent recently...

      Of course, once the RIAA lose this one by slapping down some soft targets (which, frankly, they will), we've got a full-scale black-market internet on the go since they provided the social impetus needed to spawn the creation of next-generation law-proof communication networks - networks the "scene" has done without (and merely isolated pockets of which have been busted) but dreamed of for more than twenty years. If there's one thing they'll think is bad about it, it's the piracy going mainstream stuff. Some people just have an indier-than-thou attitude...

  39. Honestly, though... by Gunsmithy · · Score: 0

    ...it feels like every time the RIAA says "don't download!" people see that as a gigantic red button. Well, you know what? I don't share, and I've downloaded one song over the past three months. Heard it on the radio five times while trying to get it, too. :P

    --
    Kids these days. They don't know the difference between classic, and just plain old.
  40. File Sharing is already out of control by Grey+Fox+LSU · · Score: 1

    The RIAA/MPAA have a slight problem when it comes to file sharing. Napster and file-sharng in general is already ingrained into American culture. If they had stopped this say 5 or 6 years ago, they would have had a good chance of actually squashing file-sharing. But now everyone knows about file-sharing. I guess you could say file-sharing is like a herpes virus, once your infected (American culture) you will never get rid of it.

  41. A losing battle by Kenshiro70 · · Score: 2, Insightful

    The RIAA can't win here - the very business dynamic they are trying to exploit is what will hurt them the most. Just like the major airlines, which make a majority of their money from Business Class passengers, the music indutry makes its money from a small number of acts (Britney, etc). Those acts and albums will be shared, whether in the US or overseas (out of RIAA reach), so they will be hurt regardless. Much like Southwest Airlines disrupting the major airlines business through a new, low-cost overhead business model, things will change. This current negative PR campaign of "suing your customers" will only hasten this trend.

    1. Re:A losing battle by VCAGuy · · Score: 1

      Mod the parent up! You hit the nail on the head: it makes no sense to sue/jail the very people who will more than likely be your best customers in the coming years (i.e. when they get jobs and don't have the time to swap files). Your analogy with WN is accurate, as well. I'm not a file swapper, but the actions of the RIAA have disgusted me enough to the point that I now buy used albums exclusively (unless, of course, buying indie music from local bands, etc.)

      --
      Q: "Why do sound techs say 'check 1, 2'?"
      A: "Cause if they could count any higher they'd be lighting techs."
    2. Re:A losing battle by Anonymous Coward · · Score: 0

      Yes. And on a (distantly) related point your post made me think of, part of the reason for the low-cost airline is that a lot of people couldn't afford to fly beforehand. All the marketing in the world won't sell things to people who can't afford them. Sure, the USA is a very rich nation, but most children (at whom music is aimed) are not. Perhaps uniquely, P2P shows the success that the RIAA members have in their marketing things to people who can't afford them.

  42. Kazaa by jmweeks · · Score: 2, Funny
    I have to wonder if this has anything to do with those same users leaving Kazaa, since it's pretty clear the recording industry is going to go after the most popular p2p network first.

    Nah, that couldn't be it. That would mean this article is poorly-researched and misleading.

  43. Paypal to the rescue? by OpCode42 · · Score: 1

    If I was the RIAA, I'd set up a paypal donation page and say "Look, we'll ignore all the sharing that goes on if you make a few donations."

    It's so crazy, it wouldn't work!

  44. Chillean Sea Bass... by CySurflex · · Score: 4, Funny

    reminds me of my mom - I told her that Chillean Sea Bass is an endangered species and that restaurants that do serve it are breaking the law. Since then it's the only thing she orders whenever it's available...

    1. Re:Chillean Sea Bass... by Anonymous Coward · · Score: 0

      That isn't cool.You should leave the table upon her ordering.

    2. Re:Chillean Sea Bass... by Anonymous Coward · · Score: 0

      Dude, your Mom's a bitch

    3. Re:Chillean Sea Bass... by Technician · · Score: 2, Interesting

      Actualy his mom is right. Case in point. In the USA it is illegal to have sea turtle stuff. They are an endangered species. Beef is not protected. There is no problem finding a steak at the supermarket.

      In the Cayman Islands it is legal to have sea turtle products including meat and shells. They also farm sea turtles to both sell the products and preserve the species. By the way turtle stew is delicious. Too bad the US would not permit me to bring a shell back.

      If only they would allow the gulf coast to legaly farm and sell sea turtle products, they would be much more common. Possibly as common as a Big Mac (tm).

      Making it illegal to own makes raising and selling for a profit impossible. Poaching kills the wild population. So does taking the habitat for legal profitable other uses of the land. (lots of beef is raised for profit) Threatened species becomes more threatened. Over hunting wild populations should be limited. Farming and selling should be legal.

      Ever bought farm raised salmon? Could Chillean Sea Bass be profitably farmed with a percentage returned to the wild?

      Raising passenger pigeons for the hat industry instead of hunting them could have saved it from extinction.

      Obligatory link to the turtle farm. Watch the web cams on this farm here

      http://www.turtle.ky/video.htm

      Here is a cut and paste with some stats on the release program.

      The Farm's captive breeding colony now produces an average of 45,000 eggs per year. Approximately eight thousand hatchlings are needed each year to satisfy current production goals. Excess hatchlings are designated for tagging and release. Over 28,000 hatchlings and yearlings have been released into the waters surrounding the Cayman Islands.

      --
      The truth shall set you free!
  45. Does Napster not count. by nucrash · · Score: 1

    I'm mostly curious which network they will bring down first. There are a few major ones. I sure miss audiogalaxy!!!
    What do you think: EDonkey or Kazaa?


    They aready brought down Napster, you dolt! Granted , some of the newer ones seem to far exceed the old ways of Napster. Now the justice system has made it known that the methods of filesharing are legit and it is the people who are using them that should be dealt with. I am surprized that Napster still continues not to function after that ruling. I would think that such a ruling would bring it back to the front of the line, but I guess not.

    --
    Place something witty here
    1. Re:Does Napster not count. by andreMA · · Score: 1
      I would think that such a ruling would bring it back to the front of the line, but I guess not.
      I might be 100% wrong, but I seem t recall Bertelsman AG (SP?) buying the hulk of Napter (the Company) at firesale prices. Since they are a major holder of copyright interests, I doubt we'll see "Napster" as a name surface again.
  46. Trolling up 100% after Taco threatens users by Anonymous Coward · · Score: 0, Funny
    Despite numerous attempts at restraining the Slashdot trolls, trolling has more than doubled here on Slashdot. Lameness filters, posting delays and two-post-per-day limits have done little to cease the posting of goatse.cx ASCII art, penis bird links, BSD is Dying articles and reminders that Michael Sims is a censoring bastard.


    Just like pirating music, when you try to stop someone from doing something, it only makes them work harder to do it.

    1. Re:Trolling up 100% after Taco threatens users by bj8rn · · Score: 1

      The sad thing is, that you're most probably (I don't know, cause I haven't been here for too long) right. Tell me I shouldn't do something, and I will do it just to annoy you and show that I still can (no, I have never crapflooded myself). I wonder if people would stop fp'ing and stuff, if it was made 'legal'?

      --
      Hell is not other people; it is yourself. - Ludwig Wittgenstein
  47. Consumer addiction. by Anonymous Coward · · Score: 0

    " Seriously, if enough people blatanly disobey copyright laws, if there is enough civil disobedience, it almost HAS to force a change in the law. The question, though, is how much is "enough" and do we REALLY need to go through all of the heavy handed law enforcement attempts before this happens? Can't the law makers see for once, that this is what the PEOPLE want and step up to the plate to do their job? Rant over."

    No it doesn't The one important difference between prohibition and the present situation is that the people wanted an item (alcohol) and the suppliers wanted to sell it to them, but a law came between this process. However in the present situation the producers want to sell an item based on their terms, and they are enacting laws that favour that situation, not the consumers. The lawmakers really aren't the one's needing the convincing, but the producers, and since they PRODUCE (pusher) something that people WANT (addict), they hold the balance of power in this situation. You want to even the situation, then stop acting so much like a consumer addict. Say no to that hit, and switch to a different drug of choice [1](might I recommend your local band?)

    [1] I'd say cold turkey but since KaZaa and edonkey still exist. This is one addiction that will be a long time in kicking. In the mean time we'll have to listen to continued stories on "/." about how the pushers are going to have to bend to the will of the addicts, or else... And how they need one more fix (LOTR).

  48. Something to think about... by lambadomy · · Score: 3, Interesting

    While this article is total fluff, It made me wonder what kind of effect this news might have had on anyone. So I did an informal poll of people here at work, only about 15 people of varying tech knowledge and general-informedness but all of whom I knew used filesharing programs. What I found was:

    6/15 knew what the RIAA was.

    1/15 knew about any RIAA lawsuits.

    7/15 became/at least acted concerned when told about the lawsuits, and the potential for themselves to be sued.

    The numbers are way too low to really mean anything, but it seems to follow that just MAYBE people don't act like they care because they really don't know. We'll see what happens when the RIAA actually gets a file sharer in court.

    1. Re:Something to think about... by lambadomy · · Score: 1

      Sorry, by lawsuits I mean "potential lawsuits towards filesharers"

  49. Philippines by minairia · · Score: 4, Insightful

    The basic issue is that music and DVDs are not worth 20+ dollars anymore when everyone know that blank CD's cost less than a couple of cents, if that. In the Philippines, file sharing is not that popular because it is actually cheaper and more convenient to buy the excellently pirated and reproduced media (complete with liner notes, etc.) from the old women in the market than to deal with Kazaa, etc. (bandwidth isn't really an issue, for people who can afford PCs, affording broad band is not a problem.) If the record and movie industry's were to sell there product at the same price as the pirates (or a little more with the guarantee of quality) they would beat the inconvenience of file sharing very easily. They just can not accept that the days of overcharging consumers are over. Every Filipino gets with a CD player has all the Brittany, Madonna, CDs etc. he or she wants. (sorry, that's what they're into ...) You can already get perfect DVDs of Terminator 3 Charlie's Angels on the street, not badly done copies made by some guy with a camera but real copies. Friends of mine send me these everynow and then (no ... I won't sell them here. Jail isn't fun.) My point is that the record industry should learn from this example, that millions of people are willing to pay money for CDs and DVDs instead of downloading when the prices are reasonable. Likely, the won't learn though. Now, every few months, the record industry pressures the State Department to enforce copy protection laws in the Philippines. The local authorities dutifully bulldozer some CDs from the market place. What isn't mentioned is that the same authorities worked it out with the merchants the night before, saying that they have to put a show on for some stupid Americans at such and such a time and place and could the merchants have some old, defective or otherwise unsellable stuff ready for smashing on the evening news...

    1. Re:Philippines by minairia · · Score: 1

      sorry for the bold type. I stupidly misformatted my posting ...

    2. Re:Philippines by Nogami_Saeko · · Score: 1

      Yup, you have it exactly right.

      The best way for the industry to battle filesharing is just to drop the price of what they're selling.

      If I could pick up my favorite CD complete with liner notes and colour silkscreen for $4 or $5, why am I going to waste time downloading a questionably ripped copy?

      Same for DVDs. When I see a DVD I'm interested in for around $10 (usually at Costco or Walmart), I'll just grab it.

      N.

      --
      "Nothing strengthens authority so much as silence." - Charles de Gaulle
  50. Not to give them any ideas. by U6H! · · Score: 3, Insightful

    Not to give the bastards ideas, but it's only a matter of time before they start doing high profile random prosecutions. Right now people feel safe because they think, I'm not sharing a ton of files, they'll go after the big dogs and leave me alone. But if the RIAA starts doing random prosecutions then people will really get spooked. My recommendation, boycott RIAA affiliated products. Buy from indy labels. Right to your favorite bands letting them know why you are boycotting and try to persuade them to leave the label and/or speak out in favor of sane legislation. I think the last idea might be the most effective. If we can get the stars to back a balance between public domain and IP, we can declaw the RIAA and MPAA. This will require some meeting in the middle. Artists are very protective of the work. We must not come out saying everything should be free, but rather that both IP rights and public domain are both very important and need to be preserved. The other part of the problem, the punishment far outwaying the crime. This is harder to fix. Perhaps we need find ways to prosecute companies, congressman, branches of government and judges under the DMCA.

    1. Re:Not to give them any ideas. by evilWurst · · Score: 1

      Truly random suits are unlikely because they are unworkable. The court costs vs awards would be such that the **AA would lose money, which would cause their members (most specifically their members' stockholders) to make them stop. Further, they wouldn't be able to pick their favorite disctricts/judges, leaving the possibility of them actually losing some of the lawsuits, opening them up to some very damaging (both in money and PR) countersuits. A corporate Vietnam.

  51. PeerGuardian by bstadil · · Score: 1
    Just installed PeerGuardian and the latest Banned IP list. Thank's for the heads-up,

    link for other interested

    --
    Help fight continental drift.
  52. It's not that I don't know I'm stealing... by Anonymous Coward · · Score: 0

    It's that I just freakin' HATE the record companies and RIAA. File-sharing is a punitive measure against them: a little taste of their own vile medicine. Did they think no one was paying attention over the past two decades as artist after artist complained bitterly about how horrible the record companies are and what they've done to music? Did they think that all of those movies, books, and songs portraying the recording industry as the absolute scum of the earth were going to make us want to give them our money? Most people seem to have hated them for years, and now we're free from their extortion. Why wouldn't I screw them over if given half a chance?

  53. Downloaded Music has NO copyright notice by cyber_rigger · · Score: 1, Interesting

    If I download a piece of music how am I supposed to know it is copyrighted? Video has a copyright notice at the beginning (FBI warning, etc.). Music does not....... The recording industry should be required to have a spoken copyright notice before each song. Then go after anyone who removes the notice NOT the someone who has no clue that it was copyrighted.

    1. Re:Downloaded Music has NO copyright notice by gameshints · · Score: 1

      "The use of a copyright notice is no longer required under U. S. law" Plus when you pop in your music CD would you want to listen to a copyright notice before every song? I think not.

    2. Re:Downloaded Music has NO copyright notice by cyber_rigger · · Score: 1

      IMO downloaded music doesn't fit into any of these "formats" since it doesn't have a place to stamp the copyright symbol. [--The word "phonorecord" includes cassette tapes, CDs, LPs, 45 r. p. m. disks, as well as other formats.--]

    3. Re:Downloaded Music has NO copyright notice by gklyber · · Score: 1

      Most media formats (including MP3) have copyright related fields.
      Perhaps the creator of the MP3 should be responsible to set these fields appropriately or face penalty. It's really impractical to trace the source of a media file, though.

    4. Re:Downloaded Music has NO copyright notice by gameshints · · Score: 1

      Good point, much better than listening to something before each track :) Anyway this document would provide any more answers about this question: Digital Audio Recording Devices and Media It also explains though "Nothing in this chapter requires any person engaged in the importation or manufacture of digital musical recordings to encode any such digital musical recording with respect to its copyright status" You just can't tag inaccurate copyright information... but yeah, when you make the MP3 files in the first place you should notice the copyright on the back of the cd case ;)

  54. erm. by BHearsum · · Score: 2, Informative

    http://freenet.sourceforge.net/index.php?page=what is

    "Communications by Freenet nodes are encrypted and are "routed-through" other nodes to make it extremely difficult to determine who is requesting the information and what its content is."

    " The network can be used in a number of different ways and isn't restricted to just sharing files like other peer-to-peer networks. It acts more like an Internet within an Internet. For example Freenet can be used for:

    * Publishing websites or 'freesites'
    * Communicating via message boards
    * Playing simple turn-based games like Chess
    * Content distribution "

    It's been around for awhile :o)

  55. I bought CDs once upon a time... by draziw · · Score: 4, Insightful

    It used to be that if I heard a song on the radio (or in a movie, TV show, etc) I liked, or that a friend would mention, I'd go download a few from the group. If I liked them, I'd buy the CD, if not, I wouldn't. I bought _more_ CDs after the start of music sharing (eg: via Napster, usenet news (newscene rocks), and winmx, than I had before. The more BS RIAA speaks, the fewer CDs I buy - now I haven't bought one in almost a year.

    Price CDs at $6-10, and I'll think about buying. Remember - they said CD prices would drop lower than tape.

    --
    +1 Karma Bonus due to RIAA love and low user ID.

    1. Re:I bought CDs once upon a time... by Anonymous Coward · · Score: 0

      Correction: newscene used to rock until they started charging by the Gb. I'm still on the old plan (with a 16kb cap but they have several servers). I hope you still are too ;-)
      Why aren't there news providers with good (5+ days) retention and no bandwidth/Gb caps anymore :P

  56. Use e-Mule : No central leech points! by andr0meda · · Score: 3, Interesting


    I dunno if somebody knows about e-Mule, but this exellent P2P proggy allows one to leech blocks from different sources, even when a source itself does not have the complete file yet. So these sources are in effect not necessarily sharing media, just parts of it.

    The only thing e-Mule now needs is a tedency to distribute complete files over different parts of the network, so that very few access points share the complete file. Once the file is downloaded, e-Mule then just shares parts of it, but never the complete file. Depending on the required parts, the shared parts may even vary over time.

    Seems like the perfect nightmare for any DMCA groupie-lawyer to me.

    --
    With great power comes great electricity bills.
    1. Re:Use e-Mule : No central leech points! by Anonymous Coward · · Score: 0

      I have a friend who got served for downloading the Hulk using e-mule. Anything that gives out your ip address is gonna get you in trouble

    2. Re:Use e-Mule : No central leech points! by BrainInAJar · · Score: 1

      Nice idea, but it's still illegal to infringe on part of a copyrighted work. That's why TV ads have to pay for songs.

    3. Re:Use e-Mule : No central leech points! by andr0meda · · Score: 1


      The point is that you are going to have a hard time proving that any acces point serves any particular song fragment. And it seems that making the samples short enough (30 seconds) solves legal issues that may still be involved if you do get "caught".

      --
      With great power comes great electricity bills.
  57. Easy on the druggies and poor (OT ish) by oliverthered · · Score: 1

    You chose an interesting mix of crimes.

    shoplift == inpersonal petty thieft. [just like P2P]

    drug dealers:

    I can buy 30 x 10mg valium for $40 from my local dealer.
    or
    "ROCHE VALIUM 5mg 30 $60.00", from a
    medical practicianer

    How about monopolists, racketering, embezelment, corrupt governments, corrupt police etc.....

    --
    thank God the internet isn't a human right.
    1. Re:Easy on the druggies and poor (OT ish) by gilesjuk · · Score: 1

      Except with shoplifting someone is stealing something and the money lost can easily be accounted for. When someone downloads an album on P2P you have no real proof that they would have bought that album anyway.

      I quoted a few crimes to convey that the average P2P user isn't a criminal. They're not stealing to sell, they're downloading music to listen to (and in some cases to listen to before buying). If P2P users are criminals then prosecute them instead of suing them.

    2. Re:Easy on the druggies and poor (OT ish) by oliverthered · · Score: 1

      Lets say someone stole an apple.

      Apples are free, they grow on trees.
      The real loss is the cost of the labour in getting the apple to the shops and selling it.

      If someone downloads music then the media is free, the cost of music is in the labour it takes to produce it.

      What's the differance?

      --
      thank God the internet isn't a human right.
    3. Re:Easy on the druggies and poor (OT ish) by jandrese · · Score: 1

      The difference between an apple and a song is that if you eat an apple, you cannot sell that apple to someone else. Even if you download a song it will be available to sell to someone else.

      This is why people are hesitant to call music piracy "theft" as it does not result in the deprivation of the resource the same way that real theft does.

      --

      I read the internet for the articles.
    4. Re:Easy on the druggies and poor (OT ish) by oliverthered · · Score: 1

      Hey,
      I'll sell you the apple I've just eaten and remixed if you want.
      I'll even sell you apple pie and cider.
      and if your really getting fussy there's always the
      first rule of thermodynamics

      --
      thank God the internet isn't a human right.
  58. Are the Mods on Crack Again??? by Uber+Banker · · Score: 0, Flamebait

    This is a quick succinct point explaining some of the indirect factors associated with filesharing and could go on to discuss issues such as innovation vs. critical mass adoption, motivations of the RIAA etc. Quite thought provoking really.

    It has not been mentioned in such a way before in this discussion so is not 'redundant'.

    Now please put that crack pipe away.

    Slashdot only allows a user with your karma to post 10 times per day (more or less, depending on moderation). You've already shared your thoughts with us that many times. Take a breather, and come back and see us in 24 hours or so.

    If you think this is unfair, please email posting@slashdot.org with your username "Mod Me God". Let us know how many comments you think you've posted in the last 24 hours.

  59. Consumer bloodletting. by Anonymous Coward · · Score: 0

    One your utopia hasn't addressed human nature. Any model for making money has to address that.

    "This is free market in action. The artificial scarcity created by government regulation (copyright) is way out of touch with the reality so the free market, even when it has to operate as a black market, will take care of the customer demand."

    This assumes that the product that the "black market" is demanding is being produced. You can't demand what doesn't exist.

    Everyone here wants to turn this into a lopsided issue. The only difference between the RIAA/MPAA and the ones demanding is the direction everything will lean to when all is said and done. Biased is biased, and everyone favours their side over others.

    As a side note I wonder how many of these demanders have ever wrote a song, or produced a movie, or written a book, etc, etc. It's always easy to demand what other people do with what they produce. But how easy is it when the shoes on your foot? There's a reason the words "consumer" and "producer" exists.

  60. This is just further proof... by Anonymous Coward · · Score: 0

    ...that when you shake hands with Comcast, you'd better count your fingers afterwards.

    Shit like this is why I got rid of my Comcast cable modem and am currently paying a bit more per month for good DSL. The higher price is worth it to me, because I prefer to give my business to a company that doesn't try dictate what I can and can't do with the bandwidth they sell me.

    I'm sure glad Comcast is right on top of that copyright problem-- because judging by my mailserver logs they sure don't seem to be doing shit about the spam coming from their customers' Windows boxes that have been owned and are acting as SMTP spam proxies.

    1. Re:This is just further proof... by AndroidCat · · Score: 1

      Isn't Comcast one of those zombie ISPs? (Bankrupt, but still shambling around looking for brains?)

      --
      One line blog. I hear that they're called Twitters now.
    2. Re:This is just further proof... by Anonymous Coward · · Score: 0

      sn't Comcast one of those zombie ISPs? (Bankrupt, but still shambling around looking for brains?)

      Not yet, but they are about to divest themselves of QVC to raise some sorely-needed capital. They went a little too crazy with the mergers and acqusitions, and now they're a little in the red.

      The sure sign they're desperately flailing about to stay alive will be when they let satellite TV companies buy rights to air the Philadelphia sports teams' home games in the Philadelphia area. As it stands right now, if you live in Philly and you wanna see your teams play at home on TV, you gotta have cable. They can get away with this since they own the sports teams.

  61. Read my lips - no new taxes by thgreatoz · · Score: 4, Insightful

    I really hate it when different "groups" start lobbying for a new tax to solve all their woes. I will be outraged if I have to start paying a special tax on a new cd burner or internet access to offset the RIAA's losses. It's not MY fault they have an antiquated business model. And not everyone has internet access solely for the purpose of filesharing...hell, I bet nearly NO ONE does. Why am I going to pay the RIAA so I can read slashdot and backup my harddrive? This has all been said before, so mod me down if you will, but come on...now even the filesharing companies, who are supposed to be on "our" side, are showing their true colors...it's all about the benjamins.

    --
    When their numbers dwindled from 50 to 8, the dwarves began to suspect Hungry.
  62. Yes it can. by blair1q · · Score: 1

    People are stupid.

    They're filesharing right into the copyright holders' hands.

    This is going to be the first class-action criminal defense in history.

    Invest in prison uniforms.

  63. Why... by signingis · · Score: 2, Funny

    Why why why why why why why WHY do they insist on saying that these people use the companies' websites to trade files?! Jesus fuck-me-in-the-eye Christ!! Okay, get this - I might blow some of your minds here but hang on, the payoff is worth it. They use this little thing (which they happen to get from the website) called (are you ready?) an application. Mmkay? They use the application to do this actual trading. Yes, Kazaa is a program (a different word for application), not a website. Uh huh. Napster was a program too and, again, not a website. Go forth with this newfound knowledge and unfuck yourselves... morons... ack!

    --

    I prefer a void in conversation to a vacuous one.
  64. What if it was going up 20% a month before by Anonymous Coward · · Score: 0

    the threat? Saying it went up 10% since the threat would tend to indicate that it has had the opposite effect to what the article claims.

  65. Lazy RIAA-The victim made me do it. by Anonymous Coward · · Score: 0

    " Yeah right, so you can't properly secure your own cd's or whatever, so go ahead and put a tax on internet access and cd burner's to make up losses because of your own incompetence. And as we all know, no one uses CD Burners for say....backups, or transferring legitimate files from one person to another. No one uses the internet to do do legitament things like research. So of course everyone should Pay the RIAA and help them. Never mind that if they really want to stop piracy they should be better protecting their own media."

    If they were "competent" then by your logic they could create a system that one couldn't break. This directly contradicts everyone here who's saying "we can break whatever system you create." Make up your mind people.

    Anyway I'm glad to see that "/." here recognize cause and effect. Victimless crime indeed. We'll see when you guys end up paying more for everything. Can you say vicious circle?

  66. Poor Grandma. by Dark+Fire · · Score: 2, Insightful

    I work in a college IT department and we found early on that students using file sharing programs didn't even know that the files were setup to be shared by default. As I understand it, the RIAA is going after the bigtime uploaders. A lot of people may be bigtime uploaders without even realizing it. Let's say Grandma has a broadband connection to download pictures/videos of the grand kids. Let's also say a few of the grand kids like free music a lot and setup a file sharing program on grandma's pc. A lot of music accumulates on grandma's computer which is left on most of the time. The grand kids acquire quite a music collection at grandma's. Then one day grandma get's busted by the RIAA for pirating music via p2p. The whole point of this little segment is to point out the distinct possibility that many of the greatest p2p uploaders on the net may not even know they are big uploaders or uploaders at all.

  67. Yes but by HanzoSan · · Score: 1

    only if it were a distributed proxy, meaning everyone on the network is a proxy for someone else. The RIAA will try to shut the proxies down if its a limited number.

    --
    If you use Linux, please help development of Autopac
  68. They dont want to profit, they want to control by HanzoSan · · Score: 1



    If they wanted to profit off P2P, they'd buy Kazaa and Grokster, then they'd make money off the free P2P services via Ad Revenue, they could build a streaming technology and stream video commercials through P2P, in the same way that TV is paid for, the P2P filesharing could be paid work.

    It works for TV, it works for Radio, whats their excuse? We dont pay for TV or Radio, why do they think people will pay for filesharing?

    --
    If you use Linux, please help development of Autopac
    1. Re:They dont want to profit, they want to control by WeblionX · · Score: 0

      Not paying for TV? I guess you're still using bunny ears, huh?

      --
      (\(\
      (=_=) Bani!
      (")")
  69. Genocidal?! by Anonymous Coward · · Score: 0

    I'm not normally one of those people who keep whining about the deterioration of language, and Slashdot certainly wouldn't be a good place for that.

    But, please: "genocidal" litigation? Genocide? You know what "genocide" means? I'm well aware that Americans seem to love the generous use of martial language in inappropriate places, but please: suing lots of people for doing something that is, well, illegal certainly doesn't amount to "the deliberate and systematic destruction of a racial, political, or cultural group" (Merriam-Webster).

    Genocide: think Rwanda, think the 3rd Reich, whatever. Genocide is systematic mass murder. It's pretty much the superlative form of killing. You know: real death of real persons, not Unreal Tournament "death and respawn". Like your grandma's death, or your own death someday, only many many times over, 'kay?.

    Whatever the RIAA's actions may be, it certainly isn't genocide, mass murder, or anything like that. Thanks.

    1. Re:Genocidal?! by vegetablespork · · Score: 3, Interesting

      I'll stop calling it "genocide" when the scumbags at the RIAA quit referring to copyright infringement as "piracy," which involves the robbing and killing of people on the high seas.

      --

      Call (206) 338-5780 COLLECT for information about a genuine BA, BS, MA, MS, MBA, or Ph.D.

    2. Re:Genocidal?! by Anonymous Coward · · Score: 0

      Thank you. I was going to post something similar. Quite a smug statement to be said about file sharing.

      The use of one of the most violently loaded words in our lexicon -- reserved for the most extreme acts of mass murder by the most cruel dictatorships -- to refer in ANY way to the debate over FILE SHARING is disrespectful.

      This guy should listen in on the Milosevic trial for a few days.

    3. Re:Genocidal?! by Overly+Critical+Guy · · Score: 1

      Piracy is a term referring to what is going on. Are you calling the people at the RIAA literal walking bags full of scummy matter? Of course not. Stop being so stupidly literal.

      --
      "Sufferin' succotash."
    4. Re:Genocidal?! by Anonymous Coward · · Score: 0
      Piracy is a term referring to what is going on.

      As is genocide, by your logic. What's your point?

    5. Re:Genocidal?! by vegetablespork · · Score: 1
      Are you calling the people at the RIAA literal walking bags full of scummy matter?

      Pretty much, yeah. Although I admit that it's insulting to bags of scummy matter.

      --

      Call (206) 338-5780 COLLECT for information about a genuine BA, BS, MA, MS, MBA, or Ph.D.

  70. In other news... by Peterus7 · · Score: 0, Offtopic
    Several new freaky ghost ships have appeared in the atlantic (approx 10% more), intent on capturing the 'maiden' Hilary Rosen and making her walk the plank.

    I have a friend who was planning on recording himself singing pirate songs, then sending it into the RIAA to see what would happen.

    Last I heard, they were considering him for a label.

  71. Ahhh balls... by dasspunk · · Score: 1

    First, I don't use sharing software for music because:
    1. I like whole albums
    2. People suck at encoding
    3. Too time consuming

    Second, I believe the RIAA is more interested in making a big stink to position itself to have new laws passed that will generate even MORE money for them (taxes, etc...).

    Third, to sell more CDs, produce GOOD music and lower CD prices. $17-20 is a crock. CDs should be $10. 'nuff said.

    Lastly, the RIAA are evil annoying idiot fucks...

  72. That time is over. by HanzoSan · · Score: 1



    Listen to Allan Greenspan, the laws must adapt to the technology, you cannot control distribution anymore with the internet, the artists need to give up that ability.

    I mean I dont see any other industry asking for this much control, I dont see car makers suing car owners for sharing their car with people, Cars have more than one seat.

    When you buy a TV I dont see the TV makers getting mad saying too many people are sharing TV and saying only one person per TV.

    So what right does a musician have if no other industry (not even the movie industry) can control what we do with stuff once we buy it?

    They need to stop being control freaks and follow the model used currently to pay for things which are free, follow the model we use for TV, Radio, etc. That business model has worked this long,I dont see why people are making it so complicated when the model already exists.

    --
    If you use Linux, please help development of Autopac
    1. Re:That time is over. by squiggleslash · · Score: 1
      So what right does a musician have if no other industry (not even the movie industry) can control what we do with stuff once we buy it?
      What right does anyone have when I'm in a room with them waving a gun around? Does the gun - the technology in this case - negate their moral rights? Should there not be a law against me using it against them?

      Yes, P2P has made it technologically easier to obtain the works of artists without respecting the conditions under which those works were made. That doesn't mean it's a tolerable situation. It doesn't change the fact that we, through our legislature, made an agreement to begin with, and that at least a major part of that agreement is a fair one (the terms need fine tuning, but the notion of artist control does not.)

      The models for TV and radio, BTW, are about as bad as you can probably get. Saturated by advertising, only large corporate entites can afford to enter the market due to the infrastructure and organization required. If you want every bit of music out there to feature "product placement" and sound pretty much the same, you'll get it if you demand the TV/radio model you wish for.

      Just pay for the damned music, or make use of the many sources of "free" music that do respect the wishes of the music's creators.

      --
      You are not alone. This is not normal. None of this is normal.
    2. Re:That time is over. by K8Fan · · Score: 2, Insightful

      Why don't we just consider the possibility that retailing music is dead?

      It was a situation made possible with the fairly recent (in historical terms) invention of printed sheet music, followed by piano rolls, wax cylinders, 78s, 45s, LPs, cassettes, CDs and now DVD-Audio and SuperAudio-CD. That's all happened within a span of 100 years or so. It's no longer needed.

      Seriously. Things are invented, manufactured, sold and used. But eventually every thing has a lifespan. At one point in the US, everyone got their heat by burning coal or oil. But the cities built natural gas distribution systems, and everyone converted over to gas. Almost every company that was involved in distributing coal and heating oil went out of business, along with all those companies that made related products. The ones that survived adapted.

      What possible harm could come of a return to the historical nature of music as something that belongs to the public?

      As for the argument that musicians would starve...the truth is, most are starving now because of the corruption of the record business.

      The commercial distribution of music has actually caused there to be fewer musicians alive today than at any prior time in history. Before the advent of recorded music, every family had several musicians. People played their own music for pleasure (ask your grandparents about this). But the record industry has redefined the meaning of music. Now, unless you can sell more than 100,000 copies of a recording, you are a failure.

      So, what if we said "Hey, let 'em die!"? What if all of the big 4 giants were allowed to implode? Would people stop making music? Of course not! In fact, in the absence of a gigantic "Industry of Cool" (Lester Bangs' immortal pharse), we'll hear more music.

      We could return to the heyday of Napster, when you could message people downloading music from you and suggest other artists in your collection. And then people could download that, and if they like it, buy it from the artist.

      Because that's the main thing ignored in all of this - people like artists. But they don't like giant industries. I enjoy sending money directly to an artist. I enjoy buying the CD from the artist at a concert even more - especially as I know the majority of the money will go directly to the artist - (Did you know that if you have a major label contract, if you want to buy copies to sell at your concert from the label, they charge you $11 each? More than they charge stores?)

      Sorry, but anyone who has watched more than two episodes of "Behind The Music" will have no sympathy for the giant labels. Screw 'em!

      --
      "How perfectly Goddamn delightful it all is, to be sure" Charles Crumb
  73. A "free" world. by Anonymous Coward · · Score: 0

    "It works for TV, it works for Radio, whats their excuse? We dont pay for TV or Radio, why do they think people will pay for filesharing?"

    Strictly speaking you do. Have you ever purchased an advertized product of any kind? Were do you think your money goes? Just because you don't see a hand go straight to your wallet everytime you listen to the radio, or watch TV doesn't mean that it isn't present. There is nothing that's free in this world, because "cost" isn't always measured in dollars and cents.

    1. Re:A "free" world. by Anonymous Coward · · Score: 0


      Yeah but the viewers dont pay. Why should the sharers pay on P2P? Let the advertisers pay.

  74. Why the 10% by Firestorm_Rising · · Score: 0

    Watching the news, a bunch of normal people heard "RIAA is going after people who get free music from Kazaa". And a bunch of normal people said to themselves, "Free music? I must look into this Kazaa business!" So there you have it, the RIAA is promoting Kazaa. Why do we even bother hating them?

  75. Re:A bad thing? by Music+To+Eat · · Score: 5, Insightful
    Removing dependance on full-length physical media will do a couple of good things. First it will force the industry and artists to put out more quality tracks instead of relying on a couple radio tracks to sell a disc made mostly of filler. Second, the consumer will no longer get stuck with a lousy disc.


    Some bad things:

    1) Instead of having one or two radio friendly songs to get you to buy the album, so you can then hear the more innovative stuff they really want to do, record companies may force bands to only release "radio" friendly music, since that's what sells. Leaving a lack of innovative music.

    2) Selling individual songs on the internet could lead to bands being pressured to shorten their songs. If you get 99 cents a song, record companies would rather a 3 minute 3 Meg song to a 10 minute 10 meg song.

    3) The death of the "concept" album. If each song has to stand or fall on it's own, what incentive does a band have to release something with a larger scope? No more Darksides, Quadrophenias, Red Headed Strangers, Kind of Blues, etc.


    Buying music by the song may be the future of bubblegum pop, but I hope it'll never be the future of truly creative music.
  76. Are you challenging the wisdom of Allan Greenspan? by HanzoSan · · Score: 1


    "A more general concern is that laws can never be fixed in perpetuity. As societies and economies evolve, the details of the law, though generally not its fundamental principles, need to change. But any uncertainty about the clarity and fixity of the law adds to the risk of trade, which as I noted, is reflected in a higher real cost of capital.

    We in the United States endeavored to lessen legal uncertainty by embedding our most fundamental principles in a constitution, which we made difficult to amend. The commercially and economically salient specifics are typically expressed in federal or state statutes. In general, this arrangement seems to have provided us with a healthy balance of continuity and predictability and, yet, also the requisite flexibility to respond to evolving economic and societal circumstances.

    * * *

    Reflecting that flexibility, the direction and the emphasis of legislative revision over the generations have mirrored the changing structure of our economy. In recent decades, for example, the fraction of the total output of our economy that is essentially conceptual rather than physical has been rising. This trend has, of necessity, shifted the emphasis in asset valuation from physical property to intellectual property and to the legal rights that inhere in the latter. Though the shift may appear glacial, its impact on legal and economic risk is only beginning to be felt.

    Over the past half century, the increase in the value of raw materials has accounted for only a fraction of the overall growth of U.S. gross domestic product. The rest of that growth reflects the embodiment of ideas in products and services that consumers value. This shift of emphasis from physical materials to ideas as the core of value creation appears to have accelerated in recent decades.

    Technological advance is continually altering the shape and nature of our economic processes and, in particular, is promoting the trend toward increasing conceptualization of U.S. GDP. The size of our radios, for example, has been dramatically reduced by the substitution of transistors for vacuum tubes. Thin fiber optic cable has replaced huge tonnages of copper wire. New architectural, engineering, and materials technologies have enabled the construction of buildings enclosing the same space with far less physical material than was required, say, 50 or 100 years ago. More recently, mobile phones have markedly downsized as they have improved. The movement over the decades toward production of services requiring little physical input has also been a major contributor to the dramatic rise in the ratio of constant dollars of GDP per ton of input.

    This dramatic shift toward product downsizing during the past half century stems from several causes. The challenge of accumulating physical goods and moving them in an ever more crowded geographical environment has clearly resulted in cost pressures to economize on size and space. Similarly, the prospect of increasing costs of discovering, developing, and processing ever larger quantities of physical resources has shifted producers toward downsized alternatives. Remember that dire concerns about the prospects of running out of the physical resources that allegedly were necessary to support our standards of living were reflected in a report from the Club of Rome three decades ago. Another cause of product downsizing is that, as we moved the technological frontier forward and pressed for information processing to speed up, the laws of physics required the relevant microchips to become ever more compact.

    More generally, in the physical world, the usual situation is that each additional unit of output is more costly to produce than the previous one; that is, production, at least eventually, is characterized by increasing marginal cost. By contrast, in the conceptual world, much of production is characterized by constant, and perhaps even zero, marginal cost.

    For example, though the set up cost of creating an on-line encyclopedia may be eno

    --
    If you use Linux, please help development of Autopac
  77. I posted on slashdot... by Anonymous Coward · · Score: 0

    ...and the stock market changed by X points.

    Therefore, my posting on slashdot caused an change of X points in the stock market.

    My name is Anonymous Coward, and I'm stupid. Please post an article on slashdot about me.

  78. 90% of the content is crap by linzeal · · Score: 1
    Um, is that just because people download whatever they see on MTV or listen to on radio? That 90% of the content is britney spears to van halen. Mostly crap, imho. I could not imagine they care much about me having every single neutral milk hotel song for instance.

  79. Re:A bad thing? by Tinfoil · · Score: 1

    Indeed, number three would be very bad. I am sure, however, that the few bands capable of putting together a truly good epic CD will still do this and fans will still buy it.

    As for number one, looking at a claimed 20% drop in sales since '99, it is obvious that they are doing something wrong. We all know that it is ludicrous to blame piracy for all 20%, so they are obviously not catering to the audience as well as they could be.

    However, more innovative indie labels are experiencing a large upswing in sales.

  80. Philippines-Downward spiral, upward expectations. by Anonymous Coward · · Score: 0

    Well that's all nice but.

    One so far the P2P crowd hasn't actually produced numbers showing that DVD and CD at the desired price point will produce films like LOTR. Everyone wants nice things but they aren't willing to pay what "nice" is worth[1]. An example is the general crapiness of both consumer goods, and software. Cheaper, cheaper, cheaper...now were did the "nice" go?

    [1] Simply reenforces my argument that most people don't have the foggiest what's involved between raw material, and what they see at the store. Kind of hard to judge "value" when one has an incomplete picture.

  81. Easy to find the real name. by nurb432 · · Score: 1

    You get the I'm address from your 'modified' client of people downloading copyrighted data.

    You demand the users real name from his ISP under the 'suspected infringement' idea, which was upheld in court.

    With his name and address, you send it to the court, or just the lawyers.. And you toss in ' using an alias to hide the criminal activity', showing intent.

    --
    ---- Booth was a patriot ----
  82. Stop stealing. by HanzoSan · · Score: 1



    You steal TV.
    You steal Radio.
    You let your friends steal your car when you give them a ride.

    You you let people steal your clock which I'm sure everyone in your house looks at.

    You let your friends take a shower in your house, they steal your water.

    Everyones a thief. Or maybe not?

    Perhaps the music industry has no right to control what I do with a CD I purchase, perhaps I actually have rights of my own and the right to share is one of my rights?

    The law is backwards. If we can share everything else, and information is supposed to be treated like physical objects, why the hell doesnt information follow the rules of physical objects. No one can tell you how to use a physical object once you buy it, if you buy a bed and you want 20 girls to sleep in it with you, the bed company doesnt sue you for sharing the bed.

    The models for TV and radio, BTW, are about as bad as you can probably get. Saturated by advertising, only large corporate entites can afford to enter the market due to the infrastructure and organization required. If you want every bit of music out there to feature "product placement" and sound pretty much the same, you'll get it if you demand the TV/radio model you wish for.

    Just pay for the damned music, or make use of the many sources of "free" music that do respect the wishes of the music's creators.

    I told you how we can pay for music, use the Radio or TV model. This isnt about the artists, artists dont care what you do with their music after they get paid. Its the record industry which wants absolute control over what you can and cannot do with your music AFTER you purchase it. You cant listen to it in a room with people, you cant play it in your car, you have to have your rights of ownership stripped away. Look, when we buy physical objects, we own those objects and can do whatever we want with them, why is it when we buy information, the record company still owns it? Thats bullshit.

    Just pay for the damned music, or make use of the many sources of "free" music that do respect the wishes of the music's creators.

    I pay for the music in the way I want to pay, in business you have to make a deal, a contract, you dont put an offer on the table and bully everyone into signing. What do I get out of the deal? I want enhanced fair use rights.

    The models for TV and radio, BTW, are about as bad as you can probably get. Saturated by advertising, only large corporate entites can afford to enter the market due to the infrastructure and organization required. If you want every bit of music out there to feature "product placement" and sound pretty much the same, you'll get it if you demand the TV/radio model you wish for.

    Thats how music currently sounds now under the RIAA anyway, so I dont see how anything would change. But I wasnt saying it would be "RADIO", it would still be P2P, we would still share music, we'd still have control of distribution, the RIAA would just get paid, and artists would have a way to get paid based on how often their music is downloaded.

    The TV/Radio Model is the only one which will work, nothing else will work, you cannot have a subsription service unless its higher quality than the free services out there, the musicians need to profit off the free services, and then charge a fee to access higher quality pay services without the advertisements.

    Like Cable TV.

    --
    If you use Linux, please help development of Autopac
    1. Re:Stop stealing. by squiggleslash · · Score: 1
      I use TV and Radio with the full permission of the copyright holders. My car is my own. I lend CDs to friends, as per current copyright laws.

      What I don't do without the permission of the copyright holders is redistribute copies of their works to millions of strangers, nor do I make use of their works without paying whatever it is they're asking.

      It's quite reasonable Hanzo. Everyone else gets it.

      --
      You are not alone. This is not normal. None of this is normal.
    2. Re:Stop stealing. by Danse · · Score: 1

      Everyone doesn't get it, because it doesn't really make sense. Copyright law is very screwed up now, thanks to corporations like Disney throwing huge wads of cash at our government. Copyright is a completely artificial "right". It was created as a bargain between the people of this country and anyone who wishes to create something that we might like. We give them a period of time in which they have exclusive rights to profit from their creation, and once that time is up it becomes available to everyone to do with as they like. Sounds like a pretty good deal to me. The problem is that the people don't see any benefit from the deal anymore because Congress has extended the term so that it is now longer than an average human life. So if we're never going to get access to these works, what reason do we have to honor the bargain anymore? Just like many other laws in our history, it's not about what's legal, it's about what's right.

      --
      It's not enough to bash in heads, you've got to bash in minds. - Captain Hammer
    3. Re:Stop stealing. by HanzoSan · · Score: 1


      My car is my own. No your car is owned by your car company, you are paying for the right to drive in it.

      current copyright laws.

      Maybe the current laws need to be revised? Maybe its time to update those laws.

      What I don't do without the permission of the copyright holders is redistribute copies of their works to millions of strangers,

      Why? Because the law says you cant?

      It's quite reasonable Hanzo. Everyone else gets it.

      60 million people agree with me, so who is everyone else? You are just spineless. You wont defend your freedom or fair use rights, you'll sit and watch while the RIAA takes all your rights. What if the car companies tried this and said you cant share your car which you claim to own?

      This isnt about getting musicians paid, theres more than enough ways to pay musicians, this is a power struggle between the users and the corperations, cant you see that?

      --
      If you use Linux, please help development of Autopac
    4. Re:Stop stealing. by AceM2 · · Score: 1

      My car is my own. No your car is owned by your car company, you are paying for the right to drive in it.

      The car company made the car specifically so that other people can ride with you. They actually want you to do it, this makes it a bad analogy for your purposes.

      60 million people agree with me, so who is everyone else?

      So if 60 million people jump off a.. oh nevermind..

    5. Re:Stop stealing. by HanzoSan · · Score: 1

      The car company made the car specifically so that other people can ride with you. They actually want you to do it, this makes it a bad analogy for your purposes.

      And if you ask the musicians, the ones who actually make the music, they make music so groups of people can enjoy it together, this is why they give concerts etc etc. Musicians dont mind people listening to their music, its the CEO at the record company who minds. Musicians do not care how many people listen to their music as long as they get paid, Musicians could get paid based on how popular their music is, on P2P. Say we allow streamed commercials to pay for P2P, Musicians dont care what you do with their music after you pay them, its the CEOs and RIAA who want to control what you do with music.

      You dont seem to care if the RIAA removes all your rights. Some people do care, its not about design,
      why arent TV companies suing people for sharing TV?

      My point is, if consumers dont fight, they wont get increased fair use rights. So the 60 million people are doing the right thing.

      --
      If you use Linux, please help development of Autopac
    6. Re:Stop stealing. by AceM2 · · Score: 1

      Not only do you use TV and Radio with their permission.. You pay for it by watching and listening to ads.

    7. Re:Stop stealing. by HanzoSan · · Score: 1


      Its not even just that. Its not even about profits anymore because I want musicians to profit off their music. Its about control, when we buy music what gives anyone the right to tell us what we can do with it?

      Its going too far in my opinion when you cant even burn a song on a CD because the record companies fear you might share it. I mean its ridiculous, one person per song crap, it just cant work.

      I dont mind paying for music, but I want to be able to do anything I want with that music once I pay for it. I dont want big brother telling me I have to use music in the way they want.

      They need to give up distirbution rights, musicians dont care about distribution, they can profit off filesharing, its the record companies who know they wont have control over us anymore, the record companies know we wont buy CDs anymore and they know they are obsolete. We dont need them to distribute music anymore, we can do it ourselves.

      --
      If you use Linux, please help development of Autopac
    8. Re:Stop stealing. by AceM2 · · Score: 1

      And if you ask the musicians, the ones who actually make the music, they make music so groups of people can enjoy it together, this is why they give concerts etc etc. Musicians dont mind people listening to their music, its the CEO at the record company who minds. Musicians do not care how many people listen to their music as long as they get paid, Musicians could get paid based on how popular their music is, on P2P. Say we allow streamed commercials to pay for P2P, Musicians dont care what you do with their music after you pay them, its the CEOs and RIAA who want to control what you do with music.

      haha Right.. That's why they charge me $20-50+ a ticket to go listen to them in concert right? Come on man, don't believe that bs some of the artists are feeding you. Look at how many artists now own their own labels because they got tired of the living under someone else's rule.. Then MAYBE 10% of those people actually distribute their music for free.. I don't know what news you've been getting, but all the time I hear about how bands are against file sharing.

      You dont seem to care if the RIAA removes all your rights.

      I do have problems with **AA and any other company that really does want to take away my rights, but it's bs to say I want my rights taken away just because I believe distributing mp3s when the publisher doesn't want you to is wrong.

      Artists should stop continuing to resign with these companies if they really want the people to enjoy their music for free.
      I personally think the artists and producers really are doing their part lately, a lot of the bands I like always seem to release at least a couple mp3s on their sites for free these days.. Kindof like how magazine publishers have their magazines out where you can flip through them..

    9. Re:Stop stealing. by squiggleslash · · Score: 1
      My car is owned by me, as are my CDs. What I'm not allowed to do with either my car or my CDs is make basic copies.

      It's harder with my car. But you can bet that if I made a clone of a 1987 Mercury Grand Marquis and tried to sell it, Ford would be on my back like a ton of Diehard 12V Automotive batteries. I'd be violating several patents, and copyright too given I'd be making something that looks the same as their existing design.

      I'm allowed, by the law, to lend my CDs to people, as I am to my car. What I can't do with either my car or CD is make copies of it and redistribute those to millions of strangers.

      It's that simple Hanzo. That's the law, and while one can make cases for fine tuning it - reducing the terms, extending fair use, etc, there's no moral case for you to make use of someone else's work without doing so under their terms.

      Hanzo, if you want to do something about this, if you seriously believe in free music, then either MAKE some, or, if you're not competent enough to do so (and let's be honest, I doubt any Slashdotter would disagree there), FUND some artists and give them money to live on in exchange for them producing stuff that will be freely distributable.

      --
      You are not alone. This is not normal. None of this is normal.
    10. Re:Stop stealing. by Rude-Boy · · Score: 1

      they charge you $20-50 because bands make their living from concerts, only really big name groups actually profit (to any real degree) from CD sales.

      bands that are against file sharing are against it because their label tells them they are. file sharing is nothing but a good thing (especially for smaller name bands), it provides much better exposure then radio or MTV (which typically play only a handful of songs at a time). More exposure means more people coming out to their concerts, and more money for the band directly.

    11. Re:Stop stealing. by Lectrik · · Score: 1
      So if 60 million people jump off a.. oh nevermind..


      Why yes, if the 60 million people jumped of the cliff before me i'd jump, but mostly because there'd most likely be a rather large wet mass at the bottom to cushion my impact.

      "He hit the ground like a garbage bag full of vegatable soup"
      --
      --- As to make my comment seem, by comparison, more intelegent... doodie doodie doodie poop poop poop!
    12. Re:Stop stealing. by mpe · · Score: 1

      And if you ask the musicians, the ones who actually make the music, they make music so groups of people can enjoy it together, this is why they give concerts etc etc. Musicians dont mind people listening to their music, its the CEO at the record company who minds.

      To many musicians (and other creative people) the worst possible situation is that of obscurity.

      Musicians do not care how many people listen to their music as long as they get paid, Musicians could get paid based on how popular their music is, on P2P.

      Or they get paid when they perform music.

    13. Re:Stop stealing. by hesiod · · Score: 1

      > No your car is owned by your car company, you are paying for the right to drive in it.

      What? That's absolutely stupid and a horrible lie. Do you actually believe this? Did you think for even a quarter of a second? Pontiac cannot come and take my Grand Am away from me for ANY REASON at all, except if I had a loan directly with them and I defaulted (which, %99.999 of the time, is not the case). While you have a loan, a Bank owns your car, but that's because they loaned you the money.

    14. Re:Stop stealing. by HanzoSan · · Score: 1


      Yes but an mp3 is not an exact copy bit for bit of a CD.

      You arent making a copy of a CD, by providing an Mp3, You are sharing your CD by providing an mp3, a copy is when you give people a wave file ripped from the CD.

      Your copy of the CD which you may give people is not 100% exact.

      By the way I do make free music. If you want to listen to it, give me your email address and I'll send you a few songs

      --
      If you use Linux, please help development of Autopac
    15. Re:Stop stealing. by HanzoSan · · Score: 1



      So if its wrong to treat cars like this, why treat music like this?

      --
      If you use Linux, please help development of Autopac
    16. Re:Stop stealing. by hesiod · · Score: 1

      > So if its wrong to treat cars like this, why treat music like this?

      Music SHOULDN'T be treated like that...? Did you miss what I was replying to or something? I'm confused. You stated that Car companies own the cars, so I said they didn't. ???

    17. Re:Stop stealing. by HanzoSan · · Score: 1

      So why should music companies own the music?

      --
      If you use Linux, please help development of Autopac
    18. Re:Stop stealing. by hesiod · · Score: 1

      > So why should music companies own the music?

      They shouldn't, really! Artistic works should be owned by the person that created them, unless they opt to sell the rights to someone else. Which is, unfortunately, what songwriters are doing because they either think they are getting a good deal, or they think there is no other option.

      You're the one who brought up the car thing, saying that car companies own the cars. We seem to be arguing the same side.

    19. Re:Stop stealing. by HanzoSan · · Score: 1



      so why cant artists sell the rights to the public domain when we buy their CDs?

      Say a million of us buy Eminems CD, shouldnt his work be public domain? his art isnt worth much more than that.

      --
      If you use Linux, please help development of Autopac
    20. Re:Stop stealing. by hesiod · · Score: 1

      > so why cant artists sell the rights to the public domain when we buy their CDs?

      Because if we are buying their CDs, it is likely that they have already sold the rights (at least, the distribution rights) to the RIAA or some other company. If they retain the rights to their songs even after being "distributed," then they DO have the right to release it into public domain.

      > Say a million of us buy Eminems CD, shouldnt his work be public domain? his art isnt worth much more than that.

      I don't think the number of people buying an album should decide Public Domain or private. And as for the value of his art... well, that depends. His work is very valuable to himself, but of no value to me. If he puts more value (or price) on it than I do, then I don't buy it. (well, actually, if I liked it I would download it, but I don't because I don't)

      However, it's Eminem's decision how the things he creates should be used. And it's my decision whether or not to follow that decision, the laws, or supposed morality (none of which I do, usually).

    21. Re:Stop stealing. by HanzoSan · · Score: 1



      Whys its eminems decision? Once one person buys his creation its a sale, Eminem cannot conntrol what the purchaser does with it becuase Eminem no longer owns it.

      Why do these rules apply when the RIAA purchases Eminems music, but it doesnt apply to the public domain when we purchase eminems music?

      --
      If you use Linux, please help development of Autopac
    22. Re:Stop stealing. by duren686 · · Score: 1

      Well, the RIAA buys the rights to Eminem's music, while the consumer buys CDs with Eminem's music on them. There's a world of difference.

      --
      Y2K Compliant since the late 1890s
    23. Re:Stop stealing. by HanzoSan · · Score: 0, Troll



      So when you buy an Mp3, what are you buying? The Music? or what?

      --
      If you use Linux, please help development of Autopac
    24. Re:Stop stealing. by hesiod · · Score: 1

      > So when you buy an Mp3, what are you buying?

      The right to listen to that song how you choose.

    25. Re:Stop stealing. by hesiod · · Score: 1

      > Whys its eminems decision

      Uhh... because it belongs to him maybe? I understand you are trying to make a point via a sort-of Socratic method, but it's not working. I can't figure out what, exactly, you are trying to argue for.

      > Once one person buys his creation its a sale, Eminem cannot conntrol what the purchaser does with it

      Correct, sort of. Eminem has no say what you do with the physical CD, but he DOES "have a say" (doesn't mean it's enforceable) in what happens to the music itself. You can give away, sell a CD, but you aren't allowed to give away or sell the music on that CD without the CD itself changing hands.

      You seem to be lumping the Music purchaser and the Album purchaser in the same group with the same "rights" and that is just not the case. You get what you pay for, and the RIAA pays way more than $20 for a song (Tho the artist doesn't actually see that money).

      > Eminem no longer owns it.

      So, then, it's a huge racket where the RIAA sells one legitimate copy of every album it makes, and the 2nd through 5,000,000th person to buy any given album is being cheated -- they are being sold something that belongs to the first person who bought a copy! It doesn't work that way.

      > Why do these rules apply when the RIAA purchases Eminems music, but it doesnt apply to the public domain when we purchase eminems music?

      Because we aren't paying for the music, we are paying for the right to listen to that song. When the RIAA pays for music, they pay for the rights to the song itself. The right to distribute it, primarily, which includes the right to make money from sales of the song. (one specification, though, is that the song can be rerecorded by someone else and then they can make money from it).

    26. Re:Stop stealing. by duren686 · · Score: 2, Insightful

      From a strictly technical perspective, you would be buying a set of data which, when accessed by the correct program, would play back Eminem's Without Me with a certain degree of accuracy.

      When you download it for free, the data may contain Without Me, but it could also contain anything else, and at any quality. If you were to buy it, you would (I would think) be buying the assurance that the file you download will have the song you wanted, at a high quality level.

      --
      Y2K Compliant since the late 1890s
  83. Re:Philippines-Downward spiral, upward expectation by vegetablespork · · Score: 1

    Actually, I think DVDs are at about the right price point now. It's that CDs with about 10 audio tracks cost just as much as a DVD movie with a hojillion dollars worth or special affects that seems interesting to me.

    --

    Call (206) 338-5780 COLLECT for information about a genuine BA, BS, MA, MS, MBA, or Ph.D.

  84. This may be a little off of the subject... by cpuenvy · · Score: 1



    Oh well. How about if I connect to a proxy server and share all of the music I want to? I do not see how they can really do much about it.

    --
    DISCLAIMER:

    I don't believe what I write, and neither should you.

  85. Dream World by nurb432 · · Score: 1

    The people making the laws really don't care about civil disobedience these days. Or 'public' opinion. If they did a lot of laws would never have even been placed on the books. Such as Clinton boy's so called 'anti assault weapon' laws for example. Mass disobedience having an effect only worked with the 18/21st amendment. And that was LONG time ago, and a much different world then we live in now. In today's world keeping the law in place just means more $ for the lawyers, who are running this show anyway.

    --
    ---- Booth was a patriot ----
  86. kazaa/fasttrack usage by millette · · Score: 4, Informative

    According to the logs I keep of kazaa's traffic, usage has declined by something like 2%... Maybe I'm not getting the whole picture. The way I sample the data to make the pretty plot is simply by reading from my kazaalite client's status bar, and logging those numbers (users, files, GiB) to a text file which I massage with php+gd every once in a while.

    Let me know if you need more data, I have over a years worth.

    1. Re:kazaa/fasttrack usage by Anonymous Coward · · Score: 0

      Fasttrack is a fragmented network. You can't reliably graph this, as the wavering plots will have shown you, unless you manage to stay on one supernode (and no Kazaa or K++ client can do this yet).

    2. Re:kazaa/fasttrack usage by millette · · Score: 1

      The fragmented graphs you see are the days and nights alternating, as well as me loosing my connection when I moved to my new appt. a few days ago.

  87. Genocidal? by stinky+wizzleteats · · Score: 4, Insightful

    even genocidal litigation can't stop file sharers

    Although I'm not familiar with the case, I don't remember extermination camps being discussed as part of a remedy. The RIAA's efforts are punitive, vengeful, and certainly suicidal, but not genocidal.

    I am very much against the RIAA in this affair, but ridiculous exaggeration like this severely damages our ability to make the case to Joe Sixpack.

    1. Re:Genocidal? by Anonymous Coward · · Score: 0

      OK: How about borderline terrorist? (However, the RIAA's actions are borderline comical, maybe, so I guess that shoots that idea down.) Btw, Rwanda didn't have concentration camps, afaik.

  88. Why i download music by TragicallyMisunderst · · Score: 1

    Lots of people might be wondering why folks download music they haven't bought, and use words like "wrong" and "pirate" and "infringement" and even "hypocrite". Well, just to show them how wrong they are, here's why I download music.

    Music today sucks - it's nothing but the same old mass produced RIAA rubbish that no one wants to buy. So like millions of others who want to get hold of music they don't want to buy, I download it. Because, um, it sucks too badly to buy, but not so much not to listen to at all. Just the right amount of suckage so I'm not spending anything. Yeah.

    So I'm downloading all this music I don't want because it sucks, and I hear the RIAA want to close down the file-sharing service! Well that sucks! They should be going after the users, not the service. There's all kinds of legitimate things you can do with the service. What about all the legal files (ok, I don't know anyone who actually downloads legal files using P2P, but I'm sure I may have seen one or two once when I mistyped the name of the new Metallica single) - if I was an artist and wanted to dsstribute my music freely, without P2P all I could do is use a web site or an ftp site or post CDs at nominal charge. Or if I already owned the music, then without P2P I'd have to actually put the CD in the drive and rip it which would take, like, ages. Look at free software, I bet all those Linux users got their files over P2P as it's such an obviously good way of distributing large files legally. That's why Kazaa has pretty much the same content as freshmeat.net .

    But what gets me even more than the RIAA going after the serice is when they go after the users! These are just kids here, and they don't have the money to buy all that music they downloaded, so why should they be charged for it? Why not just go the whole hog and expect them to pay any time they want soemthing that doesn't belong to them? What kind of a way is it to run a business if you treat your customers (sure, they might not actually buy very much, but with all that downloaded music they're customers all right!) like criminals just because they're doing something illegal?

    And anyway, it's not like it's really illegal. At least I saw someone call it theft once and I said "Ha ha you dumbass it's really copyright infringement" and so everything they said about it being illegal is probably wrong too, I sure told them. Yeah, it might seem like taking something that doesn't belong to you, but what matters isn't what you think is right, but what the law says, and it says it's not stealing.

    And besides, what matters isn't what the law says, but what you think is right. That's why it's ok to copy things if you feel it's ok, because it's like, civil protest. Only not the kind they had with the civil rights people, all that protesting in public and deliberately getting arrested to challenge the law. This is the kind of civil protest where if the law stops you doing what you want you just break it as secrely as you can and hope you don't get caught. Not being in prison means you have even more time to pirat... I mean protest so it's even more effective! MLK and Gandhi could sure learn a thing from me!

    Because it's pretty obvious copyrights are bad. Except for the GPL, that's good. And some of the software ones, they must be ok because I like to say warez is bad. Oh, except Microsoft warez which is probably ok, because M$ sux and Linux R0XX! Yeah, +5 Informative! Actually, I don't remember getting too upset about copyrights before Napster came along, but I'm definitely sure they're bad now, as they stop me downloading anything I want.

    And the artists don't like them either. Well, they don't like the RIAA, and that's almost the same thing. Well, Courtney Love and Janis Ian don't like the RIAA, which is pretty conclusive proof that all the other artists don't like their contracts either. And the ones that go on TV and stuff and ask me to stop pirating are just the coporate stooges. The RIAA is

  89. Genocidal?!=Killing their own customer base by Teahouse · · Score: 1

    Far more downloaders buy the CDs than those who don't download. RIAA is entrenching itself against it's primary customers (young, poor, college & HS students). It is a genocide alright. The systematic elimination of the very buyers they need.

    As for me, I look for stuff that I can't get on an album anymore. Jazz that hasn't been released in 50 years, techno-mixes that are actually good but homemade, and the occasional classic hit I don't already have in my extensive collection. Do I feel that I have the right to download a song or two considering I have $5-8000 of legally purchased music? Absolutely. Am I buying MORE since RIAA decided to get nitpicky? Absolutely not. When they bitch about the 20% decline, I can guarantee you I am a part of it. When they ask "wha happened?" I am sure they can comfort themselves by blaming it on downloading, but in my case, it's just a LONG overdue case of buyers remorse.

    --
    "Curiosity killed the cat, but for a while I was a suspect."- Steven Wright
    1. Re:Genocidal?!=Killing their own customer base by Anonymous Coward · · Score: 0

      Well the whole problem here is not the copying of files. The problem is that the RIAA is technically obsolete.

      I have watched them 3 or 4 times now in my life, try to jack up the price of their recordings to the sky. First they changed formats like to 8 Track then to Cassette and so forth.

      Each time it was not long before the prices went way up, volumes of buyers went way down and revenues went crashing. Then the copiers came in and suddenly the prices dropped and the volumes rose. Profits rose as well.

      But now they have reached the natural limits. No longer is there any need to go to the store and by their plastic recording media. It is a waste technically obsolete. This is never going to come back.

      There were three functions the RIAA provided. Exposure, Media Recording and Delivery. Today with the Internet none of these functions require them. As such they are a group without a business and should go out of business. The last gasp of a company going out of business is to threaten its customers.

      I noted the previous cycles since the claim is that downloaders are damaging sales. That is like saying that the song is on the Radio for free so that damages sales... It actually stimulates sales.

      If the RIAA wishes to survive they need to take a look at the services they provide and start providing them to their customers. (Not the Song Writers like they think, but the song buyers) Also they need to understand that the minute value they add to recordings is going to translate into very small business margins.

  90. IPv6 by jinglecat · · Score: 1, Interesting

    Internet2 needs to be finalized.

    With IPv6, it would increase RIAA's work 3 fold.

  91. I think Itunes will fail. by HanzoSan · · Score: 1



    The reason I say it will fail is because its before its time. People arent ready for it yet.

    Right now people want to share files via P2P, despite all the problems which can occur, and all the dangerous, people want unlimited access to files.

    So how do we do this? Theres an option, you can pay for music via commercials, lets assume everyone using the P2P service is a broadband user, or perhaps have AOL include this service for broadband users.

    It could work by streaming video/audio commercials in a window while the user downloads. The same commercials that pay for TV, and for radio could pay for P2P.

    I am not sure if we have the video streaming technology yet but I know we are close, I hear AOL is working on it right now, I think this is the way to go.

    First you profit off free, just like TV is profitable and Radio is profitable, then you offer a higher quality ad free network a few years later (sorta like what cable is to TV).

    I think people would pay if the pay services were better than the free services in quality, Itunes needs to improve its quality. If they used Flac or high quality waves yeah people would download, maybe if it were a flat fee, I'd think about subscribing but I wont pay .99 a download. Most people arent that rich. Imagine paying .99 a website, or .99 an hour for TV.

    --
    If you use Linux, please help development of Autopac
  92. Ads pay for TV, why cant Ads pay for P2P. by HanzoSan · · Score: 1



    Heres why Ads dont pay for P2P, They dont pay for P2P because the RIAA doesnt want them to pay for P2P. The RIAA wants control not profits. They want to be able to tell you what you can and cannot do with the music you buy, and have absolute control over you.

    The TV companies arent doing this, thats why they are still profiting and P2P isnt a threat to them, I dont see NBC, ABC, Fox and others cracking down on P2P, the reason they dont is because they know how to deal with P2P, they've been profiting off of free TV for years.

    --
    If you use Linux, please help development of Autopac
    1. Re:Ads pay for TV, why cant Ads pay for P2P. by megastar · · Score: 1

      Why can't advertising pay for P2P?

      Because it can't. Filesharing is based on a network of users, so the content is maintained by the users will go where the users go.

      With all other considerations being equal, people will use whatever fileshare software is easiest and least annoying. If the RIAA bought some filesharing service and put ads in, the users would go elsewhere.

      Why doesn't this work for TV? Nobody likes commercials every 7 minutes, so why don't we go elsewhere for our TV? Because there is no such thing as free ad-free TV (seriously - PBS has more ads than real TV). There are no other options for TV besides commercial TV and pay-TV. Why? Because it's very expensive to set up a TV broadcast, and you typically have to be a media conglomerate to do it.

      How expensive is it to create the software to set up a filesharing network? Give any computer science student a week and a case of Red Bull.

      There is absolutely no way to stop filesharing ever, bar outlawing the internet and shutting down ISPs. In my opinion, having already taken every single "Which Spice Girl Are You?" quiz possible, that would be an ideal solution.

      m

  93. Nothign is 100% 'safe'. by nurb432 · · Score: 1

    If there is a connection made between clients, there is a way to trace it back.

    Its really that simple.

    --
    ---- Booth was a patriot ----
  94. Mercenaries for the RIAA by AndroidCat · · Score: 1

    Some people pooh-pooh the RIAA's technical skills. Perhaps true, but they can afford to hire talent. I'm not sure if this made it to Slashdot, but here's an AP news article about the sort of people that they are hiring. "MediaDefender's engineers - previously in the business of foiling radar systems for the Pentagon". Hmm.

    --
    One line blog. I hear that they're called Twitters now.
    1. Re:Mercenaries for the RIAA by AndroidCat · · Score: 1

      D'OH! CP not AP news article.

      --
      One line blog. I hear that they're called Twitters now.
  95. LOL by Teahouse · · Score: 1

    Just shot my morning milk out my nose.

    --
    "Curiosity killed the cat, but for a while I was a suspect."- Steven Wright
  96. RIAA by 2true · · Score: 0

    Great Riaa Endeavors (to own) Everyones Dollars GREED thats why cds cost so damn much 2true vwbug1971@snotmail.com (email not shown publicly) Karma: Bad (who belives in Karma anyway damn slashdot hippie nerds)

  97. Re:A bad thing? by Music+To+Eat · · Score: 2, Insightful

    Indeed, number one could almost be seen as false advertising. Which leads to distrust among consumers. It does allow new bands to get their music out there though. I'm sure most of them would rather not be pressured into releasing a radio friendly song in the first place.

    Which is why I think indie labels are seeing such growth. They allow the artists to decide what is art, not some marketing survey. The RIAA's real problem is the RIAA.

  98. RIAA by Anonymous Coward · · Score: 0

    The RIAA must be getting pretty fustrated, the more they try to stop P2P the bigger it gets. They put a stop to Napster and countless others sprung up to take it's[Napster's] place.

  99. Solution by Tuffnut · · Score: 1

    The solution to the RIAA's problems with file-sharing, is simply to embrace it.

    All they gotta do, is start selling blank cd albums, with everything the normal cd has, except the songs just haven't been burnt onto it.

    Sell the blank cd for half the price of a normal cd, say $7 or so.. then the customer can go on their favorite file-sharing, download the songs, and then burn them.

  100. I think you're wrong by Anonymous Coward · · Score: 0

    "Even when one comes up with the argument that there are laws that "no longer represent the majority of the people", it strikes me as bogus to suggest that this immediately makes a law unjust and worthy of repealing."

    Remember when the national speed limit was 55 MPH? And then they made a change to repeal the national speed limit?

    Do you know what happened to actual speeds on the highway?

    Yep. That's right. Nothing.

    Things seek their own level, regardless of the law. The only way to stop this is to institute a police state to ensure it doesn't happen. So they'll try to be a nuisance to their core customers?

    Sorry, it won't work. I even have some sympathy for the RIAA companies, but at this point, I hope they all fold.

  101. Are you claiming a moral right to copyright? by tkrotchko · · Score: 2, Insightful

    I've never heard anyone claim there is a morality to copyright. Its my understanding that copyright is a business proposition to encourage artists to produce more stuff, not a indication of ownership.

    Ideas can't be owned; they can simply be monopolized to a certain extent by government fiat. But that hardly constitutes a moral imperative.

    Let me put it another way.

    As a consumer, I can listen to the radio. I can tape songs off the radio. I can take that tape and burn it to a CD. That's apparently okay. But if I add "Internet" in that chain of events, then its not okay, even though the end result is the same.

    --
    You were mistaken. Which is odd, since memory shouldn't be a problem for you
    1. Re:Are you claiming a moral right to copyright? by EpsCylonB · · Score: 1

      As a consumer, I can listen to the radio. I can tape songs off the radio. I can take that tape and burn it to a CD. That's apparently okay.

      Nope, not okay. They let you do it, they don't go around trying to sue people who are doing it, but it doesn't mean it is right.

    2. Re:Are you claiming a moral right to copyright? by squiggleslash · · Score: 1
      I've never heard anyone claim there is a morality to copyright
      Then you haven't listened. Seriously.
      Ideas can't be owned; they can simply be monopolized to a certain extent by government fiat. But that hardly constitutes a moral imperative.
      We're not talking about ideas. We're talking about specific creations. We're talking about people creating music and literature and other forms of art that are specific expressions. And we're talking about people doing this in an environment where they have been promised the right to be able to control what they produce in order that they might make enough money to live on.
      As a consumer, I can listen to the radio. I can tape songs off the radio. I can take that tape and burn it to a CD. That's apparently okay. But if I add "Internet" in that chain of events, then its not okay, even though the end result is the same.
      The end result clearly isn't the same, otherwise you'd not be arguing for the right to do so so strongly. The problem here is the notion that someone can take something and redistribute it to millions of strangers, without a fair chance of those strangers rewarding the artist for the works those strangers are using. This isn't the equivalent of taping-off-the-radio (while you inevitable encounter the ads in the meantime), it's the equivalent of rebroadcasting that tape.

      They're a world apart. And, frankly, my belief is that someone who willingly, deliberately, puts as much unauthorized music online as possible for anonymous access deserves to be slammed for it. An artist has a right to eat, and if we, though our legislature, have told them they have the right to make money from people using the stuff they've slaved over, they have a right to expect to be given that chance.

      --
      You are not alone. This is not normal. None of this is normal.
    3. Re:Are you claiming a moral right to copyright? by Anonymous Coward · · Score: 0

      "An artist has a right to eat, "

      I think everyone has a right to eat.

      I think ultimately you're arguing for more. Since the law allows the assignment of "ownership", and since the laws around music are very complex, it seems that we're arguing over the right of the recording industry to exist in its current form.

      Maybe I'm not making sense, but I'm trying to thinkin terms of the real world, not an ideal world.

      Nobody will argue that people should be given the opportunity to make money from their work, I don't think anybody is arguing they are guaranteed money .

      But copyright laws in an attempt to be "fair" are simply a patchwork of laws of convenience, and not one of underlying fairness of even logic.

      I can load my CD to a friend. Is that okay? I honestly don't even know. If my friend makes a copy, is that okay? That seems like its probably not okay.

      Now I loan it to a stranger. Is that okay? Is the act of friendship important to the equation? How friendly do I have to be?

      Apple iTunes...if you download the song, you can stream it to your "friends". Or you used to. The RIAA got upset and so now you can't loan it to friends. Or strangers. But its okay if its in CD format.

      I'm not trying to be pedantic here, its just that the RIAA (et al) wants to have it both ways...they want to treat the bits that are music as property when it suits them, and they want to treat it as a concept (idea/copyright/whatever) when it suits them.

      But think of it. I buy a CD, and I listen to it. I hum the tunes to my friends. That's okay. If I record my humming and put it on CD. I don't know if that's okay. If I'm a really talented hum-mer (insert obvious joke here), then people will get upset with me for humming the song.

      Its nonsensical, and inconsistent. People don't know what's okay and what's not. The Internet is simply forcing a conclusion to a logical extreme, and showing the fallacy of copyright laws. IMHO, of course.

  102. Statistic doesn't mean anything by tuxenvy · · Score: 2, Insightful

    This statistic of 10% growth does not show that people are diregaring the RIAA. It just shows that certain file sharing programs user base grew 10%. If the user base grew 20% the month before...and now it only grew 10%...well, maybe people are afraid to file-share. Regardless, the article doesn't give enough information to draw any real conclusion...especially one as broad as people are disregarding the RIAA announcement. Does anyone know the preceding 5 or 6 month percentage growth so we can compare?

    1. Re:Statistic doesn't mean anything by forkboy · · Score: 1

      I wish I hadn't used my last mod point. You're dead on right. People misuse and abuse statistics something terrible these days. It drives me nuts seeing numbers thrown around like that without any real meaning behind them.

      Not to mention that usage could be up for other reasons. A lot of people don't read slashdot and have no idea that the *AA is cracking down on file traders. Correlation != causation.

      --
      This message brought to you by the Council of People Who Are Sick of Seeing More People.
  103. Re:Philippines-Downward spiral, upward expectation by minairia · · Score: 1

    Well, LOTR made a billion dollars in theater ticket sales world-wide(per Google). That more than made a profit for them as the production cost was ~100 million dollars (per Google). For movies, the social experience of going to the theater will always be better than watching at home. The Filipinos I know both immediately buy the pirate copy on the street AND will also go the theater to enjoy the experience. As for sales of non-pirated DVD's, I think that, unless the price goes way down, the market is doomed.

    It might mean that the quality of movies goes down for a few years until they can offer fantastic special effects with a 50 cent per copy price for the DVD release. Maybe not, though, as super high payed actors might be replaced by CGI characters. Look at how good Gollum was; imagine in 20 years with better technology. High tech special effect rendering could be done in cheap places like the Philippines or India or even Africa when they sort themselves out. Anyway, at the profit rate LOTR made from just ticket sales, they don't have to worry.

    (On a side note, we might see the big actors of today licensing their likenesses as for CGI, meaning that your grand-kids will be watching T34 with Arnold in all his glory. There might not be new faces in the movie business in the future, just the same 20th and early 21st century actors over and over again. Imagine Bogart, Arnold and Audry Hepburn in a movie ...)

  104. ObSimpsonsQuote for the RIAA by mraymer · · Score: 2, Funny

    Nelson: Ha, Ha!

    --

    "To confine our attention to terrestrial matters would be to limit the human spirit." -Stephen Hawking

  105. This is not about profit. by HanzoSan · · Score: 1

    haha Right.. That's why they charge me $20-50+ a ticket to go listen to them in concert right? Come on man, don't believe that bs some of the artists are feeding you. Look at how many artists now own their own labels because they got tired of the living under someone else's rule.. Then MAYBE 10% of those people actually distribute their music for free.. I don't know what news you've been getting, but all the time I hear about how bands are against file sharing.

    Wow a few hundred artists own their label, while millions dont. This isnt about artists making money, this is about control. Artists can charge you 20 bucks to go to their concert, artists can also profit off ads for P2P, the difference here is freedom, you can record a concert and share it on P2P, artists dont care as long as they profit. Artists dont care about control just profit.

    The artists who own record labels arent artists anymore, they are businessmen/businesswomen.

    Eminem is no longer making music because he wants to create art, hes all about making money now.

    Same with metallica and others, it doesnt matter if they have talent or not, they ceased being artists when they decided the business was more important than the culture.

    Artists should stop continuing to resign with these companies if they really want the people to enjoy their music for free.
    I personally think the artists and producers really are doing their part lately, a lot of the bands I like always seem to release at least a couple mp3s on their sites for free these days.. Kindof like how magazine publishers have their magazines out where you can flip through them..


    Yeah but the only way to free both the artist and consumer is to destroy the RIAA. This is what filesharers are doing, fighting for themselves and for artists. Artists will make more money without the RIAA, and consumers will get more music without the RIAA, everyone would win except for the RIAA.

    The RIAA is a distribution company, they were RECORD companies which were founded because at the time, it was difficult to store and transport information, they had a use and purpose. Now we have the net and P2P, these companies are obsolete, they know they are obsolete, consumers dont need them, musicians dont need them and they have control over both the consumer and musician.

    The P2P companies can take their place, we dont need columbia record, interscope, universal etc. Their business model is dead, they are corrupt, and they rob both the musician and the consumer of their rights. Musicians no longer own their copyrights, and consumers dont really own the music they buy, both sides are losing to the RIAA.

    So at this moment musicians and consumers are on the same team, this is why I say its not about the musicians making a profit. Its about the RIAA having control over the musicians profits and the consumers.

    I dont believe distributing Mp3s is wrong, just like boycotting isnt wrong. This is the only way we have as consumers and artists to punish them and prove to them we dont need them anymore. We dont, we can distribute our own music, P2P is just better and theres no reason why we shouldnt use something thats better.

    --
    If you use Linux, please help development of Autopac
    1. Re:This is not about profit. by AceM2 · · Score: 1

      If musicians don't need RIAA, etc, and P2P is here to take the place of the record labels.. Then.. Why on earth do musicians still sign with columbia, interscope, universal, etc? Maybe because they DO need them?..
      Also.. Boycotting is fine and great.. I encourage people who hate the record companies (like me) to not buy cds or anything else from them.. However.. Like I've said before, when you boycot something.. You don't keep using that product! There are thousands of artists out there distributing their music for free. RIAA can't get you for that.

      This is just like MS vs OSS.. The way to get open source moving is not to steal MS products is it? No.. The way to show MS and company is to use Linux (note: just example of open source operating system, don't want to get flamed for not listing them all..) and also to support open source games and applications. Everyone seems to understand that.. So why not apply it to music?

    2. Re:This is not about profit. by HanzoSan · · Score: 1



      If musicians don't need RIAA, etc, and P2P is here to take the place of the record labels.. Then.. Why on earth do musicians still sign with columbia, interscope, universal, etc? Maybe because they DO need them?..

      Because record companies are literally suing all the P2P companies out of existance before they become profitable. Maybe if Napster was not sued to death they'd have plenty of musicians signed to them. When they were sued there was several thousand musicians signed, so the musicians were starting to move to P2P, of course the RIAA killed it because the RIAA can only have control if they have a monopoly, musicians currently dont have a choice but to sign to the RIAA and sign away all their copyrights in the process.

      Also.. Boycotting is fine and great.. I encourage people who hate the record companies (like me) to not buy cds or anything else from them.. However.. Like I've said before, when you boycot something.. You don't keep using that product! There are thousands of artists out there distributing their music for free. RIAA can't get you for that.

      Just because you dont buy CDs doesnt mean you shouldnt listen to the music. Its not the bands we want to punish here, its not the musicians, just the RIAA.

      This is just like MS vs OSS.. The way to get open source moving is not to steal MS products is it? No.. The way to show MS and company is to use Linux (note: just example of open source operating system, don't want to get flamed for not listing them all..) and also to support open source games and applications. Everyone seems to understand that.. So why not apply it to music?

      I understand that and honestly, I never really download alot of big name bands music. I mostly listen to indie stuff. Just because I do that doesnt mean the rest of the world is ready to try new things. Its going to take a while to reverse all the brainwashing the RIAA has done to people, the people are so used to being forced to buy certain CDs and so used to being spoon fed what they should listen to that now when they can listen to anything they want they dont know what to look for because they dont truely know what they like. Until the new P2P indie bands get fair advertisement and the RIAA monopoly is taken down, the fans wont even know about the indie bands.

      you are right, its better to play native games and run native software in linux, but until we get to that point, the option is to just run Microsoft Word and Internet Explorer.

      Microsoft like the RIAA has a monopoly and people are so used to being forced into using a specific type of software that they dont know anything else.

      Its going to take years to change.

      --
      If you use Linux, please help development of Autopac
    3. Re:This is not about profit. by cpt+kangarooski · · Score: 1

      The RIAA is a distribution company

      Minor nit: The RIAA is an industry association. It's the Recording Industry Association of America. It's kind of like how there is probably a Shoe Association that Nike, Reebok, etc. all belong to. Or like the Downtown Businessmen and Giant Mechanical Spider Association.

      Lots of different companies belong to the RIAA. If RIAA is suing someone, it's basically because it's a) more efficient than having each little label sue individually, and b) because the group is allowed to exercise the right of the members to sue on their behalf.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  106. Use Shoutcast and streamripper by Anonymous Coward · · Score: 0

    Listen and save mp3's at the same time. I know they are only "128" bitrate, but most of the mp3's being shared are 128 anyway. Listen for 24 hours and have 24 hours of music stored on your hd.

    Now imagine thousands upon thousands of shoutcast broadcasters playing only one song. Hey, we're not filesharing; we're just listening to the radio (and changing stations after every song).

  107. are you a f**king crack-head? by visionsofmcskill · · Score: 0, Flamebait

    first off.... the expression exists.... quite popularly across the states and more.... secondly the other derivitives youve mentioned are exactly that.,.. variations on a phrase that is already grammaticly horrible..

    thirdly.... americans? wow!!! sometimes i'm seriously amazed at the assumptions foriegners (relative to me... an american) make of US citizens... the most culturaly and socialy diverse country on the planet.... as if we are all the same somehow?

    it's an absurdity beyond belief. People honestly feel we are stupid.... the phrase "stupid americans".... or "stupid f**king americans" is common beyond the bounds of this country. Something of a oxymoronic phrase, considering.... if were so stupid and prone to making grammatical... and other mistakes.... why are great portions of humanity trying their best to live here with us? if were all idiots... why are we the source of a vastly disproportionate amount of innovation (light-bulb,car,radio,phone,airplane,nuclear bomb/power, computer,microchip,etc....)? if we are so geneticly imbred and infirior why do we run the world?

    the last one is the fire-starter.... but keep in mind.... even a tyrant must be smart... cause dumb dictators dont live long. Amazingly enough.... bush isn't a moron, he simply has the verbal capabilities of one

    --
    --Idiots, Every single one of YOU, A flaming mass of conglomerated morons, hey wait a second, isnt that how RAID works?
    1. Re:are you a f**king crack-head? by Anonymous Coward · · Score: 0

      Dude.

      Your list of 'US' innovations:

      Car - Germany
      Light bulb - UK/US
      Radio- Italy/UK
      Electronic Programmable Computer - UK

      Airplane, nuclear bomb/power and microchip I grant you.

      BTW: most thirdworlders wanna live in any Western country (EU, US, Aus/NZ or Canada)...

    2. Re:are you a f**king crack-head? by Qwaniton · · Score: 1

      So this is the new tourist brochure for the United States?

      And I thought my school district was turning out imbeciles...

  108. It is not about the RIAA it is about cheap'n'easy. by nlinecomputers · · Score: 2, Informative

    Most people I've know that do P2P, not counting the computer geeks, don't even know what the RIAA is. Nor do they care that the RIAA is ripping people off. They just know that they can download a song they like for FREE. They don't understand or care that it is stealing or if they do they figure it is a victimless crime because they don't have to faceoff a shopkeeper while trying to shove a CD down their pant leg.

    --
    Slashdot, home of supporters of free software, free music, and free speech.Except for Moderators that disagree with you.
  109. Re:Are you challenging the wisdom of Allan Greensp by Ella+the+Cat · · Score: 1

    Less of the emphasis/bold. I deliberately ignored your post for that reason

  110. what fsking state do you live in? marshall law? by visionsofmcskill · · Score: 1

    45 days? for a dime bag? are you kidding me? i don't even think that's legal.... weed is a misdemeaner... generaly carries a mandatory minimum of 1 day in jail and a fine.

    i know that varies from state to state... but damn. in cali it's a fine... in NY it's a fine... in seatle it's 1 day and a fine...

    sometimes i seriously question the state vs federal system. THAT amount of varience is ridiculous.

    i mean were you operating heavy machinery at the time? or assaulting a puppy?

    --
    --Idiots, Every single one of YOU, A flaming mass of conglomerated morons, hey wait a second, isnt that how RAID works?
    1. Re:what fsking state do you live in? marshall law? by Anonymous Coward · · Score: 0

      This was in Michigan. You could say I got off easy. I could have spent year in jail and been fined up to $2000. I was "lucky" to get 45 days and $1000 fine plus court costs and lawyer fees.

      Michigan Law

  111. not lobbyocracy DEMOCRACY by waspleg · · Score: 1

    where teh majority votes with their dollars into congressional pockets

    this is why we are supposed to be a republic.. but i wont' get into that rant again just check the link in my sig

    1. Re:not lobbyocracy DEMOCRACY by Anonymous Coward · · Score: 0

      How is the Libertarian Party any different that the Republican party? Both parties believe in Dog-Eat-Dog/Survival of the Fittest.

    2. Re: not lobbyocracy DEMOCRACY by Black+Parrot · · Score: 1


      > How is the Libertarian Party any different that the Republican party? Both parties believe in Dog-Eat-Dog/Survival of the Fittest.

      As best I can tell, the econo-Libertarians believe in "survival of the fittest" and the econo-Republicans believe in "survival of whoever is currently on top".

      But that's a subtle distinction; as you suggest, they're both just a "might makes right" ideology applied to the economy.

      BTW, I qualified both groups as "econo-", since both are umbrella groups that also cover people interested in other agendas than the 'inalienable right' to get or stay filthy rich without regard to the effect on other people.

      --
      Sheesh, evil *and* a jerk. -- Jade
  112. Linux P2P clients? by Anonymous Coward · · Score: 0

    Are there any? I thought you Slashdotters all run Linux. How can you guys even care about all of this filesharing P2P stuff when you can't even run any decent clients?

    1. Re:Linux P2P clients? by Paddyish · · Score: 1
      My answers to your question:

      1.) Dual boot
      2.) Dual computers
      3.) Wine

      And occasionally, a group like the freenet project will release linux formats.

    2. Re:Linux P2P clients? by Anonymous Coward · · Score: 0

      I use eDonkey2000. It works way better than Kazaa, and you can use with Linux, Windows and Mac

  113. The medium has already changed... by kkith · · Score: 1

    The problem is that they (RIAA) cannot control the new medium (the Internet).

  114. Who cares by waspleg · · Score: 1

    the only decent band listed there is chili peppers and they should know better.. hell their entire carefully crafted image is around carefreeness

    metallica is absolute shit, hell i got their new album from kazaa and it sucked horribly, but i kept it up anyway just to piss them off

    green day has always sucked and hasn't even written anything new since i was in highschool (i graduated in 98)

    linkin park wants to be metallica

    conclusion? no loss, let them fuck themselves out of existence they deserve nothing less

  115. may it is time to start a boycot by Anonymous Coward · · Score: 0

    I wonder what would happen if every one stoppped buying CD's start after labor day. I wonder how long the lawyers would keep working if the record labels could not pay them. Just a suggestion.

  116. Umm... you don't understand "artificial scarcity". by Anonymous Coward · · Score: 1, Insightful

    Suppose that I possess a copy of Metallica's new album (I actually don't, but let's imagine that I do).

    The music on Metallica's new album is not intrinsically or naturally a scarce resource. It is in fact an unlimited resource. I can, at no (or insignificant) cost to myself, meet an unlimited demand for this particular resource.

    However, copyright law prevents me from meeting an unlimited demand for this resource.

    There are people who would like to have a copy of this music, but who are not willing to pay the price associated with it at a retail store. If it were not for copyright law, I could satisfy this demand.

    Because this scarcity is not intrinsic or natural to the resource in question, it is an "artificial" scarcity.

    The intent of causing artificial scarcity of a resource is either to increase the market value of the resource, or to regulate the resource for broader social reasons.

    The meager (at best) potential benefits of copyright on artistic works do not in our present society warrant its continued status as law.

    The majority of those who truly have the potential to advance the arts will do so fully or to a sufficiently acceptable degree whether or not they are granted monopolistic control of the distribution of their work.

    The benefit of the few who will not or who will not so greatly, is outweighed by the free mixing and distribution of ideas that will come about in our society in which it is becoming increasingly true that everyone, not just a select few, are creators and innovators (and yes, you twit pisser, producing a derivative work is being creative and innovative).

    The arts are not advanced to a greater extent because artists are able to indulge in luxuries daily that cost more than the average worker makes in a week.

    That Mr. Pfuckshisowndiddy can throw millions around like pocket change is not a cause that we as a society have an obligation to advance.

    Just the opposite: we have an obligation to take his wealth up to the point that were we to take any more he would not able to advance the greater good as much as he has, and instead redistribute that wealth to those who will innovate, create, and advance the greater good.

    For his contributions, Mr. Pfuckshisowndiddy deserves an annual income of about $22,000 USD, and not a cent more.

  117. the return of sneaker-net by visionsofmcskill · · Score: 2, Insightful

    If the RIAA gets it's way... which is a distinct possibility.... we will see 2 things happen amongst traders.

    First will come the file-trading encrupted and distribiuted networking solutions... such as freenet.... where communications will be inherently anonymous and highly hidden... where the data will be spread across the network in a simlar fashion to RAID... keeping them availble and at the same time not dependant upon one users machine.... imagine if everyone simply gave 40 megs of space to a netowkr of millions of users to be shared out RAID style....

    the second thing we'll see is the advent and return of sneaker-net... with so many small and highly portable devices that store data on nearly everyone.... the ease of getting songs at your buddies house or work or in the park will become more and more prevelant. Although not easy with the iPod right now.... i have a distinct feeling it will be shortly.

    --
    --Idiots, Every single one of YOU, A flaming mass of conglomerated morons, hey wait a second, isnt that how RAID works?
  118. RIAA - shoots self in foot again by KevMar · · Score: 5, Insightful

    the RIAA just keeps shooting themselves in the foot. Every major lawsuit just leads to more public attention.

    I remember when mp3's were only found on IRC or FTP server or crappy porn filled mp3 warez sites or college network shares. the Dimond RIO suit put mp3 in the spotlight and the napster lawsuit made mp3 a household name. They may will according to the law, but thats all they are winning.

    --
    Im a gamer, not a grammer major. This post is full of spelling and grammer mistakes.
  119. Since when? by AstroDrabb · · Score: 3, Insightful
    has it been the job of the US citizens to support the RIAA/MPAA business model or any business model for that matter?
    From the article:
    Weiss said the recording industry should lobby for special taxes on CD burners and Internet access as a way to recoup losses incurred from file sharing

    When has it become our duty as US citizens to make sure that any business model succeeds? If a business cannot adapt its business model for each new generation, then it deserves to go down in flames. The sad thing is that something like the above could happen. The dirty RIAA/MPAA with their dirty money will bribe the prostitutes of congress and have them pass a bill that allows them to tax all internet usage or all cd burner purchases. As if the only possible reasons we dirty citizens use the internet or buy a cd burner is to steal their crapppy music. This crap makes me mad.
    --
    If Tyranny and Oppression come to this land,
    it will be in the guise of fighting a foreign enemy. -James Madison
    1. Re:Since when? by Todd+Knarr · · Score: 1

      It's already happened. When you buy a blank CD-R or CD-RW, part of the price is a royalty paid to the RIAA to compensate them for lost revenues due to use of that blank for piracy. They negotiated this way back when CD-Rs first came out.

    2. Re:Since when? by AstroDrabb · · Score: 1

      I read that. Though I tought it was just in Canada. How in the hell did they justify that? Did they prove that a majority of blank CD-R/RW usage was for "piracy"?

      --
      If Tyranny and Oppression come to this land,
      it will be in the guise of fighting a foreign enemy. -James Madison
  120. RIAA is a terrorist organization. by kaltkalt · · Score: 1

    So are the MPAA and the DMA. They should all be taken down by the Patriot Act, RICO, and every other law aimed at putting away such criminal enterprises.

    --

    Stupid people make stupid things profitable.
  121. Ask your parents... by alizard · · Score: 2, Interesting
    if they ever taped songs off the radio and shared the tapes with friends when they were kids?

    If they did (almost certainly), ask them if they felt guilty and ashamed about stealing FROM ARTISTS?

    Tell them that filesharing is simply doing the same thing using your computer to grab them from P2P instead of the radio and your hard drive instead of a tape recorder.

    Tell them the only difference between what they did and "filesharing" is that the RIAA bribed a bunch of politicians to declare the digital version is illegal and that the tape version is explicitly legal.

    What's important here isn't that this changes the law, but to let them know what you're doing is merely illegal, not wrong.

    If your parents can't tell the difference. . . you've got some unpleasant time to do before you leave home, good luck.

    1. Re:Ask your parents... by EpsCylonB · · Score: 1

      Tell them the only difference between what they did and "filesharing" is that the RIAA bribed a bunch of politicians to declare the digital version is illegal and that the tape version is explicitly legal.

      I don't think taping songs off the radio is illegal and the RIAA was quite worried about it at one point ("Home Taping is killing music"). However it is quite obvious that it was never a serious threat to sales (how much money have record companies made in the last 20 years ?).

    2. Re:Ask your parents... by EpsCylonB · · Score: 1

      I don't think taping songs off the radio is illegal

      Doh!, that should have been legal instead of illegal.

    3. Re:Ask your parents... by Tink2000 · · Score: 1

      Actually it is legal to tape songs off the radio for at least 2 reasons: one is that you have a copy of a song that was paid for via royalties paid to the RIAA; the other is you have an imperfect copy of a song, which if you keep generating copies from that copy you are sooner or later going to end up with a very very lackluster copy of that song. Contrast this with the fact that you can (more or less) get a perfect copy in the digital realm with little to no loss per generation, coupled with the fact that you didn't get the file from some royaly-paid source more likely than not.

      Just being Devil's advocate here. I hate those alphabet bastards too.

    4. Re:Ask your parents... by cpt+kangarooski · · Score: 1

      Actually neither of those reasons is correct, but it is legal to tape songs off the radio in SOME situations.

      Basically, it's legal to use analog media or equipment -- such as cassette tapes.

      Or it's legal to use SOME CERTAIN digital media or equipment. But there are very strict rules as to which are okay and which aren't.

      Check out 17 USC 1008, AND (because they're using a narrow and specialized definition of some of the terms in that section, as noted above) 17 USC 1001.

      But for a rule of thumb, digital stuff is only okay if it is consumer grade: Standalone CD recorders, Audio CDR, Audio DAT, or Minidisc.

      Data CDRs (i.e. cheap ones) aren't the same for this purpose as Audio CDRs (i.e. expensive ones) even though both do the same thing. This is also presumably true for DAT, although I've never really checked to see if various DAT cartridges are all compatable with each other.

      There is another reason. It could be considered time-shifting, a form of fair use, much as taping TV off the air is considered to be. But fair use requires a case-by-case analysis; it is totally dependent on the facts. You cannot make a blanket statement about what is or is not a fair use.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:Ask your parents... by Mr_Silver · · Score: 1
      Tell them the only difference between what they did and "filesharing" is that the RIAA bribed a bunch of politicians to declare the digital version is illegal and that the tape version is explicitly legal.

      ... and they'll tell you that when you tape a song off the radio, no third party can get your IP, find out your home address from your ISP and then attempt to sue you.

      --
      Avantslash - View Slashdot cleanly on your mobile phone.
    6. Re:Ask your parents... by alizard · · Score: 1

      You missed my point. The idea isn't to get across that what one is doing is legal or untraceable, it's just to get across the idea that it isn't morally wrong by the standards the current generation who are parents to kids in high school/college grew up with.

    7. Re:Ask your parents... by hesiod · · Score: 1

      > Data CDRs aren't the same for this purpose as Audio CDRs even though both do the same thing

      OT, but is the ONLY difference between the two the "RIAA tax" price difference? Or is there some actual reason to use Audio CDRs?

    8. Re:Ask your parents... by cpt+kangarooski · · Score: 1

      Well, one is legal to copy music with even if you don't own a copy. The other requires you to make a fair use argument, and that's by no means clear in all situations.

      There's no technical reason though, if that's what you're asking.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  122. Share only a 30-second segment by Anonymous Coward · · Score: 0

    I know that at least for educational purposes (aas part of an educational institution) you may incorporate up to a 30-second clip of musical work.

    Suppose that we create a music-swapping client such that no one person ever shares more than a 30-second segment of an entire track, or maybe of an entire album.

    I don't know whether this extends to individuals outside of educational institutions, but I do know it applies within educational institutions.

    Sure, getting any given entire track would require locating more individual users than currently, but legally, there would be nothing that could be done without new legislation.

  123. This is all part of their plan... by spiritraveller · · Score: 2, Interesting

    A few more downloads will not hurt them.

    What it will do is give them more arguments when lobbying Congress. "See, we have done all we could. Our businesses will die unless you pass more laws for us." If you read the Morpheus dismissal order, that is exactly what the judge argued for. He basically complained that his hands were tied and that Congress should pass some laws so he can do something about it.

    Why have they never mentioned usenet? Because they can't stop usenet file sharing unless they are allowed to cancel files and the isps are forced to abide.

    Similarly, they cannot stop p2p unless they are somehow allowed to filter an isps traffic and put filesharers offline without wasting time on due process (which applies only to government action, not RIAA action).

    Expect more assaults on the free flow of information. The question is not whether they will succeed under the current paradigm. (They can't.)

    The question is whether they can get Congress to throw the baby out with the bathwater. (Hopefully they can't.)

  124. In the UK by Alan+Cox · · Score: 4, Interesting

    In the UK case they can go to an ISP to get the information having gathered enough evidence to get a magistrate to ok it (which isnt a huge barrier when you can show the time, the data, the files, a video of the download, the music playing and a signed testimony you own the copyright). Data protection law is not a right to do illegal things anonymously. In fact an ISP is permitted to give such data to the police without them even asking if it has good reason to believe a crime is being committed.

    I'd expect people in the UK to be dealt with by UK law, just as large scale UK video pirates were. Large scale video piracy was stopped by basically targetting the big pirates and giving them nowhere to advertise their wares either. Now its a hand to hand market or dodgy street market stalls and that keep the volume of piracy under control

    As regards file names - given a few downloads that are verified as pirate and the relevant paperwork done and affidavits filed I suspect the rest would be resolved by seizing the equipment in question and seeing what else is on it.

    I approve of the RIAA approach this time, its the first sane thing they've done for a long time. Go after the bigger copiers, instead of harassing everyone, screwing up the law and building unusable systems actually go after the criminals for once.

    What should be the real limits on "fair use" is another debate, but it will be a lot easier to have when large scale copying of copyright works is under control, and also may actually go back to the old ways - as video has where small scale copying/lending isnt a threat, helps everyone and the law is conveniently ignored by all parties .

  125. traditional usage has changed by alizard · · Score: 4, Insightful
    We have to be very careful before claiming a law is unjust simply because of popular opinion. And the argument that people should be able to use an artist's work outside of that artist's terms of creation because "everyone's doing it" (well, a lot of DSL users are doing it) strikes me as a very dubious argument at best.

    Everybody always has done it, up to now, legally.

    Any musician and anyone else serious about music who's older than Britney Spears' generation grew up taping off the radio and swapping tapes. This was how people swapped music files before the Internet and personal computers.

    Do any of us feel guilty about STEALING MUSIC and being PIRATES!!!

    Of course not, tapes effectively extended the range of radio broadcast promotion of albums, i.e. taping songs off the radio helped sell albums, just as P2P and Internet radio helps sell CDs now.

    The only difference between fileswapping and taping is that the RIAA paid Congress to make swapping songs via Internet illegal.

    If you believe differently, you have been suckered by RIAA propaganda.

    1. Re:traditional usage has changed by squiggleslash · · Score: 1

      Of course. Because taping from the radio, having listened to ads that funded the broadcast (or in the UK, paying a TV subscriptioN), is EXACTLY THE SAME as making a high quality MP3 and then redistributing it to MILLIONS OF STRANGERS.

      --
      You are not alone. This is not normal. None of this is normal.
    2. Re:traditional usage has changed by Lectrik · · Score: 1
      Because taping from the radio, having listened to ads that funded the broadcast (or in the UK, paying a TV subscriptioN), is EXACTLY THE SAME as making a high quality MP3 and then redistributing it to MILLIONS OF STRANGERS.


      Yes, so if we paid for our CDs, and only distributed a few files to a few people it'd be alright?

      I've burnt a few CDs for my friends at work because they were wondering what i was singing along to on my Nex IIe so I burnt them the CDs with the music on them, wide range of stuff. Some They Might Be Giants, The Seatbelts (from Cowboy Bebop soundtrack), a little early Beastie Boys and Daft Punk, most of Laziest Men on Mars (mp3.com a while back) and some other stuff from band sites across the internet.
      All either from purchased CDs orfreely distributed by the artist. Was it wrong to burn them to CD as opposed to recording them to tape?

      Every MP3 is just a (large) decimal number that just happens to make noise when you look at it thru the right codec
      --
      --- As to make my comment seem, by comparison, more intelegent... doodie doodie doodie poop poop poop!
    3. Re:traditional usage has changed by squiggleslash · · Score: 1
      Yes, so if we paid for our CDs, and only distributed a few files to a few people it'd be alright?
      Pretty much.
      --
      You are not alone. This is not normal. None of this is normal.
    4. Re:traditional usage has changed by Lectrik · · Score: 1
      Yes, so if we paid for our CDs, and only distributed a few files to a few people it'd be alright?

      Pretty much.


      Good, cuz the last thing I need is them chasing me down for my 100+ gigs of mp3s from those CDs i bought
      --
      --- As to make my comment seem, by comparison, more intelegent... doodie doodie doodie poop poop poop!
    5. Re:traditional usage has changed by squiggleslash · · Score: 1

      Me neither. I have an iPod. Came complete with a "Don't steal music" sticker too. Hanzo San would have been furious.

      --
      You are not alone. This is not normal. None of this is normal.
  126. doofuses... by alizard · · Score: 1
    If they want to sell CDs, they have to give customers reasons to buy them.

    Additional content like provided on DVDs. . . interviews, games, band information, pictures. . .

    "Members only" areas on band websites, you get an ID number off a CD or play it when you access the site get access.

    Drawings for free tickets.

    If one really likes the music, one buys the CD because it sounds better, AAC is NOT a lossless format.

    I wonder how many people are buying iTunes tracks and buying the CDs later? Anybody see numbers yet?

  127. of course it's part of American culture by alizard · · Score: 1
    Parents of Napster users were sharing music long before the PC was invented by taping songs and swapping them with friends. That is why they don't teach kids that sharing music is stealing.

    As it turned out, this increased album sales, just like file-swapping now.

    The only difference is that politicians were paid off to make the logical extension of this into digital illegal.

  128. Re:Philippines-Downward spiral, upward expectation by Anonymous Coward · · Score: 0

    What exactly *is* something worth? Is $10 worth the same to the McDonalds worker in SmallTown, USA that makes minimum wage as it is to Joe NYC that is pulling in 150k/yr? HELL NO. To the SmallTown USA guy that $10 is a hell of a lot more valuable because he just doesn't make enough that he has a lot of disposable income. I can't tell you all how SICK I feel these days. I was in NYC making a 6 figure income, and was able to purchase (for the most part) the stuff I wanted, when I wanted, and didn't really have to worry about *if* I could pay the bills, etc., Now that I have gotten divorced and moved back to my home state, I am going to be ECSTATIC if A) I can find a job in my field and B) if that job pays more than $10-12 per hour. The worst part is that the cost of apartments, etc. here are not significantly lower than they are in the large cities that are over 130 miles away, yet the wages are depressed, meaning that I will have less money for the same work as someone in the larger city. So move to the large city you say...I think about it, but then I have to deal with all the big city B.S. as well. As it stands, I will personally be HAPPY when I find a job, which ironically will probably be at McDonalds, which goddamn is a real step up after getting a BSCS and working for 2 large financials companies in NYC, and makes me feel real good about things... So what does this exactly have to do with the RIAA and the price of tea in china? Facts are this, when people can afford to purchase something at a price they consider reasonable, they will. When I was making 6 figures, $15-20 for a CD was reasonable...when peole CANNOT afford to purchase something, they will either borrow what they need from a friend, go without or steal it. I would consider the downloading of music more akin to the borrowing a tape from my friend and then recording it, sadly those in charge of the RIAA and MPAA for that matter are a bunch of GREEDY FUCKS.....Down with the RIAA..though curiosly I have purchased MORE music since I have been downloading music...strange how that works...I *can* get it free, but yet, when I think it is worth something I go purchase it....hmmmmm...damn what the hell is wrong with me

  129. Downloading The Hulk ?? by andr0meda · · Score: 1



    You mean like downloading the worst ever comic movie in hollywood history?

    Why?

    --
    With great power comes great electricity bills.
    1. Re:Downloading The Hulk ?? by Anonymous Coward · · Score: 0

      the worst-ever movie based on a comic? I take it you don't watch many movies

    2. Re:Downloading The Hulk ?? by Anonymous Coward · · Score: 0

      This is offtopic, but if the Hulk is the worst comic movie, then I suppose Dardevil isn't even a comic movie at all.
      Hmm, perhaps DD is a comical movie at its best.

  130. Re:A bad thing? by Fallen_Knight · · Score: 1

    Easy to solve thoses problems:

    1) not true, actuly this has the reverse effect, a band can produce any sort of material and the put it up for download/sale on the internet. If it wasn't going to sell a CD and is not radio friendly then with the net it'll get to poeple who enjoy and listen to it. More then a CD would (IF the RIAA LET them put it on the CD)

    2) change the price cheam to per min instead of per sogn. Or let the artist set the price for the sogn.

    3) Not all albums are like that, and thoses that are (far and few between, well at elast good ones) can be sold as a entire album package.

    As it stands CDs suck only because the price fixing and gougeing. and that RIAA wants to control everything,

    No RIAA, many indy companies, cheap CDs (no 50% of price spent on RIAA dn ads) then CDs would rule again

  131. Re:A bad thing? (Off Topic) by Tinfoil · · Score: 1

    Hey Music To Eat, do you write on any sites? If not, I would like to talk to you about my site.

    theguy at tinfoil dot net if you are interested.

    Let's now return you to your regularily scheduled program

  132. Benifit to the RIAA: by Sven+The+Space+Monke · · Score: 1
    Okay, so we need to put it in terms of benifit to the industry? How's this:

    The get to continue existing

    --
    A man who can't pronouce "nuclear arsenal" shouldn't have one -sig ends here.
  133. Re:Philippines-Downward spiral, upward expectation by SuiteSisterMary · · Score: 1

    The oft quoted example is 'Often, you'll find that Austin Powers: International Man of Mystery the DVD is cheaper than Austin Powers: International Man of Mystery the soundtrack is.

    Really.

    DVDs really are at the right price point, and you get a hell of a lot of bang for your buck. Especially if you have a decent HT rig. And a decent HT rig ain't all that expensive.

    --
    Vintage computer games and RPG books available. Email me if you're interested.
  134. Mod Parent up!!! by WhiteWolf666 · · Score: 1

    I've been saying this for YEARS.
    Copyright only exists to protect and encourage the arts and sciences. There is no intrisic moral value in copyright.

    Given the nature of modern technology, and the low cost of modern distribution (electronically), we can safely abolish the concept of copyright.

    Politics is the difficult business of allocating resources effectively. In this case, the happiness of the many (public, and, I would argure, the artists (and wannabe artists)), outweight the needs of the few (RIAA, big 4 record companies).

    --
    WhiteWolf666 an exBush supporter. All you new-school,compassionate,save the children Republicans can rot in hell
  135. Frank Zappa Said it Best (Go Buy Joe's Garage!) by Greyfox · · Score: 5, Insightful
    "This is the Central Scrutinizer. It is my responsibility to enforce all the laws which haven't been passed yet. It is also my responsibility to alert each and every one of you to the potential consequences of various ordinary everyday activities you might be performing, which could eventually lead to... The Death Penalty. Or affect your parents credit rating. Our criminal institutions are full of little creeps like you, who do... Wrong Things."

    Amazing how a guy who's been dead for 10 years can still be on topic...

    --

    I'm trying to teach myself to set people on fire with my mind... Is it hot in here?

    1. Re:Frank Zappa Said it Best (Go Buy Joe's Garage!) by ticklemeozmo · · Score: 1

      Or, if you prefer, go download iT...

      --
      When modding "Informative", please make sure it both has a source and IS actually informative.
  136. Re:You coward -NT- by Anonymous Coward · · Score: 0

    FUCK THE RIAA!!! Now downloading 20 full albums just because they piss me off...I don't even want them...LOL

  137. Check this out. by HanzoSan · · Score: 1



    MusicCity

    As you see on the site, artists are getting paid through P2P. The RIAA just doesnt want to give P2P a chance.

    --
    If you use Linux, please help development of Autopac
  138. http://www.musiccity.com/ by HanzoSan · · Score: 1

    ooops heres the URL http://www.musiccity.com/

    --
    If you use Linux, please help development of Autopac
  139. Can anybody say by Anonymous Coward · · Score: 0

    binary newsgroups? All the movies, music, and porn you could possibly want.

  140. What are you smoking? by alizard · · Score: 1
    Whenever you listen to a song on the radio, YOU ARE LISTENING TO AN ANALOG BROADCAST OF THE MP3 FORMAT ADVERTISEMENT FOR THE ALBUM WHICH HAS BEEN PAID FOR BY THE RECORD COMPANY. MP3 is the dominant automation format used in radio today.

    The difference in this sense? The listener and provider of the file are redistributing this ad for the record company free of charge. Nobody's listening to the radio station's ads, but if the radio station isn't providing the content, why should we?

    I wonder how many pro-RIAA postings are from people employed by RIAA PR agencies as opposed to "useful fools" who spread the RIAA message because they've been pumped full of bullshit and have the urge to spew it at somebody?

    1. Re:What are you smoking? by squiggleslash · · Score: 1
      YOU ARE LISTENING TO AN ANALOG BROADCAST OF THE MP3 FORMAT ADVERTISEMENT FOR THE ALBUM WHICH HAS BEEN PAID FOR BY THE RECORD COMPANY
      No, you're not, except in a tiny handful of cases. If it were the case, the record companies would be bankrupt by now.
      Nobody's listening to the radio station's ads, but if the radio station isn't providing the content, why should we?
      Obviously people are listening otherwise advertisers wouldn't continue to advertise. When advertisers stop advertising, it'll be time to start the conspiracy theories about how radio stations manage to stay afloat. Not before.
      I wonder how many pro-RIAA postings are from people employed by RIAA PR agencies as opposed to "useful fools" who spread the RIAA message because they've been pumped full of bullshit and have the urge to spew it at somebody?
      I've never seen a pro-RIAA posting on Slashdot. I think on one occasion I made some comment along the lines of "They have done some good things" and was modded down as a troll for my trouble. Thing is, they have. There's the HRA they lobbied for, which mandated fair-use capabilities in digital media (the DMCA did the reverse), and there's the fight they fought against Tipper Gore's mob to keep music from being censored.

      But, either way, I can't help but feel that those who insist that everything to do with filesharing is a case of being for or against the RIAA are just plain destroying their cases. There's a serious issue here concerning the rights of artists. I love many, many, works that I know would never have been produced without a copyright law that allowed their creators to at least try to fund their works via sales to people who used those works. To me, for instance, the greatest science fiction author of all time is Isaac Asimov. There's little doubt that without copyright laws, he wouldn't have been an author because he used his works to keep himself and his family alive. And the world would have been a worse place without what he contributed to society.

      Bottom line, regardless of the "better for society" argument: If someone works in exchange for a set of conditions, people who make use of that work are obligated to be bound by those conditions. If you take music, you owe the artists without whom that music wouldn't exist. Trying to pretend that those artists are just some giant corporation somewhere screwing you may help you pretend otherwise, but those are your moral obligations.

      --
      You are not alone. This is not normal. None of this is normal.
    2. Re:What are you smoking? by cpt+kangarooski · · Score: 1

      I've never seen a pro-RIAA posting on Slashdot. I think on one occasion I made some comment along the lines of "They have done some good things" and was modded down as a troll for my trouble. Thing is, they have. There's the HRA they lobbied for, which mandated fair-use capabilities in digital media (the DMCA did the reverse), and there's the fight they fought against Tipper Gore's mob to keep music from being censored.

      Well, I think that their work in promoting standards in recording was worthwhile, albiet so long ago.

      They also give out gold records apparently, and I guess that's nice.

      The AHRA, which I think you're referring to, is a mixed bag. It didn't mandate fair use capabilities in consumer grade digital media. In fact it largely destroyed them, and was part of a plan to try to keep recordable digital media from ever taking off. It worked too -- the only success so far has been with things the AHRA doesn't apply to: computers, data CDRs, mp3 players, etc. It did help kill off DAT, audio CDR, and Minidiscs.

      And given that Tipper Gore was pretty toothless, and the RIAA does roll over for big retailers who can censor as they please anyhow, I don't see that as being a big win. Movie ratings, game ratings, the Comics Code... all were responses to the threat of government censorship, but everyone forgot that the government can't do that anyway, and that such a position has only gotten more and more legal support over the decades.

      If you take music, you owe the artists without whom that music wouldn't exist.

      So by analogy, you're telling me I owe Bill Shakespeare some amount of money for the various copies of his plays that I've made, handed out, etc.?

      I don't think so.

      There's no debt, necessarily. Whether there should be depends ENTIRELY on societal benefit. After all, the worst thing that can happen is that fewer people will produce art. Which is sad, and should be avoided, but is a perfectly legitimate option nevertheless!

      Drawing from your other posts:
      The notion that Asimov would have been able to live and feed himself and his family as a writer without copyright laws is patently absurd.

      And? A lot of people can't live and feed themselves as writers WITH copyright laws. It's patently (ha ha) absurd to think that they're always necessary too. There were artists before copyrights you know. Some did very well for themselves.

      This is because artists can get by doing things that don't need copyrights:

      *They can do works for hire, merely being paid for their labor. Think of sign painters, or graphic designers.

      *They can make original pieces, since you cannot copy something's status of being the FIRST of its type

      *They can do commissioned work for people that otherwise wouldn't be done -- I have to hire Van Gogh to have a Van Gogh portrait of myself. A pirate can't actually be him.

      *They can make and sell art that no one cares about duplicating specifically; art as a commodity. A lot of folk art is like this. There's still competition in the field, but you can do well making ceramics or some such, although no one will ever want a thousand of a specific piece.

      Copyrights aren't necessary, and history shows this: there have been a LOT of artists and craftsmen throughout history, but copyright didn't exist until the early 18th century, and wasn't widespread until the 20th.

      All I've done is argue that someone whio produces something under current copyright laws has the right to control its redistribution

      But why should they have that right? I'm not saying that they must or must not, I just don't see much point in their having that unless it is overall a good thing. See some discussion of this above.

      As it stands, by your words -- EITHER you support an artist's right to control the redistribution of their works, or you believe they should be compelled to allow their works be distributed for free under certain circumstances. There

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    3. Re:What are you smoking? by squiggleslash · · Score: 1
      *sigh* Everyone wants to ignore the point I'm making.

      The CURRENT situation is that there is a promise to artists that if they create something, they will have control over its use in their lifetimes (and a bit more.)

      Shakespear is (a) dead (and has been for more than 75 years, or whatever the last absurd extention was), and (b) wasn't around when this promise was made. So, no, he didn't make it on the understanding he'd have that control, and you don't owe him a penny, and wouldn't even if at that time the same promise that's made to artists today was in force then.

      It's that simple. Nothing more. Stop putting stupid and inane and irrelevent words into my mouth that have nothing to do with what I've written.

      --
      You are not alone. This is not normal. None of this is normal.
    4. Re:What are you smoking? by cpt+kangarooski · · Score: 1

      But what motivated us to make this promise? It's hardly inane -- I'm asking WHY. Because if it isn't doing what we wanted it to do, then maybe we screwed up and should alter things to better accomplish our goals in doing this in the first place.

      Besides -- with regards to retroactive extensions, since the artists weren't motivated by the much-later extension, do you agree then that it shouldn't be applicable to them? This appears to be something you're implying.

      Anyway, I don't disagree with you about what the current status quo is. But I am asking why we should respect it, or refrain from changing it anyway. And I also note that you ignored some of my refutation of your RIAA position, for whatever that's worth.

      Seriously -- let's talk motives. If we know why we have copyrights at all, we'll have a start at deciding if our current ones are any good, and if the system should be supported, or if we need to scrap it and start over, or what. If actual inspection reveals that it is sufficiently bad, will you still act surprised that people are breaking it right and left? Might not an effort to check for problems, and if any are found, to fix them, result in better compliance with the law since it'll rub fewer people the wrong way?

      I think this is key.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    5. Re:What are you smoking? by squiggleslash · · Score: 1
      But what motivated us to make this promise? It's hardly inane -- I'm asking WHY. Because if it isn't doing what we wanted it to do, then maybe we screwed up and should alter things to better accomplish our goals in doing this in the first place.
      I can't believe you're even asking this. May I suggest taking a look at the US constitution, which frames the reasons very well. It's to promote progress in the arts and sciences. By giving people control over what they produce and, critically, the ability to make a living from it, you encourage them to create new and wonderful things. I think that's a good thing.
      Besides -- with regards to retroactive extensions, since the artists weren't motivated by the much-later extension, do you agree then that it shouldn't be applicable to them? This appears to be something you're implying.
      I completely agree. What I wonder is why people are reading this bullshit, from "You're in favour of the Shakespeare estate owning his works!" to "You're a puppet of the RIAA" to "You're in favour of unlimited copyright terms" into anything I've written.

      Again, let me repeat it. RIGHT NOW, we have an agreement, through our system of laws. We say to artists that if they produce new and wonderful things, we will give them control of that content. It is therefore wrong for us to remove that control, or expect them not to protest and not to take legal action when individuals remove that control, and do so in the most extreme way - redistributing their content, non-consensually, to millions of strangers.

      Without question, that is an attack on the rights of the artists. And if, today, we were to pass a law that abolished copyright, we might have every right to take the work produced tomorrow and redistribute it freely and widely and never bother to ask permission, but to do so with content produced yesterday would be wrong.

      And I also note that you ignored some of my refutation of your RIAA position, for whatever that's worth.
      Maybe because it's irrelevent, because I don't have an "RIAA position", and because virtually everyone replying to me wants me to be Hillary Rosen and wants to have the argument they've always wanted with Rosen right now. Buck up, pal. I'm not Rosen. I have dick. I program computers for a living. I like Richard Stallman and I defend him on Slashdot. Rosen can speak for herself, I speak for me.
      If actual inspection reveals that it is sufficiently bad, will you still act surprised that people are breaking it right and left? Might not an effort to check for problems, and if any are found, to fix them, result in better compliance with the law since it'll rub fewer people the wrong way?
      So far few are proposing fixes to copyrights beyond seriously disembowling it and removing the rights of artists completely.

      Stallman is right: The way to deal with this is not to break the law, nor to expect legislative change: it's to have a hand in creating content, and to make sure that content is itself free. Whether you fund the content or create it yourself, if you want an environment in which there's a free exchange of music, literature, and film, you need to be part of creating that open domain. You can't just grab stuff others have made and force them to join you. That's not right. And that's all I'm arguing.

      --
      You are not alone. This is not normal. None of this is normal.
    6. Re:What are you smoking? by cpt+kangarooski · · Score: 3, Insightful

      May I suggest taking a look at the US constitution

      Perhaps I should make a disclosure here. I've memorized that clause. I'm working very hard towards practicing copyright law in a couple of years. I do know the foundational materials, the theory, all that jazz. But I appreciate the rhetorical device.

      By giving people control over what they produce and, critically, the ability to make a living from it, you encourage them to create new and wonderful things.

      But you're not quite through. You're so close. You ought to be able to smell it. But there's one step left. What do you do when those new and wonderful things are there? What's the purpose of getting them? How does their mere existence promote the progress of science? (N.B. if you read the clause carefully, and recall the 18th century meaning of words, you will note that copyright is intended to promote science, or as we would now say, knowledge. The 'useful arts' refers to the patent half of the clause, and refers to what we now might call practical technology)

      We say to artists that if they produce new and wonderful things, we will give them control of that content. It is therefore wrong for us to remove that control, or expect them not to protest and not to take legal action when individuals remove that control, and do so in the most extreme way - redistributing their content, non-consensually, to millions of strangers.

      Naw, not really. Congress can decide to raise the price of postage to $20 for a postcard if they like. It's done at their discretion. There's nothing whatsoever wrong with changing the rules on artists.

      Because no matter WHAT copyright laws exist, those laws will usually be better for artists, and the public, in sum, than not having them at all would be. And that's a viable alternative too. Congress can always decide there shouldn't be any copyrights. And in the right circumstances, it would be the right decision to make as well.

      The few cases where artists and the public in aggregate will be worse off with copyright than without it are, ironically, when copyright is at its strongest. A few artists will thrive; they'll basically have a license to print money. But most will suffer since the ogliarchy won't much care for the competition. And the public will be even worse off.

      As for protest, I don't have a problem with that. I just don't care for their arguments, unless that argument is merely that the optimal point -- optimal for everyone -- of the copyright system lies elsewhere. Anything else would be arguing irrelevancies.

      Remember: we didn't say that we'd give artists control in exchange for them creating new things. We said we would when it was a good thing for us. That I'll stand by. But we're the judges.

      So far few are proposing fixes to copyrights beyond seriously disembowling it and removing the rights of artists completely.

      Ok.

      Without delving too deeply into the details -- I'm still thinking about some of the nitty gritty music and video licensing issues -- I'd say this:

      5 year term; renewable five times. Except software, designs, and masks, which aren't renewable at all. Fees for renewals would likely be pegged to gross profits to raise revenue for the Library of Congress and the Copyright Office (see below for some uses of that money)

      Existing terms would be retroactively shortened to fit into the new scheme.

      Strict formality requirements in order to get a copyright at all; a "common law" copyright (really statutory, but based on the old ones) might exist for some works, but wouldn't be safe to rely upon, since I'd want to promote publishing. This would include strict deposit and disclosure requirements to eliminate protection on copyrighted works other than copyrights, e.g. trade secrets. So, for example, software would all be disclosed source, though still copyrighted.

      Acts contrary to the ultimate public domaining, and fair uses would be grounds for voiding copyright; no copy

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    7. Re:What are you smoking? by mpe · · Score: 1

      The CURRENT situation is that there is a promise to artists that if they create something, they will have control over its use in their lifetimes (and a bit more.)

      In practice actual creators often don't have control over the uses of their works. Often they must hand over these rights to a third party publisher/distributor in order for their work to be published.

    8. Re:What are you smoking? by squiggleslash · · Score: 1
      But you're not quite through. You're so close. You ought to be able to smell it. But there's one step left. What do you do when those new and wonderful things are there? What's the purpose of getting them? How does their mere existence promote the progress of science? (N.B. if you read the clause carefully, and recall the 18th century meaning of words, you will note that copyright is intended to promote science, or as we would now say, knowledge. The 'useful arts' refers to the patent half of the clause, and refers to what we now might call practical technology)
      Well, call me a dope, but what you do is use them. I'd have thought that's obvious. For the first few years, you'll have to make use of them under the creator's terms, after that they go into the public domain.

      And if I may make a further point, subject to your "useful arts" comment. The "I have no problem with grabbing stuff others have made and putting it into the public domain" means, in essense, that you're willing to destroy someone's livelihood at no notice in order to listen to cheaper music, something you can already do under the current system.

      I don't think that's reasonable.

      --
      You are not alone. This is not normal. None of this is normal.
    9. Re:What are you smoking? by cpt+kangarooski · · Score: 1

      Yup. You use them.

      You use them just for the sake of using them. Or you use them in order to create new works of art. Or you disseminate them more widely, or at lower cost.

      These are the kinds of things that we want to do with these works. To have them and not be able to FULLY enjoy them, in the various ways listed above and more, is not nearly so good. In fact, it might even be better to not have them at all, if there would be a commensurate or better upswing in the enjoyment of other works.

      So the sorts of terms the creator can set can't be just anything. We have to decide whether we'll allow it.

      And the length of time, or types of works that they can do that with likewise can't be just anything. We have to think hard about what is best for us.

      [Y]ou're willing to destroy someone's livelihood at no notice in order to listen to cheaper music, something you can already do under the current system.

      Well, I'm not sure how little notice a huge bru-ha-ha in Congress is considered to be, and that's what it takes.

      But yes. Is it unreasonable for the Army to buy their paperclips from Acme for a hundred years, becoming the Acme family's sole (and large) customer, but then to suddenly switch to Ajax? It destroys the Acme's livelihood. And it might be done with no notice.

      We don't owe artists a living. Indeed, copyright gives them a chance at one. It doesn't guarantee anything. And most artists aren't helped by it, or don't even manage to make their living at art.

      It's a system designed -- as you yourself have noted -- to fill the public good. If the public good means pulling the rug out from under artists, then that's what we ought to do. If it means giving artists brand new cars, then let's do that instead. I could use a new car.

      I just don't care about artists. I am one, but I don't care. Not about artists as a special, important class. Instead I care about what artists can do for the world. And that might mean not giving them everything they want.

      If it leaves everyone better off than before, then that's what I'm in favor of. Is this so unreasonable?

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    10. Re:What are you smoking? by squiggleslash · · Score: 1
      So the sorts of terms the creator can set can't be just anything. We have to decide whether we'll allow it.
      Which is why we put limits on the lengths of copyrights.
      We don't owe artists a living. Indeed, copyright gives them a chance at one. It doesn't guarantee anything. And most artists aren't helped by it, or don't even manage to make their living at art.
      We owe people we've promised a chance at a living that chance.

      If we promise something, and then take it away from them, then we are fucked up people.

      Right now, many artists are producing art on the understanding that, if good enough, they can make a living from it. They're not doing other forms of work, instead they're making use of an opportunity we, as a society, have offered them.

      You may believe that society would be better off with another regime. Fine. But that's no reason to pull the rug out from those who have already made good on our promise.

      It's not as if you don't have choices. You do not need to make use of the art that has been created as a result of the current regime. You do not need to put controls on the art you yourself produce. You can, if you so desire, encourage the creation of a regime within the current one that creates free (unfettered) works, as Richard Stallman has provably demonstrated via the GPL.

      Many of the works that exist right now would not do so outside of the copyright regimes that existed at the time of their creation. You have no moral right to make use of something you're opposed to the creation of. You don't have a moral right to pull the rug out from under the feet of artists who make their living on the basis of the copyright promise. You have alternatives. That's all I'm arguing. Is that so unreasonable?

      --
      You are not alone. This is not normal. None of this is normal.
    11. Re:What are you smoking? by cpt+kangarooski · · Score: 1

      You have no moral right to make use of something you're opposed to the creation of.

      I don't? So like, I can't read Mein Kampf?

      You don't have a moral right to pull the rug out from under the feet of artists who make their living on the basis of the copyright promise.

      Maybe it seems unfair, but Congress certainly does have that authority, just as they can radically revamp lots of other laws that people make their living on.

      Congress could decide that big rigs weren't allowed to drive on the interstate; bam, there go a bunch of jobs, and the nation's shipping infrastructure needs to change overnight.

      Congress could decide to get competitive with FedEx and UPS and revamp the Post Office so as to basically drive those guys out of business.

      They could decide to ban certain drugs, or legalize others. I seem to recall that people did legally grow hemp for profit once upon a time.

      There are a lot of things the government can do. The idea is that they'll do what's best for the nation. That is practically guaranteed to piss off particular groups at various times. But they have the authority, and often exercise it nevertheless.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    12. Re:What are you smoking? by squiggleslash · · Score: 1
      I don't? So like, I can't read Mein Kampf?
      I was refering to copyright. Don't quote me out of context.
      Congress could decide that big rigs weren't allowed to drive on the interstate; bam, there go a bunch of jobs, and the nation's shipping infrastructure needs to change overnight.
      Congress could, and they'd be wrong to do so. They'd be less wrong than with copyright, because nobody's made a law guaranteeing use of the roads next week, as they have guaranteeing control over the redistribution of your works.
      But they have the authority, and often exercise it nevertheless.
      Can I take it that your decision to quote me out of context, and to fall back on the argument "I can't justify it, but technically certain groups have the power to do so rightly or wrongly" means you really don't have a justification for telling an author, musician, film maker, etc, that they may have just invested their livelihoods in creating something new and wonderful on the understanding that people who use that something will pay them, but they're now fucked and should go bankrupt because you want it all and don't want to pay for it?
      --
      You are not alone. This is not normal. None of this is normal.
  141. Re:It is not about the RIAA it is about cheap'n'ea by Anonymous Coward · · Score: 0

    They don't understand or care that it is stealing or...

    Is that a bit like you not understanding that copyright violation (when someone downloads a song that they do not have a copyright license to listen to) is not stealing? You can go to jail for stealing, you can be sued for copyright violation. They are not one and the same, although clearly the marketing campaigns work on people who don't quite understand how the law works.

  142. The future of artistic slavery. by Anonymous Coward · · Score: 0

    "Getting rip of copyrights (or at least shortening them/cause them to expire on works a company doesn't republish every 5 years, ie not worth it) would cause a huge amoutnt of works to be availble."

    That depends. If it's something already out there then yes. However we're talking about the future, not the past nor the present. If those who create items that fall under copyright (big hint: it's more than just movies, music, and books) realized that their works wouldn't be protected from exploitation (which your just as one-sided as the RIAA/MPAA idea promotes) then I suspect that the entire economy of that country would take a big hit (read massive unemployment, depression, etc). Look at the issue not from the consumer POV, but the producer. Why should they produce anything for anyone? There's not a consumer made that can make an artist produce a game, or a movie, or a book. You want it? Then fork over the benjamins. You don't want it? Then let your economic communism florish, and hope a saner country doesn't become the next economic superpower.

  143. Why not just modify your business model. by HanzoSan · · Score: 1



    This will never happen, the RIAA is just going to cause people to boycott buying CDs entirely, and then when and if they do get their songs off P2P, no one will buy them and people will just listen to indie stuff.

    Its a lost cause, what the RIAA needs to do is respect fair use and perhaps instead of trying to have absolute control over distribution, give up on control of distribution, modify copyright so that people can share files, and go after the people who burn CDs and sell them.

    P2P is about as stopable as Linux, its not going to happen because P2P gives people freedom. People will not give up their freedom to share the music they purchase, and they will not stop distributing music, the best thing the RIAA can do is learn to profit in a world where they dont have absolute control. Perhaps if they stopped asking the question of how to stop piracy and started asking the question of how to profit off filesharing, this problem would be solved and all sides would be happy.

    I can tell you for a fact it will never go back to the old days, thats like saying you can convince people to stop using the internet by blocking access to a few sites. It wont happen.

    P2P is here to stay, I suggest they work with Kazaa to profit off P2P in the same way they profit off Radio and TV, Ad revenue. I dont mean banner ads, but high quality commercials should be added onto P2P, most users wont mind a commercial playing in the backround of Kazaa just like they dont mind when commercials play on TV or Radio.

    Theres also taxes which can be used to give artists stipends, and the RIAA can use make ISPs pay, and have ISPs pass the bill down to users.

    Theres alot of ways to do this which make more since than suing the world.

    --
    If you use Linux, please help development of Autopac
    1. Re:Why not just modify your business model. by Zeriel · · Score: 1

      In the future, when you post pro-Linux posts, it might be wise to remove your insanely pro-Microsoft sig. =P

      --
      "America has done some terrible things. But I know that Americans don't cheer when innocents die." -Dave Barry
    2. Re:Why not just modify your business model. by hesiod · · Score: 1

      > This will never happen, the RIAA is just going to cause people to boycott buying CDs entirely

      I'll call bullshit on this: This will not happen, because the general public is too stupid/ill-informed to actually do this. The RIAA companies put out a product & tell the people to buy it -- guess what, the people buy it. Not because it's a good product, but because they are told to.

    3. Re:Why not just modify your business model. by HanzoSan · · Score: 1



      Until they get sued. Saying the public is too stupid and ill informed means even as they RIAA is sueing them they'll still buy CDs. It also means P2P will never be sued out of existance because people are too stupid to stop using it, I mean they dont pay attention to their neighbor getting dragged out in handcuffs

      --
      If you use Linux, please help development of Autopac
  144. Anonymous P2P filesharing by Ex-MislTech · · Score: 2, Interesting

    Use encryption, highest order currently available .
    I think it is 2,048 bit like hushmail uses, upgrade this
    and make it a encryption module that can be adapted as
    further needed in the future .

    Disregard the NSA request for Keys, andMake it a dynamic server model . All ppl are servers, but only for a short random while,
    and then the duty is passed .

    The servers start building a dynamic remap, then deliver the
    time for remap and reassign after the hand off and receive
    servers have negotiated and checked the links for stability
    and reliability .

    Hide the Ip addresses, and use a disassociated means of
    node identification . IP address will get you connected to
    a Dynamic DNS that is floating on foreign hosted servers
    in countries that care not a wit for the RIAA or what it wants .

    Design it as a many tentacled beast, with polymorphic traits
    like a polymorphic virus . Use multi-casting to update server
    lists and keep the nodes informed .

    Use dummy data to send the fox chasing the fake hound ,
    the wild goose chase . Put pieces of the data in certain
    packets, and those certain packets change as the network
    morphs in the course of the day . Like was preposed for
    Dark Angel 2000 .

    Clients will dynamically re-route, and shift their registration
    info all encrypted, and IP addresses are masked/encrypted when
    used, and are used as little as possible .

    Idle process similar to what the SETI@home screen saver uses
    could determine the best machines, and use them to build
    an 'A' list of nodes, but rotate that responsibility as to not
    lock it in to certain machines, ie. keep it moving .

    So with a encrypted structure by a random shifting tree ,
    they would have a "damn" hard time tracing it if all the
    packets themselves were coded .

    A whitelist is possible, but could be compromised by a member
    being caught thru other means, ie. vindictive significant other .
    Then what was a good node could be used to reverse engineer it,
    and listen to the network .

    So it has to be designed so that those on the network themselves
    could monitor, but it changes quickly, and changes in ways
    that are not straight forward easily understood, A network chameleon of sorts .

    Only the master chameleon could "hope" to understand the network,
    but the very fact of how fast it changed would make it a daunting
    if not overwhelming task . If someone who had the idea of
    "Dark Angel 2000" could apply it to peer 2 peer it could happen .

    Well enough day dreaming , hopefully some very bright mind
    will see this and help it or a variant there of on its way .

    Peace,
    Ex-MislTech

    --
    google "32 trillion offshore needs IRS attention"
    1. Re:Anonymous P2P filesharing by Anonymous Coward · · Score: 0

      First of all, stop smoking, grow up a few years. You sound like a 13-year-old having "cool ideas"... hell, you probably are.

      Then look at Freenet, GNUnet, KAILnet, IIP might be useful as might Mixmaster for background, Mnemosyne, you have to look at Chord to see what not to do, and - most importantly (I hope I can name them) - the Darknet Project.

      Plenty of cool ideas out there, some working their way towards something very special.

      You need a distributed hash table of some sort - that's clear - but you also need the nodes to not trust each other, or manage that trust in a complex way (perhaps with crosschecking) to attempt to detect nodes ("Judas nodes") that are attempting to poison the network.

      That's not easy and needs one hell of a lot of tuning.

      You need the link layers to be encrypted, but key management is very hard - in particular many of the keys are ephemeral enough that authentication becomes an impossibility at the link layer, so abandon that altogether and find a way of making the link totally anonymous through IP spoofing, carefully chosen zero-knowledge protocols, and forwarding of course. You need a link that doesn't mind if there's a man in the middle, because there's supposed to be several men in the middle anyway and you don't trust any of them.

      You'd be amazed how hard cipher modes can be, and how hard it is to devise a way of two clients stealthily connecting to each other - perhaps even both through firewalls, using an intermediary who can IP spoof to negotiate the connection, paketto-keiretsu-stylee - without trusting said intermediary. And then you have to design for DoS attacks, DDoS attacks, endless algorithmic complexity attacks, be totally paranoid about all data the network sends you so you don't look like an idiot and write a buffer overflow or a format string overflow, try to manage 25 threads at once in your head without getting race conditions... and then there's IPv6.

      Then you have to make the simplest, prettiest, least shite-laden client you can - despite all of this ridiculous internal complexity, simple enough for your Mom and your kid sister to use because if they can't, you'll never reach critical mass and there will be little point to the network because no bugger uses it.

      This shit isn't even slightly easy, is all I'm saying.

      It'll take time, but there's already some great stuff out there as well as small evil-smelling, room-dwelling hordes of researchers still working on the trickiest bits, and the RIAA are adding fuel to the fire upon which we're all cooking this soup of fast network anonymity ;)

      Oh, and don't download ES5, its spyware really, really stinks (and the network is crap too).

  145. p2p? by sewagemaster · · Score: 1

    skynet... ugh... p2p will always be there! there's no way of shutting it down!

  146. Mandate? by markbthomas · · Score: 1

    research firm Yankee Group estimates that 56 million people use file-swapping software in the United States.

    Has anyone else noticed that more people use file sharing software in the United States than voted for President Bush in the last election?

  147. Re:Mod Parent up!!!-Artistic rape. by Anonymous Coward · · Score: 0

    "Copyright only exists to protect and encourage the arts and sciences. There is no intrisic moral value in copyright."

    There is the intrinsic moral precept that a person can reap a reward from their own labours. This is why communism was a failure. Copyright does for the "world of ideas" what is considered an inaliable right in the "brick and steel world" that we exist in.

    "Given the nature of modern technology, and the low cost of modern distribution (electronically), we can safely abolish the concept of copyright."

    Actually we can not. While todays discussion may be over MPAA/RIAA, copyright isn't confined to just that. A great deal falls under copyright, even your posts on slashdot. Technology isn't a substitute for a sound social policy.

  148. metallica by commodoresloat · · Score: 1
    God only knows how few records they sell now.

    Actually, they top the charts right now, unfortunately. Of course they suck now, and a lotta fans have turned against them, but their target audience now is basically the in-stync crowd, who could care less about integrity, and are happy to believe that art is what Lars Ulrich says it is.

  149. What do you mean I'm breaking the law? by Angerson · · Score: 2, Interesting

    I regularly take informal polls at the start of each semester in my college class just to see where exactly students stand on the copyright issue. Since I teach a computer-oriented course for art students I feel the topic is relevant and, as such, the sampling of results are often interesting.

    Over the course of the last 5 semesters, it's been pretty clear that a good deal of those sampled have no real concept of what copyright is. I mean they understand it's there to protect the rights of the artist / creator but that's about the extent of it. Of course, that much is probably no big surprise. What is surprising is that many of these students believe it's perfectly legal to make a copy of your friend's CD/DVD/Video game/Microsoft Office CD as long as you have no intent to sell or distribute it. Of course some of that falls more under breaking your EULA than copyright, but the fact remains, the ethics of copying doesn't even apply here since they think it's perfectly legal to begin with.

    At any rate, I think a lot of people are going to be in for a big wakeup call when the RIAA throws down the hammer. A good sampling of their "victims" might not even be aware that they're actually breaking any laws.

    1. Re:What do you mean I'm breaking the law? by VB · · Score: 2, Insightful


      Your comments ignore the issue this article was meant to emphasize. Please, educate the uninformed that copyright holders have rights. That's perfectly appropriate. But, also educate them that the holders of copyrights aren't necessarily the people who wrote the material that was copyrighted, as well. Make sure you let them know the RIAA represents the interests of organizations that exploit artists for 95% or so of their rights for the works they create for commercial gain for very, very long periods of time in the interests of making money.

      What the RIAA is doing is quite legal. But, what they've done to gain those copyrights is morally quite questionable. Artists create out of compulsion; not of commercial aspiration. Unfortunately, the wheels of commerce usurp that product to the exclusion of the creator and, while they're legally justified in suing consumers for gaining access to that content outside the distribution channels they concocted for that purpose, they _must_ come to terms with the reality that the consumer is now wise to what they've done to the creators of those legal assets.

      Educate the consumer as to the law, sure... But, please give the proceeds to those who create the art, or you're supporting the system to the demise of those for which the system was originally set up. You need to teach that in your college class...

      --
      www.dedserius.com
      VB != VisualBasic
    2. Re:What do you mean I'm breaking the law? by Angerson · · Score: 2, Interesting
      Educate the consumer as to the law, sure... But, please give the proceeds to those who create the art, or you're supporting the system to the demise of those for which the system was originally set up. You need to teach that in your college class...


      Actually the exploitation of the artist is always a key factor in our discussion. Especially since the bulk of these students are (or plan to be) artists as well. So no, I'm not force-feeding anyone the idea of bending down (or is it over?) and obeying the almighty RIAA. I'm just making them aware of the law - both the good and bad aspects of it.
  150. oh my god! by Anonymous Coward · · Score: 0

    are they going to sue people over this? i suddently realize how wrong i have done. now, i will delete all my mp3s and uninstall all p2p-programs i possess.

    i am sorry america, riaa, mpaa, whatever other silly 4-letter organisations you people have, i offer my humble ass for you to FUCK.

  151. Overstating the case by gidds · · Score: 1
    An industry that presupposes that its customers are freeloaders and thieves doesn't deserve to have any customers.

    s/its customers/some of its customers/

    In which case, that's the entire vending machine industry out, then. Along with most of the banking and financial industry. Just about all the retail industry (with those security tags). The hotel industry (otherwise guests' rooms wouldn't need keys). The car industry (all those keys, alarms, and immobilisers). In fact, just about every industry everywhere!

    Not that there aren't valid arguments against copy-protected CDs &c, of course, but ./ers do seem to overstate the case a little.

    --

    Ceterum censeo subscriptionem esse delendam.

    1. Re:Overstating the case by andy+landy · · Score: 1

      The fact is that the people who are downloading music *aren't* the RIAA's customers. The RIAA's customers are the folks who go out and buy CDs, pure and simple.

      Yeah, yeah, CDs are overpriced, the recording industry makes craploads of money, we feel ripped off, it's our right to get our own back. Well, no, actaully.

      If you think CDs are overpriced, then don't buy them. The problem is that there are still loads of people who will buy CDs.

      The average consumer will go down their local high street and buy the media they want, even if it's a copy-protected CD/DVD. If it plays on their home system, why do they care if it won't work on a PC.

      The industries went after the p2p networks and invested in securing their IP, but as has been pointed out, p2p and DeCSS et al have legal uses (the DMCA is pointless and wrong, but that's a different story). Now they're beginning to realize where the problem is. The p2p companies are legal (even if founded on an illegal prioncipal), it's the file-sharers who are breaking the law, so they're going after them, which is what they should've done in the first place. In their eyes, sharing their files is just as illegal as selling knock-off CDs at the market.

      Okay, so they probably don't have a lot to gain. Most of the /. community who complain about the RIAA have reasonable (if not strictly legal) reasons for using p2p.
      a) I download songs I can't get on CD, rare stuff that's long since been deleted.
      b) I download stuff I want to sample and will go out and buy the CD if I like it, and delete the MP3s if I don't.
      c) I'm not well off and can't afford CDs, I still enjoy the music, and if filesharing wasn't there, I'd not listen to it, rather than buy the CDs.
      d) I download songs I've already got on CD (I'm too lazy/my computer is too old and crufty) to encode MP3s.

      We all know that the RIAA could certainly cater for people in (a) with either CDs or MP3s for download and (b) could be catered for with reasonably easily.
      (d) was solved quite nicely by Beam It (IIRC, an mp3.com innovation) sadly defunct, and (c) could be solved with a competitively priced system to buy MP3s (people will pay for
      MP3s, if the price is right)

      To be honest, it's probably best that the industry goes down this route, ideally, they'd stop encrypting DVDs and copy-protecting CDs and just deal with te people actually breaking the law, but it's unlikely.

      It also seems that they're going after the bigger offenders of file sharing, (they won't go after everyone, just as they didn't go after everyone who ever lent a cassette to their mates.) All in all, history is repeating itself, but this time with digital media rather than analog)

      --
      perl -e 'print "Just another Perl newbie\n";'
    2. Re:Overstating the case by HanzoSan · · Score: 1



      If thats true the RIAA has no reason to sue. I mean no one using P2P would ever think about buying a CD.

      --
      If you use Linux, please help development of Autopac
    3. Re:Overstating the case by Anonymous Coward · · Score: 0

      I would, my girlfriend does, I know lots of people who still do...

  152. Re:Artists Against iTunes ---- by Genjurosan · · Score: 1

    You post is: 100% Ad Hominem and 100% OFF TOPIC!!!

  153. response to more RIAA propaganda by alizard · · Score: 2, Insightful
    No, you're not, except in a tiny handful of cases. If it were the case, the record companies would be bankrupt by now.

    Find a better place than RIAA propaganda to get your info.

    You are of course, simply wrong to the point where nothing you say about the business of music can be taken seriously. The case for every song on commercial radio being a result of payola can be considered established fact.

    BTW, the major labels are all in major financial trouble, and paying for this part of promotion is part of the reason. Better cash your paycheck quickly.

    No guarantee on data availability. I simply keyword-searched on my personal database on payola. If any URLs don't work, Google is even your friend. Keyword search on "payola".

    http://www.salon.com/ent/feature/2002/06/25/pfp_co ngress/

    http://www.salon.com/ent/feature/2002/06/25/eagle_ eye/

    http://slashdot.org/articles/02/05/24/1515236.shtm l?tid=141

    http://features.slashdot.org/features/01/06/05/103 4234.shtml?tid=141

    http://slashdot.org/articles/02/06/25/1316255.shtm l?tid=141

    http://www.latimes.com/cgi-bin/slwebcli?DBLIST=lt0 1&DOCNUM=41999&TEMPLATE=9002&DBPUB=20010529KFHQeKB S&QDesc=Logs%20Link%20Payments%20With%20Radio%20Ai rplay

    I've never seen a pro-RIAA posting on Slashdot.

    THAT'S WHAT THE PREVIEW BUTTON IS FOR. READ YOUR POSTS BEFORE POSTING.

    There's a serious issue here concerning the rights of artists.

    Only in your mind, and only in the imagination of RIAA publicists. Eminem's latest album was completely uploaded to the Net as MP3? His album went straight to #1. Please explain to him in public how his rights were violated by EVIL PIRATES.

    There is NO convincing evidence anywhere that P2P displaces record sales.

    As for your example, Isaac Asimov, too bad he never saw the Baen Free Library. Out of print science fiction books have been uploaded by several name authors to the library, betting that it would expand the sales of current titles. NO DRM, just zipfiles you can turn into .RTFs or html pages.

    The experiment has been a success, and given Asimov's intelligence, we can be sure that if he were living today, he'd have his back-issue stuff either there or somewhere similar under his control.

    Your copyright strawman doesn't cut any ice with me, I'm a published writer and have applied for more than one patent, and know far more about the law in this area than you will ever need to know. I certainly don't support getting rid of copyright.

    While there are some people here who want to do away with it, most here would be content with reform, i.e. changing current law to add mandatory Internet licensing to mandatory broadcast licensing, so anyone who broadcasts via the Net for commercial purposes has to pay a royalty to songwriters, collected via Performers Rights Societies like ASCAP and BMI. (and tracked via the same people who do SoundScan)

    Selling music is about promotion, and the RIAA version of the story is simply an attempt to restrict mass distribution of music promtional materials to channels like radio they can buy control of.

    Thanks to your RIAA buddies, I had a hell of a time getting the music tracks of an independent artist I'm personally working with onto Kazaa for fear of attack by the thugs you either work for or even stupider, are working for free of charge.

    As for your imaginary "moral obligation", our moral obligation to artists is buy from them if we like their work. We have NO moral obligation to RIAA labels and no amount of your whining can make one. Perhaps you will buy a major label record because a label ad says to. Nobody else will.

    Distributing broadcast-quality tracks of an artists' work simply provides them with free promotional exposure. If you think there's something immoral about someone hearing a track off an album that a record company didn't pay for radio time or the bandwidth before, you're a dumb shit.

    1. Re:response to more RIAA propaganda by squiggleslash · · Score: 1

      Find a better place than RIAA propaganda to get your info.

      I don't read "RIAA propaganda". I use common sense. There's no way in hell all music, or even most music, on the radio is the result of payola. It would drive every single publisher into bankruptsy in a matter of months. Your examples demonstrate a commitment not to trying to prove an argument but to score points: I never said Payola does not exist, I said that it does not represent more than a tiny handful of cases. If you have evidence otherwise, then produce it. Don't quote anything you can find in a Google search of "Payola" and assume it to be relevent.

      THAT'S WHAT THE PREVIEW BUTTON IS FOR. READ YOUR POSTS BEFORE POSTING.

      Thanks for the advice. I never have seen a pro-RIAA posting on Slashdot. By all means, show me one, but I warn you, it'll be new to me.

      Only in your mind, and only in the imagination of RIAA publicists. Eminem's latest album was completely uploaded to the Net as MP3? His album went straight to #1. Please explain to him in public how his rights were violated by EVIL PIRATES.

      I don't know, because I don't know if Eminem's album was distributed with or without his permission. If it was redistributed over the net without his permission, then I'd say his right to control the redistribution of his own work was violated. I mean, I know it's obvious, but you'd agree that's true, right?

      I must admit to not understanding your point. Are you saying that Eminem was redistributed illegally and benefited from it? If so, it's not relevent to whether his rights were violated or not, but in any case, can you back that up? Eminem presumably didn't become #1 due to music downloads, that's absurd. It's rather more likely that he was widely downloaded for the same reason as he reached number 1, his album was widely sought after. Don't put the cart in front of the horse.

      The experiment has been a success, and given Asimov's intelligence, we can be sure that if he were living today, he'd have his back-issue stuff either there or somewhere similar under his control.

      Sure he would. But without the right to chose what to make free and what not, he wouldn't make a cent. The notion that Asimov would have been able to live and feed himself and his family as a writer without copyright laws is patently absurd. Do you think that if you could go into a bookshop and buy any number of printed editions of Asimov's work without any of them resulting in money going to Asimov, that he'd have been able to afford to continue?

      Your copyright strawman doesn't cut any ice with me, I'm a published writer and have applied for more than one patent, and know far more about the law in this area than you will ever need to know. I certainly don't support getting rid of copyright.

      Well, why the f--- are you arguing in favour of preventing artists from deciding whether their works get redistributed for free or not? Because that's all I can see. You've said, so far, that you believe (dubiously) that Eminem benefited from unauthorized redistribution of his work, so in what way are you "pro-copyright"?

      Sorry, but I don't believe you. All I've done is argue that someone whio produces something under current copyright laws has the right to control its redistribution, and you've subjected me to a barrage of attempted insults, and I can't draw the conclusion that you "certainly don't support getting rid of copyright" because all I've done is argue exactly that. If you agreed with me, you wouldn't be attacking me. EITHER you support an artist's right to control the redistribution of their works, or you believe they should be compelled to allow their works be distributed for free under certain circumstances. There is no middle ground. And one of those positions is pro-copyright, whether it's like my view - that artists have the right to control their works, that copyright shouldn't last more tha

      --
      You are not alone. This is not normal. None of this is normal.
    2. Re:response to more RIAA propaganda by po8 · · Score: 2, Interesting

      You have a moral obligation to use works of art under the reasonable conditions set by the artists.

      I find this statement (admittedly taken out of context) quite fascinating. I'm trying to think of any historically relevant philosopher of morality that has ever suggested any sort of moral obligation even remotely like this, and am coming up empty. Yet this is the result of the *AA advertising binge: the people of the world have come to believe that whatever their television tells them is not just the law, but morally imperative.

      I'm a Christian, and I'm trying to think, as an example, what Biblical imperatives I am violating when I rip a CD and give it to a friend. "No stealing" is the obvious one, but it is quite difficult for me to equate stealing (depriving another of something) and duplicating (making a copy of something)---they are such different activities on the face of it! I am ripping a CD I paid for, after all: I'm surely not depriving anyone of anything more tangible than "an opportunity to sell to my friend", which is an abstract concept indeed. If I feed my friend lunch, do I not equally deprive someone of this opportunity?

      I thought of a few more possible justifications, but at the end of the day I'm afraid I cannot see the moral imperative. As far as I can tell, there is no basis for a moral obligation to use artists' works in the way they direct. I will continue to use them as I like, as folks have done for as long as there has been art.

    3. Re:response to more RIAA propaganda by squiggleslash · · Score: 1
      Because the artists have made that work on those conditions. The work would not exist without the artists, and you have a perfect right to reject those conditions as long as you reject the work they've done too.

      I'm curious to know how you'd react if you negotiated a contract with your employer, worked a week, and was subsequently told they weren't going to keep to their side of the bargain but were going to use what you'd produced anyway. Would you call them immoral? Most would. Most would say that they could have walked away from that agreement instead of accepting it, but the fact they decided to make use of your work implies acceptance.

      You might argue that some artist's conditions are unfair. I might counter argue that there's no reason on Earth why you HAVE to have the works produced by such artists. There's no reason on Earth why you MUST use their works, and your use of them while rejecting the very conditions under which they were made is unnecessary and a breach of promise that was made.

      Ironically, I think that most of the anti-copyright advocates here are the people who are the RIAA's biggest bedrocks. It's not just a matter of making the tech community look unreasonable, it's also a matter of advocating the line that only RIAA members are able, under the curret system, to control and distribute content. That's a self-perpetuating falacy as the more people believe it, the less unencumbered music will be produced. The members have no more control in practice than, say, Microsoft has over the production of software. And Linus Torvalds, Richard Stallman, and others will tell you that it's perfectly possible to create a superior commons of software without ever needing Microsoft's (or any other large corporation's) blessing.

      Likewise systems like Kazaa could be distribution networks for a commons of free music. But in the end it's ended up as a distribution network for copyrighted, controlled, music, making it both vulnerable to attack from a recording industry that you'd be able to escape from what you see as intolerable conditions, and making it an attack on artists.

      But, regardless: why should you make use of work you do not support, when there's no necessity to do so? It's not even as if we're talking about ideas here, only implementations - this is a discussion about copyrights, not patents, we're covering actual implementation work, not "Wouldn't it be great to have a story with a talking frog in it."

      --
      You are not alone. This is not normal. None of this is normal.
    4. Re:response to more RIAA propaganda by po8 · · Score: 1

      You've found a point I missed talking about, the "contract" argument. Good catch. But I don't buy it. Let me explain.

      For pretty much all of history, a moral contract has required an explicit interaction between the contracting parties. The notion that I am implicitly entering into a contract with someone that I don't know by taking some action is an interesting legal concept. However, I find it highly questionable to believe that I am morally bound by a contract that the other side is ultimately essentially unaware that I have even entered into.

      If artists want to bind me with an explicit contract at the time I purchase their work, I agree that I have a moral obligation to honor that contract. To continue my previous example, in Biblical terms this falls under the injunction to "not bear false witness" and to "let your yes be yes and your no be no". Lacking an identifiable, explicit agreement, I find myself no more morally bound than if the EULA said that "by purchasing this CD, you agree to stand on your head". Indeed, it may: I never read the things.

      Obviously, there's no reason I need to buy media from the *AA except for grins: indeed, I buy little. I find it relevant that you think that the sort of analysis I am proposing "makes the tech community look unreasonable": I think it's precisely the sort that makes us look reasonable to the general public, as evinced by their current practices. It's the *AA advertising campaign that I find unreasonable looking.

      (BTW, I think this is a bit offtopic, but you claim that "It's not even as if we're talking about ideas here, only implementations - this is a discussion about copyrights, not patents, we're covering actual implementation work, not `Wouldn't it be great to have a story with a talking frog in it.'" Note that copyright isn't what it used to be. If your talking frog too-closely resembles Michigan J. Frog, Warner Brothers will sue you. If your talking frog too-closely resembles the Frog Prince, Disney will sue you. And so forth. Copyright, as currently interpreted by the courts, covers characters, settings, etc.---ideas.)

    5. Re:response to more RIAA propaganda by squiggleslash · · Score: 1
      The notion that I am implicitly entering into a contract with someone that I don't know by taking some action is an interesting legal concept. However, I find it highly questionable to believe that I am morally bound by a contract that the other side is ultimately essentially unaware that I have even entered into.
      Except:
      • You do know about the contract. Someone has offered to create something and make it available to you as long as you agree to certain (relatively minor) restrictions. We're not talking about EULAs here for music and books, though ironically if copyright was ever abolished, I suspect you'd find it difficult to walk out of Borders without signing a contract about your use of the big-papery-thing you just rented, rather than bought, from them.
      • The fact you don't "know" the person you're entering into the contract with is entirely your own decision. If you want to negotiate a seperate contract with that person, you are free to do so. And that person is also free to say "No, I don't want to produce something on those terms". The onus at this point is on you.
      • You're free to not accept the terms of the contract. By doing so, you do not get the content that was created specifically because some people would agree to that contract.
      So I don't buy the argument. The agreement is there. An artist can produce something new and original and dictate the terms, and if you don't agree to those terms you're free to act as if the artist never created anything.
      Disney will sue you. And so forth. Copyright, as currently interpreted by the courts, covers characters, settings, etc.
      And I'm of the opinion copyright law goes to far in this area, and others. Actually, I don't mind JK Rowling opposing the unauthorized creation of books that feature Harry Potter because that genuinely is an implementation detail, but Rowling (or her publisher) intimidating any Potter-like-character (as happened recently with a Russian book) is going too far. I'm not even sure the courts really would back her up on this - to the best of my knowledge, that case never reached court, not in a final decision way anyway.

      Copyright is meant to be about implementation, just as patents are supposed to be about ideas, and trademarks are supposed to be about brands and distinctive creative qualities of brands. When copyright is misapplied, it's misapplied, and the misapplication is indefencable.

      --
      You are not alone. This is not normal. None of this is normal.
  154. Are UK CD's Still Overpriced? by reallocate · · Score: 1

    You have a point.

    I'm a Yank, but I lived in the UK in the early 90's. Bought more than my share of CDs at the time. I remember a bit of hubbub about unfair CD pricing, essentially predatory pricing at a 1-to-1 dollar-to-pounds ratio. Is a CD that sells for, say, $18 in the States still selling for 18 pounds in the UK?

    --
    -- Slashdot: When Public Access TV Says "No"
    1. Re:Are UK CD's Still Overpriced? by gilesjuk · · Score: 1

      It varies from £9 an album to £17. Supermarkets tend to discount the most, but they often import from the European mainland to get the price down.

      One supermarket was importing Levis from the US and the cost was much lower, a high court battle ensued and the supermarket lost. Branding sucks, you don't see Intel, AMD or Microsoft complaining about where their products are sold.

    2. Re:Are UK CD's Still Overpriced? by mpe · · Score: 1

      It varies from £9 an album to £17. Supermarkets tend to discount the most, but they often import from the European mainland to get the price down.

      Even at the lower price the supermarket is still likely to be making a profit on the sale.

      One supermarket was importing Levis from the US and the cost was much lower, a high court battle ensued and the supermarket lost.

      "Globalization" apparently isn't intended to be for the benefit of retailerss, let alone individual customers.

      Branding sucks, you don't see Intel, AMD or Microsoft complaining about where their products are sold.

      I'm sure Microsoft would kick up a huge fuss if someone tried to do this with their software.

    3. Re:Are UK CD's Still Overpriced? by reallocate · · Score: 1

      >> Even at the lower price the supermarket is still likely to be making a profit on the sale.

      Of course. That's why they sell things.

      In any case, those prices are lower than what I was paying several years ago.

      Re: Microsoft -- When I lived in the UK, software prices also tended to be a one-to-one match for their U.S. dollar price. I.e., if Windows cost $100 in the States, it cost 100 pounds in the UK. All vendors (or was it the retailers?) seemed to play this game, not just MS. I believe MS assembled and shipped their UK products from a facility in Ireland, but attributed the UK price hike to the cost of importing everything from the U.S.

      --
      -- Slashdot: When Public Access TV Says "No"
  155. Re: A bad thing? by gidds · · Score: 1
    the few bands capable of putting together a truly good epic CD will still do this

    And how do they get capable, if they're never given the chance? By Dark Side, they'd had several albums' worth of experience and practice. I can't see Tubular Bells making it in a singles' chart.

    Of course, it was still a problem, even then. Would anyone ever have heard of The War Of The Worlds if it hadn't had the radio-friendly Forever Autumn? Oxygene too had its single-length part to get it noticed, and even The Wall probably wouldn't have achieved quite such legendary status with out Another Brick in the Wall part 2 (one of the least likely Christmas Number 1s ever...)

    --

    Ceterum censeo subscriptionem esse delendam.

  156. is the rate different from the past? by wannasleep · · Score: 1

    So, what was the growth rate before? 5%? 15%? In other words, if the growth rage has increased then the point is well made, otherwise it is just crap

  157. Apples and oranges by Anonymous Coward · · Score: 0

    The word "he" is often used to talk about somebody where their gender is indeterminate. This isn't something where you assume the person is male, but rather because "he" was originally free of gender ("she" on the other hand is specifically female).

    1. Re:Apples and oranges by ogre2112 · · Score: 1

      Yea, but the flaming lesbian carpet-munchers ruined all that in the 90's.

  158. The Great Breakin Alibi by Anonymous Coward · · Score: 0

    It's generally a pretty good argument to claim that your computer was broken into. As a matter of fact, breaking into people's computers to use them for downloading files will probably *become* more common if the RIAA does actually do something like sue folks.

    Now, if your computer is *seized* and you don't have time to doctor evidence, things may be a bit different...but the RIAA is talking about civil, not criminal, cases.

    1. Re:The Great Breakin Alibi by Anonymous Coward · · Score: 0

      This is getting to the interesting part whcih makes me wonder if we're actually going to see these cases ever really materialize, and whether the RIAA will really want to pursue this.
      In criminal computer crimes, let's take child pornography as an example, the police can almost never hope for a conviction without seizing hardware. An IP is not worth jack in a criminal case. The easiest case is you say you were running an anonymous proxy, but likewise you could be running a public hotspot. In that case, you're a proxy for the ISP, how can yout be liable, but the ISP is not?
      Now obviously this isn't a criminal case, so the burden of evidence isn't so high although issues of proxies and public hotspots are certaily going to be involved. But being that this is not a criminal case, it raises the question of how the RIAA got this potentially incriminating data without a warrant issued by a judge.
      The answer is that they used the DMCA, but the DMCA has not been tested in the Supreme Court and pursuing these cases is almost certainly going to put the RIAA in the position of defending their access to private individual's intimate data before the Supreme Court. As we just saw in the sodomy ruling, the court is quite vocal in defence of privacy despite the word games that certain conservative senators like to play with regards to the law and pricacy.
      If the Supreme Court struck down this privacy violating part of the DMCA, it would create the interesting situation where the courts would have affirmed virtually unlimited copyright extensions, but simultaneously decided that P2P services are legitimate and the user's ISP data is confidential making the whole thing moot. I think this is likely and it will probably be the RIAA that will force this decision. It's not surprising really, greed often meets doom at its own hand.

  159. Re:Mod Parent up!!!-Artistic rape. by K8Fan · · Score: 2, Insightful
    A Mr. A. Coward posted:
    "Copyright only exists to protect and encourage the arts and sciences. There is no intrisic moral value in copyright." There is the intrinsic moral precept that a person can reap a reward from their own labours. This is why communism was a failure. Copyright does for the "world of ideas" what is considered an inaliable right in the "brick and steel world" that we exist in.
    The difference, which is plainly obvious, is that to make additional bricks you need additional clay...to make more steel you need more iron ore. But to make a second digital copy of a work of art doesn't require more art. Sorry, but there is a good solid reason why it's called "intellectual property" - that's because it is not, and never can be, physical property. The whole IP industry is based on scarcity - on the now defunct concept that in order to get access to a song, you have to by a physical carrier for that song. A Mr. A. Coward continues:
    " "Given the nature of modern technology, and the low cost of modern distribution (electronically), we can safely abolish the concept of copyright." Actually we can not. While todays discussion may be over MPAA/RIAA, copyright isn't confined to just that. A great deal falls under copyright, even your posts on slashdot. Technology isn't a substitute for a sound social policy.
    Frankly, we don't have a sound social policy. What we have is a system that has been abused and stretched to the point of absurdity by our members of congress. Your argument seems to...what...that we should retain copyright because we should retain copyright? My modest proposal is that if the scarcity no longer exists, the reason for copyright no longer exists. Humans have created ever since they aquired the intelligence to do so, and they will continute to do so even if the whole "intellectual property" business were to disappear tomorrow. Record executives have the same relationship to artists as pimps have to prostitutes. And pretty much the same effect.
    --
    "How perfectly Goddamn delightful it all is, to be sure" Charles Crumb
  160. You are right on target... by Anonymous Coward · · Score: 0

    ...because right now I'm completing a bittorrent download that was interrupted a couple hours ago when my DSL decided to stop working.

    It's still out, but I quickly grabbed my trusty Linksys WET-11 and connected my G4 to the wide-open Linksys wireless router that is connected to the cable modem of one of my foolish neighbors.

    While I'm at it, does anyone need a threatening e-mail sent to president@whitehouse.gov? :-)

    1. Re:You are right on target... by hesiod · · Score: 1

      > does anyone need a threatening e-mail sent to president@whitehouse.gov?

      I do.

  161. internet/cd-r/burner tax by smash · · Score: 1
    Bah...

    Why should *I* pay for other users to download/burn mp3s, when I use none of these things for music piracy?

    If their business model is that broken (or their content is so lame) that they cannot sell their content and turn a profit, then their industry has become irrelevant and should die.

    You don't get typewriter manufacturers lobbying for a tax on PCs because they're making the typewriter irrelevant do you? No - the companies involved diversified and started putting out PCs.

    Ditto for the manufacturers of rollerskates wanting a tax on rollerblades...

    Either the RIAA adapt to new technology, or (and this is their fear) they become redundant and people make do without them.

    I think the fact is that "they" have been ripping off artists with grossly inflated "promotional costs" for years, and now artists have an alternative for distribution (buy online for much cheaper, and put out some free content to get publicity) the lies are all unravelling and its sent them into a panic...

    smash.

    --
    I run: Windows, OS X, Linux, FreeBSD. Just because you have a hammer, doesn't mean everything is a nail.
  162. Re:A bad thing? by snowlick · · Score: 1

    3) The death of the "concept" album. If each song has to stand or fall on it's own, what incentive does a band have to release something with a larger scope? No more Darksides, Quadrophenias, Red Headed Strangers, Kind of Blues, etc.

    You know, I bet this argument was used against instantly seekable cds. Even vinyl albums have a problem in as much as people can listen to any track they want to without seeking. All you have to do is move the swing arm to the right spot. The responsibility of listening to the entirety a concept album has been in the hands of the listener for some time now. If they don't want to experience the whole thing, fine. I'm sure artists will still make them. Music fans will still download the whole thing.

    Hell, most concept albums are just showcases for whatever crazy sound effects the band can dig up. You might not want to listen to "Track 1: Battle of the Evil Blackboard Scratchers vs The WOLF" anyway.

    --
    Crystal Meth: Would you ingest somthing made from a poisonous gas and an explosive metal? You do it every day -- Salt!
  163. Idea by Cinematique · · Score: 2, Insightful

    Maybe the people behind Gnutella should come up with a way to only share a fixed (yet random) set of songs at any given time.

    Don't get it? Try this.

    Develop a function that allows others to "see" a max of 50 songs at a time per user. The user could have thousands of songs but only 50 would be viewable at any given time. Set the refresh to something like 60 seconds... thus obfuscating the difference between the small and large fish by making it difficult to determine how many songs a user truly has.

    If I knew how to code, I'd do it myself :(

  164. even bad press is good press ... by Dossy · · Score: 2, Insightful

    Newsflash: RIAA understands "viral marketing" and is getting P2P filesharing networks LOTS of free press!

    They obviously figured out that P2P filesharing has caused revenues to go up. However, they wear the veil of ignorance and claim that filesharing is evil and causes revenue loss -- all the while embezzling money and otherwise squandering it, to make the bottom line look reduced to support their phony claims.

    All this buzz around P2P filesharing and how easy it is to get pirated music for free causes people who would not normally try such a thing, to go out and try it -- repetetive "advertising" of these filesharing networks in the form of headline news almost daily.

    RIAA can then pocket even more money once the viral marketing takes off and they need to spend less money on actual marketing and promotion efforts. Just hire a few more lawyers to keep the news buzz going and get rid of the marketing folks ...

    -- Dossy

  165. MOD PARENT UP! +5 INSIGHTFUL by Anonymous Coward · · Score: 0

    OMG OMG OMG

  166. Entertainment Open Source by PingPongBoy · · Score: 1

    Look how much free information and multimedia tidbits are free over the Internet.

    It's time a well structured open source movement got under way in entertainment. After all, we're talking about publicly disseminated bits duplicated on a mass scale, that would sooner or later be made widely available (surely there is a word for such things).

    Open source entertainment would mean professional quality with copyleft.

    Besides, in so many years, computers will produce the entire entertainment experience like a mini Matrix. They're already so good at special effects, it's just a matter of time.

    --
    Know your pads. One time pad: good for cryptography. Two timing pad: where to take your mistress.
  167. YES! Matter of Time Now by salesgeek · · Score: 1

    I've been waiting for years for RIAA to do what they are now doing. There is no way the industry will survive attacking their consumers. Consumers vote.

    --
    -- $G
  168. That's great... by VirtuaKnight · · Score: 1

    This is like poking an old man with a stick and laughing while he makes idle threats... except in this case, the old guy actually deserves it. "Damn kids with your rock music and makeout parties! Why in my day, sonny, we payed for our CDs, and all the crap that came on 'em! Do you expect us RIAA folks to actually get a productive job?!" VirtuaKnight does not condone the poking of old people

  169. What are you smoking?-The kingdom that "I" built. by Anonymous Coward · · Score: 0

    I pretty much agree with you.

    "Without question, that is an attack on the rights of the artists. And if, today, we were to pass a law that abolished copyright, we might have every right to take the work produced tomorrow and redistribute it freely and widely and never bother to ask permission, but to do so with content produced yesterday would be wrong."

    To elaborate. I don't think that very many artists would agree to that kind of bargin. The reason copyright is the way it is, is because it takes human nature into account. So far the prominent "/." argument is monolateral alturism. They give, we take. No society can long survive such an asymetrical social, and economic condition.

  170. Re:Umm... you don't understand "artificial scarcit by angle_slam · · Score: 1
    The intent of causing artificial scarcity of a resource is either to increase the market value of the resource, or to regulate the resource for broader social reasons.

    The constitutional reason for regulating it is to promote the development of new works. Would Metallica have created a new CD if they knew they would get $0 for it? Maybe, maybe not. But shouldn't it be theit choice to do so, not yours?

    There are plenty of people on the Internet who create writings and music and art for free for all to see and hear. But it's their choice to do so. When you choose to put Metallica on Kazaa, you are making the choice for Metallica.

  171. Internet Tax by WoodsDweller · · Score: 1

    If they tax my internet access I might be driven to trade music files to recoup my losses.

    --
    There are two kinds of societies: sustainable and doomed.
  172. Re:It is not about the RIAA it is about cheap'n'ea by nlinecomputers · · Score: 1

    Hey your preaching to the choir here. I agree that is how it SHOULD be but effectively it is stealing. A copyright holder has the right to control how it's copied and he has the law on his side. Should he have that right is another question. One that most P2P'ers don't have a clue about or frankly give a shit about from my observation.

    --
    Slashdot, home of supporters of free software, free music, and free speech.Except for Moderators that disagree with you.
  173. Actually... by Cl1mh4224rd · · Score: 1

    If the artists truly owned the copyright to their music, then why is the name of the band's recording company placed after the little symbol, and the name of the band itself?

    --
    People will pass up steak once a week, for crap every day.
    1. Re:Actually... by Cl1mh4224rd · · Score: 1

      Let me try this again...

      If the artists truly owned the copyright to their music, then why is the name of the band's recording company placed after the little © symbol, and not the name of the band itself?

      --
      People will pass up steak once a week, for crap every day.
  174. Re:A bad thing? (Still (Off Topic)) by Music+To+Eat · · Score: 1

    Thanks for the offer Tinfoil. I checked out your site, and I like what you're trying to do with it. Unfortunately I don't have a lot of free time right now to dedicate to something like that. Good luck though.

  175. Re:A bad thing? by Our+Man+In+Redmond · · Score: 1

    On the other hand this could be a kick in the pants for the concept album, and might even play into the hands of those who both promote and create them. Example: Let's say you write a 105-minute rock oratorio. You release a couple of three-minute arias from it for 99 cents each. Promote the cuts, but point out that they're part of a larger, more comprehensive work that costs $10 to buy the entire thing -- and which not coincidentally the artist doesn't have to shoehorn so it'll fit conveniently onto a physical medium.

    Like every other medium out there, downloaded music will open up possibilities for experimentation for those who choose to use it.

    --
    Someone you trust is one of us.
  176. Legal file swapping? by Anonymous Coward · · Score: 1, Interesting

    How much time will the RIAA waste suing people who are trading legal files? All of what I have downloaded over the past few months have been from DJs and artists who want their songs to be swapped. I'm on KaZaA all of the time, and have pretty high rating...when the man comes knocking, he won't like what he's going to find.

  177. I am "File Trader". Hear me cough! by Anonymous Coward · · Score: 1, Insightful

    "I've been waiting for years for RIAA to do what they are now doing. There is no way the industry will survive attacking their consumers. Consumers vote."

    With what? The money they didn't spend? Or the vote they never used to keep the political process balanced?

    Call me when you guys have real teeth.

  178. This gives me an interesting idea to stop the by corkhead0 · · Score: 0

    leechers...

    1. Wait for them to try to dl
    2. Do a netstat
    3. Do a net send (something like: "You have been caught by the RIAA for illegal filesharing. Stop now or something will happen....")
    4. Watch as the leecher immediatley stops the download and uninstalls kazaa
    5. ???
    6. Profit!

    An evil, script kiddie style trick, but it should work.

  179. Re:deaf man walking? by Anonymous Coward · · Score: 0

    Never a good ice pick around when I really need one.

    I don't condone theft... not by the individual, and not by the RIAA... what we are left with is a choice of evils... whether to allow brilliant works to go unplayed and undistributed by the RIAA or to ensure that the music will live... somewhere.

    A) I don't buy the hype that filesharing is responsible for deminished profits... the production schedules speak for themselves... CD PRODUCTION went down 6 months before the RIAA claimed a drop in sales of almost an identical proportion to the drop in production... Production went down first, can't sell CD's you haven't produced now can you.

    B)I know (personally) 25 artists who have functionally lost control of their own works due to the RIAA. They can't get promoted because they aren't on "The List", they can't promote their own work because they have no right to distribute it themselves, they can't even get their work PUBLISHED to a CD, because they aren't on "The List"... who decides who is on "the List?"...
    The RIAA, of course.

    What a terrible time to be an artist. 50 years ago you could have slipped the DJ $20 and get your demo aired just the one time.... just to say you were on the radio for 2 minutes and 28 seconds... now thats a felony. Now you have to slip the RIAA the money.... $20 isn't gonna get you #$%&. Which one is the most wrong?

    Radio stations now are owned by mega-conglomerates, and the few (very few) independants are drowning in a sea of "Mediaocrity". The RIAA is largely responsible for selecting what gets played regardlesss of who is playing it. You have to be on "The List"... no list... no play.

    They sure seem to know what is right and wrong,,, they just don't seem to be able to act on the information. Currently the RIAA seems to have the exclusive right to steal from artists.
    Only last year did they acknowledge that their basic contract requires an artist to cover an off-the-top fee for mispressed and broken vinyl records.... HUH? for a CD? Where did all that money go? Other outrageous fees include warehousing of vinyl records in a controlled environment storage (expensive) for a CD? Cd's don't require the same loving care a vinyl album did, they can be run off on short notice, and storage isn't an issue... software folks do it all the time... burner to customer in 5 days... whats the deal? WHERE HAVE ALL THOSE FEES GONE?

    Not to the artists.

    Artists have the right and expectation that signing with the RIAA protects their right to profit from their work... not to have it shoved into a locked filing cabinet in a dissused closet with a sign on the door that reads "Beware of the Leopard"

    We're trusting the wrong people to run the industry.

  180. Re:A bad thing? by Music+To+Eat · · Score: 1

    1) You can already do this now, and you don't need the RIAA to change their business practices to do it. Great sites like Acid Planet and MP3.com have tons of great music available. Like this shameless self promotion I collaborated with a buddy on.

    2) I've always said if they're going to do this they should charge by the megabyte, not the song.

    3) The problem is that it would completely change the landscape. People would stop thinking in terms of "Albums" and start thinking in terms of "Songs". The whole concept of making an album would go out the window. As soon as a song was done it would go up on the internet for sale. To sit on it would be costing them money.

  181. The RIAA threats *definitely* chilled WinMX by Anonymous Coward · · Score: 0

    The article is in error, at least as far as WinMX and OpenNAP servers are concerned. Traffic was way down this weekend, and it wasn't just that I have wierd taste in music.

    On a typical Saturday night I usually have 17 out of 20 concurrent WinMX/OpenNAP uploads running; this last weekend I had at most 5 -- and often there was only one! Also, at least half of the people downloading my stuff weren't sharing any files themselves. Traffic was also down on SoulSeek.

    While I'd really like to believe the article is correct, my experience shows otherwise: the RIAA threats definitely caused a significant drop off in p2p traffic, at least on the nets I frequent.

    Can anyone recommend a good p2p system that masks IP addresses? The ones I fooled around with this weekend are hardly ready for prime time, but maybe that's about to change...

    1. Re:The RIAA threats *definitely* chilled WinMX by CapnWacky · · Score: 1

      It was the July 4th weekend. Most normal people have fun stuff to do on a holiday weekend...

      --
      god's lonely man
  182. Re:Are you challenging the wisdom of Allan Greensp by Anonymous Coward · · Score: 0

    Ignored it by replying to it...neat.

  183. More like "appropriate rebuttal" by thedji · · Score: 1

    Sounds quite similar to the "CD sales dropped by 12% due to filesharing" statistic released by our mates in the RIAA...

    --
    ... and then there were none
  184. Arrogance by HR+Pufnstuf · · Score: 1

    On the same day, June 25, but in 1876, arrogance cost George Armstrong Custer his life adn the lives of the men he led.

  185. *What* foot? by Anonymous Coward · · Score: 0
    Weren't both feet shot away long ago? (Wait -- all four feet?)
    (Stray thought: The RIAA doesn't have a leg to stand on...)

    Enby in Waltham

  186. Re:A bad thing? by femto · · Score: 1

    If an artist wants to release an album as a 'single work', why not release it as a single 78 minute long file (containing multiple songs)?

  187. Why get a record deal? by Anonymous Coward · · Score: 0
    It's much easier to cut an MP3 and stick it on Kazaa than to get a record deal.

    Why would a musician want a record deal? From what I read, almost all musicians end up owing money to the record companies, instead of receiving royalties.

  188. I thought you were quoting John Ashcroft... by Anonymous Coward · · Score: 0

    for a moment...

  189. Re:A bad thing? by Zog+The+Undeniable · · Score: 1

    People also forget that 128kbps MP3 is *not* CD quality. 256kbps is much better, but I'd still be reluctant to pay CD prices for something slightly worse than the original media. Given that I also have to pay for the bandwidth to download the track and the CDR to burn it to (hard disks fill up or go pop eventually, and I'd want to listen in the car) then 99c per track is a bit steep.

    --
    When I am king, you will be first against the wall.
  190. Re:Pointless Statistic and now off topic too! by babyrat · · Score: 1

    wouldn't global temperature increases (and thus global warming) be in the southern and northern hemispheres?

    I'd expect the northern hemisphere to warm in the spring! Bet ya it cools again in the autumn!

  191. RIAA gets no kudos from me by Anonymous Coward · · Score: 0

    I have always been fairly honest. I used to pay CDs until the RIAA started acting like complete bastards.

    When I found out that RIAA was targeting individuals, I made more of my CDs available because of the complete assholes that the RIAA are.

    Those bastards use congress to try screw over joe average - and as Joe average I say "bollocks to the RIAA".

    Now, if CD prices were reasonable and the RIAA acted like reasonable corporate citizens and made music easy to distribute, I would happily re-consider.

    AC

  192. Um... by zooblethorpe · · Score: 1

    Forgive me if I'm wrong here, but isn't this effectively already the case? To a certain extent, at any rate. Even with copyright in place, in the quest for ever-higher profit margins, media companies have been busy eating each other for some time now, mom and pop outlets are disappearing, and rare works are relegated to those few hole-in-the-wall stores still open. At least on the web you can find stuff without spending months tracking down and physically visiting oddball shops and sorting through their idiosyncratic collections.

    Besides, as some have shown (like Bruce Eckel, among others), just because a book or other work is freely available online doesn't mean people won't still want a hardcopy. I don't like to look at a monitor for hours on end, but a that same book in hand could be bliss on a sunny day instead of a myopic headache.

    It comes down to packaging -- what you pay for in many instances isn't the content so much as how it's presented. That's how the linux distro business seems to work (certainly for desktops, and for enterprise as well if you count support as part of the package). Heck, even with cars -- how many lemons have been sold on the basis of some actress' cleavage? But seriously, even though I could (and partially did) watch Two Towers weeks before the release, I still went to the theatre, and at that more than once. Copyright alone isn't the issue here.

    --
    "What in the name of Fats Waller is that?"
    "A four-foot prune."
  193. Re:A bad thing? by more+fool+you · · Score: 1
    I'd would have thought it would be a lot cheaper to record one song, put it out there, collect micropayments or whatever, which pays for the cost of recording another one or two songs, wash, rinse, repeat. Who needs the RIAA in this scenario?

    Another factor is the falling costs involved in recording music. For example, nowadays it's easy to use a decent soundcard to create the effects that a $2500 effects unit (or daisy-chaining crappy $50 stomp pedals) to get a variety of decent sounds coming from the $5000 Marshall stack. Yeah, nothing sounds exactly like the real deal in hardware, but we're talking mp3 & ogg, near enough is good enough.

  194. good luck when the depression hits by cheekyboy · · Score: 1

    Good luck with the economy going down the toilet and each state having bilions in debt, read CA, $58b, once the current budgets get put in and states go on a massive deflation, you will see loads of services cut from cops to garbage cleaners to youth centers and libraries. You really think the courts and cops will give a toss, when they have their phones ringing like hell on heaps of 911 calls and people rioting and pillaging wallmarts? Real crimes will not get cut, the soft harmless to society crimes will get ignored, after all would cops rather go arrest a 16yo and his PCs or actually go investigate a 10-11 at 711 ?

    --
    Liberty freedom are no1, not dicks in suits.
    1. Re:good luck when the depression hits by hesiod · · Score: 1

      > each state having bilions in debt, read CA, $58b

      Oh geez, if you are going to start quoting stats about states going bankrupt, don't use the horrible example of CA. Their Governor (and the state legislature doesn't escape blame either) f*&ked them over with his idiotic plans and not-thought-out schemes. California is so extreme, I don't know of any other states following suit so ignorantly (although, I admit that I do not know the financial situation of all 50 states).

      But assuming this DID actually happen for some reason, I think your preview of the result is quite realistic and possibly accurate.

  195. You say you want a revolution.... by ChesterPoindexter · · Score: 1

    Are we revolutionaries? We are poised to change the future. Q: Whose money is the RIAA using? A: Ours! I would wager that every person that has downloaded a song has also purchased a CD or DVD. Am I correct? Thus, we have collectively contributed to funding of the legal machine that wishes file sharing be brought to a halt. What do you think?

  196. P2P Noise by minkwe · · Score: 1

    How many of those p2p'ers are doing

    cat /dev/random > J.Lo.mp3

    --
    "Fighting terrorists with millitary might is like killing a mosquitor on your Dad's forehead with a rifle."
  197. Go after second hand record stores first. by Nfin8orbit · · Score: 1

    How many of us sell our mp3s? I have never sold a music cd made from mp3s, Have you? Isn't the RIAA's bigest gripe about not making money from sales???? Second hand music stores have been selling used music media forever. After the initial album sale, the record company never sees another profit. The seller does, first the person who had bought or was given the album, then the re-seller, the second hand store. There is just no way to tell how many times the album has been from one hand to another. People who frequent these types of stores will trade and sell with them a lot! That same album could pass through the store doors many,many times. Is the mp3 legal then if I rip it from a record or tape or cd from a second hand shop? If not why? The RIAA never expected to recieve any profit from these apparently. They are clearly not concerned with profit loses from this segment of the community. Something is very askew here. BTW, just how many times do I have to replace a vinyl record, cd or tape before I can have a copy of it on my hard drive?

  198. about 20% premium in the uk by Kaneda · · Score: 2, Insightful

    this is not scientific research, but I have found that just about everything is around 20% more expensive in the uk when compared to the us. When I was in the market for a laptop I did a lot of shopping around, and for some models I could have bought a ticket to the us, bought my laptop, and flown back with change rather than buying in the uk.

  199. RIAA is just digging a hole by capn_buzzcut · · Score: 1

    Instead of pouring money into fighting the Internet, the RIAA should be smart enough to figure out how to make it work for them. They must realize that they cannot continue to alienate customers in this manner. I, for one, would be willing to pay for a service where I could download high quality sound files legally.

    --
    "And now, Frank N. Furter, your time has come. Say 'goodbye' to all of this, and 'hello'... to oblivion!"
  200. Burden of Non-pollution by Anonymous Coward · · Score: 0

    I have a reverse psychology question. If the RIAA and their bootlickers can sue you for illegally getting their music through a willful act on your part, can you sue THEM for being an unwilling victim of their crap? For example:

    Premise: I think Green Day sucks. I don't ever want to hear their "music". I will not buy it, download it, etc.

    Now, suppose I am watching television, and an ad from the distribution company for their albums comes on, with the background music of Green Day. Now I am forced to listen to it, against my wishes. Is it possible for me to sue them for violation of my peace of mind/religious belief system/other bullshit excuse that's no better than most of their litigational grounds/etc.?

    Some form of law where they are illegally thrusting this music on you that can be used as an excuse to sue them? Anyone?

  201. Re:A bad thing? by Anonymous Coward · · Score: 0

    Well, I don't know about you guys, but the first thing I do when I hear a song from an unknown band is to immediately try to find other songs from the same band. Quite often, there are only a few songs that I like, but for the truly good bands out there, I keep every single song, be it to my liking or not.

    Hopefully a decent system can get rid of the bubblegum-centered music industry of today, and start giving me some of that truly excellent music out there!

  202. Re:A bad thing? by Anonymous Coward · · Score: 0

    You overlook something: the record industry already does this. It is the present of pop, not the future.

    And anything which isn't truly pop will never, ever get into the charts. The labels will just make more fucking pop to compensate until people get even more sick of it (they will probably still, however, buy whichever of today's bands they hate least and justify this by insisting that the others are worse).

    By the way - majors fucking suck. I love indie labels, they pay me better and don't want to fuck with what the artists and me actually mix. No whole-buss triple-C4/L2 stupidly clipped, übermaximized bullshit here, and I get more than one fucking day.

  203. Re:Are you challenging the wisdom of Allan Greensp by Ella+the+Cat · · Score: 1

    I ignored the _content_ of the post but challenged the netiquette. Implication being that if the parent wants to be heard, should play fair. Happy now AC?

  204. Re:"Genocidal Litigation" by Anonymous Coward · · Score: 0

    I prefer "phenocidal."

  205. Re:deaf man walking? by Yottabyte84 · · Score: 1

    Uh, dude, s/closet/lavatory/

  206. This would DESTROY the industry! by Anyd · · Score: 1

    The Cocaine industry that is. Without millionaire rockstars where would the poor old drug dealers get money for gas and food? Come on, think of the big picture here!

  207. Not it's not by KalvinB · · Score: 1

    "If easily fabricated evidence such as this can get someone in jail"

    It's called "logging." And what "fabricated evidence?" Your entire argument is based on your assumption that the only thing the RIAA has to go on in the IP and your assumption that it's all a court need. Whereas that's never actually been the case.

    The ISP also would probably have logs of your activity at that time. I know my University can determine what's being transfered over the networks if it has a reason to care. I could run Etereal on my own network and track everything anyone on my network is doing.

    If someone uploads pirated stuff to my server and some company comes along and threatens to sue me, I can pull up my logs and get the exact time the files were uploaded and what IP did it. The company can then go to the ISP for that IP at that time which the ISP can reduce to a single account and verify they were indeed uploading the pirated files to my server at that time.

    Ben

    1. Re:Not it's not by shepd · · Score: 1

      >I know my University can determine what's being transfered over the networks if it has a reason to care.

      It's called "in loco parentis". Universities, by law, are especially required to monitor, fully log, and babysit all traffic and users, to an extreme degree that no ISP would take it to.

      I don't know about US ISPs, but having talked with a good friend who does deal with the logs at a certain (large) ISP, there are logs of what goes through the routers, but they are kept at an absolute minimum. There's barely enough data to figure out connections to and from certain IPs, never mind what was transferred through them.

      >I could run Etereal on my own network and track everything anyone on my network is doing.

      So could they, but they're too busy keeping the network up, like most ISPs. Since ISPs don't have the requirement to ensure all traffic going through their network is 100% legit, they have better things to do (again, this is my Canadian experience speaking -- perhaps, what with the DMCA and all those other crazy laws, the USA is different).

      >If someone uploads pirated stuff to my server and some company comes along and threatens to sue me, I can pull up my logs and get the exact time the files were uploaded and what IP did it.

      So could all other ISPs. But if that stuff is uploaded to Joe's ADSL connection, chances are really slim there'll be any usable logs. And P2P doesn't work by hacking FTP servers, it works by going from Joe's ADSL to John's Cable Modem connection.

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
  208. Sales tax in the UK just happens to be "about 20%" by thornfield · · Score: 0

    VAT (Sales tax) in the UK is 17.5%, which goes a long way to explaining the difference.

    --
    > Indicators, they are your friends! >
  209. Clearer? by mobileskimo · · Score: 1
    It's difficult to tell what the cause of an action is based on the resulting effect. Just because you have a link that says "Do Not Click On Me" can lead to many reasons why people click on it. I can think of the following reasons as being plausible cause.
    • Rebellion. A person like the feeling of being "bad"
    • Curiousity.
    • Humour. I know this link was purposely put there as reverse psychology. I'll humour myself and the creator.
    • Fulfillment. It's there. I can click on it. It's meant to be clicked. Alot of video games are built around this philosophy. Its there, I can kill it, blow it up, blast it, open it, therefore I will.

    As for Napster, my guess is its two things
    • Get it while its there
    • Advertising. RIAA has actually increased Napsters visibility by going after it, in effect doing exactly the reverse of its intended effect. Just like celebrity rap artists get in trouble with the law, its "bad" press but its very good for publicity and gets the name known.


    I do not think people are downloading as a means to hurt the RIAA. It really doesn't hurt them anymore if you intended on not purchasing the album nor downloading it in the first place , to go and download it, if only out of spite to download it. I haven't purchased an album in years. For me to go download now doesn't really take away from their sales. It may give the appearance that it does, but all I see is some manager at RIAA gaining the excuse to hire more staff and beef up his own compensation. Remember, not all managers make decisions in the best interest of the company. They will always do what's in the best interest for themselves, whether it serves the company or not is a different matter.
    --
    "Last one in is a rotten goblin!" - Kepp