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Copyright Claimed on Telephone Tones

awful writes: "Two composers in Australia have copyrighted over 100,000,000,000 phone tone dialing sequences. They state in the article that they are lampooning copyright laws that protect big business rather than artists. Their website has more info and explains how they did it. You can check your number and make sure it hasn't been copyrighted by these guys. They have already recieved one offer of money - from a guy who wanted to purchase the copyright to his number so he could stop direct marketing firms from calling him." Somehow I don't think the inventors of DTMF envisioned this. Update: 10/04 14:11 GMT by M : There's a US mirror available.

495 comments

  1. where will it stop? by alien88 · · Score: 1, Redundant

    Where are the copyrights going to stop? It seems that there should be a limit to the things you can copyright..

    1. Re:where will it stop? by Anonymous Coward · · Score: 0

      That's the whole point and beauty of these guys!

      More of us should be doing this kind of thing. Copyright as many things as you can and beat them at their own game!

    2. Re:where will it stop? by OS24Ever · · Score: 1

      But that is the point! The entire point of the excercise was to show how idiotic the copyright process is!

      They took something that has been available for what, 30 years? Copyrighted it as something, and now are legally right to sue anyone with that combination of numbers, or to charge a licensing fee.

      --

      As a rock-in-roll Physicist once said, No matter where you go, there you are.

    3. Re:where will it stop? by HBD · · Score: 0

      this would never hold up in court would it?
      also why the hell can people copyright shit every single person uses...my main beef is w/ copy-righted dna and cells, wtf is up w/ that?
      some professor thought that he was the only one capable of studying something and wants royalties rather than being remembered for a discovery..ppl r sick..

      --
      -- Note to self - 'Don't push that button'.
    4. Re:where will it stop? by SlashGeek · · Score: 1

      Well, I think it would be pretty easy to claim "prior art", in fact the phone company would probably be able to claim that better than you or I could. While I doubt a case would ever hold up in court, although it doesn't seem like that was their motive, I love how much a mockery it makes of our rediculous copyright system.

      --

      --I assume full responsibility for my actions, except the ones that are someone else's fault.

    5. Re:where will it stop? by Werail · · Score: 1

      It's got to be a joke (/hoax).
      try entering '1' in their program which "checks if your phone number tones have been copyrighted", or '0913853598013598031579108357135' or 'ASDGFdakgfdakdfagj'.
      Whatever you enter, it claims it's registered.
      At least the mirror at 3DActionPlanet does, and I very much doubt the one they're hosting on their own site is any different.

    6. Re:where will it stop? by Anonymous Coward · · Score: 0

      I agree. This is definately a joke.

    7. Re:where will it stop? by Anonymous Coward · · Score: 0

      This is easily defeated. Think about it...the chances of someone manually dialing a phone number with the _exact same_ timing between tones as the ones those guys copyrighted are extremely slim. Music isn't only notes, timing is also crucial.

      If their copyright specifies a half second pause between tones, then simply dial faster or slower.

    8. Re:where will it stop? by Anonymous Coward · · Score: 0

      Lucky me, my cell phone doesn't play DTMF tones when I dial. Also my home phone (a Lucent cordless) doesn't play DTMF either, rather each key simply makes a (non-DTMF) beep that sounds exactly the same as the other keys.

      If all else fails, I can just go back to using pulse dialing.

      Those guys are idiots.

  2. The Foot by devinoni · · Score: 1

    Don't you see the foot. Hopefully this means it's not real.

    1. Re:The Foot by JPrice · · Score: 1
      It's quite real, but they're lampooning the copyright process that allows big businesses to copyright things like the human genome.

      Are they going to sue you for copyright infringement? Of course not. They're just demonstrating the silliness of it all.

    2. Re:The Foot by Anonymous Coward · · Score: 0

      Real, not real, I'll still pay about as much attention to this as a EULA...

  3. prior art? :) by brood · · Score: 5, Funny

    Jenny, Jenny who can I turn to
    You give me something I can hold on to
    I know you'll think I'm like the others before
    Who saw your name and number on the wall
    Jenny I've got your number
    I need to make you mine
    Jenny don't change your number
    8 6 7-5 3 0 9

    1. Re:prior art? :) by Anonymous Coward · · Score: 0

      Just out of curiosity, does anyone know if in some area code this number exists and there's a Jenny that presides in the associated building? That would be really cool.

    2. Re:prior art? :) by toofast · · Score: 2

      That was a good tune... Tommy Tutone, circa 1980.

      How many people must have tried to dial that number when the song came out?

    3. Re:prior art? :) by bryan1945 · · Score: 2

      The 814 area code has an 867 exchange- which just happens to be the State College, PA (Penn State) area. And yes, we tried calling 867-5309, and no, this number is not working! After 10 years of prank calls, the phone company probably got the hint!

      --
      Vote monkeys into Congress. They are cheaper and more trustworthy.
    4. Re:prior art? :) by Anonymous Coward · · Score: 5, Interesting

      Actually, it was a real problem according to VH1's "One Hit Wonders" show. Not only did the real Jenny get bombarded with calls (yes there was a real Jenny who gave her number to one of the band, and it was 867-5309), but everyone else in every area code as well.

      This absolute waste of bits known as pop culture trivia was brought to you by the letters L, O, S, E and R.

    5. Re:prior art? :) by aka-ed · · Score: 1

      Tommy Tutone, fooey. Wilson Pickett!!!

      If you need a little lovin'
      Call on me all right
      If you want a little huggin'
      Call on me baby, mmmmmm
      Oh I'll be right here at home

      All you got to do is
      Pick up your telephone
      And dial 634-5789
      (What's my number)
      634-5789

      If you need a little huggin'
      Call on me
      That's all you got to do now
      If you want some kissin'
      Call on me baby, all right
      No more lonely nights
      Will you be alone

      All you got to do is
      Pick up your telephone
      And dial 634-5789
      (What's my number)
      634-5789

      Oh I'll be right there
      Just as soon as I can
      And if I be a little bit late now
      I hope that you'll understand
      Oh yeah all right
      mmmmmmmm

      If you need a little lovin'
      Call on me
      Lord have mercy
      If you want some kissin'
      Call on me baby
      That's all you got to do now
      No more lonely nights
      Will you be alone

      All you got to do is
      Pick up your telephone
      And dial 634-5789
      (What's my number)
      634-5789

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    6. Re:prior art? :) by Ace905 · · Score: 1, Redundant

      Hahaha, you better watch out or they'll be able to sue for that!

      Eggplants!

      Ace905

      [President] The Eggplant Coders Association

      --

      Ace
    7. Re:prior art? :) by jfunk · · Score: 2

      Reminds me of the number from the Hitchhiker's Guide.

      Apparently, an older couple had the phone number. IIRC, they didn't mind the calls either.

    8. Re:prior art? :) by unitron · · Score: 2
      And from the same era--Beechwood 4-5789

      Martha and the Vandellas, if memory serves.

      Hey, all three are good tunes.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    9. Re:prior art? :) by Art+Tatum · · Score: 2, Interesting

      And don't forget the much earlier 'Pennsylvania 6-5000' by Glenn Miller's band.

    10. Re:prior art? :) by unitron · · Score: 2

      Another excellent tune (that I should have thought of as well).

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    11. Re:prior art? :) by Anonymous Coward · · Score: 0

      VH1 holds the patent on being guillible dumbfucks.

      personally, i hold the patent, copyright, trade and service marks on the following:

      kicking the living dogshit out of you,
      stomping a mudhole in your ass, and
      pissing on all you goddamn queer sumbitches

    12. Re:prior art? :) by AgentUSA · · Score: 1

      The number in State College has been out of service for probably 18 years now. I think every student there (including me 8 years ago) has tried it at least once.

    13. Re:prior art? :) by Anonymous Coward · · Score: 0

      In State College, PA, USA (home of Penn State)that number is a real number. (810 area code)

      The fun part is, by the nature of college, someone new gets it every 2 or so years..

      somehow calling that number at 4am and asking for jenny never lost its appeal... in fact, the lucky people who actually got that number are usually pretty cool when you call

    14. Re:prior art? :) by dumbunny · · Score: 2, Funny

      I can give you one better than 867-5309. There was a song by Sugarloaf called "Don't Call Us We'll Call You" (1975) in which they actually play the recorded, long distance, touchtone, telephone number of a record executive who had rejected them earlier. IIRC, the executive had to change his number shortly after the song became popular.

    15. Re:prior art? :) by WickedClean · · Score: 1

      Where I live, 867 is a common prefix, and one day a DJ called the number and he got a nurse's station in one of the local hospital. Funny thing is, the nurse who answered apparently had never heard of the song before. It would have been more funny if they DJ hadn't tried to explain the whole thing to her, but he just gave up.

      --
      ...All I can say is that my life is pretty strange...
    16. Re:prior art? :) by innocent_white_lamb · · Score: 1

      This is the reason why modern movies and television shows always use a 555 prefix when they include a telephone number in a fictional setting. The 555 prefix gives you "directory assistance" if you call it. That way, the movie/tv producers aren't accidentally giving out someone's real telephone number.

      --
      If you're a zombie and you know it, bite your friend!
    17. Re:prior art? :) by Howie · · Score: 2

      I think it's actually the Marvelettes (checks - yep), but it is indeed a fine slice of Motown.

      --
      "don't fall into the fallacy of believing that Perl can solve social problems. Maybe Perl 6 can, but that's a ways off"
    18. Re:prior art? :) by mrfiddlehead · · Score: 1
      According to this Urban Legends site, the song's use of a real phone number drove many customers nuts. There isn't any concensus as to whether a real Jenny with that number really existed, so VH1 is most likely full of doo doo.

      Jenny 867.5309

      --
      :wq
    19. Re:prior art? :) by AussiePenguin · · Score: 1

      there'd probably be counteries where 555 is a real telephone prefix. I'm not sure if it's a real prefix in Victoria, Australia. But it's definately not directory assistance.

      --

      Jeremy
      Melbourne, Australia
      Jabber Australia

    20. Re:prior art? :) by chowpalace · · Score: 1

      Overheard in Tribes 2: Ive got your number!! I've got all your numbers!!!

    21. Re:prior art? :) by Anonymous Coward · · Score: 0

      All your number are belong to us?

    22. Re:prior art? :) by imagineer_bob · · Score: 0
      Prior Art applys to PATENTS , not COPYRIGHTS.


      And it's long been hold that mere listings of information, like a PHONE DIRECTORY, can't be copyrighted (but a particular expression can), so you can retypeset the white pages and bind them with your proprietary yellow pages.

      Here's some information about this.


      Of course, Slashdot readers don't usually let the truth get in the way of a good story. They just like to sit home, hug their Macintoshes and Linux machines, and chuckle to their fat selves.

    23. Re:prior art? :) by Chundra · · Score: 2

      Yup. In Hong Kong, prior to the switch to 8 digit numbers (in 91? 92?) this was true. In a sense it still is, but now you have to append another digit to the number indicating whether the number is on HK island or Kowloon.

    24. Re:prior art? :) by Anonymous Coward · · Score: 0

      Actually, I remember hearing a DJ give out a piece of trivia once where he claimed that 867-5309 was actually a phone number to their recording company's office, not to a residence of anyone named Jenny.

      In any case, I bet curious people dial that number every time the song gets played on the radio, even today.

    25. Re:prior art? :) by ennuiner · · Score: 1

      Everybody's forgetting the B-52s classic "6060-842"!

      --
      Somebody please, tell this machine I'm not a machine.
    26. Re:prior art? :) by DunbarTheInept · · Score: 2

      I had heard (urban legend?) that that was the event that spawned the media's use of '555' for all fake phone numbers. They didn't want to get in a heap of trouble for using a real number, and there's a good chance that any random number they pick would be a real number of some unfortunate person, so they started using 555-.... numbers because those are never given out. I had heard that 865-5309 was the event that started this trend.

      --

      Don't label something "offtopic" unless you know the topic well enough to tell what's on topic.

    27. Re:prior art? :) by unitron · · Score: 2
      Thank you, I was experiencing a temporary Girl Groups of the Sixties name mental block, which is the kind of thing that happens when you're old enough to to have been around when that song was new.

      What I'm wondering now, though, is if they're going to dig up Junior and sue him over BR-549?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    28. Re:prior art? :) by user+flynn · · Score: 1

      "The number in State College has been out of service for probably 18 years now. I think every student there (including me 8 years ago) has tried it at least once."

      Wrong,

      My friend's girlfriend and her sister had that phone number sometime around the 96/97 school year. They lived in lenwood. We would get other people to call them when we were wasted and harass them.

      They kept the number for a couple months, before requesting a number change. I think the local telephone service keeps assigning the number to incoming students, who eventually pay the extra dinero to get the number changed. :)

      --
      In the distance you hear an ominous moo.
    29. Re:prior art? :) by tricorn · · Score: 1

      No, they used 555-xxxx numbers for fictional numbers long before that song was ever written. Probably long before Jenny was even born.

    30. Re:prior art? :) by ConceptJunkie · · Score: 2

      555 was in common use _long_ before 1980 or whenever that song came out, although the reason for using it is correct.

      I definitely recall the Brady Bunch having a 555 number, so that's the early 70's but I'm sure it goes way before that. (Being the kind of kid I was, I noticed that their phone number changed from episode to episode.)

      I couldn't say when the 555 tradition started, but I do recall seeing fictional phone numbers given as "KLondike-5 blah blah blah blah", which suggests that the tradition dates back to the time when exhanges were still referred to by name (and actually had names associate with them).

      I remember reading a newspaper article about AC/DC's "Dirty Deeds" song which contained the fictional phone number (IIRC) "862486 followed by a "hey!" which could be taken as an 8. THe owner of that phone number somewhere in Australia was suing the band for disrupting their lives because people were calling them so much. I remember reading the story in the early 80's, although IIRC that album first came out in 1973.

      --
      You are in a maze of twisty little passages, all alike.
  4. Rotary by NitsujTPU · · Score: 5, Funny

    Well, now I'll have to get a rotary cell phone so I can call home without paying royalties!

    1. Re:Rotary by haystor · · Score: 5, Funny

      I'm afraid the DMCA will bite you on the ass for circumventing.

      --
      t
    2. Re:Rotary by mosha48 · · Score: 2, Funny

      Then why not replace the current sounds by noises ? 1- Siren 2- Dog Barking 3- Cow ... 9 - Bang Thus, 911 would be Bang ! Siren, Siren...

    3. Re:Rotary by GreyPoopon · · Score: 2

      And as soon as they remove the statute of limitations for DMCA violations, we can exhume the bodies of those that invented the rotary-dial mechanism and prosecute them too for inventing a circumvention device for touch-tone dialing tunes.

      --

      GreyPoopon
      --
      Why is it I can write insightful comments but can't come up with a clever signature?

    4. Re:Rotary by doob · · Score: 1

      Someone should invent this phone right away. Moderators: +lots Funny!!!

      --
      In the spoon, there is no Soviet Russia!
    5. Re:Rotary by tetranz · · Score: 1

      In New Zealand the dials on rotary phones went 0123456789 clockwise generating 10 - N pulses when dialing N. I believe this was to get around some copyright. It always seemed to me to be more natural to use than the wierd back to front 0987654321 that the rest of the world used.

    6. Re:Rotary by AussiePenguin · · Score: 1
      Then why not replace the current sounds by noises ? 1- Siren 2- Dog Barking 3- Cow ... 9 - Bang Thus, 911 would be Bang ! Siren, Siren...

      I believe you can get a phone like this out of your local toy store!

      --

      Jeremy
      Melbourne, Australia
      Jabber Australia

  5. Turn about is fair play (pun intended) by Soko · · Score: 5, Funny

    Ooo!Ooo! I know what these guys can do for us - sue Hillary Rosen or any RIAA member when they have to call each other in order to make thier little cabal plans. Could you imagine the scowl on her *cough*lovely*cough* face?

    Soko

    --
    "Depression is merely anger without enthusiasm." - Anonymous
    1. Re:Turn about is fair play (pun intended) by Anonymous Coward · · Score: 0

      why not beat them at their own game?

      they're violating the dcma by attempting to break the encryption schemes used by morpheus, limewire, etc etc

      oh wait ... i forgot, you can only get fuct by the dcma if you're *not* the parties at fault for creating it in the first place

    2. Re:Turn about is fair play (pun intended) by mrfiddlehead · · Score: 0, Flamebait

      What is it with these ugly ass lawyers hired by these organisations that are dispised by so many right (and by that I mean left) minded people? For another example, check out the bitch lawyer that the Scientologists (used to?) use as their pitbull press solicitor.

      --
      :wq
    3. Re:Turn about is fair play (pun intended) by Anonymous Coward · · Score: 0

      Very true, good points.

  6. And pulse too... by Quasar1999 · · Score: 2, Funny

    I just copyrighted all the possible combinations of pulse dialing tones too... ahhahahahhah... you all owe me 0.05 cents per use... I'm rich!! I'm rich!!! ahaahhahahha

    --

    ---
    Programming is like sex... Make one mistake and support it the rest of your life.
    1. Re:And pulse too... by AntiNorm · · Score: 5, Funny

      I just copyrighted all the possible combinations of pulse dialing tones too... ahhahahahhah... you all owe me 0.05 cents per use... I'm rich!! I'm rich!!! ahaahhahahha

      Just copyright all pulses, period. That way, for example, if someone causes a 500 Hz tone to be emitted, you'd be owed .05c * (500 Hz) = 25 cents per second. Not too bad if you ask me.

      --

      I pledge allegiance to the flag...
      of the Corporate States of America...
    2. Re:And pulse too... by Q-Hack! · · Score: 1

      I just copyrighted all the possible combinations of pulse dialing tones too...

      Err... Pulse dialing tones??? Seeing how the pulse is created by opening and shorting the leads of the wire pair coming from the central phone office, I don't see what you mean by tones. Unless you are refering to the frequency that they are opened and closed at.

      --
      Some days I get the sinking feeling Orwell was an optimist.
    3. Re:And pulse too... by the_other_one · · Score: 1

      Well actually, anybody who has a pulse...

      --
      134340: I am not a number. I am a free planet!
    4. Re:And pulse too... by Medieval · · Score: 2, Informative

      Not to be a real stick in the mud, but pulse dialing doesn't use tones, it uses (very fast) flash hooks. (Also, at 5 cents per pulse, and at 500hz, if you consider a sine wave cycle a "pulse", thats not $0.25 per second, thats $25.00 per second.)

    5. Re:And pulse too... by Brynath · · Score: 1

      he didnt say 5 cents he said .05 cents just thought I'd point that out

    6. Re:And pulse too... by Anonymous Coward · · Score: 0

      I have already copyrighted heart beats. Now everyone that has a heart beat pay up or I'll have my lawyers beat you up. ;)

      Oh. The people that have irregular heart beats will be next as soon as I figure out all the possible ryhthms.

    7. Re:And pulse too... by akad0nric0 · · Score: 1

      I think I'll copy the impulse tone - used to generate h(t)->H(w) forming the basis of much of the wave theory I learned in my EE classes :). NOW YOU'RE ALL MINE!!! MWAHAHAHAHAHAHAHAHAHAHA!

      (for those of you who may not know, an impulse signal is an infinitely short pulse containing ALL frequencies, and from it a frequency response h(t) can be determined to analyze how waves - electronic, sound, etc. - react to a circuit, system, or environment)

      --
      akad0nric0

      This sentence no verb.
  7. GENIUS! by BiggestPOS · · Score: 5, Interesting

    These guys are brilliant. But what about the timing, or spacing between the "notes"? If I dial in a different rhythm is it the same?

    --
    What, me worry?
    1. Re:GENIUS! by iamgarageguy · · Score: 1

      I think that that would be the point that the first lawyer would bring up. Does anyone know about music law? Does it pertain to the duration of the notes and spacing?

      --
      I only read /. for the witty sigs.
    2. Re:GENIUS! by Digitalia · · Score: 1

      It's a derivative work. Fair use laws apply.

      --
      Pax Digitalia
    3. Re:GENIUS! by Snafoo · · Score: 1

      Obviously, if it's 'confusingly similar'. :)

      I'm planning on buying 1-87-SUCKS, don't know about you....

      --
      - undoware.ca
    4. Re:GENIUS! by Art+Tatum · · Score: 2, Interesting
      The rhythm is significant, yes. However, for there to be copyright infringement, the case that must be made is that the pitch and rhythmic elements are both sufficiently similar in the two works and that one composer was previously exposed to the other's work. The pitch and rhythm thing can be quite subjective.

      As an aside, the Western tonal tradition lends itself to common series' of pitches and/or rhythms anyway. Music isn't clinical--it's messy. This annoys the hell out of attorneys, who are extremely clinical.

      At any rate, there's virtually no chance that this particular case would ever go through. The phone company has more of a case against these guys than the other way around. (And the phone company doesn't have a case either, really.)

    5. Re:GENIUS! by Anonymous Coward · · Score: 0

      Mmmm...but *parody* is protected work, no matter if it's derivative or not, I think.

      "No, judge, the way *I* dial her number, it pokes fun at the original number. Plus I add a fart noise."

      That'd get really stupid really quick. Trying to prove that the phone number you dial is actually a *parody* of the phone number you *need* to dial...

    6. Re:GENIUS! by stu_coates · · Score: 1

      I'm just producing different mixes of my phone numbers... Rock and Dance so far, was half way through the reggae mix but I got high.

    7. Re:GENIUS! by Anonymous Coward · · Score: 0

      From the site: "Play in your rhythm."

      It's all down to your creative genius as to how their composition should be interpreted.

    8. Re:GENIUS! by StupidKatz · · Score: 1

      Actually, it specifically states "Play in your own rhythm" on the page you can use to see if your phone number's 'opus' has been copyrighted. (It has.)

      To see this, head here, http://www.magnus-opus.com/number_check.html, be sure to enter a number, hit the search button, and let the page load.

      Good thing this is a joke/hoax! $100/yr to dial your own phone number, $1000 to buy rights to that ONE number (just don't move... ever), and just one more annoying thing to do if you ever get a different phone number! Oh? You want to call a friend or family member, too? What about the phone or cable company? Break out your checkbook! Heh heh, eeeeevil.

    9. Re:GENIUS! by Freija+Crescent · · Score: 1

      well.. to be honest with you (I'll probably end up in Jail for openly discussing this solution, which may be in violation of the DMCA) i found a workaround..

      Lets assume your number is 1-800-867-5309.. just dial it like this..
      18008675309* or 18008675309# yup.. guess what.. new tone sequence.. deal with it. I assume that they will be promptly adding to their little opus now..

      And technically, according to music laws, if you have, say, a really common bass line, and someone else uses it with a different Melody, you really can't claim anything... soo... sing along now

      *whistle while you dial...*

      -fc

      --
      . echo -e \\04 > /dev/hand1
    10. Re:GENIUS! by polymath69 · · Score: 1
      Lets assume your number is 1-800-867-5309.. just dial it like this.. 18008675309* or 18008675309# yup.. guess what.. new tone sequence.. deal with it.

      Guess what... under copyright law, that would be considered creating a derivative work. And guess what... the copyright holder has the rights to determine who is allowed to make derivative works, and under what conditions.

      So we're still screwed. Good thing this was done by someone with a sense of humor, instead of by an actual Big Evil Entity.

      --

      --
      I don't want to rule the world... I just want to be in charge of mayonnaise.
    11. Re:GENIUS! by bendude · · Score: 1

      Slightly on topic...

      The day of reckoning has arrived.
      "But I got high" has been played on the radio for about two months, here in Australia. The radio stations all announced that it wouldn't be available in the shops until the end of September, so anyone who wanted it should download it. It was made available from several radio station websites.

      The end of September has come and gone and "But I got high" has been released through retail outlets. According to the arguments of the recording industry, sales should have been way down because of the heavy downloads.

      "But I got high" had it's debut on the Australian singles chart at no 2.

      I was going to sue your ass for stealing money from the recording industry, but I got high

      --


      Get the Hell off my planet, you slimy mobster Bush!
    12. Re:GENIUS! by Anonymous Coward · · Score: 0

      What all of you seem to forget is that everyone with a phone number has created and performed their peice of music before those two idiots, so if anything they are breaking my copyright to my number. THEY not us are liable to pay royalties for derivative works of our numbers which we performed first.

    13. Re:GENIUS! by Anonymous Coward · · Score: 0

      You're mixing up copyright and patents. First performance is unimportant, "I created it on my own" is. Even "I created it on my own, 500 years after it first got created by baBLAAAAADHFEBGJRLNG 34i5u34io57bh8o tyerhj, vg

      ::-type::-3

      ::-no::-3345691

      ::-trect::-1

      ::-data::-
      ns,mmmbbwwww9999999we453333333333335555555

      ::-trect::-2

      ::-data::-
      nmx bbb238

  8. That covers every phone number in existence by plaisted · · Score: 4, Interesting

    Assume that phone numbers have at most 11 digits (ie 1-910-xxx-xxxx). Each digit has 10 different values. So there are 10^11, or 100,000,000,000 possible 10 digit phone numbers. Does that number look familiar? If the story is correct, they have tried to copyright every single possible 11 digit phone number

    1. Re:That covers every phone number in existence by JPrice · · Score: 1

      Yes... that was the whole point.

    2. Re:That covers every phone number in existence by plaisted · · Score: 3, Funny
      Yeah well it's funny that you can check to see if your number has been copyrighted, when you can be sure it has been.

      Reading the site, it's pretty much clear that it's a hoax/joke. A pretty funny one:


      Q - I do not wish to purchase a Magnus-Opus licence - what is the best way to dis-continue the use and dispose of my telecommunications device?

      A - Magnus-Opus can offer several useful suggestions regarding the disposal of redundant telecommunications technology. We call this our three R's strategy.

      Return
      Return your telecommunications device to your service provider and/or supplier together with a legal demand for a full refund of the product and services. The service provider and/or supplier may well have failed to inform you, as the customer, of the full copyright implications of the use of such products and services and may, therefore, be legally liable to pay compensation for the loss of amenity. Make sure to send a photocopy of your original receipt and/or contract as evidence of proof of purchase.

      Recycle
      ...

      Reuse
      ...
    3. Re:That covers every phone number in existence by leifw · · Score: 1
      If the story is correct, they have tried to copyright every single possible 11 digit phone number

      Well, what you assume is that they also copyrighted all the sequences which have leading zeros. The alternative interpretation is that they copyrighted the shorter sequences which do not have leading zeros.
      Or possibily, you meant that they copyrighted every possible 11 digit and shorter number which did not have leading zeros.
      <digress/>

    4. Re:That covers every phone number in existence by Anonymous Coward · · Score: 1, Funny

      Yes, because they only have telephones in the USA.

    5. Re:That covers every phone number in existence by unitron · · Score: 2

      Remember the good old days when 910 was 919 and the phone company ads had that beach music sounding tune "Operator, give me nine one nine, I need a Carolina voice on the end of the line"?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    6. Re:That covers every phone number in existence by Anonymous Coward · · Score: 0

      either they are morons, or their patent attorney is taking blow jobs for payments

      that, or they're loaded mofos

    7. Re:That covers every phone number in existence by spasm · · Score: 1

      "Assume that phone numbers have at most 11 digits (ie 1-910-xxx-xxxx). Each digit has 10 different values. So there are 10^11, or 100,000,000,000 possible 10 digit phone numbers."

      In Australia (where these guys are) you don't have to dial the first 1 to call long distance. All Australian numbers are 10 digits -> 10^10 -> 10,000,000,000. Even that's an excess - the Northern Territory has a population of barely 150,000 people and a whole area code (089) to itself. Heck, the whole country has only 20 million people..

      Slashdot, where pointless nitpicking (often) == karma : )

    8. Re:That covers every phone number in existence by Anonymous Coward · · Score: 0

      Slashdot, where pointless nitpicking (often) == karma : )

      Your .sig contains mismatched parentheses.

    9. Re:That covers every phone number in existence by sharkey · · Score: 2

      International calls from the US have up to 15 digits. 011 (Int'l Direct Dial) - xx (Country Code) - yyy (City/Area/Locale Code) 123-4567 (Number).

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
    10. Re:That covers every phone number in existence by lazybeam · · Score: 1

      Nope. :)

      In Australia remember that 199 was callback? It is now 12722199 with the advent of 8 digit phone numbers and you can get the number of the line with 12722123. There are probably more 12722xxx numbers.

      BTW How could they cover 321233322236632123332321 which is Mary had a Little Lamb. The flash thing just claims a match to everything, even when entering non-numbers.

      --
      --
      no sig for you. come back one year.
    11. Re:That covers every phone number in existence by Ctrl-Alt-Del · · Score: 1

      Calling the UK, you would find Americans have to flex their fingers 16 times then...

      011-44-

      followed by our 11 digit phone numbers.

      --
      "Life is like a sewer - what you get out of it depends on what you put into it" - Tom Lehrer
    12. Re:That covers every phone number in existence by nmg196 · · Score: 3, Funny

      It doesn't cover the 'international' form of the number, so people can dial me from abroad royalty free!

      eg: 00 44 1234 123456 (which is 14 digits)

      These people are evil.

      Nick..

    13. Re:That covers every phone number in existence by GreyPoopon · · Score: 1

      You can't count the Internation Direct Dial code because it's not really part of the phone number. But the country code counts. Based on that, my number while in Germany was 12 digits.

      --

      GreyPoopon
      --
      Why is it I can write insightful comments but can't come up with a clever signature?

    14. Re:That covers every phone number in existence by Anonymous Coward · · Score: 0

      Ok, call me master of the obvious, but the leading digit 1 can only be 1 when dialing inside the states. The first digit of the area code cannot be 0, and the first digit of the 7 digit number can't be 0 or 1. SO that gives you a few less numbers to think about.

    15. Re:That covers every phone number in existence by Anemophilous+Coward · · Score: 2, Interesting

      Small flaw in your combinatoric statement. The '1' that is used before the rest of the 10 digits is always a '1'. Near as I can tell (at least for US domestic calls), you never dial a 3 or 6 (for example) for long distance. This being a constant digit, the possible combinations drop to (10^10)*1 (10 possible different values for 10 different positions times the one digit of value 1) or 10,000,000,000.

      In reality there are fewer phone numbers than this due to some limitations on number combinations. If I remember correctly, there are no NXX exchanges that handle 1xx-xxx or 0xx-xxxx (they are possibly for internal use). That alone changes the combinatorial sequence to (10^9)* 8 or 8,000,000,000 (since that position can only handle 8 different values. There are probably a few other combinations that drop out as well, but I've not the time to search for them.

      That said, with 100,000,000,000 tone combinations copyrighted, they should be able to cover all the phone numbers in the US easily, plus allow for longer combinations for International calls. BTW, has anyone tried that page with a non-US number to see if it has been patented?

      - A non-productive mind is with absolutely zero balance.

      - AC

    16. Re:That covers every phone number in existence by JennyWL · · Score: 1

      (at least for US domestic calls), you never dial a 3 or 6 (for example) for long distance

      You do if you're calling long distance to area code 360, which is southwest Washington State.

    17. Re:That covers every phone number in existence by Anemophilous+Coward · · Score: 1

      Heh. Yes, you are correct, but that is not the position I was talking about. The original post stated there were 11 positions with 10 different numbers in each.

      So something like x-xxx-xxx-xxxx. The position I was refering to about not dialing a 3 or 6 in was the first position...where you dial only a '1' for long distance. Sure you might dial 1-360-453-5533...but that '1' in front is always a '1'. Therefore that falls out of the combination, giving only 10 positions with 10 different numbers or: 1-xxx-xxx-xxxx. Hence it's (10^10)*1 or just 10^10. See the rest of my post for the similar logic in reducing that number even further.

      - AC

    18. Re:That covers every phone number in existence by robman · · Score: 1

      Ah but the last 10 digits are copyrighted. So that means when someone dials that international form you mentioned they will be 'sampling' the original copywritten material.

      If we learned anything from the wise Mr. Vanilla Ice, it's that you have to give credit where credit is due.

      --
      "Perl 6 will give you the big knob." -Larry Wall
    19. Re:That covers every phone number in existence by Anonymous Coward · · Score: 0

      You really think they _did_ copyrighted 100,000,000,000 tone combinations ?

      Get the joke, man.

    20. Re:That covers every phone number in existence by Anonymous Coward · · Score: 0

      Hey, BT tried to go one better by trying to patent the hyperlink.....

    21. Re:That covers every phone number in existence by spasm · · Score: 1

      "Your .sig contains mismatched parentheses"

      grin. ahh, but I stand disproved - your score still sits at zero..

      Now should it be

      (pointless nitpicking (often) == karma : )

      or

      pointless (nitpicking (often) == karma : )

    22. Re:That covers every phone number in existence by sharkey · · Score: 2

      Lloyd's of London is 15 digits: 011-44- three digit city code + seven digit number.

      --

      --
      "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
    23. Re:That covers every phone number in existence by Anonymous Coward · · Score: 0

      If they only copywrote eleven digit phone nunbers, does that mean when I'm in my own area code and only dial seven digits I won't be infringing on their copywrite?

  9. A good use for copyright by beretboy · · Score: 5, Funny

    I forsee the following dialouge:

    Me: hello?

    Tele-solicitor: Hello would you like to buy-

    Me: You have just infringed on national copyright hangup now or I will seize all your assets!

    Tele-solicitor: *click*

    Ah finally a good use for copyright :-)

    1. Re:A good use for copyright by Anonymous Coward · · Score: 0

      It is funny, just unintentionally so.

    2. Re:A good use for copyright by Anonymous Coward · · Score: 0

      Please don't assume that the mentally retarded can't smoke crack.

    3. Re:A good use for copyright by Anonymous Coward · · Score: 0

      Anyone that would moderate that as funny is either mentally retarded (like the author of the post) or on crack.

      Or they'd be negroes, i.e. both mentally retarded and on crack.

    4. Re:A good use for copyright by Anonymous Coward · · Score: 0

      You'll have to imagine the closing italics tags there yourselves.

      Waiting, waiting... Has it been 2 minutes yet?

    5. Re:A good use for copyright by Smint · · Score: 1

      A funny thought about the telemarketing aspect of this...Hopefully people didn't test their real numbers in this thing.

      The website owners could be doing a deceptive trick...People inputing their real home/work/cell numbers that may be saved in a database. The site owners now (potentially) have phone numbers of people who have Internet access (a marketing demographic). Albiet, all those people (like myself) who used phone numbers they had 10+ years ago or just phoney numbers altogether.

      Just a devious thought that's all! ;-)

  10. We can bend the rules a little.... by DriceX · · Score: 1

    ...as long as it stops annoying telemarketers from calling me while I'm eating dinner...

  11. Sure to be slashdotted! by BiggestPOS · · Score: 2, Redundant
    Magnus-Opus

    This very large series of algorithmic compositions originate from the early 1970's (our diatonic period) and were inspired by the pitch class set pieces of Webern and the stochastic works of Xenakis.

    The Magnus-Opus series is based upon pairings of eight notes used to create sixteen different diads or two note chords. These tone pairs are used to create melody 'modules' of a standard twelve note length. Additional compositions may be obtained by joining melodies together, or by adding melody fragments to standard twelve note melodies.

    Our method was to assign each of the sixteen tone pairs to an alpha-numeric pattern so that each letter or digit corresponded to a pitch pair. This sequence when expressed through the operation of a simple algorithmic generator produces some 10,000,000,000 melodies (together with a more or less infinite number of additional compositions produced by the addition of melody modules or fragments thereof).

    It is not without reason, therefore, that we claim to be the world's most prolific composers, hence Magnus-Opus.

    It has, more recently, come to our attention that many (certainly not all) of these compositions correspond to the tonal sequences transmitted in contemporary telecommunication, making us without doubt, the world's most popular composers.

    Warning: All of the melodies contained within the Magnus-Opus series are protected by copyright. You may inadvertently be in breach of international copyright law by using a telecommunications device (telephone, mobile telephone, modem and other internet devices) to transmit and perform one of the Magnus-Opus melody series.

    In order to ascertain if you are in breach of international copyright law you may test your number against our composition database by clicking here.

    --
    What, me worry?
    1. Re:Sure to be slashdotted! by dirtyhippie · · Score: 1

      Agreed, it's straight -1 Redundant.

  12. Haiku by 575 · · Score: 0, Offtopic

    Walk to hospital...
    Tones copyright Microsoft
    Can't call 911

    1. Re:Haiku by Anonymous Coward · · Score: 0

      I don't know about you, but these silly Haikus are getting old...

    2. Re:Haiku by 575 · · Score: 1, Offtopic

      Haiku are quite old
      I've bastardized ancient art
      Thanks for noticing

    3. Re:Haiku by Silver222 · · Score: 1
      I can't tell you how happy I am to see shitty haiku instead of the other traditional slashdot crapfloods. Microsoft wasn't mentioned here, so why bring it up?

      --
      "It's not a war on drugs, it's a war on personal freedom. Keep that in mind at all times." Bill Hicks
    4. Re:Haiku by 575 · · Score: 1, Offtopic

      Friend, this is Slashdot:
      Who needs justification
      To slam Microsoft?

    5. Re:Haiku by Anonymous Coward · · Score: 0

      Microsoft SUCKS!

    6. Re:Haiku by Silver222 · · Score: 1
      I have to admit, that was pretty good :)

      --
      "It's not a war on drugs, it's a war on personal freedom. Keep that in mind at all times." Bill Hicks
    7. Re:Haiku by Art+Tatum · · Score: 1

      Damn straight.

  13. Opportunity knocks by Das_Trench · · Score: 1

    I wonder how many offers they will get from telemarketers who want to buy that list of numbers.

    1. Re:Opportunity knocks by Dyolf+Knip · · Score: 2

      The list is not necessarily a list of used numbers. The telemarketers could easily produce such a list themselves. The trick is to get names and demographic info along with the number.

      --
      Dyolf Knip
    2. Re:Opportunity knocks by Anonymous Coward · · Score: 0

      But they could stop other telemarketers from calling... They could even stop regular callers... You'd have to buy thier product to allow others to call...

  14. Does this mean.... by CmdrMightyTaco · · Score: 0, Offtopic
    ...we can stop the scourge of late-night porn line infomercials if someone else owns the copyright?

    (insert cheesy porn music here)"Pick up the phoooonnnneeee"

    --


    "I thought I had an Appetite for Destruction, when all I really wanted was a club sandwich."
  15. If they Have good lawyers... by patrick687 · · Score: 2, Interesting

    IMHO, if they have the cash to buy some good lawyers, they'll probably be able to pull this off. What's sad is that big companies have gotten away with worse. (In fact, someone owns the patent on the Peanut butter and Jelly sandwich!) Maybe this will knock some sense into big companies copyrighting and patenting the lamest things (Hey, there's a patent on using a laser pointer to excersize cats too!)
    -Patrick

    --

    --
    Join

    1. Re:If they Have good lawyers... by Purificator · · Score: 1

      i'm betting the corporations have good lawyers as well, and can make a fair argument for prior art.

      --
      "Mister Potato-head --MISTER POTATO-HEAD! Backdoors are not secrets!" (War Games, 1983)
    2. Re:If they Have good lawyers... by silicon_synapse · · Score: 1

      I thought they only have a patent on crustless peanut butter and jelly sandwiches...

  16. Nice idea, but won't work by Gorobei · · Score: 5, Informative
    Copyright is concerned with COPYING work. It does not apply if someone else independently (usually defined as "was not exposed to your work") recreates the thing in question.


    So, even if they have a phone number in their melody database, you don't infringe if you dial that number, because you created the melody independently.

    1. Re:Nice idea, but won't work by Troodon · · Score: 1

      But through dialing are you not replicating said work and publishing it through the telco's system? Might be amusing to hear media interests backpedalling and claiming fair use.

      --
      troodon.net
    2. Re:Nice idea, but won't work by Soko · · Score: 3, Funny
      Quote:
      So, even if they have a phone number in their melody database, you don't infringe if you dial that number, because you created the melody independently.

      I think you're right.

      Crap! There goes my evil little plan to copyright any sequence of four numbers, where each number is between zero and 255, when separated by periods. ;-)

      Soko
      --
      "Depression is merely anger without enthusiasm." - Anonymous
    3. Re:Nice idea, but won't work by sweatyboatman · · Score: 1

      However, I believe that once you are made aware of the copyright you must desist or else you are in violation. Looks like all of us /.ers have to get off the phone completely.

      --
      It breaks my pluginses, my precious!
    4. Re:Nice idea, but won't work by Gorobei · · Score: 3, Interesting

      However, I believe that once you are made aware of the copyright you must desist or else you are in violation.


      Independent invention is not a violation (unlike patent law.) I could spend months writing the perfect Apple II sprite blitter. You, being equally intelligent and hard-working, independently create the same 60 line routine. We can now both copyright the exact same thing! We both created it, and we can both prevent third parties from copying our work. When Programmer C creates the exactly same routine and uses it in a game, we can both try to sue him. Do we win? If he bought a copy of my game, and he is a known disassembler, then I have a good chance of winning. If you published your routine in a magazine he subscribes to, you will probably win. Otherwise, he gets to copyright the routine as well!

    5. Re:Nice idea, but won't work by Sycophant · · Score: 0, Informative

      Actually, by dialling the number you are performing the work. That is a deffinate infrigement.

      Also, the fact that the timings are different when you actually dial it won't help you either. Recording artists have sucessfully attacked people using the same sequences of notes (which is silly because it is fairly finite).

    6. Re:Nice idea, but won't work by superpeach · · Score: 1

      "Copyright is concerned with COPYING work. It does not apply if someone else independently (usually defined as "was not exposed to your work") recreates the thing in question."

      But if you go to their website and read their thing about inadvertently breaching the copyright laws, then could they say that you were exposed to their work (if they wanted to)? because you knew that you may be breaking copyright laws.
      If so, then your comment would only be applicable to the people who didnt read it, as most slashdot readers will have either seen the Magnus-Opus site or the copy posted in the comment from another user.

    7. Re:Nice idea, but won't work by taco1991 · · Score: 2, Interesting
      IANAL, but as I understand it a large portion of musical copyright laws prohibit reproduction of the work for profit without permission of the composer or without giving royalties to the composer. Furthermore, copyright laws were written in such a way that whoever copyrights the work in question first wins regardless of whether they created it first or not (pending convincing evidence to the contrary). With this interpretation, you could charge people in various ways:

      - Charge any (non-profit) corporation when dialing their phones for work related purposes.

      - Collect royalties from phone service providers that use the songs for routing in their system.

      - Licence the "songs" to telephone manufacturers and receive money for every telephone ever made.

      Still, they'll have a pretty hard case trying to get any money out of this. Likewise, anyone who shares a genetic pattern that has been "copyrighted" by another company should sue that company's ass off for copyright infringment on your genetic material.

      ahhh, symbolic gestures...
      t.

      --
      "Corrupting our youth one mind at a time"
    8. Re:Nice idea, but won't work by aka-ed · · Score: 3, Insightful

      He's right. For instance, in movie copyright cases, the hard part is not proving points of similarity; it's proving that the studio or creators of a film's screenplay were exposed to the earlier work.

      Besides, if you were to sing the entire works of the Beatles to a friend over the phone, that's not a public performance so no licensing is required. When you dial a touch-tone number, you may be "performing" the work, but your audience is zero...again, not a public performance.

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    9. Re:Nice idea, but won't work by dillon_rinker · · Score: 1

      Ummm....no. That's the whole point of copyright registration REGISTERING a copyright. That's the whole point of public records. Once something has been entered into the public record, the legal theory is that EVERYONE has access to it and is presumed to have seen it.

      You MIGHT have a case if you can document your independent creation and if the copyrighted information was not registered.

    10. Re:Nice idea, but won't work by Gorobei · · Score: 1

      Still doesn't work - you type in a phone number you know, i.e. have dialled before. You only typed it in because you had already created that melody yourself. No violation there. Even if you haven't dialled it before, the fact that you know it means someone gave you the equivalent of "sheet music" for the number, and that was independently created. No violation.

    11. Re:Nice idea, but won't work by Troodon · · Score: 1

      I understand now, thankyou. Oh well, hopefully this rather clever but flawed wheeze will generate some interest in the news somewhere.

      --
      troodon.net
    12. Re:Nice idea, but won't work by Anonymous Coward · · Score: 0

      Are you sure this is really a law? It just seems to fair and anti-monopoly and business

    13. Re:Nice idea, but won't work by Art+Tatum · · Score: 1
      Yes. Everybody needs to remember that copyright is about *publishing*. If there is any kind of legal action that could be taken here, it would be by the phone company as the original publishers of those numbers.

      Of course, I don't think *that* will happen either, but...

    14. Re:Nice idea, but won't work by Spiral+Man · · Score: 3, Informative
      actually, you are wrong. this is why covers of songs violate copyright law (if you cover them without permision). if i record myself playing a previously writen song, and sell the recording, i am violating copyright law. copyright law was created before recordings were easy to copy, so saying that you are only violating the law if you are distributing copies of the actuall recording is foolish.

      recordings of songs arent copyrighted, its the sequence of notes that is being copyrighted. just like they copyrighted a sequence of notes (phone numbers)

      --
      "we demand rigidly defined areas of doubt and uncertainty!" --Douglas Adams, The Hitchhikers Guide to the Galaxy
    15. Re:Nice idea, but won't work by aka-ed · · Score: 1
      No. Ummm....you are talking through your hat.

      "Independent Creation is Permitted. A second work, identical to an earlier copyrighted work, does not infringe, if it is, in fact, independently created. While a well-known first work of a very unique or fanciful kind may make an independent creation defense difficult to believe, the problem may be more complicated with regard to some kinds of software. Assume that, code has been copied with slight variations from the original, and it is claimed that function dictated form."

      Copyright for Computer Authors
      © 1996-9 Franklin Pierce Law Center
      Thomas G. Field, Jr.

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    16. Re:Nice idea, but won't work by Art+Tatum · · Score: 1

      Not anymore (in the US, at any rate). That rule went away with one of the recent (last 30 years or so) updates of copyright law. Sorry I don't have the reference in front of me. Of course, our copyright laws are completely screwed up anyway, so that doesn't mean much.

    17. Re:Nice idea, but won't work by aka-ed · · Score: 2, Informative

      Both this post, and the moderator, are wrong.

      Please read up before more nonproductive moderating and posting.

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    18. Re:Nice idea, but won't work by Gorobei · · Score: 1


      Actually, you are wrong. this is why covers of songs violate copyright law (if you cover them without permision). if i record myself playing a previously writen song, and sell the recording, i am violating copyright law. copyright law was created before recordings were easy to copy, so saying that you are only violating the law if you are distributing copies of the actuall recording is foolish.

      Please try to pay attention. A cover of a song is a violation because you are COPYING the lyrics/melody of the song you are covering.

      recordings of songs arent copyrighted, its the sequence of notes that is being copyrighted. just like they copyrighted a sequence of notes (phone numbers)

      Of course "recordings of songs" are copyrighted, that's why the recording industry is unhappy about MP3s. You really think all CDs of performances of Bach's work are copyright free?

    19. Re:Nice idea, but won't work by Anonymous Coward · · Score: 0

      Nothing is effective in all of this unless someone sues someone else. Then the copyright records become effective if presented in court.
      Then the Patnent office being an appointed agency of the US, they eventually get to advise the court how the agency wants to, even to invalidate the original submission, post an exception to normal 'directives' (they use directives interpeted as 'intent' more often than litteral laws in thier content certifications) or stay a desision until a higher authority posts an oppionion. And also the courts often put common sence above Litteral Translations of contriversial hokey pokey. In effect this is so stupid and transparent, it will never stand (not for long). Now am I wrong? or has an actual US or other court action concluded in thier favor? PS, when history or other facts presented are of a pure fabrication (as seen on the web site) it often leads to a poor representation in court.

    20. Re:Nice idea, but won't work by ThePof · · Score: 1

      >Furthermore, copyright laws were written in such >a way that whoever copyrights the >work in question first wins regardless of whether >they created it first or not (pending convincing >evidence to the contrary). Actually that may vary quite a lot. In many countries you get the copyright automatically as soon as you create a work and you don't need to do anything to claim it. Thus the "who copyrights it first" is the same as "who created it first". Also note that the "copy" in copyright is not even part of many countries laws. They would there be called something along "the right of the authors". It is basically approaching the whole issue from another point not focusin directly on the copying (hence not calling it COPYright) but the rights of the author. The end result is basically the same though as the rights of the autor includes the reproduction and such.

    21. Re:Nice idea, but won't work by Ronin+Developer · · Score: 2

      Grab a phone book. Look inside... There is a copyright. I'm looking at one right now that reads (c)2001, Yellow Book USA, Inc.

      These numbers have been published all over the world. This means they ARE copyrighted regardless of whether a formal application has been filed or not.

      I'd like to see them defend all those phone numbers in a court of law as lawsuit after lawsuit is brought against them challenging their supposed "copyright". Not even Mr. Gates has enough resources for a legal battle like this.

    22. Re:Nice idea, but won't work by 10100101 · · Score: 0

      >> Crap! There goes my evil little plan to copyright any sequence of four numbers, where each number is between zero and 255, when separated by periods. ;-)

      But those are a public performance, as anyone with a packet sniffer can catch millions of IP packets that violate your work...

    23. Re:Nice idea, but won't work by UberLame · · Score: 1

      >You really think all CDs of performances of >Bach's work are copyright free?

      They are copyright free if I record myself or a friend (who signs a waiver) playing Bach from a pre 1925 arrangement.

      --
      I'm a loser baby, so why don't you kill me.
    24. Re:Nice idea, but won't work by bear_phillips · · Score: 1

      True it won't work in the end, but if you file a copyright on something it forces the burden of proof on the other guy to say they thought it up earlier or independently.

      --
      http://www.windmeadow.com/
  17. 312-2333 by dghcasp · · Score: 3, Funny
    The canonical phone song: "Mary had a li-tle lamb." Is that prior art or public domain?

    Good thing I'm not six years old anymore and no longer so easilly amused; I'd hate to have to retain a lawyer just to determine if I could do that; especially on a six-year-old's allowance.

    1. Re:312-2333 by PW2 · · Score: 1

      works better as 654-5666...

      also, try:
      4566545642456654564

    2. Re:312-2333 by e7 · · Score: 3, Funny

      Nope. The harmonies are totally different from how "Mary ..." is traditionally performed.

      (I've listened to the above DTMF sequence several times now, and the lady on the other end obviously doesn't understand how the slashdot effect could carry over into her legacy communications system.)

      --
      Corollary to Moore's Law: The IQ of new computer owners is declining.
    3. Re:312-2333 by rkenski · · Score: 1

      112-3321 That's the first 7 notes of the theme "Ode to Joy" from Beethoven's 9th simphony. At least sounds like...

    4. Re:312-2333 by Anonymous Coward · · Score: 0

      Damn, I just tried it here and the phone rang back, "Is your house burning?", apparently part of that number is the emergency number... and at 1:35 AM too.

  18. Ok.. um... by sporty · · Score: 1, Interesting

    Ok.. um.. but what about actual songs. Would we have duling copyrights? I'm sure you can play dulling tones while you are at it.

    --

    -
    ping -f 255.255.255.255 # if only

  19. well...its a step in the (right, wrong) direction by laymil · · Score: 3, Interesting

    ok, little note for some prior posters:
    copyright and patent are two completely different things, with two different purposes. prior art doesn't apply to copyright. ok...now that i've gotten that out of the way...
    i'm not sure if i agree with what these gentlemen have done. i don't believe that such things deserve to be 'owned' by anyone. no matter the reasoning behind their actions, and even if they are attempting to protect people from corporations and 'BIG BROTHER' i find myself disagreeing with their methods. also, i fear the day that they are threatened and bought out by a [insert entity here]that doesn't have their moral fabric. in such a case, beware.

  20. Re:Let me get this straight... by beretboy · · Score: 1

    Hey! I honestly believe in what I do!

  21. What is the melody.... by Mr.+Flibble · · Score: 1

    of 100,000,000,000 webhits in an hour? And is it copywritable as the slashdot effect melody?

    (As I look now their site is not down, but .jpgs are loading REALLY slowly...)

    --
    Try to hack my 31337 firewall!
  22. Re:Let me get this straight... by Anonymous Coward · · Score: 0

    Apparently posting useless crap on slashdot *IS* on the list of priorities.

    Glad I could get on with my life by posting this.

  23. Hilarious! by ZaBu911 · · Score: 0

    What can one say but,
    ROTFFLMFAO!

    Copywrighting names, like AOL banning GAIM is stupid but understandable.
    But numbers? No longer may i have my 408-HOT-GUYS

    :/

  24. Thats it, time to take action by Seemlar · · Score: 5, Funny

    So, who wants to help me encode all these 100,000,000,000 possible ringtones and put them on Morpheus?

    1. Re:Thats it, time to take action by chundercanada · · Score: 1

      Screw that. Just build a protocol client that advertises all of them and generates the .wav file on-the-fly whenever one is requested.

    2. Re:Thats it, time to take action by Anonymous Coward · · Score: 0

      Too bad you can't connect to morpheus now without server authentication :) No whacky ass client for you!

    3. Re:Thats it, time to take action by Radiantal · · Score: 0, Offtopic

      This is absolutely f'ing absurd! Next they will be slappin copyrights on a series of fart noises coming out of every fat person's ass, including my own!
      There are two problems that I see with this, 2 guys who think they're more intelligent than anyone on the face of this earth and they're f*cking blood sucking lawyers who are so damned money hungry and stupid to allow something like this to materialize.
      Down with LAWYERS!

    4. Re:Thats it, time to take action by _marshall · · Score: 1

      Civil Disobedience:
      encoding illegal ringtones into a (pretty much) illegal format, and puting them on an illegal file trading system.

    5. Re:Thats it, time to take action by SnatMandu · · Score: 2

      That's pretty interesting. All you have to do is run a (really really long) statistical process on bits, until you hit MS office.

      You don't need to keep them on disk, just serialize them and have a program that will produce one given the correct integer input.

      Then I'll (independently) figure out which one exactly resembles MS office X.Y, and publish my results.

      So long as MS's lawyers don't read this message, we'll be scott free!

      Except...

  25. The real question by Anonymous Coward · · Score: 0, Insightful

    The real question is whether or not this tactic will hold up in court. If you check the article you see It blatently admits that the phone company had been using the tones previous to their copyrights.

    What's more is, even if the phone numbers weren't already being used, the mere fact that the phone company has a pre-existing document specifying the format and access-method for all telephones negates any further attempts to copyright.

    Besides, if 2600 can lose the MPAA case -- I'm sure a judge will throw this right out the window.

    btw. I love Eggplants!

    --ECA Rebel Bastard!

  26. what about... by Polo · · Score: 4, Interesting

    what about sampling?

    could I sample portions of seven notes of a "melody"?

  27. What about dial tones... by joel8x · · Score: 1

    What about the dial tone before you dial? And then the sound of the ring after you finish ? Will different combinations free us from paying royalties? Doh... (_8^(o)

    --
    Sound waves should be free!
  28. more prior art hilarity by z)bandito(_X · · Score: 1

    what about playing hot cross buns on the pad?

    9-5-1...9-5-1....1-1-1-1-5-5-5-5-9-5-1...yes hello, and thank you for calling. this call is a violation of the dmca, and is being traced. please stay on the line while an officer is dispatched to your location. have a nice day!...

  29. Copyright does not squash other independant works by rcw-home · · Score: 5, Interesting
    If a million monkeys type out the source code to MS Office, Microsoft can't sue. Likewise, if you happen to create a series of dual-tone meta frequency notes using a touch-tone phone using non-copyrighted material (a phone book, your memory, etc), then that's an independant creation. Now if a telemarketer overheard you dialing, and recorded it (made a copy), then you might have something.

    IANAL (and I know the whole point was to be funny anyway).

  30. Ok, Ok. by bl1st3r · · Score: 1

    I have given up on fighting or arguing over all this copyright/patent bullshit, but as soon as some mathematician copyrights my Social Security Number to be used only in an algorithm, I am going to get pissed off and move to Germany or something.

    And I refuse to sign one of their licensing agreements. If they want to take me to court, fine, I will see what Ameritech thinks of a law suit as well.

    --
    hrrm.
  31. /. them out of exsistance by (startx) · · Score: 1

    ohhh, they copyrighted my phone number, /. them out of exsistance! Oh, wait, you allready have. Nevermind, go back to bitching about RIAA.

  32. oh by the way by GoatPigSheep · · Score: 0

    this post copyright 2001 goatpigsheep

    you can contact my lawyers to arrange the royalty payments required to respond to it

    --
    GoatPigSheep, the 3 most important food groups
    1. Re:oh by the way by Anonymous Coward · · Score: 0

      oh by the way
      by GoatPigSheep on Wed October 03, 14:03 (Score:1)
      (User #525460 Info)

      this post copyright 2001 goatpigsheep

      you can contact my lawyers to arrange the royalty payments required to respond to it

  33. Not what copyright was for. by Diashi · · Score: 4, Interesting

    I kind of doubt this is what the idea of copy righting was for. Copyrights along with patents were originally made to promote scientific research. Protecting one's intellectual property is the whole idea behind copy righting.

    Some schmuck who starts to copy right tone sequences is totally not getting the point. He's not promoting scientific research, or protecting his intellectual property. He's just trying to make a quick $, through a loophole in the laws.

    Its as if suddendly the sequence of phone digits has been invented by this guy and he has to have the copy right to your tone. This whole thing is as rediculous as the guy who claimed to own all the land outside of the solar system, and thinks he's somehow going to get away with that. If your armies/people are using/conquered something, its theirs, and no one elses.

    --
    - Nuts and Gum, together at last.
    1. Re:Not what copyright was for. by smack_attack · · Score: 5, Funny

      STEP 1: Place hand 3 inches above head and 3 inches in front of head.
      STEP 2: Briskly move hand from previous position to 3 inches above head and 6 inches behind head.

    2. Re:Not what copyright was for. by Anonymous Coward · · Score: 0
      totally not getting the point


      Boy, you said it. I can offer you a sense of humor implant if you have the money.

    3. Re:Not what copyright was for. by sporty · · Score: 1

      Hey, that was vague enough to make me wonder what you were describing...

      --

      -
      ping -f 255.255.255.255 # if only

    4. Re:Not what copyright was for. by charon_on_acheron · · Score: 1

      (Opitonal) Make a "whoosh" sound while moving hand in Step 2.

    5. Re:Not what copyright was for. by stubear · · Score: 4, Informative

      Actually US copyright law was intended for more than scientific research:

      "US Constitution, Article I, Section 8

      To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries"

      Our forefathers felt so strongly about protecting scientific research and useful arts that they granted this right before the right to free speech. That took an amendment to institute.

      I agree, however, this is not what copyright was intended for and I doubt this would hold up in court. Obtaining a copyright is easy. Protecting it is more difficult.

    6. Re:Not what copyright was for. by dstone · · Score: 3, Funny

      If you were smart, you'd copyright those instructions. ;-)

    7. Re:Not what copyright was for. by aka-ed · · Score: 1

      Moderators, please move the mod points from grandparent (interesting? do you mean for thickness?) to parent (funny!).

      Thank You.

      --
      I survived the Dick Cheney Presidency 7 to 9 AM 7-21-07
    8. Re:Not what copyright was for. by smack_attack · · Score: 1

      I don't have a license for sound effects related to this movement.

    9. Re:Not what copyright was for. by Anonymous Coward · · Score: 0

      Wow. Funniest thing I've seen all day.

      I wonder if he can keep the hard drive empty enough so there's enough room for the influx of dating applications.

    10. Re:Not what copyright was for. by Art+Tatum · · Score: 1
      I kind of doubt this is what the idea of copy righting was for.

      Correct.

      Copyrights along with patents were originally made to promote scientific research.

      Partially correct. Patent was to promote the furthering of the sciences. Copyright was to promote the furthering of "useful Arts."

      Protecting one's intellectual property is the whole idea behind copy righting.

      Completely and totally incorrect. The concept of "intellectual property" is absolutely *not* what the founding fathers had in mind. Jefferson, in particular, made a very clear point in his writings that the rights granted were not property rights. Rather, they are *monopoly* rights. And very limited monopoly rights, at that.

      Copyright is a chance to recover costs involved in publishing. The copyright holder (not "owner", as is sometimes used) has a time-limited artificial monopoly on the expression of an idea.

      The concept of Copyright as property came about much more recently.

    11. Re:Not what copyright was for. by Anonymous Coward · · Score: 0
      I hate muslims, ragheads, towel heads, and camel jockeys.

      However, I love Mother Liberty.

      Proud to be White

    12. Re:Not what copyright was for. by Diashi · · Score: 1

      Actually, this whole thing was just an inside joke between friends. Although you may laugh and say "hope he keeps his hard drive empty enough".. I have actually had some success with the thing, albeit not many apps come in.

      --
      - Nuts and Gum, together at last.
    13. Re:Not what copyright was for. by Theodore+Logan · · Score: 1
      Some schmuck who starts to copy right tone sequences is totally not getting the point.

      Someone's not getting the point alright, but I don't think it's this guy. IT'S A FUCKING JOKE! How about reading the article next time before posting your +5 insightful (obviously modded by others who didn't read it either) comments?

      --

      "If you think education is expensive, try ignorance" - Derek Bok

    14. Re:Not what copyright was for. by Anonymous Coward · · Score: 0
      Our forefathers felt so strongly about protecting scientific research and useful arts that they granted this right before the right to free speech. That took an amendment to institute.

      There is no Constitutional right to a copyright. Congress can grant them, or not, to promote public goals. As the Supreme Court has noted, private interest is strictly secondary to public interest if it even counts at all.

      As for the right to free speech being secondary, the way I heard it was that some people opposed the Bill of Rights on the grounds the Government would construe it to LIMIT the people's rights. Claiming that the Founders did not value freedom of speech as much as copyrights and patents is a gross misrepresentation.

      By the way, amendments override conflicting parts of the Constitution that came before -- something that the sites making the "copyright came before First Amendment, therefore must be really sacred" argument do not tell you.

  34. Wow, copyright law needs changing by ispq · · Score: 1

    I hope this is a wake up call to law makers everywhere, change copyright laws now.

    1. Re:Wow, copyright law needs changing by ZaBu911 · · Score: 1

      But isn't this scheme just going on in Australia? We need the UN to put its foot down.

    2. Re:Wow, copyright law needs changing by Art+Tatum · · Score: 1
      We need the UN to put its foot down.

      They already did. It was the WIPO treaty from which we got the DMCA. They put their foot down on the wrong roach.

  35. Free Mod points for a mirror by Anonymous Coward · · Score: 0

    Quickly, someone mirror the site. You know you want the free mod points.

  36. Re:Get some PRIORITIES by Anonymous Coward · · Score: 0

    It looks like somebody needs to lighten up. Do tell us, how are you "getting on with your life" ?

  37. Probably not enough original work here by Anonymous Coward · · Score: 2, Informative

    Registering or claiming copyright protection and actually winning an infringement claim are two very different things.

    Copyright (at least in the United States) only applies to ``original works of authorship,'' not ``[w]orks consisting entirely of information that is common property and containing no original authorship.''

    Perhaps the authors could receive protection for the entire compilation, but not for the telephone numbers taken individually.

    Many Slashdot readers would do well to read the U.S. Copyright Office's Circular 1, Copyright Basics, from which the above quotations were taken.

  38. Fees by plaisted · · Score: 1

    Permanent License for Personal Use- $1000
    Permanent License for Organisational Use- $10,000

    Bit steep?

  39. I can see it already.... by bIOHZRd · · Score: 1

    Due to the Magnus-Opus Copyrights, LWY(Lawyers Inc.) Stock has jumped an incredible 45.23 points in a single day, and does not seem to be stopping any time soon.

    1. Re:I can see it already.... by bIOHZRd · · Score: 2, Informative

      From their Site...

      " Magnus-Opus

      You may be inadvertently performing one of the Magnus-Opus melody series each time you use your telecommunications device (telephone, mobile telephone, modem and other internet devices).

      In order to ascertain if you are in breach of international copyright law you may enter any alpha-numeric sequence you may be using via your telecommunications device in our dialogue box below. This will compare your number with our melody database. If your number should match one of our compositions the melody and opus number will be displayed. You should then complete a licence agreement as soon as possible. "

      Lol... this is too funny

  40. ./ed by Gantoris · · Score: 0
    As of 12.00 midday Australian eastern stadard time the site has been ./ed!

    Bet the provider wasn't expecting that!

    Their routers and http servers will be glowing red by the end of this.

  41. Oh so close! by donutello · · Score: 3, Interesting

    You started in the right direction by pointing out that copyright and patent law were not the same.

    However, you failed to complete your analysis. Of course, having a copyright on those tones doesn't prevent any normal usage of DTMF. Why that is, I'll leave as an exercise to the reader.

    --
    Mmmm.. Donuts
    1. Re:Oh so close! by Anonymous Coward · · Score: 0

      Thanks for giving no analysis whatsoever in response. Since you're being so obsequious I just have to point out that they copyrighted the melody and not the tones. I'll leave reading the article so you know what the fuck you're talking about as an exercise to the reader.

    2. Re:Oh so close! by Anonymous Coward · · Score: 0

      It's a COPYright, stupid. Which means you can't COPY but you can make your own. Patents, on the other hand, mean that you can't duplicate the process even if you are in no part inspired by the work that was patented.

    3. Re:Oh so close! by Anonymous Coward · · Score: 0

      Look up a dictionary for the word "obsequious". You'll feel really stupid. I guarantee it.

    4. Re:Oh so close! by laymil · · Score: 2, Insightful

      problem being...if you write down the numbers and give them to someone, it could be considered a violation of copyright. trust me, i thought this through. writing it down could be seen as a way of copying the 'melody' in a musical notation, which would be an illegal copy...a stretch, but...yeah.

    5. Re:Oh so close! by Anonymous Coward · · Score: 0

      Umm.. but in a normal usage of DTMF, you would come up with the number by yourself. Hence, copyright does NOT apply.

      I guess the reason most people on slashdot hate copyrights is because they don't have a fucking clue about what the law is about.

    6. Re:Oh so close! by laymil · · Score: 1

      problem with copyrights? no.
      probelm with misuse of every law under the sun, and then some? yes.

    7. Re:Oh so close! by unitron · · Score: 2

      I'm guessing that, in addition to whatever patents exist for DTMF, the use of those particular frequencies, which were carefully selected to be harmonically unrelated so as to avoid accidentally generating the wrong tone by heterodyning, probably already is covered by one or more copyrights belonging to Bell Labs or some other fragment of what was once known as *the* phone company.

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    8. Re:Oh so close! by Anonymous Coward · · Score: 0

      problem being... maybe you need to understand the laws before you try to argue the fairness of them.

      and just drop your sig.

    9. Re:Oh so close! by laymil · · Score: 1

      haha....
      not once have i tried to argue the fairness of any laws. the laws provide a guideline for the courts. however, its the courts that decide things....so prior things that have happened make all the difference.

      as for the sig...eh. i'm too lazy.

    10. Re:Oh so close! by arantius · · Score: 1

      obsequious adj 1: attempting to win favor from influential people by flattery

      ...

      Seems like good usage to me. He was trying to seem smart by pointing out someone else's mistake, and win the favor of the influental (?) /. community.

      --
      Health is simply dying at the slowest rate possible.
    11. Re:Oh so close! by Anonymous Coward · · Score: 0

      Look up the word flattery in the dictionary. You will feel very stupid too.

  42. School's number... by NetJunkie · · Score: 1

    That was the phone number for my elemantary school. They had a gold record for it hanging in the office.

  43. 867-5309 by Arkoth · · Score: 2, Funny

    Tommy Tutone be warned. Prepare to be sued by some rich guy with a lawyer waiting to
    serve him that owns the patent to the phone number 867-5309 that you illegally sang
    back in the 70s.

    You will be sued, resistance is futile!

    1. Re:867-5309 by Anonymous Coward · · Score: 0

      put a 360 in front of it and it'll work.

    2. Re:867-5309 by spagma · · Score: 1

      I find it kind of funny that Tutone (two tone) is how each number of a touch tone phone are dial. This would be forshadowing in any other case, but somehow I don't think so here.

      --
      If it won't boot, Fsck it!
  44. What do you call this? A straw clown? by Nindalf · · Score: 2, Interesting

    The thing is, there are limits to copyright. The shorter a work, the harder to defend its copyright in court. For instance, it is impossible to copyright a word, phrase, note, or chord. Short poems, like haiku, push the lower bounds, and have quite weak protection: only a very blatant direct copy might infringe on them.

    Obviously, these are not legal (or at least not legally relevant) copyrights, and couldn't be enforced.

    I know it's all in fun, but I think it would be more satisfying to mock the system using things that would stand up in court.

  45. database of public domain melodies by uncadonna · · Score: 1

    This is relevant to a more serious idea I had that also addresses IP abuse in the music industry.

    There have to be an enormous number of melodies in the public domain. These should be collected into a database. (There's already a crude website that tries to do this, but I'm talking about something more elaborate.)

    Ideally, one could replay music into this system (it is not used for distributing music, merely for collecting it) and it would compare against any known music in the public domain. At first, you'd have to manually enter or scan a score.

    I'll bet except for some mighty wierd edgy stuff just about everything with a standard scale is already in the public domain. Would it be worthwhile to build a tool to prove it?

    The pattern matching might need to get pretty clever, but the database would be large but tractable (something like MIDI, I guess). Suppose there are a million folk tunes and hymns and out-of-copyright jazz lines out there. A couple of Kbytes each.

    Then start doing something like regexp parsing with a couple of simple modulations and mode changes, and I'd be surprised if you couldn't bury the copyright of just about anything.

    This probably wouldn't work in any other copyright domain, but I wonder if it wouldn't effectively kill copyright on any music that uses the conventional scale.

    --
    mt
    1. Re:database of public domain melodies by Anonymous Coward · · Score: 0
      Distinct copyrights have to be different to within 4 bars. Assuming 8 notes per bar, each with a range of about 16 tones [inc. one "rest" tone], that's 16^32 or 2^128 possible melodies.

      Nope, sorry, a million public domain folk songs isn't going to put a serious dent in this. You'd be better off trying to brute-force Rijndael.

    2. Re:database of public domain melodies by sqlrob · · Score: 1

      By your argument, I could take a song, shift the key and perform it all I want since it isn't copyrighted.

  46. Pulse/rotary dialing? by Anonymous Coward · · Score: 1, Funny
    Don't worry people, we'll all still be able to call one another because I just got through Copylefting every pulse/rotary number.


    So we're cool.

    1. Re:Pulse/rotary dialing? by Anonymous Coward · · Score: 0

      They have already recieved one offer of money - from a guy who wanted to purchase the copyright to his number so he could stop direct marketing firms from calling him.

      So? The telemarketer can just use the pulse dial system.

    2. Re:Pulse/rotary dialing? by Anonymous Coward · · Score: 0

      I have copyrighted all the IP address as well as all the IEEE802 ethernet addresses. Now pay up.

  47. Pretty silly by Anonymous Coward · · Score: 0

    Ok, copyrighting phone numbers is one thing... but, do you realize that they say to enter YOUR phone number and check against their DB, and if it's there, you should buy a license? How idiotic is that? How often do you call yourself, really? Ok, you sometimes call home, but most of the time you call *other* people. So, it is not the owner that should buy the license, but people need to get a license before they call someone, not actually the owner of the number.

    And, like people pointed out, because of the dial tone and ringing after the call, it should be considered a different 'opus' than theirs.

    I just hope they are joking and they did this as a political statement of how easy to do stupidity like this. I just hope so...

  48. Re:Copyright does not squash other independant wor by Anonymous Coward · · Score: 2, Funny

    If a million monkeys type out the source code to MS Office, Microsoft can't sue.

    The problem is that you'll need 256^{size of MS Office in bytes} monkeys to get MS Office. Phone numbers only required 10^11 monkeys, so it was possible to simulate the process with a computer.

  49. DMCA Violations by AnalogDiehard · · Score: 3, Funny

    Well this means that every online yellow/white pages directory is now in violation of the DMCA.

    And while we're at it, we'll have to dispose of our phonebooks since they are now vulnerable to lawsuits of patent infringement.

    I wouldn't be surprised if someone were to patent IP addresses.

    --
    Eternity: will that be smoking, or non-smoking? I Corinthians 6:9-10
    1. Re:DMCA Violations by vlad_petric · · Score: 0


      As far as a computer is concerned, everything is a number :). The clearest example is the (huge) prime number which ungzips to a DeCSS program.

      --

      The Raven

    2. Re:DMCA Violations by PSC · · Score: 1

      I wouldn't be surprised if someone were to patent IP addresses.

      You're infringing my copyright on 127.0.0.1! Surrender all your bases to me!

      --
      --- The light at the end of the tunnel is probably a burning truck.
  50. Numbers not copyright-able by MxTxL · · Score: 2
    But every good computer geek knows that just number strings are non-copyright-able and non-trademark-able (yes, i know neither of those are actually words)

    Everyone on this site should remember this fact when Intel changed their chip naming scheme from numbers, 8086, 286, 486 etc. to Pentium and Pentium Pro etc. The reason for this was that the numbers could be neither copyrighted nor trademarked and other manufacturers were able to call their chips 486 as well thus leading to a loss of brand value for intel.

    1. Re:Numbers not copyright-able by great+om · · Score: 1

      Yes but what they appear to be doing is copyrighting the tones used to generate those numbers (you know, the beep, boop, beep you hear when you dial a phone), and technically musical works are copyrightable (look at the liner notes to almost any album)

      --
      ------- Oh damn.... the Sigfile escaped... -Great OM
    2. Re:Numbers not copyright-able by shyster · · Score: 2
      But every good computer geek knows that just number strings are non-copyright-able and non-trademark-able

      They're not copyrighting the numbers per se, but the melody the numbers generate when dialed by a DTMF device. I can't copyright 1,3,15,16,18,... on a piano, but I can copyright the music played by the 1st, 3rd, 15th, 16th, 18th, ... keys on a piano in that sequence (does timing apply? I really don't know...)

    3. Re:Numbers not copyright-able by fonetik · · Score: 1

      hrmmm... I just went to 1010220.com, and they seem to have a copyright on that number, and a trademark. Did worldcom do what intel couldn't?

      -Tom

    4. Re:Numbers not copyright-able by gloth · · Score: 1

      I believe that this is not necessarily correct. You can represent the contents of a CD containing music or software thru a number. Yes, it would be very long, if written out as decimal digits. But then again, you could not simply give that number to a friend in any machine readable format; which would allow a reconstruction. I think there once was a story on slashdot that told how a math wizard had encoded the DeCCS source code in a prime number.

      Of course, there's a big difference between numbers or sequences thereof that are used as "themselves", like 386, 1701, 0-8-15 etc, and numbers that simply encode data. Phone numbers are somewhere inbetween; they're more like a tool. But with the right lawyer and a wrong judge... who knows which claims could be held up in court...

    5. Re:Numbers not copyright-able by whovian · · Score: 1

      There is a web site [ultimatesoundarchive.com] that will let you
      download DTMF tones royalty-free for commercial use. The list
      is here. This seems to include the extra three dial tones available
      to phone operators and not to users.

      --
      To-do List: Receive telemarketing call during a tornado warning. Check.
    6. Re:Numbers not copyright-able by whovian · · Score: 1

      Oops, make that 4 special tones.

      --
      To-do List: Receive telemarketing call during a tornado warning. Check.
    7. Re:Numbers not copyright-able by Heatseeker151 · · Score: 1

      Dots with sticks printed on paper aren't copyrightable, but sheet music is. If this actually holds water in court, phone books would be treated the same way sheet music is (in which the copyright holder collects royalties from a copy of the sheet music, or a performance of the work), and telephones would be nothing more than the instruments that you can perform these "pieces" on.

  51. When will it end? by LoudMusic · · Score: 1

    Does anyone else see this as getting out of control? Copyrights on a damn tone? Ok, a 'sequence of tones'. In essence, a short song, which can have copyrights. But once again I see someone coming forward (what I call) a little too late. They're now asking that a _major_ social and economic device have yet another charge layed on it. They realize it's not something that can easily be changed or dropped. The world is 'stuck' breaking their copyright.

    I think Open Source and free software have come of age just in time to see the copyright system spin out of control and burn out in a ball of flaming dung.

    ~LoudMusic

    --
    No sig for you. YOU GET NO SIG!
  52. From Now On... by istartedi · · Score: 2

    ...I'll be sure to dial a few extra digits after the number. :)

    --
    For all intensive purposes, "whom" is no longer a word. That begs the question, "who cares"?
  53. music, not number by hagbard5235 · · Score: 5, Interesting

    Ah... but they have not in fact copyrighted the
    numbers. They have copyrighted the musical
    representation of these numbers as DTMF tones.

    Additionally, like hell numbers aren't copyrightable.
    What do you think an mp3 file is? It's a very
    large number. In fact EVERYTHING digital is a
    number. So if you can't copyright a number, how
    then is software, source code, digital music,
    digital video copyrightable?

    1. Re:music, not number by MxTxL · · Score: 2
      Well, then in that case, it becomes a trivial matter to play the "notes" of the musical representation with different note durations, and different pauses.

      As it is a musical thing, beeeeeep bop buuup is distinctly different from beep bop buuuuup. Thus negating any tangible use of this copyright.

      As for the digital non-copyright-ability of anything since it all boils down to a stream of 0s and 1s. Well, I prefer to think of that as perfectly correct, but any judge you ask will tell you differently. It IS the music, or the source or video representation of those numbers being copyrighted. In this case, as I said earlier, playing the phone number at different rates is trivial (which is the copyright-able representation), so they must be trying to copyright the number. This would be akin to copyrighting the number 2. Or, more valuably, the set of mersenne primes. You can't do it.

    2. Re:music, not number by veddermatic · · Score: 2

      I think they did it as a joke. In fact, I read the article, and I *know* they did it as a joke. Don't worry, you're not alone... most /.ers seem to have technical, moral, or other objections to stuff people do for fun. That's the beauty of it. =)

      --
      Department of Homeland Security: Removing the rights real patriots fought and died for since 2001
    3. Re:music, not number by arantius · · Score: 1

      Remember when computer chips were called 486s?
      And remember when Intel called their chip the Pentium so they could copyright the name?

      Since you can't copyright numbers...

      --
      Health is simply dying at the slowest rate possible.
    4. Re:music, not number by geschild · · Score: 1

      Unfortunatly only the first part of your post is true. To use your phrase: Like hell you need computers to store stuff. Hence the 'stuff' isn't encoded in (binary) numbers but still very much protectable by copyright.

      Btw, to say that the first part alone is worth being moderated up to 5 is somewhat scary.

      --
      Karma? What's that again?
  54. Re:Let me get this straight... by Mr.+Foogle · · Score: 1

    I'm not callous but ... what are the slashdot masses supposed to *do*?

    The world keeps turning, ac.

    You've ranted. Now be constructive.

    --
    Display some adaptability.
  55. from 907 it gives you an unused extension by human+bean · · Score: 1, Offtopic
    on a switch in Chalkyitsik.


    No Jenny there.

    --

    *whup* "Get along, little electrons. Heeyah!"

  56. Excellent company. Target the RIAA by xQx · · Score: 0

    If this company targets the RIAA for copyright, the world would be a better place.

    I for one would vote the CEOs of this company into congress if they could stick a copyright lawsuit againts the RIAA for making so many phone calls to their lawyers.

    It'd be a nice sence of irony.

  57. End of stupid commercials? by fonetik · · Score: 1

    Wonder if they got the 10-10-220 and 1800-collect numbers?
    I'm sure they were already copyrighted, but wouldn't that be cool.

    So couldn't you circumvent this by dialing the country code also?

    -Tom

  58. Re:Copyright does not squash other independant wor by charon_on_acheron · · Score: 5, Informative

    Actually, phone books are copyrighted. You can't legally copy lists of names and phone numbers from the phone book to make your own phone book for sale. Same for maps, which I always thought was the stupidest thing. A basic outline of the US is copyrighted. It is just a shape. A really bumpy shape. But if it is in a child's coloring book, it is copyrighted.

  59. copyright? by L-Wave · · Score: 1

    anyone got a copyright on copyrighting yet?.....hmmm...

    --
    I SURVIVED THE GREAT SLASHDOT BLACKOUT OF 2002!
  60. Phone Ringing by The+Donald · · Score: 1

    I wonder what's next, someone copyrighting the sound that you hear on the phone when a phone rings?

    Let's see, at one cent per ring X thousands of calls per minute = a house so large it has it's own zip code. Time to call the copyright office!

    But they do have a good point, the best defense to an argument is make the argument so absurd. Like obtaining copyrights on something so simple and widespread tat people take for granted, such as DTMF tones, that the average person can see the flaws in the system.

    --
    You know who I think is crazy? All my ex-girlfriends!
  61. Re:Copyright does not squash other independant wor by jmv · · Score: 4, Funny

    If a million monkeys type out the source code to MS Office.

    Isn't that how it was written in the first place anyway?

  62. Where's the RIAA when you need them? by Fizzlewhiff · · Score: 1

    What they need to do now is record the tones and sell a CD and they can have the RIAA fight all their legal battles for them.

    --

    'Same speed C but faster'
  63. Actually... by Anonymous Coward · · Score: 0

    These people copyrighted the sequences of tones, not the actual numbers. Didn't they? I don't believe you can copyright numbers, or someone would have already copyrighted the number 1 and would be the richest man in history.

    1. Re:Actually... by shepd · · Score: 1

      >I don't believe you can copyright numbers

      Then why no fake copies of Number 9 video cards or S3 cards (actually it is supposed to be S cubed but I think they gave up on that when nobody wrote it that way...)? The first is a number, the second a common math term...

      Oh, heres a few others:

      - V8 (the juice), Rub A535 (the horrible smelling joint pain reliever), A7A266 (my motherboard's tradename), too tired to think of any more...

      --
      If you could be told what you can see or read, then it follows that you could be told what to say or think - BoC
  64. /. by justletmeinnow · · Score: 0

    I'm gonna copywrite the sequence of keystrokes: s l a s h d o t . o r g

    --
    Just because I AM paranoid doesn't mean they're NOT out to get me.
  65. Waitasec... by Nindalf · · Score: 1

    What are they mocking here?

    Copyright law or some people's ridiculous mechanistic interpretation of it?

  66. Don't Check Your Number in their Database by Omerna · · Score: 4, Funny

    If a million monkeys type out the source code to MS Office, Microsoft can't sue. Likewise, if you happen to create a series of dual-tone meta frequency notes using a touch-tone phone using non-copyrighted material (a phone book, your memory, etc), then that's an independant creation. Now if a telemarketer overheard you dialing, and recorded it (made a copy), then you might have something.

    According to this, I think, if I check to see if my number or somebody I know's number is in there, and it is, and then I use it I'll have gotten help from copyrighted material to dial that number. I'm infringing their copyright every time I dial a number after I see it there. Q.E.D that website is a trap to make you infringe their copyright! Don't be fooled!

    --


    No sig for you.
    1. Re:Don't Check Your Number in their Database by unitron · · Score: 5, Interesting

      If they keep a record of every time someone tests a valid number, they could sell that list to telemarketers at a pretty good price, as the list contains verified numbers of computer-owning housholds. With a con game like that, who needs copyrights?

      --

      I see even classic Slashdot is now pretty much unusable on dial up anymore.

    2. Re:Don't Check Your Number in their Database by Anonymous Coward · · Score: 0
      If they keep a record of every time someone tests a valid number, they could sell that list to telemarketers at a pretty good price, as the list contains verified numbers of computer-owning housholds. With a con game like that, who needs copyrights?


      That said, people are hitting this site from all over the world, and they're probably not putting in their full country code.

      Hmm, that said, it probably is 90% US folk!
    3. Re:Don't Check Your Number in their Database by sych · · Score: 1

      They don't seem to keep a record.

      The score and tones are generated by a Flash applet, which - once loaded - doesn't seem to talk back to the webserver.

      It happily 'searches' for and plays 'compositions' with my ethernet cable unplugged.

    4. Re:Don't Check Your Number in their Database by delus10n0 · · Score: 1

      Because it's a fake site!

      At least you and I know this, but apparently most of /. does not..

      Why don't people check out this stuff before posting it?

      No people, you cannot copyright phone tones, or a certain sequence of them, much less 100,000,000,000 or whatever insane number they're claiming.

      --
      Not All Who Wander Are Lost
    5. Re:Don't Check Your Number in their Database by Knotman · · Score: 1

      Just for fun, I checked the numbers for 100,000,000,000 of my friends, and then called them to tell them the results. What's that you say? I owe $100,000,000,000,000? Oh what a fool I am.

      --
      Oh I'm a failure because I haven't got a brain!
  67. 321-2333, not 312-2333 by dirtyhippie · · Score: 5, Informative

    That's 321-2333, not 312-2333. Unfortunately, if you want to play the whole melody on the phone, there is no way to accurately represent the 5th (the 12th and 13th notes in the melody), but hitting 8 comes close since you hear (the 852Hz component of the 8 is heard as a fifth below the second, which is at 1336Hz - see the DTMF tutorial for where I got this info). Of course, its pointless for someone to waste their valuable time sitting there and trying to figure this stuff out like I just spent the last 20 minutes.

    3 2 1 2 3 3 3
    Mary had a little lamb
    2 2 2
    Little lamb
    3 8 8
    Little lamb
    3 2 1 2 3 3 3
    Mary had a little lamb
    3 2 2 3 2 1 1
    Whose fleece was white as snow, and

    3 2 1 2 3 3 3
    Everywhere that Mary went
    2 2 2
    Mary went
    3 8 8
    Mary went
    3 2 1 2 3 3 3
    Everywhere that Mary went
    3 2 2 3 2 1 8 1
    Her lamb was sure to go-o-o

    DH
    "Fsck you dirty hippie!"

    1. Re:321-2333, not 312-2333 by ChadN · · Score: 1

      Why...do...you...keep...*CALLING*...ME???!!!!

      --
      "It's overkill, of course. But you can never have too much overkill." - Anonymous Slashdot Coward
    2. Re:321-2333, not 312-2333 by TheTomcat · · Score: 1

      I think you just invented Telephone Tablature.

      Nice work.

    3. Re:321-2333, not 312-2333 by wheel · · Score: 1
      You could probably play the entire song by pressing two keys at once, per note. When you do this, on most phones you get only one component of the two-tone dial signal or whatever it's called.

      Unfortunately, I can't give you the grid of note/key-combo values, since the digital phones here at work just make a little 'chik!' sound when I press a key.

  68. But... by Shelrem · · Score: 1

    Phone books give people the tools to create the copyrighted tones, and infringe on the copyrights. Thus, they, like Napster or DeCSS, are accessories to copyright infringement, and illegal in the US.

    Same with telephones, i guess.

    ben.c

  69. How to get around this: (legally) by Omerna · · Score: 4, Insightful

    Music doesn't only consist of tones. It also consists of durations of notes. Mozart wouldn't be mozart if you changed whole notes to eigth notes, quarters to halves, and so on. So, unless they've also patented every single note duration/ pitch variation possibility (not likely) there are at LEAST 100,000,000,000 ^ 7 melodies. Not including dotted notes, that's ^ 14. I think.

    --


    No sig for you.
    1. Re:How to get around this: (legally) by Omerna · · Score: 3, Insightful

      Forgot to say how to get around this. Simply vary the length of the tones when you dial. Easy.

      --


      No sig for you.
    2. Re:How to get around this: (legally) by Fruny · · Score: 1

      no, that would be 70^11

      If you consider 7 possible durations, and 10 tone pairs, that makes 70 tones. You have then 70^11 combinations, much more manageable than 10^77 (or 140^11 vs 10^154)

    3. Re:How to get around this: (legally) by Anonymous Coward · · Score: 0

      Not only duration of tones, but spaces between tones (silence), which could last for n wholes, notes, half notes, triplet eights, etc.

      The possibilities are as infinite as time itself.

  70. What about non-tone dialing? by freaksta · · Score: 1

    What about when you use the "hang-up" button on your phone to dial? Like you click the button down for a second and then release? like for a 9 you do : tat tat tat tat tat tat tat tat tat , ect... Reference: Hackers, the movie. This does not create a "tone" so therefore it is legal!

    --


    Hrrm... I usually just sign my name.
  71. Reported to FCC? by Rinisari · · Score: 1

    Has anyone thought to report these people to the FCC? Let them handle it!

    1. Re:Reported to FCC? by jquirke · · Score: 0

      I don't think their jurisdiction extends to Australia

    2. Re:Reported to FCC? by Anonymous Coward · · Score: 0

      Report it to the ACA -Australian Communications Authority

    3. Re:Reported to FCC? by Rinisari · · Score: 1

      But I'm sure that they can do some persuasion in the Australian system...

  72. Re:That covers every phone number [informative] by Cardhore · · Score: 3, Interesting

    They'd only have to copyright twenty tones, not 1 million or whatever, since each tone has two tones making it up, and each digit is based on those combinations. Although there are also the pound, star, and a-d tones as well (although the a-d are really only used on PBX's) but those are irrelevant.

  73. Re:Copyright does not squash other independant wor by rcw-home · · Score: 2, Informative

    Here's a link to the Feist Publications vs. Rural Telephone Service Co 1991 US Supreme Court ruling on phone book copyrightability. Note they mention originality as a constitutional requirement for copyright protection - an outline of the US is only copyrightable if it has an original element to it (otherwise it doesn't promote the arts and sciences).

  74. A new trend by Anonymous Coward · · Score: 1, Funny

    Sheesh! Next time, you'll be seing DTMF tones on Napster or your favorite P2P service, and they get to after them and shut 'em down.

    Oh wait....

  75. How close are they? by Anonymous Coward · · Score: 5, Funny

    People don't seem to have noticed that finicky little disclaimer under the score of their telephone number:
    "Notation is an approximation only of the real pitch."
    (See: http://www.magnus-opus.com/number_check.html)

    The Equitempered Scale (or Equal Tempered Scale, depending on who you talk to) has pretty much been the standard for musical notes for the last 200 years, although the standard for A4 was only ratified as 440Hz in 1939.

    The frequencies used for DTMF tones don't exactly match notes on the Equitempered Scale. I have tabulated the differences here:

    Matching against the Equitempered scale:
    (Based on http://hyperphysics.phy-astr.gsu.edu/hbase/music/e t.html#c2)
    DTMF_tone Closest_Note %-error
    697Hz F5, 698.46Hz +0.2095%
    770Hz G5, 783.99Hz +1.8169%
    852Hz G5#, 830.61Hz -2.5106%
    941Hz A5#, 932.33Hz -0.9214%
    1209Hz D6, 1174.6Hz -2.8453%
    1336Hz E6, 1318.5Hz -1.3099%
    1477Hz F6#, 1480.0Hz +0.2031%
    1633Hz G6#, 1661.2Hz +1.7269%

    As you can see, there are some considerable differences from a "purist" point of view.

    This begs the question: Have the Magnus-Opus musicians actually copyrighted DTMF tone sequences, or just an approximation of them?

    Another question worth asking: Even if the copyright holds-up, is it the end-users who are liable for infringement, or the Telco's who are on-selling the numbers as their own property?

    --------
    Eletus99

    1. Re:How close are they? by irc(addict) · · Score: 1

      Another question worth asking: Even if the copyright holds-up, is it the end-users who are liable for infringement, or the Telco's who are on-selling the numbers as their own property?

      This is a good point you have brought out. If they really are trying to thumb there nose at copyright laws and big businesses, and they get telcos paying royalties on numbers, you know whos gonna get the end result. the customer. on the phone bill. If this succeds (which I doubt) they will have, in a way, made things worse.

      Nice try guys, but plan before you try to pull it off, rather than after. *sigh*

    2. Re:How close are they? by King+Of+Chat · · Score: 1

      That's interesting. If the pitch variations did invalidate the claim, then that would mean that, in theory, I could take my old 'cello out and play any copyrighted composition on the basis that it would be out of tune. And shit.

      Seriously though, they have missed a trick. I seem to recall that Penderecki developed what he called an "optical notation" for his "Threnody to the victims of Hiroshima" in 1960 as it contains quarter tones (sounds bloody awful IMO). I can't find any details so I don't know if it would allow an accurate representation. There are plenty of modern works which use "modified" (fucked) instruments to produce sounds not in the euqitempered scale (Arvo Part - Tabula Rasa, Sonic Youth - Death to our friends) which are still under copyright.

      Some of my own compositions use effects like mixing in the sound of people leaving the building. Quickly.

      I'm going to get modded down now aren't I for being cultural. And boring.

      --
      This sig made only from recycled ASCII
    3. Re:How close are they? by Anonymous Coward · · Score: 0

      This has no relevance what so ever.

      There's no law how the difference is between tones. It's possible to make music with other scales - we're just so used to the scale we're using that everything else sounds wierd.

    4. Re:How close are they? by 31eq · · Score: 1

      Touch Tone pitches are way out compared to 12 note equal temperament. This is deliberate. 12-equal approximates simple integer ratios, but Touch Tone avoids them to prevent misdialling because of distortion.

      However, they happen to be close to a scale with 14 equal steps to the octave. Check your back issues of Xenharmônikon. This makes them easy to notate: you make the white notes equally spaced and add extra black notes for E# and Cb.

      Really.

      Graham
    5. Re:How close are they? by trumpetplayer · · Score: 1

      Makes no sense. I've just calculated the names of the notes generated by DTMF tones. I've found that, for example, the freq of 1209 Hz used by digits 1, 4, 7, and * is exactly BETWEEN D and D#. Therefore, you just can't say that 4 equals to D# + G as it is displayed at their site because definitely it doesn't sound as that to ANY ear, definitely anything but perhaps 697 and 1477 Hz (digit 3 is just those) will sound "unacceptable" if we assume our classical approach to tones as they've assumed. That translation is just WRONG and we are NOT playing those melodies shown at their site when we dial unless our number is 33-333333 or something. Every other freq is just too far of a note, believe me. It is not a matter of deviation from the freq in %, it is a matter of semitones. The freq of a note is equal to 440 Hz multiplied by 2^(s/12) being s the number of semitones that you are far from note A. If you calculate s for each DTMF freq, you will see that 1209 Hz is 17.50 semitones above A, which is exactly between D and D#.

    6. Re:How close are they? by mach-5 · · Score: 2

      Doesn't DTMF mean "Dual Tone Multi Frequency"? Hence, you are missing some frequencies. One DTMF code is actually several frequencies overlayed.

      Also, they were made to be very obscure so that a human voice could not duplicate them and hence inadvertantly dial a telephone just by singing into the receiver. I think that is an explanation I read once.

    7. Re:How close are they? by Ben+Hutchings · · Score: 2
      Doesn't DTMF mean "Dual Tone Multi Frequency"? Hence, you are missing some frequencies. One DTMF code is actually several frequencies overlayed.

      Each code is represented by exactly two frequencies together, hence the word Dual. One of those frequencies comes from the first 4 listed; the other from the last 4. This allows for 16 codes - 0-9, *, #, and A-D. I believe those last 4 are only found on telco equipment. Hopefully none of the telcos are 'securing' any control systems by giving them 'numbers' that include those codes, but you never know.

    8. Re:How close are they? by gorilla · · Score: 3, Interesting

      The only real use of ABCD is in military phone systems, such as AUTOVON and it's successors, where they are used to prioritize calls, and if necessary drop the lowest priority calls in times of network stress. The instructions for AUTOVON are Online.

    9. Re:How close are they? by Telecommando · · Score: 1

      You'll also find the ABCD keys on telco test equipment. Some modems will produce those tones if you put the letters A, B, C & D in the dialing string. # and * also work. Try it, "ATTDABCD#*"

      --
      Beta sux! Join the Slashcott! http://hardware.slashdot.org/comments.pl?sid=4760465&cid=46173047
    10. Re:How close are they? by gorilla · · Score: 2

      Yes, some butt sets can generate them. Nothing on the other end listening for them though.

  76. Microsoft Patents 1's, 0's by drodver · · Score: 4, Funny

    Whenever one of these crazy copyright/patent stories comes up I am reminded of the story Microsoft Patents Ones, Zeros.

  77. The DTMF frequencies... by Black+Acid · · Score: 2, Interesting

    These are the standard DTMF (Dual Tone Modulated Frequency) frequencies are:

    1209Hz 1336Hz 1477Hz 1633Hz
    697Hz 1 2 3 A (Flash override)
    770Hz 4 5 6 B (Flash)
    852Hz 7 8 9 C (Immediate)
    941Hz * zero # D (Priority)

    It's interesting to note that A-D, * and # where not copyrighted, although they are used in telecommunication repeaters.

  78. I don't see the difference by Digitalia · · Score: 1

    Why is this any different from a piece of traditional music? Or a traditional literary work? Each is based on a system of elements arranged in a way considered unique or new. If someone were to write "The Ballad of Free Art" using the DMTF tones and the refrain of the melody just happened to be the phone number to the RIAA offices, then the use of that number sequence would be piracy. After all, even if the RIAA isn't actively playing portions of my ballad, they are essentially encoding the melody in a manner I don't approve of.

    --
    Pax Digitalia
  79. Re:Copyright does not squash other independant wor by unitron · · Score: 4, Funny
    "Isn't that how it was written in the first place anyway?"

    If it had been done at random by monkeys there would be fewer bugs. Now aplogise for insulting the monkeys.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  80. Re:Copyright does not squash other independant wor by jayhawk88 · · Score: 1

    More like 500,000 monkeys. The rest were assigned to marketing.

  81. Excerpts? by NitsujTPU · · Score: 1

    Did they copyright a sequence including all of the numbers, or did they submit each number separately?

    If they copyrighted all of them together, then you could use any individual number under fair use, since it is not the whole work.

  82. Jobs, Woz, and the Black Box by dbCooper0 · · Score: 2, Interesting

    Seems the foggy historical section of my brain recalls a story ("legend") of Steve and Steve creating a machine called a "Black Box" that created the dual tones, and could circumvent long distance charges. They should hold the patent, for articulating these tone pairs...in a unique way - and that was about 30 years ago?

    --
    db
    Cig:
    ôô
    /`
    1. Re:Jobs, Woz, and the Black Box by SoftwareJanitor · · Score: 3, Insightful

      Score 2 interesting? And it isn't even right!?! The box Steve Jobs and Steve Wozniak sold was a "Blue Box", and they didn't invent it, they just designed one particular implementation of it. Others such as John Draper (Capn Crunch) knew about it before them.

    2. Re:Jobs, Woz, and the Black Box by Anonymous Coward · · Score: 0

      twas the blue box. the black box was used for people to call you free iirc (right?)

    3. Re:Jobs, Woz, and the Black Box by dbCooper0 · · Score: 1

      I didn't say they invented it, did I? Just a memory flash, to invoke comments such as yours.

      --
      db
      Cig:
      ôô
      /`
    4. Re:Jobs, Woz, and the Black Box by dbCooper0 · · Score: 1

      dunno. Just wanted to add to the retrospect of the discussion. (see other replies) Thought it was black box...

      --
      db
      Cig:
      ôô
      /`
  83. If you have a phone number, you have prior art by Cerlyn · · Score: 1, Troll

    Judging from the comments, one would think we would have realized by now that you occasionally *call home* or *call work* on occasion.

    If your home or work number has stayed the same for a while, you likely have prior art on them. It would be funny if a million slashdotters suddenly sued them for big bucks for trying to make money on a number they've called for years...

    Anyways, kudos to them. I like this copyright trick.

  84. Cool! by Anonymous Coward · · Score: 0

    So if I reverse my napstered MP3s and put them up on Morpheous I don't have anything to worry about!

    Thanks slashdot legal hack! :)

  85. Re:Copyright does not squash other independant wor by wirefarm · · Score: 5, Funny

    Map makers used to put in little false details here and there to make sure their maps weren't being copied. A street here or there that didn't exist in real life.
    I always thought that was fiendishly clever.
    I wonder if they still do it - I've always suspected that Montana doesn't really exist...
    Cheers,
    Jim in Tokyo

    --
    -- My Weblog.
  86. Also done by by CtrlPhreak · · Score: 1

    Some of us younger folks may remember this as a Less Than Jake song. Great tune.

    --
    WikiAfterDark.com It's a sex wiki, go now!
    1. Re:Also done by by essell · · Score: 1

      I would hope most young folks who hear the Less Than Jake version actually realize that it's a cover. How can you *not* have heard the original at some point in your life? :)

      The LTJ cover is pretty sweet

      --
      i swear my userid used to be lower.
    2. Re:Also done by by ^me^ · · Score: 0

      Also done by Crease, a local band in South Florida.

      --
      No one ever says, 'I can't read that ASCII E-mail you sent me.'
  87. Reason this can't be upheld... by Maul · · Score: 2
    These guys are not a huge multinational corporation buying off Congress. Nowadays, the only way to have your copyright upheld is being one.


    Just look at this article...

    --

    "You spoony bard!" -Tellah

  88. Re:Get some PRIORITIES by Anonymous Coward · · Score: 0

    Yeah, I guess we should all lighten up. Thousands of people died. HAHAHAHAHAHAHLOLOLOLOLROFL!!!!!! Sand niggers in the United States are undoubtedly planning a large scale terrorrist attack. HAHAHAHAHAHLOLLOLLOLROFLROFLLMAO!!!!!:):):):):):): )

    You disgust me, you stupid muslim fuck

  89. Hey, wait, they sampled those tones though by Mockura · · Score: 1

    Couldn't the phone company then sue them for incorporating their tones into the works that they coppyrighted?!?

    --
    Drink blood - 50 trillion mosquitoes can't be wrong.
  90. 555 by Happy+Monkey · · Score: 1

    If they've got all of the 555 numbers, Hollywood foley folks will no longer be able to give the audio when someone dials a number onscreen.

    --
    __
    Do ya feel happy-go-lucky, punk?
  91. Comment removed by account_deleted · · Score: 2

    Comment removed based on user account deletion

  92. Wait..can we sue the phone company now? by wo1verin3 · · Score: 1

    Technically you don't "OWN" the phone number, but the phone company allows you to use it for a charge. They have no right to be charging us for stolen material, a number that is owned by someone else! I'm suing the phone company for all those bills I've paid...maybe I won't bring up the 976 numbers.

  93. It can dial numbers by drclausen · · Score: 1

    If you hold your phone up to your computer speakers after you enter your number, the computer will play the tone and your phone will dial that number. Go ahead, give it a try.

  94. Re:Copyright does not squash other independant wor by lazytiger · · Score: 5, Informative

    I can attest for sure, as a cartographer, that ALL map companies do in fact still produce inaccuracies, and quite intentionally. If you actually went to the trouble of comparing street maps to an orthorectified image (a.k.a., terraserver.com) of the same area, you would see that the map practically looks made up. Map companies, if they went to the trouble of checking, could easily tell if one of their maps had been copied. By the way, if you're looking for accurate maps to copy, USGS topo maps are far more accurate than any other maps available. They are made from the aforementioned orthophotos. And they are all in the public domain. They're not always up to date, however.

  95. HOAX: Are they saying everything is copyrighted? by vAMP · · Score: 2, Informative

    I have a feeling they may just be printing out a musical script of each sequence of numbers entered and then saying its copyrighted.

    I entered characters.. they still said it was found and coprighted, but didn't display any notes in the score..
    hmm

  96. Re:Copyright does not squash other independant wor by pongo000 · · Score: 1

    I can attest for sure, as a cartographer, that ALL map companies do in fact still produce inaccuracies, and quite intentionally.

    And all this time I thought the Rand McNally street atlas of Dallas was just a piece of shit. Now I learn they do this on purpose!

    I couldn't find my way to my own house skunk drunk with the Rand McNally map.

  97. Re:Copyright does not squash other independant wor by The+Cookie+Monster · · Score: 1

    Yes, but that doesn't contradict rcw-home's point.

    If you just copied a list of names and phone numbers from a phone book then you didn't create an independant work - you just copied someone elses.

  98. Re:Copyright does not squash other independant wor by krogoth · · Score: 0, Offtopic

    If a million monkeys type out the source code to MS Office.

    Isn't that how it was written in the first place anyway?


    Close, but not quite: they made a program that would create every possible combination of random bytes for sizes in exponential increases of 10 and then take the biggest available one that does something. That's why it's so big and unstable. The computing power costs a lot, and most of their staff just does testing on the rare ones that run to make sure they pass low-quality assurance, so it costs a lot.

    Each 'new release' just means that their generator went through a few exponential increases and they found something that wasn't just the previous version with the word Linux filling the extra space :)

    --

    They that quote Benjamin Franklin on liberty and safety deserve neither.
  99. More than 10,000,000,000 numbers by mr+maths · · Score: 1

    There are more than 10^11 phone numbers in a the space of 11 digits. You have to include trailing spaces. 0055123456 is different to 00055123456. They used all 16 combinations of tones, so they would need to cover 17^11 numbers (including spaces) to get all 11 digit phone numbers.

  100. ha ha! Who cares about the copyright? by tonywong · · Score: 1

    I've already got 480 of the DTMF tones from Limewire and gearing up for the rest of them!

  101. Re:WARNING: moderators on crack by Anonymous Coward · · Score: 0

    It's FUNNY you idiot.

  102. Checking my number by rosssw · · Score: 1

    "You can check your home, work, mobile, fax or modem number against their compositional database by logging on to www.magnus-opus.com."

    Not I can't. I have a dial in account, and that'd be breaking copyright to dial in...

  103. Re:Copyright does not squash other independant wor by os2fan · · Score: 2
    If a million monkeys type out the source code to MS Office.

    Isn't that how it was written in the first place anyway?

    Or three monkeys, two hours. Might have been a rat-dance or a whirlwind, actually. That's more coherent.

    Scientists have proposed models that are as probable as "whirlwinds going through junkyards, and assembling a Boeing 747". Maybe MS Office is that sort of event.

    --
    OS/2 - because choice is a terrible thing to waste.
  104. Worst Slashdot Lawyers Ever! by Jerf · · Score: 5, Funny

    I award this article the Worst Slashdot Lawyers Ever award. Not a single legally valid opinion is ranked above 3. Several utterly uninformed opinions are ranked at 4 or 5. Half the replies miss the point. Absolutely amazingly horrible. A record high noise/signal ratio. Wow.

    Please for Gnu's sake don't whip off a letter to your Congresscritter based on this article; most posters have already looked stupid enough.

    (Oh, in case you're wondering, the subject of this article is a funny-chortle, but no more. It has all the legal force of a Taliban edict in this country.)

    1. Re:Worst Slashdot Lawyers Ever! by veddermatic · · Score: 1

      I rate this post as a keeper because it's a Simpsons reference. And you can't go wrong with them folks.

      If only I had mod points... and there was a category for "Godd Subject Line Reference".

      This would be a 6 =)

      --
      Department of Homeland Security: Removing the rights real patriots fought and died for since 2001
  105. Re:Copyright does not squash other independant wor by antic · · Score: 1

    This is certainly still done in Australia by producers of street directories. They actually add in fake streets here and there.

    It has the added bonus of giving you an excuse next time you get lost driving somewhere:

    "Well, you were reading directions from the map, and what's to say that every single one of those streets you called out actually exist? Of *course* I took the wrong street."

    --
    'Thats they exact same thing a banana wrench monkey.'
  106. Phone Number Test Mirror by citizenc · · Score: 2

    http://www.3dactionplanet.com/citizenc/magnus_opus _phone_test.shtml

    The Magnus-Opus domain has been slashdotted to the extent that it is impossible to access their "test-your-phone-number" flash movie. It is mirrored above.

  107. Dirty Deeds Done Dirt Cheap, AC/DC by Anonymous Coward · · Score: 0

    If you're havin' trouble with your high school head
    He's givin' you the blues
    You wanna graduate but not in 'is bed
    Here's what you gotta do -
    Pick up the phone
    I'm always home
    Call me any time
    Just ring
    36 24 36 hey [36 24 36 8]
    I lead a life of crime

    1. Re:Dirty Deeds Done Dirt Cheap, AC/DC by dattaway · · Score: 2

      36-24-36 is not just a telephone number, but the dimensions of a perfectly shaped woman.

    2. Re:Dirty Deeds Done Dirt Cheap, AC/DC by JabberWokky · · Score: 2
      It's also a damn fine Violent Femmes song on Add it Up.

      36-24-36
      see a girl walkin' down the street
      just the kind of girl that I'd like to meet
      it ain't her hair, her clothes, her feet
      somethin' much more discreet
      now I ain't loud baby I ain't proud
      I just want what I'm not allowed
      movin on up & help myself
      do a world of good for my mental health
      36-24-36

      --
      Evan

      --
      "$30 for the One True Ring. $10 each additional ring!" -- JRR "Bob" Tolkien
  108. Numbers cannot be copyrighted by zavyman · · Score: 3, Insightful

    Numbers themselves cannot be copyrighted. Try sending in a copyright application for a number and watch it get rejected.

    *However* suppose that a song is written and copyrighted. All well and good. Now it is coverted into an MP3. The MP3 is a directly derived work, and is still copyrighted similarly. If a number is a derived from that MP3 or WAV file, it is still directly derived from the original piece, and thus copyrighted just the same.

    Copyrights are always about works themselves (of protected classes, of course) and their derivations. If some text/song/art/whatever is put into another form directly representing the original, the copyright works just the same.

    Note: I am not a lawyer nor copyright expert. But this sure seems logical to me. Correct me if I'm wrong, however.

    1. Re:Numbers cannot be copyrighted by imipak · · Score: 2
      Note: I am not a lawyer nor copyright expert. But this sure seems logical to me. Correct me if I'm wrong, however.
      You just summed up about half of all Slashdot posts in two lines.

      Actually, you're right. You're not a lawyer, or a copyright expert. And you can quote me on that.

    2. Re:Numbers cannot be copyrighted by mrogers · · Score: 2
      Could you take a large number, say 918264702176580756012570987, convert it into a melody using 0=C, 1=C#, 2=D etc, and copyright the melody? Because if you could, you could then argue that the number was a derivative work (you could demonstrate how to derive the number from the melody) and any other representation of the number (eg a text string created by converting the number into hex and interpreting each pair of digits as an ASCII character) was also a derivative work covered by your copyright.

      How would this be useful? You could do what these guys have done, and copyright every "melody" up to a certain length. As noted by previous posters, this wouldn't give you the ability to sue anybody for breach of copyright. But it would give you immunity from prosecution for violating anybody else's copyright, since you could show for any digital work that the work in question was simply a compilation of your own copyrighted works: namely, all the ASCII strings up to 10 characters in length.

  109. plagiarism by Anonymous Coward · · Score: 0

    of course, if anyone ever dialed your phone number
    before they obtained a copyright on it, they are
    plagiarists.

  110. A crock of shit! by kryptik_79 · · Score: 1

    This is a total crock of shit!!! Slashdot how dare you post this without any confirmation!! Does no one see what they are doing? The form you fill out is a flash movie. They then turn that info into a musical graph and spit out exactly what you put in! Oh what a surprise, my number matches, I should go directly to the aggreement page and pay these assholes some money.

    Again slashdot how dare you?!?

    1. Re:A crock of shit! by ShadeEagle · · Score: 0

      Beh. Ya beat me to it. Oh well.

  111. For those of us who still use modems... by Jinjuro · · Score: 1

    Turn off the volume so that they cant get you for doing a public performance of a copyrighted work.

  112. Independent invention means obvious invention by yerricde · · Score: 1

    Independent invention is not a violation (unlike patent law.)

    However, even in patent law, independent invention can potentially constitute evidence that an invention was so obvious that it did not deserve a patent in the first place (see also Pause Technologies' patent on storing video frames in a ring buffer).

    I could spend months writing the perfect Apple II sprite blitter. You, being equally intelligent and hard-working, independently create the same 60 line routine.

    This would probably be possible, given that the Apple II's 6502 processor has a simple enough instruction set to allow a straightforward proof that a given blitting algorithm takes the absolute minimum number of cycles. Heck, I once wrote a short asm function to interleave scanlines for the Apple II text display; I later looked in the IIe's ROM, and there it was.

    Do we win? If he bought a copy of my game, and he is a known disassembler, then I have a good chance of winning. If you published your routine in a magazine he subscribes to, you will probably win.

    And this is their trap. They managed to get their "songs" published in Slashdot, one of the most widely read (but not necessarily respected) technology news sources and discussion forums.

    --
    Will I retire or break 10K?
  113. HAHAH I SEE IT ALL NOW by Anonymous Coward · · Score: 0

    just type in some random charachters into the flash form... i tried
    "^@#)(*#[][}{}{"
    and guess what... its copyrighted

    i dont seem to be able to FIND any DTMF tones for a Parentheses... how odd

  114. the mapping work is copyrighted by xixax · · Score: 2
    You can't legally copy lists of names and phone numbers from the phone book to make your own phone book for sale. Same for maps, which I always thought was the stupidest thing. A basic outline of the US is copyrighted. It is just a shape. A really bumpy shape. But if it is in a child's coloring book, it is copyrighted.

    The shape of the USA is not Copyrighted, the representation of it in a particular map can be Copyrighted. If I spend millions of dollars accurately mapping the cost of the USA, I want protection from you just ripping off all that survey work. Because anyone else's map of the USA will (hopefully) look the same, I will add artefacts ("watermarks") so that I can prove that a particular map was copied from my work.

    Xix.

    --
    "Everything is adjustable, provided you have the right tools"
  115. Re:Copyright does not squash other independant wor by Technician · · Score: 2

    A verifiable example.. Use your favorite street maping program. Look where I-205 crosses the Columbia River at Portland Oregon. Compare it to where the bridge really is. Bombs guided by GPS would miss the bridge by about 1/8 mile. Most maps have it East of it's real location. It's fun to cross it with a maping GPS.

    --
    The truth shall set you free!
  116. But what about my Capt. Crunch whistle? by Anonymous Coward · · Score: 0

    Hey all...

    Quick note - since one can *create* similar tones with a certain toy whistle from a popular 1970s cereal box, does that mean that they have the legal right to sue Quaker Oats now for some form of infringment? I mean, is this a case of being guilty by association?

    Just think - when I was a kid, I blew a whistle, and this guy in the 2000s gets a thousand bucks per pop... In the 1970s, I blow this same whistle, and I can get all the long distance I need - which one is worth more?

    Look at the lawsuits that will be filed! Wow! A reason to eliminate DTFM sequences and go IP telephony all the way!

    (Whoops - looks like someone just copyrighted our whole office telephone network IP scheme... Guess I missed that one...)

    moriarty@americamail.com

  117. Where else but slashdot... by wirefarm · · Score: 3, Funny

    Where else but slashdot does a person get to make a post like mine and have someone step through the crowd and say "I'm a cartographer..."
    Sometimes I really like slashdot.
    Thanks -
    Jim in Tokyo (IANAC)

    --
    -- My Weblog.
    1. Re:Where else but slashdot... by Spunk · · Score: 1

      I'm a cartographer

      Yes, but is there a Doctor in the house?

      (IANAD.)

    2. Re:Where else but slashdot... by Versalius · · Score: 1

      What kind do you want, M.D. or Ph.D? Well no matter, I wasted enough time getting both.

  118. topographical maps by Nightpaw · · Score: 1

    They're not always up to date, however.

    So, like, these maps are old enough to be deprecated by plate tectonics?

    1. Re:topographical maps by lazytiger · · Score: 1
      So, like, these maps are old enough to be deprecated by plate tectonics?

      Eh, probably not. :) By outdated, I mean their street data. Obviously street data is not really their most foremost purpose, but they are highly accurate for the streets they do show. But since the USGS has roughly 80,000+ maps to deal with, they don't get updated all that often.

  119. Yep. And... by CdotZinger · · Score: 1


    The zero and the D on a "Beige Box" (I don't have a real phone here) are very, very, very close to being the fifth of the 6. (<--proof I'm like totally 1337--mod me up now or I'll fux0r y0r sist0r. !!!)

    --
    Your mouth is like Columbus Day.
  120. How phone tones work by image · · Score: 5, Interesting

    I wasn't sure what chords the phone tones actually were, so I went to over to howstuffworks and took a look. On page 2 of this article on telephones, it has a great section on the tones.

    In particular, I learned that "the dial tone sound is simply a combination of 350 hertz tone and a 440 hertz tone," and "if the number is busy, you hear a busy signal that is made up of a 480 hertz and a 620 hertz tone, with a cycle of 1/2 second on and 1/2 second off" and there is a great chart showing the tone for each button on the keypad. For example, the tone for "1" is a combination of a 1209 Hz tone and a 697 Hz tone.

    A little more research turned up this cool frequency to note converter and where I discovered that 1209 Hz is equivalent to D6 plus 50 cents, and 697 is F5 minus 4 cents. So basically the keypad one is an out of tune inversion of the D minor chord. (music majors feel free to Score: -1, Moronic)

    Of course, if you were into phreaking then you'd already know all that.

  121. They want to collect all telephones? by Heatseeker151 · · Score: 1

    OK... lets assume (BIG assumption) that this actually will hold water in court and Magnus-Opus can legally collect royalties on 11-digit DTMF combinations, they'll probably collect bigtime on every phone book printed in the US (if DTMF combinations can be called a "musical piece", then phone books will be treated the same way sheet music would be, and the copyright holder collects on each printed copy of sheet music)...

    BUT, they shouldn't be legally able to collect telephones and other DTMF generating equipment. Did they take out a copyright on 911? Doubtful. What about cellular informational services (*XX) or other countries in the world who didn't adopt the US 11-digit numbering system but still use DTMF?

    They'll never be able to legally collect telephones, even if they WERE used to infringe upon their copyright. They'll merely be considered DTMF instruments. (Have you ever heard of anyone getting their guitar confiscated for playing "Enter Sandman"?)

    1. Re:They want to collect all telephones? by gazuga · · Score: 1

      Did they take out a copyright on 911?

      Well, actually the page says they did. Try it for yourself...

      --
      "I turn away with fright and horror from the lamentable evil of functions which do not have derivatives."
  122. Re:Copyright does not squash other independant wor by Anonymous Coward · · Score: 0

    I looking for a certain street one time, map in hand. There was a street that was between one street and another on the map, but simply wasn't there at all in real life. I thought that the street had just disappeared...Well, now I know.

  123. Re:Copyright does not squash other independant wor by rgmoore · · Score: 1
    I wonder if they still do it - I've always suspected that Montana doesn't really exist...

    I can assure you that it does exist; I've actually visited. Now why someone would want to visit is an interesting question, but there's insufficient space to explain that here...

    --

    There's no point in questioning authority if you aren't going to listen to the answers.

  124. Easy to work around for most numbers by Anonymous Coward · · Score: 0

    One can only copyright original work.
    Since all the existing numbers have probably been called at least once, it follows that the corresponding tone has been created well before this copyright crap and thus the latter is invalid.
    They might have a case with number never created/used before.

    The things people would do to attract attention.....

    1. Re:Easy to work around for most numbers by spectral · · Score: 1

      i was under the impression that one could only patent original work. copyright is something else.

    2. Re:Easy to work around for most numbers by innocent_white_lamb · · Score: 1

      "Since all the existing numbers have been called at least once".

      I doubt that makes any difference. For example, there are a finite number of keys on a piano. 88, as I recall. Every note on the piano has been sounded before, after and during the playing of each of the other notes on a piano at some time or another. Does that mean that a new piano concerto couldn't be copyrighted? I don't think so...

      --
      If you're a zombie and you know it, bite your friend!
    3. Re:Easy to work around for most numbers by Anonymous Coward · · Score: 0

      I'm not talking of a single digit, but a combination of digits that form, for example, my own number. I called this (and many other) numbers, thus I have "created" these sequences of tones before and thus they are not original.
      I can't see as someone else could have copyrighted my own "original" work.

    4. Re:Easy to work around for most numbers by caseydk · · Score: 1
      Since all the existing numbers have been dialed atleast once, it means the particular combination of tones have been applied in sequence.

      Yes, pianos have a limited number of keys, but since they can be put together in different orders and different lengths, it would take a bit more effort to do this with a piano...

    5. Re:Easy to work around for most numbers by PegQuin · · Score: 1

      This is such a great investment of time! As I recall, copyright infringement potentially occurs on the eighth note, so that would wash this project for most phone numbers. Also, what if I dial to a different rhythmn--a little staccato
      or legato?

      --
      PegQuin--I've got a sneakin' suspicion
    6. Re:Easy to work around for most numbers by Anonymous Coward · · Score: 0

      Actually in most major US cities we use a 10 digit dialing system, that would meet the rquirement of the eigth note.

  125. Hmmmm... by Anonymous Coward · · Score: 0

    Just tried typing 000 into their site, its copyright! 000 is the emergency number here in Australia.

    What a joke.

  126. The Supreme Court disagrees by Caractacus+Potts · · Score: 2, Informative

    In Feist Publication v. Rural Telephone Service Co., 499 U.S. 340, 111 S. Ct. 1282, 113 L. Ed. 2d 358 (1991), for example, the Supreme Court held that the arrangement of names and numbers in the white pages of a telephone book was not copyrightable as simply listing the names in alphabetical order was not even remotely creative.

    "Notwithstanding a valid copyright, a subsequent compiler remains free
    to use the facts contained in another's publication to aid in preparing
    a competing work, so long as the competing work does not feature the
    same selection and arrangement."

    1. Re:The Supreme Court disagrees by ThePof · · Score: 1

      At least according to swedish copyright laws, compilations and collection of data will indeed get copyright. Even though the data itself (of course) will not be copyrighted, the actual compilation or database or whatever it will be, will be protected. Thus anyone is of course free to use the data or information in it, but not the actual work, like the phonebook itself (that si, anyone can use the names and phone numbers and do whatever they like, but can't reproduce the phone book in whole or in part for example. It is worth noticing that at least here in Sweden, laws itself, and most other such created by the goverment is never copyrighted. Thus anyone can reproduce and compile for example the laws. They will get copyright on that compilation, but of course not of the laws themselves. Just an example.

  127. A million monkeys by dzurn · · Score: 2, Funny

    A million monkeys could type out all of Microsoft's source code?

    Ha! So that would explain [insert MS product name here] !

    {BTW, all possible software-product permutations of this joke are hereby copyrighted, so this IS on-topic.}

  128. Re:WARNING: moderators on crack by Anonymous Coward · · Score: 0

    Simple: it wasn't either coyrighted or patented!

  129. They can ram it where it fits by w00dy_aus · · Score: 1

    Well,

    With this vast world of stupid stupid people, here comes more stupidity which leaves me in awe, this time in my own country.

    All my mobile (or Cell as you yanks like to call them) numbers and home voice/data lines seem to be held by their 'copyright'

    I think i speak for many of us when i say they can go and F*CK themselves. I don't give a royal rats a*se about what they this in any way and if they are stupid enough to even pursue this and some crazy lawyer and senile judge can stand behind this and back them what can I say? What a crazy world.

    Go F*ck yourself Dr.Sonique and Jon Drummond!

    1. Re:They can ram it where it fits by ShadeEagle · · Score: 0

      Their Flash program will say ALL numbers are copyrighted, no matter how long.

      I smell a hoax.

      Try 1234567890123456789012345678901234567890 - it's apparantly copyrighted - yeah right.

      Anyone who has enough time to copyright phone numbers has enough time to work a second job to earn money only to donate to charity.

      I work at a call centre for one of the three largest national dialup ISPs in the USA... I talk to enough idiots, thank you!

      (For 50 SE-points, be the first to guess the ISP!)

  130. Re:Copyright does not squash other independant wor by drix · · Score: 2

    No, they only used about 3,000.

    --

    I think there is a world market for maybe five personal web logs.
  131. Re:Copyright does not squash other independant wor by sharkey · · Score: 2

    Mapquest does. The directions to our new office yesterday, printed from Mapquest, got us fairly well lost. The last to turns were onto streets that apparently don't exist within a mile or two of our destination. I guess us getting lost in a rental van that was acting like it was going to crap out at any time in the middle of fairly busy streets populated by hideously incompentent drivers and 2-ton dump trucks is a small price to pay to keep people from printing out copyrighted maps from Mapquest.

    --

    --
    "Outlook not so good." That magic 8-ball knows everything! I'll ask about Exchange Server next.
  132. Idiots. Flash-only website. by fanatic · · Score: 2

    Where do they find morons to design websites that DON'T WORK without flash? Dipshits.

    --
    "that's not encryption - it's a new perl script that I'm working on..." - from some Matrix parody
  133. Re:WARNING: moderators on crack by Anonymous Coward · · Score: 0

    How'd you guess it was me?

    -CmdrTaco

  134. some phones don't play the tones these days by Splork · · Score: 2

    they just emit a sad beep no matter what button you press.

    1. Re:some phones don't play the tones these days by Suicide · · Score: 1

      Those phones may emit a bland beep with their external speaker, mine does, but they do have to send to proper tones to the phone company to connect the call. You're just not positioning the phone such that you can hear the tone while dialing.

      Someone correct me if I am wrong...

    2. Re:some phones don't play the tones these days by jimwelch · · Score: 1

      Some PBX phones will send the number you dial digitally to the phone system (SS7 protocol). Locally they give you the "bland bleep" as feedback that the button was actually pushed. This method is faster than DMTF, after I release the final button, the phone will start ringing on a local call.

      They still have to a special DMTF generator to send the tones for those automated operators, etc...

      "Press 1 for payments, Press 2 for new service, Press 3 for complaints" BEEP! click! dial-tone!

      --
      Never trust a man wearing a coat and tie!
  135. Your point, sirs? by gimmie_prozac · · Score: 1

    I'm at a loss as to what this has to do with copyright law protecting big business rather than artists. Are phone numbers supposed to represent artists, and the two pranksters supposed to represent big business, or what? Seems more like a publicity stunt to me...

  136. Beh. I'm not worried. by ShadeEagle · · Score: 0

    Under the Fair Use Doctrine, I'm allowed to create derivative works, aren't I?

    :-p

  137. Circumvention is easy by Anonymous Coward · · Score: 0

    As thy copyrighted the tunes, just remove the speaker when you're dialing, and the tunes won't be played when the number is composed.
    Another trick would be to dial with a modem after issuing an ATL0 command.

  138. Mod parent up (Re:The Supreme Court disagrees) by e7 · · Score: 2

    This ruling led to the rise of "wannabee" phone directories (which we've had in California for over a decade). The compilers don't copy the yellow pages ads, or any data processing such as separation of business and residence numbers, but they can legally reprint the raw listings.

    (What's pathetic is that the wannabee phone books come out a few months after the telco's, and with a prettier cover, so people actually discard the official phone book ... and yellow pages advertisers are forced to buy their ads twice, one in each publication. Sad.)

    --
    Corollary to Moore's Law: The IQ of new computer owners is declining.
  139. Re:Copyright does not squash other independant wor by Preston+Pfarner · · Score: 1

    I know someone who, as a hobby, likes to drive around verifying the Los Angeles Thomas Guide maps© He's found some inaccuracies©

    I've heard that creators of dictionaries also do this, but that's hearsay©

  140. Rotary Phones. by stuffman64 · · Score: 1

    For once, using my rotary phone pays off!

    --
    --- At my sig, unleash hell.
  141. Im sueing Opus for stealing my phone number melody by Anonymous Coward · · Score: 0

    I have had my phone number for umm.. a good 19 years (had an extra digit put on it after AUSTEL put out 8 digit phone numbers).

    I have been dialing my home number making this melody even before this copyright came about. In fact, Telstra who issued me my phone number created the sequence for me to dial.

    Now I feel that I should sue them for stealing my melody for which I am sure I created before they did. I can prove this. Better still, Telstra could have a better case to sue.

  142. Re:Copyright does not squash other independant wor by enneff · · Score: 1

    "The real unitron has Slashdot ID 5733, but doesn't rate an impostor."

    I've seen this hundreds of times, but what the hell does it mean?

  143. 537-0869 by ConceptJunkie · · Score: 2, Funny

    My phone number in 1980 when that song was big was an anagram of Jenny's number. I always wondered if I would get a call from some dyslexic rock fan.

    --
    You are in a maze of twisty little passages, all alike.
  144. Impossible ! by Anonymous Coward · · Score: 0


    Tell me more about the computer and database that is keeping track of 100 billion of these.

  145. prior use & extra digits by Anonymous Coward · · Score: 0

    What about "prior use?" I was using my number long before it was copyrighted. Of course, this could prevent any NEW numbers (er.. compositions, good greif) from being used.

    Also, I never dial just 10 digits. I always dial an extra digit or two at the end. That way I skirt the copyright, and get to be creative at the same time! :-)

  146. Dial-tone protocol. by repvik · · Score: 1

    Now, ISDN afaik uses a dialtone protocol. Does this use DTMF tones too? If that is not the case, I can safely dial any number from my home telephone. (Come to think of it, won't this apply to cellular phones to,using the GSM protocol to carry the numbers?

  147. Re:Copyright does not squash other independant wor by Anonymous Coward · · Score: 0

    It identifies the "unitron" user as ID 5733, thereby reminding you that anyone with an ID other than 5733 is NOT the user "unitron".

    It then goes on to say that there is absolutely no point in becoming a "unitron" imposter (by, say, calling yourself "unitr0n"), because "unitron" just evolved past the primordial soup stage yesterday.

  148. Re:That covers every phone number [informative] by Anonymous Coward · · Score: 0

    Look in your modem book, and you'll see that there are actually 16 pairs of DTMF "sounds", not 10.

    I'm not sure how the A,B,C,D tones are used on POTS, but on the US Military's Autovon phone network, there are sets with buttons that "do" those tones that let them place various levels of calls, i.e., the commander of Central Command will have a phone with the "override all" button (along with the other 3) so he will always be able to initiate a call on autovon. The sergeant at the motor pool, well, the only Autovon phone he can access is in the company clerk's office, and it looks like any other regular POTS phone set (0-9,#,*).

  149. Re:That covers every phone number [informative] by sallen · · Score: 1
    They'd only have to copyright twenty tones, not 1 million or whatever, since each tone has two tones making it up, and each digit is based on those combinations. Although there are also the pound, star, and a-d tones as well (although the a-d are really only used on PBX's) but those are irrelevant.


    And that will undoubtedly be their problem. Since Bell Labs developed this many many years ago, one might first check to see if they've patented those two tone combinations previously, at least for the purposes of switching/dialing.

  150. ISDN by cgleba · · Score: 1


    Hmm. . .the phone companies could have bypassed this my implementing ISDN in the 70s like they proposed :).

    ISDN = I Still Don't Know

  151. Re:What do you call this? A straw clown? by memyselfandmyhand · · Score: 0

    > it is impossible to copyright a word, phrase, note, or chord

    So... it would be impossible to copyright the word Illustrater? somebody tell adobe that.

  152. Previous Use by KernelHappy · · Score: 1

    I'm not a lawyer but I used to date a girl in law school, so obviously I know what I'm talking about

    But doesn't previous use negate copyright claims like these? For example a company that copyrights an integral part of another companies product that wasn't copyrighted. I believe that the copyright claim will fall apart (luckily) if the company that originally used it proves prior use.

    I totally understand that this is an excercise in mocking the absurd state of copyright laws and use, but I think these are totally useless in a serious excercise of the absurd.

    Several other people have stated that music is copyrighted based on the notes, pitch and tempo, so maybe a better example would be to copyright 100,000,000,000 combinations of notes (millions of monkies at millions of typewriters....). With that many your bound to find one or two that occur in works created after the copyright is obtained. If just 2 of the 100,000,000,000 combinations stand up to the interpretation of copyright laws you have a winning argument. Then again this is all contingent on luck and my first comment about previous use.

    --
    -- Button up, your ignorance is showing
  153. Different rhythm? by DjDanny · · Score: 1

    Surely if you hold down one number for a bit longer, or leave a shorter/longer gap between some of the numbers, this doesn't exactly match what they've copyrighted which means it's ok!

  154. Re:What do you call this? A straw clown? by Anonymous Coward · · Score: 0

    Of course it would. Adobe has a trademark, which is quite different (for one thing, they lose it if they don't defend it).

  155. Why don't you see....? by sluggie · · Score: 2, Informative

    Why can't you see that this is a hoax? Is it really that difficult to find out?

    You can query that number finding thingie with everything. It will always print that the number is licensed, even if you just enter some letters...

    my 0.02

  156. Cool! by Cave+Dweller · · Score: 0, Redundant

    Nifty! Now excuse me, I'm going to copyright all those combinations BACKWARDS!

  157. Re:Copyright does not squash other independant wor by Cederic · · Score: 1


    Hmm, Ordinance Survey maps in the UK are pretty accurate (within date limitations - places change, etc).

    Then again, you have to pay for them - the problems of self-funded Government departments.

    Actually, thinking about it, I wouldn't be too surprised if they don't intentional inaccuracies - putting a small cross marked 'Nuclear Bunker here' with the correct elevation and grid position would tend to assist nasty people that don't like us perhaps a little too much.
    ~Stuart

  158. one word by dvoosten · · Score: 1

    One word: prior art.
    Most, if not all phone number is use today have been dialed by someone in the past. This means that there is a prior art case for each phone number in their portefolio. I don't think anyone will be foolish enough to take this joke to court.

    --
    -- Please put this in your sig if you think /. should stop posting NYTimes articles.
  159. Bogus patent by Anonymous Coward · · Score: 0

    This equals patenting folk music. The patent should have been rejected.

  160. years2secs by cwebster · · Score: 1

    you know, due to overflow your sleep will only last approx 219 years, not the 7,500,000 years intended.

  161. the hole in the plan... by Anonymous Coward · · Score: 0

    GSM mobiles don't use DTMF or VF tones to dial within their own network, it's done with real data, I believe. But the network owners do use DTMF or VF to communicate into some other networks and the PSTN. These people will have to get around the problem. I love the whole concept, more power to them...

  162. more fun - incitment to commit a crime by Anonymous Coward · · Score: 0

    In Australia, it is against the law to incite (or even encourage) someone to commit a crime.
    so giving someone a phone number to call, could land you in jail!

    And of course, there is all that scope for contributory liability (the whitepages is a manual
    on how to reproduce copyrighted material :)
    Telstra (phone company) sells you the instrument to reproduce their opus materials, etc

    I wonder if the dual pitch mechanism could be considered complex enough to be treated at a "effective copyright control mechanism" ;-)

    excellent!

  163. Napster by seek31337 · · Score: 1

    Could someone plz upload 1-800-flowers to Napster for me? Will trade for almost any of the "Help, I am stuck in a freezer, save me!" songs from Short Circuit 2. (except "Broadway", I hate that friggin song.)

    k plz thx

    --
    No SIG for you!
  164. Our Victory by Lunastorm · · Score: 1

    Thanks to this article, now I know longer regret being a social outcast and not being able to get any girl's phone number in my blackbook. I can't wait until those "cool" kids are arrested and fined for the dirty pirates they are.

    --
    You die too easily.
  165. I'll believe them by simong · · Score: 1

    When they play the whole thing with a full orchestra.

  166. ScaredCity(?tm?) Enforces Rights to Free* Speech by Anonymous Coward · · Score: 0
    * as in good taste? We'll NEVER force any of our revolutionary patentdead communications secret kodes on you at ScaredCity. We do hope to preserve yOUR right to whine about almost anything. There does seem to be a LOT of juggling between trying to garner facts, & keeping the "bull" fed up. YOUR right to know legitimate (not ?pr? generated) stuff is sacred, don't blow IT. Three cheers to mr malda, he is an evinrude.

    Don't forget to let us know how you think these URLs, (includes year's free hosting), should be used. If we agree, we'll give IT to you. Thanks for the positive interest so far.

    djia hear, fud is dead? ITs all good gnus from now on.

  167. Re:What do you call this? A straw clown? by jeti · · Score: 1

    In that case:
    Can they register the tones as trademarks?

  168. telemarketers by mach-5 · · Score: 1

    Don't check your number. They could be going directly to a database and you could end up being called by all types of telemarketers. Hey, its a possibility.

  169. You can not copyright a phone book by werdna · · Score: 3, Informative

    This is well-settled. No copyright is possible.

    The Supreme Court held in Feist that the white pages do not meet the burden of originality, and therefore cannot be protected by Copyright.

  170. These words do not mean what you think they mean by werdna · · Score: 2

    The word, "Science," as used in the Patent and Copyright Clause, has nothing to do with "scientific research."

    "Science" refers to the archaic meaning of literary technique, or, the "craft of writing." "Useful Arts" refers to patentable technology.

  171. RIAA phone number copyrighted by Anonymous Coward · · Score: 0

    Too bad we can't call the RIAA - their phone and fax numbers - 775-0101 and 775-7523 - are copyrighted by these guys.

  172. Prior Art? by Anonymous Coward · · Score: 0

    What about Prior Art?

    I've been playing my home and business phone number for years, and these guys have added it to their composition!

    While having an actual copyright gives you more legal recourse, as soon as you create a piece of art it's yours. I can easily prove that I wrote some of the 'music' that's in this piece years ago.

    Maybe I'll sue them.

    :)

    1. Re:Prior Art? by IP,+Daily · · Score: 0

      Prior art doesn't apply to copyrights, only to patents. The standard for getting a copyright is originality, not novelty. That is, you only have to prove that you didn't copy something to get a copyright on it. You don't have to prove that you were the first to have authored it. If you give an infinite number of monkeys an infinite number of typewriters, the one that inevitably churns out "War and Peace" gets a copyright on it, even though he wasn't the first to write it, merely because he didn't copy it.

  173. Re:That covers every phone number [informative] by gorilla · · Score: 2

    Except that you can't copyright something that doesn't have "signficant creative effort", and I doubt if either the 16 DTMF codes nor the possible dialings sequences from them qualify.

  174. Digitalis & Ridicarousness by RalphTWaP · · Score: 2

    *grins*

    I am indeed quite anal, or at least that's what some people say; however, it seems to me that the first implementation of DTMF most likely could provide compelling evidence that they were the original performers of the melodies that have been copyrighted. In fact, I'd be willing to believe that routine testing for telco switches includes testing with some large portion of that address space.

    Of course, it seems simpler to just turn off the dial-time speaker on your phone (pardon, not using digital?). It seems kind of unlikely that a musical copyright could be held on a string of digits, even if it was granted on the musical arrangement that is 'played' by the DTMF switching.

  175. Whole new Business model by Martin+Spamer · · Score: 2, Funny


    This suggest a whole new business/income model. Perhaps we should patent it before some corporate monster does :)

    1) Copyright your number, including dial tone.
    2) Allways complete your phone-number on forms, and request for information. Include notification that use of your number is by licence only.
    3) Receive call(s).
    4) Charge abusers licence fee.

  176. DTMF by Anonymous Coward · · Score: 0

    As someone who up until recently developed DTMF Rx/Tx and dial tone generation software, can I expect these guys to come knocking (ringing?) on my door?

  177. Middle C by Anonymous Coward · · Score: 0

    I knew I should have copyrighted middle C when I had the chance. That way every paino tuner in the world would owe me royalties.

  178. Re:That covers every phone number [informative] by Telecommando · · Score: 1

    Actually there's only 8 tones, 4 for the rows and 4 for the columns making 16 possible combinations.

    There's a 4th column to the right labeled ABCD. Most phones don't have this column but telephone test equipment does.

    As a side note, many Hayes compatible modems will produce the tones for the ABCD keys if you send one of these letters in the dialing string. (The dialing string "ATTD 1234567890#*ABCD" will produce all 16 tones)

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  179. umm, sorry boys, copyright doesn't work that way by mickeyreznor · · Score: 1

    ok, the way these guys are thinking, your phone is an "instrument", and the phone # melody is the "song". However, simply dialing my phone in my house does not violate copyright law. Copyright law involves COPYING. While the tones are transmitted to wherever it goes, it is not distributed. Wherever it goes, it does not get copied. And since this is only between 2 parties, this is not technically a performance (am i violating copyright law when i'm playing stairway to heaven on my guitar in front of a couple friends?). Sorry, but this does not stop telemarketers in any way, unless you copyright the #'s

  180. Re:Copyright does not squash other independant wor by kspencer · · Score: 1
    Actually, phone books are copyrighted. You can't legally copy lists of names and phone numbers from the phone book to make your own phone book for sale.

    No. See Feist Publications, Inc. v. Rural Telephone Service Company, Inc. 916 F.2d 718 (CA 10 1990). In simple, it says that the white pages - the lists of names and phone numbers - can't be copyrighted.

  181. Re:Copyright does not squash other independant wor by toast0 · · Score: 2

    I believe there was a lawsuit several years ago about copying lists of names and phone numbers to make your own phone book.

    And it turned out to be legal, however only copying the information is legal, copying the formatting (probably ads as well) is not.

  182. can't the marketers dial with pulse? by Anonymous Coward · · Score: 0

    no one can stop the mt. washington bank mortgage department from cold calling for refinancing... they're just too powerful!!

  183. Re:Copyright does not squash other independant wor by Telecommando · · Score: 1

    As a kid my job on family trips was to read the map and figure out where the next turn, gas station, etc. was. My father drove and my mother's eyesight wasn't good enough to read the maps well. I remember one trip when my father asked me how far to the next town (he was looking for a gas station). I checked and it was something like 8 miles. 8 miles passed and no town. Then 10 and still no town. My father got mad, said I wasn't doing a very good job of navigating , pulled the car over and ripped the map out of my hands. He studied it for a few minutes as we all sat in silence. Finally he said, "Either this damn cheap map is wrong or they moved the town." Years later I found out about the "markers" that mapmakers put in to insure that their works aren't copied.

    When I moved to where I live now I was given a map of the area by my employer. I noticed one day that there was a street marked "PUD Drive." I thought that one was pretty funny at the time. Over the next few years I noticed it on a lot of maps from many different companies. One Saturday, with nothing to do, I drove over to PUD drive and found... NOTHING! It didn't exist!

    Curious, I went to the city planner's office the next Monday and asked about it. With a sigh the secretary told me they get this all the time. PUD stood for "Planned Urban Development" and some idiot mapmaker years earlier had copied it as though it was the name of a street and it ended up on all succeeding maps thereafter.

    Pud Drive was on Mapquest as recently as 2 years ago when I sent them an email telling them about it along with several other errors in their maps (like one-way streets going the wrong way and exits that no longer existed). I never heard back from them but I just went there now and noticed they have corrected their maps to implement (most of) the changes I sent them. In fact, I can't find a PUD on any city I try, and there used to be a lot of them on Mapquest.

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  184. Re:Copyright does not squash other independant wor by GigsVT · · Score: 1

    You are wrong. Phone listings are not subject to copyright. The presentation/ads/other stuff in the phone book might be, but the listings are not.

    --
    I've had enough abrasive sigs. Kittens are cute and fuzzy.
  185. Re:Copyright does not squash other independant wor by 3waygeek · · Score: 1

    There was an article in the LA Weekly 10-15 years ago describing how Thomas Bros. make their maps -- the deliberate inacurracies, sometimes called "copyright bugs", were mentioned.

    IIRC, at one time, they offered some kind of prize to anyone who reported some magic number of such bugs.

  186. hrmm by vinnythenose · · Score: 1
    Oh look, aaa-zb$# is apparently in their database, but there doesn't seem to be a melody attached? I wonder why??!?!


    Aside from that, to register music, doesn't that also include rhythm of the music? So theoretically if this were inforcable, if I played it to a different beat, wouldn't that be a totally different tune? (Hey, just look at modern pop/rock, they do it all the time, and don't get me started on rap, but at least they usually liscense their samplings of classics)

    --
    --- I used to moderate, then I read the -1 articles and decided having to filter through them was not worth it.
  187. (C)Tones! What about Clicks, Beeps? Patent Cursor? by YeOldeCurmudgeon · · Score: 1
    These things could become a great source for funding OSS. Dual tones are used in most train, auto and truck horns...so that could also be treated similarly. But let's think bigger!

    1) There is so many sounds to capture under copyright! A virtual waterfall! Perhaps a John Cage (R) type of musical composition can be made of computer keyboard clicks, clacks, chirps, POST beeps, computer fan sounds, startup and shutdown noices, noises associated with insertion and removal of various media, all manner of power switches, battery compartment opening and closings, stylus scratchings, changes in power levels, brown out and black out and power restore noises, microphone/speaker feedback noises, pops and whistles, touch screen manipulation sounds like finger tip dragging, monitor voltage pops, various plug insertions & removal, printer warm up sounds, printer printing sounds, paper jams, and of course the swishing of mice balls rolling on pads, all manner of static discharges, along with the visuals for LED flashes. Let's not overlook the sound of vacuum cleaners going over computer cables and eating small screws and little lumps of solder, and of fingers caught in crimpers. This should result in a much quieter world and prevent lawyers from ever using computers again.

    2) Now I was reluctant to share this next idea, but I can't control myself anymore. Would someone friendly to OSS please patent the 'cursor' and 'scrolling' and assign it to Richard Stallman for GPL? That should cause all computer systems to fall under GPL...and we can start planning for a Happy Halloween! By Microsoft's legal theory, this should make all software coded via a cursor enabled program fall under GPL.

    3. This takes really big thinking, bigger than the thoughts behind the above. Patent, Trademark and Copyright "Copy as Original Performance". Normally playback is assumed to be a copy, unless (heh, heh, heh!) we can get this construed as performance art in and of itself. We merely have to show a playback differs from original and the added component of additional human expression and creativity introduced makes it original...not derivative. Somehow we'd need to make the backdrop under which mimicry is performed stand out as creative and evolutionarily significant, like the deceptive bugs and animals in the world that mimic much deadlier or more nasty tasting critters.

    4) If time permits, copyright sounds of water falling on rocks, sand, leaves, etc., snow landing on ice, heavy breathing, noises human bodies make solo and in groups of two or more, ...all sounds of nature...that way ads can't use them without paying royalties.

    5) Slashdot should be able to copyright or trademark 'Slashdotted', 'Moderated up/down', 'Post Comment', 'Slashdot effect'....

    6) Print preview button

  188. What is actually patented ? by nickol · · Score: 1

    If they are trying to patent the METHOD of
    generation of sequences of notes, everything is
    OK. I'm not reproducing their method dialing a number.
    If they are claiming copyright for the actual sequences,
    they have to register them all, either in separate statements, or all together,
    on a large piece of paper. I think it is illegal to claim copyright on something that is not published somehow (correct me if I am wrong).
    So, they must at least place the whole list at their site. 10^11 bytes, you say ?

  189. Freedom of Expression by CrackWilding · · Score: 1

    I have a friend who trademarked the phrase "freedom of expression."

    He then invented a fake lawsuit over the phrase, which he got a newspaper in Massachusetts (I forget which) to cover.

    When the paper found out that the lawsuit was a hoax, they were, understandably, pissed.

    Same friend wrote them a letter asking if he could use the article on the lawsuit in his doctoral thesis.

    They wrote him back, invoked copyright ('cause they were pissed), and said no way can you use that article.

    So he used the letter they wrote him. It now serves as the introduction to his thesis.

    True story. He now teaches communications at the University of Iowa.

    --

    Visit sunny Knowumsayin.com, home of the pork shirt.

  190. excellent by outerbody · · Score: 1

    now, i'm ok with not calling my house, but you can be sure that the next time i get a call from a tele-marketer, i'll ask to make sure they've cleared usage with magnus-opus before dailing.

  191. What about ROT13 and XOR by rsimmons · · Score: 1

    I'm sure that someone out there has patented ROT13 and XOR. Why not patent ROT14? Even better, why not patent ROT26? Then you could sue everyone!

  192. Or... by Shin+Elendale · · Score: 1
    An American law in Russia?
    I think that Dmitry guy is still being held...

    Yeah, this one gets the "most uninformed /. of the year" award.

    -Elendale

    --

    IANAT (I Am Not A Troll)

  193. Re:That covers every phone number [informative] by Asgard · · Score: 1

    I think most late-model modems will translate the letters to numbers for youe, IE ABC=2,DEF=3, on the idea that people are typeing out 1-800-MYISP etc etc.

  194. Isn't the copyright backwards? by unferth33 · · Score: 1

    ...The people who are "playing" the melody are the people who woule be calling that number.. not the person who happens to be at the recieving end

  195. 1800 COLLECT by Anonymous Coward · · Score: 1, Funny

    Hey, all those tv commercials (call 1800 collect) use the dial tone in their commercials. that's clear infringement!

  196. Maps still have inaccuracies by superflippy · · Score: 1

    I can attest to the fact that this is still being done. I needed an outline of South Carolina for a recent web project, and had to go through several clip-art map collections to find one that was reasonably accurate. Most maps I found left out significant portions of the state (e.g. the entire upper 1/3). I can only guess that the mapmakers thought SC was unimportant enough to serve as the digital watermark for their clip-art map collection.

    --
    Your fantasies contain the seeds of important concepts.
  197. Genius! by jfisherwa · · Score: 1

    If numbers cannot be copyrighted..

    and MP3s are just a series of numbers..

    therefore..

    MP3s are made of wood!

  198. Do they really have them all? by maydog · · Score: 1

    Lets see 1x10^10 * (7 bytes per telephone number ) equals about 700 gigabytes of storage of all the numbers. They must have a great server to look up the numbers I tried so fast. Its amazing that they even have 20 digit numbers stored. I you could fit 160 phone numbers on a page of paper you would only need 62 million sheets (6 years to print on a fast printer) of paper or 125000 reems. I would have liked to see the hard copy of that application. Obviously they just have an program that responds yes to every number you give it and plays an annoying little ditty. Then maybe it logs that number somewhere - but they did not generate all these numbers. They can copyright their program but not the numbers(songs) - since the viewers are actually generating them. Someone in that copyright office should get spanked.

  199. This is genius but.. by ldopa1 · · Score: 1

    The copyright is cannot be enforced. First of all, it requires that Magnum Opus copyright all combinations of tone lengths for all combinations. In other words, because Magnum Opus has copyrighted a phone number (555-1212) in chordal quarter notes, all I have to do is play a half note for the last (or first or third... ) digit.

    I still think it would be worth it to get at telemarketers. ("Would you like to buy life insurance?" "Sure, I'll have plenty of money after you pay me the $100,000 US for playing my symphony. You should've bought a performance license.")

    On that note, does that mean that my email address can be copyrighted? Does that mean I can sue spammers for using my email address without permission?

    Seriously, according to this page on the Franklin Pierce Law Center's website, the copyright is unenforcable on the face of it because it violates the "Fair Use" portion of copyright law. That part states:

    Fair use.
    Fair use is one of the most important, and least clear cut, limits to copyright. It permits some use of others' works even without approval. But when? Words like "fair" or "reasonable" cannot be precisely defined, but here are a few benchmarks.
    Uses that advance public interests such as criticism, education or scholarship are favored -- particularly if little of another's work is copied. Uses that generate income or interfere with a copyright owner's income are not. Fairness also means crediting original artists or authors. (A teacher who copied, without credit, much of another's course materials was found to infringe.)
    Commercial uses of another's work are also disfavored. For example, anyone who uses, without explicit permission, others' work to suggest that they endorse some commercial product is asking for trouble! Yet, not all commercial uses are forbidden. Most magazines and newspapers are operated for profit; that they are not automatically precluded from fair use has been made clear by the U.S. Supreme Court.

    --
    The Dopester
    "Yes, I'm a Karma Whore, but I'm doing it to pay my way through school."
  200. What's Next? by do!omite · · Score: 0

    Copyright all the notes in music so we can sue the greedy record labels for maiming Napster!

    --
    **********
    If it says "Troll" on this post,
    I successfully annoyed a nerd herd! :)
  201. I did this years ago... by Anonymous Coward · · Score: 0

    Back in '91 I claimed copyright on the sequence:

    123456789101112131415161718192021...

    All that stopped me from suing was the fair use exemptions --- 5% of infinity is quite a lot...

    Of course these days the law doesn't respect fair use so I might be on a winner.

  202. Internaltional sampler by Kibo · · Score: 2

    Dude. They'd be 'sampling'. So not only would they owe a royalty for the use of the original 'phone number' but a fee to Puff 'Sean Diddy' Daddy for licensing his buisness method patent.

    --
    --Jimmy has fancy plans; and pants to match.
  203. My Phone Number...Ripped!!! by walkerp1 · · Score: 1

    OMG! I just saw my phone melody MP3 on Napster!

  204. Not prior art by phliar · · Score: 1
    SlashGeek writes:
    Well, I think it would be pretty easy to claim "prior art"
    "Prior Art" applies to patents, not copyrights.

    --
    Unlimited growth == Cancer.
  205. Re:Copyright does not squash other independant wor by Longstaff · · Score: 1

    I believe that he's poking fun at Bruce Perens' old .sig, which read something like "The real Bruce Perens has slashdot ID 17563, anyone else is an imposter" (or whatever his ID really is).

  206. Re:Copyright does not squash other independant wor by MaxGrant · · Score: 3, Interesting

    The office where you can get those from is in Denver, CO. Just get yourself in the neighborhood of 6th Avenue and Kipling. You absolutely cannot miss it. I went down one day just for the fun of it and picked up a complete set of (very nice) maps of Mars for $9. The joy of publicly-funded research results actually being available to the public!

  207. Copyright law by gvonk · · Score: 1

    The problem is, US copyright law looks at the originality of a work. In that sense, the numbers in a phone book do not have a very strong copyright interest to them but the other original content (ie coupons, apartment guides, etc) or the way the data are laid out or typefaced CAN be copyrighted and protected.

    --


    El Karma: excelente(principalmente la suma de moderación hecha a los comentarios de los usuarios)
  208. P. Diddy. by viper21 · · Score: 3, Funny

    You just wait until P. Diddy starts sampling these tunes.

    I bet He buys J-Lo's new number.

  209. full it crap by foo(foo(foo(bar))) · · Score: 1

    I know this if flame bait, but these guys are full of crap...they can come down here and watch me dial my damn phone number all day long


    You know what...i'm copyright the thread patterns in underware...everyone who wears underwear must pay me $100 a day to wear underwear.
    /p

  210. What about other forms of reproducing music? by nick_burns · · Score: 0

    If this is true, I guess its illegal to hum or whistle a copyrighted song. In fact, it would be illegal to sing along with a song in your car. I guess I can't do that any more either. And I had just got through being able to speed-whistle all my friends phone numbers.

  211. What if we got there first? by Cruciform · · Score: 1

    Under Canadian copyright law, if I create something, then I have the copyright on it. As long as I can prove I did it before someone else I don't even have to register it.
    So any phone number (melody) I might have dialed on my touch tone phone 15 years ago, is already in copyright and therefore these bastards are infringing on my rights as a composer as well! :)

  212. Paperwork for copyrights by nick_burns · · Score: 1, Informative

    Given that there are at least 100billion combinations, and the weight of paper is about 1 pound per hundred sheets, we're talking about a billion pounds of paperwork filed, assuming one sheet per copyright. And according to CNN, the mass of the debris of the WTC is 2 billion pounds. So we're talking about the mass of one of the towers worth of paperwork. This obviously is a fraud and even if they were to start work printing paperwork at 1000 pages/minute, it would take 100million minutes, which is just over 190 years. So I think we're safe for now, at least until they get your phone number filed.

  213. In other news... by CaptTrips · · Score: 1

    Microsoft has decided to patent ones and zeros. http://www.theonion.com/onion3311/microsoftpatents .html

    --

    grep >= ! == $your
  214. Worry not, Slashdot; Math defeats all. by _ZenZagg_ · · Score: 1
    On their site, they state their melodies are made of 16 tone pairs, or 'diads'.

    "The Magnus-Opus series is based upon pairings of eight notes used to create sixteen different diads or two note chords. These tone pairs are used to create melody 'modules' of a standard twelve note length. Additional compositions may be obtained by joining melodies together, or by adding melody fragments to standard twelve note melodies. "


    That is 16^12! A quick calculation shows 16^12 to be 281,474,976,710,656 melodies. It would take centuries to generate and store that many 'melodies'...just to store them would take up thousands of terabytes (unless you specified some sort of range, but that defeats the reason for the 'melody' model).
    This sequence when expressed through the operation of a simple algorithmic generator produces some 10,000,000,000 melodies (together with a more or less infinite number of additional compositions produced by the addition of melody modules or fragments thereof).


    I'm not even going to go into the math of 'adding modules together'....Geez. Even if they only had a trillion combinations, we still shouldn't be quaking in our boots; phone switching relays still connect to a 'normal' number even if you add other numbers to the end, or dialing a number prefix like '*70'(disable call waiting) before dialing, (ex: "*701-800-DIE-DMCA12425261#*##") and that makes for an original work that I'm sure they don't have copyrighted :P
    --

    "Witty Phrase."

  215. A recent legal case in the UK by hawthorne · · Score: 1

    where the Automobile Association (AA) was found guilty of copying maps produced by the Ordnance Survey, and fined £20million goes to prove that this still happens, as it was used to prove that the offence had taken place.

  216. Re:Let me get this straight... by Anonymous Coward · · Score: 0

    Sorry, how long can you morn the dead. On a global scale the deaths of 6000+ is rare but not outstanding. The ONLY things that have made this news worthy for this long a period of time is that it was done by the hand-of -man and that it happened in the USA. Anywhere else in the world and this would be old news and forgotten. Americans KILL 40,000+ fellow Americans per year, talk about priorities!

  217. in other news... by Anonymous Coward · · Score: 1, Funny

    Microsoft have licensed the tones for thier support line numbers. The cost will be added into the support costs and made retroactive for 10 years.

  218. Recordings ARE copyrighted, performances AREN'T by Chump1422 · · Score: 1

    No, recordings of songs are copyrighted. That's why Napster got shut down.

    Performances aren't copyrighted. So cover songs are legal since you are recreating a performance of a song. It's illegal for them to copy the lyrics, which is why you'll rarely, if ever, see the lyrics to a cover song in the liner notes of an album (check it out if you don't believe me). But it's fine to play someone else's song since you're recreating a performance.

    IANAL (yet), but I do work at one of the top IP firms in the US, so I'm pretty confident that I've gotten accurate information on this.

    1. Re:Recordings ARE copyrighted, performances AREN'T by Anonymous Coward · · Score: 0

      For melodies / lyrics, there's what's known as compulsory licensing. If you pay $0.0X per copy(where the amount of money is set by the Government), you can distribute your own cover of a song. The private companies that take care of a lot of the clearinghouse work tend to set minimums (500 copies) and paperwork requirements that would make things very tedious and expensive for small-scale distribution, but that probably amount to rounding error for a major artist.

  219. Re:Copyright does not squash other independant wor by netsharc · · Score: 0

    If a million monkeys type out the source code to MS Office, Microsoft can't sue.

    They'll sue for theft of business method!

    --
    What time is it/will be over there? Check with my iPhone app!
  220. Re:Copyright does not squash other independant wor by unitron · · Score: 2

    Congratulations, it *is* a gentle and friendly satire (with a little self-deprecating humor thrown in) of Bruce's old sig, which he instituted a while back due to the confusion caused when others created user accounts with extremely similar names with an easily overlooked difference, such as appending a period, and then proceeded to post stuff that the real Bruce never would. Sort of like our current Cmdr Taco on, which comes up as "Cmdr Taco on on 09:27 AM September 10th, 2001" where the second "on" is easily overlooked if you don't expect it. I made up the time and day in that example. They have no particular significance, I just didn't feel like going to the trouble of hunting up some troll's real posting.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  221. Re:Copyright does not squash other independant wor by unitron · · Score: 2
    primordial soup, mmmmm.

    "Primordial Soup, it's what's for dinner!"

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  222. Re:Copyright does not squash other independant wor by unitron · · Score: 2
    "I've seen this hundreds of times..."

    I gotta quit posting so much. Starting tomorrow. Or right after the weekend. Anyway, real soon now.

    --

    I see even classic Slashdot is now pretty much unusable on dial up anymore.

  223. I'll bite by bendude · · Score: 1

    Here in Australia, we use eight digit numbers (with a non-compulsory two digit area code) for standard land lines. You can call pretty much anywhere in your home state by dialing only eight digits. Cellular phones have six digit numbers following four digit area codes, which must be dialed, thus creating ten digit numbers.

    In interesting alternative news, did you know that Telstra (Australian telecomunications monopolist) has, for at least the last thirty years, laid claim to the copyright on visually reproducing a phone number.
    That's right, when you give a cheque to Yellow Pages, in Australia, they then pass on 80% of that to Telstra for the priveledge of printing Telstra's intellectual property.

    Is this pointless enough to get modded up?

    --


    Get the Hell off my planet, you slimy mobster Bush!
  224. That link always replies that you have requested.. by ^me^ · · Score: 0

    a copyrighted number. I entered:
    134123174892718957182751275812
    and it said it was an Opus Number.

    --
    No one ever says, 'I can't read that ASCII E-mail you sent me.'
  225. A reply from the ACA. by Anonymous Coward · · Score: 0

    When this story was published I sent an email off to the ACA (Australian Communications Authority) asking if they could comment on the issue and got the following email reply.

    Dear Sir,

    Thank-you for referring the issue below to the ACA. I have sought advice
    from our Central Administration in Melbourne and will advise when I have a
    definitive answer. In the interim, I suspect that the answer will be that
    the copyrighting of DTMF tones as melodies can only have any effect on their
    use as part of a public musical performance. I believe it to be highly
    unlikely that music copy right laws have any application to the use of DTMF
    tones as electronic codes for the operation of the Public Switched Telephone
    Network.

    Regards, Johnk

  226. Re:Copyright does not squash other independant wor by MrScience · · Score: 1

    And I should know! I live on one of those streets that have been mislabled. We were wondering why it was so hard to get pizza, then we looked at our King County Thomas Guide (one of the more popular books, and usually very good at that)... and our street is totally mislabled!

    --

    You quitting proves that the karma kap worked. The most annoying of the whores shut up. --CmdrTaco

  227. hoax by echomonkey · · Score: 1

    i'm thinkin this is a hoax...
    try typing in something like "you monkey" and have it search. it'll say a match was found even though there is no music that can go along with "you monkey".

  228. *sigh* by Anonymous Coward · · Score: 0

    It's a prank, mmkay? A *prank.* They're doing it to give the almighty finger to the kind of capitalist twits who think they can get away with copyrighting stuff like the human genome.

    Stop bitching, it'll never be a reality.